WEBVTT - Icon #3: Ms. Piggy w/ Jamie Loftus

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<v Speaker 1>I got Blueberry Mango I found.

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<v Speaker 2>I found it the other day. I was like, all right, group, Yeah, blu.

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<v Speaker 3>Group remember those Intel commercials icons?

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<v Speaker 4>Group Group is coming?

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<v Speaker 3>Is that on your list? Blue Man Group?

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<v Speaker 4>It's not, but it's just an added blue group ship.

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<v Speaker 3>Yeah, Blue Man groups definitely Blue Man Group.

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<v Speaker 2>Oh yeah, there's nothing funnier than a Blue Man Group revealed.

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<v Speaker 2>There's like a literary fiction writer who I really like.

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<v Speaker 2>I was on her Wikipedia page and it was like

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<v Speaker 2>she was formal she's divorced from a blue Man and

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<v Speaker 2>you're like, oh wow, You're like that's who that book

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<v Speaker 2>was about.

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<v Speaker 5>That's crazy because they're all like these like art dudes

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<v Speaker 5>from New York. Is how it started, and then it

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<v Speaker 5>just turned into like a Vegas It was like such

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<v Speaker 5>a New York thing.

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<v Speaker 2>I felt like, Yeah, they're like like ex Brooklyn guys

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<v Speaker 2>who like needed work. And I was like, wow, she

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<v Speaker 2>got her heart stomped on by a blue Man that

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<v Speaker 2>I hear.

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<v Speaker 3>You ought to know is actually about bloom Blue Man. Yeah,

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<v Speaker 3>that's right. A lot of the founding Blue Man.

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<v Speaker 4>Hello the Internet, and welcome to this spinoff episode of Guys,

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<v Speaker 4>which we're calling the Iconograph. Instead of looking at the

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<v Speaker 4>zeitgeist through current events. We're looking at it through the

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<v Speaker 4>lens of the powerful pop cultural hore cruxes that are

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<v Speaker 4>our icons. We use these characters to create meaning, to

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<v Speaker 4>build identity, to learn conversational French, to know the appropriate

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<v Speaker 4>sound to make when beating the shit out of our

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<v Speaker 4>long term boyfriend, which is there?

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<v Speaker 3>It is hell, that's right.

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<v Speaker 4>In this episode we're talking Piggy's Miss Piggy, if you're nasty,

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<v Speaker 4>and that's why I did leave it for you, Miles,

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<v Speaker 4>with apologies to Kermit the Frog and David Bowie's codpiece,

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<v Speaker 4>maybe the most famous and beloved of Jim Henson's creations,

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<v Speaker 4>Miss Piggy, to be joined, as always by my co host,

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<v Speaker 4>mister Oh.

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<v Speaker 3>I love this. I love it. I love it. Starting

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<v Speaker 3>off and I'm like, it's this, that's not you know, we're.

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<v Speaker 5>Habitual, habitual doing the show one way. That's great, great.

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<v Speaker 5>I love the topic, dude. I love a good love

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<v Speaker 5>a good hy Yah. It's like an earworm. It's like

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<v Speaker 5>an earworm of a thing when you really get it

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<v Speaker 5>like that, it's smart, that's right, it's hitting it tingles

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<v Speaker 5>the brain a little bit.

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<v Speaker 4>Little tease. It is the first thing. It's the thing

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<v Speaker 4>that crystallized the character for Francos when he did, like

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<v Speaker 4>he improvised that, and it was like, oh, this is

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<v Speaker 4>when I understood the character for the first time.

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<v Speaker 5>Drugs with this guy. Wow, oh fuck, yeah, this is

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<v Speaker 5>a character.

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<v Speaker 3>I found it well.

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<v Speaker 4>That who you heard in the background in our third seat?

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<v Speaker 4>One of the very faces on Mount Zeitemore an Emmy

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<v Speaker 4>nominated writer, artist, comedian behind many of the most acclaimed

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<v Speaker 4>podcasts like Cast, Ghost Church, The Bechdel Cast, Sixteenth Minute

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<v Speaker 4>of Fame. She's the New York Times best selling author

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<v Speaker 4>of Raw Dolgh.

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<v Speaker 5>It's Jamie Loft, Jamie.

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<v Speaker 3>Hell yeah, hell yeah. Feels good, right good, I feel good.

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<v Speaker 2>I don't think I've ever hit someone with the high yah.

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<v Speaker 6>You know.

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<v Speaker 4>Yeah, just like a cute thing to do to your partner,

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<v Speaker 4>as long as you don't like fucking smash.

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<v Speaker 5>Actually she's like a powerful attack she had, Like she

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<v Speaker 5>was like, yeah, his arms, have you seen his arms?

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<v Speaker 2>Oh my god, he goes There have to be ones

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<v Speaker 2>where he just goes flying, right.

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<v Speaker 4>Yeah, there is there, yeah, where he just goes flying

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<v Speaker 4>like it's a fucking explosion and a mission impossible, Like.

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<v Speaker 3>And I get a YouTube.

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<v Speaker 5>If there's like a basic Piggy compilations just her fucking

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<v Speaker 5>ship up.

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<v Speaker 3>I don't like it.

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<v Speaker 4>I found one earlier. Guys, thank you so much for joining.

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<v Speaker 4>Jamie so so excited to have you here for this.

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<v Speaker 4>I did hear your Bechdel Cast episode about the Muppet Movie,

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<v Speaker 4>so I was like, gotta have Jamie on for Miss

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<v Speaker 4>Piggy because you're you're a Piggy Stan.

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<v Speaker 1>I'm a Piggy Stan.

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<v Speaker 2>I wish, I wish I was more like her, but

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<v Speaker 2>I feel like everyone has their inner Miss Piggy. But yeah,

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<v Speaker 2>I really need to start, uh, you know, really hitting

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<v Speaker 2>people more.

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<v Speaker 3>I think that's that's what we're learning.

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<v Speaker 2>The main takeaway, yeah and.

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<v Speaker 4>Whatever vo She doesn't really understand French, but she sprinkles

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<v Speaker 4>it throughout and that's cute. Do you guys have like

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<v Speaker 4>a singular like, oh, that's when I when Miss Piggy

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<v Speaker 4>was crystallized for me in your memory. Like I was

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<v Speaker 4>looking back and I was like, oh, I think the

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<v Speaker 4>first time I encountered her was on those like reading

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<v Speaker 4>posters in elementary school classrooms like she was, and then

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<v Speaker 4>that was the first time I encountered grown up Miss Piggy.

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<v Speaker 4>Because I knew Miss Piggy from Muppet Babies.

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<v Speaker 3>Right right, right, yeah, yeah, yeah.

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<v Speaker 5>I think for me it probably starts like anyone I

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<v Speaker 5>was like, it was always Kermit and Miss Piggy in

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<v Speaker 5>my mind.

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<v Speaker 3>Yeah, so I a couple.

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<v Speaker 5>I can't think of, like even if I knew Kermit

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<v Speaker 5>before Miss Piggy. I feel like to me, they entered

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<v Speaker 5>my brain at the same time, even though I think,

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<v Speaker 5>what Kermit she didn't? It was always Kermit first. But look,

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<v Speaker 5>I was a kid, it was the eighties. I didn't

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<v Speaker 5>know shit, we're going to get into it.

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<v Speaker 2>I think my entry point to Miss Piggy. I think

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<v Speaker 2>the first Mubbet thing I remember seeing is Muppet Treasure Island.

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<v Speaker 2>I have a vivid memory of getting into a big

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<v Speaker 2>fight with my cousin because we were fighting over because

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<v Speaker 2>the kid who plays Jim Hawkins, we both had a

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<v Speaker 2>crush on him and we were fighting over who gets

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<v Speaker 2>to marry him, and it was.

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<v Speaker 3>The marriage right and we start.

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<v Speaker 2>We would do that over every like boy protagonist in

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<v Speaker 2>a movie. We also did it over There's a movie

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<v Speaker 2>called Casper A New Beginning, and there was an identical

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<v Speaker 2>looking boy that we would just we would hie out

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<v Speaker 2>each other for this, like you know, mysterious child's hand

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<v Speaker 2>in marriage.

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<v Speaker 1>So I remember miss pegging that Muppet Christmas Carol.

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<v Speaker 2>I feel like I saw the movies before I saw

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<v Speaker 2>the ever saw the TV show right.

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<v Speaker 4>Real quick, some kind of icon bona fee D's because

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<v Speaker 4>last week we talked about how popular Arcle was that

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<v Speaker 4>you know, every season from season two through seven of

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<v Speaker 4>his show like destroyed. What the most watched TV in

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<v Speaker 4>modern times is? I think it was like pulling in

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<v Speaker 4>twenty to twenty seven million viewers a week. The most

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<v Speaker 4>viewed show currently is Monday Night Football at like sixteen

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<v Speaker 4>million people. I just want to read this description of

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<v Speaker 4>the Muppet Show when it was on. It aired in

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<v Speaker 4>over one hundred countries and had a weekly worldwide audience

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<v Speaker 4>by nineteen seventy eight of two hundred and thirty five

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<v Speaker 4>million people. No fucking way stop, because it was everywhere.

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<v Speaker 4>It was like so global.

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<v Speaker 2>I feel like maybe I'm wrong, but I feel like

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<v Speaker 2>it Up until fairly recently, I feel it was sort

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<v Speaker 2>of difficult to find old episodes of the Muppet Show.

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<v Speaker 2>I didn't see them until I was in college, and

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<v Speaker 2>the guests they were pulling was like, yeah, so I

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<v Speaker 2>don't know, I feel like whatever, we don't have monoculture

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<v Speaker 2>at all anymore, but particularly like monoculture that was pulling

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<v Speaker 2>so many different kinds of people as the hosts, like

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<v Speaker 2>I've I had the Rudolph narre Of episode had a

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<v Speaker 2>very strong impression of me, like they would have like

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<v Speaker 2>Ballerinas hosting, Yeah, shock culture.

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<v Speaker 1>To two hundred and thirty five million people, that's nuts.

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<v Speaker 4>It is a weird mix of high and low. And

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<v Speaker 4>then just for for my example, the thing that proves

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<v Speaker 4>to me the lasting power, like how iconic them up?

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<v Speaker 4>That's are. Something we were talking about was there's that

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<v Speaker 4>LCD sound System video for Dance Yourself Clean that like

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<v Speaker 4>every white guy is like, have you seen this?

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<v Speaker 3>Have you seen this YouTube video? It's like for Dance

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<v Speaker 3>Yourself Clean, but it's got.

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<v Speaker 4>Muppets in it, and the video like objectively sucks.

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<v Speaker 3>It's not a good video. Was a few days ago.

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<v Speaker 5>You brought it up and we started watching it and

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<v Speaker 5>I was like, I had never seen it.

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<v Speaker 3>I was like this.

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<v Speaker 4>Brian was just and brought it up and was like

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<v Speaker 4>every white guy just like I've been shown this by

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<v Speaker 4>three different white guys, and I was like me too,

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<v Speaker 4>and then we watched it and we were like this sucks.

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<v Speaker 2>Yeah, guys, the City Puitier, like the guests they would

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<v Speaker 2>have on the show were absolutely like yeah, and everyone

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<v Speaker 2>is having the time of their lives, because how could

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<v Speaker 2>you not, like, it's just so cool.

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<v Speaker 1>Harry Belafonte another really good episode.

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<v Speaker 7>Just really, I just said, made that up, rich. I

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<v Speaker 7>just thought the image of acting trash cans funny, believable.

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<v Speaker 7>He'll do that, right, he was.

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<v Speaker 3>You know, it's like Sidney getting a fucking trash can.

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<v Speaker 4>Now we shouln't believe anything you say in the chat

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<v Speaker 4>Right ship. Wait, okay, I feel like I remember that. Yeah,

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<v Speaker 4>New Mandelac the City More when they had Nelson mandela on.

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<v Speaker 3>After he died. Was right, Yeah, it's just the Benstein bears.

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<v Speaker 1>Well, the Harry Belafonte episode is genuinely great.

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<v Speaker 4>Yes, all right, So Miles, to your point of like,

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<v Speaker 4>Kermit was first, and then Miss Piggy she was invented

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<v Speaker 4>in nineteen seventy four, Kermit came around in nineteen fifty five,

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<v Speaker 4>Ralph the Dog nineteen sixty two, and then Miss Piggy

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<v Speaker 4>is like the next kind of iconic character. But Ralph

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<v Speaker 4>the dog was like invented for a dog chow commercial.

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<v Speaker 4>It seems like a lot of these things were like

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<v Speaker 4>invented on an as needed basis. They were like, I

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<v Speaker 4>don't know, we need a we need a girl one,

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<v Speaker 4>let's do it. Let's do a pig. And then they

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<v Speaker 4>like kind of iterate on it. But it's Kermit as

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<v Speaker 4>old as fuck. First of all, like the borderline problematic

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<v Speaker 4>that they had a relationship. But uh, then seventy five

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<v Speaker 4>animal Sam the Eagles, Statler and Wald or the Swedish chef.

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<v Speaker 4>Seventy six we got Fozzy, which we can talk about Fozzy,

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<v Speaker 4>but yeah, they just seem to do it on an

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<v Speaker 4>as needed basis. And then you know, now that puppet

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<v Speaker 4>exists and now we can like do stuff with that puppet.

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<v Speaker 4>But I want to talk before because.

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<v Speaker 2>You know the interesting phrasing, interesting phrase. Now we can

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<v Speaker 2>do that, we can do stuff.

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<v Speaker 3>Yeah, we can do that. We can think about it.

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<v Speaker 4>We can create backstories as we'll get into you can

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<v Speaker 4>get it. Yeah, now we can.

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<v Speaker 2>Do Now we can do stuff with that puppet. We

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<v Speaker 2>think about it. I feel like Ralph the Dog has

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<v Speaker 2>fallen off in the public, like.

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<v Speaker 4>Falling off.

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<v Speaker 2>I don't dislike Ralph as I dislike other muppets.

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<v Speaker 1>Yeah, we'll get to that, but I think he's fallen

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<v Speaker 1>off a bit.

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<v Speaker 4>Not a not a huge Fozzy fan from what I've.

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<v Speaker 1>Heard, not a huge Fozzy fan.

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<v Speaker 2>Fozzy's triggering for me.

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<v Speaker 4>Uh, Miss Piggy for some reason, this tax stand up

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<v Speaker 4>comedian is triggering to somebody.

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<v Speaker 2>I could see Fazzy. Whenever I look, I can see Fozzy.

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<v Speaker 2>If I look in the mirror, I can't see. I

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<v Speaker 2>can't be around Fozzy. I see five fozzis a night.

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<v Speaker 4>It's all Fozzies. Miss Piggy wasn't actually a Jim Henson creation.

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<v Speaker 4>She was actually designed by Bonnie Erickson, who this is

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<v Speaker 4>somebody that I didn't know about coming into this. Uh.

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<v Speaker 4>She also like she's invented a bunch of the mascots

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<v Speaker 4>that are like still roaming NBA stadiums to this day.

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<v Speaker 3>Maybe her like it right up.

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<v Speaker 4>There with Miss Piggy, depending on who you're talking to,

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<v Speaker 4>the Philly Fanatic mascot. She designed.

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<v Speaker 3>The Philly Fanatic. That makes perfect sense because that rocks.

0:12:20.120 --> 0:12:23.320
<v Speaker 5>The Philly Fanatic does feel like something off a Henson show.

0:12:23.480 --> 0:12:26.280
<v Speaker 4>Yeah, it has Henson vibes. I mean, she was I

0:12:26.280 --> 0:12:31.280
<v Speaker 4>think like the director of the workshop. But on designing

0:12:31.280 --> 0:12:34.439
<v Speaker 4>the Philly Fanatic, she said, the managers approached us to

0:12:34.440 --> 0:12:36.920
<v Speaker 4>design a mascot who could encourage fans to bring their

0:12:36.960 --> 0:12:39.120
<v Speaker 4>families to the games. So we had to design a

0:12:39.200 --> 0:12:41.880
<v Speaker 4>character who was child friendly, was playful and a little irreverent,

0:12:41.920 --> 0:12:44.240
<v Speaker 4>but not too silly. We'd heard from the Phillies that

0:12:44.280 --> 0:12:47.800
<v Speaker 4>their crowd had booed the Easter Bunny. Was the challenge

0:12:47.840 --> 0:12:49.960
<v Speaker 4>to come up with something that was not going to

0:12:50.040 --> 0:12:53.400
<v Speaker 4>talk down to their audience, Like that is what you

0:12:53.520 --> 0:12:57.320
<v Speaker 4>think about it. In fact, she created a silly billy

0:12:58.440 --> 0:13:04.000
<v Speaker 4>child muppet mass Scott that Philly has just completely embraced.

0:13:04.200 --> 0:13:06.920
<v Speaker 4>Is such an accomplishment that we just like take for granted.

0:13:07.200 --> 0:13:09.360
<v Speaker 2>And then when did the Philly Fanatic launch? Was it

0:13:09.440 --> 0:13:10.480
<v Speaker 2>like around the same time.

0:13:10.480 --> 0:13:11.320
<v Speaker 3>Around the same time.

0:13:11.440 --> 0:13:14.400
<v Speaker 4>She kind of she was just like fucking on fire

0:13:14.520 --> 0:13:17.200
<v Speaker 4>for like four years. She created I mean, she created

0:13:17.200 --> 0:13:20.960
<v Speaker 4>Statler and Waldorf, she created a bunch of like really

0:13:21.440 --> 0:13:25.679
<v Speaker 4>iconic characters, and she created Miss pig So Miss Piggy's

0:13:25.720 --> 0:13:30.080
<v Speaker 4>name was originally Miss Piggy Lee as a reference to

0:13:30.200 --> 0:13:34.960
<v Speaker 4>Peggy Lee, who was a jazz singer who I wasn't

0:13:34.960 --> 0:13:36.679
<v Speaker 4>that familiar with. I went and listened to like her

0:13:36.720 --> 0:13:41.840
<v Speaker 4>top songs on Apple Music, and they're either Christmas songs

0:13:42.280 --> 0:13:44.079
<v Speaker 4>or like wildly depressed.

0:13:44.559 --> 0:13:46.959
<v Speaker 3>Oh yeah, like rocking around the Christmas Tree? Is Peggy?

0:13:47.000 --> 0:13:47.640
<v Speaker 3>Is that Peggy Lee?

0:13:47.920 --> 0:13:49.520
<v Speaker 2>And I was like, am I confusing? Who's you?

0:13:50.280 --> 0:13:52.920
<v Speaker 3>Is that Peggy something Fever is her? So that's her?

0:13:53.120 --> 0:13:56.360
<v Speaker 4>That's her. But then she has this one called is

0:13:56.360 --> 0:13:58.040
<v Speaker 4>That All There Is? Oh?

0:13:58.200 --> 0:13:59.360
<v Speaker 3>I love that song.

0:14:00.040 --> 0:14:04.120
<v Speaker 4>Oh it's dark. It's like it tells the story of

0:14:04.160 --> 0:14:06.680
<v Speaker 4>like being at a Christmas party or at a birthday

0:14:06.679 --> 0:14:08.880
<v Speaker 4>party when you're young and like is that all there is?

0:14:08.920 --> 0:14:10.800
<v Speaker 4>And going to a circus and being like is that

0:14:10.840 --> 0:14:12.440
<v Speaker 4>all there is? And then she's like and I know

0:14:12.480 --> 0:14:15.200
<v Speaker 4>what you think, I'm going to kill myself. But I

0:14:15.240 --> 0:14:17.960
<v Speaker 4>know if I killed myself as I was like going

0:14:18.000 --> 0:14:20.080
<v Speaker 4>to the Pearly Gates, I'd just be like, is that

0:14:20.120 --> 0:14:20.880
<v Speaker 4>all there is?

0:14:21.000 --> 0:14:21.920
<v Speaker 3>It's a really.

0:14:22.440 --> 0:14:25.720
<v Speaker 4>Dark shit, which there's there's a lot of like dark

0:14:25.760 --> 0:14:30.800
<v Speaker 4>stuff in Piggy like written into her backstory that I

0:14:30.840 --> 0:14:33.240
<v Speaker 4>was not familiar with didn't read to me.

0:14:33.440 --> 0:14:37.280
<v Speaker 2>I wonder if peggyly ever like got like met her,

0:14:37.320 --> 0:14:41.359
<v Speaker 2>because I get it I get why they didn't keep them.

0:14:43.080 --> 0:14:44.040
<v Speaker 3>That's why they had to.

0:14:44.280 --> 0:14:47.640
<v Speaker 4>Yeah, she's threatened to sue over the puppet, so Miss

0:14:47.760 --> 0:14:49.840
<v Speaker 4>Piggy Lye became simply Miss Piggy.

0:14:50.080 --> 0:14:53.680
<v Speaker 2>Like, now, you'd be honored to have Miss Piggy associated

0:14:53.920 --> 0:14:57.560
<v Speaker 2>Kelly untested if they're like, so there's this pig on TV.

0:14:57.640 --> 0:15:01.560
<v Speaker 3>And yeah, I get hair like you.

0:15:02.760 --> 0:15:07.160
<v Speaker 2>Are already depressing, right, boyfriend.

0:15:07.600 --> 0:15:11.120
<v Speaker 4>She started out she's incredibly abusive.

0:15:11.640 --> 0:15:11.920
<v Speaker 3>Uh.

0:15:12.240 --> 0:15:15.480
<v Speaker 4>She started out like as sort of a background character.

0:15:16.120 --> 0:15:19.440
<v Speaker 4>She was in like a sketch about Planet of the

0:15:19.520 --> 0:15:21.720
<v Speaker 4>Apes where it was like Planet of the Pigs, and

0:15:21.760 --> 0:15:23.800
<v Speaker 4>she was just like one of the characters. She had

0:15:23.880 --> 0:15:27.000
<v Speaker 4>like little button eyes. She didn't have her big like

0:15:27.120 --> 0:15:29.520
<v Speaker 4>beautiful colored iris.

0:15:29.160 --> 0:15:29.960
<v Speaker 3>Eyes like.

0:15:31.440 --> 0:15:35.560
<v Speaker 4>A doll's eyes. And she didn't sound like herself yet

0:15:35.600 --> 0:15:37.680
<v Speaker 4>it was she was at that time played by Jerry

0:15:37.720 --> 0:15:41.120
<v Speaker 4>Nelson doing just like a real standard guy doing a

0:15:41.200 --> 0:15:52.480
<v Speaker 4>girl voice. It was just girl. It's just like that. Well, yeah,

0:15:52.480 --> 0:15:55.040
<v Speaker 4>I know it wasn't quite that good. Sorry I'm a

0:15:55.040 --> 0:16:01.680
<v Speaker 4>professional voice man, but yeah, but it does. I mean,

0:16:01.800 --> 0:16:05.200
<v Speaker 4>like I was saying the so eloquently before about how

0:16:05.240 --> 0:16:07.800
<v Speaker 4>they create the puppet and that puppet exists and now

0:16:07.800 --> 0:16:09.360
<v Speaker 4>they can do stuff with that puppet.

0:16:10.280 --> 0:16:11.320
<v Speaker 3>I do.

0:16:11.520 --> 0:16:15.120
<v Speaker 4>It's it kind of reminds me of like SNL talent, Jamie.

0:16:15.160 --> 0:16:17.800
<v Speaker 4>One of my favorite of your obsessions is like when

0:16:18.120 --> 0:16:20.480
<v Speaker 4>an SNL person like shows up on the thing and

0:16:20.520 --> 0:16:22.840
<v Speaker 4>then two years later they look completely different.

0:16:22.880 --> 0:16:24.520
<v Speaker 2>They got the Veneers, they got.

0:16:24.320 --> 0:16:26.120
<v Speaker 4>The Veneers, they got the glow up.

0:16:26.520 --> 0:16:30.080
<v Speaker 2>They literally I like to like, Lord Michael slams your

0:16:30.080 --> 0:16:32.040
<v Speaker 2>head against the table and thought, he was like, I

0:16:32.080 --> 0:16:34.239
<v Speaker 2>guess you need.

0:16:35.720 --> 0:16:36.760
<v Speaker 3>You need new teeth now.

0:16:36.960 --> 0:16:38.880
<v Speaker 4>But I feel like if you can make their eyes bigger,

0:16:38.920 --> 0:16:40.480
<v Speaker 4>he probably would, right.

0:16:40.680 --> 0:16:44.080
<v Speaker 2>Oh yeah, yeah, give him the watch call what's that

0:16:44.600 --> 0:16:47.440
<v Speaker 2>movie the Clockwork Orange?

0:16:47.680 --> 0:16:50.360
<v Speaker 4>Yeah, but also this is second week in a row

0:16:50.360 --> 0:16:54.160
<v Speaker 4>where we're covering a character who became arguably the most

0:16:54.280 --> 0:16:57.920
<v Speaker 4>iconic thing from their world and who starts out in

0:16:58.000 --> 0:17:00.760
<v Speaker 4>the background, and then we watch as they just like

0:17:00.880 --> 0:17:03.680
<v Speaker 4>grow and grow as the public responds more and more

0:17:03.720 --> 0:17:07.719
<v Speaker 4>to them. But yeah, I just I do think in

0:17:07.800 --> 0:17:12.480
<v Speaker 4>terms of like why we have Miss Piggy, it's like

0:17:13.040 --> 0:17:17.080
<v Speaker 4>having the multiple projects iterating, and then when they needed

0:17:17.119 --> 0:17:19.560
<v Speaker 4>a female character, they went to a woman who just

0:17:19.600 --> 0:17:23.080
<v Speaker 4>like happened to be a genius and was like inventing

0:17:23.240 --> 0:17:27.120
<v Speaker 4>huge chunks of popular culture in like just a few

0:17:27.160 --> 0:17:27.840
<v Speaker 4>short years.

0:17:28.080 --> 0:17:30.119
<v Speaker 2>That's so I still can't get past two hundred and

0:17:30.119 --> 0:17:31.280
<v Speaker 2>thirty five million people.

0:17:31.400 --> 0:17:34.040
<v Speaker 4>Yeah, thirty five million people.

0:17:34.600 --> 0:17:39.560
<v Speaker 1>That is just like, wow, Okay, that's everybody. That's isn't

0:17:39.720 --> 0:17:41.320
<v Speaker 1>every person? That's everybody.

0:17:41.440 --> 0:17:44.919
<v Speaker 3>That's everyone in the war people, everyone in the world.

0:17:45.440 --> 0:17:50.160
<v Speaker 2>So people watching puppets on TV, Like, that's that's nuts.

0:17:50.119 --> 0:17:51.720
<v Speaker 5>I mean because it is also I mean, like when

0:17:51.720 --> 0:17:56.040
<v Speaker 5>you think about it, Rkele had twenty something million for

0:17:56.119 --> 0:17:58.840
<v Speaker 5>a few years in America versus two hundred and thirty

0:17:58.880 --> 0:18:01.720
<v Speaker 5>five globally, and you're like, oh, that's why. Like I

0:18:01.760 --> 0:18:03.800
<v Speaker 5>feel like children now, Like you show a kid and

0:18:03.920 --> 0:18:07.280
<v Speaker 5>wherever most places like do you know this character? And

0:18:07.280 --> 0:18:08.919
<v Speaker 5>they'd be like miss Piggy and I'm like do you

0:18:08.960 --> 0:18:11.400
<v Speaker 5>know who this is? And They're like, that's a man

0:18:11.440 --> 0:18:14.760
<v Speaker 5>with suspenders on? Right, So I'm like, that's curcle, but

0:18:14.840 --> 0:18:16.520
<v Speaker 5>that's fun. You're just not cultured.

0:18:16.760 --> 0:18:19.000
<v Speaker 1>Well, I'm also sure I'm guessing.

0:18:19.160 --> 0:18:21.640
<v Speaker 2>I mean, I don't know much about like muppets internationally,

0:18:21.680 --> 0:18:23.800
<v Speaker 2>but it must be like there's so it's like such

0:18:23.840 --> 0:18:27.320
<v Speaker 2>a double bowle show that it's got to be super

0:18:27.359 --> 0:18:29.440
<v Speaker 2>easy to adapt to it basically anywhere.

0:18:29.960 --> 0:18:31.920
<v Speaker 3>Yeah, puppets, upets are great.

0:18:32.440 --> 0:18:35.280
<v Speaker 4>Puppets are Puppets are great. Is also one of my

0:18:35.400 --> 0:18:39.080
<v Speaker 4>conclusions that I come to, like I was saying. Her

0:18:39.200 --> 0:18:42.880
<v Speaker 4>breakout moment came when oz improvised her trademark karate chop

0:18:42.960 --> 0:18:45.879
<v Speaker 4>during a scene with Kermit. Originally the script called for

0:18:45.920 --> 0:18:48.720
<v Speaker 4>a slap, but he decided to go with a karate chop,

0:18:48.760 --> 0:18:52.240
<v Speaker 4>which then allowed him to his quote is the script

0:18:52.280 --> 0:18:54.440
<v Speaker 4>called for Piggy to slap Kermit. Instead of a slap,

0:18:54.480 --> 0:18:57.520
<v Speaker 4>I gave him a funny karate hit. Somehow, that hit

0:18:57.680 --> 0:19:00.960
<v Speaker 4>crystallized her character for me, the coyness, hiding the aggression,

0:19:01.320 --> 0:19:04.199
<v Speaker 4>the conflict of that love with her desire for a career,

0:19:04.359 --> 0:19:07.560
<v Speaker 4>her hunger for glamour image, her tremendous out and out ego.

0:19:08.040 --> 0:19:11.520
<v Speaker 4>Which it's just interesting that that was so foundational for

0:19:11.600 --> 0:19:14.119
<v Speaker 4>him because it's also the first thing, like my brain

0:19:14.200 --> 0:19:16.880
<v Speaker 4>spits out when I like think of miss Piggy. If

0:19:16.880 --> 0:19:19.280
<v Speaker 4>I like have to think of her doing something, it's

0:19:19.280 --> 0:19:20.120
<v Speaker 4>the karate chop.

0:19:20.359 --> 0:19:24.080
<v Speaker 2>It's so good. I love hearing like actors talk about

0:19:24.119 --> 0:19:28.240
<v Speaker 2>like they're silly ass character because it has to be so,

0:19:28.359 --> 0:19:30.320
<v Speaker 2>I mean, and it is important that like it has

0:19:30.359 --> 0:19:33.359
<v Speaker 2>to sound so important. My favorite example of that is,

0:19:33.920 --> 0:19:37.359
<v Speaker 2>do you guys remember when Bill Nihi played mewtwo in

0:19:37.440 --> 0:19:38.639
<v Speaker 2>Detective Pikachu.

0:19:39.840 --> 0:19:43.640
<v Speaker 3>No, I mean, I know, well he.

0:19:43.680 --> 0:19:46.800
<v Speaker 2>Did, and I love sometimes I'll go if I can

0:19:46.840 --> 0:19:49.840
<v Speaker 2>watch his interviews about that movie for fun, because he's

0:19:49.880 --> 0:19:53.360
<v Speaker 2>just like when I folds about Mew two and you're

0:19:53.440 --> 0:19:59.240
<v Speaker 2>just like, You're like, yeah, man, you sound like an idiot,

0:19:59.280 --> 0:20:01.679
<v Speaker 2>but that is your Like I just loved it.

0:20:02.119 --> 0:20:05.359
<v Speaker 1>Yeah, Like frank Oz is like, how how does the

0:20:05.400 --> 0:20:07.320
<v Speaker 1>pig think? Where's she coming from?

0:20:07.520 --> 0:20:09.000
<v Speaker 3>Yeah, we're gonna be like and then this is it

0:20:09.119 --> 0:20:09.840
<v Speaker 3>her frustration.

0:20:09.960 --> 0:20:12.280
<v Speaker 5>She's trying to balance it all, her career, her love

0:20:12.400 --> 0:20:13.760
<v Speaker 5>life in this high Yah.

0:20:13.800 --> 0:20:15.960
<v Speaker 3>I'm like, did you really think that at the time?

0:20:16.040 --> 0:20:17.000
<v Speaker 3>Did you know it's just sort.

0:20:16.840 --> 0:20:21.480
<v Speaker 4>Of a performer that's okay, Yeah, Because I think a

0:20:21.480 --> 0:20:24.520
<v Speaker 4>lot of the cases, these moments of inspiration for these

0:20:24.520 --> 0:20:27.879
<v Speaker 4>that kind of characters come when they're like like in

0:20:27.920 --> 0:20:29.480
<v Speaker 4>this case, it was just like I needed to do

0:20:29.520 --> 0:20:31.760
<v Speaker 4>a thing, and I did this instead of the thing

0:20:31.760 --> 0:20:34.159
<v Speaker 4>that the script called for. And then like it like

0:20:34.280 --> 0:20:37.400
<v Speaker 4>kind of all comes together with Rkle like we were

0:20:37.400 --> 0:20:39.800
<v Speaker 4>talking about he like at the audition, he was like,

0:20:39.840 --> 0:20:42.000
<v Speaker 4>I don't know, like I went out of body, like

0:20:42.040 --> 0:20:43.919
<v Speaker 4>I blacked out and like came to and I was

0:20:43.920 --> 0:20:49.160
<v Speaker 4>like everyone was laughing, right, Like that's also like Elvis,

0:20:49.400 --> 0:20:52.200
<v Speaker 4>the character of Elvis, which like wasn't how he actually

0:20:52.280 --> 0:20:55.399
<v Speaker 4>was as a bit because he was like tanking this

0:20:55.600 --> 0:20:57.720
<v Speaker 4>like he was like trying to sing a song and

0:20:57.760 --> 0:20:59.680
<v Speaker 4>it was like all serious and sad, and everyone's like,

0:20:59.720 --> 0:21:03.080
<v Speaker 4>this guy fucking stinks. And then he like started goofing

0:21:03.119 --> 0:21:05.920
<v Speaker 4>around and doing the Elvist voice and people were like.

0:21:05.920 --> 0:21:07.080
<v Speaker 3>Do that, Like I think I.

0:21:10.119 --> 0:21:14.439
<v Speaker 4>Want this guy, but I feel like it's like the

0:21:14.520 --> 0:21:17.199
<v Speaker 4>creator needs to get out of their own way or

0:21:17.200 --> 0:21:19.919
<v Speaker 4>something to like then have it all like come together.

0:21:20.440 --> 0:21:23.399
<v Speaker 4>But yeah, so Frank Oz ends up being the person

0:21:23.560 --> 0:21:26.600
<v Speaker 4>who plays Piggy. I always thought it was because Piggy

0:21:26.600 --> 0:21:31.240
<v Speaker 4>and Fozzy fucking hated each other, but Oz actually plays

0:21:31.280 --> 0:21:34.720
<v Speaker 4>both of them, and so that's why they're never around

0:21:34.760 --> 0:21:38.000
<v Speaker 4>at the same time. Jamie, do you think there's any

0:21:38.000 --> 0:21:39.720
<v Speaker 4>way this is the reason you hate.

0:21:39.480 --> 0:21:44.439
<v Speaker 2>Fozzy Because if Fozzy's on Screenzzy.

0:21:43.840 --> 0:21:47.080
<v Speaker 4>Like literally getting in the way of Kermit and Piggy.

0:21:47.200 --> 0:21:52.000
<v Speaker 1>More, Missy, I just think Fozzy like needs to hang.

0:21:51.840 --> 0:21:55.639
<v Speaker 4>It up, Like I just it's hard for me. You

0:21:55.680 --> 0:21:59.000
<v Speaker 4>think it's because he fucking sucks? Is that why? Well?

0:21:59.080 --> 0:22:01.200
<v Speaker 2>I think he's really he really stinks up the place

0:22:01.200 --> 0:22:04.520
<v Speaker 2>for a number of reasons. But like if all, like

0:22:04.560 --> 0:22:06.640
<v Speaker 2>a lot of the early Muppets movies are about them

0:22:06.680 --> 0:22:09.000
<v Speaker 2>trying to make it big, and it's like Fozzy is

0:22:09.040 --> 0:22:12.639
<v Speaker 2>an active hindrance. I'm not rooting for his success. I like,

0:22:14.560 --> 0:22:17.480
<v Speaker 2>he's not gonna make it. He's not going to make it,

0:22:17.520 --> 0:22:20.520
<v Speaker 2>and he's getting in everyone else's way, and I need

0:22:20.600 --> 0:22:24.120
<v Speaker 2>him to move back home. Where did they where? Because

0:22:24.440 --> 0:22:27.160
<v Speaker 2>I forget in the Muppet movie where you know.

0:22:27.680 --> 0:22:30.600
<v Speaker 4>He gets start from Yeah, I forget. Yeah, it's like

0:22:30.680 --> 0:22:33.720
<v Speaker 4>somewhere isn't he along the way? Don't they like he

0:22:34.560 --> 0:22:36.640
<v Speaker 4>find him somewhere along the way, Like.

0:22:36.920 --> 0:22:39.480
<v Speaker 2>Can I just be Yeah?

0:22:39.560 --> 0:22:42.920
<v Speaker 5>And it's like go back Elselezo Cafe, I think is

0:22:42.960 --> 0:22:43.760
<v Speaker 5>what it was called.

0:22:43.880 --> 0:22:47.320
<v Speaker 2>And realistically, Fozzy's got to go to grad school and

0:22:47.440 --> 0:22:48.920
<v Speaker 2>like he just has to pack it up.

0:22:49.080 --> 0:22:50.040
<v Speaker 1>He bums me out.

0:22:50.359 --> 0:22:52.399
<v Speaker 5>I just love you would be a character in him

0:22:52.480 --> 0:22:55.199
<v Speaker 5>up at film who plays like the bad Hollywood manager

0:22:55.200 --> 0:22:57.600
<v Speaker 5>who's like, look, Kermit, you got to get rid of Fozzy.

0:22:57.760 --> 0:23:00.240
<v Speaker 5>He's getting in the way. He's an active hindrance to

0:23:00.280 --> 0:23:04.000
<v Speaker 5>your career. Kid, Hey, he's a star. You've got a

0:23:04.119 --> 0:23:05.600
<v Speaker 5>natural charisma.

0:23:06.200 --> 0:23:10.320
<v Speaker 3>My friend of God. Get rid of this fuck the manager.

0:23:10.359 --> 0:23:12.600
<v Speaker 4>Isn't that like where managers come from, is they like

0:23:12.680 --> 0:23:15.120
<v Speaker 4>fail and then they're like, well, I didn't hang out

0:23:15.160 --> 0:23:15.919
<v Speaker 4>with these people.

0:23:16.080 --> 0:23:20.800
<v Speaker 2>Let's get Fozzy an internship at w m E. Let's

0:23:21.160 --> 0:23:23.280
<v Speaker 2>just figure something in the mail room.

0:23:23.359 --> 0:23:24.320
<v Speaker 3>Yeah, work your way up.

0:23:24.720 --> 0:23:28.399
<v Speaker 4>He could be Turtle Fazzy. I bet if you asked

0:23:28.400 --> 0:23:31.240
<v Speaker 4>Fozzy which entourage character he was, he'd be like.

0:23:31.280 --> 0:23:33.080
<v Speaker 3>Oh, I'm kind of evinced type.

0:23:37.119 --> 0:23:40.159
<v Speaker 4>Fucking not dude, are you?

0:23:40.240 --> 0:23:43.080
<v Speaker 2>Yeah, Fozzy and and and I don't know, I think

0:23:43.240 --> 0:23:45.479
<v Speaker 2>especially if I don't care. If you like Fozzy, if

0:23:45.480 --> 0:23:50.160
<v Speaker 2>Fozzy is your favorite, let's talk, because what does it mean.

0:23:50.800 --> 0:23:52.480
<v Speaker 4>Fozzy can't be anyone's favorite.

0:23:53.560 --> 0:23:55.120
<v Speaker 3>Point No, no.

0:23:55.240 --> 0:23:58.280
<v Speaker 5>I remember, because Fozzy to me was like bummy. I

0:23:58.320 --> 0:24:01.040
<v Speaker 5>didn't like his energy. I didn't like his fucking tie

0:24:01.359 --> 0:24:04.560
<v Speaker 5>or like scarf thing there was just didn't appeal to me.

0:24:04.800 --> 0:24:07.000
<v Speaker 3>Like I was Kermit Gang from the beginning.

0:24:07.240 --> 0:24:12.160
<v Speaker 2>Yes, absolutely, Kermit has there there's something about him.

0:24:12.320 --> 0:24:13.719
<v Speaker 1>There's just something about that.

0:24:15.160 --> 0:24:18.800
<v Speaker 4>We do ask on every episode, like if they actually

0:24:18.800 --> 0:24:23.439
<v Speaker 4>existed in reality in our world, would this icon have

0:24:23.560 --> 0:24:27.760
<v Speaker 4>been on the Epstein flight logs? And as we've already covered,

0:24:28.240 --> 0:24:32.720
<v Speaker 4>Miss Peggy not on the flight logs. But take another

0:24:32.760 --> 0:24:35.480
<v Speaker 4>look for Fozzy Yes, Sam, like there's it's only a

0:24:35.520 --> 0:24:38.640
<v Speaker 4>matter of time, like a failed comedian, like.

0:24:38.720 --> 0:24:41.840
<v Speaker 3>He would be on fucking kill Tony.

0:24:43.160 --> 0:24:45.959
<v Speaker 4>Who refuses to be in the same room as Miss Piggy,

0:24:46.080 --> 0:24:47.399
<v Speaker 4>as the woman in the group.

0:24:48.040 --> 0:24:50.240
<v Speaker 2>Fozzy would do a private event at mar A Lago.

0:24:50.440 --> 0:24:53.639
<v Speaker 2>He will, Yeah, he would have no issue about it.

0:24:53.680 --> 0:24:55.720
<v Speaker 2>And then he would say business is business.

0:24:56.040 --> 0:24:56.960
<v Speaker 3>He's exactly.

0:24:57.680 --> 0:25:01.159
<v Speaker 5>He's like, welcome to the Foston, Texas comedy scene, is

0:25:01.160 --> 0:25:02.240
<v Speaker 5>what you'd be telling people.

0:25:02.320 --> 0:25:05.800
<v Speaker 4>Yeah, yeah, he's lawless. He's like like all bad.

0:25:05.640 --> 0:25:07.959
<v Speaker 2>Comedians, he's gonna have to he's gonna, you know, the

0:25:08.000 --> 0:25:11.040
<v Speaker 2>only way for him to be successful is by going

0:25:11.080 --> 0:25:11.919
<v Speaker 2>full fascist.

0:25:12.240 --> 0:25:14.800
<v Speaker 3>Oh yeah, yeah, well and even then they're like this

0:25:14.880 --> 0:25:16.120
<v Speaker 3>guy fucking stinks.

0:25:16.480 --> 0:25:19.280
<v Speaker 2>Yeah, it's big game season. We're taking down.

0:25:19.160 --> 0:25:33.640
<v Speaker 4>Fozzy Fozzy Bear put his head on my wall. So

0:25:33.840 --> 0:25:37.880
<v Speaker 4>to your point about how seriously sometimes performers take their

0:25:38.200 --> 0:25:42.240
<v Speaker 4>roles frank Oza says that like Piggy is his. He

0:25:42.280 --> 0:25:45.119
<v Speaker 4>thinks Piggy was so successful because she's like got the

0:25:45.160 --> 0:25:48.879
<v Speaker 4>most depth and the most going on. And he wrote

0:25:48.880 --> 0:25:54.159
<v Speaker 4>a four page Stanislavskian analysis of Miss Piggy's life that

0:25:54.359 --> 0:25:56.200
<v Speaker 4>is like so dark.

0:25:57.240 --> 0:25:59.840
<v Speaker 2>Oh wait, does she have like a Charles entered him

0:25:59.840 --> 0:26:01.360
<v Speaker 2>and Cheese styles story?

0:26:01.760 --> 0:26:04.959
<v Speaker 4>Yeah, she has kind of a fucked up backstory, all right,

0:26:05.080 --> 0:26:08.040
<v Speaker 4>frank Oz. Although Miss Piggy is essentially humorous to me,

0:26:08.200 --> 0:26:11.240
<v Speaker 4>she's had a sad, difficult, painful life. This is not

0:26:11.359 --> 0:26:13.720
<v Speaker 4>for the audience to know, but the puppeteers should know

0:26:13.760 --> 0:26:15.760
<v Speaker 4>the background of any good character in order to be

0:26:15.760 --> 0:26:19.239
<v Speaker 4>able to improvise. I thought we would get like an

0:26:19.280 --> 0:26:24.120
<v Speaker 4>extensive martial arts background, but it's actually like depressing dust bullshit.

0:26:25.080 --> 0:26:27.480
<v Speaker 4>According to Oz, Piggy grew up in a small town.

0:26:27.560 --> 0:26:30.160
<v Speaker 4>Her father died when she was young. Her mother wasn't

0:26:30.160 --> 0:26:33.240
<v Speaker 4>that nice to her. She had to enter beauty contests

0:26:33.280 --> 0:26:36.720
<v Speaker 4>to survive. She has a lot of aggressiveness, but she

0:26:36.840 --> 0:26:39.880
<v Speaker 4>needs a lot to survive, as many single women do.

0:26:40.119 --> 0:26:42.520
<v Speaker 4>She has a lot of vulnerability which she has to

0:26:42.640 --> 0:26:45.720
<v Speaker 4>hide because of her need to be a superstar. He

0:26:45.800 --> 0:26:49.320
<v Speaker 4>also said the miss Piggy's father chased after other sows

0:26:49.520 --> 0:26:52.240
<v Speaker 4>and her mother had so many piglets she never found

0:26:52.320 --> 0:26:57.760
<v Speaker 4>time to develop her mind. I'll die before I live

0:26:57.880 --> 0:27:00.760
<v Speaker 4>like that, Piggy screamed. She then left for the city

0:27:00.920 --> 0:27:03.359
<v Speaker 4>and got a job wearing a sandwich board for and

0:27:03.400 --> 0:27:06.119
<v Speaker 4>this is where it gets like really fucked up for

0:27:06.200 --> 0:27:09.680
<v Speaker 4>a barbecue stand, and entered a beauty contest under the

0:27:09.760 --> 0:27:13.200
<v Speaker 4>name Laverne. Her big break was a bacon commercial, which

0:27:13.280 --> 0:27:15.520
<v Speaker 4>led her to a job as mascot for a local

0:27:15.560 --> 0:27:19.480
<v Speaker 4>TV sports cast called pig Skin Parade. And then she

0:27:19.640 --> 0:27:22.800
<v Speaker 4>got on The Muppet Show. Just like so much cannibalism

0:27:22.800 --> 0:27:26.879
<v Speaker 4>packed into the last like two paragraphs.

0:27:26.920 --> 0:27:28.679
<v Speaker 2>Oh my god.

0:27:28.920 --> 0:27:30.800
<v Speaker 3>This isn't for the public to know. This is the

0:27:30.880 --> 0:27:34.240
<v Speaker 3>performer on the flesh of her own mom.

0:27:34.160 --> 0:27:37.119
<v Speaker 5>Was so busy breeding that she didn't have time to

0:27:37.200 --> 0:27:42.359
<v Speaker 5>develop her mind, her mind. Oh, oh my god, I

0:27:42.400 --> 0:27:44.520
<v Speaker 5>thought I was gonna end like fucking grapes of wrath.

0:27:44.600 --> 0:27:47.000
<v Speaker 3>It's like and she had a breastfeed a dying man.

0:27:47.800 --> 0:27:50.280
<v Speaker 4>That really took a turn.

0:27:50.720 --> 0:27:54.760
<v Speaker 2>That told me a lot about frank oz I.

0:27:56.760 --> 0:27:58.800
<v Speaker 3>Where he was at that time, where.

0:27:58.560 --> 0:28:03.440
<v Speaker 2>He was at that is It's so brutal. I do

0:28:03.680 --> 0:28:06.960
<v Speaker 2>like that. I I rewatched a little bit of it

0:28:07.040 --> 0:28:10.879
<v Speaker 2>this morning, like a really good video essay about miss

0:28:10.880 --> 0:28:13.399
<v Speaker 2>Piggy by be kind Rewind on YouTube.

0:28:13.480 --> 0:28:15.679
<v Speaker 1>Yeah, yeah, yeah, I love her channel.

0:28:16.000 --> 0:28:17.720
<v Speaker 2>I like rewatched the first couple of minutes and I

0:28:17.760 --> 0:28:19.439
<v Speaker 2>was like, I gotta save it for the pod. I

0:28:19.480 --> 0:28:22.120
<v Speaker 2>was just hyped on the pig today. But like, yeah,

0:28:22.160 --> 0:28:25.199
<v Speaker 2>like how that story is, like that's way darker than

0:28:25.240 --> 0:28:27.480
<v Speaker 2>I was aware of. But it does feel like mapped

0:28:27.520 --> 0:28:31.480
<v Speaker 2>on like an old school like I'm just a little

0:28:31.480 --> 0:28:33.720
<v Speaker 2>girl from a little town and I had a hard

0:28:33.760 --> 0:28:34.879
<v Speaker 2>time and here at you know, it was like a

0:28:34.920 --> 0:28:38.720
<v Speaker 2>Marilyn Monroe kind of like sure I took some pictures

0:28:38.760 --> 0:28:41.959
<v Speaker 2>when I was a young Sure pig I wasn't proud of.

0:28:42.560 --> 0:28:44.520
<v Speaker 4>So what Yeah, And I mean maybe that's what the

0:28:44.640 --> 0:28:47.680
<v Speaker 4>like cannibalism is, you know, or the like having to

0:28:47.960 --> 0:28:51.320
<v Speaker 4>sell yourself out. Like I think there's probably like some

0:28:51.400 --> 0:28:54.120
<v Speaker 4>metaphors in there that are just like incredibly dark.

0:28:54.320 --> 0:28:57.720
<v Speaker 2>I love the I don't I don't have an issue

0:28:57.760 --> 0:29:01.200
<v Speaker 2>with that. Her mom catching astray like that, that was

0:29:01.280 --> 0:29:01.800
<v Speaker 2>really hard.

0:29:01.840 --> 0:29:03.560
<v Speaker 3>My mom's a dumb bitch.

0:29:03.800 --> 0:29:08.520
<v Speaker 5>That was really fucking to figure anything out anyway. So

0:29:08.560 --> 0:29:11.240
<v Speaker 5>Fazzi's actually what if his back is like, So Fozzy's

0:29:11.280 --> 0:29:14.720
<v Speaker 5>like actually a sick comedian dude, Like everybody loves him.

0:29:15.120 --> 0:29:17.680
<v Speaker 5>He's so fucking funny. When he enters a space, he

0:29:17.760 --> 0:29:18.160
<v Speaker 5>lights up.

0:29:18.160 --> 0:29:21.200
<v Speaker 4>The wishes she could get with Fozzy, But unfortunately on

0:29:21.360 --> 0:29:22.640
<v Speaker 4>both of them, the.

0:29:23.040 --> 0:29:27.960
<v Speaker 2>Comedic voice of a generation isn't always recognized right away.

0:29:28.360 --> 0:29:29.880
<v Speaker 2>Sometimes it takes some time.

0:29:30.000 --> 0:29:33.240
<v Speaker 5>My hope is that posthumously Fuzzy will be recognized for

0:29:33.320 --> 0:29:35.160
<v Speaker 5>his uh, his contributions.

0:29:35.240 --> 0:29:36.560
<v Speaker 1>But he's really the Venco.

0:29:37.200 --> 0:29:38.640
<v Speaker 3>I don't really Ozz.

0:29:38.720 --> 0:29:41.640
<v Speaker 5>His parents are like puppeteers, like kind of like renegade

0:29:41.720 --> 0:29:42.680
<v Speaker 5>puppeteers too.

0:29:42.800 --> 0:29:44.400
<v Speaker 4>Yeah, oh, puppet nepo.

0:29:44.560 --> 0:29:45.160
<v Speaker 3>That's fun.

0:29:45.560 --> 0:29:46.160
<v Speaker 2>That's fun.

0:29:46.240 --> 0:29:49.880
<v Speaker 5>They like escaped like like Holland or something in World

0:29:49.880 --> 0:29:52.920
<v Speaker 5>War two, and like his parents had puppets that mocked

0:29:52.960 --> 0:29:55.400
<v Speaker 5>eight off. Hitler was just reading like some of his

0:29:55.840 --> 0:29:58.800
<v Speaker 5>They were like about that ship puppeteers.

0:29:58.880 --> 0:30:03.000
<v Speaker 4>Yeah, yeah, shit, Okay, the puppet is mightier than the sword,

0:30:03.160 --> 0:30:07.000
<v Speaker 4>as they said, you know, the best way to criticize

0:30:07.240 --> 0:30:11.560
<v Speaker 4>to make a fool of people in power. One cool

0:30:11.600 --> 0:30:14.360
<v Speaker 4>detail that I think I actually got from the be

0:30:14.480 --> 0:30:18.800
<v Speaker 4>kind Rewind episode was that the reason she always wears

0:30:18.840 --> 0:30:21.520
<v Speaker 4>pink and purple and like aqua and like those colors

0:30:21.560 --> 0:30:24.760
<v Speaker 4>is because based on this backstory as psychological aversion to

0:30:24.800 --> 0:30:28.480
<v Speaker 4>the earth tones that she lived with on the farm. Wow,

0:30:29.640 --> 0:30:32.080
<v Speaker 4>that's like the sort of thing I was looking for,

0:30:32.480 --> 0:30:34.600
<v Speaker 4>you know. It's just like and here's like a fun

0:30:34.640 --> 0:30:38.000
<v Speaker 4>design detail that like we explain with and it's like

0:30:38.480 --> 0:30:42.240
<v Speaker 4>she was in a commercial for bad right wearing a

0:30:42.320 --> 0:30:43.160
<v Speaker 4>sandwich board.

0:30:43.280 --> 0:30:43.600
<v Speaker 3>Yeah.

0:30:43.800 --> 0:30:47.080
<v Speaker 2>Frankaus is like the coolest, one of the coolest people

0:30:47.280 --> 0:30:49.600
<v Speaker 2>to ever do anything. I was like the fact that

0:30:49.640 --> 0:30:54.720
<v Speaker 2>he co created Miss Piggy and then like directed Little

0:30:54.760 --> 0:30:58.720
<v Speaker 2>Shop of Horrors and like bow Finger.

0:30:58.600 --> 0:31:01.920
<v Speaker 3>Like it's just nuts. Wives that movie.

0:31:02.440 --> 0:31:05.880
<v Speaker 2>Okay, maybe not that one, that one, there's a couple

0:31:06.000 --> 0:31:07.360
<v Speaker 2>wee can skip a few.

0:31:07.280 --> 0:31:09.760
<v Speaker 1>But but like Little Shop a Horror.

0:31:10.000 --> 0:31:12.640
<v Speaker 3>Come on, that's great, that's good stuff.

0:31:12.720 --> 0:31:13.400
<v Speaker 2>It's amazing.

0:31:13.760 --> 0:31:14.800
<v Speaker 3>Oh yeah, and Yoda.

0:31:14.880 --> 0:31:17.320
<v Speaker 2>I guess the fact that Yoda's number three on the

0:31:17.360 --> 0:31:18.760
<v Speaker 2>list is impressible.

0:31:18.760 --> 0:31:19.480
<v Speaker 3>Oh yeah, yeah.

0:31:19.760 --> 0:31:24.400
<v Speaker 4>Behind this Piggy and Fozzy, I think that, like I

0:31:24.400 --> 0:31:26.440
<v Speaker 4>want to get to this later, but the fact that

0:31:26.640 --> 0:31:30.240
<v Speaker 4>they are one of the few fictional characters that can

0:31:30.920 --> 0:31:34.280
<v Speaker 4>like show up to Prince Charles's coronation and it like

0:31:34.400 --> 0:31:38.200
<v Speaker 4>makes sense, which kind of makes sense, but like I

0:31:38.200 --> 0:31:42.239
<v Speaker 4>feel like the Henson Company like treated them as if

0:31:42.320 --> 0:31:45.000
<v Speaker 4>they were real, which is maybe why they're like the

0:31:45.040 --> 0:31:47.280
<v Speaker 4>only fictional characters will accept as real.

0:31:47.800 --> 0:31:48.240
<v Speaker 3>Almost.

0:31:48.440 --> 0:31:51.200
<v Speaker 2>I was thinking this this morning, so like there's a

0:31:51.240 --> 0:31:54.160
<v Speaker 2>new Miss Piggy movie coming out and at some point,

0:31:54.200 --> 0:31:56.680
<v Speaker 2>which is like super excited about that I didn't know

0:31:56.680 --> 0:31:57.560
<v Speaker 2>about before today.

0:31:58.080 --> 0:32:01.920
<v Speaker 4>I was so excited. I was talking my colaskl Yes

0:32:02.400 --> 0:32:06.280
<v Speaker 4>and produced by Ammastone on the Stone and Jays.

0:32:06.560 --> 0:32:08.360
<v Speaker 1>It just it just makes sense.

0:32:09.040 --> 0:32:11.560
<v Speaker 2>But I was like, Okay, so we're assuming if we're

0:32:11.960 --> 0:32:14.840
<v Speaker 2>gonna say that movie's gonna be nominated for a.

0:32:14.840 --> 0:32:17.480
<v Speaker 4>Lot of Oscars, right, Yeah.

0:32:17.280 --> 0:32:21.880
<v Speaker 2>Does Miss Piggy get nominated for an Oscar? Miss Piggy

0:32:21.920 --> 0:32:26.520
<v Speaker 2>is still voiced by a man? Miss Piggy gets nominated

0:32:26.520 --> 0:32:28.680
<v Speaker 2>for the Oscar? Right, It doesn't work if Miss Piggy's

0:32:28.680 --> 0:32:31.720
<v Speaker 2>not nominated for the Oscar. But I mean the gender

0:32:31.760 --> 0:32:34.440
<v Speaker 2>lines and award categories are ridiculous anyways.

0:32:34.480 --> 0:32:36.040
<v Speaker 4>But like this unique case, You're.

0:32:35.920 --> 0:32:37.920
<v Speaker 3>Like, what do we do? It is funny.

0:32:37.920 --> 0:32:40.360
<v Speaker 5>It's like a Supreme Court case that changes everything. It's

0:32:40.400 --> 0:32:43.640
<v Speaker 5>like and in this scenario, how do we move forward?

0:32:43.880 --> 0:32:46.960
<v Speaker 4>We've actually there is precedent, speaking of the Supreme Court,

0:32:47.040 --> 0:32:49.880
<v Speaker 4>there is president for this because while so, yeah, she

0:32:50.000 --> 0:32:52.080
<v Speaker 4>really becomes the superstar with them up a movie in

0:32:52.160 --> 0:32:56.000
<v Speaker 4>nineteen seventy nine, you know, does the karate chop moment

0:32:56.040 --> 0:32:59.760
<v Speaker 4>of like realization. Frank Oz goes back and like writes

0:33:00.280 --> 0:33:03.760
<v Speaker 4>horrifying backstory, and suddenly she's this fully formed character. And

0:33:03.800 --> 0:33:07.400
<v Speaker 4>the Muppet Movie comes along and everyone is like, who

0:33:07.680 --> 0:33:10.360
<v Speaker 4>is that? Like they I mean, they knew her from

0:33:10.360 --> 0:33:13.320
<v Speaker 4>the show, but like she really Like I was watching

0:33:13.360 --> 0:33:15.760
<v Speaker 4>the Ciskel and Ebert review of The Muppet Movie and

0:33:15.800 --> 0:33:19.160
<v Speaker 4>Ciskel was like, I only liked the movie when she

0:33:19.280 --> 0:33:22.800
<v Speaker 4>was on screen, Like he was like so smitten with

0:33:22.880 --> 0:33:25.640
<v Speaker 4>Miss Piggy. He also like he's also like the part

0:33:25.680 --> 0:33:27.360
<v Speaker 4>where they like flip her upside down and you see

0:33:27.360 --> 0:33:31.440
<v Speaker 4>how bigger thighs are. It's like, oh my gosh, okay man,

0:33:32.800 --> 0:33:36.600
<v Speaker 4>oh cool. There was a fan led campaign to get

0:33:36.640 --> 0:33:39.800
<v Speaker 4>Miss Piggy an Academy Award nomination for Best Actress. Two

0:33:39.800 --> 0:33:43.760
<v Speaker 4>fans in Cincinnati launched CAMPO, which stood for the Committee

0:33:43.760 --> 0:33:47.680
<v Speaker 4>to Award Miss Piggy and Oscar. They received thirty five

0:33:47.800 --> 0:33:52.000
<v Speaker 4>thousand letters of support and delivered them to the Academy

0:33:52.000 --> 0:33:56.080
<v Speaker 4>of Motion Picture Arts and Sciences. In response, the Academy

0:33:56.360 --> 0:33:59.600
<v Speaker 4>made this statement, which I just have to include for

0:33:59.720 --> 0:34:02.880
<v Speaker 4>like just a massive l. While the Academy does not

0:34:03.040 --> 0:34:06.880
<v Speaker 4>participate in the pork barrel campaigns, which are an unfortunate

0:34:06.920 --> 0:34:09.799
<v Speaker 4>part of the annual OSCAR campaign, we do wish you

0:34:09.920 --> 0:34:13.680
<v Speaker 4>appropriate success with your commendable support of such a weighty

0:34:13.880 --> 0:34:22.200
<v Speaker 4>candidate of Academy honors. Oh, guys, get fucked honestly fast.

0:34:22.960 --> 0:34:23.840
<v Speaker 2>That's sasty.

0:34:24.280 --> 0:34:26.960
<v Speaker 1>She I mean, miss Piggy has to have been gone

0:34:26.960 --> 0:34:28.440
<v Speaker 1>to the Oscars before.

0:34:28.520 --> 0:34:33.560
<v Speaker 4>She has, so she at those Oscars presented or I

0:34:33.600 --> 0:34:37.520
<v Speaker 4>think introduced Rainbow Connection, which was nominated that year, and

0:34:37.600 --> 0:34:40.200
<v Speaker 4>like did a bit about how she couldn't fucking believe

0:34:40.239 --> 0:34:43.080
<v Speaker 4>that she wasn't nominated, which was like, really good it

0:34:43.120 --> 0:34:43.560
<v Speaker 4>was her.

0:34:43.719 --> 0:34:47.520
<v Speaker 1>Johnny Carson and insult her in the same I.

0:34:47.520 --> 0:34:53.399
<v Speaker 4>Know that's saety backhanded then she So nineteen seventy nine,

0:34:53.480 --> 0:34:57.000
<v Speaker 4>Big Year was on the cover of People magazine, which

0:34:57.040 --> 0:35:00.560
<v Speaker 4>referred to her as the Muppet Movies New section. Scottis

0:35:01.680 --> 0:35:04.799
<v Speaker 4>the late seventies were like so weird. I don't know,

0:35:04.880 --> 0:35:07.719
<v Speaker 4>so she's she talks about how the Queen tried to

0:35:07.719 --> 0:35:11.080
<v Speaker 4>fix her up with Prince Charles better than Prince Andrew.

0:35:11.280 --> 0:35:13.280
<v Speaker 4>Thank god, I don't think.

0:35:13.440 --> 0:35:16.000
<v Speaker 2>That would be a real stand on that would that

0:35:16.040 --> 0:35:18.000
<v Speaker 2>would not bode well for the flight log side.

0:35:18.080 --> 0:35:20.040
<v Speaker 3>Yeah, that would have been she wouldn't have been on there.

0:35:20.080 --> 0:35:20.160
<v Speaker 4>Man.

0:35:20.200 --> 0:35:21.520
<v Speaker 3>She would have chopped the ship out of him.

0:35:21.600 --> 0:35:22.080
<v Speaker 4>That's true.

0:35:22.160 --> 0:35:24.319
<v Speaker 2>Yeah, he wouldn't have made it. Maybe she could have.

0:35:24.440 --> 0:35:26.480
<v Speaker 2>She would have killed him. Yeah.

0:35:26.080 --> 0:35:29.440
<v Speaker 4>The article also suggests Elliott Gould suggests that he fucked

0:35:29.440 --> 0:35:33.240
<v Speaker 4>Miss Piggy in it. He says, I turned down Miss Universe,

0:35:33.360 --> 0:35:35.320
<v Speaker 4>but I couldn't turn down Miss Piggy.

0:35:35.600 --> 0:35:38.879
<v Speaker 2>That actually that pairing. I feel like Elliott Gould does

0:35:38.960 --> 0:35:40.879
<v Speaker 2>have like a little bit of current about him.

0:35:41.160 --> 0:35:43.520
<v Speaker 3>Like she's got a type, Yeah.

0:35:43.120 --> 0:35:45.360
<v Speaker 4>For sure, a type. You got that frog in him,

0:35:45.480 --> 0:35:51.960
<v Speaker 4>He's got he got that frogs early eighties. She has

0:35:52.080 --> 0:35:55.759
<v Speaker 4>such a weird Yeah, good guy who fucks. But everybody,

0:35:56.200 --> 0:35:58.440
<v Speaker 4>I feel like everybody in the late seventies had like

0:35:59.640 --> 0:36:04.520
<v Speaker 4>guy with a ponytail from a documentary about like Orgi's Energy,

0:36:04.640 --> 0:36:07.040
<v Speaker 4>where they're just like we're just here to enjoy each

0:36:07.040 --> 0:36:11.279
<v Speaker 4>other's bodies and like yeah, it's just like I don't that.

0:36:11.320 --> 0:36:15.000
<v Speaker 2>Guy's always there and he's like, oh god, it's yeah,

0:36:15.239 --> 0:36:16.440
<v Speaker 2>it reminds me of that there.

0:36:16.600 --> 0:36:18.600
<v Speaker 1>It's like a kind of an older video now.

0:36:18.600 --> 0:36:22.359
<v Speaker 2>But Chris Fleming made a great song about Polly Couples

0:36:22.680 --> 0:36:24.560
<v Speaker 2>years and years ago, where it's like, it's never the

0:36:24.640 --> 0:36:28.600
<v Speaker 2>person you want to be Pollie, who's Polly, it's a

0:36:28.640 --> 0:36:30.799
<v Speaker 2>guy being like I have one hundred board games at

0:36:30.800 --> 0:36:32.799
<v Speaker 2>my house, like.

0:36:34.280 --> 0:36:37.919
<v Speaker 4>No, no, But in this case we're talking about Elliott Gould,

0:36:38.000 --> 0:36:41.520
<v Speaker 4>which I would I'm on board with miss Piggy and

0:36:41.520 --> 0:36:42.120
<v Speaker 4>Elliott Gould.

0:36:42.160 --> 0:36:42.960
<v Speaker 3>I love that rumor.

0:36:43.239 --> 0:36:44.759
<v Speaker 1>Yeah that would make Kermit jealous too.

0:36:44.960 --> 0:36:45.919
<v Speaker 4>Oh hell yeah.

0:36:46.960 --> 0:36:47.160
<v Speaker 3>Yeah.

0:36:47.200 --> 0:36:50.319
<v Speaker 4>We'll get to their relationship. But it's I don't know,

0:36:50.320 --> 0:36:52.680
<v Speaker 4>going back and rewatching some of the stuff. I was like,

0:36:53.000 --> 0:36:56.239
<v Speaker 4>I don't love how he treats her, like obviously, like

0:36:56.280 --> 0:37:01.719
<v Speaker 4>there's a big like re examination of her, like hitting him,

0:37:01.840 --> 0:37:05.440
<v Speaker 4>but also he's like kind of a dick sometimes to her, like.

0:37:06.840 --> 0:37:08.399
<v Speaker 5>Trying to put a wedge between him so you can

0:37:08.440 --> 0:37:10.480
<v Speaker 5>move in on this, like I don't know, girl, like

0:37:10.520 --> 0:37:12.000
<v Speaker 5>I feel like she could do better.

0:37:13.680 --> 0:37:17.080
<v Speaker 1>Well, you're like like me for example, So I'm just saying.

0:37:16.960 --> 0:37:18.520
<v Speaker 3>Like I don't know, I don't know. I got like

0:37:18.560 --> 0:37:20.240
<v Speaker 3>one hundred board games back in White Place.

0:37:22.760 --> 0:37:25.279
<v Speaker 4>I haven't taken my hat off yet, but I'll let

0:37:25.320 --> 0:37:26.520
<v Speaker 4>the ponytail drop out.

0:37:26.480 --> 0:37:27.000
<v Speaker 3>A little bit.

0:37:27.680 --> 0:37:31.000
<v Speaker 1>That would be a ponytail.

0:37:30.480 --> 0:37:35.000
<v Speaker 3>Reveal, shaking it out. Yeah, this is who I am.

0:37:35.280 --> 0:37:37.560
<v Speaker 5>Like when the nerdy character takes the pencil out of

0:37:37.560 --> 0:37:39.560
<v Speaker 5>their hair and like an eighties like, oh god, like

0:37:39.719 --> 0:37:41.319
<v Speaker 5>whoa long hair.

0:37:42.000 --> 0:37:45.840
<v Speaker 1>But it's kind of like kind of perpetually wet ponytail, just.

0:37:45.880 --> 0:37:47.440
<v Speaker 3>Like a greasy as ponytail.

0:37:47.680 --> 0:37:50.920
<v Speaker 5>It doesn't really like flare out, it's just stuff together

0:37:50.960 --> 0:37:52.600
<v Speaker 5>a little bit like a pig's tail.

0:37:53.400 --> 0:37:54.080
<v Speaker 3>People, Magsie.

0:37:54.120 --> 0:37:56.520
<v Speaker 4>I also just like this detail from the article because

0:37:56.520 --> 0:37:59.719
<v Speaker 4>it was the late seventies and they said the gossipis

0:37:59.760 --> 0:38:02.880
<v Speaker 4>plan that Piggy might be pregnant or had a drinking problem,

0:38:03.000 --> 0:38:05.960
<v Speaker 4>or perhaps a coke addiction, because certainly she has the

0:38:06.000 --> 0:38:10.880
<v Speaker 4>equipment to be snorting something I do just like the

0:38:10.960 --> 0:38:14.359
<v Speaker 4>coke was a fun drug back then, Like they're just

0:38:14.440 --> 0:38:18.000
<v Speaker 4>like we're all doing it. Wouldn't it be cool to

0:38:18.360 --> 0:38:20.680
<v Speaker 4>snort choke with giant pig nostrils?

0:38:20.880 --> 0:38:21.320
<v Speaker 7>Oh my?

0:38:23.719 --> 0:38:25.960
<v Speaker 5>I think if your people pulling out that puppet like

0:38:26.000 --> 0:38:28.239
<v Speaker 5>at parties and being like, yo, dude, let's fucking do

0:38:28.280 --> 0:38:29.360
<v Speaker 5>a line with Miss Piggy.

0:38:29.400 --> 0:38:31.120
<v Speaker 3>They're like, guys, I really shouldn't.

0:38:31.160 --> 0:38:34.160
<v Speaker 5>It's really for performances to like, come on, dude, pull

0:38:34.160 --> 0:38:34.920
<v Speaker 5>her out of the case.

0:38:35.040 --> 0:38:37.000
<v Speaker 3>Let's do a couple of rails with Miss Piggy.

0:38:37.280 --> 0:38:39.440
<v Speaker 2>She I feel like she she would do it as

0:38:39.600 --> 0:38:42.400
<v Speaker 2>in the seventies she did it as a party trick parties.

0:38:42.440 --> 0:38:47.719
<v Speaker 5>Frank Oz was definitely doing It'd be like, oh, I.

0:38:48.000 --> 0:38:51.280
<v Speaker 1>Like and I don't And is that a fun energy

0:38:51.320 --> 0:38:53.520
<v Speaker 1>to bring? I think it sounds fun. But when it

0:38:53.600 --> 0:38:56.239
<v Speaker 1>actually happened, you're like, yeah, man, this is not good.

0:38:56.400 --> 0:38:57.600
<v Speaker 2>We got to get home.

0:38:59.040 --> 0:39:01.239
<v Speaker 5>And it's after as the high is wearing off, You're like, damn,

0:39:01.280 --> 0:39:02.200
<v Speaker 5>what the fuck am I doing?

0:39:02.239 --> 0:39:03.480
<v Speaker 3>Man, you can't do.

0:39:03.480 --> 0:39:08.719
<v Speaker 2>A pigs do Folks, I'm looking at the Muppet wiki is.

0:39:10.160 --> 0:39:11.480
<v Speaker 1>Unbelievably thorough.

0:39:11.600 --> 0:39:14.200
<v Speaker 4>I just like, yeah, it's got its own it's like

0:39:14.320 --> 0:39:18.680
<v Speaker 4>Woki Wikipedia, like it's its whole universe over there.

0:39:18.760 --> 0:39:21.000
<v Speaker 2>Because I was curious, I'm sure we'll talk about it,

0:39:21.160 --> 0:39:24.400
<v Speaker 2>like how like Miss like the Academy Award, think like

0:39:24.440 --> 0:39:26.799
<v Speaker 2>the way that people talk about Miss Piggy's body is

0:39:26.840 --> 0:39:31.560
<v Speaker 2>so like charged and uh, but like she never talks

0:39:31.560 --> 0:39:33.719
<v Speaker 2>about herself that way, which I love about her. She's

0:39:33.760 --> 0:39:35.160
<v Speaker 2>like so confident and amazing.

0:39:35.560 --> 0:39:38.400
<v Speaker 1>But there's a whole page on muppet Wiki this is

0:39:38.480 --> 0:39:42.120
<v Speaker 1>Miss Piggy's weight, and it's just a list of hundreds

0:39:42.160 --> 0:39:44.080
<v Speaker 1>of references. I was like this, who did this?

0:39:44.800 --> 0:39:45.399
<v Speaker 4>H did this?

0:39:45.560 --> 0:39:50.000
<v Speaker 1>And and can I I don't know for certain Wikipedia pages.

0:39:50.040 --> 0:39:51.440
<v Speaker 1>You're like this is against God.

0:39:51.880 --> 0:39:54.959
<v Speaker 4>But but I.

0:39:54.880 --> 0:39:58.360
<v Speaker 3>Do appreciate that the all yeah, yeah, yeah.

0:39:58.480 --> 0:40:01.640
<v Speaker 4>She was introduced to a whole new generation with Muppet Babies.

0:40:01.640 --> 0:40:02.880
<v Speaker 4>Did you guys watch Muppet Babies?

0:40:02.960 --> 0:40:03.799
<v Speaker 3>Was that before your time?

0:40:04.160 --> 0:40:04.359
<v Speaker 4>Yeah?

0:40:04.760 --> 0:40:10.200
<v Speaker 2>I did babies, missus the miss Piggy. Muppet Baby is

0:40:10.239 --> 0:40:13.319
<v Speaker 2>like a little too sexy for me. Yeah, what's going

0:40:13.360 --> 0:40:16.320
<v Speaker 2>on there? Did you guys like Muppet Babies? I didn't.

0:40:16.640 --> 0:40:17.920
<v Speaker 2>I didn't watch it. Grow it now.

0:40:18.360 --> 0:40:21.080
<v Speaker 5>I was like, I mean, I was so. It was

0:40:21.120 --> 0:40:23.920
<v Speaker 5>one of the first cartoons I remember watching Watch Baby.

0:40:24.760 --> 0:40:25.279
<v Speaker 4>I remember it.

0:40:25.600 --> 0:40:26.560
<v Speaker 3>Yeah, And then there was.

0:40:26.520 --> 0:40:28.719
<v Speaker 5>The cartoon I remember there was like a kind of

0:40:28.760 --> 0:40:30.600
<v Speaker 5>there's like a reference to Star Wars and like the

0:40:30.640 --> 0:40:32.200
<v Speaker 5>opening that I really liked that.

0:40:32.320 --> 0:40:34.799
<v Speaker 4>I was like obsessed with other than that. Yeah, it

0:40:34.840 --> 0:40:37.279
<v Speaker 4>was the opening is the thing is the iconic thing.

0:40:37.400 --> 0:40:41.000
<v Speaker 4>And then Nanny's legs, like they had a overseer who

0:40:41.040 --> 0:40:43.680
<v Speaker 4>you only saw her like stockings.

0:40:44.000 --> 0:40:45.760
<v Speaker 1>Yeah, oh yeah, like Charlie Brown.

0:40:45.560 --> 0:40:48.799
<v Speaker 4>Style, right, yeah, yeah, you just saw her like calves

0:40:48.920 --> 0:40:50.640
<v Speaker 4>and it was like very mysterious.

0:40:50.800 --> 0:40:53.040
<v Speaker 2>I love that they did that on Cow and Chicken too.

0:40:53.239 --> 0:40:55.680
<v Speaker 2>That was like when I really loved Yeah, when it's

0:40:55.719 --> 0:40:56.360
<v Speaker 2>just the legs.

0:40:56.719 --> 0:40:59.960
<v Speaker 4>That was a Marvel joint. By the way, Marvel Common

0:41:00.160 --> 0:41:04.480
<v Speaker 4>Animation Department technically made the Muppet Babies, so that's the

0:41:04.520 --> 0:41:06.399
<v Speaker 4>first because it was like the.

0:41:06.560 --> 0:41:09.120
<v Speaker 1>Cheap o animation style of of Yeah.

0:41:08.920 --> 0:41:11.880
<v Speaker 4>Probably they were probably like already making you know, a

0:41:11.880 --> 0:41:14.439
<v Speaker 4>Spider Man comic and we're like, what about what about this?

0:41:15.239 --> 0:41:17.880
<v Speaker 1>We made the Muppet Sexy Babies.

0:41:18.920 --> 0:41:21.440
<v Speaker 4>There's a lot of weird continuity stuff in there, like

0:41:21.520 --> 0:41:25.800
<v Speaker 4>there's a reveal that Statler and Waldorf are the muppets uncles,

0:41:26.239 --> 0:41:27.719
<v Speaker 4>but like, I don't I don't think we need to

0:41:27.719 --> 0:41:30.640
<v Speaker 4>like get too into continuity because I don't, like I

0:41:30.640 --> 0:41:33.880
<v Speaker 4>think the premise is that like the Muppets are all actors,

0:41:34.000 --> 0:41:37.520
<v Speaker 4>Like this is just a SNL style like thing where

0:41:37.520 --> 0:41:40.920
<v Speaker 4>it's like they're just playing different versions of themselves and

0:41:41.000 --> 0:41:44.120
<v Speaker 4>you like never know what's real, so you don't have

0:41:44.200 --> 0:41:46.360
<v Speaker 4>to like worry too much that Statler and Waldorf for

0:41:46.480 --> 0:41:50.240
<v Speaker 4>actually just the worst uncles of all time? Right worried?

0:41:51.000 --> 0:41:54.480
<v Speaker 5>Did you worry that Scott Gardner cartoon Tiny Buppets?

0:41:54.760 --> 0:41:57.640
<v Speaker 3>Yes? Oh yeah, it's so good.

0:41:58.840 --> 0:42:02.799
<v Speaker 5>It was like the Brazilian Mummy Babies when it was

0:42:02.840 --> 0:42:05.879
<v Speaker 5>called like Cormet and Gonzor.

0:42:08.680 --> 0:42:11.320
<v Speaker 3>Was just called I think it's miss woman or something.

0:42:13.880 --> 0:42:17.360
<v Speaker 2>Shit it Miss Piggy is probably the best case scenario

0:42:17.680 --> 0:42:20.879
<v Speaker 2>of like the missus Lady character right like there, it.

0:42:20.880 --> 0:42:21.960
<v Speaker 3>Really isn't right.

0:42:22.239 --> 0:42:24.319
<v Speaker 2>I can't think of them where because it's like they

0:42:24.320 --> 0:42:27.160
<v Speaker 2>try to emulate it a bajillion times or like I

0:42:27.160 --> 0:42:29.600
<v Speaker 2>don't know, I always go back to chuck e cheeselare

0:42:29.760 --> 0:42:33.440
<v Speaker 2>as I want to do and they have a missus Lady,

0:42:33.920 --> 0:42:36.680
<v Speaker 2>like you always have to have one girl, not even

0:42:36.719 --> 0:42:39.960
<v Speaker 2>because you care, but so you can make pencil boxes

0:42:40.000 --> 0:42:43.480
<v Speaker 2>for girls, right right, But miss Piggy, like they just

0:42:43.960 --> 0:42:46.160
<v Speaker 2>there was something in that coke that was special.

0:42:46.800 --> 0:42:49.040
<v Speaker 3>Yeah.

0:42:48.640 --> 0:42:50.719
<v Speaker 4>Uh, Brian, I'm gonna have to ask you to stop

0:42:50.760 --> 0:42:54.320
<v Speaker 4>putting pictures of a fazzy var next to Burt Kreischer

0:42:54.560 --> 0:42:54.799
<v Speaker 4>in the.

0:42:56.440 --> 0:42:56.720
<v Speaker 3>Chat.

0:42:56.800 --> 0:43:00.239
<v Speaker 4>It's too distracting. They do both wear brown hats and

0:43:01.000 --> 0:43:01.600
<v Speaker 4>no shirt.

0:43:02.719 --> 0:43:06.800
<v Speaker 2>Well, I don't sell Brian's hard work short. He's finding

0:43:06.880 --> 0:43:14.200
<v Speaker 2>exact poses that are identical. It's like, it's alarming.

0:43:14.520 --> 0:43:15.400
<v Speaker 3>That's crazy.

0:43:15.960 --> 0:43:20.040
<v Speaker 4>Bert Crasers just modeled his career off Fuzzy. That's wild.

0:43:20.080 --> 0:43:22.960
<v Speaker 3>No fucking have a backstory, man, gotta have a backstory.

0:43:23.120 --> 0:43:27.520
<v Speaker 4>So Miss Piggy is seen as an lgbt Q plus icon,

0:43:28.040 --> 0:43:31.799
<v Speaker 4>which is wild because it started from a place where

0:43:31.840 --> 0:43:36.760
<v Speaker 4>Frank and and We'll get to a quote from Marlon

0:43:36.760 --> 0:43:39.160
<v Speaker 4>Brando that I think will kind of put some of

0:43:39.160 --> 0:43:41.719
<v Speaker 4>this into context. But he once told reporters about how

0:43:41.760 --> 0:43:44.719
<v Speaker 4>Piggy takes over and when he talks about her, he

0:43:44.760 --> 0:43:48.040
<v Speaker 4>will become her, using her voice and even adopting her personality,

0:43:48.400 --> 0:43:51.160
<v Speaker 4>and then added, but let's get it straight that I'm straight.

0:43:52.000 --> 0:43:57.280
<v Speaker 4>It's like, okay, all right, man, cool, Okay.

0:43:57.440 --> 0:43:59.000
<v Speaker 2>He keeps telling on himself.

0:43:59.160 --> 0:44:03.200
<v Speaker 4>Really, I know other artists were like, I sculpted the

0:44:03.280 --> 0:44:06.240
<v Speaker 4>David out of appreciation for the human body. Just because

0:44:06.280 --> 0:44:08.600
<v Speaker 4>I sent three weeks on the dick doesn't mean I'm

0:44:08.640 --> 0:44:09.240
<v Speaker 4>not straight.

0:44:09.880 --> 0:44:15.399
<v Speaker 3>Yeah, look at his biceps though. Look at those things. Man, sick, right, sick.

0:44:15.440 --> 0:44:17.440
<v Speaker 4>I'm sure a straight guy could do.

0:44:17.880 --> 0:44:20.839
<v Speaker 3>Got to be straight, understand, dude, dick like that.

0:44:21.880 --> 0:44:24.719
<v Speaker 4>After he became a successful film director, he was still

0:44:24.719 --> 0:44:27.240
<v Speaker 4>associated with Miss Piggy. When he directed the two thousand

0:44:27.239 --> 0:44:30.200
<v Speaker 4>and one crime movie The Score, an annoyed Marlon Brando

0:44:30.280 --> 0:44:33.440
<v Speaker 4>would reportedly only refer to the director as miss Piggy.

0:44:34.239 --> 0:44:39.040
<v Speaker 4>Just like, Okay, that's brutal. I just like the seventies,

0:44:39.400 --> 0:44:42.400
<v Speaker 4>just any anyone who was like famous in the seventies

0:44:42.480 --> 0:44:44.920
<v Speaker 4>was just like broken by toxic masculinity.

0:44:45.000 --> 0:44:46.640
<v Speaker 3>They're just like never recovered.

0:44:47.000 --> 0:44:52.279
<v Speaker 2>That's yeah, that's a bummer. Yeah, man, I I don't

0:44:52.560 --> 0:44:55.319
<v Speaker 2>I don't know. Maybe there's something I don't know very

0:44:55.400 --> 0:44:58.200
<v Speaker 2>much about Marlon Brando, and it's kind of like none

0:44:58.239 --> 0:45:00.200
<v Speaker 2>of my business when I see Marlin.

0:45:01.320 --> 0:45:04.359
<v Speaker 3>We're good here. It's not for me. That's not really

0:45:04.360 --> 0:45:04.719
<v Speaker 3>for me.

0:45:04.840 --> 0:45:08.360
<v Speaker 2>I don't need to know about all of that, especially

0:45:08.360 --> 0:45:12.359
<v Speaker 2>if he's bullying Frank Gaws to the Frank Oz has to.

0:45:12.880 --> 0:45:16.799
<v Speaker 8>Respond in a toxic way to the world, right exactly

0:45:17.920 --> 0:45:21.759
<v Speaker 8>two thousand and one, Brando, Dude, that's like, oh that's

0:45:21.920 --> 0:45:28.320
<v Speaker 8>a yeah, that's doctor Moreau, you're talking.

0:45:29.920 --> 0:45:30.520
<v Speaker 2>That's tough.

0:45:30.920 --> 0:45:34.240
<v Speaker 4>But Eric Johnson, who's been playing Piggy since Oz stepped

0:45:34.239 --> 0:45:36.799
<v Speaker 4>away from the part in two thousand, said in an

0:45:36.840 --> 0:45:40.000
<v Speaker 4>interview that Piggy is a drag act. It's where some

0:45:40.040 --> 0:45:42.600
<v Speaker 4>of the comedy comes from. He did not go on

0:45:42.680 --> 0:45:46.200
<v Speaker 4>to clarify I've slept with like twenty three women of

0:45:46.320 --> 0:45:48.880
<v Speaker 4>them have said, I'm like, good, it sucks. But he

0:45:49.000 --> 0:45:52.200
<v Speaker 4>cited Oz's early description of Piggy as a truck driver

0:45:52.320 --> 0:45:55.120
<v Speaker 4>in a woman's body, and then argued that the character

0:45:55.280 --> 0:45:58.120
<v Speaker 4>breaks down genderbearers, which I think is.

0:45:58.120 --> 0:46:00.879
<v Speaker 2>Right, all right, Eric, nice. Eric.

0:46:01.560 --> 0:46:04.080
<v Speaker 4>People have also pointed out that Chapel Roone seems to

0:46:04.320 --> 0:46:07.640
<v Speaker 4>pull a lot from drag and also Miss Piggy, Like

0:46:07.719 --> 0:46:12.520
<v Speaker 4>there are a couple side by side pictures where it's like, oh, yeah.

0:46:11.600 --> 0:46:14.440
<v Speaker 3>She might have literally Miss Piggy style.

0:46:14.520 --> 0:46:18.360
<v Speaker 2>Man, Yeah, it's perfect. Miss Piggy also has a wide

0:46:18.440 --> 0:46:23.440
<v Speaker 2>variety of wigs. Yeah, she's just she's maximal.

0:46:23.600 --> 0:46:25.960
<v Speaker 3>She loves animal print, you know.

0:46:28.920 --> 0:46:31.719
<v Speaker 4>But yeah, that that be kind rewind video it's called

0:46:32.040 --> 0:46:34.600
<v Speaker 4>Miss Piggy. Camp and the Death of the Movie Star

0:46:35.680 --> 0:46:37.840
<v Speaker 4>has a really good quote from a camp theorist talking

0:46:37.840 --> 0:46:42.040
<v Speaker 4>about Camp as this like pure surface level celebration of

0:46:42.360 --> 0:46:44.200
<v Speaker 4>like the kind of hoops we have to jump through

0:46:44.239 --> 0:46:47.080
<v Speaker 4>to live our lives. They say, to appreciate camp and

0:46:47.200 --> 0:46:49.680
<v Speaker 4>things or persons is to perceive the notion of life

0:46:49.719 --> 0:46:53.680
<v Speaker 4>as theater being versus role playing reality and appearance, which

0:46:53.719 --> 0:46:56.560
<v Speaker 4>I think is like kind of a perfect frame to

0:46:56.680 --> 0:47:00.440
<v Speaker 4>think of Miss Piggy and kind of the Muppets through. Yeah, yeah,

0:47:00.719 --> 0:47:14.960
<v Speaker 4>it's a good video. Miss Piggy as a feminist icon.

0:47:15.400 --> 0:47:17.560
<v Speaker 4>That's just you know, a lot of people talking about

0:47:17.719 --> 0:47:22.520
<v Speaker 4>body positivity role model who subverts, Like the original punchline

0:47:22.600 --> 0:47:25.480
<v Speaker 4>of her origin is like a you know, lipstick on

0:47:25.520 --> 0:47:27.920
<v Speaker 4>a pig like that sort of thing. But she just

0:47:28.000 --> 0:47:31.360
<v Speaker 4>like I didn't even I hadn't ever even thought about

0:47:31.360 --> 0:47:35.800
<v Speaker 4>that being the original joke until somebody like reading about

0:47:35.840 --> 0:47:38.680
<v Speaker 4>the origin is like, oh yeah, I get it. But

0:47:38.719 --> 0:47:41.680
<v Speaker 4>it's like no, she's just like so glamorous that like

0:47:41.719 --> 0:47:45.680
<v Speaker 4>you don't even. She just like owns it. She's completely confident.

0:47:46.000 --> 0:47:49.400
<v Speaker 4>I feel like you don't like have that initial like

0:47:50.239 --> 0:47:53.240
<v Speaker 4>she's ugly but pretty type thing. It's just like she's

0:47:53.840 --> 0:47:57.040
<v Speaker 4>her own character, that extensive backstory.

0:47:57.320 --> 0:48:00.640
<v Speaker 2>I also like that, like I guess the Miss Piggy

0:48:00.760 --> 0:48:04.759
<v Speaker 2>era I most associate her with, and I like the

0:48:04.840 --> 0:48:08.920
<v Speaker 2>best is that her like kind of nineties Miss Piggy

0:48:08.920 --> 0:48:11.400
<v Speaker 2>where she's kind of like girl boss single a little

0:48:11.440 --> 0:48:14.719
<v Speaker 2>bit like she's a she's a career girl, and she's

0:48:14.760 --> 0:48:18.280
<v Speaker 2>also like a ruthless kind of quite evil career girl.

0:48:18.520 --> 0:48:20.040
<v Speaker 2>And I love that.

0:48:20.400 --> 0:48:23.520
<v Speaker 4>Which one is that? What is that in the ruthless?

0:48:23.920 --> 0:48:25.719
<v Speaker 2>I feel like, I mean most of them I'm thinking of.

0:48:25.760 --> 0:48:29.440
<v Speaker 2>I think it's maybe a Muppets take Manhattan where she's

0:48:29.520 --> 0:48:33.600
<v Speaker 2>really rallying for parts and she'll like lie to get parts.

0:48:33.719 --> 0:48:37.080
<v Speaker 2>She just like she's you know, she's a diva, she's

0:48:37.080 --> 0:48:39.759
<v Speaker 2>an Yeah, And I like that, Yeah, it would be

0:48:39.800 --> 0:48:41.759
<v Speaker 2>it would have been easy to keep the focus on

0:48:41.800 --> 0:48:44.320
<v Speaker 2>her like obsession with Kermit, which like it always does.

0:48:44.680 --> 0:48:49.360
<v Speaker 2>But I feel like her her passions of Kermit and uh,

0:48:49.760 --> 0:48:53.640
<v Speaker 2>you know, being famous are like in Lockstep, So it's

0:48:53.640 --> 0:48:57.719
<v Speaker 2>like almost weird that she had, Like they haven't like

0:48:57.840 --> 0:49:02.160
<v Speaker 2>adapted her to the modern era very frequently.

0:49:02.239 --> 0:49:05.080
<v Speaker 1>I guess maybe this Coloskull and Miss Piggy.

0:49:05.239 --> 0:49:08.319
<v Speaker 4>Yeah, written by col Skull who made o Mary for

0:49:08.520 --> 0:49:13.960
<v Speaker 4>people who aren't familiar but so so funny. Yeah, like

0:49:14.040 --> 0:49:17.760
<v Speaker 4>it could really like get into brilliant dark shut.

0:49:17.600 --> 0:49:21.439
<v Speaker 5>Which what if it's a dust bowl? He's like, I look,

0:49:21.560 --> 0:49:24.319
<v Speaker 5>I went to the source and I just had to

0:49:24.320 --> 0:49:24.839
<v Speaker 5>adapt this.

0:49:25.080 --> 0:49:27.839
<v Speaker 2>Frank Gus in fact doubled down when I brought up

0:49:27.880 --> 0:49:31.480
<v Speaker 2>the Stanoslavskian brief.

0:49:32.200 --> 0:49:34.799
<v Speaker 4>Jennifer Lawrence did say that the Miss Piggy movie is

0:49:34.880 --> 0:49:40.160
<v Speaker 4>fucked up and really dark, which wow, maybe it is

0:49:40.280 --> 0:49:44.600
<v Speaker 4>just a straight up adaptation, all right, But yeah, I

0:49:44.640 --> 0:49:47.960
<v Speaker 4>feel like this, like one of the things driving her

0:49:48.040 --> 0:49:51.480
<v Speaker 4>career throughout has been just the will they won't they

0:49:51.600 --> 0:49:56.440
<v Speaker 4>of Kermit the Frog. Like there was a more recent

0:49:56.520 --> 0:49:58.359
<v Speaker 4>I forget what it was, but I remember it hitting

0:49:58.400 --> 0:50:01.160
<v Speaker 4>the news cycle when they like broke up and everybody

0:50:01.280 --> 0:50:04.920
<v Speaker 4>was like, oh, like Piggy and Kermit broke up. That

0:50:05.080 --> 0:50:07.520
<v Speaker 4>was the second time they had tried that, and the

0:50:07.560 --> 0:50:11.520
<v Speaker 4>first time they did it was actually like called off

0:50:11.640 --> 0:50:14.000
<v Speaker 4>because like they like, to your point, they were going

0:50:14.040 --> 0:50:16.560
<v Speaker 4>to break up. She was going to be single throughout

0:50:16.600 --> 0:50:19.480
<v Speaker 4>the nineties, and it was there was like this whole

0:50:19.560 --> 0:50:24.320
<v Speaker 4>book planned, and then Jim Henson died like that week,

0:50:25.360 --> 0:50:29.480
<v Speaker 4>and so they just like quietly like pulled back on it.

0:50:29.800 --> 0:50:31.960
<v Speaker 2>I said, She's been through enough to see her. We

0:50:32.000 --> 0:50:33.200
<v Speaker 2>can't put her through a breakup.

0:50:33.280 --> 0:50:35.760
<v Speaker 5>Oh because then because he was Henson was doing Kermit's

0:50:35.800 --> 0:50:37.799
<v Speaker 5>voice up until he passed away.

0:50:37.840 --> 0:50:41.360
<v Speaker 4>Basically, yeah, he had been so his last TV appearance

0:50:41.600 --> 0:50:46.600
<v Speaker 4>was on The Arsenio Hall Show in nineteen ninety.

0:50:46.800 --> 0:50:49.680
<v Speaker 5>So funny that there was like seriously, yeah, we got

0:50:49.719 --> 0:50:53.319
<v Speaker 5>Kermit the Frog on tonight, godless.

0:50:53.040 --> 0:50:56.400
<v Speaker 4>And he was like not feeling well at that and

0:50:56.480 --> 0:51:00.480
<v Speaker 4>then he was refusing to like take time off and

0:51:00.880 --> 0:51:03.879
<v Speaker 4>then so I didn't realize. I thought he like died

0:51:03.880 --> 0:51:07.360
<v Speaker 4>of cancer or something. He died of like basically strep

0:51:07.480 --> 0:51:10.719
<v Speaker 4>throat and just like not getting it taken care of.

0:51:12.320 --> 0:51:12.600
<v Speaker 3>God.

0:51:13.080 --> 0:51:16.360
<v Speaker 4>Yeah, it's like a really crazy like a bacterial infection

0:51:16.560 --> 0:51:19.000
<v Speaker 4>that just like got worse and worse. And he was

0:51:19.080 --> 0:51:23.319
<v Speaker 4>at that time talking to Disney about selling, you know,

0:51:23.840 --> 0:51:27.440
<v Speaker 4>the Muppets to Disney and Frank Oz this is frank

0:51:27.440 --> 0:51:29.920
<v Speaker 4>Oz's quote on it. The Disney deal is probably what

0:51:30.120 --> 0:51:31.960
<v Speaker 4>killed Jim. It made him sick.

0:51:32.640 --> 0:51:33.839
<v Speaker 3>Oh wow, Oh.

0:51:34.840 --> 0:51:39.200
<v Speaker 2>Yeah, good good for him for saying that. I guess

0:51:39.440 --> 0:51:42.440
<v Speaker 2>I mean because Disney is I went to my for

0:51:42.560 --> 0:51:46.800
<v Speaker 2>my last birthday. My boyfriend brought me to the Henton

0:51:46.920 --> 0:51:53.080
<v Speaker 2>studio like dirty Puppet night. Have you guys ever been No, Yeah, Yeah,

0:51:53.160 --> 0:51:57.680
<v Speaker 2>it's cool. It's like Brian Henson gives the audience a

0:51:57.760 --> 0:52:01.320
<v Speaker 2>tour of the studio beforehand, and then it's like puppet

0:52:01.440 --> 0:52:05.520
<v Speaker 2>improv basically, it's the it's the best way to see

0:52:05.560 --> 0:52:09.400
<v Speaker 2>improv if you absolutely have to is puppet improv you must.

0:52:09.640 --> 0:52:10.279
<v Speaker 4>But it was.

0:52:10.400 --> 0:52:12.680
<v Speaker 2>It was really cool. But I don't even know if

0:52:12.680 --> 0:52:14.840
<v Speaker 2>they're still at that studio or they won't be for

0:52:14.920 --> 0:52:18.400
<v Speaker 2>much longer because Disney has like sort of slowly dismantled.

0:52:18.680 --> 0:52:20.600
<v Speaker 2>I hope maybe the Miss Piggy movie will save it,

0:52:20.640 --> 0:52:22.239
<v Speaker 2>but it seemed like they were going to have to

0:52:22.320 --> 0:52:24.400
<v Speaker 2>leave the studio and you know, go to sort of

0:52:24.520 --> 0:52:28.920
<v Speaker 2>more standard corporate offices, which I have to imagine is

0:52:28.960 --> 0:52:29.720
<v Speaker 2>Disney's fault.

0:52:29.800 --> 0:52:32.759
<v Speaker 5>Yeah, yeah, because it's like they were also like you

0:52:32.760 --> 0:52:35.279
<v Speaker 5>could like lease office space out of there, like I

0:52:35.280 --> 0:52:37.680
<v Speaker 5>remember in the last few years, like yeah, because the

0:52:37.920 --> 0:52:39.160
<v Speaker 5>place on LaBrea right like that.

0:52:39.239 --> 0:52:42.680
<v Speaker 1>Yeah yeah, yeah, but like everything Kermit yeah yeah yeah, there.

0:52:42.600 --> 0:52:44.680
<v Speaker 4>Was like see a little Kermit statue out front.

0:52:45.120 --> 0:52:47.880
<v Speaker 5>I remember going like back in the day, like meetings

0:52:47.920 --> 0:52:50.759
<v Speaker 5>with startups like that were like like a startup was

0:52:50.800 --> 0:52:51.520
<v Speaker 5>based back.

0:52:51.320 --> 0:52:54.600
<v Speaker 3>There, like you Richard the Hinson Studios, and it was

0:52:55.040 --> 0:52:56.880
<v Speaker 3>that company excess more than seven.

0:52:56.960 --> 0:52:58.279
<v Speaker 2>No, they shouldn't have.

0:52:58.280 --> 0:53:01.520
<v Speaker 3>To do fally bummed out that. I was like, what

0:53:01.719 --> 0:53:04.240
<v Speaker 3>but you got like I'm looking at the original.

0:53:03.960 --> 0:53:07.040
<v Speaker 5>Dark Crystal Puppets in here, and you guys are fucking

0:53:07.200 --> 0:53:10.480
<v Speaker 5>talking about some dumb streaming platform that's not gonna do fuck.

0:53:10.680 --> 0:53:12.360
<v Speaker 2>They're like, yeah, the frog's broke.

0:53:12.440 --> 0:53:15.640
<v Speaker 3>What k he do he do? Man? And make him

0:53:15.640 --> 0:53:18.000
<v Speaker 3>do whatever you want guys. Yeah, and you want.

0:53:18.120 --> 0:53:19.960
<v Speaker 5>Watch this, I can ash on his head right now.

0:53:21.600 --> 0:53:24.200
<v Speaker 5>Won't do shit.

0:53:26.120 --> 0:53:26.719
<v Speaker 3>But yeah.

0:53:26.960 --> 0:53:29.520
<v Speaker 4>In nineteen ninety, they appeared on The Today Show announced

0:53:29.520 --> 0:53:31.480
<v Speaker 4>they were officially breaking up. This is part of a

0:53:31.520 --> 0:53:34.640
<v Speaker 4>publicity stunt called the Pig of the Nineties that where

0:53:34.680 --> 0:53:37.080
<v Speaker 4>she was going to like be an independent woman and.

0:53:37.000 --> 0:53:38.359
<v Speaker 2>Then she's gonna girl boss it up.

0:53:38.440 --> 0:53:40.160
<v Speaker 4>Yeah, she was gonna grow boss it up. And then

0:53:40.560 --> 0:53:43.480
<v Speaker 4>that was in May, and just days later, Jim Henson

0:53:44.080 --> 0:53:48.080
<v Speaker 4>died of Yeah. It's a crazy sort like he literally

0:53:48.160 --> 0:53:51.560
<v Speaker 4>just worked himself to like he wouldn't He like woke

0:53:51.640 --> 0:53:53.640
<v Speaker 4>up at two am in the morning and was like

0:53:53.880 --> 0:53:56.520
<v Speaker 4>I can't breathe and was like coughing up blood and

0:53:56.560 --> 0:53:59.320
<v Speaker 4>he was like but I don't want to cancel work tomorrow,

0:54:00.120 --> 0:54:03.440
<v Speaker 4>so I don't know, for as a warning to anybody, like,

0:54:03.520 --> 0:54:05.040
<v Speaker 4>don't don't work that hard.

0:54:05.400 --> 0:54:07.560
<v Speaker 3>Yeah yeah, yeah alone.

0:54:07.880 --> 0:54:10.720
<v Speaker 2>This is dark, but it would be funny if frank

0:54:10.760 --> 0:54:19.879
<v Speaker 2>Oz was like, yeah, I think it was the breakup that.

0:54:16.440 --> 0:54:20.960
<v Speaker 3>I didn't believe in love. After that, he just really.

0:54:20.640 --> 0:54:22.960
<v Speaker 5>Find this new new direction with Miss Piggy right that

0:54:23.000 --> 0:54:23.640
<v Speaker 5>we're thinking about.

0:54:23.800 --> 0:54:28.800
<v Speaker 2>Yeah, He's like, you could just really affected him.

0:54:28.880 --> 0:54:31.200
<v Speaker 3>And he really wanted to say something, but he could.

0:54:31.440 --> 0:54:33.719
<v Speaker 4>It was just like a plot, an idea that he

0:54:33.760 --> 0:54:37.920
<v Speaker 4>didn't like at work, so he like blames it. He's like, yeah,

0:54:38.160 --> 0:54:41.759
<v Speaker 4>I don't know, Yeah, yeah, I killed Jim.

0:54:41.800 --> 0:54:45.759
<v Speaker 3>What do you guys think? Huh hit off? Maybe I'll

0:54:45.760 --> 0:54:46.879
<v Speaker 3>pitch that next time.

0:54:47.440 --> 0:54:51.400
<v Speaker 2>I will watch basically like any like of the bajilion

0:54:51.520 --> 0:54:54.360
<v Speaker 2>documentaries that there are about Jim Henson, and anytime I

0:54:54.400 --> 0:54:58.160
<v Speaker 2>see even a shred of his like televised funeral services,

0:54:58.160 --> 0:55:00.359
<v Speaker 2>I started bawling. It's so sad.

0:55:00.560 --> 0:55:02.560
<v Speaker 3>I was so upset.

0:55:02.840 --> 0:55:05.440
<v Speaker 5>That was like one of the first celebrity deaths I

0:55:05.480 --> 0:55:06.399
<v Speaker 5>remember as a kid.

0:55:07.080 --> 0:55:09.319
<v Speaker 4>Did you guys know that, like that's how he died?

0:55:09.560 --> 0:55:14.040
<v Speaker 4>That it was I thought you just cancer. Yeah, cancer,

0:55:14.360 --> 0:55:16.160
<v Speaker 4>because he wasn't that old, right, was he in his

0:55:16.239 --> 0:55:17.600
<v Speaker 4>like fifty something?

0:55:18.280 --> 0:55:19.240
<v Speaker 3>Yeah, I thank god.

0:55:19.320 --> 0:55:21.919
<v Speaker 5>Yeah, but yeah, I just remember I was so deaf

0:55:21.960 --> 0:55:25.720
<v Speaker 5>because I just felt like he was the Muppets truly,

0:55:25.760 --> 0:55:27.880
<v Speaker 5>even like as a kid, I knew they were fucking puppets,

0:55:27.880 --> 0:55:29.879
<v Speaker 5>but I still could connect that, like all things were

0:55:29.920 --> 0:55:33.440
<v Speaker 5>possible through his work and the other people he worked with.

0:55:33.480 --> 0:55:36.239
<v Speaker 2>But yeah, which is like not that they wouldn't have

0:55:36.239 --> 0:55:38.480
<v Speaker 2>been anyways, but it like almost makes it necessary for

0:55:38.640 --> 0:55:41.719
<v Speaker 2>kids to have the Muppets at the funeral, so you

0:55:41.840 --> 0:55:46.480
<v Speaker 2>know that they're like still, oh my god, Oh it's

0:55:46.520 --> 0:55:47.200
<v Speaker 2>so sad.

0:55:48.040 --> 0:55:50.600
<v Speaker 5>Yeah, man, they're laying flowers on this.

0:55:52.120 --> 0:55:55.080
<v Speaker 2>It's too much, so much. I was like, no, I've

0:55:55.120 --> 0:55:58.360
<v Speaker 2>never been as set. Well that's not fair, but like

0:55:59.239 --> 0:56:01.480
<v Speaker 2>I've never been stunted at a funeral as I am

0:56:01.520 --> 0:56:06.440
<v Speaker 2>watching like low res clips right right right, funeral from

0:56:06.480 --> 0:56:08.120
<v Speaker 2>nineteen nineties. So sad.

0:56:08.440 --> 0:56:11.680
<v Speaker 4>Yeah, So I do feel like that does like get

0:56:11.680 --> 0:56:14.200
<v Speaker 4>a kind of one of the things that I think

0:56:14.320 --> 0:56:16.520
<v Speaker 4>is truly unique about them, which is the way that

0:56:16.560 --> 0:56:21.200
<v Speaker 4>they exist both in reality and in like the fact

0:56:21.239 --> 0:56:24.200
<v Speaker 4>that they were at King Charles's coronation. I feel like

0:56:24.239 --> 0:56:27.080
<v Speaker 4>they're the only fictional characters who can like show up

0:56:27.120 --> 0:56:30.440
<v Speaker 4>to real events, Like they occupy a weird space between

0:56:30.960 --> 0:56:34.600
<v Speaker 4>worlds for everybody, Like you couldn't just have like like

0:56:34.719 --> 0:56:38.160
<v Speaker 4>Deadpool show up at the royal wedding.

0:56:39.520 --> 0:56:40.839
<v Speaker 3>And we've got Deadpool here.

0:56:41.480 --> 0:56:43.600
<v Speaker 2>You know, what is that the coronation.

0:56:45.120 --> 0:56:47.000
<v Speaker 3>I mean a fascinator on.

0:56:48.239 --> 0:56:51.120
<v Speaker 2>I feel like that they because like other characters I guess,

0:56:51.120 --> 0:56:53.160
<v Speaker 2>do show up places, but it always you can always

0:56:53.160 --> 0:56:55.440
<v Speaker 2>tell it's an ad And then when the Muppet Show, you're.

0:56:55.320 --> 0:56:58.160
<v Speaker 3>Like, oh, like, oh, the Muppets are there exactly? Yeah,

0:56:58.360 --> 0:56:59.680
<v Speaker 3>like damn, oh they were in town.

0:57:00.280 --> 0:57:01.560
<v Speaker 2>Yeah.

0:57:01.760 --> 0:57:08.879
<v Speaker 4>When uh so Edgar Edgar Bergen Candice Berger from Then

0:57:08.920 --> 0:57:12.600
<v Speaker 4>in Black died. Now when Edgar Bergen, Cannis Bergen's father,

0:57:12.640 --> 0:57:17.440
<v Speaker 4>who was a famous like puppeteer ventriloquist, died, his widow

0:57:17.560 --> 0:57:20.320
<v Speaker 4>and candisberg And asked Jim Henson and Kermit to like

0:57:20.440 --> 0:57:24.640
<v Speaker 4>speak at his funeral, and they said Jim Henson said, uh,

0:57:24.720 --> 0:57:27.000
<v Speaker 4>there seems to be something strange about having a puppet

0:57:27.040 --> 0:57:30.400
<v Speaker 4>in this situation, and Kermit said, I have never appeared

0:57:30.400 --> 0:57:33.480
<v Speaker 4>at a funeral before, and then Henson was like, but

0:57:33.560 --> 0:57:37.200
<v Speaker 4>the family asked if I would bring Kermit and Charlie

0:57:37.200 --> 0:57:40.440
<v Speaker 4>would have liked it. He said about like his Charlie

0:57:40.440 --> 0:57:43.440
<v Speaker 4>and Mortimer were his two characters, and like everybody just

0:57:43.480 --> 0:57:46.000
<v Speaker 4>like burst into tears because they realized like Charlie and

0:57:46.080 --> 0:57:47.720
<v Speaker 4>Mortimer were gone, like at that.

0:57:47.800 --> 0:57:51.280
<v Speaker 3>Oh wow, But yeah, it's sad.

0:57:51.560 --> 0:57:54.840
<v Speaker 4>Yeah, it's just kind of this weird like you know,

0:57:55.080 --> 0:57:58.800
<v Speaker 4>puppets have been like a thing, and like they they

0:57:58.840 --> 0:58:01.640
<v Speaker 4>hold the like the muppets hold this like load bearing

0:58:01.680 --> 0:58:05.040
<v Speaker 4>place in popular culture because they're like our main muppets

0:58:05.040 --> 0:58:07.960
<v Speaker 4>are our main puppets, you know, right, Like there's a

0:58:08.000 --> 0:58:11.080
<v Speaker 4>quote from Bonnie Erickson where she's saying they've been a

0:58:11.120 --> 0:58:13.560
<v Speaker 4>tradition across the world for thousands of years as a

0:58:13.560 --> 0:58:16.880
<v Speaker 4>form of storytelling, but until recently, they haven't been appreciated

0:58:16.880 --> 0:58:18.880
<v Speaker 4>in the United States. We owe allot of that to

0:58:19.280 --> 0:58:23.240
<v Speaker 4>Jim Henson's vision, and so like there's something like sort

0:58:23.280 --> 0:58:28.200
<v Speaker 4>of magical about puppets that like these being the main

0:58:28.320 --> 0:58:32.440
<v Speaker 4>pop culture puppets like allows them to just like occupy

0:58:32.480 --> 0:58:35.680
<v Speaker 4>this weird space where we're like Piggy and Kermit canna

0:58:35.760 --> 0:58:41.120
<v Speaker 4>like get together together at any given time.

0:58:41.320 --> 0:58:44.800
<v Speaker 5>Right right, and now, Jamie, I bet you'd feel terrible

0:58:44.800 --> 0:58:48.200
<v Speaker 5>if you read that. I've read that Fozzy odd after

0:58:48.720 --> 0:58:50.560
<v Speaker 5>a bad open mic gig or something.

0:58:50.680 --> 0:58:52.960
<v Speaker 3>Wouldn't you just do it?

0:58:53.080 --> 0:58:56.960
<v Speaker 2>Look, you know my dark Fozzy movie is Fozzi's in

0:58:57.200 --> 0:59:02.080
<v Speaker 2>aa uh and like, who's Fozzy's sponsor? I do feel

0:59:02.120 --> 0:59:04.080
<v Speaker 2>like Fozzy can't drink anymore?

0:59:04.520 --> 0:59:09.400
<v Speaker 3>Yeah, I can't drink. I feel like almost might sponsors. Yes,

0:59:09.520 --> 0:59:11.560
<v Speaker 3>Almost Dad is almost.

0:59:11.280 --> 0:59:14.160
<v Speaker 4>Dad like kind of has like old you know, musician

0:59:14.840 --> 0:59:16.720
<v Speaker 4>vibe a lot of ship.

0:59:18.240 --> 0:59:21.120
<v Speaker 5>I was drinking hand doing heroin. They're like, oh fuck,

0:59:21.240 --> 0:59:22.959
<v Speaker 5>all right, man, all right, almost Dad.

0:59:24.040 --> 0:59:26.480
<v Speaker 2>Yeah, almost Dad has seen ship. You don't just raise

0:59:26.520 --> 0:59:29.360
<v Speaker 2>a kid like that, like Elmo. Yeah.

0:59:29.440 --> 0:59:31.400
<v Speaker 3>Yeah. It also makes a lot of sense that you

0:59:31.440 --> 0:59:34.360
<v Speaker 3>see the dad. You're like, oh okay, yeah, yeah, in.

0:59:34.280 --> 0:59:37.520
<v Speaker 1>The grand context Elmo. Actually it comes into sharp focus.

0:59:39.200 --> 0:59:39.400
<v Speaker 3>Yeah.

0:59:39.400 --> 0:59:42.240
<v Speaker 4>I do wonder, like what the drug seems like with

0:59:42.680 --> 0:59:44.760
<v Speaker 4>the Muppets, you know, just generally.

0:59:45.200 --> 0:59:47.360
<v Speaker 2>Yeah, I mean like the band, the band has to

0:59:47.760 --> 0:59:50.640
<v Speaker 2>Oh yeah that is I love the band so much.

0:59:52.400 --> 0:59:56.880
<v Speaker 4>Yeah, I don't think they're doing intravenous drugs, but a

0:59:56.920 --> 0:59:59.200
<v Speaker 4>lot of acid in the band i'd have to assume

0:59:59.280 --> 1:00:02.320
<v Speaker 4>r Yeah, yeah.

1:00:01.120 --> 1:00:02.720
<v Speaker 1>Keep it fun, they keep it fun.

1:00:03.320 --> 1:00:05.360
<v Speaker 5>Yeah, yeah, yeah, stuff that just kind of makes them

1:00:05.600 --> 1:00:07.640
<v Speaker 5>more muppetty if.

1:00:07.520 --> 1:00:07.920
<v Speaker 3>That's a.

1:00:09.640 --> 1:00:12.000
<v Speaker 1>Yeah, something makes you like taste colors?

1:00:12.080 --> 1:00:16.520
<v Speaker 4>Nothing, Yeah, I will say just the last thing I

1:00:16.520 --> 1:00:20.600
<v Speaker 4>have about Miss Piggies. I feel like to encapsulate the

1:00:20.760 --> 1:00:24.280
<v Speaker 4>weird place that she occupies. I don't think any other

1:00:24.480 --> 1:00:27.640
<v Speaker 4>children's character could have simulated an orgasm.

1:00:28.160 --> 1:00:29.080
<v Speaker 3>Did you have you? Guys?

1:00:29.120 --> 1:00:32.200
<v Speaker 4>Do you remember that thing where she was like doing

1:00:32.200 --> 1:00:35.280
<v Speaker 4>a parody of when Harry met Sally with Billy Crystal?

1:00:35.440 --> 1:00:38.280
<v Speaker 2>Oh no, wait, when did that happen?

1:00:39.120 --> 1:00:43.600
<v Speaker 4>They it was the early nineties and she did it

1:00:43.640 --> 1:00:47.320
<v Speaker 4>as like a fake sneeze, but she really like it was.

1:00:47.160 --> 1:00:48.480
<v Speaker 4>It was a long time and it was on the

1:00:48.520 --> 1:00:55.240
<v Speaker 4>Disney Channel too, Yeah, and Muppets tonight. Yeah, so dressing.

1:00:56.160 --> 1:01:00.400
<v Speaker 3>What happened with you last night was as so she

1:01:00.480 --> 1:01:01.880
<v Speaker 3>canceled she had a bad cold.

1:01:02.320 --> 1:01:05.480
<v Speaker 4>Are you sure she had a cold, Yes, I'm sure

1:01:05.520 --> 1:01:08.280
<v Speaker 4>she had a curl. I heard a sneeze twice.

1:01:13.120 --> 1:01:14.960
<v Speaker 3>Your Kniven taste amusing.

1:01:15.520 --> 1:01:18.480
<v Speaker 2>Did you ever think she may have faked the sneeze

1:01:18.520 --> 1:01:20.120
<v Speaker 2>to get out of the date with you?

1:01:20.920 --> 1:01:24.560
<v Speaker 3>Fake the snaze, no way ticket.

1:01:25.400 --> 1:01:29.000
<v Speaker 2>Most women, at one time or another have faked a sneeze,

1:01:29.200 --> 1:01:30.080
<v Speaker 2>take it out of a date?

1:01:30.760 --> 1:01:33.720
<v Speaker 3>Really well, excuse aim moa, miss I'm jealous of babe.

1:01:34.680 --> 1:01:36.640
<v Speaker 5>You don't think that I can tell the difference between

1:01:36.760 --> 1:01:42.800
<v Speaker 5>a real sneeze and a fake sneeze. No, so good

1:01:43.840 --> 1:01:45.080
<v Speaker 5>killing it with the performance.

1:01:47.440 --> 1:01:53.400
<v Speaker 2>Oh oh my god, that's about how people sneeze.

1:01:53.880 --> 1:02:18.480
<v Speaker 6>Oh yo Channel, No god, this is your titus.

1:02:21.440 --> 1:02:23.840
<v Speaker 2>I love the Disney Channel logo just hanging out down.

1:02:24.120 --> 1:02:28.880
<v Speaker 3>Yeah.

1:02:28.880 --> 1:02:37.240
<v Speaker 2>Wow, way that all have what cheese having less?

1:02:37.320 --> 1:02:42.320
<v Speaker 4>Peppa hey.

1:02:41.840 --> 1:02:42.200
<v Speaker 3>Ship.

1:02:42.480 --> 1:02:45.360
<v Speaker 5>That was when you said it was a fake sneeze.

1:02:45.400 --> 1:02:47.560
<v Speaker 5>I'm like, okay, they'll play with it. I didn't expect

1:02:47.600 --> 1:02:51.520
<v Speaker 5>her to be daggering the table like that under.

1:02:51.320 --> 1:02:54.840
<v Speaker 2>Her feet, the little thing she.

1:02:55.040 --> 1:02:59.200
<v Speaker 4>Was pumping the even a part where like Billy Crystal

1:02:59.280 --> 1:03:02.080
<v Speaker 4>starts like doing a weird what do you do?

1:03:02.320 --> 1:03:05.800
<v Speaker 1>That stopped that man gets so weird about Miss.

1:03:05.720 --> 1:03:08.040
<v Speaker 4>Piggy, I mean, are weird about Miss Piggy.

1:03:08.120 --> 1:03:10.919
<v Speaker 2>This ciscal thing. This ciscal thing really says it all.

1:03:11.200 --> 1:03:14.760
<v Speaker 2>Where he's like, oh, she's so amazing, she's and did

1:03:14.800 --> 1:03:19.960
<v Speaker 2>you see her legs? And you're like, oh, like there's

1:03:20.080 --> 1:03:24.880
<v Speaker 2>there's the line. I remember. I never watched it, but

1:03:24.960 --> 1:03:30.440
<v Speaker 2>I'm always like one small illness away from watching. Do

1:03:30.440 --> 1:03:35.480
<v Speaker 2>you remember Lady Gaga and the Muppets did like special together?

1:03:35.560 --> 1:03:38.120
<v Speaker 2>It was like maybe ten years ago, but Lady Gaga

1:03:38.160 --> 1:03:40.000
<v Speaker 2>and the Muppets did a big thing together. And I

1:03:40.480 --> 1:03:42.439
<v Speaker 2>never saw it, but I feel like she and Miss

1:03:42.480 --> 1:03:45.280
<v Speaker 2>Piggy must have really been vibing, because that's a brain

1:03:45.320 --> 1:03:47.400
<v Speaker 2>of Carpenter is going to be in a Muppet special.

1:03:47.960 --> 1:03:55.760
<v Speaker 3>Wow and lo it was a holiday spectacular, is what

1:03:55.800 --> 1:03:56.160
<v Speaker 3>they did.

1:03:56.480 --> 1:04:01.680
<v Speaker 2>Yeah, oh yes, twenty thirteen with Oh God, twenty thirteen

1:04:01.960 --> 1:04:04.160
<v Speaker 2>with guest stars Joseph Gordon Levitt.

1:04:06.680 --> 1:04:07.840
<v Speaker 4>Of course he's.

1:04:09.640 --> 1:04:12.080
<v Speaker 2>He's not fucking like that these days. I mean, Jameson

1:04:12.160 --> 1:04:14.600
<v Speaker 2>Siegel briefly had custody of the Muppets and then he

1:04:14.680 --> 1:04:16.800
<v Speaker 2>had to give them back, and that's that's for the best.

1:04:16.840 --> 1:04:18.520
<v Speaker 3>Probably, that's true. That's true.

1:04:18.720 --> 1:04:20.880
<v Speaker 4>That was a wild time when we were just like,

1:04:21.320 --> 1:04:24.040
<v Speaker 4>let's see what Jason Siegel does with it. It's like, oh,

1:04:24.320 --> 1:04:26.640
<v Speaker 4>just have him and a new Muppet he made up

1:04:26.960 --> 1:04:28.080
<v Speaker 4>be on screen.

1:04:28.200 --> 1:04:31.200
<v Speaker 2>Yeah, the new Muppet, Like, what the fuck was that that?

1:04:31.240 --> 1:04:32.320
<v Speaker 2>But the songs were great.

1:04:32.640 --> 1:04:35.280
<v Speaker 4>The songs were really good. I thought that movie was

1:04:35.320 --> 1:04:37.880
<v Speaker 4>like pretty fun and the and the music was good.

1:04:38.360 --> 1:04:39.800
<v Speaker 1>He just didn't need the new guy.

1:04:40.200 --> 1:04:42.720
<v Speaker 4>No, what was his name, Walter? They didn't even give

1:04:42.760 --> 1:04:46.680
<v Speaker 4>him a cool name. I don't know Walter, I work

1:04:46.720 --> 1:04:51.320
<v Speaker 4>in it. What the Miss Piggy, Kermit, the Frog and Walter,

1:04:52.000 --> 1:04:54.320
<v Speaker 4>which I guess was kind of the point. But that

1:04:54.600 --> 1:05:01.080
<v Speaker 4>point that sucks, all right? Any anything else about Miss Piggy.

1:05:00.760 --> 1:05:02.840
<v Speaker 3>You guys want to talk about before we get out

1:05:02.840 --> 1:05:05.240
<v Speaker 3>of here. No, I was just I think before the recording,

1:05:05.280 --> 1:05:05.680
<v Speaker 3>I was just.

1:05:05.640 --> 1:05:10.200
<v Speaker 5>Saying, it's funny that how how much of a cultural

1:05:10.280 --> 1:05:15.360
<v Speaker 5>mainstay Miss Piggy is because we had like Donald Trump.

1:05:15.120 --> 1:05:16.320
<v Speaker 3>Calling people piggy.

1:05:16.880 --> 1:05:20.160
<v Speaker 5>There's like TikTok videos I'm seeing talking about Miss Piggy

1:05:20.240 --> 1:05:23.160
<v Speaker 5>not being in the Epstein files. And then there was

1:05:23.200 --> 1:05:27.520
<v Speaker 5>a story about the woman who allegedly hit a child

1:05:27.600 --> 1:05:31.040
<v Speaker 5>on a plane because the child called her Misspeaky.

1:05:31.960 --> 1:05:34.000
<v Speaker 4>Couldn't have been the first time a child has called

1:05:34.000 --> 1:05:34.440
<v Speaker 4>her miss.

1:05:34.480 --> 1:05:37.080
<v Speaker 5>Marland woman is facing charges after police in Florida said

1:05:37.080 --> 1:05:38.800
<v Speaker 5>she hit a child who made fun of her on

1:05:38.840 --> 1:05:42.200
<v Speaker 5>a flight from Orlando, holy that she slammed the child's

1:05:42.240 --> 1:05:45.160
<v Speaker 5>head into the window of the plane for corner Miss

1:05:46.120 --> 1:05:49.960
<v Speaker 5>to say a lot energy a legacy.

1:05:49.960 --> 1:05:53.480
<v Speaker 2>You can look like anything a legacy you can look like, Yeah,

1:05:54.680 --> 1:05:57.880
<v Speaker 2>I'm just happy that, Like I mean, it's like the

1:05:57.920 --> 1:05:59.920
<v Speaker 2>fact that kids still know who she is even though

1:06:00.120 --> 1:06:02.680
<v Speaker 2>Muppets haven't really like put out a successful project in.

1:06:02.640 --> 1:06:03.840
<v Speaker 4>Like fifteen years.

1:06:04.080 --> 1:06:07.560
<v Speaker 1>Yeah, for their whole lives is like crazy.

1:06:07.640 --> 1:06:09.160
<v Speaker 5>You's got to be like, I mean, the same way,

1:06:09.200 --> 1:06:11.480
<v Speaker 5>like I show my kid that stuff because I'm like, yeah,

1:06:11.520 --> 1:06:15.040
<v Speaker 5>you're gonna love this bullshit. I love these freaky fucking muppets.

1:06:15.200 --> 1:06:18.520
<v Speaker 5>You're gonna love them too, Yeah, And they do, and

1:06:18.560 --> 1:06:21.000
<v Speaker 5>they fucking do. Like it's it's like it feels like

1:06:21.360 --> 1:06:23.280
<v Speaker 5>one of the few things of like I've tried to

1:06:23.280 --> 1:06:26.320
<v Speaker 5>show my son like other shit like I thought was

1:06:26.360 --> 1:06:28.320
<v Speaker 5>cool from my child, and he's like this shit like

1:06:28.400 --> 1:06:30.160
<v Speaker 5>you can just tell. I mean, he's like not even

1:06:30.200 --> 1:06:32.840
<v Speaker 5>three yet, but it's very clear when something captivates him

1:06:32.960 --> 1:06:36.560
<v Speaker 5>or not. And I showed him the Muppet Christmas Carol.

1:06:36.920 --> 1:06:39.280
<v Speaker 5>His attention was there the entire time. I could not

1:06:39.440 --> 1:06:39.880
<v Speaker 5>believe it.

1:06:39.920 --> 1:06:42.600
<v Speaker 2>And I'm a man of taste, A man of taste. Yeah,

1:06:42.600 --> 1:06:44.760
<v Speaker 2>that's the best Christmas movie. I think it is, like

1:06:44.920 --> 1:06:46.240
<v Speaker 2>truly my favorite Christmas.

1:06:46.280 --> 1:06:48.200
<v Speaker 3>He loves Michael Kine. He loves Michael.

1:06:47.920 --> 1:06:56.760
<v Speaker 4>Knee, Jamie, where can people find you? Follow you all

1:06:56.800 --> 1:06:57.520
<v Speaker 4>that good stuff?

1:06:58.000 --> 1:06:59.960
<v Speaker 1>You can find me on the back.

1:06:59.840 --> 1:07:04.080
<v Speaker 2>To cast every week, Yeah, every Thursday from now till

1:07:04.080 --> 1:07:06.200
<v Speaker 2>the end of time. Mark my words. Caitlyn Toronto and

1:07:06.240 --> 1:07:11.120
<v Speaker 2>I are gonna cover movies from an intersexual feminist perspective

1:07:11.360 --> 1:07:16.160
<v Speaker 2>and uh then mostly I think Instagram Jamie Christ Superstar.

1:07:16.800 --> 1:07:17.440
<v Speaker 3>Yeah, I.

1:07:18.960 --> 1:07:21.600
<v Speaker 2>Haven't been posting as much. I'm starting to feel too healthy,

1:07:21.640 --> 1:07:23.000
<v Speaker 2>So maybe I'll start.

1:07:23.080 --> 1:07:26.200
<v Speaker 5>You gotta get back in there, I gotta get call

1:07:26.280 --> 1:07:28.640
<v Speaker 5>you back, let it summon you back into the pit.

1:07:30.040 --> 1:07:30.280
<v Speaker 3>Miles.

1:07:30.320 --> 1:07:31.240
<v Speaker 4>Where can people find you?

1:07:31.800 --> 1:07:36.000
<v Speaker 3>Everywhere? Wow? Perfect? All right, all right, that's it.

1:07:36.080 --> 1:07:39.600
<v Speaker 4>Sorry, that's stick around University.

1:07:40.000 --> 1:07:41.880
<v Speaker 3>Yeah, university.

1:07:43.000 --> 1:07:45.800
<v Speaker 4>Yeah, I think it comes out on Christmas or Christmas Eve.

1:07:48.160 --> 1:07:48.480
<v Speaker 3>Nine?

1:07:49.400 --> 1:07:51.920
<v Speaker 4>Have we been doing this for that many years?

1:07:52.160 --> 1:07:55.480
<v Speaker 2>Hasn't gotten any better? And and this year is not

1:07:55.560 --> 1:07:59.600
<v Speaker 2>going to be different? Wow, just keeps getting longer. You

1:08:00.320 --> 1:08:04.479
<v Speaker 2>Santa U x oh yeah, X is gonna be God.

1:08:04.800 --> 1:08:07.919
<v Speaker 5>We're gonna do like a live performance like the Disney Theater,

1:08:08.040 --> 1:08:09.120
<v Speaker 5>the Disney Hall or something.

1:08:09.160 --> 1:08:11.600
<v Speaker 2>I've started to apply for grants because we got it.

1:08:11.680 --> 1:08:14.560
<v Speaker 2>We gotta get this in the Dolby. We gotta get

1:08:14.600 --> 1:08:18.120
<v Speaker 2>in the Dolby, I think, or at least Gromans. We

1:08:18.200 --> 1:08:19.280
<v Speaker 2>gotta get Gromans.

1:08:19.479 --> 1:08:21.280
<v Speaker 3>Yeah yeah, yeah, that's easy. That's easy.

1:08:21.360 --> 1:08:22.120
<v Speaker 4>Let's figure it out.

1:08:22.280 --> 1:08:23.839
<v Speaker 3>We'll do the Mantlebond easy.

1:08:25.120 --> 1:08:27.439
<v Speaker 1>I'd even take the roof, come on, yeah.

1:08:27.320 --> 1:08:31.400
<v Speaker 3>Yeah, I definitely take the Montalban roof. It's beautiful up there. Anyway.

1:08:31.560 --> 1:08:33.120
<v Speaker 3>Stay tuned, Stay tuned.

1:08:32.880 --> 1:08:35.440
<v Speaker 4>Stay tuned. Stick around for the No No No notebook

1:08:35.520 --> 1:08:38.280
<v Speaker 4>dump where I get to stuff that I didn't get

1:08:38.280 --> 1:08:44.599
<v Speaker 4>to in the episode. And bye bye bye. All right,

1:08:44.920 --> 1:08:49.520
<v Speaker 4>that was our episode. Always great to see Jamie loftus.

1:08:50.160 --> 1:08:54.559
<v Speaker 4>This is the No No No notebook dump where I

1:08:54.600 --> 1:08:56.000
<v Speaker 4>get to stuff that I didn't get to in the

1:08:56.000 --> 1:08:59.479
<v Speaker 4>main episode that I wanted to. On the subject to

1:08:59.520 --> 1:09:03.200
<v Speaker 4>Bonnie Air, miss Piggy's designer, this has nothing to do

1:09:03.240 --> 1:09:05.479
<v Speaker 4>with Miss Piggy, so I didn't bring it up in

1:09:05.520 --> 1:09:08.240
<v Speaker 4>our conversation, but a quick anecdote that I discovered during

1:09:08.280 --> 1:09:12.719
<v Speaker 4>research that my brain couldn't put down, so I wanted

1:09:12.760 --> 1:09:15.760
<v Speaker 4>to pass it along to your brain, like the supernatural

1:09:15.920 --> 1:09:20.040
<v Speaker 4>std from It follows. So Boddy Erickson, this accomplished designer.

1:09:20.120 --> 1:09:23.559
<v Speaker 4>She's created Miss Piggy and the Philly fanatic, and she

1:09:23.680 --> 1:09:27.919
<v Speaker 4>gets asked to design the mascot for the biggest sports

1:09:27.920 --> 1:09:30.400
<v Speaker 4>franchise in the world. I think the New York Yankees.

1:09:30.560 --> 1:09:33.600
<v Speaker 4>I think it's them or the Dallas Cowboys, but you

1:09:33.640 --> 1:09:37.240
<v Speaker 4>know they're near the top. And so she creates this

1:09:37.400 --> 1:09:41.799
<v Speaker 4>large pinstriped bird like creature with a mustache. The mustache

1:09:41.840 --> 1:09:45.360
<v Speaker 4>is designed to look like the most beloved Yankee on

1:09:45.479 --> 1:09:47.960
<v Speaker 4>the team at the time, maybe of the decade of

1:09:47.960 --> 1:09:52.240
<v Speaker 4>the seventies, Yankees catcher Thurman Munson. He got a big mustache.

1:09:52.400 --> 1:09:56.360
<v Speaker 4>Bird has a big mustache. Win win. So as his

1:09:56.800 --> 1:10:01.639
<v Speaker 4>debut as Dandy the Pinstripe Bird's debut is approaching, two

1:10:01.680 --> 1:10:05.960
<v Speaker 4>things happen. I'm gonna pull from the Wikipedia here Bonnie

1:10:06.000 --> 1:10:10.040
<v Speaker 4>Erickson's Wikipedia. On July tenth, nineteen seventy nine, the San

1:10:10.080 --> 1:10:13.640
<v Speaker 4>Diego Chicken, who was then working for the Seattle Mariners.

1:10:13.720 --> 1:10:16.559
<v Speaker 4>Apparently mascots can be like kind of free agents and

1:10:16.640 --> 1:10:19.200
<v Speaker 4>move between teams, which I didn't realize, But so the

1:10:19.240 --> 1:10:22.840
<v Speaker 4>San Diego Chicken put a hex on Yankees pitcher Ron

1:10:22.920 --> 1:10:27.280
<v Speaker 4>Gidry during a game at the Seattle Kingdom. Yankees outfielder

1:10:27.360 --> 1:10:31.680
<v Speaker 4>Lou Panella, who had gone to manage baseball teams responded

1:10:31.680 --> 1:10:35.240
<v Speaker 4>by chasing the mascot and throwing his glove at him.

1:10:35.560 --> 1:10:39.840
<v Speaker 4>In response, the Yankees owner George Steinbrenner said that mascots

1:10:39.880 --> 1:10:44.639
<v Speaker 4>have no place in baseball, which despite the imminent release

1:10:44.640 --> 1:10:47.960
<v Speaker 4>of Dandy, who's supposed to be their mascot. So Dandy

1:10:48.080 --> 1:10:52.599
<v Speaker 4>does in fact debut in late July nineteen seventy nine,

1:10:52.640 --> 1:10:56.080
<v Speaker 4>weeks after the incident in Seattle, and then Thurman Munson

1:10:56.720 --> 1:11:01.000
<v Speaker 4>dies in a plane crash on August second, like a

1:11:01.080 --> 1:11:06.720
<v Speaker 4>week after Dandy is introduced. Dandy's immediately put on hiatus.

1:11:06.960 --> 1:11:10.160
<v Speaker 4>They eventually let him come into the stadium, but he's

1:11:10.280 --> 1:11:13.679
<v Speaker 4>confined to the upper deck area like the cheap seats,

1:11:14.080 --> 1:11:20.040
<v Speaker 4>and it doesn't work out. Ericson and her partner Harrison

1:11:21.000 --> 1:11:24.760
<v Speaker 4>declined the Yankees' request to sign another lease. They feel

1:11:24.760 --> 1:11:29.280
<v Speaker 4>the mascot didn't receive the necessary support from management. So yeah,

1:11:29.320 --> 1:11:31.479
<v Speaker 4>you win some, you lose some. She goes on to

1:11:31.560 --> 1:11:34.240
<v Speaker 4>design plenty of other mascots, has a bunch of mascots

1:11:34.280 --> 1:11:37.880
<v Speaker 4>still roaming stadiums in the NBA. She describes her mascots

1:11:37.920 --> 1:11:42.760
<v Speaker 4>as all being gentle anarchists, which fucking rules but I

1:11:42.800 --> 1:11:46.400
<v Speaker 4>think that speaks to the power of puppets and mascots.

1:11:47.200 --> 1:11:49.479
<v Speaker 4>Back to Miss Piggy, a couple ideas I wanted to

1:11:49.479 --> 1:11:53.400
<v Speaker 4>get at but couldn't quite get right in our conversation.

1:11:54.040 --> 1:11:56.599
<v Speaker 4>One has to do with Miss Piggy's relationship with Kermit

1:11:56.680 --> 1:12:01.519
<v Speaker 4>the Frog, which obviously a very part of her mythos

1:12:01.520 --> 1:12:05.760
<v Speaker 4>and iconography. I didn't spend enough time talking about it

1:12:05.800 --> 1:12:09.599
<v Speaker 4>in the episode because it's kind of confusing, Like they're together,

1:12:10.160 --> 1:12:14.280
<v Speaker 4>they get married in either Muppets Take Manhattan or The

1:12:14.280 --> 1:12:17.160
<v Speaker 4>Great Muppet Caper I forget, but then like that gets

1:12:17.200 --> 1:12:21.360
<v Speaker 4>retconned out. They say the priest was like actually defrocked,

1:12:21.800 --> 1:12:24.759
<v Speaker 4>like sort of that, so that is no longer canon.

1:12:25.120 --> 1:12:27.599
<v Speaker 4>But they're just always back and forth. They say they're

1:12:27.640 --> 1:12:31.439
<v Speaker 4>life partners who live together. Kermit has said they've never

1:12:31.600 --> 1:12:35.800
<v Speaker 4>been together. It's the ultimate will they won't they, which

1:12:35.840 --> 1:12:39.000
<v Speaker 4>makes sense from a narrative perspective, But you know, beyond

1:12:39.479 --> 1:12:42.479
<v Speaker 4>the obvious narrative hook, I think there's another way that

1:12:42.520 --> 1:12:45.599
<v Speaker 4>it's important to her status as an icon, because so

1:12:45.640 --> 1:12:47.960
<v Speaker 4>my working theory of the icons we've covered so far

1:12:48.160 --> 1:12:51.760
<v Speaker 4>is that it helps to have some contradiction at the

1:12:51.760 --> 1:12:55.400
<v Speaker 4>core of like our perception of you, you know, like

1:12:55.479 --> 1:12:58.920
<v Speaker 4>so our brains can't just like put you down. That's

1:12:58.960 --> 1:13:01.200
<v Speaker 4>what that's what my brain wants to do. When I'm

1:13:01.240 --> 1:13:04.920
<v Speaker 4>introduced to a new famous person or a character, I

1:13:05.000 --> 1:13:07.639
<v Speaker 4>just want to put him down. There's too many famous

1:13:07.680 --> 1:13:11.680
<v Speaker 4>people and characters. I'm already holding all this shit. I

1:13:11.680 --> 1:13:13.280
<v Speaker 4>don't want to I don't want to have to know

1:13:13.360 --> 1:13:17.080
<v Speaker 4>another one. So if a character or like a person

1:13:17.479 --> 1:13:20.400
<v Speaker 4>is what you expect, if it's like a jock who

1:13:20.400 --> 1:13:22.680
<v Speaker 4>seems like a cocky dick, or like a nerd who

1:13:22.680 --> 1:13:26.479
<v Speaker 4>seems like he lacks confidence, I'm like, I know who

1:13:26.520 --> 1:13:28.240
<v Speaker 4>that is. I can just put them away in a

1:13:28.320 --> 1:13:30.479
<v Speaker 4>drawer and forget about them. But so all of these

1:13:30.560 --> 1:13:33.760
<v Speaker 4>characters so far, or you know, real people with Einstein

1:13:34.080 --> 1:13:39.760
<v Speaker 4>who become iconic, have something unexpected, like some contradiction. So

1:13:40.080 --> 1:13:44.519
<v Speaker 4>with Einstein, a super genius who looks sloppy as hell,

1:13:44.920 --> 1:13:47.680
<v Speaker 4>like can't remember to put his clothes on before he

1:13:48.040 --> 1:13:50.360
<v Speaker 4>walks out the door, and we pretend he was a

1:13:50.400 --> 1:13:53.880
<v Speaker 4>slow child because that's important to us. We want that contradiction.

1:13:54.200 --> 1:13:58.120
<v Speaker 4>He's not like a Benedict Cumberbatch character who's a genius

1:13:58.160 --> 1:14:01.920
<v Speaker 4>he's like an absent space see is that guy on

1:14:02.080 --> 1:14:08.160
<v Speaker 4>something type genius rcle nerd. But he's also extremely confident

1:14:08.320 --> 1:14:12.879
<v Speaker 4>and unflappable. And then with Miss Piggy, beyond the central

1:14:12.920 --> 1:14:16.680
<v Speaker 4>contradiction of like glamorous pig lipstick on a pig as

1:14:16.680 --> 1:14:20.000
<v Speaker 4>a businessman like to say, you know, that joke never

1:14:20.040 --> 1:14:23.080
<v Speaker 4>even really occurred to me. But the contradiction that I

1:14:23.080 --> 1:14:26.799
<v Speaker 4>think is important is that she's a motivated career woman

1:14:27.400 --> 1:14:30.040
<v Speaker 4>who can and will beat the shit out of you

1:14:30.080 --> 1:14:34.360
<v Speaker 4>to like get to the top. She's also primarily driven

1:14:34.560 --> 1:14:38.280
<v Speaker 4>by her romantic love of Kermit the Frog, Like she'll

1:14:38.280 --> 1:14:41.479
<v Speaker 4>cozy up to a producer to get a role, but

1:14:41.680 --> 1:14:46.960
<v Speaker 4>ultimately she just wants to marry this mild mannered, multi

1:14:47.000 --> 1:14:50.840
<v Speaker 4>talented absolute ten. But then she'll also just like bail

1:14:50.880 --> 1:14:53.920
<v Speaker 4>on him repeatedly in order to put her career first.

1:14:54.439 --> 1:14:57.960
<v Speaker 4>She's also sweet and sensitive, but a fucking straight up cannibal.

1:14:58.320 --> 1:15:01.519
<v Speaker 4>So that's one idea that a contradiction is helpful to

1:15:01.560 --> 1:15:05.679
<v Speaker 4>build an icon. And then another idea about why she's

1:15:05.680 --> 1:15:09.360
<v Speaker 4>so iconic is where we were when she was introduced,

1:15:09.400 --> 1:15:14.040
<v Speaker 4>with our relationship to puppetry and just sexual politics at

1:15:14.040 --> 1:15:17.160
<v Speaker 4>that point in history. I think Miss Piggy stands out

1:15:17.400 --> 1:15:20.800
<v Speaker 4>among muppets for some of the reasons we talked about.

1:15:20.920 --> 1:15:24.719
<v Speaker 4>She's a superstar in the narrative, but then she reads

1:15:24.760 --> 1:15:27.240
<v Speaker 4>as a superstar on screen to the point that she

1:15:27.320 --> 1:15:30.240
<v Speaker 4>made Gene Siskel come in his pants, which probably wasn't

1:15:30.560 --> 1:15:33.280
<v Speaker 4>that hard to do. But I do think like the

1:15:33.320 --> 1:15:38.160
<v Speaker 4>way that she was imbued with this kind of outsized

1:15:38.280 --> 1:15:41.400
<v Speaker 4>energy that just like leaps off the screen and gives

1:15:41.479 --> 1:15:45.360
<v Speaker 4>Gene Siskel a boner, is she really like gave Frank

1:15:45.439 --> 1:15:48.720
<v Speaker 4>Oz an outlet for what turned out to be a

1:15:48.800 --> 1:15:54.479
<v Speaker 4>very developed and interesting feminine energy that he wasn't really

1:15:54.520 --> 1:15:57.040
<v Speaker 4>allowed to express in any other way. I don't even

1:15:57.080 --> 1:15:59.920
<v Speaker 4>know if he knew that he was looking to express,

1:16:00.640 --> 1:16:04.960
<v Speaker 4>and people couldn't really get that anywhere else in like

1:16:05.400 --> 1:16:09.559
<v Speaker 4>super mainstream culture at the time, and obviously we wanted it.

1:16:09.600 --> 1:16:12.880
<v Speaker 4>Look at how people have reacted to the freeing of

1:16:13.120 --> 1:16:16.840
<v Speaker 4>drag culture and like the mainstreaming of drag culture. So

1:16:17.080 --> 1:16:19.519
<v Speaker 4>Miss Piggy comes along at a time of like toxic

1:16:19.600 --> 1:16:22.160
<v Speaker 4>masculinity in the late seventies, at a time when like

1:16:22.200 --> 1:16:24.960
<v Speaker 4>Frank Oz has to disclaim that he's straight when he's

1:16:25.000 --> 1:16:28.920
<v Speaker 4>talking about playing her, and she's just like bursting with

1:16:29.479 --> 1:16:33.439
<v Speaker 4>the divine feminine and like could express confidence and body

1:16:33.479 --> 1:16:36.400
<v Speaker 4>positivity and horniness, and she could get away with it

1:16:36.640 --> 1:16:40.800
<v Speaker 4>because she's a puppet, you know. And again, like puppetry

1:16:41.520 --> 1:16:46.600
<v Speaker 4>is this ancient alchemical art that wasn't being used so

1:16:46.800 --> 1:16:52.839
<v Speaker 4>ingeniously and with like such mainstream success anywhere else. I

1:16:52.960 --> 1:16:56.280
<v Speaker 4>quoted Bonnie Eeric cent Er Henson talking about I think

1:16:56.320 --> 1:16:58.960
<v Speaker 4>they've both talked about how humans have used puppets for

1:16:59.400 --> 1:17:03.960
<v Speaker 4>thousands of years in like religious rituals and healing and witchcraft.

1:17:04.400 --> 1:17:07.519
<v Speaker 4>Look at how lou Panella reacted to a chicken mascot

1:17:07.600 --> 1:17:10.040
<v Speaker 4>putting a curse on their picture. Like you could say

1:17:10.080 --> 1:17:12.920
<v Speaker 4>he was being an idiot, but he was also reacting

1:17:13.040 --> 1:17:17.439
<v Speaker 4>to this ancient, powerful human connection to this art form.

1:17:17.520 --> 1:17:20.679
<v Speaker 4>And then Henson comes along and reconnects these jaded, pop

1:17:20.720 --> 1:17:24.880
<v Speaker 4>culture drenched minds around the world with this ancient, deep

1:17:25.120 --> 1:17:29.880
<v Speaker 4>yearning to watch someone breathe life and fully formed characters

1:17:29.880 --> 1:17:34.040
<v Speaker 4>into inanimate objects. And also officially it's kid stuff. People

1:17:34.080 --> 1:17:37.880
<v Speaker 4>consuming mainstream culture don't have their guards up, so ideas

1:17:37.920 --> 1:17:41.639
<v Speaker 4>and energy comes through that they wouldn't usually let through.

1:17:41.800 --> 1:17:45.120
<v Speaker 4>This world of mainstream culture that was just getting used

1:17:45.160 --> 1:17:48.600
<v Speaker 4>to the idea of like strong women let alone drag.

1:17:48.320 --> 1:17:50.639
<v Speaker 3>Acts allows through this new.

1:17:50.520 --> 1:17:54.400
<v Speaker 4>Dimension of like confident divodom that people weren't ready for,

1:17:54.680 --> 1:17:57.720
<v Speaker 4>and it turns out we're deeply ready for at the

1:17:57.720 --> 1:18:00.160
<v Speaker 4>same time. All right, that's going to do it? Or

1:18:00.160 --> 1:18:03.960
<v Speaker 4>the Miss Piggy episode next week. An icon who I

1:18:04.000 --> 1:18:07.439
<v Speaker 4>don't think really fits with that conflict at the core

1:18:07.479 --> 1:18:10.479
<v Speaker 4>of the icon rule that I just made up. I

1:18:10.520 --> 1:18:13.559
<v Speaker 4>think he kind of takes your expectations of the type

1:18:13.560 --> 1:18:17.439
<v Speaker 4>of person he would be and takes it like thirty

1:18:17.479 --> 1:18:22.400
<v Speaker 4>steps further, just like maximalism all the way down. We're

1:18:22.439 --> 1:18:26.680
<v Speaker 4>talking Arnold Twartzenegger. So we have a great guest for

1:18:26.760 --> 1:18:29.960
<v Speaker 4>that one. So I will talk to you then, or

1:18:30.000 --> 1:18:31.760
<v Speaker 4>I'll talk to you in a few hours if you

1:18:31.840 --> 1:18:34.240
<v Speaker 4>listen to the regular episodes of The Daily Zechast.

1:18:34.840 --> 1:18:38.080
<v Speaker 3>Bye bye,