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Speaker 1: Wllian doctor.

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Speaker 2: All right, take two, welcome back, Demarriage dropped her mike

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Speaker 2: on the original intro.

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Speaker 1: But we are back, happy, happy, end of the week.

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Speaker 1: It's hard a week.

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Speaker 2: We were talking about the weather. You guys didn't miss

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Speaker 2: much after she dropped her micropho. We are back. We

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Speaker 2: are with our guy Zip on this this lovely.

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Speaker 3: Let's get to that Netflix Saturday right there?

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Speaker 4: Z the acting mad different when he on netflixt Like

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Speaker 4: I'm just holding it out now, he'll be.

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Speaker 1: Way more more sterious. Yea on Netflix.

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Speaker 4: You know what I'm saying, he acted Differentia be like,

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Speaker 4: y are you acting on me on Netflix yet?

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Speaker 1: Be over there yet, b yo.

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Speaker 4: So so yeah, there's been a lot of uh, a

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Speaker 4: lot of old old head slander going on, I think

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Speaker 4: in hip hop in the last few few months. And

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Speaker 4: you know, obviously me and you are from a different

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Speaker 4: a different era of you know, just wrapping hip hop.

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Speaker 1: We came up in the nineties, right, So.

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Speaker 4: Uh Rory has said, first of all, we're back sponsor

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Speaker 4: by Boostmow unlimited Talk texting data to start there.

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Speaker 1: To's start with that.

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Speaker 4: But so I got little my got little yachty shout

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Speaker 4: out the Yata, that's my guy. He was on our

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Speaker 4: bootleg calf he was on Boutlet Cave. Shout out the

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Speaker 4: bout Leg cab. We shupport Bootleg.

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Speaker 1: Yeah. I love the lat half and he has the

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Speaker 1: good clips. Okay.

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Speaker 2: Yeah, he get people lying about fucking twenty million dollar

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Speaker 2: football deals and ship.

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Speaker 1: Cant turned it down to go to rap, turn it

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Speaker 1: down to be a rap. So I turned this shit

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Speaker 1: I never heard of my life. Well, the math was crazy, like.

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Speaker 2: Dang aw you just you forget fifteen millions.

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Speaker 1: I turned it down, oh man.

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Speaker 4: But Yadi Yadi and his crew was up there shout

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Speaker 4: out to Yachti, and he was talking about, uh, just

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Speaker 4: the origin of raping back in the day, the music

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Speaker 4: not being good and being.

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Speaker 1: Weak, specifically quoting sugar Hill Gang before you go there.

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Speaker 2: Isn't this the second time Yachti's gotten in trouble with

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Speaker 2: old head hip hop Twitter. Didn't he do something with Ebro?

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Speaker 2: He said something about Biggie or something. I remember at

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Speaker 2: one point that correct, right. It was around the same

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Speaker 2: time the Kodak ship with the freestyle thing was going on,

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Speaker 2: but him and Ebro got into it in like twenty

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Speaker 2: sixteen or something. Like that, and I remember it started

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Speaker 2: his career as the golden child for Golden era hip

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Speaker 2: hop to hate.

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Speaker 1: He's had these comments before.

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Speaker 4: Ebro on my comments and now I'm gonna get I'm

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Speaker 4: gonna get you after Ramadan.

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Speaker 1: People don't worry about that. I thought he was a

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Speaker 1: conflidment about you.

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Speaker 5: No.

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Speaker 3: Yeah, I'm gonna compliment him as m I'm gonna give

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Speaker 3: him all the compliments here. The Yeah, I'm just in

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Speaker 3: a different space right now. But Hero, we're gonna talk

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Speaker 3: March nineteenth about your hat. Yeah, no, my go ahead.

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Speaker 3: Oh you was talking?

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Speaker 4: No, no, no, my bad, Okay, all right, Well, anyway, so

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Speaker 4: he Yachty made some some comments, right, so specifically talking

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Speaker 4: about Sugar Hill Gang. Yeah, and the you know, the

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Speaker 4: Orige that's the origin, right, So he's saying that that

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Speaker 4: was weak. Right, So we know that things progress, music

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Speaker 4: changes and all. Hip hop is still a very young

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Speaker 4: art form of very young culture, and in the grand

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Speaker 4: scheme of just cultures around the world, probably the most impactful,

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Speaker 4: but definitely the youngest culture.

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Speaker 1: There might be some cultures that are being birth now

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Speaker 1: that we don't know about. Ryan.

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Speaker 4: You might know about the culture being birth now I'm

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Speaker 4: geting twenty two years old. But the origin, that's the

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Speaker 4: origin of hip hop.

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Speaker 1: Sugar Hill Gang.

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Speaker 3: Hip hop got his name from that song, right, Yeah.

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Speaker 4: So while what Yachty is saying, like when you rhyme

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Speaker 4: like that today, like if somebody was the realm, even

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Speaker 4: though this niggas that rhyme like that today that y'all

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Speaker 4: swear is dope stop.

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Speaker 1: They just do it on Travis Scott Beats, so it's different.

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Speaker 3: They do it on They do it on on must Beats,

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Speaker 3: Mustard Beats, they do it, and y'all y'all think it's

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Speaker 3: the greatest shit y'all heard in the twenty first Like

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Speaker 3: all of that is a hip hop to the hip

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Speaker 3: to the hip to the hip hip hop you don't.

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Speaker 4: Stop but rock into the bang bang boo. That's all

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Speaker 4: derivative of boom boom that that comes from that. So

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Speaker 4: that's why to hear Yachty say that now, it's like

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Speaker 4: I understand what he's saying, right when you just if

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Speaker 4: you was to hear somebody today say that, but you

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Speaker 4: hear people kind of like.

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Speaker 1: Borrow that style now and and and and and.

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Speaker 4: Rap like that with that cadence to that flow and

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Speaker 4: people love it, so I thinks, like, why not on?

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Speaker 3: You feel like he's spot on with that. That the

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Speaker 3: Sugar Hill Gang was trash.

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Speaker 1: I mean, I never liked that music.

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Speaker 3: When I was a little growing up, I ain't like

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Speaker 3: like that that rap.

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Speaker 1: I didn't like it.

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Speaker 3: I started liking rap, way g rap and Kane and

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Speaker 3: Carras one of them, Big Daddy Kane. I didn't like

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Speaker 3: the early like early rap. I paid that shit no mind,

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Speaker 3: but I kind of I used to say the same thing, yes,

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Speaker 3: And then came eighty seven, eighty eight, eighty nine where

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Speaker 3: you got the real rap dudes coming. Like I just said,

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Speaker 3: can Carraras won? Well, if we're gonna do that?

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Speaker 4: He rap rock Kim was probably the first one rock

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Speaker 4: kings the way raps sound, the flow, the floor.

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Speaker 3: He took it for the Kumodi Uptown twenty nine street

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Speaker 3: that hard pulls in and up.

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Speaker 1: He got that now so float.

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Speaker 3: But they strong on rap from the whack dudes, for

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Speaker 3: the dudes with the wack with no balls in the

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Speaker 3: mid late eighties, they strong OneD it for them.

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Speaker 1: And then for fifteen years you had to be nice.

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Speaker 3: You had to be nice, super livercool, you know, what

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Speaker 3: I'm saying in a party element kind of like it

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Speaker 3: was still around the party element because you had big

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Speaker 3: party and I'm saying James party and they was. But

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Speaker 3: you just had to be saying something didn't matter which

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Speaker 3: what kind of song you made.

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Speaker 1: It had to be some intricate lyrics and that shit.

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Speaker 4: But see the only thing with Yachty, and I understand

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Speaker 4: that I respect for you because Yachty is he's a

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Speaker 4: little younger than us, so I can understand. And then

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Speaker 4: you said you didn't even like that as well, so

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Speaker 4: I respect that. When people don't like something, it's like cool,

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Speaker 4: if you did that, that's not your thing.

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Speaker 1: Cool, I'm not. I'm not gonna argue that.

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Speaker 2: Do you think that's his point because you can objectively

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Speaker 2: say I don't listen to rappers to like, I don't

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Speaker 2: get my car like you know, I haven't heard an

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Speaker 2: awhile you know, but that I don't think if that's

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Speaker 2: if that's his point, then cool. But I think how

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Speaker 2: I interpreted why people are upset, let me not say upset.

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Speaker 2: Why they're critiquing his critique is you cannot say that

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Speaker 2: about the very thing that's the reason you are here,

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Speaker 2: and of course, it's going to evolve at the beginning

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Speaker 2: of every genre of music. Typically, the beginning sometimes is

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Speaker 2: the worst because they're still trying to figure out what

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Speaker 2: this thing is. Sugarhill Gang was coming from an era

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Speaker 2: where it was all about a party. You had a

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Speaker 2: party and then they do the breakbeat come out, and

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Speaker 2: then they the guy that was hosting the fucking party

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Speaker 2: and he just say anything. Sometimes it rhymes, and then

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Speaker 2: it developed into to what sugar Hill Gang is. So

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Speaker 2: that was their goal.

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Speaker 1: Was not to sound like NAS because NAS didn't exist.

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Speaker 1: They were at a party. It was Studio fifty four,

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Speaker 1: coked up, trying to have a good time.

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Speaker 2: They was trying to say hip hop, and then it

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Speaker 2: just developed when people like KRS heard it and took

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Speaker 2: it a little bit more seriously. So the critique something

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Speaker 2: where the point was just to party and not to

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Speaker 2: be some lyrical miracle shit like until Flash, there was

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Speaker 2: not even a bit of substance in it.

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Speaker 1: But see what he said.

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Speaker 3: He said he was talking nineties and then he went

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Speaker 3: to the seventies and I'm saying that twenty years me something,

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Speaker 3: and I'm saying, like that's where he messed up. That

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Speaker 3: Like if I critique the critique at all, I would say,

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Speaker 3: you go, you talking about dudes in the nineties and

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Speaker 3: then went to the same That's a big difference. But

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Speaker 3: if you want to he was rapping in the seventies.

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Speaker 3: In the nineties, he said in the nineties it was

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Speaker 3: mad trash. I don't think it was mad trash in

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Speaker 3: the night. It was something they want effects sometimes that

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Speaker 3: that that is.

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Speaker 1: Not real rap. I mean like they wrapped.

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Speaker 5: Bum sticky bum Stickyney, I got that over them. Tell

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Speaker 5: me what the chem sticky bump sticky. You just heard

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Speaker 5: what he said, like it was dudes. I told Rory

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Speaker 5: it used to be dudes crying about all. They mumble rapping,

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Speaker 5: They mumble rapping. I can't understand what they're saying. So

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Speaker 5: what you ain't understand what dosson Fex was saying. You

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Speaker 5: just heard what they said. So you just care about

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Speaker 5: hearing what somebody saying. You don't really care about understanding

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Speaker 5: what's being said.

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Speaker 1: Color fradul toe, get the oops, daisy. Now you got me.

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Speaker 4: Crazy crazy with the skippity. But where's the baby so

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Speaker 4: one too? Buckle my enough shoot.

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Speaker 3: Smelling feet okay, but that hard is that action?

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Speaker 1: He was hard, but we was a little woman to at.

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Speaker 3: Like rap baby came to you, you know, another stret

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Speaker 3: baby Keim is not a unp the latest rap we got,

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Speaker 3: but he had rap.

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Speaker 1: He was comparing that.

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Speaker 3: Yeah, because the older dudes just say, oh, this mumble rap,

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Speaker 3: I can't understand it. You don't care about understanding. You

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Speaker 3: just want to hear it. You just want the words

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Speaker 3: to be pronounced, but you don't care if you can

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Speaker 3: understand those words.

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Speaker 2: There was there was a balance there, like that effects,

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Speaker 2: there was other There was a balance there. And again

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Speaker 2: reflection of the time I've even heard Hove do interviews

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Speaker 2: like when him and ship My'm blankt on Hawaiian Sophie

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Speaker 2: with Jazzo when they were doing that fast raption. Yeah,

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Speaker 2: like they were just trying to be as technical and

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Speaker 2: rap as fast as possible. As reflection of the times,

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Speaker 2: you would say Jay probably wasn't saying much at all

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Speaker 2: when he was had that that flow. If Jay stuck

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Speaker 2: with that flow, we would not be talking about.

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Speaker 1: J J was saying.

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Speaker 4: He was talking though the flow was the flow was

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Speaker 4: kind of like because that was the that was the

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Speaker 4: eraror with like you said, dods effects Foo snickings.

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Speaker 1: Foh niggas was talking too.

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Speaker 3: When I was smaller, used to tease me because he

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Speaker 3: was a group he marking greasy but now living lunch

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Speaker 3: like Georgia.

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Speaker 4: Yeah, like, so there's a balance talking. So it's right,

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Speaker 4: it's a balance. I just think that with Yadi is

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Speaker 4: saying you can't you can't disrespect the foundation, everything is

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Speaker 4: gonna evolve. Like if that's the case, we can go

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Speaker 4: back to when you know, in the NBA first started

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Speaker 4: and look at these trash niggas dribble them in one hand.

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Speaker 1: If you're gonna say.

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Speaker 3: That, I would never put none of them in my

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Speaker 3: top ten from back then, which is fine, but I

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Speaker 3: wouldn't disrespect them niggas dribbling around like this and all.

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Speaker 3: I'm not putting none of y'all going in the top ten.

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Speaker 3: I don't care on Bob Cozy, George might get none

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Speaker 3: of them.

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Speaker 1: But you can't do.

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Speaker 4: That because it's gonna it's gonna come a time now

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Speaker 4: and we're probably seeing it where you know, the ship

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Speaker 4: that we grew up on is being disrespected. Wrapped from

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Speaker 4: the nineties or the early two thousands, or you know,

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Speaker 4: athletes from the nineties like now how they say Jordan

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Speaker 4: is not the greatest, and this, that and the third,

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Speaker 4: like I.

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Speaker 3: Said, Jordan is DeMar DeRozan. Now I wanted to break

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Speaker 3: the phone.

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Speaker 1: You see what I'm saying. You see what I'm saying.

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Speaker 4: So it's it's going to come to a point where

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Speaker 4: it's going to be our time with were gonna be,

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Speaker 4: you know, forty years from now looking back, Like I

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Speaker 4: ain't gonna lie that shit it was talking about was stupid.

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Speaker 4: That nigga, he ain't know what the fuck he was talking.

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Speaker 4: He was trash, that nigga, Yo, That Rory album was garbage,

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Speaker 4: that shit like I.

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Speaker 1: Said that now.

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Speaker 4: But what I'm just saying, like, if that's the case,

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Speaker 4: every generation is gonna look back and say that was

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Speaker 4: trash because everything is gonna evolve.

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Speaker 1: To me, you could say that shit.

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Speaker 2: But even to your point with sports, like I've said

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Speaker 2: countless times, Babe, Ruth's super overrated. I don't think he

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Speaker 2: could hit a fast ball from a thirteen year old

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Speaker 2: from dr right now.

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Speaker 4: But that don't you bugging the fuck out baby taking

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Speaker 4: that shit, y'alld, that shit is out of.

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Speaker 2: Here right that That doesn't mean that he didn't move

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Speaker 2: the game forward to get a Mickey Mantle like, it

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Speaker 2: takes time for things to develop. That doesn't mean I

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Speaker 2: completely disrespect Babe Ruth. But do I think Barry Bonds

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Speaker 2: is a better fucking hitter. Of course I do. It's

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Speaker 2: everything happened evolve. But that doesn't mean I got a

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Speaker 2: shit on Babe Ruth.

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Speaker 4: So today, NAS probably raps better than ninety five percent

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Speaker 4: of the rappers he's been rapping.

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Speaker 3: Maybe under something he is, maybe ninety eight point. He's

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Speaker 3: been rapping for thirty something years. So if we're gonna

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Speaker 3: do that, it's like okay.

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Speaker 4: But there's still guys that are from that that was

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Speaker 4: inspired by sugar Hill Gang that can rap better than

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Speaker 4: ninety five ninety eight percent of the field that we

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Speaker 4: have in front of us today. So you know what

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Speaker 4: I'm saying, It's like, you can't. I'm not saying Yachty

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Speaker 4: gotta love the sugar Hill. I don't play that. I

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Speaker 4: don't love the sugar I'm not. That's not my.

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Speaker 1: I'm from the eighties, but that wasn't what I was listening.

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Speaker 4: So you say he gotta watch his mouth, I'm not

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Speaker 4: saying he gotta watch his mouth. I'm just saying like,

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Speaker 4: it's a way to be like yo, But I don't

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Speaker 4: really think that that was like I never listened to that.

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Speaker 4: You don't got to say that that was weak. And

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Speaker 4: because that's what that's the found, you can't say the

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Speaker 4: foundation is weak as hell. Now you got to think

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Speaker 4: about it. It's coming from a place.

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Speaker 3: Where they were telling him like, yo, you can't rap you.

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Speaker 1: Your sound is trash. You trash eyes.

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Speaker 3: So he said, if I could go back to twenty

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Speaker 3: and sixteen, and he basically saying, if I knew then

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Speaker 3: what I know now, but I can say that no,

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Speaker 3: he they was when they were telling YACHTI like, Yo,

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Speaker 3: you ain't saying nothing when you rhym and blah blah blah.

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Speaker 3: He's saying, I was a kid, did I didn't know

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Speaker 3: that back in the days, these niggas ain't used to

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Speaker 3: be saying shit.

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Speaker 1: And I would add a great defense for.

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Speaker 6: It's so it's such a complete difference because they were

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Speaker 6: creating something like from nothing, yet they had no example.

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Speaker 6: You have fifty years of examples of niggas rapping amazingly

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Speaker 6: and you still can't put words together. Well, like, that's

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Speaker 6: completely different reason why they have no examples to go off.

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Speaker 1: And answer to her point too.

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Speaker 2: When you're saying you love the nineties and didn't really

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Speaker 2: listen to stuff from the seventies or early eighties, that's

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Speaker 2: fair because I think the nineties elevated everything. I don't

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Speaker 2: know if the generation after the nineties and two thousands,

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Speaker 2: except for a select few, really elevated anything, whereas every

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Speaker 2: generation besides Yachty's has elevated it to what a hip

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Speaker 2: hop head would say is a better level. I'm not

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Speaker 2: saying that there's other people that don't think what Yachty

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Speaker 2: and them did is incredible in their subgenre of hip hop.

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Speaker 2: Not saying that, but to you, every single time, it's

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Speaker 2: gotten better.

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Speaker 3: Why I rap got simplified bro money Nelly in fifty Bro, Yeah, Ones,

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Speaker 3: Nelly in fifty game Bro. They had the most simplest

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Speaker 3: raps out of anybody in the business, and they was

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Speaker 3: doing the most numbers, and so everybody said, I'm gonna

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Speaker 3: say the most simplest shit I could possibly say and

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Speaker 3: try to do what they did.

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Speaker 1: I feel like they are the ones that like.

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Speaker 2: Simple simple by by mid two thousand standards now that

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Speaker 2: would be super lyrical. Nelly's super lyrical to today's crowd.

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Speaker 3: Yes, who's the pretty boy naund niggas okay around nigga

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Speaker 3: that lirical.

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Speaker 1: If you want to, yes, because it was different. But

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Speaker 1: when we was.

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Speaker 3: Young, it was little yachty and and people that you'll

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Speaker 3: think can't rap they like that ship.

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Speaker 4: No, I'm not saying, and I understand that, and I

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Speaker 4: also give them that respect, Like, okay, if that's what

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Speaker 4: y'all like. When I was coming up, people didn't like Snoop,

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Speaker 4: people didn't like Dre, people didn't like a lot of

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Speaker 4: that shit that I was listening to, and I was like,

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Speaker 4: what this is dope?

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Speaker 1: Now look at what they turned it into.

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Speaker 4: I'm just saying, when you say that the foundation is week,

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Speaker 4: the foundation can't be weak as hell because look how

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Speaker 4: look how much was built on the foundation.

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Speaker 1: I mean now, I think how much hip hop came

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Speaker 1: from the Sugar Hill Gang.

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Speaker 3: Look how far the culture from that from Yeah, from

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Speaker 3: that moment, that that style, from that sound.

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Speaker 1: Fifty something years later.

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Speaker 4: It's the most impactful, influential culture, maybe art form on

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Speaker 4: the planet. So the foundation of that, you can't say

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Speaker 4: it's weak as hell, because if that was weak as hell,

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Speaker 4: it would have collapsed.

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Speaker 1: It wouldn't have it would nothing would have been built

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Speaker 1: a bomb.

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Speaker 3: It feel like it was some real shit going on

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Speaker 3: back then too, though, because if you listen to everything

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Speaker 3: that was like would dudes like got sent up? Nor

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Speaker 3: four eight year bit? Like turn stick up?

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Speaker 1: Kid? What you done? Did ship up? Nor four eight

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Speaker 1: year bit?

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Speaker 3: Right? So they had different than that's melly mal right.

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Speaker 3: So they had dudes that was really rapid. It's just

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Speaker 3: you had a bunch of party shit going on at

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Speaker 3: the same time. So like that's probably why don't fall

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Speaker 3: because the foundation of that real rap shit it was

360
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Speaker 3: dead and I'm saying it was dead like they was.

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Speaker 3: They was a ram, but they wasn't at the forefront,

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Speaker 3: just like nowadays the real rap nigga they ain't at

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Speaker 3: the forefront. It's these niggas that h hop just a

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Speaker 3: new version of that ship.

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Speaker 1: But I mean, no, it's still still lyrics.

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Speaker 3: There's never been a year in hip hop where actual

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Speaker 3: lyricists weren't the forefront of the entire thing.

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Speaker 1: It's it's gotten smaller and smaller of the amount of them.

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Speaker 3: But to this to this day, Yeah, the dudes that

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Speaker 3: sell records, you got raps got rap.

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Speaker 1: So I mean you gotta be saying. So you could

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Speaker 1: sell a.

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Speaker 3: Song without rapping, but you can't sell records without rapping.

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Speaker 2: But if you do make good point now, I think

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Speaker 2: about it with Nelly and fifty and just that era,

376
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Speaker 2: simplifying ship for when it got super super mainstream, commercial,

377
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Speaker 2: monetizing everything, it had to be dumb down a bit,

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Speaker 2: because even fifty was way more lyrical on its mixtapes

379
00:16:53,000 --> 00:16:55,800
Speaker 2: before get Rich dumbed it down a little bit. I

380
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Speaker 2: think hip hop continues to evolve from the generation before

381
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Speaker 2: and yeah, it.

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Speaker 1: Evolved to more simple.

383
00:17:01,880 --> 00:17:06,160
Speaker 2: Yeah, from the soldiable every single time got lyrical, lyrical, nineties,

384
00:17:06,200 --> 00:17:08,720
Speaker 2: two thousand got simple, and now it's super. It just

385
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Speaker 2: evolves with the generation before it. So you do make

386
00:17:12,840 --> 00:17:15,440
Speaker 2: a good point. Simplifying it in the mid two thousands

387
00:17:15,440 --> 00:17:16,720
Speaker 2: did get us to where we are now.

388
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Speaker 1: To the simple dame that's who they grew up on.

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Speaker 3: Yeah, he born in O two, This would fifty come out,

390
00:17:21,600 --> 00:17:23,520
Speaker 3: so the dudes that's his age, that's that's the music

391
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Speaker 3: they need. Peoples who's listening to from when they little

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Speaker 3: they had fifty. Yeah, Brian said, he met he knows

393
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Speaker 3: t I as an actor, not as a rapper. I

394
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Speaker 3: know I knew tis a rapper, but I'm saying I'm

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Speaker 3: more familiar with him as a reality TV star.

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Speaker 1: Well I locked up at that though.

397
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Speaker 3: Yeah, but is my man though, I feel like Major

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Speaker 3: was like that's my little homie. Yeah, like respectfully, Major, King,

399
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Speaker 3: DEMONI all of them, I know, the whole family.

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Speaker 1: You know what I'm saying.

401
00:17:52,720 --> 00:17:55,959
Speaker 4: Because of the real Yeah yeah, yeah, you watched them

402
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Speaker 4: grow up.

403
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Speaker 1: I didn't have my car. You were that into that show? Yeah,

404
00:18:01,840 --> 00:18:04,840
Speaker 1: but that was a classic reality show. You bucket and

405
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Speaker 1: what name she had? The fat ass like on that.

406
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Speaker 1: I'm watching out to see nothing for nothing else. That's

407
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Speaker 1: what was watching that?

408
00:18:13,320 --> 00:18:13,640
Speaker 3: The prison?

409
00:18:13,920 --> 00:18:16,120
Speaker 1: Yes, what was what was your favorite moment from that show?

410
00:18:17,280 --> 00:18:17,639
Speaker 3: What was it?

411
00:18:17,680 --> 00:18:19,359
Speaker 1: All the family? I don't know. I don't like, I

412
00:18:19,359 --> 00:18:20,960
Speaker 1: don't remember the King's gred.

413
00:18:20,800 --> 00:18:25,960
Speaker 3: Hustle grand hushusle hustle. Yeah, okay, I'm saying probably some ship.

414
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Speaker 3: Major that Major was my little man son, like we

415
00:18:28,040 --> 00:18:29,680
Speaker 3: used to like Major, like yo, MAJORA.

416
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Speaker 1: You know what I'm saying. He come to doing what

417
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Speaker 1: he do. I'm saying I don't see him no more neither.

418
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Speaker 1: When he lay he stayed with.

419
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Speaker 2: He sting, he was holding the phone when Kings say

420
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Speaker 2: all that ship, Oh that's him.

421
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Speaker 1: Listen, what's up with major? With Major?

422
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Speaker 3: What other reality shows did y'all watch everything that come

423
00:18:56,080 --> 00:18:59,399
Speaker 3: on each Everything came on E, M, T, V, v

424
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Speaker 3: H one every day.

425
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Speaker 1: Whatever was going on y'all being in jail watching watching

426
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Speaker 1: family hustles.

427
00:19:04,359 --> 00:19:07,439
Speaker 3: Crazy loving hip hop, all of that ship, nigga, everybody

428
00:19:07,520 --> 00:19:10,920
Speaker 3: that makes sense? Everything I come on them channels. If

429
00:19:10,920 --> 00:19:13,400
Speaker 3: you into jail and the ain't have v H one

430
00:19:14,000 --> 00:19:17,679
Speaker 3: or MTV, like it's trying to blow this.

431
00:19:17,880 --> 00:19:22,560
Speaker 1: Joint straight up. So you think violence in prison?

432
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Speaker 2: Could we could drop those numbers if we just keep

433
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Speaker 2: VH one in the day room.

434
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Speaker 3: I don't know about now, but back then, oh a, oh,

435
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Speaker 3: seven oh nine, you got v H one, MTV.

436
00:19:33,080 --> 00:19:35,080
Speaker 1: Everything was cool. Yes, yeah, you.

437
00:19:34,960 --> 00:19:37,720
Speaker 2: Hear that, man Dommy fucking put on Rikers, everyone to

438
00:19:37,720 --> 00:19:38,200
Speaker 2: calm down.

439
00:19:39,280 --> 00:19:44,760
Speaker 4: Give everybody derescription Netflix description, yes, and and rikers.

440
00:19:44,760 --> 00:19:45,160
Speaker 1: Netflix.

441
00:19:45,359 --> 00:19:48,880
Speaker 4: Just put a beeper Netflix, give everyone and net rikers,

442
00:19:49,000 --> 00:19:53,480
Speaker 4: Ma'm donnie, Netflix subscriptions for everybody and Rikers. Some more

443
00:19:53,920 --> 00:19:59,040
Speaker 4: crazy hip hop talk from you know the media?

444
00:19:59,640 --> 00:20:05,520
Speaker 1: Oh though, oh as we still control the media, Maul.

445
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Speaker 2: Finally, you have the most powerful iPhone of all time.

446
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449
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450
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451
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452
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453
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454
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455
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456
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Speaker 4: January twenty twenty six. For full off of details, visit

457
00:20:43,520 --> 00:20:52,760
Speaker 4: boostmobile dot com. Well, Charlamagne he ranked as his top

458
00:20:52,760 --> 00:20:57,960
Speaker 4: five bad boy lyricists and Mace wasn't in his top

459
00:20:58,000 --> 00:21:02,560
Speaker 4: five bad boy lyricis. He has Biggie Kiss. Well, okay,

460
00:21:02,640 --> 00:21:05,960
Speaker 4: let's just do this. Biggie the locks uh in Black Rock.

461
00:21:07,080 --> 00:21:11,480
Speaker 3: Charlomagne is my son, but Charlemagne is bugging holmy. First

462
00:21:11,520 --> 00:21:15,439
Speaker 3: of all, when Mace was on Bad Boy, they were

463
00:21:15,520 --> 00:21:17,160
Speaker 3: saying Kiss was like a little Mace.

464
00:21:17,520 --> 00:21:20,919
Speaker 1: I remember that they were saying Kiss was little Mace.

465
00:21:20,800 --> 00:21:24,040
Speaker 4: And not not only that people forget when Big passed,

466
00:21:24,680 --> 00:21:26,440
Speaker 4: Mace kept the lights on that bad Boy.

467
00:21:26,440 --> 00:21:28,560
Speaker 1: Wrote all the puffy raps and his raps.

468
00:21:28,560 --> 00:21:32,960
Speaker 4: So like Mace was a bona fide megastar, star, mega star.

469
00:21:33,240 --> 00:21:36,360
Speaker 4: I don't like people forget, you know, I guess because

470
00:21:36,400 --> 00:21:37,480
Speaker 4: it wasn't It was so short.

471
00:21:37,520 --> 00:21:39,440
Speaker 3: It was like a short window. He did four million

472
00:21:39,520 --> 00:21:40,919
Speaker 3: on the debut. That was unheard of.

473
00:21:41,040 --> 00:21:42,600
Speaker 1: But what Mace did.

474
00:21:42,640 --> 00:21:44,520
Speaker 4: I just I just urge people to just go back

475
00:21:44,560 --> 00:21:46,960
Speaker 4: and just really look at what Mace did on Bad Boy.

476
00:21:47,480 --> 00:21:50,320
Speaker 4: Go back to the albums, go back to the features

477
00:21:50,440 --> 00:21:53,359
Speaker 4: with total and go look at the video.

478
00:21:53,400 --> 00:21:56,080
Speaker 1: Mace was a star. How do you think that was?

479
00:21:56,320 --> 00:21:59,800
Speaker 3: Charla was arguing and listen, I think charlam Mage's is

480
00:21:59,840 --> 00:22:01,680
Speaker 3: a better liric system Mace bro.

481
00:22:03,040 --> 00:22:05,200
Speaker 2: I think she can like super underrated. But I like,

482
00:22:08,000 --> 00:22:09,600
Speaker 2: I'm just saying that Mace was not a star. He

483
00:22:09,600 --> 00:22:11,880
Speaker 2: said he probably makes the best music outside of Big.

484
00:22:11,920 --> 00:22:14,120
Speaker 2: On Bad Boy, he was there lyricists. He's still bugging.

485
00:22:14,160 --> 00:22:16,320
Speaker 2: I want to make that very clear. Bugs, I don't

486
00:22:16,320 --> 00:22:18,720
Speaker 2: want to misquote him in that regard. I get it

487
00:22:18,960 --> 00:22:21,040
Speaker 2: because everyone would say that that Mace put Bad Boy

488
00:22:21,119 --> 00:22:21,520
Speaker 2: on his back.

489
00:22:21,560 --> 00:22:24,040
Speaker 3: Black don't have one verse fucking with that. Whence was like,

490
00:22:24,080 --> 00:22:26,120
Speaker 3: what you know about going out had West, red Lex

491
00:22:26,200 --> 00:22:28,560
Speaker 3: TV's all up in the head wrest Black Raw don't

492
00:22:28,560 --> 00:22:32,879
Speaker 3: got one verse with that. Bro, no verse literally on

493
00:22:32,920 --> 00:22:34,879
Speaker 3: a hit record, even when he ran out of a

494
00:22:35,400 --> 00:22:40,640
Speaker 3: throng bottles. That's not better than red Lex TV, Piece

495
00:22:40,720 --> 00:22:43,960
Speaker 3: b All Rest, the Piece, Black.

496
00:22:43,200 --> 00:22:46,840
Speaker 4: Boxes and Sean Jones when I came home with that first. Yeah,

497
00:22:46,840 --> 00:22:50,040
Speaker 4: but Mace is definitely top five bad boys.

498
00:22:50,920 --> 00:22:54,040
Speaker 2: If you go back like top three, the corn Murder

499
00:22:54,080 --> 00:22:58,120
Speaker 2: Mace like before the first we not like like mixtape Mace.

500
00:22:58,480 --> 00:23:00,360
Speaker 4: But I guess he's saying when he was bad boy,

501
00:23:00,400 --> 00:23:03,360
Speaker 4: when he was black, That's what he's saying. Bad boy lyricists,

502
00:23:03,840 --> 00:23:06,000
Speaker 4: bad boy lyricists.

503
00:23:06,240 --> 00:23:08,360
Speaker 1: Either way.

504
00:23:08,520 --> 00:23:12,080
Speaker 3: They said a classy criminal yad by the Jennital Dougs

505
00:23:12,119 --> 00:23:14,639
Speaker 3: know me, So don't get splashed for the minimal like

506
00:23:14,680 --> 00:23:15,520
Speaker 3: he was talking.

507
00:23:15,560 --> 00:23:18,720
Speaker 1: Ship Bro was like, come on, y'all, gotta go back

508
00:23:18,720 --> 00:23:19,960
Speaker 1: and do your HOMEWORKINGNA make I think.

509
00:23:19,960 --> 00:23:22,520
Speaker 4: I think Charlamagne, Charlamagne from the he from the South,

510
00:23:22,680 --> 00:23:23,600
Speaker 4: from what North Carolina?

511
00:23:23,640 --> 00:23:26,960
Speaker 1: South Carol, South Carolina. That's deeper south than North.

512
00:23:28,200 --> 00:23:32,240
Speaker 4: You gotta you gotta go, you gotta go, you gotta

513
00:23:32,720 --> 00:23:33,920
Speaker 4: you gotta, you gotta do your.

514
00:23:33,840 --> 00:23:37,720
Speaker 3: Dude got w And that's really it, Like that's the

515
00:23:37,760 --> 00:23:38,600
Speaker 3: only Black Raw.

516
00:23:38,680 --> 00:23:40,080
Speaker 1: We really haven't really got.

517
00:23:39,920 --> 00:23:42,879
Speaker 3: Bro as far as a hit record. Okay, songs like

518
00:23:42,920 --> 00:23:44,960
Speaker 3: black Bro. When when it was Black Raw Black and

519
00:23:45,000 --> 00:23:47,240
Speaker 3: on the show with Black Raw twenty four Hours to Live,

520
00:23:47,480 --> 00:23:50,480
Speaker 3: that's the only time I feel like Black Rob went off.

521
00:23:50,600 --> 00:23:52,320
Speaker 3: I think he got the best verse on that song.

522
00:23:52,600 --> 00:23:56,080
Speaker 3: There's no other time that I feel like Black Rob

523
00:23:56,160 --> 00:23:59,159
Speaker 3: and Can I Live Black Rob with it was just

524
00:23:59,280 --> 00:24:03,000
Speaker 3: unfair on Can I Live? Because first time he.

525
00:24:03,000 --> 00:24:03,720
Speaker 1: Was only on the hook.

526
00:24:04,400 --> 00:24:05,800
Speaker 3: Yeah, I was on a clue tape the first time

527
00:24:05,800 --> 00:24:07,400
Speaker 3: I heard that he was only It was a Lock

528
00:24:07,480 --> 00:24:09,480
Speaker 3: song and they gave it to Black Rob because he

529
00:24:09,520 --> 00:24:10,919
Speaker 3: needed one of us on his album.

530
00:24:11,000 --> 00:24:12,760
Speaker 1: But his verse wasn't bad.

531
00:24:12,800 --> 00:24:15,680
Speaker 2: He just went up against the Locks in prime form

532
00:24:15,720 --> 00:24:17,479
Speaker 2: with three of the best verses they had done. Like

533
00:24:17,840 --> 00:24:19,840
Speaker 2: it was unfair, but Black Rob he got off on

534
00:24:20,280 --> 00:24:23,120
Speaker 2: Can I Live Now? I don't remember on the old show,

535
00:24:23,200 --> 00:24:24,080
Speaker 2: Charlemagne called.

536
00:24:23,880 --> 00:24:26,840
Speaker 3: In one time when we were discussing if Harlem World

537
00:24:26,920 --> 00:24:27,520
Speaker 3: was a classic.

538
00:24:28,680 --> 00:24:31,440
Speaker 2: I think this is a personal thing. I don't think

539
00:24:31,520 --> 00:24:32,560
Speaker 2: Charlemgne actually believes this.

540
00:24:32,720 --> 00:24:35,000
Speaker 1: Him and Mace. He's had some weird Mace hate. You

541
00:24:35,000 --> 00:24:38,240
Speaker 1: think that's a class hallm World, Yes, I personally do.

542
00:24:38,320 --> 00:24:39,720
Speaker 1: If somebody said no, I wouldn't bad.

543
00:24:39,800 --> 00:24:41,800
Speaker 3: On the other day, looking for some ship I was,

544
00:24:41,800 --> 00:24:44,000
Speaker 3: I was making my playlist. I think I took two

545
00:24:44,040 --> 00:24:46,640
Speaker 3: songs off of it. Okay, I can't be no classic?

546
00:24:47,480 --> 00:24:49,760
Speaker 3: What you could take two?

547
00:24:49,960 --> 00:24:52,040
Speaker 1: What you mean only two? It was like, oh, okay,

548
00:24:52,080 --> 00:24:53,320
Speaker 1: I don't want to hear this shit no more.

549
00:24:53,400 --> 00:24:55,560
Speaker 4: You took two songs off like you only you couldn't

550
00:24:55,560 --> 00:24:56,960
Speaker 4: listen to those two or the only two you could

551
00:24:56,920 --> 00:24:57,280
Speaker 4: listen to.

552
00:24:57,480 --> 00:24:59,880
Speaker 3: You niggas want to scrap. We can scrap. Niggas want

553
00:25:00,080 --> 00:25:04,320
Speaker 3: like that ship with him in DMX twenty four hours away.

554
00:25:04,359 --> 00:25:06,399
Speaker 3: So it's probably like three songs over there that you

555
00:25:07,200 --> 00:25:08,120
Speaker 3: could take and put them to play.

556
00:25:08,320 --> 00:25:11,480
Speaker 2: You want to get money, take what's yours? Will they

557
00:25:11,520 --> 00:25:15,880
Speaker 2: die for you? Look looking at me the play away

558
00:25:15,920 --> 00:25:18,320
Speaker 2: on its dating he was so good.

559
00:25:18,359 --> 00:25:22,000
Speaker 1: What you want? Cheat on you? Twenty four hours to live?

560
00:25:22,520 --> 00:25:26,119
Speaker 1: I need to be watch it back. He's bugging.

561
00:25:26,119 --> 00:25:28,680
Speaker 3: That's a class, not classic, bro, that's a class that's

562
00:25:28,720 --> 00:25:32,239
Speaker 3: I think is way better than that Come Home with

563
00:25:32,280 --> 00:25:34,680
Speaker 3: Me is way better than that Hall In World album.

564
00:25:34,800 --> 00:25:36,560
Speaker 1: Sir, I don't know if I don't know if that's

565
00:25:36,560 --> 00:25:37,439
Speaker 1: a crazy hot take.

566
00:25:39,560 --> 00:25:42,879
Speaker 2: With me better than that son age difference because I

567
00:25:42,960 --> 00:25:45,800
Speaker 2: listened to Harlem World later because I was I was

568
00:25:45,840 --> 00:25:47,360
Speaker 2: seven when Hall in World came out.

569
00:25:47,440 --> 00:25:48,720
Speaker 1: I was shot.

570
00:25:48,760 --> 00:25:51,359
Speaker 3: I got all in the world and didn't like I

571
00:25:51,400 --> 00:25:54,440
Speaker 3: got some money power respect. It came out like two

572
00:25:54,440 --> 00:25:56,720
Speaker 3: weeks later, Bro, I was laid up shot listening to

573
00:25:56,720 --> 00:25:57,040
Speaker 3: this ship.

574
00:25:57,080 --> 00:25:57,280
Speaker 1: Son.

575
00:25:57,280 --> 00:26:00,159
Speaker 3: I was like, Yo, you couldn't tell me nothing about me, Son, Now,

576
00:26:00,200 --> 00:26:01,720
Speaker 3: Holling World is a class You couldn't tell me nothing

577
00:26:01,760 --> 00:26:04,800
Speaker 3: about Mace. You listening now, so you're saying it's dated. Now,

578
00:26:04,800 --> 00:26:07,160
Speaker 3: I'm talking about then when that ship came out.

579
00:26:06,960 --> 00:26:11,760
Speaker 1: When it Mace was a megastar, Bro, Mace, that's a

580
00:26:11,760 --> 00:26:13,159
Speaker 1: classic album. We're not doing that.

581
00:26:13,920 --> 00:26:16,720
Speaker 3: We ain't gonna we ain't gonna winna be dying on

582
00:26:16,720 --> 00:26:21,240
Speaker 3: my classic list, So I'm on your classical listing. Come

583
00:26:21,280 --> 00:26:23,400
Speaker 3: Home with Me is on my classic list. The tape

584
00:26:23,440 --> 00:26:26,320
Speaker 3: is on my class could it was hi, how you

585
00:26:26,320 --> 00:26:28,359
Speaker 3: could debate come Home All in the World. If you

586
00:26:28,400 --> 00:26:29,720
Speaker 3: got Come Home with Me, I could put all the

587
00:26:29,720 --> 00:26:33,239
Speaker 3: world in there. It's not that it's not. I love

588
00:26:33,359 --> 00:26:35,160
Speaker 3: Coming Home with Me. I love that album, but I'm

589
00:26:35,200 --> 00:26:35,760
Speaker 3: just saying it ain't.

590
00:26:35,840 --> 00:26:36,400
Speaker 1: It ain't like.

591
00:26:36,440 --> 00:26:37,960
Speaker 3: Smacking all of the world out here, I do. I

592
00:26:38,040 --> 00:26:38,480
Speaker 3: think it does.

593
00:26:38,520 --> 00:26:41,000
Speaker 1: I think it does. Nah, it's not smacking it out

594
00:26:41,000 --> 00:26:43,760
Speaker 1: of here, but it is. It is. It's a fair

595
00:26:43,800 --> 00:26:45,719
Speaker 1: point when you look back at at the Come Home.

596
00:26:45,840 --> 00:26:47,480
Speaker 1: I love Come Home with Me. That album was crazy,

597
00:26:47,480 --> 00:26:55,960
Speaker 1: losing life, I think so, I think so, yeah, it's

598
00:26:56,000 --> 00:26:56,639
Speaker 1: the again.

599
00:26:56,720 --> 00:26:58,639
Speaker 3: I have a different place in my heart because I

600
00:26:58,640 --> 00:27:01,160
Speaker 3: was thirteen when Come Home with Me came out, So.

601
00:27:01,119 --> 00:27:04,800
Speaker 2: It's I connect Yeah, I connect with this more than

602
00:27:04,840 --> 00:27:07,160
Speaker 2: I do with Harlem World, just because I went back

603
00:27:07,200 --> 00:27:08,920
Speaker 2: to listen to Harlem World. I mean, I heard the

604
00:27:08,960 --> 00:27:10,840
Speaker 2: singles when I was a kid, but but I didn't.

605
00:27:11,119 --> 00:27:14,760
Speaker 2: I wasn't banging Harlem World when I was seven. But

606
00:27:14,840 --> 00:27:17,359
Speaker 2: Come Home with Me did not leave my fucking walkman.

607
00:27:17,800 --> 00:27:20,200
Speaker 3: Come Home with Me it's still is still like valid, bro,

608
00:27:20,480 --> 00:27:23,320
Speaker 3: like that ship is kind of timeless to shit on it.

609
00:27:23,440 --> 00:27:26,960
Speaker 1: That's timeless, bro. I think it's Can's best album. Me too,

610
00:27:27,040 --> 00:27:30,200
Speaker 1: it is. I mean a lot of right there. Though

611
00:27:30,520 --> 00:27:33,639
Speaker 1: a lot of people say cool as these cool.

612
00:27:34,480 --> 00:27:36,480
Speaker 3: We can't fuck with come home compared to come home

613
00:27:37,560 --> 00:27:39,880
Speaker 3: d is crazy compared to come home with me as cool.

614
00:27:39,920 --> 00:27:41,840
Speaker 3: This is what I'm saying, like is when it came

615
00:27:41,840 --> 00:27:43,399
Speaker 3: out five, you actually have come home with me as

616
00:27:43,440 --> 00:27:46,120
Speaker 3: better for sure, when when it first came out sde fire,

617
00:27:46,440 --> 00:27:48,520
Speaker 3: I've never even heard that to be the second one.

618
00:27:48,520 --> 00:27:51,560
Speaker 3: It's always purple haze verse come home with Me, it's fired.

619
00:27:51,560 --> 00:27:52,160
Speaker 3: Don't get me wrong.

620
00:27:52,400 --> 00:27:56,800
Speaker 1: I heard that, But that's your generation, that's generation. I've

621
00:27:56,800 --> 00:27:57,840
Speaker 1: got three songs off of that.

622
00:27:57,920 --> 00:28:00,440
Speaker 2: I like, I've gotten plenty of arguments purple hate versus

623
00:28:00,440 --> 00:28:03,439
Speaker 2: come on. That's that's almost like the rap version of

624
00:28:03,600 --> 00:28:07,080
Speaker 2: Confessions verse eighty seven, oh one, come home with Me

625
00:28:07,160 --> 00:28:07,800
Speaker 2: in purple haze.

626
00:28:07,880 --> 00:28:09,720
Speaker 1: Yeah, I can see that. I can see that.

627
00:28:10,280 --> 00:28:12,640
Speaker 4: Charlomage tripping though maces back to the top five bad

628
00:28:12,680 --> 00:28:15,159
Speaker 4: boy lyricist. I'm not even I don't even want that

629
00:28:15,200 --> 00:28:17,199
Speaker 4: to grow l, that narrative to even start making his

630
00:28:17,280 --> 00:28:18,879
Speaker 4: rounds without a doubt.

631
00:28:19,359 --> 00:28:20,760
Speaker 1: You cannot talk about.

632
00:28:20,520 --> 00:28:23,479
Speaker 4: Bad boy, the bad boy legacy, bad boy building, anything

633
00:28:23,520 --> 00:28:26,600
Speaker 4: bad boy related without mace and without saying he was

634
00:28:26,640 --> 00:28:29,960
Speaker 4: a top fuck lyricists. He's a top five, he was

635
00:28:29,960 --> 00:28:32,199
Speaker 4: a top five artist back to rap artist back then. Oh,

636
00:28:32,240 --> 00:28:35,280
Speaker 4: for sure, he was the biggest artist. Nobody was messing

637
00:28:35,320 --> 00:28:35,680
Speaker 4: with Mace.

638
00:28:35,720 --> 00:28:40,080
Speaker 3: When Mace came out bro and shot him. Jay Z

639
00:28:40,200 --> 00:28:42,360
Speaker 3: shot Mace because he was at the top of the

640
00:28:42,440 --> 00:28:45,920
Speaker 3: He was the top dog, h the ones. Yeah, they

641
00:28:46,240 --> 00:28:48,480
Speaker 3: you the top door. He didn't go at Nas. You

642
00:28:48,680 --> 00:28:51,280
Speaker 3: got Nas first. He didn't got nobody else. He went

643
00:28:51,400 --> 00:28:53,200
Speaker 3: at Mace because Mace was that dude.

644
00:28:53,280 --> 00:28:56,480
Speaker 1: Bro. It was a little more personal shit behind that, yeah, perhaps,

645
00:28:56,480 --> 00:28:58,560
Speaker 1: but still was Mace was the top dogs. Hunh. I

646
00:28:58,560 --> 00:29:00,200
Speaker 1: don't know for sure, definitely.

647
00:28:59,880 --> 00:29:02,280
Speaker 2: I just want I'm not saying Charlemage is not being honest.

648
00:29:02,320 --> 00:29:05,240
Speaker 2: I do think there's something personal because he's had this weird,

649
00:29:05,400 --> 00:29:07,800
Speaker 2: weird Mace hate that people have called out and noticed

650
00:29:07,800 --> 00:29:08,520
Speaker 2: for a long time.

651
00:29:08,840 --> 00:29:10,520
Speaker 1: Like it doesn't feel like you critique in music. It

652
00:29:10,520 --> 00:29:11,040
Speaker 1: feels like you.

653
00:29:11,040 --> 00:29:14,160
Speaker 2: Kind of hate somebody Jones telling some story in Florida

654
00:29:14,160 --> 00:29:16,080
Speaker 2: with Charlemagne and Mace or something like somebody.

655
00:29:15,760 --> 00:29:18,280
Speaker 3: Said, Wendy Williams is big homie. You know, Wendy Williams

656
00:29:18,320 --> 00:29:21,120
Speaker 3: don't like Maxon. She don't want to first stay made

657
00:29:21,160 --> 00:29:24,600
Speaker 3: with a gay rap book. Y'all gotta like in the

658
00:29:24,680 --> 00:29:27,200
Speaker 3: dis connect themselves.

659
00:29:28,160 --> 00:29:30,560
Speaker 1: You gos connect themselves all right?

660
00:29:30,760 --> 00:29:35,080
Speaker 2: Top five bad boy lyricists around the room start starting

661
00:29:35,080 --> 00:29:35,520
Speaker 2: with the maras.

662
00:29:35,600 --> 00:29:37,000
Speaker 1: Since we've been talking.

663
00:29:37,280 --> 00:29:40,280
Speaker 6: Not qualified. I wasn't in the heyday of when that

664
00:29:40,360 --> 00:29:41,120
Speaker 6: was going Heyday.

665
00:29:41,160 --> 00:29:42,160
Speaker 1: So you're like yady day.

666
00:29:42,160 --> 00:29:45,120
Speaker 4: It's like confess you're sawing like yachty the hey day

667
00:29:45,320 --> 00:29:47,400
Speaker 4: it was ninety what ninety four?

668
00:29:47,600 --> 00:29:49,640
Speaker 1: I was born in ninety four. Oh yeah, you're out

669
00:29:49,640 --> 00:29:49,840
Speaker 1: of here.

670
00:29:50,720 --> 00:29:52,880
Speaker 3: Bad boy you know, made it all the way up

671
00:29:52,960 --> 00:29:54,760
Speaker 3: until a few years ago. Like you you could throw

672
00:29:54,880 --> 00:29:55,880
Speaker 3: MGK in your list.

673
00:29:56,240 --> 00:30:03,000
Speaker 2: Okay, that's it, g Frank, not on your your lyrics listening.

674
00:30:03,200 --> 00:30:06,120
Speaker 1: Nah nah one of the best artists that.

675
00:30:06,200 --> 00:30:12,720
Speaker 4: Was, Yeah, I'm going big Mace Kiss No big Kiss

676
00:30:12,760 --> 00:30:16,080
Speaker 4: Mace Oh no, no particular no particular order.

677
00:30:16,160 --> 00:30:19,760
Speaker 1: No, yeah, I wasn't wasn't called big Mace.

678
00:30:19,640 --> 00:30:26,320
Speaker 4: Kiss styles and who else was up there?

679
00:30:26,400 --> 00:30:26,480
Speaker 3: She?

680
00:30:28,040 --> 00:30:29,920
Speaker 1: Yeah, your locks.

681
00:30:30,240 --> 00:30:33,600
Speaker 2: Everyone's just replacing Black Rob Oh you go, Gez, you go,

682
00:30:33,720 --> 00:30:35,280
Speaker 2: Jeezy Young Jeezy, Young Jock.

683
00:30:36,640 --> 00:30:41,320
Speaker 1: Young Jez was on. He was in the group solo. Yeah,

684
00:30:41,360 --> 00:30:43,120
Speaker 1: but no, we're not doing we can't do that though

685
00:30:43,440 --> 00:30:44,840
Speaker 1: hit record. Yeah, we can't do that.

686
00:30:44,840 --> 00:30:47,200
Speaker 4: Though we're talking about like he didn't release a artist,

687
00:30:47,200 --> 00:30:49,040
Speaker 4: he didn't release a solo album on No.

688
00:30:49,960 --> 00:30:54,400
Speaker 3: She can't release no solo album. Staff, So you're gonna

689
00:30:54,400 --> 00:30:58,840
Speaker 3: take the group. Uh, I'm saying. I'm saying like I'm

690
00:30:58,880 --> 00:31:00,360
Speaker 3: just acting as jeezy like.

691
00:31:00,880 --> 00:31:02,840
Speaker 1: Geesez is not a better lyricistan sheet Loops, you know,

692
00:31:03,480 --> 00:31:04,080
Speaker 1: not even close.

693
00:31:04,200 --> 00:31:06,480
Speaker 4: He's not a better about Red Cafe. He's not a

694
00:31:06,480 --> 00:31:09,640
Speaker 4: better lyricistan Sheek Loopes. I like I like Red, though

695
00:31:10,200 --> 00:31:11,800
Speaker 4: I think Red is underrated and I think Red is

696
00:31:11,800 --> 00:31:13,320
Speaker 4: low key writing for a lot of niggas that we want.

697
00:31:13,480 --> 00:31:19,480
Speaker 4: Loon is not better than chic no lyrics lyricists lyricists.

698
00:31:19,680 --> 00:31:22,120
Speaker 1: No, he's not no loon.

699
00:31:21,920 --> 00:31:24,520
Speaker 4: Got loon guy, I need a girl he gott he

700
00:31:24,560 --> 00:31:26,240
Speaker 4: got off from that. But you're talking about yeah, I

701
00:31:26,480 --> 00:31:30,720
Speaker 4: need it like lyrics, No Fox Brown nigga croned down

702
00:31:30,840 --> 00:31:32,240
Speaker 4: six six blah.

703
00:31:32,760 --> 00:31:36,040
Speaker 1: She ain't top dog, she ain't top five.

704
00:31:35,880 --> 00:31:40,320
Speaker 2: All kiss chic and Styles didn't put out a solo project.

705
00:31:40,880 --> 00:31:43,280
Speaker 2: What's your top five without the locks in it? People

706
00:31:43,320 --> 00:31:46,080
Speaker 2: that put out solo joints.

707
00:31:46,320 --> 00:31:49,000
Speaker 1: Oh, I gotta go, I gotta go if the loxing

708
00:31:49,080 --> 00:31:53,280
Speaker 1: in it. Big Mace, Big Mace I'm going Elephant man,

709
00:31:54,240 --> 00:31:58,680
Speaker 1: all right, don't hate on Elephant.

710
00:32:00,320 --> 00:32:03,760
Speaker 3: No particular order. I'm throwing g Dep in there. Depp

711
00:32:03,840 --> 00:32:05,400
Speaker 3: is a better lyricist than Black What.

712
00:32:05,360 --> 00:32:08,640
Speaker 1: Was he said that released the album? Didn't release album? Well,

713
00:32:08,720 --> 00:32:09,840
Speaker 1: just that was solo on bad Boy?

714
00:32:10,360 --> 00:32:14,040
Speaker 3: Who's fuzzy Bubble never never got in a fuzzy webble?

715
00:32:14,040 --> 00:32:18,600
Speaker 3: I never checked you never. I don't know who Bubble is.

716
00:32:19,440 --> 00:32:22,760
Speaker 3: But if you said no, they didn't, they didn't. No locks,

717
00:32:23,080 --> 00:32:27,040
Speaker 3: So Craig Mac lyricists lyricists.

718
00:32:26,480 --> 00:32:28,080
Speaker 1: Black King loses up there.

719
00:32:28,840 --> 00:32:30,640
Speaker 3: If you just put out a solo project with bad Boy,

720
00:32:30,720 --> 00:32:32,680
Speaker 3: you just said you just said they didn't. They was

721
00:32:32,720 --> 00:32:33,000
Speaker 3: just solo.

722
00:32:33,040 --> 00:32:36,600
Speaker 4: They didn't have to put that just lyricists Top five,

723
00:32:36,680 --> 00:32:37,600
Speaker 4: Craig Mac is not on it.

724
00:32:38,200 --> 00:32:41,400
Speaker 1: Lyricists top five, Yeah, you know what you're talking about?

725
00:32:41,440 --> 00:32:42,240
Speaker 1: What wait?

726
00:32:42,320 --> 00:32:47,400
Speaker 3: Top five without Glune, Black rob are all better than

727
00:32:47,440 --> 00:32:48,280
Speaker 3: Craig Mac lyrically.

728
00:32:49,640 --> 00:32:52,440
Speaker 1: Like what are we talk about? Okay? Like, what are

729
00:32:52,440 --> 00:32:53,280
Speaker 1: we talking about right now?

730
00:32:53,600 --> 00:32:58,040
Speaker 3: You gotta put King los up there. Lyricists, You gotta

731
00:32:58,520 --> 00:32:59,880
Speaker 3: shine is a better lyricist than Craig.

732
00:33:00,840 --> 00:33:02,280
Speaker 1: Seawan is better than Craig Mac.

733
00:33:02,800 --> 00:33:05,120
Speaker 3: Gotta put Sean pa.

734
00:33:05,120 --> 00:33:07,480
Speaker 2: All right, So without the locks, I'm going big Mace

735
00:33:08,120 --> 00:33:15,320
Speaker 2: g depth, shine, black Row, I take it back, Loom

736
00:33:15,640 --> 00:33:17,000
Speaker 2: Loom lyrics.

737
00:33:17,240 --> 00:33:20,120
Speaker 1: Black. That's that's my that's my list. That's my final

738
00:33:20,160 --> 00:33:23,760
Speaker 1: final black six of the year. Yeah. Next next to

739
00:33:23,800 --> 00:33:27,200
Speaker 1: fuzzy lyricists. You don't got king loads in there. I don't.

740
00:33:27,920 --> 00:33:30,160
Speaker 3: Yeah, you don't put a like even put a song

741
00:33:30,200 --> 00:33:34,680
Speaker 3: out on lyricists though, Like, but raps, like you say,

742
00:33:34,720 --> 00:33:37,160
Speaker 3: five niggasrom the label and just let them rap them niggas.

743
00:33:37,160 --> 00:33:39,320
Speaker 3: It's a lot of niggas not rapping lyricists better than

744
00:33:39,400 --> 00:33:39,680
Speaker 3: King Loos.

745
00:33:39,760 --> 00:33:41,280
Speaker 1: Y'all tripping right now. But if you don't have a

746
00:33:41,360 --> 00:33:43,600
Speaker 1: lot of projects or a lot of no, but we're

747
00:33:43,600 --> 00:33:44,240
Speaker 1: not going on for that.

748
00:33:44,400 --> 00:33:44,560
Speaker 3: No.

749
00:33:44,680 --> 00:33:47,240
Speaker 6: What I'm saying is it's easy to be lyrical if

750
00:33:47,280 --> 00:33:49,560
Speaker 6: you're if you only have three examples or three times

751
00:33:49,600 --> 00:33:51,400
Speaker 6: to be lyrical, the more you have to do it

752
00:33:51,440 --> 00:33:54,400
Speaker 6: over the years, Like people tend to get less lyrical

753
00:33:54,440 --> 00:33:55,280
Speaker 6: if they're not that good.

754
00:33:56,000 --> 00:33:58,240
Speaker 1: You have to prove that you can continue to be lyrical.

755
00:33:59,600 --> 00:34:02,400
Speaker 1: Good point. I think Kinglows rapping better than a lot

756
00:34:02,400 --> 00:34:02,920
Speaker 1: of them niggas.

757
00:34:03,240 --> 00:34:05,520
Speaker 2: King Loos is one of the Kinglos is an alien.

758
00:34:05,600 --> 00:34:08,320
Speaker 2: I just don't consider him really like a bad boy artist.

759
00:34:08,520 --> 00:34:12,560
Speaker 3: Okay, dep off and put king lost because already on

760
00:34:12,640 --> 00:34:15,520
Speaker 3: Fishes Spaghetti was mad whacked to me, like that was

761
00:34:15,600 --> 00:34:18,560
Speaker 3: what you already your fish and spaghetti? Like, come on

762
00:34:19,160 --> 00:34:23,280
Speaker 3: heard what was the last time you listened at the getto

763
00:34:23,360 --> 00:34:26,319
Speaker 3: was hard? The child did a ghettos when it came out,

764
00:34:26,360 --> 00:34:27,839
Speaker 3: probably like and it ain't get a lot.

765
00:34:27,719 --> 00:34:30,120
Speaker 2: Of That's like an underground classic to me. You think,

766
00:34:30,160 --> 00:34:37,719
Speaker 2: so that album.

767
00:34:35,440 --> 00:34:36,000
Speaker 1: He lost me.

768
00:34:36,120 --> 00:34:38,839
Speaker 3: He lost me on I was already on fishes spaghetti, bro,

769
00:34:38,920 --> 00:34:39,920
Speaker 3: you adn't go back after that.

770
00:34:40,840 --> 00:34:45,440
Speaker 1: It was like she said, I had a nigga you.

771
00:34:45,440 --> 00:34:54,200
Speaker 3: Never heard this deficient this defici.

772
00:34:52,200 --> 00:34:54,719
Speaker 1: Fici spaghetti. Man, I don't want to hear that. He said,

773
00:34:54,960 --> 00:34:57,400
Speaker 1: you never heard this song every day? By that probably

774
00:34:57,480 --> 00:34:58,239
Speaker 1: I probably heard it.

775
00:34:58,320 --> 00:35:01,120
Speaker 2: He said, I had a cigarette for breakfast, just for beginners,

776
00:35:01,120 --> 00:35:03,240
Speaker 2: cry for lunch and scream for dinner.

777
00:35:04,239 --> 00:35:07,040
Speaker 1: He ain't like that. You ain't like that, and I

778
00:35:07,040 --> 00:35:09,200
Speaker 1: ain't like him going to the pre set and doing all.

779
00:35:09,239 --> 00:35:15,040
Speaker 1: That's what it really is you doing. You you're going

780
00:35:15,080 --> 00:35:15,480
Speaker 1: on for that.

781
00:35:15,560 --> 00:35:18,080
Speaker 2: But yeah, that's unfair because if we go through the

782
00:35:18,120 --> 00:35:20,279
Speaker 2: list of things every bad boy artist has done in

783
00:35:20,320 --> 00:35:20,959
Speaker 2: their free time.

784
00:35:21,120 --> 00:35:24,399
Speaker 1: I don't know if we crazy ship, if.

785
00:35:24,280 --> 00:35:26,279
Speaker 3: We could take big if you'll want for all that

786
00:35:26,360 --> 00:35:28,239
Speaker 3: nasty stuff he used to say, we could do that.

787
00:35:28,320 --> 00:35:30,279
Speaker 1: I don't. I don't got no qualms with that. He

788
00:35:30,440 --> 00:35:32,400
Speaker 1: is that he is. We gotta take Biggie off the

789
00:35:32,440 --> 00:35:35,560
Speaker 1: best lyricists, a bad boy, all that nasty ship. He

790
00:35:35,640 --> 00:35:39,200
Speaker 1: used to be so good. Yeah, tell your daddy's That

791
00:35:39,280 --> 00:35:41,320
Speaker 1: was a Richard Pride joke. But what about what Gutta

792
00:35:41,400 --> 00:35:41,799
Speaker 1: used to do?

793
00:35:43,520 --> 00:35:46,680
Speaker 3: Oh yeah, what about He had the techniques dripping out

794
00:35:46,680 --> 00:35:48,600
Speaker 3: his what's his names, and to sleep on his stomach

795
00:35:48,600 --> 00:35:50,839
Speaker 3: so he don't fuck up his sheets, like he said,

796
00:35:50,840 --> 00:35:54,160
Speaker 3: A bunch. It's just what Biggie said. I got techniques

797
00:35:54,480 --> 00:35:56,719
Speaker 3: dripping out my butt, sheets pulls. I sleep on my

798
00:35:56,719 --> 00:35:59,480
Speaker 3: stomach so I don't fuck up my sheets. He just

799
00:35:59,600 --> 00:36:02,120
Speaker 3: used to say anything out of his mouth, anything he

800
00:36:02,200 --> 00:36:02,799
Speaker 3: wanted to see.

801
00:36:02,960 --> 00:36:04,080
Speaker 1: Oh my god, mad nass.

802
00:36:04,120 --> 00:36:06,560
Speaker 3: He said, your fuck rue Paul was gonna fuck them

803
00:36:06,640 --> 00:36:09,799
Speaker 3: ugly ass escape bitches, anything out of his mouth.

804
00:36:10,120 --> 00:36:11,759
Speaker 1: But we canna take him off the listen you want.

805
00:36:11,800 --> 00:36:14,480
Speaker 1: I don't mind that he's not in my time.

806
00:36:15,840 --> 00:36:17,919
Speaker 3: Take it, Biggie Small not in my top five because

807
00:36:17,920 --> 00:36:20,200
Speaker 3: of that bro, because of the nasty raps. Biggie gotta

808
00:36:20,239 --> 00:36:25,360
Speaker 3: be your top five rappers ever, top five whole Chase,

809
00:36:26,680 --> 00:36:29,560
Speaker 3: fab Ross and Drake Big not only I know I

810
00:36:29,560 --> 00:36:32,239
Speaker 3: could find you crazy nasty bars from all those guys

811
00:36:32,280 --> 00:36:37,080
Speaker 3: like that. You tripping maybe not fuck Rue paul Is.

812
00:36:37,080 --> 00:36:41,080
Speaker 3: That's you'll get it. That's get That's no, there's nowhere

813
00:36:41,120 --> 00:36:45,160
Speaker 3: around that. That's no, that's not a Richard Pride line.

814
00:36:43,560 --> 00:36:48,239
Speaker 1: That we're not putting on that time.

815
00:36:48,400 --> 00:36:51,719
Speaker 3: I don't want time. She looked like Smokey Robinson in

816
00:36:51,760 --> 00:36:57,319
Speaker 3: the Flicks but doesn't know sh No, they just put

817
00:36:57,320 --> 00:37:03,080
Speaker 3: the pitch up. She looked like smoking you know what

818
00:37:03,080 --> 00:37:11,799
Speaker 3: I'm saying, chasing that.

819
00:37:10,760 --> 00:37:15,840
Speaker 1: No dispects the King, but no disrespect down. Put a picture.

820
00:37:19,560 --> 00:37:21,239
Speaker 1: I'm coming in Land. I'm just like, you know now

821
00:37:21,760 --> 00:37:26,480
Speaker 1: I'm seeing major is my man? Disrespect bigg was from

822
00:37:26,560 --> 00:37:29,040
Speaker 1: Biggie Volley Ship. Yo.

823
00:37:29,160 --> 00:37:31,040
Speaker 2: I forgot what platform it was, but see gud was

824
00:37:31,080 --> 00:37:32,319
Speaker 2: doing an interview they asked him.

825
00:37:32,200 --> 00:37:34,880
Speaker 1: About that line. He was like, yo, he was in

826
00:37:34,880 --> 00:37:36,520
Speaker 1: a studio. I was like, Yo, why would you say

827
00:37:36,520 --> 00:37:39,120
Speaker 1: that about you? Knowing that I'm a holdigan out here

828
00:37:41,520 --> 00:37:43,439
Speaker 1: I'm not but raping nobody throwing him off the break

829
00:37:44,120 --> 00:37:45,239
Speaker 1: with you, Oh my god.

830
00:37:45,400 --> 00:37:46,839
Speaker 2: Big was like, I'm trying to make them my feel

831
00:37:46,920 --> 00:37:48,960
Speaker 2: so ship, like I'm gonna make a mystery out.

832
00:37:49,000 --> 00:37:52,799
Speaker 1: He was like, I don't want that, chase fun. Can

833
00:37:52,880 --> 00:37:56,480
Speaker 1: we click? Can we click on? That is a legend.

834
00:37:56,480 --> 00:37:57,320
Speaker 1: We just don't know.

835
00:37:57,600 --> 00:38:01,080
Speaker 4: He's from Long Island, from l I rock pop.

836
00:38:01,480 --> 00:38:05,680
Speaker 3: Oh it's rock power. Oh it's rock rock rock. Because

837
00:38:05,719 --> 00:38:06,719
Speaker 3: I was bugging like.

838
00:38:06,680 --> 00:38:09,080
Speaker 4: Yeah, that was a group from Long Island. Okay, all right,

839
00:38:09,360 --> 00:38:10,640
Speaker 4: that's what we didn't know about Fuzzo.

840
00:38:10,880 --> 00:38:15,000
Speaker 3: Mark Curry doesn't get any lyrical love with bad nah damn.

841
00:38:16,120 --> 00:38:18,759
Speaker 1: You know, fuck with mc mar curry. Yeah.

842
00:38:19,400 --> 00:38:19,640
Speaker 3: Nah.

843
00:38:19,680 --> 00:38:22,920
Speaker 1: He had some joints. He wrote some of Puff's best joints.

844
00:38:24,600 --> 00:38:27,839
Speaker 3: He did hooks and ship Now. He wrote the join

845
00:38:27,880 --> 00:38:29,200
Speaker 3: on the Godzilla soundtrack.

846
00:38:30,360 --> 00:38:31,239
Speaker 1: Yeah, he definitely wrote that.

847
00:38:31,320 --> 00:38:33,799
Speaker 3: But Puff rapping on the Godzilla soundtrack is not like

848
00:38:33,880 --> 00:38:38,520
Speaker 3: Puff rapping on that first ship. That's mazing kiss. Yeah

849
00:38:38,640 --> 00:38:40,759
Speaker 3: he was saying. I'm saying like he ain't never really

850
00:38:40,800 --> 00:38:42,480
Speaker 3: had no rhythm to me and the but he was

851
00:38:42,480 --> 00:38:44,560
Speaker 3: sounding like that's the best he ever sound rapping.

852
00:38:45,480 --> 00:38:48,120
Speaker 2: I mean, I know we're not allowed to say that's

853
00:38:48,120 --> 00:38:51,040
Speaker 2: a classic album to me, no way out facts, Like

854
00:38:52,040 --> 00:38:54,400
Speaker 2: is any way to get around, especially when you're.

855
00:38:54,320 --> 00:38:57,239
Speaker 3: Not a rapper, Like that ship was fire and he

856
00:38:57,280 --> 00:38:59,680
Speaker 3: did more numbers than anybody on Bad Boy with that ship.

857
00:38:59,719 --> 00:39:01,040
Speaker 1: So he was feeling itself off.

858
00:39:00,960 --> 00:39:02,640
Speaker 2: For that, Like going to be a party promoter in

859
00:39:02,680 --> 00:39:04,719
Speaker 2: the exec and they's like, you know what, I'm gonna

860
00:39:04,719 --> 00:39:05,160
Speaker 2: just rap.

861
00:39:05,040 --> 00:39:08,920
Speaker 1: Real quick and six seven million. But he had Mason

862
00:39:08,960 --> 00:39:11,839
Speaker 1: kiss Ray and everything. It was like that was easy. Yeah,

863
00:39:12,840 --> 00:39:15,759
Speaker 1: that was easy. Gonna say where you putuff on the list? No,

864
00:39:15,920 --> 00:39:19,000
Speaker 1: we can't do that. No, we can't do that. Nah.

865
00:39:19,120 --> 00:39:21,640
Speaker 1: He didn't right either, right there and raps, we're not

866
00:39:21,640 --> 00:39:23,759
Speaker 1: doing that all right.

867
00:39:23,880 --> 00:39:27,080
Speaker 2: While we're still on music, maull blink your eyes twice.

868
00:39:27,160 --> 00:39:30,640
Speaker 2: If we're getting a jay Z Reasonable Doubt thirtieth anniversary

869
00:39:30,760 --> 00:39:32,719
Speaker 2: concert at Barclay Center, just blink twice.

870
00:39:32,719 --> 00:39:33,839
Speaker 1: You don't have to say yes or no, just pa,

871
00:39:34,120 --> 00:39:38,040
Speaker 1: what a thirtieth anniversary Reasonable Doubt concert? Yep, you just

872
00:39:38,040 --> 00:39:41,440
Speaker 1: blink that. So at the Barclays, though, just breathe. You

873
00:39:41,440 --> 00:39:42,560
Speaker 1: don't have to say anything. Just breathe.

874
00:39:42,560 --> 00:39:48,480
Speaker 3: If if it's yes, maybe the garden because you know

875
00:39:48,520 --> 00:39:49,200
Speaker 3: there is a rumor.

876
00:39:49,880 --> 00:39:52,279
Speaker 1: Yeah, I know there's a lot of rumors. No, not

877
00:39:52,320 --> 00:39:53,799
Speaker 1: the rumor in your group chat. I'm staying a rumor.

878
00:39:53,880 --> 00:39:56,040
Speaker 3: Like amongst US civilians, there's a lot of rumors, man,

879
00:39:56,400 --> 00:39:59,120
Speaker 3: I know people be like, oh, the Barclays is booked

880
00:39:59,120 --> 00:40:00,920
Speaker 3: out for two weeks and with between the Liberty and

881
00:40:00,960 --> 00:40:01,239
Speaker 3: this and.

882
00:40:01,160 --> 00:40:03,960
Speaker 2: That, well, oh, let's not skip steps because Hole and

883
00:40:04,680 --> 00:40:08,960
Speaker 2: your brother change Jay's name back to the little dot

884
00:40:09,000 --> 00:40:11,200
Speaker 2: dot thing a control.

885
00:40:10,920 --> 00:40:15,319
Speaker 1: The manipulating life. Man, Hey, jypan, I like that with

886
00:40:15,400 --> 00:40:16,320
Speaker 1: the two dots.

887
00:40:16,360 --> 00:40:19,759
Speaker 2: Then they put out Dead Presidents one on streaming, which

888
00:40:19,800 --> 00:40:22,200
Speaker 2: hadn't been on there before. Then did jay Z thirty

889
00:40:22,239 --> 00:40:27,080
Speaker 2: dot com. There's vinyls, there's merch. I don't think Jay

890
00:40:27,239 --> 00:40:30,560
Speaker 2: just does ship to do shit. And based off all

891
00:40:30,600 --> 00:40:33,160
Speaker 2: the deals that we know your brother and him, that's

892
00:40:33,160 --> 00:40:34,560
Speaker 2: the that's the baby that they own.

893
00:40:34,640 --> 00:40:36,359
Speaker 1: They own that in its totality.

894
00:40:36,719 --> 00:40:38,440
Speaker 2: I don't even need to do some blueprint shit and

895
00:40:38,440 --> 00:40:40,000
Speaker 2: get fucking universal involved.

896
00:40:40,040 --> 00:40:41,239
Speaker 1: I could just do reasonable doubt.

897
00:40:41,320 --> 00:40:44,640
Speaker 2: I own one percent of the shit, right, there's no

898
00:40:44,760 --> 00:40:47,960
Speaker 2: way that they're not taking that opportunity. I think just

899
00:40:48,000 --> 00:40:50,480
Speaker 2: based off the Liberty having away games, I think Biggs

900
00:40:50,520 --> 00:40:51,600
Speaker 2: was like, we should do it.

901
00:40:52,440 --> 00:40:55,120
Speaker 1: You think Big said that. I think Biggs was the

902
00:40:55,120 --> 00:40:59,600
Speaker 1: one that pulled up the Liberty schedule. It's not far fetched.

903
00:40:59,880 --> 00:41:00,359
Speaker 1: I don't know.

904
00:41:00,800 --> 00:41:03,080
Speaker 4: I definitely didn't ask, and I don't I honestly don't know,

905
00:41:03,120 --> 00:41:04,920
Speaker 4: but I would. I wouldn't be surprised. It makes sense.

906
00:41:04,960 --> 00:41:07,040
Speaker 1: I think that it makes total sense to do it.

907
00:41:07,080 --> 00:41:08,480
Speaker 1: I don't see why j wouldn't do it.

908
00:41:08,640 --> 00:41:10,719
Speaker 2: And I mean, obviously the NBA Draft is there that week,

909
00:41:10,760 --> 00:41:12,759
Speaker 2: but it's it's like a two week block. Yeah, you

910
00:41:13,280 --> 00:41:16,960
Speaker 2: only need one night, like conveniently on the week that

911
00:41:17,440 --> 00:41:17,960
Speaker 2: it came out.

912
00:41:18,160 --> 00:41:20,560
Speaker 1: Yeah, here's while you were living next doing in the

913
00:41:20,719 --> 00:41:21,520
Speaker 1: five city ships.

914
00:41:21,520 --> 00:41:24,279
Speaker 3: We went to five cities in one day, Imbos up north,

915
00:41:24,320 --> 00:41:27,239
Speaker 3: watching that ship every stop and.

916
00:41:27,280 --> 00:41:28,680
Speaker 1: Just performing five cities one day.

917
00:41:28,719 --> 00:41:31,640
Speaker 3: That's what he did. You maybe did that five cities

918
00:41:31,680 --> 00:41:34,240
Speaker 3: one day. He did five cities one day. That sounds

919
00:41:34,280 --> 00:41:35,759
Speaker 3: some JA just hop on the jet and just hopped

920
00:41:35,760 --> 00:41:39,040
Speaker 3: on the Jeta Cago l A C Thom Zone.

921
00:41:39,120 --> 00:41:42,319
Speaker 2: Hey, he finished off in New York. But all right,

922
00:41:42,960 --> 00:41:45,840
Speaker 2: do we have predictions of what? I don't think just

923
00:41:45,880 --> 00:41:48,680
Speaker 2: doing a show. I don't think that's enough.

924
00:41:48,800 --> 00:41:51,960
Speaker 3: The album you want Reasonable Doubt too.

925
00:41:52,000 --> 00:41:53,200
Speaker 1: I don't hell.

926
00:41:54,520 --> 00:41:56,360
Speaker 4: I don't want Jay to put out no More another

927
00:41:56,400 --> 00:41:59,239
Speaker 4: album because I don't have guys like Yachi and I'm

928
00:41:59,239 --> 00:41:59,920
Speaker 4: gonna shoot on it.

929
00:42:00,080 --> 00:42:04,240
Speaker 1: This crash. Nobody want to hear that lyrical lyricool miracle.

930
00:42:04,960 --> 00:42:07,239
Speaker 2: But do you think that they're they will put out

931
00:42:07,239 --> 00:42:10,200
Speaker 2: Dead Presidence on streaming, have this website just just for

932
00:42:10,520 --> 00:42:11,920
Speaker 2: one concert.

933
00:42:12,200 --> 00:42:14,000
Speaker 1: I feel like there's going to be more around this.

934
00:42:15,560 --> 00:42:16,279
Speaker 1: I don't know. I don't know.

935
00:42:16,280 --> 00:42:19,520
Speaker 2: If you too hopeful, No, I don't. I don't think

936
00:42:19,560 --> 00:42:21,080
Speaker 2: Jay's putting out new music. I don't think this is

937
00:42:21,120 --> 00:42:24,560
Speaker 2: around an album whatsoever. I just don't think you're doing

938
00:42:25,520 --> 00:42:29,560
Speaker 2: a full website just for one Reasonable Doubt anniversary concert.

939
00:42:29,640 --> 00:42:31,080
Speaker 1: I agree, I just got that.

940
00:42:31,880 --> 00:42:33,520
Speaker 2: I don't know what that is, but I think there's

941
00:42:33,560 --> 00:42:36,040
Speaker 2: going to be much more attached to it, mainly because

942
00:42:36,200 --> 00:42:38,560
Speaker 2: the businessman that Jay Z is, this is an entity

943
00:42:39,120 --> 00:42:43,960
Speaker 2: that he owns full outright, like's there's no other partner

944
00:42:44,040 --> 00:42:46,719
Speaker 2: besides Biggs and I guess the state of New York,

945
00:42:47,560 --> 00:42:50,400
Speaker 2: but that's neither here nor there. But I think they

946
00:42:50,440 --> 00:42:54,560
Speaker 2: would put more into that because they own it outright

947
00:42:54,640 --> 00:42:57,400
Speaker 2: than just doing a show at the Barclays, Like, I

948
00:42:57,400 --> 00:42:59,080
Speaker 2: think that's going to be part of it. I just

949
00:42:59,080 --> 00:43:01,399
Speaker 2: don't know if that's going to be the only thing.

950
00:43:01,440 --> 00:43:02,960
Speaker 3: But if you do both of them the same night,

951
00:43:04,520 --> 00:43:07,880
Speaker 3: as far as we the balclades and the guarding, that

952
00:43:07,920 --> 00:43:10,720
Speaker 3: would be crazy the city.

953
00:43:11,600 --> 00:43:13,400
Speaker 1: I will say I was, I was a made in America.

954
00:43:13,480 --> 00:43:15,359
Speaker 3: When you should tell him that, you should tell him

955
00:43:15,360 --> 00:43:20,520
Speaker 3: that the gaarden same night, fuck the city up. Nobody

956
00:43:20,520 --> 00:43:22,160
Speaker 3: else could do that. You could sell both of them out.

957
00:43:22,160 --> 00:43:23,120
Speaker 3: Nobody else could do that.

958
00:43:23,160 --> 00:43:26,239
Speaker 4: Bro when we were at when he headlined live stream

959
00:43:26,320 --> 00:43:28,279
Speaker 4: him going from Brooklyn to the Mahon.

960
00:43:28,480 --> 00:43:29,919
Speaker 1: On the train with the pottery lady.

961
00:43:29,920 --> 00:43:32,439
Speaker 4: Again, have like one train, like had a jay train

962
00:43:32,480 --> 00:43:35,920
Speaker 4: take him from Barclays to got to be five.

963
00:43:36,000 --> 00:43:39,400
Speaker 3: You did five cities before they're gonna move the j

964
00:43:39,560 --> 00:43:41,200
Speaker 3: training to another part of Brooklyn.

965
00:43:41,320 --> 00:43:48,920
Speaker 1: You could put this, You could just put the change that. Okay,

966
00:43:49,320 --> 00:43:52,520
Speaker 1: I thought you meant like like J Wil But if.

967
00:43:52,480 --> 00:43:54,400
Speaker 4: J gonna do that, he would actually he would actually

968
00:43:54,480 --> 00:43:56,200
Speaker 4: he would do some super il ship and have the

969
00:43:56,239 --> 00:44:00,480
Speaker 4: whole train ship painted over a reasonable debt and let

970
00:44:00,520 --> 00:44:01,920
Speaker 4: it take him from balk.

971
00:44:01,840 --> 00:44:03,319
Speaker 1: Leads to the to the Garden.

972
00:44:03,640 --> 00:44:06,400
Speaker 2: And perform on it. Well, they put Wi Fi and

973
00:44:06,440 --> 00:44:08,759
Speaker 2: trains and took it away. You could live stream somehow

974
00:44:08,800 --> 00:44:11,600
Speaker 2: if you're Jay Z and continue your performance like you

975
00:44:11,680 --> 00:44:13,359
Speaker 2: keep wrapping on the train on the way to the guard.

976
00:44:13,800 --> 00:44:16,640
Speaker 3: Do the New York ship. It's not along doing New

977
00:44:16,719 --> 00:44:17,719
Speaker 3: York while you want to train.

978
00:44:17,840 --> 00:44:20,279
Speaker 1: If we can change the letter new.

979
00:44:20,239 --> 00:44:21,839
Speaker 3: York while you want to train on the Jay and

980
00:44:21,960 --> 00:44:24,400
Speaker 3: Z on the Jay and Z line, put.

981
00:44:24,200 --> 00:44:27,319
Speaker 1: It in New York. Alicia keys on the piano on

982
00:44:27,360 --> 00:44:27,920
Speaker 1: the platform.

983
00:44:27,960 --> 00:44:31,239
Speaker 4: But we're saying all of that, all of the sounds great, right,

984
00:44:31,280 --> 00:44:32,200
Speaker 4: And guess what a lot.

985
00:44:32,120 --> 00:44:35,759
Speaker 1: Of these streams and this ship trash? Who cares? I'm

986
00:44:35,760 --> 00:44:36,040
Speaker 1: just saying.

987
00:44:36,080 --> 00:44:38,640
Speaker 4: I'm just saying, yo, But I'm saying certainly, but that's

988
00:44:38,680 --> 00:44:40,880
Speaker 4: gonna love that. That would be amazing, And it's gonna be

989
00:44:40,880 --> 00:44:43,600
Speaker 4: a sector that has a lot of control. And I

990
00:44:43,640 --> 00:44:46,759
Speaker 4: guess you know fragmented media, right, they're gonna have their

991
00:44:46,760 --> 00:44:48,319
Speaker 4: own streaming platform watching it.

992
00:44:48,600 --> 00:44:51,160
Speaker 1: Yo. This ship is trash. This ship is trash. So

993
00:44:51,200 --> 00:44:54,799
Speaker 1: it's like, I don't think Jay's thinking about any of those.

994
00:44:55,280 --> 00:44:58,719
Speaker 4: Of course, he's not like the young streaming niggas about you.

995
00:44:59,320 --> 00:45:01,200
Speaker 4: I'm talk about the young just the younger genre the

996
00:45:01,200 --> 00:45:01,880
Speaker 4: younger audience.

997
00:45:01,960 --> 00:45:03,719
Speaker 3: But niggas is gonna be old the way longer than

998
00:45:03,719 --> 00:45:05,560
Speaker 3: they're gonna be youngest, So fuck with them. Young niggas

999
00:45:05,640 --> 00:45:09,960
Speaker 3: name respectfully. That's how you pulled them on with the

1000
00:45:10,000 --> 00:45:12,759
Speaker 3: young streamer. Their whole life is based off negativity. Jesus

1001
00:45:12,800 --> 00:45:14,319
Speaker 3: Christ himself will come back and be Likeyo, why are

1002
00:45:14,320 --> 00:45:17,200
Speaker 3: you wearing sandals like there never be You're never gonna

1003
00:45:17,280 --> 00:45:19,600
Speaker 3: You're never gonna impress it. All these guys, why Jesus

1004
00:45:19,600 --> 00:45:25,759
Speaker 3: in that one of some valencies? Regular put on some balencies.

1005
00:45:26,760 --> 00:45:28,120
Speaker 3: How could I pray to somebody wearing that?

1006
00:45:28,239 --> 00:45:31,239
Speaker 4: Yeah, I think there is something more attached to the

1007
00:45:31,239 --> 00:45:33,600
Speaker 4: reasonable that ship. I honestly have an asked, but I'll

1008
00:45:33,680 --> 00:45:36,040
Speaker 4: hit biggs and ask them, like you gotta be the

1009
00:45:36,120 --> 00:45:37,280
Speaker 4: gotta be something happening.

1010
00:45:37,400 --> 00:45:39,680
Speaker 3: Jay not just selling T shirts at jay z thirty

1011
00:45:39,719 --> 00:45:43,000
Speaker 3: dot com. You're not creating that just for the fun

1012
00:45:43,120 --> 00:45:45,560
Speaker 3: of it, because you would just sell your vinyls and

1013
00:45:45,560 --> 00:45:46,839
Speaker 3: T shirts on your regular ship.

1014
00:45:48,360 --> 00:45:49,719
Speaker 1: I just don't. I don't know, man, I don't know

1015
00:45:49,760 --> 00:45:52,040
Speaker 1: if Jay is inspired or motivated right now, but that

1016
00:45:52,120 --> 00:45:53,080
Speaker 1: you know, you could be.

1017
00:45:53,719 --> 00:45:56,600
Speaker 2: You could be inspired by theeth anniversary of your first album.

1018
00:45:56,600 --> 00:46:02,600
Speaker 2: You know you're performing that. I'm not saying reasonable doubt too. Yeah,

1019
00:46:02,680 --> 00:46:04,319
Speaker 2: I'm not saying he's gonna do his fault.

1020
00:46:04,360 --> 00:46:05,879
Speaker 4: I feel like to see him put the album back

1021
00:46:05,880 --> 00:46:07,560
Speaker 4: out and then put like two new tracks on it.

1022
00:46:07,960 --> 00:46:09,840
Speaker 4: I wouldn't be mad at that, like two new tracks

1023
00:46:10,280 --> 00:46:13,880
Speaker 4: or reasonable doubt, like don't give us a whole new album,

1024
00:46:14,000 --> 00:46:15,640
Speaker 4: just give us.

1025
00:46:16,000 --> 00:46:18,799
Speaker 1: Yeah, but that fit with that time.

1026
00:46:18,880 --> 00:46:20,600
Speaker 2: But he should do what he like that time on

1027
00:46:21,000 --> 00:46:24,600
Speaker 2: volume volume three when you had to skip ahead, the

1028
00:46:24,680 --> 00:46:27,360
Speaker 2: last record was like twenty minutes long. You had to

1029
00:46:27,360 --> 00:46:29,120
Speaker 2: you had to fast forward on your walking in to

1030
00:46:29,160 --> 00:46:31,400
Speaker 2: get like you should be half it's only on the

1031
00:46:31,480 --> 00:46:33,680
Speaker 2: vinyl and you got you gotta wait twenty minutes.

1032
00:46:33,960 --> 00:46:36,360
Speaker 3: Hip hop did that because I forgot who did that

1033
00:46:36,440 --> 00:46:38,279
Speaker 3: on the album, and that's what hip hop got that

1034
00:46:38,600 --> 00:46:39,960
Speaker 3: was inspired to do that at.

1035
00:46:39,840 --> 00:46:42,279
Speaker 2: There was a single one of the three records that

1036
00:46:42,280 --> 00:46:43,680
Speaker 2: were at the end of volume three. One of them

1037
00:46:43,719 --> 00:46:46,200
Speaker 2: was come Man Man like they put a single at

1038
00:46:46,200 --> 00:46:46,759
Speaker 2: the end of that ship.

1039
00:46:46,920 --> 00:46:48,840
Speaker 4: Yeah, that was hot doing that, but I forgot what

1040
00:46:48,840 --> 00:46:50,600
Speaker 4: the album he heard and he was like, oh shit,

1041
00:46:50,719 --> 00:46:53,040
Speaker 4: like you let the tape play like it's another song

1042
00:46:53,080 --> 00:46:55,160
Speaker 4: in it and everybody's like work. So when he A

1043
00:46:55,320 --> 00:46:57,719
Speaker 4: and R reasonable doubt he was inspired to do that.

1044
00:46:57,760 --> 00:46:58,920
Speaker 4: He was like, nah, we got to do that on

1045
00:46:58,960 --> 00:46:59,719
Speaker 4: this album.

1046
00:47:00,200 --> 00:47:02,480
Speaker 3: Yeah, because that I think it was two or three records.

1047
00:47:02,480 --> 00:47:04,520
Speaker 3: I'm bunning through that you had to fast forward to.

1048
00:47:04,640 --> 00:47:06,560
Speaker 3: But no, I would love to watch, y'all. I don't

1049
00:47:06,560 --> 00:47:08,640
Speaker 3: really want new music from Jay, and neither though I do.

1050
00:47:08,840 --> 00:47:11,960
Speaker 3: I mean, I wouldn't mind it.

1051
00:47:12,360 --> 00:47:15,320
Speaker 1: I'm looking for it. Don't get it twisted.

1052
00:47:15,400 --> 00:47:17,680
Speaker 4: If we open our phones right now and Jay's post

1053
00:47:17,680 --> 00:47:20,239
Speaker 4: the link for a new says new album Friday, Oh,

1054
00:47:20,280 --> 00:47:23,440
Speaker 4: I'm definitely, but I just and if he never do it,

1055
00:47:23,480 --> 00:47:23,960
Speaker 4: I don't care.

1056
00:47:24,160 --> 00:47:25,200
Speaker 1: Yeah, but if he don't.

1057
00:47:25,000 --> 00:47:27,160
Speaker 4: Do it, because he's obviously he's a legacy act at

1058
00:47:27,200 --> 00:47:28,839
Speaker 4: this point. But I'm just saying, like I just don't.

1059
00:47:29,160 --> 00:47:31,600
Speaker 4: I can't sit back and just watch the internet tear

1060
00:47:31,719 --> 00:47:34,480
Speaker 4: down a Jay album like that shit will really piss

1061
00:47:34,560 --> 00:47:37,080
Speaker 4: me off because all this other shit that you'll hype

1062
00:47:37,120 --> 00:47:39,400
Speaker 4: up and say is dope and it's hard and this

1063
00:47:39,520 --> 00:47:43,040
Speaker 4: niggas or whatever. Jay put out a new album and

1064
00:47:43,080 --> 00:47:46,080
Speaker 4: y'r nigga's trashing like that's just gonna cause.

1065
00:47:45,920 --> 00:47:48,359
Speaker 3: A whole divide like you're gonna crash out. No, I'm

1066
00:47:48,400 --> 00:47:49,359
Speaker 3: not gonna cry. I crash out.

1067
00:47:49,400 --> 00:47:50,560
Speaker 1: Days is over. But I'm not doing that.

1068
00:47:50,600 --> 00:47:53,040
Speaker 4: But it's just like I don't want to even see that,

1069
00:47:53,080 --> 00:47:54,880
Speaker 4: Like I don't even want niggas to get the opportunity

1070
00:47:54,920 --> 00:47:56,719
Speaker 4: to disrespect the legends, like you know what I'm saying,

1071
00:47:56,760 --> 00:47:58,919
Speaker 4: Like it's just like they waiting to do that. Those

1072
00:47:58,920 --> 00:48:01,040
Speaker 4: ship trash and this niggast rapping, Like nobody want to

1073
00:48:01,040 --> 00:48:02,160
Speaker 4: hear this shit, da da They.

1074
00:48:02,080 --> 00:48:06,160
Speaker 1: Ain't doing that the t I, Yes they are. They are.

1075
00:48:06,480 --> 00:48:08,920
Speaker 1: I ain't see that. Only Atlanta is not doing it TI.

1076
00:48:09,400 --> 00:48:10,880
Speaker 1: I think Atlanta's doing it to TI. I too do.

1077
00:48:10,960 --> 00:48:12,440
Speaker 1: I think some niggas Atlanta ain't Jackings.

1078
00:48:12,640 --> 00:48:14,160
Speaker 3: I'm not jack A lot of people like it more

1079
00:48:14,160 --> 00:48:15,440
Speaker 3: than I think. I've said the shit he was in

1080
00:48:15,440 --> 00:48:19,759
Speaker 3: front of the car like that was Aparrel did right.

1081
00:48:20,280 --> 00:48:23,000
Speaker 3: So yeah, I like the Forrall record, that was all right,

1082
00:48:23,080 --> 00:48:25,879
Speaker 3: But I'm saying that this record is dirt. I don't

1083
00:48:26,000 --> 00:48:28,120
Speaker 3: like the disrecords. I think niggas is just too old

1084
00:48:28,160 --> 00:48:30,440
Speaker 3: and making dis records though, like when you.

1085
00:48:30,480 --> 00:48:32,840
Speaker 4: Forty five, forty six, fort like I just think that

1086
00:48:33,200 --> 00:48:34,440
Speaker 4: when your kids is in college.

1087
00:48:35,080 --> 00:48:37,320
Speaker 1: The kid thugging on the internet, you can't be making.

1088
00:48:37,560 --> 00:48:41,279
Speaker 2: Making discord fifty did replied this morning sort of v

1089
00:48:41,440 --> 00:48:44,279
Speaker 2: ig said, I don't need me to wrap.

1090
00:48:44,680 --> 00:48:45,600
Speaker 1: You need me to wrap?

1091
00:48:45,719 --> 00:48:49,239
Speaker 4: Get off my page. Wait, fifty said, I don't need

1092
00:48:49,280 --> 00:48:49,839
Speaker 4: me to wrap.

1093
00:48:49,960 --> 00:48:51,640
Speaker 1: I don't you need me. You need me to wrap?

1094
00:48:52,920 --> 00:48:53,600
Speaker 1: Get off my page?

1095
00:48:53,840 --> 00:48:59,840
Speaker 3: Yo, yoyoy got like forty nine million monthly listeners on Spotify.

1096
00:49:00,239 --> 00:49:03,919
Speaker 3: I got like fourteen. I wouldn't have did no verses

1097
00:49:03,920 --> 00:49:06,320
Speaker 3: with no nigga like that neither. Is that much disparity?

1098
00:49:07,120 --> 00:49:09,960
Speaker 3: Is that much disparity? I'm just saying off of pure music.

1099
00:49:10,200 --> 00:49:12,040
Speaker 3: His son is not going on stagium. He's calling you

1100
00:49:12,080 --> 00:49:13,600
Speaker 3: a rat. I don't I don't know why you would

1101
00:49:13,600 --> 00:49:15,160
Speaker 3: want to do a versus with a nigga calling you

1102
00:49:15,200 --> 00:49:17,319
Speaker 3: a rat. Nigga been calling you a rat for twenty years,

1103
00:49:17,400 --> 00:49:19,120
Speaker 3: that's the fact. And you want to do a versus

1104
00:49:19,160 --> 00:49:21,000
Speaker 3: with this nigga. You're supposed to want to fight this nigga.

1105
00:49:21,040 --> 00:49:23,279
Speaker 2: Yeah, I mean you want to do Gucci didn't did

1106
00:49:23,280 --> 00:49:25,560
Speaker 2: this ship though, And not that anyone called each other

1107
00:49:25,600 --> 00:49:29,880
Speaker 2: a rat, but somebody some history. That's even crazier than

1108
00:49:29,920 --> 00:49:31,480
Speaker 2: calling somebody a rat You.

1109
00:49:31,600 --> 00:49:35,080
Speaker 3: Niggas was man's before. They was cool before. That's a

1110
00:49:35,120 --> 00:49:38,080
Speaker 3: that's a totally different story. We from here. We we

1111
00:49:38,280 --> 00:49:41,040
Speaker 3: was cool before some shit happened. That's that's different. Thing

1112
00:49:41,080 --> 00:49:43,480
Speaker 3: about jez Jeezy and Gucci, they was cool before they

1113
00:49:43,520 --> 00:49:44,600
Speaker 3: did songs and all that together.

1114
00:49:44,840 --> 00:49:48,000
Speaker 1: They was a so they reconciled, and I think people

1115
00:49:48,040 --> 00:49:48,960
Speaker 1: kind of guessed that was.

1116
00:49:49,000 --> 00:49:51,239
Speaker 3: That's like a reconciliation, right when you used to be cool,

1117
00:49:51,239 --> 00:49:52,359
Speaker 3: then you wasn't get back cool.

1118
00:49:52,360 --> 00:49:55,080
Speaker 1: That Ti fifty never was cool. He never was my

1119
00:49:55,160 --> 00:49:55,800
Speaker 1: man homie.

1120
00:49:55,880 --> 00:49:59,120
Speaker 2: Yeah, yeah, And I mean that even goes back to

1121
00:49:59,200 --> 00:50:02,280
Speaker 2: I don't if y'all remember when the swagger like Us days,

1122
00:50:02,920 --> 00:50:05,840
Speaker 2: Remember when Pigs on the stage runs around the niggas

1123
00:50:05,840 --> 00:50:06,799
Speaker 2: this swagger like Us.

1124
00:50:07,239 --> 00:50:09,600
Speaker 1: He was running laps around the nigga Puff Jay.

1125
00:50:09,640 --> 00:50:12,799
Speaker 3: He was running laps around them niggas literally and figuratively.

1126
00:50:12,960 --> 00:50:14,600
Speaker 3: That's a fact. That's what he was telling them on

1127
00:50:14,600 --> 00:50:16,479
Speaker 3: that stage. I'm running laps around your nigga.

1128
00:50:16,520 --> 00:50:18,839
Speaker 1: I'm not clicking y'all clicking up, and I'm running laps

1129
00:50:18,840 --> 00:50:21,879
Speaker 1: around your niggas. That's what he did. Though at that point,

1130
00:50:21,960 --> 00:50:26,320
Speaker 1: fifty was kind of checked out for music. Was he Nah,

1131
00:50:26,680 --> 00:50:30,759
Speaker 1: that was I Get Money? I Get Money? Was seven?

1132
00:50:30,760 --> 00:50:33,920
Speaker 1: That's Flager like us? Was what eight? Oh yeah, No,

1133
00:50:33,920 --> 00:50:36,279
Speaker 1: I'm running last round. Yeah, I' jogging. I'm jogging on

1134
00:50:36,280 --> 00:50:38,480
Speaker 1: the stage. I'm running run laps around your niggas. Man,

1135
00:50:38,480 --> 00:50:39,319
Speaker 1: your bigga ain't doing not.

1136
00:50:39,360 --> 00:50:39,480
Speaker 3: Now.

1137
00:50:39,480 --> 00:50:42,200
Speaker 1: I might play a or technology and run around the fucking.

1138
00:50:42,080 --> 00:50:45,359
Speaker 3: Gym, but it goes back far.

1139
00:50:47,200 --> 00:50:50,319
Speaker 1: You know how I feel about that record, which that's

1140
00:50:50,320 --> 00:50:50,680
Speaker 1: what I said.

1141
00:50:51,480 --> 00:50:52,839
Speaker 3: She was a big song, but I hated that on

1142
00:50:52,840 --> 00:50:54,920
Speaker 3: that tape. She worked the post, She worked the post.

1143
00:50:55,880 --> 00:51:00,520
Speaker 3: What the most simplest I'm telling you that off fifty,

1144
00:51:00,520 --> 00:51:02,000
Speaker 3: but that record I hate it. I like the first

1145
00:51:02,000 --> 00:51:03,840
Speaker 3: full songs on the album, and then after that I

1146
00:51:03,960 --> 00:51:04,279
Speaker 3: was cool.

1147
00:51:04,360 --> 00:51:05,840
Speaker 1: Get that's Curtis.

1148
00:51:05,840 --> 00:51:08,880
Speaker 4: Oh, I'm about to say you WoT technology, and I

1149
00:51:08,880 --> 00:51:10,239
Speaker 4: thought he was saying the office.

1150
00:51:09,960 --> 00:51:10,480
Speaker 1: Off the album.

1151
00:51:11,080 --> 00:51:13,640
Speaker 3: I think Mask is better than Get Rich, though you

1152
00:51:13,719 --> 00:51:17,480
Speaker 3: said that to me the other week, and.

1153
00:51:17,960 --> 00:51:20,239
Speaker 1: Massacre, I think doesn't get you was locked up when

1154
00:51:20,280 --> 00:51:22,880
Speaker 1: the albums came out. Regardless what that, you just had

1155
00:51:22,920 --> 00:51:25,759
Speaker 1: that shit. I repeat, you just memorized it, both of them.

1156
00:51:26,640 --> 00:51:30,120
Speaker 2: I think Mask convinced me to have a better appreciation

1157
00:51:30,239 --> 00:51:31,839
Speaker 2: for a Masker once we went through it, because it's

1158
00:51:31,840 --> 00:51:34,240
Speaker 2: been a minute since I.

1159
00:51:33,400 --> 00:51:35,600
Speaker 1: Like listening to masks and it's not better than Get Rich,

1160
00:51:36,120 --> 00:51:39,880
Speaker 1: but it's better than we think it is. Yeah, it

1161
00:51:39,920 --> 00:51:41,560
Speaker 1: was just so commercial at that point.

1162
00:51:41,480 --> 00:51:45,440
Speaker 3: Better. What happened was he gave away some real big

1163
00:51:45,520 --> 00:51:48,440
Speaker 3: songs and during that same time too, you heard so

1164
00:51:48,480 --> 00:51:51,200
Speaker 3: you was hearing them game records and you was like, oh, ship,

1165
00:51:51,400 --> 00:51:52,879
Speaker 3: And then when his shit came out, he was like, damn,

1166
00:51:52,880 --> 00:51:54,440
Speaker 3: you should have put those on this team. You know

1167
00:51:54,480 --> 00:51:56,399
Speaker 3: what I'm saying. But that tape, though, you go through

1168
00:51:56,400 --> 00:51:58,880
Speaker 3: them records, that ship is flyes Man the Maskers.

1169
00:51:59,600 --> 00:52:01,480
Speaker 1: I like that better better than Get Rich. Yes, I

1170
00:52:01,560 --> 00:52:03,960
Speaker 1: like it better than okay once you say you like it,

1171
00:52:04,000 --> 00:52:04,839
Speaker 1: but Give Rich has.

1172
00:52:04,760 --> 00:52:08,200
Speaker 3: Songs on it that like I was in the streets,

1173
00:52:08,160 --> 00:52:11,560
Speaker 3: stuck into the fucking album came out three years later

1174
00:52:11,600 --> 00:52:13,120
Speaker 3: after I was off for the streets, and it's like,

1175
00:52:13,160 --> 00:52:15,480
Speaker 3: why is this on here? You know what I'm saying,

1176
00:52:15,520 --> 00:52:18,279
Speaker 3: Why why is this? Why is this song? You get

1177
00:52:18,280 --> 00:52:20,319
Speaker 3: shot running the cops? You're not like, why is this on?

1178
00:52:20,440 --> 00:52:25,560
Speaker 3: Get Richard dots tryan Wow? Okay, yeah, and I mean

1179
00:52:26,040 --> 00:52:30,360
Speaker 3: Wang Wangster was a year old Paul Little Rich Nigga

1180
00:52:30,400 --> 00:52:32,200
Speaker 3: that I was a year old already. It was songs on

1181
00:52:32,239 --> 00:52:34,000
Speaker 3: it that I knew word for. I'm listening to the album,

1182
00:52:34,239 --> 00:52:36,319
Speaker 3: niggas looking at how the fuck you notice something? We

1183
00:52:36,480 --> 00:52:38,040
Speaker 3: just went to town right and around going uptown to

1184
00:52:38,120 --> 00:52:38,839
Speaker 3: this shit every day.

1185
00:52:39,000 --> 00:52:40,839
Speaker 1: Yeah, yeah, you're not like me. It was like four

1186
00:52:40,920 --> 00:52:42,640
Speaker 1: years older than You're not like me. It was older

1187
00:52:42,640 --> 00:52:44,080
Speaker 1: than that. That's why it's like a bonus, right, It's

1188
00:52:44,080 --> 00:52:49,640
Speaker 1: not even it's another one Murder on ch that's from

1189
00:52:49,680 --> 00:52:50,160
Speaker 1: ninety nine.

1190
00:52:50,520 --> 00:52:52,600
Speaker 2: They put those as bonus joints just because the rest

1191
00:52:52,600 --> 00:52:54,759
Speaker 2: of the world didn't hear those, which I understand, Jimy

1192
00:52:54,760 --> 00:52:55,520
Speaker 2: Ivien and I'm doing.

1193
00:52:55,400 --> 00:52:58,160
Speaker 1: That, But you didn't make a good point with Massacre.

1194
00:52:58,320 --> 00:53:01,399
Speaker 2: If you take the records that fifty gave Game off

1195
00:53:01,440 --> 00:53:05,480
Speaker 2: Documentary and replace it with the subpar records on Massacre.

1196
00:53:06,200 --> 00:53:09,880
Speaker 2: Now debate, we have a real debate about the classics.

1197
00:53:09,880 --> 00:53:13,719
Speaker 2: Back to back, oh easy, because I think I think

1198
00:53:13,719 --> 00:53:16,200
Speaker 2: documentary is a classic, and documentary and just that run

1199
00:53:16,280 --> 00:53:21,319
Speaker 2: of going from Get Rich to beg for Mercy, documentary

1200
00:53:21,880 --> 00:53:25,359
Speaker 2: straight out of Cashville, Hunger for More, Hunger for More.

1201
00:53:26,160 --> 00:53:28,080
Speaker 2: I think thoughts of a predicate Felon is fu a

1202
00:53:28,080 --> 00:53:30,680
Speaker 2: good album too. That you do in three years is

1203
00:53:31,480 --> 00:53:35,640
Speaker 2: find me any record label, death Row, maybe.

1204
00:53:36,360 --> 00:53:39,120
Speaker 1: Soundtrack to get Riches. I try and soundtrack. Yeah, that's

1205
00:53:39,120 --> 00:53:40,520
Speaker 1: all within three to four years.

1206
00:53:41,080 --> 00:53:43,600
Speaker 3: Fifty first five years the best five years in hip hop.

1207
00:53:44,719 --> 00:53:46,960
Speaker 3: That's the best first five year run ever.

1208
00:53:46,840 --> 00:53:48,800
Speaker 1: In hip hop. Son, I don't care what nobody's saying.

1209
00:53:49,080 --> 00:53:51,160
Speaker 2: And a lot of people disagree with you are probably

1210
00:53:51,160 --> 00:53:53,120
Speaker 2: younger because they weren't there. They don't know that it

1211
00:53:53,200 --> 00:53:54,040
Speaker 2: controlled the world.

1212
00:53:54,320 --> 00:53:54,960
Speaker 1: Name one.

1213
00:53:56,680 --> 00:53:58,759
Speaker 3: Name of five year run that like all of that

1214
00:53:58,760 --> 00:54:01,520
Speaker 3: shit he just named, it's moore it you got it.

1215
00:54:01,520 --> 00:54:05,120
Speaker 3: It's more stuff you add in a video game. You

1216
00:54:05,200 --> 00:54:07,960
Speaker 3: add in fucking watch close.

1217
00:54:08,600 --> 00:54:09,360
Speaker 1: Those was nasty.

1218
00:54:09,520 --> 00:54:11,759
Speaker 3: So what you add in vitamin water, we wouldn't even

1219
00:54:11,840 --> 00:54:13,719
Speaker 3: We wouldn't even have vitamins or water if it wasn't

1220
00:54:13,719 --> 00:54:14,080
Speaker 3: for that ever.

1221
00:54:14,880 --> 00:54:18,239
Speaker 4: Fighting water was trash, was so nasty that she tastes

1222
00:54:18,239 --> 00:54:19,720
Speaker 4: like it was in somebody else's mouth already.

1223
00:54:21,280 --> 00:54:23,120
Speaker 1: I never drunk that ship. That ship was terrible.

1224
00:54:23,120 --> 00:54:24,560
Speaker 2: But that's why fifty to me was ill because he

1225
00:54:24,640 --> 00:54:26,960
Speaker 2: literally said I get money. I said, I took quarter water,

1226
00:54:27,040 --> 00:54:28,720
Speaker 2: put it in bottles for two bucks.

1227
00:54:28,840 --> 00:54:32,040
Speaker 1: Cold, cold, came butter for billings. What the fifty ship

1228
00:54:32,120 --> 00:54:38,080
Speaker 1: was trashed? Quarterwater? Wait, I could drink power.

1229
00:54:37,840 --> 00:54:42,320
Speaker 3: Waters way better than the great fifty cent juice fifty

1230
00:54:42,360 --> 00:54:45,080
Speaker 3: cent it was purple. But at this age, I promise you,

1231
00:54:45,200 --> 00:54:47,279
Speaker 3: if you drink a quarter water versus that, we'd like

1232
00:54:47,840 --> 00:54:48,000
Speaker 3: it was.

1233
00:54:48,680 --> 00:54:51,920
Speaker 1: You were like Formula fifty. That's what Formula fifty was.

1234
00:54:52,120 --> 00:54:53,800
Speaker 3: Give me my little hoey on me, Yeah, give me

1235
00:54:53,840 --> 00:54:55,080
Speaker 3: the little give me my little hogey.

1236
00:54:55,120 --> 00:54:55,920
Speaker 1: Yeah, I'm good on that.

1237
00:54:56,000 --> 00:54:58,120
Speaker 4: The grape quarter water, the one in the back though,

1238
00:54:58,680 --> 00:54:59,279
Speaker 4: at the back of.

1239
00:54:59,239 --> 00:55:02,400
Speaker 1: The bottom of by a fan mag Get grab.

1240
00:55:02,200 --> 00:55:04,560
Speaker 4: That one because that's gonna stay cold till you get

1241
00:55:04,600 --> 00:55:05,200
Speaker 4: back to the block.

1242
00:55:05,400 --> 00:55:08,479
Speaker 3: Yeah, Formula fifty had like that after you take cough

1243
00:55:08,560 --> 00:55:11,600
Speaker 3: medicine after taste, that's kind of what Formula fifty tasted like.

1244
00:55:12,000 --> 00:55:14,840
Speaker 1: That shit was called formula. That shit was terrible.

1245
00:55:16,000 --> 00:55:20,200
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1263
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1264
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1271
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Speaker 3: YO said fifth first five years in a game? Who

1272
00:56:30,960 --> 00:56:32,640
Speaker 3: got a first five? Who got a better first five

1273
00:56:32,719 --> 00:56:37,040
Speaker 3: years than that? As far as the music or just overall.

1274
00:56:36,880 --> 00:56:38,840
Speaker 1: I'm saying overall, overall, go overall.

1275
00:56:39,400 --> 00:56:43,280
Speaker 3: I dare you nahs fifty to fifty When he dropped

1276
00:56:43,280 --> 00:56:46,360
Speaker 3: that shit was he shook the entire the entire industry

1277
00:56:46,440 --> 00:56:48,799
Speaker 3: up for sure. And it's also not fair because all right,

1278
00:56:48,840 --> 00:56:51,960
Speaker 3: you could say, you say Drake had a great run

1279
00:56:52,560 --> 00:56:53,800
Speaker 3: in his first five years.

1280
00:56:53,600 --> 00:56:56,239
Speaker 1: Musically, nobody had to run that. Drake has no But

1281
00:56:56,280 --> 00:56:56,960
Speaker 1: what's fifty?

1282
00:56:57,239 --> 00:57:00,640
Speaker 3: That's cap Usually the artist state five lead better than

1283
00:57:00,680 --> 00:57:01,560
Speaker 3: drake first five years.

1284
00:57:01,680 --> 00:57:04,080
Speaker 4: Music music, Yes, that was not man. We were talking

1285
00:57:04,080 --> 00:57:09,239
Speaker 4: about music, just music, just music. Hew No, how how

1286
00:57:09,360 --> 00:57:11,160
Speaker 4: how are you saying that? Are you talking just talking

1287
00:57:11,239 --> 00:57:13,479
Speaker 4: music if you're talking about business and and other things

1288
00:57:13,480 --> 00:57:14,920
Speaker 4: outside of the music, Because.

1289
00:57:14,719 --> 00:57:20,200
Speaker 3: Get Richard do Trying the Massacre, the soundtrack, Hunger for More,

1290
00:57:20,440 --> 00:57:25,120
Speaker 3: the documentary, Those of a Predicate, Feeling, the Ryan Apple,

1291
00:57:25,720 --> 00:57:27,440
Speaker 3: like all the Curties, all of this should come out

1292
00:57:27,480 --> 00:57:28,320
Speaker 3: in the first five years.

1293
00:57:28,320 --> 00:57:30,240
Speaker 1: Bro I bucked the World is Fire on the low.

1294
00:57:30,360 --> 00:57:33,240
Speaker 6: Walk album, are y'all talking about the success of the

1295
00:57:33,280 --> 00:57:34,240
Speaker 6: music with that quality.

1296
00:57:34,320 --> 00:57:37,919
Speaker 2: That's quality that first five there was not a bad

1297
00:57:37,960 --> 00:57:41,440
Speaker 2: G unit album like they all did the numbers, but

1298
00:57:41,480 --> 00:57:43,280
Speaker 2: if you go back, that's all nobody was.

1299
00:57:43,240 --> 00:57:47,040
Speaker 3: Whack nobody and nobody had as that were actually quality.

1300
00:57:47,120 --> 00:57:49,360
Speaker 1: All of that collectively cool, great ship.

1301
00:57:49,720 --> 00:57:53,040
Speaker 4: Y'all think that when Drake dropped in his first five years,

1302
00:57:53,360 --> 00:57:55,240
Speaker 4: is not better than all of that shit you talking about?

1303
00:57:55,280 --> 00:57:57,120
Speaker 1: Five album is?

1304
00:57:57,160 --> 00:58:00,200
Speaker 3: I don't think his favorite, fair conversation, you did break

1305
00:58:00,200 --> 00:58:02,400
Speaker 3: first album is better than get Richard dot trying. No,

1306
00:58:02,440 --> 00:58:05,120
Speaker 3: you don't, then it's over. The conversation is over. And

1307
00:58:05,200 --> 00:58:08,000
Speaker 3: that's not because if you if your first album album

1308
00:58:08,160 --> 00:58:10,919
Speaker 3: and you think your second album better than the massacre, yes,

1309
00:58:11,840 --> 00:58:16,520
Speaker 3: hell yeah, test mixtape so Far Gone, Like what are

1310
00:58:16,520 --> 00:58:19,200
Speaker 3: we talking about? Well, that wasn't his first album. I'm

1311
00:58:19,200 --> 00:58:21,400
Speaker 3: just a wauch the second album right me Later. It

1312
00:58:21,440 --> 00:58:22,520
Speaker 3: is his first album, Thank you Me Late.

1313
00:58:22,520 --> 00:58:23,880
Speaker 4: This is his first album, and saying so Far Gone

1314
00:58:23,880 --> 00:58:24,919
Speaker 4: came out with the year before.

1315
00:58:25,520 --> 00:58:26,920
Speaker 2: Here's the thing with if you want to go with

1316
00:58:26,920 --> 00:58:29,160
Speaker 2: the run I've set on record, I think you could

1317
00:58:29,240 --> 00:58:31,360
Speaker 2: argue so Far Gone is one of the best mixtapes ever,

1318
00:58:31,440 --> 00:58:32,920
Speaker 2: but it also.

1319
00:58:35,320 --> 00:58:37,320
Speaker 1: Fifty cents The future got So Far Gone is the

1320
00:58:37,320 --> 00:58:43,920
Speaker 1: best mixtape ever. Nah, what so Far Gone? And that

1321
00:58:43,920 --> 00:58:45,480
Speaker 1: ship ain't better than gee you and it is the

1322
00:58:45,480 --> 00:58:46,080
Speaker 1: future to me.

1323
00:58:46,280 --> 00:58:48,080
Speaker 2: Get the funk out which gets me back to me

1324
00:58:48,280 --> 00:58:50,240
Speaker 2: is my favorite mixtape. Ball time that guy get out.

1325
00:58:50,880 --> 00:58:52,480
Speaker 2: I wish that's what you get out the club bitch

1326
00:58:52,480 --> 00:58:54,720
Speaker 2: and all that on it So Far Gone. Yeah, niggas

1327
00:58:54,720 --> 00:58:57,240
Speaker 2: remember what was on So Far Gone? Yeah, I just

1328
00:58:57,240 --> 00:58:58,320
Speaker 2: wish successful.

1329
00:58:58,760 --> 00:59:02,040
Speaker 3: That's maybe like crazy a man that heard Drake when

1330
00:59:02,040 --> 00:59:05,800
Speaker 3: I first heard that, even better than some niggas entire discographies.

1331
00:59:06,880 --> 00:59:08,960
Speaker 2: No, a lot of people will say that that's Drake's

1332
00:59:08,960 --> 00:59:12,560
Speaker 2: actual classic is going. I wish it didn't come from you.

1333
00:59:12,720 --> 00:59:15,480
Speaker 2: Pause because I've said that when we've just been all

1334
00:59:15,480 --> 00:59:18,640
Speaker 2: your mixtapes. I think people don't realize that why you

1335
00:59:18,800 --> 00:59:21,640
Speaker 2: didn't come from me, because people just think you're biased.

1336
00:59:21,640 --> 00:59:25,640
Speaker 2: And that's all we're talking about. The music exists, the

1337
00:59:25,640 --> 00:59:27,800
Speaker 2: ship is out, Like what do we go listen to it?

1338
00:59:27,840 --> 00:59:29,680
Speaker 2: I'm saying when I first heard that nigga Drake on

1339
00:59:29,760 --> 00:59:30,720
Speaker 2: that you the best.

1340
00:59:30,760 --> 00:59:31,720
Speaker 1: I ain't like that, nigga.

1341
00:59:31,720 --> 00:59:34,240
Speaker 3: I say, Yo, this ship is trash, and by the

1342
00:59:34,280 --> 00:59:36,880
Speaker 3: time I heard that shit on So Far Gone, it

1343
00:59:36,960 --> 00:59:40,040
Speaker 3: seemed like I knew the whole Songe put the key

1344
00:59:40,120 --> 00:59:43,160
Speaker 3: under I was on. I was like, oh shit, this

1345
00:59:43,240 --> 00:59:45,920
Speaker 3: is fire. It's like I never heard it before, but

1346
00:59:46,320 --> 00:59:48,640
Speaker 3: I knew. No, I don't go for that.

1347
00:59:48,840 --> 00:59:49,120
Speaker 1: Wow.

1348
00:59:49,520 --> 00:59:53,440
Speaker 2: Yeah, guess who's back? Roden Apple Junie. That's what's up.

1349
00:59:53,480 --> 00:59:55,720
Speaker 2: You're not like me, fifty bars. Your life's on the line.

1350
00:59:55,760 --> 00:59:57,680
Speaker 2: Half these records made it. Don't get rich. Let's just

1351
00:59:57,680 --> 00:59:59,960
Speaker 2: start there. This mixtape. Half of it is get rich.

1352
01:00:00,840 --> 01:00:02,720
Speaker 2: You're not like me, fifty bars, your life on the line.

1353
01:00:02,720 --> 01:00:04,880
Speaker 2: Get out the club, bitch, be a gentleman. Fuck you

1354
01:00:05,240 --> 01:00:08,320
Speaker 2: too hot with Nas and Nature, who you rep Na's

1355
01:00:08,360 --> 01:00:11,720
Speaker 2: Brave Hearts, Cornerboadegga, Ghetto Koran as the world turn has

1356
01:00:11,800 --> 01:00:15,840
Speaker 2: going to be? Who could freestyle Stretch Armstrong freestyle do

1357
01:00:15,920 --> 01:00:18,680
Speaker 2: w free This This is the best to me, is

1358
01:00:18,720 --> 01:00:19,320
Speaker 2: the greatest.

1359
01:00:19,080 --> 01:00:20,920
Speaker 1: Mixtape of all that is better than a Drake mix

1360
01:00:21,000 --> 01:00:22,720
Speaker 1: fifty great that.

1361
01:00:23,280 --> 01:00:24,800
Speaker 2: I'm not saying that So Far Going, it's not in

1362
01:00:24,840 --> 01:00:27,040
Speaker 2: a conversation, but this is the greatest mixtape that's ever

1363
01:00:27,040 --> 01:00:27,680
Speaker 2: been put together.

1364
01:00:29,440 --> 01:00:30,520
Speaker 1: I don't know if I'm rolling with that.

1365
01:00:32,320 --> 01:00:34,479
Speaker 3: But that's why this is beautiful had a conversation because

1366
01:00:34,480 --> 01:00:37,080
Speaker 3: we all have different perspectives and different music that we like.

1367
01:00:37,120 --> 01:00:39,960
Speaker 3: You know what I'm saying, It was so successful besides

1368
01:00:39,960 --> 01:00:42,240
Speaker 3: successful and so far going is flawless.

1369
01:00:42,280 --> 01:00:44,960
Speaker 6: You don't you you you must not be familiar. Well,

1370
01:00:45,080 --> 01:00:47,040
Speaker 6: you need to go go back and revisit it the

1371
01:00:47,080 --> 01:00:49,439
Speaker 6: so far going shit. You need to you're even talking

1372
01:00:49,440 --> 01:00:51,040
Speaker 6: about successful, you need to go back and read.

1373
01:00:51,120 --> 01:00:53,840
Speaker 2: Also, weird comparison because I think it's the first mixtape

1374
01:00:53,880 --> 01:00:58,160
Speaker 2: that like really merged from from an artist itself, not

1375
01:00:58,200 --> 01:01:00,720
Speaker 2: a DJ that merged R and B and wrap the

1376
01:01:00,720 --> 01:01:03,240
Speaker 2: way Drake did on that. So it's it's a weird

1377
01:01:03,680 --> 01:01:05,960
Speaker 2: half the album is R and B Like, yeah, that's

1378
01:01:06,240 --> 01:01:09,160
Speaker 2: so I'm not going to me having our mind ninety

1379
01:01:09,200 --> 01:01:11,560
Speaker 2: nine point ninety nine mixtapes is in.

1380
01:01:11,560 --> 01:01:15,120
Speaker 4: My music just music? Forget if it's R and B

1381
01:01:15,160 --> 01:01:17,440
Speaker 4: a rap. We're talking about the best body of music

1382
01:01:17,480 --> 01:01:18,160
Speaker 4: on the mixtape.

1383
01:01:18,160 --> 01:01:19,479
Speaker 1: But there's a reason why people don't.

1384
01:01:20,120 --> 01:01:22,640
Speaker 3: You can't really like people would compare it to like

1385
01:01:22,640 --> 01:01:25,640
Speaker 3: Cuttis mixtapes before, they would compare it to to Guess

1386
01:01:25,640 --> 01:01:30,040
Speaker 3: Who's back or Clue mixtapes or shit even Wayne's mixtape series.

1387
01:01:30,720 --> 01:01:33,280
Speaker 3: But it's a mix that mixtape series. Like, yes, it's

1388
01:01:33,320 --> 01:01:35,120
Speaker 3: a mixtape. I'm just saying it's the best mixtape.

1389
01:01:35,160 --> 01:01:37,440
Speaker 4: I'm not saying what it's the best rap mixtape or

1390
01:01:37,480 --> 01:01:40,640
Speaker 4: the best AR I'm saying it's the best mixtape that

1391
01:01:40,800 --> 01:01:44,080
Speaker 4: music on a mixtape was. That's that's better than some albums.

1392
01:01:44,080 --> 01:01:47,680
Speaker 4: Like what are we talking about? That's all I'm saying. Now,

1393
01:01:47,680 --> 01:01:49,200
Speaker 4: if y'all want to go whether it's the best R

1394
01:01:49,240 --> 01:01:51,440
Speaker 4: and B mixtape or best rap okay, then we can

1395
01:01:51,480 --> 01:01:56,120
Speaker 4: have that. I'm saying mixtape period. It's not a commercial album.

1396
01:01:56,480 --> 01:01:57,160
Speaker 4: It's a mixtape.

1397
01:01:57,160 --> 01:01:58,680
Speaker 3: That's a hell of a monkey range right there where

1398
01:01:58,680 --> 01:02:00,160
Speaker 3: you just said, Okay, here's the best mix too.

1399
01:02:00,200 --> 01:02:02,000
Speaker 1: I thought he was on some rap shit. Here's the

1400
01:02:02,000 --> 01:02:04,240
Speaker 1: thing I'm getting. I was back. But I also just like,

1401
01:02:04,840 --> 01:02:05,440
Speaker 1: I don't think.

1402
01:02:05,280 --> 01:02:07,600
Speaker 2: Most completely wrong if you get down to it, the

1403
01:02:07,640 --> 01:02:09,760
Speaker 2: impact that mixtape had. I don't know if there's been

1404
01:02:09,800 --> 01:02:14,320
Speaker 2: a mixtape that had an impact that legitimately, of course

1405
01:02:14,360 --> 01:02:16,120
Speaker 2: it derived from EIGHTA Waits and heart Breaks, but I

1406
01:02:16,120 --> 01:02:18,680
Speaker 2: don't know if there's been a mixtape that changed the

1407
01:02:18,720 --> 01:02:21,840
Speaker 2: trajectory of how music sounds the way so no, it's.

1408
01:02:21,720 --> 01:02:25,720
Speaker 3: Definitely it changed out. Everything, yes, is roperted after that.

1409
01:02:25,920 --> 01:02:28,280
Speaker 3: I tell people that is raped after Drake and so

1410
01:02:28,400 --> 01:02:31,280
Speaker 3: that mystate right there is the one you say, is

1411
01:02:31,320 --> 01:02:31,800
Speaker 3: really it?

1412
01:02:31,800 --> 01:02:33,320
Speaker 1: It's like the music change.

1413
01:02:33,400 --> 01:02:35,720
Speaker 2: Yeah, I agree there, but yeah, So Far Gone was

1414
01:02:35,800 --> 01:02:39,040
Speaker 2: kind of that the same way it pivoted with Fifty

1415
01:02:39,080 --> 01:02:42,400
Speaker 2: and Kanye going face to face and Kanye winning where

1416
01:02:42,400 --> 01:02:45,560
Speaker 2: the nerds beat the streets. That pivot and then right

1417
01:02:45,640 --> 01:02:47,160
Speaker 2: to So Far Gone to me is the next pivot

1418
01:02:47,160 --> 01:02:49,240
Speaker 2: in hip hop. And then you get to the double

1419
01:02:49,400 --> 01:02:53,800
Speaker 2: XL freestyle of twenty fifteen when it was Yady and

1420
01:02:53,840 --> 01:02:55,040
Speaker 2: all them, that was the next pivot.

1421
01:02:55,040 --> 01:02:57,320
Speaker 3: To me, all us street niggas knew Kanye was gonna

1422
01:02:57,320 --> 01:03:00,000
Speaker 3: win that son. The whole world kind of did.

1423
01:03:00,160 --> 01:03:01,760
Speaker 1: And it just we knew that.

1424
01:03:01,840 --> 01:03:04,080
Speaker 3: Like it was like Fifty was like he was feeling

1425
01:03:04,080 --> 01:03:06,480
Speaker 3: itself more than anybody else was feeling him at that moment.

1426
01:03:07,040 --> 01:03:10,680
Speaker 3: It was like, but he had a right to as

1427
01:03:10,680 --> 01:03:12,120
Speaker 3: far as as far as like he had a right.

1428
01:03:12,160 --> 01:03:14,040
Speaker 3: You can't be on your dick more than anybody else's

1429
01:03:14,040 --> 01:03:15,400
Speaker 3: on your dick, thought, I feel like you.

1430
01:03:15,360 --> 01:03:15,840
Speaker 1: Can't do that.

1431
01:03:15,920 --> 01:03:18,240
Speaker 3: It sounds like a biggie bo Yeah, like, you can't

1432
01:03:18,240 --> 01:03:22,720
Speaker 3: do that, bro, that's amazing ball Actually rock my own

1433
01:03:22,800 --> 01:03:24,439
Speaker 3: knocked my own shit, Like I'm on my own dick,

1434
01:03:24,840 --> 01:03:26,360
Speaker 3: you know what I'm saying, Like, you can't do that.

1435
01:03:26,400 --> 01:03:27,160
Speaker 1: Though, I feel like.

1436
01:03:27,120 --> 01:03:30,280
Speaker 3: That's why he messed up with that, But I think

1437
01:03:30,320 --> 01:03:33,600
Speaker 3: fifty knew that too, because Fifty got desperate. Fifty said,

1438
01:03:33,640 --> 01:03:36,439
Speaker 3: Jimmy Ven and Tom Win ship nothing. It wouldn't bob

1439
01:03:36,480 --> 01:03:37,120
Speaker 3: a bunch of them shit.

1440
01:03:37,200 --> 01:03:40,000
Speaker 2: Remember, right towards the end, like the week before everything

1441
01:03:40,080 --> 01:03:43,680
Speaker 2: was dropping, Fifty said, if Kanye wins, I'm gonna quit rap.

1442
01:03:43,680 --> 01:03:45,280
Speaker 1: So if y'all don't buy my album, just no, I'm

1443
01:03:45,320 --> 01:03:48,320
Speaker 1: never rapping again. He knew what was going on. We

1444
01:03:48,400 --> 01:03:49,800
Speaker 1: all knew that Fifty was going to lose that.

1445
01:03:50,800 --> 01:03:52,440
Speaker 2: And if you get down, like as much as I

1446
01:03:52,520 --> 01:03:56,040
Speaker 2: like Curtis though, you're dealing with graduation, Like what are

1447
01:03:56,040 --> 01:03:56,680
Speaker 2: we talking about?

1448
01:03:56,760 --> 01:03:58,880
Speaker 1: It was just a different moment like that, Kanye. The

1449
01:03:58,920 --> 01:03:59,840
Speaker 1: world was shifting.

1450
01:04:00,080 --> 01:04:03,000
Speaker 3: Yeah, everything the Internet came like, everything was different.

1451
01:04:03,000 --> 01:04:05,439
Speaker 1: That was the clash of the trolls. Though. Soldier Boy

1452
01:04:05,560 --> 01:04:09,320
Speaker 1: was lit. Yeah, hell yeah, there was no about that.

1453
01:04:09,760 --> 01:04:11,520
Speaker 1: He was lit and that's what he was seven. He

1454
01:04:11,600 --> 01:04:12,080
Speaker 1: still was.

1455
01:04:12,240 --> 01:04:14,520
Speaker 6: He popped off earlier, but that was like kind of

1456
01:04:14,520 --> 01:04:16,040
Speaker 6: like his prime seven.

1457
01:04:16,160 --> 01:04:18,320
Speaker 3: Yeah, Crank that Soldiers I remember. I remember watching all

1458
01:04:18,320 --> 01:04:19,160
Speaker 3: of these videos.

1459
01:04:18,920 --> 01:04:30,040
Speaker 1: At the same time. Yeah, like, did you catch that

1460
01:04:30,120 --> 01:04:35,040
Speaker 1: on that don't never Netflix?

1461
01:04:35,120 --> 01:04:40,240
Speaker 3: Nick fuck he talking about cranked that on Netflix. You

1462
01:04:40,280 --> 01:04:42,640
Speaker 3: were in jail at that time. Yeah, you were in jail,

1463
01:04:44,920 --> 01:04:47,320
Speaker 3: jail when he was born in oh two. I came

1464
01:04:47,360 --> 01:04:49,760
Speaker 3: on with twenty twenty. Yeah, so all this ship we

1465
01:04:49,800 --> 01:04:51,080
Speaker 3: talked about, I was.

1466
01:04:53,000 --> 01:04:56,280
Speaker 1: Everything. Everything we're talking about. He was in jail for.

1467
01:04:56,680 --> 01:04:58,320
Speaker 1: You know, how to do the whole You learned how

1468
01:04:58,320 --> 01:05:00,520
Speaker 1: to do the Soldier boy in jail. I just want

1469
01:05:00,520 --> 01:05:06,080
Speaker 1: to do that part working out yourself.

1470
01:05:06,080 --> 01:05:15,240
Speaker 3: Like your listen House of the Spousing, Windy Windy. That's upstate, right,

1471
01:05:15,280 --> 01:05:16,840
Speaker 3: so it's mad like that's the prefact spot for the

1472
01:05:16,880 --> 01:05:20,479
Speaker 3: upstate nigga Bufalo niggas, Rochester niggas, So they on different

1473
01:05:20,520 --> 01:05:22,200
Speaker 3: type of time to see the niggas anyway you are

1474
01:05:22,960 --> 01:05:25,400
Speaker 3: sign them niggas used to be coming out this cell.

1475
01:05:25,720 --> 01:05:27,360
Speaker 3: They making fun of the nigga and all that.

1476
01:05:28,120 --> 01:05:30,400
Speaker 1: You you that.

1477
01:05:30,480 --> 01:05:33,240
Speaker 3: Shi it was hilarious. You are worried about Bubb Sun

1478
01:05:34,280 --> 01:05:37,680
Speaker 3: Sol Boy. They was doing you in prison just so big.

1479
01:05:41,280 --> 01:05:43,520
Speaker 1: Was there you the first nigga to have niggas doing

1480
01:05:43,560 --> 01:05:44,480
Speaker 1: your dancy.

1481
01:05:44,280 --> 01:05:53,920
Speaker 3: Jail Big Draco straight up, that is hilarious.

1482
01:05:54,000 --> 01:05:56,720
Speaker 1: Hit the cell. The niggas is doing that. Niggas come out, they're.

1483
01:05:56,480 --> 01:06:01,800
Speaker 3: Like your mother said, niggs beat the little niggas had

1484
01:06:01,880 --> 01:06:06,160
Speaker 3: niggas crying, Oh my god. All that ship was the

1485
01:06:06,160 --> 01:06:09,000
Speaker 3: same time though, like oh seven Man, Soldier Boy fifty

1486
01:06:09,040 --> 01:06:09,960
Speaker 3: and Kanye.

1487
01:06:09,680 --> 01:06:12,600
Speaker 1: Going at it. Yeah, you can have whatever you like.

1488
01:06:13,160 --> 01:06:15,400
Speaker 1: All that ship was like the same time. You remember Circario.

1489
01:06:15,960 --> 01:06:22,760
Speaker 1: Of course Caio you the magazine Nigga the same reason.

1490
01:06:22,800 --> 01:06:24,880
Speaker 2: Whether we're talking off Mike with Nos going on that

1491
01:06:24,920 --> 01:06:26,480
Speaker 2: rent about Angie.

1492
01:06:26,760 --> 01:06:31,040
Speaker 1: He seemed to rap with us. He rapped a lot like,

1493
01:06:31,080 --> 01:06:34,560
Speaker 1: oh you remember Sakaria, you heard this ship. I probably

1494
01:06:34,560 --> 01:06:35,040
Speaker 1: got to hear.

1495
01:06:37,560 --> 01:06:41,040
Speaker 3: The niggas with the nigga from b More know we

1496
01:06:41,440 --> 01:06:44,840
Speaker 3: that was with Jim Jones and the niggah. Yeah, I

1497
01:06:44,840 --> 01:06:48,240
Speaker 3: remember named Billy Ba sound just like whole You're crazy

1498
01:06:48,240 --> 01:06:51,640
Speaker 3: Billy Bath. He used to sound. I had some every

1499
01:06:51,680 --> 01:06:53,240
Speaker 3: tape they used to come out mixed. Sib used to

1500
01:06:53,280 --> 01:06:55,000
Speaker 3: be on that ship. Sounded just like O you.

1501
01:06:55,080 --> 01:06:57,160
Speaker 2: Brought up Billy Bath Gate on this podcast before. I

1502
01:06:57,200 --> 01:06:58,800
Speaker 2: was like, yo, how did that name even.

1503
01:06:58,640 --> 01:07:01,920
Speaker 3: Billy bath Gate? I remember Billy back, I remember everything.

1504
01:07:01,960 --> 01:07:03,240
Speaker 3: So I used to be looking for them niggas. I

1505
01:07:03,280 --> 01:07:05,920
Speaker 3: used to want to rhyme against them niggas, all them niggas, niggas,

1506
01:07:05,920 --> 01:07:07,760
Speaker 3: some of your j miles looking for niggas. I'm looking

1507
01:07:07,760 --> 01:07:12,720
Speaker 3: for him, looking for he was jumping out in niggas hoods. Yeah,

1508
01:07:12,800 --> 01:07:14,600
Speaker 3: he was looking for niggas. He hear you nicey coming

1509
01:07:14,640 --> 01:07:16,280
Speaker 3: through your hood. His men got the camera. I was

1510
01:07:16,360 --> 01:07:17,520
Speaker 3: uptaying looking for them niggas.

1511
01:07:17,560 --> 01:07:17,760
Speaker 1: Yeah.

1512
01:07:17,880 --> 01:07:20,320
Speaker 4: But that's the part of bat the rap that niggas

1513
01:07:20,320 --> 01:07:22,840
Speaker 4: don't really talk or know about, is that when nigga

1514
01:07:22,840 --> 01:07:25,960
Speaker 4: should literally go to niggas blocks. Yes, Like I tell

1515
01:07:26,000 --> 01:07:27,919
Speaker 4: niggas like Rex and all of them, they come from

1516
01:07:27,960 --> 01:07:31,240
Speaker 4: that like Rex move. Look, they literally would walk to

1517
01:07:31,320 --> 01:07:33,560
Speaker 4: go to whoever block. Like, imagine that, I'm going to

1518
01:07:33,600 --> 01:07:34,400
Speaker 4: somebody's blocks.

1519
01:07:34,400 --> 01:07:36,200
Speaker 3: Twelve of them niggas, thirteen of them minute, and we

1520
01:07:36,280 --> 01:07:39,680
Speaker 3: just standing on the corner waiting for a niggas hear something.

1521
01:07:39,760 --> 01:07:40,480
Speaker 1: You know, how you look?

1522
01:07:40,640 --> 01:07:43,200
Speaker 3: None of that? He'd be asking you, yo, you know Rory,

1523
01:07:43,520 --> 01:07:46,680
Speaker 3: Like no, I don't know him, like you rap so

1524
01:07:46,920 --> 01:07:48,280
Speaker 3: like his man's and him come.

1525
01:07:48,280 --> 01:07:50,240
Speaker 1: Back like you was looking for Rory. Yeah, him right there.

1526
01:07:50,280 --> 01:07:51,040
Speaker 1: I just asked, y'all.

1527
01:07:51,120 --> 01:07:54,160
Speaker 2: Yeah, I mean that was that was nails and move.

1528
01:07:54,800 --> 01:07:56,680
Speaker 2: They put it on camera of what was happening at

1529
01:07:56,680 --> 01:07:59,600
Speaker 2: that point the State building. Yeah, that was like that

1530
01:07:59,720 --> 01:08:02,200
Speaker 2: was the last to me, like when that was at

1531
01:08:02,200 --> 01:08:04,520
Speaker 2: a big screen they were doing at.

1532
01:08:04,360 --> 01:08:06,160
Speaker 1: A chance to see that, your mind. I got niggas

1533
01:08:06,240 --> 01:08:08,160
Speaker 1: up north that all of the battle raps. They know

1534
01:08:08,360 --> 01:08:09,280
Speaker 1: every battle rap.

1535
01:08:09,800 --> 01:08:12,360
Speaker 3: They come like you could tell a nigga anybody you named,

1536
01:08:12,360 --> 01:08:14,560
Speaker 3: like yo, te Top, let me hear some T top shit.

1537
01:08:14,600 --> 01:08:16,080
Speaker 1: He know it like they know everything.

1538
01:08:16,360 --> 01:08:17,960
Speaker 3: When I first got a chance to see that shit

1539
01:08:18,000 --> 01:08:19,400
Speaker 3: in front of the State building out, that's like some

1540
01:08:19,439 --> 01:08:21,719
Speaker 3: ship that I was mad. I wasn't around for classes.

1541
01:08:22,760 --> 01:08:25,920
Speaker 3: That's to me to class battle. Yeah, that's a classic ship.

1542
01:08:26,360 --> 01:08:28,040
Speaker 1: I was looking at this like, damn, I'm mad.

1543
01:08:28,080 --> 01:08:31,040
Speaker 3: I wasn't there to throw back on every big ass

1544
01:08:31,080 --> 01:08:31,960
Speaker 3: hat like I was mad.

1545
01:08:32,000 --> 01:08:32,559
Speaker 1: I wasn't giff.

1546
01:08:32,680 --> 01:08:34,880
Speaker 4: That's when it because now now battle rap is different,

1547
01:08:34,880 --> 01:08:35,800
Speaker 4: it's more performative.

1548
01:08:35,840 --> 01:08:39,240
Speaker 1: Now now it's like spoken word. It's a lot of theatrics.

1549
01:08:39,760 --> 01:08:41,640
Speaker 2: But but that kind of derived from from Mills and

1550
01:08:41,680 --> 01:08:43,760
Speaker 2: Mook to me, from that battle and even kind of

1551
01:08:43,760 --> 01:08:46,439
Speaker 2: with Serrius Jones and we're doing Lux and Mouk were doing.

1552
01:08:46,520 --> 01:08:49,840
Speaker 4: No, because when Mills and moved that battle, those balls

1553
01:08:49,840 --> 01:08:52,280
Speaker 4: could be tailored for anybody. That rap now it was

1554
01:08:52,280 --> 01:08:56,519
Speaker 4: a specific. Now it's more tailored for the individual would

1555
01:08:56,520 --> 01:08:59,599
Speaker 4: have spit. But they would have told me the same

1556
01:08:59,640 --> 01:09:01,920
Speaker 4: exact in my hood right it was.

1557
01:09:02,000 --> 01:09:04,880
Speaker 3: But Mills and MoU they were saying personal ship that

1558
01:09:05,120 --> 01:09:06,880
Speaker 3: they said his government name in that.

1559
01:09:06,920 --> 01:09:07,680
Speaker 1: No, you it was.

1560
01:09:07,720 --> 01:09:09,640
Speaker 4: It was that was in there like most of the

1561
01:09:09,720 --> 01:09:11,920
Speaker 4: rop statement that was, but most of the rap was

1562
01:09:12,000 --> 01:09:13,240
Speaker 4: bars that they could spit at.

1563
01:09:13,439 --> 01:09:14,519
Speaker 1: Oh that No, that's what I'm saying.

1564
01:09:14,520 --> 01:09:16,759
Speaker 2: They're the blueprint of the style now from those battles,

1565
01:09:16,760 --> 01:09:20,599
Speaker 2: because ship Sirius Jones and Mook was all about where

1566
01:09:20,640 --> 01:09:24,280
Speaker 2: Mooke went to school. Even Lux in Mook in that regard.

1567
01:09:24,560 --> 01:09:26,040
Speaker 2: To me, they they're the ones. And even how the

1568
01:09:26,080 --> 01:09:29,200
Speaker 2: style is like they're doing on beasts right now, I

1569
01:09:29,240 --> 01:09:31,360
Speaker 2: don't mind it. I like it a little b Yeah,

1570
01:09:31,360 --> 01:09:34,280
Speaker 2: I don't mind that. I don't know that Battle Rock was.

1571
01:09:34,320 --> 01:09:38,200
Speaker 3: Just the game matter that ship how shurtd up I

1572
01:09:38,240 --> 01:09:41,000
Speaker 3: was trying to sick this nigga on this niggas sink

1573
01:09:41,040 --> 01:09:43,680
Speaker 3: this nigga on that nigga. It was working a little bit,

1574
01:09:44,360 --> 01:09:48,000
Speaker 3: which are battling? Yeah, it was working, which you battle

1575
01:09:50,040 --> 01:09:52,800
Speaker 3: this nigga started talking that sucked my dish and I'm smacking.

1576
01:09:52,640 --> 01:09:55,280
Speaker 1: Out, not playing it. You go back, We go bat.

1577
01:09:55,360 --> 01:09:56,760
Speaker 1: You're gonna tell me, tell me some ship. You would

1578
01:09:56,760 --> 01:09:59,920
Speaker 1: have told me in person in the regular conversation. So ship,

1579
01:10:00,520 --> 01:10:01,880
Speaker 1: you tell me to suck your digg on.

1580
01:10:02,000 --> 01:10:04,800
Speaker 3: My mom's and I'm smapping out of me. I don't

1581
01:10:04,840 --> 01:10:07,200
Speaker 3: care about how much money that was on this stage.

1582
01:10:07,240 --> 01:10:08,639
Speaker 3: None of that you ain't gonna tell you ain't getting

1583
01:10:08,640 --> 01:10:11,599
Speaker 3: that off. I ain't playing your I don't play sports

1584
01:10:11,600 --> 01:10:13,880
Speaker 3: for certain reasons. Nigga, take a cheap shot. We ain't

1585
01:10:13,880 --> 01:10:18,040
Speaker 3: getting green in the NBA. I ain't elbow me in

1586
01:10:18,080 --> 01:10:21,520
Speaker 3: my arm pulls. Oh yo, we're playing basket now, popping.

1587
01:10:21,200 --> 01:10:24,040
Speaker 1: You over this ship, nigga, that's a cheap shot. You

1588
01:10:24,080 --> 01:10:25,760
Speaker 1: want to did that? You want to elbow me.

1589
01:10:25,840 --> 01:10:28,080
Speaker 3: We was just talking, but now you get to get

1590
01:10:28,080 --> 01:10:30,840
Speaker 3: an l I'm not doing that, So that's why I

1591
01:10:30,880 --> 01:10:32,160
Speaker 3: wouldn't do that ship.

1592
01:10:33,160 --> 01:10:37,120
Speaker 2: The understanding is that nobody actually means this ship and

1593
01:10:37,280 --> 01:10:37,679
Speaker 2: don't matter.

1594
01:10:37,800 --> 01:10:39,520
Speaker 1: We mean entertainment purposes.

1595
01:10:39,840 --> 01:10:41,439
Speaker 3: Now, just don't tell me to suck your wei and

1596
01:10:41,520 --> 01:10:45,760
Speaker 3: we you can say that I'm saying, do your thing.

1597
01:10:45,840 --> 01:10:47,240
Speaker 3: I'm saying, but don't tell me that ship.

1598
01:10:47,200 --> 01:10:51,679
Speaker 1: That's in the contract. It's a lot like that ship. Yeah,

1599
01:10:52,040 --> 01:10:56,360
Speaker 1: I like that ship. And putting my con in minds

1600
01:10:56,400 --> 01:10:56,880
Speaker 1: that if.

1601
01:10:56,720 --> 01:10:58,320
Speaker 3: He's saying and I smacked the ship out of him,

1602
01:10:58,320 --> 01:10:59,160
Speaker 3: I can still get my money.

1603
01:10:59,240 --> 01:11:02,479
Speaker 1: All still keep on mind straight up? Oh my god,

1604
01:11:03,960 --> 01:11:08,160
Speaker 1: that's hilarriicus. Do we have voicemails sponsored by boost?

1605
01:11:08,560 --> 01:11:12,599
Speaker 7: You've got male best podcast in the world, my favorite

1606
01:11:12,640 --> 01:11:15,599
Speaker 7: podcast in the world. I watch Out Faithfully with a Baby.

1607
01:11:15,680 --> 01:11:19,679
Speaker 7: D is Mitch from Atlanta. I just I got ninety seconds,

1608
01:11:19,720 --> 01:11:21,280
Speaker 7: so I'm finished. Just try to hurry up and do

1609
01:11:21,360 --> 01:11:23,160
Speaker 7: the shit. But all right, say you with a woman

1610
01:11:23,200 --> 01:11:25,479
Speaker 7: for five years. You're in our relationship for five years period,

1611
01:11:25,720 --> 01:11:28,160
Speaker 7: and you know what I'm saying, y'all love each other,

1612
01:11:28,240 --> 01:11:30,320
Speaker 7: y'all best friends. Y'all don't have a whole lot of

1613
01:11:30,400 --> 01:11:34,080
Speaker 7: first experiences together. That what the Mexico cruises all kinds

1614
01:11:34,080 --> 01:11:38,840
Speaker 7: of shit. But during that five years, y'all have also

1615
01:11:38,960 --> 01:11:42,879
Speaker 7: been very toxic and y'all drink every time, y'all.

1616
01:11:42,720 --> 01:11:44,559
Speaker 1: Together tequila shots. Oh, it's lit.

1617
01:11:44,640 --> 01:11:47,760
Speaker 7: We watch the batties, we drinking whatever whatever. Right, So

1618
01:11:48,080 --> 01:11:51,160
Speaker 7: it was one night where she sees a pair of

1619
01:11:51,200 --> 01:11:55,400
Speaker 7: pennies in my closet and I, you know, I confuse.

1620
01:11:55,560 --> 01:11:58,120
Speaker 7: I thought they were hurts. But I also have a

1621
01:11:58,240 --> 01:12:00,560
Speaker 7: child to my son's mother. She used to live with me,

1622
01:12:00,720 --> 01:12:02,680
Speaker 7: like seven eight years ago, or whatever the case may be.

1623
01:12:02,800 --> 01:12:04,320
Speaker 7: So I thought I thought I got rid of all

1624
01:12:04,360 --> 01:12:08,200
Speaker 7: her shit. It's very easy if storyware medium, it's very

1625
01:12:08,280 --> 01:12:11,920
Speaker 7: easy to just oversee that little article of clothing. At

1626
01:12:12,000 --> 01:12:14,560
Speaker 7: least that's I mean, that's how I feel, you know

1627
01:12:14,600 --> 01:12:16,120
Speaker 7: what I'm saying. But she she thought it was some

1628
01:12:16,200 --> 01:12:18,000
Speaker 7: new shit. I've never cheated on hind in my life,

1629
01:12:18,400 --> 01:12:20,280
Speaker 7: and I don't cheat. I don't do that, you know

1630
01:12:20,320 --> 01:12:23,800
Speaker 7: what I'm saying. But she pours pissed in my face

1631
01:12:23,920 --> 01:12:27,240
Speaker 7: when she sees these panties. We ain't talked for five

1632
01:12:27,320 --> 01:12:31,559
Speaker 7: six months after that. Now we're back in each other's lives,

1633
01:12:31,760 --> 01:12:34,800
Speaker 7: and I don't know if I should be doing this

1634
01:12:34,960 --> 01:12:35,280
Speaker 7: right now.

1635
01:12:35,439 --> 01:12:37,479
Speaker 1: Y'all tell me Valentine's a coming up. I'm trying to

1636
01:12:37,479 --> 01:12:39,679
Speaker 1: figure it out, all.

1637
01:12:39,640 --> 01:12:43,400
Speaker 2: Right, we'll not cleaning your closet out in over five years.

1638
01:12:43,600 --> 01:12:45,519
Speaker 2: I don't know if there's much difference with piss being

1639
01:12:45,560 --> 01:12:46,559
Speaker 2: on you because you're dirty.

1640
01:12:49,840 --> 01:12:50,320
Speaker 1: They was clean.

1641
01:12:50,520 --> 01:12:52,080
Speaker 4: Yeah, he probably didn't go to the back of the close.

1642
01:12:52,080 --> 01:12:53,840
Speaker 4: There's probably in a box or something in the back

1643
01:12:53,880 --> 01:12:54,400
Speaker 4: of the closet.

1644
01:12:54,520 --> 01:12:55,679
Speaker 1: Like they started.

1645
01:12:55,760 --> 01:12:57,960
Speaker 2: They were together for five years, which means there was time.

1646
01:12:58,160 --> 01:13:01,920
Speaker 2: It's probably six years. He's not even looked in his closet.

1647
01:13:02,600 --> 01:13:04,759
Speaker 3: Yeah, but they was in the little box in the closet,

1648
01:13:04,840 --> 01:13:06,040
Speaker 3: like the top of the closet, like you just you

1649
01:13:06,080 --> 01:13:06,839
Speaker 3: don't know that they're.

1650
01:13:06,680 --> 01:13:07,040
Speaker 1: In there.

1651
01:13:08,439 --> 01:13:11,719
Speaker 6: Six years or he thought, Yeah, he said he probably

1652
01:13:11,720 --> 01:13:13,280
Speaker 6: overlooked it. He could have thought they were hers, like.

1653
01:13:13,520 --> 01:13:18,240
Speaker 4: Thought that was her doron't pissing somebody faces? That's drop

1654
01:13:19,000 --> 01:13:23,800
Speaker 4: pants likes like, yeah, pissing somebody's face.

1655
01:13:24,160 --> 01:13:25,880
Speaker 1: No, I think that's absolutely And like what she did

1656
01:13:25,920 --> 01:13:28,320
Speaker 1: she pissed in the cup like like or did she

1657
01:13:29,320 --> 01:13:33,439
Speaker 1: she felony? Yeah, See at the same time, she supposed

1658
01:13:33,479 --> 01:13:36,000
Speaker 1: to not be here, no more like you're supposed to it.

1659
01:13:36,120 --> 01:13:38,719
Speaker 2: That's a different that's a felony son, that's a different

1660
01:13:38,800 --> 01:13:40,519
Speaker 2: level of thinking to think about how bad. You have

1661
01:13:40,600 --> 01:13:44,000
Speaker 2: to piss in what size cup you grabbed from the cupboard, Like, nah,

1662
01:13:44,120 --> 01:13:44,920
Speaker 2: this one's too small.

1663
01:13:45,640 --> 01:13:46,640
Speaker 1: I gotta really pissed, like.

1664
01:13:46,680 --> 01:13:48,960
Speaker 4: And so she put a cup and like squatted over

1665
01:13:49,000 --> 01:13:50,439
Speaker 4: the toilet and then went in the room and threw,

1666
01:13:50,479 --> 01:13:51,160
Speaker 4: pissing his face.

1667
01:13:51,200 --> 01:13:53,080
Speaker 1: She could have just peed in the toilet and then.

1668
01:13:54,600 --> 01:13:54,960
Speaker 3: Out of the.

1669
01:13:57,680 --> 01:14:00,559
Speaker 1: A't as mad if don matter in.

1670
01:14:00,520 --> 01:14:04,240
Speaker 2: The toilet, no matter how much you clean. Yeah, scooping

1671
01:14:04,280 --> 01:14:08,080
Speaker 2: the water and the pitch is worse, they tell you

1672
01:14:08,200 --> 01:14:10,680
Speaker 2: they And he didn't clean his closet in six years.

1673
01:14:10,680 --> 01:14:11,959
Speaker 2: I'm sure his toilets aren't.

1674
01:14:11,760 --> 01:14:16,160
Speaker 1: Up to dig. Yeah, I throwing and then he back

1675
01:14:16,200 --> 01:14:19,040
Speaker 1: with her, So my Valentine's Day coming up? That thing,

1676
01:14:19,280 --> 01:14:22,280
Speaker 1: that thing by back no more that thing by back,

1677
01:14:22,479 --> 01:14:26,560
Speaker 1: snapper or niggas just be like insecure. I don't know.

1678
01:14:26,640 --> 01:14:28,320
Speaker 4: It's one of the other, either that pussy fire or

1679
01:14:28,360 --> 01:14:30,960
Speaker 4: he just insecure. He's supposed to be in jail.

1680
01:14:31,240 --> 01:14:34,120
Speaker 6: He said it's been toxic though, so like he likes

1681
01:14:34,200 --> 01:14:36,240
Speaker 6: toxic shit, because he said the relationship was toxic. They're

1682
01:14:36,240 --> 01:14:38,680
Speaker 6: always drunk together, like it's one of those but.

1683
01:14:38,760 --> 01:14:41,519
Speaker 3: For five years, you live together for five years and

1684
01:14:41,560 --> 01:14:44,120
Speaker 3: all y'all do is take tequila shots and watch baddies.

1685
01:14:44,160 --> 01:14:47,240
Speaker 1: You should drop dead. Yeah, Oh my god, are you

1686
01:14:47,400 --> 01:14:49,800
Speaker 1: cool today? No, I'm talking about how the human body works.

1687
01:14:49,960 --> 01:14:53,080
Speaker 2: Oh, for five years, y'all live together, and all y'all

1688
01:14:53,120 --> 01:14:55,320
Speaker 2: do for five years is take tequila shots.

1689
01:14:55,360 --> 01:14:57,160
Speaker 6: And he's not saying all y'all do. He just says,

1690
01:14:57,240 --> 01:14:59,200
Speaker 6: usually we'll wear together with drunk.

1691
01:14:59,200 --> 01:15:00,840
Speaker 3: A lot A lot of people was a relationship for

1692
01:15:01,000 --> 01:15:03,680
Speaker 3: five should they went to Mexico cruises.

1693
01:15:04,400 --> 01:15:06,120
Speaker 1: May be doing all of that five years.

1694
01:15:06,400 --> 01:15:10,240
Speaker 3: That void that you throw to my face, I don't

1695
01:15:10,280 --> 01:15:11,880
Speaker 3: care how many cruises about, none of that.

1696
01:15:12,280 --> 01:15:14,639
Speaker 1: Y'all getting into too much other ship. You throw pissing

1697
01:15:14,720 --> 01:15:15,120
Speaker 1: my face.

1698
01:15:15,240 --> 01:15:18,800
Speaker 4: Our entire data is deleted sponsored by Boostsmoe Unlimited Talk

1699
01:15:18,840 --> 01:15:21,479
Speaker 4: connection that you throw pissing my face, All of that

1700
01:15:21,600 --> 01:15:22,080
Speaker 4: is deleted.

1701
01:15:22,360 --> 01:15:26,360
Speaker 3: Calling for the account number. Yeah, you throw pissing calling

1702
01:15:26,400 --> 01:15:28,240
Speaker 3: for the account number. You could have slapped me. You

1703
01:15:28,280 --> 01:15:32,040
Speaker 3: could have like throw piss in my face. Nah, man,

1704
01:15:32,080 --> 01:15:32,840
Speaker 3: were not back together.

1705
01:15:32,840 --> 01:15:35,400
Speaker 4: Ain't no back together because he did all that and

1706
01:15:35,479 --> 01:15:37,280
Speaker 4: it was like, so, yeah, we're back together now.

1707
01:15:37,520 --> 01:15:39,280
Speaker 1: Valentine's Day is coming. Me like I feel like I

1708
01:15:39,320 --> 01:15:43,960
Speaker 1: shouldn't be doing this, what's I feel like I shouldn't.

1709
01:15:44,160 --> 01:15:44,439
Speaker 1: I don't know.

1710
01:15:44,640 --> 01:15:47,599
Speaker 2: I don't live in this world because I'm with moll

1711
01:15:47,640 --> 01:15:50,679
Speaker 2: There after someone throws pissing your face, what's the first

1712
01:15:50,720 --> 01:15:51,400
Speaker 2: text message?

1713
01:15:51,960 --> 01:15:52,000
Speaker 3: What?

1714
01:15:52,439 --> 01:15:56,120
Speaker 1: Hey? How do you even get back together after somebody

1715
01:15:56,160 --> 01:15:56,880
Speaker 1: throws pissing your face?

1716
01:15:56,880 --> 01:16:00,920
Speaker 3: You gotta come bail me out because I'm in jail.

1717
01:16:02,120 --> 01:16:05,519
Speaker 3: You got black eyes? Miss you bailing me out? We

1718
01:16:05,720 --> 01:16:09,240
Speaker 3: back together. That's the only way that's gonna work. Yeah,

1719
01:16:09,400 --> 01:16:11,800
Speaker 3: you think you gonna, I'm not. I don't put my

1720
01:16:11,920 --> 01:16:12,679
Speaker 3: hands on women.

1721
01:16:12,800 --> 01:16:13,519
Speaker 1: Be I don't do that.

1722
01:16:13,600 --> 01:16:15,519
Speaker 3: But if you throw piss on you not a lady,

1723
01:16:16,040 --> 01:16:22,559
Speaker 3: that's not you animal. That's a felony. Yeah, you animalish somebody.

1724
01:16:22,600 --> 01:16:24,000
Speaker 1: You can go to jail for that. That's that's a

1725
01:16:24,120 --> 01:16:27,400
Speaker 1: salt in the first degree. That foolish. And to keep it.

1726
01:16:27,520 --> 01:16:30,200
Speaker 2: Even if if a dude threw pissing a girl's face

1727
01:16:30,280 --> 01:16:31,800
Speaker 2: and she stabbed him, I'd be like, well you should

1728
01:16:31,800 --> 01:16:36,920
Speaker 2: have got stabbed one. I don't think there's another result

1729
01:16:37,000 --> 01:16:39,760
Speaker 2: after throwing pissing somebody's face, but violence, Yeah, you can't

1730
01:16:39,800 --> 01:16:40,080
Speaker 2: throw The.

1731
01:16:40,160 --> 01:16:41,800
Speaker 3: Only thing I can say that just make my little

1732
01:16:41,840 --> 01:16:44,639
Speaker 3: shister whoop your ass? Something you gonna get hurt through

1733
01:16:44,720 --> 01:16:44,880
Speaker 3: for that.

1734
01:16:45,720 --> 01:16:47,760
Speaker 1: I'm not. I'm not holding that down. Yeah, I'm not.

1735
01:16:47,840 --> 01:16:49,360
Speaker 1: I can never look you in. All they do is

1736
01:16:49,439 --> 01:16:51,639
Speaker 1: drinks to kill and watch baddies. I know they're not hydrated.

1737
01:16:52,840 --> 01:16:54,640
Speaker 1: Like that yellow bit.

1738
01:16:54,720 --> 01:16:55,479
Speaker 3: That was that? Yeah?

1739
01:16:55,640 --> 01:16:58,040
Speaker 1: Yeah, that was that vitamin water? Yellow?

1740
01:16:58,040 --> 01:17:00,760
Speaker 4: Remember the yellow vitamin water? That is that the energy

1741
01:17:00,800 --> 01:17:05,200
Speaker 4: one should have like been. Yeah, that shit fizzed up

1742
01:17:05,240 --> 01:17:09,200
Speaker 4: like bed too. A hit him in his face, like wow, pissed,

1743
01:17:09,200 --> 01:17:11,479
Speaker 4: bubble sliding man.

1744
01:17:12,120 --> 01:17:15,479
Speaker 1: Crazy. That is crazy to throw pissing somebody's face.

1745
01:17:15,560 --> 01:17:17,720
Speaker 6: If you willing to stay with somebody after they or

1746
01:17:17,800 --> 01:17:19,439
Speaker 6: go back to somebody after they threw pissing your face,

1747
01:17:19,520 --> 01:17:20,559
Speaker 6: y'all probably belong together.

1748
01:17:21,240 --> 01:17:24,120
Speaker 1: Yeah, because nobody have some panties and you'll be drunk.

1749
01:17:24,200 --> 01:17:28,719
Speaker 1: They might be off. You'll be drunk on the drunk.

1750
01:17:29,000 --> 01:17:33,439
Speaker 1: Five years you wild, you bucking, and we be drunk.

1751
01:17:33,479 --> 01:17:34,240
Speaker 1: I would have been.

1752
01:17:35,680 --> 01:17:38,000
Speaker 2: Ship you found panties because y'all said it must be

1753
01:17:38,040 --> 01:17:39,599
Speaker 2: in the back end of a closet, because it takes

1754
01:17:39,600 --> 01:17:40,639
Speaker 2: six years to find the ship.

1755
01:17:41,080 --> 01:17:43,320
Speaker 1: You can't talk your way out of that one. Yeah,

1756
01:17:43,479 --> 01:17:44,120
Speaker 1: I could.

1757
01:17:44,200 --> 01:17:45,920
Speaker 4: I could deal with a lot, but a woman throwing

1758
01:17:45,920 --> 01:17:47,519
Speaker 4: piss I've never put my hands on a woman.

1759
01:17:47,560 --> 01:17:49,880
Speaker 1: A damn my life. A woman throw piss on my face,

1760
01:17:50,280 --> 01:17:52,120
Speaker 1: I will forget everything I'm on the.

1761
01:17:52,160 --> 01:17:55,920
Speaker 3: Side of, no matter what, forgetting spit on nobody. Once

1762
01:17:55,960 --> 01:17:58,680
Speaker 3: spit happens, I feel like it's spit. I would have

1763
01:17:58,720 --> 01:18:03,160
Speaker 3: lived with more than pissed spin I would have definitely

1764
01:18:03,160 --> 01:18:05,760
Speaker 3: been there because my mom, my mom definitely listened. She

1765
01:18:06,000 --> 01:18:07,760
Speaker 3: know I would never might, but if a woman spit

1766
01:18:07,840 --> 01:18:09,720
Speaker 3: my face, my mom would. Sure, you're supposed to knock

1767
01:18:09,760 --> 01:18:10,720
Speaker 3: every two her mouth.

1768
01:18:11,040 --> 01:18:13,080
Speaker 1: Your mother is a very common.

1769
01:18:15,640 --> 01:18:18,880
Speaker 3: My face, My mom, you're supposed to knock every two listen,

1770
01:18:19,320 --> 01:18:20,960
Speaker 3: like like me and my brother had the reputation in

1771
01:18:21,080 --> 01:18:23,560
Speaker 3: her right, hooligan is right. So my little sister she

1772
01:18:23,800 --> 01:18:25,960
Speaker 3: was on some like she is, she installed on some

1773
01:18:26,040 --> 01:18:28,479
Speaker 3: ship because she knows she got two brothers them niggas

1774
01:18:28,479 --> 01:18:29,960
Speaker 3: to go to They don't mind going to jail for

1775
01:18:30,040 --> 01:18:33,400
Speaker 3: murk right. So we used to tell her, though, Yo,

1776
01:18:33,600 --> 01:18:36,120
Speaker 3: you gotta be careful what you do because some niggas

1777
01:18:36,120 --> 01:18:37,840
Speaker 3: they don't They don't care about what your brothers in

1778
01:18:37,880 --> 01:18:40,200
Speaker 3: them at all at all. You put your hands on

1779
01:18:40,240 --> 01:18:42,360
Speaker 3: the nigga might knock you out. Niggam break your jaws.

1780
01:18:42,439 --> 01:18:45,040
Speaker 3: So you gotta be mindful of what you're doing. And

1781
01:18:45,240 --> 01:18:47,920
Speaker 3: clearly she had no male members in her own family

1782
01:18:48,160 --> 01:18:50,320
Speaker 3: to tell her to be because I don't know, like

1783
01:18:50,800 --> 01:18:54,479
Speaker 3: down south. He said he was in Atlanta, right, Yeah, yeah,

1784
01:18:54,720 --> 01:18:56,920
Speaker 3: that country, nigga. I'm surprised he ain't.

1785
01:18:56,880 --> 01:18:59,519
Speaker 4: Drag up yo will his because you found some panties

1786
01:19:00,040 --> 01:19:01,920
Speaker 4: you went to. You didn't slap him in his face,

1787
01:19:02,200 --> 01:19:05,360
Speaker 4: the snuffed me boom. You didn't throw bleach on his clothes.

1788
01:19:06,000 --> 01:19:08,080
Speaker 4: You could have did all of that before squatting over

1789
01:19:08,160 --> 01:19:10,360
Speaker 4: the tub or or the toilet, peeing in the fucking

1790
01:19:10,479 --> 01:19:12,120
Speaker 4: tubleware and throwing it in my.

1791
01:19:12,160 --> 01:19:14,080
Speaker 1: Face like from Atlanta. Could be his kink.

1792
01:19:14,760 --> 01:19:18,479
Speaker 4: Nah, hell no, deep it too. Throwing piss in my face.

1793
01:19:19,080 --> 01:19:21,240
Speaker 4: That's that's that's it's no coming back.

1794
01:19:21,520 --> 01:19:23,479
Speaker 1: You back with her. You might as well give her

1795
01:19:23,520 --> 01:19:26,840
Speaker 1: everything with Valentine's Dad, whatever she like going together.

1796
01:19:27,000 --> 01:19:31,000
Speaker 3: You should have a Valentine's Day, well every month, fuck it,

1797
01:19:31,200 --> 01:19:33,439
Speaker 3: every fourteen for every month, you just go spend a

1798
01:19:33,479 --> 01:19:36,200
Speaker 3: bunch of money on it like that idea. Yeah, all

1799
01:19:36,280 --> 01:19:39,000
Speaker 3: kind of chocolates, you know, I mean, get him some

1800
01:19:39,120 --> 01:19:40,800
Speaker 3: water pills though, So the next time I should do.

1801
01:19:40,840 --> 01:19:44,519
Speaker 1: It and shit, be clear, don't stink and all of that. Yeah,

1802
01:19:44,600 --> 01:19:45,719
Speaker 1: get some water pills.

1803
01:19:45,800 --> 01:19:49,280
Speaker 4: Yeah, yeah, I ain't gonna lie. He better than me,

1804
01:19:49,400 --> 01:19:51,920
Speaker 4: that would better be in my presence ever in her life.

1805
01:19:51,960 --> 01:19:54,280
Speaker 1: I think he's better than everybody we've ever met. Yeah,

1806
01:19:54,320 --> 01:19:56,439
Speaker 1: that's that's I ain't no coming back from that. And

1807
01:19:56,520 --> 01:19:58,360
Speaker 1: he said to me, you're talking about something. I never cheated.

1808
01:19:58,439 --> 01:20:01,120
Speaker 1: She must listen to this podcast. I never cheated, never, never,

1809
01:20:03,520 --> 01:20:04,400
Speaker 1: You'll never cheated. Though.

1810
01:20:04,439 --> 01:20:06,920
Speaker 6: I don't believe him, because why you accept the piss

1811
01:20:06,960 --> 01:20:08,559
Speaker 6: if you never cheated, you want to accept.

1812
01:20:08,360 --> 01:20:08,720
Speaker 1: It that moment.

1813
01:20:08,920 --> 01:20:14,080
Speaker 3: If that's a good point. Still, what if he really

1814
01:20:14,120 --> 01:20:16,480
Speaker 3: really love him? It's been five years.

1815
01:20:16,920 --> 01:20:17,320
Speaker 1: Looking at it.

1816
01:20:19,240 --> 01:20:21,320
Speaker 2: I know, I know love is the most important thing

1817
01:20:21,479 --> 01:20:23,599
Speaker 2: in this world, but I feel like urine being thrown

1818
01:20:23,600 --> 01:20:25,719
Speaker 2: in my face surpasses keeps.

1819
01:20:25,560 --> 01:20:26,559
Speaker 1: The always love.

1820
01:20:26,640 --> 01:20:29,040
Speaker 3: I feel like love is like any other feeling. Nigga

1821
01:20:29,040 --> 01:20:30,600
Speaker 3: will be mad for nig and it will be a

1822
01:20:30,680 --> 01:20:33,360
Speaker 3: love for ever. Nevil that you bugging throw a piss

1823
01:20:33,439 --> 01:20:38,720
Speaker 3: on me straight up in your face. Yeah, anyway on

1824
01:20:38,800 --> 01:20:40,519
Speaker 3: a nigga, but in your face, you chaste it.

1825
01:20:40,640 --> 01:20:43,479
Speaker 1: That you could have peed on my clothes, my bed.

1826
01:20:43,640 --> 01:20:45,519
Speaker 3: You could have did that, but you no, peeing on

1827
01:20:45,600 --> 01:20:50,640
Speaker 3: my bed is crazy. Throwing pits on my face, your

1828
01:20:50,720 --> 01:20:53,759
Speaker 3: face all the time. Now you got a problem.

1829
01:20:53,880 --> 01:20:54,600
Speaker 1: That's I love it.

1830
01:20:54,680 --> 01:20:56,960
Speaker 3: I've read that in the book and did that. And

1831
01:20:57,080 --> 01:20:59,120
Speaker 3: I stood up on somebody's bed and pissed all over

1832
01:20:59,200 --> 01:20:59,559
Speaker 3: that bed.

1833
01:20:59,800 --> 01:21:02,400
Speaker 1: That's my word. What up some of my ship?

1834
01:21:02,600 --> 01:21:02,720
Speaker 3: Oh?

1835
01:21:02,720 --> 01:21:04,800
Speaker 1: Because she cuts your ship up? Yeah, okay, that's like

1836
01:21:04,840 --> 01:21:05,559
Speaker 1: I ain't have a key.

1837
01:21:08,240 --> 01:21:12,040
Speaker 3: You lucky, I ain't Schmid's ship everywhere ahead. But yeah,

1838
01:21:12,200 --> 01:21:17,960
Speaker 3: she cut up some nice ship, stood on that bed,

1839
01:21:18,120 --> 01:21:18,880
Speaker 3: peeing on that ship.

1840
01:21:19,240 --> 01:21:20,160
Speaker 1: Video of that and all that.

1841
01:21:21,200 --> 01:21:24,000
Speaker 2: But as a gentleman, you didn't throw piss in her face.

1842
01:21:24,040 --> 01:21:25,840
Speaker 2: You just beat on the bed, on the pillows, all

1843
01:21:25,880 --> 01:21:27,000
Speaker 2: of that. That's some gallon ship.

1844
01:21:27,080 --> 01:21:28,800
Speaker 1: Yeah, she gotta get up new, all of that, get

1845
01:21:28,840 --> 01:21:29,360
Speaker 1: everything new.

1846
01:21:29,720 --> 01:21:34,680
Speaker 3: That was a good blanket, he's having Philip. That shit bad,

1847
01:21:34,800 --> 01:21:37,200
Speaker 3: silky smooth. That shit was a good blake. I beat

1848
01:21:37,280 --> 01:21:41,000
Speaker 3: on that in the pillow, soft ass pillows, getting new ship. Yeah,

1849
01:21:41,200 --> 01:21:44,519
Speaker 3: cut my ship up. But see that's a retaliation. That's

1850
01:21:44,560 --> 01:21:46,639
Speaker 3: a reaction to her cutting up his ship.

1851
01:21:47,200 --> 01:21:50,679
Speaker 4: Now, if she came home and because Zip found NBA

1852
01:21:50,800 --> 01:21:52,320
Speaker 4: sock under her bed and then he now he's still

1853
01:21:52,360 --> 01:21:53,559
Speaker 4: on top of the bed, peeing on the bed.

1854
01:21:54,080 --> 01:21:56,080
Speaker 1: He violated. He's wrong for that, Like, yo, that could

1855
01:21:56,080 --> 01:21:59,320
Speaker 1: be anybody sock right now. Only need the NBA. Niggas

1856
01:21:59,360 --> 01:22:03,799
Speaker 1: get the NBA. Ain't anybody you can bottles on the website.

1857
01:22:04,120 --> 01:22:08,559
Speaker 1: Yeah you think you thinks she's on the NBA dot com, right,

1858
01:22:09,760 --> 01:22:11,080
Speaker 1: you think she's just an avid fan.

1859
01:22:12,520 --> 01:22:17,040
Speaker 3: Nick, she got to mix big big tube socks. She

1860
01:22:17,120 --> 01:22:21,760
Speaker 3: come up, bitch, pat your th nigga had that on

1861
01:22:21,840 --> 01:22:26,479
Speaker 3: this clearly as sixteen. Let me clearly wait sixteen. You

1862
01:22:26,600 --> 01:22:27,280
Speaker 3: see the size of.

1863
01:22:27,280 --> 01:22:31,960
Speaker 1: That ship, yo, man, Yeah, no, I ain't gonna lie, homie.

1864
01:22:32,240 --> 01:22:34,479
Speaker 1: That's ship. That's your bull right there. Y'all, y'all locked

1865
01:22:34,479 --> 01:22:37,000
Speaker 1: in if you go mass up, if you.

1866
01:22:37,080 --> 01:22:39,280
Speaker 3: Look past her throwing pissing your face, That's what I'm saying,

1867
01:22:39,479 --> 01:22:41,640
Speaker 3: don't feel wrong if you look past that.

1868
01:22:41,720 --> 01:22:45,040
Speaker 4: That they could see it on the phone of her

1869
01:22:45,200 --> 01:22:47,280
Speaker 4: having sex with another. Gain, he's gonna he's gonna stay down.

1870
01:22:47,520 --> 01:22:49,840
Speaker 1: Okay. I think that that's a little bit different. They're

1871
01:22:49,880 --> 01:22:52,680
Speaker 1: throwing pissing your face. Some things may be worse to you,

1872
01:22:52,800 --> 01:22:54,120
Speaker 1: or other things maybe worse other people.

1873
01:22:55,640 --> 01:22:56,840
Speaker 2: I think there's a man that could look at that

1874
01:22:57,200 --> 01:22:59,760
Speaker 2: the video. I don't think there's a man that could

1875
01:22:59,760 --> 01:23:01,040
Speaker 2: get pissed on his face.

1876
01:23:01,280 --> 01:23:02,720
Speaker 1: And no he that's his.

1877
01:23:04,600 --> 01:23:06,559
Speaker 6: The thought of her with another nigga will probably crush him.

1878
01:23:06,680 --> 01:23:08,400
Speaker 6: He should just yeah, he'll deal with the piss.

1879
01:23:08,560 --> 01:23:10,400
Speaker 1: The thought of piss being thrown in my face would

1880
01:23:10,439 --> 01:23:12,120
Speaker 1: crush that's you, but not him.

1881
01:23:12,160 --> 01:23:14,800
Speaker 3: I think that's ninety eight percent of us. Man, you

1882
01:23:14,880 --> 01:23:17,599
Speaker 3: throw pissing ninety percent. We're not going back to that woman.

1883
01:23:17,640 --> 01:23:19,160
Speaker 3: You're crazy pissing my face.

1884
01:23:19,600 --> 01:23:21,360
Speaker 1: I think niggas are a lot less strict than they

1885
01:23:21,400 --> 01:23:21,880
Speaker 1: pretend to be.

1886
01:23:22,080 --> 01:23:22,320
Speaker 3: Not you.

1887
01:23:22,760 --> 01:23:24,760
Speaker 1: I think you are fully as strict as you say

1888
01:23:24,800 --> 01:23:26,200
Speaker 1: you are, but a lot of men are a lot.

1889
01:23:26,320 --> 01:23:27,240
Speaker 1: I'm not as strict as him.

1890
01:23:27,240 --> 01:23:28,880
Speaker 2: And if you think I'm letting the girl throw pissing

1891
01:23:28,960 --> 01:23:30,479
Speaker 2: my face and being like, yo, this is my queen,

1892
01:23:32,560 --> 01:23:36,280
Speaker 2: all right y, yeah, I think I think we're gonna

1893
01:23:36,280 --> 01:23:37,519
Speaker 2: fightn't cool.

1894
01:23:38,520 --> 01:23:41,080
Speaker 1: I believe Rory. I believe Rory. I believe him. I

1895
01:23:41,240 --> 01:23:44,840
Speaker 1: never said nothing. I know your silence said everything I

1896
01:23:45,000 --> 01:23:47,599
Speaker 1: was thinking. Right, Damn, I can't take the tiny think

1897
01:23:47,680 --> 01:23:48,880
Speaker 1: Ron his motherfucker's strat.

1898
01:23:48,960 --> 01:23:51,120
Speaker 4: He gotta stay with Shorty. Man, you gotta stay with y'all.

1899
01:23:51,160 --> 01:23:52,920
Speaker 4: Can't leave now because now you're forever the nigga that

1900
01:23:53,080 --> 01:23:55,240
Speaker 4: got pissed on your face. If y'all break up, she's

1901
01:23:55,240 --> 01:23:55,479
Speaker 4: gonna go.

1902
01:23:55,880 --> 01:23:57,479
Speaker 6: She's gonna tell her new nigga that she Yeah, me

1903
01:23:57,520 --> 01:23:59,000
Speaker 6: and my expert, I mean, I found to hear she.

1904
01:23:59,120 --> 01:24:00,760
Speaker 1: I mean I think offers no for sure.

1905
01:24:01,400 --> 01:24:06,280
Speaker 3: The phone one, whatever his name is, make sure she

1906
01:24:06,320 --> 01:24:06,720
Speaker 3: could see it.

1907
01:24:07,280 --> 01:24:10,599
Speaker 4: His name is Mitch, Pissy Mitch pisty, Mitch Pissy, Mitch

1908
01:24:10,680 --> 01:24:11,639
Speaker 4: Pissy Mitch from Atlanta.

1909
01:24:11,680 --> 01:24:14,000
Speaker 1: Thank you for calling him and in a romantic way.

1910
01:24:14,120 --> 01:24:16,439
Speaker 3: There's nothing they can't beat at this point, no matter

1911
01:24:16,520 --> 01:24:19,439
Speaker 3: what anything God throws their way, they'll be able to be.

1912
01:24:19,560 --> 01:24:21,200
Speaker 4: Yeah, they could be the ninety six bulls that love

1913
01:24:21,280 --> 01:24:24,080
Speaker 4: us forever right there. They don't give a fuck. They

1914
01:24:24,200 --> 01:24:27,559
Speaker 4: locked in. You'ver see treacherous twins. They treacherous twins right there,

1915
01:24:27,760 --> 01:24:30,840
Speaker 4: real treacherous pissy your face and y'all still like this

1916
01:24:31,080 --> 01:24:32,320
Speaker 4: Valentine's Day hugged up.

1917
01:24:32,479 --> 01:24:40,320
Speaker 1: Nah and then have the nervous say, am I bugget? Yeah? Yeah,

1918
01:24:41,640 --> 01:24:43,519
Speaker 1: my whole boy could tell me, yo, Shorty do piss

1919
01:24:43,520 --> 01:24:46,599
Speaker 1: on my face? Last thing? I'm like, what two weeks later,

1920
01:24:46,640 --> 01:24:50,800
Speaker 1: if I see y'all out together, you a bozo. You

1921
01:24:50,960 --> 01:24:52,800
Speaker 1: might tell on me if some shit go down too.

1922
01:24:52,840 --> 01:24:56,240
Speaker 1: I don't even want to because you a suck ass nigger. Bro,

1923
01:24:56,479 --> 01:24:58,880
Speaker 1: you might, you might be a rack. Now I feel

1924
01:24:58,880 --> 01:25:00,559
Speaker 1: like it's the opposite. I feel like he like he'll

1925
01:25:00,560 --> 01:25:03,680
Speaker 1: stay down, don't do anything. He's too loyal. Yeah, ain't

1926
01:25:03,680 --> 01:25:06,960
Speaker 1: no good. I'm just too He ain't going to jail

1927
01:25:07,080 --> 01:25:09,439
Speaker 1: lead that pussy out here. You crazy. Yeah, that's the

1928
01:25:09,560 --> 01:25:12,080
Speaker 1: fact that yeah, yeah, yeah, yeah, yeah.

1929
01:25:15,560 --> 01:25:18,280
Speaker 3: Everybody else there ain't no way to going to jail

1930
01:25:18,320 --> 01:25:19,240
Speaker 3: and leave a hundred film.

1931
01:25:19,320 --> 01:25:23,479
Speaker 1: That's what happened his mom. He's telling everybody your nigga

1932
01:25:23,520 --> 01:25:26,320
Speaker 1: be serving my mom. She'd be having it. Yeah, all

1933
01:25:26,400 --> 01:25:30,400
Speaker 1: I ain't telling everybody fuck out it. I'll trust niggas

1934
01:25:30,400 --> 01:25:32,120
Speaker 1: like that. Yeah. No, he's right. He got a zim

1935
01:25:32,360 --> 01:25:33,360
Speaker 1: zip got a valid point.

1936
01:25:34,120 --> 01:25:37,400
Speaker 3: All right, Well, ironically I have to piss so well,

1937
01:25:37,400 --> 01:25:38,840
Speaker 3: you always got to piss, man, you irish.

1938
01:25:38,880 --> 01:25:41,280
Speaker 4: I pissed like every seventeen minutes, So it's good. All right, Well,

1939
01:25:41,320 --> 01:25:43,960
Speaker 4: we'll talk to y'all soon. Be safe, be blessed. I'm

1940
01:25:44,040 --> 01:25:46,200
Speaker 4: that nigga he's just ginger that ship with the drip.

1941
01:25:46,280 --> 01:25:47,519
Speaker 4: Let's get to that, let's get that.

1942
01:25:48,120 --> 01:25:48,160
Speaker 1: No,