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Speaker 1: Welcome to Drink Champs, the production of the Black Effect

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Speaker 1: and I heart radio and his Drink Chats, motherfucking podcast.

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Speaker 1: Make he's a legendary Queen's rappers. He's agreed, is your

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Speaker 1: boy in O r E. He's a Miami hippoper pioneer

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Speaker 1: up his DJ e f N. Together they drink it

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Speaker 1: up with some of the biggest players in the most professional,

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Speaker 1: unprofessional podcast and yet number one sorts for drunk fast drinks.

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Speaker 1: New year' z. That's time for Drink Champs. Trick up? Mother?

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Speaker 1: Would it good? Be? Hopeully is for the ce br

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Speaker 1: boy And what up is d j e f N?

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Speaker 1: This militator crazy world radio Drinking Champs. Yeah, y'all. All

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Speaker 1: of the all above make some fucking and right now

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Speaker 1: when it comes to the leader of the new school,

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Speaker 1: people who are leading their own agenda. When I came out,

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Speaker 1: it was dope to not sound like anybody else, to

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Speaker 1: be original, and I think that art has been lost

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Speaker 1: in the past ten years or so. But when I'm

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Speaker 1: spaking about the artist that's hair right now. Every time

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Speaker 1: I hear him on the record, whether it be with

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Speaker 1: somebody's spin, whether it be his own record, whether it

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Speaker 1: be his own video. It's always original ship. He does

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Speaker 1: not sound like no one else. He does not remind

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Speaker 1: me of no one else. He's original. He's a real artist,

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Speaker 1: a real spinder, and one of the best personalities and

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Speaker 1: hip hop hands down. People always ask me if I

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Speaker 1: who get in the podcast game would you be nervous of?

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Speaker 1: And I always say the same three names. I say Cameron,

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Speaker 1: I say Trick Dad, and I say the brother that's

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Speaker 1: here to the left of me. If he gets in podcasts,

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Speaker 1: I'll be nervous. In Casey, I don't know if people

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Speaker 1: off for you to do a podcast every goddamn day

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Speaker 1: because his personality is that dope. When Casey, I don't

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Speaker 1: know what the hell I'm talking about. We're talking about

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Speaker 1: d motherfucker fish stables like you know, you know, you

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Speaker 1: know what's bugged out. I had to do a study

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Speaker 1: on you, so I went and I look. And the

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Speaker 1: craziest thing is if I wouldn't compare any artists to

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Speaker 1: a comedian, the first comedian I would compare you Tuesday Chappelle.

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Speaker 1: Yeah that's funny because that's the honey. Yeah, that ain't

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Speaker 1: never making a lot of sames. I don't heard that before.

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Speaker 1: You heard that before? Okay, so do you have a

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Speaker 1: relationship with yah Rock with Dave? Dave give me some

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Speaker 1: good advice? Worked together on something already now, just like

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Speaker 1: you know, he lives out in the bunny, so I'd

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Speaker 1: have been out there a couple of times, you feel me,

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Speaker 1: because I'm facing the same thing. I'm really be working

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Speaker 1: around like so not just interesting because you know. The

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Speaker 1: funny thing about Dave is like they have a comedian,

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Speaker 1: but they don't really tell jokes, you know what I mean.

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Speaker 1: He did with the Truth Commentary, man, but he had

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Speaker 1: always been like that when we were younger, right, and uh,

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Speaker 1: I'm only seven, so like what's your pel showing? Like

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Speaker 1: that came out? That was the only thing I really know.

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Speaker 1: But she was like, my daddy has like like my

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Speaker 1: pops before he went down to stuff, he had like

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Speaker 1: Eddie Murphys. And She's like, but I ain't think it

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Speaker 1: was funny like that because I was too young. Yeah,

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Speaker 1: it's just it's like now down that it was hilarious

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Speaker 1: looking back when I was younger. Yeah, I get that.

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Speaker 1: I'll get that a couple of times, definitely. So let

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Speaker 1: me ask you. I'm buncing around a little bit um.

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Speaker 1: You originally started on a major on depth jam. Right,

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Speaker 1: what made you say that? You know what depth jam?

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Speaker 1: I'm gonna go and do my own fans, We'll see

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Speaker 1: what's right. So you already know how that type of

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Speaker 1: ship work. Yeah, I know it's for the fans. Yeah,

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Speaker 1: you know whatever. Like so it's just universal. You feel

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Speaker 1: yourself like I'm on there, I was on death Cham

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Speaker 1: for a long time. Uh, it just didn't make sense.

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Speaker 1: You feel me in a And it's not that it

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Speaker 1: didn't make sense because I was sucking up, but they

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Speaker 1: was sucked up. It's just everybody want different things, you

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Speaker 1: know what I'm saying. So now we got the little

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Speaker 1: situation via motown. But it's like it's you feel me.

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Speaker 1: So it's like when you think about the idea of

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Speaker 1: a record company. They basically they give you the loan

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Speaker 1: and they front the distribution to make your CDs and

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Speaker 1: basically talked you triple with it, but you don't et

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Speaker 1: there are no fucking CDs nothing, And then we still

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Speaker 1: kind of get tricked a little bit because like we

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Speaker 1: still kind of falling for the same tricks. It's like

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Speaker 1: it's like a vanity playing the sense like oh man,

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Speaker 1: this motherfucker. Like it's something like nigga like Tyler, Right,

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Speaker 1: the honey just saw the hundred fifty thousand albums, right,

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Speaker 1: He didn't sell a hundred fee thou abums. He sold

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Speaker 1: billions of straight millions. Because they're not going to tell

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Speaker 1: these niggas, oh man, you had millions of billions of

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Speaker 1: people listening to you in three days. They're not gonna

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Speaker 1: say that, because then you're gonna be like, damn if

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Speaker 1: I'm able to do that, but I don't need them,

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Speaker 1: you feel what I'm saying. Like, and essentially, when we

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Speaker 1: think about press in general, like you got y'all, you

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Speaker 1: got you got Gilly and Wallow, you got the Joe,

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Speaker 1: it's a lot of people that's taken out because when

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Speaker 1: I was younger, for me, they would the press will

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Speaker 1: be like, oh man, tell us about the streets and

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Speaker 1: being a nigger, and it's like what y'all talking about.

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Speaker 1: So at this point in time, like just the whole

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Speaker 1: ship is changing. But I think it's you know, in

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Speaker 1: artists their own press now because social media allows you

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Speaker 1: to do your own press. Yeah, but it's like essentially

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Speaker 1: it's this ship is like the magazines and she's like

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Speaker 1: that turning the pictures like pressure this pictures like you

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Speaker 1: can post the pictures and then oh you put oh

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Speaker 1: I was in g QUE and this advantity place people

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Speaker 1: feel like you're popping because you was in g Q

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Speaker 1: New York time. Y'all that you can post the same

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Speaker 1: pictures without that tagging. It's not gonna give people that

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Speaker 1: kind of a it's all the vanity playing on me.

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Speaker 1: Gotta it's smart. But what death cham was? You want

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Speaker 1: Steve Bartle's I was on Steve Bartos. Cameron Quaker was

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Speaker 1: there Steve when Phasal was there, and and Paul I

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Speaker 1: was there from Paul because they're from Tony twelve thirteen

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Speaker 1: to like two years ago. Well, I would think that

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Speaker 1: Paul Wilsenberg, being your lyrical content, would be a person

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Speaker 1: that had you back. I don't know if he didn't know. Well,

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Speaker 1: it's not even about having a back, it's it's like

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Speaker 1: it's out of the label's hands in a sense, because

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Speaker 1: if I'm a fan, right and I digest it in

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Speaker 1: a certain manner, and the way that things changed so fast,

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Speaker 1: you can't possibly expect the label to be able to

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Speaker 1: move with all that infrastructure, the way that things after moon.

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Speaker 1: So it's not like they're not trying, like they're doing

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Speaker 1: what you for you what they do for everybody. Like

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Speaker 1: it's not like artists is going to and being like,

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Speaker 1: oh man, I want this press for all with this,

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Speaker 1: they're putting everybody on Jimmy family. But they're trying, but

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Speaker 1: it's like something just don't add up for the kind

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Speaker 1: of artists you are. You kind of got to be

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Speaker 1: more creative nowadays, because it's not to the point of

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Speaker 1: where you know, you gotta poster in the CD and

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Speaker 1: they don't know about you and just gotta go from there.

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Speaker 1: So it ain't like they were trying. But it's like

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Speaker 1: ship it is what it is to a certain extent. Now,

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Speaker 1: I've read somewhere that you said people that were ax

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Speaker 1: body spreading old spice or racist. Yeah, that's dusty, that's like,

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Speaker 1: that's like, that's like, that's like the white worlds they

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Speaker 1: was given man up. That's where the white boys that

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Speaker 1: lived by the beach four chance nineth chance don't get

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Speaker 1: caught over there either, don't. So for a long time

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Speaker 1: I really didn't understand Long Beach because I'm never tell

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Speaker 1: you why we went introduced to n w a right,

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Speaker 1: get straight out of Compton, and our mind Compton is

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Speaker 1: Calie and you're from Compton originally, right, My and my

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Speaker 1: parents are Compton, and I'll be like three minutes away. Okay.

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Speaker 1: You can walk like you can go to Jordan High School.

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Speaker 1: You can walk across like a bridge and then you're

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Speaker 1: con finished like you can be when you're looking out

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Speaker 1: of the compting right there. It's not there for us.

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Speaker 1: So when we're looking at it, all right, but ended

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Speaker 1: up every way says straight out of Compent. We thought

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Speaker 1: that they saying straight out of California, Like I mean,

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Speaker 1: it went over our heads, like we didn't really know that.

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Speaker 1: So for years, whenever a person say I'm from l

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Speaker 1: A or off from California, we're meediately said Compton. I

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Speaker 1: was similarized it to how the person was from New York.

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Speaker 1: At the time, they were always affiliated to Brooklyn. Brooklyn

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Speaker 1: was like the broad is, so how is it being

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Speaker 1: from adjacent neighborhood from one of the most populoust place

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Speaker 1: in hip hop like Compton for a long time was

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Speaker 1: like shirt Kings like this a place called short Kings

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Speaker 1: and College and people just wanted to go there and

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Speaker 1: take a picture like people just wanted to go to Compton.

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Speaker 1: It was like the illest s and I know a

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Speaker 1: couple of times I went to Compton, people like it

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Speaker 1: was easy house and he was lying to be like,

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Speaker 1: oh ship, you know what I mean, Like, but how

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Speaker 1: is it growing up from adjacent neighborhood like that. I

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Speaker 1: think at the point in the time, I was just wait.

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Speaker 1: After that, Long Beach was already on the map, but

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Speaker 1: more Snow was snow Snow the biggest rapper there every everywhere,

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Speaker 1: so it's like it wasn't really no thing. I feel like,

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Speaker 1: like Long Beach one of the last cities in l

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Speaker 1: A County. It's like Long be Sampedro that kind of

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Speaker 1: like little areas like the Harvard areas, like kind of

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Speaker 1: to the bad Park then Long Beaches right before Orange

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Speaker 1: County basically Okay, so it's like we're kind of far away.

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Speaker 1: Were in l A technically, but we fowty fifty minutes away,

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Speaker 1: so we didn't I ain't never really go that l slad.

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Speaker 1: We didn't get along with them. It's like still to

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Speaker 1: this day, it's like you know, some sort of weird

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Speaker 1: time I heard you say when you were growing I'm

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Speaker 1: not growing up, but when you were getting into the

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Speaker 1: music business, you wouldn't even tell people you weren't from Left.

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Speaker 1: Now that if you're telling you from Long and they

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Speaker 1: don't think you grind me and like weird, like why

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Speaker 1: why could hear you say? But it's like it's funny,

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Speaker 1: like so like school Boy killing them, Like when I

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Speaker 1: went on tour school Boy, every single person that tour

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Speaker 1: like you from Long's like, yeah, man, it's weird out there.

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Speaker 1: Everybody said that, But it's just because you know, people

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Speaker 1: got hired minds, like you said, a competent thing, right,

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Speaker 1: Like you know how DJ Quick and n w A

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Speaker 1: and Comte most wanted the King and all these dudes

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Speaker 1: comp different games, but they had, yeah, some of them

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Speaker 1: things not really from competent, but that's when it comes there.

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Speaker 1: But you got a lot of a lot of dudes,

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Speaker 1: like it was a marketing thing, like say you new

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Speaker 1: Compton like ice cube, not from company from l A.

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Speaker 1: But it made sense if we you of course, but

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Speaker 1: it's like from he from A from l A sou

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Speaker 1: it's like from like a hunting So it's like when

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Speaker 1: you think about built up, it's like it's comfortable. We

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Speaker 1: have Black Hunting Street from probably like around there, like

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Speaker 1: hard spool Ship because heat. It wouldn't have made sense

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Speaker 1: to say straight out of all these different places, so

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Speaker 1: he just had to pick on the Compton had a

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Speaker 1: reputation at that point in time. And that's kind of

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Speaker 1: how these things work. So when you look at just

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Speaker 1: just for musical contraction, if you've got all these dudes

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Speaker 1: looking like you know, DJ Quick or Easy or blah blah,

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Speaker 1: and then you got Snoop Dogg, who don't look nothing

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Speaker 1: like these other dudes. He got on like a hockey

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Speaker 1: jersey and its first video type ship. It's been like

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Speaker 1: that forever and it's still like that. So if like

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Speaker 1: you see any like when I was your girls, like

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Speaker 1: jerking was the thing, and people's dancing and skateboard and ship,

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Speaker 1: so you gotta nig it like with blond hair and

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Speaker 1: like eyebrow erring and like he shoot at you and

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Speaker 1: you from Content gonna be like, who is this nigga?

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Speaker 1: And it was that kind of thing going on. So

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Speaker 1: Nick from Content in other places when I really kind

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Speaker 1: of a closer from l A, when I was meeting music,

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Speaker 1: they'd be like, yeah, man, it's weird out there. Just

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Speaker 1: because you couldn't really gauge who was tooled by the

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Speaker 1: way people look. Another thing about Long Beach, there's no

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Speaker 1: there's no red, Like I went to Long Beach a

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Speaker 1: couple of times and I didn't see red at this time.

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Speaker 1: There's a lot of cities like that though. It's just

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Speaker 1: as I mean, it's a lot of seas I really got. No,

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Speaker 1: that's all bloods, like the cities like all Mexicans, you

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Speaker 1: know what I mean. So it really just depend on

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Speaker 1: how you look at it. Like Womantin is all bloods

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Speaker 1: and Mexicans. Long Beaches all Chrystian Mexicans. It's not really

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Speaker 1: no bloods and Guardina except for like theF they claimed confidents.

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Speaker 1: So yes, it's a couple of cities that ain't really

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Speaker 1: got no wow. This this this is like a whole

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Speaker 1: different world because you know, but like again, like you know,

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Speaker 1: being naive and just having w A n w A

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Speaker 1: was literally my GPS so and then moving on to

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Speaker 1: uh what was it, dre and I just thought it

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Speaker 1: was all one things, even Long Beach. I thought Long

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Speaker 1: Beach from you for you because originally from l A.

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Speaker 1: So yourself just say I didn't think it's remember, yeah, yeah,

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Speaker 1: because you had experience the South gaily Like I always

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Speaker 1: thought Compton was a jail, Like when they said straight up,

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Speaker 1: I was like, I don't want to go to that

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Speaker 1: jail because we had right because the island at the time,

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Speaker 1: and I'm thinking this is their their record to match

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Speaker 1: Cougi rap. I had no idea like and so like

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Speaker 1: to me, to me, California is just a whole different planet.

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Speaker 1: Like I remember when we were like, you know, wearing

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Speaker 1: win breakers and and break the sad. It was like

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Speaker 1: they was just khakis and that was that your experience.

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Speaker 1: I knew. It's a little I mean, when you think

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Speaker 1: about music, you know that that's that kind of speaks

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Speaker 1: to the power of music because the visual thing, right,

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Speaker 1: everybody knows these other places because of rap music. Essentially,

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Speaker 1: it's the most descript music genre as far as the

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Speaker 1: explanations of the times and places and the statics and

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Speaker 1: things of that nature. Right. So when you think about California,

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Speaker 1: when I was younger, just I thought the Bay was

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Speaker 1: you know, all together, and then you realized I didn't

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Speaker 1: know he thought he was wasn't from Oakland till I

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Speaker 1: was grown from Okay. Okay, okay, but it's like, I

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Speaker 1: know what, I don't know what none of that was.

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Speaker 1: I know that between Berkeley and Oakland and things that

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Speaker 1: New York dude, it's all the same to us and

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Speaker 1: as far as Hill. But to a person that's from California,

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Speaker 1: you're saying you're from Balleo and being the Bay Area

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Speaker 1: that you have to be particularly, you have to be

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Speaker 1: per sip. You can't be yeah, because it's it's a lot,

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Speaker 1: it's a lot of I mean, it's like that everywhere.

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Speaker 1: But the thing about California is that California so big,

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Speaker 1: essential big. You can't do you know, you can drive

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Speaker 1: the Philly, you ain't driving nowhere but Vegas. Maybe as

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Speaker 1: far as being something, but it was a big thing

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Speaker 1: with um exhibit Maxim was claiming California or something and

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Speaker 1: was like he from New Mexico and it was like,

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Speaker 1: wait a minute, Like and to me, I thought New

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Speaker 1: Mexico was a part You're like, I was like, what's

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Speaker 1: the problem apart? I mean I thought that the white

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Speaker 1: people everything. You know, I ain't partner to what I'm saying.

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Speaker 1: So being from Long Beach, right being, I didn't remember

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Speaker 1: me and you was on Twitter, and I was like,

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Speaker 1: you got mad at me? Yeah, I said from little

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Speaker 1: fat here, don't like snoop. But then you you school

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Speaker 1: me though you scooed me. He was like, yo, growing up,

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Speaker 1: I couldn't even um know you gotta we gotta stop

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Speaker 1: real quick this this Nike got mad at me because

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Speaker 1: I was seven years I was listening a little bit.

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Speaker 1: What I agree with you love kid in play, all that,

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Speaker 1: all that happy ship like stopping man. But let me

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Speaker 1: just tell you something. You're correct, and let me just

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Speaker 1: say happy now he's correct. Let me take you something.

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Speaker 1: I think that initiale argument was you said that this

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Speaker 1: error was better than the two thousand's, was better than

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Speaker 1: the nineties because you let the white people white people.

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Speaker 1: And so I'm gonna tell what. Okay, okay, because because

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Speaker 1: you said Kanye right, we had a we had a

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Speaker 1: it was a South forn It's Time magazine. We gotta

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Speaker 1: put in the context that Time magazine don't give a

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Speaker 1: funk about no black people or no rap music unless

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Speaker 1: you like Obama or some ship. So they was talking

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Speaker 1: about pop culture, and they was talking about the height

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Speaker 1: of pop culture and hip hop music and pop culture.

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Speaker 1: So the show for the matter is it's no way

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Speaker 1: possible possible that at a point in time that when

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Speaker 1: we got hip hop music and niggas was suing that

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Speaker 1: for day and all this other type of ships. At

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Speaker 1: the point that Travis Scott got a New York collaboration,

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Speaker 1: black people's headlining the biggest festivals in the world and

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Speaker 1: black people that no normal ship. He's saying, No, that's

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Speaker 1: all I'm saying, like from from from context. When you

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Speaker 1: think about the two thousands, they're like, it was just

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Speaker 1: more opportunity and more money. When we think about what

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Speaker 1: Jay was able to do with fifty singer was able

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Speaker 1: to do, what they're still able to do, it just

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Speaker 1: these things wasn't possible because the kind of the phase

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Speaker 1: in which hip hop was in it it's more established

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Speaker 1: down in the world before as they should be. But

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Speaker 1: that got thrown is oh, then he's not the goal.

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Speaker 1: And they're like, you really think, like, and that's what

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Speaker 1: we got to stop falling for that ship because because

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Speaker 1: what I'm talking about press like Time Magazine is not

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Speaker 1: talking about the fucking bars. They're talking about how much

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Speaker 1: money you've got to influence on the ship. And and

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Speaker 1: for for not for lack of a better term. They're

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Speaker 1: going to use the clickbait. They're gonna use debate that

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Speaker 1: that's gonna will everybody in. But ahead, would you expect

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Speaker 1: every generation to expect your golden rors their golden arrow

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Speaker 1: and you know what? You know? What was what was ill?

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Speaker 1: What he said at that time when he described Wow.

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Speaker 1: The thing about it is I couldn't identify with that

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Speaker 1: because I was already a grown man as he was

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Speaker 1: this hard throughout, for he was always a little bout

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00:16:21,000 --> 00:16:22,920
Speaker 1: out up. He was always a little bout but he's

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Speaker 1: not no more. He big bible. He sold your boy

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Speaker 1: with that. Man, I love that man. Would you do

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Speaker 1: a person's him? No, I ain't got no. I ain't.

341
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Speaker 1: You gotta have bangers for versus, I ain't got no.

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Speaker 1: It's like that from the verse. I got two plaques?

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Speaker 1: I think I got too? How many plagues I got?

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Speaker 1: I got three flaques? Ain't nothing a versions? Yeah, I

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Speaker 1: kind of kind of heard you say that before, like

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Speaker 1: down playing your own catalog. But I don't want you

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Speaker 1: to do that. Man, what stimond downplaying? It's like you

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Speaker 1: gotta read the room. You feel me like it's like

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Speaker 1: you feel like you know, you know kind of kind

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Speaker 1: of your lane. You get what I'm saying, versus just

351
00:17:05,720 --> 00:17:08,560
Speaker 1: for adverse and start with timbling and switch Beast got

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Speaker 1: fucking ghost facing Ray Kwan and fucking fabulous and Jada

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Speaker 1: kissing Soldier Boy. I ain't wanted them niggas, so I

354
00:17:16,000 --> 00:17:18,080
Speaker 1: ain't gonna try to step up in their bag. The

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00:17:18,200 --> 00:17:21,320
Speaker 1: niggas got like generational hits like you know what I'm saying,

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Speaker 1: I ain't gonna get man. Look, let's see you in

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Speaker 1: Tyler Man. I'm just being honest. Hunting fifty, I make

358
00:17:29,760 --> 00:17:34,400
Speaker 1: nigga wraps that ain't that ain't happening. Tyler doing good though, Tyler,

359
00:17:34,520 --> 00:17:38,760
Speaker 1: Yeah he got um number one number. Pick up the

360
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Speaker 1: Tyler Man. Big up the Tyler Man. You know what

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Speaker 1: I mean, shout out my son. Yeah, yeah, yeah. It

362
00:17:44,240 --> 00:17:47,879
Speaker 1: seems um. You know, I don't want to save me

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Speaker 1: and him at the descripancy. It's a little misunderstanding for me.

364
00:17:51,600 --> 00:17:55,160
Speaker 1: Following you and following and seeing your relationship. I start

365
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Speaker 1: to think that I know him now through you, because

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Speaker 1: how y'all, Like I see y'all with the radio interview

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Speaker 1: together up. I said, hey, y'all on records together, Um,

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Speaker 1: how did you develop that relationship. I mean, Tyler never

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Speaker 1: got along hate that, but that's the honey now is

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Speaker 1: just um yeah, I mean it's like this right because

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Speaker 1: that was coming up together in the same so okay,

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Speaker 1: my way different something like I said, So Long Beach

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Speaker 1: far from l A. Right, So I was cool with

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Speaker 1: Sid who was a DJ at the time. She was

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Speaker 1: group out the internet now and uh yeah, I would

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Speaker 1: kick it with her mind. When I first met him,

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00:18:27,720 --> 00:18:29,520
Speaker 1: I went with a honey house from Long Beach, but

378
00:18:29,560 --> 00:18:30,800
Speaker 1: he wanted to make it I was pretending he was

379
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Speaker 1: from l A because the daddy worked out there, you know,

380
00:18:32,520 --> 00:18:34,119
Speaker 1: because he's trying to be a rapper and ship like that.

381
00:18:34,560 --> 00:18:36,120
Speaker 1: So he went over there once night. I never seen

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Speaker 1: no black people with the house that big. The house

383
00:18:38,240 --> 00:18:41,280
Speaker 1: was like crazy to Tyler house, Nah seeing them. So

384
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Speaker 1: it's like she had the studio and ship like that

385
00:18:43,160 --> 00:18:45,800
Speaker 1: and that's where everything was. They were just there. Now,

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00:18:45,880 --> 00:18:48,080
Speaker 1: I got kind of cool for a little bit, but

387
00:18:48,160 --> 00:18:49,879
Speaker 1: like we wasn't really cool. So he got out his

388
00:18:49,960 --> 00:18:55,879
Speaker 1: little situation when when uh, I was working with him

389
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Speaker 1: a little bit. But I ain't never really talked to

390
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Speaker 1: Tyler because I'm I'm more calm than them. You feel me.

391
00:19:00,359 --> 00:19:03,359
Speaker 1: So they was like, and I'm younger so before they

392
00:19:03,440 --> 00:19:06,480
Speaker 1: really pop off, but like I was a little bit younger,

393
00:19:06,520 --> 00:19:08,359
Speaker 1: so like I was, I'm different than I am now.

394
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Speaker 1: When I was young, obviously, I was like kind of

395
00:19:09,920 --> 00:19:12,400
Speaker 1: more burned out, so I was kind of I didn't

396
00:19:12,400 --> 00:19:15,119
Speaker 1: really understand a lot of stuff, but I always respect

397
00:19:15,160 --> 00:19:17,199
Speaker 1: that their music and what they created. And the one

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00:19:17,280 --> 00:19:18,720
Speaker 1: that we went on tour, this thing was like, hey man,

399
00:19:18,760 --> 00:19:20,960
Speaker 1: why we don't talk and I don't know you nigga,

400
00:19:22,119 --> 00:19:25,840
Speaker 1: but he didn't understand, but like we know where I

401
00:19:25,960 --> 00:19:31,480
Speaker 1: come from, don't know and they but not like howder

402
00:19:31,520 --> 00:19:32,719
Speaker 1: that gave me a lot of advice, see to help

403
00:19:32,720 --> 00:19:34,359
Speaker 1: me a lot of ships. Like he really really smart

404
00:19:34,440 --> 00:19:35,960
Speaker 1: with the way that he handled his stuff and everything

405
00:19:36,080 --> 00:19:39,080
Speaker 1: is calculated, like he plans out every single thing. He do,

406
00:19:39,280 --> 00:19:42,000
Speaker 1: nothing eating. I feel like this nigga planning out his sentences,

407
00:19:42,080 --> 00:19:45,040
Speaker 1: like probably got a rint down somewhere. He different. And

408
00:19:45,160 --> 00:19:47,359
Speaker 1: one thing about the book for y'all that it was

409
00:19:47,400 --> 00:19:51,879
Speaker 1: at one point, um everyone was wearing I'm not a

410
00:19:52,000 --> 00:19:57,439
Speaker 1: rapper shirt right, and for the most part, a lot

411
00:19:57,440 --> 00:20:00,280
Speaker 1: of motherfuckers wasn't a rapper up, but they were having

412
00:20:00,320 --> 00:20:02,840
Speaker 1: this truck, jury done all that, so they wanted to

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00:20:02,880 --> 00:20:05,240
Speaker 1: make a distinction, like I got I get money somewhere else.

414
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Speaker 1: I feel like when you guys said it feels like

415
00:20:08,840 --> 00:20:11,040
Speaker 1: you say I'm not a rapper, or it feels like

416
00:20:11,080 --> 00:20:13,720
Speaker 1: because when people say you're a rapper, it might nutes

417
00:20:14,480 --> 00:20:16,960
Speaker 1: the situation. So this thing was holler right. I don't

418
00:20:17,000 --> 00:20:19,440
Speaker 1: think with me, it's kind of different because if I

419
00:20:19,560 --> 00:20:23,879
Speaker 1: ever like downplay something I'm doing, it's not to shun it.

420
00:20:23,960 --> 00:20:26,000
Speaker 1: It's in comparison to other people. You feel me like,

421
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Speaker 1: if Pharrell is a musician and he knows all these

422
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Speaker 1: instruments and all these songs, I can't beat no musician

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Speaker 1: if I'm not on the same level of education. The

424
00:20:35,000 --> 00:20:36,720
Speaker 1: time that you put in as another nigga, you know

425
00:20:36,760 --> 00:20:38,680
Speaker 1: what I'm saying, Like you can't tell you know a

426
00:20:38,720 --> 00:20:40,639
Speaker 1: nigger one bag of weed and being like you're hustling.

427
00:20:40,720 --> 00:20:43,640
Speaker 1: That's just not what it is. So wait, I feel

428
00:20:43,640 --> 00:20:45,480
Speaker 1: like with Tyler's Tyler and a lot of people just

429
00:20:45,840 --> 00:20:47,720
Speaker 1: are generationally, they just do a lot more than that.

430
00:20:48,080 --> 00:20:49,480
Speaker 1: So it's like a lot of times when you're gonna

431
00:20:49,480 --> 00:20:51,080
Speaker 1: see these rooms, it's like, oh, you might be the

432
00:20:51,160 --> 00:20:52,880
Speaker 1: rapper or you might be this, it might be. It's

433
00:20:52,880 --> 00:20:56,000
Speaker 1: just like, so say you get a deal with a

434
00:20:56,119 --> 00:20:59,280
Speaker 1: company like say a sneaker, your clothing company, and you're

435
00:20:59,280 --> 00:21:01,879
Speaker 1: a rapper at you young dude. It's different if you

436
00:21:01,920 --> 00:21:03,520
Speaker 1: get an artist. Your artists are gonna put you on

437
00:21:03,520 --> 00:21:05,080
Speaker 1: the billboard to make you a fee. You don't give

438
00:21:05,080 --> 00:21:07,479
Speaker 1: your feed to show you to you your name and likeness, right,

439
00:21:07,800 --> 00:21:10,800
Speaker 1: but if they look at you as more than that, essentially,

440
00:21:10,840 --> 00:21:13,000
Speaker 1: they might be like, Okay, come design this product or

441
00:21:13,080 --> 00:21:15,720
Speaker 1: come consult with this product. So it's not I don't

442
00:21:15,760 --> 00:21:17,639
Speaker 1: think people say it in the sense of trying to

443
00:21:18,240 --> 00:21:21,760
Speaker 1: diminish wrapping itself. It's just like, don't put me, I'm

444
00:21:21,800 --> 00:21:23,760
Speaker 1: just help. Yeah, that you're trying to treat niggas like

445
00:21:23,840 --> 00:21:25,040
Speaker 1: to help, you know what I'm saying. And that's just

446
00:21:25,200 --> 00:21:27,399
Speaker 1: that's not gonna work nowadays with all these opportunities you

447
00:21:27,480 --> 00:21:29,720
Speaker 1: see all these things that's going on with like these

448
00:21:29,840 --> 00:21:31,560
Speaker 1: know all this fashion stuff and this technology and know

449
00:21:31,640 --> 00:21:34,239
Speaker 1: something ship like we're able to really make Hayway now

450
00:21:34,280 --> 00:21:36,960
Speaker 1: that we probably come make before. And now you have

451
00:21:37,080 --> 00:21:38,879
Speaker 1: the g Q photo shoot. What's my man name? I

452
00:21:38,960 --> 00:21:43,000
Speaker 1: forgot his name? The Indian dude, Uh, simonage, is that

453
00:21:43,160 --> 00:21:44,680
Speaker 1: is that like the proper way to call? You know

454
00:21:44,920 --> 00:21:49,000
Speaker 1: nowadays you gotta be if he's an Indian heritage. Yeah,

455
00:21:49,040 --> 00:21:51,679
Speaker 1: I just know you're listening. If I say anything. It's crazy,

456
00:21:51,760 --> 00:21:54,240
Speaker 1: Like I mean, like I don't know what you said,

457
00:21:54,280 --> 00:21:59,480
Speaker 1: call them Asian whatever, but I see that we don't

458
00:21:59,640 --> 00:22:06,000
Speaker 1: we should you can't do So how is how is

459
00:22:06,080 --> 00:22:08,640
Speaker 1: g Ku even calling you? Like? How does that feel

460
00:22:08,720 --> 00:22:10,760
Speaker 1: for you? Like, honestly, I don't have no idea why

461
00:22:10,800 --> 00:22:18,040
Speaker 1: the Niggers keep callingble no idea because it's like a

462
00:22:18,119 --> 00:22:20,080
Speaker 1: second photos, a third I've done a lot of that.

463
00:22:20,200 --> 00:22:27,920
Speaker 1: Ship Oh drink Chat's happens, it happens. I'll be on Hella. Yeah,

464
00:22:28,119 --> 00:22:32,600
Speaker 1: I've being Hella fucking merchandise ship just uh no press ship.

465
00:22:32,800 --> 00:22:34,800
Speaker 1: Just I don't know they already be calling to be pressed.

466
00:22:34,920 --> 00:22:37,440
Speaker 1: But I don't get it. But I mean I'm appreciative

467
00:22:37,480 --> 00:22:39,280
Speaker 1: of it, you know what I'm saying because the totally

468
00:22:39,320 --> 00:22:42,520
Speaker 1: different clients tell exactly exactly, and it's like I'm not

469
00:22:42,720 --> 00:22:44,960
Speaker 1: that kind of dude, like I'm picking up no magazine

470
00:22:45,040 --> 00:22:46,719
Speaker 1: to be like looking for the next tips on how

471
00:22:46,760 --> 00:22:51,719
Speaker 1: to do something whatever. Ship, But what happens. I'm sorry, man,

472
00:22:51,880 --> 00:22:56,000
Speaker 1: this is awkward. She's looking for a drink from last night.

473
00:22:56,920 --> 00:23:01,479
Speaker 1: She got real let's make it look let me tell yourself,

474
00:23:01,840 --> 00:23:04,200
Speaker 1: that's the most shame I've ever had, Like when you

475
00:23:04,320 --> 00:23:08,680
Speaker 1: leave your not just your credit card, your credit card

476
00:23:08,680 --> 00:23:10,840
Speaker 1: because you know the next day you're like, yo, how

477
00:23:11,080 --> 00:23:14,080
Speaker 1: bent was I to? Like, you know, just forget all this?

478
00:23:14,359 --> 00:23:17,960
Speaker 1: Now that's really getting a faded. Oh yeah, you know what.

479
00:23:18,080 --> 00:23:22,840
Speaker 1: Today we honor and you know we look. You know

480
00:23:22,920 --> 00:23:27,480
Speaker 1: you never smoked or drink. Your whole life makes some noise.

481
00:23:28,960 --> 00:23:31,159
Speaker 1: But I'm not even I'm not even to tell you

482
00:23:31,200 --> 00:23:33,399
Speaker 1: the truth. I'm not even making noise for you, not

483
00:23:33,680 --> 00:23:36,879
Speaker 1: ever indulging. I'm making noise for you being as strong

484
00:23:37,040 --> 00:23:40,280
Speaker 1: as you can be around. I could imagine growing up

485
00:23:40,640 --> 00:23:44,119
Speaker 1: around the gang bangers around you know, even other rappers.

486
00:23:44,200 --> 00:23:46,480
Speaker 1: Wrappers get higher than gang bangers at this point, you

487
00:23:46,520 --> 00:23:48,359
Speaker 1: know what I'm saying. So now these young niggas bro

488
00:23:48,520 --> 00:23:51,920
Speaker 1: and it's crazy like Californias niggas is on black Day

489
00:23:51,960 --> 00:23:55,400
Speaker 1: on Crystal Like what's black? I don't know what the heroine? Like, Yeah,

490
00:23:55,440 --> 00:24:02,560
Speaker 1: they're smoking black Like wait wait, yeah, you know that's

491
00:24:02,600 --> 00:24:05,880
Speaker 1: the other games. So nigg is in the county Jil

492
00:24:06,000 --> 00:24:10,520
Speaker 1: right now are black and beat up, preperable like the

493
00:24:10,640 --> 00:24:13,120
Speaker 1: pills and it's just it's sucked up right now. Yeah.

494
00:24:13,560 --> 00:24:16,720
Speaker 1: So so um, like you know most of my homeboys

495
00:24:16,760 --> 00:24:20,400
Speaker 1: who never got high, like even even Fat Joe, um,

496
00:24:20,800 --> 00:24:23,760
Speaker 1: you know except when you got in mind that one time. Yeah,

497
00:24:23,760 --> 00:24:26,080
Speaker 1: but um, but that's what my sake. I was sleek

498
00:24:26,280 --> 00:24:28,840
Speaker 1: sneaking high. But most of my friends who didn't get high,

499
00:24:29,480 --> 00:24:32,880
Speaker 1: um had like someone in their family that they saw

500
00:24:33,000 --> 00:24:36,240
Speaker 1: get high. They saw overdose, so they saw and and

501
00:24:36,600 --> 00:24:39,359
Speaker 1: they like even fat je Fat Joel had this horrible

502
00:24:39,440 --> 00:24:41,960
Speaker 1: story about him seeing his family members get high. So

503
00:24:42,040 --> 00:24:44,680
Speaker 1: every time we Fat Joe, I will understand. So I

504
00:24:44,760 --> 00:24:46,760
Speaker 1: never pushed it on it. It's that experience that you have,

505
00:24:46,920 --> 00:24:49,040
Speaker 1: he my. I've seen my pops go from like being

506
00:24:49,119 --> 00:24:51,359
Speaker 1: up and like being a man and having all the

507
00:24:51,480 --> 00:24:53,399
Speaker 1: cars and all the money and all the other stuff.

508
00:24:53,440 --> 00:24:55,159
Speaker 1: You know we're supposed to care about to like me

509
00:24:55,240 --> 00:24:57,720
Speaker 1: and whoop, they're not like just not being it, you

510
00:24:57,760 --> 00:24:59,760
Speaker 1: know what I mean. See the hommy leaves, the people leave.

511
00:24:59,800 --> 00:25:02,560
Speaker 1: I it's just not cold, you feel me like, and

512
00:25:02,640 --> 00:25:06,200
Speaker 1: I'm not necessarily getting highest self, But like I never

513
00:25:06,359 --> 00:25:08,800
Speaker 1: want to not know if I was sucked up for me,

514
00:25:08,880 --> 00:25:11,080
Speaker 1: I never not want to know. You don't you don't

515
00:25:11,080 --> 00:25:12,760
Speaker 1: want to be the motherfucker who up and then you know,

516
00:25:13,040 --> 00:25:15,440
Speaker 1: you hit that point and then everything go away. I

517
00:25:15,520 --> 00:25:17,760
Speaker 1: couldn't really let that happen to myself. And also you

518
00:25:17,840 --> 00:25:20,240
Speaker 1: just gotta pay attention, like you know, I mean the

519
00:25:20,440 --> 00:25:23,159
Speaker 1: Long Beach, everything is in such club proximity, and we

520
00:25:23,280 --> 00:25:25,880
Speaker 1: got such you know, we got a real bad racial conflict.

521
00:25:26,400 --> 00:25:28,920
Speaker 1: So I didn't want to be It's real bad like

522
00:25:29,520 --> 00:25:32,680
Speaker 1: Mexican Mexican. So it's like you ain't want to be

523
00:25:33,480 --> 00:25:35,439
Speaker 1: you know, slipping at a certain point of time, especially

524
00:25:35,440 --> 00:25:37,040
Speaker 1: when I was going up like early two thousand, like

525
00:25:37,080 --> 00:25:39,639
Speaker 1: the white tierre was like niggas called it. There was

526
00:25:39,640 --> 00:25:41,920
Speaker 1: a lot going on, so I ain't never want to

527
00:25:41,960 --> 00:25:45,080
Speaker 1: get caught. Like my sister got shot like seven eight

528
00:25:45,160 --> 00:25:47,399
Speaker 1: times when I was when I was a kid, just

529
00:25:47,480 --> 00:25:50,080
Speaker 1: you know, be at the casino. You know, I'm getting drunk,

530
00:25:50,119 --> 00:25:52,480
Speaker 1: having a good time, and you got aired out, so

531
00:25:52,560 --> 00:25:55,040
Speaker 1: it's you ain't really safe nowhere. So just that and

532
00:25:55,119 --> 00:25:56,840
Speaker 1: my pops this little shit, I was like, yeah, I

533
00:25:56,840 --> 00:26:00,240
Speaker 1: gotta pixis or something like that. So um, but let

534
00:26:00,280 --> 00:26:03,280
Speaker 1: me ask you, so, like, you know, just hanging around

535
00:26:03,359 --> 00:26:06,119
Speaker 1: the environment, how did you develop that strongness? Because that

536
00:26:06,480 --> 00:26:08,560
Speaker 1: like there's a lot of people that's gonna watch his

537
00:26:08,680 --> 00:26:11,240
Speaker 1: interview and say, wow, that's dope. You know, Vince ain't

538
00:26:11,280 --> 00:26:13,840
Speaker 1: never you know, but it couldn't have been easy. Like

539
00:26:13,880 --> 00:26:16,600
Speaker 1: I'm sure the people the hot box with you, the

540
00:26:16,640 --> 00:26:19,400
Speaker 1: windows up in the car and everyone smoked. I felt

541
00:26:19,400 --> 00:26:20,919
Speaker 1: like I feel like it was easy only because now

542
00:26:20,920 --> 00:26:22,320
Speaker 1: I'm be myn only to be smoking around me, like

543
00:26:22,320 --> 00:26:24,240
Speaker 1: I don't really bother me like that. I feel like

544
00:26:25,920 --> 00:26:28,280
Speaker 1: I was lucky enough to have you know, decent family,

545
00:26:28,359 --> 00:26:29,840
Speaker 1: and I got real humbies, you know what I mean,

546
00:26:29,920 --> 00:26:32,560
Speaker 1: Like I got the same homey since forever, Like I'm

547
00:26:32,560 --> 00:26:34,960
Speaker 1: not wanted them random weird niggas who like wake up

548
00:26:35,000 --> 00:26:36,760
Speaker 1: one day and started claiming the hood and giving to

549
00:26:36,840 --> 00:26:38,680
Speaker 1: get some money all the other bush they put you

550
00:26:38,800 --> 00:26:40,399
Speaker 1: on it, Like, but I've been around for such a

551
00:26:40,480 --> 00:26:42,560
Speaker 1: long time. That's just like my homies ain't never encouraged

552
00:26:42,600 --> 00:26:45,280
Speaker 1: me to do nothing that wasn't so like if these niggas,

553
00:26:45,320 --> 00:26:47,320
Speaker 1: if we didn't been through like you know, real life

554
00:26:47,359 --> 00:26:50,320
Speaker 1: situation with like real implications and they ain't doing it,

555
00:26:50,400 --> 00:26:52,240
Speaker 1: then you niggas, can't you know what I'm saying, I

556
00:26:52,320 --> 00:26:55,520
Speaker 1: can't knows can't try it. You feel me like because

557
00:26:55,560 --> 00:26:57,320
Speaker 1: it's like, you know, even when a bad influence is

558
00:26:57,359 --> 00:26:59,680
Speaker 1: essentially a good influence as well. And my mom and

559
00:26:59,760 --> 00:27:01,600
Speaker 1: my pops, they didn't raise us to be like you

560
00:27:01,680 --> 00:27:03,639
Speaker 1: know when my pops around, you know, because it were

561
00:27:03,800 --> 00:27:05,720
Speaker 1: like one thing I tell me all time, Like you know,

562
00:27:05,760 --> 00:27:07,800
Speaker 1: we have a lot of conversation about my fatherhood and

563
00:27:07,880 --> 00:27:09,760
Speaker 1: black man and like that. But it ain't like once

564
00:27:09,840 --> 00:27:11,359
Speaker 1: he naund go down that road, it ain't like they

565
00:27:11,400 --> 00:27:13,159
Speaker 1: can come home, you know what I'm saying, Like they

566
00:27:13,200 --> 00:27:14,760
Speaker 1: can say right, I learned my lesson. Let me go

567
00:27:14,920 --> 00:27:17,159
Speaker 1: home now. So you know, you know when he was

568
00:27:17,200 --> 00:27:18,959
Speaker 1: around with my mom was in around. They just raised us,

569
00:27:18,960 --> 00:27:20,680
Speaker 1: so you don't be on our own ship. Like I

570
00:27:20,800 --> 00:27:24,440
Speaker 1: know a dude listen and you know I spoke were drink,

571
00:27:24,560 --> 00:27:26,920
Speaker 1: but I know a dude who did it one time?

572
00:27:27,320 --> 00:27:33,000
Speaker 1: He um did what one time? Oh? He uh? We

573
00:27:33,080 --> 00:27:35,480
Speaker 1: were all spoken, but the buds guy ran out of

574
00:27:35,520 --> 00:27:37,440
Speaker 1: but I didn't want to tell us. We didn't want

575
00:27:37,440 --> 00:27:39,480
Speaker 1: to tell him. We that we just bought all the bud.

576
00:27:39,760 --> 00:27:42,600
Speaker 1: She was like, OK, give U up. He gave one

577
00:27:42,640 --> 00:27:44,960
Speaker 1: to him, put it in the bud, And I don't

578
00:27:45,000 --> 00:27:46,359
Speaker 1: want to say his name. Is he funked up to

579
00:27:46,440 --> 00:27:48,879
Speaker 1: this day? You know what I'm saying. But it's literally

580
00:27:48,960 --> 00:27:52,160
Speaker 1: like what happens if he just didn't want to get high,

581
00:27:52,560 --> 00:27:54,359
Speaker 1: Like he might have not been as bugged out as

582
00:27:54,400 --> 00:27:56,560
Speaker 1: he is he seeing anybody, but like, like you know

583
00:27:56,560 --> 00:27:58,720
Speaker 1: what I mean. I mean, this is twenty five years ago,

584
00:27:59,160 --> 00:28:01,200
Speaker 1: but he didn't know he was smoking pieces no, because

585
00:28:01,240 --> 00:28:03,040
Speaker 1: back then that's how they would get it off. They

586
00:28:03,040 --> 00:28:06,080
Speaker 1: would be like, like, that's smoking dirty. How I got

587
00:28:06,119 --> 00:28:08,600
Speaker 1: my pops. That's how I got my popures hanging with

588
00:28:08,640 --> 00:28:12,240
Speaker 1: the ho you strung out, that's how that happing? Wow

589
00:28:12,720 --> 00:28:16,320
Speaker 1: wow man, that's crazy. So so one things that I

590
00:28:16,400 --> 00:28:21,000
Speaker 1: also noticed about about you just so honorable that when

591
00:28:21,040 --> 00:28:22,880
Speaker 1: a person does a record with you, you don't even

592
00:28:22,960 --> 00:28:26,800
Speaker 1: use their name. What's that about it? I'll defend the

593
00:28:26,960 --> 00:28:29,480
Speaker 1: lame bro, Like, so you do it on purpose? Yeah?

594
00:28:29,640 --> 00:28:32,440
Speaker 1: Play there's no no features because I don't know I'm

595
00:28:32,480 --> 00:28:37,920
Speaker 1: having features. But yeah, but it's like it's like, like

596
00:28:38,400 --> 00:28:41,000
Speaker 1: what's on the game? Is there is there an advantage?

597
00:28:41,040 --> 00:28:44,160
Speaker 1: Of doing that too. The music. I'm thinking I'm high.

598
00:28:44,200 --> 00:28:46,280
Speaker 1: I'm thinking I'm making a mistake. I'm like, why is

599
00:28:46,360 --> 00:28:56,120
Speaker 1: Future on this? He sounds like Kendrick. She's like, it's

600
00:28:56,160 --> 00:28:57,680
Speaker 1: like the title of the song, right, the title of

601
00:28:57,720 --> 00:28:59,360
Speaker 1: the songs, the title of the song. The title went

602
00:28:59,560 --> 00:29:02,560
Speaker 1: the song blah blah blah, featuring and using the homie.

603
00:29:02,920 --> 00:29:04,280
Speaker 1: You get what I'm saying. So it's like they on

604
00:29:04,320 --> 00:29:06,239
Speaker 1: the song day on the song. I don't like how

605
00:29:06,320 --> 00:29:07,720
Speaker 1: to look on the track list, and I feel like

606
00:29:07,760 --> 00:29:10,280
Speaker 1: you're trying to, you know, convince motherfucker's that you hard

607
00:29:10,360 --> 00:29:16,240
Speaker 1: but you're definitely that Yeah, Wow, that's dope, but it's

608
00:29:16,320 --> 00:29:20,200
Speaker 1: kind of crazy. It's but it's crazy, but that's just stupid,

609
00:29:20,240 --> 00:29:22,080
Speaker 1: Like you know, you're supposed to use it to your advantage,

610
00:29:22,120 --> 00:29:24,960
Speaker 1: but I just think that type of dude, you feel

611
00:29:25,000 --> 00:29:26,760
Speaker 1: me like you you give me a verse whatever, So

612
00:29:26,800 --> 00:29:29,480
Speaker 1: enough for me, I ain't really tried that ship is

613
00:29:29,760 --> 00:29:32,080
Speaker 1: with another video. It's just not in the video. I

614
00:29:32,120 --> 00:29:34,920
Speaker 1: don't know what video, but I never I do like

615
00:29:34,960 --> 00:29:37,440
Speaker 1: probably one or two videos of project's expensive for no reason.

616
00:29:38,120 --> 00:29:40,640
Speaker 1: I'm not gonna lie it's not. I don't think videos expensive.

617
00:29:40,920 --> 00:29:45,120
Speaker 1: I think that you're very, very creative, Like not I'm

618
00:29:45,400 --> 00:29:48,160
Speaker 1: your videos. This is what I'm saying. A honey, thousands

619
00:29:48,200 --> 00:29:52,680
Speaker 1: for some ship go on YouTube against my budget. No,

620
00:29:52,920 --> 00:29:54,880
Speaker 1: you gotta get that back. I don't want to borrow that.

621
00:29:56,040 --> 00:30:02,120
Speaker 1: You've got a good outlook, man, hunted. It's different videos

622
00:30:02,240 --> 00:30:04,480
Speaker 1: for like MTV and viation Well, this year is for YouTube,

623
00:30:04,480 --> 00:30:06,920
Speaker 1: and don't go nowhere else for YouTube. And if you

624
00:30:06,960 --> 00:30:09,040
Speaker 1: don't get no views, you don't get no money. Come on,

625
00:30:10,360 --> 00:30:11,720
Speaker 1: even if you do good some of you you got

626
00:30:11,840 --> 00:30:14,360
Speaker 1: to split it with the on the video and all

627
00:30:14,400 --> 00:30:17,000
Speaker 1: this stuff. The vivo. What's that ship? Yeah, it's a

628
00:30:17,080 --> 00:30:19,440
Speaker 1: lot going on out here in these trades. Man ain't

629
00:30:19,440 --> 00:30:27,200
Speaker 1: playing the games with them people. Ray j just text

630
00:30:27,280 --> 00:30:29,280
Speaker 1: me you don't. You gotta rector with him and Chris Brown. Yeah,

631
00:30:29,280 --> 00:30:31,000
Speaker 1: that's the howny. That's not Chris Brown. That's not Chris

632
00:30:31,040 --> 00:30:33,760
Speaker 1: Brown Brown. That's not goods bro, that's Ray j. Uh.

633
00:30:34,880 --> 00:30:40,120
Speaker 1: Then the Gorillas, Oh ship you google's wrong? Brother? The

634
00:30:40,240 --> 00:30:51,640
Speaker 1: band I don't know. Yeah you get oh yes, it's

635
00:30:51,680 --> 00:30:53,720
Speaker 1: that the nigger from the Gorillas and uh and and

636
00:30:53,840 --> 00:30:55,960
Speaker 1: ray Jack. But Ray Chris Brown, they got that, they

637
00:30:56,040 --> 00:31:00,160
Speaker 1: got that that same kind of Uh. You know, so

638
00:31:00,240 --> 00:31:05,760
Speaker 1: you got you a brodo your ray j is cooling money? Yes,

639
00:31:06,840 --> 00:31:10,760
Speaker 1: yes he does. Oh you got a Rublekonje and the

640
00:31:10,840 --> 00:31:13,920
Speaker 1: Gwagon both of them not stupid. You get a lot

641
00:31:13,960 --> 00:31:16,840
Speaker 1: of money. And he gave me what you got my bike? Well,

642
00:31:19,280 --> 00:31:24,040
Speaker 1: gave me a scooty bike. Okay, you know he he

643
00:31:24,120 --> 00:31:26,600
Speaker 1: coming this week? This week I got him in trick

644
00:31:27,040 --> 00:31:30,080
Speaker 1: Um but same time speak yeah, yeah, but speaking to Trick.

645
00:31:30,240 --> 00:31:34,280
Speaker 1: You you what is your album? Trick Daddy thugs are us?

646
00:31:34,400 --> 00:31:37,960
Speaker 1: I love Trick This is crazy coming man, tell me

647
00:31:38,360 --> 00:31:41,600
Speaker 1: I had the TV like Nicky was digging through records

648
00:31:41,600 --> 00:31:43,000
Speaker 1: at the record store. If you don't get your name

649
00:31:43,040 --> 00:31:44,840
Speaker 1: mass out of here. Nig is born in the nineties.

650
00:31:45,200 --> 00:31:47,360
Speaker 1: I ain't never seen a record store until I was wrong.

651
00:31:47,520 --> 00:31:56,840
Speaker 1: Nig was on. I wouldn't be offended he when when

652
00:31:56,880 --> 00:31:59,360
Speaker 1: I was in like the fifth grade, Julian iPod came

653
00:31:59,360 --> 00:32:01,960
Speaker 1: out niggas and not digging through the crazy zoo remember

654
00:32:01,960 --> 00:32:05,040
Speaker 1: the zoom don't remember? I remember that? Yeah, I'll stopped

655
00:32:05,040 --> 00:32:08,560
Speaker 1: playing Niggas was not on the trick that he was

656
00:32:08,680 --> 00:32:14,720
Speaker 1: on MTV jams every day brocking the truth. Well, because

657
00:32:14,880 --> 00:32:20,320
Speaker 1: I was born in Compton right, no, no, no, a

658
00:32:20,360 --> 00:32:23,320
Speaker 1: company ba growing up somewhere with no hospital. I'm happy

659
00:32:23,400 --> 00:32:27,440
Speaker 1: my mom. And then movie that's grimy hospital only hospital comperience,

660
00:32:27,520 --> 00:32:29,400
Speaker 1: damn near and Watson or you gotta go to St.

661
00:32:29,440 --> 00:32:33,440
Speaker 1: Francis in Lynwood, but reckon hospital. But you spent time

662
00:32:33,440 --> 00:32:35,200
Speaker 1: in Atlanta for a little while. I was in Atlanta

663
00:32:35,240 --> 00:32:37,680
Speaker 1: for like six months, seven months? Okay, we did that

664
00:32:37,800 --> 00:32:41,760
Speaker 1: help like you musically or getting music? Yet I didn't

665
00:32:41,760 --> 00:32:43,400
Speaker 1: make music. So I came back. I was in Atlanta

666
00:32:44,400 --> 00:32:46,840
Speaker 1: middle nine grade. I had some stupid ships, so I

667
00:32:46,920 --> 00:32:49,320
Speaker 1: had to go go to Atlanta. Yeah. So when I

668
00:32:49,400 --> 00:32:52,080
Speaker 1: came back home when everything was called posthetic whatever. But

669
00:32:52,120 --> 00:32:54,640
Speaker 1: seeing them big booty girls, they had that long beach, right,

670
00:32:54,960 --> 00:32:57,120
Speaker 1: the big booty girls. Then this is the thing about Atlanta.

671
00:32:57,160 --> 00:32:59,320
Speaker 1: I was going to West Lake, so I was like

672
00:32:59,400 --> 00:33:01,840
Speaker 1: I was at Lintics small you feeling what I'm saying.

673
00:33:03,160 --> 00:33:05,280
Speaker 1: I was over to school with cam New Nigga was

674
00:33:06,760 --> 00:33:09,800
Speaker 1: it was like, uh, I was just mad because there

675
00:33:09,840 --> 00:33:11,560
Speaker 1: was a lot of ship going on. And like when

676
00:33:11,600 --> 00:33:13,120
Speaker 1: I went to a land of one of my homies

677
00:33:13,160 --> 00:33:15,880
Speaker 1: had died and it was like fifteen when he was fourteen,

678
00:33:15,960 --> 00:33:20,240
Speaker 1: was fifteen, and it's like when you leave while something

679
00:33:20,280 --> 00:33:22,880
Speaker 1: like that happening. Yeah, I just felt like a buster,

680
00:33:23,000 --> 00:33:24,080
Speaker 1: you know what I mean. I felt like I could

681
00:33:24,120 --> 00:33:25,800
Speaker 1: be doing something that you know, you know, you know

682
00:33:25,840 --> 00:33:29,280
Speaker 1: what I'm saying. So like my mind wasn't the wrong

683
00:33:29,320 --> 00:33:30,760
Speaker 1: place the whole time I was there, you know what

684
00:33:30,800 --> 00:33:34,240
Speaker 1: I'm saying. So when I got back home, I was

685
00:33:34,240 --> 00:33:36,400
Speaker 1: supposed to tell my dad I think he had a

686
00:33:36,440 --> 00:33:38,360
Speaker 1: flash or something like he disappeared and I think he

687
00:33:38,400 --> 00:33:39,880
Speaker 1: had a flash, to be honest. So my mom was

688
00:33:39,920 --> 00:33:41,840
Speaker 1: like end up staying with me or whatever because she

689
00:33:41,880 --> 00:33:43,400
Speaker 1: didn't want to go back there because I wasn't landing.

690
00:33:43,920 --> 00:33:46,400
Speaker 1: The school system wasn't equivalent, so like I wasn't doing it,

691
00:33:47,000 --> 00:33:48,840
Speaker 1: Like I wasn't the was doing t a work. And

692
00:33:48,880 --> 00:33:50,880
Speaker 1: it's like a little bit after Katrina, So it was

693
00:33:50,920 --> 00:33:52,840
Speaker 1: a bunch of displaced people. Blah blah, they don't got

694
00:33:52,920 --> 00:33:55,120
Speaker 1: enough little some bullshit, not enough room in the classes.

695
00:33:55,160 --> 00:33:57,080
Speaker 1: So I was literally sitting office for like four or

696
00:33:57,120 --> 00:34:00,560
Speaker 1: five periods. I came back to California and I noticed,

697
00:34:00,600 --> 00:34:02,560
Speaker 1: like how nice it was, you know what I'm saying,

698
00:34:02,560 --> 00:34:04,240
Speaker 1: Because you're in Atlanta. Nice too, But it's a different

699
00:34:04,320 --> 00:34:06,240
Speaker 1: kind of nice shots. You've got truck stops and what

700
00:34:06,400 --> 00:34:08,719
Speaker 1: a burg not? What a burger wife whouse? And it's

701
00:34:08,760 --> 00:34:10,520
Speaker 1: just desolate like out here, you know, we got it

702
00:34:10,600 --> 00:34:13,160
Speaker 1: just ain't going alonge be specifically, Like I was kind

703
00:34:13,200 --> 00:34:15,960
Speaker 1: of more appreciative and then I've just seen that and

704
00:34:16,040 --> 00:34:18,560
Speaker 1: it's not the right way to be. Will I came

705
00:34:18,600 --> 00:34:20,960
Speaker 1: back and like, I noticed that niggas wasn't like going

706
00:34:21,040 --> 00:34:23,880
Speaker 1: as hard as I thought they should be going. So

707
00:34:24,040 --> 00:34:25,759
Speaker 1: I was like, I ain't gonna like die and then

708
00:34:25,840 --> 00:34:29,719
Speaker 1: niggas like just go about the Yeah, I was even dying,

709
00:34:29,800 --> 00:34:31,600
Speaker 1: just like niggas go about their days. And when I'm there,

710
00:34:31,680 --> 00:34:33,560
Speaker 1: so I try to figure out some other ship. That's

711
00:34:33,560 --> 00:34:35,959
Speaker 1: when the music should come from. It's anybody ever gonna

712
00:34:36,000 --> 00:34:38,319
Speaker 1: tell a lamb that the waffle house is trash? It's

713
00:34:38,360 --> 00:34:40,640
Speaker 1: not that good. It's not that good. I don't like

714
00:34:40,719 --> 00:34:44,479
Speaker 1: I'm just being on the year secret. I mean keeping

715
00:34:44,880 --> 00:34:50,040
Speaker 1: that ship feel like roaches, like I feel dirty. Ever

716
00:34:50,200 --> 00:34:52,320
Speaker 1: you ever went to court and left court? Yeah, and

717
00:34:52,440 --> 00:34:53,680
Speaker 1: you know you don't want to take a shower with

718
00:34:53,719 --> 00:34:58,279
Speaker 1: me and the county let's I'm sorry. The wife house

719
00:34:58,440 --> 00:35:02,120
Speaker 1: is the county. Well, the County jail. Get you up.

720
00:35:02,120 --> 00:35:04,640
Speaker 1: I'm so sorry, Atlanta, so sorry. Anybody in the South

721
00:35:04,760 --> 00:35:06,640
Speaker 1: is gonna say this. Boy, I'm just being honest. For

722
00:35:06,719 --> 00:35:09,560
Speaker 1: twenty five years I went had meetings at the waffle house.

723
00:35:10,280 --> 00:35:12,879
Speaker 1: They got the little tile floor. Now, motherfuck the top

724
00:35:12,960 --> 00:35:16,480
Speaker 1: of McDonald's. The McDonald's old McDonald's mopping there as soon

725
00:35:16,480 --> 00:35:18,000
Speaker 1: as you take your shit out like that, that smells

726
00:35:18,000 --> 00:35:20,160
Speaker 1: like hamburger, you know what I'm saying. And it's just

727
00:35:20,480 --> 00:35:23,560
Speaker 1: it's just not a good seat. It's really literally what

728
00:35:23,719 --> 00:35:25,960
Speaker 1: it's for the last middle of the night, like you know,

729
00:35:26,120 --> 00:35:28,200
Speaker 1: after the club and all that. But I'll be seeing

730
00:35:28,200 --> 00:35:30,320
Speaker 1: people wake up in the morning the waffle house like no,

731
00:35:30,480 --> 00:35:33,480
Speaker 1: that's not a thing to do like like this. I

732
00:35:33,560 --> 00:35:35,360
Speaker 1: know people will getting to go to the they go

733
00:35:35,560 --> 00:35:39,480
Speaker 1: get fresh. They know somebody that worked there. Okay, the

734
00:35:40,840 --> 00:35:43,239
Speaker 1: house is not that good. You do agree on that, Okay,

735
00:35:45,800 --> 00:35:48,160
Speaker 1: South South guys looking like that. Man, we lost the

736
00:35:48,200 --> 00:35:54,440
Speaker 1: waffle house. You're like, look, nobody look. And it went

737
00:35:54,480 --> 00:35:58,640
Speaker 1: to a black college though he didn't HBCU. That's what

738
00:35:58,719 --> 00:36:01,839
Speaker 1: they call. Okay, only want to go there, all right.

739
00:36:02,560 --> 00:36:04,400
Speaker 1: I got bad notes. I got bad notes, man, I

740
00:36:04,440 --> 00:36:07,040
Speaker 1: got bad you mess with mcmiller too, right, That told

741
00:36:07,080 --> 00:36:10,239
Speaker 1: me man, Yeah, that was know he was a good thing. Um,

742
00:36:11,160 --> 00:36:13,120
Speaker 1: I said, how that happened? But you know, did you

743
00:36:13,200 --> 00:36:17,040
Speaker 1: see that coming? Yeah? He had not, not in passing,

744
00:36:17,120 --> 00:36:19,560
Speaker 1: but like I haven't seen so much, you know what

745
00:36:19,640 --> 00:36:21,600
Speaker 1: I mean. You know, you know you can tell when

746
00:36:21,640 --> 00:36:23,279
Speaker 1: she's gonna left. But he was doing real good. But

747
00:36:23,320 --> 00:36:25,279
Speaker 1: I feel like before he passed, you know, everybody knew

748
00:36:25,320 --> 00:36:27,200
Speaker 1: he was struggling with ship, but before he passed, he

749
00:36:27,280 --> 00:36:29,279
Speaker 1: was really doing really good. You know. It just he

750
00:36:29,719 --> 00:36:31,520
Speaker 1: seen him in the gym and things like that. Yeah,

751
00:36:31,560 --> 00:36:33,400
Speaker 1: he was doing really good. It is you know, sometimes

752
00:36:33,440 --> 00:36:35,960
Speaker 1: you don't always win, but he was doing good. I know.

753
00:36:36,000 --> 00:36:37,320
Speaker 1: I still talked to his mom. I talked to it

754
00:36:37,360 --> 00:36:41,680
Speaker 1: other day yesterday. I think, how'd y'all connect? I wouldn't

755
00:36:41,680 --> 00:36:43,799
Speaker 1: really making music at that time. Girl had came back,

756
00:36:43,840 --> 00:36:45,560
Speaker 1: and I was just you know, moving around him, making

757
00:36:45,600 --> 00:36:47,600
Speaker 1: sure you know, he was straight and ship and uh.

758
00:36:48,080 --> 00:36:50,360
Speaker 1: I introduced myself to him and he was like, I

759
00:36:50,400 --> 00:36:52,359
Speaker 1: don't know who you are. Why don't you make beats?

760
00:36:52,400 --> 00:36:54,040
Speaker 1: So that? Why don't you make music? And I sound

761
00:36:54,120 --> 00:36:56,080
Speaker 1: got no beats and he I'm making some beasts come

762
00:36:56,120 --> 00:36:59,759
Speaker 1: over here on Friday because he's living. Yeah, and then

763
00:37:00,040 --> 00:37:01,800
Speaker 1: saw him. That's how we ended up making music and

764
00:37:01,880 --> 00:37:03,400
Speaker 1: being cool. And then he took me on tour and

765
00:37:03,719 --> 00:37:05,239
Speaker 1: he didn't want to publish. He said, if you make

766
00:37:05,280 --> 00:37:08,640
Speaker 1: a million dollars, buy me, uh S class bands or

767
00:37:08,680 --> 00:37:11,719
Speaker 1: something like that. Yeah, the whole of product. He gave

768
00:37:11,760 --> 00:37:13,600
Speaker 1: me the ownership of it. He just said, if you

769
00:37:13,800 --> 00:37:15,400
Speaker 1: if you make a gang of money, just give me

770
00:37:15,440 --> 00:37:18,000
Speaker 1: like an S class and then took me on the road,

771
00:37:18,440 --> 00:37:20,719
Speaker 1: paid for my room and board and just and still

772
00:37:20,760 --> 00:37:23,560
Speaker 1: paid me. So yeah, you know, that was the home needed.

773
00:37:24,880 --> 00:37:26,719
Speaker 1: He didn't mope for me. And honestly, like as far

774
00:37:27,000 --> 00:37:28,400
Speaker 1: in the time of my life when I needed it,

775
00:37:28,480 --> 00:37:30,239
Speaker 1: because you got to think at that point out I

776
00:37:30,480 --> 00:37:32,520
Speaker 1: already put like two music projects out. He knew it

777
00:37:32,520 --> 00:37:34,440
Speaker 1: wasn't really I went fucking with us. I was like,

778
00:37:34,480 --> 00:37:36,279
Speaker 1: I'm gonna go back to you know, to to to

779
00:37:36,480 --> 00:37:38,600
Speaker 1: what I know type ship. And my cousin had just

780
00:37:38,680 --> 00:37:42,440
Speaker 1: got shot, he almost died, So that turned it all

781
00:37:42,480 --> 00:37:44,000
Speaker 1: the way up, you know what I mean. My focus

782
00:37:44,160 --> 00:37:45,880
Speaker 1: wasn't on music at all. I would just say that

783
00:37:46,000 --> 00:37:49,080
Speaker 1: before like this was like your third hustle or something.

784
00:37:49,120 --> 00:37:52,000
Speaker 1: Like that supposed to your main thing. I never did nothing.

785
00:37:52,600 --> 00:37:55,239
Speaker 1: I never had no job when I was younger, I

786
00:37:55,360 --> 00:37:57,080
Speaker 1: was I never got no bad guys. I used to

787
00:37:57,120 --> 00:37:58,880
Speaker 1: be so good at music for this not to be.

788
00:37:59,120 --> 00:38:01,520
Speaker 1: I every listen to music like growing up, only like

789
00:38:01,560 --> 00:38:03,520
Speaker 1: in passing you know TV and like music videos and

790
00:38:03,560 --> 00:38:06,919
Speaker 1: you're like, but I feel like music is music. Music

791
00:38:07,000 --> 00:38:09,759
Speaker 1: not hard to do, especially like when I think at

792
00:38:09,800 --> 00:38:12,839
Speaker 1: rapping music, right, I don't really I don't what's good?

793
00:38:13,040 --> 00:38:14,759
Speaker 1: You feel me? Because there's so many different types of

794
00:38:14,800 --> 00:38:16,960
Speaker 1: rap music you can be you know, treat that good

795
00:38:17,040 --> 00:38:19,480
Speaker 1: and Bully good and Little fe Fiasco good and you

796
00:38:19,600 --> 00:38:23,719
Speaker 1: feel me. It's so many different snoop a good, sneak

797
00:38:24,120 --> 00:38:25,799
Speaker 1: is good. I love, you know, I like Bace ship.

798
00:38:25,920 --> 00:38:28,520
Speaker 1: So it's like it's a about my colum, but it's

799
00:38:28,560 --> 00:38:30,960
Speaker 1: like it's so many different kinds of good. I think

800
00:38:31,040 --> 00:38:33,000
Speaker 1: in hip hop you just really need your story. And

801
00:38:33,040 --> 00:38:34,399
Speaker 1: if you got a story, you know how to tell

802
00:38:34,400 --> 00:38:36,759
Speaker 1: it right, you can be successful with this ship. So, um,

803
00:38:38,200 --> 00:38:40,600
Speaker 1: I think I think it was you and Tyler conversation

804
00:38:41,480 --> 00:38:44,800
Speaker 1: and he said, um, you know, being a rapper is

805
00:38:44,960 --> 00:38:48,920
Speaker 1: so like like I'm paraphrasing obviously, but it's so like

806
00:38:49,000 --> 00:38:56,920
Speaker 1: the lowest level of the totem pole. But uh, and

807
00:38:56,960 --> 00:38:58,919
Speaker 1: I think you said even back in the days, you said,

808
00:38:58,960 --> 00:39:01,520
Speaker 1: I think you said in the days, you know, it

809
00:39:01,680 --> 00:39:04,640
Speaker 1: was the dance up, it was the DJ, and then

810
00:39:04,680 --> 00:39:07,000
Speaker 1: it was the rap at the last it's the easiest

811
00:39:07,080 --> 00:39:09,279
Speaker 1: entry point. It's easy. And I think that it's much

812
00:39:09,320 --> 00:39:10,880
Speaker 1: just the easiest entry point. I think that's why hip

813
00:39:10,920 --> 00:39:13,960
Speaker 1: hop is so important to people like impoverished communities, because

814
00:39:14,719 --> 00:39:16,319
Speaker 1: to say, you gotta have a good boys, you gotta

815
00:39:16,360 --> 00:39:17,840
Speaker 1: know how to hold a note, you gotta have a

816
00:39:17,840 --> 00:39:21,160
Speaker 1: good memory. You don't gotta know you want to play instruments,

817
00:39:21,160 --> 00:39:23,560
Speaker 1: you gotta practice and blah blah. To rap are you

818
00:39:23,600 --> 00:39:25,719
Speaker 1: didn't have? You know, anybody can wake up one day

819
00:39:25,719 --> 00:39:27,719
Speaker 1: and be like, oh I'm a rapper, and somebody can say,

820
00:39:27,760 --> 00:39:29,160
Speaker 1: oh rap, And then you can do it if you

821
00:39:29,239 --> 00:39:31,239
Speaker 1: just pick up say I play the guitar, and you

822
00:39:31,360 --> 00:39:33,200
Speaker 1: try to pick that motherfucker be gonna miraish her. So

823
00:39:33,560 --> 00:39:36,800
Speaker 1: so it's like the lowest entry point to being a

824
00:39:36,960 --> 00:39:39,200
Speaker 1: creative in music, I feel, and I think that's why

825
00:39:39,320 --> 00:39:41,719
Speaker 1: so many people embrace it, and that's why we've had

826
00:39:41,760 --> 00:39:44,520
Speaker 1: so many great rappers over time, because it's something that

827
00:39:44,640 --> 00:39:46,440
Speaker 1: you can literally pick up overnight and you don't need

828
00:39:46,520 --> 00:39:48,200
Speaker 1: nothing to learn how to do it. You don't need

829
00:39:48,280 --> 00:39:50,359
Speaker 1: no instruments, you'll need none of that. You can really

830
00:39:50,400 --> 00:39:52,520
Speaker 1: sit inside your own head and you know, become good.

831
00:39:52,600 --> 00:39:55,719
Speaker 1: I think that's why it's really important and why it's

832
00:39:55,760 --> 00:40:00,040
Speaker 1: becoming the most dominant thing. That's crazy. That's crazy. You

833
00:40:00,280 --> 00:40:02,879
Speaker 1: produce now. I can't do none of that. I can't

834
00:40:02,880 --> 00:40:05,759
Speaker 1: turn on pro tools, you can't even turn it off.

835
00:40:05,920 --> 00:40:09,560
Speaker 1: I can't do none of that. That's why you don't

836
00:40:09,560 --> 00:40:12,960
Speaker 1: want to even learn. I'm cool. I mean my thing

837
00:40:13,120 --> 00:40:15,239
Speaker 1: is like I can learn this squa, I can save

838
00:40:15,239 --> 00:40:16,520
Speaker 1: a little bit of money, but like I might know

839
00:40:16,640 --> 00:40:18,920
Speaker 1: somebody who like nice, and now they can pay their

840
00:40:18,960 --> 00:40:21,560
Speaker 1: bills off off that budget and be my engineer. I

841
00:40:21,600 --> 00:40:23,160
Speaker 1: ain't really greedy with it like that, you know what

842
00:40:23,200 --> 00:40:24,840
Speaker 1: I'm saying, Like, if I know this nigga spend his

843
00:40:24,920 --> 00:40:27,520
Speaker 1: whole life engineering, why am I gonna try to do

844
00:40:27,600 --> 00:40:29,440
Speaker 1: it When it's somebody out there that you know that's

845
00:40:29,520 --> 00:40:31,759
Speaker 1: nice that I can probably elevate what I'm doing. That's

846
00:40:31,760 --> 00:40:33,080
Speaker 1: why they were trying to make beat And I'm like,

847
00:40:33,080 --> 00:40:35,239
Speaker 1: that's like thirty niggas that I know that make beat.

848
00:40:35,280 --> 00:40:36,759
Speaker 1: Why do I need to be the thirty first nigg

849
00:40:36,800 --> 00:40:38,719
Speaker 1: and make beats when they can just make the beat

850
00:40:38,719 --> 00:40:40,040
Speaker 1: from me, you know what I'm saying, might as well

851
00:40:40,080 --> 00:40:41,880
Speaker 1: to split it up. So what's beyond the rhyme? And

852
00:40:41,920 --> 00:40:44,520
Speaker 1: then assuming that that's the entry point, like you said

853
00:40:44,560 --> 00:40:46,839
Speaker 1: you want to do more, I was just saying as

854
00:40:46,880 --> 00:40:49,320
Speaker 1: far as like he was based on me and Tyler conversations,

855
00:40:49,360 --> 00:40:51,200
Speaker 1: the entry point meaning that if you want to make music,

856
00:40:51,640 --> 00:40:53,520
Speaker 1: being being a rapper is a kind of the easiest

857
00:40:53,560 --> 00:40:55,640
Speaker 1: thing to do, and you can just talk about yourself

858
00:40:55,680 --> 00:40:57,040
Speaker 1: with people. Listen, you know what I mean to talk

859
00:40:57,040 --> 00:40:59,040
Speaker 1: about what you know I'm saying. You know, if you

860
00:40:59,120 --> 00:41:00,520
Speaker 1: know you're trying to be me, I'll say what you

861
00:41:00,640 --> 00:41:02,680
Speaker 1: can't sing? You pretty wood? Like you know what I'm saying.

862
00:41:03,040 --> 00:41:05,799
Speaker 1: Anybody could be me what I'm saying beyond that point

863
00:41:05,840 --> 00:41:10,640
Speaker 1: like as in music, music or other man. My thing

864
00:41:10,760 --> 00:41:12,279
Speaker 1: is like like I was telling like saying earlier, I

865
00:41:12,280 --> 00:41:14,759
Speaker 1: ain't never really want to do nothing, So I'm just appreciative,

866
00:41:14,880 --> 00:41:16,320
Speaker 1: Like not that I didn't want to do nothing, just

867
00:41:16,440 --> 00:41:18,960
Speaker 1: wasn't in my mind, Like I wasn't raised in no

868
00:41:19,080 --> 00:41:22,040
Speaker 1: place where nigga's got dreams like if you're tall or

869
00:41:22,120 --> 00:41:26,320
Speaker 1: you big, you can play basketball. Yeah, exactly, Ship like that.

870
00:41:26,440 --> 00:41:29,800
Speaker 1: So it's like, um, I was cool with having a

871
00:41:29,840 --> 00:41:32,520
Speaker 1: good job, you know what I mean, journ I remember

872
00:41:32,560 --> 00:41:34,560
Speaker 1: I was trying to work here because I dropped out

873
00:41:34,560 --> 00:41:37,160
Speaker 1: when I was fifteen, So I was trying to get

874
00:41:38,000 --> 00:41:40,759
Speaker 1: ups jobs and warehouse and staff marked also the ship.

875
00:41:40,800 --> 00:41:42,600
Speaker 1: I oulder how he was just televie, but then I'm

876
00:41:42,640 --> 00:41:45,520
Speaker 1: a minor. I can't get no job with me. I

877
00:41:45,600 --> 00:41:47,640
Speaker 1: feel like I just got so many opportunities for me

878
00:41:48,080 --> 00:41:49,600
Speaker 1: based off with just who I am as a person,

879
00:41:50,120 --> 00:41:52,359
Speaker 1: and some of these opportunities. To be honest, I feel

880
00:41:52,360 --> 00:41:53,920
Speaker 1: like it's gonna do better than music. You know, if

881
00:41:53,960 --> 00:41:56,520
Speaker 1: you think about no film TELEVI you talk about my videos.

882
00:41:56,640 --> 00:41:57,960
Speaker 1: If you can make a video triput, you can make

883
00:41:58,000 --> 00:42:01,000
Speaker 1: a show, you can make it on the make a

884
00:42:01,040 --> 00:42:03,320
Speaker 1: series exactly, like I don't know, some good things like

885
00:42:03,400 --> 00:42:05,480
Speaker 1: Ryan Coogler and I can tell I was sorry to

886
00:42:05,520 --> 00:42:07,680
Speaker 1: cut you up. I can tell your videos just your ideas,

887
00:42:07,760 --> 00:42:09,880
Speaker 1: because it's not like these directors go out and make

888
00:42:09,960 --> 00:42:12,200
Speaker 1: these these type of videos without you. You know what

889
00:42:12,400 --> 00:42:14,759
Speaker 1: I'm saying. So you know, I peeped that. Here's the

890
00:42:14,800 --> 00:42:18,879
Speaker 1: craziest thing, right, Um. I looked at uh Fat Joe,

891
00:42:18,920 --> 00:42:20,920
Speaker 1: I think on on Instagram live or something, and he

892
00:42:21,000 --> 00:42:23,520
Speaker 1: said that what a lot of people didn't notice was

893
00:42:23,840 --> 00:42:26,600
Speaker 1: Pun didn't have a lot of records for artists because

894
00:42:26,719 --> 00:42:29,200
Speaker 1: artists didn't want to get on a record with Pun

895
00:42:29,360 --> 00:42:31,560
Speaker 1: because they always looked at it like Punt to burn

896
00:42:31,640 --> 00:42:33,640
Speaker 1: them down or something like that. One of those things

897
00:42:33,680 --> 00:42:35,279
Speaker 1: that I've noticed with you is you got like a

898
00:42:35,840 --> 00:42:37,759
Speaker 1: head to head record with Roys the five nine and

899
00:42:37,800 --> 00:42:41,960
Speaker 1: worse the five nine similar serves as that purpose too

900
00:42:42,040 --> 00:42:43,600
Speaker 1: is a lot of people, you know, they want to

901
00:42:43,600 --> 00:42:45,160
Speaker 1: be cool Roys, they don't want to get on the

902
00:42:45,440 --> 00:42:48,839
Speaker 1: record with them. So what made you? Because I knew

903
00:42:48,880 --> 00:42:55,160
Speaker 1: I was kind of the best version. I just and

904
00:42:55,239 --> 00:42:56,880
Speaker 1: I did had the best version. They need to be

905
00:42:56,920 --> 00:43:04,839
Speaker 1: playing favorites. It ain't even close. Okay, Coo, I met

906
00:43:05,400 --> 00:43:09,920
Speaker 1: Cricket Eye, Cricket Atronome, I've seen them somewhere. So yeah, man,

907
00:43:09,960 --> 00:43:11,879
Speaker 1: I think Cody was supposed to be on the court.

908
00:43:11,880 --> 00:43:14,560
Speaker 1: They can be on it, which I made it real quick.

909
00:43:15,280 --> 00:43:16,640
Speaker 1: I'm just happy I was on it. You feel me

910
00:43:16,760 --> 00:43:18,920
Speaker 1: like you know you don't get them opportunities every day.

911
00:43:19,480 --> 00:43:21,160
Speaker 1: So I love that we've got noise. I love it

912
00:43:23,920 --> 00:43:27,320
Speaker 1: so so Um, but is there like a sense of

913
00:43:27,440 --> 00:43:31,879
Speaker 1: nervousness because you're in uh I don't want to say

914
00:43:31,880 --> 00:43:35,239
Speaker 1: that in that world, but um, you're part of people

915
00:43:35,280 --> 00:43:38,080
Speaker 1: consider real lyricism. Yeah, you know what I'm saying. And

916
00:43:38,120 --> 00:43:39,680
Speaker 1: then when you get the chance to work with a

917
00:43:41,400 --> 00:43:43,640
Speaker 1: cord Day, I don't know. I always placed his name

918
00:43:43,920 --> 00:43:47,719
Speaker 1: Corday eminem or a voice? Does it? Does it? Does

919
00:43:47,760 --> 00:43:50,120
Speaker 1: it bring what? Does it bring a sense of competition

920
00:43:50,200 --> 00:43:52,360
Speaker 1: out of you? Or do you even consider yourself a

921
00:43:52,440 --> 00:43:54,640
Speaker 1: lyricis because it sounds like you might not even know

922
00:43:54,719 --> 00:43:58,480
Speaker 1: your lyricis. I mean it's like it depends, like it

923
00:43:58,560 --> 00:44:00,800
Speaker 1: all depends on how you you and you feel me

924
00:44:00,880 --> 00:44:02,759
Speaker 1: because like I said, I listen to a lot of ships,

925
00:44:02,800 --> 00:44:04,840
Speaker 1: so like I think he fought the lyricius When I

926
00:44:04,880 --> 00:44:07,520
Speaker 1: say that at me, like I'm crazy, it's just kid,

927
00:44:07,560 --> 00:44:09,640
Speaker 1: you don't know what somebody talking about. Don't mean they're

928
00:44:09,680 --> 00:44:12,319
Speaker 1: now hard. So I mean with me, it's like, yeah,

929
00:44:12,360 --> 00:44:14,480
Speaker 1: I appreciate, but that's how I got music from no

930
00:44:14,600 --> 00:44:16,759
Speaker 1: fucking as far as on the bigger scale or just

931
00:44:16,880 --> 00:44:20,919
Speaker 1: in general world evidence in DJ Babou was making beast

932
00:44:20,960 --> 00:44:22,759
Speaker 1: for me when I was younger, nobody gave the ship

933
00:44:23,200 --> 00:44:26,320
Speaker 1: and you know, ill mind and I don't forget nobody

934
00:44:26,400 --> 00:44:28,080
Speaker 1: kill her. It was the gang motherfucker's give me ships.

935
00:44:28,480 --> 00:44:32,279
Speaker 1: Scoop the veal into nor and D and comment like

936
00:44:32,400 --> 00:44:34,120
Speaker 1: I'm in the first person that put me on the song.

937
00:44:36,840 --> 00:44:38,360
Speaker 1: I got to be easier work as a comment you

938
00:44:38,400 --> 00:44:39,520
Speaker 1: feel me. I don't know where it's had, but I

939
00:44:39,600 --> 00:44:43,640
Speaker 1: got it. So like like that, like I appreciate the

940
00:44:44,400 --> 00:44:47,040
Speaker 1: to be listening to your music to these last couple

941
00:44:47,080 --> 00:44:50,000
Speaker 1: of days. I couldn't help with like talk like you,

942
00:44:50,080 --> 00:44:53,720
Speaker 1: I couldn't help, but like I couldn't help because because

943
00:44:53,719 --> 00:44:56,320
Speaker 1: you know, you have re influence if you listen to

944
00:44:56,440 --> 00:44:59,840
Speaker 1: you like, is it ever the time? Like you know,

945
00:45:00,640 --> 00:45:02,759
Speaker 1: like I have sometimes that white people coming to me

946
00:45:02,800 --> 00:45:04,080
Speaker 1: like you know what something my nigga, And I'm like,

947
00:45:04,160 --> 00:45:07,919
Speaker 1: wait a minute, I am not chilly what I'm saying,

948
00:45:08,040 --> 00:45:10,400
Speaker 1: but what you know, you know that they're influenced. You

949
00:45:10,480 --> 00:45:14,080
Speaker 1: know they didn't they don't mean it, but but I

950
00:45:14,200 --> 00:45:17,680
Speaker 1: still I'm offended one And it's like, do you ever

951
00:45:17,760 --> 00:45:21,560
Speaker 1: feel like maybe I'm giving too much in the in

952
00:45:21,640 --> 00:45:23,600
Speaker 1: the records or or yeah, I used to I used

953
00:45:23,640 --> 00:45:24,920
Speaker 1: to feel like that. It's funny now. I had a

954
00:45:24,960 --> 00:45:26,480
Speaker 1: point of time with music, right, So I had my

955
00:45:26,520 --> 00:45:29,400
Speaker 1: first album come out, and I'm like, all right, cool, um,

956
00:45:29,520 --> 00:45:31,080
Speaker 1: I got a lot, you know, shoot off my chest,

957
00:45:31,080 --> 00:45:32,680
Speaker 1: blah blah have you. But at that point in time,

958
00:45:33,040 --> 00:45:35,240
Speaker 1: I ain't really had that. It was still cracking Insentially,

959
00:45:35,239 --> 00:45:36,680
Speaker 1: I wasn't like one bear with my sister and my

960
00:45:36,760 --> 00:45:38,799
Speaker 1: mama in the middle of like some whole other ship

961
00:45:38,880 --> 00:45:40,960
Speaker 1: that was going on, and I was like, you feel me.

962
00:45:41,000 --> 00:45:42,799
Speaker 1: It was like, man, your album is out of it. Yeah,

963
00:45:42,880 --> 00:45:45,360
Speaker 1: but that's like my story. Yeah, it didn't matter. So

964
00:45:45,400 --> 00:45:46,920
Speaker 1: it's like at this point in time, it's like, all right,

965
00:45:47,400 --> 00:45:49,200
Speaker 1: all I got from that first album is nigga is

966
00:45:49,239 --> 00:45:51,839
Speaker 1: doing my face, like the nigga is matter. Nigga's always

967
00:45:51,880 --> 00:45:54,520
Speaker 1: been my voice. Nigg is always do my voice, and

968
00:45:54,600 --> 00:45:56,680
Speaker 1: nigga's kind of will see if the nigga that sound

969
00:45:56,760 --> 00:45:59,439
Speaker 1: like that had a gas nigga everything, that's me at

970
00:45:59,480 --> 00:46:01,120
Speaker 1: it because I I used to be out like that.

971
00:46:01,200 --> 00:46:02,960
Speaker 1: I don't sunk with other niggas, Like if you wanted

972
00:46:03,000 --> 00:46:04,520
Speaker 1: my homies, you don't. But I don't know a gang

973
00:46:04,560 --> 00:46:06,319
Speaker 1: of people from a gang of the neighborhoods, Like, I'm

974
00:46:06,320 --> 00:46:09,160
Speaker 1: not that stupid. That's how you get killed. I was

975
00:46:09,760 --> 00:46:11,400
Speaker 1: that wrong in My mom always said Mario man To

976
00:46:11,400 --> 00:46:13,560
Speaker 1: stated your cell type ship, which goes against what hip

977
00:46:13,560 --> 00:46:17,319
Speaker 1: hop is. So when sometimes I say this came out,

978
00:46:17,400 --> 00:46:18,879
Speaker 1: I was doing good blah blah, I want to good

979
00:46:18,880 --> 00:46:23,280
Speaker 1: trajectory no idea and death Yam. They have a conflict

980
00:46:23,360 --> 00:46:26,080
Speaker 1: of of kind of ideas. No I d kind of

981
00:46:26,160 --> 00:46:29,200
Speaker 1: leave death jam. So at that point in time, I'm

982
00:46:29,239 --> 00:46:31,040
Speaker 1: just trying to figure it out. I don't really know

983
00:46:31,120 --> 00:46:34,279
Speaker 1: what I'm doing. And then I was doing shows just

984
00:46:34,360 --> 00:46:37,359
Speaker 1: in the meantime, and I realized, like it felt weird,

985
00:46:37,520 --> 00:46:39,279
Speaker 1: like man, I'm out here in this different country and

986
00:46:39,320 --> 00:46:41,480
Speaker 1: blah blah blah blah, and all I got to do.

987
00:46:41,760 --> 00:46:43,120
Speaker 1: All I can tell Nigga is is that you know

988
00:46:43,160 --> 00:46:45,080
Speaker 1: our gang bang you feel me like music. But that's

989
00:46:45,120 --> 00:46:46,560
Speaker 1: all I had seen in my life, so I don't

990
00:46:46,560 --> 00:46:50,279
Speaker 1: know how to read articulate much. So um, I was like,

991
00:46:50,280 --> 00:46:51,680
Speaker 1: all right, I'm never doing this again. Like even with

992
00:46:51,719 --> 00:46:53,640
Speaker 1: the Big Fisterio, I'm like, I made the album so

993
00:46:53,719 --> 00:46:56,319
Speaker 1: it could get sinks for movies, so I had God

994
00:46:56,440 --> 00:46:58,560
Speaker 1: made it with that in mind. Yeah, every single and

995
00:46:58,680 --> 00:47:00,959
Speaker 1: almost I think like probably eight you know songs got six.

996
00:47:01,440 --> 00:47:03,920
Speaker 1: So the reason I made it because we had got

997
00:47:04,040 --> 00:47:08,440
Speaker 1: an offer to do. Um was it? It was the

998
00:47:08,719 --> 00:47:11,520
Speaker 1: Was it the army or was it FIFA? What was first? FIFA? Right?

999
00:47:13,560 --> 00:47:17,080
Speaker 1: What call of duty gave me? Offer? How much was it?

1000
00:47:17,440 --> 00:47:22,840
Speaker 1: Like you, I'm trying to see if it is the

1001
00:47:22,920 --> 00:47:25,239
Speaker 1: right story because which one was hired was a call

1002
00:47:25,320 --> 00:47:33,799
Speaker 1: of duty or FIFA? But that FIFA was higher? Right?

1003
00:47:34,080 --> 00:47:36,120
Speaker 1: All right? So call it basically call of duty gave me.

1004
00:47:37,920 --> 00:47:39,360
Speaker 1: But that call of duty, call it what call of

1005
00:47:39,400 --> 00:47:41,080
Speaker 1: duty gave me to do one song that they didn't

1006
00:47:41,080 --> 00:47:43,120
Speaker 1: even use as more than my whole album budget. Okay,

1007
00:47:43,160 --> 00:47:46,080
Speaker 1: but lets let let's be let's be let's be um

1008
00:47:46,600 --> 00:47:49,560
Speaker 1: precise if you can, but you do you get published

1009
00:47:49,560 --> 00:47:51,440
Speaker 1: in off of that or this is a buyoutum now

1010
00:47:51,480 --> 00:47:56,600
Speaker 1: you okay, call of duty license notice, but some people

1011
00:47:57,360 --> 00:47:59,080
Speaker 1: you can do about it. But they they knew music,

1012
00:47:59,320 --> 00:48:01,279
Speaker 1: So I still got paid an they didn't use it.

1013
00:48:01,600 --> 00:48:03,919
Speaker 1: I got a FIFA thing, they didn't use it. Okay.

1014
00:48:04,000 --> 00:48:06,640
Speaker 1: I got a FIFA thing for Champions League, and that

1015
00:48:06,880 --> 00:48:09,800
Speaker 1: was crazy and then I was like, all right, feva

1016
00:48:09,880 --> 00:48:12,160
Speaker 1: money different, that's soccer. I was like, this makes sense.

1017
00:48:12,480 --> 00:48:14,879
Speaker 1: So the years later, I don't even a boris knew

1018
00:48:14,920 --> 00:48:19,520
Speaker 1: that in the room. So when when Call of Duty

1019
00:48:19,560 --> 00:48:23,040
Speaker 1: didn't use it, um, the U S. Army picked it up.

1020
00:48:24,280 --> 00:48:26,000
Speaker 1: The Army picked it up. I got paid for it again,

1021
00:48:26,400 --> 00:48:28,800
Speaker 1: they didn't use it. Then after the Army didn't use it,

1022
00:48:29,239 --> 00:48:32,960
Speaker 1: Spider Man Movie use it. So this is all the meantime.

1023
00:48:32,960 --> 00:48:34,640
Speaker 1: I'm making this album and I'm torning. I'm like, all right,

1024
00:48:34,920 --> 00:48:36,360
Speaker 1: so if I can get tense songs, every one of

1025
00:48:36,400 --> 00:48:38,920
Speaker 1: these songs, can you get singed? Then I don't need

1026
00:48:39,000 --> 00:48:41,600
Speaker 1: nothing else, you feel me. So then I made this

1027
00:48:41,680 --> 00:48:44,400
Speaker 1: song called back Back. I made it for Baywatch. They

1028
00:48:44,480 --> 00:48:46,640
Speaker 1: put in the Baywatch trailer and I noticed that, like,

1029
00:48:47,320 --> 00:48:51,239
Speaker 1: k exactly, so what's it called? Um, don't see it

1030
00:48:51,320 --> 00:48:54,160
Speaker 1: there exactly when you came you came to seat, So

1031
00:48:54,719 --> 00:48:58,640
Speaker 1: what's McCall it? What's the name name? Damn? What's her name? Um?

1032
00:49:00,880 --> 00:49:03,239
Speaker 1: Fuck no? So I make I make back back right

1033
00:49:03,800 --> 00:49:07,239
Speaker 1: and we go the ohay is director and like it

1034
00:49:07,360 --> 00:49:08,920
Speaker 1: was a you know, the music director kept putting my

1035
00:49:08,920 --> 00:49:10,800
Speaker 1: ship in a certain ship. So I was I noticed,

1036
00:49:10,840 --> 00:49:12,879
Speaker 1: like what songs kept getting singing, Blue sage kept getting

1037
00:49:12,920 --> 00:49:15,719
Speaker 1: sink and someone nor singing. I noticed like it was

1038
00:49:15,800 --> 00:49:19,080
Speaker 1: like they was going for the most abrupt sounds to

1039
00:49:19,400 --> 00:49:22,040
Speaker 1: kind of separate the scenes. So then I started making

1040
00:49:22,120 --> 00:49:24,640
Speaker 1: music with that in mind. So back back guy Um,

1041
00:49:25,840 --> 00:49:31,200
Speaker 1: I got back back in Baywatch, Black Panther, and like

1042
00:49:31,320 --> 00:49:33,200
Speaker 1: one other thing, and then a lot of the other

1043
00:49:33,239 --> 00:49:35,279
Speaker 1: songs was getting scence. So basically I was that changed

1044
00:49:35,320 --> 00:49:37,359
Speaker 1: my whole life, and then that changed the torn because

1045
00:49:37,360 --> 00:49:38,839
Speaker 1: now I could play. It was the point of time

1046
00:49:38,840 --> 00:49:40,560
Speaker 1: when I was playing festivals, no rappers on the stage

1047
00:49:40,600 --> 00:49:42,120
Speaker 1: but me and Golden. It was the only rappers on

1048
00:49:42,160 --> 00:49:44,200
Speaker 1: the on the build unless you play hip hop festival

1049
00:49:44,480 --> 00:49:46,239
Speaker 1: like Splash or something to be like Prime and be

1050
00:49:46,320 --> 00:49:48,000
Speaker 1: headline or some ship like that, like some cool ship

1051
00:49:48,080 --> 00:49:49,759
Speaker 1: like that. But other than that, if it was no

1052
00:49:49,800 --> 00:49:51,480
Speaker 1: real hip hop festival, it'd be two rappers on the

1053
00:49:51,480 --> 00:49:53,600
Speaker 1: whole festival, be Me and Golden, something like Damn Old

1054
00:49:53,640 --> 00:49:56,360
Speaker 1: who gold Link for Sea. So I was like, all right,

1055
00:49:56,400 --> 00:50:00,600
Speaker 1: if it's fifty festivals this year, and I know for

1056
00:50:00,680 --> 00:50:02,920
Speaker 1: a fact I can play every single one of them

1057
00:50:02,920 --> 00:50:04,720
Speaker 1: because they're not even gonna want to play in them crowds.

1058
00:50:05,000 --> 00:50:07,279
Speaker 1: Then I'm just I was just counting the money. So

1059
00:50:07,480 --> 00:50:08,799
Speaker 1: I had like a two or three year span where

1060
00:50:08,800 --> 00:50:10,600
Speaker 1: I wasn't even wrapping about the games. I don't even

1061
00:50:10,640 --> 00:50:12,400
Speaker 1: cursing really was, So I really wasn't because I was

1062
00:50:12,440 --> 00:50:14,640
Speaker 1: thinking about these shows. I wasn't saying the again ship

1063
00:50:14,760 --> 00:50:17,040
Speaker 1: like that. And then like you know, something happened in

1064
00:50:17,080 --> 00:50:18,680
Speaker 1: life and I was like, man that I'm gonna be

1065
00:50:18,800 --> 00:50:20,080
Speaker 1: kind of more. I'm just gonna do what I do.

1066
00:50:20,800 --> 00:50:22,839
Speaker 1: But I cleaned up. But it's like it was really

1067
00:50:22,880 --> 00:50:26,320
Speaker 1: worth it to me because it's like it was wasted years. Wow,

1068
00:50:26,840 --> 00:50:28,840
Speaker 1: you know, chasing the money, blowing up, the way that

1069
00:50:28,920 --> 00:50:33,040
Speaker 1: you approached making the music for the certain opportunities. That's

1070
00:50:33,120 --> 00:50:35,480
Speaker 1: that's that's when Bad, That's when Bad and Boogie was out.

1071
00:50:35,520 --> 00:50:37,040
Speaker 1: So it's like, all right, you gotta think about how

1072
00:50:37,080 --> 00:50:39,320
Speaker 1: many they help was doing all kind of alien movies,

1073
00:50:39,360 --> 00:50:42,040
Speaker 1: all kind of superhero movies. Marvel was popping, so they

1074
00:50:42,120 --> 00:50:45,040
Speaker 1: can't play these songs essentially when they playing in these

1075
00:50:45,280 --> 00:50:47,160
Speaker 1: in these movies. So what I would do is I

1076
00:50:47,200 --> 00:50:48,840
Speaker 1: would look at kind of scores. I was watching like

1077
00:50:48,920 --> 00:50:50,640
Speaker 1: Blade Runner, I was watching Certain Ship, and I was

1078
00:50:50,680 --> 00:50:52,440
Speaker 1: seeing what that kind of music sound like, and I

1079
00:50:52,480 --> 00:50:54,640
Speaker 1: was looking at how international things worked. They was putting

1080
00:50:54,640 --> 00:50:55,719
Speaker 1: a lot of playing a lot of older you know,

1081
00:50:56,040 --> 00:50:58,879
Speaker 1: old UK music and ship like that, and I've kind

1082
00:50:58,920 --> 00:51:00,880
Speaker 1: of just figured out looked at we looked at what

1083
00:51:01,000 --> 00:51:02,600
Speaker 1: movies was coming out, and we just made songs that

1084
00:51:02,600 --> 00:51:04,360
Speaker 1: would fitting certain things. And it makes sense if you

1085
00:51:04,440 --> 00:51:07,280
Speaker 1: listen to the catalog, at least when I was listening recently,

1086
00:51:07,920 --> 00:51:11,320
Speaker 1: each song sounds different. Now it makes sense why, Like

1087
00:51:11,400 --> 00:51:13,279
Speaker 1: you're thinking in yeah, this is for this, this for

1088
00:51:13,400 --> 00:51:14,759
Speaker 1: this is for this. I didn't have a two old

1089
00:51:14,760 --> 00:51:17,480
Speaker 1: projects certain shows for action movie starting shows for their

1090
00:51:17,520 --> 00:51:19,480
Speaker 1: startin shows for that. We were doing that and to

1091
00:51:19,560 --> 00:51:21,600
Speaker 1: this day and we just got another one for this

1092
00:51:21,680 --> 00:51:25,440
Speaker 1: other movie. So I mean it worked. But essentially it's

1093
00:51:25,480 --> 00:51:28,960
Speaker 1: like I had some lives and hommies passing, like some

1094
00:51:29,000 --> 00:51:31,320
Speaker 1: family members passing ship, and like it just kind of

1095
00:51:31,400 --> 00:51:34,200
Speaker 1: re reassessed like the way I looked at like because

1096
00:51:34,239 --> 00:51:36,080
Speaker 1: like you know, you get older, you gotta realize what

1097
00:51:36,280 --> 00:51:38,320
Speaker 1: matter you feel me And I think I got to

1098
00:51:38,360 --> 00:51:40,240
Speaker 1: the points where I kind of had a better understanding

1099
00:51:40,280 --> 00:51:44,600
Speaker 1: that recently. Does does it ever? Does the fans ever

1100
00:51:44,719 --> 00:51:46,520
Speaker 1: get on your case, because if you're making the music

1101
00:51:46,640 --> 00:51:49,880
Speaker 1: for these opportunities, then you're not necessarily making it anymore

1102
00:51:49,920 --> 00:51:52,160
Speaker 1: for the fans. I mean, but who are the fans?

1103
00:51:52,280 --> 00:51:55,160
Speaker 1: Feel the fan the fans like I'm asking, like, really,

1104
00:51:55,200 --> 00:51:56,960
Speaker 1: who are the fans? And fans are based on your

1105
00:51:56,960 --> 00:51:58,840
Speaker 1: point of view. So if you if you're making this

1106
00:51:58,960 --> 00:52:00,560
Speaker 1: and this is working here and look this way, the

1107
00:52:00,680 --> 00:52:01,920
Speaker 1: needs are the fans. If you look at way it

1108
00:52:02,000 --> 00:52:03,400
Speaker 1: needs a fans, it's only gonna be somebody to like

1109
00:52:03,480 --> 00:52:05,399
Speaker 1: some ship, so you can't pay attention. And the way

1110
00:52:05,400 --> 00:52:06,960
Speaker 1: I looked at it was like, man, it's I hadn't

1111
00:52:07,000 --> 00:52:08,560
Speaker 1: done so much worse ship than made a song, and

1112
00:52:08,600 --> 00:52:12,319
Speaker 1: they don't like I got motherfucker's that's gonna be really

1113
00:52:12,360 --> 00:52:13,840
Speaker 1: mad for the rest of their life for me, so

1114
00:52:14,239 --> 00:52:16,400
Speaker 1: I care about it. Sounds crazy, but I care more

1115
00:52:16,440 --> 00:52:18,040
Speaker 1: about the niggas I didn't done wrong in my life

1116
00:52:18,080 --> 00:52:19,480
Speaker 1: that I was like, you know, really done something too.

1117
00:52:19,719 --> 00:52:22,080
Speaker 1: Then I do a motherfucker who don't care about who

1118
00:52:22,120 --> 00:52:23,400
Speaker 1: don't like a song you fee me? I want to

1119
00:52:23,440 --> 00:52:26,080
Speaker 1: tell them theyket sorry not to necessarily music people just

1120
00:52:26,080 --> 00:52:27,960
Speaker 1: add where I'm at in life right now. So I

1121
00:52:28,120 --> 00:52:31,920
Speaker 1: understand it. But everybody like music is emotional thing, and

1122
00:52:32,080 --> 00:52:33,360
Speaker 1: like I knew I was gonna be able to do

1123
00:52:33,480 --> 00:52:36,960
Speaker 1: music because I was good at certain ship. So if

1124
00:52:37,000 --> 00:52:39,920
Speaker 1: I can convince you that you're mad, so you go

1125
00:52:40,160 --> 00:52:43,200
Speaker 1: around the corner and whatever, I know, I can get

1126
00:52:43,200 --> 00:52:45,839
Speaker 1: these nigga and listen to a song. When I first

1127
00:52:45,960 --> 00:52:48,040
Speaker 1: started met SID and telling on them, I wasn't making

1128
00:52:48,080 --> 00:52:49,600
Speaker 1: the music. I want to rapper. That's why I don't

1129
00:52:49,640 --> 00:52:51,680
Speaker 1: got no rap name, because I ask me my name,

1130
00:52:51,680 --> 00:52:53,080
Speaker 1: because I did the verset and it just I was

1131
00:52:53,080 --> 00:52:54,560
Speaker 1: told my name and they put it in the ship

1132
00:52:54,600 --> 00:53:01,080
Speaker 1: and that was my raping. So now the North North right,

1133
00:53:02,560 --> 00:53:06,840
Speaker 1: all right, now we're understanding Long Beach is its own entity.

1134
00:53:07,400 --> 00:53:12,160
Speaker 1: It's its own city. Now it's like you're you're narrowed down,

1135
00:53:12,239 --> 00:53:14,400
Speaker 1: like now I'm just not from North As. I'm not

1136
00:53:14,480 --> 00:53:18,400
Speaker 1: just from Long Beach. I'm from North North. Can you

1137
00:53:18,760 --> 00:53:21,479
Speaker 1: break that short, person that's never been to California before?

1138
00:53:21,840 --> 00:53:24,200
Speaker 1: What is Nor North? I mean? Yeah, it's like every

1139
00:53:24,280 --> 00:53:25,920
Speaker 1: every city has a segment, you know what I mean,

1140
00:53:25,960 --> 00:53:30,320
Speaker 1: And and the segments have segments. So I feel like

1141
00:53:30,360 --> 00:53:34,400
Speaker 1: the way it is is nobody had ever said that

1142
00:53:34,520 --> 00:53:36,279
Speaker 1: from I got a gang of homies that's from North

1143
00:53:36,360 --> 00:53:39,400
Speaker 1: Long Beach, but they from East Side gangs because I

1144
00:53:39,440 --> 00:53:41,880
Speaker 1: was the bigger gangs or you know, so when you

1145
00:53:42,120 --> 00:53:44,560
Speaker 1: because a person that don't know, when you say they

1146
00:53:44,719 --> 00:53:47,880
Speaker 1: from that's you're saying that's the set they joined exactly exactly.

1147
00:53:48,239 --> 00:53:50,200
Speaker 1: But it's like it's a gang. It's g g Nique

1148
00:53:50,239 --> 00:53:51,520
Speaker 1: is like all the dudes that's from the North, that's

1149
00:53:51,560 --> 00:53:53,920
Speaker 1: from Eastide gangs. Like that's reparables for me. But at

1150
00:53:53,920 --> 00:53:55,520
Speaker 1: the point in time, it's just you know, it's the

1151
00:53:55,560 --> 00:53:57,840
Speaker 1: crowd like people do would make their most sense. And

1152
00:53:57,920 --> 00:54:00,000
Speaker 1: also with the racial so we say this North Side,

1153
00:54:00,000 --> 00:54:01,880
Speaker 1: I don't have a lot of the big games. Well

1154
00:54:02,040 --> 00:54:03,719
Speaker 1: we got the two biggest games gonna be on the

1155
00:54:03,760 --> 00:54:04,960
Speaker 1: way on the east of me and twenties in the

1156
00:54:05,000 --> 00:54:08,520
Speaker 1: same is the biggest hoods. That's where tradey from. Yeah exactly.

1157
00:54:08,840 --> 00:54:11,080
Speaker 1: So it's like most people are just gonna be from there.

1158
00:54:11,120 --> 00:54:12,719
Speaker 1: And I got the homies that is from there, an

1159
00:54:12,719 --> 00:54:14,279
Speaker 1: homies that was from there, and then came back to

1160
00:54:15,000 --> 00:54:16,640
Speaker 1: a lot of stuff happened like that. When you kids,

1161
00:54:16,680 --> 00:54:19,279
Speaker 1: you know, you're trying to find your way. But it's

1162
00:54:19,280 --> 00:54:21,759
Speaker 1: funny North North wasn't even gone I thought it was

1163
00:54:21,800 --> 00:54:23,279
Speaker 1: too burnt out because so let me ask you some

1164
00:54:23,360 --> 00:54:24,799
Speaker 1: of him sorry to cut you off. Is that why

1165
00:54:24,880 --> 00:54:27,600
Speaker 1: snooping them rep east side? Yeah? Is that why the

1166
00:54:28,080 --> 00:54:31,920
Speaker 1: crazy thing about snoopers? I'm sorry throwing these games side horrible.

1167
00:54:33,400 --> 00:54:37,759
Speaker 1: I just said that he's rubbing off because I'm listening

1168
00:54:37,760 --> 00:54:41,400
Speaker 1: to I'm sorry and Christian cribb'all like I just got

1169
00:54:41,520 --> 00:54:43,200
Speaker 1: got me. I'm sorry good, I'm just like, so, yeah,

1170
00:54:43,200 --> 00:54:45,279
Speaker 1: that's why they say that east out of the now. Also,

1171
00:54:45,320 --> 00:54:48,319
Speaker 1: I would hear certain songs or snoop was safe ship

1172
00:54:48,440 --> 00:54:50,719
Speaker 1: that's on the north Okay, like he said on the

1173
00:54:50,800 --> 00:54:53,840
Speaker 1: intro of the Oar, stayed on fifty first thirty blocks

1174
00:54:53,880 --> 00:54:56,600
Speaker 1: from the east side, like nigga, that's down the streets.

1175
00:54:56,760 --> 00:54:58,680
Speaker 1: Like why you just say that you stayed on the

1176
00:54:58,760 --> 00:55:02,400
Speaker 1: north like people. His father talked to him about this

1177
00:55:02,440 --> 00:55:04,680
Speaker 1: a million times, like he's like, he's like and he said,

1178
00:55:05,080 --> 00:55:07,279
Speaker 1: he always tell me that he appreciated that song because

1179
00:55:07,280 --> 00:55:08,520
Speaker 1: it's like, you know, he come from Areya. It was

1180
00:55:08,560 --> 00:55:10,319
Speaker 1: clashing like what every about in the north side. Let

1181
00:55:10,880 --> 00:55:12,879
Speaker 1: the songs about North North? Yeah, because like he said,

1182
00:55:12,920 --> 00:55:14,239
Speaker 1: it was a point time when he was clashing with

1183
00:55:14,280 --> 00:55:16,279
Speaker 1: the north, northeast, n there long and so that there's

1184
00:55:16,280 --> 00:55:19,320
Speaker 1: still kind of iffy, but um, yeah, man, I just

1185
00:55:19,360 --> 00:55:20,839
Speaker 1: felt like and I didn't want to put out because

1186
00:55:20,840 --> 00:55:22,080
Speaker 1: it was too burnt out. I felt like it was

1187
00:55:22,160 --> 00:55:25,160
Speaker 1: too real based on what was going on at the time.

1188
00:55:25,239 --> 00:55:27,239
Speaker 1: You feel me like it was if you like really

1189
00:55:27,320 --> 00:55:28,759
Speaker 1: listened to that song, I was doing some stupid I

1190
00:55:28,800 --> 00:55:30,440
Speaker 1: should have said, should have said a lot of ships.

1191
00:55:30,960 --> 00:55:33,640
Speaker 1: It is what it is. But yeah, man, that's my

1192
00:55:33,719 --> 00:55:36,200
Speaker 1: only platinum plaque, So I ain't mad at it. I

1193
00:55:36,200 --> 00:55:41,680
Speaker 1: ain't so so for people that didn't know. Basically, you're saying,

1194
00:55:41,719 --> 00:55:44,400
Speaker 1: there's there's, there's the east side of Long Beast, but

1195
00:55:44,400 --> 00:55:46,839
Speaker 1: then it's the north side of Long Beasts. Yes, gets

1196
00:55:46,880 --> 00:55:49,960
Speaker 1: overlooked a lot of times because people go and they

1197
00:55:50,120 --> 00:55:52,040
Speaker 1: join the east side game and in the west long

1198
00:55:52,080 --> 00:55:53,360
Speaker 1: as you got the west side too. There's some real

1199
00:55:53,480 --> 00:55:55,239
Speaker 1: dudes from over there. Like. But it's like the thing

1200
00:55:55,239 --> 00:55:58,160
Speaker 1: about Long Beaches. I understand it because when we grow

1201
00:55:58,200 --> 00:56:00,360
Speaker 1: up with those one with those racial rapping for Aians,

1202
00:56:01,080 --> 00:56:03,200
Speaker 1: it's a lot of racial tension and Long Beach. So

1203
00:56:03,320 --> 00:56:07,040
Speaker 1: it's like, if you like it's just black a Mexican o.

1204
00:56:07,480 --> 00:56:11,919
Speaker 1: So Asians and Mexicans, Asians and Indians. Yea, the Asian

1205
00:56:11,920 --> 00:56:14,200
Speaker 1: and Mexicans have a really really really bad clash, like

1206
00:56:14,560 --> 00:56:16,840
Speaker 1: like it's risk. It's probably worse than it's because they

1207
00:56:16,880 --> 00:56:19,120
Speaker 1: look closer to each other. Asians and Mexican. Yeah, that

1208
00:56:19,200 --> 00:56:22,359
Speaker 1: got a really bad worse than the Blacks Mexicans. It's

1209
00:56:22,360 --> 00:56:24,400
Speaker 1: it's probably equal, to be honest, if not only were

1210
00:56:24,400 --> 00:56:27,160
Speaker 1: not say worse because they're in closer proximity, some more

1211
00:56:27,200 --> 00:56:29,359
Speaker 1: things can still bad right now. Yeah, to the day

1212
00:56:29,840 --> 00:56:33,040
Speaker 1: when we say Asians, we are including zombies. Just Cambodia,

1213
00:56:34,239 --> 00:56:37,960
Speaker 1: you know a lot like most of Southeast Asians, Cambonians,

1214
00:56:38,440 --> 00:56:40,520
Speaker 1: you know, like you know, that's what's crazy about Long Beach,

1215
00:56:40,600 --> 00:56:42,480
Speaker 1: Long Beach and mis me of Queens. They have so

1216
00:56:42,640 --> 00:56:48,400
Speaker 1: many different races. Someone some wow, that's crazy. Someones historically

1217
00:56:48,480 --> 00:56:51,320
Speaker 1: blood No, I don't know why I think trying to

1218
00:56:51,320 --> 00:56:54,680
Speaker 1: think call him used to have There was blood blood

1219
00:56:55,560 --> 00:56:58,320
Speaker 1: in Carson. I just that's how I think of in

1220
00:56:58,400 --> 00:57:00,720
Speaker 1: Car and Carsonal someone's bloods for them, Parting and Compton

1221
00:57:00,760 --> 00:57:03,120
Speaker 1: and Long Beach all some cripts, you know, all the

1222
00:57:04,800 --> 00:57:08,600
Speaker 1: Park Village and Company especially and yeah, then you just

1223
00:57:08,640 --> 00:57:10,840
Speaker 1: depend on where you at your feeling, Like like the

1224
00:57:10,880 --> 00:57:13,520
Speaker 1: thing about the crib blood shit, it's already it's already established.

1225
00:57:13,560 --> 00:57:15,480
Speaker 1: Like if you live over here, this is nig you

1226
00:57:15,480 --> 00:57:17,080
Speaker 1: don't get the pick really, you know what I mean.

1227
00:57:17,320 --> 00:57:20,280
Speaker 1: When you're a kid, if you really aware of your surrounds,

1228
00:57:20,280 --> 00:57:21,800
Speaker 1: you kind of already know what's howe to defenh you.

1229
00:57:21,920 --> 00:57:24,440
Speaker 1: You know, you fall on where you live at. That

1230
00:57:24,800 --> 00:57:27,320
Speaker 1: was it ever crazy? Like to see somebody come to

1231
00:57:27,360 --> 00:57:29,400
Speaker 1: your neighborhood were all red on or some of the

1232
00:57:29,480 --> 00:57:31,800
Speaker 1: homies had had how manies of red hair and long

1233
00:57:31,880 --> 00:57:34,200
Speaker 1: beaches and you know it's nigga's cript gangs. That that

1234
00:57:34,360 --> 00:57:37,120
Speaker 1: we're red is like a secondary type thing. When I

1235
00:57:37,200 --> 00:57:39,480
Speaker 1: was going niggas wasn't. The older people wasn't feeling it,

1236
00:57:39,920 --> 00:57:42,080
Speaker 1: but we was young and we were doing whatever we wanted,

1237
00:57:42,160 --> 00:57:44,120
Speaker 1: Like you can't it's long beach, Like everybody's a crip.

1238
00:57:44,240 --> 00:57:46,720
Speaker 1: So ain't nobody wearing blue? That's like that's not enough,

1239
00:57:46,800 --> 00:57:50,080
Speaker 1: that's not that's not differentiating. And you know what I'm saying, Like,

1240
00:57:50,680 --> 00:57:52,800
Speaker 1: so I was kind of past the color thing, like

1241
00:57:53,080 --> 00:57:55,840
Speaker 1: that's more of an l a thing because every city

1242
00:57:55,880 --> 00:57:57,640
Speaker 1: got its own politics. You know what I'm saying, like

1243
00:57:57,880 --> 00:58:00,240
Speaker 1: what happened in La Will, happened in Content and happened

1244
00:58:00,240 --> 00:58:02,320
Speaker 1: a Long Beaches all different. What happened in Carson is

1245
00:58:02,400 --> 00:58:05,800
Speaker 1: different guarden, and everybody got different politics. So now, um,

1246
00:58:07,120 --> 00:58:09,760
Speaker 1: every time I see you with a hat, it's only

1247
00:58:09,840 --> 00:58:15,240
Speaker 1: one hat, it's a goddamn yeah all right, and that recently,

1248
00:58:15,400 --> 00:58:17,240
Speaker 1: and then I want my two Yankee chains. I got three.

1249
00:58:17,240 --> 00:58:20,920
Speaker 1: I couldn't find my other one. But um, and when

1250
00:58:21,000 --> 00:58:23,160
Speaker 1: I did the research, they said that you're a fan

1251
00:58:23,240 --> 00:58:25,680
Speaker 1: of Derek Jeter. Oh yeah, I love baseball, man. You're

1252
00:58:25,680 --> 00:58:29,080
Speaker 1: a fan of Yogi Barra and daw With Strawberry. Yeah. Look, man,

1253
00:58:29,080 --> 00:58:30,520
Speaker 1: you gotta know what to tell the police when they

1254
00:58:30,520 --> 00:58:34,320
Speaker 1: pull your checking out across the police used to access

1255
00:58:34,320 --> 00:58:36,920
Speaker 1: the name players on the team. Oh okay, let me

1256
00:58:37,120 --> 00:58:42,600
Speaker 1: okay again, this is the East Coast super Green. What

1257
00:58:42,840 --> 00:58:45,000
Speaker 1: they say We're talking about this recently on Dream Champs

1258
00:58:45,160 --> 00:58:49,720
Speaker 1: about how specifically now is that a gang? I mean

1259
00:58:49,800 --> 00:58:52,000
Speaker 1: everybody picked they on it's a gangle hoods that where

1260
00:58:52,040 --> 00:58:54,160
Speaker 1: they had right, we already had any black word. I

1261
00:58:54,200 --> 00:58:56,760
Speaker 1: had asian zat a family where that had a schoolyard,

1262
00:58:56,800 --> 00:58:59,880
Speaker 1: where that had the neighborhoods where they had and the

1263
00:59:00,040 --> 00:59:01,880
Speaker 1: fee where that has Sometimes a lot of people were

1264
00:59:01,880 --> 00:59:03,840
Speaker 1: it's it ain't it's only so many hats. I think

1265
00:59:03,840 --> 00:59:06,600
Speaker 1: it's kind of gotta shear hands. Just depend on the

1266
00:59:06,600 --> 00:59:08,760
Speaker 1: neighborhood you win. So so you said you have to

1267
00:59:08,800 --> 00:59:11,000
Speaker 1: know what the police to tell you. So the police

1268
00:59:11,040 --> 00:59:12,800
Speaker 1: pull you over and they say why you have that

1269
00:59:12,880 --> 00:59:16,160
Speaker 1: hat on? And you name somebody from the actually sports team.

1270
00:59:16,440 --> 00:59:18,600
Speaker 1: They're leaning in on you. Well, I mean when we

1271
00:59:18,760 --> 00:59:20,960
Speaker 1: was kids and we ain't even driving you someday, Oh,

1272
00:59:20,960 --> 00:59:22,760
Speaker 1: what's that mean? You know, when you're outside the public,

1273
00:59:22,800 --> 00:59:24,560
Speaker 1: when you're a kid the publicly they won't to you,

1274
00:59:24,720 --> 00:59:28,000
Speaker 1: but they identified that this hat. You ain't from no

1275
00:59:28,120 --> 00:59:30,840
Speaker 1: New York. But the police know everything, right, they be

1276
00:59:30,880 --> 00:59:33,600
Speaker 1: telling on themselves all day. It's five snitches that nobody

1277
00:59:33,680 --> 00:59:35,760
Speaker 1: know about it all the time. It's five secrets, snitche

1278
00:59:35,800 --> 00:59:38,360
Speaker 1: secretary that's telling the police everything that's going on. I

1279
00:59:38,440 --> 00:59:40,280
Speaker 1: grew up with my Space. I think it has been

1280
00:59:40,280 --> 00:59:43,720
Speaker 1: telling on theirselves. So the police know everything that's going on.

1281
00:59:43,880 --> 00:59:46,640
Speaker 1: They're not they're not stupid. Let's go, let's go back

1282
00:59:46,640 --> 00:59:48,760
Speaker 1: to the subject. Let me actually want my momy to

1283
00:59:48,760 --> 00:59:51,920
Speaker 1: go back to the Yogi Berra and the New York Hat.

1284
00:59:52,320 --> 00:59:56,560
Speaker 1: But let me just ask you right now, they say

1285
00:59:56,560 --> 01:00:00,200
Speaker 1: they've got poo shasty, right, And they said that, and

1286
01:00:00,280 --> 01:00:02,880
Speaker 1: then I'm just being honest. That's want every want to

1287
01:00:02,880 --> 01:00:06,960
Speaker 1: be honest. The person that they allegedly said that he

1288
01:00:07,080 --> 01:00:09,640
Speaker 1: shot took back his story with canting this story or

1289
01:00:09,680 --> 01:00:13,800
Speaker 1: whatever that word is, right, So then they said about

1290
01:00:14,520 --> 01:00:18,400
Speaker 1: that they linked the money that he actually threw in

1291
01:00:18,560 --> 01:00:23,440
Speaker 1: the air. So the money that was found where the

1292
01:00:23,480 --> 01:00:26,000
Speaker 1: people got shot, there's no way they could do that. Bro,

1293
01:00:26,200 --> 01:00:27,840
Speaker 1: they can do whatever they want. What I mean is

1294
01:00:27,920 --> 01:00:30,120
Speaker 1: they're making that ship the funk up because they know

1295
01:00:30,280 --> 01:00:33,360
Speaker 1: we are gonna challenge that ship. Like I'm sorry, I'm listening,

1296
01:00:34,320 --> 01:00:36,240
Speaker 1: and I don't want to problems with the fat but listen.

1297
01:00:36,800 --> 01:00:39,000
Speaker 1: One thing I noticed when the Fens came and got

1298
01:00:39,080 --> 01:00:43,160
Speaker 1: me for for whatever, they actually didn't know ship. They

1299
01:00:43,200 --> 01:00:45,200
Speaker 1: were sitting there and they were they were, they were

1300
01:00:45,280 --> 01:00:47,800
Speaker 1: fishing with me, and when I wasn't saying nothing, they

1301
01:00:47,840 --> 01:00:49,439
Speaker 1: got me the funk about it and they got someone

1302
01:00:49,520 --> 01:00:51,200
Speaker 1: else in there. So what I'm trying to say is

1303
01:00:51,240 --> 01:00:53,360
Speaker 1: most of the time they don't know ship. But what

1304
01:00:53,520 --> 01:00:56,000
Speaker 1: it is is they don't present something that seems like

1305
01:00:56,240 --> 01:00:58,520
Speaker 1: like like, let me just what they're saying is they

1306
01:00:58,640 --> 01:01:02,560
Speaker 1: found a dollar. Out of thousand dollars that he threw,

1307
01:01:02,640 --> 01:01:05,360
Speaker 1: they found one dollar. No, of course, but when I'm talking,

1308
01:01:05,400 --> 01:01:08,040
Speaker 1: I'm talking about different because I'm talking about you standing

1309
01:01:08,040 --> 01:01:12,120
Speaker 1: inside an apartment building that guy graffiti on the wall,

1310
01:01:12,680 --> 01:01:16,480
Speaker 1: wearing a specific hat, and we know your Instagram exactly.

1311
01:01:16,640 --> 01:01:19,120
Speaker 1: It's that. Now, get what I'm saying. So, so were

1312
01:01:19,120 --> 01:01:21,120
Speaker 1: not when I was younger, Like when I was younger,

1313
01:01:21,480 --> 01:01:23,920
Speaker 1: it was the police kind of knew who was who.

1314
01:01:24,000 --> 01:01:26,080
Speaker 1: They knew certain people. So if I know him and

1315
01:01:26,160 --> 01:01:28,120
Speaker 1: I know him, and you with him, now you like him,

1316
01:01:28,200 --> 01:01:29,720
Speaker 1: you know what I'm saying, So you can kind of

1317
01:01:29,720 --> 01:01:31,320
Speaker 1: I was able to wiggle out of certain if they

1318
01:01:31,400 --> 01:01:33,320
Speaker 1: that happened. Now it's over. I ain't gonna lie to him,

1319
01:01:33,520 --> 01:01:35,439
Speaker 1: but you kind of can wiggle yourself out a certain

1320
01:01:35,520 --> 01:01:37,240
Speaker 1: we have gang probably got certain ships like that. Will

1321
01:01:37,280 --> 01:01:39,000
Speaker 1: take off your shirt, Let's take picture of your tattoos

1322
01:01:39,040 --> 01:01:40,840
Speaker 1: like they were do not to when it was miners.

1323
01:01:41,760 --> 01:01:43,120
Speaker 1: You know what I'm saying, like, oh, give me your

1324
01:01:43,160 --> 01:01:45,240
Speaker 1: hat here, take a picture. And we're about seeing at

1325
01:01:45,240 --> 01:01:49,440
Speaker 1: the movies that you didn't have Mimi. Oh yeah, I

1326
01:01:49,520 --> 01:01:53,560
Speaker 1: have New York. You didn't have this New York naive

1327
01:01:53,600 --> 01:01:59,040
Speaker 1: and cent man yea yeah in a sentence until the

1328
01:01:59,080 --> 01:02:01,800
Speaker 1: Hip Hop Police was game Unit. And that's one thing

1329
01:02:01,840 --> 01:02:03,480
Speaker 1: that people gotta realize, like, you know, no matter what

1330
01:02:03,560 --> 01:02:05,360
Speaker 1: you're doing, I think it's important, Like speaking on the push,

1331
01:02:05,440 --> 01:02:07,560
Speaker 1: I think it's important to say with him, a young

1332
01:02:07,640 --> 01:02:09,880
Speaker 1: boy and the ship that you're happening, you're gonna understand

1333
01:02:09,960 --> 01:02:11,960
Speaker 1: as an artist and you, especially being young, you have

1334
01:02:12,200 --> 01:02:13,760
Speaker 1: so much more of your life ahead of you. Even

1335
01:02:13,800 --> 01:02:15,880
Speaker 1: if this raps on the last for four years, five years,

1336
01:02:16,320 --> 01:02:19,640
Speaker 1: you have, you know, real real possibilities of economic growth

1337
01:02:19,720 --> 01:02:22,480
Speaker 1: and like stabilization and ship within your community or from

1338
01:02:22,520 --> 01:02:25,400
Speaker 1: your family. And you gotta be mindful of that because

1339
01:02:25,480 --> 01:02:27,840
Speaker 1: every single thing that you do, Bro, I gotta rest

1340
01:02:27,880 --> 01:02:31,320
Speaker 1: he once and they dude, I was in the car.

1341
01:02:31,440 --> 01:02:33,040
Speaker 1: They left me in the car was hot as hell too.

1342
01:02:33,400 --> 01:02:35,120
Speaker 1: They left me in the car and start playing my

1343
01:02:35,240 --> 01:02:37,720
Speaker 1: music videos on the cell phone on this ship. But

1344
01:02:37,920 --> 01:02:39,240
Speaker 1: I still acting like that to know if I was

1345
01:02:40,280 --> 01:02:43,200
Speaker 1: playing them playing my music videos on ship, blah blah blah.

1346
01:02:43,640 --> 01:02:46,440
Speaker 1: He posted my bill and they didn't take my They

1347
01:02:46,480 --> 01:02:48,600
Speaker 1: said my DNA wasn't assist. They was basically saying I

1348
01:02:48,720 --> 01:02:51,960
Speaker 1: wasn't in jail. And the crazy thing about it is

1349
01:02:52,000 --> 01:02:56,320
Speaker 1: like with you, they wanted with you at this time

1350
01:02:56,320 --> 01:02:58,080
Speaker 1: of year, but it's like and it's like, but I

1351
01:02:58,200 --> 01:03:00,680
Speaker 1: wasn't big, but it's like I would. I got arrested

1352
01:03:01,080 --> 01:03:04,640
Speaker 1: at home, so it was different, but it really made me.

1353
01:03:04,760 --> 01:03:06,960
Speaker 1: It sucked me up when I was like, so, you know,

1354
01:03:07,000 --> 01:03:08,440
Speaker 1: you try to wiggle and try to get to you know,

1355
01:03:08,560 --> 01:03:09,720
Speaker 1: trying to I'm trying to figure out a way to

1356
01:03:09,720 --> 01:03:11,120
Speaker 1: get a O R. So I'm trying to play cool

1357
01:03:11,120 --> 01:03:12,800
Speaker 1: with niggas and like trying to figure certain shoot out.

1358
01:03:13,040 --> 01:03:16,000
Speaker 1: So I'm like, excuse me, I'm talking. I'm trying to

1359
01:03:16,040 --> 01:03:17,600
Speaker 1: use the phone blall black because I still this day,

1360
01:03:18,000 --> 01:03:19,280
Speaker 1: at this moment, I mean, I didn't know if they

1361
01:03:19,360 --> 01:03:21,600
Speaker 1: knew where I was at, so I'm just calling blah blah.

1362
01:03:22,920 --> 01:03:24,840
Speaker 1: And then he said, I'll know who you are. We'll

1363
01:03:24,880 --> 01:03:26,840
Speaker 1: do do up there. I'm like, yeah, I'm supposed to

1364
01:03:26,840 --> 01:03:28,800
Speaker 1: be getting built out. You know, I'm just talking to him.

1365
01:03:28,800 --> 01:03:29,960
Speaker 1: He's a R. So you know, you went in the

1366
01:03:30,000 --> 01:03:31,600
Speaker 1: back and then they put you on your ship. You go,

1367
01:03:31,680 --> 01:03:33,240
Speaker 1: you go to the two men's whatever. So you pull

1368
01:03:33,320 --> 01:03:34,440
Speaker 1: me back out and said, yeah, you're not in the

1369
01:03:34,480 --> 01:03:36,360
Speaker 1: system at all, blah blah blah. And I have the

1370
01:03:36,400 --> 01:03:38,880
Speaker 1: festival that weekend, when my first festivals. So I thought

1371
01:03:38,880 --> 01:03:42,360
Speaker 1: about it, like, damn, it's not a coincidence that that happened.

1372
01:03:42,400 --> 01:03:44,200
Speaker 1: And he asked me who killed these niggas way over

1373
01:03:44,240 --> 01:03:46,320
Speaker 1: here in my address along with me I'm doing in

1374
01:03:46,480 --> 01:03:48,200
Speaker 1: l A. You know what I'm saying. And then when

1375
01:03:48,200 --> 01:03:50,040
Speaker 1: I go to the fucking thing, y'all saying that y'all

1376
01:03:50,040 --> 01:03:52,240
Speaker 1: don't have my DNA and assistant when you just did

1377
01:03:52,320 --> 01:03:56,320
Speaker 1: it and I've been built out fucking twenty hours ago

1378
01:03:57,000 --> 01:03:58,880
Speaker 1: and I don't know it. After that, I was like,

1379
01:03:58,960 --> 01:04:01,440
Speaker 1: you gotta I gotta be more mindful. Like I had

1380
01:04:01,480 --> 01:04:04,600
Speaker 1: to judge to the d A, well we can't charge

1381
01:04:04,640 --> 01:04:06,040
Speaker 1: him with this and we can't do this, and we

1382
01:04:06,080 --> 01:04:08,200
Speaker 1: came down the d A. It's fighting for like little ship,

1383
01:04:08,640 --> 01:04:10,840
Speaker 1: and it's like, you gotta understand. I don't know what

1384
01:04:11,000 --> 01:04:12,480
Speaker 1: it is, but when you kind of have starting a

1385
01:04:12,520 --> 01:04:16,720
Speaker 1: love of success, things is gonna change. Feeling. People are

1386
01:04:16,720 --> 01:04:18,120
Speaker 1: gonna come for you. So you know, we just gotta

1387
01:04:18,120 --> 01:04:20,160
Speaker 1: do a better job at letting everybody know they're important.

1388
01:04:20,200 --> 01:04:22,120
Speaker 1: If you know you're important, and you're important your community,

1389
01:04:22,160 --> 01:04:24,840
Speaker 1: importing your people, and you can really change everything on

1390
01:04:24,960 --> 01:04:27,080
Speaker 1: a small level. You know, for you're a rapper and

1391
01:04:27,120 --> 01:04:29,440
Speaker 1: you get a hundred thousand dollars, then that's not a

1392
01:04:29,520 --> 01:04:31,640
Speaker 1: lot based on what rappers say, but that's a lot

1393
01:04:31,720 --> 01:04:33,280
Speaker 1: in the real world, and you can change a lot

1394
01:04:33,320 --> 01:04:34,960
Speaker 1: for your people. So, you know what, you gotta be smarter.

1395
01:04:40,960 --> 01:04:44,960
Speaker 1: You know, I came from an era where we was

1396
01:04:45,080 --> 01:04:47,680
Speaker 1: dick heads, but the record labels really did have our

1397
01:04:47,720 --> 01:04:50,520
Speaker 1: backs at that time. Like I don't remember a rapper

1398
01:04:50,800 --> 01:04:53,720
Speaker 1: ever staying in jail more than five days. Like I

1399
01:04:53,720 --> 01:04:55,520
Speaker 1: don't give a funk if it was for murder, I

1400
01:04:55,560 --> 01:04:58,160
Speaker 1: don't give a funk, Like you know, God bless because

1401
01:04:58,160 --> 01:04:59,480
Speaker 1: this is you know, this is this is not bigging

1402
01:04:59,560 --> 01:05:01,760
Speaker 1: them up, but this is also just pointing out the

1403
01:05:01,880 --> 01:05:03,920
Speaker 1: facts you know from you know, our brother right here

1404
01:05:03,960 --> 01:05:07,000
Speaker 1: and looking at DMX, I don't remember DMX. Like when

1405
01:05:07,120 --> 01:05:10,520
Speaker 1: when Leo cons and Kevin Lows and Julie Greenwall and

1406
01:05:10,600 --> 01:05:13,080
Speaker 1: Mike Kaiser and all of them were together, they were

1407
01:05:13,240 --> 01:05:15,400
Speaker 1: Remember Leo Cols belled me out one time and gave

1408
01:05:15,440 --> 01:05:18,600
Speaker 1: me fifteen grand over and I was like, what the funk?

1409
01:05:18,680 --> 01:05:20,520
Speaker 1: Like he was like, here take it, and I was like,

1410
01:05:21,400 --> 01:05:23,200
Speaker 1: I was like why. He was like, I'm talking to

1411
01:05:23,360 --> 01:05:26,680
Speaker 1: you for it anyway. I thought he was like the

1412
01:05:26,720 --> 01:05:28,400
Speaker 1: bell was dirty grand. It was only fifteen but you

1413
01:05:28,400 --> 01:05:29,520
Speaker 1: want me to do you want me to take it back?

1414
01:05:29,560 --> 01:05:31,640
Speaker 1: I was like, fifteen grand back, motherfucker. You know what

1415
01:05:31,640 --> 01:05:33,800
Speaker 1: I'm saying. That's what I'm trying to say. Stay here.

1416
01:05:34,120 --> 01:05:38,480
Speaker 1: They had a retainer on standby. That's the crazy. This's

1417
01:05:38,520 --> 01:05:40,480
Speaker 1: is real ship. I'm not making this up, you know

1418
01:05:40,520 --> 01:05:42,840
Speaker 1: what I mean. Like they moved on one to bigger

1419
01:05:42,880 --> 01:05:47,040
Speaker 1: and better, but they gave you the money. He because

1420
01:05:47,080 --> 01:05:49,400
Speaker 1: he it was on your budget, it was on my budget.

1421
01:05:49,840 --> 01:05:52,240
Speaker 1: Puts on but like they had bail like like like

1422
01:05:52,720 --> 01:05:57,760
Speaker 1: I know it's that, but but like they would sign

1423
01:05:57,840 --> 01:06:00,720
Speaker 1: you and say, Okay, eventually we think he's gonna catch

1424
01:06:00,800 --> 01:06:02,479
Speaker 1: a case, so let's put fifty grand to the side

1425
01:06:02,560 --> 01:06:05,160
Speaker 1: for him. Let's put thirty grand to the side of him.

1426
01:06:05,640 --> 01:06:09,200
Speaker 1: DMX had bodied five to the side. Roll like that's serious,

1427
01:06:09,520 --> 01:06:16,440
Speaker 1: Like that's serious, and I never yeah, yeah, if you

1428
01:06:16,520 --> 01:06:18,320
Speaker 1: have four or five fellers, these are still on the street,

1429
01:06:18,480 --> 01:06:20,680
Speaker 1: Like listen and this this is, this is, this is

1430
01:06:20,720 --> 01:06:23,040
Speaker 1: not the days of no snitching is going on nothing,

1431
01:06:23,080 --> 01:06:26,880
Speaker 1: that's record. Labels had to understanding what the police saying,

1432
01:06:27,160 --> 01:06:31,200
Speaker 1: We're gonna pay to get our people out. And when

1433
01:06:31,240 --> 01:06:33,200
Speaker 1: I look at because I know Gucci Man, because I

1434
01:06:33,200 --> 01:06:34,840
Speaker 1: know Push actually signed the Pucci Man, so I know

1435
01:06:34,880 --> 01:06:37,960
Speaker 1: Gucci Man got it. I'm not saying financially, but what

1436
01:06:38,080 --> 01:06:40,400
Speaker 1: it is is sometimes you need that complexion for the

1437
01:06:40,480 --> 01:06:44,080
Speaker 1: white complexion, for that connection, you understand I'm saying. And

1438
01:06:44,200 --> 01:06:46,520
Speaker 1: when we're doing things like that, That's why I was

1439
01:06:46,520 --> 01:06:50,120
Speaker 1: always scared, you know, to sign to a murder ink

1440
01:06:50,200 --> 01:06:54,640
Speaker 1: or a death row because the face of the company

1441
01:06:54,760 --> 01:06:59,160
Speaker 1: just wasn't wasn't accepting in the court and the course

1442
01:07:00,760 --> 01:07:05,360
Speaker 1: somebody like like this le All comes, nights coming, take

1443
01:07:05,400 --> 01:07:07,720
Speaker 1: going to take Le's money. Man, I mean, it's just

1444
01:07:07,880 --> 01:07:10,640
Speaker 1: just one of is not now take Leo out because

1445
01:07:10,880 --> 01:07:12,640
Speaker 1: you know what people saying, Oh that's the white guy

1446
01:07:12,840 --> 01:07:15,760
Speaker 1: taking le All out, takeing out. Put Kevin Lows in there,

1447
01:07:16,760 --> 01:07:20,720
Speaker 1: put uh, put a Kadar, put a Mark Pitts or

1448
01:07:20,760 --> 01:07:22,720
Speaker 1: something like that. It would be the same exact thing.

1449
01:07:23,040 --> 01:07:25,880
Speaker 1: Show this reputation supersedes him. So they'll go with the

1450
01:07:25,960 --> 01:07:28,320
Speaker 1: lesser even or lesser powers. But what I'm trying to

1451
01:07:28,360 --> 01:07:30,720
Speaker 1: say is regulabels back then, like when I'm looking at

1452
01:07:30,720 --> 01:07:33,520
Speaker 1: you said the NBA Young boy, Um, that's another right

1453
01:07:33,520 --> 01:07:36,240
Speaker 1: now the case right now I think even um, I'll

1454
01:07:36,320 --> 01:07:38,680
Speaker 1: keep hearing about little dirt name keep popping up. And

1455
01:07:38,800 --> 01:07:41,800
Speaker 1: what I'm saying is I'm not I'm not glorifying this.

1456
01:07:42,040 --> 01:07:46,000
Speaker 1: But back then these cases will disappear. But were also

1457
01:07:46,040 --> 01:07:47,680
Speaker 1: I think I think I think what you're saying is

1458
01:07:47,840 --> 01:07:49,720
Speaker 1: and we didn't have Instagram, Yeah, But also what you're

1459
01:07:49,720 --> 01:07:53,200
Speaker 1: saying is that the the labels is more aware of

1460
01:07:53,280 --> 01:07:55,200
Speaker 1: who these artists was. And I think a lot of

1461
01:07:55,240 --> 01:07:57,000
Speaker 1: that come to sell forward because at the point of time,

1462
01:07:57,000 --> 01:07:58,680
Speaker 1: like I was saying that the labels and they might

1463
01:07:58,760 --> 01:08:00,040
Speaker 1: we don't know what's going on with him because the

1464
01:08:00,040 --> 01:08:02,080
Speaker 1: world has changed so much. They might be struggling a

1465
01:08:02,160 --> 01:08:03,680
Speaker 1: lot of these dudes, like you just think we need

1466
01:08:03,760 --> 01:08:05,680
Speaker 1: self awareness, like what they need artists, like they need

1467
01:08:05,680 --> 01:08:07,440
Speaker 1: to know how important it is. Bro, I going to

1468
01:08:07,480 --> 01:08:09,760
Speaker 1: my neighborhood, brought swear to God. You hear it a

1469
01:08:09,880 --> 01:08:12,640
Speaker 1: hunted NBA Young Boys songs back to back and then

1470
01:08:12,680 --> 01:08:14,560
Speaker 1: you hear a hunted Little Dirt songs back to back.

1471
01:08:14,800 --> 01:08:16,439
Speaker 1: You know what I mean, like like these people is

1472
01:08:16,520 --> 01:08:19,360
Speaker 1: real significant, important people in our culture. You know, everybody

1473
01:08:19,439 --> 01:08:21,920
Speaker 1: had their struggles, but also listen to these songs. Listened

1474
01:08:21,960 --> 01:08:24,360
Speaker 1: where these people come from. We can't expect everybody to

1475
01:08:24,439 --> 01:08:26,200
Speaker 1: be ready to fly straight right away, you know what

1476
01:08:26,280 --> 01:08:29,439
Speaker 1: I'm saying. So no real talk, no real patient. Another perspective,

1477
01:08:29,439 --> 01:08:30,880
Speaker 1: and you might have to look at it. Maybe it's

1478
01:08:30,880 --> 01:08:33,000
Speaker 1: not that they had your back. Is that the investment

1479
01:08:33,120 --> 01:08:35,920
Speaker 1: was so important for them. We have bigger budgets they

1480
01:08:35,960 --> 01:08:37,960
Speaker 1: need to because it was worth a lot of money

1481
01:08:38,000 --> 01:08:39,519
Speaker 1: for them. Yeah, we have bigger but there's not so

1482
01:08:39,640 --> 01:08:46,880
Speaker 1: much buster arrested, you arrested, the bail money? Yeah yeah, Listen,

1483
01:08:47,000 --> 01:08:48,800
Speaker 1: I'm not gonna say it's a better times. Don't want

1484
01:08:48,800 --> 01:08:50,599
Speaker 1: to be the old dude, you know, back in the days,

1485
01:08:50,680 --> 01:08:52,599
Speaker 1: you know, you know, when the dimeback was a dime.

1486
01:08:52,640 --> 01:08:54,280
Speaker 1: I don't want to be that guy. But what I'm

1487
01:08:54,280 --> 01:08:57,680
Speaker 1: trying to tell you is, you know what I'm saying,

1488
01:08:57,680 --> 01:09:00,240
Speaker 1: but I'm trying to tell you is I've got a

1489
01:09:00,320 --> 01:09:03,920
Speaker 1: lot better back then. Because although they although they might

1490
01:09:04,000 --> 01:09:05,720
Speaker 1: have not gave a ship about us, just as they

1491
01:09:05,800 --> 01:09:09,400
Speaker 1: don't give a about us. Now, at least they they pretended,

1492
01:09:09,920 --> 01:09:11,680
Speaker 1: I don't want to say for intended. At least it

1493
01:09:11,760 --> 01:09:14,120
Speaker 1: felt like that, you know what I'm saying, Like we

1494
01:09:14,160 --> 01:09:17,200
Speaker 1: would go to certain CEO's houses and things like that.

1495
01:09:17,360 --> 01:09:19,880
Speaker 1: It's and it's not to like, you know, praise it.

1496
01:09:19,920 --> 01:09:21,639
Speaker 1: But you know, for a kid coming from the ghetto,

1497
01:09:21,840 --> 01:09:23,880
Speaker 1: you move out of the ghetto, you go, you go

1498
01:09:24,040 --> 01:09:26,640
Speaker 1: get your version of what you think is wealth. And

1499
01:09:26,760 --> 01:09:30,639
Speaker 1: then and then this regulabel comes and say, hey, listen,

1500
01:09:30,880 --> 01:09:32,800
Speaker 1: let me show you what I think as well. You

1501
01:09:32,840 --> 01:09:35,760
Speaker 1: know what I'm saying. And for some people it's motivations,

1502
01:09:35,800 --> 01:09:37,920
Speaker 1: you know, like I don't look at you know, I

1503
01:09:37,960 --> 01:09:41,120
Speaker 1: don't know if you guys see, but jay Z just

1504
01:09:42,120 --> 01:09:46,800
Speaker 1: uh went to this Hampton party, rights all white Hampton party.

1505
01:09:47,000 --> 01:09:49,200
Speaker 1: And if you look at this, jay Z is showing

1506
01:09:49,280 --> 01:09:52,720
Speaker 1: his watching every one of the pictures. I don't care

1507
01:09:52,800 --> 01:09:55,479
Speaker 1: what pos it is. He like you look at the

1508
01:09:55,520 --> 01:09:59,400
Speaker 1: pictures with FaceTime. He's not digging up his loves like this.

1509
01:09:59,600 --> 01:10:01,800
Speaker 1: Y'all see that three million out of me. So what

1510
01:10:01,840 --> 01:10:04,439
Speaker 1: I'm saying, you don't never grow out of, you know,

1511
01:10:05,000 --> 01:10:07,920
Speaker 1: the holy ship. You don't the man has everything, the

1512
01:10:07,960 --> 01:10:09,920
Speaker 1: most beautiful his wife in the world, and he went

1513
01:10:09,960 --> 01:10:12,840
Speaker 1: to the happens and who the star wasn't happen It's

1514
01:10:12,880 --> 01:10:15,040
Speaker 1: three million dollar watch. You know what I'm saying, Look

1515
01:10:15,040 --> 01:10:18,360
Speaker 1: at go Google to see Google right now, I don't

1516
01:10:18,400 --> 01:10:21,960
Speaker 1: eve you were catching from You're catching from either angle.

1517
01:10:22,280 --> 01:10:24,120
Speaker 1: I'm talking about. He was like this, he's gonna see that,

1518
01:10:25,560 --> 01:10:27,320
Speaker 1: and you gonna see that ship. And it's like he

1519
01:10:27,400 --> 01:10:30,080
Speaker 1: got everything in the world. But we don't grow, we

1520
01:10:30,160 --> 01:10:33,040
Speaker 1: don't get out of certain things, and we're still these people.

1521
01:10:33,400 --> 01:10:35,600
Speaker 1: So you know, I don't know I got there, but

1522
01:10:35,800 --> 01:10:37,640
Speaker 1: you know, it's it's it's it's it's a it's a

1523
01:10:37,720 --> 01:10:39,840
Speaker 1: it's an ill situation. Now when you go to Google

1524
01:10:39,920 --> 01:10:42,720
Speaker 1: it and go look at it, you're gonna see. So

1525
01:10:42,800 --> 01:10:44,000
Speaker 1: I don't know why I got there what we were

1526
01:10:44,080 --> 01:10:47,080
Speaker 1: talking about. But but back to your original point, it's

1527
01:10:47,080 --> 01:10:49,320
Speaker 1: not that I don't know you even drunk. It's not

1528
01:10:49,400 --> 01:10:51,400
Speaker 1: the prevalent. But but I kind of know what you

1529
01:10:51,439 --> 01:10:53,679
Speaker 1: mean because when I was doing Street Team Ship Mark Echo,

1530
01:10:53,960 --> 01:10:55,880
Speaker 1: he was working in the Echo account. I got locked up.

1531
01:10:55,920 --> 01:10:57,600
Speaker 1: He came and got he flew us out to the

1532
01:10:57,800 --> 01:10:59,920
Speaker 1: Jersey where I was like we had a meeting with him,

1533
01:11:00,040 --> 01:11:02,120
Speaker 1: which we was never having meetings with the CEO of

1534
01:11:02,160 --> 01:11:04,040
Speaker 1: any company we worked with. And then he brought in

1535
01:11:04,080 --> 01:11:06,479
Speaker 1: the lawyer afterwards because it makes you sign a release

1536
01:11:06,479 --> 01:11:08,960
Speaker 1: saying that if you get caught doing promo ship you

1537
01:11:09,000 --> 01:11:11,760
Speaker 1: don't work for the company. Then we signed it. Then

1538
01:11:11,760 --> 01:11:13,439
Speaker 1: the lawyer comes in and he goes, it's the lawyer.

1539
01:11:13,439 --> 01:11:15,120
Speaker 1: You're gonna talk to you guys. If any of your

1540
01:11:16,680 --> 01:11:19,040
Speaker 1: gets caught, it's on us. We're gonna get you out.

1541
01:11:19,240 --> 01:11:21,240
Speaker 1: Here's the lawyer's card. But when I was like, man,

1542
01:11:21,280 --> 01:11:23,880
Speaker 1: this is different, and so I kind of get with you.

1543
01:11:24,080 --> 01:11:25,960
Speaker 1: I'm telling you that we're a little bit more mafia

1544
01:11:26,000 --> 01:11:29,160
Speaker 1: structured back then. Right now we're I mean, I get

1545
01:11:29,200 --> 01:11:30,760
Speaker 1: what you're saying, because at that point in time, I

1546
01:11:30,840 --> 01:11:33,559
Speaker 1: guess hip hop wasn't necessarily commercial stranstration. You know, it's

1547
01:11:33,560 --> 01:11:35,760
Speaker 1: getting commercial, So it was kind of operated in the

1548
01:11:35,840 --> 01:11:38,559
Speaker 1: world that like he was the first real commercial guy

1549
01:11:38,720 --> 01:11:42,160
Speaker 1: like that wasn't trying to be commercial, like he That

1550
01:11:42,320 --> 01:11:45,240
Speaker 1: dude never changed, like that dude was as pure as

1551
01:11:45,360 --> 01:11:48,240
Speaker 1: But I mean, would you call it commercial? Ain't ship commercial?

1552
01:11:48,520 --> 01:11:54,439
Speaker 1: D MG? Ex fact that it went commercial, what's it's

1553
01:11:54,520 --> 01:11:58,599
Speaker 1: the thing, this thing that that's not that's not commercial.

1554
01:11:58,720 --> 01:12:01,120
Speaker 1: That's just success a lot a lot of the times.

1555
01:12:01,360 --> 01:12:03,280
Speaker 1: So you know, and whenever mother get success, you get

1556
01:12:03,320 --> 01:12:05,719
Speaker 1: a love of success. You can't. You gotta switch your roles.

1557
01:12:05,960 --> 01:12:07,880
Speaker 1: It's not all I'm a running against some money. It's like,

1558
01:12:08,360 --> 01:12:12,240
Speaker 1: now you commercial because of the hyde, but records will

1559
01:12:12,439 --> 01:12:16,280
Speaker 1: make you commercial. Like Uma was bigger than me my

1560
01:12:16,360 --> 01:12:18,519
Speaker 1: Spanish record, But who do you go up it but that?

1561
01:12:18,640 --> 01:12:23,639
Speaker 1: But that's still not commercial? Commercial? How some ship commercial

1562
01:12:23,760 --> 01:12:28,719
Speaker 1: and it's not in English and you clear out the world.

1563
01:12:28,760 --> 01:12:32,680
Speaker 1: It was like commercial but coal It's just how do

1564
01:12:32,720 --> 01:12:36,760
Speaker 1: you fund commercial? Argument? I'm not another debating him, but

1565
01:12:36,840 --> 01:12:41,160
Speaker 1: I'm saying is like like like to me, little Kim

1566
01:12:41,800 --> 01:12:45,120
Speaker 1: records superseded? Kind of who little a little Kim? Excuse

1567
01:12:45,160 --> 01:12:48,800
Speaker 1: me say that. It's the opposite way. People more less

1568
01:12:48,880 --> 01:12:52,519
Speaker 1: know who Lulu Kim is. This they know hard records,

1569
01:12:52,600 --> 01:12:54,920
Speaker 1: you know what I'm saying, because they're identified with her,

1570
01:12:55,080 --> 01:13:01,040
Speaker 1: her image. It's so big that I think she supersedes

1571
01:13:01,080 --> 01:13:05,120
Speaker 1: her records. That's brand though. That's when you become a brand. Okay,

1572
01:13:05,840 --> 01:13:08,800
Speaker 1: your records, that's just you as a brand. I mean

1573
01:13:08,840 --> 01:13:10,760
Speaker 1: everybody gets to the point of where they where they

1574
01:13:10,840 --> 01:13:14,680
Speaker 1: bigger than their records. If you get to that certain height,

1575
01:13:14,720 --> 01:13:16,400
Speaker 1: you gotta be bigger than you know. I'm not. I've

1576
01:13:16,439 --> 01:13:19,680
Speaker 1: never got to bigger than black pit Bull. Pit Bull

1577
01:13:19,760 --> 01:13:21,879
Speaker 1: is a good guy who I see served a balance

1578
01:13:22,040 --> 01:13:24,240
Speaker 1: and I see you got a love for people. Watch

1579
01:13:24,640 --> 01:13:26,880
Speaker 1: you watch People and j Lott Tour or something like

1580
01:13:26,960 --> 01:13:34,679
Speaker 1: that episode so um, but People was as a person

1581
01:13:34,760 --> 01:13:37,320
Speaker 1: I feel like who did a perfect like he was

1582
01:13:37,439 --> 01:13:39,800
Speaker 1: became Mr Worldwide and they can keep her suit on.

1583
01:13:40,160 --> 01:13:44,920
Speaker 1: He never swept for some reason, hedn't started like that though,

1584
01:13:45,160 --> 01:13:49,400
Speaker 1: well he swept before, not at all, don't. I don't

1585
01:13:49,400 --> 01:13:53,800
Speaker 1: know a PRIs let me be taken over. You know

1586
01:13:53,880 --> 01:13:57,640
Speaker 1: what people look like. He had the blower on him,

1587
01:13:57,680 --> 01:14:03,640
Speaker 1: nigger him, and I was at the fight. It was

1588
01:14:03,680 --> 01:14:09,080
Speaker 1: the most I was calling some Cuban Miami ship. I

1589
01:14:09,200 --> 01:14:10,519
Speaker 1: was like in the middle of now we damn that

1590
01:14:10,600 --> 01:14:12,640
Speaker 1: went to blows were talking about it. I was in

1591
01:14:12,680 --> 01:14:14,320
Speaker 1: the middle and it was like, and I don't know

1592
01:14:14,400 --> 01:14:17,280
Speaker 1: what he was mad because you know, two Cuban guys

1593
01:14:17,400 --> 01:14:20,320
Speaker 1: mad is the most hilarious ship you see in the world.

1594
01:14:20,680 --> 01:14:22,840
Speaker 1: I just I don't care what you said, Like when

1595
01:14:22,880 --> 01:14:25,360
Speaker 1: they were going at each other and they go they

1596
01:14:25,400 --> 01:14:28,320
Speaker 1: get red. And I'll tell you, the only thing that's

1597
01:14:28,360 --> 01:14:32,640
Speaker 1: more entertaining than two Cuban guys going at it is

1598
01:14:32,840 --> 01:14:36,200
Speaker 1: if a crip is mad at you, when the crip

1599
01:14:36,520 --> 01:14:40,639
Speaker 1: person at you. Corrupt one day, Corrupt was like crupp

1600
01:14:40,760 --> 01:14:44,880
Speaker 1: is different, though, was crazy. That's my was like, was

1601
01:14:44,920 --> 01:14:50,200
Speaker 1: like because cubs on sixties every sixty and I was

1602
01:14:50,240 --> 01:14:52,439
Speaker 1: just like and I forgot, like, listen if you had

1603
01:14:52,880 --> 01:14:55,080
Speaker 1: been squashed it and it was all good. But I

1604
01:14:55,160 --> 01:14:57,479
Speaker 1: was like, Keith still saying what you were saying, like

1605
01:14:57,560 --> 01:15:04,320
Speaker 1: it's an art and and the down South dude when

1606
01:15:04,360 --> 01:15:07,720
Speaker 1: the downstop dude and start beefing. Those are the three

1607
01:15:07,760 --> 01:15:11,360
Speaker 1: best things. So why y'all never talk about correct being

1608
01:15:11,439 --> 01:15:14,479
Speaker 1: like one of the best trappers? Definitely? Yeah, I do.

1609
01:15:14,880 --> 01:15:17,040
Speaker 1: This is crazy. He noticed that, right, Yeah. And let

1610
01:15:17,080 --> 01:15:18,360
Speaker 1: me ask you a question. So you said you stayed

1611
01:15:18,360 --> 01:15:21,439
Speaker 1: in south Gate, I lived in south Yeah. Were you young? Yeah?

1612
01:15:22,120 --> 01:15:24,400
Speaker 1: My family is in Downing. Did you have how was it?

1613
01:15:24,479 --> 01:15:26,080
Speaker 1: Did you have to grow up like convincing people to

1614
01:15:26,200 --> 01:15:29,280
Speaker 1: not convinced, but explain to people that you're not Mexican. Yeah, Actually,

1615
01:15:29,280 --> 01:15:31,719
Speaker 1: that's the only thing I really remember Mexican kids didn't

1616
01:15:31,760 --> 01:15:33,920
Speaker 1: like me because you weren't Max. You wouldn't say it was.

1617
01:15:34,200 --> 01:15:37,240
Speaker 1: And I didn't know what I was because didn't like,

1618
01:15:37,360 --> 01:15:40,559
Speaker 1: you know, because I was like Mexican and I knew

1619
01:15:40,600 --> 01:15:45,040
Speaker 1: I wasn't. But I didn't know what Cuban was. And

1620
01:15:45,080 --> 01:15:47,479
Speaker 1: they're like, what is that? My cousin who was older

1621
01:15:47,520 --> 01:15:49,519
Speaker 1: had to come out and fight, fighting the fight for me.

1622
01:15:50,360 --> 01:15:52,880
Speaker 1: Yeah that that get rough what you asked it when

1623
01:15:52,880 --> 01:15:55,519
Speaker 1: you said that, what's the Cuban ship? What's the Cuban ship?

1624
01:15:55,600 --> 01:16:03,320
Speaker 1: You say I wasn't, brother, I was, they said, he said,

1625
01:16:04,880 --> 01:16:07,479
Speaker 1: this guy like you're staying saying like and and and

1626
01:16:07,640 --> 01:16:09,880
Speaker 1: and they kind of really just like the Mexican and

1627
01:16:09,920 --> 01:16:13,240
Speaker 1: like else Hava Dorian and I didn't really know about

1628
01:16:13,240 --> 01:16:16,120
Speaker 1: the other stuff, Like I was just curious growing up. Yeah,

1629
01:16:16,600 --> 01:16:20,320
Speaker 1: now there's Cubans and Downey Downey's hell, Yeah that's what

1630
01:16:20,400 --> 01:16:22,479
Speaker 1: my family is now. And my family is in Inglewood

1631
01:16:22,479 --> 01:16:29,160
Speaker 1: as well. About thirty what about it? Right? I miss

1632
01:16:29,200 --> 01:16:30,800
Speaker 1: a lot of people. It's a hood. They're not like

1633
01:16:30,880 --> 01:16:33,400
Speaker 1: they're not checking like blood semple when I was a

1634
01:16:33,520 --> 01:16:38,439
Speaker 1: kid of COVID testing. Yeah, just who you is? But

1635
01:16:38,600 --> 01:16:40,120
Speaker 1: you don't know a black nigger from him at start

1636
01:16:40,120 --> 01:16:43,400
Speaker 1: Team Cool, Lou, Yeah cool, this's my dog's next a

1637
01:16:43,479 --> 01:16:49,240
Speaker 1: noys for the black I was when I was a kid,

1638
01:16:49,320 --> 01:16:51,439
Speaker 1: I was locked up with people in their t what

1639
01:16:51,520 --> 01:16:53,880
Speaker 1: I was telling people this, this gang is crazy, not

1640
01:16:54,040 --> 01:16:55,800
Speaker 1: knowing that did crazy. You never seen this dude operate,

1641
01:16:55,920 --> 01:16:57,439
Speaker 1: never seen it. I just looked at his pictures and

1642
01:16:57,479 --> 01:16:59,920
Speaker 1: I was like, these niggs is crazy. Like that's so

1643
01:17:00,360 --> 01:17:01,600
Speaker 1: they didn't have to prove nothing to me, Like I

1644
01:17:01,640 --> 01:17:03,960
Speaker 1: don't have to go on Instagram and DM not. But

1645
01:17:04,680 --> 01:17:07,160
Speaker 1: and now to see you know MS thirteen, it's it's crazy.

1646
01:17:07,200 --> 01:17:09,720
Speaker 1: It's crazy, bro. But you know that's how you know

1647
01:17:10,160 --> 01:17:14,840
Speaker 1: l A, Los Angeles, California gangs are crazy. You know

1648
01:17:15,120 --> 01:17:19,040
Speaker 1: that started from eight Team Street. No, no, okay, let

1649
01:17:19,200 --> 01:17:23,000
Speaker 1: let's not happen. Okay, don't say I heard listen, come on,

1650
01:17:23,360 --> 01:17:28,000
Speaker 1: this is where I heard watching so gang Land. I'm sorry, man,

1651
01:17:28,760 --> 01:17:30,599
Speaker 1: but just so you know, you know, it's like it's

1652
01:17:30,640 --> 01:17:33,240
Speaker 1: like ten eight, it's like ten different MS thirteen who

1653
01:17:33,360 --> 01:17:35,200
Speaker 1: was like at minimum right? Oh no, I didn't know

1654
01:17:35,720 --> 01:17:37,840
Speaker 1: every one of them started there from this day at

1655
01:17:37,920 --> 01:17:40,800
Speaker 1: thirteen in Korea Town. It's one MacArthur Park. It's like

1656
01:17:41,160 --> 01:17:43,599
Speaker 1: it's five five hoods over there. So the documentary about

1657
01:17:43,600 --> 01:17:46,479
Speaker 1: the park, that's where they get higher. All right, I

1658
01:17:46,520 --> 01:17:50,880
Speaker 1: mean you mad documentaries about man, simply where are you

1659
01:17:50,960 --> 01:17:56,000
Speaker 1: watching these documents? That's when they get high, man, that's

1660
01:17:56,040 --> 01:17:59,160
Speaker 1: where that's crossing. Got shot on the Fresh Prince. Yeah,

1661
01:18:00,040 --> 01:18:02,960
Speaker 1: do you remember? Wait? Will got shot? Really they tried to.

1662
01:18:02,960 --> 01:18:04,639
Speaker 1: They try to shoot Carlton and Will had to hop

1663
01:18:04,680 --> 01:18:06,280
Speaker 1: in front of the bullet. Carlton had to blow it,

1664
01:18:06,320 --> 01:18:08,679
Speaker 1: but he part fake, So We'll got shot. Carlton ain't

1665
01:18:08,680 --> 01:18:11,559
Speaker 1: plugging number. But then Carlton came back to the household

1666
01:18:11,600 --> 01:18:13,320
Speaker 1: with the lawn like man, I'm I'm a hand of this.

1667
01:18:13,640 --> 01:18:15,679
Speaker 1: And then Will took the blower from this, like nigga,

1668
01:18:15,680 --> 01:18:18,120
Speaker 1: why you got the blower in the hospital. You're going

1669
01:18:18,160 --> 01:18:19,880
Speaker 1: to jail. This is what impresses me. And we can

1670
01:18:20,000 --> 01:18:22,439
Speaker 1: go back to my car. The part like you know

1671
01:18:22,640 --> 01:18:25,880
Speaker 1: your history, like you really French prints. I didn't really here. No,

1672
01:18:26,040 --> 01:18:27,800
Speaker 1: that's to be fun that I'm giving me what you

1673
01:18:27,920 --> 01:18:29,680
Speaker 1: said it sid a mad historical Yeah I've heard. I

1674
01:18:29,760 --> 01:18:32,040
Speaker 1: felt like that should happen, and like with Will Smith

1675
01:18:32,080 --> 01:18:34,439
Speaker 1: man shout out Will Smith and his kids. Man, because

1676
01:18:34,600 --> 01:18:36,200
Speaker 1: like even like like I want to go Google, go

1677
01:18:36,280 --> 01:18:40,599
Speaker 1: back to the the the Yankee thing even knowing Yogi

1678
01:18:40,680 --> 01:18:44,360
Speaker 1: bearra like at your age, like was that someone that

1679
01:18:44,520 --> 01:18:46,720
Speaker 1: passed down to you or not that The g Q

1680
01:18:46,920 --> 01:18:48,560
Speaker 1: just asked me why it was? Then if into the

1681
01:18:48,600 --> 01:18:50,400
Speaker 1: Yankee and I'm not giving a white people the seekers,

1682
01:18:50,640 --> 01:18:52,479
Speaker 1: So I'm started to having people that I lay from

1683
01:18:52,479 --> 01:18:55,840
Speaker 1: them Yankees. Okay, And you said Derek Jither, Yeah, man,

1684
01:18:55,880 --> 01:19:00,320
Speaker 1: I funt with Derek. Dere was nice. Yeah. We gave

1685
01:19:00,360 --> 01:19:02,240
Speaker 1: me his one of the keep a championship at Cherry

1686
01:19:02,240 --> 01:19:04,760
Speaker 1: Park when Derrik was popping. We used to play and

1687
01:19:04,760 --> 01:19:07,040
Speaker 1: then we fought and Cherry Parker is well, it's as

1688
01:19:07,080 --> 01:19:09,280
Speaker 1: long as you want to know about the cemetery. Okay.

1689
01:19:09,400 --> 01:19:12,280
Speaker 1: Now I assumed you also named Darryl Strawberry because you're

1690
01:19:12,280 --> 01:19:17,400
Speaker 1: like cocaine stories nuts, Strawberry brother, like a real crib.

1691
01:19:17,640 --> 01:19:22,760
Speaker 1: It's like a real holy ship brother, real thinking. I'm

1692
01:19:22,800 --> 01:19:24,879
Speaker 1: not gonna speak with the drivers, but they their families

1693
01:19:24,880 --> 01:19:33,559
Speaker 1: a real thiggau I ain't gonna love. In my mind,

1694
01:19:33,600 --> 01:19:36,600
Speaker 1: I saw a down Strawberry cop in my mind. This

1695
01:19:36,720 --> 01:19:39,080
Speaker 1: is allegedly. Now you know what I'm saying his brother

1696
01:19:39,160 --> 01:19:40,920
Speaker 1: that they you know, you know when the old nigga

1697
01:19:40,920 --> 01:19:42,760
Speaker 1: shake your hand and they just really aggressive with him.

1698
01:19:43,520 --> 01:19:46,120
Speaker 1: That kind of not sweaty palm not you know what

1699
01:19:46,160 --> 01:19:48,920
Speaker 1: I mean. Don't like sweaties. Sweaty palms is not good. Man,

1700
01:19:48,960 --> 01:19:51,200
Speaker 1: I don't like sweaty palms. Okay, I got more notes.

1701
01:19:51,240 --> 01:19:54,400
Speaker 1: God damn, I got more notes. Man. Uh huh Okay.

1702
01:19:54,439 --> 01:19:56,479
Speaker 1: Hold because no one's gonna take a shot. So I

1703
01:19:56,560 --> 01:20:00,479
Speaker 1: mean you want to go by Mr Shots get shot?

1704
01:20:02,200 --> 01:20:03,599
Speaker 1: All right? Listen, this is what we're gonna do. We're

1705
01:20:03,600 --> 01:20:05,080
Speaker 1: gonna do a new game. It's called a quick Time

1706
01:20:05,120 --> 01:20:07,240
Speaker 1: and slop the same game, right, but we want you

1707
01:20:07,360 --> 01:20:09,200
Speaker 1: to pick out who you want to take a shot

1708
01:20:09,320 --> 01:20:11,559
Speaker 1: for you. You can pick out any one of these

1709
01:20:11,600 --> 01:20:16,240
Speaker 1: guys right here. Yeah, yeah, yeah. That was great girls,

1710
01:20:16,479 --> 01:20:22,360
Speaker 1: great shoe, great shot, great shot. So so we're gonna

1711
01:20:22,400 --> 01:20:25,519
Speaker 1: make it worse. So it's quick time with slides. You

1712
01:20:25,560 --> 01:20:27,559
Speaker 1: could you can pick one of the other, no problem.

1713
01:20:29,280 --> 01:20:32,639
Speaker 1: Neither is he take a shot? Both he take a shot?

1714
01:20:33,439 --> 01:20:35,640
Speaker 1: All right, I'll take a shot of green juice, all right?

1715
01:20:37,439 --> 01:20:41,639
Speaker 1: Nas or jay Z. Well, we have music, yeah, music,

1716
01:20:41,640 --> 01:20:48,479
Speaker 1: whatever whatever it is to you. We're gonna have to

1717
01:20:48,560 --> 01:20:57,840
Speaker 1: drink out. We'll be pouring your shot and find expirits

1718
01:20:57,880 --> 01:20:59,920
Speaker 1: in the world. I think we said that, vincebo your shot,

1719
01:21:01,960 --> 01:21:06,360
Speaker 1: Scottie Pippen sent it to me. I didn't actually drink

1720
01:21:06,400 --> 01:21:09,439
Speaker 1: it yet. Did we drink drunk? Scott Pippen was that

1721
01:21:09,640 --> 01:21:13,200
Speaker 1: I didn't the green juice, the green juice or green

1722
01:21:13,240 --> 01:21:15,880
Speaker 1: juice from organic food organic foods taking just come out.

1723
01:21:16,040 --> 01:21:20,760
Speaker 1: That's right, and on my strawberry. You think that's why

1724
01:21:20,800 --> 01:21:23,880
Speaker 1: they beating because Scotty got Scotch. I think Scottie and

1725
01:21:23,920 --> 01:21:29,760
Speaker 1: Jordan Jordan. Jordan got to kill me. But Jordan's ship

1726
01:21:29,840 --> 01:21:35,120
Speaker 1: is good. Jordan, Top shut that drink top show. Yeah, Jordan,

1727
01:21:36,040 --> 01:21:39,160
Speaker 1: I'm not in the killer like a trophy. But keep

1728
01:21:39,160 --> 01:21:40,840
Speaker 1: it going. Did you take it? We shouldn't let him

1729
01:21:41,000 --> 01:21:43,880
Speaker 1: pull your shot. Okay, there we go. Okay, Ken j

1730
01:21:44,080 --> 01:21:47,519
Speaker 1: A call Kindred. Okay, then that was fast. That's what

1731
01:21:47,600 --> 01:21:53,920
Speaker 1: I mean. Okay, uh dmx a tupap Okay, West Coast Man.

1732
01:21:53,960 --> 01:21:57,280
Speaker 1: They sure New York. Why saying are you going back

1733
01:21:57,320 --> 01:22:01,439
Speaker 1: to that Baltimore? Because I love his history of it,

1734
01:22:01,520 --> 01:22:12,080
Speaker 1: just knowing his history and being upfront with it. Kanye Farrell. Look, okay,

1735
01:22:13,439 --> 01:22:19,120
Speaker 1: back that Tyler or Earl wrapping anything. It depends because

1736
01:22:19,720 --> 01:22:22,479
Speaker 1: when they're not close in no way. Okay, you gotta

1737
01:22:22,560 --> 01:22:26,040
Speaker 1: gotta you gotta specify who you really hang with, Oh

1738
01:22:26,240 --> 01:22:28,200
Speaker 1: tab Earl all day. I'm not hanging out with Tyler.

1739
01:22:28,200 --> 01:22:31,719
Speaker 1: I think it got too much energy. White you too much? Okay,

1740
01:22:32,200 --> 01:22:36,639
Speaker 1: Ice Cuba iced tea, I didn't, Okay, respect on loyalty.

1741
01:22:37,479 --> 01:22:42,240
Speaker 1: I respect n w A or future a Biggie You're

1742
01:22:42,280 --> 01:22:49,400
Speaker 1: Big al Biggie podcast or radio podcast, dre or DJ

1743
01:22:49,760 --> 01:22:54,920
Speaker 1: quick quick mm hmm. Shocking me some of these what

1744
01:22:55,040 --> 01:22:56,519
Speaker 1: are you talking? I know, I know, I know this

1745
01:22:56,600 --> 01:22:58,960
Speaker 1: as as well. Long Beach or a t L Long Beach.

1746
01:23:00,040 --> 01:23:05,360
Speaker 1: Push your a kiss Kid kiss Cardi or Nicki minaj

1747
01:23:07,479 --> 01:23:10,160
Speaker 1: I like little Kim Bro, I'll expect that the answer

1748
01:23:10,200 --> 01:23:15,400
Speaker 1: it's accepted, Bro Kim a Foxy. That's a shot. That's

1749
01:23:15,439 --> 01:23:20,080
Speaker 1: a shot shot all right? First is that let's kind

1750
01:23:20,080 --> 01:23:22,360
Speaker 1: out fire. That's kind of about because card Nicky is

1751
01:23:22,439 --> 01:23:25,840
Speaker 1: like said another, I never listened to the music, but

1752
01:23:25,920 --> 01:23:28,400
Speaker 1: like they seem cool, like you feel me, I would

1753
01:23:28,439 --> 01:23:31,840
Speaker 1: like go to the house against the macaroni and cheese silace. Okay,

1754
01:23:33,479 --> 01:23:37,960
Speaker 1: So Kim a foxy oh Kim okay major or independent

1755
01:23:38,080 --> 01:23:44,760
Speaker 1: independent Alchemists or no, I d y late nineties or

1756
01:23:44,840 --> 01:23:50,080
Speaker 1: early two dollars hip hop? It would be early nine

1757
01:23:50,120 --> 01:23:54,000
Speaker 1: is not late nine? Okay early nineties Okay, Lakers come out,

1758
01:23:56,520 --> 01:24:03,160
Speaker 1: don't start and went six changes? Is ninety two? Oh no, No,

1759
01:24:03,240 --> 01:24:06,880
Speaker 1: no four dog sells four because none And quick as

1760
01:24:06,920 --> 01:24:11,040
Speaker 1: the name is right at night R three quick quick

1761
01:24:11,040 --> 01:24:14,120
Speaker 1: as the name a second? No, No, that's doing on seven?

1762
01:24:14,160 --> 01:24:16,280
Speaker 1: Sound on it seven? Sound not quick as than that.

1763
01:24:16,479 --> 01:24:19,559
Speaker 1: I can't even remember. You supposed to be hip hop

1764
01:24:20,400 --> 01:24:26,040
Speaker 1: sped years we drink man drunk facts over here, the

1765
01:24:26,160 --> 01:24:39,320
Speaker 1: Lakers versus the Clippers. Lakers okay, Jordan or Lebron uh

1766
01:24:42,840 --> 01:24:48,120
Speaker 1: m hmm, I call Lebron go space a ray quam

1767
01:24:51,080 --> 01:24:55,920
Speaker 1: yeah go, holy morning, I got I got more. Okay.

1768
01:24:57,160 --> 01:25:01,439
Speaker 1: So you said that black people most of the time

1769
01:25:01,560 --> 01:25:04,240
Speaker 1: takes z X and lean because they hear it in

1770
01:25:04,280 --> 01:25:08,679
Speaker 1: the rap song the young Niggers. For sure, I agree

1771
01:25:08,720 --> 01:25:10,519
Speaker 1: with you. Yeah, yeah, I feel like it's not even

1772
01:25:10,560 --> 01:25:12,800
Speaker 1: just it's not even that it's just music in general.

1773
01:25:12,960 --> 01:25:14,519
Speaker 1: When I was younger, and I didn't know what lean

1774
01:25:14,720 --> 01:25:22,040
Speaker 1: was until until until uh st three I didn't know

1775
01:25:22,080 --> 01:25:24,599
Speaker 1: what lean was too. I went on tour with April

1776
01:25:24,800 --> 01:25:26,559
Speaker 1: m j G. And then like you think about still

1777
01:25:26,600 --> 01:25:28,240
Speaker 1: tipping and get throw like that. I don't know, we

1778
01:25:28,280 --> 01:25:31,160
Speaker 1: didn't really it gets California. It's different, it's different cultures

1779
01:25:31,200 --> 01:25:33,080
Speaker 1: every But that's all I'm saying. Music is an introductory

1780
01:25:33,120 --> 01:25:34,960
Speaker 1: point because it's the same thing with all these people

1781
01:25:34,960 --> 01:25:37,040
Speaker 1: are these other stage taking loud they want They didn't

1782
01:25:37,040 --> 01:25:39,360
Speaker 1: know what chrystial blood was only until they got really

1783
01:25:39,400 --> 01:25:40,960
Speaker 1: big in the music, of course, and they're gonna go

1784
01:25:40,960 --> 01:25:43,000
Speaker 1: to your city and set up. But that's not gonna

1785
01:25:43,040 --> 01:25:45,360
Speaker 1: have it be to where it is now. The music

1786
01:25:45,520 --> 01:25:47,799
Speaker 1: is the biggest you know thing that it changes everything

1787
01:25:47,920 --> 01:25:51,640
Speaker 1: bro changed every end Internet. But so why do you

1788
01:25:51,680 --> 01:25:54,519
Speaker 1: why do you think that all our folks is like that?

1789
01:25:54,720 --> 01:25:58,200
Speaker 1: Like because why do you think that's so easily everybody

1790
01:25:58,280 --> 01:26:01,200
Speaker 1: like that? Everything like that? I think think about thinking

1791
01:26:01,200 --> 01:26:02,880
Speaker 1: about the spread of racism in places that don't have

1792
01:26:02,920 --> 01:26:04,600
Speaker 1: no black people, you know what I mean? That was

1793
01:26:04,680 --> 01:26:06,519
Speaker 1: told that. I mean when you look at it's just

1794
01:26:06,600 --> 01:26:09,080
Speaker 1: a medium and mass conception, a certain ship. What you

1795
01:26:09,160 --> 01:26:10,800
Speaker 1: consume is who you are, you know what I mean?

1796
01:26:10,800 --> 01:26:12,080
Speaker 1: If you think about what you eat and you know

1797
01:26:12,200 --> 01:26:15,240
Speaker 1: what you drinking things that you are so so essentially

1798
01:26:15,360 --> 01:26:17,840
Speaker 1: that's everybody. It's not just black people. You see um

1799
01:26:18,000 --> 01:26:20,880
Speaker 1: Dick Gregory documentary. I ain't seen it. I ain't seen it.

1800
01:26:21,560 --> 01:26:27,920
Speaker 1: You've seen it, but everyone is aware of Dick Um. Well,

1801
01:26:27,960 --> 01:26:30,200
Speaker 1: I didn't know. It's all I knew was he was.

1802
01:26:30,360 --> 01:26:31,960
Speaker 1: He's a funny guy. I did not know he went

1803
01:26:32,040 --> 01:26:35,200
Speaker 1: on a fast for two years. I did not he

1804
01:26:35,400 --> 01:26:40,400
Speaker 1: ran across country, like you know what was he fasted

1805
01:26:40,479 --> 01:26:44,599
Speaker 1: for two years? Just water? Uh, let's juicing. He was juicing,

1806
01:26:45,040 --> 01:26:48,760
Speaker 1: he um. And then he ran from like New York

1807
01:26:48,840 --> 01:26:53,720
Speaker 1: to bottom all and then he did like yeah in

1808
01:26:53,840 --> 01:26:55,920
Speaker 1: real life, like this is not far as gone. And

1809
01:26:56,040 --> 01:27:01,120
Speaker 1: then he found out a white dude who who had

1810
01:27:01,720 --> 01:27:05,720
Speaker 1: orchestrated a run from New York to California. So he

1811
01:27:05,880 --> 01:27:08,680
Speaker 1: asked the dud and he did it. So he ran

1812
01:27:09,479 --> 01:27:14,320
Speaker 1: fifty it's two marathons, six US twenty so he did

1813
01:27:14,360 --> 01:27:19,599
Speaker 1: about fifty eight miles a day. Yeah, it was crazy.

1814
01:27:19,640 --> 01:27:21,519
Speaker 1: I watched the documentary last night. I didn't know why,

1815
01:27:21,600 --> 01:27:24,120
Speaker 1: but I was like, yo, this is some different ship.

1816
01:27:24,240 --> 01:27:28,679
Speaker 1: And what I'm trying to tell you is me being

1817
01:27:28,760 --> 01:27:32,200
Speaker 1: OPT four this year. I knew none of that. Like

1818
01:27:32,320 --> 01:27:35,080
Speaker 1: I knew he was, you know, for us blacks, I

1819
01:27:35,120 --> 01:27:36,960
Speaker 1: didn't know how much he was for and he was

1820
01:27:37,040 --> 01:27:40,560
Speaker 1: fighting world hunger. So he said he didn't eat. So

1821
01:27:40,640 --> 01:27:42,519
Speaker 1: when people asked him why you didn't eat, he said,

1822
01:27:42,520 --> 01:27:44,600
Speaker 1: because there's people in this world that's starving, And he

1823
01:27:44,640 --> 01:27:46,719
Speaker 1: said that's how. He didn't have a Twitter, he didn't

1824
01:27:46,720 --> 01:27:48,679
Speaker 1: have an Instagram, so that's how he was spreading the world.

1825
01:27:49,160 --> 01:27:51,479
Speaker 1: So that ship fucked me up to a certain extent.

1826
01:27:51,640 --> 01:27:54,280
Speaker 1: So I was wondering like, like, did you did you

1827
01:27:54,479 --> 01:27:57,160
Speaker 1: get the hell uh Dick Gregories plots and things like that,

1828
01:27:57,360 --> 01:28:00,000
Speaker 1: or I'm not but I did not see that document

1829
01:28:00,000 --> 01:28:01,840
Speaker 1: in act about some of the stuff you just said.

1830
01:28:01,960 --> 01:28:04,160
Speaker 1: But I think, you know, I'm I think that that's

1831
01:28:04,200 --> 01:28:06,000
Speaker 1: you know, that's how I'm going to sense. You gotta

1832
01:28:06,560 --> 01:28:08,280
Speaker 1: you gotta be about the ships you say, you know,

1833
01:28:08,560 --> 01:28:11,280
Speaker 1: you gotta kind of live with your actions, and we

1834
01:28:11,760 --> 01:28:13,400
Speaker 1: should get to a place where that worst. You know,

1835
01:28:13,560 --> 01:28:15,920
Speaker 1: usually it's like we care when they live what they're saying.

1836
01:28:15,960 --> 01:28:18,400
Speaker 1: If it's some negative stuff, we gotta care about it

1837
01:28:18,479 --> 01:28:20,080
Speaker 1: on a positive end. So and just make sure that

1838
01:28:20,160 --> 01:28:23,280
Speaker 1: everybody is you know, you gotta try to help. You know,

1839
01:28:23,400 --> 01:28:25,000
Speaker 1: you can't. You can't. You can't put so much, you know,

1840
01:28:25,160 --> 01:28:26,640
Speaker 1: bad in your life. You know, I'm not trying to

1841
01:28:26,680 --> 01:28:29,559
Speaker 1: do some good ship, right, So when we were when

1842
01:28:29,600 --> 01:28:31,719
Speaker 1: are we seeing you on a big screen? What what's

1843
01:28:31,800 --> 01:28:34,280
Speaker 1: happening when ship? Man, I'm trying. I'm trying. I'm trying

1844
01:28:34,280 --> 01:28:36,800
Speaker 1: to excuse me. I'm trying to write these shows out.

1845
01:28:38,280 --> 01:28:40,080
Speaker 1: I got to show your own show. Yeah, I gotta

1846
01:28:40,080 --> 01:28:43,160
Speaker 1: ask show ship coming through Netflix hopefully, well if we

1847
01:28:43,200 --> 01:28:45,479
Speaker 1: can pack it out and h yeah, I got this

1848
01:28:45,560 --> 01:28:47,920
Speaker 1: movie called dead Ass that we're trying to get picked up.

1849
01:28:48,240 --> 01:28:49,880
Speaker 1: We're kind of the stuff. I do all this and

1850
01:28:49,960 --> 01:28:51,880
Speaker 1: stuff like that, but I try to make some New

1851
01:28:51,960 --> 01:28:55,000
Speaker 1: York ship. You know that's our slang dead ass that

1852
01:28:55,200 --> 01:28:58,920
Speaker 1: I'm so happy you're saying that. Look I want to change.

1853
01:29:01,720 --> 01:29:03,439
Speaker 1: Did I just help him? I just helped his case.

1854
01:29:04,600 --> 01:29:10,000
Speaker 1: I need that separate. But what I'm saying, what I'm saying,

1855
01:29:10,080 --> 01:29:11,280
Speaker 1: I was like, I was like, you can't name a

1856
01:29:11,360 --> 01:29:14,519
Speaker 1: movie this if it ain't gonna be out there, But yeah,

1857
01:29:14,800 --> 01:29:24,000
Speaker 1: you know I can about what is the movie about? That? Now? Yeah,

1858
01:29:24,040 --> 01:29:26,760
Speaker 1: I just tell yourselfing you your personality is one of

1859
01:29:26,840 --> 01:29:30,600
Speaker 1: the most phenomenal personalities I've ever seen. Like you know,

1860
01:29:30,680 --> 01:29:33,680
Speaker 1: I wanted to study you, and not only that, you're

1861
01:29:33,680 --> 01:29:37,759
Speaker 1: a very very smart individual. I don't think there's anybody

1862
01:29:37,760 --> 01:29:40,040
Speaker 1: that we can compare you too that came before you,

1863
01:29:41,080 --> 01:29:42,640
Speaker 1: and I don't think there's anybody that we're gonna be

1864
01:29:42,680 --> 01:29:47,080
Speaker 1: able to compare to you after. You're a very different individual.

1865
01:29:47,280 --> 01:29:49,519
Speaker 1: Like I love the way you thought. You see how

1866
01:29:49,560 --> 01:29:53,800
Speaker 1: he's breaking it down. It brings you to a question,

1867
01:29:54,320 --> 01:29:56,720
Speaker 1: did you ever have artists development or this is something

1868
01:29:56,760 --> 01:29:59,160
Speaker 1: that you develop on your own. I don't have nothing. Wow.

1869
01:29:59,240 --> 01:30:02,040
Speaker 1: I never never had. I ain't never been putting up

1870
01:30:02,040 --> 01:30:05,320
Speaker 1: producer sessions. Wow, I never been putting on riding camps.

1871
01:30:05,800 --> 01:30:08,280
Speaker 1: I never have no real A and R work on

1872
01:30:08,400 --> 01:30:10,000
Speaker 1: my child as that could at the point of time.

1873
01:30:10,040 --> 01:30:12,519
Speaker 1: It's all about access. You know, of course everybody cares,

1874
01:30:12,520 --> 01:30:15,960
Speaker 1: but I never had people all Twitter blah blah, and

1875
01:30:16,040 --> 01:30:18,040
Speaker 1: it's not like the social media stuff. This ain't nothing

1876
01:30:18,120 --> 01:30:20,160
Speaker 1: that was. That's just I just had to I had

1877
01:30:20,200 --> 01:30:23,000
Speaker 1: to figure something out because we ain't had the biggest budgets,

1878
01:30:23,040 --> 01:30:24,760
Speaker 1: and we had we ain't had certain torrent thing, if

1879
01:30:24,760 --> 01:30:27,040
Speaker 1: you know, just trying to find cool ways and promote ship.

1880
01:30:27,120 --> 01:30:28,840
Speaker 1: You know, just I'm regular niggers, so I ain't never

1881
01:30:28,880 --> 01:30:31,479
Speaker 1: trying to be, you know, a superstar and all you

1882
01:30:31,520 --> 01:30:32,760
Speaker 1: should do did you do? Do you shoot that? I

1883
01:30:32,760 --> 01:30:34,840
Speaker 1: ain't never. It just happened for me, and that's why

1884
01:30:34,840 --> 01:30:37,120
Speaker 1: it's funny. Sharle Mayne. I heard CHARLETTA. Mayne saying once

1885
01:30:37,120 --> 01:30:39,479
Speaker 1: to an e Broils saying once Sto'm paraphrasing, but one

1886
01:30:39,479 --> 01:30:41,840
Speaker 1: of them is like, oh, you know, with Vince. I

1887
01:30:41,920 --> 01:30:44,040
Speaker 1: think I think Charlotte Mayne was one of said Vincus

1888
01:30:44,080 --> 01:30:46,519
Speaker 1: personality is bigger than music. I think even somebody else

1889
01:30:46,560 --> 01:30:47,840
Speaker 1: it was one of them. Other to do said one

1890
01:30:47,880 --> 01:30:50,360
Speaker 1: of them too specifically, I said, yeah, once Vince stops,

1891
01:30:50,680 --> 01:30:52,960
Speaker 1: change switches from music and does something else, saying he's

1892
01:30:52,960 --> 01:30:54,880
Speaker 1: gonna do really, really good. And I didn't understand why

1893
01:30:54,920 --> 01:30:56,840
Speaker 1: they said it till I got older, because I don't

1894
01:30:56,880 --> 01:30:58,880
Speaker 1: have a correct view of the world. You're almost thinking,

1895
01:30:58,920 --> 01:31:00,599
Speaker 1: like to trying to this your music. No, not even

1896
01:31:00,680 --> 01:31:02,479
Speaker 1: that I thought of it like this, Like you know,

1897
01:31:02,760 --> 01:31:04,400
Speaker 1: when you come from it, when you come from the ship,

1898
01:31:04,520 --> 01:31:07,439
Speaker 1: it's like it's an opportunity and you feel like you

1899
01:31:07,479 --> 01:31:09,040
Speaker 1: don't want to you know if this, if if this

1900
01:31:09,120 --> 01:31:10,600
Speaker 1: the hand that's pulling you up, you don't want to

1901
01:31:10,640 --> 01:31:12,200
Speaker 1: let it go. You feel you don't want to even

1902
01:31:12,240 --> 01:31:14,400
Speaker 1: try to look a right. You're really seeing past it exactly.

1903
01:31:14,439 --> 01:31:15,560
Speaker 1: You just want to hold on, say that hand and

1904
01:31:15,640 --> 01:31:17,120
Speaker 1: how to get up out the mud basically, And I

1905
01:31:17,240 --> 01:31:19,160
Speaker 1: think I was like that for a long time ago.

1906
01:31:19,240 --> 01:31:20,600
Speaker 1: I can't do this because that's gonna sun with this,

1907
01:31:21,040 --> 01:31:23,000
Speaker 1: because that's good, funk with that when the reality all

1908
01:31:23,040 --> 01:31:25,320
Speaker 1: these other things was propelling it. So, you know, just

1909
01:31:25,360 --> 01:31:27,320
Speaker 1: trying to make sure I can kind of diversify ship

1910
01:31:27,400 --> 01:31:28,960
Speaker 1: the most I can and just don't do the ship.

1911
01:31:29,160 --> 01:31:31,000
Speaker 1: People don't get these opportunities. I ain't never done nothing

1912
01:31:31,040 --> 01:31:32,800
Speaker 1: on TV ever. I knew the shows, no, none of that,

1913
01:31:33,120 --> 01:31:34,800
Speaker 1: and I got Gotta I Gotta shell picked up from

1914
01:31:34,800 --> 01:31:36,240
Speaker 1: Netflix that me and the Honey made up. But we

1915
01:31:36,280 --> 01:31:38,240
Speaker 1: didn't write nothing. We just went and filmed it. You

1916
01:31:38,280 --> 01:31:40,560
Speaker 1: know what I mean? What's it? What's it called a

1917
01:31:40,600 --> 01:31:42,880
Speaker 1: Little Dickie? I ain't seen it yet, but the hommy

1918
01:31:42,960 --> 01:31:45,479
Speaker 1: right on that song shout, I dropped that show, my hommy, Travis.

1919
01:31:45,800 --> 01:31:48,920
Speaker 1: I see um season one. I haven't got a chance

1920
01:31:48,960 --> 01:31:52,320
Speaker 1: to see season two, but I would say that to say,

1921
01:31:52,600 --> 01:31:55,240
Speaker 1: I see you doing something similar like you being you. Yeah,

1922
01:31:55,280 --> 01:31:57,400
Speaker 1: it's possible like that. That's that's what we're working on.

1923
01:31:57,439 --> 01:31:59,280
Speaker 1: I'm gonna station ship, but that's that's what you're working on.

1924
01:31:59,439 --> 01:32:01,559
Speaker 1: Is hopefully a panel. I'm good. I think it's gonna

1925
01:32:01,560 --> 01:32:03,200
Speaker 1: be straight. Like put it like this. When I watched

1926
01:32:03,240 --> 01:32:05,800
Speaker 1: The Little Thing, I didn't know who's the homies real name?

1927
01:32:06,640 --> 01:32:12,760
Speaker 1: What's uh? What's the artist that's like, I'm like, I'm

1928
01:32:12,800 --> 01:32:16,120
Speaker 1: thinking of my drug now let you go, let you know.

1929
01:32:16,680 --> 01:32:19,120
Speaker 1: So I went in with the attentions like why would

1930
01:32:19,120 --> 01:32:22,280
Speaker 1: they give a new artist, you know, this platform, Like

1931
01:32:22,400 --> 01:32:25,640
Speaker 1: I'm going in hating like to a certain extent, like

1932
01:32:25,760 --> 01:32:27,720
Speaker 1: to a certain extent like yo, like let me tell,

1933
01:32:27,920 --> 01:32:30,439
Speaker 1: and I went I came out loving it like we're

1934
01:32:30,520 --> 01:32:34,439
Speaker 1: season two, like you know what I mean, because again

1935
01:32:35,680 --> 01:32:37,559
Speaker 1: I don't know this man struggle. I don't know who

1936
01:32:37,640 --> 01:32:40,080
Speaker 1: he is. So I didn't know that, you know, they

1937
01:32:40,120 --> 01:32:42,439
Speaker 1: had the same type of struggles just because they might

1938
01:32:42,479 --> 01:32:44,840
Speaker 1: not be as poor as us, but their family is

1939
01:32:44,880 --> 01:32:48,599
Speaker 1: not supporting them. Yeah. Yeah, like you said, emotional ship

1940
01:32:48,680 --> 01:32:50,880
Speaker 1: and all this crazy like you know, being an artist,

1941
01:32:51,600 --> 01:32:54,760
Speaker 1: that's why that's why I love DMX statement when he said, yo,

1942
01:32:54,800 --> 01:32:57,760
Speaker 1: he stopped calling an artists whack. And I asked him,

1943
01:32:57,760 --> 01:32:59,639
Speaker 1: I said, well, why would you stop calling artists whack?

1944
01:32:59,720 --> 01:33:04,200
Speaker 1: He said, because one artist for sixteen different families. And

1945
01:33:04,320 --> 01:33:06,760
Speaker 1: I was just like wow, Like, regardless of let's think

1946
01:33:06,760 --> 01:33:10,280
Speaker 1: about it, for artists works at bare minimum, he's speeding

1947
01:33:10,320 --> 01:33:12,559
Speaker 1: at least eight to ten on his own team. Then

1948
01:33:12,600 --> 01:33:15,880
Speaker 1: he's helping out six to seven to maybe even the

1949
01:33:15,960 --> 01:33:19,639
Speaker 1: whole record label. He like saved the whole record label,

1950
01:33:19,680 --> 01:33:22,400
Speaker 1: you know what I mean. So um, But getting back

1951
01:33:22,439 --> 01:33:26,479
Speaker 1: to that, when I see the show, I was, you know,

1952
01:33:26,560 --> 01:33:30,360
Speaker 1: I was actually impressed, but I was more impressed that

1953
01:33:30,479 --> 01:33:33,000
Speaker 1: Obviously I don't know this guy. I've never met him before,

1954
01:33:33,280 --> 01:33:35,600
Speaker 1: but he was portraying a life that I think that

1955
01:33:35,720 --> 01:33:38,639
Speaker 1: he lived. Yeah, it's important, like like but like you said,

1956
01:33:38,720 --> 01:33:41,080
Speaker 1: you never know somebody entry points. So him doing that

1957
01:33:41,160 --> 01:33:44,160
Speaker 1: show my guardens. Even like when Atlanta with Donald Gloving.

1958
01:33:44,240 --> 01:33:47,759
Speaker 1: Like Atlanta, of course, Donald was already successful, but Atlanta

1959
01:33:47,840 --> 01:33:49,840
Speaker 1: opened him up to so many more people that probably

1960
01:33:49,840 --> 01:33:51,920
Speaker 1: wouldn't have been paying attention. So you gotta be willing

1961
01:33:51,960 --> 01:33:54,320
Speaker 1: to take the risk, and like even even ship, like

1962
01:33:54,360 --> 01:33:56,600
Speaker 1: when you think about Aaron, What y'all girl, Which is

1963
01:33:56,640 --> 01:33:58,800
Speaker 1: when y'all was all making music, y'all was taking risks.

1964
01:33:58,880 --> 01:34:00,800
Speaker 1: Y'all wasn't doing the same thing over and over and

1965
01:34:00,880 --> 01:34:03,040
Speaker 1: over and over and over again. And it's important to

1966
01:34:03,080 --> 01:34:04,760
Speaker 1: be creative in that light and just you know, trying

1967
01:34:04,760 --> 01:34:07,679
Speaker 1: to do different ships, y'all paying out. You also said

1968
01:34:07,720 --> 01:34:11,160
Speaker 1: one thing, I'm sorry you're bounsing around. You said you

1969
01:34:11,280 --> 01:34:14,559
Speaker 1: can't be a thug in broke. Even George Washington living

1970
01:34:14,760 --> 01:34:18,679
Speaker 1: Compton once. Now this nigga, not George Bush. George Bush

1971
01:34:18,760 --> 01:34:25,559
Speaker 1: lived in Compton, and Kevin Cosner from Compton, Board from

1972
01:34:25,600 --> 01:34:30,160
Speaker 1: Compton the Bodyguard when he was in Bodyguard Compton? Is

1973
01:34:30,200 --> 01:34:34,519
Speaker 1: he from He from Compton? Compton? Yea? And they got farm.

1974
01:34:35,080 --> 01:34:39,120
Speaker 1: He lived in the mobs over there off like Closter

1975
01:34:39,160 --> 01:34:41,679
Speaker 1: Bullets and who else? He said, George Bush and George

1976
01:34:41,720 --> 01:34:45,280
Speaker 1: Buston lived in County. I got that from him from

1977
01:34:45,320 --> 01:34:49,720
Speaker 1: my mama Google it. Compthing was nice, that's where he

1978
01:34:49,840 --> 01:34:51,560
Speaker 1: was at. It was Compton was like pals brain. So

1979
01:34:51,640 --> 01:34:55,000
Speaker 1: the niggas went over there with him. Guys changed it all.

1980
01:34:55,040 --> 01:34:56,439
Speaker 1: They had to get up out of there. Really, know

1981
01:34:56,520 --> 01:34:58,120
Speaker 1: what's you know what's crazy about you, and I know

1982
01:34:58,200 --> 01:34:59,920
Speaker 1: you like you know your history. You know, it's crazy

1983
01:35:00,400 --> 01:35:02,120
Speaker 1: about the West Coast. When the West Coast, when you

1984
01:35:02,160 --> 01:35:04,080
Speaker 1: ever you say something's funked up about the West Coast,

1985
01:35:04,120 --> 01:35:06,720
Speaker 1: you always have to blame the South. You know why?

1986
01:35:07,800 --> 01:35:12,479
Speaker 1: Sorry South people, Sorry, y'all went west thinking there was

1987
01:35:12,560 --> 01:35:15,880
Speaker 1: no racism. I was thinking because it was the South

1988
01:35:16,040 --> 01:35:18,680
Speaker 1: was really really racist. And in order to go to

1989
01:35:18,840 --> 01:35:20,800
Speaker 1: the right to up north, you got to have a

1990
01:35:20,880 --> 01:35:23,160
Speaker 1: little bit of money or have some family. So those

1991
01:35:23,240 --> 01:35:25,080
Speaker 1: that was from the South that didn't have a little

1992
01:35:25,080 --> 01:35:26,960
Speaker 1: bit of money, we go to the East Californa. California

1993
01:35:27,000 --> 01:35:28,800
Speaker 1: had a trade you say, you warn't over They had

1994
01:35:28,840 --> 01:35:31,759
Speaker 1: to try the train system and the infrastructure for warehouse jobs.

1995
01:35:32,320 --> 01:35:38,840
Speaker 1: I don't think trying to escape racism. It was fo opportunity,

1996
01:35:38,840 --> 01:35:40,560
Speaker 1: just based on the Gym Crow South. A lot a

1997
01:35:40,600 --> 01:35:42,600
Speaker 1: lot of the people out organizing, like the l A

1998
01:35:42,680 --> 01:35:44,640
Speaker 1: police chasing people like that they was getting from the

1999
01:35:44,720 --> 01:35:46,760
Speaker 1: Gym Crow South kind of help. Real line of the

2000
01:35:46,800 --> 01:35:48,960
Speaker 1: black communities in the Hispanic communities. Like you think about

2001
01:35:49,000 --> 01:35:51,000
Speaker 1: how the freeways has been a railroad and with downtown

2002
01:35:51,120 --> 01:35:53,479
Speaker 1: l A used to be like eight nine areas like that,

2003
01:35:53,520 --> 01:35:55,439
Speaker 1: A zuslu rides and things of that nature. It's always

2004
01:35:55,479 --> 01:35:58,040
Speaker 1: been a big separation. And how what he's saying is

2005
01:35:58,120 --> 01:36:00,200
Speaker 1: the South kind of a lot of people came not

2006
01:36:00,320 --> 01:36:02,000
Speaker 1: understanding what was going on. And we think about the

2007
01:36:02,479 --> 01:36:04,640
Speaker 1: building of Venice and how Venice was built. You know,

2008
01:36:04,680 --> 01:36:06,479
Speaker 1: A McKinney died, gave it to a black dude. So

2009
01:36:06,560 --> 01:36:08,639
Speaker 1: he built the Oakland region for black and Hispanic people,

2010
01:36:08,960 --> 01:36:11,400
Speaker 1: and then they took it in the late nineties. You

2011
01:36:11,439 --> 01:36:14,040
Speaker 1: know what I mean, because it was he writing this

2012
01:36:14,080 --> 01:36:16,360
Speaker 1: sent because it was it was it wasn't a lot

2013
01:36:16,400 --> 01:36:18,640
Speaker 1: of knowledge of what was going on in California. So

2014
01:36:18,720 --> 01:36:20,840
Speaker 1: when people came to California was kind of taking off

2015
01:36:20,880 --> 01:36:23,800
Speaker 1: guard by what happened, and a lot of people it

2016
01:36:23,920 --> 01:36:27,000
Speaker 1: was presented the opportunities there was I think um before

2017
01:36:27,320 --> 01:36:30,640
Speaker 1: or something like that. It was a big car, It

2018
01:36:30,720 --> 01:36:33,000
Speaker 1: was a fist factor firestone factory. Yeah, it was a

2019
01:36:33,040 --> 01:36:36,120
Speaker 1: big fire stool. And they were hiring, they were hiring brothers.

2020
01:36:36,160 --> 01:36:38,160
Speaker 1: The brothers was going out and then you gotta realize

2021
01:36:38,160 --> 01:36:42,400
Speaker 1: California's beautiful weather. So and they're in the South and

2022
01:36:42,800 --> 01:36:47,360
Speaker 1: the Atlanta, South Carolina, uh, North Carolina, Virginia and all

2023
01:36:47,400 --> 01:36:51,680
Speaker 1: these places where they're still flying the Confederate flag. So

2024
01:36:51,840 --> 01:36:54,479
Speaker 1: anywhere to the people that don't got a Confederate flag

2025
01:36:54,800 --> 01:36:57,840
Speaker 1: seems like the primis land to us in California and

2026
01:36:57,920 --> 01:37:01,200
Speaker 1: New York being one. But the crazy the ship. When

2027
01:37:01,240 --> 01:37:02,840
Speaker 1: people say it all kind of come from the South,

2028
01:37:02,920 --> 01:37:05,200
Speaker 1: they're not kind of lying because all of our ancests

2029
01:37:05,240 --> 01:37:07,439
Speaker 1: that was was out in the South at first. That's

2030
01:37:07,479 --> 01:37:09,120
Speaker 1: where that's where to pick a cotton. It was happening,

2031
01:37:09,120 --> 01:37:11,160
Speaker 1: and it happened to New York. Didn't happen in California.

2032
01:37:11,160 --> 01:37:13,240
Speaker 1: That should have happened in the South. You understand, I'm saying,

2033
01:37:13,800 --> 01:37:15,479
Speaker 1: we got deep today. We got deep today. I like that.

2034
01:37:15,720 --> 01:37:21,960
Speaker 1: I like that. I like that. So yeah, so should

2035
01:37:21,960 --> 01:37:27,200
Speaker 1: we talked about George Bush? Yeah, it was definitely not junior. Yeah, yeah,

2036
01:37:27,400 --> 01:37:32,320
Speaker 1: that's diculous. That's why I was getting confused. L ten

2037
01:37:32,360 --> 01:37:36,720
Speaker 1: forty nine. Wow, that's not far though. That's technically is

2038
01:37:36,760 --> 01:37:38,640
Speaker 1: that where they started their oil business? Because it's all

2039
01:37:38,680 --> 01:37:43,479
Speaker 1: there's a cowboys this cowboys in Compton. Yeah, like the

2040
01:37:43,600 --> 01:37:49,320
Speaker 1: documentary I saw that. I forgot his name. Bro he

2041
01:37:49,520 --> 01:37:53,080
Speaker 1: Um the Trap Kitchen put put us on because we

2042
01:37:53,240 --> 01:37:56,720
Speaker 1: was out there filming for the trap kitchen. Yeah, the

2043
01:37:56,840 --> 01:38:00,639
Speaker 1: blood and the cript, both of them, and leave. Sorry

2044
01:38:00,680 --> 01:38:02,839
Speaker 1: to say it like this. It was getting some meat delivered,

2045
01:38:03,120 --> 01:38:06,160
Speaker 1: and I was like, sorry, sorry to say it like that,

2046
01:38:06,760 --> 01:38:09,120
Speaker 1: but you know, pause, and I was like, where is that.

2047
01:38:09,200 --> 01:38:12,200
Speaker 1: They said that the homies come on on on the horses,

2048
01:38:12,600 --> 01:38:14,800
Speaker 1: and I was like, I'm thinking this is totally slang.

2049
01:38:15,320 --> 01:38:16,920
Speaker 1: So I'm like, I'm thinking, I'm out of the loop.

2050
01:38:17,520 --> 01:38:19,640
Speaker 1: This is some l a slang that coming down on

2051
01:38:19,800 --> 01:38:21,840
Speaker 1: with the horses. So I said, Nora, don't ask what

2052
01:38:21,920 --> 01:38:24,599
Speaker 1: the horses is, you know, just just be cool. You're

2053
01:38:24,640 --> 01:38:27,240
Speaker 1: in Compidon, you're in Compton. You have to trap kitchen.

2054
01:38:27,720 --> 01:38:30,720
Speaker 1: And then the homie comes with a horse. And I'm like, nah, bro,

2055
01:38:31,040 --> 01:38:33,720
Speaker 1: And I did not. I would never, like never in

2056
01:38:33,760 --> 01:38:35,479
Speaker 1: a million years. The only time I think I see

2057
01:38:35,760 --> 01:38:38,639
Speaker 1: a horse in New York City is a police police

2058
01:38:38,640 --> 01:38:40,800
Speaker 1: officers on top of it. You can get you to

2059
01:38:40,800 --> 01:38:42,360
Speaker 1: get you some landing coming, get you a little you

2060
01:38:42,680 --> 01:38:47,120
Speaker 1: really really you went to trying to blue swag. My

2061
01:38:47,240 --> 01:38:49,519
Speaker 1: aunt got like a football field in her backyard. Literally,

2062
01:38:49,560 --> 01:38:56,040
Speaker 1: like it's crazy. So he did say, he said, he said,

2063
01:38:56,040 --> 01:38:58,960
Speaker 1: but she get really horses. I also thought that was

2064
01:38:59,000 --> 01:39:07,240
Speaker 1: a joke. Yeah, yeah, I'm Sharon's gonna shoot that horse everybody. Yeah,

2065
01:39:07,240 --> 01:39:11,680
Speaker 1: you ain't gonna make it a horse count Yeah yeah,

2066
01:39:12,240 --> 01:39:13,559
Speaker 1: I knew he was working with me with that far.

2067
01:39:13,600 --> 01:39:15,680
Speaker 1: I knew he was spoke with that par but man,

2068
01:39:15,720 --> 01:39:17,240
Speaker 1: hold on, I got a couple more. Okay, hold on,

2069
01:39:18,000 --> 01:39:26,080
Speaker 1: all right, all right. This one disturbed me because when

2070
01:39:26,120 --> 01:39:28,439
Speaker 1: I researched you, you know your your pistory, you know

2071
01:39:28,560 --> 01:39:33,280
Speaker 1: your past, but you sat down with Joe Buden and

2072
01:39:33,400 --> 01:39:35,760
Speaker 1: you told the whole crew you did not see New

2073
01:39:35,880 --> 01:39:38,120
Speaker 1: Jack City. I still ain't see New Jack City. It's

2074
01:39:38,160 --> 01:39:42,280
Speaker 1: on my list, though, it's on my lists, on my

2075
01:39:42,320 --> 01:39:45,599
Speaker 1: list for your listen, what's what's before New Jack City

2076
01:39:45,640 --> 01:39:49,720
Speaker 1: on your list? I just need to uh ship, that's

2077
01:39:49,760 --> 01:39:51,360
Speaker 1: a good question I want to pull. I really got

2078
01:39:51,400 --> 01:39:56,920
Speaker 1: a list of Saved by the Bell on that. I mean, look, bro,

2079
01:39:57,920 --> 01:40:00,080
Speaker 1: ship when that come on? Yeah, I don't even no,

2080
01:40:00,240 --> 01:40:04,240
Speaker 1: but it's just a classic, like the jay Is late

2081
01:40:04,280 --> 01:40:06,920
Speaker 1: eighties South sent you came out before my time. I

2082
01:40:07,040 --> 01:40:11,120
Speaker 1: saw it. See, I don't know. That's why I don't

2083
01:40:11,120 --> 01:40:13,320
Speaker 1: see everything else. I don't love the New York movies,

2084
01:40:13,360 --> 01:40:21,040
Speaker 1: but New n and Yesterday's Yeah, I don't know how.

2085
01:40:21,080 --> 01:40:23,840
Speaker 1: I ain't seen it. You hear you hear references stuff

2086
01:40:23,840 --> 01:40:25,600
Speaker 1: a lot. But I thought about what else. I've never

2087
01:40:25,640 --> 01:40:29,920
Speaker 1: seen this movie. And it's based on the true story. Loosely, yes,

2088
01:40:30,040 --> 01:40:32,240
Speaker 1: it's based on a true story. It's based Yeah, based

2089
01:40:32,240 --> 01:40:36,599
Speaker 1: on a true story. Not everything accurate, Not everything accurate. Um,

2090
01:40:38,760 --> 01:40:42,120
Speaker 1: the car, the Carter really existed, The Carter really existed.

2091
01:40:42,160 --> 01:40:45,000
Speaker 1: The car still there. Carter is still spooky if you

2092
01:40:45,040 --> 01:40:50,439
Speaker 1: actually walked by that the Carter. I don't know what's

2093
01:40:50,439 --> 01:40:53,600
Speaker 1: it called the graad? Okay, I don't know if it

2094
01:40:53,720 --> 01:40:55,720
Speaker 1: was called the car. But it's still there. It's still

2095
01:40:55,800 --> 01:40:57,599
Speaker 1: in the hall. It's still it's still still in the hall.

2096
01:40:58,080 --> 01:41:01,080
Speaker 1: So what's your relationship with fell I for he don't

2097
01:41:01,080 --> 01:41:03,120
Speaker 1: gave me some good advice. I only I only linked

2098
01:41:03,200 --> 01:41:05,240
Speaker 1: up with him like three or all time, but like

2099
01:41:05,320 --> 01:41:07,960
Speaker 1: for real, really important, like in the Long Beach trajectory. Wow,

2100
01:41:08,120 --> 01:41:10,120
Speaker 1: because I think what he was doing with Snoop and

2101
01:41:10,120 --> 01:41:11,720
Speaker 1: what he did like what ice cream, like he was

2102
01:41:11,720 --> 01:41:13,280
Speaker 1: just doing a t K. Well, is this dude named

2103
01:41:13,360 --> 01:41:18,240
Speaker 1: Terry Kennedy and t K like a real nigger. So

2104
01:41:18,400 --> 01:41:20,720
Speaker 1: like the fact he picked him up and like he

2105
01:41:20,840 --> 01:41:24,280
Speaker 1: from Long Beach. Yeah, Team Black Mike. Mike passed though,

2106
01:41:24,320 --> 01:41:28,600
Speaker 1: and he was Terry Lion online terror. That was a

2107
01:41:28,720 --> 01:41:34,920
Speaker 1: TV ship though. That was he really long, but yeah,

2108
01:41:35,200 --> 01:41:37,080
Speaker 1: he was freil came down there like he helped some

2109
01:41:37,200 --> 01:41:39,400
Speaker 1: real dude the Long Beach skateboarding and big a Long

2110
01:41:39,439 --> 01:41:41,720
Speaker 1: Beach all life like. It ain't never been like just

2111
01:41:41,880 --> 01:41:44,760
Speaker 1: everybody doing type thing. But yeah, that was for a

2112
01:41:44,880 --> 01:41:46,559
Speaker 1: got a really important place, a lot of a lot

2113
01:41:46,640 --> 01:41:49,360
Speaker 1: of hard song buard broth, are you very important? That's

2114
01:41:49,520 --> 01:41:53,720
Speaker 1: why out of all the West Coast dudes right that

2115
01:41:53,840 --> 01:41:56,479
Speaker 1: I've ever heard, you know, with Tupac didn't come out.

2116
01:41:56,640 --> 01:41:58,559
Speaker 1: I think the only two people that I've ever heard

2117
01:41:58,680 --> 01:42:02,679
Speaker 1: say Tupac from New Bottommore, it's you and Whack one Hunter.

2118
01:42:03,120 --> 01:42:05,519
Speaker 1: It's it's it's not fair to take that out his story,

2119
01:42:06,280 --> 01:42:07,800
Speaker 1: you know what I'm saying, Like, if you if you

2120
01:42:07,880 --> 01:42:10,040
Speaker 1: think about where he comes from, his parents, we can't

2121
01:42:10,040 --> 01:42:11,880
Speaker 1: talk about his mother being a black panther and all

2122
01:42:11,920 --> 01:42:13,720
Speaker 1: these other things. And I think about where she was

2123
01:42:13,760 --> 01:42:15,920
Speaker 1: doing these things. So how are you gonna just pick

2124
01:42:16,000 --> 01:42:17,840
Speaker 1: the parts of the you know, of course he say

2125
01:42:17,920 --> 01:42:21,360
Speaker 1: he safe from but he keeps supports and claims California's

2126
01:42:21,360 --> 01:42:23,840
Speaker 1: Cerntheiny just same way Corrupt claim Philadelphia in n l A.

2127
01:42:24,280 --> 01:42:27,360
Speaker 1: But if you act corrupt about if they just took

2128
01:42:27,400 --> 01:42:30,040
Speaker 1: Philadelphia away from corrupt, I'm pretty sure he would be offended.

2129
01:42:30,360 --> 01:42:33,479
Speaker 1: So when you think about Tupac from Baltimore and going

2130
01:42:33,479 --> 01:42:36,519
Speaker 1: to New York and Baltimore and Marine City, you feel

2131
01:42:36,600 --> 01:42:39,000
Speaker 1: me and then hanging uplom but really living in Marine

2132
01:42:39,040 --> 01:42:41,080
Speaker 1: City and helping being to being an important part of

2133
01:42:41,120 --> 01:42:44,560
Speaker 1: you know, hip hop at that point, take away his

2134
01:42:44,640 --> 01:42:46,639
Speaker 1: digital underground ever, which a lot of people don't mention.

2135
01:42:46,680 --> 01:42:48,200
Speaker 1: You get what I'm saying. That's I just don't like

2136
01:42:48,280 --> 01:42:50,400
Speaker 1: miss leaving nothing out because he ain't here to say

2137
01:42:50,400 --> 01:42:52,120
Speaker 1: what he want us to leave out. So you know,

2138
01:42:52,240 --> 01:42:53,479
Speaker 1: you don't know what he was doing, and you know

2139
01:42:53,560 --> 01:42:55,320
Speaker 1: he was working with Jada Pinket Smith or something like

2140
01:42:55,400 --> 01:42:57,160
Speaker 1: that out there, Like that's clearly an important part of

2141
01:42:57,200 --> 01:42:58,839
Speaker 1: his life, you know what I'm saying, Like that, Tupac

2142
01:42:59,000 --> 01:43:02,559
Speaker 1: is the only guy who has a record about New York.

2143
01:43:03,080 --> 01:43:05,720
Speaker 1: When he's talking about Skelly, he's talking about you know,

2144
01:43:05,920 --> 01:43:08,639
Speaker 1: Baggy G. She's talking about all the New York ship

2145
01:43:08,920 --> 01:43:10,760
Speaker 1: And I believe in one million per cent but then

2146
01:43:10,800 --> 01:43:14,000
Speaker 1: I also believe California love. But but that's what I'm saying,

2147
01:43:14,040 --> 01:43:16,040
Speaker 1: like you gotta think the I think he was creating

2148
01:43:16,080 --> 01:43:17,599
Speaker 1: a real time. He wanted people that I was creating

2149
01:43:17,680 --> 01:43:19,400
Speaker 1: things in real time to save music changed so much

2150
01:43:19,400 --> 01:43:21,360
Speaker 1: because he was changing. He was trying to find his

2151
01:43:21,439 --> 01:43:24,040
Speaker 1: footing in certain ways. So since he was finding his footing,

2152
01:43:24,080 --> 01:43:25,640
Speaker 1: I think it's important to like to show the hole.

2153
01:43:25,680 --> 01:43:27,240
Speaker 1: We are talked about having the whole story, and I'm

2154
01:43:27,240 --> 01:43:29,160
Speaker 1: telling about truth and that's part of his story. And

2155
01:43:29,200 --> 01:43:31,280
Speaker 1: that's probably the reason that he created the way that

2156
01:43:31,360 --> 01:43:33,479
Speaker 1: he did, because I'm pretty sure it wasn't no niggas

2157
01:43:33,479 --> 01:43:35,280
Speaker 1: out in Oakland or no niggas on the country just

2158
01:43:35,280 --> 01:43:37,519
Speaker 1: hanging out trying to write poems like it was when

2159
01:43:37,560 --> 01:43:39,160
Speaker 1: he was hanging out. Because I feel like I've spent

2160
01:43:39,280 --> 01:43:41,559
Speaker 1: some time in New York and it's like I feel

2161
01:43:41,600 --> 01:43:44,280
Speaker 1: like creativity is more on the forefront out there than

2162
01:43:44,360 --> 01:43:46,240
Speaker 1: it is out here. Like a like if you even

2163
01:43:46,280 --> 01:43:49,200
Speaker 1: take something sim was a graffitio said, our ship compared

2164
01:43:49,200 --> 01:43:52,880
Speaker 1: to y'all ship is like completely different based on gang

2165
01:43:53,000 --> 01:43:55,360
Speaker 1: like but that but even when it's not like even

2166
01:43:55,400 --> 01:43:58,320
Speaker 1: if even even the people even the people from California

2167
01:43:58,520 --> 01:44:01,160
Speaker 1: who are are are bigger. The city artists have tax

2168
01:44:01,280 --> 01:44:02,920
Speaker 1: in New York, you know what I mean. So I

2169
01:44:03,800 --> 01:44:07,080
Speaker 1: New York York. So I think I think those are

2170
01:44:07,120 --> 01:44:10,240
Speaker 1: important things that lets the point out. I think I think, um,

2171
01:44:11,640 --> 01:44:16,439
Speaker 1: I think New York and Callie really compliments each other,

2172
01:44:16,560 --> 01:44:17,960
Speaker 1: like you know what I'm saying, Like like being from

2173
01:44:18,040 --> 01:44:20,680
Speaker 1: New York and having to uh you know, go through

2174
01:44:20,720 --> 01:44:23,240
Speaker 1: these winners and they happen to go to the California

2175
01:44:23,240 --> 01:44:25,719
Speaker 1: and to adapt to that. I think those two states

2176
01:44:25,840 --> 01:44:29,160
Speaker 1: when you when you're from that it really makes who

2177
01:44:29,240 --> 01:44:31,600
Speaker 1: you are, Like if you could adapt to both environments,

2178
01:44:31,880 --> 01:44:35,759
Speaker 1: but the way Pocket adapted or something totally different, because

2179
01:44:36,120 --> 01:44:39,360
Speaker 1: like you said, you said, you said, um, I'm from

2180
01:44:39,680 --> 01:44:42,679
Speaker 1: they from the hood, which or they're from that set

2181
01:44:43,160 --> 01:44:46,120
Speaker 1: which when we say we from, we only mean where

2182
01:44:46,160 --> 01:44:49,080
Speaker 1: we were born and what we what we were. When

2183
01:44:49,160 --> 01:44:52,439
Speaker 1: you say a person is from that's a that's a

2184
01:44:52,560 --> 01:44:55,080
Speaker 1: gang that they actually because of the first it could

2185
01:44:55,080 --> 01:44:57,320
Speaker 1: be from cross the city. But if they're on the

2186
01:44:57,400 --> 01:44:59,400
Speaker 1: role in the sixties, they're from the roll in the sixties.

2187
01:44:59,800 --> 01:45:01,880
Speaker 1: Is that because that the way it's like, it's like,

2188
01:45:02,000 --> 01:45:04,559
Speaker 1: so yeah, man, these niggas that's from hoods that they

2189
01:45:04,560 --> 01:45:06,160
Speaker 1: ain't even grow up in. Like I know dudes who

2190
01:45:06,520 --> 01:45:07,920
Speaker 1: grow up in a long beach with us, but their

2191
01:45:08,000 --> 01:45:12,080
Speaker 1: dad's is from Conference, so they're from their dad's neighborhood exactly.

2192
01:45:12,160 --> 01:45:15,240
Speaker 1: They from there. So it's like it's just a different dynamic.

2193
01:45:15,320 --> 01:45:17,280
Speaker 1: But I think, you know, they do compliment each other well,

2194
01:45:17,280 --> 01:45:19,200
Speaker 1: and I feel like it's something that we, you know,

2195
01:45:19,360 --> 01:45:20,960
Speaker 1: we kind of overlooked. You know a lot of the

2196
01:45:21,040 --> 01:45:23,920
Speaker 1: time when you think about Ice Cubes connections with you know,

2197
01:45:24,200 --> 01:45:28,400
Speaker 1: his first when you think about sucking uh l cool,

2198
01:45:28,439 --> 01:45:30,920
Speaker 1: they're going back to CALLI shouting out, been a shoutline

2199
01:45:30,960 --> 01:45:33,280
Speaker 1: crib like on the bridge of his hit single, Like,

2200
01:45:33,760 --> 01:45:36,000
Speaker 1: there's certain things that you know, it's it's some really

2201
01:45:36,040 --> 01:45:39,000
Speaker 1: good connectivity for him because it's like, um with Prodigy.

2202
01:45:39,120 --> 01:45:42,000
Speaker 1: I'm in with Prodessy for a long time in this

2203
01:45:42,160 --> 01:45:46,080
Speaker 1: in a in a Queen's thing. Prodacy also always kind

2204
01:45:46,080 --> 01:45:48,280
Speaker 1: of admitted to him not being from Queen's Bridge, but

2205
01:45:48,360 --> 01:45:51,200
Speaker 1: admitted to him adapting it from Queen's Bridge. But the

2206
01:45:51,240 --> 01:45:55,160
Speaker 1: people that what's really from his neighborhood really kind of

2207
01:45:55,200 --> 01:45:57,599
Speaker 1: forgave him from that, like like to the Dying Day.

2208
01:45:58,040 --> 01:46:01,679
Speaker 1: Is that something that you guys from l A as serious? Yeah,

2209
01:46:01,800 --> 01:46:04,920
Speaker 1: but it's what California. So this is one thing though

2210
01:46:04,960 --> 01:46:08,880
Speaker 1: Also I feel like, you know a lot of that

2211
01:46:09,080 --> 01:46:12,680
Speaker 1: comes from, you know, this conformity type thing, like I'm

2212
01:46:12,680 --> 01:46:15,679
Speaker 1: sorry to cut Yorks even me. When my first record

2213
01:46:15,720 --> 01:46:18,400
Speaker 1: came out was l A l A. And they kept

2214
01:46:18,439 --> 01:46:21,439
Speaker 1: saying the Queen's Bridge Group, and like everyone from our

2215
01:46:21,479 --> 01:46:23,479
Speaker 1: neighborhood was like, why the fund you keep letting them

2216
01:46:23,520 --> 01:46:25,200
Speaker 1: call you the queens Bridge Group? Like I would have

2217
01:46:25,320 --> 01:46:27,880
Speaker 1: control over fucking Dottie citizens or that's what I'm saying.

2218
01:46:27,880 --> 01:46:29,519
Speaker 1: That's what I'm saying. It's it's a market sing that

2219
01:46:29,600 --> 01:46:31,280
Speaker 1: since the end of the day. Like whenever when I

2220
01:46:31,280 --> 01:46:33,559
Speaker 1: put out ship, be like, oh the Los Angeles rapper

2221
01:46:33,600 --> 01:46:35,040
Speaker 1: I was saying, but it's like and it's to bother me,

2222
01:46:35,120 --> 01:46:37,599
Speaker 1: but it's like they don't know no difference. Like bron

2223
01:46:37,680 --> 01:46:39,760
Speaker 1: I took a pitch. I haven't been on like press shure,

2224
01:46:39,800 --> 01:46:41,000
Speaker 1: they'd be like, oh, you want to throw up like

2225
01:46:41,080 --> 01:46:42,680
Speaker 1: a w And I will never do that ship in

2226
01:46:42,760 --> 01:46:44,880
Speaker 1: my life. It's like, oh, why that made something different?

2227
01:46:44,920 --> 01:46:48,040
Speaker 1: Where I live back, I can get mad or I

2228
01:46:48,080 --> 01:46:49,720
Speaker 1: can just you know, explain it a little bit. But

2229
01:46:50,200 --> 01:46:52,400
Speaker 1: I mean, I mean, it's a ganging is that's not

2230
01:46:53,080 --> 01:46:55,559
Speaker 1: you know, that's not tending the truth. But you gotta

2231
01:46:55,600 --> 01:46:57,360
Speaker 1: think they're trying to make their little money. So if

2232
01:46:57,400 --> 01:46:59,519
Speaker 1: they were, it's not that they ashamed probably for the

2233
01:46:59,560 --> 01:47:01,240
Speaker 1: most part, probably trying to get in where they fan

2234
01:47:01,360 --> 01:47:03,760
Speaker 1: may more proper to how different with the record straight

2235
01:47:03,840 --> 01:47:06,240
Speaker 1: up the Compton be if if if Ice Cube said

2236
01:47:06,960 --> 01:47:10,479
Speaker 1: they straight out and I'm not so he don't sound

2237
01:47:10,600 --> 01:47:13,600
Speaker 1: crazy like you know what I mean? It was on

2238
01:47:13,720 --> 01:47:15,840
Speaker 1: music like you know Dr Dre We all know he's

2239
01:47:15,880 --> 01:47:18,000
Speaker 1: like he's a musician. He wasn't know, like super duper

2240
01:47:18,080 --> 01:47:19,720
Speaker 1: gangster like he went up to drifting ice cu No.

2241
01:47:19,800 --> 01:47:20,880
Speaker 1: But what I'm saying this is, you know, like you

2242
01:47:20,920 --> 01:47:24,000
Speaker 1: know an ice Cube was' from like Dr Drake wasn't from.

2243
01:47:24,000 --> 01:47:27,400
Speaker 1: There wasn't a gangster or whatever. You dude. Yeah, but

2244
01:47:27,439 --> 01:47:29,720
Speaker 1: it's like but they don't take away from what they created, right,

2245
01:47:29,920 --> 01:47:31,679
Speaker 1: you know what I mean? So what they created stand

2246
01:47:31,680 --> 01:47:33,400
Speaker 1: the test of time, and they changed the world. Who

2247
01:47:33,479 --> 01:47:35,479
Speaker 1: fucking cares? You know what I mean, They didn't hurt nobody,

2248
01:47:35,760 --> 01:47:38,560
Speaker 1: real talk, real motherfucking talk. Le's make some noise for that.

2249
01:47:39,479 --> 01:47:42,000
Speaker 1: Go on, I'm gonna take a shot. Hold on taking

2250
01:47:42,040 --> 01:47:46,280
Speaker 1: a shot. No, no, I'm listening. Man. You're a fan

2251
01:47:46,360 --> 01:47:50,759
Speaker 1: of brust bring stick with thunder Road. How you watching

2252
01:47:51,000 --> 01:47:52,720
Speaker 1: eighties movies with white people and ship? But all like

2253
01:47:52,800 --> 01:47:54,679
Speaker 1: back to the Future and she's like back to the future.

2254
01:47:55,400 --> 01:48:00,280
Speaker 1: What else? I like watching white people work hard? You

2255
01:48:00,320 --> 01:48:02,400
Speaker 1: know what I mean? Anytime white people gotta work for something,

2256
01:48:02,479 --> 01:48:04,120
Speaker 1: like I support that. I don't like wh white people

2257
01:48:04,160 --> 01:48:07,439
Speaker 1: doing good and moving like Farrish doing the day off

2258
01:48:07,520 --> 01:48:10,920
Speaker 1: like I hate Ship like that. Okay, yeah, he's he's

2259
01:48:10,960 --> 01:48:14,719
Speaker 1: playing hockey with school. Yeah, okay, let's thick up another

2260
01:48:14,960 --> 01:48:17,200
Speaker 1: movie with white people school and he got shot in

2261
01:48:17,240 --> 01:48:21,160
Speaker 1: his back. Bro, beautity stole a car, didn't go to

2262
01:48:21,240 --> 01:48:23,080
Speaker 1: jail or none of that. Come on, bro, that's not cool.

2263
01:48:23,560 --> 01:48:25,320
Speaker 1: And I didn't you say on one of your rhymes

2264
01:48:25,360 --> 01:48:28,439
Speaker 1: you shot somebody with the Ricky the gun that Ricky shot. Look, man,

2265
01:48:28,520 --> 01:48:31,559
Speaker 1: I gotta say it was a lot of stuff and said, okay,

2266
01:48:31,960 --> 01:48:39,240
Speaker 1: and if you offended, I'm sorry. But wow wow. So

2267
01:48:39,360 --> 01:48:41,400
Speaker 1: like what other movies that white people struggling? I want

2268
01:48:41,439 --> 01:48:44,680
Speaker 1: to watch these two man Runner bla Runner Day was

2269
01:48:44,720 --> 01:48:47,479
Speaker 1: doing bad. One of the Matrix the Matrix State was

2270
01:48:47,560 --> 01:48:54,680
Speaker 1: even Porridge Ship, the Purge Hardball with Keanu Reeves. He

2271
01:48:54,720 --> 01:48:56,840
Speaker 1: got packed out in the bar. Oh yeah, that's my

2272
01:48:56,920 --> 01:49:02,439
Speaker 1: ship with Little little Man, my nigga baby for me. Yeah. City.

2273
01:49:02,520 --> 01:49:05,840
Speaker 1: So later documentary definitely not white. That white woman was

2274
01:49:06,960 --> 01:49:08,920
Speaker 1: she had good. That white lady was good. She was

2275
01:49:08,920 --> 01:49:13,439
Speaker 1: getting trained. Yeah, she got trained, pretty pretty woman. That's

2276
01:49:13,479 --> 01:49:15,400
Speaker 1: not that's not how that works. Like why why is

2277
01:49:15,439 --> 01:49:21,880
Speaker 1: that a movie? That's not how that is? Like the Hook,

2278
01:49:21,960 --> 01:49:24,120
Speaker 1: the Hook, the hook of marries. I'm not married the guy.

2279
01:49:24,160 --> 01:49:27,080
Speaker 1: But she gets she gets the whole became a housewod. Yeah,

2280
01:49:27,800 --> 01:49:30,280
Speaker 1: she's not cold, bro Like, I'm not with that. Okay,

2281
01:49:30,280 --> 01:49:32,640
Speaker 1: I gotta watch one of these type of movies and

2282
01:49:32,720 --> 01:49:36,160
Speaker 1: that episode. I'm just just white people just getting getting

2283
01:49:36,160 --> 01:49:38,360
Speaker 1: the white with ship the whole movie. And you said

2284
01:49:38,400 --> 01:49:40,240
Speaker 1: you like Black to the you don't like I love

2285
01:49:40,280 --> 01:49:42,680
Speaker 1: Back to the Future. Okay, but Marty Mayfly got it

2286
01:49:42,720 --> 01:49:45,240
Speaker 1: out the mud bron say you have to go save

2287
01:49:45,320 --> 01:49:47,280
Speaker 1: the world. You know what? You know what, I know.

2288
01:49:47,360 --> 01:49:49,320
Speaker 1: I'm changing the subject a little bit. You don't remember

2289
01:49:49,320 --> 01:49:52,560
Speaker 1: when Dave Chappelle went back in time and to be

2290
01:49:52,680 --> 01:49:55,720
Speaker 1: the pimps and did you play they don't know to play?

2291
01:49:55,920 --> 01:50:00,200
Speaker 1: Remember they ripped the masters? Yeah yeah, yeah, Like think

2292
01:50:00,280 --> 01:50:02,840
Speaker 1: that should be a whole movie. Like look that, you

2293
01:50:02,880 --> 01:50:04,880
Speaker 1: know how the brothers be Like if I was a slave,

2294
01:50:05,000 --> 01:50:06,760
Speaker 1: I wouldn't have been out there, Like I want to

2295
01:50:06,840 --> 01:50:10,240
Speaker 1: put those brothers back in that time and how they

2296
01:50:10,320 --> 01:50:16,280
Speaker 1: asked me. Ship is not built for that slavery. The

2297
01:50:16,360 --> 01:50:19,479
Speaker 1: nigs strong back then. Man, you ever thought you ever

2298
01:50:19,560 --> 01:50:24,080
Speaker 1: thought hip hop making this walk? I didn't see the beginning,

2299
01:50:24,720 --> 01:50:26,760
Speaker 1: and I think that's I think that's like you gotta think.

2300
01:50:26,800 --> 01:50:30,240
Speaker 1: My whole life ain't nothing been important but like rappers

2301
01:50:30,320 --> 01:50:32,600
Speaker 1: and you know, R and B was already there, like

2302
01:50:32,760 --> 01:50:35,040
Speaker 1: I brought until I got I didn't really know what

2303
01:50:35,080 --> 01:50:36,880
Speaker 1: pop music was. I'm not exaggerate. I didn't when I

2304
01:50:36,880 --> 01:50:38,840
Speaker 1: grew up. I don't know what InSync was. I don't

2305
01:50:38,840 --> 01:50:40,360
Speaker 1: know backs people, I don't know. No, I don't know

2306
01:50:40,600 --> 01:50:42,840
Speaker 1: no Britney Spears, No, none of that ship meant nothing

2307
01:50:42,840 --> 01:50:45,080
Speaker 1: to me. The biggest no, I don't know, not that

2308
01:50:47,040 --> 01:50:52,080
Speaker 1: it's like you got you got me, you gotta Beyonce, y'all,

2309
01:50:52,200 --> 01:50:54,519
Speaker 1: y'all you got sucking. Uh you know, it was just

2310
01:50:55,720 --> 01:50:58,000
Speaker 1: even down to like funing. I grew up like flavor

2311
01:50:58,080 --> 01:50:59,680
Speaker 1: lovers on TV. I've never seen the real world. I

2312
01:50:59,800 --> 01:51:02,280
Speaker 1: was my family black is like, don't know black ship,

2313
01:51:02,720 --> 01:51:05,600
Speaker 1: So I don't know nothing outside of hip hop. But

2314
01:51:05,840 --> 01:51:07,760
Speaker 1: when you think about, you know, how resilient black people

2315
01:51:07,760 --> 01:51:10,320
Speaker 1: live in how resilient like people from these communities are

2316
01:51:10,320 --> 01:51:12,760
Speaker 1: in general, like even even even outside of racially like

2317
01:51:12,960 --> 01:51:15,000
Speaker 1: our environment, you know that we've created that we know,

2318
01:51:15,160 --> 01:51:17,160
Speaker 1: even a lot of other people to come into. You know,

2319
01:51:17,360 --> 01:51:19,280
Speaker 1: it's I could definitely see it because we're dealt with

2320
01:51:19,360 --> 01:51:21,439
Speaker 1: so much worse. But I don't know access to you know,

2321
01:51:21,520 --> 01:51:23,640
Speaker 1: get our voices out what I know access to you know,

2322
01:51:24,160 --> 01:51:25,880
Speaker 1: be really seen or her. So I could for shall

2323
01:51:25,880 --> 01:51:28,719
Speaker 1: see it happening right now. One thing I was scared

2324
01:51:28,800 --> 01:51:32,120
Speaker 1: of because I smoke a lot, was you got like

2325
01:51:32,160 --> 01:51:34,400
Speaker 1: a not of gold in hella, but you've got like

2326
01:51:34,479 --> 01:51:36,400
Speaker 1: a special in Hella. Oh yeah, I got. I got

2327
01:51:36,479 --> 01:51:38,519
Speaker 1: the high and heavy duty high power ship. I got

2328
01:51:38,600 --> 01:51:40,240
Speaker 1: the white one, and I got the blowing with the

2329
01:51:40,479 --> 01:51:42,120
Speaker 1: They change the colors a lot. But I like the

2330
01:51:42,160 --> 01:51:46,320
Speaker 1: way you describe it like it's drugs. Like it's like

2331
01:51:46,840 --> 01:51:51,200
Speaker 1: it's an access Like I've never heard nobody break down

2332
01:51:51,400 --> 01:51:53,680
Speaker 1: in heal, like my ship got better than my she

2333
01:51:53,760 --> 01:51:55,320
Speaker 1: should be real bad. I should I hued not be

2334
01:51:55,320 --> 01:51:57,800
Speaker 1: able to do Yeah, yeah I got wow. Yeah it

2335
01:51:57,840 --> 01:51:59,760
Speaker 1: feel be bad health. You know eating that dollar man

2336
01:51:59,840 --> 01:52:02,200
Speaker 1: you for twenty some years, but you know we're good now.

2337
01:52:02,800 --> 01:52:05,000
Speaker 1: So wow, you said, from eating what I was eating

2338
01:52:05,040 --> 01:52:09,760
Speaker 1: horrible brover doll, Like, wh we got that organic food cake?

2339
01:52:12,880 --> 01:52:16,600
Speaker 1: But really, so that's so I never knew that that

2340
01:52:16,720 --> 01:52:19,360
Speaker 1: you could eat. It's just a chip when your body

2341
01:52:19,360 --> 01:52:21,599
Speaker 1: knows what if I went along before I lived alone,

2342
01:52:21,640 --> 01:52:22,960
Speaker 1: the first of my name went down, So I wanted

2343
01:52:22,960 --> 01:52:24,519
Speaker 1: to Compton when we stay with my aunt and we

2344
01:52:24,640 --> 01:52:26,560
Speaker 1: live a car street from my from a from a

2345
01:52:26,800 --> 01:52:31,400
Speaker 1: US Nah, a fucking power plant. Okay, so it's like that.

2346
01:52:31,520 --> 01:52:33,160
Speaker 1: My doctor said that probably had lots of doing it,

2347
01:52:33,760 --> 01:52:34,960
Speaker 1: you know what I mean, not really eating good and

2348
01:52:35,000 --> 01:52:36,760
Speaker 1: ship like that. You know it would be hot, no

2349
01:52:36,880 --> 01:52:39,160
Speaker 1: ac no nothing, that's California, windows up and black ball.

2350
01:52:39,200 --> 01:52:41,439
Speaker 1: That in California got a lot of small so it's

2351
01:52:41,479 --> 01:52:42,840
Speaker 1: a lot of stuff that going to it. But once

2352
01:52:42,880 --> 01:52:45,200
Speaker 1: I changed my diet up, you know, I started doing

2353
01:52:45,200 --> 01:52:46,439
Speaker 1: a little bit ship a little bit better. I was

2354
01:52:46,439 --> 01:52:49,240
Speaker 1: able to be straight. So for people that don't know, like, like,

2355
01:52:49,320 --> 01:52:51,080
Speaker 1: what would you have to do change your diet? Like

2356
01:52:51,120 --> 01:52:55,479
Speaker 1: ship stops to stop you stop you like I ed sometimes,

2357
01:52:55,520 --> 01:52:56,680
Speaker 1: but like not as much I used to. Used to

2358
01:52:56,720 --> 01:52:58,640
Speaker 1: be like a cheeseburger, chili, cheese fries every day time

2359
01:52:58,640 --> 01:53:01,120
Speaker 1: and not nine seen at the winter snitchel, you feel

2360
01:53:01,120 --> 01:53:03,679
Speaker 1: me not not sent to McDonald's. You go, you're gonna

2361
01:53:04,680 --> 01:53:06,080
Speaker 1: you know, you got to the hood, so you got

2362
01:53:06,120 --> 01:53:08,639
Speaker 1: to my hood's. Um, I'm sorry you went too fast?

2363
01:53:08,760 --> 01:53:12,479
Speaker 1: What man, it's heat, don't worry about it. Don't work

2364
01:53:12,520 --> 01:53:18,760
Speaker 1: to see you. It's no, he went too fast. Hold on, yeah,

2365
01:53:19,680 --> 01:53:21,840
Speaker 1: like a seven eleven. It's just it's a hot dog.

2366
01:53:22,280 --> 01:53:24,360
Speaker 1: But they got the best she like fries like, not

2367
01:53:24,520 --> 01:53:28,439
Speaker 1: like pinks like, and they got the nine cents at

2368
01:53:28,439 --> 01:53:30,360
Speaker 1: the five for five. So it was me, my mom

2369
01:53:30,400 --> 01:53:34,639
Speaker 1: and my sister German because she was Germany from that. Yes,

2370
01:53:34,720 --> 01:53:36,320
Speaker 1: but no, it's like some regular ships. So he's got

2371
01:53:36,400 --> 01:53:38,280
Speaker 1: a five for five and he's had a ten for ten,

2372
01:53:38,360 --> 01:53:40,600
Speaker 1: so get ten ones for ten dollars. So it's me,

2373
01:53:40,760 --> 01:53:43,120
Speaker 1: my mom and my sister, my sister baby and my

2374
01:53:43,200 --> 01:53:45,120
Speaker 1: other sister. This is bolling on the but so it's

2375
01:53:45,160 --> 01:53:47,040
Speaker 1: like you feel me. Everybody get a chili burger and

2376
01:53:47,120 --> 01:53:49,400
Speaker 1: a chili cheese fire or two chili cheese dogs. So

2377
01:53:49,439 --> 01:53:51,200
Speaker 1: you can either to get a chili burger, a chili dog,

2378
01:53:51,560 --> 01:53:53,400
Speaker 1: or chili cheese fries. You can figure out what you'll do.

2379
01:53:53,439 --> 01:53:55,560
Speaker 1: I'm not really fucking with the hot dog like, so

2380
01:53:55,640 --> 01:53:57,200
Speaker 1: I would do the two chili don't do to get

2381
01:53:57,320 --> 01:53:59,600
Speaker 1: back the bass man that she is discuss it that

2382
01:53:59,680 --> 01:54:04,080
Speaker 1: ship wrapping plastic with it. Jack in the box muals

2383
01:54:04,600 --> 01:54:06,160
Speaker 1: of what Jack in the box too, But Jack in

2384
01:54:06,200 --> 01:54:07,920
Speaker 1: the box a little further down Cherry, So you start

2385
01:54:08,000 --> 01:54:09,599
Speaker 1: to walk to Jack in the box, Boon. We can

2386
01:54:09,760 --> 01:54:11,240
Speaker 1: hit the backstreet and walk to Jack in the Box

2387
01:54:11,280 --> 01:54:12,880
Speaker 1: by a little having the mouse. Or you can go

2388
01:54:13,000 --> 01:54:15,960
Speaker 1: to winnerste We gotta Winerstance or Rallies and the McDonald's

2389
01:54:16,439 --> 01:54:20,240
Speaker 1: all like Miss Jr. Not see in and Out a

2390
01:54:20,280 --> 01:54:22,240
Speaker 1: little bit further down on south Shore the border Lakewood.

2391
01:54:22,240 --> 01:54:23,240
Speaker 1: But you need a gun to go to that in

2392
01:54:23,320 --> 01:54:26,599
Speaker 1: and out. Ain't know back in the day. I'm young.

2393
01:54:26,640 --> 01:54:28,920
Speaker 1: I know when I was younger, So bullets wasn't just

2394
01:54:29,000 --> 01:54:31,360
Speaker 1: a thing back then like you have if you have

2395
01:54:31,479 --> 01:54:33,560
Speaker 1: fifteen bullets twenty bullis. I don't want to last you,

2396
01:54:34,040 --> 01:54:36,080
Speaker 1: so you can't be going to the wrong places. Remember

2397
01:54:36,360 --> 01:54:39,720
Speaker 1: Chris Rocks kid, the bullets should be expensive. Oh yeah,

2398
01:54:40,560 --> 01:54:42,880
Speaker 1: in real life, I'll hung out. Will come up one time.

2399
01:54:43,600 --> 01:54:46,440
Speaker 1: And since that, I was going through every single day,

2400
01:54:46,800 --> 01:54:48,680
Speaker 1: like I was stopping on last year ago and just

2401
01:54:48,760 --> 01:54:52,400
Speaker 1: stopping and he looked at it was a whole different way.

2402
01:54:52,400 --> 01:54:54,920
Speaker 1: I was like, I'm that's the seven eleven. He's like

2403
01:54:56,240 --> 01:54:58,640
Speaker 1: over the one, over the boy the laundry man. I'm

2404
01:54:58,720 --> 01:55:01,080
Speaker 1: just I'm yeah, you tripped right. I don't know, but

2405
01:55:01,160 --> 01:55:04,280
Speaker 1: I don't know. Like then then I stopped at Louisiana

2406
01:55:04,360 --> 01:55:06,600
Speaker 1: Fried Chicken and he like, you will see that, you don't.

2407
01:55:06,680 --> 01:55:08,440
Speaker 1: You don't see the letters there because this is back

2408
01:55:08,480 --> 01:55:11,240
Speaker 1: in the days. And I'm like, I don't look at

2409
01:55:11,760 --> 01:55:14,680
Speaker 1: uh something and look and see it red and think

2410
01:55:14,760 --> 01:55:18,360
Speaker 1: that that's a sign. So I s with the God.

2411
01:55:18,360 --> 01:55:21,840
Speaker 1: I went to the seven eleven, like seven days. The

2412
01:55:21,920 --> 01:55:24,120
Speaker 1: seven days I was there. I needed to see the corruptions.

2413
01:55:24,360 --> 01:55:26,400
Speaker 1: The eighth of the ninth day, and you know, him

2414
01:55:26,400 --> 01:55:29,040
Speaker 1: and dads came out. They helped me down, but you know,

2415
01:55:29,080 --> 01:55:30,960
Speaker 1: I was busy and see him, but when I went

2416
01:55:31,000 --> 01:55:33,160
Speaker 1: to the same exact places I was going to, they

2417
01:55:33,200 --> 01:55:35,520
Speaker 1: were like, no, cause we can't do that because like

2418
01:55:35,600 --> 01:55:37,280
Speaker 1: you don't see. I looked, and I was like, damn.

2419
01:55:37,360 --> 01:55:40,320
Speaker 1: Louisiana Fried Chicken at the time was in red letters.

2420
01:55:41,280 --> 01:55:43,000
Speaker 1: So I was like, but I don't put two and

2421
01:55:43,040 --> 01:55:45,280
Speaker 1: two together like that. Like I don't look at graffiti

2422
01:55:46,040 --> 01:55:48,600
Speaker 1: and say, you know, because I'm Puerto Rican. So when

2423
01:55:48,600 --> 01:55:50,880
Speaker 1: I look at grafiti, I'm looking at the actual art

2424
01:55:50,960 --> 01:55:53,120
Speaker 1: to it, like I'm actually green. When it comes to that,

2425
01:55:53,160 --> 01:55:56,120
Speaker 1: I'm looking like, Okay, this says such and SuDS. Okay,

2426
01:55:56,160 --> 01:55:58,360
Speaker 1: this is great nuts, great nut Street. Okay, I'm thinking.

2427
01:55:58,800 --> 01:56:02,080
Speaker 1: I'm not thinking gang Let's take it nine Old that's

2428
01:56:02,120 --> 01:56:05,160
Speaker 1: where they stay. Yeah, I'm not thinking. I'm to East

2429
01:56:05,240 --> 01:56:09,520
Speaker 1: l A. No, no, no, you'll be fine ether because

2430
01:56:09,560 --> 01:56:11,440
Speaker 1: the graffitia in East l A is crazy. Y'all love

2431
01:56:11,440 --> 01:56:13,720
Speaker 1: the graffitia like soop like over there, like when you

2432
01:56:13,760 --> 01:56:15,520
Speaker 1: get a little bit behind Burbank, like it's like a

2433
01:56:15,560 --> 01:56:18,080
Speaker 1: little tunnel that they'd be all in. I'll tell you

2434
01:56:18,240 --> 01:56:20,320
Speaker 1: a funny story about East l A real quickly. I

2435
01:56:20,400 --> 01:56:23,080
Speaker 1: did a movie with my friend Noel g Fast and

2436
01:56:23,160 --> 01:56:25,920
Speaker 1: Furious he's been fast and curious. I didn't do fast curious.

2437
01:56:25,920 --> 01:56:27,480
Speaker 1: Obviously the movie I don't want to name the movie

2438
01:56:27,480 --> 01:56:31,160
Speaker 1: because the movie is horrible. Um, but I did play

2439
01:56:31,200 --> 01:56:33,720
Speaker 1: the black guy fucked and I got killed, um because

2440
01:56:33,720 --> 01:56:38,440
Speaker 1: that's how matter. So um So, one day, uh we

2441
01:56:38,640 --> 01:56:40,720
Speaker 1: we you know, we we exchanged numbers this after the

2442
01:56:40,800 --> 01:56:42,840
Speaker 1: movie and he says, you know, boom boom, and you

2443
01:56:42,840 --> 01:56:44,640
Speaker 1: know we shoot the sh sai. Y'all be bringing my hood,

2444
01:56:44,800 --> 01:56:47,640
Speaker 1: he said, y'all bringing in my hood. And one day

2445
01:56:47,680 --> 01:56:49,360
Speaker 1: that I came back to l A and I'm saying, hey, man,

2446
01:56:49,400 --> 01:56:51,320
Speaker 1: you know I'm out here, and He's like, you nor

2447
01:56:51,680 --> 01:56:55,240
Speaker 1: right now, I don't really want to bring you around

2448
01:56:55,320 --> 01:56:58,240
Speaker 1: there because even though your Puerto Rican, it might take

2449
01:56:58,640 --> 01:57:01,480
Speaker 1: a long time for people to identified that your Puerto Rican.

2450
01:57:02,120 --> 01:57:04,560
Speaker 1: And right now there's a big wall going on, at

2451
01:57:04,640 --> 01:57:07,840
Speaker 1: least at the time with the blacks and um and

2452
01:57:07,960 --> 01:57:12,120
Speaker 1: the Mexicans. And he's basically saying, man, you look black.

2453
01:57:13,760 --> 01:57:16,320
Speaker 1: And then we didn't go. We didn't go. That's that's

2454
01:57:16,360 --> 01:57:18,160
Speaker 1: my story. And every time I have been to East

2455
01:57:18,200 --> 01:57:20,240
Speaker 1: Los Angeles, it's been on my own. I never really

2456
01:57:20,280 --> 01:57:22,520
Speaker 1: called h a person. Do you you wouldn't even check

2457
01:57:22,560 --> 01:57:26,280
Speaker 1: it in for what. Okay, okay, man, bro, don't do

2458
01:57:26,360 --> 01:57:29,360
Speaker 1: nothing wrong and you'd be all right. If you're pushing positivity.

2459
01:57:29,360 --> 01:57:30,920
Speaker 1: You say what's up to people? I don't. I never

2460
01:57:31,000 --> 01:57:34,400
Speaker 1: know security guard day in my life. Every I go everywhere. Wow,

2461
01:57:35,920 --> 01:57:39,320
Speaker 1: what's up? Bro? Oh yeah, hey, what's your name? Oh?

2462
01:57:40,000 --> 01:57:43,040
Speaker 1: Awful show? Bro? I was that it was at the

2463
01:57:43,120 --> 01:57:45,200
Speaker 1: chicken place, Like my homie got a chicken truck and

2464
01:57:45,280 --> 01:57:47,080
Speaker 1: he burnt out. So he only puts it in high

2465
01:57:47,080 --> 01:57:50,240
Speaker 1: pressure situations. So I pressure meaning the hood. Yeah, like

2466
01:57:50,600 --> 01:57:53,320
Speaker 1: always in a high pressure area. So we were somewhere

2467
01:57:53,360 --> 01:57:55,200
Speaker 1: it was that you said, high pressure. Gonna take that

2468
01:57:55,560 --> 01:57:57,520
Speaker 1: something cool of hood? Now this is just high pressure. Yeah,

2469
01:57:57,520 --> 01:58:00,600
Speaker 1: that's all it is, high pressure situation. So Bow when

2470
01:58:00,640 --> 01:58:04,280
Speaker 1: Nigga walked up and just looking and in my hommie.

2471
01:58:04,640 --> 01:58:07,400
Speaker 1: So I look in at my homie go across the street.

2472
01:58:07,760 --> 01:58:09,720
Speaker 1: They trying to pull the car around. I'm like, star,

2473
01:58:09,800 --> 01:58:11,120
Speaker 1: look at the dude. So he just looked at him,

2474
01:58:11,120 --> 01:58:13,760
Speaker 1: like what's up? Bro? He was like, hey, is that

2475
01:58:14,000 --> 01:58:16,720
Speaker 1: is your name? Whoopy whoop? I'm like yeah, He's like hey, blood,

2476
01:58:16,760 --> 01:58:19,720
Speaker 1: that's crazy, hold on real quick. I'm like all right,

2477
01:58:19,920 --> 01:58:22,920
Speaker 1: nigga pull out his phone and call his son. He

2478
01:58:23,120 --> 01:58:25,240
Speaker 1: was like, Hey, I need you to talk to about

2479
01:58:25,280 --> 01:58:27,280
Speaker 1: this whoopy. Don't don't you funk with him and I'll

2480
01:58:27,280 --> 01:58:28,960
Speaker 1: talk to something real quick. And it's like, all right,

2481
01:58:29,000 --> 01:58:30,600
Speaker 1: what if they get like flash on him and like

2482
01:58:30,680 --> 01:58:32,960
Speaker 1: be disrespectful or like, you don't know what that man

2483
01:58:33,080 --> 01:58:34,400
Speaker 1: was going through that day. You don't know what that

2484
01:58:34,480 --> 01:58:36,000
Speaker 1: meant to him. You know what that meant to a son.

2485
01:58:36,080 --> 01:58:38,640
Speaker 1: So my thing is like, all you gotta stick, you

2486
01:58:38,720 --> 01:58:40,800
Speaker 1: gotta stick body feel me if I'm if I'm on

2487
01:58:40,920 --> 01:58:42,720
Speaker 1: some you know, some cool ship now and I'm trying

2488
01:58:42,760 --> 01:58:45,440
Speaker 1: to know uplifted all these other things. You gotta be

2489
01:58:45,560 --> 01:58:48,240
Speaker 1: like that all the time. You can't be You can't

2490
01:58:48,240 --> 01:58:50,680
Speaker 1: pick a time to bang on somebody and pick when

2491
01:58:50,720 --> 01:58:53,400
Speaker 1: I first came out, when I would go to certain places,

2492
01:58:54,160 --> 01:58:56,160
Speaker 1: I would only catch a drama when I funked with

2493
01:58:56,240 --> 01:58:58,920
Speaker 1: their bitches and I used their drugs. If I didn't

2494
01:58:59,240 --> 01:59:02,600
Speaker 1: if I didn't use they drugs, if I ain't free,

2495
01:59:02,720 --> 01:59:05,040
Speaker 1: area in the world was a beautiful place. And also

2496
01:59:05,040 --> 01:59:06,560
Speaker 1: it's the way you move around like you feel me

2497
01:59:06,640 --> 01:59:08,879
Speaker 1: like at the end of the day, especially for motherfucker

2498
01:59:09,000 --> 01:59:11,160
Speaker 1: like you like nine times out of ten when you're

2499
01:59:11,160 --> 01:59:13,000
Speaker 1: walking down street, somebody know you know, you feel me.

2500
01:59:13,040 --> 01:59:16,360
Speaker 1: So it's like that's already enough, Like that's real. But

2501
01:59:16,440 --> 01:59:19,640
Speaker 1: if you got folksy somebody mugging blah blah, that that

2502
01:59:19,720 --> 01:59:22,920
Speaker 1: admiration and turn and then you know something wrong, So

2503
01:59:23,480 --> 01:59:26,200
Speaker 1: that's crazy. Yeah, that's one reason, like I never that's

2504
01:59:26,200 --> 01:59:27,920
Speaker 1: the reason why when we used to rob people in

2505
01:59:28,000 --> 01:59:30,240
Speaker 1: my hood, we used to always rob the cruise. We

2506
01:59:30,360 --> 01:59:32,520
Speaker 1: never robbed the dude. The game solong. You're not messing

2507
01:59:32,520 --> 01:59:34,480
Speaker 1: when nobody body like you're gonna come out with all

2508
01:59:34,520 --> 01:59:36,720
Speaker 1: these something's gonna happen. You know what I'm saying. You're

2509
01:59:36,760 --> 01:59:38,440
Speaker 1: racking about that. I swear to guard. We said, have

2510
01:59:38,880 --> 01:59:41,360
Speaker 1: a set up, queen. She's just bringing people to the hood.

2511
01:59:41,840 --> 01:59:43,880
Speaker 1: And we would always say if the dude come by,

2512
01:59:44,000 --> 01:59:46,800
Speaker 1: his don't know, he deserves to leave us. Don't know,

2513
01:59:46,960 --> 01:59:48,720
Speaker 1: he just like he don't deserve to get it. But

2514
01:59:48,880 --> 01:59:50,880
Speaker 1: the dude who come in with the three other people

2515
01:59:50,920 --> 01:59:53,640
Speaker 1: told him to wait in the car. Damn people in

2516
01:59:53,720 --> 01:59:56,360
Speaker 1: the car. Now, now you're just roughing the environment exactly

2517
01:59:56,400 --> 02:00:03,240
Speaker 1: what You're like a gurue man. And if you would

2518
02:00:03,280 --> 02:00:06,280
Speaker 1: have stayed in Atlanta. A couple like six more months,

2519
02:00:06,560 --> 02:00:08,760
Speaker 1: you and tr might be in the run for the

2520
02:00:08,920 --> 02:00:13,800
Speaker 1: illis bourbage ever? Yeah they talked different out there. Yeah yeah,

2521
02:00:14,320 --> 02:00:17,360
Speaker 1: but you got the word play to you not had

2522
02:00:17,400 --> 02:00:20,080
Speaker 1: that Atlanta ship like him and Killer Mike went to

2523
02:00:20,240 --> 02:00:22,920
Speaker 1: a straight different type of school. They had to. Yeah,

2524
02:00:22,960 --> 02:00:26,200
Speaker 1: they went to like Frederick Douglas was a teacher when

2525
02:00:26,280 --> 02:00:27,960
Speaker 1: killing Mike. When killing Mike called me, I don't know

2526
02:00:28,000 --> 02:00:30,040
Speaker 1: what are you talking about? Just ask yourself, like man,

2527
02:00:33,400 --> 02:00:35,240
Speaker 1: but yeah, you got you got that bourbage too, man,

2528
02:00:35,280 --> 02:00:38,920
Speaker 1: you got that burbage too. So the ops record what

2529
02:00:39,080 --> 02:00:41,640
Speaker 1: is the ops on the radar? You can call the cops. Yeah,

2530
02:00:41,720 --> 02:00:43,120
Speaker 1: So I don't even had it. That was even saw

2531
02:00:43,240 --> 02:00:45,000
Speaker 1: kids like, hey, I want you on the Black Panther

2532
02:00:45,160 --> 02:00:47,280
Speaker 1: soundtrack and he seen me the whole song and I

2533
02:00:47,400 --> 02:00:49,040
Speaker 1: just did the worst. He said, dude, do it from

2534
02:00:49,080 --> 02:00:51,560
Speaker 1: here to here. But I think a lot of that

2535
02:00:51,640 --> 02:00:53,640
Speaker 1: came from me doing that big Fish ureut prior because

2536
02:00:53,680 --> 02:00:55,880
Speaker 1: it's funny, like I had, I did the trailer all

2537
02:00:55,920 --> 02:00:57,640
Speaker 1: this other stuff and then they made the soundtrack. So

2538
02:00:58,240 --> 02:01:00,240
Speaker 1: you know, I like, I like to think that it's

2539
02:01:00,600 --> 02:01:02,640
Speaker 1: it's kind of uh, I kind of helped out a

2540
02:01:02,640 --> 02:01:04,360
Speaker 1: little bit, you know, being on the project and having

2541
02:01:04,400 --> 02:01:05,800
Speaker 1: the trailer, you know, a lot A lot of it

2542
02:01:05,880 --> 02:01:08,680
Speaker 1: was to help the Black Panther go. You Black Panther

2543
02:01:08,720 --> 02:01:10,840
Speaker 1: to be the biggest movie in the world. I mean

2544
02:01:11,440 --> 02:01:16,400
Speaker 1: what we're saying, you have the biggest moving in the world. Now.

2545
02:01:17,360 --> 02:01:20,280
Speaker 1: I don't know bouncing around, but one of my favorite

2546
02:01:20,360 --> 02:01:24,520
Speaker 1: joints besides North North and back back and all this

2547
02:01:24,640 --> 02:01:28,360
Speaker 1: other was uh fu n right, we ain't trying to

2548
02:01:28,440 --> 02:01:31,600
Speaker 1: funk up now. I really wish I had that as

2549
02:01:31,720 --> 02:01:34,480
Speaker 1: my theme song. And I was swear to God because

2550
02:01:34,520 --> 02:01:38,400
Speaker 1: it's like, now, tell me if I directed there, if

2551
02:01:38,480 --> 02:01:43,000
Speaker 1: I m understood this record wrong. Well, at one point

2552
02:01:43,200 --> 02:01:45,120
Speaker 1: me I was being for every club in New York City.

2553
02:01:46,080 --> 02:01:47,560
Speaker 1: Not a fact, it's I mean, I mean, it's not

2554
02:01:48,320 --> 02:01:50,800
Speaker 1: a rumor. This is a pure fact. This was why

2555
02:01:50,800 --> 02:01:52,800
Speaker 1: I discovered reggae thrown because I can only go to

2556
02:01:52,840 --> 02:01:57,400
Speaker 1: the Spanish clubs. They weren't. They weren't. So I just became,

2557
02:01:57,800 --> 02:02:00,240
Speaker 1: let's do this ship. That ain't mean that, you know

2558
02:02:00,240 --> 02:02:04,320
Speaker 1: what I'm saying. Connection. I went fully never go four Retald,

2559
02:02:04,360 --> 02:02:08,080
Speaker 1: I went full Retald. Whents just true. So, um, what

2560
02:02:08,200 --> 02:02:11,800
Speaker 1: was I talking about damn. I was into it no

2561
02:02:11,920 --> 02:02:15,840
Speaker 1: before that, go for it if you win, So that

2562
02:02:15,960 --> 02:02:18,320
Speaker 1: would have been my song. I would have played to

2563
02:02:18,480 --> 02:02:23,600
Speaker 1: security guards that had my pictures band when they said

2564
02:02:24,160 --> 02:02:26,080
Speaker 1: you can't get in this club. I remember Punning one

2565
02:02:26,120 --> 02:02:28,760
Speaker 1: time told me to come to a party. I told Punt,

2566
02:02:28,760 --> 02:02:32,480
Speaker 1: I'm I'm bad, and Punt It's like, I'm Pune, There's

2567
02:02:32,520 --> 02:02:35,320
Speaker 1: no way you're bad. I said, I'm bad. So I

2568
02:02:35,440 --> 02:02:38,200
Speaker 1: actually went, this is how bad. I knew I was banned.

2569
02:02:39,200 --> 02:02:42,600
Speaker 1: I went, I left my key in the bends like running.

2570
02:02:42,720 --> 02:02:45,640
Speaker 1: This is because I knew they's gonna see me right away,

2571
02:02:45,840 --> 02:02:48,880
Speaker 1: so I had my hoodie on. As soon as they

2572
02:02:48,960 --> 02:02:50,800
Speaker 1: see me, they was like, you're better to keep the

2573
02:02:50,880 --> 02:02:53,280
Speaker 1: funk off this line and you're getting arrested. And I

2574
02:02:53,400 --> 02:02:54,960
Speaker 1: was like all right, cool, and I just left and

2575
02:02:55,000 --> 02:02:57,360
Speaker 1: then Punk goes to be like Punk goes like, yo,

2576
02:02:57,520 --> 02:02:59,200
Speaker 1: what the fun did you do? Why you ain't tell

2577
02:02:59,240 --> 02:03:04,640
Speaker 1: me you bad? So anyway, when I listened to Fund,

2578
02:03:04,800 --> 02:03:07,440
Speaker 1: it was like I would use that record to every

2579
02:03:07,520 --> 02:03:09,960
Speaker 1: secure like I ain't trying to funk up nothing, but

2580
02:03:10,120 --> 02:03:13,400
Speaker 1: we're trying to have a party. We tell a little dudes,

2581
02:03:13,480 --> 02:03:16,720
Speaker 1: stay over there, we're gonna be cool over here. We are,

2582
02:03:17,840 --> 02:03:21,520
Speaker 1: but if they come over, we trying to fuck up nothing. Yeah,

2583
02:03:21,760 --> 02:03:23,760
Speaker 1: I interpret that correct. I mean yeah, I mean to me,

2584
02:03:23,880 --> 02:03:25,320
Speaker 1: that was a game making like you know, I feel

2585
02:03:25,320 --> 02:03:26,600
Speaker 1: like I'll tell you I was like game making. It's

2586
02:03:26,600 --> 02:03:28,720
Speaker 1: not even sending a change waiting for ship to happen,

2587
02:03:29,000 --> 02:03:31,320
Speaker 1: fives sitting the chance something to happen because you was paranoid.

2588
02:03:31,640 --> 02:03:33,480
Speaker 1: Then you got there. You've got the other three percent

2589
02:03:33,800 --> 02:03:35,800
Speaker 1: that's where some ship happens, to two percent where you're

2590
02:03:35,800 --> 02:03:39,040
Speaker 1: not paying a station nid like it ain't that just

2591
02:03:39,320 --> 02:03:44,280
Speaker 1: went to fast time righters. Just at and be careful

2592
02:03:44,320 --> 02:03:46,440
Speaker 1: blah blah. You you're taking a bullet in out the

2593
02:03:46,520 --> 02:03:49,280
Speaker 1: head over and over and over again. Walk into the car.

2594
02:03:50,480 --> 02:03:52,160
Speaker 1: Yeah you feel me, Oh, don't go over there, don't

2595
02:03:52,160 --> 02:03:53,800
Speaker 1: go over there, don't go over there. Five ers in

2596
02:03:53,920 --> 02:03:56,600
Speaker 1: that time, you know, somebody pump fake or something happening.

2597
02:03:56,600 --> 02:03:58,160
Speaker 1: It's just niggas be appearing all you see that car,

2598
02:03:58,240 --> 02:03:59,880
Speaker 1: You see that nigga ship that don't need to have.

2599
02:04:00,400 --> 02:04:01,800
Speaker 1: And then you got that little three percent of the

2600
02:04:01,880 --> 02:04:03,840
Speaker 1: time where you was right. Then it's got two percent

2601
02:04:03,840 --> 02:04:05,160
Speaker 1: of the time where you were slipping and that's when

2602
02:04:05,240 --> 02:04:08,560
Speaker 1: niggas died. What you gotta think, you don't. Ain't nobody

2603
02:04:08,640 --> 02:04:10,600
Speaker 1: waking up every day what some people is but not,

2604
02:04:10,720 --> 02:04:13,000
Speaker 1: don't nobody hang out with the the motherfucker's waking up

2605
02:04:13,000 --> 02:04:15,880
Speaker 1: every day burnt out, trying to hurt somebody. Yeah, it's

2606
02:04:15,960 --> 02:04:18,520
Speaker 1: like for no reason. Of course there's something happened this

2607
02:04:18,720 --> 02:04:21,440
Speaker 1: then it's provoked. But you gotta think that's that's that's

2608
02:04:21,440 --> 02:04:23,640
Speaker 1: something happened. It only happens so many times, and niggas

2609
02:04:23,680 --> 02:04:26,640
Speaker 1: be like, oh man, oh a hundred fifty people got

2610
02:04:26,680 --> 02:04:30,880
Speaker 1: shot in southern in Los Angeles. Uh, this in in

2611
02:04:31,000 --> 02:04:32,760
Speaker 1: this summer. But it's like that's a lot of people

2612
02:04:32,840 --> 02:04:36,080
Speaker 1: with It's five million people in California and I mean

2613
02:04:36,120 --> 02:04:39,040
Speaker 1: in l A County. Excuse me. So it's like you,

2614
02:04:39,520 --> 02:04:41,480
Speaker 1: it's not as negative as motherfucker's how to make it. See,

2615
02:04:41,520 --> 02:04:43,520
Speaker 1: everybody's trying to my name buns literally on life. You know,

2616
02:04:43,880 --> 02:04:45,920
Speaker 1: if something happened, then there's something happening. But if not,

2617
02:04:46,040 --> 02:04:48,360
Speaker 1: you know, everybody's trying to have a good time. We're cool, man,

2618
02:04:48,400 --> 02:04:50,920
Speaker 1: Black people. Cool people are cool. We're trying to hang out.

2619
02:04:51,520 --> 02:04:54,960
Speaker 1: So let's talk about the new album. Yeah, man ship

2620
02:04:55,120 --> 02:04:56,640
Speaker 1: just you know, I kind of making it simple again.

2621
02:04:56,680 --> 02:04:58,960
Speaker 1: You feel me like I had a recorded a lot

2622
02:04:59,120 --> 02:05:01,560
Speaker 1: last year, you know, you know, you record all these

2623
02:05:01,600 --> 02:05:04,360
Speaker 1: songs just to use the last quantis. Yeah yeah, but

2624
02:05:04,400 --> 02:05:05,600
Speaker 1: it's like it was kind of at the end, So

2625
02:05:05,720 --> 02:05:08,320
Speaker 1: I recorded all year doing quarantine, like going into quarantine.

2626
02:05:08,320 --> 02:05:10,320
Speaker 1: We're recording a lot. We record a hunt as a

2627
02:05:10,400 --> 02:05:14,400
Speaker 1: song the features, Yeah, no we're not not now no,

2628
02:05:15,480 --> 02:05:16,960
Speaker 1: Now you can do what you can do it the

2629
02:05:17,040 --> 02:05:18,680
Speaker 1: better way to where it's like on the artist and

2630
02:05:18,720 --> 02:05:20,960
Speaker 1: it's just like featuring on the song time said, we're

2631
02:05:20,960 --> 02:05:22,360
Speaker 1: doing that. I forgot what it's called, but it's some

2632
02:05:22,400 --> 02:05:25,960
Speaker 1: ship that got going on, you know technology. Other than that,

2633
02:05:26,080 --> 02:05:29,240
Speaker 1: it's just me just wrapping you know, ten songs. And

2634
02:05:29,320 --> 02:05:34,520
Speaker 1: this is independent now that this n so independent, but

2635
02:05:34,800 --> 02:05:37,400
Speaker 1: you own the company, Yes, yes, it's it's it's it's

2636
02:05:37,440 --> 02:05:42,920
Speaker 1: our company, Blacksmith. We uh we we basically just create.

2637
02:05:43,000 --> 02:05:45,120
Speaker 1: They don't bother, you know what I'm tuning out to

2638
02:05:45,160 --> 02:05:47,160
Speaker 1: really say it. But it ain't like we ain't having

2639
02:05:47,160 --> 02:05:48,840
Speaker 1: no means, ain't no ship like that, you know what

2640
02:05:48,840 --> 02:05:51,920
Speaker 1: I mean? Ethelpia is you know, perfect at just letting

2641
02:05:51,960 --> 02:05:53,760
Speaker 1: you do what you want to do and then telling

2642
02:05:53,800 --> 02:05:55,840
Speaker 1: you how, what's how it's gonna work within what you're

2643
02:05:55,840 --> 02:05:57,680
Speaker 1: trying to do, Like it's all based on your expectations.

2644
02:05:58,080 --> 02:05:59,760
Speaker 1: So you know, it's it's simple over there. You know

2645
02:05:59,800 --> 02:06:02,040
Speaker 1: what I'm this, It's it's simple. We make it simple.

2646
02:06:02,280 --> 02:06:04,200
Speaker 1: Are you happy? Oh? Yeah? Man? My things like do

2647
02:06:04,240 --> 02:06:06,000
Speaker 1: you know the crazy about I've been happy. I was

2648
02:06:06,000 --> 02:06:08,720
Speaker 1: a happier deft year because even I don't care how

2649
02:06:08,760 --> 02:06:11,880
Speaker 1: the music ship going. Bro, Like when you know, when

2650
02:06:12,120 --> 02:06:13,960
Speaker 1: you know, we had the situation in front of my

2651
02:06:14,040 --> 02:06:17,040
Speaker 1: house and somebody had somebody had lost their life and

2652
02:06:17,880 --> 02:06:22,120
Speaker 1: we had we was fighting that little case for whatever

2653
02:06:22,200 --> 02:06:24,160
Speaker 1: I happened with it, and that's when I got my deal.

2654
02:06:24,400 --> 02:06:25,880
Speaker 1: So how can I be mad at them when they

2655
02:06:28,240 --> 02:06:30,440
Speaker 1: But it's also like, man, you gotta be grateful. Man,

2656
02:06:30,440 --> 02:06:32,560
Speaker 1: I don't care if five thousand people listen to him music.

2657
02:06:32,600 --> 02:06:35,080
Speaker 1: It's nig someone right now with not one person checking in.

2658
02:06:35,760 --> 02:06:37,800
Speaker 1: So it's like I can do I can change the

2659
02:06:37,880 --> 02:06:40,240
Speaker 1: world with him five thousand people bumping my music and honey,

2660
02:06:40,280 --> 02:06:42,360
Speaker 1: people bumping my music. I figure it out because that's

2661
02:06:42,400 --> 02:06:45,560
Speaker 1: what I do. So I'm grateful for whatever situation not gone.

2662
02:06:45,560 --> 02:06:47,600
Speaker 1: I don't you know what I'm saying. I'm not looking

2663
02:06:47,640 --> 02:06:49,360
Speaker 1: at a label like, oh man, make me this and

2664
02:06:49,440 --> 02:06:51,440
Speaker 1: make me that. Give me what I got and let

2665
02:06:51,480 --> 02:06:52,920
Speaker 1: me know what's real, and I'm gonna work with it.

2666
02:06:53,040 --> 02:06:55,680
Speaker 1: You feel me. You're gonna lead a single? One for

2667
02:06:55,760 --> 02:06:58,640
Speaker 1: this one? Yeah? I got? I got? Uh? I mean yeah,

2668
02:06:58,680 --> 02:07:00,440
Speaker 1: I did the video for the song called a Lot

2669
02:07:00,440 --> 02:07:03,400
Speaker 1: of Averages. Then uh I got put all of average

2670
02:07:03,400 --> 02:07:05,400
Speaker 1: and love of averages and that's pretty much it. Like

2671
02:07:06,200 --> 02:07:08,840
Speaker 1: singles now, it's like ship you know, put out whatever

2672
02:07:09,000 --> 02:07:10,760
Speaker 1: kind of helps set the palette for the visual. You

2673
02:07:10,800 --> 02:07:13,080
Speaker 1: make great bodies of work exactly. You know it's not me,

2674
02:07:13,240 --> 02:07:14,760
Speaker 1: you see me. So I'll just do what I do

2675
02:07:15,040 --> 02:07:16,680
Speaker 1: and you know, go from there. Did you make music

2676
02:07:16,800 --> 02:07:19,080
Speaker 1: for sinking in this one or not? No, I'll just

2677
02:07:19,120 --> 02:07:21,120
Speaker 1: shooting at the house because I'm at the point now

2678
02:07:21,320 --> 02:07:22,960
Speaker 1: I'm trying to make my own show, So I'll make

2679
02:07:23,000 --> 02:07:25,240
Speaker 1: a do that. You know, you put your own music

2680
02:07:25,520 --> 02:07:28,880
Speaker 1: exactly on future. Was that made to sink somewhere? No,

2681
02:07:29,080 --> 02:07:30,960
Speaker 1: that wasn't made to sink, But I think that got

2682
02:07:31,000 --> 02:07:33,520
Speaker 1: a couple of things to that because like that was

2683
02:07:33,680 --> 02:07:36,320
Speaker 1: a combination I didn't see coming. Well, yeah, what happened

2684
02:07:36,440 --> 02:07:38,800
Speaker 1: was so that it was a part of that song,

2685
02:07:39,400 --> 02:07:40,920
Speaker 1: this song called Covering the Money, and it was a

2686
02:07:40,960 --> 02:07:42,440
Speaker 1: part son of that. I was just that song a lot,

2687
02:07:42,920 --> 02:07:45,360
Speaker 1: and then I wanted to utilize that part of the

2688
02:07:45,440 --> 02:07:47,200
Speaker 1: song as the hook. So we asked him and he

2689
02:07:47,320 --> 02:07:49,440
Speaker 1: was like, yeah, it's cool. I know. So I appreciate

2690
02:07:49,520 --> 02:07:52,160
Speaker 1: him saying yeah, because that's now. I was early early, early,

2691
02:07:52,240 --> 02:07:54,560
Speaker 1: early on, like he ain't know how it was not him,

2692
02:07:54,600 --> 02:07:56,720
Speaker 1: and he just said, okay, So you know, I'm appreciative

2693
02:07:56,800 --> 02:07:59,600
Speaker 1: that shout out to say man and you shout out

2694
02:07:59,640 --> 02:08:01,800
Speaker 1: to them. How about you with Todd dollar Size, that's

2695
02:08:01,840 --> 02:08:05,520
Speaker 1: the hummy. Yeah, okayeah, I gotta I got. I got

2696
02:08:05,640 --> 02:08:07,760
Speaker 1: a good relationship with him. Must round and loose, you know,

2697
02:08:07,880 --> 02:08:10,440
Speaker 1: tied me around times of real musician to like Todd

2698
02:08:10,440 --> 02:08:12,360
Speaker 1: allar time is very underrated as hard so what he's

2699
02:08:12,360 --> 02:08:14,560
Speaker 1: brought to music and what he's capable of doing. He

2700
02:08:14,680 --> 02:08:16,840
Speaker 1: come from a real family, like he got a family

2701
02:08:17,000 --> 02:08:19,480
Speaker 1: like talented individuals like his grand pound down his real

2702
02:08:19,560 --> 02:08:22,920
Speaker 1: genius type dude. So dollar signe, my man. I want

2703
02:08:22,960 --> 02:08:25,200
Speaker 1: to tell you something. Man, I'm Todd dollar Sign. You

2704
02:08:25,280 --> 02:08:27,160
Speaker 1: helped me down at the time you know what I mean.

2705
02:08:27,200 --> 02:08:29,200
Speaker 1: You didn't have to do me help me, to help

2706
02:08:29,240 --> 02:08:31,120
Speaker 1: me down. You didn't have to come and bring me

2707
02:08:31,200 --> 02:08:33,520
Speaker 1: a Mustard beat like you know what I'm saying. Like, um,

2708
02:08:33,960 --> 02:08:35,920
Speaker 1: like I was sending him beasts. He didn't like the

2709
02:08:35,960 --> 02:08:37,320
Speaker 1: beaches I was sending it, but he wanted to do

2710
02:08:37,400 --> 02:08:39,720
Speaker 1: the record, so he went to Mustard Gotta be. I

2711
02:08:39,760 --> 02:08:41,600
Speaker 1: don't know how this worked, but I know that must

2712
02:08:41,640 --> 02:08:44,920
Speaker 1: have signed off on its good dudes, man, So I

2713
02:08:45,040 --> 02:08:46,800
Speaker 1: just wanted to know just case y'all don't know. I

2714
02:08:46,960 --> 02:08:49,360
Speaker 1: didn't never forget. I seen must of the other day

2715
02:08:49,480 --> 02:08:51,120
Speaker 1: or maybe like two years ago, and I told him,

2716
02:08:51,120 --> 02:08:53,360
Speaker 1: I said, Yo, I never forgot. You know what I'm saying.

2717
02:08:53,440 --> 02:08:55,720
Speaker 1: I love you, you know what, because the other day

2718
02:08:55,720 --> 02:08:57,440
Speaker 1: it feels like two years ago. Two years ago feel

2719
02:08:57,440 --> 02:08:58,640
Speaker 1: like the other daycause of the pandemic, you know what

2720
02:08:58,640 --> 02:09:00,400
Speaker 1: I'm saying. So I know he laughed, but it really

2721
02:09:00,480 --> 02:09:02,200
Speaker 1: does feel like that, you know what I mean. Um,

2722
02:09:02,760 --> 02:09:06,120
Speaker 1: I don't know, but some Mustard, Todd Dollar Sign, you know,

2723
02:09:06,320 --> 02:09:08,360
Speaker 1: and even Rick Ross for jumping on that record because

2724
02:09:08,360 --> 02:09:10,520
Speaker 1: I was really cold at the time, and hey, I

2725
02:09:10,640 --> 02:09:13,080
Speaker 1: am with a Todd Dollar Sign record, you know what.

2726
02:09:13,080 --> 02:09:14,600
Speaker 1: I mean, I'm still a legend, but I'm cold, like

2727
02:09:14,800 --> 02:09:16,600
Speaker 1: being cold is cold, Like I don't want to stand

2728
02:09:16,680 --> 02:09:18,400
Speaker 1: next to us cold soup. You know what I'm saying.

2729
02:09:18,400 --> 02:09:20,160
Speaker 1: They're like, oh, you know what I'm saying, Like no

2730
02:09:20,240 --> 02:09:21,920
Speaker 1: one wants that, you know what I'm saying. So um

2731
02:09:22,200 --> 02:09:24,280
Speaker 1: for Todd dollar Signe to be the first one to

2732
02:09:24,280 --> 02:09:26,280
Speaker 1: step up and say, you know what Nori, because I

2733
02:09:26,360 --> 02:09:29,120
Speaker 1: think he thought my heir was lost, which he probably

2734
02:09:29,200 --> 02:09:30,800
Speaker 1: was right to a certain extent. He's like, let me

2735
02:09:30,840 --> 02:09:33,280
Speaker 1: give you some young wave. Let me use something some

2736
02:09:33,440 --> 02:09:36,680
Speaker 1: young and he so he brung in mustard and mustard

2737
02:09:36,680 --> 02:09:38,560
Speaker 1: could easy. But like, I ain't with that. You made

2738
02:09:38,600 --> 02:09:40,560
Speaker 1: a deal with Nori, not me, and they both held

2739
02:09:40,600 --> 02:09:42,920
Speaker 1: me down, and I wanted to say, you know, that's

2740
02:09:42,960 --> 02:09:45,880
Speaker 1: the definition of how this is supposed to be, Like

2741
02:09:46,200 --> 02:09:49,280
Speaker 1: you know, older statesman with a younger statesman is supposed

2742
02:09:49,320 --> 02:09:53,280
Speaker 1: to and the young it's not always the oldest statesman teaching.

2743
02:09:54,000 --> 02:09:57,320
Speaker 1: Sometimes it's the older statesman listening and learning. And I

2744
02:09:57,400 --> 02:09:59,520
Speaker 1: had to listen and learn because you know, I was

2745
02:09:59,640 --> 02:10:01,720
Speaker 1: all a about just my camp, just with me working

2746
02:10:01,800 --> 02:10:03,680
Speaker 1: on Furst Off going on is Parrell Like I'm not

2747
02:10:03,920 --> 02:10:06,960
Speaker 1: getting a beat from someone else. So for me, I

2748
02:10:07,000 --> 02:10:08,520
Speaker 1: had to hum on myself first, like you know what

2749
02:10:09,000 --> 02:10:11,880
Speaker 1: Musty was coming up with. Mustery was hot and you know,

2750
02:10:12,240 --> 02:10:15,080
Speaker 1: but I really appreciated that that that that that commandity,

2751
02:10:15,160 --> 02:10:17,360
Speaker 1: that's what it's called. I really appreciated what they did

2752
02:10:17,440 --> 02:10:19,800
Speaker 1: because you know, they tried to beat me in today world,

2753
02:10:19,920 --> 02:10:22,680
Speaker 1: and which you're supposed to do. Like a collaboration. It's

2754
02:10:22,680 --> 02:10:25,240
Speaker 1: only a collaboration if you're my fans fun with you,

2755
02:10:25,440 --> 02:10:27,320
Speaker 1: and your fans smoke with me, you know what I'm saying.

2756
02:10:27,360 --> 02:10:29,440
Speaker 1: So that's that's a real collaboration. And I always say

2757
02:10:29,480 --> 02:10:31,880
Speaker 1: this because some fund up ship. The only two times

2758
02:10:31,920 --> 02:10:35,320
Speaker 1: I really felt like I collaborated in life was Reggae

2759
02:10:35,400 --> 02:10:40,520
Speaker 1: Throne and R Kelly I Sear the God like like

2760
02:10:41,680 --> 02:10:43,600
Speaker 1: that was the only time I felt like Kelly on

2761
02:10:43,640 --> 02:10:46,920
Speaker 1: a reggae tone. No no I different. I didn't know.

2762
02:10:47,120 --> 02:10:48,920
Speaker 1: First of all, Kelly shipped on me when I went

2763
02:10:49,000 --> 02:10:54,440
Speaker 1: to Man, when I went to later Verse, he was

2764
02:10:54,480 --> 02:10:57,000
Speaker 1: like go ahead. I was like, oh, Ship, We're like,

2765
02:10:57,360 --> 02:10:59,440
Speaker 1: I didn't acknowledge you didn't give me no five. So

2766
02:11:00,080 --> 02:11:10,240
Speaker 1: when I seen the bed rooms, I did it my

2767
02:11:10,360 --> 02:11:15,240
Speaker 1: mind in my mind that we're sending that some suit

2768
02:11:16,920 --> 02:11:19,160
Speaker 1: yo event to me to tell you something, man um

2769
02:11:19,560 --> 02:11:22,120
Speaker 1: Our Show is really about giving people they flowers. I

2770
02:11:22,200 --> 02:11:24,680
Speaker 1: know everyone else is using that phrase now, but we're

2771
02:11:24,680 --> 02:11:26,720
Speaker 1: the ones who made it famous. We're the ones that

2772
02:11:26,880 --> 02:11:29,160
Speaker 1: came out and said, you know what, there's so many

2773
02:11:29,200 --> 02:11:31,520
Speaker 1: other outlets for you know, the new artists, the artists

2774
02:11:31,560 --> 02:11:33,040
Speaker 1: that haven't put it in the work and haven't put

2775
02:11:33,080 --> 02:11:36,200
Speaker 1: it in the time. So we didn't wanna um follow

2776
02:11:36,280 --> 02:11:38,280
Speaker 1: suit with that. We wanted to create our own platform

2777
02:11:38,360 --> 02:11:40,560
Speaker 1: where our legends and people. You know what I'm saying.

2778
02:11:40,560 --> 02:11:42,320
Speaker 1: You've been down to two thousand and eight. You know

2779
02:11:42,320 --> 02:11:44,720
Speaker 1: what I'm saying, You've been doing your your motherfucking homework.

2780
02:11:44,800 --> 02:11:47,760
Speaker 1: You know about hip hop, your lyricist. You're a guy

2781
02:11:47,800 --> 02:11:51,200
Speaker 1: who makes great bodies of work. You do phenomenal videos,

2782
02:11:51,280 --> 02:11:53,280
Speaker 1: and you need to be praised, you know what saying.

2783
02:11:53,480 --> 02:11:56,400
Speaker 1: You need to get me giving your flowers, and I'm

2784
02:11:56,480 --> 02:11:58,880
Speaker 1: proud of My whole team is proud to give you

2785
02:11:58,960 --> 02:12:02,000
Speaker 1: those flowers because you are a staple in the hip hop,

2786
02:12:02,120 --> 02:12:03,280
Speaker 1: not just your name. You know what I'm saying, You

2787
02:12:03,360 --> 02:12:05,400
Speaker 1: are a staple in hip hop. You belong. You know

2788
02:12:05,440 --> 02:12:07,080
Speaker 1: what I'm saying, and you make people like me proud.

2789
02:12:07,320 --> 02:12:09,960
Speaker 1: You make people like me who who Where I started

2790
02:12:10,000 --> 02:12:12,640
Speaker 1: this game, the war report was all about lyrics, That's

2791
02:12:12,680 --> 02:12:15,240
Speaker 1: all it was about. And then I then I started,

2792
02:12:15,440 --> 02:12:20,400
Speaker 1: you know, meeting girls, and I said lyrics and said,

2793
02:12:22,240 --> 02:12:24,240
Speaker 1: what white? What the lyric to that? That was just

2794
02:12:24,280 --> 02:12:29,640
Speaker 1: straight to the point. So but you know, but you

2795
02:12:29,720 --> 02:12:32,000
Speaker 1: make people like me proud. You make people you know,

2796
02:12:32,160 --> 02:12:34,800
Speaker 1: like Nah's proud. You know, people that's like real pure

2797
02:12:35,440 --> 02:12:38,520
Speaker 1: uh lyricists, and the fact that you're keeping their lives,

2798
02:12:38,560 --> 02:12:42,440
Speaker 1: and the fact that you make pure great bodies of work.

2799
02:12:42,560 --> 02:12:44,160
Speaker 1: Like you know what I'm saying. Like when I if

2800
02:12:44,200 --> 02:12:47,960
Speaker 1: I tell somebody to recommend listening to you to Bench Staples,

2801
02:12:48,320 --> 02:12:50,640
Speaker 1: I don't say listening to fund I say, listen to

2802
02:12:50,680 --> 02:12:53,520
Speaker 1: the whole album, listen to big Fish. I say, you know, uh,

2803
02:12:53,960 --> 02:12:56,240
Speaker 1: listen to Ben Staples. I say the whole thing. Because

2804
02:12:56,720 --> 02:12:59,080
Speaker 1: that's how much you you mean, that's how ill you

2805
02:12:59,160 --> 02:13:01,080
Speaker 1: are in this game. So in case I've never told

2806
02:13:01,120 --> 02:13:02,360
Speaker 1: you that, I want to tell you that to your face.

2807
02:13:02,640 --> 02:13:04,040
Speaker 1: I want to give your flowers, want to tell you

2808
02:13:04,080 --> 02:13:06,200
Speaker 1: how much you mean to us, and I will expect

2809
02:13:06,240 --> 02:13:08,320
Speaker 1: you so much. This is like this first or second time.

2810
02:13:08,520 --> 02:13:11,480
Speaker 1: I didn't take a drink. Yeah, I didn't take a drinker.

2811
02:13:11,680 --> 02:13:15,400
Speaker 1: I can't take I said, you know what I said.

2812
02:13:15,400 --> 02:13:16,600
Speaker 1: I want to get on his level. I want to

2813
02:13:16,640 --> 02:13:19,560
Speaker 1: be on I am. I'm still smoking you know that part.

2814
02:13:19,600 --> 02:13:24,120
Speaker 1: It's kind of hard to stop. But I appreciate you

2815
02:13:24,240 --> 02:13:27,400
Speaker 1: for coming by. If everyone the album is out right now,

2816
02:13:28,680 --> 02:13:31,360
Speaker 1: t Vence Table type Vince Tables go get us a

2817
02:13:31,400 --> 02:13:35,240
Speaker 1: double long contra. Motherfucker is going down, motherfucker drink Chance.

2818
02:13:35,280 --> 02:13:42,520
Speaker 1: Thank you so much, my pa dropping we go. Thanks

2819
02:13:42,560 --> 02:13:45,040
Speaker 1: for joining us for another episode of Drink Champs, hosted

2820
02:13:45,080 --> 02:13:47,440
Speaker 1: by yours truly, d J E F and n O

2821
02:13:47,600 --> 02:13:49,640
Speaker 1: r E. Please make sure to follow us on all

2822
02:13:49,680 --> 02:13:53,320
Speaker 1: our socials. Let's at Drink Champs across all platforms at

2823
02:13:53,400 --> 02:13:57,320
Speaker 1: the Real Noriega, I g at Noriega on Twitter, mine

2824
02:13:57,400 --> 02:14:00,280
Speaker 1: is at Who's Crazy on I g at d J

2825
02:14:00,440 --> 02:14:02,920
Speaker 1: e F n on Twitter, and most importantly, stay up

2826
02:14:02,960 --> 02:14:06,120
Speaker 1: to date with the latest releases, news and merch by

2827
02:14:06,200 --> 02:14:14,480
Speaker 1: going to drink Champs dot com. For more podcasts from

2828
02:14:14,520 --> 02:14:18,600
Speaker 1: my Heart Radio, visit the iHeart Radio app, Apple podcast,

2829
02:14:18,800 --> 02:14:20,720
Speaker 1: or wherever you listen to your favorite shows.