WEBVTT - Andor Season 2 (Episodes 4-6) Roundtable

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<v Speaker 1>Worrying.

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<v Speaker 2>Today's episode contains spoilers for episodes four through six of

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<v Speaker 2>and Or season two, so be warned.

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<v Speaker 1>Hello, my name is.

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<v Speaker 2>Jason Concepcion and on Wedsday Night, and welcome back to

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<v Speaker 2>ext revision of the podcast where we dive deep into

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<v Speaker 2>your favorite shows, movies, comics of pop culture.

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<v Speaker 3>Coming to you.

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<v Speaker 1>From My Heart Podcast.

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<v Speaker 2>We're reading you three episodes a week every Tuesday, Wednesday,

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<v Speaker 2>and Thursday.

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<v Speaker 4>Plus news and in today's news plus news. In today's episode,

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<v Speaker 4>you loved it, and we're back. It's the round Table.

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<v Speaker 4>We are convening the Jedi Council to break down the

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<v Speaker 4>rather amazing episodes four to six of and Or season two.

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<v Speaker 4>So we're bringing in the crew. Welcome, Joel and Naboo.

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<v Speaker 4>That was not mental rhyme, but it did today. I

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<v Speaker 4>love to have you back.

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<v Speaker 2>Well, we already did our recap, so let's get your

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<v Speaker 2>initial reactions and Joel on episodes four, five, and six

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<v Speaker 2>of and ORCS and two.

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<v Speaker 1>Joel, let's start with you.

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<v Speaker 5>Wow, what a show, guys. I was scared for these

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<v Speaker 5>episodes because I was worried Bix was gonna be suffering

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<v Speaker 5>the whole time, but they got us out at the end.

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<v Speaker 5>I think the man Mathma and Crenic moment was maybe

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<v Speaker 5>the best verbal spat we've had in Star Wars ever.

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<v Speaker 5>It's so beautiful, like what a great breakdown of uh,

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<v Speaker 5>the Resistance versus the Empire's like entire thought process and

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<v Speaker 5>it's happening all while poor Cleya is like crushing her

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<v Speaker 5>hand open trying to get out. I do think I

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<v Speaker 5>thought these episodes were a little slower, but I'm not

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<v Speaker 5>mad at the pacing. Okay, hear me out. I've heard

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<v Speaker 5>people be like, still, not a lot is happening, and

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<v Speaker 5>I was like, okay, but also, you're learning about an

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<v Speaker 5>entirely new world. You're getting great spy theatrics. And I

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<v Speaker 5>do feel the pressure cooker of Rogue one building, and

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<v Speaker 5>I think you kind of want to be the frog

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<v Speaker 5>in the boiling water on that. You want to feel

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<v Speaker 5>a pressure slowly rise and the overwhelmed slowly happening. I

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<v Speaker 5>think the key to that was Luthan being terrified losing

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<v Speaker 5>his shit. For like Luman was cracking. He was like,

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<v Speaker 5>why did we do that?

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<v Speaker 4>You made me?

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<v Speaker 5>You made me do it?

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<v Speaker 6>Like that?

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<v Speaker 1>That was great that that was a really cool moment.

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<v Speaker 5>Yeah, and it's such a key like insight to oh.

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<v Speaker 5>Luvin is struggling to keep the rebellion going on his own.

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<v Speaker 5>Everybody is desperate and separated. We don't have like our

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<v Speaker 5>base yet. It's Mathma is still here. When is she going?

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<v Speaker 5>We Mathma famously gives it like a great speech that

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<v Speaker 5>kind of kicks off the rebellion. She's still in the Senate.

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<v Speaker 5>I keep being like, get out, broken out, like if

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<v Speaker 5>you feel that pressure. And for that reason, I think

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<v Speaker 5>it's working and I'm okay with it, but we need

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<v Speaker 5>some action. I'm ready to get into it. Those are

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<v Speaker 5>my thoughts, Aboo, what do you think?

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<v Speaker 3>I also loved the setup episodes. The show continues to

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<v Speaker 3>get better and better for me. I was really really

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<v Speaker 3>into the slow burned spycraft of at Home. I just

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<v Speaker 3>love a cool guy being cool and spy crafty, and

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<v Speaker 3>that was Cassie and Or for three episodes of this show,

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<v Speaker 3>especially when he went to Gorman, when he was talking

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<v Speaker 3>to the folks on Gorman, when Bell and Sinsa came

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<v Speaker 3>in and did their like badass spycraft, like where the

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<v Speaker 3>professional rebels you follow us? Can you follow orders? All

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<v Speaker 3>of that was just so fun to watch. I loved it,

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<v Speaker 3>and at first I was going to come in here

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<v Speaker 3>and say that Gorman was my favorite part of these

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<v Speaker 3>three episodes. But I was going to say that, but

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<v Speaker 3>Joel's giving me a look because that would be wrong.

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<v Speaker 4>I was locked in.

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<v Speaker 3>Every time we cut back to Corrussant as well, So okay, honestly,

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<v Speaker 3>I was having a blast in these episodes. I enjoyed

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<v Speaker 3>the slow burn of it all. I understand folks who

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<v Speaker 3>might want the story to start catapulting forward and come

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<v Speaker 3>towards some sort of conclusion, but I think things are happening.

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<v Speaker 3>Buildings are being built on Gorman, Rebellions are like festering

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<v Speaker 3>on Gorman. Things are still happening, and I think we're

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<v Speaker 3>headed toward I mean, we know we're headed toward Rogue one,

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<v Speaker 3>but I think we're headed toward a fun conclusion to

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<v Speaker 3>this show, and we just we just have to be

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<v Speaker 3>along for the ride.

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<v Speaker 4>Yeah, I would also agree. I think you guys bring

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<v Speaker 4>up some great points, but I think that people who

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<v Speaker 4>are looking for something that isn't slow burn at this

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<v Speaker 4>point are misunderstanding the point of this particular Star Wars story,

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<v Speaker 4>because I think when you know all the great movies

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<v Speaker 4>that Jason has brung up his letterbox list. When we're

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<v Speaker 4>looking at those kind of stories, stories about spycraft, stories

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<v Speaker 4>about rebellion, revolution, they are often about the slow moments

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<v Speaker 4>of the personal interactions and how we get that, how

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<v Speaker 4>does this one person's impact change the space and the

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<v Speaker 4>nature of the story. And we are very much in

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<v Speaker 4>that with Rogue One, and I think that was my

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<v Speaker 4>favorite thing about these these episodes.

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<v Speaker 2>Yeah, let's talk about Gorman. I think that I agree

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<v Speaker 2>with what everybody's saying. Of course, is a lot of

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<v Speaker 2>this is in the beholder. I I react to the

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<v Speaker 2>story in a lot of the same way that Hemingway,

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<v Speaker 2>in the same way that Hemingway describe bankruptcy, which is

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<v Speaker 2>it happens very slowly than all at once.

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<v Speaker 1>To me, like the real.

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<v Speaker 2>The drama of Rogue One isn't like big battles and

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<v Speaker 2>fights as quote something happening. It's people coming to terms with, Oh,

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<v Speaker 2>there's no easy way out of this. There's no cavalry coming,

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<v Speaker 2>there's no Jedi Nights coming to save us. I have

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<v Speaker 2>to pick up a gun do something, and I'm not

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<v Speaker 2>that person. And so that is tremendously dramatic to me,

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<v Speaker 2>and that, to me encapsulates what's.

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<v Speaker 1>Going on in Gorman.

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<v Speaker 2>I think, Aboo, you're absolutely correct, Like, it's so thrilling

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<v Speaker 2>to see Cassian in full spy mode pretending to be

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<v Speaker 2>this kind of swashed way.

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<v Speaker 4>Also the full like visual change in his head. Yeah,

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<v Speaker 4>because we haven't seen that. We haven't seen him in

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<v Speaker 4>a costume before fashion.

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<v Speaker 5>Guy from season one. Like season one, Cassian could not

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<v Speaker 5>be another person. He was so intent on clinging to

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<v Speaker 5>his idea for very obviously reasons. He'd been ripped from

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<v Speaker 5>his homeland, like he'd been in prison. I forgot. I

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<v Speaker 5>went back and watched him on season one, and I

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<v Speaker 5>forgot that Cassian was in prisoned from like thirteen to sixteen. Yeah,

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<v Speaker 5>and then he lived through a rebellion only to learn

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<v Speaker 5>that they were fighting each other. At the end of it.

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<v Speaker 5>They're like, we weren't fighting. It was just in fighting

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<v Speaker 5>between ourselves. We all died. It was terrible. I think

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<v Speaker 5>like this jump from in the first batch episodes, we

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<v Speaker 5>get Cassie and is like the survivor, Like he's very

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<v Speaker 5>much like, hey, guys should be collecting water. Yes, I

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<v Speaker 5>will learn to fly this plane while it's in the air.

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<v Speaker 5>It's fine. I've got it, like he's his tactical instincts

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<v Speaker 5>are great. We get the mental spy here, like he

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<v Speaker 5>he literally transforms before the conversation in the cafe where

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<v Speaker 5>he was like.

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<v Speaker 2>What are you doing, you moron? Don't come to her early?

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<v Speaker 2>Like did you're lucky that I'm not that I am

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<v Speaker 2>the person that you think I am, or because otherwise

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<v Speaker 2>you like, get it together.

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<v Speaker 1>You amateurs.

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<v Speaker 3>Drawing attention.

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<v Speaker 1>Get that like I.

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<v Speaker 2>Saw them easily and the Empire will touch them easily

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<v Speaker 2>at the same time, you know, so.

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<v Speaker 1>Let's talk about that.

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<v Speaker 2>I think what was surprising to me was Cassian's uh

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<v Speaker 2>Cassie basically reading the Gorman front to Filth and saying,

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<v Speaker 2>you know what, you guys waited too long. You're not

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<v Speaker 2>fucking ready. You're all gonna get medacre. This is a

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<v Speaker 2>suicide mission, and I'm out. I was surprised, particularly there's

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<v Speaker 2>that wonderful emotion connection that he has with the Bell

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<v Speaker 2>Hop where you can tell like there's a lot of

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<v Speaker 2>stuff going on below the surface, where Cassian is responding

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<v Speaker 2>to this like terrible injustice that is happening. That energy

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<v Speaker 2>that can go nowhere, but it needs to explode somehow,

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<v Speaker 2>and he sees all of this and he just says,

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<v Speaker 2>you know what, it's not professional enough for me. You

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<v Speaker 2>guys aren't ready. And there's a debate between him and Luthen,

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<v Speaker 2>where Luthen is like, one, they want to do it.

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<v Speaker 2>Two doesn't it benefit the rebellion overall to shock the

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<v Speaker 2>galaxy if in fact, the Gormans are wiped out or massacred,

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<v Speaker 2>if something terrible happens to Gorman doesn't wouldn't that shake

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<v Speaker 2>the galaxy and wake them up from their slumber?

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<v Speaker 1>Wouldn't that help be the spark lights this whole thing?

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<v Speaker 2>And then you have the Gore in front themselves, who

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<v Speaker 2>I think would admit, One, we're not ready. Two we

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<v Speaker 2>waited too long. But how can we sit here and

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<v Speaker 2>do nothing at this point? Like isn't it more important

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<v Speaker 2>to fight and maybe lose and have history say they

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<v Speaker 2>were an honorable people who try, who saw something terrible happen.

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<v Speaker 2>They didn't just go quietly. So let's talk about that that.

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<v Speaker 1>How did you.

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<v Speaker 2>React to Cassian turning down the cores and what is

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<v Speaker 2>like what is the way forward? Because my sense was

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<v Speaker 2>that even Cassian at this point doesn't see it clearly enough,

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<v Speaker 2>he doesn't see that there is no easy off ramp

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<v Speaker 2>two away out of this galactic crisis. He thinks, Oh,

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<v Speaker 2>if we just had like the most professional rebels, the

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<v Speaker 2>best tactically sound, strategically smart rebellion, that's how.

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<v Speaker 3>We do this.

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<v Speaker 2>When Luthen is like, no, we're gonna get tremendously bloodied

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<v Speaker 2>and we're going to have to and the Gores meanwhile,

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<v Speaker 2>they're saying, well, it's our life, it's our planet, you know,

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<v Speaker 2>we can do what we want. Yeah, so what what

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<v Speaker 2>is the way forward here? And how did you react

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<v Speaker 2>to this kind of ideological struggle? I think on the

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<v Speaker 2>first watch, you're really like cassieh my god, like, what

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<v Speaker 2>are we doing here? Like you're supposed to be you're

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<v Speaker 2>the rebel, Like you're the guy we're following to bat

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<v Speaker 2>and you really feel for the leader who's like, you know,

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<v Speaker 2>like you're not a revolutionary.

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<v Speaker 5>And I'm not fucking impressed. Okay, I loved it. But

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<v Speaker 5>then on the second watch, I think covertly the best

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<v Speaker 5>moment it's actually when Kathy and Luthern meet at Luthen's

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<v Speaker 5>shop and Kathy and storms in there like that's the

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<v Speaker 5>crux of all of like this batch of three episodes.

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<v Speaker 5>But Luthen has this great line where he's like, is

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<v Speaker 5>this everything? Like you abandoning the entire plan everything.

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<v Speaker 2>Because because I went and talked to Bix and you

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<v Speaker 2>didn't know about it, and now you're mad, like.

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<v Speaker 5>On the phone, it's everything, and you have drawn a

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<v Speaker 5>line in the sand. And that is really the difference

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<v Speaker 5>here is to Luthen, everything is everything. There really is

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<v Speaker 5>no end point to or there's nothing that would stop

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<v Speaker 5>him from trying to achieve this goal of liberation. He'll

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<v Speaker 5>give his He's already said he's gonna give his life.

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<v Speaker 5>We know, we've known that since the end of season one.

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<v Speaker 5>Lutheran's gonna die. He's prepared for it mentally, even though

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<v Speaker 5>it seems as if he's he's terrified of it happening,

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<v Speaker 5>which is fair. You know, it's scary to die. But

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<v Speaker 5>Cassian is an idealist, and Cassian, I think, believes so

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<v Speaker 5>much in his ability to survive, and he survives by

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<v Speaker 5>calculated movements that he doesn't see failure as a possibility

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<v Speaker 5>because he won't entertain ideas that could possibly fail. And

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<v Speaker 5>that's not everything that's really guarded and very safe I was.

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<v Speaker 2>To add to that. Cassian talks a lot in these

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<v Speaker 2>episodes about his luck, and I think, to your point,

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<v Speaker 2>Cassian takes calculated risks, and I think he's just a

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<v Speaker 2>guy who feels like I could walk away from the

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<v Speaker 2>table now up. Well, my luck is very thin at

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<v Speaker 2>this point, and I don't know when it will run out,

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<v Speaker 2>and I have bis to go home to. Whereas to

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<v Speaker 2>your point, Luthen is, like I decided long ago, I'm

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<v Speaker 2>giving it, I'm burning it all to bring down the empire.

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<v Speaker 4>Yeah, there's nothing for Luthen to go home to at

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<v Speaker 4>this point.

0:12:25.440 --> 0:12:29.720
<v Speaker 3>Yeah, Yeah, I also think Cassian. What's kind of heartbreaking

0:12:29.720 --> 0:12:35.120
<v Speaker 3>about Cassian saying no to the Gorman Revolutionist that we

0:12:35.240 --> 0:12:37.880
<v Speaker 3>saw him inspire a rebel in the first scene of

0:12:37.920 --> 0:12:40.200
<v Speaker 3>the first episode. You know, we saw him talk to

0:12:40.240 --> 0:12:44.000
<v Speaker 3>someone as a rebel leader, as someone who can inspire,

0:12:44.160 --> 0:12:47.120
<v Speaker 3>that can get somebody to step in the circle and

0:12:47.200 --> 0:12:49.440
<v Speaker 3>take that chance on a thing that they feel is right,

0:12:49.960 --> 0:12:52.440
<v Speaker 3>even if they may die in the process. We don't

0:12:52.480 --> 0:12:54.480
<v Speaker 3>know what happened to that woman in the first episode.

0:12:54.520 --> 0:12:56.439
<v Speaker 3>Did she make it out, was their retribution?

0:12:56.640 --> 0:12:57.079
<v Speaker 7>We have no.

0:12:57.040 --> 0:13:00.400
<v Speaker 3>Idea Cassian's in a similar situation. Here. But I think

0:13:01.440 --> 0:13:03.400
<v Speaker 3>we have to remember there has been a year gap.

0:13:03.640 --> 0:13:06.320
<v Speaker 3>He has been on many missions through the course of

0:13:06.360 --> 0:13:09.600
<v Speaker 3>that year. But I think this is a tough spot

0:13:09.640 --> 0:13:11.800
<v Speaker 3>to be in because, as you said, Jason, he has

0:13:11.840 --> 0:13:14.720
<v Speaker 3>Bix on one hand. On the other hand, there doesn't

0:13:14.760 --> 0:13:17.720
<v Speaker 3>seem to be any sort of endgame in sight. There

0:13:17.720 --> 0:13:19.520
<v Speaker 3>doesn't even seem to be any sort of like win

0:13:19.720 --> 0:13:22.679
<v Speaker 3>in sight at the moment, like this is a pretty.

0:13:22.400 --> 0:13:25.040
<v Speaker 1>For the for the Gormans, or for overall.

0:13:24.640 --> 0:13:25.199
<v Speaker 6>For this.

0:13:27.320 --> 0:13:31.280
<v Speaker 3>For all these operations he's been running for Luthan, Like

0:13:31.520 --> 0:13:33.360
<v Speaker 3>where is it all going? Like this is sort of

0:13:33.360 --> 0:13:35.439
<v Speaker 3>the dip of the rebellion, right, They're in this low

0:13:35.640 --> 0:13:39.840
<v Speaker 3>before potentially something like Gorman blows up and the rebellion

0:13:39.840 --> 0:13:43.160
<v Speaker 3>takes off. And so I think for Cassie and this

0:13:43.240 --> 0:13:46.080
<v Speaker 3>is like, emotionally and as a rebel, a very low

0:13:46.120 --> 0:13:48.640
<v Speaker 3>place to be in. And so to be sent to

0:13:48.720 --> 0:13:51.800
<v Speaker 3>Gorman and see these like bright eyed idealists be like

0:13:51.880 --> 0:13:54.920
<v Speaker 3>we're gonna stand up to the Empire, We're gonna go public,

0:13:55.000 --> 0:13:58.360
<v Speaker 3>and we're gonna take him down. Like I think he's

0:13:58.480 --> 0:14:02.040
<v Speaker 3>just really disheartened and jaded at this point. I think

0:14:02.080 --> 0:14:05.079
<v Speaker 3>something has turned him into the rebel at the start

0:14:05.520 --> 0:14:07.679
<v Speaker 3>has been dimmed, and we're seeing that in the set

0:14:07.720 --> 0:14:08.360
<v Speaker 3>of episodes.

0:14:08.559 --> 0:14:10.600
<v Speaker 4>Yeah, I think you bring up a great point there, Boo,

0:14:10.679 --> 0:14:14.800
<v Speaker 4>because I think it's that cynical nature. It's the transition

0:14:15.040 --> 0:14:19.320
<v Speaker 4>that we're seeing from and Or in season one to

0:14:19.560 --> 0:14:23.040
<v Speaker 4>and Or in Rogue one. And at the moment he

0:14:23.160 --> 0:14:30.840
<v Speaker 4>is ironically the cynicism and emotional disconnect of Lutheran is

0:14:30.920 --> 0:14:33.640
<v Speaker 4>rubbing off on him. But he has not gotten to

0:14:33.680 --> 0:14:36.240
<v Speaker 4>that point yet where he's like, oh, well, if the

0:14:36.280 --> 0:14:39.080
<v Speaker 4>whole of Gorman burns because it goes wrong, that will

0:14:39.200 --> 0:14:41.360
<v Speaker 4>just be a great call to the Empire. He's not

0:14:41.480 --> 0:14:44.000
<v Speaker 4>there yet, you know, He's he is still in a

0:14:44.040 --> 0:14:46.200
<v Speaker 4>place where he has someone that he loves at home.

0:14:46.600 --> 0:14:50.360
<v Speaker 4>But I think something really interesting about where we find

0:14:50.400 --> 0:14:55.640
<v Speaker 4>and Or this episode is in that crosshairs of the

0:14:55.680 --> 0:14:59.400
<v Speaker 4>rebellion being something that he cares about and is almost

0:14:59.440 --> 0:15:02.720
<v Speaker 4>like his that he just has to do. And then

0:15:02.760 --> 0:15:05.320
<v Speaker 4>obviously having Bis at home, which is the thing that

0:15:05.480 --> 0:15:08.440
<v Speaker 4>drives him. And there's that great moment where you know,

0:15:08.760 --> 0:15:11.160
<v Speaker 4>and Or so he doesn't want to do this. He's

0:15:11.160 --> 0:15:13.040
<v Speaker 4>turning his nose up at the Gorms because they're not

0:15:13.120 --> 0:15:15.520
<v Speaker 4>ready and they need to do it properly. But then

0:15:15.560 --> 0:15:18.360
<v Speaker 4>there's that great moment where Big says, you know, you

0:15:18.440 --> 0:15:20.760
<v Speaker 4>didn't kill that boy because we're war. You killed him

0:15:20.760 --> 0:15:21.840
<v Speaker 4>because he saw my face.

0:15:22.160 --> 0:15:29.880
<v Speaker 8>So's own personal kind of relationship to Bix and to

0:15:29.960 --> 0:15:33.920
<v Speaker 8>what is driving him can still cause him to behave

0:15:34.040 --> 0:15:36.800
<v Speaker 8>in ways that are abhorrent or ways that are violent

0:15:36.840 --> 0:15:41.680
<v Speaker 8>and unnecessary, but he's not willing to just risk himself

0:15:41.720 --> 0:15:44.240
<v Speaker 8>for the larger cause, and he wants.

0:15:44.040 --> 0:15:45.920
<v Speaker 4>To do anything he can to prepare well. And that

0:15:46.000 --> 0:15:48.960
<v Speaker 4>reminds you. I think that's really interesting totally.

0:15:49.040 --> 0:15:50.320
<v Speaker 5>And it reminds me of the moment on the ship

0:15:50.320 --> 0:15:54.360
<v Speaker 5>between Luthin and and Or where Andrew is like, you know,

0:15:54.360 --> 0:15:56.960
<v Speaker 5>I'm thinking like a soldier, like think like a leader.

0:15:57.040 --> 0:15:57.600
<v Speaker 1>Want to go home.

0:15:57.640 --> 0:16:00.000
<v Speaker 4>They're like, are you now how long have you been?

0:16:00.760 --> 0:16:04.480
<v Speaker 5>I follow the orders? We that's mission accomplished. A leader

0:16:04.560 --> 0:16:07.200
<v Speaker 5>is you know, eighteen steps ahead, and you know, how

0:16:07.240 --> 0:16:10.200
<v Speaker 5>do we get out? And it's just and to a

0:16:10.240 --> 0:16:13.000
<v Speaker 5>boost earlier point like we've seen him be a leader,

0:16:13.040 --> 0:16:15.560
<v Speaker 5>And I think it's really interesting for the show to

0:16:15.680 --> 0:16:19.200
<v Speaker 5>take a step back and be like, yeah, sometimes you backslide,

0:16:19.360 --> 0:16:24.120
<v Speaker 5>like sometimes Auliu's faith. Sometimes it's it's scary moving forward.

0:16:24.160 --> 0:16:28.600
<v Speaker 5>And I think ending the first batch of episodes with

0:16:28.680 --> 0:16:31.960
<v Speaker 5>and Or like really referring to Bix as his home

0:16:32.760 --> 0:16:37.040
<v Speaker 5>and then seeing Bix's ability to hide whatever's going on

0:16:37.080 --> 0:16:41.400
<v Speaker 5>with her from Andor is incredible, like Cassy and has

0:16:41.440 --> 0:16:47.040
<v Speaker 5>no clue really how far down bixes and I like

0:16:48.440 --> 0:16:51.560
<v Speaker 5>for him, it does seem like he's ready to sort

0:16:51.600 --> 0:16:53.920
<v Speaker 5>of get out until we get to that final moment

0:16:54.400 --> 0:16:58.200
<v Speaker 5>where Luthern Luthan's like, hey, like this is really your issue,

0:16:58.240 --> 0:17:01.880
<v Speaker 5>Like Bix is your I was the problem because that's

0:17:01.960 --> 0:17:04.280
<v Speaker 5>that's not quite what it is. But like you, guys,

0:17:04.320 --> 0:17:05.919
<v Speaker 5>if you're going to be a team, if you are

0:17:05.960 --> 0:17:07.480
<v Speaker 5>going to be acting in the world, you need to

0:17:07.480 --> 0:17:10.359
<v Speaker 5>figure out what your partner's doing and get under control.

0:17:10.480 --> 0:17:12.000
<v Speaker 5>Guess it's like it's up to you, and he's like,

0:17:12.040 --> 0:17:13.760
<v Speaker 5>it's absolutely not Abu.

0:17:13.560 --> 0:17:18.520
<v Speaker 4>No, this is like you please. Well I would also

0:17:18.600 --> 0:17:22.360
<v Speaker 4>say as well, I think that there is just a

0:17:22.400 --> 0:17:25.960
<v Speaker 4>messiness here with and Or that is easier for him

0:17:26.000 --> 0:17:30.240
<v Speaker 4>to stay in. His personal messiness and his personal reasons

0:17:30.240 --> 0:17:34.119
<v Speaker 4>for the rebellion are much easier for him to be

0:17:34.280 --> 0:17:39.200
<v Speaker 4>driven by than taking the risk of losing an entire city,

0:17:39.480 --> 0:17:41.639
<v Speaker 4>you know. I also think there's that element to it.

0:17:41.640 --> 0:17:43.920
<v Speaker 4>It's not just about not wanting to do something wrong.

0:17:43.960 --> 0:17:45.560
<v Speaker 4>But I don't know if he's ready to be the

0:17:45.600 --> 0:17:47.400
<v Speaker 4>one to say, hey, go for it, guys.

0:17:47.480 --> 0:17:50.480
<v Speaker 2>I think part of this is I think what you're

0:17:50.520 --> 0:17:58.600
<v Speaker 2>talking about, Rosie is in part it arises from Cassian's

0:17:58.680 --> 0:18:02.200
<v Speaker 2>role in the rebellion. He's not Luthan in the belly

0:18:02.240 --> 0:18:05.240
<v Speaker 2>of the Beast, who never or I should say, who

0:18:05.359 --> 0:18:06.840
<v Speaker 2>rarely goes to the front.

0:18:07.200 --> 0:18:08.360
<v Speaker 1>He's in both worlds.

0:18:08.359 --> 0:18:10.359
<v Speaker 2>So he's meeting these people, he's looking at them in

0:18:10.400 --> 0:18:12.879
<v Speaker 2>the eye, he's shaking hands with them, he's connecting emotionally

0:18:12.920 --> 0:18:13.560
<v Speaker 2>with the Bellhak.

0:18:13.640 --> 0:18:14.800
<v Speaker 1>He's like doing all these things.

0:18:15.119 --> 0:18:17.800
<v Speaker 2>So it's real to him, these people who are gonna

0:18:17.840 --> 0:18:21.400
<v Speaker 2>die that, you know, like that's he's gonna watch them.

0:18:21.920 --> 0:18:24.399
<v Speaker 2>He knows what the cost is going to be because

0:18:24.440 --> 0:18:25.520
<v Speaker 2>he's been on both sides of it.

0:18:25.560 --> 0:18:27.080
<v Speaker 5>He's seen the imperial machine.

0:18:27.200 --> 0:18:29.040
<v Speaker 2>He's seen the kind of hard ware they have, the

0:18:29.119 --> 0:18:30.880
<v Speaker 2>kind of force they can bring to bear on these

0:18:30.920 --> 0:18:35.320
<v Speaker 2>regular people who are fucking linen weavers, who are like,

0:18:35.600 --> 0:18:40.080
<v Speaker 2>I want to do something, yea. Luthan has the benefit

0:18:40.119 --> 0:18:45.119
<v Speaker 2>of distance. He can sit back and say politically, looking

0:18:45.119 --> 0:18:49.080
<v Speaker 2>at the board, this helps us, so we need to

0:18:49.119 --> 0:18:52.280
<v Speaker 2>do it. And I think part of the tension between

0:18:52.320 --> 0:18:57.600
<v Speaker 2>the two is that is that Caasian has to interact

0:18:57.640 --> 0:19:00.560
<v Speaker 2>with these he knows we're gonna die. And that's why,

0:19:00.680 --> 0:19:08.760
<v Speaker 2>you know, what's the Luthan giving Bis and cassion the

0:19:08.760 --> 0:19:11.760
<v Speaker 2>the revenge mission on the Imperial Doctor.

0:19:12.119 --> 0:19:14.560
<v Speaker 1>Is like it's almost like a coach.

0:19:15.760 --> 0:19:19.720
<v Speaker 2>Of a sports team, like criticize and criticize and criticize

0:19:19.720 --> 0:19:22.800
<v Speaker 2>and criticizing a player and then being like, now I'm

0:19:22.800 --> 0:19:26.159
<v Speaker 2>going to give you the ball, go ahead. And it's

0:19:26.640 --> 0:19:31.320
<v Speaker 2>it's Luthan's way of saying, I see what's happening with you, guys.

0:19:32.359 --> 0:19:34.320
<v Speaker 2>I see how much you're hurting and how much you've

0:19:34.359 --> 0:19:37.199
<v Speaker 2>been traumatized by all of this and how hard everything is.

0:19:37.640 --> 0:19:42.440
<v Speaker 2>Here's one for you. This doesn't advance really our political

0:19:42.480 --> 0:19:45.160
<v Speaker 2>goals that much. I guess it does because you're stopping

0:19:45.200 --> 0:19:50.200
<v Speaker 2>this torture technology from going wider into the into the

0:19:50.240 --> 0:19:51.400
<v Speaker 2>Imperial regime.

0:19:52.240 --> 0:19:53.320
<v Speaker 1>But this is really.

0:19:53.080 --> 0:19:56.199
<v Speaker 2>One for them personally. Oh yeah, And that's so I

0:19:56.240 --> 0:19:59.240
<v Speaker 2>found that very interesting that he's like, here's one, here's

0:19:59.280 --> 0:20:02.080
<v Speaker 2>a risk I'm willing to take so that you guys can.

0:20:02.000 --> 0:20:05.000
<v Speaker 1>Feel better about what you're doing. Mm hmm, go kill

0:20:05.000 --> 0:20:05.360
<v Speaker 1>that guy.

0:20:06.160 --> 0:20:08.439
<v Speaker 3>Yeah, And I think there's an interesting conversation to be

0:20:08.520 --> 0:20:12.920
<v Speaker 3>had with the way Luthen then also operates with Vell

0:20:13.040 --> 0:20:17.440
<v Speaker 3>and Sinta and keeping them apart for a year, And

0:20:17.480 --> 0:20:20.840
<v Speaker 3>it makes me wonder how intentional that is and seeing

0:20:20.920 --> 0:20:24.240
<v Speaker 3>that like when they are together they're less effective. Is

0:20:24.280 --> 0:20:27.199
<v Speaker 3>he doing some sort of pressure use their love as

0:20:27.200 --> 0:20:29.560
<v Speaker 3>a pressure cooker to make them more effective. I think

0:20:29.880 --> 0:20:35.160
<v Speaker 3>Luthan is playing these two couples in different and similar

0:20:35.200 --> 0:20:37.640
<v Speaker 3>ways in order to achieve Is it like, like you're saying,

0:20:37.720 --> 0:20:42.120
<v Speaker 3>Jason like a coach, he is coaching these like subordinates, uh,

0:20:42.200 --> 0:20:45.560
<v Speaker 3>towards his his own larger goals, but one.

0:20:45.520 --> 0:20:48.520
<v Speaker 1>Only one would only need to look at Will.

0:20:50.320 --> 0:20:55.600
<v Speaker 2>If kind of romance in the field is affecting affecting

0:20:55.640 --> 0:20:56.159
<v Speaker 2>your ability?

0:20:56.640 --> 0:21:00.000
<v Speaker 9>Vision was so upset with Will, But I'm actually I'm

0:21:00.080 --> 0:21:02.399
<v Speaker 9>glad we I'm glad we talked about Will because I

0:21:02.440 --> 0:21:06.320
<v Speaker 9>actually think some of the most affecting stuff this episode

0:21:06.560 --> 0:21:08.040
<v Speaker 9>is the stuff with Will and Saw.

0:21:08.600 --> 0:21:11.880
<v Speaker 5>So after we come up break Oh, yes, take.

0:21:12.080 --> 0:21:13.639
<v Speaker 4>Joel, Let's take a break and then we'll come back and.

0:21:13.640 --> 0:21:14.119
<v Speaker 10>Talk about that.

0:21:14.760 --> 0:21:32.679
<v Speaker 4>Yeah, and we're back Joel and Aboo, how did the

0:21:32.920 --> 0:21:37.600
<v Speaker 4>kind of saw origin story and the Will and Saw moments, Like,

0:21:37.680 --> 0:21:39.880
<v Speaker 4>what did that kind of say to you about where

0:21:39.880 --> 0:21:42.000
<v Speaker 4>the rebellion is at and the different sides of the

0:21:42.040 --> 0:21:44.560
<v Speaker 4>rebellion that we kind of explore this episode.

0:21:49.280 --> 0:21:49.840
<v Speaker 3>I think I'm just.

0:21:52.760 --> 0:21:55.200
<v Speaker 5>I'm so over I was overwhelmed out the right word.

0:21:55.240 --> 0:22:01.080
<v Speaker 5>I am so impressed. Seems Mundane invested me just in

0:22:01.400 --> 0:22:04.280
<v Speaker 5>in the world that they've created and the ways they're

0:22:04.320 --> 0:22:11.560
<v Speaker 5>exploring spycraft, right like Cereal's Cereal's a illusion to a

0:22:11.600 --> 0:22:14.919
<v Speaker 5>good spy is so he is a good spy, but

0:22:15.080 --> 0:22:18.320
<v Speaker 5>again blinded by love, completely unable to see that, like

0:22:18.480 --> 0:22:27.119
<v Speaker 5>your image of what's happening is so limited. And then

0:22:27.200 --> 0:22:31.920
<v Speaker 5>to sort of to go to Cinta, who we saw

0:22:32.280 --> 0:22:34.480
<v Speaker 5>was she was a radical, like she didn't have time

0:22:34.560 --> 0:22:37.000
<v Speaker 5>to look at her partner because she was like, I

0:22:37.000 --> 0:22:39.119
<v Speaker 5>can't I literally can't take my eyes off the mission.

0:22:39.400 --> 0:22:41.920
<v Speaker 5>I have to be observing this person. I know you're

0:22:41.960 --> 0:22:43.600
<v Speaker 5>here and I can hear your hurting and I can't

0:22:43.600 --> 0:22:46.400
<v Speaker 5>address that because I'm in the mission. Just totally radical

0:22:47.640 --> 0:22:50.439
<v Speaker 5>and to see her sort of come back and the

0:22:50.480 --> 0:22:52.360
<v Speaker 5>way like this is the first time. I think Vell

0:22:52.520 --> 0:22:55.119
<v Speaker 5>was definitely the leader, but Cinta was always just so

0:22:56.080 --> 0:23:01.199
<v Speaker 5>like agro and determined. Is so interesting to see her

0:23:01.240 --> 0:23:04.479
<v Speaker 5>comeback wounded and watch a fell sort of fill up

0:23:04.520 --> 0:23:07.520
<v Speaker 5>space and be like, no, that's my woman. We're not dealing.

0:23:07.520 --> 0:23:09.600
<v Speaker 5>She's like, don't even worry. I'm gonna talk to the

0:23:09.600 --> 0:23:12.320
<v Speaker 5>boss for you, like we're gonna get this figured out.

0:23:12.760 --> 0:23:16.800
<v Speaker 5>And to see that ending, I just it kind of

0:23:16.880 --> 0:23:19.800
<v Speaker 5>makes you wonder whether all of this is worth it.

0:23:19.840 --> 0:23:22.840
<v Speaker 5>And again, we have the ability of knowing where everything's going,

0:23:22.880 --> 0:23:25.120
<v Speaker 5>and so that gives us a lot of advantage as viewers.

0:23:25.560 --> 0:23:27.800
<v Speaker 5>But I think if you had no idea shout out

0:23:27.800 --> 0:23:29.080
<v Speaker 5>to people in twenty years, you get to watch this

0:23:29.160 --> 0:23:31.680
<v Speaker 5>in whatever order they want to. We don't know where

0:23:31.720 --> 0:23:36.040
<v Speaker 5>this leads. You wonder like, Okay, we lost one of

0:23:36.080 --> 0:23:38.520
<v Speaker 5>our best at a time when she was making a

0:23:38.640 --> 0:23:41.400
<v Speaker 5>turn into becoming something much more than she was before.

0:23:41.480 --> 0:23:43.480
<v Speaker 5>She's not just a soldier, and now she's thinks she

0:23:43.640 --> 0:23:46.000
<v Speaker 5>is doing the leadership, thinking of like long term, what

0:23:46.040 --> 0:23:48.160
<v Speaker 5>are we gonna do? How do we ground ourselves? How

0:23:48.160 --> 0:23:50.520
<v Speaker 5>do I be a full person? And still attack this mission,

0:23:52.000 --> 0:23:55.760
<v Speaker 5>and we see it too with and or fully adopting

0:23:55.800 --> 0:23:58.720
<v Speaker 5>like characters but also being concerned, like everybody is hurt.

0:23:58.760 --> 0:24:01.439
<v Speaker 5>We get so many Achilles heels this episode. Everybody's hurting

0:24:01.520 --> 0:24:05.119
<v Speaker 5>so deeply, and to this point there doesn't seem to

0:24:05.119 --> 0:24:08.440
<v Speaker 5>be a completed plan in sight that you're like, man,

0:24:08.520 --> 0:24:10.680
<v Speaker 5>I could I want to bail at this point when

0:24:10.680 --> 0:24:13.400
<v Speaker 5>we listen. I think that is I would.

0:24:13.200 --> 0:24:15.199
<v Speaker 1>Say that there is a plan at this point, but

0:24:16.119 --> 0:24:16.600
<v Speaker 1>you don't.

0:24:17.320 --> 0:24:18.840
<v Speaker 3>You're not gonna tell Santa.

0:24:19.359 --> 0:24:21.120
<v Speaker 1>You're not gonna tell sent about it. You're not gonna

0:24:21.119 --> 0:24:22.159
<v Speaker 1>tell about it.

0:24:22.400 --> 0:24:25.720
<v Speaker 5>The existence of one without being able to run or

0:24:25.760 --> 0:24:27.280
<v Speaker 5>see it, it might well not exist.

0:24:27.840 --> 0:24:29.800
<v Speaker 4>Yeah, yeah, yeah to the people on the ground. Well,

0:24:29.840 --> 0:24:33.520
<v Speaker 4>I think that's why the Will and Sore stuff is

0:24:33.560 --> 0:24:37.639
<v Speaker 4>really great because Saul connects with Will on a much

0:24:37.720 --> 0:24:42.600
<v Speaker 4>more straightforward level where he's basically just like I was

0:24:42.720 --> 0:24:46.919
<v Speaker 4>raised to die and you have seen now that I

0:24:47.280 --> 0:24:52.240
<v Speaker 4>will kill somebody if they are a traitor. But but

0:24:53.040 --> 0:24:56.480
<v Speaker 4>if you join me, you can actually take an action

0:24:56.960 --> 0:25:00.359
<v Speaker 4>that will instantly make you feel like you are part

0:25:00.440 --> 0:25:04.080
<v Speaker 4>of something important and big. And that is a direct action,

0:25:04.240 --> 0:25:07.680
<v Speaker 4>that's a violence that is being part of a crew

0:25:08.200 --> 0:25:11.960
<v Speaker 4>who are on the kind of front lines in a

0:25:12.000 --> 0:25:15.680
<v Speaker 4>way that Lutheran or even Synta and Vell and especially

0:25:15.760 --> 0:25:18.840
<v Speaker 4>vel as like a you know, a fancy mon moth

0:25:18.920 --> 0:25:23.640
<v Speaker 4>my cousin lady, they can't really understand. But Soul speaks

0:25:23.640 --> 0:25:26.159
<v Speaker 4>to Will on this really real level, gives us this

0:25:26.280 --> 0:25:29.040
<v Speaker 4>origin story in a way that we haven't really heard

0:25:29.080 --> 0:25:34.040
<v Speaker 4>before about his ridium, uh you know, addiction that came

0:25:34.080 --> 0:25:37.280
<v Speaker 4>from him basically meant to die from it, but then

0:25:37.280 --> 0:25:40.480
<v Speaker 4>he found the strength in it. And I think that

0:25:40.480 --> 0:25:44.080
<v Speaker 4>that speaks to how a lot of young people can

0:25:44.119 --> 0:25:47.359
<v Speaker 4>be radicalized in these moments where like they don't feel

0:25:47.359 --> 0:25:49.119
<v Speaker 4>like they know what the plan is, They don't know

0:25:49.119 --> 0:25:51.200
<v Speaker 4>what their future is, they don't know what it holds.

0:25:51.240 --> 0:25:53.520
<v Speaker 4>They don't know what they get to have, like Will

0:25:53.600 --> 0:25:55.840
<v Speaker 4>getting to have does he get to live on big

0:25:55.880 --> 0:25:58.159
<v Speaker 4>wheat and have a beautiful girlfriend or is that a

0:25:58.240 --> 0:26:01.240
<v Speaker 4>danger to the rebellion. He doesn't really know where he

0:26:01.359 --> 0:26:04.800
<v Speaker 4>stands or what part of his of the rebellion is his.

0:26:05.359 --> 0:26:07.679
<v Speaker 4>And I think that's the way that Sauw connects with

0:26:07.760 --> 0:26:09.879
<v Speaker 4>him there, Like I think that that is a really

0:26:09.920 --> 0:26:13.000
<v Speaker 4>interesting kind of more direct in.

0:26:13.560 --> 0:26:19.080
<v Speaker 3>It is well Saw's sales pitch is very simple compared

0:26:19.080 --> 0:26:21.280
<v Speaker 3>to someone like Luthen. Like Luthern or Bell might approach

0:26:21.320 --> 0:26:23.640
<v Speaker 3>you and be like, here's the five D chess game

0:26:23.640 --> 0:26:24.199
<v Speaker 3>we're playing.

0:26:24.240 --> 0:26:24.760
<v Speaker 1>Are you in?

0:26:25.760 --> 0:26:28.480
<v Speaker 3>And Saw hands you a hammer and says hammer, nail,

0:26:28.880 --> 0:26:32.160
<v Speaker 3>hit it exactly, you know, And those are two very

0:26:32.160 --> 0:26:35.320
<v Speaker 3>different sales pitches for effectively the same rebellion.

0:26:35.520 --> 0:26:37.520
<v Speaker 5>Yeah, and if you think about the way, you know,

0:26:37.520 --> 0:26:39.960
<v Speaker 5>we were sort of talking, I was contemplating, like, let's

0:26:40.000 --> 0:26:43.320
<v Speaker 5>compare like Saw and Will's like emergence into the rebellion,

0:26:43.320 --> 0:26:45.320
<v Speaker 5>and jaes to me the salient point of like, yeah,

0:26:45.359 --> 0:26:47.680
<v Speaker 5>everybody's kind of in the same boat, Like they lost

0:26:47.680 --> 0:26:50.280
<v Speaker 5>to a lot of people. They're hurting, they're trying to

0:26:50.320 --> 0:26:52.960
<v Speaker 5>fight back. I think what I found really interesting in

0:26:53.000 --> 0:26:58.080
<v Speaker 5>this moment is like Saw compares his or or the

0:26:58.119 --> 0:27:02.360
<v Speaker 5>release that doing the drugs he's taking to being able

0:27:02.400 --> 0:27:04.680
<v Speaker 5>to be with his sister. If you're not like a clone.

0:27:04.680 --> 0:27:07.840
<v Speaker 5>Wars fans start that's where he first appeared. He had

0:27:07.880 --> 0:27:10.000
<v Speaker 5>a sister named Stela, and so it comes to help

0:27:10.080 --> 0:27:13.639
<v Speaker 5>him like navigate the warfront. He thinks he's going to

0:27:13.680 --> 0:27:17.480
<v Speaker 5>sacrifice himself. His sister actually ends up dying, and it's

0:27:17.520 --> 0:27:19.080
<v Speaker 5>the only time we've heard in all of the Saw

0:27:19.119 --> 0:27:23.560
<v Speaker 5>reappearances about Stela, and it's not even to hear her name,

0:27:23.640 --> 0:27:26.119
<v Speaker 5>but just say she's my sister and she loves me.

0:27:26.440 --> 0:27:28.480
<v Speaker 5>And he can only say this high as hell to

0:27:28.520 --> 0:27:32.600
<v Speaker 5>a kid who's practically a stranger. I think Saw as

0:27:32.760 --> 0:27:37.320
<v Speaker 5>the guy on the front who's like already half mad

0:27:37.600 --> 0:27:41.080
<v Speaker 5>and falling apart, but still so strong in his conviction

0:27:41.200 --> 0:27:45.000
<v Speaker 5>that he makes significant changes for the rebellion is again,

0:27:45.400 --> 0:27:47.159
<v Speaker 5>you just do get to see all sides of it

0:27:47.200 --> 0:27:49.200
<v Speaker 5>in this show, and it just makes everything that comes

0:27:49.240 --> 0:27:50.160
<v Speaker 5>after so much more right.

0:27:52.520 --> 0:27:57.760
<v Speaker 2>What is hard to gain sight of is the fact

0:27:57.800 --> 0:28:01.359
<v Speaker 2>that it's three bby four bb wife five bby. It

0:28:01.440 --> 0:28:04.320
<v Speaker 2>is not clear to the vast majority of people in

0:28:04.359 --> 0:28:08.240
<v Speaker 2>the galaxy that won the empire is bad. And two,

0:28:08.480 --> 0:28:11.280
<v Speaker 2>if the empire is bad, there is not a political

0:28:11.359 --> 0:28:14.480
<v Speaker 2>solution to the empire being bad. Maybe the maybe the empire,

0:28:14.600 --> 0:28:16.720
<v Speaker 2>Maybe the emperor decides, you know what, let's bring some

0:28:16.800 --> 0:28:19.760
<v Speaker 2>aspects of the republic back, or maybe there's a maybe

0:28:19.760 --> 0:28:22.399
<v Speaker 2>there's a way to do this peacefully. Right, And I

0:28:22.440 --> 0:28:27.159
<v Speaker 2>think that part of the madness of Saw is he

0:28:28.840 --> 0:28:33.280
<v Speaker 2>might literally be the first person, the first group of

0:28:33.359 --> 0:28:38.040
<v Speaker 2>people around him to say this is there's no easy

0:28:38.040 --> 0:28:42.640
<v Speaker 2>way out of this. There's no political solution. There's only

0:28:42.960 --> 0:28:46.360
<v Speaker 2>you can only react violently to this injustice, and that's

0:28:46.560 --> 0:28:49.360
<v Speaker 2>what I'm going to do. And I think part of

0:28:49.440 --> 0:28:52.560
<v Speaker 2>what's driven him this crazy is the fact that like

0:28:52.640 --> 0:28:55.360
<v Speaker 2>he was out there alone on this, on the edge

0:28:55.400 --> 0:28:58.600
<v Speaker 2>of this for the longest time, and even now at

0:28:58.640 --> 0:29:01.200
<v Speaker 2>three bby three years for the Battle of Yavn and

0:29:01.400 --> 0:29:06.040
<v Speaker 2>the rebellion just kind of beginning to call us. You know,

0:29:06.120 --> 0:29:11.680
<v Speaker 2>most people, even in the rebellion, don't probably are thinking,

0:29:13.800 --> 0:29:15.800
<v Speaker 2>maybe there's a way to force the emperor to the table,

0:29:16.400 --> 0:29:18.920
<v Speaker 2>right and maybe there's if you know, like do.

0:29:18.880 --> 0:29:21.080
<v Speaker 4>You get in their saws not coming with us, Like

0:29:21.120 --> 0:29:25.200
<v Speaker 4>they've made that decision already, and he knows that, he

0:29:25.280 --> 0:29:27.280
<v Speaker 4>always knows he's always going to be on the outs.

0:29:27.280 --> 0:29:29.000
<v Speaker 4>He's always going to be on the outside. But it's

0:29:29.080 --> 0:29:32.120
<v Speaker 4>kind of ironic because then if we skip forward to

0:29:32.600 --> 0:29:35.760
<v Speaker 4>a new hope, you know, the way that Luke and

0:29:35.840 --> 0:29:39.480
<v Speaker 4>Leah and hand deal with the rebellion is through violence,

0:29:39.640 --> 0:29:41.719
<v Speaker 4>and what is essentially, I mean, deal with the empire

0:29:41.760 --> 0:29:44.239
<v Speaker 4>is through violence, And what is essentially, you know, if

0:29:44.520 --> 0:29:47.520
<v Speaker 4>the Proud the time was talking about it would be terrorism.

0:29:47.800 --> 0:29:50.840
<v Speaker 4>And they actually take on a lot of Saws kind

0:29:50.920 --> 0:29:54.440
<v Speaker 4>of ways that he works, but he will never get

0:29:54.480 --> 0:29:54.760
<v Speaker 4>the credit.

0:29:54.880 --> 0:29:57.280
<v Speaker 5>We can even want to revenge of the city when

0:29:57.440 --> 0:30:00.280
<v Speaker 5>Padme is I forget who she's talking to you, but

0:30:00.360 --> 0:30:04.080
<v Speaker 5>she's like, hey, I don't think the Senate that we

0:30:04.800 --> 0:30:07.720
<v Speaker 5>work for exists anymore. This thing we believe in no

0:30:07.800 --> 0:30:11.400
<v Speaker 5>longer exists, and so you kind of again, you're sort

0:30:11.440 --> 0:30:15.000
<v Speaker 5>of left the feeling of like Saw's reaction is a

0:30:15.480 --> 0:30:19.720
<v Speaker 5>rational one, which is just so, but it is.

0:30:19.720 --> 0:30:23.160
<v Speaker 2>Rational, and I think that's what's so. What I one

0:30:23.160 --> 0:30:24.840
<v Speaker 2>of the things I love about this show is seeing

0:30:24.880 --> 0:30:28.600
<v Speaker 2>how all these disparate pieces of the rebellion are working together.

0:30:28.720 --> 0:30:32.480
<v Speaker 2>You have Saw, who is taking action, was taking action

0:30:32.600 --> 0:30:38.000
<v Speaker 2>before anybody else and is a necessary agitator and first

0:30:38.680 --> 0:30:42.760
<v Speaker 2>like frontline actor to do the most dangerous, crazy suicide

0:30:42.920 --> 0:30:45.840
<v Speaker 2>quasi suicidal shit that the rebellion needs at this point.

0:30:46.360 --> 0:30:49.640
<v Speaker 2>Then you have Cassian, who like floats between these kind

0:30:49.720 --> 0:30:54.040
<v Speaker 2>of front line and under the water kind of world.

0:30:54.400 --> 0:30:56.480
<v Speaker 2>You have Luthan who lives in the belly of the

0:30:56.480 --> 0:31:00.520
<v Speaker 2>beast and is like organizing all of this but can't

0:31:00.640 --> 0:31:04.080
<v Speaker 2>tell anybody. And then I think, crucially you have Man Mathma,

0:31:04.160 --> 0:31:08.320
<v Speaker 2>who I think is probably one of these people who

0:31:08.320 --> 0:31:10.680
<v Speaker 2>at this point still thinks there's got to be a

0:31:10.680 --> 0:31:12.920
<v Speaker 2>political solution to this. There's got to be a speech

0:31:12.960 --> 0:31:16.120
<v Speaker 2>that I can make that why, there's got to be

0:31:16.160 --> 0:31:18.080
<v Speaker 2>a vote that There's got to be a way that

0:31:18.120 --> 0:31:19.360
<v Speaker 2>I can corral.

0:31:19.120 --> 0:31:23.320
<v Speaker 5>Vote people here to make yeah, that.

0:31:23.160 --> 0:31:26.480
<v Speaker 2>We can claw back some of this power and is

0:31:26.640 --> 0:31:31.400
<v Speaker 2>and her awakening to like oh fuck, there isn't is fascinating.

0:31:31.440 --> 0:31:35.640
<v Speaker 2>And then there's Luthan's relationship to Man. You know, Luthan

0:31:35.680 --> 0:31:37.840
<v Speaker 2>I think is the only one at this point who

0:31:37.920 --> 0:31:41.880
<v Speaker 2>understands we're going to war. But I need Mon because

0:31:41.920 --> 0:31:45.880
<v Speaker 2>I can't put Sagerera on television and have him make

0:31:45.920 --> 0:31:48.560
<v Speaker 2>a fucking speech to the galaxy right.

0:32:00.800 --> 0:32:06.600
<v Speaker 5>To the ground. I am sending every citizen of the

0:32:06.680 --> 0:32:08.560
<v Speaker 5>galaxy of that of Tito.

0:32:11.520 --> 0:32:16.440
<v Speaker 4>You know, a word in you know, you're saying some

0:32:16.480 --> 0:32:19.920
<v Speaker 4>really real ship. He's like, you know, and not for

0:32:19.960 --> 0:32:22.120
<v Speaker 4>the saying, and everyone's watching in there like but I'm

0:32:22.160 --> 0:32:25.120
<v Speaker 4>saying I can't do this song like please.

0:32:25.160 --> 0:32:28.880
<v Speaker 2>So what do you think about about these various about

0:32:28.880 --> 0:32:32.440
<v Speaker 2>these various tactics that each of these cells are are

0:32:32.480 --> 0:32:35.840
<v Speaker 2>carrying out, the various directions they're taking, and how do

0:32:35.880 --> 0:32:37.920
<v Speaker 2>you react to the way those things work together or

0:32:38.000 --> 0:32:38.960
<v Speaker 2>don't Yeah a.

0:32:38.920 --> 0:32:41.720
<v Speaker 4>Boo, give us your insight, because you pulled some really

0:32:41.720 --> 0:32:43.840
<v Speaker 4>cool stuff out of these episodes about this.

0:32:44.360 --> 0:32:47.720
<v Speaker 3>Well, I mean, I I do want to say, I

0:32:47.760 --> 0:32:51.000
<v Speaker 3>think the politics conversation is really underscored in these episodes.

0:32:51.240 --> 0:32:55.440
<v Speaker 3>With that montage of man trying to canvas votes to

0:32:55.520 --> 0:32:58.600
<v Speaker 3>go against the po RD and just getting stonewalled constantly.

0:32:59.000 --> 0:33:02.239
<v Speaker 3>One of the small all lines that really struck with me.

0:33:02.280 --> 0:33:04.440
<v Speaker 3>As we've established this is just a sci fi fantasy

0:33:04.480 --> 0:33:09.640
<v Speaker 3>show and has no bearing on real life from larger

0:33:09.760 --> 0:33:12.560
<v Speaker 3>come on, but if I were to hypothetically connect it

0:33:12.560 --> 0:33:15.960
<v Speaker 3>to larger events. She's speaking to that one senator walking

0:33:16.000 --> 0:33:18.960
<v Speaker 3>down the hallway and talking about statistics. You know, the

0:33:19.240 --> 0:33:22.240
<v Speaker 3>prime numbers are going up? Are we creating criminals? Are

0:33:22.720 --> 0:33:28.040
<v Speaker 3>stopping them? And the senator's response is, well, number, schmumbers.

0:33:28.040 --> 0:33:31.880
<v Speaker 3>They can all be manipulated. I believe what I feel,

0:33:33.320 --> 0:33:36.720
<v Speaker 3>and that just that hit me hard because it's that's

0:33:36.760 --> 0:33:39.040
<v Speaker 3>just like that's the Internet. You know, people just believe

0:33:39.160 --> 0:33:43.640
<v Speaker 3>what they feel. On the Internet and numbers and truth

0:33:43.920 --> 0:33:46.400
<v Speaker 3>and the elusiveness of truth as we all know, feels

0:33:46.440 --> 0:33:50.520
<v Speaker 3>like so hard to grasp and like anyone who's been

0:33:50.720 --> 0:33:52.959
<v Speaker 3>at a Thanksgiving dinner and tried to argue with an

0:33:53.040 --> 0:33:56.360
<v Speaker 3>uncle about the facts of a thing and just gotten

0:33:56.440 --> 0:33:59.000
<v Speaker 3>like emotional responses back. Well, I don't feel like that's true.

0:33:59.000 --> 0:34:01.400
<v Speaker 3>I don't feel this, I don't all that. So I

0:34:01.640 --> 0:34:05.240
<v Speaker 3>think the politics conversation is it's quite impactful in these

0:34:05.800 --> 0:34:09.160
<v Speaker 3>episodes as well. And I thought the mond montage it

0:34:09.280 --> 0:34:12.319
<v Speaker 3>was only there for like two minutes, but it really

0:34:12.360 --> 0:34:17.200
<v Speaker 3>resonated with me. And again, hypothetically speaking, could have connected

0:34:17.200 --> 0:34:20.920
<v Speaker 3>to reality if the show was about reality at all, Joel.

0:34:21.560 --> 0:34:25.640
<v Speaker 5>I was gonna say the both and like Cassie and

0:34:25.719 --> 0:34:30.920
<v Speaker 5>breaking down to the Gorman why their plan sucks, and

0:34:30.960 --> 0:34:36.319
<v Speaker 5>then and then and then poor Santa and Velle coming

0:34:36.360 --> 0:34:38.600
<v Speaker 5>in and being like, yeah, so that really does suck.

0:34:39.040 --> 0:34:41.680
<v Speaker 5>They're like they were like teachers, where they're like, okay,

0:34:41.680 --> 0:34:45.440
<v Speaker 5>so this part great, you pick the right location. I'm

0:34:45.440 --> 0:34:48.279
<v Speaker 5>giving you six minutes, max, that's all. If you don't

0:34:48.280 --> 0:34:50.279
<v Speaker 5>get everything, don't fucking worry about it. That's not what

0:34:50.280 --> 0:34:53.000
<v Speaker 5>we're doing. This is like an opening statement like just

0:34:53.280 --> 0:34:58.280
<v Speaker 5>calm down. I think really there's such I think, especially

0:34:58.320 --> 0:35:02.480
<v Speaker 5>in like American filmmaking, there's such a very loud like

0:35:02.880 --> 0:35:05.719
<v Speaker 5>when you rebel per earlier point, it's violence, it's it's

0:35:05.760 --> 0:35:08.080
<v Speaker 5>immediate action. It's like you have to let people know

0:35:08.320 --> 0:35:11.480
<v Speaker 5>they're wrong. And that's completely not what a rebellion is

0:35:11.600 --> 0:35:16.200
<v Speaker 5>built on at all. Your politics, your morals, don't matter

0:35:16.239 --> 0:35:19.880
<v Speaker 5>as much as your tactics and your ability to maneuver

0:35:20.200 --> 0:35:25.360
<v Speaker 5>against your opponent. And I think highlighting that and showing

0:35:25.560 --> 0:35:28.960
<v Speaker 5>how difficult those things, Like when we get to the

0:35:29.000 --> 0:35:31.239
<v Speaker 5>Gorman massacre, which again is part of Legends, and we'll

0:35:31.239 --> 0:35:35.360
<v Speaker 5>get to in a minute, I just think, like it

0:35:35.640 --> 0:35:37.959
<v Speaker 5>may you understand what they're up against, and they set

0:35:38.000 --> 0:35:41.440
<v Speaker 5>that up so well, and again it pays off in

0:35:41.560 --> 0:35:44.520
<v Speaker 5>Rogue One, like the way this show just continues to

0:35:44.520 --> 0:35:47.560
<v Speaker 5>pay off and build into this world we already know.

0:35:48.080 --> 0:35:51.880
<v Speaker 5>It's so brilliant. I really feel for the folks suffering

0:35:51.960 --> 0:35:54.480
<v Speaker 5>because I think I put in the group chat the

0:35:54.760 --> 0:35:58.319
<v Speaker 5>you started too late. It's just so soul crushing. It's

0:35:58.400 --> 0:36:02.520
<v Speaker 5>the most demorl thing because you can't fix, you can't

0:36:02.520 --> 0:36:04.960
<v Speaker 5>go back in time. There's nothing you can do, and

0:36:05.200 --> 0:36:10.640
<v Speaker 5>essentially to say your only way through is to suffer

0:36:11.400 --> 0:36:15.240
<v Speaker 5>deeply because you started too late. It's just it's so impossible,

0:36:15.239 --> 0:36:17.600
<v Speaker 5>it's so hard. I'm very concerned about our next few episodes.

0:36:18.719 --> 0:36:22.440
<v Speaker 2>Let's let's flip to the other side and contrast some

0:36:22.560 --> 0:36:28.400
<v Speaker 2>styles in UH in UH leadership between, you know, between

0:36:28.520 --> 0:36:33.239
<v Speaker 2>Cyril and and Deirdre. I think, for me, I think

0:36:33.239 --> 0:36:39.480
<v Speaker 2>they have very two, very unique styles in service of

0:36:39.640 --> 0:36:44.799
<v Speaker 2>imperial fascism. I think Cyril is clearly an idealist. He

0:36:44.880 --> 0:36:48.480
<v Speaker 2>really believes the empire is fucking great. And when people

0:36:48.920 --> 0:36:51.960
<v Speaker 2>pop up on Gorman saying the Empire sucks, they're from

0:36:52.000 --> 0:36:55.240
<v Speaker 2>somewhere else. They're coming in and they're trying to stir

0:36:55.360 --> 0:36:59.439
<v Speaker 2>things up here, stir up emotions because everybody can see

0:36:59.440 --> 0:37:01.600
<v Speaker 2>that the empire's great. And then you have Deirdre, who is

0:37:01.880 --> 0:37:06.600
<v Speaker 2>just like I want to be hunting bad guys, like

0:37:06.640 --> 0:37:08.440
<v Speaker 2>I don't even really want to be doing this. It's

0:37:08.480 --> 0:37:10.800
<v Speaker 2>not even about career for her, because she's been told

0:37:10.920 --> 0:37:12.920
<v Speaker 2>multiple times by party guys, this is great for your

0:37:12.920 --> 0:37:14.239
<v Speaker 2>fucking career, and she's like, I don't.

0:37:14.360 --> 0:37:14.680
<v Speaker 4>I don't.

0:37:14.719 --> 0:37:16.640
<v Speaker 1>That's not what I do. That's not what I do.

0:37:16.680 --> 0:37:16.880
<v Speaker 1>I do.

0:37:17.400 --> 0:37:23.160
<v Speaker 2>I'm a hunter, and it's interesting to me to watch

0:37:23.239 --> 0:37:27.960
<v Speaker 2>these two people delude themselves to various degrees about what

0:37:28.000 --> 0:37:31.040
<v Speaker 2>the empire is really about. How did you respond to

0:37:31.239 --> 0:37:36.280
<v Speaker 2>those two and they're absolutely perverse relationship?

0:37:37.239 --> 0:37:37.920
<v Speaker 1>Sorry with you.

0:37:41.440 --> 0:37:44.360
<v Speaker 3>Shouts to the one hour that Cyril got with his girlfriends.

0:37:44.400 --> 0:37:45.000
<v Speaker 3>By the way, in.

0:37:47.880 --> 0:37:50.719
<v Speaker 1>The dark, there's a lot of.

0:37:50.719 --> 0:37:53.360
<v Speaker 4>Fanfit going on in the discord about what was going

0:37:53.400 --> 0:37:56.239
<v Speaker 4>on in that. I'm glad we did not see it.

0:37:56.320 --> 0:37:56.919
<v Speaker 1>Those two.

0:37:57.160 --> 0:37:58.319
<v Speaker 4>I don't want to know about that.

0:37:58.560 --> 0:38:03.759
<v Speaker 3>Yeah, I don't want to know what that good for him. Yeah,

0:38:03.800 --> 0:38:05.360
<v Speaker 3>I mean, first of all, I do want to say,

0:38:06.239 --> 0:38:12.840
<v Speaker 3>as obviously evil as these two are, shouts to Cyril

0:38:12.960 --> 0:38:15.120
<v Speaker 3>for doing a great job as a spy. I had

0:38:15.160 --> 0:38:17.960
<v Speaker 3>so much fun watching him just be a bit of

0:38:17.960 --> 0:38:20.680
<v Speaker 3>a drama queen. You know, are you searching my office?

0:38:20.719 --> 0:38:20.959
<v Speaker 4>Why?

0:38:21.000 --> 0:38:21.200
<v Speaker 5>Why?

0:38:21.200 --> 0:38:23.120
<v Speaker 3>Why would there be a listening thing like device in

0:38:23.200 --> 0:38:28.120
<v Speaker 3>my office? Just throwing up pretty good, pretty good? Yeah,

0:38:28.160 --> 0:38:29.480
<v Speaker 3>I don't know that I could keep that up, and

0:38:29.640 --> 0:38:31.560
<v Speaker 3>if I sp agents came into my office all of

0:38:31.600 --> 0:38:35.279
<v Speaker 3>a sudden. Shots to him for doing that. But yes,

0:38:35.520 --> 0:38:37.759
<v Speaker 3>I think Jason, you bring up such an interesting point

0:38:37.760 --> 0:38:41.000
<v Speaker 3>because these two characters are really fun to watch because

0:38:41.040 --> 0:38:46.400
<v Speaker 3>they are so diluted in their own visions. Cyril obviously

0:38:46.440 --> 0:38:51.600
<v Speaker 3>a sent for his hot fascist girlfriend, but like he

0:38:51.680 --> 0:38:55.000
<v Speaker 3>to yours, as you said, to some extent, he doesn't

0:38:55.360 --> 0:38:57.960
<v Speaker 3>see a problem with the Empire, and in fact, like this,

0:38:57.960 --> 0:39:01.680
<v Speaker 3>this stability, uh, these whatever standards he is working on

0:39:01.760 --> 0:39:04.360
<v Speaker 3>at the Bureau are the standards to which the Empire

0:39:04.400 --> 0:39:07.560
<v Speaker 3>should be run, and this is the status quota him

0:39:07.719 --> 0:39:12.040
<v Speaker 3>is correct. So if if he were to be presented

0:39:12.080 --> 0:39:14.720
<v Speaker 3>with an alternative at like just as you said, Jason,

0:39:14.960 --> 0:39:17.560
<v Speaker 3>I think he would he would brush it off as like, oh,

0:39:18.480 --> 0:39:22.280
<v Speaker 3>these are anomalies, this is not the norm. A normal

0:39:22.320 --> 0:39:25.160
<v Speaker 3>person likes the Empire like I do, is a fan

0:39:25.200 --> 0:39:28.040
<v Speaker 3>of the Empire. Ddre to me, I'm.

0:39:27.960 --> 0:39:28.800
<v Speaker 1>A little more.

0:39:29.360 --> 0:39:31.440
<v Speaker 3>I'm more. I'm curious about Dedra. I don't know that

0:39:31.480 --> 0:39:37.480
<v Speaker 3>I've gotten enough backstory to truly understand what her loyalty

0:39:37.560 --> 0:39:41.680
<v Speaker 3>to the Empire is. I understand her motivations to hunt

0:39:41.760 --> 0:39:44.759
<v Speaker 3>down the bad guys and hunt down Cassian in particular,

0:39:47.000 --> 0:39:49.080
<v Speaker 3>but I'm left with a bit of a question mark

0:39:49.320 --> 0:39:51.239
<v Speaker 3>on her larger loyalties too.

0:39:51.400 --> 0:39:56.200
<v Speaker 5>I have theories, Yeah, have theories. Okay, so we know

0:39:56.440 --> 0:40:00.440
<v Speaker 5>Didre grew up in an imperial kinder center, so she's raised.

0:40:00.719 --> 0:40:02.479
<v Speaker 5>I think what we're looking at between Cyril and Dieitre

0:40:02.520 --> 0:40:07.520
<v Speaker 5>are two different types of indoctrination, right. I think Dedra

0:40:07.680 --> 0:40:11.200
<v Speaker 5>understands that this is the structure in which the only

0:40:11.239 --> 0:40:13.120
<v Speaker 5>structure that she understands. Right, she doesn't understand like a

0:40:13.120 --> 0:40:15.760
<v Speaker 5>family structure. We don't see her. She'll have no girlfriends

0:40:15.880 --> 0:40:20.440
<v Speaker 5>or nothing, and she's completely shocked by her like reaction

0:40:20.560 --> 0:40:22.959
<v Speaker 5>to Cyril. This is so foreign to her. I don't

0:40:22.960 --> 0:40:25.560
<v Speaker 5>think Dad's ever had a love interest before. She's been

0:40:25.600 --> 0:40:30.879
<v Speaker 5>about the job and the mission. I think Cyril terrifies her.

0:40:31.560 --> 0:40:34.919
<v Speaker 5>The feelings like the lights off, which is funny because

0:40:34.920 --> 0:40:37.680
<v Speaker 5>she's like in such a commanding position and he's like

0:40:37.760 --> 0:40:39.960
<v Speaker 5>only an hour and it's very like, oh, he's a scent.

0:40:40.040 --> 0:40:42.239
<v Speaker 5>But I really think what you're seeing is Dandre's fear

0:40:42.280 --> 0:40:44.759
<v Speaker 5>of like having to keep the secret from Cyril. I

0:40:44.760 --> 0:40:48.000
<v Speaker 5>think Dadre really wants to tap into her humanity and

0:40:48.040 --> 0:40:50.800
<v Speaker 5>has no idea how to do it. She's on autopilot

0:40:51.000 --> 0:40:54.279
<v Speaker 5>and she doesn't listen to her bosses, be because I

0:40:54.360 --> 0:40:58.799
<v Speaker 5>think the only she like success is the only like

0:40:58.920 --> 0:41:02.520
<v Speaker 5>tangible thing she has. She understands like nobody in this

0:41:02.719 --> 0:41:07.680
<v Speaker 5>corporate imperial system cares for her or about her as

0:41:07.760 --> 0:41:11.120
<v Speaker 5>much as Cyril cares. Is that gonna stick around? Like

0:41:11.920 --> 0:41:14.680
<v Speaker 5>this guy could easily get killed tomorrow. He's a wild card.

0:41:14.960 --> 0:41:18.040
<v Speaker 5>He's not as smart as her. She's like, she can't

0:41:18.560 --> 0:41:21.719
<v Speaker 5>yet fully gonna be there, and all she has is

0:41:21.760 --> 0:41:24.279
<v Speaker 5>herself and this ability to show people this is what

0:41:24.320 --> 0:41:26.920
<v Speaker 5>I'm good at. I think she's so locked into that.

0:41:26.960 --> 0:41:30.560
<v Speaker 5>And he's terrifying to watch somebody who like, imagine she

0:41:30.840 --> 0:41:32.399
<v Speaker 5>would just switch to the side of the rebels where

0:41:32.400 --> 0:41:34.320
<v Speaker 5>she could be a human, Like she mean, the greatest

0:41:34.320 --> 0:41:37.040
<v Speaker 5>asset ever. She's so she really cares at her job,

0:41:37.120 --> 0:41:40.560
<v Speaker 5>and she has such an understanding of how the empire works.

0:41:40.880 --> 0:41:44.439
<v Speaker 5>And then Cyril. Cyril has been begging for a chance

0:41:44.520 --> 0:41:47.480
<v Speaker 5>to showcase what he can do. And he has a

0:41:47.560 --> 0:41:50.719
<v Speaker 5>mother who may not show him any kind of respector love,

0:41:51.160 --> 0:41:54.479
<v Speaker 5>but she loves the empire. She is like, listen, we

0:41:54.680 --> 0:41:56.880
<v Speaker 5>eat good, live good, course, not is everything? You should

0:41:56.880 --> 0:42:00.960
<v Speaker 5>have stayed here? Why would you ever wants every yea?

0:42:01.560 --> 0:42:03.880
<v Speaker 5>And so he's like, Okay, how do I win my

0:42:03.960 --> 0:42:06.399
<v Speaker 5>mother's love and respect? You're the only thing I want

0:42:06.840 --> 0:42:10.120
<v Speaker 5>and like impress my super awesome girlfriend, which how is

0:42:10.120 --> 0:42:14.160
<v Speaker 5>that even happening? A really great spy all like he's

0:42:14.200 --> 0:42:15.920
<v Speaker 5>just the greatest day of his life. Is when they're like, hey,

0:42:15.920 --> 0:42:18.000
<v Speaker 5>you can move on to the next step of your missions.

0:42:23.040 --> 0:42:24.840
<v Speaker 5>And the fact that they see each other but not

0:42:27.560 --> 0:42:29.359
<v Speaker 5>in such a way that they're able to like go

0:42:29.440 --> 0:42:31.239
<v Speaker 5>of these things that are holding both of them back

0:42:31.400 --> 0:42:34.400
<v Speaker 5>so much? Is do they are my favorite people to watch?

0:42:34.480 --> 0:42:39.280
<v Speaker 5>Like I love these characters. You're like, you are dumb,

0:42:39.280 --> 0:42:40.279
<v Speaker 5>but wow, like.

0:42:40.480 --> 0:42:43.920
<v Speaker 4>I do, I do think as well. There's like interesting

0:42:44.040 --> 0:42:50.120
<v Speaker 4>reflections between like these doesn't really need to keep Cyril

0:42:50.239 --> 0:42:52.800
<v Speaker 4>out of the whole plan, you know, like she could

0:42:52.840 --> 0:42:54.920
<v Speaker 4>just rather than being like, hey, you're just going there

0:42:54.960 --> 0:42:56.960
<v Speaker 4>to like keep an eye on them or whatever and

0:42:57.000 --> 0:42:59.920
<v Speaker 4>report back, there is a world where she could tell it.

0:43:00.120 --> 0:43:02.520
<v Speaker 4>But I think this kind of speaks to the way

0:43:02.600 --> 0:43:06.080
<v Speaker 4>that the rebellion as well, is in all these different small,

0:43:06.160 --> 0:43:10.520
<v Speaker 4>compartmentalized spaces, so people can't ruin other people's plans. But

0:43:10.600 --> 0:43:12.920
<v Speaker 4>Deirdre isn't really getting that as a rule from part

0:43:12.960 --> 0:43:16.120
<v Speaker 4>of Gas, She's doing that to herself. She's like, I've

0:43:16.160 --> 0:43:18.120
<v Speaker 4>got to keep this to myself because I need it

0:43:18.160 --> 0:43:21.080
<v Speaker 4>to work, you know. And I think again the nature

0:43:21.120 --> 0:43:25.759
<v Speaker 4>of how whatever side you're on this keeping secrets, this

0:43:26.640 --> 0:43:29.000
<v Speaker 4>not being honest with the people that you choose to

0:43:29.000 --> 0:43:32.759
<v Speaker 4>have in your life, there are like weird ramifications of that.

0:43:32.880 --> 0:43:35.000
<v Speaker 4>And I think, in the case of Deirdre and Cyril,

0:43:35.040 --> 0:43:37.160
<v Speaker 4>what's really funny to watch right now? I was like, actually,

0:43:37.600 --> 0:43:40.319
<v Speaker 4>Cyril is very, very fucking good at this, which none

0:43:40.360 --> 0:43:42.520
<v Speaker 4>of us saw coming. So how about you actually do

0:43:42.600 --> 0:43:44.560
<v Speaker 4>let him in and maybe you two work together and

0:43:44.600 --> 0:43:45.680
<v Speaker 4>this might work well.

0:43:45.920 --> 0:43:49.080
<v Speaker 3>This oh sorry, go ahead up, Well we might be

0:43:49.080 --> 0:43:54.040
<v Speaker 3>on the same track, Rosie. I wonder though, would that

0:43:54.080 --> 0:43:57.520
<v Speaker 3>burst cereals bubble of the Empire, because this isn't just

0:43:57.880 --> 0:43:59.640
<v Speaker 3>we're gonna take out the bad guys or take out

0:43:59.640 --> 0:44:02.239
<v Speaker 3>the rebel or take out the anomalies. This plan is

0:44:02.440 --> 0:44:04.080
<v Speaker 3>we're gonna take out innocence.

0:44:04.480 --> 0:44:06.160
<v Speaker 1>Yeah, yeah, we're gonna We're gonna.

0:44:06.000 --> 0:44:08.200
<v Speaker 3>You know, I don't think Deader can tell serial that

0:44:08.280 --> 0:44:09.319
<v Speaker 3>and still have serial people.

0:44:09.360 --> 0:44:12.080
<v Speaker 2>We're gonna mine this planet so that most of its

0:44:12.160 --> 0:44:15.520
<v Speaker 2>cities are destroyed, like this is that's what we're doing.

0:44:15.640 --> 0:44:18.759
<v Speaker 2>I will say, you know, uh, I think that there

0:44:18.960 --> 0:44:26.160
<v Speaker 2>is an interesting like overall existential tension between the Empire

0:44:26.200 --> 0:44:28.880
<v Speaker 2>and the rebellion that comes through in these relationships, and

0:44:28.920 --> 0:44:33.920
<v Speaker 2>that on the side of the Empire there it is

0:44:34.560 --> 0:44:39.279
<v Speaker 2>unquestionably more ordered, this centralized kind of structure, right, Like

0:44:39.719 --> 0:44:42.160
<v Speaker 2>I think you could. I think there's a way to

0:44:42.200 --> 0:44:44.760
<v Speaker 2>look at the Clone Wars and the Late Republic years

0:44:44.840 --> 0:44:48.120
<v Speaker 2>and say objectively, listen, that was not working, Like we

0:44:48.160 --> 0:44:51.280
<v Speaker 2>had devastating wars across the galaxy, Like it was crazy,

0:44:51.320 --> 0:44:55.560
<v Speaker 2>it was not the the Emperor's key role in agitating

0:44:55.600 --> 0:44:58.399
<v Speaker 2>a lot of that aside, Like it kind of wasn't working, right,

0:44:58.440 --> 0:44:59.760
<v Speaker 2>And I think a lot of people would.

0:44:59.600 --> 0:45:01.560
<v Speaker 1>Respond to that. At the same time.

0:45:01.719 --> 0:45:06.960
<v Speaker 2>In the Empire now, competency is not rewarded, is not

0:45:07.120 --> 0:45:09.880
<v Speaker 2>It's dangerous, Like, yes, Cyril is good at this, but

0:45:10.120 --> 0:45:14.040
<v Speaker 2>like him becoming too good at this is a threat

0:45:14.080 --> 0:45:17.319
<v Speaker 2>to what Deirdre is trying to do. Deirdre being too

0:45:17.480 --> 0:45:18.240
<v Speaker 2>good at this.

0:45:18.480 --> 0:45:20.680
<v Speaker 1>Is a threat to what Partigas is trying to do.

0:45:21.040 --> 0:45:22.040
<v Speaker 5>Part of Gas.

0:45:21.800 --> 0:45:24.440
<v Speaker 1>Being too good at this is a threat.

0:45:24.160 --> 0:45:25.680
<v Speaker 5>To what Critic is trying to do.

0:45:26.080 --> 0:45:29.520
<v Speaker 2>Klinic meanwhile, is in this fucking power struggle with mav Tarkin.

0:45:29.920 --> 0:45:33.280
<v Speaker 2>Both of them are trying to be best boy alongside

0:45:33.400 --> 0:45:37.239
<v Speaker 2>Darth Vader to fucking the emperor. While you look at

0:45:37.239 --> 0:45:40.080
<v Speaker 2>the rebellion and it's a mess. There's a lot of arguments,

0:45:40.320 --> 0:45:43.319
<v Speaker 2>but I think the key thing there is one democracy.

0:45:43.400 --> 0:45:45.239
<v Speaker 2>You have to just accept it. It's going to be

0:45:45.280 --> 0:45:49.480
<v Speaker 2>mess here because there's gonna be disagreements, but hopefully, and

0:45:49.520 --> 0:45:53.000
<v Speaker 2>what is kind of happening is competency. The cream is

0:45:53.160 --> 0:45:56.480
<v Speaker 2>rising to the top of the rebellion, whereas on the

0:45:56.480 --> 0:46:01.360
<v Speaker 2>imperial side, don't be too good. You know, there's a

0:46:01.400 --> 0:46:04.319
<v Speaker 2>reason the stormtroopers miss all the time. There are people

0:46:04.360 --> 0:46:07.719
<v Speaker 2>who kind of suck that will just follow orders and

0:46:07.800 --> 0:46:10.279
<v Speaker 2>won't think too much about what they're trying to do.

0:46:10.280 --> 0:46:14.080
<v Speaker 2>Don't have too much ambition because that's a threat to

0:46:14.080 --> 0:46:15.560
<v Speaker 2>this entire thing that we're trying to.

0:46:15.719 --> 0:46:18.080
<v Speaker 4>Yeah, I think you speak to something really true there

0:46:18.120 --> 0:46:22.000
<v Speaker 4>as well, because in the rebellion they have a certain

0:46:22.040 --> 0:46:25.399
<v Speaker 4>amount of leeway for people that they know on their

0:46:25.400 --> 0:46:29.000
<v Speaker 4>own missions. Like we see this tension growing with and Ors.

0:46:29.040 --> 0:46:31.280
<v Speaker 4>He's always off on his own mission. He's not telling

0:46:31.320 --> 0:46:34.560
<v Speaker 4>bigs Lutheran's trying to pit them against each other. But

0:46:35.440 --> 0:46:36.880
<v Speaker 4>it's and Or, So you kind of let him do

0:46:36.880 --> 0:46:40.880
<v Speaker 4>his thing. The imperial side does not have that. You

0:46:42.320 --> 0:46:44.719
<v Speaker 4>stay in your lane. You do what you do, and

0:46:44.760 --> 0:46:46.600
<v Speaker 4>you better not do it in a way that makes

0:46:46.640 --> 0:46:49.680
<v Speaker 4>other people look bad at the end of it all.

0:46:49.760 --> 0:46:52.960
<v Speaker 4>And this is not to make a moral suggestion that

0:46:53.080 --> 0:46:55.040
<v Speaker 4>it is to do with you know, doing the right thing.

0:46:55.280 --> 0:46:57.360
<v Speaker 4>But I think that the thing that holds a rebellion

0:46:57.440 --> 0:47:00.839
<v Speaker 4>together is there is a general understanding this is bad

0:47:00.880 --> 0:47:03.839
<v Speaker 4>and we want it to get better. Whereas everyone on

0:47:03.880 --> 0:47:06.640
<v Speaker 4>the imperial side has their own version of what they're

0:47:06.680 --> 0:47:09.680
<v Speaker 4>looking for. Deirdre is always bringing up this idea of chaos.

0:47:10.400 --> 0:47:13.120
<v Speaker 4>We bring order, this is chaos. The empire always leads

0:47:13.120 --> 0:47:15.080
<v Speaker 4>on that. Like you said, with Cyril, I think that

0:47:15.160 --> 0:47:17.719
<v Speaker 4>man legitimately thinks that empire is doing a great job,

0:47:20.000 --> 0:47:22.960
<v Speaker 4>you know. But it's funny because then he is in

0:47:23.000 --> 0:47:25.560
<v Speaker 4>these situations where and we all know, Like when we

0:47:25.560 --> 0:47:29.200
<v Speaker 4>were recaving this, like I was honestly like getting you know,

0:47:29.280 --> 0:47:33.560
<v Speaker 4>I was seeing Cyril's kind of empathy to the Gorms,

0:47:33.600 --> 0:47:35.840
<v Speaker 4>and I was like, wait a minute, maybe he really

0:47:36.520 --> 0:47:39.359
<v Speaker 4>does believe this, and he does think he can help

0:47:39.440 --> 0:47:43.160
<v Speaker 4>them kind of find a path that is not their

0:47:43.239 --> 0:47:47.000
<v Speaker 4>just complete eradication. So it is interesting, but I think

0:47:47.040 --> 0:47:49.280
<v Speaker 4>it's to do with the rebels have a shared wish,

0:47:49.320 --> 0:47:52.240
<v Speaker 4>which is how can we make this better? The empire

0:47:52.320 --> 0:47:55.720
<v Speaker 4>is bad. Within the imperial side, it's just all people

0:47:55.760 --> 0:47:58.160
<v Speaker 4>who have their own agendas trying to rise up the

0:47:58.280 --> 0:48:01.799
<v Speaker 4>ranks to essentially gain power, which leads to you know,

0:48:01.840 --> 0:48:03.520
<v Speaker 4>the sith and the rule of the two and who's

0:48:03.560 --> 0:48:05.840
<v Speaker 4>at the top. So I think it's really well done.

0:48:06.000 --> 0:48:08.839
<v Speaker 4>But getting to see it on this granular, day to day,

0:48:08.960 --> 0:48:12.160
<v Speaker 4>almost like slice of life level, is why I think

0:48:12.239 --> 0:48:15.400
<v Speaker 4>and Or is an impeccably made show and it's bringing

0:48:15.440 --> 0:48:18.120
<v Speaker 4>something that is totally different than we've seen before.

0:48:18.360 --> 0:48:22.840
<v Speaker 2>Well that's a great segue. Let's take a quick break

0:48:22.920 --> 0:48:24.960
<v Speaker 2>and then welcome someone who does not think it's a

0:48:25.000 --> 0:48:27.880
<v Speaker 2>great show to a podcast.

0:48:27.719 --> 0:48:48.759
<v Speaker 1>To talk about why that mean. And we're back as always.

0:48:49.320 --> 0:48:54.000
<v Speaker 2>It's a breath of fresh air to welcome notorious Rogue

0:48:54.000 --> 0:48:59.680
<v Speaker 2>one hater super producer Aaron to critique Rogue one and

0:48:59.920 --> 0:49:03.040
<v Speaker 2>Or season two and give us his thoughts on the

0:49:03.080 --> 0:49:05.080
<v Speaker 2>series that we are all in agreement with. But it's

0:49:05.080 --> 0:49:07.360
<v Speaker 2>always great to having a poison point of view, and

0:49:07.440 --> 0:49:09.080
<v Speaker 2>so let's welcome erin to the show.

0:49:09.120 --> 0:49:10.040
<v Speaker 1>Aaron your thoughts.

0:49:10.400 --> 0:49:12.239
<v Speaker 11>I do feel like I'm a breath, a breath of

0:49:12.239 --> 0:49:17.080
<v Speaker 11>fresh air for all of you.

0:49:16.040 --> 0:49:17.640
<v Speaker 6>Is pumping out of those machines.

0:49:19.840 --> 0:49:26.319
<v Speaker 11>My sister, I will say, I think this is a

0:49:26.400 --> 0:49:28.520
<v Speaker 11>very good show. I do not think the show is

0:49:28.600 --> 0:49:31.800
<v Speaker 11>untouchable in the way that I feel like I'm getting

0:49:31.800 --> 0:49:34.759
<v Speaker 11>pushed back, specifically from a boo who's.

0:49:34.600 --> 0:49:41.799
<v Speaker 1>Really I mean, I mean was like.

0:49:43.800 --> 0:49:45.840
<v Speaker 3>And I was like, I'm gonna block you never text

0:49:45.880 --> 0:49:46.320
<v Speaker 3>me again.

0:49:49.120 --> 0:49:49.480
<v Speaker 1>All Right?

0:49:49.600 --> 0:49:53.200
<v Speaker 11>My first question, what why have we made Bix a

0:49:53.239 --> 0:49:58.640
<v Speaker 11>punching bag like bis last last batch is like the

0:49:58.680 --> 0:50:02.120
<v Speaker 11>Imperial Officer attempts to actually assault her. Uh and that

0:50:02.400 --> 0:50:05.160
<v Speaker 11>is not even addressed in this set. Like she's still

0:50:05.200 --> 0:50:08.239
<v Speaker 11>dealing with the PTSD from the torture in season one.

0:50:08.640 --> 0:50:11.080
<v Speaker 11>She's now a drug like we have this hints that

0:50:11.120 --> 0:50:14.200
<v Speaker 11>she's addicted to some drug. We're concerned about it. It's

0:50:14.280 --> 0:50:16.080
<v Speaker 11>just like everything is happening to her.

0:50:21.440 --> 0:50:23.160
<v Speaker 3>I just want to say, Okay, the pylon began.

0:50:23.680 --> 0:50:28.240
<v Speaker 7>I'm gonna say, first of all, I was gonna direct

0:50:28.320 --> 0:50:31.319
<v Speaker 7>this to Joel because she had had the she had

0:50:31.360 --> 0:50:33.960
<v Speaker 7>had the punching bag worry, but I think she changed

0:50:34.000 --> 0:50:34.319
<v Speaker 7>on that.

0:50:34.440 --> 0:50:37.080
<v Speaker 4>But actually, as you laid it out. I'm gonna I'm

0:50:37.080 --> 0:50:40.319
<v Speaker 4>gonna give you the sad, real talk. Nobody's talking about it,

0:50:40.400 --> 0:50:42.480
<v Speaker 4>nobody's dealing with it, because that's what it like when

0:50:42.520 --> 0:50:44.759
<v Speaker 4>you get sexually assaulted. No one deals with it, no

0:50:44.800 --> 0:50:46.600
<v Speaker 4>one talks about it. You deal with it by yourself,

0:50:46.880 --> 0:50:50.000
<v Speaker 4>and then you go to coping mechanisms like being on

0:50:50.120 --> 0:50:53.480
<v Speaker 4>drugs and just being very interior. And even though it

0:50:53.520 --> 0:50:56.839
<v Speaker 4>is depressing, I do think it's very realistic. And now

0:50:56.920 --> 0:50:59.399
<v Speaker 4>let me go to Joel, who was the original punching bag.

0:50:59.440 --> 0:51:00.479
<v Speaker 4>Accusa has changed.

0:51:01.239 --> 0:51:03.520
<v Speaker 5>I was concerned. I was concerned because we've seen Bix

0:51:03.560 --> 0:51:05.279
<v Speaker 5>down for a long time. Like if you were to

0:51:05.440 --> 0:51:09.080
<v Speaker 5>marathon this show, I think it's like the third set

0:51:09.120 --> 0:51:12.920
<v Speaker 5>of episodes in the back half of season one, all

0:51:12.960 --> 0:51:14.960
<v Speaker 5>the way to now where she has just been. It's

0:51:14.960 --> 0:51:17.879
<v Speaker 5>been a struggled city for her, has been tortured and she's

0:51:17.880 --> 0:51:21.000
<v Speaker 5>dealing with a lot. But here's what I think. One

0:51:22.480 --> 0:51:26.279
<v Speaker 5>Tony g Man himself was like, Hey, women go through this.

0:51:26.360 --> 0:51:28.239
<v Speaker 5>It's crazy if we talk about war and we don't

0:51:28.360 --> 0:51:33.680
<v Speaker 5>explore sexual assault. It happens. It's about power, that is

0:51:33.760 --> 0:51:37.600
<v Speaker 5>an abuse of power. It happens Okay. What I loved

0:51:37.640 --> 0:51:40.840
<v Speaker 5>about this is like, oh this is this is just depression.

0:51:40.920 --> 0:51:43.520
<v Speaker 5>I've been there. I know I've been here. But Cooley

0:51:43.520 --> 0:51:47.600
<v Speaker 5>and TV messy house food everywhere, and then too, they

0:51:47.640 --> 0:51:51.120
<v Speaker 5>showcase Bix's strength in the best possible ways. She can

0:51:51.160 --> 0:51:53.279
<v Speaker 5>still read Luthan, a man almost no one can read.

0:51:53.640 --> 0:51:56.320
<v Speaker 5>It's like her and Claiya, who can read Luthen clearly

0:51:57.800 --> 0:52:02.080
<v Speaker 5>even in her And she's hiding this right, like, so

0:52:02.120 --> 0:52:05.360
<v Speaker 5>this is a person who wants to be better or

0:52:05.400 --> 0:52:08.560
<v Speaker 5>to appear better, but just really struggling. Like she she

0:52:08.680 --> 0:52:10.920
<v Speaker 5>cleans the whole house before Hubby gets back. She's like, oh,

0:52:10.960 --> 0:52:13.000
<v Speaker 5>you know, I knew you're gonna come back. I think

0:52:13.040 --> 0:52:19.120
<v Speaker 5>that her arc of recovery is vital, and her getting

0:52:19.120 --> 0:52:21.759
<v Speaker 5>her look back at the end made everything else worth it.

0:52:22.000 --> 0:52:24.440
<v Speaker 5>But she was like, it's only gonna seem like for

0:52:24.440 --> 0:52:26.800
<v Speaker 5>Hevers that this bitch is back and better than ever.

0:52:27.160 --> 0:52:29.000
<v Speaker 5>She just had to kill this guy. I get it.

0:52:29.080 --> 0:52:31.440
<v Speaker 5>I love that for her. I don't think she's a

0:52:31.480 --> 0:52:33.920
<v Speaker 5>punching back. I think we saw a backslide from here.

0:52:34.400 --> 0:52:36.560
<v Speaker 5>We would definitely need to pause and question things. I

0:52:36.560 --> 0:52:40.000
<v Speaker 5>think she's got to go straightforward into please not death,

0:52:40.040 --> 0:52:45.000
<v Speaker 5>but maybe death going forward. But for now, I'm happy

0:52:45.000 --> 0:52:47.960
<v Speaker 5>with where she's at because she's she's back, baby.

0:52:47.760 --> 0:52:48.720
<v Speaker 6>She's good.

0:52:49.280 --> 0:52:52.080
<v Speaker 11>If four horrible things happened to her, that's too much.

0:52:52.400 --> 0:52:53.920
<v Speaker 11>But these three and.

0:52:57.360 --> 0:53:07.319
<v Speaker 2>Next question, next question, the next question, I would just say, like, what, Aaron, Uh,

0:53:07.960 --> 0:53:10.240
<v Speaker 2>why do you feel that surviving is weak?

0:53:12.480 --> 0:53:15.080
<v Speaker 11>I think it's not surviving is weak for her. I

0:53:15.080 --> 0:53:17.960
<v Speaker 11>think it's that the show has piled everything on her

0:53:18.200 --> 0:53:20.319
<v Speaker 11>and nothing on so many other characters.

0:53:20.600 --> 0:53:22.759
<v Speaker 1>Okay, disagree, but let's move on.

0:53:23.040 --> 0:53:25.960
<v Speaker 11>Next Curt discussion and a lot of bally who has

0:53:26.000 --> 0:53:28.200
<v Speaker 11>been made about this being like the most expensive Star

0:53:28.239 --> 0:53:31.360
<v Speaker 11>Wars project? Does this show need this high of a budget?

0:53:31.640 --> 0:53:34.319
<v Speaker 11>Do I really need the cafe scene to be in

0:53:34.360 --> 0:53:38.239
<v Speaker 11>the food court of Grand Central Station twice? I mean,

0:53:38.280 --> 0:53:40.720
<v Speaker 11>the hotel is nice, Do we need the separate lobby

0:53:40.760 --> 0:53:45.279
<v Speaker 11>and the room shots? Like, I'm worried. I'm worried if

0:53:45.280 --> 0:53:47.880
<v Speaker 11>this budget is so high and it doesn't have the

0:53:48.000 --> 0:53:51.319
<v Speaker 11>numbers they need, Disney will be disappointed and this will

0:53:51.320 --> 0:53:54.080
<v Speaker 11>not look well for future Star Wars.

0:53:54.120 --> 0:53:58.160
<v Speaker 2>The corporate the corporate comptroller has logged on, folks, Disney

0:53:58.160 --> 0:53:59.160
<v Speaker 2>accountant has.

0:53:59.080 --> 0:54:01.680
<v Speaker 6>Logged on for.

0:54:02.280 --> 0:54:07.200
<v Speaker 4>Cricket on the shoulder.

0:54:03.400 --> 0:54:08.239
<v Speaker 3>And incredible interview. First studiohead, you got the job?

0:54:10.160 --> 0:54:11.320
<v Speaker 1>Aboo you we gonna say.

0:54:11.960 --> 0:54:14.960
<v Speaker 3>I was just gonna say, who the fuck cares? You

0:54:15.000 --> 0:54:20.320
<v Speaker 3>can't put the money, bitch, this's got the money. Spend it, baby,

0:54:20.520 --> 0:54:23.960
<v Speaker 3>spend the money. Who cares? If we're gonna get stories

0:54:24.040 --> 0:54:26.360
<v Speaker 3>like this that look this good and are acted this

0:54:26.440 --> 0:54:30.839
<v Speaker 3>well and written so beautifully, sure, I don't. I don't care.

0:54:31.960 --> 0:54:34.840
<v Speaker 3>This is a multi gazillion dollar corporation. And if they

0:54:34.840 --> 0:54:36.520
<v Speaker 3>can put out beautiful art like this and it costs

0:54:36.520 --> 0:54:38.280
<v Speaker 3>a ton of money, great, I want.

0:54:38.080 --> 0:54:40.919
<v Speaker 5>To add an epe just say, Aaron, I hear you.

0:54:41.239 --> 0:54:45.320
<v Speaker 5>I can't thinking about the art. Okay, they don't find

0:54:45.400 --> 0:54:47.840
<v Speaker 5>art a second time if it flops. But here's what

0:54:47.880 --> 0:54:50.960
<v Speaker 5>I think. I think Disney has a firm understanding of

0:54:51.000 --> 0:54:54.759
<v Speaker 5>how critically successful this was gonna be. Tony Giroy is

0:54:54.760 --> 0:54:57.920
<v Speaker 5>a like media darling, like the media loves him. Plus

0:54:57.920 --> 0:55:01.279
<v Speaker 5>he's stupid talented, and so when you invest in a

0:55:01.320 --> 0:55:04.040
<v Speaker 5>property like this, I think what they're doing is two things. One,

0:55:04.080 --> 0:55:05.759
<v Speaker 5>they're like, we can do adult stuff. And if you're

0:55:05.760 --> 0:55:07.560
<v Speaker 5>an adult who loves Star Wars and has been ready

0:55:07.560 --> 0:55:10.040
<v Speaker 5>to grow up with Star Wars. Trust us. We've got

0:55:10.080 --> 0:55:12.560
<v Speaker 5>some good stuff for you, which is necessary and great.

0:55:12.840 --> 0:55:16.359
<v Speaker 5>The second thing I think they do is I think

0:55:16.400 --> 0:55:20.200
<v Speaker 5>they have set themselves up well for award season. Everybody

0:55:20.200 --> 0:55:22.440
<v Speaker 5>loves an award and makes the board feel happy. We're

0:55:22.440 --> 0:55:27.399
<v Speaker 5>getting recognition that's dope. And finally, Disney loves the park.

0:55:27.480 --> 0:55:32.880
<v Speaker 5>And if we can find new planets that people love to.

0:55:33.640 --> 0:55:40.000
<v Speaker 10>Money baby looks like their response to Universal Epic Universe,

0:55:40.080 --> 0:55:43.960
<v Speaker 10>kind of helios celestial, like Deco nineteen twenties.

0:55:44.120 --> 0:55:48.600
<v Speaker 4>It's it that's being mined. I don't know, but Joel,

0:55:48.640 --> 0:55:51.040
<v Speaker 4>I think you make a good point, Aaron, next question.

0:55:50.880 --> 0:55:53.359
<v Speaker 11>All right, yeah, I agree one hundred percent. I think

0:55:53.360 --> 0:55:56.360
<v Speaker 11>the best setting for a theme park is a slow

0:55:56.520 --> 0:55:58.600
<v Speaker 11>political espionage thriller.

0:55:58.719 --> 0:56:01.160
<v Speaker 6>That's all right.

0:56:01.360 --> 0:56:05.640
<v Speaker 11>The next question, moving on, how are all of you

0:56:05.719 --> 0:56:09.360
<v Speaker 11>feeling about the time jump nature of these batches of episodes?

0:56:09.560 --> 0:56:11.040
<v Speaker 6>I personally am not loving it.

0:56:11.520 --> 0:56:14.239
<v Speaker 11>I it feels like the characters just get dropped into

0:56:14.280 --> 0:56:17.440
<v Speaker 11>some new situation. So basically, we get seventy two hours

0:56:17.480 --> 0:56:20.520
<v Speaker 11>of story and then we wait another eight thousand, six

0:56:20.600 --> 0:56:23.319
<v Speaker 11>hundred and eighty eight hours and the story comes back

0:56:23.520 --> 0:56:23.759
<v Speaker 11>to me.

0:56:23.840 --> 0:56:25.880
<v Speaker 6>It seems a number storytelling.

0:56:26.680 --> 0:56:32.359
<v Speaker 2>But let me, uh, let me, I think you must

0:56:32.400 --> 0:56:37.399
<v Speaker 2>hate Star Wars episode four, the nineteen seventy seven smash Hit,

0:56:37.880 --> 0:56:43.440
<v Speaker 2>which drops us cold into the aftermath of a battle

0:56:43.640 --> 0:56:48.080
<v Speaker 2>that we did not see, that comes on the tale

0:56:48.440 --> 0:56:52.080
<v Speaker 2>of a Clone war that we did not see, that

0:56:52.120 --> 0:56:54.200
<v Speaker 2>we only get the Clone war blah blah blah blah

0:56:54.239 --> 0:56:54.520
<v Speaker 2>blah and.

0:56:54.520 --> 0:56:57.080
<v Speaker 1>The squirrel Like, this is it?

0:56:57.239 --> 0:56:59.799
<v Speaker 2>Listen, everybody's mileers may vary, some people may not like it.

0:57:00.440 --> 0:57:03.040
<v Speaker 2>I think this is Star Wars in miniature. This is

0:57:03.080 --> 0:57:05.440
<v Speaker 2>what it is media res. It opens up in the

0:57:05.480 --> 0:57:08.480
<v Speaker 2>middle of the action or after the action, sometimes as

0:57:08.920 --> 0:57:12.279
<v Speaker 2>characters pick up the pieces. So for me, this is

0:57:13.560 --> 0:57:16.800
<v Speaker 2>kind of an essential Star Wars structure, this kind of

0:57:17.000 --> 0:57:20.880
<v Speaker 2>jumping and dropping into events where you're like, wait, what's happening.

0:57:22.080 --> 0:57:23.640
<v Speaker 2>But of course, like, some people may not like it,

0:57:23.640 --> 0:57:26.000
<v Speaker 2>and that's absolutely fine, But that's my reaction.

0:57:25.720 --> 0:57:27.400
<v Speaker 5>Is this is a miniature.

0:57:27.440 --> 0:57:28.640
<v Speaker 1>This is Star Wars adminiature.

0:57:29.320 --> 0:57:33.000
<v Speaker 5>I for sure heard people share this sentiment and a

0:57:33.000 --> 0:57:35.840
<v Speaker 5>lot of people were saying that they felt confused. They

0:57:35.840 --> 0:57:38.160
<v Speaker 5>were like, well, wait, wait and it killed somebody who

0:57:38.200 --> 0:57:39.200
<v Speaker 5>and and why?

0:57:39.760 --> 0:57:42.720
<v Speaker 11>I think, what's Will doing on the planet. What saw

0:57:42.800 --> 0:57:47.600
<v Speaker 11>in the first place, the Rhino.

0:57:49.240 --> 0:57:58.120
<v Speaker 5>I just think the show that requires photos show and

0:57:58.240 --> 0:58:00.840
<v Speaker 5>watched the show, I really pay attention to the dialogue.

0:58:00.840 --> 0:58:05.040
<v Speaker 5>A lot is happening, but I think it it for

0:58:05.160 --> 0:58:08.640
<v Speaker 5>this structure what it really does, because they were like,

0:58:08.720 --> 0:58:10.480
<v Speaker 5>originally they were gonna do five seasons, and they were

0:58:10.520 --> 0:58:13.400
<v Speaker 5>like Tony said, exactly, just way too long. I'm done,

0:58:13.480 --> 0:58:16.760
<v Speaker 5>I'm tired. Let's just let's do it too uh So

0:58:17.480 --> 0:58:21.040
<v Speaker 5>he set this up to push us straight into rogue one.

0:58:21.560 --> 0:58:27.240
<v Speaker 5>To me, I love seeing the way how much people

0:58:27.320 --> 0:58:31.000
<v Speaker 5>unravel or advance in the course of a year, how

0:58:31.080 --> 0:58:34.400
<v Speaker 5>much has changed it almost and how much has stayed

0:58:34.440 --> 0:58:37.560
<v Speaker 5>the same. You're getting like a really in depth looking

0:58:37.680 --> 0:58:40.280
<v Speaker 5>like politics are slow as hell, Oh my god, like man,

0:58:40.400 --> 0:58:44.480
<v Speaker 5>Mathma is crawling compared to one like and she's just like,

0:58:44.560 --> 0:58:49.280
<v Speaker 5>so could you vote? Know it's in your best No, cool, cool, cool?

0:58:49.320 --> 0:58:51.480
<v Speaker 5>You you down like, help me out here. And I

0:58:51.520 --> 0:58:54.880
<v Speaker 5>think being able to see that contrasting juxtaposition while also

0:58:55.160 --> 0:58:59.080
<v Speaker 5>building again Luthen being shaken from where we were in

0:58:59.080 --> 0:59:01.400
<v Speaker 5>those last few episodes to hear you're like, oh it's

0:59:01.440 --> 0:59:04.080
<v Speaker 5>getting bad, and that gives you a sense of time

0:59:04.800 --> 0:59:08.120
<v Speaker 5>that is so specific. I just I think it's beautiful.

0:59:08.160 --> 0:59:10.120
<v Speaker 5>I love a good structure. I think it's happening. I

0:59:10.200 --> 0:59:10.400
<v Speaker 5>like it.

0:59:10.520 --> 0:59:13.120
<v Speaker 3>Yeah, And if anything, it sounds like you want more

0:59:13.160 --> 0:59:22.040
<v Speaker 3>of this shows.

0:59:18.080 --> 0:59:23.479
<v Speaker 12>Enough six hundred plus more hours of the show.

0:59:23.680 --> 0:59:26.040
<v Speaker 4>I will also quickly say I think right now, in

0:59:26.080 --> 0:59:29.040
<v Speaker 4>this moment, viewers are more primed for this than ever

0:59:29.120 --> 0:59:33.680
<v Speaker 4>because this is essentially the same format as the recall trend.

0:59:33.880 --> 0:59:37.200
<v Speaker 4>Like when you jump into screen five, you're meeting new

0:59:37.320 --> 0:59:40.120
<v Speaker 4>characters who are living with the legacy of something that

0:59:40.200 --> 0:59:42.800
<v Speaker 4>happened fifteen years ago. You don't really know how it

0:59:42.840 --> 0:59:45.640
<v Speaker 4>impacts them. You don't really understand their lives, and as

0:59:45.680 --> 0:59:47.680
<v Speaker 4>you go through you learn it. And I do think

0:59:47.720 --> 0:59:52.000
<v Speaker 4>that the storytelling within this and the conceptual structure of hey,

0:59:52.080 --> 0:59:55.120
<v Speaker 4>we trust the audience, it's a year later, how things changed,

0:59:55.560 --> 0:59:58.040
<v Speaker 4>might be jarring by it. Also think it's interesting and

0:59:58.080 --> 1:00:01.080
<v Speaker 4>I think it harks back to more of Tony Gilroy's

1:00:01.120 --> 1:00:05.600
<v Speaker 4>like non big budget studio work and more in general,

1:00:05.720 --> 1:00:09.320
<v Speaker 4>like in the cinema where you just dropped into twenty

1:00:09.360 --> 1:00:12.960
<v Speaker 4>four hours of somebody's life, or you know, something like Run, Lola, Run,

1:00:12.960 --> 1:00:15.600
<v Speaker 4>where it's like you're constantly reliving the same thing over

1:00:15.640 --> 1:00:17.880
<v Speaker 4>and over again. I think the audience is ready for

1:00:17.960 --> 1:00:21.480
<v Speaker 4>more experimental storytelling, and I do think that and Or

1:00:21.800 --> 1:00:24.640
<v Speaker 4>has been honest about that being what season two is

1:00:24.840 --> 1:00:28.600
<v Speaker 4>and has delivered in my opinion, though, I do think

1:00:28.640 --> 1:00:32.240
<v Speaker 4>it's fair to say, like Joelle, you it was crunching

1:00:32.280 --> 1:00:34.920
<v Speaker 4>five seasons into two. So if it doesn't work for you,

1:00:35.000 --> 1:00:36.400
<v Speaker 4>doesn't work next question.

1:00:37.000 --> 1:00:39.760
<v Speaker 11>Just like you on this one, just like Run, Lola Run.

1:00:39.960 --> 1:00:43.400
<v Speaker 11>I feel like I'm living. I feel like I'm reliving

1:00:43.400 --> 1:00:47.960
<v Speaker 11>this four v one over and over again. So I

1:00:48.000 --> 1:00:50.400
<v Speaker 11>think this show has a lot of storylines going on

1:00:50.440 --> 1:00:52.320
<v Speaker 11>at once. Some of them I love. I love the

1:00:52.360 --> 1:00:54.880
<v Speaker 11>forged art with the listening device. I love Claya so

1:00:54.960 --> 1:00:57.440
<v Speaker 11>much like my favorite character. I think this season so

1:00:57.560 --> 1:01:01.400
<v Speaker 11>far she's literally getting her hands blood. But one of

1:01:01.480 --> 1:01:03.800
<v Speaker 11>the things that really threw me was this arms interception

1:01:04.320 --> 1:01:07.000
<v Speaker 11>where the guy from the town hall, who in episode

1:01:07.000 --> 1:01:09.560
<v Speaker 11>four I felt like was really radical and wanted them

1:01:09.600 --> 1:01:12.360
<v Speaker 11>to be doing more, suddenly shows up and they're like,

1:01:12.400 --> 1:01:14.240
<v Speaker 11>get out of here, get out of here, and he doesn't.

1:01:14.600 --> 1:01:17.640
<v Speaker 11>He won't leave, and that causes the shooting, which causes

1:01:17.680 --> 1:01:20.360
<v Speaker 11>the killing, which causes the chaos and then that same

1:01:20.400 --> 1:01:23.120
<v Speaker 11>guy is like, I'll carry her, I'll bring her to

1:01:23.200 --> 1:01:24.080
<v Speaker 11>your transport.

1:01:24.520 --> 1:01:27.240
<v Speaker 6>What happened there? I like, literally am confused.

1:01:27.920 --> 1:01:30.000
<v Speaker 2>I feel like it was pretty clear, but maybe I'm wrong.

1:01:30.080 --> 1:01:33.760
<v Speaker 2>I mean, the whole point of the Gorman Front was this.

1:01:34.520 --> 1:01:39.360
<v Speaker 2>You have civilians who have political disagreements within in domestic

1:01:39.400 --> 1:01:43.360
<v Speaker 2>Gorman politics, right that existed, probably a conservative party and

1:01:43.440 --> 1:01:46.520
<v Speaker 2>a more progressive party within what they're trying to do.

1:01:46.880 --> 1:01:48.840
<v Speaker 2>On top of that, you have the Empire coming in,

1:01:49.600 --> 1:01:53.200
<v Speaker 2>pressing on those existing fissures, and this group of this

1:01:53.240 --> 1:01:56.000
<v Speaker 2>community trying to come together to figure out how to

1:01:56.040 --> 1:01:59.720
<v Speaker 2>address this. Yes, this guy who spoke was, you know,

1:01:59.800 --> 1:02:02.640
<v Speaker 2>see like let's do something. At the same time, it's

1:02:02.720 --> 1:02:04.800
<v Speaker 2>very clear that he was cut out of this mission.

1:02:04.840 --> 1:02:07.120
<v Speaker 2>He was not involved in this. He was not read

1:02:07.120 --> 1:02:09.560
<v Speaker 2>into this mission, and so when he wanders into it,

1:02:09.600 --> 1:02:12.840
<v Speaker 2>he's like, wait, you guys are fucking doing some attack

1:02:12.880 --> 1:02:15.520
<v Speaker 2>the empire shit without me. So he wants to be involved,

1:02:15.560 --> 1:02:17.480
<v Speaker 2>but of course he shouldn't be because he doesn't know

1:02:17.520 --> 1:02:21.840
<v Speaker 2>what we're doing, and him, you know, carrying the wounded

1:02:21.880 --> 1:02:28.080
<v Speaker 2>at the end is just simply a reaction of the

1:02:28.120 --> 1:02:30.480
<v Speaker 2>fact that we're They're all in this together, despite the

1:02:30.480 --> 1:02:32.360
<v Speaker 2>fact that he wasn't involved in this. I think it

1:02:32.480 --> 1:02:38.760
<v Speaker 2>was simply the fact that a mission was moving forward

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<v Speaker 2>without him, despite the fact that he is one of

1:02:41.760 --> 1:02:45.200
<v Speaker 2>these voices that has been agitating for action against the Empire.

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<v Speaker 2>So I think it was simply that you know, this

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<v Speaker 2>is the Gorman Front. Is just that it's a front

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<v Speaker 2>composed of multiple groups stitched together. It's not one homogeneous

1:02:56.880 --> 1:02:59.520
<v Speaker 2>mass that all believes the same thing and wants to

1:02:59.560 --> 1:03:01.880
<v Speaker 2>do this same thing. So I think this was just

1:03:02.240 --> 1:03:06.520
<v Speaker 2>this was those kind of schisms coming to the forefront

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<v Speaker 2>at the worst possible time.

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<v Speaker 1>That's how I read it.

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<v Speaker 4>Thank you, Ann Wow, Thanks Saran, appreciate you.

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<v Speaker 2>You don't need to play the Imperial March before he comes.

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<v Speaker 1>He comes off of his.

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<v Speaker 2>Shuttle at the guards.

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<v Speaker 5>Smoke coming down the walk.

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<v Speaker 6>Mondu Dun Dun.

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<v Speaker 4>If anyone wants to draw some Aaron Fana, please please hell.

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<v Speaker 2>This has been a fantastic conversation for those of you interested.

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<v Speaker 2>I put together a letterbox list of films that I

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<v Speaker 2>feel like are a great primer and influence.

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<v Speaker 12>Perhaps two chapter Yes, Sly absolutely check out The Army

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<v Speaker 12>of Shadows and The Sorrow and the Pity specifically if

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<v Speaker 12>you want to see, like, uh, some historical based movies

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<v Speaker 12>that I feel like are the start of the Pity

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<v Speaker 12>is a documentary that I feel like directly tie into

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<v Speaker 12>the stuff we see on Gorman.

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<v Speaker 2>You can find that on any tw three r K

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<v Speaker 2>on letterbox or just search my name. Coming up next

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<v Speaker 2>on Extra Vision this Monday, we have thoughts on the

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<v Speaker 2>new Marvel blockbuster, The Thunderbolts Asterisk. Then Tuesday, our reaction

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<v Speaker 2>to the Last of Us episode four, and of course,

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<v Speaker 2>despite Aaron's please, we are.

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<v Speaker 5>Returning to the world.

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<v Speaker 8>What's that right?

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<v Speaker 5>That's it for this episode.

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<v Speaker 1>Listening by.

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<v Speaker 2>X ray Vision is hosted by Jason Sepsi and Rosie

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<v Speaker 2>Night and is a production of iHeart Podcast.

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<v Speaker 4>Our executive producers are Joe Alminique and Aaron Kletman.

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<v Speaker 1>Our supervising producer is Abusafar.

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<v Speaker 4>Our producers are Common Laurent Dean Jonathan and Bay Wack.

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<v Speaker 2>A theme song is by Brian Vasquez, with alternate theme

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<v Speaker 2>songs by Aaron Kaufman.

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<v Speaker 4>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and

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<v Speaker 4>Heidi our discord moderator