1 00:00:00,440 --> 00:00:05,360 Speaker 1: It was the first episode this season where everything was 2 00:00:05,440 --> 00:00:09,160 Speaker 1: real and it wasn't somebody looking to have a moment, Sonya. 3 00:00:09,640 --> 00:00:13,960 Speaker 1: It wasn't somebody looking to make a moment happen, Drew 4 00:00:14,000 --> 00:00:17,040 Speaker 1: and Ralph, everybody was invested. 5 00:00:17,520 --> 00:00:19,280 Speaker 2: It was real conversations. 6 00:00:19,360 --> 00:00:22,840 Speaker 1: It was reality happening right before my brown eyes. I 7 00:00:22,880 --> 00:00:25,919 Speaker 1: mean the fact that they called Candy and Todd receiving 8 00:00:25,960 --> 00:00:28,920 Speaker 1: a phone call that some stalker was at. 9 00:00:28,880 --> 00:00:32,279 Speaker 2: Her gate, and then the genius of. 10 00:00:32,280 --> 00:00:36,640 Speaker 1: The producers to say, let's send a camera crew to 11 00:00:36,960 --> 00:00:39,280 Speaker 1: follow Candy and Tood in this moment. 12 00:00:39,280 --> 00:00:40,760 Speaker 2: That was spectacular. 13 00:00:42,200 --> 00:00:45,320 Speaker 1: Stay tuned, look into my recap of the Love and 14 00:00:45,400 --> 00:00:50,159 Speaker 1: Marriage franchise, Real Housewives of Atlanta and some Tea on 15 00:00:50,320 --> 00:00:54,960 Speaker 1: Bell Collective with my boy Dj Ritchie Sky. Right after 16 00:00:55,320 --> 00:01:06,280 Speaker 1: this quick break me Welcome to Reality with the King. 17 00:01:06,760 --> 00:01:11,280 Speaker 1: It's me Carlos King, the King of Reality TV and 18 00:01:11,319 --> 00:01:15,440 Speaker 1: one of the most sought after executive producers in reality 19 00:01:15,560 --> 00:01:21,080 Speaker 1: television with over ten years of production experience. Twice a 20 00:01:21,120 --> 00:01:23,920 Speaker 1: week on Reality with the King, we'll sit down with 21 00:01:23,959 --> 00:01:29,560 Speaker 1: my friends across the entertainment industry, recap our favorite reality 22 00:01:29,640 --> 00:01:33,959 Speaker 1: shows and revisit unforgettable moments that we are still talking 23 00:01:34,240 --> 00:01:35,480 Speaker 1: and tweeting about. 24 00:01:38,280 --> 00:01:39,640 Speaker 2: Hey rain drops. 25 00:01:39,840 --> 00:01:43,600 Speaker 1: So look, as I told you guys last week, I 26 00:01:43,640 --> 00:01:47,920 Speaker 1: am going to start recapping some of your favorite reality shows. 27 00:01:48,080 --> 00:01:51,280 Speaker 1: We're not just going to do Atlanta Housewives, okay, because 28 00:01:51,320 --> 00:01:53,880 Speaker 1: I know y'all really care about my opinion on it. 29 00:01:54,280 --> 00:01:56,200 Speaker 2: Whether you like to admit it or not, you actually 30 00:01:56,280 --> 00:01:58,960 Speaker 2: do care. So we're gonna talk about that today. 31 00:01:59,400 --> 00:02:04,840 Speaker 1: However, we're going to spend time recapping Love and Marriage, Huntsville, 32 00:02:05,400 --> 00:02:10,200 Speaker 1: Love and Marriage DC, the announcement honey, that Bell Collective 33 00:02:11,320 --> 00:02:13,799 Speaker 1: is coming back for a second season, and we'll get 34 00:02:13,840 --> 00:02:18,840 Speaker 1: into Basketball wives too, honey. So look, I am joined 35 00:02:18,919 --> 00:02:25,280 Speaker 1: by someone who I adore. He is beyond talented, a genius, 36 00:02:25,440 --> 00:02:31,440 Speaker 1: a pop culture expert, and enthusiasts honey of all things 37 00:02:31,600 --> 00:02:37,080 Speaker 1: reality television. This man needs no introduction, but I'll do 38 00:02:37,160 --> 00:02:37,800 Speaker 1: it anyway. 39 00:02:38,040 --> 00:02:40,000 Speaker 2: He is someone who I got a. 40 00:02:40,040 --> 00:02:44,600 Speaker 1: Chance to meet courtesy of social media. No, we did 41 00:02:44,639 --> 00:02:47,919 Speaker 1: not slot in each other's dms because we are both okay, 42 00:02:48,680 --> 00:02:52,280 Speaker 1: taken for child, y'all so messy and nosy. So no, 43 00:02:52,720 --> 00:02:56,440 Speaker 1: we are friends of each other. We are fans of 44 00:02:56,480 --> 00:03:01,240 Speaker 1: each other, and I simply do adore him. He is 45 00:03:01,280 --> 00:03:04,000 Speaker 1: one of the good guys in this crazy world we 46 00:03:04,120 --> 00:03:09,440 Speaker 1: live in. I am talking about my friend, the amazing 47 00:03:10,080 --> 00:03:11,040 Speaker 1: DJ Richie's. 48 00:03:14,120 --> 00:03:16,320 Speaker 2: I need to hear that every morning when I get up. 49 00:03:16,560 --> 00:03:19,120 Speaker 3: Okay, like I need to put that on replay when 50 00:03:19,160 --> 00:03:20,320 Speaker 3: I wake up in the mornings. 51 00:03:20,320 --> 00:03:20,880 Speaker 2: Thank you for that. 52 00:03:21,320 --> 00:03:24,440 Speaker 1: No, And I meant every word. So I feel like 53 00:03:24,560 --> 00:03:27,839 Speaker 1: this may be your favorite show. I'm not gonna say 54 00:03:27,840 --> 00:03:30,880 Speaker 1: one up. I think it's your favorite. Let's start with 55 00:03:31,320 --> 00:03:34,639 Speaker 1: my creation, Love and Marriage Hunt's Bill, Am I right 56 00:03:34,680 --> 00:03:36,080 Speaker 1: about that? You love this show? 57 00:03:36,160 --> 00:03:40,520 Speaker 2: Richie? You are correct. You know what I love about 58 00:03:40,520 --> 00:03:41,040 Speaker 2: this show. 59 00:03:41,280 --> 00:03:46,840 Speaker 3: It is different from anything else on reality TV. And 60 00:03:46,920 --> 00:03:50,520 Speaker 3: I feel like these are people who I don't want 61 00:03:50,520 --> 00:03:53,120 Speaker 3: to say that you pick them up out of obscurity, 62 00:03:53,400 --> 00:03:56,520 Speaker 3: but I mean they were strangers to us before we 63 00:03:56,840 --> 00:04:01,240 Speaker 3: met them on reality TV, and they provide us with 64 00:04:01,480 --> 00:04:03,200 Speaker 3: so much relatable content. 65 00:04:03,920 --> 00:04:06,560 Speaker 2: And we get angry. 66 00:04:06,400 --> 00:04:10,880 Speaker 3: Every week because of the level of misogyny that we 67 00:04:10,960 --> 00:04:15,960 Speaker 3: see on the screen. Huh not misogyny, honey, I gotta 68 00:04:16,000 --> 00:04:18,479 Speaker 3: be real about it. I mean, listen, I love all 69 00:04:18,520 --> 00:04:21,040 Speaker 3: of them. They and they give. And that's the thing 70 00:04:21,080 --> 00:04:24,560 Speaker 3: about this cast. They came together with a purpose. Carlos, 71 00:04:24,800 --> 00:04:28,520 Speaker 3: it wasn't just the same formula of a group of 72 00:04:28,560 --> 00:04:32,680 Speaker 3: friends allegedly that comes together allegedly. 73 00:04:32,240 --> 00:04:33,760 Speaker 2: To go to brunch. 74 00:04:34,000 --> 00:04:36,680 Speaker 3: This group like they came together to do something in 75 00:04:36,720 --> 00:04:39,400 Speaker 3: the community. And that's what I loved about Bell Collector too. 76 00:04:39,400 --> 00:04:41,280 Speaker 3: And I know we're gonna talk about that, but I 77 00:04:41,440 --> 00:04:45,120 Speaker 3: like this idea that these were friends for a long time, 78 00:04:45,440 --> 00:04:48,799 Speaker 3: and so these relationships they mean something to people. 79 00:04:49,160 --> 00:04:50,960 Speaker 2: Yes, No, it's the reason why. 80 00:04:51,200 --> 00:04:54,560 Speaker 1: You know, when I first met Melody and Martel Hult, 81 00:04:54,720 --> 00:04:57,240 Speaker 1: because they were married at the time, I knew that 82 00:04:57,320 --> 00:04:58,560 Speaker 1: Melody was a star. 83 00:04:58,720 --> 00:05:00,840 Speaker 2: Melody Hult is a far multiplier. 84 00:05:01,000 --> 00:05:03,600 Speaker 1: I knew I wanted to surround her with people who 85 00:05:03,839 --> 00:05:07,440 Speaker 1: were her real friends. And long story short, we met 86 00:05:07,480 --> 00:05:10,400 Speaker 1: the Scotts and the rest is history. So let's talk 87 00:05:10,440 --> 00:05:16,599 Speaker 1: about this past week's episode because tomorrow is the mid 88 00:05:16,720 --> 00:05:21,640 Speaker 1: season finale, right, so I know, I know, I know, 89 00:05:21,680 --> 00:05:23,680 Speaker 1: we gotta take a little break, but we'll be back 90 00:05:23,800 --> 00:05:29,520 Speaker 1: very soon. Okay, But this past week's episode was Martel 91 00:05:30,320 --> 00:05:36,040 Speaker 1: Atlanta boys trip, and he had a party where he 92 00:05:36,160 --> 00:05:40,880 Speaker 1: invited a lot of the local Atlanta women. I'm assuming 93 00:05:40,880 --> 00:05:44,760 Speaker 1: they all were single for obvious reasons, and. 94 00:05:46,680 --> 00:05:47,760 Speaker 2: Some mess happened. 95 00:05:48,000 --> 00:05:50,119 Speaker 1: So what I did you think about that episode, Richie? 96 00:05:50,200 --> 00:05:52,520 Speaker 1: What would you like to talk about, honey? 97 00:05:52,760 --> 00:05:55,000 Speaker 3: You know, for me, the most fascinating part of that 98 00:05:55,080 --> 00:05:59,240 Speaker 3: episode was literally the conversation that Martell had with Uncle 99 00:05:59,279 --> 00:06:03,960 Speaker 3: Sam House on the deck okay, where I felt like 100 00:06:04,800 --> 00:06:07,479 Speaker 3: this was a genuine moment for Uncle Sam, who we 101 00:06:07,520 --> 00:06:10,800 Speaker 3: hadn't met at least I don't remember him, but in 102 00:06:11,200 --> 00:06:16,520 Speaker 3: hearing his frustrations about Martel a not recognizing him and 103 00:06:16,560 --> 00:06:21,800 Speaker 3: then be not recognizing his mom enough, I felt like 104 00:06:22,040 --> 00:06:24,880 Speaker 3: that was really an opportunity for Martel to simply say, 105 00:06:24,880 --> 00:06:29,320 Speaker 3: you know what, bro, I'm sorry, I you know what, 106 00:06:29,400 --> 00:06:31,640 Speaker 3: I get nervous when I'm speaking. 107 00:06:32,080 --> 00:06:34,880 Speaker 2: Please forgive me. Let me go correct that now because 108 00:06:34,920 --> 00:06:36,160 Speaker 2: everybody's still inside. 109 00:06:36,839 --> 00:06:40,360 Speaker 3: But what Martel chose to do with something completely different. 110 00:06:40,920 --> 00:06:44,400 Speaker 3: He chose to roll up into this, into his uncle's 111 00:06:44,400 --> 00:06:48,080 Speaker 3: ear and tell him not to do this own national television. Now. 112 00:06:48,120 --> 00:06:49,960 Speaker 3: I don't know if he thought the cameras couldn't hear, 113 00:06:50,839 --> 00:06:56,600 Speaker 3: but I was like, are we threatening Uncle Sam? 114 00:06:56,880 --> 00:06:57,920 Speaker 2: Uh? 115 00:06:57,080 --> 00:06:57,200 Speaker 3: Uh? 116 00:06:58,080 --> 00:06:59,000 Speaker 2: At least? 117 00:06:59,040 --> 00:07:01,760 Speaker 1: Then what we all know is, regardless if he's your 118 00:07:01,839 --> 00:07:05,120 Speaker 1: blood uncle or Uncle Sam takes your taxes, you do 119 00:07:05,279 --> 00:07:06,559 Speaker 1: not mess with Uncle Sam. 120 00:07:06,800 --> 00:07:12,160 Speaker 2: Period. Baby, That part. That's what was so crazy to me. 121 00:07:12,640 --> 00:07:15,120 Speaker 3: And so even as and then Uncle Sam is trying 122 00:07:15,160 --> 00:07:17,679 Speaker 3: to go like, okay, bro, you know what were good, 123 00:07:18,280 --> 00:07:22,320 Speaker 3: Martell is not letting the man leave. I'm like, if 124 00:07:22,400 --> 00:07:26,040 Speaker 3: you don't want this scene, I mean, it's literally turning 125 00:07:26,080 --> 00:07:28,600 Speaker 3: into a scene. I mean, this ain't y'all with the 126 00:07:28,640 --> 00:07:31,840 Speaker 3: with the yelling cut in the background. This is really 127 00:07:31,880 --> 00:07:34,640 Speaker 3: turning into something that somebody feels something about. And you 128 00:07:34,680 --> 00:07:37,280 Speaker 3: could tell Uncle Sam ain't used to this, you know 129 00:07:37,680 --> 00:07:39,360 Speaker 3: he don't. I don't feel like he's used to this 130 00:07:39,400 --> 00:07:41,760 Speaker 3: reality TV game. So I feel like for him, this 131 00:07:41,800 --> 00:07:46,200 Speaker 3: is real life, right, And so then Martell telling it Now. 132 00:07:46,240 --> 00:07:48,040 Speaker 3: I don't know how y'all work with the camera crew 133 00:07:48,080 --> 00:07:51,280 Speaker 3: and stuff like that, but from my experience with reality TV, 134 00:07:51,360 --> 00:07:53,200 Speaker 3: I could not tell the camera crew to stop doing 135 00:07:53,280 --> 00:07:54,000 Speaker 3: what they was gonna do. 136 00:07:54,640 --> 00:07:57,640 Speaker 1: Oh hold on, hold up, wait a minute. 137 00:07:58,080 --> 00:07:59,040 Speaker 2: Let me tell you something. 138 00:07:59,120 --> 00:08:04,320 Speaker 1: On a Carlos King production, on a Kingdom Rank Entertainment production, 139 00:08:05,600 --> 00:08:08,200 Speaker 1: you do not tell or when I say you, meaning 140 00:08:08,240 --> 00:08:11,520 Speaker 1: reality stars, my stars, they have no right to tell 141 00:08:11,560 --> 00:08:14,960 Speaker 1: my crew that I'm paying for out of my pocket 142 00:08:15,320 --> 00:08:18,240 Speaker 1: and my wills, Fargo Bank account, yes, savings and checkings. 143 00:08:19,000 --> 00:08:22,720 Speaker 1: You're not gonna tell me when I'm signing checks. Okay, 144 00:08:24,400 --> 00:08:24,840 Speaker 1: I had to. 145 00:08:24,760 --> 00:08:27,560 Speaker 2: Stop real quick. You're not gonna say. 146 00:08:27,760 --> 00:08:32,000 Speaker 1: Oh oh, stop the cameras. No, but that's a rule 147 00:08:32,120 --> 00:08:35,600 Speaker 1: that my team know. The only person that can say 148 00:08:35,600 --> 00:08:39,160 Speaker 1: cut the cameras in my black China voice is Carlos 149 00:08:39,679 --> 00:08:44,400 Speaker 1: Reginald King the first. Okay, so when Martel said it, 150 00:08:44,600 --> 00:08:51,120 Speaker 1: guess what you saw, Ritchie, the cameras for Roland. You 151 00:08:51,160 --> 00:08:55,319 Speaker 1: don't run nothing over here, Martell, Halt, baby police, we 152 00:08:55,480 --> 00:08:56,720 Speaker 1: rolling on everything. 153 00:08:56,840 --> 00:09:01,520 Speaker 3: Baby be clear, listen, I was. I guess it was 154 00:09:01,600 --> 00:09:05,200 Speaker 3: just the unmitigated gall of it all. To hear him 155 00:09:05,280 --> 00:09:07,600 Speaker 3: say the things that he was saying that I found 156 00:09:07,720 --> 00:09:12,360 Speaker 3: most fascinating because to me, that informs the audience more 157 00:09:12,480 --> 00:09:16,760 Speaker 3: about his character in general, when maybe he thinks that 158 00:09:16,880 --> 00:09:19,440 Speaker 3: no one is really watching as well as they could 159 00:09:19,480 --> 00:09:20,000 Speaker 3: be watching. 160 00:09:20,080 --> 00:09:23,000 Speaker 1: You know what it is, Richie, it's the beauty the 161 00:09:23,040 --> 00:09:27,400 Speaker 1: way we cast at King Drant Entertainment. We really cast 162 00:09:27,440 --> 00:09:31,760 Speaker 1: people who forget the cameras are there. Martell, Listen, I 163 00:09:31,760 --> 00:09:32,320 Speaker 1: don't care if. 164 00:09:32,240 --> 00:09:34,120 Speaker 2: Y'all judge me or not. And Richie, I would love 165 00:09:34,120 --> 00:09:35,760 Speaker 2: to get your opinion. Okay. 166 00:09:35,960 --> 00:09:39,640 Speaker 1: I think Martel Holt is one of the greatest male 167 00:09:40,120 --> 00:09:44,080 Speaker 1: reality stars of all time, one of I think he 168 00:09:44,280 --> 00:09:48,960 Speaker 1: is a fascinating character. I think the stuff he says, 169 00:09:49,120 --> 00:09:52,720 Speaker 1: the way he acts, I'm super fascinating. And what's so 170 00:09:52,840 --> 00:09:56,840 Speaker 1: interesting is he really forgot the cameras were there and 171 00:09:57,240 --> 00:10:00,560 Speaker 1: he had this real moment with his real uncle. 172 00:10:00,880 --> 00:10:03,839 Speaker 2: Because what you said earlier is true, Like the. 173 00:10:03,840 --> 00:10:07,880 Speaker 1: Success of Loving Match Huntsville is totally because of the 174 00:10:08,000 --> 00:10:11,199 Speaker 1: chemistry that these couples have, because they've been friends six 175 00:10:11,280 --> 00:10:13,800 Speaker 1: years prior to me rolling up on set with a camera, 176 00:10:14,000 --> 00:10:16,200 Speaker 1: so you see that. So what you saw in this 177 00:10:16,240 --> 00:10:20,559 Speaker 1: past week's episode was that's Martel's uncle looking very brolic 178 00:10:20,920 --> 00:10:25,640 Speaker 1: giving me you know, that's that guy from Friday, Tiny. 179 00:10:28,559 --> 00:10:29,760 Speaker 2: Honey. He was bralick. 180 00:10:30,200 --> 00:10:32,880 Speaker 1: I thought I was about to watch a WWE match, 181 00:10:32,920 --> 00:10:36,840 Speaker 1: because baby Martel met his match in the form of 182 00:10:36,880 --> 00:10:38,440 Speaker 1: his bralic ass uncle. 183 00:10:39,160 --> 00:10:41,520 Speaker 2: I would agree with you that I think that Martel 184 00:10:41,679 --> 00:10:45,360 Speaker 2: is probably one of the most fascinating men on reality TV, 185 00:10:45,760 --> 00:10:48,600 Speaker 2: only probably matched by Marcel. 186 00:10:49,320 --> 00:10:51,600 Speaker 3: But we'll talk about him in a second, because I 187 00:10:51,600 --> 00:10:54,600 Speaker 3: feel like he's interesting in a completely different way. But 188 00:10:54,720 --> 00:10:58,559 Speaker 3: the thing that's funny about Martel is despite the fact 189 00:10:58,559 --> 00:11:02,200 Speaker 3: that he feels I cannot call him, but he comes 190 00:11:02,240 --> 00:11:06,920 Speaker 3: across very narcissistic. Is that as an audience we are 191 00:11:06,960 --> 00:11:10,160 Speaker 3: all still rooting for him? Yeah, I want him to 192 00:11:10,200 --> 00:11:15,800 Speaker 3: get his builder's license. Please, yes, yes, no? 193 00:11:16,559 --> 00:11:18,480 Speaker 1: When I Oh my gosh, I can't believe I'm sharing 194 00:11:18,480 --> 00:11:25,560 Speaker 1: this with you, guys, Martel is going to get Okay, 195 00:11:25,600 --> 00:11:29,160 Speaker 1: I'll say this much. Okay, rain drops some exclusive t 196 00:11:29,800 --> 00:11:31,439 Speaker 1: I was gonna save it for the reunion, but I 197 00:11:31,480 --> 00:11:32,600 Speaker 1: guess I'll tell my rain. 198 00:11:32,520 --> 00:11:34,480 Speaker 2: Drops on my podcast listeners. Okay. 199 00:11:34,840 --> 00:11:38,480 Speaker 1: So look, Richie, you are so accurate in terms of 200 00:11:38,960 --> 00:11:43,560 Speaker 1: people are still rooting for Martel. I was on a 201 00:11:43,720 --> 00:11:49,400 Speaker 1: plane this past weekend going to a city because if 202 00:11:49,440 --> 00:11:51,400 Speaker 1: I say this city, if it will be a whole conversation, 203 00:11:51,760 --> 00:11:52,400 Speaker 1: and I got. 204 00:11:52,200 --> 00:11:53,199 Speaker 2: Time for it. 205 00:11:53,440 --> 00:11:59,880 Speaker 1: Okay, this beautiful black woman in her early fifties who 206 00:12:00,120 --> 00:12:04,240 Speaker 1: had a very expensive Louis Biton purse and she had 207 00:12:04,360 --> 00:12:08,320 Speaker 1: on some Gucci sandos. She said next to me, and 208 00:12:08,360 --> 00:12:11,679 Speaker 1: she recognized me, and she was so sweet. Long story short, 209 00:12:11,920 --> 00:12:16,160 Speaker 1: she said, I am rooting for Martel, and I said 210 00:12:16,280 --> 00:12:19,840 Speaker 1: why because I was so curious about Like, Okay, because 211 00:12:20,160 --> 00:12:22,760 Speaker 1: based on social media, you think black women around the 212 00:12:22,760 --> 00:12:26,400 Speaker 1: world hate Martel, but they don't. And she said, no, 213 00:12:26,480 --> 00:12:29,480 Speaker 1: I think he's great. I want him to I swear 214 00:12:29,480 --> 00:12:31,440 Speaker 1: to you. She said this, I want him to pass 215 00:12:31,480 --> 00:12:34,880 Speaker 1: his test to get his builder's license. And she said, 216 00:12:34,960 --> 00:12:39,600 Speaker 1: I want Melody to take him back. So what Martel 217 00:12:39,679 --> 00:12:43,400 Speaker 1: has said to me is the fact that everywhere he goes, 218 00:12:43,920 --> 00:12:47,760 Speaker 1: women offer themselves. 219 00:12:48,880 --> 00:12:49,400 Speaker 2: Martel. 220 00:12:50,000 --> 00:12:52,480 Speaker 1: They say, baby, do you need some money? Do you 221 00:12:52,520 --> 00:12:56,600 Speaker 1: need a babysitter? Baby, tell me what you need. So 222 00:12:56,679 --> 00:12:59,680 Speaker 1: what's interesting is you would think Martel. 223 00:12:59,400 --> 00:13:05,080 Speaker 2: Would be the villains. Ladies love Martel. And here's the 224 00:13:05,160 --> 00:13:06,840 Speaker 2: thing I can understand why. 225 00:13:07,280 --> 00:13:10,160 Speaker 3: Okay, he has I think a lot of the qualities 226 00:13:10,200 --> 00:13:12,240 Speaker 3: that I felt like a lot of women would look for, 227 00:13:12,400 --> 00:13:14,960 Speaker 3: you know what I'm in terms of looks, in terms 228 00:13:14,960 --> 00:13:18,920 Speaker 3: of he does seem to want to provide for his family. 229 00:13:19,240 --> 00:13:22,080 Speaker 3: I think that's also a big thing in that the 230 00:13:22,200 --> 00:13:23,240 Speaker 3: man is fatherly. 231 00:13:24,040 --> 00:13:25,960 Speaker 2: I ain't gonna take that. You cannot take that away 232 00:13:25,960 --> 00:13:26,280 Speaker 2: from him. 233 00:13:26,320 --> 00:13:29,760 Speaker 3: That man was I mean, even when he and Melody 234 00:13:29,760 --> 00:13:31,440 Speaker 3: were going at it back in the day, he was 235 00:13:31,559 --> 00:13:34,760 Speaker 3: adamant about taking care of them kids. So I think 236 00:13:34,920 --> 00:13:38,800 Speaker 3: those are aspects that you know, I can understand him 237 00:13:38,840 --> 00:13:40,280 Speaker 3: talking some women out their panties. 238 00:13:40,280 --> 00:13:43,960 Speaker 1: I can get that panties of pockets and pocketbooks. 239 00:13:44,559 --> 00:13:45,280 Speaker 2: All of them. 240 00:13:45,520 --> 00:13:52,079 Speaker 1: Okay, So in this episode you also mentioned Marcel because 241 00:13:52,080 --> 00:13:56,040 Speaker 1: what we did see is the beautiful of Titian Scott 242 00:13:56,400 --> 00:13:59,959 Speaker 1: have this amazing session with doctor Franz, says Doctor Franz. 243 00:14:00,040 --> 00:14:03,280 Speaker 1: Since it's truly like the Doctor Drew of own the 244 00:14:03,360 --> 00:14:05,240 Speaker 1: Doctor Drew a loving marriage Huntsville. 245 00:14:05,280 --> 00:14:07,560 Speaker 2: He is the doctor of all doctors, honey. 246 00:14:08,080 --> 00:14:12,280 Speaker 1: And it was so interesting to see Leticia come to 247 00:14:12,320 --> 00:14:16,360 Speaker 1: this realization that she needs to be more outspoken in 248 00:14:16,400 --> 00:14:17,920 Speaker 1: her marriage and how she does that. 249 00:14:18,320 --> 00:14:22,160 Speaker 3: The red thing, well, I definitely feel like, you know, 250 00:14:23,440 --> 00:14:26,400 Speaker 3: he didn't cut any cars with her at all. He 251 00:14:26,480 --> 00:14:28,840 Speaker 3: was very direct with her about what she needs to 252 00:14:28,880 --> 00:14:34,320 Speaker 3: do and about how Marcel talked her into letting him 253 00:14:34,400 --> 00:14:38,640 Speaker 3: go to Africa last minute. You don't make a last 254 00:14:38,680 --> 00:14:41,440 Speaker 3: minute trip to Africa. That's something you've been thinking about 255 00:14:41,440 --> 00:14:43,440 Speaker 3: for weeks and weeks because you got a plan to 256 00:14:43,480 --> 00:14:45,480 Speaker 3: prepare for that. Trust me, I mean, we all know 257 00:14:45,560 --> 00:14:47,680 Speaker 3: what that's like. You don't just say, you know what, 258 00:14:47,720 --> 00:14:50,760 Speaker 3: I'm going to Africa today. Nobody says that. So as 259 00:14:50,800 --> 00:14:53,120 Speaker 3: he broke that down for her, it was almost like 260 00:14:53,160 --> 00:14:56,120 Speaker 3: a light bulb went off in her head. And to me, 261 00:14:56,560 --> 00:14:59,600 Speaker 3: I feel like Letitia has listened. I like Letitia because 262 00:14:59,600 --> 00:15:02,240 Speaker 3: I feel like she is a beautiful, but I feel 263 00:15:02,240 --> 00:15:04,120 Speaker 3: like she's extremely smart. 264 00:15:04,400 --> 00:15:04,840 Speaker 2: Okay. 265 00:15:05,120 --> 00:15:09,360 Speaker 3: I feel like Letitia has gotten very good at expressing 266 00:15:09,400 --> 00:15:12,000 Speaker 3: herself with the ladies. I feel like she needs to 267 00:15:12,040 --> 00:15:18,000 Speaker 3: get even better at expressing herself with Marceau. So I 268 00:15:18,000 --> 00:15:21,400 Speaker 3: feel like she's catching up to herself with that. And 269 00:15:21,520 --> 00:15:24,480 Speaker 3: to me, the best scene that I have seen with 270 00:15:24,600 --> 00:15:28,280 Speaker 3: them so far has been that key Key Wyatt scene 271 00:15:28,400 --> 00:15:30,440 Speaker 3: where she was waiting for him in the car and 272 00:15:30,480 --> 00:15:32,680 Speaker 3: she made him come sit down beside him. 273 00:15:32,880 --> 00:15:33,200 Speaker 2: Baby. 274 00:15:33,240 --> 00:15:37,680 Speaker 3: That was that, to me was my favorite Letitia and 275 00:15:37,760 --> 00:15:38,440 Speaker 3: Marcel moment. 276 00:15:38,600 --> 00:15:42,160 Speaker 1: Honey, that was a self opera scene when she put 277 00:15:42,560 --> 00:15:44,880 Speaker 1: when she rode up to the bar, honey that she 278 00:15:45,080 --> 00:15:49,400 Speaker 1: owns ninety three percent of works okay, and told Marcel 279 00:15:49,600 --> 00:15:52,080 Speaker 1: meet me in the parking lot and she said get 280 00:15:52,120 --> 00:15:53,880 Speaker 1: in the car. And he said, oh, this will be 281 00:15:53,920 --> 00:15:54,760 Speaker 1: a long conversation. 282 00:15:55,200 --> 00:15:56,800 Speaker 2: But you know what, he ain't argued with her. 283 00:15:56,840 --> 00:16:00,080 Speaker 3: He knew, he knew she was serious that day. 284 00:15:59,040 --> 00:16:04,080 Speaker 2: And I liked that scene so much. It resonated. It 285 00:16:04,200 --> 00:16:04,600 Speaker 2: hit me. 286 00:16:05,160 --> 00:16:07,040 Speaker 3: I don't know what it was about it other than 287 00:16:07,080 --> 00:16:11,040 Speaker 3: it felt like that nineties video. But I was like, Okay, Latitia, 288 00:16:11,120 --> 00:16:14,720 Speaker 3: I just need you to continue to she needs practice 289 00:16:14,720 --> 00:16:18,640 Speaker 3: at doing it because Marceau is such an expert at 290 00:16:18,960 --> 00:16:21,720 Speaker 3: talking yes, yes. 291 00:16:21,560 --> 00:16:22,560 Speaker 2: No, It's fascinating. 292 00:16:22,600 --> 00:16:25,320 Speaker 1: And one thing that you have said about Love and Match, 293 00:16:25,360 --> 00:16:28,240 Speaker 1: Hans Veil, I've seen your comments because we follow each 294 00:16:28,280 --> 00:16:32,160 Speaker 1: other on Instagram and you said that you felt like 295 00:16:32,200 --> 00:16:33,640 Speaker 1: this is the best season. 296 00:16:34,000 --> 00:16:35,320 Speaker 2: Tell me about you feel that way. 297 00:16:35,600 --> 00:16:39,360 Speaker 3: I feel like the stories are current. What you did 298 00:16:39,480 --> 00:16:42,960 Speaker 3: that was I felt like was smart was after that reunion, 299 00:16:43,200 --> 00:16:48,080 Speaker 3: y'all didn't waste no time diving into the aftermath of 300 00:16:48,160 --> 00:16:52,920 Speaker 3: that photo coming out, and the cast did not. They 301 00:16:53,200 --> 00:16:57,160 Speaker 3: for whatever reason, they didn't shy away from social media 302 00:16:57,280 --> 00:17:00,640 Speaker 3: at all. Like everybody was in the comments, you know, 303 00:17:00,760 --> 00:17:03,840 Speaker 3: going back and forth. So everybody played a part. And 304 00:17:03,920 --> 00:17:06,679 Speaker 3: another thing is I feel like everybody plays a part 305 00:17:06,680 --> 00:17:10,320 Speaker 3: on the show, like every character is active, not character. 306 00:17:10,359 --> 00:17:12,840 Speaker 3: I guess I should say every cast member is active, 307 00:17:13,320 --> 00:17:15,560 Speaker 3: like there are there's no passive person. 308 00:17:15,720 --> 00:17:17,920 Speaker 2: Will accept one. 309 00:17:18,480 --> 00:17:23,520 Speaker 3: I feel like she is passive because I don't even 310 00:17:23,600 --> 00:17:26,440 Speaker 3: know if because she's so new, I don't know if 311 00:17:26,440 --> 00:17:28,840 Speaker 3: she knows when to really get in there and really 312 00:17:29,320 --> 00:17:32,520 Speaker 3: how to work in reality TV quite yet. 313 00:17:32,840 --> 00:17:37,560 Speaker 2: And that's Tiffany. I like her, but I feel like 314 00:17:37,600 --> 00:17:38,480 Speaker 2: the audience is. 315 00:17:38,480 --> 00:17:41,520 Speaker 3: Confused by her, and I feel like she don't always 316 00:17:41,600 --> 00:17:45,000 Speaker 3: engage in the way that you know. There's a certain 317 00:17:45,040 --> 00:17:47,800 Speaker 3: thing that you gotta do when you're in a scene, 318 00:17:47,920 --> 00:17:52,080 Speaker 3: and you still gotta be real, but you gotta be involved. 319 00:17:52,280 --> 00:17:55,679 Speaker 2: You have to multiply, yes, like you gotta do something 320 00:17:56,440 --> 00:17:58,360 Speaker 2: like I can't forget that you there. 321 00:17:59,000 --> 00:18:02,560 Speaker 1: Nah, you gotta force yourself to multiply. It's the force multiplier, 322 00:18:02,680 --> 00:18:05,280 Speaker 1: like you got us. You have to be an amplified 323 00:18:05,640 --> 00:18:08,359 Speaker 1: version of yourself when you're in a scene. You have 324 00:18:08,600 --> 00:18:10,159 Speaker 1: to speak your. 325 00:18:10,040 --> 00:18:11,600 Speaker 2: Mind and you have to be present. 326 00:18:11,800 --> 00:18:16,240 Speaker 1: There's a certain force that you have to truly multiply 327 00:18:16,400 --> 00:18:18,719 Speaker 1: within yourself. It's still being you, but you know it's 328 00:18:18,720 --> 00:18:22,440 Speaker 1: an amplified version of yourself. Yes, But what I will 329 00:18:22,480 --> 00:18:25,160 Speaker 1: say to you before we move on to DC the 330 00:18:25,200 --> 00:18:29,000 Speaker 1: mid season finale of Huntsville of Courses coming up on Saturday, 331 00:18:29,880 --> 00:18:33,160 Speaker 1: and all I will say to you, guys, is you're 332 00:18:33,160 --> 00:18:34,640 Speaker 1: going to see. 333 00:18:34,400 --> 00:18:36,639 Speaker 2: Footage of the moment. 334 00:18:36,760 --> 00:18:41,880 Speaker 1: Melody went live on Instagram and all Hell Broke Loose 335 00:18:42,560 --> 00:18:46,320 Speaker 1: and on the Nightcap with Carlos King that airs right 336 00:18:46,400 --> 00:18:49,399 Speaker 1: after an all new episode of Marriage DC. I have 337 00:18:49,520 --> 00:18:52,760 Speaker 1: Miss Wanda and Marcel as my guest and I'm going 338 00:18:52,840 --> 00:18:56,880 Speaker 1: to play you guys an extended version of what happened. 339 00:18:57,160 --> 00:19:04,280 Speaker 1: So stay tuned, Stay tuned as we continue to recap 340 00:19:04,359 --> 00:19:08,000 Speaker 1: the latest in reality TV with a dj Ritchie Sky. 341 00:19:08,520 --> 00:19:16,800 Speaker 2: We'll be right back after this quick break. Here. This 342 00:19:16,960 --> 00:19:19,720 Speaker 2: is Reality with the King, and I'm Carlos King. 343 00:19:20,240 --> 00:19:26,040 Speaker 1: Let's get back into my conversation with dj Ritchie Sky. 344 00:19:26,960 --> 00:19:31,040 Speaker 1: Let's get into your other fave, Love and Marriage DC. 345 00:19:33,440 --> 00:19:35,840 Speaker 1: So what do you think about the show so far? 346 00:19:36,000 --> 00:19:39,200 Speaker 1: Obviously it's the newest franchise from Love and Marriage and 347 00:19:39,240 --> 00:19:42,360 Speaker 1: the stars who we both love, Monique Samuels. 348 00:19:42,720 --> 00:19:44,280 Speaker 2: I love it, I do. 349 00:19:44,720 --> 00:19:47,359 Speaker 3: And you know what's funny about this show is, and 350 00:19:47,440 --> 00:19:50,320 Speaker 3: I don't know where we are in terms of how 351 00:19:50,359 --> 00:19:54,080 Speaker 3: close we are to the finale, but I feel like 352 00:19:54,280 --> 00:19:58,360 Speaker 3: the door has just really started to open. And what 353 00:19:58,400 --> 00:20:00,639 Speaker 3: I like about this show is that I feel like 354 00:20:00,840 --> 00:20:04,679 Speaker 3: I'm starting to see more of these personal stories, Like 355 00:20:04,760 --> 00:20:08,119 Speaker 3: this particular episode that just passed last week was so 356 00:20:08,280 --> 00:20:12,240 Speaker 3: important for us as the audience to get to know Ashley, 357 00:20:12,760 --> 00:20:17,239 Speaker 3: because so far, Ashley has been involved in controversy and 358 00:20:17,560 --> 00:20:21,000 Speaker 3: we've seen her story through the lens of her dealings 359 00:20:21,040 --> 00:20:25,119 Speaker 3: with Quick. But in this episode, we really got to 360 00:20:25,280 --> 00:20:29,399 Speaker 3: see what she's going through and understand who she is 361 00:20:29,560 --> 00:20:33,680 Speaker 3: as a person. And I'm waiting to see the same 362 00:20:33,760 --> 00:20:38,400 Speaker 3: thing with Jamie, Okay, because I feel as though Jamie 363 00:20:38,760 --> 00:20:41,760 Speaker 3: could open up a little bit more. Okay, that's number one, 364 00:20:42,359 --> 00:20:45,960 Speaker 3: because I feel like with him, we're getting his story 365 00:20:46,080 --> 00:20:50,520 Speaker 3: through the lens of Arena and his kids, but I 366 00:20:50,600 --> 00:20:54,280 Speaker 3: feel like he ain't really opened up quite like Quick 367 00:20:54,359 --> 00:20:56,520 Speaker 3: and Chris have quite yet. 368 00:20:57,119 --> 00:21:00,600 Speaker 1: Yes, not now, And your feelings are accurate, absolute, And 369 00:21:00,640 --> 00:21:03,920 Speaker 1: we addressed that after Reunion, and what I will say 370 00:21:04,000 --> 00:21:06,840 Speaker 1: to you is there's a reason why he wasn't as 371 00:21:06,920 --> 00:21:11,200 Speaker 1: open the first season, and again we addressed it after Reunion, 372 00:21:11,280 --> 00:21:15,359 Speaker 1: which by the way, is explosive and everything. And I 373 00:21:15,600 --> 00:21:18,399 Speaker 1: just I just watched part two of the Love and 374 00:21:18,440 --> 00:21:22,119 Speaker 1: Marriage DC reunion and when I say to you, I 375 00:21:22,200 --> 00:21:24,000 Speaker 1: thought I was in the middle of a Fourth of 376 00:21:24,080 --> 00:21:26,880 Speaker 1: July parade because it was nothing but fireworks. 377 00:21:27,119 --> 00:21:31,800 Speaker 2: Who shocked you the most? Winter? Who? Okay, can I 378 00:21:31,840 --> 00:21:33,600 Speaker 2: tell you something? She's good. 379 00:21:34,040 --> 00:21:36,960 Speaker 1: Every once in a while you meet people who were 380 00:21:37,000 --> 00:21:38,680 Speaker 1: meant to be on reality TV. 381 00:21:39,320 --> 00:21:41,080 Speaker 2: Winter is definitely one of those people. 382 00:21:41,480 --> 00:21:44,720 Speaker 1: Winter has this look in her eye that I as 383 00:21:44,760 --> 00:21:49,080 Speaker 1: the king of reality TV. I'm like, oh, baby, you've 384 00:21:49,080 --> 00:21:52,200 Speaker 1: been waiting for this your whole life. So, speaking of Winter, 385 00:21:52,440 --> 00:21:55,639 Speaker 1: her and Arena had a very explosive sit down based 386 00:21:55,680 --> 00:22:02,200 Speaker 1: on Areina discovering through Ashley that gave Arena's husband Jamie 387 00:22:02,560 --> 00:22:07,520 Speaker 1: a nickname, calling him the Real Life Special because allegedly 388 00:22:08,680 --> 00:22:11,520 Speaker 1: Arena was calling him very late at night and he 389 00:22:11,600 --> 00:22:13,920 Speaker 1: wasn't answering his phone, and then he called her back 390 00:22:14,480 --> 00:22:16,680 Speaker 1: and she said where are you or where were you? 391 00:22:17,160 --> 00:22:20,720 Speaker 1: And allegedly he said, oh I fell asleep out of 392 00:22:20,760 --> 00:22:22,880 Speaker 1: real life. What did you think of that sit down 393 00:22:22,880 --> 00:22:28,720 Speaker 1: between Arena and Winter? Because Arena, to me, always came 394 00:22:28,760 --> 00:22:32,760 Speaker 1: across us very dignified and classy and elegant and very 395 00:22:32,880 --> 00:22:36,760 Speaker 1: grown one, very very Kimmy from Junceville. 396 00:22:36,880 --> 00:22:41,160 Speaker 3: Right listen, I'm glad you mentioned Kimmy because Kimmy has 397 00:22:41,200 --> 00:22:44,360 Speaker 3: a way of putting people in their place without raising 398 00:22:44,400 --> 00:22:49,159 Speaker 3: her voice, not one octave, okay, not at all. But 399 00:22:49,440 --> 00:22:53,080 Speaker 3: she gets them together nice and quick. Okay, I ain't 400 00:22:53,080 --> 00:22:54,119 Speaker 3: ever seen nothing like it. 401 00:22:54,920 --> 00:22:57,280 Speaker 2: Dignified. Now, that's dignified, now. 402 00:22:57,240 --> 00:23:01,520 Speaker 3: See Arena, Okay, she definitely was stepping outside of herself 403 00:23:01,880 --> 00:23:04,080 Speaker 3: and I felt, you know, I felt bad for But 404 00:23:04,240 --> 00:23:07,560 Speaker 3: I do love a sit down ponderosa and I got 405 00:23:07,560 --> 00:23:10,679 Speaker 3: pondorosa from Jackie Christy out of Basketball Wives. But I 406 00:23:10,760 --> 00:23:16,040 Speaker 3: love a one on one ponderosa between two cast members 407 00:23:16,080 --> 00:23:20,359 Speaker 3: when things get heated because ain't nobody else around to referee. 408 00:23:20,560 --> 00:23:24,680 Speaker 3: Can't nobody tag team nobody? This is a fair one 409 00:23:24,720 --> 00:23:29,120 Speaker 3: on one discussion, and it is about whether or not 410 00:23:30,000 --> 00:23:32,360 Speaker 3: this woman was gossiping about her husband. 411 00:23:32,480 --> 00:23:35,719 Speaker 2: But it's a story that Arena actually told her, So 412 00:23:36,320 --> 00:23:41,720 Speaker 2: for me, it wasn't like she told a lie. She 413 00:23:41,920 --> 00:23:43,760 Speaker 2: told what you told her. 414 00:23:44,600 --> 00:23:47,320 Speaker 3: Now whether or not you thought that was gonna go anywhere, 415 00:23:47,440 --> 00:23:52,680 Speaker 3: the cameras caught it, you know. And I like Arena though, 416 00:23:52,840 --> 00:23:55,080 Speaker 3: I like her, but I feel like things about to 417 00:23:55,119 --> 00:23:58,840 Speaker 3: go real left when she asked her if she's messed 418 00:23:58,920 --> 00:24:01,600 Speaker 3: up in the head because of her relationships from the past. 419 00:24:02,680 --> 00:24:05,240 Speaker 1: But this is reality with the King, and we have 420 00:24:05,359 --> 00:24:09,840 Speaker 1: the explicit rating so we can cuss, she said, are 421 00:24:09,880 --> 00:24:11,280 Speaker 1: you mentally fucked up? 422 00:24:11,359 --> 00:24:13,760 Speaker 2: Now? That's what she said, now, child, that's what she said. 423 00:24:14,040 --> 00:24:15,800 Speaker 2: But no, I was gagging the whole time. 424 00:24:15,880 --> 00:24:18,040 Speaker 1: And for me, all I can say to you, guys 425 00:24:18,200 --> 00:24:22,080 Speaker 1: is when you watch Saturday's episode, it's the continuation of 426 00:24:22,119 --> 00:24:25,880 Speaker 1: Arena and Winter Richie. All I can say to you 427 00:24:26,160 --> 00:24:30,320 Speaker 1: is Arena was giving very much little Kim versus faith 428 00:24:30,320 --> 00:24:35,080 Speaker 1: events like Arena, gay grown woman. I'm not gonna spoil 429 00:24:35,080 --> 00:24:39,040 Speaker 1: it for you, guys. It was get up off the seat, 430 00:24:39,119 --> 00:24:41,320 Speaker 1: pointing fingers in the face because I'm checking you. 431 00:24:41,560 --> 00:24:43,000 Speaker 2: My favorite line. 432 00:24:42,960 --> 00:24:45,520 Speaker 1: Of that episode, that is the key key to me. 433 00:24:45,920 --> 00:24:50,199 Speaker 1: I'll give you a little snippet. Arena tells Winter you 434 00:24:50,240 --> 00:24:51,400 Speaker 1: don't know who you fucking with? 435 00:24:51,680 --> 00:24:56,240 Speaker 2: Winter says not much. I'm like the girls are light. 436 00:24:56,960 --> 00:24:59,439 Speaker 1: I was honey, I was gagged. See that's the thing 437 00:24:59,480 --> 00:25:02,760 Speaker 1: about me. I love a good quick read and I. 438 00:25:02,760 --> 00:25:05,680 Speaker 2: Thought that was hilarious personally. No, sh no, she called 439 00:25:05,680 --> 00:25:09,000 Speaker 2: her machine queen when she walked in the door. Okay, 440 00:25:09,560 --> 00:25:12,119 Speaker 2: did you miss step? She called her machine? 441 00:25:12,280 --> 00:25:16,800 Speaker 1: Whose side? Are you on a Raina or Winters? Why 442 00:25:16,880 --> 00:25:20,000 Speaker 1: you tell my business friend that's that's that's how we're coming. 443 00:25:20,440 --> 00:25:22,680 Speaker 1: So for real, for real, I'm on the Raina side. 444 00:25:23,119 --> 00:25:26,600 Speaker 1: But Winter is just so funny. In these situations, you 445 00:25:26,680 --> 00:25:29,520 Speaker 1: almost can't help but not be mad. Okay, So technically 446 00:25:29,600 --> 00:25:32,600 Speaker 1: I would be on the raina side because in real life, 447 00:25:33,000 --> 00:25:35,399 Speaker 1: like let's just say, I if I was having a 448 00:25:35,440 --> 00:25:39,320 Speaker 1: conversation with you and I told you that story and 449 00:25:39,359 --> 00:25:41,400 Speaker 1: then I got to hear about that story from somebody else, 450 00:25:41,480 --> 00:25:43,920 Speaker 1: I'm coming to you. I want to ask my listeners, 451 00:25:43,960 --> 00:25:47,720 Speaker 1: this is it really to give someone's husband a nickname? 452 00:25:47,840 --> 00:25:49,760 Speaker 1: So I want you guys to hit me up on 453 00:25:49,920 --> 00:25:55,400 Speaker 1: Twitter and hashtag reality with the King. Now, Richie, you're married? 454 00:25:55,720 --> 00:25:59,640 Speaker 1: Mm hmm if I gave your husband. 455 00:25:59,119 --> 00:26:00,760 Speaker 2: Don't you do it? Yes? 456 00:26:00,800 --> 00:26:04,679 Speaker 3: It is rude, okay, so fast. 457 00:26:05,640 --> 00:26:08,840 Speaker 1: I couldn't even get out of I could even get 458 00:26:08,880 --> 00:26:09,800 Speaker 1: out the question. 459 00:26:10,480 --> 00:26:15,480 Speaker 2: And I'm saying, okay, now you mentioned. 460 00:26:15,200 --> 00:26:18,760 Speaker 1: Jackie Christy and a ponderosa. So I've been watching this 461 00:26:18,840 --> 00:26:20,200 Speaker 1: season of Basketball Wives. 462 00:26:20,280 --> 00:26:21,480 Speaker 2: I know you've been watching it. 463 00:26:21,760 --> 00:26:26,800 Speaker 1: I tweeted that as a loyal fan of Basketball Wives, 464 00:26:27,200 --> 00:26:31,640 Speaker 1: the show needs a force multiplier. Now I'm gonna be real. 465 00:26:31,840 --> 00:26:33,800 Speaker 1: Jennifer Williams is one of my babies. 466 00:26:34,000 --> 00:26:34,760 Speaker 2: I love her. 467 00:26:35,160 --> 00:26:38,240 Speaker 1: This podcast is about honesty and this is no distant Jennifer. 468 00:26:38,320 --> 00:26:43,000 Speaker 1: Because Jennifer obviously is an OG. This season of Basketball 469 00:26:43,040 --> 00:26:47,439 Speaker 1: Wives has been so you know that calm app that 470 00:26:47,520 --> 00:26:52,280 Speaker 1: plays like waterfalls and like you know, interrupting volcanos and 471 00:26:52,320 --> 00:26:56,800 Speaker 1: stuff like that. Right, Basketball Wives is my new calm 472 00:26:56,840 --> 00:26:59,160 Speaker 1: app because this season Houdie is a sleeper. 473 00:27:01,240 --> 00:27:02,720 Speaker 2: I grew up. 474 00:27:03,320 --> 00:27:08,160 Speaker 1: Loving Laguna Beach, the Hills and you know, like these 475 00:27:08,240 --> 00:27:10,920 Speaker 1: legendary right reality shows. 476 00:27:11,560 --> 00:27:13,520 Speaker 2: Basketball Wise was always. 477 00:27:13,160 --> 00:27:17,800 Speaker 1: One of my favorites, right, and I was disappointed when 478 00:27:17,800 --> 00:27:20,600 Speaker 1: I learned like Evelyn was leaving and Tammy was leaving 479 00:27:20,640 --> 00:27:22,520 Speaker 1: and Shanni was off getting married. 480 00:27:22,280 --> 00:27:23,560 Speaker 2: Like what's up with my show? 481 00:27:23,880 --> 00:27:27,480 Speaker 1: And this season they brought back some familiar faces, but 482 00:27:27,640 --> 00:27:31,520 Speaker 1: similar to how people are asking, you know, Bravo to 483 00:27:31,560 --> 00:27:36,600 Speaker 1: give them like og legacy of OC, these women on 484 00:27:36,640 --> 00:27:40,479 Speaker 1: this current season aren't keeping my attention. It truly, to 485 00:27:40,560 --> 00:27:43,640 Speaker 1: me is the Angel Brink show, which isn't saying a lot. 486 00:27:44,359 --> 00:27:47,120 Speaker 1: And that's no shade Angel Brinks. She's not a force multiplier. 487 00:27:47,640 --> 00:27:51,679 Speaker 1: She's a sweetheart, she's a hustler, but she's not a 488 00:27:51,760 --> 00:27:55,240 Speaker 1: leading cast member. And one thing about my girl Jen, 489 00:27:55,560 --> 00:27:58,080 Speaker 1: Jen is with the shits. Jen isn't the one who 490 00:27:58,160 --> 00:28:00,720 Speaker 1: causes that. Jen knows how to carry she's you know, 491 00:28:01,040 --> 00:28:04,080 Speaker 1: she's like a bone carrier. And Jackie Christy could be 492 00:28:04,160 --> 00:28:07,040 Speaker 1: a force multiplier, but I think the women think she's 493 00:28:07,080 --> 00:28:09,679 Speaker 1: a joke and they don't take her seriously enough to 494 00:28:09,760 --> 00:28:11,160 Speaker 1: give her the respect that I. 495 00:28:11,080 --> 00:28:14,080 Speaker 2: Think she may deserve just on seniority. 496 00:28:14,359 --> 00:28:18,280 Speaker 1: But a force multiplier also has to be somebody that 497 00:28:18,320 --> 00:28:20,680 Speaker 1: the other cast members can respect, and I don't think 498 00:28:20,720 --> 00:28:23,720 Speaker 1: they respect her like that. So I feel like the 499 00:28:23,800 --> 00:28:27,720 Speaker 1: show desperately needs Evelyn back. It needs Tammy, it needs Shannie, 500 00:28:28,040 --> 00:28:30,480 Speaker 1: it needs Jen to be around those ladies. 501 00:28:30,560 --> 00:28:32,520 Speaker 2: Jackie Christy can be around those ladies. 502 00:28:32,640 --> 00:28:37,960 Speaker 1: Bring back Lord Gavon, Bring back Royce, you know, bring 503 00:28:38,120 --> 00:28:42,480 Speaker 1: back Gloria Honey who read the Girls by herself with 504 00:28:42,560 --> 00:28:45,240 Speaker 1: no help. I feel like this season is lacking that, 505 00:28:45,560 --> 00:28:46,959 Speaker 1: and I'm not into it. 506 00:28:47,240 --> 00:28:51,200 Speaker 3: Here's my thought about it. I agree number one, I 507 00:28:51,320 --> 00:28:54,520 Speaker 3: definitely agree. But you know what though, I feel like sometimes, 508 00:28:54,680 --> 00:28:58,880 Speaker 3: especially with shows that I recap and they are filled 509 00:28:58,920 --> 00:29:01,440 Speaker 3: with women of color or people of color or black 510 00:29:01,480 --> 00:29:05,120 Speaker 3: people in general, I feel and I shouldn't feel like this, 511 00:29:05,200 --> 00:29:08,280 Speaker 3: but I feel like it is my duty to a 512 00:29:08,640 --> 00:29:12,480 Speaker 3: recap it, let people know it's on, and support the 513 00:29:12,520 --> 00:29:14,720 Speaker 3: show in some type of way, right, So if I 514 00:29:14,760 --> 00:29:18,440 Speaker 3: got to make it entertaining, I do that, okay through 515 00:29:18,480 --> 00:29:23,000 Speaker 3: my reviews, and I find myself working extra hard to 516 00:29:23,160 --> 00:29:28,160 Speaker 3: make it entertaining through my reviews. So that tells me that, ay, 517 00:29:29,000 --> 00:29:32,479 Speaker 3: you're right, they do need someone who can get the 518 00:29:32,520 --> 00:29:36,200 Speaker 3: party started, and can't nobody get those that party started like. 519 00:29:36,320 --> 00:29:39,240 Speaker 2: An Evelyn, like a Tammy. You know what I'm saying. 520 00:29:39,680 --> 00:29:43,200 Speaker 3: Listen, Gloria, anytime she set foot in a scene, she 521 00:29:43,360 --> 00:29:46,360 Speaker 3: changed the energy and the temperature in the room. I 522 00:29:46,360 --> 00:29:49,040 Speaker 3: could not understand for the life of me why, but 523 00:29:49,200 --> 00:29:49,680 Speaker 3: she did. 524 00:29:49,880 --> 00:29:50,560 Speaker 2: And here's the thing. 525 00:29:50,600 --> 00:29:52,400 Speaker 3: When they said that they were bringing back some of 526 00:29:52,400 --> 00:29:54,479 Speaker 3: these other ladies, I felt like they were trying to 527 00:29:54,600 --> 00:29:57,840 Speaker 3: trying to cleanse our palates from that last dismal, disastrous 528 00:29:57,840 --> 00:30:00,880 Speaker 3: season that they gave us, which I'm not even gonna 529 00:30:00,880 --> 00:30:04,200 Speaker 3: get into right now, but I felt like in doing so, 530 00:30:04,360 --> 00:30:07,400 Speaker 3: they over corrected because they've now taken away a lot 531 00:30:07,400 --> 00:30:08,480 Speaker 3: of the life from the show. 532 00:30:08,560 --> 00:30:08,720 Speaker 2: Now. 533 00:30:08,800 --> 00:30:12,360 Speaker 3: Granted, Jackie Christie to me is a staple on the show, 534 00:30:12,440 --> 00:30:14,880 Speaker 3: but Jackie Christie to me is comic relief. 535 00:30:15,360 --> 00:30:17,920 Speaker 2: And Jackie also needs to be revved up. 536 00:30:18,080 --> 00:30:21,400 Speaker 3: Okay, she works better in a team like that, but 537 00:30:21,480 --> 00:30:25,040 Speaker 3: she's got to be surrounded by strong players. And right now, 538 00:30:25,360 --> 00:30:28,440 Speaker 3: this Malaysia and Brandy situation ain't really giving me what 539 00:30:28,560 --> 00:30:29,720 Speaker 3: I thought it was gonna give. 540 00:30:30,120 --> 00:30:32,720 Speaker 1: It's been so dragged out and it's to the point 541 00:30:32,760 --> 00:30:35,320 Speaker 1: now where I don't give a damn don't talk to 542 00:30:35,360 --> 00:30:35,800 Speaker 1: each other. 543 00:30:36,040 --> 00:30:36,920 Speaker 2: So let's talk. 544 00:30:36,840 --> 00:30:40,760 Speaker 1: About the Real Housewives of Atlanta and this past week's episode. 545 00:30:41,320 --> 00:30:45,600 Speaker 1: Last week, I gave that episode a C plus. My 546 00:30:45,800 --> 00:30:48,840 Speaker 1: grade for the first episode was a B plus. The 547 00:30:48,960 --> 00:30:52,280 Speaker 1: second episode I gave a D and the d sipper 548 00:30:52,360 --> 00:30:56,760 Speaker 1: drew and then the third fourth I was like, eh, 549 00:30:56,960 --> 00:30:58,720 Speaker 1: the fifth episode I gave an A. 550 00:30:59,640 --> 00:31:00,080 Speaker 2: So. 551 00:31:00,000 --> 00:31:04,280 Speaker 1: So this past week's episode, listen to. 552 00:31:04,160 --> 00:31:05,760 Speaker 2: Me, loud and clear. 553 00:31:05,920 --> 00:31:09,960 Speaker 1: Oh, this most recent episode of the Real Hospitals of 554 00:31:09,960 --> 00:31:13,320 Speaker 1: Atlanta was the best episode of the season. 555 00:31:13,760 --> 00:31:15,120 Speaker 2: Boom, listen. 556 00:31:15,680 --> 00:31:17,800 Speaker 3: If you had said anything other than that, I was 557 00:31:17,800 --> 00:31:19,800 Speaker 3: gonna we was gonna really have to have a sit 558 00:31:19,880 --> 00:31:24,600 Speaker 3: down in a discussion. Okay, because I gave this episode 559 00:31:24,640 --> 00:31:28,560 Speaker 3: a tens across the board. For the first time this season, 560 00:31:28,800 --> 00:31:32,840 Speaker 3: I'm giving this episode an A plus. 561 00:31:33,520 --> 00:31:36,080 Speaker 2: What made it a plus? 562 00:31:36,280 --> 00:31:40,480 Speaker 1: For Carlos King It was the first episode this season 563 00:31:41,080 --> 00:31:45,160 Speaker 1: where everything was real and it wasn't somebody looking to 564 00:31:45,200 --> 00:31:49,360 Speaker 1: have a moment, Sonya. It wasn't somebody looking to make 565 00:31:49,720 --> 00:31:55,120 Speaker 1: a moment happen Drew and Ralph, everybody was invested. It 566 00:31:55,160 --> 00:31:58,880 Speaker 1: was real conversations. It was reality happening right before my 567 00:31:59,160 --> 00:32:02,280 Speaker 1: brown eyes. I mean the fact that they called Candy 568 00:32:02,320 --> 00:32:06,080 Speaker 1: and Todd receiving a phone call that some stalker was 569 00:32:06,120 --> 00:32:06,600 Speaker 1: at her. 570 00:32:06,600 --> 00:32:09,680 Speaker 2: Gate, and then the genius of. 571 00:32:09,720 --> 00:32:14,040 Speaker 1: The producers to say, let's send a camera crew to 572 00:32:14,360 --> 00:32:18,200 Speaker 1: follow Candy and Todd in this moment that was spectacular. 573 00:32:18,640 --> 00:32:23,600 Speaker 1: And Sonya, who last week I said was unlikable because 574 00:32:23,640 --> 00:32:26,440 Speaker 1: she was looking for a moment, she had these rehearse reads. 575 00:32:26,680 --> 00:32:31,120 Speaker 1: I enjoyed that very special scene between her and her husband. 576 00:32:30,880 --> 00:32:32,080 Speaker 2: Because it was real. 577 00:32:32,760 --> 00:32:36,600 Speaker 1: She was really terrified to have that conversation with him 578 00:32:36,640 --> 00:32:40,520 Speaker 1: on the camera, and you felt the uncomfortableness in that 579 00:32:40,720 --> 00:32:41,680 Speaker 1: scene and it. 580 00:32:41,680 --> 00:32:42,520 Speaker 2: Was so real. 581 00:32:42,840 --> 00:32:45,280 Speaker 1: I've also said I've been hard on Drew because I 582 00:32:45,280 --> 00:32:48,440 Speaker 1: felt that Drew and Ralph was studying Martell and Melody 583 00:32:48,480 --> 00:32:51,080 Speaker 1: Hoats and they were giving me a script based upon 584 00:32:51,720 --> 00:32:56,040 Speaker 1: what TD Jake's created and what Robin Gibbons directed, Honey, 585 00:32:57,160 --> 00:32:59,560 Speaker 1: and I wasn't here for any of those things. So 586 00:32:59,680 --> 00:33:03,080 Speaker 1: I was happy that even Drew had a moment. But 587 00:33:03,240 --> 00:33:05,440 Speaker 1: I want to hear from my boy, Ritchie. 588 00:33:05,880 --> 00:33:09,400 Speaker 3: I loved every single thing about this episode from start 589 00:33:09,440 --> 00:33:12,640 Speaker 3: to finish. I feel like you felt everybody was active 590 00:33:12,800 --> 00:33:17,200 Speaker 3: in this episode. Everybody. Sonya was active that scene with 591 00:33:17,280 --> 00:33:19,800 Speaker 3: her husband, and I know it's a good episode when 592 00:33:19,840 --> 00:33:23,360 Speaker 3: I'm mad. I was so mad at Ross for the 593 00:33:23,400 --> 00:33:26,960 Speaker 3: way he responded to her, because she is telling you 594 00:33:27,120 --> 00:33:31,080 Speaker 3: she needs help, and here you go talking about you 595 00:33:31,160 --> 00:33:34,920 Speaker 3: would resent her if she didn't have another baby while 596 00:33:34,960 --> 00:33:38,040 Speaker 3: you still running off around here, going down to Austin 597 00:33:38,120 --> 00:33:40,320 Speaker 3: or whatever you're going, if you don't hire some employees 598 00:33:40,360 --> 00:33:43,000 Speaker 3: down there, or do and delegate or do something. And 599 00:33:43,040 --> 00:33:45,760 Speaker 3: that brings me to another point. I don't understand why 600 00:33:46,080 --> 00:33:49,920 Speaker 3: Sonya is asking Drew or Ralph for any marital advice. 601 00:33:50,400 --> 00:33:52,440 Speaker 3: I don't know what they marriage is like in real life, 602 00:33:52,600 --> 00:33:54,880 Speaker 3: but I know what they present on the show. And 603 00:33:54,920 --> 00:33:57,240 Speaker 3: based on what they present on the show, the fact 604 00:33:57,280 --> 00:33:59,400 Speaker 3: that Sonya is asking both of them what they were 605 00:33:59,440 --> 00:34:02,320 Speaker 3: doing this that YOUU that's a problem you want. That's 606 00:34:02,360 --> 00:34:04,520 Speaker 3: the wrong role right there. Like I'm like, girl, what 607 00:34:04,560 --> 00:34:05,080 Speaker 3: are you doing? 608 00:34:05,720 --> 00:34:06,560 Speaker 2: And I'm like. 609 00:34:06,560 --> 00:34:08,680 Speaker 3: Sonya, you need to be taking some of the anger 610 00:34:08,680 --> 00:34:11,880 Speaker 3: that you're throwing Drew's way, like for whatever reason, and 611 00:34:11,920 --> 00:34:13,600 Speaker 3: you need to be tossing it to Ross. 612 00:34:13,800 --> 00:34:16,839 Speaker 1: I agree with you because I said to my listeners 613 00:34:16,960 --> 00:34:20,040 Speaker 1: that the reason why Sonya picked on Drew is because 614 00:34:20,080 --> 00:34:22,680 Speaker 1: Sonya needed a moment. When you are a new housewife, 615 00:34:22,880 --> 00:34:25,640 Speaker 1: you have to have your moment, and she thought that 616 00:34:25,760 --> 00:34:28,200 Speaker 1: Drew was an easy target. Because, in my opinion, I 617 00:34:28,280 --> 00:34:31,360 Speaker 1: agree with Drew. She was cloud chasing Kenya and Candy 618 00:34:31,440 --> 00:34:32,320 Speaker 1: for that photo shoot. 619 00:34:32,320 --> 00:34:35,560 Speaker 2: So I'm with you, and I like that moment between them. 620 00:34:35,640 --> 00:34:42,080 Speaker 1: And speaking of moments that I love ladies and gentlemen. 621 00:34:42,200 --> 00:34:49,719 Speaker 2: Kenya Moore is back, baby. I enjoyed seeing the old kinga. 622 00:34:49,440 --> 00:34:53,200 Speaker 1: Back and baby shout out Tomorrolow Patrice Hampton for doing it, 623 00:34:53,320 --> 00:34:57,799 Speaker 1: and she gave a great tongue lashing tomorrow. 624 00:34:58,200 --> 00:35:00,920 Speaker 3: Can I tell you that this is my favorite season 625 00:35:01,040 --> 00:35:03,520 Speaker 3: for Kenya because I felt like that battle went on 626 00:35:03,640 --> 00:35:07,360 Speaker 3: for so long it became stale, and it felt like 627 00:35:07,400 --> 00:35:10,480 Speaker 3: they were both just better one and I felt like 628 00:35:10,560 --> 00:35:13,520 Speaker 3: it weighed them down. I don't feel like Kenya is 629 00:35:13,800 --> 00:35:18,240 Speaker 3: weighed down by that beef anymore. So she feels freer 630 00:35:18,280 --> 00:35:20,279 Speaker 3: to me. I don't know, I just I am in 631 00:35:20,320 --> 00:35:23,600 Speaker 3: love with her this season, that moment with her and Candy. 632 00:35:24,280 --> 00:35:28,200 Speaker 3: I love that moment Candy is activated. And listen, I 633 00:35:28,200 --> 00:35:32,080 Speaker 3: always feel like reality TV you have either your protagonist 634 00:35:32,200 --> 00:35:36,080 Speaker 3: or your antagonist, right, and your antagonist can fall into 635 00:35:36,080 --> 00:35:39,200 Speaker 3: two categories, a straight up villain or an anti hero. 636 00:35:39,480 --> 00:35:39,640 Speaker 2: Right. 637 00:35:40,200 --> 00:35:43,080 Speaker 3: The protagonist the hero They not really usually doing nothing 638 00:35:43,080 --> 00:35:45,080 Speaker 3: to nobody. They got their own little stories and things 639 00:35:45,120 --> 00:35:46,839 Speaker 3: like that, but they need to be revveed up every 640 00:35:46,920 --> 00:35:47,480 Speaker 3: now and again. 641 00:35:47,680 --> 00:35:48,799 Speaker 2: Okay, And I. 642 00:35:48,760 --> 00:35:53,279 Speaker 3: Felt like Candy has been revveed up this season, and that, ultimately, 643 00:35:53,360 --> 00:35:55,799 Speaker 3: I feel like makes for a better season because it 644 00:35:55,920 --> 00:36:00,560 Speaker 3: makes her more active with the ladies, because typically she more. 645 00:36:00,440 --> 00:36:03,600 Speaker 2: Active with her business. Yes, not a bad thing. 646 00:36:03,800 --> 00:36:05,880 Speaker 1: It's not a bad thing, but it's also not the 647 00:36:06,000 --> 00:36:10,120 Speaker 1: greatest television to watch, right, right, And what you were 648 00:36:10,160 --> 00:36:13,560 Speaker 1: saying is so true. I love Candy. When Candy's activated. 649 00:36:14,160 --> 00:36:19,600 Speaker 1: Candy loves when she is the topic of conversation on 650 00:36:19,719 --> 00:36:22,719 Speaker 1: the show, and she should. She's a reality star and 651 00:36:22,760 --> 00:36:25,120 Speaker 1: she's on the show. So when you got to saying, 652 00:36:25,160 --> 00:36:29,160 Speaker 1: we want Marlow fire because she's making Candy mad, Candy 653 00:36:29,480 --> 00:36:31,800 Speaker 1: refuses to be a part of anything whack. 654 00:36:31,960 --> 00:36:32,680 Speaker 2: So amen. 655 00:36:33,080 --> 00:36:36,960 Speaker 1: She and I would have tons of conversations about like Carlos, 656 00:36:37,040 --> 00:36:38,880 Speaker 1: I don't want to be boring, I don't want to 657 00:36:38,880 --> 00:36:39,280 Speaker 1: be whack. 658 00:36:39,480 --> 00:36:40,520 Speaker 2: I love that about her. 659 00:36:40,719 --> 00:36:47,240 Speaker 1: So that moment between Candy, Charae and Marlowe at the spa, 660 00:36:48,120 --> 00:36:51,439 Speaker 1: when Candy walked in, Candy had an attitude. 661 00:36:51,560 --> 00:36:54,319 Speaker 2: I think we all saw that, right, I could tell that. 662 00:36:54,719 --> 00:36:58,000 Speaker 1: So what y'all don't know is when you're a producer 663 00:36:58,040 --> 00:37:01,120 Speaker 1: on that show, you as the produce sir, always have 664 00:37:01,200 --> 00:37:03,120 Speaker 1: to let the ladies know like what they're going to 665 00:37:03,160 --> 00:37:05,560 Speaker 1: be doing sometimes right, like not all. 666 00:37:05,480 --> 00:37:07,719 Speaker 2: The time, but some time because they have to dress appropriately. 667 00:37:07,960 --> 00:37:13,200 Speaker 1: Because I know Candy money bag Burris. It is my belief, 668 00:37:13,320 --> 00:37:15,520 Speaker 1: and again no one's I don't talk to the producers 669 00:37:15,520 --> 00:37:17,759 Speaker 1: because I like to talk to you guys freely with 670 00:37:17,800 --> 00:37:18,799 Speaker 1: my own assumptions. 671 00:37:18,880 --> 00:37:20,319 Speaker 2: Right. I believe that. 672 00:37:20,320 --> 00:37:22,920 Speaker 1: Candy pulled up to the scene and I believe that 673 00:37:23,000 --> 00:37:25,759 Speaker 1: they were like, Uh, what are you wearing? This is 674 00:37:25,760 --> 00:37:29,000 Speaker 1: a spa, And I believe Candy was like, no one 675 00:37:29,040 --> 00:37:29,480 Speaker 1: told me what. 676 00:37:29,440 --> 00:37:31,279 Speaker 2: Was a spa? I got a meaning to go to 677 00:37:31,400 --> 00:37:34,840 Speaker 2: after this, and she was pissed. So when she walked in. 678 00:37:35,040 --> 00:37:36,120 Speaker 2: That's why she was on ten. 679 00:37:36,280 --> 00:37:38,560 Speaker 1: And the reason why I know that is because she 680 00:37:38,600 --> 00:37:40,000 Speaker 1: would do that to me sometimes. 681 00:37:40,080 --> 00:37:44,960 Speaker 2: And then secondly, when marlow esher was like, oh girl, 682 00:37:45,080 --> 00:37:46,560 Speaker 2: you're not going to get in, she. 683 00:37:47,239 --> 00:37:50,560 Speaker 1: Got so mad and I said, oh, she's filling the 684 00:37:50,640 --> 00:37:53,880 Speaker 1: fire based on a conversation she had outside with the producer. 685 00:37:54,000 --> 00:37:56,480 Speaker 1: So that's why, guys, in my opinion, she came in 686 00:37:56,520 --> 00:37:58,520 Speaker 1: on ten because y'all were asking about that too, like 687 00:37:59,040 --> 00:38:01,320 Speaker 1: why is she on ten? That's the reason why I 688 00:38:01,320 --> 00:38:04,879 Speaker 1: feel she was on ten. So anyways, it all worked 689 00:38:04,880 --> 00:38:08,880 Speaker 1: to their benefit because Candy let Marlowe have it and 690 00:38:09,120 --> 00:38:11,040 Speaker 1: I loved it. 691 00:38:11,320 --> 00:38:12,000 Speaker 2: I did it too. 692 00:38:12,560 --> 00:38:14,920 Speaker 3: Listen, I could tell it was going there. When Candy's 693 00:38:14,960 --> 00:38:18,320 Speaker 3: voice get the trembling, okay, and her hand get to raising, 694 00:38:18,960 --> 00:38:23,680 Speaker 3: I know that's when she's about to unleash. And what 695 00:38:23,719 --> 00:38:26,479 Speaker 3: the thing that is great about Candy is she's going 696 00:38:26,560 --> 00:38:30,960 Speaker 3: to give you emotion when she's upset. And it's not 697 00:38:31,000 --> 00:38:33,279 Speaker 3: that I want to say that I like that, but 698 00:38:33,400 --> 00:38:37,719 Speaker 3: it tells me she feels something, yes, And I think 699 00:38:37,800 --> 00:38:40,760 Speaker 3: as viewers, we want to know that you feel something 700 00:38:40,920 --> 00:38:44,480 Speaker 3: in that moment exactly. And that's the reason why this 701 00:38:44,560 --> 00:38:49,280 Speaker 3: episode was spectacular is because every single peach holder felt 702 00:38:49,280 --> 00:38:50,560 Speaker 3: something in their scenes. 703 00:38:50,680 --> 00:38:55,080 Speaker 2: It was genuine, it was real, and I want more 704 00:38:55,080 --> 00:38:55,399 Speaker 2: of that. 705 00:38:55,840 --> 00:38:59,520 Speaker 1: So my hope is that after this episode we get 706 00:38:59,520 --> 00:39:02,839 Speaker 1: to see more those great scenes, and if we do, 707 00:39:03,200 --> 00:39:06,520 Speaker 1: then I do believe, ladies and gentlemen, we are in 708 00:39:06,640 --> 00:39:11,640 Speaker 1: store for a great season of the Real Housewives of Atlanta. 709 00:39:12,160 --> 00:39:16,040 Speaker 1: And speaking of a good season, I just announced that 710 00:39:16,280 --> 00:39:22,279 Speaker 1: my show, Bell Collective is coming back for a season two. 711 00:39:23,320 --> 00:39:24,280 Speaker 2: Thank God. 712 00:39:24,520 --> 00:39:28,000 Speaker 3: Do you know how many questions I get about people 713 00:39:28,080 --> 00:39:31,839 Speaker 3: asking me, like I work on the show when Bell 714 00:39:31,920 --> 00:39:34,680 Speaker 3: Collective is coming back, and I'm like, listen. All I 715 00:39:34,719 --> 00:39:36,279 Speaker 3: know is the last time I talked to Callous, he 716 00:39:36,320 --> 00:39:38,959 Speaker 3: said that the bells were belling. So we're just gonna 717 00:39:38,960 --> 00:39:42,120 Speaker 3: have to roll with that until we get some type 718 00:39:42,120 --> 00:39:46,279 Speaker 3: of announcement. So I said, hopefully one is coming soon. 719 00:39:47,000 --> 00:39:50,440 Speaker 3: And my hope was also too that you brought on 720 00:39:50,600 --> 00:39:54,959 Speaker 3: new cast members. And I always feel like this ever since, 721 00:39:55,000 --> 00:39:58,360 Speaker 3: we talked about like having two new cast members come on. 722 00:39:58,480 --> 00:40:00,480 Speaker 3: I think it's the magic number one when you are 723 00:40:00,520 --> 00:40:04,839 Speaker 3: introducing new cast members, because you can juxtapose those two 724 00:40:05,000 --> 00:40:08,000 Speaker 3: cast members and you can get these two new different 725 00:40:08,000 --> 00:40:11,320 Speaker 3: flavors and there's not so much pressure on the one 726 00:40:11,360 --> 00:40:12,080 Speaker 3: to perform. 727 00:40:12,440 --> 00:40:15,200 Speaker 2: You better preach, Richie, do you do this for a living? 728 00:40:18,440 --> 00:40:23,000 Speaker 1: Cause that's exactly what we went into. When I say we, 729 00:40:23,280 --> 00:40:26,840 Speaker 1: I mean myself, my team at Kingdom Rang Entertainment, but 730 00:40:27,000 --> 00:40:29,960 Speaker 1: also the executives over at the network. We all said 731 00:40:30,120 --> 00:40:33,080 Speaker 1: it shouldn't be the pressures of one new beall like 732 00:40:33,160 --> 00:40:36,200 Speaker 1: you should bring on two. So the two new bills 733 00:40:36,239 --> 00:40:39,640 Speaker 1: we brought on Aikeisha and so Gucci. I mean, the 734 00:40:39,719 --> 00:40:42,080 Speaker 1: fact that sis name is so Gucci tells you a 735 00:40:42,080 --> 00:40:45,920 Speaker 1: lot already. But when I say to you, guys, it 736 00:40:46,040 --> 00:40:50,960 Speaker 1: is such a wonderful season. And what's different between this 737 00:40:51,120 --> 00:40:54,600 Speaker 1: season than the first season is we're diving more into 738 00:40:54,880 --> 00:40:59,440 Speaker 1: the personal relationships that these women have with their significant others. 739 00:40:59,480 --> 00:41:03,320 Speaker 1: And when I say to you, it's juicy, it's shady, 740 00:41:03,680 --> 00:41:08,480 Speaker 1: it's funny, it's dramatic, And we got Latsia, Latrees, Tambra 741 00:41:08,560 --> 00:41:09,919 Speaker 1: and Marie coming back. 742 00:41:10,000 --> 00:41:10,320 Speaker 2: Babe. 743 00:41:11,200 --> 00:41:15,200 Speaker 3: Listen that argument in the trailer, there's an argument between 744 00:41:15,520 --> 00:41:21,000 Speaker 3: Latitia and Marie. It felt so raw, like you could 745 00:41:21,160 --> 00:41:24,040 Speaker 3: feel it through the like through the screen. To me, 746 00:41:24,200 --> 00:41:26,520 Speaker 3: I was like, now this is how you do a trailer. 747 00:41:26,719 --> 00:41:28,920 Speaker 3: A lot of times, trailers will give you fluff in 748 00:41:28,920 --> 00:41:31,160 Speaker 3: the beginning, right. I don't know why they do that, 749 00:41:31,320 --> 00:41:33,840 Speaker 3: but this, I mean, it hits you right in the face. 750 00:41:34,160 --> 00:41:37,640 Speaker 3: And it's so unexpected because they were so close last season. 751 00:41:37,800 --> 00:41:39,920 Speaker 3: So to see that type of moment and not that 752 00:41:39,960 --> 00:41:42,400 Speaker 3: they won't get back together after this, because you know, 753 00:41:42,880 --> 00:41:46,480 Speaker 3: a real I think great cast can have a moment 754 00:41:46,560 --> 00:41:49,000 Speaker 3: and come back together, and we love to see that, 755 00:41:49,400 --> 00:41:51,600 Speaker 3: but to see it so real and so raw like 756 00:41:51,640 --> 00:41:54,600 Speaker 3: that right at the jump, I was like, I'm ready, 757 00:41:54,920 --> 00:41:56,479 Speaker 3: I'm ready, yes, and. 758 00:41:56,400 --> 00:41:58,240 Speaker 2: You're gonna stay I'm ready, baby. 759 00:41:58,560 --> 00:42:03,840 Speaker 1: Because Bell Collected prim Friday, July twenty ninth, nine o'clock 760 00:42:04,040 --> 00:42:07,400 Speaker 1: a centro On own, and it just so happens to 761 00:42:07,440 --> 00:42:11,960 Speaker 1: be the same day Beyonce album comes out, and you 762 00:42:12,000 --> 00:42:14,440 Speaker 1: know she's a Southern girl, so it's gonna be a 763 00:42:14,640 --> 00:42:19,080 Speaker 1: Southern celebration. So in the mornings, play Beyonce, Break My Soul, Honey, 764 00:42:19,160 --> 00:42:24,480 Speaker 1: Yes honey, and then at nine o'clock that night, celebrate 765 00:42:24,520 --> 00:42:28,040 Speaker 1: by watching the season premiere of Bell Collective. 766 00:42:28,600 --> 00:42:30,799 Speaker 2: And I will go on record and. 767 00:42:30,880 --> 00:42:35,680 Speaker 1: To say that this season is triple times better than 768 00:42:35,760 --> 00:42:39,319 Speaker 1: last season. So Richie thank you so much for joining me. 769 00:42:39,560 --> 00:42:41,080 Speaker 1: So where can the people find you? 770 00:42:41,160 --> 00:42:44,120 Speaker 2: Follow you? Because when I say to you, guys, dj. 771 00:42:43,960 --> 00:42:47,800 Speaker 1: Ritchie gives some of the best recaps of your favorite 772 00:42:47,800 --> 00:42:52,799 Speaker 1: reality shows but also pop culture moments, and he is 773 00:42:52,840 --> 00:42:54,400 Speaker 1: a great interviewer as well. 774 00:42:54,719 --> 00:42:57,279 Speaker 2: So where can the folks find you? Richie? 775 00:42:57,680 --> 00:43:01,400 Speaker 3: You guys can find me everywhere at dj Richie Sky. 776 00:43:01,719 --> 00:43:06,040 Speaker 3: Just use that on Instagram, Twitter, Facebook, and YouTube and 777 00:43:06,080 --> 00:43:07,799 Speaker 3: sometimes you can catch me on good Day DC. 778 00:43:10,400 --> 00:43:14,520 Speaker 1: I can literally talk to Richie all day long. It's 779 00:43:14,560 --> 00:43:17,680 Speaker 1: always nice to talk to somebody who not only is 780 00:43:17,680 --> 00:43:19,880 Speaker 1: a fan of your work, but a fan of the 781 00:43:19,920 --> 00:43:24,040 Speaker 1: reality TV genre. I love him and I'm so happy 782 00:43:24,120 --> 00:43:27,239 Speaker 1: he decided to share all the team with me on 783 00:43:27,280 --> 00:43:30,760 Speaker 1: our favorite reality shows. And don't forget the mid season 784 00:43:30,800 --> 00:43:34,319 Speaker 1: finale of Love and Marriage, Huntsville and The Nightcap with 785 00:43:34,400 --> 00:43:39,280 Speaker 1: Carlos King airs tomorrow Saturday, all starting at eight Summer 786 00:43:39,400 --> 00:43:48,840 Speaker 1: Centrol on own Thoughts opinions reads about this episode with 787 00:43:48,960 --> 00:43:52,719 Speaker 1: DJ Ritchie Sky. Email me at Reality with the King 788 00:43:53,000 --> 00:43:56,600 Speaker 1: at Stittri dot com or leave me a voicemail at 789 00:43:56,640 --> 00:44:03,120 Speaker 1: three one oh five ninety three eight one eight. Thank 790 00:44:03,160 --> 00:44:06,480 Speaker 1: you for listening to Reality with the King. New episodes 791 00:44:06,560 --> 00:44:12,160 Speaker 1: drop every Wednesday and Friday, Share, comment, follow, and subscribe 792 00:44:12,200 --> 00:44:15,360 Speaker 1: to Reality with the King. Wherever you get your podcast, 793 00:44:15,920 --> 00:44:19,440 Speaker 1: visit realitywith King dot com and be sure to follow 794 00:44:19,480 --> 00:44:23,640 Speaker 1: me at the Carlos King Underscore on Instagram and Twitter. 795 00:44:25,440 --> 00:44:28,280 Speaker 1: Reality with the King is a production of More Sauce 796 00:44:28,360 --> 00:44:32,319 Speaker 1: by Stitcher. It is executive produced by Me, Carlos King, 797 00:44:32,600 --> 00:44:36,760 Speaker 1: and Jasmine Henley Brown. We are also produced by Sierra Spradley, 798 00:44:36,880 --> 00:44:39,520 Speaker 1: Rix engineering and music by Marcus 799 00:44:39,520 --> 00:44:51,440 Speaker 2: Ham More Sauce