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Speaker 1: Look Maher, Oh, I see you my own and look

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Speaker 1: over there is that culture. Yes, goodness, wow, los cud

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Speaker 1: lost culture. He's us calling. We're edging ever closer to

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Speaker 1: the big night.

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Speaker 2: This is that week between award shows, between awards night.

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Speaker 1: How are you kneeling? We're half in Tony's mode, half

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Speaker 1: in the last Culture Isa's Cultural Awards mode. You know

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Speaker 1: what I'm saying. So many friends of the show were honored.

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Speaker 2: I am very, very very ecstatic for them. I will

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Speaker 2: say I was bad last night and I skipped out

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Speaker 2: on watching the writerless Tony's to instead go see a film.

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Speaker 1: Oh, and I can't wait to hear all about the film.

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Speaker 2: I will talk about it.

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Speaker 1: This is an anticipated film very much.

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Speaker 2: So now will you tell everyone the honorable people who

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Speaker 2: took home Tony's are to wear less.

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Speaker 1: I think the very first thing we have to do

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Speaker 1: is shout out Miss Bonnie Milligan, a Tony Award winner,

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Speaker 1: a friend of the show, a performer on last year's

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Speaker 1: Last Culture Racis Cultural Awards. She tore down the house

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Speaker 1: with Natalie Walker to all I Want for Christmas is

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Speaker 1: you Stay tuned on a performance of that tune at

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Speaker 1: this year's ceremony because it is a repeat nominee. True,

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Speaker 1: she was on the show this year. We saw Kimberly

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Speaker 1: at Kimbo. It's so incredible. It deserved everything it got,

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Speaker 1: including you, Vicky Clark, Vicky clar Le, Jeanine David, everyone

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Speaker 1: at Kimberly and Kimbo. Congratulations. I think this has to

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Speaker 1: solidify its status as a front runner for Best Indoor

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Speaker 1: Performance Live Performance. I don't know is it nominated. It's

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Speaker 1: definitely nominated, but the tough competition, I don't know.

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Speaker 2: I think wait, let me just check. It is not nominated.

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Speaker 2: It has the title for the award, it is not

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Speaker 2: nominated for Kimberly. Krimbo is not nominated for its own award.

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Speaker 2: But that's in some ways that's even more iconic.

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Speaker 1: It's almost like I forgot Wow.

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Speaker 2: Is nominated for the Rosalia Award for KIMBERLYA.

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Speaker 1: Kimbo did not score a nomination for Best Into a

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Speaker 1: Live Performance. Wow.

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Speaker 2: But I think the real prize there isn't the award itself.

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Speaker 2: It's it's been in the namesake. Absolutely.

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Speaker 1: What to say whether they take home the award this

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Speaker 1: week or not. They did certainly last weekend and congrats

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Speaker 1: to all the cast and crew of Kimberly a Kimbo

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Speaker 1: All the house down. Also parade Parade.

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Speaker 2: Michael Arden, I'm a faggot with the Tony. I saw

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Speaker 2: I'm a faggot with a Tony.

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Speaker 1: And that's a rule of culture. That's real. Coach a

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Speaker 1: number twelve image with Tony.

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Speaker 2: One better than faggot who sees adele fag Tony.

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Speaker 1: Faggot with a Tony. This was one of the biggest

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Speaker 1: nights of his life. I'm sure fagot with a Tony.

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Speaker 1: Faggot with a Tony is such a huge night in

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Speaker 1: your life.

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Speaker 2: I think you're gonna be faggot with the Tony someday.

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Speaker 1: I really do you just touched my heart? You just

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Speaker 1: reached out and touched my heart clean Preston Burke style.

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Speaker 2: I cut you open, touched your heart.

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Speaker 1: Bring Preston Burk into this.

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Speaker 2: Grace is back in the zeitgeist.

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Speaker 1: Do we need to tell back by the culture. Let's

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Speaker 1: get into it. Ellen Pompeo, So the biggest cultural news

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Speaker 1: item of the week. And by the way, we are

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Speaker 1: on yet again indictment watch.

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Speaker 2: We're recording this on Monday twelfth. He is getting you

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Speaker 2: know he has to go to the authorities, the Floridian

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Speaker 2: authorities tomorrow.

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Speaker 1: Got him. We got him. He's gonna go into the authorities.

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Speaker 1: We got him.

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Speaker 2: The Katies readers, publishist finalists who just came to you screaming,

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Speaker 2: got him again. They didn't know, they didn't know you

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Speaker 2: were edging them.

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Speaker 1: Oh my god, Well, edging is something I love to do.

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Speaker 1: Just kidding. I absolutely have to come all the time.

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Speaker 1: But it's interesting we're even discussing all this because speaking

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Speaker 1: of being all the way locked up in jail, and

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Speaker 1: I did smoke a whole blunt of reefer before I

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Speaker 1: got on this episode, but I absolutely am imprisoned by

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Speaker 1: the charm of miss Ariana depos in this scriptless Tony Awards.

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Speaker 2: So she didn't say a literal word the whole night.

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Speaker 1: No, she said words, but she sort of used her

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Speaker 1: effortless charm to improvise her way through. She even turned

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Speaker 1: to the prompter's bowen and the prompters were blank. That

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Speaker 1: is theater there, the bound her.

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Speaker 2: You mean have theater with a teleprompter, you really can?

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Speaker 1: And cameras with no prompter.

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Speaker 2: Mmm, I mean with or without a prompter, you can.

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Speaker 2: You can still have theater. That's what I'm saying.

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Speaker 1: Well, yes, absolutely. And also you know what you got

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Speaker 1: was actors improvising during their presenter copy. Marcia gay Harden

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Speaker 1: got up there and she said this, hello, my name

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Speaker 1: is Marcia, and it doesn't matter where we are, we

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Speaker 1: can always say gay Harden. And I thought she really

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Speaker 1: left no crumbs with that one.

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Speaker 2: That's really good. I mean, the gay Harden said you

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Speaker 2: can say gay gay Harden. I mean, harden is the

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Speaker 2: gayest word I think besides gay Harden.

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Speaker 1: My favorite Pokemon move.

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Speaker 2: Oh my god, Metapod, I love to click button harden

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Speaker 2: me as a little one, Harden is kind of annoying

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Speaker 2: the one time I go, don't stay staf mama.

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Speaker 1: Period. What's the Pokemon that can do harden?

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Speaker 2: It's too It's Metapod and Cocuna and then a Handleona.

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Speaker 2: There's cass Coon, there's sil Coon there. So in the

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Speaker 2: other generations they have new Cocoon Pokemon.

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Speaker 1: So Cocuona, can we just get into Kakuna for a second.

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Speaker 1: What was the risks and rewards of being Cocuna as

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Speaker 1: a fighting pokemon.

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Speaker 2: Cockuda, Metapod are very similar in that they don't really

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Speaker 2: have like a lot of attack. Right, If you're seeing

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Speaker 2: a cocuna or a metapod in the wild, their only

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Speaker 2: move they know is hardened. But if you evolved a

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Speaker 2: metapod from acatopy or cocuna from a wheedle, they can

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Speaker 2: at least know string shot and tackle, oh my god,

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Speaker 2: and poisoning if you're lucky.

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Speaker 1: Does the cocuna eventually become the bee? Yes, b Dril

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Speaker 1: Bedril Okay, so that's why you want to stick with

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Speaker 1: being cocuna for a while, so you can eventually become

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Speaker 1: be Dril and then probably everyone is like totally powerless.

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Speaker 2: Absolutely, But like, this is how you knew you were

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Speaker 2: gay in the nineties. Tell us about this if you

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Speaker 2: were like, no, I want butter free, I don't want

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Speaker 2: b drel. Yeah, guess what thirty years from now, you're

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Speaker 2: going to horse meat disco.

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Speaker 1: Yeah.

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Speaker 2: Wow, that's the pipeline. That's the pipeline.

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Speaker 1: Did I ever tell you? I think I've told you this,

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Speaker 1: But one time I absolutely dominated a game of Yellow

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Speaker 1: version with a prime ape.

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Speaker 2: Oh that is so you.

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Speaker 1: I don't know how I ended up with this prime ape,

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Speaker 1: but I fucking killed the girls dead with prime ape.

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Speaker 1: It was unbelievable.

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Speaker 2: It didn't matter where Pikachu was, no, she got tossed

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Speaker 2: along the way.

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Speaker 1: I don't know how.

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Speaker 2: I'm sorry to say Pikachu's weakest moment was Pokemon Yellow

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Speaker 2: because it was a little piece of shit from the beginning.

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Speaker 2: It paid you dust, he she they paid you dust

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Speaker 2: at the beginning. It was like, I don't want to

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Speaker 2: be with you, and you're like, okay, then don't. Then

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Speaker 2: go Yeah. I wanted to tell that Pikachu off the

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Speaker 2: entire time.

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Speaker 1: Here's what I'm saying to anyone that wants to be

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Speaker 1: in my life. If it's not a fuck, yes to

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Speaker 1: hang out with me. If it's not a absolutely, I'm

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Speaker 1: gonna be there. I don't need you, period. This is

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Speaker 1: how we are moving forward. Okay, if you could take

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Speaker 1: or leave me, I could only leave you, And that

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Speaker 1: goes to that goes to everyone show me how important

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Speaker 1: I am to you.

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Speaker 2: I am looking at you and going who could ever

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Speaker 2: leave you?

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Speaker 1: Darling? And who couldn't? Who couldn't stay? The Archer is

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Speaker 1: one of the greatest songs in Teller Swift's discography.

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Speaker 2: Discuss one thousand percent. She was giving you mid to

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Speaker 2: late offs like she nailed it, and like you needed

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Speaker 2: the Archer to sort of bridge. You couldn't have had

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Speaker 2: the Archer on nineteen eighty nine. You couldn't have had

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Speaker 2: another reputation. It could have only worked on lover, and

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Speaker 2: this was a lover song. The Archer paved a lot

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Speaker 2: of roads to get to midnights. That's tea.

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Speaker 1: Also, I'm gonna say this, even back in the day

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Speaker 1: when I first heard it, I said, this song in

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Speaker 1: a stadium in a big concert is gonna slap? And

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Speaker 1: did it not? It did?

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Speaker 2: And then some especially this little move she does on

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Speaker 2: all the shows, but the camera hands in the most

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Speaker 2: perfect way. Okay, I'm about to do the movie, you know,

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Speaker 2: the moon I'm gonna do. I'm in the archer.

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Speaker 1: Yep. The just basically was giving centaur sagittarius, sagittarianati, sagittarian.

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Speaker 1: That's not it might be an aquarian.

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Speaker 2: I think it was might be an aquarian aquaria now

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Speaker 2: not sagittaria, not sagittaria. Can I quickly before we move on,

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Speaker 2: because we were kind of hovering over video games for

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Speaker 2: a second, I want you to just primate more a

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Speaker 2: little bit. So you caught a mankey and then you

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Speaker 2: evolved it.

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Speaker 1: At some point I got a man key, and I

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Speaker 1: think I must have just been impressed with something about

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Speaker 1: what he could do. There must have been something about

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Speaker 1: that girl that I chose to invest in her emotionally,

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Speaker 1: like I was Alyssa Edwards and she was one of

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Speaker 1: my girls, my dancers.

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Speaker 2: Your dancers you are giving. I know your water signed down.

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Speaker 2: If you're a gym leader. Do you think your type

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Speaker 2: would be water because I'm not sure.

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Speaker 1: No. I think I'm a fighter rock type trainer because

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Speaker 1: look at my hair, you know what I mean. If

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Speaker 1: you put me in one, I really feel like I

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Speaker 1: could give you a Brock, like if they did want

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Speaker 1: to resurrect Pokemon and do a live action film. I

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Speaker 1: actually think I could give you a Brock. I would

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Speaker 1: love to tape for Brock, Oh, I really would. Maybe

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Speaker 1: I'll even write the Brock biopic. Brock is actually gay.

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Speaker 1: He lives in rock Town.

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Speaker 2: Rock Town. What's the name of the theater cityter City?

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Speaker 1: Wow, you really are that girl.

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Speaker 2: Honey, bake my ass. I can give it to you. Encyclopedia,

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Speaker 2: brown Town down.

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Speaker 1: I think Aaron Jackson claims didn't he tell us this

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Speaker 1: like we were talking because Pokemon came up also when

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Speaker 1: we were in London, who said they think they could

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Speaker 1: name every Pokemon in order, at least the one hundred

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Speaker 1: and fifty one the original though order.

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Speaker 3: The vickis the Caro Manzo's.

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Speaker 2: Oh my god, I'm sure it was Aaron. I couldn't

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Speaker 2: name them in order, but I could name all one

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Speaker 2: hundred and fifty. I could do sections of the poker

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Speaker 2: rap and it would give you a boner. Wow, Electro

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Speaker 2: Minky Minister Protector, Theore Piggy Regon Night guestly like, look,

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Speaker 2: it's you.

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Speaker 1: Really are one of the leading artists of our generation.

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Speaker 1: You really are. I look at you in the way

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Speaker 1: you performed the poker Rap and I was like to see,

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Speaker 1: this is really a sorry pokemonm masterism destiny the one

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Speaker 1: man concert I am getting right now of one performing

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Speaker 1: poker rap. This should be worth Era's tour money. You

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Speaker 1: could charge dollars and dollars for this. People would come

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Speaker 1: to see you do poke rap.

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Speaker 2: Should I do a Pokemon show, Yes, a live Pokemon show.

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Speaker 1: One hundred percent. Your live show should be Bowen Yang

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Speaker 1: Pokemon Experience, Bow.

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Speaker 2: And Yang Pokemon Experience, or what if it was like

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Speaker 2: the bow and Yang Crossover Spectacular, and it's me talking

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Speaker 2: to Goku talking to Ash. Yeah, Taylor Moon talking to

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Speaker 2: all the girls.

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Speaker 1: You need to do a reunion with the girl Pokemon's.

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Speaker 2: That is INSPI.

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Speaker 1: This is actually a major moment. This is an breaking

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Speaker 1: of something.

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Speaker 2: An unbreaking of something. And I don't mean disrespect to

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Speaker 2: the podcast Lost culturistis, which we've hosted for close to

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Speaker 2: eight years moments like this icho, but Lost Culture was

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Speaker 2: just a stepping stone to something else.

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Speaker 1: To the Bow and Yang Pokemon, to the Pokemon, which

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Speaker 1: is the title of app.

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Speaker 2: Wait, okay, so first of all, I want to be

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Speaker 2: like at a restaurant in LA and I want to

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Speaker 2: hear the table next to me, or table like four

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Speaker 2: tables down from me. They don't clock that I'm there,

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Speaker 2: but I want to hear two fucking agents go. Well,

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Speaker 2: I heard Matt Rogers is reading for Brock.

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Speaker 1: I'm manifesting that. And you know what I heard is

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Speaker 1: really going to shake the table the Bang Pokemon experience.

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Speaker 1: I heard that this is a hot live show. This

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Speaker 1: is a hot show.

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Speaker 2: Well, he's been sitting on this idea for like what

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Speaker 2: seven years, and he hasn't really done anything with it.

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Speaker 1: So, but this is a huge hit and also, by

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Speaker 1: the way, producer and producer.

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Speaker 2: Okay, really quickly before we move on, we have huge

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Speaker 2: things to talk about, Matt. We need to sort of

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Speaker 2: take a little bit of time to acknowledge how twenty

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Speaker 2: twenty three one of the biggest, if not the biggest

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Speaker 2: year in video games.

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Speaker 1: Oh, you've defeated the game, and I want to meet

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Speaker 1: it the game, what the experience was. And by the game,

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Speaker 1: we of course mean Tears of the Kingdom.

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Speaker 2: Tiers of the Kingdom. Yes, nominated for the Betty Gilpin

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Speaker 2: Award for Bisley again, h I think it might win.

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Speaker 2: I think it might win. We'll see.

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Speaker 1: I'm excited to see you on Saturday night. What happens.

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Speaker 1: Let's just say me too.

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Speaker 2: Let's just say that, hands down the best game I've

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Speaker 2: ever played, the best game anyone will ever play.

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Speaker 1: I was in Wow, you're saying that, You're saying that confidently.

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Speaker 2: I've had conversations with Raiders, Katie's publicists, finalists. We're all

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Speaker 2: in agreement. The ending is thirty five years in the making,

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Speaker 2: in the making, it's by thirty five years of groundwork,

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Speaker 2: and I cannot believe I thought I was dead inside.

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Speaker 2: I really did for the last several months, Matt think

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Speaker 2: I'm not consuming art. That's like moving me. And that

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Speaker 2: all change this week, by the way, But I'm going, God,

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Speaker 2: I want to feel something again.

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Speaker 1: There is a fire in you well.

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Speaker 2: Because can I share something? Yes, I celebrate that you

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Speaker 2: smoked a little you consumed a little marijuana, just a

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Speaker 2: little bit, just a little bit. Normally, you know, I

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Speaker 2: like to be on my girls level, but I also

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Speaker 2: have shared it with my girl that I need to

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Speaker 2: take a little bit of a break love that because

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Speaker 2: it just really kind of throws me off.

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Speaker 1: I have taken breaks and they've been the huge beneficial.

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Speaker 2: I am in support and so have I the past,

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Speaker 2: and this is just my new cadence with it. Anyway,

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Speaker 2: I took an edible in London. I took myself to

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Speaker 2: go see Spider Man Spider and wouldn't you know, I

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Speaker 2: walked out because I go, I'm too stone for this.

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Speaker 2: There's a lot happening, and so far I think this

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Speaker 2: is worse than the first one, and I cannot think that.

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Speaker 1: And No, you had an complete come to Jesus moment

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Speaker 1: where you were like, this is my mindset. I'm removing

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Speaker 1: myself from the situation I have to give this a chance,

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Speaker 1: and I'm not in that position to give us a

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Speaker 1: chance because it looks visually stimulating as fuck. Probably overload

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Speaker 1: when you're that high.

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Speaker 2: It's visual overload, it's informational overload. I mean the movie

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Speaker 2: opens on Hailey Steinfeld's when Stacy worlds, and it is

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Speaker 2: a feast for the fucking senses. But it's all in watercolor,

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Speaker 2: and you're like, oh my god, what the fuck am

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Speaker 2: I watching? In the best way, But when you're stone,

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Speaker 2: when you're a little bit stoned, you're like, this is

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Speaker 2: I have to remove myself.

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Speaker 1: And I made it past that.

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Speaker 2: I was like forty five minutes in and I was like,

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Speaker 2: I don't understand a single thing that's happening. And normally

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Speaker 2: I do kind of follow this in a decent way,

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Speaker 2: and I was just like, I got to recuse. They

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Speaker 2: left the theater. But anyway, back to Zelda, this ending, Matt,

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Speaker 2: it is one of the most beautiful things I've ever seen.

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Speaker 2: There is a moment that is full circle. I can't

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Speaker 2: even talk about it because it would spoil And you're

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Speaker 2: being a good friend by engaging with me and reacting no.

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Speaker 1: But I'm wondering, like if it's is it something you

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Speaker 1: are able to spoil? Like, can you talk about it?

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Speaker 1: Have enough people gotten to this point yet where you

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Speaker 1: feel like you could share it on this podcast?

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Speaker 2: No, because this is the kind of game that is

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Speaker 2: completely your own adventure. Oh, it is a game unlike

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Speaker 2: any other sounds and it really is. It really is

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Speaker 2: like the best game ever made. And people are saying

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Speaker 2: this about Breath of the Wild, but it makes Breath

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Speaker 2: of the Wild it seem like a proof of concept.

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Speaker 1: Oh.

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Speaker 2: And this game is out of control and the ending

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Speaker 2: is a visual unlike anything I've seen in film, TV,

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Speaker 2: video games, anything. And there's just something that happens in

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Speaker 2: the end where you have to do something, you have

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Speaker 2: to make up for a failure in the beginning of

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Speaker 2: the game. Link fails in the beginning of the game,

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Speaker 2: That's all I'll say. And the final moment is not

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Speaker 2: necessarily about beating the bad guy, but it's about redeeming

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Speaker 2: that failure. And that's all I'll say. It's done in

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Speaker 2: the most impactful, epic, beautiful, touching way.

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Speaker 1: Oh.

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Speaker 2: I will never get over it. I will never stop

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Speaker 2: thinking about this moment for the rest of.

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Speaker 1: My life, and it's how the game ends.

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Speaker 2: It's how the game ends. It's the last thing you had,

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Speaker 2: It's the last button you have to press. It's the

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Speaker 2: most important button you've ever pressed in your life. Oh,

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Speaker 2: I'm telling you anyway, So we're doing that now.

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Speaker 1: I'm thinking about all the important buttons.

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Speaker 2: I think of all the buttons you've pushed. Think about

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Speaker 2: all the buttons you've pushed. This is the most important button.

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Speaker 1: Oh my god, I got eat. I pushed up and.

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Speaker 2: Girl, that's where I went. I pushed an elevator up

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Speaker 2: at University Hall and that's where I met you.

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Speaker 1: No, I think we met in the lobby. I don't

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Speaker 1: think we met in the elevator. Bank.

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Speaker 2: Were you on the eighth floor? Do you remember what

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00:18:34,720 --> 00:18:36,040
Speaker 2: floor you were on, Darling?

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Speaker 1: I was on the seventh floor and then the seventeenth floor,

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Speaker 1: and so that would have been the seventh floor. I

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Speaker 1: was from seven o seven.

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Speaker 2: At U Haul. Yeah, Darling, I remember going. It was

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Speaker 2: going to a hambercout show. I was going to meet Sherman. Yes,

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Speaker 2: and then she she was like, my mate Matt wants

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Speaker 2: to come.

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00:18:54,720 --> 00:18:55,040
Speaker 1: Yeah.

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00:18:55,080 --> 00:18:57,639
Speaker 2: And I had seen you post a video to her

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Speaker 2: Facebook wall.

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Speaker 1: And you thought who the fuck is this?

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Speaker 2: I was like, this man is going after the girl I.

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Speaker 1: I know you were crushing on Shermung.

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Speaker 2: She was the coolest girl. She was effortless, effortless beautiful.

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Speaker 1: She I remember, So this is the girl that you

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Speaker 1: know I met through in freshman year. Her roommate and

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Speaker 1: I would watch sometimes watch The Hills together. Say her name.

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Speaker 1: I don't want to say her name because I don't

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Speaker 1: know how much she'd want to be talked about on

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Speaker 1: the podcast. But she and I were like sort of

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Speaker 1: like trying out being friends, and we would like crack

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Speaker 1: up watching the Hills. But Chermung would be in the

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Speaker 1: other room and she'd sort of be like over it

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Speaker 1: that we were watching the Hills, and I was like,

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Speaker 1: who's this girl? And then a few times we interacted

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00:19:43,160 --> 00:19:45,240
Speaker 1: and she did have a very star casting sense of humor,

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00:19:45,280 --> 00:19:47,800
Speaker 1: and I just trusted what she would think was funny

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00:19:47,800 --> 00:19:49,919
Speaker 1: because she would also like nag me a lot. And

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Speaker 1: she was like, I'm going to see the sketch group

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Speaker 1: and my friend bou Onen is going he's in the

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Speaker 1: improv group. And I was just like, in the back

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Speaker 1: of my mind, I was like, I want to figure

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Speaker 1: out what this is because I might want to do that.

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Speaker 1: And then we and I remember, and I remember you

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Speaker 1: giving me a little bit of the stink eye girl

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00:20:04,840 --> 00:20:07,720
Speaker 1: because of Shermung. I don't you were crushing on Shermung.

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00:20:07,960 --> 00:20:09,680
Speaker 2: We haven't really.

390
00:20:09,320 --> 00:20:10,480
Speaker 1: Fully unpacked this.

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00:20:10,800 --> 00:20:13,040
Speaker 2: I don't know how comfortable she would be to hear

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00:20:13,119 --> 00:20:16,040
Speaker 2: us talking about her, but she's Look, she's living a

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00:20:16,080 --> 00:20:17,359
Speaker 2: groovy life right now.

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Speaker 1: First of all, I think she is the person that

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00:20:19,400 --> 00:20:21,639
Speaker 1: brought together Bowen Yang and Matt Rogers, and I think

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00:20:21,680 --> 00:20:22,480
Speaker 1: she's an icon.

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00:20:22,680 --> 00:20:25,960
Speaker 2: And for other reasons as well. She's a genius engineer. Yes,

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Speaker 2: she's wonderful. She was the person who brought us together.

399
00:20:29,800 --> 00:20:31,480
Speaker 1: She definitely did that.

400
00:20:31,640 --> 00:20:32,600
Speaker 2: Is the person who brought us.

401
00:20:32,640 --> 00:20:34,560
Speaker 1: She invited us to the same thing. We went together

402
00:20:34,560 --> 00:20:36,399
Speaker 1: in a group of four, I think, yeah, And I

403
00:20:36,560 --> 00:20:38,359
Speaker 1: watched the hammer ket Show, and I do remember you

404
00:20:38,400 --> 00:20:40,200
Speaker 1: gave me a little bit of stink guy, because later

405
00:20:40,240 --> 00:20:42,000
Speaker 1: you would tell me that you had a quote unquote

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Speaker 1: crush on Chermunk.

407
00:20:43,440 --> 00:20:46,080
Speaker 2: It was a full fledged crush I was.

408
00:20:46,119 --> 00:20:48,040
Speaker 1: And it wasn't like that for me in Chrmung. I

409
00:20:48,040 --> 00:20:50,040
Speaker 1: wasn't a threat to you. It just wasn't thought you

410
00:20:50,080 --> 00:20:52,840
Speaker 1: were I thought you were no. I was fully like

411
00:20:53,160 --> 00:20:55,960
Speaker 1: giving straight drag. But I think Chrmung and I were

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00:20:55,960 --> 00:20:58,200
Speaker 1: always friends. And I also think she is smart enough

413
00:20:58,200 --> 00:21:01,520
Speaker 1: to look right through me and be like this fag it. Yes,

414
00:21:01,600 --> 00:21:05,439
Speaker 1: she knew we were gay. Come on, probably she was

415
00:21:05,440 --> 00:21:06,440
Speaker 1: too smart for that ship.

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00:21:06,600 --> 00:21:09,080
Speaker 2: She knew we were right right anyway, how do we

417
00:21:09,080 --> 00:21:11,360
Speaker 2: talk about you? Oh, the elevator, the button I press.

418
00:21:11,440 --> 00:21:14,520
Speaker 1: Yeah, exactly. But and then, but that is where we met,

419
00:21:14,720 --> 00:21:17,560
Speaker 1: and then we didn't really hang out again ever again

420
00:21:17,640 --> 00:21:20,679
Speaker 1: until I auditioned for the group and you famously said, hey, mama,

421
00:21:21,240 --> 00:21:24,080
Speaker 1: heard your auditioning, and you're super funny. Can't wait to

422
00:21:24,080 --> 00:21:26,360
Speaker 1: see how this one turns out. Cut first round. I'm

423
00:21:26,359 --> 00:21:27,760
Speaker 1: never gonna stop talking about it.

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00:21:27,920 --> 00:21:32,160
Speaker 2: Hey, mama, I don't think so.

425
00:21:32,520 --> 00:21:34,360
Speaker 1: I think doing a colloquialism.

426
00:21:34,800 --> 00:21:37,760
Speaker 2: We need to get to the we have not like resolved,

427
00:21:38,040 --> 00:21:40,880
Speaker 2: like reconciled these two accounts, because this.

428
00:21:40,800 --> 00:21:42,879
Speaker 1: Is the truth of it. This is the truth of it,

429
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Speaker 1: and I'm ready to say the truth. I'm ready to

430
00:21:44,600 --> 00:21:48,640
Speaker 1: say the truth of Bowen and I's first interaction. This

431
00:21:48,760 --> 00:21:51,960
Speaker 1: is honesty zone. You came over. I think you probably

432
00:21:52,000 --> 00:21:55,280
Speaker 1: genuinely were rooting for me. And like genuinely were like,

433
00:21:55,640 --> 00:21:57,680
Speaker 1: this would be so fun probably to have another gay

434
00:21:57,680 --> 00:22:00,840
Speaker 1: in the group. Maybe Matt is actually funny. We don't know.

435
00:22:00,960 --> 00:22:02,680
Speaker 2: We were not at the closet at the time.

436
00:22:03,000 --> 00:22:06,040
Speaker 1: No, And so then I was like when you left,

437
00:22:06,040 --> 00:22:08,120
Speaker 1: I was like a little bit nervous because I was like, oh,

438
00:22:08,119 --> 00:22:10,320
Speaker 1: Bowen's on the group, like you had a little bit

439
00:22:10,320 --> 00:22:12,840
Speaker 1: of status over me there. So then when I got

440
00:22:12,840 --> 00:22:16,280
Speaker 1: cut the first round by I'm gonna say it, Emilie

441
00:22:16,280 --> 00:22:19,600
Speaker 1: Schmidt and Hilly Hepworth and we love them, but they

442
00:22:19,640 --> 00:22:22,159
Speaker 1: cut my ass. And I believe and and Dresden may

443
00:22:22,200 --> 00:22:22,960
Speaker 1: have been involved.

444
00:22:23,240 --> 00:22:24,760
Speaker 2: I think Anna wanted to keep you up.

445
00:22:24,800 --> 00:22:27,520
Speaker 1: Then you weren't in my room, and I remember you

446
00:22:27,600 --> 00:22:30,159
Speaker 1: told me later like, oh, I was so disappointed, But

447
00:22:30,240 --> 00:22:32,119
Speaker 1: I had literally no say because I wasn't in your

448
00:22:32,160 --> 00:22:34,640
Speaker 1: audition and you were just cut cut to the next

449
00:22:34,720 --> 00:22:37,399
Speaker 1: day the sketch audition went totally different. But the truth

450
00:22:37,520 --> 00:22:40,760
Speaker 1: is Boon Yang was not rude. I just play into

451
00:22:40,800 --> 00:22:43,959
Speaker 1: that because I am being Honesty's one right now when

452
00:22:44,000 --> 00:22:46,120
Speaker 1: I say I just like to tease my sister.

453
00:22:45,880 --> 00:22:49,160
Speaker 2: Yeah, okay, but sometimes there the truth and I never

454
00:22:49,240 --> 00:22:53,320
Speaker 2: want to keep you from teasing your sister. But some

455
00:22:53,480 --> 00:22:56,480
Speaker 2: people really do take that narrative and run with that

456
00:22:56,520 --> 00:22:57,720
Speaker 2: and they go that they think that.

457
00:22:57,720 --> 00:22:59,119
Speaker 1: You were actually a cun to me on the day.

458
00:22:59,119 --> 00:23:01,680
Speaker 1: I understand. Yes, groups people are true.

459
00:23:02,000 --> 00:23:04,160
Speaker 2: People are like, why were you mean to Matt when

460
00:23:04,200 --> 00:23:08,000
Speaker 2: you have I promised you I wasn't I know?

461
00:23:08,680 --> 00:23:11,560
Speaker 1: He came over of his own accord. He said this

462
00:23:11,600 --> 00:23:14,760
Speaker 1: is he may have said some some variation of one

463
00:23:14,760 --> 00:23:16,879
Speaker 1: thing I won't back down on. Okay, you may have

464
00:23:16,920 --> 00:23:19,959
Speaker 1: said some variation of I heard you're really funny. You

465
00:23:20,000 --> 00:23:21,639
Speaker 1: may have said some variation of that.

466
00:23:21,920 --> 00:23:26,920
Speaker 2: Sure, and like me at eighteen nineteen years old, yeah,

467
00:23:27,119 --> 00:23:28,280
Speaker 2: fuck me, that sucks.

468
00:23:29,160 --> 00:23:32,359
Speaker 1: But whatever, that is the truth. Okay, that is the truth.

469
00:23:32,520 --> 00:23:35,399
Speaker 1: That one was actually a sweetheart. The truth is Bowen

470
00:23:35,440 --> 00:23:37,800
Speaker 1: Yang is a sweetheart and that's actually really coach to

471
00:23:37,880 --> 00:23:38,480
Speaker 1: number thirty.

472
00:23:38,800 --> 00:23:44,400
Speaker 2: The truth is, well, now you're like over correcting into

473
00:23:44,520 --> 00:23:45,720
Speaker 2: irony and it sounds like.

474
00:23:45,720 --> 00:23:48,200
Speaker 1: No, no, no, you guys, he's actually so nice, like.

475
00:23:49,960 --> 00:23:54,520
Speaker 2: Stupid stupid girl. Anyway, So just to put a cap

476
00:23:54,560 --> 00:23:58,280
Speaker 2: on it, Zelda best gaming experience ever maybe for the

477
00:23:58,280 --> 00:24:00,720
Speaker 2: rest of my life. Diablo four came out. It's a

478
00:24:00,760 --> 00:24:04,040
Speaker 2: little tough, it's a weird game. The breviews are okay, Blizzard,

479
00:24:04,119 --> 00:24:06,480
Speaker 2: the company Activision Blizzard, the company that has made these

480
00:24:06,520 --> 00:24:09,000
Speaker 2: games since the nineties, has been in a lot of

481
00:24:09,160 --> 00:24:12,919
Speaker 2: weird shit and like the culture there was, you know,

482
00:24:13,160 --> 00:24:16,040
Speaker 2: very toxic, and people left and people did all these

483
00:24:16,240 --> 00:24:19,479
Speaker 2: shitty things there. And then you have Final Fantasy sixteen

484
00:24:19,520 --> 00:24:21,639
Speaker 2: coming out Pride Week, which is cruel because that is

485
00:24:21,680 --> 00:24:26,040
Speaker 2: a fucking faggot game. Yeah, and then Spider Man two

486
00:24:26,560 --> 00:24:28,480
Speaker 2: comes out in the fall, which is gonna be a

487
00:24:28,520 --> 00:24:31,840
Speaker 2: sleigh because the first one was huge, huge, huge, huge,

488
00:24:31,920 --> 00:24:32,320
Speaker 2: huge game.

489
00:24:32,640 --> 00:24:35,439
Speaker 1: This is a great rundown. I have to ask you,

490
00:24:35,480 --> 00:24:37,959
Speaker 1: did you get back to the theater to see Multiverse?

491
00:24:38,840 --> 00:24:42,120
Speaker 2: I did not. I plan to. This is my week

492
00:24:42,160 --> 00:24:45,439
Speaker 2: of Matt Rogers living where I'm I'm gonna watch as

493
00:24:45,480 --> 00:24:47,080
Speaker 2: much theater as I can. I'm gonna watch as much

494
00:24:47,080 --> 00:24:49,879
Speaker 2: movies as I can. And oh guess what, we can

495
00:24:49,880 --> 00:24:51,800
Speaker 2: announce that we're gonna be on Watch What Happens Live.

496
00:24:52,119 --> 00:24:52,960
Speaker 1: Yes, so exciting.

497
00:24:53,560 --> 00:24:56,600
Speaker 2: Nine a lot happening the next week for your old

498
00:24:56,640 --> 00:24:57,840
Speaker 2: friends Matt and Bowen.

499
00:24:58,280 --> 00:25:00,480
Speaker 1: You have to tell me about paw lives.

500
00:25:01,240 --> 00:25:06,360
Speaker 2: Okay. It is a debut from Selene's song, who wrote

501
00:25:06,359 --> 00:25:09,159
Speaker 2: and directed Korean Canadian American play right. A lot of

502
00:25:09,240 --> 00:25:13,800
Speaker 2: parallels to you know, like the narrative from like moving

503
00:25:13,880 --> 00:25:16,159
Speaker 2: to like Canada and then to the US. Well, I

504
00:25:16,160 --> 00:25:18,120
Speaker 2: don't know, like not parallel, but just I'm just saying

505
00:25:18,160 --> 00:25:21,480
Speaker 2: like it's a film that is and I know, like

506
00:25:21,640 --> 00:25:25,720
Speaker 2: you know, the specific is universal whatever, but like it's

507
00:25:25,760 --> 00:25:30,399
Speaker 2: a film that, without you knowing or realizing, by the

508
00:25:30,480 --> 00:25:35,480
Speaker 2: end you're like, wow, that evoked something so deep within

509
00:25:35,640 --> 00:25:39,840
Speaker 2: my own past history of thinking of like the person

510
00:25:39,880 --> 00:25:44,480
Speaker 2: who like slipped away. You know, it's like it is

511
00:25:45,040 --> 00:25:49,760
Speaker 2: by the end, it is thick where there are these

512
00:25:49,840 --> 00:25:52,240
Speaker 2: shots that like you're not gonna believe it, man, And

513
00:25:54,320 --> 00:25:57,879
Speaker 2: it's just a really spare, elegant, simple, straightforward It's not

514
00:25:57,920 --> 00:26:01,960
Speaker 2: like a film that like works with been like surprise necessarily,

515
00:26:02,040 --> 00:26:09,480
Speaker 2: but it's just like really lovely, delicately handled thing that's

516
00:26:09,520 --> 00:26:14,919
Speaker 2: telling a story that like any single person who's like

517
00:26:15,040 --> 00:26:18,919
Speaker 2: experienced love and maybe has seen it kind of like

518
00:26:20,200 --> 00:26:23,440
Speaker 2: drift Away is going to be affected.

519
00:26:23,040 --> 00:26:29,879
Speaker 1: By Oh I'm so excited and happy to hear this, Gretuly. Yeah.

520
00:26:30,160 --> 00:26:35,960
Speaker 2: I mean this woman is a fucking force, like from

521
00:26:36,040 --> 00:26:40,679
Speaker 2: high maintenance to like rush, She's like done like I

522
00:26:40,680 --> 00:26:45,000
Speaker 2: think her like selection of projects, and like her range,

523
00:26:45,040 --> 00:26:47,719
Speaker 2: and like her whole, her whole resume that she's building

524
00:26:47,760 --> 00:26:48,760
Speaker 2: now and that she's like.

525
00:26:48,960 --> 00:26:51,200
Speaker 1: She's on my favorite show, she's on the morning show.

526
00:26:51,359 --> 00:26:53,160
Speaker 1: Oh my god, you got to catch up.

527
00:26:53,400 --> 00:26:55,760
Speaker 2: I looked into my sister's eyes in London and I said,

528
00:26:56,359 --> 00:26:57,960
Speaker 2: I'm gonna catch up. I'm gonna watch it with my

529
00:26:58,000 --> 00:26:58,840
Speaker 2: sisters this season.

530
00:26:59,080 --> 00:27:01,399
Speaker 1: I believe you're gonna get especially now with the added

531
00:27:01,400 --> 00:27:05,320
Speaker 1: impetus of the Greta Lee sort of renaissance that we're

532
00:27:05,359 --> 00:27:06,080
Speaker 1: going to be entering.

533
00:27:06,200 --> 00:27:12,800
Speaker 2: What a stacked cast, truly a stacked cast of the Yes, yes, yes,

534
00:27:13,320 --> 00:27:15,320
Speaker 2: I mean I'm excited for it to come back.

535
00:27:15,400 --> 00:27:15,480
Speaker 1: Now.

536
00:27:15,480 --> 00:27:18,119
Speaker 2: Waits, who's the big get this season? Is there a

537
00:27:18,119 --> 00:27:18,639
Speaker 2: big get this?

538
00:27:18,840 --> 00:27:23,040
Speaker 1: John Hamm himself, that's right, John, Oh my god, John

539
00:27:23,119 --> 00:27:25,920
Speaker 1: ham Of course, Juliana Margleys will be returning to the cast.

540
00:27:26,000 --> 00:27:30,679
Speaker 1: It's such I cannot wait. I cannot wait.

541
00:27:31,240 --> 00:27:33,400
Speaker 2: Now is this the first season after COVID?

542
00:27:33,680 --> 00:27:36,240
Speaker 1: So last season it ended with her basically dying and

543
00:27:36,280 --> 00:27:39,360
Speaker 1: becoming Joe Rogan. She's dying of COVID and she gets

544
00:27:39,359 --> 00:27:42,679
Speaker 1: a streaming show and she becomes like a radicalized you know,

545
00:27:42,840 --> 00:27:46,000
Speaker 1: talking head and not a Newswoman anymore. Jennifer Anist is,

546
00:27:46,040 --> 00:27:50,800
Speaker 1: of course, And so that's sort of where we left.

547
00:27:50,840 --> 00:27:54,120
Speaker 1: It was like COVID was very much killing the girls.

548
00:27:54,480 --> 00:27:56,440
Speaker 1: Right now, we're gonna come back, and I think it's

549
00:27:56,440 --> 00:27:58,639
Speaker 1: going to be more in the review mirror if I

550
00:27:58,720 --> 00:27:59,080
Speaker 1: had to.

551
00:27:59,040 --> 00:28:03,159
Speaker 2: Guess, yeah, you don't think like the show owners are like,

552
00:28:03,280 --> 00:28:06,119
Speaker 2: let's just keep COVID in the atmosphere.

553
00:28:05,520 --> 00:28:08,439
Speaker 1: Now looking back, like the way people have decided to

554
00:28:08,440 --> 00:28:12,400
Speaker 1: deal with COVID, like and just like that basically being like, yeah,

555
00:28:12,400 --> 00:28:17,280
Speaker 1: and it's over. Remember that was crazy anyway, Yeah, I

556
00:28:17,359 --> 00:28:20,840
Speaker 1: saw bird brunching and all sitting here a big deal

557
00:28:20,920 --> 00:28:24,119
Speaker 1: at all. Well, anyway, what should we talk about? You know,

558
00:28:24,160 --> 00:28:25,600
Speaker 1: that's not COVID because it's over.

559
00:28:25,880 --> 00:28:30,080
Speaker 2: But you know, I respect that in hindsight, because the

560
00:28:30,440 --> 00:28:32,800
Speaker 2: New York that Sex and the City has always presented

561
00:28:32,800 --> 00:28:35,560
Speaker 2: has been a fantasy, and that is seen and that

562
00:28:35,720 --> 00:28:37,679
Speaker 2: is the version of it. Just like that, that is

563
00:28:37,720 --> 00:28:40,760
Speaker 2: like this perfectly idealized.

564
00:28:40,200 --> 00:28:45,760
Speaker 1: Version of you. It's a Sheena say of Sheen good

565
00:28:45,800 --> 00:28:48,920
Speaker 1: as gold, good as gold. I'm literally well and I

566
00:28:49,040 --> 00:28:50,960
Speaker 1: just turned off the episode because you were talking about

567
00:28:50,960 --> 00:28:52,560
Speaker 1: it the other day and I had never seen it,

568
00:28:52,560 --> 00:28:54,320
Speaker 1: but the episode of Sheena's wedding.

569
00:28:54,080 --> 00:28:55,840
Speaker 2: An you freak bit oh the wedding for the first

570
00:28:55,880 --> 00:28:56,600
Speaker 2: on the wedding.

571
00:28:56,920 --> 00:28:59,560
Speaker 1: Wow, that wedding planner really was When you said she

572
00:28:59,720 --> 00:29:04,440
Speaker 1: was a you did not lie? That was So she is.

573
00:29:04,560 --> 00:29:08,160
Speaker 2: We must find her because she will. She she deserves

574
00:29:08,160 --> 00:29:11,920
Speaker 2: an award after she deserves a Culture Award speaking I'm

575
00:29:11,960 --> 00:29:12,600
Speaker 2: a ten person.

576
00:29:12,760 --> 00:29:15,320
Speaker 1: Yeah what Tina. She is nominated for the Tina's Herner

577
00:29:15,400 --> 00:29:18,440
Speaker 1: Legend Award, which by the way, was also named that

578
00:29:18,560 --> 00:29:21,320
Speaker 1: last year. Okay, We've always had a category called the

579
00:29:21,360 --> 00:29:24,040
Speaker 1: Tina Turner Legend Award, and that just goes to show

580
00:29:24,040 --> 00:29:27,040
Speaker 1: what a legend she was. Talk about the legend because

581
00:29:27,080 --> 00:29:29,200
Speaker 1: we have not touched on on this podcast that she

582
00:29:29,240 --> 00:29:31,920
Speaker 1: has gone. The legend that is Tina rest in peace.

583
00:29:32,360 --> 00:29:38,360
Speaker 2: I mean every thread of like music that like is

584
00:29:38,400 --> 00:29:43,360
Speaker 2: still woven into everyone today is like fucking made by her.

585
00:29:43,640 --> 00:29:47,040
Speaker 2: She was at the fucking spinning wheel whatever this metaphor is.

586
00:29:47,280 --> 00:29:49,560
Speaker 1: She was at the spinning wheel. Tina was at the

587
00:29:49,600 --> 00:29:51,640
Speaker 1: spinning wheel, and that's what she wi a culture number five.

588
00:29:51,880 --> 00:29:56,200
Speaker 1: Tina was at the spinning wheel. You know, Beyonce, you

589
00:29:56,240 --> 00:29:58,640
Speaker 1: watch her. You watch Old Tina, it's like you wouldn't

590
00:29:58,680 --> 00:30:04,040
Speaker 1: have Beyonce without Tina Tina. I mean, if you watch

591
00:30:04,080 --> 00:30:07,720
Speaker 1: the Tina documentary. I did an episode of my HBO

592
00:30:07,760 --> 00:30:13,680
Speaker 1: maximum oh yeadcast about Tina. That woman was really that

593
00:30:13,840 --> 00:30:16,280
Speaker 1: was like that was a total I was at rock

594
00:30:16,320 --> 00:30:18,640
Speaker 1: bottom reinvention that she needed to do, and it was

595
00:30:18,720 --> 00:30:23,600
Speaker 1: like to watch her create who she was. She created

596
00:30:24,480 --> 00:30:27,000
Speaker 1: like her own stardom and then occupied that and like

597
00:30:27,360 --> 00:30:29,440
Speaker 1: it was just unbelievable what she was able to do

598
00:30:30,800 --> 00:30:32,240
Speaker 1: in terms of how low she was.

599
00:30:32,600 --> 00:30:36,640
Speaker 2: Right just rewrote the whole like dark past of it,

600
00:30:37,720 --> 00:30:40,920
Speaker 2: Like what a what a reclamation? What a fucking like

601
00:30:42,280 --> 00:30:43,760
Speaker 2: I met a loss of what to say, just because

602
00:30:43,760 --> 00:30:45,080
Speaker 2: it's like she seems.

603
00:30:44,760 --> 00:30:47,880
Speaker 1: So like, yeah, like someone that would never die.

604
00:30:48,000 --> 00:30:51,080
Speaker 2: I know, I know, and yet it's like, besides the

605
00:30:51,120 --> 00:30:54,600
Speaker 2: actual tragedy of like her life, Like what I loved

606
00:30:54,640 --> 00:30:56,440
Speaker 2: about the documentary was that like by the end, she

607
00:30:56,560 --> 00:30:59,520
Speaker 2: just seemed like happy and she was in a loving

608
00:30:59,560 --> 00:31:02,800
Speaker 2: marriage and like, you know, yeah, she earned that.

609
00:31:03,400 --> 00:31:07,040
Speaker 1: I always say, like I would have really wished to

610
00:31:07,080 --> 00:31:10,000
Speaker 1: have seen her in concert one of those last tours

611
00:31:10,000 --> 00:31:11,680
Speaker 1: that she did, because one of the things I'm always

612
00:31:12,120 --> 00:31:13,960
Speaker 1: trying to remind myself, is you have to like see

613
00:31:13,960 --> 00:31:16,240
Speaker 1: these icons while you still can, Like that's why I'm

614
00:31:16,240 --> 00:31:18,000
Speaker 1: seeing so many shows this year. I have the time,

615
00:31:18,040 --> 00:31:29,120
Speaker 1: I'm able to go. Let's just get something out of

616
00:31:29,120 --> 00:31:31,520
Speaker 1: the way, because there are these rumors right that that

617
00:31:31,680 --> 00:31:34,080
Speaker 1: Beyonce had like broken her angle six months ago, or

618
00:31:34,120 --> 00:31:36,520
Speaker 1: like she sustained some injury, so that in the beginning

619
00:31:36,520 --> 00:31:40,160
Speaker 1: of the Renaissance tour it looked like to some people

620
00:31:40,200 --> 00:31:41,920
Speaker 1: like I was a little marked, or that it was

621
00:31:41,960 --> 00:31:46,200
Speaker 1: pulled back, which by the way, would be fine totally

622
00:31:46,200 --> 00:31:49,440
Speaker 1: because it's still at such a high level, but people

623
00:31:49,520 --> 00:31:52,760
Speaker 1: were saying it looked like there was an issue. I

624
00:31:52,800 --> 00:31:56,280
Speaker 1: didn't fucking notice any encumberment when I was there. Live

625
00:31:56,360 --> 00:31:58,600
Speaker 1: in the flesh, I'll say that it felt like a

626
00:31:58,640 --> 00:32:03,800
Speaker 1: fucking Beyonce show. It's also a party, so you're not

627
00:32:04,080 --> 00:32:09,240
Speaker 1: like necessarily needing her to be breaking her ass in half,

628
00:32:09,600 --> 00:32:14,920
Speaker 1: like it like just giving you Beyonce two thousand and

629
00:32:14,960 --> 00:32:17,800
Speaker 1: four at all times, like firing off like a machine gun,

630
00:32:17,880 --> 00:32:20,720
Speaker 1: Like she's got a lot of incredible dancers, Like the

631
00:32:21,120 --> 00:32:25,560
Speaker 1: visuals are unbelievable. The music is a party, like get

632
00:32:25,600 --> 00:32:28,880
Speaker 1: out of here with she's not giving out of.

633
00:32:28,880 --> 00:32:32,040
Speaker 2: Here, like get out of here, and like, I broke

634
00:32:32,080 --> 00:32:35,000
Speaker 2: this down and I don't people can disagree with me,

635
00:32:35,160 --> 00:32:37,400
Speaker 2: and I'm going to bring in people where it feels

636
00:32:37,480 --> 00:32:40,040
Speaker 2: very transparent. But I'm like people are still asking me like, oh,

637
00:32:40,080 --> 00:32:43,160
Speaker 2: between the errors and Renaissance, like which one is better?

638
00:32:43,200 --> 00:32:45,280
Speaker 2: I'm like, this is the thing. And then I brought

639
00:32:45,280 --> 00:32:47,640
Speaker 2: a Gaga into this, and then I brought on Ariana

640
00:32:47,840 --> 00:32:52,320
Speaker 2: because I'm like, it's okay to get different verticals or

641
00:32:52,360 --> 00:32:56,920
Speaker 2: different like things out of these different people. Like for Beyonce,

642
00:32:57,720 --> 00:33:01,440
Speaker 2: she's so clearly influenced by prayers, by Tina, by like

643
00:33:02,000 --> 00:33:04,120
Speaker 2: all these people. So like I think Beyonce is a

644
00:33:04,160 --> 00:33:10,480
Speaker 2: student of performance and in this yes, Taylor is a

645
00:33:10,480 --> 00:33:14,400
Speaker 2: student of songwriting. Gaga is a student of pop culture.

646
00:33:14,800 --> 00:33:18,080
Speaker 2: She's giving you jazz standards, She's giving you fucking like dance,

647
00:33:18,200 --> 00:33:21,840
Speaker 2: she's giving you power ballads. Like she's giving you every

648
00:33:21,960 --> 00:33:26,280
Speaker 2: little facet of the of the crystal of pop culture.

649
00:33:26,360 --> 00:33:29,600
Speaker 2: And then like if someone like Ariana, who like she's

650
00:33:29,600 --> 00:33:31,640
Speaker 2: a student of vocals and she she's like I learned

651
00:33:31,680 --> 00:33:34,000
Speaker 2: how to riff from Mariah and Whitney and Beyonce, like

652
00:33:34,320 --> 00:33:35,760
Speaker 2: that is how I learned to saying that is how

653
00:33:35,760 --> 00:33:38,320
Speaker 2: I learned to perform. It's like any single person is

654
00:33:38,840 --> 00:33:42,280
Speaker 2: going to have their one beam of light that they

655
00:33:42,440 --> 00:33:46,680
Speaker 2: like transmit, and that is I love that. I love

656
00:33:46,760 --> 00:33:50,000
Speaker 2: that about like the landscape right now. It's actually great

657
00:33:50,040 --> 00:33:51,760
Speaker 2: that one person isn't everything to everyone.

658
00:33:52,240 --> 00:33:55,080
Speaker 1: Yeah, anyway, I mean there was this video that I

659
00:33:55,120 --> 00:33:57,560
Speaker 1: sent you just to speak about like what people do.

660
00:33:58,360 --> 00:34:02,240
Speaker 1: I sent Poe in a video of Pink is on tour. Okay, yeah,

661
00:34:02,520 --> 00:34:06,800
Speaker 1: so Pink during so what in her like arena tour

662
00:34:07,040 --> 00:34:10,439
Speaker 1: gets I really don't know how to describe it other

663
00:34:10,520 --> 00:34:15,320
Speaker 1: than to say she gets catapulted into the sky, spinning,

664
00:34:16,040 --> 00:34:20,840
Speaker 1: twirling and flying doing flips successively to the back of

665
00:34:20,880 --> 00:34:25,120
Speaker 1: the stadium from the front, from the stage to the

666
00:34:25,200 --> 00:34:29,439
Speaker 1: back of the damn arena. And I'm telling you it's

667
00:34:29,440 --> 00:34:31,640
Speaker 1: the rig they put the camera on so they can

668
00:34:31,680 --> 00:34:36,319
Speaker 1: take like aerial like videos of the fucking football game,

669
00:34:36,640 --> 00:34:40,520
Speaker 1: like the kicks and everything. They put Pink in that

670
00:34:40,719 --> 00:34:46,480
Speaker 1: contraption and shot her into the air. Mama, Katie, can

671
00:34:46,520 --> 00:34:47,279
Speaker 1: you believe this?

672
00:34:48,080 --> 00:34:48,640
Speaker 2: Katie?

673
00:34:49,080 --> 00:34:52,200
Speaker 1: Put the baby do? Said? Do I have to see Pink?

674
00:34:53,000 --> 00:34:57,440
Speaker 1: Because if that's happening during so what why is that

675
00:34:57,480 --> 00:35:03,200
Speaker 1: happening during? So what's happening during Who knew what's happening doing?

676
00:35:03,960 --> 00:35:07,400
Speaker 1: Just give me the reason. Just like a picture of girls,

677
00:35:07,440 --> 00:35:09,640
Speaker 1: stupid girls.

678
00:35:09,400 --> 00:35:13,440
Speaker 2: That is stupid in the best way. Her fucking tribute

679
00:35:13,440 --> 00:35:16,160
Speaker 2: shaing into the audience and the audience going a little

680
00:35:16,200 --> 00:35:20,840
Speaker 2: bit silent, being like, oh, like is this okay?

681
00:35:21,440 --> 00:35:25,000
Speaker 1: Posted it the person that posted it with the caption

682
00:35:25,360 --> 00:35:30,120
Speaker 1: this has me crying, And a bunch of consonants.

683
00:35:30,080 --> 00:35:32,239
Speaker 2: That really added A lot of the replies were like,

684
00:35:32,640 --> 00:35:35,759
Speaker 2: Pink has no songs in her catalog that would for

685
00:35:40,360 --> 00:35:42,680
Speaker 2: how this good soup.

686
00:35:42,600 --> 00:35:46,200
Speaker 1: Bad catapulted into the air.

687
00:35:46,880 --> 00:35:50,120
Speaker 2: If she did that during Razor Glass, I would fucking explode.

688
00:35:50,200 --> 00:35:52,640
Speaker 2: I'd be like, that's off the line.

689
00:35:52,760 --> 00:35:54,480
Speaker 1: We're gonna lose on my tonight.

690
00:35:55,120 --> 00:35:59,160
Speaker 2: But why so serious? And then she launches into.

691
00:35:59,000 --> 00:36:03,000
Speaker 1: Oh yeah, like Glass while that place she's spinning through

692
00:36:03,040 --> 00:36:05,200
Speaker 1: the skies like I love it.

693
00:36:05,239 --> 00:36:07,399
Speaker 2: Oh, I'm telling you, I need that.

694
00:36:09,120 --> 00:36:10,960
Speaker 1: I mean you. But here's the thing. You have to

695
00:36:11,000 --> 00:36:14,319
Speaker 1: imagine that if so what she gets catapulted into the

696
00:36:14,360 --> 00:36:17,480
Speaker 1: air and I'm saying it again, what happens during those

697
00:36:17,520 --> 00:36:19,920
Speaker 1: other songs? You know what I mean? Like what happens

698
00:36:19,960 --> 00:36:21,080
Speaker 1: during Don't let Me Get Me.

699
00:36:21,680 --> 00:36:26,360
Speaker 2: This woman has been on the silks, swinging around the

700
00:36:26,440 --> 00:36:30,719
Speaker 2: vines of every stadium in this country and world of ours.

701
00:36:31,200 --> 00:36:33,280
Speaker 2: I trust her, she knows what she's doing.

702
00:36:33,640 --> 00:36:36,919
Speaker 1: She's just I read an article after watching that video

703
00:36:36,960 --> 00:36:40,520
Speaker 1: where she said that ariieal stunts keep her humble and said, quote,

704
00:36:40,680 --> 00:36:42,640
Speaker 1: why would I stay on the ground if I don't

705
00:36:42,640 --> 00:36:46,680
Speaker 1: have to? That is an amazing question. Think why would

706
00:36:46,760 --> 00:36:48,440
Speaker 1: I stay on the ground if I don't have to?

707
00:36:48,840 --> 00:36:52,479
Speaker 1: That's actually a really culture number eighty eight. Why would

708
00:36:52,520 --> 00:36:54,640
Speaker 1: I stay on the ground if I don't have to?

709
00:36:55,000 --> 00:36:56,240
Speaker 1: That's an amazing question.

710
00:36:56,880 --> 00:37:01,640
Speaker 2: I don't disagree. Like, this woman wants to feel weightless,

711
00:37:02,640 --> 00:37:04,320
Speaker 2: and she wants us to feel weightless.

712
00:37:04,560 --> 00:37:04,640
Speaker 1: Like.

713
00:37:04,680 --> 00:37:07,400
Speaker 2: The reason that video is getting so much play of

714
00:37:07,640 --> 00:37:10,960
Speaker 2: being like rocketed into the audience is because not a

715
00:37:11,000 --> 00:37:13,680
Speaker 2: single singer is gonna do that.

716
00:37:14,120 --> 00:37:16,719
Speaker 1: I think, can I be honest with you, and I'm

717
00:37:16,760 --> 00:37:19,399
Speaker 1: gonna be really honest with you. I can see one

718
00:37:19,520 --> 00:37:24,120
Speaker 1: doing it, and her name is Halsey. I can see

719
00:37:24,160 --> 00:37:28,200
Speaker 1: Halsey getting into an era where she's shooting through the air, right.

720
00:37:28,280 --> 00:37:31,719
Speaker 2: But Halsey certainly doesn't have songs that warrant that.

721
00:37:31,760 --> 00:37:36,560
Speaker 1: Either I would say, hey, listen, queen, not yet, not

722
00:37:36,640 --> 00:37:38,520
Speaker 1: yet coming back hard.

723
00:37:38,640 --> 00:37:42,040
Speaker 2: Oh the last Hallsey album was a fucking work of art.

724
00:37:42,360 --> 00:37:44,239
Speaker 1: You know that her country song is one of the

725
00:37:44,280 --> 00:37:45,319
Speaker 1: songs that gets the most play.

726
00:37:45,400 --> 00:37:48,839
Speaker 2: You should be said, yeah, so I'm not a woman,

727
00:37:48,880 --> 00:37:53,200
Speaker 2: I'm a god, so so so so good. But anyway,

728
00:37:54,360 --> 00:37:58,479
Speaker 2: Pink is back and she's been like like the last album,

729
00:37:58,480 --> 00:37:59,320
Speaker 2: we got a lot of play.

730
00:37:59,400 --> 00:38:03,560
Speaker 1: I think, I mean, Pink never really left. Here's the thing.

731
00:38:03,840 --> 00:38:07,520
Speaker 1: Pink is back, but she never really left. That's a

732
00:38:07,560 --> 00:38:10,440
Speaker 1: real culture number fifty. Pink is back, but she never

733
00:38:10,480 --> 00:38:11,600
Speaker 1: really never really left.

734
00:38:11,640 --> 00:38:13,879
Speaker 2: Wait, did Pink win the tricon word? No Pink one

735
00:38:13,960 --> 00:38:14,640
Speaker 2: video game guard?

736
00:38:15,000 --> 00:38:15,880
Speaker 1: What's a tricon?

737
00:38:16,360 --> 00:38:20,600
Speaker 2: Tricon is one of the tricons? Me on Fire Island, honey,

738
00:38:20,880 --> 00:38:21,520
Speaker 2: what does that mean?

739
00:38:22,000 --> 00:38:23,560
Speaker 1: I don't know. I was just doing like an old

740
00:38:23,600 --> 00:38:27,560
Speaker 1: gay joke. Try con tri coon. That sounds like me.

741
00:38:27,680 --> 00:38:31,680
Speaker 2: In the Springs, Yeah, yeah, in the Springs, you know

742
00:38:31,800 --> 00:38:34,440
Speaker 2: the Springs, Disney Springs.

743
00:38:43,560 --> 00:38:45,959
Speaker 1: Oh my god. Patrick got back from Iceland and said

744
00:38:45,960 --> 00:38:48,040
Speaker 1: that everywhere is a sauna there.

745
00:38:48,440 --> 00:38:49,320
Speaker 2: The vibe is sauna.

746
00:38:49,840 --> 00:38:51,879
Speaker 1: Oh my god. They said they had the most incredible time,

747
00:38:51,880 --> 00:38:54,640
Speaker 1: and then I thought we must return because you also

748
00:38:54,640 --> 00:38:55,719
Speaker 1: are one with Iceland.

749
00:38:56,120 --> 00:38:58,839
Speaker 2: Oh, I love it there, I love it.

750
00:38:58,880 --> 00:39:05,319
Speaker 1: They're so much Should we do Iceland New Year's one?

751
00:39:05,760 --> 00:39:08,680
Speaker 1: Would it be absolutely freezing?

752
00:39:09,400 --> 00:39:11,239
Speaker 2: Yes, but we'll be fine, like they know how to

753
00:39:11,280 --> 00:39:14,360
Speaker 2: keep like and those people can drink.

754
00:39:14,880 --> 00:39:17,719
Speaker 1: Yes, this is what I want to do. We can

755
00:39:17,760 --> 00:39:19,719
Speaker 1: get people on board to do this, We really could.

756
00:39:20,080 --> 00:39:23,279
Speaker 2: The hotels are really nice, the spas are stunning. Oh

757
00:39:23,320 --> 00:39:25,920
Speaker 2: my god, we have to go. We have to go.

758
00:39:26,680 --> 00:39:29,680
Speaker 1: I mean, I'm so attracted to the idea of constant daylight,

759
00:39:29,840 --> 00:39:31,680
Speaker 1: but I guess by that time it'll be constant No.

760
00:39:31,920 --> 00:39:34,520
Speaker 2: It'll be constant darkness. But that's kind of a vibe.

761
00:39:34,640 --> 00:39:37,359
Speaker 2: It's kind of a vibe for New Year's Eve.

762
00:39:37,760 --> 00:39:39,839
Speaker 1: Not no, not no, the.

763
00:39:39,840 --> 00:39:42,080
Speaker 2: Way we're thinking about him now.

764
00:39:42,600 --> 00:39:45,920
Speaker 1: We weren't thinking about it before, but we are thinking

765
00:39:45,960 --> 00:39:47,200
Speaker 1: about him now.

766
00:39:47,760 --> 00:39:52,359
Speaker 2: Who I would say, Matt Rogers is a student of

767
00:39:52,560 --> 00:39:55,359
Speaker 2: If any one person is going to occupy everything, it's

768
00:39:55,400 --> 00:39:56,080
Speaker 2: Matt Rogers.

769
00:39:56,920 --> 00:39:58,920
Speaker 1: What are you talking about? Everything?

770
00:39:59,719 --> 00:40:09,319
Speaker 2: You You are vocals, performance, comedy, absurdity, stupidity, intelligence, Christmas,

771
00:40:09,400 --> 00:40:12,880
Speaker 2: every other day of the year. You are everything. Mama,

772
00:40:13,640 --> 00:40:15,000
Speaker 2: I worship you.

773
00:40:15,000 --> 00:40:16,840
Speaker 1: You are the star of my world.

774
00:40:17,360 --> 00:40:19,640
Speaker 2: Now you I would kill for you.

775
00:40:19,480 --> 00:40:23,719
Speaker 1: Pointing at you, diva waiting at you. Get this screenshot.

776
00:40:23,760 --> 00:40:28,080
Speaker 1: This is the goddamn cover art. This time is the cover. Okay,

777
00:40:28,400 --> 00:40:29,919
Speaker 1: they got it, I think. I mean, if they didn't

778
00:40:29,960 --> 00:40:32,439
Speaker 1: get it, they're fucking fired. Can I say, if they

779
00:40:32,440 --> 00:40:37,000
Speaker 1: didn't get that, they are so fired? Honest has got it? Yeah,

780
00:40:37,600 --> 00:40:38,800
Speaker 1: by the skin of your teeth.

781
00:40:39,320 --> 00:40:40,719
Speaker 2: Damn right, you're right.

782
00:40:41,160 --> 00:40:42,120
Speaker 1: Fuck when they're right.

783
00:40:43,040 --> 00:40:45,160
Speaker 2: Anything else we have to discuss, girl.

784
00:40:45,280 --> 00:40:47,240
Speaker 1: I guess I'll just briefly touch on this. Or should

785
00:40:47,239 --> 00:40:49,120
Speaker 1: I do? I don't think so, honey. Maybe I'll do.

786
00:40:49,160 --> 00:40:53,000
Speaker 1: I don't think so honey. The big news, I don't

787
00:40:53,040 --> 00:40:55,440
Speaker 1: know what you're referring to, but well you'll know the

788
00:40:55,440 --> 00:40:57,719
Speaker 1: second I started saying it. This is I don't think money,

789
00:40:57,760 --> 00:41:00,239
Speaker 1: the Star sixty second second where we drag read, go

790
00:41:00,400 --> 00:41:03,799
Speaker 1: off and more. In culture, this.

791
00:41:03,800 --> 00:41:06,080
Speaker 2: Is Matt Rodgers. I don't think Sony as time starts.

792
00:41:05,719 --> 00:41:07,799
Speaker 1: Now, I don't think so honey, that I love that

793
00:41:07,880 --> 00:41:12,960
Speaker 1: for you is canceled. This bring it back, Someone bring

794
00:41:13,000 --> 00:41:17,520
Speaker 1: it back. This deserves a second season. And I'm not

795
00:41:17,640 --> 00:41:20,000
Speaker 1: just being selfish about it. No, it deserves a second

796
00:41:20,000 --> 00:41:23,560
Speaker 1: season because I need it. We love the show. It

797
00:41:23,680 --> 00:41:26,760
Speaker 1: deserves to go on. This is stupid. It was warmly

798
00:41:26,800 --> 00:41:29,120
Speaker 1: received and got a lot more fans as it went.

799
00:41:29,719 --> 00:41:32,719
Speaker 1: We need revival for I love that for you. I

800
00:41:32,719 --> 00:41:37,280
Speaker 1: am calling for it. I am on the show now loud.

801
00:41:37,360 --> 00:41:41,840
Speaker 1: I'm quiet, I'm getting loud. We need this show still

802
00:41:42,120 --> 00:41:47,120
Speaker 1: on the air. Do it, put it on Netflix. Peacock,

803
00:41:47,600 --> 00:41:50,319
Speaker 1: where are you now after all the support that I've

804
00:41:50,320 --> 00:41:55,280
Speaker 1: given you seconds, Peacock, Oh, don't make me storm the halls.

805
00:41:55,320 --> 00:42:01,680
Speaker 1: Somebody better get to it. Keep me working, Keep Vanessa slaying,

806
00:42:02,080 --> 00:42:07,239
Speaker 1: keep Molly slaying, keep Jennifer Lewis saying, I love that

807
00:42:07,440 --> 00:42:09,520
Speaker 1: for you. I don't think so, honey.

808
00:42:10,040 --> 00:42:15,160
Speaker 2: That's one minute. I need to say something right now, Peacock.

809
00:42:15,880 --> 00:42:18,000
Speaker 2: If you don't pick up I love that for you,

810
00:42:18,320 --> 00:42:21,280
Speaker 2: I'm never ever, ever shilling for you again.

811
00:42:21,360 --> 00:42:25,920
Speaker 1: I'm never get it together. Somebody better get it together. Look,

812
00:42:25,960 --> 00:42:27,879
Speaker 1: if it's not them, I won't be angry at them,

813
00:42:28,120 --> 00:42:31,600
Speaker 1: but I'm saying, somebody better scoop it up or else

814
00:42:31,640 --> 00:42:33,560
Speaker 1: it's gonna be war, and it's let me tell you

815
00:42:33,600 --> 00:42:37,480
Speaker 1: something right now, I am ready fight. It's war at

816
00:42:37,480 --> 00:42:38,359
Speaker 1: this point.

817
00:42:38,320 --> 00:42:43,160
Speaker 2: This is war, and the roots of the grass are

818
00:42:43,239 --> 00:42:47,000
Speaker 2: firmly planted in this movement. Okay, do you.

819
00:42:47,080 --> 00:42:50,759
Speaker 1: Hear me, make noise, get to the streets, get your

820
00:42:50,800 --> 00:42:52,160
Speaker 1: pitchforks lipped.

821
00:42:52,600 --> 00:42:58,360
Speaker 2: Okay, Mi girl giving you iconography week after week, dressed

822
00:42:58,360 --> 00:43:02,680
Speaker 2: in the tightest, most well fitted suits you can possibly

823
00:43:02,680 --> 00:43:03,640
Speaker 2: see on television.

824
00:43:03,680 --> 00:43:06,680
Speaker 1: I'm not even gonna say no, You're fucking right.

825
00:43:07,080 --> 00:43:10,400
Speaker 2: Murray Bartlett found Dead was iconic in that show?

826
00:43:10,920 --> 00:43:11,719
Speaker 1: You really were?

827
00:43:11,960 --> 00:43:14,600
Speaker 2: I look at me. You were iconic on that show.

828
00:43:14,719 --> 00:43:17,560
Speaker 1: I was iconic in that show. I deserve to do more.

829
00:43:18,800 --> 00:43:21,880
Speaker 1: Bring it back. You hear my voice, don't laugh, don't laugh.

830
00:43:22,160 --> 00:43:23,359
Speaker 2: You do deserve to do more.

831
00:43:23,680 --> 00:43:27,560
Speaker 1: I bring it back and producer Anosaurus. The discourse is toxic.

832
00:43:27,640 --> 00:43:29,880
Speaker 2: Oh no, no, no, the discourse isn't toxic enough. We

833
00:43:29,920 --> 00:43:32,759
Speaker 2: need to make it. We need to add poison to

834
00:43:32,840 --> 00:43:37,600
Speaker 2: the well. Because ladies scare these people like you want

835
00:43:37,600 --> 00:43:39,200
Speaker 2: to cancel. I love that for you.

836
00:43:39,480 --> 00:43:40,080
Speaker 1: This is war.

837
00:43:40,480 --> 00:43:41,120
Speaker 2: This is war.

838
00:43:42,040 --> 00:43:44,200
Speaker 1: I'm not taking this one laying down. I'm not taking

839
00:43:44,200 --> 00:43:45,879
Speaker 1: this one laying down. I'm not taking this one link

840
00:43:45,920 --> 00:43:47,920
Speaker 1: down like I took Game Show. I'm not taking this

841
00:43:47,920 --> 00:43:49,520
Speaker 1: one laying down like I took hot dog. I'm not

842
00:43:49,520 --> 00:43:52,160
Speaker 1: taking this one lying down. I'm dying for this one.

843
00:43:52,360 --> 00:43:55,480
Speaker 2: I'm throwing myself on the tracks with the ship.

844
00:43:56,000 --> 00:43:57,400
Speaker 1: Revive it now.

845
00:43:57,400 --> 00:43:57,880
Speaker 2: Revive it.

846
00:44:01,680 --> 00:44:04,320
Speaker 1: Okay, Okay, Queena, are you ready?

847
00:44:04,560 --> 00:44:06,000
Speaker 2: I'm ready.

848
00:44:06,040 --> 00:44:10,839
Speaker 1: This is the moment you've been waiting for. This is

849
00:44:10,920 --> 00:44:12,879
Speaker 1: the moment when Bowen Yang dost is. I don't think

850
00:44:12,920 --> 00:44:15,040
Speaker 1: so honey, and his time starts now.

851
00:44:15,400 --> 00:44:19,480
Speaker 2: I don't think so honey. Carpeted gay clubs? What are

852
00:44:19,520 --> 00:44:22,440
Speaker 2: you doing? I had to think to myself. I went,

853
00:44:22,520 --> 00:44:24,160
Speaker 2: I haven't been back to la in like a year.

854
00:44:24,280 --> 00:44:27,360
Speaker 2: I wonder why. I guess it's because I've been working

855
00:44:27,520 --> 00:44:31,440
Speaker 2: in other places. I guess it's because my two friend

856
00:44:31,600 --> 00:44:33,840
Speaker 2: is by coastal right now. But then I went, oh, no,

857
00:44:33,960 --> 00:44:37,160
Speaker 2: I know why. It's because fucking app bar has carpet.

858
00:44:38,200 --> 00:44:41,360
Speaker 2: I say, no, you can't have You can't have a

859
00:44:41,400 --> 00:44:45,960
Speaker 2: party called Bears in space and then also have carpet.

860
00:44:45,960 --> 00:44:50,560
Speaker 2: It's too much, too much, quirky on quirky. Okay, you

861
00:44:50,600 --> 00:44:54,840
Speaker 2: can't do it. I can't handle it. Okay, what is this?

862
00:44:55,320 --> 00:44:56,920
Speaker 2: What do you think you are? The Tower of terror?

863
00:44:57,200 --> 00:45:00,960
Speaker 2: Get the carpet out, fift The only reason you should

864
00:45:00,960 --> 00:45:03,799
Speaker 2: have carpet is if you're a grandmother, your grandmother, there's

865
00:45:03,840 --> 00:45:07,719
Speaker 2: neighbors that there's neighbors downstairs who don't want to hear

866
00:45:07,719 --> 00:45:10,880
Speaker 2: the footsteps. You know, if you're the Tower of Terror,

867
00:45:11,760 --> 00:45:16,279
Speaker 2: which by the way, is at risk for being destroyed.

868
00:45:16,000 --> 00:45:20,280
Speaker 1: And that's what is it? Actually at risk for being destroyed?

869
00:45:20,320 --> 00:45:20,680
Speaker 1: You feel?

870
00:45:20,719 --> 00:45:22,759
Speaker 2: I feel like it is. I feel like there are

871
00:45:22,800 --> 00:45:26,640
Speaker 2: movements happening to make sure that it is preserved in Orlando, listen,

872
00:45:26,840 --> 00:45:30,000
Speaker 2: really think it's it's on the chopping block, and some

873
00:45:30,040 --> 00:45:32,440
Speaker 2: people out there will not have it, including me and you.

874
00:45:32,800 --> 00:45:35,040
Speaker 1: We will fight like you're going to cancel the Tower

875
00:45:35,040 --> 00:45:37,680
Speaker 1: of Terror like you canceled. I love that this is war.

876
00:45:37,960 --> 00:45:39,800
Speaker 1: This is what's actually warm.

877
00:45:39,840 --> 00:45:42,920
Speaker 2: I am my fair and though here's the thing, I

878
00:45:42,960 --> 00:45:45,400
Speaker 2: love Actbar, I actually love actpar Can. I just be

879
00:45:45,480 --> 00:45:48,320
Speaker 2: clear to everyone who has a stake in that place

880
00:45:48,480 --> 00:45:50,920
Speaker 2: loves going there. I I'm with you, but I go

881
00:45:51,239 --> 00:45:52,880
Speaker 2: sometimes I go, why is their carpet?

882
00:45:53,040 --> 00:45:55,480
Speaker 1: I had so much fun there this weekend and I

883
00:45:55,560 --> 00:45:58,560
Speaker 1: just have to say that La Pride Weekend at Acbar

884
00:45:58,800 --> 00:46:01,640
Speaker 1: was a moment bears in space. I love and I

885
00:46:01,680 --> 00:46:05,560
Speaker 1: went there after Saturday's La Pride to debrief Mariah, and

886
00:46:05,560 --> 00:46:08,360
Speaker 1: that was really fun. The dance floor was actually going off,

887
00:46:09,239 --> 00:46:11,719
Speaker 1: and that is the part of the place that's not carpeted.

888
00:46:12,280 --> 00:46:14,960
Speaker 1: So you know, here's the thing. I do think that

889
00:46:15,080 --> 00:46:18,239
Speaker 1: the carpeting and acbar like adds to its charm. That's

890
00:46:18,280 --> 00:46:22,520
Speaker 1: sort of like den feel. I feel like the carpeting

891
00:46:22,600 --> 00:46:23,799
Speaker 1: it's really helping me with that.

892
00:46:24,440 --> 00:46:26,640
Speaker 2: I think it's like take one thing off before you

893
00:46:26,719 --> 00:46:29,799
Speaker 2: leave the house. I think I think the lighting is

894
00:46:30,239 --> 00:46:34,000
Speaker 2: a plus, the decor on the wall a plus. Everything

895
00:46:34,040 --> 00:46:37,720
Speaker 2: about it is perfect. There are things that cling cling

896
00:46:37,760 --> 00:46:41,640
Speaker 2: on the rugs, on the carpets. It's just a little

897
00:46:41,640 --> 00:46:44,000
Speaker 2: bit more hygienic of an experience if you just take

898
00:46:44,040 --> 00:46:44,359
Speaker 2: it out.

899
00:46:44,560 --> 00:46:46,960
Speaker 1: I hear you, I he That's why I kind of

900
00:46:46,960 --> 00:46:49,600
Speaker 1: like going during the week sometimes because then it's like

901
00:46:50,160 --> 00:46:52,719
Speaker 1: we're cozy vibes and we're not noticing that like things

902
00:46:52,719 --> 00:46:53,320
Speaker 1: are spilling.

903
00:46:53,880 --> 00:46:57,839
Speaker 2: Yeah, but things spill, but you notice that things are

904
00:46:57,880 --> 00:47:02,000
Speaker 2: spilling on the weekend because it happens it's a rug.

905
00:47:02,680 --> 00:47:05,040
Speaker 2: When I was growing up, my sister and I thought

906
00:47:05,160 --> 00:47:08,480
Speaker 2: our heads would get cut off because she was painting

907
00:47:08,480 --> 00:47:10,800
Speaker 2: her toenails in the bathroom and I knocked over the

908
00:47:10,880 --> 00:47:12,640
Speaker 2: nail polish and it went on the rug and we

909
00:47:12,680 --> 00:47:16,040
Speaker 2: had to take bleach and scrub it away before our

910
00:47:16,080 --> 00:47:18,640
Speaker 2: parents got home, and they still noticed. It is the

911
00:47:18,640 --> 00:47:21,880
Speaker 2: most stressful situation in the world to have liquid on carpet,

912
00:47:22,040 --> 00:47:25,080
Speaker 2: and you're inviting that to happen every two minutes.

913
00:47:25,600 --> 00:47:28,719
Speaker 1: I mean literally, Mother. Where I sit and where I

914
00:47:28,760 --> 00:47:30,960
Speaker 1: look at you week in and week out on this

915
00:47:31,040 --> 00:47:33,879
Speaker 1: podcast is also where I sit and work. And I

916
00:47:33,920 --> 00:47:37,480
Speaker 1: am sitting on a couch that is placed on a carpet.

917
00:47:37,760 --> 00:47:38,719
Speaker 2: Is your apartment a gay bar?

918
00:47:38,920 --> 00:47:40,680
Speaker 1: No, I'm not saying that, but I am saying I'm

919
00:47:40,719 --> 00:47:43,480
Speaker 1: identifying with the spills on carpets because I have to

920
00:47:43,480 --> 00:47:46,319
Speaker 1: tell you, I say, your eyes sometimes dring coffee, and

921
00:47:46,360 --> 00:47:48,560
Speaker 1: there was a day I did spill a hot coffee

922
00:47:48,800 --> 00:47:52,680
Speaker 1: all over this carpet. So I'm sitting on top of

923
00:47:52,719 --> 00:47:57,879
Speaker 1: a very stained carpet and I don't like it one bit.

924
00:47:58,320 --> 00:48:03,080
Speaker 2: Unseemly, unseemly, And I hope you never have every king

925
00:48:03,920 --> 00:48:08,920
Speaker 2: in the East Side scene of gay night life at

926
00:48:08,920 --> 00:48:13,680
Speaker 2: your apartment, because guess what, they're all there at acbar

927
00:48:14,840 --> 00:48:16,080
Speaker 2: looking at stains so.

928
00:48:16,200 --> 00:48:20,279
Speaker 1: True and feel it at home here to all the

929
00:48:20,320 --> 00:48:26,719
Speaker 1: East gays of La come over over see my stain. Now.

930
00:48:26,719 --> 00:48:28,719
Speaker 2: I do love acbar very dear.

931
00:48:28,880 --> 00:48:31,040
Speaker 1: It was so fun this weekend I had. I had

932
00:48:31,040 --> 00:48:34,040
Speaker 1: a blast La pride, except from having an STI that

933
00:48:34,080 --> 00:48:36,360
Speaker 1: I'm recovering from. And we need to call them sdis.

934
00:48:36,480 --> 00:48:37,960
Speaker 2: We need to call them sdis. But I think this

935
00:48:38,000 --> 00:48:39,600
Speaker 2: is a great outcome because you were worried for a

936
00:48:39,600 --> 00:48:41,160
Speaker 2: second that you were gonna be able to go and

937
00:48:41,200 --> 00:48:44,319
Speaker 2: partake in the festivities. And I'm really happy that you did.

938
00:48:44,600 --> 00:48:46,319
Speaker 2: Because I saw on stories, I was like, that's out.

939
00:48:46,800 --> 00:48:48,839
Speaker 1: Good for him. It took me a while to get there,

940
00:48:49,080 --> 00:48:52,160
Speaker 1: but I got there, and I'm in treatment. I'm in treatment.

941
00:48:53,200 --> 00:48:56,240
Speaker 1: I had to enter treatment as a result of my std.

942
00:48:55,880 --> 00:48:58,040
Speaker 2: I in treatment. Storry uzo.

943
00:48:58,520 --> 00:49:00,759
Speaker 1: Okay, Well, was I too hard the Mariah thing of

944
00:49:00,760 --> 00:49:03,000
Speaker 1: it all? No, I just wanted to be honest. Good.

945
00:49:03,880 --> 00:49:05,319
Speaker 2: We need to be honest on the.

946
00:49:05,520 --> 00:49:08,360
Speaker 1: Yeah, just looked like she looked nervous.

947
00:49:08,560 --> 00:49:11,120
Speaker 2: People on the Reddit where I'm commenting on us not

948
00:49:11,160 --> 00:49:12,600
Speaker 2: commenting on the Matti heelia of at all.

949
00:49:12,719 --> 00:49:13,960
Speaker 1: Oh, I'm happy they broke up.

950
00:49:14,040 --> 00:49:15,880
Speaker 2: Well now people are saying that they might not have

951
00:49:15,920 --> 00:49:18,160
Speaker 2: any just kind of tree pain and just kind of

952
00:49:18,160 --> 00:49:19,680
Speaker 2: put that out there in order to keep it underground

953
00:49:19,719 --> 00:49:21,839
Speaker 2: so that people could stop making a big fuss out

954
00:49:21,880 --> 00:49:22,120
Speaker 2: of it.

955
00:49:22,480 --> 00:49:25,279
Speaker 1: Mmmm. I mean, I gotta say, I don't enjoy him.

956
00:49:25,560 --> 00:49:28,880
Speaker 2: I just I'm disappointed that like edge lords are winning

957
00:49:29,080 --> 00:49:29,719
Speaker 2: with this one.

958
00:49:30,320 --> 00:49:36,319
Speaker 1: You know, edge Lords, You'll never win because I have

959
00:49:36,520 --> 00:49:40,080
Speaker 1: to come. Okay, I'm saying it again. Edge lords will

960
00:49:40,080 --> 00:49:42,680
Speaker 1: never win because I have to come. That's I rule

961
00:49:42,800 --> 00:49:46,919
Speaker 1: killed your number two. Edge Lords will never ever win

962
00:49:47,560 --> 00:49:50,399
Speaker 1: because I have to come underline that have to.

963
00:49:50,880 --> 00:49:54,400
Speaker 2: Also, I'm sorry. It doesn't matter who you are, what

964
00:49:54,560 --> 00:49:58,239
Speaker 2: gender you are, what your occupation is. If your thing

965
00:49:58,440 --> 00:50:02,640
Speaker 2: is like you stick your to down people's throats like strangers,

966
00:50:03,480 --> 00:50:07,200
Speaker 2: you're fucking corny. That's so stupid. I did that when

967
00:50:07,239 --> 00:50:08,080
Speaker 2: I was four.

968
00:50:08,400 --> 00:50:10,440
Speaker 1: Yeah. It's kind of like loser behavior, you know what

969
00:50:10,480 --> 00:50:14,000
Speaker 1: I mean. It's kind of like it's my least favorite

970
00:50:14,040 --> 00:50:16,920
Speaker 1: sense of humor, which is you know what I mean,

971
00:50:18,200 --> 00:50:22,600
Speaker 1: I hate or horror horror, horror humor. Like some some

972
00:50:22,680 --> 00:50:26,040
Speaker 1: people on Twitter get corny and they get her with

973
00:50:26,080 --> 00:50:28,000
Speaker 1: their jokes, and I'm just you know what I'm saying,

974
00:50:28,800 --> 00:50:31,719
Speaker 1: like easy jokes, like a stupid shit like oh we

975
00:50:31,840 --> 00:50:33,399
Speaker 1: kissed and it's funny, you know what I mean.

976
00:50:33,440 --> 00:50:37,600
Speaker 2: It's not or more like shut up, shut up, shut up,

977
00:50:37,600 --> 00:50:38,719
Speaker 2: shut up, fuck.

978
00:50:38,640 --> 00:50:44,759
Speaker 1: Exactly that four times. Guys. We're so excited for this

979
00:50:44,840 --> 00:50:48,239
Speaker 1: weekend's Culture Awards. As you can see, we are in

980
00:50:48,960 --> 00:50:53,560
Speaker 1: dropped in rare form, ready to host. We're hosting last

981
00:50:53,560 --> 00:50:54,560
Speaker 1: culture we can host.

982
00:50:56,360 --> 00:50:58,720
Speaker 2: That's not easy humor, no.

983
00:51:00,719 --> 00:51:04,520
Speaker 1: As high concept as you can get. And there's more

984
00:51:04,520 --> 00:51:08,279
Speaker 1: of that coming this weekend. See you there, see you there.

985
00:51:08,480 --> 00:51:11,719
Speaker 1: And maybe to do our song that we go out with,

986
00:51:11,760 --> 00:51:13,799
Speaker 1: which we go out with a song every week. We

987
00:51:13,840 --> 00:51:17,920
Speaker 1: should practice for the opening number. Remember you have to

988
00:51:17,960 --> 00:51:28,360
Speaker 1: all get off book seven days and sevens the world run,

989
00:51:29,680 --> 00:51:42,480
Speaker 1: Happy World one. Yeah, see there, see you said.

990
00:51:43,280 --> 00:51:44,400
Speaker 2: It'll be nice to remember