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Speaker 1: I am all in.

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Speaker 2: I's you, I am all in with Scott Patterson and

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Speaker 2: iHeartRadio podcast.

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Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast one

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Speaker 1: eleven productions. iHeart Radio, iHeartMedia, I heart podcasts. Here with

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Speaker 1: My Intrepid Cruises and French taras Sude, Daniel Romo and

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Speaker 1: Amy the Big Boss Sugar Mon Gosh, Episode seven, Season seven,

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Speaker 1: French Twist.

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Speaker 3: What did you think?

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Speaker 1: I'm gonna say something very controversial and unexpected. But I

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Speaker 1: enjoyed this.

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Speaker 3: No, really, I did enjoy this.

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Speaker 1: Wow, I actually stopped you.

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Speaker 4: You were gonna hate it?

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Speaker 1: No, I didn't. I enjoyed the crap out of it.

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Speaker 1: As going to Danielle Romo phrase, I enjoyed the crap

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Speaker 1: out of this.

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Speaker 4: Shocked is.

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Speaker 1: Danielle?

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Speaker 3: Oh no oh, no oh no.

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Speaker 1: I decided just to give in and go with it, man,

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Speaker 1: And I mean, you have no other choice at this point.

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Speaker 1: It's like Emily Krota invited me onto the boat and

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Speaker 1: I enjoyed the ride. You know, all right, everybody, We're

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Speaker 1: going to take a little break. We'll be back after

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Speaker 1: these messages.

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Speaker 4: Daniel, what did you think?

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Speaker 5: I don't know if I can articulate articulate my thought.

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Speaker 5: Oh my god, I'm gonna need some help here.

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Speaker 4: I don't it was bad.

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Speaker 3: I'm so sorry, Danielle.

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Speaker 5: Yeah, yeah, yeah, I didn't enjoy it this one. I

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Speaker 5: just I was watching the whole time, and the end

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Speaker 5: really just pushed me off the cliff, like, I don't know,

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Speaker 5: I just I can't. I cannot with this episode.

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Speaker 3: There's one storyline I did not hate.

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Speaker 5: Going to tell you, there's one part that I did like.

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Speaker 4: Okay, okay, Suzanne, your thoughts on this, you know.

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Speaker 6: I actually I sometimes I skipped this one about half

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Speaker 6: the time, so sometimes I watch it. Sometimes I don't

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Speaker 6: watch it. But I actually watched it twice this time

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Speaker 6: because I really like to sink in and it actually

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Speaker 6: is worse than I remember. I took. I took multiple

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Speaker 6: pages of notes on this one.

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Speaker 4: Cute haircut, by the way, I like it.

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Speaker 6: Your hair kind kind of kicky.

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Speaker 4: Yeah, you got the long bob. It's real cute.

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Speaker 1: The one thing that I liked about the episode is

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Speaker 1: that the commitment that the writer's room made to continuing

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Speaker 1: this storyline and take it to this point kind of

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Speaker 1: won me over because I thought, they know they must

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Speaker 1: be getting lamb basted here at this.

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Speaker 4: Point, they probably have reviews.

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Speaker 1: Absolutely, and they're just taking all these slings and arrows,

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Speaker 1: but not of outrageous fortune. I think they're they're they're

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Speaker 1: getting a lot of criticism, but they stuck to their guns.

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Speaker 1: They got us to Paris. They got Emily back in

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Speaker 1: the fold. I mean, missus Kim back in the fold.

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Speaker 4: Oh yeah, and.

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Speaker 1: I know I just kind of went along for the

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Speaker 1: ride and didn't mind it.

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Speaker 4: Are your thoughts.

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Speaker 3: I didn't like it, but there was We'll get to it.

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Speaker 3: I don't want to spoil it yet, but there is

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Speaker 3: one storyline I was surprised that I enjoyed.

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Speaker 4: My problem is I can't really articulate my thoughts. I'm

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Speaker 4: sort of I'm like, oh, like, I don't know what

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Speaker 4: to say. I watched it. I wasn't miserable, I wasn't thrilled.

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Speaker 4: I just was like, I'm good, Okay.

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Speaker 3: You kind of have to just accept what this season is.

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Speaker 3: At this point, we're in seven episodes in listen.

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Speaker 1: This this this episode had a lot of Christian Ritter,

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Speaker 1: which is fantastic. Yeah, and it had a lot of

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Speaker 1: Emily Carorota, which is doubly fantastic. So there was a lot.

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Speaker 1: There was a lot for me to like about it,

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Speaker 1: uh and anticipate and enjoy, and it made the Paris

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Speaker 1: stuff palatable. And then there was that scene where he

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Speaker 1: proposed and it was like, yeah, all right, I mean,

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Speaker 1: you know, I get it. Now, this guy wants this

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Speaker 1: woman and he's breaking he's breaking the bank to do it.

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Speaker 1: And you say what you want about the spend. Okay,

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Speaker 1: the effort, the kind of guy that he was compared to,

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Speaker 1: But I almost kind of want to give him a break. Now.

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Speaker 1: I didn't hate him in this episode. I didn't.

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Speaker 5: I don't hate Christopher, Like I know that's going to

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Speaker 5: be unpopular. I don't hate him. I hate everything around

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Speaker 5: him also the situation. Right, yeah, I don't hate him.

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Speaker 5: I don't fault him in this situation. I truly don't

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Speaker 5: everything else.

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Speaker 6: You can't hate a child, right, it's just so Susanne dull.

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Speaker 4: Am I wrong that it's just kind of dull?

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Speaker 5: Yes, it's very dull.

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Speaker 4: It's just a little bit dull, and like, I know,

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Speaker 4: we'll talk about it. But the Rory stuff with the friends,

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Speaker 4: it reminded me like, Okay, we're trying to recreate what

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Speaker 4: we had at Chilton. Yeah, but it's not.

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Speaker 3: Yes, it was really funny. My mom walked by when

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Speaker 3: I was watching this and she's like, I don't remember

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Speaker 3: an episode where Rory had pink hair, and I was like,

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Speaker 3: it's season seven. She goes, oh, never mind, I never

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Speaker 3: watched this. It was really funny episode.

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Speaker 4: I think I've watched season seven a lot, because all

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Speaker 4: the episodes are very like I've seen all this a lot.

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Speaker 4: It's just kind of hell yeah, yeah.

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Speaker 6: For me, it just really cemented what we've all said

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Speaker 6: in the past about how Christopher is really living in

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Speaker 6: the past, like he's really hanging on to what they

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Speaker 6: had in high school.

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Speaker 5: The same with Laura. I the whole pizza story. That's

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Speaker 5: the only thing I didn't hate. The pizza story.

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Speaker 6: Yeah, yeah, that was part of it, the pizza story

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Speaker 6: from tenth grade. And then he was talking about I

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Speaker 6: wrote it down. We can We'll get to it when

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Speaker 6: we get to it, I guess. But you know, he's

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Speaker 6: he's talking about how they wanted to sleep on a

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Speaker 6: park bench, Like all this right, what they wanted to

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Speaker 6: do in the past, doesn't seem like I mean, I've

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Speaker 6: said I said this in a previous episode when we

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Speaker 6: were interviewing somebody, I forget which one it was. And

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Speaker 6: I don't see Christopher and Laurela as these long term soulmates.

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Speaker 6: I think that they were high school boyfriend and girlfriend

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Speaker 6: and he's just the guy that happened to get her pregnant.

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Speaker 4: And if she didn't.

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Speaker 6: Get pregnant, I don't think they would have stayed together.

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Speaker 6: I think it would have just fizzled out like high

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Speaker 6: school romances do. I don't think we'd be looking at

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Speaker 6: them in their mid thirties getting married. I think the

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Speaker 6: only the only thing holding them together is, you know,

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Speaker 6: the trauma of their unplanned pregnancy. Danielle's losing it.

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Speaker 5: I know I'm losing it because I'm having flashbacks right now.

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Speaker 5: And Christopher was like, I'm loaded.

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Speaker 6: Oh yes, to be a drinking game. Every time he

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Speaker 6: says that.

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Speaker 4: Forgets their rich not any rich person, Like who forgets that?

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Speaker 4: Nobody like what, I don't know, I'm gonna try it,

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Speaker 4: like just dull. I don't I know, I'm just being

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Speaker 4: so repetitive, and I'm just like.

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Speaker 6: I have all kinds of red flags that I'm gonna wave.

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Speaker 4: I guess red flag ever that I can't wait till

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Speaker 4: we get to that scene and I can just be like,

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Speaker 4: bloody red Flag.

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Speaker 1: Listen, the condemned is having their last meal. We should

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Speaker 1: just get on with the execution. Let's go, yeah, do it.

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Speaker 5: This is Season seven, Episode seven, French Twist. Air date

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Speaker 5: November fourteenth, two thousand and six. Christopher and Lurlai take

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Speaker 5: gg to Paris to be with Sherry. Meanwhile, their relationship

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Speaker 5: progresses at lightning speed. Rory's tenure as editor in chief

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Speaker 5: of the Yale Daily News ends, leaving her unsure of

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Speaker 5: her future. Plus Lane and Zach plant their future with twins.

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Speaker 4: First Red Flag, May I we went all the way

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Speaker 4: to Paris to see Sherry, and we.

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Speaker 6: Really true.

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Speaker 5: We also like, let's stick that Gigi is well behaved.

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Speaker 5: Now I'm over.

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Speaker 4: It in one year?

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Speaker 3: Yeah, right even, And also it's also like, is Lourlai

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Speaker 3: her mom?

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Speaker 1: Now?

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Speaker 4: Like it's so weird And anyway, Susanne.

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Speaker 6: So you started going like back to the way beginning.

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Speaker 6: Did you guys watch the last time on Gilmour Girls

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Speaker 6: and noticed that they totally gave away the boyfriend's secret?

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Speaker 3: Oh yeah. The second I saw Marty, I was like, really.

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Speaker 4: It's so weird.

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Speaker 6: Yeah, It's like we haven't seen Marty for two years,

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Speaker 6: and now they put him in the recap. It's like, Okay,

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Speaker 6: I guess Marty's coming back. Like that kind of took

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Speaker 6: the wind out of the sails of the whole boyfriend thing.

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Speaker 5: Yeah, yeah, talk about he is a different person.

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Speaker 4: Scott. Were you like, whoa boyfriend is Marty?

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Speaker 1: No? I didn't really care. It's like so that that

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Speaker 1: was the biggest like, yawn, what who cares?

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Speaker 4: I hate it.

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Speaker 5: It's kind of spic sy.

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Speaker 2: Yeah.

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Speaker 3: I like Marty.

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Speaker 1: Yeah, No, I like like Marty too. But it's like

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Speaker 1: I'm watching Kristin Ritter, She's fantastic. Yeah, just like that.

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Speaker 4: They called him boyfriend boyfriend. I was like, can you

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Speaker 4: call him Marty?

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Speaker 1: Yeah.

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Speaker 6: So then the actual show starts and they're coming out

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Speaker 6: of the house getting ready to get in the car

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Speaker 6: to go to the airport. There were some cute pumpkins

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Speaker 6: on the porch. I actually I had in my head

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Speaker 6: that this episode was later in the year than it was,

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Speaker 6: and so I was like, why are there pumpkins on

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Speaker 6: the porch? And then I realized this because it aired

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Speaker 6: in November. For some reason, I thought we were in

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Speaker 6: the springtime already.

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Speaker 5: I thought, so she Yeah, is she graduating in wintertime?

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Speaker 3: Then that was that's the confusing part because she's graduating soon. Yeah,

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Speaker 3: Logan was gone for the summer and then she came

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Speaker 3: back to school, but like, is this end of first

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Speaker 3: semester and maybe she's graduating. Secondly, she's graduating in the spring.

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Speaker 6: Yeah, because Paris was talking about being a TA next semester.

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Speaker 4: For some reason, she's just giving up the paper. It's

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Speaker 4: really weird.

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Speaker 3: For her last semester.

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Speaker 4: Yeah, Timeline has full flags all over the place.

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Speaker 5: It happened fast. I thought we were is what isn't summertime?

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Speaker 6: Yeah, it feels it doesn't feel like fall. It's not

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Speaker 6: like your typical stars Hollow Fall episode.

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Speaker 5: Yeah weird.

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Speaker 3: No, And Susann, you have a point that like the

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Speaker 3: only gist of fall we got were like two pumpkins

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Speaker 3: on the porch. We usually see the town all decorated.

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Speaker 1: Yeah, wee.

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Speaker 4: Reason I know is because this is how I know

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Speaker 4: Logan's left. And remember she was so disappointed because she

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Speaker 4: wanted to go see Logan like at the end of summer.

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Speaker 4: But then he's like Christmas, and we know it's not Christmas,

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Speaker 4: so we just that are kind.

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Speaker 6: Of like in the middle it's that's a good point.

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Speaker 6: So that scene just establishes that there, this is the

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Speaker 6: episode where they're going to Paris. That was kind of

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Speaker 6: the whole point of that scene. Lorla, I totally messed

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Speaker 6: up on the car seat straps like.

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Speaker 1: That was oh god, yeah really.

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Speaker 6: Maybe that was intentional. I don't know.

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Speaker 4: I just thought it was so weird. How all of

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Speaker 4: a sudden she was so close and tight with j

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Speaker 4: Yeah it was over like WHOA fine? Great? But how

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Speaker 4: did that happen?

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Speaker 1: Yeah?

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Speaker 5: So bad?

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Speaker 1: Hey guys, uh, now available for you The Gilmore Girls Coffees,

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Speaker 1: Luke's Diner, Blend Stars, Hollow Signature Blend hazel Nut and

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Speaker 1: the Dragonfly and Talk Flast Fast two X Caffeine Blend

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Speaker 1: Call toll free eight eight eight seven O two seven

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Speaker 1: eight seven three. That is eight eight eight seven O

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Speaker 1: two seven eight seven three and eight Brothers again.

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Speaker 3: What's that number again?

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Speaker 1: I think it's eight eight eight seven O two seven

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Speaker 1: eight seven three. That's trip eight seventy twenty seven eighty

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Speaker 1: seven three. And somebody from Warner Brothers will call you back,

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Speaker 1: or they will answer the phone. And Suzanne, you and

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Speaker 1: John ordered and you got your three packed tell us

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Speaker 1: what it was like.

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Speaker 3: It was a super Yeah, it.

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Speaker 6: Was a really easy ordering process. And I am not

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Speaker 6: being paid to say this. We left a message over

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Speaker 6: the weekend. They called us back on Monday morning. It

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Speaker 6: shipped on Tuesday and landed on my front porch on Wednesday.

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Speaker 1: A nice box. It had come in a nice one

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Speaker 1: of the nice box.

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Speaker 6: It was very well packaged. It was very cool, very

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Speaker 6: easy process that people were super nice.

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Speaker 1: Yeah, so go ahead and order.

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Speaker 7: Uh.

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Speaker 1: The phone lines are open, uh, and we appreciate your business.

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Speaker 6: And then it goes to the news, the Yale Daily News,

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Speaker 6: and we find out that Rory, her term as editor

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Speaker 6: in chief is over. So I had to call. I

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Speaker 6: had to think about that too, because then I realized

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Speaker 6: she only did part of a term because she took

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Speaker 6: over for Paris, so she wasn't even the editor for

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Speaker 6: an entire year. And now it's going to be Bill's turn.

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Speaker 6: They give her that giant pencil that was kind of cute.

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Speaker 4: It was that was cute, and they all love her

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Speaker 4: and Paris is there's a speech.

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Speaker 6: Minor minor red flag. When Jonie was talking, her cup

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Speaker 6: was empty, and then when she gave Rory a hug.

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Speaker 6: Rory said something about, now, I'm what, but the cup

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Speaker 6: was in.

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Speaker 4: Just be quiet the whole thing. I still was a

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Speaker 4: little bit before. I'm just a little bit like.

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Speaker 6: Yeah, I mean I didn't mind that scene.

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Speaker 4: I didn't.

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Speaker 6: I didn't hate it. It was it was okay, yeah,

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Speaker 6: okay it Then we go then we go to Lane

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Speaker 6: and Zach's apartment and they're looking at their old sound picture.

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Speaker 6: Oh Zach, so he apparently is confused and thinks that

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Speaker 6: twins and conjoined twins are the same thing. I mean,

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Speaker 6: they kept saying something.

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Speaker 4: The wrong word. Yeah right anymore.

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Speaker 6: Yeah, oh, I.

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Speaker 3: Didn't know that.

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Speaker 1: I just thought, as I thought, that was a little weak.

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Speaker 4: Yeah, it was a weak gag because nobody thinks that,

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Speaker 4: agree Scott, like, even Zach like.

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Speaker 6: I mean he's not like super intelligent, but he's not

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Speaker 6: that stupid. I mean, he's not going to think that.

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Speaker 1: I just you know, what's disturbing is that, you know,

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Speaker 1: they're having twins, and she's so upset all the time

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Speaker 1: about it. It seems it's like, you know, where's this

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Speaker 1: glow and pride of motherhood?

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Speaker 8: And well, yeah, I don't I don't fault her for

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Speaker 8: that because she wasn't planning to have one kid and

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Speaker 8: now she has to have to.

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Speaker 6: So I kind of understand.

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Speaker 1: All that stress going right into the baby.

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Speaker 6: Well that's just how it allows.

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Speaker 5: I mean, but I do get what you're saying, Scott,

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Speaker 5: because it's like everything about her situation has been awful. Like,

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Speaker 5: she moves in, Yeah, she moves in with the other roommates.

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Speaker 1: A drama, drama all the time.

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Speaker 5: Yeah, has sex for the first time on a beach,

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Speaker 5: didn't like it at all, gets pregnant, it finds out

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Speaker 5: it's twins. You know, this is kim makes you move

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Speaker 5: back in? Yeah, Like like just so many bad things

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00:16:41,320 --> 00:16:43,760
Speaker 5: happening in the lane. I want her to enjoy something

303
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Speaker 5: for a change, right.

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Speaker 4: And this they're not that funny. I think that's the

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Speaker 4: problem too, if, like, like Scott said, the gag didn't

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Speaker 4: really work, so her angst isn't enjoyable because the jokes

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00:16:57,960 --> 00:17:02,960
Speaker 4: aren't working right. No one's like, what we're evn conjoined twins?

308
00:17:02,960 --> 00:17:06,800
Speaker 4: Oh you we're just having regular twits Like what come on?

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Speaker 2: Yeah?

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Speaker 6: I did think it was funny that she was freaked

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Speaker 6: out about her mother thinking that they had sex before

312
00:17:14,520 --> 00:17:16,919
Speaker 6: they got married, Like that was what her concern was

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Speaker 6: that she was what her mom was gonna think.

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Speaker 5: The one thing I would say that I do find

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Speaker 5: enjoyable in this is how missus Kim is kind of

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Speaker 5: like rising to the occasion. I'm kind of like, all right,

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Speaker 5: missus Kim. I'm I'm enjoying missus Kim right now.

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Speaker 1: That she lifted this whole episode. Yeah, that's what I

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Speaker 1: was going to say.

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Speaker 3: That was my favorite part of this episode is just

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Speaker 3: considering what we're like the storyline. She made it so

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Speaker 3: much better because you expect that from her, like, oh, okay,

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Speaker 3: you can move in and if not, well I'm going

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Speaker 3: to move in.

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Speaker 4: Like you know.

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Speaker 1: And she her she's such a good actress and only

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Speaker 1: Krota is so under rage and so overlooked. She was

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Speaker 1: nailing every single line. She was doing her business, she

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00:18:10,520 --> 00:18:15,960
Speaker 1: was living in her space. I mean it was excited.

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Speaker 5: Yeah, like when when Lane told her she was pregnant.

331
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Speaker 5: You've saw tears in her eyes, but then she quickly

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00:18:20,920 --> 00:18:23,040
Speaker 5: was like, and now we are going to do like

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00:18:23,200 --> 00:18:24,280
Speaker 5: we are going to make.

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Speaker 6: Yeah.

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Speaker 4: I love very authentically that character. Whether Emily plays it

336
00:18:30,840 --> 00:18:34,920
Speaker 4: so authentically or she just is missus Kim. I don't know,

337
00:18:35,000 --> 00:18:40,399
Speaker 4: but that character is never like off, it's just she's funny.

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Speaker 1: It's consistently amazing.

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Speaker 4: And they're leveled up. In the scenes with her, he

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Speaker 4: was much Zach was much more enjoyable with her than

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Speaker 4: the scene with just Lane.

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Speaker 1: She's like the you know, the master level who raises

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Speaker 1: it every buddy's game. Yeah, I agree, So keep up

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00:19:02,960 --> 00:19:07,480
Speaker 1: with me, you know, absolutely stunning performance. It made the

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00:19:07,480 --> 00:19:12,160
Speaker 1: whole episode for me, really did. Yeah, when you leave Emily,

346
00:19:12,240 --> 00:19:13,680
Speaker 1: it's like, oh no, come back.

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Speaker 4: Yeah yeah, because Roaring and Lorelize were sort of the

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00:19:16,840 --> 00:19:22,520
Speaker 4: there are storylines we're like, not great anyway.

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Speaker 1: Yeah, I agree, I agree.

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Speaker 6: Okay, So then we are all of a sudden in

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Speaker 6: Paris and this is where it starts going.

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Speaker 4: We were in the hotel, like we go immediately just

353
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Speaker 4: into the hotel room, and we have like weird shots

354
00:19:35,440 --> 00:19:41,720
Speaker 4: of Paris. Yeah, like they've already dropped off. I meant earlier,

355
00:19:42,400 --> 00:19:45,200
Speaker 4: I wanted them to. I wanted to see that part,

356
00:19:45,280 --> 00:19:47,080
Speaker 4: like I wanted to see gg.

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00:19:48,320 --> 00:19:50,639
Speaker 3: It feels like we're on a we're on a romantic

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00:19:50,720 --> 00:19:53,199
Speaker 3: trip with the footage of Paris.

359
00:19:53,200 --> 00:19:56,960
Speaker 4: Stock footage of Paris, stock footage of Paris now we're

360
00:19:56,960 --> 00:19:57,320
Speaker 4: in a.

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00:19:58,520 --> 00:20:03,080
Speaker 5: There's a European street at the Universal backlot, Like, can

362
00:20:03,119 --> 00:20:04,920
Speaker 5: you just go there? For one scene?

363
00:20:06,880 --> 00:20:10,399
Speaker 1: I thought it looked I thought it looked a little Parisian.

364
00:20:10,480 --> 00:20:12,200
Speaker 1: I thought they.

365
00:20:13,440 --> 00:20:15,560
Speaker 6: Did use when they were running around looking for food

366
00:20:15,600 --> 00:20:17,000
Speaker 6: they were at Universal.

367
00:20:16,640 --> 00:20:19,560
Speaker 4: They were yeah, yeah, because then I felt like they

368
00:20:19,560 --> 00:20:21,560
Speaker 4: went to a hotel room that looked kind of like

369
00:20:22,480 --> 00:20:29,080
Speaker 4: the Reach Bevwell or like the four seasons Christopher has.

370
00:20:29,400 --> 00:20:32,960
Speaker 1: You know, here's another thing that really sustained this episode

371
00:20:32,960 --> 00:20:37,000
Speaker 1: for me. Lee Shallotte Chimmel I think that is her name,

372
00:20:37,480 --> 00:20:44,080
Speaker 1: directed this episode. And uh, that lady knows how to

373
00:20:44,080 --> 00:20:47,120
Speaker 1: shoot an episode. That woman knows how where to put

374
00:20:47,160 --> 00:20:52,960
Speaker 1: a camera. That's what I was so engaged. I kept saying, boy,

375
00:20:53,080 --> 00:20:55,680
Speaker 1: this is this is a little different. She really knows

376
00:20:55,680 --> 00:20:58,760
Speaker 1: where to put a camera, she knows who to stay on.

377
00:20:58,960 --> 00:21:01,240
Speaker 1: I think the editing was beautiful. That's what kind of

378
00:21:01,240 --> 00:21:04,480
Speaker 1: sustained me. It was it was Emily's performance, it was

379
00:21:04,680 --> 00:21:07,400
Speaker 1: Kristin Ritter, it was a couple of other things, and

380
00:21:07,440 --> 00:21:09,520
Speaker 1: it was the director who kept me in it, you know.

381
00:21:09,720 --> 00:21:15,800
Speaker 6: And she she did multiple episodes of the show, shooting

382
00:21:16,160 --> 00:21:17,280
Speaker 6: the pilot and the.

383
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Speaker 4: Okay, so she knows how to.

384
00:21:20,680 --> 00:21:26,080
Speaker 1: I thought the pilot was Leslie Linka Gladder, not Lee Shallotte.

385
00:21:27,359 --> 00:21:29,720
Speaker 1: You know Leslie linka Gladder. I think that's the pilot.

386
00:21:30,080 --> 00:21:32,440
Speaker 5: We could look it at.

387
00:21:31,600 --> 00:21:35,040
Speaker 1: Yeah, because she was in the Leslie linka Gladder was

388
00:21:35,080 --> 00:21:37,959
Speaker 1: in the meeting that I went into the audition, I

389
00:21:38,000 --> 00:21:43,760
Speaker 1: was there, so.

390
00:21:41,080 --> 00:21:42,399
Speaker 6: So the in the hotel.

391
00:21:42,840 --> 00:21:49,960
Speaker 1: Did I know something that Susanne French the first in

392
00:21:50,040 --> 00:21:50,760
Speaker 1: the history?

393
00:21:51,320 --> 00:21:53,400
Speaker 4: Must feel good? That must feel good?

394
00:21:54,320 --> 00:21:58,480
Speaker 3: It was Leslie old Scott for the win.

395
00:21:58,720 --> 00:22:01,680
Speaker 4: You get up? Then did she do the finale too?

396
00:22:01,680 --> 00:22:03,840
Speaker 6: Because I thought the same person did the finale and

397
00:22:03,920 --> 00:22:04,400
Speaker 6: the pilot.

398
00:22:05,400 --> 00:22:07,200
Speaker 1: I don't know she did the finale.

399
00:22:07,320 --> 00:22:09,280
Speaker 4: We will have someone look that up too.

400
00:22:09,720 --> 00:22:13,639
Speaker 6: Okay, well, so back to the hotel room for a second,

401
00:22:15,359 --> 00:22:16,120
Speaker 6: talking about it.

402
00:22:16,160 --> 00:22:19,280
Speaker 4: In a mediocre okay hotel room. Sorry, I did love it.

403
00:22:19,640 --> 00:22:22,920
Speaker 6: And did you notice that the comforter on the bed

404
00:22:23,080 --> 00:22:25,880
Speaker 6: is the exact same comforter that was on her bed

405
00:22:25,960 --> 00:22:30,320
Speaker 6: in Stars Hollow. Oh It's like literally the same. Like

406
00:22:30,359 --> 00:22:33,000
Speaker 6: they couldn't even be bothered to get a different comfort.

407
00:22:33,200 --> 00:22:34,960
Speaker 4: That room was just so periwinkle.

408
00:22:35,840 --> 00:22:41,359
Speaker 6: Yeah, yeah, it was lead did the finale too? Or wait,

409
00:22:41,480 --> 00:22:43,679
Speaker 6: so Lee did the finale but not the pilot. I

410
00:22:43,760 --> 00:22:46,120
Speaker 6: thought the same person did both.

411
00:22:46,960 --> 00:22:50,760
Speaker 3: According to IMDb, leads to the finale and Leslie did

412
00:22:50,760 --> 00:22:51,240
Speaker 3: the pilot.

413
00:22:52,040 --> 00:22:55,120
Speaker 4: Interesting, Okay, I didn't love the hotel room, Like, at least,

414
00:22:55,119 --> 00:22:57,080
Speaker 4: if you're going to take me to Paris, fake Paris,

415
00:22:57,520 --> 00:22:59,320
Speaker 4: get me a gorge hotel.

416
00:22:59,000 --> 00:23:04,440
Speaker 6: Room, right, exactly something that someone who was loaded would have, right.

417
00:23:04,560 --> 00:23:07,560
Speaker 4: It was sort of like, yeah, it just reminded me

418
00:23:07,600 --> 00:23:10,600
Speaker 4: of like a regular room, not the pretty woman suite,

419
00:23:10,600 --> 00:23:12,760
Speaker 4: but a regular room at the rege above Will.

420
00:23:13,480 --> 00:23:16,639
Speaker 6: And then Chris compliments Laura. I. I thought this was

421
00:23:16,680 --> 00:23:19,719
Speaker 6: a little condescending. He complimented her on how good she

422
00:23:20,040 --> 00:23:24,760
Speaker 6: was with Sherry. I don't know. I never saw right

423
00:23:25,600 --> 00:23:27,800
Speaker 6: rubbed me the wrong way. It's like, I don't know,

424
00:23:27,920 --> 00:23:30,880
Speaker 6: she doesn't need his approval of her behavior.

425
00:23:31,040 --> 00:23:33,439
Speaker 3: But I also thought this part is sorry. Is this

426
00:23:33,440 --> 00:23:35,119
Speaker 3: the part where they talk about he's trying to make

427
00:23:35,119 --> 00:23:40,199
Speaker 3: a reservation. Yes, like knowing Laurai, she would be like,

428
00:23:40,520 --> 00:23:42,280
Speaker 3: we need food right now, like she would go. It

429
00:23:42,359 --> 00:23:45,520
Speaker 3: just seemed very like, I don't know, not laurl I

430
00:23:45,800 --> 00:23:49,000
Speaker 3: like food is such an important part in her life,

431
00:23:49,080 --> 00:23:51,040
Speaker 3: but it felt a little odd.

432
00:23:51,160 --> 00:23:54,520
Speaker 1: That's a good point Daddy Warbucks have have a buffet

433
00:23:54,600 --> 00:23:55,520
Speaker 1: set up in the ring.

434
00:23:55,600 --> 00:23:57,120
Speaker 4: Is mini bar? Where's the mini?

435
00:23:58,920 --> 00:24:00,520
Speaker 3: You can even walk down the street and just I'm

436
00:24:00,520 --> 00:24:02,520
Speaker 3: sure there's something open somewhere, you know.

437
00:24:02,960 --> 00:24:05,119
Speaker 5: The Paris version of seven eleven.

438
00:24:05,200 --> 00:24:11,720
Speaker 4: Know, I thought this whole storyline was so boring.

439
00:24:12,640 --> 00:24:14,520
Speaker 5: Oh the bread, it's going into the truck.

440
00:24:14,680 --> 00:24:14,880
Speaker 1: Oh.

441
00:24:15,080 --> 00:24:17,840
Speaker 4: I mean first, I know we're not there yet, but

442
00:24:17,880 --> 00:24:19,159
Speaker 4: I just have to say it because I'm getting so

443
00:24:19,240 --> 00:24:23,520
Speaker 4: irritated and I'm trying to like when they finally go

444
00:24:23,560 --> 00:24:27,199
Speaker 4: outside after hours, which we'll talk about, and the person

445
00:24:27,320 --> 00:24:30,480
Speaker 4: is coming with the sandwich, and then they go the

446
00:24:30,560 --> 00:24:33,720
Speaker 4: way the guy is going as opposed to going the

447
00:24:33,800 --> 00:24:38,800
Speaker 4: other direction where he obviously got the bread. Whatever. Let's

448
00:24:38,840 --> 00:24:42,320
Speaker 4: talk about them sleeping like it's so boring.

449
00:24:42,280 --> 00:24:47,879
Speaker 1: Yeah, does he bring her down to his level of obnoxiousness?

450
00:24:47,920 --> 00:24:50,560
Speaker 4: They're they're boring together.

451
00:24:52,040 --> 00:24:54,119
Speaker 3: The right way to describe any think.

452
00:24:54,359 --> 00:24:59,680
Speaker 4: Oh I'm so tired, Okay, let sleep. Oh I'm so hungry, okay,

453
00:24:59,760 --> 00:25:02,879
Speaker 4: let's trying to blame. Never one in Paris.

454
00:25:03,119 --> 00:25:05,879
Speaker 3: Never once did Laura I say like, I'm so hungry,

455
00:25:05,920 --> 00:25:07,560
Speaker 3: but it's okay, I'll sleep on it.

456
00:25:08,960 --> 00:25:13,160
Speaker 4: Right, And also, what you're at like a nice, very

457
00:25:13,200 --> 00:25:17,439
Speaker 4: fancy hotel. They obviously have something, and there's a mini

458
00:25:17,480 --> 00:25:21,720
Speaker 4: bar that obviously probably has Parisian chips and Parisian m

459
00:25:21,720 --> 00:25:27,000
Speaker 4: and m's what there wasn't Why why wasn't there.

460
00:25:26,960 --> 00:25:28,959
Speaker 1: One Jaddy Warbucks way to go?

461
00:25:30,000 --> 00:25:31,879
Speaker 5: I go to the front desk, and do you have

462
00:25:32,000 --> 00:25:33,560
Speaker 5: like mint chocolates?

463
00:25:33,720 --> 00:25:36,639
Speaker 4: All fancy hotels here's why they have mini bars or

464
00:25:36,640 --> 00:25:39,879
Speaker 4: they have like that basket with nuts because they charge

465
00:25:39,880 --> 00:25:43,280
Speaker 4: you forty two dollars for a bag of nuts. This

466
00:25:43,440 --> 00:25:46,080
Speaker 4: big and that hotel would have had. I just and

467
00:25:46,119 --> 00:25:50,520
Speaker 4: I'm so bored. I don't care. I don't care. Sorry,

468
00:25:50,640 --> 00:25:53,399
Speaker 4: I'm just like, I don't care that you can't find

469
00:25:53,640 --> 00:25:54,360
Speaker 4: a cracker?

470
00:25:54,720 --> 00:25:54,800
Speaker 1: What?

471
00:25:55,640 --> 00:25:57,320
Speaker 6: Yeah, Exactly.

472
00:25:59,040 --> 00:26:02,040
Speaker 1: That scene is if if missus Kim came out from

473
00:26:02,080 --> 00:26:03,000
Speaker 1: underneath the bed.

474
00:26:03,880 --> 00:26:10,119
Speaker 4: Whether her vegan or whatever, would have saved it was like,

475
00:26:10,119 --> 00:26:11,800
Speaker 4: could you just have chips so they could talk about

476
00:26:11,800 --> 00:26:15,240
Speaker 4: something interesting? Like are there no chips anywhere? And also

477
00:26:15,480 --> 00:26:21,840
Speaker 4: somebody like me, somebody like you has a peanut butter

478
00:26:21,920 --> 00:26:24,600
Speaker 4: cup in her purse, like if I was going on

479
00:26:24,640 --> 00:26:27,520
Speaker 4: a trip like that, and I know Lorlai, she's got

480
00:26:27,760 --> 00:26:28,520
Speaker 4: snacks in that.

481
00:26:28,480 --> 00:26:31,320
Speaker 3: Purpose she grew up the candy bar from the airport totally.

482
00:26:32,119 --> 00:26:34,639
Speaker 4: Also, it was four in the morning. They keeping like,

483
00:26:34,720 --> 00:26:38,000
Speaker 4: it's so late at night. No, actually it's morning. It's

484
00:26:38,640 --> 00:26:39,200
Speaker 4: in the morning.

485
00:26:39,520 --> 00:26:42,320
Speaker 6: The whole rant about the whole timing, the.

486
00:26:42,320 --> 00:26:45,000
Speaker 1: Timeline is so it's like in one hour they did

487
00:26:45,080 --> 00:26:46,040
Speaker 1: so many things.

488
00:26:46,119 --> 00:26:50,680
Speaker 3: Yeah, and it's like there's not a wave in one hour.

489
00:26:51,480 --> 00:26:56,280
Speaker 1: They you know, they they made whoopee for like a minute,

490
00:26:56,600 --> 00:26:59,800
Speaker 1: and then they took a two minute shower and then

491
00:26:59,800 --> 00:27:02,919
Speaker 1: they we're out in the street at five, look at

492
00:27:03,119 --> 00:27:03,639
Speaker 1: ut f a.

493
00:27:05,320 --> 00:27:08,080
Speaker 4: Everything happened at four. They wake up at four. Then

494
00:27:08,119 --> 00:27:11,399
Speaker 4: they looked for bread at four. Then they came home

495
00:27:11,600 --> 00:27:15,000
Speaker 4: and did it as far and then it was finally

496
00:27:15,240 --> 00:27:18,920
Speaker 4: only five. And also, I don't care how rich you are,

497
00:27:19,000 --> 00:27:21,639
Speaker 4: if you don't know the owner of the restaurant's phone number,

498
00:27:22,280 --> 00:27:25,199
Speaker 4: you can't call him to be like, hey, open up and.

499
00:27:25,440 --> 00:27:26,640
Speaker 3: Get an entire staff.

500
00:27:27,160 --> 00:27:30,040
Speaker 4: Unless it was the hotel restaurant, then maybe you could

501
00:27:30,080 --> 00:27:32,359
Speaker 4: call the concierge and be like, I'm gonna pay this much.

502
00:27:32,560 --> 00:27:35,880
Speaker 4: But yet they went like around the neighborhood. The whole

503
00:27:35,880 --> 00:27:39,359
Speaker 4: thing was so dumb. Can I just say it? Okay,

504
00:27:39,400 --> 00:27:42,240
Speaker 4: now I'm awake. Now I'm fired up. It's so boring.

505
00:27:42,600 --> 00:27:49,520
Speaker 4: It's making my back hurt. Oh they're in Paris, like,

506
00:27:49,960 --> 00:27:53,200
Speaker 4: get sorry, Let me just all rant for one moment,

507
00:27:53,200 --> 00:27:57,640
Speaker 4: then I'll shut up. Get some crackers, steal a back,

508
00:27:57,640 --> 00:27:59,320
Speaker 4: get out of the back of that van.

509
00:28:00,119 --> 00:28:04,439
Speaker 6: Get the guy that I morel I didn't do that.

510
00:28:04,920 --> 00:28:07,560
Speaker 5: Yeah, you tap that that bread man on the shoulder

511
00:28:07,680 --> 00:28:09,840
Speaker 5: and gave him a hondo. He's going to give you

512
00:28:09,880 --> 00:28:10,960
Speaker 5: a bagett.

513
00:28:10,640 --> 00:28:12,240
Speaker 3: Because Christopher is loading.

514
00:28:12,720 --> 00:28:16,480
Speaker 1: Christopher distracts or Laurel I distracts the bread man. Christopher

515
00:28:17,040 --> 00:28:19,960
Speaker 1: pinches a couple of loaves. It's not about.

516
00:28:19,359 --> 00:28:22,480
Speaker 4: Notice that the door of the bakery didn't close properly.

517
00:28:22,680 --> 00:28:26,480
Speaker 6: Yes, I was like you could tell it was like

518
00:28:26,520 --> 00:28:27,480
Speaker 6: a cheap set.

519
00:28:27,840 --> 00:28:33,320
Speaker 5: Or if anything's open at five am, it's a bakery

520
00:28:33,320 --> 00:28:34,119
Speaker 5: thing that's open.

521
00:28:36,000 --> 00:28:39,120
Speaker 4: It's so boring, you guys, it's so boring.

522
00:28:48,440 --> 00:28:51,360
Speaker 6: We go back to Yale. Now this scene made me

523
00:28:51,480 --> 00:28:56,240
Speaker 6: laugh as a pharmacist listening to Paris talking about all

524
00:28:56,280 --> 00:29:00,800
Speaker 6: the different antidepressant meds that Rory could be taking lexapro,

525
00:29:01,760 --> 00:29:05,000
Speaker 6: so that that made me chuckle. She she was she

526
00:29:05,200 --> 00:29:08,240
Speaker 6: was actually correct in some of what she was saying,

527
00:29:08,240 --> 00:29:11,200
Speaker 6: but just a little outdated, So Paris is gonna be

528
00:29:11,240 --> 00:29:13,720
Speaker 6: a TA next semester. She's telling Rory to find something

529
00:29:13,760 --> 00:29:15,240
Speaker 6: to do with her free time now that she's not

530
00:29:15,400 --> 00:29:19,640
Speaker 6: on the paper anymore, and that's setting up the whole

531
00:29:20,160 --> 00:29:22,360
Speaker 6: you need some friends th juz Anne.

532
00:29:22,560 --> 00:29:25,960
Speaker 4: This is the beginning of what am I gonna do

533
00:29:26,000 --> 00:29:31,960
Speaker 4: with my life? That apparently takes twenty years.

534
00:29:33,280 --> 00:29:34,920
Speaker 3: Yeah, that's what I thought of Amy.

535
00:29:34,960 --> 00:29:39,360
Speaker 4: I like literally when I heard that, I was like, well,

536
00:29:39,520 --> 00:29:44,640
Speaker 4: this is where this begins. Yes, yeah, I digress. I'm sorry, Scott,

537
00:29:44,680 --> 00:29:48,040
Speaker 4: which is out of character for Rory, who's such a

538
00:29:48,080 --> 00:29:52,680
Speaker 4: planner and thank you. It makes no sense right, Like

539
00:29:52,760 --> 00:29:54,760
Speaker 4: it hasn't occurred to her if she's going to go

540
00:29:54,800 --> 00:29:57,880
Speaker 4: to grad school, Like I know, it's you know, still fall,

541
00:29:58,000 --> 00:30:00,480
Speaker 4: but she needs to be like winding up up letters

542
00:30:00,480 --> 00:30:03,440
Speaker 4: of recommendation and taking the gre if she's going to

543
00:30:03,480 --> 00:30:05,880
Speaker 4: go to grad school, you know. Like it seemed weird

544
00:30:05,920 --> 00:30:08,360
Speaker 4: that she seemed to not have given any thought to

545
00:30:08,440 --> 00:30:12,000
Speaker 4: what her future is. Thank you so much, and then

546
00:30:12,000 --> 00:30:14,280
Speaker 4: she's like boohoo ing about it. Come on, this is

547
00:30:14,320 --> 00:30:17,560
Speaker 4: not this is why I'm like, Rory is more irritating

548
00:30:17,600 --> 00:30:22,120
Speaker 4: in season seven than Lorrali. Lor LII is fine.

549
00:30:23,320 --> 00:30:26,320
Speaker 5: I agree. I don't know the rest of season seven,

550
00:30:26,440 --> 00:30:30,240
Speaker 5: but Rory has always bugged me since season one, so

551
00:30:30,680 --> 00:30:34,960
Speaker 5: I'm kind of like, oh, same different day. But Lorlai

552
00:30:35,320 --> 00:30:36,840
Speaker 5: is really just killing me.

553
00:30:37,440 --> 00:30:41,280
Speaker 6: Yeah, I agree with that. And then we go to

554
00:30:41,520 --> 00:30:46,120
Speaker 6: Missus Him's, Lane and Zach are They're just silent. They're

555
00:30:46,120 --> 00:30:49,720
Speaker 6: all having dinner. I did notice that Zach was using

556
00:30:49,800 --> 00:30:52,440
Speaker 6: chopsticks and Lane and her mom were using spoons.

557
00:30:53,320 --> 00:30:56,800
Speaker 3: Yeah, and there was some random like click clacking that

558
00:30:56,840 --> 00:31:00,800
Speaker 3: didn't match. Did you notice this? I didn't like it, Like, wait,

559
00:31:00,840 --> 00:31:03,560
Speaker 3: this is this is with missus cam right, Like there

560
00:31:03,640 --> 00:31:06,320
Speaker 3: was like a click clack sound, but it didn't match,

561
00:31:06,520 --> 00:31:12,080
Speaker 3: like them scooping anything brain. I don't think so it was.

562
00:31:12,120 --> 00:31:13,960
Speaker 3: It was so silent, that's all I noticed.

563
00:31:14,000 --> 00:31:16,160
Speaker 4: That's like it was trying to match the sound. Oh,

564
00:31:16,160 --> 00:31:18,080
Speaker 4: that's going to need to rewatch. We're going to need

565
00:31:18,120 --> 00:31:18,560
Speaker 4: to go back.

566
00:31:18,560 --> 00:31:21,000
Speaker 3: And unless I was falling asleep when it happened, but

567
00:31:21,000 --> 00:31:22,800
Speaker 3: I'm pretty sure I was like, what's that noise.

568
00:31:23,000 --> 00:31:26,680
Speaker 4: We talked about? I interjected, Have we consoled you for

569
00:31:26,760 --> 00:31:28,600
Speaker 4: your broken foot?

570
00:31:29,880 --> 00:31:30,720
Speaker 1: Your phone?

571
00:31:31,320 --> 00:31:31,440
Speaker 7: Oh?

572
00:31:31,520 --> 00:31:36,640
Speaker 4: Yeah, tell the whole thing. Tell it, Tell it, Tara,

573
00:31:37,280 --> 00:31:38,600
Speaker 4: So tell Scott.

574
00:31:39,480 --> 00:31:42,040
Speaker 3: Well, there's a giant cast on my leg as we speak.

575
00:31:42,240 --> 00:31:44,520
Speaker 3: What we were always on?

576
00:31:44,960 --> 00:31:45,760
Speaker 4: What happened?

577
00:31:45,920 --> 00:31:46,200
Speaker 6: Okay?

578
00:31:46,240 --> 00:31:49,800
Speaker 3: Okay, so mission, okay, can I say who?

579
00:31:50,360 --> 00:31:50,560
Speaker 6: Yeah?

580
00:31:50,680 --> 00:31:56,400
Speaker 3: Sure, okay. We were on a trip to Napa and

581
00:31:56,880 --> 00:31:59,680
Speaker 3: it was last Thursday morning and I went to go

582
00:31:59,720 --> 00:32:03,320
Speaker 3: get coffee because it was I want to start my day.

583
00:32:04,080 --> 00:32:06,240
Speaker 3: And then we get a text saying that Tory Spelling

584
00:32:06,280 --> 00:32:08,800
Speaker 3: needs a mimosa, so.

585
00:32:08,960 --> 00:32:11,680
Speaker 4: Like but it wasn't like it was like no no,

586
00:32:11,720 --> 00:32:13,680
Speaker 4: It was like, hey, we're going to record an episode.

587
00:32:14,200 --> 00:32:18,000
Speaker 3: Yeah, yeah, yeah, can you grab her mimosa? And no, no.

588
00:32:18,040 --> 00:32:19,880
Speaker 3: We were about to record and it was like, can

589
00:32:19,920 --> 00:32:24,120
Speaker 3: we get this mimosa? And Ice lattes to the room

590
00:32:24,120 --> 00:32:27,280
Speaker 3: while we record. So I'm going back to the room

591
00:32:27,840 --> 00:32:30,360
Speaker 3: and Hannah my coworkers in front of me, and they're

592
00:32:30,360 --> 00:32:33,040
Speaker 3: these steps. I literally saw the steps and I don't

593
00:32:33,040 --> 00:32:35,959
Speaker 3: know how, and my heel slipped off the step and

594
00:32:36,040 --> 00:32:39,120
Speaker 3: I fell and I heard a pop that went from

595
00:32:39,160 --> 00:32:42,760
Speaker 3: my toe to my head and I landed on the

596
00:32:42,760 --> 00:32:45,600
Speaker 3: floor and I just said I broke my ankle, and

597
00:32:45,640 --> 00:32:47,760
Speaker 3: Han's like, no, no, you'd be screaming, and I was like,

598
00:32:47,800 --> 00:32:49,360
Speaker 3: really calm. I was like, oh, I think I broke

599
00:32:49,400 --> 00:32:51,680
Speaker 3: my ankle, and she's like, okay, what do you need

600
00:32:51,720 --> 00:32:53,240
Speaker 3: And I'm like, just give me a second. I ripped

601
00:32:53,280 --> 00:32:55,920
Speaker 3: my shoe off, and then you're not supposed to do

602
00:32:57,320 --> 00:32:59,240
Speaker 3: I have no well, because Hannah's like, it's sprained. You'd

603
00:32:59,240 --> 00:33:03,760
Speaker 3: be screaming if it was broken, and to.

604
00:33:03,760 --> 00:33:05,440
Speaker 5: Keep your always keep your shoe on.

605
00:33:05,800 --> 00:33:06,520
Speaker 3: I did not know that.

606
00:33:07,480 --> 00:33:08,560
Speaker 4: How do you know that I would have.

607
00:33:09,240 --> 00:33:10,760
Speaker 3: I would have never known why.

608
00:33:10,600 --> 00:33:13,240
Speaker 5: I know that? And someone double check.

609
00:33:13,120 --> 00:33:18,560
Speaker 4: Me advice podcast for medical advice.

610
00:33:18,800 --> 00:33:21,560
Speaker 5: I've always heard if you have like a foot injury

611
00:33:21,600 --> 00:33:23,840
Speaker 5: or anything like that, the last thing you should do

612
00:33:23,920 --> 00:33:26,560
Speaker 5: is take off your shoe because it contains the swelling.

613
00:33:26,960 --> 00:33:28,040
Speaker 4: M interesting.

614
00:33:28,280 --> 00:33:29,880
Speaker 3: Well, I took it off and then I put it

615
00:33:29,920 --> 00:33:34,480
Speaker 3: back on. So I went back on and then I

616
00:33:34,560 --> 00:33:37,320
Speaker 3: had to get help to get back to the room.

617
00:33:38,480 --> 00:33:41,000
Speaker 3: And then I Amy called me and she's like, do

618
00:33:41,040 --> 00:33:43,200
Speaker 3: you want to go to urgent care? But I was.

619
00:33:43,520 --> 00:33:47,120
Speaker 4: She said no, I said I wanted to get oh no.

620
00:33:47,240 --> 00:33:49,160
Speaker 4: So she does two things I didn't want her to do.

621
00:33:49,760 --> 00:33:53,160
Speaker 4: Didn't go to the hospital and got on an airplane.

622
00:33:53,680 --> 00:33:55,280
Speaker 3: Yeah, things that I was like.

623
00:33:55,280 --> 00:33:56,600
Speaker 4: This is not what I recommend.

624
00:33:57,480 --> 00:34:00,520
Speaker 3: But okay, I mean In that moment, though, I think

625
00:34:00,520 --> 00:34:02,840
Speaker 3: my adrenaline was so high and I wanted to get home,

626
00:34:02,840 --> 00:34:05,440
Speaker 3: and it'd been like three days on the trip, and

627
00:34:05,480 --> 00:34:07,360
Speaker 3: I was just like, what do I do. I've known here,

628
00:34:07,800 --> 00:34:11,200
Speaker 3: So I got on the plane. I went I know,

629
00:34:11,320 --> 00:34:14,359
Speaker 3: but I always take care of you. But I went

630
00:34:14,440 --> 00:34:17,239
Speaker 3: to urgent Care that night and they were like, oh, well,

631
00:34:17,280 --> 00:34:19,279
Speaker 3: it's fractured. And then they're like, oh, we'll give you

632
00:34:19,320 --> 00:34:21,560
Speaker 3: a boot. And then I went to the pagiatrist on

633
00:34:21,600 --> 00:34:23,960
Speaker 3: Monday and he's like, so, if this was any worse,

634
00:34:24,440 --> 00:34:28,440
Speaker 3: you'd be scheduled for surgery right now. So you're getting

635
00:34:28,440 --> 00:34:31,200
Speaker 3: a cast for a month and you're not You're allowed

636
00:34:31,280 --> 00:34:36,239
Speaker 3: to put zero pressure on it. Yeah. Well, I had

637
00:34:36,239 --> 00:34:39,400
Speaker 3: this nice knee scooter with me, but my foot.

638
00:34:39,200 --> 00:34:41,440
Speaker 4: Is take it to Disneyland.

639
00:34:42,200 --> 00:34:44,400
Speaker 3: It's actually a lot. It's actually a lot of work.

640
00:34:46,120 --> 00:34:48,000
Speaker 3: It's a lot, but it has a basket in front.

641
00:34:48,040 --> 00:34:49,839
Speaker 3: So I've been putting snacks in the kitchen And.

642
00:34:51,920 --> 00:34:54,759
Speaker 4: Wait, now, Danielle, did we find out that your information

643
00:34:54,920 --> 00:34:56,000
Speaker 4: is incorrect?

644
00:34:56,560 --> 00:35:00,400
Speaker 5: You know, it's I think it's subject to your opinion.

645
00:35:00,520 --> 00:35:03,440
Speaker 5: I'm seeing both on the internet. Some people are like,

646
00:35:03,719 --> 00:35:07,520
Speaker 5: take off your shoes to address your ankle injury, you know,

647
00:35:07,680 --> 00:35:10,800
Speaker 5: like you need to do that to to assess the situation.

648
00:35:11,160 --> 00:35:13,120
Speaker 5: But other people are saying what I said, to keep

649
00:35:13,120 --> 00:35:14,399
Speaker 5: your well.

650
00:35:14,440 --> 00:35:14,719
Speaker 4: It did.

651
00:35:14,920 --> 00:35:17,760
Speaker 3: It didn't swallow up. It didn't swell up that quickly.

652
00:35:17,800 --> 00:35:19,520
Speaker 3: That's why I think we also thought it was sprained,

653
00:35:19,520 --> 00:35:21,759
Speaker 3: because usually when you break it, it just like blows up.

654
00:35:22,040 --> 00:35:23,799
Speaker 3: But it was like a little bump. And then as

655
00:35:23,840 --> 00:35:27,480
Speaker 3: the day went on, and then on the next day,

656
00:35:27,600 --> 00:35:28,640
Speaker 3: Friday was really bad.

657
00:35:29,200 --> 00:35:30,200
Speaker 4: Black and blue too.

658
00:35:30,680 --> 00:35:32,240
Speaker 3: Oh yeah, Amy, I'll text your pictures.

659
00:35:32,280 --> 00:35:33,120
Speaker 4: Oh I can't wait.

660
00:35:34,080 --> 00:35:36,160
Speaker 3: I send a yell updates all weekend.

661
00:35:36,719 --> 00:35:39,560
Speaker 4: So that's our medical minute, brought to you by Yes

662
00:35:40,840 --> 00:35:42,160
Speaker 4: Perfect would be.

663
00:35:42,440 --> 00:35:47,120
Speaker 1: This episode has broken both of its legs because walk.

664
00:35:48,080 --> 00:35:50,760
Speaker 4: But that was a lot more interesting than the quest

665
00:35:50,800 --> 00:35:55,080
Speaker 4: for bread. But anyway, like, can you just get some bread?

666
00:35:55,160 --> 00:35:57,279
Speaker 4: Just there is so much bread, just eat it.

667
00:35:57,960 --> 00:35:58,360
Speaker 6: I would.

668
00:35:59,400 --> 00:36:01,640
Speaker 4: I'm sorry, I'm sorry.

669
00:36:01,719 --> 00:36:04,319
Speaker 1: It could have offered the guy twenty bucks for one

670
00:36:04,400 --> 00:36:05,160
Speaker 1: bloaf of bread.

671
00:36:05,400 --> 00:36:08,080
Speaker 4: I want to love it. I want to love it.

672
00:36:08,440 --> 00:36:09,239
Speaker 1: I want to love it.

673
00:36:09,320 --> 00:36:14,319
Speaker 4: Yeah, keep going, Susane. So this is this is where

674
00:36:14,440 --> 00:36:15,360
Speaker 4: I know where we are.

675
00:36:16,040 --> 00:36:19,280
Speaker 6: I hadn't it hadn't occurred to me that they still

676
00:36:19,360 --> 00:36:22,080
Speaker 6: hadn't told missus Kim that she was pregnant and she's

677
00:36:22,160 --> 00:36:24,960
Speaker 6: already showing and they hadn't even mentioned it to her yet.

678
00:36:25,400 --> 00:36:25,600
Speaker 4: Yeah.

679
00:36:26,000 --> 00:36:27,800
Speaker 6: I did think it was kind of cute when.

680
00:36:27,760 --> 00:36:30,759
Speaker 5: When they know that they're having twins, which means you're

681
00:36:31,560 --> 00:36:34,320
Speaker 5: right recently far along right exactly.

682
00:36:35,400 --> 00:36:36,640
Speaker 6: I did think it was kind of cute.

683
00:36:37,000 --> 00:36:38,680
Speaker 4: Again, but when.

684
00:36:38,520 --> 00:36:42,600
Speaker 6: Missus Kim thought that they were ashamed because they didn't

685
00:36:42,680 --> 00:36:44,840
Speaker 6: have new music, I thought that was funny and they're.

686
00:36:44,680 --> 00:36:47,000
Speaker 4: Like, oh music, scene was not that irritating.

687
00:36:47,239 --> 00:36:49,359
Speaker 1: I like that scene. I thought that was a good

688
00:36:49,400 --> 00:36:53,640
Speaker 1: scene and that and the button on it that Keko

689
00:36:53,719 --> 00:36:57,560
Speaker 1: gave it cool I really was good. Yeah, it was.

690
00:36:57,800 --> 00:36:59,399
Speaker 1: It was a good scene. It was a good scene.

691
00:36:59,440 --> 00:36:59,680
Speaker 7: Yeah.

692
00:36:59,719 --> 00:37:02,880
Speaker 6: And when missus Kim stood up and zask going hit me,

693
00:37:03,120 --> 00:37:09,080
Speaker 6: hit me, he thought she was going to hit Yeah.

694
00:37:10,120 --> 00:37:11,240
Speaker 6: I enjoyed that scene.

695
00:37:11,960 --> 00:37:14,160
Speaker 4: Yeah. Yeah.

696
00:37:14,239 --> 00:37:16,120
Speaker 6: And so then she says, Okay, you should move in

697
00:37:16,160 --> 00:37:18,360
Speaker 6: with me and Zach It's like cool, and then Lane's

698
00:37:18,360 --> 00:37:22,799
Speaker 6: like what the heck? So then unfortunately we go back

699
00:37:22,840 --> 00:37:26,080
Speaker 6: to Paris and this is where they wake up at

700
00:37:26,120 --> 00:37:28,680
Speaker 6: four am and Laurelize having a freak out because it's

701
00:37:28,680 --> 00:37:31,440
Speaker 6: four am, and in this dinner they tried to order

702
00:37:31,520 --> 00:37:33,320
Speaker 6: room service. It was kind of cute when she wanted

703
00:37:33,320 --> 00:37:36,280
Speaker 6: a cheeseburger with the side of cheeseburger and a cheeseburger smoothie.

704
00:37:36,280 --> 00:37:40,239
Speaker 6: That kind of made me chuckle. I can't get room service, and.

705
00:37:40,200 --> 00:37:43,439
Speaker 1: So this is I don't know that that part. That's

706
00:37:43,480 --> 00:37:44,920
Speaker 1: when she started annoying me.

707
00:37:45,719 --> 00:37:47,600
Speaker 3: Yeah, I kind of agree, Scott, because I was like,

708
00:37:47,719 --> 00:37:49,799
Speaker 3: she knows they're not going to have the cheeseburger and

709
00:37:49,840 --> 00:37:51,160
Speaker 3: stuff in Paris.

710
00:37:52,160 --> 00:37:58,480
Speaker 1: It's like she's doing the the cute laurelizing with Christopher

711
00:37:58,640 --> 00:38:00,640
Speaker 1: and it just, yeah, seems right.

712
00:38:01,280 --> 00:38:03,880
Speaker 5: She did that with the date. I don't know if

713
00:38:03,880 --> 00:38:06,239
Speaker 5: you guys remember that, but where she was like is

714
00:38:06,320 --> 00:38:08,240
Speaker 5: this the part that I should be excited about?

715
00:38:08,880 --> 00:38:09,640
Speaker 6: That's what she did.

716
00:38:09,800 --> 00:38:13,839
Speaker 5: She was so annoyed, like is this what you're doing

717
00:38:13,880 --> 00:38:15,480
Speaker 5: to distract me from being hungry?

718
00:38:15,600 --> 00:38:16,439
Speaker 4: Is this what you're doing?

719
00:38:17,440 --> 00:38:20,560
Speaker 5: And I'm like, yeah, she's.

720
00:38:22,360 --> 00:38:27,880
Speaker 4: She's so not Laura LII like with Luke, she's Laurel

721
00:38:27,920 --> 00:38:31,880
Speaker 4: I right, Like she's not. She's just chill. She's snarky

722
00:38:31,920 --> 00:38:33,840
Speaker 4: when you wanted to be snarky. She's cute when you

723
00:38:33,840 --> 00:38:37,680
Speaker 4: wanted to be cute. This all does look and it's

724
00:38:37,880 --> 00:38:41,319
Speaker 4: it's I don't hate christ energy. Yes, it's frenetic, and

725
00:38:41,360 --> 00:38:44,239
Speaker 4: it's making me so I need a massage. It's just

726
00:38:44,280 --> 00:38:47,560
Speaker 4: too much for my stressed out body. And then it's

727
00:38:47,600 --> 00:38:50,840
Speaker 4: so boring. So it's like all this weird frenetic and

728
00:38:50,960 --> 00:38:53,440
Speaker 4: also it just feels like now's my time to give

729
00:38:53,520 --> 00:38:56,799
Speaker 4: some witty bamter, So gonna do some witty bamter that

730
00:38:56,880 --> 00:38:57,759
Speaker 4: they wrote for me.

731
00:38:57,920 --> 00:38:58,560
Speaker 7: It's not.

732
00:39:01,920 --> 00:39:04,080
Speaker 6: Well and this is this is part of why I

733
00:39:04,200 --> 00:39:07,600
Speaker 6: feel like they're not soulmates. Like she just seems so

734
00:39:07,840 --> 00:39:11,040
Speaker 6: uncomfortable with the whole thing, and like she's trying to

735
00:39:11,080 --> 00:39:14,880
Speaker 6: convince herself that she's enjoying this, and that's why she

736
00:39:14,960 --> 00:39:17,480
Speaker 6: keeps saying I love you, I love you, Like she

737
00:39:17,520 --> 00:39:20,440
Speaker 6: sounds like she's trying to convince herself more than she

738
00:39:20,600 --> 00:39:22,200
Speaker 6: is trying to express.

739
00:39:22,200 --> 00:39:24,839
Speaker 4: She's just yes, I think Suzanne, you nailed it. She's

740
00:39:24,920 --> 00:39:30,480
Speaker 4: like doing that nostalgic thing where you're like, I love him,

741
00:39:30,640 --> 00:39:32,920
Speaker 4: He's so sweet to me, but then you're just like,

742
00:39:33,360 --> 00:39:36,080
Speaker 4: do I do I even care?

743
00:39:36,960 --> 00:39:37,680
Speaker 1: Right?

744
00:39:37,960 --> 00:39:40,320
Speaker 4: Bless his sweetheart? Like it's just a mess.

745
00:39:40,520 --> 00:39:42,920
Speaker 1: I think she did a very good job of communicating that,

746
00:39:44,040 --> 00:39:48,279
Speaker 1: you know, her conflicted feelings, even though she's talking the

747
00:39:48,440 --> 00:39:49,960
Speaker 1: talk below.

748
00:39:50,280 --> 00:39:52,439
Speaker 4: Let's talk it. When we get to the end, we're

749
00:39:52,480 --> 00:40:02,600
Speaker 4: all like, oh.

750
00:39:57,920 --> 00:40:01,279
Speaker 6: So we have a little like throw away scene in

751
00:40:01,360 --> 00:40:04,279
Speaker 6: there where Rory is bored and she's like flipping her

752
00:40:04,320 --> 00:40:09,759
Speaker 6: phone all around and she calls Olivia and Lucy and

753
00:40:09,800 --> 00:40:11,320
Speaker 6: they decided to go to Stars Hollow.

754
00:40:13,040 --> 00:40:15,279
Speaker 4: So was she like sat and board like all of

755
00:40:15,320 --> 00:40:18,880
Speaker 4: a sudden, it was like, it's just so weird.

756
00:40:18,960 --> 00:40:20,920
Speaker 3: It would have made more sense if she like spent

757
00:40:21,040 --> 00:40:23,200
Speaker 3: time with Paris. I just feel like that would have

758
00:40:23,200 --> 00:40:25,160
Speaker 3: made more sense, Like Paris is her real friend.

759
00:40:26,040 --> 00:40:31,160
Speaker 4: Yeah, she's suddenly besties with these two people, like we're

760
00:40:31,200 --> 00:40:33,479
Speaker 4: I think we're to assume they've hung out a lot

761
00:40:33,520 --> 00:40:34,719
Speaker 4: more than.

762
00:40:36,480 --> 00:40:38,760
Speaker 5: Madeline and Louise, Right, Like I.

763
00:40:38,560 --> 00:40:40,759
Speaker 4: Said, they're just trying to recreate that.

764
00:40:40,719 --> 00:40:44,640
Speaker 3: Magic copycat of it. Yeah right, it's working.

765
00:40:44,920 --> 00:40:47,000
Speaker 4: That is literally what they are trying to recreate.

766
00:40:47,040 --> 00:40:49,919
Speaker 1: And well it could have worked. It's just not established,

767
00:40:50,440 --> 00:40:53,600
Speaker 1: you know. I mean it's it's it's not something that

768
00:40:53,680 --> 00:40:56,000
Speaker 1: we're look forward to or we're used to. I mean,

769
00:40:56,040 --> 00:41:01,160
Speaker 1: they're not right, we don't really know that yet. They're great.

770
00:41:01,640 --> 00:41:04,760
Speaker 4: They are a new version of them because I love

771
00:41:04,880 --> 00:41:08,640
Speaker 4: Logan's friends. I always find them amusing and entertaining and right.

772
00:41:08,920 --> 00:41:11,960
Speaker 1: But we saw them from the beginning when we met Logan.

773
00:41:12,440 --> 00:41:15,000
Speaker 4: Here's what here's my take on it. Everybody can be mad.

774
00:41:15,719 --> 00:41:23,000
Speaker 4: Logan's friends are being who they were created to be, right.

775
00:41:23,280 --> 00:41:28,560
Speaker 4: They're not trying to recreate what we liked from earlier seasons.

776
00:41:28,880 --> 00:41:31,040
Speaker 4: And that's my problem with the two with Kristin Ritter

777
00:41:31,120 --> 00:41:35,719
Speaker 4: and the other girl. It's like they're not them. They're

778
00:41:35,719 --> 00:41:41,440
Speaker 4: trying to recreate Madeline, Louise, Madeline and Louise. That's give

779
00:41:41,480 --> 00:41:43,920
Speaker 4: me some new two new friends. I don't know, am

780
00:41:43,920 --> 00:41:44,320
Speaker 4: I making?

781
00:41:44,320 --> 00:41:45,799
Speaker 3: But makes sense?

782
00:41:46,080 --> 00:41:48,040
Speaker 1: Don't We don't see those We didn't see those two

783
00:41:48,040 --> 00:41:51,400
Speaker 1: care Christian Ritter and her friend at the beginning of

784
00:41:51,800 --> 00:41:55,360
Speaker 1: Rory's Yale experience, did we? We did not? The friends

785
00:41:56,440 --> 00:41:59,520
Speaker 1: just happened a couple episodes ago, right, Yeah, it's what

786
00:41:59,640 --> 00:42:03,120
Speaker 1: It's too bad because they're great, yeah.

787
00:42:03,000 --> 00:42:07,160
Speaker 4: Or create new new personalities. I feel like they're just

788
00:42:07,239 --> 00:42:10,120
Speaker 4: trying to recreate that. Like when I when they're all

789
00:42:10,160 --> 00:42:12,719
Speaker 4: at stars Hollow at Rory's house, that could have been

790
00:42:12,719 --> 00:42:16,719
Speaker 4: Madeline and Louise kind of it was like the elevated

791
00:42:16,800 --> 00:42:18,640
Speaker 4: version the episode.

792
00:42:18,800 --> 00:42:21,200
Speaker 3: Yes, thank you, that's what let's say. Yeah, it was

793
00:42:21,200 --> 00:42:22,920
Speaker 3: like that episode when they come to stars Hollow.

794
00:42:23,560 --> 00:42:26,440
Speaker 6: Yeah, anyway, sorry, but no, I totally agree with you

795
00:42:26,480 --> 00:42:28,759
Speaker 6: because she didn't need to find two new friends. She

796
00:42:28,800 --> 00:42:32,279
Speaker 6: could have found one friend. But it is like there's

797
00:42:32,280 --> 00:42:34,560
Speaker 6: two of them and they're just like Madeline. I mean,

798
00:42:34,920 --> 00:42:36,319
Speaker 6: they're smarter than Medaline Lois.

799
00:42:36,480 --> 00:42:41,239
Speaker 4: We already have Paris so underutilized. Yeah, Parris home parent

800
00:42:41,320 --> 00:42:43,640
Speaker 4: like I don't know. And what about your friend Lane?

801
00:42:43,880 --> 00:42:46,520
Speaker 4: So now you've suddenly gone to stars Hollow your best

802
00:42:46,560 --> 00:42:48,200
Speaker 4: friends they're like, what's going on?

803
00:42:49,040 --> 00:42:50,239
Speaker 6: Yeah?

804
00:42:50,640 --> 00:42:51,000
Speaker 1: I don't care?

805
00:42:51,680 --> 00:42:53,160
Speaker 5: So yeah, Lane and.

806
00:42:54,960 --> 00:42:57,719
Speaker 1: Satisfied us in this episode.

807
00:42:57,360 --> 00:42:59,719
Speaker 4: Gotten to the diner because I have such a red

808
00:42:59,719 --> 00:43:01,680
Speaker 4: flag on the diner scene. When's that?

809
00:43:02,040 --> 00:43:04,320
Speaker 6: No, that too, we're two scenes away from the diner.

810
00:43:04,440 --> 00:43:08,200
Speaker 4: So he remind me to talk about the worst factors ever.

811
00:43:08,400 --> 00:43:08,680
Speaker 1: Thank you?

812
00:43:08,719 --> 00:43:10,839
Speaker 6: Oh my god, I have so many notes on that

813
00:43:10,960 --> 00:43:12,040
Speaker 6: Luke's diner scene.

814
00:43:13,560 --> 00:43:15,280
Speaker 1: I think I know what you're gonna say.

815
00:43:15,920 --> 00:43:19,120
Speaker 6: Okay, so first of all, I have to pick apart

816
00:43:19,800 --> 00:43:22,399
Speaker 6: the Paris scene. So they go this is now where

817
00:43:22,400 --> 00:43:25,200
Speaker 6: they're walking around town looking for a restaurant. There's the

818
00:43:25,239 --> 00:43:27,320
Speaker 6: bread truck, which we talked about the.

819
00:43:27,320 --> 00:43:31,960
Speaker 1: Guys, Right, he's got thousands of dollars in cash in

820
00:43:32,000 --> 00:43:35,560
Speaker 1: his pocket, he doesn't think to buy some bread. Unbelievable.

821
00:43:44,680 --> 00:43:48,360
Speaker 6: Now this is where Laurli tells the story about tenth

822
00:43:48,400 --> 00:43:51,000
Speaker 6: grade and the pizza in his pocket. And then did

823
00:43:51,080 --> 00:43:54,520
Speaker 6: you guys notice after she finishes her story and she's like, oh,

824
00:43:54,520 --> 00:43:56,520
Speaker 6: that was so sweet, and then he gives her like

825
00:43:56,920 --> 00:44:01,920
Speaker 6: this super long, creepy stare, like he just stood there

826
00:44:02,000 --> 00:44:04,399
Speaker 6: staring at her until I had to like look away.

827
00:44:04,480 --> 00:44:07,960
Speaker 5: I'm like, the only that's funny because this is the

828
00:44:08,000 --> 00:44:12,920
Speaker 5: only part that I liked. I thought that them like

829
00:44:13,280 --> 00:44:16,600
Speaker 5: her saying that story and him looking at her like

830
00:44:16,760 --> 00:44:20,200
Speaker 5: I love that, I really love you, Like That's what

831
00:44:20,320 --> 00:44:22,560
Speaker 5: I took out of it, And that's why I can't

832
00:44:22,560 --> 00:44:25,640
Speaker 5: blame him, Like I think he truly does love Laura

833
00:44:25,719 --> 00:44:29,200
Speaker 5: Lai and and she was always the one that got

834
00:44:29,239 --> 00:44:32,640
Speaker 5: away I think for him, and now she's back with him.

835
00:44:33,000 --> 00:44:36,799
Speaker 5: And I think I loved that moment because for a

836
00:44:36,840 --> 00:44:39,960
Speaker 5: second I was like, oh, there is a lot of

837
00:44:40,000 --> 00:44:42,960
Speaker 5: love here. I don't know in that moment, I just

838
00:44:43,560 --> 00:44:45,960
Speaker 5: there's a lot of history, and there's love, but then

839
00:44:46,120 --> 00:44:46,760
Speaker 5: it just quickly.

840
00:44:46,920 --> 00:44:49,359
Speaker 1: I think the whole point that maybe the writers are

841
00:44:49,360 --> 00:44:54,359
Speaker 1: trying to make is that he's not nourishing her. So

842
00:44:54,440 --> 00:44:57,400
Speaker 1: if he's not feeding her, he's not nourishing her soul.

843
00:44:58,880 --> 00:45:03,880
Speaker 4: Following me, I like your deepness and deeps.

844
00:45:04,160 --> 00:45:06,440
Speaker 6: I think he does love her. I think he but

845
00:45:06,680 --> 00:45:09,960
Speaker 6: I think he's still stuck in where they were, as.

846
00:45:09,920 --> 00:45:12,640
Speaker 5: They both are. They both are because Laurel I is

847
00:45:12,719 --> 00:45:16,200
Speaker 5: also saying those stories and bringing it back to their childhood,

848
00:45:16,280 --> 00:45:17,000
Speaker 5: like they both.

849
00:45:18,520 --> 00:45:19,880
Speaker 6: I don't think she's in love.

850
00:45:19,680 --> 00:45:21,880
Speaker 5: With him, though I don't need obviously not.

851
00:45:21,960 --> 00:45:23,920
Speaker 4: At the end of the episode we can all dig

852
00:45:23,960 --> 00:45:26,280
Speaker 4: into that. But here's my thing. Back on the bread.

853
00:45:28,000 --> 00:45:30,240
Speaker 4: I can live for a long time on just spread.

854
00:45:30,440 --> 00:45:32,160
Speaker 4: If you could just get me a bag at and

855
00:45:32,239 --> 00:45:36,200
Speaker 4: some cheese, maybe some peanut butter, I don't care. I'm golden.

856
00:45:36,560 --> 00:45:40,799
Speaker 6: They had a truck of bread, yeah, and that would

857
00:45:40,800 --> 00:45:44,279
Speaker 6: totally have been like a mischievous Laurel eyed thing to do.

858
00:45:44,520 --> 00:45:48,200
Speaker 6: I remember when they were throwing from legs, like I

859
00:45:48,239 --> 00:45:49,360
Speaker 6: could totally see.

860
00:45:49,160 --> 00:45:52,200
Speaker 4: Her just grabbing them, to see the truck pulling away,

861
00:45:52,400 --> 00:45:54,640
Speaker 4: and then Christopher being like, oh, the bakery's not open,

862
00:45:54,640 --> 00:45:57,320
Speaker 4: and then she like pulls the bag at.

863
00:46:00,840 --> 00:46:04,759
Speaker 6: That was totally a missed opportunity. So then they give

864
00:46:04,840 --> 00:46:06,759
Speaker 6: up on finding food and decide to go back to

865
00:46:06,800 --> 00:46:11,040
Speaker 6: the hotel. So we're still in that hour five am hour.

866
00:46:11,239 --> 00:46:13,279
Speaker 4: Right, We're doing fifty things in one hour, but now

867
00:46:13,320 --> 00:46:15,759
Speaker 4: they are in love, so they're not hungry anymore because

868
00:46:15,760 --> 00:46:19,480
Speaker 4: they're gonna go bound chuck a bomb bomb Yeah.

869
00:46:19,800 --> 00:46:22,640
Speaker 6: Okay, So now now we get to the diner scene.

870
00:46:22,680 --> 00:46:25,480
Speaker 6: So who wants to start on all the stuff that

871
00:46:25,560 --> 00:46:27,000
Speaker 6: was happening in the background.

872
00:46:27,200 --> 00:46:29,640
Speaker 4: You start, and then I will continue.

873
00:46:30,239 --> 00:46:34,240
Speaker 6: Okay, I want you to have the start so many things.

874
00:46:34,400 --> 00:46:37,719
Speaker 1: I will say. That guy, the guy in the background

875
00:46:37,880 --> 00:46:41,880
Speaker 1: was actually our script or dialogue coach was George Bell.

876
00:46:41,880 --> 00:46:43,719
Speaker 4: It wasn't scripty, it was George Bell.

877
00:46:44,200 --> 00:46:45,160
Speaker 1: That was George Bell.

878
00:46:45,880 --> 00:46:50,759
Speaker 4: George Bell, who had part in this show, wasn't he, Like, yeah,

879
00:46:52,080 --> 00:46:53,399
Speaker 4: I'm pretty sure that was George Bell.

880
00:46:53,440 --> 00:46:56,839
Speaker 1: Who was the woman who was who was not killing it?

881
00:46:56,880 --> 00:46:59,400
Speaker 1: Who was not killing it by the way, as an extra.

882
00:46:59,680 --> 00:47:02,600
Speaker 4: Who neither was the woman and neither was miss Patty.

883
00:47:03,120 --> 00:47:05,640
Speaker 1: Because the thing is, if you notice the extras, then

884
00:47:05,680 --> 00:47:09,440
Speaker 1: they're distracting you because they're not doing their job, right, noticed,

885
00:47:10,320 --> 00:47:12,840
Speaker 1: I know, I know you.

886
00:47:13,280 --> 00:47:15,840
Speaker 6: Okay. The first thing I noticed in the scene is

887
00:47:15,840 --> 00:47:19,920
Speaker 6: that Luke was wearing a different black hat.

888
00:47:20,719 --> 00:47:24,479
Speaker 4: Did you guys not new not the new bad black hat?

889
00:47:24,560 --> 00:47:28,799
Speaker 4: Because he had one, right, the original black hat had

890
00:47:29,040 --> 00:47:30,280
Speaker 4: like a solid back.

891
00:47:30,320 --> 00:47:31,320
Speaker 6: It didn't have.

892
00:47:32,120 --> 00:47:33,600
Speaker 5: This last episode too though.

893
00:47:33,760 --> 00:47:39,040
Speaker 4: Oh did he this snap or the not snap? I

894
00:47:39,160 --> 00:47:40,960
Speaker 4: just noticed it's a different black hat.

895
00:47:41,239 --> 00:47:43,279
Speaker 1: Didn't the first one have like a buckle on it?

896
00:47:43,600 --> 00:47:46,320
Speaker 5: No, it had like a like a like a patch,

897
00:47:46,520 --> 00:47:48,000
Speaker 5: but it had like a you know, like when you

898
00:47:48,040 --> 00:47:49,839
Speaker 5: were like a baseball hat and it has a little

899
00:47:49,840 --> 00:47:50,440
Speaker 5: emblem on.

900
00:47:51,800 --> 00:47:53,600
Speaker 1: It with the thing.

901
00:47:53,680 --> 00:48:00,880
Speaker 4: Yeah, you've been wearing a very bad hat season seven supervis.

902
00:48:02,840 --> 00:48:07,680
Speaker 5: So okay, yeah, you see this one. Can I show us?

903
00:48:07,680 --> 00:48:08,680
Speaker 4: Can someone show us?

904
00:48:08,840 --> 00:48:10,560
Speaker 5: Yeah?

905
00:48:10,760 --> 00:48:15,520
Speaker 4: Look at Daniel's eyes, she's all bug exited. Yeah.

906
00:48:15,640 --> 00:48:18,200
Speaker 6: That was good, right, that was the first one.

907
00:48:18,840 --> 00:48:21,720
Speaker 3: Yeah, And then that one.

908
00:48:21,680 --> 00:48:23,040
Speaker 6: Was that I didn't like that one.

909
00:48:23,239 --> 00:48:25,280
Speaker 4: I like the buckle. Look at the blue buckle.

910
00:48:25,360 --> 00:48:27,520
Speaker 1: One, those are great blue buckle.

911
00:48:28,040 --> 00:48:29,839
Speaker 5: You see he was wearing this weird.

912
00:48:29,960 --> 00:48:33,680
Speaker 4: Weird one buckle that I don't know. There it goes

913
00:48:33,920 --> 00:48:35,280
Speaker 4: see how the cutest one.

914
00:48:35,200 --> 00:48:36,600
Speaker 1: The metal buckle on.

915
00:48:38,360 --> 00:48:38,680
Speaker 4: The right.

916
00:48:38,840 --> 00:48:40,439
Speaker 1: We got rid of that one because it dug into

917
00:48:40,440 --> 00:48:44,920
Speaker 1: my forehead and this one this, Yeah.

918
00:48:44,840 --> 00:48:47,040
Speaker 4: But that was the best ones. Those were the best

919
00:48:47,040 --> 00:48:48,320
Speaker 4: ones that had a little opening.

920
00:48:48,760 --> 00:48:51,120
Speaker 6: Yeah. So the one in this episode was like that.

921
00:48:51,239 --> 00:48:55,120
Speaker 6: It had the opening, Yeah, have the opening. So it

922
00:48:55,160 --> 00:48:57,080
Speaker 6: was a different black hat. It didn't have the little

923
00:48:57,160 --> 00:49:02,719
Speaker 6: baseball logo thing. And so miss Patty now where she

924
00:49:03,200 --> 00:49:09,320
Speaker 6: from the beginning when they first started that chair was empty.

925
00:49:09,680 --> 00:49:16,719
Speaker 4: Then she's just playing the bathroom. The overacting of the

926
00:49:16,760 --> 00:49:25,080
Speaker 4: background actors in this it was distracting, and she's and

927
00:49:25,080 --> 00:49:27,799
Speaker 4: that one lady's moving from table to table and at

928
00:49:27,840 --> 00:49:30,080
Speaker 4: one point she goes and talks to Zach. I don't

929
00:49:30,080 --> 00:49:32,719
Speaker 4: know why, right, the lady in the purp want to

930
00:49:32,760 --> 00:49:36,280
Speaker 4: know you and she's not a weight dress or server.

931
00:49:36,560 --> 00:49:37,759
Speaker 4: It's so weird.

932
00:49:39,520 --> 00:49:42,759
Speaker 6: When this when they started the scene, there was a

933
00:49:42,800 --> 00:49:45,480
Speaker 6: woman that was sitting at the other table behind them

934
00:49:45,560 --> 00:49:48,000
Speaker 6: who her play was empty and it looked like she

935
00:49:48,160 --> 00:49:50,920
Speaker 6: was done eating. And then the very next time they

936
00:49:52,000 --> 00:49:54,280
Speaker 6: looked in that direction, there were two completely different people

937
00:49:54,440 --> 00:49:54,960
Speaker 6: sitting there.

938
00:49:55,080 --> 00:49:57,440
Speaker 4: Oh do you know this woman I'm talking about that

939
00:49:57,719 --> 00:50:01,200
Speaker 4: there's the one woman that gets up, goes and talks

940
00:50:01,239 --> 00:50:04,200
Speaker 4: to Zach like Lina. I'm like, what why is she?

941
00:50:04,520 --> 00:50:05,120
Speaker 4: Who are you?

942
00:50:05,400 --> 00:50:05,640
Speaker 1: Yeah?

943
00:50:05,640 --> 00:50:07,360
Speaker 6: She had like a purple sweater on, and then she

944
00:50:07,400 --> 00:50:09,120
Speaker 6: went and talked to the guy that was sitting with

945
00:50:09,160 --> 00:50:11,560
Speaker 6: Miss Patty even though Miss Patty was yes, she just

946
00:50:11,680 --> 00:50:14,080
Speaker 6: like magically appeared in the background. I have a theory.

947
00:50:14,760 --> 00:50:17,000
Speaker 6: I think that there was something that they cut out

948
00:50:17,000 --> 00:50:20,719
Speaker 6: of this scene. I agree because I can't imagine why

949
00:50:20,800 --> 00:50:25,560
Speaker 6: they would have used Liz Torres as a background actor, Like,

950
00:50:25,560 --> 00:50:28,040
Speaker 6: why wouldn't they have just gotten a background actor?

951
00:50:28,239 --> 00:50:31,319
Speaker 4: Correct, And Liz Torres is like iconic. Why would they

952
00:50:31,640 --> 00:50:36,440
Speaker 4: have a scene to just mime stuff to the Probably,

953
00:50:38,200 --> 00:50:38,560
Speaker 4: so I.

954
00:50:38,520 --> 00:50:40,480
Speaker 6: Think they cut something out of the middle. And then

955
00:50:40,480 --> 00:50:42,840
Speaker 6: that was probably also when that one person who was

956
00:50:42,880 --> 00:50:44,920
Speaker 6: done eating she like got up and left, and then

957
00:50:45,040 --> 00:50:47,520
Speaker 6: new people came in while Miss Patty was talking whatever,

958
00:50:47,560 --> 00:50:50,520
Speaker 6: and they just like put a chunk out. That's that's

959
00:50:50,560 --> 00:50:52,879
Speaker 6: my hypothesis because there was a lot of problems that's

960
00:50:52,920 --> 00:50:53,840
Speaker 6: going on back there.

961
00:50:54,200 --> 00:50:56,120
Speaker 4: What is the scene even about? I can here's what

962
00:50:56,160 --> 00:51:00,880
Speaker 4: I can remember. Luke does something, Zach and and do something.

963
00:51:01,200 --> 00:51:03,719
Speaker 4: I kind of remember Luke not wanting Lane.

964
00:51:03,560 --> 00:51:06,360
Speaker 5: To Yeah, she's something.

965
00:51:07,760 --> 00:51:14,680
Speaker 1: The heavy when you're getting ready to drop that little load, you.

966
00:51:14,640 --> 00:51:17,480
Speaker 3: Know, and then they were like, oh, we're going to

967
00:51:17,520 --> 00:51:19,359
Speaker 3: be parents, Like that's kind of what.

968
00:51:19,320 --> 00:51:23,160
Speaker 6: It and Lane Lane was mad at Zach because he

969
00:51:23,239 --> 00:51:25,360
Speaker 6: said cool, that was like how.

970
00:51:25,239 --> 00:51:29,040
Speaker 3: That it was pretty boring again? But you're right, Amy,

971
00:51:29,040 --> 00:51:30,920
Speaker 3: there was so much happening. You're like, what happened here?

972
00:51:31,760 --> 00:51:33,919
Speaker 6: Yeah, Like I had to watch that three times because

973
00:51:33,920 --> 00:51:35,800
Speaker 6: I'm trying to figure out what's going on in the background.

974
00:51:35,960 --> 00:51:39,880
Speaker 4: I did too, I rewind, I rewound, rewound it. I

975
00:51:39,920 --> 00:51:42,160
Speaker 4: don't know if that's how the past tense of rewind.

976
00:51:42,440 --> 00:51:47,400
Speaker 4: I rewinded it, I rewound it, not rewinded it.

977
00:51:47,680 --> 00:51:50,120
Speaker 5: I didn't did that once this episode because I wanted

978
00:51:50,160 --> 00:51:53,480
Speaker 5: it to end so bad. I'm just like.

979
00:51:55,120 --> 00:51:57,000
Speaker 4: I did go back because I was like, what is

980
00:51:57,040 --> 00:52:00,200
Speaker 4: happening with these background actors? And then I was just like,

981
00:52:00,480 --> 00:52:04,040
Speaker 4: got a mess? And then I just saw miss Patty

982
00:52:04,080 --> 00:52:05,759
Speaker 4: and I'm like, what is she even doing back there?

983
00:52:05,760 --> 00:52:07,920
Speaker 1: It was late. We were probably really drunk.

984
00:52:08,680 --> 00:52:10,920
Speaker 4: She's just overacting it.

985
00:52:15,760 --> 00:52:16,839
Speaker 1: Too much tequila.

986
00:52:17,520 --> 00:52:20,480
Speaker 6: Yeah, we could have all used that when we were

987
00:52:20,480 --> 00:52:20,880
Speaker 6: watching me.

988
00:52:21,400 --> 00:52:22,200
Speaker 1: Yes, we could have.

989
00:52:23,160 --> 00:52:26,120
Speaker 6: And so then we're back in Paris again. And this

990
00:52:26,160 --> 00:52:29,640
Speaker 6: is when Christopher and Loralai are in bed and they're

991
00:52:29,680 --> 00:52:32,799
Speaker 6: still hungry. Shocker, this is what we've been talking about for.

992
00:52:32,760 --> 00:52:36,399
Speaker 3: An hour past is already but it's like four h

993
00:52:36,760 --> 00:52:37,440
Speaker 3: five am.

994
00:52:38,000 --> 00:52:38,400
Speaker 6: This is what.

995
00:52:40,600 --> 00:52:49,239
Speaker 4: They've been all around town, slept together and it's only

996
00:52:49,239 --> 00:52:49,959
Speaker 4: been twenty minutes.

997
00:52:50,680 --> 00:52:54,279
Speaker 6: Yes, So now he has realized that he has all

998
00:52:54,320 --> 00:52:56,480
Speaker 6: this money and so he's like, I'm going to fix this.

999
00:52:56,640 --> 00:53:00,200
Speaker 6: And so he gets up and they take a show

1000
00:53:00,400 --> 00:53:05,760
Speaker 6: or something, and then he somehow magically convenes the whole

1001
00:53:06,239 --> 00:53:14,160
Speaker 6: restaurant staff. Impossible, bake people up, ridiculous.

1002
00:53:14,360 --> 00:53:20,919
Speaker 5: But the fancy pansy uniforms show up to work and

1003
00:53:21,160 --> 00:53:24,360
Speaker 5: deliver and have a delicious meal cooked ready to food

1004
00:53:24,480 --> 00:53:25,320
Speaker 5: hype very hot.

1005
00:53:26,160 --> 00:53:28,560
Speaker 4: The food is probably not even in the fridge yet.

1006
00:53:28,640 --> 00:53:35,879
Speaker 4: Like you are a French, beautiful Parisian, fancy restaurant, you're

1007
00:53:35,920 --> 00:53:37,760
Speaker 4: not serving last night's chicken.

1008
00:53:38,520 --> 00:53:44,040
Speaker 5: Yeah, this isn't McDonald's. It's not ready in five minutes on, Yeah, ridiculous.

1009
00:53:44,080 --> 00:53:47,279
Speaker 4: The whole people, they are all lined up. Come on,

1010
00:53:48,400 --> 00:53:51,120
Speaker 4: and even if I suspend belief, is that what I'm

1011
00:53:51,120 --> 00:53:52,040
Speaker 4: supposed to do? What do I do?

1012
00:53:52,320 --> 00:53:57,440
Speaker 8: Suspend disbelief, suspend disbelief boring, So.

1013
00:54:00,239 --> 00:54:02,440
Speaker 5: I could have seen a photo of the Eiffel.

1014
00:54:02,080 --> 00:54:07,840
Speaker 3: Tower, oh Getty images.

1015
00:54:08,920 --> 00:54:14,359
Speaker 6: So then we're at Lorelei's house on the porch and

1016
00:54:14,400 --> 00:54:17,080
Speaker 6: I have a little red flag because Rory told them

1017
00:54:17,280 --> 00:54:18,719
Speaker 6: in the other when she was on the phone with

1018
00:54:18,760 --> 00:54:23,359
Speaker 6: them talking about cute small town stars Hollow, she said

1019
00:54:23,360 --> 00:54:26,720
Speaker 6: that they have a porch swing that squeaks. But they

1020
00:54:26,800 --> 00:54:29,000
Speaker 6: don't have a swing. They've never had a port swing.

1021
00:54:29,600 --> 00:54:32,160
Speaker 3: Wait didn't they have one in the very beginning when

1022
00:54:32,400 --> 00:54:38,520
Speaker 3: season one, when Richard is ouch no, but outside, when

1023
00:54:38,640 --> 00:54:45,120
Speaker 3: Richard's sitting outside during Rory's birthday party reading, Yeah, was

1024
00:54:45,160 --> 00:54:45,840
Speaker 3: that a swing?

1025
00:54:45,960 --> 00:54:46,120
Speaker 1: Though?

1026
00:54:46,200 --> 00:54:47,640
Speaker 6: I remember there being like a.

1027
00:54:48,920 --> 00:54:49,239
Speaker 8: I don't know.

1028
00:54:49,440 --> 00:54:52,440
Speaker 3: I do remember Richard. I do remember Richard sitting on it.

1029
00:54:52,480 --> 00:54:53,800
Speaker 3: I just don't remember if it was a swing.

1030
00:54:54,120 --> 00:54:56,080
Speaker 6: Yeah, I don't remember if that was a swing either.

1031
00:54:56,160 --> 00:54:58,319
Speaker 6: But so then they're they're sitting on the porch now

1032
00:54:58,400 --> 00:55:00,799
Speaker 6: and it's not a swing. There's thing on a like

1033
00:55:00,840 --> 00:55:06,200
Speaker 6: a like patio furniture. Looking through yearbooks. It was kind

1034
00:55:06,239 --> 00:55:06,959
Speaker 6: of kind of cute.

1035
00:55:06,960 --> 00:55:09,560
Speaker 5: They have like their you know, their hairs all I

1036
00:55:09,560 --> 00:55:13,400
Speaker 5: will say, the coloring of hair. I think like I

1037
00:55:13,880 --> 00:55:17,080
Speaker 5: did that, Like, I was like, I want one pink

1038
00:55:17,160 --> 00:55:20,560
Speaker 5: strand in my hair, Like, yeah, that's kind of relatable.

1039
00:55:21,120 --> 00:55:22,759
Speaker 4: It wasn't as painful as the rest, but it was

1040
00:55:22,800 --> 00:55:23,640
Speaker 4: still bloring.

1041
00:55:24,560 --> 00:55:26,520
Speaker 6: Yeah, I didn't. I didn't hate the hair coloring. I

1042
00:55:26,520 --> 00:55:28,640
Speaker 6: thought it was cute. And then they just randomly decided

1043
00:55:28,680 --> 00:55:30,560
Speaker 6: to make Rice Krispy's treats.

1044
00:55:30,400 --> 00:55:33,160
Speaker 5: Those I was not min about Rice Krispy Treats, great

1045
00:55:33,239 --> 00:55:33,920
Speaker 5: choice and dessert.

1046
00:55:34,000 --> 00:55:36,680
Speaker 1: You know what they season seven they ran out of story.

1047
00:55:37,320 --> 00:55:39,399
Speaker 4: Yeah, and we sort of saw a closet we'd never

1048
00:55:39,440 --> 00:55:40,200
Speaker 4: seen before.

1049
00:55:41,560 --> 00:55:44,480
Speaker 6: There's so much debate about that closet.

1050
00:55:44,560 --> 00:55:46,200
Speaker 1: They just ran out of story.

1051
00:55:46,920 --> 00:55:49,560
Speaker 4: You know, well, right, I think that that's what you're right,

1052
00:55:49,600 --> 00:55:52,279
Speaker 4: and they're just making stuff up, like let's have these

1053
00:55:52,360 --> 00:55:53,279
Speaker 4: three people.

1054
00:55:53,080 --> 00:55:56,400
Speaker 1: Going sounds like Gilmore, looks like Gilmore. There's character.

1055
00:55:56,719 --> 00:55:58,719
Speaker 4: Talk to me about the closets.

1056
00:55:58,280 --> 00:55:59,400
Speaker 1: They ran out of conflict.

1057
00:55:59,480 --> 00:56:02,239
Speaker 6: They ran because sometimes it's a closet and sometimes it's

1058
00:56:02,239 --> 00:56:05,400
Speaker 6: a bathroom, depending on what fits the plot in that episode.

1059
00:56:05,400 --> 00:56:07,000
Speaker 4: So sometimes there's a half bath there.

1060
00:56:07,480 --> 00:56:10,680
Speaker 6: Yeah, but then there's also a door in the entryway.

1061
00:56:11,680 --> 00:56:14,160
Speaker 6: There's there's actually one scene where you can see both

1062
00:56:14,200 --> 00:56:16,640
Speaker 6: doors and if it's a closet. It's only like twelve

1063
00:56:16,680 --> 00:56:20,359
Speaker 6: inches wide. It's pretty it's interesting. Anyways, there's a lot

1064
00:56:20,400 --> 00:56:22,000
Speaker 6: of debate about the closet bathroom.

1065
00:56:22,920 --> 00:56:25,360
Speaker 3: Hey, okay, is that where they usually have like the

1066
00:56:25,400 --> 00:56:27,319
Speaker 3: board games and stuff that she opens up?

1067
00:56:27,760 --> 00:56:28,000
Speaker 4: Yeah?

1068
00:56:28,440 --> 00:56:31,840
Speaker 3: Yeah, the boppet, the boppit. Yeah.

1069
00:56:32,520 --> 00:56:38,520
Speaker 4: Interesting. Speaking of terrible scenes, right, there's obviously a bathroom downstairs.

1070
00:56:38,520 --> 00:56:40,160
Speaker 4: What do we think is the house one and a

1071
00:56:40,160 --> 00:56:44,240
Speaker 4: half baths? No, it's no bathrooms. Where does Rory shower?

1072
00:56:46,280 --> 00:56:49,120
Speaker 6: Well, that's the question is when she When it needs

1073
00:56:49,160 --> 00:56:50,799
Speaker 6: to be a bathroom, it's a bathroom, But when it

1074
00:56:50,840 --> 00:56:52,880
Speaker 6: needs to be a closet, it's a closet. It just

1075
00:56:52,880 --> 00:56:55,160
Speaker 6: depends on the episode because she does. There was an

1076
00:56:55,160 --> 00:56:58,360
Speaker 6: episode where when Laurel I was going out with Max

1077
00:56:59,400 --> 00:57:04,040
Speaker 6: and make some comment about she's got her like lingerie

1078
00:57:04,160 --> 00:57:08,040
Speaker 6: or unmentionables hanging in the bathroom or something. But then

1079
00:57:08,080 --> 00:57:09,879
Speaker 6: other times it's a closet. When you need to find

1080
00:57:09,880 --> 00:57:21,160
Speaker 6: the bopp it, now it's a closet. Unmentionable would have said, okay,

1081
00:57:21,200 --> 00:57:25,520
Speaker 6: And then again we go back to Paris. So many

1082
00:57:25,760 --> 00:57:30,720
Speaker 6: like these scenes were so short and so choppy. Now

1083
00:57:30,760 --> 00:57:33,919
Speaker 6: this is where we go to the restaurant and it's

1084
00:57:34,000 --> 00:57:36,400
Speaker 6: open and the table set it has a view of

1085
00:57:36,440 --> 00:57:39,800
Speaker 6: the Eiffel Tower. They're reminiscing about when we were sixteen.

1086
00:57:41,600 --> 00:57:48,600
Speaker 6: There's more creepy, weird staring in this scene. They're drinking

1087
00:57:48,680 --> 00:57:50,720
Speaker 6: wine at five o'clock morning.

1088
00:57:51,480 --> 00:57:53,680
Speaker 4: I was just staring out the window. Was anybody else?

1089
00:57:53,760 --> 00:57:59,600
Speaker 4: Just like, what's that with the kind of lights twinkling

1090
00:57:59,640 --> 00:58:02,160
Speaker 4: a little that I don't know? And then I feel

1091
00:58:02,200 --> 00:58:05,680
Speaker 4: like the sun coming up? Is this happening? You know?

1092
00:58:05,720 --> 00:58:08,600
Speaker 3: What was really at a character for me in this

1093
00:58:08,680 --> 00:58:11,920
Speaker 3: scene is that when Chris says he's loaded.

1094
00:58:11,760 --> 00:58:11,920
Speaker 1: Like.

1095
00:58:13,440 --> 00:58:15,800
Speaker 3: Lorli wouldn't be like, oh my god, yeah, you're right,

1096
00:58:15,880 --> 00:58:18,120
Speaker 3: Like I feel like she doesn't like that stuff. And

1097
00:58:18,160 --> 00:58:21,400
Speaker 3: so this for me just felt like it's never mattered

1098
00:58:21,440 --> 00:58:24,840
Speaker 3: about money or anything because she comes from money. Like,

1099
00:58:25,280 --> 00:58:28,720
Speaker 3: so him saying that and her being like, oh well, yeah,

1100
00:58:28,800 --> 00:58:30,880
Speaker 3: like you are loaded and you paid for this, I'm like,

1101
00:58:31,280 --> 00:58:32,400
Speaker 3: that's not her.

1102
00:58:32,880 --> 00:58:37,760
Speaker 6: Right very much about trying to impress people with his money,

1103
00:58:37,800 --> 00:58:40,440
Speaker 6: Like that was the whole thing with the the Yale

1104
00:58:40,760 --> 00:58:42,880
Speaker 6: when he took all everybody's the restaurant and wants to

1105
00:58:42,920 --> 00:58:44,720
Speaker 6: take them all Ski's.

1106
00:58:44,240 --> 00:58:48,040
Speaker 5: And he's already rich, Like like, that's what we don't like.

1107
00:58:48,080 --> 00:58:50,080
Speaker 5: That's what I don't get. It's not like this guy

1108
00:58:50,600 --> 00:58:55,560
Speaker 5: was so poor and a lot of ticket. If he's

1109
00:58:55,680 --> 00:58:57,080
Speaker 5: been rich his whole life.

1110
00:58:57,200 --> 00:59:03,160
Speaker 1: Yeah, exactly, he's gonna get a mass of inheritance, right, So.

1111
00:59:04,200 --> 00:59:06,680
Speaker 6: He just has this show off he need. And so

1112
00:59:06,760 --> 00:59:09,200
Speaker 6: they talk about the sleeping on the park bench and

1113
00:59:09,240 --> 00:59:12,400
Speaker 6: all that, blah blah blah. I'm so in love with you,

1114
00:59:12,600 --> 00:59:13,680
Speaker 6: Okay whatever.

1115
00:59:13,560 --> 00:59:16,200
Speaker 5: That's kind of cute. The park bench is kind of cute.

1116
00:59:16,560 --> 00:59:21,640
Speaker 6: Just and I wrote vomiting noises for hair.

1117
00:59:24,880 --> 00:59:28,720
Speaker 4: Great. It's not exciting, it's not sexy, it's not cute.

1118
00:59:29,080 --> 00:59:32,640
Speaker 4: It's just like, Okay, this is so bad. But like,

1119
00:59:33,000 --> 00:59:35,600
Speaker 4: no offense to the writers, please, I feel like I

1120
00:59:35,600 --> 00:59:39,680
Speaker 4: could have made this up. You know that's not a

1121
00:59:39,720 --> 00:59:42,080
Speaker 4: good thing.

1122
00:59:43,240 --> 00:59:47,040
Speaker 1: They're attempting the impossible, very rehabilitating a character that is

1123
00:59:48,320 --> 00:59:49,840
Speaker 1: that you can't rehabilitate.

1124
00:59:50,440 --> 00:59:52,840
Speaker 4: Like I think they know that because the end of

1125
00:59:52,880 --> 00:59:57,160
Speaker 4: the episode really shows that anyway, Yeah i'.

1126
01:00:06,800 --> 01:00:10,240
Speaker 6: So then we go back to the only tolerable storyline

1127
01:00:10,240 --> 01:00:14,480
Speaker 6: in the episode, which was missus Kim's. They're in the store,

1128
01:00:14,520 --> 01:00:18,800
Speaker 6: in the shop and she's unpacking things. And this was

1129
01:00:19,040 --> 01:00:21,920
Speaker 6: the what I guess qualifies as my favorite line is

1130
01:00:21,920 --> 01:00:23,320
Speaker 6: when she says I may be old, but I can

1131
01:00:23,400 --> 01:00:29,320
Speaker 6: multitask and she tells them. They tell her that they're

1132
01:00:29,360 --> 01:00:31,600
Speaker 6: not going to move in with her, and she says

1133
01:00:31,600 --> 01:00:32,880
Speaker 6: she respects their decision.

1134
01:00:35,000 --> 01:00:40,400
Speaker 1: Cute little scene, very well shot, beautiful, beautiful. Yeah.

1135
01:00:41,080 --> 01:00:43,120
Speaker 6: I always like her store because there's just so many

1136
01:00:43,120 --> 01:00:45,840
Speaker 6: little nicknacky things, like I like to look at things.

1137
01:00:45,880 --> 01:00:48,920
Speaker 1: So, you know, I don't think it's an accident that

1138
01:00:49,080 --> 01:00:53,480
Speaker 1: Emily Coroda scenes are fantastic. Yeah, you know what I think.

1139
01:00:53,720 --> 01:01:00,600
Speaker 1: I think Emily Carooda and I haven't real I don't

1140
01:01:00,720 --> 01:01:02,840
Speaker 1: know that I've been in a lot of scenes with her.

1141
01:01:04,320 --> 01:01:10,640
Speaker 1: I do remember, only a couple. But she really enjoys

1142
01:01:10,680 --> 01:01:13,240
Speaker 1: the rehearsal process, and I think she sort of dictates

1143
01:01:13,280 --> 01:01:15,800
Speaker 1: her own blocking what she thinks is right and what

1144
01:01:15,840 --> 01:01:19,200
Speaker 1: she feels is organic, and she'll she'll act in a

1145
01:01:19,240 --> 01:01:21,320
Speaker 1: way and rehearsal where she wants, and then the camera

1146
01:01:21,360 --> 01:01:24,520
Speaker 1: adjust to her, the director adjust to her. She really

1147
01:01:24,520 --> 01:01:28,000
Speaker 1: that's why she because she's kind of directing her own scenes,

1148
01:01:28,720 --> 01:01:31,720
Speaker 1: like she's taking command of those scenes because she has

1149
01:01:31,760 --> 01:01:35,680
Speaker 1: a real vision. Because she's super talented, and that's how

1150
01:01:35,720 --> 01:01:38,160
Speaker 1: they go and that's how they're shot, and that's why

1151
01:01:38,200 --> 01:01:43,360
Speaker 1: she's so damn good and everything because it's probably coming

1152
01:01:43,400 --> 01:01:47,040
Speaker 1: from her. You know. Yeah, she's a force for She's

1153
01:01:47,040 --> 01:01:52,760
Speaker 1: a force. Yes, she's exactly what you need to be. Yeah,

1154
01:01:52,920 --> 01:01:56,680
Speaker 1: especially on a television set because there nobody has any time,

1155
01:01:56,800 --> 01:01:58,800
Speaker 1: and we got to get through the day and we

1156
01:01:58,880 --> 01:02:00,680
Speaker 1: got to all these scenes. Is so we just have

1157
01:02:00,760 --> 01:02:02,960
Speaker 1: to you stand there, you stand there, you stand there,

1158
01:02:03,000 --> 01:02:06,760
Speaker 1: you know, uh uh you know. So I think she's like,

1159
01:02:07,000 --> 01:02:10,840
Speaker 1: she really fights for her choices and she can't just

1160
01:02:10,920 --> 01:02:13,360
Speaker 1: say a line if somebody says go stand over there

1161
01:02:13,400 --> 01:02:15,400
Speaker 1: and talk and says no, no, no, that's not how

1162
01:02:15,400 --> 01:02:16,120
Speaker 1: this works.

1163
01:02:16,600 --> 01:02:21,680
Speaker 4: Yeah. Yeah, she's a part of this episode.

1164
01:02:21,960 --> 01:02:25,200
Speaker 1: Yeah, absolutely. I mean she's kind of the best part

1165
01:02:25,280 --> 01:02:27,880
Speaker 1: of every episode. She said, which is why, I mean,

1166
01:02:27,920 --> 01:02:29,400
Speaker 1: she hasn't been around in a while, and.

1167
01:02:29,360 --> 01:02:31,280
Speaker 4: That's why it's boring. She's not boring.

1168
01:02:31,440 --> 01:02:34,960
Speaker 1: She's not boring, that's for sure. She's riveting.

1169
01:02:35,400 --> 01:02:36,840
Speaker 5: She has a Kelly Bishop effect.

1170
01:02:37,400 --> 01:02:41,200
Speaker 1: Oh yeah, yeah, yep, she sure does.

1171
01:02:42,120 --> 01:02:44,280
Speaker 4: Then what happened Suzanne.

1172
01:02:44,000 --> 01:02:49,520
Speaker 6: So then we're in lorealized bathroom and they've all dyed

1173
01:02:49,560 --> 01:02:49,919
Speaker 6: their hair.

1174
01:02:51,400 --> 01:02:52,400
Speaker 4: I thought that was cute.

1175
01:02:52,440 --> 01:02:56,200
Speaker 6: They all looked cute. Yeah, yeah, they're streaky hair. And

1176
01:02:56,240 --> 01:03:00,439
Speaker 6: they're talking about being in a girl band. And then

1177
01:03:00,880 --> 01:03:03,640
Speaker 6: Rory is apparently crying, but we only know that because

1178
01:03:03,680 --> 01:03:06,520
Speaker 6: she's rubbing her eyes. She's not doing the fake crying

1179
01:03:06,600 --> 01:03:11,280
Speaker 6: very well. And she's crying because she doesn't know what

1180
01:03:11,320 --> 01:03:14,400
Speaker 6: she's going to do. She's I mean, I kind of

1181
01:03:14,600 --> 01:03:17,600
Speaker 6: get the anxiety of being a senior in college and

1182
01:03:17,640 --> 01:03:20,040
Speaker 6: you your friends are figuring out.

1183
01:03:20,080 --> 01:03:23,840
Speaker 3: But like she left the paper early for like absolutely

1184
01:03:23,880 --> 01:03:26,200
Speaker 3: no reason. So I feel like she like for that,

1185
01:03:26,320 --> 01:03:27,400
Speaker 3: she did it to herself.

1186
01:03:28,080 --> 01:03:31,520
Speaker 6: Well, I thought her term was up, like she left.

1187
01:03:31,720 --> 01:03:35,640
Speaker 5: I think it doesn't help that she has a boyfriend

1188
01:03:35,640 --> 01:03:39,400
Speaker 5: that has graduated and London had an amazing job. Yeah,

1189
01:03:39,440 --> 01:03:45,200
Speaker 5: you know, like I get. I'm sorry, I get the anxiety.

1190
01:03:48,080 --> 01:03:51,360
Speaker 4: No, here's why it doesn't track. This girl is at Yale.

1191
01:03:51,840 --> 01:03:54,960
Speaker 4: She thrives off learning, right, so she's having the most

1192
01:03:55,000 --> 01:03:59,320
Speaker 4: amazing classes. She would be like thriving and she'd have

1193
01:03:59,360 --> 01:04:03,000
Speaker 4: everything played and I just don't see her boohooing everything's

1194
01:04:03,080 --> 01:04:06,000
Speaker 4: changing in my boyfriends, and it's like she would be

1195
01:04:06,040 --> 01:04:09,120
Speaker 4: like I'm taking this class I'm doing this, I'm going

1196
01:04:09,200 --> 01:04:11,040
Speaker 4: to start working here. I don't know.

1197
01:04:11,600 --> 01:04:16,440
Speaker 6: Yeah, I mean, I think it's normal for college seniors

1198
01:04:16,480 --> 01:04:20,280
Speaker 6: to feel some anxiety, but I feel like Rory Gilmore

1199
01:04:20,320 --> 01:04:24,160
Speaker 6: of all people, would have things planned, like she would

1200
01:04:24,280 --> 01:04:27,160
Speaker 6: know what she needs her next step to be, and

1201
01:04:27,240 --> 01:04:35,680
Speaker 6: so she would be working towards that, like yeah, she's yeah.

1202
01:04:34,600 --> 01:04:37,480
Speaker 3: I agree, yeah, yeah.

1203
01:04:37,600 --> 01:04:41,080
Speaker 4: I think college kids sure want to get jobs. But

1204
01:04:41,160 --> 01:04:44,040
Speaker 4: I think she would have excitement. She would be like,

1205
01:04:44,160 --> 01:04:46,760
Speaker 4: I mean, look, I know we do pivot, because you

1206
01:04:46,800 --> 01:04:49,840
Speaker 4: know she does she wants to be Christian. I'm poor.

1207
01:04:50,200 --> 01:04:52,680
Speaker 4: We know that she would be totally working towards that.

1208
01:04:53,440 --> 01:04:56,640
Speaker 4: She would be putting her reel together and calling CNN

1209
01:04:56,720 --> 01:04:59,600
Speaker 4: and saying like, hey, can I come do this? I

1210
01:05:00,080 --> 01:05:05,400
Speaker 4: I don't know, I don't Rory has lost her way. Yeah,

1211
01:05:05,680 --> 01:05:09,800
Speaker 4: she loses it for many years, yes, as we know.

1212
01:05:10,760 --> 01:05:15,080
Speaker 6: So then uh, Lucy and Olivia are trying to console

1213
01:05:15,120 --> 01:05:16,760
Speaker 6: her and they're like, don't worry about it. None of

1214
01:05:16,800 --> 01:05:19,000
Speaker 6: us know what we're doing. It's all going to work out.

1215
01:05:19,240 --> 01:05:23,920
Speaker 6: We'll all get through it. And then okay, So that

1216
01:05:24,080 --> 01:05:26,800
Speaker 6: was that. Then we go back to Paris for the

1217
01:05:27,040 --> 01:05:31,320
Speaker 6: three millionth time, and now the sun is coming up,

1218
01:05:31,400 --> 01:05:36,920
Speaker 6: so we see no Sherry.

1219
01:05:36,840 --> 01:05:38,360
Speaker 3: Then still five am.

1220
01:05:38,520 --> 01:05:39,120
Speaker 6: Still funny.

1221
01:05:39,360 --> 01:05:40,840
Speaker 4: Yeah, it's a fun one hour.

1222
01:05:42,840 --> 01:05:46,080
Speaker 6: And this is where Chris like starts in on the

1223
01:05:46,120 --> 01:05:50,000
Speaker 6: full court Press. He wants to get married. We love

1224
01:05:50,040 --> 01:05:56,400
Speaker 6: each other, we belong together, creepy weird stare and there

1225
01:05:57,640 --> 01:05:59,720
Speaker 6: this is so. The thing that bugged me was when

1226
01:06:00,080 --> 01:06:02,600
Speaker 6: Rorla I said she wanted to wait and he's like why,

1227
01:06:03,120 --> 01:06:05,680
Speaker 6: like really kind of a demanding way, and then she says,

1228
01:06:05,720 --> 01:06:11,640
Speaker 6: well Rory. And Christopher hasn't even given a single thought

1229
01:06:11,640 --> 01:06:13,680
Speaker 6: to Rory this whole time, and he says, well, she's

1230
01:06:13,720 --> 01:06:16,520
Speaker 6: going to be thrilled, Like it doesn't even occur to

1231
01:06:16,600 --> 01:06:20,120
Speaker 6: him that she would want to be there, and that's

1232
01:06:20,160 --> 01:06:25,320
Speaker 6: what Laura I was referring to, and he, I don't

1233
01:06:25,360 --> 01:06:27,840
Speaker 6: know it. Again goes back to the whole thing that

1234
01:06:27,920 --> 01:06:30,400
Speaker 6: he's in that mode of, you know, where they were

1235
01:06:30,480 --> 01:06:34,320
Speaker 6: before Rory came along. He's just completely devoted to Laura

1236
01:06:34,360 --> 01:06:38,640
Speaker 6: I and doesn't even give Rory a second thought and

1237
01:06:38,680 --> 01:06:40,840
Speaker 6: it doesn't even occur to him that she would want

1238
01:06:40,880 --> 01:06:44,280
Speaker 6: to be there when her parents got married. I was

1239
01:06:44,320 --> 01:06:44,919
Speaker 6: annoyed by.

1240
01:06:45,680 --> 01:06:49,320
Speaker 5: I find it interesting because I think they're trying to like,

1241
01:06:49,680 --> 01:06:54,400
Speaker 5: put Laurlai in the position. Okay, I understand you guys

1242
01:06:54,440 --> 01:06:58,800
Speaker 5: are all going to like get annoyed, but put her

1243
01:06:58,880 --> 01:07:02,200
Speaker 5: in the situation that Luke was in right, where Luke

1244
01:07:02,320 --> 01:07:04,360
Speaker 5: was the one that was like hold on, hold on,

1245
01:07:04,440 --> 01:07:07,919
Speaker 5: and Laura I was I was like, no, why let's

1246
01:07:07,920 --> 01:07:11,400
Speaker 5: get married because exactly, And Luke is like, but April,

1247
01:07:11,520 --> 01:07:13,840
Speaker 5: I need to think about April, and Laurla is saying

1248
01:07:13,880 --> 01:07:15,920
Speaker 5: I need to think about Rory, like I feel like

1249
01:07:15,960 --> 01:07:19,160
Speaker 5: they're kind of trying to do like a little switcheroo.

1250
01:07:19,680 --> 01:07:21,120
Speaker 3: I never thought of it that way, But you have

1251
01:07:21,160 --> 01:07:22,480
Speaker 3: a point.

1252
01:07:22,080 --> 01:07:26,600
Speaker 4: Can I? I'm Scott. I'm about to throw some some

1253
01:07:26,720 --> 01:07:29,560
Speaker 4: knowledge down because I think this is what Scott has

1254
01:07:29,600 --> 01:07:34,280
Speaker 4: been saying for so long. The reason it's boring is

1255
01:07:34,320 --> 01:07:38,440
Speaker 4: that we don't have any Luke and Laura Lai scenes.

1256
01:07:39,160 --> 01:07:41,400
Speaker 4: So even if they weren't together, right because at the

1257
01:07:41,400 --> 01:07:43,840
Speaker 4: beginning seasons they weren't together, but we.

1258
01:07:43,960 --> 01:07:45,520
Speaker 6: Had all this.

1259
01:07:47,040 --> 01:07:55,920
Speaker 4: Action or like life between them, and now that's never happening.

1260
01:07:56,280 --> 01:07:59,280
Speaker 4: Luke has one scene and I'm sorry, but he's like

1261
01:07:59,360 --> 01:08:02,560
Speaker 4: our favorite, Like it's hard to say he's not at

1262
01:08:02,680 --> 01:08:07,200
Speaker 4: least top three, right, there's nothing there's no interaction with

1263
01:08:07,480 --> 01:08:11,080
Speaker 4: Luke and Rory or Luke and Lorelie. There's no lower

1264
01:08:11,120 --> 01:08:15,560
Speaker 4: lieon Rory. Like we're just like all disjointed all over

1265
01:08:15,600 --> 01:08:18,880
Speaker 4: the place, right, I agree with that.

1266
01:08:19,040 --> 01:08:21,400
Speaker 6: Like the show started out it's meant to be a

1267
01:08:21,520 --> 01:08:26,719
Speaker 6: mother daughter show. We don't have any lore Lion Rory,

1268
01:08:26,760 --> 01:08:30,519
Speaker 6: we don't have any lore Lion Luke. I mean, it's

1269
01:08:30,600 --> 01:08:34,040
Speaker 6: just gotten so far away from what it was in

1270
01:08:34,080 --> 01:08:37,280
Speaker 6: the early seasons when it was charming and warm, and

1271
01:08:37,720 --> 01:08:40,679
Speaker 6: it's just completely like the only mother daughter we really

1272
01:08:40,680 --> 01:08:43,639
Speaker 6: had in this episode was Layne and missus Kim, which

1273
01:08:43,720 --> 01:08:46,960
Speaker 6: was good, our favorite part, right, and that was good,

1274
01:08:47,280 --> 01:08:50,960
Speaker 6: But it's just it's just not you know what we

1275
01:08:51,040 --> 01:08:51,679
Speaker 6: came to love.

1276
01:08:52,160 --> 01:08:59,040
Speaker 1: Yeah, it's there's no spine to the piece anymore.

1277
01:08:59,280 --> 01:09:04,599
Speaker 6: It's gone, right, there's no exactly, there's no backbone holding

1278
01:09:04,640 --> 01:09:05,479
Speaker 6: the whole thing together.

1279
01:09:06,560 --> 01:09:11,920
Speaker 4: So works best because of the chemistry of the either

1280
01:09:11,960 --> 01:09:15,360
Speaker 4: the actors or the characters, whichever, however you decide that,

1281
01:09:16,000 --> 01:09:20,720
Speaker 4: and now we don't have our favorite sort of situations

1282
01:09:21,080 --> 01:09:24,600
Speaker 4: are the chemistry between Scott and Lauren, or Luke and

1283
01:09:24,640 --> 01:09:28,799
Speaker 4: Lorelai or Lorli and Rory, and like all that's missing

1284
01:09:28,840 --> 01:09:31,679
Speaker 4: so maybe that's why it's so boring and off, because

1285
01:09:31,680 --> 01:09:34,479
Speaker 4: it's just like filler.

1286
01:09:34,800 --> 01:09:39,160
Speaker 1: There was no Suki in this episode, was yeah, and

1287
01:09:39,240 --> 01:09:39,880
Speaker 1: even in.

1288
01:09:39,880 --> 01:09:43,400
Speaker 5: Past seasons you had Rory and Dean, Rory and Jess,

1289
01:09:43,520 --> 01:09:46,599
Speaker 5: and even now Rory and Logan, but you don't have

1290
01:09:46,680 --> 01:09:51,920
Speaker 5: Rory and Logan together. You like literally don't have anybody

1291
01:09:52,080 --> 01:09:54,360
Speaker 5: any of the key things together.

1292
01:09:54,800 --> 01:09:59,320
Speaker 4: And if I may say, all the characters right were

1293
01:09:59,360 --> 01:10:03,080
Speaker 4: always small parts, and that there's you know, there's no

1294
01:10:03,120 --> 01:10:06,400
Speaker 4: small parts. I understand that, But like Suki would be

1295
01:10:06,439 --> 01:10:09,000
Speaker 4: a funny blip, Kirk would be a funny blip, because

1296
01:10:09,160 --> 01:10:14,160
Speaker 4: the meat of the episodes were always sort of Rory, Loralai, Luke,

1297
01:10:14,720 --> 01:10:20,479
Speaker 4: and now Luke's a blip. Rory is with two rams

1298
01:10:21,720 --> 01:10:26,360
Speaker 4: and we're just every scene is Lorli and Christopher.

1299
01:10:25,920 --> 01:10:28,920
Speaker 3: And I think the full episode.

1300
01:10:28,439 --> 01:10:31,439
Speaker 1: I think one of the more important characters is removed

1301
01:10:31,479 --> 01:10:36,439
Speaker 1: from this new narrative is stars Hollow seems to be missing.

1302
01:10:36,720 --> 01:10:39,000
Speaker 3: Oh my god, a good point town is missing.

1303
01:10:39,479 --> 01:10:44,000
Speaker 1: Yeah, community, So it's it's very odd.

1304
01:10:43,840 --> 01:10:45,960
Speaker 6: Right, Yeah, Like we were saying at the beginning, there's

1305
01:10:45,960 --> 01:10:48,720
Speaker 6: no shots of the gazebo in the square with the

1306
01:10:48,760 --> 01:10:52,240
Speaker 6: fall foliage and all that, Like we didn't have that.

1307
01:10:52,320 --> 01:10:54,800
Speaker 6: We don't have Richard and Emily in this episode.

1308
01:10:55,920 --> 01:10:59,839
Speaker 4: Yeah, biller filler, filler filler, I'm looking for bread filler.

1309
01:11:00,120 --> 01:11:03,280
Speaker 4: Where's my food filler? Like and kidding me.

1310
01:11:03,720 --> 01:11:06,320
Speaker 3: Like how Scott said. I think they just ran out

1311
01:11:06,320 --> 01:11:10,320
Speaker 3: of ideas, like the two friends. They didn't even have

1312
01:11:11,080 --> 01:11:13,160
Speaker 3: a new idea for two new friends, like they just

1313
01:11:13,200 --> 01:11:16,200
Speaker 3: said they copy and pasted Madeline and totally.

1314
01:11:16,160 --> 01:11:18,400
Speaker 4: They're like, let's hire these two other actors to play

1315
01:11:18,400 --> 01:11:19,200
Speaker 4: Madeline and Luis.

1316
01:11:19,240 --> 01:11:21,479
Speaker 3: And they kind of look like them too, they do.

1317
01:11:22,560 --> 01:11:24,800
Speaker 6: We go to Zach and Lane's apartment. We find out

1318
01:11:24,880 --> 01:11:27,519
Speaker 6: that instead of missus, Kim has let them off the

1319
01:11:27,520 --> 01:11:29,439
Speaker 6: hook for moving in with her, but now we find

1320
01:11:29,479 --> 01:11:32,960
Speaker 6: out that she has moved in with them. Two cases

1321
01:11:33,000 --> 01:11:35,639
Speaker 6: are all over the place. Brian has been moved over

1322
01:11:35,760 --> 01:11:40,760
Speaker 6: to another Korean family, where he seems to be quite

1323
01:11:40,800 --> 01:11:42,160
Speaker 6: happily eating dinner with them.

1324
01:11:42,439 --> 01:11:43,400
Speaker 4: Didn't even see that.

1325
01:11:44,120 --> 01:11:45,360
Speaker 3: I didn't hate this.

1326
01:11:45,600 --> 01:11:48,439
Speaker 6: I thought that was cute. Yeah, and we find out

1327
01:11:48,479 --> 01:11:51,559
Speaker 6: that Zak is thinking of naming the kids Marco and

1328
01:11:51,600 --> 01:11:54,800
Speaker 6: Polo so that they're easier to keep track of those Like,

1329
01:11:57,479 --> 01:11:59,519
Speaker 6: I thought that was cute. That made me chuckle.

1330
01:12:00,320 --> 01:12:04,600
Speaker 1: And then we go where we're here because that's the

1331
01:12:04,640 --> 01:12:06,120
Speaker 1: game we played when kids.

1332
01:12:07,479 --> 01:12:09,960
Speaker 6: Then we go back to Yale and this is where

1333
01:12:10,000 --> 01:12:15,759
Speaker 6: we find out who boyfriend is and Marty introduces himself

1334
01:12:15,800 --> 01:12:21,000
Speaker 6: to Rory like he doesn't know her super sketcher sketch

1335
01:12:21,120 --> 01:12:22,800
Speaker 6: and she's like, why did you do that? And he's like, oh,

1336
01:12:22,840 --> 01:12:24,240
Speaker 6: I thought it would be weird, and I'm like, so

1337
01:12:24,360 --> 01:12:25,400
Speaker 6: you just made it weirder.

1338
01:12:25,520 --> 01:12:29,160
Speaker 4: Okay, yeah, like that comes to haunt everybody.

1339
01:12:29,720 --> 01:12:33,200
Speaker 6: Yeah. I still don't understand like what his thought process

1340
01:12:33,400 --> 01:12:33,920
Speaker 6: was there.

1341
01:12:33,760 --> 01:12:36,120
Speaker 3: But he could have been like, oh, yeah, we knew

1342
01:12:36,120 --> 01:12:36,880
Speaker 3: each other, right.

1343
01:12:36,920 --> 01:12:39,920
Speaker 4: I think he because he liked Rory and he doesn't

1344
01:12:39,960 --> 01:12:45,520
Speaker 4: want friend. But it's still weird, very and it becomes problematic,

1345
01:12:45,600 --> 01:12:46,639
Speaker 4: so we'll deal with that later.

1346
01:12:47,360 --> 01:12:51,640
Speaker 6: Yeah. And then so finally, then the worst scene of

1347
01:12:51,680 --> 01:12:53,840
Speaker 6: the whole thing, like it doesn't even end on an

1348
01:12:53,920 --> 01:12:57,439
Speaker 6: up note. We see them coming home with all the

1349
01:12:57,439 --> 01:12:58,360
Speaker 6: suitcases and all.

1350
01:12:58,280 --> 01:13:01,760
Speaker 4: That, and he says, well, intentionally, her hand, yes, I

1351
01:13:01,880 --> 01:13:06,519
Speaker 4: noticed that because I intentionally watched because I knew you

1352
01:13:07,000 --> 01:13:09,520
Speaker 4: her hand is hidden the whole time, anyway, go ahead.

1353
01:13:09,520 --> 01:13:11,920
Speaker 6: Right, because her long sleeve is covering her hand and

1354
01:13:11,960 --> 01:13:14,080
Speaker 6: then she holds it. I guess you know, so we don't.

1355
01:13:14,200 --> 01:13:16,280
Speaker 6: The camera doesn't see that she's got a wedding ring on,

1356
01:13:17,120 --> 01:13:19,280
Speaker 6: and he says, welcome home, missus Hayden, and she gives

1357
01:13:19,320 --> 01:13:21,439
Speaker 6: him like this weird little smile. But then he walks

1358
01:13:21,479 --> 01:13:23,439
Speaker 6: away and she's like looking at the ring like, oh

1359
01:13:23,439 --> 01:13:26,160
Speaker 6: my god, what did I just do? Not at all

1360
01:13:26,280 --> 01:13:28,719
Speaker 6: the face of a woman who's happy and in love.

1361
01:13:31,000 --> 01:13:31,960
Speaker 6: And then we faded.

1362
01:13:31,800 --> 01:13:34,639
Speaker 4: Last son l you know Rachel Dratch when she plays

1363
01:13:34,640 --> 01:13:42,759
Speaker 4: that character like Debbie Downer, Yeah, I was living louralized face.

1364
01:13:42,840 --> 01:13:46,120
Speaker 4: At the end, we're Debbie down wha, Like why do

1365
01:13:46,200 --> 01:13:46,719
Speaker 4: I do this?

1366
01:13:47,560 --> 01:13:49,439
Speaker 1: All right? So what are we going to give this?

1367
01:13:49,560 --> 01:13:53,519
Speaker 1: Let's go around? Uh, Tara, what do you rate it?

1368
01:13:53,600 --> 01:13:54,479
Speaker 1: What's your measures?

1369
01:13:54,560 --> 01:14:08,400
Speaker 7: Dick? I give it a three strands of colorful hair, Ah, Danielle.

1370
01:14:07,439 --> 01:14:10,559
Speaker 5: One point five pizza in a jacket.

1371
01:14:10,920 --> 01:14:17,400
Speaker 6: Wow, I'm gonna give it two giant pencils.

1372
01:14:18,880 --> 01:14:20,600
Speaker 4: Amy, six baguettes.

1373
01:14:20,840 --> 01:14:21,840
Speaker 3: I knew you were going.

1374
01:14:21,760 --> 01:14:23,080
Speaker 1: To do six.

1375
01:14:23,600 --> 01:14:25,320
Speaker 3: You said, boring through the whole hour.

1376
01:14:25,960 --> 01:14:28,640
Speaker 4: Still better than half the shows on television.

1377
01:14:29,520 --> 01:14:31,920
Speaker 1: And it's still better than a lot of the shows

1378
01:14:31,920 --> 01:14:35,240
Speaker 1: in season seven because we get the Emily Corota and.

1379
01:14:35,680 --> 01:14:36,719
Speaker 4: Yeah, yeah, yeah.

1380
01:14:37,280 --> 01:14:40,040
Speaker 5: Coroda's reason why I gave it one point five.

1381
01:14:41,439 --> 01:14:48,200
Speaker 1: I don't know. I thought I'm gonna go five because

1382
01:14:48,240 --> 01:14:51,960
Speaker 1: of Emily, uh and the way she lifted this thing,

1383
01:14:52,200 --> 01:14:57,880
Speaker 1: and I'm gonna go Also Kristin Ritter lifted it, so

1384
01:14:58,000 --> 01:15:06,759
Speaker 1: yeah five, christ I don't know. Black black screens, five

1385
01:15:07,920 --> 01:15:13,960
Speaker 1: rumpled sheets on a bed like for like a three

1386
01:15:14,000 --> 01:15:21,080
Speaker 1: three minute romp. Uh, that's going to wrap it up

1387
01:15:21,560 --> 01:15:28,479
Speaker 1: for now. Uh. Season seven, episodes seven French Twist, Thank

1388
01:15:28,520 --> 01:15:32,320
Speaker 1: You Ladies, Susanne, French Terrorists, Suit, Daniel Roma, Amy Sugarman.

1389
01:15:32,439 --> 01:16:04,639
Speaker 1: We will see you next time. Stay safe everyone, Hey, everybody,

1390
01:16:04,640 --> 01:16:08,040
Speaker 1: and don't forget Follow us on Instagram at I Am

1391
01:16:08,080 --> 01:16:13,000
Speaker 1: all In podcast and email us at Gilmore at iHeartRadio

1392
01:16:13,320 --> 01:16:23,680
Speaker 1: dot com