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Speaker 1: Congratulations all week one point one mad and is rway.

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Speaker 2: So I'm working on it. I'm working on it, yo,

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Speaker 2: What up? Artists? Joe cracked at Dawn your.

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Speaker 3: Boy Jada, you know what it is? Did Joe and

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Speaker 3: Jada's show. And we have a very special guest. You know,

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Speaker 3: we like to we bring variety of guests, but they're

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Speaker 3: all golden individuals. And today we have a very golden individual.

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Speaker 3: Ladies and gentlemen, make some noise for our brothers with

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Speaker 3: his phone ringing.

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Speaker 2: And all that airy spears makes some noise. Yo, what up?

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Speaker 2: What up? What up? What's up? My brother?

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Speaker 4: You gotta let me have a second to geek out

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Speaker 4: for a minute, because you know, like my best friend

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Speaker 4: over there, you know, we came up on y'all man,

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Speaker 4: you know, and the hip hop thing, and uh, you know,

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Speaker 4: I ain't know until I found out Joe hit me up.

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Speaker 4: Was like, Yo, I need you to do me a

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Speaker 4: solid and do the intro for my upcoming album. I

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Speaker 4: was more than happy to do it. One of my

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Speaker 4: favorite rappers, but I never met you until today. And

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Speaker 4: I'm telling you, I'm fucked up because I'm literally sitting

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Speaker 4: next to hands down one of the greatest mcs of

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Speaker 4: all time, like you and my top five dog. And

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Speaker 4: every time I every time I dolad or any kind

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Speaker 4: of show where I talk kept Hop, I go my

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Speaker 4: top five, no particular order.

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Speaker 2: This guy ain't ship and I always show this guy.

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Speaker 2: I say, Jada, Hove, Nas, Biggie and Rock. Nah, we

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Speaker 2: ain't going for that. Want to shoot me. Let me

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Speaker 2: tell you something.

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Speaker 5: The reason I love Jada the most because the locks unity.

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Speaker 5: They there for your This god is fucking diabolical. He

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Speaker 5: been sitting next to me in this show. I start

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Speaker 5: watching old clips of the show and I said, holy shit,

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Speaker 5: he't go flaming me, young ladies, your roastap Christmas Hlarrys City.

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Speaker 2: But listen that it went viral.

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Speaker 3: But if you listen to the way I scripted it

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Speaker 3: you I told him, could you listen your legendary coach

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Speaker 3: in the Rock, legendary coach in New York City.

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Speaker 2: You won plenty of tournaments.

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Speaker 3: You got he listens out the wazoo on your Roston.

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Speaker 3: Now if you was to happen to play, I'm just

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Speaker 3: saying the way you're golden, the legs that been to

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Speaker 3: the eighth Wonders of the world and all of this.

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Speaker 3: If you was to hit him with the year, you know,

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Speaker 3: the year of three movies, Boom boom boom.

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Speaker 2: But if you had hit him with them, you saw

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Speaker 2: that what you did lay.

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Speaker 3: Up if you mean your stoppable, like if you fuck

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Speaker 3: me up, because dude, it's a rapper and I don't

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Speaker 3: be shooting it was coming on a million would you talking?

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Speaker 2: Was comedically on point?

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Speaker 6: What because I didn't even know you had the Kenny Smiths.

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Speaker 6: I saw the picture one day and I saw that

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Speaker 6: the new was moving and I was like, oh, I know.

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Speaker 2: Joe was felt like he was.

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Speaker 3: Into what it is he says in me doing business

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Speaker 3: with him and being with him.

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Speaker 2: He got a few different walks run off his depending

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Speaker 2: on his mood.

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Speaker 3: I don't know, it's depending on I mean, he might

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Speaker 3: got a good call this day, nice super bags coming.

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Speaker 3: There might have been you know, might be one of

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Speaker 3: the days, I mean something something.

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Speaker 2: Yeah. Some days he got he got different walks. Can

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Speaker 2: you agree with me? May he got different.

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Speaker 5: Ship in the house I got to Sherman Helmsley, Oh

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Speaker 5: you do that.

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Speaker 2: Off for real?

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Speaker 5: Though, Like in the house, I'm walking to go eat

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Speaker 5: some ship, to go see the movie.

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Speaker 2: I got the Sherman Hens That's that's in the crew.

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Speaker 3: Is Shelman Hemsley. How you're gonna do? George Jefferson like

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Speaker 3: that man called me Shelman. He's calling me Ari.

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Speaker 2: I'm fried Man. I fucked up from the language to

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Speaker 2: the legs.

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Speaker 5: Listen, listen, let me tell you, Let me tell you Ari,

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Speaker 5: Let me tell you aries. This thing's under you. You're

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Speaker 5: one of the funniest guys in the world. I appreciate

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Speaker 5: all your contributions and everything you do. I believe it's

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Speaker 5: hip hop right, you always represent hip hop culture.

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Speaker 2: We got gotta fix the ice.

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Speaker 5: Cube borderline violation, right because ice Cube here in this show,

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Speaker 5: we is the love of the culture. He is the preservation.

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Speaker 5: This is like the national preservation forests of hip hop

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Speaker 5: and whatever that means. And uh, you know ice Cube

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Speaker 5: living legend. Do you ever is it just jokes with

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Speaker 5: you or do you ever feel like, let me be clear,

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Speaker 5: did I miss something? Let me yes, we skipped the

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Speaker 5: whole thing we're trying to I'm doing the Jada kiss right,

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Speaker 5: I'm trying to fix this.

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Speaker 4: And let me let me be clear here, first and foremost,

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Speaker 4: I never attacked ice Cube demand I never attacked this character.

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Speaker 2: And first of all, my whole point was this word hate.

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Speaker 4: It's being so overly abused and thrown around now, and

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Speaker 4: unless you have an opinion that's favorable, you a hater. No,

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Speaker 4: I'm opinionated, and I'm sometimes in my delivery comedically na

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Speaker 4: a little bit brutal. But at the end of the day,

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Speaker 4: I never question is man his character. I never questioned

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Speaker 4: them as a man. And listen, I even gave him

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Speaker 4: as flowers and said, yes, he is a pioneer, a

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Speaker 4: trailblazer and icon and hip hop, especially with the West Coast.

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Speaker 2: I'm just not a fan of his artistry.

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Speaker 4: And by that, I'm just simply meaning listen man for me,

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Speaker 4: my musical palette, my hip hop palette. I'm an East

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Speaker 4: Coast ove man, but I like I like Stup, I

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Speaker 4: like Pop who technically is.

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Speaker 2: From the East.

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Speaker 5: But nonetheless, just because I'm not an audea of that

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Speaker 5: does not mean.

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Speaker 2: That I'm a hater.

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Speaker 4: And if I'm being really specific, what I was really

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Speaker 4: speaking to was comedically acting wise, because I just feel like,

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Speaker 4: un listen, I know it's all about getting the bag

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Speaker 4: and the money, and you know, I just feel like

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Speaker 4: with sometimes artistry.

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Speaker 2: A rapper can't do.

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Speaker 4: Comedically what a comedian can because that's a muscle, that's

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Speaker 4: an instinct that's in our blood. We eat, sleep, shit,

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Speaker 4: breathe comedy no more than I can go into booth

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Speaker 4: and do what you can better than you.

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Speaker 2: You know.

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Speaker 5: I saw TI do some comedy. He was actually pretty good. Okay,

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Speaker 5: don't go there.

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Speaker 4: Your opinion, it's your opinion, my opinion, but the comedy

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Speaker 4: community will tell you otherwise, because here's a problem. Here's

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Speaker 4: a problem. If you gonna step into another genre, gotta

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Speaker 4: humble yourself. And Ti approaches comedy with the same bravado

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Speaker 4: approaches rapp that's a different aesthetic.

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Speaker 2: Yeah, I'll tell yourself. I agree with you. I thought

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Speaker 2: t I was funny, right, and I'm and I'm I

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Speaker 2: may die.

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Speaker 5: One day, fuy no, no, but I may die one

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Speaker 5: day of laughter. I don't know if nobody yet of laughing,

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Speaker 5: because I'm the guy they threw it. They threw me

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Speaker 5: out the movie, did that, Eddie Murphy raw I went

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Speaker 5: over there with the whole projects. Out of the whole projects,

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Speaker 5: the security came as like, you're an asshole, You're the

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Speaker 5: one that gotta go. I'm the one making the most

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Speaker 5: noise in the movie there that they threw me out

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Speaker 5: the movie. I A'm a sucker for a laugh, like

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Speaker 5: a sucker for a laugh.

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Speaker 2: So I thought, see, I was funny. But there's levels

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Speaker 2: to this ship.

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Speaker 5: Well, I even I'm gonna admit something here too, that

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Speaker 5: that I've been noticing I've been looking to and shit,

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Speaker 5: you know, you know, and hip hop it's all about competition, right,

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Speaker 5: so you got to convince yourself you're better than ever

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Speaker 5: you have a rapp or whatever the case may be.

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Speaker 2: And so there's a bit of a delusion or whatever.

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Speaker 5: And so we start the podcast and the first thing

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Speaker 5: I do is start shooting, you know, like I want

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Speaker 5: to smoke with all the podcasters.

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Speaker 2: And I realized I gotta.

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Speaker 5: Humble myself a little because we just started this, even

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Speaker 5: though we're the rookies of the year. But I could

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Speaker 5: see what people can look at it and be like, yo,

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Speaker 5: this guy, you know, But it's just my heart. I've

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Speaker 5: always been like a warrior gladiator to come out there

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Speaker 5: for the smoke. But I realized the podcasts a different space.

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Speaker 5: It's like everybody's smiling at each other. Nobody got smoked

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Speaker 5: with each other. So I'm thinking top five dead or

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Speaker 5: love who want to jump out?

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Speaker 2: Where's the smoke?

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Speaker 5: Who you are? But that ain't what it's about. It's

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Speaker 5: about having an opinion and bringing something to the people.

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Speaker 5: So I get what you're saying with the well t

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Speaker 5: I yeah, Chris.

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Speaker 2: I mean you're right and then wrong.

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Speaker 3: This is different kind of it's different kind of smokers

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Speaker 3: like behind the scenes. It's behind the scenes hate and

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Speaker 3: smoker with this. But I don't want saying even out

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Speaker 3: you just we bonding this spitch well at least.

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Speaker 2: I am mhmm.

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Speaker 3: I mean, if you tell me podcasting or rappid they said, gentlemen,

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Speaker 3: this is our last show. I like, but you know

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Speaker 3: what I mean, as well as you could do both.

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Speaker 3: You know, people start thinking you taking their job.

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Speaker 2: So you were feeling that beyond the scenes.

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Speaker 3: You don't you just being voisteous. I'm just watching them

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Speaker 3: from the side.

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Speaker 5: Have you ever dealt with this because you're one of

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Speaker 5: the most liked Yeah, that season of all time?

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Speaker 2: You real with that? I am, but I ain't.

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Speaker 3: When it's time to go three on the Spartan then

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Speaker 3: I'm not that light as I am whenning And.

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Speaker 4: Just so you know, outside. It wasn't just Cue that

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Speaker 4: jumped on me. Fifty jumped on me too. Is it

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Speaker 4: that because the joke I made about fifty. I mean, see,

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Speaker 4: with fifty in them niggas, they'll beat you up. Heris

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Speaker 4: I'm just keeping it real. Maybe Ice Cubis regular you

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Speaker 4: know what's.

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Speaker 5: No no, no, no, no, no, no no.

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Speaker 2: I'm keeping it a buck.

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Speaker 5: You run into them guys in the airport, they might

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Speaker 5: do something to you. I had beef with them. That's cool,

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Speaker 5: so I.

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Speaker 2: Know what the beat. I know what the beef is.

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Speaker 5: One thing for us to just like certain guys you

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Speaker 5: don't play with because they're gonna come me listen.

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Speaker 2: I love the comedians.

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Speaker 4: I'm like, it's no thing with Joe Joe Joe. I

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Speaker 4: don't ever pretend to be something I'm not. You know,

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Speaker 4: I ain't an Evans nigger. I'm a Huxtable. But best

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Speaker 4: believe I keep some dudes with me too.

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Speaker 2: Don't you.

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Speaker 5: They're gonna have to jump out Jews. I'm telling team

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Speaker 5: of Juice and I saw them a fuck in a minute, y'all. Fendy, Fendy,

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Speaker 5: we got royalty in the building. I ain't no Fendy

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Speaker 5: snuck in there you got a trump at a studio.

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Speaker 6: It is.

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Speaker 5: We have this be by a reason. I'm just trying

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Speaker 5: to I gotta be honest with you because you're my guy.

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Speaker 5: You on my almble my fuck with you.

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Speaker 2: Yeah, you know.

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Speaker 5: I advocate for you every time I can because I

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Speaker 5: think you're hilarious.

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Speaker 2: But I do know where that could go wrong.

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Speaker 5: Well, of course one ice cube me on right? This, hey, right,

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Speaker 5: that one could go wrong. I'm promising you.

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Speaker 2: You know you put hands and feet on people too.

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Speaker 2: Why are you?

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Speaker 4: Why are you just like you don't do that? That's

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Speaker 4: nothing about that comedian. Listen, let me let me tell

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Speaker 4: you the joke it was. It was almost harmless. I

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Speaker 4: was talking about how, you know, any anytime they make

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Speaker 4: a brother play in a movie where he's a scientist

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Speaker 4: or a computer tech, like fifty Dead in the movie

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Speaker 4: with Stallone Foy's called but it was in the prisons

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Speaker 4: and glass cubes, And I said, you know what the

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Speaker 4: difference between fifty the rapper from fifty to computer tech.

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Speaker 4: I'm a computer tick, Beauties of a computer Tick, Classics,

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Speaker 4: Clark Kent, Superman. If you're a great actor, you don't

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Speaker 4: need the glasses.

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Speaker 2: Just do the performance. So that was the joke, yo.

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Speaker 5: But let me tell you something, right, I've been such

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Speaker 5: a fan of comedy where I believe comics.

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Speaker 2: Should never and could never be canceled.

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Speaker 5: So like the moment they fake canceled Dave Chappelle, which

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Speaker 5: I started on in the shows to perform at his show, Yo, Dave,

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Speaker 5: you in town, I want to come out do a

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Speaker 5: couple because I believe.

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Speaker 2: Comedy is the one.

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Speaker 5: Sweet spot in life where the white black agean yes,

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Speaker 5: where they could talk about whatever.

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Speaker 2: The fuck they want to talk about.

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Speaker 5: Like, you know, that's how I feel about comedy, and

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Speaker 5: so that's that's how you must feel about it too, huh.

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Speaker 4: Listen three of the greatest quotes ever Dave Chappelle. You

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Speaker 4: don't know where the line is in comedy until you

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Speaker 4: cross it. George Carlin, you should know where the line

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Speaker 4: is in comedy and deliberately crossing free so O'Neil God

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Speaker 4: rest his soul. Great comedy leaves half audience laughing the

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Speaker 4: other half horrified.

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Speaker 2: Wow. So that's the credle I lived by. Yeah, man

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Speaker 2: and you.

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Speaker 5: From the clough man who would you say us should

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Speaker 5: you into the game, who was like a mentor.

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Speaker 3: Of who this guy came in the game at fourteen.

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Speaker 3: That's his I think that's he made Histores. Nobody else

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Speaker 3: will death.

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Speaker 4: Jam sixteen showtime at Apollo seventeen. So what I'm saying

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Speaker 4: is who I was then? Eighties baby, So in that era,

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Speaker 4: you know, prior to the explosion of death Jam, Hollywood

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Speaker 4: only allowed one nigga for a decade, So it was like,

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Speaker 4: you know what I mean, it was like definitely rich.

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Speaker 2: And what's my man named?

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Speaker 4: Dick Gregory really in the sixties, prior in the seventies,

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Speaker 4: Eddie in the eighties, and then by the nineties, death

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Speaker 4: Jam hit and now black comics was everywhere. But Eddie

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Speaker 4: was my dude, was my like my inspiration because I

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Speaker 4: know he started at fourteen, So I was like, if

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Speaker 4: he did it, does.

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Speaker 2: It go with comedy? Is it like rap or whatever?

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Speaker 5: Like how do they determine who's going to get the

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Speaker 5: bag right? Because there's so many funny comedians like I

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Speaker 5: did Hollywood?

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Speaker 2: What did I do? Hollywood? Squiz? What's your man? Family feud? Well,

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Speaker 2: I want to go on family.

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Speaker 5: You should take your family man on there and all

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Speaker 5: the all d block let's go.

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Speaker 2: You should we shut that up? Up, So we go

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Speaker 2: on there.

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Speaker 5: They got the fluffy Spanish guy. I didn't know much

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Speaker 5: about him, and then they turned around and said, you

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Speaker 5: know this guy sold out Dodger Stadium. Yeah, So who

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Speaker 5: determines who's going to be a big boy, who's gonna

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Speaker 5: be the underground, who's gonna be you know, in rap music,

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Speaker 5: some guys choose to be underground, but they're like, yo,

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Speaker 5: I don't want to hear.

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Speaker 2: I just want to be the purest. And then.

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Speaker 5: Some people like me, you know, commercialized. Some people might

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Speaker 5: call that sellout when I have a record like What's Love?

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Speaker 4: Who determines well in terms of it, if you're talking

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Speaker 4: about just straight movies and TV, the gatekeepers to those

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Speaker 4: you know, white folks, they run that, you know what

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Speaker 4: I mean. If you talk about more like stand up

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Speaker 4: in the grind, that's on you, you know, and a

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Speaker 4: lot of people always go, man, you should be the bigger.

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Speaker 4: You should listen. My mouth is my biggest attribute, but

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Speaker 4: it's also my biggest detriment, you.

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Speaker 2: Know what I mean.

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Speaker 4: So it's like I say a lot of shit that

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Speaker 4: sparks controversy.

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Speaker 2: I'm a hater, I'm this, I'm not so you know

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Speaker 2: it works for you.

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Speaker 4: It's it's working for me, but it ain't took off

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Speaker 4: that You was like, you know, listen, I don't like

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Speaker 4: who took off that.

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Speaker 2: You was like, why are you learning them? No, I'm

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Speaker 2: not lying them up.

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Speaker 3: I'm just who took There's some dudes where you just go,

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Speaker 3: you know, I just don't understand, like, like, there's no

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Speaker 3: sense in this game, you know, I mean, there's no

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Speaker 3: there's no logic to none of this ship.

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Speaker 4: You know, the people that are where they are deserved

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Speaker 4: to be there. Kevin Harnt deserves to be there. You know,

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Speaker 4: Mike Keeps deserves.

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Speaker 2: To be there. But you know, at the end of

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Speaker 2: the day, you you just got to play this bullshit game. Man.

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Speaker 2: You know.

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Speaker 4: I feel like if I put it in boxing terms,

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Speaker 4: you know, let me put it like this, I got

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Speaker 4: Michael Jordan's dreams with Dennis Robin Habits.

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Speaker 2: You know what I'm saying.

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Speaker 4: I'm saying I should be Madison Avenue b ba ba ba.

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Speaker 2: But I like porn stars and liquor.

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Speaker 4: So you know, I got a less talent, but my

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Speaker 4: behavior and some of the things I do and say

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Speaker 4: might be you know, like I said, my biggest detriment.

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Speaker 5: Like me and you, we gotta talk maybe in the

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Speaker 5: next podcast about what I am and what he said

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Speaker 5: with jay Z and Black, like who I mean staying

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Speaker 5: out of that?

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Speaker 2: Yeah, but you got it. I mean I just stay

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Speaker 2: out of that. You can.

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Speaker 5: No, I'm going I'm gonna definitely got something to say

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Speaker 5: about that. I don't You ain't got nothing to say

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Speaker 5: about that. But my point is them guys became huge,

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Speaker 5: right they beat me for the Grammy all Black, they

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Speaker 5: beat me for What's Love. What's Love was like number

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Speaker 5: one in the country. They beat me for the Grammy,

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Speaker 5: this before Fergie.

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Speaker 2: Right.

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Speaker 5: Once they get Fergie, they start making world music and

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Speaker 5: all this shit and they take everything right. But those

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Speaker 5: are guys that went out there. They surprised me when

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Speaker 5: they were selling ten million, twenty million this then and

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Speaker 5: not saying the music ain't good. But that's what I mean.

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Speaker 5: Like you've seen somebody leak through and you was like, WHOA.

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Speaker 5: But to just give you some gems or some knowledge

352
00:17:43,960 --> 00:17:46,359
Speaker 5: right now, because we're talking even though this is funny,

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00:17:46,359 --> 00:17:48,679
Speaker 5: but we're talking about some servious shit. I think you

354
00:17:48,760 --> 00:17:53,000
Speaker 5: figured out everything. You just answered it. I think if

355
00:17:53,000 --> 00:17:57,040
Speaker 5: you analyze this video, you can make certain changes to

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Speaker 5: catapult you to the next level. Just look at the

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Speaker 5: words you said and just make some adjustments.

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Speaker 2: You know.

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00:18:03,960 --> 00:18:06,760
Speaker 4: I think part of what puts me or what's going

360
00:18:06,840 --> 00:18:10,320
Speaker 4: to put me on this path is doing stuff like this.

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Speaker 4: You know what I'm saying. Like for once upon a

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Speaker 4: time ago, I was against the whole social media put

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Speaker 4: in stand up clips out. I was against that. But

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Speaker 4: then I was like, you know what, man, I took

365
00:18:20,760 --> 00:18:22,960
Speaker 4: a page out of Matt Rife book was like, let

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Speaker 4: me hire a videographer and let me, you know.

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Speaker 2: Pay the play.

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Speaker 4: And because I did that, I went from I mean,

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Speaker 4: within the course of three months, I went from three

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00:18:32,400 --> 00:18:35,879
Speaker 4: hundred thousand Instagram followers to one point four. You know,

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Speaker 4: my Facebook jump from three hundred thousand to one point eight.

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Speaker 4: So you know, and people is funny, like I always say,

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Speaker 4: people of most people are fucking idiots because people will

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Speaker 4: say shit online like man, all he do is crowd

375
00:18:49,119 --> 00:18:51,960
Speaker 4: Where did he ever tell a joke? And I said, listen, man,

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Speaker 4: you don't give the key a cocaine away for free.

377
00:18:54,720 --> 00:18:57,000
Speaker 4: I'm giving you a sample of the product. Once you

378
00:18:57,160 --> 00:18:59,240
Speaker 4: like the sample, now come to the show and pay

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Speaker 4: for the key.

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Speaker 2: I gotta tell you this.

381
00:19:02,080 --> 00:19:03,720
Speaker 4: I gotta cut up your food for you to eat,

382
00:19:03,720 --> 00:19:05,560
Speaker 4: like your mother did with you with Toddler, so you

383
00:19:05,600 --> 00:19:06,080
Speaker 4: don't choke.

384
00:19:07,240 --> 00:19:11,360
Speaker 5: Certain things is common fucking knowledge. But I gotta tell

385
00:19:11,400 --> 00:19:13,280
Speaker 5: you this, that's crazy.

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Speaker 2: Man. He's funny.

387
00:19:14,480 --> 00:19:16,960
Speaker 4: All he does is impressions. So I'm thirty six years

388
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Speaker 4: in this game, and all I know how to do

389
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Speaker 4: is dunk.

390
00:19:19,440 --> 00:19:19,680
Speaker 2: Man.

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Speaker 5: I sit, I sit down in the studio. Sometimes, like

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Speaker 5: I heard some shit. Somebody said, you definitely don't want

393
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Speaker 5: no part of this. What I'm about to say, Oh,

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00:19:29,240 --> 00:19:32,920
Speaker 5: he's not responsible for the next line. But somebody said

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Speaker 5: they not like us. I forget who it was said

396
00:19:36,080 --> 00:19:40,119
Speaker 5: that it wasn't mixed right. Somebody said, yo, that wasn't

397
00:19:40,160 --> 00:19:44,439
Speaker 5: mixed right, right. I forget who James looked that up

398
00:19:44,480 --> 00:19:49,280
Speaker 5: right now, because that's important. Somebody said, yo, wasn't the

399
00:19:49,400 --> 00:19:50,760
Speaker 5: music wasn't mixed right?

400
00:19:51,280 --> 00:19:51,440
Speaker 2: Right?

401
00:19:51,480 --> 00:19:55,880
Speaker 5: And then some people agreed with the person who Rodney Jenkins. Jerkins,

402
00:19:56,240 --> 00:19:58,600
Speaker 5: somebody agreed with him and say, yeah, you know it

403
00:19:58,600 --> 00:19:59,919
Speaker 5: could have been mixed better, right.

404
00:20:00,960 --> 00:20:02,680
Speaker 2: But all we know.

405
00:20:03,400 --> 00:20:07,399
Speaker 5: Is that they not like us is a smoker. That

406
00:20:07,520 --> 00:20:12,080
Speaker 5: shit filtered the whole hemisphere, right. And so when I

407
00:20:12,200 --> 00:20:15,720
Speaker 5: get in the studio with producers and they start to

408
00:20:15,720 --> 00:20:18,480
Speaker 5: talk about a smashit record, they'd be like, the snare

409
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Speaker 5: wasn't right.

410
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Speaker 2: The eight o eight? Could it came? I'm like, yo, bro,

411
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Speaker 2: no one gives a fuck about what.

412
00:20:25,960 --> 00:20:29,159
Speaker 5: It should have been. How professional it is? The fucking

413
00:20:29,240 --> 00:20:33,000
Speaker 5: record's number one. It's a fucking head and I've been

414
00:20:33,040 --> 00:20:35,119
Speaker 5: in there in the studio with producers.

415
00:20:35,400 --> 00:20:38,199
Speaker 2: This guy didn't use the tinker bell right, he didn't, Yo,

416
00:20:38,280 --> 00:20:38,880
Speaker 2: My man.

417
00:20:38,720 --> 00:20:42,959
Speaker 5: Who gives a fuck? This shit is number one? And

418
00:20:43,040 --> 00:20:44,639
Speaker 5: so uh who was that?

419
00:20:46,359 --> 00:20:46,560
Speaker 2: DJ?

420
00:20:46,760 --> 00:20:50,560
Speaker 5: Ve Ladd said, what, well listen? But the engineers agreed

421
00:20:50,600 --> 00:20:53,159
Speaker 5: with him. They said Kendrick sent that shit in and

422
00:20:53,160 --> 00:20:55,040
Speaker 5: said I wanted out in a half an hour. So

423
00:20:55,080 --> 00:20:58,320
Speaker 5: that the engineer was like, yo, I couldn't even mix it.

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00:20:58,320 --> 00:21:01,760
Speaker 2: It was just it was good. It was just smash hit.

425
00:21:02,440 --> 00:21:04,160
Speaker 5: He did the best he could and that ship went

426
00:21:04,160 --> 00:21:05,960
Speaker 5: out there, so he actually was right.

427
00:21:07,280 --> 00:21:08,560
Speaker 2: I didn't hear it like that.

428
00:21:08,720 --> 00:21:11,040
Speaker 5: When I hear that ship going crazy in the club

429
00:21:11,080 --> 00:21:13,239
Speaker 5: in the stadium and everything going crazy, I'm like, yo,

430
00:21:13,280 --> 00:21:17,840
Speaker 5: say hit. Yeah, I didn't know how he was supposed

431
00:21:17,840 --> 00:21:20,719
Speaker 5: to person. They no, because why did I come up

432
00:21:20,760 --> 00:21:21,639
Speaker 5: with that scenario?

433
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Speaker 2: You know I'm fried. I keep telling you showing men, No,

434
00:21:25,280 --> 00:21:36,920
Speaker 2: I'm fried. What do people ask you to do? What's

435
00:21:36,960 --> 00:21:42,080
Speaker 2: your most successful impersonation? Ah? Ship, I know it all

436
00:21:42,240 --> 00:21:45,560
Speaker 2: they all are. They like the Tellervione that people always

437
00:21:45,600 --> 00:21:49,680
Speaker 2: Actually they like the Tony soprano. Oh yeah, you be killing.

438
00:21:49,840 --> 00:21:52,359
Speaker 7: Fucking medal of ag. She's going down to the fucking uties.

439
00:21:52,400 --> 00:21:54,920
Speaker 7: She's got the matter guy. But the fucker grazy. Oh

440
00:21:54,920 --> 00:21:57,760
Speaker 7: my kids love it. Mend a Janis joy shack.

441
00:21:59,040 --> 00:22:00,359
Speaker 2: You know that ship phrase?

442
00:22:00,440 --> 00:22:03,479
Speaker 5: You know me, I don't know my voice might be

443
00:22:04,040 --> 00:22:06,879
Speaker 5: didn't the Italian spider all Italian joint and you start

444
00:22:06,920 --> 00:22:09,479
Speaker 5: talking like that the whole fucking place to look at you, right,

445
00:22:09,480 --> 00:22:10,879
Speaker 5: They be like yo, what the fuck?

446
00:22:11,080 --> 00:22:11,560
Speaker 2: They love it?

447
00:22:11,560 --> 00:22:12,840
Speaker 4: And when I do it at the show, it's like

448
00:22:12,840 --> 00:22:14,520
Speaker 4: the Italians go, fucking niggas good.

449
00:22:19,480 --> 00:22:21,760
Speaker 5: You know that one guy he does a good Denzel

450
00:22:22,240 --> 00:22:25,760
Speaker 5: Oh just King, yeah, say something heap of all the

451
00:22:25,800 --> 00:22:29,440
Speaker 5: dudes that did Denzel me godfree my man.

452
00:22:29,480 --> 00:22:30,920
Speaker 2: Reggie reads out of Chicago.

453
00:22:31,680 --> 00:22:36,680
Speaker 4: Uh, Sea King and Dean Edwards and again this place

454
00:22:36,720 --> 00:22:38,760
Speaker 4: two people going, man, you hey, do you you don't

455
00:22:38,800 --> 00:22:41,000
Speaker 4: give it up to other people? I said, listen, Sea

456
00:22:41,119 --> 00:22:44,480
Speaker 4: King was is so cold with it. I stopped doing

457
00:22:44,520 --> 00:22:48,760
Speaker 4: it because I felt foolish. He's dead the fuck on,

458
00:22:49,080 --> 00:22:51,720
Speaker 4: and every chance I get to promote him, I tell people.

459
00:22:51,720 --> 00:22:54,200
Speaker 4: People still hit me up and go, yo, you're Denzel

460
00:22:55,480 --> 00:22:58,159
Speaker 4: see King. He got the crown. Man got that, he

461
00:22:58,280 --> 00:23:00,760
Speaker 4: got the crowns like that that.

462
00:23:01,280 --> 00:23:01,920
Speaker 2: It's like that.

463
00:23:01,960 --> 00:23:05,360
Speaker 5: Sometimes you know you got a big something. Sometimes somebody

464
00:23:05,400 --> 00:23:07,640
Speaker 5: does something so good you don't want to fuck with it.

465
00:23:07,840 --> 00:23:11,359
Speaker 4: Well, you know, everybody like this, there's certain impressions that

466
00:23:11,440 --> 00:23:16,440
Speaker 4: everybody owns, like you go, Frank Caliendo owns Madden, see

467
00:23:16,560 --> 00:23:21,600
Speaker 4: King owns Denzel J. Farrell owns Will Smith. So for me,

468
00:23:21,680 --> 00:23:24,800
Speaker 4: it's like throwing soprano shack, you know.

469
00:23:25,720 --> 00:23:32,560
Speaker 2: And scored when they dominate, dominate, get inside inside outside game.

470
00:23:32,840 --> 00:23:36,080
Speaker 2: You gotta get the ball man. You gotta put the

471
00:23:36,160 --> 00:23:39,679
Speaker 2: eyes comedic comedic part of it.

472
00:23:40,160 --> 00:23:44,080
Speaker 5: Why you made it like the back of the bus,

473
00:23:44,960 --> 00:23:45,560
Speaker 5: just like that.

474
00:23:45,720 --> 00:23:47,640
Speaker 2: You know he sounds just that, but you ain't see

475
00:23:47,640 --> 00:23:53,040
Speaker 2: the eyes. Sha shack. He was doing the real loves

476
00:23:53,080 --> 00:23:56,080
Speaker 2: it in the yellow bus shaq. But he loves it.

477
00:23:56,200 --> 00:23:58,400
Speaker 2: He loves it. He was on that dress. I love

478
00:23:58,600 --> 00:24:00,720
Speaker 2: Jada Kitts, but he really fun me up with this

479
00:24:00,800 --> 00:24:03,080
Speaker 2: euro step ship. I'm it's just like god.

480
00:24:03,080 --> 00:24:06,280
Speaker 5: I said, no, no, no, you being a comedian, you've

481
00:24:06,280 --> 00:24:09,639
Speaker 5: seen that ship. You you thought somebody helped dig anybody

482
00:24:09,760 --> 00:24:11,040
Speaker 5: do the battery back?

483
00:24:13,040 --> 00:24:15,760
Speaker 2: That was so good? Yes, that ship was too good.

484
00:24:16,000 --> 00:24:18,720
Speaker 2: Joe I said that I can't. I can't keep fighting

485
00:24:18,720 --> 00:24:20,080
Speaker 2: you for verbal rebound position.

486
00:24:20,800 --> 00:24:26,240
Speaker 4: Uh, listen, rappers and comedians a little bit of because

487
00:24:26,280 --> 00:24:29,920
Speaker 4: it's wordplay, it's it's jokes, it's metaphors, punchlines.

488
00:24:30,359 --> 00:24:34,000
Speaker 2: So that's not that's not. I can rap, but.

489
00:24:34,080 --> 00:24:38,840
Speaker 4: I'm not a rapper, but I can. I can some lyrics. Fact,

490
00:24:39,280 --> 00:24:41,080
Speaker 4: let me see. I don't want to embarrass myself. But

491
00:24:41,480 --> 00:24:43,320
Speaker 4: because I tried to do a BIGGI impression and it

492
00:24:43,400 --> 00:24:45,960
Speaker 4: was awful. Uh, but I wrote the lyrics where I

493
00:24:45,960 --> 00:24:49,159
Speaker 4: said some about the Biggie baby bit delivers cold like

494
00:24:49,240 --> 00:24:52,800
Speaker 4: the shivers, talk slick ship, spick game is vicious, malicious.

495
00:24:52,960 --> 00:24:55,720
Speaker 4: How I rolled through you like a cancer doctor speak bleak,

496
00:24:55,920 --> 00:24:58,280
Speaker 4: talk about your chances, seem the work slow to keeme on,

497
00:24:58,560 --> 00:25:01,639
Speaker 4: flush to the bone, merrow when that row fuck several

498
00:25:01,880 --> 00:25:04,520
Speaker 4: fuck beef, make peace with your priest. The least think

499
00:25:04,520 --> 00:25:08,200
Speaker 4: an think about tomorrow Poppa spotsor Biggie be the dropcher, Chris,

500
00:25:08,280 --> 00:25:11,360
Speaker 4: keep it real, keep it frank like Sinatra, something like that.

501
00:25:12,280 --> 00:25:14,800
Speaker 4: So I'm not a rapper, but you know what I mean,

502
00:25:15,480 --> 00:25:18,800
Speaker 4: and I'm got it in this new generation was using

503
00:25:18,840 --> 00:25:20,639
Speaker 4: it be a voice a little bit?

504
00:25:21,400 --> 00:25:22,600
Speaker 2: How you I don't really have it?

505
00:25:22,640 --> 00:25:25,359
Speaker 5: Like, how do you feel when you go into and

506
00:25:26,320 --> 00:25:28,919
Speaker 5: enough people have Jack Biggie's voice that he don't have

507
00:25:28,960 --> 00:25:31,439
Speaker 5: to be that accurate? Like you know, but when I

508
00:25:31,600 --> 00:25:37,800
Speaker 5: every fat dude came up to me with Biggie voice,

509
00:25:38,840 --> 00:25:43,520
Speaker 5: I personally no disrespect. Guys, let me if you want

510
00:25:43,560 --> 00:25:47,160
Speaker 5: to learn something right now on hip hop. I think

511
00:25:47,200 --> 00:25:48,960
Speaker 5: I've been in it for a long time as a

512
00:25:49,000 --> 00:25:50,080
Speaker 5: fan as a rapper.

513
00:25:51,000 --> 00:25:52,680
Speaker 2: Don't jack nobody.

514
00:25:52,760 --> 00:25:56,560
Speaker 5: Their style, their voice, they're swagg You're wasting your time.

515
00:25:57,040 --> 00:26:00,800
Speaker 5: Do you know how many guys I met? They were

516
00:26:00,920 --> 00:26:05,359
Speaker 5: fucking dead nice, they allly had to be was dumb.

517
00:26:05,520 --> 00:26:06,960
Speaker 2: And they might have been a superstar.

518
00:26:07,000 --> 00:26:11,040
Speaker 5: But when they come on us and they doing the voice,

519
00:26:11,200 --> 00:26:14,000
Speaker 5: I don't like, nobody sounded like nobody.

520
00:26:14,040 --> 00:26:16,560
Speaker 4: That's why when when I get called the old head

521
00:26:16,920 --> 00:26:19,800
Speaker 4: for going yo, why don't you like this new generation?

522
00:26:20,320 --> 00:26:23,280
Speaker 4: All your niggas sound the same, the same melodies, the

523
00:26:23,320 --> 00:26:25,439
Speaker 4: same cadence, the same flow.

524
00:26:26,760 --> 00:26:32,040
Speaker 5: All your niggas sound the same. But it was always

525
00:26:32,080 --> 00:26:36,520
Speaker 5: like that. No, no, you have listen if you try.

526
00:26:36,680 --> 00:26:40,760
Speaker 5: In the nineties, treachers rhyming like this, dude, your niggas.

527
00:26:40,760 --> 00:26:44,960
Speaker 2: It's craziest. If you look at every video at that time.

528
00:26:45,280 --> 00:26:50,080
Speaker 5: Every rapper from anywhere was doing whoever's been popping, they've

529
00:26:50,080 --> 00:26:55,520
Speaker 5: been jacking this. If DMX Tretch had that move, if

530
00:26:55,640 --> 00:26:58,360
Speaker 5: DMX was you know how many guys I've seen coming

531
00:26:58,359 --> 00:27:00,280
Speaker 5: in the studio with a dog thinking.

532
00:27:00,080 --> 00:27:04,160
Speaker 3: There and those guys didn't last no at all.

533
00:27:04,320 --> 00:27:06,320
Speaker 2: So originality was a thing back then.

534
00:27:06,359 --> 00:27:10,119
Speaker 5: Oh no, very very Now it's commonplace to be the same.

535
00:27:11,520 --> 00:27:15,400
Speaker 5: It's crazy. But I do believe that this new generation

536
00:27:15,640 --> 00:27:18,120
Speaker 5: is a lot different from my and I'm not trying

537
00:27:18,160 --> 00:27:21,000
Speaker 5: to hate on them or talk them down. I just

538
00:27:21,080 --> 00:27:24,240
Speaker 5: say that they're looking more for the bag or the lick.

539
00:27:24,600 --> 00:27:29,080
Speaker 5: It ain't so much culture, it ain't so much YO.

540
00:27:29,960 --> 00:27:34,760
Speaker 5: This legacy. They like YO for some reason.

541
00:27:34,960 --> 00:27:35,680
Speaker 2: Everybody.

542
00:27:36,240 --> 00:27:38,119
Speaker 5: I don't know if it's like that in comedy, but

543
00:27:38,440 --> 00:27:41,080
Speaker 5: everybody think they could be a rapper.

544
00:27:41,160 --> 00:27:43,200
Speaker 2: They think this is the easiest job in the world.

545
00:27:43,840 --> 00:27:48,000
Speaker 5: Everybody, the guy at the target, Target, the guy works

546
00:27:48,040 --> 00:27:50,200
Speaker 5: the front desk in this building, the.

547
00:27:50,160 --> 00:27:52,680
Speaker 2: Guy at the deli, the dudes on the court.

548
00:27:53,080 --> 00:27:56,960
Speaker 5: Everybody think the rap is just the easiest ship in

549
00:27:56,960 --> 00:27:57,399
Speaker 5: the world.

550
00:27:57,760 --> 00:27:59,280
Speaker 2: But they could become successful.

551
00:27:59,320 --> 00:28:01,560
Speaker 4: But a lot of people will feel like today it

552
00:28:01,600 --> 00:28:03,320
Speaker 4: is because it's garbage.

553
00:28:04,680 --> 00:28:06,359
Speaker 2: It's just not as potent as it used to be.

554
00:28:07,000 --> 00:28:07,840
Speaker 2: It's gobbage.

555
00:28:08,119 --> 00:28:10,760
Speaker 4: So the dude that talks can be a rapper, it's

556
00:28:10,760 --> 00:28:14,080
Speaker 4: stepped on bacon soda. Then I'm telling you, if I

557
00:28:14,160 --> 00:28:17,240
Speaker 4: really wanted to, I could do this shit. But but

558
00:28:17,359 --> 00:28:21,000
Speaker 4: my passion, my passion for excellence, don't allow me to

559
00:28:21,040 --> 00:28:22,120
Speaker 4: sound like garbage.

560
00:28:22,760 --> 00:28:27,680
Speaker 5: I try to tell like guys similar. I try to

561
00:28:27,720 --> 00:28:30,880
Speaker 5: but not so offensive. But I try to tell like

562
00:28:30,920 --> 00:28:33,520
Speaker 5: my nephews or whoever try to rap and all that.

563
00:28:33,560 --> 00:28:35,879
Speaker 2: I'd be like, yo, it's so much easier for you,

564
00:28:36,760 --> 00:28:37,520
Speaker 2: and we had.

565
00:28:37,320 --> 00:28:40,160
Speaker 5: To guard Rock Kim. You know, even Fat Joe I

566
00:28:40,280 --> 00:28:42,480
Speaker 5: discovered big pun. But I went to the school of

567
00:28:42,600 --> 00:28:47,800
Speaker 5: big pun, meaning we double platinum and the parties outside

568
00:28:47,840 --> 00:28:50,160
Speaker 5: and we the hottest. And he'd be like, fuck that

569
00:28:50,360 --> 00:28:53,920
Speaker 5: we write moms. Today there's ninety degrees and everybody coming

570
00:28:53,920 --> 00:28:56,480
Speaker 5: in the benzes in the truck Yo were.

571
00:28:56,360 --> 00:28:57,080
Speaker 2: Going to ortr be.

572
00:28:57,240 --> 00:29:00,400
Speaker 5: She be like, fuck all that crack we're writing. And

573
00:29:00,480 --> 00:29:02,240
Speaker 5: so I went to the school of Big Pump with

574
00:29:02,640 --> 00:29:05,680
Speaker 5: he will bust your bubble like the way we used

575
00:29:05,680 --> 00:29:07,200
Speaker 5: to rhyme when Big Pump was alive.

576
00:29:08,160 --> 00:29:09,560
Speaker 2: Not even healthy for your brain.

577
00:29:10,360 --> 00:29:13,560
Speaker 5: Now you find a way to put fifty words in

578
00:29:13,640 --> 00:29:16,360
Speaker 5: one loose sleeve with that thing one of the most

579
00:29:16,360 --> 00:29:20,280
Speaker 5: classics over that diddly Itly this exactly what I'm thinking

580
00:29:20,320 --> 00:29:22,640
Speaker 5: of while I'm explaining it to you, right.

581
00:29:22,520 --> 00:29:24,840
Speaker 2: It's like, well we did that song. It was like.

582
00:29:26,600 --> 00:29:30,160
Speaker 5: So much pressure to put every word together, everything together,

583
00:29:31,280 --> 00:29:36,960
Speaker 5: and now you gotta have some swags, some melody, something.

584
00:29:37,080 --> 00:29:39,080
Speaker 5: It's definitely easy in this man.

585
00:29:39,280 --> 00:29:42,480
Speaker 4: I said out the post one time where I said

586
00:29:43,520 --> 00:29:47,920
Speaker 4: Biggie's Niggas Bleed should be a tutorial anybody trying to rap,

587
00:29:48,520 --> 00:29:51,600
Speaker 4: because with that win, with that picture he painted, with

588
00:29:51,680 --> 00:29:55,120
Speaker 4: the melody and the pace of the song, you thought

589
00:29:55,160 --> 00:29:56,800
Speaker 4: you was looking at a scene in the Martin Scus

590
00:29:56,800 --> 00:30:00,360
Speaker 4: says he felt. I mean it was vivid, and I'm like,

591
00:30:00,680 --> 00:30:02,600
Speaker 4: that should be if you want to be a rapper,

592
00:30:02,640 --> 00:30:03,760
Speaker 4: you have to You should.

593
00:30:03,480 --> 00:30:05,440
Speaker 2: Have thought in real life I can't say much.

594
00:30:05,760 --> 00:30:08,959
Speaker 5: Yeah, in real life, I can't say as much as

595
00:30:09,000 --> 00:30:11,080
Speaker 5: him because they was actually part of the team.

596
00:30:11,320 --> 00:30:12,960
Speaker 2: But you know, Biggie was my man.

597
00:30:13,840 --> 00:30:17,320
Speaker 5: And I seen the Scorsese picture in real life, you know,

598
00:30:17,560 --> 00:30:20,920
Speaker 5: I uh, I was in his house, hanging out with

599
00:30:21,000 --> 00:30:25,360
Speaker 5: him in Brooklyn and this he just got lit. But

600
00:30:25,440 --> 00:30:27,880
Speaker 5: I mean like just got lit. He was like, yo, Joe,

601
00:30:28,480 --> 00:30:30,280
Speaker 5: come to my show. I think it was Roseland and

602
00:30:30,320 --> 00:30:32,280
Speaker 5: the Palladium. I got a shoulder night, this and that,

603
00:30:32,320 --> 00:30:36,760
Speaker 5: and Biggie was like us hockey shirt shorts, whatever, this, this, this,

604
00:30:37,080 --> 00:30:40,000
Speaker 5: and man. When I seen the pictures of that party

605
00:30:41,000 --> 00:30:43,880
Speaker 5: where he had the soundmon suit on with the Gators

606
00:30:43,920 --> 00:30:47,520
Speaker 5: with that, I seen him transform into that character.

607
00:30:47,560 --> 00:30:49,400
Speaker 2: And I say, he ain't the real deal, but I've

608
00:30:49,480 --> 00:30:50,720
Speaker 2: seen it with my own eyes.

609
00:30:50,760 --> 00:30:53,960
Speaker 5: It shocked me. I knew him, and I couldn't believe it.

610
00:30:54,040 --> 00:30:57,800
Speaker 5: Like he did so much for the culture of you

611
00:30:57,840 --> 00:31:00,680
Speaker 5: know taking. You know, if you think about Biggie, everything

612
00:31:00,760 --> 00:31:01,880
Speaker 5: was underground before that.

613
00:31:02,120 --> 00:31:03,200
Speaker 2: Like so a song like.

614
00:31:04,760 --> 00:31:08,960
Speaker 5: Mass a Field that was straight hardcore beats pre mo

615
00:31:09,120 --> 00:31:11,960
Speaker 5: and lyrics from Google Rest in Peace. That was the hit,

616
00:31:12,840 --> 00:31:15,760
Speaker 5: and that was playing on every radio station, and it

617
00:31:15,880 --> 00:31:16,680
Speaker 5: was like hardcore.

618
00:31:16,800 --> 00:31:19,760
Speaker 2: Ship was the hit, and then Biggie turned.

619
00:31:19,560 --> 00:31:23,120
Speaker 5: It into like taking those samples and making it a

620
00:31:23,640 --> 00:31:28,040
Speaker 5: super hit. Right, So his vision to rap on those

621
00:31:28,120 --> 00:31:31,520
Speaker 5: beats and to take it to another level, everything about

622
00:31:31,600 --> 00:31:36,720
Speaker 5: him is still all falls blows my mind every time

623
00:31:37,360 --> 00:31:40,720
Speaker 5: I listen to Biggie because I just can't believe he

624
00:31:40,920 --> 00:31:44,680
Speaker 5: was that good like and it's cadence and it's.

625
00:31:45,240 --> 00:31:47,520
Speaker 2: It's funny because again when people go, yo, what's your

626
00:31:47,520 --> 00:31:48,040
Speaker 2: top five?

627
00:31:48,600 --> 00:31:51,400
Speaker 5: And I say it, and I've seen this online where

628
00:31:51,400 --> 00:31:53,480
Speaker 5: people go, I don't know how people put Big in

629
00:31:53,520 --> 00:31:56,560
Speaker 5: the top five. He only watched two albums And I'm

630
00:31:56,560 --> 00:31:59,360
Speaker 5: going listen, how much evidence do you need to see

631
00:31:59,480 --> 00:32:01,920
Speaker 5: to tell this? Somebody is special? So what do you

632
00:32:01,960 --> 00:32:04,280
Speaker 5: think that if he if he was alive, he would

633
00:32:04,280 --> 00:32:07,960
Speaker 5: have just fell off? He was gonna get better. I

634
00:32:08,000 --> 00:32:10,440
Speaker 5: don't need eight albums to know what you were. You

635
00:32:10,560 --> 00:32:14,200
Speaker 5: showed me the first time. So come on, man, that's

636
00:32:14,240 --> 00:32:14,920
Speaker 5: what I'm telling you.

637
00:32:14,920 --> 00:32:19,840
Speaker 2: Man. I people are fucking stupid. Most people are fucking stupid,

638
00:32:20,440 --> 00:32:21,719
Speaker 2: but you really don't see it.

639
00:32:22,440 --> 00:32:26,400
Speaker 1: You don't understand it. And because I'll say that, oh.

640
00:32:26,320 --> 00:32:30,320
Speaker 5: This here, do you want me to stay true to

641
00:32:30,360 --> 00:32:33,800
Speaker 5: your to your opinion and your voice in your opinion.

642
00:32:33,560 --> 00:32:34,680
Speaker 2: I don't disagree with you.

643
00:32:35,840 --> 00:32:38,280
Speaker 5: I've had young kids telling me that Biggie sounds like

644
00:32:38,320 --> 00:32:41,640
Speaker 5: to the hip hop to them right now with the

645
00:32:41,680 --> 00:32:42,600
Speaker 5: way they wrap y.

646
00:32:43,640 --> 00:32:45,000
Speaker 2: You know, the youth is crazy.

647
00:32:45,960 --> 00:32:48,800
Speaker 4: Look our heroes, well my heroes, Like I said, I

648
00:32:48,800 --> 00:32:52,160
Speaker 4: grew up on your rock, Kim krus One. You know

649
00:32:52,200 --> 00:32:56,680
Speaker 4: what I mean, Biggie. They heroes is liu Uzi, Satchel's

650
00:32:56,680 --> 00:33:01,120
Speaker 4: and purses. I can't disrespect little Uzi. That's your opinion.

651
00:33:01,520 --> 00:33:03,640
Speaker 4: Just he's my guy and I love it.

652
00:33:03,640 --> 00:33:06,440
Speaker 2: Well, what was your experience like on Mad Team?

653
00:33:07,160 --> 00:33:10,160
Speaker 3: When I saw you on there, it was like you

654
00:33:10,360 --> 00:33:11,880
Speaker 3: was fucking Litton.

655
00:33:12,560 --> 00:33:14,760
Speaker 2: It was like one of the first black people on

656
00:33:14,880 --> 00:33:16,320
Speaker 2: Mad TV for me.

657
00:33:16,560 --> 00:33:21,120
Speaker 4: Yeah, yeah, well no, actually before that was Orlando Jones,

658
00:33:21,120 --> 00:33:22,720
Speaker 4: Phil Lamar, and Deborah Wilson.

659
00:33:23,640 --> 00:33:26,280
Speaker 2: I came in season three. He was one of the litis.

660
00:33:27,200 --> 00:33:29,880
Speaker 4: Listen man, I you know again, if I could have

661
00:33:29,880 --> 00:33:32,080
Speaker 4: had it my way, I would have loved to have

662
00:33:32,080 --> 00:33:34,240
Speaker 4: taken the path of Eddie Murphy, you know, a couple

663
00:33:34,280 --> 00:33:35,920
Speaker 4: of years on SNL and.

664
00:33:35,840 --> 00:33:37,320
Speaker 2: Then to the Stratosphere.

665
00:33:37,720 --> 00:33:39,560
Speaker 4: But I didn't get a chance of playing the NBA

666
00:33:39,640 --> 00:33:42,240
Speaker 4: I played in CBA for the ABA, you know what

667
00:33:42,280 --> 00:33:42,520
Speaker 4: I mean.

668
00:33:42,560 --> 00:33:44,040
Speaker 2: Mad TV just wasn't snl.

669
00:33:44,160 --> 00:33:46,800
Speaker 5: Let me tell you something, they always got that little

670
00:33:46,800 --> 00:33:50,840
Speaker 5: white affiliation. With no disrespect to my white brothers and sisters,

671
00:33:50,840 --> 00:33:53,800
Speaker 5: but they always got like JB. Smooth, he's pretty much

672
00:33:53,840 --> 00:33:57,240
Speaker 5: a black jew Like they look he with that Larry David.

673
00:33:58,160 --> 00:34:00,480
Speaker 2: He must be performing at every bar I missed for.

674
00:34:00,640 --> 00:34:06,520
Speaker 2: Jamie Smooth is Jewish. Don't get that fucked up. You

675
00:34:06,560 --> 00:34:08,919
Speaker 2: know they got that once you get that little jam

676
00:34:09,640 --> 00:34:10,560
Speaker 2: them gold sign.

677
00:34:11,080 --> 00:34:15,800
Speaker 5: I'm telling you that's my man. They love him, The

678
00:34:16,000 --> 00:34:18,080
Speaker 5: Jews love him. He's down with Larry David.

679
00:34:18,120 --> 00:34:20,880
Speaker 2: That's his crew. Like Tracy Morgan.

680
00:34:21,160 --> 00:34:23,719
Speaker 5: Tracy Morgan keep it all the way hip hop, big

681
00:34:23,760 --> 00:34:25,120
Speaker 5: gold chase like I'd be working.

682
00:34:25,680 --> 00:34:28,480
Speaker 2: I'll be bumping at Tracy Morgan's one guy.

683
00:34:29,080 --> 00:34:32,239
Speaker 5: I bump into the hood in a million dollar Lamborghini

684
00:34:32,320 --> 00:34:34,120
Speaker 5: an the other day with the top of I don't

685
00:34:34,120 --> 00:34:37,480
Speaker 5: know what the fuck he doing there. He's driving by himself.

686
00:34:37,080 --> 00:34:39,720
Speaker 2: No security. He's all the way hood.

687
00:34:40,760 --> 00:34:45,280
Speaker 5: But for some reason, the white people really love Tracy Morgan.

688
00:34:45,280 --> 00:34:46,800
Speaker 4: I mean, he hit all the right notes, you know

689
00:34:46,800 --> 00:34:49,520
Speaker 4: what I mean. Saturday Live thirty Rock you know what

690
00:34:49,520 --> 00:34:51,160
Speaker 4: I mean. So he hit all the right notes and listen.

691
00:34:51,320 --> 00:34:53,600
Speaker 4: Worked so there is a truth to that. Oh absolutely,

692
00:34:53,960 --> 00:34:56,279
Speaker 4: and listen Tracy Man. You know I love you. We

693
00:34:56,440 --> 00:34:59,600
Speaker 4: comedians always go Tracy Morgan. Sounds like a New York

694
00:34:59,640 --> 00:35:00,600
Speaker 4: City that way.

695
00:35:01,360 --> 00:35:09,880
Speaker 2: Yo, trip shit, how are you doing? That's comic Banta

696
00:35:09,960 --> 00:35:16,000
Speaker 2: man Scott shipping. None on my whosh, But that's what

697
00:35:16,040 --> 00:35:18,399
Speaker 2: comics do. Man. If he if he was, he hit

698
00:35:18,480 --> 00:35:27,960
Speaker 2: me back. Yeah, trip shit. Tracy caught that bag too.

699
00:35:28,400 --> 00:35:32,399
Speaker 5: Ain't sure that that motherfucker got too much money? Every

700
00:35:32,440 --> 00:35:34,839
Speaker 5: time I say him, yo, can I invest? He don't

701
00:35:34,840 --> 00:35:37,080
Speaker 5: even know what he want to invest in? You telling

702
00:35:37,120 --> 00:35:40,719
Speaker 5: me want some money? Can I invest? Yo, Tracy, I

703
00:35:40,719 --> 00:35:43,760
Speaker 5: don't need no money now. That motherfucker got the super bag.

704
00:35:43,840 --> 00:35:46,120
Speaker 5: You know he told me, he said if he dropped.

705
00:35:46,320 --> 00:35:48,840
Speaker 5: We live in the same neighborhood. His ship is bigger

706
00:35:48,880 --> 00:35:51,680
Speaker 5: than mine. Don't get it fucked up his thirty Rock money.

707
00:35:52,719 --> 00:35:56,160
Speaker 5: I think it was that Walmart money. I'm sure that

708
00:35:56,239 --> 00:35:56,799
Speaker 5: made the bag.

709
00:35:56,920 --> 00:36:01,879
Speaker 4: Have you but NBC Tina fey Alec bowin thirty Rock

710
00:36:01,960 --> 00:36:04,560
Speaker 4: Prime Time, I'm sure he had the bag. But the

711
00:36:04,800 --> 00:36:08,839
Speaker 4: bag you know, when you lawsuit, it's like you don't

712
00:36:08,840 --> 00:36:10,279
Speaker 4: get no taxes on that or not.

713
00:36:10,440 --> 00:36:13,799
Speaker 2: You get the whole whatever you get. But he said he.

714
00:36:13,840 --> 00:36:16,120
Speaker 5: Called the cops on his if he sees his brother

715
00:36:16,160 --> 00:36:18,759
Speaker 5: and sisters in that neighborhood because they don't belong there,

716
00:36:19,040 --> 00:36:21,200
Speaker 5: he'll call the cops, Like, yo, they outside.

717
00:36:21,239 --> 00:36:24,279
Speaker 2: That's hilarious, that's hilarious.

718
00:36:24,760 --> 00:36:27,440
Speaker 3: How does how does it work when you trust some

719
00:36:27,520 --> 00:36:29,840
Speaker 3: material on it? Don't land how you expect it, but

720
00:36:30,280 --> 00:36:31,520
Speaker 3: just throw it out off now.

721
00:36:31,520 --> 00:36:34,360
Speaker 2: You just go back in the lab and rework it.

722
00:36:34,640 --> 00:36:36,640
Speaker 4: And you know, I always say a joke is never

723
00:36:36,680 --> 00:36:39,120
Speaker 4: done because you don't know at what point, at any

724
00:36:39,239 --> 00:36:42,160
Speaker 4: point at night, you're on the stage and you say

725
00:36:42,200 --> 00:36:46,359
Speaker 4: one word that takes it from here to here. So

726
00:36:46,880 --> 00:36:49,360
Speaker 4: a joke is never done. You know, big poem was

727
00:36:49,400 --> 00:36:51,800
Speaker 4: real funny, and I grew up some funny guys.

728
00:36:52,160 --> 00:36:53,319
Speaker 2: Yeah, and.

729
00:36:54,760 --> 00:36:59,319
Speaker 5: I had this one friend and maybe you just what

730
00:36:59,360 --> 00:37:03,919
Speaker 5: you're talking about. If he gets you laughing, he will

731
00:37:04,120 --> 00:37:08,720
Speaker 5: double triple quad you five times double down, like he'll

732
00:37:08,800 --> 00:37:11,520
Speaker 5: just keep on with the ship where you can't, you know,

733
00:37:11,560 --> 00:37:14,040
Speaker 5: when you got cramps and shit, like you just can't

734
00:37:14,120 --> 00:37:17,239
Speaker 5: take it no more. It's like a real assassin, you know,

735
00:37:17,280 --> 00:37:19,480
Speaker 5: he's like the movie Killer or some shit like that.

736
00:37:19,560 --> 00:37:22,920
Speaker 5: He really trying to kill you with the shits. Oh

737
00:37:23,000 --> 00:37:24,640
Speaker 5: that's my approach on stage.

738
00:37:24,280 --> 00:37:26,840
Speaker 2: Man, Like if you got him, you're like, oh no,

739
00:37:26,840 --> 00:37:28,399
Speaker 2: I'm gonna finish this time. This guy.

740
00:37:28,520 --> 00:37:30,799
Speaker 4: My approach is, I'm Mike Tyson in the eighties and

741
00:37:30,840 --> 00:37:33,960
Speaker 4: we ain't going two rounds. I'm trying to tear your

742
00:37:33,960 --> 00:37:37,399
Speaker 4: head off. That's why I'm glad I came up when

743
00:37:37,400 --> 00:37:39,000
Speaker 4: I did. Man, I got these T shirts I'm gonna

744
00:37:39,040 --> 00:37:42,120
Speaker 4: drop and says built eighties tough because the shit we

745
00:37:42,160 --> 00:37:45,279
Speaker 4: did back then kids don't do now, and I think

746
00:37:45,320 --> 00:37:47,360
Speaker 4: it's kind of made them a little soft.

747
00:37:47,640 --> 00:37:50,960
Speaker 2: When you went to show What, Show What?

748
00:37:51,160 --> 00:37:52,880
Speaker 5: One of the shows you went to where you was

749
00:37:52,920 --> 00:37:54,920
Speaker 5: on the lineup and it was some other people in

750
00:37:55,000 --> 00:37:57,680
Speaker 5: the line up say like for us, it's a sumber

751
00:37:57,800 --> 00:38:01,719
Speaker 5: jam or something like that, and you like, y'all, I'm

752
00:38:01,719 --> 00:38:03,959
Speaker 5: gonna smoke this and you walk out of the head.

753
00:38:04,880 --> 00:38:08,000
Speaker 2: You know, top Dog, you know that night. But who

754
00:38:08,040 --> 00:38:11,839
Speaker 2: else was on the lineup? It was the after Death

755
00:38:11,920 --> 00:38:12,680
Speaker 2: Jam exploded.

756
00:38:12,719 --> 00:38:15,640
Speaker 4: It was the first Death Gym tour and it was

757
00:38:15,800 --> 00:38:19,799
Speaker 4: Adele Givens, Regie McFadden, me Bill Bellamy and Bernie Mac

758
00:38:20,719 --> 00:38:25,040
Speaker 4: and uh Bernie step your game up.

759
00:38:25,160 --> 00:38:27,120
Speaker 2: We let that bitch just step your game up.

760
00:38:27,920 --> 00:38:30,800
Speaker 5: You know, because every time I got a concert, Fabulous

761
00:38:30,880 --> 00:38:32,080
Speaker 5: wants to perform after me.

762
00:38:32,160 --> 00:38:33,640
Speaker 2: I don't know why we.

763
00:38:33,640 --> 00:38:37,080
Speaker 5: Gotta ask fab when he come here, because I've watched

764
00:38:37,160 --> 00:38:40,919
Speaker 5: him sit in the car like the lineup says Fabulous,

765
00:38:40,920 --> 00:38:44,920
Speaker 5: the Fat Joe and uh Nellie or something like this.

766
00:38:45,400 --> 00:38:48,640
Speaker 5: The man find a way all the time to perform

767
00:38:48,719 --> 00:38:52,520
Speaker 5: after me. Findy here, Joe, Fendy. Why does Fabulous want

768
00:38:52,560 --> 00:38:58,879
Speaker 5: to perform after Fat Joe in every shot like you see,

769
00:38:58,960 --> 00:39:01,840
Speaker 5: I don't watch it. I'm gonna ask him when he

770
00:39:01,880 --> 00:39:05,359
Speaker 5: comes on the couch. Boy, I'm just trying to tell you,

771
00:39:05,640 --> 00:39:07,759
Speaker 5: is there anybody like that that you just like? Oh?

772
00:39:07,800 --> 00:39:11,240
Speaker 5: He trying to like because fab is particular the one

773
00:39:11,920 --> 00:39:14,240
Speaker 5: that he wanted to perform. I mean, you're up anywhere.

774
00:39:14,239 --> 00:39:15,919
Speaker 5: I don't care if I got the number one song

775
00:39:15,960 --> 00:39:18,279
Speaker 5: in the world. He gonna find a way to come

776
00:39:18,360 --> 00:39:19,920
Speaker 5: late to perform after.

777
00:39:19,760 --> 00:39:22,000
Speaker 2: Why is that? You think? Is it? Because is it up?

778
00:39:22,080 --> 00:39:25,200
Speaker 5: We gotta ask him because I'm confused because he's my friend,

779
00:39:25,239 --> 00:39:27,560
Speaker 5: He's my buddy. Do you I'm asking you do you

780
00:39:27,600 --> 00:39:29,960
Speaker 5: think it's a thing where it's like he doesn't want

781
00:39:29,960 --> 00:39:33,080
Speaker 5: to follow you or he wants to I'm confused.

782
00:39:34,160 --> 00:39:35,800
Speaker 2: I keep telling you, I'm confused.

783
00:39:35,840 --> 00:39:38,880
Speaker 5: We done did everything from stadiums to little low budget.

784
00:39:39,320 --> 00:39:40,680
Speaker 2: You know, every last minute.

785
00:39:40,840 --> 00:39:43,600
Speaker 5: You know it's a nice winter day, they call you

786
00:39:43,640 --> 00:39:46,200
Speaker 5: and they be like, yo, somebody's having his birthday party.

787
00:39:46,200 --> 00:39:49,279
Speaker 5: He got a little bag pull up and it's me

788
00:39:49,360 --> 00:39:51,760
Speaker 5: and Fab and I watched him in the car like

789
00:39:51,760 --> 00:39:54,040
Speaker 5: like this, waiting for me to go on perform. The

790
00:39:54,080 --> 00:39:57,279
Speaker 5: minute I'm on stage, just as Fab come in, he

791
00:39:57,400 --> 00:40:00,279
Speaker 5: grabbed the mike after me. You know, I don't know

792
00:40:00,360 --> 00:40:03,480
Speaker 5: what is I don't know if he does that to everybody,

793
00:40:04,000 --> 00:40:07,719
Speaker 5: he does it to me, Who does that to you?

794
00:40:08,600 --> 00:40:12,799
Speaker 4: Uh no, nobody really, because you know, whenever I would

795
00:40:12,840 --> 00:40:16,440
Speaker 4: do you know, dinners with for five other comics, your placement,

796
00:40:16,520 --> 00:40:18,600
Speaker 4: with your placement, and you know you.

797
00:40:18,920 --> 00:40:20,239
Speaker 2: Want to go before rap.

798
00:40:20,400 --> 00:40:23,120
Speaker 3: I want to go early anywhere and rip the gizze

799
00:40:23,239 --> 00:40:26,200
Speaker 3: druns off and leave you with no Gizzard drugs.

800
00:40:26,880 --> 00:40:29,120
Speaker 2: I don't want to go after it. I want to

801
00:40:29,160 --> 00:40:34,239
Speaker 2: make it. It's hard. I don't want to go after it's.

802
00:40:33,320 --> 00:40:35,959
Speaker 5: A super pause. But let me let me tell you something.

803
00:40:35,960 --> 00:40:39,319
Speaker 5: I feel the same way. I got no problem at

804
00:40:39,400 --> 00:40:42,560
Speaker 5: certain places where I go. If they'll be like Joe,

805
00:40:42,600 --> 00:40:45,160
Speaker 5: you got a half an hour, that's even easier for me.

806
00:40:45,360 --> 00:40:49,320
Speaker 5: That's hip mania. I just keep banging to the dizzy

807
00:40:49,360 --> 00:40:51,520
Speaker 5: and I'm mad at it. You made a mistake if

808
00:40:51,560 --> 00:40:55,040
Speaker 5: you want to perform after me, especially if they say, yo, Joe,

809
00:40:55,200 --> 00:40:57,200
Speaker 5: just a half an hour forty five. I'm just coming

810
00:40:57,239 --> 00:41:00,480
Speaker 5: with straight hits to me. You know you said earlier

811
00:41:00,520 --> 00:41:02,680
Speaker 5: that you know you are fair something to me. Last

812
00:41:02,760 --> 00:41:06,040
Speaker 5: week they didn't do nothing to me. But I'm out

813
00:41:06,040 --> 00:41:10,480
Speaker 5: in La I got a concert, and I knew it

814
00:41:10,560 --> 00:41:11,280
Speaker 5: was a mistake.

815
00:41:12,200 --> 00:41:14,640
Speaker 2: So I'm like they put me before somebody.

816
00:41:14,680 --> 00:41:17,719
Speaker 5: And I was like, oh, this is a mistake, I said,

817
00:41:17,719 --> 00:41:20,040
Speaker 5: because I'm about to tear the paint off this bitch

818
00:41:20,520 --> 00:41:24,680
Speaker 5: so bad that this next person performed after me and

819
00:41:24,800 --> 00:41:27,640
Speaker 5: their legends and I was like, this is a mistake.

820
00:41:28,239 --> 00:41:30,120
Speaker 2: Like, but I ain't say nothing. You know, you know

821
00:41:30,360 --> 00:41:34,280
Speaker 2: what talking to him it is like playing double Dutch. Fact.

822
00:41:34,600 --> 00:41:38,240
Speaker 2: You gotta try to jump in because even when I started.

823
00:41:37,840 --> 00:41:42,120
Speaker 5: The station, now you said verbal you said verbal rebound

824
00:41:42,160 --> 00:41:47,040
Speaker 5: position either or yo me and Nori, we're gonna vacation.

825
00:41:47,600 --> 00:41:48,080
Speaker 2: Phil.

826
00:41:50,400 --> 00:41:52,919
Speaker 4: Because I clearly was off the runway, and that Nigga said,

827
00:41:53,000 --> 00:41:58,279
Speaker 4: and then then here's the thing, so let me you

828
00:41:58,480 --> 00:42:00,680
Speaker 4: earlier said you love the last and you take a

829
00:42:00,760 --> 00:42:03,480
Speaker 4: joke and all that all the time. Dude, does anybody

830
00:42:03,480 --> 00:42:07,080
Speaker 4: ever comedians do you like like I'm saying, if somebody

831
00:42:07,120 --> 00:42:09,840
Speaker 4: tried to fuck with you, will that bother you?

832
00:42:09,920 --> 00:42:12,040
Speaker 2: No? Okay, that's the job.

833
00:42:12,560 --> 00:42:14,319
Speaker 4: When because I wanted to say, man, you got the

834
00:42:14,320 --> 00:42:17,320
Speaker 4: blackest fingers I've ever seen, Nigga, you got trick daddy fingers.

835
00:42:17,600 --> 00:42:20,680
Speaker 2: They're similar to the paint in the eye. Okay, he

836
00:42:21,360 --> 00:42:24,520
Speaker 2: might be cousins to.

837
00:42:26,760 --> 00:42:29,600
Speaker 5: Shame, might be God on fu sha be your raided

838
00:42:29,920 --> 00:42:31,400
Speaker 5: shall be stereotype.

839
00:42:31,480 --> 00:42:33,200
Speaker 2: I can't walk all over you.

840
00:42:33,239 --> 00:42:37,040
Speaker 5: After I saw with the year he got the die

841
00:42:37,120 --> 00:42:40,040
Speaker 5: your bollic Cole, I know when it's preemitated.

842
00:42:40,160 --> 00:42:42,759
Speaker 2: That was, that was, that was, That's what we do.

843
00:42:43,000 --> 00:42:46,160
Speaker 5: That's what the fact, that's only in the black of me.

844
00:42:46,360 --> 00:42:47,960
Speaker 5: He said, you know whatever you want to use the

845
00:42:48,000 --> 00:42:50,680
Speaker 5: Euro Joe, it's over, yo.

846
00:42:50,800 --> 00:42:55,719
Speaker 2: You'a motherfucker's plant that one that ship, buddy Evan. No

847
00:42:56,040 --> 00:42:59,680
Speaker 2: agree with the Euro lady, No, I agree with you.

848
00:42:59,840 --> 00:43:10,799
Speaker 2: That's it was crazy, man. It was the euro Yo.

849
00:43:11,000 --> 00:43:13,799
Speaker 2: I looked at the gotta set up a celebrity game.

850
00:43:14,239 --> 00:43:27,040
Speaker 2: Let me just say, Harry.

851
00:43:27,080 --> 00:43:31,759
Speaker 5: All I care about besides God and family and health

852
00:43:32,840 --> 00:43:36,600
Speaker 5: into them. So even if I gotta laugh my way

853
00:43:36,640 --> 00:43:40,280
Speaker 5: at myself to the bank, I laughed.

854
00:43:40,880 --> 00:43:43,600
Speaker 2: And to answer you, I went to the Beacon Theater.

855
00:43:43,920 --> 00:43:47,359
Speaker 5: I'm sure you you you've been there before, right, And

856
00:43:47,400 --> 00:43:50,680
Speaker 5: it was I think it's Joe Torre. But I was

857
00:43:50,800 --> 00:43:54,440
Speaker 5: late and the worst thing you could ever do is

858
00:43:54,520 --> 00:43:56,480
Speaker 5: walk in the comedy show late.

859
00:43:57,480 --> 00:44:00,880
Speaker 2: And the man caught me. He wouldn't let go.

860
00:44:01,040 --> 00:44:04,200
Speaker 3: He was like, he was like, yo, firs, that's one

861
00:44:04,280 --> 00:44:07,600
Speaker 3: of my worst fids though, like they beat put the

862
00:44:07,680 --> 00:44:12,719
Speaker 3: spotlight on you like Reggie and right none he professor, Yo,

863
00:44:13,800 --> 00:44:14,400
Speaker 3: this guy.

864
00:44:14,400 --> 00:44:17,360
Speaker 2: Care me up in real life.

865
00:44:18,080 --> 00:44:21,280
Speaker 5: Let me say, lock of my necklace got Frank's Joe,

866
00:44:22,239 --> 00:44:24,600
Speaker 5: he got a good send the twenty on me and

867
00:44:24,640 --> 00:44:27,120
Speaker 5: I'm still sitting down trying to play it off, laughing

868
00:44:27,160 --> 00:44:29,400
Speaker 5: and the whole fucking beat when is laughing at me,

869
00:44:29,480 --> 00:44:30,400
Speaker 5: he kept going.

870
00:44:30,719 --> 00:44:32,279
Speaker 2: Joe's one of the dudes. Him and D. L.

871
00:44:32,400 --> 00:44:35,480
Speaker 4: Hewley, who I studied in terms of going all right,

872
00:44:35,680 --> 00:44:38,080
Speaker 4: telling jokes is one thing, but there's certain aspects to

873
00:44:38,120 --> 00:44:38,439
Speaker 4: the game.

874
00:44:39,160 --> 00:44:41,240
Speaker 2: Crowd work, and Joe is fishes.

875
00:44:41,360 --> 00:44:44,279
Speaker 4: Joe once told the dude he said something about his mother,

876
00:44:44,760 --> 00:44:46,719
Speaker 4: and the guy goes, hey, man, don't talk about my mother.

877
00:44:46,840 --> 00:44:48,920
Speaker 2: She dad, And Joe said, I'll give funk.

878
00:44:48,760 --> 00:44:50,759
Speaker 4: I'll dig the bitch up prop up against the tree

879
00:44:50,760 --> 00:44:51,840
Speaker 4: so I can talk about it small.

880
00:44:51,880 --> 00:44:57,399
Speaker 2: Oh god, whoa it was in his own town. Yeah,

881
00:44:57,520 --> 00:45:01,880
Speaker 2: I mean it's driven ship like that's a little bit

882
00:45:01,960 --> 00:45:02,399
Speaker 2: too much.

883
00:45:02,920 --> 00:45:05,880
Speaker 4: Listen, when when something, when the heckler, when the motherfuckers

884
00:45:06,040 --> 00:45:08,640
Speaker 4: drunk and heckling you. There's no such thing as too much,

885
00:45:08,760 --> 00:45:10,960
Speaker 4: because drunk people turn into suicide bombers.

886
00:45:11,200 --> 00:45:13,600
Speaker 2: They're not afraid to die. So it's gonna be you

887
00:45:13,719 --> 00:45:18,080
Speaker 2: and me. I mean, man, that's that's a lot of

888
00:45:18,160 --> 00:45:18,920
Speaker 2: humor right there.

889
00:45:19,000 --> 00:45:21,200
Speaker 5: To hand bro when he fucked me up, he said

890
00:45:21,200 --> 00:45:23,080
Speaker 5: he could squeeze the donut out my forehead.

891
00:45:23,239 --> 00:45:25,920
Speaker 2: He was gonna crayhamn in front of all you just

892
00:45:26,040 --> 00:45:26,840
Speaker 2: stay did for that.

893
00:45:27,440 --> 00:45:29,640
Speaker 5: I had to, man, I gotta be a good sport

894
00:45:29,680 --> 00:45:32,840
Speaker 5: if I walk out. That's that's like the guy, you know,

895
00:45:33,120 --> 00:45:36,680
Speaker 5: the guy, the CEO guy who is with the side

896
00:45:36,719 --> 00:45:39,640
Speaker 5: piece up at the cold play if he don't run away,

897
00:45:40,280 --> 00:45:40,520
Speaker 5: and he.

898
00:45:40,560 --> 00:45:42,520
Speaker 2: Staid, there, I ain't calling him like that, and the

899
00:45:42,600 --> 00:45:47,080
Speaker 2: cook just finished the concert off. No no, no. If

900
00:45:47,120 --> 00:45:49,120
Speaker 2: he's started to just say with obvious.

901
00:45:50,320 --> 00:45:52,520
Speaker 3: Exactly like he was.

902
00:45:52,520 --> 00:45:56,600
Speaker 2: Having to work meeting running away.

903
00:45:56,760 --> 00:45:59,600
Speaker 5: Man should have stayed in today, would have been a

904
00:45:59,680 --> 00:46:01,680
Speaker 5: normal white guy with normal white girl.

905
00:46:02,000 --> 00:46:04,560
Speaker 2: Stated it would have been better than him trying to

906
00:46:04,680 --> 00:46:07,719
Speaker 2: dunk in the old ship. You fuck this old ship up,

907
00:46:08,560 --> 00:46:10,560
Speaker 2: That's what I'm trying to say, Joe Torrey got me.

908
00:46:10,920 --> 00:46:17,160
Speaker 2: Oh you say you gotta hand do the shit? Sit down?

909
00:46:17,440 --> 00:46:22,440
Speaker 2: You know? Yeah you fat fu? No, tor can't you

910
00:46:22,680 --> 00:46:28,360
Speaker 2: run run out of that ship? Is even worse you

911
00:46:29,480 --> 00:46:32,920
Speaker 2: done whatever they said. You had an encounterment with the

912
00:46:33,080 --> 00:46:36,920
Speaker 2: dog backstage in l A E M X oh ship.

913
00:46:37,200 --> 00:46:40,120
Speaker 2: Oh man, Uh yeah. This was back when you know,

914
00:46:40,280 --> 00:46:41,560
Speaker 2: comedy albums was the thing.

915
00:46:42,160 --> 00:46:44,319
Speaker 4: And so I went to the jay Z concert at

916
00:46:44,360 --> 00:46:46,880
Speaker 4: the Staples Center and everybody in the back, you know,

917
00:46:47,080 --> 00:46:48,360
Speaker 4: bus Rhyme's stoopid.

918
00:46:49,080 --> 00:46:50,719
Speaker 2: I was trying to get people to hold up the

919
00:46:50,760 --> 00:46:52,279
Speaker 2: album and be like, yo, support my man.

920
00:46:52,360 --> 00:46:55,480
Speaker 4: Did so I saw X and I was like, yo,

921
00:46:56,239 --> 00:46:59,319
Speaker 4: let me And so I go into the liver, into

922
00:46:59,400 --> 00:47:02,920
Speaker 4: the locker room and there's one entrance in, one entrance out.

923
00:47:03,239 --> 00:47:05,640
Speaker 4: Fifteen niggas came in there behind him, and then the

924
00:47:05,719 --> 00:47:08,319
Speaker 4: security comes in, slams the door and stands in front

925
00:47:08,320 --> 00:47:10,239
Speaker 4: of the door, and I'm like, hey, I was just

926
00:47:10,280 --> 00:47:13,359
Speaker 4: wondering if you could do some joint my dog my voice,

927
00:47:13,360 --> 00:47:14,600
Speaker 4: I don't know I heard you. You know what I

928
00:47:14,680 --> 00:47:18,239
Speaker 4: mean by my voice? If it's good, yeah, if it's not.

929
00:47:22,120 --> 00:47:23,799
Speaker 4: Let me tell you something, man, I've been.

930
00:47:23,920 --> 00:47:24,239
Speaker 2: I've been.

931
00:47:24,400 --> 00:47:27,279
Speaker 4: I've been black my whole life. I grew up you know,

932
00:47:27,320 --> 00:47:28,920
Speaker 4: I didn't grow up in the projects, but I grew

933
00:47:29,000 --> 00:47:32,080
Speaker 4: up poor. And Uh, this how I knew where my

934
00:47:32,320 --> 00:47:34,080
Speaker 4: level of blackness ended.

935
00:47:34,560 --> 00:47:34,680
Speaker 2: Uh.

936
00:47:34,800 --> 00:47:36,640
Speaker 4: This nigga was talking to me, and at one point

937
00:47:36,800 --> 00:47:40,000
Speaker 4: he pulls the razor blade from under his tongue, and

938
00:47:40,120 --> 00:47:41,640
Speaker 4: that's the first time I saw that. And I'm like,

939
00:47:41,680 --> 00:47:45,279
Speaker 4: how is this nigga talking not cutting himself? And I went, yeah,

940
00:47:45,440 --> 00:47:51,080
Speaker 4: my nigga, don't understand. Yo, my nigga, I'm black up

941
00:47:51,160 --> 00:47:51,640
Speaker 4: to a point.

942
00:47:52,320 --> 00:47:52,759
Speaker 2: That was it.

943
00:47:53,120 --> 00:47:57,880
Speaker 5: Let me tell you something, your man DMX. The stories

944
00:47:57,960 --> 00:48:00,239
Speaker 5: I got about DMX, he probably got more. He was

945
00:48:00,320 --> 00:48:04,320
Speaker 5: down with him, But yo, d m X, man, he

946
00:48:04,480 --> 00:48:06,600
Speaker 5: was the trip. He was a real, real trip.

947
00:48:06,719 --> 00:48:10,319
Speaker 2: He did Man TV. He was the real deal DM

948
00:48:10,400 --> 00:48:12,520
Speaker 2: Man Man TV. Yeah, I played his mother.

949
00:48:12,880 --> 00:48:15,040
Speaker 4: We did a skit when he off the road and

950
00:48:15,120 --> 00:48:17,560
Speaker 4: I'm in the grand outfit with the gray hair and

951
00:48:17,600 --> 00:48:19,880
Speaker 4: the glasses, with the chain with times on, and so

952
00:48:19,960 --> 00:48:21,879
Speaker 4: he said, Yoman, the's bitches, and I mean, they don't

953
00:48:21,880 --> 00:48:23,600
Speaker 4: theyn't let me fight for me, earl, you know what

954
00:48:23,640 --> 00:48:25,600
Speaker 4: I mean. And I was like, your son, Blacks, you're

955
00:48:25,600 --> 00:48:27,640
Speaker 4: gonna talk about these hosts. So it's just me and

956
00:48:27,760 --> 00:48:28,280
Speaker 4: him going.

957
00:48:28,200 --> 00:48:28,560
Speaker 2: Back and the.

958
00:48:30,760 --> 00:48:34,040
Speaker 5: Like, Yeah, I thought of this crazy story. Right, it's

959
00:48:34,080 --> 00:48:38,240
Speaker 5: gonna lead to a question for me. That's crazy, that's insane.

960
00:48:38,520 --> 00:48:42,239
Speaker 5: It's insane one right, but it's the truth. It's uncapable.

961
00:48:42,680 --> 00:48:42,839
Speaker 2: Right.

962
00:48:43,960 --> 00:48:47,480
Speaker 5: So I got a friend, right, he passed away. We

963
00:48:47,640 --> 00:48:50,000
Speaker 5: used to call him Joe Bentley because he owned so

964
00:48:50,120 --> 00:48:54,680
Speaker 5: many Well we go to Miami. We used to have

965
00:48:54,840 --> 00:48:57,800
Speaker 5: all these drop top Bentley. This guy had too many Bentleys,

966
00:48:58,120 --> 00:48:59,480
Speaker 5: like the Italian dude.

967
00:48:59,520 --> 00:48:59,879
Speaker 2: Too much?

968
00:49:00,080 --> 00:49:03,440
Speaker 5: Right, he said he died, right, But I'm just telling

969
00:49:03,480 --> 00:49:05,320
Speaker 5: you this story because I thought about it on the

970
00:49:05,400 --> 00:49:05,839
Speaker 5: way here.

971
00:49:05,920 --> 00:49:08,120
Speaker 2: I was like, who would be?

972
00:49:08,520 --> 00:49:13,400
Speaker 5: But anyway, so this guy must have been the original

973
00:49:13,560 --> 00:49:17,200
Speaker 5: capper because you know everything I say is true. These

974
00:49:17,239 --> 00:49:20,320
Speaker 5: people just ain't having an incredible life like you, so

975
00:49:20,480 --> 00:49:24,479
Speaker 5: they can't they can't comprehend the shit I'll be saying.

976
00:49:24,880 --> 00:49:25,000
Speaker 2: Right.

977
00:49:25,840 --> 00:49:29,279
Speaker 5: So this man was the bigger capper than me. So

978
00:49:29,400 --> 00:49:31,279
Speaker 5: every time he was so rich, but every time he

979
00:49:31,320 --> 00:49:33,480
Speaker 5: would tell me stories, I'd be like full of shit.

980
00:49:33,800 --> 00:49:36,239
Speaker 5: Told me he used to fuck sit Share. One day,

981
00:49:36,280 --> 00:49:38,360
Speaker 5: he picks me up in my house in Miami, pulls

982
00:49:38,440 --> 00:49:41,000
Speaker 5: up to Star Island, Share, opens the door and the

983
00:49:41,080 --> 00:49:43,880
Speaker 5: boost DA and this name the ass walks it.

984
00:49:44,360 --> 00:49:45,680
Speaker 2: Shit, you can't believe, right.

985
00:49:46,880 --> 00:49:50,600
Speaker 5: So the man tells me that when OJ Simpson was

986
00:49:50,760 --> 00:49:53,880
Speaker 5: in the Bronco, he was in the airport with the

987
00:49:54,000 --> 00:49:57,800
Speaker 5: private that OJ Simpson is this man right, he was

988
00:49:57,880 --> 00:50:00,040
Speaker 5: the one waiting for him, for him and the A

989
00:50:00,200 --> 00:50:03,759
Speaker 5: C Green to come on a private breakout. This guy

990
00:50:04,680 --> 00:50:08,719
Speaker 5: he's telling me our counts. But the point is the

991
00:50:08,880 --> 00:50:13,040
Speaker 5: man telling me all this shit the whole time. I

992
00:50:13,200 --> 00:50:16,520
Speaker 5: know your friendy, I know he's I know, he's my man,

993
00:50:16,719 --> 00:50:18,160
Speaker 5: filthy rich with the ship.

994
00:50:18,320 --> 00:50:21,520
Speaker 2: He was telling me. I could not believe right.

995
00:50:22,840 --> 00:50:26,000
Speaker 5: So one days his wife's birthday and he says, yo,

996
00:50:26,080 --> 00:50:30,000
Speaker 5: we're throwing His wife is named the Cole Joe Bentley.

997
00:50:30,040 --> 00:50:30,920
Speaker 2: His wife is named the.

998
00:50:30,960 --> 00:50:34,280
Speaker 5: Co So he says, Yo, we're throwing her birthday party

999
00:50:34,360 --> 00:50:37,719
Speaker 5: in my other house up and like where Trump lives, Palm.

1000
00:50:37,560 --> 00:50:40,600
Speaker 2: Beach and some shit we pull up. This shit got

1001
00:50:40,680 --> 00:50:43,959
Speaker 2: white horses, or it's just the guy had too much money.

1002
00:50:44,760 --> 00:50:48,960
Speaker 5: Right, I go with the terror squad, Me, Remmy, Pistol,

1003
00:50:49,000 --> 00:50:51,399
Speaker 5: p This is why I got witnesses with this one.

1004
00:50:52,160 --> 00:50:55,040
Speaker 2: We going there. O J.

1005
00:50:55,280 --> 00:50:59,960
Speaker 5: Simpson is in the house, so Remmy and Pistol starts

1006
00:51:00,000 --> 00:51:02,800
Speaker 5: smoking blunts with him. They having the best time with Ojson.

1007
00:51:03,040 --> 00:51:07,600
Speaker 5: He was smoking smoking joint blunts with Remmy and Pistol. Right,

1008
00:51:08,120 --> 00:51:10,080
Speaker 5: Remmy says she even got a picture of that. Right,

1009
00:51:10,200 --> 00:51:12,080
Speaker 5: so I go go like he's murdered two people smoking

1010
00:51:12,120 --> 00:51:18,560
Speaker 5: blunts is easy, You're right. The moral to the story

1011
00:51:18,800 --> 00:51:23,240
Speaker 5: is when it came down to cut the cake, Happy birthday, Nicoll,

1012
00:51:24,120 --> 00:51:29,399
Speaker 5: Joe Bentley puts the machete in oj OJ's hand. He said,

1013
00:51:29,440 --> 00:51:31,640
Speaker 5: you did it, nigga, you did it, and oj start

1014
00:51:31,760 --> 00:51:33,960
Speaker 5: chasing him around the house with the fucking knife.

1015
00:51:34,760 --> 00:51:36,960
Speaker 2: Somebody got you gotta get an animator and turn these

1016
00:51:37,000 --> 00:51:38,120
Speaker 2: stories tell it.

1017
00:51:38,560 --> 00:51:42,440
Speaker 5: I shout out to mister Comodore, mister Comradore, just a

1018
00:51:42,520 --> 00:51:43,080
Speaker 5: ready start.

1019
00:51:43,120 --> 00:51:44,200
Speaker 2: You seen the shit he did?

1020
00:51:44,920 --> 00:51:47,040
Speaker 5: He did it like when I robbed the Jimmy played

1021
00:51:47,080 --> 00:51:51,040
Speaker 5: it over his white face with blonde hair, fat belly out.

1022
00:51:51,480 --> 00:51:54,040
Speaker 5: He's doing this, Charlie Murphy. But listen what I'm saying.

1023
00:51:54,360 --> 00:51:58,040
Speaker 5: O J starts chasing him around the house with the knife.

1024
00:51:58,800 --> 00:52:01,120
Speaker 2: He said, you did it, man, you did it. The

1025
00:52:01,239 --> 00:52:05,000
Speaker 2: fucking who would be the O J.

1026
00:52:05,200 --> 00:52:11,320
Speaker 5: Simpson of twenty twenty five if somebody killed they wife

1027
00:52:11,440 --> 00:52:12,120
Speaker 5: or something like that?

1028
00:52:12,280 --> 00:52:16,200
Speaker 2: Who are you the fuck? Who? Who is stopped TV?

1029
00:52:16,600 --> 00:52:20,120
Speaker 2: Talking about? Who would stop TV if they was in the.

1030
00:52:20,160 --> 00:52:24,040
Speaker 5: White bronco chasing them they might have allegedly killed their

1031
00:52:24,080 --> 00:52:28,360
Speaker 5: wife in twenty twenty five? Who's the celebrity, any celebrity?

1032
00:52:28,480 --> 00:52:32,800
Speaker 5: And he at no, you know that's that's murder and fame.

1033
00:52:34,040 --> 00:52:37,040
Speaker 5: So you think any celebrity would would have the TV

1034
00:52:37,239 --> 00:52:41,680
Speaker 5: going crazy? Yeah, so you ain't got one pick? Oh

1035
00:52:41,800 --> 00:52:44,400
Speaker 5: J wasn't even a big celebrity when that shit happened.

1036
00:52:44,800 --> 00:52:45,680
Speaker 2: He just was OJ.

1037
00:52:46,800 --> 00:52:50,239
Speaker 5: My pick is Tiger Woods. Because you got a white girl.

1038
00:52:50,320 --> 00:52:53,680
Speaker 5: It gotta be a white girl right to make this

1039
00:52:53,800 --> 00:52:56,880
Speaker 5: shit go crazy and white people.

1040
00:52:57,200 --> 00:53:01,080
Speaker 2: It is comfortable. I thought he had a question. I do.

1041
00:53:01,480 --> 00:53:04,960
Speaker 2: Here's the question. The question is I was setting him up.

1042
00:53:05,000 --> 00:53:09,400
Speaker 5: Who's the old jail Who's twenty twenty five celebrity did

1043
00:53:09,520 --> 00:53:11,080
Speaker 5: some allegedly did some.

1044
00:53:11,120 --> 00:53:15,359
Speaker 2: Ship like that? Who with every channel turned on to hey,

1045
00:53:15,480 --> 00:53:16,759
Speaker 2: anybody that killed two?

1046
00:53:16,840 --> 00:53:19,080
Speaker 4: But when you said, when you say that element, now

1047
00:53:19,080 --> 00:53:21,320
Speaker 4: you're talking about the white girl, is it? Does it

1048
00:53:21,400 --> 00:53:22,280
Speaker 4: have to be that element?

1049
00:53:22,560 --> 00:53:25,600
Speaker 5: No, I'm just thinking about how crazy it's Will Smith

1050
00:53:27,200 --> 00:53:28,200
Speaker 5: from slap to murder?

1051
00:53:31,760 --> 00:53:35,160
Speaker 2: Will Smith running this crazy? Are you? Oh? No, you're fighting?

1052
00:53:35,280 --> 00:53:44,200
Speaker 2: Jazz is driving Jessy and he got the j He's

1053
00:53:44,320 --> 00:53:45,640
Speaker 2: DJing while he's driving, and.

1054
00:53:45,719 --> 00:53:48,800
Speaker 3: As he's driving us in West Philadelphia born and raided.

1055
00:53:48,920 --> 00:53:52,440
Speaker 3: Oh because I'm thinking Tiger boys got the white wife.

1056
00:53:53,520 --> 00:53:57,200
Speaker 3: He's golf The white people watch golfing because the white

1057
00:53:57,200 --> 00:54:00,160
Speaker 3: people love oh j That's what made it so crazy.

1058
00:54:00,719 --> 00:54:03,879
Speaker 4: Righty, it's twenty twenty five. Black men murdering white women

1059
00:54:03,920 --> 00:54:05,040
Speaker 4: don't have the same cachet.

1060
00:54:06,160 --> 00:54:11,000
Speaker 2: Yeah, yo, yo yo. The diffuse of this Saint Yo

1061
00:54:11,400 --> 00:54:13,880
Speaker 2: is out of control. Let's let me tell you one

1062
00:54:13,920 --> 00:54:15,600
Speaker 2: of the funniest story ever heard.

1063
00:54:15,760 --> 00:54:21,279
Speaker 4: Niggas leg the Mike Tyson Eve at the awards and

1064
00:54:21,400 --> 00:54:22,920
Speaker 4: he was like, Yo, you gotta take the base off

1065
00:54:22,960 --> 00:54:23,279
Speaker 4: the boys.

1066
00:54:23,640 --> 00:54:28,680
Speaker 2: Chell, Mike Chick dad ship. I told him what story?

1067
00:54:28,719 --> 00:54:29,600
Speaker 2: I don't know that story.

1068
00:54:30,440 --> 00:54:33,719
Speaker 3: Well, one day Mike was talking crazy to Eve, like

1069
00:54:33,880 --> 00:54:40,239
Speaker 3: what crazy out of this world? Great like picture I'll

1070
00:54:40,320 --> 00:54:43,440
Speaker 3: eat your kids and not like that. It was not

1071
00:54:43,600 --> 00:54:45,479
Speaker 3: like that, but no, he was saying.

1072
00:54:46,440 --> 00:54:49,040
Speaker 2: Mike's saying that crazy ship to him.

1073
00:54:49,160 --> 00:54:52,440
Speaker 3: You must have lifted like a stake instead of you

1074
00:54:52,480 --> 00:54:54,440
Speaker 3: know when you see he was gonna suck you up.

1075
00:54:54,719 --> 00:54:57,560
Speaker 2: Listen, listen to the story. Know when it's you.

1076
00:54:57,719 --> 00:55:01,000
Speaker 3: See something and you say something something in your mind.

1077
00:55:01,680 --> 00:55:04,040
Speaker 3: He was doing that, but it wasn't in his mind.

1078
00:55:04,200 --> 00:55:07,640
Speaker 3: He was just whatever he was taking. He was saving

1079
00:55:07,680 --> 00:55:11,920
Speaker 3: me and me styles and loops like somebody got to

1080
00:55:12,640 --> 00:55:15,120
Speaker 3: somebody got to be the crash dummy.

1081
00:55:15,600 --> 00:55:18,520
Speaker 2: Then we got a hawk, somebody got to get the horde.

1082
00:55:18,719 --> 00:55:21,400
Speaker 2: Hit him, bro, and then we're gonna halt matter.

1083
00:55:21,520 --> 00:55:25,120
Speaker 3: That gone dawn and we did twenty first fingers about

1084
00:55:25,200 --> 00:55:26,520
Speaker 3: twenty million times.

1085
00:55:26,680 --> 00:55:29,440
Speaker 2: Nobody wanted to take the first hit. But Mike was

1086
00:55:29,520 --> 00:55:30,759
Speaker 2: telling her that crazy shit.

1087
00:55:30,800 --> 00:55:33,080
Speaker 3: I want to tell you, I want to He was

1088
00:55:33,120 --> 00:55:36,040
Speaker 3: saying that crazy ship to it and we did that

1089
00:55:36,160 --> 00:55:39,120
Speaker 3: the remy. But we was in his house after she

1090
00:55:39,239 --> 00:55:40,280
Speaker 3: shot the girl before.

1091
00:55:40,440 --> 00:55:44,279
Speaker 2: That's that's after she elect that's before she elected shot

1092
00:55:44,320 --> 00:55:45,719
Speaker 2: the girl. I turned out.

1093
00:55:46,360 --> 00:55:48,880
Speaker 5: Saucy opened the door, asked man, Jerry, she can't do

1094
00:55:49,000 --> 00:55:51,400
Speaker 5: you opened the door, asked naked, And I was like,

1095
00:55:51,600 --> 00:55:52,279
Speaker 5: am I hearing that?

1096
00:55:52,560 --> 00:55:52,800
Speaker 6: No? No?

1097
00:55:52,960 --> 00:55:55,640
Speaker 2: See your Mica all right is doing that?

1098
00:55:55,960 --> 00:55:59,520
Speaker 5: Yo, you gotta have heart to tell Mike Tyson like, yo,

1099
00:55:59,600 --> 00:56:02,000
Speaker 5: my man, throw the top one man like and I'm

1100
00:56:02,040 --> 00:56:05,040
Speaker 5: with some allegedly got out though.

1101
00:56:05,239 --> 00:56:05,439
Speaker 2: Yeah.

1102
00:56:08,440 --> 00:56:10,560
Speaker 5: He was like, yo, Joe, you know this is the boxes.

1103
00:56:10,640 --> 00:56:13,600
Speaker 5: We were like, yo, my man, you gotta stop. Then

1104
00:56:13,680 --> 00:56:16,279
Speaker 5: we're gonna side. And the type of things he was

1105
00:56:16,360 --> 00:56:21,719
Speaker 5: telling remby mo, I felt pussy if I didn't like

1106
00:56:22,080 --> 00:56:24,160
Speaker 5: like address it, like I have to be like.

1107
00:56:24,239 --> 00:56:26,239
Speaker 2: Your mic h that might have to be around the

1108
00:56:26,239 --> 00:56:34,000
Speaker 2: same demon shoes losing his fucking mind. Fu, yo, y

1109
00:56:34,280 --> 00:56:35,919
Speaker 2: Mike is crazy. He was like, yo, Joe.

1110
00:56:36,200 --> 00:56:38,800
Speaker 5: You know he showed me a brand new Bens. It

1111
00:56:38,880 --> 00:56:41,640
Speaker 5: was like a five money some brand new ship never drove.

1112
00:56:41,760 --> 00:56:44,120
Speaker 2: He was like, yo, you just leave her head. You

1113
00:56:44,239 --> 00:56:48,680
Speaker 2: got the bends, you know. The ship was crazy. Like

1114
00:56:48,840 --> 00:56:56,560
Speaker 2: I was like Yo, my maid. He was looking at me.

1115
00:56:56,960 --> 00:57:00,680
Speaker 5: Remmy's eyes looked at me, her eyes open so big.

1116
00:57:01,200 --> 00:57:04,520
Speaker 5: She was like, nigga, you better not leave me in

1117
00:57:04,600 --> 00:57:08,160
Speaker 5: this fucking place. I think a brother was with us too.

1118
00:57:08,239 --> 00:57:11,320
Speaker 5: Everybody was looking like yo, like, we're gonna have to,

1119
00:57:11,480 --> 00:57:15,120
Speaker 5: like pound Mike Tyson out we get We have no pause,

1120
00:57:15,239 --> 00:57:18,240
Speaker 5: no choice, We're gonna have to like it's nothing we

1121
00:57:18,360 --> 00:57:21,200
Speaker 5: can do. Like he was like, Yo, showed us the

1122
00:57:21,320 --> 00:57:23,480
Speaker 5: brand new ben shit was like one hundred and fifty

1123
00:57:23,520 --> 00:57:26,760
Speaker 5: two hundred. Nobody even had that shit right then. They

1124
00:57:27,120 --> 00:57:30,760
Speaker 5: still have to stick to we was like, ah, she

1125
00:57:30,880 --> 00:57:34,000
Speaker 5: gotta go with us, my d man. No, that shit

1126
00:57:34,120 --> 00:57:34,600
Speaker 5: was crazy.

1127
00:57:34,720 --> 00:57:36,440
Speaker 2: Man. Oh, it takes a lot of courage.

1128
00:57:36,440 --> 00:57:38,200
Speaker 5: It's almost like a guy at the movies with his

1129
00:57:38,320 --> 00:57:40,600
Speaker 5: girl and they wrap it to this girl and they

1130
00:57:40,680 --> 00:57:43,200
Speaker 5: disrespect this girl from him as they tend deep. You

1131
00:57:43,280 --> 00:57:45,360
Speaker 5: know you're gonna get your ass. But a lot of

1132
00:57:45,440 --> 00:57:47,960
Speaker 5: these guys are cowards. They won't defend their wife or

1133
00:57:48,160 --> 00:57:50,000
Speaker 5: or they girl of shit like that. But the guy

1134
00:57:50,080 --> 00:57:52,280
Speaker 5: that does, he gets the beats.

1135
00:57:52,440 --> 00:57:52,560
Speaker 2: Well.

1136
00:57:52,640 --> 00:57:54,720
Speaker 4: Sometimes the girls are the reason why they're get in

1137
00:57:54,760 --> 00:57:58,000
Speaker 4: the situations because she get maud and start doing a

1138
00:57:58,000 --> 00:57:59,120
Speaker 4: whole bunch of extra shit.

1139
00:57:59,160 --> 00:58:04,320
Speaker 2: Who you beat that. Let me tell you something. My

1140
00:58:04,480 --> 00:58:08,840
Speaker 2: wife used to force me. This is when we used

1141
00:58:08,840 --> 00:58:12,440
Speaker 2: to have one hundred guys. You're a real nigga. Take

1142
00:58:12,520 --> 00:58:15,400
Speaker 2: me to the club tonight by yourself. You don't need

1143
00:58:15,480 --> 00:58:17,880
Speaker 2: the crew. This this that I go to the.

1144
00:58:17,920 --> 00:58:20,400
Speaker 5: Club, I see the guys we beat up the night

1145
00:58:20,520 --> 00:58:23,320
Speaker 5: before one hundred d and I'm like, there you go,

1146
00:58:23,680 --> 00:58:24,160
Speaker 5: you got it.

1147
00:58:24,760 --> 00:58:25,800
Speaker 2: This the shit you want it?

1148
00:58:26,560 --> 00:58:29,320
Speaker 5: Remember I told you about the shit happened yesterday that

1149
00:58:29,560 --> 00:58:34,520
Speaker 5: stump one hundred D one nigg Your man's a realist.

1150
00:58:34,880 --> 00:58:37,320
Speaker 2: There you go, you got it, baba, no problem this

1151
00:58:37,480 --> 00:58:40,120
Speaker 2: this that. Then we always got away from that. But

1152
00:58:40,280 --> 00:58:41,960
Speaker 2: you know, she used to test me like that.

1153
00:58:42,400 --> 00:58:44,720
Speaker 5: You know what I'm saying, like, Yo, you got to

1154
00:58:44,800 --> 00:58:48,720
Speaker 5: come up in there by yourself. This this that you know, Yeah,

1155
00:58:49,120 --> 00:58:51,520
Speaker 5: the woman could definitely talk. You went to some shit.

1156
00:58:52,320 --> 00:58:56,320
Speaker 4: Yeah we'll so with your podcast it's called Spears and

1157
00:58:56,360 --> 00:58:59,960
Speaker 4: Steinberg uh bailable or all streaming platform.

1158
00:59:00,040 --> 00:59:02,960
Speaker 2: You got a Jewish guy, which yeah yeah, yeah.

1159
00:59:03,440 --> 00:59:07,480
Speaker 4: The game money the money, Uh check out the YouTube

1160
00:59:07,560 --> 00:59:10,560
Speaker 4: channel Spisburg Pod hit like and subscribe. And I always

1161
00:59:10,600 --> 00:59:13,880
Speaker 4: tell people, look, we like six hundred and seventy nine episodes,

1162
00:59:13,960 --> 00:59:17,720
Speaker 4: and start from the beginning because when you it's like,

1163
00:59:18,160 --> 00:59:20,240
Speaker 4: you know, you get it said, chance to hit the jokes,

1164
00:59:20,880 --> 00:59:24,200
Speaker 4: the evolution of the characters. I do you know, callbacks

1165
00:59:24,640 --> 00:59:28,000
Speaker 4: and uh it's like uh massturbation and potato chips.

1166
00:59:28,040 --> 00:59:33,760
Speaker 2: Once you start, you won't stop. Binge. Yeah, I mean

1167
00:59:33,840 --> 00:59:34,640
Speaker 2: it's binge. Man.

1168
00:59:35,400 --> 00:59:37,680
Speaker 5: You know why he is just making big money with

1169
00:59:37,840 --> 00:59:41,760
Speaker 5: this ship? Is the country Wane they said on Facebook? Yeah,

1170
00:59:41,840 --> 00:59:44,520
Speaker 5: he got a choke hole over there, Maber. I called

1171
00:59:44,560 --> 00:59:47,240
Speaker 5: you that Tom Dove is is she does my all

1172
00:59:47,960 --> 00:59:49,880
Speaker 5: social media and I called it and I was like, yo,

1173
00:59:50,000 --> 00:59:52,200
Speaker 5: I heard that dude is clearing.

1174
00:59:51,960 --> 00:59:53,400
Speaker 2: Checks over there in Facebook.

1175
00:59:54,240 --> 00:59:56,480
Speaker 4: Yeah, I mean you know this this If you know

1176
00:59:56,560 --> 00:59:59,840
Speaker 4: how to finagle this ship, there's money in it. So

1177
01:00:00,040 --> 01:00:03,480
Speaker 4: and I'm kind of just on the cusper figuring that out.

1178
01:00:04,080 --> 01:00:06,080
Speaker 2: You know. When you get it though, that ship is

1179
01:00:06,120 --> 01:00:07,960
Speaker 2: a oh yeah, oh yeah.

1180
01:00:08,480 --> 01:00:10,920
Speaker 4: So And also slide into my DMS and Instagram and

1181
01:00:11,200 --> 01:00:12,640
Speaker 4: I'll chop it up with you and send you the

1182
01:00:12,720 --> 01:00:14,360
Speaker 4: links Spears and Steinberg.

1183
01:00:15,000 --> 01:00:17,600
Speaker 2: I like that. And you're on tour right now too. Yeah,

1184
01:00:17,640 --> 01:00:22,600
Speaker 2: all year round. I hardly ever get a break, right too. Man?

1185
01:00:23,240 --> 01:00:26,320
Speaker 5: What about you work a lot too, Like I find

1186
01:00:26,400 --> 01:00:34,760
Speaker 5: myself not being able to truly enjoy my peace because

1187
01:00:34,800 --> 01:00:38,560
Speaker 5: I'm always thinking about all right, Thursday we out to Vegas. Uh,

1188
01:00:38,960 --> 01:00:42,640
Speaker 5: then Saturday we in Canada. Like how do you do

1189
01:00:42,760 --> 01:00:45,400
Speaker 5: it's the same way through your week. Or you don't care,

1190
01:00:45,560 --> 01:00:47,760
Speaker 5: you just know that shit's on your mind. You gotta

1191
01:00:48,160 --> 01:00:49,640
Speaker 5: it's constantly thinking about you.

1192
01:00:49,680 --> 01:00:52,360
Speaker 2: Can't really just ship rest some shit today.

1193
01:00:52,440 --> 01:00:54,320
Speaker 3: They say you're gonna make time for you, So you're

1194
01:00:54,360 --> 01:00:56,560
Speaker 3: gonna make' gonna make some time.

1195
01:00:56,800 --> 01:00:59,160
Speaker 4: But wherever you go sometimes is it like because for me,

1196
01:00:59,240 --> 01:01:01,680
Speaker 4: it's like sometimes if I go if I'm going to Miami,

1197
01:01:02,000 --> 01:01:04,680
Speaker 4: I'm going to Vegas, New York, that's like a vacation.

1198
01:01:05,160 --> 01:01:09,240
Speaker 2: But if I got to go to Mississippi, Oh Street word, man,

1199
01:01:09,360 --> 01:01:14,360
Speaker 2: I just like niggas and red Yo.

1200
01:01:14,520 --> 01:01:19,040
Speaker 5: Listen, man, I went to North Dakota last week. You've

1201
01:01:19,040 --> 01:01:22,680
Speaker 5: been to North Dakota. Ass pussy value go down in

1202
01:01:22,760 --> 01:01:28,000
Speaker 5: certain parts of the country. I don't even call Miami Miami.

1203
01:01:28,080 --> 01:01:33,600
Speaker 5: I call it me Mommy, Mommy, Florida baby Me, Mommy.

1204
01:01:34,720 --> 01:01:36,960
Speaker 5: Them women out there dressed like they don't like their fathers.

1205
01:01:39,800 --> 01:01:44,000
Speaker 5: One thing in Miami is day in shape. Yeah, in shape,

1206
01:01:44,080 --> 01:01:49,560
Speaker 5: and everybody works out over there, like everybody. So the

1207
01:01:49,680 --> 01:01:52,600
Speaker 5: minute you driving down the street, it's like no other place.

1208
01:01:53,320 --> 01:01:56,600
Speaker 5: The minute you driving, you know, everybody got their workout

1209
01:01:56,720 --> 01:01:59,640
Speaker 5: clothes on. The dude just cocked these who they running

1210
01:01:59,640 --> 01:02:03,680
Speaker 5: around like. You know, Miami is definitely all about their

1211
01:02:03,720 --> 01:02:10,479
Speaker 5: appearance and stuff like that. So you know, my, mommy, mommy,

1212
01:02:20,360 --> 01:02:22,000
Speaker 5: I'm gonna ask you one last question. When is the

1213
01:02:22,080 --> 01:02:25,240
Speaker 5: one time you stepped in ship and you just said

1214
01:02:25,360 --> 01:02:26,479
Speaker 5: holy shit?

1215
01:02:27,400 --> 01:02:29,640
Speaker 2: Comedically? Oh that's easy.

1216
01:02:30,120 --> 01:02:30,240
Speaker 3: Uh.

1217
01:02:31,480 --> 01:02:34,280
Speaker 4: We ended the first that death comedy Jam tour the

1218
01:02:34,360 --> 01:02:38,400
Speaker 4: Garden And at that time, before the clip that I

1219
01:02:38,520 --> 01:02:41,560
Speaker 4: did eventually that went viral fourteen million, I was at

1220
01:02:41,600 --> 01:02:44,440
Speaker 4: the radio station in San Francisco and I did.

1221
01:02:44,520 --> 01:02:46,360
Speaker 2: Some went viral back then. No no, no, no no no.

1222
01:02:46,480 --> 01:02:49,320
Speaker 4: I'm talking about later after this moment and I did

1223
01:02:49,360 --> 01:02:54,160
Speaker 4: a jay z DMX snoop rapping and it went viral.

1224
01:02:54,240 --> 01:02:57,040
Speaker 2: But before this the Garden, I didn't write I didn't

1225
01:02:57,400 --> 01:02:59,280
Speaker 2: write it down. I just thought I'm gonna wing it.

1226
01:03:00,000 --> 01:03:02,240
Speaker 2: I'm gonna just just go off the head. And this

1227
01:03:02,320 --> 01:03:04,120
Speaker 2: is why you go. You have to have respect for

1228
01:03:04,200 --> 01:03:07,120
Speaker 2: what you do. I bomb so horrifically.

1229
01:03:07,680 --> 01:03:13,040
Speaker 4: And as I'm walking past Kid Capri's table, dudes just

1230
01:03:13,080 --> 01:03:15,000
Speaker 4: standing over there at the DJ booth and one of

1231
01:03:15,040 --> 01:03:17,120
Speaker 4: them goes, I don't know if they said it on

1232
01:03:17,280 --> 01:03:19,600
Speaker 4: purpose so I can hear it or just the timing.

1233
01:03:19,920 --> 01:03:22,760
Speaker 4: He was like, man, that niggas got it. And I

1234
01:03:22,880 --> 01:03:25,200
Speaker 4: had to walk back from the garden to the hotel.

1235
01:03:25,320 --> 01:03:28,520
Speaker 4: Sherifdan on fifty seven. I felt like Will Smith and

1236
01:03:28,600 --> 01:03:31,360
Speaker 4: I am legend. There was no cause to help people.

1237
01:03:32,040 --> 01:03:32,880
Speaker 2: It was just lonely.

1238
01:03:32,960 --> 01:03:35,200
Speaker 4: It was me by myself. It was the loneliest walk.

1239
01:03:35,640 --> 01:03:37,120
Speaker 4: It's like change don't come.

1240
01:03:37,320 --> 01:03:38,840
Speaker 2: And that's what I went. You know what, dude, you

1241
01:03:38,840 --> 01:03:39,840
Speaker 2: gotta respect this shit.

1242
01:03:39,960 --> 01:03:42,560
Speaker 4: So I smoked the blunt and I and I wrote

1243
01:03:43,120 --> 01:03:45,640
Speaker 4: and I just I wrote the lyrics out and cut

1244
01:03:45,720 --> 01:03:47,720
Speaker 4: to that's when I did it at the radio station

1245
01:03:48,160 --> 01:03:48,960
Speaker 4: and it went viral.

1246
01:03:49,840 --> 01:03:53,960
Speaker 8: Yeah, you know what he just reminded me in this podcast,

1247
01:03:54,040 --> 01:03:56,720
Speaker 8: there's certain guys you can't really big up like that, right,

1248
01:03:57,320 --> 01:04:00,080
Speaker 8: So there's some people I big up and they and

1249
01:04:00,080 --> 01:04:01,680
Speaker 8: they try to diss me, like kick the Pree.

1250
01:04:01,720 --> 01:04:03,360
Speaker 2: I call him one of my top five. It wasn't

1251
01:04:03,400 --> 01:04:05,920
Speaker 2: good enough. He's on this Discraunt we gotta discuss this.

1252
01:04:06,640 --> 01:04:07,040
Speaker 5: This is this.

1253
01:04:07,240 --> 01:04:09,840
Speaker 2: I see the Matt Raids John's funeral. I say, yo, kid,

1254
01:04:10,000 --> 01:04:13,360
Speaker 2: I can't even beg you up, Like I can't even

1255
01:04:13,400 --> 01:04:13,920
Speaker 2: beg you up.

1256
01:04:13,960 --> 01:04:16,240
Speaker 5: I call you my the number one on my top five,

1257
01:04:16,320 --> 01:04:17,760
Speaker 5: and you still got a problem with it.

1258
01:04:17,840 --> 01:04:20,800
Speaker 2: You on your Instagram like, yo, we got to talk

1259
01:04:20,840 --> 01:04:21,240
Speaker 2: about it.

1260
01:04:21,440 --> 01:04:24,400
Speaker 5: I'm like, you care, I can't be There's certain guys

1261
01:04:24,440 --> 01:04:27,040
Speaker 5: I'm realizing on this podcast and you can't even big

1262
01:04:27,160 --> 01:04:31,479
Speaker 5: them up because somehow that turns into how we gonna

1263
01:04:31,520 --> 01:04:33,040
Speaker 5: turn this into some other shit?

1264
01:04:33,520 --> 01:04:36,840
Speaker 2: Right? I mean, I gotta act because now just hit me.

1265
01:04:36,880 --> 01:04:37,880
Speaker 2: I gotta ask you a question.

1266
01:04:38,560 --> 01:04:42,640
Speaker 4: So when most people go there's dudes that do battle

1267
01:04:42,720 --> 01:04:44,600
Speaker 4: rap like Loaded Bucks and Murder Move.

1268
01:04:45,320 --> 01:04:47,960
Speaker 2: For some reason, a lot of battle rappers can't make

1269
01:04:48,040 --> 01:04:49,120
Speaker 2: successful albums.

1270
01:04:49,720 --> 01:04:51,240
Speaker 4: And then I'm going and they also but well, a

1271
01:04:51,320 --> 01:04:54,400
Speaker 4: lot of guys that are successful in making albums can't

1272
01:04:54,440 --> 01:04:56,960
Speaker 4: battle rap, and I go, when you think about a

1273
01:04:57,000 --> 01:05:00,880
Speaker 4: guy like Jada, one of the hardest MC's ever, if

1274
01:05:01,440 --> 01:05:03,760
Speaker 4: you had the battle rap, like you.

1275
01:05:03,800 --> 01:05:06,080
Speaker 2: Know, I can't do that for real? I think I

1276
01:05:06,160 --> 01:05:10,360
Speaker 2: mean I could, but I can't. They possessed a special

1277
01:05:10,520 --> 01:05:12,600
Speaker 2: thing with that that's what that's they and.

1278
01:05:13,000 --> 01:05:16,160
Speaker 3: I mean matter of fact, I might could and they

1279
01:05:16,320 --> 01:05:19,800
Speaker 3: might be able to make classic albums. Is just once

1280
01:05:19,920 --> 01:05:22,800
Speaker 3: the people start saying, YO know, the battle rap niggas

1281
01:05:22,840 --> 01:05:23,840
Speaker 3: can't make good albums.

1282
01:05:23,960 --> 01:05:28,320
Speaker 2: You know the regular things can't be battle I maybe can't.

1283
01:05:28,320 --> 01:05:30,520
Speaker 3: If you pushed me to the min or, the bag

1284
01:05:30,760 --> 01:05:33,920
Speaker 3: was out it because they never say who win the

1285
01:05:34,080 --> 01:05:37,160
Speaker 3: look whoever you just the win or to lose. It

1286
01:05:37,400 --> 01:05:40,960
Speaker 3: is up to the individual's ears. Like they never just

1287
01:05:41,080 --> 01:05:46,720
Speaker 3: put a thing up Arie fifty rounds kids, three raps,

1288
01:05:46,920 --> 01:05:49,240
Speaker 3: just say you was there or you watched the link

1289
01:05:50,160 --> 01:05:52,439
Speaker 3: you come outside of Your man might think you one

1290
01:05:52,920 --> 01:05:55,840
Speaker 3: other man might think I won. So if the baggage

1291
01:05:55,920 --> 01:05:58,280
Speaker 3: right and is no, all you gotta do is win

1292
01:05:58,320 --> 01:05:59,600
Speaker 3: a good round and a half.

1293
01:06:00,440 --> 01:06:03,080
Speaker 2: I think that. I think that was get around and

1294
01:06:03,120 --> 01:06:05,640
Speaker 2: a half up? You could be I meany rounds? Is

1295
01:06:05,680 --> 01:06:10,200
Speaker 2: it three? But is it is? It's really all of

1296
01:06:10,320 --> 01:06:10,680
Speaker 2: that ship.

1297
01:06:10,800 --> 01:06:13,880
Speaker 3: They can keep starting over in order to come back

1298
01:06:13,920 --> 01:06:14,840
Speaker 3: with the other I don't.

1299
01:06:15,440 --> 01:06:16,880
Speaker 2: I should take a lot of practice.

1300
01:06:17,040 --> 01:06:18,880
Speaker 3: I would have to go to the I have to

1301
01:06:18,960 --> 01:06:21,240
Speaker 3: go into campus see from the outside looking in, and

1302
01:06:21,400 --> 01:06:23,800
Speaker 3: just as a fan, you just go, you know, I

1303
01:06:23,880 --> 01:06:24,360
Speaker 3: could do it.

1304
01:06:24,560 --> 01:06:26,640
Speaker 4: I probably could, but I ain't going to just step

1305
01:06:26,720 --> 01:06:29,640
Speaker 4: out there and say. And then my question to you,

1306
01:06:29,840 --> 01:06:30,200
Speaker 4: Joe is.

1307
01:06:31,680 --> 01:06:34,480
Speaker 2: I want to help answer that too. Okay, but let

1308
01:06:34,480 --> 01:06:34,920
Speaker 2: me ask you this.

1309
01:06:35,240 --> 01:06:38,200
Speaker 4: I would think like, if there's so much potential money

1310
01:06:38,240 --> 01:06:40,120
Speaker 4: and what if they were to set up like a

1311
01:06:40,160 --> 01:06:42,919
Speaker 4: pay per view and go, we would love to see

1312
01:06:43,400 --> 01:06:49,160
Speaker 4: Eminem versus Jada fabulous verse another MC like that. And

1313
01:06:49,240 --> 01:06:52,520
Speaker 4: that never happens really, except with the versus thing that

1314
01:06:52,680 --> 01:06:53,920
Speaker 4: just happened because of COVID.

1315
01:06:54,160 --> 01:06:55,880
Speaker 5: The thing I'm trying to tell you is to be

1316
01:06:56,000 --> 01:07:00,320
Speaker 5: careful with fifty cent in them, you know is no,

1317
01:07:01,760 --> 01:07:02,760
Speaker 5: I'm just trying to tell you.

1318
01:07:04,920 --> 01:07:09,000
Speaker 2: Were talking about are you this hip hop thing right?

1319
01:07:09,960 --> 01:07:13,400
Speaker 5: It's could well the guys to get the most respect

1320
01:07:14,120 --> 01:07:16,560
Speaker 5: they have unscathed.

1321
01:07:18,160 --> 01:07:18,760
Speaker 2: Resumes.

1322
01:07:19,640 --> 01:07:22,120
Speaker 5: So nobody ever robbed Fat Joe, nobody ever beat Fat

1323
01:07:22,240 --> 01:07:24,840
Speaker 5: Joe up, Nobody with all the guys ever beefed with,

1324
01:07:25,360 --> 01:07:28,680
Speaker 5: they never got one up right. Fifties part of that

1325
01:07:29,560 --> 01:07:33,160
Speaker 5: frame of thought where no one gets one up on him, right,

1326
01:07:34,400 --> 01:07:38,960
Speaker 5: So you gotta understand these guys got these type of

1327
01:07:39,120 --> 01:07:42,200
Speaker 5: like egos where they not trying to take no type

1328
01:07:42,200 --> 01:07:44,920
Speaker 5: of hell. So with the battle ap ain't no professional

1329
01:07:45,080 --> 01:07:48,000
Speaker 5: rapper like a professor. You might find a fragio star,

1330
01:07:48,320 --> 01:07:50,919
Speaker 5: you might find one of them, you ain't gonna find

1331
01:07:51,280 --> 01:07:55,120
Speaker 5: a top tier rapper trying to battle for any amount

1332
01:07:55,160 --> 01:07:55,520
Speaker 5: of money.

1333
01:07:56,080 --> 01:07:57,800
Speaker 2: Jada against eminem distance.

1334
01:07:57,960 --> 01:08:01,560
Speaker 5: They're not doing that shit because nobody once that blemish

1335
01:08:02,360 --> 01:08:04,000
Speaker 5: on the record, you know.

1336
01:08:04,280 --> 01:08:07,560
Speaker 2: And it's the same way street wise with rappers. Once

1337
01:08:07,600 --> 01:08:09,240
Speaker 2: you catch that L and you.

1338
01:08:09,360 --> 01:08:13,840
Speaker 5: On video, Look they look, they were terrified at this

1339
01:08:14,080 --> 01:08:15,920
Speaker 5: night till they seen them get beat up one time

1340
01:08:16,000 --> 01:08:17,800
Speaker 5: and they had them on film. After that, they were

1341
01:08:17,840 --> 01:08:24,040
Speaker 5: trying to rush them everywhere he went Arizona. These people

1342
01:08:24,080 --> 01:08:26,639
Speaker 5: were so terrified at so once they see you catch

1343
01:08:26,720 --> 01:08:30,560
Speaker 5: that L somewhere, whether it's battle Way or whatever the

1344
01:08:30,640 --> 01:08:34,720
Speaker 5: case may be, Oh good luck walking around the same

1345
01:08:34,760 --> 01:08:36,640
Speaker 5: way you walk around. Now let me let me go

1346
01:08:36,760 --> 01:08:42,800
Speaker 5: back to that original question. The truth is, there's a

1347
01:08:42,880 --> 01:08:45,519
Speaker 5: lot of artists out there. They don't know how to

1348
01:08:45,600 --> 01:08:49,120
Speaker 5: make a hit record. Don't ask me why. There's a

1349
01:08:49,200 --> 01:08:51,360
Speaker 5: lot of artists out there they don't know how to

1350
01:08:51,439 --> 01:08:55,720
Speaker 5: make a hit hook. Don't ask me why. There's a

1351
01:08:55,800 --> 01:08:57,479
Speaker 5: lot of artists out there that don't know how to

1352
01:08:57,600 --> 01:09:00,840
Speaker 5: change their flows there's a lot of artists out there

1353
01:09:01,240 --> 01:09:04,160
Speaker 5: is considered the greatest lyricists of all time that never

1354
01:09:04,200 --> 01:09:05,320
Speaker 5: could pick a good beat.

1355
01:09:06,120 --> 01:09:09,040
Speaker 2: Don't know why. It's like, well, you you come to comedy.

1356
01:09:09,120 --> 01:09:11,479
Speaker 2: They got to be like a chamber.

1357
01:09:11,560 --> 01:09:15,280
Speaker 5: Does he rock the crowd or does he say funny

1358
01:09:15,320 --> 01:09:19,280
Speaker 5: shit on the spot? Does he have premeditated ship this,

1359
01:09:19,720 --> 01:09:22,840
Speaker 5: there's a there's a criteria for some reason.

1360
01:09:23,040 --> 01:09:26,360
Speaker 2: Everybody's not born with that chamber, with every single chamber.

1361
01:09:26,400 --> 01:09:29,160
Speaker 2: And I watched it. I mean the greatest you know,

1362
01:09:31,000 --> 01:09:33,680
Speaker 2: if you want me to say a name, which is

1363
01:09:33,760 --> 01:09:34,200
Speaker 2: not right.

1364
01:09:34,520 --> 01:09:37,760
Speaker 5: But there's been some of the greatest guys that we

1365
01:09:37,920 --> 01:09:42,000
Speaker 5: considered the greatest rappers of all time that didn't know

1366
01:09:42,080 --> 01:09:43,840
Speaker 5: how to pick the beat or didn't know how to

1367
01:09:43,960 --> 01:09:47,360
Speaker 5: really make a hit, and so some of them kid

1368
01:09:48,479 --> 01:09:53,360
Speaker 5: under the claw of I'm underground. You know, I'm underground.

1369
01:09:54,000 --> 01:09:56,160
Speaker 5: I don't really want to make a hit, you know,

1370
01:09:56,320 --> 01:09:58,439
Speaker 5: I don't really want that kind of success.

1371
01:09:58,640 --> 01:10:00,280
Speaker 2: I don't. I don't this, but that that end of

1372
01:10:00,360 --> 01:10:00,680
Speaker 2: the day.

1373
01:10:01,280 --> 01:10:04,439
Speaker 5: I think rappers like I started out underground, digging in

1374
01:10:04,520 --> 01:10:07,439
Speaker 5: the crates. I think it shows growth if you're able

1375
01:10:07,520 --> 01:10:10,519
Speaker 5: to make a song like who shot You? And then

1376
01:10:10,640 --> 01:10:11,960
Speaker 5: do a what's love?

1377
01:10:12,680 --> 01:10:13,240
Speaker 2: You know what I mean?

1378
01:10:13,280 --> 01:10:15,679
Speaker 5: And me, I used to tell all my crew digging

1379
01:10:15,720 --> 01:10:17,000
Speaker 5: in the crates, I used to tell them more of

1380
01:10:17,040 --> 01:10:18,760
Speaker 5: y'all came in here to be a superstar.

1381
01:10:19,640 --> 01:10:21,759
Speaker 2: I did not come in here to just be underground.

1382
01:10:21,840 --> 01:10:23,759
Speaker 5: Not pointing them out in any way, but just saying,

1383
01:10:24,320 --> 01:10:28,920
Speaker 5: there's artists that just can't do everything, and there's some

1384
01:10:29,240 --> 01:10:34,759
Speaker 5: artists that haven't had the luck like you. You beyond talented.

1385
01:10:35,240 --> 01:10:38,920
Speaker 5: Everybody knows you beyond talented. You just ain't have no

1386
01:10:39,000 --> 01:10:41,439
Speaker 5: Adam Sandler in your corner. You just ain't have no

1387
01:10:42,160 --> 01:10:45,640
Speaker 5: like like you know, you ain't have somebody with that

1388
01:10:45,840 --> 01:10:49,519
Speaker 5: type of power to say this is the guy you know,

1389
01:10:49,720 --> 01:10:53,400
Speaker 5: So you similar to us. You gotta fight your way

1390
01:10:54,560 --> 01:10:58,240
Speaker 5: to where you got your spot. Were still fighting on

1391
01:10:58,360 --> 01:11:02,680
Speaker 5: the greatest side from you that I loved. It was

1392
01:11:02,720 --> 01:11:05,320
Speaker 5: at that time when you said, uh, what's everybody so

1393
01:11:05,439 --> 01:11:08,000
Speaker 5: mad at the south Wall? Switch up your style? Switch

1394
01:11:08,080 --> 01:11:12,320
Speaker 5: to south Wall? I was thinking about that today. That

1395
01:11:12,560 --> 01:11:14,599
Speaker 5: was me and he bowed.

1396
01:11:15,920 --> 01:11:20,080
Speaker 2: I was Jada. I was listening. That's my region, that's

1397
01:11:20,160 --> 01:11:26,000
Speaker 2: my love, Google yo Ja, We'll be right back after

1398
01:11:26,080 --> 01:11:27,800
Speaker 2: this commercial rank hold up.

1399
01:11:29,439 --> 01:11:32,519
Speaker 9: I followed everybody so mad at the south Fork, learn

1400
01:11:32,600 --> 01:11:36,479
Speaker 9: how to switch your style up and go southball say it,

1401
01:11:36,600 --> 01:11:39,560
Speaker 9: but you open your mouth for better reason for me

1402
01:11:39,760 --> 01:11:42,800
Speaker 9: to just open your scout more up.

1403
01:11:42,960 --> 01:11:45,800
Speaker 2: Man, that's me. Man, let's not get this. I mean,

1404
01:11:45,880 --> 01:11:48,040
Speaker 2: we ain't got all time. It's no no, no no.

1405
01:11:48,200 --> 01:11:52,040
Speaker 5: But I gave you that shout out no yeah on

1406
01:11:52,160 --> 01:11:56,320
Speaker 5: a super smash ship breck Aga. But that's it's visually

1407
01:11:56,400 --> 01:11:58,240
Speaker 5: who came from thugging out? Then he threw it on

1408
01:11:59,640 --> 01:12:03,400
Speaker 5: on this once again the crossover. Let me explain saying

1409
01:12:03,400 --> 01:12:07,600
Speaker 5: to you right. The point I was making right is

1410
01:12:08,120 --> 01:12:12,439
Speaker 5: at that time everybody borrow No I didn't.

1411
01:12:12,560 --> 01:12:15,360
Speaker 2: I'm just making sure he I didn't know where it

1412
01:12:15,560 --> 01:12:18,200
Speaker 2: came from. He might have set me up with that ship.

1413
01:12:18,720 --> 01:12:21,360
Speaker 2: I would have gotten this face. I would have gotten you.

1414
01:12:21,800 --> 01:12:23,519
Speaker 2: You're the only person that I heard say that.

1415
01:12:25,400 --> 01:12:28,160
Speaker 5: It was a little underground and was it my ship

1416
01:12:28,320 --> 01:12:31,599
Speaker 5: was smash No. But I still gave him the prom shade.

1417
01:12:31,640 --> 01:12:33,160
Speaker 2: I was listening. I don't care.

1418
01:12:33,320 --> 01:12:35,720
Speaker 3: I'm like, but it being the biggest song, I just

1419
01:12:36,360 --> 01:12:40,360
Speaker 3: don't You're not gonna deprive me and being a part

1420
01:12:40,439 --> 01:12:40,640
Speaker 3: of it.

1421
01:12:41,479 --> 01:12:44,320
Speaker 2: So but I did big he gave me. I love you.

1422
01:12:46,640 --> 01:12:49,080
Speaker 5: That's a big breaford making brain. But let me explain

1423
01:12:49,200 --> 01:12:53,639
Speaker 5: something to you, right, I traveled around the whole country.

1424
01:12:54,040 --> 01:12:54,800
Speaker 2: I did this thing.

1425
01:12:54,880 --> 01:12:57,040
Speaker 5: I think it was for bud Light, and then every

1426
01:12:57,160 --> 01:13:01,680
Speaker 5: city to starve the city basketball player would come out.

1427
01:13:02,600 --> 01:13:02,760
Speaker 2: Right.

1428
01:13:03,200 --> 01:13:07,120
Speaker 5: So if it was Memphis, it was Zach Randolph at

1429
01:13:07,160 --> 01:13:11,000
Speaker 5: the time. If it was Philly, AI and now we

1430
01:13:11,080 --> 01:13:16,120
Speaker 5: would host everyone. But I noticed that the whole entire country,

1431
01:13:16,880 --> 01:13:20,960
Speaker 5: from the East to the Midwest, to the West to

1432
01:13:21,120 --> 01:13:25,519
Speaker 5: the South, we're only playing down South music in the club.

1433
01:13:26,800 --> 01:13:32,080
Speaker 5: One time New York created hip hop. That was no

1434
01:13:32,240 --> 01:13:35,679
Speaker 5: longer that we was not running the game. The West

1435
01:13:35,720 --> 01:13:38,000
Speaker 5: took it. We wasn't running it. South took over the

1436
01:13:38,080 --> 01:13:40,800
Speaker 5: game to the point of I gotta be deaf, dumb,

1437
01:13:40,840 --> 01:13:43,200
Speaker 5: and blind to be sitting in the hottest club with

1438
01:13:43,280 --> 01:13:47,200
Speaker 5: the hottest ball player not to notice this shit unchanged

1439
01:13:47,280 --> 01:13:50,040
Speaker 5: on us. You can't come with the boom back and

1440
01:13:50,160 --> 01:13:52,800
Speaker 5: think you're gonna pop one off. It just wasn't working

1441
01:13:52,920 --> 01:13:56,000
Speaker 5: at that time. The DJ got to spend with fl

1442
01:13:56,720 --> 01:14:00,040
Speaker 5: fluidity the same shit, this rocket, So the d he

1443
01:14:00,040 --> 01:14:02,200
Speaker 5: ain't playing nothing but the down South shit.

1444
01:14:02,600 --> 01:14:06,000
Speaker 2: So I'm in Memphis and the guy goes and says,

1445
01:14:06,720 --> 01:14:09,519
Speaker 2: let's throw it back. He throws on the rock Buildings

1446
01:14:09,560 --> 01:14:12,200
Speaker 2: in the Building to night. Oh the problem with that

1447
01:14:12,600 --> 01:14:15,360
Speaker 2: was that was actually number one at that time.

1448
01:14:15,640 --> 01:14:19,400
Speaker 5: He said, the throwback, the throwback of the day rock

1449
01:14:19,479 --> 01:14:20,800
Speaker 5: building in the Building to Night.

1450
01:14:20,920 --> 01:14:23,479
Speaker 2: Is because they're so used to hearing nothing but the.

1451
01:14:23,600 --> 01:14:27,519
Speaker 5: Dirty South winning all day that even though that record

1452
01:14:27,720 --> 01:14:30,639
Speaker 5: was the hottest shit out, they called it the throwback.

1453
01:14:31,600 --> 01:14:35,599
Speaker 2: Same with New York. New York was really really cocky.

1454
01:14:35,680 --> 01:14:38,040
Speaker 5: I remember there was a time when New York you

1455
01:14:38,200 --> 01:14:40,240
Speaker 5: listen to Hot ninety seven and they'd be like, yo,

1456
01:14:40,400 --> 01:14:44,080
Speaker 5: what's playing outside of the Five Boroughs?

1457
01:14:44,120 --> 01:14:46,040
Speaker 2: And they'd be like, these are my confessions.

1458
01:14:46,400 --> 01:14:50,320
Speaker 5: And they had that shit in the choko to where

1459
01:14:51,520 --> 01:14:55,639
Speaker 5: they wasn't playing that. So according to it, to the line,

1460
01:14:55,800 --> 01:14:57,439
Speaker 5: why are you bad at the city, you gotta switch

1461
01:14:57,479 --> 01:14:59,479
Speaker 5: to South for you know how many New York.

1462
01:14:59,400 --> 01:15:03,280
Speaker 3: Rappers was which nigga's shit it No, no, because at

1463
01:15:03,360 --> 01:15:04,720
Speaker 3: first they get mad at you.

1464
01:15:05,280 --> 01:15:08,280
Speaker 5: You figure it out, you get upset, Yo, he get

1465
01:15:08,320 --> 01:15:10,920
Speaker 5: into the bag. The nigga made it dawn South here.

1466
01:15:11,600 --> 01:15:13,760
Speaker 5: That's what's ringing right now. So all my New York

1467
01:15:13,840 --> 01:15:18,360
Speaker 5: colleagues furious, I'm reading the Sauce magazine. Oh I could

1468
01:15:18,400 --> 01:15:20,840
Speaker 5: he rhyme on something like this this next thing? I

1469
01:15:20,960 --> 01:15:25,160
Speaker 5: know everybody's everybody's the ate away rocking like this. But

1470
01:15:25,320 --> 01:15:27,680
Speaker 5: they was dumb mad at me. When I first did

1471
01:15:27,800 --> 01:15:30,240
Speaker 5: make it ring. They were like, yo, how you can

1472
01:15:30,360 --> 01:15:33,040
Speaker 5: rap on that? And then everybody is just a new norm.

1473
01:15:33,120 --> 01:15:35,240
Speaker 5: Then New York starts sounding like the Dirty South. To

1474
01:15:35,320 --> 01:15:36,760
Speaker 5: be honest with you, if you're.

1475
01:15:36,680 --> 01:15:39,160
Speaker 2: Gonna keep it a buck because they were like, yo,

1476
01:15:39,240 --> 01:15:40,400
Speaker 2: we got to make one of these.

1477
01:15:41,479 --> 01:15:45,080
Speaker 4: So in other words, being that he was the originator,

1478
01:15:45,520 --> 01:15:47,760
Speaker 4: it's like you Elvis Presley did it, but he was

1479
01:15:47,840 --> 01:15:48,679
Speaker 4: Big Mama Thornton.

1480
01:15:49,720 --> 01:15:52,000
Speaker 2: I guess so I begged the boy you know who

1481
01:15:52,040 --> 01:15:56,360
Speaker 2: Big Mama. No she she wrote, uh not but a

1482
01:15:56,400 --> 01:16:01,760
Speaker 2: hound a right, wow, just took it, you know.

1483
01:16:02,560 --> 01:16:05,000
Speaker 5: But no, she's the real Well he spit a bar.

1484
01:16:05,400 --> 01:16:11,080
Speaker 5: He didn't write my song, brother, be clear. He spit

1485
01:16:11,160 --> 01:16:14,320
Speaker 5: a bar, you know, and that ship went, you know,

1486
01:16:14,520 --> 01:16:18,160
Speaker 5: make it ring one of them classic coals. Don't get

1487
01:16:18,200 --> 01:16:18,840
Speaker 5: it fucked up.

1488
01:16:20,960 --> 01:16:23,560
Speaker 2: Just this cry. It is the first line of the

1489
01:16:23,680 --> 01:16:24,439
Speaker 2: first verse.

1490
01:16:24,760 --> 01:16:30,720
Speaker 5: Young motherfucker kid kids, I'm going to hire a comedian

1491
01:16:30,800 --> 01:16:31,559
Speaker 5: behind the scenes.

1492
01:16:31,600 --> 01:16:34,280
Speaker 2: I might hire you give me some Jadakis jokes because

1493
01:16:34,360 --> 01:16:37,760
Speaker 2: this guy ship you tried and you lost. I though

1494
01:16:37,960 --> 01:16:43,200
Speaker 2: you tried, you tried forty eight hours, tried. He was unsuccessful.

1495
01:16:43,520 --> 01:16:45,200
Speaker 2: You try, You talked about how black ship.

1496
01:16:45,240 --> 01:16:46,880
Speaker 7: Don't know that ship was.

1497
01:16:47,040 --> 01:16:48,760
Speaker 2: You got the base, that was it. That was a

1498
01:16:48,840 --> 01:16:52,760
Speaker 2: odd that was a draw, that was a draw, that

1499
01:16:52,920 --> 01:16:55,360
Speaker 2: was more and one, but that was off the top.

1500
01:16:55,920 --> 01:16:56,599
Speaker 2: I wouldn't ever.

1501
01:16:56,600 --> 01:16:58,519
Speaker 5: Ask you for directions. I asked you to get to

1502
01:16:58,560 --> 01:17:02,680
Speaker 5: the Bronx. She sent me to Kentucky the way you

1503
01:17:02,840 --> 01:17:06,479
Speaker 5: all over the place. Man, No, he said, I frid

1504
01:17:06,560 --> 01:17:08,479
Speaker 5: But let me tell you something. He hit you with

1505
01:17:08,640 --> 01:17:12,040
Speaker 5: that ship, right faty, I said, too, shame man. He

1506
01:17:12,120 --> 01:17:14,000
Speaker 5: gave me my I thought that was a great one.

1507
01:17:14,439 --> 01:17:14,639
Speaker 2: Dude.

1508
01:17:14,680 --> 01:17:16,960
Speaker 4: Sometimes when you speak in your regular voice, especially if

1509
01:17:17,000 --> 01:17:19,120
Speaker 4: I've been smoking a lot drinking rasp I get a

1510
01:17:19,160 --> 01:17:19,879
Speaker 4: little raspy.

1511
01:17:21,040 --> 01:17:25,439
Speaker 2: I've been working on it, you know. Uh, let's get it, baby.

1512
01:17:26,040 --> 01:17:29,360
Speaker 1: Congratulations all week one point one maid and the show

1513
01:17:29,360 --> 01:17:29,679
Speaker 1: a week.

1514
01:17:31,600 --> 01:17:33,280
Speaker 2: So I'm working on it. I'm working on it.

1515
01:17:34,479 --> 01:17:37,879
Speaker 4: Let me see if my hull up and I ain't animated,

1516
01:17:37,960 --> 01:17:40,120
Speaker 4: like say it buster rhyme to real shit, you kid,

1517
01:17:40,160 --> 01:17:42,160
Speaker 4: when you break down. My line had that to the

1518
01:17:42,240 --> 01:17:44,559
Speaker 4: fact I'm going plat a bunch of times. Time sap

1519
01:17:44,600 --> 01:17:47,840
Speaker 4: a mindfluence, some pot coach. I'm supposed to be number

1520
01:17:47,880 --> 01:17:54,799
Speaker 4: one on everybody list O. I love you, Tony Soprano.

1521
01:17:54,920 --> 01:17:57,560
Speaker 4: I used you on the intro to the album.

1522
01:17:57,479 --> 01:17:59,479
Speaker 7: Fuck of course you didn't you know on the fuck

1523
01:17:59,520 --> 01:18:01,960
Speaker 7: of dal one the guys in the fucking a Diance.

1524
01:18:02,640 --> 01:18:04,000
Speaker 2: You know what it is. I've seen you with the

1525
01:18:04,040 --> 01:18:11,000
Speaker 2: fucking euro step. You're pretty good, yo. This is Joe

1526
01:18:11,200 --> 01:18:15,599
Speaker 2: Crack Jady Kiss another episode of The Joe and Jadis Show.

1527
01:18:15,680 --> 01:18:21,360
Speaker 2: Make some noise for our brother Ary Spears Jersey. That

1528
01:18:21,520 --> 01:18:22,960
Speaker 2: was beautifully appreciate it