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Speaker 1: R and B Money.

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Speaker 2: We are take Melchi.

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Speaker 1: We are the authorities R and B Ladies and gentlemen.

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Speaker 2: My name is Tank Valentine and this is the R

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Speaker 2: and B Money Podcast, the authority of all things R

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Speaker 2: and B oh ball.

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Speaker 1: Oh boy.

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Speaker 2: Yeah, ladies and gentlemen.

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Speaker 1: Yeah, we in the A T lay and we have

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Speaker 1: to see that.

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Speaker 2: Maine, Don Main. I'm not gonna waste time on this

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Speaker 2: this show. We don't get right to it. My brother,

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Speaker 2: my love for.

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Speaker 1: Jose Fier, the ladies and gentlemen. You're not trying to

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Speaker 1: Marfa and George Shulana, Jassey, Finzel, Burgundy, Obama, Luther King Jr.

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Speaker 1: Jackson five, the first in the building. R and B Money.

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Speaker 1: We're gonna change it starring Be Money, a little bigger

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Speaker 1: than just R and B starring Be and sometimes it's

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Speaker 1: Coach starring me.

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Speaker 2: Okay, Allard fingers, we're doing We're starting early.

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Speaker 1: We don't take it.

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Speaker 2: There, listen, brother, Yeah, we've been doing this man a

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Speaker 2: long time.

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Speaker 1: Long time, long long long time, long.

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Speaker 2: Time since Papa John's Beason with the garlic dippers up, you.

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Speaker 1: Know, long long time, the whole back at back at

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Speaker 1: the new time on the about the railroad tracks. Man,

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Speaker 1: long long time.

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Speaker 2: We need a Papa John's partnership. Won't be out here

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Speaker 2: your shout niggas.

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Speaker 1: Hey shot, Papa John, come on with shout this baby.

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Speaker 1: How you been man? Hey man?

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Speaker 2: Blessed bro Yeah, blessed and hally favor every every time

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Speaker 2: I scroll past your page, Man, you smile and you're

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Speaker 2: making some music. You living your life. You're enjoying yourself,

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Speaker 2: and that's what that's that's what I know about. Jes

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Speaker 2: gona have a good time, you know what I'm saying.

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Speaker 2: I've had many a good time. When you better have

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Speaker 2: a good time, when you you better have a good

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Speaker 2: time when you with him? What if God says talk

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Speaker 2: about it, talk about that.

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Speaker 1: Your gifts will make room for and that didn't that

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Speaker 1: just see that, man, like, look at y'all. Look at y'all, man,

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Speaker 1: look like y'all could be doing y'all first projects. I'm

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Speaker 1: just saying that about you like a youngster. But that's

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Speaker 1: your gift making room. The Lord is preserved, you know

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Speaker 1: what I'm saying. Time people don't look at it like that,

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Speaker 1: you know what I mean? Right? Yeah, And sometimes we

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Speaker 1: forget you know what I mean? But when you go

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Speaker 1: to your class reunions. He sometimes get reminded. You'd be like,

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Speaker 1: wait a minute.

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Speaker 3: Hold, but we were the same.

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Speaker 1: We was in the eleventh grade together.

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Speaker 2: Yeah, okay, yeah, man, we lived some good life. It

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Speaker 2: was just you were sustained for I'm blessed. We're blessed,

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Speaker 2: sustained for a reason. We we are designed. Our design

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Speaker 2: is something different. Yeah, you know, I mean, and so

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Speaker 2: what has been given to us is the the the

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Speaker 2: favor within our appearance. Mmmmm okay, so that so that

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Speaker 2: we we never die.

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Speaker 1: My mom always say favorite ain't fair.

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Speaker 2: Baby, ain't fair. I mean, talking about certain things. She'd

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Speaker 2: be like, she just cut me off and be like,

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Speaker 2: favorite ain't fair. Say you, yeah, not everybody time your time,

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Speaker 2: you hear me. Yeah, and you and you've and you've

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Speaker 2: had your time for quite some time.

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Speaker 1: Man.

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Speaker 2: Yeah, man, listen, listen. I love when you got to step.

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Speaker 1: In away at them sun rays. Just gotta I learned

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Speaker 1: how to, you know. I stood on the on the

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Speaker 1: set with Diddy and all them guys and say, oh,

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Speaker 1: that's how you do it. You know what I'm saying.

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Speaker 1: He made it fashionable to push people out the way.

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Speaker 1: You know what I'm saying like that a cool way,

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Speaker 1: like you know what I'm saying, sip hop excuse me,

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Speaker 1: but you better do something cool when you when you yeah,

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Speaker 1: because it's your time. Yeah Yeah, let's do this.

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Speaker 2: Jack. You know you have a you have a rich history.

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Speaker 2: Hey man, your history started before you was even in

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Speaker 2: the womb. Oh you hear me, You understand I'm saying

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Speaker 2: you hear me. I want to get into some of

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Speaker 2: your your rich history, like go back to the beginning

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Speaker 2: where this is, Where does all this come from? All

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Speaker 2: that is the very.

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Speaker 1: Origin for for you guys that you know, for modern

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Speaker 1: day to give it to y'all in the modern day,

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Speaker 1: and it's it's it's a blessing that I can even

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Speaker 1: do that and make y'all get it. I started right before,

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Speaker 1: probably a couple of years before got got no not,

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Speaker 1: got not. I am bened swag bood do do do

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Speaker 1: That bass player is my daddy. That's my dad. My

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Speaker 1: dad is the leader of the Barcas, the legendary the

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Speaker 1: legendary Barcades. And he was seventeen years old at the

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Speaker 1: time when he played on that record and they played

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Speaker 1: I think that that live on YouTube. You can go

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Speaker 1: look at it Otis Redding. The Barcas were the house

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Speaker 1: band for Stax Records, and so when you had a

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Speaker 1: new artist come up, the Barcades would play behind them.

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Speaker 1: And Otis was like, I want the Barcas to be

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Speaker 1: my band. Yes, said my dad. Team, Yes they were

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Speaker 1: the band. They were the band. Now. Tragically, the Barcads

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Speaker 1: passed away in a plane crash before I was born,

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Speaker 1: minus my pop. He did not get on that plane.

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Speaker 1: He was the odd man out. They were on a

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Speaker 1: private plane and they were going into Madison, Wisconsin somewhere

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Speaker 1: and they crashed in that in that water. And one

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Speaker 1: member uh survived the crash was Ben Carley, who was

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Speaker 1: one of my godfathers. I got several godfathers. I got

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Speaker 1: a few of them, you know what I'm saying. It

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Speaker 1: was a trumpet player. He survived, but he was never

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Speaker 1: the same. But one other guy who was my dad's

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Speaker 1: best friend besides Otis Redding, who passed in the playing

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Speaker 1: crash as well. His name was Failing Jones. I'm failing Alexander.

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Speaker 1: I was named after Failing Jones, who was my dad

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Speaker 1: and my mom's best friend. Yeah. So yeah, so he

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Speaker 1: started that's where That's where man, that's where it started.

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Speaker 1: It started like that, you know what I'm saying. So

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Speaker 1: you know, and and you know later on, you know,

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Speaker 1: mom and mom and dad had Finzel, you know.

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Speaker 2: And it wasn't the only huh. But Pops wasn't the

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Speaker 2: only side with the music though, No Mom was.

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Speaker 1: Mom was on it too. She sang with, She sang

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Speaker 1: with a lot of different people. She sang with Philip

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Speaker 1: Bailey and when he had his gospel the Living Epistles.

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Speaker 1: She sang with d J Rogers, Billy Preston, uhh, Charlie

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Speaker 1: Wilson got banned, all of them and several others. Man,

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Speaker 1: give me, give give me the samp for your mama's own.

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Speaker 1: Oh uh uh siyy When you hear that, uh, I

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Speaker 1: don't know my mama singing on that, yeah that And

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Speaker 1: then you might heard she's also singing on the Common

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Speaker 1: record Fame to the what Yeah, that's that's the DJ Rogers,

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Speaker 1: That's that's my mama. And I'm singing, yes you heard

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Speaker 1: that one? To come on, man, they had me in

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Speaker 1: those places. I've been sitting up there when when Michael

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Speaker 1: McDonald was telling Kenny Logers to sing it again. You

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Speaker 1: were there yes, yes, No, it's like you think that

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Speaker 1: maybe it's so singing to it again. Yeah, you the

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Speaker 1: little boy in the studio and the cut my mama's hip.

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Speaker 2: How old are you? You're on the hip? Okay, on

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Speaker 2: the hip. So you absorbing? Yeah, absorbing a sponge.

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Speaker 1: I was sliding. I was sliding faders at seven eight

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Speaker 1: years old. Yeah, that's a bar because I was sliding.

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Speaker 1: I was sliding faders. I was sliding. I'll tell these

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Speaker 1: cats all the time when when they try to like

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Speaker 1: block me out the studio or something, I was like, boy,

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Speaker 1: I was in the studio for you was allowed to

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Speaker 1: go in when they told you this, probably slap your

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Speaker 1: hand and tell you don't touch that. Yeah, you already

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Speaker 1: knew how to work it right. Cats my age though,

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Speaker 1: you know what I'm saying, Like, No, you wasn't in

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Speaker 1: the studio when I was in the studio. I've been

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Speaker 1: in the studio though, So when did it hit you?

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Speaker 1: When did?

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Speaker 2: I mean, of course you're in the studio with the faders,

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Speaker 2: you're absorbing it. You're seeing it from both sides, and

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Speaker 2: it's in Memphis.

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Speaker 1: Well, I wasn't raised in Memphis. I was born in Memphis.

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Speaker 1: My mom and dad separated early when I was like four,

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Speaker 1: and I moved my mom my mo.

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Speaker 4: Uh.

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Speaker 1: My grandmother was living in in Inglewood in California. So

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Speaker 1: and my cousin was also living there. My cousin, Paula,

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Speaker 1: she she lived there not too far from my grandmother

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Speaker 1: and she was working for Castle Blank of Records. And

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Speaker 1: my mom she went out there, you know, because they

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Speaker 1: they out there. My my uh, my grandmother was hanging

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Speaker 1: out with Harol Melvin and the Blue Notes at the time. Yeah.

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Speaker 1: You know what I'm saying, yea, yeah, moving away.

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Speaker 4: Yeah.

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Speaker 1: So what I'm saying to you is that it's not

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Speaker 1: on yeah, baby, it's seeing me, you know what I mean.

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Speaker 1: Used to dance on Soul Train. We was that. We

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Speaker 1: was that. So you were raised where? Yeah, in l A.

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Speaker 1: Mostly mostly in California, but back and forth because you know, uh,

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Speaker 1: I used to go back to in the summer time

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Speaker 1: with Pop and my dad. My dad was in Memphis.

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Speaker 1: My dad was in Memphis, so you know, with the Barcades,

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Speaker 1: I go on the road with the Barcades, and he

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Speaker 1: knew it was in me, so he takes me with him.

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Speaker 1: I be on the hip. You know what I'm saying,

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Speaker 1: so me and my brother, you know, we'd be back

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Speaker 1: and forth. And when did you start tinkering? Man?

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Speaker 2: Probably in high school? Yeah, in high school.

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Speaker 1: L A talent shows high school in uh rialto California.

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Speaker 2: Okay, I went to Eisenhower, Bro, you I have no idea.

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Speaker 2: I also as I also went to Loveland Church. Hey, bro,

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Speaker 2: watch when the watch when the IV brothers see this

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Speaker 2: and they realized.

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Speaker 1: Then this I know the mighty o t Listen, look California.

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Speaker 1: You know he gets come on dog. I mean, but

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Speaker 1: I was still I'm still on Memphis, but I'm still Cali. Still,

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Speaker 1: I'm all over. That's what thus you got the you

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Speaker 1: know the shizzle. So that's why you get the you

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Speaker 1: know the Cali side. You know, me just running into

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Speaker 1: everybody along the way, from Snoop Dogg to you know

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Speaker 1: to you know, all of these guys. But when I

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Speaker 1: came back to Memphis, I got a record deal. I

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Speaker 1: got a record deal in ninety one, singing Yes with Well,

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Speaker 1: Singing and rapt with Electric Records with Doug Daniels over

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Speaker 1: there Electric Records, and probably a year after I dropped

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Speaker 1: a single. Year after during that single, Bob kras Now

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Speaker 1: who was the CEO. He passed away. That's when they

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Speaker 1: brought in Ruber ro Reguez. Wait, so are you Jazzy Fayette? No,

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Speaker 1: I was. I was failing l o n Failing. That

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Speaker 1: was my performance name when I when I did my

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Speaker 1: first show, Bust of Rhymes and dink O d and

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Speaker 1: all of them dudes came in a super room all

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Speaker 1: like they was like they jumped out of a damn

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Speaker 1: clown car. They all got out of the car and

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Speaker 1: came to my my video shoot in New York because

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Speaker 1: I did shoot in New York at the time, and

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Speaker 1: so I did my first video. It was like yo,

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Speaker 1: failing yo beat, you know, like you know what I'm saying.

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Speaker 1: That was the first time I see the spliff, you know,

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Speaker 1: you know what I mean. So he's like, y'all my

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Speaker 1: label mates be you know what I mean. So it

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Speaker 1: was like that, like since back then, you know what

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Speaker 1: I mean. And Keith Sweat was on the label King

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Speaker 1: Yeah yeah, I think and Touch record was out at

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Speaker 1: the time to hype to put on my best I

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Speaker 1: can't believe that she said in Sweat right there. I

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Speaker 1: think that was his group, wasn't it. He's had something

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Speaker 1: I got yeah, sweat l something I was. I would

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Speaker 1: remember when Derrick Daniels and then called Keith and saying, hey, Bro,

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Speaker 1: you a star. You gotta you gotta quit working at

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Speaker 1: the at the stock Market. I remember that conversation when

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Speaker 1: he called my daddy and told him what he had

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Speaker 1: to tell. Keith said, Man, you don't have to tell

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Speaker 1: Keith Man he had had to quit that job. Keep

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Speaker 1: was like, man, I ain't quit my job. Baby.

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Speaker 2: He's still on Wall Street still to this day. Hey,

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Speaker 2: j called me after that. You know what I mean,

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Speaker 2: that's that's seven o'clock. When that seven clock here, baby,

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Speaker 2: you know I be on that. He's not playing, He's

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Speaker 2: not playing.

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Speaker 1: No, he diligent about that bag. Still about that bag?

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Speaker 1: Love Keith. So first singles.

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Speaker 2: I've been doing Keith since then. So first singles out,

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Speaker 2: first singles out? Okay, what's going on? Is he?

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Speaker 1: When?

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Speaker 2: When?

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Speaker 1: When? The when? The when? The record it was moderate

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Speaker 1: I was on my second single. I think Mark the

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Speaker 1: forty five King remixed it. You heard so he remixed it.

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Speaker 1: This is this is my head is spinning, bro. I'm

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Speaker 1: telling you I got him now. So so at the

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Speaker 1: time when when Bob Krasno passed like that's the original.

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Speaker 1: That was his record mark, the forty five King and Love.

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Speaker 1: You know, he grabbed it. But the I got, I

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Speaker 1: got dropped from the label because you know, anybody who

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Speaker 1: wouldn't sell five hundred the better was dropped because the new,

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Speaker 1: the new reign is coming in. I was on. I

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Speaker 1: was on an independent label which my dad was also

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Speaker 1: like head of promotions, which I moved back to Memphis

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Speaker 1: to come and join the label, you know, and and

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Speaker 1: my dad helped me get my deal over the lecture,

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Speaker 1: so I didn't I no longer had a deal, but

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Speaker 1: we had a studio. We had a studio, and the

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Speaker 1: record label was called Mega Jam Records. Mega Jam Records. Uh.

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Speaker 1: Terry Stocks was the was the CEO at the time.

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Speaker 1: He was a street cat turn honest, you know what

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Speaker 1: I'm saying. And he was hanging around Penny Hardaway at

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Speaker 1: the time. I remember when Penny Hardaway had got it

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Speaker 1: to some stuff and he got shot in his foot.

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Speaker 1: No no, yeah, I don't know, and they didn't want

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Speaker 1: him around. They didn't want him around. And and then

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Speaker 1: you know Niga in the foot right right when he

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Speaker 1: was going to Trailwell, you know what I'm saying high school,

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Speaker 1: in high school. In high school, yep, yep. He was

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Speaker 1: my It was a it was, you know, freak accident

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Speaker 1: type thing that was trying to rob Terry's liquor store.

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Speaker 1: But he had he had Penny with him. He was

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Speaker 1: always with him, you know what I'm saying. So you know,

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Speaker 1: you always got a guy in the street, you know

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Speaker 1: what I'm saying, you know, helping, helping out. So I

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Speaker 1: was there, you know what I'm saying. When Penny was

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Speaker 1: in there, you know, and had tread well on fire

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Speaker 1: and you could breathing room only in there, and and

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Speaker 1: Spike Lea show up breathing room he had. They was

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Speaker 1: winning every game. They was winning every game. He come

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Speaker 1: flying from downtown, you know what I mean. But anyway,

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Speaker 1: he had a studio, Terror Starks had a studio. And

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Speaker 1: when I went back to the studio, I noticed that

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Speaker 1: none of the people that were there, I didn't I

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Speaker 1: didn't know about budgets, and you know, I wasn't there

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Speaker 1: for the business. I was just there for the creativity part.

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Speaker 1: And so when I got back, I'm like, nobody's coming

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Speaker 1: to the studio calling people, ain't ask in the phone.

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Speaker 1: And his little white kid named Mike Patterson. I don't

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Speaker 1: know if you'll ever met Mike. He used to work

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Speaker 1: for bad Boy and then he went to Niners Nails

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Speaker 1: and I don't know where he is now, but Mike

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Speaker 1: Patterson was like our little house in in there and

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Speaker 1: he was sitting there reading a book or something, and

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Speaker 1: he said, Jazzy, the reason why people aren't coming is

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Speaker 1: because the money's gone, said, the money's gone. But guess

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Speaker 1: what have you heard that music without you? I was

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Speaker 1: like Noah. He was like, man, it doesn't sound like

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Speaker 1: it does when you're around. That's because you've been producing

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Speaker 1: it the whole time. You're just not programming it. You're

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Speaker 1: not programming it. So like Quincy Jones, he goes in

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Speaker 1: and he produces his records and he orchestrates it. That's

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Speaker 1: the same thing you do, he said, but now it's

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Speaker 1: just you. So you just needed to get on this

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Speaker 1: NPC and learn and get get down with. Sliced T

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Speaker 1: was one of my mentors, Excepted was my same age.

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Speaker 1: Arnold Hennings was on our staff. Arnold Hennings made cupe

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Speaker 1: it really yeah. Arnold Hennings was Yeah, he did cup it.

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Speaker 1: He was one of the first people out of our

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Speaker 1: crew to sign a deal. He signed a deal with

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Speaker 1: Dallas Austin and made it. Made me look like Dang

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Speaker 1: that boy that went to Atlanta and just went crazy.

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Speaker 1: He's over there with Timmy Bob and was on fire.

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Speaker 1: It was working on he worked on. He worked on

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Speaker 1: the Boys and Boys, the men house, all that keyboard work.

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Speaker 1: That's Arnold.

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Speaker 3: I'm like, dang guy.

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Speaker 1: Yeah, So I'm going to Jack the Rapper. Come on,

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Speaker 1: I went to Jack the Rapper. So I'm at Jack

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Speaker 1: the Rapper and I see, I see Diddy. I seen Diddy.

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Speaker 1: He had on these big old He had the big

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Speaker 1: Bobby brown pants, some pat leathers, no socks, a Pokadont

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Speaker 1: shirt button all the way to the top, and a

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Speaker 1: briefcase and he had a he had a little a

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Speaker 1: small little briefcase then you know, the one like your

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Speaker 1: big one. He opened it up and he had he

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Speaker 1: had a card. He said, he said, my name is

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Speaker 1: Puff Daddy. He said, if you want to be with

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Speaker 1: the next generation of bad motherfuckers, come over the uptown

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Speaker 1: m That's how he was introducing and he walked off.

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Speaker 1: He walked off. The next time he saw me, I

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Speaker 1: was on stage I was on stage and he said, Yo,

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Speaker 1: I want to sign you the bad Boy. I want

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Speaker 1: to sign you the bad Boy. I got a new

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Speaker 1: label called bad Boy. That was the next year, and

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Speaker 1: and I and when I got to the door, it

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Speaker 1: was it was this kid. He had on he had

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Speaker 1: on the pumps. I was like, who, come, where you

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00:19:14,840 --> 00:19:18,080
Speaker 1: get them pumps from? Because I knew nobody had the pumps.

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Speaker 1: It was Dallas Austin. I was there, was like, my

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Speaker 1: boy said, hey, that's that Charles Farrar. Charles Farrar and

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Speaker 1: Troy Taylor, they were the characters. They were the characters.

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Speaker 1: And Bernard Alexander.

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Speaker 4: Guys.

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Speaker 1: They was like, come on, y'all, y'all come through this door. Man. Hey.

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Speaker 1: I remember him saying, hey, man, you gotta let these

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00:19:42,720 --> 00:19:45,399
Speaker 1: guys in, these of the young telling these young talented cats.

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Speaker 1: You know what I'm saying, ain't got no passes, but

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Speaker 1: letting me in. Let him go get some credentials, you

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00:19:49,640 --> 00:19:51,720
Speaker 1: know what I'm saying. He said, you know this Dallas Austin. Man,

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Speaker 1: it's the boy that did he miss the DJ song.

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Speaker 1: I was like, bro, I heard you song like twenty

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Speaker 1: times a day. You know what I'm saying. I was like,

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Speaker 1: and I started saying, hey, mister DJ, you know what

355
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Speaker 1: I'm saying. That's I mean Dallas Austin. So me and

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Speaker 1: Dallas stuck together him sneaking and everything that weekend. He

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Speaker 1: didn't have no credentials neither. No, we snuck in Jack

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Speaker 1: the Rapper. Wow, we stuck in Jack the Rapper. I

359
00:20:14,359 --> 00:20:16,399
Speaker 1: mean my dad had credentials. But he was like, come on,

360
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Speaker 1: you be night right. You know what I'm saying. But

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Speaker 1: when they leave you, then they try to play you.

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Speaker 1: You know what I'm saying. You know what I'm saying. So,

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Speaker 1: I mean that was it. I mean I came back.

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Speaker 1: I had a group called the Fulcoholics in Memphis. We

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Speaker 1: were just local in Memphis. We did a few things.

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Speaker 1: We had a great performance though Todd Day. Todd Day

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Speaker 1: basketball player, Tod Day, I think he was playing with

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Speaker 1: for the Dallas Mavericks at the time. It just got

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Speaker 1: his deal. You had big bank. Todd Day was like, Yo,

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Speaker 1: you need to go to Atlanta.

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Speaker 2: Man.

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Speaker 1: You're always talking about you gonna go to Atlanta. Need

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Speaker 1: to go to Atlanta and don't come back until you

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Speaker 1: get down and make it like all right. And my manager,

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Speaker 1: Carolyn Carolyn. She was like, yo, I said, we're going

376
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Speaker 1: to Let's go to Atlanta. She's like, I hain't bad.

377
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Speaker 1: I know people out there. So we get out there,

378
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Speaker 1: we get down to the last dollar. She bust out

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Speaker 1: and says, I know mc breed hm hmm. I was like,

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Speaker 1: you know m C bread in the future in your

381
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Speaker 1: front man, take me to mc breed right now. F

382
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Speaker 1: C Bree says, oh, so you you jazzy Faye Huh.

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Speaker 1: He's like yeah, he said, let me let me hear

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Speaker 1: what you got, b I got. I got the Nike

385
00:21:26,680 --> 00:21:28,800
Speaker 1: box I got, I got, I got this, I got

386
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Speaker 1: the uh the floppy disc, I got the DATS I got.

387
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Speaker 1: I think I even had a couple of CDs. I

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Speaker 1: think CDs was coming new to the game. That was

389
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Speaker 1: new to the game. I had a couple of thom

390
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Speaker 1: So he says, show me what you got. So I

391
00:21:43,920 --> 00:21:46,960
Speaker 1: played a couple of joints. I played one joint. First joint.

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Speaker 1: He was like, okay, you did that. I was like,

393
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Speaker 1: I played the second one. He said you did that.

394
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Speaker 1: I was like yeah. He said, what, play me another one.

395
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Speaker 1: He's like, yo, did that. He was like yeah, he said, man,

396
00:21:57,440 --> 00:22:00,760
Speaker 1: what y'all doing tomorrow. Then Man, me and Carolyn looked

397
00:22:00,760 --> 00:22:04,840
Speaker 1: at each other. Then he said, so, how long y'all

398
00:22:04,840 --> 00:22:06,399
Speaker 1: gonna be in town? We looked at each other again.

399
00:22:06,880 --> 00:22:09,760
Speaker 1: She pulled her to the side. Then he came back

400
00:22:10,040 --> 00:22:12,280
Speaker 1: and he told his boy. He said, hey, man, go

401
00:22:12,359 --> 00:22:15,520
Speaker 1: to my house, get that room across from my room,

402
00:22:15,880 --> 00:22:18,240
Speaker 1: clean it out and let them stay in that room

403
00:22:19,119 --> 00:22:23,359
Speaker 1: in my house. And can't and George first first time,

404
00:22:23,560 --> 00:22:27,760
Speaker 1: right like right now, went to the house when we

405
00:22:27,800 --> 00:22:29,480
Speaker 1: got when he got done with the session, I stayed

406
00:22:29,480 --> 00:22:31,919
Speaker 1: at the session until he got done. We got in

407
00:22:31,960 --> 00:22:34,480
Speaker 1: the car, I went got my stuff and came to

408
00:22:34,520 --> 00:22:37,960
Speaker 1: his house with all my stuff and I moved in

409
00:22:38,000 --> 00:22:42,080
Speaker 1: there and from there I met too Short Eric Simon.

410
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Speaker 1: She hooked it up, you know, she hooked it up,

411
00:22:46,640 --> 00:22:54,480
Speaker 1: Uh red Man method Man, Snoop Dogg, d OC linked

412
00:22:54,480 --> 00:22:58,640
Speaker 1: the Snoop Dogg and Warren G and everybody, Keith Sweat

413
00:22:58,920 --> 00:23:00,359
Speaker 1: through mc B. Yeah.

414
00:23:01,520 --> 00:23:06,200
Speaker 2: She put me on shout out to Man and you

415
00:23:06,320 --> 00:23:08,280
Speaker 2: programming and everything at this time. Yeah, you're doing the

416
00:23:08,280 --> 00:23:26,480
Speaker 2: whole thing. I'm going stupid, stupid, I'm going stupid.

417
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Speaker 1: This was pre show enough though, this is before holding

418
00:23:30,400 --> 00:23:31,040
Speaker 1: the club show.

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Speaker 2: Not.

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00:23:31,520 --> 00:23:36,880
Speaker 1: Yeah, we're gonna get to that. Yeah, that's my ship. Yeah.

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Speaker 1: That was before that. That was before any of my

422
00:23:39,080 --> 00:23:41,280
Speaker 1: R and B records. I think I was doing some

423
00:23:41,359 --> 00:23:44,960
Speaker 1: remixes for for for Eric and he was like Eric,

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Speaker 1: Eric Simon was the first person to give me a

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Speaker 1: ten thousand dollars check. He was like, yo, I want

426
00:23:49,880 --> 00:23:51,879
Speaker 1: she got it. I want you to come here and

427
00:23:52,040 --> 00:23:54,920
Speaker 1: just give me something for this, for this, for this,

428
00:23:55,080 --> 00:23:58,199
Speaker 1: I want something for this right here. I was like, hey,

429
00:23:58,400 --> 00:24:00,800
Speaker 1: I'm done. He's like, yo, B I'm not. I'm not

430
00:24:00,840 --> 00:24:04,359
Speaker 1: even home yet. What was going on? I'm done. He

431
00:24:04,440 --> 00:24:05,879
Speaker 1: was like, man, let me see what I see what

432
00:24:05,960 --> 00:24:08,399
Speaker 1: it sounds like, bro, because I mean you're done. I

433
00:24:08,480 --> 00:24:11,920
Speaker 1: was like, yeah, send him back. He was like yo,

434
00:24:13,080 --> 00:24:16,000
Speaker 1: he said, man, I got you, Bro, you have me

435
00:24:16,040 --> 00:24:16,720
Speaker 1: old his house.

436
00:24:16,800 --> 00:24:19,720
Speaker 2: So at this point, is anybody that you're working with

437
00:24:19,920 --> 00:24:22,400
Speaker 2: know what you come from?

438
00:24:22,560 --> 00:24:25,800
Speaker 1: A connected guys go. We kind of talk about it,

439
00:24:26,200 --> 00:24:28,280
Speaker 1: we talk about it. They find out, you know, you're

440
00:24:28,280 --> 00:24:30,400
Speaker 1: not really wearing that though. No, no, no, I don't

441
00:24:30,440 --> 00:24:33,200
Speaker 1: do that. I don't do that, you know. But but

442
00:24:33,200 --> 00:24:35,040
Speaker 1: but with Eric, I do because I know he's the

443
00:24:35,040 --> 00:24:41,080
Speaker 1: feast musical. I know any time I dug those because

444
00:24:41,119 --> 00:24:44,720
Speaker 1: I know they'll they'll dial in somewhere and say what

445
00:24:44,760 --> 00:24:47,760
Speaker 1: they want. They were like, hey, yo, maybe they want

446
00:24:47,760 --> 00:24:49,720
Speaker 1: something from a catalog, you know what I mean, or

447
00:24:49,720 --> 00:24:52,119
Speaker 1: something like that. I can help him with something or whatever.

448
00:24:52,200 --> 00:24:53,919
Speaker 1: I always you know, not if I know you the

449
00:24:53,960 --> 00:24:57,560
Speaker 1: funk lord. I mean, okay, my my prop is one

450
00:24:57,560 --> 00:25:00,239
Speaker 1: of the funk lords. You know what I'm saying. Three

451
00:25:00,280 --> 00:25:03,960
Speaker 1: thousand see my daddy. He dropped down on one knee, like, man, yo.

452
00:25:03,960 --> 00:25:04,040
Speaker 2: I.

453
00:25:05,520 --> 00:25:07,520
Speaker 1: Got this outfit from there, you know what I'm saying.

454
00:25:08,080 --> 00:25:09,639
Speaker 1: It was like that, you know what I'm saying.

455
00:25:10,400 --> 00:25:15,320
Speaker 2: Yeah, Wow, that history is amazing, bro, man, I don't know.

456
00:25:16,560 --> 00:25:20,600
Speaker 2: Over twenty years and this is news to me. Yeah,

457
00:25:21,200 --> 00:25:24,720
Speaker 2: the intricacies of it, you know what I'm saying. Yeah,

458
00:25:24,880 --> 00:25:26,600
Speaker 2: I think we just you know, we just just it

459
00:25:26,640 --> 00:25:28,879
Speaker 2: was just two kindred spirits. We just tapped in and

460
00:25:28,920 --> 00:25:31,679
Speaker 2: just just got the running without ever really talking.

461
00:25:31,800 --> 00:25:33,600
Speaker 1: Yeah we're looking, we know what it is. Yeah, we

462
00:25:34,160 --> 00:25:37,439
Speaker 1: we didn't need to talk. Pretory. Barry Barry knew what

463
00:25:37,480 --> 00:25:37,840
Speaker 1: it was.

464
00:25:39,200 --> 00:25:42,600
Speaker 2: He knew okay, because he he was He's like, what

465
00:25:42,840 --> 00:25:44,760
Speaker 2: you so bad from back there?

466
00:25:46,000 --> 00:25:49,280
Speaker 1: Yeah? I had I had a record. It was called

467
00:25:49,320 --> 00:25:53,919
Speaker 1: age ain't nothing but a number? Mm okay, but it

468
00:25:54,000 --> 00:25:57,600
Speaker 1: didn't go like age ain't nothing but number. It wasn't

469
00:25:57,640 --> 00:26:01,159
Speaker 1: that but that. Then I used to go back and

470
00:26:01,200 --> 00:26:07,480
Speaker 1: forth on the phone with Rob Kelly with my ideas. Ship.

471
00:26:07,960 --> 00:26:10,639
Speaker 1: One day he called ship. Matter of fact, he didn't

472
00:26:10,640 --> 00:26:15,840
Speaker 1: even call it, just came on the radio and I

473
00:26:15,920 --> 00:26:20,119
Speaker 1: was like, Rob, hey, hey man, hey man, what I

474
00:26:20,160 --> 00:26:20,800
Speaker 1: got to do for you?

475
00:26:20,840 --> 00:26:21,520
Speaker 3: What I gotta.

476
00:26:23,240 --> 00:26:29,359
Speaker 1: Knew the phone call was coming. I said, come on now.

477
00:26:29,640 --> 00:26:31,600
Speaker 1: He said, you know what, the only reason why I

478
00:26:31,600 --> 00:26:33,600
Speaker 1: ain't gonna beat you up, I ain't gonna jump you.

479
00:26:34,359 --> 00:26:37,720
Speaker 1: He said, because one I'm not using that song to

480
00:26:38,160 --> 00:26:42,280
Speaker 1: yours is better than mine. That's what I said. You

481
00:26:42,760 --> 00:26:45,200
Speaker 1: killed that. You you deserve that. You deserve that bite,

482
00:26:45,480 --> 00:26:47,399
Speaker 1: I said, But but I got to get you. I

483
00:26:47,480 --> 00:26:49,760
Speaker 1: got to get you. I said. No, when I do it,

484
00:26:50,000 --> 00:26:53,920
Speaker 1: don't say nothing. When I do it, don't say nothing. Yeah,

485
00:26:54,440 --> 00:26:57,960
Speaker 1: watch him out. Yeah. So we always had a friendly

486
00:26:57,960 --> 00:27:01,960
Speaker 1: little thing going on. But you know, man, that's that's

487
00:27:01,960 --> 00:27:04,560
Speaker 1: a shame by Rob. But that's that's a hard one.

488
00:27:05,280 --> 00:27:08,440
Speaker 1: But anyway, uh, we know I've been knowing robinsonce Man

489
00:27:09,320 --> 00:27:15,679
Speaker 1: tab Dash Records. I got the week my Daddy got

490
00:27:15,760 --> 00:27:19,399
Speaker 1: the v C, the v H S R. Kelly and

491
00:27:19,520 --> 00:27:24,480
Speaker 1: M G M. Musically Gifted Men. He was sitting in

492
00:27:24,560 --> 00:27:27,920
Speaker 1: front of a garage and he had he was sitting

493
00:27:27,960 --> 00:27:31,959
Speaker 1: on a stool and he had three guys behind him.

494
00:27:32,000 --> 00:27:34,080
Speaker 1: They were all sitting on stools in front of a garage.

495
00:27:34,280 --> 00:27:36,679
Speaker 1: And he had a brush and he was singing in

496
00:27:36,720 --> 00:27:42,879
Speaker 1: the brush and he was singing slow Dance. It was

497
00:27:42,920 --> 00:27:47,080
Speaker 1: a demo and he had a song called Dance with Me,

498
00:27:47,840 --> 00:27:50,159
Speaker 1: and the song Danced with Me, he ended up changing

499
00:27:50,160 --> 00:27:52,960
Speaker 1: the hook and when he dropped his first single as

500
00:27:53,160 --> 00:27:59,880
Speaker 1: public announcement, it was Vibe Vibe Vibe. And then when

501
00:27:59,880 --> 00:28:02,679
Speaker 1: he of the verses, the verses from Dance with Me,

502
00:28:04,760 --> 00:28:05,880
Speaker 1: that's how far I go back.

503
00:28:06,400 --> 00:28:09,359
Speaker 2: Wow, the fact that you can even recall all this

504
00:28:09,440 --> 00:28:10,320
Speaker 2: ship is amazing.

505
00:28:10,359 --> 00:28:13,919
Speaker 1: It's crazy. I mean, but it's like a hieroglyphic in

506
00:28:13,960 --> 00:28:17,320
Speaker 1: your brain because it's like it comes it's still come

507
00:28:17,359 --> 00:28:19,359
Speaker 1: from greatness, you know what I'm saying. So, I mean,

508
00:28:19,359 --> 00:28:20,840
Speaker 1: how you gonna forget that? How are you gonna forget

509
00:28:20,880 --> 00:28:23,440
Speaker 1: being backstage with Michael Jackson. I'll be back on stage

510
00:28:23,440 --> 00:28:25,480
Speaker 1: with Michael Jackson and he just be like you know,

511
00:28:26,840 --> 00:28:29,959
Speaker 1: telling your dad how great he is. I'm like, did

512
00:28:30,000 --> 00:28:35,320
Speaker 1: you like what you right? He said? I remember that time, man,

513
00:28:35,840 --> 00:28:38,880
Speaker 1: you did this riff, And I mean, I'm still mismerized

514
00:28:38,920 --> 00:28:47,479
Speaker 1: today about it. I'm like insane, you know what I mean, Like,

515
00:28:47,640 --> 00:28:50,560
Speaker 1: come on, bro, I think we all had Jimmy Curls

516
00:28:50,560 --> 00:28:54,719
Speaker 1: at the time. I see it. I can see it.

517
00:28:54,800 --> 00:28:57,040
Speaker 2: Oh yeah, yeah, come on, now, come on, So are

518
00:28:57,080 --> 00:28:59,680
Speaker 2: you still pursuing your artists.

519
00:29:01,320 --> 00:29:04,360
Speaker 1: Now this point? Now what it is in Atlanta, I'm

520
00:29:04,400 --> 00:29:06,440
Speaker 1: just supporting people. I'm just you know, we got Javanda

521
00:29:06,480 --> 00:29:08,680
Speaker 1: one and the Trap Stars, which we talked a little

522
00:29:08,680 --> 00:29:11,680
Speaker 1: bit about right now, I'm talking about we talking about.

523
00:29:11,800 --> 00:29:13,959
Speaker 2: We got back to when you when you you at

524
00:29:14,080 --> 00:29:18,120
Speaker 2: mc bree Cribs, producing and writing for all these artists

525
00:29:18,840 --> 00:29:22,680
Speaker 2: in your mind, are you still an.

526
00:29:22,600 --> 00:29:24,360
Speaker 1: Artist at this now? No?

527
00:29:24,520 --> 00:29:27,640
Speaker 2: Then, like when you when you're in Atlanta, you first

528
00:29:27,680 --> 00:29:30,520
Speaker 2: get here and you're working on all these different artists,

529
00:29:30,560 --> 00:29:32,240
Speaker 2: are you still trying to like, I still get my

530
00:29:32,280 --> 00:29:34,600
Speaker 2: record deal? I said, no, you that's the thing in

531
00:29:34,600 --> 00:29:35,400
Speaker 2: the past. At this point.

532
00:29:35,640 --> 00:29:38,680
Speaker 1: I meant, I mean, I'm a side artist. That's how

533
00:29:38,720 --> 00:29:40,360
Speaker 1: I feel like. You know what I'm saying. I was

534
00:29:40,440 --> 00:29:43,400
Speaker 1: kind of like Nate Dog. Even back then you was

535
00:29:43,400 --> 00:29:45,760
Speaker 1: hopping on. The dog might drop an album, but Nate

536
00:29:45,800 --> 00:29:48,280
Speaker 1: Dog really just want to jump on. And you know

537
00:29:48,280 --> 00:29:50,640
Speaker 1: what I'm saying, I'm with a dog pound, you know

538
00:29:50,640 --> 00:29:53,120
Speaker 1: what I'm saying. Right, it's like that, I'd rather be

539
00:29:53,200 --> 00:29:54,680
Speaker 1: with the crew, you know what I'm saying, and just

540
00:29:54,960 --> 00:29:55,840
Speaker 1: going to you know what I mean?

541
00:29:56,120 --> 00:29:58,280
Speaker 2: So you get your you get your first ten thousand,

542
00:29:58,800 --> 00:29:59,880
Speaker 2: yeah from Eric sermon.

543
00:30:00,120 --> 00:30:04,520
Speaker 1: M hmm. What's what's the next steps for you? Do

544
00:30:04,600 --> 00:30:05,000
Speaker 1: you? You know?

545
00:30:05,120 --> 00:30:08,120
Speaker 2: Do you have have you learned about I mean, obviously

546
00:30:08,120 --> 00:30:10,560
Speaker 2: you came from the business, your father, your mother, but like,

547
00:30:10,680 --> 00:30:13,360
Speaker 2: are you now pursuing those type of things like Okay,

548
00:30:13,360 --> 00:30:14,800
Speaker 2: I'm gonna give me a publishing deal, I'm trying to

549
00:30:14,800 --> 00:30:16,600
Speaker 2: figure out how to get some song deals at these labels.

550
00:30:16,680 --> 00:30:18,200
Speaker 1: Are you doing any of that type of stuff yet?

551
00:30:18,200 --> 00:30:20,280
Speaker 1: Are you still just no, I wouldn't even I wouldn't

552
00:30:20,280 --> 00:30:25,800
Speaker 1: even that wouldn't even know my mind until noontime, No time, Yes,

553
00:30:26,040 --> 00:30:31,160
Speaker 1: no time came. After show enough, show show enough. My

554
00:30:31,240 --> 00:30:36,680
Speaker 1: boy Tila called me on the phone. Get get the

555
00:30:36,680 --> 00:30:39,320
Speaker 1: phone called you Really you ain't really over there from it?

556
00:30:39,360 --> 00:30:45,000
Speaker 1: If you don't know who come on Tila James. So,

557
00:30:45,240 --> 00:30:49,000
Speaker 1: Tila Man, one of my really good brothers. He called me,

558
00:30:49,040 --> 00:30:51,200
Speaker 1: and you say, man, he already told me. He said, bro,

559
00:30:51,280 --> 00:30:53,680
Speaker 1: I'm gonna call you man. You know, uh, they're talking

560
00:30:53,680 --> 00:30:55,480
Speaker 1: about over a swab house. They want to sign me.

561
00:30:55,800 --> 00:30:58,320
Speaker 1: You know what I'm saying. So Tila calls me and

562
00:30:58,400 --> 00:31:01,800
Speaker 1: we go back. We go over the over, back to Memphis.

563
00:31:01,840 --> 00:31:03,840
Speaker 1: I go back to Memphis, to the House of Blues.

564
00:31:05,600 --> 00:31:09,640
Speaker 1: So we we recording. One day, we were kicking. It

565
00:31:09,880 --> 00:31:12,200
Speaker 1: wasn't vibing too tough. So I said, hey, man, what

566
00:31:12,240 --> 00:31:13,560
Speaker 1: we need to do is we need to go get

567
00:31:13,600 --> 00:31:18,000
Speaker 1: some information. Guys, let's go get inspired. Let's go to

568
00:31:18,080 --> 00:31:23,840
Speaker 1: the Gentleman's. That's about somebody sitting on your lap and

569
00:31:23,840 --> 00:31:25,920
Speaker 1: and have a conversation with having a cocktail.

570
00:31:28,840 --> 00:31:29,680
Speaker 3: I understand me.

571
00:31:29,960 --> 00:31:32,840
Speaker 1: So yeah, so we went did that. I think we

572
00:31:32,960 --> 00:31:35,040
Speaker 1: brought a couple of party favorites back to the lap.

573
00:31:35,920 --> 00:31:38,040
Speaker 1: You know what I'm saying. We had a new bank

574
00:31:38,440 --> 00:31:41,160
Speaker 1: got sentiment. Yeah, we had a fresh We had a

575
00:31:41,200 --> 00:31:42,000
Speaker 1: fresh new banks.

576
00:31:42,000 --> 00:31:45,360
Speaker 2: So we were so we were, we were and all

577
00:31:45,480 --> 00:31:46,760
Speaker 2: kind of feminine poetry to.

578
00:31:47,120 --> 00:31:57,080
Speaker 4: Running around a whole lot of bathing body, little bouquets

579
00:31:57,200 --> 00:31:58,719
Speaker 4: of it.

580
00:31:58,720 --> 00:32:01,720
Speaker 1: It was bouquets of it. Yeah. So we get back

581
00:32:02,320 --> 00:32:04,880
Speaker 1: and that boy Taylor walks around here, has some drinking,

582
00:32:04,880 --> 00:32:07,400
Speaker 1: he has some in his hand, and he said, first thing,

583
00:32:07,400 --> 00:32:11,520
Speaker 1: he said, we had the beat already, and I already

584
00:32:11,600 --> 00:32:14,120
Speaker 1: I had most of it. The only sound I didn't

585
00:32:14,120 --> 00:32:18,720
Speaker 1: have was that that That was the icing, right. Where

586
00:32:18,720 --> 00:32:20,680
Speaker 1: do you get that from? Holder? Before you feel? Where

587
00:32:20,680 --> 00:32:27,360
Speaker 1: did you get that Juno one O six the information? Yeah?

588
00:32:27,360 --> 00:32:31,719
Speaker 1: That Juno World six. Yeah, that boy, that sound and

589
00:32:31,760 --> 00:32:36,400
Speaker 1: I played it live on twenty four on on forty

590
00:32:36,440 --> 00:32:38,680
Speaker 1: eight tracks. You know what I'm saying. We got two

591
00:32:38,760 --> 00:32:41,480
Speaker 1: we got we got the Master and the slave running. Yeah,

592
00:32:41,560 --> 00:32:43,160
Speaker 1: you know what I'm saying. So the Master and the slave.

593
00:32:44,160 --> 00:32:49,200
Speaker 2: Yeah if you fruity, yeah, all you little flat on.

594
00:32:49,240 --> 00:32:53,440
Speaker 1: The tape machine. One tape machine is about that big

595
00:32:53,840 --> 00:32:56,640
Speaker 1: and about that tall from the ground. Yeah, yeah, you

596
00:32:56,680 --> 00:32:58,840
Speaker 1: know what I mean. So a real piece of two

597
00:32:58,880 --> 00:33:02,240
Speaker 1: of them side by, because one is only twenty four

598
00:33:02,320 --> 00:33:04,840
Speaker 1: tracks and the other one is another twenty fourth man.

599
00:33:04,960 --> 00:33:11,960
Speaker 1: So the master runs the sleigh yeah yeah, yeah, yeah, yeah,

600
00:33:12,240 --> 00:33:16,440
Speaker 1: you hear you. Your master runs the sleigh and they

601
00:33:16,480 --> 00:33:20,400
Speaker 1: follow and they rock back and forth. And anyway now

602
00:33:20,440 --> 00:33:23,600
Speaker 1: they need that information. Yeah, yeah, how you can google it?

603
00:33:23,680 --> 00:33:26,440
Speaker 1: And that sound yeah stily in my.

604
00:33:26,560 --> 00:33:30,480
Speaker 2: Ear student, the old student. That sound in my early

605
00:33:30,560 --> 00:33:35,280
Speaker 2: days was the that was the South call out for me.

606
00:33:36,000 --> 00:33:40,360
Speaker 1: Mm hmm, what's that that song? That sound? Oh white yo, yeah,

607
00:33:41,040 --> 00:33:49,600
Speaker 1: your white. I was like deep looks shout out, shout

608
00:33:49,600 --> 00:33:54,760
Speaker 1: out to all these people. Dj uh uh kicker pre

609
00:33:55,840 --> 00:34:00,720
Speaker 1: because the deep, the New York DJs were really uh

610
00:34:00,920 --> 00:34:05,640
Speaker 1: uh kind of galvanized going everywhere, you know what I'm saying.

611
00:34:05,880 --> 00:34:07,840
Speaker 1: And they were like because you know, they were like

612
00:34:07,880 --> 00:34:09,640
Speaker 1: down with puff, they were down with people who were

613
00:34:09,640 --> 00:34:12,520
Speaker 1: really throwing party parties. You know what I'm saying. You

614
00:34:12,520 --> 00:34:15,720
Speaker 1: had es and s, you had you had biz biz

615
00:34:15,800 --> 00:34:19,240
Speaker 1: shout out the biz. Shout out to Martin Monty montic

616
00:34:19,360 --> 00:34:20,920
Speaker 1: rest in peace of Manti that he was one of

617
00:34:20,960 --> 00:34:22,759
Speaker 1: the guys, one of my guys back in the day

618
00:34:22,760 --> 00:34:24,520
Speaker 1: that really kind of took me out, and you know

619
00:34:24,560 --> 00:34:27,400
Speaker 1: all of that. But but all of those DJs really

620
00:34:27,880 --> 00:34:32,440
Speaker 1: like helped, you know, I say the East Coast DJs

621
00:34:33,040 --> 00:34:39,000
Speaker 1: because they had such a big bandwidth. Their bandwidth was

622
00:34:39,160 --> 00:34:42,319
Speaker 1: unreal and in the South, all we had to do

623
00:34:42,440 --> 00:34:45,520
Speaker 1: was press play it was already jamming all that. All

624
00:34:45,520 --> 00:34:47,880
Speaker 1: the DJ's pretty much got on it at once. But

625
00:34:47,920 --> 00:34:52,359
Speaker 1: what really made us big was when Outside and New

626
00:34:52,440 --> 00:34:55,000
Speaker 1: York start playing it. When they said this is the

627
00:34:55,040 --> 00:34:58,480
Speaker 1: sound of the South. I was like, oh my god,

628
00:34:58,520 --> 00:35:01,200
Speaker 1: that's what they play. I was like, if I played

629
00:35:01,200 --> 00:35:05,000
Speaker 1: my song when they when they play the South in DC. Yeah,

630
00:35:05,000 --> 00:35:06,680
Speaker 1: when they say when they play something from the South.

631
00:35:07,040 --> 00:35:09,000
Speaker 1: That was the first song they played that started the

632
00:35:09,000 --> 00:35:12,560
Speaker 1: whole South set. They got you ready, that's crazy.

633
00:35:12,440 --> 00:35:14,480
Speaker 2: And get you singing. It was almost like, yeah they

634
00:35:14,520 --> 00:35:17,440
Speaker 2: got this wag. Yeah, yeah, yeah, it was that. It

635
00:35:17,480 --> 00:35:18,360
Speaker 2: was exactly that.

636
00:35:18,320 --> 00:35:22,640
Speaker 1: Back then because it's like, oh, nickclock. They thought I

637
00:35:22,719 --> 00:35:26,040
Speaker 1: was like in church or something, Tabernaca, you know what

638
00:35:26,040 --> 00:35:29,640
Speaker 1: I'm saying. So we did that record and it just

639
00:35:29,760 --> 00:35:31,800
Speaker 1: changed the game. And that's when Nooney was looking for me.

640
00:35:31,880 --> 00:35:34,759
Speaker 1: Nonie was like, who is Jasey Faye? Then my boy?

641
00:35:34,800 --> 00:35:38,560
Speaker 1: One farmer one farmer shot at to one farmer because

642
00:35:38,600 --> 00:35:40,360
Speaker 1: one farmer said, hey man, it's these guys.

643
00:35:40,400 --> 00:35:40,600
Speaker 2: Man.

644
00:35:40,840 --> 00:35:42,520
Speaker 1: They're doing a whole lot of stuff. They work with Diddy,

645
00:35:42,520 --> 00:35:46,520
Speaker 1: they work with everybody, you know. And he was just

646
00:35:46,560 --> 00:35:49,680
Speaker 1: like they over in Houston. So on Pea Street, he said, man,

647
00:35:49,719 --> 00:35:52,000
Speaker 1: come on, follow him up to dark and then we're

648
00:35:52,000 --> 00:35:53,880
Speaker 1: gonna we're gonna ride over there. So I followed him

649
00:35:53,960 --> 00:35:56,920
Speaker 1: up up to the spot and then I met noon

650
00:35:57,000 --> 00:35:58,840
Speaker 1: in them, and after I met knowing them, I was

651
00:35:58,880 --> 00:36:01,640
Speaker 1: with him like every day, every day. That's where I

652
00:36:01,680 --> 00:36:05,560
Speaker 1: met John Tay. Then be Cox came I think probably

653
00:36:06,160 --> 00:36:08,440
Speaker 1: be Cox literally came in. I think he might have

654
00:36:08,480 --> 00:36:11,160
Speaker 1: been bubbling around, but I kind of met him probably

655
00:36:11,160 --> 00:36:14,080
Speaker 1: about three weeks after me being over there. Anthony Dent,

656
00:36:14,560 --> 00:36:24,919
Speaker 1: Jada Walker, Donny Skant, Donny Skance, Chris Hicks, Uh, try

657
00:36:26,239 --> 00:36:32,600
Speaker 1: Tellry Uh, of course, Noony R. G Ryan Glover, everybody,

658
00:36:33,360 --> 00:36:37,000
Speaker 1: Teddy Bishop, Yes, Teddy Bishop.

659
00:36:37,080 --> 00:36:37,600
Speaker 3: Man, yeah.

660
00:36:37,760 --> 00:36:38,000
Speaker 2: Man.

661
00:36:38,320 --> 00:36:42,040
Speaker 1: So you know, I think that first couple of months,

662
00:36:42,440 --> 00:36:44,359
Speaker 1: I mean some of the records that were done at

663
00:36:44,400 --> 00:36:48,560
Speaker 1: noontime was like records like Friend of Mine. I watched

664
00:36:48,640 --> 00:36:50,680
Speaker 1: Kelly Price come in and lay that record with Jada

665
00:36:51,320 --> 00:36:55,560
Speaker 1: in one take. I mean, well like that, like.

666
00:36:57,560 --> 00:37:00,239
Speaker 2: I make sure y'all go listen to Kelly Price Friend

667
00:37:00,280 --> 00:37:03,239
Speaker 2: of Mine, and then in your head say to your son,

668
00:37:03,360 --> 00:37:05,880
Speaker 2: take she sang this down, bro, one.

669
00:37:05,760 --> 00:37:08,520
Speaker 1: Take and said listen, I got to go and feed

670
00:37:08,640 --> 00:37:15,640
Speaker 1: this baby. Pick I got real to do. You're right,

671
00:37:15,719 --> 00:37:18,880
Speaker 1: you got it all right, right, all right, give me

672
00:37:18,920 --> 00:37:21,759
Speaker 1: my email it to me once you get it, when

673
00:37:21,840 --> 00:37:22,560
Speaker 1: you get everything.

674
00:37:22,560 --> 00:37:26,800
Speaker 2: And so so it was noontime already a studio before

675
00:37:26,800 --> 00:37:28,360
Speaker 2: you got there street.

676
00:37:30,120 --> 00:37:34,120
Speaker 1: We were downtown over there, right by over there by uh,

677
00:37:36,640 --> 00:37:39,560
Speaker 1: right by the dome, okay, right by the and then

678
00:37:39,600 --> 00:37:41,600
Speaker 1: you built that spot yep. Then we moved over to

679
00:37:41,640 --> 00:37:47,400
Speaker 1: where you came to over nine. Yes, yes, the time.

680
00:37:48,080 --> 00:37:48,680
Speaker 3: What a time?

681
00:37:49,080 --> 00:37:50,640
Speaker 1: Are you kidding me? What a time?

682
00:37:50,800 --> 00:37:54,640
Speaker 2: Those those were real, like you know, that was that

683
00:37:54,760 --> 00:37:57,600
Speaker 2: was school. That was boot camp for me. Yeah, being

684
00:37:57,600 --> 00:37:59,120
Speaker 2: down there with you off for that long, oh man,

685
00:37:59,160 --> 00:38:02,720
Speaker 2: that was right camp, learning from you, learning from Teddy

686
00:38:02,760 --> 00:38:06,719
Speaker 2: Bishop as I had the NPCC three thousand didn't sound

687
00:38:06,760 --> 00:38:07,240
Speaker 2: like yours.

688
00:38:07,880 --> 00:38:10,120
Speaker 1: I mean, but you know what I was like, I

689
00:38:10,239 --> 00:38:12,880
Speaker 1: didn't sound like what's what's in yours? We used to

690
00:38:13,000 --> 00:38:16,240
Speaker 1: I used to take we used to take the Newmark mixer,

691
00:38:16,600 --> 00:38:19,520
Speaker 1: the Newmark that had the EQ at the top. Y'all show,

692
00:38:19,640 --> 00:38:21,719
Speaker 1: y'all show me. So I would go and I would,

693
00:38:21,800 --> 00:38:24,520
Speaker 1: I would, I would, you know, have a record, and

694
00:38:24,560 --> 00:38:27,120
Speaker 1: I would just keep on bringing that joint back until

695
00:38:27,200 --> 00:38:30,160
Speaker 1: whatever kick I was trying to whatever sound I was

696
00:38:30,200 --> 00:38:33,120
Speaker 1: trying to get. I had the thing just hitting so

697
00:38:33,320 --> 00:38:36,040
Speaker 1: hard right there at the threshold, and it was just

698
00:38:36,120 --> 00:38:38,960
Speaker 1: about to just bust. And it might even be peeking,

699
00:38:39,200 --> 00:38:41,560
Speaker 1: but as long as it wasn't my ear. Yeah, yeah,

700
00:38:41,680 --> 00:38:45,000
Speaker 1: if it's good, y'all show me when I put him

701
00:38:45,000 --> 00:38:47,759
Speaker 1: in there. I tell the engineers all the time, Hey man,

702
00:38:47,840 --> 00:38:51,000
Speaker 1: we're trying to mix that. Just push it up, Just

703
00:38:51,040 --> 00:38:53,319
Speaker 1: just turn it up, just push it up. Yeah, that's

704
00:38:53,360 --> 00:38:58,839
Speaker 1: all already. Yeah, you ain't got to do all.

705
00:38:58,920 --> 00:39:04,040
Speaker 2: That was what I used to call the noontime stick.

706
00:39:04,400 --> 00:39:07,280
Speaker 2: You hear me, they care They came out of the planet.

707
00:39:07,320 --> 00:39:10,120
Speaker 2: Fact that you'll eq something crazy.

708
00:39:10,160 --> 00:39:13,239
Speaker 1: But see what we would do is Leslie or or

709
00:39:13,280 --> 00:39:16,279
Speaker 1: whoever was at the time mixing the record. It might

710
00:39:16,320 --> 00:39:21,839
Speaker 1: be John Fry, I'd be like, hey John, me those

711
00:39:22,239 --> 00:39:24,799
Speaker 1: those stemps. It might be Teddy Bishop record, and we

712
00:39:24,880 --> 00:39:27,520
Speaker 1: all had the same sounds, so we had so we

713
00:39:27,560 --> 00:39:31,360
Speaker 1: built something called the Noontime Sounds, and me and Teddy,

714
00:39:31,440 --> 00:39:34,000
Speaker 1: Me and Teddy kind of led the pack with the

715
00:39:34,040 --> 00:39:36,960
Speaker 1: Noontime Pack though, because like we were really like the

716
00:39:37,040 --> 00:39:39,239
Speaker 1: quirky guy, like like the nerdy guys with the sound.

717
00:39:39,280 --> 00:39:46,200
Speaker 1: I'm like that one sound that came from No, that

718
00:39:46,239 --> 00:39:48,000
Speaker 1: came that, that came from uh.

719
00:39:50,040 --> 00:39:51,920
Speaker 3: Water waterfalls.

720
00:39:56,200 --> 00:40:06,080
Speaker 1: Yeah, and the firm worm. Yeah. God hold, I got

721
00:40:08,120 --> 00:40:09,280
Speaker 1: guess what I can't whar.

722
00:40:11,840 --> 00:40:13,640
Speaker 3: Do do do do do?

723
00:40:14,320 --> 00:40:14,360
Speaker 2: Do?

724
00:40:14,480 --> 00:40:15,960
Speaker 3: Do do do?

725
00:40:15,800 --> 00:40:15,840
Speaker 2: Do?

726
00:40:16,200 --> 00:40:16,520
Speaker 1: Do?

727
00:40:16,520 --> 00:40:18,920
Speaker 3: Do you do? Do?

728
00:40:19,200 --> 00:40:27,160
Speaker 1: What? What is that? Soul soul sisters? Yeah, it's a

729
00:40:27,200 --> 00:40:36,200
Speaker 1: sound that happens on the FLI I was cutting ship up. Yeah,

730
00:40:36,239 --> 00:40:41,880
Speaker 1: that was cutting listen. That was the classes that was

731
00:40:41,960 --> 00:40:43,799
Speaker 1: that's the sound that was a little master class for Yeah,

732
00:40:45,520 --> 00:40:47,000
Speaker 1: like that's where you got that sound from.

733
00:40:47,360 --> 00:40:50,279
Speaker 2: Yeah, because now now all that now, all of these

734
00:40:50,320 --> 00:40:55,120
Speaker 2: things are just impacts, but their sounds they actually come

735
00:40:55,640 --> 00:40:59,320
Speaker 2: Some came from that lady that uh that that di'angelo

736
00:40:59,400 --> 00:40:59,799
Speaker 2: album Do.

737
00:41:00,160 --> 00:41:07,520
Speaker 1: A Bunch Absolutely absolutely where he goes right there. I

738
00:41:07,520 --> 00:41:10,520
Speaker 1: had all all of them. I had all those sounds.

739
00:41:10,760 --> 00:41:20,279
Speaker 1: A CON's first sounds, those sounds, those were all my sounds.

740
00:41:16,160 --> 00:41:21,480
Speaker 2: That He'll tell you all of my sounds. Didn't even

741
00:41:21,960 --> 00:41:25,200
Speaker 2: now jes face sounds. Okay, So bro, let's let's let's

742
00:41:25,200 --> 00:41:27,799
Speaker 2: get it to this. Come on, you got to tell

743
00:41:27,840 --> 00:41:30,319
Speaker 2: the record out going crazy newly looking for you.

744
00:41:32,040 --> 00:41:32,920
Speaker 1: Noon time in it?

745
00:41:32,960 --> 00:41:36,760
Speaker 2: Now, Lord, what is what is what is the next

746
00:41:36,800 --> 00:41:39,640
Speaker 2: big moment because now you're now you're part of a crew, y'all.

747
00:41:39,800 --> 00:41:42,520
Speaker 2: Y'all are part of something that's that everybody around the

748
00:41:42,520 --> 00:41:43,279
Speaker 2: country is here about.

749
00:41:43,320 --> 00:41:46,320
Speaker 1: Because you got the big street record. Yes, but when does.

750
00:41:46,200 --> 00:41:53,319
Speaker 2: The global national like not more so you know, that's

751
00:41:53,360 --> 00:41:56,040
Speaker 2: a street and it's more regional and and it's it's

752
00:41:56,080 --> 00:41:57,240
Speaker 2: more beloved, it cultural.

753
00:41:57,760 --> 00:42:01,040
Speaker 1: When do you get like a chart like Okay, all right,

754
00:42:01,719 --> 00:42:06,879
Speaker 1: I was working, I was working over at Dark. At Dark,

755
00:42:07,160 --> 00:42:11,080
Speaker 1: I had kind of we we left the actual nine

756
00:42:11,080 --> 00:42:14,160
Speaker 1: fifty seven building Noonie and I and we kind of

757
00:42:14,200 --> 00:42:17,920
Speaker 1: went on and we kind of started to grow apart,

758
00:42:17,960 --> 00:42:18,480
Speaker 1: grow apart.

759
00:42:18,800 --> 00:42:19,000
Speaker 2: You know.

760
00:42:20,760 --> 00:42:24,360
Speaker 1: Argie was going over to you know tb a with

761
00:42:24,360 --> 00:42:26,719
Speaker 1: with doing his thing, and Chris was doing his thing

762
00:42:26,760 --> 00:42:30,360
Speaker 1: with publishing, and me and Nooney were still you know, rocking.

763
00:42:31,239 --> 00:42:34,680
Speaker 1: So we went over and started rocking with Dallas. So

764
00:42:34,800 --> 00:42:36,839
Speaker 1: Dallas gave me a little cubby hole over in the side.

765
00:42:36,880 --> 00:42:40,040
Speaker 1: It was the d room, and Dallas wasn't really doing

766
00:42:40,120 --> 00:42:42,400
Speaker 1: much over there. He was kind of like on the hiatus.

767
00:42:42,400 --> 00:42:52,560
Speaker 1: He was just you know, being that was Austin traveling dances. Yes,

768
00:42:52,640 --> 00:42:57,320
Speaker 1: me and King Dallas Austin powers, yeah right right, living

769
00:42:57,320 --> 00:43:00,680
Speaker 1: in life. So I'm over there and and and there.

770
00:43:02,000 --> 00:43:04,799
Speaker 1: Noony caused me one day and says, hey, man, uh

771
00:43:04,960 --> 00:43:07,160
Speaker 1: t a coming by and he wants to play. He

772
00:43:07,200 --> 00:43:10,120
Speaker 1: wants to show you this group. And it was three girls,

773
00:43:10,320 --> 00:43:12,839
Speaker 1: three girls in the group. So three girls, he said, Man,

774
00:43:12,880 --> 00:43:16,840
Speaker 1: tell me what you think about Sharty right there. I said,

775
00:43:17,000 --> 00:43:20,400
Speaker 1: she's a superstar. She said, that's her, said all right,

776
00:43:20,440 --> 00:43:28,160
Speaker 1: bet Sierra, it was Sierra. It was Sierra. I let

777
00:43:28,160 --> 00:43:31,640
Speaker 1: her hang out with me at dark for like three days.

778
00:43:32,560 --> 00:43:36,160
Speaker 1: And at this time, you gotta think sever's like seventeen

779
00:43:36,200 --> 00:43:40,480
Speaker 1: years old, sixteen tater seventeen maybe yeah, probably, I think

780
00:43:41,120 --> 00:43:44,960
Speaker 1: headed to seventeen, about to graduate. She was in twelfth grade.

781
00:43:45,000 --> 00:43:49,319
Speaker 1: She's going to twelfth grade summertime. So she's like coming

782
00:43:49,360 --> 00:43:51,600
Speaker 1: up to the studio, big old house shoes and you

783
00:43:51,640 --> 00:43:53,160
Speaker 1: know what I'm saying. She was a little thicker than

784
00:43:53,280 --> 00:43:57,759
Speaker 1: too than she but she was like tworking and just

785
00:43:57,880 --> 00:44:00,799
Speaker 1: tanking and acting, you know what I'm saying. But she

786
00:44:00,880 --> 00:44:04,160
Speaker 1: was young. So I'm like, baby, baby, baby, did all

787
00:44:04,200 --> 00:44:05,879
Speaker 1: these wrong men around here? You know what I'm saying.

788
00:44:05,880 --> 00:44:10,520
Speaker 1: It's crazy. So I'm like, hmmm, so okay, we got

789
00:44:10,520 --> 00:44:12,040
Speaker 1: to put this to work. You know what I'm saying.

790
00:44:12,840 --> 00:44:15,520
Speaker 1: You know, because she really can dance and have a

791
00:44:15,600 --> 00:44:17,719
Speaker 1: friends that they be doing some teens. I'm like, this

792
00:44:17,800 --> 00:44:20,240
Speaker 1: is before TikTok and all of y'all was just doing.

793
00:44:20,520 --> 00:44:24,040
Speaker 1: Nobody was seeing this. I'm just behind this. I'm like, okay, okay.

794
00:44:24,719 --> 00:44:28,319
Speaker 1: So we go in the studio and we work. The

795
00:44:28,320 --> 00:44:31,799
Speaker 1: first time we work. First time we work, we did

796
00:44:31,840 --> 00:44:32,280
Speaker 1: a song.

797
00:44:33,000 --> 00:44:34,040
Speaker 3: You changed the game.

798
00:44:34,520 --> 00:44:38,760
Speaker 1: I'm like, get thug stout. Me and John Tae Austen

799
00:44:40,680 --> 00:44:44,319
Speaker 1: Smash Cold record. I think the next four or five

800
00:44:44,400 --> 00:44:48,960
Speaker 1: records that we did that same week are all on

801
00:44:48,960 --> 00:44:51,480
Speaker 1: the album. That's how I was how much of a

802
00:44:51,600 --> 00:44:57,440
Speaker 1: vibe we had. And she kires Stewart rest is soul shake.

803
00:44:58,400 --> 00:45:01,480
Speaker 1: Uh I called Shake. Let's shay hear it? Loving it?

804
00:45:01,520 --> 00:45:03,480
Speaker 1: You know what I'm saying. Uh. He's like, man, I

805
00:45:03,480 --> 00:45:04,560
Speaker 1: want you to I want you to get in with

806
00:45:04,680 --> 00:45:06,120
Speaker 1: La Re. I want you to get in with La Man.

807
00:45:06,200 --> 00:45:08,080
Speaker 1: La wants to meet what you hearing stuff about you

808
00:45:08,400 --> 00:45:11,120
Speaker 1: and all of that. So I went over there over

809
00:45:11,120 --> 00:45:14,120
Speaker 1: there to hit co and met with La and so

810
00:45:14,239 --> 00:45:16,440
Speaker 1: I'm playing l A all these records. I'm like, Okay,

811
00:45:16,480 --> 00:45:18,160
Speaker 1: he go to slick Rick record I got a slick

812
00:45:18,200 --> 00:45:21,719
Speaker 1: rick record, outcast, slick wrecking out cass on this jam

813
00:45:21,719 --> 00:45:27,080
Speaker 1: walk up. So he like, dang, I'm playing with Joe

814
00:45:27,080 --> 00:45:29,319
Speaker 1: record I me and John Tay was working on. Then

815
00:45:29,320 --> 00:45:31,439
Speaker 1: I played him like some Chris Brown he was working on.

816
00:45:31,920 --> 00:45:36,040
Speaker 1: And he said, chezy okay, stop stop, stop stop. He said.

817
00:45:36,080 --> 00:45:38,560
Speaker 1: All those records are great records, he said, but I

818
00:45:38,640 --> 00:45:40,840
Speaker 1: need to know what what you got from me. You

819
00:45:40,880 --> 00:45:44,799
Speaker 1: got what you have it there? Yeah, yeah you have.

820
00:45:45,000 --> 00:45:47,560
Speaker 1: But see I had never been in one of those meetings.

821
00:45:47,880 --> 00:45:50,400
Speaker 1: I was just fortunate enough to be around here just

822
00:45:50,440 --> 00:45:53,319
Speaker 1: placing records everywhere, you know what I'm saying. So that

823
00:45:53,440 --> 00:45:56,640
Speaker 1: was my first real come to Jesus meeting, like type like,

824
00:45:56,760 --> 00:45:59,080
Speaker 1: come on in here and get some of this you

825
00:45:59,120 --> 00:46:02,440
Speaker 1: know goodness, real money in the game. Yeah, and I

826
00:46:02,440 --> 00:46:06,480
Speaker 1: didn't even know that that's what it was. And you know,

827
00:46:07,560 --> 00:46:10,880
Speaker 1: Shaker standing behind La, He's like the girl, the girl,

828
00:46:11,520 --> 00:46:15,120
Speaker 1: the girl. So I just bought my Bentley big flex right, Okay,

829
00:46:15,560 --> 00:46:18,200
Speaker 1: I just bought my bent my first, my first Bentley,

830
00:46:18,239 --> 00:46:23,640
Speaker 1: right first, the first one. Right. So when he said that,

831
00:46:23,760 --> 00:46:28,520
Speaker 1: I was hesitating because the whole time the CD I

832
00:46:28,560 --> 00:46:31,320
Speaker 1: had figured out how to get it out. Man, he

833
00:46:31,400 --> 00:46:33,719
Speaker 1: don't know how to work leg. I mean, I'm so

834
00:46:33,800 --> 00:46:35,840
Speaker 1: in love with this CD. I don't really careful I

835
00:46:35,840 --> 00:46:37,799
Speaker 1: get a card list to that. You know what, man,

836
00:46:38,160 --> 00:46:40,520
Speaker 1: I got all the all of her songs on the CD.

837
00:46:40,719 --> 00:46:42,360
Speaker 1: That's what I'm working on. I'm just like, what I's

838
00:46:42,440 --> 00:46:44,760
Speaker 1: to do. I ain't gotta take it out. So I

839
00:46:44,760 --> 00:46:46,239
Speaker 1: talked to my partner. I called my partner on the

840
00:46:46,239 --> 00:46:48,640
Speaker 1: phone and said, man, you just and I popped it out,

841
00:46:48,960 --> 00:46:51,480
Speaker 1: went downstairs, popped it. I came back up, came back

842
00:46:51,560 --> 00:46:55,359
Speaker 1: upstairs before his sweating because I'm trying to damn CD out.

843
00:46:59,800 --> 00:47:01,440
Speaker 1: So I come in there. You don't have af back

844
00:47:01,480 --> 00:47:04,719
Speaker 1: on head. I'm like, yeah, dog. So he's like yeah, man,

845
00:47:04,760 --> 00:47:08,279
Speaker 1: so come on, like, let's hear it. Let's hear it.

846
00:47:09,320 --> 00:47:11,280
Speaker 1: But when I played one song on it, I think

847
00:47:12,760 --> 00:47:14,560
Speaker 1: I think I played Thugstyle first because that was my

848
00:47:14,560 --> 00:47:18,439
Speaker 1: favorite record. I no, I played something else. I played

849
00:47:18,440 --> 00:47:20,200
Speaker 1: something else and he liked it. I think I played

850
00:47:20,200 --> 00:47:22,439
Speaker 1: looking at You, Looking at You because Temple, I'm gonna

851
00:47:22,440 --> 00:47:25,000
Speaker 1: get me the tempo first me. He's like, oh, I

852
00:47:25,120 --> 00:47:28,160
Speaker 1: like that. Give me another one that nigga heard that

853
00:47:28,280 --> 00:47:32,920
Speaker 1: damn Thugs down la la la la la la la

854
00:47:33,000 --> 00:47:36,880
Speaker 1: la la la la lah. He was like, he was

855
00:47:36,920 --> 00:47:40,839
Speaker 1: just he was like, whoa is that? Where is she?

856
00:47:41,600 --> 00:47:43,160
Speaker 1: I was like, man, she's ever reheard? So right now?

857
00:47:43,239 --> 00:47:45,439
Speaker 1: He said, go get her right now, bring her here.

858
00:47:46,120 --> 00:47:48,840
Speaker 1: I was like, bro, she is not ready. She is

859
00:47:49,080 --> 00:47:50,960
Speaker 1: not ready. He said, I got to leave. What time

860
00:47:51,000 --> 00:47:51,479
Speaker 1: am I leaving?

861
00:47:51,560 --> 00:47:51,840
Speaker 3: Y'all?

862
00:47:52,000 --> 00:47:54,839
Speaker 1: He said, man, listen, I got to go. I said, bro,

863
00:47:55,000 --> 00:47:57,080
Speaker 1: I got to get her together to meet you. I

864
00:47:57,120 --> 00:47:59,440
Speaker 1: can't just she would kill me if I try to

865
00:47:59,440 --> 00:48:01,920
Speaker 1: bring you. You know what I'm saying. He was like, listen,

866
00:48:02,440 --> 00:48:04,239
Speaker 1: can y'all be here tomorrow at ten o'clock in the

867
00:48:04,239 --> 00:48:07,719
Speaker 1: morning before I leave? I said, yes, we can. Yes,

868
00:48:07,800 --> 00:48:11,440
Speaker 1: Sir came back. As soon as he saw her, I

869
00:48:11,440 --> 00:48:13,120
Speaker 1: had everybody with me. I ain't you know what I mean.

870
00:48:13,239 --> 00:48:17,759
Speaker 1: I'm being ghetto. I'm robin everybody. He walks in that way,

871
00:48:17,840 --> 00:48:19,839
Speaker 1: I got people standing all in the way. He's like,

872
00:48:21,040 --> 00:48:23,160
Speaker 1: where is she? And he's seeing her and he just

873
00:48:23,280 --> 00:48:26,680
Speaker 1: put his arms out. He's like, oh yeah, oh yeah.

874
00:48:26,920 --> 00:48:29,000
Speaker 1: We ran down all the records and he was like,

875
00:48:29,040 --> 00:48:34,000
Speaker 1: oh yeah, this is it. It was it Sierra, Wow, Sierra.

876
00:48:34,680 --> 00:48:37,040
Speaker 1: So do you science the Sierra signed two years already

877
00:48:37,080 --> 00:48:37,440
Speaker 1: signed to me.

878
00:48:38,040 --> 00:48:40,480
Speaker 2: Yeah, so this is the first artist on show. Sure

879
00:48:40,560 --> 00:48:42,960
Speaker 2: enough here and at this point before this you had

880
00:48:43,000 --> 00:48:47,160
Speaker 2: had no label. No, it starts with you and CC Yeah.

881
00:48:47,000 --> 00:48:53,840
Speaker 1: Yeah, wow, oh yeah. At Dark Studio. Oh boy, oh boy. Look,

882
00:48:54,520 --> 00:48:57,640
Speaker 1: the boy Dallas didn't even know we had Goodies was

883
00:48:57,680 --> 00:49:04,840
Speaker 1: out and I think on uh uh Total Request Live

884
00:49:05,160 --> 00:49:07,920
Speaker 1: t r L. Yeah, it was on tr number one

885
00:49:07,920 --> 00:49:10,520
Speaker 1: on t r L for like two weeks. Dallas calls

886
00:49:10,560 --> 00:49:13,399
Speaker 1: me on the phone, Hey, bro, I'm on I'm over

887
00:49:13,440 --> 00:49:17,760
Speaker 1: here looking at MTV and the little girl, oh ciarra,

888
00:49:19,080 --> 00:49:22,040
Speaker 1: the girl, the girl you got is number one. Man,

889
00:49:22,080 --> 00:49:23,960
Speaker 1: you ain't let me get on this album. I was like, bro,

890
00:49:24,040 --> 00:49:37,759
Speaker 1: I've been trying to tell you. I know what he

891
00:49:37,880 --> 00:49:48,279
Speaker 1: calling because we got the mastermind here. Yeah, not just

892
00:49:48,320 --> 00:49:51,800
Speaker 1: the mind, but the mastermind. It's in his blood. What's

893
00:49:53,160 --> 00:49:55,080
Speaker 1: with the stars in the roof? Bawn in and I

894
00:49:55,200 --> 00:50:01,160
Speaker 1: sworn in it? Oh yes, lord, what you got born

895
00:50:01,239 --> 00:50:10,720
Speaker 1: chief Jesse Finzel. Oh boy, it's the old boy himself,

896
00:50:10,960 --> 00:50:12,320
Speaker 1: mister oh boy himself.

897
00:50:14,200 --> 00:50:18,360
Speaker 2: You know a lot about music, everything about real music,

898
00:50:18,600 --> 00:50:21,000
Speaker 2: real music, trio.

899
00:50:20,840 --> 00:50:23,040
Speaker 1: Music, from the soil, from the soil.

900
00:50:23,000 --> 00:50:27,280
Speaker 2: From the soil and in your times of being born

901
00:50:27,360 --> 00:50:28,839
Speaker 2: and to this thing.

902
00:50:29,239 --> 00:50:34,839
Speaker 1: Yes, I know you. You found some music that is.

903
00:50:35,040 --> 00:50:45,000
Speaker 5: Part of your top five, your top five, top five,

904
00:50:46,239 --> 00:50:53,919
Speaker 5: top five, your top five everything.

905
00:50:55,080 --> 00:51:05,840
Speaker 2: Yeah ala be song, you got you, you got do s, you.

906
00:51:05,719 --> 00:51:10,160
Speaker 1: Got you grow. I know you know you want to

907
00:51:10,200 --> 00:51:35,760
Speaker 1: know your Yeah yea Finzie oh boys five yeah, yes,

908
00:51:36,040 --> 00:51:37,760
Speaker 1: Lord one three four.

909
00:51:40,960 --> 00:51:47,840
Speaker 2: H Finzel your top five. As the fifth member of Singer.

910
00:51:48,880 --> 00:51:52,600
Speaker 1: That's why I am fifth members of JAD Me and

911
00:51:52,640 --> 00:51:57,279
Speaker 1: Pete met and Pete Pablo and uh Kenny Burns are

912
00:51:57,320 --> 00:52:00,520
Speaker 1: all the fifth member of j and the the sixth

913
00:52:00,520 --> 00:52:04,160
Speaker 1: member of joas Waxy Yeah all together. Now, I always

914
00:52:04,160 --> 00:52:07,840
Speaker 1: been a member of Jones as well, you know, under.

915
00:52:07,920 --> 00:52:15,200
Speaker 2: Yeah, under yeah, under the oh yeah act. Shout them though.

916
00:52:15,200 --> 00:52:20,160
Speaker 2: He would have loved that, oh yeah yeah. Top five.

917
00:52:21,200 --> 00:52:24,719
Speaker 2: Let's go for you. It is yours, yours, for you,

918
00:52:24,920 --> 00:52:31,560
Speaker 2: not the world. What makes you girl.

919
00:52:32,040 --> 00:52:39,600
Speaker 1: You're going to Bobby, You're going Bobby first or or Hobby.

920
00:52:40,000 --> 00:52:48,959
Speaker 1: That's a little different, do you because it's yours. It's yours. Luther, Yeah, yeah,

921
00:52:49,960 --> 00:52:57,640
Speaker 1: big Luther. Little Luther said big look big, definitely big. Yeah.

922
00:52:57,719 --> 00:53:06,040
Speaker 1: You don't like in sha, it's your list I'm sorry

923
00:53:07,160 --> 00:53:11,000
Speaker 1: always I'm disrespecting. That's what the father was great. He's great,

924
00:53:11,000 --> 00:53:14,000
Speaker 1: but I mean, come on, I respect you. You know,

925
00:53:14,040 --> 00:53:18,560
Speaker 1: I don't want to smoke bucket the chicken, all right,

926
00:53:18,680 --> 00:53:24,880
Speaker 1: So Jerry, Jerry, I know y'all get that bucket from me.

927
00:53:26,640 --> 00:53:35,640
Speaker 1: He's made a fierce card game. Yeah. See vocalists R

928
00:53:35,680 --> 00:53:37,720
Speaker 1: and B whatever your world.

929
00:53:38,239 --> 00:53:44,640
Speaker 2: You know, every everything starts and everything starts, yeah, Darryl Coley.

930
00:53:43,440 --> 00:53:51,440
Speaker 1: Yeah everything, Okay, everything starts him starts with him. Yeah, yeah, him.

931
00:53:51,920 --> 00:53:58,120
Speaker 2: He spawned so many children, from the Joe's to the Marios.

932
00:53:58,560 --> 00:54:00,960
Speaker 1: I got like, I got so many of those. I

933
00:54:01,040 --> 00:54:06,359
Speaker 1: got so many. That's that's so. That's three. I want

934
00:54:06,360 --> 00:54:07,840
Speaker 1: to I want to put a lady in there. I

935
00:54:07,840 --> 00:54:09,759
Speaker 1: want to, you know, because I got so many of

936
00:54:09,840 --> 00:54:15,080
Speaker 1: them that that I love. But you know what, somebody

937
00:54:15,160 --> 00:54:20,960
Speaker 1: that I really enjoy their vocals. Jasmine Sullivan. Why not?

938
00:54:21,400 --> 00:54:25,759
Speaker 1: I love her? Why not? I just love her. She'd

939
00:54:25,760 --> 00:54:28,120
Speaker 1: be going through a thing on that Michael phone board. Man,

940
00:54:28,960 --> 00:54:31,959
Speaker 1: I'll be going through it with her. What she's saying about,

941
00:54:32,000 --> 00:54:34,319
Speaker 1: that's what I already know. She coming back. She's gonna

942
00:54:34,320 --> 00:54:37,279
Speaker 1: going back to gospel at the end. I know she's

943
00:54:37,320 --> 00:54:44,319
Speaker 1: going back that. Okay, that's four. Why not? Hi, I'm

944
00:54:44,360 --> 00:54:51,640
Speaker 1: so tired and just how and that was a fight

945
00:54:51,719 --> 00:54:56,080
Speaker 1: between him and I. I already did a gospel but man,

946
00:54:56,320 --> 00:54:59,400
Speaker 1: you know I still love the John B Keys, of course,

947
00:54:59,560 --> 00:55:02,399
Speaker 1: I mean, come, I guess Godfather Jef V Key and

948
00:55:02,440 --> 00:55:07,359
Speaker 1: Mervin and Fred Hammond and all the Commission records. I'm

949
00:55:07,400 --> 00:55:09,040
Speaker 1: I'm just such a fan. I'm over such a fan

950
00:55:09,080 --> 00:55:09,640
Speaker 1: of Commission.

951
00:55:09,760 --> 00:55:11,799
Speaker 2: Okay, well we're gonna get another shot on the top

952
00:55:11,880 --> 00:55:18,960
Speaker 2: five R and B songs songs. Yeah, yeah, yeah, mm

953
00:55:19,040 --> 00:55:20,120
Speaker 2: hmmm do.

954
00:55:20,440 --> 00:55:28,680
Speaker 1: The things big wan say. No, you got to stay

955
00:55:29,080 --> 00:55:32,479
Speaker 1: on your pis and cues. Are you going?

956
00:55:32,640 --> 00:55:39,320
Speaker 2: Woman's gotta have it going, Woman's gotta have it, Woman's

957
00:55:39,320 --> 00:55:42,280
Speaker 2: got Yeah, he's going there, Al.

958
00:55:42,160 --> 00:55:48,279
Speaker 1: Green, Oh look what you've done to me? Look what

959
00:55:48,280 --> 00:55:51,000
Speaker 1: you've done to me. Oh yeah, he came in here

960
00:55:51,000 --> 00:55:58,799
Speaker 1: with full Cadillac music. Yeah, Stevie wonder m tens ten

961
00:55:59,000 --> 00:56:05,000
Speaker 1: zillion light years away. They say that heat tens you know,

962
00:56:05,120 --> 00:56:06,360
Speaker 1: light years away.

963
00:56:07,800 --> 00:56:07,840
Speaker 5: That.

964
00:56:08,520 --> 00:56:11,600
Speaker 1: Yes, it's a fight between that and all that's fair

965
00:56:11,640 --> 00:56:17,680
Speaker 1: and love that loves the crazy. Guess yeah, it takes

966
00:56:17,680 --> 00:56:22,719
Speaker 1: his pen. Oh man, come on, now, a song for

967
00:56:22,800 --> 00:56:29,200
Speaker 1: you m down. They had the way. Yeah, and it's

968
00:56:29,239 --> 00:56:32,480
Speaker 1: a fight between that and someday we'll all be free.

969
00:56:32,960 --> 00:56:35,719
Speaker 1: Because that song brings me to tears because of where

970
00:56:35,719 --> 00:56:38,120
Speaker 1: we are. You know what I mean socially and what

971
00:56:38,239 --> 00:56:40,640
Speaker 1: it meant and the time of it. You know what

972
00:56:40,680 --> 00:56:47,480
Speaker 1: I'm saying. Uh, I got one more commission running back

973
00:56:47,480 --> 00:56:51,799
Speaker 1: to you. Go ahead and sit up because they feel

974
00:56:51,880 --> 00:56:57,360
Speaker 1: me that record right there? Yeah, that song made me.

975
00:56:58,000 --> 00:57:02,759
Speaker 1: That song made me see Jesus like when I with

976
00:57:02,920 --> 00:57:06,400
Speaker 1: my eyes open. You know what I'm saying. It made me.

977
00:57:07,320 --> 00:57:11,440
Speaker 1: It made me understand my relationship with the Man of

978
00:57:11,480 --> 00:57:17,280
Speaker 1: Stealth and when I want to see them live. You know,

979
00:57:17,800 --> 00:57:24,920
Speaker 1: it was just me. It's crazy, friends and vocals. Come on.

980
00:57:28,720 --> 00:57:30,720
Speaker 1: That man is still trying to it. He was looking

981
00:57:30,800 --> 00:57:32,000
Speaker 1: He's just looking at the Lord.

982
00:57:35,000 --> 00:57:35,160
Speaker 2: Yeah.

983
00:57:35,320 --> 00:57:39,120
Speaker 1: Man, that's very spiritual. And you know we will go

984
00:57:39,240 --> 00:57:50,680
Speaker 1: top ten because I gotta go. Uhhh my god, oh

985
00:57:50,720 --> 00:57:53,560
Speaker 1: my god. Who don't feel it in they? So I

986
00:57:53,760 --> 00:57:56,440
Speaker 1: just said that stopped feeling right in the arch of

987
00:57:56,480 --> 00:58:01,680
Speaker 1: my foot. Do you feel me? Yeah? What about what

988
00:58:01,800 --> 00:58:04,919
Speaker 1: about stair Away to Heaven? Oh, you're gonna keep going

989
00:58:05,480 --> 00:58:15,680
Speaker 1: step step Come on, So man locks somewhere man, it's

990
00:58:15,760 --> 00:58:28,520
Speaker 1: an'thing to get torn close up. God, Come on, man,

991
00:58:29,000 --> 00:58:32,320
Speaker 1: let's think about that. Think about that's all I listened to.

992
00:58:33,320 --> 00:58:34,720
Speaker 1: Listen hipping Mane.

993
00:58:34,920 --> 00:58:39,280
Speaker 2: Lenny said, if it's in God's will, how can a

994
00:58:39,360 --> 00:58:42,200
Speaker 2: woman say to you when you say that to her?

995
00:58:42,600 --> 00:58:46,080
Speaker 1: Hey? Man, comes on, you got your and they hit

996
00:58:46,120 --> 00:58:50,080
Speaker 1: that note? Yeah right, I'm gonna leave Leny alone whatever

997
00:58:50,120 --> 00:58:52,240
Speaker 1: we can have that note. He gotta come over here

998
00:58:52,320 --> 00:58:52,840
Speaker 1: do that note?

999
00:58:52,920 --> 00:58:53,080
Speaker 5: Man?

1000
00:58:53,160 --> 00:58:58,520
Speaker 1: Yeah, he he still got it. He Yeah, was a problem.

1001
00:58:58,880 --> 00:59:04,240
Speaker 1: You feel me? Top fifteen, Come on, here we go.

1002
00:59:06,720 --> 00:59:07,680
Speaker 1: Let's make your vote.

1003
00:59:07,720 --> 00:59:12,160
Speaker 2: Ron, Let's make your super r and b artists you're supers.

1004
00:59:12,240 --> 00:59:14,280
Speaker 2: Hold on, we're gonna put all the pieces together, all right.

1005
00:59:14,440 --> 00:59:16,720
Speaker 2: We need to know who you're gonna get the vocal

1006
00:59:16,800 --> 00:59:19,720
Speaker 2: from for your artists, who you're gonna get the performance

1007
00:59:19,720 --> 00:59:23,680
Speaker 2: style from, the styling from, and the heart.

1008
00:59:23,440 --> 00:59:27,680
Speaker 1: Of the artists. And for you, who's gonna produce for him? Yeah,

1009
00:59:27,760 --> 00:59:30,800
Speaker 1: who're gonna get the voice? Who're gonna get the vocal

1010
00:59:31,200 --> 00:59:36,560
Speaker 1: for your super the artists? My vocal? Oh that's a

1011
00:59:36,560 --> 00:59:40,200
Speaker 1: hard one, but not really the vocal?

1012
00:59:41,880 --> 00:59:42,320
Speaker 3: Mm hmm.

1013
00:59:47,480 --> 00:59:50,320
Speaker 1: What this goes on? We ain't went Let's go to Charlie.

1014
00:59:51,480 --> 00:59:56,320
Speaker 1: We're gonna go Uncle Charlie, Uncle Charlie with oh but

1015
00:59:56,480 --> 00:59:57,600
Speaker 1: our performance because.

1016
00:59:59,440 --> 01:00:03,520
Speaker 2: You wait us let us let us enjoy this joy,

1017
01:00:03,600 --> 01:00:08,720
Speaker 2: Uncle Charlie. Man performance performance style on that stage.

1018
01:00:09,160 --> 01:00:16,880
Speaker 1: Oh only because I know people are gonna say that

1019
01:00:16,960 --> 01:00:17,480
Speaker 1: don't match.

1020
01:00:17,840 --> 01:00:21,640
Speaker 2: They don't have to match Michael Jackson Man, what that

1021
01:00:21,800 --> 01:00:22,920
Speaker 2: absolutely matches.

1022
01:00:22,960 --> 01:00:27,640
Speaker 1: It was amazing. He was just so impeccable. He's the

1023
01:00:27,400 --> 01:00:31,160
Speaker 1: he's the standard. I was there when when he when

1024
01:00:31,160 --> 01:00:35,200
Speaker 1: he did MOTWN twenty five. You were there. I wasn't

1025
01:00:35,240 --> 01:00:37,040
Speaker 1: at the place, but I mean I was. I know

1026
01:00:37,080 --> 01:00:38,880
Speaker 1: where I was. I know exactly where I was. I

1027
01:00:38,920 --> 01:00:40,919
Speaker 1: was sitting in front of my great grandmama TV. Yeah.

1028
01:00:41,320 --> 01:00:44,880
Speaker 1: I was like, what is that screaming? Screaming? When that

1029
01:00:45,000 --> 01:00:50,760
Speaker 1: man said definitely I like the new song on, I

1030
01:00:50,800 --> 01:00:52,280
Speaker 1: was changed my life.

1031
01:00:52,800 --> 01:00:55,120
Speaker 2: And the next the very I went to school and

1032
01:00:55,160 --> 01:00:57,760
Speaker 2: did the moonwalk, the styling of the artist.

1033
01:00:58,040 --> 01:01:01,160
Speaker 1: The drift of the artist, because we know that's what

1034
01:01:01,200 --> 01:01:06,160
Speaker 1: you do. You're gonna do your you've been doing right now.

1035
01:01:06,320 --> 01:01:12,720
Speaker 1: Listen here Teddy rolling guy. Oh oh when they first

1036
01:01:12,920 --> 01:01:16,840
Speaker 1: yeah yeah, the first guy out grew.

1037
01:01:17,160 --> 01:01:23,120
Speaker 2: Yeah, Timmy, I say with a levefore before crazy lads

1038
01:01:23,160 --> 01:01:23,720
Speaker 2: got group.

1039
01:01:23,800 --> 01:01:26,480
Speaker 1: Yeah, I want to say that was the first one

1040
01:01:26,520 --> 01:01:29,000
Speaker 1: I've seen with that, that album with the real name

1041
01:01:29,080 --> 01:01:31,000
Speaker 1: fly name changed with diamonds.

1042
01:01:31,000 --> 01:01:33,720
Speaker 2: I want to tell guy right now, y'all can wear

1043
01:01:33,800 --> 01:01:35,720
Speaker 2: that right right now, get off.

1044
01:01:36,280 --> 01:01:39,280
Speaker 1: That was off right now. That was the first one

1045
01:01:39,320 --> 01:01:41,520
Speaker 1: to wear the big name changed with the diamonds on them.

1046
01:01:41,520 --> 01:01:43,560
Speaker 2: The passion of the artists, the heart of the artist.

1047
01:01:43,800 --> 01:01:53,920
Speaker 2: James Quick, easy easy, kick your ass in the ass

1048
01:01:54,720 --> 01:01:58,920
Speaker 2: on the stage, off the stage, on the airplane.

1049
01:01:58,920 --> 01:01:59,760
Speaker 3: I love good.

1050
01:02:00,160 --> 01:02:03,320
Speaker 1: Yeah.

1051
01:02:03,640 --> 01:02:10,400
Speaker 2: Who's producing for this artist? M two guys okay, Quincy

1052
01:02:10,920 --> 01:02:11,560
Speaker 2: and Finzel?

1053
01:02:13,720 --> 01:02:18,040
Speaker 1: Yeah yeah. What are we talking about? Because I always

1054
01:02:18,040 --> 01:02:19,560
Speaker 1: wanted to work with him? What are we talking about?

1055
01:02:20,520 --> 01:02:21,560
Speaker 3: Oh yeah, who?

1056
01:02:22,800 --> 01:02:27,520
Speaker 1: Oh yeah, Quincy and Finz? Oh boy, oh boy? Not

1057
01:02:27,600 --> 01:02:29,640
Speaker 1: Jacky fa yeah, fin.

1058
01:02:31,880 --> 01:02:35,680
Speaker 4: Yeah Yeah.

1059
01:02:35,760 --> 01:02:42,120
Speaker 1: What else we got for chief? Uh? I ain't saying

1060
01:02:42,160 --> 01:02:45,280
Speaker 1: no nig I ain't saying no name. I ain't saying

1061
01:02:45,320 --> 01:02:50,640
Speaker 1: no name. I ain't saying no names. Were you what

1062
01:02:50,840 --> 01:03:06,600
Speaker 1: you need? Don't say she? I ain't saying no name. Huh.

1063
01:03:06,440 --> 01:03:07,920
Speaker 1: So we've come to the segment.

1064
01:03:07,960 --> 01:03:12,720
Speaker 2: Now. You can't let you leave this building without this segment.

1065
01:03:12,840 --> 01:03:15,240
Speaker 2: It's called I ain't saying no names. Will you tell

1066
01:03:15,280 --> 01:03:15,880
Speaker 2: us a story?

1067
01:03:16,840 --> 01:03:18,000
Speaker 1: Funny? Are fucked up?

1068
01:03:18,520 --> 01:03:23,560
Speaker 2: Funny and fucked up in the Travelers of Jazzy Ftle

1069
01:03:24,440 --> 01:03:26,720
Speaker 2: product shistle My.

1070
01:03:28,120 --> 01:03:30,240
Speaker 1: We need that story. We need that. I ain't saying

1071
01:03:30,240 --> 01:03:33,960
Speaker 1: no names. The only rule to the game. You can't

1072
01:03:34,040 --> 01:03:37,480
Speaker 1: say names. That's it. Man. Way back, I ain't gonna

1073
01:03:37,480 --> 01:03:39,680
Speaker 1: say the year, because then I just started telling myself.

1074
01:03:40,480 --> 01:03:50,640
Speaker 1: But way back, rock star status. We backstage at funk Fest,

1075
01:03:51,800 --> 01:03:53,400
Speaker 1: a lot of big groups on stage, a lot of

1076
01:03:53,440 --> 01:03:58,080
Speaker 1: big groups on stage, artists on the side of the stage.

1077
01:03:58,200 --> 01:04:00,200
Speaker 1: I'm over hearing everything because I'm a kid. I'm I'm

1078
01:04:00,200 --> 01:04:02,240
Speaker 1: on the you know, I'm a fly on the wall.

1079
01:04:03,160 --> 01:04:09,600
Speaker 1: So police already then been aware of this guy's presence

1080
01:04:09,640 --> 01:04:15,040
Speaker 1: in the building. And if he goes out and proceeds

1081
01:04:15,040 --> 01:04:20,440
Speaker 1: with his regular show, he's going to jail, no questions,

1082
01:04:20,520 --> 01:04:26,200
Speaker 1: I was saying. But or maybe he already notifies everybody

1083
01:04:26,240 --> 01:04:29,840
Speaker 1: that ain't nobody in Wisconsin or wherever he was at

1084
01:04:30,200 --> 01:04:33,560
Speaker 1: stopping his show, the folk, the white folk, whoever they are.

1085
01:04:34,200 --> 01:04:36,960
Speaker 1: I ain't stopping what I do. And when I get

1086
01:04:36,960 --> 01:04:39,280
Speaker 1: out here and do this thing, I want you to

1087
01:04:39,320 --> 01:04:41,600
Speaker 1: be ready on the opposite side, because they are going

1088
01:04:41,640 --> 01:04:43,840
Speaker 1: to come on this side where they think the stairs are.

1089
01:04:44,040 --> 01:04:47,080
Speaker 1: I want you to create a pseudo staircase over here

1090
01:04:47,400 --> 01:04:54,160
Speaker 1: on this side. And when I smoke this weed on

1091
01:04:54,200 --> 01:05:01,840
Speaker 1: this stage, I'm going to disappear cloud smoke, and we're

1092
01:05:01,920 --> 01:05:07,680
Speaker 1: going to be parked. And instead of doing this sub

1093
01:05:07,960 --> 01:05:09,360
Speaker 1: ending of the show, we're going to do it at

1094
01:05:09,400 --> 01:05:13,360
Speaker 1: the very end, so to be done and the damage to

1095
01:05:13,480 --> 01:05:18,520
Speaker 1: be done and Victor will be won. And it was done.

1096
01:05:19,720 --> 01:05:24,200
Speaker 1: He almost got out of there, I hope and he

1097
01:05:24,320 --> 01:05:29,880
Speaker 1: got out. Yeah, yeah, oh.

1098
01:05:29,800 --> 01:05:32,480
Speaker 2: Yeah, but he did his show. Probably guess all right,

1099
01:05:32,920 --> 01:05:35,240
Speaker 2: but he did his show. Yeah, I guess I could

1100
01:05:35,240 --> 01:05:38,520
Speaker 2: probably guess that one. But yeah, and you was therefore

1101
01:05:39,200 --> 01:05:42,479
Speaker 2: right there, of course, right there, he's everywhere right there,

1102
01:05:42,960 --> 01:05:49,040
Speaker 2: he's omni president. You're like the Lord, nor lord like

1103
01:05:49,280 --> 01:05:53,640
Speaker 2: lord like lord like more like geez.

1104
01:05:55,240 --> 01:05:55,840
Speaker 1: Bens eld.

1105
01:05:55,880 --> 01:05:59,600
Speaker 2: Listen, Man, what can I say?

1106
01:05:59,600 --> 01:06:03,840
Speaker 1: Man? I love you, Man, I love you. I couldn't

1107
01:06:03,880 --> 01:06:05,720
Speaker 1: wait to get over here. Man, after you did that

1108
01:06:05,760 --> 01:06:08,000
Speaker 1: thing with Casey, Man, that was that like I hit

1109
01:06:08,040 --> 01:06:10,360
Speaker 1: you and told you I think that's kind of put

1110
01:06:10,520 --> 01:06:12,720
Speaker 1: they put me back on your brain or whatever. And

1111
01:06:13,000 --> 01:06:15,240
Speaker 1: because I know you be doing a lot, but man,

1112
01:06:15,800 --> 01:06:18,480
Speaker 1: that thing made me weep. I don't know what it was.

1113
01:06:18,520 --> 01:06:21,439
Speaker 1: I think because I've never seen him in that light,

1114
01:06:21,480 --> 01:06:25,520
Speaker 1: and I'm like, wow, I never seen Casey and that

1115
01:06:25,600 --> 01:06:27,840
Speaker 1: light and and and it was like even though of

1116
01:06:27,920 --> 01:06:29,560
Speaker 1: course we would have wanted to see Joe, to see

1117
01:06:29,600 --> 01:06:32,160
Speaker 1: the whole group, it was just it was just enough

1118
01:06:32,200 --> 01:06:32,800
Speaker 1: for my spirit.

1119
01:06:32,800 --> 01:06:33,320
Speaker 3: At the time.

1120
01:06:33,600 --> 01:06:37,320
Speaker 1: He texted me and said I laughed and cried. Yeah.

1121
01:06:37,560 --> 01:06:43,160
Speaker 2: I was like, wow, I did Broo.

1122
01:06:41,720 --> 01:06:42,280
Speaker 3: Yeah, man.

1123
01:06:43,080 --> 01:06:45,680
Speaker 1: But I think the great part about it was to

1124
01:06:45,720 --> 01:06:47,720
Speaker 1: see that he was he was doing good. He was

1125
01:06:48,640 --> 01:06:51,040
Speaker 1: doing good. You know what I'm saying. He's he's definitely

1126
01:06:51,120 --> 01:06:53,440
Speaker 1: a hero. You know what I'm saying. And when you

1127
01:06:53,440 --> 01:06:56,320
Speaker 1: you talk about you know, you know all of that,

1128
01:06:56,440 --> 01:06:59,440
Speaker 1: all of those thoughts like bur in my head, like

1129
01:06:59,440 --> 01:07:01,840
Speaker 1: like we in the same like as brothers, like because

1130
01:07:01,960 --> 01:07:04,440
Speaker 1: he was like I gotta love I was like I

1131
01:07:04,440 --> 01:07:08,680
Speaker 1: didn't understand, like bro because you know all of these

1132
01:07:08,760 --> 01:07:10,720
Speaker 1: rules they used to have an R and B, like

1133
01:07:10,880 --> 01:07:12,680
Speaker 1: you got to have an eight bar this, eight bar that,

1134
01:07:13,080 --> 01:07:16,240
Speaker 1: and and like one of those up moments were I

1135
01:07:16,240 --> 01:07:18,760
Speaker 1: know y'all probably had it too. When Dwayne and them

1136
01:07:18,880 --> 01:07:21,880
Speaker 1: came in there and did four bars and went straight.

1137
01:07:21,680 --> 01:07:26,680
Speaker 2: To the hook. Yeah, yeah, how you gonna tell me? Hey, bark,

1138
01:07:27,200 --> 01:07:31,720
Speaker 2: they made you argue. They made you argue, and and

1139
01:07:31,720 --> 01:07:35,960
Speaker 2: and and Just to even add to that, I was

1140
01:07:36,000 --> 01:07:38,600
Speaker 2: with j Z, right, me and Jez, and they're working.

1141
01:07:39,560 --> 01:07:44,080
Speaker 2: Jez said, Bro at the twelve bars, Bro, I'll be done.

1142
01:07:46,280 --> 01:07:52,240
Speaker 2: He was the first one. He coined the twelve bar verse. Yeah,

1143
01:07:53,200 --> 01:07:55,720
Speaker 2: I said, it's okay, Bro, you got a rep sixteen bars,

1144
01:07:56,080 --> 01:07:58,280
Speaker 2: we'll change it it.

1145
01:07:59,240 --> 01:08:02,440
Speaker 1: He's like, I'm repping all my songs twelves. He put

1146
01:08:02,760 --> 01:08:07,480
Speaker 1: all twelves on Trapper Die. Trapper Dye became the bible

1147
01:08:07,880 --> 01:08:11,840
Speaker 1: for these trap rappers, right, all the rappers you know

1148
01:08:11,880 --> 01:08:14,760
Speaker 1: they're trying to get off anyway, Twelve bars is matter

1149
01:08:14,800 --> 01:08:16,439
Speaker 1: because I mean, I'm still gonna get my bag and

1150
01:08:16,439 --> 01:08:19,479
Speaker 1: I get to give you his twelve because sixteen always

1151
01:08:19,520 --> 01:08:23,040
Speaker 1: just felt like, yeah, don't nobody want to do the

1152
01:08:23,160 --> 01:08:26,560
Speaker 1: hundred yard dance. I want to add you know what

1153
01:08:26,600 --> 01:08:28,320
Speaker 1: I'm saying, I'm about to listen to trappor Die away

1154
01:08:28,400 --> 01:08:31,559
Speaker 1: different now. Yes, That's why I was sold, because we're

1155
01:08:31,600 --> 01:08:32,920
Speaker 1: getting he getting back to that hook.

1156
01:08:33,080 --> 01:08:42,519
Speaker 2: Yeah, yeah, you know what I'm saying, and hooks, Well,

1157
01:08:42,520 --> 01:08:46,080
Speaker 2: we love you brother, your your stories are your stories,

1158
01:08:46,080 --> 01:08:48,880
Speaker 2: and your work and your legend. You are one of one.

1159
01:08:48,920 --> 01:08:51,519
Speaker 2: It's maculate, man, God is good. It's a maculate you

1160
01:08:52,400 --> 01:08:55,559
Speaker 2: good in these streets, real man.

1161
01:08:55,640 --> 01:08:57,599
Speaker 1: You see what I'm saying. Yeah, and you know this

1162
01:08:57,680 --> 01:08:59,160
Speaker 1: is this is this is home for you.

1163
01:08:59,560 --> 01:09:02,559
Speaker 2: Man. Uh, the tap in is real, man. We'll break

1164
01:09:02,600 --> 01:09:07,799
Speaker 2: some bread off camera, man, and yes, low until then.

1165
01:09:07,800 --> 01:09:11,320
Speaker 1: Mogile Management, Man, Mogile Management. Shout out to Mogile Management.

1166
01:09:11,840 --> 01:09:12,160
Speaker 3: Uh.

1167
01:09:12,479 --> 01:09:16,080
Speaker 1: Gervanda one of the Trap stars show enough of course.

1168
01:09:17,080 --> 01:09:19,240
Speaker 1: You know what I'm saying. He's got young k c

1169
01:09:19,479 --> 01:09:20,520
Speaker 1: k September.

1170
01:09:21,160 --> 01:09:21,280
Speaker 5: Uh.

1171
01:09:21,479 --> 01:09:28,439
Speaker 1: Uh, Molly Water all all my friends do Prano Push Management,

1172
01:09:28,560 --> 01:09:32,439
Speaker 1: Push DJ's all those guys. Man. You know guys know

1173
01:09:32,520 --> 01:09:35,400
Speaker 1: the artist Javanda one, all of them. Now we're really

1174
01:09:35,560 --> 01:09:37,599
Speaker 1: cooking up something real special for y'all.

1175
01:09:37,600 --> 01:09:37,800
Speaker 5: Man.

1176
01:09:38,680 --> 01:09:39,760
Speaker 1: Indeed, I like it.

1177
01:09:40,720 --> 01:09:43,599
Speaker 2: My name is Tank and this is the army. When

1178
01:09:43,600 --> 01:09:46,360
Speaker 2: he podcast the authority on all things R and B

1179
01:09:47,200 --> 01:09:49,360
Speaker 2: and RN Biezzele.

1180
01:09:49,880 --> 01:09:53,000
Speaker 1: R and R and B is not easily And that

1181
01:09:53,120 --> 01:09:56,800
Speaker 1: guy Chazzy Finn Oh yeah. In the first of the

1182
01:09:56,880 --> 01:10:01,280
Speaker 1: year before on the first t the year, I will

1183
01:10:01,320 --> 01:10:04,320
Speaker 1: be adding a name to my big old names. I'm

1184
01:10:04,320 --> 01:10:08,720
Speaker 1: adding Gorgeous, Fimzel, Burgundy, Obama, Luther King, Jogia Jackson. Five

1185
01:10:08,800 --> 01:10:17,960
Speaker 1: to first year on R and B Money.

1186
01:10:18,160 --> 01:10:19,960
Speaker 2: R and B Money is a production of the Black

1187
01:10:19,960 --> 01:10:24,800
Speaker 2: Effect podcast Network. For more podcasts from iHeartRadio, visit the

1188
01:10:24,840 --> 01:10:28,680
Speaker 2: iHeartRadio app, Apple Podcasts, or wherever you listen to your

1189
01:10:28,720 --> 01:10:32,599
Speaker 2: favorite shows. Don't forget to subscribe to and rate our show,

1190
01:10:32,920 --> 01:10:35,519
Speaker 2: and you can connect with us on social media at

1191
01:10:35,600 --> 01:10:39,880
Speaker 2: j Valentine and at the Real Tank. For the extended episode,

1192
01:10:39,960 --> 01:10:44,160
Speaker 2: subscribe to YouTube dot com, forward Slash, R and B

1193
01:10:44,280 --> 01:10:44,599
Speaker 2: Money