1 00:00:00,200 --> 00:00:04,280 Speaker 1: Hello the Internet, and welcome to this episode of trend 2 00:00:04,400 --> 00:00:08,600 Speaker 1: Manuel Miranda. It's it's been a long time coming that 3 00:00:08,680 --> 00:00:13,399 Speaker 1: we give lin Manuel Miranda his his flowers on this trending. 4 00:00:13,440 --> 00:00:16,439 Speaker 1: I'm jack that over there. Well that is TDZ writer 5 00:00:16,640 --> 00:00:22,160 Speaker 1: J M mcnap. No, not much. We spent about thirty 6 00:00:22,160 --> 00:00:27,240 Speaker 1: minutes talking about lin Manuel Miranda and like just how 7 00:00:28,040 --> 00:00:31,760 Speaker 1: like no one has ever gone from like people think 8 00:00:31,800 --> 00:00:37,879 Speaker 1: he's cool to just like being transparently corny, like so quickly, um, 9 00:00:38,120 --> 00:00:40,839 Speaker 1: in such a brief period of time. But I couldn't 10 00:00:40,840 --> 00:00:44,199 Speaker 1: remember like how we got to that. We we started 11 00:00:44,200 --> 00:00:46,240 Speaker 1: off at like as we were going through the trends 12 00:00:46,320 --> 00:00:50,320 Speaker 1: talking about that his appearance on House. Were you a 13 00:00:50,320 --> 00:00:53,680 Speaker 1: House fan? Jam, Yeah, I've seen it. I remember being one. 14 00:00:53,960 --> 00:00:57,480 Speaker 1: I remember like people's parents watching it, but yeah I didn't. 15 00:00:58,440 --> 00:01:00,600 Speaker 1: I know people loved Hugh Laurie, but I just remember 16 00:01:00,600 --> 00:01:07,679 Speaker 1: thinking his American accents sounded kind of odd. Yeah, yeah, 17 00:01:07,800 --> 00:01:10,080 Speaker 1: I might have to see it again, but I really 18 00:01:10,120 --> 00:01:11,880 Speaker 1: want to watch this. I want to watch the lin 19 00:01:11,920 --> 00:01:14,880 Speaker 1: Manuel Miranda ar so liman. Like at one point House 20 00:01:14,959 --> 00:01:20,600 Speaker 1: becomes addicted to vicodins or percocets, uh, and he is 21 00:01:20,680 --> 00:01:25,600 Speaker 1: like in a rehab that, like that show was for 22 00:01:25,600 --> 00:01:30,319 Speaker 1: for being ostensibly a medical drama, had like the most 23 00:01:30,440 --> 00:01:34,120 Speaker 1: basic ass like five year old understanding of how like 24 00:01:34,240 --> 00:01:37,840 Speaker 1: medicine works, because like the house goes to like a 25 00:01:37,880 --> 00:01:43,080 Speaker 1: psych word for his rehab and like li Manuel Miranda 26 00:01:43,400 --> 00:01:48,080 Speaker 1: is like pathologically annoying, is like that seems to be 27 00:01:48,120 --> 00:01:51,320 Speaker 1: what he suffers from. He's his roommate. Um. And he's 28 00:01:51,360 --> 00:01:54,080 Speaker 1: also a rapper who like doesn't have his flow, like 29 00:01:54,200 --> 00:01:57,920 Speaker 1: needs houses help to like get his flow back. Um 30 00:01:58,000 --> 00:02:02,920 Speaker 1: and all very very embarrassed, like just so cringe, which 31 00:02:02,920 --> 00:02:05,560 Speaker 1: I haven't seen it, but I'm a hundred percent sure 32 00:02:05,720 --> 00:02:09,000 Speaker 1: someone gets cured with the power of music at some point. 33 00:02:09,000 --> 00:02:13,000 Speaker 1: I believe he does have his flowback by the end. Um. 34 00:02:13,040 --> 00:02:15,560 Speaker 1: But anyways, wrapped all the way around, we're looking for 35 00:02:15,600 --> 00:02:19,480 Speaker 1: a sixth trend and lo and behold the Little Mermaid 36 00:02:19,560 --> 00:02:25,040 Speaker 1: teaser dropped. Um. And I believe Li Manuel Miranda is 37 00:02:25,160 --> 00:02:29,519 Speaker 1: adding raps to this one because like all children, I 38 00:02:29,560 --> 00:02:32,400 Speaker 1: think he just got like first whack at all children's 39 00:02:32,440 --> 00:02:36,680 Speaker 1: content that has been made over the past ten years. 40 00:02:37,320 --> 00:02:40,440 Speaker 1: I mean, I know he's he's a little embarrassing, and 41 00:02:40,520 --> 00:02:43,800 Speaker 1: maybe he's not doing his best work, but the amount 42 00:02:43,880 --> 00:02:48,600 Speaker 1: of times like I've pacified screaming children with the Moana soundtrack, 43 00:02:49,360 --> 00:02:54,040 Speaker 1: I feel like earns some kind of award that's not 44 00:02:54,120 --> 00:02:57,760 Speaker 1: a Tony uh yes, but he yeah. He Also he 45 00:02:57,800 --> 00:03:01,239 Speaker 1: also produced The Little Mermaid and uh, I guess he's 46 00:03:01,320 --> 00:03:07,120 Speaker 1: he might be playing Chef Louis. It's like and like 47 00:03:07,160 --> 00:03:10,680 Speaker 1: a testament to his character that he managed to stop 48 00:03:10,760 --> 00:03:14,800 Speaker 1: himself from casting himself as Prince Eric, because that is 49 00:03:15,160 --> 00:03:18,960 Speaker 1: like he is always putting himself in places in his 50 00:03:19,040 --> 00:03:22,720 Speaker 1: productions where like Hamilton's. He made himself Hamilton's even though 51 00:03:22,720 --> 00:03:26,200 Speaker 1: he was like the worst actor by far out of 52 00:03:26,240 --> 00:03:30,720 Speaker 1: the bunch um and it showed. It was like all right. 53 00:03:30,800 --> 00:03:33,520 Speaker 1: When I finally saw it, I was like, wait, why 54 00:03:33,600 --> 00:03:36,840 Speaker 1: is nobody talking about the fact that he's like he's 55 00:03:36,920 --> 00:03:42,720 Speaker 1: so bad and like not charismatic but like that, so 56 00:03:43,200 --> 00:03:46,520 Speaker 1: we just kind of let it slide um great ways. 57 00:03:46,560 --> 00:03:48,800 Speaker 1: I was like, I'm not gonna sit here and pretend 58 00:03:48,840 --> 00:03:51,600 Speaker 1: like I wasn't into Hamilton's when when it first came out, 59 00:03:51,640 --> 00:03:57,280 Speaker 1: I was, I I am a horrible white like all 60 00:03:57,320 --> 00:04:00,480 Speaker 1: the rest was into it. Well, also, he has become 61 00:04:00,600 --> 00:04:03,480 Speaker 1: just like the Disney guy now it seems like because 62 00:04:03,480 --> 00:04:06,960 Speaker 1: he was in like the Mary Poppins that was another 63 00:04:07,000 --> 00:04:11,680 Speaker 1: like low bar kind of uh job because he cast 64 00:04:11,880 --> 00:04:14,920 Speaker 1: he was like the chimney sweep kind of guy. Yeah, 65 00:04:14,960 --> 00:04:16,880 Speaker 1: which and he didn't have a great accent, but it 66 00:04:16,960 --> 00:04:18,880 Speaker 1: was still like, you know, the bar was Dick van 67 00:04:18,960 --> 00:04:25,640 Speaker 1: Dyke the worst accents. Uh. So, anyways, we got the 68 00:04:25,640 --> 00:04:29,360 Speaker 1: Little Mermaid teaser. I was very curious to see who 69 00:04:29,440 --> 00:04:31,800 Speaker 1: they were going to put in the Prince Eric role 70 00:04:32,160 --> 00:04:35,800 Speaker 1: because Prince Eric has always stood out to me as 71 00:04:36,760 --> 00:04:41,520 Speaker 1: one of the least charismatic animated characters of all time. 72 00:04:41,720 --> 00:04:44,480 Speaker 1: Like he for whatever reason, like he has like some 73 00:04:44,560 --> 00:04:49,600 Speaker 1: real Pete samprasass energy, like and and he came out 74 00:04:49,640 --> 00:04:53,280 Speaker 1: like Pete Sampras was like the the boring tennis star 75 00:04:53,480 --> 00:04:58,599 Speaker 1: all like the boring answer to Andre Agacy, like in 76 00:04:58,640 --> 00:05:03,880 Speaker 1: the early nineties, just like it's a it. But so 77 00:05:03,960 --> 00:05:05,839 Speaker 1: it was a Little Mermaid. So I mean, you're gonna 78 00:05:05,839 --> 00:05:07,240 Speaker 1: tell me you know the Little Mermaid, but you don't 79 00:05:07,240 --> 00:05:14,120 Speaker 1: know Pete Sampras. Yeah, um, it's a real boring ass person. 80 00:05:14,200 --> 00:05:15,599 Speaker 1: So I was curious what they were going to do 81 00:05:15,640 --> 00:05:18,200 Speaker 1: with that, because yeah, I thought he looked kind of 82 00:05:18,200 --> 00:05:21,119 Speaker 1: like a young Bob Sagga. He's definitely got some sag 83 00:05:21,120 --> 00:05:24,960 Speaker 1: it to him too, But yeah, also looks like he 84 00:05:25,000 --> 00:05:29,240 Speaker 1: could smash aforehand. You know, they should just like when 85 00:05:29,320 --> 00:05:32,000 Speaker 1: I intended it this, she was just had like a 86 00:05:32,040 --> 00:05:34,919 Speaker 1: c G I young Pete Sampras for this movie. But 87 00:05:34,920 --> 00:05:37,440 Speaker 1: it's some guy I don't I don't even remember his name. 88 00:05:37,520 --> 00:05:40,120 Speaker 1: I've never heard of him before. Yeah, just some twenty 89 00:05:40,160 --> 00:05:42,880 Speaker 1: seven year old former Disney actor or maybe not. I 90 00:05:42,920 --> 00:05:46,880 Speaker 1: don't even know. I just they wanted Harry Styles apparently, 91 00:05:47,000 --> 00:05:53,479 Speaker 1: but he said no wisely. Anyways, it looks cool, Sure, 92 00:05:53,839 --> 00:05:56,960 Speaker 1: let's do it. Um. I still don't know like what 93 00:05:57,000 --> 00:05:59,760 Speaker 1: they're going to do with Sebastian or flounder, like be 94 00:06:00,040 --> 00:06:03,560 Speaker 1: as the problem that we all saw with Lion King. 95 00:06:03,680 --> 00:06:06,680 Speaker 1: Although it made all the money in the world and 96 00:06:06,760 --> 00:06:10,520 Speaker 1: his top ten most box office of any movie, it's 97 00:06:10,520 --> 00:06:14,279 Speaker 1: still was not great. And it was because you couldn't 98 00:06:14,960 --> 00:06:19,680 Speaker 1: have emotions coming out like these live animals. Like you 99 00:06:19,680 --> 00:06:21,479 Speaker 1: can make it look like their mouths were moving, but 100 00:06:21,520 --> 00:06:24,200 Speaker 1: you weren't going to make it look like they were 101 00:06:24,520 --> 00:06:29,520 Speaker 1: suffering from the same emotions as Hamlet. You know, Yeah, 102 00:06:29,800 --> 00:06:34,200 Speaker 1: Sebastian is a crab. Rights as a crab, Like, how 103 00:06:34,240 --> 00:06:37,680 Speaker 1: are you going to make a crab charming? I'm disgusting. 104 00:06:38,640 --> 00:06:43,040 Speaker 1: Crabs are scary, man anyways, So they still haven't answered that. 105 00:06:43,800 --> 00:06:46,479 Speaker 1: Um but like, I don't know, Ariel looks cool and 106 00:06:46,520 --> 00:06:49,039 Speaker 1: ship and like the underwater stuff. I'm a sucker for 107 00:06:49,120 --> 00:06:54,599 Speaker 1: underwater stuff. So that's been teaser corner. Raquel Welsh has died. 108 00:06:55,320 --> 00:06:59,839 Speaker 1: I know that she was a famous actress in the 109 00:07:00,040 --> 00:07:03,400 Speaker 1: sevent d s. What what what can you tell me? Jam? 110 00:07:03,800 --> 00:07:06,960 Speaker 1: I mean, I you know, her kind of height of 111 00:07:07,000 --> 00:07:09,040 Speaker 1: fame I guess was a little before our time, but 112 00:07:09,120 --> 00:07:13,080 Speaker 1: like I certainly remember seeing her and when I'd watch 113 00:07:13,120 --> 00:07:15,920 Speaker 1: old movies with my parents, like you know, Fantastic Voyage 114 00:07:16,280 --> 00:07:19,480 Speaker 1: and stuff like that. Um, yeah, she was like, uh 115 00:07:19,960 --> 00:07:24,720 Speaker 1: you know, an icon yeah, and uh and and she 116 00:07:24,840 --> 00:07:27,160 Speaker 1: was great. I mean I think probably a lot of 117 00:07:27,200 --> 00:07:30,440 Speaker 1: people our age remember her more from when she played 118 00:07:30,440 --> 00:07:35,080 Speaker 1: herself on Seinfeld and I don't remember that. Oh she 119 00:07:35,360 --> 00:07:40,560 Speaker 1: like she played herself and she wouldn't move her arms 120 00:07:40,640 --> 00:07:44,960 Speaker 1: when she tap danced. And so the producers of the 121 00:07:45,000 --> 00:07:47,960 Speaker 1: show tried to get Kramer to fire her because he 122 00:07:48,000 --> 00:07:50,840 Speaker 1: had a tony for the show that he he got 123 00:07:50,880 --> 00:07:53,280 Speaker 1: because he was a seat filler. Anyways, she was getting 124 00:07:53,360 --> 00:07:58,480 Speaker 1: that unte and the third Oh yeah, that's the one film. 125 00:07:58,520 --> 00:08:00,720 Speaker 1: I'm looking through all of her films and that is 126 00:08:00,760 --> 00:08:03,400 Speaker 1: the one that I have seen. And I think I 127 00:08:03,440 --> 00:08:06,240 Speaker 1: remember from that oh illegally Blonde, and I think she 128 00:08:06,320 --> 00:08:10,240 Speaker 1: won a Golden Globe. I was reading for the Three Musketeers. 129 00:08:10,560 --> 00:08:13,760 Speaker 1: I think like early in her career she was great. Yeah, 130 00:08:13,800 --> 00:08:18,960 Speaker 1: it's uh yeah, that's sad to here, said loss Um. Less. 131 00:08:19,000 --> 00:08:22,640 Speaker 1: Sad to hear that the Nazi guy from the Charlottesville 132 00:08:22,680 --> 00:08:27,960 Speaker 1: White Power rally passed away by his own hand. It 133 00:08:28,000 --> 00:08:32,840 Speaker 1: would appear in Missouri, h Teddy von Nukum. So, I mean, 134 00:08:32,880 --> 00:08:34,960 Speaker 1: the main reason I'm bringing this up. I don't have 135 00:08:35,080 --> 00:08:37,480 Speaker 1: much to say other than that a lot of people 136 00:08:37,559 --> 00:08:43,600 Speaker 1: are posting the famous image has two very prominent Nazis 137 00:08:43,640 --> 00:08:48,280 Speaker 1: in it, and one has like a white tennis polo 138 00:08:48,360 --> 00:08:53,120 Speaker 1: shirt and looks like Beck Bennett and he's like gone, 139 00:08:53,320 --> 00:08:56,560 Speaker 1: he like looks really angry, like a spoiled kid who 140 00:08:56,640 --> 00:09:00,760 Speaker 1: just who's like give me back my porridge or like 141 00:09:00,960 --> 00:09:05,040 Speaker 1: you know, like something poor. I don't price boil Bridge, 142 00:09:05,120 --> 00:09:07,240 Speaker 1: kids don't have port but like, give me back my 143 00:09:07,480 --> 00:09:12,640 Speaker 1: Ferrari Dady like that he has like that energy. Um, 144 00:09:12,679 --> 00:09:14,840 Speaker 1: that's not the one who died, but I'm seeing a 145 00:09:14,840 --> 00:09:16,679 Speaker 1: lot of people. It is the other one who just 146 00:09:16,720 --> 00:09:22,320 Speaker 1: looked like a like blandly handsome member of Cobra Kai, 147 00:09:22,440 --> 00:09:25,439 Speaker 1: like just you know, blond dude with a buzz cut, 148 00:09:26,040 --> 00:09:30,280 Speaker 1: like a background kind of Yeah, exactly, that is that 149 00:09:30,520 --> 00:09:34,440 Speaker 1: Von Newcombe? How how is like put the death on 150 00:09:34,480 --> 00:09:37,720 Speaker 1: the backburner for a minute. His name was Teddy von Newcomb. 151 00:09:38,200 --> 00:09:41,719 Speaker 1: He gave himself that. He changed his name to that. Yeah, 152 00:09:42,600 --> 00:09:44,079 Speaker 1: just to be like I want to be a fool 153 00:09:44,160 --> 00:09:48,080 Speaker 1: Nazi bad guy um or maybe he that would just 154 00:09:48,120 --> 00:09:51,160 Speaker 1: distract from the Nazi thing? Is it because of the 155 00:09:51,240 --> 00:09:54,040 Speaker 1: video game? Though? Is that why he changed his name 156 00:09:54,080 --> 00:09:57,040 Speaker 1: to that. I have to think so, Like the the 157 00:09:57,160 --> 00:10:00,040 Speaker 1: Newcomb is not a word that I've heard otherwise. It 158 00:10:00,320 --> 00:10:04,559 Speaker 1: is spelled n U k E M so um. Yeah. 159 00:10:04,840 --> 00:10:07,560 Speaker 1: And then Teddy Vaughan I'm sure came from like some 160 00:10:07,679 --> 00:10:13,880 Speaker 1: Nazi he admired, and Teddy probably from famous Nazi Teddy ruxmen. Um. 161 00:10:14,760 --> 00:10:17,000 Speaker 1: We have to assume if you ever listened to that 162 00:10:17,080 --> 00:10:21,800 Speaker 1: second half of that cassette, it got really bad. Play 163 00:10:21,840 --> 00:10:25,040 Speaker 1: it backwards. Um, this is how we got to Limon 164 00:10:25,080 --> 00:10:27,440 Speaker 1: Well Miranda for a half hour because we were talking 165 00:10:27,480 --> 00:10:31,679 Speaker 1: about how all the Nazis had macklemore haircuts, and then 166 00:10:31,720 --> 00:10:36,280 Speaker 1: we were like, McLemore really had that moment like where 167 00:10:36,360 --> 00:10:39,840 Speaker 1: he won Best Rap Album of the Year despite the 168 00:10:39,920 --> 00:10:42,120 Speaker 1: fact that it was the good kid Mad City came out, 169 00:10:42,160 --> 00:10:45,640 Speaker 1: and then somebody speculated that, like, does Limon Well Miranda 170 00:10:45,880 --> 00:10:48,640 Speaker 1: follow McLemore on social media? I don't think we ever 171 00:10:48,679 --> 00:10:50,800 Speaker 1: figured that out because we then just started talking about 172 00:10:50,800 --> 00:10:56,080 Speaker 1: the house episode. Um, but it's all you know, the 173 00:10:56,120 --> 00:10:59,840 Speaker 1: matrix is glitching all over the place because he's already discussed. 174 00:11:00,480 --> 00:11:05,440 Speaker 1: So anyways, uh r, I p to Roquel Welsh, let's 175 00:11:05,480 --> 00:11:18,040 Speaker 1: take a quick break and we'll be right back. And 176 00:11:18,120 --> 00:11:21,200 Speaker 1: we're back, and there's I don't know, there's like some 177 00:11:21,320 --> 00:11:25,600 Speaker 1: standard news story like streaming in a historic first market 178 00:11:25,600 --> 00:11:29,160 Speaker 1: tracker expects linear TV to account for less than half 179 00:11:29,200 --> 00:11:32,040 Speaker 1: of daily viewing. I'm surprised that hasn't happened already, but 180 00:11:32,679 --> 00:11:34,960 Speaker 1: mainstream media is making a big deal about that. Have 181 00:11:35,000 --> 00:11:38,360 Speaker 1: you heard of the streaming stuff jams? Pretty wild? Right, Yeah, 182 00:11:38,559 --> 00:11:41,920 Speaker 1: it's well, it's weird to watch regular TV, like I 183 00:11:41,920 --> 00:11:44,439 Speaker 1: don't have cable. I have an antenna that I sometimes 184 00:11:44,600 --> 00:11:46,840 Speaker 1: use if it's something I have to watch live. And 185 00:11:46,880 --> 00:11:49,880 Speaker 1: it's it's real wild to just see commercials. Like my 186 00:11:50,160 --> 00:11:52,200 Speaker 1: when I plug that in and we watched TV, like 187 00:11:52,200 --> 00:11:54,959 Speaker 1: my children are taken aback, like they don't know what 188 00:11:55,000 --> 00:11:58,880 Speaker 1: it is. Do your children thrill two commercials? Though? My 189 00:11:58,960 --> 00:12:01,920 Speaker 1: children like are desperate, like I want, I want to 190 00:12:01,920 --> 00:12:04,840 Speaker 1: skip through commercials when like a sporting event is on, 191 00:12:05,040 --> 00:12:08,360 Speaker 1: but they they only tune in for the commercials. They 192 00:12:08,360 --> 00:12:10,960 Speaker 1: don't give a shit about the sporting event. But they 193 00:12:11,280 --> 00:12:13,440 Speaker 1: and not just the super Bowl. Like when I'm watching 194 00:12:13,520 --> 00:12:17,760 Speaker 1: a local broadcast of like the seventy sixers versus the 195 00:12:17,800 --> 00:12:21,720 Speaker 1: San Antonio Spurs and it's the Spurs broadcast and so 196 00:12:21,800 --> 00:12:26,840 Speaker 1: I'm looking at like San Antonio local restaurant commercials, They're like, whoa, 197 00:12:27,679 --> 00:12:31,080 Speaker 1: this is fascinating. Dad, get the car, we have to 198 00:12:31,120 --> 00:12:35,120 Speaker 1: go there now, pack a bag. Yeah, that's a fish 199 00:12:35,200 --> 00:12:38,920 Speaker 1: restaurant in San Antonio. Yeah, I remember, like we caught 200 00:12:38,920 --> 00:12:44,080 Speaker 1: at the riverwalk. I'm sorry. We were at like family's 201 00:12:44,120 --> 00:12:45,760 Speaker 1: house or something and we watched TV and there was 202 00:12:45,800 --> 00:12:48,240 Speaker 1: a toy commercial and it was like the first toy 203 00:12:48,280 --> 00:12:51,000 Speaker 1: commercial they'd ever seen, and it blew their minds and 204 00:12:51,000 --> 00:12:52,840 Speaker 1: they were like, we have to have this toy. They've 205 00:12:52,880 --> 00:12:56,920 Speaker 1: never been had something advertised to them before in their lives. Yeah, 206 00:12:57,000 --> 00:12:58,800 Speaker 1: I mean, all we watch the streaming, that's why. Yeah, 207 00:12:58,840 --> 00:13:03,400 Speaker 1: I'm surprised to hear that. You but I like, yeah, 208 00:13:03,480 --> 00:13:05,640 Speaker 1: the mainstream media like making a big deal of it 209 00:13:05,720 --> 00:13:07,679 Speaker 1: is of course you know they would. It's you know, 210 00:13:07,760 --> 00:13:12,240 Speaker 1: it's their relevancy kind of slipping away. Yeah, that It 211 00:13:12,360 --> 00:13:15,520 Speaker 1: is so wild to like when, uh, we we have 212 00:13:15,559 --> 00:13:18,000 Speaker 1: one TV like doesn't have any streaming, you know, it 213 00:13:18,040 --> 00:13:21,120 Speaker 1: doesn't have like Apple TV or anything, isn't a smart TV. 214 00:13:21,800 --> 00:13:25,200 Speaker 1: And when we're near that, we have a couple of 215 00:13:25,240 --> 00:13:29,320 Speaker 1: Nickelodeon shows that they like to watch that you know, 216 00:13:29,400 --> 00:13:31,160 Speaker 1: I will try and fast forward through. But if I'm 217 00:13:31,200 --> 00:13:34,560 Speaker 1: doing something else and the the toy ads are just 218 00:13:34,679 --> 00:13:41,120 Speaker 1: so fucking insidious, It's like, how did we survive? It's there? Yeah. Anyways, Um, 219 00:13:41,320 --> 00:13:45,080 Speaker 1: New York Times front page is all about the US debt, 220 00:13:45,520 --> 00:13:49,360 Speaker 1: US on track to add nineteen trillion dollars in new debt. There, 221 00:13:49,400 --> 00:13:51,560 Speaker 1: they always get real worried about debt when there's a 222 00:13:51,679 --> 00:13:56,400 Speaker 1: Republican or a Democrat in the White House, and Republicans 223 00:13:56,440 --> 00:14:01,439 Speaker 1: are making bad faith arguments. Like the whole front page 224 00:14:01,480 --> 00:14:05,080 Speaker 1: of the New York Times is like the top above, 225 00:14:05,160 --> 00:14:08,920 Speaker 1: the full section is all about US debt. Budget Office 226 00:14:09,000 --> 00:14:13,720 Speaker 1: warns of possible default between July and September. Lawmaker spar 227 00:14:13,920 --> 00:14:18,400 Speaker 1: over Social Security even as its costs are rising fast. 228 00:14:18,559 --> 00:14:21,120 Speaker 1: So like just all of these things that are just 229 00:14:21,400 --> 00:14:28,480 Speaker 1: playing to you know, fiscal conservative talking points essentially. Yeah, which, 230 00:14:28,480 --> 00:14:31,800 Speaker 1: of course, yeah, this is this is our left leaning 231 00:14:31,840 --> 00:14:36,160 Speaker 1: mainstream media in in the United States. It's complete horseship. 232 00:14:36,840 --> 00:14:41,720 Speaker 1: And Matt gets is get sing away with it. That 233 00:14:41,800 --> 00:14:45,800 Speaker 1: appears that he's not his his lawyer, says uh. An 234 00:14:45,840 --> 00:14:50,160 Speaker 1: investigation that examined whether he broke federal laws focused on 235 00:14:50,280 --> 00:14:54,360 Speaker 1: his relationships with women recruited online and whether he had 236 00:14:54,360 --> 00:14:58,400 Speaker 1: sex with a seventeen year old girl. Justice departments decided 237 00:14:58,520 --> 00:15:02,840 Speaker 1: to just let that one slide. There's yeah, so this 238 00:15:02,880 --> 00:15:05,440 Speaker 1: person is a clear piece of ship. I mean, there's 239 00:15:05,440 --> 00:15:08,000 Speaker 1: not a lot of evidence, to be fair, there's not. 240 00:15:08,440 --> 00:15:09,880 Speaker 1: I mean, it's it's just a lot of you know, 241 00:15:10,520 --> 00:15:15,680 Speaker 1: you know, testimonies and doctrines and things. Oh is that it? Yeah, 242 00:15:15,720 --> 00:15:17,960 Speaker 1: it's just you know, like things he's done and said 243 00:15:18,040 --> 00:15:23,000 Speaker 1: that kind of thing write other than that. Um. Yeah. 244 00:15:23,160 --> 00:15:26,200 Speaker 1: And finally, the thing that everyone seems to be talking 245 00:15:26,240 --> 00:15:32,400 Speaker 1: about is Penn Badgeley. Um, who is the guy from 246 00:15:32,640 --> 00:15:36,120 Speaker 1: Gossip Girl. I think, yeah, he's like damn from gossip 247 00:15:36,120 --> 00:15:42,480 Speaker 1: Girl and he's in You, the Netflix show that he's 248 00:15:42,600 --> 00:15:45,080 Speaker 1: in you right now. No, he will never be in 249 00:15:45,160 --> 00:15:49,800 Speaker 1: you jam because he has come out now he's in 250 00:15:49,840 --> 00:15:52,040 Speaker 1: this show that everybody's talking about. It's like about this 251 00:15:52,120 --> 00:15:56,000 Speaker 1: really toxic, you know, sort of sociopath who's in a 252 00:15:56,040 --> 00:15:58,480 Speaker 1: relationship and you're supposed to root against him, but they 253 00:15:58,480 --> 00:16:02,840 Speaker 1: make him very compelling anti hero ship. Anyways. Um, he's 254 00:16:02,880 --> 00:16:06,960 Speaker 1: come out and been like, I refuse to do sex 255 00:16:07,000 --> 00:16:12,520 Speaker 1: scenes in movies because it's not fair to my partner. 256 00:16:13,160 --> 00:16:15,240 Speaker 1: It's just like a thing that has been taken for 257 00:16:15,320 --> 00:16:17,720 Speaker 1: granted for a long time when it comes to like 258 00:16:18,400 --> 00:16:22,200 Speaker 1: actors like do that right, Like that's what we do 259 00:16:22,760 --> 00:16:28,440 Speaker 1: as an actor, as you just pretend, and like it's 260 00:16:28,520 --> 00:16:30,320 Speaker 1: kind of weird because like, on one hand, it's like 261 00:16:30,360 --> 00:16:33,640 Speaker 1: good for that man, like if that's what is important 262 00:16:33,680 --> 00:16:36,480 Speaker 1: to him. On the other hand, it like suggests that 263 00:16:36,600 --> 00:16:40,560 Speaker 1: like other actors like like all perverts like, you know, 264 00:16:40,880 --> 00:16:44,800 Speaker 1: we talk about Sean Bean who who was like intimacy 265 00:16:44,880 --> 00:16:49,440 Speaker 1: coordinators spoiled the spontaneity, and if that's if that's the 266 00:16:49,480 --> 00:16:51,880 Speaker 1: other side of the coin, then yeah, I would I 267 00:16:51,880 --> 00:16:55,280 Speaker 1: would err on the side of Penn Badgley. But both 268 00:16:55,280 --> 00:16:58,200 Speaker 1: of these seem to both sides of that coin. Seemed 269 00:16:58,200 --> 00:17:01,920 Speaker 1: to suggest that like they're adding something out of the 270 00:17:01,960 --> 00:17:06,880 Speaker 1: thing and not just acting, which is yeah, well it's 271 00:17:07,040 --> 00:17:10,800 Speaker 1: it's weird. Yeah. When I saw that quote circulating, I 272 00:17:10,840 --> 00:17:12,800 Speaker 1: had the thought like, oh, maybe he's been on some 273 00:17:12,880 --> 00:17:15,280 Speaker 1: like bad sets or like where there wasn't like an 274 00:17:15,280 --> 00:17:19,120 Speaker 1: intimacy coordinator, or you know, the filmmakers weren't being respectful. 275 00:17:19,160 --> 00:17:21,480 Speaker 1: But then yeah, reading the interview, it sounds like it's 276 00:17:21,520 --> 00:17:25,639 Speaker 1: more like a personal decision he's making, which you know, 277 00:17:25,760 --> 00:17:28,600 Speaker 1: it's it's up to like, you know, obviously I don't 278 00:17:28,600 --> 00:17:30,560 Speaker 1: think you would take a job in like an erotic 279 00:17:30,640 --> 00:17:33,040 Speaker 1: thriller and then argue that he shouldn't have sex scenes. 280 00:17:33,080 --> 00:17:37,040 Speaker 1: But he'll probably you know, choose steer. Yeah, and you 281 00:17:37,040 --> 00:17:39,280 Speaker 1: know that's you know, it's up to his comfort level. 282 00:17:39,440 --> 00:17:42,880 Speaker 1: But which is fine. But it was when I read 283 00:17:42,880 --> 00:17:44,840 Speaker 1: the quotes that did a little sound like I don't 284 00:17:44,840 --> 00:17:49,440 Speaker 1: want anyone falling in love with me. Um, but I'm 285 00:17:49,440 --> 00:17:52,440 Speaker 1: sure that's not what he meant. Uh. Yeah, it is 286 00:17:52,480 --> 00:17:55,440 Speaker 1: weird because, yeah, I feel like we're at a time 287 00:17:55,480 --> 00:17:59,920 Speaker 1: where I keep hearing two different conversations going on online, 288 00:18:00,280 --> 00:18:04,320 Speaker 1: one being that's Hollywood needs to deal with sex scenes differently. 289 00:18:04,359 --> 00:18:08,040 Speaker 1: The way they're filmed and the way like the power 290 00:18:08,160 --> 00:18:12,080 Speaker 1: is distributed on sets is not always equitable or or 291 00:18:12,200 --> 00:18:15,679 Speaker 1: or handled sensitively. But there's this also the sense, I 292 00:18:15,720 --> 00:18:18,639 Speaker 1: think from the audience standpoint that has nothing to do 293 00:18:18,720 --> 00:18:21,119 Speaker 1: with how you know something's filmed. It should always be 294 00:18:21,160 --> 00:18:25,440 Speaker 1: done in a respectful, fair manner with someone who's profession 295 00:18:25,520 --> 00:18:29,479 Speaker 1: it is to to oversee that, like absolutely. But on 296 00:18:29,560 --> 00:18:31,520 Speaker 1: top of that, I've seen a lot of people talking 297 00:18:31,560 --> 00:18:36,200 Speaker 1: about like how movies don't have much sex anymore in general, 298 00:18:36,320 --> 00:18:44,560 Speaker 1: Like it seems as though that kind of genre has thriller. Yeah, 299 00:18:44,720 --> 00:18:47,440 Speaker 1: you know, I want to see these like erotic thrillers 300 00:18:47,440 --> 00:18:49,360 Speaker 1: from like the eighties and nineties get like the Star 301 00:18:49,400 --> 00:18:52,160 Speaker 1: Wars treatment now where it's like a legacy sequel where 302 00:18:52,200 --> 00:18:56,600 Speaker 1: like someone someone finds Michael Douglas and you know, he 303 00:18:57,480 --> 00:19:01,360 Speaker 1: takes them under his wing or something as the like 304 00:19:01,840 --> 00:19:06,960 Speaker 1: investigator of a erotic serial killer. Yeah, or like Sharon 305 00:19:07,040 --> 00:19:10,399 Speaker 1: stone is you know, yeah, has to mentor someone and 306 00:19:10,640 --> 00:19:13,800 Speaker 1: a new ice pick killer. That's right, it could be fun, 307 00:19:14,240 --> 00:19:18,200 Speaker 1: very fun. Pem Badgley will not be starring in that reboot, 308 00:19:18,520 --> 00:19:21,840 Speaker 1: um problem, or he will and it'll just be a 309 00:19:21,880 --> 00:19:24,960 Speaker 1: totally different thing. But yeah, it does. It does feel 310 00:19:24,960 --> 00:19:27,320 Speaker 1: like a lot of the Internet and a lot of 311 00:19:27,359 --> 00:19:30,400 Speaker 1: the reaction from young people has been like, thank you, 312 00:19:30,480 --> 00:19:36,520 Speaker 1: no more sex in our movies. And I think that's fine. 313 00:19:36,600 --> 00:19:38,760 Speaker 1: Like that people who are like, we're going in this 314 00:19:38,880 --> 00:19:43,320 Speaker 1: puritanical direction, Um, I don't know that that's fully the case. 315 00:19:43,359 --> 00:19:46,439 Speaker 1: I don't know that this is the the canary in 316 00:19:46,440 --> 00:19:49,480 Speaker 1: the coal mine that we that we necessarily think it is. 317 00:19:49,960 --> 00:19:52,240 Speaker 1: No And to be fair, like I was just talking 318 00:19:52,280 --> 00:19:55,920 Speaker 1: about movies, like TV is filthy, Like, yeah, that's true. 319 00:19:56,200 --> 00:19:58,680 Speaker 1: TV is pretty fay. It is. It is crazy to 320 00:19:58,800 --> 00:20:01,359 Speaker 1: like turn on TV and see the amount of like 321 00:20:01,600 --> 00:20:03,640 Speaker 1: nudity and violence on there. Like when I was a kid, 322 00:20:03,680 --> 00:20:06,359 Speaker 1: I had to sneak into con Air because I wasn't 323 00:20:06,400 --> 00:20:08,639 Speaker 1: old enough and like to think of what you can 324 00:20:08,720 --> 00:20:14,120 Speaker 1: just see turning on a TV. Now, my con Air 325 00:20:14,320 --> 00:20:19,720 Speaker 1: was Lethal Weapon three. That's what I and then my 326 00:20:19,800 --> 00:20:23,120 Speaker 1: dad got in trouble with the theater because he bought 327 00:20:23,119 --> 00:20:24,600 Speaker 1: me the tickets and then was like, all right, I'm 328 00:20:24,640 --> 00:20:27,679 Speaker 1: taking your little sister to see fern Gully. Uh, you 329 00:20:27,680 --> 00:20:30,639 Speaker 1: guys going to Lethal Weapon three. And we went in 330 00:20:30,880 --> 00:20:36,879 Speaker 1: and the fucking like some narcass usher came in and 331 00:20:37,080 --> 00:20:39,120 Speaker 1: it was like, you guys need to get out of here. 332 00:20:40,359 --> 00:20:42,320 Speaker 1: So that's how young we were. Was that, like we 333 00:20:42,320 --> 00:20:46,040 Speaker 1: were ruining someone's enjoyment of late the Weapon three by 334 00:20:46,040 --> 00:20:48,720 Speaker 1: just being there. So then I went and saw the 335 00:20:48,760 --> 00:20:51,439 Speaker 1: second half of fern Gully probably holds up better to 336 00:20:51,480 --> 00:20:54,880 Speaker 1: be honest, Yeah, oh yeah for sure. But I thought 337 00:20:54,880 --> 00:20:59,720 Speaker 1: that soulful Eric Clapton sting song from the Lethal Weapon 338 00:20:59,760 --> 00:21:03,320 Speaker 1: three soundtrack was really cool at the time. I have 339 00:21:03,440 --> 00:21:07,000 Speaker 1: bad taste, Like I think we've established that like that 340 00:21:07,240 --> 00:21:11,160 Speaker 1: and Hamilton's or my jam. Anyways, J m McNabb, such 341 00:21:11,160 --> 00:21:14,800 Speaker 1: a pleasure having you. Where can people find you? Follow you? 342 00:21:14,800 --> 00:21:18,280 Speaker 1: You can follow me on Twitter if it's still around 343 00:21:18,320 --> 00:21:21,119 Speaker 1: when you're listening to this, it's uh at J m 344 00:21:21,200 --> 00:21:24,960 Speaker 1: McNabb again. There you go. All right, that's gonna do 345 00:21:25,000 --> 00:21:27,640 Speaker 1: it for us this afternoon back tomorrow with the whole 346 00:21:27,680 --> 00:21:30,080 Speaker 1: last episode of the show. Until then, be kind to 347 00:21:30,160 --> 00:21:33,600 Speaker 1: each other, be kind to yourself, get the vaccine, don't 348 00:21:33,600 --> 00:21:36,560 Speaker 1: do nothing about white supremacy, and we will talk to 349 00:21:36,600 --> 00:21:37,960 Speaker 1: y'all tomorrow. Fight