1 00:00:00,200 --> 00:00:02,960 Speaker 1: There's a responsibility when you are famous and when you 2 00:00:03,000 --> 00:00:07,160 Speaker 1: are known, and when people have made babies to your mother. 3 00:00:07,800 --> 00:00:10,600 Speaker 1: You know what I mean, up to your music, dancing 4 00:00:10,680 --> 00:00:14,040 Speaker 1: your music, get married to your music. There's a responsibility 5 00:00:14,120 --> 00:00:16,840 Speaker 1: you have. How would you describe that? Especially for our culture. 6 00:00:16,880 --> 00:00:19,760 Speaker 1: I think my responsibility is to be honest and true 7 00:00:19,960 --> 00:00:23,479 Speaker 1: and allow people to know that being perfect is not 8 00:00:23,600 --> 00:00:46,080 Speaker 1: the thing. In the world of vulnerable considered, we come 9 00:00:46,120 --> 00:00:49,159 Speaker 1: and remove a vail from entertainment elite. It's a difference 10 00:00:49,159 --> 00:00:51,440 Speaker 1: between when it's real and with the public seas. So 11 00:00:51,560 --> 00:00:55,080 Speaker 1: here's your favorite celebrities behind the scenes. It's refreshing. Then 12 00:00:55,160 --> 00:00:58,160 Speaker 1: the whole story specific life all to renevent to shake 13 00:00:58,240 --> 00:01:00,360 Speaker 1: the person that you here. We gotta chat and then 14 00:01:00,400 --> 00:01:03,880 Speaker 1: carry champion and it's the greatest of sports and entertaining. 15 00:01:03,960 --> 00:01:18,200 Speaker 1: Connect you quick, Hey, everybody, Laida la Ladida. Yeah, like 16 00:01:18,280 --> 00:01:21,399 Speaker 1: my new rap, Well that isn't me, but I love 17 00:01:21,440 --> 00:01:24,039 Speaker 1: that right, it was beautiful. Okay, I'm glad you do too. 18 00:01:24,680 --> 00:01:29,160 Speaker 1: Speaking of love so apropos, I don't know. I think 19 00:01:29,160 --> 00:01:34,840 Speaker 1: it's too soon, but I've been talking to my producer Trouble, 20 00:01:35,040 --> 00:01:37,520 Speaker 1: and I said, I think we should talk about love 21 00:01:38,760 --> 00:01:43,560 Speaker 1: I believe this episode is about love ah, and this 22 00:01:43,640 --> 00:01:45,560 Speaker 1: isn't a help show, but it is a help show right. 23 00:01:47,000 --> 00:01:53,080 Speaker 1: Our guests, Anthony Hamilton's is known for his assultry sounds. 24 00:01:53,160 --> 00:01:56,880 Speaker 1: He's known for baby making music. He's known for talking 25 00:01:56,920 --> 00:02:00,440 Speaker 1: to these women when the men ain't right. He's also 26 00:02:00,520 --> 00:02:03,440 Speaker 1: known for simply saying, ladies, give us a break. I 27 00:02:03,520 --> 00:02:05,560 Speaker 1: know we're messing up, but we're trying to get it right. 28 00:02:06,160 --> 00:02:09,480 Speaker 1: There's something about Anthony Hamilton's music which is why he's 29 00:02:09,480 --> 00:02:13,000 Speaker 1: been around and has lasting power. It's something about his 30 00:02:13,080 --> 00:02:17,080 Speaker 1: music that narrates the struggle of black people, black people 31 00:02:17,080 --> 00:02:20,840 Speaker 1: in love, black people trying to empower themselves, black people 32 00:02:20,960 --> 00:02:24,040 Speaker 1: just trying to be who we are in this moment. 33 00:02:24,720 --> 00:02:26,560 Speaker 1: This is an education because if you're not black, I 34 00:02:26,600 --> 00:02:28,919 Speaker 1: need you to listen. You can learn, you can talk 35 00:02:28,960 --> 00:02:31,080 Speaker 1: to us, you can meet us where we are. Because 36 00:02:31,120 --> 00:02:35,640 Speaker 1: he actually taught me a lesson about myself without even wow, 37 00:02:35,680 --> 00:02:40,680 Speaker 1: without even knowing it. There are something about two words 38 00:02:40,760 --> 00:02:43,200 Speaker 1: that I can't stand. I don't know why, but I 39 00:02:43,240 --> 00:02:50,120 Speaker 1: do know why. Bear with me making love. When I 40 00:02:50,160 --> 00:02:52,160 Speaker 1: say those two words to you, how does it sound 41 00:02:53,400 --> 00:02:59,519 Speaker 1: making love? Since I was an appropriate aged adult, and 42 00:02:59,560 --> 00:03:03,120 Speaker 1: I'll repeat that since I've been an appropriate and appropriate 43 00:03:03,240 --> 00:03:08,360 Speaker 1: aged adult who could quote unquote make love, those words 44 00:03:08,400 --> 00:03:13,400 Speaker 1: always bothered me. In whatever intimate relationship that I may 45 00:03:13,480 --> 00:03:16,760 Speaker 1: or may not have been in may sound correct, um 46 00:03:18,680 --> 00:03:23,679 Speaker 1: when someone says, let's make love, it makes me cringe, 47 00:03:24,200 --> 00:03:28,480 Speaker 1: like those two words sound corny and uncomfortable, and immediately 48 00:03:28,520 --> 00:03:30,240 Speaker 1: what I feel, even as I'm saying this to you 49 00:03:30,360 --> 00:03:32,320 Speaker 1: right now, as I sit in my office and do 50 00:03:32,400 --> 00:03:38,120 Speaker 1: this podcast, it says to me, I'm uncomfortable. Did you 51 00:03:38,160 --> 00:03:42,080 Speaker 1: just say making love? I don't say that now here. 52 00:03:42,360 --> 00:03:44,560 Speaker 1: I don't know if this is the elegant hood lady 53 00:03:44,600 --> 00:03:48,160 Speaker 1: in me. You want to bang? All right? Cool? You 54 00:03:48,200 --> 00:03:53,720 Speaker 1: want to make love? Whoa? Whoa? Everybody stopped right now? Bang? Yeah? 55 00:03:54,000 --> 00:03:58,240 Speaker 1: Make love? No ho ho. I'm being negdi and I'm 56 00:03:58,240 --> 00:04:05,840 Speaker 1: being honest because I am damaged. Clearly. Anthony Hamilton makes 57 00:04:05,880 --> 00:04:09,400 Speaker 1: it so clear that making love is when he is 58 00:04:09,520 --> 00:04:12,360 Speaker 1: his most naked. And I'm not even talking about the 59 00:04:12,360 --> 00:04:15,400 Speaker 1: physical act of taking off your clothing. It is when 60 00:04:15,440 --> 00:04:19,320 Speaker 1: he is his most vulnerable, when he releases himself. Because 61 00:04:19,360 --> 00:04:22,240 Speaker 1: when you love someone, they know who you are, good, bad, ugly. 62 00:04:22,520 --> 00:04:25,680 Speaker 1: It's an unconditional love. At least that is the idea 63 00:04:25,760 --> 00:04:28,240 Speaker 1: of what it should be. What we're conditioned to think 64 00:04:28,520 --> 00:04:33,839 Speaker 1: could be something totally different. But I don't know about you. 65 00:04:34,680 --> 00:04:39,680 Speaker 1: I realized now after this podcast and after talking to him, 66 00:04:39,680 --> 00:04:43,480 Speaker 1: you know, I'll share more. The reason why I'm so 67 00:04:43,720 --> 00:04:50,640 Speaker 1: uncomfortable with the words making love is because I don't 68 00:04:50,680 --> 00:04:54,320 Speaker 1: like to be vulnerable in that way. Now, yeah, i'll 69 00:04:54,360 --> 00:04:59,680 Speaker 1: be ratchet, I'll break it down a bit, but do 70 00:04:59,760 --> 00:05:02,360 Speaker 1: you like making it love? I'm like, wait, hold on what? 71 00:05:03,200 --> 00:05:06,560 Speaker 1: And I'm not saying that I've never done that. I've 72 00:05:06,560 --> 00:05:09,320 Speaker 1: probably had one partner where I can really say I've 73 00:05:09,360 --> 00:05:16,919 Speaker 1: had that experience. However, those words help me, Father, help me, 74 00:05:17,080 --> 00:05:19,960 Speaker 1: Dear God, get me right? What is wrong with me? 75 00:05:21,120 --> 00:05:25,200 Speaker 1: It's hard, And that's that's so much about how hard 76 00:05:25,240 --> 00:05:29,440 Speaker 1: it is for me to heal into love again, which 77 00:05:29,480 --> 00:05:32,000 Speaker 1: is why I have Anthony, because this music has gotten 78 00:05:32,040 --> 00:05:34,640 Speaker 1: me through some tough times. Ladies and gentlemen, because I 79 00:05:34,680 --> 00:05:40,200 Speaker 1: know we've got some fellows listening. But I now want 80 00:05:40,240 --> 00:05:46,400 Speaker 1: to discuss his naked quality without cringing, that is making love. 81 00:05:49,680 --> 00:05:55,160 Speaker 1: Welcome to Anthony Hamilton's to the podcast What Am I Naked? 82 00:05:56,880 --> 00:06:04,520 Speaker 1: Making love, Yeah, making love, being intimate, you let it 83 00:06:04,560 --> 00:06:08,000 Speaker 1: all go. You you you at your highest vibration, and 84 00:06:08,040 --> 00:06:12,320 Speaker 1: I thank them at that moment, you are, You're here, 85 00:06:12,360 --> 00:06:19,680 Speaker 1: You're there, there's no hiding. So enter Anthony Cornelius Hamilton's 86 00:06:19,839 --> 00:06:24,240 Speaker 1: a seventeen time Grammy nominated artist. My favorite you know, 87 00:06:24,440 --> 00:06:28,000 Speaker 1: you guys didn't ask, but my favorite is Sean Len 88 00:06:28,760 --> 00:06:32,720 Speaker 1: because when a woman's fit up, you get what I'm saying. Um, 89 00:06:32,760 --> 00:06:38,599 Speaker 1: I appreciate, I really truly appreciate Anthony Cornelius Hamilton's. He 90 00:06:38,640 --> 00:06:41,160 Speaker 1: grew up in North Carolina, and the thing about Anthony 91 00:06:41,320 --> 00:06:43,640 Speaker 1: is that he knew at a very young age that 92 00:06:43,720 --> 00:06:47,880 Speaker 1: he was special. His voice was obviously in the church, 93 00:06:48,320 --> 00:06:51,880 Speaker 1: but there was something about his voice specifically that resonated 94 00:06:51,880 --> 00:06:57,200 Speaker 1: with women. He doesn't describe himself as a male feminist, 95 00:06:58,000 --> 00:07:02,000 Speaker 1: but I truly believe that his music represents so much 96 00:07:02,040 --> 00:07:05,640 Speaker 1: for so many women, and then that right, I consider 97 00:07:05,720 --> 00:07:08,760 Speaker 1: him a male feminist. Take a listen as he describes 98 00:07:09,160 --> 00:07:11,880 Speaker 1: when he knew he had something special, And it wasn't 99 00:07:11,960 --> 00:07:14,880 Speaker 1: until you know, I got a little older, thirteen that 100 00:07:14,920 --> 00:07:18,080 Speaker 1: I realized I really can sing. When the girl starts saying, 101 00:07:18,160 --> 00:07:21,680 Speaker 1: oh my god, you could say. So. I wrote my 102 00:07:21,720 --> 00:07:25,160 Speaker 1: first song at fourteen and one, a few talent shows, 103 00:07:25,280 --> 00:07:27,600 Speaker 1: and and got the era of a guy named Dizzy 104 00:07:27,600 --> 00:07:29,880 Speaker 1: who introduced me to Marx Fox, who then took me 105 00:07:29,920 --> 00:07:32,400 Speaker 1: to New York back at ninety two, and I got 106 00:07:32,400 --> 00:07:35,240 Speaker 1: my first record deal in ninety three, and a series 107 00:07:35,280 --> 00:07:38,880 Speaker 1: of events happened that record deal fell apart. In between 108 00:07:38,920 --> 00:07:41,320 Speaker 1: the ninety three to two thousand and three, I was 109 00:07:41,360 --> 00:07:44,480 Speaker 1: just in a almost like a washing machine record deal 110 00:07:44,560 --> 00:07:48,560 Speaker 1: washing machine or something so imagined. Anthony, as he just mentioned, 111 00:07:48,840 --> 00:07:52,480 Speaker 1: gets his first record deal in In fact, he says 112 00:07:53,120 --> 00:07:57,040 Speaker 1: he had what he calls the washing machine of record 113 00:07:57,080 --> 00:08:00,160 Speaker 1: deals from ninety three into two thousand and three. He 114 00:08:00,200 --> 00:08:02,760 Speaker 1: was always on the verge of just about being the 115 00:08:02,800 --> 00:08:05,440 Speaker 1: next big thing. He was always told hold on, hold on, 116 00:08:05,520 --> 00:08:09,280 Speaker 1: here it comes. But it didn't come. Could you imagine? 117 00:08:09,280 --> 00:08:12,320 Speaker 1: And this is not unfamiliar. We've heard the story so 118 00:08:12,400 --> 00:08:15,200 Speaker 1: many times. You name the artists, they have this story. 119 00:08:15,680 --> 00:08:18,280 Speaker 1: But Anthony had to really put his head down and focus. 120 00:08:18,880 --> 00:08:22,400 Speaker 1: And with that focus and removing all that distraction came 121 00:08:22,440 --> 00:08:25,120 Speaker 1: a lot of sacrifice. The first time it half and 122 00:08:25,200 --> 00:08:27,480 Speaker 1: I was okay, I had faith that, Okay, this is 123 00:08:27,520 --> 00:08:29,840 Speaker 1: where I'm supposed to be. So I began to just 124 00:08:30,040 --> 00:08:33,920 Speaker 1: look for the next deal, the next thing, doing writing gigs, 125 00:08:33,960 --> 00:08:36,240 Speaker 1: doing backgrounds in the studio. I stayed up there and 126 00:08:36,280 --> 00:08:38,640 Speaker 1: I just kept grinding and make sure that everyone that 127 00:08:39,120 --> 00:08:42,440 Speaker 1: crossed my path heard my voice. I'd sing for I'd 128 00:08:42,440 --> 00:08:46,720 Speaker 1: sing for a cat, hamster, whatever, Like I'm singing, somebody 129 00:08:46,720 --> 00:08:50,679 Speaker 1: gonna hear me. So Anthony moves to New York with 130 00:08:50,800 --> 00:08:55,480 Speaker 1: all of these dreams. Y'all know, big bright lights dreams. 131 00:08:55,520 --> 00:08:57,360 Speaker 1: I'm gonna make it. If I'm gonna make it here, 132 00:08:57,400 --> 00:09:00,360 Speaker 1: I'm gonna make it anywhere, right, those are the dreams 133 00:09:00,360 --> 00:09:03,160 Speaker 1: you have when you moved to New York City. Imagine 134 00:09:03,160 --> 00:09:06,040 Speaker 1: this young kid from the South with this beautiful, big voice, 135 00:09:06,480 --> 00:09:10,280 Speaker 1: thinking I'm going to do it, but he's spent nearly 136 00:09:10,440 --> 00:09:14,520 Speaker 1: a decade trying to make it. But what happens when 137 00:09:14,559 --> 00:09:18,640 Speaker 1: you're in that moment? Imagine being so hungry for your 138 00:09:18,760 --> 00:09:21,160 Speaker 1: dream that nothing can stop you. And I mean literally 139 00:09:21,200 --> 00:09:25,839 Speaker 1: and figuratively. Anthony wasn't living good. I can relate to that, 140 00:09:25,920 --> 00:09:27,880 Speaker 1: You can relate to that. We've all had a dream, 141 00:09:27,960 --> 00:09:30,840 Speaker 1: and no matter what it takes, we do what it takes. 142 00:09:31,600 --> 00:09:33,720 Speaker 1: I don't care if I don't have a penny in 143 00:09:33,800 --> 00:09:36,920 Speaker 1: my pocket, I'm a thing for whoever gona hear me. Well, 144 00:09:37,000 --> 00:09:39,560 Speaker 1: at least that's what Anthony says. There's a guy by 145 00:09:39,559 --> 00:09:42,400 Speaker 1: the name of Mark Sparks. It's important to introduce him 146 00:09:42,440 --> 00:09:48,080 Speaker 1: here because Mark was considered the Harriet Tubman of the South. Appropriately. 147 00:09:48,840 --> 00:09:52,280 Speaker 1: He would take, according to Anthony, over two hundred artists, 148 00:09:52,559 --> 00:09:55,319 Speaker 1: he being one of them, moved to New York City, 149 00:09:55,440 --> 00:09:59,120 Speaker 1: or help them in New York City if you will survive, 150 00:09:59,720 --> 00:10:03,640 Speaker 1: and of the big deal came that one day Mark Sparks, 151 00:10:04,000 --> 00:10:07,319 Speaker 1: he was like the Harriet Tubman for for over two 152 00:10:07,360 --> 00:10:10,160 Speaker 1: hundred people that he brought from North and South Carolina 153 00:10:10,160 --> 00:10:12,200 Speaker 1: and took him to New York. He made sure we 154 00:10:12,400 --> 00:10:13,880 Speaker 1: ate and there some days we had to wait a 155 00:10:13,920 --> 00:10:17,080 Speaker 1: long time because he was out making Whatever happened happened, 156 00:10:17,640 --> 00:10:21,040 Speaker 1: And so we get up, change and go buy pizza 157 00:10:21,160 --> 00:10:24,200 Speaker 1: and just get a water. We'd swap our shirts, you know, 158 00:10:24,240 --> 00:10:27,400 Speaker 1: we put on two T shirts and the top one 159 00:10:28,120 --> 00:10:30,480 Speaker 1: someone else would wear the next day, and then we 160 00:10:30,640 --> 00:10:35,040 Speaker 1: rocked the one underneath and we we break into the studio. Uh. 161 00:10:35,080 --> 00:10:37,760 Speaker 1: The Elaine Brothers had a studio called Concrete was on. 162 00:10:38,600 --> 00:10:43,440 Speaker 1: It was on Broadway and forty nine between forty eight 163 00:10:43,480 --> 00:10:46,360 Speaker 1: and forty nine, and so that's what we we'd break 164 00:10:46,440 --> 00:10:50,280 Speaker 1: in nightly and sleep there. Anthony Hamilton's story, like I said, 165 00:10:50,400 --> 00:10:53,160 Speaker 1: is not different from so many other stories. He has 166 00:10:53,240 --> 00:10:56,200 Speaker 1: done it all. It took him nearly a decade to 167 00:10:56,280 --> 00:10:59,840 Speaker 1: really make it. If you will, his debut album XTC, 168 00:11:00,480 --> 00:11:03,080 Speaker 1: which is Ecstasy. You see what I did their x 169 00:11:03,120 --> 00:11:06,800 Speaker 1: TC was. I guess it was fine, right, but I 170 00:11:06,800 --> 00:11:09,720 Speaker 1: I believe it was two thousand and three that really 171 00:11:09,720 --> 00:11:11,920 Speaker 1: put him on the map. He went outside and he 172 00:11:11,920 --> 00:11:27,880 Speaker 1: worked with Germaine Dupree and you all remember Shinle. I'm 173 00:11:27,880 --> 00:11:29,959 Speaker 1: not a singer, but I'm hoping my producer will put 174 00:11:30,000 --> 00:11:33,959 Speaker 1: that in. But Charlene was on his second album, coming 175 00:11:34,000 --> 00:11:38,280 Speaker 1: from where I'm from. Charlene made it for me for 176 00:11:38,320 --> 00:11:43,240 Speaker 1: whatever reasons, it just registered and that is when we 177 00:11:43,320 --> 00:11:47,840 Speaker 1: met Anthony Hamilton's But when everything starts to take off, 178 00:11:47,880 --> 00:11:51,240 Speaker 1: it was like wow, I had no idea that it 179 00:11:51,320 --> 00:11:52,760 Speaker 1: was going to take off the way it did. And 180 00:11:52,760 --> 00:11:55,680 Speaker 1: it was a it was a slow build, but a 181 00:11:55,720 --> 00:11:58,320 Speaker 1: powerful one. I'm happy with that. How didn't get it 182 00:11:58,320 --> 00:12:01,040 Speaker 1: all at one time? It's been stretched out over some years. 183 00:12:01,559 --> 00:12:04,560 Speaker 1: It allows the music to kind of just marinating people's 184 00:12:04,640 --> 00:12:07,280 Speaker 1: spirit in their in their hearts and become part of 185 00:12:07,280 --> 00:12:10,720 Speaker 1: their family and their history. It's not a fly by 186 00:12:10,880 --> 00:12:14,080 Speaker 1: night sound, it's not sognic noise. It's actually music and 187 00:12:14,160 --> 00:12:18,320 Speaker 1: medicine for people. And I think having time to develop 188 00:12:18,559 --> 00:12:21,160 Speaker 1: and to grow into myself, people get a chance to 189 00:12:21,200 --> 00:12:24,200 Speaker 1: grow with me. Whereas you come and go with Fames, 190 00:12:24,360 --> 00:12:28,560 Speaker 1: that's overnight and it and it leaves overnight. Lasting power 191 00:12:28,920 --> 00:12:32,199 Speaker 1: is such a fabulous gift. It's a rare gift. And 192 00:12:32,320 --> 00:12:35,600 Speaker 1: anybody who ever performs in any capacity, hell, for that matter, 193 00:12:35,600 --> 00:12:37,760 Speaker 1: anybody who has a damn job, you want to have 194 00:12:37,880 --> 00:12:40,840 Speaker 1: lasting power in order to be a success. And so 195 00:12:41,280 --> 00:12:45,000 Speaker 1: I often think about Charlene Well. When I first heard it, 196 00:12:45,000 --> 00:12:48,040 Speaker 1: it just hit me. It touched my spirit. It felt 197 00:12:48,080 --> 00:12:50,520 Speaker 1: as if it was meant to be. It felt soothing, 198 00:12:50,640 --> 00:12:53,240 Speaker 1: it felt relaxing. It felt as if it was telling 199 00:12:53,240 --> 00:12:55,320 Speaker 1: a story that I needed to hear. But that wasn't 200 00:12:55,360 --> 00:12:58,439 Speaker 1: my struggle at the moment. Obviously, I will, I wasn't 201 00:12:58,480 --> 00:13:03,720 Speaker 1: dealing and that so to me, there was something about 202 00:13:03,960 --> 00:13:07,840 Speaker 1: Anthony Hamilton's music that felt like medicine, and that was 203 00:13:07,880 --> 00:13:11,160 Speaker 1: the only way that I could and he could describe 204 00:13:12,080 --> 00:13:14,800 Speaker 1: what he was trying to sing about. It's steeped in 205 00:13:15,960 --> 00:13:20,760 Speaker 1: you know, stories that are are real, real people, um, 206 00:13:20,840 --> 00:13:24,200 Speaker 1: real things that happened. And there's family in it. There's 207 00:13:24,240 --> 00:13:27,960 Speaker 1: a church in it. There's uh, there's a glass of 208 00:13:28,000 --> 00:13:30,120 Speaker 1: wine in it. There's some bourbon in it, you know 209 00:13:30,160 --> 00:13:33,080 Speaker 1: what I mean. There's there's some fry fish and cold 210 00:13:33,120 --> 00:13:37,480 Speaker 1: slaw and tator salad greens. It's in there, and uh, 211 00:13:37,679 --> 00:13:39,960 Speaker 1: you know that that's what you want to have, that's 212 00:13:39,960 --> 00:13:42,400 Speaker 1: what that's what I want my music to be. I 213 00:13:42,400 --> 00:13:44,720 Speaker 1: wanted to be that honest place you can go to 214 00:13:44,880 --> 00:13:47,800 Speaker 1: just embrace it. And uh, a lot of times we 215 00:13:47,880 --> 00:13:51,439 Speaker 1: run from life because we're afraid to embrace it, and 216 00:13:52,920 --> 00:13:56,720 Speaker 1: you never give it a chance to to to be yours, 217 00:13:57,320 --> 00:14:00,800 Speaker 1: you kind of sweeping, sweeping under the rug and and 218 00:14:00,800 --> 00:14:03,440 Speaker 1: and music allows you to have that moment and it's 219 00:14:03,480 --> 00:14:06,720 Speaker 1: intimate and it's uh, it could be private, you know, 220 00:14:06,760 --> 00:14:09,040 Speaker 1: it could be so many things for you, um, but 221 00:14:09,200 --> 00:14:11,839 Speaker 1: music allows you to be braving up sometime to go 222 00:14:12,080 --> 00:14:15,280 Speaker 1: there or scared enough to not go there. And I 223 00:14:15,320 --> 00:14:20,520 Speaker 1: think music, you know, you know, when a woman's fed up, 224 00:14:21,680 --> 00:14:23,280 Speaker 1: you don't you don't want to go there no more? 225 00:14:23,320 --> 00:14:26,400 Speaker 1: You know what I mean? More with the Grammy Award 226 00:14:26,440 --> 00:14:40,520 Speaker 1: winning artist Anthony Hamilton's right after this break, when a 227 00:14:40,560 --> 00:14:42,600 Speaker 1: woman is fed up like I listen, I don't know 228 00:14:42,600 --> 00:14:45,440 Speaker 1: a woman ain't been there when we fed up with 229 00:14:46,200 --> 00:14:49,920 Speaker 1: dealing with your ship no more. We can't do it. 230 00:14:50,440 --> 00:14:55,400 Speaker 1: We can't do it. It's too late to talk about 231 00:14:56,920 --> 00:15:04,520 Speaker 1: whoa when the woman's Anthony Hamilton's is still talking to 232 00:15:04,600 --> 00:15:17,400 Speaker 1: us and singing more of him after the break, And 233 00:15:17,480 --> 00:15:19,880 Speaker 1: when a man gets to that place, you know, I 234 00:15:20,200 --> 00:15:23,160 Speaker 1: don't know why you're doing this, Sheryl, surely I don't know. 235 00:15:23,760 --> 00:15:25,840 Speaker 1: I don't know why you gotta keep you keep treating 236 00:15:25,840 --> 00:15:30,680 Speaker 1: me like this. I ain't gonna take it. You shouldn't 237 00:15:30,680 --> 00:15:36,200 Speaker 1: have done I don't mean you know, but I gotta 238 00:15:36,280 --> 00:15:53,040 Speaker 1: says to check me on the champion they carry Champion 239 00:15:53,040 --> 00:15:59,400 Speaker 1: and Champion, they carry champion, they carry Chappion and Mary. 240 00:16:03,920 --> 00:16:07,440 Speaker 1: When are you at your most vulnerable? When are you naked? One? 241 00:16:07,440 --> 00:16:16,040 Speaker 1: Am I naked? Making love? Yeah? Making love? Being intimate? 242 00:16:17,000 --> 00:16:19,400 Speaker 1: You let it all go? You You you at your 243 00:16:19,480 --> 00:16:23,440 Speaker 1: highest vibration, and I thank them at that moment you 244 00:16:23,520 --> 00:16:29,480 Speaker 1: are You're here, You're there, there's no hiding. Yes, I've 245 00:16:29,520 --> 00:16:33,840 Speaker 1: become naked plenty times and lyrics her heart. I had 246 00:16:33,840 --> 00:16:36,240 Speaker 1: to having a messing up, staying out, a getting drunk. 247 00:16:36,280 --> 00:16:39,840 Speaker 1: That was me, that was me cutting up to me. 248 00:16:39,920 --> 00:16:43,600 Speaker 1: That's a simple ass answer. Being in love, making love, 249 00:16:43,760 --> 00:16:47,640 Speaker 1: that's when you are your most naked, right. But that's 250 00:16:47,640 --> 00:16:49,920 Speaker 1: not easy for everybody to do. And that's why he's 251 00:16:49,920 --> 00:16:52,880 Speaker 1: been touched with that voice and with that ability to 252 00:16:52,960 --> 00:16:55,560 Speaker 1: really talk to us when we can't even find the 253 00:16:55,600 --> 00:16:59,360 Speaker 1: words ourselves, but his music can. I also asked about 254 00:16:59,360 --> 00:17:02,880 Speaker 1: love and a different our way. Anthony Hamilton's has six 255 00:17:03,240 --> 00:17:08,720 Speaker 1: black boys. He has six sons. Imagine raising six young 256 00:17:08,800 --> 00:17:14,080 Speaker 1: black men in America today. This summer of ratio, recogning, 257 00:17:14,160 --> 00:17:18,240 Speaker 1: this summer of racial renaissance, the summer that allowed us 258 00:17:18,320 --> 00:17:20,640 Speaker 1: to see that we have not come far as a country, 259 00:17:20,960 --> 00:17:24,360 Speaker 1: really hit home for Anthony Hamilton's. He wrote a song 260 00:17:24,400 --> 00:17:27,560 Speaker 1: with Tamika Mallory called Mercy. He appeared on the Grammys 261 00:17:27,600 --> 00:17:30,280 Speaker 1: with the Baby and which they wanted to make sure 262 00:17:30,359 --> 00:17:33,679 Speaker 1: that social justice was front and center as they performed. 263 00:17:34,080 --> 00:17:36,480 Speaker 1: He also did a performance on Soul of the Nation. 264 00:17:36,600 --> 00:17:38,920 Speaker 1: All of this is to say that Anthony is well 265 00:17:38,960 --> 00:17:42,240 Speaker 1: aware of what is happening in our country but still 266 00:17:42,280 --> 00:17:46,119 Speaker 1: believes that love is the answer. You just gotta be 267 00:17:46,160 --> 00:17:49,240 Speaker 1: honest with him and show them examples of those who 268 00:17:49,640 --> 00:17:54,399 Speaker 1: feel that way. Um and uh, and allowed them to 269 00:17:54,560 --> 00:17:57,280 Speaker 1: be familiar with that that spirit. That spirit speaks in 270 00:17:57,359 --> 00:17:59,920 Speaker 1: it and it makes noise and it and it's such 271 00:18:00,040 --> 00:18:03,960 Speaker 1: certain colors and it and it has a different demeanor 272 00:18:04,480 --> 00:18:06,960 Speaker 1: um than those who appreciate you. And I want them 273 00:18:06,960 --> 00:18:10,560 Speaker 1: to be be careful, you know, going to and from 274 00:18:10,720 --> 00:18:16,360 Speaker 1: be careful, my my, my, um. My message to them 275 00:18:16,440 --> 00:18:19,520 Speaker 1: is to get home safely and we'll work out the rest. 276 00:18:19,760 --> 00:18:22,600 Speaker 1: You get home safe you know, we don't have to 277 00:18:22,600 --> 00:18:24,800 Speaker 1: ego bash. We don't have to. You don't have to 278 00:18:24,800 --> 00:18:29,120 Speaker 1: compete with ignorance or or evil. Get home safely and 279 00:18:29,119 --> 00:18:32,399 Speaker 1: we'll work the rest out. We'll patch that up. But 280 00:18:32,640 --> 00:18:37,160 Speaker 1: you come on home safely. And yeah, I won't fight 281 00:18:37,280 --> 00:18:40,480 Speaker 1: by your side. I know you hide your pain with 282 00:18:40,680 --> 00:18:45,080 Speaker 1: your time. You don't want pain, but you damn sure 283 00:18:45,480 --> 00:18:55,320 Speaker 1: deserve a little word. Do you want to? You can 284 00:18:55,400 --> 00:19:00,399 Speaker 1: never ever sing my blues. That song is a a 285 00:19:00,480 --> 00:19:04,320 Speaker 1: song written from a man from a man whose experienced 286 00:19:04,320 --> 00:19:07,640 Speaker 1: life and who's seen things and who I've seen other 287 00:19:07,680 --> 00:19:12,800 Speaker 1: men afraid to take time to just just to let 288 00:19:12,840 --> 00:19:17,000 Speaker 1: the shoulders down and just open your fists on bold 289 00:19:17,080 --> 00:19:19,560 Speaker 1: your fists for fear of being looked at as being weak. 290 00:19:20,560 --> 00:19:23,040 Speaker 1: That that man needs that time, that time, He needs 291 00:19:23,040 --> 00:19:26,399 Speaker 1: that mercy, He needs that forgiveness, He needs that that love. 292 00:19:27,080 --> 00:19:28,720 Speaker 1: I wrote that song for him, and I wrote that 293 00:19:28,760 --> 00:19:32,040 Speaker 1: song to provide women that when he does that and 294 00:19:32,160 --> 00:19:35,800 Speaker 1: takes that time, don't look down on him. He's just resting. 295 00:19:36,080 --> 00:19:38,440 Speaker 1: That's when you rub his back and rub his head 296 00:19:38,560 --> 00:19:42,320 Speaker 1: and you pray over him and uh and let men 297 00:19:42,320 --> 00:19:44,439 Speaker 1: know that it's okay to take that time and just 298 00:19:44,560 --> 00:19:48,159 Speaker 1: to be, to cry, to be scared, to be, you know, 299 00:19:49,520 --> 00:19:53,040 Speaker 1: to to recharge whatever whatever you need. Those moments are 300 00:19:53,400 --> 00:19:56,000 Speaker 1: important because we deal with a lot. It's a lot 301 00:19:56,040 --> 00:20:01,520 Speaker 1: to protect, provide, and and to cover your family. Especially 302 00:20:01,560 --> 00:20:05,359 Speaker 1: now that, as you said, the renaissance of the racial 303 00:20:05,359 --> 00:20:12,040 Speaker 1: renaissances you know, being televised and it's been it's activated. 304 00:20:14,000 --> 00:20:17,160 Speaker 1: I think Anthony's really touching on something that is really 305 00:20:17,160 --> 00:20:20,560 Speaker 1: important in our culture, specifically for black folks. That's what 306 00:20:20,600 --> 00:20:23,040 Speaker 1: I'm talking to right now, Black men and black women. 307 00:20:23,960 --> 00:20:26,560 Speaker 1: There is such a divide between us in so many 308 00:20:26,600 --> 00:20:31,119 Speaker 1: different ways, especially though when it comes to relationships, we 309 00:20:31,320 --> 00:20:35,959 Speaker 1: constantly find ourselves fighting ourselves. And what I mean by 310 00:20:36,000 --> 00:20:39,320 Speaker 1: that is I always hear black women saying what black 311 00:20:39,359 --> 00:20:42,119 Speaker 1: men aren't doing, and black men saying what black women 312 00:20:42,160 --> 00:20:44,960 Speaker 1: aren't doing. Anthony is simply saying, in so many words 313 00:20:44,960 --> 00:20:48,679 Speaker 1: with that song Mercy, is that black men have it 314 00:20:48,760 --> 00:20:53,520 Speaker 1: hard and we sometimes need to give them grace. I 315 00:20:53,600 --> 00:20:55,879 Speaker 1: know our struggle systems. So if I hear you and 316 00:20:55,920 --> 00:20:58,800 Speaker 1: you listening to this and you roll your eyes, I 317 00:20:58,880 --> 00:21:01,920 Speaker 1: know our strong But it's hard to be a man 318 00:21:02,760 --> 00:21:05,600 Speaker 1: and not feel as if you're being respected or loved 319 00:21:05,720 --> 00:21:08,280 Speaker 1: or cared for. And the only time that you can 320 00:21:08,440 --> 00:21:12,320 Speaker 1: really feel that is from the person you love. But 321 00:21:12,400 --> 00:21:15,040 Speaker 1: here's the hard part, which goes back to the beginning 322 00:21:15,080 --> 00:21:17,199 Speaker 1: of the podcast, when I was talking about when I 323 00:21:17,240 --> 00:21:20,840 Speaker 1: was talking about making love sounds corny. We have so 324 00:21:20,960 --> 00:21:24,280 Speaker 1: much trauma and we need to heal so much. It's 325 00:21:24,359 --> 00:21:28,520 Speaker 1: hard for us to be honest about making love, being 326 00:21:28,600 --> 00:21:33,120 Speaker 1: in love, talking about love, unbauling our fist, real talk. 327 00:21:33,200 --> 00:21:37,560 Speaker 1: I sometimes sleep with my fist bald. That is a 328 00:21:37,640 --> 00:21:41,679 Speaker 1: direct result of the trauma and the toughness and the 329 00:21:41,800 --> 00:21:44,200 Speaker 1: pain and all the bullshit that I have to deal 330 00:21:44,240 --> 00:21:48,440 Speaker 1: with day in and day out. I love what Anthony 331 00:21:48,520 --> 00:21:52,840 Speaker 1: is saying, give our black man some mercy and in return, 332 00:21:53,480 --> 00:21:56,840 Speaker 1: they'll give us the same. It's hard to love a 333 00:21:56,920 --> 00:22:00,760 Speaker 1: hurt person, because hurt people hurt people. But sometimes the 334 00:22:00,800 --> 00:22:06,600 Speaker 1: onus is on the one who's healed, and usually is 335 00:22:06,720 --> 00:22:14,160 Speaker 1: us black woman. We are yield. Anthony Hamilton's naked quality 336 00:22:14,200 --> 00:22:18,119 Speaker 1: is that he's most vulnerable when he is making love, 337 00:22:20,720 --> 00:22:24,159 Speaker 1: and he truly seems to understand that word love and 338 00:22:24,200 --> 00:22:27,760 Speaker 1: what it means and how to feel it and experience it. 339 00:22:28,440 --> 00:22:30,439 Speaker 1: And the way that he describes it in his music 340 00:22:30,560 --> 00:22:34,560 Speaker 1: is so important for us our culture because it really 341 00:22:34,600 --> 00:22:38,280 Speaker 1: puts some type of solve on all the problems. It 342 00:22:38,400 --> 00:22:43,280 Speaker 1: really puts some type of bow on the pain. It 343 00:22:43,440 --> 00:22:47,399 Speaker 1: medicates the hurt, It narrates our stories and makes us 344 00:22:47,480 --> 00:22:51,239 Speaker 1: feel better about the struggle. I'm grateful to have him 345 00:22:51,240 --> 00:22:53,520 Speaker 1: on the podcast, but more importantly, I'm grateful to hear 346 00:22:53,600 --> 00:22:57,200 Speaker 1: him talk about what it means to be in love 347 00:22:57,640 --> 00:23:02,760 Speaker 1: and make love. Hopefully I won't cringe every time I 348 00:23:02,800 --> 00:23:06,600 Speaker 1: hear that term making love. It sounds odd to me. 349 00:23:07,480 --> 00:23:14,880 Speaker 1: I'm damaged to be in love. It's it's a beautiful place. 350 00:23:14,920 --> 00:23:19,920 Speaker 1: And and if it's balanced, and it's been balanced all along, 351 00:23:19,960 --> 00:23:23,760 Speaker 1: it's the freest place ever. It's the safest place and uh, 352 00:23:23,840 --> 00:23:30,040 Speaker 1: it's sexy, and it's it's moments of yeah, the moments 353 00:23:30,040 --> 00:23:32,959 Speaker 1: of euphoria, you know what I mean. And that's just 354 00:23:33,080 --> 00:23:36,840 Speaker 1: from just vibrating it, loving it and just sharing in 355 00:23:36,840 --> 00:23:39,600 Speaker 1: a place where you can when you're feeling safe, you 356 00:23:39,640 --> 00:23:43,159 Speaker 1: feel covered in safe. That's the best place. That's the 357 00:23:43,200 --> 00:23:46,840 Speaker 1: best feeling and makes making love better, you know, makes 358 00:23:47,160 --> 00:23:51,680 Speaker 1: taking a walk better. Yeah, even argument get a little 359 00:23:51,680 --> 00:23:58,040 Speaker 1: sexy or argument you see you argue with me so 360 00:23:58,119 --> 00:24:05,120 Speaker 1: sexy that you argue so sexy because as we need 361 00:24:05,160 --> 00:24:07,879 Speaker 1: you know, it's a beautiful thing. Um. I want to 362 00:24:07,920 --> 00:24:10,280 Speaker 1: thank Anthony Hamilton's for coming on the podcast. I want 363 00:24:10,280 --> 00:24:12,879 Speaker 1: to thank t Money, it's my producer, for talking to 364 00:24:12,960 --> 00:24:16,000 Speaker 1: me about what the kids say when it comes to 365 00:24:16,040 --> 00:24:20,000 Speaker 1: making love and and and get me right, I wasn't 366 00:24:20,080 --> 00:24:23,960 Speaker 1: kidding you guys. This podcast is truly just an adventure, um, 367 00:24:24,000 --> 00:24:28,280 Speaker 1: and it is me being honest and hopefully you in 368 00:24:28,320 --> 00:24:31,720 Speaker 1: the same way you can be honest with yourself. I 369 00:24:31,760 --> 00:24:34,600 Speaker 1: know why those two words confuse me and make me uncomfortable. 370 00:24:34,640 --> 00:24:36,119 Speaker 1: And I only want to do it with whoever I 371 00:24:36,160 --> 00:24:38,840 Speaker 1: want to do it with. And I'm not talking about 372 00:24:38,840 --> 00:24:44,439 Speaker 1: it sex, it talking about those words, but making love, 373 00:24:45,119 --> 00:24:49,119 Speaker 1: making love. See I said it, making love, making love, 374 00:24:52,040 --> 00:24:55,200 Speaker 1: making love. Nope, nopepe not there yet. I'll get back 375 00:24:55,200 --> 00:24:58,560 Speaker 1: to you, guys. I am not there yet. Thank you 376 00:24:58,640 --> 00:25:02,359 Speaker 1: for listening to this addition of naked with yours truly 377 00:25:02,920 --> 00:25:08,920 Speaker 1: making love, making love, bloody doty doi doi da still cringing, 378 00:25:09,359 --> 00:25:23,720 Speaker 1: still cringing, making love. Have a good one.