1
00:00:11,800 --> 00:00:16,120
Speaker 1: He is drinks chants, motherfucking podcast makes He's a legendary

2
00:00:16,239 --> 00:00:16,919
Speaker 1: queens rapper.

3
00:00:17,079 --> 00:00:18,800
Speaker 2: He ain't sagreed as your boy in O r E.

4
00:00:18,920 --> 00:00:21,759
Speaker 1: He's a Miami hip hop pioneer put up as d

5
00:00:21,920 --> 00:00:24,239
Speaker 1: J e f N. Together they drink it up with

6
00:00:24,360 --> 00:00:26,960
Speaker 1: some of the biggest players you me and the most

7
00:00:26,960 --> 00:00:31,520
Speaker 1: professional unprofessional podcast and your number one source for drunk

8
00:00:31,920 --> 00:00:34,360
Speaker 1: drink chans days New Year.

9
00:00:34,240 --> 00:00:39,400
Speaker 3: C that's it's time for drink champs. Drink up mother.

10
00:00:43,680 --> 00:00:46,479
Speaker 2: Would it could be? Is your boy in O R E?

11
00:00:46,680 --> 00:00:48,040
Speaker 3: What up is d J e f N?

12
00:00:48,120 --> 00:00:50,320
Speaker 2: This is minna take me crazy wall have yow up,

13
00:00:50,560 --> 00:00:59,640
Speaker 2: drink Champs, Yawa Dawa and all that. Now, I ain't

14
00:00:59,640 --> 00:01:07,000
Speaker 2: gonna lie you. I looked at these brothers discography and

15
00:01:07,040 --> 00:01:09,720
Speaker 2: I went through it, and I came to the realization

16
00:01:10,760 --> 00:01:14,520
Speaker 2: that they don't know how to not make ahead. Every

17
00:01:14,680 --> 00:01:20,280
Speaker 2: record that these brothers is involved with and a part

18
00:01:20,319 --> 00:01:25,920
Speaker 2: of it's your everyday records that you hear every day.

19
00:01:26,160 --> 00:01:29,640
Speaker 2: For sure, I'm sitting back and I'm so like proud

20
00:01:29,640 --> 00:01:34,840
Speaker 2: of y'all. And it's only one thing that I could

21
00:01:34,880 --> 00:01:37,960
Speaker 2: probably complain about is that I got one.

22
00:01:42,040 --> 00:01:43,560
Speaker 3: Complain Yo.

23
00:01:43,840 --> 00:01:47,400
Speaker 2: I'm gonna just be honest. I want to get straight

24
00:01:47,440 --> 00:01:58,200
Speaker 2: into it. That's what motherfucker now, Holy moly, guacamole. I'm

25
00:01:58,400 --> 00:02:02,480
Speaker 2: just in the car vibing. I'm going through the playlist

26
00:02:03,240 --> 00:02:07,320
Speaker 2: and I'm like every So, let let's take it from

27
00:02:07,320 --> 00:02:15,160
Speaker 2: the beginning, all right, how did this start? Ship? In Atlanta?

28
00:02:15,200 --> 00:02:18,919
Speaker 4: We know that Miss deb I was signed to deb

29
00:02:19,560 --> 00:02:19,960
Speaker 4: walk Up.

30
00:02:21,240 --> 00:02:21,840
Speaker 2: Welcome Mama.

31
00:02:22,080 --> 00:02:23,560
Speaker 5: You know I made all I made all Walkers, like

32
00:02:23,960 --> 00:02:25,200
Speaker 5: ship they started like his first ship.

33
00:02:25,240 --> 00:02:27,079
Speaker 4: I made all that ship and leg.

34
00:02:27,280 --> 00:02:30,640
Speaker 2: Yeah wow, so queen, you's got something to do with this? Sure?

35
00:02:33,720 --> 00:02:33,880
Speaker 6: Yeah?

36
00:02:33,919 --> 00:02:35,520
Speaker 2: Yeah, sure, it's like my second home.

37
00:02:35,560 --> 00:02:35,799
Speaker 6: I love.

38
00:02:35,919 --> 00:02:37,000
Speaker 2: Okay, Okay, so.

39
00:02:37,800 --> 00:02:39,760
Speaker 5: Walking up like really walking them really walking and who

40
00:02:39,840 --> 00:02:40,440
Speaker 5: put me into it?

41
00:02:40,520 --> 00:02:41,040
Speaker 4: Like all the way?

42
00:02:41,720 --> 00:02:43,040
Speaker 5: So and I just went from there and I started

43
00:02:43,040 --> 00:02:46,440
Speaker 5: working with Gucci, you know what I'm saying. Then I

44
00:02:46,440 --> 00:02:48,960
Speaker 5: I got the future. And when I got with Future,

45
00:02:48,960 --> 00:02:50,160
Speaker 5: it's just like sod with.

46
00:02:51,840 --> 00:02:53,680
Speaker 2: I ain't gonna lie when I when I realized that

47
00:02:53,760 --> 00:02:58,760
Speaker 2: I did Marsh Madness, Yeah like that was the record. Yeah,

48
00:02:59,840 --> 00:03:04,560
Speaker 2: I I didn't understand what I was listening to, just

49
00:03:04,720 --> 00:03:05,799
Speaker 2: like you.

50
00:03:05,760 --> 00:03:07,079
Speaker 4: Know, I gotta I started this ship.

51
00:03:07,120 --> 00:03:08,760
Speaker 5: Like I said, what I realized was like in music,

52
00:03:09,400 --> 00:03:11,919
Speaker 5: the super producer groups of niggas like like for real

53
00:03:11,960 --> 00:03:13,920
Speaker 5: and like you know, enough to the ship. So it

54
00:03:13,960 --> 00:03:16,520
Speaker 5: wasn't nothing in our generation. So I had like I

55
00:03:16,560 --> 00:03:19,680
Speaker 5: got fused, I had Tarantino, Like Tarantino really made Marshal madness.

56
00:03:19,680 --> 00:03:22,320
Speaker 5: He was signing me to like it was like eleven us.

57
00:03:23,040 --> 00:03:26,880
Speaker 2: You know, let's break down there, right, that's a big team. Yeah,

58
00:03:26,919 --> 00:03:29,000
Speaker 2: because ain't eight feet Let's break that down.

59
00:03:29,600 --> 00:03:32,440
Speaker 6: Let's let's let's show up to everybody.

60
00:03:32,840 --> 00:03:33,040
Speaker 2: Okay.

61
00:03:33,240 --> 00:03:36,000
Speaker 4: Yeah, So it started with me and TM eighty eight because.

62
00:03:35,760 --> 00:03:38,480
Speaker 2: That's eight o eight right, yeah, you get a lot

63
00:03:38,480 --> 00:03:42,640
Speaker 2: of money.

64
00:03:43,640 --> 00:03:44,240
Speaker 4: Just man.

65
00:03:45,560 --> 00:03:48,520
Speaker 5: It started starting being TM eighty eight and then it's

66
00:03:48,520 --> 00:03:50,320
Speaker 5: just like I had, I got fused, I got uh

67
00:03:51,000 --> 00:03:54,360
Speaker 5: Trey pounds is d y, I got a new kid,

68
00:03:54,440 --> 00:03:56,280
Speaker 5: ain't shmad and I make everything right now, that's a

69
00:03:56,280 --> 00:03:58,800
Speaker 5: lot of us, but it's like twenty of us now.

70
00:03:58,960 --> 00:04:00,800
Speaker 5: But it started off like a leveing us like so,

71
00:04:01,200 --> 00:04:04,000
Speaker 5: but everybody had something different like fusees do like currency

72
00:04:04,160 --> 00:04:08,040
Speaker 5: and big Sean ship like because I can't do everything,

73
00:04:08,440 --> 00:04:09,840
Speaker 5: you know what I'm saying, and I wasn't stingy.

74
00:04:09,880 --> 00:04:11,160
Speaker 3: There's different styles in the team.

75
00:04:11,760 --> 00:04:14,200
Speaker 7: Yeah, but we still got It's still like the same,

76
00:04:14,480 --> 00:04:16,360
Speaker 7: you know, like.

77
00:04:16,000 --> 00:04:17,839
Speaker 4: For the whole crew, the VC used to make that

78
00:04:17,839 --> 00:04:19,520
Speaker 4: feel in love. He made like he don't even make

79
00:04:19,560 --> 00:04:20,159
Speaker 4: them no more.

80
00:04:20,120 --> 00:04:22,360
Speaker 7: Like you know what I'm saying, like sample, I'm from

81
00:04:22,440 --> 00:04:24,080
Speaker 7: New York, Yeah, so you know what I mean.

82
00:04:24,200 --> 00:04:26,600
Speaker 2: So what would you describe your style as more like

83
00:04:28,400 --> 00:04:29,359
Speaker 2: hip hop? Hip hop?

84
00:04:29,880 --> 00:04:32,320
Speaker 7: You can do that. I could do that, like I

85
00:04:32,400 --> 00:04:34,080
Speaker 7: do order New York Ship. But it was just like

86
00:04:34,160 --> 00:04:36,279
Speaker 7: I was flipping samples but putting trap meats on.

87
00:04:36,279 --> 00:04:39,360
Speaker 2: Them, putting putting trap drums under the Yeah. So that's

88
00:04:39,400 --> 00:04:39,719
Speaker 2: what it.

89
00:04:39,800 --> 00:04:41,480
Speaker 5: Kind of opened me up to that, Like I was like, damn,

90
00:04:41,520 --> 00:04:43,440
Speaker 5: I wouldn't even because I was making anything from scratch,

91
00:04:43,440 --> 00:04:45,720
Speaker 5: still making them from scratch, putting making trap ship like that.

92
00:04:45,640 --> 00:04:48,000
Speaker 6: Which that's kind of the norm now for across the world.

93
00:04:49,080 --> 00:04:50,000
Speaker 4: We made that cool.

94
00:04:51,360 --> 00:04:56,560
Speaker 7: For sure.

95
00:04:57,720 --> 00:05:04,960
Speaker 2: I go live, bro, I'm a brag for y'all. I

96
00:05:05,000 --> 00:05:07,880
Speaker 2: feel like this last decade, but y'all decade for sure. Sure,

97
00:05:08,480 --> 00:05:11,680
Speaker 2: Like like when I'm going through this disciography, I'm like,

98
00:05:11,720 --> 00:05:16,960
Speaker 2: holy shit, you motherfucker's made everything. Yeah, So how does

99
00:05:17,000 --> 00:05:17,480
Speaker 2: that feel?

100
00:05:18,480 --> 00:05:19,039
Speaker 4: I mean, I don't.

101
00:05:19,200 --> 00:05:20,160
Speaker 2: I don't feel like I did enough.

102
00:05:20,240 --> 00:05:21,800
Speaker 4: Yet we're trying to I want if you do not

103
00:05:21,880 --> 00:05:25,960
Speaker 4: want to be living there like you is, it's just

104
00:05:26,040 --> 00:05:26,479
Speaker 4: nice shots.

105
00:05:26,839 --> 00:05:38,320
Speaker 2: It's like you know, it's so all right because arguably Future,

106
00:05:41,400 --> 00:05:46,360
Speaker 2: for lack of a better term, is the down South.

107
00:05:48,040 --> 00:05:51,360
Speaker 4: Jay Z damn right say that, like.

108
00:05:51,440 --> 00:05:55,240
Speaker 2: Like like like for real, Like I remember hearing someone

109
00:05:55,279 --> 00:05:58,960
Speaker 2: compare them to and then I said, damn. Only people

110
00:05:59,000 --> 00:06:01,360
Speaker 2: that debated that it was people who actually never been

111
00:06:01,400 --> 00:06:04,720
Speaker 2: to Atlanta. If you beat in Atlanta, and you know

112
00:06:05,320 --> 00:06:07,000
Speaker 2: the impact.

113
00:06:06,560 --> 00:06:09,560
Speaker 3: Of Future about the status, right, the status.

114
00:06:11,160 --> 00:06:14,919
Speaker 2: And arguably I'm not taking anything away from Future. Well,

115
00:06:15,240 --> 00:06:18,520
Speaker 2: some of his biggest hits are produced by you, for sure.

116
00:06:22,080 --> 00:06:24,200
Speaker 2: I was riding in the car and that was with

117
00:06:24,279 --> 00:06:27,039
Speaker 2: j JP and I was like, yeah, they can never

118
00:06:27,080 --> 00:06:39,000
Speaker 2: go broke. I was like, these guys unless they saw

119
00:06:39,040 --> 00:06:45,359
Speaker 2: they published, and they could never. So for us, you know,

120
00:06:45,440 --> 00:06:47,640
Speaker 2: new Yorker is we love New York, right, But then

121
00:06:48,880 --> 00:06:51,320
Speaker 2: for people who don't travel, we don't understand the impact

122
00:06:51,360 --> 00:06:55,359
Speaker 2: that it is. We don't understand Atlanta's impact unless you

123
00:06:55,560 --> 00:06:59,839
Speaker 2: actually go to Atlanta. Atlanta was like a number three

124
00:06:59,839 --> 00:07:01,960
Speaker 2: more so I used to always frequent that, so I

125
00:07:02,000 --> 00:07:06,080
Speaker 2: understand that, But to control that market. I just need

126
00:07:06,080 --> 00:07:08,480
Speaker 2: to ask y'all, how does that feel?

127
00:07:08,880 --> 00:07:11,400
Speaker 4: I mean, how it is? And it none for me.

128
00:07:11,400 --> 00:07:12,480
Speaker 4: It's like we are family.

129
00:07:13,080 --> 00:07:15,480
Speaker 5: So I knew all these people when I was when

130
00:07:15,520 --> 00:07:17,360
Speaker 5: I was broke, when they was broke, when they had nothing.

131
00:07:17,360 --> 00:07:19,560
Speaker 5: So it's like it's like, I'm pretty sure I have

132
00:07:19,600 --> 00:07:23,160
Speaker 5: my friends. I'm changing like you know, I'm changing history

133
00:07:23,200 --> 00:07:26,440
Speaker 5: with my real friends. Like shit feel amazing, Like it's

134
00:07:26,480 --> 00:07:28,760
Speaker 5: no fake vibes. Everything is organic, like you know what

135
00:07:28,760 --> 00:07:31,040
Speaker 5: I'm saying, Like I love it. I love it up,

136
00:07:31,280 --> 00:07:33,280
Speaker 5: like for all of them, like you know, for everybody,

137
00:07:33,280 --> 00:07:34,160
Speaker 5: because we all worked together.

138
00:07:34,160 --> 00:07:35,360
Speaker 4: That was the thing about us to another.

139
00:07:35,920 --> 00:07:37,680
Speaker 5: It wasn't no like it won't a lot of separation,

140
00:07:37,800 --> 00:07:40,240
Speaker 5: Like everybody will be at one studio, you know what

141
00:07:40,280 --> 00:07:42,520
Speaker 5: I'm saying. So it went hard to see the Migos,

142
00:07:42,560 --> 00:07:44,160
Speaker 5: it went hard to see future, it went hard to

143
00:07:44,160 --> 00:07:44,880
Speaker 5: see twenty one.

144
00:07:45,320 --> 00:07:47,280
Speaker 3: Everybody will be in Atlanta always had that.

145
00:07:47,560 --> 00:07:49,760
Speaker 4: Everybody wanted to everybody.

146
00:07:50,720 --> 00:07:52,760
Speaker 7: That's what I love about Atlanta because you know, in

147
00:07:52,840 --> 00:07:54,720
Speaker 7: New York, I feel like there was a lot of crabb.

148
00:07:54,440 --> 00:07:57,760
Speaker 2: In the battle. I'm from the Bronx. Okay, you're from Grandy,

149
00:07:57,760 --> 00:07:58,320
Speaker 2: part of the New York.

150
00:08:01,240 --> 00:08:03,440
Speaker 7: Let's yeah, Like I said, I just felt like in

151
00:08:03,480 --> 00:08:04,720
Speaker 7: New York, you know, there was a lot of stepping

152
00:08:04,760 --> 00:08:06,960
Speaker 7: on each other's toes and a lot of crabbing.

153
00:08:06,640 --> 00:08:07,320
Speaker 2: The barrel ship.

154
00:08:07,640 --> 00:08:10,400
Speaker 7: Whereas in Atlanta, everybody works and supports each other. It's

155
00:08:10,400 --> 00:08:12,280
Speaker 7: like one big, huge family, you know what I'm saying.

156
00:08:12,560 --> 00:08:14,080
Speaker 7: Even for Bro, you know what I mean, to take

157
00:08:14,120 --> 00:08:15,600
Speaker 7: me from New York, tell me to come down in

158
00:08:15,640 --> 00:08:17,600
Speaker 7: the a like you know what I mean, that's a

159
00:08:17,600 --> 00:08:18,040
Speaker 7: big thing.

160
00:08:18,080 --> 00:08:20,000
Speaker 2: You know, So how did that happen? Let's let's let's

161
00:08:20,000 --> 00:08:22,240
Speaker 2: describe that. How did how did you do that? Go ahead?

162
00:08:22,560 --> 00:08:24,320
Speaker 7: Well, shure, I was just sending beats like it was

163
00:08:24,400 --> 00:08:26,520
Speaker 7: one of a partners that you know, used to be

164
00:08:26,560 --> 00:08:29,480
Speaker 7: around the team that used to hang around No one

165
00:08:29,520 --> 00:08:30,560
Speaker 7: of my partners I used to go.

166
00:08:30,480 --> 00:08:32,240
Speaker 2: To school, used to be around the team.

167
00:08:32,520 --> 00:08:34,679
Speaker 7: And I used to send beats to him and like yo,

168
00:08:34,720 --> 00:08:36,760
Speaker 7: get my beast to walker or whatever. And then you

169
00:08:36,800 --> 00:08:38,600
Speaker 7: know he'll hit me up like yo walker using you know,

170
00:08:38,600 --> 00:08:40,000
Speaker 7: he was a couple of year beats last night. But

171
00:08:40,080 --> 00:08:41,920
Speaker 7: oh word, you know what I mean, that's kind of crazy.

172
00:08:42,200 --> 00:08:44,320
Speaker 7: And then one day he just called me like yo,

173
00:08:44,400 --> 00:08:46,000
Speaker 7: south Side, I want to talk to you. And I

174
00:08:46,040 --> 00:08:47,520
Speaker 7: was just like, oh, ship, And then you know he

175
00:08:47,600 --> 00:08:48,840
Speaker 7: chopped it over with me. He was just like, Yo,

176
00:08:48,840 --> 00:08:50,760
Speaker 7: I need you to come down to the A. I

177
00:08:50,840 --> 00:08:52,480
Speaker 7: packed up next day. You know what I'm saying, Like

178
00:08:52,440 --> 00:08:59,760
Speaker 7: I don't wasting time. It ain't left either. Yeah for sure.

179
00:09:00,200 --> 00:09:04,160
Speaker 2: I'm jumping strink into the quick, Thomas Gilower. Let's give

180
00:09:04,200 --> 00:09:09,000
Speaker 2: them they flowers. Our show was about giving people they

181
00:09:09,000 --> 00:09:11,480
Speaker 2: flowers where they could smell them, They thoughts, where they

182
00:09:11,480 --> 00:09:14,440
Speaker 2: can tell them what they can take, the drinks where

183
00:09:14,440 --> 00:09:19,800
Speaker 2: they can drink them. We want to get y'all off top,

184
00:09:19,880 --> 00:09:22,720
Speaker 2: man off top because you know what I mean, Like

185
00:09:22,800 --> 00:09:29,760
Speaker 2: I ain't gonna lie to y'all. Y'all might have saved music?

186
00:09:30,880 --> 00:09:34,120
Speaker 2: How you feel like? I mean like like like how

187
00:09:34,200 --> 00:09:37,200
Speaker 2: y'all delivered it? You know me, I'm a I'm a

188
00:09:38,400 --> 00:09:41,120
Speaker 2: I'm a connoisseur. You know what I mean of music?

189
00:09:41,320 --> 00:09:45,360
Speaker 2: Like I love I love this ship and when I

190
00:09:45,400 --> 00:09:48,840
Speaker 2: listened to this discography because you know, dyslexic, so bear

191
00:09:48,920 --> 00:09:52,199
Speaker 2: with me. And I'm just looking and I'm just like, yo,

192
00:09:52,240 --> 00:09:56,960
Speaker 2: you saved like the last ten summers. Yeah for sure,

193
00:09:58,600 --> 00:10:02,440
Speaker 2: down I'm listening to want to I'm like, yo, this

194
00:10:02,440 --> 00:10:06,520
Speaker 2: ship is is fucking classics. Also excited to have y'all here,

195
00:10:06,720 --> 00:10:08,559
Speaker 2: and I'm so excited to be I'm also going to

196
00:10:08,600 --> 00:10:14,599
Speaker 2: get a beat. That's something. So as you go to

197
00:10:14,640 --> 00:10:19,640
Speaker 2: the cooks Amazon already. Hell, okay, okay, all right, cool, cool,

198
00:10:19,679 --> 00:10:22,840
Speaker 2: cool something, send something. Let's take a couple of shots.

199
00:10:25,400 --> 00:10:28,640
Speaker 2: Someone run through. I'm gonna run through something, all right,

200
00:10:29,520 --> 00:10:33,400
Speaker 2: got the keys? The only record jay Z in Future

201
00:10:33,520 --> 00:10:37,560
Speaker 2: is on. Yeah. I don't believe that they never spoke

202
00:10:37,600 --> 00:10:39,720
Speaker 2: again after that.

203
00:10:40,000 --> 00:10:43,880
Speaker 4: May I made that beat in the kitchen, in the kitchen.

204
00:10:43,640 --> 00:10:46,800
Speaker 2: Okay, I need to hear this cook eggs.

205
00:10:46,520 --> 00:10:48,280
Speaker 4: And the Airbnb. I made have beat in the kitchen

206
00:10:48,280 --> 00:10:50,719
Speaker 4: on one of this speaker in the kitchen. Everything I love.

207
00:10:50,840 --> 00:10:52,520
Speaker 2: You could get eggs like a dude from baby Boy.

208
00:10:52,679 --> 00:10:59,960
Speaker 4: I don't get anywhere, but I go to the car

209
00:11:00,040 --> 00:11:00,400
Speaker 4: right now.

210
00:11:00,320 --> 00:11:02,560
Speaker 5: Put it outside and blood off. See if it's on

211
00:11:02,559 --> 00:11:03,640
Speaker 5: my man, I'm just doing it right now.

212
00:11:04,000 --> 00:11:06,720
Speaker 2: Okay, laptop are using a machine off the laptop frou of. Look,

213
00:11:07,040 --> 00:11:09,480
Speaker 2: so let's let's let's describe this record. I got the keys,

214
00:11:09,480 --> 00:11:12,160
Speaker 2: all right? So now the college for you or was

215
00:11:12,200 --> 00:11:13,120
Speaker 2: this future record or.

216
00:11:13,200 --> 00:11:15,199
Speaker 5: Was this whole Future called me and was like, hey,

217
00:11:15,240 --> 00:11:17,400
Speaker 5: I need a crazy pack, like I need a crazy pad.

218
00:11:17,400 --> 00:11:19,480
Speaker 5: I'm doing some ship with Cali right now. So I

219
00:11:19,520 --> 00:11:22,199
Speaker 5: had just made like ten beats. That's how I do.

220
00:11:22,240 --> 00:11:23,520
Speaker 4: When he'll called me, that's what I do. I just

221
00:11:23,520 --> 00:11:25,360
Speaker 4: send him in ten beats. He ended up hitting me

222
00:11:25,400 --> 00:11:27,480
Speaker 4: back in like two hours and was like, hey, this

223
00:11:27,520 --> 00:11:28,520
Speaker 4: one right here, this this ship.

224
00:11:28,920 --> 00:11:31,120
Speaker 2: Don't do nothing with that, and it was I got

225
00:11:31,120 --> 00:11:40,640
Speaker 2: the keys. Yeah okay, so he he picked out the beat. Yeah, okay,

226
00:11:40,679 --> 00:11:42,240
Speaker 2: See back then, he used to just wrap on. If

227
00:11:42,240 --> 00:11:43,760
Speaker 2: I send him ten beats, he'll wrap on all ten

228
00:11:43,800 --> 00:11:48,199
Speaker 2: of the beats, but full start all the whole tirap on.

229
00:11:48,240 --> 00:11:49,480
Speaker 2: If I send him twenty you're gonnay to do the

230
00:11:49,480 --> 00:11:50,080
Speaker 2: whole twenty up.

231
00:11:50,120 --> 00:11:50,480
Speaker 6: That's Chris.

232
00:11:50,559 --> 00:11:52,560
Speaker 5: Yeah, he's gonna try something on every beat I got him.

233
00:11:52,559 --> 00:11:55,320
Speaker 5: He's back doing that right now. I'm like, wrap on everything. Like, so,

234
00:11:55,360 --> 00:11:58,240
Speaker 5: you got mad tracks that probably never came out. I

235
00:11:58,240 --> 00:12:00,679
Speaker 5: got five thousand songs with him, It ain't sure never

236
00:12:00,760 --> 00:12:01,160
Speaker 5: came out.

237
00:12:01,280 --> 00:12:02,160
Speaker 4: He got a whole.

238
00:12:03,800 --> 00:12:04,719
Speaker 2: Future.

239
00:12:04,880 --> 00:12:08,000
Speaker 4: Yeah that's like that with every producer, right, not just me.

240
00:12:09,200 --> 00:12:12,880
Speaker 2: Okay, so you send them ten songs, he says the keys.

241
00:12:13,040 --> 00:12:16,600
Speaker 2: He points that one out. Yeah, and then is it

242
00:12:16,640 --> 00:12:19,719
Speaker 2: is it College that says I'm bringing hold to the

243
00:12:19,440 --> 00:12:23,000
Speaker 2: to the I think I think brought home and brought

244
00:12:23,240 --> 00:12:25,760
Speaker 2: and put that together. Do you realize how legendary that

245
00:12:25,800 --> 00:12:26,240
Speaker 2: song is?

246
00:12:26,360 --> 00:12:28,679
Speaker 4: No, that's that's that ship was a moment for me,

247
00:12:29,200 --> 00:12:30,120
Speaker 4: Like that was a real moment.

248
00:12:30,240 --> 00:12:30,880
Speaker 2: Even the video.

249
00:12:31,080 --> 00:12:32,680
Speaker 5: Yeah, for sure, that was a moment for me. Like

250
00:12:32,880 --> 00:12:34,439
Speaker 5: just even had j rapping on some ship for me

251
00:12:34,559 --> 00:12:35,920
Speaker 5: was just like da I got jay z rapping on

252
00:12:36,000 --> 00:12:36,360
Speaker 5: this ship.

253
00:12:36,640 --> 00:12:38,920
Speaker 2: But did you know Jay was gonna rap on? Yeah?

254
00:12:40,520 --> 00:12:43,040
Speaker 2: They told us, Okay, yeah, we're not because this is

255
00:12:43,080 --> 00:12:46,920
Speaker 2: like two of the biggest figures Yeah in the hip

256
00:12:46,960 --> 00:12:50,439
Speaker 2: hop at the time, right Future and Jay. Yeah at

257
00:12:50,480 --> 00:12:52,440
Speaker 2: the time and then later.

258
00:12:52,240 --> 00:12:54,400
Speaker 6: On even at this time. What you mean at that time?

259
00:12:54,400 --> 00:13:04,320
Speaker 6: This so you're good ass? You ain't got no help?

260
00:13:05,240 --> 00:13:07,880
Speaker 2: Said Okay, he said he ain't got no help one

261
00:13:08,240 --> 00:13:10,280
Speaker 2: because I just want to think. I want to take shots.

262
00:13:10,880 --> 00:13:12,200
Speaker 2: Just get straight into it.

263
00:13:12,520 --> 00:13:15,079
Speaker 6: All you ready, this is our drinking game. By the way,

264
00:13:15,120 --> 00:13:18,200
Speaker 6: you're taking shots of anything. You just want to what

265
00:13:18,280 --> 00:13:18,480
Speaker 6: is that.

266
00:13:21,040 --> 00:13:21,959
Speaker 3: You got shot? Blesses?

267
00:13:23,720 --> 00:13:25,640
Speaker 6: So we're gonna we're gonna give you you know this

268
00:13:25,760 --> 00:13:29,320
Speaker 6: or that basically big one. We're not drinking. But if

269
00:13:29,360 --> 00:13:30,839
Speaker 6: you say both in neither of them, like you don't

270
00:13:30,880 --> 00:13:33,440
Speaker 6: really don't want to answer it, then we drinking, were.

271
00:13:33,360 --> 00:13:34,400
Speaker 3: Drinking, you know what I'm saying.

272
00:13:34,480 --> 00:13:37,679
Speaker 2: But we drink with you, and we really just want

273
00:13:37,720 --> 00:13:38,160
Speaker 2: to bring up.

274
00:13:38,120 --> 00:13:40,600
Speaker 6: Stories of DJ. I mean, it's not about this and anybody.

275
00:13:40,640 --> 00:13:43,040
Speaker 6: It's really about bringing up you know what I'm saying.

276
00:13:43,120 --> 00:13:46,840
Speaker 2: All Right, see you ready? I like this first one.

277
00:13:46,840 --> 00:13:52,559
Speaker 2: I'm gonna take this one. Doctor Dre or Quincy Jones

278
00:13:53,480 --> 00:13:59,640
Speaker 2: ship doctor Okay, that was easy. They remember Dre okay

279
00:14:02,080 --> 00:14:08,440
Speaker 2: for real? Or Kanye it was a shot? Both are

280
00:14:08,480 --> 00:14:11,400
Speaker 2: you my favorite? You gotta get one shot? I need

281
00:14:11,400 --> 00:14:15,280
Speaker 2: the shot. Yeah, that's crazy. Wait wait wait wait you

282
00:14:15,320 --> 00:14:17,600
Speaker 2: said both of those are your favorite and producers both

283
00:14:17,600 --> 00:14:20,960
Speaker 2: of them for real? And yea, holy I just meant

284
00:14:20,960 --> 00:14:21,320
Speaker 2: for real.

285
00:14:21,280 --> 00:14:23,840
Speaker 4: For the first time when like onces Ago, I cooked

286
00:14:23,840 --> 00:14:25,000
Speaker 4: that with him for the whole day. I had him

287
00:14:25,040 --> 00:14:27,440
Speaker 4: in the studio like tripping like he was in Paris.

288
00:14:27,600 --> 00:14:29,840
Speaker 2: No here, okay, future Okay, he.

289
00:14:29,840 --> 00:14:31,320
Speaker 4: Was in there tripping like He's like, Bro, you do

290
00:14:31,400 --> 00:14:33,240
Speaker 4: this ship in five minutes, six minutes.

291
00:14:33,280 --> 00:14:33,440
Speaker 2: Bro.

292
00:14:34,120 --> 00:14:35,240
Speaker 4: He couldn't believe this ship.

293
00:14:35,440 --> 00:14:37,720
Speaker 2: By for real, but you work with Kanye.

294
00:14:38,160 --> 00:14:40,000
Speaker 4: I was with you for like two months when you

295
00:14:40,280 --> 00:14:44,160
Speaker 4: like for popular like for Polo two month bugging like

296
00:14:44,680 --> 00:14:47,720
Speaker 4: so how how how was that that was life changing?

297
00:14:47,800 --> 00:14:49,200
Speaker 4: Like you ain't got damn yeah real.

298
00:14:49,440 --> 00:14:51,400
Speaker 5: Like all the ship that being in the media, ship

299
00:14:51,440 --> 00:14:53,520
Speaker 5: that ain't the yeah I met. I don't like you

300
00:14:53,520 --> 00:14:54,760
Speaker 5: know what I'm saying, Like that's what I'll be.

301
00:14:54,760 --> 00:14:55,320
Speaker 2: Ting to tell me.

302
00:14:55,360 --> 00:14:59,080
Speaker 4: Yeah, like like yeah, like I didn't that ain't the

303
00:14:59,200 --> 00:15:01,120
Speaker 4: I don't like I That's why I was looking like that.

304
00:15:01,160 --> 00:15:02,800
Speaker 5: I don't know if he's just doing that ship for

305
00:15:02,840 --> 00:15:04,480
Speaker 5: the cameras as what because that ain't how he was

306
00:15:04,480 --> 00:15:05,360
Speaker 5: acting like that around me.

307
00:15:05,840 --> 00:15:07,480
Speaker 2: Yeah, this fuck up because he said it on this

308
00:15:07,520 --> 00:15:11,040
Speaker 2: show off camera.

309
00:15:11,120 --> 00:15:14,600
Speaker 5: He's like, yeah, I was real honest with him, like

310
00:15:14,640 --> 00:15:16,680
Speaker 5: he was playing he was playing songs for us in

311
00:15:16,720 --> 00:15:19,120
Speaker 5: this at this house and ship he played a song,

312
00:15:19,240 --> 00:15:19,880
Speaker 5: he played that ship.

313
00:15:20,280 --> 00:15:21,480
Speaker 4: He played it. Everybody in the.

314
00:15:21,440 --> 00:15:24,040
Speaker 5: Room going around. COmON was in there. He has coming

315
00:15:24,080 --> 00:15:26,560
Speaker 5: coming like I love it, like everybody know my love

316
00:15:26,600 --> 00:15:28,400
Speaker 5: it get to me. I'm like, I don't like that.

317
00:15:28,360 --> 00:15:32,720
Speaker 4: Ship he had, like the songs I told him, like

318
00:15:32,760 --> 00:15:35,080
Speaker 4: I'm a real fan of you. Like like when he

319
00:15:35,080 --> 00:15:37,080
Speaker 4: put out the song Real Friends, like we were the

320
00:15:37,080 --> 00:15:38,240
Speaker 4: reason he put out Real Friends.

321
00:15:38,240 --> 00:15:40,080
Speaker 5: That was my favorite song. He played out all them songs.

322
00:15:40,480 --> 00:15:41,840
Speaker 5: When he kept playing them, I was like, I said,

323
00:15:41,840 --> 00:15:44,160
Speaker 5: that's not some yate ship. Like I was like the

324
00:15:44,160 --> 00:15:47,000
Speaker 5: other ship just sounded too. It was just all it

325
00:15:47,080 --> 00:15:47,560
Speaker 5: was all.

326
00:15:47,400 --> 00:15:49,360
Speaker 4: Over the place. But after I told him that, he

327
00:15:49,440 --> 00:15:51,280
Speaker 4: was like, hey, can you pull up kick come over

328
00:15:51,320 --> 00:15:53,120
Speaker 4: every day? He's like, don't nobody tell me the truth?

329
00:15:53,240 --> 00:15:58,080
Speaker 4: Like I was like, I don't like that sho.

330
00:16:03,840 --> 00:16:05,840
Speaker 2: You know what, I just found out that when you

331
00:16:05,880 --> 00:16:08,360
Speaker 2: pull the sake, he's supposed to pour it over the top.

332
00:16:08,960 --> 00:16:11,480
Speaker 2: What do you mean? Yeah, I drink so I can't

333
00:16:11,560 --> 00:16:20,480
Speaker 2: drink hot drinks heavenly so you've been having and I

334
00:16:20,600 --> 00:16:24,680
Speaker 2: drink the best champagne on the market. That ain't the

335
00:16:24,800 --> 00:16:27,960
Speaker 2: stake all the time, all the time? Job, All right,

336
00:16:28,280 --> 00:16:28,960
Speaker 2: let's go to the next one.

337
00:16:29,080 --> 00:16:30,280
Speaker 3: Cooling dre are the Runners?

338
00:16:31,480 --> 00:16:37,840
Speaker 6: Who the Runners drink the fan that's my brother, That's

339
00:16:37,880 --> 00:16:40,360
Speaker 6: home team for us here in Miami future.

340
00:16:40,440 --> 00:16:43,200
Speaker 2: Travis Scott, come on, broke, I mean I.

341
00:16:43,200 --> 00:16:48,240
Speaker 3: Shot right, I got just.

342
00:16:48,280 --> 00:16:49,880
Speaker 6: Pour up the shot as soon as they're done with it,

343
00:16:54,240 --> 00:16:55,840
Speaker 6: I guess We're just that's crazy.

344
00:16:57,760 --> 00:16:59,800
Speaker 2: By the way, that's the cocaine section that writes these

345
00:16:59,880 --> 00:17:08,040
Speaker 2: question Yeah, come up here. We don't come on these questions. Yeah,

346
00:17:08,040 --> 00:17:11,320
Speaker 2: they come on the question, but it's because they followed

347
00:17:11,359 --> 00:17:14,560
Speaker 2: the discography. All right, you.

348
00:17:14,480 --> 00:17:23,320
Speaker 4: Guys got it? Oh yeah, yeah, extended it. Okay, I

349
00:17:23,400 --> 00:17:25,879
Speaker 4: might end up in the club to night. Yeah, I

350
00:17:25,880 --> 00:17:26,520
Speaker 4: got me drinking.

351
00:17:26,640 --> 00:17:31,560
Speaker 3: Yeah, all right, we didn't take this shot yet, right, cheers?

352
00:17:32,000 --> 00:17:34,480
Speaker 2: Oh okay it.

353
00:17:36,080 --> 00:17:39,240
Speaker 6: HM twenty one Savage or Kodak Black twenty one Savage

354
00:17:39,280 --> 00:17:43,800
Speaker 6: twenty one, The Reserve or Alchemists.

355
00:17:46,720 --> 00:17:51,520
Speaker 7: So I'm gonna say Alchemists that's the new one.

356
00:17:51,840 --> 00:17:52,720
Speaker 4: Say Alchosis the one.

357
00:17:56,200 --> 00:17:57,800
Speaker 2: Metro booming or murder beats.

358
00:17:58,119 --> 00:18:02,240
Speaker 4: Come on, I retro murdered old murder, you know, murdered

359
00:18:02,240 --> 00:18:06,439
Speaker 4: the lhommie though, but metro overly out cast a U

360
00:18:06,480 --> 00:18:09,520
Speaker 4: g K from Atlanta, Georgia man outcasts.

361
00:18:09,960 --> 00:18:14,440
Speaker 5: Yeah, my daddy used to make beats for outcasts. Yeah

362
00:18:14,800 --> 00:18:15,679
Speaker 5: that's the crazy.

363
00:18:15,440 --> 00:18:16,879
Speaker 3: She used to judging family.

364
00:18:17,000 --> 00:18:22,040
Speaker 5: Yeah, like future. But that's why she's so crazy, because yeah,

365
00:18:22,880 --> 00:18:25,000
Speaker 5: got the third generation of that ship for you. You

366
00:18:25,040 --> 00:18:28,520
Speaker 5: grew up in this Yeah, making beats for sure, that's wild. Yeah,

367
00:18:28,640 --> 00:18:33,040
Speaker 5: we gotta dip deeper into that. After Migos are the locks.

368
00:18:34,400 --> 00:18:39,480
Speaker 4: I know you're going take a SHOT's take a shot.

369
00:18:45,800 --> 00:18:47,479
Speaker 3: Ghetto Boys or three six Mafia.

370
00:18:49,320 --> 00:18:51,520
Speaker 5: I'm gonna say three six because I'm making bets because

371
00:18:51,520 --> 00:18:53,880
Speaker 5: of you know, say three six ship away my feet.

372
00:18:53,880 --> 00:18:56,439
Speaker 4: That's where it kind of come from a little bit.

373
00:18:57,040 --> 00:19:02,439
Speaker 2: What was that ship six six month? That's right, organized noise,

374
00:19:03,080 --> 00:19:03,359
Speaker 2: But you.

375
00:19:03,359 --> 00:19:16,280
Speaker 6: Forgetdn't put nobody with that. That that's dom or nobody.

376
00:19:16,720 --> 00:19:18,199
Speaker 2: That's that's that's what seems right.

377
00:19:20,840 --> 00:19:21,720
Speaker 3: Jade the Prix.

378
00:19:23,320 --> 00:19:27,480
Speaker 4: Organized that, Jamanda Prix. I'm gonna say organized noise.

379
00:19:27,800 --> 00:19:34,479
Speaker 6: Okay, yeah, all right, walking up, Gucci.

380
00:19:33,400 --> 00:19:44,400
Speaker 2: Take a shot, locked up? Tell all right? The next

381
00:19:44,440 --> 00:19:48,280
Speaker 2: one is you for Joe? Magic City or onyx Man,

382
00:19:48,359 --> 00:19:51,600
Speaker 2: Magic City? That wings and more.

383
00:19:51,800 --> 00:19:54,000
Speaker 5: Man, I love the wings and magic the wings just

384
00:19:54,080 --> 00:19:56,119
Speaker 5: be good too. But I love magic wings.

385
00:19:56,359 --> 00:19:57,800
Speaker 2: Yeah, I like magic wings. O.

386
00:19:57,920 --> 00:19:59,959
Speaker 4: The hundred pieces, man, I think I just like anything

387
00:20:00,040 --> 00:20:03,160
Speaker 4: and magic over there a hundred piece.

388
00:20:04,000 --> 00:20:07,280
Speaker 2: I just seen Bratt christ Now he did the whitest

389
00:20:07,320 --> 00:20:09,600
Speaker 2: of the whitest thing that I ever saw in my life.

390
00:20:10,359 --> 00:20:12,760
Speaker 2: He went to Magic City and he took his shoes

391
00:20:12,800 --> 00:20:15,720
Speaker 2: off and his socks off and went and used the bathroom.

392
00:20:16,080 --> 00:20:19,720
Speaker 2: Hell no, and you know not get you up in clubs.

393
00:20:19,720 --> 00:20:21,600
Speaker 2: I'm not even gonna say I take my shoes off

394
00:20:22,800 --> 00:20:39,520
Speaker 2: my life, my son, Yeah, hold on you please somebody, yo,

395
00:20:39,880 --> 00:20:42,000
Speaker 2: I'm gonna go do that right now. You gotta take

396
00:20:42,000 --> 00:20:44,320
Speaker 2: that right now, because yeah, he had to be having

397
00:20:45,080 --> 00:20:47,160
Speaker 2: he said. This is what he said, That's what he said.

398
00:20:47,160 --> 00:20:49,520
Speaker 2: He said. He said, this is for all my black people,

399
00:20:49,600 --> 00:20:53,160
Speaker 2: because I know this is frown up. He's white. He's

400
00:20:53,160 --> 00:20:56,119
Speaker 2: the whitest of the white. And he went and he

401
00:20:56,200 --> 00:20:59,919
Speaker 2: filmed himself. He took his socks on. He was he

402
00:21:00,080 --> 00:21:02,000
Speaker 2: went to the bathroom of the Magic City. And I

403
00:21:02,160 --> 00:21:07,000
Speaker 2: just just like slightly threw off. He's all kinds of fits.

404
00:21:08,040 --> 00:21:08,440
Speaker 4: He's great.

405
00:21:09,280 --> 00:21:14,800
Speaker 2: Yeah, friend, you know what type of ship be going on?

406
00:21:15,880 --> 00:21:17,919
Speaker 3: You, scarface of ice Cube.

407
00:21:22,440 --> 00:21:25,040
Speaker 5: I'm gonna say ice cube like I just like I

408
00:21:25,080 --> 00:21:27,040
Speaker 5: love the West Coast, I love the West Coast music,

409
00:21:27,040 --> 00:21:27,760
Speaker 5: I love the West Coast.

410
00:21:30,960 --> 00:21:31,680
Speaker 3: You want to get him?

411
00:21:32,520 --> 00:21:36,080
Speaker 2: He was a good thing. Okay, it's a good.

412
00:21:40,920 --> 00:21:42,159
Speaker 3: Or sunny digital.

413
00:21:42,720 --> 00:21:44,480
Speaker 5: Take a shot both of the my You know, I

414
00:21:44,520 --> 00:21:48,120
Speaker 5: look up the standing my real brother, you can't do that, little.

415
00:21:51,280 --> 00:21:59,400
Speaker 2: Woof go ahead, all right, you want the next one? Okay,

416
00:21:59,840 --> 00:22:00,879
Speaker 2: you two change.

417
00:22:02,880 --> 00:22:05,600
Speaker 5: I'm gonna say t I change my bit brun of them.

418
00:22:05,680 --> 00:22:08,440
Speaker 5: But yeah, I'm gonna I wrap that word for it.

419
00:22:09,160 --> 00:22:10,280
Speaker 5: I'm sears album.

420
00:22:10,040 --> 00:22:14,800
Speaker 2: Word for word. Okay, you're saying definitely tr I'm starting

421
00:22:14,840 --> 00:22:18,959
Speaker 2: with you this time. I want to see a New

422
00:22:19,040 --> 00:22:28,640
Speaker 2: York represent Andre. Three thousands or nas no okay, because

423
00:22:28,680 --> 00:22:30,880
Speaker 2: I see you just jump out of you man.

424
00:22:32,800 --> 00:22:33,520
Speaker 4: Three can't bad?

425
00:22:33,640 --> 00:22:33,680
Speaker 6: What?

426
00:22:34,720 --> 00:22:40,280
Speaker 4: Three K overly bad boy? That's one of the ones

427
00:22:40,280 --> 00:22:43,280
Speaker 4: I would never sleep on three K, Like who you,

428
00:22:45,600 --> 00:22:47,639
Speaker 4: I gotta go three K, you gotta go through.

429
00:22:48,480 --> 00:22:51,080
Speaker 2: I'm gonna take even though you're yeah, I gotta go through.

430
00:22:51,200 --> 00:22:53,960
Speaker 2: I'm gonna take a shot, would say. I'll be saying both.

431
00:22:54,040 --> 00:23:01,840
Speaker 2: So that is a good comparent, said Andre. And and

432
00:23:02,359 --> 00:23:05,840
Speaker 2: that's a great young dog gonn play boy CARDI.

433
00:23:07,640 --> 00:23:09,920
Speaker 5: My little brother like King Carson, my nephew that signed

434
00:23:09,960 --> 00:23:12,560
Speaker 5: to him, like my real little brother, like I raised Carding.

435
00:23:12,760 --> 00:23:18,480
Speaker 5: But the most talented personal lined to me, like sitting

436
00:23:18,520 --> 00:23:20,600
Speaker 5: down recording the song, just you know you the most

437
00:23:20,640 --> 00:23:26,080
Speaker 5: talented one out all of me really, like all the lingo,

438
00:23:26,200 --> 00:23:29,160
Speaker 5: all that ship that comes from, Like you know, you're

439
00:23:29,160 --> 00:23:29,919
Speaker 5: the most talented one.

440
00:23:30,480 --> 00:23:32,960
Speaker 2: And thank you for thank you Doug for keeping my

441
00:23:33,119 --> 00:23:40,080
Speaker 2: slim lingo, which yes, a lot of people don't know.

442
00:23:40,160 --> 00:23:43,399
Speaker 2: I made up the slim, that's me for sure. And

443
00:23:43,480 --> 00:23:46,280
Speaker 2: I made up slim trying not to say the N word.

444
00:23:47,240 --> 00:23:49,200
Speaker 2: That that that was it. But you know, they took

445
00:23:49,240 --> 00:23:53,320
Speaker 2: it and they made it there. Guess what I was right.

446
00:23:53,600 --> 00:23:57,719
Speaker 2: I ain't old. I ain't the old. You never met

447
00:23:58,119 --> 00:24:01,280
Speaker 2: I met there one time. Let I assume that, yeah, yeah,

448
00:24:01,280 --> 00:24:04,639
Speaker 2: I heard, Yeah, yeah, I want to. I want to

449
00:24:04,680 --> 00:24:05,640
Speaker 2: do slim first line.

450
00:24:05,640 --> 00:24:08,920
Speaker 4: I put that together, slim and slim, put together slim

451
00:24:09,000 --> 00:24:09,320
Speaker 4: and slim.

452
00:24:09,359 --> 00:24:11,639
Speaker 2: I want to do that. You know. I admire what

453
00:24:11,760 --> 00:24:15,960
Speaker 2: he did, how he stood tall as a man, and

454
00:24:17,119 --> 00:24:20,240
Speaker 2: I rob with him. I ain't got a personal relationship

455
00:24:20,240 --> 00:24:23,119
Speaker 2: with him, but I got him. Yeah, yeah, yeah, I

456
00:24:23,480 --> 00:24:25,159
Speaker 2: with him. I got I got his back, you know

457
00:24:25,200 --> 00:24:27,520
Speaker 2: what I mean. So so so all right, let me

458
00:24:27,640 --> 00:24:30,200
Speaker 2: let me, let me let me change up right, because

459
00:24:30,240 --> 00:24:31,480
Speaker 2: this is this is this is this is my number

460
00:24:31,520 --> 00:24:34,879
Speaker 2: one question I want to ask you, okay, because I

461
00:24:34,920 --> 00:24:38,639
Speaker 2: don't know. But I don't know, but I think I know.

462
00:24:41,560 --> 00:24:48,480
Speaker 2: If Gunner asks you right now, this is this is

463
00:24:48,600 --> 00:24:55,480
Speaker 2: this is mean not a question right now, you're producer,

464
00:24:55,560 --> 00:24:58,080
Speaker 2: you're you're both beat makers. I ain't making no beach

465
00:24:58,119 --> 00:24:59,640
Speaker 2: for him. You ain't making no beat for Gunner.

466
00:25:00,480 --> 00:25:00,919
Speaker 4: Right is right?

467
00:25:00,960 --> 00:25:01,440
Speaker 2: Wrong is wrong.

468
00:25:01,440 --> 00:25:02,719
Speaker 4: I'm a street nigga at the end of the day.

469
00:25:02,800 --> 00:25:05,000
Speaker 5: You know what I'm saying, Like she line been my friend,

470
00:25:05,119 --> 00:25:07,119
Speaker 5: Like I made Danny Glove with him, that blew him up.

471
00:25:07,560 --> 00:25:09,320
Speaker 5: That's been my friend when he ain't had teeth in

472
00:25:09,400 --> 00:25:11,520
Speaker 5: his mouth. He was signed with Guccia at first, So

473
00:25:11,640 --> 00:25:13,920
Speaker 5: that's been my friend for a long, long, long, long

474
00:25:13,960 --> 00:25:14,480
Speaker 5: long time.

475
00:25:15,000 --> 00:25:16,840
Speaker 4: So I can never go against what he say. Like

476
00:25:16,920 --> 00:25:18,840
Speaker 4: you know what I'm saying, if he feels some kind

477
00:25:18,840 --> 00:25:21,640
Speaker 4: of way about it, that's how you feel. That's how saying.

478
00:25:21,680 --> 00:25:23,040
Speaker 4: He's the same way with me. If I feel some

479
00:25:23,119 --> 00:25:25,160
Speaker 4: kind of way about something with somebody, he just ain't

480
00:25:25,160 --> 00:25:26,760
Speaker 4: gonna fuck with it, you know what I'm saying, Just

481
00:25:26,760 --> 00:25:28,679
Speaker 4: because I feel some kind of way, So I.

482
00:25:28,800 --> 00:25:30,760
Speaker 2: Just like, I can't do it. So if Gunnar was

483
00:25:30,760 --> 00:25:33,600
Speaker 2: to call you right now, I can't do what they got.

484
00:25:33,760 --> 00:25:36,800
Speaker 4: Can't do it. You know what I'm saying, I can't

485
00:25:36,840 --> 00:25:38,760
Speaker 4: do it. That's just my My dog is my dog.

486
00:25:38,920 --> 00:25:40,280
Speaker 4: You know what I'm saying. Did with it.

487
00:25:40,320 --> 00:25:43,399
Speaker 2: That so now me, I'm outside of looking at him,

488
00:25:43,440 --> 00:25:50,440
Speaker 2: started looking at right. Do you think Gunna violated? I

489
00:25:50,480 --> 00:25:51,400
Speaker 2: ain't gonna, you know, I don't.

490
00:25:51,520 --> 00:25:54,120
Speaker 5: You know, I don't really want to because I feel

491
00:25:54,119 --> 00:25:56,080
Speaker 5: like that's stay like, that's that's they ship like they

492
00:25:56,160 --> 00:25:56,919
Speaker 5: you know what I'm saying.

493
00:25:56,880 --> 00:25:59,640
Speaker 2: But you pick a side, but street street.

494
00:25:59,359 --> 00:26:02,440
Speaker 5: Wise, I would have never did what he did. Like

495
00:26:02,600 --> 00:26:04,480
Speaker 5: I'm just that's just me, like you know what I'm saying,

496
00:26:04,680 --> 00:26:06,200
Speaker 5: And if my brother did that to me, I feel

497
00:26:06,240 --> 00:26:08,800
Speaker 5: some kind of way the same difference, like you know

498
00:26:08,840 --> 00:26:09,240
Speaker 5: what I'm saying.

499
00:26:09,960 --> 00:26:16,399
Speaker 2: Moving on, that was real, that was rare. So moving on,

500
00:26:16,720 --> 00:26:17,920
Speaker 2: jaded kids to push your teeth.

501
00:26:20,800 --> 00:26:24,520
Speaker 4: I'm gonna say, Jada a bad boy for sure, yea

502
00:26:25,840 --> 00:26:31,680
Speaker 4: a bad boy sure tupacer easy pop but easy against it.

503
00:26:33,119 --> 00:26:35,400
Speaker 4: But as far as a rapper and the artist pot

504
00:26:35,480 --> 00:26:37,160
Speaker 4: but easier show.

505
00:26:39,720 --> 00:26:41,399
Speaker 3: Goodie mob or eight Ball and m j G.

506
00:26:42,320 --> 00:26:45,480
Speaker 2: I'm going with the good Goodie mom. Shout out to

507
00:26:45,560 --> 00:26:50,080
Speaker 2: Goodie Mom. Man. Atlanta boys, they they they stick stick

508
00:26:50,119 --> 00:26:53,240
Speaker 2: with Atlanta. You don't say nothing when the New Yorkers

509
00:26:53,280 --> 00:27:00,600
Speaker 2: stick with New York. He's using what I'm saying.

510
00:27:00,720 --> 00:27:04,000
Speaker 3: Think on some Miami ship you stay on some New Yorkshire, but.

511
00:27:05,880 --> 00:27:08,119
Speaker 2: You always say something when we get on some New York.

512
00:27:10,760 --> 00:27:12,639
Speaker 6: Saying that you think that it never happens in a

513
00:27:12,720 --> 00:27:15,160
Speaker 6: certain way historically that's a different story.

514
00:27:15,400 --> 00:27:23,359
Speaker 4: All right, all right, Booby Trapper, Taboo. M I'm gonna

515
00:27:23,359 --> 00:27:26,840
Speaker 4: say Taboo. I'm gonna just say table. I fuck with Table.

516
00:27:26,960 --> 00:27:29,160
Speaker 5: I'm gonna say why I say taboo, cuk boom trapped,

517
00:27:29,160 --> 00:27:31,720
Speaker 5: be too got, it'll be too going, It's it's too much. Yeah,

518
00:27:31,840 --> 00:27:33,399
Speaker 5: I can go on Taboo and had the time my

519
00:27:33,480 --> 00:27:36,480
Speaker 5: mother's fucking life. I love Table, like everybody know. I

520
00:27:36,560 --> 00:27:36,920
Speaker 5: love Table.

521
00:27:36,960 --> 00:27:41,480
Speaker 2: Who trapped? The girls taking their rappers too? Right? They rappers?

522
00:27:41,920 --> 00:27:44,320
Speaker 4: Sure, you gotta think when they go to the club.

523
00:27:44,680 --> 00:27:46,840
Speaker 4: I'm gonna throw some mother fucking money. Leaves a fucker

524
00:27:46,880 --> 00:27:49,440
Speaker 4: to eleven and twelve o'clock, so I can't even. It's like,

525
00:27:50,240 --> 00:27:51,439
Speaker 4: it's like what I'm just throwing you out of man.

526
00:27:51,480 --> 00:27:53,040
Speaker 4: I think the taboo and to have me a good time,

527
00:27:53,760 --> 00:27:59,159
Speaker 4: let's money go home, which I say, Booby.

528
00:27:59,880 --> 00:28:05,080
Speaker 2: I'm I'm a Booby driving you know, Yeah, Booby Trapp.

529
00:28:05,119 --> 00:28:07,879
Speaker 2: More like I like a little rations ship, Yeah, like

530
00:28:08,040 --> 00:28:11,320
Speaker 2: be a little more rational. It's a Hollywood. It's like

531
00:28:11,359 --> 00:28:14,760
Speaker 2: that's a little like ration ship. But I'm a booby

532
00:28:14,800 --> 00:28:15,399
Speaker 2: trapped guy.

533
00:28:16,920 --> 00:28:19,440
Speaker 4: Like like like you get you give me a booby shock.

534
00:28:19,480 --> 00:28:23,399
Speaker 2: Yeah, I'm a booby drive. I don't know. I got

535
00:28:23,480 --> 00:28:25,960
Speaker 2: about to sit down. Tell the d J don't shot

536
00:28:26,040 --> 00:28:29,560
Speaker 2: you out, because if you shot me out, I gotta

537
00:28:29,600 --> 00:28:30,439
Speaker 2: throw money at like what.

538
00:28:33,400 --> 00:28:40,440
Speaker 3: I need coming here for that? N w A wool tang.

539
00:28:42,320 --> 00:28:44,920
Speaker 4: I'm just saying you're gonna separate. I'm gonna say. I'm saying,

540
00:28:45,080 --> 00:28:47,280
Speaker 4: w ain't we gotta drinks to that?

541
00:28:47,400 --> 00:28:56,360
Speaker 2: More drink separated in New York and Alanda? Separate to

542
00:28:56,440 --> 00:29:02,440
Speaker 2: sure for sure the least one. Okay, I'm gonna add one.

543
00:29:02,760 --> 00:29:03,120
Speaker 3: Go ahead.

544
00:29:03,200 --> 00:29:11,800
Speaker 2: Good because one thing about Atlanta, it's like New York

545
00:29:11,960 --> 00:29:18,040
Speaker 2: sixth Borough, right sure, like hit me out, promise you.

546
00:29:18,560 --> 00:29:21,600
Speaker 2: I went to a next game Knicks versus the Hawks

547
00:29:24,800 --> 00:29:30,560
Speaker 2: in Atlanta, and there was more New York next Jerseys. Yeap?

548
00:29:31,240 --> 00:29:34,400
Speaker 2: Why casual this? Why do you like? New York Niggas

549
00:29:34,520 --> 00:29:35,800
Speaker 2: love moving to Atlanta.

550
00:29:37,280 --> 00:29:39,440
Speaker 4: It's like like my girlfriend right now, she's from New York,

551
00:29:40,040 --> 00:29:40,640
Speaker 4: you know what I'm saying.

552
00:29:40,720 --> 00:29:43,560
Speaker 2: And Atlanta niggas love to go to New York where

553
00:29:43,640 --> 00:29:45,840
Speaker 2: it is. It's like I think, I think it's in

554
00:29:45,920 --> 00:29:49,080
Speaker 2: the twine some kind of way, in the twines some way.

555
00:29:49,800 --> 00:29:54,320
Speaker 2: But they don't leave their New York list once they.

556
00:29:54,480 --> 00:29:55,120
Speaker 4: Know they don't.

557
00:29:55,600 --> 00:29:58,840
Speaker 8: That's why they used to see in Atlanta leave to

558
00:29:58,840 --> 00:30:04,760
Speaker 8: go to New York countries. Yeah, it worked, and it worked, worked,

559
00:30:05,480 --> 00:30:05,960
Speaker 8: it works.

560
00:30:06,560 --> 00:30:11,239
Speaker 2: So let's describe that like like seeing for you? How

561
00:30:11,240 --> 00:30:12,920
Speaker 2: about that? Let me let me let me direct the

562
00:30:13,040 --> 00:30:15,880
Speaker 2: question to you being a New York dude that moved

563
00:30:15,920 --> 00:30:21,160
Speaker 2: to Atlanta. Was it easy? But had you been going

564
00:30:21,200 --> 00:30:23,400
Speaker 2: there a lot before that? Nah? I mean I've been

565
00:30:23,880 --> 00:30:26,240
Speaker 2: back in Atlanta. He's going, what.

566
00:30:28,720 --> 00:30:29,000
Speaker 3: Horror?

567
00:30:33,600 --> 00:30:34,320
Speaker 4: They love.

568
00:30:35,760 --> 00:30:38,160
Speaker 2: What it is down there?

569
00:30:38,200 --> 00:30:42,800
Speaker 7: Okay, Okay, No, No, Atlanta's fire, you know what I mean.

570
00:30:42,960 --> 00:30:46,680
Speaker 7: Definitely second home. But I would just say musically, you know,

571
00:30:47,680 --> 00:30:50,800
Speaker 7: Atlanta's really based off relationships, and like he's from Atlanta,

572
00:30:51,000 --> 00:30:52,760
Speaker 7: so a lot of the relationships. Like he said, he

573
00:30:52,840 --> 00:30:54,240
Speaker 7: grew up with a lot of people. So for me

574
00:30:54,360 --> 00:30:56,400
Speaker 7: moving out here, I just had to get acquainted, you

575
00:30:56,440 --> 00:30:58,080
Speaker 7: know what I mean. They seen me with Bro and

576
00:30:58,280 --> 00:30:59,600
Speaker 7: you know what I mean, they grew a liking to

577
00:30:59,680 --> 00:31:01,640
Speaker 7: me and everything like that. So you know, after that,

578
00:31:01,760 --> 00:31:04,640
Speaker 7: I was able to navigate my way. But prior to that,

579
00:31:04,760 --> 00:31:06,720
Speaker 7: you know, it's just figgering it out. And I feel

580
00:31:06,720 --> 00:31:07,800
Speaker 7: like that's what the swooming.

581
00:31:08,160 --> 00:31:12,240
Speaker 4: Every crew got their New York homie, Yeah, for sure,

582
00:31:12,400 --> 00:31:13,960
Speaker 4: for sure, Like show Show.

583
00:31:15,760 --> 00:31:18,080
Speaker 3: You Got, Like the movie atl they had the one

584
00:31:18,160 --> 00:31:20,360
Speaker 3: dude that you got you got to New York.

585
00:31:21,000 --> 00:31:22,440
Speaker 2: There's a lot of New York niggas in Atlanta.

586
00:31:22,520 --> 00:31:25,840
Speaker 4: Yeah got the New York homie for surely.

587
00:31:26,880 --> 00:31:28,840
Speaker 2: Does every New York homie have Atlanta?

588
00:31:30,400 --> 00:31:32,800
Speaker 7: I would say that for sure because you yeah, because

589
00:31:32,840 --> 00:31:34,320
Speaker 7: even when I was in New York, I had a

590
00:31:34,400 --> 00:31:36,440
Speaker 7: couple of homies that just you know, that was down

591
00:31:36,480 --> 00:31:38,640
Speaker 7: in Atlanta just doing their thing. And I just grew,

592
00:31:38,760 --> 00:31:40,440
Speaker 7: you know, fun with Atlanta niggas, even back in the

593
00:31:40,560 --> 00:31:42,840
Speaker 7: days like when free niggas the thing, you know what

594
00:31:42,840 --> 00:31:44,680
Speaker 7: I'm saying. Like I was a little I was a

595
00:31:44,720 --> 00:31:46,959
Speaker 7: little kid, and I used to come out here and niggas,

596
00:31:47,200 --> 00:31:49,280
Speaker 7: you know what I mean, Because I have people out here,

597
00:31:49,400 --> 00:31:52,120
Speaker 7: so definitely fucked with, you know, Atlanta for a long time.

598
00:31:52,400 --> 00:31:59,280
Speaker 2: About Yeah, I see the documentary. No, I ain't see

599
00:31:59,280 --> 00:32:01,360
Speaker 2: the documentary, but I was. I used to be two

600
00:32:01,480 --> 00:32:02,880
Speaker 2: years old in the damn struggle with.

601
00:32:02,880 --> 00:32:08,080
Speaker 4: Them in free if you was in coming home right now,

602
00:32:08,280 --> 00:32:10,600
Speaker 4: Like what she always said that, She's like you were

603
00:32:10,600 --> 00:32:13,320
Speaker 4: two years old in the stroulder. We hear nobody watch you.

604
00:32:14,080 --> 00:32:15,200
Speaker 2: You gotta make some loyal to that.

605
00:32:17,480 --> 00:32:19,840
Speaker 4: Young head, like you know what I'm saying, I'm a

606
00:32:19,880 --> 00:32:23,120
Speaker 4: real Atlanta baby, Like yeah, he's straight up like real

607
00:32:23,240 --> 00:32:26,040
Speaker 4: real Alanta baby Atlanta and to report.

608
00:32:27,360 --> 00:32:31,960
Speaker 2: Fuck you all right, the last one, our last one.

609
00:32:32,760 --> 00:32:34,320
Speaker 2: Loyalty or respect?

610
00:32:40,000 --> 00:32:43,560
Speaker 4: I say, I'm gonna say lords mm hmmm, because with

611
00:32:43,680 --> 00:32:47,200
Speaker 4: llyd respect coming lords, you can't be lawyer and I'm

612
00:32:47,200 --> 00:32:52,120
Speaker 4: respecting that right, So like right, I'm gonna say lord.

613
00:32:53,280 --> 00:32:55,440
Speaker 7: I agree. I say loyalty as well. You know what

614
00:32:55,440 --> 00:32:57,760
Speaker 7: I'm saying, Like I think that's what we all want.

615
00:32:57,920 --> 00:32:59,960
Speaker 7: Somebody that's gonna be loyal with. You know what I'm saying,

616
00:33:00,120 --> 00:33:03,600
Speaker 7: thinking thing to any situation, you know what I mean,

617
00:33:04,040 --> 00:33:06,840
Speaker 7: who's gonna hold it down? So it's just like a

618
00:33:06,920 --> 00:33:09,560
Speaker 7: person could respect you, but I feel like that should

619
00:33:09,640 --> 00:33:11,880
Speaker 7: fade away. Loyalty, you know what I'm saying, Like that's

620
00:33:11,880 --> 00:33:14,960
Speaker 7: some ship that's like long, last life life long.

621
00:33:15,000 --> 00:33:19,080
Speaker 2: You know what I'm saying with the right person, yea

622
00:33:19,560 --> 00:33:20,160
Speaker 2: space noise.

623
00:33:24,040 --> 00:33:25,560
Speaker 3: So I kind of want to go back to your

624
00:33:25,640 --> 00:33:28,360
Speaker 3: pops introducing it. So he's in the Dungeon family.

625
00:33:28,560 --> 00:33:31,200
Speaker 5: My dad grew up like grew up with all that ship.

626
00:33:31,440 --> 00:33:34,080
Speaker 5: My dad from each point what was his name? That

627
00:33:34,480 --> 00:33:36,080
Speaker 5: his name is Cap, but he used to make beats.

628
00:33:36,120 --> 00:33:39,000
Speaker 5: My dad was always like big Cap, Like I know,

629
00:33:39,320 --> 00:33:42,080
Speaker 5: I know CeeLo, I know Big I mean, I know

630
00:33:42,160 --> 00:33:44,040
Speaker 5: big Boy, I know I know all of them like

631
00:33:44,240 --> 00:33:45,560
Speaker 5: they see me, they can always look Cat.

632
00:33:45,840 --> 00:33:47,640
Speaker 6: So was that an inspiration for you growing like you

633
00:33:47,680 --> 00:33:49,880
Speaker 6: think that that's what you can see? I don't realized

634
00:33:50,000 --> 00:33:50,640
Speaker 6: me growing up.

635
00:33:50,960 --> 00:33:53,360
Speaker 5: I ain't really like get a relationship with my dad's

636
00:33:53,360 --> 00:33:55,160
Speaker 5: So I was like seventeen eighteen, but all I ever

637
00:33:55,280 --> 00:33:56,160
Speaker 5: knew about my dad was that.

638
00:33:56,200 --> 00:33:59,240
Speaker 4: My dad made beats. Right besides that, like sh Street

639
00:33:59,240 --> 00:34:01,440
Speaker 4: ship my mom, he make beats, wrapping beat like you

640
00:34:01,480 --> 00:34:03,320
Speaker 4: know what I'm saying, right, So I always you knew

641
00:34:03,320 --> 00:34:05,520
Speaker 4: it was in the family. Yeah right, I always wanted

642
00:34:05,520 --> 00:34:07,400
Speaker 4: to make beas. But all of them remember me from

643
00:34:07,440 --> 00:34:09,960
Speaker 4: being a little boy and ship like that's crazy being.

644
00:34:09,800 --> 00:34:11,640
Speaker 5: Around my dad young. Because I was around my dad

645
00:34:11,640 --> 00:34:13,800
Speaker 5: when I was like two or three. He was always

646
00:34:13,840 --> 00:34:15,960
Speaker 5: in not a prison and ship, you know, what I'm saying.

647
00:34:15,760 --> 00:34:19,120
Speaker 6: So, did you like who who do you think inspired

648
00:34:19,440 --> 00:34:20,839
Speaker 6: your your style of making beets?

649
00:34:20,840 --> 00:34:22,000
Speaker 3: So was there anybody.

650
00:34:23,120 --> 00:34:24,680
Speaker 4: I'm a fan of? Like I was a fan of

651
00:34:24,760 --> 00:34:27,439
Speaker 4: like shot Her Red, Like I used to love Shot

652
00:34:27,480 --> 00:34:30,120
Speaker 4: of Red everything, Shot of Red Dead, like fat Boy

653
00:34:30,680 --> 00:34:33,520
Speaker 4: they told me the producer, Yeah, like I was fans

654
00:34:33,560 --> 00:34:35,600
Speaker 4: of them, Like That's why that's where I swear it

655
00:34:35,719 --> 00:34:37,520
Speaker 4: kind of come from, because they just had like the

656
00:34:37,560 --> 00:34:40,120
Speaker 4: greedy street ship, like they had like the theme music

657
00:34:40,200 --> 00:34:43,239
Speaker 4: to bmfter me. I you know what I'm saying, Like,

658
00:34:43,320 --> 00:34:45,160
Speaker 4: I always like, I gotta.

659
00:34:44,880 --> 00:34:46,719
Speaker 2: Make beats like that, and you always made it on

660
00:34:46,800 --> 00:34:47,319
Speaker 2: fruity loops.

661
00:34:47,400 --> 00:34:51,640
Speaker 4: Always always started on f loops three crazy Yeah.

662
00:34:52,480 --> 00:34:55,480
Speaker 2: And listen, that's the that's what the whole reggae throm

663
00:34:55,640 --> 00:34:59,040
Speaker 2: was made off for real. Yeah yeah, yeah, Regan never

664
00:34:59,120 --> 00:35:01,960
Speaker 2: knew that make it say all of it.

665
00:35:02,040 --> 00:35:03,560
Speaker 3: But I mean a lot of the majority of a

666
00:35:03,600 --> 00:35:05,719
Speaker 3: lot of a lot of the big records, most of.

667
00:35:05,719 --> 00:35:07,000
Speaker 2: The big records, you never knew that.

668
00:35:07,200 --> 00:35:07,959
Speaker 4: That's crazy feeling.

669
00:35:09,480 --> 00:35:09,960
Speaker 6: I love it.

670
00:35:15,480 --> 00:35:18,000
Speaker 2: So now let's let's let's let's go back to the beginning,

671
00:35:18,960 --> 00:35:22,440
Speaker 2: because we did Lloyd Ti Yeah, okay, let's go back

672
00:35:22,440 --> 00:35:28,840
Speaker 2: to the beginning. How are y'all starting? How are you

673
00:35:28,920 --> 00:35:31,840
Speaker 2: started first? And then we're getting how are you started

674
00:35:32,120 --> 00:35:34,080
Speaker 2: starting with? Like making beats?

675
00:35:35,440 --> 00:35:39,200
Speaker 5: I started with however, just whatever you just saw the drums.

676
00:35:39,320 --> 00:35:40,600
Speaker 5: He's saying, like what you mean, Like, how do I

677
00:35:40,680 --> 00:35:43,640
Speaker 5: start a beat? I started making beat?

678
00:35:43,880 --> 00:35:44,040
Speaker 2: Yeah?

679
00:35:44,080 --> 00:35:46,120
Speaker 5: Man, my I had an uncle that used to rap,

680
00:35:46,920 --> 00:35:49,080
Speaker 5: Mincale Pooky, like you know what I'm saying.

681
00:35:49,120 --> 00:35:50,080
Speaker 2: I like poogy already.

682
00:35:50,320 --> 00:35:52,040
Speaker 5: I used to wrap, but Mincale Pooky used to like

683
00:35:52,440 --> 00:35:53,759
Speaker 5: he get mad at me every time a sending this

684
00:35:53,800 --> 00:35:54,760
Speaker 5: st Michael Pooley.

685
00:35:54,560 --> 00:35:56,799
Speaker 4: Used to go to the airport and just steal bad.

686
00:35:58,440 --> 00:36:00,719
Speaker 3: I know what look like the back of He get

687
00:36:00,840 --> 00:36:02,040
Speaker 3: mad at me this ship every time.

688
00:36:02,120 --> 00:36:04,000
Speaker 4: But I'm telling him, like, bro, you changed our whole

689
00:36:04,040 --> 00:36:06,319
Speaker 4: family name. You can't get mad at me. You you did,

690
00:36:06,520 --> 00:36:08,640
Speaker 4: you know you put the second fights off.

691
00:36:08,719 --> 00:36:10,000
Speaker 2: Like he's out here steal in bad.

692
00:36:10,360 --> 00:36:12,359
Speaker 5: Go to the airport, he and come home five six bads,

693
00:36:12,440 --> 00:36:14,160
Speaker 5: go through the bads. He went through the bad and

694
00:36:14,239 --> 00:36:17,040
Speaker 5: motherfucker had a loptop bag in it with the speaking

695
00:36:17,040 --> 00:36:18,600
Speaker 5: and pulled it out, opened it up that she had

696
00:36:18,640 --> 00:36:20,960
Speaker 5: froo loops on it. Oh wow, So he gave me

697
00:36:21,000 --> 00:36:22,399
Speaker 5: this ship and was like, learn how to make beats.

698
00:36:22,400 --> 00:36:23,960
Speaker 5: Make me some beat because he rapped the ship. He

699
00:36:24,120 --> 00:36:26,799
Speaker 5: telling you this, and I was ten years old, eleven

700
00:36:26,880 --> 00:36:29,040
Speaker 5: years old. That's how I started using her loops.

701
00:36:29,400 --> 00:36:34,960
Speaker 2: He was a criminal producer, like I was a kid.

702
00:36:35,280 --> 00:36:35,879
Speaker 2: Like you know what I'm saying.

703
00:36:35,920 --> 00:36:39,360
Speaker 5: The story, Yeah, he getting mad at me. Me and

704
00:36:39,400 --> 00:36:41,040
Speaker 5: my mama was just talking this like two days ago.

705
00:36:41,040 --> 00:36:42,759
Speaker 5: He get mad at me every time, and I'm like, bro,

706
00:36:42,840 --> 00:36:45,080
Speaker 5: that's just it's like, yeah.

707
00:36:45,000 --> 00:36:46,920
Speaker 4: I love I love you, like you know.

708
00:36:50,280 --> 00:36:51,760
Speaker 3: How to use it already, like loops.

709
00:36:51,800 --> 00:36:53,040
Speaker 2: I taught myself to use it.

710
00:36:53,080 --> 00:36:53,760
Speaker 4: I taught myself.

711
00:36:53,960 --> 00:36:57,000
Speaker 2: And did he think that it was you that would

712
00:36:57,120 --> 00:36:57,920
Speaker 2: know how to do that?

713
00:36:58,320 --> 00:37:00,200
Speaker 5: Because I always like the music and ship like that

714
00:37:00,280 --> 00:37:02,040
Speaker 5: was always my thing. That's all I really knew about

715
00:37:02,040 --> 00:37:04,120
Speaker 5: my dad. It's like, you know what I'm saying. And

716
00:37:04,200 --> 00:37:05,640
Speaker 5: I always look at my uncle and I'm like, they

717
00:37:05,760 --> 00:37:07,040
Speaker 5: go to the studio ship. I want to go to

718
00:37:07,120 --> 00:37:08,839
Speaker 5: the studio with them, Like you know what I'm saying,

719
00:37:09,120 --> 00:37:12,080
Speaker 5: you can't go, like and you can't go, like he.

720
00:37:12,239 --> 00:37:15,680
Speaker 4: Just still stole some went on that ship and seeing

721
00:37:15,680 --> 00:37:17,839
Speaker 4: what that ship was on there and it was like, hey,

722
00:37:17,960 --> 00:37:19,320
Speaker 4: learn how to make and gave me the share like

723
00:37:19,320 --> 00:37:21,719
Speaker 4: a little speaker, like a little plug in speaking to it.

724
00:37:21,800 --> 00:37:23,720
Speaker 4: Wasn't even that loud, but that's.

725
00:37:23,560 --> 00:37:25,439
Speaker 2: What I started. She was meant to be uncle.

726
00:37:26,960 --> 00:37:27,600
Speaker 3: If I could get a.

727
00:37:27,560 --> 00:37:29,400
Speaker 5: Computer right now, I pay somebody to get that computer

728
00:37:29,480 --> 00:37:29,680
Speaker 5: right now.

729
00:37:29,800 --> 00:37:30,799
Speaker 4: I don't know where that computer at.

730
00:37:30,960 --> 00:37:36,279
Speaker 2: Don't do the Oh what's this guy? Then he came

731
00:37:36,360 --> 00:37:41,320
Speaker 2: on the show. Uh god, he said a million dollars.

732
00:37:41,520 --> 00:37:43,360
Speaker 4: I ain't gonna say no price. I said, I pay somebody.

733
00:37:44,160 --> 00:37:44,520
Speaker 2: Crazy.

734
00:37:46,040 --> 00:37:48,840
Speaker 4: I paid somebody said.

735
00:37:48,760 --> 00:37:49,240
Speaker 6: On here.

736
00:37:51,760 --> 00:37:52,240
Speaker 2: Like you should.

737
00:37:52,239 --> 00:37:54,400
Speaker 4: I mean, you know, I pay somebody. I pay you

738
00:37:54,480 --> 00:37:56,280
Speaker 4: something something.

739
00:37:57,560 --> 00:38:03,200
Speaker 6: Something for so uh and the eight away is it

740
00:38:03,239 --> 00:38:05,600
Speaker 6: strictly offered because of the baseline that.

741
00:38:05,680 --> 00:38:07,680
Speaker 4: Yeahcause of the drumk Yeah, that's why we called it

742
00:38:07,840 --> 00:38:08,359
Speaker 4: away my fee.

743
00:38:09,320 --> 00:38:09,520
Speaker 2: Yeah.

744
00:38:10,160 --> 00:38:12,520
Speaker 5: Niggaker said that ship in the song like he said,

745
00:38:12,760 --> 00:38:16,200
Speaker 5: he just said it like he said this ship freestyled

746
00:38:16,239 --> 00:38:17,719
Speaker 5: in the song. Like when he said this in the

747
00:38:17,800 --> 00:38:20,960
Speaker 5: song he said, he said anyway, my fear sizl and

748
00:38:21,080 --> 00:38:23,480
Speaker 5: lits and the song when he said this ship, I'm like,

749
00:38:23,680 --> 00:38:25,840
Speaker 5: damn that ship hard. And I took the ship and

750
00:38:25,960 --> 00:38:27,239
Speaker 5: was like, I'm finna got to make this ship. The

751
00:38:27,280 --> 00:38:30,560
Speaker 5: company try to do it with les lets really and

752
00:38:30,760 --> 00:38:32,360
Speaker 5: he was just let's just let's Luka.

753
00:38:32,280 --> 00:38:34,279
Speaker 4: Was going to present. Yeah, he was just that.

754
00:38:34,480 --> 00:38:37,520
Speaker 2: That was y'all three that started right. Yeah, let's you

755
00:38:37,560 --> 00:38:41,839
Speaker 2: see it was me and lets started together came out.

756
00:38:41,960 --> 00:38:45,600
Speaker 4: Yeah, it was me always me a lects first. Yeah,

757
00:38:45,760 --> 00:38:48,080
Speaker 4: but lets went so crazy in one year. Lets, I

758
00:38:48,160 --> 00:38:51,520
Speaker 4: understood he started producing brick Ross did every he was,

759
00:38:51,960 --> 00:38:52,279
Speaker 4: he did.

760
00:38:52,280 --> 00:38:55,000
Speaker 5: Harder to painful, b a melf. He did a lot

761
00:38:55,040 --> 00:38:56,920
Speaker 5: of ship in one year, like you know what I'm saying.

762
00:38:56,960 --> 00:38:58,960
Speaker 5: So I understood what he was saying, Like Marama focused

763
00:38:58,960 --> 00:38:59,120
Speaker 5: on me.

764
00:38:59,320 --> 00:38:59,680
Speaker 2: I got it.

765
00:39:00,239 --> 00:39:02,000
Speaker 4: I was on something. I'm gonna start a production group

766
00:39:02,040 --> 00:39:02,680
Speaker 4: ship with this ship.

767
00:39:02,880 --> 00:39:05,160
Speaker 2: And you feel like he basically left the group.

768
00:39:07,239 --> 00:39:10,040
Speaker 3: He was he was, you weren't doing it.

769
00:39:10,719 --> 00:39:13,080
Speaker 5: He never he never really became part of the grind

770
00:39:13,239 --> 00:39:15,040
Speaker 5: like that was just some ship walker was freestyling and

771
00:39:15,160 --> 00:39:17,719
Speaker 5: saying like but I tried to make it a group

772
00:39:17,760 --> 00:39:20,080
Speaker 5: and he just was like, I'm cool, that's my brother

773
00:39:20,200 --> 00:39:20,440
Speaker 5: right now.

774
00:39:20,640 --> 00:39:22,200
Speaker 4: I talked to him two three days ago, love him

775
00:39:22,200 --> 00:39:24,560
Speaker 4: to death, like feel me, But that was just a

776
00:39:24,600 --> 00:39:25,200
Speaker 4: try mate.

777
00:39:26,000 --> 00:39:29,080
Speaker 2: Yeah. Would you wishing if y'all would have stayed to go?

778
00:39:31,440 --> 00:39:34,239
Speaker 5: No, I'm glad things played out that, yeah, like because

779
00:39:34,239 --> 00:39:36,680
Speaker 5: he's still legendary. Like you know what I'm saying, I'm

780
00:39:36,719 --> 00:39:38,880
Speaker 5: glad that played could work. I wouldn't have all them.

781
00:39:39,320 --> 00:39:40,839
Speaker 5: I feel like, you know, I want to meet all

782
00:39:40,840 --> 00:39:42,839
Speaker 5: of them and had like the family I had now.

783
00:39:42,840 --> 00:39:44,880
Speaker 3: I feel like, so was it eight Away Mafia when

784
00:39:44,920 --> 00:39:45,360
Speaker 3: it was just you?

785
00:39:45,880 --> 00:39:48,680
Speaker 4: Now it was just south Side and it was just me. Yeah,

786
00:39:48,960 --> 00:39:49,960
Speaker 4: it was just south Side and it.

787
00:39:50,000 --> 00:39:50,320
Speaker 2: Was just me.

788
00:39:50,719 --> 00:39:52,400
Speaker 6: I'm saying it was just like when you came up

789
00:39:52,440 --> 00:39:56,120
Speaker 6: with eight Away Manfield. I see you had my people.

790
00:39:56,160 --> 00:39:57,840
Speaker 3: He was bringing in under that he was in the

791
00:39:57,920 --> 00:39:59,880
Speaker 3: name by himself, but I started myself.

792
00:40:00,000 --> 00:40:02,359
Speaker 5: I met a name by myself, but I still knew

793
00:40:02,960 --> 00:40:05,040
Speaker 5: certain people already that I was already working with on

794
00:40:05,120 --> 00:40:06,920
Speaker 5: beat ship, Like you know what I'm saying. So it

795
00:40:07,040 --> 00:40:08,279
Speaker 5: just made sense because I was the one with the

796
00:40:08,320 --> 00:40:11,480
Speaker 5: most motion from my hood. Feel it made sense.

797
00:40:13,800 --> 00:40:16,640
Speaker 3: See y'all probably the after Dungeon family.

798
00:40:16,640 --> 00:40:18,839
Speaker 6: I don't think there's any collective like that that big

799
00:40:19,280 --> 00:40:21,000
Speaker 6: out of especially out of Atlanta.

800
00:40:21,400 --> 00:40:22,680
Speaker 2: Prediction Group, where hell.

801
00:40:24,440 --> 00:40:26,239
Speaker 5: There's so many like you come to one sasions and

802
00:40:26,360 --> 00:40:29,600
Speaker 5: be twenty people in all everybody make beats literally.

803
00:40:31,040 --> 00:40:33,720
Speaker 4: Everybody got something different. It's just like it shit, be crazy.

804
00:40:34,480 --> 00:40:37,480
Speaker 6: What record you think outside of obviously working with Walker Flocker, Like,

805
00:40:38,080 --> 00:40:40,200
Speaker 6: what record you think is what took the whole name

806
00:40:40,280 --> 00:40:44,479
Speaker 6: and the brand to another level as a production team.

807
00:40:45,280 --> 00:40:48,160
Speaker 6: When I made Yourself because by Yourself, he was there when.

808
00:40:48,000 --> 00:40:51,360
Speaker 5: I made Danny Glover for the Two Bitches ship. That

809
00:40:51,400 --> 00:40:52,920
Speaker 5: ship went up. That was like an away at my

810
00:40:52,960 --> 00:40:54,680
Speaker 5: fear record that went up.

811
00:40:54,719 --> 00:40:55,200
Speaker 2: And then.

812
00:40:56,880 --> 00:41:02,160
Speaker 7: I'm gonna say, I'll say a mixtape like FBG the

813
00:41:02,280 --> 00:41:05,799
Speaker 7: movie that went I'm saying is nice to fifty six

814
00:41:05,920 --> 00:41:07,040
Speaker 7: Nights for sure because.

815
00:41:06,880 --> 00:41:08,680
Speaker 4: I made we made the whole fifty six nights.

816
00:41:09,040 --> 00:41:09,680
Speaker 2: That's the future.

817
00:41:09,760 --> 00:41:13,719
Speaker 4: When they made the whole when he got when they

818
00:41:13,760 --> 00:41:18,040
Speaker 4: took the drive, Yeah, we made the whole physicis nice, Yeah,

819
00:41:18,080 --> 00:41:21,759
Speaker 4: the whole ship. Yeah. I think that was the game

820
00:41:21,880 --> 00:41:24,719
Speaker 4: changes for us though. And then like DS too, like

821
00:41:24,800 --> 00:41:29,000
Speaker 4: that just right to changed everything. Yeah, they changed all

822
00:41:29,040 --> 00:41:30,000
Speaker 4: this shit completely for us.

823
00:41:31,400 --> 00:41:32,920
Speaker 6: And what came right after that, Like what was the

824
00:41:33,040 --> 00:41:35,239
Speaker 6: next thing that you saw like okay, this is these

825
00:41:35,280 --> 00:41:36,359
Speaker 6: things are coming in now. Man.

826
00:41:36,360 --> 00:41:38,520
Speaker 4: It was just after Durst right too. It was just

827
00:41:38,760 --> 00:41:42,200
Speaker 4: everything just everybody like it was just like I can

828
00:41:42,280 --> 00:41:43,680
Speaker 4: control that ship no one And.

829
00:41:43,719 --> 00:41:45,239
Speaker 6: As a business, do you think it's easy to have

830
00:41:45,360 --> 00:41:48,720
Speaker 6: a producer collective? Like is it easy to keep everybody

831
00:41:48,880 --> 00:41:49,480
Speaker 6: under that near?

832
00:41:49,600 --> 00:41:54,279
Speaker 4: Because see, I see like when we was young, certain

833
00:41:54,360 --> 00:41:56,520
Speaker 4: niggas a ride around with walker. I run around with

834
00:41:56,600 --> 00:42:01,279
Speaker 4: them all day long, you feel me, so around. I

835
00:42:01,400 --> 00:42:02,000
Speaker 4: learned everything.

836
00:42:02,520 --> 00:42:03,880
Speaker 5: She always said that like she told me like I

837
00:42:03,960 --> 00:42:06,080
Speaker 5: taught you too much, like you know, because I learned

838
00:42:06,280 --> 00:42:08,160
Speaker 5: everything like so I rode around with her every day

839
00:42:08,160 --> 00:42:10,279
Speaker 5: in the car, right around with her, learning everything, going

840
00:42:10,320 --> 00:42:12,719
Speaker 5: to meets with her. So I understood this ship. Like

841
00:42:12,719 --> 00:42:15,040
Speaker 5: I didn't have a pub deal until after Dirty's right too,

842
00:42:15,360 --> 00:42:16,759
Speaker 5: I had an admin deal where I was giving them

843
00:42:16,840 --> 00:42:18,960
Speaker 5: niggas ninety five. I was having ninety five percent and

844
00:42:19,000 --> 00:42:21,520
Speaker 5: giving them five percent, right, So I was getting all

845
00:42:21,600 --> 00:42:23,080
Speaker 5: my checks, like you know, they had to give me

846
00:42:23,160 --> 00:42:25,560
Speaker 5: some ship where it was like I ain't never seen

847
00:42:25,600 --> 00:42:27,160
Speaker 5: this much money before in my life. I gotta take

848
00:42:27,160 --> 00:42:29,200
Speaker 5: you know what I'm saying. But I was getting all

849
00:42:29,239 --> 00:42:31,920
Speaker 5: my checks, so I understood what this ship was. I

850
00:42:32,000 --> 00:42:33,239
Speaker 5: used to make all of them. I wouldn't even I

851
00:42:33,280 --> 00:42:35,200
Speaker 5: wouldn't even let them do coport this. At first, all

852
00:42:35,200 --> 00:42:38,040
Speaker 5: of them was in admin deals like like y'all on,

853
00:42:38,600 --> 00:42:40,600
Speaker 5: like y'all ain't doing coport, do an admin deal til

854
00:42:40,600 --> 00:42:41,839
Speaker 5: you get to a certain levels so you can get

855
00:42:41,840 --> 00:42:44,200
Speaker 5: some real millions, right, Like you know what I'm saying,

856
00:42:44,239 --> 00:42:46,759
Speaker 5: like evaluation, don't go take a cop pub deal and

857
00:42:46,800 --> 00:42:48,880
Speaker 5: give them fifty I'll.

858
00:42:48,760 --> 00:42:51,640
Speaker 7: Go and deals getting published in checks for me, Like

859
00:42:52,080 --> 00:42:52,640
Speaker 7: it's crazy.

860
00:42:52,719 --> 00:42:54,880
Speaker 4: He like now you can get a check like a

861
00:42:55,000 --> 00:42:58,000
Speaker 4: copub for admin deal, like you know for sure, but

862
00:42:58,120 --> 00:42:59,839
Speaker 4: back then you couldn't. Like I was just like, don't

863
00:42:59,880 --> 00:43:00,799
Speaker 4: do that. That's dumb as hell.

864
00:43:01,360 --> 00:43:03,520
Speaker 6: You think that the current music environment is better for

865
00:43:03,600 --> 00:43:06,480
Speaker 6: producers than it was before, Like yes, treatment and all,

866
00:43:06,520 --> 00:43:07,080
Speaker 6: I'm gonna.

867
00:43:06,880 --> 00:43:08,560
Speaker 4: Say, I'm gonna say it because like I saw my

868
00:43:08,640 --> 00:43:11,560
Speaker 4: catalog in twenty and twenty one, so I'm gonna say

869
00:43:11,560 --> 00:43:14,120
Speaker 4: it's like and I'm about to sell it again it's

870
00:43:14,120 --> 00:43:16,960
Speaker 4: twenty twenty five, Like because I do this this sh it,

871
00:43:17,000 --> 00:43:19,600
Speaker 4: ain't I go to this shit here every single day,

872
00:43:19,800 --> 00:43:22,040
Speaker 4: literally sleeping that motherfucker still right now to this day.

873
00:43:22,120 --> 00:43:24,520
Speaker 5: Like I don't even dawn, I ain't I'm thirty, I'm

874
00:43:24,520 --> 00:43:26,480
Speaker 5: thirty six. I'm you know, I got a lot lift

875
00:43:26,560 --> 00:43:26,719
Speaker 5: in me.

876
00:43:26,800 --> 00:43:29,879
Speaker 4: So like this ship like you I keeping you keep

877
00:43:29,960 --> 00:43:32,160
Speaker 4: doing this shit is like, no, you gotta keep doing work.

878
00:43:32,200 --> 00:43:34,080
Speaker 5: I'm not selling this ship like I'm gonna relax, Like no,

879
00:43:34,120 --> 00:43:36,560
Speaker 5: I'm gonna gonna make a whole nother catalog See this

880
00:43:36,600 --> 00:43:37,080
Speaker 5: ship again.

881
00:43:37,480 --> 00:43:39,560
Speaker 3: You want catalogs in you versus line.

882
00:43:39,440 --> 00:43:40,120
Speaker 2: I got all the time.

883
00:43:40,719 --> 00:43:42,520
Speaker 4: It's like what I got to do right now, Like

884
00:43:42,560 --> 00:43:44,360
Speaker 4: you know what I'm saying, Like, that's what I got

885
00:43:44,440 --> 00:43:45,799
Speaker 4: to do. I ain't got nothing to.

886
00:43:45,800 --> 00:43:46,439
Speaker 2: Do in the old team.

887
00:43:46,640 --> 00:43:47,440
Speaker 3: We just learned from bro.

888
00:43:47,680 --> 00:43:50,279
Speaker 7: You know what I'm saying. Right, He basically leads the

889
00:43:50,320 --> 00:43:52,520
Speaker 7: way and such such through standard.

890
00:43:53,160 --> 00:43:55,120
Speaker 5: If they had anything, they had business and niggas called

891
00:43:55,160 --> 00:43:56,239
Speaker 5: me because I know that shit in and now I

892
00:43:56,280 --> 00:43:58,319
Speaker 5: tell them, don't do this, don't do that, ask them

893
00:43:58,360 --> 00:43:59,120
Speaker 5: for this, ask them for that.

894
00:43:59,320 --> 00:44:01,160
Speaker 4: Like you know what I'm saying, Because I learned by

895
00:44:01,239 --> 00:44:03,399
Speaker 4: sucking up. You know what I'm saying. That's how I learned.

896
00:44:05,120 --> 00:44:08,759
Speaker 2: So let's talk about funny Marco. Right, Yeah, one of

897
00:44:08,840 --> 00:44:13,760
Speaker 2: the biggest moments had the whole internet.

898
00:44:13,840 --> 00:44:16,240
Speaker 4: Yes, it was crazy with you and g Herbal.

899
00:44:17,160 --> 00:44:23,279
Speaker 2: Oh. Yes, I couldn't understand I'm gonna take some crazy ship. Yeah,

900
00:44:23,440 --> 00:44:24,759
Speaker 2: so I just seen him like.

901
00:44:26,239 --> 00:44:28,239
Speaker 4: Yeah, three four months ago and Aleana I went to

902
00:44:28,320 --> 00:44:30,319
Speaker 4: the club. It's like sixty us.

903
00:44:31,160 --> 00:44:31,480
Speaker 2: He in the.

904
00:44:31,520 --> 00:44:34,920
Speaker 4: Club's just him, you know what I'm saying. So my

905
00:44:34,960 --> 00:44:37,279
Speaker 4: bodyguard gonna get me. He's like, man, marcol just so

906
00:44:37,360 --> 00:44:38,600
Speaker 4: I'm like, I'm like, take me to him, let me

907
00:44:38,640 --> 00:44:40,839
Speaker 4: go and real quick. When I go talk to him

908
00:44:40,880 --> 00:44:42,400
Speaker 4: and tell me, he's like, hey, bro, He's like I

909
00:44:42,520 --> 00:44:43,319
Speaker 4: want to apologize.

910
00:44:43,320 --> 00:44:45,680
Speaker 5: He's like, bro, I didn't know that. The directors of

911
00:44:45,760 --> 00:44:48,440
Speaker 5: them told you all to do that ship. Oh you

912
00:44:48,480 --> 00:44:51,680
Speaker 5: know what I'm saying. You never addressed that because when

913
00:44:51,680 --> 00:44:52,920
Speaker 5: I'm I ain't looking together.

914
00:44:53,160 --> 00:44:55,480
Speaker 4: Like I ain't even want to get internet like me

915
00:44:55,520 --> 00:44:56,600
Speaker 4: and in that don't miss.

916
00:44:56,600 --> 00:45:00,600
Speaker 2: Okay anything, just you know a little let's just wait

917
00:45:00,600 --> 00:45:03,600
Speaker 2: into the people. That smart brother, so very smart. Yeah,

918
00:45:03,840 --> 00:45:07,919
Speaker 2: so the directors told you they told us to fuck

919
00:45:07,960 --> 00:45:08,400
Speaker 2: with him.

920
00:45:08,280 --> 00:45:10,480
Speaker 5: Okay, yeah, like you know, they let her upstairs. That

921
00:45:10,520 --> 00:45:12,800
Speaker 5: ship was upstairs in the feeling like you know what

922
00:45:12,800 --> 00:45:14,799
Speaker 5: I'm saying. They let him in, gave him his cold

923
00:45:14,920 --> 00:45:17,520
Speaker 5: all this ship even like the watch, the watch he

924
00:45:17,560 --> 00:45:19,360
Speaker 5: had that ship was fake, like that ship when the

925
00:45:19,560 --> 00:45:20,719
Speaker 5: face was already out the watch.

926
00:45:20,760 --> 00:45:22,279
Speaker 4: That's why I threw the watch and did all I

927
00:45:22,320 --> 00:45:26,279
Speaker 4: did fake, you know what I'm saying. But he never knew.

928
00:45:26,360 --> 00:45:29,000
Speaker 4: He was like, man, he's like I. So the directors

929
00:45:29,040 --> 00:45:33,440
Speaker 4: and the producers told me he didn't know something like

930
00:45:33,520 --> 00:45:39,279
Speaker 4: y'all with everybody, y'all fuck with him, you know. Yeah,

931
00:45:40,239 --> 00:45:41,399
Speaker 4: And then it wasn't even his fault.

932
00:45:41,480 --> 00:45:41,719
Speaker 2: It was.

933
00:45:43,320 --> 00:45:44,880
Speaker 5: When I brought us had a camera man with him,

934
00:45:44,880 --> 00:45:46,480
Speaker 5: and the camera man was on some thirsty ship and

935
00:45:46,600 --> 00:45:50,200
Speaker 5: posted some behind the scenes ship like just us fucking

936
00:45:50,280 --> 00:45:51,000
Speaker 5: with him and ship, you know.

937
00:45:50,960 --> 00:45:53,319
Speaker 4: What I'm saying. So I don't really I don't blame

938
00:45:53,360 --> 00:45:55,120
Speaker 4: bro for that ship. The word looked at me crazy

939
00:45:55,160 --> 00:45:55,560
Speaker 4: for that ship.

940
00:45:55,600 --> 00:45:58,200
Speaker 2: And it's like but so, so let me ask you,

941
00:45:58,320 --> 00:46:03,080
Speaker 2: because there were black black lash, wasn't the Jewish?

942
00:46:03,840 --> 00:46:06,040
Speaker 4: Yeah you know that last like yeah, what.

943
00:46:06,320 --> 00:46:07,399
Speaker 2: What what did Jewish see?

944
00:46:09,480 --> 00:46:12,040
Speaker 4: Stay out the internet? And may be then okay, yeah,

945
00:46:13,640 --> 00:46:15,439
Speaker 4: take because you can't you can't deny my music.

946
00:46:16,760 --> 00:46:18,320
Speaker 2: Take you to the studio, man.

947
00:46:21,680 --> 00:46:24,719
Speaker 4: Music music together. Last's fine, yeah, like, because it was

948
00:46:24,719 --> 00:46:26,600
Speaker 4: a lot of bad lash with that ship, Like that

949
00:46:26,640 --> 00:46:27,239
Speaker 4: ship was bad.

950
00:46:27,880 --> 00:46:28,520
Speaker 2: I didn't you know, we.

951
00:46:28,560 --> 00:46:30,200
Speaker 5: Said we you know, we wild niggas, So I didn't

952
00:46:30,200 --> 00:46:32,000
Speaker 5: even think it was That's how we play out that long.

953
00:46:32,000 --> 00:46:33,880
Speaker 5: I ain't think yeah, we were doing it, you know,

954
00:46:33,920 --> 00:46:36,800
Speaker 5: I didn't even think it was It was funny, but

955
00:46:36,840 --> 00:46:37,239
Speaker 5: they try to.

956
00:46:37,239 --> 00:46:39,200
Speaker 6: Make y'all look like y'all would you know fucking fire

957
00:46:39,320 --> 00:46:41,160
Speaker 6: Like yeah, but if it's.

958
00:46:41,080 --> 00:46:42,200
Speaker 3: All set up, that's fucked up.

959
00:46:42,480 --> 00:46:43,000
Speaker 4: They told.

960
00:46:44,560 --> 00:46:47,839
Speaker 2: Told us, yeah to us, if they told her they

961
00:46:47,880 --> 00:46:48,800
Speaker 2: come on, yeah.

962
00:46:49,000 --> 00:46:51,720
Speaker 4: That I would have just went and just did the interview.

963
00:46:52,360 --> 00:46:54,680
Speaker 4: Never brought her ship, like because.

964
00:46:54,440 --> 00:46:56,719
Speaker 3: The winds parked up kind of crazy, like what the

965
00:46:57,040 --> 00:46:57,320
Speaker 3: is going on?

966
00:46:58,160 --> 00:46:59,640
Speaker 4: That's why it looks like that the whole time, looking

967
00:46:59,640 --> 00:47:00,680
Speaker 4: at him like we're gonna.

968
00:47:00,440 --> 00:47:04,120
Speaker 2: Get you, you know what I'm saying. But when I

969
00:47:04,360 --> 00:47:08,719
Speaker 2: take guy, I'm sorry. This has nothing to do with

970
00:47:08,800 --> 00:47:11,440
Speaker 2: the interview, but I just want to take a shot

971
00:47:11,640 --> 00:47:15,680
Speaker 2: because I'm happy. Man, for sure, should be the AP visit. Man,

972
00:47:16,239 --> 00:47:24,279
Speaker 2: this is pathetic. Yeah, it's my new pickup. Yeah, it's

973
00:47:24,320 --> 00:47:30,960
Speaker 2: one new pickup. I call it MAFI because I'm going

974
00:47:31,000 --> 00:47:36,000
Speaker 2: to the Mafi tomorrow. Yo. Man, I'm really, really, really

975
00:47:37,960 --> 00:47:44,439
Speaker 2: proud of y'all. Appreciated, you know what I'm saying, Like, yeah,

976
00:47:44,520 --> 00:47:47,400
Speaker 2: saved the de game. I'm appreciate. I like that. I

977
00:47:47,640 --> 00:47:50,640
Speaker 2: never heard nobody say that. No, that was like, when

978
00:47:50,640 --> 00:47:54,520
Speaker 2: I'm listening to this ship, I'm like, damn for y'all,

979
00:47:54,600 --> 00:47:58,759
Speaker 2: y'all we we might have had a space, yeah, and

980
00:47:58,840 --> 00:48:02,680
Speaker 2: the hip hop that was avoided. Yeah, but y'all I

981
00:48:02,920 --> 00:48:05,000
Speaker 2: came and saved that, you know for sure? You know,

982
00:48:08,120 --> 00:48:11,680
Speaker 2: let's let's let's see me talking about the tunnel Vision

983
00:48:11,760 --> 00:48:14,040
Speaker 2: with Kodak. How did that happen?

984
00:48:15,480 --> 00:48:16,360
Speaker 4: Metro really did that?

985
00:48:16,719 --> 00:48:18,960
Speaker 5: Like I made you know, I Metro just meet up

986
00:48:18,960 --> 00:48:20,840
Speaker 5: and make beats and ship that he put all that

987
00:48:20,840 --> 00:48:21,319
Speaker 5: ship together.

988
00:48:21,440 --> 00:48:23,320
Speaker 4: Okay, so you you you had nothing to do with this.

989
00:48:23,680 --> 00:48:25,480
Speaker 4: I made to beat, but okay, I ain't had nothing

990
00:48:25,480 --> 00:48:26,919
Speaker 4: to do with the process. And I'm making the song.

991
00:48:27,520 --> 00:48:30,319
Speaker 2: I don't understand that. Wait a minute, you're gonna you're

992
00:48:30,320 --> 00:48:34,000
Speaker 2: gonna break this down for the So you got something

993
00:48:34,040 --> 00:48:35,320
Speaker 2: to do with it, but you ain't got nothing to

994
00:48:35,360 --> 00:48:37,480
Speaker 2: do with it. Yeah, I break it down. I made

995
00:48:37,520 --> 00:48:42,719
Speaker 2: the beat for sure, Like not me and Metro meet

996
00:48:42,800 --> 00:48:44,279
Speaker 2: up beach like you know what I'm saying.

997
00:48:44,280 --> 00:48:46,839
Speaker 4: Okay, so you made I made the beat with Metro,

998
00:48:48,040 --> 00:48:50,959
Speaker 4: made to beat tunnel vision tunnel Vision. But he left

999
00:48:51,080 --> 00:48:53,560
Speaker 4: and had a session with Kodak on his own and

1000
00:48:54,360 --> 00:48:55,879
Speaker 4: that's the beat that he pulled up and they ended

1001
00:48:55,920 --> 00:48:58,160
Speaker 4: up making tunnel Vision. Metro made the play. He made

1002
00:48:58,200 --> 00:48:59,600
Speaker 4: the play. I made the beat with him, and he

1003
00:48:59,680 --> 00:49:01,280
Speaker 4: made you got the credit for the beat.

1004
00:49:02,760 --> 00:49:04,920
Speaker 3: Because I just wasn't I just wasn't.

1005
00:49:04,760 --> 00:49:07,160
Speaker 4: There for when they made the actual song. I didn't

1006
00:49:07,160 --> 00:49:08,400
Speaker 4: have nothing to do with him giving the beat the

1007
00:49:08,480 --> 00:49:09,919
Speaker 4: Korea like he gave to beat the Korea.

1008
00:49:11,120 --> 00:49:17,960
Speaker 2: But we're still loan that credit, right, I just song.

1009
00:49:19,440 --> 00:49:21,000
Speaker 4: Credit credit punishing that.

1010
00:49:24,000 --> 00:49:24,359
Speaker 3: He's selling.

1011
00:49:24,560 --> 00:49:25,960
Speaker 6: Is it important for you to be in the studio

1012
00:49:26,000 --> 00:49:28,200
Speaker 6: when the track is being made with your production.

1013
00:49:29,080 --> 00:49:32,160
Speaker 4: We wanted the ill list. I don't got to be there, Okay, yeah,

1014
00:49:32,160 --> 00:49:33,600
Speaker 4: I ain't got it. I can email you this ship

1015
00:49:33,680 --> 00:49:35,279
Speaker 4: if you could rap and you got something going on,

1016
00:49:35,840 --> 00:49:38,080
Speaker 4: you're gonna make some five ship because you'll send it

1017
00:49:38,160 --> 00:49:39,840
Speaker 4: to me like you will send me the song and

1018
00:49:40,000 --> 00:49:42,719
Speaker 4: I got damn. I'll tell you my notes back sertain

1019
00:49:42,719 --> 00:49:44,360
Speaker 4: ship like that. You know what I'm saying. But I

1020
00:49:44,440 --> 00:49:45,120
Speaker 4: ain't got to be there.

1021
00:49:45,719 --> 00:49:51,400
Speaker 2: Mm hmm. That's a fly ship. That's a fly right.

1022
00:49:52,200 --> 00:49:53,840
Speaker 5: Sometimes artists don't like it to be in the studio

1023
00:49:53,880 --> 00:49:57,120
Speaker 5: with them. Sometimes like to go in by themselves. That's

1024
00:49:57,160 --> 00:49:59,080
Speaker 5: cool with me too, like going just I fixed it

1025
00:49:59,200 --> 00:50:02,000
Speaker 5: l on. As long as you put something on it,

1026
00:50:02,320 --> 00:50:03,920
Speaker 5: I could get it together and face it.

1027
00:50:03,960 --> 00:50:04,800
Speaker 4: I ain't got to be there with you.

1028
00:50:05,360 --> 00:50:07,360
Speaker 2: Do you have a preference though, Like would you.

1029
00:50:07,440 --> 00:50:09,680
Speaker 4: Rather be certain people like future I like to be

1030
00:50:10,040 --> 00:50:11,759
Speaker 4: got chemistry with I like to be there with him,

1031
00:50:12,080 --> 00:50:14,000
Speaker 4: like you know, I like to be right there with him,

1032
00:50:14,160 --> 00:50:16,319
Speaker 4: Like certain people, I like to be right there with them,

1033
00:50:16,600 --> 00:50:19,239
Speaker 4: like you know what I'm saying, Because it's like they

1034
00:50:19,560 --> 00:50:23,799
Speaker 4: certain people so talented that they're just in the future

1035
00:50:23,880 --> 00:50:25,839
Speaker 4: lible to write rap two songs to the same beat

1036
00:50:26,960 --> 00:50:31,000
Speaker 4: and make them sounds different, two different songs, like you

1037
00:50:31,000 --> 00:50:32,719
Speaker 4: wouldn't have to be dozen times like nah, bro, this

1038
00:50:32,880 --> 00:50:33,280
Speaker 4: was cool.

1039
00:50:34,120 --> 00:50:35,640
Speaker 5: Let us take this and make this a hook. And

1040
00:50:35,680 --> 00:50:37,799
Speaker 5: then I got three verses. I'm going to just put

1041
00:50:37,800 --> 00:50:40,040
Speaker 5: this ship together real quick, you know what I'm saying.

1042
00:50:40,840 --> 00:50:43,120
Speaker 5: So it just depends on.

1043
00:50:43,160 --> 00:50:43,520
Speaker 2: Who it is.

1044
00:50:44,000 --> 00:50:47,080
Speaker 4: Yeah. Then sometimes I go to the studio with some

1045
00:50:47,120 --> 00:50:50,240
Speaker 4: people and just be like I should have just emailed

1046
00:50:50,280 --> 00:50:51,919
Speaker 4: you this ship, you know what I'm.

1047
00:50:51,840 --> 00:51:01,040
Speaker 2: Saying, Like you want to be like the devil.

1048
00:51:02,520 --> 00:51:14,040
Speaker 5: The devil right there, you know, calm down? So about

1049
00:51:14,080 --> 00:51:16,160
Speaker 5: some people just work different man, Like you know what

1050
00:51:16,200 --> 00:51:16,560
Speaker 5: I'm saying.

1051
00:51:16,840 --> 00:51:19,640
Speaker 3: Yeah, not everybody has chemistry, man, that's really what Yeah?

1052
00:51:19,960 --> 00:51:23,880
Speaker 2: Yeah that. So who's your favorite person to go in

1053
00:51:24,000 --> 00:51:24,400
Speaker 2: the boot?

1054
00:51:25,719 --> 00:51:30,120
Speaker 4: I know you said future and the Yeah, fishing the

1055
00:51:33,480 --> 00:51:35,840
Speaker 4: I like, you know what's I like working with I

1056
00:51:35,920 --> 00:51:40,480
Speaker 4: like working with writer Rich rowdy rich Yeah right, he

1057
00:51:40,520 --> 00:51:43,640
Speaker 4: got like right of real tenancy. He's just long beach

1058
00:51:44,239 --> 00:51:47,080
Speaker 4: righty talented, real real talent. I like working with writing

1059
00:51:47,160 --> 00:51:49,640
Speaker 4: right and listen to Like I love when an artist

1060
00:51:49,800 --> 00:51:56,160
Speaker 4: like listen listen. Yeah, collaborative, yeah, because I know you

1061
00:51:56,239 --> 00:51:58,280
Speaker 4: know DJ I do all that, like you not do everything.

1062
00:51:58,400 --> 00:52:01,239
Speaker 5: So it's like I know, right, sometimes they be so

1063
00:52:01,360 --> 00:52:04,360
Speaker 5: caught up in theyself and they young brother only hearing themself.

1064
00:52:04,360 --> 00:52:06,640
Speaker 4: They're not hearing what's going on in the world. They

1065
00:52:06,719 --> 00:52:08,640
Speaker 4: don't hear wherever what we're hearing, what we ride around

1066
00:52:08,719 --> 00:52:12,560
Speaker 4: listen to. They're not listening and listen listened.

1067
00:52:12,680 --> 00:52:13,560
Speaker 2: Sure. Yeah.

1068
00:52:17,040 --> 00:52:18,400
Speaker 6: Is there artists that you ever worked with that you

1069
00:52:18,480 --> 00:52:20,880
Speaker 6: were surprised that you guys had chemistry that you was

1070
00:52:20,920 --> 00:52:22,600
Speaker 6: like going into it, like, nah, I don't know if this.

1071
00:52:22,560 --> 00:52:33,120
Speaker 2: Is gonna work. Uh m hm, not really here nah, because.

1072
00:52:32,880 --> 00:52:35,080
Speaker 4: I am brou they can call me with a session

1073
00:52:35,120 --> 00:52:37,360
Speaker 4: and tell me he noticed. They'll call me be like, hey,

1074
00:52:37,480 --> 00:52:39,520
Speaker 4: we got two fifty for you up for it to

1075
00:52:39,560 --> 00:52:42,560
Speaker 4: come to the session. I like, I will not go.

1076
00:52:43,120 --> 00:52:45,400
Speaker 6: Right if you already hesitant, you're just like, nah, I

1077
00:52:45,520 --> 00:52:46,920
Speaker 6: just won't go either, breath, I won't go.

1078
00:52:46,960 --> 00:52:49,959
Speaker 4: It ain't even the money. It's just because I feel weird,

1079
00:52:50,160 --> 00:52:51,520
Speaker 4: Like I don't know, I just feel weird in the session.

1080
00:52:51,520 --> 00:52:52,040
Speaker 2: I just want to go.

1081
00:52:53,120 --> 00:52:54,520
Speaker 4: So if I go to a session, I'm in there

1082
00:52:54,520 --> 00:52:55,920
Speaker 4: with you. I wanted to go to this session. I

1083
00:52:55,960 --> 00:52:56,520
Speaker 4: want to go with you.

1084
00:52:57,400 --> 00:52:57,839
Speaker 2: That's fair.

1085
00:52:59,320 --> 00:53:00,880
Speaker 4: Yeah, I feel like.

1086
00:53:00,880 --> 00:53:02,880
Speaker 5: I ironed that I ain't got Yeah, I'm back in

1087
00:53:02,920 --> 00:53:04,239
Speaker 5: the day I used to God, damn, just go to

1088
00:53:04,320 --> 00:53:08,120
Speaker 5: everything now that Yeah, I don't want.

1089
00:53:08,000 --> 00:53:09,600
Speaker 7: To side where I would go to every session, but

1090
00:53:09,680 --> 00:53:12,440
Speaker 7: if I'm not feeling there, I just disappeared in the session.

1091
00:53:12,520 --> 00:53:12,680
Speaker 2: Yeah.

1092
00:53:12,800 --> 00:53:14,800
Speaker 3: Just you don't even say later that's worse.

1093
00:53:15,719 --> 00:53:22,560
Speaker 2: Worse that you coming. What if they start some crazy.

1094
00:53:24,680 --> 00:53:27,320
Speaker 3: I do that we can cook beats that just disappeared.

1095
00:53:27,800 --> 00:53:28,799
Speaker 4: Yeah, that's because you all.

1096
00:53:29,000 --> 00:53:37,920
Speaker 2: You get tired. I'm trying to be sleepy, you know,

1097
00:53:37,960 --> 00:53:43,360
Speaker 2: at a certain time, going to sleep for sure. That's funny.

1098
00:53:43,360 --> 00:53:47,960
Speaker 2: And ship. I got.

1099
00:53:50,680 --> 00:53:54,640
Speaker 4: So many questions, all right, money on money, who's talking

1100
00:53:54,640 --> 00:53:55,440
Speaker 4: about this ship earlier?

1101
00:53:57,480 --> 00:53:59,040
Speaker 2: How did that happen?

1102
00:54:01,960 --> 00:54:03,560
Speaker 4: We's out of you know, out of here, like my

1103
00:54:03,600 --> 00:54:06,560
Speaker 4: best friend that make beats for like make all the Thud.

1104
00:54:08,160 --> 00:54:12,360
Speaker 2: I actually yeah no, but you know, like We's in

1105
00:54:12,440 --> 00:54:13,359
Speaker 2: my real brother I met.

1106
00:54:13,600 --> 00:54:16,080
Speaker 4: When he first moved from Mississippi. So Weis was in

1107
00:54:16,120 --> 00:54:17,839
Speaker 4: the studio with me every day when we first started

1108
00:54:17,840 --> 00:54:20,160
Speaker 4: working with Thug, when we first started putting Thuck together

1109
00:54:20,280 --> 00:54:22,879
Speaker 4: years ago, Like we' is my real that's my dog,

1110
00:54:23,040 --> 00:54:23,719
Speaker 4: Like you know what I'm saying.

1111
00:54:24,040 --> 00:54:26,560
Speaker 5: But Weezy made the first half of the beat, then

1112
00:54:26,600 --> 00:54:28,640
Speaker 5: Future did his verse, and then I made the second

1113
00:54:28,680 --> 00:54:31,600
Speaker 5: half of the beat for Future verse after he did

1114
00:54:31,680 --> 00:54:34,120
Speaker 5: his verse. You get what I'm saying, Like he did

1115
00:54:34,160 --> 00:54:35,600
Speaker 5: his verse on the original beat and I made the

1116
00:54:35,640 --> 00:54:37,440
Speaker 5: second half of it. I went back and made the

1117
00:54:37,480 --> 00:54:39,600
Speaker 5: beat to it and just put that ship together. But

1118
00:54:39,719 --> 00:54:41,440
Speaker 5: when Thud played me that song for the first time,

1119
00:54:41,480 --> 00:54:44,200
Speaker 5: I was like, oh that shit crazy. Yeah, I want

1120
00:54:44,280 --> 00:54:45,759
Speaker 5: him to use it for I wanted him to use

1121
00:54:45,760 --> 00:54:47,840
Speaker 5: it for an intro for his album, but you know,

1122
00:54:48,239 --> 00:54:49,160
Speaker 5: he wanted to put something out.

1123
00:54:49,160 --> 00:54:52,320
Speaker 4: I might just put that up. He came up with

1124
00:54:52,400 --> 00:54:54,759
Speaker 4: the oldest idea, like the oldest video all that ship,

1125
00:54:54,880 --> 00:54:57,520
Speaker 4: like they chopped the limbo truck up, but.

1126
00:54:57,600 --> 00:55:01,960
Speaker 2: It was hard. Yeah a record that's not a hit.

1127
00:55:03,800 --> 00:55:05,799
Speaker 4: Yeah, We've got a lot of records and that's not hits.

1128
00:55:05,920 --> 00:55:10,080
Speaker 4: That's but they ain't coming out. You might, you might

1129
00:55:10,120 --> 00:55:13,640
Speaker 4: hear the motherfuckers and be like, like we just like,

1130
00:55:13,719 --> 00:55:15,520
Speaker 4: you know, like them niggas make so many songs.

1131
00:55:15,560 --> 00:55:19,120
Speaker 5: It's just like it's like so many songs, like I

1132
00:55:19,200 --> 00:55:20,320
Speaker 5: have to keep that ship in my notes, like I

1133
00:55:20,400 --> 00:55:23,600
Speaker 5: have to write in my notes songs and keeping them remember,

1134
00:55:23,920 --> 00:55:27,200
Speaker 5: because they make so much ship, so much ship.

1135
00:55:28,320 --> 00:55:29,560
Speaker 3: How's the sampling game now?

1136
00:55:30,160 --> 00:55:31,399
Speaker 2: And that's a great question.

1137
00:55:31,560 --> 00:55:33,120
Speaker 3: I mean, you know, I'm a oldhitel sampling.

1138
00:55:33,200 --> 00:55:36,800
Speaker 4: For me, it's more like we don't really like because

1139
00:55:36,840 --> 00:55:38,360
Speaker 4: all this a ship because.

1140
00:55:38,080 --> 00:55:39,360
Speaker 3: I mean you were saying you do it over you

1141
00:55:39,440 --> 00:55:42,120
Speaker 3: put you out of the trap, So like is it?

1142
00:55:42,440 --> 00:55:44,280
Speaker 2: I mean for me, I do it a little bit differently.

1143
00:55:44,480 --> 00:55:46,319
Speaker 7: I'll be the one that reached out to the people

1144
00:55:46,320 --> 00:55:49,879
Speaker 7: that I'm sampling, like I'm reaching out to good Man now.

1145
00:55:49,960 --> 00:55:52,000
Speaker 6: But you got it because the game don'et got sucked up.

1146
00:55:52,160 --> 00:55:53,120
Speaker 6: They were suing crazy, Like.

1147
00:55:55,520 --> 00:55:59,120
Speaker 5: Kids make just music with no drums on it and

1148
00:55:59,200 --> 00:56:01,680
Speaker 5: it'll be like twelve bars long, and then.

1149
00:56:01,640 --> 00:56:02,080
Speaker 2: Send it to you.

1150
00:56:02,160 --> 00:56:04,719
Speaker 7: Let's say you fifty of them, Like really that whole

1151
00:56:04,800 --> 00:56:07,480
Speaker 7: loop game, Like we really like started that ship to

1152
00:56:07,520 --> 00:56:09,560
Speaker 7: be honest with you, like that's how That's how they

1153
00:56:09,640 --> 00:56:11,759
Speaker 7: used to send us beats to collab on and we

1154
00:56:11,800 --> 00:56:13,920
Speaker 7: would just strip drums off of them and we'll put

1155
00:56:13,960 --> 00:56:14,800
Speaker 7: our own drum on it.

1156
00:56:14,920 --> 00:56:16,440
Speaker 4: Yeah, that's how mad. That's how I made stick sok

1157
00:56:16,480 --> 00:56:18,600
Speaker 4: for the future. I went on YouTube and listen to

1158
00:56:18,640 --> 00:56:20,880
Speaker 4: some music on YouTube and the music kept playing. I

1159
00:56:21,000 --> 00:56:23,359
Speaker 4: downloaded the music, loop the music and put the drums

1160
00:56:23,400 --> 00:56:24,160
Speaker 4: under and he made steak.

1161
00:56:24,360 --> 00:56:25,400
Speaker 3: But that's cut. That's sampling.

1162
00:56:26,400 --> 00:56:29,280
Speaker 2: Say, we just was like, you ain't chopping.

1163
00:56:30,080 --> 00:56:31,840
Speaker 4: We chopped too, but we're not using salt. We're not

1164
00:56:31,960 --> 00:56:32,839
Speaker 4: using actual song.

1165
00:56:32,920 --> 00:56:36,200
Speaker 2: Yeah, like we're not going through that.

1166
00:56:37,280 --> 00:56:38,040
Speaker 4: Actually so crazy.

1167
00:56:38,080 --> 00:56:40,799
Speaker 5: Now I can take well the songs and say make

1168
00:56:40,840 --> 00:56:42,760
Speaker 5: this shi it sound like it's from nineteen sixty and simple.

1169
00:56:43,360 --> 00:56:44,600
Speaker 2: What do you think about that? Though? Like, what do

1170
00:56:44,680 --> 00:56:45,400
Speaker 2: you'll think? I love it?

1171
00:56:45,600 --> 00:56:48,320
Speaker 4: I don't think i A is the future like I

1172
00:56:48,400 --> 00:56:48,680
Speaker 4: love you do?

1173
00:56:48,840 --> 00:56:50,640
Speaker 3: Think that kind of fucks everybody up in the long

1174
00:56:50,719 --> 00:56:51,239
Speaker 3: rum listen.

1175
00:56:51,320 --> 00:56:55,080
Speaker 4: I'm with the robots. I'm with the I got, I

1176
00:56:55,160 --> 00:56:56,120
Speaker 4: got this. I have a side.

1177
00:56:56,120 --> 00:56:57,239
Speaker 5: When I get in the side of the trucks, I

1178
00:56:57,320 --> 00:56:59,279
Speaker 5: don't drive it. I let it drive me everywhere. Like

1179
00:56:59,320 --> 00:57:01,080
Speaker 5: I'm with all a new ship.

1180
00:57:01,440 --> 00:57:02,920
Speaker 4: I'm not going to be the person to sit back

1181
00:57:02,960 --> 00:57:04,640
Speaker 4: when the world's changed and there's something to do with

1182
00:57:04,680 --> 00:57:06,440
Speaker 4: something for you, like I'm gonna do it myself. No,

1183
00:57:06,880 --> 00:57:08,680
Speaker 4: I bought ten robots. They can do everything for me.

1184
00:57:09,840 --> 00:57:10,440
Speaker 4: I'm not with that.

1185
00:57:10,920 --> 00:57:11,680
Speaker 3: I hope to make it now.

1186
00:57:11,719 --> 00:57:17,120
Speaker 2: I'm not necessarily like you know what, just like like

1187
00:57:17,240 --> 00:57:19,400
Speaker 2: women matrix with.

1188
00:57:21,800 --> 00:57:23,280
Speaker 7: No, I'm the same. Well, AI, you know you can

1189
00:57:23,320 --> 00:57:25,080
Speaker 7: give it prompts right now. So at the end of

1190
00:57:25,120 --> 00:57:27,400
Speaker 7: the day, I'm not necessarily with the you know, taking

1191
00:57:27,480 --> 00:57:30,400
Speaker 7: something from somebody else, right and then flipping it to

1192
00:57:30,480 --> 00:57:32,240
Speaker 7: making my own. But you know, like I said, as

1193
00:57:32,280 --> 00:57:33,880
Speaker 7: well as you know you tell it what you want

1194
00:57:34,160 --> 00:57:36,920
Speaker 7: and make it'll make it for you. Yeah, so I forget.

1195
00:57:37,000 --> 00:57:38,600
Speaker 4: I can get that feel of a sample from the

1196
00:57:38,640 --> 00:57:40,880
Speaker 4: fifties or the sixties. Yeah, get that same feel, and

1197
00:57:40,960 --> 00:57:41,720
Speaker 4: it's mine.

1198
00:57:41,920 --> 00:57:44,120
Speaker 6: That's why I understand, you know, because everybody got angry

1199
00:57:44,160 --> 00:57:46,720
Speaker 6: at Timbling talking about the AI label with the r

1200
00:57:48,120 --> 00:57:51,120
Speaker 6: who do I say? Was it CHUCKI Thompson That somebody

1201
00:57:51,200 --> 00:57:53,680
Speaker 6: was on the Breakfast Club and they was like explaining that.

1202
00:57:53,760 --> 00:57:55,680
Speaker 3: This is just another tool for a producer.

1203
00:57:55,920 --> 00:57:56,760
Speaker 2: I am everybody.

1204
00:57:57,320 --> 00:58:00,160
Speaker 5: Everybody always getting mad at the new something, right, you

1205
00:58:00,200 --> 00:58:01,520
Speaker 5: know they were mad at Fruity Loose.

1206
00:58:01,760 --> 00:58:02,720
Speaker 3: Yeah, right when we.

1207
00:58:02,720 --> 00:58:03,680
Speaker 2: First started with Fruit of Loose.

1208
00:58:03,720 --> 00:58:06,240
Speaker 5: People, that's not real that y'all ain't really making beats.

1209
00:58:06,320 --> 00:58:08,320
Speaker 5: Like okay, you always get mad at the new technology.

1210
00:58:09,520 --> 00:58:11,560
Speaker 5: I'm we I fuck with it, like overly fun with it.

1211
00:58:12,080 --> 00:58:13,880
Speaker 5: They showed me some ship like that. They showed me

1212
00:58:13,920 --> 00:58:16,960
Speaker 5: a machine that like they could put they could take

1213
00:58:17,000 --> 00:58:18,680
Speaker 5: like all my sounds on a hard drive and put

1214
00:58:18,720 --> 00:58:19,000
Speaker 5: it in this.

1215
00:58:19,040 --> 00:58:23,320
Speaker 4: Ship and it'll make beats like me easily. Yeah, a

1216
00:58:23,360 --> 00:58:24,600
Speaker 4: million beats in like thirty min.

1217
00:58:24,760 --> 00:58:27,760
Speaker 3: You can make an AI agent be an a for you.

1218
00:58:28,120 --> 00:58:30,240
Speaker 4: It ain't me, but it's like close to me. It's

1219
00:58:30,280 --> 00:58:34,000
Speaker 4: like to the point it's like damn like it like

1220
00:58:34,320 --> 00:58:35,400
Speaker 4: it's like that's crazy.

1221
00:58:36,480 --> 00:58:38,800
Speaker 3: You got to imagine if everything.

1222
00:58:40,840 --> 00:58:43,360
Speaker 7: It's crazy at that point, Like yeah, for sure, just

1223
00:58:43,480 --> 00:58:45,280
Speaker 7: you know, at the end of the day, like there's

1224
00:58:45,400 --> 00:58:47,160
Speaker 7: artists that want to get on right, you know what

1225
00:58:47,160 --> 00:58:48,800
Speaker 7: I'm saying. So you could work with the artists, but

1226
00:58:48,880 --> 00:58:51,320
Speaker 7: then you're also dealing with ego, dealing with people who

1227
00:58:51,400 --> 00:58:53,240
Speaker 7: might not want to pay attention, might not want to

1228
00:58:53,280 --> 00:58:54,000
Speaker 7: take direct.

1229
00:58:54,000 --> 00:58:55,120
Speaker 3: That was the other thing that was said about.

1230
00:58:55,120 --> 00:58:56,600
Speaker 7: So when you got AI and you just like, yo,

1231
00:58:56,680 --> 00:58:58,520
Speaker 7: do this, do this, do that, and it's giving you

1232
00:58:58,600 --> 00:59:00,800
Speaker 7: the results that you want, why would you be mad

1233
00:59:00,840 --> 00:59:01,000
Speaker 7: at that?

1234
00:59:01,240 --> 00:59:03,480
Speaker 4: Right back, I'm making some I'm making some you know

1235
00:59:03,520 --> 00:59:04,160
Speaker 4: what splices.

1236
00:59:04,880 --> 00:59:07,680
Speaker 5: I'm making my own splice right now. Yeah, it's called

1237
00:59:07,720 --> 00:59:10,280
Speaker 5: It's anyway my fear. Sounds like it'll be up in

1238
00:59:10,360 --> 00:59:12,160
Speaker 5: like four months. But it's like the same exact ship,

1239
00:59:12,560 --> 00:59:15,880
Speaker 5: but I slices splices like where you could go and

1240
00:59:16,200 --> 00:59:20,240
Speaker 5: download like loops making a roalty free to make beats,

1241
00:59:20,440 --> 00:59:22,960
Speaker 5: but they go off subscriptions, so it's like you pay

1242
00:59:23,240 --> 00:59:25,920
Speaker 5: three dollars a month and you get unlimited.

1243
00:59:25,560 --> 00:59:30,640
Speaker 4: Just download ship. It's none roalty, it's a gold mine. Yeah,

1244
00:59:30,760 --> 00:59:32,840
Speaker 4: Like you know what I'm saying, I'm making my own splice,

1245
00:59:32,880 --> 00:59:34,439
Speaker 4: So it's like I'm finna go up the same ship.

1246
00:59:35,120 --> 00:59:37,840
Speaker 4: So you know I'm signing to like my managers sh Lizzie.

1247
00:59:38,240 --> 00:59:41,400
Speaker 4: He managed Marshmallo. Also Marshmall never dropped the pack on

1248
00:59:41,920 --> 00:59:44,160
Speaker 4: the dude that don't shot face. Yeah, that's my boy,

1249
00:59:44,200 --> 00:59:46,440
Speaker 4: it's one of my best friends. He never dropped the

1250
00:59:46,480 --> 00:59:48,200
Speaker 4: pack on splicing of that ship for the DJ. So

1251
00:59:48,240 --> 00:59:52,360
Speaker 4: that's my first pack I'm dropping. You know what I'm saying, like, yeah,

1252
00:59:52,440 --> 00:59:53,880
Speaker 4: like some crazy, crazy, crazy shit.

1253
00:59:54,120 --> 00:59:54,920
Speaker 2: Tak at a shot for that.

1254
00:59:55,200 --> 00:59:57,160
Speaker 4: Yeah, but I'm making some crazy ship right now.

1255
01:00:00,760 --> 01:00:00,840
Speaker 2: Now.

1256
01:00:00,920 --> 01:00:03,080
Speaker 6: I think I think that's a good future to forge,

1257
01:00:03,120 --> 01:00:05,880
Speaker 6: just getting into the technology side of it and owning that,

1258
01:00:05,960 --> 01:00:07,479
Speaker 6: because that's what that's what I think is the problem

1259
01:00:07,560 --> 01:00:11,120
Speaker 6: right now. Everybody thinks that they independent just going straight

1260
01:00:11,160 --> 01:00:15,200
Speaker 6: to you know, distributing yourself through whatever, all these digital distributions.

1261
01:00:15,560 --> 01:00:15,880
Speaker 2: But you're not.

1262
01:00:15,960 --> 01:00:18,040
Speaker 3: You have to mercy at these at.

1263
01:00:17,920 --> 01:00:20,680
Speaker 6: These uh these companies, these tech companies. So I think

1264
01:00:20,760 --> 01:00:22,880
Speaker 6: that's what everybody needs to do now in the music business.

1265
01:00:22,880 --> 01:00:23,960
Speaker 6: Create their own tech company.

1266
01:00:24,520 --> 01:00:26,920
Speaker 2: You know. The next step.

1267
01:00:27,720 --> 01:00:30,440
Speaker 4: Yeall got my own speaker coming out to speaker, Yeah,

1268
01:00:30,480 --> 01:00:32,600
Speaker 4: got the speaker, getting one of them.

1269
01:00:34,240 --> 01:00:35,480
Speaker 3: We need one for the for the set.

1270
01:00:35,680 --> 01:00:39,000
Speaker 4: You've seen it. Yeah, they starting to get them right now.

1271
01:00:39,480 --> 01:00:42,600
Speaker 2: So what so let's let's promote this. Let's talk about

1272
01:00:42,640 --> 01:00:47,000
Speaker 2: this speaker that's a little one.

1273
01:00:47,120 --> 01:00:48,000
Speaker 4: I'm doing everything.

1274
01:00:48,680 --> 01:00:50,920
Speaker 5: If you can make beats, I'm trying to make everything

1275
01:00:51,200 --> 01:00:52,760
Speaker 5: is for you to use to make beats.

1276
01:00:53,320 --> 01:00:55,360
Speaker 4: That's how you get the money. That's the trying to

1277
01:00:55,400 --> 01:00:57,520
Speaker 4: come up bellion there, that's the next set of money.

1278
01:00:58,080 --> 01:00:58,680
Speaker 2: Now you feel like.

1279
01:00:58,680 --> 01:01:02,120
Speaker 7: People who use fouity loops like my partner TM, he

1280
01:01:02,240 --> 01:01:04,120
Speaker 7: got like his own cloud of sounds on you know

1281
01:01:04,360 --> 01:01:06,640
Speaker 7: f L. You know what I'm saying, So like, that's

1282
01:01:06,680 --> 01:01:09,040
Speaker 7: all it is, is just making sure that were the

1283
01:01:09,120 --> 01:01:11,080
Speaker 7: source that you come to to get all the all

1284
01:01:11,120 --> 01:01:11,480
Speaker 7: the time.

1285
01:01:11,880 --> 01:01:14,040
Speaker 4: I mean, I'm in the sound sound design. I gotta

1286
01:01:14,040 --> 01:01:16,880
Speaker 4: plug in coming out. I gotta use Nexus Autoo and

1287
01:01:16,920 --> 01:01:18,160
Speaker 4: I got my own ship and to come out there

1288
01:01:18,160 --> 01:01:19,880
Speaker 4: any way I feel plugging. I got my own ship

1289
01:01:19,920 --> 01:01:20,320
Speaker 4: coming out.

1290
01:01:21,400 --> 01:01:33,320
Speaker 2: Man, I ain't gonna lie. I'm just drinking this whole time.

1291
01:01:35,760 --> 01:01:37,520
Speaker 4: If you give me just I'll get your number to

1292
01:01:37,600 --> 01:01:39,200
Speaker 4: send speak come on fire.

1293
01:01:40,360 --> 01:01:44,040
Speaker 2: We're gonna do. We're gonna We're gonna do everything because

1294
01:01:44,080 --> 01:01:45,600
Speaker 2: I'm proud of y'all. Man, You know what I mean.

1295
01:01:47,760 --> 01:01:49,600
Speaker 5: We be needing that though, we need to o Jesus

1296
01:01:49,640 --> 01:01:51,680
Speaker 5: tell us like, you know what I'm saying, Like even

1297
01:01:51,680 --> 01:01:53,760
Speaker 5: though what it is, producers.

1298
01:01:56,960 --> 01:02:01,920
Speaker 2: Are the people who make artists right, one mean percent

1299
01:02:02,040 --> 01:02:09,240
Speaker 2: for sure. And if it wasn't for producers producing me,

1300
01:02:09,360 --> 01:02:12,240
Speaker 2: I wouldn't. I wouldn't. This wouldn't even EXI like, like

1301
01:02:12,360 --> 01:02:18,160
Speaker 2: right now, I looked at uh the algorithms, and I

1302
01:02:18,240 --> 01:02:21,560
Speaker 2: looked and I looked at everybody, and I'm like, yo, yo,

1303
01:02:21,720 --> 01:02:26,240
Speaker 2: everybody's kind of following us. They're kind of following thing.

1304
01:02:26,960 --> 01:02:29,800
Speaker 6: I I mean, we did this now in the space

1305
01:02:29,840 --> 01:02:31,600
Speaker 6: there wasn't a lot of people doing podcasts and drinking

1306
01:02:31,640 --> 01:02:32,160
Speaker 6: and none.

1307
01:02:32,040 --> 01:02:34,080
Speaker 2: Of this ship. My brother Fat Joe, I love him,

1308
01:02:34,680 --> 01:02:48,040
Speaker 2: brother Jady kiss I love him. Who did want yo? Look,

1309
01:02:50,240 --> 01:02:54,640
Speaker 2: I love and they love me. But you know, I look,

1310
01:02:54,720 --> 01:02:57,760
Speaker 2: I look at this show and i'mer like I can

1311
01:02:58,000 --> 01:03:02,920
Speaker 2: see where that they're growing because.

1312
01:03:03,880 --> 01:03:05,720
Speaker 3: I mean staying with the producer game, you know, I

1313
01:03:05,800 --> 01:03:08,560
Speaker 3: mean with us, there you go.

1314
01:03:09,160 --> 01:03:09,600
Speaker 2: There you go.

1315
01:03:11,760 --> 01:03:13,160
Speaker 4: You don't do your because how I look at you

1316
01:03:13,280 --> 01:03:15,600
Speaker 4: like that with the producers, I ain't finna like you

1317
01:03:15,680 --> 01:03:18,680
Speaker 4: saying yeah yeah, I see yeah, I see where they

1318
01:03:18,680 --> 01:03:20,960
Speaker 4: get it from. I'm putting up inside of your ass.

1319
01:03:21,040 --> 01:03:25,320
Speaker 4: I ain't bush when with me. No the producers, did

1320
01:03:25,600 --> 01:03:28,480
Speaker 4: you say networks?

1321
01:03:31,280 --> 01:03:36,120
Speaker 2: I'm playing, uh, Memphis Bleak and partners I heard, and

1322
01:03:36,880 --> 01:03:39,320
Speaker 2: partners are hard. So so.

1323
01:03:43,760 --> 01:03:44,280
Speaker 4: That's hard.

1324
01:03:44,560 --> 01:03:45,800
Speaker 2: That's hard. Let me having fun.

1325
01:03:45,920 --> 01:03:46,560
Speaker 3: We having fun.

1326
01:03:47,560 --> 01:03:49,120
Speaker 4: I peat that though. You always have fun.

1327
01:03:50,440 --> 01:03:52,200
Speaker 2: But yo, man, I really want to give you all

1328
01:03:52,240 --> 01:03:52,840
Speaker 2: your flowers.

1329
01:03:53,120 --> 01:03:53,600
Speaker 4: Appreciate it.

1330
01:03:53,760 --> 01:03:59,080
Speaker 2: I just want you'all to know. Man, Yeah, I might

1331
01:03:59,160 --> 01:04:04,080
Speaker 2: have saved music. Yeah, man, for a part.

1332
01:04:07,840 --> 01:04:09,919
Speaker 4: We gotta do that right now, right now again. Yeah,

1333
01:04:10,720 --> 01:04:11,640
Speaker 4: that's where right.

1334
01:04:11,960 --> 01:04:16,920
Speaker 2: Man, Like because when I listened to to to the

1335
01:04:17,000 --> 01:04:19,400
Speaker 2: to the movement, to listen to everything that y'all did,

1336
01:04:20,040 --> 01:04:22,840
Speaker 2: I sit back and I say, damn, Bro, you saved

1337
01:04:22,960 --> 01:04:27,200
Speaker 2: summers after summers after summer.

1338
01:04:27,560 --> 01:04:32,360
Speaker 7: For sure, he's saving summers. But I ain't even gonna

1339
01:04:32,360 --> 01:04:36,200
Speaker 7: hold you like Bro saving lives too. Yeah, it's straight,

1340
01:04:38,600 --> 01:04:40,240
Speaker 7: and I'm just keeping it real, like you know what

1341
01:04:40,280 --> 01:04:41,560
Speaker 7: I mean. Like I was in the trenches, I was

1342
01:04:41,560 --> 01:04:42,720
Speaker 7: in the streets, you know what I'm saying.

1343
01:04:42,800 --> 01:04:44,280
Speaker 2: And for Bro gave me that call. You know what

1344
01:04:44,320 --> 01:04:47,120
Speaker 2: I'm saying, Bro, you know what I'm saying. Give them.

1345
01:04:50,200 --> 01:04:53,240
Speaker 7: Appreciate that for sure. Sure take a shot to that

1346
01:04:53,360 --> 01:04:53,760
Speaker 7: for sure.

1347
01:04:54,120 --> 01:04:55,080
Speaker 2: Yeah, take a shot for that.

1348
01:04:56,160 --> 01:05:00,640
Speaker 6: What y'all think about, like about regional sounds, because you

1349
01:05:00,720 --> 01:05:03,000
Speaker 6: know we I mean, I don't know how old you are, Bumma.

1350
01:05:02,960 --> 01:05:04,240
Speaker 4: What you mean about regional sounds?

1351
01:05:04,480 --> 01:05:07,520
Speaker 3: Well, we come from an era where each region.

1352
01:05:07,280 --> 01:05:10,720
Speaker 6: Had his sound, okay, and then it changed where naturally

1353
01:05:10,800 --> 01:05:13,960
Speaker 6: everything and even globally at some points, everything sounds the same.

1354
01:05:14,000 --> 01:05:16,880
Speaker 6: Everybody's using the same style of production, they're using the

1355
01:05:16,920 --> 01:05:19,200
Speaker 6: same type of flow. But it seems like it's starting

1356
01:05:19,200 --> 01:05:21,800
Speaker 6: to go back to region, the regional sound again.

1357
01:05:21,880 --> 01:05:25,000
Speaker 5: So how I feel like as a producer, I feel

1358
01:05:25,000 --> 01:05:26,200
Speaker 5: like you should be able to make all that shit.

1359
01:05:26,360 --> 01:05:28,880
Speaker 5: If he called me and said, hey, Lebron wants you

1360
01:05:28,880 --> 01:05:30,919
Speaker 5: to put up and do an album and make shit

1361
01:05:31,080 --> 01:05:34,760
Speaker 5: like keep rough Home. If he wants the shit that

1362
01:05:34,880 --> 01:05:36,600
Speaker 5: I make, we got plenty of it, you know what

1363
01:05:36,640 --> 01:05:38,200
Speaker 5: I'm saying. But we're gonna put up to that session

1364
01:05:38,240 --> 01:05:40,760
Speaker 5: with shit that he's still gonna like, it's gonna tweak

1365
01:05:40,800 --> 01:05:43,400
Speaker 5: his ear, like then this shit sounded like me ten

1366
01:05:43,520 --> 01:05:45,640
Speaker 5: years ago or fifteen years ago, but with a touch

1367
01:05:45,680 --> 01:05:47,520
Speaker 5: of today on it, you know what I'm saying. So

1368
01:05:47,600 --> 01:05:49,360
Speaker 5: I feel like as a producer, you should always be

1369
01:05:49,360 --> 01:05:51,200
Speaker 5: able to You should always be.

1370
01:05:51,200 --> 01:05:52,000
Speaker 4: Able to navigate around.

1371
01:05:52,040 --> 01:05:53,480
Speaker 3: He made me think like hit Boy and nas.

1372
01:05:54,360 --> 01:05:56,000
Speaker 4: Yeah, like you know what I'm saying, like a hit

1373
01:05:56,040 --> 01:05:56,480
Speaker 4: point dope.

1374
01:05:56,480 --> 01:05:58,360
Speaker 5: I feel like hit Boy is a ill producer, Like

1375
01:05:58,360 --> 01:06:00,640
Speaker 5: you know what I'm saying, he dope, like very very

1376
01:06:00,720 --> 01:06:03,760
Speaker 5: very because hit Boy and goddamn, he could blame, he

1377
01:06:03,840 --> 01:06:04,360
Speaker 5: could do whatever.

1378
01:06:04,480 --> 01:06:05,640
Speaker 4: Like you know what I'm saying, hit.

1379
01:06:06,160 --> 01:06:09,400
Speaker 6: Right, Yeah, I guess maybe the regional sound would go

1380
01:06:09,480 --> 01:06:13,200
Speaker 6: maybe the more to the MC, but no, I don't know, man,

1381
01:06:13,240 --> 01:06:15,520
Speaker 6: I just feel like producers, like I get what you're saying. Yeah,

1382
01:06:15,840 --> 01:06:17,720
Speaker 6: I just I really do miss the time where you

1383
01:06:18,040 --> 01:06:20,960
Speaker 6: you could hear a sound artist or group or whatever

1384
01:06:21,040 --> 01:06:23,960
Speaker 6: and you was like, man, that's that's the Truice, that's Atlanta,

1385
01:06:24,040 --> 01:06:26,120
Speaker 6: That's that's New York for us.

1386
01:06:28,680 --> 01:06:30,080
Speaker 2: I feel like it's getting like that now. I just

1387
01:06:30,120 --> 01:06:31,240
Speaker 2: feel like it's going back.

1388
01:06:31,280 --> 01:06:32,400
Speaker 3: I feel like it's starting to go back to that

1389
01:06:32,440 --> 01:06:32,760
Speaker 3: little bit.

1390
01:06:32,840 --> 01:06:35,440
Speaker 4: I feel like we're getting so older like that. Like

1391
01:06:35,560 --> 01:06:37,320
Speaker 4: my my nephew, my nephew, Kim Carson.

1392
01:06:37,360 --> 01:06:38,480
Speaker 5: I don't know if y'all know what that is, but

1393
01:06:38,560 --> 01:06:41,760
Speaker 5: he like, for the kids, that's my nephew since he

1394
01:06:41,920 --> 01:06:44,439
Speaker 5: was ten years old, like you know, like he raised

1395
01:06:44,480 --> 01:06:46,360
Speaker 5: they raised up in this shit with that they the

1396
01:06:46,480 --> 01:06:48,520
Speaker 5: new sound. But he from them from the house, he

1397
01:06:48,560 --> 01:06:50,640
Speaker 5: from where I'm from, from the south Side, But that's

1398
01:06:50,760 --> 01:06:54,120
Speaker 5: the new regional ship. Every nigga from the from Atlanta

1399
01:06:54,200 --> 01:06:56,920
Speaker 5: right now to young niggas, they sound like either him.

1400
01:06:57,000 --> 01:06:59,280
Speaker 4: Or baby drilling. Like you know what I'm saying. I

1401
01:06:59,280 --> 01:07:01,600
Speaker 4: can see the oil like it's like the reasonal changing.

1402
01:07:01,680 --> 01:07:03,560
Speaker 4: We're just not listening to it, right, but it's still

1403
01:07:03,600 --> 01:07:04,520
Speaker 4: reasonal like a motherfucker.

1404
01:07:04,560 --> 01:07:06,800
Speaker 3: It's like you saying, it's more underground.

1405
01:07:07,120 --> 01:07:09,240
Speaker 5: Yeah, it just like New York having drilled right. No, No,

1406
01:07:09,880 --> 01:07:11,680
Speaker 5: like you know what I'm saying, it's still regional, like

1407
01:07:11,760 --> 01:07:14,480
Speaker 5: West Coast. They got their own little box, just growing

1408
01:07:14,600 --> 01:07:15,960
Speaker 5: to some other ship, the new crowd.

1409
01:07:16,400 --> 01:07:18,560
Speaker 6: I feel like maybe Atlanta, though, might be blindsided to

1410
01:07:18,680 --> 01:07:21,320
Speaker 6: this in the sense that the whole country sounded like

1411
01:07:21,400 --> 01:07:24,720
Speaker 6: Atlanta for the longest the sound was Atlanta.

1412
01:07:24,880 --> 01:07:27,440
Speaker 2: But it's global at one point in time. Yeah, global

1413
01:07:27,480 --> 01:07:29,320
Speaker 2: for sure. But I'm just saying, like before that, the.

1414
01:07:29,320 --> 01:07:30,960
Speaker 4: Whole country sounded like New York.

1415
01:07:31,040 --> 01:07:33,920
Speaker 2: You're right, right, It's just it just moved, right, That's

1416
01:07:33,960 --> 01:07:35,000
Speaker 2: all they is. Move.

1417
01:07:35,040 --> 01:07:38,400
Speaker 5: You know what I'm saying, Just move you at Atlanta.

1418
01:07:38,480 --> 01:07:42,640
Speaker 5: Niggas like niggas like t I T. I was probably

1419
01:07:43,320 --> 01:07:44,720
Speaker 5: looking at jay Z like you know what I'm saying,

1420
01:07:44,760 --> 01:07:47,439
Speaker 5: like T I want some other ship? How the Prince, Yeah,

1421
01:07:47,520 --> 01:07:51,320
Speaker 5: like there was some other ship. It's how crazy fun.

1422
01:07:52,840 --> 01:07:56,120
Speaker 2: Nuts. It's probably one of the greatest conversations we ever had.

1423
01:07:57,360 --> 01:08:01,960
Speaker 5: Yay, you know what I'm saying that part, I'm gonna

1424
01:08:01,960 --> 01:08:02,920
Speaker 5: say what I want to say, Like you know what

1425
01:08:02,920 --> 01:08:06,280
Speaker 5: I'm saying, dope like dope, shid dope.

1426
01:08:13,640 --> 01:08:18,800
Speaker 2: That's fine. He's like that part for sure, because you're

1427
01:08:18,800 --> 01:08:23,960
Speaker 2: one of the greatest producers of all time.

1428
01:08:24,400 --> 01:08:29,639
Speaker 4: Yeah, for sure. Sure.

1429
01:08:30,800 --> 01:08:33,040
Speaker 2: I feel like I've worked with the greatest producers of

1430
01:08:33,120 --> 01:08:36,240
Speaker 2: all time. So for me to say, look at y'all

1431
01:08:36,320 --> 01:08:40,719
Speaker 2: both in your face, say man, this is I appreciate

1432
01:08:40,760 --> 01:08:44,160
Speaker 2: you'all one of the greatest producers of all appreciation to

1433
01:08:44,560 --> 01:08:48,000
Speaker 2: appreciate mean that ship like that shit is dope. I

1434
01:08:48,080 --> 01:08:49,880
Speaker 2: appreciate that. Trauth Thou.

1435
01:08:52,920 --> 01:08:55,160
Speaker 6: And I know y'all are successful, but it seems like

1436
01:08:55,280 --> 01:08:59,960
Speaker 6: the trajectory for the whole the team everything is crazy.

1437
01:09:00,200 --> 01:09:03,200
Speaker 2: What y'all could Yeah, I don't feel like we did

1438
01:09:03,320 --> 01:09:04,400
Speaker 2: enough yet, That's what I'm saying.

1439
01:09:04,720 --> 01:09:06,840
Speaker 6: You're already successful, but I think it's just even bigger

1440
01:09:07,120 --> 01:09:07,799
Speaker 6: where it could.

1441
01:09:07,600 --> 01:09:08,679
Speaker 2: Go because it's still going.

1442
01:09:08,760 --> 01:09:10,920
Speaker 7: Yeah, there's a lot more to do, a lot way more,

1443
01:09:11,640 --> 01:09:14,160
Speaker 7: way more, still going, still going.

1444
01:09:15,000 --> 01:09:18,040
Speaker 3: So wait, hold on, what's your production story?

1445
01:09:18,120 --> 01:09:18,160
Speaker 2: Like?

1446
01:09:18,240 --> 01:09:19,599
Speaker 3: Where where did you get the bug?

1447
01:09:20,280 --> 01:09:21,160
Speaker 2: Uh? Ship? You know?

1448
01:09:21,439 --> 01:09:22,800
Speaker 7: Just growing up in New York. I used to be

1449
01:09:22,880 --> 01:09:25,800
Speaker 7: in a lot of studios and I was a rapper first.

1450
01:09:26,000 --> 01:09:29,599
Speaker 2: I used to just you still got.

1451
01:09:32,920 --> 01:09:34,960
Speaker 7: I actually got an album you know, about to come

1452
01:09:35,000 --> 01:09:35,960
Speaker 7: out soon, but I don't.

1453
01:09:38,080 --> 01:09:38,800
Speaker 2: But I used to just.

1454
01:09:41,240 --> 01:09:43,559
Speaker 7: Yeah, you know, I used to be around allder producers

1455
01:09:43,600 --> 01:09:45,479
Speaker 7: and I used to just sit there watch them make beats.

1456
01:09:46,000 --> 01:09:49,120
Speaker 7: And then you know, I just by me watching other

1457
01:09:49,120 --> 01:09:50,960
Speaker 7: people make beats. It was just like ship, I want

1458
01:09:50,960 --> 01:09:52,800
Speaker 7: to do this ship myself made my own beats, you

1459
01:09:52,840 --> 01:09:54,920
Speaker 7: know what I mean. So you know, my partner's a

1460
01:09:55,080 --> 01:09:56,880
Speaker 7: he gave me my first laptop, you know what I

1461
01:09:57,000 --> 01:09:59,320
Speaker 7: mean with you know, MPC and stuff like that.

1462
01:09:59,479 --> 01:10:01,559
Speaker 3: So you your machines not not just for.

1463
01:10:02,160 --> 01:10:04,040
Speaker 7: Yeah, because I said I was around all the older people.

1464
01:10:04,080 --> 01:10:05,840
Speaker 7: I was, you know, like the young nigga that was

1465
01:10:05,880 --> 01:10:08,479
Speaker 7: hanging around all the older niggas. So the niggas was

1466
01:10:08,560 --> 01:10:11,080
Speaker 7: just like using all the you know, hallway and stuff

1467
01:10:11,120 --> 01:10:13,400
Speaker 7: like that. And then when I got around bro, he

1468
01:10:13,520 --> 01:10:15,840
Speaker 7: was like, Yo, you gotta go to FL man that

1469
01:10:15,960 --> 01:10:21,880
Speaker 7: hardway ship. Like as much as I used Hallway, I

1470
01:10:21,960 --> 01:10:25,040
Speaker 7: use any other door. Anything FL is would change my life,

1471
01:10:25,280 --> 01:10:26,840
Speaker 7: like just keeping it a bean, you know what I'm saying.

1472
01:10:27,520 --> 01:10:27,720
Speaker 2: FL.

1473
01:10:28,120 --> 01:10:29,760
Speaker 7: When I start using f L, that's when the checks

1474
01:10:29,760 --> 01:10:30,280
Speaker 7: started coming.

1475
01:10:30,360 --> 01:10:30,679
Speaker 2: For sure.

1476
01:10:31,120 --> 01:10:33,960
Speaker 6: Boys, he's a producer as well.

1477
01:10:34,080 --> 01:10:34,920
Speaker 3: Beats in the hood.

1478
01:10:36,800 --> 01:10:37,160
Speaker 2: For sure.

1479
01:10:47,479 --> 01:10:49,320
Speaker 6: Did Did you produce a lot of stuff though? When

1480
01:10:49,360 --> 01:10:52,320
Speaker 6: you was in New York? Like far is there anybody anything.

1481
01:10:52,040 --> 01:10:52,479
Speaker 2: That we would know?

1482
01:10:53,360 --> 01:10:55,920
Speaker 7: Not no name, not like no songs that really like

1483
01:10:56,000 --> 01:10:57,560
Speaker 7: blew Up or anything like that. But I think like

1484
01:10:57,640 --> 01:11:00,040
Speaker 7: the first person like group I would say that I

1485
01:11:00,160 --> 01:11:02,360
Speaker 7: produced for it was like m O P or Yeah.

1486
01:11:02,479 --> 01:11:02,800
Speaker 2: For sure.

1487
01:11:02,840 --> 01:11:04,320
Speaker 7: I was a young nigga and they pulled up to

1488
01:11:04,360 --> 01:11:06,240
Speaker 7: the studio and I was just like and look, actually

1489
01:11:06,280 --> 01:11:08,640
Speaker 7: little thing, little fame. He actually showed me how to

1490
01:11:08,720 --> 01:11:10,080
Speaker 7: do certain tricks on the NPC.

1491
01:11:10,320 --> 01:11:10,880
Speaker 2: You know what I'm saying.

1492
01:11:10,960 --> 01:11:13,040
Speaker 7: That's crazy, Yeah, but that was like back in the

1493
01:11:13,120 --> 01:11:15,439
Speaker 7: day young niggas. But you know, all the big stuff

1494
01:11:15,479 --> 01:11:18,080
Speaker 7: came when I got around bro. You so, but that's

1495
01:11:18,160 --> 01:11:19,639
Speaker 7: that's dope, that's fine.

1496
01:11:19,479 --> 01:11:25,920
Speaker 6: That's got Do you think we'll ever get a double

1497
01:11:25,960 --> 01:11:28,080
Speaker 6: exelf freshman producer cover?

1498
01:11:28,920 --> 01:11:30,960
Speaker 4: I did that. I made the beat for the ship

1499
01:11:31,400 --> 01:11:32,800
Speaker 4: last year for the freshman ship.

1500
01:11:33,120 --> 01:11:36,440
Speaker 6: Really yeah, but we need to cover for producers.

1501
01:11:36,680 --> 01:11:39,720
Speaker 5: I won't be able to get out of it. I

1502
01:11:39,760 --> 01:11:41,880
Speaker 5: hope they do that though. That'll be dope they do that.

1503
01:11:42,800 --> 01:11:44,720
Speaker 5: I know I had three four producers on that for sure,

1504
01:11:45,200 --> 01:11:47,760
Speaker 5: for sure, Yeah, for sure, for sure.

1505
01:11:47,920 --> 01:11:49,840
Speaker 2: Hell man, I'm gonna be honest with y'all.

1506
01:11:50,240 --> 01:11:50,960
Speaker 3: Don't lie to us.

1507
01:11:53,400 --> 01:11:54,519
Speaker 2: All I want is to beat.

1508
01:11:55,479 --> 01:11:56,880
Speaker 4: We got you, you got it.

1509
01:11:58,880 --> 01:12:05,720
Speaker 2: But I'm not I and this ship album overdue right now.

1510
01:12:06,960 --> 01:12:11,519
Speaker 2: I'm gonna come sit with y'all. Yeah, it's gotta be.

1511
01:12:11,720 --> 01:12:12,240
Speaker 2: It's gotta be.

1512
01:12:14,080 --> 01:12:15,080
Speaker 4: Let me know. Whenever you are.

1513
01:12:15,479 --> 01:12:19,200
Speaker 2: I can't even like, look at y'all disiography and see

1514
01:12:19,800 --> 01:12:23,400
Speaker 2: there's not a hit. You cannot make a hit.

1515
01:12:23,680 --> 01:12:28,720
Speaker 4: Yeah, something that for sure. I'm not leaving.

1516
01:12:30,120 --> 01:12:30,840
Speaker 3: I don't play like that.

1517
01:12:37,360 --> 01:12:38,160
Speaker 2: I'm going to studio.

1518
01:12:41,400 --> 01:12:44,280
Speaker 3: I'm drink. Champs is a drink.

1519
01:12:44,360 --> 01:12:48,160
Speaker 6: Champs ll C production hosts and executive producers N O.

1520
01:12:48,360 --> 01:12:49,560
Speaker 2: R E and d J. E.

1521
01:12:49,800 --> 01:12:55,320
Speaker 6: F N listen to drink Champs on Apple Podcast, Amazon Music, Spotify,

1522
01:12:55,640 --> 01:12:59,280
Speaker 6: or wherever you get your podcasts. Thanks for joining us

1523
01:12:59,320 --> 01:13:01,719
Speaker 6: for another episode to Drink Champs hosted by Yours.

1524
01:13:01,640 --> 01:13:03,880
Speaker 3: Truly, dj e f N and n O r E.

1525
01:13:04,360 --> 01:13:06,439
Speaker 6: Please make sure to follow us on all our socials

1526
01:13:06,680 --> 01:13:09,840
Speaker 6: That's at drink Champs across all platforms, at the real

1527
01:13:09,920 --> 01:13:13,760
Speaker 6: noriagon I g at Noriega on Twitter, mine is at

1528
01:13:13,800 --> 01:13:17,559
Speaker 6: Who's Crazy on ig At, dj e f N on Twitter,

1529
01:13:17,880 --> 01:13:20,439
Speaker 6: and most importantly, stay up to date with the latest releases,

1530
01:13:20,880 --> 01:13:24,040
Speaker 6: news and merch by going to drink champs dot com