WEBVTT - The Buddha is a Mountain

0:00:03.040 --> 0:00:06.119
<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuffworks

0:00:06.160 --> 0:00:14.560
<v Speaker 1>dot com. Hey, welcome to Stuff to Blow your Mind.

0:00:14.600 --> 0:00:16.919
<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

0:00:16.920 --> 0:00:19.000
<v Speaker 1>I want to start with a question that might sound

0:00:19.079 --> 0:00:25.160
<v Speaker 1>kind of simple. Why generally do we not build statues

0:00:25.239 --> 0:00:29.240
<v Speaker 1>of people who are still alive? I know sometimes we do.

0:00:29.520 --> 0:00:32.640
<v Speaker 1>You've got the Bronze Fonds. Yeah, and Henry Winkler is

0:00:32.680 --> 0:00:35.040
<v Speaker 1>still out there. And I believe in New Zealand there

0:00:35.159 --> 0:00:39.000
<v Speaker 1>is a statue of Richard O'Brien as riff Raff from

0:00:39.159 --> 0:00:41.920
<v Speaker 1>the Rocky Art Picture Show. And of course there's the

0:00:41.960 --> 0:00:45.280
<v Speaker 1>statue of RoboCop, which I don't know if I knew

0:00:45.280 --> 0:00:47.560
<v Speaker 1>about this one. No way, maybe that doesn't exist yet.

0:00:47.560 --> 0:00:49.760
<v Speaker 1>Maybe that's only people want there to be a statue

0:00:49.760 --> 0:00:52.280
<v Speaker 1>of RoboCop in Detroit, or does it exist. I'm not

0:00:52.280 --> 0:00:55.520
<v Speaker 1>sure if that's been realized. In any case, RoboCop lives

0:00:55.560 --> 0:00:57.560
<v Speaker 1>on in all our hearts forever, so they could never

0:00:57.640 --> 0:01:00.880
<v Speaker 1>be a statue of him. But even these are fictional characters,

0:01:00.880 --> 0:01:02.760
<v Speaker 1>even the Richard O'Brien. When is a picture of Richard

0:01:02.760 --> 0:01:05.880
<v Speaker 1>O'Brien as a fictional character? Yeah, there are a few

0:01:05.880 --> 0:01:09.280
<v Speaker 1>cases where people build statues of people who are still alive.

0:01:10.200 --> 0:01:13.040
<v Speaker 1>It doesn't happen that often, and it always strikes me

0:01:13.120 --> 0:01:18.320
<v Speaker 1>as really just not smart and distasteful. I don't know

0:01:18.360 --> 0:01:19.960
<v Speaker 1>if you get the same feeling, like if you just

0:01:20.000 --> 0:01:25.120
<v Speaker 1>see a statue of a living person, It's like what, yeah,

0:01:25.160 --> 0:01:27.320
<v Speaker 1>I mean, because there are a few different factors that

0:01:27.400 --> 0:01:29.559
<v Speaker 1>coming to pay. First of all, if I'm asking someone

0:01:29.760 --> 0:01:33.959
<v Speaker 1>or commissioning a statue of myself, there there's something you know,

0:01:34.160 --> 0:01:38.120
<v Speaker 1>you're just asking for charges of narcissism. And uh, you

0:01:38.120 --> 0:01:40.800
<v Speaker 1>know you think you're a golden god or something because

0:01:40.840 --> 0:01:45.399
<v Speaker 1>you're having this large golden version of you erected in town. No,

0:01:45.560 --> 0:01:48.400
<v Speaker 1>I just think I'm a marble god. Or on the

0:01:48.440 --> 0:01:51.520
<v Speaker 1>other side too, is we've seen enough. We've seen it.

0:01:51.520 --> 0:01:53.760
<v Speaker 1>We've seen enough examples of this throughout history, particularly in

0:01:53.760 --> 0:01:55.600
<v Speaker 1>the fall of the Soviet Union, to know that if

0:01:55.640 --> 0:01:57.680
<v Speaker 1>there is a statue of you, then that is something

0:01:57.720 --> 0:02:01.760
<v Speaker 1>that someone can deface or knock down. Uh, it's you're

0:02:01.800 --> 0:02:04.360
<v Speaker 1>just asking for it. Yeah. I would say. One large

0:02:04.360 --> 0:02:08.240
<v Speaker 1>exception to what I'm talking about is in like dictatorships,

0:02:09.080 --> 0:02:11.560
<v Speaker 1>where yeah, there will be statues of a living leader,

0:02:11.960 --> 0:02:14.160
<v Speaker 1>but I mean, these are examples though, where they should

0:02:14.160 --> 0:02:16.519
<v Speaker 1>feel bad, but they are removed from the guilt of

0:02:16.560 --> 0:02:19.600
<v Speaker 1>feeling bad because of the depravity of the system. Yeah.

0:02:19.680 --> 0:02:22.200
<v Speaker 1>But so then you agree with my intuition there is

0:02:22.200 --> 0:02:24.000
<v Speaker 1>is that the case you You just think, like when

0:02:24.000 --> 0:02:25.840
<v Speaker 1>you see a statue of a person who's still alive,

0:02:25.919 --> 0:02:28.840
<v Speaker 1>it's like, what, why would you do that? Yeah? Because

0:02:28.880 --> 0:02:31.040
<v Speaker 1>the other thing, too is maybe you're gonna have a

0:02:31.120 --> 0:02:34.040
<v Speaker 1>perfect likeness of that individual, but it also may come

0:02:34.040 --> 0:02:36.160
<v Speaker 1>off as a little creepy because you're gonna see it

0:02:36.280 --> 0:02:39.120
<v Speaker 1>like right next to the person, or or it's it's

0:02:39.120 --> 0:02:41.400
<v Speaker 1>easier to compare the flesh to the statue and realize

0:02:41.400 --> 0:02:44.400
<v Speaker 1>that the statue is inaccurate. Yeah. So what does the

0:02:44.440 --> 0:02:47.560
<v Speaker 1>answer there tell us about what purpose statues serve? I

0:02:47.600 --> 0:02:49.320
<v Speaker 1>don't know. Maybe we can come back to that. I

0:02:49.360 --> 0:02:56.040
<v Speaker 1>got another weird question. Why are statues considered inherently positive

0:02:56.160 --> 0:03:00.160
<v Speaker 1>or honorific? Another way of asking this is why do

0:03:00.200 --> 0:03:04.480
<v Speaker 1>we generally only create statues of people we like? How

0:03:04.480 --> 0:03:07.800
<v Speaker 1>come we don't generally create statues of people who we

0:03:07.880 --> 0:03:11.280
<v Speaker 1>think we're evil and destructive or shifty or you know,

0:03:11.400 --> 0:03:14.880
<v Speaker 1>just not honorable people? And it's one of those things

0:03:14.880 --> 0:03:18.280
<v Speaker 1>that's so ingrained that it just seems obvious, Like, well, duh.

0:03:18.480 --> 0:03:20.600
<v Speaker 1>You know, you wouldn't put up a statute to honor

0:03:20.680 --> 0:03:24.640
<v Speaker 1>a bad person, But why do you assume a statue

0:03:24.680 --> 0:03:27.760
<v Speaker 1>carries honor with it? You don't assume that about other

0:03:27.800 --> 0:03:30.560
<v Speaker 1>forms of media. You could make a movie about a

0:03:30.560 --> 0:03:33.280
<v Speaker 1>bad person and people wouldn't assume that it was honoring

0:03:33.320 --> 0:03:35.400
<v Speaker 1>that person. You could write a book about a bad

0:03:35.480 --> 0:03:38.520
<v Speaker 1>person and people wouldn't assume that the book was honoring

0:03:38.560 --> 0:03:41.120
<v Speaker 1>that person. But if you were to build a statue

0:03:41.200 --> 0:03:43.560
<v Speaker 1>of that person, people would say, well, why do you

0:03:43.600 --> 0:03:45.880
<v Speaker 1>like this guy so much? Well, I think a lot

0:03:45.880 --> 0:03:47.080
<v Speaker 1>of this. I think we can answer a couple of

0:03:47.120 --> 0:03:49.640
<v Speaker 1>questions here by dealing with with the with the idea

0:03:49.680 --> 0:03:53.760
<v Speaker 1>of what happens when you just direct a tombstone for someone.

0:03:54.160 --> 0:03:58.680
<v Speaker 1>You were creating something that is not going to fade.

0:03:58.720 --> 0:04:01.880
<v Speaker 1>I mean, yes, it's going to fade, but but within

0:04:01.960 --> 0:04:05.920
<v Speaker 1>the context of a human lifetime, it seems fixed. It

0:04:06.040 --> 0:04:10.200
<v Speaker 1>seems uh uh, you know, unmovable and incorruptible. And so

0:04:10.320 --> 0:04:13.360
<v Speaker 1>in to create a statue of an individual is to

0:04:13.880 --> 0:04:17.720
<v Speaker 1>create an immortal version of them, uh like, impose that

0:04:17.760 --> 0:04:21.760
<v Speaker 1>person's legacy on physical space right either after their death

0:04:22.279 --> 0:04:25.120
<v Speaker 1>or you know, in the case of say a mythological

0:04:25.200 --> 0:04:28.360
<v Speaker 1>figure or a figure of such deep history that they're

0:04:28.400 --> 0:04:30.720
<v Speaker 1>you know, far removed, like you don't have photos of them,

0:04:30.800 --> 0:04:33.719
<v Speaker 1>you just have tales of them. It makes them more real,

0:04:34.279 --> 0:04:36.960
<v Speaker 1>you know. I mean, I I just wonder why. I mean,

0:04:37.000 --> 0:04:39.480
<v Speaker 1>it might it might be totally an accident of history.

0:04:40.080 --> 0:04:43.719
<v Speaker 1>Maybe it's just a coincidence that Well, okay, so people

0:04:43.839 --> 0:04:46.520
<v Speaker 1>used to make statues of of leaders who were to

0:04:46.560 --> 0:04:49.720
<v Speaker 1>be honored, and statues of kings and all that, and

0:04:49.760 --> 0:04:55.440
<v Speaker 1>we just came to associate statuary with honor and honorific feelings. Well,

0:04:55.480 --> 0:04:57.600
<v Speaker 1>now I have to say there are of course protective

0:04:57.680 --> 0:05:01.240
<v Speaker 1>the idea of using horrifying but protect dive entities, say

0:05:01.320 --> 0:05:04.240
<v Speaker 1>in a tomb or a temple, you can have essentially

0:05:04.240 --> 0:05:06.800
<v Speaker 1>it's a monster, it's something horrifying, but it's there to

0:05:06.960 --> 0:05:09.640
<v Speaker 1>ward off evil spirits. Well, right, and that that comes

0:05:09.680 --> 0:05:13.680
<v Speaker 1>into the religious function of statutory So you've got statues

0:05:13.800 --> 0:05:16.040
<v Speaker 1>that where yeah, I was going to say that you

0:05:16.040 --> 0:05:19.280
<v Speaker 1>can imagine religious areas where people have statues of demons

0:05:19.320 --> 0:05:25.839
<v Speaker 1>and other unwelcome supernatural entities, either for instructive purposes, or

0:05:25.880 --> 0:05:30.320
<v Speaker 1>for protective purposes, you know, apotropaic magic um, or just

0:05:30.440 --> 0:05:33.880
<v Speaker 1>to be scary. Uh So, yeah, you can see religious

0:05:33.920 --> 0:05:36.640
<v Speaker 1>reasons why people put up statues of things judged to

0:05:36.720 --> 0:05:39.720
<v Speaker 1>be evil. But but could you imagine a scenario where

0:05:39.800 --> 0:05:42.680
<v Speaker 1>someone might say, look, we're not putting up a statue

0:05:42.720 --> 0:05:45.919
<v Speaker 1>of Richard Nixon, but we'll put up multiple Richard Nixon

0:05:45.960 --> 0:05:50.320
<v Speaker 1>statues to protect the sacred ground, you know, like like

0:05:50.400 --> 0:05:54.479
<v Speaker 1>purely protective evils. Uh if you will write you what

0:05:54.560 --> 0:05:57.960
<v Speaker 1>you bring up? Yet again, is this assumption if I

0:05:58.080 --> 0:06:00.839
<v Speaker 1>made a statue of Richard Nixon, people would assume I

0:06:01.080 --> 0:06:03.800
<v Speaker 1>liked him. People would assume I thought he was a

0:06:03.800 --> 0:06:06.240
<v Speaker 1>good guy. Right. Would not be the case if I

0:06:06.240 --> 0:06:08.600
<v Speaker 1>wrote a book about him or made a movie about him,

0:06:08.600 --> 0:06:11.440
<v Speaker 1>I mean, depending on what the contents were. Right, And again,

0:06:11.440 --> 0:06:13.479
<v Speaker 1>this is assuming it's just a statue of him and

0:06:13.520 --> 0:06:16.279
<v Speaker 1>he's not being say, crushed under the foot of a

0:06:16.360 --> 0:06:20.239
<v Speaker 1>Hindu deity or something like that. Exactly right. That's another

0:06:20.279 --> 0:06:22.240
<v Speaker 1>great image because I think what we're talking about here,

0:06:22.240 --> 0:06:24.480
<v Speaker 1>and most of these examples, it's it's not a statue

0:06:24.480 --> 0:06:27.160
<v Speaker 1>of an individual of doing something as much as is

0:06:27.200 --> 0:06:30.480
<v Speaker 1>a statue of the individual, just their identity, their presence,

0:06:30.560 --> 0:06:33.760
<v Speaker 1>their existence. Yeah, and so maybe for some inherent reasons

0:06:33.800 --> 0:06:37.200
<v Speaker 1>we haven't figured out, or maybe for reasons of historical

0:06:37.880 --> 0:06:42.200
<v Speaker 1>accident or whatever, statue or I think does have a

0:06:42.360 --> 0:06:46.240
<v Speaker 1>religious connotation, and therefore it's no surprise that some of

0:06:46.240 --> 0:06:49.600
<v Speaker 1>the grandest statues in the world, of course are religious. Yeah,

0:06:49.640 --> 0:06:51.240
<v Speaker 1>if you look at it at a list of the

0:06:51.360 --> 0:06:54.760
<v Speaker 1>largest statues currently in the world, most of them are

0:06:54.800 --> 0:06:58.560
<v Speaker 1>going to be religious in scope. You'll find a few

0:06:58.600 --> 0:07:02.200
<v Speaker 1>historic individuals in there, but really, like the top the

0:07:02.200 --> 0:07:06.080
<v Speaker 1>top ten list, are mostly Buddhists. And today we're gonna

0:07:06.080 --> 0:07:10.280
<v Speaker 1>be talking about one of the grandest Buddhas that you

0:07:10.400 --> 0:07:12.720
<v Speaker 1>have statutes that you'll find out there, and that is

0:07:12.800 --> 0:07:16.200
<v Speaker 1>the uh Lissan Grant, a giant Buddha or the Grand

0:07:16.200 --> 0:07:21.720
<v Speaker 1>Buddha located in southern Shishwan Province in southwest China. So

0:07:21.760 --> 0:07:23.800
<v Speaker 1>I thought it was interesting that you wanted to do

0:07:23.840 --> 0:07:26.120
<v Speaker 1>this episode, Robert, What what what? What was it that

0:07:26.200 --> 0:07:29.920
<v Speaker 1>drew you to the Leshan Buddha. Well, I'd seen images

0:07:29.960 --> 0:07:33.200
<v Speaker 1>of it before, and weirdly and weirdly enough to just

0:07:33.440 --> 0:07:37.320
<v Speaker 1>throw in an unintended plug for another podcast but I

0:07:37.360 --> 0:07:39.640
<v Speaker 1>was in the car and uh, I was listening to

0:07:39.760 --> 0:07:42.720
<v Speaker 1>the Wow in the World podcast, which is uh an

0:07:42.760 --> 0:07:47.520
<v Speaker 1>NPR science education podcast for children, and they had like

0:07:47.680 --> 0:07:49.800
<v Speaker 1>a kid throwing in a quick fact about something that

0:07:49.840 --> 0:07:51.760
<v Speaker 1>they learned on a trip. Right, so it's like a

0:07:51.800 --> 0:07:53.800
<v Speaker 1>you know, a kid on the street kind of situation.

0:07:54.080 --> 0:07:58.040
<v Speaker 1>And the kid mentioned the the leshaan giant Buddha, and

0:07:58.160 --> 0:08:00.640
<v Speaker 1>uh and it kind of reminded me of its existence

0:08:00.720 --> 0:08:03.040
<v Speaker 1>and and and one of the cool facts about it

0:08:03.040 --> 0:08:05.040
<v Speaker 1>that we'll get to in a bit and uh yeah,

0:08:05.080 --> 0:08:06.600
<v Speaker 1>And then I started looking into it a little more

0:08:06.640 --> 0:08:08.640
<v Speaker 1>and said, hey, well there's a whole episode here we

0:08:08.640 --> 0:08:11.360
<v Speaker 1>should talk about the lean giant Buddha. So if you

0:08:11.400 --> 0:08:14.520
<v Speaker 1>are at a computer right now and you are listening

0:08:14.520 --> 0:08:17.239
<v Speaker 1>to this episode where you can google something, you should

0:08:17.240 --> 0:08:19.400
<v Speaker 1>probably go ahead and google a picture of it right

0:08:19.800 --> 0:08:21.320
<v Speaker 1>to try to have this in your mind if you've

0:08:21.320 --> 0:08:23.920
<v Speaker 1>never seen it before. If you can't do that, that's okay.

0:08:23.920 --> 0:08:26.280
<v Speaker 1>We'll try to describe it for you. Yeah, we'll definitely

0:08:26.320 --> 0:08:28.520
<v Speaker 1>have some images of it on the landing page for

0:08:28.600 --> 0:08:30.440
<v Speaker 1>this episode is Stuff to Blow your Mind dot com.

0:08:30.520 --> 0:08:36.720
<v Speaker 1>But it looks like a giant Buddha has has carved

0:08:36.720 --> 0:08:40.280
<v Speaker 1>out a niche in a mountain and is seated there

0:08:41.040 --> 0:08:45.439
<v Speaker 1>within the mountain. So basically the the Buddha is a mountain.

0:08:45.480 --> 0:08:48.800
<v Speaker 1>The mountain is the Buddha to to steal like a

0:08:48.840 --> 0:08:51.720
<v Speaker 1>common slogan from the region, and the Buddha is literally

0:08:51.760 --> 0:08:53.720
<v Speaker 1>made out of the mountain. Its carved out of the

0:08:53.720 --> 0:08:57.680
<v Speaker 1>side of the mountain. But in a way that you

0:08:57.679 --> 0:08:59.319
<v Speaker 1>know when when you when you I think for a

0:08:59.360 --> 0:09:01.120
<v Speaker 1>lot of Western it's just when you think of something

0:09:01.160 --> 0:09:03.720
<v Speaker 1>carved out of mountain, you think of our more local examples.

0:09:03.760 --> 0:09:06.800
<v Speaker 1>You think Amount Rushmore, maybe you think of Stone Mountain

0:09:06.920 --> 0:09:10.559
<v Speaker 1>here in Georgia, or you think of Crazy Horse, right.

0:09:11.080 --> 0:09:13.440
<v Speaker 1>But this one, this is this one feels a lot

0:09:13.480 --> 0:09:16.560
<v Speaker 1>different from any of those examples because it's it does

0:09:16.679 --> 0:09:19.120
<v Speaker 1>feel it almost feels like there was a Buddha in

0:09:19.120 --> 0:09:21.080
<v Speaker 1>the mountain and they just carved it out, like it

0:09:21.120 --> 0:09:24.920
<v Speaker 1>was waiting there for for all of this. Uh, this

0:09:25.360 --> 0:09:29.080
<v Speaker 1>sculpture work to free it. Absolutely, those other things you mentioned,

0:09:29.080 --> 0:09:32.920
<v Speaker 1>like Mount Rushmore feel very much imposed on the landscape.

0:09:33.040 --> 0:09:36.200
<v Speaker 1>There were a thing laid over the landscape. And I

0:09:36.240 --> 0:09:41.800
<v Speaker 1>feel like the Buddha in in Lashan is either it's

0:09:41.840 --> 0:09:45.160
<v Speaker 1>like it emerged from the landscape or is being absorbed

0:09:45.320 --> 0:09:48.280
<v Speaker 1>by the landscape. It almost feels like, yeah, you found it,

0:09:48.320 --> 0:09:52.200
<v Speaker 1>Like it's the like like it's a fossil Buddha. Yeah,

0:09:52.240 --> 0:09:55.040
<v Speaker 1>that's a great metaphor, dude, it is very much like that.

0:09:55.679 --> 0:09:57.600
<v Speaker 1>One thing we should say, though, is Okay, so you

0:09:57.600 --> 0:10:00.560
<v Speaker 1>imagine something that's carved out of a mountain or uh,

0:10:00.960 --> 0:10:03.160
<v Speaker 1>or might be like a fossil, you're probably not thinking

0:10:03.280 --> 0:10:07.120
<v Speaker 1>very big. This thing is big. It's huge. Yeah. It

0:10:07.200 --> 0:10:11.120
<v Speaker 1>is seventy one or two hundred and thirty three feet tall,

0:10:11.240 --> 0:10:13.560
<v Speaker 1>and it's it's you know, it's in a seated position.

0:10:13.600 --> 0:10:15.960
<v Speaker 1>It's not standing. I actually I don't think I ran

0:10:16.040 --> 0:10:19.440
<v Speaker 1>across any estimates on how tall this Buddha would be

0:10:19.440 --> 0:10:21.959
<v Speaker 1>if it were standing full heights. Somehow should have done

0:10:22.000 --> 0:10:24.920
<v Speaker 1>the math on that missed opportunity. If the Ghostbusters were to,

0:10:25.280 --> 0:10:27.840
<v Speaker 1>you know, charge it with enough ectoplasm and make it

0:10:27.880 --> 0:10:31.240
<v Speaker 1>walk around. Yeah that but that's somebody else's research project.

0:10:31.280 --> 0:10:34.160
<v Speaker 1>Will leave them to it. Now. The other remarkable thing

0:10:34.200 --> 0:10:35.720
<v Speaker 1>about it is that this is a this is a

0:10:35.840 --> 0:10:39.240
<v Speaker 1>very old statue. Uh. This was this was a Tang

0:10:39.320 --> 0:10:43.720
<v Speaker 1>dynasty construction. So that's twelve hundred years ago, and it

0:10:43.840 --> 0:10:47.960
<v Speaker 1>is the largest stone Buddha in the world, and currently

0:10:48.040 --> 0:10:52.040
<v Speaker 1>it's the tallest statue in the world. UH. Number one,

0:10:52.080 --> 0:10:55.440
<v Speaker 1>by the way, is China's Spring Temple Buddha at a

0:10:55.480 --> 0:10:59.559
<v Speaker 1>towering one ty eight ms or four hundred and twenty feet. Now,

0:10:59.600 --> 0:11:02.160
<v Speaker 1>how many of those top twenty or so are Richard

0:11:02.240 --> 0:11:06.120
<v Speaker 1>Nixon's um, Not none of them actually, but several of

0:11:06.160 --> 0:11:10.839
<v Speaker 1>them are Buddhas or some of Bodhisatva's And I think

0:11:10.880 --> 0:11:16.040
<v Speaker 1>in one particular particular note is to fame Chinese emperors.

0:11:16.679 --> 0:11:20.320
<v Speaker 1>But but also the vast majority of them are from

0:11:20.400 --> 0:11:24.280
<v Speaker 1>are from recent times. UH. Of the taller statues in

0:11:24.320 --> 0:11:28.560
<v Speaker 1>the world, all of them were completed in the century.

0:11:28.720 --> 0:11:33.200
<v Speaker 1>The Grand Buddha, however, again was finished in eight three CE.

0:11:33.520 --> 0:11:36.040
<v Speaker 1>And this thing looks old. As we said, it's like

0:11:36.080 --> 0:11:39.320
<v Speaker 1>a fossil. So it's a cliff coming straight out of

0:11:39.320 --> 0:11:42.120
<v Speaker 1>the river, just shooting straight up out of the Dadu

0:11:42.240 --> 0:11:46.720
<v Speaker 1>River and away from the it's like a red stone cliff.

0:11:46.760 --> 0:11:49.840
<v Speaker 1>You can see this orange tinge in the white uh.

0:11:49.960 --> 0:11:55.280
<v Speaker 1>And then back away from the cliff, there is this recession, UM.

0:11:55.320 --> 0:11:58.480
<v Speaker 1>And within the recession is I don't know, you don't

0:11:58.480 --> 0:12:00.800
<v Speaker 1>really see a throne or anything might be hidden back

0:12:00.800 --> 0:12:03.319
<v Speaker 1>there behind all of the growth that's come out over

0:12:03.360 --> 0:12:05.920
<v Speaker 1>the years. But you you do see the figure of

0:12:05.960 --> 0:12:09.200
<v Speaker 1>the Buddha seated with his knees spread apart, his back

0:12:09.280 --> 0:12:13.040
<v Speaker 1>very straight, and his hands resting on his knees, and

0:12:13.360 --> 0:12:15.640
<v Speaker 1>the entire statue, like we said, is carved into the

0:12:15.679 --> 0:12:17.800
<v Speaker 1>side of the mountain. We're seeding away from the cliff face.

0:12:17.880 --> 0:12:20.520
<v Speaker 1>And so the Buddha is looking out over the river

0:12:21.120 --> 0:12:23.880
<v Speaker 1>as if he's sort of like lording over the waters,

0:12:23.920 --> 0:12:27.000
<v Speaker 1>and the waters are rushing by just underneath his feet.

0:12:28.200 --> 0:12:30.400
<v Speaker 1>How would you describe his face, Robert, I would say

0:12:30.440 --> 0:12:38.320
<v Speaker 1>it's very calm. It's calm, serene, almost disinterested in a

0:12:38.360 --> 0:12:40.360
<v Speaker 1>way that he does remind me of a Y. M. C.

0:12:40.440 --> 0:12:45.280
<v Speaker 1>A lifeguard, Like he's watching over the waters and and

0:12:45.320 --> 0:12:48.960
<v Speaker 1>I'm not sure how interested he is in mean, not drowning. Yeah,

0:12:49.200 --> 0:12:52.120
<v Speaker 1>this is not one of the laughing Buddhas. And we'll

0:12:52.120 --> 0:12:53.880
<v Speaker 1>get into exactly what kind of Buddha he is in

0:12:53.920 --> 0:12:56.360
<v Speaker 1>a minute, but certainly that just the scale of this

0:12:56.440 --> 0:12:59.840
<v Speaker 1>thing is amazing from the photos. I have not been

0:13:00.080 --> 0:13:02.080
<v Speaker 1>to see this in person, and I would love to

0:13:02.080 --> 0:13:04.199
<v Speaker 1>hear from any of our listeners out there who have

0:13:04.280 --> 0:13:08.080
<v Speaker 1>because it is a huge tourist attraction. Uh, People traveling

0:13:08.080 --> 0:13:09.440
<v Speaker 1>to the area, you know, go out of their way

0:13:09.559 --> 0:13:12.800
<v Speaker 1>just to see this and the surrounding historic temple and

0:13:12.880 --> 0:13:16.360
<v Speaker 1>even you know natural attractions in the area. But you

0:13:16.400 --> 0:13:18.160
<v Speaker 1>just you look at this and you just see how

0:13:18.200 --> 0:13:22.440
<v Speaker 1>small the individuals are and in comparison to the feet

0:13:22.480 --> 0:13:25.439
<v Speaker 1>to the toes of the statute. Right, there are people

0:13:25.559 --> 0:13:28.040
<v Speaker 1>standing on the base where the Buddhist feet are and

0:13:28.080 --> 0:13:32.720
<v Speaker 1>they're not even as tall as the Buddhas sandal. Right. Uh.

0:13:32.760 --> 0:13:36.200
<v Speaker 1>You know, I think for Western audiences a specially, especially

0:13:36.240 --> 0:13:38.520
<v Speaker 1>for American audiences, Like when we think of a giant statue,

0:13:38.520 --> 0:13:40.440
<v Speaker 1>of course we think of the Statue of Liberty. But

0:13:40.520 --> 0:13:43.319
<v Speaker 1>then how big would the statue of Liberty be compared

0:13:43.520 --> 0:13:47.400
<v Speaker 1>to the Sun Buddha. Well, so there are multiple ways

0:13:47.400 --> 0:13:49.280
<v Speaker 1>you can measure the Statue of Liberty. Now, if you

0:13:49.360 --> 0:13:52.680
<v Speaker 1>measure the full thing, like with the base up to

0:13:52.760 --> 0:13:55.640
<v Speaker 1>the top of the torch, it's bigger than the Leshan Buddha.

0:13:55.920 --> 0:13:57.880
<v Speaker 1>But if you just look at the copper part of

0:13:57.880 --> 0:14:00.760
<v Speaker 1>the statue from her heel to the top of her head,

0:14:01.160 --> 0:14:04.240
<v Speaker 1>Lady Liberty is just over a hundred and eleven feet,

0:14:04.679 --> 0:14:07.040
<v Speaker 1>so if she put her arm down, you could stand

0:14:07.160 --> 0:14:09.960
<v Speaker 1>one Lady Liberty on the shoulders of another one and

0:14:10.080 --> 0:14:13.120
<v Speaker 1>still not be as tall as the Lashan Buddha. Now

0:14:13.200 --> 0:14:15.640
<v Speaker 1>it's it's always difficult to gauge these things though, just

0:14:15.679 --> 0:14:18.600
<v Speaker 1>as a viewer, because you see Lady Liberty up there,

0:14:18.920 --> 0:14:21.360
<v Speaker 1>you know, No, you don't see any humans really in

0:14:21.440 --> 0:14:25.040
<v Speaker 1>reference to it, unless you're dealing with the Ghostbusters and

0:14:25.120 --> 0:14:29.600
<v Speaker 1>Ghostbusters too. Otherwise it's easy to lose lose, you know,

0:14:29.920 --> 0:14:32.800
<v Speaker 1>scope of what it's scale is, whereas with the Lassan

0:14:32.880 --> 0:14:35.440
<v Speaker 1>Buddha you tend to see individuals at its base, so

0:14:35.480 --> 0:14:37.320
<v Speaker 1>you have kind of a grounding and how big it

0:14:37.720 --> 0:14:40.440
<v Speaker 1>appears to be. So this is supposed to be a Buddha, Robert,

0:14:40.480 --> 0:14:42.800
<v Speaker 1>tell me about the Buddha, all right, Well, yeah, we

0:14:42.840 --> 0:14:46.080
<v Speaker 1>should break down exactly what a buddha is. So wait,

0:14:46.120 --> 0:14:48.240
<v Speaker 1>I thought you should say something like, I can't tell

0:14:48.240 --> 0:14:51.360
<v Speaker 1>you about the Buddha. Uh, yeah, I'm sure there's some

0:14:51.440 --> 0:14:54.040
<v Speaker 1>class like like, you know, if someone goes to tell

0:14:54.040 --> 0:14:55.640
<v Speaker 1>you about the Buddha, don't let them tell you about

0:14:55.680 --> 0:14:57.360
<v Speaker 1>the Buddha sort of if you meet the Buddha kill

0:14:57.400 --> 0:15:02.480
<v Speaker 1>the Buddha kind of a thing. But there are different Buddhists,

0:15:02.480 --> 0:15:05.040
<v Speaker 1>and that's an important thing to note. And it's easy

0:15:05.080 --> 0:15:07.480
<v Speaker 1>to miss, to to not be aware of if you

0:15:07.600 --> 0:15:09.760
<v Speaker 1>just kind of you see statues and you assume these

0:15:09.800 --> 0:15:15.240
<v Speaker 1>are all statues of the same individual, historic or mythical,

0:15:15.320 --> 0:15:19.080
<v Speaker 1>and it's just different artistic takes. And there are a

0:15:19.200 --> 0:15:23.640
<v Speaker 1>number of different artistic takes on these Buddhists. But for starters,

0:15:23.680 --> 0:15:27.280
<v Speaker 1>you have what's known as the historical Buddha, Siddharta Gottama,

0:15:27.640 --> 0:15:31.360
<v Speaker 1>who lived in the fifth century b c. Exact century

0:15:31.440 --> 0:15:34.200
<v Speaker 1>kind of varies depending on you know, who's telling, but

0:15:34.440 --> 0:15:36.840
<v Speaker 1>this would have been ancient India. And the story is

0:15:36.920 --> 0:15:38.920
<v Speaker 1>that he was a prince, you know, lived a life

0:15:38.920 --> 0:15:44.400
<v Speaker 1>of luxury, and then he began to behold the you know,

0:15:44.440 --> 0:15:46.480
<v Speaker 1>the sorrow of the world, the suffering in the world,

0:15:46.560 --> 0:15:49.360
<v Speaker 1>and he abandoned his riches. He became a monk in

0:15:49.440 --> 0:15:54.360
<v Speaker 1>order to seek enlightenment, and uh his teachings then spread

0:15:54.360 --> 0:15:57.480
<v Speaker 1>throughout most of Asia and the centuries to follow. Now,

0:15:57.520 --> 0:16:00.760
<v Speaker 1>interestingly enough, it actually declined in India self during the

0:16:00.800 --> 0:16:04.640
<v Speaker 1>Middle Ages with the rise of Islam, but it flourished elsewhere,

0:16:04.960 --> 0:16:08.160
<v Speaker 1>including in China, where it made its way in there

0:16:08.280 --> 0:16:12.120
<v Speaker 1>around a hundred b C. And subsequently became an integral

0:16:12.160 --> 0:16:16.800
<v Speaker 1>part of Chinese culture, and Buddhism today remains the fourth

0:16:16.920 --> 0:16:19.280
<v Speaker 1>largest religion in the world. Now, I think I have

0:16:19.320 --> 0:16:22.760
<v Speaker 1>to understand that throughout history, at different times, the adoption

0:16:22.800 --> 0:16:25.840
<v Speaker 1>of Buddhism in China has been a controversial thing, right,

0:16:26.200 --> 0:16:30.520
<v Speaker 1>Like there were times when when Chinese ruling dynasties were

0:16:30.520 --> 0:16:34.040
<v Speaker 1>trying to enforce other beliefs, like they might say that

0:16:34.280 --> 0:16:38.600
<v Speaker 1>people need to be Taoist or people need to be Confucian. Right, yes, certainly,

0:16:38.600 --> 0:16:40.120
<v Speaker 1>because when you when you look at the history of China,

0:16:40.160 --> 0:16:43.160
<v Speaker 1>of course, you have essentially three key world views that

0:16:43.200 --> 0:16:45.400
<v Speaker 1>are you know, getting into the mix. There you have

0:16:45.720 --> 0:16:48.320
<v Speaker 1>you have Buddhism, you have Taoism, and you have Confucianism

0:16:48.680 --> 0:16:52.080
<v Speaker 1>and UH. And it's kind of like a continual you know,

0:16:52.160 --> 0:16:55.800
<v Speaker 1>cocktail to what degree or these uh these mesh together

0:16:56.360 --> 0:16:59.640
<v Speaker 1>in an in an individual time, in an individual region.

0:17:00.160 --> 0:17:02.640
<v Speaker 1>Now to come back to the Shawan Buddha that what

0:17:02.720 --> 0:17:05.280
<v Speaker 1>makes this interesting is that the first Chinese Buddhist temple

0:17:05.400 --> 0:17:09.720
<v Speaker 1>was built in Sechuan Province on the summits of Mount Emmy,

0:17:09.800 --> 0:17:12.240
<v Speaker 1>and this is the very area, the very region in

0:17:12.280 --> 0:17:15.359
<v Speaker 1>which the Grand Buddha was carved. Now, maybe we should

0:17:15.359 --> 0:17:17.119
<v Speaker 1>take a quick break and when we come back we

0:17:17.160 --> 0:17:19.399
<v Speaker 1>can get a little bit into the history of how

0:17:19.520 --> 0:17:28.600
<v Speaker 1>this Grand Buddha was constructed more than years ago. Thank alright,

0:17:28.600 --> 0:17:33.000
<v Speaker 1>we're back. So, uh, there's an origin story here, as

0:17:33.000 --> 0:17:35.680
<v Speaker 1>there always is. Yeah, and maybe we should say as

0:17:35.920 --> 0:17:39.120
<v Speaker 1>as many origins if you go back far enough, there's

0:17:39.119 --> 0:17:41.880
<v Speaker 1>a flood in the story somewhere, except in this case,

0:17:41.920 --> 0:17:44.440
<v Speaker 1>it's more of a pattern of flooding, right, and this

0:17:44.560 --> 0:17:48.720
<v Speaker 1>is a historical fact that's not just part of the mythology.

0:17:49.040 --> 0:17:52.359
<v Speaker 1>The central and southwest region of China is prone to

0:17:52.440 --> 0:17:54.560
<v Speaker 1>lots of flooding, right. Yeah. I mean we ended up

0:17:54.560 --> 0:17:56.840
<v Speaker 1>discussing some of this in our Great Flood episode. We

0:17:56.920 --> 0:18:00.560
<v Speaker 1>talked about Chinese the Chinese variant of the grate flood

0:18:00.600 --> 0:18:05.080
<v Speaker 1>myth and the importance of of water management and manipulation

0:18:05.480 --> 0:18:07.760
<v Speaker 1>in Chinese history. Yeah. So it's like a it's a

0:18:07.840 --> 0:18:11.080
<v Speaker 1>humid uh I think subtropical climate, but that they'll have

0:18:11.200 --> 0:18:14.720
<v Speaker 1>monsoon seasons, the rains come in and there there will

0:18:14.720 --> 0:18:17.680
<v Speaker 1>be heavy rains that cause flooding in these planes areas.

0:18:18.080 --> 0:18:20.040
<v Speaker 1>Refresh me a little bit on the on the Chinese

0:18:20.080 --> 0:18:22.640
<v Speaker 1>flood myth Robert. Oh, well, you're talking about the story

0:18:22.680 --> 0:18:25.119
<v Speaker 1>of You the Great, Yeah, where essentially you just have

0:18:26.000 --> 0:18:29.240
<v Speaker 1>you have this this flood that occurs and uh and

0:18:29.359 --> 0:18:32.200
<v Speaker 1>who is going to who's going to deal with it?

0:18:32.240 --> 0:18:34.680
<v Speaker 1>How are we going to to solve this problem? Instead

0:18:34.680 --> 0:18:36.760
<v Speaker 1>of the creation of an arc or you know, a

0:18:36.800 --> 0:18:40.800
<v Speaker 1>great boat, you have You the Great who uses uh,

0:18:40.920 --> 0:18:44.680
<v Speaker 1>you know, the knowledge of canal systems and drainage systems

0:18:44.720 --> 0:18:48.160
<v Speaker 1>as a way to to manage the flooding. Oh, that's

0:18:48.200 --> 0:18:50.560
<v Speaker 1>a much better solution than a boat, right, Yeah, that

0:18:50.720 --> 0:18:53.240
<v Speaker 1>like works for more than one group of people. Yeah,

0:18:53.320 --> 0:18:56.240
<v Speaker 1>I think so. I think there's probably something culturally telling

0:18:56.280 --> 0:18:58.320
<v Speaker 1>about about that as well. Like it's a it's a

0:18:58.400 --> 0:19:02.000
<v Speaker 1>very it's a particularly Chinese uh take on the problem,

0:19:02.080 --> 0:19:06.439
<v Speaker 1>but also ties in with very real world issues of

0:19:06.480 --> 0:19:09.640
<v Speaker 1>the day, which would have been um, you know, seasonal flooding. Yeah.

0:19:09.680 --> 0:19:12.640
<v Speaker 1>So there is seasonal flooding in this area that sometimes

0:19:12.720 --> 0:19:14.879
<v Speaker 1>the rivers will swell and this can be a danger

0:19:14.920 --> 0:19:16.879
<v Speaker 1>to the people who work in the in or around

0:19:16.880 --> 0:19:20.199
<v Speaker 1>the river. Um. And this this ties into where the

0:19:20.200 --> 0:19:23.600
<v Speaker 1>Buddha came from. That's right, So that the origin story,

0:19:23.640 --> 0:19:26.840
<v Speaker 1>the basic version goes as follows. You have a Buddhist

0:19:26.840 --> 0:19:30.879
<v Speaker 1>monk named Hi Tongue and he conceives this this project

0:19:30.960 --> 0:19:35.080
<v Speaker 1>around seven thirteen CE. So his idea is, look, we

0:19:35.160 --> 0:19:38.119
<v Speaker 1>have we have really turbulent waters out here on the

0:19:38.440 --> 0:19:43.840
<v Speaker 1>Dadu River. Uh, it's really rough on on boatman navigation.

0:19:43.880 --> 0:19:47.680
<v Speaker 1>People are drowning. Uh, it's it's it's influenced by by

0:19:47.680 --> 0:19:52.520
<v Speaker 1>these seasonal floods. If we're we're to build a Buddha here,

0:19:52.720 --> 0:19:55.760
<v Speaker 1>then that would bring like fortune to the area, Like

0:19:55.800 --> 0:19:59.920
<v Speaker 1>that would bring a calming influence on on these turvy

0:20:00.040 --> 0:20:03.680
<v Speaker 1>went waters where you ultimately have the confluence of of

0:20:03.800 --> 0:20:07.600
<v Speaker 1>three different rivers, the Nanjang, the dad and the Queen

0:20:07.720 --> 0:20:11.360
<v Speaker 1>Ye rivers. Yeah, And in reading about this, I came

0:20:11.400 --> 0:20:14.840
<v Speaker 1>across what appears to be some kind of popular legend

0:20:14.920 --> 0:20:17.440
<v Speaker 1>about Hi Tong's quest to get the Buddha build This

0:20:17.520 --> 0:20:19.320
<v Speaker 1>was good, so I had to repeat it, but I

0:20:19.359 --> 0:20:21.399
<v Speaker 1>want to, but I want to stress this is the

0:20:21.400 --> 0:20:24.879
<v Speaker 1>best I can synthesize from scattered and discrepant telling. So

0:20:24.920 --> 0:20:27.959
<v Speaker 1>this is probably probably legendary, might not even be an

0:20:27.960 --> 0:20:30.679
<v Speaker 1>old legend. Who knows if this was created recently, but

0:20:30.720 --> 0:20:34.560
<v Speaker 1>here's what people are saying. So Hi Tong in this

0:20:34.600 --> 0:20:36.760
<v Speaker 1>story knew that it would cost a lot of money

0:20:36.800 --> 0:20:40.199
<v Speaker 1>to get the Buddha built, and he traveled far and

0:20:40.280 --> 0:20:44.440
<v Speaker 1>wide soliciting alms for the construction, and slowly, over time

0:20:44.440 --> 0:20:46.800
<v Speaker 1>he built up a fund. He managed to get together

0:20:46.920 --> 0:20:49.359
<v Speaker 1>enough money for the stone works and the carving. But

0:20:49.440 --> 0:20:52.000
<v Speaker 1>at some point in the project, Hi Tong was called

0:20:52.040 --> 0:20:55.560
<v Speaker 1>to an audience with a corrupt government official with a

0:20:55.680 --> 0:21:00.320
<v Speaker 1>Richard Nixon, you know who told him Hi Tong, it's

0:21:00.359 --> 0:21:03.240
<v Speaker 1>time to hand over the funds, and Hi Tong said,

0:21:03.240 --> 0:21:05.720
<v Speaker 1>I'd rather give up my eyes than give up the

0:21:05.720 --> 0:21:08.879
<v Speaker 1>Great Buddha. And when the corrupt official pressed him to

0:21:08.880 --> 0:21:12.199
<v Speaker 1>give him the money, Hi Tong gouged out his own eyes,

0:21:12.359 --> 0:21:14.239
<v Speaker 1>or one of his own eyes and threw them at

0:21:14.240 --> 0:21:17.240
<v Speaker 1>the officials feet, and supposedly this got the guy to

0:21:17.320 --> 0:21:21.280
<v Speaker 1>leave him alone. Now again with my morning. I've seen

0:21:21.359 --> 0:21:24.719
<v Speaker 1>various versions of this story told and retold across sources,

0:21:24.760 --> 0:21:28.080
<v Speaker 1>but I can't locate an authoritative original source from this.

0:21:28.160 --> 0:21:31.639
<v Speaker 1>So I'm going to file this under probably legendary, whether

0:21:31.680 --> 0:21:34.960
<v Speaker 1>it's an old legend, or a recent creation is unclear,

0:21:35.720 --> 0:21:37.520
<v Speaker 1>and I think that even if it is, even if

0:21:37.560 --> 0:21:41.199
<v Speaker 1>it is a recent addition to the legend, uh, this

0:21:41.240 --> 0:21:44.520
<v Speaker 1>will be something that ties into our further discussions of

0:21:44.560 --> 0:21:48.560
<v Speaker 1>the Buddha here in a bit. Okay, now, earlier I

0:21:48.560 --> 0:21:50.200
<v Speaker 1>talked to what we mentioned sud hard to got him

0:21:50.200 --> 0:21:52.760
<v Speaker 1>as the historic Buddha, and I alluded to the existence

0:21:52.760 --> 0:21:56.400
<v Speaker 1>of other Buddhas that are that are important as well.

0:21:57.040 --> 0:22:00.000
<v Speaker 1>So let's go ahead and get that out of the way. Uh,

0:22:00.200 --> 0:22:03.119
<v Speaker 1>this is not a statue the grand Buddha here is

0:22:03.119 --> 0:22:06.320
<v Speaker 1>not a statue of Gottama. So it's not trying to

0:22:06.400 --> 0:22:10.680
<v Speaker 1>be a depiction of that historical guy. Correct. So while

0:22:10.720 --> 0:22:15.119
<v Speaker 1>Gottama is the historic Buddha, Buddhism recognized as many different Buddhists.

0:22:15.200 --> 0:22:19.120
<v Speaker 1>For instance, in uh their Veda Buddhism, there twenty seven

0:22:19.119 --> 0:22:22.720
<v Speaker 1>Buddhist who preceded Gotama. Then you also have other important

0:22:22.760 --> 0:22:26.160
<v Speaker 1>Buddhis like the medicine Buddha is tremendously important. If you've

0:22:26.160 --> 0:22:30.240
<v Speaker 1>ever been to the the met in New York, in

0:22:30.320 --> 0:22:34.159
<v Speaker 1>their Asian section, they have an enormous mural on the

0:22:34.200 --> 0:22:37.359
<v Speaker 1>wall and it depicts the medicine Buddha and then we

0:22:37.440 --> 0:22:40.600
<v Speaker 1>have the Buddha that is actually depicted here, and that

0:22:40.920 --> 0:22:45.160
<v Speaker 1>is my Trea, the Buddha of the future. Oh boy, yeah,

0:22:45.440 --> 0:22:47.960
<v Speaker 1>this is a really exciting Buddha. And some of you

0:22:48.040 --> 0:22:51.280
<v Speaker 1>might remember some mention of my Trea from the self

0:22:51.680 --> 0:22:54.720
<v Speaker 1>Embalming Buddhist Monks episode we did a while back, and

0:22:54.960 --> 0:22:57.359
<v Speaker 1>that that has to do with a Japanese practice, but

0:22:57.680 --> 0:23:01.720
<v Speaker 1>it also involved my Trea. So according to some traditions,

0:23:02.200 --> 0:23:05.560
<v Speaker 1>my Trea is going to come to Earth five point

0:23:05.640 --> 0:23:09.080
<v Speaker 1>six billion years in the future. And until then, whoa

0:23:08.880 --> 0:23:12.760
<v Speaker 1>whoa five point six billions. Yes, is there's still gonna

0:23:12.760 --> 0:23:15.800
<v Speaker 1>be an Earth in five point six billion years, there's

0:23:15.800 --> 0:23:19.520
<v Speaker 1>gonna be something that my Treya can visit. So I

0:23:19.520 --> 0:23:21.439
<v Speaker 1>don't know, you can go kind of sci fi crazy

0:23:21.440 --> 0:23:23.040
<v Speaker 1>with this in a minute, like maybe we're all living

0:23:23.080 --> 0:23:25.920
<v Speaker 1>on a on a spaceship a colony ship at that point,

0:23:26.080 --> 0:23:28.920
<v Speaker 1>but my trayer will find us. That's that's my read

0:23:28.960 --> 0:23:33.760
<v Speaker 1>on it, well the future exactly. So until he's needed,

0:23:33.760 --> 0:23:36.399
<v Speaker 1>he's gonna reside in the in in a in a

0:23:36.560 --> 0:23:40.040
<v Speaker 1>in a heaven, a sort of a a Buddhist heaven

0:23:40.200 --> 0:23:43.239
<v Speaker 1>that's set aside from my reality and h and you

0:23:43.280 --> 0:23:46.600
<v Speaker 1>can sort of think of him as a Buddha messiah. Yeah,

0:23:46.640 --> 0:23:49.600
<v Speaker 1>I suppose, and that he'll he'll eventually bring Dharma back

0:23:49.640 --> 0:23:52.119
<v Speaker 1>to a far future world that is mostly forgotten it.

0:23:53.320 --> 0:23:55.720
<v Speaker 1>So it's pretty exciting. My trey of factors into a

0:23:55.760 --> 0:23:58.280
<v Speaker 1>number of different artistic depictions. So if you go to

0:23:58.320 --> 0:24:01.600
<v Speaker 1>a museum of am zem of of Buddhist art or

0:24:01.720 --> 0:24:04.280
<v Speaker 1>or or Asian art, there's a very good chance you

0:24:04.320 --> 0:24:07.359
<v Speaker 1>will encounter my trea at least a few times. What

0:24:07.560 --> 0:24:11.280
<v Speaker 1>is the most commonly depicted Buddha? Do you know? You

0:24:11.280 --> 0:24:14.480
<v Speaker 1>know it's gonna it's gonna depend. I think, like I've

0:24:15.240 --> 0:24:16.840
<v Speaker 1>I have to admit that when I was when I

0:24:16.880 --> 0:24:19.200
<v Speaker 1>was younger, I definitely fall into the category of thinking

0:24:19.200 --> 0:24:21.119
<v Speaker 1>there was just a Buddha, and you would see of

0:24:21.280 --> 0:24:24.560
<v Speaker 1>sometimes Buddha is is, you know, fat and happy, and

0:24:24.640 --> 0:24:29.280
<v Speaker 1>sometimes Buddha is starved and and kind of a solemn looking. Uh.

0:24:29.840 --> 0:24:33.520
<v Speaker 1>But they're gonna be They're gonna be different emphasis and

0:24:33.640 --> 0:24:38.320
<v Speaker 1>different cultures. And then sometimes things we meant casually think

0:24:38.359 --> 0:24:41.480
<v Speaker 1>of as being Buddhas are actually bodhisattvas, which is kind

0:24:41.480 --> 0:24:43.800
<v Speaker 1>of you know, a notch lower or and then sometimes

0:24:43.880 --> 0:24:48.000
<v Speaker 1>their their depictions of important you know, monk figures. But

0:24:48.080 --> 0:24:50.919
<v Speaker 1>I know that you do encounter my Trea, the medicine Buddha,

0:24:51.080 --> 0:24:54.320
<v Speaker 1>and and uh, the historic Buddha got him a quite

0:24:54.320 --> 0:24:58.040
<v Speaker 1>a bit, so the Grand Buddha. Here this depiction of

0:24:58.080 --> 0:25:02.560
<v Speaker 1>my Trea. It it is eventually completed ninety years after

0:25:02.600 --> 0:25:05.960
<v Speaker 1>it started. By that point, Hi Tong has has died.

0:25:06.800 --> 0:25:09.400
<v Speaker 1>And uh, and the story about the blinding, even if

0:25:09.440 --> 0:25:14.119
<v Speaker 1>that didn't happen exactly as as the story indicates, it

0:25:14.160 --> 0:25:17.080
<v Speaker 1>does seem that there were there were points where funding

0:25:17.160 --> 0:25:20.760
<v Speaker 1>stalled out, where work ceased, and thus this uh, this

0:25:21.040 --> 0:25:25.720
<v Speaker 1>long process of actually finishing the statue. But of course,

0:25:25.760 --> 0:25:28.199
<v Speaker 1>now that it's finished, we really do have kind of

0:25:28.320 --> 0:25:31.200
<v Speaker 1>uh would you call it a sort of wonder of

0:25:31.240 --> 0:25:33.720
<v Speaker 1>the world on our hands. Yeah. I mean that's important

0:25:33.760 --> 0:25:35.720
<v Speaker 1>thing to keep in mind of when you because we

0:25:35.760 --> 0:25:37.919
<v Speaker 1>often think of what that the Seven Wonders of the

0:25:37.960 --> 0:25:41.120
<v Speaker 1>world um ancient or the ancient world. And of course

0:25:41.160 --> 0:25:45.120
<v Speaker 1>they were based on knowledge of the ancient world by

0:25:45.119 --> 0:25:48.880
<v Speaker 1>by individuals at the time, which tended to exclude anything

0:25:48.880 --> 0:25:52.440
<v Speaker 1>that was happening in Asia. It was it was confined

0:25:52.480 --> 0:25:54.720
<v Speaker 1>to a different region of the world and in a

0:25:54.760 --> 0:25:57.400
<v Speaker 1>number of those things aren't even around anymore. They're even

0:25:57.480 --> 0:26:00.080
<v Speaker 1>questions about whether some of them existed to begin in

0:26:00.160 --> 0:26:02.480
<v Speaker 1>with UM, I have long thought we should just we

0:26:02.480 --> 0:26:05.200
<v Speaker 1>should do an episode or a series of episodes on

0:26:05.240 --> 0:26:08.000
<v Speaker 1>each of the seven Wonders of the Ancient World and

0:26:08.040 --> 0:26:11.800
<v Speaker 1>discuss like what they what they were, slash are, what

0:26:12.000 --> 0:26:15.520
<v Speaker 1>happened to them and UH and and why people were

0:26:15.520 --> 0:26:17.560
<v Speaker 1>so invested in them at at the time. But but

0:26:17.640 --> 0:26:20.120
<v Speaker 1>that's for another episode. Yeah, but if you were to

0:26:20.119 --> 0:26:23.800
<v Speaker 1>to actually take in the Wonders of the world and

0:26:23.960 --> 0:26:26.800
<v Speaker 1>UH and do a complete you know, overview and take

0:26:26.880 --> 0:26:29.040
<v Speaker 1>in all regions of the Earth, I feel like the

0:26:29.320 --> 0:26:31.240
<v Speaker 1>Lea Shawn Budda would would would have to be on

0:26:31.320 --> 0:26:34.159
<v Speaker 1>there because it's a tremendous work of sculpture and the

0:26:34.200 --> 0:26:39.480
<v Speaker 1>body content actually contains a drainage system to prevent weathering

0:26:39.560 --> 0:26:42.720
<v Speaker 1>to a certain extent, So there are spiral coils and

0:26:43.000 --> 0:26:47.200
<v Speaker 1>cross drainage systems like built into its surface that helped

0:26:47.200 --> 0:26:49.879
<v Speaker 1>to drain water away from it. And again this is

0:26:49.880 --> 0:26:53.280
<v Speaker 1>because this is an area that is UM is frequented

0:26:53.280 --> 0:26:59.240
<v Speaker 1>by seasonal flooding, tremendous rainfall is a very temporary climate. Okay, well,

0:26:59.280 --> 0:27:02.440
<v Speaker 1>if high Tong Skull was to calm the angry river

0:27:02.520 --> 0:27:06.320
<v Speaker 1>gods and put a Buddha in there to pacify the

0:27:07.480 --> 0:27:11.600
<v Speaker 1>hateful waters of the river in the rain season, did

0:27:11.600 --> 0:27:15.200
<v Speaker 1>it work. Well? That's one of the really fascinating aspects

0:27:15.200 --> 0:27:18.320
<v Speaker 1>of this story is that, according to too many, it

0:27:18.359 --> 0:27:22.400
<v Speaker 1>did work. Now, how did it work? Well, That's that's

0:27:22.440 --> 0:27:25.399
<v Speaker 1>where it gets interesting. That if it actually worked in

0:27:25.440 --> 0:27:29.240
<v Speaker 1>calming the waters beneath its gaze, the likely reason for

0:27:29.320 --> 0:27:33.040
<v Speaker 1>this is probably because you had over the decades, you

0:27:33.040 --> 0:27:35.720
<v Speaker 1>have all of this excavation, and this is dumping so

0:27:35.840 --> 0:27:40.040
<v Speaker 1>much surplus rock into the river hollows below that it

0:27:40.080 --> 0:27:43.080
<v Speaker 1>actually has an effect on the flow of the river.

0:27:43.320 --> 0:27:47.119
<v Speaker 1>Like you're you're remaking the mountain, your remake, You're remaking

0:27:47.160 --> 0:27:50.920
<v Speaker 1>the environment surrounding the mountain, and in doing so, you're

0:27:50.960 --> 0:27:54.960
<v Speaker 1>remaking the river. You're sort of inadvertently um altering the

0:27:54.960 --> 0:27:58.080
<v Speaker 1>flow of the river. Huh. Now, I have some skepticism

0:27:58.080 --> 0:28:00.920
<v Speaker 1>there because the river is huge. I mean, it's if

0:28:00.960 --> 0:28:04.560
<v Speaker 1>you see pictures of it as a gigantic waterway. So

0:28:04.600 --> 0:28:07.320
<v Speaker 1>I would think it would take a great amount of

0:28:07.359 --> 0:28:10.880
<v Speaker 1>deposits to change the river fundamentally. I can believe more

0:28:10.920 --> 0:28:15.840
<v Speaker 1>that it would change like local areas of the river. Yeah. Um,

0:28:15.920 --> 0:28:19.440
<v Speaker 1>And I think that when I think the individuals that

0:28:19.480 --> 0:28:22.760
<v Speaker 1>are making that that argument are are definitely focusing like

0:28:22.800 --> 0:28:25.240
<v Speaker 1>on the filling in of the hollows within the river

0:28:25.680 --> 0:28:29.280
<v Speaker 1>and and affecting the very localized nature of it. I

0:28:29.280 --> 0:28:31.159
<v Speaker 1>think if you get into anything beyond that, then you're

0:28:31.200 --> 0:28:33.440
<v Speaker 1>getting into kind of magical mythic thinking. You know, we

0:28:33.520 --> 0:28:36.719
<v Speaker 1>built a statue so big that the surplus rock, you know,

0:28:36.880 --> 0:28:39.760
<v Speaker 1>change the earth. All right. So when we first started

0:28:39.760 --> 0:28:41.600
<v Speaker 1>out this episode, we asked the question why would you

0:28:41.640 --> 0:28:44.560
<v Speaker 1>build a statue? And the best answer I think we

0:28:44.560 --> 0:28:46.719
<v Speaker 1>would come up with is you want you want this

0:28:46.880 --> 0:28:50.880
<v Speaker 1>idea or this person to u to last forever, to

0:28:50.880 --> 0:28:54.680
<v Speaker 1>to live forever. And so in building the Grand Buddha,

0:28:54.800 --> 0:28:56.840
<v Speaker 1>the ideas, yeah, this is gonna be around for a

0:28:56.920 --> 0:28:59.280
<v Speaker 1>long time. Maybe it's even gonna be long enough, uh

0:28:59.600 --> 0:29:03.160
<v Speaker 1>that the actual Maitrea can visit it and say, hey,

0:29:03.200 --> 0:29:06.560
<v Speaker 1>that's me up there. But as it turns as the

0:29:06.880 --> 0:29:08.560
<v Speaker 1>I don't think the statute is gonna make it five

0:29:08.560 --> 0:29:10.360
<v Speaker 1>billion years. I don't. I don't think it is either,

0:29:10.680 --> 0:29:12.920
<v Speaker 1>because because that's the thing about any kind of stone work,

0:29:12.960 --> 0:29:16.600
<v Speaker 1>any kind of sculpture, is that, yes, they do tend

0:29:16.600 --> 0:29:20.480
<v Speaker 1>to last longer than living human beings. But in is

0:29:20.520 --> 0:29:22.760
<v Speaker 1>when you when you start having this thing live within

0:29:22.880 --> 0:29:26.280
<v Speaker 1>geologic time. Uh, you know, don't expect a whole lot

0:29:26.480 --> 0:29:29.520
<v Speaker 1>because you have all of these eroding effects in the

0:29:29.600 --> 0:29:32.000
<v Speaker 1>natural world, and they're not going to leave your statue

0:29:32.040 --> 0:29:35.600
<v Speaker 1>alone just because it's not technically a mountain anymore. Right,

0:29:35.640 --> 0:29:38.440
<v Speaker 1>I mean, there used to be continents in places where

0:29:38.520 --> 0:29:42.000
<v Speaker 1>there now are not continents, and vice versa. Uh. The earth,

0:29:42.080 --> 0:29:44.960
<v Speaker 1>the face of the Earth is constantly changing, and so

0:29:45.320 --> 0:29:48.600
<v Speaker 1>while a stone statue might last a very long time,

0:29:49.400 --> 0:29:52.760
<v Speaker 1>probably much longer than many other creations of humankind, it's

0:29:52.760 --> 0:29:55.400
<v Speaker 1>not gonna last forever. Right. You're gonna have you gonna

0:29:55.400 --> 0:29:58.880
<v Speaker 1>have wind, You're gonna have rain, You're gonna have also

0:29:59.160 --> 0:30:01.360
<v Speaker 1>an issue with the the sculptures are gonna have you know,

0:30:01.440 --> 0:30:04.280
<v Speaker 1>plant life growing in and on it, in it around it,

0:30:04.400 --> 0:30:06.440
<v Speaker 1>which I would now say is one of the coolest

0:30:06.480 --> 0:30:10.360
<v Speaker 1>features of the Grand Buddha. You see pictures of it.

0:30:10.360 --> 0:30:13.040
<v Speaker 1>It's not only receding into the mountains, so in this

0:30:13.160 --> 0:30:16.320
<v Speaker 1>hollow in the cliff face, but it's also got all

0:30:16.360 --> 0:30:19.920
<v Speaker 1>this green coming out around it, So it's being absorbed

0:30:19.920 --> 0:30:22.440
<v Speaker 1>by the landscape in more way than one. It's sinking

0:30:22.480 --> 0:30:25.320
<v Speaker 1>into the mountain or emerging from a recess in the mountain,

0:30:25.640 --> 0:30:30.040
<v Speaker 1>but it's also emerging from the biosphere almost or sinking

0:30:30.040 --> 0:30:32.680
<v Speaker 1>into the biosphere. Oh yeah, I mean it adds the natural,

0:30:32.920 --> 0:30:35.320
<v Speaker 1>natural wonder of it. But at the same level, it's

0:30:35.360 --> 0:30:37.160
<v Speaker 1>kind of like having a bunch of the English ivy

0:30:37.200 --> 0:30:39.240
<v Speaker 1>grow up the side of your house. On one level

0:30:39.240 --> 0:30:41.240
<v Speaker 1>it looks really nice, but on the other you have

0:30:41.320 --> 0:30:45.680
<v Speaker 1>plants like growing on and into your your stonework. Um.

0:30:45.720 --> 0:30:48.480
<v Speaker 1>Now another important factor here, as we mentioned how many

0:30:48.760 --> 0:30:50.280
<v Speaker 1>a lot of people go to it as a popular

0:30:50.320 --> 0:30:54.680
<v Speaker 1>tourist destination. Uh I was reading in a Lonely Planet

0:30:54.680 --> 0:30:58.600
<v Speaker 1>guide for China that if you're gonna visit the Grand Buddha,

0:30:58.760 --> 0:31:00.560
<v Speaker 1>it's best not to even try to go on a

0:31:00.600 --> 0:31:04.040
<v Speaker 1>weekend or a holiday because the stairs around it becomes

0:31:04.040 --> 0:31:06.840
<v Speaker 1>so packed with tourists that you can't even move. It

0:31:06.960 --> 0:31:09.560
<v Speaker 1>just comes to a standstill. Now, of course, anytime you've

0:31:09.600 --> 0:31:12.000
<v Speaker 1>got lots of people visiting something, that's going to be

0:31:12.080 --> 0:31:15.880
<v Speaker 1>a risk to the preservation of the people touching things. People.

0:31:16.160 --> 0:31:18.200
<v Speaker 1>Hopefully they're not gonna be able to touch too much

0:31:18.240 --> 0:31:20.240
<v Speaker 1>of it here because you can't get out there and

0:31:20.240 --> 0:31:24.160
<v Speaker 1>climb on his nose. Um. But yeah, I mean somehow

0:31:24.200 --> 0:31:27.120
<v Speaker 1>exposure to people, I think it's gonna start wearing at

0:31:27.160 --> 0:31:31.040
<v Speaker 1>you and human erosion takes place. Another thing I just

0:31:31.120 --> 0:31:34.280
<v Speaker 1>have to mention now that you you talked about tourists

0:31:34.360 --> 0:31:39.000
<v Speaker 1>surviving is I watched a homemade video on YouTube that

0:31:39.080 --> 0:31:41.920
<v Speaker 1>I found of a family visiting the Buddha at a

0:31:41.960 --> 0:31:45.160
<v Speaker 1>time when there was intense flooding in the river just

0:31:45.280 --> 0:31:47.560
<v Speaker 1>under it, so like the waters were rushing by and

0:31:47.600 --> 0:31:50.400
<v Speaker 1>they were rising up to just below the platform where

0:31:50.400 --> 0:31:54.160
<v Speaker 1>the Buddhist feet are, and this family paid somebody to

0:31:54.280 --> 0:31:57.160
<v Speaker 1>get them out to the statue even though it was

0:31:57.280 --> 0:32:00.320
<v Speaker 1>dangerous weather and it was flooding, And there's this video

0:32:00.360 --> 0:32:04.720
<v Speaker 1>on YouTube of them just walking around with almost nobody there. Yeah. Yeah,

0:32:04.880 --> 0:32:07.280
<v Speaker 1>that is apparently not the usual scene on a on

0:32:07.320 --> 0:32:09.920
<v Speaker 1>a weekend at the Grand Buddha. Now, on top of

0:32:10.000 --> 0:32:14.440
<v Speaker 1>natural erosion human erosion, there's also the added threat of pollution,

0:32:14.520 --> 0:32:16.120
<v Speaker 1>which will we'll get into a little bit more in

0:32:16.160 --> 0:32:19.800
<v Speaker 1>a bit. But yeah, you have with the with the

0:32:19.880 --> 0:32:24.960
<v Speaker 1>with the the rise and continued rise of industrialized human civilization.

0:32:25.560 --> 0:32:29.959
<v Speaker 1>You're gonna have both natural and man made the features

0:32:30.000 --> 0:32:32.240
<v Speaker 1>of the earth that are going to be affected by

0:32:32.280 --> 0:32:35.560
<v Speaker 1>by by all the resulting pollution. Yeah, in particular, there's

0:32:35.600 --> 0:32:38.040
<v Speaker 1>a there's like a blackening that occurs on some of

0:32:38.040 --> 0:32:40.240
<v Speaker 1>these statues. So you'll have your you know, your your

0:32:40.360 --> 0:32:44.840
<v Speaker 1>your statue of of of a Buddha, and then over time,

0:32:44.880 --> 0:32:47.080
<v Speaker 1>like there's like a blackening of the nose as if

0:32:47.280 --> 0:32:49.760
<v Speaker 1>you know, as if the nose is rotting away or something,

0:32:50.200 --> 0:32:53.080
<v Speaker 1>and you know, at the very least it's it's not

0:32:53.200 --> 0:32:56.680
<v Speaker 1>maybe not the artist's intention or the for the sculpture.

0:32:56.920 --> 0:32:59.000
<v Speaker 1>I hate to see that happen to this great old

0:32:59.000 --> 0:33:01.880
<v Speaker 1>work of art. But that's also kind of cool. So

0:33:01.960 --> 0:33:06.479
<v Speaker 1>I was, I was reading about preservation UH for this

0:33:06.640 --> 0:33:11.160
<v Speaker 1>UH for this Buddha and other like sacred sites, various

0:33:11.280 --> 0:33:15.160
<v Speaker 1>UH sculptures in China. There was an article titled Conservation

0:33:15.280 --> 0:33:17.960
<v Speaker 1>of Ancient Sites on the Silk Road, Proceedings of an

0:33:18.000 --> 0:33:21.720
<v Speaker 1>International Conference on Conservation of Grotto Sites, and this was

0:33:21.760 --> 0:33:25.640
<v Speaker 1>These were symposium proceedings by one Neville Agnew. This was

0:33:25.680 --> 0:33:29.160
<v Speaker 1>published in nineteen seven, so it's a it's a slightly

0:33:29.320 --> 0:33:32.680
<v Speaker 1>older overview, but it still has a lot of important details.

0:33:33.120 --> 0:33:37.760
<v Speaker 1>So in particular concerning the Grand Buddha, he mentions that

0:33:37.760 --> 0:33:42.480
<v Speaker 1>that this sculpture benefited from multiple restorations over the years,

0:33:42.520 --> 0:33:45.440
<v Speaker 1>so we're not really seeing the original version of it, right,

0:33:45.480 --> 0:33:48.400
<v Speaker 1>That's something to keep in mind. So just going back

0:33:48.400 --> 0:33:51.560
<v Speaker 1>to the earliest traces that that he reverences in his article,

0:33:51.840 --> 0:33:53.560
<v Speaker 1>So if you go back to the Queen dynasty, that's

0:33:53.560 --> 0:33:57.680
<v Speaker 1>the sixty six through nineteen twelve documents indicated the sculpture

0:33:57.800 --> 0:34:00.920
<v Speaker 1>was heavily damaged at the time, so it had cavities

0:34:01.000 --> 0:34:04.120
<v Speaker 1>in the face, kind of like the Sphinx or something. Yeah,

0:34:04.160 --> 0:34:06.160
<v Speaker 1>it was just it had it had you know, the

0:34:06.240 --> 0:34:08.920
<v Speaker 1>upkeep had not prevented the face from kind of crumbling

0:34:08.920 --> 0:34:12.120
<v Speaker 1>apart in places. And then by the time you come

0:34:12.120 --> 0:34:14.719
<v Speaker 1>to the Republic of China era that's nineteen twelve and

0:34:14.880 --> 0:34:19.160
<v Speaker 1>ninety nine, photos show that it had been inaccurately restored.

0:34:19.400 --> 0:34:22.479
<v Speaker 1>So they fixed this is a problem where their holes

0:34:22.480 --> 0:34:24.120
<v Speaker 1>in the face. Then you fix the face and well,

0:34:24.239 --> 0:34:26.480
<v Speaker 1>now the face looks a little different than it did before.

0:34:27.080 --> 0:34:31.440
<v Speaker 1>Then by the nineteen sixties you have significant maintenance that's

0:34:31.480 --> 0:34:33.600
<v Speaker 1>taking place. It's altering the nose, the eyes of the

0:34:33.600 --> 0:34:37.240
<v Speaker 1>mouth and the lower jaw of the Buddha, and Agnew

0:34:37.360 --> 0:34:39.560
<v Speaker 1>argues that in light of all of this, it might

0:34:40.200 --> 0:34:42.359
<v Speaker 1>perhaps be better not to restore the Buddha at all.

0:34:42.480 --> 0:34:45.640
<v Speaker 1>Like if you were if you're essentially each time you're

0:34:45.640 --> 0:34:47.680
<v Speaker 1>restoring it, you're kind of making it a little different,

0:34:47.680 --> 0:34:50.480
<v Speaker 1>You're making it new each time. Like are you actually

0:34:51.200 --> 0:34:55.839
<v Speaker 1>preserving an ancient statue or you are you, you know,

0:34:56.200 --> 0:34:59.360
<v Speaker 1>keeping up a modern statue that's sort of based on

0:34:59.400 --> 0:35:02.680
<v Speaker 1>the base of something old. Yeah, I think that's a

0:35:02.719 --> 0:35:06.680
<v Speaker 1>common question in restoration. Actually, I mean you're always going

0:35:06.719 --> 0:35:09.840
<v Speaker 1>to have deterioration, and is it better to allow things

0:35:09.880 --> 0:35:13.080
<v Speaker 1>to deteriorate and let people see them in that state

0:35:13.680 --> 0:35:19.319
<v Speaker 1>or two falsely alter them to restore them. Well, you know,

0:35:19.360 --> 0:35:22.240
<v Speaker 1>I mean which is more authentic? Yeah, Like, for instance,

0:35:22.280 --> 0:35:26.520
<v Speaker 1>in the West, Uh, the Parthenon is an example of this.

0:35:26.760 --> 0:35:30.440
<v Speaker 1>So the Parthenon is severely damaged, but there's there's a

0:35:30.480 --> 0:35:32.480
<v Speaker 1>history to that damage. You can and I mean it's

0:35:32.480 --> 0:35:36.080
<v Speaker 1>a fascinating history in terms of who has who has

0:35:36.120 --> 0:35:40.160
<v Speaker 1>ownership at a given time, the very the violence that's

0:35:40.160 --> 0:35:44.440
<v Speaker 1>been that that has occurred there, etcetera. We could get

0:35:44.480 --> 0:35:47.680
<v Speaker 1>into the whole history and another another podcast. But but

0:35:47.760 --> 0:35:49.520
<v Speaker 1>there is, you know, an ongoing discussion. Well, do you

0:35:49.640 --> 0:35:52.320
<v Speaker 1>do you completely restore the Parthenon and then create create

0:35:52.400 --> 0:35:55.160
<v Speaker 1>this kind of new thing that is based on the

0:35:55.160 --> 0:35:57.960
<v Speaker 1>old model and certainly an attempt to to rebuild the

0:35:58.000 --> 0:36:01.880
<v Speaker 1>old Parthenon? Or do you maintain what's currently there and

0:36:01.880 --> 0:36:04.960
<v Speaker 1>tell the story of how we got there. My my

0:36:05.080 --> 0:36:08.160
<v Speaker 1>answer would be anybody out there listening, if I can

0:36:08.200 --> 0:36:10.840
<v Speaker 1>make the decision, you believe it how it is, but

0:36:10.920 --> 0:36:13.640
<v Speaker 1>then you build a copy of it somewhere else. So

0:36:13.760 --> 0:36:15.600
<v Speaker 1>like with the parthen On, we've got the Parthenon in

0:36:15.680 --> 0:36:19.160
<v Speaker 1>Nashville tells yes. And I think that's not a bad approach.

0:36:19.280 --> 0:36:22.080
<v Speaker 1>You know, you you you let it be as it is,

0:36:22.120 --> 0:36:24.439
<v Speaker 1>and let time take it and let's see what time

0:36:24.440 --> 0:36:26.520
<v Speaker 1>has done do it, but then you do your best

0:36:26.560 --> 0:36:29.080
<v Speaker 1>to create a model of what it would have been

0:36:29.200 --> 0:36:32.640
<v Speaker 1>like in another place. Now, I will point out that

0:36:32.680 --> 0:36:35.200
<v Speaker 1>with the Grand Buddha in the late ninety nineties, you

0:36:35.200 --> 0:36:37.880
<v Speaker 1>did see an increased focus on the best ways to

0:36:38.000 --> 0:36:40.680
<v Speaker 1>restore the Buddha, but do so in ways that we're

0:36:40.719 --> 0:36:45.600
<v Speaker 1>both scientifically and historically sound, So essentially reaching the point

0:36:45.600 --> 0:36:48.560
<v Speaker 1>where you realize, Okay, what can we do that will

0:36:48.920 --> 0:36:52.400
<v Speaker 1>you know, maintain what we have, help protect it, restore

0:36:52.440 --> 0:36:55.040
<v Speaker 1>areas that are damaged, but also be true to the

0:36:55.520 --> 0:37:00.799
<v Speaker 1>history of the sculpture. So in uh intwo thousand one,

0:37:00.960 --> 0:37:04.759
<v Speaker 1>according to to Reuter's News, there was actually a two

0:37:05.120 --> 0:37:07.760
<v Speaker 1>fifty million one or the thirty three point six million

0:37:07.800 --> 0:37:11.200
<v Speaker 1>restoration project that took place at the Buddha. But by

0:37:11.440 --> 0:37:14.719
<v Speaker 1>two thousand seven, the nose it actually blackened again due

0:37:14.760 --> 0:37:19.240
<v Speaker 1>to pollution, and concerns over pollution actually prompted local government,

0:37:19.880 --> 0:37:22.640
<v Speaker 1>the local government to shut down factories and power plants

0:37:22.640 --> 0:37:25.400
<v Speaker 1>close to the statue to help maintain it, which I

0:37:25.400 --> 0:37:29.439
<v Speaker 1>think is a positive movement, like people realizing, look, if

0:37:29.520 --> 0:37:31.759
<v Speaker 1>we we have to we have to actually cut down

0:37:31.840 --> 0:37:34.279
<v Speaker 1>on the we have to tackle the pollution problem if

0:37:34.320 --> 0:37:39.360
<v Speaker 1>we we want these these artifacts to to remain presentable.

0:37:39.640 --> 0:37:42.600
<v Speaker 1>I feel like that is not usually the solution you

0:37:42.680 --> 0:37:47.840
<v Speaker 1>hear is shutting down heavy industry to protect uh, you know,

0:37:48.239 --> 0:37:52.720
<v Speaker 1>heritage monuments or or the environment. Well, uh, the Reuter's article,

0:37:52.880 --> 0:37:54.480
<v Speaker 1>you know, touches on the fact that this, you know,

0:37:54.520 --> 0:37:57.200
<v Speaker 1>this was not an isolated problem. Was the state was

0:37:57.560 --> 0:38:01.640
<v Speaker 1>encountering this with with numerous you know, sacred and important

0:38:01.719 --> 0:38:05.839
<v Speaker 1>historical sites, various shrines, etcetera. But hey, it's still there.

0:38:06.200 --> 0:38:08.640
<v Speaker 1>It's uh, it's still open, and it is a popular

0:38:08.680 --> 0:38:12.040
<v Speaker 1>touristist destination. And based on what I was reading, you know,

0:38:12.200 --> 0:38:14.879
<v Speaker 1>you can spend a good half day there looking at

0:38:15.040 --> 0:38:18.440
<v Speaker 1>an additional sites, temples, and the natural environment is is

0:38:18.480 --> 0:38:21.479
<v Speaker 1>supposedly a really pleasant as well. Yeah, if you see

0:38:21.480 --> 0:38:24.719
<v Speaker 1>pictures of it, one of the things you'll notice is

0:38:25.360 --> 0:38:29.080
<v Speaker 1>this tiny narrow staircase carved into the cliff side beside

0:38:29.080 --> 0:38:31.120
<v Speaker 1>the Buddha going up the side of it, So I

0:38:31.160 --> 0:38:34.879
<v Speaker 1>guess people can get up higher to be near its face. Um,

0:38:35.200 --> 0:38:37.560
<v Speaker 1>and it. I mean, one thing that's clear is how

0:38:37.600 --> 0:38:40.080
<v Speaker 1>many people want to come see this, this beautiful work

0:38:40.080 --> 0:38:44.120
<v Speaker 1>of art. But also they're so tiny and they look

0:38:44.160 --> 0:38:46.960
<v Speaker 1>so precarious when you see these long shots of the

0:38:47.000 --> 0:38:50.279
<v Speaker 1>giant Buddha. Not that the Buddha would do this, but

0:38:50.400 --> 0:38:52.240
<v Speaker 1>you can imagine it would just sort of like swing

0:38:52.320 --> 0:38:55.320
<v Speaker 1>its hand up and like knock hundreds of people in

0:38:55.400 --> 0:38:58.000
<v Speaker 1>the river. Well, you know, you can't help but think

0:38:58.040 --> 0:39:01.560
<v Speaker 1>of that when you see a colossal stone tighten uh

0:39:01.640 --> 0:39:04.239
<v Speaker 1>in the lightness of a man. All Right, We're gonna

0:39:04.280 --> 0:39:06.360
<v Speaker 1>take one more break and we come back. I just

0:39:06.400 --> 0:39:09.880
<v Speaker 1>have a few additional thoughts about, to a certain extent,

0:39:09.920 --> 0:39:12.920
<v Speaker 1>the Grand Buddha, but also just this idea of of

0:39:13.000 --> 0:39:20.080
<v Speaker 1>remaking the earth and then what happens when we do so.

0:39:20.120 --> 0:39:22.160
<v Speaker 1>I think one of the most compelling aspects of the

0:39:22.200 --> 0:39:26.080
<v Speaker 1>gram Buddha is that we see the mountain transformed into

0:39:26.080 --> 0:39:28.560
<v Speaker 1>a human lightness, and in doing so there are all

0:39:28.680 --> 0:39:32.880
<v Speaker 1>these ramifications to the natural environment. So there's the the

0:39:32.920 --> 0:39:36.640
<v Speaker 1>alleged alteration of the river, the alteration of drainage on

0:39:36.680 --> 0:39:39.040
<v Speaker 1>the mountain, and of course you know, these are just

0:39:39.080 --> 0:39:42.480
<v Speaker 1>small and specific examples of what human beings have done

0:39:43.080 --> 0:39:47.640
<v Speaker 1>just across the UH, the anthropathy and epoch. The idea

0:39:47.760 --> 0:39:50.640
<v Speaker 1>that since the rise of of of agricultural really but

0:39:50.680 --> 0:39:52.840
<v Speaker 1>certainly in the industrial age as well, we have just

0:39:53.040 --> 0:39:55.880
<v Speaker 1>reshaped the earth and in doing so we have changed

0:39:55.920 --> 0:39:59.160
<v Speaker 1>the natural environment. That makes me wonder, I mean, how

0:39:59.200 --> 0:40:02.319
<v Speaker 1>do how the boot plays into that metaphor what do

0:40:02.360 --> 0:40:05.080
<v Speaker 1>you think is the general UH? And you might not

0:40:05.160 --> 0:40:07.040
<v Speaker 1>know the answer, but what what do you think is

0:40:07.080 --> 0:40:11.919
<v Speaker 1>the general environmental outlook of Buddhism? Is there a coherent one? Well?

0:40:12.040 --> 0:40:14.200
<v Speaker 1>I know, for a fact. I think I might have

0:40:14.239 --> 0:40:17.080
<v Speaker 1>mentioned this on a previous episode, but there was there

0:40:17.160 --> 0:40:19.399
<v Speaker 1>was a wonderful New York Times article that came out

0:40:20.040 --> 0:40:25.400
<v Speaker 1>in recent weeks about the resurgence of religious interest in

0:40:25.520 --> 0:40:28.880
<v Speaker 1>China specifically. So it's people turning not not just to Buddhism,

0:40:28.960 --> 0:40:34.239
<v Speaker 1>but also Daoism and Confucism and in sort of reclaiming uh,

0:40:34.320 --> 0:40:40.240
<v Speaker 1>culturally important Chinese religious models, they're also taking on environmental causes.

0:40:40.800 --> 0:40:44.800
<v Speaker 1>So they are they are finding and an environmental message

0:40:44.800 --> 0:40:49.840
<v Speaker 1>in Buddhism, in Taoism, in Confucianism, and then becoming active

0:40:49.880 --> 0:40:53.480
<v Speaker 1>with that within uh, with within you know, within China

0:40:53.880 --> 0:40:57.480
<v Speaker 1>and UH and and arguing for uh, you know, environmental

0:40:57.560 --> 0:41:01.759
<v Speaker 1>protective measures. It's hard not to see the Buddha as

0:41:01.840 --> 0:41:06.400
<v Speaker 1>somehow more harmonious with nature in this in this depiction

0:41:06.480 --> 0:41:10.320
<v Speaker 1>than something say like Mount Rushmore, because as we mentioned

0:41:10.320 --> 0:41:13.560
<v Speaker 1>of the way the greenery tends to surround it, like green,

0:41:13.840 --> 0:41:16.680
<v Speaker 1>maybe just moss and stuff like that is creeping into

0:41:17.040 --> 0:41:18.839
<v Speaker 1>some of the surfaces on the statue. But you can

0:41:18.840 --> 0:41:21.800
<v Speaker 1>also just see these tree branches and the forest beyond

0:41:22.239 --> 0:41:24.960
<v Speaker 1>trying to creep in and surround the Buddha like a

0:41:25.719 --> 0:41:27.880
<v Speaker 1>I don't know, Like when you see the cartoon where

0:41:28.200 --> 0:41:31.520
<v Speaker 1>snow White is surrounded by chirping birds and things, it's

0:41:31.600 --> 0:41:34.640
<v Speaker 1>like the the very life of the forest itself is

0:41:34.680 --> 0:41:37.960
<v Speaker 1>coming in to hug and honor the Buddha. Yeah. Well,

0:41:38.960 --> 0:41:41.120
<v Speaker 1>it reminds me of something we I guess it was

0:41:41.200 --> 0:41:43.480
<v Speaker 1>the episode of Biophilia where we talked about some of this.

0:41:43.800 --> 0:41:46.120
<v Speaker 1>You know, I think you can my read on on

0:41:46.160 --> 0:41:47.759
<v Speaker 1>it is that if you if you look to any

0:41:47.760 --> 0:41:53.160
<v Speaker 1>major religion, I think you can find environmental trends within it,

0:41:53.280 --> 0:41:56.719
<v Speaker 1>environmental messages within it. But as with any religion, it

0:41:56.719 --> 0:42:01.680
<v Speaker 1>depends on who's handling it right, who's who's who's manipulating

0:42:01.719 --> 0:42:04.280
<v Speaker 1>it in some cases, or who is delivering the message

0:42:04.360 --> 0:42:09.400
<v Speaker 1>of it. And and therefore any faith can take a

0:42:09.760 --> 0:42:13.920
<v Speaker 1>you know, a less environmental form. Yeah, the the dominion

0:42:14.040 --> 0:42:17.200
<v Speaker 1>over the earth mentality versus the harmony with the earth

0:42:17.239 --> 0:42:21.120
<v Speaker 1>mentality or the preservation of the earth mentality. Yeah, I mean,

0:42:21.640 --> 0:42:24.560
<v Speaker 1>it's it's very possible someone out there is making Buddhist

0:42:24.640 --> 0:42:30.360
<v Speaker 1>arguments for for the removal of environmental regulations. But but

0:42:30.520 --> 0:42:32.440
<v Speaker 1>I have not personally run across it. If you have

0:42:32.520 --> 0:42:35.080
<v Speaker 1>run across the listener send it in because I would

0:42:35.120 --> 0:42:38.840
<v Speaker 1>love to have that that that added perspective. But in

0:42:38.920 --> 0:42:41.880
<v Speaker 1>terms of just reshaping the earth, and it's worth pointing

0:42:41.880 --> 0:42:44.880
<v Speaker 1>out that, yeah, all major powers have done it and

0:42:44.960 --> 0:42:47.080
<v Speaker 1>continue to do it, so you know, we can look

0:42:47.120 --> 0:42:49.960
<v Speaker 1>to examples of reshaped mountains and damned rivers here in

0:42:49.960 --> 0:42:52.919
<v Speaker 1>the United States. But I but I also can't help

0:42:52.920 --> 0:42:56.640
<v Speaker 1>but think of the Zai Pin Poo damn, which is

0:42:56.760 --> 0:43:00.719
<v Speaker 1>actually located in Sichuan Province as well. And this was

0:43:00.840 --> 0:43:03.080
<v Speaker 1>this is a large scale damn that some scientists have.

0:43:03.200 --> 0:43:07.280
<v Speaker 1>You know, they've connected the dots here between it's massive

0:43:07.320 --> 0:43:10.640
<v Speaker 1>reshaping of the earth and some deadly earthquakes that have

0:43:10.640 --> 0:43:13.799
<v Speaker 1>occurred in the region. Really, I'm always curious about the

0:43:13.840 --> 0:43:19.120
<v Speaker 1>extent to which people can actually uh trace human behavior

0:43:19.239 --> 0:43:22.279
<v Speaker 1>to the causation of earthquakes. I'm not saying I never

0:43:22.320 --> 0:43:25.920
<v Speaker 1>believe it happens, but I'm always curious, like, how, how,

0:43:26.080 --> 0:43:28.319
<v Speaker 1>how with how much confidence can we really say that

0:43:28.440 --> 0:43:31.560
<v Speaker 1>something we did caused an earthquake? Do you think scientists

0:43:31.560 --> 0:43:34.320
<v Speaker 1>are pretty certain here? Well, it's something we could definitely

0:43:34.480 --> 0:43:36.879
<v Speaker 1>discuss in a in a later episode, like really break

0:43:36.920 --> 0:43:38.880
<v Speaker 1>it apart. I mean, the scientists who are who are

0:43:39.200 --> 0:43:42.080
<v Speaker 1>who are arguing that this is taking place. Uh. But

0:43:42.239 --> 0:43:43.640
<v Speaker 1>so what we're talking about here is I'm sure they

0:43:43.640 --> 0:43:45.200
<v Speaker 1>know better than I do. I don't mean to cast

0:43:45.400 --> 0:43:47.600
<v Speaker 1>out on that. Well, it's it's not a it's not

0:43:47.640 --> 0:43:51.040
<v Speaker 1>a fringe science by any sense, any sense, but it is. Uh.

0:43:51.160 --> 0:43:56.840
<v Speaker 1>It's known as reservoir induced size mesticity. Okay. So the

0:43:56.840 --> 0:43:59.600
<v Speaker 1>the idea is that you have rapid changes in water

0:43:59.640 --> 0:44:04.640
<v Speaker 1>pressure or caused by flood, seasonal flood, changes in reservoir levels,

0:44:05.000 --> 0:44:09.239
<v Speaker 1>and this can activate already shaky ground and trigger an earthquake. So,

0:44:09.280 --> 0:44:12.880
<v Speaker 1>for instance, the most famous example of this is that

0:44:12.960 --> 0:44:16.160
<v Speaker 1>the three gorgeous damn in China, the huge thing. Yeah,

0:44:16.400 --> 0:44:18.319
<v Speaker 1>so this is a massive So you end up with

0:44:18.360 --> 0:44:20.560
<v Speaker 1>a of course, the way Damn's work, I think everybody's

0:44:20.560 --> 0:44:22.440
<v Speaker 1>familiar with this. You dam or river and you end

0:44:22.520 --> 0:44:26.319
<v Speaker 1>up with water on one side, reservoir of water, and

0:44:26.320 --> 0:44:28.319
<v Speaker 1>that's you control the flow. Yeah, and that's that's a

0:44:28.360 --> 0:44:30.680
<v Speaker 1>massive amount of water. It's a massive change. I mean

0:44:30.680 --> 0:44:33.480
<v Speaker 1>it's a change in mass and uh. And so the

0:44:33.520 --> 0:44:36.759
<v Speaker 1>idea with the three gorges here is that this this

0:44:36.920 --> 0:44:40.640
<v Speaker 1>reservoir ends up setting on two major fault lines and uh,

0:44:40.680 --> 0:44:43.839
<v Speaker 1>and that that can actually affect seismic activity. So it's

0:44:43.840 --> 0:44:47.000
<v Speaker 1>not it's not a situation where it you can't really

0:44:47.000 --> 0:44:50.319
<v Speaker 1>say it alone is causing the earthquake, but it is

0:44:50.400 --> 0:44:53.880
<v Speaker 1>influencing the factors that that are at play in the

0:44:53.920 --> 0:44:58.040
<v Speaker 1>causation of earthquakes. That's the argument. And well, tentatively I

0:44:58.080 --> 0:45:00.359
<v Speaker 1>believe it. I was speaking out of ignorance. No, no no, no,

0:45:00.680 --> 0:45:02.600
<v Speaker 1>I mean, it's the kind of thing we could take

0:45:02.600 --> 0:45:05.520
<v Speaker 1>apart in a later episode, for sure. But in the

0:45:05.560 --> 0:45:09.279
<v Speaker 1>case of the Zaiping Poo damn, this is a three

0:45:09.320 --> 0:45:14.120
<v Speaker 1>hundred and fifteen million ton water reservoir, and it lies

0:45:14.200 --> 0:45:17.680
<v Speaker 1>about five fifty yards from a fault line uh and

0:45:17.880 --> 0:45:21.640
<v Speaker 1>three miles from the epicenter of the Sichuan earthquake that

0:45:21.760 --> 0:45:25.600
<v Speaker 1>killed at least reported eighty thousand people in two thousand eight.

0:45:26.000 --> 0:45:29.320
<v Speaker 1>And that those stats are according to the Telegraph food

0:45:29.320 --> 0:45:32.520
<v Speaker 1>for for thought. Nobody's blaming this in the Buddha, don't

0:45:32.560 --> 0:45:35.319
<v Speaker 1>get me wrong, But and and I naturally, I don't

0:45:35.360 --> 0:45:37.080
<v Speaker 1>want I don't want to argue that there's a one

0:45:37.120 --> 0:45:40.040
<v Speaker 1>to one comparison to be made between uh, you know,

0:45:40.280 --> 0:45:42.840
<v Speaker 1>carving a sculpture out of a mountain and creating a

0:45:42.920 --> 0:45:45.879
<v Speaker 1>you know, a massive reservoir via the construction of a damn.

0:45:46.160 --> 0:45:49.520
<v Speaker 1>But I think they both demonstrate this human ability and

0:45:49.600 --> 0:45:53.160
<v Speaker 1>desire to to remake the world and then how we

0:45:53.280 --> 0:45:56.160
<v Speaker 1>end up rediscovering the fragility of the world in the

0:45:56.200 --> 0:45:58.959
<v Speaker 1>process and realizing that, Yeah, when you when you change

0:45:59.000 --> 0:46:01.440
<v Speaker 1>the shape of a mountain, that's gonna have an impact.

0:46:01.560 --> 0:46:04.000
<v Speaker 1>When you create this massive reservoir, it's going to have

0:46:04.000 --> 0:46:06.839
<v Speaker 1>an impact because in the case of of of a

0:46:06.880 --> 0:46:10.640
<v Speaker 1>massive reservoir created via dam you also have to count

0:46:10.680 --> 0:46:13.440
<v Speaker 1>in pollution because you have water flowing into areas that

0:46:13.960 --> 0:46:17.920
<v Speaker 1>we're not uh previously submerged, and that might mean you

0:46:18.160 --> 0:46:23.200
<v Speaker 1>are introducing uh, existing pollutants into the water. You have

0:46:23.400 --> 0:46:26.680
<v Speaker 1>can have landslides, mud slides, weather changes, you have this

0:46:26.840 --> 0:46:30.200
<v Speaker 1>uh what's called is the lake effect, so decreasing rainfall

0:46:30.280 --> 0:46:34.480
<v Speaker 1>in the area around the reservoir. Uh, there's a decrease

0:46:34.480 --> 0:46:36.880
<v Speaker 1>there while there's an increase in rainfall in the surrounding

0:46:36.880 --> 0:46:39.480
<v Speaker 1>mountain regions. On top of that, you can have drought,

0:46:39.719 --> 0:46:42.319
<v Speaker 1>you can have a species loss, and you can have

0:46:42.640 --> 0:46:45.359
<v Speaker 1>the loss of historical relics as you know, in an

0:46:45.360 --> 0:46:48.440
<v Speaker 1>area that was you know, previously above water is now

0:46:48.520 --> 0:46:51.799
<v Speaker 1>below water on you know, for the life of the dam. Yeah,

0:46:51.840 --> 0:46:54.640
<v Speaker 1>that's something I've rarely even considered as a consequence of

0:46:54.760 --> 0:46:58.080
<v Speaker 1>damming rivers. We actually have a how Stuff Works dot

0:46:58.120 --> 0:47:00.640
<v Speaker 1>Com article on the topic, so have to link to

0:47:00.719 --> 0:47:03.320
<v Speaker 1>that as well on the landing page for this episode.

0:47:03.360 --> 0:47:05.799
<v Speaker 1>It's stuff to blow your mind dot Com. All right,

0:47:05.840 --> 0:47:08.080
<v Speaker 1>So there you have it, a little you know, introduction

0:47:08.239 --> 0:47:11.719
<v Speaker 1>into I think one of the more remarkable UH statues

0:47:11.719 --> 0:47:14.000
<v Speaker 1>in the world, one that I have not seen in person,

0:47:14.080 --> 0:47:15.920
<v Speaker 1>but one day I would. I would very much like to.

0:47:16.080 --> 0:47:19.200
<v Speaker 1>Maybe I can convince UH work to send me there.

0:47:20.760 --> 0:47:23.560
<v Speaker 1>I'm glad you brought this up, Robert. I I've I

0:47:23.560 --> 0:47:25.920
<v Speaker 1>didn't really know anything about the statue going in, and

0:47:26.239 --> 0:47:28.440
<v Speaker 1>I think it's a fascinating work of art, and I

0:47:28.719 --> 0:47:31.600
<v Speaker 1>too would like to see it one day. So how

0:47:31.640 --> 0:47:33.640
<v Speaker 1>about you out there again? We'd love to hear from

0:47:33.680 --> 0:47:36.879
<v Speaker 1>anyone who has UH, who has actually ventured out and

0:47:36.880 --> 0:47:39.680
<v Speaker 1>and seen the Grand Buddha in person. What were your impressions,

0:47:40.000 --> 0:47:42.840
<v Speaker 1>What do you think of the surrounding area, What do

0:47:42.840 --> 0:47:45.880
<v Speaker 1>you think about other massive works of sculpture, you know,

0:47:45.920 --> 0:47:48.239
<v Speaker 1>bet a freestanding sculpture or something carved out of the

0:47:48.280 --> 0:47:50.360
<v Speaker 1>side of a mountain. What kind of effect did it

0:47:50.480 --> 0:47:54.560
<v Speaker 1>have on you? I'm wondering what great works of art

0:47:54.719 --> 0:47:57.680
<v Speaker 1>are going to be, you know, great great sculptures that

0:47:57.760 --> 0:48:01.239
<v Speaker 1>exist today or will exist soon, are going to be

0:48:01.360 --> 0:48:06.840
<v Speaker 1>visited by tourists in another years. Like, what's the Grand

0:48:06.840 --> 0:48:12.080
<v Speaker 1>Buddha that was built recently? Huh? I guess the Grand

0:48:12.080 --> 0:48:14.720
<v Speaker 1>Buddha of the future. But not the Buddha of the future,

0:48:14.840 --> 0:48:18.120
<v Speaker 1>not the Ma Trea. Okay, sorry, I'm being confusing. What

0:48:18.120 --> 0:48:20.360
<v Speaker 1>what what's the sculpture out there today that people are

0:48:20.400 --> 0:48:24.040
<v Speaker 1>going to be coming to with this much intensity more

0:48:24.080 --> 0:48:25.799
<v Speaker 1>than a thousand years from now. Well, there are some

0:48:25.920 --> 0:48:28.879
<v Speaker 1>very large statues in the United States that I don't

0:48:28.880 --> 0:48:30.879
<v Speaker 1>think get a lot of press because they're just such

0:48:31.040 --> 0:48:35.360
<v Speaker 1>recent constructions. I want to say, there's a it's a

0:48:35.800 --> 0:48:40.839
<v Speaker 1>in Florida. There is a pegasus battling a dragon. And

0:48:40.920 --> 0:48:42.800
<v Speaker 1>it's why I want to say, it's like the second

0:48:42.960 --> 0:48:46.399
<v Speaker 1>or third largest statue in the United States. But it's

0:48:46.440 --> 0:48:50.359
<v Speaker 1>not historic. It's it's a very recent creation and it's

0:48:50.360 --> 0:48:52.640
<v Speaker 1>just a dragon in a pegasus. So I don't know,

0:48:52.680 --> 0:48:55.360
<v Speaker 1>maybe people will grow more attached to it and and

0:48:55.480 --> 0:48:58.160
<v Speaker 1>it will. It will become like a something we're truly

0:48:58.160 --> 0:49:00.400
<v Speaker 1>proud of, and we'll start putting it on money or something.

0:49:01.080 --> 0:49:03.200
<v Speaker 1>But for the time being, I guess you know, the

0:49:03.360 --> 0:49:05.520
<v Speaker 1>Statue of Liberty, amount rushmore of these are still going

0:49:05.560 --> 0:49:07.680
<v Speaker 1>to be the big attractions here in the United States

0:49:07.880 --> 0:49:10.120
<v Speaker 1>until we build that five thousand foot Nixon we've been

0:49:10.120 --> 0:49:13.200
<v Speaker 1>talking about. So head on over to Stuff to Blow

0:49:13.200 --> 0:49:15.040
<v Speaker 1>your Mind dot com. That's the mothership. That's where we

0:49:15.040 --> 0:49:17.920
<v Speaker 1>will find all the podcast episodes. You will find blog

0:49:17.960 --> 0:49:21.200
<v Speaker 1>post videos, and links out to our social media accounts

0:49:21.200 --> 0:49:25.840
<v Speaker 1>such as Twitter, Facebook, Tumbler, Instagram, you name it. Facebook

0:49:25.880 --> 0:49:27.920
<v Speaker 1>is a great place to check us out though, especially

0:49:27.920 --> 0:49:31.080
<v Speaker 1>since we have a new discussion module group that is

0:49:31.120 --> 0:49:32.680
<v Speaker 1>set up and that's just a place where you can

0:49:32.960 --> 0:49:35.799
<v Speaker 1>you can chime in with some longer form comments on

0:49:35.880 --> 0:49:38.919
<v Speaker 1>recent episodes, uh and stir up and discussion with other

0:49:38.960 --> 0:49:43.080
<v Speaker 1>listeners and even your your humble hosts here, uh, you know,

0:49:43.120 --> 0:49:45.799
<v Speaker 1>without it just being you know, instantly lost in that

0:49:46.120 --> 0:49:49.480
<v Speaker 1>Facebook timeline. Yeah. So, if you're interested, request to join,

0:49:49.640 --> 0:49:51.239
<v Speaker 1>and of course, if you want to get in touch

0:49:51.280 --> 0:49:53.879
<v Speaker 1>with us directly, as always, you can do it the

0:49:53.920 --> 0:49:57.800
<v Speaker 1>old fashioned way and email us at blow the mind

0:49:57.960 --> 0:50:10.440
<v Speaker 1>at how stepf works dot com for more illness and

0:50:10.560 --> 0:50:13.120
<v Speaker 1>thousands of other topics. Does it? How stuff works dot

0:50:13.120 --> 0:50:25.080
<v Speaker 1>Com the biggest