WEBVTT - From the Vault: Early Days Electric, Part 1

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<v Speaker 1>Hey, you welcome to Stuff to Blow Your Mind. My

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<v Speaker 1>name is Robert Lamb and I'm Joe McCormick. And this

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<v Speaker 1>week we are going back in time. We were reaching

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<v Speaker 1>into the vault and retrieving the first of two episodes

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<v Speaker 1>that we did on the early days of electricity, How

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<v Speaker 1>people thought about electricity when it was a a new

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<v Speaker 1>discovery slash invention. You know, since these episodes came out,

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<v Speaker 1>we have read some interesting stuff about the language used

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<v Speaker 1>to describe electricity, especially about this sort of spiritual gendered

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<v Speaker 1>terms used to describe electrical power, that it was very

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<v Speaker 1>often associated with, this kind of like hidden female goddess.

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<v Speaker 1>I wish I had known about that at the time

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<v Speaker 1>we recorded this. But so when when did this first

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<v Speaker 1>episode come out? This would have been February nine. Okay,

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<v Speaker 1>so if you are ready, we're going to take a

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<v Speaker 1>journey into the vault for Early Days of Electricity, Part one.

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<v Speaker 1>Welcome to Stuff to Blow your Mind from How Stuff

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<v Speaker 1>Works dot Com. Now, therefore, you are hereby order, commanded

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<v Speaker 1>and required to execute the said sentence upon him, the

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<v Speaker 1>said William Kimmler, otherwise called John hort Upon some day

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<v Speaker 1>within the week, commencing on Monday, the twenty four day

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<v Speaker 1>of June, in the year of our Lord one thousand,

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<v Speaker 1>eight hundred and eighty nine, and within the walls of

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<v Speaker 1>Auburn State Prison, or within the yard or enclosure adjoining

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<v Speaker 1>there too by then, and they're causing to pass through

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<v Speaker 1>the body of him, the said William Kimmler, otherwise called

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<v Speaker 1>John Hort, a current of electricity of sufficient intensity to

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<v Speaker 1>cause death, and that the application of such current of

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<v Speaker 1>electricity be continued until he, the said William Kimmler, otherwise

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<v Speaker 1>called John Hort, be dead. Gentlemen, I wish you all

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<v Speaker 1>good luck. I believe I'm going to a good place,

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<v Speaker 1>and I'm ready to go. I only want to say

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<v Speaker 1>that a great deal has been said about me that

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<v Speaker 1>is untrue. I'm bad enough. It is cruel to make

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<v Speaker 1>me out worse. Hey, welcome to stuff to blow your mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick. And

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<v Speaker 1>those were a couple of quotes concerning the death of

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<v Speaker 1>one William Kemmler, the first person in the world ever

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<v Speaker 1>to be legally executed by electric chair. That's right. This

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<v Speaker 1>was eight nine, and as will roll out in these

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<v Speaker 1>episodes this week on electricity, on the sort of the

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<v Speaker 1>weird history of electricity. Uh. This this episode, this electric

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<v Speaker 1>execution kind of serves as like the the final thrashing moment,

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<v Speaker 1>uh for the mysticism of electricity, the sort of supernatural

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<v Speaker 1>zeal that surrounded it for so long. I remember when

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<v Speaker 1>I was is growing up and I learned that the

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<v Speaker 1>Constitution of the United States prohibited cruel and unusual punishment

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<v Speaker 1>of criminals. And then I tried to reconcile that with

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<v Speaker 1>the fact that people were executed by electric chair. It

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<v Speaker 1>was just hard to think of a stranger way to

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<v Speaker 1>kill somebody on purpose. Yeah, And I think that will

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<v Speaker 1>I think that will become clear to everyone, especially in

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<v Speaker 1>the second episode when we get into the details of this,

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<v Speaker 1>about how how this came to be on the table,

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<v Speaker 1>how the argument was made that we should electrocute a prisoner,

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<v Speaker 1>why it was a good idea, and and why it

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<v Speaker 1>was the most modern and humane and hygienic thing to do. Yeah.

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<v Speaker 1>So this is going to be the first part of

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<v Speaker 1>a two part series on the Weird History of electricity,

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<v Speaker 1>as we've said, and we want to focus on a

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<v Speaker 1>different side of the story of electricity than you probably

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<v Speaker 1>learned about in school, So you've probably learned about things

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<v Speaker 1>like Benjamin frank some of Benjamin Franklin's experiments and uh,

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<v Speaker 1>and how the battery was invented and the voltaic pile

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<v Speaker 1>and eventually Thomas Edison and uh and maybe if your

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<v Speaker 1>teacher was pretty cool Nicola Tesla and the you know,

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<v Speaker 1>the current wars and and stuff like that. But what

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<v Speaker 1>we want to look at a different side of how

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<v Speaker 1>electricity came to be a fixture of of our society today,

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<v Speaker 1>and not just the technological journey, but the spiritual journey. Yeah, exactly. Now.

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<v Speaker 1>You know, if you want more on that technical journey,

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<v Speaker 1>do go to how stuff works dot com and check

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<v Speaker 1>out the article how electricity works. That's by Marshall Brain,

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<v Speaker 1>William Harris and uh and me to a very limited extent.

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<v Speaker 1>I think I touched up that article at one point,

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<v Speaker 1>but mostly it's it's Brain and Harriss. That could be

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<v Speaker 1>a thank for that article. But do you have to

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<v Speaker 1>add updates all the new things we've discovered about electricity

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<v Speaker 1>in the past period. Basically, did punch up on it

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<v Speaker 1>in the same way that you know a comedian might

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<v Speaker 1>punch up a script. I like went in there and uh,

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<v Speaker 1>made it a little more fun at the beginning and

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<v Speaker 1>updated the references, but otherwise left all the technical information

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<v Speaker 1>as is. But but but yeah, this is about sort of

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<v Speaker 1>This is the spiritual journey of of electricity, the cultural

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<v Speaker 1>journey of electricity from from the realm of the magical

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<v Speaker 1>to the realm of the mundane. And as I was

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<v Speaker 1>thinking about these episodes actually this morning in the shower

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<v Speaker 1>and on the drive into work, I kept thinking of

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<v Speaker 1>it in terms of a transformer. Okay, like like you see,

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<v Speaker 1>you know, on with high tension wires. So the times,

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<v Speaker 1>experiments and thoughts that we're going to present in this

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<v Speaker 1>pair of podcast that they serve as a sort of transformer.

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<v Speaker 1>So a transformer decreases the voltage of alternating current, turning

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<v Speaker 1>a dangerous high voltage current that's capable of traveling long

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<v Speaker 1>distances into a lower voltage current that's appropriate for just

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<v Speaker 1>mundane use in your home. So these events that we're

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<v Speaker 1>going to discuss are are the inner workings of the

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<v Speaker 1>cultural transformer that transformed electricity from a magical, holy, spiritual,

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<v Speaker 1>otherworldly energy into something that you can just completely take

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<v Speaker 1>for granted every day of your life. Okay, Well, let's

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<v Speaker 1>let's go back in time from the execution of William

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<v Speaker 1>Kimmler and go all the way back to the earliest

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<v Speaker 1>things we know about electricity, because before humans began to

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<v Speaker 1>recognize and test electromagnetism as a force of physics, we

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<v Speaker 1>were aware of it in several natural settings. For example,

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<v Speaker 1>lightning that's pretty obvious, the shocks of electric fishes, and

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<v Speaker 1>objects that naturally pulled toward one another through some invisible attractions.

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<v Speaker 1>So you might have a loadstone, or you know the

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<v Speaker 1>name for magnetite, or or you might find that friction.

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<v Speaker 1>You know, we're just rubbing one object against another could

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<v Speaker 1>cause attraction. And before we had even the slightest idea

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<v Speaker 1>what electricity was, its power found a way into our metaphors.

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<v Speaker 1>We naturally recognized that there was something very mysterious and

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<v Speaker 1>important going on in these invisible forces. So, for example,

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<v Speaker 1>in Plato's Mano dial log you know you remember this

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<v Speaker 1>one may know, he compares socrates style of argument to

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<v Speaker 1>a torpedo ray, which is it's a type of electric fish.

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<v Speaker 1>It's a genus of a ray that stuns prey and

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<v Speaker 1>enemies with jolts of electric charge issued through the water

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<v Speaker 1>and the point of the comparison is that Socrates stuns

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<v Speaker 1>his interlocutors into a state of just utter perplexity by

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<v Speaker 1>illuminating the aporia, the realization of an internal contradiction in

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<v Speaker 1>one's worldview. Okay, in other words, he's dropping truth bombs, exactly,

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<v Speaker 1>stunning you with his truth bombs. That that's a very

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<v Speaker 1>similar metaphor, I'd say, except they wouldn't say truth bombs

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<v Speaker 1>because they didn't have bombs, but they did have electric fish.

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<v Speaker 1>So so he's dropping truth torpedo fish. And just in

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<v Speaker 1>a side, there are there are numerous electric fish out there. Uh.

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<v Speaker 1>The the electric eel, which is more of an electric catfish,

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<v Speaker 1>tends to get most of the press because it is

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<v Speaker 1>the most electric fish. But they are varying levels of

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<v Speaker 1>elect trick fish out there, ranging from those that stunned

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<v Speaker 1>their prey to those that use it as more of

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<v Speaker 1>a communications sensory scenario. Yeah, and then there's a the

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<v Speaker 1>Lease of my Leads. So this is a Greek philosopher

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<v Speaker 1>known as one of the legendary Seven Wise Men, and

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<v Speaker 1>he may have been the first human to really study electricity,

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<v Speaker 1>and this would have been around a six hundred BC. Now,

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<v Speaker 1>he was the one who was doing friction experiments. He

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<v Speaker 1>would take amber, so you know, fossilized tree resin the

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<v Speaker 1>stuff from Jurassic Park. Yeah, well, hopefully there's an insect

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<v Speaker 1>in there, something that kind of you know, crippled and

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<v Speaker 1>and frozen in time. But he didn't come up with

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<v Speaker 1>the idea to get its DNA out. No, he wasn't

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<v Speaker 1>quite up to that level unless you want to view

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<v Speaker 1>the resulting spark here is like the soul of the

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<v Speaker 1>bug leaving the amber. So he'd rubbed the amber with fur,

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<v Speaker 1>and he was able to attract dust, feathers, and other

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<v Speaker 1>lightweight objects. And so these were the first experiments with electrostatics,

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<v Speaker 1>the study of of stationary electric charges or static electricity.

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<v Speaker 1>In fact, the word electricity comes from the Greek electron,

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<v Speaker 1>which means amber. Yeah, and what else the ancients knew

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<v Speaker 1>about electricity, It's it's hard to know. There. There is,

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<v Speaker 1>of course, the quite famous Baghdad battery, which I think

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<v Speaker 1>most archaeologists now think was not actually a battery, but

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<v Speaker 1>the idea there was that there was a clay jar

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<v Speaker 1>and then found near it were some metal elements that,

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<v Speaker 1>if arranged in the right way, perhaps could have accumulated

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<v Speaker 1>electric charge. I've read that archaeologist now just almost all

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<v Speaker 1>agree that it was just a normal, ordinary storage jar.

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<v Speaker 1>It was not actually a battery. But one could hope,

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<v Speaker 1>you know, you always, you always kind of think, wouldn't

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<v Speaker 1>it be cool if there was some ancient person who

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<v Speaker 1>who had knowledge way ahead of their time, and and

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<v Speaker 1>it was just lost to history because I don't know,

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<v Speaker 1>they didn't write it down or nobody would believe them.

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<v Speaker 1>But people recognized there was a force at work. There

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<v Speaker 1>was electromagnetic attraction, there was static discharge, shocks, sparks, arcs,

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<v Speaker 1>But what is it? People commonly spoke about it using

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<v Speaker 1>sort of familiar but vague or incorrect points of comparison,

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<v Speaker 1>Like Benjamin Franklin, in his letters and notes in the

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<v Speaker 1>mid seventeen hundreds, spoke of the electrical fire. This was

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<v Speaker 1>a common point of comparison. People would speak of the

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<v Speaker 1>fire that that carries the electrical fluid or in even

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<v Speaker 1>in eighteen eighty nine, so much later, Thomas Edison, who

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<v Speaker 1>worked with electricity in a technological sense, he could command

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<v Speaker 1>electricity to do his bidding, Yet when asked what it was,

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<v Speaker 1>he vaguely explained that electricity was a mode of motion.

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<v Speaker 1>A system of vibrations. Yeah. I love this quote because

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<v Speaker 1>apparently Edison was just out there pressing the flash. It

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<v Speaker 1>was like a formal engagement. I think he was having

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<v Speaker 1>lunch with somebody at the Eiffel Tower and then somebody

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<v Speaker 1>asked him, So, Edison, electricity is your thing, Tell me

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<v Speaker 1>what is it? This is all really come up with. Yeah,

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<v Speaker 1>And so even after people were performing experiments with electricity,

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<v Speaker 1>even creating some electrical technologies that they were using for

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<v Speaker 1>for purposes in uh in say, medicine, whether or not

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<v Speaker 1>those purposes were quite on the money in terms of

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<v Speaker 1>improving people's health. People were using electricity, but they they

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<v Speaker 1>didn't know what it was. Even in seventeen sixty seven,

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<v Speaker 1>after a lot of these famous experiments like Benjamin Franklin's experiments,

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<v Speaker 1>Joseph priestly described electricity as the youngest daughter of the sciences,

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<v Speaker 1>which I think is kind of a sweet thing to say.

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<v Speaker 1>But what was the invisible fire? The electrical fire? It

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<v Speaker 1>seemed it was a natural force of the world people understood,

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<v Speaker 1>and yet it commanded a sense of mystery because it

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<v Speaker 1>was invisible most of the time. It could act at

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<v Speaker 1>a distance like a ghostly force, almost you know, the

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<v Speaker 1>attraction between objects could be like a ghost reaching out

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<v Speaker 1>through the ether to pull things toward one another. It

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<v Speaker 1>could spark in the dark, and these were strange and

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<v Speaker 1>mysterious phenomena. Even when people began to be able to

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<v Speaker 1>control it, they didn't know what it was. So the

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<v Speaker 1>modern era of electrical research, I think is often traced

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<v Speaker 1>back to the add to the creation of the Leyden jar. Right, So,

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<v Speaker 1>the Leyden jar was a thing that was invented in

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<v Speaker 1>the seventeen forties, usually cited a seventeen forty five or

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<v Speaker 1>forty six, discovered independently by different people at different times.

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<v Speaker 1>But the laden jar was what was then known as

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<v Speaker 1>a condenser. But it's what we now call a capacitor.

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<v Speaker 1>So in simple terms, this is a device capable of

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<v Speaker 1>storing and quickly discharging a large amount of electricity. Yeah,

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<v Speaker 1>I've read the laden jar, particularly the one that was

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<v Speaker 1>created by a Dutch instrument instrument makers Edwald von Kleist

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<v Speaker 1>and Peter van mussen Bruck. This was basically a glass

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<v Speaker 1>jar full of water and had a nail in it,

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<v Speaker 1>and this was this was able to They were able

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<v Speaker 1>to use this to store an electrical charge. Yeah, they

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<v Speaker 1>had the different metals on the inside it outside, and

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<v Speaker 1>the differential between them could allow electric charge to accumulate

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<v Speaker 1>and then you could discharge it. Yeah, and and pretty

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<v Speaker 1>massively like apparently the first time muschen Brock used the jar,

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<v Speaker 1>he basically shocked the hell out of himself. I mean

0:13:07.000 --> 0:13:10.480
<v Speaker 1>didn't die, but tremendous amount of shock coming out of

0:13:10.520 --> 0:13:13.800
<v Speaker 1>this jar of water and nail. Well, but once you

0:13:14.240 --> 0:13:16.800
<v Speaker 1>look at what this kind of jar is capable of

0:13:16.840 --> 0:13:20.640
<v Speaker 1>delivering a shock like that, obviously some applications could come

0:13:20.679 --> 0:13:24.160
<v Speaker 1>to mind, and they sure did come to some minds,

0:13:24.240 --> 0:13:27.520
<v Speaker 1>especially the mind of one Benjamin Franklin. So you might

0:13:27.559 --> 0:13:31.600
<v Speaker 1>know about some of Benjamin Franklin's experiments with electricity. Probably

0:13:31.600 --> 0:13:35.040
<v Speaker 1>the most famous story is one we only have second hand, actually,

0:13:35.040 --> 0:13:37.960
<v Speaker 1>and that's the story about Franklin flying a kite tied

0:13:38.000 --> 0:13:41.000
<v Speaker 1>to a key in a thunderstorm to demonstrate the electrical

0:13:41.080 --> 0:13:43.600
<v Speaker 1>nature of lightning. You know, we only have been in

0:13:43.679 --> 0:13:46.080
<v Speaker 1>me that Disney cartoon to really go by, I don't

0:13:46.120 --> 0:13:47.599
<v Speaker 1>know what that is. What is how they did a

0:13:47.640 --> 0:13:51.320
<v Speaker 1>whole cartoon about Benjamin Franklin and the kaite. But there's

0:13:51.360 --> 0:13:55.240
<v Speaker 1>this mouse that's really the brilliance behind Ben, and he's

0:13:55.760 --> 0:13:59.280
<v Speaker 1>constantly urging Ben on. I mean, just in the Ben

0:13:59.280 --> 0:14:01.880
<v Speaker 1>Franklin Actuly of it is that are acceptable for children

0:14:01.880 --> 0:14:04.800
<v Speaker 1>to watch? You know? I think this story was propaganda

0:14:04.880 --> 0:14:09.240
<v Speaker 1>invented by the kite maker's lobby. No, but seriously, so

0:14:09.520 --> 0:14:11.800
<v Speaker 1>we don't know if this story actually happened or not.

0:14:11.920 --> 0:14:14.960
<v Speaker 1>It probably did. We get the story from Franklin's friend

0:14:15.040 --> 0:14:19.320
<v Speaker 1>Joseph Priestley, who reported it later, so not from Franklin himself.

0:14:19.320 --> 0:14:22.840
<v Speaker 1>But Franklin certainly did do lots of experiments on electricity.

0:14:22.880 --> 0:14:26.560
<v Speaker 1>He invented the lightning rod, which is a rod mounted

0:14:26.560 --> 0:14:28.920
<v Speaker 1>on top of a building that's connected to a wire

0:14:29.000 --> 0:14:31.440
<v Speaker 1>leading down to a ground rod embedded in the earth.

0:14:31.440 --> 0:14:33.960
<v Speaker 1>And what this does is it gives the lightning a

0:14:33.960 --> 0:14:36.800
<v Speaker 1>an avenue of travel from the top of the building

0:14:36.800 --> 0:14:39.920
<v Speaker 1>to the ground, sort of a harmless path, rather than

0:14:39.920 --> 0:14:43.480
<v Speaker 1>it going through the building, starting fires, potentially damaging people

0:14:43.640 --> 0:14:47.040
<v Speaker 1>or structural elements. It's like the expressway going around a

0:14:47.080 --> 0:14:49.720
<v Speaker 1>major population center so that the traffic doesn't have to

0:14:49.720 --> 0:14:52.280
<v Speaker 1>go directly through town where it can cause all sorts

0:14:52.320 --> 0:14:54.600
<v Speaker 1>of havoc. Yeah, so you've probably heard about these things,

0:14:54.640 --> 0:14:58.840
<v Speaker 1>but you might not have heard about Franklin's experiments in

0:14:58.880 --> 0:15:03.280
<v Speaker 1>the electric slaughter of large fowl, a specifically the turkey,

0:15:03.400 --> 0:15:05.480
<v Speaker 1>which I do want to just throw in really quickly

0:15:05.520 --> 0:15:09.280
<v Speaker 1>that Franklin famously said that that he thought the turkey

0:15:09.400 --> 0:15:13.160
<v Speaker 1>should be the national bird. Yeah, a lot of thanks

0:15:13.160 --> 0:15:17.120
<v Speaker 1>he gives it. He's like, national bird, you will die. Yeah,

0:15:17.120 --> 0:15:18.840
<v Speaker 1>why I you would think he would maybe go out

0:15:18.880 --> 0:15:21.520
<v Speaker 1>and get shocked the eagle, since he saw the eagle

0:15:21.640 --> 0:15:26.080
<v Speaker 1>is this kind of horrible, moral, morally offensive bird as

0:15:26.080 --> 0:15:29.840
<v Speaker 1>opposed to that the noble, slightly vain and preposterous but

0:15:30.000 --> 0:15:33.120
<v Speaker 1>but courageous turkey. Yeah, well he what he did, see

0:15:33.120 --> 0:15:35.800
<v Speaker 1>the eagle as a thief and a scavenger, right, yeah. Yeah,

0:15:36.040 --> 0:15:38.520
<v Speaker 1>he's like, that's that's really not our in our spirit,

0:15:38.520 --> 0:15:41.240
<v Speaker 1>it should be the turkey. Well, I guess there's no

0:15:41.360 --> 0:15:43.840
<v Speaker 1>law that says don't kill what you believe is noble,

0:15:43.960 --> 0:15:46.320
<v Speaker 1>because he believed the turkey to be noable, but he

0:15:46.400 --> 0:15:49.680
<v Speaker 1>also wanted to roast it with electrical current and eat

0:15:49.720 --> 0:15:54.920
<v Speaker 1>its flesh. Well, I guess it's easier to obtain a

0:15:54.960 --> 0:15:58.640
<v Speaker 1>turkey than an eagle. That's true. The eagles fight back. Yeah.

0:15:58.960 --> 0:16:03.560
<v Speaker 1>So on April nine, Franklin wrote to the scientist Peter

0:16:03.720 --> 0:16:07.160
<v Speaker 1>Collinson a letter detailing the results of some recent experiments

0:16:07.200 --> 0:16:10.480
<v Speaker 1>he'd done in electricity, and he ended with a strange

0:16:10.600 --> 0:16:15.680
<v Speaker 1>proposal for a quote party of pleasure on the banks

0:16:15.760 --> 0:16:18.720
<v Speaker 1>of the Schookole the river. And so this is what

0:16:18.760 --> 0:16:21.680
<v Speaker 1>he said, quote a turkey is to be killed for

0:16:21.760 --> 0:16:25.080
<v Speaker 1>our dinners by the electric shock and roasted by the

0:16:25.120 --> 0:16:29.040
<v Speaker 1>electric jack before a fire kindled by the electric bottle,

0:16:29.440 --> 0:16:32.320
<v Speaker 1>when the healths of all the famous electricians in England,

0:16:32.480 --> 0:16:36.080
<v Speaker 1>France and Germany are to be drank in electrified bumpers

0:16:36.120 --> 0:16:39.880
<v Speaker 1>under the discharge of guns from the electric battery. Okay,

0:16:39.920 --> 0:16:42.360
<v Speaker 1>first of all, what's an electric bumper? This is great?

0:16:42.400 --> 0:16:45.320
<v Speaker 1>So Franklin explains this in a marginal note. He says,

0:16:45.400 --> 0:16:50.800
<v Speaker 1>an electrified bumper is a small, thin glass tumbler near

0:16:50.880 --> 0:16:54.960
<v Speaker 1>filled with wine and electrified. This, when brought to the lips,

0:16:54.960 --> 0:16:57.680
<v Speaker 1>gives a shock if the party be close shaved, and

0:16:57.760 --> 0:17:01.000
<v Speaker 1>does not breathe on the liquor. Was that not factoring

0:17:01.000 --> 0:17:03.800
<v Speaker 1>into modern exology that you think that would? I can

0:17:03.840 --> 0:17:07.480
<v Speaker 1>see that going over huge at trendy bars, right especially. Yeah, well,

0:17:07.600 --> 0:17:09.359
<v Speaker 1>it seems like it would really go with that you

0:17:09.400 --> 0:17:11.639
<v Speaker 1>know those trends in the nineteen I guess was at

0:17:11.640 --> 0:17:14.680
<v Speaker 1>the fifties where they'd have electric movie seats that would

0:17:14.680 --> 0:17:18.320
<v Speaker 1>shock you harm. Yeah, so they should have served drinks

0:17:18.320 --> 0:17:22.360
<v Speaker 1>that would shock you as well. So anyway, Franklin's attempt

0:17:22.400 --> 0:17:25.879
<v Speaker 1>to slaughter turkeys with the electric discharge of Leyden jars,

0:17:25.880 --> 0:17:28.159
<v Speaker 1>which is what he was using, the laden jars we

0:17:28.160 --> 0:17:31.919
<v Speaker 1>talked about earlier. Those were his electric bottles. This happened

0:17:31.920 --> 0:17:34.760
<v Speaker 1>in seventeen fifty, and it did not go so well.

0:17:35.119 --> 0:17:37.800
<v Speaker 1>According to a letter from one William Watson to the

0:17:37.880 --> 0:17:42.560
<v Speaker 1>Royal Society in London. Quote, he first made several attempts

0:17:42.560 --> 0:17:45.720
<v Speaker 1>on fouls and found that two large thin glass jars

0:17:45.760 --> 0:17:48.840
<v Speaker 1>guilt holding each about six gallons, and such as I

0:17:48.880 --> 0:17:51.639
<v Speaker 1>mentioned I had employed in the last paper I laid

0:17:51.680 --> 0:17:55.200
<v Speaker 1>before you upon this subject, were sufficient win fully charged

0:17:55.240 --> 0:17:58.920
<v Speaker 1>to kill common hens out right. But the turkeys, though

0:17:58.960 --> 0:18:02.360
<v Speaker 1>thrown into violent convulsions and then lying as dead for

0:18:02.440 --> 0:18:05.159
<v Speaker 1>some minutes, would recover in less than a quarter of

0:18:05.160 --> 0:18:07.800
<v Speaker 1>an hour. So they had turkeys coming back from the dead.

0:18:07.880 --> 0:18:13.480
<v Speaker 1>I mean, that's pretty messed up. Watson continues, however, having

0:18:13.520 --> 0:18:16.840
<v Speaker 1>added three other such to the former too, and he's

0:18:16.880 --> 0:18:20.840
<v Speaker 1>talking about the laden jars there, uh, though not fully charged.

0:18:20.880 --> 0:18:23.600
<v Speaker 1>He killed a turkey of about ten pounds weight and

0:18:23.680 --> 0:18:27.000
<v Speaker 1>believes they would have killed a much larger He conceded

0:18:27.040 --> 0:18:30.159
<v Speaker 1>as himself says that the birds killed in this manner

0:18:30.200 --> 0:18:34.159
<v Speaker 1>eat uncommonly tender. You know, that's that's one heck of

0:18:34.200 --> 0:18:37.800
<v Speaker 1>a yell p review. But but but I do appreciate

0:18:38.400 --> 0:18:40.440
<v Speaker 1>the spirit of the thing that the spirit of the

0:18:40.480 --> 0:18:43.720
<v Speaker 1>dinner was. We're just gonna have a completely electric dinner.

0:18:43.800 --> 0:18:45.840
<v Speaker 1>Everything from the death of the bird, to the cooking

0:18:45.840 --> 0:18:48.720
<v Speaker 1>of the bird, to the the curious way that the

0:18:48.800 --> 0:18:51.720
<v Speaker 1>drinks make your lips tinkle, everything is going to be

0:18:51.960 --> 0:18:56.399
<v Speaker 1>powered by this this this divine energy that we are

0:18:56.440 --> 0:18:59.560
<v Speaker 1>now harnessing with our modern science. Well, it almost sounds

0:18:59.640 --> 0:19:03.600
<v Speaker 1>like the scientific counterpart to those spirit parties people would

0:19:03.640 --> 0:19:05.720
<v Speaker 1>have where you know, where you'd have a seance and

0:19:05.760 --> 0:19:09.600
<v Speaker 1>you have people doing all kinds of spiritualist games and demonstrations.

0:19:09.920 --> 0:19:12.000
<v Speaker 1>Here it's the other side of the coin. But they're

0:19:12.080 --> 0:19:16.239
<v Speaker 1>using natural phenomena. So then again, how natural because all

0:19:16.280 --> 0:19:19.840
<v Speaker 1>these mysteries remained, what is the electrical fire? Like? Ultimately,

0:19:19.840 --> 0:19:24.040
<v Speaker 1>they're playing with something that they don't completely understand. Um,

0:19:24.080 --> 0:19:26.159
<v Speaker 1>you know, now with that, I have to add the

0:19:26.160 --> 0:19:29.119
<v Speaker 1>caveat that had a lot of us today do not

0:19:29.240 --> 0:19:33.520
<v Speaker 1>really completely understand the electricity that we're we're employing, right,

0:19:33.600 --> 0:19:35.879
<v Speaker 1>We're we're fine to let it power our toaster ovens

0:19:35.880 --> 0:19:38.240
<v Speaker 1>and cook our ego waffles, but we don't really We

0:19:38.240 --> 0:19:42.440
<v Speaker 1>couldn't engineer electrical dynamos ourselves exactly, and of course that's

0:19:42.440 --> 0:19:44.920
<v Speaker 1>just part of modern life. And then it should also

0:19:45.000 --> 0:19:49.320
<v Speaker 1>be stressed as well that we haven't completely filled in

0:19:49.440 --> 0:19:52.959
<v Speaker 1>all the all the blanks, all the spaces in our

0:19:53.080 --> 0:19:56.760
<v Speaker 1>understanding of electricity itself, umo are, which is kind of

0:19:56.800 --> 0:20:00.320
<v Speaker 1>weird to imagine. Yeah, but back to the din Or party,

0:20:00.359 --> 0:20:05.600
<v Speaker 1>how did our host recover from this setback of reanimated turkeys? Well, yeah,

0:20:05.680 --> 0:20:08.000
<v Speaker 1>you might think that the turkeys coming back from the

0:20:08.040 --> 0:20:11.040
<v Speaker 1>dead would be enough to stun you into silence, But

0:20:11.040 --> 0:20:13.520
<v Speaker 1>but Franklin was in for another shock, because he actually

0:20:13.560 --> 0:20:17.720
<v Speaker 1>managed to shock himself so bad that he was knocked unconscious.

0:20:18.520 --> 0:20:21.920
<v Speaker 1>Watson writes later in this same letter that he says

0:20:22.240 --> 0:20:25.080
<v Speaker 1>from this experiment, maybe seen the danger even under the

0:20:25.119 --> 0:20:28.320
<v Speaker 1>greatest caution to the operator when making these experiments with

0:20:28.440 --> 0:20:31.080
<v Speaker 1>large jars for it is not to be doubted but

0:20:31.160 --> 0:20:34.600
<v Speaker 1>that several of these fully charged would as certainly by

0:20:34.680 --> 0:20:37.840
<v Speaker 1>increasing them in proportion to the size, kill a man,

0:20:38.119 --> 0:20:41.600
<v Speaker 1>as they before did the turkey. Alright, So here we

0:20:41.640 --> 0:20:44.840
<v Speaker 1>see the two sides of the coin. Like. On one hand,

0:20:44.840 --> 0:20:48.359
<v Speaker 1>electricity can be managed, It can be used, uh, it

0:20:48.400 --> 0:20:51.920
<v Speaker 1>can be played with. But it can also prove dangerous

0:20:52.320 --> 0:20:56.960
<v Speaker 1>uh in high enough quantities. Certainly, and indeed electricity experiments

0:20:57.000 --> 0:20:59.760
<v Speaker 1>could prove deadly if proper care was not taken. I

0:21:00.040 --> 0:21:03.360
<v Speaker 1>to look at one example, which is gae Org Wilhelm Rickman.

0:21:04.040 --> 0:21:07.760
<v Speaker 1>So he was a scientist, he was experimenting on electricity.

0:21:07.760 --> 0:21:11.399
<v Speaker 1>He was conducting an experiment involving an insulated lightning rod

0:21:11.880 --> 0:21:15.280
<v Speaker 1>during a storm in St. Petersburg in seventeen fifty three,

0:21:15.359 --> 0:21:18.840
<v Speaker 1>and Rickman got dead. He was struck dead in his

0:21:18.960 --> 0:21:21.520
<v Speaker 1>lab by what has been described as a burst of

0:21:21.600 --> 0:21:24.720
<v Speaker 1>ball lightning. I want to read out the account here,

0:21:24.720 --> 0:21:28.040
<v Speaker 1>which is bizarre and fascinating. So this is a letter

0:21:28.080 --> 0:21:32.280
<v Speaker 1>to the Pennsylvania Gazette from March seventeen fifty four explaining

0:21:32.280 --> 0:21:35.879
<v Speaker 1>what happened to Rickman. It says the place for the

0:21:35.920 --> 0:21:38.720
<v Speaker 1>experiment was a kind of gallery with its entrance toward

0:21:38.800 --> 0:21:41.399
<v Speaker 1>the north, and a window towards the south. Whether the

0:21:41.440 --> 0:21:44.199
<v Speaker 1>window was open is not known. All that is certain

0:21:44.359 --> 0:21:47.119
<v Speaker 1>is that near the window was a cupboard four ft long,

0:21:47.240 --> 0:21:50.760
<v Speaker 1>on which replaced the electrical needle, and a vessel of water,

0:21:51.160 --> 0:21:55.119
<v Speaker 1>partly filled with brass filings, over which came an iron

0:21:55.160 --> 0:21:58.480
<v Speaker 1>bar about an inch thick and a foot long, fastened

0:21:58.480 --> 0:22:00.720
<v Speaker 1>at the top to a wire which came down from

0:22:00.760 --> 0:22:03.040
<v Speaker 1>the roof of the house through the gallery door. So

0:22:03.080 --> 0:22:06.080
<v Speaker 1>they were sort of playing with death here. They're saying, Okay,

0:22:06.119 --> 0:22:08.040
<v Speaker 1>we've got a lightning rod on the top of the house.

0:22:08.240 --> 0:22:10.840
<v Speaker 1>We've got it running down to an insulated wire in

0:22:10.880 --> 0:22:15.000
<v Speaker 1>the room that suspended over this bowl, and so they continue.

0:22:15.680 --> 0:22:18.480
<v Speaker 1>The professor, judging from the needle that the tempest was

0:22:18.520 --> 0:22:21.640
<v Speaker 1>at a great distance, assured Mr soko Law that there

0:22:21.680 --> 0:22:24.280
<v Speaker 1>was no danger, but there might be at the approach.

0:22:24.400 --> 0:22:27.520
<v Speaker 1>So they don't think the storm's hit yet. But Mr

0:22:27.600 --> 0:22:31.160
<v Speaker 1>Rickman stood about a foot from the bar, attentively observing

0:22:31.200 --> 0:22:35.480
<v Speaker 1>the needle. Soon after Mr Sokolow saw the machine being untouched,

0:22:35.680 --> 0:22:39.320
<v Speaker 1>a globe of blue and whitish fire about four inches

0:22:39.359 --> 0:22:43.400
<v Speaker 1>in diameter dart from the bar against Mr Rickman's forehead,

0:22:43.600 --> 0:22:47.960
<v Speaker 1>who fell backwards without the least outcry, which is a

0:22:47.960 --> 0:22:51.600
<v Speaker 1>creepy way to die, right, You'd expect a person to scream. Instead,

0:22:51.640 --> 0:22:54.679
<v Speaker 1>he just silently falls right, And this is important to

0:22:54.720 --> 0:22:58.919
<v Speaker 1>keep in mind later. This sort of accidental electrical electrical

0:22:59.000 --> 0:23:05.879
<v Speaker 1>death they were is just instantaneous, seemingly seemingly which is

0:23:05.960 --> 0:23:08.920
<v Speaker 1>the scariest part based on what we finally found out

0:23:08.960 --> 0:23:11.760
<v Speaker 1>can happen. But also towards the end of the same letter,

0:23:12.160 --> 0:23:15.879
<v Speaker 1>what is the takeaway from this, Well, they learned some

0:23:16.000 --> 0:23:20.280
<v Speaker 1>interesting things. Quote. The new doctrine of lightning is however,

0:23:20.359 --> 0:23:24.240
<v Speaker 1>confirmed by this unhappy accident, and many lives may hereafter

0:23:24.280 --> 0:23:27.800
<v Speaker 1>be saved by the practice it teaches. Mr Rickman, being

0:23:28.200 --> 0:23:31.120
<v Speaker 1>about to make experiments in the matter of lightning, had

0:23:31.119 --> 0:23:35.000
<v Speaker 1>supported his rod and wires with electrics per se, which

0:23:35.040 --> 0:23:39.160
<v Speaker 1>cut off their communication with the earth, and himself standing

0:23:39.240 --> 0:23:43.080
<v Speaker 1>too near where the wire terminated, helped with his body

0:23:43.119 --> 0:23:46.800
<v Speaker 1>to complete that communication. So he formed the road. Instead

0:23:46.840 --> 0:23:50.040
<v Speaker 1>of Franklin's model where the electric current takes the freeway

0:23:50.080 --> 0:23:54.280
<v Speaker 1>bypass around the city, this went straight through the city

0:23:54.400 --> 0:23:57.760
<v Speaker 1>and through a dude to the other side, basically through

0:23:57.800 --> 0:24:01.439
<v Speaker 1>his living room. I so, so based on that, you

0:24:01.520 --> 0:24:04.720
<v Speaker 1>might think, well, surely everyone's learning the lesson here. Electricity

0:24:04.840 --> 0:24:08.320
<v Speaker 1>is dangerous. You should not employ it at your dinner parties,

0:24:08.359 --> 0:24:11.840
<v Speaker 1>you should not employ it in your parlor. And yet

0:24:12.840 --> 0:24:15.359
<v Speaker 1>we see the trend go in the opposite Yeah, exactly

0:24:15.400 --> 0:24:18.080
<v Speaker 1>the opposite way. So that was seventeen fifty three that

0:24:18.080 --> 0:24:21.439
<v Speaker 1>that happened to Rickman and and at the same time,

0:24:21.720 --> 0:24:26.119
<v Speaker 1>in the salons and galleries of Europe and North America,

0:24:26.240 --> 0:24:31.680
<v Speaker 1>electricity was becoming the hottest bit of edutainment, uh, that

0:24:32.200 --> 0:24:35.080
<v Speaker 1>there had ever been. So I want to draw now

0:24:35.160 --> 0:24:38.920
<v Speaker 1>from mostly from a paper called Sparks in the Dark

0:24:39.080 --> 0:24:42.800
<v Speaker 1>The Attraction of Electricity in the eighteenth Century by Paula Bertucci.

0:24:43.080 --> 0:24:45.040
<v Speaker 1>And she's been a really good source for us in

0:24:45.080 --> 0:24:48.240
<v Speaker 1>these episodes of Several of her papers have been big

0:24:48.240 --> 0:24:50.320
<v Speaker 1>sources of our research, and she's done a lot of

0:24:50.359 --> 0:24:53.040
<v Speaker 1>work on the history of electricity, and these papers are

0:24:53.080 --> 0:24:55.439
<v Speaker 1>great reads. Yeah, we'll make sure to link out to

0:24:55.520 --> 0:24:57.480
<v Speaker 1>some of her materials on the landing page for this

0:24:57.520 --> 0:24:59.640
<v Speaker 1>episode of Stuff to Blow your Mind dot Com, because yeah,

0:24:59.720 --> 0:25:02.439
<v Speaker 1>she's is to be one of the forefront researchers and

0:25:02.520 --> 0:25:06.200
<v Speaker 1>historians on the history of electricity. Yeah, So coming back

0:25:06.200 --> 0:25:10.960
<v Speaker 1>to these sparking salons, So, in the Enlightenment climate of

0:25:11.040 --> 0:25:15.520
<v Speaker 1>eighteenth century Europe, public demonstrations of electrical phenomenon experiments became

0:25:15.640 --> 0:25:20.399
<v Speaker 1>really popular forms of entertainment among the wealthy. So if

0:25:20.440 --> 0:25:23.800
<v Speaker 1>you walked into a Parisian salon in the mid seventeen hundreds,

0:25:23.840 --> 0:25:28.159
<v Speaker 1>you might find a horde of socialites sitting silent in

0:25:28.200 --> 0:25:32.159
<v Speaker 1>the dark, watching a lecturer on natural philosophy charge and

0:25:32.520 --> 0:25:36.439
<v Speaker 1>or hanging atop a spike until it glowed, or they

0:25:36.520 --> 0:25:40.440
<v Speaker 1>might give an audience member shocks of static electricity. And

0:25:40.600 --> 0:25:43.000
<v Speaker 1>another funny thing you might see would be Benjamin Franklin

0:25:43.040 --> 0:25:46.440
<v Speaker 1>sitting in the audience as this was his scene. This

0:25:46.560 --> 0:25:50.280
<v Speaker 1>was like, this was like the DC punk scene. But

0:25:50.880 --> 0:25:54.000
<v Speaker 1>the Paris electricity scene is that much a scene one

0:25:54.000 --> 0:25:58.600
<v Speaker 1>of the scenes that Franklin frequented, uh in the city. Okay,

0:25:58.600 --> 0:26:00.760
<v Speaker 1>But so it was during the seventy forties that the

0:26:00.920 --> 0:26:04.520
<v Speaker 1>educated audiences in Europe and North America really became familiar

0:26:04.960 --> 0:26:07.879
<v Speaker 1>with the power of the electric fire. And it wasn't

0:26:07.920 --> 0:26:10.720
<v Speaker 1>just Benjamin Franklin and his inner circle that we're showing off.

0:26:10.760 --> 0:26:14.600
<v Speaker 1>All the sparkling experiments. There was a whole generation of

0:26:14.680 --> 0:26:19.080
<v Speaker 1>what what Bertucci calls itinerant lecturers, which is great because

0:26:19.119 --> 0:26:22.600
<v Speaker 1>that makes me think of itinerant priests or itinerant evangelists

0:26:23.520 --> 0:26:26.960
<v Speaker 1>traveling around spreading the gospel message, except in this case,

0:26:27.040 --> 0:26:31.680
<v Speaker 1>this is the electricity gospel. So they would tour from

0:26:31.760 --> 0:26:36.119
<v Speaker 1>place to place giving demonstrations. Uh, in an early incarnation

0:26:36.200 --> 0:26:39.160
<v Speaker 1>of what we might call edutainment. I would say, they

0:26:39.200 --> 0:26:43.160
<v Speaker 1>would show off some sparks, show off some electromagnetic attraction,

0:26:43.200 --> 0:26:53.239
<v Speaker 1>and they'd say, are you not edutane? Well, what are

0:26:53.280 --> 0:26:55.240
<v Speaker 1>some examples of some of the demonstrations that they would

0:26:55.320 --> 0:26:59.760
<v Speaker 1>roll out for the for the entertainment hungry population. Right,

0:26:59.800 --> 0:27:02.920
<v Speaker 1>So one would be uh, having somebody touch in electrical

0:27:02.920 --> 0:27:05.919
<v Speaker 1>apparatus and then you'd see their hair rise up. Or

0:27:06.040 --> 0:27:09.040
<v Speaker 1>you could see somebody become electrically charged and then attract

0:27:09.119 --> 0:27:13.480
<v Speaker 1>small objects with one's hands. Or you could use electrostatic

0:27:13.520 --> 0:27:17.439
<v Speaker 1>induction to make objects move for example, maybe maybe making

0:27:17.520 --> 0:27:21.080
<v Speaker 1>bells ring or something. Or you could darken the room

0:27:21.440 --> 0:27:25.680
<v Speaker 1>and show sparks jumping between objects, or electro luminescent glowing

0:27:25.760 --> 0:27:28.639
<v Speaker 1>inside glass containers. Now the great thing about this I

0:27:28.680 --> 0:27:30.600
<v Speaker 1>meagine a lot of people are thinking this is and

0:27:30.680 --> 0:27:33.639
<v Speaker 1>from a modern perspective, you think of Mr Wizard, you

0:27:33.720 --> 0:27:39.160
<v Speaker 1>think of various various science shows. For me, I think Beakman. Yeah,

0:27:39.200 --> 0:27:42.119
<v Speaker 1>for me, I'm also reminded of the sort of street

0:27:42.160 --> 0:27:44.800
<v Speaker 1>festival they have for the World Science Festival in New

0:27:44.840 --> 0:27:47.560
<v Speaker 1>York City every year, where kids go around, they go

0:27:47.640 --> 0:27:51.400
<v Speaker 1>to different science booths and there's always at least one

0:27:51.640 --> 0:27:53.720
<v Speaker 1>where they have some sort of electrical experiment going on.

0:27:53.760 --> 0:27:58.240
<v Speaker 1>I mean it's electrical experiments lend themselves so well to

0:27:58.720 --> 0:28:01.360
<v Speaker 1>to public, like it was in public displays, and we're

0:28:01.400 --> 0:28:04.640
<v Speaker 1>still into them to this day. Yes, absolutely. I mean

0:28:04.920 --> 0:28:08.280
<v Speaker 1>it's important to notice how much of this was just spectacle.

0:28:09.000 --> 0:28:11.960
<v Speaker 1>I don't know how much the average person was learning

0:28:12.080 --> 0:28:15.480
<v Speaker 1>from these demonstrations and the salons, especially given how little

0:28:15.800 --> 0:28:19.120
<v Speaker 1>the people lecturing probably knew about electricity. Like we said,

0:28:19.280 --> 0:28:22.600
<v Speaker 1>they didn't know about electrons, yet, we didn't know what

0:28:22.640 --> 0:28:26.680
<v Speaker 1>the electrical fire was. There were a lot of suppositions,

0:28:26.720 --> 0:28:31.040
<v Speaker 1>you might say, But but it's funny to imagine the

0:28:31.440 --> 0:28:34.960
<v Speaker 1>level of confidence in the display and the spectacle of

0:28:35.000 --> 0:28:40.120
<v Speaker 1>it versus what was actually probably misinformation being communicated to people.

0:28:40.600 --> 0:28:43.520
<v Speaker 1>So the demonstrations really played to the senses. They had

0:28:43.520 --> 0:28:47.440
<v Speaker 1>flashes of light, crackling noises, smells even sometimes like a

0:28:47.480 --> 0:28:50.720
<v Speaker 1>sulfurous smell in the aftermath of things. A couple of

0:28:50.760 --> 0:28:54.640
<v Speaker 1>examples of people who would give these things. One was

0:28:55.440 --> 0:28:59.080
<v Speaker 1>Jean Antoine Melas, who was a French physicist and instrument maker,

0:28:59.400 --> 0:29:02.280
<v Speaker 1>and he would range experiments with chains of people holding

0:29:02.360 --> 0:29:05.760
<v Speaker 1>hands who would be shocked in unison as the person

0:29:05.840 --> 0:29:08.280
<v Speaker 1>at one end of the chain touched the rod or

0:29:08.360 --> 0:29:11.120
<v Speaker 1>the inner surface of the laden jar, and the person

0:29:11.160 --> 0:29:14.120
<v Speaker 1>at the other end touched the outer surface. And there's

0:29:14.160 --> 0:29:17.720
<v Speaker 1>something almost weirdly orgiastic about this, isn't there. Yeah, what

0:29:17.800 --> 0:29:21.280
<v Speaker 1>reminds me of these these scenes of seances taking place

0:29:21.480 --> 0:29:24.400
<v Speaker 1>more or less around the same pole, hands in a circle. Yeah, yeah,

0:29:24.440 --> 0:29:26.280
<v Speaker 1>and and and all. All of this also reminds me

0:29:26.320 --> 0:29:30.040
<v Speaker 1>of magic tricks, except in this case the magic is real,

0:29:30.160 --> 0:29:33.040
<v Speaker 1>and the magic is a is a natural phenomenon that

0:29:33.160 --> 0:29:35.040
<v Speaker 1>we don't have at this point, we don't have all

0:29:35.080 --> 0:29:37.840
<v Speaker 1>the answers for, and thus still retains a lot of

0:29:37.840 --> 0:29:40.760
<v Speaker 1>its magical qualities. Yeah. Yeah, So, as much as these

0:29:40.840 --> 0:29:45.840
<v Speaker 1>lecturers probably wanted to emphasize the scientific and natural nature

0:29:45.880 --> 0:29:50.520
<v Speaker 1>of the electrical phenomenon people were observing. There is undoubtedly

0:29:50.560 --> 0:29:54.880
<v Speaker 1>a very spiritual power to what people were experiencing at

0:29:54.920 --> 0:29:58.440
<v Speaker 1>these demonstrations, if you know what I mean. A couple

0:29:58.480 --> 0:30:00.400
<v Speaker 1>other things that might be showed off. One one thing

0:30:00.480 --> 0:30:03.400
<v Speaker 1>was medical electricity began to emerge in this period in

0:30:03.440 --> 0:30:06.760
<v Speaker 1>the mid seventeen hundreds as the sort of useful incarnation

0:30:06.880 --> 0:30:10.440
<v Speaker 1>of this force, which I mean, that's funny to imagine

0:30:10.480 --> 0:30:14.760
<v Speaker 1>back then. But though the medical utility of the electrical

0:30:14.800 --> 0:30:17.920
<v Speaker 1>fire was still debated, demonstrators began in this period to

0:30:18.000 --> 0:30:21.880
<v Speaker 1>definitely offer therapeutic electrical shocks to people who sought them

0:30:22.160 --> 0:30:26.000
<v Speaker 1>for I guess primarily conditions of the nerves. Yeah, I mean,

0:30:26.040 --> 0:30:29.480
<v Speaker 1>here's this electricity that has this kind of um, you know,

0:30:29.560 --> 0:30:32.800
<v Speaker 1>magical quality to it already, you're definitely gonna feel it.

0:30:33.160 --> 0:30:36.640
<v Speaker 1>So you wrap a little bit of healing hocus pocus

0:30:36.720 --> 0:30:40.480
<v Speaker 1>language around it, and you have yourselves potentially one heck

0:30:40.480 --> 0:30:43.320
<v Speaker 1>of a placebo there, right, Yeah. Yeah. And so there

0:30:43.360 --> 0:30:46.280
<v Speaker 1>were a couple other things that Bertucci mentions that were

0:30:46.280 --> 0:30:49.480
<v Speaker 1>often showed off. There were thunder houses and the the

0:30:49.520 --> 0:30:52.200
<v Speaker 1>Aurora flask. I love the idea of a thunder house.

0:30:52.280 --> 0:30:54.760
<v Speaker 1>This is it was basically a demonstration that was sort

0:30:54.800 --> 0:30:57.720
<v Speaker 1>of an ad for the lightning rod because it was

0:30:57.760 --> 0:31:00.680
<v Speaker 1>a model house. So imagine a dollhouse then with a

0:31:00.800 --> 0:31:03.040
<v Speaker 1>lightning rod sticking out the top of it. Then the

0:31:03.080 --> 0:31:06.600
<v Speaker 1>demonstrators would shock the house with electrical discharge, and if

0:31:06.600 --> 0:31:09.600
<v Speaker 1>the rod was properly grounded, nothing would happen, but if

0:31:09.640 --> 0:31:12.000
<v Speaker 1>the rod was ungrounded, a shock to the house would

0:31:12.000 --> 0:31:15.880
<v Speaker 1>ignite gunpowder planted inside the dollhouse and cause an explosion.

0:31:16.680 --> 0:31:19.440
<v Speaker 1>And then also there was a thing called the Aurora flask,

0:31:19.520 --> 0:31:23.440
<v Speaker 1>which was a pear shaped glass bulb designed to simulate

0:31:23.520 --> 0:31:27.280
<v Speaker 1>the luminous display of the Aurora borealis inside a container.

0:31:27.960 --> 0:31:29.560
<v Speaker 1>So that's a weird way that we could put this,

0:31:29.760 --> 0:31:35.520
<v Speaker 1>this amazingly beautiful, vast, uh natural display inside a bottle,

0:31:35.960 --> 0:31:38.760
<v Speaker 1>which is almost a metaphor for what these people were doing.

0:31:38.840 --> 0:31:42.080
<v Speaker 1>You know, they were taking the most powerful and mysterious,

0:31:42.840 --> 0:31:46.800
<v Speaker 1>huge grand forces of nature and capturing it and putting

0:31:46.840 --> 0:31:48.920
<v Speaker 1>it in a bottle that you could look into and

0:31:48.960 --> 0:31:51.560
<v Speaker 1>tap on the glass. Lightning in a bottle, And then

0:31:51.960 --> 0:31:53.720
<v Speaker 1>all the way to our modern time where what is

0:31:53.920 --> 0:31:56.360
<v Speaker 1>what is a light bulb but another form of lightning

0:31:56.360 --> 0:31:59.840
<v Speaker 1>in a bottle? And yet the most mundane thing imaginable. Yeah,

0:32:00.000 --> 0:32:02.760
<v Speaker 1>And I think because partly because of all these demonstrations,

0:32:02.800 --> 0:32:08.000
<v Speaker 1>people began to think of electricity as as sort of

0:32:08.040 --> 0:32:10.560
<v Speaker 1>the the embodiment of all the force of the cosmos.

0:32:10.960 --> 0:32:13.120
<v Speaker 1>So in the second half of the eighteenth century, people

0:32:13.160 --> 0:32:15.880
<v Speaker 1>were beginning to explain all kinds of natural forces through

0:32:15.960 --> 0:32:19.840
<v Speaker 1>the the electrical fire. So obviously lightning and thunder but

0:32:19.880 --> 0:32:24.480
<v Speaker 1>people started to say, well, earthquakes, that's probably electricity too, Tornadoes,

0:32:24.520 --> 0:32:29.800
<v Speaker 1>whirlpools is all electricity. And Bertucci says, quote such demonstrations

0:32:29.840 --> 0:32:36.000
<v Speaker 1>contributed to the construction of an electrical cosmos. Health, sickness, thunderstorm, earthquakes,

0:32:36.040 --> 0:32:39.880
<v Speaker 1>and Aurora borealis all resulted from the motions of the

0:32:39.920 --> 0:32:43.720
<v Speaker 1>electrical fire. Again taking on what sounds like kind of

0:32:43.720 --> 0:32:46.840
<v Speaker 1>a spiritual aspect, it's almost like the the you know,

0:32:46.920 --> 0:32:49.720
<v Speaker 1>the power and love of God that controls the motions

0:32:49.760 --> 0:32:52.600
<v Speaker 1>of all the spheres. Yeah, this sense that they're they're

0:32:52.760 --> 0:32:55.920
<v Speaker 1>tapping into this this hidden network of energy that underlies

0:32:55.960 --> 0:32:58.440
<v Speaker 1>all things. The kind of thing that I've seen, I've

0:32:58.480 --> 0:33:02.520
<v Speaker 1>seen discussed in various uh you know, a cult or

0:33:02.560 --> 0:33:06.160
<v Speaker 1>some sort of spiritual uh papers where they're talking about

0:33:06.200 --> 0:33:08.720
<v Speaker 1>saying like they're being a chaos matrix manith reality, and

0:33:08.720 --> 0:33:11.040
<v Speaker 1>if you can tap into that chaos matrix, then you

0:33:11.040 --> 0:33:14.840
<v Speaker 1>have chaos chaos magic at your disposal. Like this is.

0:33:14.920 --> 0:33:17.080
<v Speaker 1>This is as if one were suddenly saying, hey, we

0:33:17.200 --> 0:33:20.080
<v Speaker 1>found the chaos matrix and we can make the chaos

0:33:20.120 --> 0:33:23.400
<v Speaker 1>magic fly from the tips of our fingers. Now, what

0:33:23.600 --> 0:33:27.120
<v Speaker 1>is the D and D alignment of the electrical phantom?

0:33:27.240 --> 0:33:31.680
<v Speaker 1>Is it chaotic evil or chaotic neutral? I think chaotic neutral.

0:33:32.040 --> 0:33:36.480
<v Speaker 1>It's all, but it all depends on how you engage

0:33:36.480 --> 0:33:38.760
<v Speaker 1>with it. Okay, now we're gonna take a quick break,

0:33:38.760 --> 0:33:40.479
<v Speaker 1>but when we come back, we're gonna hear about one

0:33:40.520 --> 0:33:48.720
<v Speaker 1>of the weirdest demonstrations of the electrical fire. Hey, everybody,

0:33:48.720 --> 0:33:51.480
<v Speaker 1>you know the importance of having a quality, professional looking

0:33:51.520 --> 0:33:53.760
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0:33:53.800 --> 0:33:56.160
<v Speaker 1>represent yourself to everybody. And you want it to look sharp,

0:33:56.240 --> 0:33:57.800
<v Speaker 1>you want it to be easy to use. But you

0:33:57.880 --> 0:34:00.920
<v Speaker 1>also don't want to completely break your brain or have

0:34:01.040 --> 0:34:03.240
<v Speaker 1>to learn some sort of new code in order to

0:34:03.320 --> 0:34:05.320
<v Speaker 1>build the thing. Right If you if you just kind

0:34:05.320 --> 0:34:07.480
<v Speaker 1>of go out there into the wild and say I'm

0:34:07.480 --> 0:34:09.480
<v Speaker 1>gonna make my own personal website. You know what you're

0:34:09.480 --> 0:34:11.759
<v Speaker 1>gonna end up with, it's gonna look like it was

0:34:11.800 --> 0:34:13.719
<v Speaker 1>made by somebody who didn't know what they were doing.

0:34:14.040 --> 0:34:16.120
<v Speaker 1>And even even to get to that point, it's gonna

0:34:16.160 --> 0:34:19.239
<v Speaker 1>be a rough journey. But if you want to have

0:34:19.360 --> 0:34:21.560
<v Speaker 1>a website that looks like something that could have been

0:34:21.600 --> 0:34:25.080
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0:34:25.680 --> 0:34:28.160
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0:34:28.160 --> 0:34:31.120
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0:34:31.160 --> 0:34:33.960
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0:34:34.080 --> 0:34:36.360
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0:34:36.440 --> 0:34:38.399
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0:34:38.440 --> 0:34:41.880
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0:34:41.920 --> 0:34:44.399
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0:34:44.480 --> 0:34:48.640
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0:34:48.840 --> 0:34:51.560
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0:34:51.680 --> 0:34:55.520
<v Speaker 1>get ten percent off your first purchase square Space. You

0:34:55.600 --> 0:35:04.000
<v Speaker 1>should alright, we're back, Yes, so we're going to discuss

0:35:04.000 --> 0:35:06.919
<v Speaker 1>here the work of one Stephen Gray. Now, Stephen Gray

0:35:06.960 --> 0:35:10.080
<v Speaker 1>did plenty of experiments in electricity, right, yes, yeah, he

0:35:10.120 --> 0:35:13.640
<v Speaker 1>was an English dier, the son of a dire Uh.

0:35:13.719 --> 0:35:18.640
<v Speaker 1>He was an astronomer and uh, indeed, an electrical conduction pioneer.

0:35:19.080 --> 0:35:22.000
<v Speaker 1>He's remembered for a number of discoveries and the various

0:35:22.040 --> 0:35:25.279
<v Speaker 1>he experiments he conducted, uh uh, you know, showed how

0:35:25.280 --> 0:35:29.640
<v Speaker 1>electricity moves. But the most notable of these is his

0:35:29.800 --> 0:35:35.440
<v Speaker 1>seventy one experiment, The Hanging Boy, which just a creepy

0:35:35.520 --> 0:35:37.840
<v Speaker 1>name it is. And you can we'll try to include

0:35:37.880 --> 0:35:39.600
<v Speaker 1>some links to some images of this, because there's some

0:35:39.600 --> 0:35:43.680
<v Speaker 1>wonderful um schematics for what this looked like, which don't

0:35:43.760 --> 0:35:47.560
<v Speaker 1>still don't capture the full majesty of what people saw,

0:35:48.360 --> 0:35:53.399
<v Speaker 1>because it's just it really resonates with occult dramatics. Yeah,

0:35:53.440 --> 0:35:54.799
<v Speaker 1>I mean, it's it's like something out of a Kin

0:35:54.920 --> 0:35:59.000
<v Speaker 1>Russell movie. I love that you make that comparison, because

0:35:59.080 --> 0:36:02.080
<v Speaker 1>Ken Russell really captures this kind of sense of the

0:36:02.080 --> 0:36:06.560
<v Speaker 1>electrical demonstrations, right, this this bizarre intersection of the magical

0:36:06.640 --> 0:36:09.400
<v Speaker 1>and the scientific. Yeah, totally. So I'm going to try

0:36:09.440 --> 0:36:11.840
<v Speaker 1>and present it to you as if you were showing

0:36:11.960 --> 0:36:14.960
<v Speaker 1>up for a presentation of The Hanging Boy. Wait, so

0:36:15.040 --> 0:36:18.080
<v Speaker 1>you're you're you're saying I've accepted an invitation to come

0:36:18.160 --> 0:36:21.040
<v Speaker 1>view The Hanging Boy. Yes, yes, I'm that kind of

0:36:21.080 --> 0:36:23.080
<v Speaker 1>person you are. You know, you're you're one of the

0:36:23.080 --> 0:36:25.720
<v Speaker 1>local You're in the local science community. You're you're interested

0:36:25.719 --> 0:36:27.759
<v Speaker 1>in this kind of thing. There's something cool going on,

0:36:27.840 --> 0:36:29.640
<v Speaker 1>so you're gonna go check it out. So you enter

0:36:29.719 --> 0:36:32.400
<v Speaker 1>the private home of a of another upstanding member of

0:36:32.400 --> 0:36:34.920
<v Speaker 1>the scientific community, and you come and you find that

0:36:34.960 --> 0:36:38.120
<v Speaker 1>the furniture has been rearranged, the lighting has been dimmed,

0:36:38.520 --> 0:36:41.239
<v Speaker 1>and everyone is gathered in the largest room of the

0:36:41.239 --> 0:36:44.680
<v Speaker 1>house for this very peculiar experiment. So you've been looking

0:36:44.719 --> 0:36:46.840
<v Speaker 1>forward to it for weeks. You're making a lot of

0:36:46.880 --> 0:36:50.120
<v Speaker 1>assumptions about me and my feelings towards the hanging boy.

0:36:50.160 --> 0:36:52.160
<v Speaker 1>This is the biggest that this was a hit all

0:36:52.200 --> 0:36:54.480
<v Speaker 1>over Europe. This is like finally getting to see cats

0:36:54.600 --> 0:36:58.040
<v Speaker 1>or something, Right, what is it? Tell me? Okay, so

0:36:58.320 --> 0:37:01.720
<v Speaker 1>the main event here is that a nine year old boy.

0:37:01.840 --> 0:37:04.040
<v Speaker 1>Don't worry, it's just a local street urchin, and they've

0:37:04.040 --> 0:37:07.279
<v Speaker 1>paid him for his participation. Nine year old boys brought

0:37:07.320 --> 0:37:12.279
<v Speaker 1>in and swaddling clothes, you know, dressed essentially like Cupid. Right,

0:37:12.760 --> 0:37:18.719
<v Speaker 1>So so already we're we're engaging dramatic symbolic power here.

0:37:19.040 --> 0:37:23.719
<v Speaker 1>And then he is suspended from the ceiling by silk cords.

0:37:24.200 --> 0:37:26.960
<v Speaker 1>Oh they gotta be silk cords, of course. Oh yeah, yeah,

0:37:26.960 --> 0:37:29.759
<v Speaker 1>I mean, what what are to to suspend the boy

0:37:29.840 --> 0:37:32.520
<v Speaker 1>with just rope would be weird and just out of

0:37:32.600 --> 0:37:36.080
<v Speaker 1>keeping with the symbolic drama of the thing. Right now,

0:37:36.200 --> 0:37:39.600
<v Speaker 1>just below the boy's head. Uh, they've positioned a stand

0:37:40.160 --> 0:37:44.880
<v Speaker 1>on which they've they've play small light flakes of brass. Well, meanwhile,

0:37:44.880 --> 0:37:48.760
<v Speaker 1>our friend Mr Gray here uh comes over with a

0:37:48.880 --> 0:37:53.400
<v Speaker 1>charged glass to essentially a friction generator, and he's holding

0:37:53.440 --> 0:37:56.000
<v Speaker 1>this near the boy's feet. And I'll read you a

0:37:56.080 --> 0:37:58.759
<v Speaker 1>quote to let and this is from the letters sent

0:37:58.840 --> 0:38:03.040
<v Speaker 1>to from Stephen Gray to one Cromwell Mortimer. Upon the

0:38:03.120 --> 0:38:06.880
<v Speaker 1>tubes being rubbed and held near his feet without touching them,

0:38:06.920 --> 0:38:09.759
<v Speaker 1>the leaf brass was attracted to the boy's face with

0:38:09.880 --> 0:38:13.400
<v Speaker 1>so with much vigor, so as to rise to the

0:38:13.440 --> 0:38:17.719
<v Speaker 1>height of eight and sometimes ten inches. So hold on,

0:38:18.120 --> 0:38:22.440
<v Speaker 1>So they were drawing, uh, pieces of brass leaf to

0:38:22.640 --> 0:38:25.120
<v Speaker 1>his face. Yes, so the boys hanging there from the silk.

0:38:25.400 --> 0:38:28.200
<v Speaker 1>He touches this electric wand to the boy's feet, and

0:38:28.239 --> 0:38:31.759
<v Speaker 1>then all these flakes of metal began to to drift up,

0:38:32.080 --> 0:38:35.760
<v Speaker 1>fly up from the table through the air. Towards his face. Okay,

0:38:35.800 --> 0:38:38.040
<v Speaker 1>what else they got, Well, they would have the boy

0:38:38.120 --> 0:38:40.680
<v Speaker 1>reach out and turn the pages of a book without

0:38:40.760 --> 0:38:45.200
<v Speaker 1>physically touching it. Volunteers from the audience were invited to

0:38:45.200 --> 0:38:48.040
<v Speaker 1>touch the boy's hand, and in doing so, they were

0:38:48.080 --> 0:38:50.400
<v Speaker 1>able to turn the pages in the book with the

0:38:50.440 --> 0:38:54.040
<v Speaker 1>same electrical magic just by touching the boy's hand. And

0:38:54.440 --> 0:38:57.920
<v Speaker 1>finally the main event, the lights were dimmed and the

0:38:58.000 --> 0:39:01.080
<v Speaker 1>volunteer was asked to touch the boy his nose and

0:39:01.120 --> 0:39:05.680
<v Speaker 1>that's when crack, a visual spark flies between the flying

0:39:05.719 --> 0:39:10.600
<v Speaker 1>boy and the audience member. Wow. So this, I mean,

0:39:10.600 --> 0:39:13.000
<v Speaker 1>the whole thing is just fabulous because there's the sense

0:39:13.040 --> 0:39:16.040
<v Speaker 1>of the boy is an angel but also a child

0:39:16.160 --> 0:39:20.239
<v Speaker 1>sacrifice exactly. There's a sense of child sacrifice, and they

0:39:20.320 --> 0:39:23.680
<v Speaker 1>kind of make him the sort of a literal embodiment

0:39:23.719 --> 0:39:26.160
<v Speaker 1>of electricity as a is a is, A is a

0:39:26.239 --> 0:39:30.760
<v Speaker 1>virgin as this this this child that is without fault,

0:39:31.080 --> 0:39:33.560
<v Speaker 1>you know, a holy, blameless creature. Well, there you get

0:39:33.600 --> 0:39:35.200
<v Speaker 1>into something else that I think it's going to be

0:39:35.320 --> 0:39:38.080
<v Speaker 1>very important to talk about because there's this mysterium. There's

0:39:38.080 --> 0:39:41.680
<v Speaker 1>this great strange mystery about what the electrical fire is.

0:39:41.800 --> 0:39:45.239
<v Speaker 1>There's this spiritual element to it. But then there is

0:39:45.320 --> 0:39:51.680
<v Speaker 1>also a very clear emerging theme of sexuality to electricity,

0:39:51.719 --> 0:39:54.200
<v Speaker 1>because one of the notes that I got from Bertucci

0:39:54.239 --> 0:39:57.640
<v Speaker 1>about the hanging boy experiment was that sometimes you mentioned

0:39:57.640 --> 0:40:01.080
<v Speaker 1>that he would transfer the electric fire to somebody else

0:40:01.120 --> 0:40:03.680
<v Speaker 1>and they would be able to attract things. Well, she

0:40:03.719 --> 0:40:07.560
<v Speaker 1>mentions that sometimes the boy transmitted the electric fire to

0:40:07.680 --> 0:40:11.200
<v Speaker 1>a young girl who would attract light objects to herself.

0:40:11.320 --> 0:40:14.719
<v Speaker 1>So strangely sexual theme. There's like the passage of the

0:40:14.760 --> 0:40:17.719
<v Speaker 1>thing across the sex barrier. And this wasn't the only

0:40:17.760 --> 0:40:23.200
<v Speaker 1>case of sexual themes emerging in electrical demonstrations. For example,

0:40:23.440 --> 0:40:26.000
<v Speaker 1>Bertucci tells us in one of her papers that the

0:40:26.040 --> 0:40:29.800
<v Speaker 1>presence of women and the accentuation of sex differences became

0:40:29.840 --> 0:40:33.920
<v Speaker 1>a crucial part of these electrical demonstrations. In the eighteenth century,

0:40:33.960 --> 0:40:38.480
<v Speaker 1>for example, a really popular experiment was called the electrifying

0:40:38.760 --> 0:40:43.560
<v Speaker 1>venus yeah, also known as the electric kiss, which was

0:40:43.600 --> 0:40:47.239
<v Speaker 1>invented by the German professor Georg Matthias Boza. And it

0:40:47.280 --> 0:40:50.600
<v Speaker 1>goes like this, So you've got a beautiful lady standing

0:40:50.640 --> 0:40:55.839
<v Speaker 1>on an insulated stool and an electrical apparatus charges her

0:40:55.880 --> 0:40:58.239
<v Speaker 1>body with electricity. So this would probably be like a

0:40:58.239 --> 0:41:04.640
<v Speaker 1>friction generator. And after she's charged up, the demonstrator invites

0:41:04.719 --> 0:41:07.719
<v Speaker 1>gentlemen from the audience to come up and steal a

0:41:07.800 --> 0:41:12.520
<v Speaker 1>kiss from the electric venus. Unfortunately, for these amorous gentlemen,

0:41:12.880 --> 0:41:16.200
<v Speaker 1>as they approached the charged venus with their lips, they

0:41:16.200 --> 0:41:19.160
<v Speaker 1>would receive a spark to the mouth and that would

0:41:19.280 --> 0:41:23.640
<v Speaker 1>drive them back and discourage further attempts. Okay, so imagine

0:41:23.640 --> 0:41:25.640
<v Speaker 1>how exciting this must have been to, you know, a

0:41:25.680 --> 0:41:28.400
<v Speaker 1>court lady in the seventeen hundreds who was sick of

0:41:28.440 --> 0:41:31.799
<v Speaker 1>the advances and sexual harassment of the aristocratic men in

0:41:31.800 --> 0:41:33.920
<v Speaker 1>her circle. They even try to kiss her and they

0:41:34.000 --> 0:41:37.839
<v Speaker 1>get a shock. Right. So Bertucci goes on to notice,

0:41:37.880 --> 0:41:41.919
<v Speaker 1>like like the invisible fence, except for exact for horny aristocrats.

0:41:43.200 --> 0:41:45.880
<v Speaker 1>So Bertucci goes on to note that Boza even wrote

0:41:45.880 --> 0:41:49.520
<v Speaker 1>a poem about electricity. He was kind of a showman type.

0:41:49.840 --> 0:41:52.480
<v Speaker 1>He wrote a poem about electricity, which he dedicated to

0:41:52.520 --> 0:41:55.719
<v Speaker 1>the Princess of Gotha and the Duchess of Brutal Colorath,

0:41:56.440 --> 0:41:59.720
<v Speaker 1>who were attendees of his demonstrations. And there's a section

0:41:59.760 --> 0:42:03.840
<v Speaker 1>from poems she quotes it says once only what temerity.

0:42:03.880 --> 0:42:07.160
<v Speaker 1>I kissed venus standing on pitch. It pained me to

0:42:07.239 --> 0:42:11.160
<v Speaker 1>the quick. My lips trembled, my mouth quivered, my teeth

0:42:11.200 --> 0:42:17.240
<v Speaker 1>almost broke. That's intense stuff. So even the demonstrator himself,

0:42:17.320 --> 0:42:20.800
<v Speaker 1>knowing the risks, could not resist an attempt to kiss

0:42:20.840 --> 0:42:25.080
<v Speaker 1>the sparking venus, but to please the fellows of the

0:42:25.120 --> 0:42:28.359
<v Speaker 1>salons that they would not be entirely discouraged in their

0:42:28.400 --> 0:42:31.879
<v Speaker 1>feats of electrical manliness, because for their amusement they could

0:42:31.920 --> 0:42:35.960
<v Speaker 1>wield an electrified sword and use it to ignite small

0:42:36.040 --> 0:42:38.120
<v Speaker 1>quantities of liquor. All right, Well they had that, and

0:42:38.160 --> 0:42:40.359
<v Speaker 1>then to just sort of leave everybody on a good note,

0:42:40.440 --> 0:42:43.840
<v Speaker 1>right right, Yeah, So the the psycho sexual significance of

0:42:43.840 --> 0:42:47.439
<v Speaker 1>electricity didn't even in their boza. That same guy came

0:42:47.520 --> 0:42:50.760
<v Speaker 1>up with the theory of the sexology of electric fire,

0:42:51.280 --> 0:42:53.839
<v Speaker 1>and it's about as male chauvinist as you would guess.

0:42:53.880 --> 0:42:57.480
<v Speaker 1>I want a quote from Bertucci who writes characterizing it,

0:42:57.880 --> 0:43:01.319
<v Speaker 1>the male fire emitted by metal and animal bodies was

0:43:01.440 --> 0:43:06.000
<v Speaker 1>unsurprisingly strong and powerful. Sparks, with their crackling sound, were

0:43:06.080 --> 0:43:10.719
<v Speaker 1>visible manifestations of this kind of fire. The female fire, instead,

0:43:11.120 --> 0:43:14.200
<v Speaker 1>was a weak luminous emanation, the kind of light that

0:43:14.320 --> 0:43:18.279
<v Speaker 1>characterized the Aurora borealis. I love that because there he's

0:43:18.360 --> 0:43:23.680
<v Speaker 1>kind of using science to recreate Taoism in this case.

0:43:23.719 --> 0:43:26.840
<v Speaker 1>You know, the whole division of yin and yang energies

0:43:27.239 --> 0:43:31.040
<v Speaker 1>defining the universe. Oh does that have a male female element? Oh? Yeah, yeah,

0:43:31.080 --> 0:43:34.440
<v Speaker 1>one is like the male is is heat and power

0:43:34.560 --> 0:43:38.279
<v Speaker 1>and strength, and the female energy is is colder and

0:43:38.640 --> 0:43:42.200
<v Speaker 1>more subtle in their their opposites in the universe. H Well,

0:43:42.480 --> 0:43:53.000
<v Speaker 1>that's the cosmic electric spirituality yet again. So through the

0:43:53.000 --> 0:43:55.040
<v Speaker 1>second half of the eighteenth century, there there was a

0:43:55.080 --> 0:43:59.720
<v Speaker 1>lot of popular thinking that associated electricity with sex, virility,

0:44:00.040 --> 0:44:03.680
<v Speaker 1>and fertility. Electrical imagery showed up in erotic poetry all

0:44:03.680 --> 0:44:08.680
<v Speaker 1>the time. They'll be talks about sparks and friction and uh.

0:44:08.719 --> 0:44:12.520
<v Speaker 1>And medical experts even promoted sexual health cares. I should

0:44:12.520 --> 0:44:14.760
<v Speaker 1>have said experts. You couldn't hear me doing air quotes.

0:44:15.120 --> 0:44:19.120
<v Speaker 1>Medical quote experts promoted sexual health care is via the

0:44:19.160 --> 0:44:21.520
<v Speaker 1>electrical fire. And there will be more on that when

0:44:21.560 --> 0:44:23.759
<v Speaker 1>we talk about a guy named James Graham in the

0:44:23.800 --> 0:44:28.719
<v Speaker 1>next episode. But there's a weird paradox emerging here with

0:44:28.760 --> 0:44:34.719
<v Speaker 1>the relationship between electricity and virility and health. How come

0:44:34.920 --> 0:44:37.880
<v Speaker 1>the body seems to be able to be uh, I

0:44:37.880 --> 0:44:41.320
<v Speaker 1>don't know, sort of animated by electricity in one sense,

0:44:41.320 --> 0:44:44.640
<v Speaker 1>you could be sparked into action, and yet the discharge

0:44:44.640 --> 0:44:47.719
<v Speaker 1>of electricity from a laden jar might be enough to

0:44:47.880 --> 0:44:52.760
<v Speaker 1>kill you. That seems like a weird tension there, right, Yeah,

0:44:53.080 --> 0:44:55.440
<v Speaker 1>it kind of comes back to that, that that sort

0:44:55.480 --> 0:45:00.120
<v Speaker 1>of weird Dallastu interpretation of male and female energy us

0:45:00.160 --> 0:45:01.920
<v Speaker 1>to a certain extent. Yeah, And so later in the

0:45:01.960 --> 0:45:04.359
<v Speaker 1>seventeen hundreds this comes to a head, I think, in

0:45:04.480 --> 0:45:09.839
<v Speaker 1>the argument about the nature of animal electricity. So, like

0:45:09.880 --> 0:45:13.040
<v Speaker 1>we said, there were electric fishes and uh so there

0:45:13.120 --> 0:45:17.439
<v Speaker 1>was some knowledge about different types of bioelectricity. Uh But

0:45:17.440 --> 0:45:20.520
<v Speaker 1>but what happened in the in the seventeen eighties, Well,

0:45:20.760 --> 0:45:24.240
<v Speaker 1>we had a man by the name of Luigi Galvani. Alright,

0:45:24.239 --> 0:45:29.719
<v Speaker 1>he was mid seventeen eighties Italian physician, and he kind of,

0:45:29.880 --> 0:45:33.439
<v Speaker 1>you said, Italian with an Italian accent. Well, you can't

0:45:33.480 --> 0:45:37.279
<v Speaker 1>say Luigi Galvani without giving in to it a little bit, right,

0:45:37.960 --> 0:45:40.799
<v Speaker 1>So in one of his earlier experiments, he connected the

0:45:40.840 --> 0:45:43.720
<v Speaker 1>nerves of a recently dead frog to a long metal

0:45:43.760 --> 0:45:47.640
<v Speaker 1>wire and pointed towards the sky during a thunderstorm. Uh.

0:45:47.680 --> 0:45:51.000
<v Speaker 1>And then with each flash the dog the frog moved again,

0:45:51.480 --> 0:45:55.640
<v Speaker 1>as if with life, so the dead frog and and

0:45:55.760 --> 0:45:59.680
<v Speaker 1>this this suggests a kind of mechanical connection between the

0:45:59.680 --> 0:46:02.440
<v Speaker 1>parts of the body and the electrical fire. Right. Indeed,

0:46:02.480 --> 0:46:05.000
<v Speaker 1>I mean this is where we get the term galvanism from,

0:46:05.239 --> 0:46:08.879
<v Speaker 1>which refers to muscle contractions due to an electric current. Now,

0:46:08.920 --> 0:46:12.800
<v Speaker 1>at the time, Galvani referred to this as animal electricity,

0:46:13.320 --> 0:46:17.600
<v Speaker 1>thinking he discovered a unique form of electricity, something intrinsic

0:46:17.640 --> 0:46:22.799
<v Speaker 1>to the muscle tissue. So external electricity could galvanize, It's sure,

0:46:23.320 --> 0:46:25.880
<v Speaker 1>but his argument was that it also possessed its own

0:46:26.160 --> 0:46:28.719
<v Speaker 1>unique electricity as well. So he was saying these were

0:46:29.040 --> 0:46:33.440
<v Speaker 1>the bioelectricity and the external electricity were different types of

0:46:33.440 --> 0:46:36.719
<v Speaker 1>electricity exactly. Yeah, you bet you had two different species

0:46:36.719 --> 0:46:40.799
<v Speaker 1>of electricity to deal with here. Um, and this didn't

0:46:40.800 --> 0:46:44.719
<v Speaker 1>set well with everyone, particularly another name that resonates with

0:46:44.960 --> 0:46:50.759
<v Speaker 1>electrical history, um, Alessandro Volta. You can hear the electrical

0:46:50.880 --> 0:46:55.160
<v Speaker 1>terms in both of their last names, like galvanized and volta. Yeah,

0:46:55.160 --> 0:46:57.360
<v Speaker 1>so you know that this is this isn't just something

0:46:57.360 --> 0:47:01.160
<v Speaker 1>nobody entering the fray so volta he walks in, and

0:47:01.200 --> 0:47:04.160
<v Speaker 1>he's intent on disproving animal electricity. He doesn't buy it.

0:47:04.360 --> 0:47:08.359
<v Speaker 1>He asserts that the animals here in um in Galvani's

0:47:08.400 --> 0:47:13.000
<v Speaker 1>experiments reacted to electricity produced by two different metals used

0:47:13.120 --> 0:47:15.799
<v Speaker 1>to connect their nerves and muscles, and and that it's

0:47:15.840 --> 0:47:19.200
<v Speaker 1>not any kind of intrinsic special electricity, and this argument

0:47:19.239 --> 0:47:23.960
<v Speaker 1>eventually wins over the scientific community um Galvani conducted experiments

0:47:23.960 --> 0:47:26.400
<v Speaker 1>to counter the claim, but never got very far in

0:47:26.480 --> 0:47:30.040
<v Speaker 1>trying to convince anyone and eventually dies, but obviously showing

0:47:30.080 --> 0:47:33.000
<v Speaker 1>a connection between the workings of the human body, which

0:47:33.200 --> 0:47:37.200
<v Speaker 1>was still in many senses, were mysterious at the time

0:47:37.239 --> 0:47:42.319
<v Speaker 1>and and infused with spiritual and soul ish potential. With

0:47:42.520 --> 0:47:48.120
<v Speaker 1>this supposedly, I don't know, purely natural force like electricity

0:47:48.160 --> 0:47:52.879
<v Speaker 1>that had to cause some feelings of maybe aporia, right, yeah, yeah,

0:47:52.880 --> 0:47:54.319
<v Speaker 1>I mean, And certainly I don't want to imply that

0:47:54.360 --> 0:47:57.200
<v Speaker 1>Galvani wasn't onto something and wasn't himself, you know, a a

0:47:57.440 --> 0:48:00.400
<v Speaker 1>very intelligent guy that was making some break throughs in

0:48:00.440 --> 0:48:04.359
<v Speaker 1>our understanding electricity. But of course these bioelectricity beliefs led

0:48:04.400 --> 0:48:08.359
<v Speaker 1>to some pretty interesting and weird experiments, right, Yeah. Fast

0:48:08.400 --> 0:48:14.600
<v Speaker 1>forward to January eighth three, convicted murderer George Forster or Foster,

0:48:14.800 --> 0:48:18.319
<v Speaker 1>depending on which source you're looking at. He dies by

0:48:18.400 --> 0:48:22.480
<v Speaker 1>hanging at London's Newgate Prison and then attendance transport his

0:48:22.560 --> 0:48:25.720
<v Speaker 1>body to the Royal College of Surgeons, also in London,

0:48:26.200 --> 0:48:28.880
<v Speaker 1>so that this in itself wasn't an uncommon practice. You

0:48:28.880 --> 0:48:32.400
<v Speaker 1>have a fresh body, it's perfect for the exploration of

0:48:32.480 --> 0:48:35.719
<v Speaker 1>human anatomy. But then they roll the corpse into a

0:48:35.719 --> 0:48:41.360
<v Speaker 1>crowded operating theater where owaits Giovanni Aldini, the nephew of

0:48:41.400 --> 0:48:46.080
<v Speaker 1>the late louisgi Galvani. Yeah, and as you would imagine,

0:48:46.120 --> 0:48:49.360
<v Speaker 1>I've given up the podcast episode here. Uh, he's waiting

0:48:49.400 --> 0:48:53.319
<v Speaker 1>with a battery and some connecting rods, so you know

0:48:53.360 --> 0:48:55.480
<v Speaker 1>what he's going. So they've got a corpse coming in.

0:48:56.080 --> 0:48:59.239
<v Speaker 1>He's sitting there with this battery, is he is he

0:48:59.280 --> 0:49:02.680
<v Speaker 1>twirling his stash? I I should hope so. Um, maybe

0:49:02.719 --> 0:49:06.400
<v Speaker 1>even with electricity. But this is from the records. This

0:49:06.440 --> 0:49:09.520
<v Speaker 1>is what Aldeni had to say about the results. Here.

0:49:09.880 --> 0:49:13.040
<v Speaker 1>On the first application of the arcs, the jaw began

0:49:13.080 --> 0:49:16.960
<v Speaker 1>to quiver, the adjoining muscles were horribly contorted, and the

0:49:17.040 --> 0:49:21.360
<v Speaker 1>left i actually opened. In the subsequent part of the process,

0:49:21.560 --> 0:49:24.920
<v Speaker 1>the right hand was raised and clinched, and the legs

0:49:24.960 --> 0:49:28.200
<v Speaker 1>and thighs were set in motion. It appeared to the

0:49:28.280 --> 0:49:32.680
<v Speaker 1>uninformed part of the bystanders as if the wretched Man

0:49:33.040 --> 0:49:36.680
<v Speaker 1>was on the eve of being restored to life, you know.

0:49:36.840 --> 0:49:39.279
<v Speaker 1>And I bet for the people at the time, they

0:49:39.280 --> 0:49:43.239
<v Speaker 1>didn't necessarily know that wasn't going to happen. Yeah, I mean,

0:49:43.320 --> 0:49:45.920
<v Speaker 1>we we know now, but yeah, at the time of

0:49:46.200 --> 0:49:48.480
<v Speaker 1>we're still figuring out how electricity work, what it did

0:49:48.480 --> 0:49:50.920
<v Speaker 1>to the body, and so so, unlesson four members of

0:49:50.920 --> 0:49:53.360
<v Speaker 1>the audience, it seemed entirely possible that he might have

0:49:53.400 --> 0:49:56.080
<v Speaker 1>brought this character back to life in some form. If

0:49:56.120 --> 0:49:59.680
<v Speaker 1>it's conceivable that the electricity is the soul, is the

0:49:59.680 --> 0:50:03.320
<v Speaker 1>soul that animates the flesh and uh, and the death

0:50:03.360 --> 0:50:07.160
<v Speaker 1>causes that this electricity to evaporate, could you restore the

0:50:07.200 --> 0:50:10.080
<v Speaker 1>soul that animates the flesh to the body by charging

0:50:10.080 --> 0:50:12.520
<v Speaker 1>it back up. Yeah. And plus, if you're if you're

0:50:12.560 --> 0:50:17.760
<v Speaker 1>buying into a basic biomechanical understanding or certainly mechanical understanding

0:50:17.800 --> 0:50:21.759
<v Speaker 1>of the body. If electricity physically animates the body then,

0:50:21.840 --> 0:50:25.560
<v Speaker 1>why not the mind itself? Why not the soul? Why

0:50:25.600 --> 0:50:29.919
<v Speaker 1>not the person entire um? And of course a lot

0:50:29.920 --> 0:50:34.040
<v Speaker 1>of this probably instantly brings to mind images of Frankenstein,

0:50:34.120 --> 0:50:37.640
<v Speaker 1>of Dr Frankenstein bringing his creation to life. Now, funny,

0:50:37.680 --> 0:50:40.560
<v Speaker 1>I remember electricity being a big part of the movie.

0:50:40.760 --> 0:50:43.080
<v Speaker 1>But I and when I've read the book, I don't

0:50:43.080 --> 0:50:46.400
<v Speaker 1>remember much mentioning of electricity in it. There's not a

0:50:46.440 --> 0:50:49.719
<v Speaker 1>lot um but a couple of it. First of all,

0:50:49.800 --> 0:50:53.239
<v Speaker 1>like the timeline works perfectly for this. So Mary Shelley's

0:50:53.520 --> 0:50:56.759
<v Speaker 1>book comes out in eighteen eighteen, so that's, you know,

0:50:56.880 --> 0:50:58.640
<v Speaker 1>just just a couple of decades in the wake. I

0:50:58.680 --> 0:51:00.239
<v Speaker 1>think she would have been She would have been a

0:51:00.280 --> 0:51:03.960
<v Speaker 1>small child at the time of of the Georgia Forster

0:51:04.400 --> 0:51:10.680
<v Speaker 1>Foster reanimation experiment. But there's actually a portion of Frankenstein

0:51:10.760 --> 0:51:13.759
<v Speaker 1>that reads as follows. Before this, I was not unacquainted

0:51:13.960 --> 0:51:17.600
<v Speaker 1>with the more obvious laws of electricity. On this occasion,

0:51:17.680 --> 0:51:20.680
<v Speaker 1>a man of great research and natural philosophy was with us,

0:51:20.880 --> 0:51:25.040
<v Speaker 1>and excited by this catastrophe, he entered on the explanation

0:51:25.120 --> 0:51:27.400
<v Speaker 1>of a theory which he had formed on the subject

0:51:27.400 --> 0:51:31.480
<v Speaker 1>of electricity and galvinism. Which was at once new and

0:51:31.520 --> 0:51:37.320
<v Speaker 1>astonishing to me. Quote Dr Frankenstein well, as will mention

0:51:37.400 --> 0:51:39.920
<v Speaker 1>in the next episode, Mary Shelley had more than one

0:51:39.960 --> 0:51:44.520
<v Speaker 1>influence of mad Science on her life. Probably Oh, yes, yes, um,

0:51:44.560 --> 0:51:48.120
<v Speaker 1>because certainly, Uh, I think you can see in Frankenstein.

0:51:48.160 --> 0:51:49.759
<v Speaker 1>I mean, there's a lot to say about Frankenstein. We

0:51:49.760 --> 0:51:53.279
<v Speaker 1>could do a whole podcast about, uh, the cultural and

0:51:53.360 --> 0:51:57.799
<v Speaker 1>scientific underpinnings of that book. But but yeah, there's a

0:51:57.840 --> 0:52:01.200
<v Speaker 1>lot of the this new age of understanding and reason

0:52:01.920 --> 0:52:06.719
<v Speaker 1>of our attempt to to harness all these natural wonders

0:52:06.840 --> 0:52:10.400
<v Speaker 1>with our scientific understanding. You see that in these these

0:52:10.600 --> 0:52:13.600
<v Speaker 1>these electric experiments we've discussed. You see that in Frankenstein

0:52:13.640 --> 0:52:16.319
<v Speaker 1>as well. Okay, well, I think that's gonna have to

0:52:16.320 --> 0:52:18.839
<v Speaker 1>be it for our first episode, the first part of

0:52:18.840 --> 0:52:21.480
<v Speaker 1>this series. And we've we've made it from the mystery

0:52:21.520 --> 0:52:24.720
<v Speaker 1>of the ancients to the to the to the strange

0:52:24.760 --> 0:52:28.839
<v Speaker 1>obsession with electrical fire and the electrical cosmos of the

0:52:28.880 --> 0:52:32.240
<v Speaker 1>mid and late seventeen hundreds. But in the next episode,

0:52:32.280 --> 0:52:37.720
<v Speaker 1>we're going to chase that rabbit further down the circuit circuit. Yeah,

0:52:37.880 --> 0:52:39.840
<v Speaker 1>I think that'll be it. Yeah, Yeah, So yeah, in

0:52:39.880 --> 0:52:44.960
<v Speaker 1>the next episode, electric chairs, uh, electrical personal massage devices,

0:52:45.239 --> 0:52:48.560
<v Speaker 1>electric religion. Um, and you know there will be a

0:52:48.560 --> 0:52:51.120
<v Speaker 1>little bit of Frankenstein, but don't worry, we'll also fit

0:52:51.239 --> 0:52:54.719
<v Speaker 1>John Wesley in there as well. And of course the

0:52:54.880 --> 0:52:58.239
<v Speaker 1>striking conclusion to the story we opened with about the

0:52:58.320 --> 0:53:02.000
<v Speaker 1>first legal electric you shouldn't indeed, and until then, be

0:53:02.040 --> 0:53:03.719
<v Speaker 1>sure to check out Stuff to Blow your Mind dot com.

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