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Speaker 1: I was at set Dry Bar when I was still

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Speaker 1: on Dancing with the Stars and this woman sitting next

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Speaker 1: to me goes, Danielle and I said yeah, and she goes, Hi,

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Speaker 1: I just wanted to tell you I've been I've been

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Speaker 1: watching you on Dancing with the Stars. I actually went

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Speaker 1: to high school with you. And I said, oh, really,

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Speaker 1: and she said yeah. I said what's your name? And

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Speaker 1: she tells me your name and she goes, but you

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Speaker 1: probably don't remember me, and I go, no, no, I don't.

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Speaker 1: I mean, should I say this? And You're like and

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Speaker 1: I'm like, sorry, I you know I was I was

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Speaker 1: so often not there.

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Speaker 2: And didn't she just reintroduce herself and say you probably

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Speaker 2: can't say me.

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Speaker 1: And she was like and she was like huh. And

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Speaker 1: then I was like okay. And then when I was leaving,

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Speaker 1: I was like, bye, it was good to see you again.

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Speaker 1: She didn't respond to me, so I leave and I

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Speaker 1: text my friend Jamie, who knows everything about. Jamie's one

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Speaker 1: of those people who like someone tells me like, well,

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Speaker 1: remember that big fight you got into with you and

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Speaker 1: Jen and no, And I called Jamie and I'm like, Jamie,

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Speaker 1: was there a big fight? She oh, yeah, you don't

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Speaker 1: remember you And okay, so you and Jen were and

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Speaker 1: she'll have like all the deals about my life and.

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Speaker 3: I'm like, how do you remember this?

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Speaker 1: She's like remembers everything. So I called Jamie and I'm like, Jamie,

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Speaker 1: I just ran into this woman named this and she

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Speaker 1: she did mention that she was friends with you on

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Speaker 1: Facebook and she's like, oh yeah. She sends me a

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Speaker 1: picture of her. She's like this woman she's a doctor.

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Speaker 1: And I'm like, oh cool. Four nights later, Dylan Efron

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Speaker 1: breaks his nose at dance rehearsal Ghost. I'm like, I'll

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Speaker 1: take you to the emergency room and he's like, no,

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Speaker 1: it's fine. I'm just gonna have my assistant take me.

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Speaker 1: I'm like, no, not, I'm gonna take you and he's

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Speaker 1: like no, my assistant's on his way. I'm like, okay,

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Speaker 1: his assistant takes him. He sends me a text two

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Speaker 1: hours later. He's like, the doctor here went to high

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Speaker 1: school with you.

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Speaker 3: It was her. It was her.

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Speaker 1: Here's the funny thing. Here's how I know for sure

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Speaker 1: it was her. He goes, the doctor is the doctor

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Speaker 1: here went to high school with you? But she says, you.

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Speaker 3: Won't remember her.

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Speaker 1: And I said, well, now I do because I just

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Speaker 1: wander a dry bar. But I didn't remember her from

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Speaker 1: thirty years ago.

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Speaker 2: But she didn't mention the dry bar running. No, you didn't.

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Speaker 2: You make an appointment with her, find out whatever type

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Speaker 2: of doctor she is, if she's a rhinoplastic.

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Speaker 1: Whatever it is you are, doctor are doctors.

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Speaker 2: You gotta just show up and then then introduce yourself

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Speaker 2: and say we were high school together. You probably don't

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Speaker 2: remember me.

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Speaker 1: I told him. I was like, please tell her. I said, hello,

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Speaker 1: we just ran into each other. I don't want her

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Speaker 1: thinking I don't know who she is now. And I said, also,

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Speaker 1: I want her to take good care of you. I

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Speaker 1: don't want her to like, yeah, I just I.

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Speaker 3: Just had this similar thing. But that made me feel

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Speaker 3: far more old. Where I was, you know, in the hospital,

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Speaker 3: and a nurse came up to me, and a nurse said,

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Speaker 3: you went to high school with my mom.

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Speaker 1: So I was like, we have to you were in

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Speaker 1: the hospital. You were in the hospital for a family member,

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Speaker 1: not for family.

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Speaker 3: It wasn't me, and everything's good, by the way, but

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Speaker 3: we were there as a routine thing. But we were there.

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Speaker 3: And she came up and she said, oh, yeah, I

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Speaker 3: think you went to high school with my mom. And

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Speaker 3: I said what, and so.

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Speaker 2: Dude, you're grandpa in myself not that crazy in my mind.

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Speaker 3: I'm still only forty.

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Speaker 1: Eight, I know.

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Speaker 3: So yeah. She's just so strange though, And then she

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Speaker 3: did she texted her mom and said, oh, he's here,

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Speaker 3: and then her mom wrote back, I think I remember him.

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Speaker 3: Was he friends with somebody else? And I was like,

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Speaker 3: the fact that you were on Boy Meets World? No, No,

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Speaker 3: it wasn't that, and she's like, oh, yeah, I think

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Speaker 3: I remember. So again, I got four seed by someone

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Speaker 3: I went to high school with. Forgot, Danielle. You probably

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Speaker 3: won't remember me, but we did Boy Meets World together, so.

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Speaker 1: Go o my gosh. I know. It's it is still

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Speaker 1: shocking to me the amount of people who will come

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Speaker 1: up and ask for a picture or something, and then

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Speaker 1: I take the picture and I'm like, bye, it was

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Speaker 1: so nice to meet you, and they're like thanks, my

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Speaker 1: mom's gonna love.

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Speaker 3: This, like yep, yep, it happens quite a bit. Yeah,

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Speaker 3: my grandma, if you used to have pictures of you

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Speaker 3: on her wall, I'm like, oh my god, and I've

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Speaker 3: in my head I picture him like the old pictographs

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Speaker 3: where it's just the cutout of like the half of

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Speaker 3: my face, the silhouettes old the silhouette, it's just that like,

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Speaker 3: oh my god, Duff, he's so cute. Yes, nice, awesome,

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Speaker 3: just getting old, damn.

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Speaker 1: Welcome to Pond Meets World. I'm Danielle Fischel, I'm right

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Speaker 1: or strong, and.

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Speaker 3: I went to high school with your mom. I'm little Fredell.

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Speaker 1: We will be taping a live episode of Pod Meets

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Speaker 2: taping an episode of Pod Meets World inside Disney California

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Speaker 1: Our side mission through family sitcom. Holiday at is Odes continues,

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Speaker 1: and even though Halloween is behind us, there was one

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Speaker 1: spooky excursion we still had to make, returning to the

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Speaker 1: universe of TGIF and diving into a rare TV episode sequel.

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Speaker 1: We are back at Family Matters for Stevel two. This

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Speaker 1: time He's not alone. Guys. Was Stevel won the best

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Speaker 1: Halloween episode we have seen thus far? I think it was, Yes,

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Speaker 1: were the most full.

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Speaker 3: It was better than Fresh Prince and it was really yeah,

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Speaker 3: I think because remember Fresh Prince just ended like the

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Speaker 3: whole story just stopped. Yeah, where Stepel was like, it

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Speaker 3: didn't take itself seriously, but it was a little spooky

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Speaker 3: and it had the puppet was really cool, and then

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Speaker 3: they showed the making of at the end. Like I thought,

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Speaker 3: all around, it was a pretty solid Halloween episode.

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Speaker 2: Yeah, I guess, so.

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Speaker 1: What do you think of? And then there was was

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Speaker 1: Sean Part two would.

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Speaker 2: Have looked like, oh, it would have been great. Yeah,

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Speaker 2: it would have been let's see what was Scream part two?

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Speaker 2: Like what would have been the next evolution? Because it's like.

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Speaker 3: Would you have done Scream or would you have picked

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Speaker 3: a whole different horror.

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Speaker 2: Type of genre. Yeah, Like we're.

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Speaker 3: At like maybe everybody goes to camp and it's like

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Speaker 3: a Jason, No, we all go to we all go

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Speaker 3: to ski lodge.

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Speaker 2: We all got to go to got to go to

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Speaker 2: a haunted cabin.

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Speaker 3: Yeah, in the mountains. It's a Phoene's cabin. Yeah, and

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Speaker 3: a great idea. Phoene's cabin.

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Speaker 2: Yep, that's it. And we do at idea we do

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Speaker 2: like some.

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Speaker 1: BB episode, but but horror, Oh my god.

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Speaker 3: A moose can't be a killer a moss.

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Speaker 1: So Stevel two was season nine, episode seven of Family

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Speaker 1: Matters final season and a year after the original Stevel

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Speaker 1: So it must have been a hit. The follow up

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Speaker 1: aired on Halloween Night nineteen ninety seven, And if you

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Speaker 1: want to check out Stevel two you can right now.

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Speaker 1: It's streaming on Hulu, so you can know about everything

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Speaker 1: related to a possessed Rkle and reginaldville Johnson doll Okay,

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Speaker 1: What are your early thoughts on this sequel episode.

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Speaker 3: I mean, I don't know, you don't really don't. This

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Speaker 3: was terrible. It was good.

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Speaker 2: It was am because I like the idea of like

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Speaker 2: going back and like having another ROMP and like, I guess,

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Speaker 2: going in, especially since they're set up with by the

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Speaker 2: first one so well, it was like anything goes and

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Speaker 2: they kept it very small and like it's really just

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Speaker 2: the two actors the entire time.

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Speaker 1: Like, yeah, nobody else everyone had finals.

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Speaker 3: Yeah, I think, I think, I guess.

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Speaker 2: I like the idea of there being two dolls, and

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Speaker 2: I like the idea of Carl having his doll. I

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Speaker 2: thought that was funny and it looked funny, but then

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Speaker 2: they just didn't do any in like the Vegas joke,

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Speaker 2: like the whole like Hollywood entertainment thing. When it went

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Speaker 2: on for like five minutes of them dancing, I was like, oh, really,

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Speaker 2: this is just dancing.

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Speaker 1: And it was also so much set up just get

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Speaker 1: into it. How many scenes were there going to be

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Speaker 1: about Steve? This was a dream, This was a dream.

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Speaker 1: You don't you got a sleep? You got to I mean,

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Speaker 1: they were like it felt like half the episode before

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Speaker 1: it was like Okay, come on, yeah, get into.

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Speaker 3: It also seemed like it was the same director, but

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Speaker 3: the voice seemed different, even though.

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Speaker 1: I totally thought the voice was different.

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Speaker 3: Right, well, I thought it was a different guy, but

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Speaker 3: it's not. It's the same guy. And then Reginald vel

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Speaker 3: Johnson doesn't even take off his shoes when he takes

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Speaker 3: a nap. It's the first time, that's true.

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Speaker 1: It was the exact same thing. He laid down on

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Speaker 1: the bed basically like this, with his full shoes on

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Speaker 1: and his whole outfit. It's you know, because then they

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Speaker 1: got to get up. Then they got to get up

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Speaker 1: and run, and they can't have to stop and put

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Speaker 1: their shoes on.

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Speaker 3: Sorry.

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Speaker 2: So what would you have done for Stevel too? How

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Speaker 2: would you have added to the the Stevel storyline?

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Speaker 3: I would have gone with what they did essentially in

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Speaker 3: I wouldn't have made it reginaldvel Johnson. I would have

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Speaker 3: made it the girl he's in love with. And I

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Speaker 3: would have done because Chucky doesn't Chucky get a bride.

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Speaker 3: It's like Bride of Chucky. I would have gone Bride

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Speaker 3: of Chucky with it, and it would have been Laura

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Speaker 3: that would have done it, and it would have been

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Speaker 3: the two a boy puppet and a girl puppet running

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Speaker 3: around doing stuff.

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Speaker 2: It would have been fun to just take the stevil

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Speaker 2: idea and bring it to other characters, which they kind

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Speaker 2: of did with Carl, but they should have probably had

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Speaker 2: Steve not in this one at all. Yeah, and like

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Speaker 2: the Stevel and Lisz other family members and gets other

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Speaker 2: dolls and then at the end Erkele comes back. But yeah,

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Speaker 2: as it was, it was just kind of like, oh,

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Speaker 2: we're just doing this again.

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Speaker 1: Yeah. Eventually the synopsis Erkele's evil ventriloquist dummy Stevel is

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Speaker 1: back with a vengeance, and this time he's not alone.

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Speaker 1: His sidekick, Carl's Bad has arrived to help steal Erkele

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Speaker 1: and Carl's souls. It was directed again by Rich Correll.

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Speaker 1: He is a sitcom vet who directed the very first

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Speaker 1: Stevel episode and it was written by a new name,

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Speaker 1: Jim Gogan. Jim was a big sitcom writer, starting his

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Speaker 1: career on shows like Facts of Life, Silver Spoons, and

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Speaker 1: Mama's Family. He'd end up creating the Sweet Life of

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Speaker 1: Zach and Cody, which is a fun career trajectory. This

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Speaker 1: is one of thirty two Family Matters episodes that he wrote,

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Speaker 1: we went over the stars in our first recap, but

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Speaker 1: here's a quick reminder. Reginald Bell Johnson is Carl Winslow.

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Speaker 1: Joe Marie Payton plays Harriet Winslow, Darius McCrary as Eddie Winslow,

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Speaker 1: Kelly Sheen Williams is Laura Winslow. Brighton James is Richie Crawford,

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Speaker 1: and the great Julia White as Steve Urkele. Guest starring

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Speaker 1: this week, Orlando Brown returns as three J. Director Rich

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Speaker 1: Carrell again supplies Stevel with his voice. Josh Ryan Evans

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Speaker 1: is also back as Stevel. Evans, who was just thirty

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Speaker 1: seven inches tall, was best known as Timmy Lennox on

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Speaker 1: the soap opera Passions and as Baby Grinch in The

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Speaker 1: Jim Carrey Grinch That Stole Christmas. He passed back in

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Speaker 1: two thousand and two at the young age of twenty,

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Speaker 1: but now we have Ed Gail as Carlsbad. Ed was

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Speaker 1: a little person legend in Hollywood. He appeared in over

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Speaker 1: one hundred and thirty movies and TV shows. Most famously,

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Speaker 1: he was Howard the Duck in Howard the Duck and

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Speaker 1: Chucky in Child's Play, which is the character this entire

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Speaker 1: Family Matters premises based on Gail, passed away this past

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Speaker 1: May at the age of sixty one.

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Speaker 3: Yeah, Howard the duck. They also put a little kid

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Speaker 3: in the outfit and it was like hot and he

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Speaker 3: was like eight and they just tortured this little kid

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Speaker 3: in the set. Yeah it was bad.

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Speaker 1: Yeah. Wow. Jumping into our recap, we start in the

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Speaker 1: cold open. We are back in the Winslow's house and

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Speaker 1: if this feels familiar, it's because this is the same

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Speaker 1: warning they used for the first st Evil.

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Speaker 2: I get waiting for them to add to it. I

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Speaker 2: was like, no, it's gonna be and then they're like,

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Speaker 2: turn the lights on. I was like, that's my name.

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Speaker 1: I also thought I was watching the wrong episode, but

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Speaker 1: the kids do look older, but I was like, wait,

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Speaker 1: am I watching stevel One. So if you've forgotten, Erkele

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Speaker 1: WARN's viewers that this Halloween episode might be scary, so

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Speaker 1: to watch it with someone brave. Richie and three J

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Speaker 1: luckily beside him on the couch promise they have his back,

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Speaker 1: but Erkle still wants to turn on the lights. Now

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Speaker 1: we're in the Winslow's Halloween decorated living room. Despite his

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Speaker 1: best efforts to stay awake. Urkle is falling fast asleep

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Speaker 1: on the couch. He quickly catches himself snoring and decides

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Speaker 1: the best way to keep himself awake is to impressively

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Speaker 1: dribble a basketball. Then Laura, in a robe, makes her

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Speaker 1: way downstairs and kindly announces she has a message for

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Speaker 1: Erkle from her dad. Erkle is interested to hear. She

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Speaker 1: aggressively shouts stop that. By the way, this robe that

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Speaker 1: Laura is wearing was a very popular nineties Yeah, this robe.

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Speaker 1: I think Tipega had this robe. I think it was

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Speaker 1: also on Friends.

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Speaker 3: It's a friend's robe too.

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Speaker 1: Yep, it's it was on every sitcom in the nineties

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Speaker 1: someone had this robe. So what is he up? What

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Speaker 1: is he doing up at three am? Anyways, he reminds

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Speaker 1: her it's three hours into Halloween night. He's not sleeping

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Speaker 1: tonight or tomorrow night. In fact, he may not even

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Speaker 1: sleep until Thanksgiving. She wonders if he's still afraid of

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Speaker 1: that nightmare from last year about his ventriloquist dummy. Erkele

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Speaker 1: insists Stevel was no ordinary dummy. He was a diabolic,

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Speaker 1: satanic evil force born in the heart of darkness. He

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Speaker 1: also never gave me my phone messages. Laura doesn't understand. M.

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Speaker 1: Laura doesn't understand how he's still afraid. Isn't the dummy gone?

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Speaker 1: Erkle admits he is gone. He chopped him up into

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Speaker 1: a million pieces, grounded him in a blender, then flushed

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Speaker 1: his sawdust down the toilet. So Laura lists three reasons

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Speaker 1: he shouldn't be afraid. One Stevel's not real, Two he

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Speaker 1: flushed him down the toilet, and three he's not real

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Speaker 1: Erkele shrugs her off. A man's got to do what

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Speaker 1: a man's got to do. She tells him he better

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Speaker 1: do it without dribbling, and heads back upstairs with the ball.

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Speaker 1: Now alone again, Erkle decides he should watch some TV

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Speaker 1: to keep him awake. He clicks to turn on the

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Speaker 1: TV and decides to check out what's on ABC.

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Speaker 2: Network.

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Speaker 3: Just no, it's worse than that. The last season of

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Speaker 3: Family Matters was on CBS to CBS, so he was

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Speaker 3: actually insulting. They were insulting the old network that let

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Speaker 3: them go.

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Speaker 1: It is running.

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Speaker 2: You get a joke about the yeah.

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Speaker 3: So that was actually he was. He was the old network.

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Speaker 2: Yes, yeah, yeah.

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Speaker 1: So he's like, let's see what's on ABC? And he's

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Speaker 1: back a sleeves. Now we enter Erkle's dream sequence. In

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Speaker 1: the bathroom, we once again have thunder and lightning storm

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Speaker 1: lights up a very dark scene. The camera zooms in

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Speaker 1: on the toilet. The seat flies open, revealing a wooden hand,

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Speaker 1: eventually an intact but what Stevel pops his head out

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Speaker 1: and creepily announces, I'm back.

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Speaker 2: Do you guys ever? Do you remember the movie Gholies?

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Speaker 2: Of course I never saw it, but it was always

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Speaker 2: the cover of the movie at the VHS store was

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Speaker 2: a hand coming out of the No, it was a

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Speaker 2: little green guy coming it was a whole.

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Speaker 3: That's right, he's like pushing up the thing, pushing up

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Speaker 3: the right. I know, he's just like is.

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Speaker 2: Remember because it was like a rip off Gremlins. It

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Speaker 2: was like right around the same time as Gremlins. So

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Speaker 2: somebody made Ghoulies and I always wanted to rent it.

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Speaker 2: My parents would never let me. Like a ghoule, Yeah,

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Speaker 2: like a little but the cover was just legendary. It

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Speaker 2: was like a green little monster coming out of the toilet,

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Speaker 2: and I just it's indelible. And the second he said,

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Speaker 2: you know, I ground him up and threw him down

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Speaker 2: the toilet. I was like, Oh, there's gonna be the shot.

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Speaker 2: There's gonna be a shot of him coming out of

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Speaker 2: the toilet right away. Oh yeah, they could have cut

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Speaker 2: to it right away, by the way, about too much

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Speaker 2: set up like that should have been it like ground

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Speaker 2: him up and cut it a boom, cut to lightning strikes.

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Speaker 2: It comes out of the toilet. We know what happened.

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Speaker 3: Also, Danielle, if you can avoid in the future saying

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Speaker 3: a wet stevel comes out of the toilet, I really appreciate.

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Speaker 1: No, I'm going to say a wet stevel comes out

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Speaker 1: of the toilet every episode. Now and then we're back

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Speaker 1: in the living room. Arcle is now eating lots of crackers,

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Speaker 1: paired with a giant tubo cheese, still in his pajamas.

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Speaker 2: Visual guys, we got a bucket of brittle later.

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Speaker 1: Did they did?

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Speaker 3: They?

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Speaker 1: Really?

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Speaker 3: Did?

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Speaker 1: They do it specifically because they wanted everyone to know

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Speaker 1: we're now in the dream sequence.

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Speaker 3: I guess I think that's what it is.

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Speaker 2: I think they literally it was probably like on set

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Speaker 2: they're like, oh, he's eating crackers and cheese, and I

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Speaker 2: don't know, They're like.

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Speaker 3: We find at joke whose dream it is.

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Speaker 2: It's it's Steve now and then he wakes up and

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Speaker 2: then there's another thing.

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Speaker 3: Yeah right, but so is Stevel. Then only in carl dream.

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Speaker 2: No, stevel'sn't And this is dream, this is Streamestrea, this

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Speaker 2: is Erkele's dream's two separate dreams. And then I was

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Speaker 2: waiting for the end to be like, oh and it's

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Speaker 2: all a dream and somebody else, but it didn't do

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Speaker 2: it didn't go that far. No, it's just literally Steve

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Speaker 2: has a dream and Carl has a.

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Speaker 3: Dream, and then they're real also, but are they wait,

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Speaker 3: so then they're really.

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Speaker 1: Carl wakes up from his dream and comes downstairs and says,

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Speaker 1: you have to tell me about oh no, and then.

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Speaker 2: They just talk about their dreams and they walk upstairs

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Speaker 2: and that's it. Yeah, okay, what are you.

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Speaker 3: Doing, Steve.

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Speaker 1: After some more thunder and lightning, the lights start to flicker,

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Speaker 1: and eventually they go out completely, leaving the screen one

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Speaker 1: hundred pitch black. Then, after a few seconds, they turn

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Speaker 1: back on and Erkele finds himself face to face with Stevel.

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Speaker 1: Erkele shrieks and terror as Stevel lets out another evil laugh.

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Speaker 1: Erkele backs away. He can't believe it. It's you, it's you.

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Speaker 1: Stevel responds, it sure is, bone butt.

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Speaker 3: You just made yourself laugh just by saying that I.

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Speaker 1: Love it, and I love bone butt. Just start calling

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Speaker 1: my kid's bone butt. Thanks for flushing me down the toilet.

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Speaker 1: Pal I spent the last year hanging out in sewers,

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Speaker 1: bobbing for rats. Erkele asks him what he wants, and

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Speaker 1: stevil grins, Oh, not much, just your soul. The puppet

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Speaker 1: hops down from the couch and slowly approaches Erkele, who

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Speaker 1: pleads with them, why don't you take the guy's next door.

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Speaker 1: He's a lawyer, he's never used his classic lawyer jokes.

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Speaker 3: Lawyer it's yeah, it's there.

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Speaker 1: Used to be so many of them.

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Speaker 3: Lawyer jokes, mother in law jokes. Those are like the

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Speaker 3: go tos.

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Speaker 1: Yeah. Erkele stumbles into the armchair. As Stevell gets closer,

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Speaker 1: he tells Erkele he won't settle for any soul he

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Speaker 1: wants his. Erkele shrieks as Steve hops onto him and declares,

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Speaker 1: hold still, this is gonna hurt like the Dickens. The

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Speaker 1: evil puppet proceeds to shoot green laser beams into Erkele's

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Speaker 1: eyes as he screams in pain. But then the dream

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Speaker 1: sequence starts to fade. We're into a different scene. Still

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Speaker 1: in the Winslow's living room, Erkele is sleeping on the couch,

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Speaker 1: tossing and turning in agony. He finally wakes himself up

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Speaker 1: and scans the room in fear. He realizes he fell

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Speaker 1: asleep and Stevell managed to come back. How did this happen?

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Speaker 1: Then we go to a tense commercial break as Erkle

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Speaker 1: checks behind a small pillow. We return in the Winslow house.

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Speaker 1: The title graphics Stevil two. This time He's not alone,

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Speaker 1: appears just as Erkele is handing out carmel covered squid pray,

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Speaker 1: lean prunes, and three bean taffy to Tricker treaders. They

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Speaker 1: are less than enthused and he can't understand why. He

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Speaker 1: asks for a thank you, and he's met with a

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Speaker 1: barrage of candy thrown at him. Eddie and Laura walk

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Speaker 1: downstairs wearing some impressive Halloween costumes. Eddie is dressed as

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Speaker 1: Don King and Laura is wearing an elaborate alien costume.

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Speaker 2: So he tries to guess Halloween sitcom things he always

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Speaker 2: gott to have like the presentation funny outfits. And it's

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Speaker 2: also it's.

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Speaker 3: Like you walk downstairs and it's such a sitcumting thing too.

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Speaker 3: You walk downstairs with the giant alien head on and

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Speaker 3: then you have to take it off to show who

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Speaker 3: you are and say you're lines, and then you have

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Speaker 3: to put it.

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Speaker 1: Back on it.

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Speaker 3: Yeah, can I writer? I think you said you you

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Speaker 3: watched the Chucky movies? Have you seen them?

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Speaker 2: I've seen the first one. I don't think I've seen

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Speaker 2: anything past that.

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Speaker 3: Does anyone just kick the puppet away from them? Yes?

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Speaker 2: I think I think it's actually a key scene in

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Speaker 2: the first one, like, yeah, there's a bit where god,

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Speaker 2: I think she kicks it at one point you think

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Speaker 2: the thing is gone and then like she it comes

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Speaker 2: out from under the I don't know. Yes, yes, they

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00:20:40,240 --> 00:20:40,879
Speaker 2: try to make it.

434
00:20:41,000 --> 00:20:42,480
Speaker 3: It's just slowly approaching.

435
00:20:42,520 --> 00:20:42,800
Speaker 1: Steve.

436
00:20:42,840 --> 00:20:45,760
Speaker 2: It's like, just kick the puppet, I know, just kick

437
00:20:45,800 --> 00:20:46,520
Speaker 2: the puppet, Like.

438
00:20:46,480 --> 00:20:47,320
Speaker 3: How hard is that?

439
00:20:47,040 --> 00:20:48,760
Speaker 2: That's what I said the first time. It's like when

440
00:20:48,760 --> 00:20:51,560
Speaker 2: you can just take the puppet apart, right, like I

441
00:20:51,760 --> 00:20:57,639
Speaker 2: I'm not scared. Really the puppet should come in and

442
00:20:57,920 --> 00:21:01,280
Speaker 2: psychologically torture them, right, Like that's what that's what a

443
00:21:01,359 --> 00:21:04,600
Speaker 2: ventriloquist could do, is like insult them and and tear

444
00:21:04,640 --> 00:21:06,960
Speaker 2: down their sense of well being, and.

445
00:21:08,680 --> 00:21:12,359
Speaker 3: He's just doing crowd works. That's where we end up.

446
00:21:12,400 --> 00:21:15,520
Speaker 3: So it was pretty much pretty much Yeah.

447
00:21:15,880 --> 00:21:17,879
Speaker 1: So Eddie is dressed as Don King and Laura is

448
00:21:17,880 --> 00:21:21,480
Speaker 1: wearing an elaborate alien costume. Ercle tries to guess Don

449
00:21:21,600 --> 00:21:25,000
Speaker 1: King and missus King. Eddie responds with his best Don

450
00:21:25,080 --> 00:21:27,920
Speaker 1: King impression. Arkle's half right. He's going to his fraternity

451
00:21:28,000 --> 00:21:31,159
Speaker 1: dressed as Don on que. Two pretty girls dressed in

452
00:21:31,200 --> 00:21:33,680
Speaker 1: sports bras and boxing shorts walk in and ask miss

453
00:21:33,960 --> 00:21:37,480
Speaker 1: mister King if he's ready. Well, girls are dressed in

454
00:21:37,600 --> 00:21:43,199
Speaker 1: scatter like they're at club. Yeah, Eddie happily takes a

455
00:21:43,200 --> 00:21:43,600
Speaker 1: girl on.

456
00:21:43,560 --> 00:21:46,480
Speaker 2: This happen anymore? Does anybody like, do women walk onto

457
00:21:46,480 --> 00:21:48,400
Speaker 2: a stage in a city.

458
00:21:50,480 --> 00:21:50,840
Speaker 3: Anymore?

459
00:21:52,080 --> 00:21:55,680
Speaker 2: But if there, does this happen on? This is a

460
00:21:55,720 --> 00:21:57,159
Speaker 2: regular thing.

461
00:21:58,240 --> 00:22:00,440
Speaker 1: Eddie happily takes a girl on each arm and continues

462
00:22:00,480 --> 00:22:03,200
Speaker 1: his Don King impression out the door, Only in America,

463
00:22:03,400 --> 00:22:06,760
Speaker 1: Only in America. Laura asks if he got any sleep

464
00:22:06,840 --> 00:22:08,959
Speaker 1: last night, and Erkle tells her all about the stevil

465
00:22:09,000 --> 00:22:11,440
Speaker 1: guest appearance and his nightmare. It was five of the

466
00:22:11,520 --> 00:22:14,240
Speaker 1: most terrifying minutes of his life, second only to watching

467
00:22:14,440 --> 00:22:16,960
Speaker 1: Lord of the Dance. Erkle gives a cute little imitation

468
00:22:17,000 --> 00:22:20,560
Speaker 1: of Michael Flatley. Laura reminds him it was only a dream,

469
00:22:20,760 --> 00:22:23,360
Speaker 1: but Erkle's adamant. I'm not dreaming anymore. I had eight

470
00:22:23,400 --> 00:22:26,119
Speaker 1: cups of espresso, a six pack of Jolt Cola, and

471
00:22:26,160 --> 00:22:28,760
Speaker 1: a giant bowl of fruit loops with extra sugar. If

472
00:22:28,760 --> 00:22:32,080
Speaker 1: you remember Jolt I remember I never drank it.

473
00:22:32,200 --> 00:22:32,920
Speaker 2: I never tasted it.

474
00:22:33,000 --> 00:22:40,199
Speaker 3: Yeah, it tastes as if somebody melted down lipstick and

475
00:22:40,240 --> 00:22:42,679
Speaker 3: then just filled the rest with nerd sweat. It's like,

476
00:22:42,880 --> 00:22:49,480
Speaker 3: it's what it's like, the chemicallyst nastiest. It is just disgusting.

477
00:22:49,960 --> 00:22:53,160
Speaker 3: It was like five times the caffeine or something ridiculous

478
00:22:53,200 --> 00:22:53,639
Speaker 3: like Kenya.

479
00:22:54,119 --> 00:22:54,840
Speaker 1: Can you buy it still?

480
00:22:55,600 --> 00:22:58,480
Speaker 3: I have no idea. I have no I can't imagine

481
00:22:58,640 --> 00:22:59,440
Speaker 3: Arcia Cola.

482
00:22:59,200 --> 00:23:00,800
Speaker 2: Is still around. I think I can get that somewhere.

483
00:23:00,800 --> 00:23:06,320
Speaker 2: I remember that taste that yeahs comminated.

484
00:23:06,359 --> 00:23:09,960
Speaker 3: I guess, OK, unless it's caffeine free. For the records,

485
00:23:10,040 --> 00:23:12,439
Speaker 3: I can I can buy Jolt cola. It appears, and

486
00:23:12,440 --> 00:23:14,520
Speaker 3: I'm wondering if I get it for you guys, would

487
00:23:14,560 --> 00:23:17,080
Speaker 3: you drink it for a pre show chatter? Yes, yes, yes,

488
00:23:17,160 --> 00:23:18,960
Speaker 3: I'll take a sip, but I don't do caffeine, so

489
00:23:19,080 --> 00:23:19,800
Speaker 3: five times the.

490
00:23:19,720 --> 00:23:21,200
Speaker 1: Caffeine will take a sip too.

491
00:23:21,359 --> 00:23:24,200
Speaker 2: But let's get let's get jolt and arc will do

492
00:23:24,280 --> 00:23:24,880
Speaker 2: a taste test.

493
00:23:25,000 --> 00:23:26,679
Speaker 1: Okay, all right, I.

494
00:23:26,760 --> 00:23:29,119
Speaker 3: In I'll just call that a panic attack Tuesday, not

495
00:23:30,400 --> 00:23:31,800
Speaker 3: just wipe your schedule.

496
00:23:31,520 --> 00:23:32,320
Speaker 1: For the rest of the day.

497
00:23:32,359 --> 00:23:32,959
Speaker 3: Exactly.

498
00:23:33,840 --> 00:23:39,320
Speaker 1: If your schedule planned to sit on the toilet.

499
00:23:38,440 --> 00:23:40,440
Speaker 3: There will definitely be a wet stevel coming out of

500
00:23:40,440 --> 00:23:43,639
Speaker 3: the toilet that day, so let's be honest.

501
00:23:47,680 --> 00:23:50,359
Speaker 1: Then Richie and three J comes strolling in dressed as

502
00:23:50,400 --> 00:23:54,040
Speaker 1: the men in Black. Arkle realizes that's why Laura's the alien.

503
00:23:54,680 --> 00:23:59,160
Speaker 1: Oh my gosh. Richie and three J reveal that after

504
00:23:59,160 --> 00:24:00,879
Speaker 1: people give them can in ei, they're going to erase

505
00:24:00,920 --> 00:24:03,080
Speaker 1: their memories. That way we can go back for more.

506
00:24:03,640 --> 00:24:06,359
Speaker 1: They hold up their memory erasing devices and Arkle pretends

507
00:24:06,359 --> 00:24:08,959
Speaker 1: to fall into a trance. He asks the boys who

508
00:24:09,040 --> 00:24:12,240
Speaker 1: are you? And he loves his own joke. Laura says

509
00:24:12,280 --> 00:24:14,080
Speaker 1: it's time to go, and they walk out. At the

510
00:24:14,119 --> 00:24:17,480
Speaker 1: same time. Karl arrives wearing his police uniform. So I

511
00:24:17,520 --> 00:24:20,840
Speaker 1: have a question, what do we think? Why did the

512
00:24:20,840 --> 00:24:22,840
Speaker 1: scene need to happen? Why did any of this need

513
00:24:22,880 --> 00:24:23,600
Speaker 1: to happen so.

514
00:24:23,560 --> 00:24:25,880
Speaker 2: We could see the other cast members in the episode?

515
00:24:25,920 --> 00:24:26,040
Speaker 3: Right?

516
00:24:26,080 --> 00:24:29,400
Speaker 1: Yeah, there are so many others that aren't in the episode. Yeah,

517
00:24:29,720 --> 00:24:33,080
Speaker 1: so why do they only need these characters in the episode?

518
00:24:33,480 --> 00:24:37,359
Speaker 3: Stupid question for season nine because I didn't watch the show.

519
00:24:38,640 --> 00:24:41,480
Speaker 3: Are did all the characters make the jump from ABC

520
00:24:41,560 --> 00:24:44,040
Speaker 3: to CBS? Are all the characters still on the show?

521
00:24:44,119 --> 00:24:46,679
Speaker 3: I mean I miss the character there and the grandma

522
00:24:46,840 --> 00:24:49,080
Speaker 3: character they're still there? Are they all still there?

523
00:24:49,400 --> 00:24:52,159
Speaker 1: I mean I read all their names, so you know

524
00:24:52,440 --> 00:24:54,159
Speaker 1: when I said I went over the this that we

525
00:24:54,200 --> 00:24:56,159
Speaker 1: went over their names in the first Reginald Bell Johnson,

526
00:24:56,200 --> 00:24:59,760
Speaker 1: Joe Marie Payton, Darius McCrary, Kelly Brighton. I guess the

527
00:24:59,760 --> 00:25:02,200
Speaker 1: only one then who's maybe not in the episode is

528
00:25:02,320 --> 00:25:07,400
Speaker 1: Joe Marie Payton, right, because Darius we just saw Kelly, right,

529
00:25:07,440 --> 00:25:11,960
Speaker 1: and then let's see that's guest starring Orlando. Yeah, the

530
00:25:12,440 --> 00:25:14,760
Speaker 1: grandmother is not in this episode.

531
00:25:16,480 --> 00:25:20,040
Speaker 2: People and costume, they have the fun the kids in costume.

532
00:25:20,119 --> 00:25:22,280
Speaker 3: I'm just wondering, you know, if the show is the

533
00:25:22,320 --> 00:25:24,800
Speaker 3: same having moved to CBS. If it's all the same cast,

534
00:25:24,880 --> 00:25:26,800
Speaker 3: like everybody made the jump, or maybe some people didn't.

535
00:25:26,840 --> 00:25:27,199
Speaker 3: I don't know.

536
00:25:27,880 --> 00:25:30,400
Speaker 1: Interesting. Laura says it's time to go, and they walk

537
00:25:30,400 --> 00:25:33,080
Speaker 1: out at the same time. Carl arrives wearing his police uniform.

538
00:25:33,520 --> 00:25:36,199
Speaker 1: Erkele says, Carl looks a little peaked. Tough day at

539
00:25:36,240 --> 00:25:38,959
Speaker 1: the office. Carl blames it on eating too much candy

540
00:25:39,000 --> 00:25:41,720
Speaker 1: at the precinct Halloween party. He's going to take a

541
00:25:41,800 --> 00:25:44,560
Speaker 1: quick nap before dinner, but Erkele won't allow it. Jumping

542
00:25:44,640 --> 00:25:45,920
Speaker 1: jahouse a fat, it's Halloween.

543
00:25:45,960 --> 00:25:48,960
Speaker 2: Why if you can't do upstairs to say that he's

544
00:25:48,960 --> 00:25:51,400
Speaker 2: going upstairs to take a nap, but he's coming down

545
00:25:51,400 --> 00:25:52,440
Speaker 2: in his cop uniform.

546
00:25:52,880 --> 00:25:55,359
Speaker 1: He's not coming downstairs. He came from the kitchen. That's

547
00:25:55,359 --> 00:25:58,800
Speaker 1: the kitchen over there. He's like coming from the swing door.

548
00:25:58,840 --> 00:26:00,360
Speaker 1: He enters from the kitchen. So he just got home.

549
00:26:00,400 --> 00:26:01,240
Speaker 2: So he got home from work.

550
00:26:01,240 --> 00:26:02,720
Speaker 1: Okay, he just got home from work and he's coming

551
00:26:02,760 --> 00:26:03,440
Speaker 1: into the living room.

552
00:26:03,480 --> 00:26:05,560
Speaker 2: Gotcha, okay, so Urkle.

553
00:26:05,359 --> 00:26:08,359
Speaker 1: Says, Jumping j Hoosa fat, it's Halloween. You can't sleep.

554
00:26:09,200 --> 00:26:11,800
Speaker 1: He's the one with the dream. Why does he think

555
00:26:12,359 --> 00:26:13,280
Speaker 1: other people are going.

556
00:26:13,280 --> 00:26:16,040
Speaker 3: To have are they may be doing, like trying to

557
00:26:16,040 --> 00:26:17,760
Speaker 3: do like a nightmare in Elm Street thing where it's

558
00:26:17,760 --> 00:26:19,760
Speaker 3: like whoever falls asleep can.

559
00:26:19,800 --> 00:26:23,840
Speaker 1: Get He doesn't think it is a dream. Urkele's convinced

560
00:26:24,080 --> 00:26:25,119
Speaker 1: it's a real character.

561
00:26:25,320 --> 00:26:28,520
Speaker 2: So why well didn't he already fall asleep and wake back?

562
00:26:29,080 --> 00:26:32,120
Speaker 1: And I guess in that case he thought and he said, oh,

563
00:26:32,240 --> 00:26:34,200
Speaker 1: I fell asleep and he came back.

564
00:26:35,359 --> 00:26:37,520
Speaker 3: So this is not a dream happening right now.

565
00:26:37,760 --> 00:26:40,240
Speaker 2: No, he already woke up and has been dealing with

566
00:26:40,680 --> 00:26:42,960
Speaker 2: Candy and he's drank the jolt, so he's going to

567
00:26:43,000 --> 00:26:45,240
Speaker 2: stay awake. So I don't know why he wouldn't just

568
00:26:45,320 --> 00:26:47,639
Speaker 2: be like I mean, maybe he's just afraid to be alone,

569
00:26:47,840 --> 00:26:49,200
Speaker 2: Like he doesn't want Carl to go to sleep.

570
00:26:49,359 --> 00:26:51,119
Speaker 1: I would, I would understand that, But that's not what

571
00:26:51,200 --> 00:26:53,720
Speaker 1: he says. You can't sleep you could have.

572
00:26:55,160 --> 00:26:55,280
Speaker 3: Does.

573
00:26:55,520 --> 00:26:58,000
Speaker 1: Carl quickly realizes and is disappointed to see this is

574
00:26:58,040 --> 00:27:01,520
Speaker 1: about last year's stevel nightmare. Rkele isn't embarrassed at all.

575
00:27:01,560 --> 00:27:04,760
Speaker 1: In fact, this time he's after his soul. Carl agrees

576
00:27:04,800 --> 00:27:07,800
Speaker 1: he's scared too, and Arkle can't believe it really Carl

577
00:27:07,840 --> 00:27:10,159
Speaker 1: shoots back while pretending to suck his thumb. Yeah, if

578
00:27:10,200 --> 00:27:13,520
Speaker 1: I were five, Carl reminds Erkele, he's not a kid anymore.

579
00:27:13,560 --> 00:27:17,000
Speaker 1: He's a reasonable facsimile of a man. This little nightmare

580
00:27:17,040 --> 00:27:19,960
Speaker 1: can't get the best of him. Toughen up, man Carl's right.

581
00:27:20,280 --> 00:27:22,479
Speaker 1: Erkele puffs up his chest and decides he'll be a

582
00:27:22,480 --> 00:27:25,280
Speaker 1: manly man. Carl pep talks Arcle by asking what he's

583
00:27:25,280 --> 00:27:28,959
Speaker 1: scared of, and the manly man confidently responds nothing. With

584
00:27:29,000 --> 00:27:31,879
Speaker 1: this new found attitude, Urkel encourages Carl to go upstairs

585
00:27:31,920 --> 00:27:34,680
Speaker 1: and catch some z's while he holds down the fort. So, yeah,

586
00:27:34,720 --> 00:27:36,520
Speaker 1: maybe it was about being alone, even though I wish

587
00:27:36,520 --> 00:27:38,199
Speaker 1: he would I wish he would have said that, no.

588
00:27:38,359 --> 00:27:39,199
Speaker 3: Please stay with me.

589
00:27:39,320 --> 00:27:41,920
Speaker 1: I don't want to be alone. Stevel came back, right,

590
00:27:42,359 --> 00:27:43,160
Speaker 1: But it's also.

591
00:27:42,920 --> 00:27:48,480
Speaker 3: If this is before dinner, everybody's leaving, and so wouldn't

592
00:27:48,480 --> 00:27:50,800
Speaker 3: Steve be handing out the candy which he did to

593
00:27:50,800 --> 00:27:53,760
Speaker 3: the apparently the only three tree that showed up at

594
00:27:53,760 --> 00:27:58,320
Speaker 3: the house, And like the dad's going to bed, mom's out, Well,

595
00:27:58,359 --> 00:27:59,040
Speaker 3: the dad's going to.

596
00:27:59,040 --> 00:28:02,080
Speaker 1: Bed before dinner, He's gonna have a quick snooze.

597
00:28:01,920 --> 00:28:06,880
Speaker 3: Right, But Steve already was handing out candy, So why

598
00:28:06,920 --> 00:28:08,800
Speaker 3: is he trying to stay awake at five o'clock?

599
00:28:09,080 --> 00:28:13,520
Speaker 2: So bump, It's just god, I know, but this.

600
00:28:13,400 --> 00:28:15,440
Speaker 3: One really didn't make a whole like the story didn't.

601
00:28:15,520 --> 00:28:17,280
Speaker 1: You're right, Why does he need all that to stay

602
00:28:17,280 --> 00:28:18,000
Speaker 1: awake at five?

603
00:28:18,119 --> 00:28:21,639
Speaker 3: It's five pm? Is he? Is he a narcolepsy? Is

604
00:28:21,640 --> 00:28:24,640
Speaker 3: this now a problem? I mean, it's one of those

605
00:28:25,240 --> 00:28:27,920
Speaker 3: I gotta stay awake. It's four thirty if I shouldn't

606
00:28:27,920 --> 00:28:30,280
Speaker 3: be a problem. It's four thirty on Halloween night.

607
00:28:30,359 --> 00:28:32,920
Speaker 1: Remember he stayed up since the night before so he

608
00:28:32,960 --> 00:28:36,439
Speaker 1: was so he's now running on like twenty four hours.

609
00:28:36,760 --> 00:28:39,240
Speaker 1: Yeah yeah, yeah, of no sleep because he said it's

610
00:28:39,280 --> 00:28:41,720
Speaker 1: three hours into Halloween, so at least he was up

611
00:28:41,960 --> 00:28:45,120
Speaker 1: since like three am. He didn't sleep last night. So

612
00:28:45,320 --> 00:28:47,720
Speaker 1: I guess that that is what's making sense. I think

613
00:28:47,720 --> 00:28:49,040
Speaker 1: maybe we're the problem.

614
00:28:50,080 --> 00:28:50,800
Speaker 2: Of course we are.

615
00:28:50,960 --> 00:28:53,480
Speaker 3: We know we're the problem. Of course we are.

616
00:28:54,920 --> 00:28:58,040
Speaker 1: Carl sarcastically says he'll sleep better knowing that, and Ercle

617
00:28:58,040 --> 00:29:00,520
Speaker 1: does not catch the joke. He feels good about himself.

618
00:29:00,520 --> 00:29:03,760
Speaker 1: He's got everything under control. Rkele casually sits on the

619
00:29:03,760 --> 00:29:06,239
Speaker 1: couch right next to a decorative skeleton. As he sinks in,

620
00:29:06,280 --> 00:29:08,760
Speaker 1: the skeleton's arm moves onto his shoulder, and the manly

621
00:29:08,840 --> 00:29:12,479
Speaker 1: man frantically stands up, screaming. Eventually realizing it was not thing,

622
00:29:12,520 --> 00:29:14,840
Speaker 1: he tries to brush it off. I'm cool, I'm cool.

623
00:29:14,840 --> 00:29:17,680
Speaker 2: But now this wasn't a dream and the skeleton did move.

624
00:29:17,840 --> 00:29:19,640
Speaker 1: The skeleton did move, yeah, but I think it's just

625
00:29:19,640 --> 00:29:22,360
Speaker 1: because of the way he sunk into his couch couch.

626
00:29:22,480 --> 00:29:24,239
Speaker 2: I saw that skeleton put its arm around him.

627
00:29:24,280 --> 00:29:28,440
Speaker 3: That I did too. It's a romprider.

628
00:29:28,840 --> 00:29:32,880
Speaker 1: Yeah, relax, enjoy it. Then we're in Carl's room. Carl

629
00:29:32,960 --> 00:29:35,880
Speaker 1: walks out of the bathroom holding a bottle of peptobismal.

630
00:29:36,280 --> 00:29:39,200
Speaker 1: He laughs about the evil ventriloquist dummy and takes a

631
00:29:39,240 --> 00:29:41,840
Speaker 1: seat on the bed. He reads his peptobismal bottle and

632
00:29:41,880 --> 00:29:44,440
Speaker 1: realizes it's a new flavor. He takes a swig in

633
00:29:44,440 --> 00:29:47,760
Speaker 1: his face immediately sours. Apparently the new flavor is chalk.

634
00:29:48,760 --> 00:29:51,520
Speaker 3: Question before you go on, just very quickly, because I

635
00:29:51,560 --> 00:29:53,880
Speaker 3: was curious about this when I watched it. How often

636
00:29:54,000 --> 00:29:56,760
Speaker 3: do both of you actually talk to yourselves out there?

637
00:29:56,840 --> 00:29:58,440
Speaker 1: I was going to say, this is how you know.

638
00:30:00,240 --> 00:30:02,440
Speaker 1: Time you have this in a script, you have to

639
00:30:02,520 --> 00:30:02,840
Speaker 1: change it.

640
00:30:03,040 --> 00:30:03,280
Speaker 2: Yep.

641
00:30:03,360 --> 00:30:07,200
Speaker 1: Right, time to rewrite, time to rewrite. You cannot do

642
00:30:07,280 --> 00:30:11,720
Speaker 1: it even on my thankfully, even on Disney Channel shows now,

643
00:30:11,880 --> 00:30:15,240
Speaker 1: where it's so convenient to have a kid walk into

644
00:30:15,280 --> 00:30:17,480
Speaker 1: a room and say something to themselves out of.

645
00:30:17,440 --> 00:30:19,840
Speaker 2: Everybody go all right, I guess I'll just go over

646
00:30:19,840 --> 00:30:21,760
Speaker 2: here and have my find myself.

647
00:30:21,480 --> 00:30:26,480
Speaker 1: Yep, yep. Nope. Even on a very kids show now,

648
00:30:26,520 --> 00:30:29,840
Speaker 1: people are like, we can't do this. Maybe maybe one

649
00:30:30,400 --> 00:30:38,960
Speaker 1: one thing like where is everyone? Maybe, but pretty much it's.

650
00:30:38,760 --> 00:30:40,920
Speaker 2: One of my favorite things that you know, when I

651
00:30:40,920 --> 00:30:43,240
Speaker 2: do the Young Storytellers, I'm teaching kids how to, like

652
00:30:43,280 --> 00:30:45,880
Speaker 2: fifth graders, to write scripts, and we outline and then

653
00:30:45,920 --> 00:30:47,920
Speaker 2: we get to the actual dialogue. And it's always so

654
00:30:47,920 --> 00:30:49,720
Speaker 2: funny because they all want to do this. They all

655
00:30:49,760 --> 00:30:51,800
Speaker 2: want to if the characters by themselves, they're just like

656
00:30:52,680 --> 00:30:55,280
Speaker 2: and then they say, oh, I'm hungry. I guess I'll

657
00:30:55,320 --> 00:30:57,360
Speaker 2: go to the fridge and get some dy And you know,

658
00:30:57,440 --> 00:30:59,720
Speaker 2: you you have to just let them write what they write,

659
00:30:59,720 --> 00:31:01,480
Speaker 2: and then you like go back and give them notes

660
00:31:01,640 --> 00:31:04,200
Speaker 2: the other thing that they always do. It's so funny

661
00:31:04,280 --> 00:31:06,960
Speaker 2: they have people say their lines simultaneously, so there'll be

662
00:31:06,960 --> 00:31:10,000
Speaker 2: like two characters that we'll both be like who came

663
00:31:10,040 --> 00:31:13,360
Speaker 2: to the party, And you're like, how do people know

664
00:31:13,480 --> 00:31:16,600
Speaker 2: to just psychically say the same thing. It's one of

665
00:31:16,600 --> 00:31:18,360
Speaker 2: those like things you just have to explain. You can

666
00:31:18,400 --> 00:31:21,640
Speaker 2: have voiceover, you can have the ways to show what

667
00:31:21,680 --> 00:31:23,960
Speaker 2: somebody's you know, thinking, without having them just say it.

668
00:31:24,000 --> 00:31:26,640
Speaker 2: But yeah, it is like first thought writing things, like

669
00:31:26,720 --> 00:31:30,280
Speaker 2: everyone could just express themselves and then two people could

670
00:31:30,320 --> 00:31:31,719
Speaker 2: just say the whole line together.

671
00:31:32,160 --> 00:31:35,280
Speaker 1: Yeah, it's so funny. He sets the bottle down and

672
00:31:35,320 --> 00:31:37,720
Speaker 1: turns out the lights. He sighs aloud and once again

673
00:31:37,800 --> 00:31:41,240
Speaker 1: talks to himself loudly, shaking his head in disbelief. Evil

674
00:31:41,360 --> 00:31:45,880
Speaker 1: ventriloquist dummy. He calls it crazy as he falls asleep.

675
00:31:46,760 --> 00:31:50,400
Speaker 1: We enter Carl's dream in the Winslow's living room. Carl

676
00:31:50,480 --> 00:31:53,880
Speaker 1: walks downstairs, eating out of a big bucket o brittle.

677
00:31:54,320 --> 00:31:56,960
Speaker 1: He notices an, see, this is how you know where

678
00:31:57,000 --> 00:31:58,800
Speaker 1: you're in dreams when people what you're saying.

679
00:31:58,880 --> 00:32:00,560
Speaker 2: You know, So it's like when you're in dream you're

680
00:32:00,600 --> 00:32:01,560
Speaker 2: getting to eat your.

681
00:32:01,440 --> 00:32:07,120
Speaker 1: Giant Yeah, and for people watching to help make it

682
00:32:07,240 --> 00:32:11,000
Speaker 1: clear Okay, when you're in a dream, you got these.

683
00:32:11,160 --> 00:32:13,920
Speaker 3: Big food equals big dreams, gotcha.

684
00:32:13,960 --> 00:32:15,760
Speaker 1: Exactly, They're all my dreams are made up.

685
00:32:17,680 --> 00:32:23,000
Speaker 3: Danielle just in a diet doughnut down to a cheeseburger house.

686
00:32:23,680 --> 00:32:25,680
Speaker 3: It's just her hole. She's just skipping down.

687
00:32:30,280 --> 00:32:32,800
Speaker 2: I'm getting hungry, guys, yells.

688
00:32:32,880 --> 00:32:34,800
Speaker 3: Whole dream sequence is just that.

689
00:32:36,520 --> 00:32:38,480
Speaker 1: He notices a tall box in the middle of the

690
00:32:38,520 --> 00:32:41,560
Speaker 1: living room that's labeled fragile. The box is addressed to him,

691
00:32:41,600 --> 00:32:43,480
Speaker 1: so he decides to open it. Also, he's talking to

692
00:32:43,560 --> 00:32:49,760
Speaker 1: himself in his dream. Huh, Carl winslow, that's me. And

693
00:32:49,800 --> 00:32:53,120
Speaker 1: it's another Ventriloquis dummy, but this one looks exactly like him.

694
00:32:53,520 --> 00:32:57,120
Speaker 1: He's even dressed in a cute little matching police uniform.

695
00:32:57,680 --> 00:33:00,440
Speaker 1: Carl wonders who could have sent this. He needs to

696
00:33:00,480 --> 00:33:02,520
Speaker 1: sit and put the dummy on his lap, leading into

697
00:33:02,520 --> 00:33:06,360
Speaker 1: a cheesy ventriloquist joke about mayonnaise. Carl and his puppet

698
00:33:06,360 --> 00:33:09,560
Speaker 1: love the gag. Then Erkele walks downstairs and is terrified

699
00:33:09,560 --> 00:33:11,960
Speaker 1: to find Carl playing with this dummy. Carl says he's

700
00:33:12,000 --> 00:33:14,640
Speaker 1: just having fun, but Erkele compares playing with a ventriloquist

701
00:33:14,680 --> 00:33:17,520
Speaker 1: dummy to playing with a loaded gun. Carl tells him

702
00:33:17,560 --> 00:33:20,200
Speaker 1: it's just a hunk of wood. He's not alive, and

703
00:33:20,240 --> 00:33:23,400
Speaker 1: then boom, the front door comes crashing down and Stevel

704
00:33:23,560 --> 00:33:26,800
Speaker 1: walks in amidst a wall of green fog. He tells

705
00:33:26,840 --> 00:33:30,880
Speaker 1: Carl not yet, then zaps the new ventriloquist dummy with

706
00:33:30,920 --> 00:33:34,080
Speaker 1: his lightning powers, bringing him to life. The dummy swiftly

707
00:33:34,160 --> 00:33:37,680
Speaker 1: jumps off Carl's lap and stands with Stevel. Carl nervously

708
00:33:37,720 --> 00:33:41,640
Speaker 1: asks who are you? His puppet doppelganger answers in a deep,

709
00:33:41,680 --> 00:33:46,280
Speaker 1: gruff voice, you can call me Carl's Bad. Thunder and

710
00:33:46,360 --> 00:33:48,960
Speaker 1: lightning strikes again. As Erkele and Carl stare at their

711
00:33:49,000 --> 00:33:51,840
Speaker 1: look alikes in horror. We go to a commercial break.

712
00:33:52,280 --> 00:33:54,160
Speaker 1: Then we return to the living room, now with the

713
00:33:54,160 --> 00:33:58,080
Speaker 1: puppet slowly creeping toward the humans. Carl's Bad declares that

714
00:33:58,120 --> 00:34:01,520
Speaker 1: they have some big plans for these fleagh boys. Erkele

715
00:34:01,600 --> 00:34:05,280
Speaker 1: asks to rob and murder. Carl's Bad admits, Nah, we're

716
00:34:05,320 --> 00:34:14,320
Speaker 1: going into show business. Erkele gasps, that's even worse. Stevel

717
00:34:14,400 --> 00:34:16,759
Speaker 1: asks his evil friend, when you become human, what are

718
00:34:16,800 --> 00:34:20,040
Speaker 1: you going to do? Carl's Bad shouts, I'm going to Vegas.

719
00:34:20,280 --> 00:34:22,360
Speaker 1: I'm offended, absolutely offended?

720
00:34:22,480 --> 00:34:22,719
Speaker 3: Are you?

721
00:34:23,200 --> 00:34:24,560
Speaker 1: Yeah, deeply offended.

722
00:34:25,120 --> 00:34:27,440
Speaker 3: You're not offended by this sixty two dollars coffee.

723
00:34:29,360 --> 00:34:30,160
Speaker 1: That's my favorite part.

724
00:34:30,239 --> 00:34:31,160
Speaker 3: That's not what offends you.

725
00:34:32,640 --> 00:34:35,520
Speaker 1: He swiftly jumps onto the couch and turns on a boombox.

726
00:34:35,719 --> 00:34:38,200
Speaker 1: Generic hip hop starts to play, and Stevel shows off

727
00:34:38,239 --> 00:34:41,880
Speaker 1: some radical dance skills. He even gives us, this is

728
00:34:42,040 --> 00:34:42,760
Speaker 1: really painful.

729
00:34:42,840 --> 00:34:43,600
Speaker 3: I don't get it was.

730
00:34:44,040 --> 00:34:46,120
Speaker 2: It's like, if you have the joke, Okay, the joke

731
00:34:46,320 --> 00:34:48,440
Speaker 2: is like they want to go to Hollywood? Are they

732
00:34:48,440 --> 00:34:55,040
Speaker 2: want to be entertainers? Okay, it's just bad. Fine, but

733
00:34:55,360 --> 00:34:57,319
Speaker 2: there is a version where that could be, like what

734
00:34:57,360 --> 00:35:00,839
Speaker 2: if they're like suddenly very insecure actors and or they

735
00:35:00,920 --> 00:35:02,799
Speaker 2: really care about it and it's like gen you know.

736
00:35:02,840 --> 00:35:05,200
Speaker 2: But instead it's just like, let's have the let's have

737
00:35:05,239 --> 00:35:09,560
Speaker 2: the Little puppets dance, yeah for and moonwalk and moonwalk

738
00:35:10,480 --> 00:35:11,680
Speaker 2: yeah yeah.

739
00:35:11,680 --> 00:35:14,000
Speaker 1: Then he turns things over to Carl's Bad, who does

740
00:35:14,000 --> 00:35:16,680
Speaker 1: his own share of cool moves, including the cabbage patch,

741
00:35:16,960 --> 00:35:20,640
Speaker 1: the two puppets bump butts and spin in unison. They

742
00:35:20,760 --> 00:35:22,880
Speaker 1: end the routine by walking up to the humans and

743
00:35:22,920 --> 00:35:26,279
Speaker 1: stomping on their feet. As the guys are doubled over

744
00:35:26,320 --> 00:35:29,239
Speaker 1: in pain, Stevel turns off the music. Dance time is over.

745
00:35:29,560 --> 00:35:32,200
Speaker 1: Carl's bad ads, now hand over your souls so we

746
00:35:32,280 --> 00:35:35,480
Speaker 1: can become human. Erkle reminds Carl that he's a cop.

747
00:35:35,719 --> 00:35:39,200
Speaker 1: He asks, what do they do? Carl stammers, well, section

748
00:35:39,280 --> 00:35:42,680
Speaker 1: three of the police manual says, uh, run for your life.

749
00:35:43,160 --> 00:35:45,520
Speaker 1: They both dart in opposite directions, but their dummies are

750
00:35:45,520 --> 00:35:48,279
Speaker 1: already there, blocking them from a doorway. So Erkele and

751
00:35:48,320 --> 00:35:51,000
Speaker 1: Carl quickly run upstairs.

752
00:35:51,680 --> 00:35:54,680
Speaker 3: Kick the dummy. Kick the dummy. Not a hard thing.

753
00:35:54,680 --> 00:35:56,920
Speaker 3: What are you running from? They're not even armed and

754
00:35:57,000 --> 00:35:57,880
Speaker 3: Carl's a cop.

755
00:35:57,960 --> 00:36:00,319
Speaker 2: He has a gun, I know he can't done with

756
00:36:00,320 --> 00:36:02,719
Speaker 2: a nightstick And later seeing I was like, where was that?

757
00:36:02,840 --> 00:36:05,520
Speaker 3: There was? Where's your firearm? Yeah?

758
00:36:05,880 --> 00:36:16,960
Speaker 1: But the dummies are.

759
00:36:11,880 --> 00:36:16,479
Speaker 2: The second the door falls as Stevel shows up, he's

760
00:36:16,520 --> 00:36:20,560
Speaker 2: his line, but dummies pleading. End of episode hysterical.

761
00:36:21,960 --> 00:36:23,239
Speaker 1: That's Halloween episode of all time.

762
00:36:24,680 --> 00:36:27,880
Speaker 3: You start the episode at a crime scene with a

763
00:36:27,920 --> 00:36:31,400
Speaker 3: tiny little outline of a dead dummis and you go back.

764
00:36:31,320 --> 00:36:35,000
Speaker 2: And you go, you go, what the hell happened here, Carl, Well,

765
00:36:35,840 --> 00:36:37,040
Speaker 2: dummy broke down my door.

766
00:36:37,880 --> 00:36:38,960
Speaker 3: That would be great.

767
00:36:40,520 --> 00:36:43,360
Speaker 1: Now in Carl's room. Ercle and Carl scramble inside and

768
00:36:43,400 --> 00:36:45,560
Speaker 1: slam the door shut behind them, but within seconds the

769
00:36:45,600 --> 00:36:48,279
Speaker 1: dummies pry it open a crack. Both sides struggle in

770
00:36:48,320 --> 00:36:50,359
Speaker 1: a frantic tug of war, each pushing with all their

771
00:36:50,400 --> 00:36:52,719
Speaker 1: might to either keep the puppets out or force their

772
00:36:52,760 --> 00:36:55,360
Speaker 1: way in. Finally, Carl manages to close the door and

773
00:36:55,360 --> 00:36:58,040
Speaker 1: lock it. Carl comments on how strong those puppets are,

774
00:36:58,080 --> 00:37:01,000
Speaker 1: but Erkle is staying positive they may have discouraged them.

775
00:37:01,320 --> 00:37:03,279
Speaker 1: He bends down and puts his ear against the door.

776
00:37:03,480 --> 00:37:06,640
Speaker 1: He doesn't hear a peep. Then crash, an axe goes

777
00:37:06,680 --> 00:37:08,600
Speaker 1: through the door, leaving a hole for Carl's bad to

778
00:37:08,600 --> 00:37:12,040
Speaker 1: peek through. A cute reference to the shining popping out

779
00:37:12,040 --> 00:37:16,279
Speaker 1: of the splintered wood, he declares, here's Carl's bad. But

780
00:37:16,360 --> 00:37:19,279
Speaker 1: then Carl realizes they can use a nearby dresser. They

781
00:37:19,360 --> 00:37:21,120
Speaker 1: drag it in front of the door, blocking the hole

782
00:37:21,120 --> 00:37:24,239
Speaker 1: and in turn those evil puppets. Carl is certain they

783
00:37:24,280 --> 00:37:27,080
Speaker 1: can't get through it. It's solid oak. Immediately after he

784
00:37:27,080 --> 00:37:29,359
Speaker 1: says this, the top drawer shoots out and hits him

785
00:37:29,360 --> 00:37:32,080
Speaker 1: in the head. Various drawers start popping out and hitting

786
00:37:32,120 --> 00:37:34,279
Speaker 1: Carl and the crotch and in the head, and one

787
00:37:34,320 --> 00:37:38,319
Speaker 1: drawer even has Carl's bad in it. He grabs onto

788
00:37:38,360 --> 00:37:42,680
Speaker 1: Carl's nose and squeezes it thar she blows. Carl screams

789
00:37:42,680 --> 00:37:45,120
Speaker 1: for Erkele's help, but Erkele just grabs his ear, making

790
00:37:45,160 --> 00:37:49,520
Speaker 1: it worse. Carl clarifies, don't help them, help me. Rkle

791
00:37:49,640 --> 00:37:51,680
Speaker 1: quickly pulls him away from the possessed dummy, and they

792
00:37:51,760 --> 00:37:54,040
Speaker 1: watch on as the dresser drawers open and close all

793
00:37:54,080 --> 00:37:57,319
Speaker 1: on their own. Eventually, Stevel and Carl's bad pop out

794
00:37:57,320 --> 00:38:00,360
Speaker 1: of one, yelling peekaboo. The lights go out as thunder

795
00:38:00,360 --> 00:38:03,200
Speaker 1: and lightning rumble outside, flashing light on the dummies as

796
00:38:03,200 --> 00:38:07,520
Speaker 1: they let out maniacal laughs. Then they magically disappear. Carl

797
00:38:07,600 --> 00:38:10,360
Speaker 1: checks the drawers what is going on? Then more lightning

798
00:38:10,360 --> 00:38:12,640
Speaker 1: flashes and the lights go out. We hear Erkle scream

799
00:38:12,640 --> 00:38:15,719
Speaker 1: and when the lights come on, he's gone. Carl calls

800
00:38:15,760 --> 00:38:17,600
Speaker 1: out for him, but he's nowhere to be found. He

801
00:38:17,640 --> 00:38:20,960
Speaker 1: starts to panic, Oh no, oh no. He looks directly

802
00:38:21,000 --> 00:38:26,000
Speaker 1: into the camera and screams, they've got Steve, and then

803
00:38:26,560 --> 00:38:29,120
Speaker 1: Carl creeps downstairs, looking through the pelvis bone of a

804
00:38:29,120 --> 00:38:35,239
Speaker 1: skeleton and carrying his baton for protection glasses. I think

805
00:38:35,680 --> 00:38:39,799
Speaker 1: this is something Will would have done, Like Will done that,

806
00:38:39,880 --> 00:38:41,160
Speaker 1: and then they would have been like, do that, and

807
00:38:41,480 --> 00:38:42,440
Speaker 1: that's the one they would have used.

808
00:38:42,719 --> 00:38:43,160
Speaker 3: That seems like.

809
00:38:44,440 --> 00:38:46,400
Speaker 1: He calls out for Erkele and searches the room for

810
00:38:46,440 --> 00:38:49,200
Speaker 1: any signs. Then he sees something. It's a large white

811
00:38:49,200 --> 00:38:51,800
Speaker 1: sheet covering something that looks like a sofa chair. Carl

812
00:38:51,880 --> 00:38:54,800
Speaker 1: reaches for the sheet, terrified that he'll find Erkele dead underneath.

813
00:38:55,040 --> 00:38:56,760
Speaker 1: He pulls it off and we hear a woman scream

814
00:38:56,920 --> 00:38:59,839
Speaker 1: it's a creepy skeleton. Carl lets out a dramatic cry,

815
00:38:59,880 --> 00:39:02,280
Speaker 1: and the door starts to creak open behind him. Thinking

816
00:39:02,280 --> 00:39:04,400
Speaker 1: it might be Arkle, Carl slowly walks to it and

817
00:39:04,400 --> 00:39:07,640
Speaker 1: sticks his head outside. Then bam, a skeleton falls onto

818
00:39:07,640 --> 00:39:09,880
Speaker 1: his head. Carl screams in horror as he shakes the

819
00:39:09,880 --> 00:39:12,720
Speaker 1: bones off. Then he hears noises coming from the kitchen.

820
00:39:12,920 --> 00:39:16,879
Speaker 1: Now he's angry if they touch my dove bars. Dove

821
00:39:16,880 --> 00:39:20,279
Speaker 1: bars are delicious. He storms into the room to find Arkle.

822
00:39:20,360 --> 00:39:21,319
Speaker 1: Slows and scaring ahead.

823
00:39:21,320 --> 00:39:29,000
Speaker 2: Blinds is the only commentary I means, are delicious, delicious, and.

824
00:39:31,480 --> 00:39:32,319
Speaker 3: That's what Carl walks on the.

825
00:39:41,160 --> 00:39:46,440
Speaker 1: You're welcome. Carl asks what have they done to him?

826
00:39:46,520 --> 00:39:48,839
Speaker 1: The thunder and lightning get more aggressive, and Carl looks

827
00:39:48,960 --> 00:39:51,239
Speaker 1: very scared. The lights go out, and the lightning lets

828
00:39:51,280 --> 00:39:53,799
Speaker 1: us see small snippets of Carl, wide eyed, yelling what

829
00:39:53,840 --> 00:39:56,920
Speaker 1: a terrible, awful night? When will this ever end? The

830
00:39:57,000 --> 00:39:59,399
Speaker 1: lights turn on, and now Stevel and Carl's batter right

831
00:39:59,400 --> 00:40:02,440
Speaker 1: behind him, standing on the dining table. Carl's bad announces

832
00:40:02,560 --> 00:40:06,680
Speaker 1: very soon, one soul down, one to go. Stevel now

833
00:40:06,760 --> 00:40:09,680
Speaker 1: speaks in Erkele's human voice, don't I look pretty in

834
00:40:09,719 --> 00:40:12,880
Speaker 1: a human soul? Carl grabs Stevel, pulling him off the table.

835
00:40:12,960 --> 00:40:15,040
Speaker 2: Well, is in the dummy?

836
00:40:18,239 --> 00:40:19,160
Speaker 1: Ercles in the dummy?

837
00:40:19,280 --> 00:40:21,799
Speaker 2: But then why is the dummy still evil? Like at

838
00:40:21,800 --> 00:40:24,400
Speaker 2: this point they should want to save the dummy?

839
00:40:25,560 --> 00:40:38,040
Speaker 1: Yeah, Carl Grass, Carl gret pulling him off the table. Well,

840
00:40:38,040 --> 00:40:40,320
Speaker 1: now that you have a soul, why don't you stop

841
00:40:40,400 --> 00:40:41,120
Speaker 1: being evil?

842
00:40:41,480 --> 00:40:51,840
Speaker 2: I want to use the film award guys always on.

843
00:40:51,880 --> 00:40:52,239
Speaker 3: Dancing with.

844
00:40:55,000 --> 00:41:00,880
Speaker 2: A Lace, Dancing with the Stars four digits we've all

845
00:41:00,960 --> 00:41:01,640
Speaker 2: accomplished this.

846
00:41:01,800 --> 00:41:02,560
Speaker 3: Oh, I got something.

847
00:41:03,040 --> 00:41:05,440
Speaker 2: I graduated with Latin honors from Columbia.

848
00:41:05,480 --> 00:41:06,520
Speaker 3: Guys, this.

849
00:41:08,600 --> 00:41:09,759
Speaker 2: Is what gets you.

850
00:41:11,120 --> 00:41:14,120
Speaker 1: I graduated magna CUMLOADI from fuller time.

851
00:41:14,160 --> 00:41:17,600
Speaker 3: Okay, dove bars are good, they are. That's what I

852
00:41:17,640 --> 00:41:22,600
Speaker 3: got to that conversation. I graduated in high school barely.

853
00:41:23,000 --> 00:41:26,760
Speaker 1: Stevel explains, still in Erkele's voice, I'm still evil, only

854
00:41:26,840 --> 00:41:29,520
Speaker 1: now I feel guilty about it. Carl's Bad chimes in,

855
00:41:29,560 --> 00:41:31,400
Speaker 1: I can't wait to get my soul and hit the

856
00:41:31,480 --> 00:41:34,200
Speaker 1: road to Vegas. Carl looks at him in disgust, but

857
00:41:34,280 --> 00:41:36,239
Speaker 1: Carl's Bad is reveling in it. He tells Carl to

858
00:41:36,280 --> 00:41:39,160
Speaker 1: freeze while he sucks out his soul. Carl warns him,

859
00:41:39,200 --> 00:41:41,239
Speaker 1: You're never gonna get my soul. I'm gonna fight you

860
00:41:41,280 --> 00:41:43,840
Speaker 1: to the death. Stevel and Carl's Bad declare war, and

861
00:41:43,880 --> 00:41:47,040
Speaker 1: when Carl reaches for Erkele, the dummies pounce. Carl's Bad

862
00:41:47,120 --> 00:41:49,279
Speaker 1: jumps onto his back while Stevel clings to his leg.

863
00:41:49,560 --> 00:41:51,520
Speaker 1: Carl can't shake them off. He begs, can't we just

864
00:41:51,520 --> 00:41:55,080
Speaker 1: get along? Carl's Bad bites his nose in response. Erkele

865
00:41:55,160 --> 00:41:57,279
Speaker 1: is still sitting in the chair looking completely empty. When

866
00:41:57,320 --> 00:41:59,680
Speaker 1: Carl is finally able to throw Carl's bad through the

867
00:41:59,719 --> 00:42:02,719
Speaker 1: glass window, then he grabs Stevel and shucks him out

868
00:42:02,719 --> 00:42:06,319
Speaker 1: the window too. The audience applauds, and Carl grabs Erkele's hand.

869
00:42:06,400 --> 00:42:08,520
Speaker 1: They've got to get out of there. Erkele says nothing

870
00:42:08,520 --> 00:42:10,520
Speaker 1: as Carl drags him through the house like a zombie,

871
00:42:10,560 --> 00:42:13,000
Speaker 1: but once at the front door, Erkele pulls away. Carl

872
00:42:13,000 --> 00:42:15,000
Speaker 1: wants to know what's going on, and Erkele's face goes

873
00:42:15,000 --> 00:42:17,600
Speaker 1: sinister as a green light shines on him. In a

874
00:42:17,719 --> 00:42:22,240
Speaker 1: very deep, stevil voice. A now very different looking Erkele asks,

875
00:42:22,440 --> 00:42:26,719
Speaker 1: what's the rush? A horrified Carl shouts no, no, as

876
00:42:26,840 --> 00:42:29,319
Speaker 1: Erkele shoots green laser beams out of his eyes and

877
00:42:29,360 --> 00:42:31,560
Speaker 1: into Carl's soaking out his soul.

878
00:42:31,719 --> 00:42:36,640
Speaker 3: Both evil, So Rkle, the body and and Stevel are

879
00:42:36,800 --> 00:42:39,640
Speaker 3: somehow now both evil, even though one of them is

880
00:42:39,640 --> 00:42:41,960
Speaker 3: supposed to have soul.

881
00:42:42,480 --> 00:42:46,000
Speaker 1: Right right, And then we slowly fade out of the

882
00:42:46,040 --> 00:42:50,920
Speaker 1: dream sequence. Carl's room, Carl is in bed, screaming.

883
00:42:50,680 --> 00:42:54,960
Speaker 3: Discussing, warns like right right, okay, So then Stevel.

884
00:42:56,600 --> 00:42:59,160
Speaker 1: Carl is in bed screaming, not my soul. No, not

885
00:42:59,280 --> 00:43:02,239
Speaker 1: my dovebar, there's no. He jumps out of bed and

886
00:43:02,280 --> 00:43:05,400
Speaker 1: sprints out the door. See the reason we don't have

887
00:43:05,440 --> 00:43:07,560
Speaker 1: to discuss it is because it's a dream, and you know,

888
00:43:08,239 --> 00:43:11,200
Speaker 1: you don't have to make yeah, right, nothing has to.

889
00:43:11,200 --> 00:43:13,080
Speaker 3: Make like cheeseburger house in French Fries.

890
00:43:13,480 --> 00:43:14,320
Speaker 1: Totally exactly.

891
00:43:14,320 --> 00:43:15,960
Speaker 2: That's except and then there was Sean, who is a

892
00:43:16,040 --> 00:43:19,160
Speaker 2: dream I know, and it's a good one. Yeah, has

893
00:43:19,760 --> 00:43:22,720
Speaker 2: actual character relationship, you know, has a point.

894
00:43:22,920 --> 00:43:26,239
Speaker 3: Yeah, this is this is just a yeah, it's a

895
00:43:26,840 --> 00:43:29,160
Speaker 3: the Winslow's living room, Erkele is sitting on the couch

896
00:43:29,360 --> 00:43:32,440
Speaker 3: laughing with the decorative skeleton, who he calls a great listener.

897
00:43:32,480 --> 00:43:35,160
Speaker 1: It falls limp on the couch and response a careful

898
00:43:35,239 --> 00:43:38,360
Speaker 1: Karl slowly walks down the stairs, still shaking off the nightmare.

899
00:43:38,680 --> 00:43:41,400
Speaker 1: Erkele asks if he'd like any of the carmel covered squid.

900
00:43:41,800 --> 00:43:43,799
Speaker 1: He shakes his head, it admits he's just had the

901
00:43:43,800 --> 00:43:46,560
Speaker 1: worst nightmare of his life. Erkle guesses, was it the

902
00:43:46,600 --> 00:43:49,120
Speaker 1: one where you have to frisk nell Carter, which is

903
00:43:49,160 --> 00:43:50,920
Speaker 1: a I think a fat.

904
00:43:50,880 --> 00:43:54,759
Speaker 3: Joke, I guess, so, yeah, or give me a break joke.

905
00:43:56,200 --> 00:43:56,839
Speaker 2: I don't get it.

906
00:43:57,160 --> 00:43:59,239
Speaker 3: I don't get Carter, give me a break. I don't

907
00:43:59,400 --> 00:44:00,640
Speaker 3: I think must just yet.

908
00:44:01,200 --> 00:44:03,600
Speaker 1: Why would a nightmare beds? Yeah, just that she's a

909
00:44:03,680 --> 00:44:04,160
Speaker 1: larger word.

910
00:44:04,239 --> 00:44:06,280
Speaker 3: I thought, that's my guess. Yeah, okay.

911
00:44:06,880 --> 00:44:09,160
Speaker 1: Carl says it was even worse than that one. This

912
00:44:09,200 --> 00:44:11,560
Speaker 1: time he had a dream about Stevel. He tells Erkel

913
00:44:11,600 --> 00:44:14,280
Speaker 1: about Carl's bad and the two puppets trying to steal

914
00:44:14,320 --> 00:44:16,799
Speaker 1: their souls. It made me realize I should have never

915
00:44:16,800 --> 00:44:20,440
Speaker 1: made fun of your nightmare. Erkele's shocked. Really, Carl continues,

916
00:44:20,480 --> 00:44:22,399
Speaker 1: I should have encouraged you to talk about it that way.

917
00:44:22,400 --> 00:44:24,880
Speaker 1: It wouldn't have seemed so scary. Rkele thanks him for

918
00:44:24,920 --> 00:44:27,800
Speaker 1: the kindness. As Carl begins to walk away, Erkele follows

919
00:44:27,840 --> 00:44:29,760
Speaker 1: after him. Have I ever told you about the nightmare

920
00:44:29,760 --> 00:44:31,440
Speaker 1: where I was locked in a cheese factory but I

921
00:44:31,480 --> 00:44:34,040
Speaker 1: had no nose, And then Myra showed up and she

922
00:44:34,080 --> 00:44:36,160
Speaker 1: wanted to give me a kiss, but I had no lips.

923
00:44:36,440 --> 00:44:38,480
Speaker 1: Then I tried to run home, but I had no feet.

924
00:44:38,840 --> 00:44:40,919
Speaker 1: Erkele goes on and on and on, and Carl again

925
00:44:40,960 --> 00:44:43,480
Speaker 1: looks directly into the camera, regretting his prior words of

926
00:44:43,560 --> 00:44:46,560
Speaker 1: dream related encouragement. And then my mother showed up, but

927
00:44:46,600 --> 00:44:50,279
Speaker 1: she was wearing velvet boxer shorts. Carl turns away from Rkele,

928
00:44:50,360 --> 00:44:53,200
Speaker 1: walking upstairs without a peep, but Erkele still follows. Carl,

929
00:44:53,280 --> 00:44:56,240
Speaker 1: still detailing his other nightmares, like when he was milk

930
00:44:56,280 --> 00:45:00,800
Speaker 1: fed veal chop engaged to an elderly lamb. Chop laughs

931
00:45:00,840 --> 00:45:04,160
Speaker 1: and the credits roll, and then we're in the tag

932
00:45:04,280 --> 00:45:07,239
Speaker 1: in Las Vegas. We see various nineties Vegas hotels and

933
00:45:07,280 --> 00:45:09,439
Speaker 1: a sign that reads now appearing in the oak room

934
00:45:09,640 --> 00:45:12,800
Speaker 1: Stevel and Carl's Bad. The two dummies walk onto stage

935
00:45:12,800 --> 00:45:15,760
Speaker 1: wearing green and red sequined tailcoats paired with sparkly gold

936
00:45:15,760 --> 00:45:18,400
Speaker 1: bow ties and cumber buns. They think the audience for

937
00:45:18,440 --> 00:45:21,080
Speaker 1: the warm welcome, and Stevell admits it's not easy being

938
00:45:21,120 --> 00:45:24,640
Speaker 1: the short, and Carl's Bad asks why Stevel answers, because

939
00:45:24,640 --> 00:45:26,720
Speaker 1: you're always the last guy to know when it rains.

940
00:45:27,040 --> 00:45:30,440
Speaker 1: The audience groans, so Stevel tries again. He tells them

941
00:45:30,480 --> 00:45:32,879
Speaker 1: I was dating this female puppet once, and Carl's Bad

942
00:45:32,880 --> 00:45:35,920
Speaker 1: asks why'd you stop? Stevel says, because she cheated on

943
00:45:36,000 --> 00:45:39,160
Speaker 1: me with a Gi Joe doll. Now the audience booze

944
00:45:39,160 --> 00:45:41,040
Speaker 1: and the dummies can't believe it is this thing on

945
00:45:41,440 --> 00:45:44,839
Speaker 1: Carl's Bad asks what are you people? Mannequins? A man

946
00:45:44,920 --> 00:45:48,000
Speaker 1: heckles back, No, but you are. Stevel asks him to

947
00:45:48,040 --> 00:45:50,600
Speaker 1: repeat that in the parking lot, and Carl's Bad threatens,

948
00:45:50,600 --> 00:45:53,479
Speaker 1: we'll rip your heart out. The audience starts to boo

949
00:45:53,520 --> 00:45:56,400
Speaker 1: even louder, and Carl's Bad tells Stevel they really hate you.

950
00:45:56,840 --> 00:45:59,960
Speaker 1: Stevel asks me, what do you mean me? Carl's Bad's

951
00:46:00,000 --> 00:46:02,120
Speaker 1: says he has all the funny lines and he's blowing them,

952
00:46:02,239 --> 00:46:05,040
Speaker 1: but Stevell blames it on his bad setups. They start

953
00:46:05,080 --> 00:46:07,200
Speaker 1: to wrestle each other on stage, falling to the floor

954
00:46:07,239 --> 00:46:10,960
Speaker 1: and ending with Stevel choking Carl's Bad out as the

955
00:46:11,000 --> 00:46:16,840
Speaker 1: final credits role. Thank you all for joining us for

956
00:46:16,960 --> 00:46:21,920
Speaker 1: this episode. As always, you can follow us on Instagram

957
00:46:22,000 --> 00:46:24,240
Speaker 1: pod Meets World Show. You can send us your emails

958
00:46:24,239 --> 00:46:26,640
Speaker 1: pod meets World Show at gmail dot com. And we've

959
00:46:26,680 --> 00:46:27,240
Speaker 1: got merch.

960
00:46:28,080 --> 00:46:30,920
Speaker 3: Hey, where is everybody? Well? I guess I'll just do

961
00:46:31,000 --> 00:46:36,360
Speaker 3: the merch call merch alt. Let's hope there's no Stevel

962
00:46:36,440 --> 00:46:38,600
Speaker 3: three merch.

963
00:46:40,320 --> 00:46:44,719
Speaker 1: Pod Meets Worldshow dot com writer send us out and

964
00:46:44,760 --> 00:46:45,439
Speaker 1: we love you all.

965
00:46:45,719 --> 00:46:46,560
Speaker 2: Pod dismissed.

966
00:46:47,880 --> 00:46:50,600
Speaker 3: Pod Meets World is nheart podcast produc and hosted by

967
00:46:50,719 --> 00:46:54,839
Speaker 3: Danielle Fischel, Wilfredell and Ryder Strong Executive producers, Jensen Carp

968
00:46:54,880 --> 00:46:58,160
Speaker 3: and Amy Sugarman Executive in charge of production, Danielle Romo,

969
00:46:58,480 --> 00:47:02,680
Speaker 3: producer and editor, Tars due Backs producer, Maddie Moore, engineer

970
00:47:02,680 --> 00:47:05,200
Speaker 3: and Boy Meets World super fan Easton Allen. Our theme

971
00:47:05,239 --> 00:47:07,239
Speaker 3: song is by Kyle Morton of Typhoon and you can

972
00:47:07,280 --> 00:47:10,160
Speaker 3: follow us on Instagram at Podmets World Show or email

973
00:47:10,239 --> 00:47:14,320
Speaker 3: us at Podmetsworldshow at gmail dot com