WEBVTT - Episode 461 | Rappers Delight

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<v Speaker 1>Wllian doctor.

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<v Speaker 2>All right, take two, welcome back, Demarriage dropped her mike

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<v Speaker 2>on the original intro.

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<v Speaker 1>But we are back, happy, happy, end of the week.

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<v Speaker 1>It's hard a week.

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<v Speaker 2>We were talking about the weather. You guys didn't miss

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<v Speaker 2>much after she dropped her micropho. We are back. We

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<v Speaker 2>are with our guy Zip on this this lovely.

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<v Speaker 3>Let's get to that Netflix Saturday right there?

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<v Speaker 4>Z the acting mad different when he on netflixt Like

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<v Speaker 4>I'm just holding it out now, he'll be.

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<v Speaker 1>Way more more sterious. Yea on Netflix.

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<v Speaker 4>You know what I'm saying, he acted Differentia be like,

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<v Speaker 4>y are you acting on me on Netflix yet?

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<v Speaker 1>Be over there yet, b yo.

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<v Speaker 4>So so yeah, there's been a lot of uh, a

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<v Speaker 4>lot of old old head slander going on, I think

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<v Speaker 4>in hip hop in the last few few months. And

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<v Speaker 4>you know, obviously me and you are from a different

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<v Speaker 4>a different era of you know, just wrapping hip hop.

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<v Speaker 1>We came up in the nineties, right, So.

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<v Speaker 4>Uh Rory has said, first of all, we're back sponsor

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<v Speaker 4>by Boostmow unlimited Talk texting data to start there.

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<v Speaker 1>To's start with that.

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<v Speaker 4>But so I got little my got little yachty shout

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<v Speaker 4>out the Yata, that's my guy. He was on our

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<v Speaker 4>bootleg calf he was on Boutlet Cave. Shout out the

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<v Speaker 4>bout Leg cab. We shupport Bootleg.

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<v Speaker 1>Yeah. I love the lat half and he has the

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<v Speaker 1>good clips. Okay.

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<v Speaker 2>Yeah, he get people lying about fucking twenty million dollar

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<v Speaker 2>football deals and ship.

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<v Speaker 1>Cant turned it down to go to rap, turn it

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<v Speaker 1>down to be a rap. So I turned this shit

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<v Speaker 1>I never heard of my life. Well, the math was crazy, like.

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<v Speaker 2>Dang aw you just you forget fifteen millions.

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<v Speaker 1>I turned it down, oh man.

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<v Speaker 4>But Yadi Yadi and his crew was up there shout

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<v Speaker 4>out to Yachti, and he was talking about, uh, just

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<v Speaker 4>the origin of raping back in the day, the music

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<v Speaker 4>not being good and being.

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<v Speaker 1>Weak, specifically quoting sugar Hill Gang before you go there.

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<v Speaker 2>Isn't this the second time Yachti's gotten in trouble with

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<v Speaker 2>old head hip hop Twitter. Didn't he do something with Ebro?

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<v Speaker 2>He said something about Biggie or something. I remember at

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<v Speaker 2>one point that correct, right. It was around the same

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<v Speaker 2>time the Kodak ship with the freestyle thing was going on,

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<v Speaker 2>but him and Ebro got into it in like twenty

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<v Speaker 2>sixteen or something. Like that, and I remember it started

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<v Speaker 2>his career as the golden child for Golden era hip

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<v Speaker 2>hop to hate.

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<v Speaker 1>He's had these comments before.

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<v Speaker 4>Ebro on my comments and now I'm gonna get I'm

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<v Speaker 4>gonna get you after Ramadan.

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<v Speaker 1>People don't worry about that. I thought he was a

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<v Speaker 1>conflidment about you.

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<v Speaker 5>No.

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<v Speaker 3>Yeah, I'm gonna compliment him as m I'm gonna give

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<v Speaker 3>him all the compliments here. The Yeah, I'm just in

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<v Speaker 3>a different space right now. But Hero, we're gonna talk

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<v Speaker 3>March nineteenth about your hat. Yeah, no, my go ahead.

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<v Speaker 3>Oh you was talking?

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<v Speaker 4>No, no, no, my bad, Okay, all right, Well, anyway, so

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<v Speaker 4>he Yachty made some some comments, right, so specifically talking

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<v Speaker 4>about Sugar Hill Gang. Yeah, and the you know, the

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<v Speaker 4>Orige that's the origin, right, So he's saying that that

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<v Speaker 4>was weak. Right, So we know that things progress, music

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<v Speaker 4>changes and all. Hip hop is still a very young

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<v Speaker 4>art form of very young culture, and in the grand

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<v Speaker 4>scheme of just cultures around the world, probably the most impactful,

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<v Speaker 4>but definitely the youngest culture.

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<v Speaker 1>There might be some cultures that are being birth now

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<v Speaker 1>that we don't know about. Ryan.

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<v Speaker 4>You might know about the culture being birth now I'm

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<v Speaker 4>geting twenty two years old. But the origin, that's the

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<v Speaker 4>origin of hip hop.

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<v Speaker 1>Sugar Hill Gang.

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<v Speaker 3>Hip hop got his name from that song, right, Yeah.

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<v Speaker 4>So while what Yachty is saying, like when you rhyme

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<v Speaker 4>like that today, like if somebody was the realm, even

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<v Speaker 4>though this niggas that rhyme like that today that y'all

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<v Speaker 4>swear is dope stop.

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<v Speaker 1>They just do it on Travis Scott Beats, so it's different.

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<v Speaker 3>They do it on They do it on on must Beats,

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<v Speaker 3>Mustard Beats, they do it, and y'all y'all think it's

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<v Speaker 3>the greatest shit y'all heard in the twenty first Like

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<v Speaker 3>all of that is a hip hop to the hip

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<v Speaker 3>to the hip to the hip hip hop you don't.

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<v Speaker 4>Stop but rock into the bang bang boo. That's all

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<v Speaker 4>derivative of boom boom that that comes from that. So

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<v Speaker 4>that's why to hear Yachty say that now, it's like

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<v Speaker 4>I understand what he's saying, right when you just if

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<v Speaker 4>you was to hear somebody today say that, but you

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<v Speaker 4>hear people kind of like.

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<v Speaker 1>Borrow that style now and and and and and.

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<v Speaker 4>Rap like that with that cadence to that flow and

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<v Speaker 4>people love it, so I thinks, like, why not on?

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<v Speaker 3>You feel like he's spot on with that. That the

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<v Speaker 3>Sugar Hill Gang was trash.

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<v Speaker 1>I mean, I never liked that music.

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<v Speaker 3>When I was a little growing up, I ain't like

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<v Speaker 3>like that that rap.

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<v Speaker 1>I didn't like it.

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<v Speaker 3>I started liking rap, way g rap and Kane and

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<v Speaker 3>Carras one of them, Big Daddy Kane. I didn't like

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<v Speaker 3>the early like early rap. I paid that shit no mind,

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<v Speaker 3>but I kind of I used to say the same thing, yes,

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<v Speaker 3>And then came eighty seven, eighty eight, eighty nine where

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<v Speaker 3>you got the real rap dudes coming. Like I just said,

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<v Speaker 3>can Carraras won? Well, if we're gonna do that?

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<v Speaker 4>He rap rock Kim was probably the first one rock

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<v Speaker 4>kings the way raps sound, the flow, the floor.

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<v Speaker 3>He took it for the Kumodi Uptown twenty nine street

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<v Speaker 3>that hard pulls in and up.

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<v Speaker 1>He got that now so float.

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<v Speaker 3>But they strong on rap from the whack dudes, for

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<v Speaker 3>the dudes with the wack with no balls in the

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<v Speaker 3>mid late eighties, they strong OneD it for them.

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<v Speaker 1>And then for fifteen years you had to be nice.

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<v Speaker 3>You had to be nice, super livercool, you know, what

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<v Speaker 3>I'm saying in a party element kind of like it

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<v Speaker 3>was still around the party element because you had big

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<v Speaker 3>party and I'm saying James party and they was. But

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<v Speaker 3>you just had to be saying something didn't matter which

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<v Speaker 3>what kind of song you made.

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<v Speaker 1>It had to be some intricate lyrics and that shit.

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<v Speaker 4>But see the only thing with Yachty, and I understand

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<v Speaker 4>that I respect for you because Yachty is he's a

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<v Speaker 4>little younger than us, so I can understand. And then

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<v Speaker 4>you said you didn't even like that as well, so

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<v Speaker 4>I respect that. When people don't like something, it's like cool,

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<v Speaker 4>if you did that, that's not your thing.

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<v Speaker 1>Cool, I'm not. I'm not gonna argue that.

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<v Speaker 2>Do you think that's his point because you can objectively

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<v Speaker 2>say I don't listen to rappers to like, I don't

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<v Speaker 2>get my car like you know, I haven't heard an

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<v Speaker 2>awhile you know, but that I don't think if that's

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<v Speaker 2>if that's his point, then cool. But I think how

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<v Speaker 2>I interpreted why people are upset, let me not say upset.

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<v Speaker 2>Why they're critiquing his critique is you cannot say that

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<v Speaker 2>about the very thing that's the reason you are here,

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<v Speaker 2>and of course, it's going to evolve at the beginning

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<v Speaker 2>of every genre of music. Typically, the beginning sometimes is

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<v Speaker 2>the worst because they're still trying to figure out what

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<v Speaker 2>this thing is. Sugarhill Gang was coming from an era

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<v Speaker 2>where it was all about a party. You had a

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<v Speaker 2>party and then they do the breakbeat come out, and

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<v Speaker 2>then they the guy that was hosting the fucking party

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<v Speaker 2>and he just say anything. Sometimes it rhymes, and then

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<v Speaker 2>it developed into to what sugar Hill Gang is. So

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<v Speaker 2>that was their goal.

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<v Speaker 1>Was not to sound like NAS because NAS didn't exist.

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<v Speaker 1>They were at a party. It was Studio fifty four,

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<v Speaker 1>coked up, trying to have a good time.

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<v Speaker 2>They was trying to say hip hop, and then it

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<v Speaker 2>just developed when people like KRS heard it and took

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<v Speaker 2>it a little bit more seriously. So the critique something

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<v Speaker 2>where the point was just to party and not to

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<v Speaker 2>be some lyrical miracle shit like until Flash, there was

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<v Speaker 2>not even a bit of substance in it.

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<v Speaker 1>But see what he said.

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<v Speaker 3>He said he was talking nineties and then he went

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<v Speaker 3>to the seventies and I'm saying that twenty years me something,

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<v Speaker 3>and I'm saying, like that's where he messed up. That

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<v Speaker 3>Like if I critique the critique at all, I would say,

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<v Speaker 3>you go, you talking about dudes in the nineties and

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<v Speaker 3>then went to the same That's a big difference. But

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<v Speaker 3>if you want to he was rapping in the seventies.

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<v Speaker 3>In the nineties, he said in the nineties it was

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<v Speaker 3>mad trash. I don't think it was mad trash in

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<v Speaker 3>the night. It was something they want effects sometimes that

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<v Speaker 3>that that is.

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<v Speaker 1>Not real rap. I mean like they wrapped.

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<v Speaker 5>Bum sticky bum Stickyney, I got that over them. Tell

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<v Speaker 5>me what the chem sticky bump sticky. You just heard

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<v Speaker 5>what he said, like it was dudes. I told Rory

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<v Speaker 5>it used to be dudes crying about all. They mumble rapping,

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<v Speaker 5>They mumble rapping. I can't understand what they're saying. So

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<v Speaker 5>what you ain't understand what dosson Fex was saying. You

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<v Speaker 5>just heard what they said. So you just care about

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<v Speaker 5>hearing what somebody saying. You don't really care about understanding

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<v Speaker 5>what's being said.

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<v Speaker 1>Color fradul toe, get the oops, daisy. Now you got me.

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<v Speaker 4>Crazy crazy with the skippity. But where's the baby so

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<v Speaker 4>one too? Buckle my enough shoot.

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<v Speaker 3>Smelling feet okay, but that hard is that action?

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<v Speaker 1>He was hard, but we was a little woman to at.

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<v Speaker 3>Like rap baby came to you, you know, another stret

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<v Speaker 3>baby Keim is not a unp the latest rap we got,

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<v Speaker 3>but he had rap.

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<v Speaker 1>He was comparing that.

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<v Speaker 3>Yeah, because the older dudes just say, oh, this mumble rap,

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<v Speaker 3>I can't understand it. You don't care about understanding. You

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<v Speaker 3>just want to hear it. You just want the words

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<v Speaker 3>to be pronounced, but you don't care if you can

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<v Speaker 3>understand those words.

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<v Speaker 2>There was there was a balance there, like that effects,

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<v Speaker 2>there was other There was a balance there. And again

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<v Speaker 2>reflection of the time I've even heard Hove do interviews

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<v Speaker 2>like when him and ship My'm blankt on Hawaiian Sophie

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<v Speaker 2>with Jazzo when they were doing that fast raption. Yeah,

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<v Speaker 2>like they were just trying to be as technical and

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<v Speaker 2>rap as fast as possible. As reflection of the times,

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<v Speaker 2>you would say Jay probably wasn't saying much at all

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<v Speaker 2>when he was had that that flow. If Jay stuck

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<v Speaker 2>with that flow, we would not be talking about.

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<v Speaker 1>J J was saying.

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<v Speaker 4>He was talking though the flow was the flow was

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<v Speaker 4>kind of like because that was the that was the

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<v Speaker 4>eraror with like you said, dods effects Foo snickings.

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<v Speaker 1>Foh niggas was talking too.

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<v Speaker 3>When I was smaller, used to tease me because he

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<v Speaker 3>was a group he marking greasy but now living lunch

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<v Speaker 3>like Georgia.

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<v Speaker 4>Yeah, like, so there's a balance talking. So it's right,

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<v Speaker 4>it's a balance. I just think that with Yadi is

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<v Speaker 4>saying you can't you can't disrespect the foundation, everything is

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<v Speaker 4>gonna evolve. Like if that's the case, we can go

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<v Speaker 4>back to when you know, in the NBA first started

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<v Speaker 4>and look at these trash niggas dribble them in one hand.

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<v Speaker 1>If you're gonna say.

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<v Speaker 3>That, I would never put none of them in my

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<v Speaker 3>top ten from back then, which is fine, but I

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<v Speaker 3>wouldn't disrespect them niggas dribbling around like this and all.

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<v Speaker 3>I'm not putting none of y'all going in the top ten.

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<v Speaker 3>I don't care on Bob Cozy, George might get none

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<v Speaker 3>of them.

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<v Speaker 1>But you can't do.

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<v Speaker 4>That because it's gonna it's gonna come a time now

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<v Speaker 4>and we're probably seeing it where you know, the ship

0:10:40.280 --> 0:10:43.319
<v Speaker 4>that we grew up on is being disrespected. Wrapped from

0:10:43.320 --> 0:10:46.000
<v Speaker 4>the nineties or the early two thousands, or you know,

0:10:46.320 --> 0:10:48.880
<v Speaker 4>athletes from the nineties like now how they say Jordan

0:10:49.000 --> 0:10:50.520
<v Speaker 4>is not the greatest, and this, that and the third,

0:10:50.559 --> 0:10:50.800
<v Speaker 4>like I.

0:10:50.720 --> 0:10:53.920
<v Speaker 3>Said, Jordan is DeMar DeRozan. Now I wanted to break

0:10:53.920 --> 0:10:54.400
<v Speaker 3>the phone.

0:10:55.000 --> 0:10:56.560
<v Speaker 1>You see what I'm saying. You see what I'm saying.

0:10:56.559 --> 0:10:58.240
<v Speaker 4>So it's it's going to come to a point where

0:10:58.240 --> 0:11:00.600
<v Speaker 4>it's going to be our time with were gonna be,

0:11:00.640 --> 0:11:03.880
<v Speaker 4>you know, forty years from now looking back, Like I

0:11:03.880 --> 0:11:05.960
<v Speaker 4>ain't gonna lie that shit it was talking about was stupid.

0:11:06.000 --> 0:11:07.560
<v Speaker 4>That nigga, he ain't know what the fuck he was talking.

0:11:07.600 --> 0:11:10.720
<v Speaker 4>He was trash, that nigga, Yo, That Rory album was garbage,

0:11:10.760 --> 0:11:11.360
<v Speaker 4>that shit like I.

0:11:11.360 --> 0:11:11.839
<v Speaker 1>Said that now.

0:11:11.880 --> 0:11:14.920
<v Speaker 4>But what I'm just saying, like, if that's the case,

0:11:15.000 --> 0:11:17.760
<v Speaker 4>every generation is gonna look back and say that was

0:11:17.760 --> 0:11:19.320
<v Speaker 4>trash because everything is gonna evolve.

0:11:19.360 --> 0:11:21.040
<v Speaker 1>To me, you could say that shit.

0:11:21.120 --> 0:11:24.160
<v Speaker 2>But even to your point with sports, like I've said

0:11:24.200 --> 0:11:26.960
<v Speaker 2>countless times, Babe, Ruth's super overrated. I don't think he

0:11:26.960 --> 0:11:28.800
<v Speaker 2>could hit a fast ball from a thirteen year old

0:11:28.800 --> 0:11:29.760
<v Speaker 2>from dr right now.

0:11:30.040 --> 0:11:32.720
<v Speaker 4>But that don't you bugging the fuck out baby taking

0:11:32.720 --> 0:11:34.240
<v Speaker 4>that shit, y'alld, that shit is out of.

0:11:34.280 --> 0:11:37.600
<v Speaker 2>Here right that That doesn't mean that he didn't move

0:11:37.679 --> 0:11:40.280
<v Speaker 2>the game forward to get a Mickey Mantle like, it

0:11:40.600 --> 0:11:42.360
<v Speaker 2>takes time for things to develop. That doesn't mean I

0:11:42.360 --> 0:11:45.480
<v Speaker 2>completely disrespect Babe Ruth. But do I think Barry Bonds

0:11:45.520 --> 0:11:48.160
<v Speaker 2>is a better fucking hitter. Of course I do. It's

0:11:48.200 --> 0:11:50.679
<v Speaker 2>everything happened evolve. But that doesn't mean I got a

0:11:50.720 --> 0:11:51.760
<v Speaker 2>shit on Babe Ruth.

0:11:52.240 --> 0:11:56.080
<v Speaker 4>So today, NAS probably raps better than ninety five percent

0:11:56.080 --> 0:11:58.679
<v Speaker 4>of the rappers he's been rapping.

0:11:58.520 --> 0:12:01.719
<v Speaker 3>Maybe under something he is, maybe ninety eight point. He's

0:12:01.760 --> 0:12:05.920
<v Speaker 3>been rapping for thirty something years. So if we're gonna

0:12:05.920 --> 0:12:06.760
<v Speaker 3>do that, it's like okay.

0:12:06.760 --> 0:12:09.440
<v Speaker 4>But there's still guys that are from that that was

0:12:09.480 --> 0:12:13.040
<v Speaker 4>inspired by sugar Hill Gang that can rap better than

0:12:13.120 --> 0:12:16.120
<v Speaker 4>ninety five ninety eight percent of the field that we

0:12:16.200 --> 0:12:18.959
<v Speaker 4>have in front of us today. So you know what

0:12:18.960 --> 0:12:21.840
<v Speaker 4>I'm saying, It's like, you can't. I'm not saying Yachty

0:12:21.880 --> 0:12:23.760
<v Speaker 4>gotta love the sugar Hill. I don't play that. I

0:12:23.800 --> 0:12:25.600
<v Speaker 4>don't love the sugar I'm not. That's not my.

0:12:27.040 --> 0:12:29.160
<v Speaker 1>I'm from the eighties, but that wasn't what I was listening.

0:12:29.280 --> 0:12:31.080
<v Speaker 4>So you say he gotta watch his mouth, I'm not

0:12:31.080 --> 0:12:32.800
<v Speaker 4>saying he gotta watch his mouth. I'm just saying like,

0:12:33.520 --> 0:12:35.000
<v Speaker 4>it's a way to be like yo, But I don't

0:12:35.000 --> 0:12:37.200
<v Speaker 4>really think that that was like I never listened to that.

0:12:37.480 --> 0:12:38.839
<v Speaker 4>You don't got to say that that was weak. And

0:12:39.120 --> 0:12:41.120
<v Speaker 4>because that's what that's the found, you can't say the

0:12:41.160 --> 0:12:43.200
<v Speaker 4>foundation is weak as hell. Now you got to think

0:12:43.200 --> 0:12:44.480
<v Speaker 4>about it. It's coming from a place.

0:12:44.280 --> 0:12:47.840
<v Speaker 3>Where they were telling him like, yo, you can't rap you.

0:12:47.840 --> 0:12:49.600
<v Speaker 1>Your sound is trash. You trash eyes.

0:12:49.640 --> 0:12:51.320
<v Speaker 3>So he said, if I could go back to twenty

0:12:51.440 --> 0:12:53.719
<v Speaker 3>and sixteen, and he basically saying, if I knew then

0:12:54.080 --> 0:12:56.480
<v Speaker 3>what I know now, but I can say that no,

0:12:56.880 --> 0:12:58.880
<v Speaker 3>he they was when they were telling YACHTI like, Yo,

0:12:58.960 --> 0:13:01.200
<v Speaker 3>you ain't saying nothing when you rhym and blah blah blah.

0:13:01.200 --> 0:13:03.319
<v Speaker 3>He's saying, I was a kid, did I didn't know

0:13:03.600 --> 0:13:05.319
<v Speaker 3>that back in the days, these niggas ain't used to

0:13:05.320 --> 0:13:05.800
<v Speaker 3>be saying shit.

0:13:05.880 --> 0:13:08.120
<v Speaker 1>And I would add a great defense for.

0:13:08.200 --> 0:13:10.760
<v Speaker 6>It's so it's such a complete difference because they were

0:13:10.840 --> 0:13:14.120
<v Speaker 6>creating something like from nothing, yet they had no example.

0:13:14.400 --> 0:13:18.600
<v Speaker 6>You have fifty years of examples of niggas rapping amazingly

0:13:18.720 --> 0:13:21.200
<v Speaker 6>and you still can't put words together. Well, like, that's

0:13:21.240 --> 0:13:24.160
<v Speaker 6>completely different reason why they have no examples to go off.

0:13:24.000 --> 0:13:25.240
<v Speaker 1>And answer to her point too.

0:13:25.240 --> 0:13:28.439
<v Speaker 2>When you're saying you love the nineties and didn't really

0:13:28.480 --> 0:13:31.360
<v Speaker 2>listen to stuff from the seventies or early eighties, that's

0:13:31.360 --> 0:13:34.920
<v Speaker 2>fair because I think the nineties elevated everything. I don't

0:13:34.960 --> 0:13:37.719
<v Speaker 2>know if the generation after the nineties and two thousands,

0:13:37.720 --> 0:13:42.400
<v Speaker 2>except for a select few, really elevated anything, whereas every

0:13:42.440 --> 0:13:46.800
<v Speaker 2>generation besides Yachty's has elevated it to what a hip

0:13:46.800 --> 0:13:49.480
<v Speaker 2>hop head would say is a better level. I'm not

0:13:49.520 --> 0:13:51.320
<v Speaker 2>saying that there's other people that don't think what Yachty

0:13:51.320 --> 0:13:54.160
<v Speaker 2>and them did is incredible in their subgenre of hip hop.

0:13:54.280 --> 0:13:58.160
<v Speaker 2>Not saying that, but to you, every single time, it's

0:13:58.160 --> 0:13:58.760
<v Speaker 2>gotten better.

0:14:00.040 --> 0:14:05.560
<v Speaker 3>Why I rap got simplified bro money Nelly in fifty Bro, Yeah, Ones,

0:14:05.720 --> 0:14:09.079
<v Speaker 3>Nelly in fifty game Bro. They had the most simplest

0:14:09.160 --> 0:14:12.040
<v Speaker 3>raps out of anybody in the business, and they was

0:14:12.080 --> 0:14:15.640
<v Speaker 3>doing the most numbers, and so everybody said, I'm gonna

0:14:15.640 --> 0:14:18.280
<v Speaker 3>say the most simplest shit I could possibly say and

0:14:18.320 --> 0:14:19.160
<v Speaker 3>try to do what they did.

0:14:19.200 --> 0:14:21.240
<v Speaker 1>I feel like they are the ones that like.

0:14:22.960 --> 0:14:28.120
<v Speaker 2>Simple simple by by mid two thousand standards now that

0:14:28.160 --> 0:14:32.280
<v Speaker 2>would be super lyrical. Nelly's super lyrical to today's crowd.

0:14:33.000 --> 0:14:37.760
<v Speaker 3>Yes, who's the pretty boy naund niggas okay around nigga

0:14:37.800 --> 0:14:39.480
<v Speaker 3>that lirical.

0:14:40.800 --> 0:14:44.640
<v Speaker 1>If you want to, yes, because it was different. But

0:14:44.720 --> 0:14:45.160
<v Speaker 1>when we was.

0:14:45.120 --> 0:14:48.360
<v Speaker 3>Young, it was little yachty and and people that you'll

0:14:48.360 --> 0:14:49.680
<v Speaker 3>think can't rap they like that ship.

0:14:49.800 --> 0:14:51.880
<v Speaker 4>No, I'm not saying, and I understand that, and I

0:14:51.960 --> 0:14:53.840
<v Speaker 4>also give them that respect, Like, okay, if that's what

0:14:53.880 --> 0:14:56.960
<v Speaker 4>y'all like. When I was coming up, people didn't like Snoop,

0:14:57.280 --> 0:14:59.800
<v Speaker 4>people didn't like Dre, people didn't like a lot of

0:14:59.800 --> 0:15:01.400
<v Speaker 4>that shit that I was listening to, and I was like,

0:15:01.400 --> 0:15:02.200
<v Speaker 4>what this is dope?

0:15:03.080 --> 0:15:04.400
<v Speaker 1>Now look at what they turned it into.

0:15:04.480 --> 0:15:06.960
<v Speaker 4>I'm just saying, when you say that the foundation is week,

0:15:06.960 --> 0:15:09.640
<v Speaker 4>the foundation can't be weak as hell because look how

0:15:09.760 --> 0:15:11.320
<v Speaker 4>look how much was built on the foundation.

0:15:12.600 --> 0:15:15.520
<v Speaker 1>I mean now, I think how much hip hop came

0:15:15.560 --> 0:15:16.560
<v Speaker 1>from the Sugar Hill Gang.

0:15:16.600 --> 0:15:19.680
<v Speaker 3>Look how far the culture from that from Yeah, from

0:15:19.800 --> 0:15:22.280
<v Speaker 3>that moment, that that style, from that sound.

0:15:22.840 --> 0:15:24.360
<v Speaker 1>Fifty something years later.

0:15:24.960 --> 0:15:30.240
<v Speaker 4>It's the most impactful, influential culture, maybe art form on

0:15:30.280 --> 0:15:33.840
<v Speaker 4>the planet. So the foundation of that, you can't say

0:15:33.840 --> 0:15:36.000
<v Speaker 4>it's weak as hell, because if that was weak as hell,

0:15:36.040 --> 0:15:36.760
<v Speaker 4>it would have collapsed.

0:15:36.760 --> 0:15:38.800
<v Speaker 1>It wouldn't have it would nothing would have been built

0:15:38.800 --> 0:15:39.160
<v Speaker 1>a bomb.

0:15:39.160 --> 0:15:41.760
<v Speaker 3>It feel like it was some real shit going on

0:15:41.840 --> 0:15:43.800
<v Speaker 3>back then too, though, because if you listen to everything

0:15:43.840 --> 0:15:46.560
<v Speaker 3>that was like would dudes like got sent up? Nor

0:15:46.640 --> 0:15:48.960
<v Speaker 3>four eight year bit? Like turn stick up?

0:15:49.040 --> 0:15:52.280
<v Speaker 1>Kid? What you done? Did ship up? Nor four eight

0:15:52.400 --> 0:15:52.800
<v Speaker 1>year bit?

0:15:52.960 --> 0:15:55.600
<v Speaker 3>Right? So they had different than that's melly mal right.

0:15:55.720 --> 0:15:58.440
<v Speaker 3>So they had dudes that was really rapid. It's just

0:15:58.480 --> 0:16:00.600
<v Speaker 3>you had a bunch of party shit going on at

0:16:00.600 --> 0:16:03.960
<v Speaker 3>the same time. So like that's probably why don't fall

0:16:04.000 --> 0:16:06.240
<v Speaker 3>because the foundation of that real rap shit it was

0:16:06.280 --> 0:16:08.000
<v Speaker 3>dead and I'm saying it was dead like they was.

0:16:08.080 --> 0:16:10.119
<v Speaker 3>They was a ram, but they wasn't at the forefront,

0:16:10.640 --> 0:16:13.160
<v Speaker 3>just like nowadays the real rap nigga they ain't at

0:16:13.160 --> 0:16:17.080
<v Speaker 3>the forefront. It's these niggas that h hop just a

0:16:17.080 --> 0:16:17.960
<v Speaker 3>new version of that ship.

0:16:18.000 --> 0:16:19.360
<v Speaker 1>But I mean, no, it's still still lyrics.

0:16:19.440 --> 0:16:21.400
<v Speaker 3>There's never been a year in hip hop where actual

0:16:21.520 --> 0:16:23.440
<v Speaker 3>lyricists weren't the forefront of the entire thing.

0:16:23.480 --> 0:16:26.120
<v Speaker 1>It's it's gotten smaller and smaller of the amount of them.

0:16:26.320 --> 0:16:29.640
<v Speaker 3>But to this to this day, Yeah, the dudes that

0:16:29.720 --> 0:16:31.840
<v Speaker 3>sell records, you got raps got rap.

0:16:31.960 --> 0:16:34.200
<v Speaker 1>So I mean you gotta be saying. So you could

0:16:34.240 --> 0:16:34.640
<v Speaker 1>sell a.

0:16:34.520 --> 0:16:37.720
<v Speaker 3>Song without rapping, but you can't sell records without rapping.

0:16:37.760 --> 0:16:39.680
<v Speaker 2>But if you do make good point now, I think

0:16:39.680 --> 0:16:42.280
<v Speaker 2>about it with Nelly and fifty and just that era,

0:16:42.440 --> 0:16:46.440
<v Speaker 2>simplifying ship for when it got super super mainstream, commercial,

0:16:46.920 --> 0:16:49.440
<v Speaker 2>monetizing everything, it had to be dumb down a bit,

0:16:49.480 --> 0:16:52.600
<v Speaker 2>because even fifty was way more lyrical on its mixtapes

0:16:53.000 --> 0:16:55.800
<v Speaker 2>before get Rich dumbed it down a little bit. I

0:16:55.840 --> 0:16:59.160
<v Speaker 2>think hip hop continues to evolve from the generation before

0:17:00.160 --> 0:17:00.640
<v Speaker 2>and yeah, it.

0:17:00.560 --> 0:17:01.560
<v Speaker 1>Evolved to more simple.

0:17:01.880 --> 0:17:06.160
<v Speaker 2>Yeah, from the soldiable every single time got lyrical, lyrical, nineties,

0:17:06.200 --> 0:17:08.720
<v Speaker 2>two thousand got simple, and now it's super. It just

0:17:08.760 --> 0:17:12.800
<v Speaker 2>evolves with the generation before it. So you do make

0:17:12.840 --> 0:17:15.440
<v Speaker 2>a good point. Simplifying it in the mid two thousands

0:17:15.440 --> 0:17:16.720
<v Speaker 2>did get us to where we are now.

0:17:16.840 --> 0:17:19.000
<v Speaker 1>To the simple dame that's who they grew up on.

0:17:19.119 --> 0:17:21.400
<v Speaker 3>Yeah, he born in O two, This would fifty come out,

0:17:21.600 --> 0:17:23.520
<v Speaker 3>so the dudes that's his age, that's that's the music

0:17:23.560 --> 0:17:26.440
<v Speaker 3>they need. Peoples who's listening to from when they little

0:17:26.600 --> 0:17:30.720
<v Speaker 3>they had fifty. Yeah, Brian said, he met he knows

0:17:30.800 --> 0:17:33.000
<v Speaker 3>t I as an actor, not as a rapper. I

0:17:33.119 --> 0:17:35.959
<v Speaker 3>know I knew tis a rapper, but I'm saying I'm

0:17:35.960 --> 0:17:39.240
<v Speaker 3>more familiar with him as a reality TV star.

0:17:40.480 --> 0:17:42.880
<v Speaker 1>Well I locked up at that though.

0:17:43.160 --> 0:17:45.160
<v Speaker 3>Yeah, but is my man though, I feel like Major

0:17:45.280 --> 0:17:49.280
<v Speaker 3>was like that's my little homie. Yeah, like respectfully, Major, King,

0:17:49.760 --> 0:17:51.719
<v Speaker 3>DEMONI all of them, I know, the whole family.

0:17:52.080 --> 0:17:52.680
<v Speaker 1>You know what I'm saying.

0:17:52.720 --> 0:17:55.959
<v Speaker 4>Because of the real Yeah yeah, yeah, you watched them

0:17:55.960 --> 0:17:56.320
<v Speaker 4>grow up.

0:17:56.640 --> 0:18:01.240
<v Speaker 1>I didn't have my car. You were that into that show? Yeah,

0:18:01.840 --> 0:18:04.840
<v Speaker 1>but that was a classic reality show. You bucket and

0:18:05.040 --> 0:18:09.479
<v Speaker 1>what name she had? The fat ass like on that.

0:18:09.760 --> 0:18:12.439
<v Speaker 1>I'm watching out to see nothing for nothing else. That's

0:18:12.480 --> 0:18:13.200
<v Speaker 1>what was watching that?

0:18:13.320 --> 0:18:13.640
<v Speaker 3>The prison?

0:18:13.920 --> 0:18:16.120
<v Speaker 1>Yes, what was what was your favorite moment from that show?

0:18:17.280 --> 0:18:17.639
<v Speaker 3>What was it?

0:18:17.680 --> 0:18:19.359
<v Speaker 1>All the family? I don't know. I don't like, I

0:18:19.359 --> 0:18:20.960
<v Speaker 1>don't remember the King's gred.

0:18:20.800 --> 0:18:25.960
<v Speaker 3>Hustle grand hushusle hustle. Yeah, okay, I'm saying probably some ship.

0:18:26.000 --> 0:18:27.960
<v Speaker 3>Major that Major was my little man son, like we

0:18:28.040 --> 0:18:29.680
<v Speaker 3>used to like Major, like yo, MAJORA.

0:18:30.200 --> 0:18:32.439
<v Speaker 1>You know what I'm saying. He come to doing what

0:18:32.480 --> 0:18:37.720
<v Speaker 1>he do. I'm saying I don't see him no more neither.

0:18:37.720 --> 0:18:42.040
<v Speaker 1>When he lay he stayed with.

0:18:44.440 --> 0:18:46.720
<v Speaker 2>He sting, he was holding the phone when Kings say

0:18:46.760 --> 0:18:49.840
<v Speaker 2>all that ship, Oh that's him.

0:18:50.440 --> 0:18:52.399
<v Speaker 1>Listen, what's up with major? With Major?

0:18:53.359 --> 0:18:56.000
<v Speaker 3>What other reality shows did y'all watch everything that come

0:18:56.080 --> 0:18:59.399
<v Speaker 3>on each Everything came on E, M, T, V, v

0:18:59.600 --> 0:19:00.440
<v Speaker 3>H one every day.

0:19:00.440 --> 0:19:03.280
<v Speaker 1>Whatever was going on y'all being in jail watching watching

0:19:03.560 --> 0:19:04.800
<v Speaker 1>family hustles.

0:19:04.359 --> 0:19:07.439
<v Speaker 3>Crazy loving hip hop, all of that ship, nigga, everybody

0:19:07.520 --> 0:19:10.920
<v Speaker 3>that makes sense? Everything I come on them channels. If

0:19:10.920 --> 0:19:13.400
<v Speaker 3>you into jail and the ain't have v H one

0:19:14.000 --> 0:19:17.679
<v Speaker 3>or MTV, like it's trying to blow this.

0:19:17.880 --> 0:19:22.560
<v Speaker 1>Joint straight up. So you think violence in prison?

0:19:22.680 --> 0:19:25.040
<v Speaker 2>Could we could drop those numbers if we just keep

0:19:25.080 --> 0:19:27.200
<v Speaker 2>VH one in the day room.

0:19:27.480 --> 0:19:29.520
<v Speaker 3>I don't know about now, but back then, oh a, oh,

0:19:29.680 --> 0:19:33.000
<v Speaker 3>seven oh nine, you got v H one, MTV.

0:19:33.080 --> 0:19:35.080
<v Speaker 1>Everything was cool. Yes, yeah, you.

0:19:34.960 --> 0:19:37.720
<v Speaker 2>Hear that, man Dommy fucking put on Rikers, everyone to

0:19:37.720 --> 0:19:38.200
<v Speaker 2>calm down.

0:19:39.280 --> 0:19:44.760
<v Speaker 4>Give everybody derescription Netflix description, yes, and and rikers.

0:19:44.760 --> 0:19:45.160
<v Speaker 1>Netflix.

0:19:45.359 --> 0:19:48.880
<v Speaker 4>Just put a beeper Netflix, give everyone and net rikers,

0:19:49.000 --> 0:19:53.480
<v Speaker 4>Ma'm donnie, Netflix subscriptions for everybody and Rikers. Some more

0:19:53.920 --> 0:19:59.040
<v Speaker 4>crazy hip hop talk from you know the media?

0:19:59.640 --> 0:20:05.520
<v Speaker 1>Oh though, oh as we still control the media, Maul.

0:20:05.640 --> 0:20:08.520
<v Speaker 2>Finally, you have the most powerful iPhone of all time.

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<v Speaker 4>boostmobile dot com. Well, Charlamagne he ranked as his top

0:20:52.760 --> 0:20:57.960
<v Speaker 4>five bad boy lyricists and Mace wasn't in his top

0:20:58.000 --> 0:21:02.560
<v Speaker 4>five bad boy lyricis. He has Biggie Kiss. Well, okay,

0:21:02.640 --> 0:21:05.960
<v Speaker 4>let's just do this. Biggie the locks uh in Black Rock.

0:21:07.080 --> 0:21:11.480
<v Speaker 3>Charlomagne is my son, but Charlemagne is bugging holmy. First

0:21:11.520 --> 0:21:15.439
<v Speaker 3>of all, when Mace was on Bad Boy, they were

0:21:15.520 --> 0:21:17.160
<v Speaker 3>saying Kiss was like a little Mace.

0:21:17.520 --> 0:21:20.919
<v Speaker 1>I remember that they were saying Kiss was little Mace.

0:21:20.800 --> 0:21:24.040
<v Speaker 4>And not not only that people forget when Big passed,

0:21:24.680 --> 0:21:26.440
<v Speaker 4>Mace kept the lights on that bad Boy.

0:21:26.440 --> 0:21:28.560
<v Speaker 1>Wrote all the puffy raps and his raps.

0:21:28.560 --> 0:21:32.960
<v Speaker 4>So like Mace was a bona fide megastar, star, mega star.

0:21:33.240 --> 0:21:36.360
<v Speaker 4>I don't like people forget, you know, I guess because

0:21:36.400 --> 0:21:37.480
<v Speaker 4>it wasn't It was so short.

0:21:37.520 --> 0:21:39.440
<v Speaker 3>It was like a short window. He did four million

0:21:39.520 --> 0:21:40.919
<v Speaker 3>on the debut. That was unheard of.

0:21:41.040 --> 0:21:42.600
<v Speaker 1>But what Mace did.

0:21:42.640 --> 0:21:44.520
<v Speaker 4>I just I just urge people to just go back

0:21:44.560 --> 0:21:46.960
<v Speaker 4>and just really look at what Mace did on Bad Boy.

0:21:47.480 --> 0:21:50.320
<v Speaker 4>Go back to the albums, go back to the features

0:21:50.440 --> 0:21:53.359
<v Speaker 4>with total and go look at the video.

0:21:53.400 --> 0:21:56.080
<v Speaker 1>Mace was a star. How do you think that was?

0:21:56.320 --> 0:21:59.800
<v Speaker 3>Charla was arguing and listen, I think charlam Mage's is

0:21:59.840 --> 0:22:01.680
<v Speaker 3>a better liric system Mace bro.

0:22:03.040 --> 0:22:05.200
<v Speaker 2>I think she can like super underrated. But I like,

0:22:08.000 --> 0:22:09.600
<v Speaker 2>I'm just saying that Mace was not a star. He

0:22:09.600 --> 0:22:11.880
<v Speaker 2>said he probably makes the best music outside of Big.

0:22:11.920 --> 0:22:14.120
<v Speaker 2>On Bad Boy, he was there lyricists. He's still bugging.

0:22:14.160 --> 0:22:16.320
<v Speaker 2>I want to make that very clear. Bugs, I don't

0:22:16.320 --> 0:22:18.720
<v Speaker 2>want to misquote him in that regard. I get it

0:22:18.960 --> 0:22:21.040
<v Speaker 2>because everyone would say that that Mace put Bad Boy

0:22:21.119 --> 0:22:21.520
<v Speaker 2>on his back.

0:22:21.560 --> 0:22:24.040
<v Speaker 3>Black don't have one verse fucking with that. Whence was like,

0:22:24.080 --> 0:22:26.120
<v Speaker 3>what you know about going out had West, red Lex

0:22:26.200 --> 0:22:28.560
<v Speaker 3>TV's all up in the head wrest Black Raw don't

0:22:28.560 --> 0:22:32.879
<v Speaker 3>got one verse with that. Bro, no verse literally on

0:22:32.920 --> 0:22:34.879
<v Speaker 3>a hit record, even when he ran out of a

0:22:35.400 --> 0:22:40.640
<v Speaker 3>throng bottles. That's not better than red Lex TV, Piece

0:22:40.720 --> 0:22:43.960
<v Speaker 3>b All Rest, the Piece, Black.

0:22:43.200 --> 0:22:46.840
<v Speaker 4>Boxes and Sean Jones when I came home with that first. Yeah,

0:22:46.840 --> 0:22:50.040
<v Speaker 4>but Mace is definitely top five bad boys.

0:22:50.920 --> 0:22:54.040
<v Speaker 2>If you go back like top three, the corn Murder

0:22:54.080 --> 0:22:58.120
<v Speaker 2>Mace like before the first we not like like mixtape Mace.

0:22:58.480 --> 0:23:00.360
<v Speaker 4>But I guess he's saying when he was bad boy,

0:23:00.400 --> 0:23:03.360
<v Speaker 4>when he was black, That's what he's saying. Bad boy lyricists,

0:23:03.840 --> 0:23:06.000
<v Speaker 4>bad boy lyricists.

0:23:06.240 --> 0:23:08.360
<v Speaker 1>Either way.

0:23:08.520 --> 0:23:12.080
<v Speaker 3>They said a classy criminal yad by the Jennital Dougs

0:23:12.119 --> 0:23:14.639
<v Speaker 3>know me, So don't get splashed for the minimal like

0:23:14.680 --> 0:23:15.520
<v Speaker 3>he was talking.

0:23:15.560 --> 0:23:18.720
<v Speaker 1>Ship Bro was like, come on, y'all, gotta go back

0:23:18.720 --> 0:23:19.960
<v Speaker 1>and do your HOMEWORKINGNA make I think.

0:23:19.960 --> 0:23:22.520
<v Speaker 4>I think Charlamagne, Charlamagne from the he from the South,

0:23:22.680 --> 0:23:23.600
<v Speaker 4>from what North Carolina?

0:23:23.640 --> 0:23:26.960
<v Speaker 1>South Carol, South Carolina. That's deeper south than North.

0:23:28.200 --> 0:23:32.240
<v Speaker 4>You gotta you gotta go, you gotta go, you gotta

0:23:32.720 --> 0:23:33.920
<v Speaker 4>you gotta, you gotta do your.

0:23:33.840 --> 0:23:37.720
<v Speaker 3>Dude got w And that's really it, Like that's the

0:23:37.760 --> 0:23:38.600
<v Speaker 3>only Black Raw.

0:23:38.680 --> 0:23:40.080
<v Speaker 1>We really haven't really got.

0:23:39.920 --> 0:23:42.879
<v Speaker 3>Bro as far as a hit record. Okay, songs like

0:23:42.920 --> 0:23:44.960
<v Speaker 3>black Bro. When when it was Black Raw Black and

0:23:45.000 --> 0:23:47.240
<v Speaker 3>on the show with Black Raw twenty four Hours to Live,

0:23:47.480 --> 0:23:50.480
<v Speaker 3>that's the only time I feel like Black Rob went off.

0:23:50.600 --> 0:23:52.320
<v Speaker 3>I think he got the best verse on that song.

0:23:52.600 --> 0:23:56.080
<v Speaker 3>There's no other time that I feel like Black Rob

0:23:56.160 --> 0:23:59.159
<v Speaker 3>and Can I Live Black Rob with it was just

0:23:59.280 --> 0:24:03.000
<v Speaker 3>unfair on Can I Live? Because first time he.

0:24:03.000 --> 0:24:03.720
<v Speaker 1>Was only on the hook.

0:24:04.400 --> 0:24:05.800
<v Speaker 3>Yeah, I was on a clue tape the first time

0:24:05.800 --> 0:24:07.400
<v Speaker 3>I heard that he was only It was a Lock

0:24:07.480 --> 0:24:09.480
<v Speaker 3>song and they gave it to Black Rob because he

0:24:09.520 --> 0:24:10.919
<v Speaker 3>needed one of us on his album.

0:24:11.000 --> 0:24:12.760
<v Speaker 1>But his verse wasn't bad.

0:24:12.800 --> 0:24:15.680
<v Speaker 2>He just went up against the Locks in prime form

0:24:15.720 --> 0:24:17.479
<v Speaker 2>with three of the best verses they had done. Like

0:24:17.840 --> 0:24:19.840
<v Speaker 2>it was unfair, but Black Rob he got off on

0:24:20.280 --> 0:24:23.120
<v Speaker 2>Can I Live Now? I don't remember on the old show,

0:24:23.200 --> 0:24:24.080
<v Speaker 2>Charlemagne called.

0:24:23.880 --> 0:24:26.840
<v Speaker 3>In one time when we were discussing if Harlem World

0:24:26.920 --> 0:24:27.520
<v Speaker 3>was a classic.

0:24:28.680 --> 0:24:31.440
<v Speaker 2>I think this is a personal thing. I don't think

0:24:31.520 --> 0:24:32.560
<v Speaker 2>Charlemgne actually believes this.

0:24:32.720 --> 0:24:35.000
<v Speaker 1>Him and Mace. He's had some weird Mace hate. You

0:24:35.000 --> 0:24:38.240
<v Speaker 1>think that's a class hallm World, Yes, I personally do.

0:24:38.320 --> 0:24:39.720
<v Speaker 1>If somebody said no, I wouldn't bad.

0:24:39.800 --> 0:24:41.800
<v Speaker 3>On the other day, looking for some ship I was,

0:24:41.800 --> 0:24:44.000
<v Speaker 3>I was making my playlist. I think I took two

0:24:44.040 --> 0:24:46.640
<v Speaker 3>songs off of it. Okay, I can't be no classic?

0:24:47.480 --> 0:24:49.760
<v Speaker 3>What you could take two?

0:24:49.960 --> 0:24:52.040
<v Speaker 1>What you mean only two? It was like, oh, okay,

0:24:52.080 --> 0:24:53.320
<v Speaker 1>I don't want to hear this shit no more.

0:24:53.400 --> 0:24:55.560
<v Speaker 4>You took two songs off like you only you couldn't

0:24:55.560 --> 0:24:56.960
<v Speaker 4>listen to those two or the only two you could

0:24:56.920 --> 0:24:57.280
<v Speaker 4>listen to.

0:24:57.480 --> 0:24:59.880
<v Speaker 3>You niggas want to scrap. We can scrap. Niggas want

0:25:00.080 --> 0:25:04.320
<v Speaker 3>like that ship with him in DMX twenty four hours away.

0:25:04.359 --> 0:25:06.399
<v Speaker 3>So it's probably like three songs over there that you

0:25:07.200 --> 0:25:08.120
<v Speaker 3>could take and put them to play.

0:25:08.320 --> 0:25:11.480
<v Speaker 2>You want to get money, take what's yours? Will they

0:25:11.520 --> 0:25:15.880
<v Speaker 2>die for you? Look looking at me the play away

0:25:15.920 --> 0:25:18.320
<v Speaker 2>on its dating he was so good.

0:25:18.359 --> 0:25:22.000
<v Speaker 1>What you want? Cheat on you? Twenty four hours to live?

0:25:22.520 --> 0:25:26.119
<v Speaker 1>I need to be watch it back. He's bugging.

0:25:26.119 --> 0:25:28.680
<v Speaker 3>That's a class, not classic, bro, that's a class that's

0:25:28.720 --> 0:25:32.239
<v Speaker 3>I think is way better than that Come Home with

0:25:32.280 --> 0:25:34.680
<v Speaker 3>Me is way better than that Hall In World album.

0:25:34.800 --> 0:25:36.560
<v Speaker 1>Sir, I don't know if I don't know if that's

0:25:36.560 --> 0:25:37.439
<v Speaker 1>a crazy hot take.

0:25:39.560 --> 0:25:42.879
<v Speaker 2>With me better than that son age difference because I

0:25:42.960 --> 0:25:45.800
<v Speaker 2>listened to Harlem World later because I was I was

0:25:45.840 --> 0:25:47.360
<v Speaker 2>seven when Hall in World came out.

0:25:47.440 --> 0:25:48.720
<v Speaker 1>I was shot.

0:25:48.760 --> 0:25:51.359
<v Speaker 3>I got all in the world and didn't like I

0:25:51.400 --> 0:25:54.440
<v Speaker 3>got some money power respect. It came out like two

0:25:54.440 --> 0:25:56.720
<v Speaker 3>weeks later, Bro, I was laid up shot listening to

0:25:56.720 --> 0:25:57.040
<v Speaker 3>this ship.

0:25:57.080 --> 0:25:57.280
<v Speaker 1>Son.

0:25:57.280 --> 0:26:00.159
<v Speaker 3>I was like, Yo, you couldn't tell me nothing about me, Son, Now,

0:26:00.200 --> 0:26:01.720
<v Speaker 3>Holling World is a class You couldn't tell me nothing

0:26:01.760 --> 0:26:04.800
<v Speaker 3>about Mace. You listening now, so you're saying it's dated. Now,

0:26:04.800 --> 0:26:07.160
<v Speaker 3>I'm talking about then when that ship came out.

0:26:06.960 --> 0:26:11.760
<v Speaker 1>When it Mace was a megastar, Bro, Mace, that's a

0:26:11.760 --> 0:26:13.159
<v Speaker 1>classic album. We're not doing that.

0:26:13.920 --> 0:26:16.720
<v Speaker 3>We ain't gonna we ain't gonna winna be dying on

0:26:16.720 --> 0:26:21.240
<v Speaker 3>my classic list, So I'm on your classical listing. Come

0:26:21.280 --> 0:26:23.400
<v Speaker 3>Home with Me is on my classic list. The tape

0:26:23.440 --> 0:26:26.320
<v Speaker 3>is on my class could it was hi, how you

0:26:26.320 --> 0:26:28.359
<v Speaker 3>could debate come Home All in the World. If you

0:26:28.400 --> 0:26:29.720
<v Speaker 3>got Come Home with Me, I could put all the

0:26:29.720 --> 0:26:33.239
<v Speaker 3>world in there. It's not that it's not. I love

0:26:33.359 --> 0:26:35.160
<v Speaker 3>Coming Home with Me. I love that album, but I'm

0:26:35.200 --> 0:26:35.760
<v Speaker 3>just saying it ain't.

0:26:35.840 --> 0:26:36.400
<v Speaker 1>It ain't like.

0:26:36.440 --> 0:26:37.960
<v Speaker 3>Smacking all of the world out here, I do. I

0:26:38.040 --> 0:26:38.480
<v Speaker 3>think it does.

0:26:38.520 --> 0:26:41.000
<v Speaker 1>I think it does. Nah, it's not smacking it out

0:26:41.000 --> 0:26:43.760
<v Speaker 1>of here, but it is. It is. It's a fair

0:26:43.800 --> 0:26:45.719
<v Speaker 1>point when you look back at at the Come Home.

0:26:45.840 --> 0:26:47.480
<v Speaker 1>I love Come Home with Me. That album was crazy,

0:26:47.480 --> 0:26:55.960
<v Speaker 1>losing life, I think so, I think so, yeah, it's

0:26:56.000 --> 0:26:56.639
<v Speaker 1>the again.

0:26:56.720 --> 0:26:58.639
<v Speaker 3>I have a different place in my heart because I

0:26:58.640 --> 0:27:01.160
<v Speaker 3>was thirteen when Come Home with Me came out, So.

0:27:01.119 --> 0:27:04.800
<v Speaker 2>It's I connect Yeah, I connect with this more than

0:27:04.840 --> 0:27:07.160
<v Speaker 2>I do with Harlem World, just because I went back

0:27:07.200 --> 0:27:08.920
<v Speaker 2>to listen to Harlem World. I mean, I heard the

0:27:08.960 --> 0:27:10.840
<v Speaker 2>singles when I was a kid, but but I didn't.

0:27:11.119 --> 0:27:14.760
<v Speaker 2>I wasn't banging Harlem World when I was seven. But

0:27:14.840 --> 0:27:17.359
<v Speaker 2>Come Home with Me did not leave my fucking walkman.

0:27:17.800 --> 0:27:20.200
<v Speaker 3>Come Home with Me it's still is still like valid, bro,

0:27:20.480 --> 0:27:23.320
<v Speaker 3>like that ship is kind of timeless to shit on it.

0:27:23.440 --> 0:27:26.960
<v Speaker 1>That's timeless, bro. I think it's Can's best album. Me too,

0:27:27.040 --> 0:27:30.200
<v Speaker 1>it is. I mean a lot of right there. Though

0:27:30.520 --> 0:27:33.639
<v Speaker 1>a lot of people say cool as these cool.

0:27:34.480 --> 0:27:36.480
<v Speaker 3>We can't fuck with come home compared to come home

0:27:37.560 --> 0:27:39.880
<v Speaker 3>d is crazy compared to come home with me as cool.

0:27:39.920 --> 0:27:41.840
<v Speaker 3>This is what I'm saying, like is when it came

0:27:41.840 --> 0:27:43.399
<v Speaker 3>out five, you actually have come home with me as

0:27:43.440 --> 0:27:46.120
<v Speaker 3>better for sure, when when it first came out sde fire,

0:27:46.440 --> 0:27:48.520
<v Speaker 3>I've never even heard that to be the second one.

0:27:48.520 --> 0:27:51.560
<v Speaker 3>It's always purple haze verse come home with Me, it's fired.

0:27:51.560 --> 0:27:52.160
<v Speaker 3>Don't get me wrong.

0:27:52.400 --> 0:27:56.800
<v Speaker 1>I heard that, But that's your generation, that's generation. I've

0:27:56.800 --> 0:27:57.840
<v Speaker 1>got three songs off of that.

0:27:57.920 --> 0:28:00.440
<v Speaker 2>I like, I've gotten plenty of arguments purple hate versus

0:28:00.440 --> 0:28:03.439
<v Speaker 2>come on. That's that's almost like the rap version of

0:28:03.600 --> 0:28:07.080
<v Speaker 2>Confessions verse eighty seven, oh one, come home with Me

0:28:07.160 --> 0:28:07.800
<v Speaker 2>in purple haze.

0:28:07.880 --> 0:28:09.720
<v Speaker 1>Yeah, I can see that. I can see that.

0:28:10.280 --> 0:28:12.640
<v Speaker 4>Charlomage tripping though maces back to the top five bad

0:28:12.680 --> 0:28:15.159
<v Speaker 4>boy lyricist. I'm not even I don't even want that

0:28:15.200 --> 0:28:17.199
<v Speaker 4>to grow l, that narrative to even start making his

0:28:17.280 --> 0:28:18.879
<v Speaker 4>rounds without a doubt.

0:28:19.359 --> 0:28:20.760
<v Speaker 1>You cannot talk about.

0:28:20.520 --> 0:28:23.479
<v Speaker 4>Bad boy, the bad boy legacy, bad boy building, anything

0:28:23.520 --> 0:28:26.600
<v Speaker 4>bad boy related without mace and without saying he was

0:28:26.640 --> 0:28:29.960
<v Speaker 4>a top fuck lyricists. He's a top five, he was

0:28:29.960 --> 0:28:32.199
<v Speaker 4>a top five artist back to rap artist back then. Oh,

0:28:32.240 --> 0:28:35.280
<v Speaker 4>for sure, he was the biggest artist. Nobody was messing

0:28:35.320 --> 0:28:35.680
<v Speaker 4>with Mace.

0:28:35.720 --> 0:28:40.080
<v Speaker 3>When Mace came out bro and shot him. Jay Z

0:28:40.200 --> 0:28:42.360
<v Speaker 3>shot Mace because he was at the top of the

0:28:42.440 --> 0:28:45.920
<v Speaker 3>He was the top dog, h the ones. Yeah, they

0:28:46.240 --> 0:28:48.480
<v Speaker 3>you the top door. He didn't go at Nas. You

0:28:48.680 --> 0:28:51.280
<v Speaker 3>got Nas first. He didn't got nobody else. He went

0:28:51.400 --> 0:28:53.200
<v Speaker 3>at Mace because Mace was that dude.

0:28:53.280 --> 0:28:56.480
<v Speaker 1>Bro. It was a little more personal shit behind that, yeah, perhaps,

0:28:56.480 --> 0:28:58.560
<v Speaker 1>but still was Mace was the top dogs. Hunh. I

0:28:58.560 --> 0:29:00.200
<v Speaker 1>don't know for sure, definitely.

0:28:59.880 --> 0:29:02.280
<v Speaker 2>I just want I'm not saying Charlemage is not being honest.

0:29:02.320 --> 0:29:05.240
<v Speaker 2>I do think there's something personal because he's had this weird,

0:29:05.400 --> 0:29:07.800
<v Speaker 2>weird Mace hate that people have called out and noticed

0:29:07.800 --> 0:29:08.520
<v Speaker 2>for a long time.

0:29:08.840 --> 0:29:10.520
<v Speaker 1>Like it doesn't feel like you critique in music. It

0:29:10.520 --> 0:29:11.040
<v Speaker 1>feels like you.

0:29:11.040 --> 0:29:14.160
<v Speaker 2>Kind of hate somebody Jones telling some story in Florida

0:29:14.160 --> 0:29:16.080
<v Speaker 2>with Charlemagne and Mace or something like somebody.

0:29:15.760 --> 0:29:18.280
<v Speaker 3>Said, Wendy Williams is big homie. You know, Wendy Williams

0:29:18.320 --> 0:29:21.120
<v Speaker 3>don't like Maxon. She don't want to first stay made

0:29:21.160 --> 0:29:24.600
<v Speaker 3>with a gay rap book. Y'all gotta like in the

0:29:24.680 --> 0:29:27.200
<v Speaker 3>dis connect themselves.

0:29:28.160 --> 0:29:30.560
<v Speaker 1>You gos connect themselves all right?

0:29:30.760 --> 0:29:35.080
<v Speaker 2>Top five bad boy lyricists around the room start starting

0:29:35.080 --> 0:29:35.520
<v Speaker 2>with the maras.

0:29:35.600 --> 0:29:37.000
<v Speaker 1>Since we've been talking.

0:29:37.280 --> 0:29:40.280
<v Speaker 6>Not qualified. I wasn't in the heyday of when that

0:29:40.360 --> 0:29:41.120
<v Speaker 6>was going Heyday.

0:29:41.160 --> 0:29:42.160
<v Speaker 1>So you're like yady day.

0:29:42.160 --> 0:29:45.120
<v Speaker 4>It's like confess you're sawing like yachty the hey day

0:29:45.320 --> 0:29:47.400
<v Speaker 4>it was ninety what ninety four?

0:29:47.600 --> 0:29:49.640
<v Speaker 1>I was born in ninety four. Oh yeah, you're out

0:29:49.640 --> 0:29:49.840
<v Speaker 1>of here.

0:29:50.720 --> 0:29:52.880
<v Speaker 3>Bad boy you know, made it all the way up

0:29:52.960 --> 0:29:54.760
<v Speaker 3>until a few years ago. Like you you could throw

0:29:54.880 --> 0:29:55.880
<v Speaker 3>MGK in your list.

0:29:56.240 --> 0:30:03.000
<v Speaker 2>Okay, that's it, g Frank, not on your your lyrics listening.

0:30:03.200 --> 0:30:06.120
<v Speaker 1>Nah nah one of the best artists that.

0:30:06.200 --> 0:30:12.720
<v Speaker 4>Was, Yeah, I'm going big Mace Kiss No big Kiss

0:30:12.760 --> 0:30:16.080
<v Speaker 4>Mace Oh no, no particular no particular order.

0:30:16.160 --> 0:30:19.760
<v Speaker 1>No, yeah, I wasn't wasn't called big Mace.

0:30:19.640 --> 0:30:26.320
<v Speaker 4>Kiss styles and who else was up there?

0:30:26.400 --> 0:30:26.480
<v Speaker 3>She?

0:30:28.040 --> 0:30:29.920
<v Speaker 1>Yeah, your locks.

0:30:30.240 --> 0:30:33.600
<v Speaker 2>Everyone's just replacing Black Rob Oh you go, Gez, you go,

0:30:33.720 --> 0:30:35.280
<v Speaker 2>Jeezy Young Jeezy, Young Jock.

0:30:36.640 --> 0:30:41.320
<v Speaker 1>Young Jez was on. He was in the group solo. Yeah,

0:30:41.360 --> 0:30:43.120
<v Speaker 1>but no, we're not doing we can't do that though

0:30:43.440 --> 0:30:44.840
<v Speaker 1>hit record. Yeah, we can't do that.

0:30:44.840 --> 0:30:47.200
<v Speaker 4>Though we're talking about like he didn't release a artist,

0:30:47.200 --> 0:30:49.040
<v Speaker 4>he didn't release a solo album on No.

0:30:49.960 --> 0:30:54.400
<v Speaker 3>She can't release no solo album. Staff, So you're gonna

0:30:54.400 --> 0:30:58.840
<v Speaker 3>take the group. Uh, I'm saying. I'm saying like I'm

0:30:58.880 --> 0:31:00.360
<v Speaker 3>just acting as jeezy like.

0:31:00.880 --> 0:31:02.840
<v Speaker 1>Geesez is not a better lyricistan sheet Loops, you know,

0:31:03.480 --> 0:31:04.080
<v Speaker 1>not even close.

0:31:04.200 --> 0:31:06.480
<v Speaker 4>He's not a better about Red Cafe. He's not a

0:31:06.480 --> 0:31:09.640
<v Speaker 4>better lyricistan Sheek Loopes. I like I like Red, though

0:31:10.200 --> 0:31:11.800
<v Speaker 4>I think Red is underrated and I think Red is

0:31:11.800 --> 0:31:13.320
<v Speaker 4>low key writing for a lot of niggas that we want.

0:31:13.480 --> 0:31:19.480
<v Speaker 4>Loon is not better than chic no lyrics lyricists lyricists.

0:31:19.680 --> 0:31:22.120
<v Speaker 1>No, he's not no loon.

0:31:21.920 --> 0:31:24.520
<v Speaker 4>Got loon guy, I need a girl he gott he

0:31:24.560 --> 0:31:26.240
<v Speaker 4>got off from that. But you're talking about yeah, I

0:31:26.480 --> 0:31:30.720
<v Speaker 4>need it like lyrics, No Fox Brown nigga croned down

0:31:30.840 --> 0:31:32.240
<v Speaker 4>six six blah.

0:31:32.760 --> 0:31:36.040
<v Speaker 1>She ain't top dog, she ain't top five.

0:31:35.880 --> 0:31:40.320
<v Speaker 2>All kiss chic and Styles didn't put out a solo project.

0:31:40.880 --> 0:31:43.280
<v Speaker 2>What's your top five without the locks in it? People

0:31:43.320 --> 0:31:46.080
<v Speaker 2>that put out solo joints.

0:31:46.320 --> 0:31:49.000
<v Speaker 1>Oh, I gotta go, I gotta go if the loxing

0:31:49.080 --> 0:31:53.280
<v Speaker 1>in it. Big Mace, Big Mace I'm going Elephant man,

0:31:54.240 --> 0:31:58.680
<v Speaker 1>all right, don't hate on Elephant.

0:32:00.320 --> 0:32:03.760
<v Speaker 3>No particular order. I'm throwing g Dep in there. Depp

0:32:03.840 --> 0:32:05.400
<v Speaker 3>is a better lyricist than Black What.

0:32:05.360 --> 0:32:08.640
<v Speaker 1>Was he said that released the album? Didn't release album? Well,

0:32:08.720 --> 0:32:09.840
<v Speaker 1>just that was solo on bad Boy?

0:32:10.360 --> 0:32:14.040
<v Speaker 3>Who's fuzzy Bubble never never got in a fuzzy webble?

0:32:14.040 --> 0:32:18.600
<v Speaker 3>I never checked you never. I don't know who Bubble is.

0:32:19.440 --> 0:32:22.760
<v Speaker 3>But if you said no, they didn't, they didn't. No locks,

0:32:23.080 --> 0:32:27.040
<v Speaker 3>So Craig Mac lyricists lyricists.

0:32:26.480 --> 0:32:28.080
<v Speaker 1>Black King loses up there.

0:32:28.840 --> 0:32:30.640
<v Speaker 3>If you just put out a solo project with bad Boy,

0:32:30.720 --> 0:32:32.680
<v Speaker 3>you just said you just said they didn't. They was

0:32:32.720 --> 0:32:33.000
<v Speaker 3>just solo.

0:32:33.040 --> 0:32:36.600
<v Speaker 4>They didn't have to put that just lyricists Top five,

0:32:36.680 --> 0:32:37.600
<v Speaker 4>Craig Mac is not on it.

0:32:38.200 --> 0:32:41.400
<v Speaker 1>Lyricists top five, Yeah, you know what you're talking about?

0:32:41.440 --> 0:32:42.240
<v Speaker 1>What wait?

0:32:42.320 --> 0:32:47.400
<v Speaker 3>Top five without Glune, Black rob are all better than

0:32:47.440 --> 0:32:48.280
<v Speaker 3>Craig Mac lyrically.

0:32:49.640 --> 0:32:52.440
<v Speaker 1>Like what are we talk about? Okay? Like, what are

0:32:52.440 --> 0:32:53.280
<v Speaker 1>we talking about right now?

0:32:53.600 --> 0:32:58.040
<v Speaker 3>You gotta put King los up there. Lyricists, You gotta

0:32:58.520 --> 0:32:59.880
<v Speaker 3>shine is a better lyricist than Craig.

0:33:00.840 --> 0:33:02.280
<v Speaker 1>Seawan is better than Craig Mac.

0:33:02.800 --> 0:33:05.120
<v Speaker 3>Gotta put Sean pa.

0:33:05.120 --> 0:33:07.480
<v Speaker 2>All right, So without the locks, I'm going big Mace

0:33:08.120 --> 0:33:15.320
<v Speaker 2>g depth, shine, black Row, I take it back, Loom

0:33:15.640 --> 0:33:17.000
<v Speaker 2>Loom lyrics.

0:33:17.240 --> 0:33:20.120
<v Speaker 1>Black. That's that's my that's my list. That's my final

0:33:20.160 --> 0:33:23.760
<v Speaker 1>final black six of the year. Yeah. Next next to

0:33:23.800 --> 0:33:27.200
<v Speaker 1>fuzzy lyricists. You don't got king loads in there. I don't.

0:33:27.920 --> 0:33:30.160
<v Speaker 3>Yeah, you don't put a like even put a song

0:33:30.200 --> 0:33:34.680
<v Speaker 3>out on lyricists though, Like, but raps, like you say,

0:33:34.720 --> 0:33:37.160
<v Speaker 3>five niggasrom the label and just let them rap them niggas.

0:33:37.160 --> 0:33:39.320
<v Speaker 3>It's a lot of niggas not rapping lyricists better than

0:33:39.400 --> 0:33:39.680
<v Speaker 3>King Loos.

0:33:39.760 --> 0:33:41.280
<v Speaker 1>Y'all tripping right now. But if you don't have a

0:33:41.360 --> 0:33:43.600
<v Speaker 1>lot of projects or a lot of no, but we're

0:33:43.600 --> 0:33:44.240
<v Speaker 1>not going on for that.

0:33:44.400 --> 0:33:44.560
<v Speaker 3>No.

0:33:44.680 --> 0:33:47.240
<v Speaker 6>What I'm saying is it's easy to be lyrical if

0:33:47.280 --> 0:33:49.560
<v Speaker 6>you're if you only have three examples or three times

0:33:49.600 --> 0:33:51.400
<v Speaker 6>to be lyrical, the more you have to do it

0:33:51.440 --> 0:33:54.400
<v Speaker 6>over the years, Like people tend to get less lyrical

0:33:54.440 --> 0:33:55.280
<v Speaker 6>if they're not that good.

0:33:56.000 --> 0:33:58.240
<v Speaker 1>You have to prove that you can continue to be lyrical.

0:33:59.600 --> 0:34:02.400
<v Speaker 1>Good point. I think Kinglows rapping better than a lot

0:34:02.400 --> 0:34:02.920
<v Speaker 1>of them niggas.

0:34:03.240 --> 0:34:05.520
<v Speaker 2>King Loos is one of the Kinglos is an alien.

0:34:05.600 --> 0:34:08.320
<v Speaker 2>I just don't consider him really like a bad boy artist.

0:34:08.520 --> 0:34:12.560
<v Speaker 3>Okay, dep off and put king lost because already on

0:34:12.640 --> 0:34:15.520
<v Speaker 3>Fishes Spaghetti was mad whacked to me, like that was

0:34:15.600 --> 0:34:18.560
<v Speaker 3>what you already your fish and spaghetti? Like, come on

0:34:19.160 --> 0:34:23.280
<v Speaker 3>heard what was the last time you listened at the getto

0:34:23.360 --> 0:34:26.319
<v Speaker 3>was hard? The child did a ghettos when it came out,

0:34:26.360 --> 0:34:27.839
<v Speaker 3>probably like and it ain't get a lot.

0:34:27.719 --> 0:34:30.120
<v Speaker 2>Of That's like an underground classic to me. You think,

0:34:30.160 --> 0:34:37.719
<v Speaker 2>so that album.

0:34:35.440 --> 0:34:36.000
<v Speaker 1>He lost me.

0:34:36.120 --> 0:34:38.839
<v Speaker 3>He lost me on I was already on fishes spaghetti, bro,

0:34:38.920 --> 0:34:39.920
<v Speaker 3>you adn't go back after that.

0:34:40.840 --> 0:34:45.440
<v Speaker 1>It was like she said, I had a nigga you.

0:34:45.440 --> 0:34:54.200
<v Speaker 3>Never heard this deficient this defici.

0:34:52.200 --> 0:34:54.719
<v Speaker 1>Fici spaghetti. Man, I don't want to hear that. He said,

0:34:54.960 --> 0:34:57.400
<v Speaker 1>you never heard this song every day? By that probably

0:34:57.480 --> 0:34:58.239
<v Speaker 1>I probably heard it.

0:34:58.320 --> 0:35:01.120
<v Speaker 2>He said, I had a cigarette for breakfast, just for beginners,

0:35:01.120 --> 0:35:03.240
<v Speaker 2>cry for lunch and scream for dinner.

0:35:04.239 --> 0:35:07.040
<v Speaker 1>He ain't like that. You ain't like that, and I

0:35:07.040 --> 0:35:09.200
<v Speaker 1>ain't like him going to the pre set and doing all.

0:35:09.239 --> 0:35:15.040
<v Speaker 1>That's what it really is you doing. You you're going

0:35:15.080 --> 0:35:15.480
<v Speaker 1>on for that.

0:35:15.560 --> 0:35:18.080
<v Speaker 2>But yeah, that's unfair because if we go through the

0:35:18.120 --> 0:35:20.279
<v Speaker 2>list of things every bad boy artist has done in

0:35:20.320 --> 0:35:20.959
<v Speaker 2>their free time.

0:35:21.120 --> 0:35:24.399
<v Speaker 1>I don't know if we crazy ship, if.

0:35:24.280 --> 0:35:26.279
<v Speaker 3>We could take big if you'll want for all that

0:35:26.360 --> 0:35:28.239
<v Speaker 3>nasty stuff he used to say, we could do that.

0:35:28.320 --> 0:35:30.279
<v Speaker 1>I don't. I don't got no qualms with that. He

0:35:30.440 --> 0:35:32.400
<v Speaker 1>is that he is. We gotta take Biggie off the

0:35:32.440 --> 0:35:35.560
<v Speaker 1>best lyricists, a bad boy, all that nasty ship. He

0:35:35.640 --> 0:35:39.200
<v Speaker 1>used to be so good. Yeah, tell your daddy's That

0:35:39.280 --> 0:35:41.320
<v Speaker 1>was a Richard Pride joke. But what about what Gutta

0:35:41.400 --> 0:35:41.799
<v Speaker 1>used to do?

0:35:43.520 --> 0:35:46.680
<v Speaker 3>Oh yeah, what about He had the techniques dripping out

0:35:46.680 --> 0:35:48.600
<v Speaker 3>his what's his names, and to sleep on his stomach

0:35:48.600 --> 0:35:50.839
<v Speaker 3>so he don't fuck up his sheets, like he said,

0:35:50.840 --> 0:35:54.160
<v Speaker 3>A bunch. It's just what Biggie said. I got techniques

0:35:54.480 --> 0:35:56.719
<v Speaker 3>dripping out my butt, sheets pulls. I sleep on my

0:35:56.719 --> 0:35:59.480
<v Speaker 3>stomach so I don't fuck up my sheets. He just

0:35:59.600 --> 0:36:02.120
<v Speaker 3>used to say anything out of his mouth, anything he

0:36:02.200 --> 0:36:02.799
<v Speaker 3>wanted to see.

0:36:02.960 --> 0:36:04.080
<v Speaker 1>Oh my god, mad nass.

0:36:04.120 --> 0:36:06.560
<v Speaker 3>He said, your fuck rue Paul was gonna fuck them

0:36:06.640 --> 0:36:09.799
<v Speaker 3>ugly ass escape bitches, anything out of his mouth.

0:36:10.120 --> 0:36:11.759
<v Speaker 1>But we canna take him off the listen you want.

0:36:11.800 --> 0:36:14.480
<v Speaker 1>I don't mind that he's not in my time.

0:36:15.840 --> 0:36:17.919
<v Speaker 3>Take it, Biggie Small not in my top five because

0:36:17.920 --> 0:36:20.200
<v Speaker 3>of that bro, because of the nasty raps. Biggie gotta

0:36:20.239 --> 0:36:25.360
<v Speaker 3>be your top five rappers ever, top five whole Chase,

0:36:26.680 --> 0:36:29.560
<v Speaker 3>fab Ross and Drake Big not only I know I

0:36:29.560 --> 0:36:32.239
<v Speaker 3>could find you crazy nasty bars from all those guys

0:36:32.280 --> 0:36:37.080
<v Speaker 3>like that. You tripping maybe not fuck Rue paul Is.

0:36:37.080 --> 0:36:41.080
<v Speaker 3>That's you'll get it. That's get That's no, there's nowhere

0:36:41.120 --> 0:36:45.160
<v Speaker 3>around that. That's no, that's not a Richard Pride line.

0:36:43.560 --> 0:36:48.239
<v Speaker 1>That we're not putting on that time.

0:36:48.400 --> 0:36:51.719
<v Speaker 3>I don't want time. She looked like Smokey Robinson in

0:36:51.760 --> 0:36:57.319
<v Speaker 3>the Flicks but doesn't know sh No, they just put

0:36:57.320 --> 0:37:03.080
<v Speaker 3>the pitch up. She looked like smoking you know what

0:37:03.080 --> 0:37:11.799
<v Speaker 3>I'm saying, chasing that.

0:37:10.760 --> 0:37:15.840
<v Speaker 1>No dispects the King, but no disrespect down. Put a picture.

0:37:19.560 --> 0:37:21.239
<v Speaker 1>I'm coming in Land. I'm just like, you know now

0:37:21.760 --> 0:37:26.480
<v Speaker 1>I'm seeing major is my man? Disrespect bigg was from

0:37:26.560 --> 0:37:29.040
<v Speaker 1>Biggie Volley Ship. Yo.

0:37:29.160 --> 0:37:31.040
<v Speaker 2>I forgot what platform it was, but see gud was

0:37:31.080 --> 0:37:32.319
<v Speaker 2>doing an interview they asked him.

0:37:32.200 --> 0:37:34.880
<v Speaker 1>About that line. He was like, yo, he was in

0:37:34.880 --> 0:37:36.520
<v Speaker 1>a studio. I was like, Yo, why would you say

0:37:36.520 --> 0:37:39.120
<v Speaker 1>that about you? Knowing that I'm a holdigan out here

0:37:41.520 --> 0:37:43.439
<v Speaker 1>I'm not but raping nobody throwing him off the break

0:37:44.120 --> 0:37:45.239
<v Speaker 1>with you, Oh my god.

0:37:45.400 --> 0:37:46.839
<v Speaker 2>Big was like, I'm trying to make them my feel

0:37:46.920 --> 0:37:48.960
<v Speaker 2>so ship, like I'm gonna make a mystery out.

0:37:49.000 --> 0:37:52.799
<v Speaker 1>He was like, I don't want that, chase fun. Can

0:37:52.880 --> 0:37:56.480
<v Speaker 1>we click? Can we click on? That is a legend.

0:37:56.480 --> 0:37:57.320
<v Speaker 1>We just don't know.

0:37:57.600 --> 0:38:01.080
<v Speaker 4>He's from Long Island, from l I rock pop.

0:38:01.480 --> 0:38:05.680
<v Speaker 3>Oh it's rock power. Oh it's rock rock rock. Because

0:38:05.719 --> 0:38:06.719
<v Speaker 3>I was bugging like.

0:38:06.680 --> 0:38:09.080
<v Speaker 4>Yeah, that was a group from Long Island. Okay, all right,

0:38:09.360 --> 0:38:10.640
<v Speaker 4>that's what we didn't know about Fuzzo.

0:38:10.880 --> 0:38:15.000
<v Speaker 3>Mark Curry doesn't get any lyrical love with bad nah damn.

0:38:16.120 --> 0:38:18.759
<v Speaker 1>You know, fuck with mc mar curry. Yeah.

0:38:19.400 --> 0:38:19.640
<v Speaker 3>Nah.

0:38:19.680 --> 0:38:22.920
<v Speaker 1>He had some joints. He wrote some of Puff's best joints.

0:38:24.600 --> 0:38:27.839
<v Speaker 3>He did hooks and ship Now. He wrote the join

0:38:27.880 --> 0:38:29.200
<v Speaker 3>on the Godzilla soundtrack.

0:38:30.360 --> 0:38:31.239
<v Speaker 1>Yeah, he definitely wrote that.

0:38:31.320 --> 0:38:33.799
<v Speaker 3>But Puff rapping on the Godzilla soundtrack is not like

0:38:33.880 --> 0:38:38.520
<v Speaker 3>Puff rapping on that first ship. That's mazing kiss. Yeah

0:38:38.640 --> 0:38:40.759
<v Speaker 3>he was saying. I'm saying like he ain't never really

0:38:40.800 --> 0:38:42.480
<v Speaker 3>had no rhythm to me and the but he was

0:38:42.480 --> 0:38:44.560
<v Speaker 3>sounding like that's the best he ever sound rapping.

0:38:45.480 --> 0:38:48.120
<v Speaker 2>I mean, I know we're not allowed to say that's

0:38:48.120 --> 0:38:51.040
<v Speaker 2>a classic album to me, no way out facts, Like

0:38:52.040 --> 0:38:54.400
<v Speaker 2>is any way to get around, especially when you're.

0:38:54.320 --> 0:38:57.239
<v Speaker 3>Not a rapper, Like that ship was fire and he

0:38:57.280 --> 0:38:59.680
<v Speaker 3>did more numbers than anybody on Bad Boy with that ship.

0:38:59.719 --> 0:39:01.040
<v Speaker 1>So he was feeling itself off.

0:39:00.960 --> 0:39:02.640
<v Speaker 2>For that, Like going to be a party promoter in

0:39:02.680 --> 0:39:04.719
<v Speaker 2>the exec and they's like, you know what, I'm gonna

0:39:04.719 --> 0:39:05.160
<v Speaker 2>just rap.

0:39:05.040 --> 0:39:08.920
<v Speaker 1>Real quick and six seven million. But he had Mason

0:39:08.960 --> 0:39:11.839
<v Speaker 1>kiss Ray and everything. It was like that was easy. Yeah,

0:39:12.840 --> 0:39:15.759
<v Speaker 1>that was easy. Gonna say where you putuff on the list? No,

0:39:15.920 --> 0:39:19.000
<v Speaker 1>we can't do that. No, we can't do that. Nah.

0:39:19.120 --> 0:39:21.640
<v Speaker 1>He didn't right either, right there and raps, we're not

0:39:21.640 --> 0:39:23.759
<v Speaker 1>doing that all right.

0:39:23.880 --> 0:39:27.080
<v Speaker 2>While we're still on music, maull blink your eyes twice.

0:39:27.160 --> 0:39:30.640
<v Speaker 2>If we're getting a jay Z Reasonable Doubt thirtieth anniversary

0:39:30.760 --> 0:39:32.719
<v Speaker 2>concert at Barclay Center, just blink twice.

0:39:32.719 --> 0:39:33.839
<v Speaker 1>You don't have to say yes or no, just pa,

0:39:34.120 --> 0:39:38.040
<v Speaker 1>what a thirtieth anniversary Reasonable Doubt concert? Yep, you just

0:39:38.040 --> 0:39:41.440
<v Speaker 1>blink that. So at the Barclays, though, just breathe. You

0:39:41.440 --> 0:39:42.560
<v Speaker 1>don't have to say anything. Just breathe.

0:39:42.560 --> 0:39:48.480
<v Speaker 3>If if it's yes, maybe the garden because you know

0:39:48.520 --> 0:39:49.200
<v Speaker 3>there is a rumor.

0:39:49.880 --> 0:39:52.279
<v Speaker 1>Yeah, I know there's a lot of rumors. No, not

0:39:52.320 --> 0:39:53.799
<v Speaker 1>the rumor in your group chat. I'm staying a rumor.

0:39:53.880 --> 0:39:56.040
<v Speaker 3>Like amongst US civilians, there's a lot of rumors, man,

0:39:56.400 --> 0:39:59.120
<v Speaker 3>I know people be like, oh, the Barclays is booked

0:39:59.120 --> 0:40:00.920
<v Speaker 3>out for two weeks and with between the Liberty and

0:40:00.960 --> 0:40:01.239
<v Speaker 3>this and.

0:40:01.160 --> 0:40:03.960
<v Speaker 2>That, well, oh, let's not skip steps because Hole and

0:40:04.680 --> 0:40:08.960
<v Speaker 2>your brother change Jay's name back to the little dot

0:40:09.000 --> 0:40:11.200
<v Speaker 2>dot thing a control.

0:40:10.920 --> 0:40:15.319
<v Speaker 1>The manipulating life. Man, Hey, jypan, I like that with

0:40:15.400 --> 0:40:16.320
<v Speaker 1>the two dots.

0:40:16.360 --> 0:40:19.759
<v Speaker 2>Then they put out Dead Presidents one on streaming, which

0:40:19.800 --> 0:40:22.200
<v Speaker 2>hadn't been on there before. Then did jay Z thirty

0:40:22.239 --> 0:40:27.080
<v Speaker 2>dot com. There's vinyls, there's merch. I don't think Jay

0:40:27.239 --> 0:40:30.560
<v Speaker 2>just does ship to do shit. And based off all

0:40:30.600 --> 0:40:33.160
<v Speaker 2>the deals that we know your brother and him, that's

0:40:33.160 --> 0:40:34.560
<v Speaker 2>the that's the baby that they own.

0:40:34.640 --> 0:40:36.359
<v Speaker 1>They own that in its totality.

0:40:36.719 --> 0:40:38.440
<v Speaker 2>I don't even need to do some blueprint shit and

0:40:38.440 --> 0:40:40.000
<v Speaker 2>get fucking universal involved.

0:40:40.040 --> 0:40:41.239
<v Speaker 1>I could just do reasonable doubt.

0:40:41.320 --> 0:40:44.640
<v Speaker 2>I own one percent of the shit, right, there's no

0:40:44.760 --> 0:40:47.960
<v Speaker 2>way that they're not taking that opportunity. I think just

0:40:48.000 --> 0:40:50.480
<v Speaker 2>based off the Liberty having away games, I think Biggs

0:40:50.520 --> 0:40:51.600
<v Speaker 2>was like, we should do it.

0:40:52.440 --> 0:40:55.120
<v Speaker 1>You think Big said that. I think Biggs was the

0:40:55.120 --> 0:40:59.600
<v Speaker 1>one that pulled up the Liberty schedule. It's not far fetched.

0:40:59.880 --> 0:41:00.359
<v Speaker 1>I don't know.

0:41:00.800 --> 0:41:03.080
<v Speaker 4>I definitely didn't ask, and I don't I honestly don't know,

0:41:03.120 --> 0:41:04.920
<v Speaker 4>but I would. I wouldn't be surprised. It makes sense.

0:41:04.960 --> 0:41:07.040
<v Speaker 1>I think that it makes total sense to do it.

0:41:07.080 --> 0:41:08.480
<v Speaker 1>I don't see why j wouldn't do it.

0:41:08.640 --> 0:41:10.719
<v Speaker 2>And I mean, obviously the NBA Draft is there that week,

0:41:10.760 --> 0:41:12.759
<v Speaker 2>but it's it's like a two week block. Yeah, you

0:41:13.280 --> 0:41:16.960
<v Speaker 2>only need one night, like conveniently on the week that

0:41:17.440 --> 0:41:17.960
<v Speaker 2>it came out.

0:41:18.160 --> 0:41:20.560
<v Speaker 1>Yeah, here's while you were living next doing in the

0:41:20.719 --> 0:41:21.520
<v Speaker 1>five city ships.

0:41:21.520 --> 0:41:24.279
<v Speaker 3>We went to five cities in one day, Imbos up north,

0:41:24.320 --> 0:41:27.239
<v Speaker 3>watching that ship every stop and.

0:41:27.280 --> 0:41:28.680
<v Speaker 1>Just performing five cities one day.

0:41:28.719 --> 0:41:31.640
<v Speaker 3>That's what he did. You maybe did that five cities

0:41:31.680 --> 0:41:34.240
<v Speaker 3>one day. He did five cities one day. That sounds

0:41:34.280 --> 0:41:35.759
<v Speaker 3>some JA just hop on the jet and just hopped

0:41:35.760 --> 0:41:39.040
<v Speaker 3>on the Jeta Cago l A C Thom Zone.

0:41:39.120 --> 0:41:42.319
<v Speaker 2>Hey, he finished off in New York. But all right,

0:41:42.960 --> 0:41:45.840
<v Speaker 2>do we have predictions of what? I don't think just

0:41:45.880 --> 0:41:48.680
<v Speaker 2>doing a show. I don't think that's enough.

0:41:48.800 --> 0:41:51.960
<v Speaker 3>The album you want Reasonable Doubt too.

0:41:52.000 --> 0:41:53.200
<v Speaker 1>I don't hell.

0:41:54.520 --> 0:41:56.360
<v Speaker 4>I don't want Jay to put out no More another

0:41:56.400 --> 0:41:59.239
<v Speaker 4>album because I don't have guys like Yachi and I'm

0:41:59.239 --> 0:41:59.920
<v Speaker 4>gonna shoot on it.

0:42:00.080 --> 0:42:04.240
<v Speaker 1>This crash. Nobody want to hear that lyrical lyricool miracle.

0:42:04.960 --> 0:42:07.239
<v Speaker 2>But do you think that they're they will put out

0:42:07.239 --> 0:42:10.200
<v Speaker 2>Dead Presidence on streaming, have this website just just for

0:42:10.520 --> 0:42:11.920
<v Speaker 2>one concert.

0:42:12.200 --> 0:42:14.000
<v Speaker 1>I feel like there's going to be more around this.

0:42:15.560 --> 0:42:16.279
<v Speaker 1>I don't know. I don't know.

0:42:16.280 --> 0:42:19.520
<v Speaker 2>If you too hopeful, No, I don't. I don't think

0:42:19.560 --> 0:42:21.080
<v Speaker 2>Jay's putting out new music. I don't think this is

0:42:21.120 --> 0:42:24.560
<v Speaker 2>around an album whatsoever. I just don't think you're doing

0:42:25.520 --> 0:42:29.560
<v Speaker 2>a full website just for one Reasonable Doubt anniversary concert.

0:42:29.640 --> 0:42:31.080
<v Speaker 1>I agree, I just got that.

0:42:31.880 --> 0:42:33.520
<v Speaker 2>I don't know what that is, but I think there's

0:42:33.560 --> 0:42:36.040
<v Speaker 2>going to be much more attached to it, mainly because

0:42:36.200 --> 0:42:38.560
<v Speaker 2>the businessman that Jay Z is, this is an entity

0:42:39.120 --> 0:42:43.960
<v Speaker 2>that he owns full outright, like's there's no other partner

0:42:44.040 --> 0:42:46.719
<v Speaker 2>besides Biggs and I guess the state of New York,

0:42:47.560 --> 0:42:50.400
<v Speaker 2>but that's neither here nor there. But I think they

0:42:50.440 --> 0:42:54.560
<v Speaker 2>would put more into that because they own it outright

0:42:54.640 --> 0:42:57.400
<v Speaker 2>than just doing a show at the Barclays, Like, I

0:42:57.400 --> 0:42:59.080
<v Speaker 2>think that's going to be part of it. I just

0:42:59.080 --> 0:43:01.399
<v Speaker 2>don't know if that's going to be the only thing.

0:43:01.440 --> 0:43:02.960
<v Speaker 3>But if you do both of them the same night,

0:43:04.520 --> 0:43:07.880
<v Speaker 3>as far as we the balclades and the guarding, that

0:43:07.920 --> 0:43:10.720
<v Speaker 3>would be crazy the city.

0:43:11.600 --> 0:43:13.400
<v Speaker 1>I will say I was, I was a made in America.

0:43:13.480 --> 0:43:15.359
<v Speaker 3>When you should tell him that, you should tell him

0:43:15.360 --> 0:43:20.520
<v Speaker 3>that the gaarden same night, fuck the city up. Nobody

0:43:20.520 --> 0:43:22.160
<v Speaker 3>else could do that. You could sell both of them out.

0:43:22.160 --> 0:43:23.120
<v Speaker 3>Nobody else could do that.

0:43:23.160 --> 0:43:26.239
<v Speaker 4>Bro when we were at when he headlined live stream

0:43:26.320 --> 0:43:28.279
<v Speaker 4>him going from Brooklyn to the Mahon.

0:43:28.480 --> 0:43:29.919
<v Speaker 1>On the train with the pottery lady.

0:43:29.920 --> 0:43:32.439
<v Speaker 4>Again, have like one train, like had a jay train

0:43:32.480 --> 0:43:35.920
<v Speaker 4>take him from Barclays to got to be five.

0:43:36.000 --> 0:43:39.400
<v Speaker 3>You did five cities before they're gonna move the j

0:43:39.560 --> 0:43:41.200
<v Speaker 3>training to another part of Brooklyn.

0:43:41.320 --> 0:43:48.920
<v Speaker 1>You could put this, You could just put the change that. Okay,

0:43:49.320 --> 0:43:52.520
<v Speaker 1>I thought you meant like like J Wil But if.

0:43:52.480 --> 0:43:54.400
<v Speaker 4>J gonna do that, he would actually he would actually

0:43:54.480 --> 0:43:56.200
<v Speaker 4>he would do some super il ship and have the

0:43:56.239 --> 0:44:00.480
<v Speaker 4>whole train ship painted over a reasonable debt and let

0:44:00.520 --> 0:44:01.920
<v Speaker 4>it take him from balk.

0:44:01.840 --> 0:44:03.319
<v Speaker 1>Leads to the to the Garden.

0:44:03.640 --> 0:44:06.400
<v Speaker 2>And perform on it. Well, they put Wi Fi and

0:44:06.440 --> 0:44:08.759
<v Speaker 2>trains and took it away. You could live stream somehow

0:44:08.800 --> 0:44:11.600
<v Speaker 2>if you're Jay Z and continue your performance like you

0:44:11.680 --> 0:44:13.359
<v Speaker 2>keep wrapping on the train on the way to the guard.

0:44:13.800 --> 0:44:16.640
<v Speaker 3>Do the New York ship. It's not along doing New

0:44:16.719 --> 0:44:17.719
<v Speaker 3>York while you want to train.

0:44:17.840 --> 0:44:20.279
<v Speaker 1>If we can change the letter new.

0:44:20.239 --> 0:44:21.839
<v Speaker 3>York while you want to train on the Jay and

0:44:21.960 --> 0:44:24.400
<v Speaker 3>Z on the Jay and Z line, put.

0:44:24.200 --> 0:44:27.319
<v Speaker 1>It in New York. Alicia keys on the piano on

0:44:27.360 --> 0:44:27.920
<v Speaker 1>the platform.

0:44:27.960 --> 0:44:31.239
<v Speaker 4>But we're saying all of that, all of the sounds great, right,

0:44:31.280 --> 0:44:32.200
<v Speaker 4>And guess what a lot.

0:44:32.120 --> 0:44:35.759
<v Speaker 1>Of these streams and this ship trash? Who cares? I'm

0:44:35.760 --> 0:44:36.040
<v Speaker 1>just saying.

0:44:36.080 --> 0:44:38.640
<v Speaker 4>I'm just saying, yo, But I'm saying certainly, but that's

0:44:38.680 --> 0:44:40.880
<v Speaker 4>gonna love that. That would be amazing, And it's gonna be

0:44:40.880 --> 0:44:43.600
<v Speaker 4>a sector that has a lot of control. And I

0:44:43.640 --> 0:44:46.759
<v Speaker 4>guess you know fragmented media, right, they're gonna have their

0:44:46.760 --> 0:44:48.319
<v Speaker 4>own streaming platform watching it.

0:44:48.600 --> 0:44:51.160
<v Speaker 1>Yo. This ship is trash. This ship is trash. So

0:44:51.200 --> 0:44:54.799
<v Speaker 1>it's like, I don't think Jay's thinking about any of those.

0:44:55.280 --> 0:44:58.719
<v Speaker 4>Of course, he's not like the young streaming niggas about you.

0:44:59.320 --> 0:45:01.200
<v Speaker 4>I'm talk about the young just the younger genre the

0:45:01.200 --> 0:45:01.880
<v Speaker 4>younger audience.

0:45:01.960 --> 0:45:03.719
<v Speaker 3>But niggas is gonna be old the way longer than

0:45:03.719 --> 0:45:05.560
<v Speaker 3>they're gonna be youngest, So fuck with them. Young niggas

0:45:05.640 --> 0:45:09.960
<v Speaker 3>name respectfully. That's how you pulled them on with the

0:45:10.000 --> 0:45:12.759
<v Speaker 3>young streamer. Their whole life is based off negativity. Jesus

0:45:12.800 --> 0:45:14.319
<v Speaker 3>Christ himself will come back and be Likeyo, why are

0:45:14.320 --> 0:45:17.200
<v Speaker 3>you wearing sandals like there never be You're never gonna

0:45:17.280 --> 0:45:19.600
<v Speaker 3>You're never gonna impress it. All these guys, why Jesus

0:45:19.600 --> 0:45:25.759
<v Speaker 3>in that one of some valencies? Regular put on some balencies.

0:45:26.760 --> 0:45:28.120
<v Speaker 3>How could I pray to somebody wearing that?

0:45:28.239 --> 0:45:31.239
<v Speaker 4>Yeah, I think there is something more attached to the

0:45:31.239 --> 0:45:33.600
<v Speaker 4>reasonable that ship. I honestly have an asked, but I'll

0:45:33.680 --> 0:45:36.040
<v Speaker 4>hit biggs and ask them, like you gotta be the

0:45:36.120 --> 0:45:37.280
<v Speaker 4>gotta be something happening.

0:45:37.400 --> 0:45:39.680
<v Speaker 3>Jay not just selling T shirts at jay z thirty

0:45:39.719 --> 0:45:43.000
<v Speaker 3>dot com. You're not creating that just for the fun

0:45:43.120 --> 0:45:45.560
<v Speaker 3>of it, because you would just sell your vinyls and

0:45:45.560 --> 0:45:46.839
<v Speaker 3>T shirts on your regular ship.

0:45:48.360 --> 0:45:49.719
<v Speaker 1>I just don't. I don't know, man, I don't know

0:45:49.760 --> 0:45:52.040
<v Speaker 1>if Jay is inspired or motivated right now, but that

0:45:52.120 --> 0:45:53.080
<v Speaker 1>you know, you could be.

0:45:53.719 --> 0:45:56.600
<v Speaker 2>You could be inspired by theeth anniversary of your first album.

0:45:56.600 --> 0:46:02.600
<v Speaker 2>You know you're performing that. I'm not saying reasonable doubt too. Yeah,

0:46:02.680 --> 0:46:04.319
<v Speaker 2>I'm not saying he's gonna do his fault.

0:46:04.360 --> 0:46:05.879
<v Speaker 4>I feel like to see him put the album back

0:46:05.880 --> 0:46:07.560
<v Speaker 4>out and then put like two new tracks on it.

0:46:07.960 --> 0:46:09.840
<v Speaker 4>I wouldn't be mad at that, like two new tracks

0:46:10.280 --> 0:46:13.880
<v Speaker 4>or reasonable doubt, like don't give us a whole new album,

0:46:14.000 --> 0:46:15.640
<v Speaker 4>just give us.

0:46:16.000 --> 0:46:18.799
<v Speaker 1>Yeah, but that fit with that time.

0:46:18.880 --> 0:46:20.600
<v Speaker 2>But he should do what he like that time on

0:46:21.000 --> 0:46:24.600
<v Speaker 2>volume volume three when you had to skip ahead, the

0:46:24.680 --> 0:46:27.360
<v Speaker 2>last record was like twenty minutes long. You had to

0:46:27.360 --> 0:46:29.120
<v Speaker 2>you had to fast forward on your walking in to

0:46:29.160 --> 0:46:31.400
<v Speaker 2>get like you should be half it's only on the

0:46:31.480 --> 0:46:33.680
<v Speaker 2>vinyl and you got you gotta wait twenty minutes.

0:46:33.960 --> 0:46:36.360
<v Speaker 3>Hip hop did that because I forgot who did that

0:46:36.440 --> 0:46:38.279
<v Speaker 3>on the album, and that's what hip hop got that

0:46:38.600 --> 0:46:39.960
<v Speaker 3>was inspired to do that at.

0:46:39.840 --> 0:46:42.279
<v Speaker 2>There was a single one of the three records that

0:46:42.280 --> 0:46:43.680
<v Speaker 2>were at the end of volume three. One of them

0:46:43.719 --> 0:46:46.200
<v Speaker 2>was come Man Man like they put a single at

0:46:46.200 --> 0:46:46.759
<v Speaker 2>the end of that ship.

0:46:46.920 --> 0:46:48.840
<v Speaker 4>Yeah, that was hot doing that, but I forgot what

0:46:48.840 --> 0:46:50.600
<v Speaker 4>the album he heard and he was like, oh shit,

0:46:50.719 --> 0:46:53.040
<v Speaker 4>like you let the tape play like it's another song

0:46:53.080 --> 0:46:55.160
<v Speaker 4>in it and everybody's like work. So when he A

0:46:55.320 --> 0:46:57.719
<v Speaker 4>and R reasonable doubt he was inspired to do that.

0:46:57.760 --> 0:46:58.920
<v Speaker 4>He was like, nah, we got to do that on

0:46:58.960 --> 0:46:59.719
<v Speaker 4>this album.

0:47:00.200 --> 0:47:02.480
<v Speaker 3>Yeah, because that I think it was two or three records.

0:47:02.480 --> 0:47:04.520
<v Speaker 3>I'm bunning through that you had to fast forward to.

0:47:04.640 --> 0:47:06.560
<v Speaker 3>But no, I would love to watch, y'all. I don't

0:47:06.560 --> 0:47:08.640
<v Speaker 3>really want new music from Jay, and neither though I do.

0:47:08.840 --> 0:47:11.960
<v Speaker 3>I mean, I wouldn't mind it.

0:47:12.360 --> 0:47:15.320
<v Speaker 1>I'm looking for it. Don't get it twisted.

0:47:15.400 --> 0:47:17.680
<v Speaker 4>If we open our phones right now and Jay's post

0:47:17.680 --> 0:47:20.239
<v Speaker 4>the link for a new says new album Friday, Oh,

0:47:20.280 --> 0:47:23.440
<v Speaker 4>I'm definitely, but I just and if he never do it,

0:47:23.480 --> 0:47:23.960
<v Speaker 4>I don't care.

0:47:24.160 --> 0:47:25.200
<v Speaker 1>Yeah, but if he don't.

0:47:25.000 --> 0:47:27.160
<v Speaker 4>Do it, because he's obviously he's a legacy act at

0:47:27.200 --> 0:47:28.839
<v Speaker 4>this point. But I'm just saying, like I just don't.

0:47:29.160 --> 0:47:31.600
<v Speaker 4>I can't sit back and just watch the internet tear

0:47:31.719 --> 0:47:34.480
<v Speaker 4>down a Jay album like that shit will really piss

0:47:34.560 --> 0:47:37.080
<v Speaker 4>me off because all this other shit that you'll hype

0:47:37.120 --> 0:47:39.400
<v Speaker 4>up and say is dope and it's hard and this

0:47:39.520 --> 0:47:43.040
<v Speaker 4>niggas or whatever. Jay put out a new album and

0:47:43.080 --> 0:47:46.080
<v Speaker 4>y'r nigga's trashing like that's just gonna cause.

0:47:45.920 --> 0:47:48.359
<v Speaker 3>A whole divide like you're gonna crash out. No, I'm

0:47:48.400 --> 0:47:49.359
<v Speaker 3>not gonna cry. I crash out.

0:47:49.400 --> 0:47:50.560
<v Speaker 1>Days is over. But I'm not doing that.

0:47:50.600 --> 0:47:53.040
<v Speaker 4>But it's just like I don't want to even see that,

0:47:53.080 --> 0:47:54.880
<v Speaker 4>Like I don't even want niggas to get the opportunity

0:47:54.920 --> 0:47:56.719
<v Speaker 4>to disrespect the legends, like you know what I'm saying,

0:47:56.760 --> 0:47:58.919
<v Speaker 4>Like it's just like they waiting to do that. Those

0:47:58.920 --> 0:48:01.040
<v Speaker 4>ship trash and this niggast rapping, Like nobody want to

0:48:01.040 --> 0:48:02.160
<v Speaker 4>hear this shit, da da They.

0:48:02.080 --> 0:48:06.160
<v Speaker 1>Ain't doing that the t I, Yes they are. They are.

0:48:06.480 --> 0:48:08.920
<v Speaker 1>I ain't see that. Only Atlanta is not doing it TI.

0:48:09.400 --> 0:48:10.880
<v Speaker 1>I think Atlanta's doing it to TI. I too do.

0:48:10.960 --> 0:48:12.440
<v Speaker 1>I think some niggas Atlanta ain't Jackings.

0:48:12.640 --> 0:48:14.160
<v Speaker 3>I'm not jack A lot of people like it more

0:48:14.160 --> 0:48:15.440
<v Speaker 3>than I think. I've said the shit he was in

0:48:15.440 --> 0:48:19.759
<v Speaker 3>front of the car like that was Aparrel did right.

0:48:20.280 --> 0:48:23.000
<v Speaker 3>So yeah, I like the Forrall record, that was all right,

0:48:23.080 --> 0:48:25.879
<v Speaker 3>But I'm saying that this record is dirt. I don't

0:48:26.000 --> 0:48:28.120
<v Speaker 3>like the disrecords. I think niggas is just too old

0:48:28.160 --> 0:48:30.440
<v Speaker 3>and making dis records though, like when you.

0:48:30.480 --> 0:48:32.840
<v Speaker 4>Forty five, forty six, fort like I just think that

0:48:33.200 --> 0:48:34.440
<v Speaker 4>when your kids is in college.

0:48:35.080 --> 0:48:37.320
<v Speaker 1>The kid thugging on the internet, you can't be making.

0:48:37.560 --> 0:48:41.279
<v Speaker 2>Making discord fifty did replied this morning sort of v

0:48:41.440 --> 0:48:44.279
<v Speaker 2>ig said, I don't need me to wrap.

0:48:44.680 --> 0:48:45.600
<v Speaker 1>You need me to wrap?

0:48:45.719 --> 0:48:49.239
<v Speaker 4>Get off my page. Wait, fifty said, I don't need

0:48:49.280 --> 0:48:49.839
<v Speaker 4>me to wrap.

0:48:49.960 --> 0:48:51.640
<v Speaker 1>I don't you need me. You need me to wrap?

0:48:52.920 --> 0:48:53.600
<v Speaker 1>Get off my page?

0:48:53.840 --> 0:48:59.840
<v Speaker 3>Yo, yoyoy got like forty nine million monthly listeners on Spotify.

0:49:00.239 --> 0:49:03.919
<v Speaker 3>I got like fourteen. I wouldn't have did no verses

0:49:03.920 --> 0:49:06.320
<v Speaker 3>with no nigga like that neither. Is that much disparity?

0:49:07.120 --> 0:49:09.960
<v Speaker 3>Is that much disparity? I'm just saying off of pure music.

0:49:10.200 --> 0:49:12.040
<v Speaker 3>His son is not going on stagium. He's calling you

0:49:12.080 --> 0:49:13.600
<v Speaker 3>a rat. I don't I don't know why you would

0:49:13.600 --> 0:49:15.160
<v Speaker 3>want to do a versus with a nigga calling you

0:49:15.200 --> 0:49:17.319
<v Speaker 3>a rat. Nigga been calling you a rat for twenty years,

0:49:17.400 --> 0:49:19.120
<v Speaker 3>that's the fact. And you want to do a versus

0:49:19.160 --> 0:49:21.000
<v Speaker 3>with this nigga. You're supposed to want to fight this nigga.

0:49:21.040 --> 0:49:23.279
<v Speaker 2>Yeah, I mean you want to do Gucci didn't did

0:49:23.280 --> 0:49:25.560
<v Speaker 2>this ship though, And not that anyone called each other

0:49:25.600 --> 0:49:29.880
<v Speaker 2>a rat, but somebody some history. That's even crazier than

0:49:29.920 --> 0:49:31.480
<v Speaker 2>calling somebody a rat You.

0:49:31.600 --> 0:49:35.080
<v Speaker 3>Niggas was man's before. They was cool before. That's a

0:49:35.120 --> 0:49:38.080
<v Speaker 3>that's a totally different story. We from here. We we

0:49:38.280 --> 0:49:41.040
<v Speaker 3>was cool before some shit happened. That's that's different. Thing

0:49:41.080 --> 0:49:43.480
<v Speaker 3>about jez Jeezy and Gucci, they was cool before they

0:49:43.520 --> 0:49:44.600
<v Speaker 3>did songs and all that together.

0:49:44.840 --> 0:49:48.000
<v Speaker 1>They was a so they reconciled, and I think people

0:49:48.040 --> 0:49:48.960
<v Speaker 1>kind of guessed that was.

0:49:49.000 --> 0:49:51.239
<v Speaker 3>That's like a reconciliation, right when you used to be cool,

0:49:51.239 --> 0:49:52.359
<v Speaker 3>then you wasn't get back cool.

0:49:52.360 --> 0:49:55.080
<v Speaker 1>That Ti fifty never was cool. He never was my

0:49:55.160 --> 0:49:55.800
<v Speaker 1>man homie.

0:49:55.880 --> 0:49:59.120
<v Speaker 2>Yeah, yeah, And I mean that even goes back to

0:49:59.200 --> 0:50:02.280
<v Speaker 2>I don't if y'all remember when the swagger like Us days,

0:50:02.920 --> 0:50:05.840
<v Speaker 2>Remember when Pigs on the stage runs around the niggas

0:50:05.840 --> 0:50:06.799
<v Speaker 2>this swagger like Us.

0:50:07.239 --> 0:50:09.600
<v Speaker 1>He was running laps around the nigga Puff Jay.

0:50:09.640 --> 0:50:12.799
<v Speaker 3>He was running laps around them niggas literally and figuratively.

0:50:12.960 --> 0:50:14.600
<v Speaker 3>That's a fact. That's what he was telling them on

0:50:14.600 --> 0:50:16.479
<v Speaker 3>that stage. I'm running laps around your nigga.

0:50:16.520 --> 0:50:18.839
<v Speaker 1>I'm not clicking y'all clicking up, and I'm running laps

0:50:18.840 --> 0:50:21.879
<v Speaker 1>around your niggas. That's what he did. Though at that point,

0:50:21.960 --> 0:50:26.320
<v Speaker 1>fifty was kind of checked out for music. Was he Nah,

0:50:26.680 --> 0:50:30.759
<v Speaker 1>that was I Get Money? I Get Money? Was seven?

0:50:30.760 --> 0:50:33.920
<v Speaker 1>That's Flager like us? Was what eight? Oh yeah, No,

0:50:33.920 --> 0:50:36.279
<v Speaker 1>I'm running last round. Yeah, I' jogging. I'm jogging on

0:50:36.280 --> 0:50:38.480
<v Speaker 1>the stage. I'm running run laps around your niggas. Man,

0:50:38.480 --> 0:50:39.319
<v Speaker 1>your bigga ain't doing not.

0:50:39.360 --> 0:50:39.480
<v Speaker 3>Now.

0:50:39.480 --> 0:50:42.200
<v Speaker 1>I might play a or technology and run around the fucking.

0:50:42.080 --> 0:50:45.359
<v Speaker 3>Gym, but it goes back far.

0:50:47.200 --> 0:50:50.319
<v Speaker 1>You know how I feel about that record, which that's

0:50:50.320 --> 0:50:50.680
<v Speaker 1>what I said.

0:50:51.480 --> 0:50:52.839
<v Speaker 3>She was a big song, but I hated that on

0:50:52.840 --> 0:50:54.920
<v Speaker 3>that tape. She worked the post, She worked the post.

0:50:55.880 --> 0:51:00.520
<v Speaker 3>What the most simplest I'm telling you that off fifty,

0:51:00.520 --> 0:51:02.000
<v Speaker 3>but that record I hate it. I like the first

0:51:02.000 --> 0:51:03.840
<v Speaker 3>full songs on the album, and then after that I

0:51:03.960 --> 0:51:04.279
<v Speaker 3>was cool.

0:51:04.360 --> 0:51:05.840
<v Speaker 1>Get that's Curtis.

0:51:05.840 --> 0:51:08.880
<v Speaker 4>Oh, I'm about to say you WoT technology, and I

0:51:08.880 --> 0:51:10.239
<v Speaker 4>thought he was saying the office.

0:51:09.960 --> 0:51:10.480
<v Speaker 1>Off the album.

0:51:11.080 --> 0:51:13.640
<v Speaker 3>I think Mask is better than Get Rich, though you

0:51:13.719 --> 0:51:17.480
<v Speaker 3>said that to me the other week, and.

0:51:17.960 --> 0:51:20.239
<v Speaker 1>Massacre, I think doesn't get you was locked up when

0:51:20.280 --> 0:51:22.880
<v Speaker 1>the albums came out. Regardless what that, you just had

0:51:22.920 --> 0:51:25.759
<v Speaker 1>that shit. I repeat, you just memorized it, both of them.

0:51:26.640 --> 0:51:30.120
<v Speaker 2>I think Mask convinced me to have a better appreciation

0:51:30.239 --> 0:51:31.839
<v Speaker 2>for a Masker once we went through it, because it's

0:51:31.840 --> 0:51:34.240
<v Speaker 2>been a minute since I.

0:51:33.400 --> 0:51:35.600
<v Speaker 1>Like listening to masks and it's not better than Get Rich,

0:51:36.120 --> 0:51:39.880
<v Speaker 1>but it's better than we think it is. Yeah, it

0:51:39.920 --> 0:51:41.560
<v Speaker 1>was just so commercial at that point.

0:51:41.480 --> 0:51:45.440
<v Speaker 3>Better. What happened was he gave away some real big

0:51:45.520 --> 0:51:48.440
<v Speaker 3>songs and during that same time too, you heard so

0:51:48.480 --> 0:51:51.200
<v Speaker 3>you was hearing them game records and you was like, oh, ship,

0:51:51.400 --> 0:51:52.879
<v Speaker 3>And then when his shit came out, he was like, damn,

0:51:52.880 --> 0:51:54.440
<v Speaker 3>you should have put those on this team. You know

0:51:54.480 --> 0:51:56.399
<v Speaker 3>what I'm saying. But that tape, though, you go through

0:51:56.400 --> 0:51:58.880
<v Speaker 3>them records, that ship is flyes Man the Maskers.

0:51:59.600 --> 0:52:01.480
<v Speaker 1>I like that better better than Get Rich. Yes, I

0:52:01.560 --> 0:52:03.960
<v Speaker 1>like it better than okay once you say you like it,

0:52:04.000 --> 0:52:04.839
<v Speaker 1>but Give Rich has.

0:52:04.760 --> 0:52:08.200
<v Speaker 3>Songs on it that like I was in the streets,

0:52:08.160 --> 0:52:11.560
<v Speaker 3>stuck into the fucking album came out three years later

0:52:11.600 --> 0:52:13.120
<v Speaker 3>after I was off for the streets, and it's like,

0:52:13.160 --> 0:52:15.480
<v Speaker 3>why is this on here? You know what I'm saying,

0:52:15.520 --> 0:52:18.279
<v Speaker 3>Why why is this? Why is this song? You get

0:52:18.280 --> 0:52:20.319
<v Speaker 3>shot running the cops? You're not like, why is this on?

0:52:20.440 --> 0:52:25.560
<v Speaker 3>Get Richard dots tryan Wow? Okay, yeah, and I mean

0:52:26.040 --> 0:52:30.360
<v Speaker 3>Wang Wangster was a year old Paul Little Rich Nigga

0:52:30.400 --> 0:52:32.200
<v Speaker 3>that I was a year old already. It was songs on

0:52:32.239 --> 0:52:34.000
<v Speaker 3>it that I knew word for. I'm listening to the album,

0:52:34.239 --> 0:52:36.319
<v Speaker 3>niggas looking at how the fuck you notice something? We

0:52:36.480 --> 0:52:38.040
<v Speaker 3>just went to town right and around going uptown to

0:52:38.120 --> 0:52:38.839
<v Speaker 3>this shit every day.

0:52:39.000 --> 0:52:40.839
<v Speaker 1>Yeah, yeah, you're not like me. It was like four

0:52:40.920 --> 0:52:42.640
<v Speaker 1>years older than You're not like me. It was older

0:52:42.640 --> 0:52:44.080
<v Speaker 1>than that. That's why it's like a bonus, right, It's

0:52:44.080 --> 0:52:49.640
<v Speaker 1>not even it's another one Murder on ch that's from

0:52:49.680 --> 0:52:50.160
<v Speaker 1>ninety nine.

0:52:50.520 --> 0:52:52.600
<v Speaker 2>They put those as bonus joints just because the rest

0:52:52.600 --> 0:52:54.759
<v Speaker 2>of the world didn't hear those, which I understand, Jimy

0:52:54.760 --> 0:52:55.520
<v Speaker 2>Ivien and I'm doing.

0:52:55.400 --> 0:52:58.160
<v Speaker 1>That, But you didn't make a good point with Massacre.

0:52:58.320 --> 0:53:01.399
<v Speaker 2>If you take the records that fifty gave Game off

0:53:01.440 --> 0:53:05.480
<v Speaker 2>Documentary and replace it with the subpar records on Massacre.

0:53:06.200 --> 0:53:09.880
<v Speaker 2>Now debate, we have a real debate about the classics.

0:53:09.880 --> 0:53:13.719
<v Speaker 2>Back to back, oh easy, because I think I think

0:53:13.719 --> 0:53:16.200
<v Speaker 2>documentary is a classic, and documentary and just that run

0:53:16.280 --> 0:53:21.319
<v Speaker 2>of going from Get Rich to beg for Mercy, documentary

0:53:21.880 --> 0:53:25.359
<v Speaker 2>straight out of Cashville, Hunger for More, Hunger for More.

0:53:26.160 --> 0:53:28.080
<v Speaker 2>I think thoughts of a predicate Felon is fu a

0:53:28.080 --> 0:53:30.680
<v Speaker 2>good album too. That you do in three years is

0:53:31.480 --> 0:53:35.640
<v Speaker 2>find me any record label, death Row, maybe.

0:53:36.360 --> 0:53:39.120
<v Speaker 1>Soundtrack to get Riches. I try and soundtrack. Yeah, that's

0:53:39.120 --> 0:53:40.520
<v Speaker 1>all within three to four years.

0:53:41.080 --> 0:53:43.600
<v Speaker 3>Fifty first five years the best five years in hip hop.

0:53:44.719 --> 0:53:46.960
<v Speaker 3>That's the best first five year run ever.

0:53:46.840 --> 0:53:48.800
<v Speaker 1>In hip hop. Son, I don't care what nobody's saying.

0:53:49.080 --> 0:53:51.160
<v Speaker 2>And a lot of people disagree with you are probably

0:53:51.160 --> 0:53:53.120
<v Speaker 2>younger because they weren't there. They don't know that it

0:53:53.200 --> 0:53:54.040
<v Speaker 2>controlled the world.

0:53:54.320 --> 0:53:54.960
<v Speaker 1>Name one.

0:53:56.680 --> 0:53:58.759
<v Speaker 3>Name of five year run that like all of that

0:53:58.760 --> 0:54:01.520
<v Speaker 3>shit he just named, it's moore it you got it.

0:54:01.520 --> 0:54:05.120
<v Speaker 3>It's more stuff you add in a video game. You

0:54:05.200 --> 0:54:07.960
<v Speaker 3>add in fucking watch close.

0:54:08.600 --> 0:54:09.360
<v Speaker 1>Those was nasty.

0:54:09.520 --> 0:54:11.759
<v Speaker 3>So what you add in vitamin water, we wouldn't even

0:54:11.840 --> 0:54:13.719
<v Speaker 3>We wouldn't even have vitamins or water if it wasn't

0:54:13.719 --> 0:54:14.080
<v Speaker 3>for that ever.

0:54:14.880 --> 0:54:18.239
<v Speaker 4>Fighting water was trash, was so nasty that she tastes

0:54:18.239 --> 0:54:19.720
<v Speaker 4>like it was in somebody else's mouth already.

0:54:21.280 --> 0:54:23.120
<v Speaker 1>I never drunk that ship. That ship was terrible.

0:54:23.120 --> 0:54:24.560
<v Speaker 2>But that's why fifty to me was ill because he

0:54:24.640 --> 0:54:26.960
<v Speaker 2>literally said I get money. I said, I took quarter water,

0:54:27.040 --> 0:54:28.720
<v Speaker 2>put it in bottles for two bucks.

0:54:28.840 --> 0:54:32.040
<v Speaker 1>Cold, cold, came butter for billings. What the fifty ship

0:54:32.120 --> 0:54:38.080
<v Speaker 1>was trashed? Quarterwater? Wait, I could drink power.

0:54:37.840 --> 0:54:42.320
<v Speaker 3>Waters way better than the great fifty cent juice fifty

0:54:42.360 --> 0:54:45.080
<v Speaker 3>cent it was purple. But at this age, I promise you,

0:54:45.200 --> 0:54:47.279
<v Speaker 3>if you drink a quarter water versus that, we'd like

0:54:47.840 --> 0:54:48.000
<v Speaker 3>it was.

0:54:48.680 --> 0:54:51.920
<v Speaker 1>You were like Formula fifty. That's what Formula fifty was.

0:54:52.120 --> 0:54:53.800
<v Speaker 3>Give me my little hoey on me, Yeah, give me

0:54:53.840 --> 0:54:55.080
<v Speaker 3>the little give me my little hogey.

0:54:55.120 --> 0:54:55.920
<v Speaker 1>Yeah, I'm good on that.

0:54:56.000 --> 0:54:58.120
<v Speaker 4>The grape quarter water, the one in the back though,

0:54:58.680 --> 0:54:59.279
<v Speaker 4>at the back of.

0:54:59.239 --> 0:55:02.400
<v Speaker 1>The bottom of by a fan mag Get grab.

0:55:02.200 --> 0:55:04.560
<v Speaker 4>That one because that's gonna stay cold till you get

0:55:04.600 --> 0:55:05.200
<v Speaker 4>back to the block.

0:55:05.400 --> 0:55:08.479
<v Speaker 3>Yeah, Formula fifty had like that after you take cough

0:55:08.560 --> 0:55:11.600
<v Speaker 3>medicine after taste, that's kind of what Formula fifty tasted like.

0:55:12.000 --> 0:55:14.840
<v Speaker 1>That shit was called formula. That shit was terrible.

0:55:16.000 --> 0:55:20.200
<v Speaker 2>Yet today's show is brought to you by our presenting sponsor,

0:55:20.320 --> 0:55:22.239
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<v Speaker 3>YO said fifth first five years in a game? Who

0:56:30.960 --> 0:56:32.640
<v Speaker 3>got a first five? Who got a better first five

0:56:32.719 --> 0:56:37.040
<v Speaker 3>years than that? As far as the music or just overall.

0:56:36.880 --> 0:56:38.840
<v Speaker 1>I'm saying overall, overall, go overall.

0:56:39.400 --> 0:56:43.280
<v Speaker 3>I dare you nahs fifty to fifty When he dropped

0:56:43.280 --> 0:56:46.360
<v Speaker 3>that shit was he shook the entire the entire industry

0:56:46.440 --> 0:56:48.799
<v Speaker 3>up for sure. And it's also not fair because all right,

0:56:48.840 --> 0:56:51.960
<v Speaker 3>you could say, you say Drake had a great run

0:56:52.560 --> 0:56:53.800
<v Speaker 3>in his first five years.

0:56:53.600 --> 0:56:56.239
<v Speaker 1>Musically, nobody had to run that. Drake has no But

0:56:56.280 --> 0:56:56.960
<v Speaker 1>what's fifty?

0:56:57.239 --> 0:57:00.640
<v Speaker 3>That's cap Usually the artist state five lead better than

0:57:00.680 --> 0:57:01.560
<v Speaker 3>drake first five years.

0:57:01.680 --> 0:57:04.080
<v Speaker 4>Music music, Yes, that was not man. We were talking

0:57:04.080 --> 0:57:09.239
<v Speaker 4>about music, just music, just music. Hew No, how how

0:57:09.360 --> 0:57:11.160
<v Speaker 4>how are you saying that? Are you talking just talking

0:57:11.239 --> 0:57:13.479
<v Speaker 4>music if you're talking about business and and other things

0:57:13.480 --> 0:57:14.920
<v Speaker 4>outside of the music, Because.

0:57:14.719 --> 0:57:20.200
<v Speaker 3>Get Richard do Trying the Massacre, the soundtrack, Hunger for More,

0:57:20.440 --> 0:57:25.120
<v Speaker 3>the documentary, Those of a Predicate, Feeling, the Ryan Apple,

0:57:25.720 --> 0:57:27.440
<v Speaker 3>like all the Curties, all of this should come out

0:57:27.480 --> 0:57:28.320
<v Speaker 3>in the first five years.

0:57:28.320 --> 0:57:30.240
<v Speaker 1>Bro I bucked the World is Fire on the low.

0:57:30.360 --> 0:57:33.240
<v Speaker 6>Walk album, are y'all talking about the success of the

0:57:33.280 --> 0:57:34.240
<v Speaker 6>music with that quality.

0:57:34.320 --> 0:57:37.919
<v Speaker 2>That's quality that first five there was not a bad

0:57:37.960 --> 0:57:41.440
<v Speaker 2>G unit album like they all did the numbers, but

0:57:41.480 --> 0:57:43.280
<v Speaker 2>if you go back, that's all nobody was.

0:57:43.240 --> 0:57:47.040
<v Speaker 3>Whack nobody and nobody had as that were actually quality.

0:57:47.120 --> 0:57:49.360
<v Speaker 1>All of that collectively cool, great ship.

0:57:49.720 --> 0:57:53.040
<v Speaker 4>Y'all think that when Drake dropped in his first five years,

0:57:53.360 --> 0:57:55.240
<v Speaker 4>is not better than all of that shit you talking about?

0:57:55.280 --> 0:57:57.120
<v Speaker 1>Five album is?

0:57:57.160 --> 0:58:00.200
<v Speaker 3>I don't think his favorite, fair conversation, you did break

0:58:00.200 --> 0:58:02.400
<v Speaker 3>first album is better than get Richard dot trying. No,

0:58:02.440 --> 0:58:05.120
<v Speaker 3>you don't, then it's over. The conversation is over. And

0:58:05.200 --> 0:58:08.000
<v Speaker 3>that's not because if you if your first album album

0:58:08.160 --> 0:58:10.919
<v Speaker 3>and you think your second album better than the massacre, yes,

0:58:11.840 --> 0:58:16.520
<v Speaker 3>hell yeah, test mixtape so Far Gone, Like what are

0:58:16.520 --> 0:58:19.200
<v Speaker 3>we talking about? Well, that wasn't his first album. I'm

0:58:19.200 --> 0:58:21.400
<v Speaker 3>just a wauch the second album right me Later. It

0:58:21.440 --> 0:58:22.520
<v Speaker 3>is his first album, Thank you Me Late.

0:58:22.520 --> 0:58:23.880
<v Speaker 4>This is his first album, and saying so Far Gone

0:58:23.880 --> 0:58:24.919
<v Speaker 4>came out with the year before.

0:58:25.520 --> 0:58:26.920
<v Speaker 2>Here's the thing with if you want to go with

0:58:26.920 --> 0:58:29.160
<v Speaker 2>the run I've set on record, I think you could

0:58:29.240 --> 0:58:31.360
<v Speaker 2>argue so Far Gone is one of the best mixtapes ever,

0:58:31.440 --> 0:58:32.920
<v Speaker 2>but it also.

0:58:35.320 --> 0:58:37.320
<v Speaker 1>Fifty cents The future got So Far Gone is the

0:58:37.320 --> 0:58:43.920
<v Speaker 1>best mixtape ever. Nah, what so Far Gone? And that

0:58:43.920 --> 0:58:45.480
<v Speaker 1>ship ain't better than gee you and it is the

0:58:45.480 --> 0:58:46.080
<v Speaker 1>future to me.

0:58:46.280 --> 0:58:48.080
<v Speaker 2>Get the funk out which gets me back to me

0:58:48.280 --> 0:58:50.240
<v Speaker 2>is my favorite mixtape. Ball time that guy get out.

0:58:50.880 --> 0:58:52.480
<v Speaker 2>I wish that's what you get out the club bitch

0:58:52.480 --> 0:58:54.720
<v Speaker 2>and all that on it So Far Gone. Yeah, niggas

0:58:54.720 --> 0:58:57.240
<v Speaker 2>remember what was on So Far Gone? Yeah, I just

0:58:57.240 --> 0:58:58.320
<v Speaker 2>wish successful.

0:58:58.760 --> 0:59:02.040
<v Speaker 3>That's maybe like crazy a man that heard Drake when

0:59:02.040 --> 0:59:05.800
<v Speaker 3>I first heard that, even better than some niggas entire discographies.

0:59:06.880 --> 0:59:08.960
<v Speaker 2>No, a lot of people will say that that's Drake's

0:59:08.960 --> 0:59:12.560
<v Speaker 2>actual classic is going. I wish it didn't come from you.

0:59:12.720 --> 0:59:15.480
<v Speaker 2>Pause because I've said that when we've just been all

0:59:15.480 --> 0:59:18.640
<v Speaker 2>your mixtapes. I think people don't realize that why you

0:59:18.800 --> 0:59:21.640
<v Speaker 2>didn't come from me, because people just think you're biased.

0:59:21.640 --> 0:59:25.640
<v Speaker 2>And that's all we're talking about. The music exists, the

0:59:25.640 --> 0:59:27.800
<v Speaker 2>ship is out, Like what do we go listen to it?

0:59:27.840 --> 0:59:29.680
<v Speaker 2>I'm saying when I first heard that nigga Drake on

0:59:29.760 --> 0:59:30.720
<v Speaker 2>that you the best.

0:59:30.760 --> 0:59:31.720
<v Speaker 1>I ain't like that, nigga.

0:59:31.720 --> 0:59:34.240
<v Speaker 3>I say, Yo, this ship is trash, and by the

0:59:34.280 --> 0:59:36.880
<v Speaker 3>time I heard that shit on So Far Gone, it

0:59:36.960 --> 0:59:40.040
<v Speaker 3>seemed like I knew the whole Songe put the key

0:59:40.120 --> 0:59:43.160
<v Speaker 3>under I was on. I was like, oh shit, this

0:59:43.240 --> 0:59:45.920
<v Speaker 3>is fire. It's like I never heard it before, but

0:59:46.320 --> 0:59:48.640
<v Speaker 3>I knew. No, I don't go for that.

0:59:48.840 --> 0:59:49.120
<v Speaker 1>Wow.

0:59:49.520 --> 0:59:53.440
<v Speaker 2>Yeah, guess who's back? Roden Apple Junie. That's what's up.

0:59:53.480 --> 0:59:55.720
<v Speaker 2>You're not like me, fifty bars. Your life's on the line.

0:59:55.760 --> 0:59:57.680
<v Speaker 2>Half these records made it. Don't get rich. Let's just

0:59:57.680 --> 0:59:59.960
<v Speaker 2>start there. This mixtape. Half of it is get rich.

1:00:00.840 --> 1:00:02.720
<v Speaker 2>You're not like me, fifty bars, your life on the line.

1:00:02.720 --> 1:00:04.880
<v Speaker 2>Get out the club, bitch, be a gentleman. Fuck you

1:00:05.240 --> 1:00:08.320
<v Speaker 2>too hot with Nas and Nature, who you rep Na's

1:00:08.360 --> 1:00:11.720
<v Speaker 2>Brave Hearts, Cornerboadegga, Ghetto Koran as the world turn has

1:00:11.800 --> 1:00:15.840
<v Speaker 2>going to be? Who could freestyle Stretch Armstrong freestyle do

1:00:15.920 --> 1:00:18.680
<v Speaker 2>w free This This is the best to me, is

1:00:18.720 --> 1:00:19.320
<v Speaker 2>the greatest.

1:00:19.080 --> 1:00:20.920
<v Speaker 1>Mixtape of all that is better than a Drake mix

1:00:21.000 --> 1:00:22.720
<v Speaker 1>fifty great that.

1:00:23.280 --> 1:00:24.800
<v Speaker 2>I'm not saying that So Far Going, it's not in

1:00:24.840 --> 1:00:27.040
<v Speaker 2>a conversation, but this is the greatest mixtape that's ever

1:00:27.040 --> 1:00:27.680
<v Speaker 2>been put together.

1:00:29.440 --> 1:00:30.520
<v Speaker 1>I don't know if I'm rolling with that.

1:00:32.320 --> 1:00:34.479
<v Speaker 3>But that's why this is beautiful had a conversation because

1:00:34.480 --> 1:00:37.080
<v Speaker 3>we all have different perspectives and different music that we like.

1:00:37.120 --> 1:00:39.960
<v Speaker 3>You know what I'm saying, It was so successful besides

1:00:39.960 --> 1:00:42.240
<v Speaker 3>successful and so far going is flawless.

1:00:42.280 --> 1:00:44.960
<v Speaker 6>You don't you you you must not be familiar. Well,

1:00:45.080 --> 1:00:47.040
<v Speaker 6>you need to go go back and revisit it the

1:00:47.080 --> 1:00:49.439
<v Speaker 6>so far going shit. You need to you're even talking

1:00:49.440 --> 1:00:51.040
<v Speaker 6>about successful, you need to go back and read.

1:00:51.120 --> 1:00:53.840
<v Speaker 2>Also, weird comparison because I think it's the first mixtape

1:00:53.880 --> 1:00:58.160
<v Speaker 2>that like really merged from from an artist itself, not

1:00:58.200 --> 1:01:00.720
<v Speaker 2>a DJ that merged R and B and wrap the

1:01:00.720 --> 1:01:03.240
<v Speaker 2>way Drake did on that. So it's it's a weird

1:01:03.680 --> 1:01:05.960
<v Speaker 2>half the album is R and B Like, yeah, that's

1:01:06.240 --> 1:01:09.160
<v Speaker 2>so I'm not going to me having our mind ninety

1:01:09.200 --> 1:01:11.560
<v Speaker 2>nine point ninety nine mixtapes is in.

1:01:11.560 --> 1:01:15.120
<v Speaker 4>My music just music? Forget if it's R and B

1:01:15.160 --> 1:01:17.440
<v Speaker 4>a rap. We're talking about the best body of music

1:01:17.480 --> 1:01:18.160
<v Speaker 4>on the mixtape.

1:01:18.160 --> 1:01:19.479
<v Speaker 1>But there's a reason why people don't.

1:01:20.120 --> 1:01:22.640
<v Speaker 3>You can't really like people would compare it to like

1:01:22.640 --> 1:01:25.640
<v Speaker 3>Cuttis mixtapes before, they would compare it to to Guess

1:01:25.640 --> 1:01:30.040
<v Speaker 3>Who's back or Clue mixtapes or shit even Wayne's mixtape series.

1:01:30.720 --> 1:01:33.280
<v Speaker 3>But it's a mix that mixtape series. Like, yes, it's

1:01:33.320 --> 1:01:35.120
<v Speaker 3>a mixtape. I'm just saying it's the best mixtape.

1:01:35.160 --> 1:01:37.440
<v Speaker 4>I'm not saying what it's the best rap mixtape or

1:01:37.480 --> 1:01:40.640
<v Speaker 4>the best AR I'm saying it's the best mixtape that

1:01:40.800 --> 1:01:44.080
<v Speaker 4>music on a mixtape was. That's that's better than some albums.

1:01:44.080 --> 1:01:47.680
<v Speaker 4>Like what are we talking about? That's all I'm saying. Now,

1:01:47.680 --> 1:01:49.200
<v Speaker 4>if y'all want to go whether it's the best R

1:01:49.240 --> 1:01:51.440
<v Speaker 4>and B mixtape or best rap okay, then we can

1:01:51.480 --> 1:01:56.120
<v Speaker 4>have that. I'm saying mixtape period. It's not a commercial album.

1:01:56.480 --> 1:01:57.160
<v Speaker 4>It's a mixtape.

1:01:57.160 --> 1:01:58.680
<v Speaker 3>That's a hell of a monkey range right there where

1:01:58.680 --> 1:02:00.160
<v Speaker 3>you just said, Okay, here's the best mix too.

1:02:00.200 --> 1:02:02.000
<v Speaker 1>I thought he was on some rap shit. Here's the

1:02:02.000 --> 1:02:04.240
<v Speaker 1>thing I'm getting. I was back. But I also just like,

1:02:04.840 --> 1:02:05.440
<v Speaker 1>I don't think.

1:02:05.280 --> 1:02:07.600
<v Speaker 2>Most completely wrong if you get down to it, the

1:02:07.640 --> 1:02:09.760
<v Speaker 2>impact that mixtape had. I don't know if there's been

1:02:09.800 --> 1:02:14.320
<v Speaker 2>a mixtape that had an impact that legitimately, of course

1:02:14.360 --> 1:02:16.120
<v Speaker 2>it derived from EIGHTA Waits and heart Breaks, but I

1:02:16.120 --> 1:02:18.680
<v Speaker 2>don't know if there's been a mixtape that changed the

1:02:18.720 --> 1:02:21.840
<v Speaker 2>trajectory of how music sounds the way so no, it's.

1:02:21.720 --> 1:02:25.720
<v Speaker 3>Definitely it changed out. Everything, yes, is roperted after that.

1:02:25.920 --> 1:02:28.280
<v Speaker 3>I tell people that is raped after Drake and so

1:02:28.400 --> 1:02:31.280
<v Speaker 3>that mystate right there is the one you say, is

1:02:31.320 --> 1:02:31.800
<v Speaker 3>really it?

1:02:31.800 --> 1:02:33.320
<v Speaker 1>It's like the music change.

1:02:33.400 --> 1:02:35.720
<v Speaker 2>Yeah, I agree there, but yeah, So Far Gone was

1:02:35.800 --> 1:02:39.040
<v Speaker 2>kind of that the same way it pivoted with Fifty

1:02:39.080 --> 1:02:42.400
<v Speaker 2>and Kanye going face to face and Kanye winning where

1:02:42.400 --> 1:02:45.560
<v Speaker 2>the nerds beat the streets. That pivot and then right

1:02:45.640 --> 1:02:47.160
<v Speaker 2>to So Far Gone to me is the next pivot

1:02:47.160 --> 1:02:49.240
<v Speaker 2>in hip hop. And then you get to the double

1:02:49.400 --> 1:02:53.800
<v Speaker 2>XL freestyle of twenty fifteen when it was Yady and

1:02:53.840 --> 1:02:55.040
<v Speaker 2>all them, that was the next pivot.

1:02:55.040 --> 1:02:57.320
<v Speaker 3>To me, all us street niggas knew Kanye was gonna

1:02:57.320 --> 1:03:00.000
<v Speaker 3>win that son. The whole world kind of did.

1:03:00.160 --> 1:03:01.760
<v Speaker 1>And it just we knew that.

1:03:01.840 --> 1:03:04.080
<v Speaker 3>Like it was like Fifty was like he was feeling

1:03:04.080 --> 1:03:06.480
<v Speaker 3>itself more than anybody else was feeling him at that moment.

1:03:07.040 --> 1:03:10.680
<v Speaker 3>It was like, but he had a right to as

1:03:10.680 --> 1:03:12.120
<v Speaker 3>far as as far as like he had a right.

1:03:12.160 --> 1:03:14.040
<v Speaker 3>You can't be on your dick more than anybody else's

1:03:14.040 --> 1:03:15.400
<v Speaker 3>on your dick, thought, I feel like you.

1:03:15.360 --> 1:03:15.840
<v Speaker 1>Can't do that.

1:03:15.920 --> 1:03:18.240
<v Speaker 3>It sounds like a biggie bo Yeah, like, you can't

1:03:18.240 --> 1:03:22.720
<v Speaker 3>do that, bro, that's amazing ball Actually rock my own

1:03:22.800 --> 1:03:24.439
<v Speaker 3>knocked my own shit, Like I'm on my own dick,

1:03:24.840 --> 1:03:26.360
<v Speaker 3>you know what I'm saying, Like, you can't do that.

1:03:26.400 --> 1:03:27.160
<v Speaker 1>Though, I feel like.

1:03:27.120 --> 1:03:30.280
<v Speaker 3>That's why he messed up with that, But I think

1:03:30.320 --> 1:03:33.600
<v Speaker 3>fifty knew that too, because Fifty got desperate. Fifty said,

1:03:33.640 --> 1:03:36.439
<v Speaker 3>Jimmy Ven and Tom Win ship nothing. It wouldn't bob

1:03:36.480 --> 1:03:37.120
<v Speaker 3>a bunch of them shit.

1:03:37.200 --> 1:03:40.000
<v Speaker 2>Remember, right towards the end, like the week before everything

1:03:40.080 --> 1:03:43.680
<v Speaker 2>was dropping, Fifty said, if Kanye wins, I'm gonna quit rap.

1:03:43.680 --> 1:03:45.280
<v Speaker 1>So if y'all don't buy my album, just no, I'm

1:03:45.320 --> 1:03:48.320
<v Speaker 1>never rapping again. He knew what was going on. We

1:03:48.400 --> 1:03:49.800
<v Speaker 1>all knew that Fifty was going to lose that.

1:03:50.800 --> 1:03:52.440
<v Speaker 2>And if you get down, like as much as I

1:03:52.520 --> 1:03:56.040
<v Speaker 2>like Curtis though, you're dealing with graduation, Like what are

1:03:56.040 --> 1:03:56.680
<v Speaker 2>we talking about?

1:03:56.760 --> 1:03:58.880
<v Speaker 1>It was just a different moment like that, Kanye. The

1:03:58.920 --> 1:03:59.840
<v Speaker 1>world was shifting.

1:04:00.080 --> 1:04:03.000
<v Speaker 3>Yeah, everything the Internet came like, everything was different.

1:04:03.000 --> 1:04:05.439
<v Speaker 1>That was the clash of the trolls. Though. Soldier Boy

1:04:05.560 --> 1:04:09.320
<v Speaker 1>was lit. Yeah, hell yeah, there was no about that.

1:04:09.760 --> 1:04:11.520
<v Speaker 1>He was lit and that's what he was seven. He

1:04:11.600 --> 1:04:12.080
<v Speaker 1>still was.

1:04:12.240 --> 1:04:14.520
<v Speaker 6>He popped off earlier, but that was like kind of

1:04:14.520 --> 1:04:16.040
<v Speaker 6>like his prime seven.

1:04:16.160 --> 1:04:18.320
<v Speaker 3>Yeah, Crank that Soldiers I remember. I remember watching all

1:04:18.320 --> 1:04:19.160
<v Speaker 3>of these videos.

1:04:18.920 --> 1:04:30.040
<v Speaker 1>At the same time. Yeah, like, did you catch that

1:04:30.120 --> 1:04:35.040
<v Speaker 1>on that don't never Netflix?

1:04:35.120 --> 1:04:40.240
<v Speaker 3>Nick fuck he talking about cranked that on Netflix. You

1:04:40.280 --> 1:04:42.640
<v Speaker 3>were in jail at that time. Yeah, you were in jail,

1:04:44.920 --> 1:04:47.320
<v Speaker 3>jail when he was born in oh two. I came

1:04:47.360 --> 1:04:49.760
<v Speaker 3>on with twenty twenty. Yeah, so all this ship we

1:04:49.800 --> 1:04:51.080
<v Speaker 3>talked about, I was.

1:04:53.000 --> 1:04:56.280
<v Speaker 1>Everything. Everything we're talking about. He was in jail for.

1:04:56.680 --> 1:04:58.320
<v Speaker 1>You know, how to do the whole You learned how

1:04:58.320 --> 1:05:00.520
<v Speaker 1>to do the Soldier boy in jail. I just want

1:05:00.520 --> 1:05:06.080
<v Speaker 1>to do that part working out yourself.

1:05:06.080 --> 1:05:15.240
<v Speaker 3>Like your listen House of the Spousing, Windy Windy. That's upstate, right,

1:05:15.280 --> 1:05:16.840
<v Speaker 3>so it's mad like that's the prefact spot for the

1:05:16.880 --> 1:05:20.479
<v Speaker 3>upstate nigga Bufalo niggas, Rochester niggas, So they on different

1:05:20.520 --> 1:05:22.200
<v Speaker 3>type of time to see the niggas anyway you are

1:05:22.960 --> 1:05:25.400
<v Speaker 3>sign them niggas used to be coming out this cell.

1:05:25.720 --> 1:05:27.360
<v Speaker 3>They making fun of the nigga and all that.

1:05:28.120 --> 1:05:30.400
<v Speaker 1>You you that.

1:05:30.480 --> 1:05:33.240
<v Speaker 3>Shi it was hilarious. You are worried about Bubb Sun

1:05:34.280 --> 1:05:37.680
<v Speaker 3>Sol Boy. They was doing you in prison just so big.

1:05:41.280 --> 1:05:43.520
<v Speaker 1>Was there you the first nigga to have niggas doing

1:05:43.560 --> 1:05:44.480
<v Speaker 1>your dancy.

1:05:44.280 --> 1:05:53.920
<v Speaker 3>Jail Big Draco straight up, that is hilarious.

1:05:54.000 --> 1:05:56.720
<v Speaker 1>Hit the cell. The niggas is doing that. Niggas come out, they're.

1:05:56.480 --> 1:06:01.800
<v Speaker 3>Like your mother said, niggs beat the little niggas had

1:06:01.880 --> 1:06:06.160
<v Speaker 3>niggas crying, Oh my god. All that ship was the

1:06:06.160 --> 1:06:09.000
<v Speaker 3>same time though, like oh seven Man, Soldier Boy fifty

1:06:09.040 --> 1:06:09.960
<v Speaker 3>and Kanye.

1:06:09.680 --> 1:06:12.600
<v Speaker 1>Going at it. Yeah, you can have whatever you like.

1:06:13.160 --> 1:06:15.400
<v Speaker 1>All that ship was like the same time. You remember Circario.

1:06:15.960 --> 1:06:22.760
<v Speaker 1>Of course Caio you the magazine Nigga the same reason.

1:06:22.800 --> 1:06:24.880
<v Speaker 2>Whether we're talking off Mike with Nos going on that

1:06:24.920 --> 1:06:26.480
<v Speaker 2>rent about Angie.

1:06:26.760 --> 1:06:31.040
<v Speaker 1>He seemed to rap with us. He rapped a lot like,

1:06:31.080 --> 1:06:34.560
<v Speaker 1>oh you remember Sakaria, you heard this ship. I probably

1:06:34.560 --> 1:06:35.040
<v Speaker 1>got to hear.

1:06:37.560 --> 1:06:41.040
<v Speaker 3>The niggas with the nigga from b More know we

1:06:41.440 --> 1:06:44.840
<v Speaker 3>that was with Jim Jones and the niggah. Yeah, I

1:06:44.840 --> 1:06:48.240
<v Speaker 3>remember named Billy Ba sound just like whole You're crazy

1:06:48.240 --> 1:06:51.640
<v Speaker 3>Billy Bath. He used to sound. I had some every

1:06:51.680 --> 1:06:53.240
<v Speaker 3>tape they used to come out mixed. Sib used to

1:06:53.280 --> 1:06:55.000
<v Speaker 3>be on that ship. Sounded just like O you.

1:06:55.080 --> 1:06:57.160
<v Speaker 2>Brought up Billy Bath Gate on this podcast before. I

1:06:57.200 --> 1:06:58.800
<v Speaker 2>was like, yo, how did that name even.

1:06:58.640 --> 1:07:01.920
<v Speaker 3>Billy bath Gate? I remember Billy back, I remember everything.

1:07:01.960 --> 1:07:03.240
<v Speaker 3>So I used to be looking for them niggas. I

1:07:03.280 --> 1:07:05.920
<v Speaker 3>used to want to rhyme against them niggas, all them niggas, niggas,

1:07:05.920 --> 1:07:07.760
<v Speaker 3>some of your j miles looking for niggas. I'm looking

1:07:07.760 --> 1:07:12.720
<v Speaker 3>for him, looking for he was jumping out in niggas hoods. Yeah,

1:07:12.800 --> 1:07:14.600
<v Speaker 3>he was looking for niggas. He hear you nicey coming

1:07:14.640 --> 1:07:16.280
<v Speaker 3>through your hood. His men got the camera. I was

1:07:16.360 --> 1:07:17.520
<v Speaker 3>uptaying looking for them niggas.

1:07:17.560 --> 1:07:17.760
<v Speaker 1>Yeah.

1:07:17.880 --> 1:07:20.320
<v Speaker 4>But that's the part of bat the rap that niggas

1:07:20.320 --> 1:07:22.840
<v Speaker 4>don't really talk or know about, is that when nigga

1:07:22.840 --> 1:07:25.960
<v Speaker 4>should literally go to niggas blocks. Yes, Like I tell

1:07:26.000 --> 1:07:27.919
<v Speaker 4>niggas like Rex and all of them, they come from

1:07:27.960 --> 1:07:31.240
<v Speaker 4>that like Rex move. Look, they literally would walk to

1:07:31.320 --> 1:07:33.560
<v Speaker 4>go to whoever block. Like, imagine that, I'm going to

1:07:33.600 --> 1:07:34.400
<v Speaker 4>somebody's blocks.

1:07:34.400 --> 1:07:36.200
<v Speaker 3>Twelve of them niggas, thirteen of them minute, and we

1:07:36.280 --> 1:07:39.680
<v Speaker 3>just standing on the corner waiting for a niggas hear something.

1:07:39.760 --> 1:07:40.480
<v Speaker 1>You know, how you look?

1:07:40.640 --> 1:07:43.200
<v Speaker 3>None of that? He'd be asking you, yo, you know Rory,

1:07:43.520 --> 1:07:46.680
<v Speaker 3>Like no, I don't know him, like you rap so

1:07:46.920 --> 1:07:48.280
<v Speaker 3>like his man's and him come.

1:07:48.280 --> 1:07:50.240
<v Speaker 1>Back like you was looking for Rory. Yeah, him right there.

1:07:50.280 --> 1:07:51.040
<v Speaker 1>I just asked, y'all.

1:07:51.120 --> 1:07:54.160
<v Speaker 2>Yeah, I mean that was that was nails and move.

1:07:54.800 --> 1:07:56.680
<v Speaker 2>They put it on camera of what was happening at

1:07:56.680 --> 1:07:59.600
<v Speaker 2>that point the State building. Yeah, that was like that

1:07:59.720 --> 1:08:02.200
<v Speaker 2>was the last to me, like when that was at

1:08:02.200 --> 1:08:04.520
<v Speaker 2>a big screen they were doing at.

1:08:04.360 --> 1:08:06.160
<v Speaker 1>A chance to see that, your mind. I got niggas

1:08:06.240 --> 1:08:08.160
<v Speaker 1>up north that all of the battle raps. They know

1:08:08.360 --> 1:08:09.280
<v Speaker 1>every battle rap.

1:08:09.800 --> 1:08:12.360
<v Speaker 3>They come like you could tell a nigga anybody you named,

1:08:12.360 --> 1:08:14.560
<v Speaker 3>like yo, te Top, let me hear some T top shit.

1:08:14.600 --> 1:08:16.080
<v Speaker 1>He know it like they know everything.

1:08:16.360 --> 1:08:17.960
<v Speaker 3>When I first got a chance to see that shit

1:08:18.000 --> 1:08:19.400
<v Speaker 3>in front of the State building out, that's like some

1:08:19.439 --> 1:08:21.719
<v Speaker 3>ship that I was mad. I wasn't around for classes.

1:08:22.760 --> 1:08:25.920
<v Speaker 3>That's to me to class battle. Yeah, that's a classic ship.

1:08:26.360 --> 1:08:28.040
<v Speaker 1>I was looking at this like, damn, I'm mad.

1:08:28.080 --> 1:08:31.040
<v Speaker 3>I wasn't there to throw back on every big ass

1:08:31.080 --> 1:08:31.960
<v Speaker 3>hat like I was mad.

1:08:32.000 --> 1:08:32.559
<v Speaker 1>I wasn't giff.

1:08:32.680 --> 1:08:34.880
<v Speaker 4>That's when it because now now battle rap is different,

1:08:34.880 --> 1:08:35.800
<v Speaker 4>it's more performative.

1:08:35.840 --> 1:08:39.240
<v Speaker 1>Now now it's like spoken word. It's a lot of theatrics.

1:08:39.760 --> 1:08:41.640
<v Speaker 2>But but that kind of derived from from Mills and

1:08:41.680 --> 1:08:43.760
<v Speaker 2>Mook to me, from that battle and even kind of

1:08:43.760 --> 1:08:46.439
<v Speaker 2>with Serrius Jones and we're doing Lux and Mouk were doing.

1:08:46.520 --> 1:08:49.840
<v Speaker 4>No, because when Mills and moved that battle, those balls

1:08:49.840 --> 1:08:52.280
<v Speaker 4>could be tailored for anybody. That rap now it was

1:08:52.280 --> 1:08:56.519
<v Speaker 4>a specific. Now it's more tailored for the individual would

1:08:56.520 --> 1:08:59.599
<v Speaker 4>have spit. But they would have told me the same

1:08:59.640 --> 1:09:01.920
<v Speaker 4>exact in my hood right it was.

1:09:02.000 --> 1:09:04.880
<v Speaker 3>But Mills and MoU they were saying personal ship that

1:09:05.120 --> 1:09:06.880
<v Speaker 3>they said his government name in that.

1:09:06.920 --> 1:09:07.680
<v Speaker 1>No, you it was.

1:09:07.720 --> 1:09:09.640
<v Speaker 4>It was that was in there like most of the

1:09:09.720 --> 1:09:11.920
<v Speaker 4>rop statement that was, but most of the rap was

1:09:12.000 --> 1:09:13.240
<v Speaker 4>bars that they could spit at.

1:09:13.439 --> 1:09:14.519
<v Speaker 1>Oh that No, that's what I'm saying.

1:09:14.520 --> 1:09:16.759
<v Speaker 2>They're the blueprint of the style now from those battles,

1:09:16.760 --> 1:09:20.599
<v Speaker 2>because ship Sirius Jones and Mook was all about where

1:09:20.640 --> 1:09:24.280
<v Speaker 2>Mooke went to school. Even Lux in Mook in that regard.

1:09:24.560 --> 1:09:26.040
<v Speaker 2>To me, they they're the ones. And even how the

1:09:26.080 --> 1:09:29.200
<v Speaker 2>style is like they're doing on beasts right now, I

1:09:29.240 --> 1:09:31.360
<v Speaker 2>don't mind it. I like it a little b Yeah,

1:09:31.360 --> 1:09:34.280
<v Speaker 2>I don't mind that. I don't know that Battle Rock was.

1:09:34.320 --> 1:09:38.200
<v Speaker 3>Just the game matter that ship how shurtd up I

1:09:38.240 --> 1:09:41.000
<v Speaker 3>was trying to sick this nigga on this niggas sink

1:09:41.040 --> 1:09:43.680
<v Speaker 3>this nigga on that nigga. It was working a little bit,

1:09:44.360 --> 1:09:48.000
<v Speaker 3>which are battling? Yeah, it was working, which you battle

1:09:50.040 --> 1:09:52.800
<v Speaker 3>this nigga started talking that sucked my dish and I'm smacking.

1:09:52.640 --> 1:09:55.280
<v Speaker 1>Out, not playing it. You go back, We go bat.

1:09:55.360 --> 1:09:56.760
<v Speaker 1>You're gonna tell me, tell me some ship. You would

1:09:56.760 --> 1:09:59.920
<v Speaker 1>have told me in person in the regular conversation. So ship,

1:10:00.520 --> 1:10:01.880
<v Speaker 1>you tell me to suck your digg on.

1:10:02.000 --> 1:10:04.800
<v Speaker 3>My mom's and I'm smapping out of me. I don't

1:10:04.840 --> 1:10:07.200
<v Speaker 3>care about how much money that was on this stage.

1:10:07.240 --> 1:10:08.639
<v Speaker 3>None of that you ain't gonna tell you ain't getting

1:10:08.640 --> 1:10:11.599
<v Speaker 3>that off. I ain't playing your I don't play sports

1:10:11.600 --> 1:10:13.880
<v Speaker 3>for certain reasons. Nigga, take a cheap shot. We ain't

1:10:13.880 --> 1:10:18.040
<v Speaker 3>getting green in the NBA. I ain't elbow me in

1:10:18.080 --> 1:10:21.520
<v Speaker 3>my arm pulls. Oh yo, we're playing basket now, popping.

1:10:21.200 --> 1:10:24.040
<v Speaker 1>You over this ship, nigga, that's a cheap shot. You

1:10:24.080 --> 1:10:25.760
<v Speaker 1>want to did that? You want to elbow me.

1:10:25.840 --> 1:10:28.080
<v Speaker 3>We was just talking, but now you get to get

1:10:28.080 --> 1:10:30.840
<v Speaker 3>an l I'm not doing that, So that's why I

1:10:30.880 --> 1:10:32.160
<v Speaker 3>wouldn't do that ship.

1:10:33.160 --> 1:10:37.120
<v Speaker 2>The understanding is that nobody actually means this ship and

1:10:37.280 --> 1:10:37.679
<v Speaker 2>don't matter.

1:10:37.800 --> 1:10:39.520
<v Speaker 1>We mean entertainment purposes.

1:10:39.840 --> 1:10:41.439
<v Speaker 3>Now, just don't tell me to suck your wei and

1:10:41.520 --> 1:10:45.760
<v Speaker 3>we you can say that I'm saying, do your thing.

1:10:45.840 --> 1:10:47.240
<v Speaker 3>I'm saying, but don't tell me that ship.

1:10:47.200 --> 1:10:51.679
<v Speaker 1>That's in the contract. It's a lot like that ship. Yeah,

1:10:52.040 --> 1:10:56.360
<v Speaker 1>I like that ship. And putting my con in minds

1:10:56.400 --> 1:10:56.880
<v Speaker 1>that if.

1:10:56.720 --> 1:10:58.320
<v Speaker 3>He's saying and I smacked the ship out of him,

1:10:58.320 --> 1:10:59.160
<v Speaker 3>I can still get my money.

1:10:59.240 --> 1:11:02.479
<v Speaker 1>All still keep on mind straight up? Oh my god,

1:11:03.960 --> 1:11:08.160
<v Speaker 1>that's hilarriicus. Do we have voicemails sponsored by boost?

1:11:08.560 --> 1:11:12.599
<v Speaker 7>You've got male best podcast in the world, my favorite

1:11:12.640 --> 1:11:15.599
<v Speaker 7>podcast in the world. I watch Out Faithfully with a Baby.

1:11:15.680 --> 1:11:19.679
<v Speaker 7>D is Mitch from Atlanta. I just I got ninety seconds,

1:11:19.720 --> 1:11:21.280
<v Speaker 7>so I'm finished. Just try to hurry up and do

1:11:21.360 --> 1:11:23.160
<v Speaker 7>the shit. But all right, say you with a woman

1:11:23.200 --> 1:11:25.479
<v Speaker 7>for five years. You're in our relationship for five years period,

1:11:25.720 --> 1:11:28.160
<v Speaker 7>and you know what I'm saying, y'all love each other,

1:11:28.240 --> 1:11:30.320
<v Speaker 7>y'all best friends. Y'all don't have a whole lot of

1:11:30.400 --> 1:11:34.080
<v Speaker 7>first experiences together. That what the Mexico cruises all kinds

1:11:34.080 --> 1:11:38.840
<v Speaker 7>of shit. But during that five years, y'all have also

1:11:38.960 --> 1:11:42.879
<v Speaker 7>been very toxic and y'all drink every time, y'all.

1:11:42.720 --> 1:11:44.559
<v Speaker 1>Together tequila shots. Oh, it's lit.

1:11:44.640 --> 1:11:47.760
<v Speaker 7>We watch the batties, we drinking whatever whatever. Right, So

1:11:48.080 --> 1:11:51.160
<v Speaker 7>it was one night where she sees a pair of

1:11:51.200 --> 1:11:55.400
<v Speaker 7>pennies in my closet and I, you know, I confuse.

1:11:55.560 --> 1:11:58.120
<v Speaker 7>I thought they were hurts. But I also have a

1:11:58.240 --> 1:12:00.560
<v Speaker 7>child to my son's mother. She used to live with me,

1:12:00.720 --> 1:12:02.680
<v Speaker 7>like seven eight years ago, or whatever the case may be.

1:12:02.800 --> 1:12:04.320
<v Speaker 7>So I thought I thought I got rid of all

1:12:04.360 --> 1:12:08.200
<v Speaker 7>her shit. It's very easy if storyware medium, it's very

1:12:08.280 --> 1:12:11.920
<v Speaker 7>easy to just oversee that little article of clothing. At

1:12:12.000 --> 1:12:14.560
<v Speaker 7>least that's I mean, that's how I feel, you know

1:12:14.600 --> 1:12:16.120
<v Speaker 7>what I'm saying. But she she thought it was some

1:12:16.200 --> 1:12:18.000
<v Speaker 7>new shit. I've never cheated on hind in my life,

1:12:18.400 --> 1:12:20.280
<v Speaker 7>and I don't cheat. I don't do that, you know

1:12:20.320 --> 1:12:23.800
<v Speaker 7>what I'm saying. But she pours pissed in my face

1:12:23.920 --> 1:12:27.240
<v Speaker 7>when she sees these panties. We ain't talked for five

1:12:27.320 --> 1:12:31.559
<v Speaker 7>six months after that. Now we're back in each other's lives,

1:12:31.760 --> 1:12:34.800
<v Speaker 7>and I don't know if I should be doing this

1:12:34.960 --> 1:12:35.280
<v Speaker 7>right now.

1:12:35.439 --> 1:12:37.479
<v Speaker 1>Y'all tell me Valentine's a coming up. I'm trying to

1:12:37.479 --> 1:12:39.679
<v Speaker 1>figure it out, all.

1:12:39.640 --> 1:12:43.400
<v Speaker 2>Right, we'll not cleaning your closet out in over five years.

1:12:43.600 --> 1:12:45.519
<v Speaker 2>I don't know if there's much difference with piss being

1:12:45.560 --> 1:12:46.559
<v Speaker 2>on you because you're dirty.

1:12:49.840 --> 1:12:50.320
<v Speaker 1>They was clean.

1:12:50.520 --> 1:12:52.080
<v Speaker 4>Yeah, he probably didn't go to the back of the close.

1:12:52.080 --> 1:12:53.840
<v Speaker 4>There's probably in a box or something in the back

1:12:53.880 --> 1:12:54.400
<v Speaker 4>of the closet.

1:12:54.520 --> 1:12:55.679
<v Speaker 1>Like they started.

1:12:55.760 --> 1:12:57.960
<v Speaker 2>They were together for five years, which means there was time.

1:12:58.160 --> 1:13:01.920
<v Speaker 2>It's probably six years. He's not even looked in his closet.

1:13:02.600 --> 1:13:04.759
<v Speaker 3>Yeah, but they was in the little box in the closet,

1:13:04.840 --> 1:13:06.040
<v Speaker 3>like the top of the closet, like you just you

1:13:06.080 --> 1:13:06.839
<v Speaker 3>don't know that they're.

1:13:06.680 --> 1:13:07.040
<v Speaker 1>In there.

1:13:08.439 --> 1:13:11.719
<v Speaker 6>Six years or he thought, Yeah, he said he probably

1:13:11.720 --> 1:13:13.280
<v Speaker 6>overlooked it. He could have thought they were hers, like.

1:13:13.520 --> 1:13:18.240
<v Speaker 4>Thought that was her doron't pissing somebody faces? That's drop

1:13:19.000 --> 1:13:23.800
<v Speaker 4>pants likes like, yeah, pissing somebody's face.

1:13:24.160 --> 1:13:25.880
<v Speaker 1>No, I think that's absolutely And like what she did

1:13:25.920 --> 1:13:28.320
<v Speaker 1>she pissed in the cup like like or did she

1:13:29.320 --> 1:13:33.439
<v Speaker 1>she felony? Yeah, See at the same time, she supposed

1:13:33.479 --> 1:13:36.000
<v Speaker 1>to not be here, no more like you're supposed to it.

1:13:36.120 --> 1:13:38.719
<v Speaker 2>That's a different that's a felony son, that's a different

1:13:38.800 --> 1:13:40.519
<v Speaker 2>level of thinking to think about how bad. You have

1:13:40.600 --> 1:13:44.000
<v Speaker 2>to piss in what size cup you grabbed from the cupboard, Like, nah,

1:13:44.120 --> 1:13:44.920
<v Speaker 2>this one's too small.

1:13:45.640 --> 1:13:46.640
<v Speaker 1>I gotta really pissed, like.

1:13:46.680 --> 1:13:48.960
<v Speaker 4>And so she put a cup and like squatted over

1:13:49.000 --> 1:13:50.439
<v Speaker 4>the toilet and then went in the room and threw,

1:13:50.479 --> 1:13:51.160
<v Speaker 4>pissing his face.

1:13:51.200 --> 1:13:53.080
<v Speaker 1>She could have just peed in the toilet and then.

1:13:54.600 --> 1:13:54.960
<v Speaker 3>Out of the.

1:13:57.680 --> 1:14:00.559
<v Speaker 1>A't as mad if don matter in.

1:14:00.520 --> 1:14:04.240
<v Speaker 2>The toilet, no matter how much you clean. Yeah, scooping

1:14:04.280 --> 1:14:08.080
<v Speaker 2>the water and the pitch is worse, they tell you

1:14:08.200 --> 1:14:10.680
<v Speaker 2>they And he didn't clean his closet in six years.

1:14:10.680 --> 1:14:11.959
<v Speaker 2>I'm sure his toilets aren't.

1:14:11.760 --> 1:14:16.160
<v Speaker 1>Up to dig. Yeah, I throwing and then he back

1:14:16.200 --> 1:14:19.040
<v Speaker 1>with her, So my Valentine's Day coming up? That thing,

1:14:19.280 --> 1:14:22.280
<v Speaker 1>that thing by back no more that thing by back,

1:14:22.479 --> 1:14:26.560
<v Speaker 1>snapper or niggas just be like insecure. I don't know.

1:14:26.640 --> 1:14:28.320
<v Speaker 4>It's one of the other, either that pussy fire or

1:14:28.360 --> 1:14:30.960
<v Speaker 4>he just insecure. He's supposed to be in jail.

1:14:31.240 --> 1:14:34.120
<v Speaker 6>He said it's been toxic though, so like he likes

1:14:34.200 --> 1:14:36.240
<v Speaker 6>toxic shit, because he said the relationship was toxic. They're

1:14:36.240 --> 1:14:38.680
<v Speaker 6>always drunk together, like it's one of those but.

1:14:38.760 --> 1:14:41.519
<v Speaker 3>For five years, you live together for five years and

1:14:41.560 --> 1:14:44.120
<v Speaker 3>all y'all do is take tequila shots and watch baddies.

1:14:44.160 --> 1:14:47.240
<v Speaker 1>You should drop dead. Yeah, Oh my god, are you

1:14:47.400 --> 1:14:49.800
<v Speaker 1>cool today? No, I'm talking about how the human body works.

1:14:49.960 --> 1:14:53.080
<v Speaker 2>Oh, for five years, y'all live together, and all y'all

1:14:53.120 --> 1:14:55.320
<v Speaker 2>do for five years is take tequila shots.

1:14:55.360 --> 1:14:57.160
<v Speaker 6>And he's not saying all y'all do. He just says,

1:14:57.240 --> 1:14:59.200
<v Speaker 6>usually we'll wear together with drunk.

1:14:59.200 --> 1:15:00.840
<v Speaker 3>A lot A lot of people was a relationship for

1:15:01.000 --> 1:15:03.680
<v Speaker 3>five should they went to Mexico cruises.

1:15:04.400 --> 1:15:06.120
<v Speaker 1>May be doing all of that five years.

1:15:06.400 --> 1:15:10.240
<v Speaker 3>That void that you throw to my face, I don't

1:15:10.280 --> 1:15:11.880
<v Speaker 3>care how many cruises about, none of that.

1:15:12.280 --> 1:15:14.639
<v Speaker 1>Y'all getting into too much other ship. You throw pissing

1:15:14.720 --> 1:15:15.120
<v Speaker 1>my face.

1:15:15.240 --> 1:15:18.800
<v Speaker 4>Our entire data is deleted sponsored by Boostsmoe Unlimited Talk

1:15:18.840 --> 1:15:21.479
<v Speaker 4>connection that you throw pissing my face, All of that

1:15:21.600 --> 1:15:22.080
<v Speaker 4>is deleted.

1:15:22.360 --> 1:15:26.360
<v Speaker 3>Calling for the account number. Yeah, you throw pissing calling

1:15:26.400 --> 1:15:28.240
<v Speaker 3>for the account number. You could have slapped me. You

1:15:28.280 --> 1:15:32.040
<v Speaker 3>could have like throw piss in my face. Nah, man,

1:15:32.080 --> 1:15:32.840
<v Speaker 3>were not back together.

1:15:32.840 --> 1:15:35.400
<v Speaker 4>Ain't no back together because he did all that and

1:15:35.479 --> 1:15:37.280
<v Speaker 4>it was like, so, yeah, we're back together now.

1:15:37.520 --> 1:15:39.280
<v Speaker 1>Valentine's Day is coming. Me like I feel like I

1:15:39.320 --> 1:15:43.960
<v Speaker 1>shouldn't be doing this, what's I feel like I shouldn't.

1:15:44.160 --> 1:15:44.439
<v Speaker 1>I don't know.

1:15:44.640 --> 1:15:47.599
<v Speaker 2>I don't live in this world because I'm with moll

1:15:47.640 --> 1:15:50.679
<v Speaker 2>There after someone throws pissing your face, what's the first

1:15:50.720 --> 1:15:51.400
<v Speaker 2>text message?

1:15:51.960 --> 1:15:52.000
<v Speaker 3>What?

1:15:52.439 --> 1:15:56.120
<v Speaker 1>Hey? How do you even get back together after somebody

1:15:56.160 --> 1:15:56.880
<v Speaker 1>throws pissing your face?

1:15:56.880 --> 1:16:00.920
<v Speaker 3>You gotta come bail me out because I'm in jail.

1:16:02.120 --> 1:16:05.519
<v Speaker 3>You got black eyes? Miss you bailing me out? We

1:16:05.720 --> 1:16:09.240
<v Speaker 3>back together. That's the only way that's gonna work. Yeah,

1:16:09.400 --> 1:16:11.800
<v Speaker 3>you think you gonna, I'm not. I don't put my

1:16:11.920 --> 1:16:12.679
<v Speaker 3>hands on women.

1:16:12.800 --> 1:16:13.519
<v Speaker 1>Be I don't do that.

1:16:13.600 --> 1:16:15.519
<v Speaker 3>But if you throw piss on you not a lady,

1:16:16.040 --> 1:16:22.559
<v Speaker 3>that's not you animal. That's a felony. Yeah, you animalish somebody.

1:16:22.600 --> 1:16:24.000
<v Speaker 1>You can go to jail for that. That's that's a

1:16:24.120 --> 1:16:27.400
<v Speaker 1>salt in the first degree. That foolish. And to keep it.

1:16:27.520 --> 1:16:30.200
<v Speaker 2>Even if if a dude threw pissing a girl's face

1:16:30.280 --> 1:16:31.800
<v Speaker 2>and she stabbed him, I'd be like, well you should

1:16:31.800 --> 1:16:36.920
<v Speaker 2>have got stabbed one. I don't think there's another result

1:16:37.000 --> 1:16:39.760
<v Speaker 2>after throwing pissing somebody's face, but violence, Yeah, you can't

1:16:39.800 --> 1:16:40.080
<v Speaker 2>throw The.

1:16:40.160 --> 1:16:41.800
<v Speaker 3>Only thing I can say that just make my little

1:16:41.840 --> 1:16:44.639
<v Speaker 3>shister whoop your ass? Something you gonna get hurt through

1:16:44.720 --> 1:16:44.880
<v Speaker 3>for that.

1:16:45.720 --> 1:16:47.760
<v Speaker 1>I'm not. I'm not holding that down. Yeah, I'm not.

1:16:47.840 --> 1:16:49.360
<v Speaker 1>I can never look you in. All they do is

1:16:49.439 --> 1:16:51.639
<v Speaker 1>drinks to kill and watch baddies. I know they're not hydrated.

1:16:52.840 --> 1:16:54.640
<v Speaker 1>Like that yellow bit.

1:16:54.720 --> 1:16:55.479
<v Speaker 3>That was that? Yeah?

1:16:55.640 --> 1:16:58.040
<v Speaker 1>Yeah, that was that vitamin water? Yellow?

1:16:58.040 --> 1:17:00.760
<v Speaker 4>Remember the yellow vitamin water? That is that the energy

1:17:00.800 --> 1:17:05.200
<v Speaker 4>one should have like been. Yeah, that shit fizzed up

1:17:05.240 --> 1:17:09.200
<v Speaker 4>like bed too. A hit him in his face, like wow, pissed,

1:17:09.200 --> 1:17:11.479
<v Speaker 4>bubble sliding man.

1:17:12.120 --> 1:17:15.479
<v Speaker 1>Crazy. That is crazy to throw pissing somebody's face.

1:17:15.560 --> 1:17:17.720
<v Speaker 6>If you willing to stay with somebody after they or

1:17:17.800 --> 1:17:19.439
<v Speaker 6>go back to somebody after they threw pissing your face,

1:17:19.520 --> 1:17:20.559
<v Speaker 6>y'all probably belong together.

1:17:21.240 --> 1:17:24.120
<v Speaker 1>Yeah, because nobody have some panties and you'll be drunk.

1:17:24.200 --> 1:17:28.719
<v Speaker 1>They might be off. You'll be drunk on the drunk.

1:17:29.000 --> 1:17:33.439
<v Speaker 1>Five years you wild, you bucking, and we be drunk.

1:17:33.479 --> 1:17:34.240
<v Speaker 1>I would have been.

1:17:35.680 --> 1:17:38.000
<v Speaker 2>Ship you found panties because y'all said it must be

1:17:38.040 --> 1:17:39.599
<v Speaker 2>in the back end of a closet, because it takes

1:17:39.600 --> 1:17:40.639
<v Speaker 2>six years to find the ship.

1:17:41.080 --> 1:17:43.320
<v Speaker 1>You can't talk your way out of that one. Yeah,

1:17:43.479 --> 1:17:44.120
<v Speaker 1>I could.

1:17:44.200 --> 1:17:45.920
<v Speaker 4>I could deal with a lot, but a woman throwing

1:17:45.920 --> 1:17:47.519
<v Speaker 4>piss I've never put my hands on a woman.

1:17:47.560 --> 1:17:49.880
<v Speaker 1>A damn my life. A woman throw piss on my face,

1:17:50.280 --> 1:17:52.120
<v Speaker 1>I will forget everything I'm on the.

1:17:52.160 --> 1:17:55.920
<v Speaker 3>Side of, no matter what, forgetting spit on nobody. Once

1:17:55.960 --> 1:17:58.680
<v Speaker 3>spit happens, I feel like it's spit. I would have

1:17:58.720 --> 1:18:03.160
<v Speaker 3>lived with more than pissed spin I would have definitely

1:18:03.160 --> 1:18:05.760
<v Speaker 3>been there because my mom, my mom definitely listened. She

1:18:06.000 --> 1:18:07.760
<v Speaker 3>know I would never might, but if a woman spit

1:18:07.840 --> 1:18:09.720
<v Speaker 3>my face, my mom would. Sure, you're supposed to knock

1:18:09.760 --> 1:18:10.720
<v Speaker 3>every two her mouth.

1:18:11.040 --> 1:18:13.080
<v Speaker 1>Your mother is a very common.

1:18:15.640 --> 1:18:18.880
<v Speaker 3>My face, My mom, you're supposed to knock every two listen,

1:18:19.320 --> 1:18:20.960
<v Speaker 3>like like me and my brother had the reputation in

1:18:21.080 --> 1:18:23.560
<v Speaker 3>her right, hooligan is right. So my little sister she

1:18:23.800 --> 1:18:25.960
<v Speaker 3>was on some like she is, she installed on some

1:18:26.040 --> 1:18:28.479
<v Speaker 3>ship because she knows she got two brothers them niggas

1:18:28.479 --> 1:18:29.960
<v Speaker 3>to go to They don't mind going to jail for

1:18:30.040 --> 1:18:33.400
<v Speaker 3>murk right. So we used to tell her, though, Yo,

1:18:33.600 --> 1:18:36.120
<v Speaker 3>you gotta be careful what you do because some niggas

1:18:36.120 --> 1:18:37.840
<v Speaker 3>they don't They don't care about what your brothers in

1:18:37.880 --> 1:18:40.200
<v Speaker 3>them at all at all. You put your hands on

1:18:40.240 --> 1:18:42.360
<v Speaker 3>the nigga might knock you out. Niggam break your jaws.

1:18:42.439 --> 1:18:45.040
<v Speaker 3>So you gotta be mindful of what you're doing. And

1:18:45.240 --> 1:18:47.920
<v Speaker 3>clearly she had no male members in her own family

1:18:48.160 --> 1:18:50.320
<v Speaker 3>to tell her to be because I don't know, like

1:18:50.800 --> 1:18:54.479
<v Speaker 3>down south. He said he was in Atlanta, right, Yeah, yeah,

1:18:54.720 --> 1:18:56.920
<v Speaker 3>that country, nigga. I'm surprised he ain't.

1:18:56.880 --> 1:18:59.519
<v Speaker 4>Drag up yo will his because you found some panties

1:19:00.040 --> 1:19:01.920
<v Speaker 4>you went to. You didn't slap him in his face,

1:19:02.200 --> 1:19:05.360
<v Speaker 4>the snuffed me boom. You didn't throw bleach on his clothes.

1:19:06.000 --> 1:19:08.080
<v Speaker 4>You could have did all of that before squatting over

1:19:08.160 --> 1:19:10.360
<v Speaker 4>the tub or or the toilet, peeing in the fucking

1:19:10.479 --> 1:19:12.120
<v Speaker 4>tubleware and throwing it in my.

1:19:12.160 --> 1:19:14.080
<v Speaker 1>Face like from Atlanta. Could be his kink.

1:19:14.760 --> 1:19:18.479
<v Speaker 4>Nah, hell no, deep it too. Throwing piss in my face.

1:19:19.080 --> 1:19:21.240
<v Speaker 4>That's that's that's it's no coming back.

1:19:21.520 --> 1:19:23.479
<v Speaker 1>You back with her. You might as well give her

1:19:23.520 --> 1:19:26.840
<v Speaker 1>everything with Valentine's Dad, whatever she like going together.

1:19:27.000 --> 1:19:31.000
<v Speaker 3>You should have a Valentine's Day, well every month, fuck it,

1:19:31.200 --> 1:19:33.439
<v Speaker 3>every fourteen for every month, you just go spend a

1:19:33.479 --> 1:19:36.200
<v Speaker 3>bunch of money on it like that idea. Yeah, all

1:19:36.280 --> 1:19:39.000
<v Speaker 3>kind of chocolates, you know, I mean, get him some

1:19:39.120 --> 1:19:40.800
<v Speaker 3>water pills though, So the next time I should do.

1:19:40.840 --> 1:19:44.519
<v Speaker 1>It and shit, be clear, don't stink and all of that. Yeah,

1:19:44.600 --> 1:19:45.719
<v Speaker 1>get some water pills.

1:19:45.800 --> 1:19:49.280
<v Speaker 4>Yeah, yeah, I ain't gonna lie. He better than me,

1:19:49.400 --> 1:19:51.920
<v Speaker 4>that would better be in my presence ever in her life.

1:19:51.960 --> 1:19:54.280
<v Speaker 1>I think he's better than everybody we've ever met. Yeah,

1:19:54.320 --> 1:19:56.439
<v Speaker 1>that's that's I ain't no coming back from that. And

1:19:56.520 --> 1:19:58.360
<v Speaker 1>he said to me, you're talking about something. I never cheated.

1:19:58.439 --> 1:20:01.120
<v Speaker 1>She must listen to this podcast. I never cheated, never, never,

1:20:03.520 --> 1:20:04.400
<v Speaker 1>You'll never cheated. Though.

1:20:04.439 --> 1:20:06.920
<v Speaker 6>I don't believe him, because why you accept the piss

1:20:06.960 --> 1:20:08.559
<v Speaker 6>if you never cheated, you want to accept.

1:20:08.360 --> 1:20:08.720
<v Speaker 1>It that moment.

1:20:08.920 --> 1:20:14.080
<v Speaker 3>If that's a good point. Still, what if he really

1:20:14.120 --> 1:20:16.480
<v Speaker 3>really love him? It's been five years.

1:20:16.920 --> 1:20:17.320
<v Speaker 1>Looking at it.

1:20:19.240 --> 1:20:21.320
<v Speaker 2>I know, I know love is the most important thing

1:20:21.479 --> 1:20:23.599
<v Speaker 2>in this world, but I feel like urine being thrown

1:20:23.600 --> 1:20:25.719
<v Speaker 2>in my face surpasses keeps.

1:20:25.560 --> 1:20:26.559
<v Speaker 1>The always love.

1:20:26.640 --> 1:20:29.040
<v Speaker 3>I feel like love is like any other feeling. Nigga

1:20:29.040 --> 1:20:30.600
<v Speaker 3>will be mad for nig and it will be a

1:20:30.680 --> 1:20:33.360
<v Speaker 3>love for ever. Nevil that you bugging throw a piss

1:20:33.439 --> 1:20:38.720
<v Speaker 3>on me straight up in your face. Yeah, anyway on

1:20:38.800 --> 1:20:40.519
<v Speaker 3>a nigga, but in your face, you chaste it.

1:20:40.640 --> 1:20:43.479
<v Speaker 1>That you could have peed on my clothes, my bed.

1:20:43.640 --> 1:20:45.519
<v Speaker 3>You could have did that, but you no, peeing on

1:20:45.600 --> 1:20:50.640
<v Speaker 3>my bed is crazy. Throwing pits on my face, your

1:20:50.720 --> 1:20:53.759
<v Speaker 3>face all the time. Now you got a problem.

1:20:53.880 --> 1:20:54.600
<v Speaker 1>That's I love it.

1:20:54.680 --> 1:20:56.960
<v Speaker 3>I've read that in the book and did that. And

1:20:57.080 --> 1:20:59.120
<v Speaker 3>I stood up on somebody's bed and pissed all over

1:20:59.200 --> 1:20:59.559
<v Speaker 3>that bed.

1:20:59.800 --> 1:21:02.400
<v Speaker 1>That's my word. What up some of my ship?

1:21:02.600 --> 1:21:02.720
<v Speaker 3>Oh?

1:21:02.720 --> 1:21:04.800
<v Speaker 1>Because she cuts your ship up? Yeah, okay, that's like

1:21:04.840 --> 1:21:05.559
<v Speaker 1>I ain't have a key.

1:21:08.240 --> 1:21:12.040
<v Speaker 3>You lucky, I ain't Schmid's ship everywhere ahead. But yeah,

1:21:12.200 --> 1:21:17.960
<v Speaker 3>she cut up some nice ship, stood on that bed,

1:21:18.120 --> 1:21:18.880
<v Speaker 3>peeing on that ship.

1:21:19.240 --> 1:21:20.160
<v Speaker 1>Video of that and all that.

1:21:21.200 --> 1:21:24.000
<v Speaker 2>But as a gentleman, you didn't throw piss in her face.

1:21:24.040 --> 1:21:25.840
<v Speaker 2>You just beat on the bed, on the pillows, all

1:21:25.880 --> 1:21:27.000
<v Speaker 2>of that. That's some gallon ship.

1:21:27.080 --> 1:21:28.800
<v Speaker 1>Yeah, she gotta get up new, all of that, get

1:21:28.840 --> 1:21:29.360
<v Speaker 1>everything new.

1:21:29.720 --> 1:21:34.680
<v Speaker 3>That was a good blanket, he's having Philip. That shit bad,

1:21:34.800 --> 1:21:37.200
<v Speaker 3>silky smooth. That shit was a good blake. I beat

1:21:37.280 --> 1:21:41.000
<v Speaker 3>on that in the pillow, soft ass pillows, getting new ship. Yeah,

1:21:41.200 --> 1:21:44.519
<v Speaker 3>cut my ship up. But see that's a retaliation. That's

1:21:44.560 --> 1:21:46.639
<v Speaker 3>a reaction to her cutting up his ship.

1:21:47.200 --> 1:21:50.679
<v Speaker 4>Now, if she came home and because Zip found NBA

1:21:50.800 --> 1:21:52.320
<v Speaker 4>sock under her bed and then he now he's still

1:21:52.360 --> 1:21:53.559
<v Speaker 4>on top of the bed, peeing on the bed.

1:21:54.080 --> 1:21:56.080
<v Speaker 1>He violated. He's wrong for that, Like, yo, that could

1:21:56.080 --> 1:21:59.320
<v Speaker 1>be anybody sock right now. Only need the NBA. Niggas

1:21:59.360 --> 1:22:03.799
<v Speaker 1>get the NBA. Ain't anybody you can bottles on the website.

1:22:04.120 --> 1:22:08.559
<v Speaker 1>Yeah you think you thinks she's on the NBA dot com, right,

1:22:09.760 --> 1:22:11.080
<v Speaker 1>you think she's just an avid fan.

1:22:12.520 --> 1:22:17.040
<v Speaker 3>Nick, she got to mix big big tube socks. She

1:22:17.120 --> 1:22:21.760
<v Speaker 3>come up, bitch, pat your th nigga had that on

1:22:21.840 --> 1:22:26.479
<v Speaker 3>this clearly as sixteen. Let me clearly wait sixteen. You

1:22:26.600 --> 1:22:27.280
<v Speaker 3>see the size of.

1:22:27.280 --> 1:22:31.960
<v Speaker 1>That ship, yo, man, Yeah, no, I ain't gonna lie, homie.

1:22:32.240 --> 1:22:34.479
<v Speaker 1>That's ship. That's your bull right there. Y'all, y'all locked

1:22:34.479 --> 1:22:37.000
<v Speaker 1>in if you go mass up, if you.

1:22:37.080 --> 1:22:39.280
<v Speaker 3>Look past her throwing pissing your face, That's what I'm saying,

1:22:39.479 --> 1:22:41.640
<v Speaker 3>don't feel wrong if you look past that.

1:22:41.720 --> 1:22:45.040
<v Speaker 4>That they could see it on the phone of her

1:22:45.200 --> 1:22:47.280
<v Speaker 4>having sex with another. Gain, he's gonna he's gonna stay down.

1:22:47.520 --> 1:22:49.840
<v Speaker 1>Okay. I think that that's a little bit different. They're

1:22:49.880 --> 1:22:52.680
<v Speaker 1>throwing pissing your face. Some things may be worse to you,

1:22:52.800 --> 1:22:54.120
<v Speaker 1>or other things maybe worse other people.

1:22:55.640 --> 1:22:56.840
<v Speaker 2>I think there's a man that could look at that

1:22:57.200 --> 1:22:59.760
<v Speaker 2>the video. I don't think there's a man that could

1:22:59.760 --> 1:23:01.040
<v Speaker 2>get pissed on his face.

1:23:01.280 --> 1:23:02.720
<v Speaker 1>And no he that's his.

1:23:04.600 --> 1:23:06.559
<v Speaker 6>The thought of her with another nigga will probably crush him.

1:23:06.680 --> 1:23:08.400
<v Speaker 6>He should just yeah, he'll deal with the piss.

1:23:08.560 --> 1:23:10.400
<v Speaker 1>The thought of piss being thrown in my face would

1:23:10.439 --> 1:23:12.120
<v Speaker 1>crush that's you, but not him.

1:23:12.160 --> 1:23:14.800
<v Speaker 3>I think that's ninety eight percent of us. Man, you

1:23:14.880 --> 1:23:17.599
<v Speaker 3>throw pissing ninety percent. We're not going back to that woman.

1:23:17.640 --> 1:23:19.160
<v Speaker 3>You're crazy pissing my face.

1:23:19.600 --> 1:23:21.360
<v Speaker 1>I think niggas are a lot less strict than they

1:23:21.400 --> 1:23:21.880
<v Speaker 1>pretend to be.

1:23:22.080 --> 1:23:22.320
<v Speaker 3>Not you.

1:23:22.760 --> 1:23:24.760
<v Speaker 1>I think you are fully as strict as you say

1:23:24.800 --> 1:23:26.200
<v Speaker 1>you are, but a lot of men are a lot.

1:23:26.320 --> 1:23:27.240
<v Speaker 1>I'm not as strict as him.

1:23:27.240 --> 1:23:28.880
<v Speaker 2>And if you think I'm letting the girl throw pissing

1:23:28.960 --> 1:23:30.479
<v Speaker 2>my face and being like, yo, this is my queen,

1:23:32.560 --> 1:23:36.280
<v Speaker 2>all right y, yeah, I think I think we're gonna

1:23:36.280 --> 1:23:37.519
<v Speaker 2>fightn't cool.

1:23:38.520 --> 1:23:41.080
<v Speaker 1>I believe Rory. I believe Rory. I believe him. I

1:23:41.240 --> 1:23:44.840
<v Speaker 1>never said nothing. I know your silence said everything I

1:23:45.000 --> 1:23:47.599
<v Speaker 1>was thinking. Right, Damn, I can't take the tiny think

1:23:47.680 --> 1:23:48.880
<v Speaker 1>Ron his motherfucker's strat.

1:23:48.960 --> 1:23:51.120
<v Speaker 4>He gotta stay with Shorty. Man, you gotta stay with y'all.

1:23:51.160 --> 1:23:52.920
<v Speaker 4>Can't leave now because now you're forever the nigga that

1:23:53.080 --> 1:23:55.240
<v Speaker 4>got pissed on your face. If y'all break up, she's

1:23:55.240 --> 1:23:55.479
<v Speaker 4>gonna go.

1:23:55.880 --> 1:23:57.479
<v Speaker 6>She's gonna tell her new nigga that she Yeah, me

1:23:57.520 --> 1:23:59.000
<v Speaker 6>and my expert, I mean, I found to hear she.

1:23:59.120 --> 1:24:00.760
<v Speaker 1>I mean I think offers no for sure.

1:24:01.400 --> 1:24:06.280
<v Speaker 3>The phone one, whatever his name is, make sure she

1:24:06.320 --> 1:24:06.720
<v Speaker 3>could see it.

1:24:07.280 --> 1:24:10.599
<v Speaker 4>His name is Mitch, Pissy Mitch pisty, Mitch Pissy, Mitch

1:24:10.680 --> 1:24:11.639
<v Speaker 4>Pissy Mitch from Atlanta.

1:24:11.680 --> 1:24:14.000
<v Speaker 1>Thank you for calling him and in a romantic way.

1:24:14.120 --> 1:24:16.439
<v Speaker 3>There's nothing they can't beat at this point, no matter

1:24:16.520 --> 1:24:19.439
<v Speaker 3>what anything God throws their way, they'll be able to be.

1:24:19.560 --> 1:24:21.200
<v Speaker 4>Yeah, they could be the ninety six bulls that love

1:24:21.280 --> 1:24:24.080
<v Speaker 4>us forever right there. They don't give a fuck. They

1:24:24.200 --> 1:24:27.559
<v Speaker 4>locked in. You'ver see treacherous twins. They treacherous twins right there,

1:24:27.760 --> 1:24:30.840
<v Speaker 4>real treacherous pissy your face and y'all still like this

1:24:31.080 --> 1:24:32.320
<v Speaker 4>Valentine's Day hugged up.

1:24:32.479 --> 1:24:40.320
<v Speaker 1>Nah and then have the nervous say, am I bugget? Yeah? Yeah,

1:24:41.640 --> 1:24:43.519
<v Speaker 1>my whole boy could tell me, yo, Shorty do piss

1:24:43.520 --> 1:24:46.599
<v Speaker 1>on my face? Last thing? I'm like, what two weeks later,

1:24:46.640 --> 1:24:50.800
<v Speaker 1>if I see y'all out together, you a bozo. You

1:24:50.960 --> 1:24:52.800
<v Speaker 1>might tell on me if some shit go down too.

1:24:52.840 --> 1:24:56.240
<v Speaker 1>I don't even want to because you a suck ass nigger. Bro,

1:24:56.479 --> 1:24:58.880
<v Speaker 1>you might, you might be a rack. Now I feel

1:24:58.880 --> 1:25:00.559
<v Speaker 1>like it's the opposite. I feel like he like he'll

1:25:00.560 --> 1:25:03.680
<v Speaker 1>stay down, don't do anything. He's too loyal. Yeah, ain't

1:25:03.680 --> 1:25:06.960
<v Speaker 1>no good. I'm just too He ain't going to jail

1:25:07.080 --> 1:25:09.439
<v Speaker 1>lead that pussy out here. You crazy. Yeah, that's the

1:25:09.560 --> 1:25:12.080
<v Speaker 1>fact that yeah, yeah, yeah, yeah, yeah.

1:25:15.560 --> 1:25:18.280
<v Speaker 3>Everybody else there ain't no way to going to jail

1:25:18.320 --> 1:25:19.240
<v Speaker 3>and leave a hundred film.

1:25:19.320 --> 1:25:23.479
<v Speaker 1>That's what happened his mom. He's telling everybody your nigga

1:25:23.520 --> 1:25:26.320
<v Speaker 1>be serving my mom. She'd be having it. Yeah, all

1:25:26.400 --> 1:25:30.400
<v Speaker 1>I ain't telling everybody fuck out it. I'll trust niggas

1:25:30.400 --> 1:25:32.120
<v Speaker 1>like that. Yeah. No, he's right. He got a zim

1:25:32.360 --> 1:25:33.360
<v Speaker 1>zip got a valid point.

1:25:34.120 --> 1:25:37.400
<v Speaker 3>All right, Well, ironically I have to piss so well,

1:25:37.400 --> 1:25:38.840
<v Speaker 3>you always got to piss, man, you irish.

1:25:38.880 --> 1:25:41.280
<v Speaker 4>I pissed like every seventeen minutes, So it's good. All right, Well,

1:25:41.320 --> 1:25:43.960
<v Speaker 4>we'll talk to y'all soon. Be safe, be blessed. I'm

1:25:44.040 --> 1:25:46.200
<v Speaker 4>that nigga he's just ginger that ship with the drip.

1:25:46.280 --> 1:25:47.519
<v Speaker 4>Let's get to that, let's get that.

1:25:48.120 --> 1:25:48.160
<v Speaker 1>No,