WEBVTT - TGI - Episode 109 (“Class Pre-Union”)

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<v Speaker 1>How have we gone this long without discussing the gum wall?

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<v Speaker 1>Oh man, that's great, the gum wall. That is disgusting

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<v Speaker 1>to think about that disgusting. I only remembered it because

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<v Speaker 1>I love reading all of the comments from our dear

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<v Speaker 1>listeners on Instagram. And this morning I was scrolling through

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<v Speaker 1>comments and somebody said, when are you guys going to

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<v Speaker 1>talk about the gum wall and the candy drawer in

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<v Speaker 1>the kitchen? And I thought, yeah, I don't know, but

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<v Speaker 1>I said, I wrote back and I said, oh my gosh,

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<v Speaker 1>the gum wall. I forgot about that. Can some please

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<v Speaker 1>say what the gum wall was? Writer taking away? Okay, well,

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<v Speaker 1>all I don't really remember because I don't think I

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<v Speaker 1>ever used the gum wall. But so there was a

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<v Speaker 1>wall is it behind the kitchen? The stairs the stairs

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<v Speaker 1>down from the kitchen or you know, and the technically

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<v Speaker 1>from where where Eric and Corey's bedroom is when they

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<v Speaker 1>come down those stairs, so upstairs at that wall, there's

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<v Speaker 1>like so listeners, the staircases on sets are very there.

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<v Speaker 1>They go to literally nothing, They actually go to just

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<v Speaker 1>another staircase that goes down on the other sidease that's

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<v Speaker 1>usually thrown together exactly doesn't feel exactly safe back there,

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<v Speaker 1>but a lot of fun happens back there. A lot

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<v Speaker 1>of fun happens where you're getting yourself like hyped up

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<v Speaker 1>to go out for your scene, if you're up there

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<v Speaker 1>with somebody else because somebody else has to come down later,

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<v Speaker 1>or you're coming you're going down the stairs with somebody,

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<v Speaker 1>a lot of fun conversation happens, and a lot of

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<v Speaker 1>coming and going came from that staircase. And somewhere along

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<v Speaker 1>the line, somebody started sticking their gum that they had

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<v Speaker 1>been chewing that they weren't going to chew on camera

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<v Speaker 1>on the wall there, and it just grew and grew

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<v Speaker 1>and grew. I definitely more disgusting germs, much may you

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<v Speaker 1>excess to say, much like the bacteria, the wall itself

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<v Speaker 1>grew and grew and grew. Well, this is one of

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<v Speaker 1>those things once once, like you have a kid, uh,

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<v Speaker 1>you know, they start crawling under tables, And Indie started

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<v Speaker 1>commenting on the fact that no matter what restaurant we're in,

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<v Speaker 1>we could be in the nicest restaurant and there's always

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<v Speaker 1>gum under the tables. It's disgust stay. I'm like, who

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<v Speaker 1>are all these people at like, you know, a sushi restaurants,

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<v Speaker 1>chewing gum and sticking it under the table, but without

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<v Speaker 1>Now it's like become a joke. Indie checks every restaurant

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<v Speaker 1>we're in. He's like, Dad, three pieces, Oh my god.

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<v Speaker 1>He'll go to other tables if they're empty, and he'll

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<v Speaker 1>check under there. He'll like count them up in the restaurant.

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<v Speaker 1>And I'm always so baffled by it. But I guess

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<v Speaker 1>we were doing the same thing. I don't remember participating that,

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<v Speaker 1>you must we, but I definitely remember the candy drawer. Wait, now,

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<v Speaker 1>going going to the gum wall though, that staircase coming

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<v Speaker 1>down into the kitchen, if memory serves before we've had

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<v Speaker 1>well yeah, not only that, but wasn't it also before

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<v Speaker 1>we had the um student union in the later episodes

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<v Speaker 1>where then we would run out and get introd in

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<v Speaker 1>the student union. Didn't we go down those stairs originally

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<v Speaker 1>to get introd in the very beginning of the show,

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<v Speaker 1>like the first season or two, was like through the kitchen.

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<v Speaker 1>Wasn't it to be intro in front of the audience? Okay,

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<v Speaker 1>I think you're right. I think that I think it was.

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<v Speaker 1>I think it was through Yes, I think you're right,

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<v Speaker 1>that that's the way we came down. And then also

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<v Speaker 1>it was probably during rehearsal too. I know I was

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<v Speaker 1>I did not start the gun wall, but I know

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<v Speaker 1>I contributed a lot to the gum walls because I

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<v Speaker 1>chewed gum constantly. I was a massive gum chewer. Um.

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<v Speaker 1>So yeah. But and so the candy drawer. Who started that?

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<v Speaker 1>I think that was props, wasn't it. Well? I think

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<v Speaker 1>the candy drawer was started in response to the fact

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<v Speaker 1>that our parents asked Craft Service to take sugar and

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<v Speaker 1>candy away from Craft Service? Did they? So? I think

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<v Speaker 1>it was in response, Yeah, I think because you know,

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<v Speaker 1>they knew it was a set full of kids, and

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<v Speaker 1>on most most TV shows and movies, craft services like crap.

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<v Speaker 1>It's just like red Vine red sugar, just tons of

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<v Speaker 1>food and nothing things and coffee exactly. Yeah. And I

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<v Speaker 1>think what happened is that the parents on our show

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<v Speaker 1>gathered together and said, please, can we not have candy

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<v Speaker 1>and gum and stuff like that on the Craft Service?

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<v Speaker 1>And so it responds props provided us or maybe it

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<v Speaker 1>was probably for the grown ups first a drawer that

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<v Speaker 1>was like a secret just for the cast that we

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<v Speaker 1>could access our own gum and our own candy, and

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<v Speaker 1>then it just I seem to remember it actually started

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<v Speaker 1>as a gum slash tic tac to. It was actually

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<v Speaker 1>more like, if you need to freshen your breath, breath,

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<v Speaker 1>this is where you go. And then it slowly became like, also,

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<v Speaker 1>there's some Reese's pieces and some yeah, and then it

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<v Speaker 1>became more and more of a candy drawer. Wouldn't it

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<v Speaker 1>seems like that would be weird for our parents to ask,

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<v Speaker 1>because truth be told, our parents didn't really have to

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<v Speaker 1>deal with us for like a solid ten hours out

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<v Speaker 1>of day. It seems like that would have been something

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<v Speaker 1>our set teachers may have to take away for us. Yeah, well,

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<v Speaker 1>as somebody who has has constantly struggled with their weight,

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<v Speaker 1>gaining gaining weight on a set is like the easiest

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<v Speaker 1>thing to do because you're sitting around all day, you know,

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<v Speaker 1>waiting for your scene to happen, with just tables of

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<v Speaker 1>junk food everywhere. So it is it's one of those

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<v Speaker 1>things that it's like, oh, man, and of course I'm

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<v Speaker 1>not making the right health food choices. At sixteen or seventeen,

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<v Speaker 1>it's like, oh, they put a case of coke in

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<v Speaker 1>my in my trailer every morning, and it was gone

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<v Speaker 1>by the time I left. So did like six cokes

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<v Speaker 1>a day. It's a lot more than six. And it

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<v Speaker 1>was a lot more than six. It was like twelve

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<v Speaker 1>to fifteen cokes a day. That was like my water

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<v Speaker 1>will oh it's awful. Well, I mean you were really

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<v Speaker 1>running on caffeine and continue it was well, I was sixteen,

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<v Speaker 1>it was time to grow up. Um, So yeah it was.

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<v Speaker 1>But it was true. I mean he would, I'm so,

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<v Speaker 1>this is the worst thing in the world. Was his

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<v Speaker 1>name Randy? What was our first craft service guy's name?

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<v Speaker 1>Who was like the bigger guy. Craig took over. Craig

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<v Speaker 1>took over in the later seasons from another Steve. Was

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<v Speaker 1>it with like the mustache, Yes, the must and he

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<v Speaker 1>was the nicest guy in the world. And he would

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<v Speaker 1>put like a case of coke in in my trailer

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<v Speaker 1>every morning, and maybe the whole case wasn't gone, but

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<v Speaker 1>lots of it was. He was. He absolutely was. He

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<v Speaker 1>was my cocca, my coke connection to Coca cola. For

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<v Speaker 1>the record, it is Coca cola. Um, but it was. Yeah,

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<v Speaker 1>so it was you could just gain weight. So and

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<v Speaker 1>that's the first talk I had on the set was

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<v Speaker 1>I did one scene where I had to hop over

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<v Speaker 1>the fence and Michael pulled me aside and said, we've

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<v Speaker 1>noticed that you're starting to put on some weight. Um

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<v Speaker 1>it was around the time of a season. Was that

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<v Speaker 1>wait at first season? Oh? Absolutely absolutely, This was probably

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<v Speaker 1>half to three quarters the way through the first season. Um,

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<v Speaker 1>it was. I got my first year. We can we

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<v Speaker 1>can tell you're putting on weight. Um. And then I

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<v Speaker 1>don't know if you notice. I came back second season.

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<v Speaker 1>I was like thin because if you know which episode

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<v Speaker 1>it is, when we get to it, when you see

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<v Speaker 1>yourself hop over the fence, will you remember like, oh,

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<v Speaker 1>this is the week Michael talked to me. Yes, I

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<v Speaker 1>believe I probably will because you're gonna see my larger

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<v Speaker 1>than life frame trying to get over the tiny little fence.

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<v Speaker 1>But it was no, I was I mean the disordered

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<v Speaker 1>thinking we have around, Um, it's crazy. But I was

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<v Speaker 1>also eating. I mean, I was like living by myself

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<v Speaker 1>with my I was the first time by myself. You know,

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<v Speaker 1>I'm not with my eating, my parents cooking. I'm like

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<v Speaker 1>having to make my own decisions and you're not making

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<v Speaker 1>the proper decisions. When you're seventeen years old, you're eating

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<v Speaker 1>all the crap that you weren't allowed to eat when

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<v Speaker 1>your parents are regulating the food you had as well

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<v Speaker 1>they should have where it's like you're going to have

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<v Speaker 1>a green vegetable. I was like, I'm never doing that again.

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<v Speaker 1>So to be fair, it's it's a learning curve. You

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<v Speaker 1>don't know how your body reacts to things until you

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<v Speaker 1>try it. You're like, you know, because there are some people,

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<v Speaker 1>very lucky people who can eat whatever they want and

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<v Speaker 1>and or they work out a ton, but like find

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<v Speaker 1>that when you when you do live at home and

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<v Speaker 1>somebody else is preparing meals for you and making the

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<v Speaker 1>decisions about what is even stored in the house. Because that,

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<v Speaker 1>for me, is what makes craft service so fun, is

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<v Speaker 1>that it's a kitchen slash pantry that I had no

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<v Speaker 1>control over choosing. So to me, it's like it's almost

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<v Speaker 1>like grocery shopping. You go, what do you have exactly?

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<v Speaker 1>What's what is that? We got one of those? I'll

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<v Speaker 1>take one of those. I never have nine different cereals

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<v Speaker 1>to choose from at home, So yeah, I mean that

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<v Speaker 1>was always like, oh my god, I've never thought of

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<v Speaker 1>fruity pebbles and honeynut cheerios together. What a great eleven

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<v Speaker 1>Am snack. You know, that was always how it was,

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<v Speaker 1>like Reese's peanut butter cups and Honor pops. Of course

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<v Speaker 1>that's a great combo. Yeah it was a coke, good morning,

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<v Speaker 1>a coca in a cigarette, good morning. Yeah it was terrible.

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<v Speaker 1>It was absolutely terrible. So yeah, well, welcome to Pots World.

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<v Speaker 1>I'm Daniel Fishel, I'm right or Strong, and I'm Wilfred l. Also,

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<v Speaker 1>we are a few months into this podcast, and you

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<v Speaker 1>know what, I think it's missing a murder us all No,

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<v Speaker 1>a live audience. I was just thinking that, Well, it's

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<v Speaker 1>funny you spent that because you're in luck. Pot Meets

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<v Speaker 1>World will be live for the very first time ever

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<v Speaker 1>on October twenty two at the Magnolia in San Diego.

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<v Speaker 1>Oh yeah, that's right, And oh the fun we're going

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<v Speaker 1>to have. We're gonna be recording stuff for the podcast,

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<v Speaker 1>but even beyond that, we're going to have a real

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<v Speaker 1>interactive experience. True, we're gonna be talking with the audience,

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<v Speaker 1>We're gonna be performing a scene with a very lucky

0:09:44.480 --> 0:09:47.560
<v Speaker 1>audience member, and you won't believe this, but I well,

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<v Speaker 1>yes it's true. I heard Mr Plays with Squirrels will

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<v Speaker 1>be doing his first ever Q and A session. Whoa,

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<v Speaker 1>And we are offering v I P packages that include

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<v Speaker 1>a meet and greet session and photos and autographs. And

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<v Speaker 1>we will have a very special guest joining us. It's

0:10:03.240 --> 0:10:07.800
<v Speaker 1>Mickey Dolan's of the Monkey. No, no, it is not, no,

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<v Speaker 1>absolutely not. Please join us on October two at the

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<v Speaker 1>Magnolia and San Diego Slash Alcoholon. Gets your tickets now

0:10:14.320 --> 0:10:17.360
<v Speaker 1>at ticketmaster dot com. We promise a very exciting night

0:10:17.520 --> 0:10:29.360
<v Speaker 1>where we saw the murder. I'm really excited about today's

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<v Speaker 1>episode because you know, a couple of weeks ago, Um,

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<v Speaker 1>I guess a few weeks ago, and now at this

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<v Speaker 1>point we had Marty York on and he is very

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<v Speaker 1>prominent in this episode, which is such a great episode.

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<v Speaker 1>Season one, episode nine, Class pre Union. It originally aired

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<v Speaker 1>November and um yeah, it's Mr Feenie gives an assignment

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<v Speaker 1>to the class to predict where their life will be

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<v Speaker 1>by their twenty year class reunion and core League gets

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<v Speaker 1>a little help from Major League pitcher Jim Abbott like

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<v Speaker 1>you do exactly. It was directed by David Trayner and

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<v Speaker 1>again it's my breakdown says it was written by Ed Dector,

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<v Speaker 1>but I feel like it has to have been Dector

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<v Speaker 1>in Strouss, right, they weren't wrote together, Yeah, I think

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<v Speaker 1>with I think some of the IMDb breakdowns they'll just

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<v Speaker 1>take like the first name, But it was Dector and

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<v Speaker 1>Strouss were always a team. That was they were constantly together,

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<v Speaker 1>like Laura Reynnolds and remember later we had the great

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<v Speaker 1>female Patty carr Um. You know, they kind of always

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<v Speaker 1>they always kind of wrote together too, so it was

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<v Speaker 1>always like that that dynamic duo, which is great, Um

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<v Speaker 1>Dector in Strouss. Do either of you have any memories

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<v Speaker 1>of Jim Abbott from filming this episode? No, you know,

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<v Speaker 1>I remember, I mean he was only there one day.

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<v Speaker 1>He was probably only there on tape night. So I

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<v Speaker 1>remember meeting him definitely and thinking he was a super

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<v Speaker 1>nice guy. But was it even tape night. There's something

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<v Speaker 1>that makes me think that it might have been a

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<v Speaker 1>pre tape, like he wasn't even there for tape night,

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<v Speaker 1>Like they ran him in for an hour or two

0:12:05.480 --> 0:12:09.040
<v Speaker 1>on a Wednesday, and that was pretty long. Applause. I

0:12:09.080 --> 0:12:12.559
<v Speaker 1>thought that that was it's spontaneous and natural, and so

0:12:12.720 --> 0:12:14.600
<v Speaker 1>did so did I when when I came back his

0:12:14.640 --> 0:12:16.360
<v Speaker 1>plays with squirrels on Girl Meets World, and we didn't

0:12:16.360 --> 0:12:18.880
<v Speaker 1>do that in front of the audience. So okay, this

0:12:18.960 --> 0:12:20.280
<v Speaker 1>is this is a good time then for me to

0:12:20.320 --> 0:12:23.600
<v Speaker 1>tell you the story. I just recently read an article

0:12:23.960 --> 0:12:27.080
<v Speaker 1>where somebody was interviewing Jim Abbott and they asked him

0:12:27.120 --> 0:12:30.560
<v Speaker 1>about his guest appearance on Boy Meat's World, and he said,

0:12:31.200 --> 0:12:34.360
<v Speaker 1>and I don't again, this sounds crazy to me, but

0:12:34.400 --> 0:12:36.640
<v Speaker 1>I have there was no reason Jim Abbott would lie,

0:12:36.760 --> 0:12:39.800
<v Speaker 1>so it has to be true. But he said he

0:12:39.880 --> 0:12:43.200
<v Speaker 1>was invited to set and he thought he was coming

0:12:43.559 --> 0:12:47.160
<v Speaker 1>just to meet the kids. And when he got there,

0:12:47.800 --> 0:12:51.120
<v Speaker 1>they basically handed him a script and said just just

0:12:51.200 --> 0:12:53.880
<v Speaker 1>hop in and do the scene. And he was like what.

0:12:54.360 --> 0:12:57.040
<v Speaker 1>And he was nervous because he had no acting experience

0:12:57.080 --> 0:13:01.560
<v Speaker 1>and he wasn't anticipating doing it and good and he's great,

0:13:01.679 --> 0:13:03.920
<v Speaker 1>but he agreed. He was like, okay, sure, I'll do it,

0:13:03.960 --> 0:13:07.080
<v Speaker 1>and he was literally just kind of thrown in. Jim

0:13:07.200 --> 0:13:10.400
<v Speaker 1>had no intention in the bedroom though, So there's no

0:13:10.440 --> 0:13:12.760
<v Speaker 1>way it was that spontaneous. But I wonder if it's

0:13:13.160 --> 0:13:17.040
<v Speaker 1>a miscommunication between like his reps or like the MLB

0:13:17.480 --> 0:13:19.520
<v Speaker 1>and him, you know, they're like, just go to make

0:13:19.520 --> 0:13:22.360
<v Speaker 1>an appearance, and he doesn't understand what an appearance means

0:13:22.480 --> 0:13:24.760
<v Speaker 1>because there's like a vacation, you know what I mean.

0:13:24.960 --> 0:13:27.360
<v Speaker 1>And so, But of course, as far as the producers

0:13:27.360 --> 0:13:29.920
<v Speaker 1>were concerned, he was guest starring on our show. Guest

0:13:29.920 --> 0:13:35.200
<v Speaker 1>starring on the show takes not only that, but the

0:13:35.200 --> 0:13:38.640
<v Speaker 1>whole the whole storyline focuses around the fact that Alan

0:13:38.760 --> 0:13:41.640
<v Speaker 1>is trying to, you know, otherwise than what happens. Alan

0:13:41.720 --> 0:13:44.040
<v Speaker 1>hears that story, he makes that face like hmmm, I'm

0:13:44.080 --> 0:13:45.920
<v Speaker 1>thinking about what I'm gonna do, and then he just

0:13:46.240 --> 0:13:48.160
<v Speaker 1>nothing ever comes of it like it. It was very

0:13:48.200 --> 0:13:53.120
<v Speaker 1>obviously written for the Jim Abbott appearance that he doesn't

0:13:53.160 --> 0:13:55.240
<v Speaker 1>his memory is that he was just he thought he

0:13:55.280 --> 0:13:56.760
<v Speaker 1>was just coming to say hi, and then he ended

0:13:56.800 --> 0:14:00.040
<v Speaker 1>up getting thrown in and and he was really of

0:14:00.120 --> 0:14:01.400
<v Speaker 1>us about it because he said, he you know, was

0:14:01.400 --> 0:14:04.440
<v Speaker 1>an actor, but he was so good. I still have

0:14:04.480 --> 0:14:06.200
<v Speaker 1>my ball. I still have the ball that he signed

0:14:06.200 --> 0:14:08.520
<v Speaker 1>to me, really I do. I still have the ball

0:14:08.559 --> 0:14:11.960
<v Speaker 1>that you can barely see the autograph, but it's there.

0:14:12.840 --> 0:14:14.920
<v Speaker 1>But I mean, I don't know why I'm surprised considering

0:14:14.960 --> 0:14:18.440
<v Speaker 1>you have the invitation to our season one Heck, yeah,

0:14:18.600 --> 0:14:28.760
<v Speaker 1>rap party or something, and he he keeps you I

0:14:28.800 --> 0:14:30.880
<v Speaker 1>do I keep. I keep all of my invites in

0:14:30.920 --> 0:14:34.160
<v Speaker 1>my invite folder right here, which is full of everything

0:14:34.160 --> 0:14:37.080
<v Speaker 1>I've been invited to. Thank you very much, And I

0:14:37.120 --> 0:14:38.920
<v Speaker 1>know we'll get to it quickly, but can we talk

0:14:38.960 --> 0:14:41.680
<v Speaker 1>about how the entire episode is about how Corey is

0:14:41.720 --> 0:14:43.680
<v Speaker 1>such a Phillies fan and such a fanatic and wants

0:14:43.680 --> 0:14:44.960
<v Speaker 1>to play for the Phillies. So they go and they

0:14:44.960 --> 0:14:47.440
<v Speaker 1>get a New York Yankee to come and talk to him.

0:14:47.480 --> 0:14:49.480
<v Speaker 1>I mean, it's obvious that they was like they just

0:14:49.640 --> 0:14:53.480
<v Speaker 1>needed like a baseball player. So the last scene, he's

0:14:53.600 --> 0:14:57.760
<v Speaker 1>literally dressed in Laker colors while talking to a Yankee

0:14:57.880 --> 0:15:00.680
<v Speaker 1>about wanting to be a Philly Um it it was

0:15:00.720 --> 0:15:03.600
<v Speaker 1>I just sat there watching it, like, Okay, this one's

0:15:03.640 --> 0:15:05.680
<v Speaker 1>it's like you're you're a huge Filie fan, but you

0:15:05.760 --> 0:15:10.720
<v Speaker 1>have a Yankees picture on your wall? I think not. Yeah,

0:15:10.720 --> 0:15:12.440
<v Speaker 1>it was so funny, but anyone will get to you know.

0:15:12.480 --> 0:15:14.360
<v Speaker 1>What's funny is that I did notice the Laker colors.

0:15:14.400 --> 0:15:16.640
<v Speaker 1>I don't think they cared about that at all. But

0:15:16.760 --> 0:15:26.400
<v Speaker 1>I Lakers for sure, but not like Oh color Cam

0:15:27.160 --> 0:15:29.680
<v Speaker 1>sports ball first and showed up and he gets the

0:15:29.680 --> 0:15:37.080
<v Speaker 1>most touchdowns in the nets, right, that guy, he's the best.

0:15:37.080 --> 0:15:40.440
<v Speaker 1>You got so many goals that you're so many weights,

0:15:40.480 --> 0:15:43.200
<v Speaker 1>so many wickets were scored. Oh my god. I did

0:15:43.280 --> 0:15:45.520
<v Speaker 1>think at the end of the episode, when Mincus shows

0:15:45.600 --> 0:15:48.120
<v Speaker 1>up with the basketball and he goes, oh, I realize

0:15:48.160 --> 0:15:50.120
<v Speaker 1>I have the wrong ball, I did think that's writer.

0:15:50.240 --> 0:15:55.480
<v Speaker 1>That's right. Writer would have brought Jim Abbott's book to

0:15:55.520 --> 0:16:00.920
<v Speaker 1>sign out of his giant Jean pocket. Can you sign

0:16:00.920 --> 0:16:05.680
<v Speaker 1>your unauthorized autobiography? Thank you? It's the first edition. It's

0:16:05.720 --> 0:16:08.000
<v Speaker 1>very exactly I rewrote the prolog. So I hope you

0:16:08.000 --> 0:16:14.880
<v Speaker 1>don't like. Okay, So um, I am back in this episode.

0:16:15.000 --> 0:16:18.120
<v Speaker 1>I am. I am a recurring cast member at this point. Uh.

0:16:18.280 --> 0:16:20.440
<v Speaker 1>We have some guest cast as well. We have Christine

0:16:20.520 --> 0:16:23.400
<v Speaker 1>Healy as Jane, Marty York as Larry as I already mentioned,

0:16:23.600 --> 0:16:29.880
<v Speaker 1>Brittany English Stevens as Stephanie um Morgan's friend Christopher Cayer

0:16:30.080 --> 0:16:35.840
<v Speaker 1>did one of the TV voices was our dialogue coach

0:16:36.240 --> 0:16:39.480
<v Speaker 1>on Boy Meat's World. For this first season, at least

0:16:40.040 --> 0:16:43.040
<v Speaker 1>and Um. Some of the other voices, Lisa E. Wilcox

0:16:43.160 --> 0:16:46.360
<v Speaker 1>and Matt Kirkwood, they were Matt Kirkwood was one of

0:16:46.400 --> 0:16:49.800
<v Speaker 1>our stand ins for all seven seasons. And Lisa Wilcox

0:16:50.000 --> 0:16:55.960
<v Speaker 1>was Jeff Sherman's wife. She was a horror actor and

0:16:56.080 --> 0:16:59.840
<v Speaker 1>she was Jeff Sherman's Elm Streets. Right, She's like she's

0:16:59.840 --> 0:17:03.840
<v Speaker 1>on you. Four and five, Yeah, four and five. Lisa

0:17:03.880 --> 0:17:05.800
<v Speaker 1>Wilcox did came and did a couple of things on

0:17:05.840 --> 0:17:07.480
<v Speaker 1>the show, and Yeah, we had Matt Kirkwood, who was

0:17:07.520 --> 0:17:10.000
<v Speaker 1>there for great and Chris Kaier the thing. Chris Kier

0:17:10.000 --> 0:17:12.679
<v Speaker 1>was a great guy and an awesome dialogue coach. He

0:17:12.720 --> 0:17:14.560
<v Speaker 1>was mostly there for Lily, I think at the time,

0:17:15.040 --> 0:17:17.560
<v Speaker 1>but it was he was at the time. I don't

0:17:17.600 --> 0:17:19.119
<v Speaker 1>know if this has changed, but at the time he

0:17:19.160 --> 0:17:22.119
<v Speaker 1>was the youngest ring master in the history of Barnum

0:17:22.119 --> 0:17:25.000
<v Speaker 1>and Bailey. He was like twenty four years old when

0:17:25.000 --> 0:17:26.440
<v Speaker 1>he became the ring master and went on the road

0:17:26.440 --> 0:17:29.480
<v Speaker 1>and wrote this incredible book about what life on the train,

0:17:29.520 --> 0:17:32.400
<v Speaker 1>because there was like a Ringling Brothers train that would

0:17:32.440 --> 0:17:34.560
<v Speaker 1>go around the country and it was people o ding

0:17:34.640 --> 0:17:36.879
<v Speaker 1>and dying and they wouldn't find him for like days.

0:17:37.560 --> 0:17:42.920
<v Speaker 1>It was It's a great, it's insane story. Yeah, yeah,

0:17:43.000 --> 0:17:47.200
<v Speaker 1>so it was this just this craziness about him being

0:17:47.240 --> 0:17:49.119
<v Speaker 1>the ring master at like twenty four years old. Ye,

0:17:49.160 --> 0:17:51.160
<v Speaker 1>it's a really cool story. Do you think he thought

0:17:51.160 --> 0:17:53.040
<v Speaker 1>being on the set of Boy Meats World was equally

0:17:53.080 --> 0:17:56.160
<v Speaker 1>as crazy? Do you think it was a nice reprieve?

0:17:56.200 --> 0:18:03.000
<v Speaker 1>It's still wrangling animals, so knows uh. And then of

0:18:03.040 --> 0:18:05.800
<v Speaker 1>course as a special guest star, we have Jim Abbott.

0:18:05.840 --> 0:18:08.640
<v Speaker 1>And so in case you don't know, listener, who Jim

0:18:08.680 --> 0:18:12.000
<v Speaker 1>Abbott is. He is like a truly legendary pitcher. He

0:18:12.080 --> 0:18:15.080
<v Speaker 1>had a very impressive career with the Angels and the Yankees,

0:18:15.400 --> 0:18:18.080
<v Speaker 1>and but most notably he pitched a no hitter and

0:18:18.200 --> 0:18:23.440
<v Speaker 1>was born with just one hand, one hand with one hand. Yeah,

0:18:23.440 --> 0:18:25.560
<v Speaker 1>he pitched a no hitter with one hand. He also

0:18:25.600 --> 0:18:28.560
<v Speaker 1>has two hits. Have you ever seen how he does it?

0:18:28.600 --> 0:18:32.920
<v Speaker 1>He in one motion, he throws the ball and as

0:18:32.960 --> 0:18:36.400
<v Speaker 1>the balls leaving his hand, so he the glove gets tucked,

0:18:36.520 --> 0:18:39.000
<v Speaker 1>and he throws the ball and his hand keeps going

0:18:39.000 --> 0:18:42.080
<v Speaker 1>and it's right back into the glove. It's nuts. It's

0:18:42.119 --> 0:18:45.760
<v Speaker 1>absolutely insane to see his coordination. It's it's incredible. I mean,

0:18:45.880 --> 0:18:49.760
<v Speaker 1>it is a wild amount of talent and perseverance. So, um,

0:18:50.040 --> 0:18:54.159
<v Speaker 1>I can't The no hitter is impossible seeming enough, But

0:18:54.240 --> 0:18:58.119
<v Speaker 1>the two hits, which means he batted one handed and

0:18:58.200 --> 0:19:01.480
<v Speaker 1>got two hits, I don't know how. I don't know

0:19:01.520 --> 0:19:05.120
<v Speaker 1>how that talent exists. Um. I just I think it's

0:19:05.119 --> 0:19:08.359
<v Speaker 1>amazing that he's such a legendary baseball player. And people

0:19:08.400 --> 0:19:13.240
<v Speaker 1>are like, but tell us about boy meets World. Okay,

0:19:13.800 --> 0:19:22.040
<v Speaker 1>no hit? Y Like, um, yeah, creezy, Okay, So let's

0:19:22.119 --> 0:19:25.159
<v Speaker 1>jump into the recap. In the cold open um, we

0:19:25.200 --> 0:19:28.560
<v Speaker 1>see Corey recording himself on a video camera. Do you

0:19:28.600 --> 0:19:31.760
<v Speaker 1>guys remember the video cameras of the of that era?

0:19:31.880 --> 0:19:36.800
<v Speaker 1>They were just monstrous? But this was also just kind

0:19:36.840 --> 0:19:40.200
<v Speaker 1>of such a new idea, right that, Like, the kid

0:19:40.320 --> 0:19:44.399
<v Speaker 1>has control of the camera, isn't it crazy? And I

0:19:44.440 --> 0:19:46.639
<v Speaker 1>remember we did a couple episodes like this. Later on,

0:19:46.680 --> 0:19:48.520
<v Speaker 1>we did a whole episode sort of making fun of

0:19:48.520 --> 0:19:51.119
<v Speaker 1>reality TV, where Corey's like filming me getting out of

0:19:51.119 --> 0:19:53.119
<v Speaker 1>the shower and stuff. Do you guys remember this? We

0:19:53.160 --> 0:19:55.680
<v Speaker 1>did a couple of those. Yeah, is this the invention

0:19:55.680 --> 0:19:59.040
<v Speaker 1>of the vlog? That kind of went through my head

0:19:59.119 --> 0:20:01.040
<v Speaker 1>was it's like, there a couple of times we've kind

0:20:01.040 --> 0:20:03.200
<v Speaker 1>of hit the future without even realizing it. I mean,

0:20:03.480 --> 0:20:07.679
<v Speaker 1>it's essentially a kid holding his phone filming himself. Yeah. Well,

0:20:07.760 --> 0:20:09.399
<v Speaker 1>but this was a new idea. I mean, I remember

0:20:09.640 --> 0:20:11.280
<v Speaker 1>my family was one of the first families to have

0:20:11.280 --> 0:20:14.119
<v Speaker 1>a video camera. Uh my dad got one when we

0:20:14.119 --> 0:20:16.840
<v Speaker 1>were like two and a half, and it's it's part

0:20:16.880 --> 0:20:19.000
<v Speaker 1>of the reason that my brother and I became actors

0:20:19.240 --> 0:20:21.399
<v Speaker 1>is because we were the only family with a giant

0:20:21.480 --> 0:20:23.399
<v Speaker 1>video cameras. One of those Not only did you have

0:20:23.520 --> 0:20:25.840
<v Speaker 1>a camera that was huge on your shoulder, you had

0:20:25.840 --> 0:20:29.639
<v Speaker 1>to carry around a VCR on like in a suitcase,

0:20:29.840 --> 0:20:33.120
<v Speaker 1>a strap that you wore, and it was like this complicated, crazy,

0:20:33.160 --> 0:20:35.760
<v Speaker 1>clunky machine. But it was also how we started making

0:20:35.800 --> 0:20:38.680
<v Speaker 1>movies as kids. Um so it was definitely the error

0:20:38.720 --> 0:20:42.280
<v Speaker 1>where this was finally becoming accessible and everybody was filming themselves.

0:20:42.640 --> 0:20:45.840
<v Speaker 1>I remember this reminded me also of a TV show

0:20:45.880 --> 0:20:49.199
<v Speaker 1>that I had gotten very close to being on that

0:20:49.320 --> 0:20:51.240
<v Speaker 1>I don't think it ever even aired. It was a

0:20:51.240 --> 0:20:53.960
<v Speaker 1>big TV show I think NBC was producing maybe a

0:20:54.000 --> 0:20:57.560
<v Speaker 1>season before Boy Meets World called News at twelve, and

0:20:57.600 --> 0:20:59.520
<v Speaker 1>the whole thing was that a twelve year old was

0:21:00.080 --> 0:21:02.560
<v Speaker 1>did their news report for their household, Like every night

0:21:02.600 --> 0:21:04.399
<v Speaker 1>they would go up to their house or go up

0:21:04.400 --> 0:21:06.359
<v Speaker 1>to their room and do a news report at a

0:21:06.359 --> 0:21:08.679
<v Speaker 1>newsroom because they had their own video camera whatever. So

0:21:08.720 --> 0:21:12.200
<v Speaker 1>they talked to camera and it was basically this scene

0:21:12.280 --> 0:21:16.640
<v Speaker 1>or this structure of this scene as an entire sitcom.

0:21:17.119 --> 0:21:20.040
<v Speaker 1>So funny. Yeah, I remember cameras to Our family also

0:21:20.080 --> 0:21:22.280
<v Speaker 1>had one of those huge cameras in the little pack

0:21:22.320 --> 0:21:24.640
<v Speaker 1>you are around, and I love watching all those old

0:21:24.680 --> 0:21:27.439
<v Speaker 1>videos too. So Corey is interviewing his mom, dad, and

0:21:27.480 --> 0:21:30.679
<v Speaker 1>sister on their way to Stephanie's birthday party, and Corey

0:21:30.720 --> 0:21:33.240
<v Speaker 1>asks why the baby of the family gets better treatment

0:21:33.480 --> 0:21:36.520
<v Speaker 1>and a golden necklace and why does the middle child

0:21:36.560 --> 0:21:41.120
<v Speaker 1>get ignored and Rusty says, Alan says it's because he's

0:21:41.160 --> 0:21:43.280
<v Speaker 1>the baby. Because the baby of the family doesn't prank

0:21:43.320 --> 0:21:45.960
<v Speaker 1>call people in Canada, she gets better treatment. And they

0:21:46.000 --> 0:21:48.399
<v Speaker 1>all put on coats to enter the cold tundra of

0:21:48.400 --> 0:21:51.560
<v Speaker 1>Philly in November. Writer, did when you watched this, did

0:21:51.600 --> 0:21:54.639
<v Speaker 1>you think? Okay, I'm apparently the only one who doesn't

0:21:54.640 --> 0:22:00.160
<v Speaker 1>remember the part of our discussion and I had no idea.

0:22:00.080 --> 0:22:04.119
<v Speaker 1>Guess what. Didn't care just didn't affect me because I

0:22:04.240 --> 0:22:08.359
<v Speaker 1>connected a jacket. I don't know, but I am didn't

0:22:08.359 --> 0:22:11.960
<v Speaker 1>affect you. So funny I saw I watched everyone putting

0:22:11.960 --> 0:22:13.920
<v Speaker 1>them on, and I thought, yeah, it's November and Philly

0:22:13.960 --> 0:22:15.399
<v Speaker 1>and look at how cold it is out there. It

0:22:15.480 --> 0:22:18.119
<v Speaker 1>all makes sense. You know. The funny thing about this

0:22:18.160 --> 0:22:20.960
<v Speaker 1>scene was to me, it shook because this episode for

0:22:21.000 --> 0:22:23.000
<v Speaker 1>me because you kind of watch it through your own

0:22:23.040 --> 0:22:25.960
<v Speaker 1>eyes when it comes to your character. Eric was such

0:22:26.040 --> 0:22:29.119
<v Speaker 1>the forgotten man throughout a lot of these episodes. To me,

0:22:29.160 --> 0:22:30.880
<v Speaker 1>I thought it was so funny that they're talking about

0:22:30.960 --> 0:22:34.120
<v Speaker 1>how you know, you're taking one daughter out and I'm

0:22:34.119 --> 0:22:37.560
<v Speaker 1>the forgotten kid and Eric's nowhere to be found. It's

0:22:37.600 --> 0:22:40.760
<v Speaker 1>like he's not He's like not in the family at all. Uh,

0:22:41.119 --> 0:22:43.240
<v Speaker 1>it's because you're the oldest brother. You don't know, I

0:22:43.280 --> 0:22:46.040
<v Speaker 1>get it, but it was just understood that you had autonomy.

0:22:46.160 --> 0:22:49.040
<v Speaker 1>It was just because later get more lines. Man, No

0:22:49.240 --> 0:22:55.560
<v Speaker 1>it's not, it's because No, it's later Rusty Walker. Rusty

0:22:55.600 --> 0:22:58.440
<v Speaker 1>walks into a scene later with Eric and basically ignores

0:22:58.440 --> 0:23:01.280
<v Speaker 1>his entire existence. He walks in and just starts talking

0:23:01.320 --> 0:23:02.960
<v Speaker 1>to Court like he glances over at me and then

0:23:03.040 --> 0:23:05.160
<v Speaker 1>just starts talking to Corey. And every time I watch

0:23:05.200 --> 0:23:07.800
<v Speaker 1>it with su She's like, it's like he doesn't realize

0:23:07.840 --> 0:23:10.480
<v Speaker 1>he has another kid. Well, I think this is a

0:23:10.480 --> 0:23:13.480
<v Speaker 1>good time to tell you that you are not the boy.

0:23:14.440 --> 0:23:19.439
<v Speaker 1>I understand, I get it, I get it, I do no.

0:23:19.560 --> 0:23:21.639
<v Speaker 1>But this is exactly the drive that makes you a

0:23:21.680 --> 0:23:23.800
<v Speaker 1>great actor. Man. You were you were always like, well

0:23:23.840 --> 0:23:25.320
<v Speaker 1>I could do more? What do you need? What do

0:23:25.320 --> 0:23:27.320
<v Speaker 1>you need? What? When to chew gum and walk what?

0:23:27.560 --> 0:23:29.399
<v Speaker 1>I can do it all. At this point, it was

0:23:29.440 --> 0:23:33.960
<v Speaker 1>like acknowledge his presence, Like, my God, acknowledge you have

0:23:34.000 --> 0:23:38.720
<v Speaker 1>another kid? For God's sakes, jeez, that little Lily kid.

0:23:39.119 --> 0:23:41.639
<v Speaker 1>Lily was really funny in this episode. I thought, like

0:23:41.680 --> 0:23:44.919
<v Speaker 1>I thought Lily was legitimately funny in this episode was

0:23:44.960 --> 0:23:47.399
<v Speaker 1>a this was a good Lily and Betsy episode. I

0:23:47.400 --> 0:23:50.200
<v Speaker 1>thought it was really cute. Um. So then Alan warns

0:23:50.240 --> 0:23:55.000
<v Speaker 1>Corey no home shopping, which I thought was funny because

0:23:55.040 --> 0:23:58.880
<v Speaker 1>I just thought, yes, is I didn't really ever think

0:23:58.920 --> 0:24:01.919
<v Speaker 1>of Corey as being like a home shopping binger, but

0:24:02.040 --> 0:24:04.320
<v Speaker 1>who knows? Who knows what he was buying? And he says,

0:24:04.320 --> 0:24:06.720
<v Speaker 1>and don't break my camera. So the family leaves and

0:24:06.760 --> 0:24:09.919
<v Speaker 1>Corey of course immediately drops the video camera and Corey

0:24:10.040 --> 0:24:12.879
<v Speaker 1>assumes he will be grounded, which is fine. I also

0:24:13.040 --> 0:24:15.800
<v Speaker 1>I'd like to point out they have not You could

0:24:15.800 --> 0:24:19.480
<v Speaker 1>tell they're still figuring out Corey's friends because he says

0:24:19.520 --> 0:24:22.520
<v Speaker 1>my best friends when he says, you didn't let me,

0:24:22.560 --> 0:24:23.919
<v Speaker 1>you didn't let me go to the movies with my

0:24:23.960 --> 0:24:27.760
<v Speaker 1>best friends, and any other episode five on which would

0:24:27.800 --> 0:24:31.120
<v Speaker 1>be my best friend. Yeah, yeah, so they're still trying

0:24:31.160 --> 0:24:34.120
<v Speaker 1>to figure out the group. You could that that rung

0:24:34.119 --> 0:24:36.760
<v Speaker 1>in my ears, You're right, And then we get our

0:24:36.800 --> 0:24:40.360
<v Speaker 1>theme song. So we come back from our circus theme song,

0:24:40.560 --> 0:24:44.080
<v Speaker 1>and um, we're in Mr Finie's classroom. Phenie is teaching

0:24:44.400 --> 0:24:48.480
<v Speaker 1>a lesson on taxation without representation, and Corey is dressed

0:24:48.480 --> 0:24:52.240
<v Speaker 1>as George Washington and Minkus is playing King George wearing

0:24:52.240 --> 0:24:57.480
<v Speaker 1>a crown, and to Banka's back, I'm wearing the same

0:24:57.560 --> 0:25:01.640
<v Speaker 1>dress I wore for the lip stick scene. So now,

0:25:01.680 --> 0:25:03.560
<v Speaker 1>in the couple episodes we've seen me, I've only worn

0:25:03.840 --> 0:25:06.760
<v Speaker 1>two dresses, white a stress and a purple a stress.

0:25:06.800 --> 0:25:12.520
<v Speaker 1>Is this probably your second episode? Then? I think this, well, yeah,

0:25:12.640 --> 0:25:16.800
<v Speaker 1>I think this is only my second episode. Wow, that's

0:25:16.800 --> 0:25:19.159
<v Speaker 1>to me. It's it's nuts to think about that. I

0:25:19.160 --> 0:25:21.800
<v Speaker 1>think the order probably when Corey's Alternative Friends and this

0:25:21.880 --> 0:25:28.000
<v Speaker 1>episode and then we filmed the Halloween episode and they, oh,

0:25:28.080 --> 0:25:31.040
<v Speaker 1>maybe because Marty said his last episode is the Halloween

0:25:31.080 --> 0:25:37.000
<v Speaker 1>episode when her Yeah, right, so this would have been

0:25:37.040 --> 0:25:39.600
<v Speaker 1>before that. Yeah, and so yeah, So Marty York is

0:25:39.600 --> 0:25:41.560
<v Speaker 1>also in this. He's not yet feeling the effects of

0:25:41.560 --> 0:25:43.720
<v Speaker 1>the death chair. It hasn't hasn't happened to him yet.

0:25:44.119 --> 0:25:48.159
<v Speaker 1>Um and Poenie explains that if you don't understand history,

0:25:48.200 --> 0:25:51.520
<v Speaker 1>you are doomed to repeat its mistakes. Corey wonders if

0:25:51.560 --> 0:25:55.199
<v Speaker 1>every boring person in history is named George, and uh,

0:25:55.400 --> 0:25:57.840
<v Speaker 1>he gets a bad look from Mr Feenie and for

0:25:57.880 --> 0:26:01.440
<v Speaker 1>the first time, for some interesting reason, George Poenie placard

0:26:01.440 --> 0:26:04.200
<v Speaker 1>on the front of his desk is cocked perfectly towards camera.

0:26:04.680 --> 0:26:07.000
<v Speaker 1>It's not facing the front and not facing the front

0:26:07.000 --> 0:26:09.480
<v Speaker 1>of the classroom, and is now facing just slightly out

0:26:09.520 --> 0:26:11.639
<v Speaker 1>so we can see the giant George. You forgot his

0:26:11.800 --> 0:26:16.399
<v Speaker 1>name was George. Here's a reminder. I know. It is funny,

0:26:16.400 --> 0:26:21.000
<v Speaker 1>those little things you you recognize either I always think

0:26:21.000 --> 0:26:23.240
<v Speaker 1>I always wonder if actors just notice them, or like

0:26:23.240 --> 0:26:25.760
<v Speaker 1>people who work in entertainment just notice that stuff, or

0:26:25.800 --> 0:26:30.960
<v Speaker 1>if fans watching also go, huh, that's strategically placed on

0:26:31.000 --> 0:26:32.520
<v Speaker 1>an angle, because by the way, it could have not

0:26:32.640 --> 0:26:35.600
<v Speaker 1>been so angled, and you could still perfectly read George Foenie,

0:26:35.760 --> 0:26:40.240
<v Speaker 1>but it is really angled right towards camera. Um Corey

0:26:40.280 --> 0:26:42.480
<v Speaker 1>says he's not interested in the past. He's only interested

0:26:42.520 --> 0:26:45.960
<v Speaker 1>in his future, and that's because he's eleven years old

0:26:46.000 --> 0:26:48.359
<v Speaker 1>and that's really what's um in front of him. So

0:26:48.400 --> 0:26:52.119
<v Speaker 1>Phenie gives them an assignment, which, of course Phoenie is prepared.

0:26:52.160 --> 0:26:53.639
<v Speaker 1>It's almost as if he knew it was going to

0:26:53.680 --> 0:26:56.000
<v Speaker 1>go this way. My question for you. It seemed like

0:26:56.040 --> 0:26:58.680
<v Speaker 1>he was like, well, I'm just waiting for a student

0:26:58.720 --> 0:27:00.600
<v Speaker 1>to bring this up so i can have this assignment

0:27:00.600 --> 0:27:03.760
<v Speaker 1>that I've had planned all day. Yeah, I mean, doesn't don't.

0:27:03.800 --> 0:27:05.720
<v Speaker 1>They later in the episode make a reference to having

0:27:05.760 --> 0:27:08.560
<v Speaker 1>done this assignment before too, So that's what I mean.

0:27:08.760 --> 0:27:11.439
<v Speaker 1>So it's like something that he does. So do you

0:27:11.440 --> 0:27:15.000
<v Speaker 1>think it was poorly written that it made it sound

0:27:15.040 --> 0:27:17.320
<v Speaker 1>like George is coming up with this on the fly,

0:27:17.720 --> 0:27:20.400
<v Speaker 1>or do you think that is a George phoene ism

0:27:20.400 --> 0:27:22.240
<v Speaker 1>where it comes up on the flaw. It seems to

0:27:22.240 --> 0:27:24.399
<v Speaker 1>come up on the fly, but it's actually been perfectly planned.

0:27:24.480 --> 0:27:26.720
<v Speaker 1>I'd like to think it's a George phoene ism. Okay,

0:27:26.800 --> 0:27:29.560
<v Speaker 1>me too. I think it's the fiction of the show good.

0:27:29.680 --> 0:27:32.040
<v Speaker 1>I like it. I have no problem with that. He's

0:27:32.160 --> 0:27:36.800
<v Speaker 1>just that omniscient gotch plan at all. Yeah, and he's

0:27:36.840 --> 0:27:40.119
<v Speaker 1>that that quick and clever that he knows exactly what

0:27:40.160 --> 0:27:41.600
<v Speaker 1>he wants them to do and how it ties in.

0:27:42.280 --> 0:27:45.280
<v Speaker 1>Um So, their assignment is to think about their futures

0:27:45.320 --> 0:27:47.480
<v Speaker 1>so that they can avoid the mistakes that they might

0:27:47.480 --> 0:27:49.640
<v Speaker 1>make before they happen. He wants them to figure out

0:27:49.640 --> 0:27:51.399
<v Speaker 1>what they will be in twenty years when they go

0:27:51.480 --> 0:27:55.120
<v Speaker 1>to their class reunion in the year two thousand. Mincas

0:27:55.160 --> 0:27:59.000
<v Speaker 1>coins it a pre union. Now. I'd like to point out,

0:27:59.119 --> 0:28:04.159
<v Speaker 1>in a completely related note, my mother was adamant that

0:28:04.280 --> 0:28:08.639
<v Speaker 1>the entire first season we braided my hair. It is

0:28:08.800 --> 0:28:11.520
<v Speaker 1>so obvious. In this episode it was done by a

0:28:11.520 --> 0:28:15.880
<v Speaker 1>crimping iron. It was pretty crimpy even it was done

0:28:15.920 --> 0:28:19.360
<v Speaker 1>by a crimping iron in this episode the first two.

0:28:19.440 --> 0:28:21.800
<v Speaker 1>So this is my third appearance on the show. This

0:28:21.840 --> 0:28:24.000
<v Speaker 1>isn't my second episode. This is the third, the third

0:28:24.000 --> 0:28:26.880
<v Speaker 1>episode I've been in that we've that we've seen so far,

0:28:27.400 --> 0:28:30.480
<v Speaker 1>and this one you can see where the crimping start,

0:28:30.560 --> 0:28:32.720
<v Speaker 1>where the iron starts in the hair, and at the

0:28:32.800 --> 0:28:35.880
<v Speaker 1>roots it's still straight. And so I texted my mom

0:28:35.920 --> 0:28:39.080
<v Speaker 1>and I said, Mom, I went on the air and

0:28:39.160 --> 0:28:43.120
<v Speaker 1>I said, for the whole first season, you braided my hair.

0:28:43.160 --> 0:28:45.760
<v Speaker 1>And she said, I think those two, those two episodes

0:28:45.760 --> 0:28:47.440
<v Speaker 1>I had to braid your hair just took so long

0:28:47.480 --> 0:28:49.840
<v Speaker 1>it felt like a whole season, she said, But you're right.

0:28:50.120 --> 0:28:53.520
<v Speaker 1>I'm watching the episode two and it's definitely a crimping iron.

0:28:53.800 --> 0:28:57.239
<v Speaker 1>And then I have a picture of me and you

0:28:57.400 --> 0:28:59.920
<v Speaker 1>writer and Lee Norris, and my hair is in curler.

0:29:00.240 --> 0:29:02.920
<v Speaker 1>And so because Lee is there, I know it's first season,

0:29:03.000 --> 0:29:06.280
<v Speaker 1>which means eventually, in the same first season we go,

0:29:06.440 --> 0:29:09.400
<v Speaker 1>we eventually get to the big Topanga curls. So the

0:29:09.440 --> 0:29:14.440
<v Speaker 1>hair evolution just in season one was braid's crimping iron curlers.

0:29:15.640 --> 0:29:19.320
<v Speaker 1>Why I remember this, but I think it's big curly

0:29:20.520 --> 0:29:23.440
<v Speaker 1>like the big Topanga hair. When you do that great

0:29:23.480 --> 0:29:26.080
<v Speaker 1>scene with Ben when you're playing with playing basketball with

0:29:26.120 --> 0:29:29.320
<v Speaker 1>the sauce yes you're right, maybe the first tire like,

0:29:29.400 --> 0:29:32.480
<v Speaker 1>I don't know why, but it is You're correct, and

0:29:32.520 --> 0:29:36.440
<v Speaker 1>that maybe the first is it? Is it? Is it? Really? Yeah?

0:29:36.480 --> 0:29:40.520
<v Speaker 1>That's I think that's the last episode. It's also big

0:29:40.520 --> 0:29:43.120
<v Speaker 1>curly hair in this in the episode where I have

0:29:43.160 --> 0:29:46.440
<v Speaker 1>a crush on you, is it? Yes, it's also big

0:29:46.480 --> 0:29:49.400
<v Speaker 1>curly hair there. So so I don't know, we'll see there.

0:29:49.440 --> 0:29:52.800
<v Speaker 1>There's about to be another hair evolution that's coming up

0:29:52.840 --> 0:29:56.520
<v Speaker 1>in the but I just wanted to let everyone know againvolution.

0:29:57.000 --> 0:30:00.720
<v Speaker 1>The memory on me not so good. But when I

0:30:00.800 --> 0:30:03.280
<v Speaker 1>noticed but I'm wrong about something, I will point it out.

0:30:03.400 --> 0:30:15.200
<v Speaker 1>This was a crimping iron. Mincas tells the class that

0:30:15.280 --> 0:30:17.600
<v Speaker 1>he believes he's going to marry to Panga. She says

0:30:17.640 --> 0:30:20.120
<v Speaker 1>she's flattered, but she doesn't know if she recognizes the

0:30:20.160 --> 0:30:23.800
<v Speaker 1>institution of marriage. And Mincas says he's seen the future

0:30:24.000 --> 0:30:30.760
<v Speaker 1>and it's me. So I did not remember this toll Topanga, Mincus,

0:30:32.040 --> 0:30:34.240
<v Speaker 1>you did. I completely forgot it. But the second I

0:30:34.280 --> 0:30:36.360
<v Speaker 1>saw it, I was like, well, that makes perfect sense.

0:30:37.000 --> 0:30:40.479
<v Speaker 1>Of course Mincas would be in love with Topanga. She's smart,

0:30:40.920 --> 0:30:43.320
<v Speaker 1>you know, she's she's a good student. Like he, I

0:30:43.400 --> 0:30:46.480
<v Speaker 1>was like, oh, that makes perfect sense. She's different. I

0:30:46.560 --> 0:30:48.440
<v Speaker 1>mean it was that is that whole kind. I also

0:30:48.560 --> 0:30:51.560
<v Speaker 1>love Danielle how not only you, but to Pango was

0:30:51.640 --> 0:30:56.400
<v Speaker 1>completely unfazed by Lee saying, you know, we're supposed to

0:30:56.440 --> 0:30:58.120
<v Speaker 1>be together in the future. It was like you, you

0:30:58.160 --> 0:31:01.400
<v Speaker 1>could the easy sitcom thing is like, uh, you, we're

0:31:01.440 --> 0:31:03.280
<v Speaker 1>not going to happen, nerd. I mean something, no matter

0:31:03.320 --> 0:31:06.240
<v Speaker 1>what it is. And this was just like you kind

0:31:06.240 --> 0:31:08.120
<v Speaker 1>of considered it a little bit and then it was like, well,

0:31:08.160 --> 0:31:10.360
<v Speaker 1>you know, it was just a completely different character than

0:31:10.400 --> 0:31:13.920
<v Speaker 1>you're normally seeing. Well, it was it was sincere flattery.

0:31:14.040 --> 0:31:16.120
<v Speaker 1>She was flattered. She really meant it. She was very

0:31:16.120 --> 0:31:18.840
<v Speaker 1>flattered that he would consider her as a potential life mate.

0:31:18.840 --> 0:31:20.880
<v Speaker 1>But the biggest problem is, I don't know if I

0:31:20.880 --> 0:31:23.520
<v Speaker 1>believe in the concept at all. And it has nothing

0:31:23.560 --> 0:31:25.400
<v Speaker 1>to do with you. It's just the concept that that

0:31:25.480 --> 0:31:28.760
<v Speaker 1>she's not sure she believes in. It's a really clever

0:31:28.840 --> 0:31:31.400
<v Speaker 1>way to keep the same tension of like a character

0:31:31.480 --> 0:31:35.000
<v Speaker 1>being rejected, right, but not make it the obvious, easy, simple,

0:31:35.040 --> 0:31:36.920
<v Speaker 1>I don't like you. It was like more complicated and

0:31:37.000 --> 0:31:39.640
<v Speaker 1>layer than that, which is really smart. Yeah, I know,

0:31:39.760 --> 0:31:42.560
<v Speaker 1>I loved it. Um and I did remember that that

0:31:42.680 --> 0:31:45.160
<v Speaker 1>that that Mincas has a crush on Topanga and that

0:31:45.200 --> 0:31:49.000
<v Speaker 1>Topanga is you know, kind of neutral on the subject um.

0:31:49.040 --> 0:31:51.080
<v Speaker 1>But it's interesting because when we think about Lee not

0:31:51.160 --> 0:31:54.640
<v Speaker 1>coming back for season two, Uh, it's another thing they missed,

0:31:54.720 --> 0:31:58.040
<v Speaker 1>like they very easily could have had had Minca stuck around.

0:31:58.120 --> 0:32:00.240
<v Speaker 1>There could have always been some of that ten Chin

0:32:01.040 --> 0:32:03.440
<v Speaker 1>and yet we lost it with I mean, we lost

0:32:03.480 --> 0:32:05.000
<v Speaker 1>so many great things when Lee didn't come back for

0:32:05.000 --> 0:32:06.719
<v Speaker 1>season two, but that was one of them. Is that

0:32:06.720 --> 0:32:08.360
<v Speaker 1>that was that was like a whole tension that just

0:32:08.440 --> 0:32:10.840
<v Speaker 1>ended up being lost. Since we're talking about that would

0:32:10.840 --> 0:32:13.800
<v Speaker 1>have been it could have Yeah, which who doesn't want

0:32:13.840 --> 0:32:16.040
<v Speaker 1>to see more of those? Of course, since we are

0:32:16.080 --> 0:32:19.640
<v Speaker 1>talking about Lee very quickly, so David Kendall uh, one

0:32:19.680 --> 0:32:22.680
<v Speaker 1>of our awesome producers. Uh, he and I were texting

0:32:22.680 --> 0:32:24.920
<v Speaker 1>back and forth and apparently because we addressed this on

0:32:24.960 --> 0:32:27.040
<v Speaker 1>the show that Lee was in on the episode of

0:32:27.040 --> 0:32:29.160
<v Speaker 1>Why Lee Didn't come back, he said he was actually

0:32:29.200 --> 0:32:32.400
<v Speaker 1>in the room when the decision was made, uh, and

0:32:32.480 --> 0:32:35.520
<v Speaker 1>it was exactly what Lee heard. They wanted to age

0:32:35.600 --> 0:32:38.520
<v Speaker 1>up the show and it was a note from ABC.

0:32:39.400 --> 0:32:41.640
<v Speaker 1>So he said that was exactly what it happened. So

0:32:41.680 --> 0:32:43.840
<v Speaker 1>the whole arkle thing. He's like, I've never I never

0:32:43.880 --> 0:32:46.200
<v Speaker 1>heard any of that. I never heard anything about Julio White.

0:32:46.280 --> 0:32:48.680
<v Speaker 1>He's like, the story that Lee told is the story.

0:32:48.760 --> 0:32:50.920
<v Speaker 1>That is what happened while we were in the room.

0:32:50.960 --> 0:32:53.120
<v Speaker 1>So he had the story right right, and we did

0:32:53.160 --> 0:32:54.680
<v Speaker 1>talk about it too that like at some point we

0:32:54.760 --> 0:32:57.320
<v Speaker 1>jump up to like grade eight, we skip over grade

0:32:57.320 --> 0:32:59.520
<v Speaker 1>seven and and it is happened. It did happen that

0:32:59.520 --> 0:33:02.120
<v Speaker 1>they wanted to age us up. So um, well there

0:33:02.120 --> 0:33:04.280
<v Speaker 1>you go. We know we know the truth. They wanted

0:33:04.280 --> 0:33:06.200
<v Speaker 1>to age us up, and that's why Lee didn't come back.

0:33:06.240 --> 0:33:08.959
<v Speaker 1>But we sure did miss him, that's for sure. So

0:33:09.000 --> 0:33:12.240
<v Speaker 1>we are then in the cafeteria, Corey calls Sean Sean's

0:33:12.240 --> 0:33:16.880
<v Speaker 1>future as a tire salesman, which is his dad's job. Boring, writer,

0:33:17.000 --> 0:33:20.000
<v Speaker 1>what do you remember about this whole storyline for you

0:33:20.040 --> 0:33:21.959
<v Speaker 1>and what you were going to be for your future?

0:33:22.760 --> 0:33:24.960
<v Speaker 1>I just remember having fun, you know, being able to

0:33:24.960 --> 0:33:28.240
<v Speaker 1>wear a fat suit, and that it was that the

0:33:28.280 --> 0:33:30.680
<v Speaker 1>whole thing. Did they just stuff it with like pillows

0:33:30.760 --> 0:33:33.080
<v Speaker 1>or it looked just like a pillow. Yeah, I think

0:33:33.120 --> 0:33:35.680
<v Speaker 1>it's just a pillow. But I just remember thinking it

0:33:35.720 --> 0:33:38.680
<v Speaker 1>was funny and yeah, yeah, no, I mean this was

0:33:38.720 --> 0:33:40.400
<v Speaker 1>a good episode for me, and you know, I had

0:33:40.520 --> 0:33:42.680
<v Speaker 1>had stuff to do and jokes to say, and I

0:33:42.680 --> 0:33:47.160
<v Speaker 1>remember being very comfortable. Yeah, this is definitely post Alternative Friends,

0:33:47.160 --> 0:33:49.680
<v Speaker 1>So I felt like I belonged finally. You know, I

0:33:49.680 --> 0:33:51.520
<v Speaker 1>seemed comfortable in my own skin in a way that

0:33:51.560 --> 0:33:55.120
<v Speaker 1>other episodes I was not. Yeah, you do seem very

0:33:55.120 --> 0:33:58.200
<v Speaker 1>comfortable and very sure of yourself, and um, in the

0:33:58.280 --> 0:34:02.640
<v Speaker 1>nicest way possible, understate did like, just you're you're you're

0:34:02.680 --> 0:34:09.400
<v Speaker 1>perfectly understated. You feel very real and reed. Um. So

0:34:09.480 --> 0:34:11.600
<v Speaker 1>we're we're in there. We're in the cafeteria now, right.

0:34:12.120 --> 0:34:13.799
<v Speaker 1>So there's a couple of things I noticed about this

0:34:13.840 --> 0:34:16.040
<v Speaker 1>scene that were very funny to me. Do you tell me?

0:34:16.080 --> 0:34:20.040
<v Speaker 1>One of them is o Rito's that was one okay,

0:34:20.080 --> 0:34:25.200
<v Speaker 1>which is great. Has a bag of that that the

0:34:25.320 --> 0:34:29.600
<v Speaker 1>D is crossed off, and it's just I love that

0:34:29.719 --> 0:34:32.640
<v Speaker 1>Ben and you can tell it's completely naturally doesn't realize

0:34:32.640 --> 0:34:34.840
<v Speaker 1>he's doing it, but it's such an eleven or twelve

0:34:35.000 --> 0:34:36.839
<v Speaker 1>year old thing to do, and he stops himself. At

0:34:36.840 --> 0:34:40.040
<v Speaker 1>one point under the table is swinging his legs back

0:34:40.080 --> 0:34:42.319
<v Speaker 1>and forth like you do as a kid, like you're

0:34:42.320 --> 0:34:43.879
<v Speaker 1>sitting there and you swing your legs, and you could

0:34:43.880 --> 0:34:45.400
<v Speaker 1>tell he doesn't even realize he's doing it, and then

0:34:45.400 --> 0:34:47.160
<v Speaker 1>he goes, oh, geez, and he stopped swinging his legs.

0:34:47.840 --> 0:34:51.360
<v Speaker 1>I thought that was great. And then for some reason,

0:34:51.400 --> 0:34:54.360
<v Speaker 1>it's the only school that offers real salt and pepper

0:34:54.360 --> 0:34:58.200
<v Speaker 1>shakers on the table um, which I thought was to start.

0:34:58.280 --> 0:35:01.400
<v Speaker 1>You're never gonna give little kids the giant real salt

0:35:01.400 --> 0:35:04.200
<v Speaker 1>and pepper shakers as if they're at a luxury restaurant.

0:35:04.680 --> 0:35:09.440
<v Speaker 1>They always had little I didn't even well, just I

0:35:09.480 --> 0:35:12.000
<v Speaker 1>noticed that. And then the extra that walks by, who

0:35:12.040 --> 0:35:14.960
<v Speaker 1>there obviously is supposed to be another teacher, is a

0:35:15.080 --> 0:35:18.920
<v Speaker 1>hundred and thirty seven years old. Did you see the

0:35:18.960 --> 0:35:21.880
<v Speaker 1>woman who walks by in the background, it's oh man,

0:35:22.120 --> 0:35:25.680
<v Speaker 1>she makes Bill look like he's forty. So it's one

0:35:25.719 --> 0:35:28.000
<v Speaker 1>of those things where it's just like, I wonder why

0:35:28.040 --> 0:35:30.320
<v Speaker 1>they decide, like, well, we need somebody looks like a teacher,

0:35:30.360 --> 0:35:32.640
<v Speaker 1>and it's like, okay, but does she have to be ninety?

0:35:33.880 --> 0:35:36.240
<v Speaker 1>What I remember about these cafeteria scenes more than anything

0:35:36.600 --> 0:35:41.879
<v Speaker 1>is the taste of that juice are more ready red.

0:35:41.960 --> 0:35:44.759
<v Speaker 1>Stuff like that was because I had to drink at

0:35:44.800 --> 0:35:46.480
<v Speaker 1>every scene in this and it was always like a

0:35:46.560 --> 0:35:49.160
<v Speaker 1>kool Aid that they mixed and then refilled so they

0:35:49.160 --> 0:35:52.480
<v Speaker 1>weren't like wasting packaging. So every every scene they'd come

0:35:52.480 --> 0:35:55.920
<v Speaker 1>in and like refill that thing. And yeah, the flavor.

0:35:56.000 --> 0:35:58.920
<v Speaker 1>I've never liked Koolid or any of those sort of drinks.

0:35:59.040 --> 0:36:02.799
<v Speaker 1>So s it's sugar, I mean, just sugar. Yeah, I can.

0:36:02.960 --> 0:36:05.080
<v Speaker 1>I can smell it. I don't remember the taste as much,

0:36:05.120 --> 0:36:07.080
<v Speaker 1>but I can remember the smell and it stained. It

0:36:07.080 --> 0:36:09.719
<v Speaker 1>would stain the color of your your skin like you

0:36:10.160 --> 0:36:12.000
<v Speaker 1>drink the juice and above your lip. It would be

0:36:12.080 --> 0:36:14.480
<v Speaker 1>like pink stained if somebody didn't get it off of

0:36:14.480 --> 0:36:18.680
<v Speaker 1>you pretty quickly. Green Beans pretty much every time you said,

0:36:21.520 --> 0:36:24.040
<v Speaker 1>for some reason, I remember jello, but there's not. I

0:36:24.080 --> 0:36:26.840
<v Speaker 1>didn't see jello. So I remember eating jello a lot

0:36:26.880 --> 0:36:29.759
<v Speaker 1>and drinking that weird thing. But maybe I just made

0:36:29.800 --> 0:36:31.920
<v Speaker 1>that up. I don't know. Now. I think there was jello,

0:36:32.040 --> 0:36:35.359
<v Speaker 1>not not this episode, but there was jello. But green beans, Yes,

0:36:35.400 --> 0:36:38.800
<v Speaker 1>I feel like green beans all the time. Uh. So

0:36:39.200 --> 0:36:41.520
<v Speaker 1>Larry says he's going to be Phoenie when he grows up,

0:36:41.600 --> 0:36:44.040
<v Speaker 1>and then he has one of the most famous Marty

0:36:44.160 --> 0:36:47.560
<v Speaker 1>York lines, which is imitation is the sincerest form of

0:36:47.760 --> 0:36:51.160
<v Speaker 1>butt kissing. It's a very big shine for mart New York.

0:36:51.280 --> 0:36:56.399
<v Speaker 1>In the scene Um eating his oretos, and Corey says

0:36:56.480 --> 0:36:58.520
<v Speaker 1>he's the only one of them with vision and he's

0:36:58.560 --> 0:37:01.280
<v Speaker 1>going to be the center fielder for the Piladelphia Phillies,

0:37:01.360 --> 0:37:03.319
<v Speaker 1>and Sean and Larry laugh at him because he's not

0:37:03.360 --> 0:37:06.080
<v Speaker 1>even good in Little League. Corey says they need to

0:37:06.120 --> 0:37:10.680
<v Speaker 1>be men with good jobs, and then Larry and Sean

0:37:10.760 --> 0:37:14.160
<v Speaker 1>agree and then they bark like men a k A.

0:37:14.440 --> 0:37:17.520
<v Speaker 1>Tim Allen, Yeah, I was gonna say it's a complete,

0:37:19.200 --> 0:37:22.440
<v Speaker 1>totally yeah. But we've talked about how there were references there.

0:37:22.440 --> 0:37:25.000
<v Speaker 1>There were there were allusions to the sort of home improvement,

0:37:25.040 --> 0:37:26.920
<v Speaker 1>but it was clearly the number one show in the country,

0:37:27.000 --> 0:37:29.480
<v Speaker 1>so like doing this was sort of like a Beavis

0:37:29.480 --> 0:37:31.880
<v Speaker 1>and butthead reference. It was something familiar that the audience

0:37:31.920 --> 0:37:36.759
<v Speaker 1>would be like, oh yeah, it was definitely just the vibe. Yeah, absolutely,

0:37:36.800 --> 0:37:38.839
<v Speaker 1>he became a thing that you did every Oh no, wait,

0:37:38.920 --> 0:37:43.359
<v Speaker 1>it never happened again. That was the thing I always loved.

0:37:43.640 --> 0:37:46.120
<v Speaker 1>They tried something else, but that came from Tim Allen

0:37:46.200 --> 0:37:48.360
<v Speaker 1>stand up, right, I mean he used to. Actually it

0:37:48.520 --> 0:37:52.360
<v Speaker 1>was like his catchphrase essentially even before the show. Yeah,

0:37:53.680 --> 0:37:55.600
<v Speaker 1>like that kind of yeah, that kind of it was nuts.

0:37:56.360 --> 0:38:00.400
<v Speaker 1>That sounded like like um oh, never mind, moving on. Okay,

0:38:02.000 --> 0:38:05.560
<v Speaker 1>so dying dog. Yes, I let sound it a little

0:38:05.560 --> 0:38:07.680
<v Speaker 1>bit like a dying dog. But also it sounded like

0:38:07.800 --> 0:38:11.279
<v Speaker 1>our Cineo hall like, which that's the dog pound. Well,

0:38:11.280 --> 0:38:12.759
<v Speaker 1>that's the dog pounds, so that's the same kind of

0:38:13.680 --> 0:38:17.719
<v Speaker 1>what wait, can you do it? He does like he

0:38:17.760 --> 0:38:21.120
<v Speaker 1>goes like he does like that kind of barking thing

0:38:22.680 --> 0:38:24.239
<v Speaker 1>kind of I thought what he did was a thing

0:38:24.280 --> 0:38:26.120
<v Speaker 1>that it was like confused man where he was like,

0:38:26.160 --> 0:38:29.200
<v Speaker 1>oh he does that too, but he does this that

0:38:29.239 --> 0:38:31.400
<v Speaker 1>as a man. As a man when he would like

0:38:31.520 --> 0:38:34.439
<v Speaker 1>fix something or do something, he'd go like like, that's

0:38:34.440 --> 0:38:36.759
<v Speaker 1>what they're doing. They're barking at the thing. So yeah,

0:38:36.760 --> 0:38:38.399
<v Speaker 1>I go watch a stand up he does this kind

0:38:38.440 --> 0:38:41.480
<v Speaker 1>of like I fixed the thing or like that kind

0:38:41.480 --> 0:38:46.560
<v Speaker 1>of barky thing. Yeah. Alright, well Google it's worth Google. Okay, Okay,

0:38:46.600 --> 0:38:48.680
<v Speaker 1>you're right, I'm going to spend the next hour just

0:38:48.760 --> 0:38:52.279
<v Speaker 1>googling Tom. To spend an hour googling, you're googling wrong,

0:38:52.360 --> 0:39:00.480
<v Speaker 1>my friend no our watching stand up? Oh god? Um okay.

0:39:00.520 --> 0:39:03.160
<v Speaker 1>So then we are in the living room. Corey is

0:39:03.200 --> 0:39:05.960
<v Speaker 1>doing his school project with his mom and making a

0:39:05.960 --> 0:39:09.920
<v Speaker 1>baseball card. She says that she will be forty four

0:39:10.040 --> 0:39:13.000
<v Speaker 1>years old at his twenty year high school reunion, which

0:39:13.320 --> 0:39:17.800
<v Speaker 1>obviously makes no sense. She's lying about her age. Um.

0:39:17.840 --> 0:39:21.240
<v Speaker 1>Morgan enters with a rainbow colored plastic like bead necklace

0:39:21.440 --> 0:39:25.359
<v Speaker 1>and explains that she traded her mom's gold necklace too

0:39:25.960 --> 0:39:29.680
<v Speaker 1>for that one, and Amy is obviously super concerned and

0:39:29.719 --> 0:39:31.879
<v Speaker 1>she wants to get it back, but Morgan says, nope,

0:39:31.960 --> 0:39:35.520
<v Speaker 1>she said black black, no trades back. So has anybody

0:39:35.560 --> 0:39:38.680
<v Speaker 1>ever heard that before? Never before, never heard that before either.

0:39:39.280 --> 0:39:40.920
<v Speaker 1>I think they just made it up. I think it's

0:39:40.960 --> 0:39:43.600
<v Speaker 1>just a thing like kids would do, you know. Yeah.

0:39:44.280 --> 0:39:47.440
<v Speaker 1>I also tell me why Amy is just cutting up

0:39:47.560 --> 0:39:51.960
<v Speaker 1>random small pieces of paper. I did wonder what kind

0:39:51.960 --> 0:39:54.239
<v Speaker 1>of business man? You gotta have business? I know, but

0:39:54.280 --> 0:39:57.800
<v Speaker 1>at least make your business, keep your hands cut something.

0:39:57.880 --> 0:40:00.799
<v Speaker 1>She's just taking small pieces of pa and cutting them

0:40:00.800 --> 0:40:04.440
<v Speaker 1>into smaller pieces of paper. Was the greatest thing I

0:40:04.480 --> 0:40:11.720
<v Speaker 1>did notice. A sitcom parrot fold laundry, put things away,

0:40:12.120 --> 0:40:16.680
<v Speaker 1>but that ye cut cut cut paper into smaller paper.

0:40:17.960 --> 0:40:21.319
<v Speaker 1>Maybe she was making confetti so that he could, you know,

0:40:21.520 --> 0:40:25.600
<v Speaker 1>he could throw he could throw confetti. Um, So Mrs

0:40:25.640 --> 0:40:31.319
<v Speaker 1>Matthews Amy calls Stephanie's mom and she hears, uh black black,

0:40:31.360 --> 0:40:34.040
<v Speaker 1>no trades back. So even the mom is in on

0:40:34.080 --> 0:40:35.800
<v Speaker 1>this and doesn't want to give back her gold necklace.

0:40:37.320 --> 0:40:40.080
<v Speaker 1>And so then we're back in the classroom and we're

0:40:40.120 --> 0:40:45.040
<v Speaker 1>at the mock reunion and Mincus, in an absolutely adorable suit,

0:40:45.200 --> 0:40:47.960
<v Speaker 1>tells Phoeney that he grew up to buy out Microsoft

0:40:48.040 --> 0:40:50.720
<v Speaker 1>and he married to Pa They just had their third

0:40:50.800 --> 0:40:57.240
<v Speaker 1>child named Rainbow Einstein Mincus. I think that's so cute

0:40:57.840 --> 0:41:02.399
<v Speaker 1>a combination of their of their too personalities. Corey tells

0:41:02.440 --> 0:41:04.640
<v Speaker 1>Sean he can't believe he showed up as a tire salesman.

0:41:04.840 --> 0:41:07.600
<v Speaker 1>Hold on Danielle. When when Lee came back for Girl

0:41:07.640 --> 0:41:10.279
<v Speaker 1>Meets World, was there any reference to him having a

0:41:10.320 --> 0:41:14.440
<v Speaker 1>crush on to Panga? There was? Okay, actually the first

0:41:14.440 --> 0:41:17.600
<v Speaker 1>time you see Lee, um when he walked into the

0:41:17.600 --> 0:41:20.319
<v Speaker 1>classroom because to Pango was there visiting Riley and was

0:41:20.360 --> 0:41:24.000
<v Speaker 1>talking about being a lawyer. And Um, the door, you know,

0:41:24.120 --> 0:41:26.560
<v Speaker 1>flew open and Lee was standing in the doorway and

0:41:26.600 --> 0:41:32.320
<v Speaker 1>he went to Penga, which is a call back to

0:41:32.360 --> 0:41:35.200
<v Speaker 1>an episode we haven't done yet. We haven't seen where

0:41:35.200 --> 0:41:39.160
<v Speaker 1>that kind of started, so we'll see how how that

0:41:39.320 --> 0:41:41.399
<v Speaker 1>like where that originally started. But it was, Yes, there

0:41:41.440 --> 0:41:43.279
<v Speaker 1>was a little bit of the playing off of like

0:41:43.320 --> 0:41:45.880
<v Speaker 1>I think Stewart Mancas makes a little bit of a

0:41:45.920 --> 0:41:48.279
<v Speaker 1>joke about well you you made a mistake not marrying me,

0:41:48.360 --> 0:41:51.240
<v Speaker 1>but it's all in good fun with Corey and whatever.

0:41:51.320 --> 0:41:53.520
<v Speaker 1>So and who played his wife on Girl Meats World?

0:41:53.520 --> 0:41:56.640
<v Speaker 1>Somebody somebody famous played his wife. Yes, so it was

0:41:56.719 --> 0:42:00.600
<v Speaker 1>Kristanna Locan who played Mancus his wife. And I remember

0:42:00.600 --> 0:42:02.840
<v Speaker 1>because I came and visited. Actually, Willie Garson was directing

0:42:02.880 --> 0:42:05.319
<v Speaker 1>an episode of Girl Meets World and she was in it,

0:42:05.360 --> 0:42:07.279
<v Speaker 1>and we reconnected because I hadn't seen her since she

0:42:07.360 --> 0:42:11.719
<v Speaker 1>was in the episode where like Corey and Seawan are

0:42:11.800 --> 0:42:16.040
<v Speaker 1>cheating on her because Corey's doing her and so that's

0:42:16.040 --> 0:42:18.000
<v Speaker 1>like where we have the phone call. Were like listening

0:42:18.000 --> 0:42:19.400
<v Speaker 1>to each other and like we have to meet up

0:42:19.440 --> 0:42:22.839
<v Speaker 1>in the library. It was a very famous, funny episode. Yeah,

0:42:22.880 --> 0:42:24.719
<v Speaker 1>and she can't wait till we get to that too,

0:42:24.760 --> 0:42:26.600
<v Speaker 1>because that's one of those episodes that feels like it's

0:42:26.600 --> 0:42:29.279
<v Speaker 1>in the forgotten, like the totally forgotten years for me,

0:42:29.360 --> 0:42:32.160
<v Speaker 1>where we will watch episodes, I'll be like, wow, this

0:42:32.200 --> 0:42:35.120
<v Speaker 1>is well, it's because it was because Corey and Panka

0:42:35.239 --> 0:42:38.399
<v Speaker 1>broke up, you know, for a couple of episodes here

0:42:38.440 --> 0:42:40.480
<v Speaker 1>and there, and that was one of those episodes where

0:42:40.320 --> 0:42:41.960
<v Speaker 1>you you, you might have been in it, but you

0:42:42.000 --> 0:42:44.920
<v Speaker 1>probably had a small part because you were you know,

0:42:44.960 --> 0:42:46.759
<v Speaker 1>you and Cory were broken up, and that was kind

0:42:46.760 --> 0:42:51.000
<v Speaker 1>ofken up, right, so funny. So yeah, alright, well there

0:42:51.000 --> 0:42:52.960
<v Speaker 1>you go. I can't wait until we get we have

0:42:53.000 --> 0:42:54.680
<v Speaker 1>so you guys were gonna be doing this podcast for

0:42:54.719 --> 0:42:58.200
<v Speaker 1>like fifty years. I thought about that last the other night.

0:42:58.239 --> 0:42:59.440
<v Speaker 1>I was like, all right, so we've been doing this

0:42:59.480 --> 0:43:02.399
<v Speaker 1>for several we are now on episode soh man, we're

0:43:02.400 --> 0:43:06.200
<v Speaker 1>gonna be here forever. Well, by the way, you're also

0:43:06.239 --> 0:43:08.319
<v Speaker 1>wrong at saying we've been doing this for several months.

0:43:08.360 --> 0:43:14.520
<v Speaker 1>We've been doing it for like seven weeks. Oh wow, Okay, yeah, yikes, yeikes. Yes,

0:43:16.200 --> 0:43:20.080
<v Speaker 1>it's gonna be last and we're gonna optical flip to

0:43:21.719 --> 0:43:26.760
<v Speaker 1>six years from now. It's gonna be purposely not listening

0:43:26.760 --> 0:43:28.759
<v Speaker 1>to any of the episodes of the podcast, so we

0:43:28.800 --> 0:43:31.520
<v Speaker 1>can do another podcast where we listen to the podcast

0:43:31.560 --> 0:43:36.560
<v Speaker 1>for the first time ever. Listen. It's like Will has

0:43:36.600 --> 0:43:38.440
<v Speaker 1>never even heard any of these, So we've got to

0:43:38.440 --> 0:43:40.399
<v Speaker 1>do a re listen of the rewind It's gonna be great.

0:43:40.800 --> 0:43:43.520
<v Speaker 1>I love that. Will admits that he doesn't listen to

0:43:43.560 --> 0:43:47.720
<v Speaker 1>any of the podcasts because I painstakingly listen to every

0:43:47.719 --> 0:43:51.800
<v Speaker 1>single second, multiple times, trying to make tiny little cuts

0:43:51.840 --> 0:43:53.960
<v Speaker 1>here and there to make it. You know, I do

0:43:54.120 --> 0:43:59.000
<v Speaker 1>listen to but most most mostishly I love you, Will,

0:43:59.080 --> 0:44:01.560
<v Speaker 1>but I don't believe you listen to that. No. I

0:44:01.600 --> 0:44:03.440
<v Speaker 1>actually listened to and I listened to one last night.

0:44:03.440 --> 0:44:05.080
<v Speaker 1>It was great. It was it was the Ladies of

0:44:05.120 --> 0:44:08.759
<v Speaker 1>the Office, but it was a great podcast. Um, I

0:44:08.840 --> 0:44:14.359
<v Speaker 1>was super excited. So it was, and you sounded great, amazing.

0:44:14.680 --> 0:44:30.719
<v Speaker 1>That OMG is great. Yeah, Okay, So Corey tells Sean

0:44:30.800 --> 0:44:33.280
<v Speaker 1>he cannot believe he showed up as a tire salesman

0:44:33.440 --> 0:44:35.880
<v Speaker 1>and he shows up with a pillow in his in

0:44:36.000 --> 0:44:40.760
<v Speaker 1>his uniform. By the way, your little um salesman onesie

0:44:40.840 --> 0:44:44.279
<v Speaker 1>thing is so cute. I wanted now I want to

0:44:44.320 --> 0:44:46.680
<v Speaker 1>wear it now. Yes, the jump suit it's so great.

0:44:46.719 --> 0:44:49.239
<v Speaker 1>It looked soft and cozy and worn in and I

0:44:49.280 --> 0:44:51.799
<v Speaker 1>absolutely love it, and I did. I was gonna ask

0:44:51.800 --> 0:44:53.160
<v Speaker 1>you if that was a real fat suitor for its

0:44:53.200 --> 0:44:55.919
<v Speaker 1>just a pillow. But you don't really quite remember, no,

0:44:56.000 --> 0:44:58.440
<v Speaker 1>I don't. I just remember saying a line like, oh,

0:44:58.480 --> 0:45:00.719
<v Speaker 1>my dad'st my uncle's fat, I'm to be fat. That

0:45:00.840 --> 0:45:03.400
<v Speaker 1>was like a big joke. But that's so funny you

0:45:03.440 --> 0:45:06.799
<v Speaker 1>said the jumpsuit, because the jumpsuit has become like the

0:45:07.560 --> 0:45:13.400
<v Speaker 1>l A mom uniform, every every mom, like yeah, really,

0:45:13.600 --> 0:45:15.840
<v Speaker 1>oh yeah, oh it's the it's the hottest look in

0:45:16.160 --> 0:45:18.399
<v Speaker 1>l A right now, like for the last like five

0:45:18.480 --> 0:45:21.080
<v Speaker 1>years it's been. It was maybe even longer, like I

0:45:21.080 --> 0:45:23.520
<v Speaker 1>remember when Indie started going to school, it was like

0:45:23.560 --> 0:45:25.600
<v Speaker 1>all the moms would be showing up in those like

0:45:25.840 --> 0:45:29.319
<v Speaker 1>old school jumpsuits because they're super comfortable. But yeah, it's

0:45:29.320 --> 0:45:31.279
<v Speaker 1>become it's become the look. So it's funny that you

0:45:31.280 --> 0:45:33.000
<v Speaker 1>picked up on that, Danielle, and now you gotta get one.

0:45:33.040 --> 0:45:35.680
<v Speaker 1>You gotta get I mean, I would be lying if

0:45:35.680 --> 0:45:37.279
<v Speaker 1>I said I don't have one. I do have one.

0:45:37.640 --> 0:45:39.920
<v Speaker 1>The funny thing about the mom's loving jumpsuits is that

0:45:39.960 --> 0:45:43.279
<v Speaker 1>jumpsuits are actually the most impractical. They make absolutely no sense.

0:45:43.320 --> 0:45:44.759
<v Speaker 1>Every time you need to go to the bathroom, you

0:45:44.800 --> 0:45:47.120
<v Speaker 1>have to take off all your clothes like a kindergartener.

0:45:47.400 --> 0:45:50.759
<v Speaker 1>But it makes no sense. Yeah, well true, But I

0:45:50.760 --> 0:45:54.160
<v Speaker 1>mean now, thankfully women's clothes are starting to be made

0:45:54.200 --> 0:45:57.120
<v Speaker 1>with pockets, which is great. Like even dresses have pockets,

0:45:57.120 --> 0:45:58.920
<v Speaker 1>which is the best. If I find a dress with pockets,

0:45:59.000 --> 0:46:01.799
<v Speaker 1>I'm buying it the same thing, exactly the same thing.

0:46:02.120 --> 0:46:04.440
<v Speaker 1>It's the best. Um. By the way, I don't even

0:46:04.520 --> 0:46:06.200
<v Speaker 1>use them. I don't want to put anything on them,

0:46:06.520 --> 0:46:08.400
<v Speaker 1>my hands. But I like having like a dress with

0:46:08.440 --> 0:46:10.640
<v Speaker 1>pockets I can put my hands in. I mean, occasionally,

0:46:10.640 --> 0:46:12.160
<v Speaker 1>if I'm going for a walk or I'm going somewhere,

0:46:12.200 --> 0:46:13.600
<v Speaker 1>I just want a chap stick in, a credit card

0:46:13.640 --> 0:46:15.440
<v Speaker 1>or something in my in my pocket, I will use them.

0:46:15.480 --> 0:46:16.640
<v Speaker 1>But for the most part, I just want to put

0:46:16.680 --> 0:46:19.840
<v Speaker 1>my hands in up eyes. Um. And so then to

0:46:20.000 --> 0:46:22.680
<v Speaker 1>Panga shows up and she is wearing a toga and

0:46:22.760 --> 0:46:25.040
<v Speaker 1>she is now twenty years later, she is the President

0:46:25.080 --> 0:46:28.000
<v Speaker 1>of the United States. Don't you have to be thirty

0:46:28.000 --> 0:46:31.799
<v Speaker 1>five to be the be a president? So why didn't

0:46:31.800 --> 0:46:35.640
<v Speaker 1>Phoenie say to her sorry, but this doesn't make any sense.

0:46:35.680 --> 0:46:39.360
<v Speaker 1>You're only thirty two in twenty years, you can't be president.

0:46:39.840 --> 0:46:43.360
<v Speaker 1>It really egged me that A didn't think that at all.

0:46:46.120 --> 0:46:49.200
<v Speaker 1>So that's my point is that he nitpicks Corey for

0:46:49.280 --> 0:46:53.920
<v Speaker 1>not thinking through his plan pass and to pas you know,

0:46:54.000 --> 0:46:56.879
<v Speaker 1>coasts right through as being president, when really he would

0:46:57.000 --> 0:46:59.440
<v Speaker 1>he should say like, no, you would be maybe you know,

0:46:59.800 --> 0:47:02.040
<v Speaker 1>you're on your way there, you'd be you're a senator,

0:47:02.120 --> 0:47:04.600
<v Speaker 1>you're you know, you're whatever. Not a single follow up

0:47:04.680 --> 0:47:08.040
<v Speaker 1>question really for for you know, Phenie destroys Corey. But

0:47:08.080 --> 0:47:10.560
<v Speaker 1>to Panga's like, yeah, you'll figure it out. Yeah, and

0:47:10.600 --> 0:47:12.920
<v Speaker 1>he says wow. Well he does say it's ambitious that

0:47:13.040 --> 0:47:15.239
<v Speaker 1>like you, oh, you know, that's that's ambitious of you.

0:47:15.280 --> 0:47:17.320
<v Speaker 1>And she says, well, not many people want the job anymore.

0:47:17.560 --> 0:47:20.600
<v Speaker 1>Now that I've disbanded the military and disbanded and eliminated

0:47:20.680 --> 0:47:23.440
<v Speaker 1>nuclear weapons, the position is not as seductive. And it's

0:47:23.480 --> 0:47:26.400
<v Speaker 1>funny that this is the episode with Jim Abbott because

0:47:27.040 --> 0:47:29.359
<v Speaker 1>I don't remember. I wasn't there when Jim Abbott was there.

0:47:29.360 --> 0:47:32.000
<v Speaker 1>I don't remember the Jim Abbot storyline at all, because

0:47:32.000 --> 0:47:35.040
<v Speaker 1>it wasn't my storyline but I remember this, this toga

0:47:35.239 --> 0:47:41.160
<v Speaker 1>wearing to Panga speech so vividly because truthfully, it went

0:47:41.200 --> 0:47:44.120
<v Speaker 1>it was so over my head at the time, like

0:47:44.280 --> 0:47:46.359
<v Speaker 1>I had no you know, I was twelve. I had

0:47:46.400 --> 0:47:52.840
<v Speaker 1>no adult understanding of politics or none of it. So

0:47:53.000 --> 0:47:55.040
<v Speaker 1>to me, it just felt like a bunch of words

0:47:55.360 --> 0:47:58.759
<v Speaker 1>that someone told me to say, just babble about what

0:47:58.840 --> 0:48:01.520
<v Speaker 1>my my vision was for twenty years from now. And

0:48:01.800 --> 0:48:06.040
<v Speaker 1>yet in in the last decade it has been sent

0:48:06.160 --> 0:48:08.880
<v Speaker 1>to me via social media. It kind of goes viral

0:48:09.200 --> 0:48:12.000
<v Speaker 1>every year when like a new group of people discovers

0:48:12.000 --> 0:48:15.399
<v Speaker 1>that Tapanga said this, and it lands and people are like, man,

0:48:15.520 --> 0:48:17.680
<v Speaker 1>this is awesome. And so I have got to relive

0:48:17.719 --> 0:48:20.400
<v Speaker 1>this moment, you know, many times over the last several years,

0:48:20.600 --> 0:48:22.799
<v Speaker 1>and it is something that was just it stuck out

0:48:22.840 --> 0:48:24.480
<v Speaker 1>to me as being so much fun to do, even

0:48:24.480 --> 0:48:26.040
<v Speaker 1>though it really didn't make much sense to me at

0:48:26.040 --> 0:48:28.239
<v Speaker 1>the time. You know what I remember about this, I

0:48:28.280 --> 0:48:31.359
<v Speaker 1>remember when you said the line about breeding stock, but

0:48:31.360 --> 0:48:33.600
<v Speaker 1>put on the ground for breeding stock. There was such

0:48:34.120 --> 0:48:37.359
<v Speaker 1>a visceral reaction from the audience, Like the audience loved that.

0:48:37.440 --> 0:48:40.319
<v Speaker 1>It was like a clapping, cheering kind of moment. When

0:48:40.320 --> 0:48:43.200
<v Speaker 1>I says that men are kept underground for breeding. Yeah,

0:48:43.280 --> 0:48:46.520
<v Speaker 1>And I as I was watching the episode, I remember thinking,

0:48:47.320 --> 0:48:49.880
<v Speaker 1>just last night, I'm like, that's the scene where you

0:48:49.920 --> 0:48:52.720
<v Speaker 1>were amazing in the first episode in Corpy's Alternative Friends,

0:48:52.760 --> 0:48:54.920
<v Speaker 1>but you weren't yet part of like they didn't know

0:48:54.960 --> 0:48:56.360
<v Speaker 1>what they were going to do with you. And and

0:48:56.400 --> 0:48:59.319
<v Speaker 1>I remember watching last night going if they had a

0:48:59.360 --> 0:49:01.560
<v Speaker 1>moment of I wonder if we should have to pay

0:49:01.640 --> 0:49:05.279
<v Speaker 1>and join the cast that disappeared with this scene in

0:49:05.320 --> 0:49:09.520
<v Speaker 1>my opinion, because it was just it was such such

0:49:09.520 --> 0:49:13.120
<v Speaker 1>a unique character that then you were hitting the jokes.

0:49:13.320 --> 0:49:15.520
<v Speaker 1>It was you were different than anybody else on the show.

0:49:15.600 --> 0:49:17.840
<v Speaker 1>And then to get that reaction from the audience, I

0:49:17.880 --> 0:49:20.239
<v Speaker 1>thought that was the moment where if I'm Michael, are

0:49:20.280 --> 0:49:21.640
<v Speaker 1>one of the producers and I was on the fence,

0:49:21.640 --> 0:49:23.359
<v Speaker 1>I would have been like that, no, she's okay, she's

0:49:23.360 --> 0:49:25.960
<v Speaker 1>got to join us permanently. It just it did. That's

0:49:25.960 --> 0:49:27.600
<v Speaker 1>how it hit me. It was like, it was perfect.

0:49:28.000 --> 0:49:30.279
<v Speaker 1>It's a character. It's a voice of female empowerment to

0:49:30.560 --> 0:49:33.239
<v Speaker 1>write like on a show that has jokes like men

0:49:33.600 --> 0:49:36.640
<v Speaker 1>run run, krunk krun, So it's nice to it's nice

0:49:36.680 --> 0:49:39.560
<v Speaker 1>to offer the alternative and it was a great, great

0:49:39.880 --> 0:49:43.759
<v Speaker 1>balance for the whole show. Yeah, especially again you know,

0:49:43.760 --> 0:49:49.560
<v Speaker 1>opposite Corey, the very stereotypical boy. Um this this Yeah,

0:49:49.640 --> 0:49:52.279
<v Speaker 1>it was. I mean I feel very lucky that I

0:49:52.320 --> 0:49:54.520
<v Speaker 1>got to play the character. Like, especially when I see

0:49:54.640 --> 0:49:57.719
<v Speaker 1>these moments, I think, man, that's so cool. What a

0:49:57.800 --> 0:50:01.200
<v Speaker 1>cool character first for an one to have to get

0:50:01.239 --> 0:50:02.960
<v Speaker 1>to play. And then I'm like, and I got to

0:50:03.000 --> 0:50:07.040
<v Speaker 1>do it about that's yeah, I feel really. I mean,

0:50:07.360 --> 0:50:10.880
<v Speaker 1>when you're talking about sitcom characters, I don't want to

0:50:10.880 --> 0:50:12.759
<v Speaker 1>say like to Pango, but characters that they try to

0:50:12.800 --> 0:50:17.680
<v Speaker 1>make completely different and unique are of the time really annoying.

0:50:18.719 --> 0:50:20.920
<v Speaker 1>Like they try to do something that's so different and

0:50:21.280 --> 0:50:23.759
<v Speaker 1>you're like, wow, that character is just annoying as hell.

0:50:24.200 --> 0:50:26.799
<v Speaker 1>And to Pango was never that. It was It was

0:50:27.040 --> 0:50:29.600
<v Speaker 1>never that kind of like I don't want to Okay,

0:50:29.640 --> 0:50:31.120
<v Speaker 1>can we please cut away from this? This is just

0:50:31.200 --> 0:50:34.160
<v Speaker 1>brutal at this point. It wasn't that at all, which

0:50:34.200 --> 0:50:37.000
<v Speaker 1>is I think kind of not only a testament to you,

0:50:37.040 --> 0:50:40.479
<v Speaker 1>but how she was written, because man, that easily could

0:50:40.480 --> 0:50:43.800
<v Speaker 1>have been the wacky, quirky girl who it's like, yeah,

0:50:43.800 --> 0:50:45.520
<v Speaker 1>that's annoying. Well, you know, A big part of it

0:50:45.560 --> 0:50:47.600
<v Speaker 1>is that she's so confident. You know. We talked about

0:50:47.640 --> 0:50:49.600
<v Speaker 1>this with Mincas a little bit too, But I think

0:50:49.840 --> 0:50:54.000
<v Speaker 1>the character of to Pango being so unfazed by uh

0:50:54.160 --> 0:50:57.600
<v Speaker 1>Corey's criticism of her and everybody else sort of being like,

0:50:57.640 --> 0:51:00.799
<v Speaker 1>you're weird, and she never feels a need to defend it.

0:51:00.880 --> 0:51:04.040
<v Speaker 1>She never feels the need to convince anybody else that

0:51:04.120 --> 0:51:07.360
<v Speaker 1>they should think like her. She just presents and she's confident,

0:51:07.400 --> 0:51:10.680
<v Speaker 1>and she's tough and strong, and it's wonderful. It's it's

0:51:10.719 --> 0:51:12.800
<v Speaker 1>so it's not it's not a quirky character trying to

0:51:12.880 --> 0:51:15.520
<v Speaker 1>change everybody else. It's just a quirky you know. It's

0:51:15.560 --> 0:51:19.800
<v Speaker 1>just a different character being different, And it's it's also Danielle,

0:51:19.840 --> 0:51:21.480
<v Speaker 1>And you have to tell me, Danielle, if if you

0:51:21.560 --> 0:51:23.799
<v Speaker 1>did this as an acting choice, if somebody gave you

0:51:23.840 --> 0:51:25.880
<v Speaker 1>this note, or how it came up, but it was

0:51:26.520 --> 0:51:29.600
<v Speaker 1>whether it was an insult, whether it was I'm going

0:51:29.640 --> 0:51:31.680
<v Speaker 1>to marry you in the future. No matter what was

0:51:31.719 --> 0:51:35.080
<v Speaker 1>said to Topanga, she takes a moment and considers it

0:51:36.280 --> 0:51:39.120
<v Speaker 1>every single time, no matter what it is. It's like, well,

0:51:39.160 --> 0:51:40.960
<v Speaker 1>it's because you're weird and she'd like take a moment

0:51:40.960 --> 0:51:43.200
<v Speaker 1>and go like, well am I Like, there's there's always

0:51:43.280 --> 0:51:46.840
<v Speaker 1>that that beat which made it's so unique. That's actually

0:51:46.840 --> 0:51:48.319
<v Speaker 1>it's funny you say that, because that's what I was

0:51:48.320 --> 0:51:51.759
<v Speaker 1>going to say to writer's point about Tapanga, the thing

0:51:51.800 --> 0:51:56.000
<v Speaker 1>I love most about her is that everything is a

0:51:56.120 --> 0:52:00.800
<v Speaker 1>discussion to her. She doesn't actually feel absolutist about anything.

0:52:01.280 --> 0:52:03.520
<v Speaker 1>She feels like, you know, when Corey says, you're not

0:52:03.560 --> 0:52:06.520
<v Speaker 1>going to shave your legs, she goes, I haven't decided. Again,

0:52:07.280 --> 0:52:10.640
<v Speaker 1>everything is She's measured and she thinks about things and

0:52:10.719 --> 0:52:13.560
<v Speaker 1>nothing is right and nothing is wrong. It's all just

0:52:13.640 --> 0:52:16.279
<v Speaker 1>a matter of what will I decide. And it's the

0:52:16.320 --> 0:52:18.360
<v Speaker 1>same thing when in this episode, Minca says he's going

0:52:18.440 --> 0:52:21.680
<v Speaker 1>to marry her, and she says, wow, that's incredibly flattering,

0:52:21.719 --> 0:52:25.360
<v Speaker 1>but I haven't quite decided that I recognize marriage. Everything

0:52:25.400 --> 0:52:29.400
<v Speaker 1>to her is on the table, nothing's off the table.

0:52:29.440 --> 0:52:32.160
<v Speaker 1>And I love that about her. I love that there's

0:52:32.200 --> 0:52:35.279
<v Speaker 1>there is no insulting her because that's just a perspective

0:52:35.320 --> 0:52:38.360
<v Speaker 1>and and that perspective deserves the same amount of weight

0:52:38.560 --> 0:52:42.160
<v Speaker 1>as this perspective and let's discuss. And I just I

0:52:42.200 --> 0:52:45.480
<v Speaker 1>find that I'll find that endlessly endearing about her. It

0:52:45.560 --> 0:52:48.200
<v Speaker 1>adds a layer to you think of the consideration she

0:52:48.239 --> 0:52:50.360
<v Speaker 1>had to go through before deciding all men needed to

0:52:50.360 --> 0:52:56.799
<v Speaker 1>be put underground for breeding, which which is what I'm

0:52:56.800 --> 0:53:02.000
<v Speaker 1>going to talk about what happened, And this episode is

0:53:02.000 --> 0:53:05.840
<v Speaker 1>about history, so she probably looked over history and decided

0:53:05.880 --> 0:53:09.560
<v Speaker 1>that nuclear weapons men have always been in charge. What

0:53:09.600 --> 0:53:11.759
<v Speaker 1>do we do. We can't completely get rid of them,

0:53:12.360 --> 0:53:16.600
<v Speaker 1>we have to, but we can remove them from judgment making. Yeah,

0:53:15.800 --> 0:53:19.640
<v Speaker 1>I love I just I love it. It's it's very

0:53:19.680 --> 0:53:23.120
<v Speaker 1>well done. Um So, then Larry does come to the

0:53:23.160 --> 0:53:27.040
<v Speaker 1>reunion dressed exactly like Mr Feenie, and Mr Feenie calls

0:53:27.120 --> 0:53:30.640
<v Speaker 1>him over and calls him a poser and uh again

0:53:30.960 --> 0:53:33.680
<v Speaker 1>a little bit of Marty York shine. He says he's gonna,

0:53:33.840 --> 0:53:36.640
<v Speaker 1>you know. Foenie asks him, you know, what's curriculum and

0:53:36.640 --> 0:53:38.200
<v Speaker 1>he says, I can look it up. He says, what's tenure?

0:53:38.239 --> 0:53:40.839
<v Speaker 1>I can look it up? And yeah, he actually does

0:53:40.920 --> 0:53:43.560
<v Speaker 1>feel like, you know, this was a great This was

0:53:43.600 --> 0:53:46.280
<v Speaker 1>the This was an episode where if if another friend

0:53:46.360 --> 0:53:49.439
<v Speaker 1>was going to stick around, this was the episode where

0:53:49.480 --> 0:53:52.520
<v Speaker 1>we would have seen it fully work. Corey also did

0:53:52.600 --> 0:53:55.319
<v Speaker 1>a lot of work on his project. I'd like to

0:53:55.320 --> 0:53:57.440
<v Speaker 1>point that out that he actually legitimately did a lot

0:53:57.480 --> 0:53:59.920
<v Speaker 1>of work on his project. Yes, when Corey comes up

0:53:59.920 --> 0:54:02.160
<v Speaker 1>to the front and he says to Phoenie, Okay, are

0:54:02.160 --> 0:54:05.080
<v Speaker 1>you ready for me, he's all excited and he says

0:54:05.120 --> 0:54:07.680
<v Speaker 1>that he's a legendary baseball player and he has a

0:54:07.719 --> 0:54:10.600
<v Speaker 1>cereal box with his face on it. Um. He also

0:54:10.600 --> 0:54:12.719
<v Speaker 1>says he dropped out of high school in eleventh grade

0:54:12.719 --> 0:54:15.600
<v Speaker 1>because he got a six million dollar per year contract.

0:54:16.080 --> 0:54:19.120
<v Speaker 1>And Phoenie says Corey didn't think his assignment through though,

0:54:19.160 --> 0:54:21.640
<v Speaker 1>because since it's not finance, it's not as financially stable

0:54:21.680 --> 0:54:25.000
<v Speaker 1>as he thinks. He gives Corey an incomplete, which is

0:54:25.040 --> 0:54:31.000
<v Speaker 1>an eye even lower than n F. Like, that's down them,

0:54:32.040 --> 0:54:34.080
<v Speaker 1>that's a good job. I actually wrote that down was

0:54:34.120 --> 0:54:37.360
<v Speaker 1>like that's a good joke. That's a good joke. Um yeah,

0:54:37.400 --> 0:54:39.839
<v Speaker 1>I mean I I like, I do think Corey did

0:54:39.880 --> 0:54:43.560
<v Speaker 1>a lot of work on this h on his presentation.

0:54:44.760 --> 0:54:49.160
<v Speaker 1>But I also really like and appreciate Phoene's argument here

0:54:49.360 --> 0:54:54.120
<v Speaker 1>because it is true that money, when given a ton

0:54:54.200 --> 0:54:56.480
<v Speaker 1>of money, is certainly when you're young. If you don't

0:54:56.560 --> 0:55:00.000
<v Speaker 1>know we've we've seen it with endless celebrities and famous people.

0:55:00.640 --> 0:55:02.960
<v Speaker 1>If you don't know how to handle money, if you

0:55:03.040 --> 0:55:05.319
<v Speaker 1>don't know what to do with money, because nobody ever

0:55:05.360 --> 0:55:07.439
<v Speaker 1>taught you how to use money. And by the way,

0:55:07.680 --> 0:55:10.759
<v Speaker 1>our school doesn't our school system doesn't focus enough on

0:55:10.800 --> 0:55:14.040
<v Speaker 1>how like I graduated high school without anybody in school

0:55:14.080 --> 0:55:19.000
<v Speaker 1>teaching me any of that kind of stuff. You go

0:55:19.080 --> 0:55:20.520
<v Speaker 1>through all of that, and it's just kind of like,

0:55:20.560 --> 0:55:22.840
<v Speaker 1>I guess you're just everyone just assumes your parents are

0:55:22.880 --> 0:55:24.360
<v Speaker 1>going to teach you that. But what if your parents

0:55:24.360 --> 0:55:25.920
<v Speaker 1>don't know how to do that? I mean, I think

0:55:25.960 --> 0:55:28.319
<v Speaker 1>for the baby boomers, there was like a home economics

0:55:28.360 --> 0:55:30.840
<v Speaker 1>course that everybody had to take, but for whatever reason,

0:55:30.880 --> 0:55:33.839
<v Speaker 1>that's just been dropped from the American curriculum. No home

0:55:33.880 --> 0:55:36.600
<v Speaker 1>economics at the time. Home economics then, and when I

0:55:36.640 --> 0:55:38.920
<v Speaker 1>took because I took home Mac too. Homec was sewing

0:55:38.960 --> 0:55:42.600
<v Speaker 1>in cooking. That's what home Mac was. Absolutely we learned

0:55:42.600 --> 0:55:44.520
<v Speaker 1>how to sew, when we learned how to cook, that

0:55:44.560 --> 0:55:47.000
<v Speaker 1>was our home economic The idea of like balancing your

0:55:47.000 --> 0:55:49.360
<v Speaker 1>books and well, wait, let's figure out what our budget

0:55:49.400 --> 0:55:51.000
<v Speaker 1>is for the month, and let's figure out how much

0:55:51.040 --> 0:55:52.759
<v Speaker 1>we're making as opposed to how much is going out?

0:55:52.840 --> 0:55:59.200
<v Speaker 1>None of that was ever addressed anywhere in Connecticut. And

0:55:59.200 --> 0:56:01.759
<v Speaker 1>you guys had a lecture city We did, we did?

0:56:01.960 --> 0:56:07.200
<v Speaker 1>We did you know a writer? Seriously, if Trin did

0:56:07.200 --> 0:56:09.000
<v Speaker 1>any come up with the idea for this podcast, we

0:56:09.000 --> 0:56:10.960
<v Speaker 1>would never have had the opportunity for you to make

0:56:11.000 --> 0:56:15.960
<v Speaker 1>fun of me for this stuff. Oh my gosh, what

0:56:16.080 --> 0:56:18.719
<v Speaker 1>we had to learn to sew and cook on the prairie. Right,

0:56:18.760 --> 0:56:25.680
<v Speaker 1>of course, after butter after we turned bank, we turned

0:56:25.719 --> 0:56:27.480
<v Speaker 1>a butt her, and then we went to our to

0:56:27.280 --> 0:56:29.400
<v Speaker 1>to take a bank out. And that's the way it was.

0:56:29.760 --> 0:56:40.280
<v Speaker 1>That's how we did us in Connecticut, sir. Sorry fellow nutmakers, Sorry,

0:56:40.280 --> 0:56:47.719
<v Speaker 1>fellow nutmakers. So funny. We are back in in Corey's room. Okay, wait,

0:56:47.880 --> 0:56:51.960
<v Speaker 1>I'm stopping right there. I purposely have not said anything

0:56:51.960 --> 0:56:53.560
<v Speaker 1>because I was waiting for one of you to bring

0:56:53.600 --> 0:56:57.160
<v Speaker 1>it up. Is nobody going to mention the twelve year

0:56:57.160 --> 0:56:59.680
<v Speaker 1>old girl in the classroom who obviously wanted to be

0:56:59.680 --> 0:57:02.839
<v Speaker 1>the show A girl who's in the background dress an

0:57:03.000 --> 0:57:07.719
<v Speaker 1>entire full pink show girl outfit. I didn't. No one

0:57:07.880 --> 0:57:12.000
<v Speaker 1>is going to mention this, but me really didn't full

0:57:12.680 --> 0:57:18.520
<v Speaker 1>Vegas show girls outfit with the head shoe and burlesque

0:57:18.680 --> 0:57:24.000
<v Speaker 1>it literally and I'm gonna make bank. Dude. I am

0:57:24.080 --> 0:57:26.560
<v Speaker 1>watching with my wife, and Sue's going, what the hell

0:57:26.640 --> 0:57:29.320
<v Speaker 1>is that? What the hell? Like? She wants to be

0:57:29.360 --> 0:57:33.800
<v Speaker 1>a burlesque dancer? What they're in a hot I didn't notice,

0:57:34.840 --> 0:57:36.360
<v Speaker 1>and I was like, I'm gonna keep my mouth because

0:57:36.400 --> 0:57:37.960
<v Speaker 1>I know one of them's gonna bring it up. Somebody's

0:57:37.960 --> 0:57:39.400
<v Speaker 1>gonna bring it up. They have to bring it up.

0:57:39.600 --> 0:57:44.880
<v Speaker 1>A full burlesque dancer outfit is in the classroom. Do

0:57:44.920 --> 0:57:46.960
<v Speaker 1>you think the choice for that was just because they

0:57:47.000 --> 0:57:52.920
<v Speaker 1>wanted like a bright, pretty I wonder if they just

0:57:53.560 --> 0:57:57.680
<v Speaker 1>because I believe background actors have to provide their own wardrobe,

0:57:57.960 --> 0:58:01.800
<v Speaker 1>so I wouldn't be surprised if they said, bring Halloween

0:58:01.880 --> 0:58:04.440
<v Speaker 1>costume or bring a costume that could be a job,

0:58:04.480 --> 0:58:06.280
<v Speaker 1>and they just sort of, you know, maybe because there's

0:58:06.280 --> 0:58:09.080
<v Speaker 1>a there's one one extra she's dressed like a doctor,

0:58:09.480 --> 0:58:11.440
<v Speaker 1>one of them, you know, there's Marty dressed like and

0:58:11.440 --> 0:58:14.280
<v Speaker 1>then you're you're all milling in the background, including Ben like.

0:58:14.520 --> 0:58:17.480
<v Speaker 1>This is one of the few scenes where Mr Feeney

0:58:17.560 --> 0:58:20.919
<v Speaker 1>takes time with other students it's one of the few times,

0:58:20.960 --> 0:58:22.680
<v Speaker 1>so he takes time. It takes time with Marty, he

0:58:22.720 --> 0:58:24.600
<v Speaker 1>takes time with Topango, which again it's only like her

0:58:24.640 --> 0:58:26.200
<v Speaker 1>second or third episode, so it's not like she's a

0:58:26.240 --> 0:58:28.600
<v Speaker 1>regular on the show yet. And then Corey comes up

0:58:28.600 --> 0:58:30.720
<v Speaker 1>and in the background, you're all they're kind of milling

0:58:30.720 --> 0:58:33.200
<v Speaker 1>in this group, and in the group it looks like

0:58:33.240 --> 0:58:36.160
<v Speaker 1>the village people are behind you. It's it's like there's

0:58:36.160 --> 0:58:40.160
<v Speaker 1>a cop, there's the burlesque dancer, there's you know, the doctor,

0:58:40.480 --> 0:58:42.480
<v Speaker 1>and talking about the fact that you have to you

0:58:42.560 --> 0:58:45.120
<v Speaker 1>can't talk obviously, so we have to sit there and

0:58:45.160 --> 0:58:49.479
<v Speaker 1>be mouthing to each other dialogue. Yeah, but I'm sorry.

0:58:49.520 --> 0:58:50.800
<v Speaker 1>I just had to bring that up. I can't believe

0:58:50.800 --> 0:58:52.880
<v Speaker 1>nobody mentioned very funny. I did not notice. I want

0:58:52.880 --> 0:58:55.600
<v Speaker 1>to go back and watch it again. Now, um that's

0:58:55.640 --> 0:58:57.520
<v Speaker 1>all you'll see the next thing now that when you

0:58:57.520 --> 0:59:00.280
<v Speaker 1>watch this, by the way, this funny. By the way, writer,

0:59:00.400 --> 0:59:03.440
<v Speaker 1>I know that typically background actors have to bring their

0:59:03.440 --> 0:59:05.560
<v Speaker 1>own wardrobe, but I think when they require them to

0:59:05.600 --> 0:59:07.960
<v Speaker 1>have something like this, like something kind of over the top,

0:59:08.080 --> 0:59:12.160
<v Speaker 1>those are provided. Like I doubt that show Girl costume

0:59:12.320 --> 0:59:14.560
<v Speaker 1>was hers. I bet it was something they just put.

0:59:14.560 --> 0:59:16.920
<v Speaker 1>They just picked somebody and put went to the follow

0:59:17.120 --> 0:59:21.040
<v Speaker 1>store and bought ten outfits. Are like work, exactly, throw

0:59:21.120 --> 0:59:25.320
<v Speaker 1>this on twelve year old, we need sexy nurse outfit? Like,

0:59:25.400 --> 0:59:30.960
<v Speaker 1>come on, it's just weird catwoman in the background. Yeah, exactly,

0:59:31.040 --> 0:59:32.280
<v Speaker 1>like what do you? What do you want to be?

0:59:32.880 --> 0:59:36.200
<v Speaker 1>And so we're in Corey's room and Corey takes down

0:59:36.240 --> 0:59:39.800
<v Speaker 1>his Jim Abbott poster. Eric says his future is a

0:59:39.880 --> 0:59:42.360
<v Speaker 1>sports car and there's going to be cheerleaders in it,

0:59:42.720 --> 0:59:45.560
<v Speaker 1>but Corey buzz kills him with his economic facts and

0:59:45.640 --> 0:59:49.200
<v Speaker 1>calls him a poser. And is this the scene where

0:59:49.200 --> 0:59:53.080
<v Speaker 1>then Alan walks in and will you felt forgotten? Forgotten, forgotten?

0:59:53.120 --> 0:59:54.840
<v Speaker 1>It's like he walks in, he like, the only thing

0:59:54.840 --> 0:59:58.880
<v Speaker 1>he doesn't do is spit in my face and walk by.

0:59:59.120 --> 1:00:00.760
<v Speaker 1>Before we get to that, Before we get to that,

1:00:00.880 --> 1:00:03.840
<v Speaker 1>we talk about Will's pose. Oh, because I think I

1:00:03.880 --> 1:00:06.080
<v Speaker 1>think this is one of those moments where it's probably

1:00:06.120 --> 1:00:08.360
<v Speaker 1>after we already did the episode where you threw the

1:00:08.360 --> 1:00:14.120
<v Speaker 1>bag and made the sound yeah, and that you ended

1:00:14.200 --> 1:00:16.520
<v Speaker 1>up making a very similar sound. I was like, that's

1:00:16.600 --> 1:00:19.800
<v Speaker 1>where you know the script he strikes a pose and

1:00:19.920 --> 1:00:23.880
<v Speaker 1>you added the which probably the joke because otherwise it's

1:00:23.920 --> 1:00:27.000
<v Speaker 1>just a weird pose, but you like, punctuated with that sound,

1:00:27.040 --> 1:00:30.440
<v Speaker 1>it's like a great Wilford LL acting rank like, oh,

1:00:30.480 --> 1:00:33.120
<v Speaker 1>this makes that funny, because otherwise it's like it's okay,

1:00:33.200 --> 1:00:35.280
<v Speaker 1>but well, it's also in a way making fun of

1:00:35.320 --> 1:00:38.400
<v Speaker 1>my oldest brother Gary, who was an amateur bodybuilder and

1:00:38.400 --> 1:00:41.760
<v Speaker 1>would actually go and like in those little speedos beyond stage,

1:00:41.840 --> 1:00:46.400
<v Speaker 1>making those poses like Arnold Chartzenegger. So yes, uh crazy,

1:00:46.520 --> 1:00:48.360
<v Speaker 1>I also thought. And then when I watched it again,

1:00:48.400 --> 1:00:50.360
<v Speaker 1>I saw, I thought, I saw I was wrong, But

1:00:50.600 --> 1:00:52.200
<v Speaker 1>lying on the bed, the way I was lying on

1:00:52.200 --> 1:00:55.960
<v Speaker 1>the bed and reading the magazine is exactly the same

1:00:56.000 --> 1:00:58.720
<v Speaker 1>place and what I'm doing in the opening title credit,

1:00:58.760 --> 1:01:00.160
<v Speaker 1>So I was like, oh, did we do the same thing?

1:01:00.160 --> 1:01:02.400
<v Speaker 1>But it's a different shirt, So that I was like, okay.

1:01:02.440 --> 1:01:04.080
<v Speaker 1>I thought maybe they had pulled it from that or

1:01:04.120 --> 1:01:06.040
<v Speaker 1>we did it on the same day, but obviously wasn't.

1:01:06.040 --> 1:01:07.400
<v Speaker 1>But it's like, oh, let's put him on the bed

1:01:07.440 --> 1:01:10.520
<v Speaker 1>and do that stuff. And then again the Phillies fan,

1:01:10.600 --> 1:01:13.200
<v Speaker 1>the die hard Phillies fan having a Yankee poster on

1:01:13.280 --> 1:01:16.600
<v Speaker 1>his wall, not a chance, but but he was. He

1:01:17.280 --> 1:01:20.400
<v Speaker 1>loved Jim Abbott, not he was just a like my

1:01:20.480 --> 1:01:23.360
<v Speaker 1>husband actually is very much a He's a die hard

1:01:23.360 --> 1:01:26.200
<v Speaker 1>Clippers fan NBA. He loves the NBA, but he loves

1:01:26.960 --> 1:01:30.720
<v Speaker 1>lots of teams because he likes individual players, or he

1:01:30.800 --> 1:01:33.600
<v Speaker 1>likes the story like I like Tom Brady. I hate

1:01:33.600 --> 1:01:35.480
<v Speaker 1>to say that, I'm but I'm I was. I was

1:01:35.800 --> 1:01:38.600
<v Speaker 1>a Patriots fan, so I'm a Brady fan. So I

1:01:38.680 --> 1:01:41.160
<v Speaker 1>get that. But it's uh, it was obviously who And

1:01:41.200 --> 1:01:43.200
<v Speaker 1>I'm curious. This is what I'd like to know about

1:01:43.240 --> 1:01:47.200
<v Speaker 1>with the writers. Was this written for Jim Abbott, like

1:01:47.240 --> 1:01:49.280
<v Speaker 1>when like when they were pitching, the story was like,

1:01:49.320 --> 1:01:51.160
<v Speaker 1>and we're going to get Jim Abbitt because of everything

1:01:51.160 --> 1:01:53.480
<v Speaker 1>he went through in the perseverance that he had. Or

1:01:53.640 --> 1:01:55.760
<v Speaker 1>was it like we're going to get a baseball player,

1:01:55.960 --> 1:01:57.920
<v Speaker 1>let's see who we can get. I bet it was

1:01:57.960 --> 1:02:00.360
<v Speaker 1>written for Jim Abbot. I think so too. I think

1:02:00.400 --> 1:02:04.920
<v Speaker 1>so too. I'm hoping. I think they knew he was inspirational, motivational,

1:02:05.040 --> 1:02:08.280
<v Speaker 1>he was obviously, you know, extremely hot at the time,

1:02:08.560 --> 1:02:11.280
<v Speaker 1>and he they knew his history, he had, you know, college,

1:02:11.320 --> 1:02:13.440
<v Speaker 1>and I think it I think it's perfectly worked out.

1:02:13.440 --> 1:02:16.280
<v Speaker 1>I think I think a lot of our writers were

1:02:16.320 --> 1:02:19.160
<v Speaker 1>from New York, right from the New York area, so

1:02:19.200 --> 1:02:21.760
<v Speaker 1>I wouldn't be surprised if they were Yankees fans. And

1:02:22.040 --> 1:02:24.439
<v Speaker 1>I think Michael's Michael was a Yankees fan. I think, yeah,

1:02:24.520 --> 1:02:36.360
<v Speaker 1>I think I have no idea. So Corey is being

1:02:36.400 --> 1:02:39.560
<v Speaker 1>a big bummer. Alan enters and says, you know, are

1:02:39.560 --> 1:02:42.680
<v Speaker 1>you guys ready for dinner? And he does, say, hey guys,

1:02:42.720 --> 1:02:45.880
<v Speaker 1>are you ready for dinner? And Will says no, but

1:02:45.960 --> 1:02:48.640
<v Speaker 1>I'll do anything to get away from this bummer, Captain

1:02:48.720 --> 1:02:51.560
<v Speaker 1>bummer face or whatever I said, Captain Bummer. And you

1:02:51.600 --> 1:02:54.760
<v Speaker 1>walk out, and then Alan and Corey have a dream.

1:02:54.880 --> 1:02:58.120
<v Speaker 1>I have a dream. I don't know what. It's a

1:02:58.240 --> 1:03:03.160
<v Speaker 1>dream written down there, dream things. We enjoy a dream sequence.

1:03:03.440 --> 1:03:06.960
<v Speaker 1>They're dancing on the movie Upset Down. It was just

1:03:07.000 --> 1:03:10.080
<v Speaker 1>so weird. I think we should recycling. We should just

1:03:10.120 --> 1:03:15.200
<v Speaker 1>do an episode work. Danielle just starts recapping like complete nonsense,

1:03:15.360 --> 1:03:17.640
<v Speaker 1>and we just have to play along like we should do.

1:03:18.520 --> 1:03:21.640
<v Speaker 1>For you just say and now the penguin Watson and

1:03:21.760 --> 1:03:29.920
<v Speaker 1>starts talking. Just remember about the penguins just trashed the

1:03:30.000 --> 1:03:34.320
<v Speaker 1>dressing room. You could write a real dreaming problem that

1:03:36.200 --> 1:03:37.840
<v Speaker 1>Amy's is she was she right? Do you think they

1:03:37.880 --> 1:03:41.720
<v Speaker 1>wrote it for the giraffe? Or but it's really weird.

1:03:42.960 --> 1:03:45.160
<v Speaker 1>I'll never get the smell of sardines out of my name.

1:03:45.560 --> 1:03:48.200
<v Speaker 1>This would be great. It would actually be a great

1:03:48.240 --> 1:03:52.400
<v Speaker 1>improv podcast where's just people recapping the show that never existed,

1:03:52.520 --> 1:03:54.520
<v Speaker 1>and we have to go along with it. Pretty We

1:03:54.560 --> 1:03:56.480
<v Speaker 1>just have to keep telling memories for a show that

1:03:56.560 --> 1:04:00.080
<v Speaker 1>never existed. If there's one thing doing this podcast has

1:04:00.080 --> 1:04:02.240
<v Speaker 1>made me realize is that I want to do so

1:04:02.280 --> 1:04:09.120
<v Speaker 1>many more podcasts. I want to just keep doing. If

1:04:09.120 --> 1:04:14.280
<v Speaker 1>you want to start podcast I just you know what,

1:04:14.360 --> 1:04:18.600
<v Speaker 1>I have too much time on. There's nothing I want

1:04:18.600 --> 1:04:24.880
<v Speaker 1>to be doing with COVID right now. Let's do more

1:04:24.920 --> 1:04:27.280
<v Speaker 1>of it. We've got one three more hours today. We

1:04:27.320 --> 1:04:36.160
<v Speaker 1>can do podcasts. Oh my gosh, okay, there, I do

1:04:36.240 --> 1:04:38.680
<v Speaker 1>want to talk about what What is the poster you

1:04:38.720 --> 1:04:42.120
<v Speaker 1>have above your bed? There is a Pam Anderson esque

1:04:42.240 --> 1:04:47.480
<v Speaker 1>looking Baywatchee lifeguard poster above Eric's bed, and I thought

1:04:47.560 --> 1:04:50.120
<v Speaker 1>for sure you would remember who. I couldn't tell if

1:04:50.120 --> 1:04:52.800
<v Speaker 1>it was family Anderson. Okay, there there is one. We

1:04:52.880 --> 1:04:54.880
<v Speaker 1>paused it to write a note about something, and then

1:04:54.920 --> 1:04:56.880
<v Speaker 1>I was like, so maybe you know if you don't pause.

1:04:56.960 --> 1:04:58.400
<v Speaker 1>I happened to pause right on the shot, and I

1:04:58.400 --> 1:04:59.840
<v Speaker 1>was like, what is that? What is that poster? I

1:04:59.840 --> 1:05:03.120
<v Speaker 1>thought the random poster over the bed, but missed the

1:05:03.320 --> 1:05:07.400
<v Speaker 1>show girl in bright paints in the center of the scene.

1:05:07.440 --> 1:05:10.840
<v Speaker 1>I love that the things my listen. If I'm in

1:05:10.880 --> 1:05:13.920
<v Speaker 1>the scene, you better believe my eyes are only on

1:05:14.160 --> 1:05:16.240
<v Speaker 1>one thing, even if it's the back of my head.

1:05:16.400 --> 1:05:19.160
<v Speaker 1>I am looking at him. You can tell you're like,

1:05:19.200 --> 1:05:21.600
<v Speaker 1>the crimping started an eighth of an inch down, you'll

1:05:21.600 --> 1:05:23.760
<v Speaker 1>notice exactly. I'm like, if you notice on the right

1:05:23.960 --> 1:05:27.720
<v Speaker 1>lower half of my head. But there was a bear

1:05:27.760 --> 1:05:34.800
<v Speaker 1>in scene exactly. Okay. So Corey asks his dad if

1:05:34.840 --> 1:05:36.880
<v Speaker 1>someone ever told him he couldn't be the manager of

1:05:36.880 --> 1:05:40.720
<v Speaker 1>a supermarket, and Alan says, well, that actually wasn't his dream.

1:05:40.920 --> 1:05:44.520
<v Speaker 1>But as you get older, your dreams change, and his

1:05:44.600 --> 1:05:46.919
<v Speaker 1>actual dream was that he wanted to build bridges, and

1:05:47.080 --> 1:05:49.120
<v Speaker 1>he gave that dream up as his dream of a

1:05:49.160 --> 1:05:52.280
<v Speaker 1>family came true. And Rusty tells Corey that now his

1:05:52.360 --> 1:05:54.320
<v Speaker 1>new dream is to be the father of a Phillies

1:05:54.360 --> 1:05:59.720
<v Speaker 1>center fielder. And this moment kind of made me to

1:05:59.760 --> 1:06:03.320
<v Speaker 1>your up, Wow, not that long ago, Jensen said, he said,

1:06:03.320 --> 1:06:06.080
<v Speaker 1>it's it's just crazy now that I have two kids,

1:06:06.480 --> 1:06:09.560
<v Speaker 1>how much I think about my like my the things

1:06:09.680 --> 1:06:12.720
<v Speaker 1>I want for myself are not even self centered anymore.

1:06:12.760 --> 1:06:15.240
<v Speaker 1>They're not even things that I want. They're all about

1:06:15.840 --> 1:06:19.080
<v Speaker 1>trying to make my kids dreams. Like, whatever those dreams are,

1:06:19.200 --> 1:06:22.840
<v Speaker 1>I want to help make those come true. And hearing

1:06:22.920 --> 1:06:25.680
<v Speaker 1>him say that that, like his dream now is to

1:06:25.800 --> 1:06:28.600
<v Speaker 1>become the father, it just it made me. It made

1:06:28.600 --> 1:06:30.360
<v Speaker 1>me tear up again. It's one of those things that

1:06:30.720 --> 1:06:33.560
<v Speaker 1>would have, I guarantee you was less than a thought

1:06:33.760 --> 1:06:35.680
<v Speaker 1>in my head at the time that we were taping

1:06:35.720 --> 1:06:38.160
<v Speaker 1>the show, but now stands out to me as so

1:06:38.240 --> 1:06:41.800
<v Speaker 1>important to this episode, um and just overall to the

1:06:41.800 --> 1:06:44.520
<v Speaker 1>theme of the show. It's it's just yeah, it made

1:06:44.560 --> 1:06:47.000
<v Speaker 1>me feel emotional. Yeah, well, I mean, I just love

1:06:47.120 --> 1:06:50.480
<v Speaker 1>that the end of the scene, and this is one

1:06:50.480 --> 1:06:52.959
<v Speaker 1>of the first times that this has happened in this show,

1:06:53.000 --> 1:06:55.880
<v Speaker 1>because you know, usually the end of a scene leaves

1:06:55.960 --> 1:06:58.680
<v Speaker 1>Corey and conflict right at the point of the scene

1:06:58.760 --> 1:07:00.640
<v Speaker 1>is like, now, what is core are you going to do?

1:07:00.800 --> 1:07:03.080
<v Speaker 1>And the end of this scene is Rusty and conflict.

1:07:03.200 --> 1:07:06.880
<v Speaker 1>When Rusty hearing what Ben said and considering it and

1:07:07.000 --> 1:07:09.120
<v Speaker 1>he we know that he's going to have to take

1:07:09.160 --> 1:07:12.240
<v Speaker 1>the action, and that is like a shift in perspective

1:07:12.600 --> 1:07:15.080
<v Speaker 1>for the show that I thought was really effective and nice.

1:07:15.120 --> 1:07:17.640
<v Speaker 1>I was like, Oh, I'm suddenly really curious what is

1:07:17.960 --> 1:07:20.640
<v Speaker 1>how does you know Alan Matthews feel about this and

1:07:20.680 --> 1:07:22.360
<v Speaker 1>what is he going to do about it? And that

1:07:22.560 --> 1:07:24.520
<v Speaker 1>was cool. I mean it goes back to what we

1:07:24.560 --> 1:07:27.360
<v Speaker 1>talked about when the This is really the third episode

1:07:27.360 --> 1:07:32.600
<v Speaker 1>now where there's been a conflict between Phoenie and Matthews,

1:07:33.000 --> 1:07:36.480
<v Speaker 1>which is and that's great. Yeah, it's super I love it.

1:07:36.480 --> 1:07:40.040
<v Speaker 1>It's a very fruitful territory to to get, you know,

1:07:40.240 --> 1:07:43.200
<v Speaker 1>theme and character out of. It's wonderful. It also but

1:07:43.240 --> 1:07:47.360
<v Speaker 1>it also shows the benefits and the necessity of a

1:07:47.440 --> 1:07:51.400
<v Speaker 1>fully well rounded education and that doesn't necessarily just mean

1:07:51.440 --> 1:07:54.080
<v Speaker 1>the teacher in your school. It also doesn't just mean

1:07:54.120 --> 1:07:56.880
<v Speaker 1>your parents. It means you you're taught from a number

1:07:56.960 --> 1:08:00.200
<v Speaker 1>of different sources. And there that's we love that. Where

1:08:00.200 --> 1:08:02.160
<v Speaker 1>it's it is it's Alan kind of going like I

1:08:02.240 --> 1:08:04.200
<v Speaker 1>think he even said, I don't care what Phenie says,

1:08:04.200 --> 1:08:06.680
<v Speaker 1>you can do whatever you want, where he's like just

1:08:06.720 --> 1:08:09.439
<v Speaker 1>gonna openly contradict like no, no, no, he does. He's

1:08:09.520 --> 1:08:12.000
<v Speaker 1>he's not you know, he's your teacher. He's not omniscient.

1:08:12.520 --> 1:08:15.720
<v Speaker 1>So it's like, you know, he's not right in this situation. Um,

1:08:15.760 --> 1:08:18.080
<v Speaker 1>And these these are some of my favorite scenes, I think,

1:08:18.080 --> 1:08:19.920
<v Speaker 1>the Alan and Corey scenes. And these are scenes I

1:08:19.920 --> 1:08:23.360
<v Speaker 1>didn't remember as much as I remembered the Corey Phoene scenes.

1:08:23.960 --> 1:08:26.599
<v Speaker 1>So when I see these Alan Corey scenes, these are

1:08:26.800 --> 1:08:29.439
<v Speaker 1>incredible scenes between the two of them. They're great, and

1:08:29.479 --> 1:08:30.840
<v Speaker 1>there are there are a lot of them. I mean

1:08:30.840 --> 1:08:34.360
<v Speaker 1>there are more than I remember too, and they're awesome. Yeah. Yeah, Well,

1:08:34.439 --> 1:08:36.519
<v Speaker 1>Corey ends the scene on a bit of a bummer note.

1:08:36.560 --> 1:08:39.160
<v Speaker 1>He says, Dad, it's time to forget about my baseball dreams.

1:08:39.240 --> 1:08:40.960
<v Speaker 1>You have to wake up and face the facts. And

1:08:41.000 --> 1:08:43.320
<v Speaker 1>he walks out, and like writer said, we then see

1:08:43.800 --> 1:08:46.840
<v Speaker 1>Alan in conflict what is he going to do? And

1:08:46.880 --> 1:08:50.439
<v Speaker 1>then we are downstairs in the living room. Now, I'd

1:08:50.479 --> 1:08:52.160
<v Speaker 1>like to go back to the beginning of the episode

1:08:52.200 --> 1:08:56.439
<v Speaker 1>to discuss just really briefly. I knew Stephanie, the friend

1:08:56.479 --> 1:08:58.599
<v Speaker 1>who was having the birthday party, that she was having

1:08:58.640 --> 1:09:01.960
<v Speaker 1>a real boy orring birthday party based on what Lily

1:09:02.080 --> 1:09:04.840
<v Speaker 1>was wearing to the birthday party. She was in that like,

1:09:05.600 --> 1:09:07.400
<v Speaker 1>I guess she could have been having a fancy tea

1:09:07.479 --> 1:09:09.640
<v Speaker 1>party like that. Maybe that was for the party, but

1:09:09.640 --> 1:09:12.080
<v Speaker 1>the way she was dressed, I was like, what five

1:09:12.160 --> 1:09:14.800
<v Speaker 1>year old kid is having a party where people want

1:09:14.800 --> 1:09:17.280
<v Speaker 1>to wear tights and fancy shoes and a big puffy

1:09:17.400 --> 1:09:20.639
<v Speaker 1>dress and the gold necklace. And then it all made

1:09:20.680 --> 1:09:24.520
<v Speaker 1>sense when the front door opened and here is Stephanie

1:09:24.560 --> 1:09:28.920
<v Speaker 1>and her mom Jane, and they are dressed. Look what

1:09:29.040 --> 1:09:31.040
<v Speaker 1>is this. This is like the middle of the day

1:09:31.160 --> 1:09:38.240
<v Speaker 1>and they are so fancy pants. Yeah, they're also so

1:09:38.320 --> 1:09:41.559
<v Speaker 1>here's the here's the problem I had with this. This

1:09:41.680 --> 1:09:46.519
<v Speaker 1>is now the second time a an adult female character

1:09:46.680 --> 1:09:51.400
<v Speaker 1>has shown up on the show, and they're awful. Was

1:09:51.439 --> 1:09:58.000
<v Speaker 1>the mensa, Yeah, they're terrible people. Yes, Well, I think

1:09:58.000 --> 1:10:00.040
<v Speaker 1>the point is going back to what we talked to

1:10:00.120 --> 1:10:04.760
<v Speaker 1>vote a MENSA episode, positioning the Matthews as working class,

1:10:04.800 --> 1:10:08.040
<v Speaker 1>you know, as sort of more real and against the

1:10:08.080 --> 1:10:13.080
<v Speaker 1>snobbery of you know, the rich elitists, coastal elitists. Call

1:10:13.080 --> 1:10:14.960
<v Speaker 1>it what you want, but I think it was you know,

1:10:15.000 --> 1:10:18.240
<v Speaker 1>it's always important for television shows too, for the family

1:10:18.280 --> 1:10:21.720
<v Speaker 1>on a television show to be um identifiable, you know,

1:10:22.080 --> 1:10:24.920
<v Speaker 1>And I think a kind of easy way to make

1:10:24.960 --> 1:10:28.040
<v Speaker 1>a family identifiable is to bring in the alternative, right,

1:10:28.080 --> 1:10:32.160
<v Speaker 1>like bring in somebody who's patently awful, a terrible family.

1:10:32.560 --> 1:10:36.240
<v Speaker 1>And I think, you know, showing somebody who's rich and

1:10:36.320 --> 1:10:39.880
<v Speaker 1>snobby is just a really easy way to do it.

1:10:40.320 --> 1:10:42.920
<v Speaker 1>You know, this this didn't It never felt real, right,

1:10:42.960 --> 1:10:45.479
<v Speaker 1>Like it didn't feel like the person could ever exist.

1:10:45.520 --> 1:10:47.320
<v Speaker 1>And I think that's for me, the problem with the

1:10:47.360 --> 1:10:49.519
<v Speaker 1>scene not you know, I think there there there might

1:10:49.560 --> 1:10:51.200
<v Speaker 1>have been a way to make it a little more subtle,

1:10:51.280 --> 1:10:54.080
<v Speaker 1>a little more because the once they walk in, you

1:10:54.120 --> 1:10:57.120
<v Speaker 1>know what's gonna happen. We're just gonna play out this joke. Um,

1:10:57.479 --> 1:10:59.240
<v Speaker 1>And yeah, I had the same thought. I was like

1:10:59.280 --> 1:11:01.280
<v Speaker 1>with the Mensa act, I kind of got it because

1:11:01.280 --> 1:11:04.040
<v Speaker 1>it's like the snobbery comes from this, Like but this

1:11:04.080 --> 1:11:06.200
<v Speaker 1>is like a family that they're friends with, where these

1:11:06.200 --> 1:11:08.120
<v Speaker 1>people have so much money, and you know that she

1:11:08.160 --> 1:11:10.599
<v Speaker 1>makes a reference to I don't have to work and yeah,

1:11:11.000 --> 1:11:14.800
<v Speaker 1>practically has an English accent exactly. It's not going to

1:11:14.920 --> 1:11:18.000
<v Speaker 1>get back the necklace when you've got I mean, it's like, oh,

1:11:18.160 --> 1:11:21.320
<v Speaker 1>it was so cartoony and ridiculous, and it was like, oh,

1:11:21.320 --> 1:11:23.719
<v Speaker 1>so every time they're going to bring on an actress

1:11:23.800 --> 1:11:25.920
<v Speaker 1>who's over the age of twelve, they're going to make

1:11:25.920 --> 1:11:28.920
<v Speaker 1>her awful. Like it was like, you know, I think

1:11:28.920 --> 1:11:31.320
<v Speaker 1>it's it's yeah, I think it's all about just showing

1:11:31.320 --> 1:11:33.599
<v Speaker 1>how cool Amy is. You know. It was just like

1:11:33.760 --> 1:11:36.160
<v Speaker 1>making Amy and the Matthew is a cool family that

1:11:36.200 --> 1:11:40.000
<v Speaker 1>you identify with. Was this whole scene to me though,

1:11:40.080 --> 1:11:45.479
<v Speaker 1>was just so sitcomy, cartoony, over the top, terrible kind

1:11:45.479 --> 1:11:48.160
<v Speaker 1>of it was a bad scene. So Jane, the mom says,

1:11:48.479 --> 1:11:51.080
<v Speaker 1>you know, listen, I can't give you back the necklace,

1:11:51.160 --> 1:11:53.400
<v Speaker 1>not because of the value of the necklace, but because

1:11:53.400 --> 1:11:59.200
<v Speaker 1>of Stephanie's attachment to it. And um, you can tell

1:11:59.280 --> 1:12:01.800
<v Speaker 1>that Amy has some sort of plan because she is

1:12:02.000 --> 1:12:04.840
<v Speaker 1>very relaxed about it. She's like, I wouldn't even think

1:12:04.880 --> 1:12:07.479
<v Speaker 1>twice about asking, don't worry about it. And then we

1:12:07.520 --> 1:12:11.480
<v Speaker 1>are back in the kitchen and Morgan has made brownies

1:12:11.840 --> 1:12:16.160
<v Speaker 1>and she's showing her all of these different different things

1:12:16.479 --> 1:12:22.840
<v Speaker 1>and exactly the setting setting setting up hits, these beats

1:12:23.560 --> 1:12:25.880
<v Speaker 1>and that kind of like hold your horses like all

1:12:25.920 --> 1:12:30.280
<v Speaker 1>that kind of stuff. Was great, exactly, And this is

1:12:30.840 --> 1:12:33.599
<v Speaker 1>this is a very tough scene to direct. I mean,

1:12:33.640 --> 1:12:37.120
<v Speaker 1>two very young actors talking to each other with no adults,

1:12:37.680 --> 1:12:39.680
<v Speaker 1>you know, sort of anchoring the scene. So I can

1:12:39.720 --> 1:12:42.920
<v Speaker 1>imagine this was like something that everybody's off stage holding

1:12:42.920 --> 1:12:49.560
<v Speaker 1>their breath, like come on business and business. Yeah. Yeah,

1:12:49.640 --> 1:12:52.280
<v Speaker 1>realized like this is a nightmare scene for a production.

1:12:52.520 --> 1:12:56.160
<v Speaker 1>There is a continuity problem in this one. I always

1:12:56.200 --> 1:12:58.840
<v Speaker 1>my brains notices that the brownies Brownie I noticed appear

1:12:58.880 --> 1:13:00.559
<v Speaker 1>and then go back to the other place. You think

1:13:00.640 --> 1:13:02.920
<v Speaker 1>they're like right in front of her, and then she

1:13:02.960 --> 1:13:04.600
<v Speaker 1>moved him over. It did they did jump. I was like,

1:13:04.640 --> 1:13:08.160
<v Speaker 1>oh cotton anything, but it was. It was so good

1:13:08.200 --> 1:13:10.200
<v Speaker 1>and they both held her own and so we go

1:13:10.240 --> 1:13:12.320
<v Speaker 1>back out to the living room and Stephanie. That's where

1:13:12.439 --> 1:13:15.240
<v Speaker 1>Stephanie is saying she doesn't have to work. And then

1:13:15.520 --> 1:13:19.920
<v Speaker 1>Morgan and Stephanie come out from the kitchen and Stephanie

1:13:20.040 --> 1:13:22.320
<v Speaker 1>has removed her dress. She's just got like a tank

1:13:22.400 --> 1:13:26.120
<v Speaker 1>top on and she has plastic just got a plastic

1:13:26.680 --> 1:13:31.680
<v Speaker 1>tiara on her blossom hat has been stolen, and um,

1:13:32.000 --> 1:13:37.960
<v Speaker 1>we realized that Morgan has done Yeah, it's such a blossom.

1:13:38.000 --> 1:13:41.800
<v Speaker 1>So she she reveals her ruse that she has done

1:13:41.880 --> 1:13:45.320
<v Speaker 1>black Black note trades back for and gotten all the

1:13:45.320 --> 1:13:49.200
<v Speaker 1>things that she wanted, including the keys to the car,

1:13:49.400 --> 1:13:52.200
<v Speaker 1>and we get Betsy getting the cute little button on

1:13:52.240 --> 1:13:55.240
<v Speaker 1>the end, which is, can you understand it's not the

1:13:55.360 --> 1:13:59.639
<v Speaker 1>value of the car, it's Morgan's attachment to it, followed

1:13:59.680 --> 1:14:02.760
<v Speaker 1>with the awesomely natural thumbs up they both give each

1:14:02.760 --> 1:14:08.400
<v Speaker 1>other okay, And then so later we see Eric on

1:14:08.439 --> 1:14:13.040
<v Speaker 1>the phone and you're having a conversation about a girl

1:14:13.120 --> 1:14:15.320
<v Speaker 1>and you were you were an innocent bystander and a

1:14:15.320 --> 1:14:17.320
<v Speaker 1>girl had you pinned up against the lockers and you

1:14:17.360 --> 1:14:20.960
<v Speaker 1>were kissing. And then, by the way, your clothes fit

1:14:21.080 --> 1:14:24.000
<v Speaker 1>perfectly here Will Did you notice that as well? Yeah,

1:14:24.120 --> 1:14:27.080
<v Speaker 1>you weren't wearing Yeah you you were wearing a well

1:14:27.320 --> 1:14:30.960
<v Speaker 1>structured outfit. Yeah I saw that as well. Are you joking?

1:14:31.920 --> 1:14:35.639
<v Speaker 1>I'm serious? Sweaters? Nothing actually said something at this point,

1:14:35.760 --> 1:14:38.680
<v Speaker 1>or they just started No. No, I would never say

1:14:38.720 --> 1:14:40.280
<v Speaker 1>anything about clothes. I don't know anything about clothes. But

1:14:40.320 --> 1:14:42.559
<v Speaker 1>there was one side where it just looks like I

1:14:42.600 --> 1:14:45.679
<v Speaker 1>look like a melted candle, where it's just like I've

1:14:45.720 --> 1:14:47.559
<v Speaker 1>just melted into the couch and it's just kind of

1:14:47.560 --> 1:14:49.360
<v Speaker 1>this weird rump like I was waiting to just go,

1:14:49.479 --> 1:14:51.720
<v Speaker 1>like I'm not giving on solo back. I caught him

1:14:51.760 --> 1:14:58.240
<v Speaker 1>fair and square. Um yeah, so it's um, it was exactly,

1:14:58.720 --> 1:15:02.800
<v Speaker 1>but it was. Uh. The thing that struck me was

1:15:02.840 --> 1:15:05.400
<v Speaker 1>these are always my lines or something along the line.

1:15:05.400 --> 1:15:07.240
<v Speaker 1>You were it was always going to be something about

1:15:07.240 --> 1:15:11.439
<v Speaker 1>girls or something about kissing when all else fails, something

1:15:11.439 --> 1:15:14.360
<v Speaker 1>about a girl. And so here's what, I here's what. Then,

1:15:14.640 --> 1:15:17.360
<v Speaker 1>So then Corey runs in and he grabs the phone

1:15:17.360 --> 1:15:22.759
<v Speaker 1>from you and hangs up and and he just closes

1:15:22.840 --> 1:15:26.000
<v Speaker 1>the antenna, and I was like the whole rest of

1:15:26.040 --> 1:15:32.400
<v Speaker 1>his seat. I have a question. He says, call her back,

1:15:33.360 --> 1:15:36.320
<v Speaker 1>and then Eric says, are you kidding? I don't even

1:15:36.360 --> 1:15:40.200
<v Speaker 1>know who that was? Yeah, I don't a joke. That

1:15:40.479 --> 1:15:43.160
<v Speaker 1>sounds like a joke, but I don't get exactly it

1:15:43.240 --> 1:15:46.680
<v Speaker 1>structured like a joke. Is it that you were actually

1:15:46.720 --> 1:15:52.400
<v Speaker 1>talking to a boyfriend of a girl who caught you

1:15:52.520 --> 1:15:56.400
<v Speaker 1>kissing his girlfriend? Like, no, no, no, no, I thought

1:15:56.560 --> 1:15:59.360
<v Speaker 1>I was talking to another girl. He was defending himself.

1:15:59.439 --> 1:16:01.360
<v Speaker 1>It was like there were so many girls after Eric

1:16:01.360 --> 1:16:03.120
<v Speaker 1>that he doesn't even know which one he was defending

1:16:03.200 --> 1:16:07.960
<v Speaker 1>himself to when you've got that, I thought it was

1:16:08.760 --> 1:16:11.479
<v Speaker 1>a significant other of the girl and you were like

1:16:11.560 --> 1:16:14.720
<v Speaker 1>you were like called you and was upset you were

1:16:14.800 --> 1:16:17.160
<v Speaker 1>kissing my girl or something. No, Okay, I don't think

1:16:17.160 --> 1:16:18.600
<v Speaker 1>it was that. It could have been. I don't think it.

1:16:18.800 --> 1:16:20.680
<v Speaker 1>I think again. I think it was words coming out

1:16:20.680 --> 1:16:23.240
<v Speaker 1>of my mouth shaped face, and that's all that it was.

1:16:23.280 --> 1:16:28.800
<v Speaker 1>It was just girl, girl, girl, girl, girl, girl, girl, girl.

1:16:28.920 --> 1:16:33.120
<v Speaker 1>What Jim Abbott? Yeah, So Corey announces that Yankee pitcher

1:16:33.160 --> 1:16:35.040
<v Speaker 1>Jim Abbott is in the kitchen. Eric and Cory are

1:16:35.040 --> 1:16:38.960
<v Speaker 1>shocked and they literally scream when he comes in. Jim

1:16:38.960 --> 1:16:42.200
<v Speaker 1>Abbott gets the room McClanahan treatment, he walks in, audience

1:16:42.200 --> 1:16:46.040
<v Speaker 1>goes wild, and he then sits down on the couch

1:16:46.080 --> 1:16:48.160
<v Speaker 1>and tells Corey a story about how a coach once

1:16:48.200 --> 1:16:49.960
<v Speaker 1>told him he wouldn't make it in the major leagues,

1:16:49.960 --> 1:16:52.360
<v Speaker 1>but look at him now, and that coach also told

1:16:52.479 --> 1:16:54.960
<v Speaker 1>him how important education was and got him to apply

1:16:55.000 --> 1:16:58.520
<v Speaker 1>to the University of Michigan. Has a lot of dialogue,

1:16:58.640 --> 1:17:02.920
<v Speaker 1>a lot of dialogue, a lot of dialogue, and it's

1:17:02.960 --> 1:17:08.040
<v Speaker 1>also confident and comfortable and relax He's yeah, great, he's

1:17:08.120 --> 1:17:11.760
<v Speaker 1>great for not being and apparently not knowing that he's

1:17:11.760 --> 1:17:13.519
<v Speaker 1>gonna be on. I mean, it's like, my good, he

1:17:13.640 --> 1:17:17.639
<v Speaker 1>nailed it. By the way, it is a very boy

1:17:17.720 --> 1:17:21.040
<v Speaker 1>meets world thing to never even address the fact that

1:17:21.080 --> 1:17:25.040
<v Speaker 1>he only has one hand. I think that that's genius.

1:17:25.120 --> 1:17:27.800
<v Speaker 1>And I think that that's something so important to acknowledge

1:17:27.800 --> 1:17:30.519
<v Speaker 1>and rec That's like a big note for me because

1:17:30.520 --> 1:17:32.160
<v Speaker 1>I kept waiting for it to happen. I kept waiting

1:17:32.280 --> 1:17:34.479
<v Speaker 1>even after the scene. I mean, maybe not to acknowledge

1:17:34.479 --> 1:17:37.240
<v Speaker 1>it while he's there, but I thought for sure in

1:17:37.280 --> 1:17:39.840
<v Speaker 1>the tag or in the backyard with Phoene the next scene,

1:17:39.960 --> 1:17:42.720
<v Speaker 1>that there would be some reference to Corey saying and

1:17:42.800 --> 1:17:45.000
<v Speaker 1>he you know, he only has one hand and I

1:17:45.040 --> 1:17:47.720
<v Speaker 1>can do it, and and I was so impressed that

1:17:47.800 --> 1:17:50.880
<v Speaker 1>it never was mentioned. I thought that was I feel

1:17:50.880 --> 1:17:54.000
<v Speaker 1>like it would a lesser show would have made me

1:17:54.000 --> 1:17:56.200
<v Speaker 1>would have heard that on the head right, And instead

1:17:56.240 --> 1:17:57.640
<v Speaker 1>it was like, no, we're not even gonna need to

1:17:57.640 --> 1:18:00.559
<v Speaker 1>reference it now, because that's not the point. Yeah, yeah,

1:18:00.640 --> 1:18:03.360
<v Speaker 1>I think it's I think that's really really super smart.

1:18:03.400 --> 1:18:05.000
<v Speaker 1>And there are other times in the show where we

1:18:05.120 --> 1:18:07.559
<v Speaker 1>either mentioned or don't mention something that maybe should have

1:18:07.560 --> 1:18:09.800
<v Speaker 1>been mentioned, and we'll talk about those when they come up.

1:18:09.840 --> 1:18:12.320
<v Speaker 1>But this is one of those times where I think

1:18:13.520 --> 1:18:16.479
<v Speaker 1>it was really done very well that it wasn't even mentioned.

1:18:17.000 --> 1:18:20.920
<v Speaker 1>Um And so he mentioned that he had a coach

1:18:20.920 --> 1:18:23.200
<v Speaker 1>who also told him about how important education was. And

1:18:23.240 --> 1:18:25.880
<v Speaker 1>he says that you, Corey have a dad who wants

1:18:26.120 --> 1:18:28.920
<v Speaker 1>his kid to have big dreams. And he can tell

1:18:28.960 --> 1:18:33.120
<v Speaker 1>that because he was sent sixty three telegrams by Alan

1:18:33.240 --> 1:18:40.920
<v Speaker 1>Matthews Trams sending telegrams. Seriously, stop, I need to stop.

1:18:41.040 --> 1:18:42.439
<v Speaker 1>You need to make sure that he knows what's going

1:18:42.439 --> 1:18:44.479
<v Speaker 1>on immediately. Stop. You need to make sure he can

1:18:44.520 --> 1:18:46.280
<v Speaker 1>It's like, what the hell you don't know what a

1:18:46.320 --> 1:18:48.719
<v Speaker 1>telegram is? I mean I kind of do, but not really,

1:18:48.760 --> 1:18:52.479
<v Speaker 1>Like what's the what is the actuality of sending a telegram? Like?

1:18:52.520 --> 1:18:54.880
<v Speaker 1>What would the process have been to send a telegram?

1:18:54.920 --> 1:19:00.720
<v Speaker 1>You would call an operator and they would transcribe a

1:19:00.760 --> 1:19:05.680
<v Speaker 1>message for you and send it via code. Right, I

1:19:05.680 --> 1:19:08.080
<v Speaker 1>mean again, it depends on what you're talking. The old

1:19:08.120 --> 1:19:10.719
<v Speaker 1>school telegram, you literally would go to a Western Union

1:19:11.439 --> 1:19:13.960
<v Speaker 1>and they would when you would write it down. You

1:19:13.960 --> 1:19:16.000
<v Speaker 1>would write it down and they would did you either

1:19:16.040 --> 1:19:17.640
<v Speaker 1>write it down or tell it to somebody and they

1:19:17.640 --> 1:19:20.160
<v Speaker 1>would transmit it via Morse code, and there was a

1:19:20.160 --> 1:19:24.320
<v Speaker 1>little punch telephone, so they would say stop after every

1:19:24.360 --> 1:19:25.680
<v Speaker 1>That's how you would know what it was. So it

1:19:25.680 --> 1:19:28.280
<v Speaker 1>would be yeah, you know, Jim Abbott, I'm trying to

1:19:28.320 --> 1:19:31.400
<v Speaker 1>find you. Stop. I'd like you to come to Obviously

1:19:31.439 --> 1:19:35.519
<v Speaker 1>you used these in Connecticut. No, we didn't have this technology.

1:19:35.960 --> 1:19:37.639
<v Speaker 1>We did not have this at all. We were still

1:19:37.640 --> 1:19:48.200
<v Speaker 1>smoke sings exactly exactly. Well that's the way, of course. Yeah,

1:19:49.520 --> 1:19:53.320
<v Speaker 1>the messenger pigeons were really greatly planning to tend to

1:19:53.400 --> 1:19:55.760
<v Speaker 1>dinner bow for everybody in the town. We got to

1:19:55.760 --> 1:19:58.160
<v Speaker 1>come in here. Everybody is that Yes, uh no, we

1:19:58.200 --> 1:20:00.680
<v Speaker 1>didn't have to. We didn't have this technology in But

1:20:00.760 --> 1:20:05.160
<v Speaker 1>like realistically, so Alan, who doesn't know Jim Abbott, you're

1:20:05.200 --> 1:20:07.599
<v Speaker 1>telling me that in nine three I could have picked

1:20:07.640 --> 1:20:11.280
<v Speaker 1>up a phone, somehow gotten an operator on the phone,

1:20:11.320 --> 1:20:14.599
<v Speaker 1>and then said send this message to this stranger. How

1:20:14.640 --> 1:20:16.360
<v Speaker 1>does that operate? Or know how to get in touch

1:20:16.400 --> 1:20:18.920
<v Speaker 1>with how it works. I think it would have been

1:20:18.960 --> 1:20:22.400
<v Speaker 1>like he would have sent it to the Yankees. I

1:20:22.439 --> 1:20:25.679
<v Speaker 1>mean it's like, I don't know how that would have happened,

1:20:25.760 --> 1:20:29.520
<v Speaker 1>because it would have been explained the internet to me exactly,

1:20:30.479 --> 1:20:36.200
<v Speaker 1>we're not we don't start with me. I'm the rider dying. Well,

1:20:36.320 --> 1:20:43.680
<v Speaker 1>my friend, I believe it functioned kind of like it

1:20:43.760 --> 1:20:46.519
<v Speaker 1>was like a facts. It was a pre dates the

1:20:46.560 --> 1:20:47.720
<v Speaker 1>facts in the sense that it was a way to

1:20:47.760 --> 1:20:51.920
<v Speaker 1>get a written message immediately anywhere in the world, and

1:20:52.120 --> 1:20:56.040
<v Speaker 1>it was still being used for like banking, and uh,

1:20:56.160 --> 1:20:59.519
<v Speaker 1>I know that in theater this is the only real reference.

1:21:00.280 --> 1:21:02.760
<v Speaker 1>There is a tradition of sending a telegram on your

1:21:02.800 --> 1:21:05.360
<v Speaker 1>opening night. You would get a telegram delivered to your

1:21:05.439 --> 1:21:08.479
<v Speaker 1>dressing room door, and it was a tradition that people

1:21:08.479 --> 1:21:11.160
<v Speaker 1>would send telegrams on opening night. You would get one

1:21:11.160 --> 1:21:14.040
<v Speaker 1>that would say, you know, grats on opening night, and

1:21:14.040 --> 1:21:18.920
<v Speaker 1>then it would say mayored was like this, which means

1:21:19.560 --> 1:21:23.479
<v Speaker 1>crap in French. But it became that was the tradition

1:21:23.520 --> 1:21:26.480
<v Speaker 1>for like you said that when you got a telegram

1:21:26.600 --> 1:21:28.800
<v Speaker 1>on opening night, I don't know that that was my

1:21:28.880 --> 1:21:31.360
<v Speaker 1>experience with telegrams. That the original I mean all of

1:21:31.400 --> 1:21:35.080
<v Speaker 1>the original phone quote unquote phone lines that criss crossed

1:21:35.080 --> 1:21:37.599
<v Speaker 1>the country. Those were telegraph lines because there obviously wasn't

1:21:37.600 --> 1:21:39.240
<v Speaker 1>a phone at the time, so it was all Morris

1:21:39.280 --> 1:21:40.800
<v Speaker 1>code that would go from one side to the other,

1:21:40.840 --> 1:21:42.800
<v Speaker 1>and it was all those old Tommy d d D

1:21:42.880 --> 1:21:45.360
<v Speaker 1>D D D d D that that's a telegram. Why

1:21:45.439 --> 1:21:48.599
<v Speaker 1>he's sending one in ninety three, let alone sixty three

1:21:48.640 --> 1:21:52.160
<v Speaker 1>of them to a stranger who then shows up at

1:21:52.160 --> 1:21:57.760
<v Speaker 1>his home included the Matthews address. So Rusty makes the joke.

1:21:57.880 --> 1:22:00.200
<v Speaker 1>Alan makes the joke, what you only got sixty three them?

1:22:00.200 --> 1:22:03.080
<v Speaker 1>So he sent significantly more. And then all the kids

1:22:03.120 --> 1:22:05.120
<v Speaker 1>in the neighborhood show up to get their baseball signed

1:22:05.120 --> 1:22:08.519
<v Speaker 1>and Macus brings the wrong ball. Dusty is in this group.

1:22:08.960 --> 1:22:13.240
<v Speaker 1>Dusty are our background actor that we have tried. We're

1:22:13.280 --> 1:22:16.000
<v Speaker 1>still searching for Dusty. This is a great time to

1:22:16.040 --> 1:22:18.599
<v Speaker 1>remind you. If you are one of our background actors,

1:22:18.640 --> 1:22:20.760
<v Speaker 1>please please get in touch with us. We want to

1:22:20.800 --> 1:22:22.479
<v Speaker 1>talk to you. You can email us at pod Meats

1:22:22.520 --> 1:22:25.559
<v Speaker 1>World Show at gmail dot com. Um So, we are

1:22:25.600 --> 1:22:28.559
<v Speaker 1>in Corey's backyard. He's playing baseball while he's actually just

1:22:28.560 --> 1:22:31.920
<v Speaker 1>throwing the ball up and catching it. And it's a

1:22:32.000 --> 1:22:33.760
<v Speaker 1>life throw for how long it lasts in the end

1:22:33.840 --> 1:22:37.080
<v Speaker 1>to throw up there for and he throws it a

1:22:37.120 --> 1:22:40.479
<v Speaker 1>mile and a half somehow in front of him, but

1:22:40.600 --> 1:22:43.120
<v Speaker 1>it comes to them behind him. Well, I think it

1:22:43.120 --> 1:22:45.200
<v Speaker 1>bounces off. I think he's bouncing it off the house.

1:22:45.560 --> 1:22:47.600
<v Speaker 1>Is that what he's doing? I think? So, I don't know.

1:22:48.040 --> 1:22:50.680
<v Speaker 1>That's my husband's an only child, and that's like what

1:22:50.720 --> 1:22:53.759
<v Speaker 1>he's spent at least eight percent of his life doing

1:22:53.840 --> 1:22:55.760
<v Speaker 1>is throwing a ball against a wall and having it

1:22:55.800 --> 1:22:59.599
<v Speaker 1>come back to him. So when I watched by himself

1:22:59.640 --> 1:23:03.800
<v Speaker 1>just through, that's that's literally all he did. So I

1:23:03.920 --> 1:23:07.000
<v Speaker 1>that's what immediately, I what I thought he was doing. Um,

1:23:07.040 --> 1:23:09.400
<v Speaker 1>the ball gets lost over Phoenie's fence. Phenie picks it up,

1:23:09.400 --> 1:23:13.160
<v Speaker 1>throws it in the trash again. So mean, so unnecessary.

1:23:13.240 --> 1:23:15.840
<v Speaker 1>He says, when you start respecting my property line, I'll

1:23:15.840 --> 1:23:22.679
<v Speaker 1>start respecting your property I know. And he can't stand

1:23:22.800 --> 1:23:26.120
<v Speaker 1>these people. Uh. Corey announces to Phoenie that he has

1:23:26.160 --> 1:23:28.559
<v Speaker 1>decided to be a baseball player after all because a

1:23:28.600 --> 1:23:30.639
<v Speaker 1>friend of his dad's. He doesn't want to drop any names,

1:23:30.640 --> 1:23:33.400
<v Speaker 1>but it's Jim Abbot gave him some advice. So now

1:23:33.439 --> 1:23:35.840
<v Speaker 1>he is going to play baseball, but only after he

1:23:35.880 --> 1:23:39.800
<v Speaker 1>goes to college. And Phoenie then rewards Corey for thinking

1:23:39.800 --> 1:23:41.960
<v Speaker 1>about the assignment more and he gives him all of

1:23:42.000 --> 1:23:49.200
<v Speaker 1>his confiscated balls back by dumping them over the property line. Yes,

1:23:49.560 --> 1:23:51.800
<v Speaker 1>and you're right writer that there would have been a

1:23:51.840 --> 1:23:54.680
<v Speaker 1>million opportunities for Corey to have mentioned, you know, and

1:23:54.760 --> 1:23:56.400
<v Speaker 1>you know that he only has one hand, and they

1:23:57.000 --> 1:24:00.639
<v Speaker 1>just never mentioned it. It was a really smart decision. Um,

1:24:00.680 --> 1:24:03.960
<v Speaker 1>And so then yeah, I love it. So then we're

1:24:04.000 --> 1:24:05.800
<v Speaker 1>into the tag. We're in the living room. Amy and

1:24:05.840 --> 1:24:09.000
<v Speaker 1>Alan are watching TV. It seems like maybe they're watching whatever.

1:24:09.040 --> 1:24:11.800
<v Speaker 1>That version of the Bachelor or The Bachelorette was some

1:24:11.920 --> 1:24:14.520
<v Speaker 1>sort of dating show game and that's where those voiceovers

1:24:14.560 --> 1:24:16.679
<v Speaker 1>came in that you can kind of hear Chris Kayer,

1:24:16.760 --> 1:24:18.200
<v Speaker 1>you can kind of hear some of the people kind

1:24:18.200 --> 1:24:21.639
<v Speaker 1>of in the background a little bit. Yeah, And Alan

1:24:21.720 --> 1:24:24.599
<v Speaker 1>asks if it ever bothered Amy that he didn't become

1:24:24.600 --> 1:24:27.360
<v Speaker 1>an engineer like he dreamt of, And he says, do

1:24:27.439 --> 1:24:29.240
<v Speaker 1>you think of me as a failure? And she says

1:24:29.280 --> 1:24:32.559
<v Speaker 1>he has a great job, respect, three beautiful children, and

1:24:32.640 --> 1:24:36.080
<v Speaker 1>a wife who's ready to make out. And they start

1:24:36.120 --> 1:24:38.760
<v Speaker 1>kissing on the couch. Corey is videotaping them from behind

1:24:38.800 --> 1:24:42.360
<v Speaker 1>the couch. He jumps up so creepy, I know, So creepy,

1:24:42.960 --> 1:24:45.599
<v Speaker 1>so creepy, he asks them to do something interesting because

1:24:45.640 --> 1:24:47.919
<v Speaker 1>this kissing stuff isn't going to hold the audience's attention,

1:24:48.200 --> 1:24:51.960
<v Speaker 1>and it quickly becomes a chase scene as Rusty Alan

1:24:52.160 --> 1:24:56.639
<v Speaker 1>runs him off to bed, and I was contradictory moment though.

1:24:56.720 --> 1:24:59.360
<v Speaker 1>He's like, do something more than this kissing stuff. And

1:24:59.400 --> 1:25:01.519
<v Speaker 1>then he's like, but give me some action, like a

1:25:01.560 --> 1:25:05.639
<v Speaker 1>second player. What do you want the kissing you don't eat,

1:25:06.720 --> 1:25:09.120
<v Speaker 1>I'm gonna come up and videotape. My parents would say

1:25:09.160 --> 1:25:11.280
<v Speaker 1>this isn't enough. Let me see some action. It was like,

1:25:12.800 --> 1:25:16.360
<v Speaker 1>it was just wow, Yeah, that was I found that

1:25:16.479 --> 1:25:20.800
<v Speaker 1>really weird. I probably would have spent more time thinking

1:25:20.800 --> 1:25:24.040
<v Speaker 1>about that if I wasn't so distracted by the awesome

1:25:24.200 --> 1:25:29.599
<v Speaker 1>crop top Rusty was wearing he had when he goes

1:25:29.680 --> 1:25:32.360
<v Speaker 1>running up the stairs. You can see his entire lower back.

1:25:32.680 --> 1:25:37.120
<v Speaker 1>He's wearing like a cut off um henley, like a waffle,

1:25:37.360 --> 1:25:40.400
<v Speaker 1>like a waffle henley that was cut and it's kind

1:25:40.439 --> 1:25:43.840
<v Speaker 1>of crop toppy, And again, just one of those choices

1:25:43.880 --> 1:25:47.559
<v Speaker 1>they made that were they're just the cool parents, you know.

1:25:47.800 --> 1:25:50.040
<v Speaker 1>But they also had to take the time to digitize

1:25:50.040 --> 1:25:53.600
<v Speaker 1>out Rusty's lower back tattoo. You know a lot of

1:25:53.600 --> 1:25:55.519
<v Speaker 1>people don't know that about him. Is he has one

1:25:55.560 --> 1:25:59.920
<v Speaker 1>of those lower back right you like there was anything

1:26:00.040 --> 1:26:07.479
<v Speaker 1>digital yet, digitize optically, erase exactly. So it's a lot

1:26:07.520 --> 1:26:09.519
<v Speaker 1>of people don't know that about Rusty. Yeah, he's got

1:26:09.600 --> 1:26:11.519
<v Speaker 1>a he's got a fairy tattoo on his lower back.

1:26:12.600 --> 1:26:17.080
<v Speaker 1>Really cute. Um. So, we got a letter in our

1:26:17.160 --> 1:26:19.679
<v Speaker 1>email box about this episode, and I wanted to close

1:26:19.680 --> 1:26:22.280
<v Speaker 1>out by reading you this letter. It is from telegram.

1:26:22.600 --> 1:26:24.680
<v Speaker 1>It was a telegram. It was it's Morse code. So

1:26:25.040 --> 1:26:28.120
<v Speaker 1>give me a few minutes to figure it out. And

1:26:28.160 --> 1:26:30.439
<v Speaker 1>he says, Hi, thank you so much for doing this podcast.

1:26:30.479 --> 1:26:31.960
<v Speaker 1>I just wanted to let you know that as a

1:26:32.000 --> 1:26:34.680
<v Speaker 1>ten year old boy, the Jim Abbott episode sealed the

1:26:34.840 --> 1:26:37.360
<v Speaker 1>sealed the deal for this being my favorite show ever.

1:26:37.840 --> 1:26:41.040
<v Speaker 1>I was born with amniotic band syndrome, which for me

1:26:41.040 --> 1:26:43.479
<v Speaker 1>means that only two of my fingers are fully grown

1:26:43.600 --> 1:26:46.280
<v Speaker 1>and the rest only grew to one or two joints.

1:26:46.680 --> 1:26:48.600
<v Speaker 1>When I wanted to play Little League baseball as a

1:26:48.640 --> 1:26:50.639
<v Speaker 1>kid in the early nineties, I had to figure out

1:26:50.640 --> 1:26:53.240
<v Speaker 1>how to throw and catch with the same hand because

1:26:53.240 --> 1:26:55.640
<v Speaker 1>only one of my hands is capable of closing a

1:26:55.640 --> 1:26:59.400
<v Speaker 1>baseball glove and also throwing a baseball. Jim Abbott had

1:26:59.439 --> 1:27:02.599
<v Speaker 1>pioneered this technique of throwing and catching with the same hand,

1:27:02.680 --> 1:27:05.120
<v Speaker 1>and I copied it so that I could play baseball.

1:27:05.880 --> 1:27:09.080
<v Speaker 1>Needless to say, Jim Abbott was my hero and favorite

1:27:09.080 --> 1:27:11.519
<v Speaker 1>baseball player, and I even met him once when he

1:27:11.560 --> 1:27:14.360
<v Speaker 1>was doing a motivational tour of some kind in the nineties.

1:27:14.800 --> 1:27:17.200
<v Speaker 1>Boy Meat's World was already my favorite show in the

1:27:17.200 --> 1:27:21.439
<v Speaker 1>fall of because like Corey, I was constantly anxious about

1:27:21.479 --> 1:27:23.760
<v Speaker 1>whether I was cool or not, and like Corey, I

1:27:23.840 --> 1:27:26.280
<v Speaker 1>have very curly hair, which did not lend itself to

1:27:26.320 --> 1:27:29.400
<v Speaker 1>the cuts that most of my friends had. Then Jim Abbott,

1:27:29.439 --> 1:27:32.080
<v Speaker 1>my hero, showed up, and I remember screaming to my

1:27:32.120 --> 1:27:35.200
<v Speaker 1>family Jim Abbott is on Boy Meat's World and watching

1:27:35.200 --> 1:27:38.240
<v Speaker 1>the rest of the episode in complete shock and admiration.

1:27:38.439 --> 1:27:41.000
<v Speaker 1>It's like our entire show was made for him. That

1:27:43.160 --> 1:27:45.920
<v Speaker 1>I was a super fan from then on. I'm sure.

1:27:45.960 --> 1:27:48.280
<v Speaker 1>I'm sure you've heard so many layers of why people

1:27:48.280 --> 1:27:50.080
<v Speaker 1>love the show, which are true for me too, But

1:27:50.120 --> 1:27:52.360
<v Speaker 1>I thought you might like to hear my Jim Abbott angle.

1:27:52.640 --> 1:27:55.120
<v Speaker 1>His disability isn't mentioned in the episode, but it was

1:27:55.200 --> 1:27:57.800
<v Speaker 1>just incredible to me to see him as an inspirational

1:27:57.800 --> 1:28:00.000
<v Speaker 1>person to Corey after he had been such an inspiration

1:28:00.000 --> 1:28:02.879
<v Speaker 1>ation to me too. Anyway, the show isn't was amazing.

1:28:02.920 --> 1:28:05.160
<v Speaker 1>It's relaxed and be yourself message has been a lifelong

1:28:05.240 --> 1:28:12.200
<v Speaker 1>lesson for me. That's really cool. Isn't that great? So anyway,

1:28:12.200 --> 1:28:15.320
<v Speaker 1>thank you for that letter. That was really wonderful. Like

1:28:15.360 --> 1:28:18.800
<v Speaker 1>writer said, so, this entire episode was just for you.

1:28:20.560 --> 1:28:22.760
<v Speaker 1>So thank you guys for being here with us for

1:28:22.760 --> 1:28:25.240
<v Speaker 1>this episode of Pod Meets World. Make sure you follow

1:28:25.320 --> 1:28:27.720
<v Speaker 1>us on Pod Meets World Show on Instagram, and you

1:28:27.760 --> 1:28:30.320
<v Speaker 1>can also follow me on TikTok. I'm the only one

1:28:30.320 --> 1:28:32.000
<v Speaker 1>of the three of us that has a TikTok. It's

1:28:32.360 --> 1:28:35.080
<v Speaker 1>Danielle fishl eight. And the only reason I'm promoting the

1:28:35.080 --> 1:28:37.639
<v Speaker 1>TikTok is because we have been doing some really fun

1:28:38.360 --> 1:28:43.080
<v Speaker 1>little TikTok based games and we may do some giveaways

1:28:43.120 --> 1:28:45.599
<v Speaker 1>there at some point, and we've been doing some fun

1:28:45.640 --> 1:28:47.759
<v Speaker 1>mash ups and so there's kind of some special content

1:28:47.840 --> 1:28:50.160
<v Speaker 1>you can't necessarily get anywhere else, but you can get

1:28:50.200 --> 1:28:53.360
<v Speaker 1>on our TikTok and our next episode that we will

1:28:53.400 --> 1:28:56.799
<v Speaker 1>be recapping is season one, episode ten, Santa's Little Helper.

1:28:57.080 --> 1:29:00.880
<v Speaker 1>It aired on December, So sure you join us for that.

1:29:00.960 --> 1:29:03.559
<v Speaker 1>Be sure to subscribe to the pod and you can

1:29:03.600 --> 1:29:08.080
<v Speaker 1>buy our March March on pod Meets World Show dot com.

1:29:08.080 --> 1:29:11.360
<v Speaker 1>Thank you for joining us. We love you all. Pod dismissed.

1:29:12.840 --> 1:29:15.759
<v Speaker 1>Pod Meets Worlds an I heart podcast produced and hosted

1:29:15.760 --> 1:29:20.200
<v Speaker 1>by Daniel Fisher, wilfredel and Writer Strong. Executive producers Jensen Carpon,

1:29:20.240 --> 1:29:24.040
<v Speaker 1>Amy Sugarman Executive in charge of production, Danielle Romo, producer

1:29:24.040 --> 1:29:28.280
<v Speaker 1>and editor, Taara sud Bash producer, Lorrain Verruez, engineer and

1:29:28.360 --> 1:29:31.639
<v Speaker 1>Boy Meets World super fan Easton Allen. Our theme song

1:29:31.720 --> 1:29:34.760
<v Speaker 1>is by Kyle Morton of Typhoon. Follow us on Instagram

1:29:34.800 --> 1:29:37.360
<v Speaker 1>at Pod Meets World Show or email us at Pod

1:29:37.400 --> 1:29:40.240
<v Speaker 1>Meets World Show at gmail dot com.