WEBVTT - Thomas Calabro

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<v Speaker 1>Still the Place with Laura Layton, Courtney Thorn Smith.

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<v Speaker 2>And Daphnews and Niga an iHeartRadio podcast.

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<v Speaker 3>He was so excited he's here.

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<v Speaker 1>How he Michael, I have to share something adorable before

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<v Speaker 1>we start. I signed in after Thomas. And when Thomas

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<v Speaker 1>wrote the sign and sheet, it said why are you here?

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<v Speaker 1>And he wrote for fun?

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<v Speaker 4>Yeah, Well, we don't wreck it for you. It was

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<v Speaker 4>his objective.

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<v Speaker 3>We'll see.

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<v Speaker 5>We won't bring up too many bad memories.

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<v Speaker 2>If you, if any, we will be grateful. We're grateful

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<v Speaker 2>for any memories at this.

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<v Speaker 3>Point because we're finding that it wasn't meant to be

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<v Speaker 3>a memory test. It was really meant to be like

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<v Speaker 3>going down memory lane, but it's turned into be a

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<v Speaker 3>memory test for all.

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<v Speaker 4>Of this well because of the age that we all are.

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<v Speaker 2>But what we did do for you, which we I

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<v Speaker 2>don't think we did as much for the others as

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<v Speaker 2>we asked fans for their questions get out of here.

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<v Speaker 1>Yeah, there's a lot of questions.

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<v Speaker 5>You like Thomas him a lot. We don't really know

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<v Speaker 5>anything about that time. We better get questions.

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<v Speaker 3>We're gonna wind out everything about you.

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<v Speaker 2>Yeah, we just want to know what we ask everyone,

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<v Speaker 2>which is the.

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<v Speaker 4>Audition the audition, right, Okay?

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<v Speaker 3>Good?

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<v Speaker 5>So for me it was it was my fifteenth network

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<v Speaker 5>test after the first series which was two years previous,

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<v Speaker 5>which was which was Dreams Street. So you remember thirty something, Yes,

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<v Speaker 5>the same executive producers Edswick and Marshall. Wow, I forgot

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<v Speaker 5>your last name exactly, So that's why I fumble that. Anyway,

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<v Speaker 5>So I was on the map and I was going

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<v Speaker 5>back and forth. I was doing a lot of directing

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<v Speaker 5>in New York, but I was running out of money

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<v Speaker 5>directing and doing plays for nothing there and producing, and

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<v Speaker 5>so I kept flying back and forth. And then they

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<v Speaker 5>wanted me to go to network for this show, for

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<v Speaker 5>what's the show? We are on melrose Place, And I

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<v Speaker 5>booked a commercial and I literally said, I won't do it.

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<v Speaker 5>I have to do the commercial because that's guaranteed National

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<v Speaker 5>Networking to make me thirty k for at least, so

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<v Speaker 5>I'm not going. And then they said we'll pick you

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<v Speaker 5>up at lunch and bring out They did, and I

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<v Speaker 5>remember that year they were doing a lot of musical shows.

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<v Speaker 5>I don't know, yeah, you remember they because something was

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<v Speaker 5>some movie was popular with musical instruments. Anyway, I was

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<v Speaker 5>walking down the I think it was in Aaron Spellings,

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<v Speaker 5>and I walked by everybody waiting to audition, walked right

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<v Speaker 5>into the room, read left, and found out later on

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<v Speaker 5>the shoot that they booked me.

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<v Speaker 2>Why are you.

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<v Speaker 1>Shooting the commercial? You found out?

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<v Speaker 5>Yeah, I went back to finish shooting and.

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<v Speaker 3>Yeah, that's when they she didn't have to do a

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<v Speaker 3>song and dance. Sounds like it wasn't like part of that.

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<v Speaker 5>I did, not singing and dancing.

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<v Speaker 4>No, but you had a scene they had read.

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<v Speaker 5>Yeah, I don't remember.

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<v Speaker 1>What did they have you read with Josie Nope?

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<v Speaker 4>Really anyone?

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<v Speaker 5>Susan Edelman, I think it was right. She was our

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<v Speaker 5>casting direct person.

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<v Speaker 1>Oh so you never got mixed and matched with anybody?

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<v Speaker 5>No, no, never. And here's the thing. When Susan called

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<v Speaker 5>me the audition for Michael Mancini and I read the script,

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<v Speaker 5>I went, I don't want to I want to do

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<v Speaker 5>that Billy roll, and she went, shut up, you're too

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<v Speaker 5>old to be playing Michael. Yeah. So that's how I

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<v Speaker 5>end up reading for Michael manci who was pretty boring

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<v Speaker 5>the first year, you know what I mean? Maybe?

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<v Speaker 3>Yeah, only the first year because I.

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<v Speaker 5>Was thirty three and Joe was twenty, So you're talking

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<v Speaker 5>to Grant about like Jenny and that, you know, age difference. Yeah,

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<v Speaker 5>and how inappropriate it was. I think we were more inappropriate.

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<v Speaker 1>Yeah, well she was legal, though at least she was legal.

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<v Speaker 5>I thought I thought Jens legal.

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<v Speaker 1>Didn't realize.

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<v Speaker 4>You are the oldest.

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<v Speaker 1>One of the things we noticed in watching the early

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<v Speaker 1>episodes that's hilarious is that Josie's constantly trying to get

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<v Speaker 1>you to pay attention to her and make out with her,

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<v Speaker 1>and you're like, oh, I'm too busy. We're like, have

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<v Speaker 1>you seen her? Do you remember that?

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<v Speaker 5>Look? Josiet most beautiful woman ever to walk into a

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<v Speaker 5>makeup trailing.

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<v Speaker 1>Exactly need to do anything, for sure?

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<v Speaker 3>Remember, But Michael Man, did you found ways to avoid

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<v Speaker 3>her all the time?

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<v Speaker 2>Sorry?

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<v Speaker 4>We got three women, one question at a time.

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<v Speaker 2>You start, Did you notice that that she was in

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<v Speaker 2>the writing that you never gave her enough attention? We're

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<v Speaker 2>on episode eight or nine now, and like you're barely

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<v Speaker 2>giving her attention because she's about to have a baby.

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<v Speaker 5>You know, no, I didn't, because I always you know,

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<v Speaker 5>I fall in love with my character and then I

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<v Speaker 5>make everything he does the best thing he can do,

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<v Speaker 5>and he was doing the best he could given his

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<v Speaker 5>schedule as a medical student. Yeah, I mean that was

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<v Speaker 5>our arc for the first season. Yeah, right, basically I'm

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<v Speaker 5>too busy to pay attention to the relationship. Yeah, did

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<v Speaker 5>someone else question it?

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<v Speaker 4>No, that was it?

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<v Speaker 1>And then do you remember when it changed?

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<v Speaker 5>Yes? Doesn't everybody know what it changed? I think it

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<v Speaker 5>was pretty clear to me that the whole show changed

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<v Speaker 5>when they brought Heather in. Yeah. We went from kind

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<v Speaker 5>of soap operas, kind of real life to over the edge.

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<v Speaker 4>Well, it was very.

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<v Speaker 1>Sweet watching the first episodes. Like we talk a lot

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<v Speaker 1>about the structure, it was a very traditional structure. There

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<v Speaker 1>were two sort of related storylines, but it really was

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<v Speaker 1>eight nice kids trying to make it. Yeah, every single script.

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<v Speaker 1>So it was maybe the first thirteen.

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<v Speaker 2>Marcia did a guest star as your coworker on thirteen.

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<v Speaker 4>I came in fifteen. Heather came after that.

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<v Speaker 2>But my question to your question is do you remember

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<v Speaker 2>just playing it. Was it like a sudden thing or

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<v Speaker 2>was it subtle? These changes kind of like because I

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<v Speaker 2>know you had an affair with you know, the Kimberly

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<v Speaker 2>and all that.

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<v Speaker 4>But in season one.

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<v Speaker 5>Seven marriages, five women twice with Joe and twice with Laura.

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<v Speaker 3>That's hysterical.

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<v Speaker 1>Did you have seven marriages on the show?

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<v Speaker 5>That's right.

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<v Speaker 4>I love that.

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<v Speaker 5>Buddy in the last episode could have gone so far.

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<v Speaker 5>So here let me tell you though, I think it's

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<v Speaker 5>pretty interesting, is that Marsha and I at the end

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<v Speaker 5>of thirteen, or when she first came on the end

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<v Speaker 5>of the first season, we decided to make a choice

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<v Speaker 5>when we were working on a scene together where I

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<v Speaker 5>was explaining my Marriagabal problems to her. She was my confidante,

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<v Speaker 5>you know, at work, and we decided to do a

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<v Speaker 5>couple of takes flirtatiously. I found out later the producers

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<v Speaker 5>picked up on that, but the network didn't want to

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<v Speaker 5>go with that, right, so they didn't take those They

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<v Speaker 5>didn't air those choices. But we thought it would be

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<v Speaker 5>fun and we thought it might maybe could go somewhere.

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<v Speaker 5>But because I was we were the staid couple, everybody

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<v Speaker 5>looked up to it and went to a for advice,

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<v Speaker 5>you know, and the network said, no, we can't do that,

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<v Speaker 5>And then the next season they changed their mind, and

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<v Speaker 5>that was the first affair.

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<v Speaker 3>Interesting because that was right around thirteen, which is the

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<v Speaker 3>original order. So there was an order for thirteen episodes

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<v Speaker 3>that at some point they weren't you know, you guys

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<v Speaker 3>were waiting. I wasn't there, but so I hear those

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<v Speaker 3>guys were waiting for your pickup for the back nine.

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<v Speaker 4>We went later, we went more than thirteen, but we

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<v Speaker 4>were finishing.

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<v Speaker 5>Out the season because I planned the marriage that I

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<v Speaker 5>had a delay with Liz until afterwards.

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<v Speaker 4>Because they had a real marriage.

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<v Speaker 3>Oh yes, the real And then so Marsh's character Kimberly

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<v Speaker 3>came in around thirteen, and then I think that's totally

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<v Speaker 3>when the whole show started to have that sort of

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<v Speaker 3>graduate show. But it's so interesting that you triggered that

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<v Speaker 3>specifically with that storyline.

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<v Speaker 5>I wouldn't say that I think they saw the potential

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<v Speaker 5>I did. I think it was a better match for

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<v Speaker 5>all the talents, you know, to do that. Obviously it

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<v Speaker 5>was right because it turned out to be great for

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<v Speaker 5>all of us. I just think it fit better. I

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<v Speaker 5>think they were going for something, but it wasn't quite

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<v Speaker 5>working right. We were low rated. I mean, we weren't

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<v Speaker 5>doing great. And then Heather comes on. That's because of

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<v Speaker 5>her history in business, you know, she brought that with

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<v Speaker 5>her and we kind of it became we all jumped

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<v Speaker 5>on the same train.

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<v Speaker 2>Yeah, well because the writers made us made this new train,

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<v Speaker 2>because they saw what was happening with the matings. And

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<v Speaker 2>even before Heather came on, I know, Amy left and

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<v Speaker 2>then you started to change, and I feel and then

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<v Speaker 2>she came on and just took it off. I think

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<v Speaker 2>it was really smart of the writers obviously, Yeah, but

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<v Speaker 2>I was just curious because because I looked, I looked

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<v Speaker 2>ahead a little bit and I saw you know you

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<v Speaker 2>and Marsha. It wasn't it was later is in the

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<v Speaker 2>twenties in the episodes, So you guys were already bad

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<v Speaker 2>because Heather.

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<v Speaker 4>Came in nineteen.

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<v Speaker 3>I think that's when I come in. You come in nineteen.

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<v Speaker 5>You inta was already with us, right.

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<v Speaker 3>I don't think so. I think so I came in

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<v Speaker 3>for nineteen and twenty and like my character was stirring

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<v Speaker 3>it up a little bit too, like panting that seed,

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<v Speaker 3>like because of the sister. Yeah, Like, and then I

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<v Speaker 3>didn't stay. But right after is when Heather comes. Yeah,

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<v Speaker 3>and that sort of that tonal shift kind of was there.

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<v Speaker 1>Yes, stay.

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<v Speaker 3>It was during the first season, yeah, but it was

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<v Speaker 3>like halfway through the first season was like a gradual

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<v Speaker 3>working in, and then they brought in this ultra villain.

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<v Speaker 3>I think they really felt like the show needed a villain,

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<v Speaker 3>and it was Heather.

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<v Speaker 1>So broad Heather in in twenty one. You ended up

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<v Speaker 1>doing thirty three that first season, so they must have

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<v Speaker 1>known and they started shifting because you had brought in

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<v Speaker 1>like an edge of your energy that you brought in

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<v Speaker 1>different energies. So we're already sort of moving in that direction.

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<v Speaker 2>So I guess what we're are saying. We love you

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<v Speaker 2>and your memory, but it's a little off.

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<v Speaker 5>My mind.

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<v Speaker 3>We didn't bring you into correcting.

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<v Speaker 4>Part of the engine of the new train.

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<v Speaker 5>You.

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<v Speaker 2>Yes, Heather came on, but the train was always already

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<v Speaker 2>moving in a new direction, and that was that was you.

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<v Speaker 5>Tomas. I never I'm not sure when he showed up

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<v Speaker 5>at the station, but you're anyway.

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<v Speaker 1>So I think I know the answer to this. Was

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<v Speaker 1>it more fun to play Michael good guy work in

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<v Speaker 1>his hardest or Michael bad guy never knew what he

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<v Speaker 1>was going to do?

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<v Speaker 5>Question? I've been asked no less than five million.

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<v Speaker 1>Times, but tell the truth, no answer this.

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<v Speaker 5>Would you rather be a reactive character or inactives?

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<v Speaker 1>As simple as you guys are fun.

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<v Speaker 5>Instead of getting slapped across the face, I'd rather do

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<v Speaker 5>this slap. Yeah.

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<v Speaker 3>So do you have any again not a memory test.

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<v Speaker 3>Do you have any favorite storylines or like favorite eras

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<v Speaker 3>of what Michael did?

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<v Speaker 5>Yeah. Yeah, that's a good question too, when I've been

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<v Speaker 5>asked and you know, first thing that comes up with

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<v Speaker 5>you me and Jacket. You know that I forgot the

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<v Speaker 5>namn name of it, but you know what I'm talking.

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<v Speaker 3>There was an office it was something.

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<v Speaker 5>Burns the reception, So that was one thing. Breaking up

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<v Speaker 5>with Marshall was always fun to do because I was

0:11:19.080 --> 0:11:25.400
<v Speaker 5>just so abusive. It's terrible, just terrible everyone. Yeah, but

0:11:25.440 --> 0:11:28.160
<v Speaker 5>you know, I have to say I never had an

0:11:28.240 --> 0:11:31.560
<v Speaker 5>un fun day at work. I always loved it. Oh,

0:11:31.559 --> 0:11:34.920
<v Speaker 5>it was always an absolute pleasure. I'll never forget Josie,

0:11:35.000 --> 0:11:37.480
<v Speaker 5>Like season two or three, she's like, oh thank god,

0:11:37.520 --> 0:11:41.319
<v Speaker 5>I only have two scenes this episode. You guys are right.

0:11:41.400 --> 0:11:43.800
<v Speaker 5>She like every close up on the end of the day.

0:11:43.880 --> 0:11:49.520
<v Speaker 5>She had all her every time. I'm so surprised you

0:11:49.520 --> 0:11:52.679
<v Speaker 5>didn't say, can you just do this without me? But

0:11:53.160 --> 0:11:55.679
<v Speaker 5>I really tried to embrace everything they gave me, no

0:11:55.679 --> 0:11:59.280
<v Speaker 5>matter how crazy preposterous it was because.

0:11:59.080 --> 0:12:03.280
<v Speaker 2>Your background is theater. You came from New York, you're

0:12:03.280 --> 0:12:05.640
<v Speaker 2>living in New York. You did theater, you directed, I

0:12:05.679 --> 0:12:08.760
<v Speaker 2>think theater. You I know that you went to Fordham,

0:12:08.880 --> 0:12:13.160
<v Speaker 2>you understudied Denzel Washington. You know, you did Shakespeare, and

0:12:13.240 --> 0:12:14.680
<v Speaker 2>I remember this part of you.

0:12:14.880 --> 0:12:18.040
<v Speaker 4>So I remember. Then you come to hear and you're

0:12:18.080 --> 0:12:19.040
<v Speaker 4>on this hit show.

0:12:18.880 --> 0:12:22.280
<v Speaker 2>And it's like the opposite of you know, Shakespeare or

0:12:22.320 --> 0:12:22.720
<v Speaker 2>a play.

0:12:22.720 --> 0:12:25.120
<v Speaker 4>I mean, actually it's kind of it's kind of pop.

0:12:24.920 --> 0:12:26.520
<v Speaker 5>Shakespeare up to popcast.

0:12:26.559 --> 0:12:28.760
<v Speaker 4>It's kind of sort of like in the Iago he

0:12:29.400 --> 0:12:30.720
<v Speaker 4>did write every scene three.

0:12:30.559 --> 0:12:33.640
<v Speaker 5>Times and we did the same scene. Yeah, yes, over there.

0:12:33.960 --> 0:12:36.439
<v Speaker 4>I'm just wondering what that was like. And for you

0:12:36.559 --> 0:12:37.719
<v Speaker 4>as an actor.

0:12:37.800 --> 0:12:39.320
<v Speaker 5>You know, it's this thing. I don't think of it

0:12:39.360 --> 0:12:41.319
<v Speaker 5>that way, you know, Like I said, I fall in

0:12:41.400 --> 0:12:43.120
<v Speaker 5>love with every script I read that I'm going to do,

0:12:43.760 --> 0:12:46.800
<v Speaker 5>and I fell in love with this. And we had

0:12:46.840 --> 0:12:49.480
<v Speaker 5>such a great situation, the fact that we're all sitting

0:12:49.520 --> 0:12:52.280
<v Speaker 5>down and laughing about what we did thirty years ago.

0:12:52.440 --> 0:12:55.760
<v Speaker 5>It was a good the cast, the crew, I mean,

0:12:55.920 --> 0:12:59.160
<v Speaker 5>it was golden. It took me a while to get

0:12:59.240 --> 0:13:01.000
<v Speaker 5>used to the business in Court and he knows this

0:13:01.120 --> 0:13:03.520
<v Speaker 5>better than anybody. I was not good to be around.

0:13:03.880 --> 0:13:06.800
<v Speaker 5>When we were doing publicity, I thought it was stupid,

0:13:07.040 --> 0:13:10.560
<v Speaker 5>miserable who needs this work? Speaks for itself? Because I

0:13:10.600 --> 0:13:12.360
<v Speaker 5>was an actor from the theater in New York. Not

0:13:12.440 --> 0:13:17.560
<v Speaker 5>an unusual you know pattern there. But once, you know,

0:13:17.600 --> 0:13:19.000
<v Speaker 5>I think it was about the second year, I thought,

0:13:19.000 --> 0:13:21.120
<v Speaker 5>what are you doing, Collaboro. You love doing this show,

0:13:21.160 --> 0:13:23.720
<v Speaker 5>and you're making it harder for you to continue doing

0:13:23.760 --> 0:13:26.400
<v Speaker 5>it because Spelling's going to blow you out of here.

0:13:26.440 --> 0:13:28.680
<v Speaker 5>Remember he wanted the one of us all to like,

0:13:28.840 --> 0:13:32.480
<v Speaker 5>you know, say happy birthday to the Japanese Emperor woman

0:13:32.640 --> 0:13:35.160
<v Speaker 5>or somebody. And I was like, I'm not doing that,

0:13:35.840 --> 0:13:39.520
<v Speaker 5>and I never forget the whole crew came over and

0:13:39.600 --> 0:13:41.480
<v Speaker 5>came over and surrounded me and said, Thomas, we want

0:13:41.480 --> 0:13:42.880
<v Speaker 5>you to stay on the show, so will you go

0:13:42.920 --> 0:13:46.000
<v Speaker 5>please do that? And I started getting me thinking, what

0:13:46.040 --> 0:13:48.920
<v Speaker 5>am I doing? Say happy birthday? Who cares if you

0:13:48.920 --> 0:13:52.079
<v Speaker 5>know him or not? You know? Or Tracy help? No,

0:13:52.160 --> 0:13:56.400
<v Speaker 5>not Tracy help, Missy. You know I made her life

0:13:56.400 --> 0:13:59.040
<v Speaker 5>a little too miserable. I'm apologizing to you right.

0:13:59.040 --> 0:14:01.439
<v Speaker 1>Friend, tell her I'll text her right now.

0:14:01.600 --> 0:14:02.920
<v Speaker 4>Apologize on you.

0:14:02.960 --> 0:14:04.680
<v Speaker 1>Remember when Grant was on the show. Remember we were

0:14:04.679 --> 0:14:08.560
<v Speaker 1>shooting the opening credits on Melrose Avenue at Johnny Rockets

0:14:08.920 --> 0:14:14.200
<v Speaker 1>and he almost got in a fight with somebody, so.

0:14:18.200 --> 0:14:20.400
<v Speaker 5>He was very reasonable fighter.

0:14:20.520 --> 0:14:24.200
<v Speaker 6>Con right, she was Queen Chad McQueen and he came

0:14:24.280 --> 0:14:26.800
<v Speaker 6>up on a motorcycle and they were like rumbling during

0:14:26.800 --> 0:14:30.960
<v Speaker 6>our photo. Yeah, completely forgotten as life imitates art.

0:14:31.480 --> 0:14:34.560
<v Speaker 5>Yes, I don't have any recollection.

0:14:35.080 --> 0:14:39.440
<v Speaker 3>So I have a question. There was a reunion magazine

0:14:39.680 --> 0:14:40.720
<v Speaker 3>shoot that we did.

0:14:41.000 --> 0:14:41.760
<v Speaker 4>What was that two.

0:14:41.640 --> 0:14:45.480
<v Speaker 3>Thousand and nine, ten eleven, twelve something? While right, it

0:14:45.560 --> 0:14:49.840
<v Speaker 3>was about at least ten years ago and you didn't

0:14:50.040 --> 0:14:51.120
<v Speaker 3>join us? Was that?

0:14:51.520 --> 0:14:55.600
<v Speaker 2>Like was that were you still sort of in this dress?

0:14:55.800 --> 0:14:57.480
<v Speaker 3>Were you still and if it's if you don't want

0:14:57.480 --> 0:14:59.360
<v Speaker 3>to answer, you don't have to either, but like was

0:14:59.360 --> 0:15:02.160
<v Speaker 3>that you like were you unavailable or whatever? Like we

0:15:02.240 --> 0:15:04.840
<v Speaker 3>missed having it? Like that was I think when I

0:15:05.040 --> 0:15:05.520
<v Speaker 3>why did you?

0:15:05.840 --> 0:15:08.160
<v Speaker 5>Yeah, like, okay, I'll tell you why I didn't do

0:15:08.200 --> 0:15:11.440
<v Speaker 5>it because I didn't think about seeing all you guys

0:15:11.440 --> 0:15:14.520
<v Speaker 5>together and having that kind of fun that would have

0:15:14.600 --> 0:15:18.520
<v Speaker 5>made it attractive to me. And I regret it, you know,

0:15:19.160 --> 0:15:22.080
<v Speaker 5>like I do, I just do. I told my wife

0:15:22.320 --> 0:15:24.640
<v Speaker 5>you know later shit, when you guys call me from dinner,

0:15:24.680 --> 0:15:27.760
<v Speaker 5>I was like, oh, flip, I didn't use that word,

0:15:27.960 --> 0:15:30.520
<v Speaker 5>but you know, I shoot, you know that I should

0:15:30.520 --> 0:15:34.640
<v Speaker 5>have gone what am I doing? But I'm not into

0:15:34.720 --> 0:15:36.520
<v Speaker 5>looking back that much, you know what I mean. I'm

0:15:36.600 --> 0:15:39.160
<v Speaker 5>kind of done. So when it comes to they want

0:15:39.200 --> 0:15:41.800
<v Speaker 5>to do interviews, I turned down, I think pretty much

0:15:41.840 --> 0:15:43.920
<v Speaker 5>all of it because I'm like, oh, do you want

0:15:43.960 --> 0:15:46.800
<v Speaker 5>to talk about this? I'm not really I'm not interested.

0:15:47.000 --> 0:15:48.960
<v Speaker 1>You know what The shift is though for me, Like

0:15:49.000 --> 0:15:51.240
<v Speaker 1>I had the same thought. But it's fun to talk

0:15:51.280 --> 0:15:54.440
<v Speaker 1>about that time in our lives, like it was our

0:15:54.480 --> 0:15:56.880
<v Speaker 1>twenties too, I think your early thirties. You said you

0:15:56.880 --> 0:15:59.960
<v Speaker 1>were thirty then, so it is our twenties and thirties two,

0:16:00.360 --> 0:16:02.680
<v Speaker 1>and we're all together doing this thing in this time

0:16:02.680 --> 0:16:04.960
<v Speaker 1>in our life. So that's what's been really fun remembering

0:16:05.000 --> 0:16:07.840
<v Speaker 1>that time, the nineties and what we were doing in

0:16:07.880 --> 0:16:10.920
<v Speaker 1>that crazy time. And we had such an exceptional thing

0:16:10.960 --> 0:16:12.880
<v Speaker 1>because we were out in the middle of nowhere. Remember

0:16:12.920 --> 0:16:15.479
<v Speaker 1>hanging out in the production office between scenes.

0:16:15.080 --> 0:16:16.760
<v Speaker 5>It's so rare.

0:16:16.680 --> 0:16:19.760
<v Speaker 1>That casts and crews would hang out between scenes, but

0:16:19.840 --> 0:16:21.840
<v Speaker 1>we did because we were It was almost like we're

0:16:21.840 --> 0:16:23.840
<v Speaker 1>on location because we're out in Stanley Creta in the

0:16:23.840 --> 0:16:26.840
<v Speaker 1>middle of nowhere, like you would golf all the time

0:16:26.960 --> 0:16:32.360
<v Speaker 1>with the crew guys right like you car would drive away.

0:16:32.480 --> 0:16:33.400
<v Speaker 4>We were so close.

0:16:33.440 --> 0:16:34.480
<v Speaker 1>I think that's really rare.

0:16:35.160 --> 0:16:37.320
<v Speaker 5>It is, and that's that's why I say, for I'd

0:16:37.320 --> 0:16:40.000
<v Speaker 5>miss seeing you guys, but doing a photo shoot for

0:16:40.000 --> 0:16:42.640
<v Speaker 5>People magazine, I'm not interested. Yeah, I'm just not for.

0:16:42.560 --> 0:16:44.440
<v Speaker 1>That entertainment weekly. But it was super.

0:16:46.200 --> 0:16:49.120
<v Speaker 5>You were so for me. That's all the same magazine.

0:16:50.120 --> 0:16:52.640
<v Speaker 1>But now think about it, if it comes up again,

0:16:53.200 --> 0:16:55.640
<v Speaker 1>just think of it. That's background for all of us

0:16:55.680 --> 0:16:56.360
<v Speaker 1>getting together.

0:16:58.400 --> 0:17:02.040
<v Speaker 3>Probably You're absolutely right, Like we've said it a million times.

0:17:02.040 --> 0:17:05.120
<v Speaker 3>We feel so lucky that the group of us were.

0:17:05.680 --> 0:17:08.120
<v Speaker 3>It was just such a nice and magical time and

0:17:08.440 --> 0:17:11.439
<v Speaker 3>looking back on it now has been so fun, like

0:17:11.520 --> 0:17:14.080
<v Speaker 3>especially through the podcast and everything and these you know,

0:17:14.400 --> 0:17:17.000
<v Speaker 3>random reasons for a reunion. It's just such a great

0:17:17.040 --> 0:17:19.760
<v Speaker 3>excuse to get together and like revisit the friendships.

0:17:20.040 --> 0:17:22.680
<v Speaker 2>But I am curious because he has an answer. Your

0:17:22.720 --> 0:17:24.879
<v Speaker 2>answer was you don't look back, you don't like to.

0:17:25.040 --> 0:17:27.880
<v Speaker 2>Is that in general, Thomas, is that kind of like

0:17:28.160 --> 0:17:29.399
<v Speaker 2>just with life in general?

0:17:29.440 --> 0:17:33.360
<v Speaker 4>Forget the show. I'm just curious or if is it.

0:17:32.760 --> 0:17:34.919
<v Speaker 3>You know about a career thing that you did too

0:17:34.960 --> 0:17:37.320
<v Speaker 3>long ago or what is that?

0:17:37.440 --> 0:17:39.159
<v Speaker 5>No, No, I don't know what to know. It's just

0:17:39.160 --> 0:17:40.760
<v Speaker 5>who I am, you know. I just like, like, what

0:17:40.800 --> 0:17:44.600
<v Speaker 5>the heck, it's all that's done stuff, And you know,

0:17:44.840 --> 0:17:46.720
<v Speaker 5>I like to wake up early in the morning and

0:17:46.840 --> 0:17:49.080
<v Speaker 5>enjoy the day. You know, what do you do?

0:17:49.160 --> 0:17:50.920
<v Speaker 4>What is a day like with Thomas?

0:17:51.560 --> 0:17:54.040
<v Speaker 2>I mean not with Tom, not with you, but as

0:17:54.080 --> 0:17:57.320
<v Speaker 2>you like, what are you up to now?

0:17:57.800 --> 0:17:59.520
<v Speaker 5>Yeah, I mean if you got the house and ocean

0:17:59.600 --> 0:18:02.240
<v Speaker 5>side on, working on I'm working on the house over here,

0:18:03.600 --> 0:18:11.200
<v Speaker 5>you know, visiting with my children. I'm playing tennis, doing yoga.

0:18:11.400 --> 0:18:13.439
<v Speaker 1>Oh you are some love us traveling.

0:18:13.480 --> 0:18:16.399
<v Speaker 5>We travel a lot. We enjoy traveling a ton. And

0:18:16.520 --> 0:18:18.400
<v Speaker 5>occasionally I get a call and I do with put

0:18:18.400 --> 0:18:21.240
<v Speaker 5>a little project four episodes of this or six episodes

0:18:21.280 --> 0:18:23.680
<v Speaker 5>of that or something like that. Yeah, but I don't

0:18:23.720 --> 0:18:26.000
<v Speaker 5>want to It's like more like a paid hobby now

0:18:26.119 --> 0:18:30.280
<v Speaker 5>than anything. I'm just not as interested as I used

0:18:30.280 --> 0:18:32.680
<v Speaker 5>to be well doing it, pursuing it.

0:18:33.359 --> 0:18:33.560
<v Speaker 4>Yeah.

0:18:33.880 --> 0:18:36.200
<v Speaker 1>I even think, first of all, series don't work like ard.

0:18:36.320 --> 0:18:38.600
<v Speaker 1>You'd never do thirty two or thirty three episodes again,

0:18:38.680 --> 0:18:40.760
<v Speaker 1>like people are lucky to get eight or ten episodes.

0:18:41.080 --> 0:18:44.200
<v Speaker 1>But I physically couldn't do it. Like we worked ten

0:18:44.240 --> 0:18:46.680
<v Speaker 1>and a half months a year, fourteen to sixteen hours

0:18:46.720 --> 0:18:50.560
<v Speaker 1>a day. I couldn't do that anymore. I remember Deborah A.

0:18:50.640 --> 0:18:53.520
<v Speaker 1>Dair coming to Deborah Dare coming and it was like

0:18:53.600 --> 0:18:55.440
<v Speaker 1>five in the morning, and I was like, oh, I'm exhausted.

0:18:55.480 --> 0:18:57.879
<v Speaker 1>She goes, but you're twenty. It doesn't show and I

0:18:57.920 --> 0:19:02.000
<v Speaker 1>was like what And I'm like, oh, now, now, I.

0:19:02.119 --> 0:19:05.880
<v Speaker 2>Totally I totally agree the energy and stuff, but you

0:19:05.920 --> 0:19:08.480
<v Speaker 2>look really fit and you're do you have this is

0:19:08.520 --> 0:19:11.000
<v Speaker 2>without of being older than the rest of us, no

0:19:11.520 --> 0:19:13.320
<v Speaker 2>issues of energy and stuff.

0:19:14.160 --> 0:19:17.080
<v Speaker 4>I'm curious he sounds that you have such a healthy, wonderful.

0:19:16.960 --> 0:19:19.879
<v Speaker 5>Like actually being older on the show was a great

0:19:19.920 --> 0:19:24.240
<v Speaker 5>benefit because I had sixteen years of professional work behind me.

0:19:25.600 --> 0:19:28.360
<v Speaker 5>It wasn't all that. I remember when Laura come in

0:19:28.680 --> 0:19:32.840
<v Speaker 5>and Andrew even like with those little experiences you had,

0:19:32.840 --> 0:19:35.320
<v Speaker 5>it was like, you know, I thought it was a lot.

0:19:35.440 --> 0:19:39.000
<v Speaker 5>You know, Doc, there's no perspective. So I struggled for

0:19:39.119 --> 0:19:42.000
<v Speaker 5>most of those sixteen years. So like for me, it

0:19:42.080 --> 0:19:44.040
<v Speaker 5>was like gravy time it was like, Oh, this is

0:19:44.040 --> 0:19:48.200
<v Speaker 5>the greatest thing ever. Yeah, I had all the other experience, right, true?

0:19:48.320 --> 0:19:52.640
<v Speaker 1>Yeah, speaking of experience, so you stayed for season six

0:19:52.680 --> 0:19:54.560
<v Speaker 1>and seven and I'm dying to hear how those were

0:19:54.600 --> 0:19:56.720
<v Speaker 1>because we all left after five. So what was it

0:19:56.880 --> 0:19:59.280
<v Speaker 1>like with every day? Did you think I missed those

0:19:59.280 --> 0:20:00.000
<v Speaker 1>girls so much?

0:20:00.240 --> 0:20:00.480
<v Speaker 4>Please?

0:20:01.600 --> 0:20:04.200
<v Speaker 1>You missed us? Basically, there's a hole in my guard

0:20:04.280 --> 0:20:14.399
<v Speaker 1>I don't know what it is.

0:20:09.880 --> 0:20:12.160
<v Speaker 3>But it sounds like there was plenty of like more

0:20:12.280 --> 0:20:13.360
<v Speaker 3>weddings and.

0:20:14.880 --> 0:20:16.520
<v Speaker 1>We were in sixty seven many times?

0:20:16.560 --> 0:20:17.120
<v Speaker 4>Did you get married?

0:20:17.160 --> 0:20:18.879
<v Speaker 5>I've already proven that I have the worst memory in

0:20:18.880 --> 0:20:21.480
<v Speaker 5>the room. I don't know, but I know it was

0:20:21.520 --> 0:20:21.800
<v Speaker 5>a lot.

0:20:21.880 --> 0:20:23.320
<v Speaker 3>Yeah that's statistic.

0:20:24.280 --> 0:20:27.119
<v Speaker 5>Because I've said it so many plenty times. Okay, so

0:20:27.240 --> 0:20:29.439
<v Speaker 5>it's more the memory of having said it than actually

0:20:29.440 --> 0:20:30.240
<v Speaker 5>remembering it.

0:20:30.520 --> 0:20:32.840
<v Speaker 1>But did it feel different? Like, how did it feel

0:20:32.880 --> 0:20:35.159
<v Speaker 1>at that point because a lot of people left and

0:20:35.200 --> 0:20:38.400
<v Speaker 1>it was like a brand new cast basically, yeah.

0:20:38.160 --> 0:20:40.679
<v Speaker 5>There was right, we had Renee Sofur and then we

0:20:40.760 --> 0:20:43.840
<v Speaker 5>had Renee.

0:20:44.520 --> 0:20:46.720
<v Speaker 1>You're the only cast member who was there for me.

0:20:47.560 --> 0:20:49.840
<v Speaker 4>You were the beginning to the end, well.

0:20:50.000 --> 0:20:53.520
<v Speaker 5>The only one, I honest, look, my goal in my

0:20:53.680 --> 0:20:56.320
<v Speaker 5>career was one do the best work I possibly could

0:20:56.400 --> 0:20:59.439
<v Speaker 5>given my abilities, which I never thought was that great,

0:20:59.800 --> 0:21:03.080
<v Speaker 5>and making enough flipping money that you don't have to

0:21:03.080 --> 0:21:06.760
<v Speaker 5>worry about ever working again. Yeah, and we were lucky.

0:21:06.840 --> 0:21:08.800
<v Speaker 5>We had this great show. You say, like thirty two

0:21:08.880 --> 0:21:11.120
<v Speaker 5>hours a year. We did our thirty four somewhere in there.

0:21:11.440 --> 0:21:13.320
<v Speaker 5>So we did eleven and a half year run in

0:21:13.400 --> 0:21:16.760
<v Speaker 5>seven seasons. I wasn't quitting that dang show for a doc.

0:21:17.560 --> 0:21:20.119
<v Speaker 5>I was. I made major bank, you know how it is,

0:21:20.160 --> 0:21:22.800
<v Speaker 5>from season five to six or whatever it was then,

0:21:23.359 --> 0:21:25.440
<v Speaker 5>and then the check go was up big, so I

0:21:25.680 --> 0:21:28.879
<v Speaker 5>cashed in and I was free to move about the

0:21:28.920 --> 0:21:31.760
<v Speaker 5>cabin anyway I wish feel.

0:21:31.560 --> 0:21:33.600
<v Speaker 1>I did feel because you were so close to the crew,

0:21:33.720 --> 0:21:35.400
<v Speaker 1>so maybe it didn't feel that different to you because

0:21:35.400 --> 0:21:36.879
<v Speaker 1>a lot of your friends were in her crew and

0:21:36.960 --> 0:21:39.679
<v Speaker 1>they stayed. But did it feel different, like what are

0:21:39.720 --> 0:21:41.680
<v Speaker 1>these people doing on our set? Because by the time

0:21:41.760 --> 0:21:43.399
<v Speaker 1>I left at the end of five, there were a

0:21:43.480 --> 0:21:45.640
<v Speaker 1>lot of new people. It did feel different. We're looking

0:21:45.640 --> 0:21:48.760
<v Speaker 1>at the first episodes were on. We were such a small,

0:21:48.840 --> 0:21:51.159
<v Speaker 1>tight group and we're actually watching the friendships for them,

0:21:51.200 --> 0:21:53.359
<v Speaker 1>which is so sweet. And then by the end, like

0:21:53.440 --> 0:21:55.399
<v Speaker 1>remember our cast pictures, Like first it was us and

0:21:55.480 --> 0:21:57.359
<v Speaker 1>then by the end it was this huge like it

0:21:57.400 --> 0:22:01.000
<v Speaker 1>looked like a school picture. They were like people brawling photo.

0:22:02.320 --> 0:22:04.360
<v Speaker 5>You know. Again, I just took it day by day

0:22:04.480 --> 0:22:06.760
<v Speaker 5>so it didn't feel so much different. Is that's who

0:22:06.760 --> 0:22:09.600
<v Speaker 5>am I doing the scene with today and adjusting to

0:22:09.920 --> 0:22:12.080
<v Speaker 5>to styles, patterns and how they want to work and

0:22:12.480 --> 0:22:14.879
<v Speaker 5>how deeply they want to not be kissed or not right.

0:22:14.960 --> 0:22:17.000
<v Speaker 5>Every time you have a you know, scene with one

0:22:17.040 --> 0:22:18.399
<v Speaker 5>of you guys, I had like, okay, what are you

0:22:18.480 --> 0:22:21.800
<v Speaker 5>okay with with kissing? You know, with Josie tongue no tongue?

0:22:22.880 --> 0:22:24.080
<v Speaker 5>Did you ask? Did you have that?

0:22:24.520 --> 0:22:25.840
<v Speaker 1>Love it when people have that conversation.

0:22:26.400 --> 0:22:28.720
<v Speaker 5>Most of my time on Melrose Place making sure that

0:22:28.800 --> 0:22:30.400
<v Speaker 5>sheep didn't cover the boot pass.

0:22:31.960 --> 0:22:32.280
<v Speaker 2>Right now.

0:22:33.280 --> 0:22:35.720
<v Speaker 4>Yes, I love scene with you.

0:22:39.880 --> 0:22:40.480
<v Speaker 3>Love scenes.

0:22:42.320 --> 0:22:43.240
<v Speaker 5>Those are the hardest.

0:22:50.440 --> 0:22:53.080
<v Speaker 3>Do you remember there was a scene where I think

0:22:53.440 --> 0:22:55.719
<v Speaker 3>Michael was trying to kill Sydney and they took they

0:22:55.840 --> 0:22:57.720
<v Speaker 3>said it. I mean one of the many times of

0:22:57.760 --> 0:23:00.920
<v Speaker 3>the many times it wasn't trying. But we were like

0:23:01.040 --> 0:23:03.119
<v Speaker 3>in some cabin in the woods and then we had

0:23:03.160 --> 0:23:04.639
<v Speaker 3>to go to there was a swimming hole and you

0:23:04.680 --> 0:23:05.399
<v Speaker 3>were gonna drown me.

0:23:05.400 --> 0:23:05.960
<v Speaker 1>Do you remember this?

0:23:06.560 --> 0:23:07.400
<v Speaker 5>I wish I did.

0:23:07.680 --> 0:23:09.679
<v Speaker 4>Do you remember what do you remember?

0:23:09.720 --> 0:23:09.840
<v Speaker 5>Oh?

0:23:09.920 --> 0:23:13.120
<v Speaker 3>My god, I remember this. I mean speaking of boot patches,

0:23:13.400 --> 0:23:15.600
<v Speaker 3>because I think we were skinny dipping, right, so I

0:23:15.800 --> 0:23:18.240
<v Speaker 3>was in like things that weren't really staying on in

0:23:18.280 --> 0:23:20.840
<v Speaker 3>the water whatever. But like I think there was this

0:23:21.040 --> 0:23:22.879
<v Speaker 3>swimming hole. I'm gonna see if I can jug your memory.

0:23:23.520 --> 0:23:24.000
<v Speaker 2>It was like.

0:23:26.000 --> 0:23:29.000
<v Speaker 3>It was like this dirty water of swimming hole thing

0:23:29.080 --> 0:23:29.720
<v Speaker 3>and we were in it.

0:23:30.880 --> 0:23:31.760
<v Speaker 5>No, okay, we were.

0:23:31.720 --> 0:23:34.560
<v Speaker 3>Out on location somewhere. We had trailers out in the

0:23:34.640 --> 0:23:38.920
<v Speaker 3>woods somewhere, and then yeah, and like you Michael was

0:23:38.960 --> 0:23:41.159
<v Speaker 3>gonna drown Sydney or whatever. I just remember being in

0:23:41.240 --> 0:23:44.879
<v Speaker 3>this filthy water and like I had to go under him,

0:23:44.960 --> 0:23:47.359
<v Speaker 3>like like it was so gross or whatever, and like

0:23:47.600 --> 0:23:51.000
<v Speaker 3>so many things that I think an audience doesn't realize.

0:23:51.040 --> 0:23:53.320
<v Speaker 3>But what I remember was just like the discomfort of

0:23:53.400 --> 0:23:56.240
<v Speaker 3>being in this filthy water and we were swimming in it.

0:23:57.160 --> 0:23:59.160
<v Speaker 1>Did they try to kill you or did you out

0:23:59.240 --> 0:24:01.040
<v Speaker 1>smart him? Did you actually get to the point where

0:24:01.080 --> 0:24:01.840
<v Speaker 1>he's trying He did not.

0:24:02.200 --> 0:24:03.080
<v Speaker 4>He did not kill me.

0:24:03.320 --> 0:24:05.120
<v Speaker 1>Well, I know he didn't. Actually, you know, I think.

0:24:06.560 --> 0:24:08.520
<v Speaker 3>This is a this is A good question for my memory.

0:24:08.560 --> 0:24:11.000
<v Speaker 3>I don't remember the actual outcome. It'll be in like

0:24:11.119 --> 0:24:14.920
<v Speaker 3>season yeah the fans will like mine is but season

0:24:14.960 --> 0:24:16.920
<v Speaker 3>four or five? And I think maybe you had like

0:24:17.080 --> 0:24:19.639
<v Speaker 3>your conscience got the better of you and like you

0:24:19.800 --> 0:24:25.800
<v Speaker 3>changed your mind, like yeah, well that's.

0:24:25.640 --> 0:24:27.440
<v Speaker 5>A wait, wait, I got to turn it back on you.

0:24:27.520 --> 0:24:29.280
<v Speaker 5>Do you remember when you were the stripper and I

0:24:29.400 --> 0:24:30.679
<v Speaker 5>discovered you were stripping?

0:24:30.760 --> 0:24:31.520
<v Speaker 3>Do I remember?

0:24:31.640 --> 0:24:33.880
<v Speaker 5>Do you remember that scene? I sure do? How much

0:24:33.920 --> 0:24:34.840
<v Speaker 5>did you hate me that day?

0:24:34.840 --> 0:24:39.399
<v Speaker 3>I hated you a ton? In fact, I we just

0:24:39.560 --> 0:24:42.320
<v Speaker 3>talked about this. It wasn't that I hated you, It's

0:24:42.400 --> 0:24:46.520
<v Speaker 3>that I felt I mean, I felt so vulnerable during

0:24:46.560 --> 0:24:50.040
<v Speaker 3>that scene anyway, And your job as your character was

0:24:50.119 --> 0:24:52.280
<v Speaker 3>to make me feel horrible, right, that was your job.

0:24:52.880 --> 0:24:55.200
<v Speaker 3>So I just remember that scene.

0:24:55.000 --> 0:24:59.560
<v Speaker 7>Like totally making me feel tearable, like vulnerable and like

0:25:00.080 --> 0:25:03.080
<v Speaker 7>icky about myself, right, And but your job as your

0:25:03.160 --> 0:25:05.600
<v Speaker 7>character was to rub it in Sydney's face, and you

0:25:05.720 --> 0:25:09.040
<v Speaker 7>did it, and because you were so wonderfully you know,

0:25:09.440 --> 0:25:14.000
<v Speaker 7>mean and gleeful at it and literally, yes, I absolutely

0:25:14.080 --> 0:25:14.440
<v Speaker 7>remember that.

0:25:14.560 --> 0:25:15.520
<v Speaker 4>But that's so interesting.

0:25:15.720 --> 0:25:17.440
<v Speaker 5>I never think you liked me after that. I thought

0:25:17.480 --> 0:25:19.400
<v Speaker 5>it was over because I had a spot. I talked

0:25:19.560 --> 0:25:22.240
<v Speaker 5>Josie I watched your interview with her, and she said

0:25:22.320 --> 0:25:24.720
<v Speaker 5>that I was spontaneous or something, and I'm not sure

0:25:24.760 --> 0:25:27.120
<v Speaker 5>I was always so spontaneous, but I do remember being

0:25:27.160 --> 0:25:30.960
<v Speaker 5>spontaneous in that scene because I had caught your garter

0:25:31.960 --> 0:25:34.560
<v Speaker 5>and I punched a scene at the end after it

0:25:34.680 --> 0:25:36.919
<v Speaker 5>was done, by putting it over your head, pointing at

0:25:36.960 --> 0:25:40.679
<v Speaker 5>you and laughing. Yeah, it makes me feel kind of terrible, like, actually,

0:25:40.720 --> 0:25:42.840
<v Speaker 5>I feel bad really that I did that now, but

0:25:43.040 --> 0:25:45.560
<v Speaker 5>in the moment, and that's when you they said caught

0:25:46.200 --> 0:25:47.480
<v Speaker 5>and you called me a clown?

0:25:48.400 --> 0:25:50.199
<v Speaker 2>Do you remember that's really what you meant to call

0:25:50.640 --> 0:25:50.920
<v Speaker 2>you know what.

0:25:51.040 --> 0:25:53.200
<v Speaker 3>I'm proud of myself that that's the word I choke.

0:25:56.440 --> 0:25:59.040
<v Speaker 5>But then the scene was over, so I didn went

0:25:59.119 --> 0:26:02.439
<v Speaker 5>to feel terrible, and I don't remember if we ever

0:26:02.560 --> 0:26:04.600
<v Speaker 5>spoke about that again, but we're speaking about.

0:26:04.359 --> 0:26:07.719
<v Speaker 3>It now, so I'm it's so, it's so, I'm sorry too,

0:26:07.920 --> 0:26:12.440
<v Speaker 3>because it's interesting. No, just like that, like it's it's

0:26:12.480 --> 0:26:14.159
<v Speaker 3>something he's taken what he doesn't remember much, but he

0:26:14.240 --> 0:26:14.919
<v Speaker 3>does remember that.

0:26:17.160 --> 0:26:18.280
<v Speaker 1>You're sorry for interesting?

0:26:18.400 --> 0:26:22.240
<v Speaker 5>Yeah, because it was a big feeling for me. So

0:26:22.560 --> 0:26:24.680
<v Speaker 5>that's why I remember it, right. I don't remember the

0:26:24.760 --> 0:26:27.200
<v Speaker 5>everyday scenes and all that stuff, but we do all

0:26:27.320 --> 0:26:31.320
<v Speaker 5>have those, you know, spots, specific memory moments where something

0:26:31.440 --> 0:26:33.840
<v Speaker 5>happened that stayed with you, because that's that's.

0:26:33.760 --> 0:26:34.399
<v Speaker 4>What acting is.

0:26:34.480 --> 0:26:37.280
<v Speaker 2>It's such a you know, it's really does tap into

0:26:37.880 --> 0:26:41.240
<v Speaker 2>you as a human being, your your sense of whatever.

0:26:41.640 --> 0:26:43.880
<v Speaker 2>So that sounds like that was a spontaneous action.

0:26:44.560 --> 0:26:49.560
<v Speaker 5>It was, yeah, you didn't like me because I was

0:26:49.560 --> 0:26:50.520
<v Speaker 5>a mar idiot.

0:26:50.760 --> 0:26:52.760
<v Speaker 3>I could have been the other reason I love you

0:26:53.320 --> 0:26:55.440
<v Speaker 3>and I like you, and it was like it was

0:26:55.520 --> 0:27:00.240
<v Speaker 3>always the character, like the character Michael was supposed to,

0:27:01.280 --> 0:27:04.440
<v Speaker 3>you know, be gleeful and evil, and that was their

0:27:04.680 --> 0:27:07.680
<v Speaker 3>dynamic and it was just that I just from my

0:27:08.320 --> 0:27:10.159
<v Speaker 3>memory of it, we just talked about this.

0:27:10.280 --> 0:27:12.600
<v Speaker 2>It's like that, Thomas, did you have other moments like

0:27:12.640 --> 0:27:16.040
<v Speaker 2>that because you played such an evil guy like that that.

0:27:16.200 --> 0:27:19.160
<v Speaker 4>Did you have other feelings like that throughout your seven years?

0:27:19.920 --> 0:27:24.880
<v Speaker 5>Because well, no, well this is specific because I knew

0:27:24.880 --> 0:27:27.800
<v Speaker 5>I had hurt Laura and not Sydney. Right. So there's

0:27:27.800 --> 0:27:30.440
<v Speaker 5>another scene with Marsha where she just dripped down the

0:27:30.480 --> 0:27:32.560
<v Speaker 5>wall when I give her handle my divorce papers in

0:27:32.600 --> 0:27:36.000
<v Speaker 5>the middle of the hospital and I'm like, get over it, honey,

0:27:36.040 --> 0:27:38.520
<v Speaker 5>what's wrong with you know, like totally being glib about

0:27:38.560 --> 0:27:40.639
<v Speaker 5>the whole thing, and she's up against the wall and

0:27:40.800 --> 0:27:44.119
<v Speaker 5>sliding down it. And no, because I think we didn't

0:27:44.119 --> 0:27:46.920
<v Speaker 5>have that. I knew you know that, Marsian knew it.

0:27:46.960 --> 0:27:49.320
<v Speaker 5>Didn't take it personally at the time, but I felt

0:27:49.400 --> 0:27:52.040
<v Speaker 5>like I had hurt your feelings, and so that's what

0:27:52.160 --> 0:27:54.960
<v Speaker 5>I remember, But I don't remember that much like Jack.

0:27:55.000 --> 0:27:57.040
<v Speaker 5>You couldn't hurt his feelings, right, And I abused a

0:27:57.080 --> 0:27:57.800
<v Speaker 5>frick out of him.

0:27:57.760 --> 0:27:59.560
<v Speaker 2>Because one of the questions we got was what it

0:27:59.720 --> 0:28:01.800
<v Speaker 2>was like for you to play that kind of character.

0:28:02.040 --> 0:28:05.959
<v Speaker 2>So you felt that because maybe you sensed her her

0:28:06.160 --> 0:28:08.800
<v Speaker 2>frailty and she was new at acting maybe and Marcia

0:28:08.960 --> 0:28:10.399
<v Speaker 2>was also came from theater.

0:28:10.280 --> 0:28:12.360
<v Speaker 4>And she's used to that kind of stuff, right, right.

0:28:12.480 --> 0:28:14.880
<v Speaker 5>Yeah, Marsha and I often talked about how we wanted

0:28:14.920 --> 0:28:17.159
<v Speaker 5>to play it. We tried different ways. That was just

0:28:17.280 --> 0:28:19.920
<v Speaker 5>our way of working together because you know, we don't

0:28:19.920 --> 0:28:21.560
<v Speaker 5>have a lot of rehearsal time, right.

0:28:21.800 --> 0:28:25.399
<v Speaker 2>So yeah, So I found the change of going from films,

0:28:25.440 --> 0:28:28.040
<v Speaker 2>which I'd done eight years of, to TV, which goes

0:28:28.119 --> 0:28:32.920
<v Speaker 2>so fast. Yea hard because there's no time to rehearse.

0:28:33.200 --> 0:28:35.600
<v Speaker 2>You just hit your sandbag there that little line and

0:28:35.640 --> 0:28:36.960
<v Speaker 2>then just say your thing and they move on.

0:28:37.560 --> 0:28:38.760
<v Speaker 4>Was that hard for you or no?

0:28:39.120 --> 0:28:41.720
<v Speaker 5>No again, because I had the sixteen years behind me,

0:28:42.200 --> 0:28:44.440
<v Speaker 5>But like Amy Lokine, because I watched the pilot to

0:28:44.640 --> 0:28:47.760
<v Speaker 5>like you guys, somebody asked me to do and I

0:28:48.000 --> 0:28:49.560
<v Speaker 5>you know, my heart broke a little bit for Amie

0:28:49.640 --> 0:28:52.920
<v Speaker 5>because I'll never forget she came from doing a few films,

0:28:53.000 --> 0:28:56.440
<v Speaker 5>not a lot of experience. She was young, and Amy

0:28:56.560 --> 0:28:59.240
<v Speaker 5>came to me after like episode three and she was

0:28:59.240 --> 0:29:01.440
<v Speaker 5>struggling because they wanted her to do a dialect which

0:29:01.480 --> 0:29:04.600
<v Speaker 5>she wasn't really proficient at. And then she had a

0:29:04.640 --> 0:29:08.280
<v Speaker 5>move so fast and she'd only done movies and she said, Thomas,

0:29:08.400 --> 0:29:11.080
<v Speaker 5>I don't know what to do. What's the matter, Amy,

0:29:11.400 --> 0:29:14.920
<v Speaker 5>I'm just used to knowing the director's name, but they

0:29:15.080 --> 0:29:19.040
<v Speaker 5>come and go so fast in television. She couldn't get comfortable.

0:29:19.480 --> 0:29:22.040
<v Speaker 5>And of course, you know, we lost her after thirteen episodes.

0:29:22.040 --> 0:29:23.520
<v Speaker 5>And I'm not sure it was all her fault, it

0:29:23.680 --> 0:29:26.560
<v Speaker 5>just it was just the circumstances for her. I'll never

0:29:26.640 --> 0:29:27.000
<v Speaker 5>forget that.

0:29:27.520 --> 0:29:29.080
<v Speaker 1>Yeah, I mean, what you do have on TV, though,

0:29:29.120 --> 0:29:31.520
<v Speaker 1>is you played the character for so long that eventually

0:29:31.640 --> 0:29:33.800
<v Speaker 1>directors come and go, and we had regular directors, which

0:29:33.840 --> 0:29:36.240
<v Speaker 1>I loved. But you know the character, so you go

0:29:36.400 --> 0:29:39.000
<v Speaker 1>and know it. I remember Andrew learning his lines on

0:29:39.080 --> 0:29:41.479
<v Speaker 1>the way into work, right almost.

0:29:41.920 --> 0:29:44.480
<v Speaker 3>Yeah, most of them.

0:29:46.360 --> 0:29:49.640
<v Speaker 1>Vaguely learning the way to work. But you do know

0:29:49.720 --> 0:29:52.719
<v Speaker 1>the character so much, so eventually it really is an

0:29:52.760 --> 0:29:55.880
<v Speaker 1>actor's medium because you know the director sort of moving

0:29:55.920 --> 0:29:57.760
<v Speaker 1>you around. But if they say her character to do this,

0:29:57.880 --> 0:30:00.000
<v Speaker 1>you'd be like, I've been playing this person for three years.

0:30:00.440 --> 0:30:03.560
<v Speaker 1>So yeah, a lot of them know that they do.

0:30:03.720 --> 0:30:03.880
<v Speaker 2>They have.

0:30:04.080 --> 0:30:06.640
<v Speaker 1>The more experienced was absolutely yeah. They also they come back.

0:30:06.680 --> 0:30:08.080
<v Speaker 1>You start to trust them more so if they have

0:30:08.120 --> 0:30:09.920
<v Speaker 1>an idea, you're more willing to try it.

0:30:10.320 --> 0:30:12.360
<v Speaker 5>Yeah. They I mean they say the stage is the

0:30:12.400 --> 0:30:16.880
<v Speaker 5>actors medium, film is the directors, and television is the producers.

0:30:17.040 --> 0:30:19.080
<v Speaker 5>And as you know, I as you guys, of course not.

0:30:19.160 --> 0:30:21.120
<v Speaker 5>I directed about four or five episodes whatever it was,

0:30:21.560 --> 0:30:23.920
<v Speaker 5>and I definitely felt that it was producers medium. You know,

0:30:24.000 --> 0:30:26.480
<v Speaker 5>you feel that weight, You've already got a style, you

0:30:26.520 --> 0:30:28.520
<v Speaker 5>got to shoot the same way, the same thing.

0:30:29.120 --> 0:30:31.880
<v Speaker 4>You a little about the directing what that was like?

0:30:32.760 --> 0:30:34.640
<v Speaker 5>I loved it. Again, if it wasn't you guys, I

0:30:34.680 --> 0:30:36.240
<v Speaker 5>don't know what it would have been like. But you

0:30:36.320 --> 0:30:38.360
<v Speaker 5>guys were all so great to work.

0:30:38.400 --> 0:30:41.480
<v Speaker 1>I remember you being very happy as a director, like

0:30:41.560 --> 0:30:43.800
<v Speaker 1>you felt happier to me, like you were so.

0:30:45.320 --> 0:30:45.360
<v Speaker 5>Like.

0:30:45.800 --> 0:30:47.840
<v Speaker 1>Also, your character is more intense, and as a director

0:30:47.880 --> 0:30:50.600
<v Speaker 1>you've just come in as Thomas, and you were so lovely.

0:30:50.720 --> 0:30:52.200
<v Speaker 1>And it's great to work with an actor as a

0:30:52.280 --> 0:30:54.720
<v Speaker 1>director because of the way you communicate with us. It's

0:30:54.720 --> 0:30:56.400
<v Speaker 1>so funn I'd forgotten that, so you just mentioned it.

0:30:56.680 --> 0:30:58.240
<v Speaker 1>Did you like it as much as you seem.

0:30:58.040 --> 0:31:00.920
<v Speaker 5>To like it? I loved it. I hated the unknown

0:31:00.960 --> 0:31:03.080
<v Speaker 5>because I didn't know technical so much, although that got

0:31:03.160 --> 0:31:05.560
<v Speaker 5>better as you know. The first episode I directed, I

0:31:05.600 --> 0:31:08.840
<v Speaker 5>got hives. I was covered in red all over wow,

0:31:09.800 --> 0:31:13.160
<v Speaker 5>And but yeah, that kind of calmed down and then

0:31:13.200 --> 0:31:15.280
<v Speaker 5>I had the trust of everybody, which was a great

0:31:15.560 --> 0:31:18.120
<v Speaker 5>a great comfort. But yeah, did I love working with you? Yeah?

0:31:18.160 --> 0:31:20.480
<v Speaker 5>Except Rob Besti's was like, stay away from me, Thomas,

0:31:20.800 --> 0:31:22.640
<v Speaker 5>don't come over, don't get out of your chair, because

0:31:22.640 --> 0:31:23.440
<v Speaker 5>I gave him way too much.

0:31:24.320 --> 0:31:27.960
<v Speaker 2>You did. So did you feel like the producers are

0:31:28.000 --> 0:31:29.800
<v Speaker 2>breathing down your neck to get what they needed.

0:31:29.840 --> 0:31:31.640
<v Speaker 4>You're saying it's their medium, or did you?

0:31:31.880 --> 0:31:33.440
<v Speaker 5>Yeah? I mean I was aware of it, you know,

0:31:33.600 --> 0:31:35.240
<v Speaker 5>So it wasn't like they had to come and you know,

0:31:35.400 --> 0:31:41.280
<v Speaker 5>look over me. It's just that sometimes, yeah, you felt

0:31:41.280 --> 0:31:43.440
<v Speaker 5>they were pushing you in their direction rather than the

0:31:43.480 --> 0:31:46.400
<v Speaker 5>one you want to go in. Even though it was

0:31:46.440 --> 0:31:49.240
<v Speaker 5>more like later episodes, it was when Frank took over well.

0:31:49.240 --> 0:31:51.560
<v Speaker 1>And also I imagine as a theater director you want

0:31:51.600 --> 0:31:54.080
<v Speaker 1>to spend time talking about the character and the motivating like,

0:31:54.160 --> 0:31:56.160
<v Speaker 1>we don't have time for that. We got to get

0:31:56.200 --> 0:31:56.720
<v Speaker 1>it in the can.

0:31:57.080 --> 0:31:58.920
<v Speaker 5>The biggest challenge as a director was I kind of

0:31:59.000 --> 0:32:02.240
<v Speaker 5>plotted everything out, but I went over the scenes so

0:32:02.480 --> 0:32:05.360
<v Speaker 5>much that I wanted to be able to adjust to

0:32:05.400 --> 0:32:07.760
<v Speaker 5>whatever you guys needed, right, Jack might say, like, I'm

0:32:07.800 --> 0:32:11.000
<v Speaker 5>not going to stop there. The great thing about doing

0:32:11.080 --> 0:32:13.080
<v Speaker 5>it was that I was prepared for that, and some

0:32:13.160 --> 0:32:15.160
<v Speaker 5>of the greatest stuff came out of that, and I

0:32:15.320 --> 0:32:17.840
<v Speaker 5>was able to handle that. The bad news was I

0:32:17.880 --> 0:32:20.120
<v Speaker 5>had to shoot my bloody self, so I had to

0:32:20.200 --> 0:32:22.240
<v Speaker 5>direct myself and I just wanted to get through that

0:32:22.320 --> 0:32:23.280
<v Speaker 5>as fast as possible.

0:32:23.520 --> 0:32:24.520
<v Speaker 1>Were you difficult to work with?

0:32:24.600 --> 0:32:24.760
<v Speaker 6>Tom?

0:32:25.920 --> 0:32:29.479
<v Speaker 3>How did you like working did you keep asking yourself,

0:32:30.720 --> 0:32:31.480
<v Speaker 3>did you hurt yourself?

0:32:31.640 --> 0:32:34.640
<v Speaker 5>You're feelings? I couldn't speak fast enough. That was my problem.

0:32:44.200 --> 0:32:46.640
<v Speaker 2>All right, let's go back to another fang question. So

0:32:46.800 --> 0:32:50.280
<v Speaker 2>since you say you got married seven times, Michael got married.

0:32:50.320 --> 0:32:51.920
<v Speaker 3>So Michael got married.

0:32:53.240 --> 0:32:53.520
<v Speaker 5>That's it.

0:32:54.480 --> 0:32:59.840
<v Speaker 2>So there are a couple questions in this direction, as

0:32:59.880 --> 0:33:02.160
<v Speaker 2>you guys probably read too, Who do you think was

0:33:02.240 --> 0:33:03.080
<v Speaker 2>best matched?

0:33:03.360 --> 0:33:05.000
<v Speaker 5>Wait? Who do you think was your best you?

0:33:05.320 --> 0:33:06.840
<v Speaker 4>Michael, your partner?

0:33:07.760 --> 0:33:08.960
<v Speaker 3>Who was Michael's best match?

0:33:09.120 --> 0:33:10.880
<v Speaker 5>I have to say, Laura, first of all, well, I'm

0:33:10.960 --> 0:33:11.360
<v Speaker 5>right there.

0:33:11.520 --> 0:33:12.560
<v Speaker 4>I'm here.

0:33:14.400 --> 0:33:19.760
<v Speaker 3>Before during the marriage, I was trying to kill it.

0:33:21.400 --> 0:33:25.240
<v Speaker 5>When I wasn't when I didn't have my brain thing, Remember.

0:33:24.960 --> 0:33:25.840
<v Speaker 3>That there was a.

0:33:28.760 --> 0:33:30.840
<v Speaker 5>There is a brain, and you were playing that on

0:33:31.160 --> 0:33:33.800
<v Speaker 5>and then you were playing on me. So I kept

0:33:33.840 --> 0:33:36.880
<v Speaker 5>going but I wasn't and then I got you tied

0:33:36.960 --> 0:33:37.320
<v Speaker 5>up in bed.

0:33:38.040 --> 0:33:38.880
<v Speaker 1>That was the end of that.

0:33:39.000 --> 0:33:43.040
<v Speaker 5>Oh my god, because Michael, Michael, what are you doing?

0:33:44.680 --> 0:33:46.960
<v Speaker 5>I'm not brain dead or whatever I was. I forgot.

0:33:47.040 --> 0:33:49.800
<v Speaker 1>That's so funny because Alison went blind and then got

0:33:49.840 --> 0:33:51.720
<v Speaker 1>her site back but kept pretending to be blind.

0:33:51.760 --> 0:33:58.120
<v Speaker 8>There's a theme on the show. Yeah, you have very

0:33:58.160 --> 0:34:02.760
<v Speaker 8>good memory that I can't wait to more excited.

0:34:02.960 --> 0:34:04.920
<v Speaker 5>Yeah, except for the dirty hole.

0:34:05.720 --> 0:34:08.399
<v Speaker 1>You married Sydney twice, Laura twice?

0:34:08.440 --> 0:34:11.759
<v Speaker 5>Do you and Joe Jose? Joe?

0:34:12.080 --> 0:34:16.520
<v Speaker 3>You never married Joe, just saying old Joe.

0:34:16.640 --> 0:34:17.759
<v Speaker 4>You never get on the show.

0:34:17.800 --> 0:34:20.400
<v Speaker 1>We never got together on the show. Oh never, No,

0:34:20.600 --> 0:34:23.200
<v Speaker 1>but well no, don't say no. But like there was

0:34:23.239 --> 0:34:24.120
<v Speaker 1>an off camera thing.

0:34:25.200 --> 0:34:27.840
<v Speaker 5>No, Heather, Heather I had a one time or with

0:34:28.360 --> 0:34:36.120
<v Speaker 5>because she had cancer and needed help. Why wouldn't he

0:34:36.200 --> 0:34:36.800
<v Speaker 5>be joyful?

0:34:37.239 --> 0:34:40.359
<v Speaker 4>You remember a lot, mister, He's faking it even now.

0:34:42.600 --> 0:34:43.800
<v Speaker 4>I love what you're remembering.

0:34:44.520 --> 0:34:47.839
<v Speaker 5>So there was Joe. So I betted Heather before Jack did,

0:34:48.000 --> 0:34:49.920
<v Speaker 5>which was just a little person for Jack to.

0:34:51.239 --> 0:34:55.600
<v Speaker 1>Heather was with all of the regular characters. Amanda was

0:34:55.840 --> 0:34:58.879
<v Speaker 1>all well except Doug, except she was not with Matt

0:35:00.120 --> 0:35:04.360
<v Speaker 1>way through because she changed to me because her character

0:35:04.480 --> 0:35:06.960
<v Speaker 1>had this thing is such a slut. And Alison was

0:35:07.000 --> 0:35:09.080
<v Speaker 1>a good girl. But I actually had more boyfriends on

0:35:09.160 --> 0:35:11.200
<v Speaker 1>the show. They just bring them in for a couple

0:35:11.480 --> 0:35:13.680
<v Speaker 1>couple episodes and then send them out, so they didn't

0:35:13.680 --> 0:35:19.240
<v Speaker 1>stick with people I was. Alison was actually not a slut, shame,

0:35:19.320 --> 0:35:20.839
<v Speaker 1>but Allison had more fun.

0:35:22.320 --> 0:35:23.960
<v Speaker 5>I didn't even know this thing is such a thing

0:35:24.000 --> 0:35:26.400
<v Speaker 5>as slutshaming. But good, don't do it.

0:35:26.719 --> 0:35:27.480
<v Speaker 4>That's where to do it.

0:35:28.360 --> 0:35:30.560
<v Speaker 1>But so she she made her way every she dated

0:35:30.840 --> 0:35:37.160
<v Speaker 1>all the regular characters, really very generous. Well Melrose dated

0:35:38.160 --> 0:35:38.879
<v Speaker 1>for cancer help.

0:35:42.719 --> 0:35:46.920
<v Speaker 5>So wait, so answering your question, m I love them all.

0:35:49.040 --> 0:35:53.960
<v Speaker 4>I mean, I mean even that word match.

0:35:54.120 --> 0:35:56.600
<v Speaker 2>Who do you think we're best matched? I mean in

0:35:56.760 --> 0:36:00.640
<v Speaker 2>your and Michael's character? Who was the the It was

0:36:00.760 --> 0:36:03.120
<v Speaker 2>like this tumultuous, evil mutual.

0:36:03.239 --> 0:36:05.800
<v Speaker 4>Could it have been Kimberly, could it have been? You

0:36:05.840 --> 0:36:07.879
<v Speaker 4>know what I mean, It's not like happily ever after.

0:36:08.080 --> 0:36:10.440
<v Speaker 5>Well, you know, it depends on you know, the benchmarks

0:36:10.480 --> 0:36:14.000
<v Speaker 5>for good right, for a good match. So I would

0:36:14.000 --> 0:36:18.839
<v Speaker 5>say Josie for heartfelt honest. Also because it was early

0:36:18.920 --> 0:36:21.040
<v Speaker 5>in the show and the show show hadn't changed tone,

0:36:21.160 --> 0:36:24.520
<v Speaker 5>so no one else really got that chance. Comedy, I'm

0:36:24.520 --> 0:36:27.719
<v Speaker 5>gonna say Sydney because we just had a ton of

0:36:27.800 --> 0:36:32.000
<v Speaker 5>good fun stuff to do all the time. Kimberly, Kimberly, Yeah,

0:36:32.080 --> 0:36:34.520
<v Speaker 5>I mean for high drama. You can't beat that. Yeah,

0:36:35.480 --> 0:36:41.960
<v Speaker 5>so high drama. We got three things covered. Megan Kelly

0:36:42.080 --> 0:36:45.360
<v Speaker 5>Rutherford forgive me, Kelly, I love you. Yep, she was terrific,

0:36:45.800 --> 0:36:47.920
<v Speaker 5>very swiftly sweet. That's how I remember that.

0:36:48.400 --> 0:36:49.759
<v Speaker 4>That's why it probably didn't last long.

0:36:49.920 --> 0:36:51.879
<v Speaker 5>Right, she was a hooker with the heart of goals.

0:36:52.440 --> 0:36:52.880
<v Speaker 5>I remember.

0:36:54.400 --> 0:37:00.360
<v Speaker 3>I don't remember you with the heart I was briefly.

0:37:01.280 --> 0:37:05.920
<v Speaker 1>That seems to be another theme, faking illness and hookers

0:37:05.920 --> 0:37:06.600
<v Speaker 1>with a heart of goals.

0:37:06.600 --> 0:37:07.160
<v Speaker 5>We'll get there.

0:37:07.440 --> 0:37:09.879
<v Speaker 3>Great Nosa Rena.

0:37:10.280 --> 0:37:13.160
<v Speaker 5>I was memriered to her maybe season six were you

0:37:13.239 --> 0:37:13.719
<v Speaker 5>guys gone?

0:37:13.719 --> 0:37:16.680
<v Speaker 4>So doesn't she go with Jane again and then back

0:37:16.719 --> 0:37:17.120
<v Speaker 4>with Jane?

0:37:17.120 --> 0:37:18.920
<v Speaker 3>When when she came back to the show and you

0:37:19.000 --> 0:37:20.759
<v Speaker 3>finished with Jane? Is that right?

0:37:21.040 --> 0:37:23.480
<v Speaker 5>So that's with a playboy bunny on my on my lap,

0:37:23.560 --> 0:37:25.400
<v Speaker 5>That's all I remember. We're looking at the camera.

0:37:25.920 --> 0:37:28.719
<v Speaker 1>I have a question speaking of Lisa. So Lisa and

0:37:28.760 --> 0:37:31.560
<v Speaker 1>I knew each other after the show, and and she's

0:37:32.120 --> 0:37:34.520
<v Speaker 1>her experience because she played a bad guy on the show,

0:37:34.640 --> 0:37:36.560
<v Speaker 1>is that people sort of treated her like she was mean.

0:37:36.640 --> 0:37:38.080
<v Speaker 1>I was always a good guy, so we were.

0:37:38.040 --> 0:37:39.279
<v Speaker 4>Like, hi, we love you.

0:37:40.200 --> 0:37:43.360
<v Speaker 1>Did you find as your character was darker, would people

0:37:43.600 --> 0:37:45.880
<v Speaker 1>react to you like you were a bad guy? Or

0:37:45.920 --> 0:37:48.440
<v Speaker 1>where they still happen? Could they separate you from your character?

0:37:48.960 --> 0:37:51.080
<v Speaker 5>Pretty much? I think most of the time it was

0:37:51.120 --> 0:37:53.200
<v Speaker 5>a separation. I never got a rock thrown at me

0:37:53.320 --> 0:37:56.440
<v Speaker 5>or slapped across the face. So that was interesting, right,

0:37:56.480 --> 0:37:59.480
<v Speaker 5>because that doesn't often happen you people think you are

0:37:59.520 --> 0:38:02.480
<v Speaker 5>who you are television. But somehow the Melrose fans were

0:38:02.520 --> 0:38:03.640
<v Speaker 5>able to make that separation.

0:38:03.800 --> 0:38:06.239
<v Speaker 1>Well, you started nice, so maybe they had that sense

0:38:06.280 --> 0:38:08.480
<v Speaker 1>of your progression. They had a sense of couldn't.

0:38:08.160 --> 0:38:13.040
<v Speaker 5>Be I started grumpy. According to Jane, I started grumpy

0:38:13.160 --> 0:38:13.640
<v Speaker 5>that I got mean.

0:38:14.040 --> 0:38:18.560
<v Speaker 3>But they were also like the ultimate like bad guy right,

0:38:19.120 --> 0:38:20.640
<v Speaker 3>like to so out in the world when people go,

0:38:20.800 --> 0:38:21.880
<v Speaker 3>I love that.

0:38:22.160 --> 0:38:26.280
<v Speaker 5>You know, guys did point me out as the meanest

0:38:26.320 --> 0:38:30.160
<v Speaker 5>man on television in nineteen something or something. Yeah, yeah,

0:38:31.719 --> 0:38:33.879
<v Speaker 5>you were. You were my favorite.

0:38:33.560 --> 0:38:37.680
<v Speaker 1>Accolletees, wastingly evil for a while, Like you just got

0:38:37.800 --> 0:38:38.880
<v Speaker 1>meaner like it.

0:38:39.239 --> 0:38:41.640
<v Speaker 4>It was like it was a fun me.

0:38:42.160 --> 0:38:45.120
<v Speaker 2>You always want to cut an energy and a smile

0:38:45.320 --> 0:38:47.160
<v Speaker 2>and a joy with your meanness.

0:38:47.400 --> 0:38:49.279
<v Speaker 1>That's yeah. You seemed like you were having a ball

0:38:49.440 --> 0:38:49.839
<v Speaker 1>a ball.

0:38:50.120 --> 0:38:50.319
<v Speaker 3>Yeah.

0:38:50.560 --> 0:38:53.920
<v Speaker 5>There was Jack when he directed one episode and we

0:38:54.000 --> 0:38:56.400
<v Speaker 5>were doing a scene together when he was directing, and

0:38:56.520 --> 0:38:59.000
<v Speaker 5>I guess I was playing it too real or something

0:38:59.800 --> 0:39:02.759
<v Speaker 5>too low key. He's like Thomas, come on, just do

0:39:02.880 --> 0:39:07.440
<v Speaker 5>what you do. They're like, oh, I become a terrible actor.

0:39:07.600 --> 0:39:08.360
<v Speaker 5>I know, I love that.

0:39:17.360 --> 0:39:18.279
<v Speaker 4>What else we got there?

0:39:18.880 --> 0:39:21.719
<v Speaker 1>This is my favorite fan question. Do you remember that

0:39:21.880 --> 0:39:24.359
<v Speaker 1>this is specifically for you? Which is the funniest part

0:39:24.400 --> 0:39:27.040
<v Speaker 1>to me? Do you remember the perfume called melrose Place

0:39:27.160 --> 0:39:27.880
<v Speaker 1>and did you wear it?

0:39:29.440 --> 0:39:31.960
<v Speaker 5>They wanted to ask me that question.

0:39:33.480 --> 0:39:36.920
<v Speaker 4>All I didn't know, wants to know specifically.

0:39:37.840 --> 0:39:39.680
<v Speaker 5>I know we had bobble heads and stuff like that,

0:39:39.920 --> 0:39:43.879
<v Speaker 5>but the merchandising check does not reflect the Melo's Place

0:39:43.920 --> 0:39:45.080
<v Speaker 5>perfume because it would be huge.

0:39:47.040 --> 0:39:47.960
<v Speaker 3>None of us are aware of it.

0:39:49.160 --> 0:39:53.399
<v Speaker 5>Mint stop it. Oh my god.

0:39:53.640 --> 0:39:58.279
<v Speaker 3>Our producer each a bottle of I kid you not

0:39:58.640 --> 0:39:59.479
<v Speaker 3>melrose Place?

0:40:00.160 --> 0:40:00.960
<v Speaker 1>You eBay?

0:40:01.200 --> 0:40:01.840
<v Speaker 2>Or is this like.

0:40:04.440 --> 0:40:07.040
<v Speaker 3>We're going to find out right now? Thank goodness.

0:40:07.120 --> 0:40:10.360
<v Speaker 4>Here now you can answer question that I got it.

0:40:10.719 --> 0:40:12.719
<v Speaker 5>It's not bad. How you do this?

0:40:12.960 --> 0:40:13.080
<v Speaker 2>Is it?

0:40:15.640 --> 0:40:17.320
<v Speaker 1>Teenage girls are going to be chasing you down the

0:40:17.360 --> 0:40:19.719
<v Speaker 1>ston I love one.

0:40:20.800 --> 0:40:21.640
<v Speaker 4>I'm going to try it.

0:40:21.880 --> 0:40:22.400
<v Speaker 3>I'm doing it.

0:40:23.760 --> 0:40:25.920
<v Speaker 4>It smells very nineties.

0:40:26.040 --> 0:40:28.760
<v Speaker 3>That's this way, you guys. We look like Melrose Place.

0:40:28.680 --> 0:40:30.880
<v Speaker 1>And we smell like it smells kind of like I

0:40:30.960 --> 0:40:31.719
<v Speaker 1>wore in high school.

0:40:32.000 --> 0:40:33.919
<v Speaker 4>This is kind of a nineties got bad.

0:40:34.360 --> 0:40:35.120
<v Speaker 5>This is where a guy.

0:40:35.400 --> 0:40:37.880
<v Speaker 3>It's a little bit a cologne or is it?

0:40:38.239 --> 0:40:39.360
<v Speaker 4>I don't know it's cologne.

0:40:39.480 --> 0:40:40.880
<v Speaker 5>Okay, now I'm going to go home with this.

0:40:42.160 --> 0:40:43.279
<v Speaker 1>We were ahead of our time.

0:40:45.320 --> 0:40:47.320
<v Speaker 4>It ain't a Caroline Morrera.

0:40:47.040 --> 0:40:51.640
<v Speaker 1>But is exactly perfume. Is that you'll believe you when

0:40:51.640 --> 0:40:53.520
<v Speaker 1>you say smells place? Yeah?

0:40:53.600 --> 0:40:57.960
<v Speaker 4>Right, Melrose, Wow, we all smell something like the nineties.

0:40:58.040 --> 0:40:58.960
<v Speaker 4>This is hilarious.

0:40:59.200 --> 0:41:00.840
<v Speaker 3>Right, It's not bad though, I did it.

0:41:01.680 --> 0:41:03.000
<v Speaker 4>That's that's right.

0:41:03.360 --> 0:41:04.880
<v Speaker 3>The look on Thomas's face right now is.

0:41:04.880 --> 0:41:08.600
<v Speaker 5>Like, yeah, I'm not a smelly guy like natural smells.

0:41:08.960 --> 0:41:11.799
<v Speaker 1>Another good question that I actually really love. How much

0:41:11.920 --> 0:41:15.239
<v Speaker 1>coaching did the show provide to make the medical stuff believable?

0:41:15.280 --> 0:41:17.520
<v Speaker 1>Do you remember having to memorize a medical jargon?

0:41:17.840 --> 0:41:19.520
<v Speaker 5>Not a lot. Whenever I had stuff like that, I

0:41:19.640 --> 0:41:21.680
<v Speaker 5>just went to my sister who's a surgeon, so you know,

0:41:21.719 --> 0:41:24.479
<v Speaker 5>I just went to her and asked her about stuff. Wow,

0:41:24.960 --> 0:41:27.399
<v Speaker 5>they're having their own private what's going on over there?

0:41:27.880 --> 0:41:28.520
<v Speaker 5>They're doing.

0:41:29.880 --> 0:41:30.120
<v Speaker 2>Something.

0:41:31.960 --> 0:41:33.200
<v Speaker 5>Every other episode.

0:41:34.000 --> 0:41:38.400
<v Speaker 1>Together we're talking about that was Jos should have filmed

0:41:38.400 --> 0:41:41.240
<v Speaker 1>there seemed separately, because you guys could not stop separating.

0:41:42.960 --> 0:41:44.960
<v Speaker 5>Yeah, I didn't even think they exaggerated. I think they

0:41:45.160 --> 0:41:48.560
<v Speaker 5>underplayed what actually happened because I next up and like,

0:41:48.640 --> 0:41:50.239
<v Speaker 5>what's freaking holding the thing?

0:41:51.480 --> 0:41:54.240
<v Speaker 3>Like a total like makeup redo because we're crying laughing.

0:41:54.680 --> 0:41:57.640
<v Speaker 3>These are fan questions. How hard was it to play

0:41:57.800 --> 0:41:59.160
<v Speaker 3>someone so obnoxious?

0:42:00.160 --> 0:42:02.279
<v Speaker 5>This is a fan question, not a Laura easy question,

0:42:02.480 --> 0:42:04.719
<v Speaker 5>not at all hard going, all hard. I love it,

0:42:05.080 --> 0:42:06.040
<v Speaker 5>very easy, very fun.

0:42:06.239 --> 0:42:08.000
<v Speaker 3>Yeah, I feel like I should get the same question,

0:42:08.200 --> 0:42:10.000
<v Speaker 3>how hard was it to play someone so obnoxious?

0:42:10.080 --> 0:42:11.960
<v Speaker 5>Or hard is it to play? Thank you?

0:42:12.200 --> 0:42:12.759
<v Speaker 4>Super fun?

0:42:13.560 --> 0:42:17.680
<v Speaker 1>Your character changed all the time, like sometimes you were sweet,

0:42:17.760 --> 0:42:19.840
<v Speaker 1>sometimes you were mean, sometimes you were vulnerable. So it

0:42:19.960 --> 0:42:24.840
<v Speaker 1>wasn't like like Thomas for a long time you were unrelentingly.

0:42:25.040 --> 0:42:25.879
<v Speaker 4>You're just a bad guy.

0:42:26.000 --> 0:42:29.000
<v Speaker 1>Gleefully mean, you said, gleefully mean. What that's a perfect

0:42:29.080 --> 0:42:30.359
<v Speaker 1>way to say gleefully mean?

0:42:31.000 --> 0:42:34.560
<v Speaker 5>And that that was a choice I made because everybody

0:42:34.600 --> 0:42:37.359
<v Speaker 5>in the audience knew what I was doing, so doing

0:42:37.400 --> 0:42:42.240
<v Speaker 5>it meanly wasn't adding anything. So I kept making other choices,

0:42:42.760 --> 0:42:45.040
<v Speaker 5>you know, gleefully fun, or maybe I'll play with them

0:42:45.080 --> 0:42:47.440
<v Speaker 5>a little bit, torture them, don't bring you know, write out.

0:42:47.719 --> 0:42:50.879
<v Speaker 5>And that was that's why being proactive is so fun.

0:42:51.600 --> 0:42:54.200
<v Speaker 5>Everybody knows the bad guy's bad, so now you can

0:42:54.280 --> 0:42:56.480
<v Speaker 5>do it anyway you want, and if you do it gleefully,

0:42:56.520 --> 0:42:58.640
<v Speaker 5>it turns out they like it even more, which was

0:42:58.680 --> 0:42:59.120
<v Speaker 5>a blessing.

0:42:59.360 --> 0:43:02.480
<v Speaker 4>Yeah. Do you think your theater background came in that

0:43:02.760 --> 0:43:05.319
<v Speaker 4>and your that's not well?

0:43:05.440 --> 0:43:07.680
<v Speaker 5>You know how it is with training, right, You're you're

0:43:07.760 --> 0:43:10.680
<v Speaker 5>always experimenting and playing, and you're getting direction from your

0:43:10.760 --> 0:43:13.320
<v Speaker 5>teacher and you're saying, why not this or why not that?

0:43:13.600 --> 0:43:16.239
<v Speaker 5>You're going to do the same scene maybe five six

0:43:16.320 --> 0:43:19.279
<v Speaker 5>times sometimes, and so you go in in your experimenting.

0:43:19.360 --> 0:43:22.360
<v Speaker 5>So in that way it helped me know what my

0:43:22.520 --> 0:43:25.200
<v Speaker 5>choices were and also being able to execute those.

0:43:25.600 --> 0:43:29.520
<v Speaker 2>Yeah, very well, I might very well in your imagination,

0:43:29.719 --> 0:43:34.360
<v Speaker 2>what an affair between Michael and Joe or Michael and Allison?

0:43:34.440 --> 0:43:36.920
<v Speaker 5>And I think answer that, I think something with her

0:43:37.000 --> 0:43:41.440
<v Speaker 5>could have resulted in a fistfight, I mean the actual battle.

0:43:42.320 --> 0:43:45.640
<v Speaker 5>And who else did you ask me about Allison? Alison?

0:43:46.840 --> 0:43:48.440
<v Speaker 1>No idea was on the show. I was on the show.

0:43:52.920 --> 0:43:56.319
<v Speaker 5>We must I can't imagine in the number of years

0:43:56.400 --> 0:43:59.719
<v Speaker 5>we worked together, in the episodes we performed in that

0:43:59.800 --> 0:44:03.520
<v Speaker 5>it's at some point Michael didn't make a passage. It

0:44:03.680 --> 0:44:05.200
<v Speaker 5>must have kind of almost happened.

0:44:05.280 --> 0:44:07.600
<v Speaker 1>We had very few scenes together. It's fun to watch

0:44:07.640 --> 0:44:10.279
<v Speaker 1>the first season because we had scenes together, but like

0:44:10.320 --> 0:44:11.880
<v Speaker 1>you knock on my door and say there's someone in

0:44:11.960 --> 0:44:14.960
<v Speaker 1>the courtyard, and it was sweet. But then our storylines

0:44:15.160 --> 0:44:19.520
<v Speaker 1>just was almospletely veered apart. Right, We just didn't overlap

0:44:19.719 --> 0:44:20.120
<v Speaker 1>very much.

0:44:20.560 --> 0:44:22.400
<v Speaker 5>No, I don't think we did. But still even in

0:44:22.480 --> 0:44:25.040
<v Speaker 5>that they had it write something in there at some point.

0:44:25.640 --> 0:44:26.359
<v Speaker 3>Apparently they did.

0:44:26.400 --> 0:44:28.520
<v Speaker 4>Apparently they didn't. They just brought on apparently.

0:44:28.800 --> 0:44:31.120
<v Speaker 5>Okay, So what would tell me what our relationship would

0:44:31.120 --> 0:44:32.520
<v Speaker 5>have looked like? I think he would have.

0:44:32.560 --> 0:44:34.400
<v Speaker 1>I would have said, that's so mean, and then it

0:44:34.440 --> 0:44:36.360
<v Speaker 1>wouldn't have been any fun for you. I think Allison

0:44:36.360 --> 0:44:38.520
<v Speaker 1>would have very earnestly said that feels really mean to me,

0:44:42.400 --> 0:44:43.120
<v Speaker 1>and would.

0:44:44.800 --> 0:44:45.360
<v Speaker 5>Another victim?

0:44:45.440 --> 0:44:47.360
<v Speaker 4>You would slink away and guess what?

0:44:47.800 --> 0:44:48.479
<v Speaker 5>Skim the pool?

0:44:49.160 --> 0:44:50.480
<v Speaker 4>You skimmed the pool a lot, a.

0:44:50.520 --> 0:44:53.640
<v Speaker 3>Lot, gardening because I was the man you were doing

0:44:53.680 --> 0:44:55.320
<v Speaker 3>the landlord the pool skimming.

0:44:55.480 --> 0:44:57.600
<v Speaker 5>Yeah, and we had the other guy. I've seen every

0:44:57.640 --> 0:45:00.160
<v Speaker 5>other scene skimming too, so I was like we were

0:45:00.200 --> 0:45:03.880
<v Speaker 5>dual skimmers. Yeah, the faceless man who just skimmed.

0:45:04.239 --> 0:45:07.000
<v Speaker 4>I remember Scott, the prop guy was off.

0:45:07.000 --> 0:45:12.120
<v Speaker 2>The that's right, Scott, and he would like slip in there,

0:45:12.120 --> 0:45:15.520
<v Speaker 2>and you know we've seen him shooters in the background.

0:45:15.760 --> 0:45:16.120
<v Speaker 5>That's right.

0:45:16.600 --> 0:45:19.600
<v Speaker 1>Which apartment was yours? So we had that because your

0:45:19.880 --> 0:45:22.000
<v Speaker 1>apartment on the show is upstairs right.

0:45:21.960 --> 0:45:25.480
<v Speaker 3>Now, downstairs, right across from the pool, so we could skim.

0:45:25.520 --> 0:45:28.880
<v Speaker 5>Watch the pilot you come right across across from you.

0:45:29.719 --> 0:45:31.759
<v Speaker 4>Was that apartment a full apartment in there?

0:45:32.680 --> 0:45:34.640
<v Speaker 5>Yeah? Some weren't, some weren't right, So I think we

0:45:34.760 --> 0:45:38.160
<v Speaker 5>had the living room, kitchen, there was.

0:45:38.320 --> 0:45:40.279
<v Speaker 3>I thought there was a bedroom in a bathroom at

0:45:40.320 --> 0:45:40.759
<v Speaker 3>times too.

0:45:41.640 --> 0:45:42.160
<v Speaker 4>I think there was.

0:45:42.400 --> 0:45:44.200
<v Speaker 3>It could be a full moment because that was mine too,

0:45:44.440 --> 0:45:48.440
<v Speaker 3>So either I took it from Jane, I don't.

0:45:48.280 --> 0:45:49.320
<v Speaker 5>Know it was you moved in.

0:45:49.360 --> 0:45:51.880
<v Speaker 3>It was definitely married, her brother, her husband, but then

0:45:51.920 --> 0:45:52.880
<v Speaker 3>I also lived there alone.

0:45:53.000 --> 0:45:54.360
<v Speaker 4>It became Sydneys and you kicked and.

0:45:54.600 --> 0:45:58.319
<v Speaker 5>You lived in Number five was yeah, there was number

0:45:58.320 --> 0:46:01.760
<v Speaker 5>five when we moved when Michael to Od somehow.

0:46:01.560 --> 0:46:05.440
<v Speaker 4>I got moved whatever, moved to the beach.

0:46:07.480 --> 0:46:09.680
<v Speaker 5>For five years because I didn't want that to happen.

0:46:09.719 --> 0:46:11.520
<v Speaker 5>When I was shooting. Oh my gosh, you right.

0:46:11.680 --> 0:46:14.080
<v Speaker 3>Everybody was annoyed the whole first five years that we

0:46:14.200 --> 0:46:16.080
<v Speaker 3>were together, the only five years that we were together,

0:46:16.200 --> 0:46:17.880
<v Speaker 3>you never knew my name, and I was like, I

0:46:17.960 --> 0:46:19.080
<v Speaker 3>think he's doing that on purpose.

0:46:19.520 --> 0:46:21.640
<v Speaker 5>No, it was so I wouldn't forget when we were shooting.

0:46:21.640 --> 0:46:24.760
<v Speaker 3>It's proving now, but he actually, yeah, he still.

0:46:24.560 --> 0:46:26.960
<v Speaker 5>Doesn't look My own kids don't get called the right name.

0:46:27.040 --> 0:46:27.760
<v Speaker 1>It's not personal.

0:46:27.960 --> 0:46:29.239
<v Speaker 5>And Connor's thirty now, so.

0:46:31.680 --> 0:46:33.080
<v Speaker 4>You didn't remember that we were in it.

0:46:33.480 --> 0:46:36.800
<v Speaker 5>Sometimes sometimes it's a crap shoot.

0:46:36.920 --> 0:46:39.800
<v Speaker 2>You're now answering Our first question was like why you

0:46:39.840 --> 0:46:42.160
<v Speaker 2>don't like to look in the past. You're answering that

0:46:42.280 --> 0:46:44.560
<v Speaker 2>question because you don't remember anybody's names?

0:46:44.920 --> 0:46:45.960
<v Speaker 5>Remember, correct?

0:46:46.120 --> 0:46:48.560
<v Speaker 1>But remember so many? Do you remember? We've talked a

0:46:48.560 --> 0:46:50.439
<v Speaker 1>lot about double ups. You remember when they did double

0:46:50.520 --> 0:46:52.479
<v Speaker 1>ups for the first time, we thought this will never work.

0:46:52.600 --> 0:46:55.560
<v Speaker 1>I do were you in Oxnard because Laura remembers having

0:46:55.600 --> 0:46:57.799
<v Speaker 1>to go from ox NERD to Santa Karita in one

0:46:57.880 --> 0:46:58.400
<v Speaker 1>day totally.

0:46:58.480 --> 0:47:00.520
<v Speaker 5>Remember we usually had a day is shooting there every

0:47:00.520 --> 0:47:02.360
<v Speaker 5>episode when we had it, and then another day, so

0:47:02.360 --> 0:47:04.520
<v Speaker 5>I used the back those back to back. Yeah, so

0:47:04.560 --> 0:47:06.120
<v Speaker 5>when we're doing the two episodes, I was there with

0:47:06.200 --> 0:47:08.719
<v Speaker 5>one director and cast member whoever it may be, and

0:47:08.800 --> 0:47:11.800
<v Speaker 5>then the next day the other director in there. So

0:47:11.880 --> 0:47:12.880
<v Speaker 5>I stayed up there overnight.

0:47:12.960 --> 0:47:16.719
<v Speaker 3>We would stay overnight because we'd be there two days

0:47:16.719 --> 0:47:17.040
<v Speaker 3>in a row.

0:47:17.080 --> 0:47:19.800
<v Speaker 5>And yes, yeah, I remember that.

0:47:20.040 --> 0:47:22.320
<v Speaker 2>So do you remember get Going showing up at the

0:47:22.360 --> 0:47:24.640
<v Speaker 2>wrong location sometimes during double ups.

0:47:24.960 --> 0:47:26.960
<v Speaker 5>Don't drive think I ever did that because I was

0:47:27.040 --> 0:47:30.040
<v Speaker 5>so anal about getting the boards early because I needed

0:47:30.080 --> 0:47:31.799
<v Speaker 5>to study. I needed to know my lines at least

0:47:31.800 --> 0:47:34.160
<v Speaker 5>four days before we shot. I like to have them

0:47:34.160 --> 0:47:36.200
<v Speaker 5>so I could just spin them out without thinking. So

0:47:36.280 --> 0:47:38.359
<v Speaker 5>I always wanted forward things. So all the ads were

0:47:38.440 --> 0:47:40.880
<v Speaker 5>used to getting me the stuff early in the boards.

0:47:40.960 --> 0:47:41.680
<v Speaker 2>So wow.

0:47:41.920 --> 0:47:43.560
<v Speaker 5>And every time they said we can't promise this is

0:47:43.600 --> 0:47:45.560
<v Speaker 5>going to stay, Thomas like, I know it's year five,

0:47:46.040 --> 0:47:46.680
<v Speaker 5>you don't have to tell me.

0:47:47.480 --> 0:47:49.600
<v Speaker 1>But they did a great job. Talked about that. Can

0:47:49.680 --> 0:47:53.720
<v Speaker 1>you imagine, especially since you've directed, how they would board

0:47:53.840 --> 0:47:57.080
<v Speaker 1>that six episodes shooting two at the same time, How

0:47:57.120 --> 0:48:01.000
<v Speaker 1>they would board that. We often knew within a few hours,

0:48:01.080 --> 0:48:02.920
<v Speaker 1>like I've done other shows. You go, you wait five

0:48:03.000 --> 0:48:05.919
<v Speaker 1>hours at Moros they were I remember sometimes because Andrew

0:48:05.960 --> 0:48:08.360
<v Speaker 1>would play with the time. He would be literally like

0:48:08.520 --> 0:48:10.520
<v Speaker 1>pulling up their like were ready for you. He'd race

0:48:10.600 --> 0:48:12.799
<v Speaker 1>through makeup. Luckily he looked like Andrews and they would

0:48:12.800 --> 0:48:15.440
<v Speaker 1>just like makeup at him, and he would walk right onto.

0:48:15.280 --> 0:48:16.360
<v Speaker 4>Set like it was.

0:48:16.680 --> 0:48:18.400
<v Speaker 1>They had it down. Remember that.

0:48:18.880 --> 0:48:23.400
<v Speaker 5>Yeah, one of the best ads I've ever worked with,

0:48:23.800 --> 0:48:26.800
<v Speaker 5>maybe the best. Yeah, and who else do we have?

0:48:26.880 --> 0:48:28.040
<v Speaker 2>That was that.

0:48:28.239 --> 0:48:31.040
<v Speaker 3>It was a big part of making that all have

0:48:31.160 --> 0:48:32.440
<v Speaker 3>him on the podcast as well.

0:48:32.600 --> 0:48:33.960
<v Speaker 1>It was fun.

0:48:34.120 --> 0:48:36.200
<v Speaker 5>Yeah, yeah, So they were a really good group. And

0:48:36.239 --> 0:48:37.960
<v Speaker 5>then when we did Doubles Up, I just treated as

0:48:37.960 --> 0:48:39.800
<v Speaker 5>a two hour script and so I could keep my

0:48:41.000 --> 0:48:42.560
<v Speaker 5>mind straight. That's how I did it.

0:48:42.840 --> 0:48:46.360
<v Speaker 1>Oh interesting, but it wasn't you'd have six because so

0:48:46.520 --> 0:48:49.640
<v Speaker 1>much happened at that point, especially in the later seasons.

0:48:50.280 --> 0:48:53.239
<v Speaker 1>So much would happen in six shows because Daphnie and

0:48:53.239 --> 0:48:55.400
<v Speaker 1>I talked about it. We had a storyline during Double

0:48:55.480 --> 0:48:57.800
<v Speaker 1>Ups where I was going to testify for her for

0:48:57.960 --> 0:49:00.799
<v Speaker 1>child custody. And that was when Allison was in her

0:49:00.840 --> 0:49:04.640
<v Speaker 1>adorable drug and alcohol phase and I was high when

0:49:04.680 --> 0:49:06.960
<v Speaker 1>I was supposed to testify. But we couldn't like from

0:49:07.080 --> 0:49:09.719
<v Speaker 1>scene to scene we were best friends. Do I like

0:49:09.800 --> 0:49:10.560
<v Speaker 1>you or do I hate you?

0:49:10.640 --> 0:49:11.000
<v Speaker 5>Now? Yeah?

0:49:11.040 --> 0:49:12.880
<v Speaker 1>We had Did you not show up for me when.

0:49:12.719 --> 0:49:13.880
<v Speaker 4>I'm about to lose my baby?

0:49:14.000 --> 0:49:15.360
<v Speaker 3>Do you have a brain or do you not have

0:49:15.400 --> 0:49:15.719
<v Speaker 3>a brain?

0:49:15.800 --> 0:49:15.920
<v Speaker 2>Right?

0:49:16.000 --> 0:49:16.160
<v Speaker 4>Yeah?

0:49:17.320 --> 0:49:19.240
<v Speaker 1>Are you pretended?

0:49:19.360 --> 0:49:19.520
<v Speaker 4>Yes?

0:49:20.239 --> 0:49:23.640
<v Speaker 5>Yeah? Yeah, there's sometimes fun stuff.

0:49:23.920 --> 0:49:26.480
<v Speaker 4>Don't you think during TV? Things would go maybe not you,

0:49:26.560 --> 0:49:29.000
<v Speaker 4>It doesn't sound like you. But sometimes I hope this

0:49:29.160 --> 0:49:31.000
<v Speaker 4>is the right intention to play right here.

0:49:31.239 --> 0:49:32.520
<v Speaker 3>I hope it is the right way to say.

0:49:33.960 --> 0:49:35.960
<v Speaker 4>Keep it sort of vague. They can direct anything on you.

0:49:38.920 --> 0:49:40.000
<v Speaker 3>Going to be good enough.

0:49:41.320 --> 0:49:43.120
<v Speaker 5>That every scene I marked where I was coming from

0:49:43.160 --> 0:49:44.880
<v Speaker 5>and where I was going to, so I knew.

0:49:44.719 --> 0:49:45.759
<v Speaker 4>That, I know that's your train.

0:49:45.880 --> 0:49:49.000
<v Speaker 1>I would do ye remember going up to married saying,

0:49:49.120 --> 0:49:52.640
<v Speaker 1>I've completely lost my footing? Where am I in witch script?

0:49:52.800 --> 0:49:54.759
<v Speaker 1>Because they would just start to float around in my mind.

0:49:54.800 --> 0:49:55.120
<v Speaker 5>It's hard.

0:49:57.000 --> 0:49:59.879
<v Speaker 4>She gets so fresh, she goes, you know, your hair

0:50:00.239 --> 0:50:00.799
<v Speaker 4>on this side.

0:50:00.840 --> 0:50:02.200
<v Speaker 5>Your hair is on this side. We got to put

0:50:02.239 --> 0:50:02.799
<v Speaker 5>it on this side.

0:50:02.800 --> 0:50:07.719
<v Speaker 4>I'm like, don't touch my hair, and they'd spray it,

0:50:08.520 --> 0:50:11.440
<v Speaker 4>spray it. Because I didn't understand that yet so much.

0:50:11.560 --> 0:50:12.960
<v Speaker 4>Maybe you know I should have.

0:50:13.120 --> 0:50:18.480
<v Speaker 2>Yeah, it's really amazing the actors that can, you know,

0:50:18.960 --> 0:50:22.120
<v Speaker 2>mark it so well the technical aspect, but then forget it.

0:50:22.239 --> 0:50:25.360
<v Speaker 2>And bring in the emotion and know exactly where, you know,

0:50:25.480 --> 0:50:27.400
<v Speaker 2>we lift up the drink or we point to the

0:50:27.480 --> 0:50:28.000
<v Speaker 2>other person.

0:50:28.120 --> 0:50:30.040
<v Speaker 4>And it's a lot you got to remember.

0:50:30.880 --> 0:50:33.360
<v Speaker 2>And the script service will come up and tell you

0:50:33.520 --> 0:50:37.799
<v Speaker 2>that beforehand, and you can't let it, you know, Trump used,

0:50:38.320 --> 0:50:38.640
<v Speaker 2>you just.

0:50:38.760 --> 0:50:41.040
<v Speaker 4>Got to like somehow your brain has to get it

0:50:41.120 --> 0:50:43.040
<v Speaker 4>all in. You got to say the lines mean it.

0:50:43.600 --> 0:50:45.200
<v Speaker 4>You have to, you know, with emotion.

0:50:45.520 --> 0:50:47.960
<v Speaker 2>And and yet if you pick this up at the

0:50:48.000 --> 0:50:51.279
<v Speaker 2>wrong time, and it's just I remember learning all that.

0:50:51.800 --> 0:50:54.640
<v Speaker 2>So to what you said earlier about like not having energy,

0:50:54.719 --> 0:50:56.000
<v Speaker 2>I don't know that I'd have the brain.

0:50:57.160 --> 0:50:59.680
<v Speaker 4>It was like, no props, no blocking.

0:51:00.120 --> 0:51:02.640
<v Speaker 1>Can we just sit and do this? Can I sit

0:51:02.680 --> 0:51:03.400
<v Speaker 1>here and do them in order?

0:51:03.480 --> 0:51:03.560
<v Speaker 5>Ye?

0:51:06.160 --> 0:51:08.799
<v Speaker 4>In the center a radio.

0:51:08.600 --> 0:51:11.920
<v Speaker 5>Show, I think. Unfortunately, that's what you start to do

0:51:12.080 --> 0:51:14.160
<v Speaker 5>when you've got a lot of business is try to

0:51:14.200 --> 0:51:15.640
<v Speaker 5>cut it down to nothing so you don't have to

0:51:15.719 --> 0:51:18.520
<v Speaker 5>remember anything. But then you're just focused on remembering the lines,

0:51:18.560 --> 0:51:20.480
<v Speaker 5>and then you take the life out of it. I know.

0:51:20.760 --> 0:51:25.600
<v Speaker 5>Remember Victoria Huckburg, Yes, a lovely director. Lovely loved her,

0:51:25.719 --> 0:51:29.759
<v Speaker 5>we thought constantly because she had because she wanted you

0:51:29.920 --> 0:51:33.520
<v Speaker 5>to do specific things her way. She had a really

0:51:33.680 --> 0:51:36.640
<v Speaker 5>cool camera sense, right. Remember she used to flip us

0:51:36.640 --> 0:51:38.360
<v Speaker 5>over so we wouldn't get into three close ups and

0:51:38.400 --> 0:51:43.120
<v Speaker 5>bring us closer and kind of naturally escalate cinematically, but

0:51:43.239 --> 0:51:45.600
<v Speaker 5>not here You're like, well, I can't remember that, and

0:51:45.760 --> 0:51:49.040
<v Speaker 5>so carry forward with the scene. So I thought she

0:51:49.200 --> 0:51:51.840
<v Speaker 5>was brilliant. I think she liked me pretty much, although

0:51:51.880 --> 0:51:53.080
<v Speaker 5>I was a big pin in the butt for her

0:51:53.080 --> 0:51:55.200
<v Speaker 5>because I'm like, no, no, this doesn't feel right, this

0:51:55.239 --> 0:51:58.240
<v Speaker 5>doesn't feel natural. But I didn't get her vision until

0:51:58.280 --> 0:52:02.080
<v Speaker 5>I watched a couple of episodes, and then I consciously

0:52:02.200 --> 0:52:05.160
<v Speaker 5>worked harder to know my stuff more so that next

0:52:05.200 --> 0:52:08.600
<v Speaker 5>time she came in, I could do her thing better. Yeah,

0:52:08.680 --> 0:52:10.400
<v Speaker 5>but it took a lot more studying. You had to

0:52:10.520 --> 0:52:11.759
<v Speaker 5>really really know.

0:52:12.040 --> 0:52:15.120
<v Speaker 2>I remember loving her because I had such dramatic stuff

0:52:15.200 --> 0:52:18.320
<v Speaker 2>up at the beach house when Marcia has my baby.

0:52:18.480 --> 0:52:21.400
<v Speaker 2>I go in and I'm screaming, and she opens the

0:52:21.480 --> 0:52:24.160
<v Speaker 2>door and there's like that chain there and she's like

0:52:24.920 --> 0:52:29.200
<v Speaker 2>breastfeeding my baby. Yes, And it was like I remember

0:52:29.719 --> 0:52:32.840
<v Speaker 2>being Victoria and just I go around and I slam

0:52:33.040 --> 0:52:35.400
<v Speaker 2>through the thing, and I felt freer with her stuff.

0:52:35.440 --> 0:52:37.480
<v Speaker 4>For some reason. Was that with the camera stuff.

0:52:38.000 --> 0:52:38.400
<v Speaker 5>I don't know.

0:52:38.520 --> 0:52:38.799
<v Speaker 1>I did.

0:52:40.840 --> 0:52:41.440
<v Speaker 3>Really passionate.

0:52:42.080 --> 0:52:42.840
<v Speaker 2>I could get into the.

0:52:42.840 --> 0:52:43.520
<v Speaker 3>Emotion of it.

0:52:44.120 --> 0:52:47.680
<v Speaker 5>Couldn't be her, no, But it just took me a

0:52:47.760 --> 0:52:50.800
<v Speaker 5>while to adjust because I was I think, as in

0:52:50.840 --> 0:52:53.160
<v Speaker 5>a director, I'm like, show me what you guys feel right,

0:52:53.200 --> 0:52:55.960
<v Speaker 5>what feels right? Let's moving around okay, because I think

0:52:56.040 --> 0:52:58.400
<v Speaker 5>that's easy to repeat because you're going with your instincts

0:52:58.440 --> 0:53:01.400
<v Speaker 5>and I'm working off of that. She didn't.

0:53:01.520 --> 0:53:04.120
<v Speaker 2>So this took me a while, but I read direct

0:53:04.360 --> 0:53:07.239
<v Speaker 2>Every director was different. Every director was different. I mean,

0:53:07.360 --> 0:53:09.920
<v Speaker 2>you know, Charlie Corrall did a lot of them. There

0:53:09.960 --> 0:53:12.040
<v Speaker 2>were some that would come in from other shows, and

0:53:12.120 --> 0:53:15.480
<v Speaker 2>I felt like they were more technical, just kind of

0:53:15.600 --> 0:53:18.400
<v Speaker 2>like you know, doing the traditional over the shoulder. And

0:53:18.960 --> 0:53:22.120
<v Speaker 2>even though we know our characters, I like a director,

0:53:22.280 --> 0:53:25.600
<v Speaker 2>I like an emotional direction at least a suggestion.

0:53:26.280 --> 0:53:28.480
<v Speaker 5>Yeah, yeah, you know. I think when we were in

0:53:28.560 --> 0:53:31.680
<v Speaker 5>our groove by season two, then the directors were coming

0:53:31.719 --> 0:53:34.680
<v Speaker 5>in and moving the camera around, and there was very

0:53:34.719 --> 0:53:36.279
<v Speaker 5>little like you should do this, you should do that,

0:53:36.440 --> 0:53:38.040
<v Speaker 5>or try this or try that. I mean so I

0:53:38.120 --> 0:53:40.400
<v Speaker 5>don't remember that lot, right, do you guys? No?

0:53:41.200 --> 0:53:42.480
<v Speaker 1>I remember people coming right.

0:53:42.800 --> 0:53:45.439
<v Speaker 2>I think that was something I had to transition into,

0:53:45.760 --> 0:53:50.239
<v Speaker 2>coming from films where directors really love to direct you

0:53:50.280 --> 0:53:52.000
<v Speaker 2>and let's try it again and try it this way.

0:53:52.040 --> 0:53:53.800
<v Speaker 2>That's great, we'll print it, but let's try this and

0:53:53.880 --> 0:53:57.560
<v Speaker 2>let's try that. I really relied on a director to

0:53:57.719 --> 0:54:01.160
<v Speaker 2>help my performance and so coming on this and they

0:54:01.200 --> 0:54:04.200
<v Speaker 2>wouldn't do that kind of just chat to you in between,

0:54:04.320 --> 0:54:06.759
<v Speaker 2>and then we're going to move the camera here. You know,

0:54:06.800 --> 0:54:10.120
<v Speaker 2>it looked beautiful cinematically, but I had to learn to like, Okay,

0:54:10.200 --> 0:54:12.279
<v Speaker 2>I guess I'll just go for it. You know, try this,

0:54:12.440 --> 0:54:12.960
<v Speaker 2>I'll try that.

0:54:13.640 --> 0:54:15.840
<v Speaker 4>It's just a weird adjustment to make, but you just

0:54:15.920 --> 0:54:16.120
<v Speaker 4>make it.

0:54:16.360 --> 0:54:19.360
<v Speaker 3>You talked about the comedy part, like there was a

0:54:19.440 --> 0:54:22.319
<v Speaker 3>couple of seasons three and four and five maybe where

0:54:22.719 --> 0:54:27.440
<v Speaker 3>we got to sort of move into more that objective,

0:54:27.680 --> 0:54:30.320
<v Speaker 3>and I think the directors too, started to have some

0:54:30.400 --> 0:54:32.440
<v Speaker 3>fun with that to see that opportunity, and they were

0:54:32.480 --> 0:54:35.920
<v Speaker 3>in certain storylines, in certain settings like that office setting

0:54:36.000 --> 0:54:39.440
<v Speaker 3>that Mancini burns. We were just it was like a

0:54:39.640 --> 0:54:42.880
<v Speaker 3>uniquely creative environment because we'd tapped into something that was

0:54:42.960 --> 0:54:45.840
<v Speaker 3>like comedy. That was kind of a special little pocket

0:54:45.880 --> 0:54:49.120
<v Speaker 3>on the show. And I was lucky and I think

0:54:49.120 --> 0:54:51.920
<v Speaker 3>you were lucky too to have that to be one

0:54:51.960 --> 0:54:53.880
<v Speaker 3>foot in that part. You know, they got to re

0:54:54.000 --> 0:54:56.640
<v Speaker 3>elimitted that way too. Yeah, but that it got we

0:54:56.760 --> 0:54:58.640
<v Speaker 3>got to be having a little bit more fun in

0:54:58.680 --> 0:55:00.719
<v Speaker 3>a different way. You know, it wasn't wasn't earnest. We

0:55:00.800 --> 0:55:02.839
<v Speaker 3>got to sort of explore that comedy part.

0:55:02.920 --> 0:55:05.680
<v Speaker 1>I thought that was, like, well, they took advantage of

0:55:05.719 --> 0:55:07.440
<v Speaker 1>having all three of you who can do comedy in

0:55:07.520 --> 0:55:09.960
<v Speaker 1>one place, right, they really took advantage of that.

0:55:10.120 --> 0:55:11.279
<v Speaker 2>Well, that was super fun.

0:55:11.440 --> 0:55:13.840
<v Speaker 5>When I remember back on the show poorly, as you

0:55:13.960 --> 0:55:18.719
<v Speaker 5>have pointed out, I thought we were more drama and

0:55:18.920 --> 0:55:21.719
<v Speaker 5>real and stuff, and there wasn't that much comedy. And

0:55:21.840 --> 0:55:24.759
<v Speaker 5>then we transitioned, as we said, somewhere between thirteen and

0:55:24.840 --> 0:55:29.880
<v Speaker 5>season two, Okay, let's just keep it. But when I

0:55:30.000 --> 0:55:32.760
<v Speaker 5>rewatched the pilot, there was a lot of funny stuff

0:55:32.800 --> 0:55:35.040
<v Speaker 5>in that I was I was kind of surprised at

0:55:35.080 --> 0:55:35.840
<v Speaker 5>how funny it was.

0:55:36.360 --> 0:55:39.440
<v Speaker 1>There was definitely comedy in the beginning, but it was sweet,

0:55:39.680 --> 0:55:42.600
<v Speaker 1>authentic kind. It's like the characters being funny with each other,

0:55:42.680 --> 0:55:45.279
<v Speaker 1>and later became this camp, this high camp.

0:55:45.320 --> 0:55:47.680
<v Speaker 5>That's what I think it was. I think at burns Mansni.

0:55:47.920 --> 0:55:49.840
<v Speaker 5>Now it finally occurs to me the name of the office.

0:55:51.440 --> 0:55:54.319
<v Speaker 5>The comedy was in our sincerity in doing all our

0:55:54.560 --> 0:55:58.359
<v Speaker 5>evil deeds together at the same time. I was trys

0:55:58.560 --> 0:56:00.759
<v Speaker 5>you to get him, and then I'd run into my

0:56:00.840 --> 0:56:03.600
<v Speaker 5>office and he would come out, well look, and then

0:56:03.640 --> 0:56:05.480
<v Speaker 5>you'd leave, and then you'd be doing a scheme on

0:56:05.560 --> 0:56:06.120
<v Speaker 5>both of us, and.

0:56:07.640 --> 0:56:09.759
<v Speaker 3>Yeah, and that kind yeah, that was great.

0:56:09.840 --> 0:56:14.160
<v Speaker 2>See, Joe didn't get that. I, I, you know, always

0:56:14.239 --> 0:56:17.799
<v Speaker 2>got this real stuff, but an earnest but over the top.

0:56:18.320 --> 0:56:21.919
<v Speaker 4>Horrible stuff happened, and I'm taking horrible guys.

0:56:22.040 --> 0:56:24.279
<v Speaker 2>That were doing horrible things to me, and I would

0:56:24.360 --> 0:56:26.839
<v Speaker 2>just be like, and then I'd pick another guy sort

0:56:26.880 --> 0:56:30.120
<v Speaker 2>of similar. So I just remember going Everyone's calling this

0:56:30.200 --> 0:56:32.640
<v Speaker 2>a soaprop up, but I find it like very serious,

0:56:32.880 --> 0:56:33.040
<v Speaker 2>you know.

0:56:33.280 --> 0:56:35.799
<v Speaker 4>Like so one time, I and we.

0:56:35.800 --> 0:56:38.000
<v Speaker 2>Didn't have time to watch a lot of the episodes.

0:56:38.239 --> 0:56:39.880
<v Speaker 2>I didn't have time to go back and watch them

0:56:39.880 --> 0:56:42.160
<v Speaker 2>because we were just shooting and shooting, and the would

0:56:42.160 --> 0:56:44.600
<v Speaker 2>air on a Monday or Wednesday night those I think

0:56:44.600 --> 0:56:47.080
<v Speaker 2>there were the two nights. But did you did you

0:56:47.160 --> 0:56:49.760
<v Speaker 2>watch while we were everyone, well, we were shooting.

0:56:50.840 --> 0:56:53.400
<v Speaker 5>Whenever they came out or if shortly thereafter.

0:56:53.440 --> 0:56:55.520
<v Speaker 4>If you weren't at work, especially.

0:56:55.160 --> 0:56:57.560
<v Speaker 5>Early on, I watched them sooner again for me, you know,

0:56:57.680 --> 0:57:00.560
<v Speaker 5>here goes mister Anal. It was quality control. I want

0:57:00.600 --> 0:57:02.880
<v Speaker 5>to know if what I was doing was translating on film.

0:57:03.560 --> 0:57:05.720
<v Speaker 5>And I also was interested in how the editing process

0:57:05.840 --> 0:57:08.520
<v Speaker 5>was going and what they were using because I played

0:57:08.600 --> 0:57:11.400
<v Speaker 5>scenes a lot of different ways normally that was just

0:57:11.440 --> 0:57:13.560
<v Speaker 5>the way I like to do it. And I was like, oh,

0:57:13.680 --> 0:57:15.279
<v Speaker 5>I choose that. I thought the other stuff was so

0:57:15.400 --> 0:57:18.200
<v Speaker 5>much stronger. But I didn't see it on film, so wow,

0:57:19.120 --> 0:57:22.000
<v Speaker 5>that's great. I didn't do that at all. I was like,

0:57:22.880 --> 0:57:23.960
<v Speaker 5>I didn't. I just didn't do that.

0:57:24.040 --> 0:57:25.880
<v Speaker 4>But I wish I I wish I had Maybe I

0:57:25.880 --> 0:57:26.560
<v Speaker 4>don't know, I remember.

0:57:26.800 --> 0:57:28.800
<v Speaker 2>And there are some actors that like watching themselves and

0:57:28.920 --> 0:57:33.360
<v Speaker 2>some that don't, because like after that, after Meloer's plays,

0:57:33.440 --> 0:57:35.880
<v Speaker 2>video Village was became a thing where you could actually

0:57:36.000 --> 0:57:37.120
<v Speaker 2>watch it there on set.

0:57:37.680 --> 0:57:40.360
<v Speaker 5>I know, thank god that doesn't exist now that in

0:57:40.440 --> 0:57:43.440
<v Speaker 5>social Media's reason, I don't care about working anymore. I

0:57:43.520 --> 0:57:46.840
<v Speaker 5>don't have the strength to do all that stuff too much.

0:57:47.600 --> 0:57:51.680
<v Speaker 1>Do people actually like watch back a scene they just did? Yeah,

0:57:51.800 --> 0:57:55.520
<v Speaker 1>you can't I would be frozen. I've had directors frozen solid.

0:57:57.040 --> 0:57:57.560
<v Speaker 5>Yeah, I know.

0:57:58.400 --> 0:58:00.560
<v Speaker 2>I've had directors ask do you like, are you one

0:58:00.560 --> 0:58:02.400
<v Speaker 2>of the ones that like to watch yourself like you're there,

0:58:02.480 --> 0:58:05.160
<v Speaker 2>you've just shot it, And I'm like, no, to this day,

0:58:05.200 --> 0:58:07.120
<v Speaker 2>it's too you don't want to get in your.

0:58:07.320 --> 0:58:08.720
<v Speaker 3>It's going to take twice as long.

0:58:09.560 --> 0:58:11.360
<v Speaker 1>Well, but also you get out of your body and

0:58:11.640 --> 0:58:14.120
<v Speaker 1>start acting from the outside. Yeah, if you have to

0:58:14.320 --> 0:58:16.560
<v Speaker 1>check it as you and I.

0:58:16.560 --> 0:58:18.640
<v Speaker 5>Don't know if it was always like this, but the shot,

0:58:18.840 --> 0:58:22.440
<v Speaker 5>you know, the bunch of stuff I've done since Melrose Place. Man,

0:58:22.480 --> 0:58:24.440
<v Speaker 5>there's a ton of people around Video village. I mean

0:58:24.560 --> 0:58:27.600
<v Speaker 5>everybody's down there. Yeah. Yeah, the producer, we had the writer.

0:58:27.880 --> 0:58:29.240
<v Speaker 5>We never even the writer.

0:58:29.880 --> 0:58:33.240
<v Speaker 2>They were they were writing the next episodes, Frank and

0:58:33.840 --> 0:58:37.040
<v Speaker 2>Darren for a while, and Carrol and Carol.

0:58:37.240 --> 0:58:38.400
<v Speaker 5>Yeah, they were.

0:58:38.280 --> 0:58:39.280
<v Speaker 4>Writing far away.

0:58:39.320 --> 0:58:42.360
<v Speaker 1>Weren't even on Morow's place. There wasn't a monitor, right,

0:58:42.560 --> 0:58:45.600
<v Speaker 1>they were watching the scene trusting the DP.

0:58:46.120 --> 0:58:48.680
<v Speaker 5>There was no there was a monitor. Yeah, yeah, it

0:58:48.920 --> 0:58:54.200
<v Speaker 5>was yeah, annoyingly, I never used it. I stood right

0:58:54.240 --> 0:58:55.840
<v Speaker 5>by the camera because I don't know why. I thought

0:58:55.880 --> 0:59:02.400
<v Speaker 5>that was better out of my face, Like I feel

0:59:02.400 --> 0:59:03.439
<v Speaker 5>your buddy, But I can't.

0:59:03.720 --> 0:59:06.680
<v Speaker 1>I can't well because I remember them saying did we

0:59:06.800 --> 0:59:09.520
<v Speaker 1>get it right? And if they were watching the monitor,

0:59:09.560 --> 0:59:12.240
<v Speaker 1>they know. I remember directors saying to the DP, did

0:59:12.280 --> 0:59:13.880
<v Speaker 1>we get it? Don't you remember that?

0:59:14.600 --> 0:59:16.800
<v Speaker 5>Maybe check the gate kind of stuff? But you're right, yeah,

0:59:16.840 --> 0:59:19.720
<v Speaker 5>I remember that as well though. But I know there

0:59:19.760 --> 0:59:22.120
<v Speaker 5>was also a monitor because Chuck was always behind the monitor.

0:59:22.160 --> 0:59:24.600
<v Speaker 1>Because we were filmed like we would have fifteen minute breaks,

0:59:24.640 --> 0:59:26.680
<v Speaker 1>remember changed the film. We'd have a fifteen minute break

0:59:26.680 --> 0:59:27.520
<v Speaker 1>when they had to change.

0:59:27.600 --> 0:59:29.520
<v Speaker 4>You know, you were on for seven years, so I

0:59:29.560 --> 0:59:32.200
<v Speaker 4>think there there might have been a changeover.

0:59:33.960 --> 0:59:36.400
<v Speaker 5>HD happened in the middle of our run, remember that

0:59:36.640 --> 0:59:41.080
<v Speaker 5>makeup change and everything else. I hated it. We all

0:59:41.200 --> 0:59:41.480
<v Speaker 5>hate it.

0:59:43.560 --> 0:59:47.560
<v Speaker 3>Well, we have loved having you here. And as much

0:59:47.600 --> 0:59:52.400
<v Speaker 3>as we sprayed some stinky perfume, I hope you would

0:59:52.480 --> 0:59:57.440
<v Speaker 3>be willing to come back again before if we promise

0:59:57.520 --> 0:59:59.720
<v Speaker 3>not to spray you with anything that sticks next time,

0:59:59.960 --> 1:00:00.440
<v Speaker 3>you please?

1:00:00.880 --> 1:00:03.480
<v Speaker 1>That went so fast. You were right, You said it

1:00:03.520 --> 1:00:05.640
<v Speaker 1>on a sign and sheet. You set an intention. It's

1:00:05.680 --> 1:00:07.480
<v Speaker 1>going to be fun and it was super fun.

1:00:07.640 --> 1:00:08.840
<v Speaker 3>And will you come back?

1:00:08.960 --> 1:00:10.320
<v Speaker 4>Will you come back? That's the question.

1:00:10.640 --> 1:00:12.280
<v Speaker 5>Oh, God, no, and then we have to live up

1:00:12.320 --> 1:00:13.240
<v Speaker 5>to this again. We can't.

1:00:13.440 --> 1:00:18.640
<v Speaker 1>Yes, we'll get in when we're in Mancini Burns, that's

1:00:18.720 --> 1:00:19.720
<v Speaker 1>probably when we'll happen.

1:00:20.000 --> 1:00:24.360
<v Speaker 5>I'm not sitting next to him because you know he's.

1:00:25.080 --> 1:00:26.440
<v Speaker 1>You and Jack together.

1:00:27.840 --> 1:00:30.280
<v Speaker 3>Jack, you know we'll separate you, but.

1:00:32.080 --> 1:00:35.120
<v Speaker 1>Separate Laura and you and Jack. Poor daph will be

1:00:35.160 --> 1:00:37.120
<v Speaker 1>the only one allowed in the room and you'll have.

1:00:38.960 --> 1:00:39.160
<v Speaker 5>Yeah.

1:00:39.880 --> 1:00:41.000
<v Speaker 3>Sorry, we'll spray Jack.

1:00:42.080 --> 1:00:42.200
<v Speaker 5>Well.

1:00:42.320 --> 1:00:43.360
<v Speaker 4>We've loved having you.

1:00:43.680 --> 1:00:45.400
<v Speaker 3>Thanks for all the questions fans.

1:00:46.400 --> 1:00:46.720
<v Speaker 2>Thank you.

1:00:47.040 --> 1:00:48.200
<v Speaker 4>Those were the most fun.

1:00:48.320 --> 1:00:51.000
<v Speaker 1>Thank you, thank you, and we'll see you next week.