WEBVTT - Behind the Scenes Minis: Greetings and Context

0:00:01.320 --> 0:00:04.240
<v Speaker 1>Welcome to Stuff You Missed in History Class, A production

0:00:04.400 --> 0:00:14.040
<v Speaker 1>of iHeartRadio, Hello and Happy Friday. I am Holly Frye

0:00:14.240 --> 0:00:18.079
<v Speaker 1>and I'm Tracy V. Wilson. We talked about greeting cards

0:00:18.079 --> 0:00:21.800
<v Speaker 1>this week. We did when you said it, like the

0:00:22.280 --> 0:00:25.479
<v Speaker 1>outline of the episode just said something to the effect of, like,

0:00:25.520 --> 0:00:30.040
<v Speaker 1>I'm working through my feelings on greeting cards, and I

0:00:30.400 --> 0:00:33.160
<v Speaker 1>thought that meant something very different than what you actually

0:00:33.240 --> 0:00:37.360
<v Speaker 1>talked about on Yeah, in the introduction to the episode,

0:00:37.560 --> 0:00:40.199
<v Speaker 1>I thought your feelings about greeting cards was going to

0:00:40.240 --> 0:00:44.080
<v Speaker 1>be about I don't know their content, or anytime I

0:00:44.120 --> 0:00:47.239
<v Speaker 1>go to buy one, I can't find one with a

0:00:47.280 --> 0:00:49.440
<v Speaker 1>sentiment that I like, so I always wind up getting

0:00:49.440 --> 0:00:51.080
<v Speaker 1>blank ones. I thought it was going to be something

0:00:51.120 --> 0:00:55.280
<v Speaker 1>along those lines and not what you were actually talking about. Yeah,

0:00:55.320 --> 0:00:58.960
<v Speaker 1>trying to make space in my life. Yeah, it kind

0:00:58.960 --> 0:01:01.080
<v Speaker 1>of did help me make some rules about what stays

0:01:01.080 --> 0:01:06.360
<v Speaker 1>and what goes. I also think I might make myself

0:01:06.360 --> 0:01:08.160
<v Speaker 1>a rule that they have to get integrated into some

0:01:08.240 --> 0:01:10.520
<v Speaker 1>kind of art. They can't just be sitting in a

0:01:10.600 --> 0:01:13.400
<v Speaker 1>drawer somewhere. But that's weird too. One of the things

0:01:13.440 --> 0:01:15.720
<v Speaker 1>that really struck me. I didn't mention it. But it

0:01:15.800 --> 0:01:18.920
<v Speaker 1>was in that report we talked about the at the

0:01:19.120 --> 0:01:23.000
<v Speaker 1>end about the current status of the greeting card industry,

0:01:24.080 --> 0:01:27.240
<v Speaker 1>and one of the people from the Greeting Card Association

0:01:27.360 --> 0:01:30.440
<v Speaker 1>made this very good point of like, you can send

0:01:30.560 --> 0:01:33.319
<v Speaker 1>electronic greetings as much as you want, but you can't

0:01:34.640 --> 0:01:37.240
<v Speaker 1>in the same way hold like a text from a

0:01:37.280 --> 0:01:40.160
<v Speaker 1>loved one that has passed in your hand, the way

0:01:40.200 --> 0:01:42.440
<v Speaker 1>you can a card that they've sent you and like

0:01:42.560 --> 0:01:45.680
<v Speaker 1>keep it as a memento, and like the sentimental value

0:01:45.720 --> 0:01:48.440
<v Speaker 1>of them is I think also a part of what's

0:01:48.560 --> 0:01:52.640
<v Speaker 1>driving new interest among younger purchasers, which is really interesting.

0:01:53.080 --> 0:01:55.400
<v Speaker 1>That has been a factor. And ones that I have

0:01:55.600 --> 0:01:59.160
<v Speaker 1>kept that I might not have kept. Other one I

0:01:59.440 --> 0:02:05.320
<v Speaker 1>mentioned in that Duke d'orleon poem translation that I translated

0:02:05.360 --> 0:02:08.359
<v Speaker 1>part of it because here is why there are a

0:02:08.400 --> 0:02:13.200
<v Speaker 1>lot of translations I see of it that translate a

0:02:13.280 --> 0:02:18.800
<v Speaker 1>section of it literally. And the way it conveys to

0:02:19.000 --> 0:02:24.400
<v Speaker 1>the English ear, the English speaking ear, is not really

0:02:24.440 --> 0:02:27.239
<v Speaker 1>in line with what he is saying, and that is

0:02:27.360 --> 0:02:31.840
<v Speaker 1>instead of saying I am love sick, it says I

0:02:31.880 --> 0:02:35.320
<v Speaker 1>am sick of love, and that makes it sound more negative.

0:02:35.480 --> 0:02:39.280
<v Speaker 1>And I switched it, but I didn't. I'm like, no,

0:02:39.400 --> 0:02:41.960
<v Speaker 1>he's obviously like very sad to not be with her.

0:02:43.480 --> 0:02:48.480
<v Speaker 1>It makes it sound like he's like down time for it.

0:02:48.560 --> 0:02:51.280
<v Speaker 1>So that's if you go looking for a translation and

0:02:51.280 --> 0:02:53.680
<v Speaker 1>you're like, that's not what this says. That's what's going

0:02:53.720 --> 0:02:58.760
<v Speaker 1>on there, Yeah, because you would say in French it

0:02:58.800 --> 0:03:03.120
<v Speaker 1>would be madame or sick of love, but it's like

0:03:03.200 --> 0:03:07.440
<v Speaker 1>sick from love, not tired of it. Here was another

0:03:07.480 --> 0:03:10.079
<v Speaker 1>cool thing that I didn't get into and debated about

0:03:10.120 --> 0:03:14.560
<v Speaker 1>getting into that I really really liked about the Egyptian

0:03:15.840 --> 0:03:19.960
<v Speaker 1>use of scaubs as a greeting and as a way

0:03:20.000 --> 0:03:22.480
<v Speaker 1>to show people you cared about them, Which is that

0:03:22.639 --> 0:03:26.919
<v Speaker 1>unlike we talked about the development of greetings in China

0:03:26.960 --> 0:03:29.800
<v Speaker 1>and in the US and England, really where it starts

0:03:29.800 --> 0:03:32.640
<v Speaker 1>out as something that like rich people are doing and

0:03:32.720 --> 0:03:38.760
<v Speaker 1>eventually becomes affordable for everybody else, it appears have always

0:03:38.880 --> 0:03:43.280
<v Speaker 1>been something that like, we're used this way across all

0:03:43.480 --> 0:03:49.720
<v Speaker 1>of the social and economic strata of that culture, Like

0:03:49.760 --> 0:03:52.240
<v Speaker 1>it was something that was available to everyone as a

0:03:52.280 --> 0:03:54.640
<v Speaker 1>means of showing other people that you love them, which

0:03:54.680 --> 0:03:59.240
<v Speaker 1>I really really like. Just cool. Okay, I read a

0:03:59.280 --> 0:04:05.080
<v Speaker 1>listener mail about figure drawing. Yeah, yeah, and how ballet

0:04:05.120 --> 0:04:07.240
<v Speaker 1>dancers are perfect for it, which is a really good idea.

0:04:07.280 --> 0:04:12.400
<v Speaker 1>Thank you again, kieren So. JC Horseley. John Calcott Horseley,

0:04:12.480 --> 0:04:15.640
<v Speaker 1>who designed what is often called the first Christmas card.

0:04:16.360 --> 0:04:19.520
<v Speaker 1>I didn't know until I was looking up information on him,

0:04:21.000 --> 0:04:26.800
<v Speaker 1>was sometimes called mister J. Clothes Horseley. Okay, not for

0:04:26.880 --> 0:04:29.640
<v Speaker 1>the reason you might think, because I read that and

0:04:29.680 --> 0:04:32.960
<v Speaker 1>I was like, oh, was he a dandy? No. Apparently

0:04:33.800 --> 0:04:35.920
<v Speaker 1>he was a little bit of a Puritan and he

0:04:35.960 --> 0:04:39.560
<v Speaker 1>didn't he refused to do life drawing with nudes, okay,

0:04:40.200 --> 0:04:43.480
<v Speaker 1>And as a consequence, like throughout his career, that's one

0:04:43.520 --> 0:04:45.800
<v Speaker 1>of the things that gets criticism is like he didn't

0:04:45.800 --> 0:04:47.680
<v Speaker 1>really know how the human body works. He's not very

0:04:47.680 --> 0:04:50.000
<v Speaker 1>good at proportions on human body because he was like

0:04:50.120 --> 0:04:54.719
<v Speaker 1>so worried about seeing somebody without clothes on that he

0:04:54.760 --> 0:04:57.960
<v Speaker 1>would never do a new drawing class or a new

0:04:58.040 --> 0:05:01.000
<v Speaker 1>drawing study, which is so fascinating to me. Right, you

0:05:01.040 --> 0:05:04.160
<v Speaker 1>think about all of the great artists in history who

0:05:04.240 --> 0:05:07.880
<v Speaker 1>are known for their understanding of how the human body works. M. M.

0:05:08.440 --> 0:05:11.640
<v Speaker 1>Michelangelo pops to mind, of course, and it's because they

0:05:11.680 --> 0:05:15.479
<v Speaker 1>did so many nude studies, like m even a thin

0:05:15.560 --> 0:05:18.279
<v Speaker 1>layer of clothing is gonna change your perception of like

0:05:18.839 --> 0:05:21.520
<v Speaker 1>how the muscles and tendons and everything are connecting to

0:05:21.560 --> 0:05:25.520
<v Speaker 1>one another. And I'm like, hoarsely, oh baby, you could

0:05:25.520 --> 0:05:28.200
<v Speaker 1>have been even better. Yeah, it just made me laugh.

0:05:29.120 --> 0:05:31.920
<v Speaker 1>The only other thing I wanted to talk about was

0:05:32.080 --> 0:05:35.520
<v Speaker 1>end of year letters. Oh sure, I can't even get

0:05:35.560 --> 0:05:39.600
<v Speaker 1>my act together to send cards. Yeah, I don't know

0:05:39.680 --> 0:05:42.480
<v Speaker 1>how people do it. And yet the people in my

0:05:42.600 --> 0:05:45.680
<v Speaker 1>life that do it, I love those letters every year,

0:05:46.360 --> 0:05:49.599
<v Speaker 1>Like they're often super funny, and I'm like, oh, that's

0:05:49.600 --> 0:05:51.720
<v Speaker 1>such a great thing. And then I'm like, I know,

0:05:53.440 --> 0:05:57.320
<v Speaker 1>I'm sure it would only take a couple hours at most. Yeah,

0:05:57.360 --> 0:06:00.560
<v Speaker 1>but like my brain is so resistant to the idea.

0:06:00.960 --> 0:06:06.159
<v Speaker 1>I feel like there's been a year of my adult

0:06:06.200 --> 0:06:11.960
<v Speaker 1>life when I sent Christmas cards, not letters, just cards

0:06:12.720 --> 0:06:15.800
<v Speaker 1>to a lot of friends and relatives. Yeah. And I

0:06:15.920 --> 0:06:21.000
<v Speaker 1>managed to do that once when we bought our house,

0:06:22.839 --> 0:06:26.479
<v Speaker 1>I ahead of time of actually buying the house and moving,

0:06:27.520 --> 0:06:30.240
<v Speaker 1>used one of those you know services we can design

0:06:30.279 --> 0:06:34.119
<v Speaker 1>your own cards to put together a change of address card,

0:06:34.839 --> 0:06:38.479
<v Speaker 1>and I already had those printed and if I recall correctly,

0:06:38.520 --> 0:06:40.840
<v Speaker 1>They also had an addressing service, and so I might

0:06:40.880 --> 0:06:45.960
<v Speaker 1>have had them address it for me, largely based on

0:06:46.080 --> 0:06:49.279
<v Speaker 1>the address list that I had developed for our wedding,

0:06:50.400 --> 0:06:51.760
<v Speaker 1>which was a few years before. Like, I went and

0:06:51.839 --> 0:06:54.920
<v Speaker 1>updated that list, and I sent those cards out so

0:06:55.040 --> 0:06:58.200
<v Speaker 1>quickly after I moved that a friend of mine said

0:06:58.200 --> 0:07:03.320
<v Speaker 1>it made her angry. She because she could not imagine

0:07:03.400 --> 0:07:06.480
<v Speaker 1>having been that on the ball in the middle of

0:07:06.560 --> 0:07:09.400
<v Speaker 1>a move. And that's the only time that I've managed

0:07:09.440 --> 0:07:11.960
<v Speaker 1>to be that on the ball. I have much more

0:07:12.000 --> 0:07:14.680
<v Speaker 1>often done things like bought Christmas cards with the intent

0:07:14.720 --> 0:07:17.240
<v Speaker 1>of sending them and not sending them. Oh yeah, still

0:07:17.240 --> 0:07:20.720
<v Speaker 1>in a stillim a thing. Yeah. Once I bought a

0:07:21.000 --> 0:07:25.360
<v Speaker 1>variety pack of those love pop pop up cards. Oh

0:07:25.400 --> 0:07:27.800
<v Speaker 1>they're beautiful. I love them so much. I think they

0:07:27.840 --> 0:07:31.240
<v Speaker 1>were flowers. It was like twelve months of flowers. And

0:07:31.320 --> 0:07:35.080
<v Speaker 1>my intention was that I was gonna send my mom

0:07:35.720 --> 0:07:38.680
<v Speaker 1>a flower card every month. And that's how much I

0:07:38.760 --> 0:07:41.440
<v Speaker 1>didn't have my act together. I didn't get it together

0:07:41.520 --> 0:07:43.960
<v Speaker 1>to send a card every month to my mom. And

0:07:44.000 --> 0:07:47.960
<v Speaker 1>then the pandemic started and everything shut down, and I

0:07:48.040 --> 0:07:51.040
<v Speaker 1>was like, I have this dozen cards, and so I

0:07:51.080 --> 0:07:53.680
<v Speaker 1>sent greeting cards to like a lot of friends and

0:07:53.760 --> 0:07:57.440
<v Speaker 1>family that like when everything shut down. And then, because

0:07:57.480 --> 0:07:59.560
<v Speaker 1>it was at that time of the pandemic, when we

0:07:59.720 --> 0:08:02.920
<v Speaker 1>really didn't know what was happening and we didn't know

0:08:03.000 --> 0:08:06.480
<v Speaker 1>how it spread and people were washing their groceries and whatever,

0:08:07.080 --> 0:08:09.480
<v Speaker 1>I sealed it with a wet paper towel and I

0:08:09.520 --> 0:08:12.880
<v Speaker 1>wrote across the seal, sealed with a wet paper towel.

0:08:13.240 --> 0:08:16.520
<v Speaker 1>So careful, so careful, and good, I mean in a

0:08:16.520 --> 0:08:19.640
<v Speaker 1>good way. Yeah, I am the only time I've ever

0:08:19.680 --> 0:08:25.200
<v Speaker 1>been even moderately okay at it. Some years back, we

0:08:25.280 --> 0:08:29.600
<v Speaker 1>had a sponsor that printed custom cards, and I had

0:08:29.680 --> 0:08:34.200
<v Speaker 1>New Year's cards that had my wonderful and horrible cat,

0:08:34.280 --> 0:08:39.839
<v Speaker 1>mister Burns on them. And then this is a little sad,

0:08:39.880 --> 0:08:43.960
<v Speaker 1>but mister Burns died kind of early that year, and

0:08:44.000 --> 0:08:45.960
<v Speaker 1>I had not sent a lot of the cards and

0:08:46.000 --> 0:08:48.280
<v Speaker 1>they are still in a drawer somewhere because I can't

0:08:48.760 --> 0:08:51.920
<v Speaker 1>the don't have it in me to toss them. Yeah again,

0:08:51.920 --> 0:08:54.960
<v Speaker 1>maybe they'll become an art project. Maybe we can draw

0:08:55.720 --> 0:08:58.400
<v Speaker 1>something halloweeny on it and make it like ghost mister Burns.

0:08:58.440 --> 0:09:03.679
<v Speaker 1>I don't know, we'll do something mister Burn's. Mister Burns,

0:09:04.440 --> 0:09:07.160
<v Speaker 1>this also did kind of inspire me to think about, like,

0:09:07.320 --> 0:09:09.480
<v Speaker 1>is there a way I can make the card thing happen?

0:09:10.480 --> 0:09:13.560
<v Speaker 1>Because here's my hold up. I think I would be

0:09:13.600 --> 0:09:16.960
<v Speaker 1>okay with it, except this sounds so cocky made me

0:09:16.960 --> 0:09:18.720
<v Speaker 1>when I say it, It's like, how lazy are you?

0:09:20.040 --> 0:09:22.960
<v Speaker 1>Getting to the post office from our house is weird.

0:09:24.160 --> 0:09:27.679
<v Speaker 1>We have a post office that's quite close, less than

0:09:27.720 --> 0:09:31.720
<v Speaker 1>half a mile away, but it's not walkable and it's

0:09:31.760 --> 0:09:34.240
<v Speaker 1>in like a shopping center that getting into and out

0:09:34.280 --> 0:09:35.959
<v Speaker 1>of it is a real pain. In the next I

0:09:36.200 --> 0:09:38.240
<v Speaker 1>was like, I want to do that, and then we

0:09:38.320 --> 0:09:41.040
<v Speaker 1>have another one. The next closest one is actually where

0:09:41.080 --> 0:09:44.480
<v Speaker 1>my PO box is, but I don't go there super often.

0:09:45.160 --> 0:09:47.120
<v Speaker 1>It's kind of like one of those things where I'm like, oh, yeah,

0:09:47.120 --> 0:09:50.120
<v Speaker 1>I'm having dinner over there, I'll stop by there. I'm

0:09:50.160 --> 0:09:52.199
<v Speaker 1>just terrible at going to the post office. That's the

0:09:52.240 --> 0:09:57.360
<v Speaker 1>biggest problem. One day, You've suddenly reminded me that I'm

0:09:57.360 --> 0:09:59.880
<v Speaker 1>pretty sure I got an email about my PO box renewal,

0:10:00.000 --> 0:10:06.760
<v Speaker 1>and I'm like that, I handle that. I'm on top

0:10:06.800 --> 0:10:09.280
<v Speaker 1>of it. I'm on top. Yeah, I'm not actually on

0:10:09.320 --> 0:10:12.959
<v Speaker 1>top of things. Yeah yeah, And then I actually feel

0:10:13.320 --> 0:10:16.679
<v Speaker 1>especially having listened to this and it being inspired by

0:10:16.679 --> 0:10:18.480
<v Speaker 1>me trying to clear out my house. There's also part

0:10:18.480 --> 0:10:20.480
<v Speaker 1>of me that's like, do I want to dump more

0:10:20.520 --> 0:10:25.360
<v Speaker 1>things in other people's lives? What if they don't want cards? Yeah, treachery.

0:10:25.400 --> 0:10:27.720
<v Speaker 1>Maybe I'll ask everybody do you want cards? This year?

0:10:28.480 --> 0:10:30.000
<v Speaker 1>I don't want to give you things you don't want

0:10:30.000 --> 0:10:32.600
<v Speaker 1>to deal with. We have a number of friends that

0:10:32.720 --> 0:10:35.920
<v Speaker 1>tend to send either letters or cards, and a lot

0:10:35.920 --> 0:10:38.360
<v Speaker 1>of our friends who have kids have been sending like

0:10:38.440 --> 0:10:41.360
<v Speaker 1>little pictures of their kids. And I had done some

0:10:41.520 --> 0:10:45.720
<v Speaker 1>tidying and I had discarded like the envelopes things that

0:10:45.880 --> 0:10:48.560
<v Speaker 1>came in that the envelopes that the things had come in,

0:10:48.640 --> 0:10:52.040
<v Speaker 1>the things that were not actually necessary. So I had

0:10:52.040 --> 0:10:57.079
<v Speaker 1>the pictures and the cards, but the pictures had become

0:10:57.120 --> 0:11:00.079
<v Speaker 1>separated from the cards. Uh huh. And there was a

0:11:00.080 --> 0:11:02.240
<v Speaker 1>moment where Patrick came and looked at a picture of

0:11:02.280 --> 0:11:06.160
<v Speaker 1>a child and was like, who is this? Whose baby

0:11:06.280 --> 0:11:11.360
<v Speaker 1>is this? We had to like macked it up figure

0:11:11.440 --> 0:11:17.360
<v Speaker 1>out who was Yeah, I'm pretty lucky in that regard.

0:11:17.440 --> 0:11:19.400
<v Speaker 1>I'm trying to think through like my good friends that

0:11:19.440 --> 0:11:23.080
<v Speaker 1>would send me pictures of their kids, and one couple

0:11:23.120 --> 0:11:27.440
<v Speaker 1>in particular, their kids look so much like either one

0:11:27.520 --> 0:11:29.640
<v Speaker 1>or the other of them that I could easily go, oh,

0:11:29.679 --> 0:11:32.720
<v Speaker 1>I know whose kid that is? Well, and in our defense,

0:11:32.920 --> 0:11:36.720
<v Speaker 1>this particular picture did not look as much like the

0:11:36.840 --> 0:11:40.720
<v Speaker 1>other pictures of the child or the child. Yeah, yeah,

0:11:40.800 --> 0:11:43.480
<v Speaker 1>it happens. For whatever reason, it was just an angle

0:11:43.559 --> 0:11:54.600
<v Speaker 1>that didn't look the same. I guess. We talked about

0:11:54.600 --> 0:11:58.600
<v Speaker 1>the Memphis massacre, Yeah, we did. We have several similar

0:11:58.640 --> 0:12:03.880
<v Speaker 1>massacres and the archive. We're going to have a related

0:12:04.160 --> 0:12:07.520
<v Speaker 1>Saturday Classic coming up, and several of them are episodes

0:12:07.559 --> 0:12:09.920
<v Speaker 1>I wrote. And I got to this point that I

0:12:10.000 --> 0:12:14.800
<v Speaker 1>felt like we were telling essentially the same story over

0:12:14.880 --> 0:12:21.800
<v Speaker 1>and over, but that it wasn't adding anything new or

0:12:21.880 --> 0:12:25.600
<v Speaker 1>additional to what we were talking about. It just sort

0:12:25.640 --> 0:12:29.640
<v Speaker 1>of felt like we were revisiting the same trauma repeatedly.

0:12:30.160 --> 0:12:34.280
<v Speaker 1>Right with this one, my intent had been to have

0:12:34.320 --> 0:12:37.920
<v Speaker 1>an episode that was about Francis Thompson, because I thought

0:12:37.960 --> 0:12:42.080
<v Speaker 1>there was more information about her than there was Gotcha,

0:12:42.400 --> 0:12:46.200
<v Speaker 1>and I sort of understood that to do the episode,

0:12:46.240 --> 0:12:48.360
<v Speaker 1>I would need to talk about the massacre as part

0:12:48.400 --> 0:12:50.640
<v Speaker 1>of the context, and so I was thinking between what

0:12:50.679 --> 0:12:53.400
<v Speaker 1>we know about her and the massacre there's probably a

0:12:53.400 --> 0:12:58.520
<v Speaker 1>whole episode there. But then I realized that, apart from

0:12:58.559 --> 0:13:04.199
<v Speaker 1>her testimony she gave before the House Select Committee, what

0:13:04.280 --> 0:13:10.440
<v Speaker 1>we know about her is basically entirely in horrifying, incredibly

0:13:10.480 --> 0:13:15.520
<v Speaker 1>disrespectful news articles. If the episode had been about her,

0:13:16.200 --> 0:13:19.160
<v Speaker 1>since our show is on Netflix now and we need

0:13:19.200 --> 0:13:24.000
<v Speaker 1>some visual things to go on Netflix, we probably would

0:13:24.000 --> 0:13:28.800
<v Speaker 1>have needed to use those illustrations of her, which were

0:13:28.800 --> 0:13:31.240
<v Speaker 1>not things like she was not in control of her

0:13:31.280 --> 0:13:35.360
<v Speaker 1>own right depiction there, it was something that she was

0:13:35.400 --> 0:13:37.880
<v Speaker 1>forced to do. And then these are pictures that were

0:13:37.880 --> 0:13:41.400
<v Speaker 1>being printed to make her look bad, And I just

0:13:41.559 --> 0:13:44.920
<v Speaker 1>felt like there was not a way to really focus

0:13:45.000 --> 0:13:49.920
<v Speaker 1>the episode on her without having to draw from this

0:13:50.040 --> 0:13:55.840
<v Speaker 1>incredibly disrespectful and offensive source material. And I, like we

0:13:55.960 --> 0:14:00.480
<v Speaker 1>have said before, it is incredibly important to acknowledge the

0:14:00.480 --> 0:14:04.319
<v Speaker 1>reality that for all of history there have been people

0:14:04.640 --> 0:14:10.880
<v Speaker 1>who have lived in whatever way outside of their society

0:14:11.080 --> 0:14:13.959
<v Speaker 1>standards for things like sex and gender. But it's also

0:14:14.040 --> 0:14:16.120
<v Speaker 1>really important to do that in a way that doesn't

0:14:16.120 --> 0:14:20.120
<v Speaker 1>feel like we are disrespecting the people of the past

0:14:21.440 --> 0:14:25.640
<v Speaker 1>or trans people living today. Yeah, and so like, as

0:14:25.840 --> 0:14:30.120
<v Speaker 1>I read just a series of awful articles, I was like,

0:14:30.200 --> 0:14:33.080
<v Speaker 1>I think the focus here needs to be about the massacre,

0:14:33.840 --> 0:14:38.720
<v Speaker 1>because this massacre does have some aspects that don't feel

0:14:38.760 --> 0:14:41.840
<v Speaker 1>like we're just repeating the same trauma. When we get

0:14:41.840 --> 0:14:44.120
<v Speaker 1>into the part about the influence on things like the

0:14:44.120 --> 0:14:48.200
<v Speaker 1>fourteenth Amendment, and then also spend some time talking about

0:14:48.200 --> 0:14:50.960
<v Speaker 1>her and what happened to her. That's how we sort

0:14:51.000 --> 0:14:54.280
<v Speaker 1>of arrived at the episode that we wound up doing.

0:14:55.160 --> 0:14:57.520
<v Speaker 1>A sort of bit of information that I could not

0:14:57.560 --> 0:15:00.400
<v Speaker 1>find a good place in the structure of the episode

0:15:00.400 --> 0:15:04.040
<v Speaker 1>to include. Is Mary Church Terrell, who was a journalist

0:15:04.200 --> 0:15:09.240
<v Speaker 1>and a suffrage advocate, a civil rights activist. Also, she

0:15:09.640 --> 0:15:13.800
<v Speaker 1>wrote a memoir that was published in nineteen forty and

0:15:13.840 --> 0:15:18.040
<v Speaker 1>she talks about this massacre in that memoir because her

0:15:18.120 --> 0:15:21.520
<v Speaker 1>father was there and her father was shot and left

0:15:21.560 --> 0:15:25.840
<v Speaker 1>for dead, and in her description of this she refers

0:15:26.040 --> 0:15:29.600
<v Speaker 1>to it as the Irish Riot. And that's something that

0:15:29.640 --> 0:15:32.880
<v Speaker 1>she wrote in nineteen forty, so decades later after it

0:15:32.880 --> 0:15:37.800
<v Speaker 1>had happened, which to me was just an illustration of

0:15:38.040 --> 0:15:42.920
<v Speaker 1>how tightly it was still connected to the idea of

0:15:43.440 --> 0:15:48.080
<v Speaker 1>the Irish community and not former Confederates or the white

0:15:48.120 --> 0:15:51.680
<v Speaker 1>community more broadly, even though at that point it was

0:15:51.800 --> 0:15:55.760
<v Speaker 1>not in public memory much anymore beyond people who had

0:15:55.760 --> 0:15:58.120
<v Speaker 1>some kind of direct connection to it, like she did

0:15:58.160 --> 0:16:03.360
<v Speaker 1>through her father. I marvel and don't marvel at how

0:16:03.480 --> 0:16:06.440
<v Speaker 1>quickly this did fall out of public memory. Yeah, And

0:16:06.480 --> 0:16:08.960
<v Speaker 1>I wonder because we're watching the same thing happen to

0:16:09.080 --> 0:16:12.360
<v Speaker 1>a lot of things today, right, the difference being that

0:16:12.400 --> 0:16:16.240
<v Speaker 1>today were like inundated with a constant, wildflow of information

0:16:16.360 --> 0:16:18.760
<v Speaker 1>and news all the time, so it's kind of easy

0:16:18.840 --> 0:16:22.560
<v Speaker 1>for your brain to like cycle to the next thing,

0:16:23.640 --> 0:16:27.960
<v Speaker 1>whereas with this, you know, presumably there were not as

0:16:28.000 --> 0:16:31.920
<v Speaker 1>many huge violent outbreaks going on on the daily being

0:16:31.960 --> 0:16:36.480
<v Speaker 1>reported in papers. So I find myself being like, how

0:16:36.640 --> 0:16:42.880
<v Speaker 1>much of this was sort of a purposeful and how

0:16:42.960 --> 0:16:45.160
<v Speaker 1>much of it? I mean, there's no one there's no

0:16:45.200 --> 0:16:47.400
<v Speaker 1>one answer either, right, like how much of it is

0:16:47.480 --> 0:16:51.520
<v Speaker 1>people just being like that was so horrific And this

0:16:52.520 --> 0:16:57.680
<v Speaker 1>incredibly horrifying reminder of the capacity for human cruelty and

0:16:57.760 --> 0:17:01.040
<v Speaker 1>violence is something that like we almost deal with and

0:17:01.080 --> 0:17:06.000
<v Speaker 1>process emotionally or intellectually. So let's put it aside versus

0:17:06.040 --> 0:17:09.840
<v Speaker 1>people just like not caring, Like those are all elements

0:17:09.880 --> 0:17:14.440
<v Speaker 1>of the the ways that people I don't even know

0:17:14.480 --> 0:17:18.000
<v Speaker 1>if they forget, but they just kind of don't engage

0:17:18.000 --> 0:17:24.159
<v Speaker 1>with that information anymore, and I I it's terrifying. Yeah,

0:17:24.240 --> 0:17:27.640
<v Speaker 1>there have been there have been some episodes on other

0:17:28.320 --> 0:17:34.119
<v Speaker 1>especially very traumatic incidents, incidents of racist violence, where we

0:17:34.280 --> 0:17:38.080
<v Speaker 1>have gotten more into like the how of how it

0:17:38.960 --> 0:17:42.040
<v Speaker 1>fell out of public memory. Yeah, and sometimes there's been

0:17:42.080 --> 0:17:46.960
<v Speaker 1>an aspect of the incident becoming a taboo among the

0:17:46.960 --> 0:17:49.280
<v Speaker 1>people that it happened to, and people not wanting to

0:17:49.320 --> 0:17:51.560
<v Speaker 1>talk about it among their family members, not wanting to

0:17:51.600 --> 0:17:55.159
<v Speaker 1>talk about it among their descendants, right, not really like

0:17:55.240 --> 0:17:58.040
<v Speaker 1>wanting to revisit that trauma. But then there have also

0:17:58.119 --> 0:18:00.000
<v Speaker 1>been times that the focus was a lot more one

0:18:00.240 --> 0:18:05.159
<v Speaker 1>intentionally burying the history of what happened, often on the

0:18:05.200 --> 0:18:09.920
<v Speaker 1>part of whoever perpetrated the violence. But that's been part

0:18:10.000 --> 0:18:12.760
<v Speaker 1>of a lot of these episodes that we have done before.

0:18:12.800 --> 0:18:15.160
<v Speaker 1>Like I grew up in North Carolina, never heard about

0:18:15.160 --> 0:18:18.600
<v Speaker 1>the Wilmington Coup until I was an adult, if I

0:18:18.680 --> 0:18:23.520
<v Speaker 1>remember correctly, what our episode about the Tulsa massacre. Similarly,

0:18:23.800 --> 0:18:28.199
<v Speaker 1>like the Tulsa massacre kind of was not in the

0:18:28.240 --> 0:18:34.320
<v Speaker 1>public consciousness until it was resurrected by historians and activists

0:18:34.320 --> 0:18:38.440
<v Speaker 1>and people trying to make sure that it continued to

0:18:38.480 --> 0:18:40.600
<v Speaker 1>be part of the history, became re became part of

0:18:40.600 --> 0:18:42.840
<v Speaker 1>the history that was talked about, and then with the

0:18:42.920 --> 0:18:47.840
<v Speaker 1>Tulsa massacre specifically, like the TV show Watchmen. Ye, it

0:18:47.920 --> 0:18:50.360
<v Speaker 1>was part of that TV show, and like that became

0:18:51.160 --> 0:18:53.919
<v Speaker 1>how a lot of people heard about it, And like

0:18:53.960 --> 0:18:57.280
<v Speaker 1>I remember when that show was on, seeing a lot

0:18:57.320 --> 0:19:00.960
<v Speaker 1>of people on social media discovering for the first time

0:19:01.080 --> 0:19:05.280
<v Speaker 1>that that had happened, and not really realizing that it

0:19:05.400 --> 0:19:09.159
<v Speaker 1>wasn't just one thing. It was part of this pattern, right,

0:19:09.400 --> 0:19:12.680
<v Speaker 1>that has happened over and over and over again all

0:19:12.720 --> 0:19:19.320
<v Speaker 1>around the country at points over you know, decades slash centuries.

0:19:20.000 --> 0:19:24.399
<v Speaker 1>I really appreciated the fact that there was, you know,

0:19:24.480 --> 0:19:27.119
<v Speaker 1>a conscious effort leading up to the one hundred and

0:19:27.200 --> 0:19:30.879
<v Speaker 1>fiftieth anniversary of the Memphis massacre that say, Okay, we

0:19:30.920 --> 0:19:33.520
<v Speaker 1>are going to have all of these events, We're going

0:19:33.560 --> 0:19:36.880
<v Speaker 1>to hold a symposium, We're going to like they made

0:19:36.880 --> 0:19:40.080
<v Speaker 1>a website and a blog and a lot of stuff

0:19:40.119 --> 0:19:43.119
<v Speaker 1>to just try to like make people aware that this

0:19:43.160 --> 0:19:46.640
<v Speaker 1>had happened who might not have been aware of it before. Yeah.

0:19:56.440 --> 0:20:00.200
<v Speaker 1>The other thing I couldn't help but think about, which

0:20:00.280 --> 0:20:03.520
<v Speaker 1>might be a weird line to draw between two things.

0:20:04.440 --> 0:20:07.920
<v Speaker 1>Is you know, we talked about Francis Thompson and her

0:20:09.080 --> 0:20:15.400
<v Speaker 1>horrific treatment, which was in the mid to late eighteen seventies,

0:20:15.520 --> 0:20:19.119
<v Speaker 1>right by the time she passed, and then just you know,

0:20:19.840 --> 0:20:27.520
<v Speaker 1>forty five years later, you get Gladys being famous as

0:20:27.560 --> 0:20:32.520
<v Speaker 1>a person who is bucking gender and sexuality norms, right,

0:20:33.160 --> 0:20:36.800
<v Speaker 1>And I'm like, on the one hand, if you're a

0:20:36.880 --> 0:20:39.240
<v Speaker 1>single person living through that, that feels like a very

0:20:39.280 --> 0:20:41.399
<v Speaker 1>long time. But in the arc of history, that's a

0:20:41.440 --> 0:20:45.359
<v Speaker 1>pretty short time. Branted, there are a lot of other variables, right,

0:20:45.440 --> 0:20:48.440
<v Speaker 1>not the same place, et cetera. But it is kind

0:20:48.480 --> 0:20:50.640
<v Speaker 1>of an interesting thing to think about. When we talked

0:20:50.640 --> 0:20:55.120
<v Speaker 1>about Gladys's story, Gladys Bentley, I wasn't really thinking about

0:20:55.160 --> 0:20:59.320
<v Speaker 1>it in terms of like just a few decades earlier. Yeah,

0:20:59.480 --> 0:21:02.639
<v Speaker 1>these things we're still playing out, and the really like

0:21:02.800 --> 0:21:08.919
<v Speaker 1>direct ramifications of you know, the ways that particularly people

0:21:08.920 --> 0:21:11.040
<v Speaker 1>of color that we're seen as outside of any of

0:21:11.080 --> 0:21:14.679
<v Speaker 1>those norms were treated was very different and could be

0:21:14.760 --> 0:21:18.400
<v Speaker 1>much harsher. Granted, we continue to see you know, violence today.

0:21:18.400 --> 0:21:20.159
<v Speaker 1>I don't want to act like it rings fine, but

0:21:20.560 --> 0:21:22.639
<v Speaker 1>it is an interesting way that we look at the

0:21:22.640 --> 0:21:26.360
<v Speaker 1>ebbs and flows of how things shift forward. We talked

0:21:26.400 --> 0:21:29.960
<v Speaker 1>in this episode about like the wave that happens after

0:21:30.000 --> 0:21:32.320
<v Speaker 1>that when progress is made and then there's like a

0:21:32.400 --> 0:21:37.400
<v Speaker 1>knee job towards a less less fruitful and less tolerant

0:21:39.200 --> 0:21:43.240
<v Speaker 1>you know environment. Yeah. I mean my hope always, which

0:21:43.320 --> 0:21:46.119
<v Speaker 1>might be naive, is that like each progressive step forward

0:21:46.160 --> 0:21:49.480
<v Speaker 1>gets us a little farther, but who knows, who knows?

0:21:49.920 --> 0:21:52.880
<v Speaker 1>Trying to be hopeful today on in a world where

0:21:52.920 --> 0:21:57.560
<v Speaker 1>it's very hard, Yeah, which makes me feel bad for

0:21:57.600 --> 0:21:59.439
<v Speaker 1>the next thing that I wanted to I was going

0:21:59.480 --> 0:22:03.440
<v Speaker 1>to say, which is that one of the things that

0:22:03.480 --> 0:22:09.640
<v Speaker 1>struck me about the news reporting around Francis Thompson was

0:22:10.560 --> 0:22:14.720
<v Speaker 1>how similar some of it felt to news reporting now,

0:22:15.400 --> 0:22:20.760
<v Speaker 1>where newspapers were basically manufacturing the idea that there was

0:22:20.920 --> 0:22:27.520
<v Speaker 1>this epidemic sort of of cross dressing black people who

0:22:27.560 --> 0:22:33.640
<v Speaker 1>were sexually deviant and like dangerous deviants, Yeah, manufacturing an

0:22:33.720 --> 0:22:38.920
<v Speaker 1>emergency over it, which just feels like the same thing

0:22:39.119 --> 0:22:44.919
<v Speaker 1>happening today. Oh yeah, how like maybe with fewer slurs

0:22:46.200 --> 0:22:53.000
<v Speaker 1>and fewer fewer like intentionally incorrect pronouns, not saying that

0:22:53.040 --> 0:22:56.560
<v Speaker 1>people are never called the wrong pronouns in reporting. Obviously

0:22:56.600 --> 0:22:58.919
<v Speaker 1>that still happens, but like that was one of the

0:22:58.960 --> 0:23:01.679
<v Speaker 1>things that was in a lot of these articles was

0:23:01.720 --> 0:23:05.720
<v Speaker 1>like intentionally wrong pronouns and putting the pronouns in a

0:23:05.760 --> 0:23:10.440
<v Speaker 1>way that to make it sound deviant. But like we're

0:23:10.480 --> 0:23:13.320
<v Speaker 1>still living through a time in which reporting has like

0:23:14.119 --> 0:23:20.919
<v Speaker 1>manufactured made up an emergency about trans people that just

0:23:21.119 --> 0:23:26.120
<v Speaker 1>like it's not real. No, I mean, I would say

0:23:26.119 --> 0:23:28.400
<v Speaker 1>that the difference, if you want to keep it hopeful,

0:23:29.920 --> 0:23:35.160
<v Speaker 1>is that more people recognize now that that is below knee. Yeah,

0:23:35.200 --> 0:23:38.920
<v Speaker 1>and we'll say so than probably would have during Francis

0:23:38.920 --> 0:23:43.439
<v Speaker 1>Thompson's time. Yeah, for sure, that's true, same dance, just

0:23:44.240 --> 0:23:47.360
<v Speaker 1>different faces. It's like this is I feel like I'm

0:23:47.400 --> 0:23:51.639
<v Speaker 1>reading an article about the need for bathroom laws, but

0:23:51.920 --> 0:23:56.040
<v Speaker 1>it's no story time. Ago. Don't let drag queens read

0:23:56.040 --> 0:23:59.320
<v Speaker 1>books to kids, except you should. You will never have

0:23:59.359 --> 0:24:01.800
<v Speaker 1>a more fun day in your life. Those kids will

0:24:01.800 --> 0:24:06.639
<v Speaker 1>have a great time. Yeah, I feel so strongly about this. Listen,

0:24:06.680 --> 0:24:08.919
<v Speaker 1>I want a drag queen tosried read to me all

0:24:08.960 --> 0:24:11.320
<v Speaker 1>the time and read me anything you want. It's great,

0:24:11.480 --> 0:24:13.760
<v Speaker 1>it'll be fun. We'll all have a great time. I

0:24:13.800 --> 0:24:17.080
<v Speaker 1>will tip you. Yeah, love it, love it. You've never

0:24:17.080 --> 0:24:19.960
<v Speaker 1>been to a drag show. Get your to a drag show.

0:24:20.000 --> 0:24:25.040
<v Speaker 1>You'll never have more fun in your life. Joy in abundance, Yeah,

0:24:25.280 --> 0:24:28.840
<v Speaker 1>we all need it. I agree. I agree, we do

0:24:28.880 --> 0:24:32.399
<v Speaker 1>need more joy. We need more joy, just across the

0:24:32.400 --> 0:24:36.800
<v Speaker 1>whole spectrum of everything. Yeah. I'm somehow reminded of like

0:24:37.040 --> 0:24:42.639
<v Speaker 1>having recently watched a live stream of an all trans

0:24:42.840 --> 0:24:49.159
<v Speaker 1>table read of Ocean's eleven. So much fun, love it,

0:24:49.320 --> 0:24:52.919
<v Speaker 1>love it anyway, whatever's coming up on your weekend, I

0:24:52.960 --> 0:24:57.560
<v Speaker 1>hope there's joy there, And if you're having trouble finding

0:24:57.600 --> 0:25:00.679
<v Speaker 1>that joy, I hope you have an eye opportunity to

0:25:00.720 --> 0:25:03.600
<v Speaker 1>make a little of it for yourself. And if joy

0:25:03.680 --> 0:25:07.080
<v Speaker 1>is not possible, then maybe peace or some kind of

0:25:07.119 --> 0:25:10.680
<v Speaker 1>little treat. And I hope everyone is kind to each other.

0:25:10.880 --> 0:25:13.439
<v Speaker 1>What in my head it made a flow chart that

0:25:13.600 --> 0:25:19.000
<v Speaker 1>was like joy piece ice cream. I mean that could work.

0:25:19.160 --> 0:25:21.440
<v Speaker 1>If you can't get to joy, at least get to chill.

0:25:21.480 --> 0:25:23.320
<v Speaker 1>And if you can't get to chill, make yourself a

0:25:23.359 --> 0:25:27.160
<v Speaker 1>dish of ice cream, then get some ice cream. We

0:25:27.480 --> 0:25:31.760
<v Speaker 1>will be back on Monday with a brand new episode,

0:25:32.720 --> 0:25:40.520
<v Speaker 1>and we'll have a Saturday Classic tomorrow. Stuff you Missed

0:25:40.520 --> 0:25:43.720
<v Speaker 1>in History Class is a production of iHeartRadio. For more

0:25:43.720 --> 0:25:48.119
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

0:25:48.160 --> 0:25:50.080
<v Speaker 1>wherever you listen to your favorite shows.