1 00:00:00,080 --> 00:00:02,080 Speaker 1: Fifteen minute morning show podcast coming up, but we got 2 00:00:02,120 --> 00:00:04,400 Speaker 1: to talk about Blue Apron. Thanks to Blue Apron. The 3 00:00:04,400 --> 00:00:07,240 Speaker 1: next fifteen minutes around them. Every Wednesday, my Blue Apron 4 00:00:07,280 --> 00:00:11,320 Speaker 1: box arrives full of fresh produce, all measured out so 5 00:00:11,360 --> 00:00:13,840 Speaker 1: I don't have any waste when I cook these meals 6 00:00:13,840 --> 00:00:16,520 Speaker 1: that their chefs come up with. They give you this 7 00:00:16,600 --> 00:00:19,680 Speaker 1: easy to read card with every meal, and every meal 8 00:00:19,840 --> 00:00:22,159 Speaker 1: is under ten dollars if you actually learn how to 9 00:00:22,200 --> 00:00:24,400 Speaker 1: cook from them. And like I said, they're ingredients are 10 00:00:24,600 --> 00:00:26,520 Speaker 1: from right up the street. They're all from farms in 11 00:00:26,560 --> 00:00:28,760 Speaker 1: your region. It's affordable, like I said, less than ten 12 00:00:28,800 --> 00:00:32,240 Speaker 1: dollars per meal. Lots of varieties, new recipes every week. 13 00:00:32,680 --> 00:00:35,120 Speaker 1: They're flexible with what you want. If you don't want fish, 14 00:00:35,159 --> 00:00:36,599 Speaker 1: they won't send fish. If you need to take off 15 00:00:36,600 --> 00:00:38,080 Speaker 1: a week or two or the three or four days, 16 00:00:38,360 --> 00:00:41,840 Speaker 1: just do it. They don't charge you, and guaranteed freshness 17 00:00:41,920 --> 00:00:44,239 Speaker 1: every single meal. They do the heavy lifting, They do 18 00:00:44,280 --> 00:00:46,000 Speaker 1: all the shopping, and like I said, they don't give 19 00:00:46,040 --> 00:00:47,800 Speaker 1: you too much food seed to waste. Any food. You 20 00:00:47,840 --> 00:00:50,520 Speaker 1: just chop it, saute it, and eat it. It's so delicious. 21 00:00:50,640 --> 00:00:52,960 Speaker 1: Check out this week's menu. Get your first three meals 22 00:00:52,960 --> 00:00:55,800 Speaker 1: for free and free shipping by going to blue Apron 23 00:00:55,840 --> 00:00:59,360 Speaker 1: dot com slash fifteen as in fifteen minute morning show 24 00:00:59,520 --> 00:01:05,440 Speaker 1: Blue a Bring dot com slash What would you talk 25 00:01:05,480 --> 00:01:18,160 Speaker 1: about on your On your podcast, Elvis represents it feels 26 00:01:18,160 --> 00:01:22,840 Speaker 1: like we haven't left, like we're doing back to back podcast. 27 00:01:22,880 --> 00:01:26,760 Speaker 1: I feel like whatever. I know, but it feels like 28 00:01:26,840 --> 00:01:32,560 Speaker 1: we've first, like we just did yesterday. Yeah, just sitting here, Hi, Hi, 29 00:01:33,160 --> 00:01:37,720 Speaker 1: Hi guys. I'm Bethany, last named Watson. Over there is 30 00:01:37,800 --> 00:01:41,520 Speaker 1: David Brody. Last name she said it ye, Greg t Yeah, 31 00:01:41,560 --> 00:01:45,440 Speaker 1: what's up? And then we have Sam producer Sam last 32 00:01:45,480 --> 00:01:53,680 Speaker 1: named Danger. There you go, yeah, Nathaniel Marino. And then 33 00:01:53,720 --> 00:01:56,800 Speaker 1: we have a Garrett Garrett on The Ones and twos. 34 00:01:56,920 --> 00:01:58,600 Speaker 1: Your last name is on the Ones and two. Yes, 35 00:01:58,800 --> 00:02:01,720 Speaker 1: it's really good that you got into this career. I know, ironic. 36 00:02:03,120 --> 00:02:05,920 Speaker 1: I want to talk about some feelings that I have today. Um, 37 00:02:08,440 --> 00:02:14,720 Speaker 1: you know what about that's the problem with you. It's 38 00:02:15,960 --> 00:02:20,240 Speaker 1: a minute podcast kind of time. No, Actually, I had 39 00:02:20,240 --> 00:02:22,400 Speaker 1: something really cool happened. Um while we were on break, 40 00:02:22,760 --> 00:02:28,280 Speaker 1: I saw a movie starring Paul Walker. Okay, and I know, right, 41 00:02:28,600 --> 00:02:33,240 Speaker 1: but um furious. No, it actually wasn't anything. No, it 42 00:02:33,280 --> 00:02:35,760 Speaker 1: wasn't Tokyo Drift. It wasn't five, It wasn't Fast and 43 00:02:35,760 --> 00:02:38,320 Speaker 1: the Furious, More Fast and More Furious. It wasn't five 44 00:02:38,360 --> 00:02:41,520 Speaker 1: Golden Rings, Fast and Furious. It was It was called 45 00:02:41,560 --> 00:02:44,720 Speaker 1: The Lazarus Project, and it came out in two thousand eight. 46 00:02:45,240 --> 00:02:47,320 Speaker 1: I know, right, yeah, I've heard of it. It was 47 00:02:47,480 --> 00:02:49,680 Speaker 1: It was a good movie. I enjoyed it. The thing 48 00:02:49,720 --> 00:02:52,000 Speaker 1: that surprised me about it is that I realized I 49 00:02:52,040 --> 00:02:56,720 Speaker 1: had never seen Paul Walker act like I had seen 50 00:02:56,800 --> 00:02:58,600 Speaker 1: him in Fast and the Furious, and there are moments 51 00:02:58,600 --> 00:03:02,080 Speaker 1: in those movies, but like this movie, he had to act. 52 00:03:02,560 --> 00:03:06,720 Speaker 1: He um, he had to love his child, he had 53 00:03:06,800 --> 00:03:09,280 Speaker 1: to be taken away from his child. Like none of 54 00:03:09,280 --> 00:03:13,520 Speaker 1: these are spoilers. And he has those conversations where his 55 00:03:13,520 --> 00:03:16,600 Speaker 1: his lips quiver and he has a single tear and 56 00:03:16,639 --> 00:03:18,560 Speaker 1: but as a man, he's trying to hold it back, 57 00:03:18,680 --> 00:03:22,440 Speaker 1: but it's coming through. He has just like it's a 58 00:03:22,480 --> 00:03:25,840 Speaker 1: beautiful love letter. But it's like a thriller. It's like 59 00:03:25,880 --> 00:03:28,919 Speaker 1: a good movie. What kind of card drive I don't remember, 60 00:03:30,440 --> 00:03:32,440 Speaker 1: but like I mean, it's a thriller. It's a mystery, 61 00:03:32,440 --> 00:03:34,200 Speaker 1: it's a great movie, but like he had these moments 62 00:03:34,200 --> 00:03:36,440 Speaker 1: of really acting and I realized, holy crap, Paul Walker 63 00:03:36,480 --> 00:03:38,040 Speaker 1: was a really good actor. I had no idea how 64 00:03:38,160 --> 00:03:39,680 Speaker 1: he gives all the fields. Yeah. The same thing with 65 00:03:39,720 --> 00:03:41,720 Speaker 1: Marilyn Monroe. I had no idea she's actually good actor 66 00:03:41,760 --> 00:03:44,119 Speaker 1: until I was so good. It was really good. Yeah, 67 00:03:44,200 --> 00:03:46,640 Speaker 1: even in her like real life when the camera was off, 68 00:03:46,680 --> 00:03:49,880 Speaker 1: because she was always Marilyn Monroe's like she was alone. 69 00:03:49,960 --> 00:03:51,600 Speaker 1: Has it ever happened to you, guys where you never 70 00:03:51,680 --> 00:03:53,400 Speaker 1: you just kind of took for granted an actor and 71 00:03:53,440 --> 00:03:55,120 Speaker 1: then you were like, holy crap, they can actually act, 72 00:03:55,440 --> 00:03:57,040 Speaker 1: you know what. Nate and I were talking about this 73 00:03:57,440 --> 00:04:00,000 Speaker 1: yesterday because I came back from the weekend. We both 74 00:04:00,080 --> 00:04:03,840 Speaker 1: saw Logan. Now, Hugh Jackman is very talented. He's Broadway, 75 00:04:03,880 --> 00:04:05,800 Speaker 1: he could sing and day does everything. He's everything. But 76 00:04:05,920 --> 00:04:08,320 Speaker 1: really I don't see his romance movies when he does them, 77 00:04:08,360 --> 00:04:10,880 Speaker 1: I only see him as Wolverine. And as Wolverine he's 78 00:04:10,920 --> 00:04:13,680 Speaker 1: he's pretty good. Fights, you know, fights bad guys and 79 00:04:13,680 --> 00:04:17,840 Speaker 1: he stabs them. Logan as a movie is no no spoilers. 80 00:04:17,920 --> 00:04:21,280 Speaker 1: He plays he plays an old version of Wolverine of Logan. 81 00:04:21,920 --> 00:04:26,039 Speaker 1: He's amazing. It really was. So one of the things 82 00:04:26,080 --> 00:04:27,800 Speaker 1: that I look for in an actor is not just 83 00:04:27,800 --> 00:04:30,120 Speaker 1: how they deliver the words, but how their body responds. 84 00:04:30,240 --> 00:04:31,920 Speaker 1: You know, if you ever take any acting class, is 85 00:04:31,960 --> 00:04:34,040 Speaker 1: one of the first lessons they teach you is how 86 00:04:34,080 --> 00:04:36,240 Speaker 1: to walk like someone, because if you can imitate them, 87 00:04:36,279 --> 00:04:41,240 Speaker 1: you can become them basically, right, and Hugh Jackman in 88 00:04:41,240 --> 00:04:43,479 Speaker 1: this movie is an old Logan and old Wolverine. He 89 00:04:43,600 --> 00:04:48,480 Speaker 1: is walking like an old man and everything hurts walking away, 90 00:04:48,600 --> 00:04:51,120 Speaker 1: and I'm like, oh my god, that looks like my grandfather. 91 00:04:51,200 --> 00:04:54,599 Speaker 1: Wants to be able to mimic that is such a 92 00:04:54,720 --> 00:04:57,840 Speaker 1: skill that actors strive their whole life to do. He 93 00:04:57,880 --> 00:05:02,960 Speaker 1: makes you feel bad for a superhero getting old. He runs, 94 00:05:03,000 --> 00:05:07,839 Speaker 1: he's out of breath. I mean, he's he's suffering as 95 00:05:07,839 --> 00:05:10,120 Speaker 1: a guy who's had a lifetime of fighting and stabbing 96 00:05:10,120 --> 00:05:12,920 Speaker 1: and healing and killing and healing, and and he's so 97 00:05:13,000 --> 00:05:18,520 Speaker 1: good at it that you he There's a scene where 98 00:05:18,520 --> 00:05:23,520 Speaker 1: there's I did I cried. I cried a couple of times, 99 00:05:23,720 --> 00:05:26,160 Speaker 1: but there's a scene that really shows you how amazing 100 00:05:26,200 --> 00:05:30,479 Speaker 1: he is. Again not a spoiler, there's a younger version 101 00:05:30,520 --> 00:05:33,200 Speaker 1: of him in the movie, so you see him now 102 00:05:34,000 --> 00:05:37,000 Speaker 1: and you see him old, and you're like, you don't 103 00:05:37,040 --> 00:05:39,480 Speaker 1: realize how old he is until you see him in 104 00:05:39,520 --> 00:05:42,039 Speaker 1: the scene with a younger version of himself, that he 105 00:05:42,120 --> 00:05:44,279 Speaker 1: is what he really looks like. Well, you're blown away 106 00:05:44,680 --> 00:05:47,360 Speaker 1: that he's real because you really think he's He looks 107 00:05:47,360 --> 00:05:48,960 Speaker 1: like a sixty five year old man in this movie. 108 00:05:48,960 --> 00:05:50,720 Speaker 1: I feel like you gotta give him double props for that, 109 00:05:50,760 --> 00:05:52,640 Speaker 1: because it's not like he has a lot of other 110 00:05:52,680 --> 00:05:55,040 Speaker 1: movies to pay attention to, Like he really had to 111 00:05:55,080 --> 00:05:59,000 Speaker 1: create the first role of an old superhero. He's kind 112 00:05:59,000 --> 00:06:01,240 Speaker 1: of still doing his thing, like that's not really something 113 00:06:01,279 --> 00:06:03,160 Speaker 1: you can go look up and see how other people 114 00:06:03,200 --> 00:06:06,840 Speaker 1: have done it. Good for you, Hugh, And you know what, 115 00:06:07,000 --> 00:06:09,240 Speaker 1: it's a superhero movie. So I feel like he won't 116 00:06:09,240 --> 00:06:13,400 Speaker 1: get nominated for an Academy Award. But you know, props 117 00:06:13,400 --> 00:06:19,120 Speaker 1: to Patrick Stewart, who also plays I meant him okay, 118 00:06:19,520 --> 00:06:26,000 Speaker 1: look sir, Sir Patrick Stewart is a Shakespearean legendary actor. 119 00:06:26,600 --> 00:06:30,040 Speaker 1: But you still have not seen him act until the 120 00:06:30,040 --> 00:06:32,120 Speaker 1: script they gave him for this movie. I'm sure Billy 121 00:06:32,200 --> 00:06:36,440 Speaker 1: Shakespeare really appreciates that. No, no, listen, I've seen him Shakespeare. 122 00:06:36,520 --> 00:06:39,800 Speaker 1: He they make him look to be in his nineties, 123 00:06:39,880 --> 00:06:43,320 Speaker 1: which you know, and it's I'm telling you, like that movie, 124 00:06:43,440 --> 00:06:47,040 Speaker 1: that's just a just a microcosm of these these actors 125 00:06:47,080 --> 00:06:49,680 Speaker 1: that you don't realize their talents until they're given a 126 00:06:49,760 --> 00:06:54,560 Speaker 1: role like that to prove themselves right. And I'm telling you, 127 00:06:55,600 --> 00:06:58,080 Speaker 1: I'm sure Hugh Jackman and Patrick Stewart are like, Okay, 128 00:06:58,080 --> 00:07:00,400 Speaker 1: finally a change in the character, something that I can 129 00:07:00,480 --> 00:07:03,680 Speaker 1: really think my teeth into. Yeah. And same thing with 130 00:07:03,720 --> 00:07:06,480 Speaker 1: Paul Walker. I mean he you know, there's this movie 131 00:07:06,560 --> 00:07:10,280 Speaker 1: I read about on Reddit with Paul Walker from called 132 00:07:10,320 --> 00:07:12,040 Speaker 1: Tammy and the t Rex. Have you guys heard about 133 00:07:12,040 --> 00:07:18,520 Speaker 1: this Tammy? It was, um, what what plot? The plot 134 00:07:18,520 --> 00:07:21,520 Speaker 1: of the movie, Paul Walker is mauled by a lion 135 00:07:22,720 --> 00:07:25,840 Speaker 1: and forced to have his brain transferred into the body 136 00:07:25,880 --> 00:07:29,160 Speaker 1: of a giant animatronic t rex. I am not making 137 00:07:29,200 --> 00:07:32,400 Speaker 1: this up. Google quite a minute. Did they put his 138 00:07:32,440 --> 00:07:34,200 Speaker 1: mind into a t rex? Or was he such a 139 00:07:34,200 --> 00:07:38,200 Speaker 1: good actor he became a I'm not google it. Okay, 140 00:07:38,240 --> 00:07:41,240 Speaker 1: what's it called Tammy and the t Rex? Please? Tammy? 141 00:07:41,400 --> 00:07:47,920 Speaker 1: Deniece Richards? Oh, I think watching movie? If poor guy 142 00:07:48,120 --> 00:07:50,640 Speaker 1: has this shitty movie that he has the star and 143 00:07:50,680 --> 00:07:53,800 Speaker 1: when he could be playing a father right in the 144 00:07:53,840 --> 00:07:56,520 Speaker 1: movie that Beth and he was describing evil scientists Yeah father, 145 00:07:56,640 --> 00:07:59,880 Speaker 1: yeah um and evil scientists implants the brain of Michael, 146 00:08:00,000 --> 00:08:04,120 Speaker 1: a murdered high school student spoiler alert, into a Tyrannosaurus. 147 00:08:04,160 --> 00:08:07,680 Speaker 1: He escapes, reeks vengeance on his high school tormentors, and 148 00:08:07,760 --> 00:08:11,800 Speaker 1: is reunited with his sweetheart Tammy. Sorry, when he's a 149 00:08:11,880 --> 00:08:13,360 Speaker 1: t rex? Does he wear a name tag? So the 150 00:08:13,440 --> 00:08:17,760 Speaker 1: kids in high school remember him, little box? And how 151 00:08:17,760 --> 00:08:22,520 Speaker 1: does he beat them up? Can I? Can I rant 152 00:08:22,560 --> 00:08:26,600 Speaker 1: for a second? Related to Logan? Okay? So yep. Logan 153 00:08:26,760 --> 00:08:29,800 Speaker 1: is an R rated superhero movie. Like Deadpool. There's a 154 00:08:29,840 --> 00:08:32,640 Speaker 1: lot of profanity and a lot of gore. Now I 155 00:08:32,679 --> 00:08:34,839 Speaker 1: can explain that to my kids. So I took two 156 00:08:34,840 --> 00:08:38,360 Speaker 1: of my daughters thirteen and eleven, who love Marvel movies, 157 00:08:38,840 --> 00:08:41,720 Speaker 1: and they've heard profanity. They live with me, but you 158 00:08:41,720 --> 00:08:44,160 Speaker 1: know they understand they'll be violence. They've seen you know, 159 00:08:44,480 --> 00:08:47,720 Speaker 1: The Walking Dead with me. But because it's all rated, 160 00:08:48,120 --> 00:08:52,680 Speaker 1: the trailers for other movies playing before it, we're bad. 161 00:08:53,160 --> 00:08:55,040 Speaker 1: It was so bad that you know, like the green 162 00:08:55,120 --> 00:08:57,360 Speaker 1: screen that says this preview was approved of this movie 163 00:08:57,600 --> 00:09:00,360 Speaker 1: they showed red ones that said this of you is 164 00:09:00,400 --> 00:09:04,959 Speaker 1: only for this movie. Right, So they before the preview 165 00:09:05,000 --> 00:09:08,160 Speaker 1: for Chips, the new cop movie coming out, which is 166 00:09:08,200 --> 00:09:11,400 Speaker 1: off the TV show. Right, there was a commercial for 167 00:09:11,480 --> 00:09:14,800 Speaker 1: AMC stubs their fan club membership with the two guys 168 00:09:14,800 --> 00:09:18,960 Speaker 1: from Chips, and they're talking about parents. If you're listening 169 00:09:19,000 --> 00:09:22,800 Speaker 1: to cover your kid's ears, Hey, man, you eat the 170 00:09:22,840 --> 00:09:26,920 Speaker 1: ass today. Everybody's eating ass. I love eating ass. Oh well, 171 00:09:26,960 --> 00:09:29,240 Speaker 1: if you see baby wipes in a woman's house, then 172 00:09:29,240 --> 00:09:31,000 Speaker 1: you know she's clean. Then it's time to eat as. 173 00:09:33,000 --> 00:09:34,720 Speaker 1: And and then there's a scene where one of them 174 00:09:34,760 --> 00:09:37,160 Speaker 1: carries the other one and his crotches in his face 175 00:09:37,200 --> 00:09:39,280 Speaker 1: and he's like, did you lick it was your face 176 00:09:39,320 --> 00:09:45,280 Speaker 1: in there? Like okay, So here's here's what I'm saying. 177 00:09:45,280 --> 00:09:47,280 Speaker 1: It's one thing to teach my kids about the F 178 00:09:47,400 --> 00:09:50,680 Speaker 1: word and and and fake claws going into a guy's head, 179 00:09:51,440 --> 00:09:53,920 Speaker 1: But that does not give you carte blanche in a look. 180 00:09:53,920 --> 00:09:55,560 Speaker 1: I know the movie is not for kids, but it's 181 00:09:55,600 --> 00:09:59,640 Speaker 1: still a Wolverine movie. My kids are going, well, that's 182 00:09:59,640 --> 00:10:02,440 Speaker 1: what I'm saying you Also, for your Marvel fans, the 183 00:10:02,520 --> 00:10:05,640 Speaker 1: bonus scene is before the movie there is no bonus 184 00:10:05,679 --> 00:10:09,120 Speaker 1: scene after don't wait twenty minutes. Yeah, he had the 185 00:10:09,160 --> 00:10:10,839 Speaker 1: sex convo with your kids? Have you had the eating 186 00:10:10,880 --> 00:10:17,000 Speaker 1: as you have a son? What you have conversation? You 187 00:10:17,040 --> 00:10:19,280 Speaker 1: should start earlier, and it was I got wipes at home, 188 00:10:19,360 --> 00:10:23,200 Speaker 1: so I should ask was there was there any eating 189 00:10:23,200 --> 00:10:29,600 Speaker 1: acid the t rex in the phrase at least, but munching? 190 00:10:29,960 --> 00:10:32,960 Speaker 1: Oh my god. Anyway, anyway, that's it. I have a 191 00:10:32,960 --> 00:10:36,439 Speaker 1: gripe with AMC. He's coming back in the time to 192 00:10:36,520 --> 00:10:39,520 Speaker 1: have this conversation. You had the eating as conversation with 193 00:10:39,559 --> 00:10:43,960 Speaker 1: your daughters. He has leave the room. It was just 194 00:10:44,000 --> 00:10:48,360 Speaker 1: an awkward moment, very awkward. Speaking of movies too, did 195 00:10:48,400 --> 00:10:51,400 Speaker 1: you hear that they're rebooting The Matrix? Well, I heard 196 00:10:51,720 --> 00:10:54,080 Speaker 1: what the hell they Well, they shouldn't have even made 197 00:10:54,080 --> 00:10:58,800 Speaker 1: a sequel. That's how boring and dull as Hollywood for 198 00:10:58,840 --> 00:11:00,880 Speaker 1: them to go, you know what, we should remake a 199 00:11:00,880 --> 00:11:04,079 Speaker 1: movie that did very well. Okay, they've done that before though, 200 00:11:04,760 --> 00:11:10,800 Speaker 1: so I'm on the Google. It says the upcoming Matrix 201 00:11:10,840 --> 00:11:14,360 Speaker 1: film will neither be a remake nor a reboot. According 202 00:11:14,400 --> 00:11:21,880 Speaker 1: to writer Zack Penn, it will be a relaunch, which 203 00:11:21,920 --> 00:11:24,040 Speaker 1: is a reboot same movie and they're just putting it 204 00:11:24,080 --> 00:11:26,600 Speaker 1: back in theaters. They're saying, all I can say this point, 205 00:11:26,640 --> 00:11:29,400 Speaker 1: No one could or should reboot the Matrix. People who 206 00:11:29,400 --> 00:11:32,960 Speaker 1: know Animatrix and the comics understand. Can't comment yet except 207 00:11:32,960 --> 00:11:35,080 Speaker 1: to say the words reboot and remake. We're from an article. 208 00:11:35,160 --> 00:11:39,440 Speaker 1: Let's stop responding to a fake news um so. But 209 00:11:39,480 --> 00:11:41,440 Speaker 1: they're but they're touching it, they're doing something with it. 210 00:11:42,360 --> 00:11:45,480 Speaker 1: Can we talk about a big sequel? Oh, Michael B. 211 00:11:45,600 --> 00:11:48,719 Speaker 1: Jordan's is thought to be in it. Michael Jordan is 212 00:11:48,720 --> 00:11:52,760 Speaker 1: going to be in the amazing my oh he's so good. Anyway, Yes, sorry, Brodie. 213 00:11:52,800 --> 00:11:55,720 Speaker 1: Somebody texted in that Froggy sounds like wreck It Ralph, 214 00:11:56,520 --> 00:11:59,240 Speaker 1: which is John c Riley. So I didn't remember it 215 00:11:59,240 --> 00:12:01,360 Speaker 1: was John c Riley. So I put in on IMDb 216 00:12:01,720 --> 00:12:04,440 Speaker 1: dot com, the greatest website ever. I put in wreck 217 00:12:04,480 --> 00:12:07,400 Speaker 1: It to pull up the cast list, and it said 218 00:12:07,480 --> 00:12:10,880 Speaker 1: wreck it It sequel, So I clicked on it. It 219 00:12:10,920 --> 00:12:15,520 Speaker 1: said wreck Itt Ralph's sequel untitled. They don't have a 220 00:12:15,559 --> 00:12:21,200 Speaker 1: title yet for reckord Ralph, the sequel. It's gonna be Ralph? 221 00:12:22,559 --> 00:12:25,440 Speaker 1: Is it really a mystery? Well? Finding Finding Dory was 222 00:12:25,600 --> 00:12:28,079 Speaker 1: the sequel to finding Nemos. Yeah, but they were finding 223 00:12:28,080 --> 00:12:30,679 Speaker 1: somebody else. He's still going to wreck it. I mean, 224 00:12:30,840 --> 00:12:34,360 Speaker 1: that's that's what the man does. There's no spoiler. He 225 00:12:34,400 --> 00:12:36,520 Speaker 1: wrex it. You did all of this branding with the 226 00:12:36,520 --> 00:12:39,280 Speaker 1: first movie and then we're gonna call it what mc 227 00:12:39,280 --> 00:12:43,440 Speaker 1: betwna mess it up a little bit? Yeah, messed up? Ralph, Like, 228 00:12:43,440 --> 00:12:46,280 Speaker 1: what is that we're talking about? Patrick Stewart. The one 229 00:12:46,320 --> 00:12:48,600 Speaker 1: thing I took away from logan seventeen years of him 230 00:12:48,600 --> 00:12:51,640 Speaker 1: sitting down in a chair. He had a job. That's 231 00:12:51,640 --> 00:12:55,080 Speaker 1: all he did of the chair in a wheelchair. My 232 00:12:55,080 --> 00:12:57,600 Speaker 1: my friend Jeremy went to a show at Fashion Week. 233 00:12:57,640 --> 00:12:59,520 Speaker 1: I think it was Jay Cruise launched Fashion Week and 234 00:12:59,559 --> 00:13:01,319 Speaker 1: they had it sort of where instead of a runway, 235 00:13:01,400 --> 00:13:03,680 Speaker 1: it was just a room with the models around the 236 00:13:03,679 --> 00:13:05,560 Speaker 1: perimeter and you would just walk around and look at 237 00:13:05,559 --> 00:13:09,360 Speaker 1: all the models awkwardly. And he was doing it on 238 00:13:09,440 --> 00:13:11,440 Speaker 1: Instagram live, so I was watching him as he was 239 00:13:11,480 --> 00:13:13,720 Speaker 1: doing it, and some of the models got to sit 240 00:13:13,880 --> 00:13:15,960 Speaker 1: and some of them had to stand in poses and 241 00:13:16,000 --> 00:13:18,640 Speaker 1: it was for an hour, And who are the ahole 242 00:13:18,679 --> 00:13:20,719 Speaker 1: models to get to sit for an hour and then 243 00:13:20,760 --> 00:13:23,280 Speaker 1: dude next to you standing up can you like, tap out, 244 00:13:24,200 --> 00:13:25,719 Speaker 1: you sit and I'm going to stand how you can't 245 00:13:25,760 --> 00:13:27,439 Speaker 1: tap out? You can't make eye contact because one of 246 00:13:27,480 --> 00:13:29,760 Speaker 1: the models was his buddy and he couldn't. He just 247 00:13:29,760 --> 00:13:31,320 Speaker 1: stared in front of him and looked at him, and 248 00:13:31,320 --> 00:13:33,319 Speaker 1: his buddy could not look at him. Was like being 249 00:13:33,360 --> 00:13:36,280 Speaker 1: a queen's guard. So we're going to feel bad for 250 00:13:36,320 --> 00:13:38,360 Speaker 1: the hot guy in the expensive clothing who got paid 251 00:13:38,360 --> 00:13:42,679 Speaker 1: to do nothing. He still did more than Patrick the 252 00:13:42,760 --> 00:13:46,360 Speaker 1: chair the chair for seventeen years, and some of the 253 00:13:46,600 --> 00:13:49,040 Speaker 1: you have to do the wheelchair up until the last 254 00:13:49,040 --> 00:13:52,679 Speaker 1: movie was motorized in this one too. He's got a 255 00:13:52,679 --> 00:13:54,880 Speaker 1: little hand that he had Hugh Jackman carrying him around. 256 00:13:55,400 --> 00:14:01,839 Speaker 1: M lazy bastard, cripple letsten thing of the easiest movie 257 00:14:01,920 --> 00:14:07,120 Speaker 1: role to be Um the Shark and Jaws, Wenie Bernie. 258 00:14:09,160 --> 00:14:12,760 Speaker 1: That's where my first boobs in that movie because Bernie 259 00:14:13,040 --> 00:14:15,280 Speaker 1: he was being pulled along by a jet ski and 260 00:14:15,280 --> 00:14:18,000 Speaker 1: and the top came off. That's where I saw Kenny 261 00:14:18,000 --> 00:14:20,000 Speaker 1: Baker may rest in peace. The guy inside R two 262 00:14:20,080 --> 00:14:22,400 Speaker 1: D two he just had a right around somebody else 263 00:14:22,400 --> 00:14:25,440 Speaker 1: remote controlled it. We have to makeup, yeah, because it's 264 00:14:25,440 --> 00:14:29,200 Speaker 1: like this slots he didn't know where he was going. 265 00:14:30,000 --> 00:14:32,880 Speaker 1: He turned, he turned the turret on the top, but 266 00:14:33,080 --> 00:14:35,080 Speaker 1: he wasn't the one telling it where to go. And 267 00:14:35,120 --> 00:14:38,440 Speaker 1: if he was, I'm sure it wasn't that difficult. Anthony Daniels, 268 00:14:38,440 --> 00:14:40,080 Speaker 1: he was c three p oh, yeah, I mean he 269 00:14:40,160 --> 00:14:46,040 Speaker 1: still is that. He's gotta walk around. Yeah, that's tough. Bernie, Bernie, Okay, 270 00:14:46,520 --> 00:14:48,560 Speaker 1: is it Vin Diesel who does the voice of Grout. 271 00:14:49,240 --> 00:14:53,640 Speaker 1: Oh yeah, okay, here's his voice over job. I am Grouted. 272 00:14:53,920 --> 00:14:57,120 Speaker 1: That's it. That's all he said. Hey, do a ten 273 00:14:57,160 --> 00:15:00,680 Speaker 1: different ways. I am grouped. I have grouted. Agree. How 274 00:15:00,680 --> 00:15:02,880 Speaker 1: do you think the negotiations went for that movie? You know, 275 00:15:02,880 --> 00:15:04,840 Speaker 1: they come over like, hey, we wanted to play this part. 276 00:15:05,240 --> 00:15:09,600 Speaker 1: Let's say three words. How about how about the negotiations 277 00:15:09,600 --> 00:15:12,800 Speaker 1: for the sequel. They've already got his voice. I think 278 00:15:12,840 --> 00:15:15,520 Speaker 1: he got a half a million dollars for them. Yeah, 279 00:15:17,320 --> 00:15:20,880 Speaker 1: that's half. Who got eating on the toilet bowl in 280 00:15:20,960 --> 00:15:23,680 Speaker 1: Jurassic Park? All? Wait a minute, are we talking about 281 00:15:23,920 --> 00:15:28,720 Speaker 1: eating game the lawyer? All the Spanish guy. No, No, 282 00:15:28,800 --> 00:15:30,760 Speaker 1: not the Spanish guy. It was the blood sucking lawyer, right, 283 00:15:30,960 --> 00:15:35,360 Speaker 1: sit down, get eaten by a dinosaur. Yeah, but Paul 284 00:15:35,400 --> 00:15:39,160 Speaker 1: Walker as the t REGs, because if Paul Walker ate 285 00:15:39,240 --> 00:15:41,560 Speaker 1: him on the toilet, that's actually love podcast to come 286 00:15:41,600 --> 00:15:46,800 Speaker 1: full circle. You start doing that, that's a callback, folks. 287 00:15:46,960 --> 00:15:51,440 Speaker 1: Oh God, alright, let's get out of here. Do it again. 288 00:15:51,560 --> 00:15:54,640 Speaker 1: I would love to. Let's do another one right now, Paul. 289 00:15:54,680 --> 00:15:56,720 Speaker 1: We could never do two on the same thing. Would 290 00:15:56,800 --> 00:16:01,880 Speaker 1: never happen. The fifteen minute Morning Shell