WEBVTT - #469 - Jackson Dean on His House Burning Down at 13 Years Old

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<v Speaker 1>You know, when I get off the road, it's kind

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<v Speaker 1>of just like, hey, don't die, so you can come

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<v Speaker 1>back here in a couple of days and do this again.

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<v Speaker 2>Episode four sixty nine. Nice Jackson Dene. What I did

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<v Speaker 2>not mention in this interview because I'm sure he gets

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<v Speaker 2>it every single interview he does, although I don't really

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<v Speaker 2>does a lot of interviews. Do you know what I'm gonna say?

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<v Speaker 2>His high school viral thing. Yeah, he went viral because

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<v Speaker 2>he played football. He's a big dude, is his athletic dude.

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<v Speaker 2>But he also played in the band, and he was

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<v Speaker 2>playing in the band at halftime in his football uniform.

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<v Speaker 2>And that's what that was a viral thing way back

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<v Speaker 2>in the day, which I didn't bring up because I

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<v Speaker 2>think we've talked about it on the show and I'm

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<v Speaker 2>sure he gets it everywhere. Yeah, and I'm sure he's

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<v Speaker 2>also like, hey, you know, I'm kind of over talking

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<v Speaker 2>about that, but I didn't want to mention it here.

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<v Speaker 2>The other thing that I did not bring up was

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<v Speaker 2>when he was in high school. We didn't know this,

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<v Speaker 2>but he dm the show. Oh yeah, yeah, going, Hey,

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<v Speaker 2>I'm a huge fan of the show. I'm doing music,

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<v Speaker 2>you know, I don't know, am I any good? That

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<v Speaker 2>type thing. We didn't know that until way later when

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<v Speaker 2>he had his first hit and he was in and

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<v Speaker 2>then we like tagged him on something because he was

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<v Speaker 2>a guest on the show, and then we saw the

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<v Speaker 2>message from years before and we're like, holy crap, that's crazy.

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<v Speaker 2>Jackson Dean. I Don't Come Looking was his number one

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<v Speaker 2>song that's already been out on the back of My

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<v Speaker 2>Dreams is the name of the new album that just

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<v Speaker 2>came out on September sixth Luke Dick, who's been a

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<v Speaker 2>guest here, and Luke Dick's hilarious and is also a

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<v Speaker 2>great producer and writer. He produced it. Jackson is a

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<v Speaker 2>writer on every single song. Jackson's out with Landy Wilson,

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<v Speaker 2>He's doing dates with Miranda. I mean, he's really doing

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<v Speaker 2>his own thing. Though he rotated the entire globe in March.

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<v Speaker 2>He's a guy who, it's a cliche statement, walks by

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<v Speaker 2>the beat of a different drum in a way that

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<v Speaker 2>I can really appreciate because he just does his own thing.

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<v Speaker 2>I think that's also what makes him a great artist.

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<v Speaker 2>So he's twenty three years old, although you would think

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<v Speaker 2>he could be one hundred and twenty three based on

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<v Speaker 2>the maturity that he gives in demands back. Yeah, I

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<v Speaker 2>forgot that too. Even talking about like a story's like

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<v Speaker 2>on the road, I'm like, oh, he's probably been doing

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<v Speaker 2>this for like fifteen years. He's twenty three, which is crazy.

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<v Speaker 2>He's the youngest four kids. The album Green Broke came

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<v Speaker 2>out in twenty twenty two. That was his first album.

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<v Speaker 2>And I don't know, let's just do it. Jackson Dean

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<v Speaker 2>here he is, follow him at the Jackson Dean on

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<v Speaker 2>Instagram and Jacksondan music dot com. Enjoy a right, Jackson,

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<v Speaker 2>Good to see you, buddy. Did you get a haircut?

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<v Speaker 1>No, it's in the top knote.

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<v Speaker 2>Okay, of course it is, of course in the top knot.

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<v Speaker 1>Uh.

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<v Speaker 2>Yeah, you came in. I was like, dang, cut all

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<v Speaker 2>his hair off.

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<v Speaker 1>Oh no, I've thought about it seriously for a few

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<v Speaker 1>months now, but I can't bring myself to do it.

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<v Speaker 2>Oh you're in that phase where you're constantly questioning should

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<v Speaker 2>I cut off my hair?

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<v Speaker 1>Well, it gets into that awkward phase and it starts

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<v Speaker 1>bumping over your collar and then it just starts looking weird.

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<v Speaker 2>Yeah. I don't have that face. I'm like cool enough

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<v Speaker 2>to pull off the the long here. No, no, definitely

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<v Speaker 2>not the long hair. My face is always should I

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<v Speaker 2>get contacts again? But I hate wearing stuff in my

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<v Speaker 2>eyes and have one eye that works, so then I

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<v Speaker 2>wear one in one eye and then I feel like

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<v Speaker 2>I'm lopsided the whole freaking time.

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<v Speaker 1>Symmetrical.

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<v Speaker 2>Yeah, so I won't get contacts and you won't cut

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<v Speaker 2>your hair blood packed right here.

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<v Speaker 1>I gave them to the first of the year, so

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<v Speaker 1>I'll do it.

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<v Speaker 2>To the first deal first of the year. I'll commit

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<v Speaker 2>to that too.

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<v Speaker 1>Uh.

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<v Speaker 2>How's life, man? I haven't seen you in a little bit.

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<v Speaker 1>Yeah, man, what was the last time.

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<v Speaker 2>I've been nine months or so.

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<v Speaker 1>That's pretty right.

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<v Speaker 2>When was that? I feel like the opery that when

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<v Speaker 2>I see you, it's always like yeah, boom boom boom,

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<v Speaker 2>Like you don't evenally get to talk. It's always like

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<v Speaker 2>totally JAS will tell Buddy good to see you. Okay,

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<v Speaker 2>I gotta go do my thing. You go do your thing.

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<v Speaker 2>Isn't it cool that you get to do the opry though?

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<v Speaker 2>It's awesome, like you just get to do the opry. Yeah,

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<v Speaker 2>it's they're like, so when can you come back? Yeah,

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<v Speaker 2>like okay, like compared to the first time that you

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<v Speaker 2>were invited, I know, for me, like the third time

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<v Speaker 2>I played it, it was like, oh, this is this

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<v Speaker 2>is really fun because the first time, and I'd like

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<v Speaker 2>to hear your experience the first time, at least for me,

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<v Speaker 2>it was a big, holy crap night and there are

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<v Speaker 2>people there that I care and it's a big to

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<v Speaker 2>do for me to go on for twelve minutes when

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<v Speaker 2>I normally if I'm touring doing stand up, I'm doing

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<v Speaker 2>an hour show. But this is like everybody's there. You

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<v Speaker 2>got a parking spot, they got a they made a cake,

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<v Speaker 2>somebody made a cake. I don't know the cake came from.

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<v Speaker 2>And it's like here we and then the lights and

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<v Speaker 2>I can't even really see the people because I'm nervous.

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<v Speaker 2>And you get off and you're like, how was it

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<v Speaker 2>And it doesn't matter. It's like you did awesome and

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<v Speaker 2>I'm like, did I really? So all of that's one,

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<v Speaker 2>two and then three is where you just get to

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<v Speaker 2>get in your groove and be like, oh, this is

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<v Speaker 2>just cool. So what was your first Opry experience like?

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<v Speaker 2>And then now what's it like? Because I'm betting it's

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<v Speaker 2>a little bit different now.

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<v Speaker 1>The first time, man was a lot of pressure, as

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<v Speaker 1>you can imagine. You know, I had touched that circle

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<v Speaker 1>and one time before I was about fifteen, we flew

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<v Speaker 1>down just to see what it was all about and whatnot.

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<v Speaker 1>And so getting knowing that I was stepping in that

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<v Speaker 1>circle holding to the deal that I made myself, the

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<v Speaker 1>deal that I made with myself then that I wouldn't

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<v Speaker 1>step back in that circle without a guitar was pretty

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<v Speaker 1>heavy for me. And I took a minute to one

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<v Speaker 1>last look at it before I did, Like, I didn't

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<v Speaker 1>sound check in it or nothing. Really, I made sure

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<v Speaker 1>that I didn't touch it. Yeah, you know, it's a

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<v Speaker 1>big thing for me, and they really do make it.

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<v Speaker 1>They really do great job making fun. All the doors

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<v Speaker 1>are open into the green rooms. You know, you can

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<v Speaker 1>hear music throughout the entire place, you know, and it's

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<v Speaker 1>really a lovely room to sing in. It really is,

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<v Speaker 1>like they do such a great job. You just see

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<v Speaker 1>the silhouettes and it goes all the way to the ceiling.

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<v Speaker 1>You know, it's it's really is magic. But I feel

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<v Speaker 1>what you're saying though, like you get you get three

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<v Speaker 1>songs quick and we're out here doing, you know, for

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<v Speaker 1>five hours, hour and a half and like coming down

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<v Speaker 1>after that is is always tough, you know. I love

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<v Speaker 1>being in the Porta Wagoner room. And like the last

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<v Speaker 1>time a couple weeks ago at the Opry, mom came,

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<v Speaker 1>I flew down with a couple of girlfriends. I mean,

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<v Speaker 1>we had twenty five people in Porter's room, you know,

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<v Speaker 1>and it's always such a great time. But it's like, okay, everybody,

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<v Speaker 1>we're at the Opry and this is like high stakes here. Yeah.

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<v Speaker 2>It just it's almost too It's like it gets in

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<v Speaker 2>the best way. It starts to be normal because they

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<v Speaker 2>treat you like you're just part of.

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<v Speaker 1>The group when you they remember you when you come back, Yeah,

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<v Speaker 1>they really do. And and playing with the playing with

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<v Speaker 1>the Opery band, man, it's always it's such a different

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<v Speaker 1>animal and it's so awesome to get to to get

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<v Speaker 1>to do that with them because they one thing I've

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<v Speaker 1>noticed is that they've taken my songs and not only

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<v Speaker 1>put a saddle on them, but they've choked up on

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<v Speaker 1>the reins on them a good bit. And it just

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<v Speaker 1>it's a different feeling you get with the Opry Band

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<v Speaker 1>that's like really great and they're all top of the

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<v Speaker 1>top players, you know, but they they really have taken

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<v Speaker 1>a few of mine. I mean a few times that

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<v Speaker 1>we've been there, you know, and just giving it a

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<v Speaker 1>different feel from what I do with my boys. You know,

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<v Speaker 1>what I do with my man is all adrenaline and

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<v Speaker 1>control chaos, you know. Them, it's just like we're gonna

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<v Speaker 1>sit right here and do this, yeah, I think. And

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<v Speaker 1>it's just they remember you when you come back, dude,

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<v Speaker 1>everybody in that building.

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<v Speaker 2>Yeah, you know. It's in this been last Opry story

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<v Speaker 2>that I'll share. But I think at this point, I've

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<v Speaker 2>probably played it about fifteen or sixteen times, and I've

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<v Speaker 2>done I've hosted it or the TV show thirty, so

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<v Speaker 2>I've spent a good amount of time there. And my

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<v Speaker 2>stepdad was coming into town and he had never been

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<v Speaker 2>to the Opry and he was coming early and I

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<v Speaker 2>wasn't playing that night, but he was coming kind of

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<v Speaker 2>last minute, and I was like, Hey, my step dad's

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<v Speaker 2>coming into town. Is there any way I can take him

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<v Speaker 2>and show him around? And they're like, I swear to God,

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<v Speaker 2>They're like, yeah, we'll leave the doors unlocked, just going

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<v Speaker 2>up and lock the doors whenever you're gone. To the

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<v Speaker 2>whole opry. They left, They left the doors unlocked to

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<v Speaker 2>the whole operay, and they we're like, just have at it.

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<v Speaker 2>Just when you're done. Just locked the door. Like it

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<v Speaker 2>was like my aunt's house and she's like, hey, just

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<v Speaker 2>lock up when you're done. And I was like, man,

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<v Speaker 2>that is a lot of trust.

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<v Speaker 1>There's a lot of trust.

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<v Speaker 2>You got the keys to the office, dude, I didn't

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<v Speaker 2>even need the key that you can leave it unlocked

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<v Speaker 2>for anybody. You've been on the road a bunch.

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<v Speaker 1>A good bit, man. We we get We did get

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<v Speaker 1>to take about uh. I gave the boys about a

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<v Speaker 1>month and the month and a week off. I had

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<v Speaker 1>some shows in there, but but we've been we've been

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<v Speaker 1>touring a lot, and it was weird coming back to

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<v Speaker 1>it after that long of a break. It's just like

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<v Speaker 1>you do something three or four times a week every

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<v Speaker 1>week for the last two and a half three years,

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<v Speaker 1>that you stop for thirty days.

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<v Speaker 2>Oh yeah, you get rust development.

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<v Speaker 1>It was it was so weird coming back. We were

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<v Speaker 1>all like, ohh God, but no, we got a truck.

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<v Speaker 1>We've had a Since then, we've been on the road

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<v Speaker 1>every weekend and we're not really stopping until December. We

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<v Speaker 1>got Miss Laney Wilson coming up.

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<v Speaker 2>Yeah, that's cool.

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<v Speaker 1>We got that the twenty last week August. That starts

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<v Speaker 1>and then it runs all the way to November.

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<v Speaker 2>What are your weeks like when you're home for four

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<v Speaker 2>days before you head back out? Like, what are you

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<v Speaker 2>doing in those four days in town?

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<v Speaker 1>If I get four, that's lucky. But most of the

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<v Speaker 1>time I'm trying to trying to still make a name

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<v Speaker 1>for myself and you know, interviews working here in town.

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<v Speaker 1>I finally bought a place out of town and a

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<v Speaker 1>little cabin in the woods, and really I like to

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<v Speaker 1>spend my time up there when I can, Like I'll

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<v Speaker 1>get off the bus and go straight there.

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<v Speaker 2>We have bus call kind of nearish that area.

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<v Speaker 1>No bus calls back here in town. It is. I

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<v Speaker 1>actually park in my PMS place and just it's right

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<v Speaker 1>right close there.

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<v Speaker 2>But are you writing much in town when you're here

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<v Speaker 2>in those days or do you do you write on

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<v Speaker 2>a schedule meaning you're gonna write these or do you

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<v Speaker 2>write it anytime it comes over you?

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<v Speaker 1>Anytime we can make it happen. Man. But you know,

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<v Speaker 1>I moved down here in twenty twenty in the middle

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<v Speaker 1>of the pandemic, and I had our he'd been writing.

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<v Speaker 1>I'd already had two records up by then. Then I

0:10:03.240 --> 0:10:05.880
<v Speaker 1>put out by myself, who are not what we are now?

0:10:06.240 --> 0:10:10.800
<v Speaker 1>You know? But my catalog was sick. It's so big.

0:10:10.880 --> 0:10:12.720
<v Speaker 1>I mean when I got down here, I was doing

0:10:12.720 --> 0:10:15.080
<v Speaker 1>nothing but two days, you know, when I got with Luke,

0:10:15.160 --> 0:10:20.839
<v Speaker 1>and so there is songs in the bank. You know,

0:10:21.960 --> 0:10:23.640
<v Speaker 1>I write a lot with my boys on the road.

0:10:23.840 --> 0:10:27.400
<v Speaker 1>You know, we were just on the bus last last

0:10:27.400 --> 0:10:28.880
<v Speaker 1>week making demos in the back.

0:10:29.559 --> 0:10:33.160
<v Speaker 2>Bus riding. Man, well, bus riding sucks, but bus writing

0:10:33.960 --> 0:10:37.160
<v Speaker 2>that's tough because you got you gotta be feeling like

0:10:37.360 --> 0:10:37.839
<v Speaker 2>up to it.

0:10:38.840 --> 0:10:41.960
<v Speaker 1>Yeah, it is by the tickey, you take the ride

0:10:42.120 --> 0:10:46.440
<v Speaker 1>for sure. On this record that we're getting ready to

0:10:46.440 --> 0:10:48.520
<v Speaker 1>put out here, I mean half of those songs came

0:10:48.559 --> 0:10:52.720
<v Speaker 1>from a bus trip and that was Luke and Ryan, Luke,

0:10:52.760 --> 0:10:57.400
<v Speaker 1>Dick and Ryan and me in the back of the

0:10:57.440 --> 0:10:59.200
<v Speaker 1>bus for like two weeks.

0:10:59.520 --> 0:11:01.400
<v Speaker 2>Just keep it in the bus or do you record it?

0:11:01.520 --> 0:11:03.240
<v Speaker 1>Yeah, you know, we got a rig on the bus

0:11:03.240 --> 0:11:07.679
<v Speaker 1>and my drummer Sean mercer. I mean he and I

0:11:07.760 --> 0:11:11.559
<v Speaker 1>are coming up right on a decade together and he's

0:11:11.840 --> 0:11:16.640
<v Speaker 1>a producer and engineer in Baltimore, So for pretty much

0:11:16.679 --> 0:11:19.320
<v Speaker 1>first two records that I did with him and my

0:11:19.360 --> 0:11:24.120
<v Speaker 1>boys and whatnot. So he he understands that kind of Yeah,

0:11:24.200 --> 0:11:25.000
<v Speaker 1>he's an engineer.

0:11:25.080 --> 0:11:27.080
<v Speaker 2>Sure, and you can do it on the road. Oh yeah,

0:11:27.200 --> 0:11:27.720
<v Speaker 2>very easily.

0:11:28.240 --> 0:11:32.840
<v Speaker 1>I mean we'll listen back to sets. Oh yeah, we

0:11:32.880 --> 0:11:35.559
<v Speaker 1>are full on dissecting, Like you need to be doing

0:11:35.600 --> 0:11:36.120
<v Speaker 1>this here.

0:11:36.360 --> 0:11:38.400
<v Speaker 2>I can't listen to a show I've done. Take your

0:11:38.440 --> 0:11:41.679
<v Speaker 2>medico or radio show. I want to vomit, Like I

0:11:41.720 --> 0:11:44.320
<v Speaker 2>don't want the medicine yet I probably need the medicine.

0:11:45.400 --> 0:11:47.199
<v Speaker 2>What are you listening for? If you're listening, let's say

0:11:47.200 --> 0:11:48.520
<v Speaker 2>a show you listen to a show back, what are

0:11:48.520 --> 0:11:49.040
<v Speaker 2>you listening for?

0:11:49.200 --> 0:11:55.199
<v Speaker 1>Flaws? And there's certain you know, we don't every night

0:11:55.320 --> 0:11:59.839
<v Speaker 1>is different to some aspect. Every single song is have

0:12:00.160 --> 0:12:02.640
<v Speaker 1>some different feel to it because there's no click, there's

0:12:02.640 --> 0:12:05.480
<v Speaker 1>no tracks, there's no nothing. It's just us up there,

0:12:05.720 --> 0:12:08.360
<v Speaker 1>you know. And sometimes you'll catch a vibe where you

0:12:08.440 --> 0:12:13.240
<v Speaker 1>need to you really need to run down that that

0:12:13.320 --> 0:12:17.079
<v Speaker 1>feeling of what that feeling of the song that you're

0:12:17.080 --> 0:12:17.560
<v Speaker 1>looking for.

0:12:17.720 --> 0:12:19.280
<v Speaker 2>So will you find what went right though? To if

0:12:19.320 --> 0:12:21.600
<v Speaker 2>it's different, like let's say you're listening to a song

0:12:22.040 --> 0:12:24.880
<v Speaker 2>and you say you're looking for flaws, and again, you're

0:12:24.880 --> 0:12:26.880
<v Speaker 2>not playing to a click, so it's never going to

0:12:26.920 --> 0:12:29.960
<v Speaker 2>be exactly right on. But if you hear something that's

0:12:30.040 --> 0:12:33.280
<v Speaker 2>kind of special, will you also chase that down absolutely?

0:12:33.400 --> 0:12:38.120
<v Speaker 1>That leads to the betterment of evolution of songs. Wings

0:12:38.200 --> 0:12:41.400
<v Speaker 1>was a great off of Greenbroke was a great example

0:12:41.440 --> 0:12:45.319
<v Speaker 1>of that. You know, Wings went from of three minute,

0:12:45.360 --> 0:12:48.920
<v Speaker 1>forty second song to like you're looking at five fifty

0:12:49.120 --> 0:12:51.160
<v Speaker 1>six minutes at the end of it on the live record,

0:12:51.200 --> 0:12:53.600
<v Speaker 1>you know, and that's all due to composure.

0:12:53.880 --> 0:12:56.640
<v Speaker 2>You know, what do you mean, Like, what did you

0:12:56.720 --> 0:12:59.400
<v Speaker 2>hear that made you want to change the way you

0:12:59.400 --> 0:13:00.440
<v Speaker 2>were picturing that song?

0:13:00.960 --> 0:13:05.200
<v Speaker 1>It's honestly just vibing with the dudes on stage. You know.

0:13:06.480 --> 0:13:09.240
<v Speaker 1>In the beginning of US, we were really trying hard

0:13:09.240 --> 0:13:11.600
<v Speaker 1>to sound like Explosions in the Sky. You know. I

0:13:11.679 --> 0:13:18.720
<v Speaker 1>love that big cinematic band sound, epic guitars great, great,

0:13:19.120 --> 0:13:25.080
<v Speaker 1>just great playing. But when you especially, i mean you

0:13:25.080 --> 0:13:26.960
<v Speaker 1>get sound checks and whatnot, you go off on a

0:13:27.000 --> 0:13:29.200
<v Speaker 1>tangent and you're like, oh, we need to do something

0:13:29.240 --> 0:13:29.560
<v Speaker 1>like that.

0:13:29.559 --> 0:13:30.880
<v Speaker 2>Will you listen to sound checks too?

0:13:31.960 --> 0:13:35.480
<v Speaker 1>Not so much. We're about to start taking uh stuff

0:13:35.520 --> 0:13:38.400
<v Speaker 1>for Sewan from sound checks and putting it into mobile

0:13:38.440 --> 0:13:41.400
<v Speaker 1>rig and whatnot and building ming that stuff. But a

0:13:41.400 --> 0:13:44.840
<v Speaker 1>lot of ideas come from soundcheck though, of a lot

0:13:44.840 --> 0:13:47.200
<v Speaker 1>of ideas of composure, like it's just vibes that we

0:13:47.280 --> 0:13:50.480
<v Speaker 1>fall into and we can we can make it last

0:13:50.760 --> 0:13:51.800
<v Speaker 1>for a while.

0:13:52.080 --> 0:13:54.160
<v Speaker 2>You Brandon just has to You can jam ban it

0:13:54.160 --> 0:13:56.320
<v Speaker 2>if you need to. You can go to fish real quick,

0:13:56.520 --> 0:13:58.800
<v Speaker 2>big jam band vibes. Yeah, do you have to sometimes

0:13:58.880 --> 0:14:01.600
<v Speaker 2>keep yourself from jam band because you're feeling it so much?

0:14:02.920 --> 0:14:05.600
<v Speaker 1>Yeah? Man, And I'm I am always for the song

0:14:05.679 --> 0:14:10.560
<v Speaker 1>being longer, Like, let let the music say all that

0:14:10.640 --> 0:14:13.480
<v Speaker 1>you could not. That's what the music's supposed to be,

0:14:13.600 --> 0:14:16.120
<v Speaker 1>is all that the spoken word cannot. So of course

0:14:16.160 --> 0:14:19.560
<v Speaker 1>I want more. I want the best playing for what

0:14:19.600 --> 0:14:21.440
<v Speaker 1>the song calls for as possible.

0:14:21.600 --> 0:14:23.720
<v Speaker 2>Can you give visual cues to your guys at this

0:14:23.760 --> 0:14:26.120
<v Speaker 2>point because you've been together so long and they know, yeah,

0:14:26.280 --> 0:14:27.120
<v Speaker 2>let's just keep going.

0:14:27.760 --> 0:14:33.320
<v Speaker 1>Yeah, I mean, if somebody stumbles, like Shawn missus a

0:14:33.360 --> 0:14:35.480
<v Speaker 1>phil but she's I think last year he broke like

0:14:35.520 --> 0:14:37.960
<v Speaker 1>four sticks. So you break a stick in the middle

0:14:38.160 --> 0:14:40.880
<v Speaker 1>of something and you're like everybody turns around. It's like,

0:14:40.920 --> 0:14:46.440
<v Speaker 1>oh god, you know, but that's that's communication between your men.

0:14:46.560 --> 0:14:50.920
<v Speaker 1>That's worth it's worth something that everybody's is on their toes,

0:14:51.040 --> 0:14:53.760
<v Speaker 1>you know, Because I think I would go full Dave Matthews.

0:14:54.240 --> 0:14:57.000
<v Speaker 2>I'd just be feeling it. Hour later. We done three songs,

0:14:57.720 --> 0:14:59.480
<v Speaker 2>you know, just one of those nights where you're just

0:15:01.000 --> 0:15:02.600
<v Speaker 2>then the crowd would be like, dude, you play three

0:15:02.600 --> 0:15:05.560
<v Speaker 2>freaking songs. Yeah, my bad, we're really feeling that second

0:15:05.560 --> 0:15:08.240
<v Speaker 2>song that we did. I don't really have the ability

0:15:08.240 --> 0:15:09.800
<v Speaker 2>to do that, but I feel like I would get

0:15:09.800 --> 0:15:11.280
<v Speaker 2>into that, like if it was feeling good, I would

0:15:11.280 --> 0:15:15.720
<v Speaker 2>just continue that. You have three other siblings, right, that's right.

0:15:16.760 --> 0:15:17.600
<v Speaker 2>Any of them do music.

0:15:17.840 --> 0:15:20.520
<v Speaker 1>My brother played guitar with Lynwood Taylor a few times

0:15:20.560 --> 0:15:25.440
<v Speaker 1>around town. He's just like me at heart, a dirty hippie.

0:15:26.720 --> 0:15:30.320
<v Speaker 1>He's played acoustic. It's not really you know, it's great

0:15:30.320 --> 0:15:34.600
<v Speaker 1>admyras of music. I mean, my brother is everything from

0:15:34.960 --> 0:15:39.400
<v Speaker 1>bluegrass Turnpike to John Butler Trio, to all the classic

0:15:39.480 --> 0:15:42.080
<v Speaker 1>rock stuff to all the Ska stuff to the Northeast

0:15:42.080 --> 0:15:43.040
<v Speaker 1>Guy Orchestra.

0:15:43.360 --> 0:15:44.320
<v Speaker 2>Like loves that are plays.

0:15:44.360 --> 0:15:47.600
<v Speaker 1>It just loves it. Yeah, it's It's always around. It

0:15:47.640 --> 0:15:51.560
<v Speaker 1>has always been around in our family. My sister sang

0:15:51.600 --> 0:15:55.880
<v Speaker 1>in the choir of her entire life. She never wanted

0:15:55.880 --> 0:16:01.880
<v Speaker 1>to do what I did. She once she gets something

0:16:01.920 --> 0:16:04.280
<v Speaker 1>in her head, the way that it's supposed to sound

0:16:04.280 --> 0:16:07.720
<v Speaker 1>her head, that's the way that it stays, big, powerhouse vocal.

0:16:08.280 --> 0:16:13.240
<v Speaker 1>So she was She was a singer too. Cody liked

0:16:13.240 --> 0:16:15.080
<v Speaker 1>to think he could play the drums, but he really.

0:16:16.480 --> 0:16:18.520
<v Speaker 2>Where where did the music come from? In your family?

0:16:20.440 --> 0:16:23.480
<v Speaker 1>My dad was always My dad was a very big

0:16:23.480 --> 0:16:26.600
<v Speaker 1>admirer of it. I mean I remember it on every

0:16:27.360 --> 0:16:31.920
<v Speaker 1>every time we were in the truck, any trip that

0:16:31.960 --> 0:16:33.680
<v Speaker 1>we ever went on, it was always on.

0:16:34.040 --> 0:16:35.720
<v Speaker 2>What did what was always on? Like what comes to

0:16:35.760 --> 0:16:36.920
<v Speaker 2>mind on any trail.

0:16:37.080 --> 0:16:40.840
<v Speaker 1>Our stations were nine eight point seven Big one hundred

0:16:40.840 --> 0:16:43.360
<v Speaker 1>point three, which was the rock station, classic rock station,

0:16:43.560 --> 0:16:48.760
<v Speaker 1>so playing all the old the oldies ish and obviously

0:16:48.800 --> 0:16:52.600
<v Speaker 1>the two country stations from back Home which is nine

0:16:52.600 --> 0:16:54.600
<v Speaker 1>three point one ninety eight point seven.

0:16:54.680 --> 0:16:54.880
<v Speaker 2>Yeah.

0:16:55.480 --> 0:16:59.160
<v Speaker 1>But yeah, man, I mean I remember watching Lane and

0:16:59.360 --> 0:17:02.360
<v Speaker 1>my sister in the choir, and I remember watching her

0:17:02.360 --> 0:17:04.280
<v Speaker 1>in the plays that they used to do up in

0:17:04.280 --> 0:17:07.520
<v Speaker 1>the middle school. And so it was always around, you know,

0:17:07.600 --> 0:17:11.919
<v Speaker 1>it was always around, and then they figured out I

0:17:11.920 --> 0:17:16.879
<v Speaker 1>could hold a tune. You know, at a very early age.

0:17:17.119 --> 0:17:19.520
<v Speaker 2>How old were you when you get actually sing.

0:17:21.400 --> 0:17:24.399
<v Speaker 1>Belting it out? Not till I was, I mean just

0:17:25.080 --> 0:17:28.320
<v Speaker 1>singing in the truck, I mean ankle blighter size.

0:17:28.440 --> 0:17:30.680
<v Speaker 2>Yeah, I mean there's an indication at seven eight nine

0:17:30.680 --> 0:17:32.720
<v Speaker 2>that there's some promise here.

0:17:33.280 --> 0:17:37.800
<v Speaker 1>I was. It wasn't like that. It didn't come. The

0:17:37.800 --> 0:17:40.400
<v Speaker 1>start of my dedication didn't come until the house burned down,

0:17:40.440 --> 0:17:43.719
<v Speaker 1>and that was probably I was thirteen when that happened.

0:17:43.880 --> 0:17:44.439
<v Speaker 2>Talk about that.

0:17:45.240 --> 0:17:48.359
<v Speaker 1>So me and my old man were trying to thaw

0:17:48.400 --> 0:17:54.320
<v Speaker 1>out a pipe on h We thought it was right

0:17:54.359 --> 0:17:57.080
<v Speaker 1>next to the sink, which in reality it was twenty

0:17:57.160 --> 0:17:59.639
<v Speaker 1>yards across the house, so we weren't even in the

0:17:59.680 --> 0:18:03.080
<v Speaker 1>right But we threw a little heater and an enclosure

0:18:03.119 --> 0:18:05.560
<v Speaker 1>outside of it, and he caught the roof and burned

0:18:05.560 --> 0:18:08.719
<v Speaker 1>from the top down. While I was still inside of it.

0:18:08.760 --> 0:18:12.320
<v Speaker 1>I was getting up for school and breathing in smoke,

0:18:13.359 --> 0:18:18.880
<v Speaker 1>and uh yeah, February twenty second, three inches of snow

0:18:18.920 --> 0:18:22.280
<v Speaker 1>on the ground, flames in the sky.

0:18:22.400 --> 0:18:23.520
<v Speaker 2>Wow, it was snowing too.

0:18:23.640 --> 0:18:26.960
<v Speaker 1>Yeah. But while we were rebuilding that, we took four

0:18:26.960 --> 0:18:30.920
<v Speaker 1>months off of work. My dad's a brick layer Stonemation.

0:18:31.040 --> 0:18:35.360
<v Speaker 1>We've nicol Sa Mason. Anyway, took four months off of work,

0:18:35.359 --> 0:18:37.119
<v Speaker 1>and while we were rebuilding, I would sit up there

0:18:37.119 --> 0:18:39.840
<v Speaker 1>in the evenings. And our house was connected by a

0:18:39.840 --> 0:18:45.159
<v Speaker 1>breezeway on the second story and office space for business.

0:18:45.520 --> 0:18:47.399
<v Speaker 1>We lived in there for four months while we rebuilt

0:18:47.440 --> 0:18:51.240
<v Speaker 1>the househouse. But I would sit up there in the

0:18:51.280 --> 0:18:54.439
<v Speaker 1>evenings and play and learn songs. And it was a

0:18:54.560 --> 0:18:58.520
<v Speaker 1>very big escape for me. I mean, we just got

0:18:59.320 --> 0:19:04.120
<v Speaker 1>smashed and to like two bedrooms and not a lot

0:19:04.160 --> 0:19:06.560
<v Speaker 1>of space, so I need to get away from people.

0:19:07.359 --> 0:19:08.240
<v Speaker 2>Where'd you get the guitar?

0:19:08.680 --> 0:19:10.840
<v Speaker 1>I had gotten one for Christmas. It was a little Fender.

0:19:12.200 --> 0:19:16.159
<v Speaker 1>I remember telling my mom I wanted I wanted to

0:19:17.440 --> 0:19:19.359
<v Speaker 1>fiddle with it because I thought it would be cool.

0:19:19.359 --> 0:19:23.840
<v Speaker 1>And I took about a month of lessons and that

0:19:23.920 --> 0:19:26.600
<v Speaker 1>fell out of the out of the routine real quick

0:19:27.119 --> 0:19:30.480
<v Speaker 1>because I was doing football across. I was wrestling at

0:19:30.480 --> 0:19:37.680
<v Speaker 1>that time. I said football. But yeah, man, it was

0:19:37.680 --> 0:19:41.680
<v Speaker 1>a little fender and it was I don't I don't

0:19:41.720 --> 0:19:45.840
<v Speaker 1>think it even played. It didn't even plug in. And

0:19:45.880 --> 0:19:49.120
<v Speaker 1>then the house burned and then it started, so you're.

0:19:48.960 --> 0:19:53.600
<v Speaker 2>Just playing guitar at random hours, I mean evening time. Okay,

0:19:53.640 --> 0:19:54.800
<v Speaker 2>so no lessons.

0:19:55.280 --> 0:19:56.280
<v Speaker 1>I had taken about a month.

0:19:56.600 --> 0:19:58.800
<v Speaker 2>We quit then yeah, I was like, okay, this is

0:19:59.080 --> 0:20:00.359
<v Speaker 2>did you have enough to go off of?

0:20:00.440 --> 0:20:02.480
<v Speaker 1>I guess what that means.

0:20:03.640 --> 0:20:05.600
<v Speaker 2>But then a couple of bar a chords.

0:20:05.840 --> 0:20:07.280
<v Speaker 1>Yeah, yeah, I hate bar chords.

0:20:07.280 --> 0:20:09.960
<v Speaker 2>I don't do bar cords ca yeah, I mean not

0:20:10.359 --> 0:20:11.280
<v Speaker 2>Cao capo.

0:20:11.320 --> 0:20:14.120
<v Speaker 1>And alternate tunings are the way to go. Man, It's

0:20:14.280 --> 0:20:18.160
<v Speaker 1>and it's alternative tunings because bar chords just restricted, you know,

0:20:18.359 --> 0:20:21.960
<v Speaker 1>it's it chokes the the guitar chokes that sound. Open

0:20:22.000 --> 0:20:24.080
<v Speaker 1>tunings is just all wide open.

0:20:24.880 --> 0:20:28.520
<v Speaker 2>You know the problem with open tuning, though, is you

0:20:28.560 --> 0:20:30.760
<v Speaker 2>have to tune it that way. So that means you

0:20:31.040 --> 0:20:33.760
<v Speaker 2>have extra guitars with you. You are just tuned open.

0:20:34.000 --> 0:20:36.320
<v Speaker 2>Where if I'm doing stand up and I'm playing funny songs,

0:20:36.359 --> 0:20:39.840
<v Speaker 2>I've got one guitar with me and I'm not it's

0:20:39.840 --> 0:20:43.760
<v Speaker 2>gonna be forever to tune it. So I'm capo. I'm

0:20:43.800 --> 0:20:45.800
<v Speaker 2>straight capo all the way. I'm choking it if I

0:20:45.840 --> 0:20:48.960
<v Speaker 2>have to love me and yeah, let's take a quick

0:20:49.000 --> 0:20:52.520
<v Speaker 2>pause for a message from our sponsor m h.

0:20:59.560 --> 0:21:01.800
<v Speaker 3>And back on the Bobby Cast.

0:21:02.840 --> 0:21:06.480
<v Speaker 2>The first songs you learned? Was it?

0:21:06.520 --> 0:21:06.720
<v Speaker 1>For me?

0:21:06.760 --> 0:21:08.440
<v Speaker 2>It was a lot of classic rock stuff. And I'm

0:21:08.440 --> 0:21:09.879
<v Speaker 2>not the player that you are, but I remember just

0:21:09.880 --> 0:21:11.920
<v Speaker 2>what I what I would learn. I learned, like Metallica stuff,

0:21:11.920 --> 0:21:14.560
<v Speaker 2>because some of that stuff was easy. I'd learn like

0:21:14.600 --> 0:21:19.440
<v Speaker 2>some using like tab. I would learn like some some

0:21:20.640 --> 0:21:23.679
<v Speaker 2>guitar times. Yeah, I don't even use tab anymore. But

0:21:23.680 --> 0:21:25.159
<v Speaker 2>but at the beginning, it was really good for me

0:21:25.200 --> 0:21:27.919
<v Speaker 2>to learn, you know, six three. But what what was

0:21:27.920 --> 0:21:29.520
<v Speaker 2>that for you? What did you want to learn? What

0:21:29.560 --> 0:21:30.400
<v Speaker 2>did you learn first?

0:21:30.800 --> 0:21:33.840
<v Speaker 1>I can't read music at all, period whatsoever. I don't

0:21:33.840 --> 0:21:37.120
<v Speaker 1>read a chart. I hardly know the Nashville skills here,

0:21:37.800 --> 0:21:40.080
<v Speaker 1>Like I know enough to understand what they're talking about,

0:21:40.880 --> 0:21:43.520
<v Speaker 1>but I don't. I've never been able to. It doesn't

0:21:43.560 --> 0:21:46.840
<v Speaker 1>translate with me. So it's all about that being said.

0:21:47.600 --> 0:21:49.439
<v Speaker 1>The first things that I kind of learned when I

0:21:49.480 --> 0:21:52.800
<v Speaker 1>started playing guitar, I mean, simple man, smoke on the Water,

0:21:52.880 --> 0:21:59.359
<v Speaker 1>those are all like ditty smoke on the water army, yeah, yeah, yeah.

0:21:59.640 --> 0:22:02.439
<v Speaker 1>But like when you talk about getting into like ultimate

0:22:02.440 --> 0:22:05.560
<v Speaker 1>guitar tabs and like all that kind of stuff, like

0:22:05.960 --> 0:22:08.399
<v Speaker 1>the first ones that I remember putting together all the

0:22:08.400 --> 0:22:13.640
<v Speaker 1>way through were Drake White songs. Probably the first ever

0:22:13.760 --> 0:22:16.479
<v Speaker 1>was probably a simple man letter skinned that was probably

0:22:16.480 --> 0:22:18.600
<v Speaker 1>the first one top to bottom that I learned all

0:22:18.600 --> 0:22:19.080
<v Speaker 1>the way through.

0:22:19.200 --> 0:22:21.359
<v Speaker 2>How long until you could actually sing and play?

0:22:21.640 --> 0:22:26.080
<v Speaker 1>Oh god, it took a while, man. It was uh,

0:22:26.760 --> 0:22:29.640
<v Speaker 1>you know, and I'm not the I'm not I'm still

0:22:29.680 --> 0:22:31.199
<v Speaker 1>not the player that I want to be when it

0:22:31.240 --> 0:22:33.800
<v Speaker 1>comes to this hand you know, or this one you know.

0:22:35.160 --> 0:22:38.399
<v Speaker 1>But it took a while, and my timing used to

0:22:38.480 --> 0:22:41.480
<v Speaker 1>be so weird, so weird, man.

0:22:41.720 --> 0:22:47.119
<v Speaker 2>It What about because haven't you know, we get to

0:22:47.200 --> 0:22:48.520
<v Speaker 2>know you a little bit over the past couple of

0:22:48.560 --> 0:22:50.840
<v Speaker 2>years in the time that we spent together. You're not

0:22:50.920 --> 0:22:53.840
<v Speaker 2>a guy it's gonna walk into a room and just

0:22:54.000 --> 0:22:56.800
<v Speaker 2>demand everybody's attention when everybody just hanging around talking. You

0:22:56.840 --> 0:22:59.200
<v Speaker 2>have you don't say a lot. You have a big

0:22:59.200 --> 0:23:01.440
<v Speaker 2>presence because you're a big guy, and you definitely dress

0:23:01.480 --> 0:23:03.359
<v Speaker 2>like you're gonna murder someone if they cross you. However,

0:23:05.600 --> 0:23:08.720
<v Speaker 2>I would not, just by knowing you as a person,

0:23:08.800 --> 0:23:10.280
<v Speaker 2>think well, this is a guy that wants to get

0:23:10.320 --> 0:23:14.800
<v Speaker 2>on stage and sing or talk or entertain in any

0:23:14.800 --> 0:23:18.480
<v Speaker 2>way whatsoever. Now, did you have the same demeanor younger,

0:23:18.560 --> 0:23:20.720
<v Speaker 2>and was your dad and your family like.

0:23:21.160 --> 0:23:24.920
<v Speaker 1>You want to do what My dad never wanted us

0:23:24.960 --> 0:23:27.840
<v Speaker 1>to lay brick and block, So anything other than that

0:23:28.080 --> 0:23:32.840
<v Speaker 1>was very welcome in our family. Now my siblings have

0:23:32.880 --> 0:23:35.159
<v Speaker 1>taken over the family business and they're doing that, you know.

0:23:35.320 --> 0:23:37.000
<v Speaker 1>But they all went out and had their time in

0:23:37.040 --> 0:23:40.320
<v Speaker 1>the world and chase their dreams and they've come home

0:23:40.400 --> 0:23:43.720
<v Speaker 1>and you know all that stuff. But no, he wanted

0:23:43.760 --> 0:23:45.240
<v Speaker 1>anything other than what he was doing.

0:23:45.359 --> 0:23:47.399
<v Speaker 2>He had to be so surprised though, and maybe he wasn't,

0:23:47.440 --> 0:23:50.720
<v Speaker 2>but that you wanted to go entertain people your because again,

0:23:51.040 --> 0:23:53.480
<v Speaker 2>if you meet you, you don't think, well, he wants

0:23:53.480 --> 0:23:55.000
<v Speaker 2>to get on stage and just rock people's face off.

0:23:55.040 --> 0:23:57.119
<v Speaker 2>You're like, that guy's probably I don't know what kind

0:23:57.119 --> 0:24:01.399
<v Speaker 2>of mobby's in, what kind of cattle he who knows?

0:24:02.320 --> 0:24:05.080
<v Speaker 2>But you know, your personality on stage is large. Your

0:24:05.080 --> 0:24:11.119
<v Speaker 2>personality here it's very compact. Your demeanor is very straightforward.

0:24:11.119 --> 0:24:13.160
<v Speaker 2>People can hear that I used to be scared of you,

0:24:13.320 --> 0:24:15.520
<v Speaker 2>not anymore, but he's scared of you when I first

0:24:15.560 --> 0:24:17.240
<v Speaker 2>met you because I was like, this dude, he hates

0:24:17.320 --> 0:24:21.320
<v Speaker 2>my guts. But I would compare like you and I'm

0:24:21.320 --> 0:24:25.680
<v Speaker 2>friends with Kane Brown. I thought Kine hated me because

0:24:25.760 --> 0:24:28.600
<v Speaker 2>Kine doesn't say a whole lot, no, no man a

0:24:28.600 --> 0:24:31.240
<v Speaker 2>few words. Yeah, now that I know Kane and love

0:24:31.320 --> 0:24:33.440
<v Speaker 2>Kane like that's one of the things I love about him.

0:24:33.600 --> 0:24:35.639
<v Speaker 2>It's like he's still who he is off stage, but

0:24:35.640 --> 0:24:37.439
<v Speaker 2>then when he gets on stage, he's he puts it

0:24:37.480 --> 0:24:39.800
<v Speaker 2>on again. Were they surprised that you wanted to get

0:24:39.840 --> 0:24:40.720
<v Speaker 2>on stage and put it on?

0:24:41.920 --> 0:24:44.600
<v Speaker 1>It definitely took some time to grow on my mom.

0:24:45.760 --> 0:24:50.840
<v Speaker 1>She didn't quite understand. She didn't quite not fathom it

0:24:50.880 --> 0:24:54.280
<v Speaker 1>at first, but she was like, I don't know, honey,

0:24:54.480 --> 0:24:57.200
<v Speaker 1>you know, I don't know. And I also took about

0:24:57.240 --> 0:24:59.479
<v Speaker 1>two and a half three years before she was like, okay,

0:24:59.680 --> 0:24:59.920
<v Speaker 1>let's go.

0:25:00.520 --> 0:25:02.040
<v Speaker 2>It's also got to be weird too, because where I

0:25:02.040 --> 0:25:05.760
<v Speaker 2>come from, nobody did anything in the art community because

0:25:05.760 --> 0:25:08.320
<v Speaker 2>they worked at the mill. Like they worked at the mill,

0:25:08.480 --> 0:25:11.320
<v Speaker 2>or they had a job, you know, just because where

0:25:11.359 --> 0:25:13.160
<v Speaker 2>you and I both come from, it's not like people

0:25:13.200 --> 0:25:16.800
<v Speaker 2>move off and are, for my case, work on radio

0:25:16.840 --> 0:25:18.800
<v Speaker 2>and TV or your case. They don't move off and

0:25:18.800 --> 0:25:21.480
<v Speaker 2>become country stars. So it's not the people say you

0:25:21.480 --> 0:25:23.719
<v Speaker 2>can't do it, but they don't know that you can

0:25:23.760 --> 0:25:26.280
<v Speaker 2>because no one else really does it around and.

0:25:26.240 --> 0:25:29.280
<v Speaker 1>The only the only people that The only references we

0:25:29.359 --> 0:25:33.720
<v Speaker 1>had from around home, you know, comeing from construction. We

0:25:33.760 --> 0:25:36.760
<v Speaker 1>don't know the music industry, right. The only references we

0:25:36.840 --> 0:25:41.160
<v Speaker 1>had were brothers Osbourne and Maggie Rose, you know they

0:25:41.560 --> 0:25:47.760
<v Speaker 1>Maggie's from Mechanicsville and the brothers are from literally twenty

0:25:48.440 --> 0:25:50.720
<v Speaker 1>used to light Fire is the same place as they did.

0:25:50.840 --> 0:25:54.000
<v Speaker 2>Yeah, you know that has equal though to see those

0:25:54.000 --> 0:25:56.639
<v Speaker 2>guys and see that they were doing it and it

0:25:56.800 --> 0:26:00.560
<v Speaker 2>because again, there is normal I know their parents. There

0:26:00.640 --> 0:26:01.800
<v Speaker 2>is normal and blue collar.

0:26:02.680 --> 0:26:05.680
<v Speaker 1>And there's like two hundred and fifty of them of them,

0:26:05.800 --> 0:26:09.840
<v Speaker 1>of the of the os It's it's nuts, man, It's

0:26:09.840 --> 0:26:16.359
<v Speaker 1>it's nuts. I've met fifteen uncles of theirs. They They've

0:26:16.400 --> 0:26:20.800
<v Speaker 1>been really good to us over the last couple of years.

0:26:21.600 --> 0:26:24.960
<v Speaker 1>The first big ass show that we did was Delaware

0:26:25.040 --> 0:26:27.960
<v Speaker 1>State Fair with them, and I remember choking so bad.

0:26:28.000 --> 0:26:32.240
<v Speaker 1>I choked on Hallelujah. On Ryan Bingham's hall Oljah. I've

0:26:32.240 --> 0:26:34.320
<v Speaker 1>been playing the song for three years and just too

0:26:34.440 --> 0:26:37.440
<v Speaker 1>much happening in my brain and just completely choked on it.

0:26:37.960 --> 0:26:39.400
<v Speaker 1>But that was the biggest show that we had done

0:26:39.440 --> 0:26:41.240
<v Speaker 1>to that date. And they were so good to us

0:26:41.280 --> 0:26:46.720
<v Speaker 1>and have and have continued to be. But there they

0:26:46.800 --> 0:26:50.000
<v Speaker 1>were the only they were the only people close to

0:26:50.040 --> 0:26:53.720
<v Speaker 1>us that we were like, that's dope, you know what

0:26:53.720 --> 0:26:56.080
<v Speaker 1>I mean, like and humans like us can do that?

0:26:57.080 --> 0:27:00.639
<v Speaker 2>Yeah, because that I mean, I think representation, regardless of

0:27:00.640 --> 0:27:04.080
<v Speaker 2>what it is. You were kind of being represented by

0:27:04.080 --> 0:27:07.719
<v Speaker 2>somebody showing that if you want to do it, you're

0:27:07.720 --> 0:27:08.919
<v Speaker 2>good enough to do it, and you work hard enough

0:27:08.960 --> 0:27:12.840
<v Speaker 2>to it, it actually can be done. So they were

0:27:12.880 --> 0:27:14.879
<v Speaker 2>super cool. I mean, they are super cool. I love them,

0:27:14.920 --> 0:27:18.640
<v Speaker 2>both of them so much. And you knew a lot

0:27:18.680 --> 0:27:21.240
<v Speaker 2>of the Osborne family, or at least they were around.

0:27:21.560 --> 0:27:24.600
<v Speaker 1>They were around, they were down in Deal. We were

0:27:25.200 --> 0:27:29.200
<v Speaker 1>a little bays north, but we've met several several occasions,

0:27:29.200 --> 0:27:30.760
<v Speaker 1>and their riot.

0:27:31.040 --> 0:27:33.880
<v Speaker 2>The whole family because their dad, their.

0:27:33.760 --> 0:27:37.280
<v Speaker 1>Dad is I mean here on me. Yeah, yeah, your.

0:27:37.200 --> 0:27:38.000
<v Speaker 2>Dad a big old boy.

0:27:38.720 --> 0:27:41.159
<v Speaker 1>He's about my size, but you're pretty big. When he

0:27:41.240 --> 0:27:44.280
<v Speaker 1>walks in a room, you think he's a lot bigger

0:27:44.280 --> 0:27:44.800
<v Speaker 1>than he is.

0:27:45.240 --> 0:27:48.760
<v Speaker 2>I would say, I don't know, you feel pretty big anyway.

0:27:48.800 --> 0:27:49.520
<v Speaker 1>He's a presence.

0:27:49.760 --> 0:27:52.240
<v Speaker 2>What's up with you like your first show, and I

0:27:52.240 --> 0:27:53.680
<v Speaker 2>say show is in the first time you ever wanted

0:27:53.720 --> 0:27:56.000
<v Speaker 2>to get on stage and play for someone that wasn't

0:27:56.440 --> 0:27:59.160
<v Speaker 2>sitting outside where you're building your new house.

0:28:00.080 --> 0:28:02.760
<v Speaker 1>The first show, the first time I ever stepped on

0:28:02.800 --> 0:28:06.040
<v Speaker 1>stage with the guitar. It was my uncle's guitar. He

0:28:06.080 --> 0:28:10.119
<v Speaker 1>played in the Air Force a little bit and it

0:28:10.200 --> 0:28:12.560
<v Speaker 1>was a washburn. I didn't even have a guitar strap.

0:28:13.960 --> 0:28:17.000
<v Speaker 1>That was the only guitar that I knew of in

0:28:17.040 --> 0:28:18.439
<v Speaker 1>the vicinity of my family.

0:28:18.600 --> 0:28:20.240
<v Speaker 2>Here just holding it, almost Johnny Cash style.

0:28:20.320 --> 0:28:23.480
<v Speaker 1>I threw my foot on a bucket literally and just

0:28:23.480 --> 0:28:28.000
<v Speaker 1>put it on my knee and went and I did.

0:28:28.880 --> 0:28:32.760
<v Speaker 1>My mother's grandfather built the train station that is now

0:28:33.119 --> 0:28:36.879
<v Speaker 1>the Irish pub that I started in. It's like the

0:28:37.080 --> 0:28:43.600
<v Speaker 1>restaurant and down that it's the bar. But yeah, man,

0:28:43.680 --> 0:28:46.920
<v Speaker 1>it was two Drake White songs and Cost of Living

0:28:46.960 --> 0:28:50.000
<v Speaker 1>by Running Done. Those were the first three songs I

0:28:50.000 --> 0:28:55.640
<v Speaker 1>played on stage with a guitar. And that's in the

0:28:55.680 --> 0:28:57.600
<v Speaker 1>middle of the town that my parents grew up in,

0:28:58.160 --> 0:29:01.880
<v Speaker 1>so they know everybody and their mother. So you have

0:29:01.920 --> 0:29:04.880
<v Speaker 1>an attic bar full of one hundred and fifty people

0:29:05.120 --> 0:29:09.040
<v Speaker 1>and you could here here you could hear a pin draw. Really,

0:29:09.320 --> 0:29:10.000
<v Speaker 1>it was awesome.

0:29:10.240 --> 0:29:11.840
<v Speaker 2>What about the first show you ever got paid to do?

0:29:12.680 --> 0:29:16.720
<v Speaker 1>Oh my god, the first paid gig I ever had.

0:29:16.760 --> 0:29:20.920
<v Speaker 1>I got paid eighty bucks. It was a Thursday night.

0:29:21.880 --> 0:29:25.640
<v Speaker 1>I had just gotten out of football practice and didn't

0:29:25.640 --> 0:29:30.800
<v Speaker 1>even showered. Roll over there in my bronco. And you

0:29:30.840 --> 0:29:33.640
<v Speaker 1>know those uncles that aren't really your uncles. Yeah, okay,

0:29:33.960 --> 0:29:36.920
<v Speaker 1>I have an uncle, Marv right, and he also plays music.

0:29:37.200 --> 0:29:41.040
<v Speaker 1>He he did Jimmy Buffett for years, Marshall Tucker, all

0:29:41.040 --> 0:29:45.200
<v Speaker 1>that kind of stuff, just you know, bar gigs. And

0:29:45.240 --> 0:29:48.040
<v Speaker 1>he was like, well, you can come up here and

0:29:48.120 --> 0:29:52.280
<v Speaker 1>kill two hours if you want. I mean we God,

0:29:52.360 --> 0:29:56.120
<v Speaker 1>we did two hundred and fifty shows together, maybe you know,

0:29:56.240 --> 0:29:58.560
<v Speaker 1>over the span of four or five years, you know,

0:30:00.880 --> 0:30:02.880
<v Speaker 1>but yeah, it was a car wash. It it was

0:30:03.000 --> 0:30:06.160
<v Speaker 1>a car wash service, throwing a party, like a company

0:30:06.200 --> 0:30:09.560
<v Speaker 1>party at a car wash. And that was pretty fun.

0:30:10.040 --> 0:30:12.040
<v Speaker 2>Is that where you'd say you kind of got your

0:30:12.120 --> 0:30:15.800
<v Speaker 2>chops those shows with them, like you really started to

0:30:15.960 --> 0:30:18.560
<v Speaker 2>understand a little bit of who you were as a

0:30:18.560 --> 0:30:20.800
<v Speaker 2>performer for the first time doing those two hundred and

0:30:20.840 --> 0:30:21.440
<v Speaker 2>fifty shows.

0:30:21.800 --> 0:30:25.720
<v Speaker 1>Yeah, man, I mean, those are those are really long

0:30:25.760 --> 0:30:28.480
<v Speaker 1>sets acoustic, just buy up by yourself, play as many

0:30:28.480 --> 0:30:29.680
<v Speaker 1>songs as you possibly can.

0:30:30.000 --> 0:30:31.960
<v Speaker 2>You know, there would be the stories of the Beatles

0:30:31.960 --> 0:30:34.240
<v Speaker 2>when they were playing Germany and they play eight hour

0:30:34.320 --> 0:30:37.800
<v Speaker 2>sets to a bar. They sometimes play the same song

0:30:37.880 --> 0:30:42.040
<v Speaker 2>three times, nobody there most of the time, but they

0:30:42.040 --> 0:30:45.200
<v Speaker 2>would credit that to where they really found themselves or

0:30:45.200 --> 0:30:47.880
<v Speaker 2>at least the early version of who they were musically,

0:30:47.920 --> 0:30:50.920
<v Speaker 2>because they just had to figure out how to keep going.

0:30:50.920 --> 0:30:54.080
<v Speaker 2>And the more you go, the better you're gonna get. Yeah,

0:30:54.240 --> 0:30:57.280
<v Speaker 2>and I feel like you gotta know what you're capable of. Yeah,

0:30:57.320 --> 0:31:00.240
<v Speaker 2>it sounds a bit like that. Was that ear early

0:31:00.280 --> 0:31:02.240
<v Speaker 2>early part of you? When did you decide you want

0:31:02.240 --> 0:31:04.120
<v Speaker 2>to move to Nashville. It's a big move.

0:31:05.400 --> 0:31:13.600
<v Speaker 1>It took it took a while. If I I had

0:31:13.600 --> 0:31:17.240
<v Speaker 1>been making music in Baltimore with Sean by the time

0:31:17.320 --> 0:31:20.440
<v Speaker 1>all of this is happening, you know, So it was

0:31:20.720 --> 0:31:23.480
<v Speaker 1>it was a it was a I don't want to say,

0:31:23.480 --> 0:31:25.440
<v Speaker 1>a blimp on the radar, but it was. It was

0:31:25.560 --> 0:31:28.480
<v Speaker 1>not my first thought. And as we started coming down

0:31:28.480 --> 0:31:30.360
<v Speaker 1>here a little bit more to check out a little

0:31:30.400 --> 0:31:32.320
<v Speaker 1>bit more of what was going on, what would you

0:31:32.360 --> 0:31:35.480
<v Speaker 1>do first? The first time we came, I was fifteen,

0:31:35.680 --> 0:31:38.800
<v Speaker 1>and we drove down. We stopped in like Gatlinburg and

0:31:38.800 --> 0:31:41.040
<v Speaker 1>pitching Ford and played a couple of open mics and

0:31:41.080 --> 0:31:45.040
<v Speaker 1>stuff and did the rhyman, did the opry, all the

0:31:45.200 --> 0:31:49.880
<v Speaker 1>touristy things. Worked with a couple of people down here

0:31:50.040 --> 0:31:53.880
<v Speaker 1>very lightly and whatnot. But it was not my first thought.

0:31:54.960 --> 0:31:56.240
<v Speaker 1>What made me want to do it is that I

0:31:56.280 --> 0:31:58.680
<v Speaker 1>signed a record deal. I just just like, I can't

0:31:58.720 --> 0:32:03.560
<v Speaker 1>do this from back home, do what the whole artist shebang.

0:32:03.640 --> 0:32:08.560
<v Speaker 1>You know, I need to be accessible down here. You know,

0:32:08.600 --> 0:32:11.160
<v Speaker 1>as time goes on, it won't always be the case

0:32:11.200 --> 0:32:14.960
<v Speaker 1>for everybody, you know, but for a time, I love

0:32:15.000 --> 0:32:18.000
<v Speaker 1>this city. I love being here. I love these back

0:32:18.040 --> 0:32:20.800
<v Speaker 1>alleys that I've walked for a long time now.

0:32:20.960 --> 0:32:22.600
<v Speaker 2>I mean, is it starting to feel like home?

0:32:22.960 --> 0:32:26.920
<v Speaker 1>Yeah? Man, I mean it's the short answers, Yes it is.

0:32:28.560 --> 0:32:31.160
<v Speaker 1>I've been down here since twenty twenty. Now it reminds

0:32:31.240 --> 0:32:34.000
<v Speaker 1>me of my home a lot. You know, anywhere in

0:32:34.000 --> 0:32:35.320
<v Speaker 1>the world I could be. I could be out in

0:32:35.400 --> 0:32:38.400
<v Speaker 1>La and be you know, this feels a lot like

0:32:38.440 --> 0:32:38.880
<v Speaker 1>home to me.

0:32:39.640 --> 0:32:41.680
<v Speaker 2>Why'd you name the record on the back of my dreams?

0:32:42.040 --> 0:32:44.240
<v Speaker 1>So on the back of my Dreams is a line

0:32:45.080 --> 0:32:47.719
<v Speaker 1>that we chose from Jane. It's one of my favorite

0:32:47.720 --> 0:32:55.360
<v Speaker 1>songs on the record. It's pretty witchy and mountainous. So

0:32:56.480 --> 0:32:58.120
<v Speaker 1>growing up on the East Coast, you're right there at

0:32:58.160 --> 0:33:01.840
<v Speaker 1>the foothills of West Virginia, Kentucky and all that stuff,

0:33:01.880 --> 0:33:08.440
<v Speaker 1>and I wanted to do something that's just sounded like Appalachia,

0:33:08.640 --> 0:33:11.960
<v Speaker 1>you know what I mean. There's another song on this

0:33:12.040 --> 0:33:15.000
<v Speaker 1>record called Sweet Appalacha that's all about the Yak River

0:33:15.080 --> 0:33:19.000
<v Speaker 1>and the triangle where we come from. But that line,

0:33:19.600 --> 0:33:22.360
<v Speaker 1>I mean, Greenbroke was We named the last record Green Broke,

0:33:22.400 --> 0:33:27.200
<v Speaker 1>after my favorite song on the record. You know, I

0:33:27.200 --> 0:33:29.160
<v Speaker 1>didn't want to name it Jane, so I just picked

0:33:29.200 --> 0:33:32.800
<v Speaker 1>a line out of there that sounded dope, and across

0:33:32.840 --> 0:33:35.120
<v Speaker 1>the whole record there is a flare of Jane. And

0:33:35.280 --> 0:33:40.560
<v Speaker 1>all of these songs, there's a you know, that moment,

0:33:41.320 --> 0:33:43.440
<v Speaker 1>a bliss that you have when you first wake up

0:33:43.520 --> 0:33:46.160
<v Speaker 1>and it's right before reality comes back and hits you.

0:33:46.560 --> 0:33:49.920
<v Speaker 1>It's the elongation of that. They all have a little

0:33:49.920 --> 0:33:51.680
<v Speaker 1>bit of that flare. Some of them are a little manic,

0:33:51.800 --> 0:33:55.440
<v Speaker 1>some of them are a little intense. They are all

0:33:55.480 --> 0:33:59.120
<v Speaker 1>little fever dreams and vignettes. Man, that are some of

0:33:59.160 --> 0:34:00.600
<v Speaker 1>them are good, some of them are bad, and some

0:34:00.680 --> 0:34:02.000
<v Speaker 1>of them are just having a good time.

0:34:02.200 --> 0:34:03.360
<v Speaker 2>Do you feel like this is a bit of a

0:34:03.400 --> 0:34:04.200
<v Speaker 2>concept album?

0:34:05.000 --> 0:34:05.280
<v Speaker 1>Yes?

0:34:06.040 --> 0:34:08.160
<v Speaker 2>I love concept albums. Now, it's like the only album

0:34:08.160 --> 0:34:08.640
<v Speaker 2>I would make.

0:34:09.160 --> 0:34:12.400
<v Speaker 1>The record is split down the middle, and I wanted,

0:34:12.760 --> 0:34:17.560
<v Speaker 1>I wanted. I had been working towards that for a

0:34:17.600 --> 0:34:19.879
<v Speaker 1>good long while. Now, I mean since Greenbroke, I knew

0:34:19.920 --> 0:34:25.000
<v Speaker 1>I wanted. I wanted there to be a definite color change,

0:34:25.160 --> 0:34:26.480
<v Speaker 1>you know what I mean. The first half of this

0:34:26.560 --> 0:34:31.520
<v Speaker 1>record is really the reds and oranges and deep greens

0:34:31.520 --> 0:34:33.440
<v Speaker 1>of it, and then the second half is all the

0:34:33.480 --> 0:34:36.360
<v Speaker 1>blues and purples and blacks. You know, it's it's the

0:34:36.440 --> 0:34:38.759
<v Speaker 1>darkness of it, which is the second half of it.

0:34:38.840 --> 0:34:43.520
<v Speaker 1>You know, there's a couple of different characters throughout this record. Man,

0:34:43.600 --> 0:34:47.960
<v Speaker 1>They're all extensions of me, you know. But yeah, man,

0:34:47.960 --> 0:34:50.600
<v Speaker 1>it's trippy little record. There's some sonic footprints on here

0:34:50.640 --> 0:34:53.320
<v Speaker 1>that are wild, some really great grooves.

0:34:53.560 --> 0:34:56.560
<v Speaker 2>Talk about duct tape heart, Oh, duct tape, man, because

0:34:56.560 --> 0:34:58.240
<v Speaker 2>when you're saying that, that's what comes to mind.

0:34:58.640 --> 0:35:04.719
<v Speaker 1>So so that's me, Luke Dick, Casey Bethard there was

0:35:04.800 --> 0:35:07.800
<v Speaker 1>like three straight Christmases in a row. I got nothing

0:35:07.840 --> 0:35:11.239
<v Speaker 1>but duct tape for Christmas. I mean I had all

0:35:11.280 --> 0:35:14.680
<v Speaker 1>the neons, I had every camo that you could, you know,

0:35:15.239 --> 0:35:18.320
<v Speaker 1>all the gorilla tape, you know. And I hadn't written

0:35:18.360 --> 0:35:20.239
<v Speaker 1>a song with Casey in a while. It had been

0:35:20.360 --> 0:35:22.040
<v Speaker 1>like a year since I seen him. And Luke and

0:35:22.080 --> 0:35:24.799
<v Speaker 1>I were together one day and Luke had this duct

0:35:24.800 --> 0:35:27.879
<v Speaker 1>tape hard idea, and I was just like, that sounds fun.

0:35:27.880 --> 0:35:29.920
<v Speaker 1>I had an obsession when I was a kid. Let's

0:35:29.920 --> 0:35:33.640
<v Speaker 1>do it. You know. That one's just pure fun. And

0:35:33.719 --> 0:35:38.960
<v Speaker 1>it sounds sounds like there's like not rockabilly, but there's

0:35:38.960 --> 0:35:43.200
<v Speaker 1>blues rock tunes that you know, with a Western flare

0:35:43.280 --> 0:35:43.640
<v Speaker 1>in there.

0:35:44.560 --> 0:35:57.040
<v Speaker 3>The Bobby Cast will be right back. This is the

0:35:57.040 --> 0:35:57.800
<v Speaker 3>Bobby Cast.

0:35:58.440 --> 0:36:01.400
<v Speaker 2>Heaven's Betsy. You were not gonna right? Was the idea?

0:36:01.480 --> 0:36:04.560
<v Speaker 2>It just playing? I don't know, but then you did.

0:36:04.960 --> 0:36:08.960
<v Speaker 1>That song has such a crazy journey man that went

0:36:09.000 --> 0:36:12.000
<v Speaker 1>from an acoustic demo, and.

0:36:11.920 --> 0:36:13.839
<v Speaker 2>Well, tell me about it. Tell me about all of it,

0:36:13.920 --> 0:36:17.200
<v Speaker 2>like even the demo that was written.

0:36:16.960 --> 0:36:21.560
<v Speaker 1>On music Row. Right down the road, Driver Williams, Benji

0:36:21.680 --> 0:36:24.480
<v Speaker 1>Davis and myself and Driver walked into the door with

0:36:24.520 --> 0:36:26.880
<v Speaker 1>that title, and the first thing that popped into my

0:36:26.920 --> 0:36:29.840
<v Speaker 1>head was quite literally the flash of a picture frame,

0:36:30.719 --> 0:36:34.160
<v Speaker 1>which is worth every word that was written, of a

0:36:34.239 --> 0:36:37.120
<v Speaker 1>daddy looking down on his daughter from the outskirts, right

0:36:37.120 --> 0:36:41.480
<v Speaker 1>outside the gate, onto his daughter. It's just it's literally

0:36:41.480 --> 0:36:44.720
<v Speaker 1>a little picture frame. And I think when the video

0:36:44.760 --> 0:36:47.200
<v Speaker 1>comes out, it's gonna make a lot more sense. But

0:36:47.280 --> 0:36:50.600
<v Speaker 1>he's sitting there on the outside of the gates, the

0:36:50.680 --> 0:36:54.640
<v Speaker 1>outskirts of this cloud on a CB, hoping that that

0:36:54.680 --> 0:36:57.600
<v Speaker 1>transmission goes through. That's the first thing that flashed in

0:36:57.640 --> 0:36:59.560
<v Speaker 1>my head when it came out of his mouth. That

0:37:00.000 --> 0:37:03.759
<v Speaker 1>married me with me since that first time it came

0:37:03.800 --> 0:37:05.719
<v Speaker 1>out of his mouth, That's why I love it. And

0:37:05.760 --> 0:37:08.160
<v Speaker 1>if you listen to the words that he says, it

0:37:08.280 --> 0:37:13.399
<v Speaker 1>is so brutally heartbreaking to know. I mean, we've seen

0:37:13.400 --> 0:37:17.480
<v Speaker 1>that dynamic play it out too many times. Yeah, I've

0:37:17.520 --> 0:37:20.960
<v Speaker 1>seen this song work grown men to tears and grown

0:37:21.000 --> 0:37:24.240
<v Speaker 1>women to tears, and all the music that is behind

0:37:24.280 --> 0:37:29.080
<v Speaker 1>it is everything that that man left unsaid and all

0:37:29.120 --> 0:37:33.080
<v Speaker 1>the love that was never given. And that's why it's

0:37:33.800 --> 0:37:37.360
<v Speaker 1>a little bit more intense than a few of the others.

0:37:37.680 --> 0:37:43.480
<v Speaker 2>You know, music gets me because I love my dogs

0:37:44.280 --> 0:37:47.239
<v Speaker 2>and love my dog. I mean of a couple of

0:37:47.280 --> 0:37:50.759
<v Speaker 2>dogs worth me ten twelve, thirteen years and like Carl

0:37:51.120 --> 0:37:53.840
<v Speaker 2>was like that was your dog, that my first one.

0:37:54.160 --> 0:37:56.720
<v Speaker 2>And so obviously if you're can write something about Carl.

0:37:58.520 --> 0:37:59.959
<v Speaker 2>Why was Karl such a great dog?

0:38:00.840 --> 0:38:05.120
<v Speaker 1>He was just the first one. He uh he is

0:38:05.160 --> 0:38:08.560
<v Speaker 1>all white and one brown ear. I had him from

0:38:08.600 --> 0:38:11.400
<v Speaker 1>the time he was about yet big. Now, Carl Carlito

0:38:12.040 --> 0:38:14.560
<v Speaker 1>was quite a legend man. He was my shotgun writer

0:38:14.600 --> 0:38:16.680
<v Speaker 1>in a lot of places, especially when I got my Bronco.

0:38:18.480 --> 0:38:22.520
<v Speaker 1>But no, man, he was just fastest, grease, lightning dude

0:38:22.520 --> 0:38:24.879
<v Speaker 1>and just one of the best dogs I've ever had

0:38:24.880 --> 0:38:27.759
<v Speaker 1>in my life. And he's big blue sky right he

0:38:27.960 --> 0:38:31.839
<v Speaker 1>is he is. He died and his brother went about

0:38:31.840 --> 0:38:35.600
<v Speaker 1>two weeks after him, right right within the same time.

0:38:35.719 --> 0:38:38.879
<v Speaker 1>So he died. He died while we were out on

0:38:39.000 --> 0:38:42.239
<v Speaker 1>the Blake Shelton tour, and we had written it just

0:38:42.719 --> 0:38:45.839
<v Speaker 1>a little prior to that. But he never saw the road,

0:38:45.840 --> 0:38:47.799
<v Speaker 1>he never saw the bus, never saw any of that.

0:38:49.239 --> 0:38:53.439
<v Speaker 1>Just like Betsy. That's a picture frame that is quite

0:38:53.480 --> 0:38:56.000
<v Speaker 1>literally a dog running up over a hill and in

0:38:56.040 --> 0:38:59.520
<v Speaker 1>the sunset, it was just scoring that moment and they

0:38:59.520 --> 0:39:03.360
<v Speaker 1>elongate of that moment. You know. But that's ode de Carl,

0:39:03.400 --> 0:39:07.799
<v Speaker 1>big blues O de Carl, this classic American huge rock

0:39:09.040 --> 0:39:10.240
<v Speaker 1>and just bash it away.

0:39:10.760 --> 0:39:14.080
<v Speaker 2>You know, Carl, What do you do that's not music?

0:39:14.239 --> 0:39:17.759
<v Speaker 2>What's fun? I'll tell you.

0:39:18.840 --> 0:39:23.920
<v Speaker 1>It's hard to have hobbies in this business. You know.

0:39:24.000 --> 0:39:25.919
<v Speaker 1>When I get off the road, it's kind of just like, hey,

0:39:25.960 --> 0:39:27.920
<v Speaker 1>don't die, so you can come back here in a

0:39:27.960 --> 0:39:31.000
<v Speaker 1>couple of days and do this again. I try to

0:39:31.000 --> 0:39:32.839
<v Speaker 1>get out in the woods as much as I possibly can.

0:39:32.880 --> 0:39:35.319
<v Speaker 2>You just travel a bunch, say that, where did you go?

0:39:35.640 --> 0:39:38.160
<v Speaker 1>Well, just this year we've been.

0:39:39.600 --> 0:39:41.319
<v Speaker 2>Like not music travel, not tour, but did you just

0:39:41.360 --> 0:39:43.040
<v Speaker 2>travel like we're traveling by yourself?

0:39:43.040 --> 0:39:45.640
<v Speaker 1>Oh we went to Taos. Yeah, yeah that's what. Yeah,

0:39:45.640 --> 0:39:47.120
<v Speaker 1>you know, I talk about Singapore and.

0:39:47.200 --> 0:39:49.680
<v Speaker 2>No I am talking about all that. Yeah, talk about Yeah,

0:39:49.719 --> 0:39:50.520
<v Speaker 2>that's what I'm talking about it.

0:39:50.600 --> 0:39:53.760
<v Speaker 1>So wait, we've done a full trip around the globe

0:39:53.840 --> 0:39:58.320
<v Speaker 1>already this year. Berlyn Rotterdam.

0:39:58.480 --> 0:39:58.879
<v Speaker 2>Is that fine?

0:39:59.120 --> 0:40:03.760
<v Speaker 1>London? It was a wild time. It was really the first.

0:40:03.880 --> 0:40:05.960
<v Speaker 1>The first couple days getting over there are always chaotic.

0:40:06.160 --> 0:40:09.840
<v Speaker 1>Once you're over there, I love it. It's great. My

0:40:10.400 --> 0:40:12.560
<v Speaker 1>girdlist figure gets worked on, and I drop a few

0:40:12.600 --> 0:40:16.080
<v Speaker 1>pounds because everybody's walking so much. You know, it's a

0:40:16.120 --> 0:40:20.879
<v Speaker 1>really great time over there. But then from London, Singapore, Australia,

0:40:21.680 --> 0:40:26.120
<v Speaker 1>La and then back, so literally took off to the

0:40:26.160 --> 0:40:29.520
<v Speaker 1>east and then I came back from the west. Yeah.

0:40:29.560 --> 0:40:31.839
<v Speaker 2>He went all the way around, all the way around. Yeah,

0:40:31.840 --> 0:40:33.520
<v Speaker 2>that's crazy when when you say it like that.

0:40:33.880 --> 0:40:36.440
<v Speaker 1>And then right back to right back to tour here.

0:40:36.640 --> 0:40:38.839
<v Speaker 1>What other were you talking about? We went? I went

0:40:38.880 --> 0:40:41.279
<v Speaker 1>out to Taos for about a week. I stayed in

0:40:41.280 --> 0:40:42.240
<v Speaker 1>one of those earth ships.

0:40:42.320 --> 0:40:43.560
<v Speaker 2>I don't know what. I don't know what Tawasa is.

0:40:43.600 --> 0:40:46.880
<v Speaker 1>You tell me Tawas, New Mexico. That's right above, Like so,

0:40:47.440 --> 0:40:51.040
<v Speaker 1>Taoas is here. You can see Wheeler Is Wheeler Mountains

0:40:51.080 --> 0:40:52.319
<v Speaker 1>right there, and then you look this way.

0:40:52.400 --> 0:40:54.239
<v Speaker 2>I've been to Albuquerque. That's about it.

0:40:54.320 --> 0:40:55.399
<v Speaker 1>You need to get to Santa Fe.

0:40:55.800 --> 0:40:57.080
<v Speaker 2>I don't know if I've ever been to Santa Fe.

0:40:57.200 --> 0:40:59.160
<v Speaker 2>Santa Fe fills more, New Mexico.

0:40:59.760 --> 0:41:01.040
<v Speaker 1>It's great, it's a great.

0:41:01.160 --> 0:41:02.560
<v Speaker 2>What what what happened in Tallas? What do you like

0:41:02.600 --> 0:41:04.400
<v Speaker 2>about it?

0:41:04.400 --> 0:41:06.759
<v Speaker 1>It was just nothing but sage and mountains in the

0:41:06.840 --> 0:41:10.640
<v Speaker 1>distance and just I needed to clear my head, and

0:41:10.719 --> 0:41:12.600
<v Speaker 1>that was in the break that we were talking about earlier.

0:41:12.640 --> 0:41:14.600
<v Speaker 1>I get the boys about a month and now a

0:41:14.719 --> 0:41:17.360
<v Speaker 1>month and some change. But I went out there for

0:41:17.360 --> 0:41:19.439
<v Speaker 1>about a week and stayed in the earth ship where

0:41:19.440 --> 0:41:23.480
<v Speaker 1>it's got a thirty foot garden on the inside of it.

0:41:23.480 --> 0:41:25.880
<v Speaker 1>It's all self sustaining, all that kind of stuff.

0:41:26.000 --> 0:41:30.200
<v Speaker 2>It's called a what earth ship? And what's it's shaped

0:41:30.320 --> 0:41:31.360
<v Speaker 2>like above?

0:41:31.520 --> 0:41:33.680
<v Speaker 1>Half a half of it is built into the ground.

0:41:34.239 --> 0:41:37.920
<v Speaker 1>Most of the time. They're pretty flatish, you know what

0:41:37.960 --> 0:41:41.480
<v Speaker 1>I mean, have air conditioned a glass it's concrete slab.

0:41:41.520 --> 0:41:41.839
<v Speaker 2>I'm out.

0:41:42.560 --> 0:41:44.919
<v Speaker 1>No, it stays like sixty three year round.

0:41:45.200 --> 0:41:48.640
<v Speaker 2>Oh that's not bad then, yeah, okay, Yeah, it's sick

0:41:49.600 --> 0:41:50.320
<v Speaker 2>a lot of bugs.

0:41:50.840 --> 0:41:53.799
<v Speaker 1>No, no, not particularly, I mean.

0:41:53.719 --> 0:41:56.680
<v Speaker 2>It's it's a house Wi Fi. Yeah, okay, Well I'm

0:41:56.680 --> 0:41:58.520
<v Speaker 2>back in. Yeah that was out, but now I'm back in.

0:41:58.600 --> 0:42:00.880
<v Speaker 2>If I'll send you three, I'll send And so you

0:42:00.920 --> 0:42:02.200
<v Speaker 2>go out there, and what's the goal when you go

0:42:02.480 --> 0:42:05.680
<v Speaker 2>out or a place like this? Are you I'm assuming

0:42:06.040 --> 0:42:08.239
<v Speaker 2>you're by yourself with a very select few people and

0:42:08.280 --> 0:42:10.800
<v Speaker 2>you're just spending evenings doing what like, how do you

0:42:10.800 --> 0:42:14.560
<v Speaker 2>get out of your head?

0:42:15.160 --> 0:42:22.080
<v Speaker 1>What I can tell you on podcast. I'm really here

0:42:22.160 --> 0:42:26.000
<v Speaker 1>in months of late son like an exploration. You know,

0:42:26.840 --> 0:42:30.200
<v Speaker 1>I've you get into these rets where you're like, man,

0:42:30.239 --> 0:42:34.759
<v Speaker 1>there's nothing I'm listening to here that's musically inspiring, and

0:42:34.800 --> 0:42:38.640
<v Speaker 1>you just gotta hunt for that stuff, you know. I

0:42:38.760 --> 0:42:40.600
<v Speaker 1>most of the time I have tunes rolling all the

0:42:40.640 --> 0:42:42.200
<v Speaker 1>time wherever I am.

0:42:42.480 --> 0:42:45.360
<v Speaker 2>Do you mean music rolling like in your head or

0:42:45.440 --> 0:42:48.760
<v Speaker 2>music that you're just listening to listen? What's your comfort

0:42:48.840 --> 0:42:52.279
<v Speaker 2>music meaning? Because I have different versions of the music

0:42:52.320 --> 0:42:53.960
<v Speaker 2>that I listen to. If I want to just not

0:42:54.000 --> 0:42:56.279
<v Speaker 2>pay attention to music and have on what I like,

0:42:56.880 --> 0:43:00.759
<v Speaker 2>I'm gonna put on John Mary Counting Crows, just like

0:43:00.800 --> 0:43:02.440
<v Speaker 2>I watched The Office at night because I'm not really

0:43:02.440 --> 0:43:03.880
<v Speaker 2>watching it to watch it, but I love it and

0:43:03.920 --> 0:43:06.000
<v Speaker 2>I just need it on. It makes me feel comfortable.

0:43:06.320 --> 0:43:09.240
<v Speaker 2>I already know it. It puts me in a calm

0:43:09.280 --> 0:43:12.840
<v Speaker 2>place like That's that for me? What's that for you?

0:43:12.880 --> 0:43:14.520
<v Speaker 1>Put me in a calm place.

0:43:14.520 --> 0:43:17.800
<v Speaker 2>Like Ben Folds. That'll be what I put on that

0:43:17.920 --> 0:43:19.319
<v Speaker 2>I don't have to like listen to see if I

0:43:19.400 --> 0:43:21.799
<v Speaker 2>like it, like, it doesn't matter. I love all that now.

0:43:21.800 --> 0:43:25.000
<v Speaker 2>If I'm doing whatever A different type of music exploration.

0:43:25.080 --> 0:43:26.520
<v Speaker 2>But I'm like a couple of friends that send me

0:43:26.560 --> 0:43:28.719
<v Speaker 2>some more let's say, check them out. I'm listening to

0:43:28.760 --> 0:43:32.120
<v Speaker 2>that way different than I'm listening to that's dissection. Yeah,

0:43:32.200 --> 0:43:34.799
<v Speaker 2>So what is your comfort? What's your comfort music that

0:43:34.800 --> 0:43:37.560
<v Speaker 2>you're gonna put on if you're just gonna chill. There's

0:43:37.680 --> 0:43:38.640
<v Speaker 2>a record.

0:43:39.920 --> 0:43:43.160
<v Speaker 1>Of a band that opened for us about two years ago,

0:43:43.760 --> 0:43:48.360
<v Speaker 1>and they're from Richmond Wild Band. But the record itself,

0:43:49.160 --> 0:43:53.480
<v Speaker 1>it's self titled. It's called Holy Roller, and it's just

0:43:53.640 --> 0:43:56.880
<v Speaker 1>some some of the best Like it's not even that

0:43:56.960 --> 0:43:59.640
<v Speaker 1>it's just chill. It's just like it's the best kind

0:43:59.640 --> 0:44:03.839
<v Speaker 1>of chill music that I have on my phone as

0:44:03.880 --> 0:44:07.400
<v Speaker 1>a project, as a whole, top to bottom. So you

0:44:07.440 --> 0:44:10.279
<v Speaker 1>can let that thing you just hit play right at

0:44:10.280 --> 0:44:11.680
<v Speaker 1>the top and let it go and.

0:44:13.520 --> 0:44:16.320
<v Speaker 2>Perfect album to you? What are some of the perfect albums?

0:44:16.320 --> 0:44:18.120
<v Speaker 2>I'll give you a couple. I let you think. I think,

0:44:18.480 --> 0:44:22.160
<v Speaker 2>same trailer, different Park, Casey Musgraves. To me, that feels

0:44:22.160 --> 0:44:25.879
<v Speaker 2>like a perfect album. I think continuing from John Mayer

0:44:25.960 --> 0:44:30.359
<v Speaker 2>feels like a perfect album, meaning there's no skips, right,

0:44:30.480 --> 0:44:34.080
<v Speaker 2>I'm just I'm not gonna write, you know, write boom,

0:44:34.120 --> 0:44:36.480
<v Speaker 2>make it red and disappear from your list. Those two

0:44:36.520 --> 0:44:36.880
<v Speaker 2>are perfect.

0:44:36.920 --> 0:44:43.160
<v Speaker 1>What about you? Oh man, I don't know, only the obvious.

0:44:44.800 --> 0:44:47.360
<v Speaker 2>Oh yeah, man. I watched some of those Chris Cornell

0:44:47.440 --> 0:44:49.880
<v Speaker 2>videos if him singing that man in a studio, Oh

0:44:49.920 --> 0:44:50.680
<v Speaker 2>my god, that.

0:44:50.640 --> 0:44:53.440
<v Speaker 1>Man open vortexas to other.

0:44:53.320 --> 0:44:56.080
<v Speaker 2>Dimensions, and I would go, okay, I roll my eyes

0:44:56.160 --> 0:44:59.520
<v Speaker 2>usually when someone would say something like that. I watched

0:44:59.560 --> 0:45:04.279
<v Speaker 2>him so with the temple of the dog, you know,

0:45:04.440 --> 0:45:09.720
<v Speaker 2>before I'm going huh, And it was like it seemed

0:45:09.800 --> 0:45:12.439
<v Speaker 2>effortless and so full of effort at the same time

0:45:12.840 --> 0:45:14.520
<v Speaker 2>and just perfect.

0:45:15.600 --> 0:45:18.839
<v Speaker 1>He's laser beam. He laser beamed everything that came out

0:45:18.840 --> 0:45:23.600
<v Speaker 1>of his mouth. It's just yea, like the best man.

0:45:24.080 --> 0:45:25.960
<v Speaker 1>He's probably at the front of my Mount Rushmore, right

0:45:26.000 --> 0:45:27.360
<v Speaker 1>next to Robert Plant.

0:45:27.800 --> 0:45:30.720
<v Speaker 2>Chris Cornell one of the best ever.

0:45:31.320 --> 0:45:34.840
<v Speaker 1>Oh yeah yeah. He's been talking about covering audiously forever

0:45:34.960 --> 0:45:39.200
<v Speaker 1>and just god, it is just so high, you know.

0:45:39.960 --> 0:45:44.240
<v Speaker 2>And stays high, like he starts high and goes higher,

0:45:44.880 --> 0:45:46.960
<v Speaker 2>like going high. I mean, I can't even play it,

0:45:47.360 --> 0:45:50.759
<v Speaker 2>but I'll get in my algorithm on TikTok because I

0:45:50.840 --> 0:45:55.720
<v Speaker 2>love Chris Cornell and my favorites are just the live

0:45:55.960 --> 0:45:59.160
<v Speaker 2>like him singing at concerts, or him in a studio,

0:46:00.080 --> 0:46:02.640
<v Speaker 2>or him just with they'll hot, they'll isolate the raw vocals,

0:46:02.840 --> 0:46:05.920
<v Speaker 2>and it's like, how can someone do this without it

0:46:05.960 --> 0:46:08.839
<v Speaker 2>being manipulated by technology? And he's one of those rare,

0:46:09.840 --> 0:46:12.520
<v Speaker 2>super rare yeah Robert Planto two.

0:46:12.960 --> 0:46:20.239
<v Speaker 1>Oh yeah, in terms of unpredictability, especially in his live

0:46:20.280 --> 0:46:23.000
<v Speaker 1>of stuff where you think you would go up where

0:46:23.040 --> 0:46:25.400
<v Speaker 1>a regular person would go up, he goes down. Or

0:46:25.440 --> 0:46:28.279
<v Speaker 1>where you go down, he goes up. You know those

0:46:28.440 --> 0:46:33.600
<v Speaker 1>isms that not only him Cornell, everybody on my Mount

0:46:33.680 --> 0:46:37.959
<v Speaker 1>Rushmore does. Yeah, man, that's all vocal control. Man, that's

0:46:38.280 --> 0:46:38.960
<v Speaker 1>bad ass.

0:46:39.040 --> 0:46:40.880
<v Speaker 2>Who else is on that list your singers?

0:46:42.680 --> 0:46:45.600
<v Speaker 1>Just out of nostalgia and the overall demeaning that I want,

0:46:45.719 --> 0:46:48.280
<v Speaker 1>demeanor that I wanted to carry in the beginning of

0:46:49.520 --> 0:46:51.919
<v Speaker 1>when I set out to do this was cash Man,

0:46:52.239 --> 0:46:57.239
<v Speaker 1>Johnny Cash dude, just all around American badass with one

0:46:57.280 --> 0:47:00.319
<v Speaker 1>of the most iconic voices of all time and will

0:47:00.360 --> 0:47:06.200
<v Speaker 1>forever be that way. But really for all those all

0:47:06.239 --> 0:47:11.080
<v Speaker 1>those really low down, all that low down singing that

0:47:11.160 --> 0:47:13.799
<v Speaker 1>he did, because he's not a high singer. He's very

0:47:13.840 --> 0:47:17.319
<v Speaker 1>low and tough. You know what, I mean, and then

0:47:17.360 --> 0:47:17.920
<v Speaker 1>there's Whalen.

0:47:19.400 --> 0:47:20.600
<v Speaker 2>Your dad listened to a lot of Whalen.

0:47:21.080 --> 0:47:23.520
<v Speaker 1>My dad listened to a lot of Murle. My mom

0:47:23.600 --> 0:47:24.160
<v Speaker 1>loved Whalen.

0:47:25.920 --> 0:47:28.760
<v Speaker 2>Two pretty strong influences. You got to coming from both sides.

0:47:28.800 --> 0:47:30.759
<v Speaker 2>You got Murle one whale on the other. Yeah, man,

0:47:30.800 --> 0:47:31.879
<v Speaker 2>they argue about who was better.

0:47:34.520 --> 0:47:38.560
<v Speaker 1>Hey my mom. My mom was not that confrontational about

0:47:38.920 --> 0:47:42.560
<v Speaker 1>music as as her offspring. Her offspring was.

0:47:44.280 --> 0:47:46.000
<v Speaker 2>So what's the goal with this record? Like, what do

0:47:46.040 --> 0:47:48.319
<v Speaker 2>you want people to feel here?

0:47:50.400 --> 0:47:56.600
<v Speaker 1>Do? There's some songs on this record that are designed

0:47:56.640 --> 0:48:00.480
<v Speaker 1>to pull at your heartstrings. There's someone here that are

0:48:00.480 --> 0:48:03.880
<v Speaker 1>designed to make you move your feet and sway your hips,

0:48:04.640 --> 0:48:06.480
<v Speaker 1>And there's someone here that are supposed to make you

0:48:06.520 --> 0:48:09.040
<v Speaker 1>want to run through a brick wall at least how

0:48:09.080 --> 0:48:14.239
<v Speaker 1>I digest music, Man, I need something appropriate for the

0:48:14.280 --> 0:48:16.479
<v Speaker 1>appropriate time, for what I am feeling at the time.

0:48:16.840 --> 0:48:19.399
<v Speaker 1>There's a lot of different emotions happening here, and it's

0:48:19.719 --> 0:48:24.440
<v Speaker 1>they all operate at the extreme ends of those emotions,

0:48:24.600 --> 0:48:25.160
<v Speaker 1>you know what I mean?

0:48:25.280 --> 0:48:28.359
<v Speaker 2>Do you feel like you challenged yourself to write and

0:48:28.520 --> 0:48:31.000
<v Speaker 2>record this record to where it almost got a little

0:48:31.000 --> 0:48:32.759
<v Speaker 2>bit uncomfortable because you're really pushing it.

0:48:33.480 --> 0:48:36.640
<v Speaker 1>Oh yeah, pushed hard, you know. But just like we

0:48:36.640 --> 0:48:38.200
<v Speaker 1>were talking about earlier, you got to know what you're

0:48:38.200 --> 0:48:42.200
<v Speaker 1>capable of. This. This is a wild This is a

0:48:42.239 --> 0:48:45.160
<v Speaker 1>really big project that has taken a good while to

0:48:45.239 --> 0:48:50.000
<v Speaker 1>put together, you know, and it is vocally a hard record, man,

0:48:50.400 --> 0:48:52.480
<v Speaker 1>is up there? You know.

0:48:52.880 --> 0:48:54.640
<v Speaker 2>Do you ever wonder when you record a song and

0:48:54.680 --> 0:48:57.239
<v Speaker 2>it's a really hard record to record whenever you're going

0:48:57.280 --> 0:48:59.319
<v Speaker 2>to perform it live? Why did I record that song

0:48:59.440 --> 0:49:01.960
<v Speaker 2>like this? Because now I gotta sing it every night?

0:49:03.120 --> 0:49:03.319
<v Speaker 1>Yeah?

0:49:03.360 --> 0:49:05.520
<v Speaker 2>I mean, And that's the version of what I'm saying

0:49:05.560 --> 0:49:07.520
<v Speaker 2>about pushing yourself, Like that's pushing yourself to do it

0:49:07.560 --> 0:49:09.360
<v Speaker 2>and then know you're gonna have to always do it

0:49:09.400 --> 0:49:10.520
<v Speaker 2>that way. M h.

0:49:11.200 --> 0:49:17.000
<v Speaker 1>And it's knowing that I can do it is what

0:49:17.040 --> 0:49:21.759
<v Speaker 1>I'm after, Like being able to do it outside of

0:49:21.760 --> 0:49:24.319
<v Speaker 1>the studio. I mean, we've been playing Big Blue and

0:49:24.400 --> 0:49:28.120
<v Speaker 1>Train and Sweet Apple and a couple of these other

0:49:28.160 --> 0:49:31.040
<v Speaker 1>songs out on the road for a while and we're

0:49:31.080 --> 0:49:34.480
<v Speaker 1>doing it, you know. But that is the other side

0:49:34.520 --> 0:49:36.080
<v Speaker 1>of that coin, is not only being able to do

0:49:36.120 --> 0:49:37.719
<v Speaker 1>it in the studio, but to be able to do

0:49:37.760 --> 0:49:42.200
<v Speaker 1>it live every night and push yourself that much further

0:49:42.320 --> 0:49:45.680
<v Speaker 1>and that much harder. Ain't nobody ever gonna be able

0:49:45.680 --> 0:49:46.320
<v Speaker 1>to take that away?

0:49:46.560 --> 0:49:48.120
<v Speaker 2>Well, then you're gonna go listen to tape of it.

0:49:48.880 --> 0:49:52.960
<v Speaker 2>Yeah yeah, and you through it, but you're getting better

0:49:52.960 --> 0:49:55.120
<v Speaker 2>because you keep putting yourself through it. You keep getting better.

0:49:55.239 --> 0:49:57.880
<v Speaker 1>It has worked wonders not only for me, but for

0:49:58.040 --> 0:50:03.319
<v Speaker 1>my men as well, because like the curse is like,

0:50:03.480 --> 0:50:05.440
<v Speaker 1>we're never going to know what we sound like on

0:50:05.440 --> 0:50:08.319
<v Speaker 1>the other side of that pa fully, like in the flesh,

0:50:08.440 --> 0:50:10.560
<v Speaker 1>you know, all the closest thing we will get is

0:50:10.600 --> 0:50:14.880
<v Speaker 1>to a multi track. So it just it's helped me

0:50:14.920 --> 0:50:17.480
<v Speaker 1>immensely as a singer. And like I can hear where

0:50:17.480 --> 0:50:20.000
<v Speaker 1>I'm running out of breath and where I'm pushing too hard,

0:50:20.040 --> 0:50:22.359
<v Speaker 1>and like where I need to open it all up

0:50:22.400 --> 0:50:24.360
<v Speaker 1>and drop my jaw and all that stuff.

0:50:24.560 --> 0:50:25.520
<v Speaker 2>Do you talk much?

0:50:26.080 --> 0:50:32.040
<v Speaker 1>No? No, I do not, No, not on stage.

0:50:32.200 --> 0:50:34.880
<v Speaker 2>That would be what I would be afraid of. And

0:50:35.800 --> 0:50:39.239
<v Speaker 2>I recorded a comedy special and we've just gone through

0:50:39.239 --> 0:50:42.000
<v Speaker 2>the edits and I'm doing a talking special and I

0:50:42.040 --> 0:50:44.120
<v Speaker 2>hate me talking. And I think if I were listening

0:50:44.200 --> 0:50:45.880
<v Speaker 2>back to myself, I'll be like, well, I'll say that

0:50:45.920 --> 0:50:48.000
<v Speaker 2>between those songs that sounds so stupid. But as you

0:50:48.040 --> 0:50:50.200
<v Speaker 2>can tell, I hate myself for the most part. Anything

0:50:50.239 --> 0:50:52.000
<v Speaker 2>else I'm like, oh, I hate me. But so you

0:50:52.000 --> 0:50:53.839
<v Speaker 2>don't talk a lot, so you don't have to like criticize.

0:50:54.440 --> 0:50:58.040
<v Speaker 1>No, but we're we are our biggest critics, yeah, you know.

0:50:59.320 --> 0:51:01.120
<v Speaker 1>I mean I I don't want to think about where

0:51:01.120 --> 0:51:03.320
<v Speaker 1>we would be if we weren't biggest critics.

0:51:03.320 --> 0:51:04.640
<v Speaker 2>But I think you also know how to celebrate what

0:51:04.640 --> 0:51:06.719
<v Speaker 2>you're doing right and actually do that better too. You know,

0:51:08.000 --> 0:51:09.840
<v Speaker 2>it's pretty healthy, Jackson, It's pretty healthy.

0:51:10.040 --> 0:51:14.359
<v Speaker 1>It's weird talking up there, man, And it's just I'd

0:51:14.480 --> 0:51:17.360
<v Speaker 1>rather let the song speak for themselves, you know, and

0:51:17.520 --> 0:51:19.720
<v Speaker 1>how I'm singing them songs speak for itself.

0:51:20.160 --> 0:51:22.480
<v Speaker 2>Last question, if I were to open your closet, is

0:51:22.480 --> 0:51:23.400
<v Speaker 2>it all black.

0:51:25.600 --> 0:51:30.040
<v Speaker 1>The majority? Yes, there might be some tan, some beige,

0:51:31.680 --> 0:51:33.440
<v Speaker 1>but for the majority, yeah, it's black.

0:51:34.920 --> 0:51:37.960
<v Speaker 2>I'm severely color blind with dark colors, so you could

0:51:38.000 --> 0:51:40.560
<v Speaker 2>be wearing blue, but from what I know of you,

0:51:40.719 --> 0:51:43.960
<v Speaker 2>it's mostly black. When you buy new clothes, it mostly black.

0:51:45.120 --> 0:51:46.719
<v Speaker 2>You also can wear the same stuff over and over

0:51:46.760 --> 0:51:49.200
<v Speaker 2>again and nobody really even knows the difference because it's

0:51:49.200 --> 0:51:50.440
<v Speaker 2>mostly all black anyway.

0:51:50.280 --> 0:51:54.520
<v Speaker 1>Exactly, man. I got I got ten black Pearl snaps

0:51:55.360 --> 0:51:57.120
<v Speaker 1>that are some of the best show shirts I have

0:51:58.320 --> 0:52:00.919
<v Speaker 1>ever had, and I got them year ago and they're

0:52:00.960 --> 0:52:05.280
<v Speaker 1>all the same, just pitch black, just wonderful.

0:52:05.800 --> 0:52:06.600
<v Speaker 2>Well, I'm a big fan.

0:52:07.040 --> 0:52:07.640
<v Speaker 1>Thank you, ma'am.

0:52:08.480 --> 0:52:11.360
<v Speaker 2>Congratulations on the record. You can follow Jackson and we

0:52:11.400 --> 0:52:13.200
<v Speaker 2>mentioned a lot of this stuff before you came in

0:52:13.480 --> 0:52:16.839
<v Speaker 2>in the pre but at the Jackson Dene Jackson Dene

0:52:16.960 --> 0:52:21.319
<v Speaker 2>music and you're uh as when this airs, he's out

0:52:21.320 --> 0:52:24.960
<v Speaker 2>with land you right, Mike, when this airs doing some

0:52:25.080 --> 0:52:25.760
<v Speaker 2>random shows.

0:52:26.480 --> 0:52:30.759
<v Speaker 1>Yeah, man, we did Pearl and yeah, man, we got

0:52:30.840 --> 0:52:31.640
<v Speaker 1>we got a few of them.

0:52:31.640 --> 0:52:34.600
<v Speaker 2>That's cool. Yeah, yeah, But I mean the real place

0:52:34.640 --> 0:52:36.040
<v Speaker 2>to see Jackson if you can see him do a

0:52:36.080 --> 0:52:39.840
<v Speaker 2>whole freaking set when he's headlining it, that's where to

0:52:39.880 --> 0:52:42.160
<v Speaker 2>see him. We have people that I'm very close to

0:52:42.239 --> 0:52:45.040
<v Speaker 2>that are very close to you, and they.

0:52:44.960 --> 0:52:45.520
<v Speaker 1>Just they love you.

0:52:46.800 --> 0:52:51.560
<v Speaker 2>I like you a lot, they love you. So all right,

0:52:51.840 --> 0:52:54.799
<v Speaker 2>thank you guys, and uh yeah, everything else will be

0:52:54.840 --> 0:52:56.719
<v Speaker 2>in the notes. You can follow Jackson and all the

0:52:56.719 --> 0:52:59.600
<v Speaker 2>album information is there, all right, go to see dude.

0:53:00.000 --> 0:53:01.879
<v Speaker 1>Thank you too, man, Thanks for having me.

0:53:02.600 --> 0:53:05.080
<v Speaker 3>Thanks for listening to a Bobby cast production

0:53:11.600 --> 0:53:11.640
<v Speaker 2>M