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Speaker 1: Hi guys, my friends, happening my friends, Joel, How are you?

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Speaker 1: I'm good? How are you? I am well? Just checking

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Speaker 1: on you, Mama, Yeah, yeah, I had um. Donald Nars

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Speaker 1: was recorded yesterday and I texted early in the morning

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Speaker 1: to be like, I woke up with a fever and

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Speaker 1: body aches. You know me, good morning, yo, get tested.

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Speaker 1: He's like it out of Donald was probably thinking like

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Speaker 1: can I get COVID over my headphones? My heart immediately

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Speaker 1: went to the Queen of all things fake doctor's real

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Speaker 1: friend Joe to make sure, are you okay? How are

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Speaker 1: you feeling? I'm much better today. I think it was

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Speaker 1: just I am a person who has an anxiety disorder.

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Speaker 1: I think I let myself get too stressed. Uh, It's

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Speaker 1: made me sick before. I've been hospitalized for it before,

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Speaker 1: so I, you know, use all my toolbox stuff. And

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Speaker 1: I was like, you know, let me just take a

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Speaker 1: few hours to calm down and then get back in it.

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Speaker 1: And so I did, and I felt much better by

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Speaker 1: like mid afternoon, and no science this morning, So I

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Speaker 1: think we're good. Still scheduled to test anyway, just to

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Speaker 1: be safe, but I think we're fine. Is there anything

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Speaker 1: Donald and I can do to lessen your anxiety. Nope,

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Speaker 1: y'all are great. Okay, that's me and my therapist thing.

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Speaker 1: Just I just I know it's a personal thing and

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Speaker 1: you don't have to share it with the world, but

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Speaker 1: I'm just but I want you to know that if

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Speaker 1: there's anything at all that's contributing your anxiety that comes

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Speaker 1: from Donald and I, we can, we can change it.

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Speaker 1: That's very Donald could be kinder whoa whoa right out

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Speaker 1: of the gate. If I'm any kinder, I am stand

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Speaker 1: and it's dangerous, um, and I'm like, I missed you too.

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Speaker 1: You know what, man, I'm going to tell you something

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Speaker 1: right now, budd ahead, the world has been set ablaze

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Speaker 1: by Megan Arcle and Harry set a place. Dude. I

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Speaker 1: only I only watched some clips. I didn't watch that, dude.

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Speaker 1: All I had to hear was the baby's skin color,

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Speaker 1: and that was a I was like, dude, I don't

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Speaker 1: give I could care less about everything else. That's the

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Speaker 1: one thing that I targeted on right away, like wait

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Speaker 1: to say what, hold on what they said what? Right away? Dude,

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Speaker 1: right away? I don't know about y'all. Yeah, being suicidal

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Speaker 1: was definitely a checker for me. That was another one.

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Speaker 1: That was another one where I was, yeah, that was

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Speaker 1: really frightening actually to hear her say that she she

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Speaker 1: was suicidal and wanted to seek an in treatment program somewhere,

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Speaker 1: and they were like, no, we're sorry. The fact that

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Speaker 1: that's insane, um, I mean that's crazy. Yeah. The fact

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Speaker 1: that she recognized it and was like, yo, I need help.

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Speaker 1: M yeah, and Hart and then they were just like, no,

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Speaker 1: that was nuts. Tyler Perry gave them shelter. Oh my god,

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Speaker 1: that was crazy to me. What Tyler Perry gave them shelter. Well,

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Speaker 1: he freaking put them up for a bit, right, didn't

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Speaker 1: they stay at his house or something like that? So

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Speaker 1: when they left, they didn't get anything from the palace,

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Speaker 1: you know, like they don't have real jobs, and so um.

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Speaker 1: Luckily Harry's mother left him what amounted to being forty

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Speaker 1: million after like um and curred costs and all of that,

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Speaker 1: so they were able to get out of the country.

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Speaker 1: But then they like couldn't go anywhere immediately. And so

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Speaker 1: Tyler Perry is like, here's a house, stay in it.

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Speaker 1: It's mine. Just chill, yeah, back on my feet. The

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Speaker 1: next step, Tyler was like, I don't even know which

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Speaker 1: it's one of my mansions. No one's even in it.

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Speaker 1: It really is an interesting story, if you know, if

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Speaker 1: they if here's where it gets crazy. They thought this

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Speaker 1: was the end of it. This is definitely not the

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Speaker 1: end of it. You know what I mean. Well, they're gonna.

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Speaker 1: I haven't been following it. You want to be gonna.

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Speaker 1: They're gonna have to make a statement or something. I'm

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Speaker 1: dying to know what they're starting. The Palace. The Palace

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Speaker 1: did make a statement. They made a statement already, and

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Speaker 1: it was a positive statement from what I was pretty

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Speaker 1: good wine, yeah, pretty pretty very much like, yeah, well,

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Speaker 1: at least they're hiding out somewhere nice in Santa Barbara

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Speaker 1: near Oprah, and forty million should cover a nice sub

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Speaker 1: style of living for them. Agreed, I'll take I'll take

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Speaker 1: forty million. They can just chill with their chickens and Oprah.

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Speaker 1: You give me forty million, I'm gonna what are you

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Speaker 1: gonna do? We learned you're gonna you're gonna build a submarine,

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Speaker 1: a submerged that's that's what. That's what like the money

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Speaker 1: of forever. So with forty million, you wouldn't build like

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Speaker 1: a small sub like a little pocket sub, like one

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Speaker 1: of those ones. James Cameron's always looking for shipwrecks. That's

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Speaker 1: how he drives too. He drives like this. I would,

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Speaker 1: I would, man. The only guy loves the only thing

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Speaker 1: that guy loves more than making a giant movie is

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Speaker 1: finding a shipwreck. His treasure in shipwrecks. That's like his

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Speaker 1: hobby is like getting in a sub and looking for shipwrecks.

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Speaker 1: He's probably made more money finding shipwrecks than he did

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Speaker 1: with any of his movies. And clue, you and I go,

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Speaker 1: You and I play tennis, You and I go play tennis.

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Speaker 1: He's like, all right, baby, I'm gonna find a shipwreck sub.

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Speaker 1: I might want one of those subs. Because if I

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Speaker 1: said to you, dude, I got a sub, do you

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Speaker 1: want to go find shipwrecks? You remember mom? Let's go? Yeah, dude,

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Speaker 1: if you knew how to drive the sub? Do you

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Speaker 1: remember Octopussy? Of course? Man, it's the best James Bond

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Speaker 1: movie ever. I don't know if it's the best James

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Speaker 1: Bond movie when I was a kid. When I was

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Speaker 1: a kid, that was the best James Bond Why you

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Speaker 1: know why, brother, Because we're close to the same age

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Speaker 1: and that movie came out and we were of the

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Speaker 1: age because I remember it was one of my very

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Speaker 1: first um, I don't know if it was our one

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Speaker 1: of my very first movies I attended where I needed

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Speaker 1: a parent to go with me. Yes, and I didn't

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Speaker 1: really know James Bond. On't how old I was, but

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Speaker 1: I was at the age it was when was what

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Speaker 1: every year? Actually duel? Can you look for me? What

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Speaker 1: year did For Your Eyes Only? Come out? Sorry? Sorry,

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Speaker 1: I'm combining two things. I loved octopusy, but the one

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Speaker 1: I'm talking about is For Your Eyes Only, which was

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Speaker 1: the first one I saw in the theaters and it

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Speaker 1: was right see did you ever see? Never Say Never Again? Never?

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Speaker 1: Never Say Never, Say Never Again? Was the movie that

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Speaker 1: wasn't officially a James Bond movie, but it was a

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Speaker 1: James Bond movie. And it was after Sean Connery left

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Speaker 1: and he came back and played Double O seven one

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Speaker 1: more time and was the movie was called Never Say

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Speaker 1: Never Again? Huh. I know the title, but I don't

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Speaker 1: know if I saw that one. My brother was obsessed with.

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Speaker 1: It was either Never Say Never or Never Say Never

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Speaker 1: Again eighty one, so that would made me six. That's

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Speaker 1: insane to think that I was six years old scene

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Speaker 1: for your eyes only, but I guess I was. When

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Speaker 1: did octopusy come out? I'm just like saying, octopus? Are

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Speaker 1: you drinking? It's my grandmother's favorite word too. What are

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Speaker 1: you drinking? Though? Uh? Apple juice? I worked out heavy today.

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Speaker 1: I don't believe you're drinking apple juice. It's a little

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Speaker 1: early for whiskey though. It's afternoon. It's one. And by

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Speaker 1: the way, I'm what happened to our health? Kick? It's

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Speaker 1: one and COVID is retreating and you got already you

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Speaker 1: got you gotta give up the Tuesday whiskeys, bro. I

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Speaker 1: got up early this that's some COVID shit we're pulling out.

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Speaker 1: I got up early this morning. You're drinking red bull

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Speaker 1: m m yeah. Yeah, you're trying to get high too.

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Speaker 1: You're want the same shit drinking? Motherfuck? Are you trying

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Speaker 1: to get high too? I think right, I think red bulls. Okay,

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Speaker 1: that's right, that's right. You're trying to do it too,

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Speaker 1: don't trip. This is my funny juice, yeah exactly, this

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Speaker 1: is my funny juice, exactly exactly. Um, but what were

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Speaker 1: we talking about? Are you talking about how brilliant Octopussy

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Speaker 1: one year nineteen eighty three, nineteen eighty three, that's when

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Speaker 1: I saw that was I think that's my first James

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Speaker 1: Bond movie. And when I was a kid, I thought

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Speaker 1: that was so dope, and then people were like, you

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Speaker 1: should see Moonraker, and I watched Moonraker, like all of

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Speaker 1: the Roger Moore movies where my introduction into James. Well,

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Speaker 1: we didn't know as little kids that Roger Moore wasn't

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Speaker 1: the Jam until our senior, our senior. He was the

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Speaker 1: second Jam. He was the second Jam. Sean Connery was

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Speaker 1: the first Jam. He was the second Jam. I think

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Speaker 1: there was somebody in between them briefly, yeah, yeah, one

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Speaker 1: one movie, one movie, yeah yeah, but the jam was

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Speaker 1: those guys. I'll tell you this right now. I think

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Speaker 1: Timothy Dalton did a great job as James Bond. I

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Speaker 1: just think some of his movies weren't that good. I

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Speaker 1: think Pierce Brazen before when Rimington Steel was over, should

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Speaker 1: have been James Bond. Or when Rimington Steel was after

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Speaker 1: that one year and it wasn't really that dope and

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Speaker 1: they didn't go he should have been James Bond back then.

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Speaker 1: Instead of being James Bond when he was an old man,

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Speaker 1: you know what I mean. And I think Daniel Craig

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Speaker 1: by far has the best James Bond movies out of

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Speaker 1: all of them. Well, of course now they're they're made

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Speaker 1: with like you know, Sam Mendez with a zillion dollars.

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Speaker 1: I think they're really fucking great. But Sean Connery, dude,

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Speaker 1: was was the man and Sean you can't pare anybody, absolutely,

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Speaker 1: but this was a different type of James. He was

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Speaker 1: a different type of James Bond. You know. He was

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Speaker 1: very rough on the ladies. He was you know what

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Speaker 1: I mean? He was you know, he was very abusive.

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Speaker 1: When I say rough on the ladies, he would smack

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Speaker 1: ladies around and hit yeah, I mean you know what

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Speaker 1: I mean, your life do you mean? In the movies

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Speaker 1: are in his realm? He would do it. He did it,

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Speaker 1: and the movies too, Buddy, in the movies too. My

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Speaker 1: point is I think Daniel Craig has the best ones.

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Speaker 1: I would love it if James Bond is a number

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Speaker 1: and a code name and not a person and these

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Speaker 1: aren't all the same, dude, because I feel like we

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Speaker 1: might have missed the boat already and this was a

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Speaker 1: big deal. But I feel like Idris album would have

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Speaker 1: been the best. James would have been a great James

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Speaker 1: Bond and and that should have happened and it and

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Speaker 1: it didn't happen, And well, why do you know that

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Speaker 1: it won't happen in the future. He's not too old

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Speaker 1: to play James Bond. Then they weren't going to do that, Yeah,

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Speaker 1: which was frustrating an African American man. Yeah. And then

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Speaker 1: they said pretty specifically that they were going to do Idris,

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Speaker 1: which was like, yea, you're bug You're bugging dude. You

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Speaker 1: want to talk about you want to talk about box

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Speaker 1: office appeal to so many people, Idris is a great

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Speaker 1: you know, we would have more of a fucking box

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Speaker 1: office appeal than Edriss Elbow Donald motherfucker fath On. No, no, no,

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Speaker 1: I don't want to no less. To be honest about it,

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Speaker 1: I think, come on, you need to put that show

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Speaker 1: on your whiteboard. Star Wars nonsense. You want to be

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Speaker 1: James motherfucking Bond. You gotta be British to be James

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Speaker 1: James A day of Shoon Bond, Well, it would be

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Speaker 1: dope if James Bond was a Nigerian. Uh that moved

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Speaker 1: to I made that A lot of Nigerians in the UK. Baby,

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Speaker 1: I'm just putting it out there. A lot of West

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Speaker 1: Africans out there, y'all. I'm just putting it out there.

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Speaker 1: We get into this, baby, why don't we count in

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Speaker 1: box six seven eight about show? We made a lot

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Speaker 1: of bunch of nurses. The stories so yetto around Yere yeadoo,

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Speaker 1: around Yere. Funny episode, very fun. I cried at the

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Speaker 1: end of this episode. I was my removed. My wife

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Speaker 1: cried at the end of this episode, clutching my pearls.

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Speaker 1: She who directed this? By the way, who do you think?

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Speaker 1: Fucking Chris Cotch? The g fucking mc daddy? Wow, he

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Speaker 1: did such a great job. And who speaking of directing accolades,

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Speaker 1: did you hear that I'm nominated for Director's Guild of

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Speaker 1: America Awards? You didn't heard. I did not hear about this.

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Speaker 1: Through all the emails and texts and stuff that I saw,

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Speaker 1: I did not hear about this. Turned my key. I

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Speaker 1: gotta tell you guys, to be sentimental for a second.

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Speaker 1: I really really really was moved by this. I you know,

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Speaker 1: for those of you not in the industry, the Director's

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Speaker 1: Guild of America. The DGA is the union for directors

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Speaker 1: in both televis directing television and film, and not just

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Speaker 1: the director as the leader of the film set, but

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Speaker 1: all of the assistant directors that work with the director

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Speaker 1: to execute everything. And so it is the ultimate version

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Speaker 1: of an acknowledgement from your peers. So I certainly didn't

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Speaker 1: think when I directed the second episode it said last

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Speaker 1: so that it would have the reaction it did. And

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Speaker 1: I just assumed, oh, if they nominate Tad last, so

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Speaker 1: they'll nominate the pilot because it's the first episode. But

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Speaker 1: my episode sort of kind of showed that the show

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Speaker 1: would have some heart and emotion and drama and and heartbreak,

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Speaker 1: and I don't know, I was so I was very

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Speaker 1: truly shocked. But I haven't haven't been able to wipe

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Speaker 1: this smile off of my face. I'm so happy about it.

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Speaker 1: It's so amazing, buddy, It's so amazing, dude. The fact

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Speaker 1: that your peers are the ones that nominated you too, Yeah,

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Speaker 1: really awesome, man. And I got really awesome texts from

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Speaker 1: directors I really love, and just awesome support from from

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Speaker 1: the community, And yeah, I just I don't know. I'm

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Speaker 1: very I'm just very proud. I'm so proud. I told you,

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Speaker 1: I always told you, buddy, you're a really good actor.

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Speaker 1: But you know what you are, you know what you

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Speaker 1: do best, you know where you shine best. Because when

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Speaker 1: you're directing, man, very very very good. It's storytelling. Thank you,

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Speaker 1: very good at it, and writing too, you shine there too,

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Speaker 1: very good at storytelling man. And this is a fact.

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Speaker 1: And I I am so happy that the DGA has

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Speaker 1: stepped up and said, you know what, Donald Fazon is right,

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Speaker 1: does tell great stories. Thank you, thank you, thank you.

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Speaker 1: Why it's all ever all I truly ever wanted to

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Speaker 1: be was a director. I'm so thrilled and blessed. And

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Speaker 1: it's grateful that I had this acting career, but not

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Speaker 1: but and to be able to work as a director

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Speaker 1: and not alone, let alone, have the d GA say, hey,

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Speaker 1: we chose five directors who we thought made the best

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Speaker 1: comedy episodes this year and you're one of them. That's

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Speaker 1: just really fucking cool. And I'm younger me wouldn't even

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Speaker 1: believe that it happened. So there you go. There it is.

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Speaker 1: Fairy tales can come true. It could happen to you.

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Speaker 1: That's if you're young at art. I am young in heart,

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Speaker 1: Yeah you are. I don't look about turned forty six,

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Speaker 1: do I look at No? I look like kid. I

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Speaker 1: remember where Casey turned thirty when she was walking around

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Speaker 1: telling everybody when we went out that we were forgot.

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Speaker 1: She was like, I just turned thirty and I looked

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Speaker 1: like I'm twenty six, So I'm fine. The show is

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Speaker 1: very funny and very moving, and for those of you

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Speaker 1: playing along at home, it's episode four twelve, My Best Moment.

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Speaker 1: And you know the structure of this is the classic

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Speaker 1: Bill Lawrence structure in which you're there's all these seeds

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Speaker 1: laid through the episode about the theme being what was

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Speaker 1: your proudest moment as a doctor? What's one of your

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Speaker 1: best memories? And we cut lots of people's favorite memories

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Speaker 1: and then only to find in the end when they

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Speaker 1: saved the day that this this saving of this one

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Speaker 1: patient on Christmas has become their favorite moment and they

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Speaker 1: all tell it from a different perspective, and it was

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Speaker 1: really moving, you know. Just by the end, I had

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Speaker 1: goosebumps all over my body, and Donald I cried, my

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Speaker 1: wife cry, like I wasn't uncontrollably crying. But it was like, wow,

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Speaker 1: this is I am fucking emotional right now because of this,

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Speaker 1: and you know, and it has so many I think

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Speaker 1: what helps is that it has so many funny moments

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Speaker 1: in it. Like even when we start off, you carrying

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Speaker 1: JD carrying Turk and talking about and Turk telling him

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Speaker 1: about how he has to do surgery in front of

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Speaker 1: the you know, the family members, and how you turned

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Speaker 1: it into a movie where the white family isn't saying anything,

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Speaker 1: they're just staring, but the black family is like, Oh,

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Speaker 1: you're gonna find a tuma back there. I know you're

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Speaker 1: gonna find a tumba up. Oh that's that tuma. And

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Speaker 1: then we address and then you go, you go, did

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Speaker 1: you go to the blood? Did you go to the

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Speaker 1: Black family? Watching a movie? Staring type in your fantasy?

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Speaker 1: And I'm like like a beard of honey. Yeah, all right.

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Speaker 1: I'm gonna say one thing, what I've been to so

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Speaker 1: many movie theaters before in my life. I'm a connoisseur

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Speaker 1: of theaters like in Times Square, which is probably quite

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Speaker 1: an experience. And I grew up in Times Square that

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Speaker 1: that's my actual neighborhood is Times Square where I grew up,

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Speaker 1: so I guess that the stereotype has a basis in

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Speaker 1: reality or not. No, it's real. It's it's true, you know,

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Speaker 1: it's definitely true. That's it's not a stereotype. This is honestly,

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Speaker 1: at least, I take it back. I take it back.

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Speaker 1: It's fact. For at least when I was growing up

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Speaker 1: and experiencing going in seeing movies in African American UH

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Speaker 1: communities like the Apollo Theater, like the Apollo Movie Theater

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Speaker 1: in Harlem and and all of these others. I went

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Speaker 1: and saw School Days at the Apollo Movie Theater in Harlem.

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Speaker 1: And let me tell you something right now, when they

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Speaker 1: were doing step shows, people jumped up from the audience

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Speaker 1: and there was like this little stage on the side,

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Speaker 1: and we're doing step shows with school Days and Spike

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Speaker 1: Lee joined by the way, y'all, we're doing the steps

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Speaker 1: with the people in the movie, with Laurence Fishburne and

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Speaker 1: and John Carlo Esposito and and and Titia Campbell and

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Speaker 1: come and all of these people doing it, you know

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Speaker 1: what I mean, doing it on screen and in the audience.

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Speaker 1: It's an experience and it's a lot of fun, and

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Speaker 1: it's easy. It's easy to make fun of. But I

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Speaker 1: have a cushion. Do you have to be in the

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Speaker 1: mood for I mean, I've only I haven't not had

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Speaker 1: this experience. But I imagine if it was the right movie,

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Speaker 1: I would be laughing my ass off at people participating

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Speaker 1: Alliance the wrong movie. I'd be so annoyed. I'd be like,

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Speaker 1: please shut up, go ahead, I'm just sitting it lake. Listen,

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Speaker 1: if you're going to a certain movie theater where you

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Speaker 1: know that's prominent, even if it's a movie where you

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Speaker 1: shouldn't be doing that. I saw Precious on the South

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Speaker 1: Side of Chicago. That's not a movie where you're supposed

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Speaker 1: to react. But would I tell you, like the whole

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Speaker 1: audience was it like we hear you girl, now, rude? Rude.

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Speaker 1: Somebody brought Harold's chicken in and so when she goes

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Speaker 1: to KFC, they were really mom on out. Like also,

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Speaker 1: dream Girls, which is a movie you absolutely should react at.

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Speaker 1: It was great, like people singing with Danif it's just

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Speaker 1: it's it's it's a different way to watch a movie.

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Speaker 1: So if you're in the mood because you know, i'n't

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Speaker 1: going to film festivals and stuff, and sometimes you're like

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Speaker 1: I want to sit and like absorb this movie. This

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Speaker 1: is a different form of entertainment. It's like you're there

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Speaker 1: as much to see the movie as you are to

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Speaker 1: see the audience, and that's what makes it like a

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Speaker 1: fun experience. I went and saw Back to the Future. Yes,

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Speaker 1: and let me tell you something right now, I never

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Speaker 1: laughed so hard at the commentating on how stupid George

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Speaker 1: McFly is. Dude, this is a guy who goes on

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Speaker 1: to make millions of dollars after Martis, his son, saves

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Speaker 1: his freaking marriage, he goes on to make millions. I've

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Speaker 1: never seen more people freaking laugh at his stupidity in

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Speaker 1: my life. When freaking he can't put together, when he

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Speaker 1: finally puts together what the plan is between him and

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Speaker 1: Marty and freaking what they're gonna do to Lorraine at

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Speaker 1: the dance, and he's like, you're gonna go and you're

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Speaker 1: gonna touch her. You're gonna touch her, and somebody in

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Speaker 1: the audience finally yelled her nipples George, and the whole studio,

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Speaker 1: the whole audience laughed so hard. I imagine if the

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Speaker 1: people yelling out shit are genuinely funny. I mean, it's

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Speaker 1: just I don't know. It's a bizarre I mean, this

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Speaker 1: is such a like an experience I never had and

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Speaker 1: I would like to have. But I imagine if the

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Speaker 1: people who are yelling shit out are funny, then it

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Speaker 1: would be a good time. It's the best, it's the best.

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Speaker 1: You gotta be the right movie, though. You got to

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Speaker 1: pick the right movie because it can be. It can

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Speaker 1: be any movie. You just have to be in the movie. Now.

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Speaker 1: It can't be in a movie that you know, a

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Speaker 1: drama that you want to like get lost in. Right,

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Speaker 1: don't go to fucking don't go and watch a movie

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Speaker 1: that she said she watched fress But that works though,

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Speaker 1: that works for that, that works, man. Look think about it, man.

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Speaker 1: Tyler Perry has made millions offered plays that really have

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Speaker 1: great audience participation. It might not be them on the

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Speaker 1: stage and stuff like that, but they feel like they're

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Speaker 1: living what's going on stage. Man, And he went and

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Speaker 1: did it. And the way he did it was he

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Speaker 1: took it to small venues where he could pack the

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Speaker 1: audience with African American church people and they can listen

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Speaker 1: to one the gospel two so they're learning, they're learning

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Speaker 1: a lesson two. Uh, they can listen to things that

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Speaker 1: they you know, they can experience situations that they can

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Speaker 1: relate to. You don't get that when you go to

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Speaker 1: the movies and you're black and you see all of

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Speaker 1: these white movies. Man, that's all that's that's all that's

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Speaker 1: out there. Man. You don't get that shit in real life.

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Speaker 1: But Tyler Perry provided that and so people. So because

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Speaker 1: of that, that's why you have these media movies and

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Speaker 1: stuff like that, because we can relate to stuff like that.

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Speaker 1: He started something and we were like, oh shit, that's funny.

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Speaker 1: Now now I want to be as rich as Tyler Perry.

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Speaker 1: I wish I would have gotten on board back in

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Speaker 1: the day. I'm sorry I did it us. I wish

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Speaker 1: I would have not being and not being in this stuff.

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Speaker 1: But I wish I would. I wish I would. I

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Speaker 1: wish I would have seen I would have seen. I

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Speaker 1: wish I would have seen his vision. I wish I

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Speaker 1: would have I wish I would know. He's employed. Absolutely,

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Speaker 1: he's employed so many African American actors. It's ridiculous how

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Speaker 1: many he's employed. Like, he's employed more than Hollywood has.

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Speaker 1: I'd say, by now you know what I mean He's

402
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Speaker 1: put so many people into great positions and now some

403
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Speaker 1: of them are movie stars. Real talk, real talk? Am

404
00:22:52,920 --> 00:22:57,320
Speaker 1: I wrong? Where's the line? I know? Because I'm so

405
00:22:57,400 --> 00:23:02,000
Speaker 1: passionate about this? Now, where's the lie that whiskey? Though?

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Speaker 1: I never knew that. I never knew you were so

407
00:23:04,480 --> 00:23:08,040
Speaker 1: passionate about mister Perry. I just I appreciate what he's

408
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Speaker 1: done as an African American actor, and and and not

409
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Speaker 1: being able to see all you know what I mean,

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Speaker 1: like I hear not being able to see people like

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Speaker 1: me in movies growing up. I appreciate him, and I

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Speaker 1: think he's a very inspirational story because you know, everyone

413
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Speaker 1: was passing on a ship, no one wanted to make it,

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Speaker 1: no one would give him a dime, and he built

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Speaker 1: a fucking empire, empire on his own and uh and

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Speaker 1: and now as his own studio and backlot and and

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Speaker 1: he's just incredible, incredible inspiration. Yeah, absolutely, absolutely, all right,

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Speaker 1: let's get back to the episode. It's crazy how this

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Speaker 1: all stemmed from African American people in movie theaters. Man, Listen,

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Speaker 1: everyone admires how on topic we stay. I laughed when

421
00:23:57,840 --> 00:24:01,679
Speaker 1: I'm lecturing these med students. And do you think I'm

422
00:24:01,720 --> 00:24:04,040
Speaker 1: giving them medical advice. But no, I'm just telling about

423
00:24:04,200 --> 00:24:08,080
Speaker 1: which product of hair moose I use I wrote that

424
00:24:08,119 --> 00:24:11,720
Speaker 1: down with the special hair. Yeah. And then they cut

425
00:24:12,040 --> 00:24:14,879
Speaker 1: U and I toss him the gel or whatever it is,

426
00:24:15,280 --> 00:24:16,960
Speaker 1: and when they cut back to him, his hair is

427
00:24:16,960 --> 00:24:21,000
Speaker 1: just perfect like mine, all like it starts off. He

428
00:24:21,080 --> 00:24:23,560
Speaker 1: needs a haircut, real bad. I didn't know the gel

429
00:24:23,640 --> 00:24:26,639
Speaker 1: trimmed it down to the perfect height. I don't know

430
00:24:26,800 --> 00:24:29,439
Speaker 1: what I didn't know. The jail miraculously also gave him

431
00:24:29,440 --> 00:24:33,240
Speaker 1: a haircut. But we'll take it. This is the should

432
00:24:33,240 --> 00:24:35,840
Speaker 1: we should mention that this is the Christmas episode. Also, yes,

433
00:24:36,000 --> 00:24:38,160
Speaker 1: it is a Christmas episode and has a very warm

434
00:24:38,320 --> 00:24:43,320
Speaker 1: Christmas message at the end, Um, I'm bragging. What is this?

435
00:24:43,440 --> 00:24:46,760
Speaker 1: Bragging about having sex with a grandma? Oh so then

436
00:24:46,800 --> 00:24:50,440
Speaker 1: there's this flashback where I'm there's like a what do

437
00:24:50,480 --> 00:24:54,200
Speaker 1: you call a guilf a hot grandma? Yes, well yeah,

438
00:24:54,240 --> 00:24:56,840
Speaker 1: that's that would be a guilt. Yeah. So there's this

439
00:24:57,040 --> 00:25:00,919
Speaker 1: guilf and jd um is bragging that he delivered a baby,

440
00:25:01,119 --> 00:25:04,840
Speaker 1: but it's actually Mickhead who did the delivery. Yeah, no,

441
00:25:05,040 --> 00:25:07,119
Speaker 1: it was his best moment. That would be laughing at

442
00:25:07,200 --> 00:25:11,280
Speaker 1: Danel you never heard guilt before. No, it's just every time,

443
00:25:11,400 --> 00:25:15,119
Speaker 1: it's just funny. Yes, a guilt, of course, there are

444
00:25:15,119 --> 00:25:17,320
Speaker 1: a lot of young guilts out there, there are. I

445
00:25:17,359 --> 00:25:19,520
Speaker 1: don't think i've ever I don't think I've ever encountered

446
00:25:19,560 --> 00:25:23,560
Speaker 1: a guilt. I've met several young guilts. I've met women

447
00:25:23,600 --> 00:25:27,160
Speaker 1: who I've met women who had kids at a young age,

448
00:25:27,560 --> 00:25:29,520
Speaker 1: had or had a kid at a young age, and

449
00:25:29,600 --> 00:25:31,560
Speaker 1: then their kid had a kid at a young age,

450
00:25:31,760 --> 00:25:34,800
Speaker 1: and that made them a guilt because you look at them,

451
00:25:34,840 --> 00:25:39,880
Speaker 1: you were like, oh snap, you a grandma. Right, I'm sure.

452
00:25:40,040 --> 00:25:43,920
Speaker 1: I'm sure there's plenty of guilts. I'm sure there's plenty

453
00:25:43,920 --> 00:25:46,760
Speaker 1: of guilts. I just don't know that I've met a guilt. Yeah.

454
00:25:49,080 --> 00:25:59,720
Speaker 1: Oh really, so you've encountered gilts? Absolutely? Yes, Okay, all right, Daniel,

455
00:26:00,280 --> 00:26:04,200
Speaker 1: have you encountered a guilt? But I have encountered a guilty?

456
00:26:04,960 --> 00:26:09,680
Speaker 1: You never look. There's there art, There are beautiful women

457
00:26:09,760 --> 00:26:12,119
Speaker 1: all around. I don't say they're not beautiful. I'm a

458
00:26:12,160 --> 00:26:14,960
Speaker 1: guilt means you want to have sex with that woman,

459
00:26:15,119 --> 00:26:17,960
Speaker 1: You desire her sexually, and she's a grandma. That has

460
00:26:18,040 --> 00:26:19,879
Speaker 1: not happened to me yet. I'm sure it will. I

461
00:26:19,960 --> 00:26:23,440
Speaker 1: look forward to it. There are a lot of young

462
00:26:23,520 --> 00:26:26,240
Speaker 1: women out there who are grandma. Just put it out there.

463
00:26:26,800 --> 00:26:30,000
Speaker 1: Guilt doesn't have to be a guilt doesn't have to be. Look,

464
00:26:30,200 --> 00:26:32,600
Speaker 1: let's put it this way. It's not saying. It's not saying,

465
00:26:32,640 --> 00:26:34,840
Speaker 1: but that's a beautiful woman. It's saying, I want to

466
00:26:35,000 --> 00:26:37,399
Speaker 1: put my penis in her. Oh, I don't want to

467
00:26:37,440 --> 00:26:40,119
Speaker 1: put my penis in That's what fucking guilt stands for.

468
00:26:40,359 --> 00:26:49,720
Speaker 1: Ass neck. I thought held on the ils is, you

469
00:26:49,840 --> 00:26:54,200
Speaker 1: know you guilph is not? Oh, what a pretty older woman?

470
00:26:54,600 --> 00:26:58,560
Speaker 1: Guilt is. I want to lay my peep beside her,

471
00:26:59,320 --> 00:27:02,639
Speaker 1: but not on the side. I want to and I

472
00:27:02,760 --> 00:27:07,800
Speaker 1: want to drape my peep on her. It has to be. Oh,

473
00:27:07,920 --> 00:27:09,600
Speaker 1: I didn't know the end part. That's new when you

474
00:27:09,640 --> 00:27:13,640
Speaker 1: write that down, I don't. Okay, I take that back.

475
00:27:13,720 --> 00:27:16,360
Speaker 1: I get off this topic. I have not met a guilt. Yeah,

476
00:27:16,480 --> 00:27:22,080
Speaker 1: I didn't think. Oh, listen, we're forty six. We're probably

477
00:27:22,119 --> 00:27:24,359
Speaker 1: gonna meet some guilts along the way. But I haven't.

478
00:27:25,160 --> 00:27:27,040
Speaker 1: I have yet to meet a guilt. I take it back.

479
00:27:28,240 --> 00:27:32,040
Speaker 1: I thought we were talking about hot grandma's That's right, alright,

480
00:27:32,160 --> 00:27:34,520
Speaker 1: let's get back on topic here, let's get off. Let's

481
00:27:34,520 --> 00:27:36,200
Speaker 1: get off. We still want to say we're on the

482
00:27:36,280 --> 00:27:38,040
Speaker 1: right topic. That has everything to do with the show.

483
00:27:38,200 --> 00:27:40,399
Speaker 1: J D had sex. Oh yeah, and then I do

484
00:27:40,560 --> 00:27:42,680
Speaker 1: sort of a victory punch. I don't know what that

485
00:27:42,720 --> 00:27:44,840
Speaker 1: was about. Did you see that? I did a little like, yeah, oh,

486
00:27:44,920 --> 00:27:47,000
Speaker 1: I know what it is. It's a gift that I've seen.

487
00:27:47,520 --> 00:27:49,920
Speaker 1: I'm at the lectern, and the gift of me doing

488
00:27:50,000 --> 00:27:53,359
Speaker 1: sort of like a victory punch. Um, I've seen that before,

489
00:27:53,440 --> 00:27:54,960
Speaker 1: so that's why I wanted to point it out. I

490
00:27:55,000 --> 00:27:56,520
Speaker 1: don't think that's the first time. I don't think that's

491
00:27:56,560 --> 00:27:58,240
Speaker 1: the last time you do that either, though. No, but

492
00:27:58,320 --> 00:28:00,359
Speaker 1: I mean that particular one. I think there's there's like

493
00:28:00,440 --> 00:28:03,200
Speaker 1: Christmas decorations and I'm standing in a lecturn. I've seen

494
00:28:03,280 --> 00:28:05,280
Speaker 1: that one before. Like it's like a good gift if

495
00:28:05,280 --> 00:28:08,000
Speaker 1: you need to say, like you are using lecturn really well,

496
00:28:08,400 --> 00:28:10,280
Speaker 1: I just sort of like the word lecturn. Do you

497
00:28:10,320 --> 00:28:13,879
Speaker 1: remember in your school down you like, um, maybe you

498
00:28:13,920 --> 00:28:16,959
Speaker 1: were a theater techie geek like I was, but your

499
00:28:17,000 --> 00:28:19,680
Speaker 1: school would have that thing, right, it was a it

500
00:28:19,840 --> 00:28:22,480
Speaker 1: was a speaker on a cart and then this part

501
00:28:22,520 --> 00:28:25,879
Speaker 1: would flip down to make a lecturn and it had

502
00:28:25,920 --> 00:28:28,600
Speaker 1: a mic and I was on the AV. This is

503
00:28:28,680 --> 00:28:32,280
Speaker 1: how fucking dorky I was, you guys, I was so

504
00:28:32,600 --> 00:28:36,520
Speaker 1: proud to be on the AV squad. Now you might

505
00:28:36,560 --> 00:28:39,560
Speaker 1: be like, what's an AV squad? Yeah? Do you remember?

506
00:28:39,600 --> 00:28:42,440
Speaker 1: When you do? You remember when someone would someone really

507
00:28:42,560 --> 00:28:46,720
Speaker 1: fucking cool would roll into your into your classroom, like

508
00:28:47,160 --> 00:28:50,120
Speaker 1: a film strip or or one of those machines that

509
00:28:50,160 --> 00:28:54,520
Speaker 1: would go BIEP and you'd change the fucking slide, or

510
00:28:55,080 --> 00:28:59,200
Speaker 1: or even you know a TV with a VCR. Remember

511
00:28:59,240 --> 00:29:01,880
Speaker 1: these people? Oh yeah, that was me. I was part

512
00:29:01,920 --> 00:29:07,360
Speaker 1: of the A V team. My hear. That's that's how

513
00:29:07,440 --> 00:29:10,480
Speaker 1: badly I wanted to be in a film. I was like, oh,

514
00:29:10,680 --> 00:29:12,880
Speaker 1: so I get to wheel, I get to look like

515
00:29:13,120 --> 00:29:17,440
Speaker 1: fucking Fonsie wheeling this projector into the classroom. The girls

516
00:29:17,560 --> 00:29:22,240
Speaker 1: are going to think I'm so cute, as I thought

517
00:29:22,280 --> 00:29:25,160
Speaker 1: it was just because you wanted to get out of class. No, no, no, no, no,

518
00:29:25,240 --> 00:29:30,120
Speaker 1: no dude, I thought. I thought when I was setting

519
00:29:30,240 --> 00:29:32,320
Speaker 1: up a bit of a V gear that I looked

520
00:29:32,760 --> 00:29:36,240
Speaker 1: really cool. I figure, if you said I'm on a

521
00:29:36,440 --> 00:29:38,640
Speaker 1: V squad, you could use it to get out of class.

522
00:29:38,640 --> 00:29:40,560
Speaker 1: A couple of times, like if your teacher was like

523
00:29:40,800 --> 00:29:42,640
Speaker 1: if your teacher was ever like if your teacher was

524
00:29:42,680 --> 00:29:47,400
Speaker 1: ever like, mister Braff, you miss class. You could be like, well, oh,

525
00:29:47,560 --> 00:29:51,040
Speaker 1: mister Patterson, I had an av assignment I had to

526
00:29:51,120 --> 00:29:54,080
Speaker 1: take care of in such and such as class, and

527
00:29:54,320 --> 00:29:57,120
Speaker 1: jim or and you could lie and it would take

528
00:29:57,120 --> 00:29:59,920
Speaker 1: a while for that lie to catch describing a different child.

529
00:30:00,240 --> 00:30:03,840
Speaker 1: I'm telling you that I was like, look, how fucking

530
00:30:04,000 --> 00:30:08,400
Speaker 1: cool I'm gonna look wheeling in this VCR. You are

531
00:30:08,400 --> 00:30:11,280
Speaker 1: absolutely right, you were a dork. You were a dork,

532
00:30:11,880 --> 00:30:15,080
Speaker 1: but it's a specific type of dork. It's like because

533
00:30:15,120 --> 00:30:17,760
Speaker 1: I wasn't like a calculus dork. I was a fucking

534
00:30:17,920 --> 00:30:23,720
Speaker 1: like theater techie geek door. But that's a good. Okay,

535
00:30:23,760 --> 00:30:26,520
Speaker 1: that's good. Remember I'll tell you I've never even told

536
00:30:26,520 --> 00:30:28,600
Speaker 1: anyone the story, and maybe it's not even interesting anyone.

537
00:30:28,880 --> 00:30:31,240
Speaker 1: But do you remember the old school giant like public

538
00:30:31,280 --> 00:30:34,040
Speaker 1: school lighting boards. They weren't know nowadays they're all computers,

539
00:30:34,240 --> 00:30:36,920
Speaker 1: but like you know, the giant levers. And I just

540
00:30:37,040 --> 00:30:39,160
Speaker 1: thought that was the coolest fucking thing I'd ever seen.

541
00:30:39,280 --> 00:30:41,760
Speaker 1: And I would like I would sneak into the theater,

542
00:30:42,520 --> 00:30:45,200
Speaker 1: like some kids are cutting class to go smoke cigarettes

543
00:30:45,240 --> 00:30:48,360
Speaker 1: behind the fucking school. I was sneak in the theater

544
00:30:48,480 --> 00:30:50,960
Speaker 1: and when no one's looking, play with the giant leavers.

545
00:30:55,960 --> 00:30:58,400
Speaker 1: I was like yes, I was like, I bring this

546
00:30:58,640 --> 00:31:01,080
Speaker 1: giant leaver up in all the lights come up on

547
00:31:01,120 --> 00:31:08,480
Speaker 1: the stage like Jay, you know, at William j Oshay

548
00:31:08,720 --> 00:31:12,080
Speaker 1: I S forty four. That was the only place where

549
00:31:12,120 --> 00:31:15,200
Speaker 1: we had where I've ever experienced an auditorium. After that,

550
00:31:15,400 --> 00:31:17,440
Speaker 1: I was in private school and we ain't at the

551
00:31:17,600 --> 00:31:20,920
Speaker 1: gym was the auditorium. This was the only time in

552
00:31:21,040 --> 00:31:23,440
Speaker 1: public school I US forty four in New York City

553
00:31:23,480 --> 00:31:26,959
Speaker 1: on seventy seventh Street. In Amsterdam, I used to sneak

554
00:31:27,160 --> 00:31:32,680
Speaker 1: into the freaking auditorium behind the stage and fuck with

555
00:31:32,880 --> 00:31:35,960
Speaker 1: the big But there they were only on the stage.

556
00:31:36,000 --> 00:31:38,760
Speaker 1: There were none in the audience because the freaking auditorium

557
00:31:38,880 --> 00:31:41,080
Speaker 1: was so big, right, the freaking thing is so big.

558
00:31:41,160 --> 00:31:44,400
Speaker 1: So there's the projector at the top and of the

559
00:31:44,680 --> 00:31:47,960
Speaker 1: of the the big light, the spotlight at the top,

560
00:31:48,000 --> 00:31:50,520
Speaker 1: and that's it that one person got to operate. And

561
00:31:50,600 --> 00:31:52,880
Speaker 1: then there were alrea these set lights that you could

562
00:31:52,920 --> 00:31:56,920
Speaker 1: freaking different colors. I remember this so I go, there'd

563
00:31:56,920 --> 00:31:59,600
Speaker 1: be a lever that was like a full stagewash of blue,

564
00:31:59,720 --> 00:32:02,680
Speaker 1: and I just be like, eat, this might be the

565
00:32:02,920 --> 00:32:06,880
Speaker 1: one thing that we have in common from high school,

566
00:32:06,880 --> 00:32:09,120
Speaker 1: I mean from junior I did it in junior high school.

567
00:32:09,280 --> 00:32:10,720
Speaker 1: This might be the one thing that we have in

568
00:32:10,800 --> 00:32:12,480
Speaker 1: common when I just think it's so funny and I've

569
00:32:12,520 --> 00:32:14,200
Speaker 1: never told the story and it's hilarious that you were

570
00:32:14,240 --> 00:32:15,920
Speaker 1: doing the same thing. But while other kids were like

571
00:32:16,000 --> 00:32:19,040
Speaker 1: cutting class to go do like real like trouble, like

572
00:32:19,160 --> 00:32:22,800
Speaker 1: get into trouble, I was like sneaking into the theater

573
00:32:22,960 --> 00:32:25,280
Speaker 1: to play with the theater lights. Dude, I was doing

574
00:32:25,360 --> 00:32:26,760
Speaker 1: but I was, And I was like, I hope I

575
00:32:26,800 --> 00:32:30,560
Speaker 1: don't get caught the fact that we've never had this

576
00:32:30,600 --> 00:32:33,360
Speaker 1: conversation before either that I did it as a kid

577
00:32:33,440 --> 00:32:35,520
Speaker 1: because my parents were a part of a theater in

578
00:32:35,560 --> 00:32:38,960
Speaker 1: the National Black Theater, right uh And they had this

579
00:32:39,120 --> 00:32:41,400
Speaker 1: whole lighting system there too, and I used to sit

580
00:32:41,600 --> 00:32:45,320
Speaker 1: in the freaking booth and watch the light guy do

581
00:32:45,520 --> 00:32:47,840
Speaker 1: the light queues and stuff like that. And there were

582
00:32:47,920 --> 00:32:50,280
Speaker 1: times where I would have to be the light que

583
00:32:50,320 --> 00:32:54,600
Speaker 1: guy because like you know, there would be uh am,

584
00:32:55,440 --> 00:32:57,000
Speaker 1: like they would do stand up nights. So like the

585
00:32:57,120 --> 00:32:59,800
Speaker 1: Uptown Comedy Club, all of these things that made it

586
00:32:59,880 --> 00:33:04,520
Speaker 1: to television started at my theater that my parents were

587
00:33:04,600 --> 00:33:07,840
Speaker 1: a part of when I was growing up, and so

588
00:33:09,520 --> 00:33:13,720
Speaker 1: I remember, uh messing having to do the lights there.

589
00:33:14,040 --> 00:33:16,320
Speaker 1: And so when I went to school at a very

590
00:33:16,400 --> 00:33:19,320
Speaker 1: young age, I thought, I'm so fucking dope because I

591
00:33:19,400 --> 00:33:21,720
Speaker 1: can do the lights at the theater. I can do

592
00:33:21,840 --> 00:33:24,800
Speaker 1: this shit at the school too. I should you. But

593
00:33:24,880 --> 00:33:28,040
Speaker 1: you were enjoying being a light board. Absolutely, that's the best.

594
00:33:28,280 --> 00:33:30,360
Speaker 1: We missed out on the thrill of wheeling in a

595
00:33:30,440 --> 00:33:34,720
Speaker 1: projector bro. I didn't want to do that. It looks

596
00:33:34,760 --> 00:33:37,840
Speaker 1: like the board looks the things look like you're pushing

597
00:33:38,360 --> 00:33:45,240
Speaker 1: the Millennium fall. I was waiting for this to circle

598
00:33:45,280 --> 00:33:48,720
Speaker 1: around to something Star Wars. The light board handles reminded

599
00:33:48,800 --> 00:33:51,840
Speaker 1: you of the Millennium valcum, it did? I do remember that.

600
00:33:51,920 --> 00:33:53,760
Speaker 1: That was really cool, man. You know it's funny nowadays,

601
00:33:53,840 --> 00:33:56,719
Speaker 1: you know theater lighting is all programmed into a computer

602
00:33:56,840 --> 00:33:59,040
Speaker 1: and literally someone just sits there and hits a button

603
00:33:59,040 --> 00:34:01,800
Speaker 1: because it's all been pro program And that's fine, it's

604
00:34:01,920 --> 00:34:04,600
Speaker 1: twenty twenty one. But there was such an art to

605
00:34:04,800 --> 00:34:06,800
Speaker 1: doing it back in the day when you were literally

606
00:34:07,240 --> 00:34:10,200
Speaker 1: adjusting different things live on the fly, and it was

607
00:34:10,280 --> 00:34:12,520
Speaker 1: kind of like I imagine being a DJ in a

608
00:34:12,600 --> 00:34:14,399
Speaker 1: sense that you had to be like at the right

609
00:34:14,480 --> 00:34:16,040
Speaker 1: moment this had to happen. Then you had to not

610
00:34:16,120 --> 00:34:18,040
Speaker 1: forget to do that and like it was, it was

611
00:34:18,080 --> 00:34:20,160
Speaker 1: I don't know, I fucking loved it. Anyway, We're gonna

612
00:34:20,160 --> 00:34:21,719
Speaker 1: go a break and when we will talk more about

613
00:34:21,760 --> 00:34:30,920
Speaker 1: the television show Scrubs when we come right back and

614
00:34:31,080 --> 00:34:37,080
Speaker 1: we're bad and we're bad Todd's I think Todd's storyline

615
00:34:37,560 --> 00:34:40,520
Speaker 1: his his. I think the best His is the best one.

616
00:34:40,640 --> 00:34:42,600
Speaker 1: I think him and Cox have the best one. Yes,

617
00:34:42,760 --> 00:34:46,359
Speaker 1: so Todd Miracle five's a patient back to life. Yes,

618
00:34:46,719 --> 00:34:48,800
Speaker 1: in his mind he does, or he thinks. Isn't his

619
00:34:48,880 --> 00:34:50,960
Speaker 1: miners at reals? He One thing I understand about all

620
00:34:51,000 --> 00:34:56,960
Speaker 1: these memories everyone's having is like they're they're supposedly real stories. Yes,

621
00:34:57,600 --> 00:35:00,279
Speaker 1: it has Sarah rides a pony to work. It's not

622
00:35:00,360 --> 00:35:02,680
Speaker 1: a fantasy. That's not a fan that. That was very

623
00:35:02,760 --> 00:35:11,560
Speaker 1: weird too, Like they literally walk into Sacred Heart Hospital. Yea,

624
00:35:12,120 --> 00:35:14,280
Speaker 1: but yeah, she's not even tying off the pony outside

625
00:35:14,280 --> 00:35:16,000
Speaker 1: of the ring. No, no, no, no, no, riding it in.

626
00:35:16,560 --> 00:35:19,400
Speaker 1: She's riding it inside. She's gonna ride it all the

627
00:35:19,520 --> 00:35:21,680
Speaker 1: way to I see you because she has to do

628
00:35:21,840 --> 00:35:25,200
Speaker 1: rounds with this pony once she gets to work. I

629
00:35:25,280 --> 00:35:28,400
Speaker 1: don't understand. I guess she's gonna do rounds with the pony.

630
00:35:28,600 --> 00:35:31,600
Speaker 1: I had a little trouble with the fact that Todd

631
00:35:32,120 --> 00:35:35,240
Speaker 1: both Todd High five someone back to life and Sarah

632
00:35:35,280 --> 00:35:37,440
Speaker 1: wrote a pony to work as part of her commute,

633
00:35:37,760 --> 00:35:43,880
Speaker 1: and they were not fantasies. Yeah, yeah, um, but everybody

634
00:35:44,160 --> 00:35:47,400
Speaker 1: Todds was funny. Todd's was very funny, man. Yeah, but

635
00:35:47,520 --> 00:35:52,920
Speaker 1: everybody's fantasy was kind of like, like what was Kelsel's.

636
00:35:53,040 --> 00:35:56,000
Speaker 1: I mean, what was Kelso's fantasy? He's on the He's

637
00:35:56,000 --> 00:36:00,320
Speaker 1: on the all right, he's on the vacation. You know.

638
00:36:00,360 --> 00:36:03,320
Speaker 1: It's a funny little tidbit, you know. So um. You know,

639
00:36:03,440 --> 00:36:05,399
Speaker 1: sometimes when you're an actor, you're doing the scene, they'll

640
00:36:05,480 --> 00:36:07,320
Speaker 1: just be like, all right, before the lines, just we

641
00:36:07,400 --> 00:36:09,359
Speaker 1: need you guys to chatter. You know, You're just you're

642
00:36:09,360 --> 00:36:11,600
Speaker 1: just shooting the shit and and wait till the camera

643
00:36:11,719 --> 00:36:14,040
Speaker 1: lands and then we'll get into the scene. So Ken

644
00:36:14,280 --> 00:36:17,080
Speaker 1: in this moment is just chatting up some beautiful ladies

645
00:36:17,080 --> 00:36:20,840
Speaker 1: because he's at a retreat for Plomax, the pharmaceutical company.

646
00:36:21,280 --> 00:36:25,120
Speaker 1: And what what you hear? Can I'm assuming improvs are

647
00:36:25,160 --> 00:36:27,319
Speaker 1: these two women? Is well, I can't do this all

648
00:36:27,400 --> 00:36:31,320
Speaker 1: on my own? Really? Is that? What you notice that?

649
00:36:31,719 --> 00:36:35,120
Speaker 1: I didn't notice that he couldn't he and there was

650
00:36:35,200 --> 00:36:40,160
Speaker 1: three of them too, He could mean yeah, no, no,

651
00:36:40,280 --> 00:36:43,200
Speaker 1: I get what he says, but it's it's appropriate because

652
00:36:43,239 --> 00:36:46,000
Speaker 1: he's saying I can't do the three of you ladies

653
00:36:46,560 --> 00:36:48,719
Speaker 1: by this old man can't do the three of you

654
00:36:48,880 --> 00:36:51,279
Speaker 1: ladies on his own. Oh, I didn't even think of that.

655
00:36:51,440 --> 00:36:53,400
Speaker 1: I just thought of his like. I don't know if

656
00:36:53,440 --> 00:36:56,759
Speaker 1: Bill or someone said, you know, add this line or what,

657
00:36:56,880 --> 00:36:59,160
Speaker 1: but it's of all things that he's flirting with, he's

658
00:36:59,280 --> 00:37:01,239
Speaker 1: using the pickup line, I can't do this all on

659
00:37:01,320 --> 00:37:06,400
Speaker 1: my own because he knows where it's going. Well, that

660
00:37:06,520 --> 00:37:08,239
Speaker 1: was very funny, and I love the running gag of

661
00:37:08,280 --> 00:37:13,480
Speaker 1: Plomax being like the pharmaceutical, the evil pharmaceutical. It's just

662
00:37:13,640 --> 00:37:17,960
Speaker 1: sending as they do, sending doctors on trips to the Caribbean.

663
00:37:18,920 --> 00:37:21,800
Speaker 1: I laughed at Elliott being scared of tiny hands. That

664
00:37:22,400 --> 00:37:24,719
Speaker 1: very funny. That shot of her looking down at the

665
00:37:24,800 --> 00:37:28,279
Speaker 1: tiny hand. That made me laugh. Really, what about Um

666
00:37:28,680 --> 00:37:33,160
Speaker 1: Deonte with his dreads? I didn't see Deonta is that? Oh? Yeah?

667
00:37:33,320 --> 00:37:37,759
Speaker 1: Deonte Donald stand in slash our friend. Um always makes

668
00:37:37,840 --> 00:37:40,920
Speaker 1: cameos here and there, and he was an orderly with

669
00:37:41,400 --> 00:37:45,560
Speaker 1: newly discovered beautiful dreads. Oh good for him. Um, what

670
00:37:45,680 --> 00:37:48,040
Speaker 1: about the flashback? One of the funniest l ols in

671
00:37:48,120 --> 00:37:54,200
Speaker 1: the episode is are you getting Model? Yeah? It was

672
00:37:54,280 --> 00:37:56,680
Speaker 1: so well done. It looks like Super eight film, and

673
00:37:56,840 --> 00:38:00,719
Speaker 1: it's like you're panning around the room. You're panning around

674
00:38:00,760 --> 00:38:03,480
Speaker 1: the room and everyone's making out, everyone's making out, And

675
00:38:03,600 --> 00:38:05,279
Speaker 1: then you get to the couch and I'm sitting there

676
00:38:05,320 --> 00:38:09,279
Speaker 1: with the most glorious mullet and this girl turns from

677
00:38:09,440 --> 00:38:12,080
Speaker 1: her man that she's making boy that she's making out with,

678
00:38:12,400 --> 00:38:15,640
Speaker 1: and just sneezes in my face and then comes goes

679
00:38:15,719 --> 00:38:18,560
Speaker 1: back to making out. Yeah, and someone's like, mono, I

680
00:38:18,600 --> 00:38:20,200
Speaker 1: thought the only way to get that was from kissing.

681
00:38:20,560 --> 00:38:22,160
Speaker 1: And they showed the fantasy and they cut back and

682
00:38:22,200 --> 00:38:26,839
Speaker 1: I go, no, there there are other ways. This will

683
00:38:26,920 --> 00:38:34,160
Speaker 1: pay dividends When Jad has a child wight Uh Elizabeth

684
00:38:34,400 --> 00:38:37,960
Speaker 1: Elizabeth Banks in the future, Um, this joke comes back around.

685
00:38:38,440 --> 00:38:40,440
Speaker 1: I want to talk about something else. You mean, because

686
00:38:40,520 --> 00:38:43,760
Speaker 1: of there was what was it like, there was fire

687
00:38:44,000 --> 00:38:47,720
Speaker 1: friendly there? Let's just say there was. I don't remember

688
00:38:47,840 --> 00:38:52,719
Speaker 1: there was there was fire in the in the general area,

689
00:38:52,920 --> 00:38:57,200
Speaker 1: outer regions or something. That speech is fucking hilarious. I

690
00:38:57,280 --> 00:39:00,439
Speaker 1: can remember. I remember laughing so hard trying to trying

691
00:39:00,480 --> 00:39:02,239
Speaker 1: to deliver the line. I remember that. I think I'm

692
00:39:02,280 --> 00:39:04,799
Speaker 1: saying it to you and Judy, right, and you're it's

693
00:39:04,840 --> 00:39:06,520
Speaker 1: all three of us. It's all three of us. You

694
00:39:06,560 --> 00:39:10,919
Speaker 1: guys like you guys like yeah, you say you didn't

695
00:39:10,920 --> 00:39:14,360
Speaker 1: do to such a How are you telling me you

696
00:39:14,480 --> 00:39:17,640
Speaker 1: got her pregnant and you never had any course? Yeah, yeah,

697
00:39:17,680 --> 00:39:20,880
Speaker 1: something like that. Um, this is something I want to

698
00:39:20,880 --> 00:39:24,920
Speaker 1: talk about. This joke didn't make sense, and this is

699
00:39:24,960 --> 00:39:30,040
Speaker 1: the first time it's ever happened. Elliot asks Laverne, what

700
00:39:30,200 --> 00:39:34,400
Speaker 1: are you doing this weekend? And Laverne says, minding my

701
00:39:34,560 --> 00:39:40,640
Speaker 1: own business? How about you? She wasn't really minding her business.

702
00:39:40,680 --> 00:39:43,080
Speaker 1: If she asks what about? What if Elliot's doing? What

703
00:39:43,400 --> 00:39:45,440
Speaker 1: was Elliots doing? I think she might be overthinking. I

704
00:39:45,520 --> 00:39:48,799
Speaker 1: think she's just being a classic Laverne sassy. But why

705
00:39:48,840 --> 00:39:52,680
Speaker 1: did she Okay, I'm just saying, mind in my own business.

706
00:39:53,000 --> 00:39:54,680
Speaker 1: If you mind in your own business, you know what

707
00:39:54,800 --> 00:40:00,920
Speaker 1: you do after that, you keep it moving real Laverne

708
00:40:01,040 --> 00:40:05,040
Speaker 1: is means sometimes Yeah, Elliott was just being friendly, but

709
00:40:05,160 --> 00:40:07,600
Speaker 1: so was she. She wound up. It was clear that Laverne,

710
00:40:07,719 --> 00:40:09,759
Speaker 1: that's just her thing and that's how she is with

711
00:40:10,560 --> 00:40:12,680
Speaker 1: with her friends. Yeah, unless I'm going to see my

712
00:40:12,800 --> 00:40:19,400
Speaker 1: nephew play Pip and who's he playing? But I'm not

713
00:40:19,480 --> 00:40:20,920
Speaker 1: even doing it right because you got to have the

714
00:40:20,960 --> 00:40:23,759
Speaker 1: face of like, how dare you even ask? You think

715
00:40:23,920 --> 00:40:29,840
Speaker 1: my nephew is in the ensemble? Right, he's pippin motherfucker pivot.

716
00:40:32,600 --> 00:40:35,200
Speaker 1: That was my one of my favorite Alma reads that

717
00:40:35,280 --> 00:40:44,120
Speaker 1: she just goes Pip. Oh wait, first, this is the

718
00:40:44,200 --> 00:40:48,360
Speaker 1: big one. This is the inaugural it's beard Falset. We

719
00:40:48,520 --> 00:40:51,239
Speaker 1: hadn't said beard Face yet either, though I know. This

720
00:40:51,280 --> 00:40:54,800
Speaker 1: is his first line. This is his first line. This

721
00:40:54,960 --> 00:40:57,160
Speaker 1: is the first time we ever addressed that there's a

722
00:40:57,320 --> 00:41:01,680
Speaker 1: character named beard Face. Yes, and then he says no,

723
00:41:01,840 --> 00:41:04,200
Speaker 1: it's pronounced beard fasse. And then for the rest of

724
00:41:04,280 --> 00:41:06,360
Speaker 1: the show we call him beard Face. It's the stupidest

725
00:41:06,680 --> 00:41:10,080
Speaker 1: slash funniest joke. Now, I think we've settled in that

726
00:41:10,320 --> 00:41:13,080
Speaker 1: Beard Fusse. Maybe I've had some feedback from people on

727
00:41:13,200 --> 00:41:16,799
Speaker 1: my Instagram account because I've I've been really troubled by

728
00:41:16,800 --> 00:41:19,759
Speaker 1: the fact that Beard Fesse is so often in the pharmacy.

729
00:41:20,520 --> 00:41:25,200
Speaker 1: And someone commented that an anesthesiologist might often be in

730
00:41:25,280 --> 00:41:29,200
Speaker 1: the pharmacy but also in and around all of the

731
00:41:29,280 --> 00:41:32,879
Speaker 1: other many rooms of the hospital. So and then when

732
00:41:32,880 --> 00:41:36,440
Speaker 1: I saw Beard Fasse in your room, I thought, oh,

733
00:41:36,560 --> 00:41:40,359
Speaker 1: maybe he's an anesthesiologist. Okay, well, I want to say

734
00:41:40,440 --> 00:41:42,879
Speaker 1: this then, if we're going to talk about Beard Fasse.

735
00:41:44,760 --> 00:41:49,280
Speaker 1: We once had a trivia conversation, or not a trivia

736
00:41:49,360 --> 00:41:51,920
Speaker 1: but we were wondering what Beard Fessse was in. And

737
00:41:52,040 --> 00:41:54,680
Speaker 1: I thought it was a James Bond movie and you

738
00:41:54,760 --> 00:41:56,880
Speaker 1: and you turned out you turned it turned out to

739
00:41:56,960 --> 00:41:59,640
Speaker 1: be a Fincher movie. A Fincher the direct girl with

740
00:41:59,680 --> 00:42:04,080
Speaker 1: the drag tattoo. That's still that's still starred the star

741
00:42:04,360 --> 00:42:08,600
Speaker 1: of James Bond. Yes, oh, you're probably around. In the

742
00:42:08,600 --> 00:42:12,960
Speaker 1: initial conversation, absolutely, and comes back to Daniel Craig. It

743
00:42:13,080 --> 00:42:16,279
Speaker 1: all comes back to Daniel Craig. I wonder if Beard

744
00:42:16,320 --> 00:42:19,080
Speaker 1: Fasse got to hang out with Daniel Craig or if

745
00:42:19,120 --> 00:42:22,359
Speaker 1: he was just like too shy to approach him on them.

746
00:42:22,920 --> 00:42:24,880
Speaker 1: I remember exactly where it was too. It's on a plane.

747
00:42:25,440 --> 00:42:27,680
Speaker 1: I don't think Beard, I don't think. I don't think

748
00:42:27,800 --> 00:42:31,440
Speaker 1: Beard Fasse is that shy in real life. Like I remember,

749
00:42:31,520 --> 00:42:35,000
Speaker 1: he was a gregarious fellow. He Remember he was a

750
00:42:35,200 --> 00:42:38,479
Speaker 1: very good artist. He was a cartoonist. Okay, he would

751
00:42:38,560 --> 00:42:41,719
Speaker 1: draw I believe he he had this thing. I think

752
00:42:42,000 --> 00:42:45,640
Speaker 1: it was where he would draw cats in cartoons and

753
00:42:45,719 --> 00:42:48,919
Speaker 1: he would call it cattoons instead of cartoons. Oh wow,

754
00:42:49,520 --> 00:42:53,279
Speaker 1: you know. And they were good too, Like he was

755
00:42:53,320 --> 00:42:55,440
Speaker 1: a good artist. He is a good artist. I still

756
00:42:55,560 --> 00:42:59,440
Speaker 1: every now and then talked to Mick Head. Frank, you

757
00:42:59,480 --> 00:43:04,480
Speaker 1: should ask him about he talks about has all of

758
00:43:04,760 --> 00:43:08,120
Speaker 1: like he listens to the show, and it would be

759
00:43:08,320 --> 00:43:10,960
Speaker 1: a great I think it would be a great pleasure

760
00:43:11,480 --> 00:43:17,279
Speaker 1: to have him, Frank. Yes, dog Snoop dogg manly, I

761
00:43:17,360 --> 00:43:19,040
Speaker 1: think we should have them on the show. Can you

762
00:43:19,239 --> 00:43:21,600
Speaker 1: organize that please? We've been talking about that could be

763
00:43:21,680 --> 00:43:25,880
Speaker 1: not an episode. We'll be a conversation with background performers

764
00:43:25,960 --> 00:43:29,239
Speaker 1: who became foreground performers on the show. Scrubs and we'll

765
00:43:29,280 --> 00:43:35,120
Speaker 1: get like the three or four that the core, Deonte

766
00:43:36,360 --> 00:43:40,520
Speaker 1: Manly who was Snoop Dogg, M Beard Fact whose name

767
00:43:40,560 --> 00:43:43,600
Speaker 1: I forgot. I'm so sorry, Um. And we should try

768
00:43:43,640 --> 00:43:45,680
Speaker 1: to get. We should try to get we should try

769
00:43:45,680 --> 00:43:48,399
Speaker 1: to get I'll talk to Frank, but we should really

770
00:43:48,480 --> 00:43:53,520
Speaker 1: try to talk to Uh Katia, Renee Rabbidu and Deontay

771
00:43:53,600 --> 00:43:57,080
Speaker 1: also because they lived the exact same lives that we did,

772
00:43:57,200 --> 00:43:59,839
Speaker 1: but it never got filmed. They did the exact same

773
00:44:00,440 --> 00:44:03,239
Speaker 1: Just to remind everyone, those were the standings that at

774
00:44:03,280 --> 00:44:07,520
Speaker 1: the four of us had and we spent them. They

775
00:44:07,560 --> 00:44:09,640
Speaker 1: would have to do all of the walk and talks

776
00:44:09,719 --> 00:44:12,480
Speaker 1: and everything that we did, but it never got put

777
00:44:12,600 --> 00:44:16,719
Speaker 1: onto film in any way. And they were awesome and

778
00:44:16,800 --> 00:44:19,200
Speaker 1: they were an awesome group because we spent all the

779
00:44:19,320 --> 00:44:22,040
Speaker 1: time with them and we had so many fucking great

780
00:44:22,080 --> 00:44:25,120
Speaker 1: laughs with those people. Yes, I think that would be

781
00:44:25,239 --> 00:44:28,160
Speaker 1: really awesome. Well that's another show. Yeah, we could do

782
00:44:28,239 --> 00:44:31,400
Speaker 1: an episode that's like a conversation with our standings and

783
00:44:31,520 --> 00:44:34,640
Speaker 1: we can bring in um, like you said, Renee Katia

784
00:44:34,920 --> 00:44:37,640
Speaker 1: Scott Rabidu, Um and if they and if they turn

785
00:44:37,719 --> 00:44:39,760
Speaker 1: out to be and if they turn out to be duds,

786
00:44:40,320 --> 00:44:44,120
Speaker 1: then we'd never air them. That's simple, that's simple, they

787
00:44:44,160 --> 00:44:46,960
Speaker 1: would be duds. They're funny. I remember laughing our asses

788
00:44:46,960 --> 00:44:49,400
Speaker 1: off with those guys. Yeah. I always laugh with Deante.

789
00:44:50,480 --> 00:44:52,600
Speaker 1: I laugh a lot with Frank too. How about how

790
00:44:52,680 --> 00:44:56,759
Speaker 1: JD comes into the ICU with an ice cream cone? Um,

791
00:44:57,200 --> 00:44:59,680
Speaker 1: I mean like like the doctor is coming into the

792
00:44:59,719 --> 00:45:02,080
Speaker 1: ice with ice going and then when someone's like, oh,

793
00:45:02,160 --> 00:45:03,839
Speaker 1: give me oh, I think it's Judy. She's like, oh,

794
00:45:03,960 --> 00:45:08,200
Speaker 1: you brought that for the little boy, and I'm like yeah, sure,

795
00:45:08,840 --> 00:45:11,200
Speaker 1: and I give it to him and I go it's

796
00:45:11,200 --> 00:45:17,040
Speaker 1: a waffle cone, like so Forloren. So Forloren that I've

797
00:45:17,120 --> 00:45:19,960
Speaker 1: given him away my fucking waffle going to a child.

798
00:45:20,920 --> 00:45:23,120
Speaker 1: And what's what's what's really crazy is that you're not

799
00:45:23,560 --> 00:45:26,400
Speaker 1: Jady's not sympathetic about it either, after he watched the

800
00:45:26,520 --> 00:45:30,359
Speaker 1: kid come in with his dad who's sick. You know kids.

801
00:45:30,400 --> 00:45:32,400
Speaker 1: Probably the kid probably gave me the idea that I

802
00:45:32,440 --> 00:45:34,520
Speaker 1: wanted an ice cream call, that you wanted the ice cream.

803
00:45:34,560 --> 00:45:36,120
Speaker 1: And then I'm come into the room off hockey like

804
00:45:36,200 --> 00:45:39,000
Speaker 1: I got my ice cream cone, and Judy's like Carla's like,

805
00:45:39,040 --> 00:45:40,880
Speaker 1: oh that's so sweet. You got him. I dream going.

806
00:45:40,960 --> 00:45:47,280
Speaker 1: I'm like, yeah, it's a waffle cone. Like it's almost

807
00:45:47,320 --> 00:45:50,080
Speaker 1: to say like I spent extra money. I spent extra

808
00:45:50,160 --> 00:45:55,919
Speaker 1: money for that waffle cone. That was plus fifty cents

809
00:45:55,960 --> 00:46:01,480
Speaker 1: for that waffle gone. Oh boy, um um, all right,

810
00:46:01,960 --> 00:46:05,520
Speaker 1: we got we got um stealing the old woman's dentures

811
00:46:05,560 --> 00:46:10,960
Speaker 1: and wearing them around my neck. That's gross growths. Now,

812
00:46:11,000 --> 00:46:13,239
Speaker 1: this weird gum thing, I give you her gum. I

813
00:46:13,320 --> 00:46:15,960
Speaker 1: read on scrubs Wiki that there's I guess there's a

814
00:46:16,040 --> 00:46:19,680
Speaker 1: deleted scene where we the gum has a totally different storyline,

815
00:46:19,719 --> 00:46:23,719
Speaker 1: Like I thought it was something else and it turns

816
00:46:23,760 --> 00:46:26,400
Speaker 1: out to be bad taste and gum, and then I

817
00:46:26,440 --> 00:46:28,480
Speaker 1: don't know, we changed what the gum was about in

818
00:46:29,000 --> 00:46:32,239
Speaker 1: post production. I think, oh, well that you noticed that

819
00:46:32,280 --> 00:46:34,640
Speaker 1: the gum has Asian writing on it? Yeah, I did

820
00:46:34,719 --> 00:46:37,400
Speaker 1: see that. Apparently there's a deleted scene on one of

821
00:46:37,440 --> 00:46:40,960
Speaker 1: the DVDs, which we should We should get into those two.

822
00:46:41,000 --> 00:46:43,919
Speaker 1: How funny would it be to look at that shit? Joel, Joel,

823
00:46:43,920 --> 00:46:46,399
Speaker 1: we should have an episode called Zack and Donald look

824
00:46:46,440 --> 00:46:50,600
Speaker 1: at Deleted Scenes. Okay, I love it, here goes. Hold on,

825
00:46:50,640 --> 00:46:51,880
Speaker 1: let me just tell you what this says here. Um,

826
00:46:52,200 --> 00:46:54,880
Speaker 1: the denture gum that JD tries to tempt Turk with

827
00:46:55,080 --> 00:46:57,560
Speaker 1: has Chinese writing on it. This is explained in a

828
00:46:57,640 --> 00:47:00,160
Speaker 1: deleted scene available on the DVD, which show is that

829
00:47:00,239 --> 00:47:02,560
Speaker 1: it was originally intended to be what JD thought was

830
00:47:02,680 --> 00:47:07,279
Speaker 1: eggnog gum, remember, and he bought it in Chinatown, only

831
00:47:07,360 --> 00:47:15,480
Speaker 1: to realize that it was in fact egg gum. That's hilarious.

832
00:47:16,239 --> 00:47:19,279
Speaker 1: I wonder why it didn't fly. I don't know, but um,

833
00:47:20,000 --> 00:47:22,520
Speaker 1: I want to say, I want to ask this question

834
00:47:22,680 --> 00:47:27,120
Speaker 1: to the three of you. Go ahead, because we never

835
00:47:27,280 --> 00:47:30,440
Speaker 1: meet this character, but this character has always talked about

836
00:47:31,640 --> 00:47:36,480
Speaker 1: Kelso's son. Yeah, who he's definitely and is definitely an

837
00:47:36,520 --> 00:47:40,759
Speaker 1: out gay man. Who could have played Kelso's son if

838
00:47:40,800 --> 00:47:45,759
Speaker 1: you had to choose Andrew Reynolds. Andrew? Who's Andrew Reynolds? Oh,

839
00:47:45,960 --> 00:47:52,200
Speaker 1: Andrew Reynolds. You know Andrew Reynolds? Um, skateboarder? Am I

840
00:47:52,239 --> 00:47:54,919
Speaker 1: saying his name right? He was? He was the star

841
00:47:54,960 --> 00:47:58,520
Speaker 1: of Book of Mormon, which broke him. Um and uh um,

842
00:48:00,800 --> 00:48:03,879
Speaker 1: he's in the prom recently. I know who you're talking

843
00:48:03,880 --> 00:48:05,400
Speaker 1: about now, I don't know who. I don't know him

844
00:48:05,440 --> 00:48:07,560
Speaker 1: to show you his picture I know who you're talking about.

845
00:48:07,600 --> 00:48:09,040
Speaker 1: I don't know his name, though, let me show you

846
00:48:09,120 --> 00:48:11,680
Speaker 1: his picture. He's very talented. He was on Girls, he

847
00:48:11,840 --> 00:48:15,480
Speaker 1: was in Girls. He was on Girls. This guy, yeah,

848
00:48:15,480 --> 00:48:21,840
Speaker 1: I know exactly. His name is Andrew Reynolds. Yeah, Andrews. Yeah. Sorry, sorry,

849
00:48:22,280 --> 00:48:25,920
Speaker 1: sorry I heard. I first saw him on Broadway. You

850
00:48:26,040 --> 00:48:28,520
Speaker 1: took me to see that show? I did, Yeah, you

851
00:48:28,680 --> 00:48:31,680
Speaker 1: took me. Then I seen in my life and then

852
00:48:31,840 --> 00:48:34,600
Speaker 1: I this this guy Andrew Reynolds, who I know a

853
00:48:34,640 --> 00:48:37,320
Speaker 1: little bit in his a sweetheart, has the sist voice

854
00:48:37,800 --> 00:48:40,960
Speaker 1: and is so talented, and you know, I just I

855
00:48:41,040 --> 00:48:42,919
Speaker 1: just think he's so talented. That was the first person

856
00:48:42,960 --> 00:48:45,440
Speaker 1: that came to mind. We flew to New York because

857
00:48:45,560 --> 00:48:48,160
Speaker 1: you were like, we gotta see you were there already,

858
00:48:48,480 --> 00:48:50,560
Speaker 1: and you you were like, fly to New York. I

859
00:48:50,640 --> 00:48:52,600
Speaker 1: got tickets for this play. I flew to New York

860
00:48:52,680 --> 00:48:55,279
Speaker 1: with Casey. This is back when we were making money.

861
00:48:55,600 --> 00:48:58,719
Speaker 1: I flew to New York with Casey to watch Book

862
00:48:58,760 --> 00:49:00,640
Speaker 1: of Mormon with you and we had a night out

863
00:49:00,800 --> 00:49:03,400
Speaker 1: on the town after and everything like that. And it

864
00:49:03,520 --> 00:49:06,560
Speaker 1: was it was I think it was like theater appreciation

865
00:49:06,719 --> 00:49:08,800
Speaker 1: week and everybody was trying to raise money and so

866
00:49:08,960 --> 00:49:12,040
Speaker 1: at the end of the show, after the bow, Josh Gad,

867
00:49:12,480 --> 00:49:14,400
Speaker 1: this was my first time being like, let me stop you,

868
00:49:15,160 --> 00:49:16,920
Speaker 1: let me stop you. Not in theater bridge they do

869
00:49:17,040 --> 00:49:21,799
Speaker 1: this campaign for AIDS. Uh okay, thank you. They fund

870
00:49:21,880 --> 00:49:24,680
Speaker 1: raised money for AIDS and it's a certain time every

871
00:49:24,760 --> 00:49:28,360
Speaker 1: year the theater community. After the bow, all the shows

872
00:49:28,400 --> 00:49:31,040
Speaker 1: compete who can raise the most money for this Aid's

873
00:49:31,120 --> 00:49:34,359
Speaker 1: charity and they and they they stop after the bow

874
00:49:34,400 --> 00:49:36,080
Speaker 1: and say, Okay, we're gonna come around with buckets. This

875
00:49:36,200 --> 00:49:38,879
Speaker 1: is for a great cause. We want to win sy

876
00:49:38,920 --> 00:49:43,320
Speaker 1: This is my first this is my first experience of

877
00:49:44,080 --> 00:49:46,960
Speaker 1: how cool of a person Josh Gad was. In front

878
00:49:46,960 --> 00:49:50,680
Speaker 1: of the whole theater. He campaigns for the money and

879
00:49:50,800 --> 00:49:53,120
Speaker 1: he did it in such a great way after this

880
00:49:53,520 --> 00:49:55,840
Speaker 1: really freaking funny show. He did it in such a

881
00:49:55,960 --> 00:49:59,360
Speaker 1: great way that I wanted to give money uh to

882
00:50:00,600 --> 00:50:04,680
Speaker 1: the cause. And so when he did, wish I was

883
00:50:04,800 --> 00:50:08,279
Speaker 1: here all like my first time meeting Josh. That was

884
00:50:08,440 --> 00:50:10,640
Speaker 1: the one thing I could think about was Wow, this

885
00:50:10,960 --> 00:50:15,400
Speaker 1: dude knows how to command a room. And it was

886
00:50:15,520 --> 00:50:18,600
Speaker 1: it was I just remember going to see that play

887
00:50:18,960 --> 00:50:21,480
Speaker 1: with you because you were like, we have you have

888
00:50:21,600 --> 00:50:23,520
Speaker 1: to see this play. It's so good and it was

889
00:50:23,640 --> 00:50:25,200
Speaker 1: life changing. Man. It was one of those things where

890
00:50:25,200 --> 00:50:26,960
Speaker 1: it was like Broadway could do that. I didn't know

891
00:50:27,040 --> 00:50:30,080
Speaker 1: that Broadway could be that because they do some outrageous stuff.

892
00:50:30,320 --> 00:50:33,640
Speaker 1: Have you guys seen The Book of Mormon? Daniel, yes, Joel? Yeah?

893
00:50:34,000 --> 00:50:36,439
Speaker 1: Did you see it with Josh gadd and Andrew? Yeah?

894
00:50:37,719 --> 00:50:41,399
Speaker 1: Unfortunately now I laughed my ass off on that show. Dude.

895
00:50:41,560 --> 00:50:43,920
Speaker 1: Let me tell you something. It's rare that you do this.

896
00:50:44,040 --> 00:50:46,239
Speaker 1: There's I can name the shows where I went out

897
00:50:46,239 --> 00:50:49,440
Speaker 1: and bought the soundtrack right after five guys named Mom

898
00:50:50,160 --> 00:50:55,080
Speaker 1: the Book of Mormon, and that's it. Those are really

899
00:50:55,120 --> 00:50:57,960
Speaker 1: the only ones that I've ever done it with five

900
00:50:58,000 --> 00:51:00,799
Speaker 1: guys named Mo and the Book of Morning, and on Sarafina.

901
00:51:00,880 --> 00:51:04,840
Speaker 1: When I saw Sarahina, I would and bought chuck it

902
00:51:04,920 --> 00:51:10,440
Speaker 1: your way. And so those are the three. Can you

903
00:51:10,560 --> 00:51:13,920
Speaker 1: remember yours? Or did you buy all of them? Oh?

904
00:51:14,000 --> 00:51:15,680
Speaker 1: And I bought the Mulan Ruge right after we saw

905
00:51:15,719 --> 00:51:17,680
Speaker 1: the Mulan Rug. When we went and saw the Mulan Ruge,

906
00:51:17,680 --> 00:51:19,640
Speaker 1: I would have brought that new one too. That shit

907
00:51:19,800 --> 00:51:24,120
Speaker 1: is fire, dude, That ship is fire. Listen all ye

908
00:51:24,680 --> 00:51:30,600
Speaker 1: you're talking about the theater soundtrack. Yeah, when you went, Yeah,

909
00:51:31,040 --> 00:51:34,359
Speaker 1: I went and bought that the next day. I bought

910
00:51:34,400 --> 00:51:36,400
Speaker 1: it because of my favorite number. There's two numbers in

911
00:51:36,480 --> 00:51:42,600
Speaker 1: it that I love, one freaking chandelier and two royals

912
00:51:43,760 --> 00:51:47,200
Speaker 1: to the two best performances in the show. My opinion. Yeah,

913
00:51:47,960 --> 00:51:51,600
Speaker 1: that was a great show. I think that might survive COVID.

914
00:51:52,160 --> 00:51:56,480
Speaker 1: A lot of people from that show got COVID, didn't they. Yes,

915
00:51:57,080 --> 00:52:02,480
Speaker 1: well I am. I'm really uh hoping that Broadway comes

916
00:52:02,680 --> 00:52:06,560
Speaker 1: When Broadway comes back, I'm hoping that some of those

917
00:52:06,640 --> 00:52:08,960
Speaker 1: big shows are able to survive. In a handful of

918
00:52:09,000 --> 00:52:11,880
Speaker 1: them just had to close, and I'm hoping that some

919
00:52:12,040 --> 00:52:14,600
Speaker 1: of those ones like that one and are able to survive.

920
00:52:15,400 --> 00:52:19,879
Speaker 1: It would be great if Broadway can come back stronger. Yes,

921
00:52:20,160 --> 00:52:21,839
Speaker 1: we all, we all miss it. Those of us who

922
00:52:21,960 --> 00:52:23,799
Speaker 1: love it miss it, and maybe well, well we need

923
00:52:23,880 --> 00:52:25,560
Speaker 1: to support it more than ever. If you're a theater

924
00:52:25,680 --> 00:52:29,160
Speaker 1: lover in order to help resuscitate this, this precious industry,

925
00:52:29,200 --> 00:52:31,080
Speaker 1: we're all going to have to go see lots of plays,

926
00:52:31,239 --> 00:52:34,960
Speaker 1: which I will do. I wanted to say, I got

927
00:52:35,080 --> 00:52:39,399
Speaker 1: full body goosebumps at the It's embarrassing that I gave

928
00:52:39,480 --> 00:52:43,000
Speaker 1: myself goosebumps, But I did when my character right before

929
00:52:43,040 --> 00:52:47,000
Speaker 1: the commercial break goes, why are you sick? There was

930
00:52:47,040 --> 00:52:51,840
Speaker 1: just something about it that was goosebumpy. That's good. The

931
00:52:52,000 --> 00:52:54,480
Speaker 1: mystery of the mystery of these people who are have

932
00:52:54,680 --> 00:52:57,080
Speaker 1: such good intentions, who are just sitting there trying to

933
00:52:57,160 --> 00:53:00,600
Speaker 1: solve the mystery like all of these amazing real life

934
00:53:00,800 --> 00:53:03,560
Speaker 1: heroes do every day. And I just I don't know.

935
00:53:03,640 --> 00:53:06,280
Speaker 1: I found it. I found I was moved by myself.

936
00:53:06,880 --> 00:53:11,319
Speaker 1: I have a question, go, did you remember this episode? Um,

937
00:53:13,040 --> 00:53:15,440
Speaker 1: anything in this episode at all? Did you remember anything

938
00:53:15,480 --> 00:53:22,040
Speaker 1: in this episode at all? Um? Not much. No, I

939
00:53:22,120 --> 00:53:26,120
Speaker 1: didn't remember one ounce of this episode, not an ounce

940
00:53:26,200 --> 00:53:29,279
Speaker 1: of not not even a smidgeon of it. And that's

941
00:53:29,320 --> 00:53:31,600
Speaker 1: why I think, and that's why I think it Like

942
00:53:31,680 --> 00:53:34,719
Speaker 1: I thought, we didn't do any more themed episodes like

943
00:53:34,840 --> 00:53:38,160
Speaker 1: Christmas or the Thanksgiving or those type of episodes anymore

944
00:53:38,200 --> 00:53:41,440
Speaker 1: after the third season. Yeah, I don't really remember. I

945
00:53:41,520 --> 00:53:43,359
Speaker 1: think I remember the weird lady with their with their

946
00:53:43,400 --> 00:53:46,880
Speaker 1: dentures of seat through the Venetian blinds. I didn't remember

947
00:53:47,160 --> 00:53:49,759
Speaker 1: any of it. I think that's why I was so

948
00:53:49,960 --> 00:53:52,680
Speaker 1: moved at the end, because it caught me off guard.

949
00:53:53,040 --> 00:53:55,320
Speaker 1: Let's talk about how fucking funny it is when Sarah

950
00:53:55,400 --> 00:53:59,560
Speaker 1: slams the door on the crying med student. I laughed

951
00:53:59,560 --> 00:54:03,120
Speaker 1: out loud, read too. He's giving the little kid a tour,

952
00:54:03,640 --> 00:54:05,239
Speaker 1: and she's like, I used to hide in here, and

953
00:54:05,320 --> 00:54:07,680
Speaker 1: she opens it up to reveal like the you know,

954
00:54:07,840 --> 00:54:10,359
Speaker 1: the brand new med student crying because he's had he's

955
00:54:10,480 --> 00:54:12,680
Speaker 1: watched The Death or something. She's like, hang in there,

956
00:54:13,160 --> 00:54:16,200
Speaker 1: hanging there, and then she like slams the door closed.

957
00:54:16,320 --> 00:54:22,359
Speaker 1: She's like, suck it up. I'm trying. Um and then

958
00:54:22,719 --> 00:54:26,560
Speaker 1: um that funny sequence where Cox's favorite memory is the

959
00:54:26,680 --> 00:54:30,760
Speaker 1: double himlick. Yeah, that's that. Like I said, the Todd

960
00:54:30,840 --> 00:54:34,360
Speaker 1: and Cox have the two best The double himlik is

961
00:54:34,400 --> 00:54:38,200
Speaker 1: pretty awesome. And you know the first yeah, you know

962
00:54:38,239 --> 00:54:40,520
Speaker 1: who the first time, like was that Jared. Yeah, it

963
00:54:40,600 --> 00:54:43,280
Speaker 1: was one of our one of our PA's office pas.

964
00:54:43,360 --> 00:54:45,520
Speaker 1: I believe was his job at first. He probably he

965
00:54:45,640 --> 00:54:49,200
Speaker 1: probably got I think I think he's an executive now

966
00:54:49,239 --> 00:54:51,520
Speaker 1: where he produces shows. I'm sure he does, but back

967
00:54:51,560 --> 00:54:53,600
Speaker 1: in the day, he started as an office PA and

968
00:54:53,680 --> 00:54:56,240
Speaker 1: then worked his way up. But that's the guy Cox's

969
00:54:56,320 --> 00:55:00,799
Speaker 1: first time looking. Then the gum goes into the gum. Yeah,

970
00:55:00,800 --> 00:55:04,080
Speaker 1: it was gum goes into a jumps from his mouth

971
00:55:04,080 --> 00:55:06,239
Speaker 1: to another random woman's mouth. Then he runs over. He

972
00:55:06,280 --> 00:55:08,680
Speaker 1: gives her the Heimlich maneuver, and then that goes into

973
00:55:08,680 --> 00:55:12,080
Speaker 1: the garbage swish swish into the basket over the garbage can,

974
00:55:12,280 --> 00:55:14,840
Speaker 1: which he's missing when he's shooting it with his hands.

975
00:55:15,120 --> 00:55:17,560
Speaker 1: He's missing with the paper, but he does it with

976
00:55:17,680 --> 00:55:20,640
Speaker 1: the Heimlich maneuver and the gum. How about when fucking

977
00:55:20,760 --> 00:55:22,920
Speaker 1: Sarah is talking to you in French and you go

978
00:55:23,160 --> 00:55:26,160
Speaker 1: and your French, I haven't I have a thoughtful tower

979
00:55:26,280 --> 00:55:28,759
Speaker 1: and my pants? Yeah, And then she goes, she says

980
00:55:28,760 --> 00:55:34,359
Speaker 1: something else, and you just gompla grapefruit. Grapefruit. That's all

981
00:55:34,440 --> 00:55:36,560
Speaker 1: you know is that's all you know is I have

982
00:55:36,640 --> 00:55:39,200
Speaker 1: an Eiffel tower in my pants and grape fruit. That

983
00:55:39,360 --> 00:55:44,440
Speaker 1: was very funny. And then uh, Kelso with a heart.

984
00:55:44,560 --> 00:55:49,080
Speaker 1: Kelso has a heart. That was that first of the

985
00:55:49,120 --> 00:55:51,600
Speaker 1: first times Kelso has a heart. Not only that, it

986
00:55:51,760 --> 00:55:54,880
Speaker 1: was so it was so it was so offsetting that

987
00:55:55,360 --> 00:55:58,319
Speaker 1: even Kelso has to comment, it's you know, the person

988
00:55:58,400 --> 00:56:01,680
Speaker 1: that he's talking to, this really doctor Kelso. He goes, yes,

989
00:56:01,760 --> 00:56:05,160
Speaker 1: that's really doctor Kelso. Yeah, that little kid warms his heart,

990
00:56:05,200 --> 00:56:07,440
Speaker 1: and he decides to let his father stay in the

991
00:56:07,520 --> 00:56:10,000
Speaker 1: hospital even though he doesn't have insurance. Well, his kid

992
00:56:10,120 --> 00:56:12,680
Speaker 1: reminds him how much he loves his son too. You know,

993
00:56:13,080 --> 00:56:15,759
Speaker 1: he loves his gay son as much as he makes

994
00:56:15,800 --> 00:56:18,239
Speaker 1: fun of his son. Yeah, as much as he makes

995
00:56:18,280 --> 00:56:21,560
Speaker 1: fun of him. The little boy reminds him of the goodness.

996
00:56:22,160 --> 00:56:25,440
Speaker 1: Make that face of my little puppy so cute. Are

997
00:56:25,480 --> 00:56:27,799
Speaker 1: we gonna break? And I'm gonna have a guest. We'll

998
00:56:27,840 --> 00:56:40,480
Speaker 1: be right back and we're bad back at fake doctor's

999
00:56:40,520 --> 00:56:49,480
Speaker 1: real friends. Let's welcome. Not tell your artis mad clear,

1000
00:56:51,120 --> 00:56:58,440
Speaker 1: definitely not her name, not Daglia, Madaglia, Madaglia. Let's welcome

1001
00:56:58,560 --> 00:57:05,480
Speaker 1: to tell you artes Medaglia, Ortiz, Medaglia or tez Ortiz.

1002
00:57:05,600 --> 00:57:17,320
Speaker 1: What is it the program? Thank you guys, Thank you

1003
00:57:17,440 --> 00:57:21,080
Speaker 1: Joel for picking me this week. Thank you you made it.

1004
00:57:21,200 --> 00:57:22,640
Speaker 1: You made it, You made it. By the way, Joel,

1005
00:57:22,720 --> 00:57:26,040
Speaker 1: has there been any incoming mail so far to the date?

1006
00:57:26,320 --> 00:57:30,920
Speaker 1: Joel Monique Gmail. Yeah, there's a couple of letters in there.

1007
00:57:30,960 --> 00:57:33,840
Speaker 1: I haven't opened them yet, so I don't know. You're

1008
00:57:34,160 --> 00:57:37,520
Speaker 1: you're eyeing, you're eyeing them, Joel, you're just eyeing them right. Well, listen,

1009
00:57:37,560 --> 00:57:40,480
Speaker 1: I want to remind everyone on the live show, which

1010
00:57:40,600 --> 00:57:43,520
Speaker 1: is going to happen m March twenty sixth, right, Joel,

1011
00:57:43,600 --> 00:57:47,360
Speaker 1: that's the date, Yes, March twenty sixth, and um, we're

1012
00:57:47,400 --> 00:57:50,200
Speaker 1: gonna have a segment called uh, I want to Date

1013
00:57:50,320 --> 00:57:53,520
Speaker 1: Joelle Monique and um, if you'd like to apply to

1014
00:57:53,720 --> 00:57:58,480
Speaker 1: be one of Joelle's suitors, you send an email to

1015
00:58:00,280 --> 00:58:04,840
Speaker 1: date Joel Monique at gmail dot com. That is correct,

1016
00:58:05,160 --> 00:58:07,600
Speaker 1: and her name is spelled j O E L L

1017
00:58:07,680 --> 00:58:11,960
Speaker 1: E m O n I q u E so um

1018
00:58:12,200 --> 00:58:16,400
Speaker 1: so so slide into her um uh email uh and

1019
00:58:16,720 --> 00:58:20,880
Speaker 1: write a very romantic and appropriate message and maybe you'll

1020
00:58:20,920 --> 00:58:23,240
Speaker 1: be selected to be one of the candidates on Date

1021
00:58:23,320 --> 00:58:27,840
Speaker 1: Joel Monique. But enough of that, Zach, Let's get to Natalia. Okay, Natalia,

1022
00:58:28,080 --> 00:58:31,760
Speaker 1: how are you welcome? Good Joel, I actually might have

1023
00:58:32,000 --> 00:58:36,320
Speaker 1: someone for you. He's my my goodness. I gotta put

1024
00:58:36,400 --> 00:58:38,880
Speaker 1: his hat in the rink because he's just like the

1025
00:58:39,440 --> 00:58:42,360
Speaker 1: most awesome human being in the world. He loves Star Wars.

1026
00:58:43,120 --> 00:58:47,640
Speaker 1: I have like movie quote like you know, trivia. How

1027
00:58:47,680 --> 00:58:55,760
Speaker 1: does he feel about jazz cabbage? He does Joel love

1028
00:58:55,840 --> 00:59:00,240
Speaker 1: it first Inhale. We've set the bar. So you like

1029
00:59:01,800 --> 00:59:06,280
Speaker 1: game over, Well, I'm sorry, but down to get you

1030
00:59:06,360 --> 00:59:09,880
Speaker 1: the first date. Listen, listen. You gotta have some common

1031
00:59:10,040 --> 00:59:13,600
Speaker 1: there's levels to this. There's levels. We gotta have common interests.

1032
00:59:13,640 --> 00:59:16,320
Speaker 1: The guys gotta love puppies, star Wars and weed or

1033
00:59:16,360 --> 00:59:18,600
Speaker 1: it's or the guy or gal sorry or this is

1034
00:59:18,680 --> 00:59:21,280
Speaker 1: a non starter. So we just need to know the basics.

1035
00:59:21,320 --> 00:59:23,160
Speaker 1: And that's how you're saying you may have a candidate.

1036
00:59:23,520 --> 00:59:25,680
Speaker 1: Well let's get him. Let's get him into the into

1037
00:59:25,760 --> 00:59:28,800
Speaker 1: the website. I mean, let's get him into the email box.

1038
00:59:29,720 --> 00:59:34,720
Speaker 1: Give him the email adject. All right, I'm all right, um, Natalia,

1039
00:59:34,840 --> 00:59:36,880
Speaker 1: do you have a question for us? Go ahead, I

1040
00:59:37,240 --> 00:59:39,960
Speaker 1: do actually have a couple of questions. You get to

1041
00:59:40,000 --> 00:59:43,080
Speaker 1: pick one. You get to pick one question. I'm gonna okay,

1042
00:59:43,200 --> 00:59:45,680
Speaker 1: Well see you don't agree. I'm of the school just

1043
00:59:45,840 --> 00:59:50,360
Speaker 1: audience that um that we we should The calls are

1044
00:59:50,400 --> 00:59:52,240
Speaker 1: getting no offense to un tell you, this is before

1045
00:59:52,280 --> 00:59:54,840
Speaker 1: we met you. The calls are getting a smidge in long,

1046
00:59:55,200 --> 00:59:58,520
Speaker 1: and we should do one question, and Donalds might be

1047
00:59:58,640 --> 01:00:00,880
Speaker 1: on the fence and say no, I prefer the two

1048
01:00:01,080 --> 01:00:06,640
Speaker 1: questions thing, right, Donald, Yeah, Well, we'll let the audience decide.

1049
01:00:06,760 --> 01:00:09,280
Speaker 1: If the audience says, you know what, guys, you fuck

1050
01:00:09,360 --> 01:00:11,360
Speaker 1: the whole show up. Go back to two questions. We will,

1051
01:00:11,520 --> 01:00:13,560
Speaker 1: but natality, you're going to be our pilot program of

1052
01:00:13,640 --> 01:00:18,240
Speaker 1: one question you're gonna get okay, all right, So I

1053
01:00:18,440 --> 01:00:21,280
Speaker 1: guess I'll go with the most important one. So I

1054
01:00:21,440 --> 01:00:23,080
Speaker 1: love films since I was eight years old. I've been

1055
01:00:23,080 --> 01:00:25,400
Speaker 1: actually studying it since I was a so like I

1056
01:00:25,480 --> 01:00:28,520
Speaker 1: studied Steven Spielberg, Kubrick and all these other directors. And

1057
01:00:29,400 --> 01:00:31,440
Speaker 1: I just have a question for you, Zach, how did you,

1058
01:00:31,920 --> 01:00:35,040
Speaker 1: uh like, when you first started directing, did you have

1059
01:00:35,280 --> 01:00:38,520
Speaker 1: like insecurities about it, like when you started, you know,

1060
01:00:38,560 --> 01:00:42,280
Speaker 1: when you directed Scrubs, where you like, Oh, even though

1061
01:00:42,320 --> 01:00:44,560
Speaker 1: I know these people, I'm a little bit, you know,

1062
01:00:45,200 --> 01:00:49,760
Speaker 1: scared about it. I've insecurities when I direct now and

1063
01:00:49,880 --> 01:00:52,480
Speaker 1: I've been doing it for a long time. How do

1064
01:00:52,560 --> 01:00:57,040
Speaker 1: you overcome that? Well? You um? Um. The way I

1065
01:00:57,200 --> 01:01:01,880
Speaker 1: overcome it, um is being super prepared, being the most

1066
01:01:02,000 --> 01:01:08,160
Speaker 1: prepared person on the set. I have to know more

1067
01:01:08,240 --> 01:01:12,400
Speaker 1: about the script I'm making than anybody else that's there.

1068
01:01:13,200 --> 01:01:16,200
Speaker 1: And also having the humility to know that you're not

1069
01:01:16,280 --> 01:01:19,560
Speaker 1: always going to know the answer, that you surround yourself

1070
01:01:19,600 --> 01:01:22,720
Speaker 1: with a team of people that are your brain trust,

1071
01:01:22,840 --> 01:01:25,280
Speaker 1: that you can that you can rely on. I can't

1072
01:01:25,280 --> 01:01:27,320
Speaker 1: do this all on my own, right, So it's about

1073
01:01:27,760 --> 01:01:31,240
Speaker 1: it's about bringing on a cinematographer who knows way more

1074
01:01:31,280 --> 01:01:34,160
Speaker 1: about photography than you do, and bringing on an actor

1075
01:01:34,440 --> 01:01:36,840
Speaker 1: or an actress who knows way more about acting than

1076
01:01:36,920 --> 01:01:42,680
Speaker 1: you do, surrounding yourself with amazing people and and and

1077
01:01:42,880 --> 01:01:46,240
Speaker 1: they're your support system. You're like, I can't you know,

1078
01:01:46,400 --> 01:01:48,560
Speaker 1: not every shot'll be amazing, but I can't fail with

1079
01:01:48,680 --> 01:01:51,320
Speaker 1: this cinematographer. Look at his or her work, it's amazing.

1080
01:01:52,320 --> 01:01:56,240
Speaker 1: This actress, oh my gosh, she's incredible if she's saying

1081
01:01:56,320 --> 01:01:58,960
Speaker 1: these words. So so what you do is you you

1082
01:01:59,040 --> 01:02:01,320
Speaker 1: get the best team together that you possibly can. And

1083
01:02:01,400 --> 01:02:03,400
Speaker 1: this could go for a big ass movie or a

1084
01:02:03,440 --> 01:02:05,800
Speaker 1: little short that you're going to make, um you know,

1085
01:02:05,920 --> 01:02:07,960
Speaker 1: with your with your friends, as you build your your

1086
01:02:08,000 --> 01:02:10,960
Speaker 1: reel and your resume. It's about bringing on a group

1087
01:02:11,000 --> 01:02:13,200
Speaker 1: of people that will support you in a in a

1088
01:02:13,320 --> 01:02:16,120
Speaker 1: positive way. And this goes for you know, obviously, any

1089
01:02:16,240 --> 01:02:18,640
Speaker 1: endeavor people take on it doesn't have to do with

1090
01:02:18,880 --> 01:02:21,000
Speaker 1: just filmmaking. But if you're going to be the leader,

1091
01:02:21,800 --> 01:02:25,400
Speaker 1: I would say getting to know the material as as

1092
01:02:25,640 --> 01:02:28,640
Speaker 1: as as well as you possibly can. And then and

1093
01:02:28,760 --> 01:02:31,960
Speaker 1: then having the humility to when a question comes up,

1094
01:02:32,120 --> 01:02:35,080
Speaker 1: turning to your team and going, I don't know, does

1095
01:02:35,160 --> 01:02:40,480
Speaker 1: anyone else have ideas? And that's all brainstorm together. Do

1096
01:02:40,520 --> 01:02:43,200
Speaker 1: you know what I mean? Yeah? No, I got it. Yeah,

1097
01:02:43,640 --> 01:02:46,080
Speaker 1: But insecurity doesn't go away. You know. I'm telling you

1098
01:02:46,200 --> 01:02:49,480
Speaker 1: like you're always going to I said the other day,

1099
01:02:49,480 --> 01:02:51,160
Speaker 1: and it's true. I get nervous when I'm dialing in

1100
01:02:51,240 --> 01:02:53,600
Speaker 1: to do this podcast because I want to do a

1101
01:02:53,640 --> 01:02:55,800
Speaker 1: good job. I want the show to be fun. I

1102
01:02:55,920 --> 01:02:58,320
Speaker 1: want everyone to enjoy it who's listening all around the world.

1103
01:02:59,480 --> 01:03:03,720
Speaker 1: But then then you sort of you you you channel it,

1104
01:03:03,880 --> 01:03:07,520
Speaker 1: you just step up and do it. I'm I'm willing

1105
01:03:07,600 --> 01:03:11,000
Speaker 1: to bet that Lebron James before he plays basketball still

1106
01:03:11,040 --> 01:03:14,160
Speaker 1: gets nervous. Yeah, I'm willing to bet. I'm willing to

1107
01:03:14,240 --> 01:03:17,520
Speaker 1: bet anybody I bet. I'm willing to bet any surgeon

1108
01:03:17,720 --> 01:03:21,080
Speaker 1: before they going to surgery go into surgery, even though

1109
01:03:21,120 --> 01:03:24,360
Speaker 1: they've done it several times, still gets a bit nervous.

1110
01:03:24,680 --> 01:03:26,800
Speaker 1: You know. I think that's I think that's a part

1111
01:03:26,840 --> 01:03:31,640
Speaker 1: of you know, who we are as humans. I think

1112
01:03:31,680 --> 01:03:35,000
Speaker 1: that's you know, the fear of failure or the fear

1113
01:03:35,080 --> 01:03:38,840
Speaker 1: of success can be debilitating something. And the fear of

1114
01:03:38,880 --> 01:03:41,840
Speaker 1: the unknown, you know. But yeah, the fear of the

1115
01:03:42,000 --> 01:03:48,960
Speaker 1: unknown can be debilitating sometimes. And it's up to you, Natalia,

1116
01:03:50,040 --> 01:03:53,360
Speaker 1: to say, Yo, you know what, I'm gonna step up

1117
01:03:53,520 --> 01:03:56,680
Speaker 1: and I'm gonna conquer this. Whether I fail or succeed,

1118
01:03:57,560 --> 01:04:01,280
Speaker 1: I'm still going to give my best. Bet Zach's way

1119
01:04:01,320 --> 01:04:04,000
Speaker 1: of doing it. It's perfect. I'm gonna prepare. I'm gonna

1120
01:04:04,040 --> 01:04:06,520
Speaker 1: prepare as much as I possibly can. Not only am

1121
01:04:06,520 --> 01:04:08,880
Speaker 1: I going to prepare when I get there, I'm gonna

1122
01:04:08,880 --> 01:04:14,840
Speaker 1: be willing to accept more information so that I can

1123
01:04:14,880 --> 01:04:18,800
Speaker 1: get the best from everybody. Yeah, that's a big thing

1124
01:04:18,880 --> 01:04:21,240
Speaker 1: to do. A lot of people can't do that. A

1125
01:04:21,320 --> 01:04:24,560
Speaker 1: lot of people feel like because I'm the director, I'm

1126
01:04:24,680 --> 01:04:28,439
Speaker 1: the boss, and therefore it's my way or the highway. Yeah.

1127
01:04:29,080 --> 01:04:32,000
Speaker 1: It never works, it don't. Yeah, I don't find that's

1128
01:04:32,000 --> 01:04:34,520
Speaker 1: a very effective way to It never really works well

1129
01:04:35,120 --> 01:04:39,720
Speaker 1: inspire people. You know. As a director, I think one

1130
01:04:39,760 --> 01:04:42,920
Speaker 1: of the main jobs you have is inspiring people to

1131
01:04:43,440 --> 01:04:45,880
Speaker 1: do their best work. You know, you don't want a

1132
01:04:45,960 --> 01:04:48,360
Speaker 1: set of people phoning it in, like, oh, I gotta

1133
01:04:48,400 --> 01:04:50,720
Speaker 1: fucking work on Antalis movie this weekend. You want a

1134
01:04:50,800 --> 01:04:53,280
Speaker 1: group of people that are like, oh shit, did you

1135
01:04:53,320 --> 01:04:55,080
Speaker 1: reading to tell you a script? It's really good. Yeah,

1136
01:04:55,120 --> 01:04:56,760
Speaker 1: h what are we shooting? We're gonna shoot in that bridge. Oh,

1137
01:04:56,800 --> 01:04:58,960
Speaker 1: that's gonna be so frecking cool. You want to surround

1138
01:04:59,000 --> 01:05:01,480
Speaker 1: yourself with people that they're as stoked as you are

1139
01:05:01,720 --> 01:05:03,480
Speaker 1: now when you're when you're starting out and you're working

1140
01:05:03,520 --> 01:05:05,880
Speaker 1: on smaller projects that will be your friends and your

1141
01:05:05,880 --> 01:05:07,880
Speaker 1: other and your classmates and whoever else is into it,

1142
01:05:08,120 --> 01:05:10,560
Speaker 1: and as you get into under the professional world, you

1143
01:05:10,600 --> 01:05:12,680
Speaker 1: don't want to hire anybody. You want to hire people

1144
01:05:12,720 --> 01:05:16,160
Speaker 1: that that really are believe in in in your project

1145
01:05:16,240 --> 01:05:18,280
Speaker 1: and are stoked about it. Doesn't feel like just to

1146
01:05:18,400 --> 01:05:20,400
Speaker 1: check to them. Of course the check is important, but

1147
01:05:20,520 --> 01:05:23,080
Speaker 1: they're passionate about it, and they and they want to

1148
01:05:23,160 --> 01:05:25,200
Speaker 1: and they want to do their best. They're inspired to

1149
01:05:25,280 --> 01:05:27,480
Speaker 1: do their best. And one of the main jobs of

1150
01:05:27,520 --> 01:05:30,440
Speaker 1: a filmmaker is to inspire everybody, is to get everyone

1151
01:05:30,560 --> 01:05:36,440
Speaker 1: riled up and be a be a cheerleader. Right, I mean, yeah,

1152
01:05:36,480 --> 01:05:39,800
Speaker 1: I get what you mean. I actually I work as

1153
01:05:39,840 --> 01:05:42,960
Speaker 1: like a freelance assistant director and also like a COVID

1154
01:05:43,000 --> 01:05:45,800
Speaker 1: compliance officer. And I've seen so many times like the

1155
01:05:45,920 --> 01:05:49,800
Speaker 1: director kind of like y'all at the ad or yell

1156
01:05:49,840 --> 01:05:51,640
Speaker 1: at me, you know, and it's just like, you know,

1157
01:05:51,800 --> 01:05:54,080
Speaker 1: I take it as like, Okay, he's he's stressed out,

1158
01:05:54,760 --> 01:05:57,120
Speaker 1: So I like, I already know my job is, so

1159
01:05:57,240 --> 01:06:00,640
Speaker 1: I kind of cool him down. Um. But I mean,

1160
01:06:00,840 --> 01:06:03,640
Speaker 1: I don't want to say it's unpleasant to work there,

1161
01:06:03,760 --> 01:06:06,520
Speaker 1: because like I understand that like the amun a work

1162
01:06:06,600 --> 01:06:10,400
Speaker 1: that carries on to them, you know. But it's also

1163
01:06:10,560 --> 01:06:13,200
Speaker 1: like sometimes it's like, oh, I have to go into this,

1164
01:06:13,520 --> 01:06:17,600
Speaker 1: this guy is well one of the best NAT tell

1165
01:06:17,640 --> 01:06:19,280
Speaker 1: you one of the best things, one of the best

1166
01:06:19,320 --> 01:06:21,360
Speaker 1: things I can say that you're already doing that. I

1167
01:06:21,560 --> 01:06:23,600
Speaker 1: recommend anyone that wants to be a filmmaker is as

1168
01:06:23,680 --> 01:06:26,160
Speaker 1: soon and as early as you can work on sets

1169
01:06:26,400 --> 01:06:29,120
Speaker 1: and whatever capacity you know you're working as a COVID

1170
01:06:29,200 --> 01:06:32,640
Speaker 1: compliance person. I've told everyone on the here before I

1171
01:06:32,760 --> 01:06:35,320
Speaker 1: was a PA on music videos and commercials, and the

1172
01:06:35,440 --> 01:06:38,880
Speaker 1: best education four years at Northwestern Film School didn't teach

1173
01:06:38,960 --> 01:06:43,040
Speaker 1: me anything compared to what I learned peeing on music

1174
01:06:43,160 --> 01:06:46,400
Speaker 1: videos at the end of the nineties in Manhattan for

1175
01:06:46,520 --> 01:06:51,520
Speaker 1: like twenty four hour shifts. That's the education. So I think,

1176
01:06:51,640 --> 01:06:54,520
Speaker 1: nattell you, since you're an aspiring filmmaker, one of the

1177
01:06:54,520 --> 01:06:56,440
Speaker 1: things that's going to happen is when you're on these sets,

1178
01:06:57,480 --> 01:06:59,360
Speaker 1: as it happened with Donald and I on scrubs, I

1179
01:06:59,400 --> 01:07:01,640
Speaker 1: would go, oh, I don't I don't really like the

1180
01:07:01,720 --> 01:07:04,280
Speaker 1: way that person's talking to the crew. I'm not going

1181
01:07:04,320 --> 01:07:06,959
Speaker 1: to be like that. I don't really like the way

1182
01:07:07,600 --> 01:07:10,160
Speaker 1: that that producer is dealing with everyone. When it's my set,

1183
01:07:10,240 --> 01:07:12,600
Speaker 1: that shit's not going to happen. So you can you're

1184
01:07:12,720 --> 01:07:15,720
Speaker 1: digesting all of this stuff, and you know, on scrubs

1185
01:07:15,760 --> 01:07:17,360
Speaker 1: it was amazing. We had a different director every week,

1186
01:07:17,760 --> 01:07:19,800
Speaker 1: so I would be like, oh, I love this director.

1187
01:07:19,840 --> 01:07:21,880
Speaker 1: I learned so much from Ooh this director. I don't

1188
01:07:21,920 --> 01:07:23,280
Speaker 1: like the way he talks to the actors. I don't

1189
01:07:23,280 --> 01:07:24,680
Speaker 1: like the way he talks to the DP. I'm gonna

1190
01:07:24,720 --> 01:07:27,320
Speaker 1: I'm not gonna be like that. So it was all learning,

1191
01:07:27,440 --> 01:07:31,280
Speaker 1: all learning, learning, learning, and digesting right right, Yeah, definitely

1192
01:07:31,640 --> 01:07:34,680
Speaker 1: that Actually that helps a lot. Um Thank you, so

1193
01:07:34,840 --> 01:07:36,400
Speaker 1: look at it, even you're welcome, and even when you

1194
01:07:36,440 --> 01:07:39,080
Speaker 1: have a shitty day and someone's being a jerk, just

1195
01:07:39,400 --> 01:07:42,280
Speaker 1: kind of I mean, obviously, if it's crosses a line,

1196
01:07:42,440 --> 01:07:44,440
Speaker 1: you fucking report them to HR. But as long as

1197
01:07:44,480 --> 01:07:46,800
Speaker 1: it's like just some somebody being a jerk on set

1198
01:07:47,200 --> 01:07:49,240
Speaker 1: in a normal way. People are jerks at any job,

1199
01:07:49,720 --> 01:07:51,600
Speaker 1: you know, just just look at it, like I'm learning,

1200
01:07:51,840 --> 01:07:54,160
Speaker 1: I'm digesting. That's not the way I'm going to do

1201
01:07:54,200 --> 01:07:56,120
Speaker 1: it when I'm running my own sets. You know, just

1202
01:07:56,200 --> 01:07:59,800
Speaker 1: look at everything as a learning experience. Well. I graduated

1203
01:08:00,080 --> 01:08:04,480
Speaker 1: US year in May, um, like I had a COVID graduation,

1204
01:08:04,600 --> 01:08:09,040
Speaker 1: and like you know, even before, like like working on

1205
01:08:09,160 --> 01:08:11,760
Speaker 1: my little student phones, I saw the way that people were,

1206
01:08:12,280 --> 01:08:14,200
Speaker 1: you know, the way the personalities and the way that

1207
01:08:14,240 --> 01:08:16,400
Speaker 1: they were. Like I'm like, okay, I have to kind

1208
01:08:16,439 --> 01:08:18,600
Speaker 1: of learn, like kind of learn how to deal with

1209
01:08:18,680 --> 01:08:22,599
Speaker 1: these personalities. You know. That's how I kind of work

1210
01:08:22,720 --> 01:08:26,439
Speaker 1: with it. And I mean and in my head, I'm like,

1211
01:08:26,680 --> 01:08:28,439
Speaker 1: oh my god. If I was if I was like

1212
01:08:28,520 --> 01:08:31,439
Speaker 1: the director and I peeped this, I would have been like, no,

1213
01:08:31,840 --> 01:08:34,439
Speaker 1: don't don't do this. No I had um, I had

1214
01:08:34,560 --> 01:08:37,000
Speaker 1: someone who was boom who's you know, booming and like

1215
01:08:37,240 --> 01:08:39,360
Speaker 1: they were talking in the middle of shooting and I

1216
01:08:39,560 --> 01:08:41,160
Speaker 1: was just like I had to take them to the

1217
01:08:41,200 --> 01:08:43,640
Speaker 1: side and be like, I was like, look, I know

1218
01:08:43,760 --> 01:08:46,360
Speaker 1: you don't want to be here, but you know this

1219
01:08:46,560 --> 01:08:50,160
Speaker 1: is our assignment and you know we kind of have to,

1220
01:08:50,400 --> 01:08:54,080
Speaker 1: you know, just trying to be uh neutral, you know, um,

1221
01:08:54,840 --> 01:08:57,880
Speaker 1: not be bossy because it's hard. But but it's hard

1222
01:08:57,960 --> 01:09:01,240
Speaker 1: because like there's a there's like a lot between being

1223
01:09:01,320 --> 01:09:08,800
Speaker 1: bossy and being like say it, you know, being a

1224
01:09:08,880 --> 01:09:14,160
Speaker 1: what being nice? You have to be a leader. You

1225
01:09:14,240 --> 01:09:16,280
Speaker 1: have to be a leader at the end of the day. Leader.

1226
01:09:16,320 --> 01:09:18,880
Speaker 1: A leader isn't always a nice person though too. You

1227
01:09:19,000 --> 01:09:21,799
Speaker 1: must remember that a leader is somebody who can motivate

1228
01:09:21,920 --> 01:09:28,639
Speaker 1: people to do what is necessary to fulfill a task. Right.

1229
01:09:28,880 --> 01:09:32,160
Speaker 1: That's a leader. Right, So you don't necessarily have to

1230
01:09:32,240 --> 01:09:36,960
Speaker 1: be all freaking happy, go lucky to get the task done.

1231
01:09:37,240 --> 01:09:40,800
Speaker 1: It's preferred that it's that way. But if somebody's having

1232
01:09:40,840 --> 01:09:45,439
Speaker 1: a problem getting the understanding the message that you are

1233
01:09:45,560 --> 01:09:49,960
Speaker 1: sending and is not getting the job done, if all

1234
01:09:50,120 --> 01:09:53,960
Speaker 1: is exhausted, then sometimes you have to be a little

1235
01:09:53,960 --> 01:09:57,200
Speaker 1: bit aggressive with how you explain things that doesn't mean

1236
01:09:57,280 --> 01:09:59,519
Speaker 1: put your hands on them obviously, but it definitely means

1237
01:09:59,600 --> 01:10:02,240
Speaker 1: raising boys, and it definitely means being a little bit

1238
01:10:02,800 --> 01:10:05,599
Speaker 1: of an authoritarian on that parton that Yeah, I think

1239
01:10:05,600 --> 01:10:08,200
Speaker 1: of it like I think of it sometimes. Um, sometimes

1240
01:10:08,280 --> 01:10:10,640
Speaker 1: the job is being a coach in a sense that

1241
01:10:10,760 --> 01:10:14,720
Speaker 1: think of the coach getting the impassioned, stern fucking pep

1242
01:10:14,800 --> 01:10:18,439
Speaker 1: talk at halftime. That's what you call it, right halftime. Yeah,

1243
01:10:18,479 --> 01:10:20,840
Speaker 1: you got it. You gotta halftime speak, you got it. Yeah.

1244
01:10:20,960 --> 01:10:23,680
Speaker 1: So so there's times where you, as as a filmmaker,

1245
01:10:23,960 --> 01:10:28,240
Speaker 1: um Natalia will need to give people that impassioned you know.

1246
01:10:38,439 --> 01:10:40,960
Speaker 1: So it gets a little complicated because I'm a woman,

1247
01:10:41,640 --> 01:10:46,080
Speaker 1: you know, I you know, say something or I give

1248
01:10:46,120 --> 01:10:48,519
Speaker 1: a command, and to them it's like, oh, she's being emotional,

1249
01:10:48,720 --> 01:10:51,120
Speaker 1: she's being like bitchy. Like there's always those words that

1250
01:10:51,240 --> 01:10:54,880
Speaker 1: kind of like float around. And I've experienced on a

1251
01:10:54,960 --> 01:10:57,519
Speaker 1: set where like I'm I'm you know, I'm I do

1252
01:10:57,680 --> 01:11:01,920
Speaker 1: grip work too. I'm like, you know, guy, the guys

1253
01:11:01,920 --> 01:11:04,439
Speaker 1: would just be like, oh, you're too delicate for that.

1254
01:11:04,520 --> 01:11:06,280
Speaker 1: It's okay, you don't have to do that, you know,

1255
01:11:06,360 --> 01:11:08,200
Speaker 1: And I just I'm just like I could do it

1256
01:11:08,360 --> 01:11:14,280
Speaker 1: like I couldn't lift school too, So I know I

1257
01:11:14,320 --> 01:11:17,040
Speaker 1: have a ton of women who are especially you know,

1258
01:11:17,320 --> 01:11:20,400
Speaker 1: you're very petite, and like petite women are often like

1259
01:11:21,080 --> 01:11:23,240
Speaker 1: You're like they go to lift something, they're like, oh don't, don't,

1260
01:11:23,240 --> 01:11:25,599
Speaker 1: I got it. No, mother effer, get off of my stuff,

1261
01:11:25,840 --> 01:11:27,840
Speaker 1: and my job's like order, this is what I'm doing.

1262
01:11:29,560 --> 01:11:33,120
Speaker 1: You're telling me it took a woman's right situation for

1263
01:11:33,200 --> 01:11:36,880
Speaker 1: you to freaking say mother effer instead of saying, motherfucker.

1264
01:11:37,200 --> 01:11:39,519
Speaker 1: Are you kidding me? Right now, all of a sudden,

1265
01:11:39,560 --> 01:11:42,320
Speaker 1: you're gonna get PC, But now the time to be

1266
01:11:42,400 --> 01:11:46,439
Speaker 1: as passionate as a motherfucker for a point to the

1267
01:11:46,520 --> 01:11:48,200
Speaker 1: telly this point, you're trying not to swear at these

1268
01:11:48,240 --> 01:11:51,240
Speaker 1: people because they're your colleagues, right and the Holly. The

1269
01:11:51,240 --> 01:11:53,640
Speaker 1: best advice I got from a woman on set was like,

1270
01:11:54,240 --> 01:11:57,720
Speaker 1: remember their names and just do your job. Eventually he

1271
01:11:57,760 --> 01:12:00,439
Speaker 1: will be in a hiring position, right if you're going

1272
01:12:00,479 --> 01:12:02,200
Speaker 1: to be the director, you're gonna be approving your cruise,

1273
01:12:02,240 --> 01:12:05,120
Speaker 1: You're gonna be hiring people. Just remember their names, go

1274
01:12:05,160 --> 01:12:07,400
Speaker 1: about your business. There's nothing you can do about it

1275
01:12:07,720 --> 01:12:09,360
Speaker 1: if they don't do what you tell them to be like,

1276
01:12:09,840 --> 01:12:11,479
Speaker 1: all right, well, I'm find someone else to do it.

1277
01:12:11,560 --> 01:12:13,519
Speaker 1: We have to keep moving. You know, you can't. You

1278
01:12:13,560 --> 01:12:15,519
Speaker 1: can't force someone to do the work, but you can

1279
01:12:15,560 --> 01:12:19,160
Speaker 1: absolutely not hire them when it's time to do that.

1280
01:12:19,360 --> 01:12:20,960
Speaker 1: By the way, I love it when I see female

1281
01:12:21,040 --> 01:12:23,320
Speaker 1: grips and electrics. That's they're so the most bad ass

1282
01:12:23,479 --> 01:12:25,880
Speaker 1: ye remembers ever. When they're all geared up with their

1283
01:12:25,920 --> 01:12:29,200
Speaker 1: tools and their belts, they look like badasses. Yeah. That

1284
01:12:29,560 --> 01:12:35,439
Speaker 1: that and camera operators too, Yeah, fer I love it.

1285
01:12:35,720 --> 01:12:38,240
Speaker 1: I love it. I'm working on a show right now

1286
01:12:38,360 --> 01:12:43,040
Speaker 1: that has hired so many women, and it's very diverse,

1287
01:12:43,360 --> 01:12:45,360
Speaker 1: and I'm really happy to be a part of it,

1288
01:12:46,680 --> 01:12:50,720
Speaker 1: and and and and so to see that is so

1289
01:12:51,680 --> 01:12:55,760
Speaker 1: fricking awesome because all we're doing is telling stories, and

1290
01:12:55,880 --> 01:13:00,200
Speaker 1: anybody could tell the story. Am I wrong? Why is

1291
01:13:00,240 --> 01:13:04,320
Speaker 1: the lie wrong? All right? But in terms of our

1292
01:13:04,360 --> 01:13:09,519
Speaker 1: all our other genius advice, you're welcome. You're so, you're welcome,

1293
01:13:09,880 --> 01:13:11,800
Speaker 1: and we wish you luck and please hire us all

1294
01:13:12,040 --> 01:13:14,519
Speaker 1: one day. By the way, this this fan do a

1295
01:13:14,600 --> 01:13:16,880
Speaker 1: fan art picture of us that Donald and I both

1296
01:13:16,920 --> 01:13:19,760
Speaker 1: put on our stories and it was a really good drawing,

1297
01:13:19,800 --> 01:13:22,919
Speaker 1: really talented artist. But then I zoomed in on Donald's

1298
01:13:22,960 --> 01:13:25,960
Speaker 1: growing and I don't know if it's a crinkle in

1299
01:13:26,080 --> 01:13:31,880
Speaker 1: the artcurate. It just shows that the artists chose to

1300
01:13:31,960 --> 01:13:36,360
Speaker 1: give Donald's quite a bulge and did not give any

1301
01:13:36,439 --> 01:13:40,000
Speaker 1: of that attention to my scrubs. Wasn't there a story

1302
01:13:40,400 --> 01:13:45,720
Speaker 1: about some type of CGI around the growing area of

1303
01:13:45,960 --> 01:13:49,280
Speaker 1: a young Donald Phazon? From what I heard from Randall,

1304
01:13:49,600 --> 01:13:51,880
Speaker 1: Randal didn't bring that up. Randon didn't bring that up.

1305
01:13:52,240 --> 01:13:55,080
Speaker 1: Randon didn't bring that up. Rand say that this artist,

1306
01:13:55,200 --> 01:13:58,240
Speaker 1: if you zoom in like I did on Donald's area,

1307
01:14:00,080 --> 01:14:03,720
Speaker 1: he probably did you? Did you? What's the opposite of

1308
01:14:03,760 --> 01:14:11,680
Speaker 1: did you dirty? Did you? Did you? But she or

1309
01:14:11,760 --> 01:14:17,600
Speaker 1: she did me dirty? Yeah? No wrinkle, I got no

1310
01:14:18,000 --> 01:14:25,000
Speaker 1: wrinkle anyway. Anyway, the movie is this, No Dogs, No Chopper. Oh,

1311
01:14:25,240 --> 01:14:27,360
Speaker 1: this is the best movie ever. Down down Beverly Hills.

1312
01:14:27,360 --> 01:14:33,000
Speaker 1: That's the late Great the Little Richard, Great Little Richard.

1313
01:14:33,240 --> 01:14:35,960
Speaker 1: Little Richard plays their neighbor and this Beverly Hills, uh,

1314
01:14:36,280 --> 01:14:39,960
Speaker 1: you know, neighborhood. And he feels like he's getting treated

1315
01:14:40,000 --> 01:14:44,400
Speaker 1: like shit because he's black, and uh, no choppers and

1316
01:14:44,520 --> 01:14:49,160
Speaker 1: the white dogs white, the white family. The white family

1317
01:14:49,240 --> 01:14:51,600
Speaker 1: calls the police, and there's like dogs and choppers and

1318
01:14:51,680 --> 01:14:54,000
Speaker 1: like a swat team, and little Richard comes out, he

1319
01:14:54,160 --> 01:14:56,599
Speaker 1: was I had a burglar in my house. There were

1320
01:14:56,680 --> 01:15:01,880
Speaker 1: no dogs, no chopp do you well have you seen

1321
01:15:01,920 --> 01:15:05,760
Speaker 1: that movie? I have not seen that. Beverly Hills, Joel,

1322
01:15:06,439 --> 01:15:11,080
Speaker 1: Joel Hills when you got to watch Down and Now

1323
01:15:11,080 --> 01:15:13,839
Speaker 1: on Beverly Hills, And I remember the dad's Richard Dryfuss

1324
01:15:13,920 --> 01:15:16,560
Speaker 1: is the father, and he's amazing, and he's made his

1325
01:15:16,640 --> 01:15:20,280
Speaker 1: money off hangers. And he has this monologue where he's

1326
01:15:20,760 --> 01:15:24,679
Speaker 1: where he screams at his son. He's his son's being ungrateful.

1327
01:15:24,680 --> 01:15:28,640
Speaker 1: He's like, it's hangers that clothe you, it's hangers that

1328
01:15:29,000 --> 01:15:34,120
Speaker 1: feed you. It's an amazing movie. I highly recommend it.

1329
01:15:34,400 --> 01:15:36,679
Speaker 1: I laughed a lot at that movie. And little Richard

1330
01:15:36,840 --> 01:15:40,559
Speaker 1: it's Bett Midler too, right, Bett Middler, Yeah, Bett Midler

1331
01:15:40,880 --> 01:15:48,120
Speaker 1: and Richard Richard Dryfuss, Um, Little Richard Richard, the dog

1332
01:15:48,320 --> 01:15:53,360
Speaker 1: and the dog and the little chopper no stoppers. All right,

1333
01:15:54,320 --> 01:15:56,240
Speaker 1: you can stay on on the tale because I think

1334
01:15:56,280 --> 01:15:57,640
Speaker 1: we did it. We did the show. We did it.

1335
01:15:57,800 --> 01:16:00,559
Speaker 1: We totally did it. Um. Don't forget to email Joel

1336
01:16:00,640 --> 01:16:02,439
Speaker 1: if you want to be a contestant on day Joel,

1337
01:16:02,680 --> 01:16:04,679
Speaker 1: and don't forget to buy a ticket to the live show,

1338
01:16:04,760 --> 01:16:06,880
Speaker 1: which is March twenty sixth. Where do they go, Juell

1339
01:16:06,960 --> 01:16:09,200
Speaker 1: to buy a ticket? Oh boy, I want to remember

1340
01:16:09,320 --> 01:16:12,960
Speaker 1: this because it's such a difficult way to say it. Okay,

1341
01:16:13,000 --> 01:16:16,960
Speaker 1: you gotta make it simpler on location Live doctor too much?

1342
01:16:17,320 --> 01:16:19,439
Speaker 1: Can it be like fake Doctor's live show? Is there

1343
01:16:19,439 --> 01:16:20,720
Speaker 1: a way we can make it so that take this

1344
01:16:20,840 --> 01:16:23,080
Speaker 1: type fake Doctor's live show, and that's how to give

1345
01:16:23,120 --> 01:16:25,559
Speaker 1: I'm sure if you google that it will pop up.

1346
01:16:25,760 --> 01:16:29,879
Speaker 1: But the address is on locationlive dot com, slash product

1347
01:16:30,040 --> 01:16:33,679
Speaker 1: slash Fake Doctor's Real Friends. That's a lot. Okay, listen,

1348
01:16:33,800 --> 01:16:35,360
Speaker 1: it is, but I put it in the show notes

1349
01:16:35,720 --> 01:16:38,519
Speaker 1: what it is every episode? Well, can't you do like

1350
01:16:38,640 --> 01:16:41,719
Speaker 1: a link tree thing? Can't you do like a bite

1351
01:16:41,880 --> 01:16:44,400
Speaker 1: or something? Okay, listen, I will put a link tree

1352
01:16:44,439 --> 01:16:47,439
Speaker 1: on my Instagram so you guys can find it. We'll

1353
01:16:47,479 --> 01:16:49,840
Speaker 1: put links on our Instagram, Joel, send us links to

1354
01:16:49,880 --> 01:16:53,519
Speaker 1: put on our Instagram headers. All right, everybody, we love

1355
01:16:54,200 --> 01:17:02,800
Speaker 1: thanks for coming on. And we made about a bunch

1356
01:17:02,840 --> 01:17:06,639
Speaker 1: of doctor nurses and a janitor who little bit I said,

1357
01:17:06,720 --> 01:17:12,760
Speaker 1: he just stories nephews should go. So gather around you

1358
01:17:13,000 --> 01:17:17,240
Speaker 1: here are gather around you here irexpect free watch your

1359
01:17:17,320 --> 01:17:20,759
Speaker 1: wins a time no, mm hmmm