1 00:00:00,320 --> 00:00:08,320 Speaker 1: Forever. Look mad oh, I see you? Why why? And 2 00:00:08,360 --> 00:00:16,520 Speaker 1: look over there? How is that nature? Yes? Goodness calling? 3 00:00:16,880 --> 00:00:19,200 Speaker 1: Who got the verve? You put the verb in? I 4 00:00:19,239 --> 00:00:20,759 Speaker 1: feel that I was the one to give the flavor 5 00:00:20,760 --> 00:00:22,639 Speaker 1: on that one. Let's not to take anything away from you. 6 00:00:22,640 --> 00:00:26,000 Speaker 1: You give flavor constantly all the time. I don't haven't 7 00:00:26,040 --> 00:00:31,080 Speaker 1: been meeting you halfway with the flav But I'm disappointed 8 00:00:31,120 --> 00:00:34,080 Speaker 1: in myself. Why so I'm happy that that went well, 9 00:00:34,200 --> 00:00:36,640 Speaker 1: be saying the title of our pod, because I'm disappointed 10 00:00:36,640 --> 00:00:38,760 Speaker 1: with myself and other areas of my life, like what 11 00:00:38,960 --> 00:00:41,159 Speaker 1: I have to get out ahead of something, get out 12 00:00:41,159 --> 00:00:43,479 Speaker 1: ahead of what? Do you remember when I said I 13 00:00:43,520 --> 00:00:44,760 Speaker 1: was going to do a marathon at the end of 14 00:00:44,760 --> 00:00:47,879 Speaker 1: the year at Disney World. I was famously and I 15 00:00:47,960 --> 00:00:50,360 Speaker 1: kind of going to travel to Disney World to do 16 00:00:50,400 --> 00:00:54,600 Speaker 1: a marathon there. And we're not doing it. Why not? 17 00:00:54,800 --> 00:01:00,720 Speaker 1: Because the Disney World marathon doesn't exist. It's not a thing. 18 00:01:00,880 --> 00:01:04,600 Speaker 1: Where did you hear about this? Okay? You? Our friend 19 00:01:04,680 --> 00:01:06,400 Speaker 1: Eric Heurson said we gotta go do the marathon in 20 00:01:06,400 --> 00:01:08,840 Speaker 1: Disney in November. Apparently there is one, but it happened 21 00:01:08,840 --> 00:01:11,840 Speaker 1: in January. There's a half marathon in Disney and do 22 00:01:11,880 --> 00:01:15,800 Speaker 1: the half right, do that. It's still thirteen miles. Is 23 00:01:15,880 --> 00:01:17,959 Speaker 1: so excited that I was going to do something so physical. 24 00:01:18,520 --> 00:01:23,640 Speaker 1: You still you're still going to run thirteen point one, baby, 25 00:01:23,720 --> 00:01:26,800 Speaker 1: It's just not the same. Come on, Unless I go 26 00:01:26,880 --> 00:01:28,720 Speaker 1: there and do my own marath you're still going to 27 00:01:28,800 --> 00:01:30,800 Speaker 1: get the picture of you in the blanket and the 28 00:01:30,920 --> 00:01:33,360 Speaker 1: in the aluminum blank You're right, it's about the photos. 29 00:01:33,360 --> 00:01:35,640 Speaker 1: It's about the photos. And you've been to Disney work 30 00:01:35,680 --> 00:01:38,600 Speaker 1: with me. We do do a marathon. We do a marathon. 31 00:01:38,720 --> 00:01:42,520 Speaker 1: We do it despite what anyone wants. I but god, 32 00:01:42,600 --> 00:01:44,560 Speaker 1: I mean, it doesn't feel like vacation when we're there, 33 00:01:44,560 --> 00:01:47,080 Speaker 1: because you are. I just want to make sure we 34 00:01:47,160 --> 00:01:49,520 Speaker 1: do everything. So here's the thing, and I'll get into it. 35 00:01:49,600 --> 00:01:52,920 Speaker 1: I don't think we're with two Disney queens. I don't know. Well, 36 00:01:53,000 --> 00:01:56,160 Speaker 1: I'll ask them and it's fine if not, fine if not, um, 37 00:01:56,240 --> 00:01:58,480 Speaker 1: there's plenty of them to grow in this life. But 38 00:01:58,560 --> 00:02:01,560 Speaker 1: I will say I apologize to anyone that goes to 39 00:02:01,560 --> 00:02:03,840 Speaker 1: Disney with me, because I'm the kind of person that's like, Okay, cool, 40 00:02:03,840 --> 00:02:05,880 Speaker 1: we gotta do this next thing. And I turned around 41 00:02:05,920 --> 00:02:07,880 Speaker 1: to you study and Dave who we were all with, 42 00:02:07,960 --> 00:02:10,040 Speaker 1: and they were like, no, we're adults who don't feel 43 00:02:10,040 --> 00:02:12,880 Speaker 1: the need to run to the haunted mansion. And I 44 00:02:12,919 --> 00:02:17,280 Speaker 1: was like, okay, cool, Yes, I mean I think I'm 45 00:02:17,360 --> 00:02:19,320 Speaker 1: getting better. The beautiful thing about Disney is that you 46 00:02:19,360 --> 00:02:21,960 Speaker 1: get to age up with it, right, Like, there's this 47 00:02:22,000 --> 00:02:23,840 Speaker 1: thing that people is that the beautiful thing about Disney. 48 00:02:24,000 --> 00:02:26,200 Speaker 1: I heard people at work. I've talked about this people 49 00:02:26,200 --> 00:02:29,120 Speaker 1: at work. I overheard conversations of people work being like 50 00:02:29,240 --> 00:02:32,359 Speaker 1: before Christmas, someone being like, yeah, you know, I don't 51 00:02:32,360 --> 00:02:33,720 Speaker 1: know what I'm doing for the holidays. I might just 52 00:02:33,760 --> 00:02:36,960 Speaker 1: get a room at the Grand Floridians. And just there 53 00:02:36,960 --> 00:02:40,440 Speaker 1: are Disney queens at SNL there. Yeah, I don't I 54 00:02:40,480 --> 00:02:42,560 Speaker 1: want to name one. Why won't name one? I'm not 55 00:02:42,560 --> 00:02:44,400 Speaker 1: surprised to hear that, but it's one that I never 56 00:02:44,480 --> 00:02:46,240 Speaker 1: expected him to be a Disney queen, but he's at Disney. 57 00:02:46,280 --> 00:02:48,359 Speaker 1: I think sketch comedy and Disney go hand in hand 58 00:02:48,520 --> 00:02:52,240 Speaker 1: because we have immersive experiences. Yes, we have storytelling, condensed 59 00:02:52,240 --> 00:02:57,359 Speaker 1: storytelling in both right. And speaking of condensed story wow, 60 00:02:58,160 --> 00:03:01,320 Speaker 1: how about that though? How bad? Can we discuss what 61 00:03:01,400 --> 00:03:03,280 Speaker 1: we just did? What we got here? We went through 62 00:03:03,720 --> 00:03:05,799 Speaker 1: and the last culture is as listeners, is this the 63 00:03:05,840 --> 00:03:09,800 Speaker 1: way to say this word or the French ways of? 64 00:03:11,040 --> 00:03:13,120 Speaker 1: But then if you want to emulate that in in 65 00:03:13,280 --> 00:03:16,120 Speaker 1: like English phonetics, it's like you would just say of 66 00:03:16,240 --> 00:03:18,960 Speaker 1: and make it a silent ur God. The way that 67 00:03:19,040 --> 00:03:20,919 Speaker 1: you are grabbing your brain right now to get this 68 00:03:21,040 --> 00:03:23,720 Speaker 1: out there, it's it's buried deep within. Okay. So we 69 00:03:23,760 --> 00:03:28,840 Speaker 1: went through the oath yes of our guests and I 70 00:03:29,040 --> 00:03:32,560 Speaker 1: we said that famously. Well, you guys don't know this yet, 71 00:03:32,600 --> 00:03:34,280 Speaker 1: but when you were honored one day at the Candy 72 00:03:34,320 --> 00:03:36,400 Speaker 1: Kennedy Center on, because you will get a Kennedy Center on, 73 00:03:36,720 --> 00:03:40,320 Speaker 1: I will perform It's a candle Christmas Eve christ the 74 00:03:40,400 --> 00:03:43,160 Speaker 1: Christmas Christmas candle. I will perform it. Not any of 75 00:03:43,160 --> 00:03:45,120 Speaker 1: the A list stars that I kindically did it. It 76 00:03:45,160 --> 00:03:47,640 Speaker 1: will be me, and I will come out as Asian American. 77 00:03:47,680 --> 00:03:50,960 Speaker 1: Do yes. I will be Asian American doll, you as 78 00:03:51,000 --> 00:03:53,800 Speaker 1: Asian American dog will present me doing it, and I'll 79 00:03:53,840 --> 00:03:56,560 Speaker 1: be like, girls, this is for you, and sing the 80 00:03:56,600 --> 00:03:58,160 Speaker 1: candle song and know you're gonna look at them. They 81 00:03:58,160 --> 00:03:59,560 Speaker 1: will be in the back meat with the rainbow medals. 82 00:03:59,640 --> 00:04:02,280 Speaker 1: And then President Alexandro Ocasto Cartas will be like, who 83 00:04:02,360 --> 00:04:04,680 Speaker 1: the funk was that? And they'll be like, we met 84 00:04:04,720 --> 00:04:06,800 Speaker 1: him a few times, you met him at some dance. 85 00:04:09,240 --> 00:04:11,880 Speaker 1: That's my favorite thing. That should be president what no 86 00:04:13,480 --> 00:04:15,880 Speaker 1: candall is my favorite thing. And I remember the day 87 00:04:15,880 --> 00:04:17,640 Speaker 1: it came out. I texted and address and I said, 88 00:04:17,680 --> 00:04:20,320 Speaker 1: who the funk wrote that? And she said, do you 89 00:04:20,360 --> 00:04:25,960 Speaker 1: think parentheses? Kelly? Oh? I love that. Their title card, 90 00:04:26,200 --> 00:04:31,120 Speaker 1: the production company card is just parenthetical, just whatever thrown 91 00:04:31,160 --> 00:04:35,080 Speaker 1: back to the Okay. And also, I mean we moved 92 00:04:35,120 --> 00:04:37,760 Speaker 1: on from that because now we have the show, the show, 93 00:04:37,839 --> 00:04:41,080 Speaker 1: and I truly, I mean, look at this point, we're 94 00:04:41,240 --> 00:04:45,120 Speaker 1: like five deep in our the other two this is 95 00:04:44,360 --> 00:04:48,600 Speaker 1: the other two events. I mean, at this point, you're 96 00:04:48,600 --> 00:04:50,960 Speaker 1: on episode five. I think I think at this point 97 00:04:51,040 --> 00:04:53,520 Speaker 1: Chase has gone to the dance or something. Well, I 98 00:04:53,560 --> 00:04:56,440 Speaker 1: hope he has. Hope that wasn't a big spoiler Chase 99 00:04:56,520 --> 00:04:58,480 Speaker 1: goes to a dance if we haven't yet got there yet, 100 00:04:58,800 --> 00:05:01,080 Speaker 1: Chase is about the Chase is about Terry goes to 101 00:05:01,120 --> 00:05:04,960 Speaker 1: the dance. But it's Chased but the dance, right, Oh 102 00:05:04,960 --> 00:05:08,320 Speaker 1: my god, I hope we can cut this out of 103 00:05:08,360 --> 00:05:11,320 Speaker 1: it as Oh, my god, There's there's so much more 104 00:05:11,320 --> 00:05:12,680 Speaker 1: to come. There's so much more to come. It's one 105 00:05:12,680 --> 00:05:14,839 Speaker 1: of those shows that starts good and gets get better. 106 00:05:14,960 --> 00:05:20,120 Speaker 1: Come on, and then that last little frame, baby, I 107 00:05:20,160 --> 00:05:23,120 Speaker 1: could not even believe in the whole season builds to 108 00:05:23,200 --> 00:05:25,320 Speaker 1: that moment is what you don't realize. Can I say, 109 00:05:25,360 --> 00:05:27,640 Speaker 1: I'm actually it's it's comfortable for me to talk to 110 00:05:27,680 --> 00:05:30,400 Speaker 1: you about them because I've waited. I have very little chill. 111 00:05:30,640 --> 00:05:32,720 Speaker 1: I've waited to have them on. I know since the 112 00:05:32,760 --> 00:05:35,800 Speaker 1: beginning of our beginning of us doing this Oh my god, 113 00:05:38,160 --> 00:05:41,720 Speaker 1: one fire, let's shared share, okay, just really quick shared 114 00:05:41,800 --> 00:05:45,440 Speaker 1: rundown of credits, College humor, the onion sucking Saturday Night Live, 115 00:05:45,640 --> 00:05:47,279 Speaker 1: and now they did one of them did and it 116 00:05:47,279 --> 00:05:49,000 Speaker 1: gets better video for U c B. And like I 117 00:05:49,040 --> 00:05:51,760 Speaker 1: was what like a little zygo to a little faggot 118 00:05:51,800 --> 00:05:54,480 Speaker 1: and watched the name is like this is really important, 119 00:05:55,560 --> 00:05:58,720 Speaker 1: so moving, we are so and now they are the 120 00:05:58,760 --> 00:06:01,560 Speaker 1: creators of then you show the other two We're so 121 00:06:01,600 --> 00:06:03,640 Speaker 1: excited to have. And I have to say, also, yesterday 122 00:06:03,680 --> 00:06:06,880 Speaker 1: I watched other people Oh my god, and other people wow, 123 00:06:07,279 --> 00:06:09,880 Speaker 1: come on, come on, and I told our guest that 124 00:06:09,920 --> 00:06:11,640 Speaker 1: I watched it, and he's like, you watched it today. 125 00:06:11,800 --> 00:06:13,479 Speaker 1: I was like, um no, I mean like casually, like 126 00:06:13,560 --> 00:06:15,360 Speaker 1: within the last few months. But then now you're now 127 00:06:15,400 --> 00:06:18,000 Speaker 1: you're just coming out and saying he was fully yesterday, 128 00:06:18,040 --> 00:06:21,080 Speaker 1: full yesterday. Yeah. I love that. Knows you know, we're 129 00:06:21,120 --> 00:06:23,200 Speaker 1: so excited to have them. We're gonna turn to them now. 130 00:06:23,560 --> 00:06:26,400 Speaker 1: Please give it an ear. Welcome to Chris Kelly and 131 00:06:26,400 --> 00:06:32,760 Speaker 1: Sarah Schneider. Our interests are always emphatic, but that was like, 132 00:06:33,839 --> 00:06:35,680 Speaker 1: that was above and beyond. I would love to just 133 00:06:35,720 --> 00:06:39,000 Speaker 1: not talk and just like watch you guys well just 134 00:06:39,040 --> 00:06:44,920 Speaker 1: in general, listen, we're not comfortable with that. Do you 135 00:06:44,960 --> 00:06:47,719 Speaker 1: guys think you guys will have a Kennedy Center. I 136 00:06:47,760 --> 00:06:49,680 Speaker 1: think you guys have to answer this for yourself. I 137 00:06:49,720 --> 00:06:51,320 Speaker 1: just want to I want the gig. That's why I 138 00:06:51,360 --> 00:06:52,640 Speaker 1: hope they got it. I know. I like that the 139 00:06:52,640 --> 00:06:54,560 Speaker 1: plan is for both of you guys to steal roles 140 00:06:54,560 --> 00:07:02,080 Speaker 1: from women. Yes, the things I can present us starting hard. 141 00:07:03,800 --> 00:07:05,760 Speaker 1: I love it. Let's get into it. Let's get into 142 00:07:07,160 --> 00:07:10,280 Speaker 1: do we deserve to steal these roles from likely? Now? 143 00:07:11,400 --> 00:07:13,440 Speaker 1: But I also love the intro that one of us 144 00:07:13,600 --> 00:07:16,400 Speaker 1: made it. It gets better video that you love one 145 00:07:16,440 --> 00:07:20,200 Speaker 1: of the guests today, did you make it? What would 146 00:07:20,200 --> 00:07:24,120 Speaker 1: you say? This is your personity? Just say it gets better? 147 00:07:25,520 --> 00:07:29,720 Speaker 1: Nine years later videos though it does it get better? 148 00:07:29,760 --> 00:07:32,720 Speaker 1: It gets it gets better. Yeah, well let's go let's 149 00:07:32,720 --> 00:07:43,000 Speaker 1: go around. Does it get better Sarah? For for me? Yeah? Yeah, great, Chris, Yeah, 150 00:07:43,160 --> 00:07:46,320 Speaker 1: I think it got better because I mean it used 151 00:07:46,360 --> 00:07:48,800 Speaker 1: to be bad, but now it's better. Now it's better. 152 00:07:48,880 --> 00:07:51,720 Speaker 1: Now it's better. And the thing is, like I will say, well, 153 00:07:51,800 --> 00:07:54,240 Speaker 1: did it get better for you? I want to say 154 00:07:54,320 --> 00:07:59,480 Speaker 1: it's a wash with my parents, but overall another terms, 155 00:07:59,520 --> 00:08:01,600 Speaker 1: it's been great. What were you going to say? I 156 00:08:01,680 --> 00:08:04,680 Speaker 1: was going to say in watching other people yesterday? What No? 157 00:08:04,800 --> 00:08:06,680 Speaker 1: And now I'm in a pivot to being more serious 158 00:08:06,800 --> 00:08:09,560 Speaker 1: if you can believe that the pivot is going to 159 00:08:09,600 --> 00:08:13,320 Speaker 1: be quick pivot. I was just really like what what 160 00:08:13,400 --> 00:08:15,440 Speaker 1: it moved me so much about it is you really 161 00:08:15,480 --> 00:08:18,920 Speaker 1: do get across this like kind of experience of like 162 00:08:19,760 --> 00:08:21,800 Speaker 1: like a like a gay guy kind of coming into 163 00:08:21,800 --> 00:08:23,760 Speaker 1: his zone who's like trying to figure out how to 164 00:08:23,880 --> 00:08:25,800 Speaker 1: be gay? Do you know what I mean? I feel 165 00:08:25,800 --> 00:08:28,520 Speaker 1: like that's like like even with Carrie and the other two, 166 00:08:28,920 --> 00:08:31,520 Speaker 1: like that's like a big like that there's just so 167 00:08:31,600 --> 00:08:34,200 Speaker 1: much there with like him trying to figure out how 168 00:08:34,240 --> 00:08:36,959 Speaker 1: to fit into this like gay world, and also with 169 00:08:37,080 --> 00:08:40,040 Speaker 1: the character of David too obviously like like kind of 170 00:08:40,080 --> 00:08:43,000 Speaker 1: like being like about Grinder and about okay Cupid, but 171 00:08:43,040 --> 00:08:44,679 Speaker 1: you get that that comes from a place of like 172 00:08:45,600 --> 00:08:49,120 Speaker 1: being afraid of it. So that's just like really moved 173 00:08:49,160 --> 00:08:51,360 Speaker 1: me about it like that. It was just kind of 174 00:08:51,400 --> 00:08:54,319 Speaker 1: like I felt not to be the person who's like 175 00:08:54,360 --> 00:08:56,960 Speaker 1: I felt seen, but I think a lot of people 176 00:08:57,000 --> 00:08:59,760 Speaker 1: will feel seen by the show too. Yeah that's good. Yeah, 177 00:09:00,160 --> 00:09:02,800 Speaker 1: so I love it so much the gym. Thank you 178 00:09:02,800 --> 00:09:09,080 Speaker 1: guys for watching all. Thank you. That's very nice. And 179 00:09:09,160 --> 00:09:13,560 Speaker 1: let me I don't binge everything. Some of the ship 180 00:09:13,600 --> 00:09:22,760 Speaker 1: out there unbingeable, okay, drag, Okay, I couldn't binge. Um 181 00:09:23,600 --> 00:09:26,280 Speaker 1: like this doesn't it can barely binge House of Cards 182 00:09:26,320 --> 00:09:30,080 Speaker 1: and it's made to binge. Sure, I couldn't binge. I 183 00:09:30,080 --> 00:09:33,160 Speaker 1: couldn't even binge what you're starting House of Cards. Now 184 00:09:33,200 --> 00:09:37,280 Speaker 1: you started season one. Now we can say that it 185 00:09:37,320 --> 00:09:40,560 Speaker 1: got worse ass like Seasan's one and two binge able. 186 00:09:41,400 --> 00:09:44,360 Speaker 1: I think after season three, four five, who knows that 187 00:09:44,480 --> 00:09:47,640 Speaker 1: it has like A six unbable. I couldn't binge. I 188 00:09:47,679 --> 00:09:50,920 Speaker 1: tried to, but couldn't binge Succession because that felt like 189 00:09:50,960 --> 00:09:53,120 Speaker 1: I needed time between them or something, or I just 190 00:09:53,120 --> 00:09:54,680 Speaker 1: like kept not going back to it or something. But 191 00:09:54,720 --> 00:09:57,400 Speaker 1: then I binge the last three, which I kind of 192 00:09:57,400 --> 00:10:00,440 Speaker 1: think makes sense because those three were like the greatest. 193 00:10:01,360 --> 00:10:03,559 Speaker 1: That was like, I have to see succession. I heard 194 00:10:03,559 --> 00:10:07,000 Speaker 1: you're a fan of Mrs Maisel. I am that. Who 195 00:10:07,080 --> 00:10:09,080 Speaker 1: is my ally here? I don't know both of us. 196 00:10:09,920 --> 00:10:14,600 Speaker 1: But the first season I think was a little bit 197 00:10:14,920 --> 00:10:18,199 Speaker 1: harder to like really get through. And then the second season, 198 00:10:18,320 --> 00:10:22,319 Speaker 1: I thinking it's just like candy to me, It's like 199 00:10:23,840 --> 00:10:27,840 Speaker 1: on TV. Yeah, that's actually a really culture number fourteen 200 00:10:28,280 --> 00:10:32,240 Speaker 1: marvelous Mrs Mars like a bath on TV number one, 201 00:10:33,120 --> 00:10:35,600 Speaker 1: and you know, approximately eight thousand rules have been rule 202 00:10:35,679 --> 00:10:39,679 Speaker 1: number four teen. Yes, that's not for us to figure out. Chris, 203 00:10:39,920 --> 00:10:42,720 Speaker 1: why are you're I was gonna ask, like, what have 204 00:10:42,760 --> 00:10:44,800 Speaker 1: you been binging? But that's such a what are your obsessions? 205 00:10:45,960 --> 00:10:48,839 Speaker 1: What have I been binging? What have I been binging? 206 00:10:49,640 --> 00:10:52,880 Speaker 1: Because I don't know what have I been binging to watch? 207 00:10:54,320 --> 00:10:55,960 Speaker 1: It's very late to the game on that. Yes, but 208 00:10:56,000 --> 00:10:58,080 Speaker 1: Helena was telling me about this that Matt would be 209 00:10:58,080 --> 00:11:01,400 Speaker 1: your ally Sarah for Masal and I'd be Chris's Alley 210 00:11:01,440 --> 00:11:04,319 Speaker 1: for killing you because you don't like it, because he's 211 00:11:03,840 --> 00:11:06,400 Speaker 1: he's scary. He's nervous that it's going to scary, and 212 00:11:06,440 --> 00:11:09,480 Speaker 1: I'm saying it's not scary. I'm a very anxious person. 213 00:11:09,840 --> 00:11:12,880 Speaker 1: So like the first like episode when like she kills 214 00:11:12,880 --> 00:11:15,199 Speaker 1: that guy with like spoiler alert, like there's killing and 215 00:11:15,320 --> 00:11:19,280 Speaker 1: killing it. She takes that big stick and like, yeah, yeah, 216 00:11:19,360 --> 00:11:22,760 Speaker 1: that's not really what the show funny too, So it's 217 00:11:22,760 --> 00:11:26,959 Speaker 1: not like full scary. It's not like a Darcy Cardon 218 00:11:27,080 --> 00:11:28,800 Speaker 1: is the same way. She does not like scary things. 219 00:11:28,880 --> 00:11:31,160 Speaker 1: And we all went as a group to see Annihilation 220 00:11:31,200 --> 00:11:33,719 Speaker 1: and what was the movie that he made before Annihilation? 221 00:11:33,720 --> 00:11:36,719 Speaker 1: The Yeah, we were and she's like, I don't want 222 00:11:36,720 --> 00:11:38,080 Speaker 1: to see this. It's gonna be scary. We were like, 223 00:11:38,120 --> 00:11:39,800 Speaker 1: it's not going to be scary. X Mock you know, 224 00:11:40,000 --> 00:11:43,160 Speaker 1: was not. There's no jumps, there's no gore. Annihilation is 225 00:11:43,200 --> 00:11:45,760 Speaker 1: going to be easy. It is so fucking rough and 226 00:11:45,800 --> 00:11:48,600 Speaker 1: tough the whole time through. It's disgusting, it's gross. They're 227 00:11:48,640 --> 00:11:52,720 Speaker 1: scares everywhere. She sat so frightened, and when the movie 228 00:11:52,880 --> 00:11:54,320 Speaker 1: was over it I think she was like, that was 229 00:11:54,480 --> 00:11:57,640 Speaker 1: not for me. And also I want to say thank 230 00:11:57,679 --> 00:11:59,440 Speaker 1: you for writing her up, because she did tell me 231 00:11:59,480 --> 00:12:01,760 Speaker 1: that if she wasn't mentioned by a name on this podcast, 232 00:12:01,760 --> 00:12:07,839 Speaker 1: she would she got in. Let me tell you she 233 00:12:08,080 --> 00:12:13,280 Speaker 1: is mentioned at length. Sell your Welcome, DRIs. I forget annihilistion. 234 00:12:13,360 --> 00:12:16,679 Speaker 1: I would never put myself through that. Did you get Healing, 235 00:12:17,080 --> 00:12:21,240 Speaker 1: which is a comedy comedy. What's her face in it? Yeah? 236 00:12:21,240 --> 00:12:27,280 Speaker 1: What's her face? Natalie apartment people, she created it, produces it. Okay, 237 00:12:27,720 --> 00:12:38,480 Speaker 1: you're talking about comb is talented MS comer, she's I know, 238 00:12:38,520 --> 00:12:41,400 Speaker 1: it's not furious terrible. I know. I actually did google 239 00:12:41,400 --> 00:12:43,480 Speaker 1: her and saw her agent was lessened to the show. 240 00:12:45,320 --> 00:12:48,840 Speaker 1: It makes me mad whenever anyone's young. Did we see Hereditary? 241 00:12:48,920 --> 00:12:52,679 Speaker 1: Did you see Hereditary? I didn't that. I loved Hereditary, 242 00:12:52,720 --> 00:12:55,079 Speaker 1: and I like, I like a scary movie. I hate 243 00:12:55,080 --> 00:12:59,839 Speaker 1: the body who really but the image where's allies? Yeah? 244 00:13:00,040 --> 00:13:02,280 Speaker 1: Just allies? And that's going to be cross table when 245 00:13:02,360 --> 00:13:05,480 Speaker 1: like in like an hour, when the Apocalypse it's like 246 00:13:05,520 --> 00:13:09,960 Speaker 1: it's out here, you're gonna be scared to death. I 247 00:13:09,960 --> 00:13:13,640 Speaker 1: said the first to die. No, no, no, because though okay, 248 00:13:13,840 --> 00:13:17,600 Speaker 1: so I going back to Disney very quickly. Please thank 249 00:13:17,600 --> 00:13:19,840 Speaker 1: you for doing so. I the one thing that I 250 00:13:19,840 --> 00:13:21,679 Speaker 1: will say I am also an ally with you on 251 00:13:21,960 --> 00:13:25,840 Speaker 1: is the like, um, the like organization of like this 252 00:13:25,880 --> 00:13:27,640 Speaker 1: needs to be planned out and timed and like hurry 253 00:13:27,679 --> 00:13:29,959 Speaker 1: up because we're gonna miss things. I don't apply it 254 00:13:30,000 --> 00:13:32,679 Speaker 1: specifically in my brain to Disney, to a Disney trip, 255 00:13:33,000 --> 00:13:34,320 Speaker 1: but when you were talking about that, I was like, 256 00:13:34,360 --> 00:13:37,000 Speaker 1: that is how I would be there once the apocalypse tips. 257 00:13:37,160 --> 00:13:39,640 Speaker 1: We would be very like well organized and trying to 258 00:13:39,640 --> 00:13:42,440 Speaker 1: get through stuff. You know. I agree, the chaos would 259 00:13:42,440 --> 00:13:44,960 Speaker 1: come in the door, and that would matter. I said 260 00:13:44,960 --> 00:13:46,920 Speaker 1: always say, like I'm going to be the person that's like, okay, cool, 261 00:13:47,000 --> 00:13:48,520 Speaker 1: we have to run, but I have to charge my phone. 262 00:13:49,880 --> 00:13:52,800 Speaker 1: Let me'm just like quick, I about ten percent. You 263 00:13:52,880 --> 00:13:55,079 Speaker 1: got to get the external bat No, I probably should 264 00:13:55,080 --> 00:13:58,480 Speaker 1: just walk out and get killed. I think it would 265 00:13:58,480 --> 00:14:01,000 Speaker 1: be easier. I don't know. I would surrender my life. 266 00:14:01,080 --> 00:14:04,400 Speaker 1: I would surrender my life immediately. I'm not sitting here. 267 00:14:04,440 --> 00:14:06,400 Speaker 1: I'd be like, just kill me now. I don't want 268 00:14:06,400 --> 00:14:08,920 Speaker 1: to happen. You're so good in nature. No, I'm not 269 00:14:08,960 --> 00:14:10,960 Speaker 1: I want to work at him and think good in nature. 270 00:14:11,840 --> 00:14:15,200 Speaker 1: Matt is basic good in nature like hiking like no, 271 00:14:15,400 --> 00:14:22,760 Speaker 1: so Matt trip state. No, we tripped on and we 272 00:14:22,800 --> 00:14:25,160 Speaker 1: all did this and I just observed Bowen and I said, 273 00:14:25,280 --> 00:14:28,800 Speaker 1: you belong in the woods. Okay, know what that means. Well, 274 00:14:28,840 --> 00:14:30,720 Speaker 1: I'm just saying I don't know what that means either, 275 00:14:30,920 --> 00:14:33,680 Speaker 1: but I trust you and I guess you. Since you, 276 00:14:34,640 --> 00:14:36,800 Speaker 1: I will absolutely take that to lead the way in 277 00:14:36,880 --> 00:14:44,880 Speaker 1: the zombie So I can tie not some stuff, can you? Still? Yeah? 278 00:14:44,920 --> 00:14:47,080 Speaker 1: I can tie a nut. I will say I have 279 00:14:47,160 --> 00:14:49,240 Speaker 1: never seen her tie a fucking nut in my life. 280 00:14:50,440 --> 00:14:54,000 Speaker 1: Hours a day. Bitch hasn't tied a single in front 281 00:14:54,000 --> 00:14:56,040 Speaker 1: of me. She's not made camp in front of me. 282 00:14:56,160 --> 00:14:58,160 Speaker 1: Oh my god. And also that's like like when you 283 00:14:58,200 --> 00:14:59,880 Speaker 1: watch them on Survivor, you're like, yeah, I could do 284 00:14:59,920 --> 00:15:03,000 Speaker 1: this show. Let's not talk about some ever, but that's 285 00:15:03,000 --> 00:15:05,840 Speaker 1: my favorite show, is it? The straight roommate, who, like 286 00:15:05,920 --> 00:15:10,200 Speaker 1: Survivor is based on Carrie, is a little based on me, 287 00:15:10,240 --> 00:15:15,200 Speaker 1: but mostly the straight roommate is Verbatim. Meow wow, I 288 00:15:15,240 --> 00:15:17,920 Speaker 1: love it. I love it. Yeah, No, there's I think 289 00:15:17,960 --> 00:15:20,000 Speaker 1: there's something I actually was obsessed with it two in 290 00:15:20,000 --> 00:15:24,360 Speaker 1: the early days, but you still watch it was phrased 291 00:15:24,360 --> 00:15:27,360 Speaker 1: in a way that makes me want to say no, yes, 292 00:15:27,640 --> 00:15:29,960 Speaker 1: I didn't watch thoroughly all the way through. I came 293 00:15:29,960 --> 00:15:32,160 Speaker 1: back to it and had a renaissance with me. And 294 00:15:32,200 --> 00:15:34,840 Speaker 1: also Sarah's answer for what she's been binging is Survivor 295 00:15:34,880 --> 00:15:37,320 Speaker 1: because I've talked about it so much that the only 296 00:15:37,360 --> 00:15:40,440 Speaker 1: way she can shut it down is to say, yes, 297 00:15:40,480 --> 00:15:43,080 Speaker 1: I know, I know what you're saying. You were like, 298 00:15:43,840 --> 00:15:46,560 Speaker 1: he was like, if you've I've spoken about this for 299 00:15:46,600 --> 00:15:49,280 Speaker 1: the years that we've been friends, but this season really 300 00:15:49,360 --> 00:15:52,000 Speaker 1: is the best season that's ever been. Mike White is 301 00:15:52,040 --> 00:15:55,160 Speaker 1: on it. It's like a lot of it's really fun. 302 00:15:55,280 --> 00:15:57,600 Speaker 1: It's great. Then he was done because we've been doing 303 00:15:57,600 --> 00:16:00,240 Speaker 1: interviews for this show and people want to ask is like, 304 00:16:00,240 --> 00:16:01,960 Speaker 1: what TV are you watching? And I'm like, the real 305 00:16:02,000 --> 00:16:04,720 Speaker 1: answer is not what you want. We just Survivor season 306 00:16:04,840 --> 00:16:09,080 Speaker 1: thirty and then and Sarah was like, I'm going to 307 00:16:09,160 --> 00:16:14,200 Speaker 1: watch it and I was like, I'll come over times, 308 00:16:14,240 --> 00:16:16,200 Speaker 1: but I would like to see it again. So he 309 00:16:16,320 --> 00:16:18,960 Speaker 1: does well on the show. He does well. White, I'm 310 00:16:19,000 --> 00:16:21,120 Speaker 1: not I'm not done this season, so I don't know 311 00:16:21,240 --> 00:16:24,920 Speaker 1: how it all ends, but well he's doing well. Wow, Okay, 312 00:16:24,920 --> 00:16:27,480 Speaker 1: my sister watches and she's and she even now knows 313 00:16:27,480 --> 00:16:30,480 Speaker 1: who Mike. Why when did you fall off? Oh girl, 314 00:16:30,800 --> 00:16:35,800 Speaker 1: I think probably season six Amazon Miss Jenna one, Miss Jenna. Yeah, 315 00:16:35,960 --> 00:16:38,960 Speaker 1: it was the season. Do you remember this crazy season 316 00:16:39,000 --> 00:16:40,840 Speaker 1: where they had a challenge where they were all standing 317 00:16:40,840 --> 00:16:42,600 Speaker 1: on planks in the water and then they were like, 318 00:16:42,680 --> 00:16:45,760 Speaker 1: we'll take our all of our clothes off for chocolate. 319 00:16:46,080 --> 00:16:50,800 Speaker 1: Oh that's a that's a that's yeah. That was like, 320 00:16:50,840 --> 00:16:53,720 Speaker 1: oh well, this was the first time they then and 321 00:16:53,760 --> 00:16:56,240 Speaker 1: all the women were like, we will get naked for chocolate. 322 00:16:56,280 --> 00:16:59,560 Speaker 1: Jeff Probes. I did that. I stopped watching Survivor and 323 00:16:59,600 --> 00:17:02,040 Speaker 1: then I went on a date with someone who was 324 00:17:02,080 --> 00:17:05,199 Speaker 1: a contestant on Survivor and I didn't know it at 325 00:17:05,200 --> 00:17:06,560 Speaker 1: the time. We just went out on a date and 326 00:17:06,600 --> 00:17:08,480 Speaker 1: he was great and what we were making small talk 327 00:17:08,480 --> 00:17:09,760 Speaker 1: and I was like how are you And he's like, 328 00:17:09,800 --> 00:17:11,680 Speaker 1: I've been traveling and I was like where have you been? 329 00:17:11,920 --> 00:17:13,840 Speaker 1: And you said to some country And I was like 330 00:17:13,840 --> 00:17:15,480 Speaker 1: how long were you there for? And he was like, um, 331 00:17:15,520 --> 00:17:17,919 Speaker 1: like I think like thirty nine days. And every question 332 00:17:17,960 --> 00:17:22,840 Speaker 1: was like Survivor and the date turned into me just 333 00:17:22,880 --> 00:17:24,600 Speaker 1: being like, well, and then what do you eat all day? 334 00:17:24,640 --> 00:17:26,680 Speaker 1: Are you bored? How did the cameras get the wide 335 00:17:26,680 --> 00:17:28,879 Speaker 1: shots and the closest do they read you the chat? Like? 336 00:17:28,920 --> 00:17:32,359 Speaker 1: I just so rudely stopped the date and was just 337 00:17:32,400 --> 00:17:34,720 Speaker 1: interviewing him and then went home and binged his whole 338 00:17:34,720 --> 00:17:37,439 Speaker 1: season that night. And yeah, he made it far. Oh, 339 00:17:39,119 --> 00:17:41,040 Speaker 1: I didn't know that was years and I've been watching it. 340 00:17:41,119 --> 00:17:45,359 Speaker 1: I've been watching it. Wow. I have to say season 341 00:17:45,400 --> 00:17:49,639 Speaker 1: two that was the ship. And there's nothing that disappoints 342 00:17:49,680 --> 00:17:53,480 Speaker 1: me more than what happened with Elizabeth, because Elizabeth Filarski 343 00:17:53,680 --> 00:17:56,320 Speaker 1: was America's sweetheart and then and then we find out 344 00:17:56,640 --> 00:18:01,320 Speaker 1: what's going on with her up here? It was always there, 345 00:18:01,840 --> 00:18:04,800 Speaker 1: it was always there, chilling. What season did Veseppia win? 346 00:18:05,040 --> 00:18:10,720 Speaker 1: Vppia one? Season four? Marquesa, Marquesa. I can't even do this. 347 00:18:10,720 --> 00:18:12,840 Speaker 1: This is good, no, but it's like, I don't know, 348 00:18:12,880 --> 00:18:18,480 Speaker 1: I have like thirty seven, I believe Marcuses was season four, 349 00:18:19,000 --> 00:18:21,879 Speaker 1: but Vesseppia one, and it was like and now I 350 00:18:21,920 --> 00:18:26,280 Speaker 1: love to mention Veseppia such a good fun Where is 351 00:18:26,320 --> 00:18:30,480 Speaker 1: she now? I don't know they've done winter seasons. Right, Oh, no, 352 00:18:30,680 --> 00:18:33,440 Speaker 1: have they done all winter seasons? No? I don't think 353 00:18:35,160 --> 00:18:39,199 Speaker 1: it rains, but it's not like in the snow. Reality 354 00:18:39,200 --> 00:18:42,639 Speaker 1: TV in general, it was kind of like what we 355 00:18:42,640 --> 00:18:44,520 Speaker 1: would watch every week coming home from us now because 356 00:18:44,520 --> 00:18:47,240 Speaker 1: you're so like buzzing and you've been so mentally engaged 357 00:18:47,560 --> 00:18:49,000 Speaker 1: for so many hours, and we were like, we need 358 00:18:49,040 --> 00:18:54,200 Speaker 1: to just watch something. You know so deeply how much 359 00:18:54,280 --> 00:18:56,960 Speaker 1: work it takes to make something. Yeah, I can't watch 360 00:18:57,000 --> 00:18:59,679 Speaker 1: another comedy while I'm making a comedy because I just 361 00:18:59,800 --> 00:19:01,960 Speaker 1: can see the word production. But then there's something about 362 00:19:01,960 --> 00:19:04,760 Speaker 1: watching The Real Housewives, for example, that's so fun because 363 00:19:04,800 --> 00:19:08,040 Speaker 1: like if you're in the edit for your show, like, 364 00:19:08,160 --> 00:19:10,760 Speaker 1: it's fun to watch the Editive Housewives because there's no continuity, 365 00:19:10,760 --> 00:19:12,520 Speaker 1: nothing has to match, and you can be holding the glasses. 366 00:19:12,560 --> 00:19:14,840 Speaker 1: It's down like it's just a fucking free for all. 367 00:19:14,880 --> 00:19:17,040 Speaker 1: It's truly the wild they're doing their own thing. It's 368 00:19:17,040 --> 00:19:20,000 Speaker 1: the wild West there. It doesn't feel like the same thing. 369 00:19:20,119 --> 00:19:22,800 Speaker 1: It's not the same thing. Yeah, I'm so happy you 370 00:19:22,880 --> 00:19:24,880 Speaker 1: guys watched because my I don't think so. Honey, later 371 00:19:25,200 --> 00:19:28,840 Speaker 1: is Housewives related? Oh you're I know what you're gonna 372 00:19:28,880 --> 00:19:30,800 Speaker 1: do I think you do know it's because I have 373 00:19:30,920 --> 00:19:33,280 Speaker 1: for a specific city. It's it's for a specific city 374 00:19:33,320 --> 00:19:36,560 Speaker 1: and a specific cast member who I've always been on 375 00:19:36,600 --> 00:19:42,160 Speaker 1: board with but not anymore. And I remember, yeah, tell 376 00:19:42,160 --> 00:19:44,199 Speaker 1: me if you think this is true. You guys love 377 00:19:44,240 --> 00:19:47,040 Speaker 1: the Housewives. I don't watch all want New York and 378 00:19:48,760 --> 00:19:51,440 Speaker 1: I watched New York Beverly Hills in Atlanta. Okay, Okay, 379 00:19:51,440 --> 00:19:54,879 Speaker 1: so I know Atlanta, New York is by far the 380 00:19:54,960 --> 00:19:57,840 Speaker 1: best one the best, okay, But Beverly Hills at its 381 00:19:57,880 --> 00:20:01,840 Speaker 1: peak was on par like you're talking about when they 382 00:20:01,960 --> 00:20:09,280 Speaker 1: was the Death. I recently went back and like rediscovered 383 00:20:09,320 --> 00:20:12,200 Speaker 1: that and I was like, this, it's the darkest season 384 00:20:12,240 --> 00:20:14,560 Speaker 1: of television. So now what Sarah saying is now that 385 00:20:14,600 --> 00:20:20,120 Speaker 1: they're all alive in it Family Hills, and no one 386 00:20:20,160 --> 00:20:23,240 Speaker 1: on that show has a legitimate sense of humor. They're 387 00:20:23,280 --> 00:20:26,720 Speaker 1: so boring, they're so self serious. And also I think 388 00:20:26,760 --> 00:20:29,600 Speaker 1: that they think they're funny. And in New York, those 389 00:20:29,640 --> 00:20:34,040 Speaker 1: girls are so fucking funny. I get it. I about 390 00:20:34,040 --> 00:20:36,080 Speaker 1: this when you were like the episode of them like 391 00:20:36,160 --> 00:20:38,399 Speaker 1: in Mexico when their ship, when remotest ship is on 392 00:20:38,440 --> 00:20:40,840 Speaker 1: the floor, they're having a blast. The editors are like, 393 00:20:41,800 --> 00:20:44,240 Speaker 1: everyone's having fun every time. My boyfriend we had the 394 00:20:44,240 --> 00:20:48,520 Speaker 1: premiere party for our show on Thursday, and my boyfriend, um, 395 00:20:48,560 --> 00:20:50,480 Speaker 1: I saw him. I just looked over. We were laying 396 00:20:50,480 --> 00:20:57,320 Speaker 1: in bed together breaking news on the pond. But I 397 00:20:57,320 --> 00:20:58,960 Speaker 1: looked over and I could kind of see on the 398 00:20:58,960 --> 00:21:01,600 Speaker 1: corner of my eye that he here to be on 399 00:21:01,920 --> 00:21:04,960 Speaker 1: Countess Louian's Instagram. And I saw him then typing a 400 00:21:05,040 --> 00:21:07,440 Speaker 1: message and I was like, are you d m ng 401 00:21:07,600 --> 00:21:10,560 Speaker 1: Countess Louiann And he was like, I'm inviting her to 402 00:21:10,640 --> 00:21:13,480 Speaker 1: the premiere party. Out of it, he was just like, hey, 403 00:21:13,640 --> 00:21:15,920 Speaker 1: we love you. Come to the premier party tonight. It's 404 00:21:15,960 --> 00:21:19,280 Speaker 1: at this hotel at this time. Obviously she didn't come, 405 00:21:19,520 --> 00:21:22,720 Speaker 1: but he was like she could she honestly not obviously, 406 00:21:22,880 --> 00:21:26,639 Speaker 1: that feels like that could have had Like I bet you, 407 00:21:26,760 --> 00:21:30,439 Speaker 1: I bet she had a cabaret or something like. I 408 00:21:30,560 --> 00:21:32,919 Speaker 1: knew she wouldn't come, but I did think there was 409 00:21:32,960 --> 00:21:35,480 Speaker 1: a chance she would have responded and like, hey, sorry, Bobby, 410 00:21:35,520 --> 00:21:39,439 Speaker 1: I can't make it anywhere. She does the same business. Hey, Bobby, 411 00:21:39,520 --> 00:21:41,440 Speaker 1: I feel like you know who would come? Who would 412 00:21:41,440 --> 00:21:45,959 Speaker 1: have gone Drende Dorenda would have gone, she would have been. 413 00:21:47,640 --> 00:21:50,280 Speaker 1: Were you seen Durand to act up at parties and 414 00:21:50,600 --> 00:21:52,560 Speaker 1: she is with it and like would go to that 415 00:21:52,640 --> 00:21:55,840 Speaker 1: kind of thing, right, But Okay, because we're all here 416 00:21:55,920 --> 00:21:58,520 Speaker 1: and we're all watching York Housewives, can't we just talk 417 00:21:58,680 --> 00:22:03,760 Speaker 1: about because there's there's nothing. It's just such a somber 418 00:22:03,840 --> 00:22:06,399 Speaker 1: tone all of it. Let's talk about beth thing And honestly, 419 00:22:06,640 --> 00:22:08,880 Speaker 1: I don't think so, honey. Today was almost people who 420 00:22:08,920 --> 00:22:11,960 Speaker 1: say they identify as a Beskay. I'll tell you who 421 00:22:12,000 --> 00:22:13,960 Speaker 1: says this all the time. Who I want to throw 422 00:22:14,080 --> 00:22:16,520 Speaker 1: out of a window every time she says it's Suti Green. 423 00:22:17,760 --> 00:22:23,120 Speaker 1: Let's talk about Suti Green. Honestly, she said she identifies 424 00:22:23,119 --> 00:22:25,480 Speaker 1: as to Bethany, I'm like, you are a human being 425 00:22:25,560 --> 00:22:28,159 Speaker 1: who has empathy for others. You're not. I feel like 426 00:22:28,240 --> 00:22:31,320 Speaker 1: I get that up to a couple of seasons ago, 427 00:22:31,440 --> 00:22:34,400 Speaker 1: and now it's just she's fust It's it's getting worse 428 00:22:34,400 --> 00:22:36,399 Speaker 1: and worse every season. But I also could see like 429 00:22:36,480 --> 00:22:39,760 Speaker 1: within the cast, if you had to identify with one, 430 00:22:40,240 --> 00:22:45,240 Speaker 1: we would all say Bethany, I say Drenda. That's because 431 00:22:45,240 --> 00:22:47,000 Speaker 1: I'm fun until I get drunk, and then I might 432 00:22:47,040 --> 00:22:50,920 Speaker 1: get a little dark, A little dark. You described her 433 00:22:50,960 --> 00:22:58,480 Speaker 1: as a little dark because of that reason, you don't 434 00:22:58,640 --> 00:23:01,400 Speaker 1: like watching scary movies, and that is a horror ship, 435 00:23:01,560 --> 00:23:04,600 Speaker 1: like that is that's a horror anthology. Okay, it's because 436 00:23:04,600 --> 00:23:06,479 Speaker 1: I'm scared to say who I really am? Who are 437 00:23:06,480 --> 00:23:11,399 Speaker 1: you Amona? No? But I say so. Suiti is more 438 00:23:11,480 --> 00:23:16,240 Speaker 1: Sonya than she thinks. You think. I think when she 439 00:23:16,280 --> 00:23:17,800 Speaker 1: gets drunk, they get the same look in her eyes. 440 00:23:20,280 --> 00:23:24,399 Speaker 1: I might be a Sonya too, You're not. Sonya is 441 00:23:24,400 --> 00:23:27,560 Speaker 1: the only truly deeply kind, nice person I think. I mean, 442 00:23:27,600 --> 00:23:29,359 Speaker 1: she's the nicest of all of them. I think she 443 00:23:29,400 --> 00:23:35,520 Speaker 1: has a good heart. She's an idiot, but you want 444 00:23:36,200 --> 00:23:38,159 Speaker 1: she was kind of like a cruel on purpose in 445 00:23:38,200 --> 00:23:41,920 Speaker 1: the last season too. Yeah, like just talking talking shit. 446 00:23:42,960 --> 00:23:46,240 Speaker 1: It's well, we did interact with Tinsley, so we I 447 00:23:46,280 --> 00:23:50,040 Speaker 1: love watching I just love those those girls, the Housewives, 448 00:23:50,040 --> 00:23:53,040 Speaker 1: because every episode you're just like, you're the straight man. Yes, 449 00:23:54,080 --> 00:23:56,399 Speaker 1: they're crazy and you are the normal one way, No, 450 00:23:56,560 --> 00:23:59,040 Speaker 1: you are crazy. She's the straight man. You can't ever 451 00:23:59,440 --> 00:24:02,440 Speaker 1: dear me to are constantly shifting. No, No, I'm a Carol, 452 00:24:02,480 --> 00:24:04,720 Speaker 1: I'm a car That's what I was going to say. Literally, 453 00:24:04,760 --> 00:24:07,879 Speaker 1: it was like, who is but Bowen is Carol Radsville, 454 00:24:08,200 --> 00:24:10,080 Speaker 1: which is for better for worse because it kind of 455 00:24:10,080 --> 00:24:13,160 Speaker 1: means I'm boring. It doesn't mean that at all. I 456 00:24:13,160 --> 00:24:15,560 Speaker 1: hate when people do that to Carol. She's my favorite. 457 00:24:15,880 --> 00:24:25,639 Speaker 1: Don't don't do that. I'm really sad she's gone. She's gone, obviously, Kelly, 458 00:24:25,680 --> 00:24:29,240 Speaker 1: I would there is nothing I would rather do, Like 459 00:24:29,359 --> 00:24:32,440 Speaker 1: I then go to the cat skills with them while 460 00:24:32,440 --> 00:24:34,399 Speaker 1: they're shooting and just sit behind the scenes on the 461 00:24:34,400 --> 00:24:37,200 Speaker 1: couch and watch how they film it. Watch like how 462 00:24:37,240 --> 00:24:39,479 Speaker 1: real and fake it is if they reset themselves, if 463 00:24:39,480 --> 00:24:42,359 Speaker 1: they're mad, and then when they cut there not. I 464 00:24:42,359 --> 00:24:44,800 Speaker 1: would love to sit for a day just how real 465 00:24:44,880 --> 00:24:47,760 Speaker 1: it is. I believe that it's really thick in Beverly Hills. 466 00:24:47,800 --> 00:24:50,760 Speaker 1: I believe that's how this is fake. Like I believe 467 00:24:50,840 --> 00:24:54,080 Speaker 1: that it's like the drama seems the most real for 468 00:24:54,119 --> 00:24:56,160 Speaker 1: me in Beverly Hills. Like do you remember that episode 469 00:24:56,240 --> 00:24:59,720 Speaker 1: when Erica Jane went black in the eyes? Yes? Yes, 470 00:25:00,119 --> 00:25:02,480 Speaker 1: Days of Our Lives? What's her name? Um, the Emmy 471 00:25:02,520 --> 00:25:07,159 Speaker 1: winning actress who at least not remember Yeah, honestly, no, 472 00:25:07,320 --> 00:25:11,480 Speaker 1: not a boring blonde wide Oh that's good. I feel 473 00:25:11,480 --> 00:25:15,120 Speaker 1: like you because you know, I can't help it. That's 474 00:25:15,160 --> 00:25:17,959 Speaker 1: the closest we've gotten to. Who's the well, if we're 475 00:25:18,000 --> 00:25:24,280 Speaker 1: gonna do Beverly Hills, then I'm Ranna Erica Jane Rising. No, 476 00:25:24,640 --> 00:25:29,680 Speaker 1: Eric is canceled. She's Erica's canceled from from the jump. 477 00:25:29,800 --> 00:25:33,600 Speaker 1: She is like pandered hard, not canceled now. But this 478 00:25:33,680 --> 00:25:35,280 Speaker 1: isn't going to be up for two months, right, So 479 00:25:35,400 --> 00:25:39,159 Speaker 1: she's canceled by the time this coming out. Yeah, by 480 00:25:39,280 --> 00:25:41,280 Speaker 1: the time Erica Jane is next on the list, she 481 00:25:41,480 --> 00:25:44,240 Speaker 1: is Okay, sorry, that's that's just myn't watch Beverly Hills. 482 00:25:44,280 --> 00:25:46,240 Speaker 1: But who I see when I look in the mirror, 483 00:25:46,400 --> 00:25:51,040 Speaker 1: Oh my god, you don't like so yeah, Kyle thinks 484 00:25:51,080 --> 00:25:54,720 Speaker 1: she's Bethty. She thinks season she thinks she's the funny 485 00:25:54,960 --> 00:25:59,760 Speaker 1: like voice of reason. She's a boring human being. I know, 486 00:26:00,119 --> 00:26:02,280 Speaker 1: really just started being like, these are real people in 487 00:26:02,359 --> 00:26:04,119 Speaker 1: the world. You kind of like forget you're kind of 488 00:26:04,160 --> 00:26:06,920 Speaker 1: like separated or something because they're so oh yeah, this 489 00:26:07,040 --> 00:26:10,359 Speaker 1: is gonna be This is like a person that we 490 00:26:10,440 --> 00:26:14,920 Speaker 1: don't care about. That there was like Kenya Moore was 491 00:26:15,000 --> 00:26:17,040 Speaker 1: on Watch What Happens Live, one time, and Michael Rappaport 492 00:26:17,160 --> 00:26:19,280 Speaker 1: was on with her, and I guess like the Michael 493 00:26:19,320 --> 00:26:21,639 Speaker 1: rapport is like a huge housewib said, who had been 494 00:26:21,680 --> 00:26:25,000 Speaker 1: like coming for Kenya Moore for months and they had 495 00:26:25,040 --> 00:26:29,160 Speaker 1: like a very contentious wo like watch what Happens live appearance, 496 00:26:29,680 --> 00:26:31,920 Speaker 1: But that's not going to happen to you guys, know 497 00:26:32,240 --> 00:26:35,280 Speaker 1: and listen, they're fine, Like they're making fifty bucks per 498 00:26:35,400 --> 00:26:39,639 Speaker 1: cameo video, Like that's true and they're just very wealthy. 499 00:26:39,800 --> 00:26:44,159 Speaker 1: So you know who follows me on Twitter? Cynthia Bailey? 500 00:26:44,440 --> 00:26:48,440 Speaker 1: Oh great, we love Cynthia. We've lived for Cynthia. But 501 00:26:48,560 --> 00:26:54,359 Speaker 1: why are you following me? Don't ask unfollowed, don't have 502 00:26:54,720 --> 00:26:57,200 Speaker 1: nothing good to say. I feel like one day I'm 503 00:26:57,200 --> 00:27:01,560 Speaker 1: gonna be like Nini sucks, like like Cynthia is gonna 504 00:27:01,880 --> 00:27:04,359 Speaker 1: Cynthia will go off. Look, okay, what do you have 505 00:27:04,400 --> 00:27:06,040 Speaker 1: to What do you have to say about Bethany? You 506 00:27:06,280 --> 00:27:08,720 Speaker 1: brought her up for? Oh? I think that she tries 507 00:27:08,760 --> 00:27:11,080 Speaker 1: to play the game and it's just not I don't 508 00:27:11,119 --> 00:27:12,640 Speaker 1: think she's doing it well you know what I mean. 509 00:27:12,760 --> 00:27:15,720 Speaker 1: I think that her personal ship is getting so much 510 00:27:15,840 --> 00:27:18,040 Speaker 1: that she's like trying to juggle that real stuff and 511 00:27:18,080 --> 00:27:20,240 Speaker 1: also play the housewives game, and I think it looks 512 00:27:20,400 --> 00:27:22,920 Speaker 1: ugly like the whole Bethany Carol fight to me was 513 00:27:23,000 --> 00:27:25,119 Speaker 1: just like I know that was such about mar god, 514 00:27:25,720 --> 00:27:28,280 Speaker 1: but I also think there's times where she's she is 515 00:27:28,320 --> 00:27:30,200 Speaker 1: the most like feels like a real person with a 516 00:27:30,280 --> 00:27:33,200 Speaker 1: real brain. And I think she's faster, quicker, smarter, meaner 517 00:27:33,600 --> 00:27:35,760 Speaker 1: than all the other girls, And so just when she's 518 00:27:35,800 --> 00:27:38,160 Speaker 1: mean to them, it's just punching down too much. It's 519 00:27:38,240 --> 00:27:41,600 Speaker 1: just so like, Bethany, you're right, but like they can't 520 00:27:41,680 --> 00:27:43,960 Speaker 1: fight with you like they are. You're in a different 521 00:27:44,760 --> 00:27:48,399 Speaker 1: level and it just looks pathetic. And season after season 522 00:27:48,400 --> 00:27:50,199 Speaker 1: I would be like, yes, Bethany, tell them and now 523 00:27:50,240 --> 00:27:53,399 Speaker 1: I'm like, girl, like we all know that. You're like, 524 00:27:53,520 --> 00:27:57,040 Speaker 1: don't do this, like all that stuff about yeah she's 525 00:27:57,040 --> 00:27:59,000 Speaker 1: got It was so crazy because her and Carol was 526 00:27:59,080 --> 00:28:00,960 Speaker 1: so we're so so so close, and then to be 527 00:28:01,080 --> 00:28:03,560 Speaker 1: like you don't have a career, and then how that 528 00:28:04,160 --> 00:28:07,480 Speaker 1: clearly hit hard and then go after It's so many 529 00:28:07,560 --> 00:28:11,480 Speaker 1: times I was like, this is your best union. I'm 530 00:28:11,480 --> 00:28:13,400 Speaker 1: like you, I think we're real friends. Outside the show 531 00:28:13,960 --> 00:28:17,440 Speaker 1: gross to watch. You don't have a career is disgusting. 532 00:28:17,720 --> 00:28:20,840 Speaker 1: It made my It was more disgusting than deeply her jeans, 533 00:28:20,880 --> 00:28:26,560 Speaker 1: her new genes, her new gene line. You're right, she's 534 00:28:27,000 --> 00:28:29,520 Speaker 1: she's done worse. So I just want to say, yes, 535 00:28:29,600 --> 00:28:32,960 Speaker 1: Bethany has jokes, but the stock template Bethany joke, which 536 00:28:32,960 --> 00:28:35,600 Speaker 1: I think she has to fucking retire is what am 537 00:28:35,600 --> 00:28:38,080 Speaker 1: my good Fellas? Like? She's always like, what am I? 538 00:28:38,160 --> 00:28:39,800 Speaker 1: What am I? What are my moms t about? Like? 539 00:28:40,040 --> 00:28:43,160 Speaker 1: What a what am I? Like? What am I? The Godfather? Like? 540 00:28:43,240 --> 00:28:46,800 Speaker 1: It's always a mom movie reference or something she I 541 00:28:46,920 --> 00:28:51,160 Speaker 1: can't believe no one's done her on Smash just because 542 00:28:51,200 --> 00:28:53,000 Speaker 1: I feel like it'd be a good opportunity. Just leave, 543 00:28:53,480 --> 00:28:57,600 Speaker 1: because she's always leaving. She's always like, I gotta go 544 00:28:58,400 --> 00:29:02,400 Speaker 1: fifteen minutes then I go apartment is very is in 545 00:29:02,400 --> 00:29:05,520 Speaker 1: a very bad place, like she's always she's always moving, 546 00:29:05,640 --> 00:29:08,560 Speaker 1: always moving, favorite, my favorite Bethany's like, where is everyone 547 00:29:08,600 --> 00:29:12,720 Speaker 1: for dinner? And I'm like, that's me, that's me. I'm 548 00:29:12,840 --> 00:29:16,480 Speaker 1: with her? Is this her? To say Bethany is for 549 00:29:16,600 --> 00:29:19,600 Speaker 1: anyone who makes it to a supervising writer at us 550 00:29:19,640 --> 00:29:24,760 Speaker 1: to know they are automatically a beth which includes you yeah. 551 00:29:24,840 --> 00:29:27,200 Speaker 1: I mean, listen, do you guys identify as Bethany's And 552 00:29:27,280 --> 00:29:29,640 Speaker 1: I'm sorry, I do not relate to aspects of her 553 00:29:29,640 --> 00:29:31,960 Speaker 1: and I think in previous seasons I would confidently say that, 554 00:29:32,080 --> 00:29:35,360 Speaker 1: but I think she's gone overboard, like embarrassing to watch her. Now. 555 00:29:35,440 --> 00:29:37,360 Speaker 1: I'm more of a like a like a behind closed 556 00:29:37,400 --> 00:29:41,880 Speaker 1: door or something out with her like meanness. I'll close 557 00:29:41,960 --> 00:29:43,440 Speaker 1: the door and do it. Just to Chris, you close 558 00:29:43,480 --> 00:29:46,520 Speaker 1: the door. And Bethany, if you're going to be a Bethany, 559 00:29:46,520 --> 00:29:48,960 Speaker 1: you got to close the door. That we can have 560 00:29:49,000 --> 00:29:55,320 Speaker 1: about any space. If you're you got to close the door, 561 00:29:58,040 --> 00:30:00,960 Speaker 1: closed door. Who are you? Closed door? Just like you 562 00:30:01,080 --> 00:30:02,600 Speaker 1: and I just talking base, Well, you and I just 563 00:30:02,640 --> 00:30:05,600 Speaker 1: hang out and had like a long housewives asked cinematic conversation. 564 00:30:05,640 --> 00:30:07,479 Speaker 1: It wasn't cinematic, but like you know, we we had 565 00:30:07,560 --> 00:30:09,400 Speaker 1: I felt like we had like a housewife scene we did. 566 00:30:10,360 --> 00:30:12,760 Speaker 1: Who was I reading us to you? You felt a 567 00:30:12,840 --> 00:30:16,840 Speaker 1: lot like you. You were like you were like you 568 00:30:16,880 --> 00:30:19,240 Speaker 1: were like a Bethany. You were like you were like 569 00:30:19,280 --> 00:30:21,040 Speaker 1: giving out a lot of information and being very like 570 00:30:21,120 --> 00:30:22,520 Speaker 1: breathless with all of it. And I was like, this 571 00:30:22,680 --> 00:30:26,320 Speaker 1: is Bethany and I felt like a very I felt 572 00:30:26,360 --> 00:30:29,560 Speaker 1: like sober Garinda. I was like, I was like being 573 00:30:29,640 --> 00:30:37,640 Speaker 1: very area away that so we we've you're not really 574 00:30:37,680 --> 00:30:42,120 Speaker 1: Disney Queens. I'm for Disney. I'm not pro or con. 575 00:30:42,440 --> 00:30:44,480 Speaker 1: I am fine with it. Right. I was going to 576 00:30:44,520 --> 00:30:48,160 Speaker 1: ask you if you guys like astrology? No, no, we 577 00:30:48,200 --> 00:30:51,080 Speaker 1: don't you? Okay? Can I tell you something? As of late, 578 00:30:51,240 --> 00:30:53,400 Speaker 1: I've realized that me as a water sign, I get 579 00:30:53,440 --> 00:30:55,680 Speaker 1: along with a lot of water signs, and that you 580 00:30:55,800 --> 00:30:57,720 Speaker 1: saying that I felt like a Bethany behind closed doors 581 00:30:57,720 --> 00:30:59,840 Speaker 1: at my base made me think, I wonder what Bethany's 582 00:30:59,840 --> 00:31:02,120 Speaker 1: a triological scientists? And I bet she's a Taurus or 583 00:31:02,120 --> 00:31:04,800 Speaker 1: a Scorpio. Okay, but there's no way to know. But 584 00:31:04,800 --> 00:31:07,200 Speaker 1: I gotta tell you also, this is none of it's real. 585 00:31:08,200 --> 00:31:12,040 Speaker 1: What are you? What are you? Okay? What are you Scorpio? 586 00:31:12,080 --> 00:31:14,720 Speaker 1: And everyone's like, well, and I tell them it's not real. 587 00:31:14,840 --> 00:31:17,320 Speaker 1: It's not real. Study And I sat sat at dinner 588 00:31:17,360 --> 00:31:19,000 Speaker 1: in l A and then the people these two gays 589 00:31:19,040 --> 00:31:21,520 Speaker 1: next to us, these like middle aged gays next to Usdzation, 590 00:31:21,560 --> 00:31:23,720 Speaker 1: they were like they were like and also he believes 591 00:31:23,760 --> 00:31:25,720 Speaker 1: in astrology. And it's like this is what they said. 592 00:31:26,040 --> 00:31:28,200 Speaker 1: One of them said, he goes he believes in astrology, 593 00:31:28,280 --> 00:31:34,080 Speaker 1: and it's like use your brain, Like, yes, both hate it. 594 00:31:34,240 --> 00:31:41,120 Speaker 1: What are your signs for books? WHOA, I'm supposed to 595 00:31:41,400 --> 00:31:49,440 Speaker 1: I'm supposed to marry a virgo. That's honestly in a 596 00:31:49,560 --> 00:31:56,160 Speaker 1: in like a total societal breakdown. That's beautiful if society collapses, 597 00:31:56,960 --> 00:32:02,640 Speaker 1: I will, yes, not show. That's a show. I think 598 00:32:02,680 --> 00:32:11,120 Speaker 1: it is a show. No, No, it's Survivor plus batch, 599 00:32:11,400 --> 00:32:15,959 Speaker 1: right plus batch. I'm saying a reality show, like like right, right, right, 600 00:32:16,000 --> 00:32:19,200 Speaker 1: you're right, the romantic aspect and the survival aspect exactly. 601 00:32:20,000 --> 00:32:22,720 Speaker 1: You guys, aren't you guys watch bat Yeah? But I 602 00:32:22,840 --> 00:32:26,360 Speaker 1: saw Yeah. I was like really rolling and loving it 603 00:32:26,480 --> 00:32:29,800 Speaker 1: until that Ari Ari season. I was like, I couldn't 604 00:32:29,840 --> 00:32:34,000 Speaker 1: care less. This one's a little bit of it. I'm 605 00:32:34,040 --> 00:32:37,600 Speaker 1: not watching this virgin also, But the thing is, the 606 00:32:37,720 --> 00:32:41,360 Speaker 1: rumor is that he's closeted, and I feel kind of 607 00:32:41,360 --> 00:32:43,600 Speaker 1: weird talking about it. I also like, I prefer watching 608 00:32:43,640 --> 00:32:45,440 Speaker 1: it the other way. I prefer when it's a man 609 00:32:45,720 --> 00:32:47,640 Speaker 1: or a woman picking from a bunch of man absolutely, 610 00:32:47,920 --> 00:32:50,640 Speaker 1: because it's I don't know why it's I mean there's 611 00:32:50,680 --> 00:32:53,400 Speaker 1: more hot people to look at me like that. And 612 00:32:53,480 --> 00:32:56,840 Speaker 1: also I feel very strange like watching these like women 613 00:32:56,880 --> 00:33:00,920 Speaker 1: get manipulating obviously producers like you know what, it just 614 00:33:01,080 --> 00:33:03,880 Speaker 1: really doesn't smell right to me anymore. And also I 615 00:33:04,040 --> 00:33:06,479 Speaker 1: find that I'm rooting for the Bachelorette in a way 616 00:33:06,520 --> 00:33:09,280 Speaker 1: I can never root for a back Yeah. That's also 617 00:33:09,400 --> 00:33:12,080 Speaker 1: just so so dumb to watch, just like eight aggromen 618 00:33:12,200 --> 00:33:14,600 Speaker 1: being like just fighting with each other in the house. 619 00:33:14,680 --> 00:33:17,720 Speaker 1: It's so stupid. It doesn't go anywhere mentally or emotionally 620 00:33:17,800 --> 00:33:20,720 Speaker 1: or intellectually. It's just like, you guys are bad. The 621 00:33:20,800 --> 00:33:23,920 Speaker 1: snake keeps its own tail. Yeah, but who are we 622 00:33:24,000 --> 00:33:26,080 Speaker 1: talking to recently that told us and maybe just need 623 00:33:26,200 --> 00:33:30,080 Speaker 1: that They often have to reshoot the entrances, which isn't 624 00:33:30,080 --> 00:33:32,880 Speaker 1: that just yeah's coming out of the coming out of 625 00:33:32,880 --> 00:33:34,400 Speaker 1: the limit and coming up and saying they're like dumb 626 00:33:34,440 --> 00:33:39,240 Speaker 1: little thing, which is just because like the camera didn't 627 00:33:39,280 --> 00:33:41,520 Speaker 1: work or they missed it, or that mike didn't work. 628 00:33:41,800 --> 00:33:44,280 Speaker 1: But can you imagine doing your dumb little intro meeting 629 00:33:44,360 --> 00:33:48,640 Speaker 1: someone for the first time again? Yeah, especially I know, 630 00:33:49,320 --> 00:33:57,000 Speaker 1: like dressed like a popsicle and then popsicle she pops 631 00:33:57,800 --> 00:33:58,880 Speaker 1: and that's what she is on the board, and the 632 00:33:58,920 --> 00:34:01,760 Speaker 1: producer's right, so that's what she is. But did you 633 00:34:01,800 --> 00:34:04,479 Speaker 1: see the one girl who came out with like Australian accent. 634 00:34:05,120 --> 00:34:07,080 Speaker 1: I heard about this, this girl kating with an Australian 635 00:34:07,120 --> 00:34:10,200 Speaker 1: I said, and then she didn't have one in real life. Well, 636 00:34:10,239 --> 00:34:12,680 Speaker 1: she was great because she was what was brilliant. She 637 00:34:12,760 --> 00:34:15,239 Speaker 1: comes in with an Australian accent, and then he goes, oh, 638 00:34:15,320 --> 00:34:17,319 Speaker 1: I like the accent, and then she says she never 639 00:34:17,400 --> 00:34:20,520 Speaker 1: says I'm Australian. She says, I was hoping you'd be 640 00:34:20,920 --> 00:34:23,600 Speaker 1: it's an Australian accent. I was hoping you'd be a 641 00:34:23,680 --> 00:34:25,719 Speaker 1: sucker for accent. She says it in a way where 642 00:34:25,800 --> 00:34:27,560 Speaker 1: she had to go to court. She could say, your honor, 643 00:34:27,600 --> 00:34:32,640 Speaker 1: I never legally said she worked. She never technically lies. 644 00:34:32,920 --> 00:34:37,560 Speaker 1: She was legally protected. Her counsel told her, when you 645 00:34:37,600 --> 00:34:39,279 Speaker 1: get amo, you gotta say it this way. If you 646 00:34:39,320 --> 00:34:41,120 Speaker 1: say it this way, you're fucked. They will take your down. 647 00:34:42,320 --> 00:34:44,040 Speaker 1: My favorite especially, I mean, this happens in a lot 648 00:34:44,080 --> 00:34:46,759 Speaker 1: of episodes, but in the first one, that night is 649 00:34:46,840 --> 00:34:49,759 Speaker 1: so fucking long that when they kicked them off and 650 00:34:49,840 --> 00:34:51,960 Speaker 1: then the girls do their like testimonials, being like I'm 651 00:34:51,960 --> 00:34:55,839 Speaker 1: sad it didn't work. It's bright hot now it's been dawn, 652 00:34:56,000 --> 00:34:58,040 Speaker 1: and then it's a full new days for the sid 653 00:34:58,080 --> 00:35:00,480 Speaker 1: because they have to start a bright hot night. But 654 00:35:00,560 --> 00:35:02,840 Speaker 1: then they have to redo entrances and they have to 655 00:35:02,920 --> 00:35:05,680 Speaker 1: reshoot scenes. It's like a full product. You see the 656 00:35:05,680 --> 00:35:07,600 Speaker 1: work of production and you can just tell they're so 657 00:35:08,080 --> 00:35:11,600 Speaker 1: tired and be down, just like, oh my god, I know, 658 00:35:11,680 --> 00:35:13,560 Speaker 1: but you're watching. I always was like, why are these 659 00:35:13,560 --> 00:35:16,120 Speaker 1: girls getting so drunk in like three hours? That's so 660 00:35:16,400 --> 00:35:19,960 Speaker 1: but it's literally like a shot, Like I get that. 661 00:35:20,080 --> 00:35:21,360 Speaker 1: I would have all so done that, you know, and 662 00:35:21,400 --> 00:35:23,200 Speaker 1: I would. That's why I like, if there's ever a 663 00:35:23,280 --> 00:35:25,800 Speaker 1: gay batch, I can absolutely not be on because I 664 00:35:25,880 --> 00:35:29,520 Speaker 1: will be crazy twelve hours and I'm tired. I think 665 00:35:29,560 --> 00:35:31,560 Speaker 1: you can. I think you can be on it. I 666 00:35:31,640 --> 00:35:34,000 Speaker 1: gotta say, I think you absolutely will be on it. 667 00:35:34,239 --> 00:35:37,640 Speaker 1: You canna be it? Can I say something people and 668 00:35:37,719 --> 00:35:43,399 Speaker 1: not have you on? You're actually right, But I would 669 00:35:43,440 --> 00:35:45,400 Speaker 1: have to do it where I was the fan favorite 670 00:35:45,440 --> 00:35:48,120 Speaker 1: on the star and then pick us the Bachelor, So 671 00:35:48,200 --> 00:35:50,160 Speaker 1: you'll be like, hey, guys, I will absolutely do it 672 00:35:50,320 --> 00:35:52,160 Speaker 1: all I ask is to be the fan favorite, like 673 00:35:52,360 --> 00:35:55,600 Speaker 1: truly honestly discussed. I'm pretty easy in every other respect, 674 00:35:56,360 --> 00:35:58,320 Speaker 1: just like make sure that these demands are met. I 675 00:35:58,600 --> 00:36:01,000 Speaker 1: have to be the Rachel Lindsay of the other than that, 676 00:36:01,120 --> 00:36:03,560 Speaker 1: like I'll bunk with you whatever, whatever. I just want 677 00:36:03,560 --> 00:36:05,920 Speaker 1: to be the fan favorite. But you know what, it 678 00:36:05,920 --> 00:36:12,360 Speaker 1: will never happen. It will never happen. Hey, everybody, this 679 00:36:12,560 --> 00:36:14,880 Speaker 1: is matt And if you're about to buy a mattress 680 00:36:15,000 --> 00:36:17,279 Speaker 1: right now and it is not from Helix Sleep, then 681 00:36:17,280 --> 00:36:19,279 Speaker 1: you've got to stop what you're doing right now. Okay, 682 00:36:19,320 --> 00:36:23,000 Speaker 1: you're a psycho. This expensive mattress are considering buying is 683 00:36:23,040 --> 00:36:26,320 Speaker 1: a full waste of money because it isn't customized to you. 684 00:36:26,560 --> 00:36:28,200 Speaker 1: And let me tell you something. That's what they do 685 00:36:28,360 --> 00:36:32,200 Speaker 1: over at Helix Sleep. They build a little sleep quiz 686 00:36:32,400 --> 00:36:34,480 Speaker 1: and you take two minutes out of your day to 687 00:36:34,560 --> 00:36:36,920 Speaker 1: complete this, and they use the answers from that quiz 688 00:36:37,200 --> 00:36:39,480 Speaker 1: to match your body type and sleep preferences to the 689 00:36:39,719 --> 00:36:43,239 Speaker 1: perfect mattress. Baby, whether you're a side sleep or a 690 00:36:43,440 --> 00:36:47,400 Speaker 1: hot sleeper, you like a plush or firm bed. With Helix, 691 00:36:47,520 --> 00:36:50,879 Speaker 1: there's no more guessing or confusion. Now here's the thing. 692 00:36:51,200 --> 00:36:53,040 Speaker 1: All you gotta do to get this crack in is 693 00:36:53,080 --> 00:36:56,360 Speaker 1: go to Helix Sleep dot com forward slash last culture ristas, 694 00:36:56,560 --> 00:36:58,920 Speaker 1: take that two minute sleep quiz, and then they'll match 695 00:36:58,960 --> 00:37:00,480 Speaker 1: you to a mattress that will give you the best 696 00:37:00,520 --> 00:37:03,360 Speaker 1: sleep of your life, literally objectively the best sleep of 697 00:37:03,440 --> 00:37:06,560 Speaker 1: your life. Right now, Helix is offering a hundred twenty 698 00:37:06,600 --> 00:37:09,880 Speaker 1: five dollars off all mattress orders. Get up to one 699 00:37:10,719 --> 00:37:13,520 Speaker 1: dollar off at Helix Sleep dot com forward slash last 700 00:37:13,560 --> 00:37:16,680 Speaker 1: culture Restas. That's Helix Sleep dot com forward slash last 701 00:37:16,719 --> 00:37:19,040 Speaker 1: culture Restas for a hundred twenty five dollars off your 702 00:37:19,120 --> 00:37:22,240 Speaker 1: mattress order Helix Sleep dot com forward slash last culture 703 00:37:22,239 --> 00:37:25,960 Speaker 1: restas by get to sleep In? Did you like that 704 00:37:26,120 --> 00:37:29,360 Speaker 1: Get to sleep In? I didn't, but I said it 705 00:37:30,120 --> 00:37:36,359 Speaker 1: by Listen. We've talked a lot about formative formative. I mean, 706 00:37:36,400 --> 00:37:38,279 Speaker 1: we even digg into the old days of Survivor, but 707 00:37:38,360 --> 00:37:40,640 Speaker 1: we haven't yet asked the question question I think you asked. 708 00:37:40,920 --> 00:37:44,080 Speaker 1: All right, So this question is what was the culture 709 00:37:44,160 --> 00:37:46,719 Speaker 1: that made you say culture was for you? We asked 710 00:37:46,760 --> 00:37:48,479 Speaker 1: this of every guest on the show. Not to break 711 00:37:48,520 --> 00:37:51,879 Speaker 1: this down. It's a defining pop culture earlier in your life, 712 00:37:51,920 --> 00:37:55,120 Speaker 1: whether it be UM, a movie, a sort of television show, 713 00:37:55,440 --> 00:37:57,920 Speaker 1: musical artists, whatever, any sort of thing that made you say, 714 00:37:58,200 --> 00:38:01,520 Speaker 1: looking back, okay, that was defined. Let's just Sarah first. 715 00:38:01,680 --> 00:38:04,239 Speaker 1: I know, I'm trying to think. Really, um, it can 716 00:38:04,280 --> 00:38:07,160 Speaker 1: be multiple answers to Okay. My first thought that I 717 00:38:07,280 --> 00:38:12,600 Speaker 1: had was a song, and it was asa basis I 718 00:38:12,680 --> 00:38:16,200 Speaker 1: saw the sign. The reason I thought that was because 719 00:38:17,120 --> 00:38:20,240 Speaker 1: basically I felt I was always like a little behind 720 00:38:20,480 --> 00:38:23,680 Speaker 1: in school socially, like the last person to know what 721 00:38:23,760 --> 00:38:27,239 Speaker 1: a blowjob was and too afraid to ask. And that 722 00:38:27,560 --> 00:38:30,760 Speaker 1: song everyone knew all of a sudden, And I didn't 723 00:38:30,840 --> 00:38:33,080 Speaker 1: have MTV in my house because we couldn't afford cable, 724 00:38:33,239 --> 00:38:36,000 Speaker 1: didn't have didn't listen to modern radio because I didn't 725 00:38:36,040 --> 00:38:38,680 Speaker 1: like it, and so I literally was just like everyone 726 00:38:39,400 --> 00:38:42,160 Speaker 1: knows this song and I just didn't know it. And 727 00:38:42,280 --> 00:38:44,360 Speaker 1: that was weirdly formative and probably a bad way that 728 00:38:44,400 --> 00:38:47,160 Speaker 1: I was like, I now have to be up to 729 00:38:47,239 --> 00:38:50,279 Speaker 1: date or catch up on things. That thing is like, 730 00:38:50,400 --> 00:38:53,040 Speaker 1: because something is popular, you have to at least try, 731 00:38:53,160 --> 00:38:56,919 Speaker 1: and yeah, at least try, which is probably not good. 732 00:38:57,040 --> 00:38:58,879 Speaker 1: Oh no, it's scary because a lot of the things 733 00:38:58,920 --> 00:39:02,720 Speaker 1: that were popular were like Eminem and then I bought 734 00:39:02,800 --> 00:39:05,839 Speaker 1: an Eminem album and it was like, what, Yeah, it's 735 00:39:05,880 --> 00:39:16,040 Speaker 1: just hurting my feelings because it hurting me to next 736 00:39:16,080 --> 00:39:28,399 Speaker 1: track track was Stand. Can you believe that the word 737 00:39:28,520 --> 00:39:31,800 Speaker 1: I like, I stand for this comes from the song stand? Doesn't? 738 00:39:31,800 --> 00:39:36,360 Speaker 1: Actually yeah, but it's also super fan right yeah, like 739 00:39:36,560 --> 00:39:38,320 Speaker 1: like I mean the super fan tea. I don't know 740 00:39:38,320 --> 00:39:42,200 Speaker 1: where the tea comes from. I think it's only it sucks. Yeah, 741 00:39:42,280 --> 00:39:44,720 Speaker 1: that sucks. Sucks because let me tell you something, everyone 742 00:39:45,000 --> 00:39:48,480 Speaker 1: stand that he doesn't end well for stand. Yeah. I 743 00:39:48,480 --> 00:39:50,920 Speaker 1: don't know if you remember the extremely popular song, but 744 00:39:51,680 --> 00:39:53,680 Speaker 1: that thing of like having to opt into the culture 745 00:39:53,760 --> 00:39:56,799 Speaker 1: that happened for me with Britney Spears, Like one day 746 00:39:56,880 --> 00:40:00,400 Speaker 1: came into school and everyone knew who this person was. Okay, 747 00:40:00,560 --> 00:40:02,879 Speaker 1: here we go. But there wasn't a lot of better 748 00:40:03,239 --> 00:40:08,560 Speaker 1: long term benefits to you though they didn't. They didn't. 749 00:40:09,960 --> 00:40:12,719 Speaker 1: You invested a lot of asive base, just emotionally, but 750 00:40:12,840 --> 00:40:17,239 Speaker 1: aces base that represents this Sysiphian thing that everyone is like, 751 00:40:18,520 --> 00:40:20,359 Speaker 1: that's the first time those two things have been set. 752 00:40:21,239 --> 00:40:23,719 Speaker 1: What is it? It's it's Sciphis rolls up a rock 753 00:40:23,760 --> 00:40:25,000 Speaker 1: on the hill and then it rolls back down. He's 754 00:40:25,000 --> 00:40:26,680 Speaker 1: gonna do it all over again until the rest of time, 755 00:40:26,719 --> 00:40:29,880 Speaker 1: Like that's his head thing. This is this, this is 756 00:40:29,960 --> 00:40:31,440 Speaker 1: the thing that we go through now where it's like 757 00:40:31,480 --> 00:40:33,560 Speaker 1: there's always going to be of some fucking thing that 758 00:40:33,680 --> 00:40:35,880 Speaker 1: we have to like get up to speed on. But 759 00:40:36,000 --> 00:40:40,480 Speaker 1: also that's an amazing answer, because um, it was just 760 00:40:40,640 --> 00:40:43,120 Speaker 1: this song that like, do you remember this song parodies 761 00:40:43,200 --> 00:40:46,000 Speaker 1: that like were that like came out of I Saw 762 00:40:46,040 --> 00:40:48,279 Speaker 1: the Sign by just I saw the Sign like it 763 00:40:48,400 --> 00:40:50,080 Speaker 1: was rather well, so it must have been easy to 764 00:40:50,120 --> 00:40:54,399 Speaker 1: write this. It was the first song parody I ever 765 00:40:54,520 --> 00:40:59,160 Speaker 1: heard was um? Ever ever first song parody was I 766 00:40:59,400 --> 00:41:02,239 Speaker 1: saw your um and she opened up her legs and 767 00:41:02,360 --> 00:41:05,319 Speaker 1: said come on. And then it was the fourth grade 768 00:41:05,320 --> 00:41:09,359 Speaker 1: being like what is this? My friend? Oh, my friend 769 00:41:09,440 --> 00:41:12,160 Speaker 1: saw my mom and my mom did the split Like 770 00:41:12,280 --> 00:41:21,440 Speaker 1: I didn't get this. What that? There? You go with me? Yeah, honestly, 771 00:41:21,520 --> 00:41:23,440 Speaker 1: that's a that's a good answer. How about you? I 772 00:41:23,600 --> 00:41:25,399 Speaker 1: wasn't sure what answer is it supposed to be? When 773 00:41:25,400 --> 00:41:27,600 Speaker 1: we were very young? Well, it can be and something 774 00:41:27,640 --> 00:41:29,480 Speaker 1: when you look back and you're like, okay, that was 775 00:41:29,560 --> 00:41:31,480 Speaker 1: like a thing I remember from my youth and I 776 00:41:31,520 --> 00:41:35,080 Speaker 1: guess the first thing. I remember being very like like 777 00:41:35,320 --> 00:41:38,319 Speaker 1: drippy about like, oh my god, this was Felicity, which 778 00:41:38,400 --> 00:41:41,400 Speaker 1: is what I would But I had to ride a 779 00:41:41,520 --> 00:41:43,640 Speaker 1: fine line because I think, I mean, I was obviously 780 00:41:43,680 --> 00:41:46,000 Speaker 1: in high school or junior high high school. I think 781 00:41:46,040 --> 00:41:49,000 Speaker 1: I was in second grade, and I thought I was 782 00:41:49,160 --> 00:41:51,920 Speaker 1: just born. I was closeted, and I had the vague 783 00:41:52,000 --> 00:41:54,719 Speaker 1: sense that even watching it looked gay. So I would 784 00:41:54,760 --> 00:41:57,160 Speaker 1: watch it late at night. I would, I would record it, 785 00:41:57,160 --> 00:41:58,760 Speaker 1: and I would pair it with a late night SNL 786 00:41:58,800 --> 00:42:00,719 Speaker 1: episode or something, but I would watch. I mean, it's 787 00:42:00,719 --> 00:42:02,360 Speaker 1: the dumb thing that everybody says. I she went to 788 00:42:03,040 --> 00:42:04,480 Speaker 1: school in New York, so I wanted to go to 789 00:42:04,600 --> 00:42:06,359 Speaker 1: n y U because of her. And at the time 790 00:42:06,400 --> 00:42:08,920 Speaker 1: I never even heard her say University of New York 791 00:42:08,960 --> 00:42:11,640 Speaker 1: because she didn't go to n y U, right, University 792 00:42:11,640 --> 00:42:13,880 Speaker 1: of New yorkity of my brain never heard that. My 793 00:42:13,920 --> 00:42:15,680 Speaker 1: brain just always heard n y U. But I was 794 00:42:15,680 --> 00:42:17,440 Speaker 1: telling Sarah this because she also worked at Dean and 795 00:42:17,480 --> 00:42:21,239 Speaker 1: de Luca and then my family. She didn't. Felicity did, 796 00:42:22,360 --> 00:42:23,880 Speaker 1: and my family and I went on a trip to 797 00:42:23,880 --> 00:42:26,000 Speaker 1: New York and I was in tenth grade and we 798 00:42:26,120 --> 00:42:28,120 Speaker 1: went and waited outside the Today Show because my mom 799 00:42:28,160 --> 00:42:34,239 Speaker 1: wanted to see, Um, here's the woman. Who's the woman 800 00:42:35,760 --> 00:42:38,200 Speaker 1: Katie kerrk My mom wanted to see Katie Kirk. So 801 00:42:38,280 --> 00:42:40,279 Speaker 1: we all waited in that line on TV with signs 802 00:42:40,280 --> 00:42:41,759 Speaker 1: that were like, we love you Katie. And there are 803 00:42:41,840 --> 00:42:44,600 Speaker 1: photos and I think video proof of everyone excited and 804 00:42:44,760 --> 00:42:47,000 Speaker 1: me full back to camera staring at the Dean and 805 00:42:47,040 --> 00:42:49,640 Speaker 1: to Luca behind them, because I was like, Felicity works there. 806 00:42:49,920 --> 00:42:52,160 Speaker 1: I know she doesn't really work there, but God, look 807 00:42:52,200 --> 00:42:53,879 Speaker 1: at them in there. That's what I'll do. I'll move 808 00:42:53,960 --> 00:42:56,920 Speaker 1: to New York and I'll work at Luca and go 809 00:42:57,000 --> 00:42:58,320 Speaker 1: to N y U. And then then I did not 810 00:42:58,440 --> 00:42:59,800 Speaker 1: get into n y U and I did not go, 811 00:43:00,320 --> 00:43:04,160 Speaker 1: oh that's I loved that show. Oh yeah, no, that 812 00:43:04,280 --> 00:43:10,279 Speaker 1: that's that's J J A J. J Abrams. I am 813 00:43:11,080 --> 00:43:13,399 Speaker 1: I am lost boy. I love the man, lost boy, 814 00:43:13,600 --> 00:43:15,919 Speaker 1: I love the man. Are you are you lost? Yeah? 815 00:43:15,960 --> 00:43:17,680 Speaker 1: I like, I think I went through the exact same 816 00:43:17,760 --> 00:43:20,200 Speaker 1: experience that everybody else went through and lost right, yeah, yeah, 817 00:43:20,360 --> 00:43:23,680 Speaker 1: in fact them And then Wolf, did you like, did 818 00:43:23,719 --> 00:43:25,359 Speaker 1: you like try to pretend that it was still good 819 00:43:25,400 --> 00:43:28,239 Speaker 1: even when it was objectively bad towards the end there, Yes, 820 00:43:28,400 --> 00:43:30,800 Speaker 1: I think so. Yeah, Yeah I did too. Yeah. I 821 00:43:30,880 --> 00:43:34,080 Speaker 1: throw like a huge finale party with themed streets. Yeah 822 00:43:35,040 --> 00:43:39,880 Speaker 1: names some I did that with some cakes when I 823 00:43:40,160 --> 00:43:41,759 Speaker 1: had like an overhang in my kitchen and I had 824 00:43:41,800 --> 00:43:44,440 Speaker 1: put the numbers up under the things if you went 825 00:43:44,520 --> 00:43:47,600 Speaker 1: and looked under them when I when Seinfeld ended. When 826 00:43:47,640 --> 00:43:50,520 Speaker 1: I was in high school, because I was obsessed with Seinfeld, 827 00:43:50,560 --> 00:43:52,960 Speaker 1: I would buy all the magazines that rank all the 828 00:43:53,080 --> 00:43:56,000 Speaker 1: episodes that give like episode one oh four and A 829 00:43:56,120 --> 00:43:58,000 Speaker 1: minus an episode two and one of B plus, and 830 00:43:58,040 --> 00:44:00,319 Speaker 1: I made a spreadsheet where I graded all of them, 831 00:44:00,360 --> 00:44:06,080 Speaker 1: and then I gave each episode migrade time. And then 832 00:44:06,080 --> 00:44:09,040 Speaker 1: when the finale happened, my mom was like, you can. 833 00:44:09,120 --> 00:44:11,000 Speaker 1: I'll make you whatever food you want. We'll watch it 834 00:44:11,040 --> 00:44:12,880 Speaker 1: as a family. You can invite friends over. And I 835 00:44:13,080 --> 00:44:15,920 Speaker 1: was like, I don't want anyone there. I don't want 836 00:44:16,000 --> 00:44:18,800 Speaker 1: you there. I want you guys to make me the 837 00:44:18,920 --> 00:44:20,680 Speaker 1: meal and set it down for me, and then you 838 00:44:20,800 --> 00:44:23,080 Speaker 1: guys can watch on the upstairs TV. Right. So I 839 00:44:23,160 --> 00:44:26,600 Speaker 1: watched it fully alone the series finale, the series finally Seinfeld, 840 00:44:26,600 --> 00:44:29,360 Speaker 1: my family had to go upstairs to watch it quietly 841 00:44:29,360 --> 00:44:31,640 Speaker 1: because I don't want them in my eye line. Yeah, 842 00:44:32,719 --> 00:44:35,600 Speaker 1: I have one more story off of kind of off 843 00:44:35,600 --> 00:44:39,439 Speaker 1: of the obsession of that that I think you'll specifically get. 844 00:44:40,200 --> 00:44:46,680 Speaker 1: I loved Dawson's Creek yea, and I wanted to tape 845 00:44:46,680 --> 00:44:48,320 Speaker 1: all the episodes so I could watch them back. And 846 00:44:48,400 --> 00:44:50,080 Speaker 1: so I would go to Target and buy these like 847 00:44:50,200 --> 00:44:54,759 Speaker 1: ten packs of the VS Slaying VHS tapes, and there 848 00:44:54,840 --> 00:44:57,120 Speaker 1: was only one episode allowed per tape, and I would 849 00:44:57,120 --> 00:44:58,520 Speaker 1: like look at the name of it and write it 850 00:44:58,600 --> 00:45:02,560 Speaker 1: on the side. But one time I went to tape 851 00:45:02,560 --> 00:45:04,440 Speaker 1: an episode and I ran out. I had run out 852 00:45:04,480 --> 00:45:07,440 Speaker 1: of my specific white tapes from Target, and I cried 853 00:45:08,560 --> 00:45:10,839 Speaker 1: and I cried and cried because I had one one 854 00:45:10,920 --> 00:45:13,640 Speaker 1: episode was on like a Kodak VHS that we had 855 00:45:13,680 --> 00:45:16,680 Speaker 1: around the house or something, but Mike set was incomplete. 856 00:45:17,239 --> 00:45:22,120 Speaker 1: I did that with things are important to you at 857 00:45:22,160 --> 00:45:25,840 Speaker 1: that age. They are very important the end of the world. 858 00:45:25,920 --> 00:45:29,000 Speaker 1: I remember, like, because you couldn't just like go online 859 00:45:29,000 --> 00:45:31,720 Speaker 1: and watch something like I was very obset with American idol, 860 00:45:31,760 --> 00:45:35,160 Speaker 1: like very and so I would use my v I 861 00:45:35,200 --> 00:45:38,560 Speaker 1: would use my what another the thing, my thing came 862 00:45:38,600 --> 00:45:43,600 Speaker 1: to me and you go, I would VHS tape um 863 00:45:44,400 --> 00:45:46,640 Speaker 1: the live rounds of American Idols. So I would watch 864 00:45:46,760 --> 00:45:50,080 Speaker 1: Kelly Clarkson's first performance on like Motown weeks saying girl, 865 00:45:50,200 --> 00:45:52,239 Speaker 1: I need again and again and again, and then it 866 00:45:52,320 --> 00:45:54,720 Speaker 1: got taped over my dad like it was a football 867 00:45:54,760 --> 00:45:59,920 Speaker 1: coach and varsity and it is nothing like putting your 868 00:46:00,000 --> 00:46:05,239 Speaker 1: tape in that says Kelly Clarkson and seeing like a quarterbacks. 869 00:46:06,920 --> 00:46:10,319 Speaker 1: I was like, no, I for a second, I didn't 870 00:46:10,320 --> 00:46:12,480 Speaker 1: realize he was taping over it with I thought he 871 00:46:12,560 --> 00:46:20,080 Speaker 1: was being like, boy, were taping over these amicas watching football? No, no, no, no, 872 00:46:20,200 --> 00:46:22,279 Speaker 1: it wasn't like that, although he did one time come 873 00:46:22,320 --> 00:46:24,560 Speaker 1: in and I was listening to Greenfinch and Linnen Bird 874 00:46:24,600 --> 00:46:26,480 Speaker 1: from the Sweeney Todd soundtrack, and He's like, why are 875 00:46:26,480 --> 00:46:29,920 Speaker 1: you listening to this? And I was like, but things 876 00:46:29,920 --> 00:46:35,440 Speaker 1: are better now, They're much better? Can I tell? It's 877 00:46:35,520 --> 00:46:41,279 Speaker 1: the opposite basically, where I would tape episodes of Matt 878 00:46:41,320 --> 00:46:44,080 Speaker 1: TV because it came out at ten, then because it 879 00:46:44,120 --> 00:46:46,840 Speaker 1: came out in eleven thirty, and then I was burning 880 00:46:46,920 --> 00:46:49,239 Speaker 1: through so many tapes and my parents wouldn't buy me 881 00:46:49,320 --> 00:46:54,640 Speaker 1: new ones that I started to tape over like home video. 882 00:46:56,480 --> 00:47:01,440 Speaker 1: What that's psychotic that is, and go to prison. And 883 00:47:01,560 --> 00:47:05,760 Speaker 1: I'm talking about this in therapy tomorrow. All this guilt 884 00:47:05,960 --> 00:47:09,839 Speaker 1: is like hitting me like a fucking ricks right now. Yeah, 885 00:47:09,880 --> 00:47:13,320 Speaker 1: you're really there, like things that I will never see. 886 00:47:14,400 --> 00:47:17,480 Speaker 1: My brain is racing and like how to let you 887 00:47:17,560 --> 00:47:23,880 Speaker 1: off the hook nosed parents. I don't think they know. 888 00:47:24,000 --> 00:47:26,359 Speaker 1: I think some day they're gonna be like, wow, let's 889 00:47:26,680 --> 00:47:30,479 Speaker 1: we haven't seen this in twenty seven thousand years. Let's 890 00:47:30,480 --> 00:47:32,879 Speaker 1: put this. Do we have an old VHS, let's put 891 00:47:32,920 --> 00:47:36,560 Speaker 1: it in. Let's see, oh, Bowen's seventh birthday, and then 892 00:47:36,600 --> 00:47:40,800 Speaker 1: it's going to be fucking like Stengo, Steward and Mango, 893 00:47:42,840 --> 00:47:45,399 Speaker 1: you know, terrible. I bet you they'll have a good laugh. 894 00:47:46,800 --> 00:47:50,080 Speaker 1: Well I don't know. Well they won't, Oh my god, 895 00:47:50,120 --> 00:47:54,560 Speaker 1: they won't. But that's that's what's also Mango. They're gonna 896 00:47:54,560 --> 00:47:57,200 Speaker 1: be like, Okay, yeah, this really is our son, this 897 00:47:57,400 --> 00:48:01,200 Speaker 1: is our son? Anyway? Um I loved Mango? Is that 898 00:48:01,280 --> 00:48:04,080 Speaker 1: okay to say? When Jo came out such Mango and 899 00:48:04,120 --> 00:48:14,520 Speaker 1: they don't notice. Yep? That was little like the Desert, 900 00:48:14,800 --> 00:48:19,520 Speaker 1: Miss the Ray, this is the dance and Jlo hosted 901 00:48:19,840 --> 00:48:21,640 Speaker 1: like the whole sketch was just the two of them 902 00:48:21,760 --> 00:48:26,560 Speaker 1: hating you should It was just like and this And 903 00:48:26,880 --> 00:48:29,560 Speaker 1: the thing that I went bonkers wore was them singing. 904 00:48:30,040 --> 00:48:33,920 Speaker 1: Was Mango going Mango and then Jaylo wanting to outsing, 905 00:48:34,040 --> 00:48:37,239 Speaker 1: Mango went jl and they just kept doing that over 906 00:48:37,360 --> 00:48:38,920 Speaker 1: and over again, and I was like, this is the 907 00:48:39,000 --> 00:48:43,520 Speaker 1: greatest thing I've ever seen. Anyway, God, I can't believe 908 00:48:43,520 --> 00:48:46,279 Speaker 1: I shared that. Well, I'm happy. I'm happy that you 909 00:48:46,360 --> 00:48:51,359 Speaker 1: did because I got us to talk about not only 910 00:48:51,440 --> 00:48:56,640 Speaker 1: did he verbally pivot, but he physically physically. One of 911 00:48:56,680 --> 00:48:58,839 Speaker 1: the biggest challenges about hosting a podcast where there's three 912 00:48:58,840 --> 00:49:02,000 Speaker 1: other people is what are you turn But okay, so 913 00:49:02,080 --> 00:49:04,359 Speaker 1: did you guys meet at us and l Yes, yeah, 914 00:49:05,080 --> 00:49:08,120 Speaker 1: we like of each other ish, but we didn't really 915 00:49:08,239 --> 00:49:10,399 Speaker 1: know each other. And then we started the same year, 916 00:49:10,960 --> 00:49:13,320 Speaker 1: the two of us, and then Zack Cannon, who created 917 00:49:13,400 --> 00:49:16,960 Speaker 1: detroit As we started together. So yeah, so was that 918 00:49:17,160 --> 00:49:19,640 Speaker 1: like when you started there, did you kind of immediately 919 00:49:19,680 --> 00:49:21,480 Speaker 1: latch onto each other or did it take a minute? 920 00:49:21,840 --> 00:49:25,239 Speaker 1: We wrote a sketch together the first week, but it 921 00:49:25,360 --> 00:49:31,239 Speaker 1: was immediate, felt random, like I I got put in 922 00:49:31,280 --> 00:49:32,680 Speaker 1: the office within the seam and you were in an 923 00:49:32,680 --> 00:49:35,279 Speaker 1: office with Abby Elliott and we wrote a character sketch 924 00:49:35,320 --> 00:49:36,960 Speaker 1: with the seam and Alec Baldwin was the host that 925 00:49:37,040 --> 00:49:39,840 Speaker 1: first week, so right away we wrote something together, but 926 00:49:40,680 --> 00:49:42,439 Speaker 1: it felt random, like we did then thered be weeks 927 00:49:42,480 --> 00:49:44,319 Speaker 1: where we didn't. The first year was like a free 928 00:49:44,360 --> 00:49:46,200 Speaker 1: for all and you're trying to figure out who you're 929 00:49:46,239 --> 00:49:48,359 Speaker 1: good with and who will even give you the time 930 00:49:48,400 --> 00:49:51,680 Speaker 1: of day. Because we also started when like, uh, we 931 00:49:51,880 --> 00:49:54,200 Speaker 1: came in when everyone was so much older than us, 932 00:49:54,280 --> 00:49:57,120 Speaker 1: like it was Christina's last year and Bill and Stamberg, 933 00:49:57,239 --> 00:49:59,759 Speaker 1: so that was like a transition. Yeah, and they were 934 00:49:59,800 --> 00:50:01,759 Speaker 1: loved nice, but it was all people who had been 935 00:50:01,800 --> 00:50:05,359 Speaker 1: there together forever. So that's for me. So I think 936 00:50:05,360 --> 00:50:07,080 Speaker 1: by the time the end of our first year beginning 937 00:50:07,080 --> 00:50:10,120 Speaker 1: of our second year started, we were writing together all 938 00:50:10,160 --> 00:50:13,680 Speaker 1: the time. When did um the first slip? Because I 939 00:50:13,719 --> 00:50:16,279 Speaker 1: feel like you guys are iconic for like the girl 940 00:50:16,520 --> 00:50:19,400 Speaker 1: And yes I didn't say that the girl group like 941 00:50:19,719 --> 00:50:22,360 Speaker 1: music videos? So when did When was doing on my 942 00:50:22,400 --> 00:50:26,040 Speaker 1: TWI the first one that was our third year? Yeah, yeah, 943 00:50:26,200 --> 00:50:28,439 Speaker 1: so good. That was so fun. I think so good. 944 00:50:28,840 --> 00:50:31,520 Speaker 1: That was just Chris's idea, but it was the girls 945 00:50:31,600 --> 00:50:34,319 Speaker 1: wanted to. I think Kate and Adi and maybe Matt 946 00:50:34,320 --> 00:50:37,200 Speaker 1: and Ohs. The directors wanted to do a music video 947 00:50:37,280 --> 00:50:39,799 Speaker 1: for the women. They were like, why doesn't that happen? 948 00:50:39,840 --> 00:50:43,200 Speaker 1: All these girls are great. They also and then and 949 00:50:43,320 --> 00:50:46,040 Speaker 1: I had like loved like when Lazy Sunday came out, 950 00:50:46,120 --> 00:50:49,480 Speaker 1: it was huge for me. I like memorized it. I 951 00:50:49,560 --> 00:50:52,000 Speaker 1: love I thought it was so fun and different for 952 00:50:52,080 --> 00:50:55,319 Speaker 1: the show and just funny. And they clearly were letting 953 00:50:55,360 --> 00:50:57,560 Speaker 1: them just go off and make something. It looks like 954 00:50:57,640 --> 00:50:59,200 Speaker 1: they were making it with their own money, like it 955 00:50:59,320 --> 00:51:03,839 Speaker 1: really and I loved that it felt really ground like grassroots. 956 00:51:03,920 --> 00:51:07,360 Speaker 1: And and so I when we started, we both I 957 00:51:07,360 --> 00:51:09,800 Speaker 1: mean we both gravitated to videos. But being able to 958 00:51:09,880 --> 00:51:12,880 Speaker 1: like do quote unquote our version whatever of like a 959 00:51:13,000 --> 00:51:15,600 Speaker 1: music video or a digital shore it was really fun. Yeah, 960 00:51:15,760 --> 00:51:18,359 Speaker 1: I'll never forget the first time seeing um like when 961 00:51:18,520 --> 00:51:20,839 Speaker 1: the Lonely Island kind of got like a budget there 962 00:51:23,600 --> 00:51:29,120 Speaker 1: I've ever seen. And I loved mother Lover. I was 963 00:51:29,160 --> 00:51:31,240 Speaker 1: watching it with my dad and I was like slapping 964 00:51:31,280 --> 00:51:38,319 Speaker 1: my I truly, I feel like you guys like laid 965 00:51:38,400 --> 00:51:41,360 Speaker 1: the groundwork for I won't basically what I'll say, I 966 00:51:41,440 --> 00:51:44,160 Speaker 1: was trying to put it put I called them iconic, 967 00:51:44,200 --> 00:51:49,279 Speaker 1: and you're saying they laid the groundwork. Absolutely, No, I 968 00:51:51,000 --> 00:51:54,400 Speaker 1: what I've done in the last three weeks and like whatever, 969 00:51:54,560 --> 00:51:57,759 Speaker 1: like nothing's made it pass like the show whatever. Okay, 970 00:51:57,800 --> 00:52:01,080 Speaker 1: so but nothing's gone. But I but I will just 971 00:52:01,320 --> 00:52:06,479 Speaker 1: open twin bad like back Home Ballers. I'll just open 972 00:52:06,520 --> 00:52:09,279 Speaker 1: those files just to like I save them locally, just 973 00:52:09,320 --> 00:52:12,080 Speaker 1: so it doesn't get compromised on the server. There's a 974 00:52:12,120 --> 00:52:14,719 Speaker 1: server or whatever, UM save them locally. But I opened 975 00:52:14,760 --> 00:52:18,200 Speaker 1: up those files and I just like transcribe them. I 976 00:52:18,280 --> 00:52:20,600 Speaker 1: just retype them. I just have one window open, I 977 00:52:20,680 --> 00:52:22,719 Speaker 1: have another, and I just type it out over and 978 00:52:22,800 --> 00:52:24,840 Speaker 1: over again and like just to like I did this 979 00:52:24,880 --> 00:52:27,000 Speaker 1: with Asian American Dolt too when I was submitting packets, 980 00:52:27,120 --> 00:52:29,759 Speaker 1: like I was just to transfer what is the transcribing 981 00:52:29,920 --> 00:52:32,800 Speaker 1: just just literally typing whatever you guys typed, just so 982 00:52:32,960 --> 00:52:34,759 Speaker 1: I get a sense of like the structure and the 983 00:52:34,960 --> 00:52:37,799 Speaker 1: interest speeds and like the way you guys like where 984 00:52:37,880 --> 00:52:39,880 Speaker 1: you guys put what. And yeah, I don't know, like 985 00:52:39,920 --> 00:52:42,320 Speaker 1: I don't know if it actually helps, but for me 986 00:52:42,400 --> 00:52:44,879 Speaker 1: it feels like whatever, it's that thing. I mean, I'm 987 00:52:44,880 --> 00:52:46,439 Speaker 1: sure going through now, but like, yeah, when you start 988 00:52:46,480 --> 00:52:48,880 Speaker 1: at SNL, even if you've been writing sketch for a 989 00:52:49,040 --> 00:52:52,480 Speaker 1: very long time, it's just different. Different. It feels like 990 00:52:52,520 --> 00:52:55,120 Speaker 1: I'm starting at zero again. It feels it's crazy. It's 991 00:52:55,200 --> 00:52:57,440 Speaker 1: very different. It's different in the way that like we 992 00:52:57,560 --> 00:53:02,520 Speaker 1: write in Microsoft word bunkers, but also just how things work, 993 00:53:02,640 --> 00:53:04,120 Speaker 1: Like it takes a while to figure out how things 994 00:53:04,160 --> 00:53:05,719 Speaker 1: work on a live sketch, how things work in a 995 00:53:05,840 --> 00:53:10,200 Speaker 1: video sketch. Um, yeah, it's I forgot about that that. 996 00:53:10,280 --> 00:53:12,200 Speaker 1: It's like no one really talks about that. There is 997 00:53:12,320 --> 00:53:14,960 Speaker 1: a full archive online on the SNL server where you 998 00:53:14,960 --> 00:53:18,879 Speaker 1: can go to any episode from Yeah and just read 999 00:53:18,960 --> 00:53:20,440 Speaker 1: the script. And I would do the same thing with 1000 00:53:20,520 --> 00:53:23,320 Speaker 1: stuff that Seth had written. I would like fully transcribe it, 1001 00:53:23,360 --> 00:53:25,440 Speaker 1: but I would go back to just be like, yeah, 1002 00:53:25,520 --> 00:53:27,759 Speaker 1: how did he structure this? Like how why did why 1003 00:53:27,800 --> 00:53:30,359 Speaker 1: did this like live jokes specifically work in the sketch 1004 00:53:30,480 --> 00:53:31,880 Speaker 1: that I loved And it was just so helpful to 1005 00:53:31,920 --> 00:53:35,680 Speaker 1: like see it plotted out like that. That's yeah, it's 1006 00:53:36,120 --> 00:53:38,840 Speaker 1: a great it's a great resource. It's such a like 1007 00:53:38,880 --> 00:53:41,040 Speaker 1: I'm like, this is like who knows how long I'll 1008 00:53:41,040 --> 00:53:46,120 Speaker 1: have this, like as access to this and I'm just like, really, 1009 00:53:46,400 --> 00:53:50,640 Speaker 1: I'm like sucking Bell and Beauty and the Beast. I 1010 00:53:50,760 --> 00:53:52,640 Speaker 1: want to know, Like, so, you guys are at the 1011 00:53:52,680 --> 00:53:54,479 Speaker 1: show for a few years and then you guys become 1012 00:53:54,560 --> 00:53:57,520 Speaker 1: head writers and obviously kind of like the responsibilities become 1013 00:53:57,520 --> 00:53:59,879 Speaker 1: a little different at that point when you're head writer, 1014 00:54:00,080 --> 00:54:02,279 Speaker 1: are you kind of tasked with taking on the really 1015 00:54:02,320 --> 00:54:06,120 Speaker 1: the political stuff? How does that work? Yes? And no, 1016 00:54:06,239 --> 00:54:09,560 Speaker 1: I mean we had been writing. We wrote Hillary with 1017 00:54:09,760 --> 00:54:12,320 Speaker 1: Kate like a year and a half before that. I 1018 00:54:12,360 --> 00:54:15,800 Speaker 1: mean truly, that election season so long, and so you 1019 00:54:15,840 --> 00:54:18,280 Speaker 1: know at SNL, once you write a character, that's your character, 1020 00:54:18,400 --> 00:54:20,560 Speaker 1: so you write it every time, and so then it 1021 00:54:20,680 --> 00:54:23,200 Speaker 1: had kind of a snowball effect. So then we wrote 1022 00:54:23,239 --> 00:54:25,120 Speaker 1: her all throughout the primaries. Then when she would go 1023 00:54:25,239 --> 00:54:28,120 Speaker 1: up against Bernie, because we already wrote Hillary, now we're 1024 00:54:28,160 --> 00:54:30,440 Speaker 1: writing Burnie. Then she made it to Trump, so then 1025 00:54:30,480 --> 00:54:33,200 Speaker 1: now we're writing. So we kind of kept growing because 1026 00:54:33,239 --> 00:54:35,319 Speaker 1: of that, And I think also because we were head 1027 00:54:35,320 --> 00:54:38,160 Speaker 1: writers too, we also people would turn to us and 1028 00:54:38,320 --> 00:54:39,960 Speaker 1: assume that we would do a lot of it because 1029 00:54:39,960 --> 00:54:41,759 Speaker 1: I remember when we've started Seth as a head writer 1030 00:54:41,840 --> 00:54:44,440 Speaker 1: and that he just like, in my mind a headwriter 1031 00:54:44,600 --> 00:54:49,080 Speaker 1: does do that because of my furs. It's so funny. 1032 00:54:49,120 --> 00:54:51,360 Speaker 1: Thing about now, my first week on the show, my 1033 00:54:51,560 --> 00:54:55,000 Speaker 1: absolute first week. It was maybe at the very very 1034 00:54:55,120 --> 00:54:59,239 Speaker 1: beginning of the twelve election, very beginning like primaries, and 1035 00:54:59,440 --> 00:55:03,800 Speaker 1: on Monday Pitch I pitched a debate sketch parody and 1036 00:55:03,880 --> 00:55:06,040 Speaker 1: it was fine, It's just a pitch, and then I 1037 00:55:06,280 --> 00:55:08,040 Speaker 1: was like, sweetly like and then I'll write up the 1038 00:55:08,080 --> 00:55:10,719 Speaker 1: debate and I could feel very no one was rude 1039 00:55:10,760 --> 00:55:13,400 Speaker 1: about it. Everyone is very lovely, but the very tense 1040 00:55:13,600 --> 00:55:16,839 Speaker 1: vibe of like, we don't need that from you right now. 1041 00:55:17,120 --> 00:55:19,399 Speaker 1: The first week, but I instantly was like, I want 1042 00:55:19,400 --> 00:55:21,640 Speaker 1: to do political I've seen them do it, and I 1043 00:55:21,719 --> 00:55:24,480 Speaker 1: want to do it right right, because it was like yeah, 1044 00:55:24,560 --> 00:55:26,480 Speaker 1: right after I mean Palin and all that stuff, like 1045 00:55:26,560 --> 00:55:30,320 Speaker 1: that's what I was like watching, Like I like that. 1046 00:55:30,480 --> 00:55:34,960 Speaker 1: I do like that, Yeah, but I have to think, like, 1047 00:55:35,480 --> 00:55:38,320 Speaker 1: so when you submit to SNL, like are you submitting 1048 00:55:38,480 --> 00:55:41,080 Speaker 1: and you're thinking to yourself like because in the submission 1049 00:55:41,120 --> 00:55:43,680 Speaker 1: they encourage you obviously to write a political sketch, but 1050 00:55:43,800 --> 00:55:46,759 Speaker 1: did you guys always see yourself as being like the 1051 00:55:46,880 --> 00:55:49,480 Speaker 1: political writers on that show? Is that always something that 1052 00:55:49,600 --> 00:55:54,239 Speaker 1: you liked writing about not I didn't. I did. I 1053 00:55:54,360 --> 00:55:57,440 Speaker 1: loved watching it, but I just never I was never 1054 00:55:57,600 --> 00:56:01,640 Speaker 1: super drawn to it, right and in my writing, Yeah yeah, 1055 00:56:01,719 --> 00:56:03,640 Speaker 1: I mean I was like I loved S and O 1056 00:56:04,360 --> 00:56:07,120 Speaker 1: for years growing up, and I specifically like the political seasons. 1057 00:56:07,160 --> 00:56:09,319 Speaker 1: Like I was always very like envious during the pale 1058 00:56:09,400 --> 00:56:12,399 Speaker 1: and were like, how can you imagine? So I guess 1059 00:56:12,440 --> 00:56:15,440 Speaker 1: I wanted to and I liked it, but I didn't presume, 1060 00:56:15,520 --> 00:56:17,040 Speaker 1: especially after the first week, that I would ever be 1061 00:56:17,080 --> 00:56:19,840 Speaker 1: the one that got to do it. Um. Yeah. We 1062 00:56:19,880 --> 00:56:23,600 Speaker 1: wrote a lot of like topical or like social commentary 1063 00:56:23,680 --> 00:56:27,719 Speaker 1: type sketches that felt like adjacent to like people thought 1064 00:56:27,760 --> 00:56:30,000 Speaker 1: of us to do political stuff because we were doing 1065 00:56:30,040 --> 00:56:32,719 Speaker 1: stuff close to it. Maybe I also a lot of 1066 00:56:32,760 --> 00:56:35,239 Speaker 1: it was Kate too. We wrote for Kate and she 1067 00:56:35,880 --> 00:56:38,640 Speaker 1: played Hillary. Yeah, right, of course those also those first 1068 00:56:38,640 --> 00:56:41,520 Speaker 1: couple of years, I weirdly did help on debate sketches. 1069 00:56:41,600 --> 00:56:48,279 Speaker 1: But it was because I what was good. She's a 1070 00:56:48,320 --> 00:56:55,879 Speaker 1: Bethany behind closed door was going to the bathroom. I'll 1071 00:56:55,920 --> 00:56:58,960 Speaker 1: tell you why. Though. It was because I found that 1072 00:56:59,040 --> 00:57:01,719 Speaker 1: I was really good at pitching in Rick Perry's voice, 1073 00:57:01,760 --> 00:57:03,800 Speaker 1: because he was just played as like a big dummy, 1074 00:57:04,000 --> 00:57:06,440 Speaker 1: like a big silly dummy. So I didn't I did 1075 00:57:06,480 --> 00:57:10,360 Speaker 1: not write anything that was actually politically any political commentary. 1076 00:57:10,400 --> 00:57:12,000 Speaker 1: They were just like what would Rick Perry saying? And 1077 00:57:12,080 --> 00:57:15,200 Speaker 1: I was like, here's a job. So I was like 1078 00:57:15,320 --> 00:57:20,080 Speaker 1: technically working on the debate sketches, but nothing that actually mattered. Well, 1079 00:57:20,760 --> 00:57:22,760 Speaker 1: I don't have to imagine. Like I was talking to 1080 00:57:23,000 --> 00:57:25,200 Speaker 1: a study about this. I was like, when you're there, 1081 00:57:25,360 --> 00:57:28,240 Speaker 1: like these moments are they have to do? They feel 1082 00:57:28,400 --> 00:57:32,400 Speaker 1: as big, like when Hillary comes, Like what's the biggest moment, 1083 00:57:32,560 --> 00:57:34,960 Speaker 1: like where you were like, whoa, this is great? We 1084 00:57:35,080 --> 00:57:37,120 Speaker 1: had a I mean we had We've talked about this 1085 00:57:37,200 --> 00:57:39,400 Speaker 1: before because it's very easy at SNL what you know 1086 00:57:39,520 --> 00:57:42,640 Speaker 1: to just it's such a stressful job, and it moves 1087 00:57:42,720 --> 00:57:45,040 Speaker 1: so fast that it can be very easy to forget 1088 00:57:45,120 --> 00:57:48,200 Speaker 1: that it's like such a cool thing. You're just racing 1089 00:57:48,680 --> 00:57:50,720 Speaker 1: and you think someone's mad at you, or you're not 1090 00:57:50,760 --> 00:57:52,479 Speaker 1: getting anything on that week, or you're like are people 1091 00:57:52,520 --> 00:57:54,240 Speaker 1: looking at me because they know I didn't get anything on? 1092 00:57:54,320 --> 00:57:57,600 Speaker 1: And it's very just hard and stressful, and so you 1093 00:57:57,680 --> 00:57:59,640 Speaker 1: have to force yourself to like take a deep breath 1094 00:57:59,720 --> 00:58:01,680 Speaker 1: and like it is insanely cool that we get to 1095 00:58:01,720 --> 00:58:04,360 Speaker 1: be here. This is very cool. And we did that 1096 00:58:04,400 --> 00:58:06,760 Speaker 1: a lot during the election because we knew like when 1097 00:58:06,840 --> 00:58:11,280 Speaker 1: Hillary came or yeah, a lot of stuff. Specifically that 1098 00:58:11,360 --> 00:58:13,919 Speaker 1: last year. We we would often like go out onto 1099 00:58:14,000 --> 00:58:19,040 Speaker 1: the floor to watch something and like link arms. We 1100 00:58:19,200 --> 00:58:22,280 Speaker 1: were very much like, this is cool. The three of 1101 00:58:22,360 --> 00:58:26,080 Speaker 1: us get to do this. Yeah, um, it's pretty awesome. Yeah, 1102 00:58:26,960 --> 00:58:29,120 Speaker 1: even going now, like the whole thing is a little 1103 00:58:29,440 --> 00:58:32,600 Speaker 1: it's a little demystified now having been so close to it, 1104 00:58:32,760 --> 00:58:35,120 Speaker 1: but it's like still cool. We went last night with 1105 00:58:35,200 --> 00:58:37,320 Speaker 1: our friend Ashley, who has been her dream to go 1106 00:58:37,440 --> 00:58:39,920 Speaker 1: to SNL. Sudi was walking her through the back and 1107 00:58:40,000 --> 00:58:43,080 Speaker 1: being like, and here's like where the costumes get everything, 1108 00:58:43,080 --> 00:58:46,040 Speaker 1: and I was like, it's cool. Yeah, it's pretty well. 1109 00:58:46,120 --> 00:58:47,440 Speaker 1: The thing that, like, the thing that I put it 1110 00:58:47,480 --> 00:58:49,680 Speaker 1: all into perspective last night was when Sudi was explaining 1111 00:58:49,720 --> 00:58:51,520 Speaker 1: to our friend actially, she was like, well, the budget 1112 00:58:51,600 --> 00:58:53,480 Speaker 1: is crazy, and like the cool thing is like this 1113 00:58:53,560 --> 00:58:55,600 Speaker 1: show would never this kind of show would never get 1114 00:58:55,640 --> 00:58:58,680 Speaker 1: made now with this sort of budget, absolutely like this 1115 00:58:59,080 --> 00:59:01,800 Speaker 1: is the last show it's kind And I was like, whoa, whoa, 1116 00:59:02,280 --> 00:59:04,600 Speaker 1: because what do you got just about three floors of 1117 00:59:04,680 --> 00:59:10,880 Speaker 1: like Rockefeller Center to another show kind of yeah. Yeah, 1118 00:59:10,880 --> 00:59:12,920 Speaker 1: I mean like even I was just complaining. I was 1119 00:59:12,960 --> 00:59:14,919 Speaker 1: just that was just kind of like venting to Matt 1120 00:59:15,000 --> 00:59:16,800 Speaker 1: last night. I was like, I don't know, it's this 1121 00:59:16,920 --> 00:59:18,959 Speaker 1: is kind of like a like a like a nothing 1122 00:59:19,000 --> 00:59:21,520 Speaker 1: week for me, Like I truly was on nothing, and 1123 00:59:21,600 --> 00:59:23,440 Speaker 1: so I've just been sort of tuddling my thumbs. But 1124 00:59:23,880 --> 00:59:27,160 Speaker 1: but then it's like, okay, like yeah, this other week, 1125 00:59:27,240 --> 00:59:28,800 Speaker 1: this other writer, El and I are were both like 1126 00:59:29,520 --> 00:59:31,000 Speaker 1: like Eli comes to me and he's like I was 1127 00:59:31,040 --> 00:59:32,720 Speaker 1: relieved to se that you were on nothing because I 1128 00:59:32,760 --> 00:59:34,720 Speaker 1: was like Bowen's and he was like Bowen's and great standing. 1129 00:59:34,720 --> 00:59:36,400 Speaker 1: I was like, I thought I was believe that you 1130 00:59:36,480 --> 00:59:40,120 Speaker 1: were on that. Yeah that's exactly. Yeah. Thing like okay, 1131 00:59:40,160 --> 00:59:44,280 Speaker 1: it's not just think yeah, it's you can make yourself 1132 00:59:44,320 --> 00:59:46,760 Speaker 1: go crazy. Yeah. We talked about this. But you would 1133 00:59:46,800 --> 00:59:48,560 Speaker 1: have like week or weeks in a row where you'd 1134 00:59:48,560 --> 00:59:52,000 Speaker 1: get nothing on, where you're like everyone knows, everyone's eyes 1135 00:59:52,040 --> 00:59:54,520 Speaker 1: are on me, I'm the fraud, and like literally no 1136 00:59:54,600 --> 00:59:56,800 Speaker 1: one is thinking about you when they're only thinking about 1137 00:59:56,840 --> 00:59:59,080 Speaker 1: their own stuff, and then the next week you'll get 1138 00:59:59,120 --> 01:00:01,680 Speaker 1: something on and you'll be like, I am King of Coma, 1139 01:00:01,760 --> 01:00:04,960 Speaker 1: and then the week after that you're like, oh my god, yeah, 1140 01:00:05,120 --> 01:00:07,640 Speaker 1: like week two week a different experience. Yea, because there 1141 01:00:07,800 --> 01:00:10,200 Speaker 1: be I would put up sketches because when you're starting, 1142 01:00:10,280 --> 01:00:11,920 Speaker 1: you kind of also RiPP by yourself a little bit 1143 01:00:11,920 --> 01:00:14,280 Speaker 1: more just because you're like trying to you sometimes just 1144 01:00:14,360 --> 01:00:17,080 Speaker 1: can't find anyone. And yeah, I would just put up 1145 01:00:17,120 --> 01:00:20,560 Speaker 1: stuff that would absolutely bomb and I couldn't. I was 1146 01:00:20,600 --> 01:00:22,960 Speaker 1: like that as the that's the worst thing that's ever happened. 1147 01:00:23,040 --> 01:00:25,959 Speaker 1: I'm blacklisted, I'm dead, I'm done in this industry table 1148 01:00:26,000 --> 01:00:32,040 Speaker 1: moment and about this and I couldn't even like tell you, 1149 01:00:32,160 --> 01:00:35,240 Speaker 1: I couldn't even remotely guess what any of those sketches were. Now, Yeah, 1150 01:00:35,400 --> 01:00:37,200 Speaker 1: because people always ask do you do you guys have 1151 01:00:37,840 --> 01:00:39,760 Speaker 1: sketches that you wish would have gone that you're like 1152 01:00:39,840 --> 01:00:42,640 Speaker 1: that should have gone And not really, I mean occasionally 1153 01:00:42,720 --> 01:00:44,680 Speaker 1: there's like one or two if we force ourselves, but 1154 01:00:45,400 --> 01:00:48,320 Speaker 1: in the moment, everything feels so important and so like 1155 01:00:48,800 --> 01:00:51,840 Speaker 1: they're not doing this one right right, No, they're not 1156 01:00:51,960 --> 01:00:53,600 Speaker 1: doing that one. And you will not remember this in 1157 01:00:53,680 --> 01:00:57,560 Speaker 1: a day. Absolutely this bitch had a great pitch. I 1158 01:00:57,600 --> 01:00:59,240 Speaker 1: want to talk about it. But I'm saying this one 1159 01:00:59,320 --> 01:01:02,480 Speaker 1: should go of red should have gone now, it shouldn't 1160 01:01:02,480 --> 01:01:06,400 Speaker 1: have gone. It shouldn't have gone. Whatever. The longer you're there, 1161 01:01:06,440 --> 01:01:08,600 Speaker 1: the longer the more you learn it. Really, you can 1162 01:01:08,680 --> 01:01:11,880 Speaker 1: have the absolute best idea in a vacuum and then 1163 01:01:11,920 --> 01:01:14,560 Speaker 1: you're like, oh, but the host doesn't want to or 1164 01:01:14,640 --> 01:01:18,360 Speaker 1: the host there's so there are one thousand reasons that 1165 01:01:18,400 --> 01:01:21,800 Speaker 1: can destroy an idea when that's the job is learning 1166 01:01:21,800 --> 01:01:24,280 Speaker 1: how to navigate, Like why you shouldn't write your best idea, 1167 01:01:24,280 --> 01:01:26,440 Speaker 1: you should write your second idea because it's actually like 1168 01:01:27,080 --> 01:01:28,720 Speaker 1: there's already too many videos, so you got to do 1169 01:01:28,760 --> 01:01:30,840 Speaker 1: a live you know. What I'm what I'm dealing with 1170 01:01:30,920 --> 01:01:34,200 Speaker 1: now is that I've been just writing songs. They've been 1171 01:01:34,240 --> 01:01:35,960 Speaker 1: like okay, like the host wants to do a music video, 1172 01:01:36,000 --> 01:01:38,360 Speaker 1: like maybe like you can write a song. I'm like, okay, um, 1173 01:01:39,120 --> 01:01:42,080 Speaker 1: and I will dutifully do it. And I have fucking 1174 01:01:42,200 --> 01:01:45,640 Speaker 1: Christmas candle open and I'm like, okay, this is okay, great, great, great, um, 1175 01:01:46,160 --> 01:01:48,040 Speaker 1: and just to get a sense of structure again. But 1176 01:01:48,160 --> 01:01:50,439 Speaker 1: then they put it at the end of the first 1177 01:01:50,520 --> 01:01:53,880 Speaker 1: half of table where it's big sort of finale like 1178 01:01:53,960 --> 01:01:57,360 Speaker 1: act closer moment quote unquote, and then like, so my 1179 01:01:57,480 --> 01:02:01,560 Speaker 1: pitch that I did this week like was fine, was fine, 1180 01:02:02,360 --> 01:02:04,360 Speaker 1: and and it was okay, didn't bomb, but it was 1181 01:02:04,440 --> 01:02:06,360 Speaker 1: just okay. And then to have people come up to 1182 01:02:06,400 --> 01:02:08,520 Speaker 1: me and be like that was great. I was like 1183 01:02:08,600 --> 01:02:11,160 Speaker 1: I would just be like I don't believe. Yeah, Like 1184 01:02:11,280 --> 01:02:13,640 Speaker 1: I just I don't know. I'm going a little crazy, 1185 01:02:13,720 --> 01:02:15,400 Speaker 1: and like I'm but it's okay. I'm like managing it 1186 01:02:16,000 --> 01:02:19,160 Speaker 1: as best as I can. I think I'm so stressed here. 1187 01:02:19,200 --> 01:02:20,640 Speaker 1: And you talk because it is just such a crazy 1188 01:02:20,680 --> 01:02:23,800 Speaker 1: making job. It's just how it is. But let's talk about, Okay, 1189 01:02:24,040 --> 01:02:27,320 Speaker 1: how how has the transition been to like scripted TV, 1190 01:02:27,600 --> 01:02:30,920 Speaker 1: narrative serialized thing, because it's I think, you guys, it's 1191 01:02:30,960 --> 01:02:33,120 Speaker 1: really remarkable. I was like in watching the other two, 1192 01:02:33,120 --> 01:02:35,960 Speaker 1: I was like, this is such a different thing. It 1193 01:02:36,120 --> 01:02:40,120 Speaker 1: feels it has its own identity in a way that's 1194 01:02:40,120 --> 01:02:42,840 Speaker 1: like really cool. Like and I That's one of the 1195 01:02:42,920 --> 01:02:45,120 Speaker 1: things I loved about it is you know, as the 1196 01:02:45,160 --> 01:02:48,360 Speaker 1: season goes on, it there are some dark it gets dark. 1197 01:02:49,280 --> 01:02:53,520 Speaker 1: I really but then what and this episode has an 1198 01:02:53,520 --> 01:02:58,960 Speaker 1: aired yet, but there's an episode on an airplane where 1199 01:02:58,960 --> 01:03:02,840 Speaker 1: it took place, and that's fine. God, we we can 1200 01:03:02,880 --> 01:03:05,680 Speaker 1: attest that there is an airplane. There is an airplane moment. 1201 01:03:06,080 --> 01:03:08,880 Speaker 1: And so like just taking this darkness and then making 1202 01:03:09,000 --> 01:03:12,640 Speaker 1: like this, making it into this like crazy comedic choice, 1203 01:03:12,640 --> 01:03:15,600 Speaker 1: which I love it. It goes it starts funny that 1204 01:03:15,680 --> 01:03:17,680 Speaker 1: it's it goes down to dark then it circles back 1205 01:03:17,720 --> 01:03:21,160 Speaker 1: into funny again. It's just crazing. So um, but yeah 1206 01:03:21,560 --> 01:03:23,720 Speaker 1: is it? How how has it been? Kind of running 1207 01:03:23,760 --> 01:03:26,360 Speaker 1: your own room and like what's what is the differences 1208 01:03:26,440 --> 01:03:29,840 Speaker 1: they're like and just going through putting your own show together? Like, yeah, 1209 01:03:30,280 --> 01:03:33,560 Speaker 1: talk about that? How is that? Well? The we keep 1210 01:03:33,640 --> 01:03:36,680 Speaker 1: saying that we loved it. It was both a blessing 1211 01:03:36,720 --> 01:03:39,400 Speaker 1: and a curse because Chris and I are like very overthinky, 1212 01:03:39,560 --> 01:03:42,440 Speaker 1: we will really like nitpick it something until we die. 1213 01:03:42,960 --> 01:03:45,320 Speaker 1: So at SNL you just kind of don't have that option. 1214 01:03:45,480 --> 01:03:48,040 Speaker 1: It's like you can nip pick until Saturday and then 1215 01:03:48,160 --> 01:03:50,000 Speaker 1: it's literally on TV and you can't do anything else. 1216 01:03:50,080 --> 01:03:52,880 Speaker 1: And so we've thrived under that because it kept us 1217 01:03:52,920 --> 01:03:55,840 Speaker 1: in check, it kept us from kind of like going insane, 1218 01:03:56,400 --> 01:03:58,800 Speaker 1: and so we've had more time. We just like have 1219 01:03:58,960 --> 01:04:00,920 Speaker 1: the time now, so we spent a lot more time 1220 01:04:01,040 --> 01:04:03,240 Speaker 1: thinking about the show as a whole and making sure 1221 01:04:03,280 --> 01:04:06,439 Speaker 1: those moments felt earned, and making sure the characters felt 1222 01:04:06,520 --> 01:04:09,520 Speaker 1: authentic and what they were going through was like right 1223 01:04:09,680 --> 01:04:12,360 Speaker 1: in every sense of the the word that we could 1224 01:04:12,400 --> 01:04:15,720 Speaker 1: figure and so that was a luxury. But then it 1225 01:04:15,720 --> 01:04:17,440 Speaker 1: would towards the end we were like, we need to 1226 01:04:17,480 --> 01:04:21,640 Speaker 1: get this on film because we are spinning out. Yeah, yeah, 1227 01:04:22,000 --> 01:04:23,840 Speaker 1: we just need to make this already. But yeah, that 1228 01:04:23,920 --> 01:04:25,360 Speaker 1: was a long time to talk with no joke. But 1229 01:04:25,440 --> 01:04:30,560 Speaker 1: that was earnest and I was waiting for the job 1230 01:04:30,800 --> 01:04:35,000 Speaker 1: and it's a dark answer. Was it this thing? Where 1231 01:04:35,560 --> 01:04:37,400 Speaker 1: for the other two where it was like it has 1232 01:04:37,480 --> 01:04:42,080 Speaker 1: to be like the actors have to specifically word it 1233 01:04:42,160 --> 01:04:43,720 Speaker 1: this way the way that you guys have written it 1234 01:04:43,880 --> 01:04:49,560 Speaker 1: or not always sometimes yeah, sometimes a lot of our 1235 01:04:49,600 --> 01:04:51,560 Speaker 1: show is super serialized, and so like we were like, 1236 01:04:51,680 --> 01:04:54,080 Speaker 1: if you don't say this word literally something in episode 1237 01:04:54,120 --> 01:04:56,680 Speaker 1: ten doesn't make sense or something. I know, it's just 1238 01:04:56,760 --> 01:04:58,959 Speaker 1: so annoying to the actors. But I feel like whatever 1239 01:04:59,040 --> 01:05:00,640 Speaker 1: we get the question, like was a lot of improv 1240 01:05:00,720 --> 01:05:02,680 Speaker 1: on set. I want the answer to be yes, to 1241 01:05:02,760 --> 01:05:06,000 Speaker 1: be like a fun, really cool and it was really 1242 01:05:06,200 --> 01:05:07,960 Speaker 1: part of the process past your card and we just 1243 01:05:08,080 --> 01:05:11,760 Speaker 1: like locked off and we just but like and then 1244 01:05:11,760 --> 01:05:13,400 Speaker 1: I feel like to say, no, there wasn't a lot 1245 01:05:13,440 --> 01:05:17,240 Speaker 1: of improv makes it seem like, wow, there would be 1246 01:05:17,280 --> 01:05:19,600 Speaker 1: a little bit or or sometimes if we had the luxury. 1247 01:05:19,680 --> 01:05:21,480 Speaker 1: I mean, we shot these episodes in four days, so 1248 01:05:21,640 --> 01:05:24,360 Speaker 1: we just were running all there was just no time. 1249 01:05:24,720 --> 01:05:26,080 Speaker 1: A lot of times they'd be like, you know, let's 1250 01:05:26,160 --> 01:05:28,439 Speaker 1: roll on one and just you know, just for see 1251 01:05:28,440 --> 01:05:30,680 Speaker 1: them everyone's marks, and then we would do one and 1252 01:05:30,720 --> 01:05:34,000 Speaker 1: they'd be like, great, time to move on. So you 1253 01:05:34,080 --> 01:05:36,080 Speaker 1: have to move so fast that it was a luxury 1254 01:05:36,120 --> 01:05:39,520 Speaker 1: if we could improvise. Um. But yeah, like Sarah said, 1255 01:05:39,560 --> 01:05:42,080 Speaker 1: it's very serialized, so a lot of the jokes needed 1256 01:05:42,120 --> 01:05:45,040 Speaker 1: to It's different for Comedy Central, you know what I mean. 1257 01:05:45,040 --> 01:05:46,320 Speaker 1: I feel like they don't have a lot of shows 1258 01:05:46,400 --> 01:05:47,640 Speaker 1: like that that are like I feel like this is 1259 01:05:47,680 --> 01:05:50,160 Speaker 1: like their most heavily serialized show and I love because 1260 01:05:50,160 --> 01:05:53,400 Speaker 1: I love it. That's nice. I think it's maybe like, yeah, 1261 01:05:53,560 --> 01:05:55,720 Speaker 1: just a little denser or something in a way where 1262 01:05:55,720 --> 01:05:58,320 Speaker 1: you're like, yeah, you can see other shows having fun 1263 01:05:58,840 --> 01:06:00,760 Speaker 1: like on set, you can see them, you know, the 1264 01:06:00,800 --> 01:06:02,880 Speaker 1: actors playing and they let a beat, they let like 1265 01:06:02,960 --> 01:06:07,240 Speaker 1: a big go on. But but yeah, yeah, we think 1266 01:06:07,400 --> 01:06:09,320 Speaker 1: we're glad that it's on week two weeks so that 1267 01:06:09,400 --> 01:06:12,440 Speaker 1: it's on for ten weeks and just that's nice to us. 1268 01:06:12,720 --> 01:06:15,919 Speaker 1: But we also do think it's kind of maybe good 1269 01:06:16,040 --> 01:06:18,000 Speaker 1: BINGI like, it's better if you can watch a couple 1270 01:06:18,080 --> 01:06:19,880 Speaker 1: at times, so it's tricky. That was one of the 1271 01:06:20,200 --> 01:06:22,960 Speaker 1: interesting we got. We were we got to see the 1272 01:06:23,000 --> 01:06:25,280 Speaker 1: show a little early, and I said to Sam Schless 1273 01:06:25,320 --> 01:06:27,120 Speaker 1: at Comedy es Central, I was like, just for what 1274 01:06:27,240 --> 01:06:30,560 Speaker 1: it's worth, the show is super bingeable, which I think 1275 01:06:30,680 --> 01:06:33,160 Speaker 1: is such like a great thing going forward, because no, 1276 01:06:33,400 --> 01:06:37,160 Speaker 1: like people watch TV when things come on, but now, 1277 01:06:37,280 --> 01:06:39,240 Speaker 1: as you know, they binged all the time, and I 1278 01:06:39,320 --> 01:06:42,080 Speaker 1: think it's really good in that respect, like I can 1279 01:06:42,080 --> 01:06:44,280 Speaker 1: see it performing really well, like and then the thing 1280 01:06:44,360 --> 01:06:46,400 Speaker 1: is like years from now, like it's out there forever 1281 01:06:46,480 --> 01:06:49,360 Speaker 1: and will have just binge the whole thing and like 1282 01:06:49,560 --> 01:06:51,480 Speaker 1: you'll get like it's this thing with like the office 1283 01:06:51,520 --> 01:06:55,160 Speaker 1: now where it's cool. It's totally totally right. Yeah it is. 1284 01:06:55,720 --> 01:06:58,480 Speaker 1: It's only number one that and Friends on Netflix. They're 1285 01:06:58,520 --> 01:07:00,920 Speaker 1: like the best shows on Netflix. Yeah, like eleven year 1286 01:07:00,960 --> 01:07:04,600 Speaker 1: Olds finding friends, Yeah, which is kind of scary, which 1287 01:07:04,640 --> 01:07:10,960 Speaker 1: is scary because it doesn't about homosexuality scary every joke, 1288 01:07:11,600 --> 01:07:18,080 Speaker 1: which it's not not every joke. Let's say it. Let him, 1289 01:07:18,640 --> 01:07:23,760 Speaker 1: let him be homophoba. They look so gay together. Imagine 1290 01:07:23,800 --> 01:07:26,360 Speaker 1: putting that cast together and being like that's it. Nowadays, 1291 01:07:26,400 --> 01:07:35,080 Speaker 1: I know what's brown, hair, blonde and another brown, so 1292 01:07:35,240 --> 01:07:41,880 Speaker 1: like that's variety. Now, speaking of cast, you really can 1293 01:07:42,000 --> 01:07:46,880 Speaker 1: just transiver. I do this. I've just been watching, isn't it. 1294 01:07:46,960 --> 01:07:50,600 Speaker 1: It's amazing to watch me. It's amazing. It's amazing to 1295 01:07:50,720 --> 01:07:52,840 Speaker 1: watch me. Because we said, we don't even need to 1296 01:07:52,880 --> 01:07:54,320 Speaker 1: be on the podcast, we just want to be in 1297 01:07:54,360 --> 01:07:58,360 Speaker 1: the room. Yeah, And we emailed them to come on 1298 01:07:58,360 --> 01:07:59,640 Speaker 1: the show and they said, could just be in the room. 1299 01:07:59,680 --> 01:08:03,200 Speaker 1: We said, we have taught you. They said fine. Um well, um, 1300 01:08:03,440 --> 01:08:05,880 Speaker 1: so we have had well we both had Helena and 1301 01:08:05,920 --> 01:08:07,600 Speaker 1: I had Drew in here the other day with special 1302 01:08:07,640 --> 01:08:11,960 Speaker 1: guest co host Josh and watching those two, watching Josh 1303 01:08:12,040 --> 01:08:14,480 Speaker 1: Andrew talk to each other about being like like gay 1304 01:08:14,560 --> 01:08:19,080 Speaker 1: in the South. No idea where Drew like came from 1305 01:08:20,320 --> 01:08:25,240 Speaker 1: like the swamps of Georgia. Yeah. Crazy, But so they're 1306 01:08:25,280 --> 01:08:27,840 Speaker 1: so good together. And they really feel like like the 1307 01:08:27,920 --> 01:08:30,920 Speaker 1: relationship is so great. I just like they are. We 1308 01:08:31,040 --> 01:08:36,120 Speaker 1: got so lucky, and also like there's tough stuff in 1309 01:08:36,160 --> 01:08:38,519 Speaker 1: the show. I mean, it gets tetic. I saw Drew 1310 01:08:38,600 --> 01:08:39,880 Speaker 1: came to one of my shows, like a few months 1311 01:08:39,920 --> 01:08:41,439 Speaker 1: ago while you guys were filming I think you guys 1312 01:08:41,479 --> 01:08:44,479 Speaker 1: had just shot the airplane um scene, and I was like, 1313 01:08:44,520 --> 01:08:46,599 Speaker 1: how's it going, and he was like, it's a lot 1314 01:08:46,680 --> 01:08:51,599 Speaker 1: of acting. We all joke about that too, because it's 1315 01:08:51,680 --> 01:08:54,559 Speaker 1: dramatic a little bit for everybody, but particularly poor little 1316 01:08:54,640 --> 01:08:56,960 Speaker 1: Drew Tarber, because Drew will be like, Helena, how much 1317 01:08:57,040 --> 01:08:59,000 Speaker 1: are you crying in your days? Like when they're not 1318 01:08:59,080 --> 01:09:00,599 Speaker 1: shooting to get He's like, are you crying as much 1319 01:09:00,600 --> 01:09:07,200 Speaker 1: as because I'm crying. But there's also laughs what you're 1320 01:09:07,200 --> 01:09:11,400 Speaker 1: doing the mental stick like like okay, I really want 1321 01:09:11,400 --> 01:09:16,560 Speaker 1: to spoil it. Okay, okay, And there's an iconic and 1322 01:09:16,880 --> 01:09:20,280 Speaker 1: of one anyways, Tory has to cry, and we were like, 1323 01:09:20,280 --> 01:09:21,760 Speaker 1: we're going to try to just shoot this once if 1324 01:09:21,800 --> 01:09:23,840 Speaker 1: you can really cry, and he was like, great, I'm 1325 01:09:23,840 --> 01:09:25,760 Speaker 1: gonna do it, and he cried immediately one time, and 1326 01:09:25,800 --> 01:09:27,880 Speaker 1: then we had to do it again and he cried 1327 01:09:27,920 --> 01:09:29,760 Speaker 1: immediately again, and we were like, wow, you're such a 1328 01:09:29,800 --> 01:09:31,640 Speaker 1: good actor. And then he cried. We had to do 1329 01:09:31,680 --> 01:09:33,760 Speaker 1: it for a third time, and he cried immediately again, 1330 01:09:33,800 --> 01:09:35,960 Speaker 1: and then everyone in the crew was like, I think 1331 01:09:36,000 --> 01:09:41,000 Speaker 1: he cries too easily. Is he okay? Like it's too theace. 1332 01:09:41,160 --> 01:09:44,760 Speaker 1: It really was like psychologically like he's using this as something. 1333 01:09:46,439 --> 01:09:48,960 Speaker 1: It was really impressive. It was very impressive that moment. 1334 01:09:49,160 --> 01:09:53,479 Speaker 1: Is it really took my no mental took my This 1335 01:09:53,600 --> 01:09:55,920 Speaker 1: moment that we're talking about, you'll you'll know when you 1336 01:09:55,960 --> 01:09:58,640 Speaker 1: get to it. It takes your breath away. I was like, 1337 01:09:58,760 --> 01:10:03,040 Speaker 1: I can't believe the show moments also when I watched 1338 01:10:03,080 --> 01:10:04,760 Speaker 1: it first and then Bo watched it a little bit later. 1339 01:10:04,840 --> 01:10:07,920 Speaker 1: But he and this episode has happened, but before this 1340 01:10:08,000 --> 01:10:09,880 Speaker 1: comes out so we can say this, but the moment 1341 01:10:09,960 --> 01:10:14,599 Speaker 1: with Cape ber Lamp, I am gagging from you come 1342 01:10:14,600 --> 01:10:20,200 Speaker 1: on back? Oh my god. I couldn't text. That's so funny. 1343 01:10:20,720 --> 01:10:23,360 Speaker 1: I taped it on my computer. I recorded on my computer, 1344 01:10:23,439 --> 01:10:25,519 Speaker 1: sent the video to Maunt. I was like, I cannot 1345 01:10:26,479 --> 01:10:30,840 Speaker 1: that was was that line Jordan's first one? That sounds 1346 01:10:30,960 --> 01:10:35,800 Speaker 1: it sounds were Also we also had to ask um 1347 01:10:36,520 --> 01:10:39,680 Speaker 1: Central for permission not to bleep faggot, because we thought 1348 01:10:39,720 --> 01:10:42,000 Speaker 1: it was going to be like powerful in a very blunt, 1349 01:10:42,120 --> 01:10:45,320 Speaker 1: hard way to hear a woman say that word at him, 1350 01:10:45,520 --> 01:10:50,360 Speaker 1: like in an office, just that she how dare she 1351 01:10:50,439 --> 01:10:52,200 Speaker 1: thinks she can casually say that. We're like, if you 1352 01:10:52,280 --> 01:10:55,080 Speaker 1: bleep it, it kind of you know, work. And there 1353 01:10:55,120 --> 01:10:56,880 Speaker 1: were some emails and there, and we got an email 1354 01:10:56,880 --> 01:11:03,160 Speaker 1: back thing like guys, congratulations, you can say yeah, but 1355 01:11:03,320 --> 01:11:05,040 Speaker 1: there was a period where we were going to maybe 1356 01:11:05,040 --> 01:11:06,160 Speaker 1: have to get on a call about it, and so 1357 01:11:06,280 --> 01:11:08,800 Speaker 1: it was being seriously referenced in emails as the fagge 1358 01:11:08,920 --> 01:11:11,680 Speaker 1: call because I'm going to do this taget call and 1359 01:11:11,800 --> 01:11:18,880 Speaker 1: just like THEA I also think once they mentioned that 1360 01:11:18,960 --> 01:11:20,519 Speaker 1: it might need to be a call, they thought that 1361 01:11:20,520 --> 01:11:23,000 Speaker 1: would be like maybe a good way for us to 1362 01:11:23,040 --> 01:11:24,280 Speaker 1: be like, Okay, well we're not going to get on 1363 01:11:24,320 --> 01:11:25,760 Speaker 1: a call about this. Never mind, it's fine. But we 1364 01:11:25,840 --> 01:11:32,040 Speaker 1: were like, I mean, that moment is that's a take 1365 01:11:32,160 --> 01:11:34,160 Speaker 1: that that took my breath away. I can't believe this. 1366 01:11:34,280 --> 01:11:37,680 Speaker 1: It's an important moment for the culture. I mean, that's 1367 01:11:37,680 --> 01:11:41,040 Speaker 1: a real thing. Yes, it's absolutely a real thing. And 1368 01:11:41,240 --> 01:11:44,320 Speaker 1: caper Land is so funny. I think I could win 1369 01:11:44,400 --> 01:11:48,960 Speaker 1: an Oscar win. I was gonna say, yes, they're going 1370 01:11:49,000 --> 01:11:53,360 Speaker 1: to change the rules because I mean, the Oscar is 1371 01:11:53,360 --> 01:11:56,800 Speaker 1: famously don't matter anyway of green Book wins. This is 1372 01:11:56,840 --> 01:11:58,800 Speaker 1: going to play after a green Book has one right, 1373 01:11:59,040 --> 01:12:04,479 Speaker 1: it's or Bohemian Rhapsody has taken home the gold. It's 1374 01:12:06,000 --> 01:12:09,240 Speaker 1: the world we live in is incredibly sick, and that's 1375 01:12:09,280 --> 01:12:12,880 Speaker 1: actually a real culture. Two, the world we live in 1376 01:12:13,000 --> 01:12:16,439 Speaker 1: is incredibly sick. Yeah. Usually at the one hour mark, 1377 01:12:16,479 --> 01:12:19,680 Speaker 1: you guys say that the world is sick. It takes 1378 01:12:19,720 --> 01:12:22,439 Speaker 1: about an hour to realize that. Yeah, yeah, this is 1379 01:12:22,640 --> 01:12:28,839 Speaker 1: just a sisiphi and exercise and getting to that theme motif. 1380 01:12:29,439 --> 01:12:32,679 Speaker 1: You know, I said a big word the other day pernicious. Okay, 1381 01:12:32,920 --> 01:12:37,200 Speaker 1: you know where I learned that? What grammar? Where? What 1382 01:12:39,360 --> 01:12:41,600 Speaker 1: was the one pernicious? One time on Beverly Hills And 1383 01:12:41,640 --> 01:12:45,240 Speaker 1: I was like, mmious, Oh my god, it means to 1384 01:12:45,280 --> 01:12:48,080 Speaker 1: act in an evil manner. Yes, yes, you knew that 1385 01:12:48,160 --> 01:12:51,560 Speaker 1: though being smart. But you still have the episode with 1386 01:12:52,439 --> 01:12:55,479 Speaker 1: so true and that was important. That was really big 1387 01:12:55,560 --> 01:12:57,400 Speaker 1: for me. I think I think this is the year 1388 01:12:57,439 --> 01:13:02,560 Speaker 1: where you really just broaden your scope with words. This 1389 01:13:02,760 --> 01:13:05,760 Speaker 1: is the year and I'm going to I'm going to 1390 01:13:05,840 --> 01:13:10,439 Speaker 1: the cultural mecca that is Los Angeles Thursday, six weeks 1391 01:13:10,479 --> 01:13:13,680 Speaker 1: and I'm gonna get real smart. Yes, um, wait, can 1392 01:13:13,680 --> 01:13:17,120 Speaker 1: we talk about the writer's room. The writer's fantastic so yeah, okay, 1393 01:13:17,200 --> 01:13:23,439 Speaker 1: So it was Jordan Booster, Jordan's cole Yes, and do 1394 01:13:23,479 --> 01:13:25,280 Speaker 1: you know her? I don't. I don't think I know 1395 01:13:26,360 --> 01:13:28,160 Speaker 1: l A. She's great, She's so funny. I don't think 1396 01:13:28,200 --> 01:13:29,880 Speaker 1: we've met, but I do know, I do know. And 1397 01:13:29,920 --> 01:13:32,160 Speaker 1: then and Yellow were there for a little bit, but 1398 01:13:32,200 --> 01:13:34,800 Speaker 1: then they had to go to Broad City. Soames, okay, 1399 01:13:34,840 --> 01:13:38,760 Speaker 1: so that's a fun I caught some Instagram stories if 1400 01:13:38,800 --> 01:13:42,760 Speaker 1: y'all playing the T shirt game and like fun stuff. Yes, 1401 01:13:43,680 --> 01:13:48,320 Speaker 1: are wending the game? Yes, that was Joel right, he 1402 01:13:48,560 --> 01:13:50,559 Speaker 1: was like we have to do this and we were 1403 01:13:50,600 --> 01:13:54,280 Speaker 1: all like, okay, no, we were not into it, and 1404 01:13:54,640 --> 01:13:57,439 Speaker 1: we're like, we'll just like do this because it's building 1405 01:13:57,640 --> 01:14:01,840 Speaker 1: team and got so into it. I laughed so hard. 1406 01:14:01,920 --> 01:14:04,120 Speaker 1: It was really the fun. One of the most fun days. 1407 01:14:04,520 --> 01:14:06,439 Speaker 1: So thank you. Just the funnest thing you can do 1408 01:14:07,200 --> 01:14:11,519 Speaker 1: the most. Yeah, they bought well, I got a T shirt. 1409 01:14:13,880 --> 01:14:16,280 Speaker 1: You can them. You knew this. The smartest part of 1410 01:14:16,320 --> 01:14:18,519 Speaker 1: the games that you can then be like click to purchase, 1411 01:14:19,120 --> 01:14:20,920 Speaker 1: so smart. What was the one that we did with 1412 01:14:21,040 --> 01:14:23,320 Speaker 1: the nails and it just said one word? Um it 1413 01:14:23,439 --> 01:14:25,479 Speaker 1: was it was a hand with red finger nails and 1414 01:14:26,000 --> 01:14:29,679 Speaker 1: I said, it's at two words. It said I'm virgin. 1415 01:14:30,800 --> 01:14:34,400 Speaker 1: I'm virgin fingers like red fingernails and I said I'm virgin. 1416 01:14:35,280 --> 01:14:42,360 Speaker 1: We were all like, I'm virgin. Um, okay, but this 1417 01:14:42,520 --> 01:14:43,800 Speaker 1: is what was this what you were trying to ask 1418 01:14:43,840 --> 01:14:47,759 Speaker 1: earlier in terms of running a writer's room, um, unbound 1419 01:14:47,800 --> 01:14:49,719 Speaker 1: by some other in I mean you're sort of answering 1420 01:14:49,760 --> 01:14:52,720 Speaker 1: to the network, sure, but like different vibe overall, like 1421 01:14:52,800 --> 01:14:54,720 Speaker 1: where you're just spending so much time together like trying 1422 01:14:54,760 --> 01:14:59,080 Speaker 1: to break Yeah, the episodes like different, different, different, right, Yeah, 1423 01:14:59,080 --> 01:15:00,840 Speaker 1: because we'll at us and it's like kind of you 1424 01:15:00,880 --> 01:15:03,639 Speaker 1: don't really have the experience of like breaking stuff together 1425 01:15:03,760 --> 01:15:06,200 Speaker 1: as a group. So that was great. That was so fun, 1426 01:15:06,520 --> 01:15:08,000 Speaker 1: and so much of it was us just being like, 1427 01:15:08,200 --> 01:15:11,120 Speaker 1: what would you here's an idea for a plot, like 1428 01:15:11,200 --> 01:15:13,360 Speaker 1: how would you truly react to this in your real life, 1429 01:15:13,560 --> 01:15:16,320 Speaker 1: and getting stories from our writers that we are biggest thing, 1430 01:15:16,560 --> 01:15:18,720 Speaker 1: a real thing in the writer's room. Wasn't just like, 1431 01:15:18,920 --> 01:15:21,080 Speaker 1: what are funny things that could happen? But it was like, 1432 01:15:21,520 --> 01:15:24,599 Speaker 1: if you go to this like premiere, or your brother 1433 01:15:24,640 --> 01:15:28,800 Speaker 1: writes a song about you specifically like physically, dramatically, pathetically, 1434 01:15:28,880 --> 01:15:31,519 Speaker 1: what would you feel and do? Right, So that you've 1435 01:15:31,520 --> 01:15:33,559 Speaker 1: said this before, but like all the episodes could technically 1436 01:15:33,760 --> 01:15:36,639 Speaker 1: the loglines could be dramas and then we added comedy 1437 01:15:36,720 --> 01:15:40,800 Speaker 1: to them. But that's great. It was coughing and just 1438 01:15:40,880 --> 01:15:42,920 Speaker 1: had you her water bottle and I took water from 1439 01:15:42,960 --> 01:15:45,200 Speaker 1: it and it made a dolphin noise. Yeah, well, you're 1440 01:15:45,200 --> 01:15:47,519 Speaker 1: not supposed to tip it back. Why did you sip 1441 01:15:47,560 --> 01:15:52,840 Speaker 1: it would have done that too. It did sound like 1442 01:15:52,880 --> 01:15:56,720 Speaker 1: a dolphin and I was barreling straight through it. I 1443 01:15:56,800 --> 01:15:58,479 Speaker 1: was like, you keep talking, and you were like, we 1444 01:15:58,760 --> 01:16:01,840 Speaker 1: loved honey in the room and also professional, yes, and 1445 01:16:01,920 --> 01:16:05,000 Speaker 1: you just missed this extremely poignant thing that Chris was saying. 1446 01:16:05,040 --> 01:16:08,679 Speaker 1: I'm so sorry. The episodes were basically logging. Came here, 1447 01:16:09,240 --> 01:16:12,360 Speaker 1: it was cold, I'm talking about my show, this little 1448 01:16:12,520 --> 01:16:14,880 Speaker 1: pantomime that's going off. I need my ally to be 1449 01:16:14,960 --> 01:16:17,160 Speaker 1: hydrated for the apocalypse, so I'm sorry I could not 1450 01:16:18,120 --> 01:16:20,080 Speaker 1: and let him die. I need to be able to 1451 01:16:20,160 --> 01:16:22,080 Speaker 1: live so that we can die immediately. But I was 1452 01:16:22,120 --> 01:16:24,800 Speaker 1: watching that. I was watching CNN, and I forget who 1453 01:16:24,840 --> 01:16:27,280 Speaker 1: it was. And she was coughing so hard yesterday on 1454 01:16:27,360 --> 01:16:29,120 Speaker 1: the news. But she was coughing for like ten minutes, 1455 01:16:29,160 --> 01:16:32,400 Speaker 1: and she kept thinking like and President, I'm so sorry. 1456 01:16:32,760 --> 01:16:35,720 Speaker 1: But no one she was interviewing, yes, and no one 1457 01:16:35,840 --> 01:16:38,320 Speaker 1: was like, I'm going to talk now for two minutes 1458 01:16:38,680 --> 01:16:41,120 Speaker 1: so they can cut off of you and allow you 1459 01:16:41,640 --> 01:16:44,960 Speaker 1: to do whatever you can. She just coughed for ten minutes. 1460 01:16:45,000 --> 01:16:47,519 Speaker 1: It was so funny. You can't even watch the news 1461 01:16:47,520 --> 01:16:51,320 Speaker 1: anymore because you're thinking about production, right, you're producing the 1462 01:16:51,439 --> 01:16:54,479 Speaker 1: fucking news. What are you talking about? Like I'm saying, 1463 01:16:54,479 --> 01:16:55,760 Speaker 1: you can't even watch the news with that being like 1464 01:16:56,080 --> 01:16:58,559 Speaker 1: they yes, you should take it. They should cut away, 1465 01:16:58,560 --> 01:17:04,160 Speaker 1: they should cut away. That's just my guys, watch how 1466 01:17:04,200 --> 01:17:06,880 Speaker 1: do you absorb? I only watch then I watch MSNBC. 1467 01:17:07,160 --> 01:17:13,000 Speaker 1: I don't like CNN, and I watched you see. I 1468 01:17:13,120 --> 01:17:18,840 Speaker 1: do I tolerate Legan McCain. No, she is she No, 1469 01:17:19,560 --> 01:17:22,360 Speaker 1: she's done canceled. It's been hard to watch her. She's 1470 01:17:22,400 --> 01:17:25,360 Speaker 1: canceled the whole like I'm the daughter of John McCain. 1471 01:17:25,520 --> 01:17:29,439 Speaker 1: Thing I could not abide she's always done that. No, 1472 01:17:29,600 --> 01:17:32,519 Speaker 1: but like but someone someone did, um, someone did a 1473 01:17:32,600 --> 01:17:35,160 Speaker 1: meme of like like a screen grab of Megan mccains saying, 1474 01:17:35,160 --> 01:17:37,120 Speaker 1: I'm the daughter John McCain and I'm not a racist. 1475 01:17:37,439 --> 01:17:40,000 Speaker 1: Oh yeah, she slammed the table the other day. Right, Yeah, 1476 01:17:40,800 --> 01:17:43,760 Speaker 1: I'm John McCain's daughter. I don't just allow racism. And 1477 01:17:43,760 --> 01:17:46,400 Speaker 1: we're like okay, shot and then and then it was 1478 01:17:46,400 --> 01:17:48,599 Speaker 1: just me where and then it was it was Aaron 1479 01:17:48,600 --> 01:17:52,760 Speaker 1: Brockovich and then just like a altered subtitle, that's all 1480 01:17:52,800 --> 01:17:55,840 Speaker 1: you got, lady being John McCain's daughter and fucking ugly 1481 01:17:56,000 --> 01:18:00,760 Speaker 1: too perfect. The new is, why do we go into 1482 01:18:00,800 --> 01:18:02,400 Speaker 1: this pivot about the news. I wanted to talk about 1483 01:18:02,400 --> 01:18:05,479 Speaker 1: the show, so I wanted to talk about the other 1484 01:18:05,920 --> 01:18:09,400 Speaker 1: the writer's room, and I just want to talk about 1485 01:18:09,680 --> 01:18:15,080 Speaker 1: other cast members. God, Ken Marino, babe, since I was 1486 01:18:15,160 --> 01:18:17,320 Speaker 1: a little child, And can I say his best performance 1487 01:18:17,360 --> 01:18:19,760 Speaker 1: in the Rock and roller Coaster pre show at Disney World. 1488 01:18:21,800 --> 01:18:24,439 Speaker 1: He's in there with Aleana Douglas and the cast of 1489 01:18:24,600 --> 01:18:28,000 Speaker 1: Arrow Smith. He sits he sits there playing his buttons 1490 01:18:28,040 --> 01:18:30,920 Speaker 1: and like being like his but yeah, he was in that, 1491 01:18:31,800 --> 01:18:33,960 Speaker 1: And every time I go on that rise which is 1492 01:18:34,000 --> 01:18:36,439 Speaker 1: a lot. I'm like, I see him and I'm like, 1493 01:18:36,520 --> 01:18:40,160 Speaker 1: that's fucking Ken Marino. Yeah, he's the best. But also 1494 01:18:40,400 --> 01:18:45,160 Speaker 1: we have talked about Miss Molly. I mean, just like Redisco, 1495 01:18:45,280 --> 01:18:46,760 Speaker 1: which I feel like you've been a big part of 1496 01:18:46,840 --> 01:18:49,280 Speaker 1: this kind of like rediscovery of her. Is this like 1497 01:18:50,240 --> 01:18:53,040 Speaker 1: she's got some incredible dramatic moments in your show and 1498 01:18:53,120 --> 01:18:56,240 Speaker 1: also her performance and other people, I mean out of control. 1499 01:18:56,400 --> 01:18:58,040 Speaker 1: Can you talk about working with her? Like, what's that? 1500 01:18:58,160 --> 01:19:01,360 Speaker 1: He's so good? She's also I don't know the best 1501 01:19:01,400 --> 01:19:02,760 Speaker 1: way I can put it is you just don't really 1502 01:19:02,800 --> 01:19:04,840 Speaker 1: see her acting, or at least I don't you know, 1503 01:19:04,920 --> 01:19:07,519 Speaker 1: when she goes into a dramatic moment, you never feel 1504 01:19:07,560 --> 01:19:10,800 Speaker 1: her doing her Like Oscar winning moment, you don't feel her. 1505 01:19:10,920 --> 01:19:12,960 Speaker 1: You know, sometimes even the best actors that we all love, 1506 01:19:13,040 --> 01:19:14,599 Speaker 1: we stand by, we would die for them. You can 1507 01:19:14,640 --> 01:19:16,479 Speaker 1: feel like, Okay, you know the camera's on you, you're 1508 01:19:16,520 --> 01:19:18,800 Speaker 1: doing your your moment right now. She just feels like 1509 01:19:18,880 --> 01:19:21,200 Speaker 1: a regular person just talking to the people that she's 1510 01:19:21,439 --> 01:19:24,639 Speaker 1: on screen with, very lowly dropped in. She's so funny. 1511 01:19:24,920 --> 01:19:27,240 Speaker 1: The airplane episode that we can't go into too much 1512 01:19:27,360 --> 01:19:30,560 Speaker 1: is the first thing we shot and that's into it 1513 01:19:31,040 --> 01:19:34,439 Speaker 1: right away, and just she's a real she's insane. No, 1514 01:19:34,720 --> 01:19:37,679 Speaker 1: she's like she's fully emy worthy and in that scene 1515 01:19:37,800 --> 01:19:42,160 Speaker 1: and like, wow, we're starting anybody, That's why you guys 1516 01:19:42,200 --> 01:19:44,280 Speaker 1: are here. This is the first stop on your Emmy campaign. 1517 01:19:45,920 --> 01:19:49,040 Speaker 1: You joined Megan Amram, who also started her Emmy campaign here, 1518 01:19:49,720 --> 01:19:54,920 Speaker 1: famously earned a nomination two big ones. We're still upset 1519 01:19:55,000 --> 01:19:57,840 Speaker 1: she lost. Oh god, she she was telling me what 1520 01:19:57,960 --> 01:20:02,000 Speaker 1: she has in mind for season two and it's pible anyway, 1521 01:20:02,000 --> 01:20:04,080 Speaker 1: I can't wait for that. That's the scoop. But no, 1522 01:20:04,439 --> 01:20:08,439 Speaker 1: I can't believe Molly and like just like her and 1523 01:20:08,520 --> 01:20:11,400 Speaker 1: other people too. It's just such a beautiful performance. Like 1524 01:20:12,080 --> 01:20:14,040 Speaker 1: so that had to be a lot to like cast 1525 01:20:14,160 --> 01:20:16,920 Speaker 1: the person as instensibly going to play your mother, And 1526 01:20:17,000 --> 01:20:18,519 Speaker 1: did you meet with a lot of people or did 1527 01:20:18,560 --> 01:20:20,320 Speaker 1: you kind of like just yeah, a couple. But it 1528 01:20:20,400 --> 01:20:23,519 Speaker 1: was also the tiniest of indie movies and I hadn't 1529 01:20:23,520 --> 01:20:26,000 Speaker 1: really done anything before, so it was just I didn't 1530 01:20:26,040 --> 01:20:27,720 Speaker 1: presume that anybody would want to do this or no 1531 01:20:27,760 --> 01:20:30,000 Speaker 1: one would know who I am. So we sent her 1532 01:20:30,040 --> 01:20:32,320 Speaker 1: the script. I think I had described it as like 1533 01:20:32,360 --> 01:20:34,599 Speaker 1: a Molly Shannon type. I think someone like Molly Shannon 1534 01:20:34,640 --> 01:20:36,600 Speaker 1: would be great in this role as an example of 1535 01:20:37,280 --> 01:20:39,240 Speaker 1: think about her, but don't actually ask her because she 1536 01:20:39,280 --> 01:20:41,960 Speaker 1: won't do it. And then we she finally got the 1537 01:20:42,000 --> 01:20:43,479 Speaker 1: script and she called me right away and said I 1538 01:20:43,560 --> 01:20:45,479 Speaker 1: would do it. Like it was very quick. It was 1539 01:20:45,560 --> 01:20:47,960 Speaker 1: very surprising. And then yeah, I hung out with her 1540 01:20:47,960 --> 01:20:49,240 Speaker 1: for a couple of months before we shot, Like she 1541 01:20:49,280 --> 01:20:50,720 Speaker 1: would invite me over to her house and meet her 1542 01:20:50,760 --> 01:20:53,000 Speaker 1: family and we would have lunch and she would never 1543 01:20:53,040 --> 01:20:54,479 Speaker 1: should have a dinner party at her house. She would 1544 01:20:54,479 --> 01:20:56,479 Speaker 1: invite me and it was very sweet. I would like 1545 01:20:56,600 --> 01:20:59,200 Speaker 1: call my sisters and because I was because she was 1546 01:20:59,240 --> 01:21:01,400 Speaker 1: playing a part, but also wanted the person playing my 1547 01:21:01,479 --> 01:21:04,400 Speaker 1: mother to be nice. Yeah, would be like a great 1548 01:21:04,439 --> 01:21:06,519 Speaker 1: actor that when you call cut, they're just like an asshole. 1549 01:21:07,160 --> 01:21:10,360 Speaker 1: So that was nice. Yeah, so she was. She seems tolerable. 1550 01:21:10,920 --> 01:21:14,640 Speaker 1: She is tolerable. Yeah, she's just a sweet just like 1551 01:21:14,760 --> 01:21:18,880 Speaker 1: the funniest, nicest person and also I mean iconic SNL 1552 01:21:18,960 --> 01:21:22,720 Speaker 1: cast member for all time. Yeah, you guys always like 1553 01:21:22,960 --> 01:21:27,000 Speaker 1: big SNL fans, Like I would go in waves um 1554 01:21:27,360 --> 01:21:29,600 Speaker 1: and kind of like tune in and you know, I 1555 01:21:29,720 --> 01:21:32,200 Speaker 1: was like big on the on the Tina amy My 1556 01:21:32,720 --> 01:21:35,639 Speaker 1: Kristen years. I was. I was pretty full full bor 1557 01:21:35,920 --> 01:21:39,720 Speaker 1: yeah right, I was psychotic about it. Yeah, it's from 1558 01:21:39,720 --> 01:21:42,880 Speaker 1: a very young age. When I was my first year 1559 01:21:42,920 --> 01:21:44,760 Speaker 1: at m y U, I would go every week to 1560 01:21:44,840 --> 01:21:49,439 Speaker 1: the standby Line and I remember the first one I 1561 01:21:49,479 --> 01:21:51,960 Speaker 1: ever once It was James Franco and Kings of Leon 1562 01:21:52,400 --> 01:21:54,320 Speaker 1: and then I went the next week to Anne Hathaway 1563 01:21:54,360 --> 01:21:56,600 Speaker 1: and the Killers and it was the first time that 1564 01:21:56,720 --> 01:21:59,800 Speaker 1: Kristen Wig did the Lawrence Welk Show. Okay, it was 1565 01:22:00,120 --> 01:22:02,880 Speaker 1: like unbelievable. I was like, okay, I mean the right, Yeah, 1566 01:22:04,120 --> 01:22:07,120 Speaker 1: I want tickets in college. Weirdly, through the Raffle and 1567 01:22:07,439 --> 01:22:08,960 Speaker 1: Or my friend did and I made her take me 1568 01:22:09,520 --> 01:22:12,640 Speaker 1: and we saw the Ashley Simpson so Weirdly, I was 1569 01:22:12,800 --> 01:22:15,720 Speaker 1: in the audience for that. It was very cool. It 1570 01:22:15,840 --> 01:22:22,120 Speaker 1: was crazy beautiful, that's gorgeous. Weirdly, I also won the 1571 01:22:22,240 --> 01:22:24,680 Speaker 1: lottery one time and it was Jennifer Lopez host and 1572 01:22:24,880 --> 01:22:31,840 Speaker 1: musical guest Way Post Mango. We got to see her 1573 01:22:31,920 --> 01:22:35,800 Speaker 1: sing live two ballads. But I would send out during 1574 01:22:35,800 --> 01:22:38,920 Speaker 1: the Raffle season of August, I would send emails to everyone, 1575 01:22:39,000 --> 01:22:41,160 Speaker 1: all my friends and family, being like please do the 1576 01:22:41,240 --> 01:22:43,800 Speaker 1: raffle and if you get it, take me and then 1577 01:22:43,880 --> 01:22:45,960 Speaker 1: if I win it, I will take one of you. 1578 01:22:46,600 --> 01:22:48,800 Speaker 1: So like it didn't it wasn't a fair thing, but 1579 01:22:49,680 --> 01:22:53,400 Speaker 1: I did. Yeah, I never I never get tired of 1580 01:22:53,600 --> 01:22:56,200 Speaker 1: of going, even though it's always like it's pretty cool. 1581 01:22:57,160 --> 01:23:00,280 Speaker 1: We just we have to shout out Miss Wanda, oh 1582 01:23:00,360 --> 01:23:03,639 Speaker 1: my God and Mr Mr Kase we were talking about case. 1583 01:23:04,920 --> 01:23:11,479 Speaker 1: His first condition was sudd yes, he's not kid is perfect, perfect, 1584 01:23:12,320 --> 01:23:15,040 Speaker 1: it's so good. We tried. We were so impressed by 1585 01:23:15,120 --> 01:23:18,720 Speaker 1: him and um wanted him to like us because he's 1586 01:23:18,760 --> 01:23:21,439 Speaker 1: just so cool and we were like, yeah, we we 1587 01:23:21,760 --> 01:23:24,519 Speaker 1: we're the head writers on us. We tried to name 1588 01:23:24,600 --> 01:23:27,000 Speaker 1: Drove us no L and he was like, oh did 1589 01:23:27,040 --> 01:23:29,479 Speaker 1: you guys write Mr Peepers. That was like the one 1590 01:23:29,640 --> 01:23:34,760 Speaker 1: thing he knew and that was and then we asked 1591 01:23:34,840 --> 01:23:36,479 Speaker 1: him how old he thought we were. But that was 1592 01:23:37,479 --> 01:23:40,439 Speaker 1: one of the reasons, among many why we cast him 1593 01:23:40,640 --> 01:23:44,760 Speaker 1: is because his energy instantly made us want to We 1594 01:23:44,800 --> 01:23:46,360 Speaker 1: want to impress him. We wanted him to think we 1595 01:23:46,439 --> 01:23:51,519 Speaker 1: were cool. Um, yeah, like that is that role. He 1596 01:23:51,640 --> 01:23:55,160 Speaker 1: also looks I mean he's he looks like people like 1597 01:23:55,640 --> 01:23:58,760 Speaker 1: exactly like he looks like one of those stars. Yeah, 1598 01:23:58,800 --> 01:24:00,800 Speaker 1: it's not even Bieber, it's in am incormation of all 1599 01:24:00,840 --> 01:24:07,120 Speaker 1: those people. Yeah, like the squeakiest, cleanest yes face. Yeah, 1600 01:24:07,200 --> 01:24:09,720 Speaker 1: exactly what the I mean? This is sound going to 1601 01:24:09,760 --> 01:24:11,479 Speaker 1: sun room, but the blank is slate. That's what we 1602 01:24:11,560 --> 01:24:13,519 Speaker 1: liked about him. It's because he liked the idea that 1603 01:24:13,600 --> 01:24:15,760 Speaker 1: like people saw him and they were like, we can 1604 01:24:15,880 --> 01:24:18,200 Speaker 1: make that. We can make that into whatever we needed 1605 01:24:18,280 --> 01:24:20,479 Speaker 1: to be. And then on the flip side, Wanda, who 1606 01:24:20,520 --> 01:24:22,400 Speaker 1: this was not her first audition. I guess you didn't noticed, 1607 01:24:22,479 --> 01:24:25,840 Speaker 1: of course, but she was so good and we met 1608 01:24:25,880 --> 01:24:29,320 Speaker 1: her on the first day of shooting, Oh my god, 1609 01:24:29,400 --> 01:24:31,599 Speaker 1: and we were so nervous and we felt very much 1610 01:24:31,680 --> 01:24:34,880 Speaker 1: like like when they said Wanda would do what we 1611 01:24:34,960 --> 01:24:36,800 Speaker 1: were like, this is so dumb. I can't believe we've 1612 01:24:36,840 --> 01:24:38,920 Speaker 1: tricked her and to do this. Why is she? Why 1613 01:24:38,920 --> 01:24:44,320 Speaker 1: did she say? Absolutely screamed. She was so funny, so 1614 01:24:44,520 --> 01:24:47,720 Speaker 1: nice game. It was great, and that first day we 1615 01:24:47,800 --> 01:24:49,799 Speaker 1: were like, we're going to have to make you sweaty 1616 01:24:49,880 --> 01:24:51,800 Speaker 1: all day and nice to me, you have to be 1617 01:24:51,840 --> 01:24:55,240 Speaker 1: sweaty all day. I guess she's so funny. No, she's 1618 01:24:55,280 --> 01:24:59,640 Speaker 1: incredible Alane gets hot it Sorry, it doesn't really ruin it. 1619 01:25:00,640 --> 01:25:03,320 Speaker 1: Um just fantastic. I mean, at this point it's out, 1620 01:25:03,360 --> 01:25:05,479 Speaker 1: you can start, you can binge the episodes that are 1621 01:25:05,560 --> 01:25:08,880 Speaker 1: out and highly bingeable. Also, you guys, it is so 1622 01:25:09,080 --> 01:25:11,360 Speaker 1: so good. I mean, I really I've been excited about 1623 01:25:11,400 --> 01:25:14,360 Speaker 1: it since I found out about it, and like I'm 1624 01:25:15,760 --> 01:25:18,320 Speaker 1: I told you guys when I saw you last I 1625 01:25:18,520 --> 01:25:23,519 Speaker 1: worked at the ride, so yeah, you guys had to, 1626 01:25:23,800 --> 01:25:28,799 Speaker 1: I was, it's my story, no, but I mean, especially 1627 01:25:28,880 --> 01:25:30,880 Speaker 1: like it was crazy to watch him work at the 1628 01:25:31,040 --> 01:25:33,280 Speaker 1: ride and then do that thing. And I told you 1629 01:25:33,320 --> 01:25:37,240 Speaker 1: guys this, but like you almost got exactly. It's it's 1630 01:25:37,360 --> 01:25:41,360 Speaker 1: more humiliating than what you wrote, because we we would 1631 01:25:41,560 --> 01:25:43,400 Speaker 1: I would be walking on the street on the bus 1632 01:25:43,479 --> 01:25:46,080 Speaker 1: would pull up, like who's this guy? And I would 1633 01:25:46,120 --> 01:25:48,719 Speaker 1: turn and I would be like, oh, hey, a bus 1634 01:25:48,920 --> 01:25:50,799 Speaker 1: and it would be like, well, what is your talent? 1635 01:25:50,960 --> 01:25:53,080 Speaker 1: And I was like, I guess I sing and then 1636 01:25:53,160 --> 01:25:57,000 Speaker 1: the song that I sang was no, you're a lie 1637 01:25:57,120 --> 01:26:02,200 Speaker 1: and you're then let me do you think? And I 1638 01:26:02,200 --> 01:26:05,280 Speaker 1: would do like a rip and they'd be like well, 1639 01:26:05,760 --> 01:26:07,880 Speaker 1: like the host would be like like dancing to it, 1640 01:26:07,960 --> 01:26:09,519 Speaker 1: and I would also hosts. I would have to play 1641 01:26:09,640 --> 01:26:12,599 Speaker 1: that part as well. But it's so as you can 1642 01:26:12,640 --> 01:26:16,679 Speaker 1: tell and then and then and then when that exchange 1643 01:26:16,800 --> 01:26:19,240 Speaker 1: is done, you are just a regular guy. So as 1644 01:26:19,280 --> 01:26:21,519 Speaker 1: the bus drives off, you're just back in character. You're backpack, 1645 01:26:21,640 --> 01:26:23,960 Speaker 1: just walking around until it leaves. I think after that 1646 01:26:24,080 --> 01:26:25,639 Speaker 1: they were like, you can sing. I was like, well, 1647 01:26:25,680 --> 01:26:28,360 Speaker 1: I'm actually on my way to own audition. And then 1648 01:26:28,560 --> 01:26:30,800 Speaker 1: and it's like and they're like, wow, New York full 1649 01:26:30,840 --> 01:26:34,599 Speaker 1: of people with dreams. And so then then you say 1650 01:26:35,240 --> 01:26:40,320 Speaker 1: it was that Carnegie Hall too. It was outside is 1651 01:26:40,320 --> 01:26:42,320 Speaker 1: that Columbus Circle And the real thing that happens at 1652 01:26:42,320 --> 01:26:45,840 Speaker 1: Columbus Circle is the ballerina Balleri. Yeah yeah, yeah, my god, 1653 01:26:46,920 --> 01:26:49,360 Speaker 1: oh my god. Yeah that was that job. That was 1654 01:26:49,600 --> 01:26:51,400 Speaker 1: It was fun And I barned it with Darcy too, 1655 01:26:51,439 --> 01:26:55,080 Speaker 1: because she did it. Darcy claims that Hi, Darcy, you 1656 01:26:55,120 --> 01:26:57,360 Speaker 1: can verify this. But Darcy claims to have set a 1657 01:26:57,439 --> 01:26:59,519 Speaker 1: lot of the joke. She has claimed that too many 1658 01:26:59,560 --> 01:27:02,360 Speaker 1: people in many different environments. I've heard it come up 1659 01:27:02,400 --> 01:27:06,040 Speaker 1: that in the several party I would do some of 1660 01:27:06,120 --> 01:27:07,720 Speaker 1: the script to her and she's like, yep, that was me. 1661 01:27:08,360 --> 01:27:14,920 Speaker 1: That that was the best like that. She still lights 1662 01:27:15,040 --> 01:27:16,840 Speaker 1: up with pride about that. I feel like appears on 1663 01:27:16,960 --> 01:27:19,519 Speaker 1: every year unless for best communic performance on to She's like, no, 1664 01:27:19,600 --> 01:27:27,920 Speaker 1: but she should be paid. She should be She's the best. 1665 01:27:28,040 --> 01:27:30,920 Speaker 1: She's absolutely killing it the best. You know you're doing 1666 01:27:30,960 --> 01:27:35,280 Speaker 1: what she wants. Don't do this forget her. I think 1667 01:27:35,320 --> 01:27:38,760 Speaker 1: it's time. I think it might be time. Okay, time 1668 01:27:38,840 --> 01:27:41,200 Speaker 1: to do I don't think so, honey. But also talking 1669 01:27:41,200 --> 01:27:43,040 Speaker 1: about Darcy made me just realized, you guys take the 1670 01:27:43,120 --> 01:27:49,439 Speaker 1: most amazing vacations. Okay, those instagrams have me feeling. Wait. 1671 01:27:52,160 --> 01:27:54,080 Speaker 1: We've gone on a group occation with twelve of us 1672 01:27:54,120 --> 01:27:56,280 Speaker 1: for the last three years year for New Year's Years, 1673 01:27:56,439 --> 01:27:59,840 Speaker 1: and this year we went to Costa Ricata and my 1674 01:28:00,320 --> 01:28:03,320 Speaker 1: my husband works at Seth Meyers and he a bunch 1675 01:28:03,360 --> 01:28:05,320 Speaker 1: of the writers from Seth Meyers worked on the Golden 1676 01:28:05,320 --> 01:28:08,360 Speaker 1: Globes and one of them told him that they were 1677 01:28:08,400 --> 01:28:10,559 Speaker 1: walking down the hallway and just hurt someone in a room. 1678 01:28:10,600 --> 01:28:16,160 Speaker 1: Go got enough with this fucking Costa Rica trip. No, yes, yes, 1679 01:28:17,720 --> 01:28:20,320 Speaker 1: it was because I was because I was working in Yeah, 1680 01:28:20,680 --> 01:28:23,280 Speaker 1: I think it was. Someone was talking about it. Honestly, 1681 01:28:23,439 --> 01:28:26,160 Speaker 1: was different. It was a different coast. It was a 1682 01:28:26,200 --> 01:28:28,360 Speaker 1: different group of people. I think that's what we st 1683 01:28:28,880 --> 01:28:31,360 Speaker 1: I think that's that's what it was, not a production. 1684 01:28:31,600 --> 01:28:36,960 Speaker 1: They were correct, they were because we were like, okay, 1685 01:28:36,960 --> 01:28:38,840 Speaker 1: well we all posted like only three but then times 1686 01:28:38,920 --> 01:28:44,040 Speaker 1: twelve that is too much. I loved seeing it because 1687 01:28:44,080 --> 01:28:46,000 Speaker 1: it generally it really put me in that place and 1688 01:28:46,080 --> 01:28:50,840 Speaker 1: it didn't make me feel better night. Darcy. I was like, yo, 1689 01:28:51,160 --> 01:28:53,720 Speaker 1: this vacasion, it's absolutely insane, and she was like, I know, 1690 01:28:53,800 --> 01:28:56,400 Speaker 1: I'm sorry. It was that day that everyone posted the 1691 01:28:56,520 --> 01:28:59,080 Speaker 1: fireworks in the parking lot and I was like, I'm there, 1692 01:28:59,240 --> 01:29:03,200 Speaker 1: and that was even. The best vacation was the year 1693 01:29:03,240 --> 01:29:05,439 Speaker 1: prior where I'm sorry, but did you guys go on 1694 01:29:05,560 --> 01:29:07,679 Speaker 1: vacation to the place where Kim Kay lost an earring? 1695 01:29:08,600 --> 01:29:14,439 Speaker 1: Did we know? We didn't say where they stayed because 1696 01:29:14,479 --> 01:29:20,360 Speaker 1: we couldn't afford it. This is no but I lived 1697 01:29:20,400 --> 01:29:22,479 Speaker 1: for those vacations, and I said, I was like one day, 1698 01:29:22,520 --> 01:29:24,800 Speaker 1: but well, you already have the money, but you have 1699 01:29:24,880 --> 01:29:26,640 Speaker 1: to pay for me. Well, I was like, we have 1700 01:29:26,760 --> 01:29:28,640 Speaker 1: to go on a vacation. That's that luck. Okay, Well, 1701 01:29:28,720 --> 01:29:31,439 Speaker 1: I maybe this is said we already know the story, 1702 01:29:31,479 --> 01:29:33,640 Speaker 1: of course, but when we went to Bora Bora. We 1703 01:29:33,800 --> 01:29:35,599 Speaker 1: all had those like little huts on the water where 1704 01:29:35,600 --> 01:29:37,680 Speaker 1: you just like walk into the water. And we got there, 1705 01:29:37,720 --> 01:29:41,519 Speaker 1: and truly the first moment of day one of the trip, 1706 01:29:41,800 --> 01:29:44,160 Speaker 1: we all jumped off into the water and I jumped 1707 01:29:44,160 --> 01:29:46,720 Speaker 1: off and landed hard on a piece of coral and 1708 01:29:46,960 --> 01:29:49,720 Speaker 1: broke my foot open on my heel so deep, like 1709 01:29:49,880 --> 01:29:51,280 Speaker 1: inches deep in a way where they were like you 1710 01:29:51,280 --> 01:29:53,920 Speaker 1: should go to the hospital or whatever, and the doctor 1711 01:29:54,080 --> 01:29:56,600 Speaker 1: was like unavail. So they just were like, well, just 1712 01:29:56,680 --> 01:29:58,240 Speaker 1: all you have to do is just keep it dry 1713 01:29:58,240 --> 01:30:00,240 Speaker 1: and keep it out of water. So for the tire 1714 01:30:00,280 --> 01:30:02,360 Speaker 1: trip to Bora Bora, I couldn't put my feet in 1715 01:30:02,360 --> 01:30:04,760 Speaker 1: the water, which was insane. Well, first we were like, 1716 01:30:05,000 --> 01:30:06,519 Speaker 1: we think the salt water will be good for it, 1717 01:30:07,080 --> 01:30:10,960 Speaker 1: so like, and we actually googled it and it was 1718 01:30:10,960 --> 01:30:14,080 Speaker 1: like keep it out of the water. When we went 1719 01:30:14,120 --> 01:30:15,120 Speaker 1: to bed, I was like, let me just do a 1720 01:30:15,200 --> 01:30:18,800 Speaker 1: quick Google search just to verify what Sarah confidently told me, 1721 01:30:19,160 --> 01:30:21,000 Speaker 1: and it was like, do not to put it in 1722 01:30:21,120 --> 01:30:23,200 Speaker 1: the water. Oh my god, you do. It does make 1723 01:30:23,280 --> 01:30:26,120 Speaker 1: sense that so they had to wrapped the whole trip. 1724 01:30:26,160 --> 01:30:28,160 Speaker 1: I didn't let it slow me down. I was I 1725 01:30:28,320 --> 01:30:31,800 Speaker 1: was an inspiration. So then when we got back, you 1726 01:30:32,200 --> 01:30:34,519 Speaker 1: made a videos. The first time I had ever heard 1727 01:30:34,560 --> 01:30:39,280 Speaker 1: of cameo. I had Sonia Morgan make a cameo for 1728 01:30:39,360 --> 01:30:42,720 Speaker 1: Chris that was like I just enter the deeds of 1729 01:30:42,880 --> 01:30:46,000 Speaker 1: like he'd cut his foot on this this trip. It sucked, 1730 01:30:46,040 --> 01:30:49,040 Speaker 1: but we just wanted to be like, thanks for pulling 1731 01:30:49,080 --> 01:30:52,799 Speaker 1: it out. And she's like, Chris, I heard about your foot, 1732 01:30:53,000 --> 01:30:59,040 Speaker 1: but you you kept it dry. You It's so funny. 1733 01:30:59,479 --> 01:31:01,559 Speaker 1: It was like, and you were a team player. Sounds 1734 01:31:01,600 --> 01:31:06,680 Speaker 1: a little bit like someone else. It's so funny you 1735 01:31:06,800 --> 01:31:14,960 Speaker 1: kept a dry Chris kept honestly, if a faggot call 1736 01:31:15,040 --> 01:31:17,400 Speaker 1: doesn't make it on our faggot call, if they say 1737 01:31:17,439 --> 01:31:21,840 Speaker 1: we can't have faggot calls, and it's going to be 1738 01:31:21,880 --> 01:31:28,040 Speaker 1: all that's on your Instagram wants the video. It's great. 1739 01:31:28,320 --> 01:31:30,000 Speaker 1: One of the oh is it okay? Well, I'm going 1740 01:31:30,040 --> 01:31:31,599 Speaker 1: to see so. Yet one of the listeners got mad 1741 01:31:31,600 --> 01:31:33,080 Speaker 1: at me for saying faggot one time, and I'm like, 1742 01:31:33,280 --> 01:31:38,639 Speaker 1: then turn this off. We're just reclaiming the word. That's 1743 01:31:38,680 --> 01:31:41,560 Speaker 1: a reclaiming. It's been our I'm not even we're not 1744 01:31:41,600 --> 01:31:44,160 Speaker 1: even doing anything political with it. We're just saying, we're 1745 01:31:44,200 --> 01:31:48,320 Speaker 1: just saying it to quote sometimes anyway, I think it's funny. 1746 01:31:49,720 --> 01:31:53,160 Speaker 1: I don't think so, honey. This is our should we 1747 01:31:53,240 --> 01:31:55,840 Speaker 1: say we are currently because this episode is coming out 1748 01:31:55,880 --> 01:31:59,519 Speaker 1: in weeks, we're on tour. We are probably going to 1749 01:31:59,600 --> 01:32:02,360 Speaker 1: be very soon in Boston, Philly and d C. And 1750 01:32:02,439 --> 01:32:06,000 Speaker 1: also in Houston, Dallas, and Austin from Moon Tower with 1751 01:32:06,240 --> 01:32:09,160 Speaker 1: potentially some addults, and also Brooklyn on four and Brooklyn 1752 01:32:09,200 --> 01:32:13,320 Speaker 1: and four twenty and then we have just been in Portland, Seattle, Vancouver, 1753 01:32:13,439 --> 01:32:15,720 Speaker 1: San Francis, and we had so much, so much fun 1754 01:32:16,240 --> 01:32:19,200 Speaker 1: um from the past. Okay, so you have something, I 1755 01:32:19,280 --> 01:32:21,360 Speaker 1: have something I have Okay, then why don't you go first? 1756 01:32:21,640 --> 01:32:25,120 Speaker 1: I love that? Alright, So this is will be bowing Yanks. 1757 01:32:25,160 --> 01:32:26,840 Speaker 1: I don't think so, honey. And it's time starts down. 1758 01:32:26,840 --> 01:32:29,479 Speaker 1: I don't think so, honey. Stairs. Yeah, I hate stairs. 1759 01:32:29,520 --> 01:32:32,719 Speaker 1: Maybe Donald Trump and I have something in common. There's 1760 01:32:32,880 --> 01:32:36,280 Speaker 1: there's a stair in every building. There are engines of death. 1761 01:32:36,840 --> 01:32:39,080 Speaker 1: The technology is not there yet for people to not 1762 01:32:39,240 --> 01:32:42,800 Speaker 1: fall downstairs. Isn't that insane? A banister won't do you? 1763 01:32:43,280 --> 01:32:45,160 Speaker 1: You know what I'm saying, Even if you hold onto 1764 01:32:45,200 --> 01:32:46,880 Speaker 1: a bannister, you'll still eat it and die. I almost 1765 01:32:46,880 --> 01:32:49,320 Speaker 1: fell down the stairs yesterday and I almost probably like 1766 01:32:49,880 --> 01:32:53,639 Speaker 1: might have been paralyzed from the waist down. That crazy 1767 01:32:54,040 --> 01:32:56,280 Speaker 1: that it's so easy and our lives are our bodies 1768 01:32:56,320 --> 01:32:59,759 Speaker 1: are so fragile. You're a stair. A set of stairs 1769 01:33:00,040 --> 01:33:04,360 Speaker 1: can kill you or render you motionless. And I mean, 1770 01:33:04,760 --> 01:33:09,400 Speaker 1: just think about this. We need ramps. We need ramps everywhere. 1771 01:33:09,760 --> 01:33:11,639 Speaker 1: Rams are the way to go. It just that way. 1772 01:33:12,360 --> 01:33:14,560 Speaker 1: It's less straight on your body, it's less straight on 1773 01:33:14,680 --> 01:33:19,960 Speaker 1: your feet whatever, the torstion on your feet, tortion and 1774 01:33:20,160 --> 01:33:22,640 Speaker 1: so stairs I don't think so, honey, honey, stairs you 1775 01:33:22,760 --> 01:33:29,240 Speaker 1: gotta go elevators. Don Trump is right about something, all right. 1776 01:33:30,000 --> 01:33:33,639 Speaker 1: Also not a fan of stairs. Love an escalator, except 1777 01:33:33,680 --> 01:33:35,880 Speaker 1: can I tell you which ones? I hate? Which one? Honey? 1778 01:33:36,280 --> 01:33:41,200 Speaker 1: The ones at uh that movie theater in Midtown, you 1779 01:33:41,280 --> 01:33:46,120 Speaker 1: know the one? Okay, horrifying because I have a horrific 1780 01:33:46,200 --> 01:33:50,000 Speaker 1: fear of heights post they're steep. There's well no because 1781 01:33:50,040 --> 01:33:53,120 Speaker 1: you look over the side and it's and it's just 1782 01:33:53,800 --> 01:33:55,960 Speaker 1: sudden death if you want to turn on the I 1783 01:33:56,040 --> 01:33:59,840 Speaker 1: have a fear of heights post skydiving. Oh interesting, before 1784 01:34:00,360 --> 01:34:04,639 Speaker 1: after skydiving can't deal with the stuff. Yeah, no, it's bad. 1785 01:34:04,800 --> 01:34:07,680 Speaker 1: So you hated the experience of it. Just to give 1786 01:34:07,720 --> 01:34:10,640 Speaker 1: you a brief synopsis, I was, I don't even like 1787 01:34:10,960 --> 01:34:13,559 Speaker 1: I don't even like flying. Got when we were eighteen 1788 01:34:13,600 --> 01:34:16,000 Speaker 1: years old. My friends like, we're gonna skydive, and I'm like, yes, 1789 01:34:16,160 --> 01:34:19,320 Speaker 1: I'm a straight man, and so we got in the plane. 1790 01:34:19,400 --> 01:34:21,559 Speaker 1: Hated being in the plane. Don't like flying. The way 1791 01:34:21,600 --> 01:34:24,240 Speaker 1: that they make you do skydiving is you sit over 1792 01:34:24,280 --> 01:34:28,559 Speaker 1: the ledge rock one, two three, do a front flip out. 1793 01:34:29,800 --> 01:34:31,920 Speaker 1: The free falls fine. By the way, there's someone on 1794 01:34:32,120 --> 01:34:35,120 Speaker 1: my back tandem. He had spiky hair like that. I 1795 01:34:35,120 --> 01:34:37,439 Speaker 1: don't remember his name. I keep saying it was probably Trask. 1796 01:34:39,080 --> 01:34:43,200 Speaker 1: So free falling for for a minute and a half, 1797 01:34:43,240 --> 01:34:44,960 Speaker 1: you free fall and then they don't tell you this. 1798 01:34:45,400 --> 01:34:47,680 Speaker 1: But the scary fucking part is when they pulled the 1799 01:34:47,760 --> 01:34:51,800 Speaker 1: thing and then you float down for ten minutes. So 1800 01:34:52,360 --> 01:34:54,640 Speaker 1: that's horrible. And I hadn't eaten that day, and I 1801 01:34:54,880 --> 01:34:57,599 Speaker 1: proceeded to dry heat throw up into my shirt as 1802 01:34:57,640 --> 01:34:59,720 Speaker 1: we're floading down for ten minutes with a guy on 1803 01:34:59,800 --> 01:35:03,160 Speaker 1: my back, and the first didn't work. And then what 1804 01:35:03,479 --> 01:35:06,640 Speaker 1: he told friend, my friend, my other friends, and I 1805 01:35:06,720 --> 01:35:11,040 Speaker 1: went with loved this stuff, loved, loved this experience. And 1806 01:35:11,560 --> 01:35:14,160 Speaker 1: he went again, and my one friend Kevin went again 1807 01:35:14,160 --> 01:35:15,439 Speaker 1: and he came back and we're like, how was it? 1808 01:35:15,520 --> 01:35:17,840 Speaker 1: He goes, yeah, the guy told me that the first 1809 01:35:17,960 --> 01:35:20,719 Speaker 1: shoot didn't go. Oh, I had to use the backup shoot. God, 1810 01:35:21,160 --> 01:35:27,160 Speaker 1: can you imagine? I can't even listen to it. I 1811 01:35:27,280 --> 01:35:30,280 Speaker 1: liked the I loved the free fall, but then I 1812 01:35:30,439 --> 01:35:33,479 Speaker 1: similarly felt that that slow spiral to Earth I could 1813 01:35:33,520 --> 01:35:36,160 Speaker 1: have barfed. I was hated it. It was it was 1814 01:35:36,200 --> 01:35:38,439 Speaker 1: not really like spinny. I don't like the teacups and 1815 01:35:38,439 --> 01:35:42,360 Speaker 1: ship so that when we go again, have you ever 1816 01:35:42,439 --> 01:35:44,760 Speaker 1: I did hang gliding? Have you ever done that? You 1817 01:35:44,880 --> 01:35:47,720 Speaker 1: literally you're you're holding onto like a little kite and 1818 01:35:47,800 --> 01:35:50,280 Speaker 1: a propeller plane pulls you up and you're connected to 1819 01:35:50,320 --> 01:35:52,560 Speaker 1: the plane by a string and it takes you a 1820 01:35:52,720 --> 01:35:55,080 Speaker 1: mile into the sky and then there's a man on 1821 01:35:55,120 --> 01:35:57,439 Speaker 1: your back and they just clipped the cord and then 1822 01:35:57,520 --> 01:36:01,120 Speaker 1: you just float down. It was so and all the 1823 01:36:01,160 --> 01:36:02,960 Speaker 1: way up. The going up was the worst because there's 1824 01:36:03,000 --> 01:36:05,439 Speaker 1: such bad turbulence. I was freaking. I was literally and 1825 01:36:05,479 --> 01:36:07,080 Speaker 1: they're like, and we filmed it, so you can buy 1826 01:36:07,120 --> 01:36:10,599 Speaker 1: the video and the video film. Yeah, I'm literally screaming, 1827 01:36:10,640 --> 01:36:13,400 Speaker 1: I'm so scared. I am out of my mind afraid. 1828 01:36:13,920 --> 01:36:15,920 Speaker 1: And the guy I was like, when we're both done, 1829 01:36:15,960 --> 01:36:17,640 Speaker 1: because then my boyfriend went second. I was like, you 1830 01:36:17,720 --> 01:36:19,800 Speaker 1: have to tell us, honestly, if it's me, fine, just 1831 01:36:19,880 --> 01:36:22,519 Speaker 1: tell us who was the most scared, and because my 1832 01:36:22,600 --> 01:36:24,840 Speaker 1: boyfriend's gonna be scared too. And when we both went, 1833 01:36:24,920 --> 01:36:27,360 Speaker 1: the guy was like, oh it was you for sure. Yeah, 1834 01:36:27,720 --> 01:36:29,760 Speaker 1: He's like, your boyfriend was fine, you were you were 1835 01:36:29,840 --> 01:36:32,640 Speaker 1: an absolute parent. Are are you wearing a parachute in 1836 01:36:32,720 --> 01:36:35,720 Speaker 1: case or no? No, you're just strapped into the You're 1837 01:36:35,760 --> 01:36:38,240 Speaker 1: just strapped into the kite itself and it just floats 1838 01:36:38,280 --> 01:36:40,519 Speaker 1: down because in my brain. But I also have an 1839 01:36:40,560 --> 01:36:42,320 Speaker 1: issue where I think I could, if I was about 1840 01:36:42,360 --> 01:36:45,040 Speaker 1: to die, get out of it. I have like a 1841 01:36:45,160 --> 01:36:48,920 Speaker 1: mental issue and if if you were on a hang 1842 01:36:48,960 --> 01:36:51,360 Speaker 1: glider and had a parachute, I would feel safer than 1843 01:36:51,439 --> 01:36:53,200 Speaker 1: being in the plane because I'm like, then just like 1844 01:36:53,640 --> 01:36:55,439 Speaker 1: hip and parachut in your head right right now? So 1845 01:36:55,880 --> 01:36:58,519 Speaker 1: that like she always thinking if I drive a car 1846 01:36:58,560 --> 01:37:01,240 Speaker 1: off a bridgea accident, like you my window down in 1847 01:37:01,360 --> 01:37:04,240 Speaker 1: time and like just swim out whenever I see whenever 1848 01:37:04,280 --> 01:37:06,439 Speaker 1: I see a car plunge into the water, this is 1849 01:37:06,439 --> 01:37:10,120 Speaker 1: not a big deal. Will Power like get out of 1850 01:37:10,160 --> 01:37:16,280 Speaker 1: there like that that movie with Ted Kennedy. Oh, I 1851 01:37:16,360 --> 01:37:18,960 Speaker 1: was like, this is no big deal. It really was. 1852 01:37:19,680 --> 01:37:22,559 Speaker 1: It was a huge deal, huge deal. I think it's 1853 01:37:22,600 --> 01:37:25,080 Speaker 1: Matt Rodgers's turn. I don't think so, honey. You have 1854 01:37:25,240 --> 01:37:28,720 Speaker 1: you have you had something Housewives? Well, okay, I thought 1855 01:37:28,760 --> 01:37:31,240 Speaker 1: our guests watched Atlanta, but I'm still gonna for the 1856 01:37:31,320 --> 01:37:35,760 Speaker 1: listener's we're gonna beard. This is Matt Rodgers is I 1857 01:37:35,760 --> 01:37:37,479 Speaker 1: don't think so many As time starts now, I don't 1858 01:37:37,720 --> 01:37:40,280 Speaker 1: think so, honey, Candy Burris un real Housewives on Atlanta. 1859 01:37:40,439 --> 01:37:43,040 Speaker 1: And here's why there's the whole fucking first half of 1860 01:37:43,120 --> 01:37:47,040 Speaker 1: the season. Was your daughter telling you, no, don't use 1861 01:37:47,080 --> 01:37:49,040 Speaker 1: your embryos that you've stored up. You already have two 1862 01:37:49,120 --> 01:37:51,639 Speaker 1: children that you never see, and you and Todd keep 1863 01:37:51,640 --> 01:37:54,040 Speaker 1: saying we're gonna have babies. And your response to your 1864 01:37:54,120 --> 01:37:56,120 Speaker 1: daughter is I see you, I hear you. I'm going 1865 01:37:56,200 --> 01:37:59,200 Speaker 1: on celebrity and break brother. I don't think so, honey. 1866 01:37:59,280 --> 01:38:01,680 Speaker 1: If your kids want you there also, I don't think 1867 01:38:01,720 --> 01:38:04,760 Speaker 1: so Honey, Candy in relation to Porsche ms, Porsche has 1868 01:38:04,800 --> 01:38:06,840 Speaker 1: come a long way and is growing up. And let 1869 01:38:06,880 --> 01:38:09,080 Speaker 1: me tell you something, Honey, I don't like for houses 1870 01:38:09,120 --> 01:38:10,880 Speaker 1: in Atlanta right now that the fact of the matter 1871 01:38:11,080 --> 01:38:15,120 Speaker 1: is we didn't see Candy and Todd's Todd's birthday party filmed, 1872 01:38:15,320 --> 01:38:17,040 Speaker 1: and now all of a sudden, there's all this drama 1873 01:38:17,120 --> 01:38:20,759 Speaker 1: about Porsche getting kicked out of Todd's birthday party and Candy, 1874 01:38:20,840 --> 01:38:24,160 Speaker 1: we're just supposed to take Candy's works was being inappropriate. 1875 01:38:24,320 --> 01:38:26,320 Speaker 1: But I don't think so, Honey. Why wasn't their cameras 1876 01:38:26,400 --> 01:38:28,320 Speaker 1: on that event? I don't think so, Honey. Of these 1877 01:38:28,439 --> 01:38:31,240 Speaker 1: housewives conflicts that come out of something that we don't see, 1878 01:38:32,400 --> 01:38:34,840 Speaker 1: I don't think it's really interesting that Candy, I think 1879 01:38:34,920 --> 01:38:36,880 Speaker 1: went to Andy Cohen and said, don't film that. We're 1880 01:38:36,880 --> 01:38:38,080 Speaker 1: not going to be comfortable with it, and all of 1881 01:38:38,080 --> 01:38:40,080 Speaker 1: a sudden, we're supposed to believe her. I don't think so, honey, 1882 01:38:40,080 --> 01:38:42,880 Speaker 1: Candy Burst, I respect you for writing no scrubs, and woman, 1883 01:38:43,000 --> 01:38:47,880 Speaker 1: I was gonna say, you cannot take away the scrub. 1884 01:38:50,640 --> 01:38:55,960 Speaker 1: It's a rule. Coach number Candy Burris you she's one 1885 01:38:55,960 --> 01:38:59,479 Speaker 1: of those people that you said that you cannot separate 1886 01:38:59,479 --> 01:39:00,880 Speaker 1: the artist from the art. Like you can do that 1887 01:39:00,960 --> 01:39:02,160 Speaker 1: with what you can do that with Louis, you can 1888 01:39:02,200 --> 01:39:04,680 Speaker 1: do this with all these people. Candy now she is, 1889 01:39:05,080 --> 01:39:07,280 Speaker 1: she is her art, that is her identity. Imagine if 1890 01:39:07,320 --> 01:39:13,160 Speaker 1: we lived in a well with no scrubs. Unbelievable. But 1891 01:39:13,280 --> 01:39:15,120 Speaker 1: also the thing you said about you don't like when 1892 01:39:15,200 --> 01:39:17,280 Speaker 1: drama is based on something we didn't see. To me, 1893 01:39:17,439 --> 01:39:20,160 Speaker 1: that is what Beverly Hills is. Constantly. You can tell 1894 01:39:20,160 --> 01:39:23,720 Speaker 1: they're fighting about, like who's telling Like vander Pump has 1895 01:39:23,960 --> 01:39:26,640 Speaker 1: produced orial issues with some of the girls and like, 1896 01:39:27,240 --> 01:39:29,160 Speaker 1: I'm so sorry I cut that with some of the women. 1897 01:39:30,720 --> 01:39:32,120 Speaker 1: You can tell that it's like people don't want to 1898 01:39:32,120 --> 01:39:33,840 Speaker 1: film with each other, but they don't talk about it, 1899 01:39:33,920 --> 01:39:35,800 Speaker 1: and they're all mad at each other because of something 1900 01:39:35,920 --> 01:39:38,479 Speaker 1: I don't I don't have access to. Apparently vander Pump 1901 01:39:38,560 --> 01:39:40,519 Speaker 1: like isn't on this season really at all because she 1902 01:39:40,640 --> 01:39:42,960 Speaker 1: got so like in her feelings about whatever is going 1903 01:39:43,000 --> 01:39:45,680 Speaker 1: on with Kyle, which this I really hated the last 1904 01:39:45,680 --> 01:39:47,920 Speaker 1: season on Beverly Hills. And I think Derit neeeds to 1905 01:39:47,960 --> 01:39:50,200 Speaker 1: fucking go or get her ship together, because I do 1906 01:39:50,280 --> 01:39:53,960 Speaker 1: like her fashion. She looks great, she's damn she's it's 1907 01:39:54,240 --> 01:39:58,400 Speaker 1: but right now she's looking talking Jessica Simpson Harry extension God, 1908 01:39:59,240 --> 01:40:03,280 Speaker 1: and that's the t And honestly, like when she made 1909 01:40:03,320 --> 01:40:06,360 Speaker 1: an issue of Vanderpump Vie Kyle, like and we all 1910 01:40:06,439 --> 01:40:08,640 Speaker 1: forgot what the conflict even was. That's my thing with 1911 01:40:08,680 --> 01:40:11,120 Speaker 1: these housewives shows is it's like, it's not a good 1912 01:40:11,240 --> 01:40:15,400 Speaker 1: season if it's two women fighting and we don't remember why. Yeah, 1913 01:40:16,640 --> 01:40:19,200 Speaker 1: that's what Beverly Hills is all the time. It's one 1914 01:40:19,280 --> 01:40:23,800 Speaker 1: tiny fight for episodes, or more like they're still having 1915 01:40:23,880 --> 01:40:26,800 Speaker 1: fights about stuff that they've thought about seasons ago. At 1916 01:40:26,880 --> 01:40:29,120 Speaker 1: least with New York, New York, they get a fresh 1917 01:40:29,600 --> 01:40:31,559 Speaker 1: he had some fresh on the floor New York. Every 1918 01:40:31,880 --> 01:40:34,400 Speaker 1: New York. Every episode they're like your trash, I hate you. 1919 01:40:34,439 --> 01:40:36,439 Speaker 1: I would kill your kids if I could, and then 1920 01:40:36,520 --> 01:40:39,519 Speaker 1: ten minutes later they're like, I love you. We're moving 1921 01:40:39,560 --> 01:40:40,880 Speaker 1: on from this, and then they start over the next 1922 01:40:40,920 --> 01:40:45,439 Speaker 1: episode they leave it behind and are the best trips 1923 01:40:45,439 --> 01:40:47,840 Speaker 1: are really good And also all those women are fun. 1924 01:40:49,160 --> 01:40:51,840 Speaker 1: My thing with Beverly Hills vander Pump is not one's 1925 01:40:51,880 --> 01:40:53,800 Speaker 1: fun on there. I don't care, you know, I feel like, 1926 01:40:54,760 --> 01:40:58,040 Speaker 1: you give Kyle enough, you give Kyle room. She could 1927 01:40:58,080 --> 01:41:02,519 Speaker 1: be fun. I disagree. I won't give it. I won't 1928 01:41:02,520 --> 01:41:09,120 Speaker 1: give it chunky. Alright, she's boring, boring. I'm with Megan 1929 01:41:09,200 --> 01:41:10,840 Speaker 1: mccannon that that's the thing. I don't like to read. 1930 01:41:10,920 --> 01:41:12,880 Speaker 1: But then she's good television, but I don't like her. 1931 01:41:13,160 --> 01:41:17,120 Speaker 1: She gaslights everybody. She's crazy. But yeah, I forgot to read. 1932 01:41:18,479 --> 01:41:23,840 Speaker 1: She's talks like this. Oh that's great, that's really good. 1933 01:41:24,439 --> 01:41:28,240 Speaker 1: Put it in the realm. Who's the who's the munchous 1934 01:41:28,360 --> 01:41:31,000 Speaker 1: is one? Who's the munch House? Oh my god, Yolanda 1935 01:41:32,439 --> 01:41:38,200 Speaker 1: made up? Because if you I would read you for 1936 01:41:38,320 --> 01:41:41,320 Speaker 1: being too sick. I'm Yolanda, and I have munch houses. 1937 01:41:41,760 --> 01:41:44,200 Speaker 1: I would say, like, I would accuse you of having 1938 01:41:44,320 --> 01:41:45,960 Speaker 1: munch houses because I'm staying in. I'm like, I don't 1939 01:41:45,960 --> 01:41:48,040 Speaker 1: want to go how Yeah, and I would be so mad. 1940 01:41:48,240 --> 01:41:51,120 Speaker 1: I love Li Saranda. She's having a damn blast. She's 1941 01:41:52,760 --> 01:41:56,520 Speaker 1: she's just happy to be there. She's so like she's harmless, 1942 01:41:56,640 --> 01:41:58,479 Speaker 1: you know, because like other women will come for each 1943 01:41:58,479 --> 01:42:00,679 Speaker 1: other in a way that's so rude and hurts everybody. 1944 01:42:00,960 --> 01:42:03,800 Speaker 1: And Lisa Rinna is just like I don't know. She's 1945 01:42:03,840 --> 01:42:06,200 Speaker 1: just trying just the best reactions to things too, Like 1946 01:42:06,280 --> 01:42:09,080 Speaker 1: when she's obviously in the wrong, she's like, what what 1947 01:42:09,160 --> 01:42:11,080 Speaker 1: do you mean? And then she'll get this crazy look 1948 01:42:11,120 --> 01:42:13,600 Speaker 1: in her eyes that like she's pretending to try to 1949 01:42:13,680 --> 01:42:15,400 Speaker 1: think of what she could have done wrong, but she 1950 01:42:15,560 --> 01:42:18,719 Speaker 1: fully knows. I love her, I love her and Harry Hemlen. 1951 01:42:18,960 --> 01:42:23,160 Speaker 1: I love that her and Harry Hamlin obviously have crazy. Absolutely, 1952 01:42:23,479 --> 01:42:25,840 Speaker 1: I never feel safer than when I know I have 1953 01:42:25,960 --> 01:42:32,360 Speaker 1: an episode of Housewives to watch coming coming up Atlanta 1954 01:42:32,479 --> 01:42:35,040 Speaker 1: right now, is not it? And also if they bring 1955 01:42:35,120 --> 01:42:40,080 Speaker 1: Phedre back, I'm gonna be furious because Pedro fully accused 1956 01:42:40,160 --> 01:42:43,400 Speaker 1: Candy Burris and her husband Todd of trying to rape Porsche. 1957 01:42:43,640 --> 01:42:46,960 Speaker 1: But that was that was a narrative. Was really Pedra, 1958 01:42:47,080 --> 01:42:50,519 Speaker 1: who was a lawyer, made up this thing that Candy 1959 01:42:50,600 --> 01:42:53,240 Speaker 1: and Todd were gonna drug Porsche and told Porsche that 1960 01:42:53,840 --> 01:42:56,400 Speaker 1: And then on the you should you need to go 1961 01:42:56,439 --> 01:42:58,800 Speaker 1: back and watch this season Atlanta supposedly the best one. 1962 01:42:58,800 --> 01:43:04,479 Speaker 1: Atlanta is unbelieve because they they fully it is not. 1963 01:43:04,680 --> 01:43:06,439 Speaker 1: But in the beginning it starts fine and then it 1964 01:43:06,479 --> 01:43:08,880 Speaker 1: gets so crazy and even the women know it's too much. 1965 01:43:09,360 --> 01:43:11,559 Speaker 1: The fun, silly drum of season two of Beverly Hills 1966 01:43:11,560 --> 01:43:17,799 Speaker 1: when that guy killed himself by Candy. It's like Candy 1967 01:43:19,560 --> 01:43:23,960 Speaker 1: that season with Candy. No, that show has fully gone in, 1968 01:43:24,400 --> 01:43:27,559 Speaker 1: but we, I mean, we have to. It's so good though, Atlanta. 1969 01:43:27,640 --> 01:43:30,080 Speaker 1: The bits that I've watched her are great. Atlanta is 1970 01:43:30,439 --> 01:43:36,840 Speaker 1: the white women, Ki Kim. She's out of control, She's 1971 01:43:36,880 --> 01:43:39,559 Speaker 1: not she She officially can't play with with the women anymore. 1972 01:43:39,600 --> 01:43:41,240 Speaker 1: I was gonna say play with the girls, but cut 1973 01:43:41,280 --> 01:43:45,719 Speaker 1: that women. Women, they are grown, all right, listen, listen, 1974 01:43:46,080 --> 01:43:48,760 Speaker 1: it's time. It's time. Well, we asked Sarah for her 1975 01:43:48,800 --> 01:43:55,120 Speaker 1: culture first, so I think christ musk Okay, not symmetry. Okay, symmetry. 1976 01:43:55,120 --> 01:43:56,320 Speaker 1: I don't know if I have a minute, but we're 1977 01:43:56,360 --> 01:44:00,519 Speaker 1: about to find out together. Stretch it out out. Okay. 1978 01:44:00,600 --> 01:44:02,439 Speaker 1: This is Chris Kelly's I don't think so honey, as 1979 01:44:02,439 --> 01:44:05,040 Speaker 1: time starts and now, okay, I don't think so honey. 1980 01:44:05,160 --> 01:44:08,600 Speaker 1: Episodes of dramas that are sixty three minutes long. That 1981 01:44:08,920 --> 01:44:11,640 Speaker 1: is too fucking long. An episode of drama should be 1982 01:44:11,720 --> 01:44:14,479 Speaker 1: forty four to forty seven minutes. If it's a special episode, 1983 01:44:14,520 --> 01:44:17,439 Speaker 1: I will give you fifty six minutes, Pops, and don't 1984 01:44:17,479 --> 01:44:19,760 Speaker 1: tell me. It's to set the mood, it's to set 1985 01:44:19,800 --> 01:44:21,760 Speaker 1: the tone, it's to set the world. Put me in 1986 01:44:21,880 --> 01:44:24,719 Speaker 1: the edit, honey, because I can get it down. Sixty 1987 01:44:24,800 --> 01:44:27,839 Speaker 1: three is unacceptable because also I will say that sixty 1988 01:44:27,920 --> 01:44:30,439 Speaker 1: three minute episodes are a hundred minutes long, because it 1989 01:44:30,520 --> 01:44:32,720 Speaker 1: takes me thirty seven minutes to decide if I want 1990 01:44:32,760 --> 01:44:35,880 Speaker 1: to watch that episode. Also, I don't think so, honey, 1991 01:44:35,960 --> 01:44:38,800 Speaker 1: Game of Thrones episodes that are eighty five that's a 1992 01:44:38,920 --> 01:44:43,320 Speaker 1: fucking If I wanted to watch Roma, I would watch it, 1993 01:44:43,439 --> 01:44:45,800 Speaker 1: but I don't want to watch Roma. I'm sure when 1994 01:44:45,840 --> 01:44:47,920 Speaker 1: I watch Roma, I will love it and I will 1995 01:44:47,920 --> 01:44:49,680 Speaker 1: talk about it at nauseam for weeks, but right now 1996 01:44:49,800 --> 01:44:51,960 Speaker 1: I can't do it, which is why I'm trying to 1997 01:44:51,960 --> 01:44:54,360 Speaker 1: watch a forty seven minute episode. I will say the 1998 01:44:54,479 --> 01:44:56,800 Speaker 1: only episode of TV that could be sixty three minutes 1999 01:44:56,880 --> 01:44:59,519 Speaker 1: is The Housewives. I would watch the Day. I love that. 2000 01:45:00,000 --> 01:45:02,439 Speaker 1: If you're not The Housewives, trim it to forty seven. 2001 01:45:02,479 --> 01:45:06,519 Speaker 1: I don't think so, Hondy, that was a really good 2002 01:45:07,360 --> 01:45:11,160 Speaker 1: It's not a comedy bit, I feel strongly is not 2003 01:45:11,400 --> 01:45:14,280 Speaker 1: a comedy thing. I'm sorry, I'm sorry, cut that, cut 2004 01:45:14,840 --> 01:45:16,920 Speaker 1: cut it. I don't think so, honey. It's a dramatic. 2005 01:45:17,000 --> 01:45:19,040 Speaker 1: Even if you come to see us on your comedy 2006 01:45:19,080 --> 01:45:23,360 Speaker 1: see truth comedy. I'm not funny. Not funny. It's a 2007 01:45:23,439 --> 01:45:29,240 Speaker 1: rule of culture number ninety two. I'm not funny. Don't 2008 01:45:29,320 --> 01:45:32,280 Speaker 1: come to my shadow to laugh, Emma, No, And can 2009 01:45:32,360 --> 01:45:35,479 Speaker 1: I say something what? Yes? I love Masal so much. 2010 01:45:35,920 --> 01:45:38,320 Speaker 1: My one thing with it it's too long. It's a 2011 01:45:38,680 --> 01:45:41,960 Speaker 1: it's a comedy, dramedy, hybrid whatever. It's too long. But 2012 01:45:42,080 --> 01:45:43,679 Speaker 1: you know, it's a lot of masters, so they can't 2013 01:45:43,720 --> 01:45:45,240 Speaker 1: cut it. They don't cut it down. They don't go 2014 01:45:45,280 --> 01:45:52,280 Speaker 1: into singles. Have you guys watched Homecoming on Amazon? Yes, okay, 2015 01:45:53,280 --> 01:45:56,400 Speaker 1: I pods. I started the first two episodes. Isn't it great? 2016 01:45:56,439 --> 01:45:58,680 Speaker 1: I loved it, so it took me a minute to 2017 01:45:58,680 --> 01:46:00,960 Speaker 1: get into the style of it, something like the choice 2018 01:46:01,000 --> 01:46:04,400 Speaker 1: of the you know, class frame and everything. But I 2019 01:46:04,479 --> 01:46:07,000 Speaker 1: thought it was great. Yeah, honestly when the aspect ratio 2020 01:46:07,160 --> 01:46:10,760 Speaker 1: changed later, she was this is so good yea. And 2021 01:46:10,880 --> 01:46:18,240 Speaker 1: also Julia Julius, ju Julia is coming for it, and 2022 01:46:19,720 --> 01:46:22,400 Speaker 1: the same like not even a way, that's like work, 2023 01:46:22,720 --> 01:46:26,760 Speaker 1: it's crazy done. She just looks like natural's stunning. And 2024 01:46:26,840 --> 01:46:28,760 Speaker 1: also what I love at that homecoming is I loved 2025 01:46:28,800 --> 01:46:31,559 Speaker 1: how big all the performances were like they were almost 2026 01:46:31,600 --> 01:46:35,960 Speaker 1: like the detective guy detective and Julia's just doing like 2027 01:46:36,040 --> 01:46:38,840 Speaker 1: the small work. I loved it. It feels like a 2028 01:46:38,880 --> 01:46:42,560 Speaker 1: podcast when you watch listen to the podcast. It's so 2029 01:46:42,640 --> 01:46:45,640 Speaker 1: crazy because the podcast has also legitimately great actors that 2030 01:46:45,680 --> 01:46:48,880 Speaker 1: are just not in the show, right Catherine Keener, Amy Sadaris, 2031 01:46:49,400 --> 01:46:52,920 Speaker 1: David Schwimmer, But it's like real actors and then they 2032 01:46:53,040 --> 01:46:56,800 Speaker 1: just and can we say it's actually a rule of 2033 01:46:56,800 --> 01:47:00,519 Speaker 1: culture number ninety eight, David Schwimmer, great actor, Great actor, 2034 01:47:00,640 --> 01:47:05,920 Speaker 1: David Schlimmer. It's not a rule unless it's ago. By 2035 01:47:06,000 --> 01:47:07,080 Speaker 1: the way, if you want to if you want to 2036 01:47:07,080 --> 01:47:09,400 Speaker 1: listen to a narrative podcast on this network, you listen 2037 01:47:09,439 --> 01:47:11,920 Speaker 1: to The Angel of Vine starring fucking Alfred Molina and 2038 01:47:12,080 --> 01:47:19,280 Speaker 1: Ms Constant Zimmer and Mr Alan Tuteck Untimmer unreal. The 2039 01:47:19,360 --> 01:47:24,360 Speaker 1: first she is so good. Yeah, it's so good. And also, 2040 01:47:24,680 --> 01:47:29,160 Speaker 1: um god, what's her name? The lead actress, Sheery Apple 2041 01:47:29,280 --> 01:47:31,560 Speaker 1: be very good. That was one of the best performances 2042 01:47:31,600 --> 01:47:34,400 Speaker 1: on television. That's a fun show, so fun and you know, 2043 01:47:35,000 --> 01:47:36,920 Speaker 1: they brought it back on Hulu for like a last 2044 01:47:36,960 --> 01:47:38,639 Speaker 1: season that they just kind of released all at once. 2045 01:47:39,320 --> 01:47:43,080 Speaker 1: It actually was a return reform. I watch immediately, I 2046 01:47:43,120 --> 01:47:49,800 Speaker 1: will watch that, watch coming, but I'm coming both minutes. 2047 01:47:50,080 --> 01:47:54,840 Speaker 1: That's what that episode. I was always surprised, like surprised 2048 01:47:54,920 --> 01:47:56,280 Speaker 1: when it was done, and then I was like, oh, great, 2049 01:47:56,320 --> 01:47:59,200 Speaker 1: I can watch another one. It was great. And also 2050 01:47:59,520 --> 01:48:01,320 Speaker 1: I was starting that episode would be too scary for 2051 01:48:01,360 --> 01:48:04,880 Speaker 1: me too, but it wasn't killing even so easily bingeable 2052 01:48:04,960 --> 01:48:09,680 Speaker 1: like twenty five minute episodes. You just really it's so good, 2053 01:48:09,920 --> 01:48:12,600 Speaker 1: right I think so we love that, we love that. 2054 01:48:12,800 --> 01:48:15,280 Speaker 1: I know that's true. Maybe not, but I think I 2055 01:48:15,360 --> 01:48:19,080 Speaker 1: think there was short of the fact that Okay, out 2056 01:48:19,280 --> 01:48:20,720 Speaker 1: and want to get in the middle of that. Okay, 2057 01:48:20,760 --> 01:48:22,960 Speaker 1: I'm sorry about to be separated for six weeks and 2058 01:48:23,040 --> 01:48:27,000 Speaker 1: he's sucking lying. I'm sorry. Okay, this this is it, 2059 01:48:27,280 --> 01:48:31,200 Speaker 1: This is it, This is this is Sarah, Sarah, which 2060 01:48:31,280 --> 01:48:34,600 Speaker 1: is of? This is us? This is us, this is 2061 01:48:34,640 --> 01:48:37,160 Speaker 1: Sarah's I don't think so, honey, her time starts now. Okay, 2062 01:48:37,200 --> 01:48:41,840 Speaker 1: I don't think so, honey. Babies with pierced ears. Okay, 2063 01:48:42,200 --> 01:48:44,719 Speaker 1: first of all, this is a personal a personal taste. 2064 01:48:45,160 --> 01:48:47,360 Speaker 1: I just think it looks like an adult decision decision 2065 01:48:47,439 --> 01:48:49,200 Speaker 1: on like a baby, and I hate that it's weird 2066 01:48:49,320 --> 01:48:51,400 Speaker 1: and I don't like pressing, so I don't think so 2067 01:48:51,479 --> 01:48:54,519 Speaker 1: honey about that. But then also, like within society, you 2068 01:48:54,680 --> 01:48:57,559 Speaker 1: have to it's illegal to get a tattoo until you're eighteen, 2069 01:48:57,600 --> 01:49:00,400 Speaker 1: but you can bring a potato that can't talk into 2070 01:49:00,520 --> 01:49:04,280 Speaker 1: a Claire's and a team will poke permanently in its 2071 01:49:04,360 --> 01:49:07,719 Speaker 1: ears for life. How is that? How is that legal? 2072 01:49:07,840 --> 01:49:10,439 Speaker 1: That should be illegal? That can't be That can't be 2073 01:49:10,600 --> 01:49:13,600 Speaker 1: a decision that we all stand by. And then also, um, 2074 01:49:13,680 --> 01:49:16,240 Speaker 1: I don't think so honey, being like it's for the kids. 2075 01:49:16,320 --> 01:49:18,679 Speaker 1: She'll be so happy later that I made this decision. 2076 01:49:19,320 --> 01:49:22,400 Speaker 1: She's a baby, like this is for you, because she's 2077 01:49:22,400 --> 01:49:26,840 Speaker 1: not picking out her accessories right now, Honey, you want 2078 01:49:26,880 --> 01:49:29,040 Speaker 1: her little like rumper to match her little earrings that 2079 01:49:29,160 --> 01:49:31,719 Speaker 1: you put in her. You're the adult, she's the baby. 2080 01:49:31,840 --> 01:49:33,920 Speaker 1: She didn't make this choice. You did, and that is rude. 2081 01:49:33,960 --> 01:49:35,400 Speaker 1: And I do not think so, honey. And can I 2082 01:49:35,640 --> 01:49:46,320 Speaker 1: end one second early? Okay? Great? Wow? They're not neither permanent, 2083 01:49:48,040 --> 01:49:52,559 Speaker 1: nor grows back or the skin grows back. But even 2084 01:49:52,600 --> 01:49:55,200 Speaker 1: if it grows back together, there's that little did it? 2085 01:49:55,880 --> 01:49:58,800 Speaker 1: And these babies did not choose this. No, my body 2086 01:49:58,840 --> 01:50:03,280 Speaker 1: has to be d I hate it. Anyone stick a 2087 01:50:03,439 --> 01:50:08,800 Speaker 1: thing in my body, not a single No, don't poke me. 2088 01:50:10,000 --> 01:50:14,200 Speaker 1: My holes need to go somewhere. That's actually really culture. 2089 01:50:14,400 --> 01:50:22,240 Speaker 1: Why not right? Myles need somewhere? What does it mean? Um? 2090 01:50:22,640 --> 01:50:25,640 Speaker 1: Um wait, that's really important that you said that. And 2091 01:50:25,680 --> 01:50:27,240 Speaker 1: I can't believe you can get your ear sir out 2092 01:50:27,240 --> 01:50:31,000 Speaker 1: of clar Yes, yeah, and the team will do it. Yeah, 2093 01:50:31,120 --> 01:50:33,840 Speaker 1: like the I mean in New Jersey. That's where all 2094 01:50:33,840 --> 01:50:35,439 Speaker 1: my friends in high school went, just to Clares. And 2095 01:50:35,479 --> 01:50:37,760 Speaker 1: then like the people working at the Clares were other 2096 01:50:37,800 --> 01:50:40,080 Speaker 1: people in our high school, so it was just a 2097 01:50:40,200 --> 01:50:46,400 Speaker 1: bunch of teens poking each other. You're a Jersey girl, yes, yeah, 2098 01:50:46,479 --> 01:50:50,599 Speaker 1: if you couldn't tell why I'm like this, I mean, 2099 01:50:50,680 --> 01:50:53,760 Speaker 1: trust truly where you from? Colorado? And then Montreal, but 2100 01:50:53,880 --> 01:50:57,840 Speaker 1: Montreal before that. One of the crazy things about him 2101 01:50:57,920 --> 01:51:01,839 Speaker 1: is he was He's true the multicultural born in Australa, 2102 01:51:03,360 --> 01:51:07,839 Speaker 1: then Canadian, raised in Montreal, then went to Denver, English 2103 01:51:08,320 --> 01:51:13,840 Speaker 1: his third language. Whoa, what's very Go ahead, now say 2104 01:51:13,920 --> 01:51:21,320 Speaker 1: something about me lost his virginity on a boat, was 2105 01:51:21,600 --> 01:51:23,280 Speaker 1: forced to hook up with the guy that I lost 2106 01:51:24,040 --> 01:51:26,679 Speaker 1: at nineteen against my will on a boat is sound 2107 01:51:32,600 --> 01:51:36,400 Speaker 1: it's on that ship. He was really sweet. Otherwise it 2108 01:51:36,439 --> 01:51:41,880 Speaker 1: sounds like it. He was sweet guys and he heard it. 2109 01:51:41,960 --> 01:51:43,720 Speaker 1: And then he had tected me on Facebook dot com. 2110 01:51:44,080 --> 01:51:47,000 Speaker 1: Oh no, wait are you on Facebook dot com? Not more? 2111 01:51:48,800 --> 01:51:52,559 Speaker 1: That's thest part of the start. I'll tell you what happened. 2112 01:51:52,680 --> 01:51:55,400 Speaker 1: This is the sick thing that happened. I'm not on 2113 01:51:55,520 --> 01:51:58,040 Speaker 1: Facebook dot com and I had de activated long ago, 2114 01:51:58,240 --> 01:52:00,160 Speaker 1: but I fell for this thing, which was the ten 2115 01:52:00,240 --> 01:52:02,120 Speaker 1: year Aging Challenge, and I was like, let me go 2116 01:52:02,200 --> 01:52:04,400 Speaker 1: on Facebook dot com and find a picture went on 2117 01:52:04,720 --> 01:52:10,080 Speaker 1: was being attacked? What are you by this? This is 2118 01:52:10,120 --> 01:52:12,320 Speaker 1: what you download all your file? Yeah, and then delete 2119 01:52:12,360 --> 01:52:14,120 Speaker 1: it for good. Deleted for good. That's what I did 2120 01:52:14,320 --> 01:52:18,519 Speaker 1: just weeks. So easy. That's so easy. I mean, it's 2121 01:52:18,520 --> 01:52:19,840 Speaker 1: just kind at this point, it's kind of like out 2122 01:52:19,880 --> 01:52:21,080 Speaker 1: of side, out of mind. But I should just get 2123 01:52:21,160 --> 01:52:22,479 Speaker 1: rid of it, right, I mean? But and then you 2124 01:52:22,560 --> 01:52:24,760 Speaker 1: when you download your file, like you you download all 2125 01:52:24,760 --> 01:52:28,360 Speaker 1: your messages, all your wallposts, all your photos, everything. Everything 2126 01:52:28,479 --> 01:52:32,599 Speaker 1: is so bad comp it's yeah, it's like ones file. 2127 01:52:33,120 --> 01:52:37,320 Speaker 1: No one should have a Facebook in hard and political right. 2128 01:52:37,360 --> 01:52:39,960 Speaker 1: At the end an hour and fifty, Chris comes alive 2129 01:52:41,080 --> 01:52:45,920 Speaker 1: another thing. But you like Twitter? And no, I don't 2130 01:52:45,920 --> 01:52:49,040 Speaker 1: like Twitter. You don't like Yeah, but that's tough because 2131 01:52:49,040 --> 01:52:51,880 Speaker 1: isn't it Facebook? So so don't like, don't poke holes 2132 01:52:51,920 --> 01:52:54,960 Speaker 1: in my delete your Facebook. Everyone, don't question me, don't question. 2133 01:52:55,160 --> 01:52:57,160 Speaker 1: But this is also what everyone's dealing with right now. 2134 01:52:57,200 --> 01:52:59,439 Speaker 1: Everyone's being very righteous about Facebook, but then they're still 2135 01:52:59,680 --> 01:53:02,679 Speaker 1: it's all sucking at the tea. Instagram is my favorite. 2136 01:53:02,720 --> 01:53:06,400 Speaker 1: I know, it's first. I'm addicted, alright. I love fence 2137 01:53:06,439 --> 01:53:08,920 Speaker 1: to culture that that's my political thing. I didn't even 2138 01:53:09,000 --> 01:53:12,040 Speaker 1: know you had to fake intil you so funny. We 2139 01:53:12,040 --> 01:53:13,519 Speaker 1: almost put that in the show. Yeah, oh my god. 2140 01:53:13,560 --> 01:53:17,840 Speaker 1: Really yeah it's from case he taught us. Right. Yes, 2141 01:53:18,000 --> 01:53:19,960 Speaker 1: I just post dumb memes and like ship that like 2142 01:53:20,120 --> 01:53:22,280 Speaker 1: messages that people send me that are like so uncouth 2143 01:53:22,320 --> 01:53:24,840 Speaker 1: and terrible sud He told me, I brunched. You had 2144 01:53:24,840 --> 01:53:26,599 Speaker 1: a fence that I didn't know about it. I couldn't 2145 01:53:26,600 --> 01:53:28,160 Speaker 1: believe it. I thought it was someone copying. You know, 2146 01:53:28,200 --> 01:53:29,920 Speaker 1: everyone should get a fence stuff. But Wait, isn't it 2147 01:53:30,000 --> 01:53:31,680 Speaker 1: now that you can do like close friends. Isn't that 2148 01:53:31,720 --> 01:53:34,600 Speaker 1: the idea? Also? I want sometimes I just want to 2149 01:53:34,640 --> 01:53:36,439 Speaker 1: post like a thirst trap and I don't want to 2150 01:53:36,439 --> 01:53:38,040 Speaker 1: do it on my main So you do it to 2151 01:53:38,120 --> 01:53:41,800 Speaker 1: the tend my rita real and stuff and fince to 2152 01:53:42,280 --> 01:53:44,960 Speaker 1: fince just for like the thirst traps and all that stuff. 2153 01:53:45,560 --> 01:53:48,200 Speaker 1: Right anyway, Um, that's why that's why I have an 2154 01:53:48,240 --> 01:53:54,720 Speaker 1: only fan, so little private honey. This This was such 2155 01:53:54,760 --> 01:53:59,560 Speaker 1: a fun episode, oh man Son. And also thank you 2156 01:53:59,680 --> 01:54:02,559 Speaker 1: for truly being the best, Like seriously, like we've been 2157 01:54:02,600 --> 01:54:04,680 Speaker 1: fans for such a long time. We love everything that 2158 01:54:04,760 --> 01:54:07,240 Speaker 1: you guys do. That's too nice. We love this podcast 2159 01:54:07,320 --> 01:54:09,800 Speaker 1: so much and it was just as fun live as 2160 01:54:09,840 --> 01:54:13,880 Speaker 1: it is to listen to on this and they were 2161 01:54:13,920 --> 01:54:17,080 Speaker 1: just going to watch us, and I'm so they participated. 2162 01:54:18,120 --> 01:54:20,160 Speaker 1: Please watch the other two. It's on right now on 2163 01:54:20,240 --> 01:54:23,240 Speaker 1: Comedy Central. And like we said, easily bingeable and honestly 2164 01:54:23,560 --> 01:54:25,920 Speaker 1: like seek out all the work, go back and binge 2165 01:54:26,000 --> 01:54:29,840 Speaker 1: the YouTube. Although what wasn't on YouTube today Asian American 2166 01:54:29,920 --> 01:54:34,880 Speaker 1: Dolls American or the dark Web or hit up the 2167 01:54:34,960 --> 01:54:37,720 Speaker 1: dark Web or hit up the dark Web. Oh my god, Chris, Sarah, 2168 01:54:37,720 --> 01:54:39,640 Speaker 1: thank you so much. We thank you the best. We're 2169 01:54:39,640 --> 01:54:41,960 Speaker 1: gonna end on a song as we always do. Yeah, okay, 2170 01:54:43,120 --> 01:54:46,080 Speaker 1: you know what a song is. Go you go. It's 2171 01:54:46,240 --> 01:54:53,200 Speaker 1: a candy smile cande you to really appreciate that song. 2172 01:54:53,840 --> 01:55:01,520 Speaker 1: YouTube dot com by This Spin, a Forever Dog production 2173 01:55:02,000 --> 01:55:06,160 Speaker 1: executive produced by Brett Ballum, Joe Silio, and Alex Ramsey. 2174 01:55:06,800 --> 01:55:11,040 Speaker 1: For more original podcasts, please visit Forever Dog Podcasts dot 2175 01:55:11,160 --> 01:55:15,400 Speaker 1: com and subscribe to our shows on Apple Podcasts, Spotify, 2176 01:55:15,840 --> 01:55:18,240 Speaker 1: or wherever you get your podcasts. Keep up with the 2177 01:55:18,320 --> 01:55:21,520 Speaker 1: latest Forever Dog news by following us on Twitter and 2178 01:55:21,680 --> 01:55:26,840 Speaker 1: Instagram at Forever Dog Team, and liking our page on Facebook.