WEBVTT - John Paycheck on Legacy, Lyrics and Life

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<v Speaker 1>Taking a Walk.

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<v Speaker 2>Yeah, I could go out and new solo acs and

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<v Speaker 2>just play acoustic guitar, but there's so much more energy.

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<v Speaker 2>It's so much more fun and for me and for

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<v Speaker 2>the listener to have that big band there is right.

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<v Speaker 2>It's the same reason why I won't compromise, and I

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<v Speaker 2>don't like not having a steel guitar and not having

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<v Speaker 2>a fiddle.

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<v Speaker 3>I want both of those in my music.

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<v Speaker 1>Welcome to the Taking a Walk Podcast, where we stroll

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<v Speaker 1>through the stories, the sounds, and the soul of music

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<v Speaker 1>with the people who make it matter. Buzznight is your host,

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<v Speaker 1>and today he's got a very special guest joining us,

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<v Speaker 1>someone who carries both the weight of a legendary name

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<v Speaker 1>and the drive to carve out his own place in

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<v Speaker 1>country music. John Paycheck grew up backstage and on the road,

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<v Speaker 1>soaking up the sights and the sounds of country music

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<v Speaker 1>alongside his father, the iconic Johnny Paycheck. But John isn't

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<v Speaker 1>just walking in his father's footsteps. He's blazing his own trail,

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<v Speaker 1>blending tradition with a fresh perspective and a powerful On

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<v Speaker 1>this episode, we'll talk about what it was like growing

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<v Speaker 1>up in a musical family. The lessons learned from life

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<v Speaker 1>on tour and the challenges and triumphs of building a

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<v Speaker 1>career in today's music industry. Will dive into his songwriting

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<v Speaker 1>and the process, and his new album More Days Behind,

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<v Speaker 1>and the stories that have shaped his journey. So lace

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<v Speaker 1>up your boots and join us for a walk with

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<v Speaker 1>John Paycheck on the Taking a Walk Podcast with Buzz Night.

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<v Speaker 4>Well, John Paycheck, Welcome to the Taking a Walk Podcast.

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<v Speaker 3>Thank you for having me.

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<v Speaker 4>So, since we do call this podcast taking a Walk,

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<v Speaker 4>I wanted to ask you if you could take a

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<v Speaker 4>walk with somebody living or dead, somebody involved with music

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<v Speaker 4>but doesn't have to be up to you. Who would

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<v Speaker 4>it be and where would you take a walk with him?

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<v Speaker 2>John Boy, I'll tell you that's an interesting one because

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<v Speaker 2>I've got so many assets to my life. There'd be

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<v Speaker 2>people in the military, like people from history that would

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<v Speaker 2>be interesting. But since we're talking about music, I gotta

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<v Speaker 2>say this is going to be probably a ridiculous well

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<v Speaker 2>not a ridiculous answer, but a lame answer, I guess.

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<v Speaker 2>But it probably would be my dad again. And the

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<v Speaker 2>reason being is I wasn't in music when he was alive,

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<v Speaker 2>and I learned a lot from him. But there are

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<v Speaker 2>so many questions I have now and things that I

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<v Speaker 2>would like to talk to him about now. That that

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<v Speaker 2>would be. That would be really cool, is to be

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<v Speaker 2>able to just walk with him one more time and

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<v Speaker 2>talk with him, ask him all these questions and things

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<v Speaker 2>that I have now you know again, And that's also

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<v Speaker 2>kind of a I guess that's kind of a rite

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<v Speaker 2>of passage to as an adult.

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<v Speaker 3>You know, you lose your parents eventually, and you.

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<v Speaker 2>Have a lot of things you wish you would have

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<v Speaker 2>asked and said and done, but you know, now we're

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<v Speaker 2>here and you're you're an orphan once again. But yeah, no,

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<v Speaker 2>it's uh that that I think that would probably be.

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<v Speaker 2>That's the first person that came to mind.

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<v Speaker 4>John. There's nothing lame about it, and I sometimes try

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<v Speaker 4>to guess in my own head what the individual might answer. Yeah,

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<v Speaker 4>so it's your answer. It's your life and it's your

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<v Speaker 4>pop So nothing lame about it, sir.

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<v Speaker 2>It'd be interesting if some of somebody living, that would

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<v Speaker 2>be interesting. It would probably I'd love to talk because

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<v Speaker 2>I admire how he does business and how he has

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<v Speaker 2>managed his life. Is George Strait that would be somebody

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<v Speaker 2>I would like to talk to about just how they've

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<v Speaker 2>done things and why they've done things a certain way

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<v Speaker 2>as far as just uh managing well, heck, managing their

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<v Speaker 2>life and everything too, because uh, yeah, I admire the

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<v Speaker 2>way he's kept on the good side of things as

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<v Speaker 2>far as I can see, you know what I mean.

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<v Speaker 2>And he's been very very responsible. Just seems like a

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<v Speaker 2>down to earth, really really good person.

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<v Speaker 4>So yeah, and has figured out too, in an ever

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<v Speaker 4>changing ecosystem, how to you know, stay true to his core,

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<v Speaker 4>but also how to you know, evolve as well.

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<v Speaker 3>Yeah, hundred percent, Yeah, he really has.

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<v Speaker 4>So talk about your military history and and then maybe

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<v Speaker 4>bring it full circle into some of what that has

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<v Speaker 4>taught you to this day around being you know an artist.

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<v Speaker 2>Yeah, well, I started out really in the fire service

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<v Speaker 2>as a firefighter, and that was my first experience with

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<v Speaker 2>an organization with that military feel. Right when in after

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<v Speaker 2>a while I got that calling to go serve and

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<v Speaker 2>kind of stemmed from my grandfather really but greatest generation

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<v Speaker 2>it was nine to eleven kind of tipped it off

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<v Speaker 2>for me to finally just push the button and go.

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<v Speaker 2>And yeah, served started out with a heavy armor unit

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<v Speaker 2>with Abrams tanks. Was there for a short while and

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<v Speaker 2>then commissioned, became commissioned officer and went into aviation, well

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<v Speaker 2>intelligence first, then in aviation, then intelligence aviation, and then

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<v Speaker 2>finally ended up with where I'm at now, which is

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<v Speaker 2>back in intelligence. But flew Blackhawks, was with an assault unit,

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<v Speaker 2>flew Kiawa Warrior, flew the C twelve, which is a

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<v Speaker 2>fixed wing aircraft King Air. It's a King Air, two

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<v Speaker 2>props and everything going out, looking at doing circles and

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<v Speaker 2>looking at bad guys and tell them where the tell

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<v Speaker 2>them the good guys where the bad guys are. All

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<v Speaker 2>that kind of stuff, collecting information at all. How did

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<v Speaker 2>you get back to music? Well, I had gotten to

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<v Speaker 2>a point where the it's it's a regimented life to

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<v Speaker 2>a degree within the army, and it's it's, uh, you're

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<v Speaker 2>you're told what to do, but you're also doing things

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<v Speaker 2>on your own as well, and there's some creativity there,

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<v Speaker 2>but it's not the same type of creativity.

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<v Speaker 3>It's not the artistic creativity. And I missed that.

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<v Speaker 2>I had gone to an opening at the Country Music

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<v Speaker 2>Hall of Fame and it was an outlaw exhibit they

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<v Speaker 2>were doing, and had met up with a bunch of

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<v Speaker 2>people that I hadn't seen in a long time.

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<v Speaker 3>Shooter.

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<v Speaker 2>Shooter Jennings was one of them, Tyler Coe and met

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<v Speaker 2>up with them afterwards, was talking with them, and I

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<v Speaker 2>missed that camaraderie, that type of camaraderie. I missed the

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<v Speaker 2>music business a little, not the business, but more of

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<v Speaker 2>the art. And uh, yeah, it kind of steered me

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<v Speaker 2>back to doing this and here I am back to

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<v Speaker 2>doing music and back to touring and creating, creating albums

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<v Speaker 2>and everything else. Which, yeah, it's been fun, it's been interesting,

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<v Speaker 2>and uh, we're trying to make a run of it

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<v Speaker 2>as far as as far as we can.

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<v Speaker 4>I guess when you talk to somebody like a Shooter Jennings,

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<v Speaker 4>who obviously, like you, comes from a household that was

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<v Speaker 4>a music household, any similarities to his journey to yours

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<v Speaker 4>as you have gotten to know him.

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<v Speaker 3>Yeah, Yeah, me and Shooter we have there's a lot

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<v Speaker 3>of similarities. Honestly.

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<v Speaker 2>I mean I remember being around him when I was

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<v Speaker 2>much much younger.

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<v Speaker 3>We were both young.

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<v Speaker 2>But yeah, I mean, your parents are gone all the time,

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<v Speaker 2>you kind of learned to grow up a little, a

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<v Speaker 2>little earlier than than most. I'm from that generation too,

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<v Speaker 2>where we were you know, latchkey kids. So a lot

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<v Speaker 2>of us grew up a little quicker than most. So

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<v Speaker 2>there's there's that, but uh yeah, no, we uh there's

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<v Speaker 2>some chaos in the household too that we all have.

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<v Speaker 3>That's similar.

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<v Speaker 2>Me and Tyler have a lot of similarities as well,

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<v Speaker 2>growing up, just with some of the craziness. Uh Waylan

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<v Speaker 2>didn't didn't stray too far from from acting like a

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<v Speaker 2>country singer.

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<v Speaker 3>And Dad did.

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<v Speaker 2>Dad kind of went off, kind of thought he was

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<v Speaker 2>a pirate there for a little while, you know, doing

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<v Speaker 2>just ridiculous things. But it was just part of that

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<v Speaker 2>time and who they were in the business and everything else.

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<v Speaker 2>But uh yeah, I mean there were times when bills

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<v Speaker 2>didn't get paid, a home and you didn't have electricity,

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<v Speaker 2>or you didn't you know, or you know, dad didn't

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<v Speaker 2>come home because he was you know, outroaring. But things

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<v Speaker 2>things happened. It just is what it is. And yeah, yeah,

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<v Speaker 2>you grow up with it, and yeah I learned to

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<v Speaker 2>accept it. But uh, me and me and Tyler probably

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<v Speaker 2>a little more similar, Me and Shooter as far as

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<v Speaker 2>the music stuff and being around you know, famous people

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<v Speaker 2>and all that. Yeah, we got that in common. Yeah,

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<v Speaker 2>and it's comforting too to be around somebody who gets it.

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<v Speaker 2>You know, there's a there's a club I guess you

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<v Speaker 2>could call it of us that that's just we all

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<v Speaker 2>identify really well and understand how how each other.

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<v Speaker 3>I will say this, there is a little bit.

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<v Speaker 2>There are some there's there's there's that culture, and then

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<v Speaker 2>there's two other types of cultures within this within the

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<v Speaker 2>music business. And then when you have the ultra ultra

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<v Speaker 2>ultra famous types and they were making millions of dollars,

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<v Speaker 2>that family is going to be a little bit different

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<v Speaker 2>than the ones that were going through hard times and

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<v Speaker 2>lost everything, and you know, so there's there's a little

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<v Speaker 2>bit of difference there, but not much, not much.

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<v Speaker 4>So growing up as the son of Johnny Paycheck that

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<v Speaker 4>can you describe the earliest memories of music in your

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<v Speaker 4>in your household?

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<v Speaker 2>With the earliest one I remembers, I was the heck,

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<v Speaker 2>I wasn't like, I wasn't even in kindergarten yet. Actually

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<v Speaker 2>even before that though, I actually thought about this for that,

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<v Speaker 2>I remember when I was just a little one, being

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<v Speaker 2>on the road and being on a tour bus and

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<v Speaker 2>things like that. I am that that definitely kind of

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<v Speaker 2>started shaping my.

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<v Speaker 3>View of the world a little bit.

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<v Speaker 2>But as far as music, it's it's funny because you

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<v Speaker 2>don't realize that your parents are famous until way later

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<v Speaker 2>in life. And uh, you don't realize just how influential

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<v Speaker 2>or how creative they were because they were just dad.

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<v Speaker 3>You know. It was that was dad. That was Dad's job.

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<v Speaker 3>That's what he did.

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<v Speaker 2>It was you know, he kind of thought at one point,

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<v Speaker 2>you think everybody does this, but it's yeah, it becomes

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<v Speaker 2>very evident later that that's that's.

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<v Speaker 3>Oh, no, he was. He was actually unique, you know.

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<v Speaker 2>But I remember when I was a little one, just

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<v Speaker 2>going and playing his guitar and playing with it and

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<v Speaker 2>you know, learning about it and things like that from

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<v Speaker 2>very very young age, even before I wasn't even in

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<v Speaker 2>like kindergarten. So but yeah, music was always always around

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<v Speaker 2>the house and Dad was always either writing or you know, resting.

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<v Speaker 3>So it was pretty much the way it was.

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<v Speaker 4>Because your dad was on the road, it's hunt, wasn't he.

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<v Speaker 2>Oh yeah, that was uh, that was pretty much what

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<v Speaker 2>he lived. He lived for touring and being out in

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<v Speaker 2>front of a crowd and entertaining. So and that was

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<v Speaker 2>also how he made an income, right, Mom didn't work.

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<v Speaker 2>She was a stay at home mom so or an

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<v Speaker 2>entertainer's wife. But uh yeah he was. He was always

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<v Speaker 2>on the road, always touring.

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<v Speaker 4>So yeah, so the pressure of living up to being

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<v Speaker 4>the might as well just get with it, right, being

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<v Speaker 4>the the the son of a thing and misperformer. How

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<v Speaker 4>have you dealt with that through your life?

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<v Speaker 3>Well?

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<v Speaker 2>It it didn't affect really much in the fire service

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<v Speaker 2>or in the in the military, besides some ribbing and

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<v Speaker 2>you know, just people being you know kind of like.

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<v Speaker 3>Whoa, really, that's that's who your dad is. Like, yeah, yeah,

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<v Speaker 3>that's that's it. And off we go, you know, just

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<v Speaker 3>doing whatever we do.

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<v Speaker 2>Now, coming back to music, I've had some critics that

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<v Speaker 2>have been a little harsh, Oh he's not like his father,

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<v Speaker 2>and it's like, well, no, no kidding, I'm not my father.

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<v Speaker 2>I was like, And for that critic who was writing

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<v Speaker 2>those comments, by the way, you're not Shakespeare either, so

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<v Speaker 2>I mean, what are you going to do?

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<v Speaker 3>You know, so, you know, comparing me to someone that.

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<v Speaker 2>Is was so so influential and such a great writer

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<v Speaker 2>and everything else, it's kind of it's a fool's errand

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<v Speaker 2>it doesn't make sense. It's you know, I stand on

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<v Speaker 2>my own merits and what I do, so judge me

0:12:59.559 --> 0:13:04.079
<v Speaker 2>for you know, the people that I am my peers now,

0:13:04.720 --> 0:13:08.560
<v Speaker 2>which would make sense because you know, who's judging anybody

0:13:08.559 --> 0:13:12.400
<v Speaker 2>against like George Jones or or you know, Johnny Paycheck

0:13:12.480 --> 0:13:16.760
<v Speaker 2>or Whalen or anybody that's kind of foolish and and

0:13:16.559 --> 0:13:18.959
<v Speaker 2>and for as great as they were, they were also

0:13:19.080 --> 0:13:21.839
<v Speaker 2>just human as well, and they were just doing what

0:13:21.920 --> 0:13:25.920
<v Speaker 2>they could, you know. So there's plenty of great singers

0:13:25.920 --> 0:13:31.560
<v Speaker 2>and entertainers out there as far as me, I don't.

0:13:31.920 --> 0:13:33.440
<v Speaker 2>It got to me a little bit in the beginning,

0:13:34.960 --> 0:13:40.040
<v Speaker 2>and the main concern I had was not wanting to

0:13:40.160 --> 0:13:43.160
<v Speaker 2>let my family down. My family just named my legacy

0:13:43.400 --> 0:13:45.760
<v Speaker 2>and all that stuff. I didn't want to disappoint you, buddy,

0:13:45.840 --> 0:13:48.960
<v Speaker 2>especially my mom, who was around when I started out.

0:13:49.320 --> 0:13:51.880
<v Speaker 2>But you know, as I got more into it, you know,

0:13:52.080 --> 0:13:55.920
<v Speaker 2>and she, my mom, was very critical. So yeah, she

0:13:56.320 --> 0:13:58.640
<v Speaker 2>would have let me known right away. Is like, oh

0:13:58.679 --> 0:14:01.040
<v Speaker 2>the same for you if if it was you know,

0:14:01.160 --> 0:14:05.079
<v Speaker 2>if that was the case. She never never buy any chance,

0:14:05.320 --> 0:14:08.280
<v Speaker 2>would would lie to me about anything like that. And

0:14:08.360 --> 0:14:11.520
<v Speaker 2>she was she was pleasantly surprised and said no, you know,

0:14:11.600 --> 0:14:16.280
<v Speaker 2>because I didn't sing around them. I didn't, you know,

0:14:16.320 --> 0:14:18.720
<v Speaker 2>I played instruments and things like that, and they all

0:14:18.760 --> 0:14:20.800
<v Speaker 2>thought I was My mom and dad thought I was

0:14:20.840 --> 0:14:23.520
<v Speaker 2>a good musician, but you know, I never I just

0:14:23.680 --> 0:14:26.040
<v Speaker 2>never sang around them, singing some choirs and things like that,

0:14:26.080 --> 0:14:30.360
<v Speaker 2>but never like anything a solo. So they never really

0:14:30.440 --> 0:14:34.080
<v Speaker 2>got a chance to hear me do that until, you know,

0:14:34.160 --> 0:14:36.640
<v Speaker 2>until I did this, and Mom was surprised.

0:14:36.680 --> 0:14:38.040
<v Speaker 3>She she was happy with it.

0:14:38.080 --> 0:14:41.760
<v Speaker 2>And you know, her biggest advice to me was she's like, well,

0:14:41.760 --> 0:14:43.200
<v Speaker 2>your name will get you in the door. She's like,

0:14:43.200 --> 0:14:44.480
<v Speaker 2>you got to be able to stay in the room.

0:14:44.720 --> 0:14:47.160
<v Speaker 2>So she's like, you can't back down. You have to

0:14:47.240 --> 0:14:50.120
<v Speaker 2>keep working at this and keep keep crafting its. He's like,

0:14:50.160 --> 0:14:54.320
<v Speaker 2>but she's like, I think you'll do fine. So yeah,

0:14:55.520 --> 0:14:58.200
<v Speaker 2>as far as everyone else, it doesn't really matter, you know.

0:14:58.760 --> 0:15:01.440
<v Speaker 2>It's like, it's okay. People have their opinions. People want

0:15:01.480 --> 0:15:05.680
<v Speaker 2>me to I don't like being viewed as a tribute act,

0:15:05.920 --> 0:15:10.720
<v Speaker 2>and I absolutely refuse to be a tribute act.

0:15:11.000 --> 0:15:11.840
<v Speaker 3>I've only this.

0:15:11.880 --> 0:15:13.880
<v Speaker 2>Year started putting a few songs to Dad's in the

0:15:14.040 --> 0:15:17.640
<v Speaker 2>in the show because I started feeling bad because people

0:15:17.680 --> 0:15:20.040
<v Speaker 2>want to hear some of his stuff. So I'm like, okay, fine,

0:15:20.720 --> 0:15:22.960
<v Speaker 2>I'll do some of his songs too. And that only

0:15:23.000 --> 0:15:26.600
<v Speaker 2>came actually after talking with Ned Ludoo and his manager

0:15:26.640 --> 0:15:32.640
<v Speaker 2>about how us as children really have the most right

0:15:32.840 --> 0:15:34.680
<v Speaker 2>to be able to sing our parents' songs.

0:15:35.120 --> 0:15:36.200
<v Speaker 3>And I was like, well, that's a kind of a

0:15:36.240 --> 0:15:37.920
<v Speaker 3>good point. Didn't really think of it that way.

0:15:37.960 --> 0:15:40.560
<v Speaker 2>And you know, it's kind of up to us to

0:15:41.200 --> 0:15:45.320
<v Speaker 2>keep that going, you know, because I mean, if you

0:15:45.360 --> 0:15:49.120
<v Speaker 2>think about it, if the if, the the Cash family,

0:15:49.480 --> 0:15:52.280
<v Speaker 2>you know, of all them, if if they never would

0:15:52.280 --> 0:15:55.000
<v Speaker 2>have done any kept that music going, then it would

0:15:55.040 --> 0:15:58.120
<v Speaker 2>have it would have faded, right, So I don't know. Yeah,

0:15:58.400 --> 0:16:04.400
<v Speaker 2>it's it's an interesting thing being compared, but yeah, who cares.

0:16:05.920 --> 0:16:07.120
<v Speaker 3>People are gonna do what they're gonna do.

0:16:08.120 --> 0:16:10.920
<v Speaker 1>Right on, we'll be right back with more of the

0:16:11.000 --> 0:16:18.800
<v Speaker 1>Taking a Walk podcast. Welcome back to the Taking a

0:16:18.840 --> 0:16:19.680
<v Speaker 1>Walk Podcast.

0:16:20.600 --> 0:16:25.240
<v Speaker 4>So you had a unique perspective being a runner to

0:16:25.320 --> 0:16:28.160
<v Speaker 4>a guitar tech and kind of getting a sense of

0:16:28.200 --> 0:16:32.720
<v Speaker 4>the behind the scenes aspect of touring and the music

0:16:32.800 --> 0:16:38.760
<v Speaker 4>business that must to this day still shape you as

0:16:38.760 --> 0:16:42.520
<v Speaker 4>you have an appreciation that's unique for those that are

0:16:42.560 --> 0:16:44.360
<v Speaker 4>working on your behalf around you.

0:16:45.040 --> 0:16:48.760
<v Speaker 3>Yeah, yeah, no, it's it's funny. You know.

0:16:48.800 --> 0:16:52.200
<v Speaker 2>You'll get other artists who they'll look at you and

0:16:52.240 --> 0:16:54.200
<v Speaker 2>be like, well, you need to pay your dues, and

0:16:54.240 --> 0:16:57.640
<v Speaker 2>he's like, man, I've been paying my dues before you

0:16:57.680 --> 0:17:00.240
<v Speaker 2>were even in the business. It's like I was. I

0:17:00.760 --> 0:17:02.800
<v Speaker 2>was a guitar at tech, I was a roadie, and

0:17:03.200 --> 0:17:07.000
<v Speaker 2>Dad didn't show favoritism. I got treated just like anybody

0:17:07.000 --> 0:17:11.359
<v Speaker 2>else in the band. So yeah, it has shaped the way.

0:17:11.880 --> 0:17:14.479
<v Speaker 2>That has shaped the way I treat my band. But

0:17:14.480 --> 0:17:16.800
<v Speaker 2>it also what has shaped it is, you know, being

0:17:16.840 --> 0:17:19.879
<v Speaker 2>a military leader as well. It's first and foremost and

0:17:19.920 --> 0:17:22.240
<v Speaker 2>priority that we take care of our soldiers when we

0:17:22.280 --> 0:17:25.320
<v Speaker 2>take care of our people. So there have been a

0:17:25.320 --> 0:17:28.600
<v Speaker 2>few gigs where I've walked away with nothing because I

0:17:28.680 --> 0:17:31.560
<v Speaker 2>made sure the band's paid. I make sure that they

0:17:31.600 --> 0:17:34.520
<v Speaker 2>have a hotel rooms, I make sure that they're taking

0:17:34.560 --> 0:17:36.240
<v Speaker 2>care of that they get per diem on the days

0:17:36.280 --> 0:17:38.800
<v Speaker 2>off and things like that, because you know, I mean,

0:17:39.600 --> 0:17:42.320
<v Speaker 2>they're the ones that help you get where you're going,

0:17:42.680 --> 0:17:42.879
<v Speaker 2>you know.

0:17:43.000 --> 0:17:44.520
<v Speaker 3>Without the band. I mean, yeah, I could go out

0:17:44.560 --> 0:17:45.440
<v Speaker 3>and do solo acs.

0:17:45.800 --> 0:17:49.160
<v Speaker 2>And just play acoustic guitar, but there's so much more

0:17:49.280 --> 0:17:52.679
<v Speaker 2>energy and it's so much more fun and for me

0:17:52.920 --> 0:17:57.560
<v Speaker 2>and for the listener to have that big band. There's right,

0:17:57.560 --> 0:17:59.760
<v Speaker 2>it's the same reason why I won't compromise. And I

0:17:59.760 --> 0:18:03.800
<v Speaker 2>don't like not having a steel guitar and and not

0:18:03.920 --> 0:18:07.000
<v Speaker 2>having a fiddle. I want both of those in my music, right.

0:18:07.119 --> 0:18:10.080
<v Speaker 2>So it just it adds so much more. It's it's

0:18:10.160 --> 0:18:14.560
<v Speaker 2>it's important to me so and taking care of everybody.

0:18:14.680 --> 0:18:17.040
<v Speaker 2>I couldn't do this. I couldn't live with myself if

0:18:17.080 --> 0:18:20.600
<v Speaker 2>I were to not do that. It's just yeah, and

0:18:20.680 --> 0:18:23.239
<v Speaker 2>Dad did that too. Dad always took care of the band.

0:18:23.240 --> 0:18:24.879
<v Speaker 2>You always make sure everbody was always taken care of.

0:18:24.880 --> 0:18:27.600
<v Speaker 2>I learned from that as well. I the man would

0:18:27.600 --> 0:18:29.399
<v Speaker 2>have gave the shirt off his back for others, and

0:18:29.440 --> 0:18:33.080
<v Speaker 2>he did at times. So that shaped it. The military

0:18:33.160 --> 0:18:36.919
<v Speaker 2>shaped it. Yeah, that's that's just how I how I

0:18:37.040 --> 0:18:37.600
<v Speaker 2>run things.

0:18:39.320 --> 0:18:44.080
<v Speaker 4>Who are some of those other visionaries or artists, obviously,

0:18:44.160 --> 0:18:47.479
<v Speaker 4>aside from from your father you mentioned, you know, like Tyler,

0:18:48.080 --> 0:18:50.040
<v Speaker 4>But who are some of the other folks that you

0:18:51.000 --> 0:18:55.000
<v Speaker 4>really look at today and and and admire.

0:18:55.960 --> 0:19:00.679
<v Speaker 2>Yeah, well, definitely, Like I said, George Strait, I really

0:19:00.720 --> 0:19:04.159
<v Speaker 2>liked the way he has managed his career in what

0:19:04.200 --> 0:19:07.439
<v Speaker 2>he's done. I look kind of back to you know,

0:19:07.560 --> 0:19:12.639
<v Speaker 2>Roy Rogers. That might sound odd, but he was he

0:19:12.640 --> 0:19:14.720
<v Speaker 2>He had a lot of unique and cool ideas and

0:19:14.760 --> 0:19:16.399
<v Speaker 2>the way he did things, and I know a lot

0:19:16.400 --> 0:19:19.800
<v Speaker 2>of it was the movie Career too, got that, But yeah,

0:19:19.840 --> 0:19:22.880
<v Speaker 2>I liked I liked his honesty and how he how

0:19:22.920 --> 0:19:25.359
<v Speaker 2>he just you know, kept to the cowboy code and

0:19:25.400 --> 0:19:28.840
<v Speaker 2>all that it was. It hit him and Dale really really.

0:19:28.640 --> 0:19:29.560
<v Speaker 3>Cool cool people.

0:19:30.240 --> 0:19:34.119
<v Speaker 4>Well you you earlier referenced the Cash family, so I

0:19:34.440 --> 0:19:38.680
<v Speaker 4>would I would assume within the Cash family there's somebody.

0:19:38.480 --> 0:19:41.320
<v Speaker 3>Definitely the Cash family.

0:19:41.359 --> 0:19:44.240
<v Speaker 2>The way they've kept everything alive and going and have

0:19:44.440 --> 0:19:49.439
<v Speaker 2>kept their their their the father's legacy a lot alive

0:19:49.480 --> 0:19:53.280
<v Speaker 2>and flourishing is something that I admire.

0:19:53.440 --> 0:19:54.720
<v Speaker 3>I think that's that's a good thing.

0:19:54.920 --> 0:19:57.440
<v Speaker 2>I know it's a business thing, and some people will say, well, yeah,

0:19:57.600 --> 0:20:00.000
<v Speaker 2>it's about keeping the money going, but it's I'm telling

0:20:01.400 --> 0:20:04.800
<v Speaker 2>for a lot of us, it isn't about keeping money going.

0:20:04.920 --> 0:20:07.639
<v Speaker 2>It is about keeping their memory alive, and it's about

0:20:08.160 --> 0:20:11.600
<v Speaker 2>wanting to make sure the future generations can hear that

0:20:11.720 --> 0:20:13.080
<v Speaker 2>music and appreciate it.

0:20:13.200 --> 0:20:13.400
<v Speaker 4>Right.

0:20:13.560 --> 0:20:16.200
<v Speaker 2>It's the same reason why I keep hoping I keep

0:20:16.200 --> 0:20:18.160
<v Speaker 2>hoping Dad will make it into the Hall of Fame

0:20:18.200 --> 0:20:19.000
<v Speaker 2>because he's a Hall.

0:20:18.840 --> 0:20:20.679
<v Speaker 3>Of fame and get there.

0:20:20.520 --> 0:20:23.560
<v Speaker 2>He should get there on his merits, not for the

0:20:24.119 --> 0:20:27.200
<v Speaker 2>couple the crazy things that he did, right, he did

0:20:27.240 --> 0:20:29.720
<v Speaker 2>some goofy things, We got all that. But he did

0:20:29.840 --> 0:20:32.560
<v Speaker 2>so much that people just I don't think realize within

0:20:33.680 --> 0:20:36.840
<v Speaker 2>the history of country music and affected other artists from

0:20:36.920 --> 0:20:40.119
<v Speaker 2>Ray Price, George Jones and up and through, you know,

0:20:40.600 --> 0:20:42.200
<v Speaker 2>even modern day artists like Tracy Bird.

0:20:42.280 --> 0:20:45.119
<v Speaker 3>So I mean modern. I guess he's not modern anymore,

0:20:45.200 --> 0:20:45.359
<v Speaker 3>is he?

0:20:45.440 --> 0:20:49.399
<v Speaker 2>But anyway, yeah, well modern for me, nineties guy, but

0:20:49.560 --> 0:20:53.280
<v Speaker 2>uh yeah, it's uh, those are some of the ones,

0:20:53.400 --> 0:20:56.840
<v Speaker 2>you know that affect the way I do things and

0:20:56.880 --> 0:20:57.640
<v Speaker 2>how I view things.

0:20:57.760 --> 0:21:02.240
<v Speaker 3>Heck, Danny Shirley from Confederate Railroad.

0:21:02.920 --> 0:21:07.399
<v Speaker 2>He he's another one that's kind of started to you know,

0:21:07.520 --> 0:21:10.639
<v Speaker 2>gear my focus my career and move my career a

0:21:10.680 --> 0:21:14.359
<v Speaker 2>little bit just because of me and him talking and

0:21:14.440 --> 0:21:16.960
<v Speaker 2>him you know, offering advice and things like that. He

0:21:17.080 --> 0:21:20.520
<v Speaker 2>was the first one that really, uh for a working

0:21:20.560 --> 0:21:23.040
<v Speaker 2>act that's still out there. He was one of the

0:21:23.080 --> 0:21:25.680
<v Speaker 2>first ones that ever called me up and was just

0:21:25.800 --> 0:21:27.760
<v Speaker 2>asking like, hey, how you doing and how things going,

0:21:27.840 --> 0:21:31.480
<v Speaker 2>and so you're taking on music and you know, how's

0:21:31.520 --> 0:21:35.320
<v Speaker 2>that going, and just just offering friendly advice and he's

0:21:35.560 --> 0:21:37.959
<v Speaker 2>you know, not asking for nothing, just just being friendly.

0:21:38.440 --> 0:21:40.760
<v Speaker 2>So that's another good thing about the country music industry

0:21:40.760 --> 0:21:44.720
<v Speaker 2>as well, the country music business business industry. I don't

0:21:44.720 --> 0:21:50.639
<v Speaker 2>know how to say the community. Sure, yeah, exactly. It's

0:21:50.680 --> 0:21:53.840
<v Speaker 2>it's small really in the in the grand scheme of things,

0:21:53.920 --> 0:21:54.560
<v Speaker 2>it's small.

0:21:54.800 --> 0:21:56.960
<v Speaker 3>And you know, a.

0:21:56.880 --> 0:22:00.959
<v Speaker 2>Lot of the players in this business are very friendly

0:22:01.040 --> 0:22:05.000
<v Speaker 2>and good people, and uh are willing to help. You know,

0:22:05.040 --> 0:22:08.080
<v Speaker 2>it's not as cutthroat as he might think. When you

0:22:08.119 --> 0:22:10.640
<v Speaker 2>get into the business pieces of it, with the actual

0:22:10.720 --> 0:22:14.480
<v Speaker 2>business people, it can be. But even then there's there's

0:22:14.640 --> 0:22:16.560
<v Speaker 2>there's a lot of really good people in this business.

0:22:17.359 --> 0:22:19.600
<v Speaker 4>I'm shocked at what you said earlier. I did not

0:22:19.800 --> 0:22:23.080
<v Speaker 4>realize that your dad is not in the Country Music

0:22:23.119 --> 0:22:23.720
<v Speaker 4>Hall of Fame.

0:22:24.200 --> 0:22:29.600
<v Speaker 2>Yeah, his memorabilia's in the museum, the show of guitar

0:22:29.880 --> 0:22:32.040
<v Speaker 2>and some things, and I know they've got some things

0:22:32.080 --> 0:22:35.840
<v Speaker 2>in archive as well.

0:22:34.440 --> 0:22:36.639
<v Speaker 3>But he has not been inducted.

0:22:36.960 --> 0:22:41.560
<v Speaker 2>And yeah, it's a shame, but I'm told that every

0:22:41.640 --> 0:22:44.080
<v Speaker 2>year he comes up on the ballad and he gets close.

0:22:44.359 --> 0:22:47.360
<v Speaker 2>So hopefully one year he'll he'll, uh, he'll make it in.

0:22:48.160 --> 0:22:51.000
<v Speaker 4>How do you think he would view that information or

0:22:51.040 --> 0:22:53.920
<v Speaker 4>that he is viewing this that information as we speak.

0:22:55.840 --> 0:22:56.800
<v Speaker 3>I don't know if he would care.

0:22:57.400 --> 0:23:00.680
<v Speaker 2>He he he just you know, those things are nice,

0:23:01.520 --> 0:23:05.439
<v Speaker 2>but what really, really, honestly meant something to him was

0:23:05.440 --> 0:23:07.080
<v Speaker 2>being able to go out there and sing and perform.

0:23:07.760 --> 0:23:11.240
<v Speaker 2>And that didn't affect that. So I'll tell you what

0:23:11.280 --> 0:23:13.399
<v Speaker 2>he loved. He loved being a member of the Grand

0:23:13.400 --> 0:23:16.280
<v Speaker 2>Ole Opry. He was so thrilled that night when he

0:23:16.320 --> 0:23:20.119
<v Speaker 2>got inducted, and he was so happy to be able

0:23:20.440 --> 0:23:22.080
<v Speaker 2>to say he was a member of the Grand Ole Opry,

0:23:22.520 --> 0:23:27.160
<v Speaker 2>which you know, twenty years before that he didn't care

0:23:27.200 --> 0:23:29.439
<v Speaker 2>for the Opry and it was an institution and all

0:23:29.480 --> 0:23:32.960
<v Speaker 2>this other stuff. But I mean the seventies were different, right,

0:23:33.040 --> 0:23:36.560
<v Speaker 2>So yeah, his view as he got more mature and

0:23:37.720 --> 0:23:42.120
<v Speaker 2>wised up and then also got clean changed, So yeah,

0:23:42.119 --> 0:23:44.720
<v Speaker 2>he realized, I mean, what a great institution the Grand

0:23:44.760 --> 0:23:48.560
<v Speaker 2>Opry is. I know they've got there's some turmoil around

0:23:48.560 --> 0:23:53.520
<v Speaker 2>it with other artists and things like that, but I mean, overall, yeah,

0:23:53.560 --> 0:23:55.680
<v Speaker 2>the Grand Ole Opry is an amazing institution.

0:23:56.920 --> 0:24:02.480
<v Speaker 4>So congrats on the new album Days Behind. First of all,

0:24:02.640 --> 0:24:06.320
<v Speaker 4>you you co wrote much of it with or all

0:24:06.359 --> 0:24:11.280
<v Speaker 4>of it with with Scott Gabby. What was that writing

0:24:11.359 --> 0:24:13.960
<v Speaker 4>process like for that project?

0:24:14.320 --> 0:24:17.800
<v Speaker 2>So on the first album, on this album, on the

0:24:17.840 --> 0:24:21.159
<v Speaker 2>next one one after that, I write most everything, or

0:24:21.160 --> 0:24:24.640
<v Speaker 2>a co writes every co write everything, and me and Scott.

0:24:25.080 --> 0:24:26.600
<v Speaker 2>Me and Scott have known each other for a long

0:24:26.640 --> 0:24:30.800
<v Speaker 2>time since we were kids, and uh, we actually had

0:24:30.800 --> 0:24:36.680
<v Speaker 2>a heavy metal band together when we were kids, so

0:24:36.680 --> 0:24:39.840
<v Speaker 2>so we've known each other quite a while, and writing

0:24:39.840 --> 0:24:41.560
<v Speaker 2>with him is just really really easy.

0:24:41.920 --> 0:24:42.720
<v Speaker 3>We all sat.

0:24:42.640 --> 0:24:46.359
<v Speaker 2>Down and, uh, you know, depending on what we're going

0:24:46.400 --> 0:24:48.280
<v Speaker 2>to write, we may have some whiskey with us, or

0:24:48.320 --> 0:24:52.320
<v Speaker 2>we may just sit there with a soda, depends on

0:24:52.320 --> 0:24:56.800
<v Speaker 2>depends on what we're writing, and yeah, we'll uh, we'll

0:24:56.800 --> 0:24:59.320
<v Speaker 2>just start pitching stuff back and forth and go go

0:24:59.400 --> 0:25:01.720
<v Speaker 2>from there. That's that's really kind of how simple it is.

0:25:02.240 --> 0:25:04.800
<v Speaker 2>But the idea for the album is a little more

0:25:04.880 --> 0:25:07.600
<v Speaker 2>a little more complex because what I'll do is, you know,

0:25:07.600 --> 0:25:09.679
<v Speaker 2>I'll say, well, for this album, I want twelve songs,

0:25:09.920 --> 0:25:13.479
<v Speaker 2>and I'll start drafting out a skeleton, almost like if

0:25:13.480 --> 0:25:15.719
<v Speaker 2>I'm writing a book, where it's like I want this

0:25:15.800 --> 0:25:17.640
<v Speaker 2>chapter to be about this, and this to be about this.

0:25:18.440 --> 0:25:21.480
<v Speaker 2>That's That's kind of how I do with writing an album,

0:25:21.520 --> 0:25:24.399
<v Speaker 2>where I'll say, well, I want to want to love ballad,

0:25:24.600 --> 0:25:29.040
<v Speaker 2>I want a Rodeo song, I want this, I want that,

0:25:29.200 --> 0:25:33.120
<v Speaker 2>and we'll go through it that way. And one thing

0:25:33.200 --> 0:25:37.199
<v Speaker 2>is I always I like Western history, American West history.

0:25:37.400 --> 0:25:40.320
<v Speaker 2>So I usually try to have at least one song

0:25:40.880 --> 0:25:45.880
<v Speaker 2>that touches on a figure from that time, somebody that

0:25:45.960 --> 0:25:48.720
<v Speaker 2>I find interesting and maybe nobody's heard about.

0:25:49.119 --> 0:25:50.720
<v Speaker 3>And I do that.

0:25:51.280 --> 0:25:53.080
<v Speaker 2>But yeah, in this one, we had a murder ballad,

0:25:53.080 --> 0:25:57.240
<v Speaker 2>which was something unique for me. A little worry about

0:25:57.240 --> 0:26:01.920
<v Speaker 2>putting that out, but yeah, that's it turned out, okay. Yeah,

0:26:01.960 --> 0:26:04.760
<v Speaker 2>So yeah, that's that's kind of how the writing writing works.

0:26:04.760 --> 0:26:06.560
<v Speaker 2>We lock ourselves away for a couple of months and

0:26:07.440 --> 0:26:09.200
<v Speaker 2>come out with a come out with an album full

0:26:09.200 --> 0:26:11.320
<v Speaker 2>of songs. I mean, and we're writing all the time,

0:26:11.480 --> 0:26:13.720
<v Speaker 2>especially when we're on the road. He's also my rhythm

0:26:13.720 --> 0:26:17.720
<v Speaker 2>guitarist in the band, and uh, we we may be

0:26:17.760 --> 0:26:21.000
<v Speaker 2>sitting on the bush and cope with the idea and

0:26:21.040 --> 0:26:23.840
<v Speaker 2>we'll sit back there and try to strum through it

0:26:23.880 --> 0:26:27.800
<v Speaker 2>and figure out the basic form of it and and

0:26:27.840 --> 0:26:29.359
<v Speaker 2>get something, get something down.

0:26:29.440 --> 0:26:31.760
<v Speaker 3>But yeah, it happens all throughout the year.

0:26:31.800 --> 0:26:34.359
<v Speaker 2>But yeah, there's definitely a process, a little bit, a

0:26:34.400 --> 0:26:36.439
<v Speaker 2>little bit of a process there when we start getting close.

0:26:36.320 --> 0:26:36.960
<v Speaker 3>To album time.

0:26:37.800 --> 0:26:41.880
<v Speaker 4>You mentioned George Straight earlier and you cover when did

0:26:41.880 --> 0:26:45.520
<v Speaker 4>You Stop Loving me? H? For the album? Talk about

0:26:45.560 --> 0:26:46.919
<v Speaker 4>what that song means to you?

0:26:48.000 --> 0:26:51.440
<v Speaker 2>Well, it was, it was definitely, Uh, it was cool

0:26:51.960 --> 0:26:56.959
<v Speaker 2>doing that and uh, George Jones covered it as well.

0:26:57.000 --> 0:27:00.520
<v Speaker 2>He did it after after Straight did it didn't do

0:27:00.560 --> 0:27:03.679
<v Speaker 2>as well for George, but George Jones.

0:27:03.680 --> 0:27:08.439
<v Speaker 3>But yeah, that one was off of it was. It

0:27:08.480 --> 0:27:09.640
<v Speaker 3>was in the movie too.

0:27:12.160 --> 0:27:15.520
<v Speaker 2>That George did and that's where I first heard it.

0:27:16.200 --> 0:27:19.520
<v Speaker 2>And man, I've always just like I said, I've always

0:27:19.560 --> 0:27:22.600
<v Speaker 2>loved George's music, and it was it was neat to

0:27:22.640 --> 0:27:26.919
<v Speaker 2>be able to and intimidating, neat and intimidating to do

0:27:26.960 --> 0:27:30.640
<v Speaker 2>something that he did and try to try to make

0:27:30.680 --> 0:27:32.920
<v Speaker 2>it at least close to his good.

0:27:33.640 --> 0:27:35.480
<v Speaker 3>Definitely not as good, but close to his good.

0:27:35.960 --> 0:27:39.960
<v Speaker 2>And hopefully hopefully somebody has in his camp has went

0:27:40.840 --> 0:27:45.600
<v Speaker 2>Paycheck's kid covered your song and he and he got

0:27:45.640 --> 0:27:47.320
<v Speaker 2>to chuck a lot of it. Maybe I don't know, so,

0:27:48.040 --> 0:27:51.160
<v Speaker 2>oh I'm sure he'll hear about it. Yeah, no doubt.

0:27:51.520 --> 0:27:55.240
<v Speaker 2>I mean he he covered Dad's old violin and he

0:27:55.520 --> 0:27:57.399
<v Speaker 2>would play it in the shows and everything. And I

0:27:57.400 --> 0:28:00.160
<v Speaker 2>remember when his people contacted me about that, They're like, hey,

0:28:00.280 --> 0:28:01.800
<v Speaker 2>we need the rights to be able to do this.

0:28:01.840 --> 0:28:04.880
<v Speaker 2>I was like, oh, most definitely sure, and he did.

0:28:05.119 --> 0:28:06.879
<v Speaker 2>He did a good job with that. He was probably

0:28:06.880 --> 0:28:09.720
<v Speaker 2>one of the few. That song is really important to

0:28:09.760 --> 0:28:13.120
<v Speaker 2>my family because it was dad's funeral song, and there's

0:28:13.240 --> 0:28:15.359
<v Speaker 2>very few people that have sang it that I like

0:28:15.440 --> 0:28:16.239
<v Speaker 2>the way they sing it.

0:28:16.600 --> 0:28:17.919
<v Speaker 3>I didn't mind the way he sang it.

0:28:17.960 --> 0:28:24.640
<v Speaker 4>So have you heard George Strait's version of the Tom

0:28:24.680 --> 0:28:25.800
<v Speaker 4>Petty song You Wreck Me?

0:28:26.640 --> 0:28:26.920
<v Speaker 3>Yeah?

0:28:27.040 --> 0:28:30.719
<v Speaker 2>I saw We saw him at uh In we were

0:28:30.760 --> 0:28:33.159
<v Speaker 2>at Me and my wife were at National Finals Rodeo

0:28:33.200 --> 0:28:36.200
<v Speaker 2>this year in Vegas and we saw the We saw

0:28:36.240 --> 0:28:38.080
<v Speaker 2>the show in Vegas and that's where I heard him

0:28:38.080 --> 0:28:38.280
<v Speaker 2>sing it.

0:28:38.320 --> 0:28:40.840
<v Speaker 3>I was just like, man, that's really cool. It was

0:28:40.880 --> 0:28:41.320
<v Speaker 3>really neat.

0:28:41.600 --> 0:28:42.680
<v Speaker 4>What a version that is?

0:28:42.760 --> 0:28:43.120
<v Speaker 1>My God?

0:28:44.480 --> 0:28:46.320
<v Speaker 4>Talk about some of the other songs you want to

0:28:46.360 --> 0:28:47.800
<v Speaker 4>highlight from the album.

0:28:49.040 --> 0:28:54.080
<v Speaker 2>Well, I'm real proud right now, especially of Foolish Ways

0:28:55.320 --> 0:28:58.760
<v Speaker 2>that one I wrote from the perspective of somebody who

0:28:58.880 --> 0:29:04.040
<v Speaker 2>is either uh in depression, suffering from depression badly, or

0:29:04.240 --> 0:29:09.000
<v Speaker 2>as possibly an addict. It's from that perspective where you

0:29:09.640 --> 0:29:12.400
<v Speaker 2>just don't really believe what people are telling you, that

0:29:12.480 --> 0:29:15.040
<v Speaker 2>things don't feel like they're going to get better, and

0:29:15.080 --> 0:29:18.480
<v Speaker 2>you understand what people think, but there's not much you

0:29:18.520 --> 0:29:21.160
<v Speaker 2>can do about it. It's it's that feeling. And I've

0:29:21.200 --> 0:29:24.240
<v Speaker 2>been there, so I get I get I get it,

0:29:24.280 --> 0:29:27.280
<v Speaker 2>trust me. But we released the new video on that

0:29:27.320 --> 0:29:31.600
<v Speaker 2>one this uh this beginning of the month, and uh

0:29:32.040 --> 0:29:34.760
<v Speaker 2>we also were donating the money, uh any any of

0:29:34.760 --> 0:29:36.320
<v Speaker 2>the royalties I make off of it this month and

0:29:36.360 --> 0:29:42.400
<v Speaker 2>everything we're going to the American Association for Health and Wellness.

0:29:42.680 --> 0:29:46.040
<v Speaker 3>Yeah, so yeah, we're we're doing that. But real proud

0:29:46.080 --> 0:29:47.120
<v Speaker 3>of that song. I like that song.

0:29:48.160 --> 0:29:51.520
<v Speaker 2>I thought I thought it came out, okay. I also

0:29:51.600 --> 0:29:53.640
<v Speaker 2>like More Days Behind. More Days Behind is fun, and

0:29:53.680 --> 0:29:56.600
<v Speaker 2>it's the title track, but it's it's fun because it

0:29:56.680 --> 0:30:00.240
<v Speaker 2>is a kind of an awakening of you know, hey, hey,

0:30:00.600 --> 0:30:04.280
<v Speaker 2>I've lived this long. There are more days behind me

0:30:04.280 --> 0:30:06.280
<v Speaker 2>than there are in front of me now, and it's

0:30:06.320 --> 0:30:08.880
<v Speaker 2>like I never really thought of that until just now,

0:30:09.280 --> 0:30:13.080
<v Speaker 2>and it's kind of just talks about you know, you

0:30:13.160 --> 0:30:16.520
<v Speaker 2>need to kind of appreciate what you got and try

0:30:16.520 --> 0:30:18.680
<v Speaker 2>to make the best of what what's left and what

0:30:18.720 --> 0:30:19.840
<v Speaker 2>are you gonna do with it? You know.

0:30:20.120 --> 0:30:22.320
<v Speaker 3>So that's that's that's what that song is about.

0:30:22.600 --> 0:30:22.640
<v Speaker 4>It.

0:30:23.200 --> 0:30:25.680
<v Speaker 2>It's got a happy vibe and tone to it, so

0:30:25.720 --> 0:30:28.640
<v Speaker 2>it's not depressing. It's it's more of a it's like, okay,

0:30:28.640 --> 0:30:31.080
<v Speaker 2>well why be depressed about it? This is just where

0:30:31.080 --> 0:30:33.880
<v Speaker 2>you're at. So you know, we're all doing the same thing.

0:30:34.200 --> 0:30:37.600
<v Speaker 2>So so yeah, that those two.

0:30:37.480 --> 0:30:39.960
<v Speaker 3>Tracks, I like, real well, the murder Ballot's pretty good.

0:30:40.000 --> 0:30:44.080
<v Speaker 2>But again, it's not an actual it's it's a made

0:30:44.160 --> 0:30:47.640
<v Speaker 2>up story. So everybody, this is not something I think

0:30:47.680 --> 0:30:51.800
<v Speaker 2>about doing. It's it's it's it's a good song though

0:30:51.800 --> 0:30:52.640
<v Speaker 2>it's a good story.

0:30:52.720 --> 0:30:55.880
<v Speaker 3>We wrote it kind of like a we we listened

0:30:56.000 --> 0:30:56.440
<v Speaker 3>to some.

0:30:57.920 --> 0:31:01.480
<v Speaker 2>Oh the podcast or not podcast, the uh the true

0:31:01.520 --> 0:31:02.960
<v Speaker 2>crime shows and stuff.

0:31:03.000 --> 0:31:03.840
<v Speaker 3>We were listening to some.

0:31:03.760 --> 0:31:06.960
<v Speaker 2>Of that, and uh, that's where we got some of

0:31:07.000 --> 0:31:08.960
<v Speaker 2>the ideas and we're like, man, this is it'd be

0:31:09.040 --> 0:31:11.200
<v Speaker 2>kind of interesting to write a song this way, like

0:31:11.240 --> 0:31:14.600
<v Speaker 2>a like a true crime story, and that that's that's

0:31:14.600 --> 0:31:17.680
<v Speaker 2>what we were attempting. Came out good, came out good.

0:31:17.760 --> 0:31:20.360
<v Speaker 2>It's uh, it's a little little shocking towards the end,

0:31:20.560 --> 0:31:21.840
<v Speaker 2>but yeah, that's.

0:31:22.280 --> 0:31:25.840
<v Speaker 3>An interesting one too. White Lights was good. I let

0:31:25.840 --> 0:31:28.360
<v Speaker 3>me bring up that one too, White Lights. I like

0:31:28.440 --> 0:31:28.760
<v Speaker 3>that one.

0:31:28.800 --> 0:31:31.000
<v Speaker 2>That's my only trucking song right now, and I like,

0:31:31.120 --> 0:31:32.800
<v Speaker 2>I like, I like trucking songs.

0:31:33.200 --> 0:31:34.680
<v Speaker 3>But I took that one as.

0:31:34.480 --> 0:31:38.720
<v Speaker 2>A a trucker kind of running away from a bad

0:31:38.760 --> 0:31:42.680
<v Speaker 2>relationship type type thing, and yeah, it turned out it

0:31:42.680 --> 0:31:43.400
<v Speaker 2>turned out good too.

0:31:43.480 --> 0:31:47.800
<v Speaker 3>So all of this is thanks to Bill McDermott.

0:31:47.840 --> 0:31:51.360
<v Speaker 2>He's my producer there in Nashville, and it's all thanks

0:31:51.360 --> 0:31:54.760
<v Speaker 2>to him and the session musicians and everything else, because yeah,

0:31:54.880 --> 0:31:58.160
<v Speaker 2>without them, none of this would come out the way

0:31:58.200 --> 0:31:59.320
<v Speaker 2>we we have it.

0:31:59.320 --> 0:32:01.080
<v Speaker 3>It's it comes out great.

0:32:01.160 --> 0:32:04.680
<v Speaker 4>So and coming to a city near you also, you'll

0:32:04.680 --> 0:32:06.080
<v Speaker 4>be hitting the road.

0:32:06.680 --> 0:32:09.440
<v Speaker 3>Yeah, no, we we're all over the place right now.

0:32:10.560 --> 0:32:13.280
<v Speaker 2>Well, we've slowed down here for this month, try to

0:32:13.320 --> 0:32:16.200
<v Speaker 2>catch our breath after we were just out in New Mexico.

0:32:17.080 --> 0:32:20.560
<v Speaker 2>But yeah, we're we're gonna be a lot of Texas dates.

0:32:21.840 --> 0:32:23.920
<v Speaker 2>All my dates and everything are up on my bands

0:32:23.920 --> 0:32:27.720
<v Speaker 2>in town and on my website and at johnpaycheck dot com.

0:32:27.720 --> 0:32:29.360
<v Speaker 3>It's easy, easy to find.

0:32:29.480 --> 0:32:34.200
<v Speaker 2>But yeah, yeah, it's uh, it's been a nice response

0:32:34.240 --> 0:32:38.520
<v Speaker 2>this year. We're getting getting more dates and building as

0:32:38.560 --> 0:32:41.640
<v Speaker 2>we go here hopefully you know, it just keeps building.

0:32:41.680 --> 0:32:44.600
<v Speaker 2>And yeah, well I want to get to this medium

0:32:44.840 --> 0:32:47.640
<v Speaker 2>level of success where I can, you know, take care

0:32:47.680 --> 0:32:49.600
<v Speaker 2>of the band and everybody and we're we're all making

0:32:49.840 --> 0:32:52.719
<v Speaker 2>you know, an okay wage and able to get our

0:32:52.800 --> 0:32:55.440
<v Speaker 2>music out there to everybody and have good time.

0:32:57.000 --> 0:33:00.800
<v Speaker 4>So goals for the next chapter of your career, both

0:33:01.360 --> 0:33:03.760
<v Speaker 4>in the studio and on the road.

0:33:04.520 --> 0:33:09.560
<v Speaker 2>Yeah, we're gonna start right well, we started writing already,

0:33:09.560 --> 0:33:12.640
<v Speaker 2>but we're gonna start writing for the next album because

0:33:12.640 --> 0:33:15.600
<v Speaker 2>there'll be another one next year. I'm trying to do

0:33:15.640 --> 0:33:18.640
<v Speaker 2>one every other year. I was trying to do one

0:33:18.680 --> 0:33:21.840
<v Speaker 2>every year, but with that time schedule gets really cramped,

0:33:22.280 --> 0:33:24.920
<v Speaker 2>so we're doing one every other year. I want to

0:33:25.120 --> 0:33:28.560
<v Speaker 2>at least do three more albums. It's for a total

0:33:28.560 --> 0:33:30.320
<v Speaker 2>of five, and then we'll kind of reevaluate what we're

0:33:30.320 --> 0:33:34.480
<v Speaker 2>doing at that point. But yeah, another album next year. Touring,

0:33:34.640 --> 0:33:36.960
<v Speaker 2>we're just trying to keep building on that.

0:33:37.080 --> 0:33:37.520
<v Speaker 3>Every year.

0:33:37.560 --> 0:33:42.040
<v Speaker 2>I tour from May till about mid November every year,

0:33:42.360 --> 0:33:44.120
<v Speaker 2>and the rest of that time there. I want my

0:33:44.120 --> 0:33:46.120
<v Speaker 2>band and everybody to go home and be with families

0:33:46.160 --> 0:33:48.880
<v Speaker 2>and spend time for the holidays and not have to

0:33:48.880 --> 0:33:51.040
<v Speaker 2>think about when am I coming off the road, when

0:33:51.040 --> 0:33:52.120
<v Speaker 2>I'm going to go back on the road.

0:33:53.200 --> 0:33:58.719
<v Speaker 4>Well, John, congrats on more days behind. Thank you so

0:33:58.840 --> 0:34:03.120
<v Speaker 4>much for this service that will you and your wife

0:34:03.160 --> 0:34:07.280
<v Speaker 4>really give to our country nothing. And thank you for

0:34:07.760 --> 0:34:10.960
<v Speaker 4>the music that you give us as well. Really appreciate

0:34:11.000 --> 0:34:13.240
<v Speaker 4>you taking the time to be on Taking a Walk.

0:34:13.560 --> 0:34:14.680
<v Speaker 3>No, thank you for having me.

0:34:16.160 --> 0:34:18.600
<v Speaker 1>Thanks for listening to this episode of the Taking a

0:34:18.640 --> 0:34:22.560
<v Speaker 1>Walk podcast. Share this and other episodes with your friends

0:34:22.640 --> 0:34:26.120
<v Speaker 1>and follow us so you never miss an episode. Taking

0:34:26.160 --> 0:34:30.040
<v Speaker 1>a Walk is available on the iHeartRadio app, Apple Podcasts,

0:34:30.280 --> 0:34:32.560
<v Speaker 1>and wherever you get your podcasts.