WEBVTT - Part One: AI Is Coming for Your Children

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<v Speaker 1>Ah, welcome back to Behind the Bastards, a podcast that

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<v Speaker 1>is uh, it's a podcast. You know what what what

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<v Speaker 1>do you want? That's honesty and advertising can't argue with that.

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<v Speaker 2>It is.

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<v Speaker 1>It is a podcast. I'm Robert Evans, your host, and

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<v Speaker 1>I didn't think of a funny introduction for this episode,

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<v Speaker 1>So pretend I shouted a tonally or screamed out the

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<v Speaker 1>name of a dead dictator, and let's welcome our guest

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<v Speaker 1>for the episode, Ben Bowler.

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<v Speaker 3>If you could be a dictator's name, that would be

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<v Speaker 3>most appreciated.

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<v Speaker 1>Yeah, one of the hard to pronounce ones.

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<v Speaker 3>Yeah, go for it.

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<v Speaker 2>Oh okay, uh wow, that's that's definitely uh oh. There

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<v Speaker 2>are so many good wines though. Okay, Matt Mood.

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<v Speaker 4>I'm.

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<v Speaker 1>Jodd. I think you're right there. You go out there.

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<v Speaker 2>This is why you're the host, Robert.

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<v Speaker 1>Yeah, yeah, I mean that's an interesting one, right because

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<v Speaker 1>he wasn't I don't know how you yeah characterize exactly

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<v Speaker 1>what he was, but he's become a darling of Twitter

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<v Speaker 1>since his time as the as the leader of Iran,

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<v Speaker 1>which is always fun as the air quotes leader. Yeah yeah, yeah,

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<v Speaker 1>wild stuff. I do love like the every now and

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<v Speaker 1>then you're like, this guy who had a very different

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<v Speaker 1>vibe you know when he first came to my awareness

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<v Speaker 1>via media is now like a completely different person in

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<v Speaker 1>a lot of people's eyes because he like went after

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<v Speaker 1>Donald Trump on Twitter. Always funny, Ben, how do you

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<v Speaker 1>feel about AI? Not the movie with Haley Joel Osmond?

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<v Speaker 2>Oh well, oh okay, Well, all my notes are trash then,

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<v Speaker 2>because I thought we were talking about this.

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<v Speaker 1>Okay, I did say prepare for an episode on AI

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<v Speaker 1>and then send you thirty seven pictures of Jigglo Joel.

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<v Speaker 2>So yeah, and thank you, thank you. I'm framing those, Robert,

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<v Speaker 2>I'm framing those. Yeah. Well, I got to give a

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<v Speaker 2>shout out to a lot of folks ethicists working in

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<v Speaker 2>the field who are asking about the nature of consciousness

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<v Speaker 2>and why why the term AI is somewhat you know, problematic,

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<v Speaker 2>like what makes an intelligence artificial?

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<v Speaker 4>You know?

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<v Speaker 2>But when I hear AI, if I'm most people, what

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<v Speaker 2>I'm thinking is, oh, I should have studied math. Numbers

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<v Speaker 2>are scaring.

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<v Speaker 1>Yeah, I've been so, I've been kind of digging into

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<v Speaker 1>this as a new beat for myself as a reporter.

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<v Speaker 1>As we'll introduce today, Like there's some some some stuff

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<v Speaker 1>I've kind of gotten sucked into here, and as I've

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<v Speaker 1>kind of talked to more people who are on the

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<v Speaker 1>technical side of things here, I'm gaining both a deeper

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<v Speaker 1>appreciation for how complex this stuff is. You know, there's

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<v Speaker 1>been a lot that's sort of You've got this mix

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<v Speaker 1>of like incredibly dense academic papers and kind of the

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<v Speaker 1>the commentary of people who are actually like working with

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<v Speaker 1>the nuts and bolts of this stuff and not trying

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<v Speaker 1>to pump up the price of you know, the IPO

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<v Speaker 1>valuation of their company. Right, and then you've got kind

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<v Speaker 1>of the hype cycle, which is very different.

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<v Speaker 5>Right.

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<v Speaker 1>The people who are are kind of talking about, you know,

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<v Speaker 1>how models are actually constructed, and you know what the

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<v Speaker 1>ideal size for the models might be, and like how

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<v Speaker 1>the capabilities kind of will change as they sort of

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<v Speaker 1>ramp up or ramp down the scale, talk about like

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<v Speaker 1>the potential problems like model collapse and whatever. Versus the

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<v Speaker 1>people who are like an AI is going to take

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<v Speaker 1>control of all the nukes. No, no, this isn't just

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<v Speaker 1>me stealing the plot of Terminator too in order to

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<v Speaker 1>like hype up the power of the product my company's making.

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<v Speaker 1>I swear these it's real swears ease, So.

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<v Speaker 2>That's how you know it's legit. That is, that is

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<v Speaker 2>some actual nomenclature used in the halls of powers where.

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<v Speaker 1>Yees yeah, and I think you can always trust when

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<v Speaker 1>a bunch of people with a vested financial interest in

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<v Speaker 1>making their AI products seem extra powerful. Recite the plot

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<v Speaker 1>of Terminator too to you as if it's you know,

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<v Speaker 1>a serious, serious business. So as we've kind of let

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<v Speaker 1>into the internet is a wash right now and kind

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<v Speaker 1>of cheap takes on what AI means for the future,

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<v Speaker 1>you know, on one hand, you've got these kind of

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<v Speaker 1>terminatory fears. Kind of the best example of this recently

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<v Speaker 1>was WECE put out this very dumb article that was

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<v Speaker 1>like a military AI killed its creator because it was

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<v Speaker 1>trying to stop it from launching a missile, and everyone

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<v Speaker 1>was like, oh my god, you know, we have to

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<v Speaker 1>stop this, and then it turns out, well, actually what

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<v Speaker 1>happened is like a bunch of human beings were sitting

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<v Speaker 1>around a table like kind of plotting out things that

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<v Speaker 1>might happen if they ever built one of these, and

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<v Speaker 1>someone was like, well, what if you did this, and

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<v Speaker 1>like that's all that happened like they were playing fancy

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<v Speaker 1>D and D. It's nothing to be scared of.

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<v Speaker 2>Yeah, man, it's like it's like a war game, like

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<v Speaker 2>a simulation, right, it's a planning out a hypothetical. Yeah,

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<v Speaker 2>and it is that that's that's headline chicanery.

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<v Speaker 1>And it's not it's not even a simulation where like

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<v Speaker 1>they didn't like even code you know, a fake AI

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<v Speaker 1>to like test it as a simulation. We're literally just

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<v Speaker 1>like bullshitting, you know, like nothing, nothing was built. Which

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<v Speaker 1>is not to say like I'm not concerned about the

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<v Speaker 1>possibility of like AI, you know, involvement in weapons targeting

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<v Speaker 1>and stuff and that kind of thing. Like there's a

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<v Speaker 1>lot to be concerned about there, but not this article.

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<v Speaker 1>And then kind of on the other end, on the

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<v Speaker 1>positive end of the hype stuff, you've got like this

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<v Speaker 1>this growing chorus of people who are like certain that

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<v Speaker 1>AI is going to save education and rescue students. Bill

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<v Speaker 1>Gates is like a big kind of he's one of

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<v Speaker 1>the big guys like kind of pushing this idea. I

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<v Speaker 1>found a thing recently where he was like very excitedly

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<v Speaker 1>talking about how open ai had taught a chat bot

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<v Speaker 1>to pass an ap test and why this might mean

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<v Speaker 1>something good for education. I'm kind of hesitant to say

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<v Speaker 1>that I buy that, just because I haven't really seen

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<v Speaker 1>any evidence that like an AI is actually good at

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<v Speaker 1>teaching people stuff, which is not to say I haven't

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<v Speaker 1>seen evidence that there are uses for it in education potentially,

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<v Speaker 1>but like, I think people are getting a little bullish

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<v Speaker 1>about this, and kind of somewhere in between those two

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<v Speaker 1>hype peaks, you know, the robots are going to nukasol

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<v Speaker 1>or the robots are going to replace teachers. Somewhere in

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<v Speaker 1>between those two hype peaks is a story I ran

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<v Speaker 1>across a couple weeks ago about an author who wrote

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<v Speaker 1>ninety seven books in nine months using chat GPT.

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<v Speaker 2>Oh no oh no oh no, I think, oh gosh,

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<v Speaker 2>all right.

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<v Speaker 1>I'm gonna guess a lot of people came across this

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<v Speaker 1>story and it's one of those things it sort of

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<v Speaker 1>dropped and a bunch of different like places like the

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<v Speaker 1>I think the Post was one of them. Insider was

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<v Speaker 1>one of these kind of like low quality publications or

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<v Speaker 1>publications that have recently unk in quality significantly, who are

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<v Speaker 1>chasing SEO shit right, And it's also kind of noteworthy

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<v Speaker 1>to me that like this story hit right as the

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<v Speaker 1>writer strike began, like the writers go on strike, and

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<v Speaker 1>then there's this story about like, well, this guy wrote

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<v Speaker 1>almost one hundred books in less than a year using

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<v Speaker 1>chat GPT. You know, maybe we don't need all these writers.

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<v Speaker 1>Now if you actually look at this, this author quote

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<v Speaker 1>unquote and with the most quotation marks around that word,

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<v Speaker 1>I can possibly add like like a whole script that's

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<v Speaker 1>just quotes around the word author. There is a guy

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<v Speaker 1>named Tim Buscher, and the reality if you actually look

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<v Speaker 1>into what's he did here, he didn't write ninety seven

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<v Speaker 1>model novels using chat GPT. He had an AI generate

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<v Speaker 1>like ninety seven stories each about two to five thousand words.

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<v Speaker 1>And if you don't know how novels work generally speaking,

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<v Speaker 1>kind of like the minimum word count before something's considered

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<v Speaker 1>a novel, it's about fifty thousand words. It's and that's

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<v Speaker 1>a short novel, right, you're talking about like I don't know,

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<v Speaker 1>Old Man in the Sea style shit or something like that.

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<v Speaker 1>I don't actually how many words Old Man in the Seas,

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<v Speaker 1>But like my silly book with robot, horny cyborgs and

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<v Speaker 1>stuff was one hundred and twenty thousand words.

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<v Speaker 2>So also, it's a really good book and people should

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<v Speaker 2>read it.

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<v Speaker 1>Thank you. That's very nice.

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<v Speaker 2>It's not a compliment. I'm objectively saying it's a good book.

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<v Speaker 1>Well, thank thank you. I agree that because like he's

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<v Speaker 1>not having it write novels. What he did was he

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<v Speaker 1>had it churn out short stories each with dozens and

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<v Speaker 1>dozens of illustrations in them. There's something like fifty or

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<v Speaker 1>sixty in each story, which is also too many for

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<v Speaker 1>a short story. Waits, Robert, did he draw the pictures himself?

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<v Speaker 1>He sure did not. And we'll talk so like if

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<v Speaker 1>you look at these, like I went to his web page,

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<v Speaker 1>and thankfully, one thing I will give Tim Buscher is

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<v Speaker 1>it looks like he's put most of these on a

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<v Speaker 1>personal web page rather than dumping them all on Amazon,

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<v Speaker 1>which is what we're going to talk about in a second.

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<v Speaker 1>But if you look at the shit he's got like

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<v Speaker 1>a bunch of different Like one of the stories is

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<v Speaker 1>Occupy AI, which is described as like a story about

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<v Speaker 1>protesters fighting cops because AI takes the jobs away or

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<v Speaker 1>something like that. There's not like characters given or any

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<v Speaker 1>kind of like sense of a narrative arc. But the

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<v Speaker 1>AI generated art for the of the cops, like beating

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<v Speaker 1>up people makes them look like the bad guys in Spaceballs,

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<v Speaker 1>And I do appreciate that. So that's that's that's good.

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<v Speaker 1>Sophie can show you the Spaceball's illustration. Oh holy smokes, Yeah,

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<v Speaker 1>they found shit. So I don't I don't have a

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<v Speaker 1>lot of respect for Tim's story writing project, but I

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<v Speaker 1>also don't think it's particularly harmful, right, Like, other than that,

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<v Speaker 1>you know, this guy got a bunch of news attention.

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<v Speaker 1>His books are presumably geared towards adults, or at least

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<v Speaker 1>young adults, and I don't really think a lot of

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<v Speaker 1>people are gonna get swept up in it. But there's something,

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<v Speaker 1>there is something sinister in the world of people using

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<v Speaker 1>AI to generate stories. And this is where we get

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<v Speaker 1>into the meat of what we're actually going to be

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<v Speaker 1>talking about this week, because I have found myself doing

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<v Speaker 1>some journalism again. I don't do as much of that

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<v Speaker 1>as I used to, but I kind of got I

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<v Speaker 1>fell down a rabbit hole over the last two weeks

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<v Speaker 1>and I have been investigating something that I found really

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<v Speaker 1>fucked up and scary. And the short of it is,

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<v Speaker 1>the robots are coming for your children. If you've got

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<v Speaker 1>kids out there, there is a shady network of influencers

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<v Speaker 1>and conmen who are trying to warp your kid's brain

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<v Speaker 1>so that they can make a quick buck off of

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<v Speaker 1>Amazon KDP, which is called which is kindle direct publishing.

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<v Speaker 1>So that's what we're fucking talking about today because it's

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<v Speaker 1>actually a serious problem that people should be aware about.

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<v Speaker 1>And I haven't seen any real reporting on this. I

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<v Speaker 1>was keyed into this story when I ran across a

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<v Speaker 1>Reuter's article like two weeks ago about a boom in

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<v Speaker 1>AI written ebooks on Amazon, and the piece zooms in

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<v Speaker 1>on this wanna be author named Brett Schickler. Brett is

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<v Speaker 1>a salesman from Rochester who heard that chat GPT could

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<v Speaker 1>write stories and he decided like he'd always wanted to

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<v Speaker 1>be a writer, but he just could never get anything

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<v Speaker 1>down on the page. And he was like, well, maybe

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<v Speaker 1>this will make it possible for me. He told Reuters,

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<v Speaker 1>the idea of writing a book finally seemed possible. I thought,

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<v Speaker 1>I can do this. Unfortunately, the book he put out.

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<v Speaker 3>Is why is that so funny? I can do this?

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<v Speaker 1>By not so sad when you learn what he wrote

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<v Speaker 1>because it's his book is The Wise Little Squirrel, a

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<v Speaker 1>tale of saving and investing. It's a guide to fight

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<v Speaker 1>literacy through the eyes of Sammy the Squirrel. And I'll

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<v Speaker 1>say this, everything we're about to talk to on this

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<v Speaker 1>episode is much worse than The Wise Little Squirrel, because

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<v Speaker 1>I will give him credit for one thing. He Schickler's like,

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<v Speaker 1>Brett has a thing he wants to get across to people.

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<v Speaker 2>I'm not.

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<v Speaker 1>I don't think he's done it well. I don't think

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<v Speaker 1>this is the right way to teach kids kids financial

0:12:08.520 --> 0:12:12.120
<v Speaker 1>literacy is to have like a robot generate a story

0:12:12.120 --> 0:12:14.760
<v Speaker 1>about a squirrel so they learn how to invest. But

0:12:14.840 --> 0:12:19.960
<v Speaker 1>he actually seems to care about like transmitting information to kids,

0:12:20.000 --> 0:12:23.920
<v Speaker 1>which is Wellson who does. Yeah, So I'll give him

0:12:23.920 --> 0:12:26.520
<v Speaker 1>some credit for that. Also give him some credit for

0:12:26.559 --> 0:12:29.080
<v Speaker 1>the fact that the cover of his book it doesn't

0:12:29.120 --> 0:12:32.240
<v Speaker 1>look good, Like this doesn't look like a real book.

0:12:32.400 --> 0:12:37.000
<v Speaker 1>I wouldn't say, but there's nothing like inherently off putting

0:12:37.120 --> 0:12:39.840
<v Speaker 1>or terrifying about the squirrel drawing on the cover.

0:12:40.000 --> 0:12:42.400
<v Speaker 2>I don't I don't know, man, I don't know.

0:12:42.520 --> 0:12:44.440
<v Speaker 1>Robert Sophie find unsettling.

0:12:44.840 --> 0:12:49.439
<v Speaker 2>Well, there's the other there's the other animal there, which.

0:12:51.559 --> 0:12:54.560
<v Speaker 1>To wait, where's the other in the trees?

0:12:54.679 --> 0:12:54.839
<v Speaker 5>Oh?

0:12:54.920 --> 0:12:57.480
<v Speaker 1>Yeah, yeah, well, and you know, the perspective is pretty

0:12:57.520 --> 0:13:01.320
<v Speaker 1>fucked on that chipmunk. Yeah, I don't buy it. I

0:13:01.320 --> 0:13:02.559
<v Speaker 1>don't buy the perspective here.

0:13:02.600 --> 0:13:05.160
<v Speaker 3>And where did you and where did they get that acorn?

0:13:05.520 --> 0:13:06.000
<v Speaker 3>We don't know.

0:13:06.120 --> 0:13:07.319
<v Speaker 1>The acorn's massive.

0:13:07.679 --> 0:13:09.880
<v Speaker 3>The acorn is bigger than the bear.

0:13:11.280 --> 0:13:13.400
<v Speaker 1>Well, well that's just because the bear's further away. But

0:13:13.440 --> 0:13:16.360
<v Speaker 1>the acorn is at least the same size as the

0:13:16.400 --> 0:13:20.720
<v Speaker 1>squirrel's Torso, yeah, which I think might be, you know,

0:13:20.960 --> 0:13:23.840
<v Speaker 1>maybe maybe the subtext here is that the acorn is

0:13:23.880 --> 0:13:27.160
<v Speaker 1>inherited wealth and and the squirrel, oh you know, it's

0:13:27.200 --> 0:13:31.240
<v Speaker 1>to yeah represent you know, whereas whereas the squirrel in

0:13:31.320 --> 0:13:36.880
<v Speaker 1>the tree behind him kind of represents the working class.

0:13:37.160 --> 0:13:41.880
<v Speaker 1>Yeah yeah, yeah, who has no acorn? Right, because the

0:13:42.040 --> 0:13:45.440
<v Speaker 1>inherited wealth of our of our anyway, whatever, I don't know,

0:13:45.440 --> 0:13:47.160
<v Speaker 1>why am I? Why am I? Why am I doing this?

0:13:47.840 --> 0:13:51.360
<v Speaker 1>So you nailed it, nailed Brett's Brett's book, which is

0:13:51.400 --> 0:13:54.280
<v Speaker 1>available paperback only. That's another thing I'll give him credit for.

0:13:54.400 --> 0:13:56.920
<v Speaker 1>Because the stuff that's actually really grifty is all being

0:13:56.920 --> 0:13:59.720
<v Speaker 1>done on Kindle. It's currently in about thirty thousand, number

0:13:59.720 --> 0:14:02.719
<v Speaker 1>thirty thousand in literature and fiction for children. One thing

0:14:02.720 --> 0:14:04.959
<v Speaker 1>that does show is that like that sounds really low.

0:14:05.040 --> 0:14:08.440
<v Speaker 1>That's not terrible, right, Like, given the number of books

0:14:08.520 --> 0:14:11.920
<v Speaker 1>that are on Amazon, it's not like a runaway success.

0:14:12.360 --> 0:14:14.400
<v Speaker 1>I think that this is like probably because there was

0:14:14.400 --> 0:14:16.520
<v Speaker 1>a bunch of news stories around this, right because it

0:14:16.559 --> 0:14:20.200
<v Speaker 1>was it's kind of the first AI children's book to

0:14:20.280 --> 0:14:24.600
<v Speaker 1>go viral. It's not again any good, but I don't

0:14:24.640 --> 0:14:27.640
<v Speaker 1>see the harm. Like what we're about to be talking

0:14:27.640 --> 0:14:29.600
<v Speaker 1>about is like a bunch of people who have done

0:14:29.640 --> 0:14:33.320
<v Speaker 1>this in a much more harmful direction. So this story

0:14:33.400 --> 0:14:37.040
<v Speaker 1>kind of got me looking into what other people were

0:14:37.160 --> 0:14:40.880
<v Speaker 1>writing AI children's books. And part of why I thought

0:14:40.920 --> 0:14:44.080
<v Speaker 1>to do this was late last year I watched a

0:14:44.160 --> 0:14:48.280
<v Speaker 1>documentary on the Folding Ideas YouTube channel. You're not aware

0:14:48.280 --> 0:14:50.400
<v Speaker 1>of that. Folding Ideas As a channel run by a

0:14:50.480 --> 0:14:53.560
<v Speaker 1>researcher and a writer named Dan Olsen, who I admire

0:14:53.680 --> 0:14:56.400
<v Speaker 1>quite a lot. He's the guy who did that line

0:14:56.440 --> 0:14:59.880
<v Speaker 1>go up documentary on NFTs that helped cause the nf

0:15:00.080 --> 0:15:02.560
<v Speaker 1>T crash. He's very good at what he does, and

0:15:02.640 --> 0:15:05.800
<v Speaker 1>late last year he published an investigation into a group

0:15:06.080 --> 0:15:10.480
<v Speaker 1>of Amazon con artists who like charge several thousand dollars

0:15:10.640 --> 0:15:13.560
<v Speaker 1>so that they can teach people how to mass produce

0:15:13.680 --> 0:15:18.480
<v Speaker 1>low quality books to have both read by voice actors

0:15:18.520 --> 0:15:21.840
<v Speaker 1>for like audible books, and to sell on Kindle through KDP,

0:15:21.920 --> 0:15:24.560
<v Speaker 1>which is again Kindle Direct Publishing. And it's one of

0:15:24.600 --> 0:15:27.240
<v Speaker 1>those things where like they're promising, they have all these

0:15:27.360 --> 0:15:29.360
<v Speaker 1>lurid stories about like you can make tens of thousands

0:15:29.400 --> 0:15:31.600
<v Speaker 1>of dollars in a few weeks. This is they really

0:15:31.640 --> 0:15:35.080
<v Speaker 1>brad They're called the Mickelson Twins, the particular folks he's investigating,

0:15:35.120 --> 0:15:37.680
<v Speaker 1>and they brag a lot about like how little effort

0:15:37.880 --> 0:15:39.680
<v Speaker 1>it takes to do this, you have to do very

0:15:39.800 --> 0:15:43.320
<v Speaker 1>almost no work whatsoever. And it's one of those like

0:15:43.360 --> 0:15:46.280
<v Speaker 1>they're basically just having people look through to see what's

0:15:46.280 --> 0:15:51.560
<v Speaker 1>selling on Amazon, create topics and then hire some ghostwriter,

0:15:51.800 --> 0:15:53.920
<v Speaker 1>pay him a couple hundred bucks to write a full

0:15:53.960 --> 0:15:57.000
<v Speaker 1>book in two weeks, three weeks something like that, and

0:15:57.040 --> 0:15:59.400
<v Speaker 1>then find a voice actor and put it up. And

0:15:59.440 --> 0:16:03.360
<v Speaker 1>these book books like they're nonsense in a lot of cases,

0:16:03.520 --> 0:16:06.280
<v Speaker 1>like he was. I think the book that Dan put

0:16:06.320 --> 0:16:08.720
<v Speaker 1>together is kind of like a thought exercise was about

0:16:08.800 --> 0:16:12.840
<v Speaker 1>using self hypnosis to deal with epilepsy or something. So

0:16:13.000 --> 0:16:16.080
<v Speaker 1>a lot of really irresponsible topics, all that sort of stuff.

0:16:17.040 --> 0:16:19.040
<v Speaker 1>But the topics, you know, what matters is not like

0:16:19.080 --> 0:16:20.960
<v Speaker 1>what you're actually trying to get out. It matters that,

0:16:21.080 --> 0:16:25.640
<v Speaker 1>like what you're you're having these ghostwriters write include keywords

0:16:25.680 --> 0:16:28.440
<v Speaker 1>that correspond to popular searches on Amazon. Right, it's an

0:16:28.480 --> 0:16:29.320
<v Speaker 1>SEO scam.

0:16:29.680 --> 0:16:34.520
<v Speaker 2>I read about this. I read about this because because Robert.

0:16:34.600 --> 0:16:40.480
<v Speaker 2>The immediate question is why are these guys now selling

0:16:40.720 --> 0:16:45.400
<v Speaker 2>this trick, right, this grift that they have exhausted, right,

0:16:46.080 --> 0:16:49.320
<v Speaker 2>Like why did they move to the next grift. It's

0:16:49.480 --> 0:16:53.680
<v Speaker 2>very it's it's very interesting. You know, I wonder if

0:16:53.680 --> 0:16:55.680
<v Speaker 2>their next thing is going to be self help books.

0:16:56.320 --> 0:16:59.480
<v Speaker 1>Yeah, I think that, like there's a there were already

0:16:59.520 --> 0:17:01.560
<v Speaker 1>some sort of in that topic that they're putting out.

0:17:01.600 --> 0:17:03.920
<v Speaker 1>I think mostly what it is is that, like you

0:17:03.960 --> 0:17:06.919
<v Speaker 1>can make money doing this. Your goal basically is to

0:17:07.080 --> 0:17:10.400
<v Speaker 1>trick people looking for real books on similar subjects into

0:17:10.400 --> 0:17:13.080
<v Speaker 1>buying your books because it's kind of hard to tell

0:17:13.080 --> 0:17:15.320
<v Speaker 1>on Kendle, and they may you know, if you just

0:17:15.400 --> 0:17:17.920
<v Speaker 1>are putting enough stuff out there, the sheer number of

0:17:17.920 --> 0:17:20.560
<v Speaker 1>people searching means that you'll make you know, sales, and

0:17:20.600 --> 0:17:23.159
<v Speaker 1>if you know, you don't. If it doesn't take that

0:17:23.320 --> 0:17:25.600
<v Speaker 1>much work, you know, if you get a couple hundred sales,

0:17:25.640 --> 0:17:28.840
<v Speaker 1>it can be worth it. This is not an easy path,

0:17:29.400 --> 0:17:31.640
<v Speaker 1>like actually an easy path to making a lot of money,

0:17:31.640 --> 0:17:34.480
<v Speaker 1>which is why the real business is in conning the

0:17:34.520 --> 0:17:36.800
<v Speaker 1>people who think that they'll make money off of this

0:17:36.880 --> 0:17:39.080
<v Speaker 1>and getting them to pay you several thousand dollars to

0:17:39.119 --> 0:17:42.960
<v Speaker 1>teach them all this crap. Dan in his video calls

0:17:43.000 --> 0:17:46.960
<v Speaker 1>these people coentrepreneurs, which is is a clever bit of wordplay,

0:17:47.440 --> 0:17:49.639
<v Speaker 1>but I do think the term actually kind of misses

0:17:49.640 --> 0:17:53.359
<v Speaker 1>something important because then, well, the con is Dan is

0:17:53.400 --> 0:17:55.760
<v Speaker 1>talking about, the con that he is he is unraveling,

0:17:55.800 --> 0:17:58.840
<v Speaker 1>is that like this is not actually a great business.

0:17:58.920 --> 0:18:01.400
<v Speaker 1>It's hard for people to really make money. They are

0:18:01.480 --> 0:18:04.119
<v Speaker 1>lying to folks about how profitable this is so that

0:18:04.119 --> 0:18:06.840
<v Speaker 1>they can take their money, and that is that is true.

0:18:06.840 --> 0:18:10.200
<v Speaker 1>That is a con. But there's an actual outside harm

0:18:10.240 --> 0:18:12.800
<v Speaker 1>aside from this con because like, the people they're conning

0:18:13.119 --> 0:18:16.159
<v Speaker 1>are not just passive rubs. They're trying to like unethically

0:18:16.200 --> 0:18:18.760
<v Speaker 1>make a quick buck. So to some extent, I'm like,

0:18:18.800 --> 0:18:20.640
<v Speaker 1>I'm not I don't have a huge problem with who

0:18:20.640 --> 0:18:23.480
<v Speaker 1>they're conning necessarily, But what I do have a real

0:18:23.520 --> 0:18:26.760
<v Speaker 1>issue with is that the byproduct of the cons they're

0:18:26.800 --> 0:18:30.160
<v Speaker 1>running is that the largest bookstore on the planet gets

0:18:30.200 --> 0:18:34.120
<v Speaker 1>filled with thousands and thousands and thousands of nonsense titles

0:18:34.119 --> 0:18:38.800
<v Speaker 1>that aren't real books that can spread disinformation, that can

0:18:38.880 --> 0:18:41.919
<v Speaker 1>just cause people to waste money, that can like, like,

0:18:42.160 --> 0:18:44.000
<v Speaker 1>there's a lot of issue. It makes it harder to

0:18:44.080 --> 0:18:46.960
<v Speaker 1>like find stuff that you're looking for that's of quality,

0:18:47.000 --> 0:18:49.240
<v Speaker 1>you know, on various topics. I've had to deal with

0:18:49.320 --> 0:18:51.199
<v Speaker 1>this a few times with bastards where I'm looking for

0:18:51.240 --> 0:18:54.200
<v Speaker 1>books on niche subjects and I find something that seems

0:18:54.240 --> 0:18:55.720
<v Speaker 1>to be about it, but it turns out it's like

0:18:55.760 --> 0:18:58.080
<v Speaker 1>one of these like crap books. It's like someone's at

0:18:58.080 --> 0:19:00.719
<v Speaker 1>best paraphrased to Wikipedia entry or something.

0:19:00.960 --> 0:19:03.560
<v Speaker 2>Is it is it that prolific thought?

0:19:03.720 --> 0:19:07.000
<v Speaker 1>Like what thousands and thousands of times really I I

0:19:07.920 --> 0:19:11.520
<v Speaker 1>have I have actually reached out to Amazon for comment

0:19:11.600 --> 0:19:15.080
<v Speaker 1>on like how many AI titles they have in their

0:19:15.160 --> 0:19:18.040
<v Speaker 1>library and how they like the degree to which or

0:19:18.200 --> 0:19:20.159
<v Speaker 1>whether or not they do anything to attempt to like

0:19:20.960 --> 0:19:23.720
<v Speaker 1>figure out which titles or AI or not, like I have.

0:19:23.880 --> 0:19:25.920
<v Speaker 1>I've asked them a couple of questions on that about

0:19:25.960 --> 0:19:28.520
<v Speaker 1>like their plagiarism, filters and stuff. I haven't heard back yet,

0:19:30.480 --> 0:19:33.080
<v Speaker 1>And if I do, I'll update this. I'll record it

0:19:33.160 --> 0:19:33.679
<v Speaker 1>update for you.

0:19:33.920 --> 0:19:38.239
<v Speaker 2>Well, surely they can just they can just create a

0:19:38.359 --> 0:19:43.520
<v Speaker 2>large language model that will respond to your insightful questions

0:19:44.000 --> 0:19:45.480
<v Speaker 2>in novel form.

0:19:45.840 --> 0:19:48.760
<v Speaker 1>Yeah, that would at least be a response. So far,

0:19:48.840 --> 0:19:51.920
<v Speaker 1>I haven't gotten anything from them because I think they're

0:19:52.040 --> 0:19:55.000
<v Speaker 1>they're following the Elon Musk root of just ignoring any

0:19:55.080 --> 0:19:57.280
<v Speaker 1>questions from media because there's there's a lot of money.

0:19:57.440 --> 0:19:59.879
<v Speaker 1>They make money anytime people upload the shit in anytime

0:20:00.080 --> 0:20:02.000
<v Speaker 1>it sells, so like they don't have a problem with

0:20:02.080 --> 0:20:05.320
<v Speaker 1>con men putting fake books up on the site. And

0:20:05.440 --> 0:20:07.719
<v Speaker 1>it's one of those things. Again. When when I watched

0:20:07.720 --> 0:20:09.600
<v Speaker 1>this video by Dan, I was like, well, this is

0:20:09.600 --> 0:20:12.320
<v Speaker 1>an interesting con. I think what's happening here is kind

0:20:12.320 --> 0:20:16.280
<v Speaker 1>of unsettling. And then you know the late like the

0:20:16.359 --> 0:20:21.879
<v Speaker 1>AI explosion happened right, and suddenly this con gets supercharged

0:20:21.960 --> 0:20:25.800
<v Speaker 1>because the main barrier to entry and barrier to production

0:20:25.880 --> 0:20:28.320
<v Speaker 1>and profitability and the old way of doing things is

0:20:28.359 --> 0:20:31.440
<v Speaker 1>the ghost writing. You know, these people the original version

0:20:31.480 --> 0:20:33.879
<v Speaker 1>of this con You're hiring a human being to ghost

0:20:33.960 --> 0:20:36.879
<v Speaker 1>write a fake book for you, basically, right, And a

0:20:36.960 --> 0:20:40.679
<v Speaker 1>human being can only write fifty thousand dish words so fast,

0:20:40.800 --> 0:20:42.960
<v Speaker 1>even if all they're doing is like paraphrasing a bunch

0:20:43.000 --> 0:20:45.919
<v Speaker 1>of like Wikipedia and news articles, right, Like, there's a

0:20:46.000 --> 0:20:49.040
<v Speaker 1>degree there's a hard limitation on how many of these

0:20:49.080 --> 0:20:52.240
<v Speaker 1>can get written. And it's going to cost money because people,

0:20:52.280 --> 0:20:55.240
<v Speaker 1>even people who will do this very cheaply, won't do

0:20:55.359 --> 0:20:59.679
<v Speaker 1>it for nothing, whereas chat, GPT and other large language

0:20:59.680 --> 0:21:04.480
<v Speaker 1>models will write thousands of words for you for effectively nothing.

0:21:04.600 --> 0:21:07.399
<v Speaker 1>So as soon as I kind of read this story

0:21:07.440 --> 0:21:10.480
<v Speaker 1>about this this children's book and thought back to Dan's video,

0:21:10.520 --> 0:21:12.880
<v Speaker 1>I was like, oh shit, I bet this is causing

0:21:13.280 --> 0:21:15.840
<v Speaker 1>I bet this is causing like a massive surge in

0:21:15.920 --> 0:21:20.600
<v Speaker 1>crap getting posted onto Amazon Kindle. And it's unfortunately like

0:21:21.320 --> 0:21:25.000
<v Speaker 1>more unsettling than I had initially thought, because with this

0:21:25.520 --> 0:21:28.400
<v Speaker 1>early scam, with like the you know, these these these

0:21:28.440 --> 0:21:32.439
<v Speaker 1>ghostwriting scams, the books tend to be fote like aimed

0:21:32.520 --> 0:21:34.840
<v Speaker 1>towards adults. Right, You're trying to get adults who might

0:21:35.280 --> 0:21:37.080
<v Speaker 1>might be looking for a topic or something to buy

0:21:37.119 --> 0:21:41.600
<v Speaker 1>your book but it's hard to get chat GPT to

0:21:41.680 --> 0:21:44.920
<v Speaker 1>write a whole proper nonfiction book, Like getting it to

0:21:44.960 --> 0:21:48.320
<v Speaker 1>write a fifty thousand dish word book is almost impossible

0:21:48.400 --> 0:21:50.760
<v Speaker 1>unless you do a bunch of like really messy sort

0:21:50.800 --> 0:21:54.560
<v Speaker 1>of like prompt tricks, which is why all of Tim

0:21:54.560 --> 0:21:57.480
<v Speaker 1>Buscher's books were a couple of thousand words long. But

0:21:58.000 --> 0:22:02.760
<v Speaker 1>children's books are a very different story because children's books,

0:22:02.880 --> 0:22:05.280
<v Speaker 1>if you like have gone through books for little kids,

0:22:05.280 --> 0:22:08.719
<v Speaker 1>for toddlers or whatever, they're heavy on illustrations. There's an

0:22:08.720 --> 0:22:11.719
<v Speaker 1>illustration every page, and there's often just a couple of

0:22:11.760 --> 0:22:15.280
<v Speaker 1>sentences or a paragraph of text per page, which is

0:22:15.359 --> 0:22:18.560
<v Speaker 1>exactly the kind of length that chat GPT and other

0:22:18.880 --> 0:22:25.600
<v Speaker 1>lms are perfectly capable of reproducing. Right, so the places

0:22:25.640 --> 0:22:29.840
<v Speaker 1>you'll go exactly exactly, and the places you're going to

0:22:29.840 --> 0:22:33.520
<v Speaker 1>go are like directly into the recursive loop of slop

0:22:33.600 --> 0:22:37.639
<v Speaker 1>feeding through you know, an LM, which is what the

0:22:37.680 --> 0:22:39.800
<v Speaker 1>investigation we're talking about is this week, because as soon

0:22:39.840 --> 0:22:42.800
<v Speaker 1>as I start type, I started typing in like how

0:22:42.840 --> 0:22:45.960
<v Speaker 1>to write AI children's books, and shit, my YouTube search

0:22:46.000 --> 0:22:49.960
<v Speaker 1>revealed video after video with titles like easy AI money,

0:22:50.000 --> 0:22:52.920
<v Speaker 1>make one hundred K writing children's books with chat GPT

0:22:53.040 --> 0:22:56.840
<v Speaker 1>and mid journey and easy passive income with chat GPT

0:22:56.960 --> 0:23:01.239
<v Speaker 1>in mid Journey creating children's books, I watched way too

0:23:01.320 --> 0:23:03.800
<v Speaker 1>many of these fucking videos, all of which lay out

0:23:03.840 --> 0:23:06.160
<v Speaker 1>the same basic strategy. The first step is to pick

0:23:06.200 --> 0:23:09.120
<v Speaker 1>a prompt an actual author might be decide. For example,

0:23:09.320 --> 0:23:11.879
<v Speaker 1>I want to teach children about the importance of conservation

0:23:12.000 --> 0:23:15.960
<v Speaker 1>with a cautionary tale about the thoughtless capitalization of natural resources. Right,

0:23:16.160 --> 0:23:18.399
<v Speaker 1>you know, that's the Lora Axe, or one of my

0:23:18.440 --> 0:23:19.680
<v Speaker 1>favorite books as a kid. You know, I want to

0:23:19.680 --> 0:23:21.679
<v Speaker 1>write a book about a bat raised by birds that

0:23:21.800 --> 0:23:24.080
<v Speaker 1>kind of shows kids that bats are beautiful and complex

0:23:24.119 --> 0:23:27.479
<v Speaker 1>creatures and not just spooky set dressings for vampire stories.

0:23:27.480 --> 0:23:28.359
<v Speaker 1>That's Stella Luna.

0:23:28.480 --> 0:23:28.640
<v Speaker 2>Right.

0:23:28.880 --> 0:23:31.280
<v Speaker 1>Those are, you know, examples of things human beings might

0:23:31.320 --> 0:23:34.399
<v Speaker 1>try to transmit to children through, like actual human created

0:23:34.480 --> 0:23:39.400
<v Speaker 1>children's books. But chatbots and grindset influencers are both incapable

0:23:39.440 --> 0:23:42.160
<v Speaker 1>of feeling things or of wanting to transmit their feelings

0:23:42.200 --> 0:23:46.440
<v Speaker 1>to others. Right, Like, You've got people who are effectively

0:23:46.480 --> 0:23:50.160
<v Speaker 1>soulless using a robot that is effectively soulless in order

0:23:50.200 --> 0:23:53.200
<v Speaker 1>to try and transmit messages to children, and that gets

0:23:53.359 --> 0:23:58.359
<v Speaker 1>dark pretty quickly, Ben. But you know what's not dark?

0:24:00.160 --> 0:24:01.639
<v Speaker 2>It is it goods and services?

0:24:01.800 --> 0:24:04.399
<v Speaker 1>Yeah, the products and services that support this podcast. I

0:24:04.400 --> 0:24:06.720
<v Speaker 1>don't know if you're aware of this been none of

0:24:06.760 --> 0:24:08.959
<v Speaker 1>them are, you know? We we we have one. We

0:24:09.000 --> 0:24:13.399
<v Speaker 1>take one promise from our our advertisers. Don't be evil

0:24:14.200 --> 0:24:17.400
<v Speaker 1>dot dot dot unless it makes a lot of money.

0:24:19.920 --> 0:24:23.200
<v Speaker 4>Your ads unless you have Cooler Zone Media are ad

0:24:23.240 --> 0:24:26.359
<v Speaker 4>free subscription channel available on Apple.

0:24:26.119 --> 0:24:29.159
<v Speaker 1>Podcasts, which is the most ethical way to consume this,

0:24:29.400 --> 0:24:31.640
<v Speaker 1>you know, I mean, it is true that every time

0:24:31.680 --> 0:24:37.240
<v Speaker 1>you get a Cooler Zone Media subscription raytheon fires a

0:24:37.320 --> 0:24:40.760
<v Speaker 1>Maffick missile at a at a school bus in a

0:24:40.800 --> 0:24:44.200
<v Speaker 1>foreign country. But we are we are working to fix that. Yeah,

0:24:44.200 --> 0:24:45.600
<v Speaker 1>that is it's not an intent.

0:24:45.880 --> 0:24:47.160
<v Speaker 3>Yeah, that's a glitch.

0:24:47.920 --> 0:24:52.080
<v Speaker 2>Yeah, I heard. I heard that every time someone subscribes

0:24:52.720 --> 0:24:57.800
<v Speaker 2>to U two cool Zone Media, they get a they

0:24:57.840 --> 0:25:00.880
<v Speaker 2>get a little coupon and if we get another coupons,

0:25:01.920 --> 0:25:06.800
<v Speaker 2>we can we can finally subtract a day from Henry

0:25:06.840 --> 0:25:09.040
<v Speaker 2>Kissinger's life. I don't know which day.

0:25:09.400 --> 0:25:10.760
<v Speaker 1>Yeah, I don't know.

0:25:10.760 --> 0:25:12.200
<v Speaker 2>If it's a last letter, it's.

0:25:12.080 --> 0:25:14.719
<v Speaker 1>Likely one of the days he ordered bombings in Cambodi.

0:25:15.320 --> 0:25:19.840
<v Speaker 2>You don't think it done us. Yeah, we gotta subscribe.

0:25:20.080 --> 0:25:22.840
<v Speaker 1>Yeah, so get enough subscriptions and together we can kill

0:25:22.880 --> 0:25:34.359
<v Speaker 1>Henry Kissinger. Ah, we're back. So the process bin of

0:25:34.440 --> 0:25:37.360
<v Speaker 1>picking a topic for an AI kids book is mechanical

0:25:37.440 --> 0:25:39.760
<v Speaker 1>and bleak. It starts with a trip to the Amazon

0:25:39.880 --> 0:25:43.800
<v Speaker 1>sales rankings. People use extensions like book Bolt, which show

0:25:43.840 --> 0:25:46.960
<v Speaker 1>which topics are selling well, and it's it's kind of

0:25:46.960 --> 0:25:49.320
<v Speaker 1>a mix of the videos that I found pointed out

0:25:49.320 --> 0:25:51.720
<v Speaker 1>that like, you want stuff that's reasonably high up on

0:25:51.760 --> 0:25:54.119
<v Speaker 1>the lists and has a good number of reviews, but

0:25:54.200 --> 0:25:56.720
<v Speaker 1>you also don't want it to have too many reviews.

0:25:56.920 --> 0:25:59.600
<v Speaker 1>The most successful AI kids books will only sell like

0:25:59.720 --> 0:26:03.520
<v Speaker 1>does or maybe one hundred or so copies, and so

0:26:03.760 --> 0:26:05.520
<v Speaker 1>they kind of like a lot of the people making

0:26:05.520 --> 0:26:08.120
<v Speaker 1>these videos will disguise that by showing you like sales

0:26:08.200 --> 0:26:11.600
<v Speaker 1>calculation apps where they plug in books by actual human

0:26:11.600 --> 0:26:14.840
<v Speaker 1>beings to be like, you can make thirty two thousand

0:26:14.880 --> 0:26:17.600
<v Speaker 1>dollars a month, you know, just like this guy who

0:26:17.600 --> 0:26:22.080
<v Speaker 1>wrote this you know, storybook or whatever that's a bestseller did,

0:26:22.760 --> 0:26:24.960
<v Speaker 1>which you're not gonna like actually do if you're really

0:26:25.000 --> 0:26:29.480
<v Speaker 1>doing this for a business. But one of the creators

0:26:29.520 --> 0:26:31.720
<v Speaker 1>that I watched kind of put together the One of

0:26:31.800 --> 0:26:36.760
<v Speaker 1>these guys is called the Zinny Studio. They advocate copying

0:26:36.760 --> 0:26:39.560
<v Speaker 1>the premises of real kids books that have several hundred

0:26:39.560 --> 0:26:41.919
<v Speaker 1>reviews but less than a thousandth They've like worked this

0:26:41.960 --> 0:26:43.919
<v Speaker 1>out to a science where like, if there's more than

0:26:43.960 --> 0:26:46.920
<v Speaker 1>a thousand reviews, you're gonna get lost in the mix. Right,

0:26:47.000 --> 0:26:49.240
<v Speaker 1>It's it's the stories are too big, So like whatever

0:26:49.280 --> 0:26:52.520
<v Speaker 1>you put out isn't gonna break through. But if they've

0:26:52.560 --> 0:26:55.000
<v Speaker 1>got a couple one hundred reviews, that's enough that like

0:26:55.080 --> 0:26:57.359
<v Speaker 1>you know, there's a lot of interest. But also you

0:26:57.359 --> 0:26:59.199
<v Speaker 1>have a good chance that while your book's new, if

0:26:59.200 --> 0:27:01.040
<v Speaker 1>you can get a couple of early sales, you can

0:27:01.119 --> 0:27:05.240
<v Speaker 1>you can juke it up the spots. There's also a

0:27:05.280 --> 0:27:08.639
<v Speaker 1>strategy for price points. They note that like Amazon pays

0:27:08.760 --> 0:27:11.800
<v Speaker 1>seventy percent in royalties if your book's two ninety nine,

0:27:11.960 --> 0:27:14.000
<v Speaker 1>nine ninety nine, but if it's cheaper than that, they

0:27:14.000 --> 0:27:15.400
<v Speaker 1>only pay out like half as much.

0:27:15.960 --> 0:27:19.960
<v Speaker 2>We are in the wrong business. Yeah, we're in the

0:27:20.040 --> 0:27:23.760
<v Speaker 2>wrong business. I cannot wait to read because this is

0:27:24.160 --> 0:27:29.600
<v Speaker 2>this is like a dark side of cyborg philosophy, right, yeah, right,

0:27:29.680 --> 0:27:35.480
<v Speaker 2>so like, uh, Robert Sophie, let's get on the seo.

0:27:35.960 --> 0:27:39.280
<v Speaker 2>Let's find uh, let's find a topic, and let's have

0:27:39.520 --> 0:27:45.200
<v Speaker 2>our evil Pandora jin kind of thing. Uh right, rite

0:27:45.280 --> 0:27:47.480
<v Speaker 2>us a little old man in the sea and just

0:27:47.640 --> 0:27:52.760
<v Speaker 2>mad lib whatever whatever the narrative is, right, I.

0:27:52.760 --> 0:27:55.320
<v Speaker 1>Mean, I think the real answer Ben, because you and

0:27:55.400 --> 0:27:58.040
<v Speaker 1>I both have hundreds of hours of our podcast. You know,

0:27:58.080 --> 0:28:00.560
<v Speaker 1>there's ridiculous history and Behind the Bastards and everything else

0:28:00.560 --> 0:28:03.639
<v Speaker 1>we've been on recorded. We feed all that into an

0:28:03.680 --> 0:28:06.640
<v Speaker 1>AI and then just like, look at what's trending on Twitter,

0:28:06.960 --> 0:28:09.920
<v Speaker 1>and then we have an AI generate like six hours

0:28:10.000 --> 0:28:13.240
<v Speaker 1>of you and me talking about how masks don't work

0:28:13.320 --> 0:28:16.280
<v Speaker 1>or something like that. Just like crap that stuff onto

0:28:16.280 --> 0:28:19.080
<v Speaker 1>the internet. Whatever Joe Rogan talks about that week, We'll

0:28:19.160 --> 0:28:23.159
<v Speaker 1>just generate an AI conversation between us about it, you know,

0:28:23.240 --> 0:28:27.120
<v Speaker 1>toss in like fifteen percent Elon Musk, and then we retire.

0:28:28.000 --> 0:28:32.840
<v Speaker 2>Yeah. Yeah. What I also love about this first off

0:28:33.400 --> 0:28:37.600
<v Speaker 2>is the sincerity, and second off is the idea that

0:28:37.800 --> 0:28:40.600
<v Speaker 2>nothing could go wrong at all.

0:28:41.680 --> 0:28:45.280
<v Speaker 1>No, it won't, Like I don't know, I feel like,

0:28:45.680 --> 0:28:47.840
<v Speaker 1>as long as you know, we need one human being

0:28:47.880 --> 0:28:49.760
<v Speaker 1>in there to keep a handle on things, so it

0:28:49.760 --> 0:28:51.800
<v Speaker 1>can just be like an AI version of you and

0:28:51.840 --> 0:28:54.960
<v Speaker 1>an AI version of me, and then human Sophie sitting

0:28:54.960 --> 0:28:59.200
<v Speaker 1>there and like trying to trying to control the robot conversation.

0:29:00.120 --> 0:29:03.960
<v Speaker 1>We start giving out like the ingredients for job.

0:29:07.680 --> 0:29:12.680
<v Speaker 2>So uh yeah, you know, uh Sophie, it sounds like

0:29:12.760 --> 0:29:14.920
<v Speaker 2>you're cool with that, right, Yeah?

0:29:15.200 --> 0:29:17.480
<v Speaker 3>No, I could never replace Robert with the robot.

0:29:18.520 --> 0:29:20.800
<v Speaker 1>Yeah you could. I mean it would be a rot.

0:29:20.960 --> 0:29:25.000
<v Speaker 1>But you know, I got that like that AI Seinfeld

0:29:25.040 --> 0:29:28.840
<v Speaker 1>where it's just like a never ending mediocre Seinfeld episode.

0:29:29.000 --> 0:29:31.960
<v Speaker 1>We could, we could. We could slip Sophie in that too,

0:29:32.240 --> 0:29:36.640
<v Speaker 1>make you make you moderate AI brainless Seinfeld.

0:29:37.720 --> 0:29:44.760
<v Speaker 2>So well, because you know, we're keeping things interesting, right.

0:29:45.360 --> 0:29:49.360
<v Speaker 2>The problem is that Behind the Bastards is an important,

0:29:49.960 --> 0:29:56.520
<v Speaker 2>uh and profound at times show. I'm kidding, yeah, okay, okay,

0:29:56.560 --> 0:29:59.640
<v Speaker 2>all right. The problem is that Behind the Bastards is

0:29:59.680 --> 0:30:03.600
<v Speaker 2>a Horton's show, so it might be too high on

0:30:03.640 --> 0:30:08.040
<v Speaker 2>our SEO. We need to get some kind of spinoff

0:30:08.160 --> 0:30:12.080
<v Speaker 2>thing that appears to be irrelevant but works on a

0:30:12.120 --> 0:30:16.400
<v Speaker 2>search term that is that is kicking it for Jeff Bezos, right,

0:30:16.760 --> 0:30:19.320
<v Speaker 2>and then and then we just crap out hours of that.

0:30:20.200 --> 0:30:23.880
<v Speaker 2>Obviously this is behind the scenes, right, this is not

0:30:24.000 --> 0:30:25.440
<v Speaker 2>going out live, right.

0:30:25.920 --> 0:30:29.880
<v Speaker 1>Yeah. I think we call it the Passive Income Diet

0:30:29.920 --> 0:30:33.640
<v Speaker 1>Hack Cast with Robert Evans and Ben Bolin. That's that.

0:30:33.640 --> 0:30:36.960
<v Speaker 1>That's our that's our path to sixty seven million dollars.

0:30:37.120 --> 0:30:40.280
<v Speaker 2>I love I love how it's so so brief and

0:30:40.320 --> 0:30:44.240
<v Speaker 2>so snappy. You know, there's a lot of immediacy. Take

0:30:44.280 --> 0:30:45.600
<v Speaker 2>that himingway.

0:30:45.280 --> 0:30:50.480
<v Speaker 1>Yeah, stick pat yea exactly for sale o Zimbic never

0:30:50.600 --> 0:30:53.880
<v Speaker 1>a drop shipped. I don't know like that that's most

0:30:53.880 --> 0:30:54.680
<v Speaker 1>of what you need in there.

0:30:55.600 --> 0:30:57.400
<v Speaker 2>We got them freestylely do I like it?

0:30:57.480 --> 0:31:01.160
<v Speaker 1>Yeah? Yeah, it's good. So yeah, this is kind of

0:31:01.640 --> 0:31:03.960
<v Speaker 1>the process of like making these books start. You use

0:31:04.080 --> 0:31:06.480
<v Speaker 1>like these these different extenses to kind of see what's selling,

0:31:06.520 --> 0:31:09.040
<v Speaker 1>figure out a premise for yourself. And some creators will

0:31:09.040 --> 0:31:11.760
<v Speaker 1>take this research and they'll like try to make an

0:31:11.800 --> 0:31:14.560
<v Speaker 1>original premise for a children's book to feed into the AI.

0:31:14.960 --> 0:31:17.920
<v Speaker 1>But most of them suggest just collecting like they're not

0:31:18.000 --> 0:31:20.040
<v Speaker 1>even doing that for the most part. Most of these

0:31:20.080 --> 0:31:24.000
<v Speaker 1>people suggest collecting keywords by like whatever's popular, and then

0:31:24.040 --> 0:31:27.080
<v Speaker 1>plugging those keywords into chat GPT and asking it to

0:31:27.120 --> 0:31:30.320
<v Speaker 1>generate a story premiss, which they then feed back to

0:31:30.360 --> 0:31:33.000
<v Speaker 1>it to have it generate a story, thus avoiding the

0:31:33.120 --> 0:31:35.800
<v Speaker 1>risk that human creativity might happen at any point in

0:31:35.840 --> 0:31:36.560
<v Speaker 1>this process.

0:31:37.040 --> 0:31:40.560
<v Speaker 2>The mess see prompts you were talking about the it's

0:31:40.600 --> 0:31:43.360
<v Speaker 2>sort of our cane, right. Writing prompt is a bit

0:31:43.480 --> 0:31:44.800
<v Speaker 2>like casting a spell.

0:31:45.200 --> 0:31:48.280
<v Speaker 1>Yeah, yeah, casting a spell or a math equation. We'll

0:31:48.280 --> 0:31:50.000
<v Speaker 1>talk about that in a little bit. But I want

0:31:50.000 --> 0:31:51.640
<v Speaker 1>to play you a clip from this guide by the

0:31:51.920 --> 0:31:54.000
<v Speaker 1>Zeni Studio, which had about two hundred and sixty eight

0:31:54.080 --> 0:31:58.840
<v Speaker 1>k views when I watched it, kind of cautioning, attempting

0:31:58.920 --> 0:32:01.200
<v Speaker 1>to make it seem a little bit less soulless than

0:32:01.200 --> 0:32:03.760
<v Speaker 1>the process actually is. Sophie, you can play that.

0:32:03.840 --> 0:32:07.480
<v Speaker 6>Now, do you research to find books to copy your

0:32:07.560 --> 0:32:12.320
<v Speaker 6>Do you research to understand what is working? It's important

0:32:12.480 --> 0:32:17.440
<v Speaker 6>to make your own original pieces, original story books, so

0:32:17.480 --> 0:32:21.560
<v Speaker 6>you could stand out from your competition. Okay, now, so

0:32:22.160 --> 0:32:22.800
<v Speaker 6>you could see that.

0:32:24.440 --> 0:32:27.280
<v Speaker 1>She says that, right that it's you're not doing this

0:32:27.360 --> 0:32:29.800
<v Speaker 1>to like copy people. You know, you're trying to find

0:32:29.840 --> 0:32:33.040
<v Speaker 1>ideas for original work. Here's the actual prompt that she

0:32:33.280 --> 0:32:37.440
<v Speaker 1>uses to generate her children's book, Write me a Children's Story.

0:32:37.480 --> 0:32:39.560
<v Speaker 1>About a girl going on an adventure to find a

0:32:39.600 --> 0:32:42.680
<v Speaker 1>missing treasure. Lesson you achieve what you put your mind on?

0:32:42.840 --> 0:32:45.960
<v Speaker 1>Make it six pages, entitle each page, make his mind

0:32:46.000 --> 0:32:49.239
<v Speaker 1>blowing and intriguing. I'm trying to have to go too

0:32:49.320 --> 0:32:51.040
<v Speaker 1>hard on the misspellings, but it does show you how

0:32:51.120 --> 0:32:53.160
<v Speaker 1>lazy you can be with these Like that's not a

0:32:53.240 --> 0:32:57.320
<v Speaker 1>story idea, like going on an adventure? What kind of adventure?

0:32:57.400 --> 0:32:59.520
<v Speaker 1>Finding a mission? What kind of treasure? How does she

0:32:59.840 --> 0:33:02.960
<v Speaker 1>like the lesson you achieve what you put your mind on?

0:33:03.360 --> 0:33:08.040
<v Speaker 1>Like that, that's like that's a producer. That's a producer

0:33:08.160 --> 0:33:12.400
<v Speaker 1>walking in and saying, uh, you know, do a thing

0:33:12.680 --> 0:33:15.400
<v Speaker 1>with the sort of vibe and and I love that.

0:33:15.520 --> 0:33:18.160
<v Speaker 1>I love that shamal On at the end, Robert make

0:33:18.240 --> 0:33:22.320
<v Speaker 1>it mind blowing, yeah, mind blowing yeah. And it's it's

0:33:22.440 --> 0:33:25.000
<v Speaker 1>very funny because, like it is, all of these AI

0:33:25.160 --> 0:33:29.760
<v Speaker 1>people are the same as like the worst folks in Hollywood, right,

0:33:29.840 --> 0:33:32.480
<v Speaker 1>you know, there's good producers and bad producers, and nothing

0:33:32.520 --> 0:33:35.480
<v Speaker 1>gets made without the producers who do know what they're doing.

0:33:36.280 --> 0:33:37.840
<v Speaker 1>But there's a lot of folks who are like a

0:33:37.840 --> 0:33:39.600
<v Speaker 1>lot of corporate folks, you know. I'm thinking about like

0:33:39.680 --> 0:33:43.520
<v Speaker 1>David Zoslov and shit here who are like, Yeah, I'm

0:33:43.560 --> 0:33:45.560
<v Speaker 1>the idea. Why do we need writers? I already had

0:33:45.600 --> 0:33:48.040
<v Speaker 1>the idea, you know, write me, write me a story

0:33:48.080 --> 0:33:50.360
<v Speaker 1>about about a guy who's angry.

0:33:51.040 --> 0:33:56.400
<v Speaker 2>Yeah, Max, Yeah, you guys heard about sharks? What what like?

0:33:57.120 --> 0:34:01.880
<v Speaker 2>So I saw a thing on Instagram about torne So

0:34:01.960 --> 0:34:03.880
<v Speaker 2>what if we what if we just do that?

0:34:04.080 --> 0:34:07.240
<v Speaker 1>Yeah? Yeah, give me a Tornado thing with Bill Paxton.

0:34:07.320 --> 0:34:09.320
<v Speaker 1>You know that's the that's the hard work. I already

0:34:09.320 --> 0:34:12.520
<v Speaker 1>did it. You know, somebody can crap out the script anytime.

0:34:12.680 --> 0:34:15.160
<v Speaker 3>D just call me Ishmael.

0:34:18.719 --> 0:34:22.040
<v Speaker 1>Yeah, there you go. So I want to actually like

0:34:22.400 --> 0:34:26.120
<v Speaker 1>read you the story that or at least a chunk

0:34:26.160 --> 0:34:28.960
<v Speaker 1>of the story that gets generated by this this this

0:34:29.040 --> 0:34:32.279
<v Speaker 1>prompt because I love it again. People are flipping out

0:34:32.320 --> 0:34:35.080
<v Speaker 1>so much about like the quality of writing that these

0:34:35.120 --> 0:34:37.960
<v Speaker 1>things are capable of, and like, I think what you're

0:34:37.960 --> 0:34:40.160
<v Speaker 1>all going to learn is that like, this isn't writing

0:34:40.360 --> 0:34:44.360
<v Speaker 1>what it puts out. So Page one, The Missing Treasure.

0:34:44.880 --> 0:34:46.960
<v Speaker 1>Once upon a time there was a brave and curious

0:34:47.000 --> 0:34:49.120
<v Speaker 1>girl named Sarah. She lived in a small village at

0:34:49.120 --> 0:34:51.000
<v Speaker 1>the foot of a big mountain. One day, she heard

0:34:51.040 --> 0:34:52.960
<v Speaker 1>about a missing treasure that was hidden in the mountain

0:34:52.960 --> 0:34:55.840
<v Speaker 1>a long time ago. Sarah was very intrigued and decided

0:34:55.880 --> 0:34:58.000
<v Speaker 1>to go on an adventure to find the missing treasure.

0:34:58.440 --> 0:35:01.200
<v Speaker 1>So you see that, you say, like, first, I'm taking

0:35:01.200 --> 0:35:03.600
<v Speaker 1>a break here, like is she The prompt said like

0:35:03.640 --> 0:35:06.359
<v Speaker 1>make it intriguing, And what the robot did was like, well,

0:35:06.400 --> 0:35:08.920
<v Speaker 1>I'll just say that Sarah is intrigued. That means that

0:35:09.120 --> 0:35:12.799
<v Speaker 1>it's an intriguing story. Now, because I've used that word, we.

0:35:13.320 --> 0:35:18.600
<v Speaker 2>Also see we also see repetition of phrases, right, Oh yeah.

0:35:18.120 --> 0:35:21.160
<v Speaker 1>Yeah, it's it's very clear that it's like a mechanical turk,

0:35:21.280 --> 0:35:25.120
<v Speaker 1>you know. Page two, The journey begins. Sarah packed her

0:35:25.160 --> 0:35:27.399
<v Speaker 1>backpack with food, water, and a map and set out

0:35:27.440 --> 0:35:29.480
<v Speaker 1>on her journey. She hiked up the mountain and along

0:35:29.520 --> 0:35:31.879
<v Speaker 1>the way she met many animals who offered to help her,

0:35:32.080 --> 0:35:34.480
<v Speaker 1>but Sarah declined their help, saying I want to do

0:35:34.560 --> 0:35:37.680
<v Speaker 1>this on my own. Why are their animals offering her

0:35:37.719 --> 0:35:41.120
<v Speaker 1>to help? Like what what is it that she wants

0:35:41.200 --> 0:35:43.040
<v Speaker 1>to do on her own? Like why is this important

0:35:43.040 --> 0:35:44.399
<v Speaker 1>to her?

0:35:44.719 --> 0:35:45.200
<v Speaker 2>Intriguing?

0:35:45.640 --> 0:35:50.239
<v Speaker 1>Yeah, I'm intrigued by how incomplete this story is. Page three,

0:35:50.360 --> 0:35:53.600
<v Speaker 1>The Cave of Trials. After several days of hiking, Sarah

0:35:53.680 --> 0:35:56.480
<v Speaker 1>finally reached the top of the mountain. There, she found

0:35:56.480 --> 0:35:58.399
<v Speaker 1>a cave that led deep into the mountain. She entered

0:35:58.400 --> 0:36:01.520
<v Speaker 1>the cave and was met with many trials, including steve cliffs,

0:36:01.800 --> 0:36:04.640
<v Speaker 1>deep chasms, and dark tunnels. But Sarah didn't give up.

0:36:04.719 --> 0:36:07.439
<v Speaker 1>She kept moving forward, always remembering the lesson she learned

0:36:07.440 --> 0:36:09.799
<v Speaker 1>from her parents, you can achieve what you put your

0:36:09.840 --> 0:36:12.759
<v Speaker 1>mind to. Oh, now, her parents are characters in this,

0:36:13.000 --> 0:36:15.440
<v Speaker 1>her parents, well not even really characters, Like she's not

0:36:15.520 --> 0:36:18.759
<v Speaker 1>a it's you know, you can see what it's doing here, right,

0:36:18.800 --> 0:36:22.560
<v Speaker 1>it's a simulacrum of a plot, right where you've got like, well,

0:36:22.600 --> 0:36:24.920
<v Speaker 1>I know that plots have to have a conflict, you know,

0:36:24.960 --> 0:36:27.360
<v Speaker 1>and characters in a story are supposed to have trial.

0:36:27.440 --> 0:36:29.920
<v Speaker 1>So I will just say she went through trials, she

0:36:30.040 --> 0:36:32.720
<v Speaker 1>didn't give up because her parents said, you can achieve

0:36:32.760 --> 0:36:35.440
<v Speaker 1>what you put your mind to. Like, and that's what

0:36:35.480 --> 0:36:39.279
<v Speaker 1>the story views as like transmitting a lesson to kids, right,

0:36:39.440 --> 0:36:41.799
<v Speaker 1>is just like saying the lesson in there, which like,

0:36:42.239 --> 0:36:44.719
<v Speaker 1>that's not if you think about children's books, like good

0:36:44.840 --> 0:36:47.440
<v Speaker 1>children's books, the books that like you can still remember

0:36:47.480 --> 0:36:52.000
<v Speaker 1>as a kid, that's not how they get messages across, right,

0:36:52.480 --> 0:36:56.000
<v Speaker 1>Like it's deeper than that. Kids are actually not just

0:36:56.120 --> 0:37:00.239
<v Speaker 1>capable of understanding like much more complicated messages than like

0:37:00.680 --> 0:37:03.160
<v Speaker 1>you can achieve what you put your mind to. They

0:37:03.280 --> 0:37:05.600
<v Speaker 1>they crave that, which is why, I mean part of

0:37:05.600 --> 0:37:08.680
<v Speaker 1>why shit like doctor Seuss's books, you know, still sell

0:37:08.760 --> 0:37:10.880
<v Speaker 1>a century or whatever after he fucked close to his

0:37:10.920 --> 0:37:12.400
<v Speaker 1>century after he fucking wrote him.

0:37:12.600 --> 0:37:15.800
<v Speaker 2>And he's kind of a piece of good books. Good books.

0:37:17.520 --> 0:37:20.640
<v Speaker 1>What author isn't It's why like the Hobbits, you know,

0:37:20.840 --> 0:37:24.279
<v Speaker 1>successful and shit like you don't just have Bilbo being

0:37:24.360 --> 0:37:26.880
<v Speaker 1>like I learned that you can always trust in the

0:37:26.920 --> 0:37:30.640
<v Speaker 1>power of friendship. No, you you show you know the

0:37:30.760 --> 0:37:35.200
<v Speaker 1>character like evolving and changing and entering conflicts and and

0:37:35.280 --> 0:37:39.120
<v Speaker 1>failing and then learning lessons and then succeeding. Like this

0:37:39.280 --> 0:37:42.800
<v Speaker 1>is not super complex stuff. You're not like writing fucking

0:37:42.880 --> 0:37:45.239
<v Speaker 1>ulysses just because you put this in here. But the

0:37:45.680 --> 0:37:49.239
<v Speaker 1>chat bot like is incapable of kind of understanding this

0:37:49.360 --> 0:37:53.399
<v Speaker 1>because it's it's it's a calculation. It's an algorithm, right,

0:37:53.440 --> 0:37:56.839
<v Speaker 1>it's an it is not it can't want to tell

0:37:56.880 --> 0:37:59.719
<v Speaker 1>a story, and like a critical part of telling a

0:37:59.760 --> 0:38:04.160
<v Speaker 1>story is the intent you know, and and you know

0:38:04.280 --> 0:38:08.560
<v Speaker 1>kind of spoiler. That's what's most unsettling about all of

0:38:08.560 --> 0:38:10.600
<v Speaker 1>this to me and what we're kind of building too.

0:38:10.640 --> 0:38:13.520
<v Speaker 1>But you can see, you know, kind of how how

0:38:13.560 --> 0:38:18.200
<v Speaker 1>these how this story you know, technically meets the requirements

0:38:18.800 --> 0:38:22.120
<v Speaker 1>that the Zenny Studio or whoever like set out for it,

0:38:22.520 --> 0:38:26.040
<v Speaker 1>and none of these grindset people actually care about anything

0:38:26.080 --> 0:38:28.520
<v Speaker 1>beyond the fact that like it might be able to

0:38:28.560 --> 0:38:31.600
<v Speaker 1>pass muster on kindle, so like it's good enough, right,

0:38:31.640 --> 0:38:33.520
<v Speaker 1>we'll go for it. We'll take this script and turn

0:38:33.560 --> 0:38:35.319
<v Speaker 1>it into a book for little kids.

0:38:35.320 --> 0:38:39.680
<v Speaker 2>Right right, right, But what first question, like, what do

0:38:39.719 --> 0:38:42.839
<v Speaker 2>you think Joseph Campbell would think of this? Because it's

0:38:42.920 --> 0:38:49.719
<v Speaker 2>clearly like again, it's a structural aggregate approach. It's a

0:38:49.840 --> 0:38:54.280
<v Speaker 2>very lazy mad lib that you know, there's the uncanny

0:38:54.360 --> 0:38:57.239
<v Speaker 2>valley to it. I agree with you there, it does

0:38:57.320 --> 0:39:01.279
<v Speaker 2>feel that it's missing a soul. Right, we don't even

0:39:01.280 --> 0:39:03.440
<v Speaker 2>know the animals, we don't even know the parents.

0:39:03.600 --> 0:39:06.880
<v Speaker 1>Like wait, I think he'd probably be kind of interested

0:39:06.960 --> 0:39:09.480
<v Speaker 1>in the fact that sort of the again, it's kind

0:39:09.520 --> 0:39:13.480
<v Speaker 1>of the simulacrum of a story. It's not an actual story.

0:39:13.560 --> 0:39:17.080
<v Speaker 1>It understands some aspects of the shape of a story,

0:39:17.120 --> 0:39:20.080
<v Speaker 1>and it attempts to reproduce that, but without any kind

0:39:20.120 --> 0:39:23.080
<v Speaker 1>of understanding of what the original is. So I suspect

0:39:23.120 --> 0:39:25.719
<v Speaker 1>there's a degree to which he would find it intellectually fascinating.

0:39:25.760 --> 0:39:28.319
<v Speaker 1>I think he would probably be buying a gun right now,

0:39:29.440 --> 0:39:32.640
<v Speaker 1>towards the open AI offhsis he would be buying.

0:39:32.800 --> 0:39:35.279
<v Speaker 2>He would be buying a gun, and he would like

0:39:35.719 --> 0:39:38.480
<v Speaker 2>DM checkov and say, what's happening?

0:39:38.560 --> 0:39:42.200
<v Speaker 1>But yeah, let's get the fuck down there. So I

0:39:42.239 --> 0:39:45.520
<v Speaker 1>found an even lazier example of synthetic storytelling in a

0:39:45.640 --> 0:39:48.560
<v Speaker 1>video by a guy named Christian Hidorn, which has about

0:39:48.560 --> 0:39:51.319
<v Speaker 1>one hundred and twenty thousand views. His YouTube channel is

0:39:51.360 --> 0:39:53.839
<v Speaker 1>called tokenized AI and he had a mid He had

0:39:53.880 --> 0:39:56.960
<v Speaker 1>mid Journey create what he calls a comic book. And boy,

0:39:57.239 --> 0:40:01.239
<v Speaker 1>I am using that those words as fucking it's not

0:40:01.320 --> 0:40:03.920
<v Speaker 1>a comic book, right, He's lying about what this is.

0:40:04.000 --> 0:40:08.000
<v Speaker 1>It's a book with illustrations and barely any text, but

0:40:08.080 --> 0:40:10.840
<v Speaker 1>it's not like anyway, it's not actually a comic book.

0:40:11.480 --> 0:40:14.760
<v Speaker 1>And he plugs in the plot for this. He gets

0:40:15.200 --> 0:40:18.480
<v Speaker 1>chat GPT to create a plot for him by kind

0:40:18.480 --> 0:40:21.640
<v Speaker 1>of plugging in an equation for story ideas that reads

0:40:21.719 --> 0:40:24.319
<v Speaker 1>like the brain of a Netflix executive. And I want

0:40:24.320 --> 0:40:26.520
<v Speaker 1>to read you this equation because I find it really interesting,

0:40:26.520 --> 0:40:29.040
<v Speaker 1>and Sophi'll show you it because it is it's physically

0:40:29.120 --> 0:40:30.480
<v Speaker 1>laid out like a math equation.

0:40:30.600 --> 0:40:31.000
<v Speaker 2>Almost.

0:40:31.560 --> 0:40:34.560
<v Speaker 1>Story. Please come up with a short story based on

0:40:34.800 --> 0:40:38.319
<v Speaker 1>in brackets theme that uses elements that are typical for

0:40:38.760 --> 0:40:41.719
<v Speaker 1>in brackets genre stories. Provide me with a three to

0:40:41.719 --> 0:40:45.120
<v Speaker 1>four sentence summary and store it in plot, and again,

0:40:45.239 --> 0:40:47.000
<v Speaker 1>like you kind of plug in a theme. I want

0:40:47.040 --> 0:40:49.040
<v Speaker 1>the theme to be an adventure, you know, or I

0:40:49.040 --> 0:40:51.640
<v Speaker 1>want the theme to be like, you know, yeah, an

0:40:51.640 --> 0:40:54.960
<v Speaker 1>adventure story in you know, the horror genre or whatever,

0:40:55.920 --> 0:40:58.480
<v Speaker 1>something like that, and provide me with a yeah. So

0:40:58.640 --> 0:41:00.520
<v Speaker 1>that's that's kind of the way the equate looks. And

0:41:00.600 --> 0:41:03.719
<v Speaker 1>Christian decides he wants a comic book that has kind

0:41:03.760 --> 0:41:08.520
<v Speaker 1>of like Indiana Jones uncharted style art vibes about like

0:41:08.880 --> 0:41:12.080
<v Speaker 1>a man and a woman who meet up by coincidence

0:41:12.080 --> 0:41:14.200
<v Speaker 1>and go on and adventure in like a dungeon to

0:41:14.239 --> 0:41:17.840
<v Speaker 1>get a treasure, right, And it's one of those things

0:41:18.000 --> 0:41:20.920
<v Speaker 1>I say. The artwork has the vibes of like Indiana

0:41:21.000 --> 0:41:24.440
<v Speaker 1>Jones or Uncharted because the vibes are purely a product

0:41:24.480 --> 0:41:27.400
<v Speaker 1>of the actual art itself. There's no actual plot in

0:41:27.440 --> 0:41:30.319
<v Speaker 1>the story that chat GPT generates for him, and he

0:41:30.360 --> 0:41:33.520
<v Speaker 1>has he has, he has the robot break down a

0:41:33.600 --> 0:41:37.000
<v Speaker 1>story page to page, but it's it's not a story.

0:41:37.800 --> 0:41:41.520
<v Speaker 1>Seen one. In a bustling Southeast Asian market, Maya and

0:41:41.600 --> 0:41:44.640
<v Speaker 1>Leo accidentally bump into each other while following the same

0:41:44.719 --> 0:41:48.800
<v Speaker 1>ancient map dialogue. Maya, hey, watch where you're going, Leo,

0:41:49.160 --> 0:41:50.239
<v Speaker 1>that's my line?

0:41:50.920 --> 0:41:51.560
<v Speaker 2>Whoa, whoa?

0:41:51.920 --> 0:41:55.239
<v Speaker 1>That doesn't that's not like that, that's nonsense, Like it's

0:41:55.239 --> 0:41:57.160
<v Speaker 1>one of those like why is that his line? He's

0:41:57.200 --> 0:41:59.600
<v Speaker 1>never we've never met these characters before. We haven't heard

0:41:59.640 --> 0:42:02.880
<v Speaker 1>him say that to anyone else, Like would why would

0:42:02.920 --> 0:42:05.520
<v Speaker 1>that be the response that he would make to her?

0:42:05.960 --> 0:42:10.839
<v Speaker 1>Like you know again, and this is because he's like,

0:42:11.000 --> 0:42:13.520
<v Speaker 1>that's the setup, that's the background for these characters. You

0:42:13.560 --> 0:42:16.080
<v Speaker 1>get scene two and again this is like the second

0:42:16.080 --> 0:42:18.960
<v Speaker 1>page of the story. Maya and Leo reluctantly agree to

0:42:19.000 --> 0:42:23.360
<v Speaker 1>work together deciphering the maps cryptic riddles dialogue. Maya, fine,

0:42:23.400 --> 0:42:27.440
<v Speaker 1>but we split the treasure. Leo deal. Scene three, Journeying

0:42:27.440 --> 0:42:31.160
<v Speaker 1>through against Jennal the duo encounters a treacherous river crossing test,

0:42:31.440 --> 0:42:34.959
<v Speaker 1>testing their teamwork skills. Dialogue Maya will need to build

0:42:34.960 --> 0:42:36.480
<v Speaker 1>a raft, Leo on it?

0:42:37.800 --> 0:42:38.279
<v Speaker 5>Oh four?

0:42:38.480 --> 0:42:38.680
<v Speaker 2>Good?

0:42:39.040 --> 0:42:43.000
<v Speaker 1>Yeah, classic Leo. Yeah, classic Leo. That's the Leo I know,

0:42:43.120 --> 0:42:47.960
<v Speaker 1>always raft building. Scene four, the pair solves a puzzle

0:42:47.960 --> 0:42:50.800
<v Speaker 1>in a hidden temple, revealing the entrance to the treasure chamber.

0:42:51.120 --> 0:42:55.040
<v Speaker 1>Dialogue Maya, we did it, Leo, Leo. Together, We're unstoppable.

0:42:55.680 --> 0:42:59.200
<v Speaker 1>Scene five. Inside the chamber, Maya and Leo find the treasure,

0:42:59.200 --> 0:43:03.080
<v Speaker 1>but also face it choice greed or friendship dialogue Maya,

0:43:03.239 --> 0:43:05.960
<v Speaker 1>we could just take it all, Leo put at what cost?

0:43:06.760 --> 0:43:08.719
<v Speaker 1>And this is in the video the videos, like I

0:43:08.719 --> 0:43:11.880
<v Speaker 1>want him to have to like choose between greed and friendship,

0:43:11.920 --> 0:43:15.040
<v Speaker 1>which like they like that. They don't act like it's

0:43:15.080 --> 0:43:18.440
<v Speaker 1>just an artificial choice. There's no like, you know again,

0:43:18.560 --> 0:43:21.560
<v Speaker 1>if you're doing like even a slightly more effortful version

0:43:21.600 --> 0:43:23.600
<v Speaker 1>of this, do an Indiana Jones thing. You know, they

0:43:23.600 --> 0:43:26.400
<v Speaker 1>pulled the treasure, but the room starts to collapse, and

0:43:26.480 --> 0:43:29.240
<v Speaker 1>like Maya's you know, able to get across a chasm

0:43:29.320 --> 0:43:31.560
<v Speaker 1>with the bag of treasure, but she, you know, she

0:43:31.680 --> 0:43:34.239
<v Speaker 1>can't help, Like Leo falls and he's like hanging by

0:43:34.239 --> 0:43:36.520
<v Speaker 1>a thread and she has to either take the treasure

0:43:36.560 --> 0:43:38.880
<v Speaker 1>and run or drop the treasure and save him, you know,

0:43:39.360 --> 0:43:42.720
<v Speaker 1>like something like that's that's that's that's not like again,

0:43:42.760 --> 0:43:45.040
<v Speaker 1>it's not like high art. But that's a conflict, right,

0:43:45.280 --> 0:43:46.040
<v Speaker 1>there's lab.

0:43:47.440 --> 0:43:49.520
<v Speaker 2>There. Last Crusae was great.

0:43:50.000 --> 0:43:53.279
<v Speaker 1>Yeah, if you're gonna steal from Indiana Jones, do it well, right,

0:43:53.400 --> 0:43:56.480
<v Speaker 1>like again, there's a whole look fucking uncharted, and shit

0:43:56.600 --> 0:43:59.840
<v Speaker 1>started as doing that like that worked out fine for everybody, Like,

0:44:01.200 --> 0:44:03.440
<v Speaker 1>but but it has to be a story. You know,

0:44:03.800 --> 0:44:07.080
<v Speaker 1>we will forgive a lot of derivative shit. The thing

0:44:07.160 --> 0:44:09.839
<v Speaker 1>about Star Wars, right, Star Wars, if you actually look

0:44:09.880 --> 0:44:12.640
<v Speaker 1>at the stuff that Lucas was pulling from, is actually

0:44:12.840 --> 0:44:15.360
<v Speaker 1>pretty derivative of a lot of different things that inspired

0:44:15.440 --> 0:44:17.000
<v Speaker 1>him as a kid, of a lot of different like

0:44:17.520 --> 0:44:20.080
<v Speaker 1>movies and shows and comic books that he had read

0:44:20.120 --> 0:44:23.600
<v Speaker 1>as a young man. And it's fine because it's it's

0:44:23.640 --> 0:44:26.759
<v Speaker 1>a it's a fucking rollicking good story, you know, but like,

0:44:26.840 --> 0:44:30.880
<v Speaker 1>this is not a story. This is like the AI

0:44:31.320 --> 0:44:34.719
<v Speaker 1>is checking every box, but it doesn't understand what the

0:44:34.760 --> 0:44:36.080
<v Speaker 1>boxes are, so there's.

0:44:36.000 --> 0:44:37.840
<v Speaker 2>Not that's it that's the quote.

0:44:38.280 --> 0:44:42.440
<v Speaker 1>Yeah, there's no none of the characters want anything. Really,

0:44:42.480 --> 0:44:44.960
<v Speaker 1>there's no reason for them to be doing this. We

0:44:45.040 --> 0:44:49.360
<v Speaker 1>know nothing about their lives. They're not like people, which again,

0:44:49.719 --> 0:44:52.520
<v Speaker 1>this is like a little kid's story book. So I

0:44:52.560 --> 0:44:54.960
<v Speaker 1>think the the idea that these people have is that like, well,

0:44:55.040 --> 0:44:57.000
<v Speaker 1>kids don't notice that because they're dumb, and it's like,

0:44:57.080 --> 0:45:00.520
<v Speaker 1>yes they do. Like that is that's that's that's why

0:45:01.120 --> 0:45:03.920
<v Speaker 1>like fucking Pixar movies or the were the biggest thing

0:45:03.960 --> 0:45:07.280
<v Speaker 1>for kids for a while. Those are not like nonsense stories.

0:45:07.360 --> 0:45:10.799
<v Speaker 1>Those those all feet like The fucking Incredibles or whatever

0:45:11.000 --> 0:45:12.840
<v Speaker 1>or this is not Pixar, but like one of the

0:45:12.840 --> 0:45:15.120
<v Speaker 1>most beloved children's movies of all time I saw when

0:45:15.120 --> 0:45:17.360
<v Speaker 1>I was like a little bitty kid, the fucking Iron

0:45:17.440 --> 0:45:20.360
<v Speaker 1>Giant and Shit or The Brave Little Toaster. You know,

0:45:20.440 --> 0:45:23.880
<v Speaker 1>those are stories with like sorrow and character and motivation

0:45:24.800 --> 0:45:27.640
<v Speaker 1>and like things are set up and paid off, none

0:45:27.680 --> 0:45:30.360
<v Speaker 1>of which the AI appears to be capable of doing.

0:45:31.280 --> 0:45:34.759
<v Speaker 2>Yeah, you know what this reminds me of Robert Are

0:45:34.760 --> 0:45:40.520
<v Speaker 2>you familiar with the book Plato? No? Okay, so back

0:45:40.560 --> 0:45:43.520
<v Speaker 2>in the days of the Humans, Can I say that

0:45:43.520 --> 0:45:43.960
<v Speaker 2>that way? No?

0:45:44.000 --> 0:45:46.799
<v Speaker 1>Yeah, yeah, back before the robots destroyed us all sure.

0:45:47.160 --> 0:45:47.399
<v Speaker 4>Yeah.

0:45:47.440 --> 0:45:49.960
<v Speaker 2>In the days, in the days of the humans, there

0:45:50.080 --> 0:45:53.920
<v Speaker 2>was a guy named William Wallace Cook who wrote a

0:45:53.920 --> 0:45:59.960
<v Speaker 2>book called Plato with two t's, and he was he was,

0:46:00.000 --> 0:46:03.920
<v Speaker 2>it's like an old school hack pulp novelist paid by

0:46:03.960 --> 0:46:06.719
<v Speaker 2>the word, et cetera, or paid by the letter. I

0:46:06.760 --> 0:46:10.360
<v Speaker 2>don't know how the math works out. He tried to

0:46:10.520 --> 0:46:16.960
<v Speaker 2>structurally calculate to quantify the amount of possible stories, and

0:46:17.360 --> 0:46:21.480
<v Speaker 2>he said, there are exactly one four hundred and sixty

0:46:21.480 --> 0:46:26.600
<v Speaker 2>two possible plots, and right right, you like the specificity, right.

0:46:26.600 --> 0:46:27.680
<v Speaker 1>Yeah, I love it.

0:46:28.560 --> 0:46:33.040
<v Speaker 2>Nineteen twenty eight he publishes his great epiphany in a

0:46:33.080 --> 0:46:38.359
<v Speaker 2>book called Plato, The Master Book of All Plots, and

0:46:38.760 --> 0:46:44.520
<v Speaker 2>I am frankly baffled that the the new you know,

0:46:44.960 --> 0:46:51.839
<v Speaker 2>the new algorithmic overlords are forgetting their history. Let's do it.

0:46:52.400 --> 0:46:56.480
<v Speaker 2>Let's you know what, Let's fight the tires, light the fires,

0:46:56.560 --> 0:46:57.720
<v Speaker 2>kick the tires.

0:46:58.520 --> 0:47:00.759
<v Speaker 1>Yeah. I just want to generate four teen hundred and

0:47:00.800 --> 0:47:04.520
<v Speaker 1>sixty two novels then, and then we're done with books.

0:47:05.800 --> 0:47:08.800
<v Speaker 1>You know, people said that when James Joyce put out Ulysses,

0:47:08.840 --> 0:47:11.600
<v Speaker 1>this is the end of literature. But we can actually

0:47:11.640 --> 0:47:14.680
<v Speaker 1>make it so you know, AI can and we can

0:47:14.719 --> 0:47:17.080
<v Speaker 1>have Maya and Leo star in all of them. You

0:47:17.080 --> 0:47:19.800
<v Speaker 1>know they'll, they'll, they can do it. I want to

0:47:19.800 --> 0:47:22.160
<v Speaker 1>play you a clip from this fucking video making this

0:47:22.360 --> 0:47:25.719
<v Speaker 1>dog shit not a comic book. So Sophie's going to

0:47:25.800 --> 0:47:26.040
<v Speaker 1>do that.

0:47:26.120 --> 0:47:28.799
<v Speaker 7>Now need a third image though, because we need to

0:47:28.800 --> 0:47:32.480
<v Speaker 7>convey the fact that they've bumped into each other. In

0:47:32.520 --> 0:47:34.720
<v Speaker 7>this prompt, you'll notice that I start with a style,

0:47:34.800 --> 0:47:37.839
<v Speaker 7>but then I immediately set the scene first, only then

0:47:37.880 --> 0:47:40.840
<v Speaker 7>I add the characters and finally end with the activities.

0:47:41.000 --> 0:47:43.160
<v Speaker 7>As I said, you will need to experiment with what

0:47:43.280 --> 0:47:46.560
<v Speaker 7>works best for you. I've also changed the aspect ratio

0:47:46.640 --> 0:47:50.239
<v Speaker 7>because I'm creating a wider image panel. Okay, so this

0:47:50.360 --> 0:47:53.040
<v Speaker 7>completes our first scene. Whether you use just.

0:47:53.120 --> 0:47:56.759
<v Speaker 1>One possible, you see what he's going into all this like,

0:47:56.880 --> 0:47:58.720
<v Speaker 1>we're trying to set the scene with these two characters

0:47:58.719 --> 0:48:00.279
<v Speaker 1>bump into each other, and you have to be very

0:48:00.280 --> 0:48:01.840
<v Speaker 1>you want to structure it this way is that the

0:48:01.880 --> 0:48:05.960
<v Speaker 1>AI knows and it generates you an actual, proper, you know,

0:48:06.080 --> 0:48:08.560
<v Speaker 1>image of this action happening. And like the picture we

0:48:08.640 --> 0:48:14.360
<v Speaker 1>get is this very vague, generic looking bizarre type background,

0:48:14.719 --> 0:48:18.480
<v Speaker 1>and then our two characters both staring directly at the

0:48:18.600 --> 0:48:21.120
<v Speaker 1>viewer on frame. They have not bumped into each other.

0:48:21.600 --> 0:48:24.680
<v Speaker 1>They don't, they aren't interacting, they don't seem aware of

0:48:24.719 --> 0:48:26.759
<v Speaker 1>each other. It is not an illustration of what he

0:48:26.800 --> 0:48:28.640
<v Speaker 1>asked it to write, but it's good enough.

0:48:28.760 --> 0:48:30.040
<v Speaker 2>Like fuck it, you know, like.

0:48:30.040 --> 0:48:34.960
<v Speaker 1>It's it's unchartedy. You know, it's for kids. Uh, yeah,

0:48:35.000 --> 0:48:38.680
<v Speaker 1>it's it's it's pretty good. So I want to We're

0:48:38.680 --> 0:48:41.480
<v Speaker 1>gonna get more into this, but you know, you know,

0:48:41.520 --> 0:48:44.840
<v Speaker 1>what also reminds me a lot of the uncharted video

0:48:44.920 --> 0:48:52.160
<v Speaker 1>games is the uncharted deals that our sponsors are thrown down.

0:48:58.719 --> 0:49:03.400
<v Speaker 1>We're back. So looking at a bunch of these stories

0:49:03.440 --> 0:49:05.480
<v Speaker 1>in a row kind of pulls the curtain. Aside on

0:49:05.560 --> 0:49:08.480
<v Speaker 1>AI storytelling, a lot of the dialogue it generates is

0:49:08.719 --> 0:49:13.279
<v Speaker 1>pretty nonsensical, and yeah, I can. I keep going back

0:49:13.280 --> 0:49:16.919
<v Speaker 1>to that, like bit in scene one where she's like, hey,

0:49:16.960 --> 0:49:20.359
<v Speaker 1>you bumped into me and he's like, that's my line. Yeah,

0:49:20.400 --> 0:49:22.640
<v Speaker 1>it makes no sense and my kind of my only

0:49:22.719 --> 0:49:24.160
<v Speaker 1>The only thing I think is that at some point

0:49:24.160 --> 0:49:26.879
<v Speaker 1>an actual human wrote a story or probably a few

0:49:26.920 --> 0:49:30.080
<v Speaker 1>people a number of people did where a character used

0:49:30.080 --> 0:49:34.160
<v Speaker 1>that line as a retort, right, uh, and chat Gypts

0:49:34.520 --> 0:49:38.400
<v Speaker 1>calculating algorithm or whatever, was like, this is an appropriate response.

0:49:38.520 --> 0:49:41.479
<v Speaker 1>Plug it in even though it makes no sense, because

0:49:41.480 --> 0:49:42.759
<v Speaker 1>that's kind of the way these things work.

0:49:42.840 --> 0:49:48.520
<v Speaker 2>Yeah. Also, also, they both have one ancient map and

0:49:48.640 --> 0:49:51.799
<v Speaker 2>you're not tell you where did they get it? Yeah? Right?

0:49:52.680 --> 0:49:54.320
<v Speaker 2>Is it? Is it the same map?

0:49:54.600 --> 0:49:54.840
<v Speaker 4>You know?

0:49:55.040 --> 0:49:57.399
<v Speaker 2>Like like the do they have copies of this?

0:49:57.560 --> 0:50:00.840
<v Speaker 1>Who made it? What is the ruins there? And again

0:50:01.160 --> 0:50:04.719
<v Speaker 1>you know Indiana Jones and The Last Crusade sets this

0:50:04.920 --> 0:50:08.640
<v Speaker 1>up very elegant quickly by having River Phoenix go on

0:50:08.680 --> 0:50:12.680
<v Speaker 1>a boy scout adventure and then come home having nearly

0:50:12.719 --> 0:50:15.680
<v Speaker 1>been murdered and find out that his dad doesn't give

0:50:15.719 --> 0:50:18.560
<v Speaker 1>a shit because he's too busy like working out you know,

0:50:18.719 --> 0:50:21.439
<v Speaker 1>his notebook that has all the clues for the movie

0:50:21.440 --> 0:50:26.480
<v Speaker 1>that we're about to watch. Perfect elegant, actual storytelling, good

0:50:26.520 --> 0:50:28.680
<v Speaker 1>shit man movie rules.

0:50:29.320 --> 0:50:32.319
<v Speaker 2>So wait, So the question that a lot of us

0:50:32.400 --> 0:50:38.440
<v Speaker 2>listening today are going to have is it feels like

0:50:38.480 --> 0:50:43.279
<v Speaker 2>we're talking a little bit about something profound, which is

0:50:43.760 --> 0:50:49.920
<v Speaker 2>you mentioned Ulysses earlier. Ulysses triggered such an awesome conversation

0:50:50.239 --> 0:50:53.640
<v Speaker 2>in US courts, right, over the nature of obscenity. Right,

0:50:53.719 --> 0:50:55.640
<v Speaker 2>I don't know what it is, but I know it

0:50:55.680 --> 0:51:00.799
<v Speaker 2>when I see it, right, So what like this does

0:51:00.920 --> 0:51:04.239
<v Speaker 2>feel like there's something we don't know what it is,

0:51:04.800 --> 0:51:08.320
<v Speaker 2>but we know when it's missing to a human story.

0:51:08.840 --> 0:51:11.720
<v Speaker 1>I think what's missing? I keep bringing up the term simulacrum,

0:51:11.760 --> 0:51:15.000
<v Speaker 1>and like, the simulacrum is a great example of like

0:51:15.040 --> 0:51:17.319
<v Speaker 1>the kind of classic example is you, like, open up

0:51:17.840 --> 0:51:21.320
<v Speaker 1>your a word app type thing up at somewhere probably

0:51:21.360 --> 0:51:23.320
<v Speaker 1>in the top left hand corner, that's where it is online.

0:51:23.440 --> 0:51:26.400
<v Speaker 1>You will see the image that means you click to

0:51:26.480 --> 0:51:29.880
<v Speaker 1>save your document, right, And you and I and Sophie

0:51:29.920 --> 0:51:31.920
<v Speaker 1>are all old enough that we know that that image

0:51:31.920 --> 0:51:34.400
<v Speaker 1>is a floppy disc, right, Like that's the image, but

0:51:34.520 --> 0:51:38.280
<v Speaker 1>like those don't exist anymore. People don't use floppies anymore.

0:51:38.800 --> 0:51:41.439
<v Speaker 1>Huge numbers of the people who click on that every

0:51:41.520 --> 0:51:44.400
<v Speaker 1>day to save their documents never lived in a world

0:51:44.520 --> 0:51:48.239
<v Speaker 1>where like they touched a floppy disc. So the original

0:51:48.320 --> 0:51:52.040
<v Speaker 1>thing like is no longer around, right, Like it's a simulacrum,

0:51:52.080 --> 0:51:54.360
<v Speaker 1>you know, and like the kind of whatever kind of

0:51:54.400 --> 0:51:57.480
<v Speaker 1>original meaning that it had has been replaced by something else.

0:51:57.520 --> 0:51:59.960
<v Speaker 1>And like what we have here is like the simulacrum

0:52:00.040 --> 0:52:03.960
<v Speaker 1>of a story. You've got these ingredients of story structure,

0:52:04.000 --> 0:52:07.279
<v Speaker 1>these ingredients of pieces of pop culture, but there's no

0:52:07.520 --> 0:52:10.520
<v Speaker 1>there's nothing that's actually trying to be transmitted. Nobody has

0:52:10.680 --> 0:52:13.680
<v Speaker 1>like because there's not a person behind this, for one thing,

0:52:13.719 --> 0:52:16.319
<v Speaker 1>and there's not an understanding of what it takes to

0:52:16.440 --> 0:52:19.400
<v Speaker 1>make a story, so it can kind of look like

0:52:19.440 --> 0:52:21.840
<v Speaker 1>a story. It can certainly trick the like these AI

0:52:22.120 --> 0:52:25.640
<v Speaker 1>grindset people think it's close enough. But what's happening here

0:52:25.680 --> 0:52:28.000
<v Speaker 1>that's really fucked up is that they are taking this

0:52:28.080 --> 0:52:31.480
<v Speaker 1>thing that is not a story, and they are their

0:52:31.560 --> 0:52:35.880
<v Speaker 1>goal is to trick overworked parents into buying this for

0:52:36.160 --> 0:52:40.160
<v Speaker 1>children who will read it and be too young to

0:52:40.239 --> 0:52:44.320
<v Speaker 1>elucidate why something seems to be wrong with their new book.

0:52:45.160 --> 0:52:48.879
<v Speaker 1>And that's actually very frightening, right, Like there's there's we're

0:52:48.880 --> 0:52:51.399
<v Speaker 1>going to talk about learning in a little bit, how

0:52:51.480 --> 0:52:54.919
<v Speaker 1>kids learn and how they don't learn, but like, fundamentally

0:52:55.280 --> 0:52:59.040
<v Speaker 1>kids are little information vacuums, and this stuff is wrong

0:52:59.280 --> 0:53:01.759
<v Speaker 1>on a fundamental level, and they'll get that. They may

0:53:01.760 --> 0:53:04.719
<v Speaker 1>not get it why, but it's not only is it

0:53:04.800 --> 0:53:06.359
<v Speaker 1>kind of like off putting to them, but it has

0:53:06.400 --> 0:53:09.560
<v Speaker 1>the potential to do harm to them. And this is

0:53:09.760 --> 0:53:11.560
<v Speaker 1>you know, we've had versions of this. There's this thing

0:53:11.600 --> 0:53:14.080
<v Speaker 1>called elsagate, right where like a year or two ago,

0:53:14.440 --> 0:53:16.680
<v Speaker 1>there were suddenly all of these hundreds and hundreds and

0:53:16.719 --> 0:53:20.840
<v Speaker 1>hundreds of like what appeared to be AI generated videos

0:53:20.880 --> 0:53:24.319
<v Speaker 1>that were like involving Disney characters, Elsa being a big

0:53:24.360 --> 0:53:27.480
<v Speaker 1>one from I think Frozen, and they were they were

0:53:27.520 --> 0:53:28.560
<v Speaker 1>like singing.

0:53:28.239 --> 0:53:30.800
<v Speaker 3>Real, what are you calling this character?

0:53:31.760 --> 0:53:37.839
<v Speaker 1>Elsa right, Elsa, Elsa, Elsa, el Yeah, I said, Elsa right,

0:53:37.920 --> 0:53:43.560
<v Speaker 1>and whatever, okay, whatever. So you've and like a lot

0:53:43.560 --> 0:53:46.480
<v Speaker 1>of them would suddenly get like really weirdly sexual or

0:53:46.560 --> 0:53:50.360
<v Speaker 1>like fucking get tweaked into this kind of like uncanny,

0:53:50.600 --> 0:53:53.480
<v Speaker 1>unsettling almost like love crafty and weirdness, and they were

0:53:53.560 --> 0:53:56.320
<v Speaker 1>remember this, yeah, and these were they were all crafted

0:53:56.360 --> 0:53:58.920
<v Speaker 1>and used kind of the keywords that like when parents,

0:53:59.280 --> 0:54:01.160
<v Speaker 1>you know, you're you're you got to cook dinner, you

0:54:01.200 --> 0:54:02.920
<v Speaker 1>got to like do you know, clean the ause or

0:54:02.920 --> 0:54:05.640
<v Speaker 1>some shit. Your kid won't calm down, You put them

0:54:05.680 --> 0:54:07.320
<v Speaker 1>in front of YouTube and you put on a children's

0:54:07.400 --> 0:54:10.160
<v Speaker 1>video and the algorithm eventually starts spinning, and so parents

0:54:10.200 --> 0:54:13.040
<v Speaker 1>start realizing like, well, I set them on. You know,

0:54:13.440 --> 0:54:16.120
<v Speaker 1>this video that was like a frozen song and now

0:54:16.160 --> 0:54:18.800
<v Speaker 1>there's like this weird pornographic thing that they're watching, Like,

0:54:18.840 --> 0:54:22.960
<v Speaker 1>where the fuck did this come from? A webitized AutoPlay? Yeah, exactly.

0:54:23.360 --> 0:54:25.920
<v Speaker 1>And I don't think there's still a solid understanding of

0:54:25.960 --> 0:54:28.440
<v Speaker 1>where all these came from. There's a couple of different theories,

0:54:29.640 --> 0:54:32.719
<v Speaker 1>but it's really unsettling because part of the problem is,

0:54:32.800 --> 0:54:35.480
<v Speaker 1>like what does it do to kids to have that

0:54:35.600 --> 0:54:38.000
<v Speaker 1>kind of shit in front of their eyes? Like, cause

0:54:38.000 --> 0:54:40.080
<v Speaker 1>we're not even talking about like the danger of like

0:54:40.360 --> 0:54:42.799
<v Speaker 1>what if a kid reads an adult book or you know,

0:54:42.880 --> 0:54:45.200
<v Speaker 1>stumbles in when there's porn on the TV. You know,

0:54:45.400 --> 0:54:47.480
<v Speaker 1>this is a question of like, well, this is like

0:54:47.719 --> 0:54:54.440
<v Speaker 1>frightening nonsense that like is being fed into them automatically,

0:54:54.880 --> 0:54:56.800
<v Speaker 1>like at a at a scale that was like hundreds

0:54:56.800 --> 0:54:59.120
<v Speaker 1>of these videos tit. One of the channels for this

0:54:59.200 --> 0:55:00.840
<v Speaker 1>was like one of the twenty biggest channels on you.

0:55:00.880 --> 0:55:04.880
<v Speaker 1>This is fucked up, really problematic shit, and this is

0:55:05.040 --> 0:55:07.880
<v Speaker 1>people Like what these grindset people are doing by pumping

0:55:07.920 --> 0:55:10.239
<v Speaker 1>as many of these AI books into kindle as they

0:55:10.280 --> 0:55:15.000
<v Speaker 1>can is they are creating the They're creating the the

0:55:15.000 --> 0:55:19.000
<v Speaker 1>the hard copy, the physical book version of this, where

0:55:19.239 --> 0:55:21.640
<v Speaker 1>parents are going to get tricked into buying this ship

0:55:21.920 --> 0:55:23.759
<v Speaker 1>and kids are going to be sat down in front of.

0:55:23.680 --> 0:55:31.279
<v Speaker 2>This and and technology always outpaces legislation. Yeah what you're describing, man,

0:55:31.320 --> 0:55:38.160
<v Speaker 2>it sounds like this is a very very bad wild

0:55:38.239 --> 0:55:42.880
<v Speaker 2>West situation. Uh, it's a it's a Cormac McCarthy level

0:55:43.120 --> 0:55:49.600
<v Speaker 2>wild West situation, like the so there is no is

0:55:49.600 --> 0:55:52.759
<v Speaker 2>there is there blowback? I mean, children are some of

0:55:52.800 --> 0:56:00.280
<v Speaker 2>the most frighteningly intelligent things. Kids. No bullshit. Uh that

0:56:00.280 --> 0:56:03.600
<v Speaker 2>that's super uncomfortable. There's you know, this reminds me of

0:56:04.680 --> 0:56:10.200
<v Speaker 2>one of my favorite lines from the television show Community

0:56:10.239 --> 0:56:13.239
<v Speaker 2>This Robert, I posit to you, Sophia, I posit to you,

0:56:14.080 --> 0:56:17.920
<v Speaker 2>a fellow behind the bastards. Folks, this shit is both

0:56:18.600 --> 0:56:22.120
<v Speaker 2>silly and evil, like a candy cigarette.

0:56:22.360 --> 0:56:27.880
<v Speaker 1>Yeah, yeah, exactly, It's like the candy cigarette of literature, right. Yeah.

0:56:27.920 --> 0:56:29.759
<v Speaker 1>And it's one of those like one of the things

0:56:29.800 --> 0:56:32.640
<v Speaker 1>I found interesting. So when I want again watching a

0:56:32.640 --> 0:56:34.560
<v Speaker 1>bunch of these videos, you become aware of, like what

0:56:34.600 --> 0:56:36.960
<v Speaker 1>the problems for these AI hustlers are, like, what the

0:56:37.000 --> 0:56:39.080
<v Speaker 1>things they have to overcome is And one of the

0:56:39.120 --> 0:56:42.480
<v Speaker 1>problems they face is that like every single book generated

0:56:42.520 --> 0:56:46.799
<v Speaker 1>by the AIS they're using sets off plagiarism detectors, right,

0:56:47.040 --> 0:56:50.360
<v Speaker 1>and like Amazon uses I think Amazon uses, I believe

0:56:50.400 --> 0:56:53.400
<v Speaker 1>they use a plagiarism detector. I've asked them for specifics

0:56:53.400 --> 0:56:56.640
<v Speaker 1>on this again I haven't heard back. But so one

0:56:56.640 --> 0:56:58.720
<v Speaker 1>of the first things they'll do is they'll use something

0:56:58.760 --> 0:57:01.239
<v Speaker 1>like Grammarly to like run the text that they've got

0:57:01.280 --> 0:57:03.839
<v Speaker 1>through a plagiarism detector and it will inevitably tell them

0:57:03.840 --> 0:57:08.279
<v Speaker 1>significant plagiarism found. But there's a solution they've got a

0:57:08.320 --> 0:57:11.840
<v Speaker 1>way to solve for this, which is an app called Quilbot. Now,

0:57:11.880 --> 0:57:13.799
<v Speaker 1>if you go online and look up quilbot, it's built

0:57:13.840 --> 0:57:16.720
<v Speaker 1>by its creators as an online paraphrasing tool. So what

0:57:16.800 --> 0:57:19.240
<v Speaker 1>quilbot does is you feed it text and it goes

0:57:19.240 --> 0:57:22.880
<v Speaker 1>through that text and it replaces adjectives and verbs in

0:57:22.960 --> 0:57:26.120
<v Speaker 1>the text with synonyms. So you know, if the original

0:57:26.120 --> 0:57:28.680
<v Speaker 1>text has the word courageous, it'll replace it with brave,

0:57:29.080 --> 0:57:31.240
<v Speaker 1>or if it's got the word resided, it'll replace it

0:57:31.280 --> 0:57:34.320
<v Speaker 1>with lived. Stuff like that. So you feed this frankin

0:57:34.400 --> 0:57:36.960
<v Speaker 1>text that you got from the AI into Quilbot and

0:57:37.000 --> 0:57:39.640
<v Speaker 1>then quilbot does kind of a find and replace with

0:57:39.720 --> 0:57:42.280
<v Speaker 1>a handful of the words in there, and then suddenly

0:57:42.280 --> 0:57:45.960
<v Speaker 1>you've got something that won't trigger Amazon's plagiarism sensors and

0:57:46.000 --> 0:57:48.600
<v Speaker 1>that you didn't have to actually edit yourself. Right, you

0:57:48.960 --> 0:57:51.040
<v Speaker 1>still don't have to do any real work here. You

0:57:51.160 --> 0:57:57.200
<v Speaker 1>just let another robot mix it up a little bit more. Yeah. Now,

0:57:57.360 --> 0:58:00.400
<v Speaker 1>once you've got kind of passable text, the next step

0:58:00.480 --> 0:58:03.040
<v Speaker 1>for these grifters is to create image prompts for all

0:58:03.040 --> 0:58:05.840
<v Speaker 1>of the illustrations in the book. And again there's not

0:58:06.000 --> 0:58:08.560
<v Speaker 1>room for creativity here or for any kind of like

0:58:08.720 --> 0:58:12.560
<v Speaker 1>human influence. For each page, they just ask chat gpt

0:58:12.760 --> 0:58:15.760
<v Speaker 1>to generate descriptions of the images needed for that text,

0:58:16.120 --> 0:58:18.320
<v Speaker 1>and then they feed that text in the mid Journey

0:58:18.440 --> 0:58:21.520
<v Speaker 1>or Leonardo, which is another AI image generator and used

0:58:21.600 --> 0:58:24.280
<v Speaker 1>to produce something like this. And this is from another

0:58:24.320 --> 0:58:26.280
<v Speaker 1>one of these. This is kind of like one of

0:58:26.320 --> 0:58:30.440
<v Speaker 1>the better case scenario looking illustrations and it's from like

0:58:30.520 --> 0:58:34.240
<v Speaker 1>one of these fucking AI book guides that I found

0:58:34.320 --> 0:58:38.360
<v Speaker 1>on YouTube, and it's you know, it's not remarkable, right,

0:58:38.440 --> 0:58:40.800
<v Speaker 1>Like it's I'll read you the text. This is from

0:58:40.920 --> 0:58:43.480
<v Speaker 1>the chapter one setting off in an adventure. This is

0:58:43.480 --> 0:58:45.800
<v Speaker 1>the whole chapter. Once upon a time, there was a

0:58:45.800 --> 0:58:47.920
<v Speaker 1>young girl named Sarah who lived in a small village

0:58:47.920 --> 0:58:50.720
<v Speaker 1>surrounded by rolling hills and lush forests. Sarah was an

0:58:50.720 --> 0:58:53.440
<v Speaker 1>adventurous spirit and love to explore the great outdoors. One day,

0:58:53.440 --> 0:58:55.320
<v Speaker 1>she heard a rumor that a long lost treasure was

0:58:55.360 --> 0:58:57.640
<v Speaker 1>hidden somewhere in the hills. The treasure was said to

0:58:57.640 --> 0:58:59.360
<v Speaker 1>be a great wealth of gold and precious gyms, and

0:58:59.360 --> 0:59:02.160
<v Speaker 1>whoever found it would be incredibly rich. Sarah was determined

0:59:02.200 --> 0:59:03.960
<v Speaker 1>to find the treasure and put all her focus on

0:59:04.000 --> 0:59:06.520
<v Speaker 1>the task at hand, because the message here is that

0:59:06.840 --> 0:59:10.000
<v Speaker 1>you need to focus in order to achieve your goals.

0:59:10.440 --> 0:59:12.600
<v Speaker 2>Oh okay, yeah.

0:59:12.200 --> 0:59:15.200
<v Speaker 1>And it's the art that accompanies it isn't bad. It

0:59:15.240 --> 0:59:17.720
<v Speaker 1>looks it kind of at first glance, you might assume

0:59:17.720 --> 0:59:19.720
<v Speaker 1>a human drew it. You can kind of tell, like,

0:59:19.800 --> 0:59:21.960
<v Speaker 1>for one thing, the perspective on the backpack on her

0:59:22.000 --> 0:59:24.400
<v Speaker 1>back is all fucked up. It's not like actually quite right.

0:59:25.800 --> 0:59:27.800
<v Speaker 1>It might be that her hand isn't a pocket, but

0:59:27.840 --> 0:59:29.600
<v Speaker 1>she might actually just not have a hand. But like,

0:59:29.640 --> 0:59:33.560
<v Speaker 1>it doesn't look bad. Especially again, you're like an overworked

0:59:33.560 --> 0:59:34.520
<v Speaker 1>parent looking for a book.

0:59:35.480 --> 0:59:36.520
<v Speaker 3>What you're saying.

0:59:36.840 --> 0:59:39.240
<v Speaker 1>Yeah, yeah. If you're an if you're just like a

0:59:39.240 --> 0:59:42.240
<v Speaker 1>parent skimming through these, maybe you you don't catch this

0:59:42.440 --> 0:59:45.240
<v Speaker 1>right as like something problematic. You just see like, all right,

0:59:45.240 --> 0:59:47.919
<v Speaker 1>well that one works and by the standards of age

0:59:48.320 --> 0:59:51.640
<v Speaker 1>children's book arc this this one looks pretty good. And

0:59:51.680 --> 0:59:53.160
<v Speaker 1>I should say here if you want to look at

0:59:53.160 --> 0:59:56.720
<v Speaker 1>this stuff yourself. The text version of this article, of

0:59:56.760 --> 0:59:58.880
<v Speaker 1>the whole article that we're using as the script for this,

0:59:59.320 --> 1:00:01.880
<v Speaker 1>will be up as soon as the episodes drop on

1:00:02.000 --> 1:00:06.120
<v Speaker 1>my substack, shatter Zone. Just type shatter Zone substack into Google.

1:00:06.200 --> 1:00:08.560
<v Speaker 1>It'll be the first article that pops up. If you

1:00:08.600 --> 1:00:10.760
<v Speaker 1>click on that, it's free to you. You don't have

1:00:10.800 --> 1:00:12.960
<v Speaker 1>to give me your email or any of that fucking bullshit,

1:00:13.640 --> 1:00:15.720
<v Speaker 1>and you can see all of the images and find

1:00:15.720 --> 1:00:17.880
<v Speaker 1>links to everything if you want to, like track back

1:00:18.240 --> 1:00:21.360
<v Speaker 1>to the work that I did here. So that's kind

1:00:21.400 --> 1:00:24.160
<v Speaker 1>of the best case scenario for how these AI kids

1:00:24.200 --> 1:00:27.960
<v Speaker 1>books work. Look, the worst case scenario is shown in

1:00:28.000 --> 1:00:30.480
<v Speaker 1>this video, which has about four hundred and twelve thousand

1:00:30.520 --> 1:00:34.560
<v Speaker 1>views by Paul Marls. Now. Prior to the AI explosion,

1:00:34.680 --> 1:00:36.880
<v Speaker 1>Paul he was teaching. He had a bunch of videos

1:00:36.880 --> 1:00:40.520
<v Speaker 1>teaching people how to like con other folks through Amazon

1:00:40.640 --> 1:00:43.440
<v Speaker 1>KDP kind of the old fashioned way by like hiring

1:00:43.440 --> 1:00:48.040
<v Speaker 1>ghostwriters and shit. His videos had titles like six hundred

1:00:48.040 --> 1:00:50.480
<v Speaker 1>and thirty six dollars from thirty to sixty minutes work

1:00:50.560 --> 1:00:54.640
<v Speaker 1>exclamation point, exclamation point, make money online with KDP low

1:00:54.720 --> 1:00:58.480
<v Speaker 1>content books. This is like what he's advertising is like,

1:00:58.520 --> 1:01:01.560
<v Speaker 1>these are low content books. To put anything into them.

1:01:01.800 --> 1:01:04.200
<v Speaker 1>It's the laziest thing ever. But you can make this

1:01:04.240 --> 1:01:07.320
<v Speaker 1>weirdly specific number of money if you follow my guides

1:01:08.800 --> 1:01:10.640
<v Speaker 1>and Paul Marls, if you look him up, he has

1:01:10.680 --> 1:01:13.600
<v Speaker 1>dozens of videos for sale on Amazon. I have reached

1:01:13.600 --> 1:01:15.840
<v Speaker 1>out to Paul. His One of the ways you can

1:01:15.840 --> 1:01:18.440
<v Speaker 1>tell this guy's sketchy is he has a website that

1:01:18.560 --> 1:01:21.280
<v Speaker 1>like offers all of his different sort of like you know,

1:01:21.440 --> 1:01:24.000
<v Speaker 1>guidebooks and videos and stuff for people who want to

1:01:24.040 --> 1:01:28.040
<v Speaker 1>follow him in this grift, but it has no contact info.

1:01:28.120 --> 1:01:30.560
<v Speaker 1>I did, like send him a message on his Facebook,

1:01:30.600 --> 1:01:33.000
<v Speaker 1>which I don't think he will check, but you know,

1:01:33.320 --> 1:01:36.800
<v Speaker 1>I did reach out Paul. I don't like Paul. I

1:01:36.840 --> 1:01:39.160
<v Speaker 1>think he has a face in need of a fist here.

1:01:40.200 --> 1:01:42.520
<v Speaker 1>I'm not using that kind of language in the article

1:01:42.560 --> 1:01:44.840
<v Speaker 1>that I've written because I want to seem like an

1:01:44.840 --> 1:01:47.720
<v Speaker 1>objective journalist. But as you'll see when we play a

1:01:47.760 --> 1:01:51.040
<v Speaker 1>clip from this guy's video, he's pretty immediately off putting. Now,

1:01:51.160 --> 1:01:54.400
<v Speaker 1>Paul ups the ante on laziness here by cutting out

1:01:54.520 --> 1:02:00.200
<v Speaker 1>the text entirely and instead generating a children's coloring book

1:02:00.240 --> 1:02:03.200
<v Speaker 1>that he hopes will seo well because it's about dinosaurs

1:02:03.200 --> 1:02:05.960
<v Speaker 1>and turn a profit. It's even lazier, right, that's what

1:02:06.000 --> 1:02:08.280
<v Speaker 1>Paul is is like, this is already a lazy grift.

1:02:08.280 --> 1:02:11.080
<v Speaker 1>Paul's gonna make it lazier. Fuck all that text. We

1:02:11.080 --> 1:02:13.400
<v Speaker 1>don't need a story, like, we don't need to use

1:02:13.520 --> 1:02:18.680
<v Speaker 1>chat GPT. We'll just we'll make a coloring book super easy.

1:02:19.520 --> 1:02:21.520
<v Speaker 1>And you may think a coloring book would be less

1:02:21.520 --> 1:02:24.120
<v Speaker 1>problematic than some of this other shit we've seen. I

1:02:24.160 --> 1:02:27.680
<v Speaker 1>assure you it's not. So he enters this very half

1:02:27.720 --> 1:02:30.920
<v Speaker 1>assed prompt where he misspells the name of a dinosaur.

1:02:31.200 --> 1:02:34.600
<v Speaker 1>The prompt is just like coloring page for kids, Tyrannosaurus

1:02:34.600 --> 1:02:37.120
<v Speaker 1>rex in a jungle, and he doesn't spell it right.

1:02:37.160 --> 1:02:41.040
<v Speaker 1>And I'm gonna have Sophie play this guy describing how

1:02:41.080 --> 1:02:45.840
<v Speaker 1>he generates the images for his coloring book, and maybe

1:02:45.840 --> 1:02:47.160
<v Speaker 1>then you'll hate him as much as I do.

1:02:47.960 --> 1:02:51.400
<v Speaker 5>And what we want our image to be off. Now

1:02:51.480 --> 1:02:54.720
<v Speaker 5>I'm going to do a dinosaur coloring book. That doesn't

1:02:54.760 --> 1:02:56.360
<v Speaker 5>mean to say you need to go out and do

1:02:56.360 --> 1:02:58.760
<v Speaker 5>a dinosaur coloring book. You can use this method to

1:02:58.840 --> 1:03:02.840
<v Speaker 5>create any number of different types of coloring book that

1:03:02.880 --> 1:03:06.080
<v Speaker 5>you want. So I'm going to put in Turanosaurus rex

1:03:07.040 --> 1:03:10.560
<v Speaker 5>in a jungle. The next instruction is going to be

1:03:10.720 --> 1:03:12.680
<v Speaker 5>what sort of style, and we're going to put in

1:03:12.840 --> 1:03:15.480
<v Speaker 5>cartoon style. Then I'm just going to tell it how

1:03:15.520 --> 1:03:18.360
<v Speaker 5>I want the lines, and I want this with thick lines,

1:03:18.880 --> 1:03:23.800
<v Speaker 5>low detail, and no shading. Now put in no shading,

1:03:24.080 --> 1:03:27.840
<v Speaker 5>but you'll find that it probably will create some images

1:03:28.080 --> 1:03:31.080
<v Speaker 5>with some element of shading. The next is we need

1:03:31.120 --> 1:03:35.400
<v Speaker 5>to put two minus signs and then ar for aspect ratio.

1:03:35.520 --> 1:03:38.480
<v Speaker 5>So we're just going to put in nine eleven and

1:03:38.520 --> 1:03:41.400
<v Speaker 5>then we enter and we can see here it's starting

1:03:41.400 --> 1:03:42.280
<v Speaker 5>to create the images.

1:03:44.040 --> 1:03:46.440
<v Speaker 1>Okay, so stop at Sylvie, because now I want to talk.

1:03:46.440 --> 1:03:48.400
<v Speaker 1>I want to talk about these images. First. I want

1:03:48.400 --> 1:03:50.560
<v Speaker 1>to say, you'll note he's like, we don't want there

1:03:50.560 --> 1:03:53.120
<v Speaker 1>to be shading, because you know, if there's shading in

1:03:53.160 --> 1:03:54.880
<v Speaker 1>a thing, that you're supposed to color in it, Like,

1:03:54.920 --> 1:03:57.200
<v Speaker 1>fucks up, you can't like color in shading very well.

1:03:57.280 --> 1:03:59.560
<v Speaker 1>But he's like, sure there will be shading, but like whatever,

1:03:59.560 --> 1:04:03.720
<v Speaker 1>who gives you know, we don't care anything about this stuff. Now,

1:04:03.800 --> 1:04:05.840
<v Speaker 1>Sophie is going to show you. These are the images

1:04:05.880 --> 1:04:08.360
<v Speaker 1>that he generates with that prompt take a good look

1:04:08.360 --> 1:04:10.560
<v Speaker 1>at these dinosaurs. Can you can you tell me anything

1:04:10.560 --> 1:04:12.600
<v Speaker 1>that's wrong with these Tyrannosaurus rexes.

1:04:13.120 --> 1:04:14.600
<v Speaker 2>Oh sure they're not t rexes.

1:04:14.840 --> 1:04:16.920
<v Speaker 1>No, they're not at all t rexes. One of them

1:04:17.000 --> 1:04:20.120
<v Speaker 1>is a quadruped. It clearly has four legs, but like

1:04:20.160 --> 1:04:22.800
<v Speaker 1>a t rex head on this like weird stump of

1:04:22.800 --> 1:04:25.960
<v Speaker 1>a body. Another one, the tx rex has like human

1:04:26.040 --> 1:04:30.320
<v Speaker 1>muscle arms and thumbs and thumbs. One of them, the

1:04:30.360 --> 1:04:32.880
<v Speaker 1>one on the bottom left, like, not only is the

1:04:32.920 --> 1:04:36.240
<v Speaker 1>bottom jaw twisted away from the top jaw, but if

1:04:36.280 --> 1:04:40.320
<v Speaker 1>you notice, its front arm is actually its back leg.

1:04:40.720 --> 1:04:43.760
<v Speaker 1>The back of its body is merged with a tree.

1:04:44.120 --> 1:04:47.680
<v Speaker 1>And then like there's maybe two other sort of half

1:04:47.720 --> 1:04:50.520
<v Speaker 1>formed limbs there and then the bottom right one like

1:04:50.560 --> 1:04:53.200
<v Speaker 1>these I cannot exaggerate to you, like go go to

1:04:53.280 --> 1:04:56.480
<v Speaker 1>shattersone substeck. Look at these fucking t rexes. These are

1:04:56.520 --> 1:05:01.520
<v Speaker 1>so such fucked up janky tyrannosauruses, Like it is offensive

1:05:01.560 --> 1:05:03.640
<v Speaker 1>to me, how shitty these t rexes look.

1:05:05.120 --> 1:05:07.800
<v Speaker 3>The human hands are very funny.

1:05:07.960 --> 1:05:10.720
<v Speaker 1>Yeah, the human hands on the bottom one is pretty great.

1:05:11.000 --> 1:05:14.360
<v Speaker 1>I do like how in the top one, like mid

1:05:14.400 --> 1:05:17.160
<v Speaker 1>journey's almost done like a rob Leaffield thing, where like

1:05:17.200 --> 1:05:23.560
<v Speaker 1>it can't figure out the so so hey, maybe AI

1:05:23.720 --> 1:05:28.960
<v Speaker 1>has at least reached Leaffield and levels of like illustrative potential.

1:05:29.480 --> 1:05:36.400
<v Speaker 2>They need, they need never explained belts of ambiguous cartridges

1:05:36.640 --> 1:05:38.440
<v Speaker 2>right right around the waste.

1:05:38.640 --> 1:05:38.800
<v Speaker 5>Yeah.

1:05:39.160 --> 1:05:42.320
<v Speaker 1>Also, you know what if there be that's gonna be

1:05:42.320 --> 1:05:44.360
<v Speaker 1>another two iterations.

1:05:44.720 --> 1:05:48.040
<v Speaker 2>Yeah, t rex with human hands that would have helped

1:05:48.080 --> 1:05:48.400
<v Speaker 2>him out.

1:05:50.400 --> 1:05:52.880
<v Speaker 1>They maybe they would have been around right, you know,

1:05:52.920 --> 1:05:56.320
<v Speaker 1>if the t rex had developed the fucking handgun, you know,

1:05:56.600 --> 1:06:03.800
<v Speaker 1>they could have fought off those fucking asteroids. Yeah, it's

1:06:03.840 --> 1:06:05.880
<v Speaker 1>a you know when you say that, I think about

1:06:05.920 --> 1:06:10.360
<v Speaker 1>a much better tyrannosaur drawing. Bill Watterson's classic Tyrannosaurs in

1:06:10.480 --> 1:06:14.160
<v Speaker 1>f fourteen's still one of like the highlights of my childhood.

1:06:15.000 --> 1:06:17.240
<v Speaker 1>That part of why I'm so offended by this coloring

1:06:17.240 --> 1:06:20.160
<v Speaker 1>book is that, like the best parts of my childhood

1:06:20.200 --> 1:06:24.160
<v Speaker 1>all involved dinosaurs, and he is just he understands that

1:06:24.160 --> 1:06:27.400
<v Speaker 1>that kids are magnetically drawn to dinosaurs, always have been

1:06:27.440 --> 1:06:30.680
<v Speaker 1>and always will be forever more, and so that he's

1:06:30.720 --> 1:06:33.959
<v Speaker 1>grifting off that by provided like he just he doesn't

1:06:33.960 --> 1:06:36.600
<v Speaker 1>even care enough to make sure that they look vaguely right,

1:06:36.720 --> 1:06:40.480
<v Speaker 1>like any kid. Kids know more about dinosaurs than paleontologists.

1:06:40.520 --> 1:06:42.280
<v Speaker 1>Any child is going to point out that these are

1:06:42.320 --> 1:06:46.880
<v Speaker 1>fucked up looking t rexes. So Paul's guide after this

1:06:46.960 --> 1:06:48.400
<v Speaker 1>kind of goes through how you lay out your coloring

1:06:48.440 --> 1:06:51.240
<v Speaker 1>book to publication, how you cobble together a cover, you know,

1:06:51.280 --> 1:06:53.160
<v Speaker 1>what kind of things you need so that it'll it'll

1:06:53.160 --> 1:06:56.000
<v Speaker 1>get through Amazon sensors, and they'll let you upload it

1:06:56.040 --> 1:06:58.360
<v Speaker 1>to like not just like because it's a coloring book,

1:06:58.400 --> 1:07:01.440
<v Speaker 1>obviously you need physical copies and you can if you

1:07:01.520 --> 1:07:03.840
<v Speaker 1>upload it right, Amazon will just like print and sell

1:07:03.880 --> 1:07:06.680
<v Speaker 1>the books for you, the actual like physical books. And

1:07:06.720 --> 1:07:08.720
<v Speaker 1>again this gets to what I worry about is that

1:07:08.800 --> 1:07:12.200
<v Speaker 1>like parents who fall for these books are going to

1:07:12.240 --> 1:07:14.960
<v Speaker 1>be you know, overworked. They're not going to be focusing

1:07:15.000 --> 1:07:16.800
<v Speaker 1>on these books as much as their kids are, right,

1:07:16.840 --> 1:07:18.800
<v Speaker 1>They're just like, I want to get a dinosaur coloring

1:07:18.800 --> 1:07:21.240
<v Speaker 1>book for my kid or whatever they need a coloring book. Oh,

1:07:21.240 --> 1:07:23.520
<v Speaker 1>this is what like popped up on Amazon. The cover

1:07:23.600 --> 1:07:27.640
<v Speaker 1>looks fine. I am also worried. Particularly what scares me.

1:07:27.840 --> 1:07:29.880
<v Speaker 1>It's both like parents who don't have a lot of time,

1:07:30.240 --> 1:07:33.360
<v Speaker 1>they're going for whatever is affordable. And also there's a

1:07:33.360 --> 1:07:36.720
<v Speaker 1>lot of charities that provide poor kids with free books,

1:07:36.960 --> 1:07:40.280
<v Speaker 1>and they do bulk orders from places like Amazon that

1:07:40.360 --> 1:07:42.320
<v Speaker 1>might get tricked by this kind of thing. And so

1:07:43.160 --> 1:07:45.080
<v Speaker 1>the thing that like the vision I can't get out

1:07:45.080 --> 1:07:47.840
<v Speaker 1>of my head is this like frightening ai future in

1:07:47.880 --> 1:07:51.439
<v Speaker 1>which like rich kids get to color in proper dinosaurs

1:07:51.480 --> 1:07:54.720
<v Speaker 1>from like coloring books that human beings drew, and poor

1:07:54.800 --> 1:07:57.720
<v Speaker 1>kids grow up thinking stegosaurs had no tail and the

1:07:57.800 --> 1:07:59.800
<v Speaker 1>earth used to have like a second moon that looked

1:07:59.800 --> 1:08:02.040
<v Speaker 1>like nipple, which is another Look at this image here,

1:08:02.040 --> 1:08:05.560
<v Speaker 1>Look at this fucking picture that that it drew that

1:08:05.680 --> 1:08:09.560
<v Speaker 1>some kids, some kid's gonna get this, some kid's gonna

1:08:09.560 --> 1:08:11.520
<v Speaker 1>get this fucking coloring book. Look at this fucking thing

1:08:11.560 --> 1:08:13.720
<v Speaker 1>that's not a stegosaurus. I don't even know. It's got

1:08:13.720 --> 1:08:16.640
<v Speaker 1>like spikes coming out of like like like actual like

1:08:16.680 --> 1:08:19.800
<v Speaker 1>porcupine quills. Coming out of like the spines on its

1:08:19.800 --> 1:08:22.400
<v Speaker 1>back and like it doesn't have a tail, there's like

1:08:22.560 --> 1:08:25.400
<v Speaker 1>five legs and the perspectives wrong and then like the

1:08:25.479 --> 1:08:26.800
<v Speaker 1>world behind it look like.

1:08:26.920 --> 1:08:34.760
<v Speaker 2>Yeah, yeah, yeah, it's got spikes on the left, uh,

1:08:34.800 --> 1:08:35.800
<v Speaker 2>the left hind leg.

1:08:37.160 --> 1:08:40.280
<v Speaker 1>Yeah yeah, it's like fucked up. It's like super fucked up.

1:08:40.400 --> 1:08:42.080
<v Speaker 3>Like what's very bad?

1:08:42.960 --> 1:08:45.840
<v Speaker 1>Yeah, I hate this shit, and like the again, that's

1:08:45.840 --> 1:08:49.840
<v Speaker 1>what's unsettling. Like there will always be high quality dinosaur

1:08:49.880 --> 1:08:53.320
<v Speaker 1>coloring books and storybooks and stuff for kids, and because

1:08:53.360 --> 1:08:56.000
<v Speaker 1>they're made by humans, they'll command a premium price. So

1:08:56.080 --> 1:09:01.320
<v Speaker 1>like the poor kids grow up thinking that like yeah,

1:09:01.400 --> 1:09:04.439
<v Speaker 1>I don't know, you know, I find it fucked up,

1:09:06.200 --> 1:09:08.639
<v Speaker 1>and maybe it'll be even bleaker than that, and nobody

1:09:08.680 --> 1:09:11.360
<v Speaker 1>will get good children's books. But this is kind of

1:09:11.400 --> 1:09:13.880
<v Speaker 1>like where I what I'm suspecting is at least the

1:09:13.920 --> 1:09:15.680
<v Speaker 1>first thing that's going to happen is that like the

1:09:15.760 --> 1:09:20.040
<v Speaker 1>kids who start getting shafted with this low quality, unsettling

1:09:20.160 --> 1:09:22.880
<v Speaker 1>brain poisoning AI crap are like the kids who don't

1:09:22.920 --> 1:09:24.760
<v Speaker 1>have as much money, you know, or whose parents don't

1:09:24.760 --> 1:09:26.960
<v Speaker 1>have as much money, whose school districts don't have as

1:09:27.040 --> 1:09:31.080
<v Speaker 1>much money. Now A cursorysearch on Amazon suggests that a

1:09:31.200 --> 1:09:33.600
<v Speaker 1>lot of people have followed Paul's advice because there are

1:09:33.640 --> 1:09:37.040
<v Speaker 1>a shitload of nearly identical coloring books. So, first off, been,

1:09:37.240 --> 1:09:40.400
<v Speaker 1>this is the cover of Paul's book. Here you can

1:09:40.439 --> 1:09:43.519
<v Speaker 1>see the dinosaur coloring book. You know, pretty simple, and

1:09:43.520 --> 1:09:46.000
<v Speaker 1>that he did pick for the front cover the image

1:09:46.040 --> 1:09:48.719
<v Speaker 1>that's like least fucked up looking like that almost looks

1:09:48.800 --> 1:09:52.719
<v Speaker 1>right right. But then I found as I started looking

1:09:52.760 --> 1:09:56.920
<v Speaker 1>through Amazon, several near identical copies, all sold under different names,

1:09:57.600 --> 1:09:59.720
<v Speaker 1>and you can tell they're all AI copies because like,

1:09:59.760 --> 1:10:03.320
<v Speaker 1>so this first one here, uh, the arms are fucked up,

1:10:03.439 --> 1:10:05.360
<v Speaker 1>like they're in the position kind of like that one

1:10:05.360 --> 1:10:07.479
<v Speaker 1>on the on the left is almost like set up

1:10:07.520 --> 1:10:10.200
<v Speaker 1>like a leg and they're both bent down so you

1:10:10.200 --> 1:10:12.680
<v Speaker 1>don't actually see the clause. You can tell the perspectives

1:10:12.680 --> 1:10:17.120
<v Speaker 1>fucked up though that's by Jared Mason or it's not,

1:10:17.280 --> 1:10:19.960
<v Speaker 1>because like Paul and other people talk about how you

1:10:19.960 --> 1:10:22.639
<v Speaker 1>you just create fake names to write these books under.

1:10:22.760 --> 1:10:24.719
<v Speaker 1>These could all be Paul, they could all be people

1:10:24.760 --> 1:10:28.200
<v Speaker 1>following Paul's advice. We don't know. Here's another book where

1:10:28.240 --> 1:10:31.000
<v Speaker 1>like what the fuck dinosaur is that supposed to be

1:10:31.479 --> 1:10:35.080
<v Speaker 1>that is that is like, so again, folks, you really

1:10:35.280 --> 1:10:36.120
<v Speaker 1>owe it to yourself.

1:10:37.640 --> 1:10:42.880
<v Speaker 3>Sorry, what it is? What are the legs situation?

1:10:43.080 --> 1:10:46.439
<v Speaker 1>The tripod Like it's got like the body of a dog,

1:10:46.560 --> 1:10:50.400
<v Speaker 1>but like three legs, a t rex head and an

1:10:50.520 --> 1:10:53.160
<v Speaker 1>arm that's not an arm like it's a it's an

1:10:53.280 --> 1:10:55.479
<v Speaker 1>arm that looks like this. It looks like this animal

1:10:55.600 --> 1:10:58.519
<v Speaker 1>was like a Civil War veteran who was gonna say if.

1:10:58.360 --> 1:11:00.880
<v Speaker 2>You date it, like this guy's been through some ship,

1:11:01.080 --> 1:11:04.280
<v Speaker 2>you know what I mean, Like and he's still uh.

1:11:07.280 --> 1:11:10.559
<v Speaker 1>Wow, and it's it's it shows how lazy these people

1:11:10.600 --> 1:11:12.840
<v Speaker 1>are that like anyone seeing that, she'd be like, that's

1:11:12.880 --> 1:11:14.880
<v Speaker 1>not a dinosaur. That doesn't look there at all?

1:11:14.920 --> 1:11:16.759
<v Speaker 2>What is happening here? Yeah?

1:11:17.000 --> 1:11:19.160
<v Speaker 1>Oh good, there's more. And then this this one, this

1:11:19.240 --> 1:11:25.320
<v Speaker 1>is a look at how the claws are like, its

1:11:25.520 --> 1:11:28.040
<v Speaker 1>fingers are like as long as it's head. It's like

1:11:28.120 --> 1:11:35.160
<v Speaker 1>a fucking salad fingers the dinosaur. It's so fucking weird.

1:11:35.360 --> 1:11:40.640
<v Speaker 2>I like the incredible, Yeah, I like the nihilation. I

1:11:40.760 --> 1:11:45.679
<v Speaker 2>like the there's something like there there's something very about

1:11:45.720 --> 1:11:48.719
<v Speaker 2>the way the eyes are rolled up. Yeah.

1:11:49.000 --> 1:11:52.960
<v Speaker 1>I love it. So despite featuring easily the worst dinosaur

1:11:53.040 --> 1:11:55.080
<v Speaker 1>drawing I've ever seen in my life. This coloring book

1:11:55.120 --> 1:11:57.760
<v Speaker 1>appears to be selling reasonably well. At the time this

1:11:57.880 --> 1:12:00.360
<v Speaker 1>article was written, it was number seventy five and the

1:12:00.360 --> 1:12:04.920
<v Speaker 1>teen in young adult drawing category. That's potentially decent money.

1:12:05.200 --> 1:12:07.880
<v Speaker 1>That's not low on Amazon now. That is like in

1:12:07.920 --> 1:12:10.160
<v Speaker 1>the teen and young adult drawing category. It's not like

1:12:10.200 --> 1:12:14.000
<v Speaker 1>a massive category, but like that's there are human coloring

1:12:14.040 --> 1:12:16.720
<v Speaker 1>books that are selling worse than this, I will guarantee you,

1:12:17.040 --> 1:12:21.599
<v Speaker 1>And that's potentially meaningful money for this person. I use

1:12:21.640 --> 1:12:25.400
<v Speaker 1>the term person lightly for whoever is like shitting this stuff.

1:12:25.439 --> 1:12:28.160
<v Speaker 1>Maybe it's all Paul, maybe it's all people copying him.

1:12:28.160 --> 1:12:30.920
<v Speaker 1>But like this is already a problem, is what I'm

1:12:30.920 --> 1:12:33.760
<v Speaker 1>getting at, Because it's like this isn't like the worst thing,

1:12:34.080 --> 1:12:35.920
<v Speaker 1>you know, in a world where yeah, I don't know,

1:12:36.000 --> 1:12:39.320
<v Speaker 1>like the Catholic Church exists, fucked up coloring books aren't

1:12:39.320 --> 1:12:45.920
<v Speaker 1>the worst thing for little kids, but like this is Seriously,

1:12:46.439 --> 1:12:49.719
<v Speaker 1>I don't think it's it's good Like kids pay attention

1:12:49.840 --> 1:12:53.479
<v Speaker 1>to stuff like this, like show like the Sheer, for

1:12:53.520 --> 1:12:55.720
<v Speaker 1>one thing. I think the laziness in this reads off

1:12:55.720 --> 1:12:58.720
<v Speaker 1>to them. But like it's just it's wrong, Like you

1:12:58.760 --> 1:13:04.000
<v Speaker 1>shouldn't be shotgunning stuff that's wrong to kids because you're

1:13:04.000 --> 1:13:07.120
<v Speaker 1>too lazy to like do even the minimum work of

1:13:07.640 --> 1:13:12.479
<v Speaker 1>regenerating the images until they're right. I find this on settling,

1:13:12.600 --> 1:13:14.760
<v Speaker 1>and there's a lot more to find on settling because,

1:13:14.800 --> 1:13:16.760
<v Speaker 1>like part of what I did while researching this was

1:13:16.800 --> 1:13:20.479
<v Speaker 1>kind of a deep dive on literary education theory because

1:13:20.479 --> 1:13:22.040
<v Speaker 1>I wanted to have an idea of how some of

1:13:22.080 --> 1:13:25.559
<v Speaker 1>the stuff is going to affect children. But that's going

1:13:25.600 --> 1:13:28.960
<v Speaker 1>to be all for part one with us today, Ben,

1:13:29.400 --> 1:13:33.080
<v Speaker 1>because you know, time to take five. Time to take five,

1:13:33.240 --> 1:13:35.240
<v Speaker 1>do a little bit of a breather, and then we'll

1:13:35.240 --> 1:13:39.000
<v Speaker 1>come back on Thursday and I will finish this deeply

1:13:39.080 --> 1:13:42.360
<v Speaker 1>fucked up story. Ben, you got anything to plug?

1:13:43.800 --> 1:13:47.839
<v Speaker 2>Yes, please check out and subscribe to Cool Zone Media.

1:13:47.960 --> 1:13:53.320
<v Speaker 2>Do your part in supporting accurate depictions of dinosaurs for children.

1:13:53.840 --> 1:13:57.760
<v Speaker 2>You can also find me hanging with my rider dies

1:13:57.800 --> 1:14:01.200
<v Speaker 2>Matt Frederick and Noel Brown on shows like Stuff They

1:14:01.240 --> 1:14:06.000
<v Speaker 2>Don't Want You to Know and Ridiculous History. You can

1:14:06.240 --> 1:14:12.400
<v Speaker 2>find me talking trash about mrs and French military rations

1:14:12.479 --> 1:14:15.320
<v Speaker 2>on Twitter. Named it a burst of creativity at Ben

1:14:15.400 --> 1:14:20.320
<v Speaker 2>Bolan hs w or at Instagram at Ben Bolan. That's

1:14:20.360 --> 1:14:25.000
<v Speaker 2>that's the whole thing. Yeah, I think that's it, right, No, good.

1:14:24.840 --> 1:14:29.040
<v Speaker 1>Oh yeah, excellent. Yeah. I also love a good MRI

1:14:29.720 --> 1:14:32.439
<v Speaker 1>and a bad MRI. I've been making my way through

1:14:32.439 --> 1:14:35.920
<v Speaker 1>these mrs that Mountain House made, and it's like chili mac,

1:14:35.960 --> 1:14:39.840
<v Speaker 1>which is devastating for your stomach. Just anytime you try,

1:14:41.200 --> 1:14:44.040
<v Speaker 1>it's a nightmare. It's a nightmare. There's some good ones

1:14:44.080 --> 1:14:47.200
<v Speaker 1>that I got a nice bison stew that I think,

1:14:47.360 --> 1:14:49.880
<v Speaker 1>uh oh yeah, one of the companies I have made. Yeah,

1:14:49.880 --> 1:14:51.720
<v Speaker 1>there's some good ones out there. I had some when

1:14:51.720 --> 1:14:53.360
<v Speaker 1>I was out hunting for a couple of days in

1:14:53.400 --> 1:14:56.759
<v Speaker 1>the Cascades last year. I had this this freeze dried

1:14:57.560 --> 1:15:00.960
<v Speaker 1>biscuits and gravy that actually fucked on reasonably hard.

1:15:01.680 --> 1:15:04.479
<v Speaker 2>Did you uh, did you ever get done with all

1:15:04.479 --> 1:15:08.519
<v Speaker 2>that mac and cheese? You said something? Oh no, I

1:15:08.560 --> 1:15:09.360
<v Speaker 2>still have a ton of it.

1:15:09.439 --> 1:15:11.360
<v Speaker 1>I have a couple of years worth of dried food

1:15:11.400 --> 1:15:14.760
<v Speaker 1>at any given time, just in case I have to

1:15:14.800 --> 1:15:18.320
<v Speaker 1>hole up in my house, you know, uh, firing wildly

1:15:18.360 --> 1:15:21.680
<v Speaker 1>at trespassers. Uh in the road style situation.

1:15:21.880 --> 1:15:24.639
<v Speaker 3>Oh okay, yeah, yp Cormac.

1:15:25.720 --> 1:15:27.960
<v Speaker 4>We also would like to Plug the newest schools on

1:15:28.040 --> 1:15:30.920
<v Speaker 4>media series Said Oligar, hosted by j K and Rahan,

1:15:32.200 --> 1:15:36.000
<v Speaker 4>available on All the Things Robert, Do you want to

1:15:36.400 --> 1:15:40.080
<v Speaker 4>give that link for where people can follow your substack

1:15:40.120 --> 1:15:40.719
<v Speaker 4>one more time?

1:15:41.200 --> 1:15:45.280
<v Speaker 1>Hell yeah, it's shatter Zone. So just go to shatter

1:15:45.400 --> 1:15:49.200
<v Speaker 1>zone dot substack dot com. Uh and you will. You

1:15:49.240 --> 1:15:51.960
<v Speaker 1>will find my thing. You don't have to you don't

1:15:51.960 --> 1:15:54.439
<v Speaker 1>have to sign up or anything. It's free.

1:15:54.920 --> 1:15:56.240
<v Speaker 2>You're good, okay.

1:15:57.640 --> 1:15:59.479
<v Speaker 1>By shabam Zo.

1:16:01.880 --> 1:16:04.599
<v Speaker 3>Behind the Bastards is a production of cool Zone Media.

1:16:04.960 --> 1:16:08.200
<v Speaker 3>For more from cool Zone Media, visit our website Coolzonemedia

1:16:08.400 --> 1:16:11.639
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1:16:11.680 --> 1:16:14.280
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