WEBVTT - Raw with Vanessa Guerrero

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<v Speaker 1>On the dol Cast, the questions asked if movies have

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<v Speaker 1>women and them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy? Zef and best

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<v Speaker 1>start changing it with the bec del Cast. So, Kitlyn,

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<v Speaker 1>we're basically podcast sisters, right, Oh yeah, of course. Okay, So, uh,

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<v Speaker 1>I can tell you anything, right, Yeah, that's what podcast

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<v Speaker 1>sisters are to each other. Okay, so I have to

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<v Speaker 1>tell you that the other night when you give me

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<v Speaker 1>that Brazilian I did eat your finger? Are we still cool?

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<v Speaker 1>I do remember my finger getting cut off. I know

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<v Speaker 1>you like came to and you're like issiating my finger,

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<v Speaker 1>and I was like, you're dreaming, but I did do it,

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<v Speaker 1>and I just kind of wanted to like check into

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<v Speaker 1>your people are feeling about that. I'm glad you felt

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<v Speaker 1>comfortable enough divulging that to me. Sisters, right, yeah, yeah,

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<v Speaker 1>of course. Now is my turn to tell you that

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<v Speaker 1>I didn't eat your finger, but I ate the finger

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<v Speaker 1>and the other body parts of a lot of people.

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<v Speaker 1>You know what, I actually forgive you because that makes

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<v Speaker 1>me feel better about what I did, which is not

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<v Speaker 1>comparatively as I think we're good. Our mom probably did it.

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<v Speaker 1>I'm assuming it's somewhere in the bloodline. Like I'm not

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<v Speaker 1>even worried about it. I love you, Love you too,

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<v Speaker 1>Jamie Enjoyed Jail. Welcome to the Bechtel Cast, Jamie Lawfus.

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<v Speaker 1>My name is Caitlin Durante and this is our show

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<v Speaker 1>in which we examine movies through an intersectional feminist lens.

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<v Speaker 1>Using the Bechtel test simply is a jumping off point,

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<v Speaker 1>that being, of course, a media metric created by queer

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<v Speaker 1>cartoonist Alison Bechtel, sometimes called the Bechtel Wallace test, that requires,

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<v Speaker 1>for our purposes, two people of any marginalized gender with

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<v Speaker 1>names have to speak to each other about something other

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<v Speaker 1>than a man. Ideally that conversation is meaningful to the

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<v Speaker 1>narrative right, which you would think would be hard to do.

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<v Speaker 1>For many movies, it is hard to do, but guess what, Baby,

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<v Speaker 1>Today we're covering a movie where it is not hard

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<v Speaker 1>to do, because there is so much to talk about

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<v Speaker 1>in this movie between characters who are not men, and

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<v Speaker 1>they're doing all manner of fucked up, funked up stuff.

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<v Speaker 1>I am so excited to be where first of all,

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<v Speaker 1>I wanted to just give us kind of a little

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<v Speaker 1>ribbon and say. The movie today is from Frost. It

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<v Speaker 1>is a Lesma to movie. So I felt like a

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<v Speaker 1>genius watching this movie because we are socially conditioned to

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<v Speaker 1>think that French equals sophisticated. I felt very chic today

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<v Speaker 1>as I was preparing for this episode, and I could

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<v Speaker 1>not be more excited to talk about the movie. It

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<v Speaker 1>is tens Raw, directed by Julia Ducorno, and we have

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<v Speaker 1>an incredible returning guest who brought this movie to us,

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<v Speaker 1>and I could not be more grateful. Yes, she is

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<v Speaker 1>a host of Kicking and Screaming podcast. She will soon

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<v Speaker 1>be on Behind the Monsters on Shutter and do you

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<v Speaker 1>remember her from our episodes on Maide in Manhattan and

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<v Speaker 1>Atomic Blonde. It's Vanessa Guerrero. Yeah, wellcome back, welcome back.

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<v Speaker 1>Thank you for freaking us this movie. Thank you for

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<v Speaker 1>watching this movie. Because pitching to people a movie that

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<v Speaker 1>is like minutes of Cannibalism, is it the easiest thing

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<v Speaker 1>to do in the world. And the fact that we're

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<v Speaker 1>all this hype to talk about it, I am thrilled,

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<v Speaker 1>so excited. I also would argue that when a woman

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<v Speaker 1>eats another woman's finger, that does pass the Bechdel test.

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<v Speaker 1>That's true. I mean that is an intimate communication of

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<v Speaker 1>the mind and body. I mean it's kind of transcends

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<v Speaker 1>the Bechtel cast in many ways. Yeah, that's true. Yeah,

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<v Speaker 1>So let's talk. Let's get get into it. It's a

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<v Speaker 1>it's a pretty recent movie, came out five years ago. Vanessa.

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<v Speaker 1>What is your connection to this movie? How did it

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<v Speaker 1>come into your life? Um? So the way, I have

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<v Speaker 1>a lot of fondness for this movie because it also

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<v Speaker 1>kind of started with like my relationship and my husband

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<v Speaker 1>who I'm married to now. So it's one of like

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<v Speaker 1>the weirder First Few Days movies. But basically when we

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<v Speaker 1>had met, I was working on an article about sex

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<v Speaker 1>and horror and how for some people kind of an

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<v Speaker 1>entryway into like safely figuring out for themselves like something

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<v Speaker 1>off kilter that they might be into. And at the

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<v Speaker 1>time we met as friends, and he came over and

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<v Speaker 1>recommended a movie called um Southbound, and it's an anthology series,

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<v Speaker 1>but one of it includes like a medical horror moment

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<v Speaker 1>um and it has a lot of like specifically, it's

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<v Speaker 1>like a lot of like sound and sensation. And I

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<v Speaker 1>proceeded to get too breathy on a couch next to

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<v Speaker 1>a man that I just brought into my house for

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<v Speaker 1>the first time that we were definitely not dating, like

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<v Speaker 1>embarrassingly breathy about it, literally blushing talking about it now,

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<v Speaker 1>and uh, he was super chill about it. It was

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<v Speaker 1>just like, that's weird. I just learned something that I

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<v Speaker 1>like right there. And immediately he was like, have you

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<v Speaker 1>seen the movie Raw, because he's basically like knocking on

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<v Speaker 1>people's doors, being like, this is my Lord and xavior

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<v Speaker 1>Julia Dick right now, and he's like, this is so

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<v Speaker 1>like perfect for the piece that you're working on. And

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<v Speaker 1>so he'd been waiting for her to watch it with me,

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<v Speaker 1>and we finally watched it together, and then the entire

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<v Speaker 1>time I kept looking at him and I was like,

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<v Speaker 1>this is the closest thing that has ever felt both

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<v Speaker 1>terrifying and right to like my experiences with sexual awakening,

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<v Speaker 1>especially like growing up in a very repressed household in

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<v Speaker 1>school system, so like this became so valuable. Like the

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<v Speaker 1>last time I felt like this watching a movie was

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<v Speaker 1>American Psycho, when I was like, Oh, this is what

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<v Speaker 1>it looks like when a woman does something terrifying. This

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<v Speaker 1>is what it looks like when a woman like examines

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<v Speaker 1>something like this and like this where the intimacies changed

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<v Speaker 1>based on who's behind the camera. The last time I

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<v Speaker 1>felt that way was like seeing Mary har And do something.

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<v Speaker 1>And now I'm just like all about whatever Julia Dickerno does.

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<v Speaker 1>She could she could just do like a weird TikTok accidentally,

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<v Speaker 1>and I'm like perfect art cinema. Yeah, we were talking

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<v Speaker 1>about the new movie of hers that is either already

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<v Speaker 1>has come out depending on when this episode drops or

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<v Speaker 1>is about to come out. It's like the releases like

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<v Speaker 1>right around this time. Uh, we're not sure of the pronunciation.

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<v Speaker 1>It could be. We kept saying type tannic pane. Yeah,

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<v Speaker 1>we're not exactly sure, but it is her new movie

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<v Speaker 1>and it looks pretty cool. It really does. Yeah, yeah,

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<v Speaker 1>this this movie is I just I'm so thrilled about it.

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<v Speaker 1>I had never I had heard of this movie. I

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<v Speaker 1>had heard of Julia Ducornet, and it was just like

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<v Speaker 1>not something that I and this is I feel like,

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<v Speaker 1>especially in the past year or so, this has been

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<v Speaker 1>like changing pretty rapidly. But I never thought of myself

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<v Speaker 1>as a horror fan or someone who is naturally drawn

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<v Speaker 1>to horror. But seeing a movie like this. It is

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<v Speaker 1>absolutely a horror movie, but it's also like a coming

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<v Speaker 1>of age movie, which is very much something that give

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<v Speaker 1>almost any coming of age movie a fair shot. And

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<v Speaker 1>I was pleasantly taken off guard by how much I

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<v Speaker 1>loved this movie from almost every alex. I'm just I'm

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<v Speaker 1>so excited to talk about it. I'm so glad that

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<v Speaker 1>it exists, and I'm so glad that directors like Julia

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<v Speaker 1>Ducarno are working at such a high level. I wish

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<v Speaker 1>that like this had I was happy that. I mean,

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<v Speaker 1>this movie is pretty accessible, like you can watch it

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<v Speaker 1>for free a number of places to be I believe

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<v Speaker 1>is one of the ones. Yeah, yeah, I was. I

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<v Speaker 1>for one was a to be head for this. I

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<v Speaker 1>watched five tied commercials in a row and then continue

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<v Speaker 1>to watch raw whatever by any means, but I hope

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<v Speaker 1>that this, as time goes on, becomes like a horror

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<v Speaker 1>classic that is like not out of left field to

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<v Speaker 1>say that you've seen because I just thought it was wonderful.

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<v Speaker 1>Thank you Vanessa for bringing it. I truly can't thank

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<v Speaker 1>you enough. It's so good. I also love that you

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<v Speaker 1>specifically brought like coming of age because horror is such

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<v Speaker 1>a perfect vehicle for that, Like you've seen it used

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<v Speaker 1>with both like um, I mean as literal as like

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<v Speaker 1>werewolf stuff where it's like suddenly I'm getting hair everywhere

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<v Speaker 1>and it's awkward to like more horrifying, visceral things. And

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<v Speaker 1>I feel like we have this collective amnesia about how

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<v Speaker 1>awful and gross and terrifying but also exhilarating puberty was,

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<v Speaker 1>and oftentimes when we like examine it, it's usually with

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<v Speaker 1>like a ukulele and like butterfly knesses, and it's it's

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<v Speaker 1>something that kind of takes away this like feral nature

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<v Speaker 1>that we all kind of adopt as we're learning all

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<v Speaker 1>of the weird things our bodies do and how we

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<v Speaker 1>want to interact with other people. And I feel like

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<v Speaker 1>there truly should be more horror coming of age things,

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<v Speaker 1>because I cannot tell you how many times I'd like

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<v Speaker 1>pull down my pants or look in the mirror and

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<v Speaker 1>be like what is as a teenager? And it's the

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<v Speaker 1>scariest thing I've ever seen. My life was a horror

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<v Speaker 1>movie once a month when I got my period, because

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<v Speaker 1>I've never been in more pain than every time I

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<v Speaker 1>get my period. Yeah, So I grew up. I didn't

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<v Speaker 1>get sex said in school, and so I thought I

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<v Speaker 1>was shipping myself for a while because it feels like

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<v Speaker 1>you do because your internal organs are just like flexing

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<v Speaker 1>and unflexing. If you pull down your pants and it's brown.

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<v Speaker 1>I just felt like it was a reasonable I'm like,

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<v Speaker 1>that's so bizarre because I don't remember shipping myself, but

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<v Speaker 1>I guess that that's just what's been happening. They don't

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<v Speaker 1>prepare us for clots, No, they don't at all prepare

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<v Speaker 1>you for blood clots or the fact that some days

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<v Speaker 1>you might just have a jellyfish in your panties. Like

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<v Speaker 1>they were like, it's just like a little bit of

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<v Speaker 1>blood every month, and we are all wholly unprepared for

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<v Speaker 1>the first time it gets nearly. And also it's like,

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<v Speaker 1>if you don't have someone on the ground to let

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<v Speaker 1>you know what's going on, all you see on TV

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<v Speaker 1>is it's blue. It's not even the color is done

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<v Speaker 1>weird blue stuff onto pads, and it's like, in what

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<v Speaker 1>world is this helpful? This kool aid jammer fell into

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<v Speaker 1>your panties? What do you do? Like cool? Not to

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<v Speaker 1>pull out the kool Aid jammer reference, but that was

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<v Speaker 1>at thirteen, I knew more about kool Aid Jammer than

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<v Speaker 1>I did about my own body. Um good grief. Um.

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<v Speaker 1>I had seen this movie before a couple of years ago.

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<v Speaker 1>I remember it. It has gotten kind of more and

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<v Speaker 1>more buzz since it came out, so I wanted to

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<v Speaker 1>say I saw it in like en ish. I was

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<v Speaker 1>surprised by how much I remember it, because usually if

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<v Speaker 1>I see a movie once and then a few years passed,

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<v Speaker 1>it's I might as well have never seen the movie

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<v Speaker 1>because I simply remember nothing. But as I was rewatching

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<v Speaker 1>it for this episode, I was like, oh, yeah, and

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<v Speaker 1>I remember that, and I remember that I remember, was

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<v Speaker 1>like so much had made an impression. I was like,

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<v Speaker 1>oh cool, there's a lot of perspectives you don't see

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<v Speaker 1>enough of so that when you do see it, it's

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<v Speaker 1>just in your brain forever. Yeah, it really like leaves

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<v Speaker 1>a lasting impression. So yeah, I was excited to rewatch

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<v Speaker 1>it for this and yeah, we've got a lot to

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<v Speaker 1>talk about. By that same token, though, I Jamie, we

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<v Speaker 1>were talking about this where we're like, I like kind

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<v Speaker 1>of don't. I didn't write down any notes for this

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<v Speaker 1>because I'm just like, yeah, it was good. It was

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<v Speaker 1>handled well, end of note, and it really is. It's

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<v Speaker 1>like I feel like it's rare to find a movie

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<v Speaker 1>that so like sucks you in. Yeah. That I found

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<v Speaker 1>it hard to like pause to take note because I

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<v Speaker 1>was like, I don't really want I really want to.

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<v Speaker 1>I'm having too much fun. It's very fluid. There aren't

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<v Speaker 1>really any moments that like slow down or like maybe

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<v Speaker 1>that the pacing is like, oh here, I can like

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<v Speaker 1>look at my phone for a second. Because I think

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<v Speaker 1>this is just like another benefit of having a woman

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<v Speaker 1>behind the camera. The main character has always looked at

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<v Speaker 1>with like curiosity instead of like judgment or like what

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<v Speaker 1>is this small delicate creature? Uh, to where it feels

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<v Speaker 1>like a very intense nature documentary about a person. Yeah, yeah,

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<v Speaker 1>Oh my gosh. I felt like there was a lot

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<v Speaker 1>of camera choices that were so I mean, we're so

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<v Speaker 1>like every time you see Justine, she's hunched over and

0:13:26.240 --> 0:13:28.760
<v Speaker 1>if she's like she looks like she's the subject of

0:13:28.760 --> 0:13:32.400
<v Speaker 1>a nature documentary. The entire movie. It's. Yeah, the first

0:13:32.400 --> 0:13:34.520
<v Speaker 1>time you see like Alexis in the intro and she

0:13:34.600 --> 0:13:37.400
<v Speaker 1>like runs into the street and you know, causes the

0:13:37.480 --> 0:13:41.280
<v Speaker 1>car accident. She sprints like a dog or an animal

0:13:41.400 --> 0:13:44.479
<v Speaker 1>that's like running into traffic. She's like on all fours

0:13:44.559 --> 0:13:47.800
<v Speaker 1>and it's so deliberate, Like it feels like the way

0:13:47.840 --> 0:13:51.160
<v Speaker 1>an animal hunts for something and you see her from

0:13:51.160 --> 0:13:53.160
<v Speaker 1>far away, and it does have that like far enough

0:13:53.200 --> 0:13:57.800
<v Speaker 1>removed thing to where by stripping all of these characters

0:13:57.840 --> 0:14:00.160
<v Speaker 1>of humanity and treating them like animals, it just makes

0:14:00.160 --> 0:14:05.560
<v Speaker 1>it feel all the more human it was. Yeah, this

0:14:05.640 --> 0:14:10.080
<v Speaker 1>movie in particular just feels like you can just feel

0:14:10.280 --> 0:14:15.120
<v Speaker 1>that it is like women perceiving other women. Yes, like

0:14:15.200 --> 0:14:17.920
<v Speaker 1>in a way that it doesn't feel like it's bopping

0:14:17.960 --> 0:14:19.640
<v Speaker 1>you over the head with a mallet, but it just

0:14:19.680 --> 0:14:23.200
<v Speaker 1>like intuitively feels that way. Like if I saw this

0:14:23.240 --> 0:14:25.200
<v Speaker 1>movie knew nothing about it would be like this movie

0:14:25.640 --> 0:14:29.520
<v Speaker 1>had to have been made by someone who intuitively understood

0:14:29.560 --> 0:14:32.280
<v Speaker 1>Justine's experience and like where she would be coming from,

0:14:32.320 --> 0:14:34.760
<v Speaker 1>because I don't know, like you can just feel it.

0:14:35.320 --> 0:14:37.600
<v Speaker 1>I had that thought when I watched the peeing standing

0:14:37.680 --> 0:14:41.160
<v Speaker 1>up scene. Yeah, oh my gosh, because I knew never

0:14:41.200 --> 0:14:43.480
<v Speaker 1>in a million years would a dude ever include something

0:14:43.520 --> 0:14:46.240
<v Speaker 1>like that. And that's like a very specific kind of

0:14:46.280 --> 0:14:49.440
<v Speaker 1>camaraderie that would be considered gross that like men would

0:14:49.480 --> 0:14:53.280
<v Speaker 1>be like that's too gross, and they don't really understand

0:14:53.400 --> 0:14:57.880
<v Speaker 1>how down to be disgusting. We are like quote unquote disgusting,

0:14:58.400 --> 0:15:01.400
<v Speaker 1>but like I also like deeply like as somebody that

0:15:01.520 --> 0:15:04.440
<v Speaker 1>like has a vagina wanted to learn how to pee

0:15:04.520 --> 0:15:08.040
<v Speaker 1>standing up so bad when because I was like, it's cool,

0:15:08.520 --> 0:15:10.480
<v Speaker 1>like anyone of the penis can just like run off

0:15:10.480 --> 0:15:13.160
<v Speaker 1>and then like piss in the bushes and then come

0:15:13.160 --> 0:15:15.520
<v Speaker 1>back and keep playing. I want to pee standing up.

0:15:15.840 --> 0:15:18.240
<v Speaker 1>So like when I saw that scene, it felt so

0:15:18.320 --> 0:15:22.640
<v Speaker 1>close to like similar experiences of like other girls being

0:15:22.680 --> 0:15:26.000
<v Speaker 1>like you want to see what this does? That it

0:15:26.200 --> 0:15:29.200
<v Speaker 1>like I was like, I've never seen anything like this

0:15:29.680 --> 0:15:31.880
<v Speaker 1>that scene. What I really enjoyed that scene, and I

0:15:31.920 --> 0:15:34.160
<v Speaker 1>thought that the way that it was shot was perfect.

0:15:34.400 --> 0:15:36.800
<v Speaker 1>It's like I don't know, I mean, and for a

0:15:36.880 --> 0:15:41.400
<v Speaker 1>movie that is about cannibal ism, it feels bizarre to

0:15:41.480 --> 0:15:45.040
<v Speaker 1>be like, oh, you know, it didn't feel exploitatively shot

0:15:45.080 --> 0:15:47.880
<v Speaker 1>at all, but it really didn't like it was. It

0:15:47.960 --> 0:15:50.160
<v Speaker 1>felt like you got what you needed there, which is

0:15:50.760 --> 0:15:54.360
<v Speaker 1>the sisterhood at and also just like how many people

0:15:54.640 --> 0:15:57.200
<v Speaker 1>are you going to be that comfortable enough around to

0:15:57.240 --> 0:16:00.560
<v Speaker 1>be like, let's peace standing up even though it's going

0:16:00.600 --> 0:16:04.080
<v Speaker 1>to be messy. I don't know. I every time I

0:16:04.080 --> 0:16:06.200
<v Speaker 1>pee it sounds like a helicopter is landing and it's

0:16:06.240 --> 0:16:08.680
<v Speaker 1>like all over the place. But I certainly did try

0:16:09.800 --> 0:16:12.480
<v Speaker 1>at different points in my life. I never realized how

0:16:12.520 --> 0:16:15.960
<v Speaker 1>powerful my stream is until I pee outside, Like I'm

0:16:16.000 --> 0:16:17.560
<v Speaker 1>so used to hearing it in the bowl, and then

0:16:17.600 --> 0:16:20.120
<v Speaker 1>the first time it hits dirt, I'm like, I'm doing that.

0:16:20.400 --> 0:16:23.400
<v Speaker 1>If you're just like, wow, I'm so let's bring that

0:16:23.480 --> 0:16:27.440
<v Speaker 1>strength to other areas of my body and life. We're

0:16:27.440 --> 0:16:30.640
<v Speaker 1>going to get those muscles everywhere, because my god, that's forceful.

0:16:30.840 --> 0:16:34.240
<v Speaker 1>I'm just like, this could knock someone out. But I

0:16:34.280 --> 0:16:40.200
<v Speaker 1>don't know who knows. Wow. Anyways, when we're talking about

0:16:41.440 --> 0:16:46.400
<v Speaker 1>that's so excited about talking about peeing outside forceful peas, Yeah,

0:16:46.440 --> 0:16:51.640
<v Speaker 1>I love a good forceful pe Uh. Let me let

0:16:51.640 --> 0:16:54.880
<v Speaker 1>me just not on the recap mp in take a

0:16:54.880 --> 0:17:01.280
<v Speaker 1>little bite out of the recap. Shall we look at her? Go? Um? So,

0:17:01.360 --> 0:17:05.080
<v Speaker 1>the movie starts on an open road where we see

0:17:05.440 --> 0:17:09.080
<v Speaker 1>a woman running into the road and seems to be

0:17:09.119 --> 0:17:12.520
<v Speaker 1>deliberately causing a car to crash into a tree, and

0:17:12.560 --> 0:17:15.679
<v Speaker 1>then we see her approach the crash, and then it

0:17:15.720 --> 0:17:21.280
<v Speaker 1>cuts to a young woman, Justine. She's dining with her parents.

0:17:21.720 --> 0:17:26.400
<v Speaker 1>We learned that they are all strict vegetarians. Then they

0:17:26.720 --> 0:17:30.120
<v Speaker 1>drop her off at her first day of veterinary school,

0:17:30.880 --> 0:17:35.560
<v Speaker 1>and the first night there, she and the other like

0:17:36.119 --> 0:17:41.880
<v Speaker 1>freshman students get hazed by the upperclassmen and they're brought

0:17:41.920 --> 0:17:46.440
<v Speaker 1>to this big party. There she meets her roommate Adrian.

0:17:46.680 --> 0:17:51.240
<v Speaker 1>Adrian Audrian, I don't know the French France there, I was.

0:17:51.800 --> 0:17:54.560
<v Speaker 1>I It made me laugh a little bit, and we

0:17:54.640 --> 0:17:57.680
<v Speaker 1>talked about we we recorded an episode earlier today about

0:17:57.680 --> 0:18:01.200
<v Speaker 1>Revenge of the Nerds, so there's been this like related

0:18:01.200 --> 0:18:04.360
<v Speaker 1>but deeply unrelated through line of hazing to what we've

0:18:04.400 --> 0:18:07.119
<v Speaker 1>been talking about all day. But I just thought it

0:18:07.200 --> 0:18:11.400
<v Speaker 1>was so like, not unbelievable, because it's like I certainly

0:18:11.400 --> 0:18:13.959
<v Speaker 1>haven't been to veterinary school, but I was like, wow,

0:18:14.119 --> 0:18:20.440
<v Speaker 1>is hazing that intense among vets? Fuck? Yeah, it seems intense.

0:18:20.560 --> 0:18:22.120
<v Speaker 1>Where I was just like, I don't know anything about

0:18:22.119 --> 0:18:23.879
<v Speaker 1>the world, so I'm just going to have to believe you.

0:18:23.960 --> 0:18:27.320
<v Speaker 1>I guess I know. I was looking for I literally

0:18:27.359 --> 0:18:31.040
<v Speaker 1>I was seeking out vet insight because I was just like,

0:18:31.640 --> 0:18:34.359
<v Speaker 1>is it that intense. They're like, are you Are you

0:18:34.440 --> 0:18:37.320
<v Speaker 1>all okay? Should I bring my cocker spaniel to the

0:18:37.359 --> 0:18:40.959
<v Speaker 1>likes of you if you're dumping blood on each other? Like,

0:18:41.040 --> 0:18:44.440
<v Speaker 1>we don't know? Yeah, hard to say, Yeah, I could

0:18:44.440 --> 0:18:49.040
<v Speaker 1>not speak from experience, believe it or not. Wait, Caitlin,

0:18:49.119 --> 0:18:53.240
<v Speaker 1>are you not a betted yourself to me? I did

0:18:53.240 --> 0:18:56.120
<v Speaker 1>not go to a French veterinary school. This is the

0:18:56.160 --> 0:19:02.040
<v Speaker 1>foremost French veterinary feminist podcast. So that's interesting. I don't

0:19:02.080 --> 0:19:07.240
<v Speaker 1>have a master's degree in veterinary study then from France

0:19:07.440 --> 0:19:12.320
<v Speaker 1>University where you can only work on French horses and

0:19:12.480 --> 0:19:17.119
<v Speaker 1>French dogs. Yes, very very they're they're wearing hats. It's nice. Um, okay.

0:19:17.119 --> 0:19:20.760
<v Speaker 1>So Justine's older sister, Alex also goes to this school.

0:19:21.440 --> 0:19:26.280
<v Speaker 1>She's an upper classman or an upper class woman. I

0:19:26.320 --> 0:19:28.199
<v Speaker 1>did write that in my recap, by the way, in

0:19:28.200 --> 0:19:30.480
<v Speaker 1>case anyone was curious. That was brave of you to

0:19:30.520 --> 0:19:36.000
<v Speaker 1>say thank you. They catch up with each other if

0:19:36.040 --> 0:19:38.439
<v Speaker 1>we find out that their parents also went to this

0:19:38.720 --> 0:19:42.800
<v Speaker 1>vet school. They kind of don't totally see eye to

0:19:42.960 --> 0:19:46.480
<v Speaker 1>eye on things, but they're excited to see each other.

0:19:47.040 --> 0:19:51.640
<v Speaker 1>And then Justine starts classes the hazing continues throughout the week.

0:19:52.280 --> 0:19:56.600
<v Speaker 1>They all have to eat a raw rabbit kidney as

0:19:56.680 --> 0:19:59.840
<v Speaker 1>part of their hazing. Are the vets of the world

0:20:00.080 --> 0:20:03.360
<v Speaker 1>doing this like, it's not It didn't bump me at all.

0:20:03.400 --> 0:20:06.359
<v Speaker 1>I was. I'm just genuinely curious if there's hazing in

0:20:06.480 --> 0:20:10.800
<v Speaker 1>veterinary school. Vet's sound off in the comments. I didn't

0:20:10.800 --> 0:20:13.280
<v Speaker 1>go to college, so that's what I'm assuming all colleges

0:20:13.359 --> 0:20:17.840
<v Speaker 1>like I went to loser college, and so I don't

0:20:17.840 --> 0:20:22.399
<v Speaker 1>know anyway. So she's presented with having to eat this

0:20:22.560 --> 0:20:26.199
<v Speaker 1>raw rabbit kidney, and Justine is like, I can't eat that.

0:20:26.280 --> 0:20:30.240
<v Speaker 1>I'm a vegetarian. But her sister is like, no, just

0:20:30.320 --> 0:20:34.520
<v Speaker 1>eat it, be cool, So Justine does. Uh. Then she

0:20:34.560 --> 0:20:38.720
<v Speaker 1>seems to have a reaction to having eaten the rabbit kidney.

0:20:38.800 --> 0:20:42.320
<v Speaker 1>She develops a severe rash all over her body. She

0:20:42.400 --> 0:20:44.920
<v Speaker 1>goes to see a doctor about it, who tells her

0:20:45.440 --> 0:20:48.280
<v Speaker 1>it's probably food poisoning and that she should fast for

0:20:48.320 --> 0:20:53.119
<v Speaker 1>a day. But Justine's like, well, except I'm very hungry.

0:20:53.359 --> 0:20:56.720
<v Speaker 1>And then we see her steal a burger patty from

0:20:56.720 --> 0:20:59.919
<v Speaker 1>the dining hall and we're like, wait a minute, is

0:21:00.000 --> 0:21:03.200
<v Speaker 1>isn't she a vegetarian, what's going on? And then her

0:21:03.280 --> 0:21:07.840
<v Speaker 1>roommate Adrian takes Justine off campus to like eat her

0:21:07.920 --> 0:21:13.080
<v Speaker 1>first meat meal. On the way, they see the scene

0:21:13.080 --> 0:21:15.800
<v Speaker 1>of that car accident from the beginning of the movie.

0:21:16.000 --> 0:21:18.520
<v Speaker 1>They passed that, and then they get their food, and

0:21:18.840 --> 0:21:23.320
<v Speaker 1>justin gas station food representation, I feel like there's not

0:21:23.600 --> 0:21:27.680
<v Speaker 1>enough gas station food in movies for how prevalent it

0:21:27.760 --> 0:21:31.639
<v Speaker 1>is in the real world. I mean, as a frequenter

0:21:31.680 --> 0:21:36.960
<v Speaker 1>of both sheets and Wahwas in my days in Pennsylvania,

0:21:37.160 --> 0:21:44.160
<v Speaker 1>Wow Mayra vastown over here at the Wahwa. I grew

0:21:44.240 --> 0:21:47.920
<v Speaker 1>up in mostly sheets territory, so I've been to many

0:21:47.920 --> 0:21:50.880
<v Speaker 1>more sheets than Wahwas. But Vanessa, what was your what

0:21:50.960 --> 0:21:55.240
<v Speaker 1>was your go to gas station food? Growing up? Man,

0:21:55.400 --> 0:21:59.080
<v Speaker 1>I didn't really experience like full on gas like actual

0:21:59.160 --> 0:22:01.440
<v Speaker 1>like meal meals that weren't chip bags until I was

0:22:01.480 --> 0:22:04.760
<v Speaker 1>like an adult in Los Angeles. But many of the

0:22:04.760 --> 0:22:08.160
<v Speaker 1>ones by my high school would do like literally open

0:22:08.200 --> 0:22:10.560
<v Speaker 1>any chip and you can just dump it under the

0:22:10.640 --> 0:22:16.760
<v Speaker 1>chili and cheese, and so those with hot cheetos and

0:22:17.160 --> 0:22:19.560
<v Speaker 1>pickled Hallo pengos and then a bunch of Chilian cheese,

0:22:19.600 --> 0:22:21.000
<v Speaker 1>and then I would just eat it with chop sticks,

0:22:21.040 --> 0:22:24.160
<v Speaker 1>and now I wonder why I have ulcers all the time. Oh,

0:22:24.200 --> 0:22:27.840
<v Speaker 1>I'm sure this is completely unrelated. No, that's completely unrelated.

0:22:27.880 --> 0:22:29.760
<v Speaker 1>It has to be. But it was like the popular

0:22:29.800 --> 0:22:32.480
<v Speaker 1>like get that and then walk home from school. And

0:22:32.520 --> 0:22:36.359
<v Speaker 1>then because we also like went to a private school,

0:22:36.520 --> 0:22:39.760
<v Speaker 1>we were like dying to eat garbage by the time

0:22:39.800 --> 0:22:41.560
<v Speaker 1>school got out. So then we were just like double

0:22:41.600 --> 0:22:44.639
<v Speaker 1>down on those. Hell yeah, Jamie, what's your go to

0:22:44.800 --> 0:22:48.879
<v Speaker 1>meal or experience? It's improved over time, but in uh,

0:22:49.160 --> 0:22:51.640
<v Speaker 1>at least in I don't even know if it's all

0:22:51.720 --> 0:22:55.359
<v Speaker 1>of New England, but there's Cumberland Farms is the gas

0:22:55.359 --> 0:22:58.680
<v Speaker 1>station of note and you go to Compies, you get

0:22:58.680 --> 0:23:02.840
<v Speaker 1>a slushy, you get they have really good hot dogs,

0:23:02.880 --> 0:23:05.320
<v Speaker 1>which is like part part of my early adoption to

0:23:05.400 --> 0:23:08.960
<v Speaker 1>hot dogs was Cumbies hot dogs. They actually kept them

0:23:09.200 --> 0:23:14.160
<v Speaker 1>sort of hot, which felt very chic and novel because

0:23:14.200 --> 0:23:18.200
<v Speaker 1>they did cost seventy nine cents. So I love Cumbies

0:23:18.280 --> 0:23:20.280
<v Speaker 1>food to this day. I was getting like a lot

0:23:20.320 --> 0:23:23.760
<v Speaker 1>of like they because I feel like the gas stations

0:23:23.760 --> 0:23:25.959
<v Speaker 1>in the last ten years have been trying to like

0:23:26.600 --> 0:23:29.480
<v Speaker 1>make their food at least appear more healthy. Because now

0:23:29.520 --> 0:23:31.760
<v Speaker 1>when I go to combies, when I visit home, they're like,

0:23:31.880 --> 0:23:34.479
<v Speaker 1>would you like a grilled chicken wrap? I was like,

0:23:34.680 --> 0:23:37.879
<v Speaker 1>there's no way, there's no way. But it's like hot

0:23:37.880 --> 0:23:40.560
<v Speaker 1>dog as like, I don't come here for the grilled

0:23:40.640 --> 0:23:45.720
<v Speaker 1>chicken wrap, but I appreciate a for effort. Anyways, anyway,

0:23:46.200 --> 0:23:52.119
<v Speaker 1>gas station hot dogs and same thing. So she we

0:23:52.160 --> 0:23:55.520
<v Speaker 1>see her hungrily eat a bunch of meat, and then

0:23:55.760 --> 0:23:58.480
<v Speaker 1>later back at her dorm, we see her eat some

0:23:58.640 --> 0:24:02.760
<v Speaker 1>raw chicken. We're like, Wow, something's really happening to Justine.

0:24:02.800 --> 0:24:04.600
<v Speaker 1>And then she coughs up a bunch of her own

0:24:04.800 --> 0:24:09.399
<v Speaker 1>hair that she chewed on, which was gross. Got that scene.

0:24:09.440 --> 0:24:12.200
<v Speaker 1>I loved the audio mixing on that scene had me

0:24:12.640 --> 0:24:16.400
<v Speaker 1>skin crawling the entire time. Yeah, there's a I got

0:24:16.440 --> 0:24:19.120
<v Speaker 1>really into this. Not into but I read a book

0:24:19.119 --> 0:24:22.280
<v Speaker 1>about It's. I guess it's a type of like ulcer

0:24:22.840 --> 0:24:28.000
<v Speaker 1>tumor like thing I'm not a doctor, called a teratoma

0:24:28.680 --> 0:24:31.399
<v Speaker 1>that can form inside of people. I read a memoir

0:24:31.480 --> 0:24:34.040
<v Speaker 1>of someone who had something like this that her body

0:24:34.119 --> 0:24:38.320
<v Speaker 1>just started acting ways that she didn't recognize, and it's

0:24:38.440 --> 0:24:41.240
<v Speaker 1>just this kind of like it sounds like a horror movie.

0:24:41.280 --> 0:24:45.280
<v Speaker 1>It is a combination of like hair and half grown

0:24:45.400 --> 0:24:48.760
<v Speaker 1>teeth and just like my aunt had one of those. Yes, yeah,

0:24:48.800 --> 0:24:51.320
<v Speaker 1>like and it's like it's filled the teeth. Yeah, it's

0:24:51.320 --> 0:24:54.600
<v Speaker 1>a hairball full of teeth that grows inside of people.

0:24:55.920 --> 0:24:58.320
<v Speaker 1>And it's like it is I don't know, it's very

0:24:58.440 --> 0:25:00.840
<v Speaker 1>it's very visually fast and he but it also was

0:25:00.880 --> 0:25:03.840
<v Speaker 1>like so under discussed that when it happens to someone,

0:25:03.880 --> 0:25:07.760
<v Speaker 1>they're like, this doesn't sound real, Like how was what? Yeah,

0:25:07.920 --> 0:25:11.080
<v Speaker 1>it reminded me of that Tara Toomas. If you want

0:25:11.119 --> 0:25:14.639
<v Speaker 1>to fun google rabbit hole, Wow is your Did it

0:25:14.720 --> 0:25:17.040
<v Speaker 1>work out okay for your aunt? And it got removed

0:25:17.040 --> 0:25:19.760
<v Speaker 1>and everything? Yeah, she got that one removed. And then

0:25:19.800 --> 0:25:22.120
<v Speaker 1>I was just like obsessed with Tara Toomas. I didn't

0:25:22.119 --> 0:25:23.520
<v Speaker 1>know that's what it, but like the idea of like

0:25:23.560 --> 0:25:26.640
<v Speaker 1>hair and stuff like that growing and like that's seen

0:25:26.800 --> 0:25:29.639
<v Speaker 1>especially yes nails. And then I had a hat a

0:25:29.640 --> 0:25:31.520
<v Speaker 1>pe teacher where she grew an extra road teeth in

0:25:31.520 --> 0:25:34.560
<v Speaker 1>her mouth. She said that that I can't remember. She

0:25:34.560 --> 0:25:37.040
<v Speaker 1>said that her doctor said it was like she had

0:25:37.080 --> 0:25:39.960
<v Speaker 1>like a pregnancy or something and like the extra hormones

0:25:41.240 --> 0:25:43.760
<v Speaker 1>went a little crazy before like she like lost the

0:25:43.760 --> 0:25:45.800
<v Speaker 1>baby without realizing that she did, because she wasn't even

0:25:45.800 --> 0:25:48.320
<v Speaker 1>trying to get pregnant, and so she just like had

0:25:48.359 --> 0:25:50.880
<v Speaker 1>a quick influx of hormones and then she just woke

0:25:50.960 --> 0:25:53.080
<v Speaker 1>up one day and found like three little teeth coming

0:25:53.080 --> 0:25:55.719
<v Speaker 1>out of like the bottom of her mouth, like behind

0:25:56.160 --> 0:25:59.760
<v Speaker 1>her bottom jaw. And the second I heard that, I

0:25:59.840 --> 0:26:02.840
<v Speaker 1>like checked my mouth in the mirror every day and

0:26:02.880 --> 0:26:06.320
<v Speaker 1>I was just like, do I have teeth now? And

0:26:06.400 --> 0:26:08.720
<v Speaker 1>like do you never really think about how much body

0:26:08.720 --> 0:26:13.080
<v Speaker 1>horror happens just because of hormones? Right? Like It's just

0:26:14.000 --> 0:26:16.879
<v Speaker 1>I love body horror so much and it's there couldn't

0:26:16.920 --> 0:26:20.240
<v Speaker 1>be more grounds for it to exist, Like it is

0:26:20.280 --> 0:26:23.560
<v Speaker 1>such a real thing. It's wow. Yeah, my birth control

0:26:23.600 --> 0:26:27.320
<v Speaker 1>makes my mouth bleed spontaneously. Oh, I love that. I

0:26:27.400 --> 0:26:29.399
<v Speaker 1>didn't know that it was a thing until one day

0:26:29.400 --> 0:26:31.760
<v Speaker 1>I just tasted copper and they're like, yeah, some people

0:26:31.840 --> 0:26:34.520
<v Speaker 1>protest their own. Birth control just makes their mouth, their

0:26:34.520 --> 0:26:39.200
<v Speaker 1>gums just start bleeding bleeding. My birth control made my

0:26:39.720 --> 0:26:42.879
<v Speaker 1>libido go away for like five years. That was that

0:26:43.000 --> 0:26:46.960
<v Speaker 1>was body horror. That is I've ever heard it. Bodies

0:26:46.960 --> 0:26:53.800
<v Speaker 1>are horrible and that is where rock comes in. Oh,

0:26:53.880 --> 0:26:55.600
<v Speaker 1>does it want to tell you that, right, And I'm

0:26:55.640 --> 0:27:00.359
<v Speaker 1>just pulling a hairball like it's a shower in your throat. God. Yeah,

0:27:00.400 --> 0:27:03.720
<v Speaker 1>everyone listening, google Taratoma if you want to have some

0:27:04.000 --> 0:27:08.240
<v Speaker 1>wild dreams for the next two to three months. Pass hard,

0:27:08.280 --> 0:27:12.560
<v Speaker 1>pass for me. Um. Okay. So, then Justine hangs out

0:27:12.560 --> 0:27:14.760
<v Speaker 1>with her sister Alex. They bond a bit. This is

0:27:14.760 --> 0:27:17.320
<v Speaker 1>when we get I think the peeing standing up scene.

0:27:17.920 --> 0:27:22.560
<v Speaker 1>Alex also gives Justine a bikini wax, which goes wrong.

0:27:23.119 --> 0:27:25.800
<v Speaker 1>Scissors have to be involved, and then there's a mishap

0:27:25.840 --> 0:27:29.200
<v Speaker 1>with the scissors which leads to one of Alex's fingers

0:27:29.240 --> 0:27:33.359
<v Speaker 1>getting cut off. Alex passes out, and as Justine waits

0:27:33.400 --> 0:27:37.639
<v Speaker 1>for the paramedics to arrive, she starts to lick the

0:27:37.760 --> 0:27:42.120
<v Speaker 1>blood off of the severed finger and then whips it daisy.

0:27:42.440 --> 0:27:47.040
<v Speaker 1>She eats the finger. Also, the music that's happening in

0:27:47.080 --> 0:27:51.480
<v Speaker 1>this scene is mesmerizing. Yeah. Yeah, the score for this

0:27:51.560 --> 0:27:56.200
<v Speaker 1>movie is so good. Yeah. There's an actual sex scene later,

0:27:56.600 --> 0:28:00.520
<v Speaker 1>and it's not played the same like it was. It

0:28:00.600 --> 0:28:03.840
<v Speaker 1>was weirdly sensual the way she like shot the eating

0:28:03.880 --> 0:28:07.359
<v Speaker 1>of the finger more than like actual sex scenes later

0:28:08.040 --> 0:28:10.439
<v Speaker 1>to where it was like This is the awakening moment.

0:28:10.560 --> 0:28:12.520
<v Speaker 1>This is the moment like in most movies where a

0:28:12.520 --> 0:28:14.760
<v Speaker 1>girl was like I feel tingles, and now it's this,

0:28:16.160 --> 0:28:20.000
<v Speaker 1>except she's eating a finger. That feeling when you eat

0:28:20.040 --> 0:28:22.880
<v Speaker 1>a finger for the first time. You know who can

0:28:22.920 --> 0:28:26.600
<v Speaker 1>relate that? Yeah, that whole scene, The way that that

0:28:26.680 --> 0:28:30.879
<v Speaker 1>scene is executed on every level was like in the

0:28:30.880 --> 0:28:35.400
<v Speaker 1>hands of someone less competent would have been So I mean,

0:28:35.440 --> 0:28:37.080
<v Speaker 1>I guess it still is can't be in a way,

0:28:37.119 --> 0:28:39.520
<v Speaker 1>but it doesn't feel like you're so like you know

0:28:39.640 --> 0:28:42.560
<v Speaker 1>that she's probably going to eat the finger, but it

0:28:42.680 --> 0:28:46.880
<v Speaker 1>still feels so shocking when she does it because the

0:28:47.040 --> 0:28:49.880
<v Speaker 1>actress is doing such an incredible job. That direction is

0:28:49.920 --> 0:28:52.880
<v Speaker 1>so good. The reaction when the sister wakes up is

0:28:52.920 --> 0:28:58.120
<v Speaker 1>so fucked like it's just so good. The score like, yeah,

0:28:58.440 --> 0:29:01.720
<v Speaker 1>I was literally like pulling my sheets the entire time

0:29:01.720 --> 0:29:03.800
<v Speaker 1>because I knew it was going to happen. But like,

0:29:03.960 --> 0:29:05.920
<v Speaker 1>she very much does the thing where it's like taking

0:29:05.960 --> 0:29:08.400
<v Speaker 1>the little bites and like the little tastes before and

0:29:08.440 --> 0:29:10.640
<v Speaker 1>you're like, I know she's gonna fucking do it, but

0:29:13.240 --> 0:29:16.720
<v Speaker 1>the tension, I know, it's so good, it's so good.

0:29:17.120 --> 0:29:20.040
<v Speaker 1>So yeah, then then Alex wakes up and sees Justine

0:29:20.120 --> 0:29:22.760
<v Speaker 1>eating her finger and gives her this like, what the

0:29:22.800 --> 0:29:25.240
<v Speaker 1>funk are you doing? Look? And then we cat to

0:29:25.280 --> 0:29:30.320
<v Speaker 1>the hospital. The parents have shown up, Alex's taken care of,

0:29:30.560 --> 0:29:34.480
<v Speaker 1>and then she blames her missing finger on their dog Quickie,

0:29:34.520 --> 0:29:37.640
<v Speaker 1>having eaten it, even though she knows it was Justine.

0:29:38.120 --> 0:29:42.320
<v Speaker 1>Because Alex has a secret of her own. I know.

0:29:42.400 --> 0:29:44.520
<v Speaker 1>At first, I was like, Alex, you're just gonna kill

0:29:44.560 --> 0:29:48.040
<v Speaker 1>a dog over this, that's me, But then but she

0:29:48.120 --> 0:29:53.640
<v Speaker 1>has her reasons. It's because she's protecting this family secret

0:29:54.280 --> 0:29:58.680
<v Speaker 1>where she has also developed a taste for human flesh.

0:29:58.800 --> 0:30:00.760
<v Speaker 1>It turns out she was the woman at the beginning

0:30:00.800 --> 0:30:04.000
<v Speaker 1>of the movie who had caused that car crash, because

0:30:04.200 --> 0:30:07.640
<v Speaker 1>she does this again and brings Justine with her, and

0:30:07.680 --> 0:30:11.200
<v Speaker 1>she she causes another car to crash and then kind

0:30:11.200 --> 0:30:15.360
<v Speaker 1>of goes over to eat the people. But Justine's like, no,

0:30:15.840 --> 0:30:19.040
<v Speaker 1>that this is not what I want for myself and

0:30:19.080 --> 0:30:24.960
<v Speaker 1>she storms off um. But then she notices how hungry

0:30:25.000 --> 0:30:28.680
<v Speaker 1>and or horny, but mostly hungry she is for her

0:30:28.760 --> 0:30:33.960
<v Speaker 1>roommate Adrian, and later at a party she's making out

0:30:33.960 --> 0:30:36.240
<v Speaker 1>with this guy, she bites part of his lip off,

0:30:36.680 --> 0:30:40.160
<v Speaker 1>he freaks out about it, and then she hooks up

0:30:40.240 --> 0:30:44.440
<v Speaker 1>with Adrian and the whole time she's trying to bite

0:30:44.480 --> 0:30:49.000
<v Speaker 1>at him and eat him, and he's like stop that.

0:30:49.280 --> 0:30:53.920
<v Speaker 1>So then she bites her own arm and draws blood

0:30:54.600 --> 0:30:58.160
<v Speaker 1>by gnawing on her own arm. Then Justine goes to

0:30:58.320 --> 0:31:01.040
<v Speaker 1>this party and she gets really dry sunk, and she

0:31:02.200 --> 0:31:05.840
<v Speaker 1>kind of again like surprise kisses, slash bites, surprise bites

0:31:05.960 --> 0:31:09.320
<v Speaker 1>a few people, and then Alex finds her and takes

0:31:09.320 --> 0:31:11.680
<v Speaker 1>her out of the situation. And then the next day

0:31:11.680 --> 0:31:14.160
<v Speaker 1>at class, everyone's looking at Justine all weird, and it

0:31:14.200 --> 0:31:18.480
<v Speaker 1>turns out the night before someone had taken a video

0:31:18.600 --> 0:31:23.120
<v Speaker 1>of Alex kind of taunting a very drunk Justine with

0:31:23.320 --> 0:31:28.120
<v Speaker 1>a cadaver. That's one way to describe that video that

0:31:28.120 --> 0:31:33.320
<v Speaker 1>that video is so dark and again so well composed

0:31:33.360 --> 0:31:38.360
<v Speaker 1>because it's so fucked up to watch, because Alex is

0:31:38.360 --> 0:31:41.880
<v Speaker 1>basically like, here, eat it, eat the dead body, and Justine,

0:31:41.880 --> 0:31:44.080
<v Speaker 1>who was like kind of too drunk to really do anything,

0:31:44.520 --> 0:31:47.000
<v Speaker 1>is still like trying to like lunge at it and

0:31:47.040 --> 0:31:50.240
<v Speaker 1>bite it and like eat it, but she's like just

0:31:50.280 --> 0:31:52.480
<v Speaker 1>way too drunk to do anything. But there's a whole

0:31:52.480 --> 0:31:57.920
<v Speaker 1>crowd of people watching this, and now everyone thinks that

0:31:58.360 --> 0:32:04.000
<v Speaker 1>Justine is a is a week, so she confronts Alex

0:32:04.320 --> 0:32:08.000
<v Speaker 1>about having done this to her, and they get in

0:32:08.040 --> 0:32:10.760
<v Speaker 1>this big fight on campus. They're biting at each other,

0:32:11.280 --> 0:32:15.160
<v Speaker 1>Alex bite a chunk out of Justine's face, but eventually

0:32:15.200 --> 0:32:17.000
<v Speaker 1>they stopped fighting and then they kind of make up

0:32:17.040 --> 0:32:21.400
<v Speaker 1>and Alex tends to Justine's face bite, and then the

0:32:21.440 --> 0:32:25.160
<v Speaker 1>next morning, Justine wakes up in bed with Adrian, who

0:32:25.360 --> 0:32:29.120
<v Speaker 1>turns out to be dead a huge chunk of his

0:32:29.520 --> 0:32:34.120
<v Speaker 1>leg has been eaten. That reveal was also so devastating.

0:32:34.320 --> 0:32:39.680
<v Speaker 1>You've really you can guess that Adrian's probably fucked, but

0:32:39.960 --> 0:32:43.120
<v Speaker 1>I was still I was still folding out hope for him. Yeah,

0:32:43.280 --> 0:32:47.840
<v Speaker 1>it's really gross to look at, really gross. And it

0:32:47.880 --> 0:32:50.400
<v Speaker 1>turns out he's been He was spiked in the abdomen

0:32:50.480 --> 0:32:53.840
<v Speaker 1>by a ski pool and then eaten, and Justine at

0:32:53.880 --> 0:32:57.280
<v Speaker 1>first thinks that she did it, but apparently it was

0:32:57.360 --> 0:33:00.280
<v Speaker 1>Alex who had stabbed him and eaten him, and then

0:33:00.320 --> 0:33:04.080
<v Speaker 1>Alex goes to prison for murder. Then we cut to

0:33:04.240 --> 0:33:09.440
<v Speaker 1>Justine visiting her parents, and her dad reveals that what

0:33:09.640 --> 0:33:15.600
<v Speaker 1>happened isn't her fault. Nor was it Alex's fault. Their

0:33:15.680 --> 0:33:19.480
<v Speaker 1>hunger for human flesh is something their mother passed down

0:33:19.520 --> 0:33:22.640
<v Speaker 1>to them, because he opens his shirt and reveals a

0:33:22.640 --> 0:33:28.280
<v Speaker 1>bunch of scarring from when their mother had eaten chunks

0:33:28.400 --> 0:33:32.800
<v Speaker 1>out of him, and he's like, don't worry, Justine, I'm

0:33:32.840 --> 0:33:39.320
<v Speaker 1>sure you'll find a solution to your cannibal problem. The

0:33:39.600 --> 0:33:43.760
<v Speaker 1>end cut to title amazing ending because the dad's literally

0:33:43.800 --> 0:33:47.240
<v Speaker 1>just sitting there like kind of calm, looking like, Yeah,

0:33:47.360 --> 0:33:49.240
<v Speaker 1>I love your mother, so she could just take hunks

0:33:49.240 --> 0:33:54.360
<v Speaker 1>out of me whenever she wants, I guess. So let's

0:33:54.360 --> 0:33:57.480
<v Speaker 1>take a quick break and then we'll come right back

0:33:57.520 --> 0:34:07.360
<v Speaker 1>to discuss. And we're back. So is this like a

0:34:07.440 --> 0:34:13.600
<v Speaker 1>reverse Twilight situation? What's going on here? I was truly

0:34:13.640 --> 0:34:17.600
<v Speaker 1>shocked at the reveal at the end that again, the

0:34:17.640 --> 0:34:20.839
<v Speaker 1>first time I watched it, I did not see like

0:34:21.200 --> 0:34:27.160
<v Speaker 1>so stark a reveal made and realizing how much it

0:34:27.200 --> 0:34:29.960
<v Speaker 1>had been like seated in the beginning with their like

0:34:30.719 --> 0:34:33.600
<v Speaker 1>interpersonal family relationships and you just kind of like view

0:34:33.640 --> 0:34:35.799
<v Speaker 1>it as like, I don't know their parents that are

0:34:35.840 --> 0:34:40.040
<v Speaker 1>kind of intense, I guess, And it tracks the entire time,

0:34:40.120 --> 0:34:44.880
<v Speaker 1>but like side swipes you to where it's just like, oh,

0:34:45.200 --> 0:34:48.879
<v Speaker 1>we all have to do this. She did it, I

0:34:48.920 --> 0:34:51.279
<v Speaker 1>did it. We just have to do this in order

0:34:51.320 --> 0:34:53.520
<v Speaker 1>to become like a fully formed adult, we have to

0:34:53.560 --> 0:34:57.720
<v Speaker 1>go through this period. It makes me wonder like, would

0:34:57.719 --> 0:35:01.120
<v Speaker 1>they have ever developed this hunger for human flesh had

0:35:01.160 --> 0:35:04.919
<v Speaker 1>they not eaten the rabbit kidney? In which case, why

0:35:05.200 --> 0:35:07.640
<v Speaker 1>do their parents insist on sending their daughters to this

0:35:07.680 --> 0:35:11.239
<v Speaker 1>place where they know they'll eat this and then like

0:35:11.320 --> 0:35:13.640
<v Speaker 1>that's like a hazing technique, yeah, and then they will

0:35:13.680 --> 0:35:17.800
<v Speaker 1>develop these cannibalistic tendencies. I did have some questions walking

0:35:17.840 --> 0:35:22.560
<v Speaker 1>away from the movie, but I do feel like I

0:35:22.560 --> 0:35:26.279
<v Speaker 1>mean something that I because when when this movie ended,

0:35:26.320 --> 0:35:28.320
<v Speaker 1>I was like, Okay, this is the kind of movie

0:35:28.360 --> 0:35:30.600
<v Speaker 1>where like you have to just like go to the

0:35:30.640 --> 0:35:34.200
<v Speaker 1>source and figure out. Okay, what was the writer director

0:35:34.360 --> 0:35:37.959
<v Speaker 1>thinking when she made this? What has she publicly said

0:35:38.000 --> 0:35:40.320
<v Speaker 1>this movie is about. I'm just I was so curious

0:35:40.360 --> 0:35:44.520
<v Speaker 1>about her perspective on it. And I know that all

0:35:44.560 --> 0:35:46.480
<v Speaker 1>of us have have spent some time. I mean, I

0:35:46.520 --> 0:35:48.880
<v Speaker 1>think I've probably spent the least out of everybody. But

0:35:48.880 --> 0:35:51.400
<v Speaker 1>but I as I was watching interviews with her about

0:35:51.400 --> 0:35:55.839
<v Speaker 1>this movie, I really appreciated and thought it was very

0:35:55.880 --> 0:35:59.600
<v Speaker 1>fucking cool how she would engage with questions like that

0:35:59.719 --> 0:36:04.520
<v Speaker 1>to an extent but would not give the yes or

0:36:04.560 --> 0:36:07.680
<v Speaker 1>no answers that she was being asked. And as that

0:36:07.800 --> 0:36:11.960
<v Speaker 1>kind of pertains to gender, it like challenged some stuff

0:36:12.000 --> 0:36:15.359
<v Speaker 1>that I had gone into these interviews kind of assuming

0:36:15.480 --> 0:36:18.239
<v Speaker 1>that she was trying to say. And I felt very

0:36:18.360 --> 0:36:22.960
<v Speaker 1>challenged by Julia Ducarnov of how she responded to those

0:36:23.040 --> 0:36:26.280
<v Speaker 1>questions because I don't know, I felt a little silly

0:36:26.320 --> 0:36:28.080
<v Speaker 1>by the end where she was asked, you know, like

0:36:28.239 --> 0:36:32.360
<v Speaker 1>is this a women's horror movie essentially? And which is

0:36:32.440 --> 0:36:34.800
<v Speaker 1>like if you flipped that question for almost any profession,

0:36:34.920 --> 0:36:39.160
<v Speaker 1>it's uh, pretty insulting. And I was just like, oh, yeah,

0:36:39.200 --> 0:36:41.799
<v Speaker 1>how many times have any of us been asked like, so,

0:36:41.840 --> 0:36:43.839
<v Speaker 1>what is it like to be a woman comedy? And

0:36:43.880 --> 0:36:46.480
<v Speaker 1>you're like, well, that's a shitty I object to the

0:36:46.480 --> 0:36:48.960
<v Speaker 1>premise of the question, and I realized that I was

0:36:49.000 --> 0:36:52.319
<v Speaker 1>sort of asking myself that question as a viewer of

0:36:52.520 --> 0:36:55.480
<v Speaker 1>a horror movie, and she was sort of like, well,

0:36:55.560 --> 0:36:58.280
<v Speaker 1>I don't you know, I don't really want to say

0:36:58.360 --> 0:37:00.920
<v Speaker 1>either way. I don't think that will ask this question

0:37:00.960 --> 0:37:03.719
<v Speaker 1>two men. I think that, you know, the protagonists of

0:37:03.719 --> 0:37:06.600
<v Speaker 1>this movie could be a man potentially, and the movie

0:37:06.640 --> 0:37:09.200
<v Speaker 1>could play out the same way. But this is the

0:37:09.239 --> 0:37:12.960
<v Speaker 1>movie I wrote, so interpreted as you will, and I

0:37:13.040 --> 0:37:15.839
<v Speaker 1>don't know. I just thought her attitude towards I think

0:37:15.920 --> 0:37:22.000
<v Speaker 1>the very and current questions that are asked of filmmakers

0:37:22.040 --> 0:37:26.000
<v Speaker 1>who are not white guys was very like punk rock

0:37:26.080 --> 0:37:29.160
<v Speaker 1>and cool. I loved it. Yeah, It's something I love too, because,

0:37:29.200 --> 0:37:33.839
<v Speaker 1>like I feel like in horror, especially when like marginalized

0:37:33.880 --> 0:37:36.880
<v Speaker 1>people do manage to obtain the funding that they want

0:37:37.120 --> 0:37:41.399
<v Speaker 1>to make something. Oftentimes, if you're like if you're a woman,

0:37:41.520 --> 0:37:43.920
<v Speaker 1>or you're queer, or your trans or your POC, you're

0:37:43.960 --> 0:37:46.440
<v Speaker 1>kind of expected to like sell your tragedy once you

0:37:46.480 --> 0:37:48.200
<v Speaker 1>get the foot in the door, and you can't just

0:37:48.320 --> 0:37:50.960
<v Speaker 1>tell a story to where it's just like I'm going

0:37:51.000 --> 0:37:54.000
<v Speaker 1>to tell a horror story. But it's like, because horror

0:37:54.040 --> 0:37:55.600
<v Speaker 1>is such a good vehicle for empathy, it's gonna be

0:37:55.640 --> 0:37:57.440
<v Speaker 1>like I want you to like see what my experience is.

0:37:57.480 --> 0:37:58.960
<v Speaker 1>But half the time that isn't even the stories they're

0:37:59.000 --> 0:38:01.960
<v Speaker 1>trying to sell. It's the stories that they're being asked

0:38:02.080 --> 0:38:06.200
<v Speaker 1>to sell. And because if you go back to the

0:38:06.239 --> 0:38:09.319
<v Speaker 1>eighties and nineties. In the early two thousand's, you have

0:38:10.000 --> 0:38:12.719
<v Speaker 1>these examples of like I've brought her up before, but

0:38:12.800 --> 0:38:16.319
<v Speaker 1>Mary Hearn working on an American psycho, Or you have

0:38:16.480 --> 0:38:20.160
<v Speaker 1>pet cemetery, you have like slumber party massacre, or where

0:38:20.160 --> 0:38:24.280
<v Speaker 1>they're like just directed by women that want to tell stories.

0:38:25.120 --> 0:38:30.160
<v Speaker 1>And there's almost this like sinister turn by like men

0:38:30.280 --> 0:38:33.920
<v Speaker 1>in horror that hold the keys to the money towards like, oh,

0:38:34.000 --> 0:38:36.680
<v Speaker 1>I'm implying that I want to like encourage more voices,

0:38:37.040 --> 0:38:39.399
<v Speaker 1>but it's only a certain kind and like I want

0:38:39.480 --> 0:38:43.279
<v Speaker 1>you to reaffirm that I'm a great human, and I'm like,

0:38:43.360 --> 0:38:46.120
<v Speaker 1>I'm giving you these the money, but it's only to

0:38:46.160 --> 0:38:47.879
<v Speaker 1>be like, look, how great of a human I am.

0:38:48.040 --> 0:38:50.200
<v Speaker 1>I'm letting women tell their stories, but it's only like

0:38:50.320 --> 0:38:52.600
<v Speaker 1>the stories I want them to tell, but only if

0:38:52.600 --> 0:38:56.319
<v Speaker 1>they're talking about the worst thing that's ever happened to them. Yeah, Yeah,

0:38:56.320 --> 0:38:59.080
<v Speaker 1>I totally agree with you. And that's something that I

0:38:59.080 --> 0:39:01.120
<v Speaker 1>feel like I've I've been trying to like check and

0:39:01.239 --> 0:39:04.799
<v Speaker 1>challenge and myself as a viewer to where it's like, yeah,

0:39:05.239 --> 0:39:09.959
<v Speaker 1>is wouldn't it just be the actual equal approach would

0:39:10.000 --> 0:39:12.919
<v Speaker 1>be like here's money to make the movie you want

0:39:12.960 --> 0:39:16.319
<v Speaker 1>to make. Exactly. It doesn't need to be a one

0:39:16.400 --> 0:39:19.960
<v Speaker 1>to one analogy for something you have lived through, Like

0:39:20.000 --> 0:39:23.000
<v Speaker 1>that is such an absurd qualifier. If that were true,

0:39:23.040 --> 0:39:27.200
<v Speaker 1>sci fi wouldn't exist, like just most horror movies wouldn't exist.

0:39:27.360 --> 0:39:31.160
<v Speaker 1>And yeah, I don't know, Julia, do Karna put me

0:39:31.200 --> 0:39:34.680
<v Speaker 1>in my place and if I loved every second of it,

0:39:34.680 --> 0:39:39.400
<v Speaker 1>it was great. She also speaks to how she's not

0:39:39.520 --> 0:39:42.759
<v Speaker 1>like I'm a female director making female movie. She's like,

0:39:42.840 --> 0:39:47.640
<v Speaker 1>I'm a filmmaker making movies that could speak to any

0:39:47.800 --> 0:39:51.280
<v Speaker 1>audience member. And she's like, I don't want to genderize

0:39:51.960 --> 0:39:54.880
<v Speaker 1>my audience or my movie. And then she kind of

0:39:54.880 --> 0:39:59.320
<v Speaker 1>equates people's tendency to like put female directors into boxes

0:39:59.360 --> 0:40:01.560
<v Speaker 1>like that and like, oh, well, you're a woman and

0:40:01.600 --> 0:40:04.239
<v Speaker 1>you're making movies for women, and only women are going

0:40:04.280 --> 0:40:08.480
<v Speaker 1>to connect to this because woman's can only like women things,

0:40:09.239 --> 0:40:12.200
<v Speaker 1>and she like equates it to like how ridiculous it

0:40:12.360 --> 0:40:16.319
<v Speaker 1>is for like razors marketed to women have to be

0:40:16.440 --> 0:40:19.600
<v Speaker 1>pink and have to like cost more, and like pens

0:40:19.719 --> 0:40:22.200
<v Speaker 1>that are marketed to women that are pink, and like

0:40:22.280 --> 0:40:25.200
<v Speaker 1>she's like, no, like I'm not. I'm just making a

0:40:25.239 --> 0:40:29.960
<v Speaker 1>movie that happens to focus on a woman and be

0:40:30.160 --> 0:40:33.960
<v Speaker 1>about that young woman's experience. But it's a movie that

0:40:34.400 --> 0:40:39.239
<v Speaker 1>literally any audience member could see and see humanity in

0:40:39.520 --> 0:40:43.799
<v Speaker 1>and be compelled by in some way. Yeah, And like

0:40:44.000 --> 0:40:46.439
<v Speaker 1>I noticed a lot of the criticism for raw usually

0:40:46.480 --> 0:40:51.520
<v Speaker 1>for men. Um We're critiques that I see only when

0:40:51.560 --> 0:40:53.759
<v Speaker 1>it's a woman directing, because I see men do the

0:40:53.800 --> 0:40:56.520
<v Speaker 1>same thing and they're usually praised for it. There's a

0:40:56.560 --> 0:40:58.880
<v Speaker 1>lot where it's like I felt like hyper stylized for

0:40:58.880 --> 0:41:02.560
<v Speaker 1>no reason. It felt like, you know, very like colorful

0:41:02.560 --> 0:41:04.800
<v Speaker 1>and poppy for no reason. And that's like something that

0:41:04.840 --> 0:41:06.640
<v Speaker 1>you hear them say to like Sofia Coppola, or it's

0:41:06.640 --> 0:41:09.680
<v Speaker 1>like why is it so fim? Because it's pretty? And

0:41:10.360 --> 0:41:13.279
<v Speaker 1>I love self indulgence in filmmakers. I love it when

0:41:13.280 --> 0:41:15.359
<v Speaker 1>you give me something that might be like a little

0:41:15.360 --> 0:41:17.680
<v Speaker 1>bit unaccessible or like, you know, very flashy for the

0:41:17.719 --> 0:41:20.920
<v Speaker 1>sake of flashy, because you get to you're behind the helm.

0:41:21.000 --> 0:41:24.520
<v Speaker 1>But when it's like David Lynch making something an eternity long,

0:41:25.280 --> 0:41:28.080
<v Speaker 1>or like gas bar Noa making something that looks the

0:41:28.120 --> 0:41:32.759
<v Speaker 1>same fucking way their geniuses but for women, it's like

0:41:32.880 --> 0:41:38.879
<v Speaker 1>too stylish. Yeah, right, And then also people were saying like, oh,

0:41:38.960 --> 0:41:41.799
<v Speaker 1>it's so nice to have a woman director brought to

0:41:41.880 --> 0:41:45.960
<v Speaker 1>this genre because it adds like a softness to the industry,

0:41:46.040 --> 0:41:48.200
<v Speaker 1>And she was like, what are you talking about? Have

0:41:48.239 --> 0:41:52.400
<v Speaker 1>you even seen my movie? Like this movie soft toilet

0:41:52.400 --> 0:41:55.120
<v Speaker 1>paper is soft. I'm not soft. This is a direct

0:41:55.200 --> 0:41:58.120
<v Speaker 1>quote from her, which is amazing. That's an amazing one,

0:41:59.239 --> 0:42:04.640
<v Speaker 1>like T shirt, She's so good. I love her. Yeah,

0:42:04.719 --> 0:42:08.520
<v Speaker 1>I really appreciated how like and and also this is

0:42:08.560 --> 0:42:11.959
<v Speaker 1>like an unfair thing, like if she were a male director,

0:42:12.080 --> 0:42:14.320
<v Speaker 1>this would not be a problem that she would be having,

0:42:14.400 --> 0:42:18.600
<v Speaker 1>Like there wouldn't be this level of loaded question lodged

0:42:18.680 --> 0:42:21.359
<v Speaker 1>to her every which way about what she's making. And

0:42:21.440 --> 0:42:24.680
<v Speaker 1>so yeah, I mean I hate that she has to

0:42:24.719 --> 0:42:28.719
<v Speaker 1>do it, but she navigates these questions and issues. I thought, like,

0:42:28.880 --> 0:42:32.360
<v Speaker 1>so in a way that made me want to be better.

0:42:32.560 --> 0:42:37.680
<v Speaker 1>Like she's she's just awesome. She's intimidatingly French. Yes, she's so.

0:42:37.760 --> 0:42:40.279
<v Speaker 1>I was like, even though I know, like I don't

0:42:40.320 --> 0:42:43.320
<v Speaker 1>think I actually saw an interview where she was smoking

0:42:43.360 --> 0:42:46.040
<v Speaker 1>a cigarette, but I felt like spiritually she was smoking

0:42:46.080 --> 0:42:49.400
<v Speaker 1>a cigarette every time I saw her like long drags

0:42:49.560 --> 0:42:52.760
<v Speaker 1>and like, yeah, there's so many points in this movie

0:42:53.000 --> 0:42:56.080
<v Speaker 1>in which oftentimes I call something ugly and people think

0:42:56.080 --> 0:42:57.920
<v Speaker 1>it's a negative, but like I love a lot of

0:42:58.000 --> 0:43:01.320
<v Speaker 1>ugly things. Like my favor show as a kid was

0:43:01.400 --> 0:43:03.400
<v Speaker 1>Couraged with The Cowardly Dog because all of the characters

0:43:03.400 --> 0:43:07.080
<v Speaker 1>were like pretty ugly in Michieven looking such a massive

0:43:07.120 --> 0:43:09.560
<v Speaker 1>fan of it, So like anything that's kind of ugly,

0:43:09.800 --> 0:43:13.839
<v Speaker 1>and I feel like puberty tends to, like we brought

0:43:13.880 --> 0:43:16.000
<v Speaker 1>it up earlier, have such a lens to it that

0:43:16.080 --> 0:43:19.560
<v Speaker 1>when she shows those ugly moments, I have more of

0:43:19.600 --> 0:43:23.279
<v Speaker 1>a wistful romance for my childhood than if I had

0:43:23.280 --> 0:43:28.000
<v Speaker 1>watched something like The sand Lot to where I remember

0:43:28.040 --> 0:43:32.480
<v Speaker 1>the last time I was free enough and felt safe

0:43:32.760 --> 0:43:36.400
<v Speaker 1>enough to explore these things. Because there's a specific scene

0:43:36.520 --> 0:43:39.279
<v Speaker 1>that felt like a literal one to one of a

0:43:39.400 --> 0:43:41.920
<v Speaker 1>childhood experience I had, and I know it wasn't on purpose,

0:43:41.960 --> 0:43:44.600
<v Speaker 1>It was just a very fun coincidence. Um it's that

0:43:44.640 --> 0:43:47.000
<v Speaker 1>scene where she's like covered in blue paint and the

0:43:47.280 --> 0:43:49.120
<v Speaker 1>guy that she's making out with his covered in yellow

0:43:49.160 --> 0:43:51.440
<v Speaker 1>paint and they're essentially doing like the seven minutes in

0:43:51.520 --> 0:43:53.319
<v Speaker 1>heaven and they're like, don't come out until you're green,

0:43:53.960 --> 0:43:57.440
<v Speaker 1>and the guy runs out screaming. So because I had

0:43:57.440 --> 0:44:00.840
<v Speaker 1>like a very religious upbringing, I did everything very differently.

0:44:00.880 --> 0:44:03.759
<v Speaker 1>And it was also like measured with like excitement for

0:44:03.800 --> 0:44:06.160
<v Speaker 1>the new, but also like this weird sense of like

0:44:06.400 --> 0:44:09.440
<v Speaker 1>guilt and morning for like what I deemed the quote

0:44:09.520 --> 0:44:12.279
<v Speaker 1>unquote innocent parts of me, because again I was like

0:44:12.400 --> 0:44:16.000
<v Speaker 1>reckoning with that. And I remembered there was a class

0:44:16.200 --> 0:44:19.040
<v Speaker 1>in Bible class where we came in and there was

0:44:19.120 --> 0:44:23.240
<v Speaker 1>three lumps of plato on the desk, and he started

0:44:23.239 --> 0:44:25.160
<v Speaker 1>the class by saying, like, you know, you're getting older

0:44:25.200 --> 0:44:28.480
<v Speaker 1>and you're getting urges and even if you're like not

0:44:28.600 --> 0:44:32.160
<v Speaker 1>acting on them when you have a partner, and he

0:44:32.280 --> 0:44:34.640
<v Speaker 1>like mushed the two platos together and it was like

0:44:34.680 --> 0:44:37.560
<v Speaker 1>purple and yellow. He was like, you like mix your

0:44:37.600 --> 0:44:41.080
<v Speaker 1>colors in each other, but when you separate, you leave

0:44:41.160 --> 0:44:44.600
<v Speaker 1>little bits of color in each other, and then eventually

0:44:44.880 --> 0:44:48.120
<v Speaker 1>you start to lose your original color as you end

0:44:48.200 --> 0:44:53.439
<v Speaker 1>up with your person. And so it was like, let's say,

0:44:53.520 --> 0:44:55.399
<v Speaker 1>like you like end up with blue and then you've

0:44:55.400 --> 0:44:57.480
<v Speaker 1>got all these bits in you and like a lot

0:44:57.520 --> 0:45:00.680
<v Speaker 1>of the kids in class because like galaxy, it's galaxy

0:45:00.760 --> 0:45:06.000
<v Speaker 1>brain charifying projection. It's massive shame projection. And like a

0:45:06.040 --> 0:45:08.080
<v Speaker 1>lot of the I was mostly there because my parents

0:45:08.080 --> 0:45:09.880
<v Speaker 1>had no idea what the school's deal was. They were

0:45:09.880 --> 0:45:11.560
<v Speaker 1>just like, it's a private school, and we're from a

0:45:11.600 --> 0:45:13.480
<v Speaker 1>developing nation, so it feels like it's a good deal.

0:45:13.960 --> 0:45:15.680
<v Speaker 1>And a lot of them were kids whose like parents,

0:45:15.760 --> 0:45:17.960
<v Speaker 1>very much like believed that kind of thing, and so

0:45:18.040 --> 0:45:21.319
<v Speaker 1>they were very much like, yes, of course. And I

0:45:21.440 --> 0:45:24.719
<v Speaker 1>got this terrifying, like intrusive thought the entire time where

0:45:24.719 --> 0:45:26.239
<v Speaker 1>I was like, I want to be a rainbow. I

0:45:26.280 --> 0:45:27.880
<v Speaker 1>want all the colors. I want to mix with all

0:45:27.880 --> 0:45:30.719
<v Speaker 1>the colors, but I shouldn't because that's bad. And the

0:45:30.840 --> 0:45:32.920
<v Speaker 1>next weekend, I was at a pool party and I

0:45:33.000 --> 0:45:35.919
<v Speaker 1>noticed that there was this new kid in school that

0:45:36.239 --> 0:45:39.600
<v Speaker 1>was staring at my chest. But I liked it, and

0:45:39.960 --> 0:45:42.560
<v Speaker 1>we were alone in the pool later because everyone went inside,

0:45:43.239 --> 0:45:47.239
<v Speaker 1>and he was like, can I like touch him? And

0:45:47.280 --> 0:45:51.399
<v Speaker 1>I was like sure, and then he was like can

0:45:51.400 --> 0:45:53.279
<v Speaker 1>we make out and maybe I can see him? And

0:45:53.280 --> 0:45:55.680
<v Speaker 1>I was like, you know what, I'm good And then

0:45:55.680 --> 0:45:57.920
<v Speaker 1>I left because I had gotten exactly what I wanted

0:45:59.080 --> 0:46:00.960
<v Speaker 1>because I was like I just want to see what

0:46:01.040 --> 0:46:02.840
<v Speaker 1>this is like and if that's cool, then I'm done.

0:46:03.480 --> 0:46:07.400
<v Speaker 1>And he was utterly flabbergasted. And then in my mind,

0:46:07.480 --> 0:46:08.960
<v Speaker 1>I just went on this mission where it's like I'm

0:46:08.960 --> 0:46:10.640
<v Speaker 1>going to get the experience that I want and if

0:46:10.680 --> 0:46:12.640
<v Speaker 1>I don't want it, and then I'm fucking walking away.

0:46:12.760 --> 0:46:15.920
<v Speaker 1>And it was just the rest of high school, the

0:46:16.000 --> 0:46:18.560
<v Speaker 1>amount of stuff that I did because I was curious.

0:46:18.640 --> 0:46:21.879
<v Speaker 1>Before I actually had a first kiss, I like never

0:46:21.920 --> 0:46:23.520
<v Speaker 1>I was talking to my husband about it, but I

0:46:23.560 --> 0:46:27.120
<v Speaker 1>was like, I had most things that you would like

0:46:27.480 --> 0:46:30.759
<v Speaker 1>try much later before I even let someone kiss me

0:46:30.800 --> 0:46:34.839
<v Speaker 1>on the mouth, because I was just curious and like

0:46:34.920 --> 0:46:37.560
<v Speaker 1>I saw that there. Yeah, yeah, I feel like this

0:46:37.680 --> 0:46:41.320
<v Speaker 1>movie speaks to a lot of that, just like coming

0:46:41.360 --> 0:46:45.960
<v Speaker 1>of age curiosity, and that's what I like really, and

0:46:46.160 --> 0:46:49.600
<v Speaker 1>especially like after hearing the director speak about it, it

0:46:49.680 --> 0:46:53.800
<v Speaker 1>was like, oh, yeah, this is a very skillfully told,

0:46:53.840 --> 0:46:57.799
<v Speaker 1>like body horror coming of age movie that yes, there

0:46:57.880 --> 0:47:01.040
<v Speaker 1>is a woman at the center of but like there's

0:47:01.080 --> 0:47:04.200
<v Speaker 1>no mission statement related to the gender of the protagonist.

0:47:04.320 --> 0:47:07.080
<v Speaker 1>It just like I don't know, like I just thought

0:47:07.080 --> 0:47:09.960
<v Speaker 1>it was so because it it felt like at its core.

0:47:10.160 --> 0:47:11.640
<v Speaker 1>The more I watched it, and the where I was

0:47:12.080 --> 0:47:15.080
<v Speaker 1>sitting with it, it was like, whatever, this is a

0:47:15.200 --> 0:47:19.000
<v Speaker 1>character who is going back and forth with a very

0:47:19.040 --> 0:47:22.160
<v Speaker 1>eighteen year old problem, which is like who is the

0:47:22.239 --> 0:47:26.200
<v Speaker 1>image that I have constructed of myself? And who am

0:47:26.280 --> 0:47:29.360
<v Speaker 1>I becoming? And like where am I? Like what directions

0:47:29.360 --> 0:47:32.040
<v Speaker 1>am I being pulled in? And what compromises am I

0:47:32.080 --> 0:47:35.040
<v Speaker 1>willing to make as I become an adult? And like

0:47:35.239 --> 0:47:38.480
<v Speaker 1>what am I actually very naive about that I'm afraid

0:47:38.520 --> 0:47:41.080
<v Speaker 1>to admit And how does that relate to my family

0:47:41.120 --> 0:47:43.479
<v Speaker 1>and how I grew up? And just all this ship

0:47:43.560 --> 0:47:48.919
<v Speaker 1>that is very universal and to see that I've it

0:47:48.960 --> 0:47:51.160
<v Speaker 1>made me just I don't know, like think about how

0:47:52.239 --> 0:47:57.920
<v Speaker 1>rarely we see a very universal message channeled through a

0:47:58.000 --> 0:48:00.359
<v Speaker 1>woman as a protagonist, which I feel like might be

0:48:00.400 --> 0:48:03.359
<v Speaker 1>some of the cognitive dissonance I was experiencing of like, well,

0:48:03.440 --> 0:48:06.240
<v Speaker 1>surely she must be trying to say something about woman

0:48:06.400 --> 0:48:09.800
<v Speaker 1>and when what what happened to women? When women become women?

0:48:10.000 --> 0:48:13.160
<v Speaker 1>But it's like, no, it's a very human experience. But

0:48:13.400 --> 0:48:17.240
<v Speaker 1>I feel like we're conditioned to see these very human

0:48:17.320 --> 0:48:20.840
<v Speaker 1>relatable heroes or I mean whatever, just need it's not

0:48:20.880 --> 0:48:23.040
<v Speaker 1>a hero necessarily, but the person at the center of

0:48:23.080 --> 0:48:28.880
<v Speaker 1>the story as usually men, and we're kind of expected

0:48:28.960 --> 0:48:31.600
<v Speaker 1>to meet them where they're at with their experience, and

0:48:31.600 --> 0:48:35.640
<v Speaker 1>the opposite is kind of rarely asked of people. But

0:48:35.719 --> 0:48:38.400
<v Speaker 1>it's it's it's easy to do with this movie. Yeah,

0:48:38.480 --> 0:48:41.000
<v Speaker 1>it's it's one of those things where it's so much

0:48:41.040 --> 0:48:44.640
<v Speaker 1>better to aim for specificity than trying to please everyone

0:48:44.760 --> 0:48:47.560
<v Speaker 1>and automatically like be for everyone for the sake of

0:48:47.560 --> 0:48:49.680
<v Speaker 1>being for everyone, instead of like telling us specific as

0:48:49.680 --> 0:48:52.440
<v Speaker 1>of a story as you want. I for how much

0:48:52.480 --> 0:48:55.640
<v Speaker 1>I disagree with like many, many, many reviews, all of

0:48:55.680 --> 0:48:58.280
<v Speaker 1>his horror reviews and his thoughts on The Lake House,

0:48:58.360 --> 0:49:01.600
<v Speaker 1>which were mostly positive, which is bizarre. There's a Rogerty

0:49:01.600 --> 0:49:05.640
<v Speaker 1>review that like lives in my brain all the time,

0:49:05.800 --> 0:49:10.279
<v Speaker 1>and it was a review for Brokeback Mountain, and he

0:49:10.360 --> 0:49:13.400
<v Speaker 1>was talking about why telling a specific story will resonate

0:49:13.480 --> 0:49:17.160
<v Speaker 1>with more people because you're telling something that is detailed

0:49:17.160 --> 0:49:20.200
<v Speaker 1>and authentic versus something that's like trying to be for

0:49:20.280 --> 0:49:24.440
<v Speaker 1>every experience, even once you don't fucking know. And he

0:49:24.520 --> 0:49:27.279
<v Speaker 1>was like a lot of filmmakers try and like tell

0:49:27.280 --> 0:49:31.759
<v Speaker 1>a queer story by being like, here's a little bit

0:49:31.800 --> 0:49:34.759
<v Speaker 1>for everyone, even though I don't actually know the experience.

0:49:34.840 --> 0:49:37.080
<v Speaker 1>And then it doesn't even like land with queer people,

0:49:38.000 --> 0:49:40.759
<v Speaker 1>and so it's just like vague. It's just vague. And

0:49:40.760 --> 0:49:44.880
<v Speaker 1>he's like, Brokeback Mountain was such a specific story about

0:49:44.920 --> 0:49:48.440
<v Speaker 1>these two people, but he's like, you're watching like straight

0:49:48.520 --> 0:49:51.480
<v Speaker 1>guys call people that they haven't called in years, as

0:49:51.520 --> 0:49:54.400
<v Speaker 1>like the ones that got away. You're watching like women

0:49:54.480 --> 0:49:57.759
<v Speaker 1>do the same thing. And it's like, because it was

0:49:57.800 --> 0:50:01.319
<v Speaker 1>so specific, it resonated harder with like the idea of

0:50:01.440 --> 0:50:06.359
<v Speaker 1>lost love that everyone knows versus something that's just like

0:50:06.920 --> 0:50:09.200
<v Speaker 1>I don't know what, what do analytics say? Everyone will

0:50:09.239 --> 0:50:14.479
<v Speaker 1>like right right right? Oh that is yeah. Also hate

0:50:14.480 --> 0:50:16.239
<v Speaker 1>to hand it to him, but that right, that hit

0:50:16.320 --> 0:50:18.000
<v Speaker 1>because he's got a lot of opinions I do not

0:50:18.040 --> 0:50:22.520
<v Speaker 1>agree with. But but yeah, you're you're totally. I mean,

0:50:22.560 --> 0:50:25.040
<v Speaker 1>I feel like this movie kind of does scratch that

0:50:25.360 --> 0:50:31.160
<v Speaker 1>same itches, Like if if Justine's story was less specific,

0:50:31.400 --> 0:50:36.200
<v Speaker 1>the story wouldn't work the way that it does. Yeah, which,

0:50:36.200 --> 0:50:40.280
<v Speaker 1>speaking of scratching itches, the sound design, Oh my god,

0:50:42.000 --> 0:50:45.960
<v Speaker 1>oh my god, that rash that she develops, and like

0:50:46.040 --> 0:50:50.759
<v Speaker 1>the scene where it's like getting peeled off, like it's

0:50:50.800 --> 0:50:53.480
<v Speaker 1>a lot I I also really I wanted to just

0:50:53.560 --> 0:50:58.200
<v Speaker 1>kind of shout out the scene between her and the

0:50:58.320 --> 0:51:02.400
<v Speaker 1>doctor who is spoking at the appointment, which I was like, hilarious.

0:51:02.680 --> 0:51:06.440
<v Speaker 1>I was hilarious to me because I am such an

0:51:06.440 --> 0:51:09.799
<v Speaker 1>American du fist that I'm like, is this a joke

0:51:10.000 --> 0:51:12.400
<v Speaker 1>or like, is this just what French doctors are like?

0:51:12.560 --> 0:51:15.760
<v Speaker 1>I don't know, but that scene I thought was so

0:51:16.480 --> 0:51:18.160
<v Speaker 1>that was like one of those scenes where it's like, oh,

0:51:18.320 --> 0:51:21.800
<v Speaker 1>there was points were made in that scene, but it

0:51:21.880 --> 0:51:25.520
<v Speaker 1>wasn't in a way that was I don't know that

0:51:25.640 --> 0:51:29.560
<v Speaker 1>felt preachy or overwritten or anything like that. But the

0:51:29.640 --> 0:51:32.640
<v Speaker 1>scene where Justine is going to get her rash looked

0:51:32.680 --> 0:51:36.399
<v Speaker 1>at after it breaks out and she goes to a

0:51:36.480 --> 0:51:40.960
<v Speaker 1>doctor or a nurse and has it looked at, she's

0:51:40.960 --> 0:51:44.880
<v Speaker 1>not diagnosed correctly. They have a conversation and they have

0:51:45.440 --> 0:51:50.280
<v Speaker 1>basically a conversation about how women are not taken seriously

0:51:50.360 --> 0:51:53.120
<v Speaker 1>by doctors and specifically fat women in the context of

0:51:53.120 --> 0:51:56.960
<v Speaker 1>the conversation, and it seems like Justine's take away from

0:51:56.960 --> 0:52:00.960
<v Speaker 1>that conversation is like, well, this is a broken system.

0:52:01.080 --> 0:52:02.560
<v Speaker 1>So this is not where I'm going to get the

0:52:02.600 --> 0:52:06.040
<v Speaker 1>answers that I need and I thought that the way

0:52:06.080 --> 0:52:08.839
<v Speaker 1>that Julia, I mean, I would be curious what other

0:52:08.880 --> 0:52:11.080
<v Speaker 1>listeners think. I thought that the way that Julia Dukerno

0:52:11.239 --> 0:52:16.200
<v Speaker 1>like illustrated that point by the doctor saying that she

0:52:16.280 --> 0:52:18.200
<v Speaker 1>had had a fat woman as a patient who had

0:52:18.239 --> 0:52:23.359
<v Speaker 1>been repeatedly not just misdiagnosed, but like refused medical care

0:52:24.120 --> 0:52:26.640
<v Speaker 1>based on a like an issue that had nothing to

0:52:26.680 --> 0:52:29.480
<v Speaker 1>do with the size of her body, and having that

0:52:29.600 --> 0:52:31.839
<v Speaker 1>be sort of a wake up call for Justine of like, well,

0:52:31.840 --> 0:52:34.480
<v Speaker 1>this isn't a system that's going to serve me or

0:52:34.520 --> 0:52:39.160
<v Speaker 1>like treat me fairly basically. I just, yeah, I thought

0:52:39.200 --> 0:52:43.719
<v Speaker 1>that was like such a cool, effective way to make

0:52:43.760 --> 0:52:47.439
<v Speaker 1>that point. It's truly mind blowing. Like some people, I think,

0:52:47.440 --> 0:52:49.719
<v Speaker 1>I like blew a few minds when I told a

0:52:49.719 --> 0:52:52.920
<v Speaker 1>few friends that there's a weight limit for Plan b OH,

0:52:53.000 --> 0:52:56.000
<v Speaker 1>I did not realize that either. Yeah, it's only effective

0:52:56.080 --> 0:53:00.799
<v Speaker 1>up until I think two pounds. And then like I

0:53:00.840 --> 0:53:03.920
<v Speaker 1>saw that scene and I've like watched it. I watched

0:53:03.960 --> 0:53:05.239
<v Speaker 1>it with my husband and I brought it up to

0:53:05.320 --> 0:53:07.239
<v Speaker 1>him and he's like seen it himself. From like it

0:53:07.280 --> 0:53:09.400
<v Speaker 1>took me a very long time to get diagnosed with

0:53:09.440 --> 0:53:13.399
<v Speaker 1>a combination of like endometriosis and PCOS because I would

0:53:13.400 --> 0:53:15.239
<v Speaker 1>go to the doctors all the time and they're just like, well,

0:53:15.239 --> 0:53:17.000
<v Speaker 1>you're fat, lose weight and that's why you're having a

0:53:17.040 --> 0:53:21.120
<v Speaker 1>bad period. And I'm like, this feels significantly worse than

0:53:21.760 --> 0:53:24.799
<v Speaker 1>what you're describing. I'm like this, this feels like I

0:53:24.880 --> 0:53:27.960
<v Speaker 1>need some medical intervention soon because I'm like now dealing

0:53:28.000 --> 0:53:32.640
<v Speaker 1>with chronic anemia. And it wasn't until an e R

0:53:32.760 --> 0:53:36.799
<v Speaker 1>doctor was like, have you never been tested for either

0:53:36.840 --> 0:53:39.120
<v Speaker 1>of these things? Like has nobody ever considered it? I'm like,

0:53:39.160 --> 0:53:41.399
<v Speaker 1>I've never even heard of it. I've been having these

0:53:41.400 --> 0:53:43.960
<v Speaker 1>symptoms since I was like eleven years old, and I

0:53:43.960 --> 0:53:46.000
<v Speaker 1>think I was like nineteen at the time, and it

0:53:46.080 --> 0:53:48.640
<v Speaker 1>was like the first time I gained diagnosis. And now

0:53:48.760 --> 0:53:51.560
<v Speaker 1>to this day, I will like go to doctors and

0:53:51.560 --> 0:53:53.480
<v Speaker 1>get the same answer and I'm like, no, actually, I

0:53:53.560 --> 0:53:56.719
<v Speaker 1>have these two things and my ovaries looked like a

0:53:56.719 --> 0:53:59.880
<v Speaker 1>bunch of grape clusters, so if we can get that

0:54:00.239 --> 0:54:02.279
<v Speaker 1>taken care of, and they're just like no, no, no,

0:54:02.360 --> 0:54:06.000
<v Speaker 1>it's fat. To where I was just like whole, it

0:54:06.120 --> 0:54:08.560
<v Speaker 1>just doesn't work. It's just like it just doesn't work.

0:54:09.280 --> 0:54:13.240
<v Speaker 1>I did a lot of research on this topic for

0:54:13.360 --> 0:54:18.520
<v Speaker 1>a podcast that I have abandoned Sludge an American healthcare story.

0:54:18.600 --> 0:54:22.680
<v Speaker 1>It ended, you don't need to abandoned it because I'm

0:54:22.680 --> 0:54:28.680
<v Speaker 1>done hiatus. Yeah we'll say that. Um, but yeah, I

0:54:28.719 --> 0:54:33.360
<v Speaker 1>started to examine all the ways in which particularly marginalized

0:54:33.480 --> 0:54:39.279
<v Speaker 1>people have been completely failed by the American health care

0:54:39.320 --> 0:54:42.879
<v Speaker 1>system on the basis that they are fat, or they

0:54:42.880 --> 0:54:45.399
<v Speaker 1>are trans, or they are a person of color, or

0:54:45.440 --> 0:54:48.799
<v Speaker 1>any number of things. Yeah, it's a real bias that

0:54:49.000 --> 0:54:55.319
<v Speaker 1>a lot of healthcare professionals harbor and people die as

0:54:55.320 --> 0:54:59.680
<v Speaker 1>a result. So absolutely, and that doesn't even begin to

0:54:59.719 --> 0:55:04.240
<v Speaker 1>bring in the insurance component of it, and how discriminatory

0:55:04.360 --> 0:55:07.040
<v Speaker 1>that is on top of everything, Like it's even if

0:55:07.080 --> 0:55:08.960
<v Speaker 1>you can find a doctor who's going to give you

0:55:09.000 --> 0:55:12.240
<v Speaker 1>a proper diagnosis, can you will you be quote unquote

0:55:12.239 --> 0:55:17.400
<v Speaker 1>allowed to have the issue treated? And I mean Justine's

0:55:17.480 --> 0:55:21.719
<v Speaker 1>character is a sis white girl from a family of

0:55:22.000 --> 0:55:27.640
<v Speaker 1>veterinary doctors, like she is very privileged and even so,

0:55:27.800 --> 0:55:31.279
<v Speaker 1>I mean it was like the frustration and futility of

0:55:31.320 --> 0:55:34.240
<v Speaker 1>that scene just like I don't know it it really

0:55:34.880 --> 0:55:37.399
<v Speaker 1>hit for me because it was just like, oh, this

0:55:37.520 --> 0:55:41.520
<v Speaker 1>is just a zero sum game. Where even though Justine

0:55:41.600 --> 0:55:45.480
<v Speaker 1>is talking to a doctor who fully was outraged and

0:55:45.520 --> 0:55:49.360
<v Speaker 1>recognized like why would a fat woman be refused medical treatment?

0:55:49.760 --> 0:55:54.520
<v Speaker 1>Like that's absolutely ridiculous. But even so, the doctor who

0:55:54.640 --> 0:55:58.880
<v Speaker 1>is saying that is also dismissing Justine's concerns that she

0:55:58.960 --> 0:56:02.759
<v Speaker 1>has about her own and is misdiagnosing her. So it's like, well,

0:56:02.840 --> 0:56:06.240
<v Speaker 1>even the doctor that quote unquote gets it is fucking

0:56:06.360 --> 0:56:08.520
<v Speaker 1>up and not listening to their patient and taking their

0:56:08.560 --> 0:56:11.719
<v Speaker 1>issue seriously. So like, who the fund do you turn to?

0:56:12.120 --> 0:56:17.000
<v Speaker 1>In that scene, Justine does not get diagnosed with cannibalism,

0:56:17.040 --> 0:56:20.840
<v Speaker 1>and that's up. You need to start letting smoking doctors

0:56:20.880 --> 0:56:24.880
<v Speaker 1>tell us where cannibals is. It's also like why she

0:56:24.960 --> 0:56:29.040
<v Speaker 1>runs into Alexis arms. Yeah, for sure you're gonna go

0:56:29.080 --> 0:56:30.920
<v Speaker 1>to anyone that's like, hey, this is what I think

0:56:31.040 --> 0:56:32.759
<v Speaker 1>is going on with your and like, I guess you

0:56:32.760 --> 0:56:36.960
<v Speaker 1>know more than me. I don't know. Yeah, that scene

0:56:37.000 --> 0:56:40.520
<v Speaker 1>I thought like that scene was so I just have

0:56:40.600 --> 0:56:42.839
<v Speaker 1>never seen a scene like that before that made a

0:56:42.960 --> 0:56:50.680
<v Speaker 1>very legitimate and impactful point about something and also advanced

0:56:50.719 --> 0:56:55.319
<v Speaker 1>the protagonist story in doing so. It feels weirdly rare

0:56:55.480 --> 0:56:57.520
<v Speaker 1>that that happens in the way that it does in

0:56:57.560 --> 0:57:01.880
<v Speaker 1>this movie deeply, so I hadn't like already in a

0:57:01.960 --> 0:57:04.160
<v Speaker 1>series of things that I hadn't quite seen anything like.

0:57:04.480 --> 0:57:08.200
<v Speaker 1>It was yet another one, and especially that in her

0:57:08.680 --> 0:57:13.320
<v Speaker 1>her dynamic with her roommate is another one that I

0:57:13.400 --> 0:57:16.320
<v Speaker 1>keep bringing up American Psycho. But like, I love it

0:57:16.360 --> 0:57:21.320
<v Speaker 1>when women shoot men the way men shoot women because

0:57:21.400 --> 0:57:25.280
<v Speaker 1>it feels so fucking rare that you're just like I

0:57:25.320 --> 0:57:29.240
<v Speaker 1>have stumbled upon something, because you never see them shot

0:57:29.360 --> 0:57:34.240
<v Speaker 1>in like the same like slow pan down examinations, and

0:57:34.280 --> 0:57:36.920
<v Speaker 1>like the best part is every time you watch Justine

0:57:37.240 --> 0:57:42.040
<v Speaker 1>watching him, she looks like Jack Torrence in the Shining. Yeah,

0:57:42.280 --> 0:57:45.000
<v Speaker 1>She's got like eyes low and she's just like kind

0:57:45.040 --> 0:57:49.960
<v Speaker 1>of scoping him out and nose starts bleeding, yes, like

0:57:50.160 --> 0:57:52.680
<v Speaker 1>very intently looking at him. And then like the possessiveness

0:57:52.760 --> 0:57:55.920
<v Speaker 1>that she gets between her and her sister about him

0:57:55.960 --> 0:57:58.720
<v Speaker 1>to where she doesn't even register any information. It's like,

0:57:58.720 --> 0:58:01.480
<v Speaker 1>don't talk to him. I called him. It's mine now.

0:58:01.880 --> 0:58:04.800
<v Speaker 1>Like it's always interesting when you get to see like

0:58:04.800 --> 0:58:09.320
<v Speaker 1>the lens of objectivity moved in a different direction. Right, Oh,

0:58:09.480 --> 0:58:11.760
<v Speaker 1>I just thought of this, And it might be because

0:58:11.760 --> 0:58:14.280
<v Speaker 1>we talked about this also on the other episode we

0:58:14.320 --> 0:58:16.600
<v Speaker 1>did with you recently, Vanessa, where we talked about the

0:58:16.760 --> 0:58:20.400
<v Speaker 1>kill your Gaze trope. But I was like, oh, wait

0:58:20.440 --> 0:58:23.760
<v Speaker 1>a minute, that does happen in this movie too, because

0:58:24.040 --> 0:58:29.560
<v Speaker 1>even though Adrian and Justine have sex, he identifies as

0:58:29.640 --> 0:58:33.880
<v Speaker 1>gay and he like tells her several times. Yeah, so

0:58:33.960 --> 0:58:37.760
<v Speaker 1>he's kind of, as far as I could tell, he's

0:58:37.800 --> 0:58:41.520
<v Speaker 1>the only identifiably queer character in the movie with any

0:58:41.560 --> 0:58:47.520
<v Speaker 1>kind of narrative significance. And he also dies at the end,

0:58:47.680 --> 0:58:50.840
<v Speaker 1>so part of it fell up very like. I watched

0:58:50.840 --> 0:58:53.160
<v Speaker 1>that scene a few times, and then the thing that

0:58:53.200 --> 0:58:56.880
<v Speaker 1>I found the most interesting about it is it made

0:58:56.920 --> 0:59:02.280
<v Speaker 1>me think about puberty and that very scary moment that

0:59:02.360 --> 0:59:06.000
<v Speaker 1>I think everyone has either like experienced or is afraid

0:59:06.080 --> 0:59:10.720
<v Speaker 1>to admit that they've experienced, in which they turned someone

0:59:11.040 --> 0:59:15.040
<v Speaker 1>into an into not not even object, into a tool

0:59:15.280 --> 0:59:19.120
<v Speaker 1>for exploration and don't really give any regard to like

0:59:19.360 --> 0:59:24.360
<v Speaker 1>how that person is affected by that, to where it's

0:59:24.400 --> 0:59:26.440
<v Speaker 1>just like, I'm gonna engage in something really intense with

0:59:26.480 --> 0:59:28.840
<v Speaker 1>you and then I'm going to disappear completely, Because that

0:59:28.920 --> 0:59:31.200
<v Speaker 1>was my intent the entire time, and I just wanted

0:59:31.680 --> 0:59:35.120
<v Speaker 1>to see what that felt like, or like I want

0:59:35.160 --> 0:59:37.560
<v Speaker 1>you because I decided I want you even though he's

0:59:38.760 --> 0:59:41.320
<v Speaker 1>mostly just the one time he was into it was

0:59:41.360 --> 0:59:43.600
<v Speaker 1>because he was like kind of fucked up in horny

0:59:43.680 --> 0:59:47.080
<v Speaker 1>and like not into her the entire time, but like

0:59:47.520 --> 0:59:50.920
<v Speaker 1>she decided that he was something that she wanted, so

0:59:50.960 --> 0:59:54.520
<v Speaker 1>she was going to take it anyway. And it's this

0:59:54.720 --> 0:59:59.680
<v Speaker 1>very uncomfortable but human look into like the inherent selfishness

0:59:59.720 --> 1:00:03.280
<v Speaker 1>that springs up during puberty that we kind of either

1:00:03.400 --> 1:00:05.600
<v Speaker 1>learn to reel in or let it spin out of

1:00:05.600 --> 1:00:10.720
<v Speaker 1>control in terrifying ways and become awful adults. Yeah, that's

1:00:10.720 --> 1:00:13.280
<v Speaker 1>a great way to put it. Yeah, I I I

1:00:13.360 --> 1:00:16.240
<v Speaker 1>had that sort of bookmarked as just something that I

1:00:16.280 --> 1:00:19.240
<v Speaker 1>wanted to to talk about because yeah, Adrian is the

1:00:19.280 --> 1:00:23.640
<v Speaker 1>only identifiably queer character. I do feel like the writing

1:00:23.720 --> 1:00:27.320
<v Speaker 1>takes care to tell us who he is. He certainly

1:00:27.320 --> 1:00:30.320
<v Speaker 1>has a lot like his His impact on the plot

1:00:30.760 --> 1:00:36.640
<v Speaker 1>extends beyond his sexuality by a lot, because he's, you know,

1:00:36.680 --> 1:00:39.200
<v Speaker 1>to an extent, the only person who is like quote

1:00:39.280 --> 1:00:43.440
<v Speaker 1>unquote onto her and like but also very much cares

1:00:43.480 --> 1:00:47.919
<v Speaker 1>about her and is trying Like, Yeah, I was kind

1:00:47.920 --> 1:00:50.960
<v Speaker 1>of I was kind of stuck on his character because

1:00:50.960 --> 1:00:53.480
<v Speaker 1>it didn't feel like a cut and dry, kill your

1:00:53.560 --> 1:00:58.440
<v Speaker 1>gaze trope. But he is certainly I mean, he is

1:00:58.440 --> 1:01:00.040
<v Speaker 1>a queer character who is dead by the end of

1:01:00.120 --> 1:01:04.720
<v Speaker 1>the movie. Yeah, it's It's definitely one where like I

1:01:04.840 --> 1:01:09.040
<v Speaker 1>keep wondering to myself, like is it deliberate? Is it deliberate?

1:01:09.120 --> 1:01:13.600
<v Speaker 1>And what is that deliberate action trying to say, because

1:01:13.600 --> 1:01:16.160
<v Speaker 1>there's so many elements to this that are like thoughtful

1:01:16.320 --> 1:01:18.720
<v Speaker 1>enough that I'm like, either this was like something included

1:01:19.240 --> 1:01:21.200
<v Speaker 1>and that was just like the trajectory for him, or

1:01:21.240 --> 1:01:25.360
<v Speaker 1>there was a deliberate reason for that, right. Yeah. Yeah,

1:01:25.680 --> 1:01:28.240
<v Speaker 1>I also had I was just like I'm not sure.

1:01:28.400 --> 1:01:31.160
<v Speaker 1>I'm not sure exactly what the intent is here. Nothing

1:01:31.640 --> 1:01:34.040
<v Speaker 1>struck me as so like, oh my god, I can't

1:01:34.120 --> 1:01:37.320
<v Speaker 1>believe the director made this choice and I'm offended by

1:01:37.360 --> 1:01:39.080
<v Speaker 1>it or anything like that. It was more just like,

1:01:39.120 --> 1:01:42.240
<v Speaker 1>oh I did notice that, but it's quizzical. Yeah, I

1:01:42.360 --> 1:01:45.080
<v Speaker 1>just it's like I wonder how much yeah, like like

1:01:45.120 --> 1:01:47.880
<v Speaker 1>you're saying that, how much thought and like what the

1:01:48.000 --> 1:01:51.880
<v Speaker 1>decision making was behind that? Because I felt like ultimately

1:01:51.880 --> 1:01:56.439
<v Speaker 1>what was important about Audreyan's character was that he which

1:01:56.480 --> 1:01:59.920
<v Speaker 1>we see in that awful scene where Justine realizes that

1:02:00.120 --> 1:02:03.720
<v Speaker 1>he's dead and he's not just her the person closest

1:02:03.760 --> 1:02:07.640
<v Speaker 1>to her who isn't accountable, that's like laying next to her.

1:02:08.240 --> 1:02:10.920
<v Speaker 1>And it felt like the most impactful thing about his

1:02:11.000 --> 1:02:14.880
<v Speaker 1>character was that he was someone who was close to her,

1:02:15.000 --> 1:02:18.400
<v Speaker 1>who gave a ship about her and cared about her.

1:02:18.440 --> 1:02:21.520
<v Speaker 1>And it felt it felt like the significance of his

1:02:21.600 --> 1:02:25.280
<v Speaker 1>character was, you know, just unrelated to his identity. It

1:02:25.360 --> 1:02:28.120
<v Speaker 1>was like, this is the person who matters to me

1:02:28.480 --> 1:02:32.320
<v Speaker 1>the most, who is not my family and accountable, like

1:02:33.080 --> 1:02:36.240
<v Speaker 1>and so you feel you like feel that loss when

1:02:36.280 --> 1:02:39.560
<v Speaker 1>she and also the I mean the performance from um

1:02:39.680 --> 1:02:45.640
<v Speaker 1>Garant Marallier very French, very French, but like her performance

1:02:45.680 --> 1:02:49.080
<v Speaker 1>in that scene I thought was just so like gut wrenching,

1:02:49.200 --> 1:02:51.680
<v Speaker 1>lee awful when you realize that he's dead and she

1:02:51.840 --> 1:02:54.000
<v Speaker 1>thinks that she's done it and like all this ship

1:02:54.280 --> 1:02:59.000
<v Speaker 1>and yeah, I just I I ended that character's arc

1:02:59.160 --> 1:03:02.720
<v Speaker 1>with with just question marks. I don't know, I think

1:03:03.160 --> 1:03:05.000
<v Speaker 1>this could be. This is just this is a new

1:03:05.040 --> 1:03:08.400
<v Speaker 1>thought that I'm just having right now. But I've been

1:03:08.400 --> 1:03:10.960
<v Speaker 1>trying to figure out what his character like reminds me

1:03:11.040 --> 1:03:13.120
<v Speaker 1>of and what it echoes of, And it kind of

1:03:13.200 --> 1:03:16.800
<v Speaker 1>reminds in terms of like when I've felt like that.

1:03:17.440 --> 1:03:21.480
<v Speaker 1>He reminds me of any time I've told a man

1:03:21.640 --> 1:03:24.280
<v Speaker 1>that I've been wholly uninterested in him, but I was

1:03:24.400 --> 1:03:26.720
<v Speaker 1>kind to him, and that was a green light enough,

1:03:28.560 --> 1:03:31.480
<v Speaker 1>Like it makes me think of every time I've been like,

1:03:31.680 --> 1:03:35.400
<v Speaker 1>there is no sexual appeal here. You're a friend and

1:03:35.480 --> 1:03:39.440
<v Speaker 1>roommate or you're like schoolmate or co worker that I'm

1:03:39.520 --> 1:03:42.560
<v Speaker 1>kind of nice too, but like me looking out for

1:03:42.640 --> 1:03:45.240
<v Speaker 1>you no matter how much I say I'm not interested

1:03:45.280 --> 1:03:48.120
<v Speaker 1>in you, is the green light to be like, but

1:03:48.240 --> 1:03:50.600
<v Speaker 1>we're into each other, right, you mean as far as

1:03:50.720 --> 1:03:54.720
<v Speaker 1>like how Justine, Like she's the one who's like, oh,

1:03:54.800 --> 1:03:57.760
<v Speaker 1>I've I've got this green Is that we mean? Yeah,

1:03:57.920 --> 1:04:00.760
<v Speaker 1>because I noticed, like even after they have sex, he's like,

1:04:00.800 --> 1:04:04.400
<v Speaker 1>I'm fucking gay, and even before that, everyone else is

1:04:04.440 --> 1:04:07.080
<v Speaker 1>telling her like she knew that, and she knew that,

1:04:07.160 --> 1:04:09.600
<v Speaker 1>and everyone else is telling her like, this will not

1:04:09.880 --> 1:04:13.080
<v Speaker 1>end the way you wanted to with him, like because

1:04:13.080 --> 1:04:15.560
<v Speaker 1>she looks at him very like dreamy eyed, and even

1:04:15.560 --> 1:04:18.480
<v Speaker 1>when he first pulls her into the bathroom, he has

1:04:18.480 --> 1:04:21.560
<v Speaker 1>made it so fucking clear I am gay. I do

1:04:21.600 --> 1:04:23.920
<v Speaker 1>not want you this way. We are friends, but when

1:04:23.920 --> 1:04:25.919
<v Speaker 1>he first pulls into the bathroom, he's trying to show

1:04:25.960 --> 1:04:27.720
<v Speaker 1>her a video of her on the phone that like

1:04:27.800 --> 1:04:31.200
<v Speaker 1>uncomfortable video, but she literally looks at him and smiles

1:04:31.280 --> 1:04:33.360
<v Speaker 1>and even raises an eyebrow and is like what are

1:04:33.360 --> 1:04:37.240
<v Speaker 1>you doing and is like, oh, maybe he's trying again.

1:04:37.280 --> 1:04:38.840
<v Speaker 1>And it's like he has made it so clear to

1:04:38.880 --> 1:04:41.640
<v Speaker 1>you that he's not into you, but she's still like

1:04:41.800 --> 1:04:48.160
<v Speaker 1>maybe now. The entire time also just emblematic of the

1:04:48.160 --> 1:04:53.600
<v Speaker 1>confusing nature of coming of age sexually and how we

1:04:53.760 --> 1:04:55.919
<v Speaker 1>like to say, as someone who has been in love

1:04:56.000 --> 1:05:00.160
<v Speaker 1>with a gay man before, you're just like, oh, yea, no,

1:05:00.440 --> 1:05:04.919
<v Speaker 1>he told you. He told you, Like stop stop. I've

1:05:04.960 --> 1:05:08.520
<v Speaker 1>definitely had like a boyfriend who's been like I'm fucking gay,

1:05:08.720 --> 1:05:11.320
<v Speaker 1>and I'm like, does this mean we're not going to prom?

1:05:11.480 --> 1:05:16.880
<v Speaker 1>And it's not registering. Oh, I'm glad. That's such a

1:05:17.000 --> 1:05:21.400
<v Speaker 1>universal experience. Ye yeah, And and that is like that

1:05:21.560 --> 1:05:24.800
<v Speaker 1>is a I mean, I guess even that conversation alone

1:05:24.840 --> 1:05:27.520
<v Speaker 1>is like that is such a messy aspect of being

1:05:28.280 --> 1:05:32.040
<v Speaker 1>for both of them, of like being a young person

1:05:32.160 --> 1:05:35.400
<v Speaker 1>figuring your sexuality out and like Adrian does have it

1:05:35.440 --> 1:05:40.360
<v Speaker 1>figured out and he's clear, and also like Justine is

1:05:40.440 --> 1:05:45.200
<v Speaker 1>like but like you know, and it's I don't know.

1:05:45.240 --> 1:05:47.360
<v Speaker 1>I mean again, I want to know what our our

1:05:47.400 --> 1:05:51.680
<v Speaker 1>listeners think is it's a pretty like gutsy dynamic for

1:05:51.880 --> 1:05:55.600
<v Speaker 1>the writer to take on because it's I mean, just

1:05:56.040 --> 1:05:58.600
<v Speaker 1>based on the last two minutes of discussion, it is

1:05:58.640 --> 1:06:02.320
<v Speaker 1>like certainly a thing that happens and exists and can

1:06:02.400 --> 1:06:06.520
<v Speaker 1>be confusing to navigate, you know, like some whatever. Like

1:06:07.400 --> 1:06:10.320
<v Speaker 1>in the situation, in my personal experience, we were able

1:06:10.360 --> 1:06:12.720
<v Speaker 1>to get through it. It's all good, We're still friends,

1:06:12.920 --> 1:06:16.760
<v Speaker 1>it's like fine. And then other situations and differently, it's

1:06:16.760 --> 1:06:19.360
<v Speaker 1>a real life dynamic that exists, but it's not one

1:06:19.440 --> 1:06:25.160
<v Speaker 1>that I've seen attempted in movies very often, and I

1:06:25.240 --> 1:06:28.680
<v Speaker 1>kind of get why because it's a like risky, messy

1:06:28.800 --> 1:06:32.040
<v Speaker 1>thing to attempt in a story. It's a fucking mine

1:06:32.080 --> 1:06:35.600
<v Speaker 1>field that doesn't really have enough discussion or examination to

1:06:35.640 --> 1:06:39.720
<v Speaker 1>like figure out how to approach and what those dynamics are.

1:06:39.760 --> 1:06:41.720
<v Speaker 1>Because I can I feel like anyone that's ever been

1:06:41.760 --> 1:06:44.120
<v Speaker 1>in that situation, it's like the first time you truly

1:06:44.120 --> 1:06:47.360
<v Speaker 1>realize what a big spectrum gender and sexuality is to

1:06:47.400 --> 1:06:50.760
<v Speaker 1>where you're just like, I don't know where my rigidity

1:06:50.800 --> 1:06:53.240
<v Speaker 1>is and I'm still figuring it out and maybe it's

1:06:53.280 --> 1:06:56.640
<v Speaker 1>like kind of solidly somewhere, but I'm still not sure,

1:06:56.880 --> 1:07:00.560
<v Speaker 1>and the language doesn't exist for it, and my birds

1:07:00.560 --> 1:07:04.680
<v Speaker 1>in the Bees conversation is so heteronormative and for baby

1:07:04.720 --> 1:07:09.040
<v Speaker 1>making that I have literally no guide for this. Like

1:07:09.120 --> 1:07:11.120
<v Speaker 1>I remember sitting down with my mother and being like,

1:07:11.440 --> 1:07:14.040
<v Speaker 1>were you at all prepared for two of your daughters

1:07:14.080 --> 1:07:16.280
<v Speaker 1>to be queer when you're giving us the sex talk?

1:07:16.600 --> 1:07:20.480
<v Speaker 1>And she's like, I just learned about dental damns from

1:07:20.480 --> 1:07:24.480
<v Speaker 1>your thirty three year old sister a year ago. I

1:07:24.520 --> 1:07:28.440
<v Speaker 1>was not fucking ready for any of that. Nothing prepared

1:07:28.480 --> 1:07:30.000
<v Speaker 1>me for it. And so when that's like one of

1:07:30.000 --> 1:07:33.760
<v Speaker 1>your first formative romances and society isn't advanced enough to

1:07:33.760 --> 1:07:37.720
<v Speaker 1>help you navigate it, everyone is messy and everyone makes

1:07:37.800 --> 1:07:41.480
<v Speaker 1>the wrong choice. Well, that's what's so cool to me

1:07:41.560 --> 1:07:44.000
<v Speaker 1>about this movie, or at least one of the things

1:07:44.000 --> 1:07:48.440
<v Speaker 1>where the character that we are watching and identifying with

1:07:48.520 --> 1:07:53.040
<v Speaker 1>because she's the protagonist, is someone who is like fucking

1:07:53.160 --> 1:07:56.520
<v Speaker 1>up a lot and like making mistakes and like not

1:07:56.640 --> 1:08:00.800
<v Speaker 1>behaving very well to the point where she's eating people.

1:08:01.600 --> 1:08:05.040
<v Speaker 1>But this movie has this rooting for a cannibal, Like

1:08:05.120 --> 1:08:08.760
<v Speaker 1>that's like the writing if you, as a writer can

1:08:08.800 --> 1:08:11.760
<v Speaker 1>get us to root for a cannibal like your good

1:08:11.760 --> 1:08:16.680
<v Speaker 1>writer period, especially because like the cannibalism can easily be

1:08:16.760 --> 1:08:21.439
<v Speaker 1>seen as an allegory for things that are perhaps more

1:08:21.560 --> 1:08:27.080
<v Speaker 1>relatable to your average person who isn't engaging in cannibalism, where,

1:08:27.120 --> 1:08:30.120
<v Speaker 1>you know, a lot of people have discussed how this

1:08:30.160 --> 1:08:34.599
<v Speaker 1>movie is allegorical for, you know, just a coming of age,

1:08:34.600 --> 1:08:38.320
<v Speaker 1>sexual awakening, just the kind of general idea of discovering

1:08:38.320 --> 1:08:41.480
<v Speaker 1>your identity. Some people are even like it's about experimenting

1:08:41.520 --> 1:08:45.280
<v Speaker 1>with drugs, probably other things that you could see it

1:08:45.320 --> 1:08:48.040
<v Speaker 1>as an allegory for. To me, the main one was

1:08:48.080 --> 1:08:51.599
<v Speaker 1>like the coming into your own as a sexual person,

1:08:51.680 --> 1:08:55.680
<v Speaker 1>and like starting to mature sexually and the whole kind

1:08:55.720 --> 1:08:59.559
<v Speaker 1>of like sexual metaphor, where that is a messy thing

1:08:59.600 --> 1:09:03.719
<v Speaker 1>to now the gate as basically any person, especially because

1:09:03.760 --> 1:09:06.479
<v Speaker 1>of the culture we live in and how we are

1:09:06.520 --> 1:09:09.479
<v Speaker 1>all products of our environments and how culture does not

1:09:09.720 --> 1:09:16.479
<v Speaker 1>adequately prepare really anyone to especially like when we were

1:09:16.520 --> 1:09:20.960
<v Speaker 1>coming of age sexually and everyone in generations before us like, yeah,

1:09:21.000 --> 1:09:23.639
<v Speaker 1>the boomers were not read. I mean, it's like van Efa,

1:09:23.720 --> 1:09:25.760
<v Speaker 1>you just like said it very cular. It's like the

1:09:25.760 --> 1:09:31.240
<v Speaker 1>boomers were not ready, right, So it's just yah, it's

1:09:31.240 --> 1:09:33.720
<v Speaker 1>a very interesting thing to explore. So it's not as

1:09:33.760 --> 1:09:37.120
<v Speaker 1>though like the movies and being like the movie, we're

1:09:37.120 --> 1:09:40.599
<v Speaker 1>not like, oh wow, look at Justine. What a model character,

1:09:40.720 --> 1:09:43.360
<v Speaker 1>what a role model I can look up to kind

1:09:43.360 --> 1:09:45.360
<v Speaker 1>of thing in that way. But it's more just like,

1:09:45.840 --> 1:09:51.840
<v Speaker 1>let's examine how messy and complicated and often confusing and

1:09:52.120 --> 1:10:00.400
<v Speaker 1>sometimes shameful this processes for everybody, and especially because again

1:10:00.520 --> 1:10:04.440
<v Speaker 1>our culture where sex is still kind of taboo, especially

1:10:04.439 --> 1:10:09.200
<v Speaker 1>in certain contexts, and rape culture is still pervasive, and

1:10:09.760 --> 1:10:13.560
<v Speaker 1>a lot of people's understanding of consent is still pretty murky,

1:10:13.760 --> 1:10:17.280
<v Speaker 1>and there's very little emphasis on female pleasure and women's

1:10:17.400 --> 1:10:22.920
<v Speaker 1>sexual autonomy, and any sex that isn't sis heterosex has

1:10:22.960 --> 1:10:27.120
<v Speaker 1>historically been demonized, and people are shamed for having kinks

1:10:27.160 --> 1:10:30.240
<v Speaker 1>and just like all this stuff that makes navigating your

1:10:30.280 --> 1:10:36.479
<v Speaker 1>own sexuality a difficult and again messy thing that again

1:10:36.520 --> 1:10:39.719
<v Speaker 1>a lot of people are conditioned to feel shame about,

1:10:40.439 --> 1:10:43.880
<v Speaker 1>and cultural expectations make it so a lot of people,

1:10:44.560 --> 1:10:48.040
<v Speaker 1>like we see Justine doing in the movie, funk up

1:10:48.120 --> 1:10:52.879
<v Speaker 1>and make mistakes and push other people's boundaries and comfort levels.

1:10:53.880 --> 1:10:57.120
<v Speaker 1>And yeah, so I just think that it's really cool

1:10:57.160 --> 1:11:01.559
<v Speaker 1>that this movie explores this awakening process for this young

1:11:01.600 --> 1:11:05.960
<v Speaker 1>woman and that you can see it in all these

1:11:06.000 --> 1:11:10.920
<v Speaker 1>allegorical and symbolic ways. And yeah, I mean the idea

1:11:10.960 --> 1:11:16.200
<v Speaker 1>of shame where I was just thinking about, like I

1:11:16.240 --> 1:11:19.080
<v Speaker 1>was trying to just like think through I was like, Okay,

1:11:19.080 --> 1:11:23.160
<v Speaker 1>why cannibalism for this story specifically? And I feel like

1:11:23.280 --> 1:11:27.720
<v Speaker 1>shame is the key there where there's so few things

1:11:27.760 --> 1:11:34.040
<v Speaker 1>that to everyone essentially is like you would be ashamed

1:11:34.280 --> 1:11:38.280
<v Speaker 1>if you ate another person, Like that would be a

1:11:38.560 --> 1:11:43.400
<v Speaker 1>universal feeling of shame minus a very very very very

1:11:43.520 --> 1:11:49.240
<v Speaker 1>very small fraction of people who exist. And I I

1:11:49.280 --> 1:11:52.400
<v Speaker 1>liked how it's like not liked. I mean, it's very

1:11:52.400 --> 1:11:55.280
<v Speaker 1>difficult to watch, but how it in the context of

1:11:55.320 --> 1:11:57.360
<v Speaker 1>a coming of age story. It's like, how can you

1:11:57.439 --> 1:12:01.160
<v Speaker 1>make anyone watching this movie if the feeling of shame

1:12:01.240 --> 1:12:04.559
<v Speaker 1>And it's like, oh yeah, like evoking the feeling of

1:12:05.080 --> 1:12:08.479
<v Speaker 1>doing the most shameful thing that no person is ever

1:12:08.520 --> 1:12:11.719
<v Speaker 1>supposed to do. Of course that's going to like bring

1:12:11.800 --> 1:12:15.760
<v Speaker 1>a universality to this character. That is like such a

1:12:15.800 --> 1:12:20.240
<v Speaker 1>smart use of the idea of cannibalism. Like it's just

1:12:20.560 --> 1:12:24.280
<v Speaker 1>so good. It's so smart because it's one of like

1:12:24.320 --> 1:12:27.639
<v Speaker 1>the last taboos. It's one of like the last things

1:12:27.680 --> 1:12:29.519
<v Speaker 1>that's like we don't talk about this, and if we do,

1:12:29.800 --> 1:12:31.759
<v Speaker 1>like the person choice, we like looked at a certain

1:12:31.760 --> 1:12:35.160
<v Speaker 1>type of way, like sex is far from like the

1:12:35.240 --> 1:12:38.200
<v Speaker 1>last one, but it certainly still is one. And by

1:12:38.240 --> 1:12:41.479
<v Speaker 1>like merging the two and like piggy backing it together,

1:12:42.040 --> 1:12:45.240
<v Speaker 1>you end up I was going to say odd, but

1:12:45.320 --> 1:12:48.640
<v Speaker 1>I'm not going to say odd. Um, it's fucking beautiful

1:12:48.760 --> 1:12:53.040
<v Speaker 1>that a movie about cannibalism makes me like feel a

1:12:53.040 --> 1:12:55.360
<v Speaker 1>little bit more in awe of humanity by the end

1:12:55.360 --> 1:12:58.480
<v Speaker 1>of it, towards like, oh, this is such a collective

1:12:58.520 --> 1:13:01.880
<v Speaker 1>experience we pretend isn't real, that we're all like completely

1:13:02.000 --> 1:13:04.360
<v Speaker 1>united by that by the end of it, I'm just

1:13:04.400 --> 1:13:08.360
<v Speaker 1>like humans or something else. I would recommend if you

1:13:08.400 --> 1:13:11.519
<v Speaker 1>haven't already read it. Vanessa and listeners. Um. There's a

1:13:11.520 --> 1:13:17.640
<v Speaker 1>Guardian interview with the director Julia Duquneau entitled Cannibalism is

1:13:17.720 --> 1:13:24.040
<v Speaker 1>Part of humanity because she rocks this is what her

1:13:24.160 --> 1:13:27.200
<v Speaker 1>whole thing. She's like, Yeah, I made this movie because like,

1:13:27.320 --> 1:13:31.800
<v Speaker 1>cannibalism is extremely a part of humanity, and that's what

1:13:31.840 --> 1:13:36.840
<v Speaker 1>I'm going for with this movie. I desperately want to

1:13:36.840 --> 1:13:40.559
<v Speaker 1>know her thoughts on like meat consumption and farming now

1:13:42.240 --> 1:13:45.320
<v Speaker 1>that is I would be hilarious if she is like

1:13:45.320 --> 1:13:48.439
<v Speaker 1>like militant vegan right where she's like, it's not, We're

1:13:48.479 --> 1:13:51.439
<v Speaker 1>not that far from it. Like, I desperately want to

1:13:51.479 --> 1:13:54.240
<v Speaker 1>know where she thinks, because she shows it in the

1:13:54.240 --> 1:13:58.639
<v Speaker 1>movie as well, Like where do those lines blur for her? Yeah, right,

1:14:00.200 --> 1:14:02.960
<v Speaker 1>let's take another quick break and then we will come

1:14:03.120 --> 1:14:12.599
<v Speaker 1>right back and we're back. There are two other things

1:14:12.640 --> 1:14:15.920
<v Speaker 1>that stuck out to me about this movie. I guess

1:14:16.120 --> 1:14:19.360
<v Speaker 1>I'll go for the more obscure one first. And maybe

1:14:19.400 --> 1:14:21.920
<v Speaker 1>this is like it's like hit for me personally. I

1:14:21.960 --> 1:14:25.360
<v Speaker 1>don't know, but the ending of the movie took me

1:14:25.400 --> 1:14:27.960
<v Speaker 1>off guard plot wise, because it is such a good

1:14:28.080 --> 1:14:31.080
<v Speaker 1>ending to the movie to be like, oh, this is

1:14:31.120 --> 1:14:35.799
<v Speaker 1>like the idea that it's like this isn't your specifically's fault.

1:14:35.880 --> 1:14:39.559
<v Speaker 1>This is something that was passed down to you, and

1:14:40.360 --> 1:14:42.200
<v Speaker 1>I'm sure like you can make the argument for like

1:14:42.200 --> 1:14:45.360
<v Speaker 1>a generation, like it's a generational trauma in this family

1:14:45.479 --> 1:14:50.519
<v Speaker 1>that women eat people um or or even just the

1:14:50.600 --> 1:14:53.400
<v Speaker 1>offspring this bloodline eats people. We don't know, because the

1:14:53.920 --> 1:14:57.120
<v Speaker 1>two siblings in this family are are girls. It could

1:14:57.120 --> 1:14:59.880
<v Speaker 1>it could be you don't know, but it is the

1:15:00.120 --> 1:15:03.640
<v Speaker 1>generational inherited trauma. And so in a way, it's like

1:15:03.760 --> 1:15:07.040
<v Speaker 1>Justine can feel relief that it's like this is not

1:15:07.200 --> 1:15:11.679
<v Speaker 1>an individual shame or flaw. It is coming from somewhere.

1:15:11.720 --> 1:15:15.120
<v Speaker 1>There's a context for it. And I thought that was cool.

1:15:15.200 --> 1:15:20.200
<v Speaker 1>But then also the idea of like the last line

1:15:20.240 --> 1:15:24.280
<v Speaker 1>of the movie is her father basically saying, but you're smart,

1:15:24.320 --> 1:15:27.800
<v Speaker 1>you'll figure it out. And so it's like, now there's

1:15:27.840 --> 1:15:31.519
<v Speaker 1>this context for this huge like shame and humiliation and

1:15:31.560 --> 1:15:35.200
<v Speaker 1>sadness in her life, and she's also being told by

1:15:35.240 --> 1:15:37.880
<v Speaker 1>the person providing that context, who she loves and trusts,

1:15:38.840 --> 1:15:42.200
<v Speaker 1>good fucking luck. Like you know, I just thought that

1:15:42.320 --> 1:15:45.839
<v Speaker 1>was such a just again, just like a very human

1:15:46.560 --> 1:15:50.080
<v Speaker 1>frustration and experience to be like, oh no, no, no,

1:15:50.240 --> 1:15:53.559
<v Speaker 1>our whole family is fucked up. But like, uh, I

1:15:53.600 --> 1:15:56.080
<v Speaker 1>don't know, like good luck, hope you figure that out,

1:15:56.160 --> 1:16:00.760
<v Speaker 1>Like it I just I loved it. Maybe it'll be you, right, Like,

1:16:01.080 --> 1:16:03.880
<v Speaker 1>maybe you'll be the one to resolve general like who

1:16:03.920 --> 1:16:07.280
<v Speaker 1>knows how far back this goes, like you would assume

1:16:07.400 --> 1:16:10.360
<v Speaker 1>further and he's like, no, Justine, you're a smart kid,

1:16:10.640 --> 1:16:15.760
<v Speaker 1>good luck whatever, brutle. It made me think of every

1:16:15.760 --> 1:16:18.519
<v Speaker 1>time an older cousin would like, note something funked up

1:16:18.520 --> 1:16:20.400
<v Speaker 1>in our family and then be like, but we're betting

1:16:20.400 --> 1:16:22.960
<v Speaker 1>on you, kid, And I'm like, that's a lot of

1:16:23.000 --> 1:16:27.000
<v Speaker 1>weird bloodlines to depend on me to rectify. It's a

1:16:27.040 --> 1:16:29.880
<v Speaker 1>lot of pressure. You're like, oh, yeah, I've got like

1:16:30.200 --> 1:16:33.120
<v Speaker 1>taking a Like it just felt so like in and

1:16:33.120 --> 1:16:36.840
<v Speaker 1>out and in of like, oh, this is a generational issue,

1:16:36.920 --> 1:16:40.240
<v Speaker 1>it's not an individual problem. But then her dad is

1:16:40.280 --> 1:16:43.720
<v Speaker 1>also taking the extra step to make it an individual

1:16:43.760 --> 1:16:47.439
<v Speaker 1>problem for her and say so you should probably figure

1:16:47.479 --> 1:16:49.599
<v Speaker 1>this out or this is just going to keep happening.

1:16:50.120 --> 1:16:53.040
<v Speaker 1>It's such a I don't know, It's like every family

1:16:53.120 --> 1:16:56.280
<v Speaker 1>has their version of whatever that is. It's also like

1:16:56.320 --> 1:16:58.839
<v Speaker 1>this terrifying moment when you find out this very intimate

1:16:58.880 --> 1:17:03.960
<v Speaker 1>thing about like your parents relationship dynamic because like her

1:17:04.000 --> 1:17:07.040
<v Speaker 1>mom is so aloof the entire time that I'm sure

1:17:07.080 --> 1:17:09.720
<v Speaker 1>in her mind that she's like the colder one that

1:17:09.800 --> 1:17:12.720
<v Speaker 1>leaves a lot of things up to Dad, and then

1:17:12.760 --> 1:17:15.719
<v Speaker 1>finding out that Dad is just kind of a midnight

1:17:15.800 --> 1:17:22.599
<v Speaker 1>snack for mom sometimes, Like, yeah, it's that moment where

1:17:22.640 --> 1:17:25.640
<v Speaker 1>you're like, oh, there's just stuff behind the curtains the

1:17:25.800 --> 1:17:29.000
<v Speaker 1>entire time that I haven't been privy too because everyone

1:17:29.080 --> 1:17:33.760
<v Speaker 1>decided that I couldn't handle it, right, Yeah, I do.

1:17:33.920 --> 1:17:36.320
<v Speaker 1>I think it's kind of interesting the choice to really

1:17:36.360 --> 1:17:39.120
<v Speaker 1>not include her mom very much in the movie and

1:17:39.160 --> 1:17:42.439
<v Speaker 1>then the reveal it comes from the dad, and like

1:17:42.560 --> 1:17:46.479
<v Speaker 1>there's another earlier conversation where she talks to her dad

1:17:46.640 --> 1:17:49.880
<v Speaker 1>outside the hospital after she's eating her sister's finger, and

1:17:50.479 --> 1:17:54.000
<v Speaker 1>I guess that like more effectively sets up this big

1:17:54.040 --> 1:17:56.880
<v Speaker 1>reveal that it's like and it was her mother who

1:17:57.000 --> 1:18:02.639
<v Speaker 1>is responded like she passed down the annibulism gene whatever.

1:18:02.720 --> 1:18:07.320
<v Speaker 1>But um, yeah, it definitely made the reveal more shocking

1:18:07.360 --> 1:18:09.320
<v Speaker 1>because I guess we don't don't really know that much

1:18:09.360 --> 1:18:12.960
<v Speaker 1>about her mom, if anything, so at first I was

1:18:13.000 --> 1:18:15.639
<v Speaker 1>sort of like, what is that? But then also it's like, oh,

1:18:15.680 --> 1:18:18.120
<v Speaker 1>it's good. I mean they have to withhold that from you.

1:18:18.320 --> 1:18:19.840
<v Speaker 1>And then in red and then when you walk it

1:18:19.840 --> 1:18:22.800
<v Speaker 1>back the second time, you're like, oh, that was like

1:18:22.920 --> 1:18:25.360
<v Speaker 1>absolutely the right choice and you understand it. Watching a

1:18:25.439 --> 1:18:28.360
<v Speaker 1>second time, it makes me want a like prequel to

1:18:28.520 --> 1:18:32.120
<v Speaker 1>Raw that we where we focus on her mom and like,

1:18:32.360 --> 1:18:34.360
<v Speaker 1>I want to focus on her mom. And I'm also

1:18:34.439 --> 1:18:38.080
<v Speaker 1>like fascinated by the dad because I feel like the

1:18:38.240 --> 1:18:43.800
<v Speaker 1>dad could be such a fascinating exploration into like kink

1:18:43.840 --> 1:18:48.760
<v Speaker 1>as well to where it's like what what in him?

1:18:48.920 --> 1:18:51.439
<v Speaker 1>That like? Because he was like, I pursued her and

1:18:51.439 --> 1:18:53.320
<v Speaker 1>then we finally kissed, and then you find out that

1:18:53.320 --> 1:18:55.599
<v Speaker 1>that scar on his lip came from their first kiss

1:18:55.680 --> 1:18:58.400
<v Speaker 1>in which she bit him. But he was like I

1:18:58.439 --> 1:19:01.800
<v Speaker 1>want more. I know this, and I want more and

1:19:01.840 --> 1:19:04.200
<v Speaker 1>I want to be around for more. So I'm like

1:19:04.360 --> 1:19:07.559
<v Speaker 1>what in him was like not only like this is

1:19:07.560 --> 1:19:10.640
<v Speaker 1>something that I can like love her in spite of it.

1:19:11.200 --> 1:19:13.880
<v Speaker 1>To have a relationship that long and have it be

1:19:13.960 --> 1:19:17.120
<v Speaker 1>like something that happened that young and adolescents, it can't

1:19:17.120 --> 1:19:19.080
<v Speaker 1>be in spite of He's there has to be an

1:19:19.120 --> 1:19:23.280
<v Speaker 1>additional appeal. He's got to be into it. Yes, yeah,

1:19:23.320 --> 1:19:28.479
<v Speaker 1>You're not in a relationship for decades for nothing. Getting

1:19:28.520 --> 1:19:32.720
<v Speaker 1>eaten actively eaten by your spouse if you're not kind

1:19:32.760 --> 1:19:39.160
<v Speaker 1>of like this is hot, right, Another just like familial

1:19:39.320 --> 1:19:42.360
<v Speaker 1>relationship thing I wanted to talk about was the relationship

1:19:42.360 --> 1:19:45.719
<v Speaker 1>between the two sisters. Yes, yes, that was the other thing. Yeah,

1:19:46.080 --> 1:19:51.080
<v Speaker 1>where I'm realizing like how rare it is to see

1:19:51.320 --> 1:19:55.320
<v Speaker 1>a relationship dynamic between two sisters be at the center

1:19:55.360 --> 1:19:58.760
<v Speaker 1>of a movie. And it was just like, first, just

1:19:58.800 --> 1:20:02.080
<v Speaker 1>like refreshing to se you that because of the lack

1:20:02.640 --> 1:20:06.680
<v Speaker 1>of that relationship dynamic that we don't get that much

1:20:06.720 --> 1:20:08.559
<v Speaker 1>of um. And then on top of that, I just

1:20:08.560 --> 1:20:10.760
<v Speaker 1>thought it was really well written. It felt like a

1:20:10.880 --> 1:20:16.240
<v Speaker 1>very authentic dynamic to me, where sometimes we see them

1:20:16.280 --> 1:20:20.519
<v Speaker 1>getting along and bonding and getting closer, and then other

1:20:20.560 --> 1:20:24.120
<v Speaker 1>times we see that they're pissing each other off. The

1:20:24.280 --> 1:20:27.439
<v Speaker 1>like kind of older sister thing of like her being

1:20:27.720 --> 1:20:31.800
<v Speaker 1>overly critical of her younger sister is something that like

1:20:32.120 --> 1:20:38.519
<v Speaker 1>I very tragically identified with because I'm like, oops, this

1:20:38.560 --> 1:20:41.600
<v Speaker 1>reminds me of of all the times that I was

1:20:42.080 --> 1:20:46.160
<v Speaker 1>really critical and mean to my younger sister. Sorry a

1:20:47.439 --> 1:20:51.519
<v Speaker 1>movie too, yes, like because it really like it's I

1:20:52.400 --> 1:20:56.720
<v Speaker 1>this again felt like I God, damnit, Roger Ebert, Like

1:20:57.000 --> 1:20:59.120
<v Speaker 1>I feel like it connects back to what you were

1:20:59.120 --> 1:21:03.400
<v Speaker 1>saying earlier than I of like the specificity of this

1:21:03.479 --> 1:21:07.200
<v Speaker 1>is a relationship between sisters, and the fact that it

1:21:07.240 --> 1:21:11.679
<v Speaker 1>doesn't shy away in vague ify that relationship strengthens the

1:21:11.920 --> 1:21:14.200
<v Speaker 1>universal connection that people are going to take away from it,

1:21:14.400 --> 1:21:16.599
<v Speaker 1>because I was thinking about my little brother when I

1:21:16.640 --> 1:21:19.840
<v Speaker 1>was watching this, and it was like, well, obviously, like

1:21:20.000 --> 1:21:24.280
<v Speaker 1>we're not you know, like both like let's pe together

1:21:25.040 --> 1:21:28.240
<v Speaker 1>because that's just not what our relationship is. But but

1:21:28.640 --> 1:21:32.880
<v Speaker 1>the dynamics and the you know, fierce loyalty that many

1:21:32.880 --> 1:21:36.479
<v Speaker 1>people feel towards their siblings and the like that's such

1:21:36.520 --> 1:21:41.120
<v Speaker 1>a like Justine fox up so bad and Alex welcomes

1:21:41.120 --> 1:21:46.320
<v Speaker 1>her back and Alex murders just a best friend, and like,

1:21:46.760 --> 1:21:49.400
<v Speaker 1>you know, that's an individual journey of can I forgive

1:21:49.400 --> 1:21:53.280
<v Speaker 1>and forget? But like the whole like concept of like

1:21:53.920 --> 1:21:56.280
<v Speaker 1>the thing that binds them and the reason that they're

1:21:56.280 --> 1:21:59.200
<v Speaker 1>fucking up is this generational problem that they both have.

1:21:59.400 --> 1:22:04.000
<v Speaker 1>And they're both individuals, they have different personalities, they have

1:22:04.280 --> 1:22:08.240
<v Speaker 1>this very sibling e dynamic, but they're kind of like

1:22:08.400 --> 1:22:12.080
<v Speaker 1>haunted by this same generational issue in different ways. And

1:22:12.160 --> 1:22:15.960
<v Speaker 1>it seems like that's that, and also like the just

1:22:16.120 --> 1:22:19.519
<v Speaker 1>intense bond that a lot of siblings have is what

1:22:19.720 --> 1:22:25.080
<v Speaker 1>makes them able to forgive each other and navigate things.

1:22:25.120 --> 1:22:27.599
<v Speaker 1>I just I thought it was so again, just like

1:22:27.680 --> 1:22:32.679
<v Speaker 1>making cannibalism, the generational trauma is such a weird, cool

1:22:32.880 --> 1:22:37.479
<v Speaker 1>creative decision right down to like I really love the

1:22:37.520 --> 1:22:39.840
<v Speaker 1>detail of when they're saying bye to each other, when

1:22:40.439 --> 1:22:45.519
<v Speaker 1>Alex is in jail and Alex flips off Justine and

1:22:45.560 --> 1:22:48.919
<v Speaker 1>you see the stump of her finger and then Justine

1:22:48.960 --> 1:22:54.280
<v Speaker 1>like pushes the scar like against the window, and it's

1:22:54.320 --> 1:22:57.600
<v Speaker 1>so intimate, and then they're like having this little interaction

1:22:57.720 --> 1:23:00.760
<v Speaker 1>even if it's like uncomfortable and the rely eving, but

1:23:00.840 --> 1:23:04.120
<v Speaker 1>also that they're deliberately like showing each other like you

1:23:04.160 --> 1:23:07.360
<v Speaker 1>did this to me, ha ha. That I think only

1:23:07.360 --> 1:23:10.479
<v Speaker 1>exists the amount of times I've like waxed poetic with

1:23:10.520 --> 1:23:14.599
<v Speaker 1>my brother about the like dangerous ship that they used

1:23:14.640 --> 1:23:17.720
<v Speaker 1>to do with my tiny young body because they were

1:23:17.760 --> 1:23:19.640
<v Speaker 1>like ten years older than me, and they would like

1:23:19.680 --> 1:23:21.760
<v Speaker 1>stuff me into toy boxes and push me down the

1:23:21.800 --> 1:23:25.200
<v Speaker 1>stairs or like let's go sledding. Oops, Vanessa slid into

1:23:25.240 --> 1:23:27.040
<v Speaker 1>the road, and then now we're like ha, ha ha,

1:23:27.200 --> 1:23:31.040
<v Speaker 1>you almost killed me, And I'm like, yeah, because we

1:23:31.040 --> 1:23:35.840
<v Speaker 1>were weird children around each other. We're so fucked up,

1:23:36.000 --> 1:23:38.840
<v Speaker 1>we like love each other fiercely and put each other

1:23:38.880 --> 1:23:43.040
<v Speaker 1>through the wringer because like we're getting our baby brains

1:23:43.040 --> 1:23:46.479
<v Speaker 1>cooked up into adult brains and then just acting out

1:23:46.560 --> 1:23:50.240
<v Speaker 1>on each other because we in our heads default to

1:23:50.360 --> 1:23:53.840
<v Speaker 1>like they're going to be there forever. They can't unsibling me,

1:23:54.560 --> 1:23:57.280
<v Speaker 1>so they will be far more forgiving of my worst

1:23:57.360 --> 1:24:00.320
<v Speaker 1>moments than anyone else. But instead that means we put

1:24:00.360 --> 1:24:03.400
<v Speaker 1>each other through more hell than we put anyone else

1:24:03.479 --> 1:24:06.280
<v Speaker 1>with the right, like, yeah, the the highs are higher,

1:24:06.320 --> 1:24:11.559
<v Speaker 1>the lows are lower, and it's just so siblings, Like

1:24:11.640 --> 1:24:14.599
<v Speaker 1>siblings are inherently fucked up in the way they treat

1:24:14.600 --> 1:24:19.080
<v Speaker 1>each other throughout their lives. Like, show me a healthy

1:24:19.200 --> 1:24:23.160
<v Speaker 1>sibling dynamic, you just like it doesn't exist, and then

1:24:23.240 --> 1:24:27.639
<v Speaker 1>birth order makes hierarchy. Yeah, oh yeah, that's just built in,

1:24:27.720 --> 1:24:30.040
<v Speaker 1>so you just have this little cast system coated into

1:24:30.080 --> 1:24:32.240
<v Speaker 1>you in your house where it's just like, all right,

1:24:32.320 --> 1:24:35.320
<v Speaker 1>Louise got cheerios before me, so that clearly means fuck me.

1:24:35.439 --> 1:24:38.840
<v Speaker 1>I guess this is why I was just like God,

1:24:38.880 --> 1:24:41.280
<v Speaker 1>the idea of parenting is so stressful because it's just

1:24:41.400 --> 1:24:45.080
<v Speaker 1>a small, perceived slight that sends your children on a

1:24:45.200 --> 1:24:51.240
<v Speaker 1>careening like freight train of emotional distress because it's like, well,

1:24:52.520 --> 1:24:55.480
<v Speaker 1>but yeah, I mean it was and and the betrayals

1:24:55.600 --> 1:24:59.200
<v Speaker 1>that Alex and Justine make to each other are severe.

1:25:00.120 --> 1:25:02.000
<v Speaker 1>But again, I feel like it just like speaks to

1:25:03.000 --> 1:25:06.920
<v Speaker 1>the writing of the movie that I never questioned why

1:25:06.960 --> 1:25:09.599
<v Speaker 1>would they still defend each other in this situation? Like

1:25:09.720 --> 1:25:12.280
<v Speaker 1>it's so obvious why they would. And it doesn't mean

1:25:12.320 --> 1:25:16.080
<v Speaker 1>that it's morally right or that it's but it's like,

1:25:16.680 --> 1:25:18.599
<v Speaker 1>of course they're going to be there for each other.

1:25:18.840 --> 1:25:21.880
<v Speaker 1>Who else are they going to talk to about this

1:25:22.400 --> 1:25:25.040
<v Speaker 1>awful thing that exists in both of them? And who

1:25:25.080 --> 1:25:28.599
<v Speaker 1>else do you have that kind of intense bond and

1:25:28.680 --> 1:25:33.439
<v Speaker 1>loyalty and love for in their lot? Like it's it's them.

1:25:33.880 --> 1:25:37.040
<v Speaker 1>So yeah. Again, It's like another thing that I feel

1:25:37.040 --> 1:25:41.439
<v Speaker 1>like is not really explored in many movies this effectively. Yeah,

1:25:41.479 --> 1:25:46.559
<v Speaker 1>for sure, it's it's usually far more traveling pansy Yeah yeah, yeah, yeah, wow.

1:25:46.560 --> 1:25:53.000
<v Speaker 1>I love that as an adjective. Traveling panty, traveling pansy. Um,

1:25:53.040 --> 1:25:55.280
<v Speaker 1>does anyone have anything else they want to talk about.

1:25:57.080 --> 1:26:01.400
<v Speaker 1>I do want to say the soundtrack is amazing, great

1:26:01.520 --> 1:26:05.200
<v Speaker 1>soundtrack rate, score, the music is incredible. I wanted to

1:26:05.240 --> 1:26:11.519
<v Speaker 1>share a quote from Julia from this Guardian article slash

1:26:11.560 --> 1:26:16.439
<v Speaker 1>interview that I referenced before, in which she says, quote,

1:26:17.080 --> 1:26:21.200
<v Speaker 1>I didn't want to glamorize anything, especially with the girl's bodies.

1:26:21.680 --> 1:26:23.960
<v Speaker 1>A body is a body, and every movie we see

1:26:24.000 --> 1:26:26.679
<v Speaker 1>women have to be beautiful and fit or whatever the hell,

1:26:27.160 --> 1:26:29.960
<v Speaker 1>and they have to fit a certain box. And no

1:26:30.520 --> 1:26:34.400
<v Speaker 1>women fart, poop, pe burp. This is why you can

1:26:34.439 --> 1:26:37.080
<v Speaker 1>relate to them, because they are not these heavenly creatures.

1:26:37.120 --> 1:26:40.040
<v Speaker 1>They are real people with real feelings. And when they

1:26:40.080 --> 1:26:43.280
<v Speaker 1>go down, they go down. This is something we don't

1:26:43.280 --> 1:26:46.559
<v Speaker 1>see enough of. Always in movies, when people cry, they

1:26:46.600 --> 1:26:51.040
<v Speaker 1>cry like this. And then apparently she uh, Julia mimes

1:26:51.080 --> 1:26:57.280
<v Speaker 1>a sorrowful weep um saying like St Mary crying, We're

1:26:57.320 --> 1:27:02.760
<v Speaker 1>all equals with our bodies. So fun golf. I love her,

1:27:03.000 --> 1:27:08.160
<v Speaker 1>Oh my God, like that she wonderful. That said, like

1:27:08.720 --> 1:27:11.679
<v Speaker 1>I wish that there was like more. It's it's interesting

1:27:11.720 --> 1:27:16.759
<v Speaker 1>for a movie that acknowledges medical issues as it pertains

1:27:16.800 --> 1:27:19.720
<v Speaker 1>to fatness in the size of your body. It is

1:27:19.800 --> 1:27:26.400
<v Speaker 1>like still very very like generally white thin movie, which

1:27:26.400 --> 1:27:29.280
<v Speaker 1>again I wonder what the because it seems like Julia

1:27:29.360 --> 1:27:33.320
<v Speaker 1>Ducurno is very aware of these issues and very conscious

1:27:33.320 --> 1:27:35.280
<v Speaker 1>that feels strongly about them. So I do under like

1:27:35.360 --> 1:27:37.840
<v Speaker 1>kind of what the casting stuff is. It does seem

1:27:37.880 --> 1:27:41.440
<v Speaker 1>like particularly with the lead, this is like a longstanding

1:27:41.520 --> 1:27:45.360
<v Speaker 1>working relationship between the actress and the director. But I

1:27:45.400 --> 1:27:47.320
<v Speaker 1>mean that was like kind of the only thing in

1:27:47.320 --> 1:27:52.240
<v Speaker 1>this like the only thing in this movie that I

1:27:52.280 --> 1:27:55.519
<v Speaker 1>was like, is this a France thing? Like, but there's

1:27:55.600 --> 1:27:58.720
<v Speaker 1>diversity in France like that, it's not a France thing.

1:28:00.320 --> 1:28:04.040
<v Speaker 1>So I was curious about that, and I'm I'm really

1:28:04.080 --> 1:28:08.120
<v Speaker 1>curious to see more of what Julia Ducarno does and

1:28:08.160 --> 1:28:11.800
<v Speaker 1>how she like what do you do after raw? Like

1:28:11.880 --> 1:28:17.920
<v Speaker 1>that's get it get pregnant by a car? I'm so

1:28:18.040 --> 1:28:21.679
<v Speaker 1>excited to see it. Is that what titan Nick is about?

1:28:22.520 --> 1:28:27.000
<v Speaker 1>So the premise is a young girl who gets into

1:28:27.320 --> 1:28:31.720
<v Speaker 1>a horrific car accident and instead of like you know,

1:28:32.240 --> 1:28:36.080
<v Speaker 1>growing closer to her parents and seeking comfort there um,

1:28:36.120 --> 1:28:40.040
<v Speaker 1>she has like this crazy scarner head and instead becomes

1:28:40.080 --> 1:28:43.959
<v Speaker 1>obsessed with cars with a desire to romance them. Um

1:28:44.120 --> 1:28:47.760
<v Speaker 1>becomes an erotic car dancer and gets pregnant by one

1:28:47.880 --> 1:28:50.120
<v Speaker 1>and then breaks the law and has to run on

1:28:50.160 --> 1:28:53.439
<v Speaker 1>the lamb by dressing up as a pre pubescent boy

1:28:53.640 --> 1:28:56.400
<v Speaker 1>and convincing a man that she is his long lost son.

1:28:57.000 --> 1:29:01.000
<v Speaker 1>Like she takes big swings and people love this movie.

1:29:01.040 --> 1:29:04.639
<v Speaker 1>Like all the early reviews of this movie where like, Wow,

1:29:04.760 --> 1:29:09.599
<v Speaker 1>she pulled it off. I'm like she did that? How

1:29:10.240 --> 1:29:14.000
<v Speaker 1>that concept? Oh do you execute that? And here we

1:29:14.040 --> 1:29:17.320
<v Speaker 1>are talking about a movie in which a girl plucks

1:29:17.840 --> 1:29:21.160
<v Speaker 1>fat from a lip out of her teeth and eats it,

1:29:21.320 --> 1:29:24.320
<v Speaker 1>and we're like, remember when we all got our periods?

1:29:27.560 --> 1:29:31.200
<v Speaker 1>So now I'm like I have to see whatever this is. Right.

1:29:32.200 --> 1:29:37.720
<v Speaker 1>By the way, the actor who plays Adrian is Arab, Yes,

1:29:38.280 --> 1:29:40.559
<v Speaker 1>but I think he comply. I mean, it's not it's not.

1:29:40.680 --> 1:29:43.120
<v Speaker 1>I'm not saying it's a completely white cast, but it

1:29:43.240 --> 1:29:46.920
<v Speaker 1>is a close to whitecast. Yeah, that is true, but

1:29:47.080 --> 1:29:51.679
<v Speaker 1>just wanted to acknowledge that. Yeah, does anyone have anything

1:29:51.720 --> 1:29:57.080
<v Speaker 1>else to mention? I'm also sorry I'm on the Wikipedia

1:29:57.160 --> 1:30:04.400
<v Speaker 1>because I've been trying to not spoil Titan Titane for myself,

1:30:04.479 --> 1:30:07.520
<v Speaker 1>like even pre knowing we were doing raw for this episode.

1:30:08.040 --> 1:30:10.240
<v Speaker 1>It just the premise was so intriguing to me. The

1:30:10.240 --> 1:30:11.640
<v Speaker 1>I'm like, I don't want to know anything, I just

1:30:11.680 --> 1:30:14.160
<v Speaker 1>want to see it. But I'm on the Wikipedia page,

1:30:14.200 --> 1:30:19.879
<v Speaker 1>so turn off the podcast. But Garant Marillier, who played Justine,

1:30:20.479 --> 1:30:25.600
<v Speaker 1>is credited on the Wikipedia page for Titan as a

1:30:25.720 --> 1:30:32.280
<v Speaker 1>character named Justine. What so this might be an expanded

1:30:32.439 --> 1:30:38.599
<v Speaker 1>universe thing, like I don't know, the Chrono extended universe.

1:30:38.760 --> 1:30:41.920
<v Speaker 1>How fucking cool would that be if this is like,

1:30:42.200 --> 1:30:47.600
<v Speaker 1>oh my building out an outour freaky universe. Oh, I

1:30:47.640 --> 1:30:50.479
<v Speaker 1>would be so excited. I'm very excited to see this movie. Now. Sorry,

1:30:50.479 --> 1:30:53.880
<v Speaker 1>I didn't mean to like, but yeah, she's credited as

1:30:53.960 --> 1:30:57.400
<v Speaker 1>Justine again. What I'm going to look out for that.

1:30:57.439 --> 1:30:59.360
<v Speaker 1>I'm going to look out for that. That's so exciting.

1:30:59.520 --> 1:31:04.080
<v Speaker 1>I'm very health Okay, So that was all I had

1:31:04.080 --> 1:31:05.840
<v Speaker 1>to say about this movie. I love it so much.

1:31:06.800 --> 1:31:11.280
<v Speaker 1>The movie, of course, passes the Bechdel test. Justine talks

1:31:11.320 --> 1:31:15.599
<v Speaker 1>to Alex quite a lot, as well as to her mother,

1:31:16.840 --> 1:31:21.080
<v Speaker 1>and many, if not most of those conversations past. They

1:31:21.080 --> 1:31:25.679
<v Speaker 1>do talk about Audrean sometimes, but they're mostly talking about

1:31:25.880 --> 1:31:32.520
<v Speaker 1>vet school and eating people cannibalism, so at a passes

1:31:33.800 --> 1:31:36.680
<v Speaker 1>as far as our nipple scales zero to five nipples.

1:31:36.720 --> 1:31:43.120
<v Speaker 1>Based on examining the movie through an intersectional feminist lens um,

1:31:43.160 --> 1:31:47.839
<v Speaker 1>I would give this like a four and a half.

1:31:48.840 --> 1:31:52.439
<v Speaker 1>I think there's just like a few little things that

1:31:52.560 --> 1:31:56.519
<v Speaker 1>pinned for me that we mentioned throughout the episode, But

1:31:56.640 --> 1:32:01.080
<v Speaker 1>by and large, I appreciate a movie is not afraid

1:32:01.120 --> 1:32:07.040
<v Speaker 1>to explore via cannibalism slash cannibalism as a metaphor, a

1:32:07.080 --> 1:32:10.040
<v Speaker 1>movie that is not afraid to explore parts of her

1:32:10.160 --> 1:32:15.360
<v Speaker 1>life and body and sexuality that feel extremely authentic to

1:32:15.520 --> 1:32:19.200
<v Speaker 1>that experience, even if a lot of what she's doing

1:32:19.360 --> 1:32:23.439
<v Speaker 1>is like fucking up and making mistakes and like being

1:32:23.680 --> 1:32:29.599
<v Speaker 1>gross and like surprise, biting people and you know, stuff

1:32:29.640 --> 1:32:37.240
<v Speaker 1>like that, Because even though that that's a new one, um,

1:32:37.280 --> 1:32:42.040
<v Speaker 1>Because even though that behavior is not okay, and kissing

1:32:42.080 --> 1:32:45.479
<v Speaker 1>and biting people without their consent and pushing people past

1:32:45.520 --> 1:32:50.160
<v Speaker 1>their comfort level are all wrong, we relate to the

1:32:50.240 --> 1:32:54.479
<v Speaker 1>humanity of her experience in a way that most movies

1:32:54.960 --> 1:32:58.120
<v Speaker 1>don't even attempt to do or couldn't do, because they're

1:32:58.160 --> 1:33:02.040
<v Speaker 1>made by people who simply don't understand. So it's just

1:33:02.160 --> 1:33:05.839
<v Speaker 1>very refreshing too to watch a movie written and directed

1:33:05.880 --> 1:33:12.200
<v Speaker 1>by a woman that is not afraid to explore the

1:33:12.320 --> 1:33:19.000
<v Speaker 1>messier side of life. And cannibalis, Yeah, the messy side

1:33:19.000 --> 1:33:22.000
<v Speaker 1>of cannibalism. That's a good that's a good elevator pitch

1:33:22.040 --> 1:33:26.640
<v Speaker 1>for this as a like a rob com cannibalism, it

1:33:26.680 --> 1:33:30.960
<v Speaker 1>gets messy. What a great tagline. Um. So yeah. I

1:33:30.960 --> 1:33:33.200
<v Speaker 1>think that there's a lot of cool things happening in

1:33:33.240 --> 1:33:37.559
<v Speaker 1>the movie as far as like what it's examining, and

1:33:37.880 --> 1:33:42.000
<v Speaker 1>you know, different interpretations, as far as like symbolic allegorical stuff.

1:33:42.400 --> 1:33:45.880
<v Speaker 1>And I think it's really cool. And I will give

1:33:45.960 --> 1:33:50.759
<v Speaker 1>the movie four and a half nipples. I'll give uh

1:33:50.800 --> 1:33:57.040
<v Speaker 1>one to Julia Ducarno, one to each Justine, Alex and

1:33:57.439 --> 1:34:00.240
<v Speaker 1>their mother, and then I'll give my half nipple to

1:34:00.400 --> 1:34:03.880
<v Speaker 1>the poor dog Quickie who had to be put down.

1:34:04.439 --> 1:34:08.280
<v Speaker 1>I'm really sad about that, poor Quickie. I was sad

1:34:08.320 --> 1:34:10.960
<v Speaker 1>about Quickie to forgot, although it led to one of

1:34:10.960 --> 1:34:13.599
<v Speaker 1>my favorite interactions, which was her reading the text from

1:34:13.680 --> 1:34:16.439
<v Speaker 1>Quickie and not even responding to the dog dying and

1:34:16.520 --> 1:34:23.160
<v Speaker 1>immediately going, why does my sister have your number? Loved it.

1:34:23.160 --> 1:34:27.320
<v Speaker 1>It's this movie is wonderful. Okay, I'll meet you at

1:34:27.360 --> 1:34:29.439
<v Speaker 1>four and a half. It's like the rare one that

1:34:29.479 --> 1:34:32.639
<v Speaker 1>it's like it extremely passes the vectil test, and it's

1:34:32.680 --> 1:34:35.040
<v Speaker 1>also like very near a movie that is like I

1:34:35.120 --> 1:34:37.760
<v Speaker 1>just would watch this a million times. I want to

1:34:37.760 --> 1:34:41.160
<v Speaker 1>show this movie to everybody. I'm very excited to preach

1:34:41.240 --> 1:34:44.680
<v Speaker 1>the gospel of Julia Ducarno. I wish, I mean, there

1:34:44.760 --> 1:34:48.080
<v Speaker 1>are certain things that I just was like curious about

1:34:48.120 --> 1:34:50.719
<v Speaker 1>I wish were explored a little more. I do wish

1:34:50.760 --> 1:34:55.479
<v Speaker 1>that there was more diversity in terms of race and

1:34:55.600 --> 1:35:00.559
<v Speaker 1>body in the movie. But this movie fucking rocks, Like

1:35:00.640 --> 1:35:05.200
<v Speaker 1>it's just so good, and I feel like it's for

1:35:05.240 --> 1:35:07.639
<v Speaker 1>so many reasons that we've described. I think it's so

1:35:08.080 --> 1:35:12.120
<v Speaker 1>wonderful and cool and should not feel this rare or

1:35:12.360 --> 1:35:15.400
<v Speaker 1>unique to find a woman at the center of a

1:35:15.479 --> 1:35:20.400
<v Speaker 1>story who is very you know, specific in her experience,

1:35:20.720 --> 1:35:24.599
<v Speaker 1>like in this, like it's very like she couldn't be

1:35:24.640 --> 1:35:28.080
<v Speaker 1>anyone else but who she is. She's not a like,

1:35:28.479 --> 1:35:32.400
<v Speaker 1>you know, focus tested, vague ified protagonists that I think

1:35:32.439 --> 1:35:35.720
<v Speaker 1>we see very very often when we see female protagonists.

1:35:35.800 --> 1:35:38.599
<v Speaker 1>Right now, I think that like it would be whatever

1:35:38.680 --> 1:35:40.800
<v Speaker 1>however you feel about it, It's like it would be

1:35:40.920 --> 1:35:43.920
<v Speaker 1>naive to say that Black Widow wasn't focused, tested to

1:35:43.960 --> 1:35:47.519
<v Speaker 1>relate to as many people as hugely possible. This is

1:35:47.560 --> 1:35:51.679
<v Speaker 1>a character who is who she is, but because of

1:35:52.360 --> 1:35:57.040
<v Speaker 1>how skillful and thoughtful and risky and cool the writing is,

1:35:57.680 --> 1:36:01.160
<v Speaker 1>anyone can put themselves in her place because what she's

1:36:01.240 --> 1:36:05.880
<v Speaker 1>feeling is becoming an adult struggling with her relationship with

1:36:05.920 --> 1:36:09.920
<v Speaker 1>her family, and like, we've all done eating a person

1:36:10.040 --> 1:36:15.240
<v Speaker 1>here and there, so it's great. I just I'm so

1:36:15.280 --> 1:36:17.880
<v Speaker 1>excited about this movie. I'm so happy that's in my

1:36:17.920 --> 1:36:20.680
<v Speaker 1>life now. Four and a half nipples, I'm going to

1:36:20.800 --> 1:36:24.719
<v Speaker 1>give all of them to Julia Ducarno. I'm so excited

1:36:24.760 --> 1:36:29.639
<v Speaker 1>to see her next movie, Vanessa, what say you? I'm

1:36:29.680 --> 1:36:31.200
<v Speaker 1>also going to do the four and a half because

1:36:31.240 --> 1:36:35.360
<v Speaker 1>I love this movie. I love this movie and I

1:36:35.400 --> 1:36:39.519
<v Speaker 1>am so happy that it exists and just exist as

1:36:39.560 --> 1:36:42.280
<v Speaker 1>like a testament to like, why you want to diversify

1:36:42.280 --> 1:36:44.479
<v Speaker 1>who's behind the lens because the stories are just more

1:36:44.520 --> 1:36:49.000
<v Speaker 1>interesting and the perspectives are rare. The half star is

1:36:49.000 --> 1:36:51.120
<v Speaker 1>for pretty much the same reasons as y'all, and that

1:36:51.439 --> 1:36:54.320
<v Speaker 1>um I would like especially like to see both more

1:36:54.320 --> 1:36:56.600
<v Speaker 1>diversity and body diversity, because like, if you're going to

1:36:56.680 --> 1:36:58.840
<v Speaker 1>mention like a fat person and a fat person's plate,

1:36:58.880 --> 1:37:01.599
<v Speaker 1>I'd like to see one. It's it's Chekhov's fat person

1:37:01.720 --> 1:37:06.600
<v Speaker 1>at this point, like let let me, let me have one. Um.

1:37:06.640 --> 1:37:10.599
<v Speaker 1>But at the same time, it's such a concise, well

1:37:10.880 --> 1:37:13.400
<v Speaker 1>told story that doesn't really waste any time, but like

1:37:13.520 --> 1:37:16.719
<v Speaker 1>luxuriate's where it needs to. And I love this movie

1:37:16.840 --> 1:37:21.040
<v Speaker 1>and I love how specific and odd and real this

1:37:21.200 --> 1:37:24.200
<v Speaker 1>character is, which, by the way, if that's the kind

1:37:24.240 --> 1:37:26.360
<v Speaker 1>of character that interests you. On HBO, Max Soon is

1:37:26.400 --> 1:37:28.080
<v Speaker 1>a movie called We're All Going to the World's Fair

1:37:28.200 --> 1:37:32.200
<v Speaker 1>that has a teenage girl that is the closest to

1:37:32.240 --> 1:37:35.920
<v Speaker 1>any teenager that I've ever felt familiarity with. I feel

1:37:36.160 --> 1:37:38.600
<v Speaker 1>more like her than any like glistening hair teen and

1:37:38.680 --> 1:37:41.000
<v Speaker 1>anything that's ever existed. And it's one of my favorite

1:37:41.320 --> 1:37:44.559
<v Speaker 1>horror movies of last year. Um I literally cried because

1:37:44.600 --> 1:37:46.400
<v Speaker 1>I was just so excited at something like it existed.

1:37:46.760 --> 1:37:48.479
<v Speaker 1>And that's how I felt the first time I saw

1:37:48.640 --> 1:37:54.320
<v Speaker 1>ras so like definitely for a half stars. Yes, love it. Vanessa,

1:37:54.600 --> 1:37:58.400
<v Speaker 1>Thank you for joining us truly, Fripple, thank you for

1:37:58.520 --> 1:38:02.240
<v Speaker 1>bringing us one of our new favorite movies. Thank you.

1:38:02.479 --> 1:38:05.639
<v Speaker 1>I love being on here. Yell are amazing. You are

1:38:05.960 --> 1:38:09.840
<v Speaker 1>tell us where people can check out your stuff. Um,

1:38:09.960 --> 1:38:12.840
<v Speaker 1>you can find me. I've recently changed my Twitter handles,

1:38:12.840 --> 1:38:15.360
<v Speaker 1>so you can find me under An E. S. S.

1:38:15.400 --> 1:38:20.000
<v Speaker 1>Guerrero on Twitter and S and S. Guerrero on Instagram,

1:38:20.040 --> 1:38:22.960
<v Speaker 1>and starting October you can find me on shutters Behind

1:38:22.960 --> 1:38:27.160
<v Speaker 1>the Monsters. Um, yeah, I think us about it. Amazing.

1:38:27.320 --> 1:38:30.240
<v Speaker 1>Thank you again for being here. Come back anytime. Oh

1:38:30.240 --> 1:38:31.760
<v Speaker 1>I have a podcast. Oh my god, I'm so sorry.

1:38:32.680 --> 1:38:34.360
<v Speaker 1>I was like both like, wait, hold on, I'm literally

1:38:34.360 --> 1:38:36.080
<v Speaker 1>about it. Edit right now. Um, I have a podcast.

1:38:36.120 --> 1:38:38.200
<v Speaker 1>It's called Kicking and Screaming. It's you can find it

1:38:38.280 --> 1:38:41.200
<v Speaker 1>under kick Screen Pod and it's where I specifically talk

1:38:41.240 --> 1:38:43.759
<v Speaker 1>about horror and martial arts because they're my two favorite

1:38:43.760 --> 1:38:46.800
<v Speaker 1>genres and I think they're very frequently discredited and are

1:38:46.840 --> 1:38:49.080
<v Speaker 1>also one of the few industries in which marginalized people

1:38:49.160 --> 1:38:51.240
<v Speaker 1>can get their foot in the door. So I love

1:38:51.280 --> 1:38:53.160
<v Speaker 1>talking about it and if you like about those like

1:38:53.240 --> 1:38:57.040
<v Speaker 1>those genres, definitely check it out when you get a chance. Yes. Absolutely.

1:38:58.360 --> 1:39:02.120
<v Speaker 1>You can follow us on Twitter and Instagram. At Bechtel

1:39:02.280 --> 1:39:09.280
<v Speaker 1>Cast you can subscribe to our Matreon at Patreon dot

1:39:09.280 --> 1:39:12.479
<v Speaker 1>com slash Bechtel Cast where you get to bonus episodes

1:39:12.520 --> 1:39:15.880
<v Speaker 1>every month plus access to the back catalog, and that

1:39:16.080 --> 1:39:19.360
<v Speaker 1>is five dollars a month. You can also get our

1:39:19.400 --> 1:39:22.320
<v Speaker 1>merch on t public dot com. At t public dot com,

1:39:22.360 --> 1:39:28.480
<v Speaker 1>slash the beck Doel Cast for all of your merchandising needs.

1:39:28.800 --> 1:39:31.360
<v Speaker 1>And if we don't see you on the merch store,

1:39:32.280 --> 1:39:40.479
<v Speaker 1>well we're going to eat you. Yeah bye,