WEBVTT - Something New with Kenice Mobley

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<v Speaker 1>On the Bell cast, the questions asked if movies have

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<v Speaker 1>women in them? Are all their discussions just boyfriends and husbands?

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<v Speaker 1>Do they have individualism? The patriarchy? Zef invest start changing

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<v Speaker 1>it with the beck Del cast, Jamie, Hi, Caitlin, let go,

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<v Speaker 1>let flow. Let you know. Honestly, I felt attacked by

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<v Speaker 1>that because I was like, yeah, I've probably read whatever

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<v Speaker 1>the book is that that's referencing. I love a little

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<v Speaker 1>phrase that doesn't change my life. I love it, except

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<v Speaker 1>it does in this movie. It does. They let go,

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<v Speaker 1>they let flow, They do it, and then a bunch

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<v Speaker 1>of stuff happens and you can feel whatever way about

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<v Speaker 1>it you want. My other intro option was going to

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<v Speaker 1>be me asking you if you would like to landscape

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<v Speaker 1>my backyard? Yes, which is a sexual euphemism, yes for

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<v Speaker 1>playing with my butt. Yes, I would love to quote

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<v Speaker 1>unquote landscape your backyard. Cool, But I'm going to have

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<v Speaker 1>my gigantic, stinky dog around and I'm gonna keep being like,

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<v Speaker 1>you have to come to a garden with me? Is

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<v Speaker 1>that cool? Is that right? I love that. I can't wait. Yeah, okay,

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<v Speaker 1>well then we'll do that. Awesome anyway, Hi, welcome to

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<v Speaker 1>the Bechdel Cast. My name is Caitlin Darante. My name

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<v Speaker 1>is Jamie Loftus, and this is our podcast where we

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<v Speaker 1>take an intersectional feminist look at your favorite movies. Yeah,

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<v Speaker 1>we used the Bechdel Test as a jumping off point

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<v Speaker 1>for discussion on this damn podcast. But Caitlin, what what

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<v Speaker 1>is that? What is whiz? I'll tell you it is

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<v Speaker 1>a media metric sometimes known as the Becktel Wallace test,

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<v Speaker 1>created by queer cartoonist Alison Bechtel in her comic Likes

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<v Speaker 1>to Watch Out For just as a kind of one

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<v Speaker 1>off joke. Is It originally appeared in her comic but

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<v Speaker 1>has since been kind of co opted into this media

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<v Speaker 1>metric that is pretty widely used, including us on this show. Um,

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<v Speaker 1>and there are many variations of the test. The one

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<v Speaker 1>we use is this, two characters of a marginalized gender

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<v Speaker 1>have to have names, they have to speak to each other,

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<v Speaker 1>and the conversation has to be about something other than

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<v Speaker 1>a man. And ideally it's a narratively substantial conversation. Yes,

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<v Speaker 1>which spoiler alert for this movie. There's plenty of it,

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<v Speaker 1>but some of them are kind of funny. We have

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<v Speaker 1>some funny passes in this one, and I'm excited to

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<v Speaker 1>talk about them with are amazing returning guest, the All Timer.

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<v Speaker 1>Let's get her in here. I think your sixth appearance

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<v Speaker 1>on the show. Yes, this is my sixth appearance, Beteans.

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<v Speaker 1>I've been following, and I know that Lacy Mosley has

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<v Speaker 1>five and she doesn't know me, so this is completely

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<v Speaker 1>in my head in one sided. But I was like

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<v Speaker 1>Mosley the Mobli, I'm gonna win in your first place.

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<v Speaker 1>I'm there, and I'm there for the pay per view

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<v Speaker 1>like that would be great. Um, But let's introduce you properly.

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<v Speaker 1>She's a comedian. You've seen her on the Tonight Show.

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<v Speaker 1>Her album follow up question just came out. It's Kennis Mobile. Hi. Hello,

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<v Speaker 1>it's so nice to see you guys. Welcome back. Great

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<v Speaker 1>to see you too. I can't believe we I mean,

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<v Speaker 1>just a little peek inside Kennis's life for the listeners.

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<v Speaker 1>We're catching Kenise fresh off a trip to Margaritaville. So yes,

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<v Speaker 1>truly the best. I'm sure you're in high spirits, never

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<v Speaker 1>felt better in your life. There were so many because

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<v Speaker 1>it's in Times Square, it's like up several levels and

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<v Speaker 1>at every escalator there was a person who just shouted

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<v Speaker 1>at us, welcome to Margarita then, so it was very

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<v Speaker 1>clear where we were that here was a light show

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<v Speaker 1>on the hour where they play this on Margarita Ville.

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<v Speaker 1>There's a statue of liberty. She's holding something and it

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<v Speaker 1>turns out it can be a glass of what margaritas.

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<v Speaker 1>And so there's a whole projection thing. There's whales and dolphins.

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<v Speaker 1>It's it's a lot. It's a lot of restaurant, is

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<v Speaker 1>what I will say. It's so much restaurant, because I mean,

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<v Speaker 1>I guess that there's a lot of reasons. But one

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<v Speaker 1>of the reasons I know you haven't had your food

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<v Speaker 1>yet is to distract you from how disgusting the food is.

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<v Speaker 1>Fired Honestly, that's fair because when you look at the menu,

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<v Speaker 1>they have a little warning triangle with a salt shaker

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<v Speaker 1>in it if the amount of sodium in the meal

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<v Speaker 1>is more than your daily allowance of sodium. And most

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<v Speaker 1>of the meals have this warning of sodium next to

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<v Speaker 1>it because most of them, if you eat this, it

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<v Speaker 1>will exceed your daily amount of sodium that you should

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<v Speaker 1>be having. I really love garbage so much. I just

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<v Speaker 1>love trash in the mouth that is wonderful. Thank you

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<v Speaker 1>for that information. I've seen as triangles and I've just

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<v Speaker 1>blazed past them, never looked at what they were for

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<v Speaker 1>your What a treat there? For your death? Yes? For there?

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<v Speaker 1>Why I'm losing years of my life happily too ready

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<v Speaker 1>to go? Yeah, willingly. Um. I don't think I've ever

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<v Speaker 1>been to a Margaritaville. Time, there's one, there's one a

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<v Speaker 1>city walk. We could go any time. Oh my gosh,

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<v Speaker 1>I know I've seen it. I've seen it every damn

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<v Speaker 1>time I've gone to Universal Studios Hollywood, which has been

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<v Speaker 1>twenty times. And where are you where are you going?

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<v Speaker 1>Are you going to Oh you're a millionaire going to

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<v Speaker 1>Bubba Gum? No. I usually eat Cletus's Chicken Shack at

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<v Speaker 1>Simpson's World in the Park. Yeah, I see. Well, you know,

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<v Speaker 1>it's not it's not great to hear. It doesn't feel

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<v Speaker 1>good to hear. I'm sorry, I'm really sorry. I think

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<v Speaker 1>I got a burger with you in the Simpsons restaurant.

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<v Speaker 1>You probably went to Krusty Burger. Yeah, yeah, yeah, I've

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<v Speaker 1>never gotten food in Simpson's Land. That's fascinating. I was

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<v Speaker 1>trying to think of what the Universal hot dog is

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<v Speaker 1>They don't really have a signature one, but in Orlando,

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<v Speaker 1>because I went to both city walks last year because

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<v Speaker 1>I really do love garbage in the mouth. And in

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<v Speaker 1>Orlando they have a huge outdoor restaurant called the hot

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<v Speaker 1>Dog Hall of Fame where you can get a foot

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<v Speaker 1>long hot dog. You get hot dog with shrimp on it. Yeah,

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<v Speaker 1>you get a lot of nasty little things. Why would

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<v Speaker 1>you do that? You really shouldn't do that. When I

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<v Speaker 1>ordered the shrimp pot dog, they were like, we don't

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<v Speaker 1>serve a lot of these, and it's like, all right,

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<v Speaker 1>bring it and perfect transition. I was like, there's no

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<v Speaker 1>hot dogs in this movie. So that wasn't a transition

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<v Speaker 1>of any sort. However, we have a movie to discuss.

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<v Speaker 1>It's two thousand six. Is something new? Yes? Indeed, what

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<v Speaker 1>is your history with this movie? So? I think I

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<v Speaker 1>saw this movie in theaters. I've owned this movie on

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<v Speaker 1>DVD since two thousands six, I would to say two

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<v Speaker 1>thousand seven when it came out on DVD. Based on

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<v Speaker 1>this movie and other properties, I assumed that being a

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<v Speaker 1>woman in your thirties meant that you automatically had a

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<v Speaker 1>group of for female friends. That was just part of

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<v Speaker 1>it because it's this, it's sex in the city, it's girlfriends,

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<v Speaker 1>it's living single, all of these things. It's like, there

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<v Speaker 1>are four women, obviously one of them is a little

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<v Speaker 1>hornier than the others, and they all hang out. Why

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<v Speaker 1>why are they friends? Were never sure, that's not clear

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<v Speaker 1>how they became friends. What they have in common? I

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<v Speaker 1>don't know. They all have rich people jobs. They all

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<v Speaker 1>have fantastic jobs in this movie, accountant, doctor, judge, some

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<v Speaker 1>probably a foe. Yeah, a fourth thing, yeah, a fourth

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<v Speaker 1>fancy thing. I love. I do love like all the

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<v Speaker 1>shows you're describing. I and I went on a full

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<v Speaker 1>girlfriend's binge during the lockdown. But I love like the

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<v Speaker 1>the like sex and the city. Girlfriends like around the

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<v Speaker 1>table just saying kind of like confusing things to each

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<v Speaker 1>other about their like are we dying? Is life we're living?

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<v Speaker 1>Or not? And you're like, yeah, yeah, totally. They have

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<v Speaker 1>those conversations. But like, I could not answer in girlfriends,

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<v Speaker 1>what are their shared interests, what do they like to do?

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<v Speaker 1>What is the joy in their lives? I don't I

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<v Speaker 1>don't know. I'm trying to remember which pair of characters

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<v Speaker 1>and girlfriends. There's like at some point in the series,

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<v Speaker 1>there's like a contradiction of like how they met, Like

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<v Speaker 1>they say they met in one way in season one,

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<v Speaker 1>and then in season three for plot reasons, it's totally different.

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<v Speaker 1>I'm like, Oh, I guess I don't know. We live

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<v Speaker 1>in a void. They didn't know that I would have

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<v Speaker 1>access to knowing the mistake in the future. Yeah, I

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<v Speaker 1>feel like the friendship in in this movie too, the

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<v Speaker 1>Four Friends is similarly I don't know, underdeveloped. So, Kenneth,

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<v Speaker 1>you saw this in theaters, you bought the DVD. You

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<v Speaker 1>have a long history with the movie. Yes, I liked it,

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<v Speaker 1>and I still like parts of it, but parts of

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<v Speaker 1>it are like I think we're past this right, like

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<v Speaker 1>hopefully as a society we're not like, oh what map Also,

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<v Speaker 1>and we'll get into the synopsis of the film, Caitlin,

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<v Speaker 1>I'm so excited for your wrap up. But in the

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<v Speaker 1>first what is it fourteen minutes, when we've established through

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<v Speaker 1>the characters and everything, when they meet for a blind

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<v Speaker 1>date at a Starbucks Starbuck God, I was like, strike

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<v Speaker 1>fucking one and it's busy. It's a busy Starbucks, and

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<v Speaker 1>they're like, this is where we go on our first

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<v Speaker 1>date in side the way. That made me like angry,

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<v Speaker 1>like vier really because they're in Los Angeles where there

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<v Speaker 1>are tons of restaurants and cafes, but they choose Starbucks.

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<v Speaker 1>It was painful. I have to imagine it was like, oh,

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<v Speaker 1>we will get money from Starbucks to help fund the

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<v Speaker 1>budget of this movie if we have. I don't know

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<v Speaker 1>that for sure, but I have to imagine. I feel

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<v Speaker 1>like it would have had to offend because they showed

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<v Speaker 1>the legs, they kept cutting back to the yes, they

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<v Speaker 1>kept reminding you, and then like that the logo is

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<v Speaker 1>always facing the front. I'm like, okay, this is product placement,

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<v Speaker 1>but why would you make it such a busy I

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<v Speaker 1>mean they're like, oh, in Starbucks is so popular right now,

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<v Speaker 1>so of course there's gonna be a lot of people there.

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<v Speaker 1>But you're like, this seems like a really stressful. It

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<v Speaker 1>didn't make me want to go on a date at Starbucks.

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<v Speaker 1>I feel you would if you were Sunlight Kaitlin. It

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<v Speaker 1>kind of looked like the Starbucks near your house to

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<v Speaker 1>me a little bit, thank you, and I didn't like

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<v Speaker 1>it was really, do you mean the Starbucks in Los Filas,

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<v Speaker 1>which is called out by name in this movie that

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<v Speaker 1>neighborhood because he's like, oh, I just finished up a

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<v Speaker 1>landscaping job in Los Filas. Not to docs myself, but

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<v Speaker 1>that is the neighborhood I live in, so brag. I've

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<v Speaker 1>been to that Starbucks. It was fun. It was like

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<v Speaker 1>all the other ones too busy anyway, busy. There's it's

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<v Speaker 1>so funny, like the reasons that the movie is telling

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<v Speaker 1>you that this couple may not be compatible when there's

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<v Speaker 1>so many reasons available, We're just like, why not these people?

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<v Speaker 1>But you're a long time you're a long time viewer

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<v Speaker 1>of something new, a long time viewer of this film. Yes, yes, okay, Jamie,

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<v Speaker 1>what about you. I've known about this movie for a

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<v Speaker 1>long time, but I had never seen it before we

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<v Speaker 1>were prepping for this episode, and I'm excited to talk

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<v Speaker 1>about it. I feel like it's like there's I don't know,

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<v Speaker 1>there's a lot of there's a lot of interesting stuff here.

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<v Speaker 1>And I also agree with you Kenez for your like,

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<v Speaker 1>you know, you can feel the oh six on this

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<v Speaker 1>movie pretty heavily. I appreciate what it's trying to do,

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<v Speaker 1>and it's doing a lot of it in a in

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<v Speaker 1>a pretty dated way. But I'm excited to talk about it. Caitlin,

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<v Speaker 1>what how? What was your history with something New sam

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<v Speaker 1>as yours? I hadn't seen it before prepping, and I

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<v Speaker 1>don't even know if it was really on my radar

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<v Speaker 1>until we started getting requests for it at some point

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<v Speaker 1>during the show. But uh, yeah, there's a lot to

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<v Speaker 1>talk about, and I'm excited to get into it. I was.

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<v Speaker 1>I knew about this director because she's a very iconic

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<v Speaker 1>music video director Sanahamry. Yeah, I knew her from music

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<v Speaker 1>videos but also Sisterhood of the Traveling Pants to an

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<v Speaker 1>extremely traveling pants movie. Yeah, extremely traveling movie. Yeah, but

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<v Speaker 1>she I mean, if you look at her music video resume,

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<v Speaker 1>holy sh it, it's like she's started in her like

0:13:01.679 --> 0:13:06.440
<v Speaker 1>early twenties directing Mariah Carey videos. Made a bunch of those.

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<v Speaker 1>Then did Destiny's Child, Kelly Rowland, Jay Z, The A Teens,

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<v Speaker 1>that's a deep cut, Solange, Prince Seal, Jada Kiss like

0:13:16.440 --> 0:13:20.800
<v Speaker 1>Mondy Kravitz. I saw Joss Stone, remember her, she did

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<v Speaker 1>the super Base music video. Like Okay, she makes a

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<v Speaker 1>lot more sense. I did not know her history as

0:13:27.320 --> 0:13:29.880
<v Speaker 1>a music video director. But the things I think I

0:13:29.960 --> 0:13:32.840
<v Speaker 1>like the most about this movie and its direction are

0:13:33.040 --> 0:13:36.560
<v Speaker 1>very like music video type of style. So this makes

0:13:36.600 --> 0:13:39.199
<v Speaker 1>me very very happy. I thought that the sex scenes

0:13:39.240 --> 0:13:42.040
<v Speaker 1>in this movie were very music video in a way

0:13:42.040 --> 0:13:44.600
<v Speaker 1>that I thought was fun. Like. I was like, oh,

0:13:44.760 --> 0:13:51.200
<v Speaker 1>we're doing foot stuff, yeah, yeah, yeah. And she's done

0:13:51.200 --> 0:13:53.160
<v Speaker 1>a ton of T I think she does mostly TV.

0:13:53.280 --> 0:13:56.720
<v Speaker 1>Now she did a ton of Empire and shameless like

0:13:56.800 --> 0:14:04.720
<v Speaker 1>she's working. Indeed, shall I do the recap? Let's do it? Okay, Actually,

0:14:04.760 --> 0:14:06.679
<v Speaker 1>let's take a quick break first and then we will

0:14:06.720 --> 0:14:17.600
<v Speaker 1>come right back and we are back. Also Christina Aguilera

0:14:17.679 --> 0:14:20.600
<v Speaker 1>and staying sorry. It just like she's directed so many

0:14:20.680 --> 0:14:27.200
<v Speaker 1>music failures. Um, okay, here is the recap of something new.

0:14:27.720 --> 0:14:31.640
<v Speaker 1>We open on a wedding where the groom and guests

0:14:31.880 --> 0:14:36.920
<v Speaker 1>abruptly leave. Ken you McQueen. That's Sona Lathan at the altar.

0:14:37.520 --> 0:14:40.360
<v Speaker 1>But it was just a dream. Ha ha. Ken Youa

0:14:40.400 --> 0:14:44.040
<v Speaker 1>wakes up. We are in Los Angeles ever heard of?

0:14:44.080 --> 0:14:48.800
<v Speaker 1>It is Valentine's Day. She has a busy work day

0:14:49.120 --> 0:14:53.840
<v Speaker 1>but no romantic evening plans. At work. Her friend or

0:14:53.840 --> 0:14:57.360
<v Speaker 1>her colleague, Leah, tries to set her up on a

0:14:57.360 --> 0:15:01.240
<v Speaker 1>blind date with this guy named Brian, but Kenya is

0:15:01.280 --> 0:15:05.920
<v Speaker 1>like pass Yeah. She then goes out. She never yells

0:15:05.920 --> 0:15:09.320
<v Speaker 1>at Leah for setting it up at a Starbucks. Yeah.

0:15:09.440 --> 0:15:11.040
<v Speaker 1>I really feel like we should have gotten a follow

0:15:11.120 --> 0:15:15.240
<v Speaker 1>up with Leah. Was like, Okay, what are you? What

0:15:15.240 --> 0:15:18.160
<v Speaker 1>were you thinking? Man? The first eight thing kisses me off.

0:15:18.240 --> 0:15:21.240
<v Speaker 1>But I do like And I took Caitlin's screenwriting class

0:15:21.240 --> 0:15:24.320
<v Speaker 1>because Caitlin is a wonderful teacher, and we talked about

0:15:24.360 --> 0:15:27.880
<v Speaker 1>developing character in the first section of the script, and

0:15:27.920 --> 0:15:30.480
<v Speaker 1>I do like how they do very quickly established that

0:15:30.600 --> 0:15:33.040
<v Speaker 1>obviously she wants to be married, that her life is

0:15:33.080 --> 0:15:36.240
<v Speaker 1>a certain way. She wakes up and it's just disappointment

0:15:36.280 --> 0:15:40.040
<v Speaker 1>on her face. Um, which begs a very important question

0:15:40.240 --> 0:15:44.520
<v Speaker 1>that I will get into later. Lot. This woman likes nothing,

0:15:44.640 --> 0:15:48.160
<v Speaker 1>This woman has no interest in this woman. There's nothing

0:15:48.200 --> 0:15:51.840
<v Speaker 1>about this woman except she is an accountant. That's all

0:15:51.840 --> 0:15:53.960
<v Speaker 1>you need to know about her. She's an accountant. We

0:15:54.040 --> 0:15:56.880
<v Speaker 1>do hear a lot about what she doesn't like and

0:15:57.040 --> 0:15:59.160
<v Speaker 1>not a lot about what That was something that I

0:15:59.200 --> 0:16:01.400
<v Speaker 1>was like, I kept way to be like, Okay, what

0:16:01.560 --> 0:16:04.040
<v Speaker 1>is her secret passion or like why does she it

0:16:04.040 --> 0:16:07.280
<v Speaker 1>seems like she really enjoys her job. What about it? Like,

0:16:07.360 --> 0:16:09.440
<v Speaker 1>what got her into it and no, but we don't

0:16:09.480 --> 0:16:12.600
<v Speaker 1>learn a lot about what she likes. She's she I

0:16:12.640 --> 0:16:14.240
<v Speaker 1>don't know. But then it's weird because it's like she's

0:16:14.280 --> 0:16:17.440
<v Speaker 1>introduced like a more optimistic character where she's like, I

0:16:17.480 --> 0:16:19.160
<v Speaker 1>believe that I am going to get love. But then

0:16:19.200 --> 0:16:22.600
<v Speaker 1>it's like, but I don't know. It's bizarre. But then

0:16:22.600 --> 0:16:26.040
<v Speaker 1>she rejects love all the time. I mean, I love that,

0:16:26.120 --> 0:16:30.440
<v Speaker 1>I love Oh, we're rejecting the call. Yeah, of course

0:16:30.440 --> 0:16:32.800
<v Speaker 1>you're gonna want to reject the call in what ways?

0:16:32.880 --> 0:16:35.480
<v Speaker 1>Is like? That's the thing like the options where it's

0:16:35.480 --> 0:16:38.800
<v Speaker 1>like her before they meet at the Starbucks, she runs

0:16:38.800 --> 0:16:41.160
<v Speaker 1>into these black guys who are standing outside, and it's

0:16:41.200 --> 0:16:44.680
<v Speaker 1>like all the options are bad? Like what love is

0:16:44.720 --> 0:16:47.080
<v Speaker 1>she turning down? That was like reasonable, and we were

0:16:47.160 --> 0:16:50.040
<v Speaker 1>led to leave believe that she's unreasonable. It's just like, no,

0:16:50.200 --> 0:16:52.160
<v Speaker 1>she doesn't want to date the guy with the super

0:16:52.200 --> 0:16:55.480
<v Speaker 1>long pinky nailed that probably does a lot of cocaine.

0:16:56.360 --> 0:16:59.240
<v Speaker 1>It's it's literally, I mean, if that was if we

0:16:59.240 --> 0:17:01.840
<v Speaker 1>were supposed to believe she was unreasonable for not wanting

0:17:01.880 --> 0:17:04.879
<v Speaker 1>to date any of the men at that extremely busy Starbucks,

0:17:05.119 --> 0:17:08.280
<v Speaker 1>I don't know what to tell the world like it's

0:17:09.359 --> 0:17:14.160
<v Speaker 1>that is a very common experience, and yeah, I thought

0:17:14.200 --> 0:17:17.760
<v Speaker 1>it was. It's funny. Movie is weird? Oh the first

0:17:17.800 --> 0:17:21.200
<v Speaker 1>I was going to say that the first very funny

0:17:21.359 --> 0:17:25.600
<v Speaker 1>two thousand and six Bechtel test pass Um is her

0:17:25.640 --> 0:17:30.359
<v Speaker 1>talking to Leah about wedding dresses and Kenya telling Leah

0:17:30.440 --> 0:17:33.240
<v Speaker 1>that she should choose a dress that she likes better.

0:17:33.400 --> 0:17:36.479
<v Speaker 1>That means that she'll be very uncomfortable in it. And

0:17:36.520 --> 0:17:40.239
<v Speaker 1>I was like, well, it does pass, but but at

0:17:40.280 --> 0:17:46.680
<v Speaker 1>what cost? Okay? So then Kenya goes out with her

0:17:46.800 --> 0:17:51.959
<v Speaker 1>three friends because all adult women have exactly three friends

0:17:52.000 --> 0:17:54.399
<v Speaker 1>and they all hang out together all the time, and

0:17:54.480 --> 0:18:00.080
<v Speaker 1>who knows how they met, yeah, or what they have

0:18:00.119 --> 0:18:04.359
<v Speaker 1>in common as far as interest in um. But her

0:18:04.400 --> 0:18:07.960
<v Speaker 1>friends are Susanette played by Golden Brooks, Cheryl played by

0:18:08.160 --> 0:18:12.159
<v Speaker 1>Wendy Rickel Robinson, and Nedra played by Taraji p Henson.

0:18:13.080 --> 0:18:17.200
<v Speaker 1>They talk about how they are among the black women

0:18:17.320 --> 0:18:22.879
<v Speaker 1>who are educated professionals who are also unmarried. Kenya's friends

0:18:22.880 --> 0:18:26.560
<v Speaker 1>criticize her for having standards that are too high because

0:18:26.560 --> 0:18:30.720
<v Speaker 1>she has this list of criteria for her ideal black man.

0:18:31.080 --> 0:18:33.360
<v Speaker 1>I went to a historically black college and I remember,

0:18:33.440 --> 0:18:37.919
<v Speaker 1>like the first week of college, in some sort of

0:18:38.320 --> 0:18:42.399
<v Speaker 1>big presentation someone did tell us and historically black college

0:18:42.480 --> 0:18:44.639
<v Speaker 1>the ratio is often more women than men. At my

0:18:44.720 --> 0:18:49.160
<v Speaker 1>college specifically it was eight to one. And yes, they

0:18:49.160 --> 0:18:53.920
<v Speaker 1>were like, you, black women are getting degrees, which means

0:18:54.040 --> 0:18:56.199
<v Speaker 1>that if you are unmarried by the time that you

0:18:56.200 --> 0:18:58.879
<v Speaker 1>are thirty five, you are more likely to die in

0:18:58.920 --> 0:19:03.240
<v Speaker 1>a plane crash than to ever get married. That and

0:19:03.880 --> 0:19:08.160
<v Speaker 1>just underlining that starting when I was eighteen, just making

0:19:08.200 --> 0:19:11.720
<v Speaker 1>sure I was aware, Hey, you're choosing education and therefore

0:19:12.240 --> 0:19:15.800
<v Speaker 1>ten years old, just so you know. Oh my gosh,

0:19:15.800 --> 0:19:21.280
<v Speaker 1>that is so aggressive and despicable. I thought it was

0:19:21.320 --> 0:19:23.880
<v Speaker 1>interesting that like that because it reminded me of I'm

0:19:23.880 --> 0:19:27.200
<v Speaker 1>trying to remember is it Sleepless in Seattle where Carrie

0:19:27.240 --> 0:19:31.480
<v Speaker 1>Fisher is Megryan's friend, where they brought up another statistics

0:19:31.560 --> 0:19:34.640
<v Speaker 1>And the thing is most of those statistics are made

0:19:34.720 --> 0:19:38.919
<v Speaker 1>up to scare women and make them feel bad like that.

0:19:39.000 --> 0:19:41.960
<v Speaker 1>I remember, like famously, there's like a something like you're

0:19:42.000 --> 0:19:44.080
<v Speaker 1>more likely to be killed in a terrorist attack than

0:19:44.080 --> 0:19:47.840
<v Speaker 1>get married after thirty something was like a famous but

0:19:47.920 --> 0:19:50.680
<v Speaker 1>that was like on the cover of like Life magazine

0:19:50.800 --> 0:19:53.320
<v Speaker 1>in like the seventies or eighties, Like it's just like,

0:19:53.359 --> 0:19:56.200
<v Speaker 1>we just need to make women feel as bad as possible,

0:19:56.640 --> 0:20:01.000
<v Speaker 1>so they'll date these garbage men that the lower the standards. Yes,

0:20:01.800 --> 0:20:05.000
<v Speaker 1>it sucks. Let us be garbage. That's what men are

0:20:05.000 --> 0:20:07.720
<v Speaker 1>saying to me. And then I'm like, yes, let's go

0:20:07.760 --> 0:20:13.359
<v Speaker 1>to Margaritaville. Oh my god, he paid for my dinner

0:20:13.400 --> 0:20:18.199
<v Speaker 1>at Margaritaville. He's a keeper. Yeah, I love him. But

0:20:18.240 --> 0:20:20.720
<v Speaker 1>I thought it was interesting that this scene gets more

0:20:20.760 --> 0:20:24.480
<v Speaker 1>specific and like talks about black women in their thirties specifically,

0:20:25.000 --> 0:20:27.200
<v Speaker 1>but they never I was waiting for them to bust

0:20:27.200 --> 0:20:29.080
<v Speaker 1>the numbers, but then the number just kept getting more

0:20:29.080 --> 0:20:31.439
<v Speaker 1>specific in a way that was more aggressive towards them,

0:20:31.520 --> 0:20:34.960
<v Speaker 1>and then the scene ended. I was like, oh no, right,

0:20:35.400 --> 0:20:39.919
<v Speaker 1>um So, because Kenya's standards are so high, her friends

0:20:40.080 --> 0:20:43.960
<v Speaker 1>encourage her to be more open minded. They say, let

0:20:44.040 --> 0:20:47.720
<v Speaker 1>go let flow. That's like the new motto of all

0:20:47.760 --> 0:20:50.080
<v Speaker 1>the gals in the group. Sounds like a tampon commercial,

0:20:50.119 --> 0:20:54.080
<v Speaker 1>but I was like, I'll let's roll with this or

0:20:54.240 --> 0:20:58.960
<v Speaker 1>let go stop flow would be tampas stop flow, maybe

0:20:58.960 --> 0:21:06.840
<v Speaker 1>a bad tam um So, because Kenya decides to take

0:21:06.840 --> 0:21:10.159
<v Speaker 1>her friend's advice, she decides to go on this blind

0:21:10.240 --> 0:21:12.679
<v Speaker 1>date after all, and it ends up being with this

0:21:12.720 --> 0:21:17.680
<v Speaker 1>guy named Brian played by Simon Baker. But she's immediately uncomfortable,

0:21:17.840 --> 0:21:20.879
<v Speaker 1>perhaps because she's at the most crowded Starbucks of all time,

0:21:22.280 --> 0:21:26.280
<v Speaker 1>but she's uncomfortable and she leaves almost immediately, and you

0:21:26.359 --> 0:21:28.439
<v Speaker 1>get the sense that the reason is that she is

0:21:28.480 --> 0:21:32.160
<v Speaker 1>not interested in dating a white man. Then she goes

0:21:32.280 --> 0:21:37.000
<v Speaker 1>to Leah's engagement party and she's like, Wow, this landscaping

0:21:37.119 --> 0:21:42.840
<v Speaker 1>is amazing. I want landscaping like this from my backyard. Yeah,

0:21:43.080 --> 0:21:46.199
<v Speaker 1>I guess who's there. It's Brian and he's like, I

0:21:46.240 --> 0:21:50.520
<v Speaker 1>heard you like my landscaping. I love her. They have

0:21:50.600 --> 0:21:53.560
<v Speaker 1>like five different meat cutes and they're all boring, like

0:21:53.800 --> 0:21:59.560
<v Speaker 1>it's like we met at Starbucks. She liked by landscaping, Like, guys,

0:22:00.440 --> 0:22:04.240
<v Speaker 1>we gotta find a better meeting story. And she's having

0:22:04.280 --> 0:22:07.879
<v Speaker 1>like a panic attack at each one because he's like,

0:22:07.920 --> 0:22:10.400
<v Speaker 1>I heard you like my landscaping and she's like, um,

0:22:10.680 --> 0:22:15.320
<v Speaker 1>never mind, I have to go. But she decides to

0:22:15.400 --> 0:22:19.119
<v Speaker 1>hire him for his services, so he shows up. He

0:22:19.200 --> 0:22:22.919
<v Speaker 1>starts brainstorming ideas, but she continues to be you know

0:22:23.000 --> 0:22:27.200
<v Speaker 1>quote unquote high strung. At one point, a spider gets

0:22:27.240 --> 0:22:29.520
<v Speaker 1>in her hair or she thinks a spider is in

0:22:29.560 --> 0:22:33.720
<v Speaker 1>her hair, and she like has a meltdown. Basically she's

0:22:33.760 --> 0:22:37.720
<v Speaker 1>just not really being her best self around Brian. Well,

0:22:37.760 --> 0:22:41.320
<v Speaker 1>to be fair, before that spider thing happens. This is

0:22:41.320 --> 0:22:43.400
<v Speaker 1>something Brian does a lot where it's like I think

0:22:43.400 --> 0:22:45.520
<v Speaker 1>I was like, oh, this is very like oh six

0:22:46.080 --> 0:22:50.600
<v Speaker 1>slightly coercive romance where he's like, you're coming to this

0:22:50.720 --> 0:22:52.919
<v Speaker 1>garden with me and she's like, no, I'm not as

0:22:53.040 --> 0:22:56.240
<v Speaker 1>two pm. I am at work. I'm working right now.

0:22:56.440 --> 0:22:59.040
<v Speaker 1>And he's like you're coming to this garden with me,

0:22:59.080 --> 0:23:01.720
<v Speaker 1>and she's like, I guess I'm going to this garden

0:23:01.800 --> 0:23:04.479
<v Speaker 1>with you, and then that's kind of how they go

0:23:04.520 --> 0:23:06.760
<v Speaker 1>on all of their day. The way later he's like,

0:23:06.920 --> 0:23:11.000
<v Speaker 1>and now you're going hiking with me, and she explicitly

0:23:11.160 --> 0:23:13.200
<v Speaker 1>was like, like on a date because if it's a date,

0:23:13.240 --> 0:23:16.360
<v Speaker 1>I'm not interested. And he's like, it's it's just you're

0:23:16.440 --> 0:23:19.320
<v Speaker 1>hiking with me, and she's like, well, I fucking hate hiking,

0:23:19.440 --> 0:23:21.439
<v Speaker 1>so I don't want to go. And also the clothes

0:23:21.520 --> 0:23:25.640
<v Speaker 1>they both wear while they're hiking are not appropriate hiking wear.

0:23:26.960 --> 0:23:29.560
<v Speaker 1>He's really like Brian. I feel like, really is like

0:23:29.640 --> 0:23:33.240
<v Speaker 1>living up to the vibe that his name gives. He's

0:23:33.359 --> 0:23:37.280
<v Speaker 1>really Brian ing out because he's just like a weird

0:23:37.800 --> 0:23:42.880
<v Speaker 1>guy truly. Okay, So meanwhile, at work, Kenya is being

0:23:42.880 --> 0:23:46.680
<v Speaker 1>considered for partner. I it took me a while to

0:23:46.720 --> 0:23:50.520
<v Speaker 1>figure out what her actual job was. She's an accountant, right,

0:23:50.600 --> 0:23:54.120
<v Speaker 1>but I didn't know. I didn't know accountants could be partners, right,

0:23:54.560 --> 0:23:59.240
<v Speaker 1>And she works in the place firm and partners. I

0:23:59.280 --> 0:24:02.320
<v Speaker 1>think I don't know anything of that. I was like,

0:24:02.440 --> 0:24:04.159
<v Speaker 1>is that true? Because I was like, I I just

0:24:04.280 --> 0:24:07.480
<v Speaker 1>wrote down like might be a question mark, don't know

0:24:07.720 --> 0:24:13.080
<v Speaker 1>firm equals partners, Like does everything that's business work exactly

0:24:13.119 --> 0:24:15.320
<v Speaker 1>like a law firm? I thought she was a lawyer

0:24:15.359 --> 0:24:17.880
<v Speaker 1>for a while, but then they sam saying accounting, well,

0:24:17.920 --> 0:24:21.800
<v Speaker 1>because the firm that she works at sounds like the

0:24:21.920 --> 0:24:24.800
<v Speaker 1>name of a law firm, because it's just a bunch

0:24:24.800 --> 0:24:27.160
<v Speaker 1>of people's last names. I don't remember what they are,

0:24:27.400 --> 0:24:31.280
<v Speaker 1>but her mom makes it's something like her mom is like, yeah,

0:24:31.320 --> 0:24:35.520
<v Speaker 1>you work at Pippity Poppity and Boop or something. It's

0:24:35.560 --> 0:24:40.679
<v Speaker 1>Alfrey Wooter too, and you're just like it's I was

0:24:40.840 --> 0:24:42.880
<v Speaker 1>I I love her so much, and I was also like, wow,

0:24:42.920 --> 0:24:46.000
<v Speaker 1>they really gave her a pretty thankless mom role here,

0:24:46.040 --> 0:24:49.440
<v Speaker 1>where she's like, my daughter has to get married and

0:24:49.800 --> 0:24:53.359
<v Speaker 1>like that's all of the lines. And then she's like, brb,

0:24:53.920 --> 0:24:57.359
<v Speaker 1>I gotta go shopping because I love shopping. Yes, and

0:24:57.400 --> 0:25:00.959
<v Speaker 1>then there I'm sorry, everything's kind out now. But it's always,

0:25:00.960 --> 0:25:05.000
<v Speaker 1>like in rom comms, or like any coming of age

0:25:05.280 --> 0:25:09.640
<v Speaker 1>ish story for women, the dad always gets the cathartic speech.

0:25:09.840 --> 0:25:12.840
<v Speaker 1>He always gets to be like the reasonable one. And

0:25:12.920 --> 0:25:14.840
<v Speaker 1>I love the dad character in this movie, but I

0:25:14.880 --> 0:25:18.160
<v Speaker 1>was also like, it's always the dad that's like, my

0:25:18.280 --> 0:25:22.080
<v Speaker 1>baby deserves the world. And she's like, uh, you're right,

0:25:22.200 --> 0:25:29.159
<v Speaker 1>I'm gonna go find Brian and put him in a

0:25:29.200 --> 0:25:34.280
<v Speaker 1>Mariachi suit. We'll get to it. But why over a

0:25:34.320 --> 0:25:41.639
<v Speaker 1>T shirt? Over? Yeah? Is this necessary? Um? Okay, So

0:25:41.720 --> 0:25:46.160
<v Speaker 1>she's an accountant, we think, and she's considered doesn't matter

0:25:46.280 --> 0:25:49.040
<v Speaker 1>at all what she does, not quite. I mean, in

0:25:49.080 --> 0:25:52.800
<v Speaker 1>the grand tradition of women in rom coms having jobs

0:25:52.800 --> 0:25:55.600
<v Speaker 1>that you're like, is that a job this movie very

0:25:55.680 --> 0:25:59.080
<v Speaker 1>much follows. At least she's not a curator at a

0:25:59.200 --> 0:26:03.600
<v Speaker 1>museum or works at a fashion magazine, or an undercover

0:26:03.760 --> 0:26:08.240
<v Speaker 1>journalist at a fashion magazine must sleep with the scoop y,

0:26:10.400 --> 0:26:14.480
<v Speaker 1>so her being made partner is contingent on this account

0:26:14.600 --> 0:26:17.760
<v Speaker 1>she's working on for this guy named Pino, but he

0:26:17.800 --> 0:26:20.680
<v Speaker 1>doesn't seem to trust that Kenya can do a good

0:26:20.760 --> 0:26:26.920
<v Speaker 1>job because he's racist and also probably sexist. Probably back

0:26:26.960 --> 0:26:32.120
<v Speaker 1>at home, Brian has started doing the landscaping job. Kenya

0:26:32.400 --> 0:26:37.160
<v Speaker 1>is looking at his muscles. Then her brother Nelson played

0:26:37.160 --> 0:26:40.400
<v Speaker 1>by Donald Fazon, shows up and he's like, you need

0:26:40.440 --> 0:26:44.919
<v Speaker 1>a boyfriend. He jumped scares into the movie. It's the

0:26:44.960 --> 0:26:51.640
<v Speaker 1>most Donald's entrance ever because he's just like a pane

0:26:51.720 --> 0:26:57.800
<v Speaker 1>of glass. They're like, oh, it's turk, yeah, right, And

0:26:57.840 --> 0:27:00.000
<v Speaker 1>then he shows up with his girlfriend and the run

0:27:00.160 --> 0:27:01.919
<v Speaker 1>joke there is that every scene he's in he has

0:27:01.920 --> 0:27:04.600
<v Speaker 1>a different girlfriend, but he shows up with the first girlfriend.

0:27:04.760 --> 0:27:08.840
<v Speaker 1>But he's like, hey, sister, you need a boyfriend. And

0:27:08.920 --> 0:27:11.160
<v Speaker 1>also you went on a blind date with a white guy.

0:27:11.200 --> 0:27:16.080
<v Speaker 1>That's disgusting. How did you know that? Right? It was

0:27:16.160 --> 0:27:19.359
<v Speaker 1>a spy at the Starbucks. I didn't even think of that.

0:27:20.240 --> 0:27:24.720
<v Speaker 1>How did you know that? How do you know? Bizarre character? Um? Anyway,

0:27:24.800 --> 0:27:29.160
<v Speaker 1>so Kenya and her brother Nelson meet up with their

0:27:29.280 --> 0:27:32.879
<v Speaker 1>parents to celebrate their mom's birthday. They go to this

0:27:33.040 --> 0:27:37.520
<v Speaker 1>dance performance that's very sensual and it's and it seems

0:27:37.640 --> 0:27:39.560
<v Speaker 1>which kind of an awkward thing to see you with

0:27:39.560 --> 0:27:44.400
<v Speaker 1>your parents, especially because it seems to awaken something in Kenya.

0:27:44.800 --> 0:27:49.120
<v Speaker 1>This dance makes her horny. I mean, it's a really

0:27:49.200 --> 0:27:52.359
<v Speaker 1>beautiful I was trying to look. I couldn't find I looked.

0:27:52.440 --> 0:27:54.760
<v Speaker 1>I was like, who are those dancers? What dance company

0:27:54.840 --> 0:27:56.760
<v Speaker 1>is that? Can I watch more? Couldn't figure it out.

0:27:57.240 --> 0:27:59.480
<v Speaker 1>But and then that was I mean, that's also a

0:27:59.560 --> 0:28:01.960
<v Speaker 1>very mu You're like, oh, of course she directed music

0:28:02.040 --> 0:28:04.760
<v Speaker 1>videos that was like a sexy music video in the

0:28:04.800 --> 0:28:08.840
<v Speaker 1>middle of the movie, Yeah, that's great like that, And

0:28:08.880 --> 0:28:11.720
<v Speaker 1>when it's showing the showcase, like the close up of

0:28:11.760 --> 0:28:15.000
<v Speaker 1>Brian's muscles as he's working, all those like little touches

0:28:15.040 --> 0:28:18.920
<v Speaker 1>that have like artistry in what is otherwise a very

0:28:19.280 --> 0:28:22.720
<v Speaker 1>traditional rom com. I liked those a lot. I really

0:28:22.880 --> 0:28:25.359
<v Speaker 1>I love a music video to direct or pivot. It

0:28:25.480 --> 0:28:32.000
<v Speaker 1>just works, except when it's mcg You didn't like Charlie's

0:28:32.000 --> 0:28:34.840
<v Speaker 1>Angels one into you didn't like those? I mean I do.

0:28:34.960 --> 0:28:37.480
<v Speaker 1>I do have a huge soft spot for Charlie's Angels

0:28:37.520 --> 0:28:41.040
<v Speaker 1>one I will, I have to admit, but I can't.

0:28:41.080 --> 0:28:45.360
<v Speaker 1>I can't. I can't vouch for mcg. I don't have

0:28:45.480 --> 0:28:51.360
<v Speaker 1>enough vouch Um. Was there not a kind of random

0:28:51.480 --> 0:28:56.720
<v Speaker 1>dance scene in the episode that we covered with you

0:28:56.840 --> 0:29:00.040
<v Speaker 1>can before this one and she's got to have it?

0:29:00.320 --> 0:29:03.360
<v Speaker 1>Isn't there a scene where like they watch a dance?

0:29:03.440 --> 0:29:06.000
<v Speaker 1>It sounds familiar? Yes, it's because the whole most of

0:29:06.000 --> 0:29:07.680
<v Speaker 1>the movies in black and mike, except for this dance

0:29:07.720 --> 0:29:12.880
<v Speaker 1>in color. Yeah, yeah, oh yeah, I have a very

0:29:12.960 --> 0:29:17.880
<v Speaker 1>different like filmed dancing. But yeah, wow, Okay, I'm sensing patterns.

0:29:18.080 --> 0:29:22.800
<v Speaker 1>Listeners think nice mobile dance break, think it make that

0:29:22.880 --> 0:29:26.520
<v Speaker 1>a thing started, the new merch coming out. So I

0:29:26.600 --> 0:29:28.840
<v Speaker 1>look at them. Let's get the ball rolling on, Let's

0:29:28.840 --> 0:29:32.520
<v Speaker 1>make it happen. Okay. So she's hoarding now because she

0:29:32.560 --> 0:29:36.480
<v Speaker 1>watched this dance. Then one night Brian is working late

0:29:36.680 --> 0:29:40.200
<v Speaker 1>on her backyard. She orders them take out. They have

0:29:40.360 --> 0:29:45.000
<v Speaker 1>some wine together. They talk about romance and dating and

0:29:45.040 --> 0:29:48.080
<v Speaker 1>she's like, I prefer dating black men, and he's like, well,

0:29:48.120 --> 0:29:50.840
<v Speaker 1>I like all women, and she's I like that. She

0:29:51.080 --> 0:29:53.960
<v Speaker 1>kind of in a way that I felt I agreed with.

0:29:54.080 --> 0:29:58.800
<v Speaker 1>She was like, oh you you know, she's like or

0:29:58.840 --> 0:30:01.560
<v Speaker 1>She's like, oh, so you're like a player, he's a ship.

0:30:02.040 --> 0:30:06.640
<v Speaker 1>Yeah yeah. And he's like, no, no, that my mom.

0:30:06.840 --> 0:30:11.360
<v Speaker 1>I'm just I'm just Brian. Don't worry about your right.

0:30:14.080 --> 0:30:15.880
<v Speaker 1>And then there's the scene where he makes her go

0:30:16.120 --> 0:30:21.160
<v Speaker 1>hiking despite her many protests, and it gets romantic because

0:30:21.200 --> 0:30:23.959
<v Speaker 1>it starts pouring rain, so they need to like go

0:30:24.080 --> 0:30:27.280
<v Speaker 1>to a tree and and kiss. Yeah, that's necessary in

0:30:27.320 --> 0:30:30.440
<v Speaker 1>the rain. So got it, got it. But as he's

0:30:30.520 --> 0:30:33.160
<v Speaker 1>dropping her off back home, she's like, this is not

0:30:33.200 --> 0:30:37.400
<v Speaker 1>going to go any further by. But then he comes

0:30:37.600 --> 0:30:42.040
<v Speaker 1>into her house and they kiss passionately and they have sex.

0:30:42.440 --> 0:30:46.080
<v Speaker 1>He paints or tow nails. Yes, I was like he does,

0:30:46.520 --> 0:30:49.400
<v Speaker 1>he does? He like? I was like, wow, wiki feet

0:30:49.520 --> 0:30:53.000
<v Speaker 1>was just not around then it because I just don't

0:30:53.000 --> 0:30:55.720
<v Speaker 1>think you would see that in a movie today. Jamie,

0:30:55.720 --> 0:30:57.720
<v Speaker 1>are you on wiki fee? I am on? I have

0:30:57.800 --> 0:31:01.000
<v Speaker 1>five stars? Thank you for asking five stars. Yeah, Caitlin,

0:31:01.040 --> 0:31:03.800
<v Speaker 1>are you on wiky feet? I've never looked, but I

0:31:03.880 --> 0:31:06.840
<v Speaker 1>don't imagine I am. But I don't know. I'm on

0:31:06.880 --> 0:31:09.480
<v Speaker 1>wiky feet and I'm so mad that I'm only three

0:31:09.520 --> 0:31:13.040
<v Speaker 1>and like a quarter stars my feet are apparently that's

0:31:13.040 --> 0:31:16.000
<v Speaker 1>what the Internet has voted that I have bad feet.

0:31:16.080 --> 0:31:19.200
<v Speaker 1>Yes see, I would like to just pose it. My

0:31:19.240 --> 0:31:21.600
<v Speaker 1>feet are pretty gross and they seem to like that.

0:31:22.160 --> 0:31:25.440
<v Speaker 1>So it may just be a compliment to your feet

0:31:25.440 --> 0:31:29.160
<v Speaker 1>because I have like little like I call them hobbit feet.

0:31:29.160 --> 0:31:31.240
<v Speaker 1>They're just like they don't have a real shape. They're flat,

0:31:31.360 --> 0:31:33.600
<v Speaker 1>They're just like a weird triangle that's at the base

0:31:33.640 --> 0:31:36.560
<v Speaker 1>of their giant toughs of fur on them like hobbits. Yeah. Yeah,

0:31:36.720 --> 0:31:38.600
<v Speaker 1>I don't want to get into it. That's that's that's

0:31:38.600 --> 0:31:41.520
<v Speaker 1>besides the point. But yeah, I've got habit feed in

0:31:41.560 --> 0:31:45.280
<v Speaker 1>there for three point to five or something that. Yeah,

0:31:45.320 --> 0:31:47.120
<v Speaker 1>I mean, I've got I got hair on my toes,

0:31:47.160 --> 0:31:49.240
<v Speaker 1>but they just don't give a ship. There's a there's

0:31:49.280 --> 0:31:52.360
<v Speaker 1>a new uh, there's a new foot website someone told

0:31:52.360 --> 0:31:56.280
<v Speaker 1>me about called girl foot dot com, which just feels

0:31:56.440 --> 0:31:59.440
<v Speaker 1>two on the nose. Yeah. I checked and it's real

0:31:59.680 --> 0:32:01.880
<v Speaker 1>and got a page there to you're gonna look at

0:32:01.880 --> 0:32:03.800
<v Speaker 1>it after this. See if I'm on there, see if

0:32:03.800 --> 0:32:07.920
<v Speaker 1>I'm similarly lowly ranked. Come on, I hope you're pulling

0:32:07.960 --> 0:32:10.880
<v Speaker 1>a five over on girlfoot. Who knows what they're doing

0:32:10.920 --> 0:32:14.080
<v Speaker 1>over there. I'm gonna have to like hire a photographer

0:32:14.480 --> 0:32:17.080
<v Speaker 1>to take photos of me with my feet in it

0:32:17.280 --> 0:32:19.480
<v Speaker 1>just so that I can get a higher foot rating

0:32:19.480 --> 0:32:22.120
<v Speaker 1>on Wiki feet. Maybe that's and then you're playing right

0:32:22.160 --> 0:32:25.720
<v Speaker 1>into their damn it feet. You're playing right into the

0:32:26.360 --> 0:32:33.160
<v Speaker 1>soles of their feet. Wow, that's exactly what they want. Okay.

0:32:33.200 --> 0:32:37.160
<v Speaker 1>So meanwhile in the movie, Kenya and Brian have had sex.

0:32:37.280 --> 0:32:41.080
<v Speaker 1>The next morning, they're doing pillow talk and he asks

0:32:41.240 --> 0:32:46.320
<v Speaker 1>about her hair. He's not sure how weaves work, and

0:32:46.400 --> 0:32:49.440
<v Speaker 1>this prompts her to realize that this relationship with this

0:32:49.440 --> 0:32:53.920
<v Speaker 1>white guy and their cultural differences will never work. So

0:32:53.960 --> 0:32:56.280
<v Speaker 1>she tells him to leave, and she also fires him

0:32:56.320 --> 0:33:00.800
<v Speaker 1>as her landscaper. That don't do that, employers. It does

0:33:00.920 --> 0:33:06.880
<v Speaker 1>seem like he's almost done. He does, yes, yeah, And

0:33:06.920 --> 0:33:10.760
<v Speaker 1>then her friends are like, Kenya, if he can dick

0:33:10.840 --> 0:33:15.080
<v Speaker 1>you down, well, who cares if he's white, Go for it,

0:33:15.600 --> 0:33:18.440
<v Speaker 1>Let go, let flow. I love that the white is

0:33:18.480 --> 0:33:21.240
<v Speaker 1>the problem, not the doesn't listen when I say I

0:33:21.320 --> 0:33:23.360
<v Speaker 1>don't want to do things, or the fact that he

0:33:23.440 --> 0:33:25.640
<v Speaker 1>like lets his he brings his dog to work. I

0:33:25.680 --> 0:33:28.600
<v Speaker 1>don't know, there's lots of issues. He's also the white thing,

0:33:28.640 --> 0:33:33.480
<v Speaker 1>the white thing. He's extremely condescending to her on many occasions. Yeah,

0:33:33.480 --> 0:33:36.920
<v Speaker 1>he's like coercive and the activities that he wants her

0:33:36.960 --> 0:33:39.160
<v Speaker 1>to do, just like all this stuff. They don't even

0:33:39.160 --> 0:33:41.760
<v Speaker 1>know each other well. And he's like, yeah, you're too uptight,

0:33:42.120 --> 0:33:44.920
<v Speaker 1>and she says, does it show? And I don't know

0:33:44.920 --> 0:33:47.920
<v Speaker 1>why that made me so mad, like saying, bitch, you

0:33:47.960 --> 0:33:51.400
<v Speaker 1>don't know me what you're talking about. Also, are you

0:33:51.440 --> 0:33:53.920
<v Speaker 1>doing your job, Like, get out of my house some

0:33:54.040 --> 0:33:58.160
<v Speaker 1>of your business? Maybe alone, it's nighttime? Why are you here?

0:33:59.600 --> 0:34:02.480
<v Speaker 1>I really hated how he talked to her about her hair.

0:34:02.560 --> 0:34:04.960
<v Speaker 1>And then but and then, like every time he does

0:34:05.000 --> 0:34:09.200
<v Speaker 1>something like that, he'll then be like what you're like why?

0:34:09.280 --> 0:34:13.040
<v Speaker 1>And I have a whole list what do you mean?

0:34:15.480 --> 0:34:17.879
<v Speaker 1>So her friends are like, but he's got a good dick,

0:34:17.960 --> 0:34:21.319
<v Speaker 1>so who cares? And so she decides to keep seeing him.

0:34:22.000 --> 0:34:25.040
<v Speaker 1>I'm sorry, if the dick was bad, could she still

0:34:25.080 --> 0:34:29.160
<v Speaker 1>be racist? It's like, if the dick is bad, you're right, Kenya,

0:34:29.760 --> 0:34:34.239
<v Speaker 1>just right off white boys entirely that one. The whole

0:34:34.239 --> 0:34:38.200
<v Speaker 1>thing is bad. Get rid of it. Who knows um.

0:34:38.239 --> 0:34:40.400
<v Speaker 1>She decides to keep seeing him. She also has her

0:34:40.440 --> 0:34:44.960
<v Speaker 1>we've taken out. Then there's a montage of them being

0:34:45.120 --> 0:34:48.279
<v Speaker 1>cute and romantic together. This is when he paints her toenails.

0:34:49.160 --> 0:34:53.000
<v Speaker 1>They go to a comedy show where some Moore is

0:34:53.040 --> 0:34:56.759
<v Speaker 1>doing stand up. She does a whole set. She does

0:34:56.760 --> 0:35:01.560
<v Speaker 1>a whole set, very funny. Sett as laughing, but some

0:35:01.760 --> 0:35:05.680
<v Speaker 1>of her friends are skeptical about Kenya being with a

0:35:05.680 --> 0:35:09.280
<v Speaker 1>white guy, especially Walter played by Mike Epps. And also

0:35:09.520 --> 0:35:12.040
<v Speaker 1>there's a scene where Kenya has to explain the Black

0:35:12.080 --> 0:35:17.960
<v Speaker 1>tax to Brian, where because of systemic racism, black people

0:35:18.000 --> 0:35:20.359
<v Speaker 1>have to work twice as hard just to prove they

0:35:20.440 --> 0:35:23.880
<v Speaker 1>are equal. And he's like, what, I had no idea,

0:35:24.520 --> 0:35:26.359
<v Speaker 1>And then he did, oh he did the Brian thing

0:35:26.600 --> 0:35:30.000
<v Speaker 1>where he where he's like are you sure, are you

0:35:30.040 --> 0:35:32.160
<v Speaker 1>sure you're not being dramatic or like are you sure

0:35:32.160 --> 0:35:35.279
<v Speaker 1>you're not like paranoid paranoid? Oh my god. He literally like,

0:35:35.280 --> 0:35:38.680
<v Speaker 1>are you sure you're not being hysterical? And she's like, no,

0:35:38.800 --> 0:35:42.359
<v Speaker 1>I'm not, and he's like, okay, You're like sure. Look

0:35:42.400 --> 0:35:44.719
<v Speaker 1>and Brian, there's just so many reasons to not to

0:35:44.800 --> 0:35:48.799
<v Speaker 1>not be reading for Brian really both of them, to

0:35:48.840 --> 0:35:53.600
<v Speaker 1>be honest, like she has a nothing personality, he's kind

0:35:53.600 --> 0:35:58.239
<v Speaker 1>of a person. Do they deserve each other? Maybe I

0:35:58.280 --> 0:36:00.000
<v Speaker 1>did write that. I was like, these people are too

0:36:00.040 --> 0:36:04.520
<v Speaker 1>different flavors of boring and like they want to like

0:36:04.640 --> 0:36:07.160
<v Speaker 1>something that does I don't know. Sometimes I'm like, this

0:36:07.320 --> 0:36:08.960
<v Speaker 1>is probably something I've done where you're like, wow, a

0:36:08.960 --> 0:36:12.960
<v Speaker 1>different kind of boring than me. It must mean that's interesting.

0:36:13.160 --> 0:36:15.720
<v Speaker 1>And then you're like, no, it's just not my boring.

0:36:15.880 --> 0:36:19.600
<v Speaker 1>It's that person's too, and that can work. Two borings

0:36:19.640 --> 0:36:22.520
<v Speaker 1>cancel out and make an interesting. Um. He's like, have

0:36:22.560 --> 0:36:25.279
<v Speaker 1>you ever heard of like aquamarine paint. I'm like, oh

0:36:25.360 --> 0:36:28.400
<v Speaker 1>my god, these two. And she's like, no, I'm too boring.

0:36:28.440 --> 0:36:33.040
<v Speaker 1>I only like beige, and we're like, beige is my favorite.

0:36:35.040 --> 0:36:39.640
<v Speaker 1>It's silly, okay. So then Kenya throws a housewarming party.

0:36:40.000 --> 0:36:42.440
<v Speaker 1>Her brother Nelson is trying to set her up with

0:36:42.480 --> 0:36:46.239
<v Speaker 1>this guy Mark played by Blair Underwood, who Nelson had

0:36:46.320 --> 0:36:49.760
<v Speaker 1>invited to the party. So they meet and Mark asks

0:36:49.760 --> 0:36:54.360
<v Speaker 1>her out, but she's like, I don't know. Meanwhile, Kenya

0:36:54.480 --> 0:36:57.600
<v Speaker 1>is starting to question her relationship with Brian, especially when

0:36:57.880 --> 0:37:01.880
<v Speaker 1>he brushes her off to talk about race and the

0:37:01.960 --> 0:37:05.400
<v Speaker 1>microaggressions she's experiencing at work. There's this scene in a

0:37:05.400 --> 0:37:09.480
<v Speaker 1>grocery store where she gives a few monologues that I

0:37:09.520 --> 0:37:13.080
<v Speaker 1>want to examine more closely. But basically, they break up.

0:37:13.600 --> 0:37:17.359
<v Speaker 1>So Kenya goes out with Mark and they hit it

0:37:17.360 --> 0:37:19.560
<v Speaker 1>off and they have a lot in common. But a

0:37:19.640 --> 0:37:23.560
<v Speaker 1>couple of weeks later, Brian shows up and apologizes to Kenya.

0:37:23.719 --> 0:37:26.840
<v Speaker 1>He wants to make things work, but she's like, nah,

0:37:26.880 --> 0:37:30.520
<v Speaker 1>I met someone. He says, I love you. He does say,

0:37:30.800 --> 0:37:32.920
<v Speaker 1>he really goes for it. How long were they dating?

0:37:32.960 --> 0:37:35.080
<v Speaker 1>I'm sorry? How long did this landscaping job take for

0:37:35.160 --> 0:37:38.919
<v Speaker 1>him to say that, I'm sorry? Breckyard is not that big.

0:37:39.200 --> 0:37:43.760
<v Speaker 1>I don't understand. Maybe a few weeks, I'm not sure. Maybe,

0:37:44.040 --> 0:37:46.200
<v Speaker 1>And then he puts the most two thousand six looking

0:37:46.200 --> 0:37:50.319
<v Speaker 1>fountain I've ever seen in my life, Like the kind

0:37:50.320 --> 0:37:53.120
<v Speaker 1>of fountains he was installing. They're looking pretty rough these days,

0:37:53.200 --> 0:37:57.719
<v Speaker 1>they're they're looking kind of old. Yeah. Yeah. So she

0:37:57.840 --> 0:38:01.640
<v Speaker 1>keeps seeing Mark, but something doesn't feel quite right. He's

0:38:01.719 --> 0:38:05.520
<v Speaker 1>perfect on paper, but she doesn't feel any spark, so

0:38:05.640 --> 0:38:08.280
<v Speaker 1>she breaks up with him. How long because they meet

0:38:08.560 --> 0:38:11.600
<v Speaker 1>him like her parents meet him. How long are they dated?

0:38:12.280 --> 0:38:18.040
<v Speaker 1>The timeline for everything is very oh what, I'm not sure,

0:38:18.880 --> 0:38:22.279
<v Speaker 1>and Kenya's friends are like, well, if you felt that

0:38:22.400 --> 0:38:27.320
<v Speaker 1>spark with Brian, then maybe reconsider. But Brian has gotten

0:38:27.360 --> 0:38:31.520
<v Speaker 1>back together with his ex girlfriend Penelope. Then at work,

0:38:31.680 --> 0:38:35.080
<v Speaker 1>Kenya has made partner after she stands up for herself.

0:38:35.120 --> 0:38:38.040
<v Speaker 1>She like, does I think that there's like a micro

0:38:38.160 --> 0:38:41.240
<v Speaker 1>second of tension where she stands up for herself during

0:38:41.400 --> 0:38:44.200
<v Speaker 1>a meeting where she's once again being treated in a

0:38:44.360 --> 0:38:47.120
<v Speaker 1>very racist, misogynist way, and then she goes back and

0:38:47.160 --> 0:38:49.680
<v Speaker 1>you're like, oh, I like I honestly I was. I

0:38:49.760 --> 0:38:52.720
<v Speaker 1>kind of I liked that she did get the promotion

0:38:52.760 --> 0:38:54.759
<v Speaker 1>and it went the correct roum com way, because I

0:38:54.760 --> 0:38:57.560
<v Speaker 1>was like, if she leaves her, I would be so

0:38:57.800 --> 0:39:00.480
<v Speaker 1>pissed for her. But then she does. She a you know,

0:39:00.600 --> 0:39:03.920
<v Speaker 1>the the guy never apologizes for being racist the whole movie,

0:39:04.000 --> 0:39:06.399
<v Speaker 1>but he's like, hey, your partner, so I guess I'm

0:39:06.440 --> 0:39:10.879
<v Speaker 1>redeemed and whatever my name is, and you're like, all right, right.

0:39:13.960 --> 0:39:18.440
<v Speaker 1>Then Kenya goes with her family to a cotillion, which

0:39:18.880 --> 0:39:22.480
<v Speaker 1>is something I only know about because Rose talks about

0:39:22.480 --> 0:39:26.120
<v Speaker 1>it in Titanic She's like it was gonna be an

0:39:26.239 --> 0:39:29.960
<v Speaker 1>endless parade of parties and cortillions, and I was like, wow,

0:39:30.280 --> 0:39:33.440
<v Speaker 1>that must mean fancy party. Yeah. Yeah, I think my

0:39:33.480 --> 0:39:37.400
<v Speaker 1>sister did that. Really, Yes, my older sister, not my

0:39:37.400 --> 0:39:39.600
<v Speaker 1>twin sister, because that would be messed up before. It's

0:39:39.600 --> 0:39:41.520
<v Speaker 1>like she got to do it and they were like, now,

0:39:41.640 --> 0:39:43.960
<v Speaker 1>we don't think you need to be introduced to society

0:39:44.160 --> 0:39:46.840
<v Speaker 1>in such a way. So yeah, but my older sister

0:39:46.880 --> 0:39:49.200
<v Speaker 1>did it. She had a white cotillion dress, long gloves,

0:39:49.440 --> 0:39:52.920
<v Speaker 1>there was a guy, there was lots of conversations around it. Yeah.

0:39:53.000 --> 0:39:55.359
<v Speaker 1>It just means that there's pictures in my mom's house

0:39:55.480 --> 0:39:58.160
<v Speaker 1>of my older sister in a cool dress and a

0:39:58.200 --> 0:40:01.960
<v Speaker 1>lot of other black teenager is just trying to be fancy.

0:40:02.280 --> 0:40:04.399
<v Speaker 1>It is like a teenager thing, right, because you're like

0:40:04.640 --> 0:40:08.279
<v Speaker 1>a debut, you're being debuted. All these people in this

0:40:08.320 --> 0:40:12.520
<v Speaker 1>movie seem to be adults, so it's like they're attending

0:40:12.560 --> 0:40:15.440
<v Speaker 1>it because I think it's like in a community event. Um,

0:40:15.760 --> 0:40:18.080
<v Speaker 1>but I don't think she's not supposed to be in

0:40:18.080 --> 0:40:21.840
<v Speaker 1>this like wave of people who are being introduced to society.

0:40:21.880 --> 0:40:23.960
<v Speaker 1>I don't think. Okay, I get it, no, because she

0:40:24.040 --> 0:40:27.680
<v Speaker 1>because she shows Brian a picture of herself when she

0:40:27.920 --> 0:40:31.120
<v Speaker 1>was debuted, when she was a teenager, so I think, yeah,

0:40:31.120 --> 0:40:33.719
<v Speaker 1>she's it's like she's attending as a community member. Because

0:40:33.760 --> 0:40:37.440
<v Speaker 1>then they also show like just a random music video

0:40:37.520 --> 0:40:42.120
<v Speaker 1>e montage of teenagers walking down the being like I'm

0:40:42.160 --> 0:40:45.799
<v Speaker 1>a woman, now you can marry me or whatever it's

0:40:45.800 --> 0:40:48.600
<v Speaker 1>supposed to me. And I don't is that is how

0:40:48.680 --> 0:40:51.640
<v Speaker 1>what it's for. I don't quite understand. I think it's

0:40:51.680 --> 0:40:54.359
<v Speaker 1>the same thing as that. Yeah, it's like, Okay, these

0:40:54.360 --> 0:40:57.719
<v Speaker 1>are the seasons eligible ladies who are fresh and new.

0:40:58.440 --> 0:41:01.160
<v Speaker 1>Um look at these umber of women who are fresh

0:41:01.160 --> 0:41:03.799
<v Speaker 1>and new. Pick one marrier. I don't know. These are

0:41:03.840 --> 0:41:05.959
<v Speaker 1>the people who was acceptable to have kids with. Don't

0:41:05.960 --> 0:41:08.640
<v Speaker 1>have kids with other people. They're gross. Poor people are gross.

0:41:08.920 --> 0:41:12.520
<v Speaker 1>Get him out of here. Um. So. And then at

0:41:12.560 --> 0:41:16.360
<v Speaker 1>this cortillion, Kenya is getting drunk and she's like loudly

0:41:16.480 --> 0:41:23.919
<v Speaker 1>roasting it. She's like, good luck finding love, and she's

0:41:23.960 --> 0:41:26.400
<v Speaker 1>kind of like calling out the classism of it all.

0:41:27.000 --> 0:41:28.680
<v Speaker 1>And then she goes to the bathroom and starts crying

0:41:28.719 --> 0:41:33.160
<v Speaker 1>because she misses Brian or something. How long ago did

0:41:33.160 --> 0:41:37.200
<v Speaker 1>they break up? I don't know what timeline unclear. And

0:41:37.239 --> 0:41:41.479
<v Speaker 1>then her dad comes into the restroom and he's like yeah.

0:41:41.520 --> 0:41:44.040
<v Speaker 1>But then he's like, I'm a doctor because another woman

0:41:44.080 --> 0:41:46.560
<v Speaker 1>comes into the like ladies restroom, and he's just like,

0:41:46.600 --> 0:41:49.760
<v Speaker 1>I've seen it all, I've done it all. I'm a doctor.

0:41:49.840 --> 0:41:54.480
<v Speaker 1>I can be here, um, And so her dad is like, look,

0:41:54.640 --> 0:41:58.280
<v Speaker 1>love is an adventure. I can tell that you love Brian,

0:41:58.719 --> 0:42:01.920
<v Speaker 1>so go do something at out it. So Kenya gets

0:42:01.960 --> 0:42:06.239
<v Speaker 1>in her brother's Jaguar or something and she races off.

0:42:06.280 --> 0:42:08.960
<v Speaker 1>She finds Brian and she's like, you're the one that

0:42:09.040 --> 0:42:12.000
<v Speaker 1>I want. I can be myself around you, and you

0:42:12.080 --> 0:42:14.040
<v Speaker 1>love me the way I am. Isn't he dating someone

0:42:14.080 --> 0:42:17.760
<v Speaker 1>at this time? Yes, he's still with Penelope, I think.

0:42:18.600 --> 0:42:20.400
<v Speaker 1>But she's like I love you and he's like, well,

0:42:20.440 --> 0:42:22.399
<v Speaker 1>I love you too, and I never stopped loving you.

0:42:22.800 --> 0:42:26.839
<v Speaker 1>And then they kisskis kiss, why are you? Penelope's like

0:42:31.239 --> 0:42:32.920
<v Speaker 1>she's like, I was minding my own business and you

0:42:32.960 --> 0:42:37.000
<v Speaker 1>came back into my life. What. Yeah, it is bizarre

0:42:37.040 --> 0:42:39.480
<v Speaker 1>that he gets back with his long term ex like

0:42:39.560 --> 0:42:43.000
<v Speaker 1>that's yes, that's a hard left. That's a hard don't

0:42:43.040 --> 0:42:46.680
<v Speaker 1>do that, Brian. Grow up, Brian. So they kiss and

0:42:46.680 --> 0:42:50.120
<v Speaker 1>then she brings him back to the cotillion and they

0:42:50.200 --> 0:42:53.600
<v Speaker 1>dance and then they cut to their wedding the end.

0:42:54.520 --> 0:42:58.439
<v Speaker 1>So let's take a break and we will come back

0:42:58.480 --> 0:43:08.560
<v Speaker 1>to discuss, and we're back where to start? I mean,

0:43:08.600 --> 0:43:10.880
<v Speaker 1>I just wanted to start by like shouting out like

0:43:10.920 --> 0:43:17.440
<v Speaker 1>the key creatives in this movie. So we do have

0:43:17.520 --> 0:43:21.720
<v Speaker 1>we have. We've already given the full list of works

0:43:22.040 --> 0:43:26.719
<v Speaker 1>from Sanahamri, who is really cool. She also has I

0:43:26.719 --> 0:43:29.879
<v Speaker 1>didn't know anything about her background, but she's um, she's

0:43:30.000 --> 0:43:32.919
<v Speaker 1>Moroccan by birth, she's half Jewish. She's like, she's got

0:43:32.920 --> 0:43:37.440
<v Speaker 1>a really multicultural background, and she's a music video director.

0:43:37.520 --> 0:43:39.239
<v Speaker 1>But this is like, it's a you know, it's a

0:43:39.280 --> 0:43:44.000
<v Speaker 1>movie about black women in their thirties made by women

0:43:44.000 --> 0:43:47.759
<v Speaker 1>of color around that age, even though the director wasn't

0:43:47.800 --> 0:43:51.520
<v Speaker 1>even thirty, which made me feel great about myself. We

0:43:51.640 --> 0:43:56.480
<v Speaker 1>also have a kind of like legendary TV writer who

0:43:56.520 --> 0:43:59.080
<v Speaker 1>is also a black woman. Her name is Chris Turner.

0:43:59.160 --> 0:44:03.040
<v Speaker 1>I didn't know her by name, but she wrote on

0:44:03.360 --> 0:44:07.040
<v Speaker 1>kind of every show for a while. She wrote on

0:44:07.040 --> 0:44:10.239
<v Speaker 1>Everybody Hates Chris, she wrote on Sister Sister, she wrote

0:44:10.239 --> 0:44:13.600
<v Speaker 1>on The Cosby Show, she wrote on Living Single, so

0:44:13.920 --> 0:44:18.759
<v Speaker 1>she had the four Friends uh system down already. I'm

0:44:18.800 --> 0:44:23.400
<v Speaker 1>also seeing Bernie Max Shew Bernie Mac show, Whoopee Home Economics.

0:44:23.440 --> 0:44:28.239
<v Speaker 1>She's working right now, so she's like a legendary. She's

0:44:28.280 --> 0:44:31.759
<v Speaker 1>mostly in TV. But I just thought it was cool

0:44:31.840 --> 0:44:33.439
<v Speaker 1>that it was like, oh, this is what we talked

0:44:33.440 --> 0:44:37.400
<v Speaker 1>about all the time of like random white guys or

0:44:37.400 --> 0:44:40.960
<v Speaker 1>white women taking the reins on stories that don't that

0:44:41.040 --> 0:44:46.000
<v Speaker 1>aren't theirs. Um so and how you can tell and

0:44:46.360 --> 0:44:51.080
<v Speaker 1>for this movie, I mean, it is trying to do

0:44:51.280 --> 0:44:54.399
<v Speaker 1>some stuff and I think it probably would have been

0:44:54.600 --> 0:44:58.360
<v Speaker 1>kind of groundbreaking for two thousand six. Um. Luckily we

0:44:58.440 --> 0:45:04.760
<v Speaker 1>have moved past we had this, and that's encouraging. Um

0:45:04.800 --> 0:45:10.799
<v Speaker 1>because like mainstream rom coms skew so white and so

0:45:10.840 --> 0:45:14.600
<v Speaker 1>there's kind of it wouldn't occur to anyone, like any

0:45:14.640 --> 0:45:19.080
<v Speaker 1>of the characters to address anything like racism, because like

0:45:19.160 --> 0:45:22.680
<v Speaker 1>rom coms operate on a premise of there needs to

0:45:22.719 --> 0:45:26.359
<v Speaker 1>be something keeping these characters from being fully together until

0:45:26.400 --> 0:45:29.400
<v Speaker 1>the very end, something needs to be getting in the way,

0:45:29.920 --> 0:45:34.319
<v Speaker 1>and oftentimes, especially with like hyper white rom coms, it

0:45:34.360 --> 0:45:38.760
<v Speaker 1>will be like a lie or a misunderstanding or a bet.

0:45:39.000 --> 0:45:40.920
<v Speaker 1>Think of like how to lose a guy in ten

0:45:41.000 --> 0:45:44.600
<v Speaker 1>days while you were sleeping, those like teen rom coms

0:45:44.640 --> 0:45:46.719
<v Speaker 1>of the nineties, like ten Things I Hate About You,

0:45:46.840 --> 0:45:48.360
<v Speaker 1>or She's all that. There's all these like kind of

0:45:48.480 --> 0:45:53.280
<v Speaker 1>very contrived, like very like movie things that never happened

0:45:53.280 --> 0:45:56.080
<v Speaker 1>in real life, or like a person that's like most

0:45:56.080 --> 0:45:58.360
<v Speaker 1>of the j Lo ones, except it made in Manhattan.

0:45:58.480 --> 0:46:01.920
<v Speaker 1>It's class Where is it a lie? Is she lying

0:46:01.960 --> 0:46:05.160
<v Speaker 1>and made in Manhattin? Is she pretends? Yeah, she's pretending

0:46:05.239 --> 0:46:08.160
<v Speaker 1>to be rich. Yeah, she's pretending to be a lady

0:46:08.160 --> 0:46:10.479
<v Speaker 1>who's staying at the hotel versus lady who works there.

0:46:10.760 --> 0:46:16.080
<v Speaker 1>She wasn't visible before, but now because she's that's the person,

0:46:16.120 --> 0:46:19.760
<v Speaker 1>but wearing a nice coat, she is fancy and therefore

0:46:19.920 --> 0:46:24.520
<v Speaker 1>deserving of love. Yes, right, the class based lie. Yes,

0:46:25.520 --> 0:46:29.400
<v Speaker 1>So it's always things like that, whereas in this movie,

0:46:30.360 --> 0:46:34.040
<v Speaker 1>the thing that's getting in the way is far more

0:46:34.320 --> 0:46:38.160
<v Speaker 1>grounded and realistic, and it happens in real life, which

0:46:38.239 --> 0:46:43.640
<v Speaker 1>is like tension from being in an interracial relationship. Does

0:46:43.719 --> 0:46:49.600
<v Speaker 1>the movie handle this amazingly well? I would say probably not.

0:46:49.880 --> 0:46:54.279
<v Speaker 1>It could go but yes, right, I think we've had

0:46:54.560 --> 0:46:58.000
<v Speaker 1>as a society much better conversations about race, We're not done,

0:46:58.200 --> 0:47:01.600
<v Speaker 1>but had better conversations around it, and so the expectations

0:47:01.760 --> 0:47:05.719
<v Speaker 1>are also different, because surely if today a man was like,

0:47:05.840 --> 0:47:08.200
<v Speaker 1>I don't know, maybe you're being sensitive, I'd be like,

0:47:08.640 --> 0:47:13.640
<v Speaker 1>fuck you off. Like it's it is. There is still

0:47:13.719 --> 0:47:16.600
<v Speaker 1>like the classic round com implication that like he quote

0:47:16.640 --> 0:47:23.200
<v Speaker 1>unquote fixes her with his mediocre coercion tactics. I was like,

0:47:23.239 --> 0:47:28.239
<v Speaker 1>with his magic penis, he had colored to her life, right.

0:47:29.200 --> 0:47:31.840
<v Speaker 1>But yeah, it was very rare for a rom com

0:47:31.840 --> 0:47:35.960
<v Speaker 1>from the mid two thousand's to address things like microaggressions

0:47:36.120 --> 0:47:39.640
<v Speaker 1>and white privilege and things like that, so I was

0:47:39.680 --> 0:47:42.719
<v Speaker 1>surprised that it was having those conversations. For me, this

0:47:42.760 --> 0:47:45.799
<v Speaker 1>movie felt like, I don't know, it felt like two

0:47:45.840 --> 0:47:47.960
<v Speaker 1>things being true at one time. A lot of the

0:47:48.000 --> 0:47:51.080
<v Speaker 1>times we're like in Oh six, I can't think of

0:47:51.120 --> 0:47:54.719
<v Speaker 1>another movie that was even attempting this discussion. I like

0:47:54.880 --> 0:47:59.120
<v Speaker 1>that it's being at one what is it Guess Who?

0:47:59.160 --> 0:48:02.640
<v Speaker 1>With Asidon Coultcher and Bernie Mac. Oh my god, I

0:48:02.920 --> 0:48:05.880
<v Speaker 1>where they are similarly dealing with a white guy, black

0:48:05.920 --> 0:48:12.240
<v Speaker 1>girl Bernie Mac as the father. But it is not good.

0:48:12.640 --> 0:48:14.799
<v Speaker 1>I was going to say something more educated than that,

0:48:14.880 --> 0:48:19.960
<v Speaker 1>but genuinely. That movie is not good, nor did it

0:48:20.320 --> 0:48:24.480
<v Speaker 1>say anything particularly meaningful about the black experience. It's just

0:48:24.680 --> 0:48:26.560
<v Speaker 1>they've swapped it because it's supposed to be like a

0:48:26.560 --> 0:48:29.759
<v Speaker 1>new version of Guests Who's Coming to Dinners? And while

0:48:29.880 --> 0:48:32.000
<v Speaker 1>that one was supposed to like push boundaries and be

0:48:32.080 --> 0:48:36.920
<v Speaker 1>a conversation starter, this one was not that. Yeah, I

0:48:37.000 --> 0:48:42.600
<v Speaker 1>don't think anyone really remembers guests who and they shouldn't.

0:48:42.920 --> 0:48:46.520
<v Speaker 1>I do remember Ashton Coultcher really was working back then.

0:48:46.960 --> 0:48:49.520
<v Speaker 1>I feel like he didn't deserve to meet Bernie mac

0:48:49.640 --> 0:48:54.759
<v Speaker 1>but that's my opinion. And then Zoe Zoey saw Donna is,

0:48:55.040 --> 0:48:59.440
<v Speaker 1>Yeah the woman that marry Ashton, could your be serious

0:48:59.800 --> 0:49:03.400
<v Speaker 1>and his dreams in two thousand and six? Maybe that

0:49:03.520 --> 0:49:06.560
<v Speaker 1>was maybe he was punked and she was just center

0:49:06.680 --> 0:49:11.320
<v Speaker 1>stage what and she was Wow, she was crossroads? How

0:49:11.360 --> 0:49:16.880
<v Speaker 1>times have changed? Well in comparison? If that, then something

0:49:16.920 --> 0:49:21.160
<v Speaker 1>new is groundberg breaking, revolutionary, never been done before. Um,

0:49:22.000 --> 0:49:24.000
<v Speaker 1>but I do like it was. I wanted to go

0:49:24.040 --> 0:49:27.360
<v Speaker 1>back to like how this movie was reviewed or like

0:49:27.440 --> 0:49:30.080
<v Speaker 1>received at the time, because it seemed to be received

0:49:30.080 --> 0:49:35.280
<v Speaker 1>pretty well and again, like another gigantic issue of the

0:49:35.320 --> 0:49:39.240
<v Speaker 1>two thousand's and still today, but less so than before.

0:49:39.320 --> 0:49:43.480
<v Speaker 1>It's like you still have just vastly majority white movie critics,

0:49:44.000 --> 0:49:46.920
<v Speaker 1>and so all of us needs to be taken with

0:49:46.960 --> 0:49:50.360
<v Speaker 1>a gigantic grain of salt because you're like, well, I

0:49:50.360 --> 0:49:52.400
<v Speaker 1>don't know how we should feel about how you know,

0:49:53.239 --> 0:49:57.719
<v Speaker 1>Roger Ebert feels about this topic, although he gave this

0:49:57.760 --> 0:50:00.840
<v Speaker 1>movie a terrific review three and a half out of

0:50:00.840 --> 0:50:04.400
<v Speaker 1>four stars, because to me, this is the same level

0:50:04.560 --> 0:50:08.799
<v Speaker 1>as Silver Linings Playbook. In Silver Linings Playbook a lot

0:50:08.840 --> 0:50:12.040
<v Speaker 1>of awards, and to me, I put those on these

0:50:12.080 --> 0:50:16.440
<v Speaker 1>on the same footings where there's uh, salsa dancing competition,

0:50:16.640 --> 0:50:19.279
<v Speaker 1>we have seventies episode of The Brady Bunch. What are

0:50:19.280 --> 0:50:24.040
<v Speaker 1>you talking about? UM? I think that, Like, the movie

0:50:24.120 --> 0:50:26.399
<v Speaker 1>was received pretty positively. I mean, it was received as

0:50:26.440 --> 0:50:29.160
<v Speaker 1>a rom com of like, this is a really like

0:50:29.200 --> 0:50:31.200
<v Speaker 1>I've never seen a rom com explore these themes. But

0:50:31.520 --> 0:50:34.160
<v Speaker 1>but the tone of a lot of the reviews, I

0:50:34.320 --> 0:50:36.759
<v Speaker 1>just like, I don't feel good or bad about it.

0:50:36.800 --> 0:50:38.920
<v Speaker 1>But I was like, that's interesting, Like they all mentioned

0:50:38.920 --> 0:50:43.160
<v Speaker 1>like I've never seen this topic even attempted in this

0:50:43.320 --> 0:50:46.520
<v Speaker 1>genre before, and I was like, oh, I guess that, Like, yeah,

0:50:46.600 --> 0:50:50.239
<v Speaker 1>that that is a big thing. But also we can

0:50:50.280 --> 0:50:55.520
<v Speaker 1>hold the truth of Brian socks. Okay, Brian sucks, but

0:50:55.600 --> 0:50:58.799
<v Speaker 1>m Kenya also kind of subs dude, Like, think of

0:50:58.880 --> 0:51:00.920
<v Speaker 1>your friend groups, none of you would hang out with

0:51:00.960 --> 0:51:04.520
<v Speaker 1>her because she doesn't have any interest or a perspective

0:51:04.760 --> 0:51:08.239
<v Speaker 1>or a visual style or and she's nothing outside of that.

0:51:08.280 --> 0:51:10.600
<v Speaker 1>She works really hard, which is great, But what did

0:51:10.640 --> 0:51:13.240
<v Speaker 1>she what do he like? Is she funny? She loves

0:51:13.320 --> 0:51:17.759
<v Speaker 1>beige and she hates the color red and dogs when

0:51:17.760 --> 0:51:20.680
<v Speaker 1>she's self identified as beige. I was like, that is

0:51:20.719 --> 0:51:24.239
<v Speaker 1>a bold move because most people, like, even if you

0:51:24.360 --> 0:51:30.839
<v Speaker 1>are personality beige, don't usually admit it, Like you think

0:51:30.840 --> 0:51:35.839
<v Speaker 1>you're interesting, right right? Everyone thinks they're interesting. But but

0:51:35.960 --> 0:51:38.640
<v Speaker 1>I don't think that. I don't think that Kenya really

0:51:39.520 --> 0:51:41.480
<v Speaker 1>thinks that about herself. But it also doesn't seem like

0:51:41.520 --> 0:51:44.640
<v Speaker 1>a concern, Like she's just like I am who I am,

0:51:44.800 --> 0:51:49.360
<v Speaker 1>which is beautiful. But also like Brian wants to change her. Yeah,

0:51:49.480 --> 0:51:51.120
<v Speaker 1>I don't know does he like her or does he

0:51:51.200 --> 0:51:53.680
<v Speaker 1>like the changed version of her that he hopes to create?

0:51:54.000 --> 0:51:57.640
<v Speaker 1>Good question, But I also like personality beige as a

0:51:57.680 --> 0:51:59.920
<v Speaker 1>description of a type of person, and I will be

0:52:00.080 --> 0:52:05.439
<v Speaker 1>using it moving forward, just like him personality page. Um yeah,

0:52:06.440 --> 0:52:09.960
<v Speaker 1>but yeah, can we go through the ways that he

0:52:10.600 --> 0:52:16.480
<v Speaker 1>is a shitty person, because he's often talking to her

0:52:16.560 --> 0:52:21.719
<v Speaker 1>in a way that's very judgmental, condescending. He's doing the

0:52:21.800 --> 0:52:24.000
<v Speaker 1>kind of like, you know, the the gas lighty thing

0:52:24.040 --> 0:52:26.080
<v Speaker 1>of like, are you sure you're not just being paranoid?

0:52:27.480 --> 0:52:29.640
<v Speaker 1>People are being racist to you? Yeah? Oh you need

0:52:29.680 --> 0:52:34.200
<v Speaker 1>to relax. Yeah, let me see. Okay. So, so this

0:52:34.280 --> 0:52:36.839
<v Speaker 1>is the scene where I think they're like having take

0:52:36.880 --> 0:52:39.759
<v Speaker 1>out together in her house. He comments on all of

0:52:39.800 --> 0:52:42.640
<v Speaker 1>her like walls and furniture and everything being so beige,

0:52:42.760 --> 0:52:45.560
<v Speaker 1>and I ask you, yeah, I hate yeah, And and

0:52:45.600 --> 0:52:47.239
<v Speaker 1>he's like, when are you gonna paint? When are you

0:52:47.280 --> 0:52:50.840
<v Speaker 1>gonna bring some color in here? Colors are exciting and bold,

0:52:51.200 --> 0:52:55.719
<v Speaker 1>And she's like, well, I'm not bold, I'm boring. He's like,

0:52:56.120 --> 0:52:57.759
<v Speaker 1>I don't even think you know who you are. You

0:52:57.760 --> 0:52:59.879
<v Speaker 1>haven't taken the time to get to know yourself because

0:53:00.000 --> 0:53:07.040
<v Speaker 1>always working. You don't excuse you frostrating, right, sir. He's

0:53:07.239 --> 0:53:10.200
<v Speaker 1>very like, I don't know. Yeah, he's very like thinks

0:53:10.239 --> 0:53:13.600
<v Speaker 1>he knows her way better than he does immediately, which

0:53:13.960 --> 0:53:17.080
<v Speaker 1>she pushes back on. She's like, yeah, you don't know me,

0:53:17.560 --> 0:53:21.279
<v Speaker 1>but I guess I was having trouble getting into my

0:53:21.280 --> 0:53:23.800
<v Speaker 1>two thousand six brain in certain moments where I'm like,

0:53:23.840 --> 0:53:26.200
<v Speaker 1>how am I supposed to feel about her in this moment?

0:53:26.200 --> 0:53:28.719
<v Speaker 1>Because it's obvious that, like the script and the movie

0:53:28.760 --> 0:53:32.000
<v Speaker 1>are very on her side. We're seeing things generally through

0:53:32.040 --> 0:53:34.120
<v Speaker 1>her perspective, So I don't think at any point you're

0:53:34.120 --> 0:53:36.640
<v Speaker 1>supposed to be like, I don't like her, But there's

0:53:36.680 --> 0:53:38.719
<v Speaker 1>moments where I'm like, are we supposed to think she's

0:53:38.760 --> 0:53:42.680
<v Speaker 1>being unreasonable right now by like telling Brian who's telling

0:53:42.680 --> 0:53:44.640
<v Speaker 1>her who she is and like what she should do?

0:53:45.480 --> 0:53:47.560
<v Speaker 1>Like I feel like we were supposed to think she's

0:53:47.600 --> 0:53:50.520
<v Speaker 1>been she needs to loosen up because look at this.

0:53:50.880 --> 0:53:54.160
<v Speaker 1>Look at this, Brian, And you're like, I don't know.

0:53:54.560 --> 0:53:56.919
<v Speaker 1>They do that from the very beginning. When she does

0:53:56.960 --> 0:53:59.160
<v Speaker 1>look at her calendar and it's just thing after thing

0:53:59.160 --> 0:54:02.160
<v Speaker 1>after things, they're like, wow, look how uptight the bitches

0:54:02.480 --> 0:54:07.480
<v Speaker 1>instead of like she's important and busy, just like a

0:54:07.520 --> 0:54:10.880
<v Speaker 1>genre wide trope of like it reminded me of a

0:54:10.920 --> 0:54:14.040
<v Speaker 1>movie I barely remember, but it's like the strongest I've

0:54:14.080 --> 0:54:17.200
<v Speaker 1>ever felt this trope. The Sandra Bullock two weeks notice

0:54:17.760 --> 0:54:20.560
<v Speaker 1>where she's like, I'm I need to be forced to

0:54:20.600 --> 0:54:23.799
<v Speaker 1>be married because I'm I'm so at work, and you're

0:54:23.840 --> 0:54:27.600
<v Speaker 1>just like, yeah, the trope of a woman can't have

0:54:27.719 --> 0:54:31.640
<v Speaker 1>a romantic life because she already has a job. You

0:54:31.680 --> 0:54:33.960
<v Speaker 1>can't have both, and you gotta be a little worse

0:54:34.000 --> 0:54:37.120
<v Speaker 1>at your job so that men will like you because

0:54:37.239 --> 0:54:40.360
<v Speaker 1>they're not going to like you as this confident, successful woman. No,

0:54:40.480 --> 0:54:43.080
<v Speaker 1>stop that, that's gross. Stop it. You got to be

0:54:43.200 --> 0:54:48.399
<v Speaker 1>less less. Dial it back. So a few moments later,

0:54:48.480 --> 0:54:51.359
<v Speaker 1>in this same conversation, in the same scene, he says

0:54:51.400 --> 0:54:53.520
<v Speaker 1>something like, I take it you don't date white guys,

0:54:53.960 --> 0:54:56.879
<v Speaker 1>and she says, I happen to prefer black men. It's

0:54:56.880 --> 0:55:00.680
<v Speaker 1>not a prejudice, it's a preference. And then he responds with, sure,

0:55:00.840 --> 0:55:04.719
<v Speaker 1>it's your preference to be prejudice. First of all, you

0:55:04.760 --> 0:55:09.440
<v Speaker 1>can't be prejudice or racist against the fucking oppressive class,

0:55:09.560 --> 0:55:12.560
<v Speaker 1>Like you can't that, it's not how it works. And

0:55:12.600 --> 0:55:14.880
<v Speaker 1>then he's like, oh, your prejudice because you don't like

0:55:14.960 --> 0:55:19.040
<v Speaker 1>white people who have been actively oppressing you for your

0:55:19.200 --> 0:55:22.600
<v Speaker 1>entire life and all of existence. And then he does

0:55:22.760 --> 0:55:25.719
<v Speaker 1>make this little face he makes this. I just I

0:55:25.760 --> 0:55:27.960
<v Speaker 1>went back and watched it again. He makes this, he

0:55:28.040 --> 0:55:31.279
<v Speaker 1>makes his little face with that. To me was like

0:55:31.520 --> 0:55:34.319
<v Speaker 1>he's like, I just blew her fucking mind. And it's like,

0:55:34.440 --> 0:55:38.120
<v Speaker 1>oh my god. There's two things going on there. There

0:55:38.239 --> 0:55:40.480
<v Speaker 1>is like I don't think it's great for you without

0:55:40.520 --> 0:55:44.160
<v Speaker 1>any sort of background in it or knowledge to say like, oh,

0:55:44.200 --> 0:55:46.399
<v Speaker 1>there's an entire race of people and I don't date them.

0:55:46.480 --> 0:55:48.920
<v Speaker 1>I don't think that's great. But if most of your

0:55:48.920 --> 0:55:52.520
<v Speaker 1>interactions do involve like, oh, yeah, I explain what my

0:55:52.600 --> 0:55:54.839
<v Speaker 1>life is as a woman of color, and they're like,

0:55:54.920 --> 0:55:59.160
<v Speaker 1>maybe you're just being paranoid. I think that's like if

0:55:59.200 --> 0:56:01.879
<v Speaker 1>you are doing some thing besides that, then yes, maybe

0:56:01.960 --> 0:56:04.680
<v Speaker 1>she should consider you. But why should she consider you

0:56:04.719 --> 0:56:07.440
<v Speaker 1>If you don't think her experience is valid? Why should

0:56:07.440 --> 0:56:10.759
<v Speaker 1>she consider you? She does all the time constantly. His

0:56:10.880 --> 0:56:14.000
<v Speaker 1>whole thing is here's how you are, but here's how

0:56:14.040 --> 0:56:17.799
<v Speaker 1>you should be. And when you say anything, I'm not

0:56:17.840 --> 0:56:20.719
<v Speaker 1>gonna listen. I'm not gonna believe you. I'm not going

0:56:20.760 --> 0:56:24.440
<v Speaker 1>to validate anything. And it's like, why would she want that?

0:56:24.480 --> 0:56:27.560
<v Speaker 1>But but she does, apparently because they get married at

0:56:27.560 --> 0:56:31.200
<v Speaker 1>the end, they do she says, I can be diminished

0:56:31.239 --> 0:56:32.799
<v Speaker 1>for the rest of my life, but you know what,

0:56:32.880 --> 0:56:35.640
<v Speaker 1>it's worth it because I had a day. I had

0:56:35.640 --> 0:56:37.440
<v Speaker 1>a day where I wore a fancy dress and it

0:56:37.480 --> 0:56:40.080
<v Speaker 1>means that I'm valid. Baby. We're doing this for all,

0:56:40.200 --> 0:56:43.719
<v Speaker 1>for the for the roast of Brian, and partially Kenya's

0:56:43.760 --> 0:56:47.320
<v Speaker 1>personality that we're about to unleash. I will say the

0:56:47.960 --> 0:56:51.920
<v Speaker 1>freeze frame shot this movie ends on what a beautiful picture.

0:56:52.640 --> 0:56:55.880
<v Speaker 1>They really are both so hot and you're just like, Wow,

0:56:55.920 --> 0:56:58.400
<v Speaker 1>they're attractive people. That's a picture that I would scroll

0:56:58.400 --> 0:57:03.200
<v Speaker 1>pass on Instagram and be like, I want what they

0:57:03.239 --> 0:57:05.560
<v Speaker 1>I get it. But also is that the piece that

0:57:05.600 --> 0:57:08.200
<v Speaker 1>I'm missing because the only thing I think they have

0:57:08.239 --> 0:57:10.799
<v Speaker 1>in common is that they are hot. They're both hot. Yeah,

0:57:10.920 --> 0:57:13.560
<v Speaker 1>well that's I mean, that's a classic rom that all

0:57:13.640 --> 0:57:21.800
<v Speaker 1>the sexies equals one. Two sexies who are geographically near

0:57:21.840 --> 0:57:26.600
<v Speaker 1>each other equals love, according to rom coms. The outside

0:57:26.600 --> 0:57:29.560
<v Speaker 1>of that, what do they have in common? Yeah they don't.

0:57:29.720 --> 0:57:32.200
<v Speaker 1>What do they like? He likes hiking, he likes gardening,

0:57:32.240 --> 0:57:35.080
<v Speaker 1>he likes his dog. She doesn't like any of those things.

0:57:35.960 --> 0:57:38.600
<v Speaker 1>She likes the dog. By the end, that is the

0:57:38.720 --> 0:57:41.040
<v Speaker 1>change that's the one change which I think it's a mistake.

0:57:41.200 --> 0:57:43.760
<v Speaker 1>You're letting a dog in your house like this. I'm sorry.

0:57:44.240 --> 0:57:48.720
<v Speaker 1>I know you both feel differently, but no, that's gross.

0:57:49.080 --> 0:57:52.160
<v Speaker 1>It's already felt. The animal that like walks right by

0:57:52.200 --> 0:57:54.000
<v Speaker 1>its own ship, Are you kidding me? And it's gonna

0:57:54.040 --> 0:57:56.920
<v Speaker 1>walk with its bear paws? But look at Max, he's cute.

0:57:57.040 --> 0:58:01.360
<v Speaker 1>I like, she bought a house in Los Angeles, like you,

0:58:01.360 --> 0:58:03.919
<v Speaker 1>you can't let anyone. First of all, I was, I

0:58:03.960 --> 0:58:05.880
<v Speaker 1>was really, I was like, wow, she must be making

0:58:05.920 --> 0:58:10.120
<v Speaker 1>good money as accountant partner, and and it's cool that

0:58:10.160 --> 0:58:12.320
<v Speaker 1>they like And I don't know, there are parts of

0:58:12.360 --> 0:58:15.160
<v Speaker 1>this movie I liked where it's like you see the

0:58:15.200 --> 0:58:17.480
<v Speaker 1>most of the movie happens in like Baldwin Hills, and

0:58:17.480 --> 0:58:20.080
<v Speaker 1>you see like historically black areas of l a that

0:58:20.120 --> 0:58:22.560
<v Speaker 1>aren't shown in movies a lot, and like that part,

0:58:22.600 --> 0:58:24.240
<v Speaker 1>and then and then her house is so cute, And

0:58:24.280 --> 0:58:26.200
<v Speaker 1>then I was like, yeah, I don't let especially like

0:58:26.440 --> 0:58:30.200
<v Speaker 1>a new boyfriend's big stinky dog. I like dogs, but

0:58:30.320 --> 0:58:35.960
<v Speaker 1>only if it's mine, Like, if it's yours, it shouldn't

0:58:36.000 --> 0:58:38.000
<v Speaker 1>be at the house. If it's mine, it's got to

0:58:38.080 --> 0:58:42.800
<v Speaker 1>be at the house. Wow, a brave stance to take,

0:58:44.360 --> 0:58:46.440
<v Speaker 1>But to your point, I did. That's one thing that

0:58:46.480 --> 0:58:48.440
<v Speaker 1>I the reason why I bought this movie. The reason

0:58:48.440 --> 0:58:51.040
<v Speaker 1>why I've seen this movie several times is because it

0:58:51.120 --> 0:58:52.440
<v Speaker 1>did have a lot of things in it that I

0:58:52.480 --> 0:58:55.000
<v Speaker 1>hadn't seen before. So, like I lived in Los Angeles

0:58:55.080 --> 0:58:56.959
<v Speaker 1>for a period of time, I hadn't seen Baldwin Hills

0:58:57.000 --> 0:58:59.560
<v Speaker 1>represented in this way. I hadn't seen a movie where

0:58:59.600 --> 0:59:03.080
<v Speaker 1>it was like for black professional women like doing stuff.

0:59:03.120 --> 0:59:05.320
<v Speaker 1>I hadn't seen a lot of that before. So in

0:59:05.360 --> 0:59:08.280
<v Speaker 1>that way, for me, it was sorry, something new. But

0:59:09.920 --> 0:59:14.320
<v Speaker 1>now I do think that stuff is dated. Yeah, yeah,

0:59:14.800 --> 0:59:18.480
<v Speaker 1>for sure. But yeah, you do see representation of characters

0:59:18.480 --> 0:59:22.520
<v Speaker 1>and situations you don't normally see, especially for this era.

0:59:23.000 --> 0:59:25.800
<v Speaker 1>Like a main character who is a black woman with

0:59:25.840 --> 0:59:29.160
<v Speaker 1>like a white collar job. She's rich, she's successful. All

0:59:29.200 --> 0:59:32.560
<v Speaker 1>of her black friends and her family members have white

0:59:32.560 --> 0:59:36.840
<v Speaker 1>collar jobs, their doctors, their lawyers, their judges. She knows

0:59:36.960 --> 0:59:40.400
<v Speaker 1>her worth as a professional, even though other people around

0:59:40.400 --> 0:59:43.600
<v Speaker 1>her are constantly questioning it, like that client guy. But

0:59:43.680 --> 0:59:47.120
<v Speaker 1>like she knows her value. She never like questions that

0:59:47.160 --> 0:59:51.960
<v Speaker 1>she knows her skills as relates to her as an

0:59:52.000 --> 0:59:56.200
<v Speaker 1>accountant at Pippity Poppity Boop, the account that I did

0:59:56.240 --> 0:59:58.320
<v Speaker 1>feel like at the end of what what did what

0:59:58.400 --> 1:00:00.200
<v Speaker 1>did you all think? Over this? We're at the and

1:00:00.800 --> 1:00:04.560
<v Speaker 1>she stands up for herself at work, and it's like

1:00:04.920 --> 1:00:07.080
<v Speaker 1>a good scene, and you're like, Okay, she got what

1:00:07.160 --> 1:00:09.720
<v Speaker 1>she wanted out of that, Like she is gonna have

1:00:09.800 --> 1:00:11.840
<v Speaker 1>this job on her own terms, and she's gonna have

1:00:12.080 --> 1:00:16.720
<v Speaker 1>two days off a month, and that was a huge

1:00:16.760 --> 1:00:21.360
<v Speaker 1>win for look at her advocating for herself. She gets

1:00:21.360 --> 1:00:23.720
<v Speaker 1>four day hours with which to be a human being.

1:00:23.960 --> 1:00:27.240
<v Speaker 1>The rest you guys own, she really girl boss way

1:00:27.280 --> 1:00:30.960
<v Speaker 1>out of that one. But but I felt like, again

1:00:31.200 --> 1:00:32.440
<v Speaker 1>like I was trying to figure out. I was like,

1:00:32.440 --> 1:00:33.880
<v Speaker 1>how does the movie want me to feel in this moment?

1:00:34.000 --> 1:00:36.800
<v Speaker 1>I felt like it was like, Wow, because of Brian's love,

1:00:37.360 --> 1:00:40.040
<v Speaker 1>I'm able to stand up for myself now, which doesn't

1:00:40.080 --> 1:00:44.240
<v Speaker 1>even track with their relationship, Like it just was like, yeah,

1:00:44.280 --> 1:00:46.400
<v Speaker 1>I guess that this is what happens in two thousand

1:00:46.480 --> 1:00:48.800
<v Speaker 1>six rom coms at this point. But it's like I

1:00:48.840 --> 1:00:51.400
<v Speaker 1>liked the read of that scene where she's like spent

1:00:51.480 --> 1:00:54.000
<v Speaker 1>a lot of the movie figuring out what she wants

1:00:54.120 --> 1:00:55.960
<v Speaker 1>and what she doesn't want and like what she will

1:00:56.240 --> 1:00:59.240
<v Speaker 1>accept his treatment and what she won't, even though accepting

1:00:59.240 --> 1:01:02.240
<v Speaker 1>Brian makes no sense. Um, if your standards are are

1:01:02.360 --> 1:01:05.800
<v Speaker 1>raising throughout the movie. But I don't know. I felt

1:01:05.800 --> 1:01:08.960
<v Speaker 1>like it was like, oh, and because Brian's Dick taught

1:01:09.000 --> 1:01:12.280
<v Speaker 1>me so much, I can now stand up for myself

1:01:12.320 --> 1:01:16.720
<v Speaker 1>at accountants And I don't know, but I couldn't tell. No,

1:01:16.800 --> 1:01:20.000
<v Speaker 1>I don't that. I feel like that that makes me

1:01:20.080 --> 1:01:23.440
<v Speaker 1>not question that you don't believe my experience. That's a

1:01:23.560 --> 1:01:27.840
<v Speaker 1>magical that's I don't think I've had dick that does that. No,

1:01:28.560 --> 1:01:33.080
<v Speaker 1>I've yet dick that makes you feel confident. Interesting. But

1:01:33.200 --> 1:01:37.560
<v Speaker 1>I agree with you, Jamie as far as that the way. Sorry,

1:01:37.600 --> 1:01:43.680
<v Speaker 1>I'm looking something up on girl foot. Um No, but

1:01:43.680 --> 1:01:45.640
<v Speaker 1>I know what you mean. I think that that is

1:01:45.680 --> 1:01:48.160
<v Speaker 1>the intention of the movie. Like he broke her out

1:01:48.160 --> 1:01:50.919
<v Speaker 1>of her shell, like he he does the whole Jack

1:01:50.960 --> 1:01:54.040
<v Speaker 1>Dawson thing to Rose where it's like I'm a free

1:01:54.040 --> 1:01:56.680
<v Speaker 1>spirit and I am helping you to open up blah

1:01:56.680 --> 1:01:59.240
<v Speaker 1>blah blah, even though she has her friends to do that. Whatever.

1:01:59.520 --> 1:02:03.160
<v Speaker 1>But going back to the part that feels dated to

1:02:03.240 --> 1:02:07.080
<v Speaker 1>me about like this representation of these like rich and

1:02:07.080 --> 1:02:10.960
<v Speaker 1>successful black people. Is that that is accompanied by a

1:02:10.960 --> 1:02:15.760
<v Speaker 1>lot of classism, where like Donald Fazons like, oh, I'm

1:02:15.760 --> 1:02:17.640
<v Speaker 1>not going to shake hands with him, he's the help.

1:02:18.720 --> 1:02:23.640
<v Speaker 1>Cheryl her Kenya's friend starts dating Mike Epps, who is

1:02:24.640 --> 1:02:27.960
<v Speaker 1>I'm not exactly sure his job. I don't know if

1:02:28.000 --> 1:02:31.120
<v Speaker 1>he's like a fancy chef or if he's like a

1:02:31.200 --> 1:02:34.320
<v Speaker 1>line cook. I don't feel is unclear in this movie,

1:02:34.440 --> 1:02:37.680
<v Speaker 1>but she perceives him to be lower class because she's like, oh,

1:02:37.680 --> 1:02:39.280
<v Speaker 1>how come the only guys who like me are the

1:02:39.320 --> 1:02:43.200
<v Speaker 1>ones like wearing an apron and a named They end

1:02:43.280 --> 1:02:45.880
<v Speaker 1>up getting together and I think getting married. But I

1:02:45.920 --> 1:02:47.440
<v Speaker 1>guess what I'm saying is I think there could have

1:02:47.480 --> 1:02:53.160
<v Speaker 1>been a more interesting intersectional approach to this, just kind

1:02:53.160 --> 1:02:58.160
<v Speaker 1>of like romance and just like interpersonal relationships in general.

1:02:58.680 --> 1:03:01.400
<v Speaker 1>But they are classist in a way that I tend

1:03:01.440 --> 1:03:05.360
<v Speaker 1>to associate more with rich white people. I mean, anyone

1:03:05.400 --> 1:03:08.080
<v Speaker 1>can be classist. The point is, I think that those

1:03:08.160 --> 1:03:11.480
<v Speaker 1>characters attitudes would be handled differently if this movie came

1:03:11.520 --> 1:03:15.800
<v Speaker 1>out today. Yes, agree, because I think we do have

1:03:15.880 --> 1:03:19.920
<v Speaker 1>more class consciousness and it is very frustrating. Um. I

1:03:20.000 --> 1:03:22.400
<v Speaker 1>was raised of course not only in a black home,

1:03:22.440 --> 1:03:24.960
<v Speaker 1>but a religious black home, and like a lot of

1:03:24.960 --> 1:03:27.840
<v Speaker 1>my family is still Republican, but there is this very

1:03:27.920 --> 1:03:32.280
<v Speaker 1>deep tie to know we are going to prove racist

1:03:32.360 --> 1:03:36.760
<v Speaker 1>wrong by out capitalist ng them, and so we're gonna

1:03:37.000 --> 1:03:39.440
<v Speaker 1>We're like, if we have more money, we show that

1:03:39.520 --> 1:03:42.000
<v Speaker 1>we are valuable and that we are not the thing

1:03:42.040 --> 1:03:46.000
<v Speaker 1>that racists think we are. If we do this elaborate sharade,

1:03:46.080 --> 1:03:48.800
<v Speaker 1>which is what Casilians are, where it's like we're like

1:03:48.920 --> 1:03:51.400
<v Speaker 1>society too, if we can do this just as well,

1:03:51.480 --> 1:03:54.439
<v Speaker 1>like we're and I'm like, let's step away from that.

1:03:54.560 --> 1:03:58.320
<v Speaker 1>Maybe we have value because they're human beings. We don't

1:03:58.320 --> 1:04:01.400
<v Speaker 1>have that value because we're wealthy. It's a frustrating thing

1:04:01.400 --> 1:04:03.439
<v Speaker 1>that they do, and I think specifically in the early

1:04:03.480 --> 1:04:06.120
<v Speaker 1>two thousands where it's like, Okay, we want to show

1:04:06.280 --> 1:04:08.520
<v Speaker 1>black people, but we don't want to fall into stereotypes.

1:04:08.720 --> 1:04:11.000
<v Speaker 1>So all of them have to be kind of perfect,

1:04:11.600 --> 1:04:14.440
<v Speaker 1>all of them have to be professional, all of them

1:04:14.480 --> 1:04:16.600
<v Speaker 1>have to have money, all of them have to be

1:04:16.640 --> 1:04:20.520
<v Speaker 1>in this way because that shows we've advanced versus that

1:04:20.600 --> 1:04:24.440
<v Speaker 1>shows some really flat characters like Kenya, Like that's how

1:04:24.480 --> 1:04:30.200
<v Speaker 1>you get I love beige interesting, and I don't necessarily

1:04:30.240 --> 1:04:33.520
<v Speaker 1>like blame the characters for having that kind of mindset

1:04:33.520 --> 1:04:35.880
<v Speaker 1>of being like, we have to be like the richest

1:04:36.000 --> 1:04:39.360
<v Speaker 1>people in the community to prove our worth because we've

1:04:39.360 --> 1:04:43.360
<v Speaker 1>all been brainwashed by capitalism, and certainly in two thousands six,

1:04:43.480 --> 1:04:48.120
<v Speaker 1>like there was not that much challenging of class, at

1:04:48.200 --> 1:04:51.600
<v Speaker 1>least in the main strand exactly, I'm thinking of Paris

1:04:51.640 --> 1:04:53.840
<v Speaker 1>Hilton wearing a shirt that has stop being poor, and

1:04:53.880 --> 1:04:58.560
<v Speaker 1>that was like, God, what probably that's about. Yeah, so

1:04:58.640 --> 1:05:04.160
<v Speaker 1>I get that happened because we were all poisoned by

1:05:04.200 --> 1:05:07.360
<v Speaker 1>the sickness that is capitalism. But but yeah, I'm glad

1:05:07.400 --> 1:05:11.760
<v Speaker 1>that we are stepping away from that to some degree.

1:05:13.320 --> 1:05:16.520
<v Speaker 1>And when you when you like put the sort of

1:05:16.560 --> 1:05:19.880
<v Speaker 1>like the racing class intersection of this movie the way

1:05:19.880 --> 1:05:23.320
<v Speaker 1>you just did conu it's weird because it's like, I

1:05:23.320 --> 1:05:26.400
<v Speaker 1>don't know, I'm like, maybe it just is the time

1:05:26.520 --> 1:05:28.480
<v Speaker 1>that this was written and released in, because it's not

1:05:28.560 --> 1:05:32.240
<v Speaker 1>like this movie isn't set up to have that discussion.

1:05:32.400 --> 1:05:34.560
<v Speaker 1>It's just like, because this movie is trying to have

1:05:34.600 --> 1:05:38.200
<v Speaker 1>a lot of discussions, you know, to varying degrees of success.

1:05:38.200 --> 1:05:40.240
<v Speaker 1>As we're talking about but like I think it's like

1:05:40.880 --> 1:05:43.360
<v Speaker 1>cool and like ambitious and different of like a lot

1:05:43.400 --> 1:05:46.560
<v Speaker 1>of the conversations this movie is at least attempting, but

1:05:46.680 --> 1:05:49.880
<v Speaker 1>like Class isn't really one of them. And I feel

1:05:49.880 --> 1:05:53.200
<v Speaker 1>like in certain moments it's like I don't know. I mean,

1:05:53.240 --> 1:05:56.360
<v Speaker 1>I don't know in a way that felt like I

1:05:56.400 --> 1:05:58.040
<v Speaker 1>think I understand what the writer is going for it,

1:05:58.080 --> 1:05:59.760
<v Speaker 1>but it just kind of came off a little flat

1:05:59.840 --> 1:06:03.520
<v Speaker 1>because you know, it's like Brian does have less money

1:06:03.560 --> 1:06:07.360
<v Speaker 1>than Kenya, it doesn't seem to generally bother him. But

1:06:07.480 --> 1:06:10.920
<v Speaker 1>there is one scene where they're arguing about race, and

1:06:10.960 --> 1:06:13.120
<v Speaker 1>it's also like this is unrelated, but that stage is

1:06:13.200 --> 1:06:15.200
<v Speaker 1>very blue. Um. I was like, why is this seeing

1:06:15.280 --> 1:06:19.640
<v Speaker 1>so blue? Grocery store lighting is famously so blue, so

1:06:19.840 --> 1:06:23.600
<v Speaker 1>it's very music video lighting because you're like it's blue. Um.

1:06:23.640 --> 1:06:26.920
<v Speaker 1>But they're arguing at the at the pharmacy in the

1:06:26.920 --> 1:06:30.120
<v Speaker 1>scene where I hate Brian maybe the most, where he

1:06:30.400 --> 1:06:33.480
<v Speaker 1>is saying like can we not talk about race today?

1:06:33.520 --> 1:06:36.959
<v Speaker 1>I just need the night off, and like you're just like, wow,

1:06:37.080 --> 1:06:40.600
<v Speaker 1>strike five for Brian. Um. But he sort of brings

1:06:40.720 --> 1:06:44.320
<v Speaker 1>up he brings up class briefly in that discussion of like, well,

1:06:44.360 --> 1:06:47.040
<v Speaker 1>I don't bring up class all the time and sort

1:06:47.080 --> 1:06:51.240
<v Speaker 1>of equating these issues, and it's like it just feels

1:06:51.240 --> 1:06:53.680
<v Speaker 1>like class is almost brought up as like, well, Brian's

1:06:53.720 --> 1:06:56.040
<v Speaker 1>really oppressed too, and it's like, well, no, being a

1:06:56.080 --> 1:07:02.040
<v Speaker 1>middle class white guy, like he's he's not like but

1:07:02.360 --> 1:07:05.000
<v Speaker 1>it felt like the movie would sometimes try to approach

1:07:05.040 --> 1:07:08.640
<v Speaker 1>a discussion like that, but then it never quite like

1:07:09.040 --> 1:07:11.560
<v Speaker 1>even started the conversation, so I don't even know how

1:07:11.560 --> 1:07:14.800
<v Speaker 1>it really felt. I honestly felt the same way about

1:07:15.640 --> 1:07:22.080
<v Speaker 1>gender not being woven into the conversation that to me,

1:07:22.480 --> 1:07:27.840
<v Speaker 1>I feel like the women feel oppressed only because it's

1:07:27.880 --> 1:07:32.720
<v Speaker 1>like no one loves me, I don't have a boyfriends,

1:07:33.080 --> 1:07:37.640
<v Speaker 1>is that they aren't getting dates? Um. I mean, I

1:07:37.680 --> 1:07:42.120
<v Speaker 1>think it's open to interpretation. But for example, like when

1:07:42.200 --> 1:07:46.360
<v Speaker 1>she's talking to that client in the recap, I was like,

1:07:46.400 --> 1:07:50.440
<v Speaker 1>he's racist and also probably sexist, but like it seems

1:07:50.480 --> 1:07:54.680
<v Speaker 1>like she was only ever speaking about him undervaluing her

1:07:54.800 --> 1:07:57.720
<v Speaker 1>because she's black and not because she's a black woman,

1:07:58.080 --> 1:08:02.280
<v Speaker 1>even though this guy is probably sexist also because he

1:08:02.400 --> 1:08:06.360
<v Speaker 1>is trusting of only white men, right, It's like not

1:08:06.440 --> 1:08:09.040
<v Speaker 1>like I was, I was kind of confused of where

1:08:09.040 --> 1:08:11.240
<v Speaker 1>they not that I wanted more of her, but I

1:08:11.240 --> 1:08:14.920
<v Speaker 1>was kind of confused why we would introduce the character

1:08:15.120 --> 1:08:17.679
<v Speaker 1>Leah if because I thought I was like, oh, maybe

1:08:17.680 --> 1:08:19.360
<v Speaker 1>this is going to be a character of like how

1:08:19.439 --> 1:08:23.080
<v Speaker 1>is a white woman treated in this work setting versus

1:08:23.080 --> 1:08:24.680
<v Speaker 1>a black woman? But you never kind of see You

1:08:24.680 --> 1:08:28.040
<v Speaker 1>only see Leah worrying about her wedding dress at work,

1:08:28.720 --> 1:08:32.240
<v Speaker 1>and I think you see her work. I don't know

1:08:32.360 --> 1:08:37.320
<v Speaker 1>is she accountant to I don't know she just probably

1:08:37.880 --> 1:08:42.400
<v Speaker 1>because the women in this story, aside from Kenya, we

1:08:42.640 --> 1:08:44.960
<v Speaker 1>don't see them in the context of what they're actually

1:08:45.000 --> 1:08:49.720
<v Speaker 1>doing for work. Nope, we only know of them as

1:08:49.760 --> 1:08:53.920
<v Speaker 1>they relate to their relationships with men. So I do

1:08:54.040 --> 1:08:57.120
<v Speaker 1>think this is not an excuse for the movie. But

1:08:57.240 --> 1:09:00.880
<v Speaker 1>I do this is not a nude tests that exist.

1:09:00.920 --> 1:09:02.840
<v Speaker 1>There are so many tests for movies out there, but

1:09:03.600 --> 1:09:10.080
<v Speaker 1>I do I run a what would my mom say? Test? Okay,

1:09:10.360 --> 1:09:13.400
<v Speaker 1>if the movie has too many ideas going on, I

1:09:13.439 --> 1:09:16.960
<v Speaker 1>think people like within our age range and younger or like, yes,

1:09:17.120 --> 1:09:19.880
<v Speaker 1>we get all these, but my mom would be like,

1:09:20.080 --> 1:09:22.639
<v Speaker 1>what was that thing about that other? Like I thought

1:09:22.640 --> 1:09:24.680
<v Speaker 1>the story was about this one thing, So that I

1:09:24.720 --> 1:09:27.559
<v Speaker 1>know this one thing, but then you added some other

1:09:27.600 --> 1:09:29.800
<v Speaker 1>stuff in there. I don't know what are we talking

1:09:29.800 --> 1:09:33.559
<v Speaker 1>about now, So I will say that just having one

1:09:33.640 --> 1:09:37.840
<v Speaker 1>thing that it's talking about does lean it towards the

1:09:37.920 --> 1:09:41.080
<v Speaker 1>passing the will my mom like this test? My mom

1:09:41.160 --> 1:09:44.360
<v Speaker 1>test yes? Well? And I also want to be like

1:09:44.400 --> 1:09:47.559
<v Speaker 1>aware of like the fact that when movies are made

1:09:47.760 --> 1:09:51.879
<v Speaker 1>by people marginalize in any way, there's always additional pressures

1:09:51.920 --> 1:09:54.280
<v Speaker 1>of like you need to be saying this, this and this,

1:09:54.400 --> 1:09:56.479
<v Speaker 1>and like I don't want to be a part of

1:09:56.520 --> 1:09:59.400
<v Speaker 1>that problem of like why didn't this movie attack every

1:09:59.439 --> 1:10:04.679
<v Speaker 1>single her sexual issue with black women's face. Why it's like, well,

1:10:04.920 --> 1:10:08.360
<v Speaker 1>shut up, you don't ask that of most movies. Um,

1:10:08.400 --> 1:10:12.280
<v Speaker 1>I think that like the reason and also like listeners,

1:10:12.280 --> 1:10:14.920
<v Speaker 1>if you disagree with the approach, like let us know,

1:10:15.080 --> 1:10:18.720
<v Speaker 1>I think that the reason that it feels very relevant

1:10:18.760 --> 1:10:21.160
<v Speaker 1>to this movie is because it seems to be this

1:10:21.280 --> 1:10:26.439
<v Speaker 1>movie's agenda. But I agree with you and your mom's

1:10:26.479 --> 1:10:31.800
<v Speaker 1>theoretical opinion of of like it seems like possibly like

1:10:31.880 --> 1:10:34.400
<v Speaker 1>Chris Turner was like, I need to choose, you know,

1:10:34.520 --> 1:10:37.000
<v Speaker 1>what am I going to focus on? And she chooses,

1:10:37.680 --> 1:10:40.479
<v Speaker 1>you know, race specifically to focus on. But I do,

1:10:40.600 --> 1:10:43.559
<v Speaker 1>but it's like there was definitely room and and kind

1:10:43.560 --> 1:10:46.360
<v Speaker 1>of like the characters were there to talk a little

1:10:46.360 --> 1:10:49.120
<v Speaker 1>more about gender. I would love for one of them

1:10:49.120 --> 1:10:54.360
<v Speaker 1>to have a passion, just sing passion. And there are

1:10:54.400 --> 1:10:56.000
<v Speaker 1>a few things set up at the beginning of this

1:10:56.000 --> 1:10:59.280
<v Speaker 1>movie that I feel like kind of fell to quote

1:10:59.479 --> 1:11:01.320
<v Speaker 1>my favorite song from a Star is Born by the

1:11:01.360 --> 1:11:05.599
<v Speaker 1>Wayside because of Brian, and I know that he's romantically

1:11:05.600 --> 1:11:07.719
<v Speaker 1>in the round call whatever. But it's like at the beginning,

1:11:07.760 --> 1:11:11.439
<v Speaker 1>you set up that Kenya is an inherently optimistic character,

1:11:11.720 --> 1:11:13.439
<v Speaker 1>which kind of seems to go away, and then you

1:11:13.479 --> 1:11:17.360
<v Speaker 1>also set up this like friendship, this very two thousand's

1:11:17.400 --> 1:11:21.280
<v Speaker 1>friendship dynamic, and as weird as that friendship dynamic is,

1:11:21.360 --> 1:11:24.680
<v Speaker 1>and it's like the four women, you know, that could

1:11:24.720 --> 1:11:26.479
<v Speaker 1>be a really fun dynamic to watch, but the movie

1:11:26.560 --> 1:11:28.439
<v Speaker 1>kind of bails on that also, and then they kind

1:11:28.439 --> 1:11:30.840
<v Speaker 1>of only come back to be like, come on, give

1:11:30.880 --> 1:11:33.400
<v Speaker 1>Brian a chance, or depending on the needs of the scene,

1:11:33.760 --> 1:11:36.720
<v Speaker 1>come on, give Blair under what a chance? Like what,

1:11:37.720 --> 1:11:41.360
<v Speaker 1>So they kind of bail on the girlfriend slash sacks

1:11:41.360 --> 1:11:44.000
<v Speaker 1>in the city slash living single setup that we get

1:11:44.000 --> 1:11:45.599
<v Speaker 1>at the beginning, and I kind of. I was bummed

1:11:45.600 --> 1:11:47.559
<v Speaker 1>about that. I wanted more of it, and I wanted more.

1:11:47.720 --> 1:11:51.600
<v Speaker 1>It's like you hired Alfrey Woodard and then you and

1:11:51.640 --> 1:11:54.360
<v Speaker 1>then you did nothing with her. Come on, gave the

1:11:54.400 --> 1:11:58.559
<v Speaker 1>big speech to the dad. Yeah, yeah, okay, sorry. Just

1:11:58.640 --> 1:12:01.920
<v Speaker 1>when you said that, I was like, okay, new reality show, guys,

1:12:02.080 --> 1:12:05.840
<v Speaker 1>and this idea. Don't steal anyone who's listening. But it's

1:12:05.840 --> 1:12:10.240
<v Speaker 1>a competition for four person friend group, okay. And we've

1:12:10.240 --> 1:12:14.360
<v Speaker 1>got people, different contestants vying for the different roles. We've

1:12:14.360 --> 1:12:16.000
<v Speaker 1>got to have one horny one, we've got to have

1:12:16.040 --> 1:12:18.679
<v Speaker 1>one up tight one. We've got to have like all

1:12:18.680 --> 1:12:21.679
<v Speaker 1>these different like one pragmatic, it's the it's the Ninja

1:12:21.720 --> 1:12:26.240
<v Speaker 1>Turtles groups. Like four types of people are all representatives

1:12:26.360 --> 1:12:30.320
<v Speaker 1>ninja turtles, and they're often represented in these friend groups

1:12:30.360 --> 1:12:33.880
<v Speaker 1>as well. So yeah, competition, show love it. I'm like

1:12:33.960 --> 1:12:37.639
<v Speaker 1>to do the four friends exist for men? As my guess,

1:12:37.800 --> 1:12:40.120
<v Speaker 1>Ninja Ninja Turtles falls into it. I don't think they

1:12:40.240 --> 1:12:44.160
<v Speaker 1>value friendship, but they don't. I don't think they do that.

1:12:44.920 --> 1:12:48.519
<v Speaker 1>Do men have friend groups that aren't just like this

1:12:48.600 --> 1:12:51.439
<v Speaker 1>is cheese, This is cheese too. We went to college together.

1:12:51.680 --> 1:12:53.720
<v Speaker 1>That's as much as we've talked about it, that's it.

1:12:54.200 --> 1:12:56.280
<v Speaker 1>And then I feel like the permutation of that that

1:12:56.400 --> 1:12:58.400
<v Speaker 1>was in like kids media that I was really into

1:12:58.400 --> 1:13:01.080
<v Speaker 1>in the Chee thousands, where like the three friends, the

1:13:01.120 --> 1:13:03.120
<v Speaker 1>two girls and the one guy, and you had and

1:13:03.160 --> 1:13:05.479
<v Speaker 1>then you had to end up with or the two

1:13:05.479 --> 1:13:07.760
<v Speaker 1>guys in the one girl. I mean, because you have

1:13:08.000 --> 1:13:11.280
<v Speaker 1>Harry Potter set ups versus Lissi McGuire setups. Okay, it's

1:13:11.280 --> 1:13:14.000
<v Speaker 1>all making sense in my head. There's ven diagrams coming together.

1:13:14.240 --> 1:13:17.120
<v Speaker 1>I'll release my charge. I was thinking Dawson, Pacy, Joey.

1:13:17.160 --> 1:13:20.479
<v Speaker 1>But yeah, yes, yes, the three the three friends, but

1:13:20.600 --> 1:13:23.600
<v Speaker 1>that's the teenage setup. Once you're an adult, all the

1:13:23.680 --> 1:13:27.200
<v Speaker 1>friends need to identify as the same gender, and they

1:13:27.439 --> 1:13:30.880
<v Speaker 1>you can't remember how they met. That make one more.

1:13:30.920 --> 1:13:32.840
<v Speaker 1>What we do? What do we do together? We drink together?

1:13:32.880 --> 1:13:37.720
<v Speaker 1>That's it? What are you talking about? I did love

1:13:37.800 --> 1:13:42.200
<v Speaker 1>it was there. There's I just love the amount of

1:13:43.080 --> 1:13:46.840
<v Speaker 1>gigantic wineglasses in this genre. But it was reminding me

1:13:46.920 --> 1:13:50.320
<v Speaker 1>of like my days of watching Too Much Scandal where

1:13:50.400 --> 1:13:54.559
<v Speaker 1>she was drinking Olivia Pope sized why, Like I just

1:13:54.840 --> 1:13:57.840
<v Speaker 1>you're like, generally you don't fill the wine glass to

1:13:58.000 --> 1:14:02.920
<v Speaker 1>the top. But in in rom coms, you do you do,

1:14:03.040 --> 1:14:04.920
<v Speaker 1>and then you talk to your dad on the phone.

1:14:05.200 --> 1:14:08.280
<v Speaker 1>Did you guys ever see the girl at the woman

1:14:08.400 --> 1:14:10.880
<v Speaker 1>in the window across the street from the girl in

1:14:10.880 --> 1:14:13.080
<v Speaker 1>the house or something like that. I don't remember the

1:14:13.120 --> 1:14:15.160
<v Speaker 1>full title. It was a long title. But Kristen Bell

1:14:15.320 --> 1:14:17.240
<v Speaker 1>has like a glass of wine and empty is an

1:14:17.360 --> 1:14:20.360
<v Speaker 1>entire bottle of wine into the glass and just walks

1:14:20.400 --> 1:14:25.000
<v Speaker 1>around like delicately holdingness absolutely massive, completely full glass of wine.

1:14:25.160 --> 1:14:27.400
<v Speaker 1>That's what all of these movies need. I support it.

1:14:27.439 --> 1:14:33.080
<v Speaker 1>I really appreciate the rom com Poor, Heavy Poor. If

1:14:33.080 --> 1:14:34.920
<v Speaker 1>I opened a restaurant, I'm not saying I will, but

1:14:35.000 --> 1:14:36.880
<v Speaker 1>I would have that on the media would be you

1:14:36.920 --> 1:14:39.599
<v Speaker 1>can have a size like a regular or a rom

1:14:39.680 --> 1:14:43.599
<v Speaker 1>com pour which is just like a huge glass of wine. Yeah,

1:14:44.000 --> 1:14:47.599
<v Speaker 1>you have so many good ideas, this reality show, this

1:14:48.000 --> 1:14:51.120
<v Speaker 1>wine bar slash restaurant, yep hire me um. I can

1:14:51.240 --> 1:14:52.880
<v Speaker 1>try to make these things or I can just generate

1:14:52.960 --> 1:14:57.080
<v Speaker 1>dumb ideas for you until the day you die. I

1:14:57.120 --> 1:15:01.600
<v Speaker 1>want to go back to that grocery store scene because

1:15:02.000 --> 1:15:05.680
<v Speaker 1>I feel like Kenny is giving a couple. It's like

1:15:05.680 --> 1:15:07.200
<v Speaker 1>a back and forth, but there are a few chunks

1:15:07.200 --> 1:15:11.000
<v Speaker 1>where she's like kind of monologueing, and I felt it

1:15:11.040 --> 1:15:14.000
<v Speaker 1>was she was like providing effective commentary, and it felt

1:15:14.040 --> 1:15:17.000
<v Speaker 1>like this was like kind of the scene that like

1:15:17.040 --> 1:15:21.040
<v Speaker 1>the movie was like this is what we want to say.

1:15:21.120 --> 1:15:23.880
<v Speaker 1>But then also not because she gets married with him

1:15:23.920 --> 1:15:28.560
<v Speaker 1>after like barely apologizing, so I don't know, it's confusing,

1:15:28.600 --> 1:15:31.880
<v Speaker 1>but she says things like after Brian is like, I

1:15:31.960 --> 1:15:34.040
<v Speaker 1>don't want to talk about this tonight. It makes me

1:15:34.040 --> 1:15:38.160
<v Speaker 1>feel uncomfortable, And she says, first of all, you don't

1:15:38.160 --> 1:15:40.559
<v Speaker 1>have to talk about being white, because no one reminds

1:15:40.560 --> 1:15:42.760
<v Speaker 1>you every day that you're white. The only time you

1:15:42.840 --> 1:15:45.000
<v Speaker 1>guys know you're white is when you're in a room

1:15:45.000 --> 1:15:47.600
<v Speaker 1>full of black people. I'm in a world full of

1:15:47.600 --> 1:15:50.519
<v Speaker 1>white people, and every day they remind me that I'm black.

1:15:51.040 --> 1:15:53.280
<v Speaker 1>And if I can't talk to you about my frustrations,

1:15:53.720 --> 1:15:55.960
<v Speaker 1>if I'm supposed to just keep that to myself. And

1:15:56.000 --> 1:15:58.960
<v Speaker 1>then he interrupts her and it's like, well, you're a

1:15:59.040 --> 1:16:01.640
<v Speaker 1>senior manager at of the whitest firms in the country.

1:16:01.960 --> 1:16:06.679
<v Speaker 1>You graduated these like Ivy League schools, you own a home,

1:16:06.760 --> 1:16:10.400
<v Speaker 1>you earn more money thancent of the country. He's like, no,

1:16:10.720 --> 1:16:15.840
<v Speaker 1>I'm oppressed, and you're like yeah, and then he's like,

1:16:16.240 --> 1:16:18.439
<v Speaker 1>you make more money than me, so yeah, tell me

1:16:18.479 --> 1:16:22.040
<v Speaker 1>about your frustrations. He's like, being very sarcastic, and then

1:16:22.120 --> 1:16:24.360
<v Speaker 1>she says, you don't want to hear it. You don't

1:16:24.360 --> 1:16:26.439
<v Speaker 1>want to hear about when I show up at an

1:16:26.439 --> 1:16:29.160
<v Speaker 1>account meeting, they always have to regroup when they find

1:16:29.160 --> 1:16:31.120
<v Speaker 1>out that I'm the one who is responsible for their

1:16:31.200 --> 1:16:34.479
<v Speaker 1>multimillion dollar acquisition. They'd rather trust it to a file

1:16:34.520 --> 1:16:38.040
<v Speaker 1>clerk who gets me my goddamn coffee. Again some more

1:16:38.080 --> 1:16:41.599
<v Speaker 1>classism um because he's white, and do you know how

1:16:41.640 --> 1:16:45.080
<v Speaker 1>insulting that is? And then she goes on to say,

1:16:45.520 --> 1:16:47.080
<v Speaker 1>you know, I need to be able to talk to

1:16:47.120 --> 1:16:49.680
<v Speaker 1>you about this stuff. I'm not going to keep it

1:16:49.720 --> 1:16:53.679
<v Speaker 1>to myself or deny who I am. He says all

1:16:53.720 --> 1:16:56.000
<v Speaker 1>I wanted was a night off, and she says, well,

1:16:56.040 --> 1:16:58.360
<v Speaker 1>that's what being black is, Brian, you don't get a

1:16:58.479 --> 1:17:02.040
<v Speaker 1>night off. And he's like well, and then he and

1:17:02.040 --> 1:17:04.760
<v Speaker 1>then he says, I'm never going to be on the

1:17:04.840 --> 1:17:07.559
<v Speaker 1>right side of the war going on in your head

1:17:08.320 --> 1:17:10.920
<v Speaker 1>to me, implying like this is all in her head.

1:17:11.800 --> 1:17:18.680
<v Speaker 1>Brian is constantly calling her hysterical for experiencing systemic racism,

1:17:18.080 --> 1:17:22.040
<v Speaker 1>and I can't say, Brian. And then so he's like,

1:17:22.280 --> 1:17:23.880
<v Speaker 1>you know what, I'm never going to be on the

1:17:24.000 --> 1:17:26.000
<v Speaker 1>right side of this because I'm not black and I'm

1:17:26.040 --> 1:17:28.799
<v Speaker 1>never going to be black. Also, after what a couple

1:17:28.840 --> 1:17:32.559
<v Speaker 1>of conversations, you've decided there's no more I could learn.

1:17:33.080 --> 1:17:36.000
<v Speaker 1>I'm done, and therefore I'll never get to the point

1:17:36.080 --> 1:17:39.040
<v Speaker 1>where I understand other people or what they're going through.

1:17:39.080 --> 1:17:42.559
<v Speaker 1>I can't. It's not possible, and it's unreasonable for you

1:17:42.600 --> 1:17:45.320
<v Speaker 1>to expect me to do these things. And the fact this,

1:17:45.479 --> 1:17:48.320
<v Speaker 1>and then he later says he's like I'm sorry, Like

1:17:48.360 --> 1:17:51.000
<v Speaker 1>he does apologize, but he's like, I'm sorry. Someone left

1:17:51.040 --> 1:17:55.720
<v Speaker 1>work and I was like, so you did that? That

1:17:55.880 --> 1:17:58.800
<v Speaker 1>was your response. I was having a bad day. So hey,

1:17:58.880 --> 1:18:01.040
<v Speaker 1>if anyone walks off the job again, you're gonna have

1:18:01.120 --> 1:18:02.800
<v Speaker 1>to deal with it. Just so you know what I'm

1:18:02.800 --> 1:18:05.000
<v Speaker 1>marriage is gonna be like, it's gonna be under you.

1:18:05.040 --> 1:18:06.760
<v Speaker 1>I'm gonna say some racist but it's because I had

1:18:06.760 --> 1:18:11.040
<v Speaker 1>a hard days. When I have a hard day, I

1:18:11.120 --> 1:18:14.920
<v Speaker 1>get the night off from discussing racism with my girlfriend

1:18:14.960 --> 1:18:19.920
<v Speaker 1>who's experiencing racism on a constant basis seems reasonable. And

1:18:19.960 --> 1:18:22.720
<v Speaker 1>then at the end of that scene, the scene where

1:18:22.760 --> 1:18:26.280
<v Speaker 1>he comes to her house and apologizes, he says, like

1:18:27.200 --> 1:18:30.080
<v Speaker 1>to be fair, he says like, I may not always relate,

1:18:30.240 --> 1:18:34.400
<v Speaker 1>but I can promise I will empathize, right, But then

1:18:34.840 --> 1:18:37.840
<v Speaker 1>he says it would be a shame to let something

1:18:38.000 --> 1:18:43.760
<v Speaker 1>so superficial get in our way, as if racism is superficial.

1:18:44.000 --> 1:18:47.040
<v Speaker 1>That felt to me, I'm curious, okay, if I was,

1:18:47.479 --> 1:18:49.120
<v Speaker 1>let me know if we were reading this the same way.

1:18:49.200 --> 1:18:52.920
<v Speaker 1>I felt like there was a very like of the

1:18:53.080 --> 1:18:58.559
<v Speaker 1>era color metaphor being made with Brian's arc and story

1:18:58.640 --> 1:19:02.800
<v Speaker 1>specifically where he's like saying very surface level, but it's

1:19:02.800 --> 1:19:05.559
<v Speaker 1>like he's using like kind of Sesame Street logic that

1:19:05.720 --> 1:19:09.479
<v Speaker 1>is true, but ignores the complicated issues that I thought

1:19:09.479 --> 1:19:11.240
<v Speaker 1>this movie was supposed to be about. Where he's like,

1:19:11.439 --> 1:19:13.800
<v Speaker 1>it's just the color of your skin, and you're like, yes,

1:19:13.880 --> 1:19:17.519
<v Speaker 1>that is the Sesame Street lesson, but Kenya is talking

1:19:17.520 --> 1:19:22.240
<v Speaker 1>about society, living in a society, and this isn't sesame Street.

1:19:22.280 --> 1:19:25.400
<v Speaker 1>But then there are like Sesame Street like where he's like,

1:19:26.120 --> 1:19:28.680
<v Speaker 1>you need more color in your life, like there's all

1:19:28.720 --> 1:19:32.360
<v Speaker 1>these like color metaphors, and Ryan's constantly bringing them up,

1:19:32.400 --> 1:19:35.200
<v Speaker 1>and I never really know what he's talking about. And

1:19:35.200 --> 1:19:38.880
<v Speaker 1>and then he's like telling her she's kind of being hysterical,

1:19:39.040 --> 1:19:43.000
<v Speaker 1>and so it doesn't quite it never really scans that,

1:19:43.160 --> 1:19:45.360
<v Speaker 1>like whatever, it didn't quite work for me. Yeah, the

1:19:45.400 --> 1:19:47.880
<v Speaker 1>nail they have the nail nail polished scene. He okay,

1:19:47.960 --> 1:19:51.519
<v Speaker 1>we don't know what he's talking about at first, and

1:19:51.560 --> 1:19:55.200
<v Speaker 1>he says, I know you're sensitive about color, but we

1:19:55.240 --> 1:19:58.240
<v Speaker 1>can just keep this a little secret. And you think

1:19:58.280 --> 1:20:01.080
<v Speaker 1>maybe he's talking about their relationship and her being quote

1:20:01.120 --> 1:20:05.599
<v Speaker 1>unquote sensitive about color, referring to race. But then he's like,

1:20:05.920 --> 1:20:10.800
<v Speaker 1>ha ha ha, I'm painting your toenails red and fake out,

1:20:11.320 --> 1:20:13.960
<v Speaker 1>and like that's obviously the job. So was he good

1:20:14.000 --> 1:20:17.800
<v Speaker 1>at this? I'm sorry that was like, like, is he

1:20:17.840 --> 1:20:21.760
<v Speaker 1>painted a lot of toes before, because otherwise he's gonna

1:20:21.800 --> 1:20:23.679
<v Speaker 1>be bad at it and you're gonna have to get

1:20:23.760 --> 1:20:28.599
<v Speaker 1>rid of it. Right, he's a he's on wikifie. He's

1:20:28.600 --> 1:20:33.600
<v Speaker 1>a COMPLICATID Okay, Okay, he's been practicing, okay, and that

1:20:33.800 --> 1:20:37.200
<v Speaker 1>like I mean that, like it just feels like muddled metaphors.

1:20:37.200 --> 1:20:40.400
<v Speaker 1>Because that like works as a bad rom com metaphor

1:20:40.439 --> 1:20:42.720
<v Speaker 1>of like you need like because that's like a lot

1:20:42.760 --> 1:20:46.840
<v Speaker 1>of how I feel like we convince ourselves that, like

1:20:46.960 --> 1:20:49.360
<v Speaker 1>a professional woman should be with a crummy guy, of

1:20:49.439 --> 1:20:53.280
<v Speaker 1>like I opened your mind to like fun, you know,

1:20:53.360 --> 1:20:57.200
<v Speaker 1>I'm like, that's so. I don't know why Knocked Up

1:20:57.240 --> 1:21:00.360
<v Speaker 1>is the first movie that jumped to my mind of like, yeah,

1:21:00.479 --> 1:21:04.000
<v Speaker 1>sure I fucking suck, but like, aren't it a good time?

1:21:04.280 --> 1:21:08.639
<v Speaker 1>You're too uptight? So love me more color, more fun.

1:21:08.840 --> 1:21:13.639
<v Speaker 1>But because their story is so based in race as well,

1:21:13.720 --> 1:21:16.160
<v Speaker 1>and like the mess, like the lessons they're learning are

1:21:16.200 --> 1:21:18.880
<v Speaker 1>supposed to be grounded there, it just gets really like

1:21:19.520 --> 1:21:22.760
<v Speaker 1>muddled and I don't know, it wasn't scanning for me

1:21:22.840 --> 1:21:27.080
<v Speaker 1>quite right. I appreciate that there is a rom com

1:21:27.080 --> 1:21:32.080
<v Speaker 1>that tries to tackle this subject matter. Again, there had

1:21:32.240 --> 1:21:36.679
<v Speaker 1>been very few before this, and honestly not that many

1:21:36.880 --> 1:21:41.720
<v Speaker 1>since um that directly address the tension that comes with

1:21:41.800 --> 1:21:45.960
<v Speaker 1>being in an interracial relationship. Again, the way this movie

1:21:46.320 --> 1:21:50.559
<v Speaker 1>addresses it does feel very of the time, but I

1:21:50.560 --> 1:21:54.320
<v Speaker 1>imagine that it lets a lot of people feel seen

1:21:54.439 --> 1:21:58.920
<v Speaker 1>and represented, or like let their relationship feel seen on screen,

1:21:59.280 --> 1:22:01.920
<v Speaker 1>and like we talk about stepping stone movies all the time,

1:22:01.960 --> 1:22:04.679
<v Speaker 1>where it's like if this movie hadn't come out, who

1:22:04.720 --> 1:22:07.720
<v Speaker 1>knows what wouldn't have been made? Or like because this

1:22:07.760 --> 1:22:10.240
<v Speaker 1>movie was well received and it seems to be a

1:22:10.280 --> 1:22:13.160
<v Speaker 1>pretty well loved movie, Like what did it make possible

1:22:13.240 --> 1:22:15.599
<v Speaker 1>for it to be made? You know? Outside of that?

1:22:16.160 --> 1:22:18.639
<v Speaker 1>So I feel like, you know, it's like it's it's

1:22:18.760 --> 1:22:21.400
<v Speaker 1>it's net good and it also I don't know. I

1:22:21.479 --> 1:22:26.400
<v Speaker 1>was just even with like the precise setting of this

1:22:26.720 --> 1:22:30.520
<v Speaker 1>movie and also with some of the themes of interracial relationships,

1:22:30.520 --> 1:22:31.920
<v Speaker 1>I was like, oh, a lot of this is actually

1:22:31.920 --> 1:22:35.840
<v Speaker 1>like similar themes are touched on in a better modern

1:22:35.920 --> 1:22:39.720
<v Speaker 1>way in like the later seasons of Insecure. I mean,

1:22:39.760 --> 1:22:41.439
<v Speaker 1>but again, it's like if you can think of that

1:22:41.560 --> 1:22:45.240
<v Speaker 1>few examples, like maybe there's I'm sure there's plenty that

1:22:45.320 --> 1:22:50.720
<v Speaker 1>I just don't I didn't personally obsessively consume. But you know,

1:22:50.800 --> 1:22:54.360
<v Speaker 1>it's like it's an under explored topic, but at least

1:22:54.400 --> 1:22:59.599
<v Speaker 1>it's nice to know it's been explored better since. Yes,

1:23:00.040 --> 1:23:01.800
<v Speaker 1>trying to think of a more delicate word than better,

1:23:02.840 --> 1:23:05.360
<v Speaker 1>I'm sure it exists. I think I think that is great. Yeah,

1:23:06.280 --> 1:23:11.040
<v Speaker 1>I want to talk briefly about Mark, the Blair Underwood character,

1:23:11.840 --> 1:23:16.200
<v Speaker 1>mostly to say that Mark such a dad. Every a

1:23:16.200 --> 1:23:18.360
<v Speaker 1>lot of rom comes have this guy, the other guy

1:23:18.439 --> 1:23:22.320
<v Speaker 1>who's not as cool, the flop. There was like a

1:23:22.360 --> 1:23:25.479
<v Speaker 1>movie where Michael Showalter is directed it where it's like

1:23:25.720 --> 1:23:28.439
<v Speaker 1>the Steve or the Something, but it's like I was

1:23:28.520 --> 1:23:32.599
<v Speaker 1>left at the altar gets left. Yeah, I know about

1:23:32.600 --> 1:23:35.639
<v Speaker 1>this movie. It's called Oh my gosh, what is it called.

1:23:36.240 --> 1:23:38.160
<v Speaker 1>The only joke I remember from it, if we're thinking

1:23:38.160 --> 1:23:41.120
<v Speaker 1>about the same movie is a guy is talking to

1:23:41.160 --> 1:23:44.360
<v Speaker 1>a woman and he's like, oh, I'll have my interns

1:23:44.400 --> 1:23:49.400
<v Speaker 1>assistance interns assistant call you to schedule a date. And

1:23:49.439 --> 1:23:51.639
<v Speaker 1>I was like, that's such a funny joke. But that's

1:23:51.640 --> 1:23:57.760
<v Speaker 1>the remember the back the Baxter. Yeah, a Baxter is

1:23:57.800 --> 1:24:00.080
<v Speaker 1>the nice doll guy in a romantic comedy who is

1:24:00.160 --> 1:24:02.040
<v Speaker 1>dumped at the end of the story for the protagonist.

1:24:02.320 --> 1:24:04.520
<v Speaker 1>I've never heard of this. This is a fun concept.

1:24:04.600 --> 1:24:07.000
<v Speaker 1>I wonder I kind of want to watch it. Maybe

1:24:07.040 --> 1:24:10.880
<v Speaker 1>I'm thinking, what's the movie with Amy Poehler and Paul

1:24:10.960 --> 1:24:14.880
<v Speaker 1>Rod they came together? Yes, maybe I'm thinking of that movie. Also,

1:24:15.040 --> 1:24:17.640
<v Speaker 1>one of those guys is that show Walter or is

1:24:17.640 --> 1:24:20.680
<v Speaker 1>it somebody who was in that group? Oh that one

1:24:20.680 --> 1:24:24.759
<v Speaker 1>of those maybe a David Wayne perhaps, Yeah, the State people.

1:24:25.840 --> 1:24:28.479
<v Speaker 1>I don't know. All of those movies are like all

1:24:28.600 --> 1:24:32.200
<v Speaker 1>muddled in my brain. No, wait, that was show Walter. Okay,

1:24:33.280 --> 1:24:35.000
<v Speaker 1>it might even be him that says the joke I'm

1:24:35.000 --> 1:24:37.200
<v Speaker 1>thinking of. But that might not be the movie I'm

1:24:37.240 --> 1:24:40.920
<v Speaker 1>thinking of. I don't know. Michael Showalter is like, loves

1:24:40.960 --> 1:24:43.920
<v Speaker 1>to comment on rom com trips. I wonder why why

1:24:44.080 --> 1:24:46.519
<v Speaker 1>is that we should have him on the show. Yeah,

1:24:47.280 --> 1:24:51.040
<v Speaker 1>Michael show Walter, explain yourself. Seems unusual for a man.

1:24:51.280 --> 1:24:55.080
<v Speaker 1>But I'm I'm you know, I'm here for it. Chat Yeah,

1:24:55.520 --> 1:25:00.120
<v Speaker 1>um mark. Though Blair Underwood, he tells a story to

1:25:00.240 --> 1:25:04.320
<v Speaker 1>Kenya's parents about how he lied to her in order

1:25:04.360 --> 1:25:06.760
<v Speaker 1>to trick her into hanging out with him, as if

1:25:06.760 --> 1:25:10.000
<v Speaker 1>it's a super cute story that does happen. Then her

1:25:10.040 --> 1:25:14.040
<v Speaker 1>mom is also like, that is so cute. Thankfully Kenya

1:25:14.080 --> 1:25:17.080
<v Speaker 1>breaks up with him right after that scene. But I

1:25:17.120 --> 1:25:21.720
<v Speaker 1>was like, I mean, like, I've been in relationships where like,

1:25:21.920 --> 1:25:24.400
<v Speaker 1>especially you know, if you go far back enough, I

1:25:24.400 --> 1:25:26.559
<v Speaker 1>was like, I was in relationships in college where like

1:25:27.160 --> 1:25:29.760
<v Speaker 1>the way that we started dating was like presented as

1:25:29.800 --> 1:25:32.280
<v Speaker 1>this big joke and then you repeat it back to yourself.

1:25:32.280 --> 1:25:35.360
<v Speaker 1>Now you're like, that was fucking horrible. But where people

1:25:35.400 --> 1:25:39.800
<v Speaker 1>not like, oh, we're like every story about how grandparents

1:25:39.840 --> 1:25:41.880
<v Speaker 1>meet is like the most horrifying thing I've ever heard

1:25:41.880 --> 1:25:44.920
<v Speaker 1>in my life. It's an attack. There's a wonderful I

1:25:44.920 --> 1:25:48.640
<v Speaker 1>think it's like ClickHole or the Onion article about that.

1:25:48.680 --> 1:25:51.879
<v Speaker 1>But yes, we were like, that's a crime. Now, Grandma

1:25:52.000 --> 1:25:56.479
<v Speaker 1>don't don't like that, right, Like, he followed me for

1:25:56.479 --> 1:26:00.000
<v Speaker 1>forty seven blocks until I agreed to go out with him.

1:26:00.200 --> 1:26:02.240
<v Speaker 1>He slowly wore me down until I had no will

1:26:02.320 --> 1:26:05.400
<v Speaker 1>to live. And then that's why your grand your mother exists.

1:26:05.720 --> 1:26:08.200
<v Speaker 1>My grandparents met via cat calling. I think I've told

1:26:08.200 --> 1:26:11.040
<v Speaker 1>that story on the show before, though. Yeah. Uh my

1:26:11.080 --> 1:26:13.360
<v Speaker 1>grandfother leaned out the window of his car and was

1:26:13.400 --> 1:26:16.519
<v Speaker 1>like because my grandma was walking her baby sister in

1:26:16.600 --> 1:26:19.000
<v Speaker 1>like a carriage, and then he was like, hey, is

1:26:19.040 --> 1:26:23.760
<v Speaker 1>that your baby? And she was like no. Then he's like,

1:26:23.840 --> 1:26:26.200
<v Speaker 1>let's go out because I want to put one in yet,

1:26:27.840 --> 1:26:30.240
<v Speaker 1>and then like three months later he did or something.

1:26:30.280 --> 1:26:34.720
<v Speaker 1>I don't know. I haven't checked their fun math. They're dead.

1:26:34.760 --> 1:26:39.800
<v Speaker 1>I can't ask um. But I did appreciate, Okay, getting

1:26:39.840 --> 1:26:42.040
<v Speaker 1>back to the movie, I did appreciate that that was

1:26:42.120 --> 1:26:45.639
<v Speaker 1>framed as a negative thing to have done in two

1:26:45.680 --> 1:26:49.280
<v Speaker 1>thousand six, because I wouldn't expect I wouldn't necessarily expect

1:26:49.280 --> 1:26:51.960
<v Speaker 1>that in a movie of this era. I liked when

1:26:52.200 --> 1:26:55.040
<v Speaker 1>she was like, he is a black man, he knows

1:26:55.520 --> 1:26:58.040
<v Speaker 1>something about black hair, hopefully, so for him to say

1:26:58.120 --> 1:27:00.880
<v Speaker 1>I like your hair better this way in the weave

1:27:01.760 --> 1:27:05.800
<v Speaker 1>is like, huh, okay, I get the measure of this man. No,

1:27:05.960 --> 1:27:09.120
<v Speaker 1>thank you, um, and I did. I felt connected to that.

1:27:09.160 --> 1:27:13.479
<v Speaker 1>I liked that. Meanwhile, Brian in that scene where he's like,

1:27:13.680 --> 1:27:17.600
<v Speaker 1>how does your hair work? I don't know, and she

1:27:17.720 --> 1:27:19.920
<v Speaker 1>gets out set and then he says, sorry if I

1:27:20.000 --> 1:27:22.479
<v Speaker 1>offended you, I just want to know what you look

1:27:22.560 --> 1:27:29.880
<v Speaker 1>like completely naked. Shut up? Are you joking my ass? Brian?

1:27:30.560 --> 1:27:34.519
<v Speaker 1>Shut up? It's like comical, I don't know, like they

1:27:34.600 --> 1:27:37.200
<v Speaker 1>framed it like it's a good thing that he said that. Yeah,

1:27:38.000 --> 1:27:40.360
<v Speaker 1>but no, And then in the next scene she goes

1:27:40.360 --> 1:27:42.679
<v Speaker 1>and gets her we've taken out, as if she's like, oh,

1:27:42.720 --> 1:27:45.680
<v Speaker 1>he was right, I shouldn't have Do you guys know

1:27:45.720 --> 1:27:49.280
<v Speaker 1>how much we'ves are that's an expensive proposition. Just on one.

1:27:49.520 --> 1:27:53.360
<v Speaker 1>I'd be like, yeah, we'll talk as like the next cycle,

1:27:53.400 --> 1:27:57.679
<v Speaker 1>because like this is like a time period commitment, and

1:27:57.840 --> 1:28:00.360
<v Speaker 1>at the end of this time period commitment, I might

1:28:00.439 --> 1:28:03.000
<v Speaker 1>consider that. But to go and get it cut out?

1:28:03.040 --> 1:28:05.400
<v Speaker 1>Did you just get it done? That's so much that's

1:28:05.439 --> 1:28:08.800
<v Speaker 1>like wasting so much money. That's a process. Shut up.

1:28:10.920 --> 1:28:15.000
<v Speaker 1>I really don't like. I mean, and this seems specifically

1:28:15.040 --> 1:28:18.679
<v Speaker 1>aggressive because it's he does not fucking know what he's

1:28:18.720 --> 1:28:21.840
<v Speaker 1>talking about and he doesn't have interest in really knowing

1:28:21.880 --> 1:28:24.880
<v Speaker 1>what he's talking about. But I really don't like when

1:28:25.439 --> 1:28:28.160
<v Speaker 1>in any partnership, but it's like usually a man to

1:28:28.240 --> 1:28:34.080
<v Speaker 1>a woman when they're it's like a racialized extension of

1:28:34.160 --> 1:28:37.599
<v Speaker 1>like the like you look so much better without makeup,

1:28:37.720 --> 1:28:39.559
<v Speaker 1>or like how I like to look at you, and

1:28:39.600 --> 1:28:42.240
<v Speaker 1>how I tell you you're beautiful, as how you're most beautiful,

1:28:42.400 --> 1:28:44.560
<v Speaker 1>the way you should do it if you feel beautiful,

1:28:45.200 --> 1:28:48.439
<v Speaker 1>and it happens to involve something that I don't like,

1:28:48.840 --> 1:28:51.120
<v Speaker 1>then that's not how you're beautiful, and it's like, well,

1:28:51.120 --> 1:28:55.120
<v Speaker 1>then you don't respect me. Stop. I think that he

1:28:55.160 --> 1:28:58.160
<v Speaker 1>thought he was like, oh, I want to see you

1:28:58.320 --> 1:29:00.839
<v Speaker 1>as you are. But it's like, no see her however

1:29:00.920 --> 1:29:06.479
<v Speaker 1>she wants. She's comfortable being seen. You fucking loser, Brian.

1:29:06.560 --> 1:29:10.200
<v Speaker 1>I swear to God, maybe Brian gets better. I've overtime,

1:29:10.280 --> 1:29:12.000
<v Speaker 1>like in the way that, like so many people we

1:29:12.080 --> 1:29:16.400
<v Speaker 1>know have gotten better on issues. Hopefully, maybe Brian gets better.

1:29:16.439 --> 1:29:19.680
<v Speaker 1>But as Brian stands in two thousand six, he's not.

1:29:19.760 --> 1:29:22.479
<v Speaker 1>He needs to step it up, not enough, really a lot.

1:29:23.280 --> 1:29:26.479
<v Speaker 1>But then and then it's like it's presented as and

1:29:26.520 --> 1:29:29.559
<v Speaker 1>this often does happen, but like the burden is on

1:29:30.080 --> 1:29:33.960
<v Speaker 1>her to educate him. Yeah, and it makes the changes.

1:29:34.120 --> 1:29:36.760
<v Speaker 1>He's not changing his house layout, he's not getting his

1:29:36.800 --> 1:29:40.719
<v Speaker 1>hair redund keeps bringing his dog inside. Yeah, she doesn't

1:29:40.720 --> 1:29:44.040
<v Speaker 1>like sucking dogs. Stop bringing your dog around. You live somewhere,

1:29:44.040 --> 1:29:46.680
<v Speaker 1>put it where you live. Yeah. So it's it's her

1:29:46.720 --> 1:29:50.479
<v Speaker 1>burden to to educate him and to make him aware

1:29:50.600 --> 1:29:53.800
<v Speaker 1>of all of this stuff that he's like willfully or

1:29:54.120 --> 1:29:57.720
<v Speaker 1>generally ignorant of. So that's a burden. She has the

1:29:57.760 --> 1:30:02.120
<v Speaker 1>burden to like accommodate his standards. And oh, I I fine,

1:30:02.160 --> 1:30:05.080
<v Speaker 1>I'll paint my walls because you think I should be

1:30:05.240 --> 1:30:09.960
<v Speaker 1>not liking beige. Fine, I'll take out my weave because

1:30:10.040 --> 1:30:12.439
<v Speaker 1>you want to see me with my natural hair. All

1:30:12.439 --> 1:30:15.840
<v Speaker 1>this stuff, it's frustrating. She should not accommodate any of that.

1:30:15.880 --> 1:30:18.519
<v Speaker 1>The burden should not have to be on her to

1:30:18.720 --> 1:30:21.920
<v Speaker 1>educate him about all this stuff. Also, okay, I did

1:30:22.000 --> 1:30:24.479
<v Speaker 1>laugh at the scene where she so she tells him

1:30:24.479 --> 1:30:27.080
<v Speaker 1>about the black tax and he's like, oh, I never

1:30:27.200 --> 1:30:31.599
<v Speaker 1>thought about that. The next scene is the housewarming party

1:30:31.680 --> 1:30:34.360
<v Speaker 1>she has that she has because he's like, yeah, you

1:30:34.720 --> 1:30:38.639
<v Speaker 1>look like you need to relax. Shut up, Brian. But

1:30:38.760 --> 1:30:41.519
<v Speaker 1>he's going around it's it's mostly black people at the party.

1:30:41.560 --> 1:30:43.599
<v Speaker 1>You can tell that he feels out of place, and

1:30:43.640 --> 1:30:47.120
<v Speaker 1>he's like trying to, I don't know, make friends. Mike

1:30:47.200 --> 1:30:49.040
<v Speaker 1>Epps yells at him because he's like, you're stealing my

1:30:49.080 --> 1:30:51.519
<v Speaker 1>barbecue secrets. And so he goes over to another group

1:30:51.560 --> 1:30:55.240
<v Speaker 1>of guys who are saying something like, oh, that wouldn't

1:30:55.240 --> 1:30:57.360
<v Speaker 1>have happened if it was a white guy. That white

1:30:57.360 --> 1:31:00.680
<v Speaker 1>guy would have gotten promoted. And then he tries to

1:31:01.040 --> 1:31:03.360
<v Speaker 1>Brian tries to chime in and be like, oh, were

1:31:03.400 --> 1:31:06.120
<v Speaker 1>you guys talking about the black tacks? And they're just like, what,

1:31:07.280 --> 1:31:10.240
<v Speaker 1>leave us alone. Also, I love the idea to add

1:31:10.280 --> 1:31:13.120
<v Speaker 1>a black party. The only thing we talked about is blessed.

1:31:13.800 --> 1:31:15.519
<v Speaker 1>It's a black party, so we talked about black stuff.

1:31:15.520 --> 1:31:20.120
<v Speaker 1>You know, I did think it was very funny, how like,

1:31:20.280 --> 1:31:23.519
<v Speaker 1>you know, everyone starts teasing him and making fun of

1:31:23.600 --> 1:31:28.120
<v Speaker 1>him for because that was really fucking weird. And but

1:31:28.160 --> 1:31:31.599
<v Speaker 1>then it's like this scene kind of leaves you being like, man,

1:31:31.760 --> 1:31:34.240
<v Speaker 1>Brian's not fitting in, Like well maybe if he was

1:31:34.280 --> 1:31:37.799
<v Speaker 1>being less fucking weird, there's a loss of a loser.

1:31:38.680 --> 1:31:43.200
<v Speaker 1>Also in a situation like that, just shut up and listen, Brian.

1:31:43.600 --> 1:31:47.240
<v Speaker 1>You need to learn things clearly, So shut up and learn,

1:31:47.439 --> 1:31:50.240
<v Speaker 1>Yeah and listen. I did appreciate. I mean, it's like

1:31:50.280 --> 1:31:54.040
<v Speaker 1>that there was with the people in Kenya's life. There

1:31:54.120 --> 1:31:57.880
<v Speaker 1>was kind of like a spectrum of how people felt

1:31:57.880 --> 1:32:01.320
<v Speaker 1>about Brian, where some people are like Brian, you know,

1:32:01.800 --> 1:32:05.679
<v Speaker 1>is it my Cups is like the cook character, right, yeah, yeah, Walter.

1:32:06.000 --> 1:32:08.479
<v Speaker 1>So I feel like he was generally on Brian's side

1:32:08.479 --> 1:32:10.720
<v Speaker 1>because it was like more of like a class solidarity

1:32:10.760 --> 1:32:13.280
<v Speaker 1>thing of like he's a working guy. I like him,

1:32:13.600 --> 1:32:16.000
<v Speaker 1>and then but he did first he had to come

1:32:16.040 --> 1:32:18.000
<v Speaker 1>around on right. So it's like, you like the people

1:32:18.000 --> 1:32:21.040
<v Speaker 1>in her life, are like thinking Brian is a prospect

1:32:21.120 --> 1:32:23.760
<v Speaker 1>to different degrees, and so there is she is like

1:32:23.760 --> 1:32:26.640
<v Speaker 1>surrounded by different opinions about it. But I guess just

1:32:26.680 --> 1:32:28.599
<v Speaker 1>none of the opinions quite made sense to me because

1:32:28.600 --> 1:32:31.960
<v Speaker 1>Brian sects. The one that did track the most for

1:32:32.000 --> 1:32:34.400
<v Speaker 1>me was when her friends are like, you're not going

1:32:34.439 --> 1:32:38.080
<v Speaker 1>to marry him, except she does. But before that happens,

1:32:38.400 --> 1:32:41.400
<v Speaker 1>they're like, if he can dick you down, who cares

1:32:41.640 --> 1:32:44.439
<v Speaker 1>if he's white, You're not going to marry him. Just

1:32:44.720 --> 1:32:49.080
<v Speaker 1>get it while it's there. I appreciate that, but but

1:32:49.160 --> 1:32:51.000
<v Speaker 1>that was one of the only things we knew about

1:32:51.120 --> 1:32:54.040
<v Speaker 1>Kenya really is that she didn't want a casual relationship.

1:32:54.120 --> 1:33:01.480
<v Speaker 1>She wanted a serious relationship. Any other thoughts the movie.

1:33:02.000 --> 1:33:06.400
<v Speaker 1>I would like to see another movie by this director,

1:33:06.520 --> 1:33:09.599
<v Speaker 1>because again I do like those music video like very

1:33:09.720 --> 1:33:12.320
<v Speaker 1>visual touches, uh, and I would like to see what

1:33:12.400 --> 1:33:16.240
<v Speaker 1>she does with them in another environment, hopefully that is

1:33:16.680 --> 1:33:19.960
<v Speaker 1>a little bit more up to date. Yeah, I would

1:33:20.000 --> 1:33:22.280
<v Speaker 1>like to see if she hasn't she's directed three movies,

1:33:22.320 --> 1:33:24.639
<v Speaker 1>and then I think just kind of like really leaned

1:33:24.680 --> 1:33:28.599
<v Speaker 1>into TV TV. I'm sure I've seen she she didn't

1:33:28.600 --> 1:33:32.880
<v Speaker 1>episodely she did that. She did like a Sherlock adaptation.

1:33:33.720 --> 1:33:35.960
<v Speaker 1>I would love to see another movie from her, because

1:33:35.960 --> 1:33:39.080
<v Speaker 1>she hasn't directed a movie since. Did anyone see the

1:33:39.120 --> 1:33:42.839
<v Speaker 1>movie just right? It's another rom com with Queen Latifa

1:33:42.880 --> 1:33:45.240
<v Speaker 1>and Common. I missed that one. I did a long

1:33:45.280 --> 1:33:47.360
<v Speaker 1>time ago, but I haven't seen it, probably since he

1:33:47.479 --> 1:33:50.040
<v Speaker 1>came out. I've never seen it. Well, the time has

1:33:50.080 --> 1:33:54.920
<v Speaker 1>come for another movie. I'm ready and prepared. Good. I'll

1:33:54.960 --> 1:33:58.880
<v Speaker 1>tell her she's my friend now. Please let her know um,

1:33:59.000 --> 1:34:00.840
<v Speaker 1>and also please to let her know that I really

1:34:01.439 --> 1:34:03.760
<v Speaker 1>the super based music video was really important to me.

1:34:07.080 --> 1:34:10.479
<v Speaker 1>Well does the movie pass the Bechtel test? It does?

1:34:10.720 --> 1:34:14.519
<v Speaker 1>It does a bunch of different times. Not thoroughly, but

1:34:14.680 --> 1:34:16.960
<v Speaker 1>a bunch of different times. The women do talk about

1:34:17.320 --> 1:34:20.599
<v Speaker 1>men a lot, they do, but yeah, there's a few

1:34:20.640 --> 1:34:25.240
<v Speaker 1>exchanges here and there. But it would pass more if

1:34:25.280 --> 1:34:29.559
<v Speaker 1>we had a better understanding of their friendship. For example,

1:34:30.360 --> 1:34:33.639
<v Speaker 1>the four friends, what do they like to do together

1:34:34.040 --> 1:34:38.400
<v Speaker 1>besides have like Galantine's Day drinks? Because I think the

1:34:38.479 --> 1:34:42.000
<v Speaker 1>night that they meet up it's Valentine's Day. But then

1:34:42.040 --> 1:34:45.840
<v Speaker 1>in the whole time they're just like, oh, we're unmarried.

1:34:46.160 --> 1:34:51.080
<v Speaker 1>Were mid men and not with you losers, right, but again,

1:34:51.120 --> 1:34:53.240
<v Speaker 1>if we yeah, if we had I was hoping for

1:34:53.280 --> 1:34:56.639
<v Speaker 1>more scenes with them and just like getting a sense

1:34:56.680 --> 1:35:00.439
<v Speaker 1>of their friendship. But when they are together pretty much

1:35:00.439 --> 1:35:04.280
<v Speaker 1>they only talk about men. But yeah, there are little

1:35:04.280 --> 1:35:07.400
<v Speaker 1>exchanges here and there that passed. Yeah, I wish that again.

1:35:07.479 --> 1:35:09.759
<v Speaker 1>And it's like, I guess we've said this a few times,

1:35:09.800 --> 1:35:15.160
<v Speaker 1>but for the for the final time, I really wish that, um,

1:35:15.400 --> 1:35:20.960
<v Speaker 1>the mother daughter relationship could have been used more effectively

1:35:21.280 --> 1:35:24.360
<v Speaker 1>and in a less boring way. But what can you do?

1:35:24.840 --> 1:35:27.160
<v Speaker 1>I guess you could do something, but he didn't. You

1:35:27.560 --> 1:35:32.240
<v Speaker 1>could do something different movie exactly. Yeah, it's a lot

1:35:32.280 --> 1:35:35.800
<v Speaker 1>of her mom kind of criticizing her or being like

1:35:35.920 --> 1:35:38.240
<v Speaker 1>when are you getting married? Or oh, you might be

1:35:38.280 --> 1:35:43.200
<v Speaker 1>getting married to Blair Underwood. Oh my gosh, pop the champagne.

1:35:43.479 --> 1:35:46.840
<v Speaker 1>She was crying, and it's like, are you going to

1:35:46.920 --> 1:35:52.160
<v Speaker 1>congratulate her from making partner at her firm? Oh? And

1:35:52.160 --> 1:35:55.879
<v Speaker 1>then the way Donald's facon said the doctor and the misses.

1:35:56.080 --> 1:35:59.559
<v Speaker 1>I was like, Mmm, does she do what does she do?

1:35:59.560 --> 1:36:02.400
<v Speaker 1>Does she have does she have jobs? We don't know,

1:36:02.520 --> 1:36:08.000
<v Speaker 1>we don't know. Im doctor in the message, yes, um

1:36:08.640 --> 1:36:12.240
<v Speaker 1>our nipple scale a scale of zero to five nipples.

1:36:12.240 --> 1:36:16.400
<v Speaker 1>Based on examining the movie through an intersectional feminist lens,

1:36:17.840 --> 1:36:21.320
<v Speaker 1>I would give this. I'll give it a two point

1:36:21.360 --> 1:36:26.960
<v Speaker 1>five because I think that for the time, it's attempting

1:36:27.000 --> 1:36:29.960
<v Speaker 1>to have a conversation that a lot of movies and

1:36:30.080 --> 1:36:35.320
<v Speaker 1>rom comms especially, we're not attempting to make. It was

1:36:35.560 --> 1:36:40.759
<v Speaker 1>representation on screen of things that you don't often see

1:36:40.880 --> 1:36:47.160
<v Speaker 1>in mainstream movies, such as an interracial relationship. Where where

1:36:47.240 --> 1:36:51.719
<v Speaker 1>in the tension that comes, Yeah, I have a master's

1:36:51.720 --> 1:36:59.479
<v Speaker 1>depart Let you know that I appreciate it. Yeah, why

1:36:59.520 --> 1:37:04.000
<v Speaker 1>I at it? Um? But the tension that often derives

1:37:04.120 --> 1:37:08.640
<v Speaker 1>from an interracial relationship, especially one where one of the

1:37:08.680 --> 1:37:12.280
<v Speaker 1>people is a white person with a lot of white privilege.

1:37:12.960 --> 1:37:16.519
<v Speaker 1>I think it explores that relationship dynamic in interesting ways

1:37:16.760 --> 1:37:20.719
<v Speaker 1>that feel authentic. But I don't think that Brian redeems

1:37:20.800 --> 1:37:24.200
<v Speaker 1>himself after the shitty things he says, or that he

1:37:24.320 --> 1:37:28.360
<v Speaker 1>demonstrates enough growth for her to take him back at all,

1:37:29.400 --> 1:37:32.799
<v Speaker 1>and making it seem like the choice was between Brian

1:37:32.840 --> 1:37:35.679
<v Speaker 1>and Blair Underwood, which she simply could have continued looking

1:37:35.760 --> 1:37:40.880
<v Speaker 1>for someone that she liked. Yeah, why does she love Brian?

1:37:41.600 --> 1:37:43.280
<v Speaker 1>Also her speech at the end where she's just like,

1:37:43.320 --> 1:37:46.000
<v Speaker 1>I think they tried to tell us why she left Brian. Well,

1:37:46.040 --> 1:37:50.000
<v Speaker 1>she's like that you haven't showed us. Yeah that and

1:37:50.120 --> 1:37:53.200
<v Speaker 1>she's like, yeah, you probably think I'm neurotic and and

1:37:53.439 --> 1:37:55.479
<v Speaker 1>ridiculous and blah blah blah all this stuff, but you

1:37:55.600 --> 1:37:58.080
<v Speaker 1>let me be that way. I feel myself around you.

1:37:58.080 --> 1:37:59.920
<v Speaker 1>And it's like, he doesn't let you be that way.

1:38:00.120 --> 1:38:01.920
<v Speaker 1>He's been trying to change you the whole movie. What

1:38:01.960 --> 1:38:04.040
<v Speaker 1>are you even talking about? He made you change your

1:38:04.040 --> 1:38:08.800
<v Speaker 1>house and your hair, and you're like life attitude. Yeah, right,

1:38:09.560 --> 1:38:12.599
<v Speaker 1>So I'm not sure, but I think it's doing enough

1:38:12.720 --> 1:38:15.639
<v Speaker 1>stuff that was like again, feels groundbreaking for the time

1:38:16.160 --> 1:38:18.400
<v Speaker 1>that I'll do like a split down the middle two

1:38:18.400 --> 1:38:23.240
<v Speaker 1>point five nipples. I will give one to Sona Lathan

1:38:23.280 --> 1:38:27.120
<v Speaker 1>because I not her character in this movie because she's

1:38:27.200 --> 1:38:30.640
<v Speaker 1>really so bland and beige, but as a performer as

1:38:30.680 --> 1:38:34.040
<v Speaker 1>an actor, I love her a lot. Um. I'll split

1:38:34.120 --> 1:38:40.040
<v Speaker 1>between Sana Hamri, the director and Chris Turner, the screenwriter

1:38:40.200 --> 1:38:43.920
<v Speaker 1>of the movie. And I will give my point five

1:38:44.040 --> 1:38:48.800
<v Speaker 1>nipple to Max the dog because he's a cute Golden Retriever.

1:38:50.120 --> 1:38:54.040
<v Speaker 1>He's nice. Um. I'm tending. Yeah, I guess I'll go

1:38:54.120 --> 1:38:56.240
<v Speaker 1>down in the middle. I'm like tempted to give it

1:38:56.320 --> 1:38:59.479
<v Speaker 1>like half a nipple higher only because it's like for

1:38:59.640 --> 1:39:02.759
<v Speaker 1>its time again, like not just an under explored topic

1:39:02.800 --> 1:39:06.479
<v Speaker 1>in movies, but like in this genre specifically. I guess

1:39:06.520 --> 1:39:10.000
<v Speaker 1>outside of guess who for some reason to that. But

1:39:10.040 --> 1:39:11.840
<v Speaker 1>that's like where of a comedy than a rom com.

1:39:11.920 --> 1:39:16.040
<v Speaker 1>Either way, either way, it feels I I'm glad it exists.

1:39:16.080 --> 1:39:17.640
<v Speaker 1>I'm glad it exists. I don't know that I'll be

1:39:17.640 --> 1:39:21.000
<v Speaker 1>like returning to it super often because I just really

1:39:21.040 --> 1:39:25.519
<v Speaker 1>don't like Brian. Um, I don't. I weirdly don't even

1:39:26.240 --> 1:39:29.880
<v Speaker 1>super duper mind that Kenya is kind of boring. I

1:39:29.920 --> 1:39:31.760
<v Speaker 1>don't know. For some reason, I can deal with a

1:39:31.800 --> 1:39:34.200
<v Speaker 1>boring character, but I can't. I can't deal with Brian.

1:39:34.680 --> 1:39:38.840
<v Speaker 1>Brian really bugs me. And I feel like because of

1:39:39.520 --> 1:39:43.040
<v Speaker 1>for like modern audiences, at least the rom com tropes

1:39:43.080 --> 1:39:45.960
<v Speaker 1>associated with Brian, which is like I accept you as

1:39:45.960 --> 1:39:49.320
<v Speaker 1>you are, except change everything about yourself and like I'm

1:39:49.520 --> 1:39:52.559
<v Speaker 1>I'm not listening, but I'm totally listening, babe. Like that

1:39:52.680 --> 1:39:56.920
<v Speaker 1>kind of stuff undercuts what this movie's potential was, which

1:39:56.960 --> 1:39:59.280
<v Speaker 1>was like, if if it was like illustrating like an

1:39:59.280 --> 1:40:04.000
<v Speaker 1>emotionally healthy and equitable integracial relationship, that would have been

1:40:04.080 --> 1:40:07.000
<v Speaker 1>so cool. I just don't think that that's the relationship

1:40:07.080 --> 1:40:12.240
<v Speaker 1>that we got here, and so that is ultimately a bummer.

1:40:12.600 --> 1:40:15.800
<v Speaker 1>But I really, um like all the creatives involved, Like

1:40:16.320 --> 1:40:19.800
<v Speaker 1>I like that this collaboration happened. I would be cool

1:40:19.840 --> 1:40:22.559
<v Speaker 1>to see them work together again, this writer and director

1:40:23.120 --> 1:40:25.800
<v Speaker 1>and puts an On Lathen in it again. Let's do it,

1:40:25.880 --> 1:40:30.560
<v Speaker 1>let's let's take to it and yeah, I don't know.

1:40:30.600 --> 1:40:32.080
<v Speaker 1>I guess I'll go two and a half. I'm tempted

1:40:32.120 --> 1:40:34.760
<v Speaker 1>to give it three. And I guess whoever is editing

1:40:34.760 --> 1:40:36.920
<v Speaker 1>the Wikipedia these days? You could just kind of choose

1:40:36.920 --> 1:40:41.479
<v Speaker 1>whatever feels right for you. Um, Ultimately, if someone, if

1:40:41.520 --> 1:40:43.559
<v Speaker 1>someone wants to take you on a first date at

1:40:43.560 --> 1:40:47.040
<v Speaker 1>a busy Starbucks, it's probably not the person for you.

1:40:47.479 --> 1:40:50.040
<v Speaker 1>And also fire the friend that orchestrated that, which she

1:40:50.080 --> 1:40:52.439
<v Speaker 1>did say, like she did say, Like, what the funk?

1:40:52.600 --> 1:40:57.200
<v Speaker 1>Was she thinking? Yeah, yeah, I'll split my nipples. However,

1:40:57.400 --> 1:41:03.479
<v Speaker 1>the math shakes out between in um the beisuaal and

1:41:03.760 --> 1:41:07.840
<v Speaker 1>the aqua marine wall. There's two kinds of walls. In

1:41:07.880 --> 1:41:12.479
<v Speaker 1>this world famously, Yes, can he saw about you. I'm

1:41:12.520 --> 1:41:14.800
<v Speaker 1>gonna give it three because I think it's important to

1:41:14.800 --> 1:41:19.360
<v Speaker 1>remember that this came out the same year as Crash

1:41:19.479 --> 1:41:25.080
<v Speaker 1>Oh wow, And when it comes to a conversation about race,

1:41:25.439 --> 1:41:29.320
<v Speaker 1>this is way better than that. Yes, this doesn't make

1:41:29.320 --> 1:41:32.080
<v Speaker 1>me literally pull my hair out. So I'm gonna give

1:41:32.120 --> 1:41:34.840
<v Speaker 1>it three. And I'm going to give one to the

1:41:34.960 --> 1:41:38.599
<v Speaker 1>musical sequence where they are watching a dance in Kenya

1:41:38.720 --> 1:41:42.400
<v Speaker 1>is getting horny. I'm gonna give one nipple to the

1:41:42.439 --> 1:41:45.599
<v Speaker 1>scene where Simon peg is digging up earth and we're

1:41:45.600 --> 1:41:51.439
<v Speaker 1>getting lots of close ups of rippling muscles. Simon Baker

1:41:55.439 --> 1:41:59.280
<v Speaker 1>would yea, that's a different movie, different different vibe. Entirely.

1:41:59.320 --> 1:42:00.880
<v Speaker 1>It was a start. I don't want to get into it.

1:42:01.800 --> 1:42:07.200
<v Speaker 1>And then I want to give one full nipple to

1:42:08.439 --> 1:42:11.720
<v Speaker 1>the little Mariachi costume that he has on in the end,

1:42:11.960 --> 1:42:13.800
<v Speaker 1>because I know that that's gonna be funny. But I

1:42:13.920 --> 1:42:18.519
<v Speaker 1>was like, would snatch? So he wears it well except

1:42:18.560 --> 1:42:22.040
<v Speaker 1>for the untucked in T shirt that he has the shirt,

1:42:23.360 --> 1:42:25.240
<v Speaker 1>but his but looked good in those pants, and I

1:42:25.320 --> 1:42:29.200
<v Speaker 1>think we've got to acknowledge that that's I'm fine, fine,

1:42:29.640 --> 1:42:32.960
<v Speaker 1>I dropped the ball, I dropped the I liked, I

1:42:33.120 --> 1:42:35.320
<v Speaker 1>liked seeing the I did. I wasn't sure what they

1:42:35.360 --> 1:42:37.000
<v Speaker 1>were talking about. When she's like, do you know that guy?

1:42:37.040 --> 1:42:39.120
<v Speaker 1>I was like, why is he going to come as well?

1:42:39.280 --> 1:42:44.120
<v Speaker 1>But it was like, no, just steal his clothes? Cool

1:42:45.720 --> 1:42:51.080
<v Speaker 1>technically come on? Yeah, well, Cannie, thank you so much

1:42:51.520 --> 1:42:55.640
<v Speaker 1>for coming back for a sixth appearance. Thank you for

1:42:55.720 --> 1:42:59.280
<v Speaker 1>having me. Let's make it seven leven. What do you

1:42:59.320 --> 1:43:07.200
<v Speaker 1>want to do it next week? Mar Um? Where can

1:43:07.240 --> 1:43:09.479
<v Speaker 1>people follow you online? What would you like to plug?

1:43:09.600 --> 1:43:13.360
<v Speaker 1>Tell us about your album? Okay, so you can follow

1:43:13.400 --> 1:43:15.720
<v Speaker 1>me at Kennice Mobili on all the socials. I even

1:43:15.760 --> 1:43:18.439
<v Speaker 1>signed up for Hive. I don't even know what people

1:43:18.479 --> 1:43:22.240
<v Speaker 1>are using anymore. I'm on Twitter and Instagram and Facebook

1:43:22.600 --> 1:43:26.280
<v Speaker 1>and I guess Hive now soon girl foot dot com.

1:43:27.760 --> 1:43:32.639
<v Speaker 1>Yeah kind of do they care about my numbers across

1:43:32.680 --> 1:43:35.240
<v Speaker 1>all platforms? So please follow me so that they're not like,

1:43:35.600 --> 1:43:39.080
<v Speaker 1>actually you suck in and we decided based on your

1:43:39.120 --> 1:43:42.400
<v Speaker 1>low follower accounts. Okay? So, and then also, if you

1:43:42.560 --> 1:43:46.040
<v Speaker 1>like buying albums, which my record company says that you

1:43:46.080 --> 1:43:49.960
<v Speaker 1>should push people to do, please buy my album. Follow

1:43:50.080 --> 1:43:52.880
<v Speaker 1>up question put out by Blonde Medicine. It's a it's

1:43:52.880 --> 1:43:55.439
<v Speaker 1>a fun album. It's been written up in a few places.

1:43:55.600 --> 1:44:00.960
<v Speaker 1>It just got showcased on Ebony magazine, which we had

1:44:01.040 --> 1:44:03.120
<v Speaker 1>Ebony come to the house every month and it was

1:44:03.120 --> 1:44:05.200
<v Speaker 1>always on our coffee table, so that's a big deal

1:44:05.320 --> 1:44:06.880
<v Speaker 1>for me. But it was on some other list to

1:44:07.280 --> 1:44:11.240
<v Speaker 1>Paste magazine, et cetera. Um, so if you don't hate

1:44:11.320 --> 1:44:19.679
<v Speaker 1>me here, you might like me there soralla endorsement. Everyone

1:44:20.000 --> 1:44:23.920
<v Speaker 1>loves you. That is not true, but I appreciate you

1:44:24.000 --> 1:44:27.519
<v Speaker 1>saying that we love you here on this zoom call

1:44:27.760 --> 1:44:33.840
<v Speaker 1>your universally love yeah. Uh. And you can follow us

1:44:34.479 --> 1:44:39.519
<v Speaker 1>uh Bactel cast on Twitter and Instagram. You can follow

1:44:39.560 --> 1:44:45.439
<v Speaker 1>our Patreon It's Girlfood Girl Girl Food. Sorry. You can

1:44:45.520 --> 1:44:49.200
<v Speaker 1>follow our patreonic Matreon. Five dollars a month will get

1:44:49.320 --> 1:44:53.559
<v Speaker 1>you two additional episodes from Caitlin and myself every month,

1:44:53.600 --> 1:44:56.880
<v Speaker 1>as well as access to over a hundred episodes of

1:44:57.000 --> 1:44:59.200
<v Speaker 1>back catalog over there. I think maybe even closer to

1:44:59.280 --> 1:45:01.840
<v Speaker 1>two hundred at the this point. Uh. This past month

1:45:01.920 --> 1:45:04.960
<v Speaker 1>we did the Pinocchio Wars, in which we covered all

1:45:05.120 --> 1:45:08.560
<v Speaker 1>three and maybe even a fourth adaptations of Pinocchio that

1:45:08.640 --> 1:45:11.880
<v Speaker 1>have come out in the past calendar year. Who knows why.

1:45:12.360 --> 1:45:15.760
<v Speaker 1>You know Italian icon Pinocchio. He's back and I still

1:45:15.840 --> 1:45:18.920
<v Speaker 1>find him so boring. Ecap he's played by Polly Shore

1:45:19.360 --> 1:45:23.400
<v Speaker 1>and then and then he's awesome but father, So you

1:45:23.439 --> 1:45:28.439
<v Speaker 1>can go over there for that, or it's really funny

1:45:28.640 --> 1:45:31.960
<v Speaker 1>um okay, or you could go to public dot com

1:45:32.520 --> 1:45:36.760
<v Speaker 1>slash the Bechtel Cast for all of our amazing merchandise,

1:45:36.840 --> 1:45:40.719
<v Speaker 1>including new designs. We just released feminist icon Paddington, Shrek

1:45:40.840 --> 1:45:45.600
<v Speaker 1>I In and The Flobber Mombo by Danny Alfman, and

1:45:45.720 --> 1:45:49.120
<v Speaker 1>all of that can be found on our link tree.

1:45:49.479 --> 1:45:51.679
<v Speaker 1>So we got to plug the link tree more because

1:45:51.680 --> 1:45:55.160
<v Speaker 1>there's so many other goodies. There's something you plug I

1:45:55.240 --> 1:45:59.200
<v Speaker 1>guess it is. Now I'm plugging it. Awesome, all right,

1:45:59.760 --> 1:46:05.599
<v Speaker 1>we're plugging it, and hey, don't forget Let go let flow.

1:46:06.080 --> 1:46:07.960
<v Speaker 1>I'm about to go do that right into my toilet.

1:46:08.000 --> 1:46:09.519
<v Speaker 1>I have to be so bad. I have to be

1:46:09.680 --> 1:46:11.040
<v Speaker 1>so bad to you. I've been waiting. I was like,

1:46:11.080 --> 1:46:13.439
<v Speaker 1>I wanted people like, but I have to be so bad. Okay,

1:46:13.560 --> 1:46:17.840
<v Speaker 1>let's go let it flow. Bye bye, I'm letting it flow.