WEBVTT - Episode 463 w/ Estelle

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<v Speaker 1>He is drinks chess, motherfucking podcast man.

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<v Speaker 2>He's a legendary queens rapper.

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<v Speaker 3>He ain't agreed that your boy in O R E.

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<v Speaker 3>He's a Miami hip hop pioneer. What up his dj

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<v Speaker 3>E f N. Together they drink it up with some

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<v Speaker 3>of the biggest players, you know what I mean.

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<v Speaker 2>And the most professional unprofessional podcast and your number one

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<v Speaker 2>source for drunk drink chans.

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<v Speaker 3>Mo Days New Year c That's it's time for drink Champions.

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<v Speaker 3>Drink up, motherfuck mother? Would it good?

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<v Speaker 4>Bess?

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<v Speaker 3>Boy in O R E. One up his dj E

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<v Speaker 3>f N mil timate Crazy World podcast. Make something nice,

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<v Speaker 3>drink champs. Baby.

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<v Speaker 4>We are so happy to have this woman from.

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<v Speaker 3>Across the pond.

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<v Speaker 2>She's here now you're kidding me, Bro, I gotta do it.

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<v Speaker 3>I gotta do it, bro. Oh, here we go.

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<v Speaker 4>I gotta do.

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<v Speaker 5>It so across the pond. This woman is a legend

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<v Speaker 5>amongst legends.

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<v Speaker 3>Hits, a pond hits.

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<v Speaker 5>We can't talk about her without calling her an icon,

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<v Speaker 5>a legend, a person that we have to lay out

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<v Speaker 5>the flowers when she walks in the room. In case

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<v Speaker 5>you don't understand or no, what the hell fucking talking about?

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<v Speaker 3>We're talking about you.

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<v Speaker 5>You bro, Yeah, I feel like I'm from the UK? Okay,

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<v Speaker 5>is that messed up? Because because I know accent.

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<v Speaker 3>Everyone does, everyone does. That's okay.

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<v Speaker 6>No, we we sound Southern when we try to do

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<v Speaker 6>American accents.

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<v Speaker 3>So it's it's very strange. It's okay, we'd take and

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<v Speaker 3>there's different accents over there too, like.

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<v Speaker 1>It was here.

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<v Speaker 7>So there's six and one half a dozen.

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<v Speaker 4>So if I say, bro, I'm sucking.

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<v Speaker 5>Up now, okay, what are you going to say? Normal,

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<v Speaker 5>I'm gonna I'm gonna have a shot.

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<v Speaker 2>Yeah, go ahead, but Jamie, are you gonna drink drinking?

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<v Speaker 3>Are you drinking? Kicky?

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<v Speaker 6>Said Davis, and a cup of ginger? I should have missed.

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<v Speaker 5>She flows on us that.

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<v Speaker 3>That's that's Beyonce. You know, I'm a brown looker girl,

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<v Speaker 3>and really I am.

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<v Speaker 5>I am so so so hennessy is your Starnes?

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<v Speaker 6>I know, I say one of my whiskey, whiskey scotch.

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<v Speaker 6>That's my deal, okay, all right, so what kind of whiskey?

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<v Speaker 3>All right?

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<v Speaker 6>So it's stages to it. So it's McAllen, it's calin.

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<v Speaker 6>That's that's that's ill. Okay, Yeah, that's my stage one.

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<v Speaker 4>Yeah, you know, I know my drink.

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<v Speaker 6>I'm drinking, you know, and then there's oh bonn if

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<v Speaker 6>I'm being fancy and outside low key, and then you know,

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<v Speaker 6>I stick around those two. So Davis is a new

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<v Speaker 6>addition to the scenario. I like the taste of it.

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<v Speaker 6>It hits where it hits in. You know, it feels good, is.

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<v Speaker 5>Fantastic, it's great. Okay, let's get straight to it. Yeah,

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<v Speaker 5>you had Kanye on your you go, let's talk.

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<v Speaker 3>Just get straight to it.

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<v Speaker 5>Yeah, hey man, we had Kanye on hair.

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<v Speaker 3>Yeah your friends? Did you say my friend? No?

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<v Speaker 5>I like that, but yeah, is that controversy having somebody

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<v Speaker 5>that's controversies on your record?

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<v Speaker 3>Is it? Is that?

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<v Speaker 6>No, Because at the end of the day, it's my

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<v Speaker 6>record and it was always my record, and I performed it.

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<v Speaker 6>It's my record, and you know, I feel like the

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<v Speaker 6>point of the record was joy. The point of the

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<v Speaker 6>record was happiness. Point of record was legacy, Like I

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<v Speaker 6>prayed for it to be this kind of record. So

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<v Speaker 6>I can't focus on what doesn't feel like that anymore,

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<v Speaker 6>just because i't feel like that anymore. I have to

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<v Speaker 6>move with what the record is, and to me, people's kids, kids,

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<v Speaker 6>kids like I have grandparents like I was when your

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<v Speaker 6>song came out, and my grandkids like, oh man, I

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<v Speaker 6>come and I'm just like, that's.

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<v Speaker 3>What we did it for.

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<v Speaker 6>So, you know, I feel like when God moves, you

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<v Speaker 6>can't really you can't get caught up in whatever doesn't

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<v Speaker 6>fit the.

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<v Speaker 3>Mold in a moment. It's my point.

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<v Speaker 7>So I don't really focus on that.

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<v Speaker 3>I don't worry about that. And I've been singing it myself.

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<v Speaker 6>And promoting it for seventeen o the years since it's

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<v Speaker 6>been out.

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<v Speaker 7>Yeah, that's my joint, my song.

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<v Speaker 3>Yeah, by the way, that was the purpose.

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<v Speaker 6>That's true, because look, we're all humans, and I like

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<v Speaker 6>people will be on their journey. That's the other thing

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<v Speaker 6>I say. People are on their journey on mine before

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<v Speaker 6>I came here. He was on his before we got together,

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<v Speaker 6>and do that record. He's on his now and I'm

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<v Speaker 6>still on mine and I can't.

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<v Speaker 5>I'm not the judge, no anything off a gig. We

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<v Speaker 5>had him last week and I didn't realize that America

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<v Speaker 5>is just as mean to you guys as that that

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<v Speaker 5>we are like to us.

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<v Speaker 4>Because I didn't.

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<v Speaker 5>I didn't realize, like when I tried to enter the UK, like.

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<v Speaker 4>How mean they were to me? But then they are

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<v Speaker 4>mean to y'all like that the same way.

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<v Speaker 3>What do you mean mean like when you travel back

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<v Speaker 3>and forth?

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<v Speaker 6>Yeah, I think I think any boarder, thank you. I

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<v Speaker 6>think any boarder anywhere any place. And I hate to

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<v Speaker 6>generalize this because you're talking about the UK, but like

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<v Speaker 6>their job is to be mean at the borders.

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<v Speaker 3>Isn't it?

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<v Speaker 7>Like their job is.

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<v Speaker 3>The screen people screen people like I go to that's

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<v Speaker 3>a whole other.

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<v Speaker 6>People wore me and then I was like, oh no, okay,

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<v Speaker 6>well I'm here to do this, thank you.

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<v Speaker 5>I wish I knew Drake back then, you know what

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<v Speaker 5>I watched like back then, I'm not sure he would

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<v Speaker 5>have let us us through the door. Anyway, I'm sorry.

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<v Speaker 6>I mean, it's it's kind of their job. But you know,

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<v Speaker 6>you have to also be calm, and we travel a lot, right,

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<v Speaker 6>so I have Like I said, between me and my team,

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<v Speaker 6>we figured out I have a master's degree, and just

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<v Speaker 6>being like I'm here for this, I'm not gonna be

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<v Speaker 6>I'm not gonna be laid down, but also.

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<v Speaker 7>I'm here to do my job.

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<v Speaker 3>You have a master's degree.

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<v Speaker 6>Like a master's degree and being calm.

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<v Speaker 3>Did we have a master's degree in Russia?

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<v Speaker 2>At one point and being calm, we went through some

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<v Speaker 2>ship in Russia.

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<v Speaker 3>They treated was pretty crazy. I do it.

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<v Speaker 7>I was thinking about that.

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<v Speaker 6>It was in Russia with my team and we saw

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<v Speaker 6>like maybe we counted the amount of black people we

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<v Speaker 6>saw that.

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<v Speaker 3>That's what he said. That was he even said, because

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<v Speaker 3>you said.

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<v Speaker 6>Nothing and you just be so happy, like hi, hi,

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<v Speaker 6>like when you see him.

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<v Speaker 3>You said, you saw Oh no, what happened?

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<v Speaker 5>No, it was crazy because when we landed in Russia,

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<v Speaker 5>we have we said the story often and we had

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<v Speaker 5>a guy that said his his tad said Russia is

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<v Speaker 5>against ra racism.

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<v Speaker 2>That was the people that brought us out there to

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<v Speaker 2>do a show. Like this place we're fu.

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<v Speaker 4>So if you have to say that, you understand it's

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<v Speaker 4>the thing.

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<v Speaker 5>So what's one of the craziest places you performed that?

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<v Speaker 3>Oh God, you didn't know.

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<v Speaker 7>Lebanon?

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<v Speaker 3>Wow?

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<v Speaker 6>Yeah it was Lebanon, right, No, yeah, yeah, that's the capital.

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<v Speaker 6>So because so this is the part where you realize

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<v Speaker 6>we don't get as much information and news via general

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<v Speaker 6>news sources as we should, or we're not paying attention

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<v Speaker 6>because I go we went to perform. Half my team

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<v Speaker 6>were like, nah, different excuses not to come. So I

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<v Speaker 6>ended up going with like my DJ and like a

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<v Speaker 6>couple of dancers and we go out and I'm like,

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<v Speaker 6>this isn't that bad. It's okay. The hotel they put

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<v Speaker 6>us and was beautiful, and then we walk out onto

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<v Speaker 6>the patio and it's like the bullet bullet brittle building.

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<v Speaker 7>No, but it was.

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<v Speaker 6>It was just like it was really it was still

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<v Speaker 6>the remnants of like the ongoing war out here that

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<v Speaker 6>that isn't stopping, that isn't showing anything.

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<v Speaker 7>What was ten twelve years.

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<v Speaker 3>Ago, it was still going on.

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<v Speaker 6>So to me it was just like, oh, we really

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<v Speaker 6>are outside in the world. But it was that, and

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<v Speaker 6>it was that, And then we ended up performing. The

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<v Speaker 6>venue was beautiful. I didn't know what to expect. Too crazy, Yeah,

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<v Speaker 6>the people are amazing, And we end up performing at

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<v Speaker 6>the top of this venue that was like the most

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<v Speaker 6>incredible skyline you can see, and I was standing on

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<v Speaker 6>the bar. It was just glorious, like standing on standing

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<v Speaker 6>on chairs like.

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<v Speaker 7>It was wine felt like here.

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<v Speaker 6>Or London, but we're in Beirut a top of the

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<v Speaker 6>building and the building next door has definitely.

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<v Speaker 3>Got all through it. It's crazy. It was just like.

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<v Speaker 5>I got to take a shot for you than you.

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<v Speaker 3>Are we doing? Are we doing the flowers? Yes, let's

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<v Speaker 3>give it. Mm hmm.

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<v Speaker 5>Our show was about giving people they flowers where they

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<v Speaker 5>can smell them, doors where they could tell them you,

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<v Speaker 5>drinks where they could drink them, and they thinks where they.

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<v Speaker 3>Could think them.

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<v Speaker 5>Okay, we're gonna give you your flowers.

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<v Speaker 3>This is very cool.

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<v Speaker 5>Snoop Dog says better than a Grammy.

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<v Speaker 3>It is.

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<v Speaker 6>And I'm honest, this is a big deal for me

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<v Speaker 6>right now, like people don't think I do like I'll

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<v Speaker 6>be outside a little like you know.

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<v Speaker 7>So this is a big deal.

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<v Speaker 3>Thank you. Oh gosh, you's put it right here. I do.

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<v Speaker 5>Okay, it's just in case, okay, just.

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<v Speaker 3>In case he hit up. Thank you. That's so perfect.

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<v Speaker 3>Thank you.

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<v Speaker 5>So I would like you to describe the UK scene

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<v Speaker 5>right because I'm so sorry I have to ask this. Yeah,

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<v Speaker 5>I'm looking on the UK recent comments.

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<v Speaker 6>Is it safe, it's safe, it's not, it's not, it's

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<v Speaker 6>it's I say this same is different currency. I could

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<v Speaker 6>same ship, different currency wherever you go. It is your drama.

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<v Speaker 6>If you don't start, nothing won't be nothing if you

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<v Speaker 6>act like you know you're from where you're from, you

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<v Speaker 6>know what.

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<v Speaker 3>The rules are. Everywhere is everywhere? You know what the rules?

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<v Speaker 3>Oh my god, get whole reference.

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<v Speaker 6>We're talking about like safe aerrias to like the eighteen

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<v Speaker 6>hundred and sixty five.

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<v Speaker 3>So I'm going to fight.

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<v Speaker 5>You like I'm like damn because you know, London always

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<v Speaker 5>showed me love.

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<v Speaker 4>I play the Best hood O t with Tim Westwood.

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<v Speaker 3>Yeah, yeah, I said that back in the day.

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<v Speaker 5>Holy mortal. Now I'm scared because they they chop off

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<v Speaker 5>the man.

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<v Speaker 6>Man, You're fine, You're they love chomping off your hand.

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<v Speaker 4>You find my good What's what's Nando's?

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<v Speaker 7>You're good at Nando's. This This is why.

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<v Speaker 6>So there's like a run of places as people think

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<v Speaker 6>I'm the restaurant master.

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<v Speaker 7>Low key, I am to my friends.

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<v Speaker 4>But okay, the restaurants we're good at, well.

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<v Speaker 3>There's a few of them. There's a lot of but

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<v Speaker 3>there's a lot in there.

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<v Speaker 6>It's all specific, right, But my whole thing is like

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<v Speaker 6>go to Nando's if you're in London. That's the that's

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<v Speaker 6>a safe bet. That's your version of Church's Chicken. That's

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<v Speaker 6>your version of like whatever food. What's the one someone

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<v Speaker 6>out here I forget the name, but not prop Oh no, Miami,

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<v Speaker 6>Miami finger like finger. It's like think, you know you're

0:12:08.559 --> 0:12:09.320
<v Speaker 6>gonna get good food.

0:12:09.320 --> 0:12:09.720
<v Speaker 4>You're good to.

0:12:10.679 --> 0:12:15.280
<v Speaker 6>That's so we're just going. Yeah, that's my that's my thing.

0:12:15.440 --> 0:12:17.000
<v Speaker 4>Okay, And what are you drinking?

0:12:17.200 --> 0:12:20.040
<v Speaker 7>I'm drinking again?

0:12:21.120 --> 0:12:22.679
<v Speaker 3>What are you drink? I'm drinking to day.

0:12:22.679 --> 0:12:24.679
<v Speaker 6>It's ginger L. I should have been doing ginger L.

0:12:24.840 --> 0:12:28.080
<v Speaker 6>But I need I need, no, no, I.

0:12:29.559 --> 0:12:31.880
<v Speaker 3>Should. I feel like that's how I should drink it.

0:12:31.960 --> 0:12:35.640
<v Speaker 2>But can I do any sta?

0:12:36.080 --> 0:12:39.320
<v Speaker 6>Yeah, I'm trying to be tame.

0:12:39.360 --> 0:12:41.040
<v Speaker 3>It's the middle of the day.

0:12:41.640 --> 0:12:46.679
<v Speaker 4>Okay, that's let's let's let's let's go over there, right.

0:12:46.800 --> 0:12:48.000
<v Speaker 3>Oh lord?

0:12:49.000 --> 0:12:51.360
<v Speaker 4>Be a favorite place to perform it?

0:12:51.400 --> 0:12:54.719
<v Speaker 6>Okay, all right in the US, And I feel like

0:12:54.760 --> 0:13:03.720
<v Speaker 6>I performed everywhere. Yeah but maybe Arizona maybe maybe no, no, no, no,

0:13:03.800 --> 0:13:05.559
<v Speaker 6>everywhere but Arizona, thank you.

0:13:06.400 --> 0:13:07.800
<v Speaker 3>I have performed everywhere.

0:13:07.440 --> 0:13:10.920
<v Speaker 6>By Arizona maybe finished, but my favorite place.

0:13:10.960 --> 0:13:14.600
<v Speaker 3>I feel like it's a it's a cross between New

0:13:14.679 --> 0:13:18.760
<v Speaker 3>York and Oakland. Yeah. Wow, that's that is?

0:13:18.880 --> 0:13:24.160
<v Speaker 5>That is to one of the number two marketskan Yeah,

0:13:25.360 --> 0:13:31.640
<v Speaker 5>of course, between Philly though Philly, Uh Oakland.

0:13:31.400 --> 0:13:35.520
<v Speaker 6>The Berea the same day. They know music like London.

0:13:35.800 --> 0:13:38.080
<v Speaker 6>It's different, it's it's different. I'll be out there like

0:13:38.800 --> 0:13:40.960
<v Speaker 6>a lot and I could be reggae. I could do

0:13:41.400 --> 0:13:43.199
<v Speaker 6>I don't stay in any genre. I could do whatever

0:13:43.200 --> 0:13:44.120
<v Speaker 6>I want. It's a whole.

0:13:45.280 --> 0:13:46.320
<v Speaker 7>It's open for me.

0:13:47.600 --> 0:13:50.360
<v Speaker 3>Because we're talking before and she moved to l A.

0:13:50.520 --> 0:13:51.160
<v Speaker 4>You moved to l A.

0:13:51.240 --> 0:13:53.280
<v Speaker 7>I moved to l A. I said same in Chicago.

0:13:53.320 --> 0:13:53.920
<v Speaker 3>Want to see l A.

0:13:54.000 --> 0:13:54.480
<v Speaker 7>I'm in l A.

0:13:54.800 --> 0:13:58.040
<v Speaker 3>What's the bricks? Then? Move or the brick? Like?

0:13:58.480 --> 0:14:00.120
<v Speaker 4>I feel like you know what niggas were.

0:14:05.000 --> 0:14:05.120
<v Speaker 2>Right?

0:14:05.200 --> 0:14:07.000
<v Speaker 3>Why did they go? Solo went? So? I don't want

0:14:07.000 --> 0:14:07.800
<v Speaker 3>to be in a group anymore.

0:14:08.400 --> 0:14:12.880
<v Speaker 5>Yo, there's no way yet drink There's no way.

0:14:12.920 --> 0:14:20.760
<v Speaker 3>This this is it? This is good. That's hilarious. Gave

0:14:20.800 --> 0:14:21.720
<v Speaker 3>her the flowers? Is it?

0:14:21.800 --> 0:14:22.280
<v Speaker 4>Quicktimes?

0:14:22.760 --> 0:14:25.920
<v Speaker 3>Quick time? That's kind of dropping up the can of work?

0:14:26.080 --> 0:14:29.640
<v Speaker 2>I almost expected to be Have you watched have you

0:14:29.640 --> 0:14:31.960
<v Speaker 2>ever seen them? Okays?

0:14:32.080 --> 0:14:33.000
<v Speaker 3>The rules? So scared?

0:14:33.040 --> 0:14:33.960
<v Speaker 4>I got that same shirt.

0:14:34.040 --> 0:14:37.360
<v Speaker 2>Hass all right, So just to explain the rules, which

0:14:37.400 --> 0:14:39.400
<v Speaker 2>we never explained, right, but you kind of already know them,

0:14:39.400 --> 0:14:41.360
<v Speaker 2>and we're going to give you two choices. If you

0:14:41.440 --> 0:14:46.520
<v Speaker 2>pick one, we're not drinking. If you say both or

0:14:46.640 --> 0:14:49.160
<v Speaker 2>neither you don't want to answer, then we all take a.

0:14:49.160 --> 0:14:52.080
<v Speaker 3>Shot, all of us just beginning to beginning.

0:14:52.120 --> 0:14:54.160
<v Speaker 2>And really what we want you to do with these

0:14:54.240 --> 0:14:55.440
<v Speaker 2>choices is give us stories.

0:14:56.000 --> 0:14:58.680
<v Speaker 3>This is not really just anybody just give us some story.

0:15:02.400 --> 0:15:04.080
<v Speaker 3>Oh no, this is this is I mean, it's up

0:15:04.080 --> 0:15:06.680
<v Speaker 3>to you, but this is fine. Whatever you're comfortable is good.

0:15:08.400 --> 0:15:13.640
<v Speaker 2>All right, you ready, Kanye or will I Am producer,

0:15:14.200 --> 0:15:14.800
<v Speaker 2>It's whatever.

0:15:14.960 --> 0:15:20.720
<v Speaker 3>Whatever you're in your mind, your face. I love fake.

0:15:24.720 --> 0:15:26.440
<v Speaker 7>Will I Am. He doesn't get enough props.

0:15:26.480 --> 0:15:29.760
<v Speaker 6>He's brilliant, he's an incredible producer, and he lives in

0:15:29.760 --> 0:15:33.040
<v Speaker 6>the future for real, for.

0:15:37.120 --> 0:15:37.320
<v Speaker 3>Real.

0:15:38.080 --> 0:15:42.160
<v Speaker 5>He's definitely he's a he's a black. Yeah, he is

0:15:42.400 --> 0:15:43.320
<v Speaker 5>a Black Mexican.

0:15:43.560 --> 0:15:44.160
<v Speaker 3>He's brilliant.

0:15:44.240 --> 0:15:50.280
<v Speaker 2>Amy White House for Whitney, Oh man, come on now, barriers,

0:15:50.440 --> 0:15:51.600
<v Speaker 2>Yeah I.

0:15:51.640 --> 0:15:57.280
<v Speaker 8>Got I did yeah real quick.

0:15:57.400 --> 0:16:00.280
<v Speaker 3>My friend, my friend was doing pr for her and.

0:16:01.720 --> 0:16:03.640
<v Speaker 7>It was backstage somewhere and it was just like this

0:16:04.040 --> 0:16:05.040
<v Speaker 7>tight you know, it was.

0:16:05.040 --> 0:16:06.880
<v Speaker 6>Like hey baby, and it just kept it like she's

0:16:07.720 --> 0:16:11.120
<v Speaker 6>genuinely yeah, she's a genuine human.

0:16:12.440 --> 0:16:14.320
<v Speaker 7>Like the love you saw on the videos. And whatnot.

0:16:14.480 --> 0:16:16.800
<v Speaker 6>Like I don't think that any of it was shaky.

0:16:16.840 --> 0:16:20.240
<v Speaker 6>I think it was actulutely real, you know. And the

0:16:20.280 --> 0:16:22.240
<v Speaker 6>more we get to know about her from her friends

0:16:22.240 --> 0:16:23.720
<v Speaker 6>and from her people, the more you're just like, yeah,

0:16:23.760 --> 0:16:26.080
<v Speaker 6>I would have loved to have been like in the

0:16:26.160 --> 0:16:28.520
<v Speaker 6>mix in the nineties and the eighties when she was here,

0:16:28.560 --> 0:16:32.600
<v Speaker 6>because like she hadn't given you so much information, so like.

0:16:32.720 --> 0:16:33.800
<v Speaker 7>So cool about it.

0:16:34.280 --> 0:16:37.760
<v Speaker 6>I don't know so Whitney's memory.

0:16:36.760 --> 0:16:39.200
<v Speaker 3>What about Amy Winehouse?

0:16:39.440 --> 0:16:42.239
<v Speaker 6>I love Amy too, Like I loved her too. Yeah,

0:16:42.440 --> 0:16:44.840
<v Speaker 6>we both kind of start. She her records came out

0:16:44.840 --> 0:16:47.040
<v Speaker 6>before my first album came out, but we were all

0:16:47.080 --> 0:16:50.840
<v Speaker 6>on the same open mic scene, and like we would

0:16:50.840 --> 0:16:54.040
<v Speaker 6>see each other as things were moving around, and you know,

0:16:54.720 --> 0:16:57.280
<v Speaker 6>we had genuine love for each other, like you are

0:16:57.320 --> 0:17:00.120
<v Speaker 6>you okay looking at you know, in the eyes. So

0:17:00.160 --> 0:17:03.160
<v Speaker 6>I was annoyed. I will say that when I would

0:17:03.160 --> 0:17:07.879
<v Speaker 6>see her performing like not herself or you know, I

0:17:07.880 --> 0:17:10.320
<v Speaker 6>would be like, somebody, come, what do you.

0:17:10.160 --> 0:17:10.760
<v Speaker 7>What do you do?

0:17:12.000 --> 0:17:12.280
<v Speaker 3>Is that?

0:17:12.359 --> 0:17:12.719
<v Speaker 1>Yeah?

0:17:13.080 --> 0:17:15.879
<v Speaker 6>And so that that would annoy me. But you know,

0:17:16.080 --> 0:17:18.800
<v Speaker 6>things happen, Everything is perfect, everything in order.

0:17:19.560 --> 0:17:24.080
<v Speaker 4>That's the first time I kind of like I saw nas.

0:17:25.240 --> 0:17:25.720
<v Speaker 8>Like, h.

0:17:27.280 --> 0:17:30.120
<v Speaker 5>I take up for artists like I don't. I don't

0:17:30.160 --> 0:17:33.119
<v Speaker 5>know if ye I seen that, Like nah, it's like

0:17:33.240 --> 0:17:37.760
<v Speaker 5>really like took up for I believe we were all virgos.

0:17:37.800 --> 0:17:40.399
<v Speaker 5>I believe a virgo. I believe she's a virgo, and

0:17:40.440 --> 0:17:41.720
<v Speaker 5>I believe na virgo.

0:17:41.840 --> 0:17:53.840
<v Speaker 1>So yeah, we didn't nobody even ask you you're a

0:17:53.880 --> 0:17:54.800
<v Speaker 1>virgo born in June.

0:17:54.840 --> 0:17:58.800
<v Speaker 3>You gotta wow. I'm sorry.

0:18:00.080 --> 0:18:00.919
<v Speaker 7>One for Amy the.

0:18:05.320 --> 0:18:07.320
<v Speaker 3>Rick Ross or French Montana.

0:18:08.760 --> 0:18:11.119
<v Speaker 6>Brick Cross, I did a record with him. He was

0:18:11.240 --> 0:18:14.000
<v Speaker 6>very sweet to me on set. He might save my

0:18:14.040 --> 0:18:16.639
<v Speaker 6>life a little bit from falling for the ledge I

0:18:16.640 --> 0:18:18.000
<v Speaker 6>had on heels and sign and he was.

0:18:17.960 --> 0:18:20.520
<v Speaker 3>Like, don't worry, you got it. And I was like, okay,

0:18:21.359 --> 0:18:22.800
<v Speaker 3>so we sound crazy when I do that.

0:18:23.119 --> 0:18:30.159
<v Speaker 6>Okay, he was like, we did break my heart and

0:18:30.160 --> 0:18:34.439
<v Speaker 6>we were on the ledge of a pool. Chris Robinson

0:18:34.480 --> 0:18:38.200
<v Speaker 6>directed the video was yeah, I love him and I

0:18:38.240 --> 0:18:41.919
<v Speaker 6>was in my Charlotte Lympias with this high ridiculous but

0:18:42.000 --> 0:18:45.480
<v Speaker 6>you know fashion. So I was like sliding and sliding

0:18:45.480 --> 0:18:46.960
<v Speaker 6>and I was like trying to do the dogs I

0:18:47.000 --> 0:18:47.800
<v Speaker 6>want and I could be.

0:18:47.840 --> 0:18:50.240
<v Speaker 3>Like, oh my bust, I'm a diable die. I'm a

0:18:50.280 --> 0:18:52.800
<v Speaker 3>full backwards. He was like, don't worry, you got it.

0:18:52.800 --> 0:18:53.520
<v Speaker 3>It's okay.

0:18:55.240 --> 0:19:02.640
<v Speaker 1>Just like that, like, yeah.

0:19:01.480 --> 0:19:06.720
<v Speaker 3>Hey, home team right here, NAS or LL, she's.

0:19:06.480 --> 0:19:11.800
<v Speaker 5>Always that's the light Skin Academy, the light Skin Academy Academy.

0:19:11.880 --> 0:19:15.280
<v Speaker 4>Yeah, I'm brown skin. I can't be involved.

0:19:16.080 --> 0:19:16.720
<v Speaker 3>Okay.

0:19:17.000 --> 0:19:20.920
<v Speaker 6>I feel like NAS is in your range, my brother, Okay,

0:19:21.359 --> 0:19:25.840
<v Speaker 6>Oh yeah, yeah, this is tough. Oh this is tough

0:19:25.880 --> 0:19:28.240
<v Speaker 6>because I kind of like, so the parameter for me

0:19:28.400 --> 0:19:30.159
<v Speaker 6>is like when you get to the either oars or

0:19:32.480 --> 0:19:34.639
<v Speaker 6>you wouldn't be here if it wasn't for that person

0:19:35.200 --> 0:19:35.879
<v Speaker 6>kind of thing.

0:19:36.160 --> 0:19:39.480
<v Speaker 3>Like just in ages, right, that's such a it's just

0:19:39.520 --> 0:19:44.600
<v Speaker 3>such a great way to break. I'm still he said,

0:19:45.040 --> 0:19:47.960
<v Speaker 3>But I'm no, I think.

0:19:49.400 --> 0:19:51.960
<v Speaker 6>I'm gonna I'm gonna say both I love LL and

0:19:52.000 --> 0:19:55.640
<v Speaker 6>what he still fall. But I also like I'm I'm

0:19:55.640 --> 0:19:58.480
<v Speaker 6>a NAS fan, Like I'm.

0:19:58.440 --> 0:20:02.840
<v Speaker 3>I was out there like pe me in like they

0:20:02.880 --> 0:20:03.399
<v Speaker 3>won't right.

0:20:03.440 --> 0:20:04.840
<v Speaker 6>It was like I was in it, like you know,

0:20:04.920 --> 0:20:09.040
<v Speaker 6>the feast thing. I was in it from the first album, like.

0:20:08.280 --> 0:20:12.160
<v Speaker 3>Like all the way he's a diehard, Like I.

0:20:11.960 --> 0:20:13.920
<v Speaker 6>Was like I have I had the albums on CD,

0:20:14.880 --> 0:20:17.480
<v Speaker 6>like you know, like it was so I'm I'm a

0:20:17.520 --> 0:20:18.280
<v Speaker 6>fan of lyricism.

0:20:18.400 --> 0:20:19.000
<v Speaker 3>Is the point here?

0:20:19.640 --> 0:20:23.439
<v Speaker 6>And to me, you know, you.

0:20:23.560 --> 0:20:31.720
<v Speaker 3>Know what you deserved. Okay, let's say he said, m

0:20:31.920 --> 0:20:40.640
<v Speaker 3>h it's mamajuana. That's special to ma majuanna. What does

0:20:40.640 --> 0:20:42.919
<v Speaker 3>that do? There's a lot of things.

0:20:43.359 --> 0:20:46.280
<v Speaker 6>I'm too young to be too young? Okay, okay, okay,

0:20:46.280 --> 0:20:50.160
<v Speaker 6>say let's not entertaining. Okay, that game a bottle.

0:20:51.760 --> 0:20:56.400
<v Speaker 3>That's the first verson take a bottle brand? What does

0:20:56.440 --> 0:20:58.520
<v Speaker 3>it do? You hear what he said?

0:20:58.800 --> 0:21:00.760
<v Speaker 7>Okay, you got you say.

0:21:01.040 --> 0:21:02.720
<v Speaker 3>If you want to. She's asking if you want to

0:21:02.720 --> 0:21:03.080
<v Speaker 3>try this?

0:21:03.359 --> 0:21:06.080
<v Speaker 7>No, no, no, somebody said my feet it's fine.

0:21:06.920 --> 0:21:09.679
<v Speaker 3>That's not true. He makes the story. I definitely make

0:21:09.760 --> 0:21:13.280
<v Speaker 3>this story. Every island actually makes a form of this. Okay.

0:21:13.280 --> 0:21:15.400
<v Speaker 3>It's like the stuff that they put the roots in

0:21:15.000 --> 0:21:21.000
<v Speaker 3>the road. Okay, usually promised ferments. Keep the feet in

0:21:21.040 --> 0:21:23.280
<v Speaker 3>your mind, you know what? But he made up the story.

0:21:23.320 --> 0:21:25.320
<v Speaker 3>And the guy that makes it, why does he keep saying.

0:21:25.040 --> 0:21:29.640
<v Speaker 6>That when people are listening, I might need a ball,

0:21:29.840 --> 0:21:31.160
<v Speaker 6>like I might need a ball take home.

0:21:31.560 --> 0:21:33.280
<v Speaker 3>Okay, don't do it in your mind?

0:21:33.720 --> 0:21:34.520
<v Speaker 7>He said, don't do it?

0:21:34.720 --> 0:21:36.840
<v Speaker 3>Nobody. Are you gonna drink feet juice right now?

0:21:37.040 --> 0:21:39.120
<v Speaker 4>Yeah, he's been drinking feet juice.

0:21:44.359 --> 0:21:48.280
<v Speaker 3>That's crazy, Fance Rihanna, Oh.

0:21:48.160 --> 0:21:50.000
<v Speaker 4>Man, we're definitely drinking.

0:21:50.600 --> 0:21:53.640
<v Speaker 6>Yeah we are, because like, no, I'm a.

0:21:55.440 --> 0:21:57.560
<v Speaker 3>This is tough. It's very tough for.

0:21:57.600 --> 0:22:04.680
<v Speaker 7>Me Beyonce because.

0:22:06.600 --> 0:22:10.600
<v Speaker 6>Legacy he've been doing this since he was a whole child,

0:22:11.720 --> 0:22:15.760
<v Speaker 6>like she was, like she was actually like early teenager.

0:22:16.040 --> 0:22:18.600
<v Speaker 3>Yeah. Yeah, that's a.

0:22:18.560 --> 0:22:19.640
<v Speaker 7>Long time to be doing this.

0:22:20.160 --> 0:22:24.240
<v Speaker 6>It's like a long time and doing it excellent space

0:22:24.359 --> 0:22:29.800
<v Speaker 6>every single time, like really every single time, whole albums,

0:22:30.359 --> 0:22:32.760
<v Speaker 6>and believing in herself. And it's not just what we see,

0:22:32.760 --> 0:22:35.200
<v Speaker 6>it's the business I look at to when it comes

0:22:35.200 --> 0:22:36.920
<v Speaker 6>to her, and I think it's I think it's brilliant.

0:22:36.920 --> 0:22:39.240
<v Speaker 6>I think it's it's encouraging, it's affirming, it's.

0:22:40.720 --> 0:22:45.160
<v Speaker 3>Drinking anyway, picked a drink.

0:22:46.640 --> 0:22:54.760
<v Speaker 6>M I will say these are British hold.

0:22:54.520 --> 0:22:55.240
<v Speaker 3>On business wise.

0:22:55.320 --> 0:22:59.000
<v Speaker 6>I will also say that billion dollar deal that was

0:23:00.080 --> 0:23:02.320
<v Speaker 6>go ahead. Yeah, she was very clear. I like a

0:23:02.359 --> 0:23:05.000
<v Speaker 6>clear person. I like a very focused artist, like I

0:23:05.040 --> 0:23:08.399
<v Speaker 6>came here to do this, I'm doing this, I'm doing this,

0:23:09.520 --> 0:23:11.560
<v Speaker 6>I'm with it. This makes me so happy. By the way,

0:23:11.560 --> 0:23:13.760
<v Speaker 6>thank you, No, I'm taking these with me, Okay, just please,

0:23:13.920 --> 0:23:17.080
<v Speaker 6>thank you. Appreciate that because because you are the queens.

0:23:17.280 --> 0:23:17.840
<v Speaker 3>Thank you.

0:23:18.600 --> 0:23:19.560
<v Speaker 4>We need we need.

0:23:19.400 --> 0:23:25.639
<v Speaker 2>You to be good, excellent, Thank you all right, Cardinal

0:23:26.280 --> 0:23:32.720
<v Speaker 2>or Gigs drink Yeah, both the Dream Chances alumni Cardinals,

0:23:32.760 --> 0:23:35.000
<v Speaker 2>the homie Gigs became the homie Yeah.

0:23:34.880 --> 0:23:37.560
<v Speaker 6>Clark announced, my brother, I love what Gates has been

0:23:37.600 --> 0:23:40.800
<v Speaker 6>on since day one, and I think I would like

0:23:40.800 --> 0:23:42.720
<v Speaker 6>to hit them both on the records together. They do

0:23:42.800 --> 0:23:46.280
<v Speaker 6>the record together, and my bugget Yeah, I would like

0:23:46.320 --> 0:23:47.320
<v Speaker 6>to hit them both on the record.

0:23:48.160 --> 0:23:50.000
<v Speaker 3>A shot for that, So we're making that happen. Dream

0:23:50.040 --> 0:23:51.320
<v Speaker 3>Changs they got to do a record together.

0:23:51.400 --> 0:24:02.720
<v Speaker 6>Yeah, I think amazing. Got a compilation, he said, spell it.

0:24:04.440 --> 0:24:07.640
<v Speaker 6>I took my six week good. Yeah, they'd be good.

0:24:08.000 --> 0:24:11.600
<v Speaker 6>I've known Cardi from since like I was twenty.

0:24:11.200 --> 0:24:13.160
<v Speaker 3>And a long time lyricist.

0:24:13.680 --> 0:24:16.480
<v Speaker 6>Just a vibe like to like and a good beyond

0:24:16.520 --> 0:24:19.880
<v Speaker 6>the music, A good solid person I've noticed half my life. Yeah,

0:24:20.200 --> 0:24:22.960
<v Speaker 6>good human like So yeah, he's got a song out

0:24:23.000 --> 0:24:23.600
<v Speaker 6>too right now?

0:24:23.680 --> 0:24:26.840
<v Speaker 3>So yeah it does yea? Yeah? All right?

0:24:27.080 --> 0:24:34.160
<v Speaker 2>Sam Smith or Harry Styles, Yeah, what are you doing?

0:24:35.560 --> 0:24:38.280
<v Speaker 3>A terrible terrist as well? What is that trig again?

0:24:38.320 --> 0:24:38.719
<v Speaker 3>What you say?

0:24:39.520 --> 0:24:46.080
<v Speaker 7>Maybe I would have try some this is over defeat you.

0:24:46.119 --> 0:24:48.000
<v Speaker 7>So I'm gonna try to feed you.

0:24:48.240 --> 0:24:51.080
<v Speaker 3>Absolutely question. I'm absolutely avoiding the question.

0:24:52.720 --> 0:24:53.640
<v Speaker 4>Definitely not for feet.

0:24:53.680 --> 0:24:54.040
<v Speaker 3>I'm sorry.

0:24:54.080 --> 0:24:58.600
<v Speaker 4>I let me pick up the guy who makes this.

0:24:58.640 --> 0:25:00.600
<v Speaker 3>I'm a wanner king. That's that's a don't want to kick.

0:25:02.680 --> 0:25:05.280
<v Speaker 3>I told him with it make a commercial. You got

0:25:05.280 --> 0:25:08.520
<v Speaker 3>some sexy dady stumping into the but you.

0:25:08.480 --> 0:25:16.480
<v Speaker 6>Still have Yeah, I know, I know, waiting for you,

0:25:17.240 --> 0:25:21.040
<v Speaker 6>trying to dodge the whole scenario.

0:25:21.480 --> 0:25:23.639
<v Speaker 7>This drink is so lovely, you said.

0:25:24.280 --> 0:25:34.800
<v Speaker 6>Sam shouts, how am I gonna? I'm trying to quantify

0:25:34.840 --> 0:25:36.119
<v Speaker 6>this in my head. I don't have to give an all.

0:25:36.520 --> 0:25:41.200
<v Speaker 3>Can I come back to that one? Sure? Never? Can

0:25:41.240 --> 0:25:44.439
<v Speaker 3>I come back to it? Okay, what's the question? Sam Smith?

0:25:44.720 --> 0:25:46.400
<v Speaker 4>Harry styles, all right, we'll come back.

0:25:46.640 --> 0:25:50.240
<v Speaker 3>Please, We've never done that the first time ever I drinks. Okay,

0:25:50.520 --> 0:25:54.040
<v Speaker 3>make us come back to it. Don't forget, please, we

0:25:54.040 --> 0:25:58.520
<v Speaker 3>don't come back please, alright. S w here escape s

0:25:58.680 --> 0:25:59.040
<v Speaker 3>w V.

0:26:00.160 --> 0:26:00.400
<v Speaker 5>Yeah.

0:26:00.880 --> 0:26:02.680
<v Speaker 6>I wanted to be able to sing like Coco when

0:26:02.680 --> 0:26:05.359
<v Speaker 6>I was young, my whole life, and then I realized

0:26:05.359 --> 0:26:10.440
<v Speaker 6>that's not my range. And but s WV like unreal

0:26:12.359 --> 0:26:14.919
<v Speaker 6>since I was a kid, and it's wild to me.

0:26:15.000 --> 0:26:17.760
<v Speaker 6>That like being twelve and or fifteen and listening to

0:26:17.800 --> 0:26:19.879
<v Speaker 6>their records and like, you know, when you're in your

0:26:19.960 --> 0:26:22.320
<v Speaker 6>room and you're like and then you meet them later

0:26:22.320 --> 0:26:23.480
<v Speaker 6>and you're just like, you look.

0:26:23.320 --> 0:26:27.040
<v Speaker 3>The exact same you know in my head.

0:26:27.200 --> 0:26:30.480
<v Speaker 7>And they're exactly who they are. It's wild.

0:26:30.560 --> 0:26:32.439
<v Speaker 6>It's I haven't met them, like met I met all

0:26:32.480 --> 0:26:33.840
<v Speaker 6>my heroes essentially, is what I'm saying.

0:26:33.880 --> 0:26:35.959
<v Speaker 7>And it's just like, oh, this is this is the thing.

0:26:36.119 --> 0:26:36.560
<v Speaker 7>S WV.

0:26:37.119 --> 0:26:39.920
<v Speaker 2>I did one of the best. Okay, yn't have to drink.

0:26:42.880 --> 0:26:45.600
<v Speaker 2>Definitely one s WV and Escape on dream Chance. Yeah,

0:26:45.960 --> 0:26:52.280
<v Speaker 2>legends Phil Collins or Elton John el John outfit.

0:26:51.960 --> 0:26:54.240
<v Speaker 4>They both Yeah, they both outfits.

0:26:54.960 --> 0:26:57.960
<v Speaker 3>Outfits, outfits. That's it, Old John.

0:26:58.040 --> 0:27:00.440
<v Speaker 6>I mean no, Phil Collins was out here. Now here's

0:27:00.480 --> 0:27:03.600
<v Speaker 6>what I had. He was out here and Can't Hurry

0:27:03.600 --> 0:27:07.840
<v Speaker 6>Lovers this giant I seen Kang Gorilla. I don't know why,

0:27:08.040 --> 0:27:11.760
<v Speaker 6>because as a child you mix things up. And then

0:27:11.800 --> 0:27:13.879
<v Speaker 6>I realized that Can't Hurry Love wasn't his record. And

0:27:13.880 --> 0:27:16.320
<v Speaker 6>then Diana Ross apparently wasn't really happy with it, or

0:27:16.400 --> 0:27:19.320
<v Speaker 6>it wasn't it was the Supremes. She wasn't happy with

0:27:19.680 --> 0:27:22.080
<v Speaker 6>that whole scenario, because you know, it felt like taking

0:27:22.080 --> 0:27:24.040
<v Speaker 6>our records and said, I've read in the interview.

0:27:24.119 --> 0:27:25.160
<v Speaker 3>She was like, what else?

0:27:25.960 --> 0:27:28.000
<v Speaker 6>But that kind of took it down a couple of

0:27:28.040 --> 0:27:30.240
<v Speaker 6>notches from me after I heard that with Phil Collins.

0:27:30.280 --> 0:27:32.760
<v Speaker 6>But covers of covers, it is what it is, you know.

0:27:33.680 --> 0:27:37.280
<v Speaker 6>But yeah, Ellen, John outfits they were amazing.

0:27:37.920 --> 0:27:39.520
<v Speaker 4>He's still still be killing them.

0:27:39.600 --> 0:27:43.760
<v Speaker 8>Yeah this day, and he was, and he was like, outside,

0:27:44.240 --> 0:27:49.879
<v Speaker 8>he performs, he performs, John outside, he's.

0:27:49.720 --> 0:27:51.000
<v Speaker 3>A radio show. You remember that.

0:27:51.200 --> 0:27:54.000
<v Speaker 2>I heard a Phil story with him and Bone Thugs. Yeah,

0:27:54.400 --> 0:27:57.320
<v Speaker 2>you heard that story. Really did a they had to

0:27:57.320 --> 0:27:59.440
<v Speaker 2>do a track or somebody to sample him and said,

0:27:59.440 --> 0:28:04.720
<v Speaker 2>well I got to be in the Yeah, Brandy R.

0:28:04.800 --> 0:28:08.560
<v Speaker 3>Monica, Oh, I just answered this question. I love them both.

0:28:09.240 --> 0:28:11.560
<v Speaker 6>I know what it takes somewhat, what it takes to

0:28:11.600 --> 0:28:14.520
<v Speaker 6>be who they are in this industry. I love Monica

0:28:15.080 --> 0:28:17.240
<v Speaker 6>because of her the way she came out.

0:28:17.480 --> 0:28:22.080
<v Speaker 3>I started as a rapper. So to me, I don't know.

0:28:23.160 --> 0:28:26.399
<v Speaker 4>Well, people want somebody to facefore.

0:28:26.160 --> 0:28:28.840
<v Speaker 3>What that's what people?

0:28:30.119 --> 0:28:34.240
<v Speaker 6>No, No, you want to do that for me? I do,

0:28:34.240 --> 0:28:37.040
<v Speaker 6>but I'm not gonna do it. But yeah, I wrapped

0:28:37.080 --> 0:28:39.440
<v Speaker 6>on it. I started my first song in the UK.

0:28:39.520 --> 0:28:42.720
<v Speaker 6>It was a song called nineteen eighty, my first album,

0:28:42.760 --> 0:28:45.160
<v Speaker 6>and that's the record that took everything off, that even

0:28:45.160 --> 0:28:45.600
<v Speaker 6>put me on.

0:28:45.560 --> 0:28:46.760
<v Speaker 7>The radar of anybody.

0:28:48.200 --> 0:28:50.000
<v Speaker 6>And you know, I wrapped along shine and I rap

0:28:50.040 --> 0:28:52.280
<v Speaker 6>on pretty much every single album. But I just happened

0:28:52.280 --> 0:28:54.840
<v Speaker 6>to sing too. So people pick what they want and

0:28:54.880 --> 0:28:59.560
<v Speaker 6>they label you, but I do both. Yeah, I'm on

0:29:00.080 --> 0:29:02.600
<v Speaker 6>that ship.

0:29:03.640 --> 0:29:06.120
<v Speaker 3>You could have done, Lauren, what I'm saying.

0:29:06.160 --> 0:29:07.680
<v Speaker 2>You could have done that had that same kind of

0:29:07.720 --> 0:29:08.800
<v Speaker 2>career where you were doing both.

0:29:08.840 --> 0:29:13.200
<v Speaker 7>That was the That was the early reference.

0:29:13.840 --> 0:29:14.080
<v Speaker 3>You know.

0:29:14.480 --> 0:29:16.680
<v Speaker 6>I came out after she was out, so it makes sense.

0:29:17.080 --> 0:29:19.000
<v Speaker 6>But I always give it up to Lauren because again,

0:29:19.080 --> 0:29:20.480
<v Speaker 6>she walked so I could try to run.

0:29:21.760 --> 0:29:22.680
<v Speaker 3>She did both so I.

0:29:22.600 --> 0:29:25.440
<v Speaker 6>Could even think about saying, oh, you know, I sing

0:29:25.480 --> 0:29:26.840
<v Speaker 6>a little bit and I rap a little bit, or

0:29:27.160 --> 0:29:29.040
<v Speaker 6>I can do this fully and I can do that fully,

0:29:29.120 --> 0:29:30.240
<v Speaker 6>you know, whichever way it goes.

0:29:30.280 --> 0:29:31.560
<v Speaker 7>So I was give up to Lauren.

0:29:31.760 --> 0:29:34.920
<v Speaker 6>We American boys are singing song is what it is,

0:29:35.080 --> 0:29:37.160
<v Speaker 6>you know, and people take you from the refreshed reference.

0:29:37.200 --> 0:29:39.360
<v Speaker 7>They see I don't have anything to do with that.

0:29:40.160 --> 0:29:51.640
<v Speaker 2>Tom Hardy or Jason Stalem.

0:29:46.840 --> 0:29:52.080
<v Speaker 3>The fine action White Boys. Huh, this is scary.

0:29:53.720 --> 0:29:59.640
<v Speaker 6>M he's in He's in what's the what's the show

0:29:59.680 --> 0:30:02.000
<v Speaker 6>he's in That's the New Moveland.

0:30:02.800 --> 0:30:05.080
<v Speaker 3>Yeah, scary, He's really scary, and that I.

0:30:05.040 --> 0:30:08.160
<v Speaker 6>Don't watch it clips and I'm like, all right, too

0:30:08.200 --> 0:30:12.680
<v Speaker 6>many people died too disastrously. So but Tom Hardy, Oh yeah,

0:30:12.720 --> 0:30:18.040
<v Speaker 6>Tom Hardy, big fine, you like him scary?

0:30:18.840 --> 0:30:23.720
<v Speaker 7>Rolling Stones, Oh my god, Rolling Stones.

0:30:26.160 --> 0:30:29.440
<v Speaker 3>He's met Jagger, right, yeah, yeah, yeah, Okay.

0:30:29.760 --> 0:30:33.000
<v Speaker 6>I just like that he's like still kicking, like still

0:30:33.040 --> 0:30:36.160
<v Speaker 6>going for it. Yeah, he's like and then you know,

0:30:36.800 --> 0:30:39.120
<v Speaker 6>you know what what I find If you keep living

0:30:39.200 --> 0:30:41.600
<v Speaker 6>enough or people keep living around your music, you start

0:30:41.640 --> 0:30:44.680
<v Speaker 6>hearing all the folklore, but you start hearing the truth

0:30:44.840 --> 0:30:45.520
<v Speaker 6>about how.

0:30:45.440 --> 0:30:46.360
<v Speaker 3>Records were produced.

0:30:47.040 --> 0:30:50.320
<v Speaker 6>And there's a couple of beat records that I really love. Yeah,

0:30:50.360 --> 0:30:51.720
<v Speaker 6>but then there's a couple I'm just like.

0:30:51.680 --> 0:30:54.480
<v Speaker 3>You didn't even know. We've heard a lot of crazy stuff. Yeah.

0:30:54.760 --> 0:30:57.160
<v Speaker 6>So my whole thing is like I like the Rolling Stones.

0:30:57.160 --> 0:30:59.200
<v Speaker 6>I like the way that they're he's still performing, they're

0:30:59.200 --> 0:31:02.880
<v Speaker 6>still doing their thing, and I'm good friends with Jay Jagger,

0:31:03.320 --> 0:31:06.760
<v Speaker 6>but that's separate to just I like their way, their

0:31:06.800 --> 0:31:09.560
<v Speaker 6>family way, the way that they are as humans.

0:31:10.000 --> 0:31:11.640
<v Speaker 3>But I just like that.

0:31:11.760 --> 0:31:13.120
<v Speaker 7>I just like their energy, his energy.

0:31:13.120 --> 0:31:16.040
<v Speaker 6>He's very much like I'm here when I'm here, and

0:31:16.080 --> 0:31:19.640
<v Speaker 6>I'm home when i'm old again, that's my mistake. I'll

0:31:19.680 --> 0:31:22.960
<v Speaker 6>be outside and then I'll identify with that. Yeah, it

0:31:23.040 --> 0:31:23.800
<v Speaker 6>feels truthful.

0:31:24.280 --> 0:31:28.920
<v Speaker 3>It does what you're saying. Bruno Mars or Chris Brown.

0:31:29.160 --> 0:31:32.400
<v Speaker 6>Man, it's gonna be Chris Brown again. He walked so

0:31:32.480 --> 0:31:35.880
<v Speaker 6>anybody could fly. I just but also I think Bruno

0:31:36.120 --> 0:31:41.120
<v Speaker 6>is a once inner generation talent. He practiced, he did

0:31:41.160 --> 0:31:42.720
<v Speaker 6>his work, and he's brilliant.

0:31:44.040 --> 0:31:47.760
<v Speaker 3>Young. Yeah, it seems like Bruno like a baby.

0:31:48.040 --> 0:31:51.040
<v Speaker 6>It's just different levels of exposure, different ages of exposure, right,

0:31:51.760 --> 0:31:58.760
<v Speaker 6>But watching Chris still be just freaking amazing performance wise.

0:31:58.680 --> 0:32:02.000
<v Speaker 3>Like young Michael. You could see that.

0:32:02.080 --> 0:32:03.320
<v Speaker 7>Yeah, that's something else.

0:32:03.520 --> 0:32:05.880
<v Speaker 6>And then Bruno's songwriting with his team, the way he

0:32:05.920 --> 0:32:08.000
<v Speaker 6>writes and the way he thinks about writing songs, he

0:32:08.080 --> 0:32:10.240
<v Speaker 6>doesn't reinvent the wheel. Then he does it so well.

0:32:10.880 --> 0:32:12.880
<v Speaker 6>That's always my thing, like just do it well. I

0:32:12.960 --> 0:32:15.680
<v Speaker 6>just I don't like, I'm just trying to move up

0:32:15.680 --> 0:32:17.520
<v Speaker 6>to this moment and I'm just going to ride the wave.

0:32:17.600 --> 0:32:19.360
<v Speaker 6>And it's just like no, but it's not done well

0:32:19.840 --> 0:32:23.400
<v Speaker 6>and don't sound good. But Bruno sound good. It sounds amazing.

0:32:24.000 --> 0:32:26.080
<v Speaker 3>It's a bit of both. Give love to other arts.

0:32:26.120 --> 0:32:27.960
<v Speaker 3>Yeah that's true.

0:32:28.200 --> 0:32:31.560
<v Speaker 6>I feel like, well, I don't lose anything doing that one,

0:32:32.320 --> 0:32:33.640
<v Speaker 6>but you feel me.

0:32:34.720 --> 0:32:36.640
<v Speaker 7>But two, it's true.

0:32:36.920 --> 0:32:40.280
<v Speaker 3>He's like smoke it. Okay, I'm taking insto the house.

0:32:40.320 --> 0:32:44.680
<v Speaker 3>I hear this is great. He's a fantastic I've seen.

0:32:44.960 --> 0:32:46.000
<v Speaker 3>So you picked Chris Brown.

0:32:46.560 --> 0:32:49.160
<v Speaker 6>I picked Chris Brown. But I should say both because

0:32:49.200 --> 0:32:52.720
<v Speaker 6>but I picked. But I give my reasons.

0:32:52.880 --> 0:32:55.560
<v Speaker 3>There you go. Tyler the Creator or twenty one seven.

0:32:56.000 --> 0:32:58.280
<v Speaker 7>Ah, Tyler, we.

0:32:58.200 --> 0:33:00.520
<v Speaker 3>Did a record together. Separate to that.

0:33:00.640 --> 0:33:03.040
<v Speaker 6>I think he's brilliant. It's like looking at the lineage

0:33:03.160 --> 0:33:06.960
<v Speaker 6>he does. I haven't seen him this week. He does

0:33:07.000 --> 0:33:09.120
<v Speaker 6>it look good, you know.

0:33:09.400 --> 0:33:13.880
<v Speaker 3>I mean it's because Tyler gives a stage too. He

0:33:13.920 --> 0:33:17.840
<v Speaker 3>gives a vibe involved in what he's doing.

0:33:17.880 --> 0:33:20.400
<v Speaker 6>And I have I'm always just like, man, you are

0:33:20.640 --> 0:33:22.080
<v Speaker 6>brilliant and fearless.

0:33:22.520 --> 0:33:24.920
<v Speaker 7>Yeah Tyler, oh day.

0:33:24.920 --> 0:33:26.360
<v Speaker 6>I love him and he makes me happy like he

0:33:26.520 --> 0:33:28.160
<v Speaker 6>was like, he's having fun doing what he's doing as

0:33:28.160 --> 0:33:28.680
<v Speaker 6>an artist.

0:33:28.840 --> 0:33:32.720
<v Speaker 3>I'm always that I'm hearing his tours. It shows I.

0:33:32.680 --> 0:33:34.120
<v Speaker 6>Went to the one was it call me when you

0:33:34.120 --> 0:33:37.959
<v Speaker 6>get home with DJ drum all over it and call

0:33:38.040 --> 0:33:41.440
<v Speaker 6>me if you get lost. And this man had a

0:33:41.480 --> 0:33:44.400
<v Speaker 6>full size yard in the middle of the stadium.

0:33:44.840 --> 0:33:45.560
<v Speaker 7>What was the stadium?

0:33:45.600 --> 0:33:46.120
<v Speaker 3>Was it so far?

0:33:46.360 --> 0:33:47.640
<v Speaker 7>Was it one of these?

0:33:47.760 --> 0:33:50.000
<v Speaker 6>He had a full size yart going through the stage

0:33:50.040 --> 0:33:52.480
<v Speaker 6>from one stage to the next stage. And my mind

0:33:52.600 --> 0:33:55.960
<v Speaker 6>was a little blown, Like I go to I pay

0:33:56.040 --> 0:33:58.360
<v Speaker 6>tickets and I go to watch artists perform sometimes I

0:33:58.400 --> 0:34:03.520
<v Speaker 6>love music, but just watching him, yeah, through an audience,

0:34:04.440 --> 0:34:08.160
<v Speaker 6>like it was just like what, who's so I'm looking

0:34:08.160 --> 0:34:11.520
<v Speaker 6>at the imaginations, like how did they get this whole boat?

0:34:11.960 --> 0:34:13.680
<v Speaker 3>Did they just they got out of the ground, like what?

0:34:14.120 --> 0:34:16.640
<v Speaker 6>It was just mind blowing and it was just him.

0:34:17.440 --> 0:34:19.400
<v Speaker 6>So it kind of again affirms some things for me

0:34:19.440 --> 0:34:22.280
<v Speaker 6>when I think about performances I learned from young artists

0:34:22.320 --> 0:34:23.160
<v Speaker 6>and artists like him.

0:34:23.160 --> 0:34:24.160
<v Speaker 3>But I'm also just like.

0:34:24.160 --> 0:34:27.440
<v Speaker 6>That's yes, dream as big as you can and do

0:34:27.520 --> 0:34:30.400
<v Speaker 6>the wildest ship, like this is our world to create.

0:34:30.440 --> 0:34:32.520
<v Speaker 2>I mean, and look and say what you want about

0:34:32.600 --> 0:34:35.400
<v Speaker 2>Kanye like he's done that. Like his listening sessions, he

0:34:35.400 --> 0:34:38.399
<v Speaker 2>had exactly in the middle of the thing that it's

0:34:38.440 --> 0:34:40.720
<v Speaker 2>lineage it was like it's like in.

0:34:40.600 --> 0:34:43.320
<v Speaker 3>The music for real, like the way it's very immersive.

0:34:43.480 --> 0:34:46.520
<v Speaker 7>Yeah, it's to me like when I think.

0:34:46.400 --> 0:34:49.160
<v Speaker 6>About why don't get bored on why I just want

0:34:49.200 --> 0:34:51.560
<v Speaker 6>to do music, it's because of arts like him. It's

0:34:51.600 --> 0:34:53.800
<v Speaker 6>because of artists like that will think of like a

0:34:53.840 --> 0:34:56.520
<v Speaker 6>burning house and arts that will be like, you know what,

0:34:56.600 --> 0:35:00.239
<v Speaker 6>let's do just just think outside the box. And my

0:35:00.280 --> 0:35:02.360
<v Speaker 6>thing is like, that's where that's why we have to

0:35:03.560 --> 0:35:05.200
<v Speaker 6>that's why we support them, that's why we have to

0:35:05.239 --> 0:35:07.880
<v Speaker 6>keep you know, like give them their flowers or them up.

0:35:07.920 --> 0:35:08.759
<v Speaker 7>Nothing is impossible.

0:35:08.840 --> 0:35:13.880
<v Speaker 2>Yeah, and that's actually should be the like your creative.

0:35:14.160 --> 0:35:16.719
<v Speaker 6>Yeah, white literally, Yeah, that's what we do.

0:35:18.120 --> 0:35:20.560
<v Speaker 5>That's the American Boy, the biggest record you ever did

0:35:20.600 --> 0:35:22.280
<v Speaker 5>in America from America.

0:35:22.360 --> 0:35:24.960
<v Speaker 6>Yeah, there's other records around the world that people are like, well,

0:35:24.960 --> 0:35:31.680
<v Speaker 6>I know that's American Boys America, American American Boy, and

0:35:31.719 --> 0:35:38.440
<v Speaker 6>I've translated that to Polish Boy Bulgaria elevenies. But I changed, No, no,

0:35:38.520 --> 0:35:44.439
<v Speaker 6>I just changed. I have a brain, I have a braid.

0:35:44.520 --> 0:35:48.680
<v Speaker 6>I have a braid. No no, no, I have a braid.

0:35:48.719 --> 0:35:52.359
<v Speaker 6>I used my head. I Like we've performed that song

0:35:52.400 --> 0:35:57.399
<v Speaker 6>in every on every continent by the northern South Pole.

0:35:58.239 --> 0:35:59.920
<v Speaker 6>And I'll say this like I've been to Iceland and

0:36:00.080 --> 0:36:05.160
<v Speaker 6>done it. That's he said, who said North and South Pole?

0:36:05.360 --> 0:36:06.360
<v Speaker 3>You don't with it?

0:36:06.440 --> 0:36:07.560
<v Speaker 7>No, I haven't performed it there.

0:36:07.920 --> 0:36:11.840
<v Speaker 2>That's the only place hasn't performed She performed it every everywhere.

0:36:12.040 --> 0:36:14.600
<v Speaker 4>So Santa Claus, Santa Claus, I feel like you folk

0:36:14.640 --> 0:36:14.840
<v Speaker 4>with it.

0:36:15.239 --> 0:36:16.840
<v Speaker 6>I feel like you talk with yeah, the kids. The

0:36:16.920 --> 0:36:18.560
<v Speaker 6>kids love it, so I feel like you fuck with it.

0:36:19.120 --> 0:36:22.759
<v Speaker 6>But we've performed that song everywhere. And that's my point

0:36:22.760 --> 0:36:24.520
<v Speaker 6>when I say it's about joy with that record, it's

0:36:24.560 --> 0:36:25.239
<v Speaker 6>not about.

0:36:27.000 --> 0:36:27.560
<v Speaker 3>America.

0:36:27.760 --> 0:36:29.840
<v Speaker 6>It's like, no, this was just about a fun time

0:36:29.960 --> 0:36:30.680
<v Speaker 6>and America.

0:36:31.440 --> 0:36:32.160
<v Speaker 3>It was the point of it.

0:36:32.239 --> 0:36:34.840
<v Speaker 6>But it did speak to the America that I was

0:36:35.280 --> 0:36:37.239
<v Speaker 6>I loved, you know, which is based in hip hop,

0:36:37.280 --> 0:36:39.000
<v Speaker 6>which is based in black folk, which is based in

0:36:39.960 --> 0:36:42.879
<v Speaker 6>Latino folk, which is you know, like, that's what I

0:36:42.960 --> 0:36:44.800
<v Speaker 6>know when I think about America.

0:36:44.960 --> 0:36:54.560
<v Speaker 3>So yeah, it's about love and I'm giving those.

0:36:56.239 --> 0:37:00.120
<v Speaker 2>I'm taking it all right, pushing to your t have

0:37:00.120 --> 0:37:05.800
<v Speaker 2>a Scott Pusher quick with it. Yeah, I'm the error,

0:37:06.840 --> 0:37:08.840
<v Speaker 2>all right, central see er skeptic.

0:37:09.920 --> 0:37:14.600
<v Speaker 6>Oh okay, this is like a pusher Travis Skepta because

0:37:14.800 --> 0:37:17.640
<v Speaker 6>errors like again skeptic Ward so you could run.

0:37:18.080 --> 0:37:21.279
<v Speaker 3>You heard that, skeptic Joiner Lucas. This what happened? Now

0:37:21.760 --> 0:37:24.320
<v Speaker 3>I have not Oh wait, they're beefing because of well skept.

0:37:24.120 --> 0:37:27.960
<v Speaker 2>Is the one that started the UK versus US. Yeah,

0:37:28.000 --> 0:37:30.840
<v Speaker 2>he's the one who Challengeho did the challenge? Yeah, and

0:37:30.840 --> 0:37:32.920
<v Speaker 2>then Drake said that when he said.

0:37:32.680 --> 0:37:34.719
<v Speaker 7>It, Oh okay, okay, but it.

0:37:34.680 --> 0:37:37.400
<v Speaker 3>Was Skeptic that did it said something first, I like

0:37:37.440 --> 0:37:40.600
<v Speaker 3>skeptics wreckers. And there's that one dude that went at Eminem.

0:37:40.640 --> 0:37:43.719
<v Speaker 3>What's his name? Anybody knows name? The Lucas No, no,

0:37:43.760 --> 0:37:45.600
<v Speaker 3>the guy who went at Eminem the Grand Artists from

0:37:45.600 --> 0:37:49.960
<v Speaker 3>the UK. So Skeptic went a Joiner Lucas everybody. I

0:37:50.000 --> 0:37:51.200
<v Speaker 3>don't sit in beef.

0:37:51.760 --> 0:37:54.000
<v Speaker 2>No, no, no, no, no, I don't call this beef.

0:37:54.000 --> 0:37:55.440
<v Speaker 2>I want to say it's a healthy battle.

0:37:55.520 --> 0:37:57.920
<v Speaker 6>I mean it's like in the in the most like

0:37:58.600 --> 0:38:01.960
<v Speaker 6>I understand lyricism and compare to completing and stuff. But

0:38:02.080 --> 0:38:05.080
<v Speaker 6>if it feels frivolous or it feels like not based

0:38:05.120 --> 0:38:06.720
<v Speaker 6>in like, you can't say that to my face.

0:38:08.239 --> 0:38:08.880
<v Speaker 3>I don't care.

0:38:09.360 --> 0:38:12.279
<v Speaker 7>Because you know, because I feel like no because I.

0:38:12.320 --> 0:38:16.080
<v Speaker 3>Also so like were it was worse.

0:38:16.520 --> 0:38:20.560
<v Speaker 7>It's worse the worst mean things and the music.

0:38:21.000 --> 0:38:23.840
<v Speaker 6>As artists, we're alchemists, like we really have the power

0:38:23.880 --> 0:38:26.720
<v Speaker 6>to change people's lives energy, spirits and vibes.

0:38:27.400 --> 0:38:29.880
<v Speaker 3>Don't take that for a joke. Don't make up beef

0:38:30.080 --> 0:38:31.080
<v Speaker 3>to get popping.

0:38:31.560 --> 0:38:33.600
<v Speaker 6>I'll make it up if you have something to say

0:38:33.600 --> 0:38:36.120
<v Speaker 6>to somebody, I mean, stay on your son, get to

0:38:36.120 --> 0:38:37.680
<v Speaker 6>where you all get to. But we've seen how that's

0:38:38.000 --> 0:38:41.080
<v Speaker 6>ended up with some of our heroes. If you like,

0:38:41.120 --> 0:38:43.279
<v Speaker 6>if you don't have my number enough find it or

0:38:43.320 --> 0:38:45.280
<v Speaker 6>if you can't, then we don't have beef.

0:38:47.320 --> 0:38:47.960
<v Speaker 3>That's that's all.

0:38:48.280 --> 0:38:50.160
<v Speaker 6>So when it comes to beef, I understand lyricism, I

0:38:50.200 --> 0:38:52.520
<v Speaker 6>understand the back and forth, but I'm not gonna I

0:38:52.719 --> 0:38:54.319
<v Speaker 6>just kind of keep mm.

0:38:54.280 --> 0:38:56.160
<v Speaker 3>Hm where it goes.

0:38:56.560 --> 0:38:58.160
<v Speaker 7>Yeah, it's weird, it's weird.

0:38:59.480 --> 0:39:02.440
<v Speaker 3>She killed, he broke, and it's a mature way that

0:39:02.520 --> 0:39:03.359
<v Speaker 3>it should be looked at.

0:39:03.600 --> 0:39:07.240
<v Speaker 6>Yes, everybody's in their journey.

0:39:08.200 --> 0:39:14.360
<v Speaker 3>Top Boy, super Cell, Okay, here's going He's going to

0:39:14.400 --> 0:39:14.759
<v Speaker 3>be the thing.

0:39:17.880 --> 0:39:22.120
<v Speaker 6>I'll say both because it's beautiful to see at least something.

0:39:22.280 --> 0:39:23.840
<v Speaker 4>London pardon.

0:39:25.080 --> 0:39:28.960
<v Speaker 2>International, so London to the UK and I don't want

0:39:28.960 --> 0:39:30.160
<v Speaker 2>everyone drinks.

0:39:30.560 --> 0:39:40.200
<v Speaker 3>I want to stop me because I wanted Top are.

0:39:40.239 --> 0:39:42.399
<v Speaker 6>They are good, But I want everyone to stop doing

0:39:42.440 --> 0:39:45.480
<v Speaker 6>that like weird accent that they got from Top why

0:39:45.600 --> 0:39:48.080
<v Speaker 6>super Cell whenever they see you can't.

0:39:47.880 --> 0:39:49.319
<v Speaker 3>Help it because we're not watching it.

0:39:49.560 --> 0:39:52.080
<v Speaker 2>You got to get into the accents and really, at

0:39:52.120 --> 0:39:53.880
<v Speaker 2>least for an American, you got to like start to

0:39:53.960 --> 0:39:54.480
<v Speaker 2>understand it.

0:39:54.600 --> 0:39:58.040
<v Speaker 3>Yeah, you start to mimic it Top Boy, but it's

0:39:58.160 --> 0:39:59.360
<v Speaker 3>like it's mimic.

0:40:00.880 --> 0:40:01.400
<v Speaker 4>In London.

0:40:01.480 --> 0:40:05.440
<v Speaker 3>So how do we get here? How? I don't know.

0:40:06.520 --> 0:40:08.960
<v Speaker 6>No, it's beautiful to see them both being represented in.

0:40:09.000 --> 0:40:13.840
<v Speaker 3>T that's my that's my thing on Top.

0:40:15.280 --> 0:40:19.840
<v Speaker 4>All right, you can't.

0:40:21.440 --> 0:40:30.160
<v Speaker 6>Look Finally, No, it's good to see being taken seriously

0:40:30.200 --> 0:40:32.799
<v Speaker 6>and it's good to like we live a real life

0:40:32.800 --> 0:40:35.879
<v Speaker 6>out there. It's not just like so people have said

0:40:35.880 --> 0:40:39.080
<v Speaker 6>stuff like and this is my I've looked allowed to

0:40:39.400 --> 0:40:42.279
<v Speaker 6>have I'm trying to phrase it right. I've had to

0:40:42.320 --> 0:40:45.719
<v Speaker 6>stop myself from like getting at people because I'll be

0:40:45.719 --> 0:40:47.640
<v Speaker 6>like tea and crumpets and I'm just like, you know,

0:40:48.640 --> 0:40:51.520
<v Speaker 6>if I said something back to you that was that

0:40:51.600 --> 0:40:56.000
<v Speaker 6>read to like your culture, just to be frivolous, just

0:40:56.000 --> 0:40:56.480
<v Speaker 6>to be a dick.

0:40:56.640 --> 0:40:58.160
<v Speaker 3>Then I'd be like, you know, you don't like.

0:41:01.800 --> 0:41:06.280
<v Speaker 6>Those apply look and to me, it's just like it's stupid,

0:41:06.640 --> 0:41:10.239
<v Speaker 6>it's it's nonsense, it's divisive, and it's it's unaccepting of

0:41:10.320 --> 0:41:13.240
<v Speaker 6>culture that we and we both still from each other's cultures.

0:41:13.400 --> 0:41:16.200
<v Speaker 6>We really both go back and forth, like it's just

0:41:16.239 --> 0:41:18.440
<v Speaker 6>lovely to see the representation as somebody who doesn't live

0:41:18.480 --> 0:41:20.759
<v Speaker 6>there anymore, to see it like, oh, look, look, I

0:41:20.840 --> 0:41:21.879
<v Speaker 6>know so it's on TV.

0:41:21.960 --> 0:41:22.640
<v Speaker 2>Oh that's so good.

0:41:22.640 --> 0:41:25.040
<v Speaker 3>I seen them when it was a child and and.

0:41:25.000 --> 0:41:26.680
<v Speaker 6>I get high pitched when I get emotional.

0:41:28.080 --> 0:41:30.719
<v Speaker 3>This is so great to see actors from the UK.

0:41:30.680 --> 0:41:33.440
<v Speaker 6>And you know, like really moving around in the world

0:41:33.680 --> 0:41:35.919
<v Speaker 6>is beautiful to me, Like, you know, in the same way,

0:41:36.520 --> 0:41:37.760
<v Speaker 6>it flips back the other way.

0:41:37.600 --> 0:41:40.040
<v Speaker 2>And not just that it feels like it's people who

0:41:40.520 --> 0:41:42.520
<v Speaker 2>like underrepresented in the UK as.

0:41:42.440 --> 0:41:43.160
<v Speaker 3>Well, exactly.

0:41:43.280 --> 0:41:47.799
<v Speaker 4>But but you're you're oh gorgeous. We love you.

0:41:48.040 --> 0:41:50.880
<v Speaker 5>We want to make sure that you continue that we

0:41:51.120 --> 0:41:52.359
<v Speaker 5>are supporting.

0:41:52.960 --> 0:41:57.080
<v Speaker 3>Okay, the Brits, the Brits, the Brits.

0:42:00.200 --> 0:42:02.000
<v Speaker 2>First off, rest in peace of both of these legends,

0:42:02.080 --> 0:42:03.960
<v Speaker 2>Tupac or Bob Martin.

0:42:04.160 --> 0:42:14.640
<v Speaker 6>Oh goodness, Bob Marley. Shit, I was three looking at

0:42:14.640 --> 0:42:17.040
<v Speaker 6>bove mally in front of a TV screen, saying I

0:42:17.160 --> 0:42:19.160
<v Speaker 6>want to do that, and it was him singing a

0:42:19.239 --> 0:42:21.799
<v Speaker 6>song in the spirit, and it just felt like it

0:42:21.840 --> 0:42:25.080
<v Speaker 6>moved me so much at a young age, I remember thinking,

0:42:25.080 --> 0:42:27.479
<v Speaker 6>it's myself, that's what I'm gonna do, and so Bob

0:42:27.520 --> 0:42:28.680
<v Speaker 6>Marley for that.

0:42:30.360 --> 0:42:34.560
<v Speaker 3>No one were you a Tupac fan? Yeah, I'm still

0:42:34.560 --> 0:42:37.080
<v Speaker 3>a tubad fan. What do you mean, what's your favorite?

0:42:37.160 --> 0:42:38.359
<v Speaker 7>Oh goodness, he's got too many.

0:42:40.880 --> 0:42:42.440
<v Speaker 6>We were just listening to I Ain't Mad at You

0:42:43.040 --> 0:42:45.759
<v Speaker 6>and I realized that song is about twelve hours long,

0:42:46.200 --> 0:42:49.440
<v Speaker 6>but it was so beautiful. It's a long song, but

0:42:49.520 --> 0:42:52.799
<v Speaker 6>it's so beautiful. And it was just like in that era,

0:42:52.840 --> 0:42:56.279
<v Speaker 6>I didn't really hear anything that sounded like emotional in

0:42:56.320 --> 0:42:59.000
<v Speaker 6>the slightest coming out of West Coast and he was

0:42:59.400 --> 0:43:02.319
<v Speaker 6>repving the West Coast to that point, and I never

0:43:02.360 --> 0:43:04.680
<v Speaker 6>heard anything like that, and it's just kind of arrested me,

0:43:05.040 --> 0:43:06.719
<v Speaker 6>like just kind of had me stuck for a while,

0:43:06.800 --> 0:43:08.080
<v Speaker 6>Like me and my sisters.

0:43:07.719 --> 0:43:08.439
<v Speaker 7>That was our joint.

0:43:08.840 --> 0:43:11.680
<v Speaker 2>And that right when he passed right which is in

0:43:11.719 --> 0:43:15.200
<v Speaker 2>the video, like he lived in he lived in the future.

0:43:15.280 --> 0:43:17.920
<v Speaker 6>He also was very clear by his mission. Whether he

0:43:18.000 --> 0:43:19.600
<v Speaker 6>was clear or not, he was clear by his mission

0:43:19.880 --> 0:43:20.920
<v Speaker 6>and he got it done.

0:43:21.040 --> 0:43:21.239
<v Speaker 5>You know.

0:43:21.239 --> 0:43:28.440
<v Speaker 2>It was on Yeah, fish and chips or bangers and

0:43:29.360 --> 0:43:30.279
<v Speaker 2>these questions.

0:43:30.760 --> 0:43:36.960
<v Speaker 3>This is definitely well, look he's homie from love. He

0:43:37.280 --> 0:43:38.920
<v Speaker 3>grew up out here, he went to high school.

0:43:39.400 --> 0:43:42.759
<v Speaker 6>Terrible these questions as a wild sir.

0:43:43.960 --> 0:43:48.279
<v Speaker 3>Fish and chips because bags mashes strange. I don't know.

0:43:48.400 --> 0:43:50.759
<v Speaker 6>It's sausage and mash with gravy.

0:43:51.000 --> 0:43:56.480
<v Speaker 2>Like mashed potatoes and sausage. Yeah, I prefer fish ships. Yeah,

0:43:59.320 --> 0:44:04.600
<v Speaker 2>look at you. Looked at you all right?

0:44:05.400 --> 0:44:09.359
<v Speaker 3>The last one of the loyalty or respect.

0:44:13.080 --> 0:44:16.000
<v Speaker 7>Respect because.

0:44:17.800 --> 0:44:19.560
<v Speaker 6>People can be loyal to you and still do a

0:44:19.640 --> 0:44:23.040
<v Speaker 6>disrespectful ship, and it's up to you to see it.

0:44:23.719 --> 0:44:25.920
<v Speaker 6>But if they respect you, you stand less of a

0:44:26.000 --> 0:44:27.120
<v Speaker 6>chance of them being disloyal.

0:44:29.560 --> 0:44:30.239
<v Speaker 7>That's my theory.

0:44:30.760 --> 0:44:34.040
<v Speaker 6>So not both, No, it's one of the other most

0:44:34.600 --> 0:44:38.640
<v Speaker 6>and one breeds one. So yeah, I'll take you respectful day.

0:44:38.800 --> 0:44:41.480
<v Speaker 3>You have to light me right right. Respect.

0:44:43.320 --> 0:44:45.120
<v Speaker 5>We want to show you a flower, thank you for

0:44:45.239 --> 0:44:49.520
<v Speaker 5>your love, because appreciate it. That's what that's what our

0:44:49.600 --> 0:44:53.560
<v Speaker 5>show is about. And we want to give you a love.

0:44:53.719 --> 0:44:59.920
<v Speaker 3>Thank you. I appreciate it. Can you talk about how

0:45:00.000 --> 0:45:01.080
<v Speaker 3>are you and Kanye connected?

0:45:01.640 --> 0:45:01.840
<v Speaker 6>I do.

0:45:02.200 --> 0:45:04.680
<v Speaker 7>And it's a story. It's a story.

0:45:04.760 --> 0:45:08.960
<v Speaker 6>It's like it's a story that's on Google. But no, no,

0:45:09.760 --> 0:45:11.600
<v Speaker 6>as in, like I've told it so many times. We

0:45:12.120 --> 0:45:16.520
<v Speaker 6>met a while ago, like in two thousand and two

0:45:16.560 --> 0:45:19.520
<v Speaker 6>to one, maybe right before my first album came out,

0:45:20.160 --> 0:45:22.120
<v Speaker 6>and I wanted to actually find John Legend and that

0:45:22.239 --> 0:45:23.840
<v Speaker 6>was the point wow.

0:45:24.239 --> 0:45:26.719
<v Speaker 7>Because I heard it, Yeah, which we eventually did.

0:45:27.120 --> 0:45:29.440
<v Speaker 6>I heard a song from the mixtapes he had out

0:45:30.280 --> 0:45:32.600
<v Speaker 6>and I was in La working on records with Corrupt

0:45:32.760 --> 0:45:36.680
<v Speaker 6>and like a few other like West Coast, I was yeah,

0:45:36.800 --> 0:45:37.279
<v Speaker 6>she was crip.

0:45:39.440 --> 0:45:41.200
<v Speaker 3>No, So, like I said, I was rapping.

0:45:41.320 --> 0:45:44.200
<v Speaker 6>So I had worked with some producers who were the

0:45:44.280 --> 0:45:46.600
<v Speaker 6>dog pand essentially there was they were out there working.

0:45:47.280 --> 0:45:48.080
<v Speaker 3>Great group of guys.

0:45:48.239 --> 0:45:50.520
<v Speaker 6>Yeah, and we will go back and forth from London

0:45:50.560 --> 0:45:52.120
<v Speaker 6>to one. I'd pay my flight and just come out

0:45:52.160 --> 0:45:55.120
<v Speaker 6>and work with them. And one of the one of

0:45:55.160 --> 0:45:57.399
<v Speaker 6>the weeks I was out working, I was staying down

0:45:57.440 --> 0:46:00.800
<v Speaker 6>the street from Roscoe's on Gower Street and I was

0:46:00.840 --> 0:46:01.799
<v Speaker 6>listening to the is.

0:46:01.800 --> 0:46:03.680
<v Speaker 3>It Through the Wire with the.

0:46:05.320 --> 0:46:07.359
<v Speaker 6>I'm Good and all that on it right and John

0:46:07.480 --> 0:46:09.080
<v Speaker 6>was singing, and I just kept thinking to myself, this

0:46:09.200 --> 0:46:13.160
<v Speaker 6>man's voice. And so I went to Roscoe's and I'm

0:46:13.200 --> 0:46:15.960
<v Speaker 6>listening to it in my headphones and I walk inside

0:46:16.000 --> 0:46:18.239
<v Speaker 6>and he's sitting there, and I'm just like, holy.

0:46:19.600 --> 0:46:22.480
<v Speaker 3>Sitting there, it's two thousand and one. It's not what

0:46:22.520 --> 0:46:23.840
<v Speaker 3>I'm saying. The fact you were listening to it and

0:46:23.920 --> 0:46:25.000
<v Speaker 3>you said that you walk in there.

0:46:25.080 --> 0:46:26.160
<v Speaker 7>This happens to me frequently.

0:46:26.160 --> 0:46:29.600
<v Speaker 4>That's a magical Like you walk into Rascal there.

0:46:29.680 --> 0:46:31.399
<v Speaker 3>That's like a lot of attraction. Ship right there.

0:46:31.800 --> 0:46:34.400
<v Speaker 6>That's my whole life. I'm writing a book about it.

0:46:34.520 --> 0:46:37.640
<v Speaker 6>It'll show up. But he was there, and so he

0:46:37.719 --> 0:46:39.160
<v Speaker 6>comes up prayed and I was like, God, I just

0:46:39.200 --> 0:46:40.560
<v Speaker 6>need to speak to him because didn't want to run

0:46:40.600 --> 0:46:41.200
<v Speaker 6>up to the table and.

0:46:41.239 --> 0:46:44.200
<v Speaker 7>Be like, oh, why you have chicken in your mouth? Hello,

0:46:45.200 --> 0:46:45.879
<v Speaker 7>some British girl.

0:46:46.040 --> 0:46:49.160
<v Speaker 6>And so he comes outside after I literally say thank

0:46:49.200 --> 0:46:50.880
<v Speaker 6>you God Amen. He walks outside.

0:46:51.960 --> 0:46:53.000
<v Speaker 3>I was like, oh, thank you Jesus.

0:46:53.160 --> 0:46:56.560
<v Speaker 6>Hey, Kanye, really love you. You have some people in common.

0:46:56.880 --> 0:46:58.360
<v Speaker 6>I really want to work with John Legend.

0:46:58.480 --> 0:46:59.239
<v Speaker 3>Is he there? Is it like?

0:47:00.040 --> 0:47:01.560
<v Speaker 7>And I just connect with him and he's like.

0:47:01.600 --> 0:47:03.080
<v Speaker 3>You know him. I was like, I know his voice.

0:47:04.480 --> 0:47:06.120
<v Speaker 3>Because John wasn't well known yet.

0:47:06.160 --> 0:47:10.399
<v Speaker 6>He was like, there was no videos, so he's yeah,

0:47:11.760 --> 0:47:13.520
<v Speaker 6>and he said come to the studio. I go to

0:47:13.640 --> 0:47:17.600
<v Speaker 6>record plant and met John. It's a short, shortened version

0:47:17.760 --> 0:47:20.600
<v Speaker 6>and we were just been We've just been cool ever since.

0:47:21.200 --> 0:47:24.520
<v Speaker 6>He actually signed me to my second album in the

0:47:24.640 --> 0:47:28.960
<v Speaker 6>US with Atlanta with Atlantic, and that's how everyone has

0:47:29.000 --> 0:47:31.840
<v Speaker 6>shine an American boy. That's the short version of Yeah, it.

0:47:31.880 --> 0:47:32.520
<v Speaker 7>Took some years.

0:47:35.880 --> 0:47:38.440
<v Speaker 6>That's a lot of time, but it's a lot of manifestation.

0:47:38.480 --> 0:47:40.040
<v Speaker 6>It's a lot of like law of attraction. There's a

0:47:40.080 --> 0:47:42.520
<v Speaker 6>lot of walking in your purpose with me, you know, but.

0:47:42.600 --> 0:47:45.520
<v Speaker 3>You worked with some big people early on. You worked

0:47:45.520 --> 0:47:46.239
<v Speaker 3>with Swiss, right.

0:47:47.080 --> 0:47:48.960
<v Speaker 6>Swizzy was one of the first people who wanted it

0:47:49.040 --> 0:47:51.759
<v Speaker 6>was going to sign me in like two thousand and one.

0:47:52.200 --> 0:47:54.360
<v Speaker 3>Is this before you're doing the West goes back and forth.

0:47:54.280 --> 0:47:57.160
<v Speaker 6>Before while I'm doing it, before my first album comes out,

0:47:57.600 --> 0:47:59.200
<v Speaker 6>I go for me. It was Swiss and Grady because

0:47:59.200 --> 0:48:01.920
<v Speaker 6>I had I had a whole I had a long career.

0:48:02.520 --> 0:48:04.800
<v Speaker 6>I had a skate shoe with this company called Edney's.

0:48:04.840 --> 0:48:07.000
<v Speaker 6>If you're a real skater, you know by Edney's, right.

0:48:07.880 --> 0:48:09.279
<v Speaker 6>I had a shoe with them, and I was like

0:48:09.719 --> 0:48:12.960
<v Speaker 6>this young no, I just like the shoe was this

0:48:13.160 --> 0:48:13.720
<v Speaker 6>rap culture.

0:48:13.719 --> 0:48:14.640
<v Speaker 3>I like the shoe.

0:48:16.040 --> 0:48:18.600
<v Speaker 6>And when I went to talk to Swizzy and then

0:48:18.600 --> 0:48:20.560
<v Speaker 6>they were like confused. They were like, how do you

0:48:20.840 --> 0:48:22.800
<v Speaker 6>have a shoe with the number one skate ran in

0:48:22.880 --> 0:48:23.600
<v Speaker 6>the world at the time.

0:48:24.239 --> 0:48:25.200
<v Speaker 3>What right?

0:48:26.000 --> 0:48:27.400
<v Speaker 6>And they were like, we just we just don't have

0:48:27.480 --> 0:48:29.719
<v Speaker 6>our infrastructure right, but you know, our eyes are on you.

0:48:30.360 --> 0:48:35.040
<v Speaker 6>And so when it came around for Shine, here here

0:48:35.120 --> 0:48:37.080
<v Speaker 6>came the opportunity to work with Swizzy and he said

0:48:37.080 --> 0:48:39.239
<v Speaker 6>absolutely and he produced track Wow.

0:48:39.520 --> 0:48:41.200
<v Speaker 7>So you know, it's it's been a lot of.

0:48:43.160 --> 0:48:45.640
<v Speaker 6>Lined up things, a lot of like stars in motion, Yeah,

0:48:47.000 --> 0:48:49.960
<v Speaker 6>see Low two U, Shine Yeap, who else?

0:48:50.800 --> 0:48:51.600
<v Speaker 7>Everybody I wanted to.

0:48:51.600 --> 0:48:54.080
<v Speaker 6>Work with Jacks like a bunch of people. Everyone I've

0:48:54.080 --> 0:48:55.279
<v Speaker 6>wanted to work with I've worked with.

0:48:55.600 --> 0:48:56.839
<v Speaker 3>But it's funny because these names.

0:48:57.320 --> 0:49:00.359
<v Speaker 2>From what I know is it was early after you're

0:49:00.440 --> 0:49:02.560
<v Speaker 2>well established, Like you worked with these people very early

0:49:02.640 --> 0:49:03.080
<v Speaker 2>in your career.

0:49:03.880 --> 0:49:06.120
<v Speaker 7>And part of it was like who is this girl

0:49:06.880 --> 0:49:07.680
<v Speaker 7>and why is she good?

0:49:07.719 --> 0:49:09.919
<v Speaker 6>And part of it was like the label being not label,

0:49:09.960 --> 0:49:14.600
<v Speaker 6>but John being like he listened to this artist. Yeah,

0:49:14.680 --> 0:49:16.839
<v Speaker 6>I was on his label at the time, and I said,

0:49:16.880 --> 0:49:18.759
<v Speaker 6>John John Legend, I was on his label at the time,

0:49:18.840 --> 0:49:23.400
<v Speaker 6>and our partnership or our friendship was based on you

0:49:23.520 --> 0:49:25.879
<v Speaker 6>do melodies really well, and you do lyrics really well.

0:49:26.200 --> 0:49:27.720
<v Speaker 3>Like we work really well together.

0:49:30.160 --> 0:49:32.879
<v Speaker 7>And that's it, and that's literally why we work so well,

0:49:33.320 --> 0:49:33.520
<v Speaker 7>you know.

0:49:33.800 --> 0:49:36.680
<v Speaker 6>So it's been a journey, it's been a wild time.

0:49:38.920 --> 0:49:42.960
<v Speaker 3>A lot like yourself. But as I said, I'm writing

0:49:42.960 --> 0:49:43.600
<v Speaker 3>a book about it.

0:49:43.920 --> 0:49:44.720
<v Speaker 7>It will be our.

0:49:46.520 --> 0:49:48.719
<v Speaker 3>Like is that really like a theme in the book.

0:49:48.800 --> 0:49:51.200
<v Speaker 6>Manifestation the law of attraction? How I did it is

0:49:51.280 --> 0:49:55.000
<v Speaker 6>the thing, the recurring fact it is. Put it in

0:49:55.080 --> 0:49:57.960
<v Speaker 6>the world, write about it and go to work, like

0:49:58.080 --> 0:49:59.760
<v Speaker 6>so write a boy, write your journals.

0:49:59.800 --> 0:50:01.200
<v Speaker 3>Do it you gotta do. Put it on the board

0:50:01.280 --> 0:50:01.960
<v Speaker 3>and go to work.

0:50:02.360 --> 0:50:04.440
<v Speaker 7>Go to get it done. And I do, vision board,

0:50:04.719 --> 0:50:06.680
<v Speaker 7>vision board, put it on the merrit don't.

0:50:06.480 --> 0:50:07.600
<v Speaker 3>Matter what writing down.

0:50:07.840 --> 0:50:10.960
<v Speaker 6>Yeah, get it done. It works, It does work, it does,

0:50:11.000 --> 0:50:13.080
<v Speaker 6>I agree, But also go to work.

0:50:13.680 --> 0:50:14.360
<v Speaker 5>I know.

0:50:14.440 --> 0:50:16.600
<v Speaker 3>You have to meet your luck. That's what I tell people.

0:50:16.880 --> 0:50:19.279
<v Speaker 3>It's real, you have to meet your luck exactly. That's

0:50:19.320 --> 0:50:19.560
<v Speaker 3>the coo.

0:50:20.040 --> 0:50:25.800
<v Speaker 6>Yeah, Like I don't seen him perform in London so

0:50:26.120 --> 0:50:31.919
<v Speaker 6>many times like this no, like you're a whole legend.

0:50:31.960 --> 0:50:33.160
<v Speaker 3>I want to give you your flowers.

0:50:33.400 --> 0:50:33.799
<v Speaker 2>You know that.

0:50:35.360 --> 0:50:37.360
<v Speaker 4>Give you a flower, don't give me flowers.

0:50:38.120 --> 0:50:39.960
<v Speaker 3>You are thank you so much. You are a new

0:50:40.120 --> 0:50:41.839
<v Speaker 3>You have a new project came out this year.

0:50:42.080 --> 0:50:44.080
<v Speaker 6>Yeah, it came a couple months ago called Stay Outer,

0:50:44.880 --> 0:50:48.400
<v Speaker 6>and it was born in the Panini in the pandemic,

0:50:48.440 --> 0:50:53.560
<v Speaker 6>the pandemic, the pandemic, pandemic, pandemic. It was a tough

0:50:53.640 --> 0:50:55.840
<v Speaker 6>time for everyone, but it was also a moment clarity

0:50:55.920 --> 0:50:58.200
<v Speaker 6>for a lot of people. And I was coming out

0:50:58.239 --> 0:51:01.960
<v Speaker 6>of a real moment of like reorganizing my entire stuff,

0:51:02.160 --> 0:51:06.800
<v Speaker 6>like my life everything. So walking through this whole period,

0:51:07.480 --> 0:51:10.000
<v Speaker 6>I had to focus on, like I had to focus

0:51:10.080 --> 0:51:12.640
<v Speaker 6>on who I was as a person, flip it all

0:51:12.680 --> 0:51:14.880
<v Speaker 6>around and then get back to like who I am

0:51:15.120 --> 0:51:16.440
<v Speaker 6>in my heart and who I am who I was

0:51:16.520 --> 0:51:18.879
<v Speaker 6>raised to be. And every single song on this album

0:51:18.960 --> 0:51:22.160
<v Speaker 6>is a reflection of that from Roses, which pairs so

0:51:22.320 --> 0:51:23.680
<v Speaker 6>nicely with my roses.

0:51:25.040 --> 0:51:26.560
<v Speaker 3>To love and Love to.

0:51:28.920 --> 0:51:30.799
<v Speaker 6>Yeah, it's really that you have a new theme song

0:51:30.840 --> 0:51:33.839
<v Speaker 6>for the Roses section of your But it's really about

0:51:33.880 --> 0:51:35.600
<v Speaker 6>that because the world as it is right now and

0:51:35.680 --> 0:51:37.279
<v Speaker 6>this is my whole thing with this album, the world

0:51:37.320 --> 0:51:40.759
<v Speaker 6>is it is right now. It's determined to suppress our light.

0:51:41.760 --> 0:51:45.160
<v Speaker 6>Right every time you look at anything online you think yourself,

0:51:45.680 --> 0:51:47.480
<v Speaker 6>oh god, the world's going to have a hair basket.

0:51:47.920 --> 0:51:50.400
<v Speaker 6>But it's not, you know, because you exist and you

0:51:50.480 --> 0:51:52.480
<v Speaker 6>have light in you. And so my thing is like,

0:51:52.560 --> 0:51:55.120
<v Speaker 6>look at your light. Go to your like every single time,

0:51:55.600 --> 0:51:57.120
<v Speaker 6>and if you don't have the words, put on a

0:51:57.200 --> 0:51:59.560
<v Speaker 6>record that does have it, you know, and affirm who

0:51:59.640 --> 0:52:01.479
<v Speaker 6>you are a human and as a as a great

0:52:01.600 --> 0:52:04.680
<v Speaker 6>person and live from that space, even if it's for

0:52:04.800 --> 0:52:07.479
<v Speaker 6>five minutes of your day. It's be's better than nothing,

0:52:07.880 --> 0:52:10.600
<v Speaker 6>you know. So that's the stay outer. It's out right now.

0:52:10.840 --> 0:52:12.440
<v Speaker 3>Put it on. It's a fun time. It feels good.

0:52:13.400 --> 0:52:16.840
<v Speaker 2>It was it independent, So that's no more major regulations.

0:52:16.840 --> 0:52:19.880
<v Speaker 3>I've been I've been independent since twenty two. How do

0:52:19.920 --> 0:52:23.799
<v Speaker 3>you like that he loves major labels. I'm just saying,

0:52:23.800 --> 0:52:27.440
<v Speaker 3>you do. I get the infrastructure, I get it. I

0:52:27.680 --> 0:52:29.160
<v Speaker 3>like it. Yeah, I guess.

0:52:30.760 --> 0:52:34.000
<v Speaker 4>So do you love independent more?

0:52:34.520 --> 0:52:37.120
<v Speaker 7>I love being able to see where everything is.

0:52:38.280 --> 0:52:38.840
<v Speaker 3>I respected.

0:52:39.080 --> 0:52:41.520
<v Speaker 6>Yeah, that's my thing with a major It's so many

0:52:41.719 --> 0:52:45.960
<v Speaker 6>moving parts, amazing. Yeah, it does the thing that oh

0:52:46.040 --> 0:52:48.200
<v Speaker 6>look Atlantic did incredible work.

0:52:48.920 --> 0:52:49.400
<v Speaker 7>I love him.

0:52:49.520 --> 0:52:52.279
<v Speaker 6>They're still cool. You know, we had a wonderful We

0:52:52.320 --> 0:52:53.160
<v Speaker 6>had a wonderful party.

0:52:53.280 --> 0:52:53.719
<v Speaker 7>It's great.

0:52:53.920 --> 0:52:57.400
<v Speaker 6>Nothing's crazy, but I can see where all the parts are.

0:52:57.920 --> 0:53:00.680
<v Speaker 6>And also I can I'm grateful that I'm the kind

0:53:00.680 --> 0:53:04.080
<v Speaker 6>of ys where I don't have to move at anybody's

0:53:04.120 --> 0:53:06.000
<v Speaker 6>place with my own. I can live a real life,

0:53:06.040 --> 0:53:09.479
<v Speaker 6>which is part of my whole personal reorganization. I wanted

0:53:09.520 --> 0:53:12.040
<v Speaker 6>to live a real life and not just be music focused,

0:53:12.120 --> 0:53:14.560
<v Speaker 6>and every single minute I'm on a flight trying to

0:53:14.600 --> 0:53:16.600
<v Speaker 6>promote this or do that, and I don't actually get

0:53:16.640 --> 0:53:18.239
<v Speaker 6>to live and have a family or da da da.

0:53:18.239 --> 0:53:20.960
<v Speaker 3>Da da, you know, like just to serve the art justice,

0:53:21.120 --> 0:53:21.960
<v Speaker 3>it doesn't serve the art.

0:53:22.000 --> 0:53:23.640
<v Speaker 6>I can't live. If I can't live, I have nothing

0:53:23.640 --> 0:53:26.000
<v Speaker 6>to speak about. And I'm that person. I need to

0:53:26.080 --> 0:53:29.400
<v Speaker 6>live to speak about some shit. So to me, I

0:53:29.600 --> 0:53:31.439
<v Speaker 6>like this idea of being able to take my time

0:53:31.440 --> 0:53:33.200
<v Speaker 6>a little bit. It's a little tougher, it takes a

0:53:33.200 --> 0:53:36.799
<v Speaker 6>little bit longer sometimes sometimes, but for the most part,

0:53:36.840 --> 0:53:37.200
<v Speaker 6>it's good.

0:53:37.360 --> 0:53:37.920
<v Speaker 7>It's a good time.

0:53:38.400 --> 0:53:40.759
<v Speaker 3>Yeah. So you know, here a drink chance. We love

0:53:41.680 --> 0:53:44.799
<v Speaker 3>Prince stories, and I hear that you have some print

0:53:44.880 --> 0:53:45.600
<v Speaker 3>stories I do.

0:53:46.480 --> 0:53:49.520
<v Speaker 6>Prince Mama asually calls it like the Wayne Brady effeits,

0:53:49.560 --> 0:53:51.000
<v Speaker 6>you know in the Dave Chappelle Show where he just

0:53:51.040 --> 0:53:53.759
<v Speaker 6>pop up on Dave, like Wayne Brady just pop up

0:53:53.800 --> 0:53:54.080
<v Speaker 6>on Dave.

0:53:55.920 --> 0:53:59.760
<v Speaker 3>It would just be random moments, people just popping up around.

0:53:59.800 --> 0:54:00.279
<v Speaker 8>You know.

0:54:00.400 --> 0:54:01.239
<v Speaker 7>It's a wonderful time.

0:54:02.200 --> 0:54:04.680
<v Speaker 6>No, I have a good life, but Prince was one

0:54:04.719 --> 0:54:08.920
<v Speaker 6>of the ones. I remember seeing him over my over

0:54:09.040 --> 0:54:10.920
<v Speaker 6>my backyard in London.

0:54:12.480 --> 0:54:13.360
<v Speaker 7>So let me let me face it.

0:54:18.120 --> 0:54:19.719
<v Speaker 6>I used to live in the state in London and

0:54:19.880 --> 0:54:22.080
<v Speaker 6>right over the side of the state there was a stadium,

0:54:22.560 --> 0:54:26.000
<v Speaker 6>right and I remember hearing him seeing purple ran and

0:54:26.080 --> 0:54:29.120
<v Speaker 6>seeing the purple girl purple lights around the stadium. I

0:54:29.160 --> 0:54:30.680
<v Speaker 6>didn't never saw it, but I was just there singing

0:54:30.760 --> 0:54:31.360
<v Speaker 6>like like.

0:54:31.840 --> 0:54:34.240
<v Speaker 3>Oh my God, like this princess in that building.

0:54:34.320 --> 0:54:34.640
<v Speaker 2>I know it.

0:54:34.760 --> 0:54:35.320
<v Speaker 3>I can hear it.

0:54:36.120 --> 0:54:38.040
<v Speaker 6>So I skip signed and I have the same lawyer

0:54:38.080 --> 0:54:39.440
<v Speaker 6>as him, and I don't realize I had the same

0:54:39.480 --> 0:54:41.000
<v Speaker 6>lawyer as him for a while and then he tells me.

0:54:41.000 --> 0:54:43.680
<v Speaker 3>Oh, yeah, I also represent the sign this you know.

0:54:45.360 --> 0:54:48.840
<v Speaker 6>Formally known as I'm just like okay, okay, everyone's everyone.

0:54:49.880 --> 0:54:52.800
<v Speaker 6>And then he says, yeah, come the year before, the

0:54:53.480 --> 0:54:54.719
<v Speaker 6>two years before I actually.

0:54:54.440 --> 0:54:55.080
<v Speaker 7>Won my Grammy.

0:54:56.000 --> 0:54:57.960
<v Speaker 6>So I come to the House of Blues, Princess doing

0:54:57.960 --> 0:55:00.600
<v Speaker 6>the after thing and I'm like, all right, whatever, princes

0:55:00.600 --> 0:55:02.240
<v Speaker 6>ain't coming out to know how some blues.

0:55:02.400 --> 0:55:03.040
<v Speaker 3>But that's the thing.

0:55:03.120 --> 0:55:07.959
<v Speaker 6>He would do that. And I'm getting drunk and Prince

0:55:08.000 --> 0:55:12.239
<v Speaker 6>doesn't drink. That's whant to start drinking, Baker. But he

0:55:12.320 --> 0:55:14.360
<v Speaker 6>pops off around two in the morning, like all the

0:55:14.400 --> 0:55:17.440
<v Speaker 6>alcohol left my body. I was sober, That's what The

0:55:17.520 --> 0:55:19.479
<v Speaker 6>minute I was realized he was there, and I was like, oh.

0:55:19.560 --> 0:55:22.240
<v Speaker 3>Ship, gather myself.

0:55:23.080 --> 0:55:26.239
<v Speaker 6>And so he's in the back and they call me

0:55:26.320 --> 0:55:29.080
<v Speaker 6>in and it's him and Terry Jimmy jam and Terry Lewis,

0:55:29.719 --> 0:55:32.399
<v Speaker 6>the Legends, and they sat there and he started telling

0:55:32.480 --> 0:55:34.520
<v Speaker 6>me all the independent stuff like, yeah, make sure you

0:55:34.640 --> 0:55:37.080
<v Speaker 6>have controller, blah blah blah blah blah, don't allow this.

0:55:37.920 --> 0:55:39.800
<v Speaker 3>Yeah, your three sixties, they're going to try you with that.

0:55:39.960 --> 0:55:43.120
<v Speaker 7>Don't give it up verbatim.

0:55:43.320 --> 0:55:46.600
<v Speaker 3>And so well he was about that, and he would

0:55:46.640 --> 0:55:47.600
<v Speaker 3>tell the young.

0:55:47.600 --> 0:55:50.400
<v Speaker 6>Artists, tell the artists, and that's my thing, is like

0:55:51.200 --> 0:55:55.520
<v Speaker 6>that's the last Yeah, own your ship and so own

0:55:55.600 --> 0:55:55.919
<v Speaker 6>your ship.

0:55:56.000 --> 0:55:58.160
<v Speaker 7>And so I learned, and I would start absorbing all

0:55:58.200 --> 0:55:59.279
<v Speaker 7>of that. So things went on.

0:56:00.840 --> 0:56:04.920
<v Speaker 6>True romance came out by Independent by Us, and I

0:56:05.000 --> 0:56:06.719
<v Speaker 6>had a song called Conqueror on that which was on

0:56:06.880 --> 0:56:09.560
<v Speaker 6>Empire and did all the things. And he called me

0:56:09.680 --> 0:56:12.000
<v Speaker 6>on the day the week of release, and I'm in

0:56:12.080 --> 0:56:15.160
<v Speaker 6>my house putting together. So I put together. I'm a

0:56:15.200 --> 0:56:19.200
<v Speaker 6>home decort fan. And when I'm leave my brain cleared,

0:56:19.360 --> 0:56:21.799
<v Speaker 6>I'll go and start putting together things like put together

0:56:21.800 --> 0:56:24.640
<v Speaker 6>a bookshelf, like cut a wall open, like that's me right,

0:56:25.560 --> 0:56:27.560
<v Speaker 6>And he calls me and a minute, me putting together

0:56:27.560 --> 0:56:28.640
<v Speaker 6>a bookshelf, and I'm here like.

0:56:30.360 --> 0:56:32.600
<v Speaker 7>Friends calling me on this afternoon in Brooklyn. What's happening?

0:56:32.920 --> 0:56:36.759
<v Speaker 6>I lived in Brooklyn. But he was like, you know,

0:56:36.840 --> 0:56:39.160
<v Speaker 6>you're doing the right thing. This is it, this is

0:56:39.280 --> 0:56:40.320
<v Speaker 6>this is what you should sound like.

0:56:40.400 --> 0:56:41.680
<v Speaker 3>This is great. Keep it going.

0:56:43.080 --> 0:56:45.120
<v Speaker 7>Yeah, And he just reminded me of who I was.

0:56:45.200 --> 0:56:47.719
<v Speaker 6>He was like, straightening your crown and every step and

0:56:47.800 --> 0:56:50.359
<v Speaker 6>it's not just saying these are major moments. And then

0:56:50.400 --> 0:56:51.879
<v Speaker 6>he every step of the way, he would just call

0:56:51.960 --> 0:56:53.520
<v Speaker 6>me and just a firm that I was doing the

0:56:53.600 --> 0:56:55.239
<v Speaker 6>right thing. And then he called me and asked me

0:56:55.320 --> 0:56:59.080
<v Speaker 6>to perform with him in Baltimore. That constat he did

0:56:59.160 --> 0:57:02.520
<v Speaker 6>in Baltimore for when they had the protests, and I

0:57:02.719 --> 0:57:03.799
<v Speaker 6>was like, we'll be over there.

0:57:04.200 --> 0:57:04.920
<v Speaker 3>I went over there.

0:57:05.320 --> 0:57:07.879
<v Speaker 6>I thought I wasn't going to get to perform, ends

0:57:07.920 --> 0:57:10.080
<v Speaker 6>up pulling me up for Purple Rain. I don't know

0:57:10.120 --> 0:57:12.880
<v Speaker 6>what I sounded like, but I did it because my

0:57:13.000 --> 0:57:15.239
<v Speaker 6>whole I had a whole out of body experience, like

0:57:15.360 --> 0:57:16.960
<v Speaker 6>of it just felt purple.

0:57:17.720 --> 0:57:21.600
<v Speaker 3>Well, the venue was purple, but it just felt like purple.

0:57:21.320 --> 0:57:23.120
<v Speaker 6>And it felt like light, and it just felt like,

0:57:23.440 --> 0:57:26.440
<v Speaker 6>holy crap, I'm floating, you know, like this is this

0:57:26.560 --> 0:57:27.040
<v Speaker 6>isn't real.

0:57:27.240 --> 0:57:28.360
<v Speaker 7>What do you want me to sing?

0:57:28.520 --> 0:57:29.280
<v Speaker 4>What do you want me to do?

0:57:30.160 --> 0:57:32.440
<v Speaker 6>And so it's not I mean, it's Princess has kind

0:57:32.480 --> 0:57:34.160
<v Speaker 6>of popped up to just affirm that I'm doing the

0:57:34.240 --> 0:57:36.840
<v Speaker 6>right thing and I'm good. But it's also just like

0:57:37.000 --> 0:57:39.800
<v Speaker 6>his brilliance is astounding. And then Stevie Wonders another one

0:57:39.840 --> 0:57:43.600
<v Speaker 6>of those people that I feel like is living legend.

0:57:43.720 --> 0:57:48.640
<v Speaker 3>Here, living legend. You can see right, we've said it here,

0:57:48.840 --> 0:57:49.840
<v Speaker 3>he said he cannot.

0:57:50.000 --> 0:57:53.080
<v Speaker 2>He told everyone at the other day that he could

0:57:53.160 --> 0:57:56.680
<v Speaker 2>see that he's pressed buns and elevators and he but.

0:57:56.800 --> 0:57:59.080
<v Speaker 6>He has as he's been doing this his whole life.

0:57:59.120 --> 0:57:59.800
<v Speaker 6>He's seventy five.

0:58:00.440 --> 0:58:04.040
<v Speaker 3>His senses, he's been going to the same places. So

0:58:04.480 --> 0:58:05.800
<v Speaker 3>everything seems like course.

0:58:05.680 --> 0:58:10.400
<v Speaker 6>His ear is incredible, But it's just an amazing thing

0:58:10.480 --> 0:58:14.920
<v Speaker 6>to witness somebody just be that prolific their whole life,

0:58:15.840 --> 0:58:18.840
<v Speaker 6>despite disability what people.

0:58:18.640 --> 0:58:19.400
<v Speaker 7>Call a disability.

0:58:19.920 --> 0:58:22.720
<v Speaker 6>Prolific still, so it's like, there's no excuses for me

0:58:23.480 --> 0:58:25.400
<v Speaker 6>to not make great music or not do the thing

0:58:25.440 --> 0:58:28.720
<v Speaker 6>I do really well. When these people are hi, I'm

0:58:28.760 --> 0:58:31.240
<v Speaker 6>in your energy field. I pop up around you, like

0:58:31.320 --> 0:58:31.800
<v Speaker 6>what we're doing?

0:58:32.480 --> 0:58:35.360
<v Speaker 3>You know? You got to say Stevie story. Then see,

0:58:36.160 --> 0:58:38.800
<v Speaker 3>oh goodness, how I met Stevie.

0:58:41.480 --> 0:58:43.240
<v Speaker 7>There was an event I took my homegirl to.

0:58:43.520 --> 0:58:44.320
<v Speaker 3>It was Joe.

0:58:45.600 --> 0:58:51.240
<v Speaker 6>He Sweat, and somebody else, and it was hosted by

0:58:51.280 --> 0:58:54.200
<v Speaker 6>Stevie's radio station. I'm not thinking in any capacity that

0:58:54.240 --> 0:58:56.480
<v Speaker 6>Stevie was going to be there, but he'd heard that

0:58:56.560 --> 0:58:58.520
<v Speaker 6>I was in the building, and I was in the

0:58:58.600 --> 0:59:02.680
<v Speaker 6>back again, drinking my brown liquor, minding my business, Like,

0:59:02.880 --> 0:59:05.240
<v Speaker 6>oh my goodness, Stevie's in the building. I couldn't see him.

0:59:05.240 --> 0:59:06.600
<v Speaker 6>And then he gets on stage and he calls me

0:59:06.720 --> 0:59:09.160
<v Speaker 6>up and I'm like, what do you want me to say?

0:59:10.080 --> 0:59:11.360
<v Speaker 6>This is my I'm honest like that.

0:59:11.480 --> 0:59:12.960
<v Speaker 3>I'll be like, who would you like me? Because I'm

0:59:13.000 --> 0:59:16.160
<v Speaker 3>standing next to you? The great is one of the

0:59:16.200 --> 0:59:19.120
<v Speaker 3>great is just like are you bullying? Like? What do

0:59:19.160 --> 0:59:19.720
<v Speaker 3>you want me to do?

0:59:20.360 --> 0:59:23.080
<v Speaker 6>And then you got like he swe Johnny Gill and

0:59:23.200 --> 0:59:24.720
<v Speaker 6>Joe in the building at the same time, I was like,

0:59:24.720 --> 0:59:25.880
<v Speaker 6>what do you want for me to do?

0:59:25.960 --> 0:59:27.240
<v Speaker 3>I came here as a watch and learn.

0:59:27.400 --> 0:59:30.480
<v Speaker 6>Okay, He's like he's saying ribbon in the sky and

0:59:30.800 --> 0:59:32.680
<v Speaker 6>he made me say you're with him? And I was like, ah,

0:59:33.280 --> 0:59:37.840
<v Speaker 6>we've been friends since literal friends. Yeah, that family. But

0:59:38.400 --> 0:59:41.920
<v Speaker 6>it still blows my mind in a certain sense that

0:59:43.320 --> 0:59:45.600
<v Speaker 6>I've done the right things in order to put me

0:59:45.640 --> 0:59:47.280
<v Speaker 6>in an energy space of icons.

0:59:47.080 --> 0:59:48.400
<v Speaker 3>And legends like that, you know.

0:59:48.520 --> 0:59:50.320
<v Speaker 2>I mean, I don't think there's many people could say

0:59:50.360 --> 0:59:58.320
<v Speaker 2>they have stories with Stevie and Prince alone, like that's

0:59:58.360 --> 0:59:59.560
<v Speaker 2>all God, let's not doing?

1:00:00.080 --> 1:00:03.920
<v Speaker 3>Is what is the what are you looking forward to doing? Oh? Well,

1:00:03.920 --> 1:00:05.880
<v Speaker 3>I have a radio show and music I'm looking forward

1:00:05.880 --> 1:00:11.320
<v Speaker 3>to interviewing you both know, But does he do it

1:00:11.360 --> 1:00:11.880
<v Speaker 3>in l A too?

1:00:12.360 --> 1:00:12.880
<v Speaker 4>Was in New York.

1:00:13.720 --> 1:00:15.479
<v Speaker 3>I thought that was all over there.

1:00:15.360 --> 1:00:18.240
<v Speaker 6>And now it's two different studios. It's it's it's about

1:00:18.560 --> 1:00:20.880
<v Speaker 6>twelve stations at this point. It's so many stations. But

1:00:21.000 --> 1:00:22.880
<v Speaker 6>we're out for music hits and we keep the legacy

1:00:22.880 --> 1:00:24.160
<v Speaker 6>and giving people their flowers gone.

1:00:24.520 --> 1:00:26.080
<v Speaker 7>So I'm like, would be lovely to talk to you.

1:00:26.600 --> 1:00:31.120
<v Speaker 3>Good? Yeah, okay, let's do And music wise.

1:00:30.880 --> 1:00:33.880
<v Speaker 6>Though, music wise, the album stay Out is out. I

1:00:33.960 --> 1:00:38.800
<v Speaker 6>have a book coming about my journey so far. It's

1:00:38.840 --> 1:00:43.920
<v Speaker 6>a how to but like I said, how to do it, yeah, essentially,

1:00:44.440 --> 1:00:47.800
<v Speaker 6>and performing wives. I'll bet I'm performing.

1:00:47.560 --> 1:00:48.200
<v Speaker 7>Out here tomorrow.

1:00:48.640 --> 1:00:50.000
<v Speaker 6>I mean, I know when people are going to get this.

1:00:50.040 --> 1:00:52.520
<v Speaker 6>I'm performing it in the overtown at the first of all,

1:00:53.520 --> 1:00:56.080
<v Speaker 6>I have to do it. You're coming out. So yeah,

1:00:56.160 --> 1:00:58.280
<v Speaker 6>we stay Out. We're doing the shows. You can always

1:00:58.280 --> 1:01:00.240
<v Speaker 6>catch me on my Instagram, my socials and find where

1:01:00.240 --> 1:01:00.520
<v Speaker 6>I'm at.

1:01:00.600 --> 1:01:03.040
<v Speaker 3>For you, well, thank you for joining us. Thank appreciate

1:01:03.120 --> 1:01:04.320
<v Speaker 3>you so much. Thank you for having me.

1:01:04.440 --> 1:01:05.920
<v Speaker 7>I'm like again my roses.

1:01:06.400 --> 1:01:08.040
<v Speaker 3>Everybody makes some noise up.

1:01:11.520 --> 1:01:14.920
<v Speaker 2>Drink Champs is a Drink Champs LLC production hosts and

1:01:15.040 --> 1:01:18.479
<v Speaker 2>executive producers n O r E and DJ e FN

1:01:19.640 --> 1:01:23.760
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1:01:27.720 --> 1:01:30.320
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