WEBVTT - Jazze Pha 0:00:01.960 --> 0:00:04.960 R and B Money. 0:00:05.559 --> 0:00:10.119 We are take Melchi. 0:00:11.080 --> 0:00:18.760 We are the authorities R and B Ladies and gentlemen. 0:00:18.800 --> 0:00:21.560 My name is Tank Valentine and this is the R 0:00:21.600 --> 0:00:26.279 and B Money Podcast, the authority of all things R 0:00:26.400 --> 0:00:27.960 and B oh ball. 0:00:28.200 --> 0:00:28.920 Oh boy. 0:00:29.400 --> 0:00:32.240 Yeah, ladies and gentlemen. 0:00:32.479 --> 0:00:36.440 Yeah, we in the A T lay and we have 0:00:36.560 --> 0:00:36.920 to see that. 0:00:37.080 --> 0:00:42.839 Maine, Don Main. I'm not gonna waste time on this 0:00:42.840 --> 0:00:45.400 this show. We don't get right to it. My brother, 0:00:45.680 --> 0:00:46.199 my love for. 0:00:46.320 --> 0:00:52.440 Jose Fier, the ladies and gentlemen. You're not trying to 0:00:52.600 --> 0:00:56.640 Marfa and George Shulana, Jassey, Finzel, Burgundy, Obama, Luther King Jr. 0:00:57.000 --> 0:01:01.040 Jackson five, the first in the building. R and B Money. 0:01:01.400 --> 0:01:06.080 We're gonna change it starring Be Money, a little bigger 0:01:06.080 --> 0:01:09.120 than just R and B starring Be and sometimes it's 0:01:09.120 --> 0:01:09.840 Coach starring me. 0:01:14.040 --> 0:01:17.960 Okay, Allard fingers, we're doing We're starting early. 0:01:18.040 --> 0:01:18.720 We don't take it. 0:01:18.680 --> 0:01:22.720 There, listen, brother, Yeah, we've been doing this man a 0:01:22.720 --> 0:01:23.400 long time. 0:01:23.319 --> 0:01:26.400 Long time, long long long time, long. 0:01:26.319 --> 0:01:30.399 Time since Papa John's Beason with the garlic dippers up, you. 0:01:30.400 --> 0:01:35.800 Know, long long time, the whole back at back at 0:01:35.840 --> 0:01:38.080 the new time on the about the railroad tracks. Man, 0:01:38.200 --> 0:01:40.160 long long time. 0:01:40.040 --> 0:01:45.480 We need a Papa John's partnership. Won't be out here 0:01:45.520 --> 0:01:46.520 your shout niggas. 0:01:46.160 --> 0:01:50.040 Hey shot, Papa John, come on with shout this baby. 0:01:50.320 --> 0:01:51.760 How you been man? Hey man? 0:01:52.000 --> 0:01:55.120 Blessed bro Yeah, blessed and hally favor every every time 0:01:55.160 --> 0:01:57.280 I scroll past your page, Man, you smile and you're 0:01:57.320 --> 0:02:01.680 making some music. You living your life. You're enjoying yourself, 0:02:02.320 --> 0:02:04.000 and that's what that's that's what I know about. Jes 0:02:04.880 --> 0:02:07.200 gona have a good time, you know what I'm saying. 0:02:07.640 --> 0:02:09.239 I've had many a good time. When you better have 0:02:09.280 --> 0:02:10.440 a good time, when you you better have a good 0:02:10.440 --> 0:02:12.760 time when you with him? What if God says talk 0:02:12.800 --> 0:02:13.760 about it, talk about that. 0:02:13.760 --> 0:02:17.919 Your gifts will make room for and that didn't that 0:02:18.240 --> 0:02:20.760 just see that, man, like, look at y'all. Look at y'all, man, 0:02:21.560 --> 0:02:23.560 look like y'all could be doing y'all first projects. I'm 0:02:23.600 --> 0:02:28.079 just saying that about you like a youngster. But that's 0:02:28.120 --> 0:02:30.480 your gift making room. The Lord is preserved, you know 0:02:30.560 --> 0:02:33.799 what I'm saying. Time people don't look at it like that, 0:02:34.600 --> 0:02:37.360 you know what I mean? Right? Yeah, And sometimes we 0:02:37.440 --> 0:02:39.720 forget you know what I mean? But when you go 0:02:40.120 --> 0:02:44.680 to your class reunions. He sometimes get reminded. You'd be like, 0:02:44.680 --> 0:02:45.480 wait a minute. 0:02:45.240 --> 0:02:47.040 Hold, but we were the same. 0:02:47.120 --> 0:02:48.440 We was in the eleventh grade together. 0:02:48.639 --> 0:02:51.480 Yeah, okay, yeah, man, we lived some good life. It 0:02:51.600 --> 0:02:54.040 was just you were sustained for I'm blessed. We're blessed, 0:02:54.160 --> 0:02:58.079 sustained for a reason. We we are designed. Our design 0:02:58.160 --> 0:03:00.720 is something different. Yeah, you know, I mean, and so 0:03:01.680 --> 0:03:05.520 what has been given to us is the the the 0:03:05.639 --> 0:03:12.920 favor within our appearance. Mmmmm okay, so that so that 0:03:13.000 --> 0:03:14.760 we we never die. 0:03:15.040 --> 0:03:16.959 My mom always say favorite ain't fair. 0:03:16.720 --> 0:03:20.040 Baby, ain't fair. I mean, talking about certain things. She'd 0:03:20.040 --> 0:03:21.760 be like, she just cut me off and be like, 0:03:21.840 --> 0:03:28.200 favorite ain't fair. Say you, yeah, not everybody time your time, 0:03:28.520 --> 0:03:30.960 you hear me. Yeah, and you and you've and you've 0:03:31.000 --> 0:03:33.560 had your time for quite some time. 0:03:34.760 --> 0:03:35.040 Man. 0:03:35.520 --> 0:03:39.920 Yeah, man, listen, listen. I love when you got to step. 0:03:39.600 --> 0:03:43.280 In away at them sun rays. Just gotta I learned 0:03:43.320 --> 0:03:46.800 how to, you know. I stood on the on the 0:03:46.960 --> 0:03:48.640 set with Diddy and all them guys and say, oh, 0:03:48.720 --> 0:03:50.640 that's how you do it. You know what I'm saying. 0:03:50.720 --> 0:03:52.680 He made it fashionable to push people out the way. 0:03:53.440 --> 0:03:55.040 You know what I'm saying like that a cool way, 0:03:55.160 --> 0:04:02.560 like you know what I'm saying, sip hop excuse me, 0:04:03.200 --> 0:04:06.560 but you better do something cool when you when you yeah, 0:04:06.560 --> 0:04:09.200 because it's your time. Yeah Yeah, let's do this. 0:04:09.280 --> 0:04:12.920 Jack. You know you have a you have a rich history. 0:04:13.320 --> 0:04:17.000 Hey man, your history started before you was even in 0:04:17.040 --> 0:04:19.360 the womb. Oh you hear me, You understand I'm saying 0:04:19.480 --> 0:04:21.279 you hear me. I want to get into some of 0:04:21.279 --> 0:04:24.440 your your rich history, like go back to the beginning 0:04:24.440 --> 0:04:27.640 where this is, Where does all this come from? All 0:04:27.680 --> 0:04:29.719 that is the very. 0:04:29.640 --> 0:04:33.400 Origin for for you guys that you know, for modern 0:04:33.480 --> 0:04:35.800 day to give it to y'all in the modern day, 0:04:35.839 --> 0:04:38.200 and it's it's it's a blessing that I can even 0:04:38.240 --> 0:04:42.479 do that and make y'all get it. I started right before, 0:04:43.040 --> 0:04:48.160 probably a couple of years before got got no not, 0:04:48.640 --> 0:04:55.600 got not. I am bened swag bood do do do 0:04:56.440 --> 0:05:02.159 That bass player is my daddy. That's my dad. My 0:05:02.360 --> 0:05:06.520 dad is the leader of the Barcas, the legendary the 0:05:06.600 --> 0:05:10.960 legendary Barcades. And he was seventeen years old at the 0:05:11.040 --> 0:05:14.400 time when he played on that record and they played 0:05:14.920 --> 0:05:17.880 I think that that live on YouTube. You can go 0:05:17.920 --> 0:05:21.920 look at it Otis Redding. The Barcas were the house 0:05:21.960 --> 0:05:26.120 band for Stax Records, and so when you had a 0:05:26.160 --> 0:05:29.040 new artist come up, the Barcades would play behind them. 0:05:29.480 --> 0:05:31.520 And Otis was like, I want the Barcas to be 0:05:31.640 --> 0:05:34.760 my band. Yes, said my dad. Team, Yes they were 0:05:34.800 --> 0:05:39.159 the band. They were the band. Now. Tragically, the Barcads 0:05:39.440 --> 0:05:42.599 passed away in a plane crash before I was born, 0:05:43.320 --> 0:05:45.880 minus my pop. He did not get on that plane. 0:05:46.520 --> 0:05:49.080 He was the odd man out. They were on a 0:05:49.400 --> 0:05:56.160 private plane and they were going into Madison, Wisconsin somewhere 0:05:56.720 --> 0:06:00.400 and they crashed in that in that water. And one 0:06:00.440 --> 0:06:03.760 member uh survived the crash was Ben Carley, who was 0:06:03.839 --> 0:06:06.680 one of my godfathers. I got several godfathers. I got 0:06:06.720 --> 0:06:08.200 a few of them, you know what I'm saying. It 0:06:08.240 --> 0:06:10.360 was a trumpet player. He survived, but he was never 0:06:10.400 --> 0:06:13.560 the same. But one other guy who was my dad's 0:06:13.600 --> 0:06:18.039 best friend besides Otis Redding, who passed in the playing 0:06:18.080 --> 0:06:22.600 crash as well. His name was Failing Jones. I'm failing Alexander. 0:06:23.279 --> 0:06:26.239 I was named after Failing Jones, who was my dad 0:06:26.320 --> 0:06:33.320 and my mom's best friend. Yeah. So yeah, so he 0:06:33.440 --> 0:06:36.919 started that's where That's where man, that's where it started. 0:06:36.960 --> 0:06:40.160 It started like that, you know what I'm saying. So 0:06:40.240 --> 0:06:42.839 you know, and and you know later on, you know, 0:06:42.960 --> 0:06:47.080 mom and mom and dad had Finzel, you know. 0:06:47.279 --> 0:06:50.599 And it wasn't the only huh. But Pops wasn't the 0:06:50.640 --> 0:06:53.000 only side with the music though, No Mom was. 0:06:53.120 --> 0:06:55.479 Mom was on it too. She sang with, She sang 0:06:55.520 --> 0:06:58.200 with a lot of different people. She sang with Philip 0:06:58.240 --> 0:07:01.040 Bailey and when he had his gospel the Living Epistles. 0:07:01.279 --> 0:07:05.800 She sang with d J Rogers, Billy Preston, uhh, Charlie 0:07:05.800 --> 0:07:08.839 Wilson got banned, all of them and several others. Man, 0:07:08.880 --> 0:07:10.920 give me, give give me the samp for your mama's own. 0:07:11.720 --> 0:07:17.000 Oh uh uh siyy When you hear that, uh, I 0:07:17.040 --> 0:07:22.080 don't know my mama singing on that, yeah that And 0:07:22.080 --> 0:07:25.400 then you might heard she's also singing on the Common 0:07:25.440 --> 0:07:30.680 record Fame to the what Yeah, that's that's the DJ Rogers, 0:07:30.720 --> 0:07:34.200 That's that's my mama. And I'm singing, yes you heard 0:07:34.200 --> 0:07:40.360 that one? To come on, man, they had me in 0:07:40.760 --> 0:07:44.640 those places. I've been sitting up there when when Michael 0:07:44.680 --> 0:07:48.120 McDonald was telling Kenny Logers to sing it again. You 0:07:48.200 --> 0:07:53.520 were there yes, yes, No, it's like you think that 0:07:54.040 --> 0:07:59.720 maybe it's so singing to it again. Yeah, you the 0:07:59.720 --> 0:08:05.080 little boy in the studio and the cut my mama's hip. 0:08:05.160 --> 0:08:07.520 How old are you? You're on the hip? Okay, on 0:08:07.560 --> 0:08:12.120 the hip. So you absorbing? Yeah, absorbing a sponge. 0:08:12.880 --> 0:08:15.680 I was sliding. I was sliding faders at seven eight 0:08:15.760 --> 0:08:20.160 years old. Yeah, that's a bar because I was sliding. 0:08:20.640 --> 0:08:23.520 I was sliding faders. I was sliding. I'll tell these 0:08:23.560 --> 0:08:25.760 cats all the time when when they try to like 0:08:26.400 --> 0:08:28.200 block me out the studio or something, I was like, boy, 0:08:28.560 --> 0:08:30.520 I was in the studio for you was allowed to 0:08:30.600 --> 0:08:34.200 go in when they told you this, probably slap your 0:08:34.200 --> 0:08:36.280 hand and tell you don't touch that. Yeah, you already 0:08:36.360 --> 0:08:38.959 knew how to work it right. Cats my age though, 0:08:39.559 --> 0:08:41.360 you know what I'm saying, Like, No, you wasn't in 0:08:41.360 --> 0:08:44.040 the studio when I was in the studio. I've been 0:08:44.080 --> 0:08:46.880 in the studio though, So when did it hit you? 0:08:47.080 --> 0:08:47.439 When did? 0:08:47.480 --> 0:08:49.840 I mean, of course you're in the studio with the faders, 0:08:50.400 --> 0:08:54.680 you're absorbing it. You're seeing it from both sides, and 0:08:54.679 --> 0:08:55.520 it's in Memphis. 0:08:56.600 --> 0:08:59.640 Well, I wasn't raised in Memphis. I was born in Memphis. 0:09:00.240 --> 0:09:02.880 My mom and dad separated early when I was like four, 0:09:03.559 --> 0:09:05.599 and I moved my mom my mo. 0:09:06.040 --> 0:09:06.280 Uh. 0:09:06.640 --> 0:09:12.880 My grandmother was living in in Inglewood in California. So 0:09:13.600 --> 0:09:16.040 and my cousin was also living there. My cousin, Paula, 0:09:16.480 --> 0:09:19.640 she she lived there not too far from my grandmother 0:09:20.000 --> 0:09:22.560 and she was working for Castle Blank of Records. And 0:09:22.600 --> 0:09:25.000 my mom she went out there, you know, because they 0:09:25.040 --> 0:09:29.240 they out there. My my uh, my grandmother was hanging 0:09:29.240 --> 0:09:33.079 out with Harol Melvin and the Blue Notes at the time. Yeah. 0:09:33.120 --> 0:09:37.440 You know what I'm saying, yea, yeah, moving away. 0:09:37.640 --> 0:09:37.840 Yeah. 0:09:39.000 --> 0:09:40.800 So what I'm saying to you is that it's not 0:09:40.800 --> 0:09:46.800 on yeah, baby, it's seeing me, you know what I mean. 0:09:47.200 --> 0:09:50.600 Used to dance on Soul Train. We was that. We 0:09:50.600 --> 0:09:53.960 was that. So you were raised where? Yeah, in l A. 0:09:54.080 --> 0:09:58.040 Mostly mostly in California, but back and forth because you know, uh, 0:09:58.280 --> 0:10:00.400 I used to go back to in the summer time 0:10:00.679 --> 0:10:04.000 with Pop and my dad. My dad was in Memphis. 0:10:04.640 --> 0:10:06.719 My dad was in Memphis, so you know, with the Barcades, 0:10:06.960 --> 0:10:09.000 I go on the road with the Barcades, and he 0:10:09.080 --> 0:10:10.800 knew it was in me, so he takes me with him. 0:10:10.840 --> 0:10:12.680 I be on the hip. You know what I'm saying, 0:10:13.080 --> 0:10:15.240 so me and my brother, you know, we'd be back 0:10:15.280 --> 0:10:18.440 and forth. And when did you start tinkering? Man? 0:10:18.679 --> 0:10:24.640 Probably in high school? Yeah, in high school. 0:10:23.760 --> 0:10:29.640 L A talent shows high school in uh rialto California. 0:10:29.720 --> 0:10:36.680 Okay, I went to Eisenhower, Bro, you I have no idea. 0:10:37.960 --> 0:10:42.839 I also as I also went to Loveland Church. Hey, bro, 0:10:42.960 --> 0:10:45.920 watch when the watch when the IV brothers see this 0:10:46.320 --> 0:10:47.800 and they realized. 0:10:50.440 --> 0:11:00.760 Then this I know the mighty o t Listen, look California. 0:10:59.360 --> 0:11:03.240 You know he gets come on dog. I mean, but 0:11:03.920 --> 0:11:07.400 I was still I'm still on Memphis, but I'm still Cali. Still, 0:11:07.400 --> 0:11:09.560 I'm all over. That's what thus you got the you 0:11:09.559 --> 0:11:13.520 know the shizzle. So that's why you get the you 0:11:13.559 --> 0:11:17.240 know the Cali side. You know, me just running into 0:11:17.320 --> 0:11:20.120 everybody along the way, from Snoop Dogg to you know 0:11:20.360 --> 0:11:23.240 to you know, all of these guys. But when I 0:11:23.320 --> 0:11:29.040 came back to Memphis, I got a record deal. I 0:11:29.080 --> 0:11:34.560 got a record deal in ninety one, singing Yes with Well, 0:11:34.600 --> 0:11:39.120 Singing and rapt with Electric Records with Doug Daniels over 0:11:39.120 --> 0:11:44.600 there Electric Records, and probably a year after I dropped 0:11:44.600 --> 0:11:51.080 a single. Year after during that single, Bob kras Now 0:11:51.160 --> 0:11:55.360 who was the CEO. He passed away. That's when they 0:11:55.400 --> 0:11:58.520 brought in Ruber ro Reguez. Wait, so are you Jazzy Fayette? No, 0:11:58.600 --> 0:12:02.160 I was. I was failing l o n Failing. That 0:12:02.240 --> 0:12:05.319 was my performance name when I when I did my 0:12:05.360 --> 0:12:09.080 first show, Bust of Rhymes and dink O d and 0:12:09.120 --> 0:12:11.760 all of them dudes came in a super room all 0:12:11.920 --> 0:12:14.240 like they was like they jumped out of a damn 0:12:14.240 --> 0:12:17.120 clown car. They all got out of the car and 0:12:17.240 --> 0:12:19.960 came to my my video shoot in New York because 0:12:19.960 --> 0:12:23.080 I did shoot in New York at the time, and 0:12:23.120 --> 0:12:24.800 so I did my first video. It was like yo, 0:12:24.960 --> 0:12:30.040 failing yo beat, you know, like you know what I'm saying. 0:12:31.200 --> 0:12:33.040 That was the first time I see the spliff, you know, 0:12:34.000 --> 0:12:35.760 you know what I mean. So he's like, y'all my 0:12:35.840 --> 0:12:38.680 label mates be you know what I mean. So it 0:12:38.760 --> 0:12:41.319 was like that, like since back then, you know what 0:12:41.360 --> 0:12:45.760 I mean. And Keith Sweat was on the label King 0:12:46.200 --> 0:12:50.200 Yeah yeah, I think and Touch record was out at 0:12:50.200 --> 0:12:57.559 the time to hype to put on my best I 0:12:57.640 --> 0:13:02.920 can't believe that she said in Sweat right there. I 0:13:02.960 --> 0:13:06.320 think that was his group, wasn't it. He's had something 0:13:07.120 --> 0:13:13.640 I got yeah, sweat l something I was. I would 0:13:13.679 --> 0:13:17.480 remember when Derrick Daniels and then called Keith and saying, hey, Bro, 0:13:19.080 --> 0:13:21.679 you a star. You gotta you gotta quit working at 0:13:21.679 --> 0:13:25.920 the at the stock Market. I remember that conversation when 0:13:25.920 --> 0:13:28.080 he called my daddy and told him what he had 0:13:28.120 --> 0:13:30.000 to tell. Keith said, Man, you don't have to tell 0:13:30.080 --> 0:13:32.760 Keith Man he had had to quit that job. Keep 0:13:32.800 --> 0:13:36.040 was like, man, I ain't quit my job. Baby. 0:13:36.280 --> 0:13:40.520 He's still on Wall Street still to this day. Hey, 0:13:40.559 --> 0:13:41.880 j called me after that. You know what I mean, 0:13:41.920 --> 0:13:43.960 that's that's seven o'clock. When that seven clock here, baby, 0:13:43.960 --> 0:13:48.720 you know I be on that. He's not playing, He's 0:13:48.720 --> 0:13:49.280 not playing. 0:13:49.360 --> 0:13:54.240 No, he diligent about that bag. Still about that bag? 0:13:54.880 --> 0:13:56.800 Love Keith. So first singles. 0:13:56.840 --> 0:13:59.160 I've been doing Keith since then. So first singles out, 0:13:59.200 --> 0:14:00.959 first singles out? Okay, what's going on? Is he? 0:14:00.960 --> 0:14:01.160 When? 0:14:01.200 --> 0:14:01.360 When? 0:14:01.520 --> 0:14:06.120 When? The when? The when? The record it was moderate 0:14:06.360 --> 0:14:08.680 I was on my second single. I think Mark the 0:14:08.720 --> 0:14:14.240 forty five King remixed it. You heard so he remixed it. 0:14:14.280 --> 0:14:17.120 This is this is my head is spinning, bro. I'm 0:14:17.160 --> 0:14:21.360 telling you I got him now. So so at the 0:14:21.440 --> 0:14:30.720 time when when Bob Krasno passed like that's the original. 0:14:30.840 --> 0:14:33.680 That was his record mark, the forty five King and Love. 0:14:34.200 --> 0:14:39.840 You know, he grabbed it. But the I got, I 0:14:39.880 --> 0:14:43.920 got dropped from the label because you know, anybody who 0:14:43.960 --> 0:14:47.040 wouldn't sell five hundred the better was dropped because the new, 0:14:47.320 --> 0:14:50.640 the new reign is coming in. I was on. I 0:14:50.680 --> 0:14:54.480 was on an independent label which my dad was also 0:14:55.240 --> 0:14:59.120 like head of promotions, which I moved back to Memphis 0:14:59.120 --> 0:15:01.680 to come and join the label, you know, and and 0:15:01.720 --> 0:15:03.760 my dad helped me get my deal over the lecture, 0:15:04.080 --> 0:15:06.600 so I didn't I no longer had a deal, but 0:15:06.680 --> 0:15:09.360 we had a studio. We had a studio, and the 0:15:09.360 --> 0:15:14.720 record label was called Mega Jam Records. Mega Jam Records. Uh. 0:15:15.080 --> 0:15:18.120 Terry Stocks was the was the CEO at the time. 0:15:18.560 --> 0:15:20.800 He was a street cat turn honest, you know what 0:15:20.840 --> 0:15:25.280 I'm saying. And he was hanging around Penny Hardaway at 0:15:25.280 --> 0:15:28.560 the time. I remember when Penny Hardaway had got it 0:15:28.600 --> 0:15:30.760 to some stuff and he got shot in his foot. 0:15:31.440 --> 0:15:35.560 No no, yeah, I don't know, and they didn't want 0:15:35.600 --> 0:15:38.280 him around. They didn't want him around. And and then 0:15:38.480 --> 0:15:42.800 you know Niga in the foot right right when he 0:15:42.880 --> 0:15:45.640 was going to Trailwell, you know what I'm saying high school, 0:15:45.840 --> 0:15:49.200 in high school. In high school, yep, yep. He was 0:15:49.400 --> 0:15:51.440 my It was a it was, you know, freak accident 0:15:51.480 --> 0:15:53.960 type thing that was trying to rob Terry's liquor store. 0:15:54.440 --> 0:15:56.360 But he had he had Penny with him. He was 0:15:56.400 --> 0:15:58.240 always with him, you know what I'm saying. So you know, 0:15:58.280 --> 0:16:00.240 you always got a guy in the street, you know 0:16:00.280 --> 0:16:03.360 what I'm saying, you know, helping, helping out. So I 0:16:03.480 --> 0:16:05.960 was there, you know what I'm saying. When Penny was 0:16:06.000 --> 0:16:09.080 in there, you know, and had tread well on fire 0:16:09.120 --> 0:16:11.560 and you could breathing room only in there, and and 0:16:11.680 --> 0:16:19.400 Spike Lea show up breathing room he had. They was 0:16:19.440 --> 0:16:22.680 winning every game. They was winning every game. He come 0:16:22.760 --> 0:16:27.000 flying from downtown, you know what I mean. But anyway, 0:16:27.120 --> 0:16:30.360 he had a studio, Terror Starks had a studio. And 0:16:30.480 --> 0:16:33.560 when I went back to the studio, I noticed that 0:16:33.720 --> 0:16:37.080 none of the people that were there, I didn't I 0:16:37.080 --> 0:16:39.640 didn't know about budgets, and you know, I wasn't there 0:16:39.680 --> 0:16:43.360 for the business. I was just there for the creativity part. 0:16:43.600 --> 0:16:46.280 And so when I got back, I'm like, nobody's coming 0:16:46.280 --> 0:16:48.280 to the studio calling people, ain't ask in the phone. 0:16:48.720 --> 0:16:50.920 And his little white kid named Mike Patterson. I don't 0:16:50.920 --> 0:16:52.800 know if you'll ever met Mike. He used to work 0:16:52.800 --> 0:16:55.240 for bad Boy and then he went to Niners Nails 0:16:55.360 --> 0:16:58.040 and I don't know where he is now, but Mike 0:16:58.120 --> 0:17:00.360 Patterson was like our little house in in there and 0:17:00.400 --> 0:17:02.560 he was sitting there reading a book or something, and 0:17:02.600 --> 0:17:05.199 he said, Jazzy, the reason why people aren't coming is 0:17:05.200 --> 0:17:08.800 because the money's gone, said, the money's gone. But guess 0:17:08.840 --> 0:17:12.040 what have you heard that music without you? I was 0:17:12.040 --> 0:17:14.479 like Noah. He was like, man, it doesn't sound like 0:17:14.680 --> 0:17:17.320 it does when you're around. That's because you've been producing 0:17:17.359 --> 0:17:21.240 it the whole time. You're just not programming it. You're 0:17:21.240 --> 0:17:24.000 not programming it. So like Quincy Jones, he goes in 0:17:24.040 --> 0:17:27.640 and he produces his records and he orchestrates it. That's 0:17:27.640 --> 0:17:30.359 the same thing you do, he said, but now it's 0:17:30.440 --> 0:17:32.359 just you. So you just needed to get on this 0:17:32.480 --> 0:17:36.119 NPC and learn and get get down with. Sliced T 0:17:36.400 --> 0:17:40.760 was one of my mentors, Excepted was my same age. 0:17:41.600 --> 0:17:46.000 Arnold Hennings was on our staff. Arnold Hennings made cupe 0:17:46.000 --> 0:17:49.840 it really yeah. Arnold Hennings was Yeah, he did cup it. 0:17:49.920 --> 0:17:52.040 He was one of the first people out of our 0:17:52.080 --> 0:17:54.159 crew to sign a deal. He signed a deal with 0:17:54.240 --> 0:17:58.080 Dallas Austin and made it. Made me look like Dang 0:17:58.680 --> 0:18:01.000 that boy that went to Atlanta and just went crazy. 0:18:01.400 --> 0:18:03.359 He's over there with Timmy Bob and was on fire. 0:18:03.920 --> 0:18:07.199 It was working on he worked on. He worked on 0:18:07.240 --> 0:18:12.760 the Boys and Boys, the men house, all that keyboard work. 0:18:13.040 --> 0:18:14.040 That's Arnold. 0:18:14.160 --> 0:18:16.560 I'm like, dang guy. 0:18:16.760 --> 0:18:19.320 Yeah, So I'm going to Jack the Rapper. Come on, 0:18:20.119 --> 0:18:22.160 I went to Jack the Rapper. So I'm at Jack 0:18:22.200 --> 0:18:26.960 the Rapper and I see, I see Diddy. I seen Diddy. 0:18:27.000 --> 0:18:28.840 He had on these big old He had the big 0:18:28.920 --> 0:18:32.800 Bobby brown pants, some pat leathers, no socks, a Pokadont 0:18:32.840 --> 0:18:34.639 shirt button all the way to the top, and a 0:18:34.680 --> 0:18:37.119 briefcase and he had a he had a little a 0:18:37.160 --> 0:18:39.679 small little briefcase then you know, the one like your 0:18:39.680 --> 0:18:41.800 big one. He opened it up and he had he 0:18:41.840 --> 0:18:43.840 had a card. He said, he said, my name is 0:18:43.880 --> 0:18:45.879 Puff Daddy. He said, if you want to be with 0:18:45.920 --> 0:18:48.880 the next generation of bad motherfuckers, come over the uptown 0:18:49.800 --> 0:18:52.160 m That's how he was introducing and he walked off. 0:18:53.800 --> 0:18:56.359 He walked off. The next time he saw me, I 0:18:56.400 --> 0:19:00.200 was on stage I was on stage and he said, Yo, 0:19:00.240 --> 0:19:02.120 I want to sign you the bad Boy. I want 0:19:02.119 --> 0:19:03.240 to sign you the bad Boy. I got a new 0:19:03.320 --> 0:19:07.080 label called bad Boy. That was the next year, and 0:19:07.080 --> 0:19:09.359 and I and when I got to the door, it 0:19:09.480 --> 0:19:11.960 was it was this kid. He had on he had 0:19:12.000 --> 0:19:14.840 on the pumps. I was like, who, come, where you 0:19:14.840 --> 0:19:18.080 get them pumps from? Because I knew nobody had the pumps. 0:19:18.119 --> 0:19:21.840 It was Dallas Austin. I was there, was like, my 0:19:21.880 --> 0:19:26.320 boy said, hey, that's that Charles Farrar. Charles Farrar and 0:19:26.359 --> 0:19:30.359 Troy Taylor, they were the characters. They were the characters. 0:19:30.440 --> 0:19:32.399 And Bernard Alexander. 0:19:37.000 --> 0:19:37.240 Guys. 0:19:37.480 --> 0:19:40.760 They was like, come on, y'all, y'all come through this door. Man. Hey. 0:19:41.000 --> 0:19:42.720 I remember him saying, hey, man, you gotta let these 0:19:42.720 --> 0:19:45.399 guys in, these of the young telling these young talented cats. 0:19:45.600 --> 0:19:46.919 You know what I'm saying, ain't got no passes, but 0:19:46.960 --> 0:19:49.639 letting me in. Let him go get some credentials, you 0:19:49.640 --> 0:19:51.720 know what I'm saying. He said, you know this Dallas Austin. Man, 0:19:51.720 --> 0:19:53.880 it's the boy that did he miss the DJ song. 0:19:53.920 --> 0:19:55.639 I was like, bro, I heard you song like twenty 0:19:55.680 --> 0:19:57.919 times a day. You know what I'm saying. I was like, 0:19:57.960 --> 0:20:01.080 and I started saying, hey, mister DJ, you know what 0:20:01.080 --> 0:20:04.240 I'm saying. That's I mean Dallas Austin. So me and 0:20:04.320 --> 0:20:07.679 Dallas stuck together him sneaking and everything that weekend. He 0:20:07.720 --> 0:20:10.920 didn't have no credentials neither. No, we snuck in Jack 0:20:10.960 --> 0:20:14.320 the Rapper. Wow, we stuck in Jack the Rapper. I 0:20:14.359 --> 0:20:16.399 mean my dad had credentials. But he was like, come on, 0:20:16.440 --> 0:20:18.399 you be night right. You know what I'm saying. But 0:20:18.480 --> 0:20:19.919 when they leave you, then they try to play you. 0:20:19.920 --> 0:20:21.960 You know what I'm saying. You know what I'm saying. So, 0:20:22.480 --> 0:20:26.320 I mean that was it. I mean I came back. 0:20:27.160 --> 0:20:31.000 I had a group called the Fulcoholics in Memphis. We 0:20:31.000 --> 0:20:33.320 were just local in Memphis. We did a few things. 0:20:33.680 --> 0:20:37.920 We had a great performance though Todd Day. Todd Day 0:20:38.359 --> 0:20:40.240 basketball player, Tod Day, I think he was playing with 0:20:40.280 --> 0:20:42.640 for the Dallas Mavericks at the time. It just got 0:20:42.640 --> 0:20:46.400 his deal. You had big bank. Todd Day was like, Yo, 0:20:46.600 --> 0:20:47.600 you need to go to Atlanta. 0:20:47.600 --> 0:20:47.719 Man. 0:20:47.720 --> 0:20:49.680 You're always talking about you gonna go to Atlanta. Need 0:20:49.680 --> 0:20:51.800 to go to Atlanta and don't come back until you 0:20:51.840 --> 0:20:55.000 get down and make it like all right. And my manager, 0:20:55.080 --> 0:20:57.600 Carolyn Carolyn. She was like, yo, I said, we're going 0:20:57.640 --> 0:20:59.480 to Let's go to Atlanta. She's like, I hain't bad. 0:20:59.520 --> 0:21:01.720 I know people out there. So we get out there, 0:21:01.840 --> 0:21:05.960 we get down to the last dollar. She bust out 0:21:06.040 --> 0:21:10.280 and says, I know mc breed hm hmm. I was like, 0:21:10.560 --> 0:21:12.760 you know m C bread in the future in your 0:21:12.880 --> 0:21:17.240 front man, take me to mc breed right now. F 0:21:17.280 --> 0:21:21.200 C Bree says, oh, so you you jazzy Faye Huh. 0:21:21.800 --> 0:21:24.119 He's like yeah, he said, let me let me hear 0:21:24.160 --> 0:21:26.600 what you got, b I got. I got the Nike 0:21:26.680 --> 0:21:28.800 box I got, I got, I got this, I got 0:21:28.800 --> 0:21:32.920 the uh the floppy disc, I got the DATS I got. 0:21:33.000 --> 0:21:35.040 I think I even had a couple of CDs. I 0:21:35.040 --> 0:21:37.760 think CDs was coming new to the game. That was 0:21:37.760 --> 0:21:39.880 new to the game. I had a couple of thom 0:21:40.920 --> 0:21:43.879 So he says, show me what you got. So I 0:21:43.920 --> 0:21:46.960 played a couple of joints. I played one joint. First joint. 0:21:46.960 --> 0:21:48.240 He was like, okay, you did that. I was like, 0:21:48.280 --> 0:21:50.720 I played the second one. He said you did that. 0:21:51.000 --> 0:21:54.120 I was like yeah. He said, what, play me another one. 0:21:54.920 --> 0:21:57.399 He's like, yo, did that. He was like yeah, he said, man, 0:21:57.440 --> 0:22:00.760 what y'all doing tomorrow. Then Man, me and Carolyn looked 0:22:00.760 --> 0:22:04.840 at each other. Then he said, so, how long y'all 0:22:04.840 --> 0:22:06.399 gonna be in town? We looked at each other again. 0:22:06.880 --> 0:22:09.760 She pulled her to the side. Then he came back 0:22:10.040 --> 0:22:12.280 and he told his boy. He said, hey, man, go 0:22:12.359 --> 0:22:15.520 to my house, get that room across from my room, 0:22:15.880 --> 0:22:18.240 clean it out and let them stay in that room 0:22:19.119 --> 0:22:23.359 in my house. And can't and George first first time, 0:22:23.560 --> 0:22:27.760 right like right now, went to the house when we 0:22:27.800 --> 0:22:29.480 got when he got done with the session, I stayed 0:22:29.480 --> 0:22:31.919 at the session until he got done. We got in 0:22:31.960 --> 0:22:34.480 the car, I went got my stuff and came to 0:22:34.520 --> 0:22:37.960 his house with all my stuff and I moved in 0:22:38.000 --> 0:22:42.080 there and from there I met too Short Eric Simon. 0:22:42.920 --> 0:22:45.159 She hooked it up, you know, she hooked it up, 0:22:46.640 --> 0:22:54.480 Uh red Man method Man, Snoop Dogg, d OC linked 0:22:54.480 --> 0:22:58.640 the Snoop Dogg and Warren G and everybody, Keith Sweat 0:22:58.920 --> 0:23:00.359 through mc B. Yeah. 0:23:01.520 --> 0:23:06.200 She put me on shout out to Man and you 0:23:06.320 --> 0:23:08.280 programming and everything at this time. Yeah, you're doing the 0:23:08.280 --> 0:23:26.480 whole thing. I'm going stupid, stupid, I'm going stupid. 0:23:26.520 --> 0:23:30.360 This was pre show enough though, this is before holding 0:23:30.400 --> 0:23:31.040 the club show. 0:23:31.160 --> 0:23:31.200 Not. 0:23:31.520 --> 0:23:36.880 Yeah, we're gonna get to that. Yeah, that's my ship. Yeah. 0:23:36.920 --> 0:23:38.919 That was before that. That was before any of my 0:23:39.080 --> 0:23:41.280 R and B records. I think I was doing some 0:23:41.359 --> 0:23:44.960 remixes for for for Eric and he was like Eric, 0:23:45.080 --> 0:23:46.840 Eric Simon was the first person to give me a 0:23:46.880 --> 0:23:49.800 ten thousand dollars check. He was like, yo, I want 0:23:49.880 --> 0:23:51.879 she got it. I want you to come here and 0:23:52.040 --> 0:23:54.920 just give me something for this, for this, for this, 0:23:55.080 --> 0:23:58.199 I want something for this right here. I was like, hey, 0:23:58.400 --> 0:24:00.800 I'm done. He's like, yo, B I'm not. I'm not 0:24:00.840 --> 0:24:04.359 even home yet. What was going on? I'm done. He 0:24:04.440 --> 0:24:05.879 was like, man, let me see what I see what 0:24:05.960 --> 0:24:08.399 it sounds like, bro, because I mean you're done. I 0:24:08.480 --> 0:24:11.920 was like, yeah, send him back. He was like yo, 0:24:13.080 --> 0:24:16.000 he said, man, I got you, Bro, you have me 0:24:16.040 --> 0:24:16.720 old his house. 0:24:16.800 --> 0:24:19.720 So at this point, is anybody that you're working with 0:24:19.920 --> 0:24:22.400 know what you come from? 0:24:22.560 --> 0:24:25.800 A connected guys go. We kind of talk about it, 0:24:26.200 --> 0:24:28.280 we talk about it. They find out, you know, you're 0:24:28.280 --> 0:24:30.400 not really wearing that though. No, no, no, I don't 0:24:30.440 --> 0:24:33.200 do that. I don't do that, you know. But but 0:24:33.200 --> 0:24:35.040 but with Eric, I do because I know he's the 0:24:35.040 --> 0:24:41.080 feast musical. I know any time I dug those because 0:24:41.119 --> 0:24:44.720 I know they'll they'll dial in somewhere and say what 0:24:44.760 --> 0:24:47.760 they want. They were like, hey, yo, maybe they want 0:24:47.760 --> 0:24:49.720 something from a catalog, you know what I mean, or 0:24:49.720 --> 0:24:52.119 something like that. I can help him with something or whatever. 0:24:52.200 --> 0:24:53.919 I always you know, not if I know you the 0:24:53.960 --> 0:24:57.560 funk lord. I mean, okay, my my prop is one 0:24:57.560 --> 0:25:00.239 of the funk lords. You know what I'm saying. Three 0:25:00.280 --> 0:25:03.960 thousand see my daddy. He dropped down on one knee, like, man, yo. 0:25:03.960 --> 0:25:04.040 I. 0:25:05.520 --> 0:25:07.520 Got this outfit from there, you know what I'm saying. 0:25:08.080 --> 0:25:09.639 It was like that, you know what I'm saying. 0:25:10.400 --> 0:25:15.320 Yeah, Wow, that history is amazing, bro, man, I don't know. 0:25:16.560 --> 0:25:20.600 Over twenty years and this is news to me. Yeah, 0:25:21.200 --> 0:25:24.720 the intricacies of it, you know what I'm saying. Yeah, 0:25:24.880 --> 0:25:26.600 I think we just you know, we just just it 0:25:26.640 --> 0:25:28.879 was just two kindred spirits. We just tapped in and 0:25:28.920 --> 0:25:31.679 just just got the running without ever really talking. 0:25:31.800 --> 0:25:33.600 Yeah we're looking, we know what it is. Yeah, we 0:25:34.160 --> 0:25:37.439 we didn't need to talk. Pretory. Barry Barry knew what 0:25:37.480 --> 0:25:37.840 it was. 0:25:39.200 --> 0:25:42.600 He knew okay, because he he was He's like, what 0:25:42.840 --> 0:25:44.760 you so bad from back there? 0:25:46.000 --> 0:25:49.280 Yeah? I had I had a record. It was called 0:25:49.320 --> 0:25:53.919 age ain't nothing but a number? Mm okay, but it 0:25:54.000 --> 0:25:57.600 didn't go like age ain't nothing but number. It wasn't 0:25:57.640 --> 0:26:01.159 that but that. Then I used to go back and 0:26:01.200 --> 0:26:07.480 forth on the phone with Rob Kelly with my ideas. Ship. 0:26:07.960 --> 0:26:10.639 One day he called ship. Matter of fact, he didn't 0:26:10.640 --> 0:26:15.840 even call it, just came on the radio and I 0:26:15.920 --> 0:26:20.119 was like, Rob, hey, hey man, hey man, what I 0:26:20.160 --> 0:26:20.800 got to do for you? 0:26:20.840 --> 0:26:21.520 What I gotta. 0:26:23.240 --> 0:26:29.359 Knew the phone call was coming. I said, come on now. 0:26:29.640 --> 0:26:31.600 He said, you know what, the only reason why I 0:26:31.600 --> 0:26:33.600 ain't gonna beat you up, I ain't gonna jump you. 0:26:34.359 --> 0:26:37.720 He said, because one I'm not using that song to 0:26:38.160 --> 0:26:42.280 yours is better than mine. That's what I said. You 0:26:42.760 --> 0:26:45.200 killed that. You you deserve that. You deserve that bite, 0:26:45.480 --> 0:26:47.399 I said, But but I got to get you. I 0:26:47.480 --> 0:26:49.760 got to get you. I said. No, when I do it, 0:26:50.000 --> 0:26:53.920 don't say nothing. When I do it, don't say nothing. Yeah, 0:26:54.440 --> 0:26:57.960 watch him out. Yeah. So we always had a friendly 0:26:57.960 --> 0:27:01.960 little thing going on. But you know, man, that's that's 0:27:01.960 --> 0:27:04.560 a shame by Rob. But that's that's a hard one. 0:27:05.280 --> 0:27:08.440 But anyway, uh, we know I've been knowing robinsonce Man 0:27:09.320 --> 0:27:15.679 tab Dash Records. I got the week my Daddy got 0:27:15.760 --> 0:27:19.399 the v C, the v H S R. Kelly and 0:27:19.520 --> 0:27:24.480 M G M. Musically Gifted Men. He was sitting in 0:27:24.560 --> 0:27:27.920 front of a garage and he had he was sitting 0:27:27.960 --> 0:27:31.959 on a stool and he had three guys behind him. 0:27:32.000 --> 0:27:34.080 They were all sitting on stools in front of a garage. 0:27:34.280 --> 0:27:36.679 And he had a brush and he was singing in 0:27:36.720 --> 0:27:42.879 the brush and he was singing slow Dance. It was 0:27:42.920 --> 0:27:47.080 a demo and he had a song called Dance with Me, 0:27:47.840 --> 0:27:50.159 and the song Danced with Me, he ended up changing 0:27:50.160 --> 0:27:52.960 the hook and when he dropped his first single as 0:27:53.160 --> 0:27:59.880 public announcement, it was Vibe Vibe Vibe. And then when 0:27:59.880 --> 0:28:02.679 he of the verses, the verses from Dance with Me, 0:28:04.760 --> 0:28:05.880 that's how far I go back. 0:28:06.400 --> 0:28:09.359 Wow, the fact that you can even recall all this 0:28:09.440 --> 0:28:10.320 ship is amazing. 0:28:10.359 --> 0:28:13.919 It's crazy. I mean, but it's like a hieroglyphic in 0:28:13.960 --> 0:28:17.320 your brain because it's like it comes it's still come 0:28:17.359 --> 0:28:19.359 from greatness, you know what I'm saying. So, I mean, 0:28:19.359 --> 0:28:20.840 how you gonna forget that? How are you gonna forget 0:28:20.880 --> 0:28:23.440 being backstage with Michael Jackson. I'll be back on stage 0:28:23.440 --> 0:28:25.480 with Michael Jackson and he just be like you know, 0:28:26.840 --> 0:28:29.959 telling your dad how great he is. I'm like, did 0:28:30.000 --> 0:28:35.320 you like what you right? He said? I remember that time, man, 0:28:35.840 --> 0:28:38.880 you did this riff, And I mean, I'm still mismerized 0:28:38.920 --> 0:28:47.479 today about it. I'm like insane, you know what I mean, Like, 0:28:47.640 --> 0:28:50.560 come on, bro, I think we all had Jimmy Curls 0:28:50.560 --> 0:28:54.719 at the time. I see it. I can see it. 0:28:54.800 --> 0:28:57.040 Oh yeah, yeah, come on, now, come on, So are 0:28:57.080 --> 0:28:59.680 you still pursuing your artists. 0:29:01.320 --> 0:29:04.360 Now this point? Now what it is in Atlanta, I'm 0:29:04.400 --> 0:29:06.440 just supporting people. I'm just you know, we got Javanda 0:29:06.480 --> 0:29:08.680 one and the Trap Stars, which we talked a little 0:29:08.680 --> 0:29:11.680 bit about right now, I'm talking about we talking about. 0:29:11.800 --> 0:29:13.959 We got back to when you when you you at 0:29:14.080 --> 0:29:18.120 mc bree Cribs, producing and writing for all these artists 0:29:18.840 --> 0:29:22.680 in your mind, are you still an. 0:29:22.600 --> 0:29:24.360 Artist at this now? No? 0:29:24.520 --> 0:29:27.640 Then, like when you when you're in Atlanta, you first 0:29:27.680 --> 0:29:30.520 get here and you're working on all these different artists, 0:29:30.560 --> 0:29:32.240 are you still trying to like, I still get my 0:29:32.280 --> 0:29:34.600 record deal? I said, no, you that's the thing in 0:29:34.600 --> 0:29:35.400 the past. At this point. 0:29:35.640 --> 0:29:38.680 I meant, I mean, I'm a side artist. That's how 0:29:38.720 --> 0:29:40.360 I feel like. You know what I'm saying. I was 0:29:40.440 --> 0:29:43.400 kind of like Nate Dog. Even back then you was 0:29:43.400 --> 0:29:45.760 hopping on. The dog might drop an album, but Nate 0:29:45.800 --> 0:29:48.280 Dog really just want to jump on. And you know 0:29:48.280 --> 0:29:50.640 what I'm saying, I'm with a dog pound, you know 0:29:50.640 --> 0:29:53.120 what I'm saying. Right, it's like that, I'd rather be 0:29:53.200 --> 0:29:54.680 with the crew, you know what I'm saying, and just 0:29:54.960 --> 0:29:55.840 going to you know what I mean? 0:29:56.120 --> 0:29:58.280 So you get your you get your first ten thousand, 0:29:58.800 --> 0:29:59.880 yeah from Eric sermon. 0:30:00.120 --> 0:30:04.520 M hmm. What's what's the next steps for you? Do 0:30:04.600 --> 0:30:05.000 you? You know? 0:30:05.120 --> 0:30:08.120 Do you have have you learned about I mean, obviously 0:30:08.120 --> 0:30:10.560 you came from the business, your father, your mother, but like, 0:30:10.680 --> 0:30:13.360 are you now pursuing those type of things like Okay, 0:30:13.360 --> 0:30:14.800 I'm gonna give me a publishing deal, I'm trying to 0:30:14.800 --> 0:30:16.600 figure out how to get some song deals at these labels. 0:30:16.680 --> 0:30:18.200 Are you doing any of that type of stuff yet? 0:30:18.200 --> 0:30:20.280 Are you still just no, I wouldn't even I wouldn't 0:30:20.280 --> 0:30:25.800 even that wouldn't even know my mind until noontime, No time, Yes, 0:30:26.040 --> 0:30:31.160 no time came. After show enough, show show enough. My 0:30:31.240 --> 0:30:36.680 boy Tila called me on the phone. Get get the 0:30:36.680 --> 0:30:39.320 phone called you Really you ain't really over there from it? 0:30:39.360 --> 0:30:45.000 If you don't know who come on Tila James. So, 0:30:45.240 --> 0:30:49.000 Tila Man, one of my really good brothers. He called me, 0:30:49.040 --> 0:30:51.200 and you say, man, he already told me. He said, bro, 0:30:51.280 --> 0:30:53.680 I'm gonna call you man. You know, uh, they're talking 0:30:53.680 --> 0:30:55.480 about over a swab house. They want to sign me. 0:30:55.800 --> 0:30:58.320 You know what I'm saying. So Tila calls me and 0:30:58.400 --> 0:31:01.800 we go back. We go over the over, back to Memphis. 0:31:01.840 --> 0:31:03.840 I go back to Memphis, to the House of Blues. 0:31:05.600 --> 0:31:09.640 So we we recording. One day, we were kicking. It 0:31:09.880 --> 0:31:12.200 wasn't vibing too tough. So I said, hey, man, what 0:31:12.240 --> 0:31:13.560 we need to do is we need to go get 0:31:13.600 --> 0:31:18.000 some information. Guys, let's go get inspired. Let's go to 0:31:18.080 --> 0:31:23.840 the Gentleman's. That's about somebody sitting on your lap and 0:31:23.840 --> 0:31:25.920 and have a conversation with having a cocktail. 0:31:28.840 --> 0:31:29.680 I understand me. 0:31:29.960 --> 0:31:32.840 So yeah, so we went did that. I think we 0:31:32.960 --> 0:31:35.040 brought a couple of party favorites back to the lap. 0:31:35.920 --> 0:31:38.040 You know what I'm saying. We had a new bank 0:31:38.440 --> 0:31:41.160 got sentiment. Yeah, we had a fresh We had a 0:31:41.200 --> 0:31:42.000 fresh new banks. 0:31:42.000 --> 0:31:45.360 So we were so we were, we were and all 0:31:45.480 --> 0:31:46.760 kind of feminine poetry to. 0:31:47.120 --> 0:31:57.080 Running around a whole lot of bathing body, little bouquets 0:31:57.200 --> 0:31:58.719 of it. 0:31:58.720 --> 0:32:01.720 It was bouquets of it. Yeah. So we get back 0:32:02.320 --> 0:32:04.880 and that boy Taylor walks around here, has some drinking, 0:32:04.880 --> 0:32:07.400 he has some in his hand, and he said, first thing, 0:32:07.400 --> 0:32:11.520 he said, we had the beat already, and I already 0:32:11.600 --> 0:32:14.120 I had most of it. The only sound I didn't 0:32:14.120 --> 0:32:18.720 have was that that That was the icing, right. Where 0:32:18.720 --> 0:32:20.680 do you get that from? Holder? Before you feel? Where 0:32:20.680 --> 0:32:27.360 did you get that Juno one O six the information? Yeah? 0:32:27.360 --> 0:32:31.719 That Juno World six. Yeah, that boy, that sound and 0:32:31.760 --> 0:32:36.400 I played it live on twenty four on on forty 0:32:36.440 --> 0:32:38.680 eight tracks. You know what I'm saying. We got two 0:32:38.760 --> 0:32:41.480 we got we got the Master and the slave running. Yeah, 0:32:41.560 --> 0:32:43.160 you know what I'm saying. So the Master and the slave. 0:32:44.160 --> 0:32:49.200 Yeah if you fruity, yeah, all you little flat on. 0:32:49.240 --> 0:32:53.440 The tape machine. One tape machine is about that big 0:32:53.840 --> 0:32:56.640 and about that tall from the ground. Yeah, yeah, you 0:32:56.680 --> 0:32:58.840 know what I mean. So a real piece of two 0:32:58.880 --> 0:33:02.240 of them side by, because one is only twenty four 0:33:02.320 --> 0:33:04.840 tracks and the other one is another twenty fourth man. 0:33:04.960 --> 0:33:11.960 So the master runs the sleigh yeah yeah, yeah, yeah, yeah, 0:33:12.240 --> 0:33:16.440 you hear you. Your master runs the sleigh and they 0:33:16.480 --> 0:33:20.400 follow and they rock back and forth. And anyway now 0:33:20.440 --> 0:33:23.600 they need that information. Yeah, yeah, how you can google it? 0:33:23.680 --> 0:33:26.440 And that sound yeah stily in my. 0:33:26.560 --> 0:33:30.480 Ear student, the old student. That sound in my early 0:33:30.560 --> 0:33:35.280 days was the that was the South call out for me. 0:33:36.000 --> 0:33:40.360 Mm hmm, what's that that song? That sound? Oh white yo, yeah, 0:33:41.040 --> 0:33:49.600 your white. I was like deep looks shout out, shout 0:33:49.600 --> 0:33:54.760 out to all these people. Dj uh uh kicker pre 0:33:55.840 --> 0:34:00.720 because the deep, the New York DJs were really uh 0:34:00.920 --> 0:34:05.640 uh kind of galvanized going everywhere, you know what I'm saying. 0:34:05.880 --> 0:34:07.840 And they were like because you know, they were like 0:34:07.880 --> 0:34:09.640 down with puff, they were down with people who were 0:34:09.640 --> 0:34:12.520 really throwing party parties. You know what I'm saying. You 0:34:12.520 --> 0:34:15.720 had es and s, you had you had biz biz 0:34:15.800 --> 0:34:19.240 shout out the biz. Shout out to Martin Monty montic 0:34:19.360 --> 0:34:20.920 rest in peace of Manti that he was one of 0:34:20.960 --> 0:34:22.759 the guys, one of my guys back in the day 0:34:22.760 --> 0:34:24.520 that really kind of took me out, and you know 0:34:24.560 --> 0:34:27.400 all of that. But but all of those DJs really 0:34:27.880 --> 0:34:32.440 like helped, you know, I say the East Coast DJs 0:34:33.040 --> 0:34:39.000 because they had such a big bandwidth. Their bandwidth was 0:34:39.160 --> 0:34:42.319 unreal and in the South, all we had to do 0:34:42.440 --> 0:34:45.520 was press play it was already jamming all that. All 0:34:45.520 --> 0:34:47.880 the DJ's pretty much got on it at once. But 0:34:47.920 --> 0:34:52.359 what really made us big was when Outside and New 0:34:52.440 --> 0:34:55.000 York start playing it. When they said this is the 0:34:55.040 --> 0:34:58.480 sound of the South. I was like, oh my god, 0:34:58.520 --> 0:35:01.200 that's what they play. I was like, if I played 0:35:01.200 --> 0:35:05.000 my song when they when they play the South in DC. Yeah, 0:35:05.000 --> 0:35:06.680 when they say when they play something from the South. 0:35:07.040 --> 0:35:09.000 That was the first song they played that started the 0:35:09.000 --> 0:35:12.560 whole South set. They got you ready, that's crazy. 0:35:12.440 --> 0:35:14.480 And get you singing. It was almost like, yeah they 0:35:14.520 --> 0:35:17.440 got this wag. Yeah, yeah, yeah, it was that. It 0:35:17.480 --> 0:35:18.360 was exactly that. 0:35:18.320 --> 0:35:22.640 Back then because it's like, oh, nickclock. They thought I 0:35:22.719 --> 0:35:26.040 was like in church or something, Tabernaca, you know what 0:35:26.040 --> 0:35:29.640 I'm saying. So we did that record and it just 0:35:29.760 --> 0:35:31.800 changed the game. And that's when Nooney was looking for me. 0:35:31.880 --> 0:35:34.759 Nonie was like, who is Jasey Faye? Then my boy? 0:35:34.800 --> 0:35:38.560 One farmer one farmer shot at to one farmer because 0:35:38.600 --> 0:35:40.360 one farmer said, hey man, it's these guys. 0:35:40.400 --> 0:35:40.600 Man. 0:35:40.840 --> 0:35:42.520 They're doing a whole lot of stuff. They work with Diddy, 0:35:42.520 --> 0:35:46.520 they work with everybody, you know. And he was just 0:35:46.560 --> 0:35:49.680 like they over in Houston. So on Pea Street, he said, man, 0:35:49.719 --> 0:35:52.000 come on, follow him up to dark and then we're 0:35:52.000 --> 0:35:53.880 gonna we're gonna ride over there. So I followed him 0:35:53.960 --> 0:35:56.920 up up to the spot and then I met noon 0:35:57.000 --> 0:35:58.840 in them, and after I met knowing them, I was 0:35:58.880 --> 0:36:01.640 with him like every day, every day. That's where I 0:36:01.680 --> 0:36:05.560 met John Tay. Then be Cox came I think probably 0:36:06.160 --> 0:36:08.440 be Cox literally came in. I think he might have 0:36:08.480 --> 0:36:11.160 been bubbling around, but I kind of met him probably 0:36:11.160 --> 0:36:14.080 about three weeks after me being over there. Anthony Dent, 0:36:14.560 --> 0:36:24.919 Jada Walker, Donny Skant, Donny Skance, Chris Hicks, Uh, try 0:36:26.239 --> 0:36:32.600 Tellry Uh, of course, Noony R. G Ryan Glover, everybody, 0:36:33.360 --> 0:36:37.000 Teddy Bishop, Yes, Teddy Bishop. 0:36:37.080 --> 0:36:37.600 Man, yeah. 0:36:37.760 --> 0:36:38.000 Man. 0:36:38.320 --> 0:36:42.040 So you know, I think that first couple of months, 0:36:42.440 --> 0:36:44.359 I mean some of the records that were done at 0:36:44.400 --> 0:36:48.560 noontime was like records like Friend of Mine. I watched 0:36:48.640 --> 0:36:50.680 Kelly Price come in and lay that record with Jada 0:36:51.320 --> 0:36:55.560 in one take. I mean, well like that, like. 0:36:57.560 --> 0:37:00.239 I make sure y'all go listen to Kelly Price Friend 0:37:00.280 --> 0:37:03.239 of Mine, and then in your head say to your son, 0:37:03.360 --> 0:37:05.880 take she sang this down, bro, one. 0:37:05.760 --> 0:37:08.520 Take and said listen, I got to go and feed 0:37:08.640 --> 0:37:15.640 this baby. Pick I got real to do. You're right, 0:37:15.719 --> 0:37:18.880 you got it all right, right, all right, give me 0:37:18.920 --> 0:37:21.759 my email it to me once you get it, when 0:37:21.840 --> 0:37:22.560 you get everything. 0:37:22.560 --> 0:37:26.800 And so so it was noontime already a studio before 0:37:26.800 --> 0:37:28.360 you got there street. 0:37:30.120 --> 0:37:34.120 We were downtown over there, right by over there by uh, 0:37:36.640 --> 0:37:39.560 right by the dome, okay, right by the and then 0:37:39.600 --> 0:37:41.600 you built that spot yep. Then we moved over to 0:37:41.640 --> 0:37:47.400 where you came to over nine. Yes, yes, the time. 0:37:48.080 --> 0:37:48.680 What a time? 0:37:49.080 --> 0:37:50.640 Are you kidding me? What a time? 0:37:50.800 --> 0:37:54.640 Those those were real, like you know, that was that 0:37:54.760 --> 0:37:57.600 was school. That was boot camp for me. Yeah, being 0:37:57.600 --> 0:37:59.120 down there with you off for that long, oh man, 0:37:59.160 --> 0:38:02.720 that was right camp, learning from you, learning from Teddy 0:38:02.760 --> 0:38:06.719 Bishop as I had the NPCC three thousand didn't sound 0:38:06.760 --> 0:38:07.240 like yours. 0:38:07.880 --> 0:38:10.120 I mean, but you know what I was like, I 0:38:10.239 --> 0:38:12.880 didn't sound like what's what's in yours? We used to 0:38:13.000 --> 0:38:16.240 I used to take we used to take the Newmark mixer, 0:38:16.600 --> 0:38:19.520 the Newmark that had the EQ at the top. Y'all show, 0:38:19.640 --> 0:38:21.719 y'all show me. So I would go and I would, 0:38:21.800 --> 0:38:24.520 I would, I would, you know, have a record, and 0:38:24.560 --> 0:38:27.120 I would just keep on bringing that joint back until 0:38:27.200 --> 0:38:30.160 whatever kick I was trying to whatever sound I was 0:38:30.200 --> 0:38:33.120 trying to get. I had the thing just hitting so 0:38:33.320 --> 0:38:36.040 hard right there at the threshold, and it was just 0:38:36.120 --> 0:38:38.960 about to just bust. And it might even be peeking, 0:38:39.200 --> 0:38:41.560 but as long as it wasn't my ear. Yeah, yeah, 0:38:41.680 --> 0:38:45.000 if it's good, y'all show me when I put him 0:38:45.000 --> 0:38:47.759 in there. I tell the engineers all the time, Hey man, 0:38:47.840 --> 0:38:51.000 we're trying to mix that. Just push it up, Just 0:38:51.040 --> 0:38:53.319 just turn it up, just push it up. Yeah, that's 0:38:53.360 --> 0:38:58.839 all already. Yeah, you ain't got to do all. 0:38:58.920 --> 0:39:04.040 That was what I used to call the noontime stick. 0:39:04.400 --> 0:39:07.280 You hear me, they care They came out of the planet. 0:39:07.320 --> 0:39:10.120 Fact that you'll eq something crazy. 0:39:10.160 --> 0:39:13.239 But see what we would do is Leslie or or 0:39:13.280 --> 0:39:16.279 whoever was at the time mixing the record. It might 0:39:16.320 --> 0:39:21.839 be John Fry, I'd be like, hey John, me those 0:39:22.239 --> 0:39:24.799 those stemps. It might be Teddy Bishop record, and we 0:39:24.880 --> 0:39:27.520 all had the same sounds, so we had so we 0:39:27.560 --> 0:39:31.360 built something called the Noontime Sounds, and me and Teddy, 0:39:31.440 --> 0:39:34.000 Me and Teddy kind of led the pack with the 0:39:34.040 --> 0:39:36.960 Noontime Pack though, because like we were really like the 0:39:37.040 --> 0:39:39.239 quirky guy, like like the nerdy guys with the sound. 0:39:39.280 --> 0:39:46.200 I'm like that one sound that came from No, that 0:39:46.239 --> 0:39:48.000 came that, that came from uh. 0:39:50.040 --> 0:39:51.920 Water waterfalls. 0:39:56.200 --> 0:40:06.080 Yeah, and the firm worm. Yeah. God hold, I got 0:40:08.120 --> 0:40:09.280 guess what I can't whar. 0:40:11.840 --> 0:40:13.640 Do do do do do? 0:40:14.320 --> 0:40:14.360 Do? 0:40:14.480 --> 0:40:15.960 Do do do? 0:40:15.800 --> 0:40:15.840 Do? 0:40:16.200 --> 0:40:16.520 Do? 0:40:16.520 --> 0:40:18.920 Do you do? Do? 0:40:19.200 --> 0:40:27.160 What? What is that? Soul soul sisters? Yeah, it's a 0:40:27.200 --> 0:40:36.200 sound that happens on the FLI I was cutting ship up. Yeah, 0:40:36.239 --> 0:40:41.880 that was cutting listen. That was the classes that was 0:40:41.960 --> 0:40:43.799 that's the sound that was a little master class for Yeah, 0:40:45.520 --> 0:40:47.000 like that's where you got that sound from. 0:40:47.360 --> 0:40:50.279 Yeah, because now now all that now, all of these 0:40:50.320 --> 0:40:55.120 things are just impacts, but their sounds they actually come 0:40:55.640 --> 0:40:59.320 Some came from that lady that uh that that di'angelo 0:40:59.400 --> 0:40:59.799 album Do. 0:41:00.160 --> 0:41:07.520 A Bunch Absolutely absolutely where he goes right there. I 0:41:07.520 --> 0:41:10.520 had all all of them. I had all those sounds. 0:41:10.760 --> 0:41:20.279 A CON's first sounds, those sounds, those were all my sounds. 0:41:16.160 --> 0:41:21.480 That He'll tell you all of my sounds. Didn't even 0:41:21.960 --> 0:41:25.200 now jes face sounds. Okay, So bro, let's let's let's 0:41:25.200 --> 0:41:27.799 get it to this. Come on, you got to tell 0:41:27.840 --> 0:41:30.319 the record out going crazy newly looking for you. 0:41:32.040 --> 0:41:32.920 Noon time in it? 0:41:32.960 --> 0:41:36.760 Now, Lord, what is what is what is the next 0:41:36.800 --> 0:41:39.640 big moment because now you're now you're part of a crew, y'all. 0:41:39.800 --> 0:41:42.520 Y'all are part of something that's that everybody around the 0:41:42.520 --> 0:41:43.279 country is here about. 0:41:43.320 --> 0:41:46.320 Because you got the big street record. Yes, but when does. 0:41:46.200 --> 0:41:53.319 The global national like not more so you know, that's 0:41:53.360 --> 0:41:56.040 a street and it's more regional and and it's it's 0:41:56.080 --> 0:41:57.240 more beloved, it cultural. 0:41:57.760 --> 0:42:01.040 When do you get like a chart like Okay, all right, 0:42:01.719 --> 0:42:06.879 I was working, I was working over at Dark. At Dark, 0:42:07.160 --> 0:42:11.080 I had kind of we we left the actual nine 0:42:11.080 --> 0:42:14.160 fifty seven building Noonie and I and we kind of 0:42:14.200 --> 0:42:17.920 went on and we kind of started to grow apart, 0:42:17.960 --> 0:42:18.480 grow apart. 0:42:18.800 --> 0:42:19.000 You know. 0:42:20.760 --> 0:42:24.360 Argie was going over to you know tb a with 0:42:24.360 --> 0:42:26.719 with doing his thing, and Chris was doing his thing 0:42:26.760 --> 0:42:30.360 with publishing, and me and Nooney were still you know, rocking. 0:42:31.239 --> 0:42:34.680 So we went over and started rocking with Dallas. So 0:42:34.800 --> 0:42:36.839 Dallas gave me a little cubby hole over in the side. 0:42:36.880 --> 0:42:40.040 It was the d room, and Dallas wasn't really doing 0:42:40.120 --> 0:42:42.400 much over there. He was kind of like on the hiatus. 0:42:42.400 --> 0:42:52.560 He was just you know, being that was Austin traveling dances. Yes, 0:42:52.640 --> 0:42:57.320 me and King Dallas Austin powers, yeah right right, living 0:42:57.320 --> 0:43:00.680 in life. So I'm over there and and and there. 0:43:02.000 --> 0:43:04.799 Noony caused me one day and says, hey, man, uh 0:43:04.960 --> 0:43:07.160 t a coming by and he wants to play. He 0:43:07.200 --> 0:43:10.120 wants to show you this group. And it was three girls, 0:43:10.320 --> 0:43:12.839 three girls in the group. So three girls, he said, Man, 0:43:12.880 --> 0:43:16.840 tell me what you think about Sharty right there. I said, 0:43:17.000 --> 0:43:20.400 she's a superstar. She said, that's her, said all right, 0:43:20.440 --> 0:43:28.160 bet Sierra, it was Sierra. It was Sierra. I let 0:43:28.160 --> 0:43:31.640 her hang out with me at dark for like three days. 0:43:32.560 --> 0:43:36.160 And at this time, you gotta think sever's like seventeen 0:43:36.200 --> 0:43:40.480 years old, sixteen tater seventeen maybe yeah, probably, I think 0:43:41.120 --> 0:43:44.960 headed to seventeen, about to graduate. She was in twelfth grade. 0:43:45.000 --> 0:43:49.319 She's going to twelfth grade summertime. So she's like coming 0:43:49.360 --> 0:43:51.600 up to the studio, big old house shoes and you 0:43:51.640 --> 0:43:53.160 know what I'm saying. She was a little thicker than 0:43:53.280 --> 0:43:57.759 too than she but she was like tworking and just 0:43:57.880 --> 0:44:00.799 tanking and acting, you know what I'm saying. But she 0:44:00.880 --> 0:44:04.160 was young. So I'm like, baby, baby, baby, did all 0:44:04.200 --> 0:44:05.879 these wrong men around here? You know what I'm saying. 0:44:05.880 --> 0:44:10.520 It's crazy. So I'm like, hmmm, so okay, we got 0:44:10.520 --> 0:44:12.040 to put this to work. You know what I'm saying. 0:44:12.840 --> 0:44:15.520 You know, because she really can dance and have a 0:44:15.600 --> 0:44:17.719 friends that they be doing some teens. I'm like, this 0:44:17.800 --> 0:44:20.240 is before TikTok and all of y'all was just doing. 0:44:20.520 --> 0:44:24.040 Nobody was seeing this. I'm just behind this. I'm like, okay, okay. 0:44:24.719 --> 0:44:28.319 So we go in the studio and we work. The 0:44:28.320 --> 0:44:31.799 first time we work. First time we work, we did 0:44:31.840 --> 0:44:32.280 a song. 0:44:33.000 --> 0:44:34.040 You changed the game. 0:44:34.520 --> 0:44:38.760 I'm like, get thug stout. Me and John Tae Austen 0:44:40.680 --> 0:44:44.319 Smash Cold record. I think the next four or five 0:44:44.400 --> 0:44:48.960 records that we did that same week are all on 0:44:48.960 --> 0:44:51.480 the album. That's how I was how much of a 0:44:51.600 --> 0:44:57.440 vibe we had. And she kires Stewart rest is soul shake. 0:44:58.400 --> 0:45:01.480 Uh I called Shake. Let's shay hear it? Loving it? 0:45:01.520 --> 0:45:03.480 You know what I'm saying. Uh. He's like, man, I 0:45:03.480 --> 0:45:04.560 want you to I want you to get in with 0:45:04.680 --> 0:45:06.120 La Re. I want you to get in with La Man. 0:45:06.200 --> 0:45:08.080 La wants to meet what you hearing stuff about you 0:45:08.400 --> 0:45:11.120 and all of that. So I went over there over 0:45:11.120 --> 0:45:14.120 there to hit co and met with La and so 0:45:14.239 --> 0:45:16.440 I'm playing l A all these records. I'm like, Okay, 0:45:16.480 --> 0:45:18.160 he go to slick Rick record I got a slick 0:45:18.200 --> 0:45:21.719 rick record, outcast, slick wrecking out cass on this jam 0:45:21.719 --> 0:45:27.080 walk up. So he like, dang, I'm playing with Joe 0:45:27.080 --> 0:45:29.319 record I me and John Tay was working on. Then 0:45:29.320 --> 0:45:31.439 I played him like some Chris Brown he was working on. 0:45:31.920 --> 0:45:36.040 And he said, chezy okay, stop stop, stop stop. He said. 0:45:36.080 --> 0:45:38.560 All those records are great records, he said, but I 0:45:38.640 --> 0:45:40.840 need to know what what you got from me. You 0:45:40.880 --> 0:45:44.799 got what you have it there? Yeah, yeah you have. 0:45:45.000 --> 0:45:47.560 But see I had never been in one of those meetings. 0:45:47.880 --> 0:45:50.400 I was just fortunate enough to be around here just 0:45:50.440 --> 0:45:53.319 placing records everywhere, you know what I'm saying. So that 0:45:53.440 --> 0:45:56.640 was my first real come to Jesus meeting, like type like, 0:45:56.760 --> 0:45:59.080 come on in here and get some of this you 0:45:59.120 --> 0:46:02.440 know goodness, real money in the game. Yeah, and I 0:46:02.440 --> 0:46:06.480 didn't even know that that's what it was. And you know, 0:46:07.560 --> 0:46:10.880 Shaker standing behind La, He's like the girl, the girl, 0:46:11.520 --> 0:46:15.120 the girl. So I just bought my Bentley big flex right, Okay, 0:46:15.560 --> 0:46:18.200 I just bought my bent my first, my first Bentley, 0:46:18.239 --> 0:46:23.640 right first, the first one. Right. So when he said that, 0:46:23.760 --> 0:46:28.520 I was hesitating because the whole time the CD I 0:46:28.560 --> 0:46:31.320 had figured out how to get it out. Man, he 0:46:31.400 --> 0:46:33.719 don't know how to work leg. I mean, I'm so 0:46:33.800 --> 0:46:35.840 in love with this CD. I don't really careful I 0:46:35.840 --> 0:46:37.799 get a card list to that. You know what, man, 0:46:38.160 --> 0:46:40.520 I got all the all of her songs on the CD. 0:46:40.719 --> 0:46:42.360 That's what I'm working on. I'm just like, what I's 0:46:42.440 --> 0:46:44.760 to do. I ain't gotta take it out. So I 0:46:44.760 --> 0:46:46.239 talked to my partner. I called my partner on the 0:46:46.239 --> 0:46:48.640 phone and said, man, you just and I popped it out, 0:46:48.960 --> 0:46:51.480 went downstairs, popped it. I came back up, came back 0:46:51.560 --> 0:46:55.359 upstairs before his sweating because I'm trying to damn CD out. 0:46:59.800 --> 0:47:01.440 So I come in there. You don't have af back 0:47:01.480 --> 0:47:04.719 on head. I'm like, yeah, dog. So he's like yeah, man, 0:47:04.760 --> 0:47:08.279 so come on, like, let's hear it. Let's hear it. 0:47:09.320 --> 0:47:11.280 But when I played one song on it, I think 0:47:12.760 --> 0:47:14.560 I think I played Thugstyle first because that was my 0:47:14.560 --> 0:47:18.439 favorite record. I no, I played something else. I played 0:47:18.440 --> 0:47:20.200 something else and he liked it. I think I played 0:47:20.200 --> 0:47:22.439 looking at You, Looking at You because Temple, I'm gonna 0:47:22.440 --> 0:47:25.000 get me the tempo first me. He's like, oh, I 0:47:25.120 --> 0:47:28.160 like that. Give me another one that nigga heard that 0:47:28.280 --> 0:47:32.920 damn Thugs down la la la la la la la 0:47:33.000 --> 0:47:36.880 la la la la lah. He was like, he was 0:47:36.920 --> 0:47:40.839 just he was like, whoa is that? Where is she? 0:47:41.600 --> 0:47:43.160 I was like, man, she's ever reheard? So right now? 0:47:43.239 --> 0:47:45.439 He said, go get her right now, bring her here. 0:47:46.120 --> 0:47:48.840 I was like, bro, she is not ready. She is 0:47:49.080 --> 0:47:50.960 not ready. He said, I got to leave. What time 0:47:51.000 --> 0:47:51.479 am I leaving? 0:47:51.560 --> 0:47:51.840 Y'all? 0:47:52.000 --> 0:47:54.839 He said, man, listen, I got to go. I said, bro, 0:47:55.000 --> 0:47:57.080 I got to get her together to meet you. I 0:47:57.120 --> 0:47:59.440 can't just she would kill me if I try to 0:47:59.440 --> 0:48:01.920 bring you. You know what I'm saying. He was like, listen, 0:48:02.440 --> 0:48:04.239 can y'all be here tomorrow at ten o'clock in the 0:48:04.239 --> 0:48:07.719 morning before I leave? I said, yes, we can. Yes, 0:48:07.800 --> 0:48:11.440 Sir came back. As soon as he saw her, I 0:48:11.440 --> 0:48:13.120 had everybody with me. I ain't you know what I mean. 0:48:13.239 --> 0:48:17.759 I'm being ghetto. I'm robin everybody. He walks in that way, 0:48:17.840 --> 0:48:19.839 I got people standing all in the way. He's like, 0:48:21.040 --> 0:48:23.160 where is she? And he's seeing her and he just 0:48:23.280 --> 0:48:26.680 put his arms out. He's like, oh yeah, oh yeah. 0:48:26.920 --> 0:48:29.000 We ran down all the records and he was like, 0:48:29.040 --> 0:48:34.000 oh yeah, this is it. It was it Sierra, Wow, Sierra. 0:48:34.680 --> 0:48:37.040 So do you science the Sierra signed two years already 0:48:37.080 --> 0:48:37.440 signed to me. 0:48:38.040 --> 0:48:40.480 Yeah, so this is the first artist on show. Sure 0:48:40.560 --> 0:48:42.960 enough here and at this point before this you had 0:48:43.000 --> 0:48:47.160 had no label. No, it starts with you and CC Yeah. 0:48:47.000 --> 0:48:53.840 Yeah, wow, oh yeah. At Dark Studio. Oh boy, oh boy. Look, 0:48:54.520 --> 0:48:57.640 the boy Dallas didn't even know we had Goodies was 0:48:57.680 --> 0:49:04.840 out and I think on uh uh Total Request Live 0:49:05.160 --> 0:49:07.920 t r L. Yeah, it was on tr number one 0:49:07.920 --> 0:49:10.520 on t r L for like two weeks. Dallas calls 0:49:10.560 --> 0:49:13.399 me on the phone, Hey, bro, I'm on I'm over 0:49:13.440 --> 0:49:17.760 here looking at MTV and the little girl, oh ciarra, 0:49:19.080 --> 0:49:22.040 the girl, the girl you got is number one. Man, 0:49:22.080 --> 0:49:23.960 you ain't let me get on this album. I was like, bro, 0:49:24.040 --> 0:49:37.759 I've been trying to tell you. I know what he 0:49:37.880 --> 0:49:48.279 calling because we got the mastermind here. Yeah, not just 0:49:48.320 --> 0:49:51.800 the mind, but the mastermind. It's in his blood. What's 0:49:53.160 --> 0:49:55.080 with the stars in the roof? Bawn in and I 0:49:55.200 --> 0:50:01.160 sworn in it? Oh yes, lord, what you got born 0:50:01.239 --> 0:50:10.720 chief Jesse Finzel. Oh boy, it's the old boy himself, 0:50:10.960 --> 0:50:12.320 mister oh boy himself. 0:50:14.200 --> 0:50:18.360 You know a lot about music, everything about real music, 0:50:18.600 --> 0:50:21.000 real music, trio. 0:50:20.840 --> 0:50:23.040 Music, from the soil, from the soil. 0:50:23.000 --> 0:50:27.280 From the soil and in your times of being born 0:50:27.360 --> 0:50:28.839 and to this thing. 0:50:29.239 --> 0:50:34.839 Yes, I know you. You found some music that is. 0:50:35.040 --> 0:50:45.000 Part of your top five, your top five, top five, 0:50:46.239 --> 0:50:53.919 top five, your top five everything. 0:50:55.080 --> 0:51:05.840 Yeah ala be song, you got you, you got do s, you. 0:51:05.719 --> 0:51:10.160 Got you grow. I know you know you want to 0:51:10.200 --> 0:51:35.760 know your Yeah yea Finzie oh boys five yeah, yes, 0:51:36.040 --> 0:51:37.760 Lord one three four. 0:51:40.960 --> 0:51:47.840 H Finzel your top five. As the fifth member of Singer. 0:51:48.880 --> 0:51:52.600 That's why I am fifth members of JAD Me and 0:51:52.640 --> 0:51:57.279 Pete met and Pete Pablo and uh Kenny Burns are 0:51:57.320 --> 0:52:00.520 all the fifth member of j and the the sixth 0:52:00.520 --> 0:52:04.160 member of joas Waxy Yeah all together. Now, I always 0:52:04.160 --> 0:52:07.840 been a member of Jones as well, you know, under. 0:52:07.920 --> 0:52:15.200 Yeah, under yeah, under the oh yeah act. Shout them though. 0:52:15.200 --> 0:52:20.160 He would have loved that, oh yeah yeah. Top five. 0:52:21.200 --> 0:52:24.719 Let's go for you. It is yours, yours, for you, 0:52:24.920 --> 0:52:31.560 not the world. What makes you girl. 0:52:32.040 --> 0:52:39.600 You're going to Bobby, You're going Bobby first or or Hobby. 0:52:40.000 --> 0:52:48.959 That's a little different, do you because it's yours. It's yours. Luther, Yeah, yeah, 0:52:49.960 --> 0:52:57.640 big Luther. Little Luther said big look big, definitely big. Yeah. 0:52:57.719 --> 0:53:06.040 You don't like in sha, it's your list I'm sorry 0:53:07.160 --> 0:53:11.000 always I'm disrespecting. That's what the father was great. He's great, 0:53:11.000 --> 0:53:14.000 but I mean, come on, I respect you. You know, 0:53:14.040 --> 0:53:18.560 I don't want to smoke bucket the chicken, all right, 0:53:18.680 --> 0:53:24.880 So Jerry, Jerry, I know y'all get that bucket from me. 0:53:26.640 --> 0:53:35.640 He's made a fierce card game. Yeah. See vocalists R 0:53:35.680 --> 0:53:37.720 and B whatever your world. 0:53:38.239 --> 0:53:44.640 You know, every everything starts and everything starts, yeah, Darryl Coley. 0:53:43.440 --> 0:53:51.440 Yeah everything, Okay, everything starts him starts with him. Yeah, yeah, him. 0:53:51.920 --> 0:53:58.120 He spawned so many children, from the Joe's to the Marios. 0:53:58.560 --> 0:54:00.960 I got like, I got so many of those. I 0:54:01.040 --> 0:54:06.359 got so many. That's that's so. That's three. I want 0:54:06.360 --> 0:54:07.840 to I want to put a lady in there. I 0:54:07.840 --> 0:54:09.759 want to, you know, because I got so many of 0:54:09.840 --> 0:54:15.080 them that that I love. But you know what, somebody 0:54:15.160 --> 0:54:20.960 that I really enjoy their vocals. Jasmine Sullivan. Why not? 0:54:21.400 --> 0:54:25.759 I love her? Why not? I just love her. She'd 0:54:25.760 --> 0:54:28.120 be going through a thing on that Michael phone board. Man, 0:54:28.960 --> 0:54:31.959 I'll be going through it with her. What she's saying about, 0:54:32.000 --> 0:54:34.319 that's what I already know. She coming back. She's gonna 0:54:34.320 --> 0:54:37.279 going back to gospel at the end. I know she's 0:54:37.320 --> 0:54:44.319 going back that. Okay, that's four. Why not? Hi, I'm 0:54:44.360 --> 0:54:51.640 so tired and just how and that was a fight 0:54:51.719 --> 0:54:56.080 between him and I. I already did a gospel but man, 0:54:56.320 --> 0:54:59.400 you know I still love the John B Keys, of course, 0:54:59.560 --> 0:55:02.399 I mean, come, I guess Godfather Jef V Key and 0:55:02.440 --> 0:55:07.359 Mervin and Fred Hammond and all the Commission records. I'm 0:55:07.400 --> 0:55:09.040 I'm just such a fan. I'm over such a fan 0:55:09.080 --> 0:55:09.640 of Commission. 0:55:09.760 --> 0:55:11.799 Okay, well we're gonna get another shot on the top 0:55:11.880 --> 0:55:18.960 five R and B songs songs. Yeah, yeah, yeah, mm 0:55:19.040 --> 0:55:20.120 hmmm do. 0:55:20.440 --> 0:55:28.680 The things big wan say. No, you got to stay 0:55:29.080 --> 0:55:32.479 on your pis and cues. Are you going? 0:55:32.640 --> 0:55:39.320 Woman's gotta have it going, Woman's gotta have it, Woman's 0:55:39.320 --> 0:55:42.280 got Yeah, he's going there, Al. 0:55:42.160 --> 0:55:48.279 Green, Oh look what you've done to me? Look what 0:55:48.280 --> 0:55:51.000 you've done to me. Oh yeah, he came in here 0:55:51.000 --> 0:55:58.799 with full Cadillac music. Yeah, Stevie wonder m tens ten 0:55:59.000 --> 0:56:05.000 zillion light years away. They say that heat tens you know, 0:56:05.120 --> 0:56:06.360 light years away. 0:56:07.800 --> 0:56:07.840 That. 0:56:08.520 --> 0:56:11.600 Yes, it's a fight between that and all that's fair 0:56:11.640 --> 0:56:17.680 and love that loves the crazy. Guess yeah, it takes 0:56:17.680 --> 0:56:22.719 his pen. Oh man, come on, now, a song for 0:56:22.800 --> 0:56:29.200 you m down. They had the way. Yeah, and it's 0:56:29.239 --> 0:56:32.480 a fight between that and someday we'll all be free. 0:56:32.960 --> 0:56:35.719 Because that song brings me to tears because of where 0:56:35.719 --> 0:56:38.120 we are. You know what I mean socially and what 0:56:38.239 --> 0:56:40.640 it meant and the time of it. You know what 0:56:40.680 --> 0:56:47.480 I'm saying. Uh, I got one more commission running back 0:56:47.480 --> 0:56:51.799 to you. Go ahead and sit up because they feel 0:56:51.880 --> 0:56:57.360 me that record right there? Yeah, that song made me. 0:56:58.000 --> 0:57:02.759 That song made me see Jesus like when I with 0:57:02.920 --> 0:57:06.400 my eyes open. You know what I'm saying. It made me. 0:57:07.320 --> 0:57:11.440 It made me understand my relationship with the Man of 0:57:11.480 --> 0:57:17.280 Stealth and when I want to see them live. You know, 0:57:17.800 --> 0:57:24.920 it was just me. It's crazy, friends and vocals. Come on. 0:57:28.720 --> 0:57:30.720 That man is still trying to it. He was looking 0:57:30.800 --> 0:57:32.000 He's just looking at the Lord. 0:57:35.000 --> 0:57:35.160 Yeah. 0:57:35.320 --> 0:57:39.120 Man, that's very spiritual. And you know we will go 0:57:39.240 --> 0:57:50.680 top ten because I gotta go. Uhhh my god, oh 0:57:50.720 --> 0:57:53.560 my god. Who don't feel it in they? So I 0:57:53.760 --> 0:57:56.440 just said that stopped feeling right in the arch of 0:57:56.480 --> 0:58:01.680 my foot. Do you feel me? Yeah? What about what 0:58:01.800 --> 0:58:04.919 about stair Away to Heaven? Oh, you're gonna keep going 0:58:05.480 --> 0:58:15.680 step step Come on, So man locks somewhere man, it's 0:58:15.760 --> 0:58:28.520 an'thing to get torn close up. God, Come on, man, 0:58:29.000 --> 0:58:32.320 let's think about that. Think about that's all I listened to. 0:58:33.320 --> 0:58:34.720 Listen hipping Mane. 0:58:34.920 --> 0:58:39.280 Lenny said, if it's in God's will, how can a 0:58:39.360 --> 0:58:42.200 woman say to you when you say that to her? 0:58:42.600 --> 0:58:46.080 Hey? Man, comes on, you got your and they hit 0:58:46.120 --> 0:58:50.080 that note? Yeah right, I'm gonna leave Leny alone whatever 0:58:50.120 --> 0:58:52.240 we can have that note. He gotta come over here 0:58:52.320 --> 0:58:52.840 do that note? 0:58:52.920 --> 0:58:53.080 Man? 0:58:53.160 --> 0:58:58.520 Yeah, he he still got it. He Yeah, was a problem. 0:58:58.880 --> 0:59:04.240 You feel me? Top fifteen, Come on, here we go. 0:59:06.720 --> 0:59:07.680 Let's make your vote. 0:59:07.720 --> 0:59:12.160 Ron, Let's make your super r and b artists you're supers. 0:59:12.240 --> 0:59:14.280 Hold on, we're gonna put all the pieces together, all right. 0:59:14.440 --> 0:59:16.720 We need to know who you're gonna get the vocal 0:59:16.800 --> 0:59:19.720 from for your artists, who you're gonna get the performance 0:59:19.720 --> 0:59:23.680 style from, the styling from, and the heart. 0:59:23.440 --> 0:59:27.680 Of the artists. And for you, who's gonna produce for him? Yeah, 0:59:27.760 --> 0:59:30.800 who're gonna get the voice? Who're gonna get the vocal 0:59:31.200 --> 0:59:36.560 for your super the artists? My vocal? Oh that's a 0:59:36.560 --> 0:59:40.200 hard one, but not really the vocal? 0:59:41.880 --> 0:59:42.320 Mm hmm. 0:59:47.480 --> 0:59:50.320 What this goes on? We ain't went Let's go to Charlie. 0:59:51.480 --> 0:59:56.320 We're gonna go Uncle Charlie, Uncle Charlie with oh but 0:59:56.480 --> 0:59:57.600 our performance because. 0:59:59.440 --> 1:00:03.520 You wait us let us let us enjoy this joy, 1:00:03.600 --> 1:00:08.720 Uncle Charlie. Man performance performance style on that stage. 1:00:09.160 --> 1:00:16.880 Oh only because I know people are gonna say that 1:00:16.960 --> 1:00:17.480 don't match. 1:00:17.840 --> 1:00:21.640 They don't have to match Michael Jackson Man, what that 1:00:21.800 --> 1:00:22.920 absolutely matches. 1:00:22.960 --> 1:00:27.640 It was amazing. He was just so impeccable. He's the 1:00:27.400 --> 1:00:31.160 he's the standard. I was there when when he when 1:00:31.160 --> 1:00:35.200 he did MOTWN twenty five. You were there. I wasn't 1:00:35.240 --> 1:00:37.040 at the place, but I mean I was. I know 1:00:37.080 --> 1:00:38.880 where I was. I know exactly where I was. I 1:00:38.920 --> 1:00:40.919 was sitting in front of my great grandmama TV. Yeah. 1:00:41.320 --> 1:00:44.880 I was like, what is that screaming? Screaming? When that 1:00:45.000 --> 1:00:50.760 man said definitely I like the new song on, I 1:00:50.800 --> 1:00:52.280 was changed my life. 1:00:52.800 --> 1:00:55.120 And the next the very I went to school and 1:00:55.160 --> 1:00:57.760 did the moonwalk, the styling of the artist. 1:00:58.040 --> 1:01:01.160 The drift of the artist, because we know that's what 1:01:01.200 --> 1:01:06.160 you do. You're gonna do your you've been doing right now. 1:01:06.320 --> 1:01:12.720 Listen here Teddy rolling guy. Oh oh when they first 1:01:12.920 --> 1:01:16.840 yeah yeah, the first guy out grew. 1:01:17.160 --> 1:01:23.120 Yeah, Timmy, I say with a levefore before crazy lads 1:01:23.160 --> 1:01:23.720 got group. 1:01:23.800 --> 1:01:26.480 Yeah, I want to say that was the first one 1:01:26.520 --> 1:01:29.000 I've seen with that, that album with the real name 1:01:29.080 --> 1:01:31.000 fly name changed with diamonds. 1:01:31.000 --> 1:01:33.720 I want to tell guy right now, y'all can wear 1:01:33.800 --> 1:01:35.720 that right right now, get off. 1:01:36.280 --> 1:01:39.280 That was off right now. That was the first one 1:01:39.320 --> 1:01:41.520 to wear the big name changed with the diamonds on them. 1:01:41.520 --> 1:01:43.560 The passion of the artists, the heart of the artist. 1:01:43.800 --> 1:01:53.920 James Quick, easy easy, kick your ass in the ass 1:01:54.720 --> 1:01:58.920 on the stage, off the stage, on the airplane. 1:01:58.920 --> 1:01:59.760 I love good. 1:02:00.160 --> 1:02:03.320 Yeah. 1:02:03.640 --> 1:02:10.400 Who's producing for this artist? M two guys okay, Quincy 1:02:10.920 --> 1:02:11.560 and Finzel? 1:02:13.720 --> 1:02:18.040 Yeah yeah. What are we talking about? Because I always 1:02:18.040 --> 1:02:19.560 wanted to work with him? What are we talking about? 1:02:20.520 --> 1:02:21.560 Oh yeah, who? 1:02:22.800 --> 1:02:27.520 Oh yeah, Quincy and Finz? Oh boy, oh boy? Not 1:02:27.600 --> 1:02:29.640 Jacky fa yeah, fin. 1:02:31.880 --> 1:02:35.680 Yeah Yeah. 1:02:35.760 --> 1:02:42.120 What else we got for chief? Uh? I ain't saying 1:02:42.160 --> 1:02:45.280 no nig I ain't saying no name. I ain't saying 1:02:45.320 --> 1:02:50.640 no name. I ain't saying no names. Were you what 1:02:50.840 --> 1:03:06.600 you need? Don't say she? I ain't saying no name. Huh. 1:03:06.440 --> 1:03:07.920 So we've come to the segment. 1:03:07.960 --> 1:03:12.720 Now. You can't let you leave this building without this segment. 1:03:12.840 --> 1:03:15.240 It's called I ain't saying no names. Will you tell 1:03:15.280 --> 1:03:15.880 us a story? 1:03:16.840 --> 1:03:18.000 Funny? Are fucked up? 1:03:18.520 --> 1:03:23.560 Funny and fucked up in the Travelers of Jazzy Ftle 1:03:24.440 --> 1:03:26.720 product shistle My. 1:03:28.120 --> 1:03:30.240 We need that story. We need that. I ain't saying 1:03:30.240 --> 1:03:33.960 no names. The only rule to the game. You can't 1:03:34.040 --> 1:03:37.480 say names. That's it. Man. Way back, I ain't gonna 1:03:37.480 --> 1:03:39.680 say the year, because then I just started telling myself. 1:03:40.480 --> 1:03:50.640 But way back, rock star status. We backstage at funk Fest, 1:03:51.800 --> 1:03:53.400 a lot of big groups on stage, a lot of 1:03:53.440 --> 1:03:58.080 big groups on stage, artists on the side of the stage. 1:03:58.200 --> 1:04:00.200 I'm over hearing everything because I'm a kid. I'm I'm 1:04:00.200 --> 1:04:02.240 on the you know, I'm a fly on the wall. 1:04:03.160 --> 1:04:09.600 So police already then been aware of this guy's presence 1:04:09.640 --> 1:04:15.040 in the building. And if he goes out and proceeds 1:04:15.040 --> 1:04:20.440 with his regular show, he's going to jail, no questions, 1:04:20.520 --> 1:04:26.200 I was saying. But or maybe he already notifies everybody 1:04:26.240 --> 1:04:29.840 that ain't nobody in Wisconsin or wherever he was at 1:04:30.200 --> 1:04:33.560 stopping his show, the folk, the white folk, whoever they are. 1:04:34.200 --> 1:04:36.960 I ain't stopping what I do. And when I get 1:04:36.960 --> 1:04:39.280 out here and do this thing, I want you to 1:04:39.320 --> 1:04:41.600 be ready on the opposite side, because they are going 1:04:41.640 --> 1:04:43.840 to come on this side where they think the stairs are. 1:04:44.040 --> 1:04:47.080 I want you to create a pseudo staircase over here 1:04:47.400 --> 1:04:54.160 on this side. And when I smoke this weed on 1:04:54.200 --> 1:05:01.840 this stage, I'm going to disappear cloud smoke, and we're 1:05:01.920 --> 1:05:07.680 going to be parked. And instead of doing this sub 1:05:07.960 --> 1:05:09.360 ending of the show, we're going to do it at 1:05:09.400 --> 1:05:13.360 the very end, so to be done and the damage to 1:05:13.480 --> 1:05:18.520 be done and Victor will be won. And it was done. 1:05:19.720 --> 1:05:24.200 He almost got out of there, I hope and he 1:05:24.320 --> 1:05:29.880 got out. Yeah, yeah, oh. 1:05:29.800 --> 1:05:32.480 Yeah, but he did his show. Probably guess all right, 1:05:32.920 --> 1:05:35.240 but he did his show. Yeah, I guess I could 1:05:35.240 --> 1:05:38.520 probably guess that one. But yeah, and you was therefore 1:05:39.200 --> 1:05:42.479 right there, of course, right there, he's everywhere right there, 1:05:42.960 --> 1:05:49.040 he's omni president. You're like the Lord, nor lord like 1:05:49.280 --> 1:05:53.640 lord like lord like more like geez. 1:05:55.240 --> 1:05:55.840 Bens eld. 1:05:55.880 --> 1:05:59.600 Listen, Man, what can I say? 1:05:59.600 --> 1:06:03.840 Man? I love you, Man, I love you. I couldn't 1:06:03.880 --> 1:06:05.720 wait to get over here. Man, after you did that 1:06:05.760 --> 1:06:08.000 thing with Casey, Man, that was that like I hit 1:06:08.040 --> 1:06:10.360 you and told you I think that's kind of put 1:06:10.520 --> 1:06:12.720 they put me back on your brain or whatever. And 1:06:13.000 --> 1:06:15.240 because I know you be doing a lot, but man, 1:06:15.800 --> 1:06:18.480 that thing made me weep. I don't know what it was. 1:06:18.520 --> 1:06:21.439 I think because I've never seen him in that light, 1:06:21.480 --> 1:06:25.520 and I'm like, wow, I never seen Casey and that 1:06:25.600 --> 1:06:27.840 light and and and it was like even though of 1:06:27.920 --> 1:06:29.560 course we would have wanted to see Joe, to see 1:06:29.600 --> 1:06:32.160 the whole group, it was just it was just enough 1:06:32.200 --> 1:06:32.800 for my spirit. 1:06:32.800 --> 1:06:33.320 At the time. 1:06:33.600 --> 1:06:37.320 He texted me and said I laughed and cried. Yeah. 1:06:37.560 --> 1:06:43.160 I was like, wow, I did Broo. 1:06:41.720 --> 1:06:42.280 Yeah, man. 1:06:43.080 --> 1:06:45.680 But I think the great part about it was to 1:06:45.720 --> 1:06:47.720 see that he was he was doing good. He was 1:06:48.640 --> 1:06:51.040 doing good. You know what I'm saying. He's he's definitely 1:06:51.120 --> 1:06:53.440 a hero. You know what I'm saying. And when you 1:06:53.440 --> 1:06:56.320 you talk about you know, you know all of that, 1:06:56.440 --> 1:06:59.440 all of those thoughts like bur in my head, like 1:06:59.440 --> 1:07:01.840 like we in the same like as brothers, like because 1:07:01.960 --> 1:07:04.440 he was like I gotta love I was like I 1:07:04.440 --> 1:07:08.680 didn't understand, like bro because you know all of these 1:07:08.760 --> 1:07:10.720 rules they used to have an R and B, like 1:07:10.880 --> 1:07:12.680 you got to have an eight bar this, eight bar that, 1:07:13.080 --> 1:07:16.240 and and like one of those up moments were I 1:07:16.240 --> 1:07:18.760 know y'all probably had it too. When Dwayne and them 1:07:18.880 --> 1:07:21.880 came in there and did four bars and went straight. 1:07:21.680 --> 1:07:26.680 To the hook. Yeah, yeah, how you gonna tell me? Hey, bark, 1:07:27.200 --> 1:07:31.720 they made you argue. They made you argue, and and 1:07:31.720 --> 1:07:35.960 and and Just to even add to that, I was 1:07:36.000 --> 1:07:38.600 with j Z, right, me and Jez, and they're working. 1:07:39.560 --> 1:07:44.080 Jez said, Bro at the twelve bars, Bro, I'll be done. 1:07:46.280 --> 1:07:52.240 He was the first one. He coined the twelve bar verse. Yeah, 1:07:53.200 --> 1:07:55.720 I said, it's okay, Bro, you got a rep sixteen bars, 1:07:56.080 --> 1:07:58.280 we'll change it it. 1:07:59.240 --> 1:08:02.440 He's like, I'm repping all my songs twelves. He put 1:08:02.760 --> 1:08:07.480 all twelves on Trapper Die. Trapper Dye became the bible 1:08:07.880 --> 1:08:11.840 for these trap rappers, right, all the rappers you know 1:08:11.880 --> 1:08:14.760 they're trying to get off anyway, Twelve bars is matter 1:08:14.800 --> 1:08:16.439 because I mean, I'm still gonna get my bag and 1:08:16.439 --> 1:08:19.479 I get to give you his twelve because sixteen always 1:08:19.520 --> 1:08:23.040 just felt like, yeah, don't nobody want to do the 1:08:23.160 --> 1:08:26.560 hundred yard dance. I want to add you know what 1:08:26.600 --> 1:08:28.320 I'm saying, I'm about to listen to trappor Die away 1:08:28.400 --> 1:08:31.559 different now. Yes, That's why I was sold, because we're 1:08:31.600 --> 1:08:32.920 getting he getting back to that hook. 1:08:33.080 --> 1:08:42.519 Yeah, yeah, you know what I'm saying, and hooks, Well, 1:08:42.520 --> 1:08:46.080 we love you brother, your your stories are your stories, 1:08:46.080 --> 1:08:48.880 and your work and your legend. You are one of one. 1:08:48.920 --> 1:08:51.519 It's maculate, man, God is good. It's a maculate you 1:08:52.400 --> 1:08:55.559 good in these streets, real man. 1:08:55.640 --> 1:08:57.599 You see what I'm saying. Yeah, and you know this 1:08:57.680 --> 1:08:59.160 is this is this is home for you. 1:08:59.560 --> 1:09:02.559 Man. Uh, the tap in is real, man. We'll break 1:09:02.600 --> 1:09:07.799 some bread off camera, man, and yes, low until then. 1:09:07.800 --> 1:09:11.320 Mogile Management, Man, Mogile Management. Shout out to Mogile Management. 1:09:11.840 --> 1:09:12.160 Uh. 1:09:12.479 --> 1:09:16.080 Gervanda one of the Trap stars show enough of course. 1:09:17.080 --> 1:09:19.240 You know what I'm saying. He's got young k c 1:09:19.479 --> 1:09:20.520 k September. 1:09:21.160 --> 1:09:21.280 Uh. 1:09:21.479 --> 1:09:28.439 Uh, Molly Water all all my friends do Prano Push Management, 1:09:28.560 --> 1:09:32.439 Push DJ's all those guys. Man. You know guys know 1:09:32.520 --> 1:09:35.400 the artist Javanda one, all of them. Now we're really 1:09:35.560 --> 1:09:37.599 cooking up something real special for y'all. 1:09:37.600 --> 1:09:37.800 Man. 1:09:38.680 --> 1:09:39.760 Indeed, I like it. 1:09:40.720 --> 1:09:43.599 My name is Tank and this is the army. When 1:09:43.600 --> 1:09:46.360 he podcast the authority on all things R and B 1:09:47.200 --> 1:09:49.360 and RN Biezzele. 1:09:49.880 --> 1:09:53.000 R and R and B is not easily And that 1:09:53.120 --> 1:09:56.800 guy Chazzy Finn Oh yeah. In the first of the 1:09:56.880 --> 1:10:01.280 year before on the first t the year, I will 1:10:01.320 --> 1:10:04.320 be adding a name to my big old names. I'm 1:10:04.320 --> 1:10:08.720 adding Gorgeous, Fimzel, Burgundy, Obama, Luther King, Jogia Jackson. Five 1:10:08.800 --> 1:10:17.960 to first year on R and B Money. 1:10:18.160 --> 1:10:19.960 R and B Money is a production of the Black 1:10:19.960 --> 1:10:24.800 Effect podcast Network. For more podcasts from iHeartRadio, visit the 1:10:24.840 --> 1:10:28.680 iHeartRadio app, Apple Podcasts, or wherever you listen to your 1:10:28.720 --> 1:10:32.599 favorite shows. Don't forget to subscribe to and rate our show, 1:10:32.920 --> 1:10:35.519 and you can connect with us on social media at 1:10:35.600 --> 1:10:39.880 j Valentine and at the Real Tank. For the extended episode, 1:10:39.960 --> 1:10:44.160 subscribe to YouTube dot com, forward Slash, R and B 1:10:44.280 --> 1:10:44.599 Money