1
00:00:01,480 --> 00:00:04,000
Speaker 1: The on air moments that had the whole studio talking.

2
00:00:04,280 --> 00:00:06,760
Speaker 1: This is the year's best from Elvis Duran in the

3
00:00:06,760 --> 00:00:13,319
Speaker 1: Morning Show, Elvis Duran and the Morning Show.

4
00:00:14,560 --> 00:00:16,239
Speaker 2: He's here, Gloria Stefan, Right.

5
00:00:16,200 --> 00:00:20,080
Speaker 3: Yeah, so happy to be here again.

6
00:00:20,560 --> 00:00:22,200
Speaker 2: I'm happy to be anywhere exactly.

7
00:00:22,480 --> 00:00:22,800
Speaker 4: Listen.

8
00:00:23,520 --> 00:00:24,360
Speaker 5: Oh you're not kidding.

9
00:00:24,360 --> 00:00:26,320
Speaker 2: Thank you for coming in to talk about your project

10
00:00:26,360 --> 00:00:28,960
Speaker 2: coming up May twenty ninth. Risis. Yes, of course, it

11
00:00:29,000 --> 00:00:30,160
Speaker 2: all came from the song.

12
00:00:30,480 --> 00:00:31,800
Speaker 5: It all came from that one song.

13
00:00:31,920 --> 00:00:34,120
Speaker 2: Now, talk about that song and how it made you

14
00:00:34,159 --> 00:00:36,280
Speaker 2: go white. There's something more than just a song here.

15
00:00:36,400 --> 00:00:37,080
Speaker 5: Absolutely.

16
00:00:37,159 --> 00:00:39,279
Speaker 3: You know a couple of years ago, em Lit he

17
00:00:39,320 --> 00:00:41,600
Speaker 3: works with a million artists, and he comes to me

18
00:00:41,640 --> 00:00:44,440
Speaker 3: and he says, Babe, I wrote this song. I would

19
00:00:44,520 --> 00:00:45,960
Speaker 3: love for you to be the one to sing it.

20
00:00:45,960 --> 00:00:49,240
Speaker 3: And I go, babe, I'm writing this musical with Emily.

21
00:00:49,320 --> 00:00:52,519
Speaker 3: We've been working three years. I go, I can't divert

22
00:00:52,600 --> 00:00:54,600
Speaker 3: because my brain is in that mode.

23
00:00:54,640 --> 00:00:57,120
Speaker 5: I have to do eighteen new songs. And he goes,

24
00:00:57,160 --> 00:00:58,800
Speaker 5: you trust me. I go absolutely.

25
00:00:58,800 --> 00:01:02,000
Speaker 3: He goes, will you let me write more songs so

26
00:01:02,040 --> 00:01:05,319
Speaker 3: that if you like them, you could do this album

27
00:01:05,440 --> 00:01:07,560
Speaker 3: like And I go, if I do an album. I

28
00:01:07,600 --> 00:01:10,920
Speaker 3: want it to be tropical and in Spanish. So he's

29
00:01:11,000 --> 00:01:13,640
Speaker 3: played me the demo for DA says, and I go, oh,

30
00:01:13,680 --> 00:01:16,600
Speaker 3: my gosh, this is just so special, so positive. We

31
00:01:16,640 --> 00:01:19,280
Speaker 3: need positive vibes out in the world. No, it's our

32
00:01:19,360 --> 00:01:23,280
Speaker 3: job as musicians. That is our mandate to you know,

33
00:01:23,760 --> 00:01:26,760
Speaker 3: entertain or make you forget or give you something positive

34
00:01:26,800 --> 00:01:29,240
Speaker 3: to think about it. And then he brought me spectacular songs.

35
00:01:29,360 --> 00:01:31,920
Speaker 3: I only wrote one from my grandson Sasha, and.

36
00:01:31,920 --> 00:01:34,080
Speaker 2: Gloria hasn't done an all Spanish album I think in

37
00:01:34,120 --> 00:01:37,560
Speaker 2: almost twenty or fifteen years. Yeah, but let's talk about

38
00:01:37,800 --> 00:01:41,160
Speaker 2: the spirit of this album because it really I don't know.

39
00:01:41,200 --> 00:01:43,120
Speaker 2: I get the feeling from people I've talked to about

40
00:01:43,160 --> 00:01:47,080
Speaker 2: this project is it's sort of a celebration of fifty

41
00:01:47,319 --> 00:01:51,120
Speaker 2: years of all you the bands.

42
00:01:51,480 --> 00:01:54,280
Speaker 3: And forty nine years of love because it's a it's

43
00:01:54,280 --> 00:01:57,480
Speaker 3: a kind of autobiographical love story. In fact, the Melia

44
00:01:57,480 --> 00:01:59,360
Speaker 3: comes to me and he says, I wrote you a

45
00:01:59,440 --> 00:01:59,800
Speaker 3: love song.

46
00:02:00,120 --> 00:02:02,000
Speaker 5: Oh babe, that's so sweet. Are you going to see

47
00:02:02,040 --> 00:02:03,200
Speaker 5: He goes, no, you're going to sing it to me?

48
00:02:04,560 --> 00:02:05,760
Speaker 5: He wrote his own love song.

49
00:02:05,840 --> 00:02:06,680
Speaker 2: I go, that's so you.

50
00:02:07,080 --> 00:02:10,120
Speaker 5: But I do mean every word in it here my mind.

51
00:02:10,320 --> 00:02:12,560
Speaker 2: I think back to a god years ago and it

52
00:02:12,639 --> 00:02:15,000
Speaker 2: was all very well. Told him story for him in

53
00:02:15,200 --> 00:02:18,280
Speaker 2: your musical On your Feet, Yes, which was on Broadway

54
00:02:18,320 --> 00:02:20,000
Speaker 2: for a couple of years, and I thought that was

55
00:02:20,040 --> 00:02:22,600
Speaker 2: just a beautiful way to tell the story of you,

56
00:02:22,880 --> 00:02:25,160
Speaker 2: Miami style machine. I use the kind of person who

57
00:02:25,280 --> 00:02:27,960
Speaker 2: thinks that you know, once you stop adding to the house,

58
00:02:28,960 --> 00:02:31,000
Speaker 2: then you cease to exist. I mean if you if

59
00:02:31,040 --> 00:02:32,560
Speaker 2: you stop, then I.

60
00:02:32,480 --> 00:02:33,200
Speaker 5: Never get bored.

61
00:02:33,480 --> 00:02:37,640
Speaker 3: So I can perfectly be happy doing nothing because my

62
00:02:37,720 --> 00:02:39,880
Speaker 3: brain is always going and there's always something that I'm

63
00:02:39,880 --> 00:02:43,120
Speaker 3: going to do. Emilia can't stop like he He's one

64
00:02:43,160 --> 00:02:45,680
Speaker 3: of those people that he's going to be working until

65
00:02:45,720 --> 00:02:49,120
Speaker 3: the day he moves on because he loves every minute

66
00:02:49,120 --> 00:02:49,360
Speaker 3: of it.

67
00:02:49,440 --> 00:02:53,079
Speaker 5: And he has a d D. So even when he's

68
00:02:53,120 --> 00:02:55,679
Speaker 5: home for a couple of hours, you see him hosing everything.

69
00:02:55,919 --> 00:02:58,359
Speaker 5: What is it with men and hoses? I have a theory.

70
00:02:58,600 --> 00:03:02,000
Speaker 6: I have a theory about that hose.

71
00:03:02,040 --> 00:03:06,639
Speaker 2: Oh yeah, me too, Amen, Lit's here for the hose everyone. Oh,

72
00:03:06,720 --> 00:03:10,400
Speaker 2: I got all right?

73
00:03:10,520 --> 00:03:12,520
Speaker 4: So you said that you wanted to do this one

74
00:03:12,600 --> 00:03:16,680
Speaker 4: in Spanish and Tropical. Why after twenty years is that important?

75
00:03:16,680 --> 00:03:18,120
Speaker 4: To you at this moment full circle.

76
00:03:18,360 --> 00:03:20,680
Speaker 3: You know, the first music that I ever listened to

77
00:03:21,120 --> 00:03:24,440
Speaker 3: was my mom's record collection that got smuggled slowly by

78
00:03:24,440 --> 00:03:27,880
Speaker 3: my grandma out of Cuba, mango baby food boxes that

79
00:03:28,000 --> 00:03:31,799
Speaker 3: she would saddle the pilots of Guana. We'd get a

80
00:03:31,880 --> 00:03:34,280
Speaker 3: knock on her apartment and it'd be a pilot holding

81
00:03:34,280 --> 00:03:37,320
Speaker 3: a box of baby food and records in there. And

82
00:03:37,680 --> 00:03:40,920
Speaker 3: it's my heart language. You know, Spanish is my heart language.

83
00:03:40,960 --> 00:03:45,560
Speaker 3: English is my cerebral head language, but Spanish is something

84
00:03:45,640 --> 00:03:46,480
Speaker 3: very special for me.

85
00:03:46,680 --> 00:03:48,880
Speaker 4: Well, speaking of that, so I did some growing up

86
00:03:48,880 --> 00:03:52,160
Speaker 4: in Miami and you're obviously royalty, a legend and icon

87
00:03:52,240 --> 00:03:53,160
Speaker 4: specifically there.

88
00:03:53,440 --> 00:03:54,240
Speaker 5: It's true about it.

89
00:03:55,680 --> 00:03:57,680
Speaker 4: Can you go anywhere without getting mob down there?

90
00:03:59,280 --> 00:03:59,840
Speaker 5: Another era?

91
00:04:00,160 --> 00:04:03,160
Speaker 3: No, you know, everybody feels like I'm their own. So

92
00:04:03,240 --> 00:04:04,840
Speaker 3: what I do get a lot of is just give

93
00:04:04,840 --> 00:04:06,840
Speaker 3: me a hug. I love that I get that here

94
00:04:07,000 --> 00:04:10,280
Speaker 3: in New York, and people want to hug me and

95
00:04:10,520 --> 00:04:14,280
Speaker 3: they're so they thank me for things, and then for

96
00:04:14,440 --> 00:04:17,040
Speaker 3: you know, being Latina and for representing.

97
00:04:17,480 --> 00:04:19,039
Speaker 5: It's just a blessing to me.

98
00:04:19,120 --> 00:04:21,359
Speaker 3: But I go out my grandson and I go to

99
00:04:21,480 --> 00:04:22,960
Speaker 3: escape rooms alone all the time.

100
00:04:23,160 --> 00:04:24,400
Speaker 5: We love that. I love doing.

101
00:04:24,560 --> 00:04:25,320
Speaker 2: It's kind of creepy.

102
00:04:25,520 --> 00:04:30,640
Speaker 5: Escape They're great. They're great, and we can still be

103
00:04:30,680 --> 00:04:31,720
Speaker 5: there if it wasn't for him.

104
00:04:34,000 --> 00:04:37,960
Speaker 2: No. Escaping absolutely another glory thing I'm loving. And of

105
00:04:37,960 --> 00:04:42,039
Speaker 2: course mysoun machine is Guardians the Galaxy at Epcot. Yeah, okay,

106
00:04:42,120 --> 00:04:43,760
Speaker 2: you don't get to choose the music when you ride.

107
00:04:43,960 --> 00:04:48,080
Speaker 2: It's the world's best ride, right, I love it, and

108
00:04:48,120 --> 00:04:50,039
Speaker 2: you don't get to choose music. But when when the

109
00:04:50,040 --> 00:04:52,040
Speaker 2: conger comes on, you're like, ah, I made it.

110
00:04:52,120 --> 00:04:54,320
Speaker 5: I got Tears for Fears my favorite. Everybody wants to

111
00:04:54,600 --> 00:04:54,880
Speaker 5: the world.

112
00:04:54,920 --> 00:04:56,479
Speaker 6: Wait, how do you get on that ride? Like, do

113
00:04:56,560 --> 00:04:58,039
Speaker 6: they call you and say we want to use your song?

114
00:04:58,680 --> 00:05:01,560
Speaker 3: Yeah, well that was before you know they prepared that,

115
00:05:01,640 --> 00:05:03,680
Speaker 3: And I was honored to be one of six songs

116
00:05:03,680 --> 00:05:06,320
Speaker 3: that gets played on that thing. I joke because my

117
00:05:06,360 --> 00:05:09,200
Speaker 3: assistant has a friend that every time she gets on there,

118
00:05:09,240 --> 00:05:11,880
Speaker 3: they play Gonga and she thinks I'm I'm the one

119
00:05:11,960 --> 00:05:12,800
Speaker 3: orchestrating this.

120
00:05:14,080 --> 00:05:17,480
Speaker 5: Everywhere she goes, Conga gets played. No, no, is it

121
00:05:17,520 --> 00:05:17,960
Speaker 5: big honor?

122
00:05:18,080 --> 00:05:19,920
Speaker 3: I mean, first of all, you know Disney, come on,

123
00:05:20,360 --> 00:05:21,640
Speaker 3: it's fantastic.

124
00:05:21,800 --> 00:05:26,000
Speaker 2: Miami is its own being without doubt. You can go

125
00:05:26,040 --> 00:05:28,359
Speaker 2: anywhere in America or almost anywhere in the world, and

126
00:05:28,400 --> 00:05:29,760
Speaker 2: you just don't get the same feeling you get.

127
00:05:29,839 --> 00:05:32,240
Speaker 5: Yeah, we have our own foreign policy and everything.

128
00:05:34,200 --> 00:05:39,000
Speaker 2: Country, not the city, and so from there staying there,

129
00:05:39,720 --> 00:05:44,479
Speaker 2: roots there, businesses, their career, their family there. Yes. I

130
00:05:44,480 --> 00:05:46,640
Speaker 2: mean if anyone ever say hey, if you thought about

131
00:05:46,680 --> 00:05:50,680
Speaker 2: moving living somewhere else, and you would say what hell no, No.

132
00:05:50,520 --> 00:05:52,880
Speaker 5: That's my home. I don't want to go anywhere else.

133
00:05:53,080 --> 00:05:55,880
Speaker 2: So this album out twenty nine is really gonna be

134
00:05:56,160 --> 00:05:57,679
Speaker 2: It's gonna be like the Miami Soundtrack.

135
00:05:57,880 --> 00:06:01,080
Speaker 3: Absolutely, I mean absolutely, and you know what it's done.

136
00:06:01,240 --> 00:06:03,760
Speaker 3: I want to thank all the fans because I think

137
00:06:03,839 --> 00:06:07,520
Speaker 3: today or this week it's number one across three different charts,

138
00:06:07,560 --> 00:06:12,200
Speaker 3: the Tropical, the Latin pop, airplay, whatever, and to be

139
00:06:12,279 --> 00:06:15,200
Speaker 3: back there, like you always hope that people like it.

140
00:06:15,839 --> 00:06:21,760
Speaker 3: But that's it's great. It's really a humbling and beautiful experience.

141
00:06:21,880 --> 00:06:28,320
Speaker 2: Let's talk about Basua. Yes, now, it's interesting as we do.

142
00:06:28,800 --> 00:06:34,039
Speaker 2: Let's spill it. It's based in a landfill, yes, okay, okay,

143
00:06:35,240 --> 00:06:37,080
Speaker 2: So whose idea was this?

144
00:06:37,320 --> 00:06:40,040
Speaker 3: Well, Michael Schulman, the producer, came Frank was still around,

145
00:06:40,040 --> 00:06:42,120
Speaker 3: and Frank go's you fed to have this meeting.

146
00:06:42,760 --> 00:06:45,200
Speaker 5: It's like in the one of the.

147
00:06:44,839 --> 00:06:48,000
Speaker 3: Most difficult situations you can be because these people ended

148
00:06:48,080 --> 00:06:50,680
Speaker 3: up next to a landfill, not by their choice. The

149
00:06:50,760 --> 00:06:53,280
Speaker 3: landfill wasn't there before, and it used to be a

150
00:06:53,320 --> 00:06:56,599
Speaker 3: beautiful lake that little by little, you know, the government

151
00:06:56,680 --> 00:07:00,400
Speaker 3: started turning into a dump, a landfill, and now it's

152
00:07:00,400 --> 00:07:02,760
Speaker 3: one of the largest in South America, with toxic ways

153
00:07:02,800 --> 00:07:07,120
Speaker 3: coming down sits over the world's largest fresh water reserve.

154
00:07:07,440 --> 00:07:09,560
Speaker 3: Could give the world two hundred years of water for

155
00:07:09,640 --> 00:07:13,560
Speaker 3: every human and everything is so precarious. So this environmental

156
00:07:13,640 --> 00:07:16,720
Speaker 3: engineer guy went there trying to help, and you know,

157
00:07:16,960 --> 00:07:19,160
Speaker 3: it's very difficult to help in landfill.

158
00:07:19,240 --> 00:07:20,400
Speaker 5: So he did the next best thing.

159
00:07:20,960 --> 00:07:23,640
Speaker 3: He started music classes for the kids that live there,

160
00:07:24,200 --> 00:07:28,720
Speaker 3: and they started an orchestra. And they started because the

161
00:07:28,720 --> 00:07:31,640
Speaker 3: instrument they didn't have. Instruments they couldn't survive, you know,

162
00:07:31,800 --> 00:07:34,360
Speaker 3: really good instruments, so they started making them out of

163
00:07:34,360 --> 00:07:37,400
Speaker 3: the trash. This one kid that lived outside and slept

164
00:07:37,400 --> 00:07:40,320
Speaker 3: outside all his life, and he had this idea and

165
00:07:40,360 --> 00:07:42,560
Speaker 3: they started making the instruments and now there are three

166
00:07:42,680 --> 00:07:45,320
Speaker 3: hundred students strong. They built the school out of the

167
00:07:45,360 --> 00:07:49,440
Speaker 3: trash and it's just such hope. And we fought hard

168
00:07:49,480 --> 00:07:52,400
Speaker 3: for that title because you know, Basuda, it is what

169
00:07:52,440 --> 00:07:55,520
Speaker 3: it is, and it's the true inspirational story of finding

170
00:07:55,600 --> 00:07:58,800
Speaker 3: music and unlikely places and music can be born anywhere

171
00:07:59,200 --> 00:07:59,960
Speaker 3: puting a landfill.

172
00:08:00,200 --> 00:08:02,640
Speaker 2: A brilliant plot. Right. So you worked with your daughter

173
00:08:02,680 --> 00:08:04,760
Speaker 2: on this, yes, and we did for three years.

174
00:08:04,840 --> 00:08:06,920
Speaker 3: It was a secret ploy to have her spend more

175
00:08:06,920 --> 00:08:10,720
Speaker 3: time with me, and it worked the other way, it worked.

176
00:08:10,920 --> 00:08:11,840
Speaker 5: So we just have.

177
00:08:11,960 --> 00:08:14,760
Speaker 3: Such a special team and it's so exciting. That's my

178
00:08:14,760 --> 00:08:16,240
Speaker 3: favorite thing, creating stuff.

179
00:08:16,320 --> 00:08:19,160
Speaker 2: Okay, So you're listening to Gloria Steffan talk about from

180
00:08:19,160 --> 00:08:22,880
Speaker 2: the fifty years ago to now and you look like

181
00:08:22,920 --> 00:08:28,200
Speaker 2: you're already bored with ready to move on to something. No, no, no,

182
00:08:28,680 --> 00:08:29,840
Speaker 2: you're ready to start something new.

183
00:08:29,960 --> 00:08:30,800
Speaker 5: I'm excited.

184
00:08:30,840 --> 00:08:33,760
Speaker 3: Well, I have a movie coming out in September. I

185
00:08:33,800 --> 00:08:36,600
Speaker 3: already shot it, though it shot it. I'm so excited

186
00:08:36,600 --> 00:08:41,160
Speaker 3: that Gabby's Dollhouse. It's a big kids series and this

187
00:08:41,240 --> 00:08:45,880
Speaker 3: is the theatrical, big movie DreamWorks release and I play

188
00:08:46,040 --> 00:08:49,800
Speaker 3: Gabby's grandma who created this magical thing for her. So

189
00:08:49,840 --> 00:08:51,880
Speaker 3: it was a blast. And Kristin Wigg is in it.

190
00:08:52,360 --> 00:08:54,720
Speaker 3: That alone was a draw for me, she's kind of fun.

191
00:08:55,640 --> 00:08:58,680
Speaker 6: I mean, is there an artist that I can't even imagine.

192
00:08:58,720 --> 00:09:00,439
Speaker 6: You can probably call anybody and say hey, I want

193
00:09:00,440 --> 00:09:02,079
Speaker 6: to work with you and they'd say yes, But is

194
00:09:02,120 --> 00:09:03,640
Speaker 6: there an artist you'd love to work with?

195
00:09:04,000 --> 00:09:08,320
Speaker 3: I've worked with so many artists and well with Shila either.

196
00:09:08,360 --> 00:09:12,840
Speaker 3: We just want to Grammy for the Celia Cruz song Benbacora,

197
00:09:13,280 --> 00:09:16,160
Speaker 3: And when we released the track listing, all these incredible

198
00:09:16,280 --> 00:09:19,320
Speaker 3: artists said yes, and they literally held up one of

199
00:09:19,360 --> 00:09:24,880
Speaker 3: my tracks from We had a Shakita, Camilla, Carol King,

200
00:09:25,120 --> 00:09:33,880
Speaker 3: who is friend Dresher, my grandson, Emilio, Sam Smith, and

201
00:09:33,960 --> 00:09:36,880
Speaker 3: I Pardoner, Cindy Lauper, Cindy Lauper.

202
00:09:36,559 --> 00:09:38,880
Speaker 5: Cindy also just these amazing the.

203
00:09:39,040 --> 00:09:45,240
Speaker 2: Name Wow, wait friend dreshervy smel every now and then, okay,

204
00:09:45,640 --> 00:09:46,360
Speaker 2: friend Dresher.

205
00:09:47,040 --> 00:09:48,840
Speaker 3: We've worked together and I love her. I'm a huge

206
00:09:48,840 --> 00:09:52,440
Speaker 3: fan of hers as well. So I've sang with all

207
00:09:52,559 --> 00:09:56,880
Speaker 3: three of the tenors. I've sung with huge artists in

208
00:09:56,920 --> 00:09:57,760
Speaker 3: the Latin world.

209
00:09:58,280 --> 00:10:01,359
Speaker 6: It's just so basically you're saying, yeah, nobody.

210
00:10:01,040 --> 00:10:04,079
Speaker 3: Left always and by the way, I never it all

211
00:10:04,120 --> 00:10:06,800
Speaker 3: happened by accident. It's not that I said oh, let

212
00:10:06,800 --> 00:10:10,280
Speaker 3: me call this person. But I've spent a few years,

213
00:10:10,320 --> 00:10:13,200
Speaker 3: so I've had the opportunity to Saint Otra Tony Bennett.

214
00:10:14,080 --> 00:10:17,400
Speaker 3: So everything I look at as a gift, and the

215
00:10:17,440 --> 00:10:19,880
Speaker 3: baby's always a different thing that I would have done

216
00:10:19,960 --> 00:10:20,800
Speaker 3: or that they would have done.

217
00:10:20,840 --> 00:10:22,240
Speaker 5: So it's always exciting, it's fun.

218
00:10:22,280 --> 00:10:23,600
Speaker 2: Congratulations on everything.

219
00:10:23,880 --> 00:10:24,440
Speaker 5: Thank you say.

220
00:10:24,520 --> 00:10:26,200
Speaker 2: To have your in your spirit in this room with

221
00:10:26,240 --> 00:10:30,920
Speaker 2: us right now is just more than fabulous. It's very fabulous, Gloria.

222
00:10:30,960 --> 00:10:33,560
Speaker 2: Stefan Rasis comes out May twenty ninth, and of course

223
00:10:33,800 --> 00:10:36,320
Speaker 2: when does us go to hit the stage.

224
00:10:36,240 --> 00:10:38,720
Speaker 3: May thirtieth in the Alliance Theater in Atlanta, of twenty

225
00:10:38,720 --> 00:10:41,480
Speaker 3: six and then hopefully in twenty seven for Broadway.

226
00:10:41,600 --> 00:10:45,160
Speaker 5: We shall see. But we're so so excited.

227
00:10:45,400 --> 00:10:47,200
Speaker 2: Well, you have reason to be excited. We're excited to

228
00:10:47,200 --> 00:10:48,000
Speaker 2: hear it and see it all.

229
00:10:48,000 --> 00:10:50,360
Speaker 5: Thank you, Gloria, thanks for giving me the time. Thank

230
00:10:50,400 --> 00:10:52,480
Speaker 5: you all absolutely, by the way, I love the what

231
00:10:52,640 --> 00:10:54,960
Speaker 5: you do. I would I would love to be a DJ.

232
00:10:55,040 --> 00:10:57,000
Speaker 2: I would have loved well, okay, is that next on

233
00:10:57,040 --> 00:10:57,400
Speaker 2: the list.

234
00:10:59,000 --> 00:11:02,000
Speaker 5: I'm not going to take your job, Elvis, he might.

235
00:11:01,840 --> 00:11:04,400
Speaker 6: Give it to you.

236
00:11:04,400 --> 00:11:07,680
Speaker 3: You've got a hard call time every day, Yes, it

237
00:11:07,760 --> 00:11:08,880
Speaker 3: is that part might be tough.

238
00:11:09,080 --> 00:11:11,480
Speaker 5: Thank you so much, thank you so much, thank you