WEBVTT - SYSK Selects: How Haunted House Attractions Work

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<v Speaker 1>M Hey everybody, it's me your old friend Josh. And

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<v Speaker 1>for this week's s Y s K SELEC, since we're

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<v Speaker 1>nearing Halloween, I chose a wonderful little episode from two

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<v Speaker 1>thousand and fourteen called How Haunted House Attractions Work full disclosure.

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<v Speaker 1>I was thinking that this one's going to be boring,

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<v Speaker 1>but to my surprise, it was not. So I hope

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<v Speaker 1>you enjoy it as much as I surprisingly did. Welcome

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<v Speaker 1>to Stuff You Should Know, a production of I Heart

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<v Speaker 1>Radios How Stuff Works. Hey, and welcome to the podcast.

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<v Speaker 1>I'm Josh Clark. There's Charles w Chuck Bryant, and Jerry

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<v Speaker 1>and this is Stuff you Should Know. The pre Halloween

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<v Speaker 1>Spooktacular week of uh dark content. Although this isn't super dark. No,

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<v Speaker 1>this isn't you know about attractions haunted attractions? Right, I'm dark?

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<v Speaker 1>Although thank I don't want to spoil it, but there

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<v Speaker 1>are some darkness. Now, is it dark or not? It's dark,

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<v Speaker 1>but not all of them, just just the really creepy ones.

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<v Speaker 1>So it's made mid level dark. What a train wreck

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<v Speaker 1>this is. So for those of you who tuned in

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<v Speaker 1>thinking that we're talking about haunted houses, sorry to let

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<v Speaker 1>you down real haunted houses, uh, of which there may

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<v Speaker 1>or may not be a thing. All the skeptics were like, shoot,

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<v Speaker 1>this I wanted to ye, this is just about attractions. Yeah,

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<v Speaker 1>these things are proven to exist. They are real because

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<v Speaker 1>you can probably if you live near any kind of

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<v Speaker 1>major metropolitan area, you can probably find one somewhere in

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<v Speaker 1>your town. I think you can find them almost anywhere.

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<v Speaker 1>If you live in a major metropolitan area, that maybe

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<v Speaker 1>one of those really big daddy ones. But chances are

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<v Speaker 1>your small town has some form of haunted attraction, even

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<v Speaker 1>if it's the local uh if it's for charity and

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<v Speaker 1>they're trying to raise money for the local j c's

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<v Speaker 1>and it's uh it up in like a school gymnasium,

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<v Speaker 1>or there's enthusiasts home haunters, um, and they will they

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<v Speaker 1>basically set up a haunted house in their backyard. Yeah.

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<v Speaker 1>There's some documentary about two guys that are I don't

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<v Speaker 1>know if they do haunted houses or just take their

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<v Speaker 1>Halloween um decorating two extremes. Well, I think that's one

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<v Speaker 1>and the same for a home haunter. Yeah, I think

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<v Speaker 1>they're they're competing guys though in the same street that uh,

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<v Speaker 1>someone did a documentary on because they just keep like

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<v Speaker 1>ramping it up and ramping it up, have become obsessed

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<v Speaker 1>without doing one another. But I don't know what's called,

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<v Speaker 1>so it just came to me right now. Me either,

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<v Speaker 1>But um, you do make a good point how haunted

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<v Speaker 1>houses are everywhere. Apparently in two thousand fourteen, they expect

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<v Speaker 1>they being the American Retail Federation who likes to put

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<v Speaker 1>out statistics and figures about holidays, um, they expect thirty

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<v Speaker 1>three million people to go into haunted houses across the

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<v Speaker 1>United States. Yeah, about four thousand of them of which

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<v Speaker 1>are the pay some money to go in professionally. Uh,

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<v Speaker 1>about three in theme parks like you know, like amusement parks.

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<v Speaker 1>And then about three thousand of them are the charity

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<v Speaker 1>ones that I spoke of, right, which you'll still pay.

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<v Speaker 1>But they they're not They're not going to the fat

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<v Speaker 1>Cat Coke Brothers or whatever. The profits aren't there going

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<v Speaker 1>to you know, your local community organization. Yeah, and those

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<v Speaker 1>are fun, you know, you might get some light scares,

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<v Speaker 1>it's not like these, um, the really super scary ones

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<v Speaker 1>where you pay good money to, um, you know, to

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<v Speaker 1>leave your body and wet your pants. Just one more

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<v Speaker 1>one more, um, little bit of of data statistics if

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<v Speaker 1>you know mine some numbers talk about roll reverse. Remember

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<v Speaker 1>you used to be static, guy, I know, I got

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<v Speaker 1>so bored it. Um. In two thousand and fourteen, again,

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<v Speaker 1>the National Retail Federation expects Americans to spend eighty seven

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<v Speaker 1>dollars per person on Halloween, for a total of seven

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<v Speaker 1>point four billion dollars. Yeah, that's right behind Christmas, right

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<v Speaker 1>behind Christmas. People love getting their scare on, they really do.

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<v Speaker 1>I don't decorate at all anymore at the house, just

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<v Speaker 1>because I think I've talked about this before. We don't

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<v Speaker 1>have trick or treaters on my area of the street,

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<v Speaker 1>so it just seems kind of pointless. Oh yeah, you know,

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<v Speaker 1>I mean, what is the point at that point? There

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<v Speaker 1>is no point. Emily thinks we could do it for

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<v Speaker 1>people that drive by during the month of October, like,

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<v Speaker 1>you know, to see the house. But I don't know, man,

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<v Speaker 1>you gotta you gotta whatever you put up, you gotta

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<v Speaker 1>take down that. And plus it's like you get no

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<v Speaker 1>satisfaction from somebody driving by a sound like they honk

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<v Speaker 1>at your declarations. With little kids coming up and trick

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<v Speaker 1>or treating, there's some sort of payoff, I guess to

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<v Speaker 1>your your effort, right, that's right, scarring them for life.

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<v Speaker 1>All right? So, um, let's talk the history of this,

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<v Speaker 1>because it turns out that haunted house attractions are relatively new,

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<v Speaker 1>but they're probably not as new as trick or treating

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<v Speaker 1>in the United States? Did you know that? Not as new?

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<v Speaker 1>So they predate trick or treating by a little bit. Yeah, yeah,

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<v Speaker 1>that makes sense. And when we look at um. At first,

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<v Speaker 1>when I read some of this history, the ancient history,

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<v Speaker 1>I was like, come on, this is from Fangoria magazine,

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<v Speaker 1>by the way, o us. But then when I started

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<v Speaker 1>really getting into us, like you know what, there's actually

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<v Speaker 1>it actually did pave the way for what we see

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<v Speaker 1>today in like ancient Egypt. To keep people from grave robbing, Basically,

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<v Speaker 1>they would uh make little scary things like trap doors

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<v Speaker 1>and um snakes and creepy insects and things to keep

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<v Speaker 1>people away from robbing their ancestries, their ancestors graves. They

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<v Speaker 1>put an old lady in a rocking chair who would

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<v Speaker 1>go behold the ravages of age? What's that from the Simpsons? Okay? Uh?

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<v Speaker 1>Greeks and Romans um uh kind of paved the way

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<v Speaker 1>as well. They had um mazes and labyrinths set up

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<v Speaker 1>with monsters and things. Even more than that, even more directly,

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<v Speaker 1>they started stage effects. Yeah, like fake blood and things

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<v Speaker 1>like that. Yeah, Um, they they And that's where a

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<v Speaker 1>lot of this stuff finds its roots is in early

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<v Speaker 1>stage special effects. Yeah, it was, and it's still his

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<v Speaker 1>theater when you come down to it. It's just like

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<v Speaker 1>an interactive participatory theater, right that you walk through. And

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<v Speaker 1>then the the Dark Ages, that Medieval Ages. I think

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<v Speaker 1>the Dark Ages, the Medieval Ages are part of the

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<v Speaker 1>Dark Ages, but they're not one and the same. But

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<v Speaker 1>during the Dark Ages, um, the the introduction of well,

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<v Speaker 1>the syncretism between Christianity and Paganism that led to the

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<v Speaker 1>adoption of Halloween, um kind of saw rise to this,

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<v Speaker 1>uh basically a scare show. Yeah, these little plays that

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<v Speaker 1>would scare people into meaning pious and remaining on the

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<v Speaker 1>narrow path, right, which is still very big today. It's

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<v Speaker 1>made a huge comeback. Um. But these these scare shows,

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<v Speaker 1>if you want to call him that, I'm pretty sure

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<v Speaker 1>that's not what they call them during the Dark Ages,

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<v Speaker 1>but they were. They featured plenty of gore and fake

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<v Speaker 1>blood and violence, and Um, so the the the people

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<v Speaker 1>who went to saw see him weren't necessarily going for

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<v Speaker 1>the religious message. They were going to you know, be

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<v Speaker 1>grossed out right and get a kick. Yeah. Uh. During

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<v Speaker 1>the Renaissance, Shakespeare was famous for um incorporating like demons

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<v Speaker 1>and ghosts and monsters in his plays. He loved those.

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<v Speaker 1>And in the eighteen hundreds, We've talked about this before,

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<v Speaker 1>there was a big rise in spiritualists and conjuring sessions

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<v Speaker 1>and mediums and fortune telling and communicating with the dead

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<v Speaker 1>was like a really popular thing during the Victorian era,

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<v Speaker 1>so it was debunking it. Yeah, that's true. Um. The

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<v Speaker 1>Victorian era also gave us um the wax museum, Yeah,

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<v Speaker 1>which very quickly went from celebrities to include scary stuff too.

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<v Speaker 1>So you could walk through a wax museum and while

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<v Speaker 1>the stuff didn't move or jump out at you, you

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<v Speaker 1>would come across like some sort of tableau of you know,

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<v Speaker 1>Dr Jekyl and Mr Hyde and like kind of a

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<v Speaker 1>room and it was scary and lit oddly, and you

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<v Speaker 1>were meant to The intention was to scare you, even

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<v Speaker 1>though it wasn't. Again, there wasn't an overt scare or startle.

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<v Speaker 1>It was something that definitely laid the groundwork for haunted

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<v Speaker 1>houses to come. They were to instill dread in the

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<v Speaker 1>hearts of all. Uh. John Pepper invented something, um pretty

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<v Speaker 1>neat in the eighteen hundreds. It was, uh sort of

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<v Speaker 1>set up where here where you use mirrors to appear translucent.

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<v Speaker 1>If you've ever been to Disney's Haunted Mansion. Um, I

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<v Speaker 1>think Pepper's ghost is what they call. It is still

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<v Speaker 1>a trick they used to. Uh, you know, it's when

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<v Speaker 1>you it's like a hologram sort of smoking mirrors. Yeah,

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<v Speaker 1>but using mirrors, right, It's not like the Tuopoc hologram.

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<v Speaker 1>Wasn't high tech like that. No, but it still looks

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<v Speaker 1>pretty awesome, that's right. The twentieth century, then, Chuck is

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<v Speaker 1>where we really find the progenitors of the modern haunted house.

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<v Speaker 1>The dark Rides. And there's this really neat um article

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<v Speaker 1>on Collector's Weekly. You ever read any of their stuff.

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<v Speaker 1>They write a lot of really cool long form articles

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<v Speaker 1>about like stuff that's come and gone, like all dads

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<v Speaker 1>and things, And one of them was, um, it's called jeepers, creepers.

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<v Speaker 1>Why dark Rides scare the pants off of us. But

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<v Speaker 1>the Collector's Weekly article, it's an interview with the guy

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<v Speaker 1>who collects old dark rides stuff. But dark rides were

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<v Speaker 1>like if you went to some rinky dink amusement park

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<v Speaker 1>or whatever. They couldn't afford to have a roller coaster,

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<v Speaker 1>but they could afford a little dark building with the

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<v Speaker 1>walls painted black inside and a little train track or

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<v Speaker 1>maybe a little boat or something that roade you through,

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<v Speaker 1>and all of a sudden a skeleton popped out of

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<v Speaker 1>the wall, or you know this, the a strobe light

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<v Speaker 1>went off or something like that. And these were the

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<v Speaker 1>direct progenitors of, uh, the Haunted House. Yeah, and between

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<v Speaker 1>that and the traveling freak shows, um, it really, like

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<v Speaker 1>you said, everything was in place, and a couple that

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<v Speaker 1>with the fact that a lot of these houses from

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<v Speaker 1>the eighteen hundreds were starting to crumble and there was,

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<v Speaker 1>you know, narry a neighborhood that didn't have some creepy

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<v Speaker 1>old vacant house. And to keep their kids out, you know,

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<v Speaker 1>people would say, parents would say, you know that place,

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<v Speaker 1>you don't want to go in there, Well, it's all

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<v Speaker 1>on it because you may not come out, which is

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<v Speaker 1>that was an interesting point that I definitely wasn't aware of. Yeah,

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<v Speaker 1>but the if you think of the modern conception of

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<v Speaker 1>when you think of a haunted house, what comes to

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<v Speaker 1>mind typically is uh dilapidated old Victorian mansion with a

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<v Speaker 1>story around it. You know, it's never just like, oh yeah,

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<v Speaker 1>that was where Mr Johnson, that he was a farmer

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<v Speaker 1>and kind of a good guy, died quietly asleep. No

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<v Speaker 1>reports of his ghost at all. That well, what's probably

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<v Speaker 1>funny is that was the real story. But what you

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<v Speaker 1>heard was that he killed his family and had their

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<v Speaker 1>name written on each knife blade. Um, that's what I heard.

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<v Speaker 1>The first official recorded haunted attraction according to this person

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<v Speaker 1>who wrote this article in Fangoria, Beckham McKendry. He says

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<v Speaker 1>that Orton and Spooner, the Orton and Spooner ghost House

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<v Speaker 1>in the UK uh and the Edwardian Fair in nineteen

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<v Speaker 1>fifteen was the first UH like genuine haunted attraction. Yep,

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<v Speaker 1>that was the first ghost house. And in France they

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<v Speaker 1>had something called the Grand uh guen All and um

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<v Speaker 1>that was sort of similar, I think, and around the

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<v Speaker 1>same time. So you've got that haunted house, you've got

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<v Speaker 1>the dark houses that are coming up in places like

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<v Speaker 1>Coney Island and stuff like that. And then finally you

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<v Speaker 1>have the first big time permanent haunted house as we understand,

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<v Speaker 1>to which you've already mentioned, the Haunted Mansion that that

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<v Speaker 1>was first built in the nineteen sixty nine at Disneyland,

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<v Speaker 1>and apparently it was supposed to go up at Disney

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<v Speaker 1>Oh no, it was so Disneyland, the one in California,

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<v Speaker 1>and the one in Disney World that came up in

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<v Speaker 1>the seventies, right, uh, late seventies, early eighties. I'm not sure.

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<v Speaker 1>Actually I've been to that one though, if you want

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<v Speaker 1>to know more about that stuff. Though, I think, um,

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<v Speaker 1>Stuff you missed in History class did like a whole

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<v Speaker 1>episode on the Haunted Mansion Ride. Oh Holly from Stuff

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<v Speaker 1>You miss in History Class is an absolute Haunted Mansion fanatic,

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<v Speaker 1>So I think they have a whole episode on. She

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<v Speaker 1>knows more about it than anyone, more than Walt Disney

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<v Speaker 1>himself knew, I think. But here's a little known fact

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<v Speaker 1>besides what you just said about Holly, she knows more

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<v Speaker 1>about it than Walt Disney. Um. Originally, the the Haunted

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<v Speaker 1>Mansion Ride was a walkthrough ride like today's Haunted Houses. Um.

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<v Speaker 1>But instead they found that the I guess the people,

0:13:00.520 --> 0:13:04.600
<v Speaker 1>the ushers couldn't get people on a pace easily enough

0:13:05.040 --> 0:13:07.520
<v Speaker 1>and so there'd be traffic jams and backups and everything.

0:13:07.559 --> 0:13:09.520
<v Speaker 1>So they said, we'll turn it into a dark ride.

0:13:09.559 --> 0:13:11.719
<v Speaker 1>That's what they did. Yeah, which we'll get to this later,

0:13:11.800 --> 0:13:13.959
<v Speaker 1>but that's a big part of running your own haunted

0:13:14.040 --> 0:13:18.960
<v Speaker 1>houses is the flow. Yeah. Also, the Haunted House and

0:13:19.240 --> 0:13:21.960
<v Speaker 1>the Haunted Mansion in Disney was based on the Winchester

0:13:22.080 --> 0:13:24.120
<v Speaker 1>Mystery House as far as the look. Yeah, they didn't

0:13:24.120 --> 0:13:26.920
<v Speaker 1>want to have some credit old, dilapidated psycho house in

0:13:26.920 --> 0:13:29.880
<v Speaker 1>the middle of their lovely park. So they says, well,

0:13:29.920 --> 0:13:31.480
<v Speaker 1>we can make it creepy on the inside, and let's

0:13:31.520 --> 0:13:34.520
<v Speaker 1>just make it like a really lovely Victorian on the outside. Yeah.

0:13:34.880 --> 0:13:36.839
<v Speaker 1>And if you haven't listened to that podcast on the

0:13:36.880 --> 0:13:39.080
<v Speaker 1>Winchester Mystery House, I recommend it's pretty neat this one

0:13:39.120 --> 0:13:41.280
<v Speaker 1>of ours. Yeah, yeah, man, that was a good one.

0:13:41.360 --> 0:13:45.440
<v Speaker 1>Not the Disney podcast, right. Um, So then you mentioned

0:13:45.440 --> 0:13:47.679
<v Speaker 1>that j C's Chuck and I didn't realize this, but

0:13:48.320 --> 0:13:54.439
<v Speaker 1>the idea of a semi permanent so not not located

0:13:54.440 --> 0:13:57.560
<v Speaker 1>in like an amusement park or something like that, but um,

0:13:57.679 --> 0:14:01.960
<v Speaker 1>they an annual attract action that just comes up around

0:14:02.040 --> 0:14:07.840
<v Speaker 1>Halloween and then comes down in November. November one. Um,

0:14:07.880 --> 0:14:10.200
<v Speaker 1>as far as haunted houses go in the United States

0:14:10.280 --> 0:14:13.360
<v Speaker 1>was created by the j c S, which is the

0:14:13.480 --> 0:14:17.360
<v Speaker 1>United States Junior Chamber, which is like a community organization

0:14:17.600 --> 0:14:20.680
<v Speaker 1>with chapters across the country. And in the seventies, the

0:14:20.800 --> 0:14:24.000
<v Speaker 1>j c's hit upon this idea of well, why don't

0:14:24.040 --> 0:14:27.320
<v Speaker 1>you guys create haunted houses in your town as fundraisers,

0:14:27.920 --> 0:14:30.440
<v Speaker 1>and it just took off like a rocket, and the

0:14:30.520 --> 0:14:33.840
<v Speaker 1>j CS became synonymous in the seventies and eighties and

0:14:33.920 --> 0:14:36.520
<v Speaker 1>up to the nineties with haunted houses. Like if you

0:14:36.560 --> 0:14:38.320
<v Speaker 1>went to a haunted house in your town, it was

0:14:38.360 --> 0:14:41.040
<v Speaker 1>probably put on by the local chapter of the j c's. Yeah,

0:14:41.080 --> 0:14:44.320
<v Speaker 1>I remember specifically going to some of those as a kid,

0:14:45.280 --> 0:14:48.640
<v Speaker 1>as well as my church would have their own haunted houses,

0:14:48.880 --> 0:14:54.960
<v Speaker 1>not hell houses, yeah, just vary like kid oriented minor uh,

0:14:55.160 --> 0:14:58.400
<v Speaker 1>spooks and goblins. Um, we'll get into hell houses later.

0:14:58.440 --> 0:15:00.240
<v Speaker 1>But um, even though I did go to Baptist which

0:15:00.240 --> 0:15:03.520
<v Speaker 1>it wasn't anything like that surprising. Yeah, I mean that

0:15:03.600 --> 0:15:07.400
<v Speaker 1>was before the concept of the hell house. Um. Yeah,

0:15:07.400 --> 0:15:09.360
<v Speaker 1>it was just like we would have like a Halloween carnival,

0:15:09.440 --> 0:15:13.080
<v Speaker 1>you know, bob for apples and did that little fishing

0:15:13.080 --> 0:15:15.360
<v Speaker 1>game where you get something clipped to your fishing pole

0:15:15.400 --> 0:15:20.840
<v Speaker 1>behind the curtain. It's so funny. Do you remember when

0:15:20.840 --> 0:15:23.880
<v Speaker 1>you were a kid just being like, God, this Halloween

0:15:23.920 --> 0:15:26.360
<v Speaker 1>carnival is really well done. Yeah. Man, if you go

0:15:26.440 --> 0:15:29.800
<v Speaker 1>to one as an adult, you're like, this is really junkie,

0:15:30.560 --> 0:15:33.120
<v Speaker 1>Like are these kids really falling for all this stuff?

0:15:33.120 --> 0:15:35.880
<v Speaker 1>And yeah they are. It's wonderful. Yeah. My elementary school

0:15:35.920 --> 0:15:38.680
<v Speaker 1>had a pretty rock and Halloween carnival every year too.

0:15:38.760 --> 0:15:41.440
<v Speaker 1>It was one of the highlights of my year. But um, yeah,

0:15:41.440 --> 0:15:43.960
<v Speaker 1>you're right. And now the concept of bobbing for apples,

0:15:43.960 --> 0:15:45.320
<v Speaker 1>there's no way I would put my face in that

0:15:45.360 --> 0:15:52.360
<v Speaker 1>disgusting water, you know. Yeah. Um. Anyway, out of the

0:15:52.440 --> 0:15:56.120
<v Speaker 1>j CS in there were a couple of guys from

0:15:56.200 --> 0:15:59.840
<v Speaker 1>a chapter in Bloomington, Illinois named Jim Goulden, Tom Hill

0:16:00.040 --> 0:16:03.560
<v Speaker 1>Gas and they says, you know what, let's just create

0:16:03.560 --> 0:16:08.000
<v Speaker 1>our own Haunted House book basically like a yeah, I

0:16:08.040 --> 0:16:09.280
<v Speaker 1>don't know if it was a book. Yeah, I guess

0:16:09.280 --> 0:16:11.840
<v Speaker 1>it was a book, And let's teach people how to

0:16:11.840 --> 0:16:15.120
<v Speaker 1>open these up and sell it. And they distributed about

0:16:15.120 --> 0:16:19.320
<v Speaker 1>twenty copies, and it was they formed the Haunted House

0:16:19.360 --> 0:16:23.320
<v Speaker 1>Company and it was the first real U group of

0:16:23.680 --> 0:16:26.680
<v Speaker 1>outfit to kind of just sell the plan and the

0:16:26.720 --> 0:16:29.400
<v Speaker 1>stuff that you needed, the props right, like details like

0:16:29.560 --> 0:16:33.680
<v Speaker 1>how to do special effects, a starter kit exactly. UM.

0:16:33.720 --> 0:16:36.720
<v Speaker 1>And because of the success of the j cs UH

0:16:36.760 --> 0:16:41.040
<v Speaker 1>in the seventies and eighties, private companies finally were like, oh,

0:16:41.080 --> 0:16:43.360
<v Speaker 1>we can make some cash off of this. Starting in

0:16:43.360 --> 0:16:46.080
<v Speaker 1>the nineties, and so the haunted houses that we think

0:16:46.080 --> 0:16:49.360
<v Speaker 1>of today, the sure profit ones like Another World in

0:16:49.440 --> 0:16:53.320
<v Speaker 1>Atlanta or Thirteenth Story of New Orleans is another big one.

0:16:53.840 --> 0:16:56.920
<v Speaker 1>UM that that they came out of the nineties. Do

0:16:56.960 --> 0:17:01.320
<v Speaker 1>you go to those? No interest? Yeah? Do you now?

0:17:01.560 --> 0:17:04.439
<v Speaker 1>Emily and I we still may go. She she has

0:17:04.480 --> 0:17:06.639
<v Speaker 1>a hanker in this year to go to another world

0:17:07.280 --> 0:17:09.479
<v Speaker 1>just because we haven't been to I think we went

0:17:09.520 --> 0:17:13.120
<v Speaker 1>to one in l A that was pretty decent. Um.

0:17:13.160 --> 0:17:16.400
<v Speaker 1>I'll go, I guess if she wants to. But it's

0:17:16.440 --> 0:17:18.639
<v Speaker 1>not my favorite thing. I mean, I don't I like

0:17:18.680 --> 0:17:21.160
<v Speaker 1>I like scary movies and stuff. I'm not I don't

0:17:21.160 --> 0:17:24.560
<v Speaker 1>avoid that stuff. I am depressed. Chuck on Twitter the

0:17:24.600 --> 0:17:28.560
<v Speaker 1>other day, I said the best scary movie or the

0:17:28.600 --> 0:17:31.480
<v Speaker 1>best horror movie. I haven't seen go and I have

0:17:31.600 --> 0:17:37.080
<v Speaker 1>heard of Vampire Brooklyn, Eddie Murphy, every single every single suggestion,

0:17:37.200 --> 0:17:39.960
<v Speaker 1>and there are a bunch of suggestions that everybody shot back.

0:17:40.520 --> 0:17:44.879
<v Speaker 1>So I realized I'm really running low on good horror movies.

0:17:45.080 --> 0:17:47.360
<v Speaker 1>But there they aren't around much anymore. Like the ones

0:17:47.400 --> 0:17:49.840
<v Speaker 1>that are to me, the ones that are genuinely scary

0:17:49.880 --> 0:17:53.359
<v Speaker 1>are the ones that get into your head. Um, And

0:17:53.520 --> 0:17:56.960
<v Speaker 1>I'll take a fair amount of jump scares, because that's

0:17:56.960 --> 0:17:59.280
<v Speaker 1>a part of it if it's got the tension ratcheted up.

0:18:00.080 --> 0:18:02.639
<v Speaker 1>But um, the ones these days, man, just that the

0:18:03.359 --> 0:18:06.359
<v Speaker 1>disgusting torture important thing. I'm just not into that. No,

0:18:06.560 --> 0:18:09.360
<v Speaker 1>I'm not either. It's just such an easy, cheap Yeah.

0:18:09.400 --> 0:18:13.000
<v Speaker 1>They don't scare me, just repulse me exactly, which is

0:18:13.040 --> 0:18:15.720
<v Speaker 1>a totally different sensation, you know. But that's fine if

0:18:15.720 --> 0:18:19.760
<v Speaker 1>you like to be repulsed in whatever like that's it's

0:18:19.800 --> 0:18:23.120
<v Speaker 1>great for that. But that's not true fear. It's not

0:18:23.359 --> 0:18:27.639
<v Speaker 1>um being scared necessarily, it's different. Yeah, I do have

0:18:27.680 --> 0:18:31.719
<v Speaker 1>a recommendation for you, though. It's called either the Lady

0:18:31.760 --> 0:18:33.840
<v Speaker 1>in Black or Woman in Black, and it's a it

0:18:33.920 --> 0:18:37.000
<v Speaker 1>starts a growing up Harry Potter, so it's fairly new.

0:18:37.040 --> 0:18:38.440
<v Speaker 1>I think it's that came out in the last couple

0:18:38.440 --> 0:18:41.440
<v Speaker 1>of years. Daniel Ratcliff okay, and he does a great job.

0:18:41.480 --> 0:18:45.240
<v Speaker 1>It's almost exclusively just him in the movie Lady and Black.

0:18:46.480 --> 0:18:50.879
<v Speaker 1>He does double duty. And there are some like um

0:18:51.040 --> 0:18:57.080
<v Speaker 1>like Conjuring esque style like c g I ghost graphics,

0:18:57.160 --> 0:18:59.520
<v Speaker 1>but it's not overdone, and it's not overblown, and it

0:18:59.640 --> 0:19:05.120
<v Speaker 1>is genuinely frightening ghost story. Conjuring was okay, it was okay.

0:19:05.320 --> 0:19:07.240
<v Speaker 1>This way, I would say this one might be better.

0:19:07.520 --> 0:19:09.639
<v Speaker 1>And and that guy is it I don't know if

0:19:09.640 --> 0:19:12.439
<v Speaker 1>it's Tie or t West tis his name. He's a

0:19:12.440 --> 0:19:16.560
<v Speaker 1>director that did Um The Innkeepers and oh yeah, that

0:19:16.640 --> 0:19:18.320
<v Speaker 1>was a good one too. Yeah, and then I can't

0:19:18.320 --> 0:19:20.639
<v Speaker 1>remember the did he do House of the Devil? Those

0:19:20.880 --> 0:19:22.919
<v Speaker 1>are pretty good because he's a little more old school.

0:19:23.520 --> 0:19:26.399
<v Speaker 1>He's not just trying to outgore you or shock you.

0:19:26.480 --> 0:19:29.399
<v Speaker 1>It's um. He tries to build genuine suspense. And Dread

0:19:29.480 --> 0:19:31.880
<v Speaker 1>the same guy to both of those movies. Uh not

0:19:32.040 --> 0:19:35.399
<v Speaker 1>the Conjuring, No, No, The Innkeepers and the House of

0:19:35.440 --> 0:19:37.239
<v Speaker 1>the Devil. I think so because both of those were

0:19:37.240 --> 0:19:41.040
<v Speaker 1>good movies. Yeah, they seem totally different though. Yeah, I

0:19:41.119 --> 0:19:42.960
<v Speaker 1>may be wrong in that, but Innkeepers that was a

0:19:43.240 --> 0:19:46.840
<v Speaker 1>slow burn that managed to pay off, but it took

0:19:46.880 --> 0:19:49.080
<v Speaker 1>a long time to build. That was a little slow,

0:19:49.320 --> 0:19:53.240
<v Speaker 1>Like he didn't even try to start the scares until

0:19:53.359 --> 0:19:56.120
<v Speaker 1>like thirty minutes in. Yeah, you know the lady that's

0:19:56.160 --> 0:20:00.359
<v Speaker 1>in that is uh Kelly McGillis, did you realize that? Yeah,

0:20:00.760 --> 0:20:02.080
<v Speaker 1>I didn't know till the end of the movie, it

0:20:02.119 --> 0:20:04.040
<v Speaker 1>said Kelly McGillis was like, Oh, she's got the same

0:20:04.119 --> 0:20:06.200
<v Speaker 1>name as that lady from Top Gun. Yeah, but then

0:20:06.359 --> 0:20:11.360
<v Speaker 1>it's really her. She looks so different now. So that's

0:20:11.359 --> 0:20:44.240
<v Speaker 1>our Josh and Chuck's for a movie corner. You know,

0:20:44.280 --> 0:20:46.360
<v Speaker 1>we should we should have done a Maybe next year

0:20:46.400 --> 0:20:49.280
<v Speaker 1>we'll just do one of those, like a total horror

0:20:49.320 --> 0:20:53.360
<v Speaker 1>movie talk fest. Sounds good. Those are fun. But back

0:20:53.400 --> 0:20:59.439
<v Speaker 1>to the more boring subject of haunted house attraction. Um,

0:20:59.480 --> 0:21:01.280
<v Speaker 1>the industry is huge, Like you said, there's a lot

0:21:01.280 --> 0:21:04.879
<v Speaker 1>of money to be made and uh no too. Haunted

0:21:04.920 --> 0:21:08.159
<v Speaker 1>houses are going to be alike Sometimes these folks that

0:21:08.240 --> 0:21:11.200
<v Speaker 1>opened them by an old home or something and own

0:21:11.240 --> 0:21:13.640
<v Speaker 1>it and do this every year. Sometimes they rent out

0:21:13.640 --> 0:21:16.360
<v Speaker 1>of space. Uh. The ones I've been to haven't been

0:21:16.359 --> 0:21:19.879
<v Speaker 1>in the actual space. Wasn't some like cool old house

0:21:20.000 --> 0:21:24.760
<v Speaker 1>or like a penitentiary or apparently Eastern State Penitentiary is converted.

0:21:25.040 --> 0:21:30.200
<v Speaker 1>Yes here and that is a scary, scary place. Just normal. Uh.

0:21:30.240 --> 0:21:31.840
<v Speaker 1>The only ones I've been to are the ones that

0:21:32.160 --> 0:21:34.480
<v Speaker 1>is it's like it's in a big open like a

0:21:34.520 --> 0:21:37.280
<v Speaker 1>shopping center where there used to be a oh like

0:21:37.320 --> 0:21:40.320
<v Speaker 1>a sales jewelry closed down right, yeah, yeah, the ghost

0:21:40.359 --> 0:21:46.280
<v Speaker 1>of capitalism. Um. And then you have themes, some of them.

0:21:46.960 --> 0:21:49.200
<v Speaker 1>I think the better haunted houses have themes because when

0:21:49.200 --> 0:21:52.240
<v Speaker 1>you talk about scares, you can be all over the map.

0:21:52.520 --> 0:21:55.160
<v Speaker 1>Um from doing something like with a movie theme, where

0:21:55.160 --> 0:21:59.320
<v Speaker 1>you have classic horror movies or serial killers or crazy scientists,

0:21:59.760 --> 0:22:03.199
<v Speaker 1>or like vampires and monsters and ghouls and goblins. Yes,

0:22:03.320 --> 0:22:06.000
<v Speaker 1>those are two very different kind of themes. Apparently, Um,

0:22:06.119 --> 0:22:11.560
<v Speaker 1>Rob Zombies got his own jam going and called his house.

0:22:12.119 --> 0:22:17.720
<v Speaker 1>Yeah pretty much. Um it's called Rob Zombies Great American Nightmare.

0:22:18.400 --> 0:22:19.720
<v Speaker 1>I think it's supposed to be a play on the

0:22:19.760 --> 0:22:22.640
<v Speaker 1>American Dream. But one of the rooms is the John

0:22:22.640 --> 0:22:26.000
<v Speaker 1>Wayne Gayzy Room, and it's like a guy dressed up

0:22:26.040 --> 0:22:28.720
<v Speaker 1>like John Wayne Gacy's Bubbles the clown. I think that

0:22:28.800 --> 0:22:31.520
<v Speaker 1>was the name of his clown, wasn't it. Uh that

0:22:31.560 --> 0:22:34.239
<v Speaker 1>sounds right. Um, just kind of hanging out in like

0:22:34.280 --> 0:22:37.600
<v Speaker 1>a recline or whatever. And this is Chicago, and that's

0:22:37.640 --> 0:22:40.440
<v Speaker 1>where John Wayne Gazy killed his victims, and a lot

0:22:40.440 --> 0:22:42.840
<v Speaker 1>of the victims families are still around, so everybody's up

0:22:42.840 --> 0:22:45.240
<v Speaker 1>in arms and rob zombies like could not care less.

0:22:45.600 --> 0:22:49.200
<v Speaker 1>Thank you for the free press, right exactly, Well, clowns

0:22:49.240 --> 0:22:51.360
<v Speaker 1>are I posted something on our Facebook page a day

0:22:51.359 --> 0:22:55.560
<v Speaker 1>because that new clown and um American horror story. Have

0:22:55.600 --> 0:22:58.520
<v Speaker 1>you seen this clown yet? No, Twisty the clown? Huh.

0:22:59.240 --> 0:23:02.440
<v Speaker 1>The guy that made that show is like just wait, Like,

0:23:02.600 --> 0:23:04.840
<v Speaker 1>I know clowns can be scary, but I have got

0:23:04.840 --> 0:23:08.960
<v Speaker 1>the scariest clown ever. And it's pretty scary, dude. Yeah. Like,

0:23:09.000 --> 0:23:11.360
<v Speaker 1>I'm not bothered by it by things like that much,

0:23:11.400 --> 0:23:14.080
<v Speaker 1>but I saw this clown and I'm not into that show,

0:23:14.080 --> 0:23:15.840
<v Speaker 1>but I did watch the scenes that that clown was

0:23:15.880 --> 0:23:17.639
<v Speaker 1>in just to see what it was. Like. Yeah, it's

0:23:17.680 --> 0:23:20.000
<v Speaker 1>pretty frightening. I'll have to check them out. Yeah. And

0:23:20.040 --> 0:23:22.560
<v Speaker 1>and there's a broad Daylight killing which are always super

0:23:22.560 --> 0:23:26.200
<v Speaker 1>scary to me. Oh yeah, like they don't care about

0:23:26.640 --> 0:23:30.119
<v Speaker 1>there's no hiding it or any Yeah. Thats like a

0:23:30.119 --> 0:23:33.400
<v Speaker 1>beautiful blue sky out in a beautiful field, and those

0:23:33.480 --> 0:23:35.440
<v Speaker 1>kind of creep me out more. Yeah, because the whole

0:23:35.440 --> 0:23:38.000
<v Speaker 1>idea of like, oh, it's a good day to die

0:23:38.160 --> 0:23:41.080
<v Speaker 1>to me, that doesn't mean it's beautiful out. It means

0:23:41.119 --> 0:23:43.920
<v Speaker 1>like it's like the world's already ending. Now it's a

0:23:43.960 --> 0:23:46.600
<v Speaker 1>good day to die, right, you know, the earth is

0:23:46.680 --> 0:23:50.080
<v Speaker 1>opening up and magma is pouring out. That is possibly

0:23:50.119 --> 0:23:52.320
<v Speaker 1>a good day to die. Then the serial killer can

0:23:52.320 --> 0:23:56.119
<v Speaker 1>come along. Uh So, if you're opening one of these

0:23:56.160 --> 0:23:59.080
<v Speaker 1>huntit houses, you can count on spending because this is

0:23:59.119 --> 0:24:00.639
<v Speaker 1>a good idea. You can make some good dough if

0:24:00.680 --> 0:24:05.760
<v Speaker 1>you've got the funds to get it going. Um per

0:24:05.800 --> 0:24:08.959
<v Speaker 1>square foot for decorating in special effects is what just

0:24:09.000 --> 0:24:11.080
<v Speaker 1>that alone is what you're gonna and that's not counting

0:24:11.119 --> 0:24:13.359
<v Speaker 1>the renting or buying of the structure itself. Right, so

0:24:13.440 --> 0:24:18.199
<v Speaker 1>you have five thousand foot scare footage. Okay, that's what

0:24:18.240 --> 0:24:20.600
<v Speaker 1>I was going for. That's good. You can be spending

0:24:20.640 --> 0:24:26.840
<v Speaker 1>up to a grand just in decorations and scares and tricks. Yeah,

0:24:26.880 --> 0:24:28.359
<v Speaker 1>and you may be able to reuse a lot of

0:24:28.359 --> 0:24:31.080
<v Speaker 1>that from year to year, but you probably shouldn't put

0:24:31.119 --> 0:24:33.600
<v Speaker 1>out the same thing every year because if you're in

0:24:33.600 --> 0:24:35.439
<v Speaker 1>the same space doing the same thing, you're not going

0:24:35.480 --> 0:24:39.440
<v Speaker 1>to get repeat customers. So you want to turn over

0:24:39.520 --> 0:24:44.679
<v Speaker 1>like that each year it's a new stuff. And like

0:24:44.720 --> 0:24:47.640
<v Speaker 1>you said, themes often change, So just changing the theme

0:24:47.680 --> 0:24:52.080
<v Speaker 1>alone is going to require that you change this this, um, well,

0:24:52.160 --> 0:24:55.000
<v Speaker 1>your layout, I guess to an extent. Yeah, Like, if

0:24:55.040 --> 0:25:01.960
<v Speaker 1>you're doing scary clowns, you're probably gonna have to get

0:25:02.040 --> 0:25:05.399
<v Speaker 1>rid of your O R setting or whatever, unless you

0:25:05.440 --> 0:25:08.000
<v Speaker 1>do a clown doing surgery, which is kind of scary,

0:25:08.119 --> 0:25:11.760
<v Speaker 1>but it just seems a little off. Yeah, you clown

0:25:11.760 --> 0:25:16.000
<v Speaker 1>doing surgery, that's just um, that'd be pretty scary. The

0:25:16.000 --> 0:25:20.360
<v Speaker 1>clown hospital, Yeah, yeah, well don't they have that children's

0:25:20.359 --> 0:25:25.600
<v Speaker 1>hospital has a clown character? That's what I'm thinking, Rob Cordrey, Yeah, sure. Um.

0:25:25.720 --> 0:25:27.359
<v Speaker 1>And by the way, this is written by Kristen Konger

0:25:27.440 --> 0:25:29.560
<v Speaker 1>from Stuff Mom Never Told You, and she actually interviewed

0:25:29.560 --> 0:25:32.040
<v Speaker 1>a few owners of haunted houses to get some good

0:25:32.080 --> 0:25:36.920
<v Speaker 1>inside poop and um, that's where we're like getting these

0:25:37.000 --> 0:25:39.560
<v Speaker 1>numbers and they say to open one up. I was

0:25:39.600 --> 0:25:42.320
<v Speaker 1>just making mine, not oh you are, Um, they said

0:25:42.359 --> 0:25:44.520
<v Speaker 1>to open one up. You're not only obviously it's it's

0:25:44.520 --> 0:25:46.399
<v Speaker 1>a fun job, but you've got to have a lot

0:25:46.400 --> 0:25:48.399
<v Speaker 1>of business acumen too. It's not just like, oh, this

0:25:48.400 --> 0:25:50.720
<v Speaker 1>will be a hoot, Like you've got to be super

0:25:50.720 --> 0:25:53.000
<v Speaker 1>focused and have a good business brain or you're not

0:25:53.000 --> 0:25:56.680
<v Speaker 1>gonna make any money. Plus also, um, safety is a big,

0:25:56.720 --> 0:26:02.440
<v Speaker 1>big deal, especially after a fateful of four. At six

0:26:02.480 --> 0:26:06.320
<v Speaker 1>Flags Great Adventure in New Jersey, there was they had

0:26:06.440 --> 0:26:14.320
<v Speaker 1>a seventeen trailer interconnected modular haunted house dark ride basically

0:26:14.320 --> 0:26:17.480
<v Speaker 1>but a walking dark ride. So it's a haunted house. Um.

0:26:17.720 --> 0:26:21.040
<v Speaker 1>And it was basically a fire trap and it went

0:26:21.160 --> 0:26:24.919
<v Speaker 1>up and eight teenagers got trapped inside and died in

0:26:24.960 --> 0:26:29.880
<v Speaker 1>the fire. There were no fire sprinklers, there were no obvious, um,

0:26:30.080 --> 0:26:36.080
<v Speaker 1>emergency exit signs or anything like that. And um, that's

0:26:36.080 --> 0:26:39.480
<v Speaker 1>what happened back then. Yeah, but you'd think like by

0:26:39.480 --> 0:26:43.520
<v Speaker 1>the time the eighties rolled around, people would have figured out, oh,

0:26:43.600 --> 0:26:46.320
<v Speaker 1>if somebody likes a match in here or doesn't put

0:26:46.320 --> 0:26:49.080
<v Speaker 1>their cigarette out, because again it's the eighties, so people

0:26:49.080 --> 0:26:52.400
<v Speaker 1>smoked everywhere. The whole thing's gonna go up because it's

0:26:52.400 --> 0:26:55.720
<v Speaker 1>all plywood and foam, and maybe we should put fire

0:26:55.760 --> 0:26:58.720
<v Speaker 1>sprinklers in. But apparently it took this tragedy to really

0:26:59.560 --> 0:27:02.760
<v Speaker 1>change the industry, but it did. Yeah, and safety is,

0:27:02.800 --> 0:27:05.040
<v Speaker 1>like you said, a huge, huge part of it. Because

0:27:05.119 --> 0:27:08.520
<v Speaker 1>you're in the dark. You've got things flying out and

0:27:08.600 --> 0:27:13.040
<v Speaker 1>props swooping down and people jumping out and uh, I mean,

0:27:13.160 --> 0:27:16.520
<v Speaker 1>anything can happen to go wrong and someone can get injured.

0:27:16.560 --> 0:27:18.640
<v Speaker 1>So yeah, And actually, did you hear about the girl

0:27:18.640 --> 0:27:21.800
<v Speaker 1>In two thousand eleven, there was an employee at one

0:27:21.800 --> 0:27:24.199
<v Speaker 1>of the ones outside of St. Louis called Creepy World,

0:27:24.840 --> 0:27:28.480
<v Speaker 1>And um, she worked there and somehow got caught in

0:27:28.520 --> 0:27:31.479
<v Speaker 1>a noose and accidentally hung herself. That sounds like a

0:27:31.520 --> 0:27:33.960
<v Speaker 1>story that you hear, you would think, so it is

0:27:34.000 --> 0:27:38.400
<v Speaker 1>so well documented that it actually did happen. I'm quite sure.

0:27:39.320 --> 0:27:42.960
<v Speaker 1>But she survived. Oh Um, she suffered some brain damage

0:27:43.000 --> 0:27:46.359
<v Speaker 1>to it to an extent from what I understand. Um,

0:27:46.480 --> 0:27:48.400
<v Speaker 1>I don't know if it was extensive or not. I'm

0:27:48.400 --> 0:27:51.320
<v Speaker 1>on a roller coaster of emotion, right, but she, I mean,

0:27:51.359 --> 0:27:53.680
<v Speaker 1>she did survive, but she she accidentally got caught in

0:27:53.720 --> 0:27:56.520
<v Speaker 1>the noose and hung herself, and it's possible some patrons

0:27:56.520 --> 0:27:59.399
<v Speaker 1>passed her by thinking that. She was like, that's what

0:27:59.760 --> 0:28:02.120
<v Speaker 1>was is to be going on. Yeah, I've I've heard

0:28:02.160 --> 0:28:04.400
<v Speaker 1>some story that is not that of someone who hung

0:28:04.440 --> 0:28:08.040
<v Speaker 1>themselves on Halloween and everyone thought it was a just

0:28:08.080 --> 0:28:10.920
<v Speaker 1>a decoration in the front yard. My friend, you need

0:28:10.960 --> 0:28:14.080
<v Speaker 1>to go watch the most recent don't be dumb. Oh

0:28:14.560 --> 0:28:16.879
<v Speaker 1>it comes out this week. Is it about that? Yes?

0:28:17.160 --> 0:28:19.320
<v Speaker 1>Is that an old Well, don't spoil it. Okay, people

0:28:19.359 --> 0:28:22.439
<v Speaker 1>should go watch it. Go watch don't be dumb about that. Man,

0:28:22.840 --> 0:28:26.720
<v Speaker 1>Go and tell him Josh that you know. Um, so

0:28:26.760 --> 0:28:29.000
<v Speaker 1>after you've got your safety system worked out, you've got

0:28:29.040 --> 0:28:32.200
<v Speaker 1>your fire safety, got your sprinkler system, you've got flame

0:28:32.240 --> 0:28:37.520
<v Speaker 1>retardant material, you've got camera set up everywhere, everyone assigned

0:28:37.520 --> 0:28:41.040
<v Speaker 1>a lengthy waiver. Even if they do get hurt. Um,

0:28:41.160 --> 0:28:42.840
<v Speaker 1>they could probably still try and see you, but you're

0:28:42.840 --> 0:28:46.080
<v Speaker 1>trying to avoid that at all costs. What you're gonna

0:28:46.120 --> 0:28:50.800
<v Speaker 1>have is some sort of amaze like structure where you're

0:28:50.840 --> 0:28:54.640
<v Speaker 1>walking around sort of lost but really just getting shuffled

0:28:54.640 --> 0:28:59.560
<v Speaker 1>along a path. And there's, like you said earlier, there's

0:28:59.560 --> 0:29:01.560
<v Speaker 1>this thing called through put. So there's a lot of

0:29:01.600 --> 0:29:05.520
<v Speaker 1>thought put into it because apparently the worst thing you

0:29:05.560 --> 0:29:07.800
<v Speaker 1>can do in a haunted house, and this makes sense,

0:29:08.320 --> 0:29:11.720
<v Speaker 1>is to let the group behind catch up to the

0:29:11.760 --> 0:29:14.680
<v Speaker 1>group ahead. Yeah, that ruins the whole thing, ruins everything

0:29:14.720 --> 0:29:16.680
<v Speaker 1>because you're in a group. It depends, but I don't

0:29:16.680 --> 0:29:19.440
<v Speaker 1>know six or right people. But and you don't want

0:29:19.640 --> 0:29:22.600
<v Speaker 1>the scare that already happened to be apparent to the

0:29:22.640 --> 0:29:25.400
<v Speaker 1>group that hasn't gotten there yet, Like you see the

0:29:25.480 --> 0:29:28.640
<v Speaker 1>chainsaw guy crawling back into his little tree right exactly.

0:29:28.920 --> 0:29:32.080
<v Speaker 1>So UM, this throughput is basically a calculation of how

0:29:32.120 --> 0:29:36.720
<v Speaker 1>many people you can push through at what intervals to say,

0:29:36.800 --> 0:29:40.719
<v Speaker 1>meet your nightly ticket quota. So the numbers that Conger

0:29:40.800 --> 0:29:43.840
<v Speaker 1>gives UM is to to get five people through in

0:29:43.880 --> 0:29:46.680
<v Speaker 1>a night. You can put a group of six. You

0:29:46.720 --> 0:29:49.640
<v Speaker 1>can set them out every to thirty seconds, and they

0:29:49.640 --> 0:29:52.280
<v Speaker 1>shouldn't bump into one another. And then one of the

0:29:52.320 --> 0:29:56.000
<v Speaker 1>ways that that UM employees make sure that these groups

0:29:56.040 --> 0:29:58.320
<v Speaker 1>don't bump into one another is the way that they

0:29:58.400 --> 0:30:03.400
<v Speaker 1>scare people. Yeah, it's called scaring forward, which makes sense,

0:30:03.440 --> 0:30:07.160
<v Speaker 1>it does. It's kind of an interesting, boring term, UM.

0:30:07.200 --> 0:30:12.440
<v Speaker 1>But what they're doing is usually jumping behind you as

0:30:12.440 --> 0:30:14.640
<v Speaker 1>you walk through the group to make you go in

0:30:14.680 --> 0:30:16.760
<v Speaker 1>a forward They don't want to jump out in front

0:30:16.800 --> 0:30:18.360
<v Speaker 1>of you and have you move in that in the

0:30:18.360 --> 0:30:21.160
<v Speaker 1>direction you just came from backward. Yeah, so they want

0:30:21.160 --> 0:30:22.920
<v Speaker 1>to scare you forward, and that is a little tip.

0:30:23.520 --> 0:30:28.280
<v Speaker 1>If you are not into being the the lead person

0:30:28.720 --> 0:30:32.120
<v Speaker 1>being scared, then you should be in the lead because

0:30:32.160 --> 0:30:35.800
<v Speaker 1>it's probably going to come from behind you. It's pretty counterintuitive. Yeah,

0:30:35.920 --> 0:30:37.360
<v Speaker 1>but I think I'm going to be in the back

0:30:37.400 --> 0:30:39.400
<v Speaker 1>and I'll be just fine. Yeah, you're the one that's

0:30:39.400 --> 0:30:41.560
<v Speaker 1>gonna get grabbed because if they jump out at the

0:30:41.600 --> 0:30:43.400
<v Speaker 1>front of the group again, it's going to push the

0:30:43.400 --> 0:30:46.000
<v Speaker 1>group backward and the group ahead is going to run

0:30:46.040 --> 0:30:48.760
<v Speaker 1>into the group behind, and that's very bad. Yeah, and

0:30:48.760 --> 0:30:52.280
<v Speaker 1>I say get grabbed, you probably won't get touched. Now.

0:30:52.320 --> 0:30:56.680
<v Speaker 1>There apparently are some haunted house attractions that do light touching.

0:30:57.080 --> 0:31:00.760
<v Speaker 1>But you're going to be fully informed. That's so crazy.

0:31:00.800 --> 0:31:03.600
<v Speaker 1>He really does light touching. You're gonna be fully informed,

0:31:03.640 --> 0:31:06.360
<v Speaker 1>Like it's not gonna you're not gonna not know that

0:31:06.400 --> 0:31:08.440
<v Speaker 1>it's coming. Like in line, they're going to be like

0:31:08.480 --> 0:31:11.680
<v Speaker 1>sign this an initial here, an initial here, an initial here,

0:31:12.040 --> 0:31:16.320
<v Speaker 1>and we're gonna give you a heart detect test first, Yeah,

0:31:16.560 --> 0:31:19.040
<v Speaker 1>just to make sure please step on this treadmill that

0:31:19.160 --> 0:31:21.360
<v Speaker 1>kind of thing. See, that's how I would really scare

0:31:21.400 --> 0:31:23.800
<v Speaker 1>people to say, you know, none of the actors are

0:31:23.800 --> 0:31:26.240
<v Speaker 1>allowed to touch anyone, so if you're getting touched, I

0:31:26.240 --> 0:31:29.200
<v Speaker 1>mean something has gone horribly wrong. Right, And then have

0:31:29.280 --> 0:31:34.480
<v Speaker 1>people craving, well, well we'll get to in a minute. Um,

0:31:34.600 --> 0:31:38.080
<v Speaker 1>the new extreme ones where there's not only touching, like

0:31:38.600 --> 0:31:42.640
<v Speaker 1>it's beyond anything that you could imagine. But we'll get

0:31:42.640 --> 0:31:46.000
<v Speaker 1>to that soon. Uh. And since we mentioned actors hiding,

0:31:46.760 --> 0:31:49.280
<v Speaker 1>those are called scare pockets, Yeah, where they hide and

0:31:49.640 --> 0:31:52.480
<v Speaker 1>jump out from. Yeah. So like they're hiding behind that tree,

0:31:53.040 --> 0:31:56.080
<v Speaker 1>and they may distract you with a bat swooping down

0:31:56.080 --> 0:31:58.280
<v Speaker 1>in the other direction. There's a lot of distraction going

0:31:58.320 --> 0:31:59.920
<v Speaker 1>on because what they don't want is you to be

0:32:00.040 --> 0:32:05.720
<v Speaker 1>focused on the clearly placed fox tree trunk that has

0:32:05.760 --> 0:32:09.040
<v Speaker 1>the smell of a chainsaw. Yeah, but there won't be

0:32:09.040 --> 0:32:10.760
<v Speaker 1>any blade on that chainsaw, by the way. No. And

0:32:10.800 --> 0:32:15.240
<v Speaker 1>a good actor also will scramble back into place very quickly. Yeah. Um,

0:32:15.280 --> 0:32:19.280
<v Speaker 1>Because the longer they hang out and they're like yeah right,

0:32:19.600 --> 0:32:22.720
<v Speaker 1>the more you're gonna be like you're just some teenager, yeah,

0:32:22.840 --> 0:32:25.200
<v Speaker 1>who who doesn't scare me? Yeah, And if you're looking

0:32:25.200 --> 0:32:26.880
<v Speaker 1>to save a little money, you might want to double

0:32:27.000 --> 0:32:30.080
<v Speaker 1>up and have that scare pocket have a couple of

0:32:30.120 --> 0:32:32.760
<v Speaker 1>different ways that it can go, Like I can jump

0:32:32.760 --> 0:32:34.680
<v Speaker 1>out on these people on the right who are in

0:32:34.680 --> 0:32:36.600
<v Speaker 1>this one part of the haunted house, and then I

0:32:36.600 --> 0:32:38.800
<v Speaker 1>can scramble back and then hit these people on the left,

0:32:39.080 --> 0:32:42.239
<v Speaker 1>not hit them, jump out and scare them. Um. And

0:32:42.280 --> 0:32:44.440
<v Speaker 1>that way you're saving a little dough with your actors, Yeah,

0:32:44.480 --> 0:33:19.280
<v Speaker 1>doubling or tripling your people and then apparently chuck lastly. Um.

0:33:19.320 --> 0:33:23.720
<v Speaker 1>A lot of the attractions are run on compressed air

0:33:24.400 --> 0:33:27.440
<v Speaker 1>that is set off either through motion sensors, which I

0:33:27.440 --> 0:33:31.280
<v Speaker 1>think everybody expects, but also through touch pads, which makes

0:33:31.280 --> 0:33:34.440
<v Speaker 1>sense because you can control that right well with a

0:33:34.560 --> 0:33:36.960
<v Speaker 1>with a motion sensor. Every group is going to set

0:33:37.000 --> 0:33:39.720
<v Speaker 1>off that effect at the right and what it does

0:33:39.800 --> 0:33:41.640
<v Speaker 1>is it opens the valve and all of a sudden,

0:33:41.680 --> 0:33:44.120
<v Speaker 1>the skeleton sits up in the coffin or comes out

0:33:44.200 --> 0:33:49.840
<v Speaker 1>from the side or something right, some weird air exactly right. Um,

0:33:49.880 --> 0:33:53.880
<v Speaker 1>that was a really good impression with a touch pad. Though,

0:33:54.280 --> 0:33:56.560
<v Speaker 1>if you say place the square off to the left

0:33:56.640 --> 0:33:58.880
<v Speaker 1>or something. Not every group is going to walk over

0:33:58.920 --> 0:34:01.680
<v Speaker 1>the touch pad, so not every group is going to

0:34:01.720 --> 0:34:03.560
<v Speaker 1>get the same set of scare, So it kind of

0:34:03.640 --> 0:34:06.680
<v Speaker 1>randomizes the thing, which in turn makes the whole experience

0:34:06.680 --> 0:34:09.480
<v Speaker 1>even more frightening, because if you hear the group ahead

0:34:09.960 --> 0:34:14.200
<v Speaker 1>at the curve scream and scream exactly when you get

0:34:14.200 --> 0:34:17.839
<v Speaker 1>to that curve, you're gonna be prepared. And if nothing happens, well, then,

0:34:17.840 --> 0:34:19.799
<v Speaker 1>my friend, you're just even more keyed up for the

0:34:19.840 --> 0:34:22.600
<v Speaker 1>next one. That's right, Yeah, And you're keyed up to

0:34:22.640 --> 0:34:25.240
<v Speaker 1>begin with walking in there, because a good haunted house

0:34:25.880 --> 0:34:27.960
<v Speaker 1>will put a little bit of money into getting you

0:34:28.000 --> 0:34:31.400
<v Speaker 1>all ramped up in the parking lot in the line.

0:34:31.680 --> 0:34:34.879
<v Speaker 1>They might have creeps dressed up roaming around. Uh. They

0:34:34.920 --> 0:34:37.520
<v Speaker 1>may have sound effects and spooky music and like an

0:34:37.560 --> 0:34:41.520
<v Speaker 1>airhorn blast, which is really uncool, and that's just got

0:34:41.520 --> 0:34:43.279
<v Speaker 1>you on edge. By the time you walk in that place,

0:34:43.320 --> 0:34:47.399
<v Speaker 1>you're ready to be scared. Um. Alright, chuck, Yeah, we've

0:34:47.440 --> 0:34:52.439
<v Speaker 1>teased it enough. Let's talk about extreme haunted houses, which

0:34:52.480 --> 0:34:56.280
<v Speaker 1>apparently are so extreme that people who are haunted house

0:34:56.640 --> 0:35:00.200
<v Speaker 1>enthusiasts like people who are like in the industry, I

0:35:00.239 --> 0:35:02.640
<v Speaker 1>don't even like these things to be called extreme haunted

0:35:02.680 --> 0:35:07.120
<v Speaker 1>houses because they're so extreme. Yeah, that's what I gather,

0:35:07.880 --> 0:35:10.600
<v Speaker 1>and these are to say these are interactive, is uh

0:35:10.960 --> 0:35:14.000
<v Speaker 1>not really putting a fine point on it. They are.

0:35:15.200 --> 0:35:18.960
<v Speaker 1>You're basically paying money to be treated like an assault

0:35:19.000 --> 0:35:22.839
<v Speaker 1>victim for up to seven hours, like you might be

0:35:22.880 --> 0:35:27.239
<v Speaker 1>put in a headlock, you might. Where's the one. There's

0:35:27.239 --> 0:35:31.960
<v Speaker 1>one in San Diego. Yeah. Uh. McCamy. Manner is renowned

0:35:32.000 --> 0:35:34.680
<v Speaker 1>as like the worst of the worst. The video that

0:35:34.760 --> 0:35:38.040
<v Speaker 1>I saw it was like you are like covered in blood, dude,

0:35:38.080 --> 0:35:41.320
<v Speaker 1>it was unbelievable. Put into like a coffin and somebody

0:35:41.480 --> 0:35:43.960
<v Speaker 1>is like in their writhing on top of you in

0:35:44.000 --> 0:35:45.680
<v Speaker 1>the dark, and you're trying to get out and they're

0:35:45.680 --> 0:35:49.520
<v Speaker 1>pulling you back in right and and just like it's insane.

0:35:49.520 --> 0:35:52.160
<v Speaker 1>How intense this thing looks. Yeah, they had a cage

0:35:52.760 --> 0:35:56.399
<v Speaker 1>that locks your head in that they're dropping like fake

0:35:56.480 --> 0:35:59.720
<v Speaker 1>snakes in, which is not as bad as life snakes,

0:35:59.760 --> 0:36:04.479
<v Speaker 1>but it's still pretty bad. And apparently the um the

0:36:04.480 --> 0:36:07.120
<v Speaker 1>the catchphrase of everybody who goes through these things is

0:36:07.280 --> 0:36:11.000
<v Speaker 1>let me out of here, that they shout or cry it. Well, yeah,

0:36:11.000 --> 0:36:16.080
<v Speaker 1>but apparently supposedly mckami manner. It's open year round and

0:36:16.120 --> 0:36:19.399
<v Speaker 1>they only take four people a day through this thing,

0:36:19.600 --> 0:36:21.879
<v Speaker 1>but like you said, it's up to seven hours long

0:36:21.920 --> 0:36:24.919
<v Speaker 1>in some cases, right, Yeah, so they'll take in I think,

0:36:24.960 --> 0:36:27.040
<v Speaker 1>just one at a time. You have to come through

0:36:27.080 --> 0:36:30.040
<v Speaker 1>by yourself, and they only do four people a day.

0:36:30.040 --> 0:36:33.480
<v Speaker 1>It's only open on the weekends. And I don't know

0:36:33.520 --> 0:36:36.000
<v Speaker 1>if this is true. Supposedly, the one rule, like you

0:36:36.040 --> 0:36:38.520
<v Speaker 1>have to apply fill out an application to go through

0:36:38.520 --> 0:36:42.000
<v Speaker 1>this thing and be super fit and super psychologically fit

0:36:42.640 --> 0:36:47.440
<v Speaker 1>and um, because you're getting physically like abused in some cases,

0:36:47.920 --> 0:36:50.000
<v Speaker 1>like nothing you can't walk away from. But you know

0:36:50.040 --> 0:36:53.719
<v Speaker 1>they're they're mangling you without hurting you. Well, yeah, and

0:36:53.719 --> 0:36:56.120
<v Speaker 1>they held I saw they held one guy's face in

0:36:56.160 --> 0:36:59.160
<v Speaker 1>front of a toilet and it shot up some noxious

0:36:59.200 --> 0:37:02.120
<v Speaker 1>stuff out of it, like stuff like that. So on

0:37:02.120 --> 0:37:05.319
<v Speaker 1>one hand, it is like physically abusive. On the other

0:37:05.719 --> 0:37:09.560
<v Speaker 1>it's like almost laughable that they like, these people really

0:37:09.600 --> 0:37:12.120
<v Speaker 1>put their minds to it. Yeah, and they came up

0:37:12.160 --> 0:37:16.360
<v Speaker 1>with shooting stuff out of a toilet in your face. Um,

0:37:16.400 --> 0:37:19.520
<v Speaker 1>but supposedly you can't leave this one at all, Like

0:37:19.600 --> 0:37:21.879
<v Speaker 1>there is no safe word. I just don't believe that.

0:37:22.040 --> 0:37:24.960
<v Speaker 1>I don't believe it either, But it's free. The one

0:37:24.960 --> 0:37:27.239
<v Speaker 1>in San Diego is really yeah, it's free. And the

0:37:27.440 --> 0:37:29.880
<v Speaker 1>and that's the one hook is is that you're not

0:37:29.920 --> 0:37:32.759
<v Speaker 1>allowed to leave what you You sign a document that

0:37:32.840 --> 0:37:34.880
<v Speaker 1>says I'm going to go through this thing from beginning

0:37:34.880 --> 0:37:37.800
<v Speaker 1>to end. That's what I say. I would trust me.

0:37:37.800 --> 0:37:40.800
<v Speaker 1>I would get out of that place like I would. Yeah,

0:37:41.000 --> 0:37:43.239
<v Speaker 1>I would bust through a wall or something. That's what

0:37:43.280 --> 0:37:47.719
<v Speaker 1>it took Chuck Murck. But that is McCamy manner, and

0:37:47.760 --> 0:37:53.200
<v Speaker 1>that is was constructed by Russ McCamey, who's a terror fanatic. Uh.

0:37:53.239 --> 0:37:55.239
<v Speaker 1>They also have one in New York and l A

0:37:55.239 --> 0:37:58.200
<v Speaker 1>called Blackout, one called Gates of Hill in Las Vegas.

0:37:58.880 --> 0:38:03.200
<v Speaker 1>And the common denominator or of all these is you're

0:38:03.280 --> 0:38:05.960
<v Speaker 1>getting physically like you don't wear clothes you ever want

0:38:05.960 --> 0:38:07.960
<v Speaker 1>to wear again, because you're gonna fake blood and vomit

0:38:08.400 --> 0:38:12.600
<v Speaker 1>thrown in your face hopefully fake and be physically assaulted.

0:38:13.200 --> 0:38:15.359
<v Speaker 1>I mean they have scenes where you're like where there's

0:38:15.360 --> 0:38:18.840
<v Speaker 1>a rapist after you. Right, it's really dark, so disturbing.

0:38:19.320 --> 0:38:23.480
<v Speaker 1>They with Haunted House enthusiasts who criticize these kind of things.

0:38:23.480 --> 0:38:26.719
<v Speaker 1>It's usually because they say there's no story to it.

0:38:27.160 --> 0:38:31.400
<v Speaker 1>There's very rarely build up. It's all just payoff, off, payoff,

0:38:31.440 --> 0:38:34.319
<v Speaker 1>like all of it. It's just there's no there's no well,

0:38:34.360 --> 0:38:36.840
<v Speaker 1>there's no ratcheting up of tensions. It's like those movies

0:38:37.480 --> 0:38:41.560
<v Speaker 1>that we're talking about. It's the haunted attraction version of Uh.

0:38:41.680 --> 0:38:43.879
<v Speaker 1>I don't even know what there are. I don't watch

0:38:43.880 --> 0:38:47.600
<v Speaker 1>any of them. Like Hostile Okay, I did see that one. Actually,

0:38:48.120 --> 0:38:51.759
<v Speaker 1>what do you think anytime if you're gonna pull out

0:38:51.760 --> 0:38:56.080
<v Speaker 1>that rusty tray of medical instruments, you've lost me. Yeah,

0:38:56.120 --> 0:38:57.799
<v Speaker 1>that is such a trope by now you know you

0:38:57.840 --> 0:39:00.680
<v Speaker 1>know who did do it well was the first couple

0:39:00.680 --> 0:39:04.160
<v Speaker 1>of hell raisers. They used medical instruments to real was

0:39:04.239 --> 0:39:08.759
<v Speaker 1>back in the day disheartening degree effect. Yeah, the ones

0:39:08.800 --> 0:39:10.879
<v Speaker 1>that scare me the most. Again, to delve back into

0:39:11.000 --> 0:39:14.560
<v Speaker 1>movies like did you ever see Wolf Creek and it's

0:39:14.560 --> 0:39:17.439
<v Speaker 1>setting the Australian Outback is like, yeah, it's the kids

0:39:17.440 --> 0:39:20.400
<v Speaker 1>whose car breaks down and all of a sudden, the

0:39:20.440 --> 0:39:22.879
<v Speaker 1>rest of the movie is them getting traced chased by

0:39:22.880 --> 0:39:26.080
<v Speaker 1>this homicidal maniac. Okay, that to me is what's called

0:39:26.080 --> 0:39:30.480
<v Speaker 1>the psychological thriller. Yeah, that's not I mean, yes, I

0:39:30.520 --> 0:39:34.279
<v Speaker 1>understand it is horror Friday thirteenth, that's like Hallmark Corp.

0:39:34.560 --> 0:39:38.000
<v Speaker 1>But it's different. Yeah, the slasher movie is just it's

0:39:38.040 --> 0:39:42.800
<v Speaker 1>just different. I mean there's not enough true, genuine horror

0:39:42.800 --> 0:39:46.120
<v Speaker 1>movies in my opinion, which amount to basically supernatural horror.

0:39:46.120 --> 0:39:47.560
<v Speaker 1>I guess that's how you'd put it. That's what I

0:39:47.640 --> 0:39:49.840
<v Speaker 1>meant too. You should check out Wolf Creek. It's the

0:39:49.840 --> 0:39:52.480
<v Speaker 1>the will. I have no problem with it. It's just

0:39:52.920 --> 0:39:55.480
<v Speaker 1>as far as horror goes. I'm not scared by that.

0:39:56.239 --> 0:39:59.120
<v Speaker 1>I want to be scared. You might be scared. Okay,

0:39:59.160 --> 0:40:01.799
<v Speaker 1>I'll check it out. The the Murderous Guy is a

0:40:01.840 --> 0:40:04.080
<v Speaker 1>really like kind of a great character, and I think

0:40:04.080 --> 0:40:08.040
<v Speaker 1>he falls into the pantheon of classic like Michael Myers characters. Yeah,

0:40:08.080 --> 0:40:11.600
<v Speaker 1>like yeah, one of the good slashers. Um which brings

0:40:11.680 --> 0:40:15.959
<v Speaker 1>us to the hell houses, which um, like we said,

0:40:16.080 --> 0:40:20.680
<v Speaker 1>was sort of started back in the dark ages of Christianity. Uh,

0:40:21.440 --> 0:40:25.239
<v Speaker 1>they they do this today. The most famous is in uh,

0:40:25.480 --> 0:40:28.479
<v Speaker 1>Cedar Hill, Texas. And there's a documentary called hell House

0:40:28.480 --> 0:40:30.560
<v Speaker 1>on these things. I think from like two thousand to

0:40:31.239 --> 0:40:38.120
<v Speaker 1>camp and uh, the idea of these is run by

0:40:38.600 --> 0:40:42.360
<v Speaker 1>churches usually and they are too just like in the

0:40:42.400 --> 0:40:45.799
<v Speaker 1>old days, scare you into walking the straight and narrow, right,

0:40:46.280 --> 0:40:50.120
<v Speaker 1>And actually they were they were originated by Jerry Folwell

0:40:50.200 --> 0:40:52.399
<v Speaker 1>back in the seventies. Yeah, those are the first ones,

0:40:52.440 --> 0:40:54.759
<v Speaker 1>I think. Yeah. And then in the nineties that church

0:40:54.800 --> 0:40:59.520
<v Speaker 1>in Texas you mentioned took over Abundant Life Christian Center, um,

0:40:59.600 --> 0:41:03.120
<v Speaker 1>and they took over and they started actually packaging it.

0:41:03.480 --> 0:41:08.399
<v Speaker 1>They started selling hell houses for like tucks, and it

0:41:08.440 --> 0:41:10.520
<v Speaker 1>was kind of like do you remember those j c's

0:41:10.600 --> 0:41:13.799
<v Speaker 1>in the seventies that came up with the Haunted House package.

0:41:14.200 --> 0:41:16.560
<v Speaker 1>These are the same things, but for hell houses. And

0:41:16.560 --> 0:41:19.200
<v Speaker 1>then there's modules that you can buy that cost additional

0:41:19.239 --> 0:41:21.920
<v Speaker 1>amounts of money, so you can add rooms to it,

0:41:22.160 --> 0:41:23.759
<v Speaker 1>and so like a room you might buy as the

0:41:23.800 --> 0:41:28.200
<v Speaker 1>abortion room. And in the abortion room, UM, you're taught

0:41:28.239 --> 0:41:32.320
<v Speaker 1>how to use raw meat that's like a stand in

0:41:32.400 --> 0:41:34.600
<v Speaker 1>for a fetus that you throw into a glass bowl.

0:41:34.600 --> 0:41:36.120
<v Speaker 1>You've got to make sure it's a glass bowl so

0:41:36.160 --> 0:41:39.320
<v Speaker 1>everybody can see through into it, dude. The quote literally

0:41:39.440 --> 0:41:41.640
<v Speaker 1>from the manual that they distribute on how to run

0:41:41.640 --> 0:41:45.160
<v Speaker 1>these says, quote, purchase a meat product that closely resembles

0:41:45.160 --> 0:41:47.440
<v Speaker 1>pieces of a baby to be placed in a glass bowl,

0:41:48.080 --> 0:41:51.160
<v Speaker 1>so that their suggestion, that's a room from hell house. Yeah,

0:41:51.160 --> 0:41:54.560
<v Speaker 1>and this is to keep you from having premarital sex exactly. Obviously,

0:41:54.680 --> 0:42:00.000
<v Speaker 1>subtlety is not a hallmark of the hell House. Um.

0:42:00.160 --> 0:42:02.879
<v Speaker 1>So for example, like if you there was, there's one

0:42:03.000 --> 0:42:06.799
<v Speaker 1>from New Destiny Christian Center. Um, it's called the Rave

0:42:06.880 --> 0:42:12.040
<v Speaker 1>scene and basically it's about um club drugs and death,

0:42:12.160 --> 0:42:16.319
<v Speaker 1>teenage death. Like pretty much everybody dies or takes their

0:42:16.320 --> 0:42:19.959
<v Speaker 1>own life. Um, as a result of of sin, Yes,

0:42:20.000 --> 0:42:23.719
<v Speaker 1>of their sin. Yeah, like the lesbian suicide Room, where uh,

0:42:24.120 --> 0:42:28.000
<v Speaker 1>you know, a young lady succumbs to lesbianism and uh

0:42:28.160 --> 0:42:33.960
<v Speaker 1>is so mistreated and um, she she goes to she's

0:42:34.000 --> 0:42:38.279
<v Speaker 1>she's not a lesbian, she's just saving herself and is

0:42:38.320 --> 0:42:43.719
<v Speaker 1>mistaken for a lesbian confusingly, and then uh it then

0:42:43.800 --> 0:42:46.160
<v Speaker 1>kills herself because her best friend rejects her and calls

0:42:46.160 --> 0:42:49.200
<v Speaker 1>her a lesbian when she went to go hugger. That

0:42:49.280 --> 0:42:52.279
<v Speaker 1>was that was from the Vice article you sent at least. Yeah,

0:42:52.320 --> 0:42:56.680
<v Speaker 1>that's a great article. Um, but it's all repercussions of sins.

0:42:56.760 --> 0:43:00.600
<v Speaker 1>So there's the lesbian suicide room. There is the aide room,

0:43:01.200 --> 0:43:04.799
<v Speaker 1>the abortion room, the domestic violence room, the d u

0:43:04.880 --> 0:43:08.520
<v Speaker 1>I room, and they're all just enacting these horrific scenes

0:43:09.280 --> 0:43:13.080
<v Speaker 1>and until you get finally to Hell is at the end,

0:43:13.440 --> 0:43:16.160
<v Speaker 1>at the very end. Um in Hell is where they're

0:43:16.160 --> 0:43:18.400
<v Speaker 1>you know, displaying what Hell looks like with ghouls and

0:43:18.440 --> 0:43:21.759
<v Speaker 1>demons and uh. And then finally you get to go

0:43:21.800 --> 0:43:24.000
<v Speaker 1>to Heaven. Well, this is what makes the Hell House.

0:43:24.040 --> 0:43:28.120
<v Speaker 1>The Hell House end through these different types of sin

0:43:28.719 --> 0:43:31.880
<v Speaker 1>into Hell, and then when you come out, you emerge

0:43:31.920 --> 0:43:35.879
<v Speaker 1>through Hell and then the real life preachers there, yeah,

0:43:36.200 --> 0:43:39.560
<v Speaker 1>saying hey, how about you repent and for those of

0:43:39.600 --> 0:43:42.120
<v Speaker 1>you who aren't saved, why don't you come on over

0:43:42.120 --> 0:43:44.320
<v Speaker 1>to our church and we'll save you. Yeah, they call it.

0:43:44.360 --> 0:43:46.440
<v Speaker 1>In the Vice article, they call it the it's a

0:43:47.040 --> 0:43:49.640
<v Speaker 1>really cool pastor who jumps out and is the good

0:43:49.680 --> 0:43:52.719
<v Speaker 1>cop to Hell House is bad cop. And he's like,

0:43:52.840 --> 0:43:55.320
<v Speaker 1>you can avoid all this scary stuff if you, uh,

0:43:55.400 --> 0:43:57.719
<v Speaker 1>you know, take the Lord Jesus as your savior. And

0:43:57.760 --> 0:44:00.799
<v Speaker 1>sometimes they'll do that right in the room and have

0:44:00.880 --> 0:44:04.560
<v Speaker 1>you signed something? Oh, I can imagine, and uh, that's

0:44:04.600 --> 0:44:07.640
<v Speaker 1>the Hell House. And in that Vice article, it's crazy. Um,

0:44:07.680 --> 0:44:10.040
<v Speaker 1>the author mentions that a little boy goes off in

0:44:10.120 --> 0:44:16.719
<v Speaker 1>vomits during the hell house, so apparently they're very effective. Well,

0:44:16.760 --> 0:44:19.439
<v Speaker 1>if the object is to make you sick and vomit, yeah,

0:44:19.440 --> 0:44:22.400
<v Speaker 1>I guess so vomit from fear for your soul. And

0:44:22.400 --> 0:44:25.319
<v Speaker 1>they're still around. It seems like something that um might

0:44:25.360 --> 0:44:28.200
<v Speaker 1>have gone by the wayside. But yeah, you can still

0:44:28.200 --> 0:44:30.160
<v Speaker 1>go to hell houses in one of places. I have

0:44:30.239 --> 0:44:32.440
<v Speaker 1>one more thing for you, Chuck what you got. Go

0:44:32.640 --> 0:44:36.640
<v Speaker 1>to BuzzFeed dot com. You may have heard of that website, uh,

0:44:36.719 --> 0:44:40.480
<v Speaker 1>and search for forty four best picks of scared brows

0:44:40.560 --> 0:44:45.000
<v Speaker 1>at Haunted. Yeah. I can't remember where the Haunted House is,

0:44:45.040 --> 0:44:47.080
<v Speaker 1>but it's all the same background, but very much like

0:44:47.200 --> 0:44:50.880
<v Speaker 1>roller coasters. They take a photo of this one spot

0:44:51.520 --> 0:44:55.600
<v Speaker 1>and it's like the scariest spot, and um, the people

0:44:55.680 --> 0:44:59.680
<v Speaker 1>are they're wonderful, hilarious photo and like it's been around.

0:44:59.719 --> 0:45:03.280
<v Speaker 1>I think they first started publishing them in two thousand eleven,

0:45:03.800 --> 0:45:05.880
<v Speaker 1>so they've been around for years and they're still just

0:45:05.920 --> 0:45:08.880
<v Speaker 1>as funny as ever. It's great that the scared face

0:45:09.000 --> 0:45:12.640
<v Speaker 1>is just so pure to me, because it's just pure reaction.

0:45:13.360 --> 0:45:15.560
<v Speaker 1>Like the toughest dude in the world, like trying to

0:45:15.600 --> 0:45:18.359
<v Speaker 1>climb over his girlfriend or push her toward whatever he's

0:45:18.360 --> 0:45:21.560
<v Speaker 1>afraid of. Yeah, it's whatever is happening in that two seconds.

0:45:21.920 --> 0:45:29.200
<v Speaker 1>It's pretty great. So that's Haunted House attractions everybody I know. Uh,

0:45:29.360 --> 0:45:31.279
<v Speaker 1>if you want to know more about them, type those

0:45:31.320 --> 0:45:33.439
<v Speaker 1>words in the search bar at how stuff works dot com.

0:45:33.440 --> 0:45:35.319
<v Speaker 1>And since I said that, it's time for listener mail,

0:45:37.480 --> 0:45:40.399
<v Speaker 1>I'm gonna call this Karate Kid an email Awesome, which

0:45:40.440 --> 0:45:44.480
<v Speaker 1>was the scariest movie I've ever seen. Uh. If you

0:45:44.800 --> 0:45:47.680
<v Speaker 1>listen to Karate episode, we wax philosophical about the Karate

0:45:47.800 --> 0:45:50.280
<v Speaker 1>Kid movie and we got a lot of emails of um,

0:45:50.320 --> 0:45:55.560
<v Speaker 1>people feeling great ways of nostalgia uh and talking about it. Um.

0:45:55.680 --> 0:45:57.640
<v Speaker 1>So here we go. I imagine guys will get dozens

0:45:57.640 --> 0:46:01.040
<v Speaker 1>of versions of this similar email. Uh. Just listened to

0:46:01.120 --> 0:46:03.960
<v Speaker 1>Karate and Uh, I have not finished it yet, but

0:46:04.000 --> 0:46:07.239
<v Speaker 1>I'm writing about the first seven to eight minutes, specifically,

0:46:07.719 --> 0:46:10.239
<v Speaker 1>your ode to the Karate Kid was beautiful. I got

0:46:10.280 --> 0:46:12.560
<v Speaker 1>goose bumps along with Chuck. I may have also had

0:46:12.560 --> 0:46:15.520
<v Speaker 1>a tear in my eye when he described that magical

0:46:15.520 --> 0:46:17.239
<v Speaker 1>moment in the film where it all comes together and

0:46:17.239 --> 0:46:20.239
<v Speaker 1>we realize. Along with Daniel son that Mr Miyagi is

0:46:20.239 --> 0:46:23.600
<v Speaker 1>truly a genius. Um. By the way, Ralph Maccio is

0:46:23.680 --> 0:46:28.640
<v Speaker 1>named his son Daniel after himself. Yeah, I guess so,

0:46:29.120 --> 0:46:32.200
<v Speaker 1>after the best version of himself. I recently sent The

0:46:32.280 --> 0:46:34.160
<v Speaker 1>Karate Kid to my six year old nephew to ensure

0:46:34.200 --> 0:46:36.640
<v Speaker 1>that despite what his friends and media try to tell him,

0:46:36.680 --> 0:46:39.120
<v Speaker 1>he will know that Ralph Maccio is the original and

0:46:39.239 --> 0:46:41.840
<v Speaker 1>only Karate Kid. When I called him and asked what

0:46:41.880 --> 0:46:44.319
<v Speaker 1>his favorite part was, he actually started singing, You're the

0:46:44.360 --> 0:46:48.920
<v Speaker 1>best around, nothing's ever gone and get you down. It

0:46:48.960 --> 0:46:52.240
<v Speaker 1>was the proudest moment of my aunt hood so far. Now, Chuck,

0:46:52.400 --> 0:46:55.200
<v Speaker 1>I implore you to watch The Karate Kid too, after

0:46:55.280 --> 0:46:57.480
<v Speaker 1>all the other films that attempt to be a part

0:46:57.520 --> 0:47:00.040
<v Speaker 1>of the franchise or a travesty to his an in

0:47:00.040 --> 0:47:02.520
<v Speaker 1>credibly good. It is very good. The Peter stera song

0:47:02.640 --> 0:47:04.920
<v Speaker 1>Josh mentioned Glory of Love was my first ever favorite

0:47:04.920 --> 0:47:07.600
<v Speaker 1>song when I was six because of the film is

0:47:07.640 --> 0:47:10.399
<v Speaker 1>a classic, and I think you were missing out. I'll

0:47:10.400 --> 0:47:12.959
<v Speaker 1>watch it. I'll check it out anyways. Thanks for sending

0:47:12.960 --> 0:47:14.680
<v Speaker 1>me to work this morning with an extra bounce in

0:47:14.719 --> 0:47:17.000
<v Speaker 1>my step and a song in my heart. That is

0:47:17.000 --> 0:47:20.400
<v Speaker 1>from Nicole Beal at Jed's barber shop. It's a Lake City, Utah.

0:47:20.520 --> 0:47:23.040
<v Speaker 1>Go get her to cut your head. Nice hair, not

0:47:23.160 --> 0:47:26.799
<v Speaker 1>your head. It's doing a terrible job. She's cutting your head.

0:47:27.680 --> 0:47:30.879
<v Speaker 1>Thanks a lot, Nicole. Um. Did you know her friend

0:47:30.920 --> 0:47:34.840
<v Speaker 1>Van Nostrin? Uh, does his band the Bangalore's do a

0:47:34.920 --> 0:47:37.239
<v Speaker 1>cover of your The Best Around? I knew he loved

0:47:37.239 --> 0:47:38.920
<v Speaker 1>that song. I don't know if I knew they actually

0:47:38.920 --> 0:47:42.480
<v Speaker 1>covered It's good. You can go to SoundCloud search Bangalore's

0:47:42.800 --> 0:47:45.520
<v Speaker 1>and You're the Best Around. It's on there. I'm gonna

0:47:45.520 --> 0:47:48.919
<v Speaker 1>do that right after this. Uh. If you want to

0:47:49.040 --> 0:47:52.759
<v Speaker 1>let us know that we nailed something, we want to

0:47:52.800 --> 0:47:54.920
<v Speaker 1>hear about it. You can tweet to us at s

0:47:55.040 --> 0:47:57.920
<v Speaker 1>y s K podcast. You can join us on Facebook

0:47:57.920 --> 0:47:59.839
<v Speaker 1>dot com slash Stuff you Should Know. You can send

0:47:59.920 --> 0:48:02.319
<v Speaker 1>us an email to stuff podcast at how stuff Works

0:48:02.320 --> 0:48:04.719
<v Speaker 1>dot com, and as always, joined us at our home

0:48:04.760 --> 0:48:11.480
<v Speaker 1>on the web, Stuff you Should Know dot Com. Stuff

0:48:11.480 --> 0:48:13.440
<v Speaker 1>you Should Know is a production of iHeart Radio's How

0:48:13.480 --> 0:48:16.200
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