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Speaker 1: This is Roxanne Gay, the host of The Roxanne Gay Agenda,

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Speaker 1: the back feminist podcast of your dreams. Each week I

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Speaker 1: talked to an interesting person about feminism, race, writing in books,

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Speaker 1: and art, food, pop culture, and yes, politics, we can't

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Speaker 1: escape politics. Listen to the Luminary original podcast, The Rocksande

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Speaker 1: Gay Agenda every Tuesday on the iHeartRadio app, Apple Podcasts,

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Speaker 1: or wherever you get your podcasts. Do you love movies, Well,

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Speaker 1: I have the podcast for you. Hey there, This is

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Speaker 1: Mike d from Movie Mike's Movie Podcast, your go to

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Speaker 1: source for all things movies. Each episode explores a different

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Speaker 1: movie topic, plus spoiler free reviews on the latest streaming

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Speaker 1: and movies in theaters. You'll also get interviews with actors

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Speaker 1: and directors to take a look behind the scenes of

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Speaker 1: your favorite movies. Listen to new episodes of Movie Mike's

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Speaker 1: Movie Podcasts every Monday on the Nashville Podcast Network, available

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Speaker 1: on the iHeartRadio app, Apple podcast or wherever you at

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Speaker 1: your podcasts. Here's to the great American settlers, the millions

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Speaker 1: of you who settled for unsatisfying jobs because they pay

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Speaker 1: the bills. Of course, there is something else you could

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Speaker 1: do if you've got something to say. Startup podcast with

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Speaker 1: Spreaker from my heart and unleash your creative freedom. Maybe

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Speaker 1: even earn enough money to one day tell your old boss, Hey,

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Speaker 1: I'm no settler, I'm an explorer. Spreaker dot com, spr

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Speaker 1: E a K E R. Hustle on over Today they

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Speaker 1: say every great story starts with someone leaving home or

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Speaker 1: a stranger coming to town. In my case, I guess

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Speaker 1: it was both. Sack bats. We can't win, miles killing time,

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Speaker 1: Betty trouble. Oh well, I'm a Texas girl from a

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Speaker 1: small town called Canyon. It's in the Panhandle, and my

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Speaker 1: dad's a cattle rancher and I'm an only child, so

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Speaker 1: I spent a lot of time tagging along with him.

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Speaker 1: I was basically a tomboy by the time I was ten.

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Speaker 1: I'd never worn a dress, but I could tell you

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Speaker 1: the difference between a steer and a bowl and how

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Speaker 1: much they cost too. High school was pretty much a blur.

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Speaker 1: I was pretty enough to be a cheerleader, but I

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Speaker 1: didn't really care about football. I was into music, the

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Speaker 1: stuff that guys liked, Lincoln Park, Puddle of My Kings

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Speaker 1: of Leon. My parents hated what I listened to them.

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Speaker 1: It was all about Country Top thirty and Country Top

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Speaker 1: thirty minute Bobby Bones On Thursday mornings, Daddy would listen

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Speaker 1: in the kitchen and it was this ritual that we had.

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Speaker 1: Who drank all the oj and this week's number one,

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Speaker 1: rising six spots in just a week. It's got to

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Speaker 1: be paid. Letter to me by Brad Paisley. Yes, I

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Speaker 1: told you, baby girl, Huh didn't I? Well, I went

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Speaker 1: to college down at Tech and that's when I got

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Speaker 1: my first guitar. And I was so shy at school

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Speaker 1: that I would just stay in my room and write songs,

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Speaker 1: learn some of my favorite country songs. And then I

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Speaker 1: started to gig locally and then started gigging around Texas

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Speaker 1: and by my senior year, well that's when Mama got sick.

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Speaker 1: It was about a year until she passed, and I

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Speaker 1: don't really want to talk about that right now. Anyway,

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Speaker 1: I was back in Canyon and I was still with

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Speaker 1: a guy from high school. I didn't work out either,

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Speaker 1: something about an engagement ring ending up on the roof

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Speaker 1: of his house. So then I got a job as

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Speaker 1: a receptionist at my uncle work sport dealership in Murillo,

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Speaker 1: and a couple years later is when Davis starts showing

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Speaker 1: up rousing around the henhouse. Does Uncle recklect to say

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Speaker 1: sales family forward? Sure one second? Service call on one.

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Speaker 1: What are you doing here? Oh? Yes, hello, ma'am. I'm

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Speaker 1: looking for something sporty, mid size. I'm at work. Get

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Speaker 1: out of here before I get in trouble. I'm not

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Speaker 1: going anywhere, Davis, customer is always right. Oh good thing,

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Speaker 1: you're not a customer, dumbass. I can see your truck outside.

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Speaker 1: What time you offer? Half an hour? I'll be back

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Speaker 1: all right. Well he was good looking, and he was around,

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Speaker 1: had a truck, and we played music together. It was

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Speaker 1: it was fun. I couldn't have asked for more at

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Speaker 1: the time. And he used to pick me up from

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Speaker 1: work and we'd drive out to the lake, just two

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Speaker 1: of us. Cool mirror, sure, bring it. Here's a swimming

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Speaker 1: with bow legged women? Whatever? Weirdo? Hey is that thing tuned?

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Speaker 1: You play? Oh there's a lot of things you don't

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Speaker 1: know about me. Hand me that thing, all right, careful

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Speaker 1: with that? Let you see here? Okay, Um, how about

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Speaker 1: got the key? He sits hid through toes. Nobody knows

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Speaker 1: what's your head. Only Heaven knows something clicked. He was.

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Speaker 1: He was stronger on guitar than me, but my voice

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Speaker 1: was better. I'm not gonna lie We sounded pretty good together.

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Speaker 1: We started open mics at these little bars around town

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Speaker 1: and then opening for people at the local honky talks.

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Speaker 1: It was it was mostly playing covers for these drunks

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Speaker 1: and college kids, but we were getting comfortable and having

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Speaker 1: fun with it, and people seem to like it. Grand

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Speaker 1: the keys, it's h through iron sparks under our toes,

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Speaker 1: from the spot where nobody goes. It's a hit only

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Speaker 1: heaven nose. Go as far as we can see on

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Speaker 1: the street. Won't you hop on it? And right away

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Speaker 1: with me? Be a little nothing in are we breaking

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Speaker 1: in the open road? We can go faster week and

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Speaker 1: go So eventually we got a regular Sunday night gig

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Speaker 1: at the Golden light Ningmillo. It was great because Davis

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Speaker 1: was what we call chronically under employed, and that's where

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Speaker 1: we were playing when it all happened. Then night, Elliott

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Speaker 1: Lieberman walked in. Yeah, yeah, can you hear me? Yeah,

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Speaker 1: I can hear you. I'm in Amarillo, Yeah, Amillo, Texas.

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Speaker 1: I don't know. Chris wanted to stop here that they

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Speaker 1: played golf today. Now, No, I don't play golf. Come on, Jacob,

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Speaker 1: when have you ever heard of me playing golf? Huh?

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Speaker 1: I'm a jew in Texas. I don't think I'm allowed

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Speaker 1: within a thousand yards of a golf course. Well, if

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Speaker 1: they signed a treaty, I wasn't informed. Yeah, listen, just

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Speaker 1: tell the hotel. We'll give the entire staff tickets to

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Speaker 1: the next show. I don't give a shit. How many

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Speaker 1: people work at the Marriott. Chris Hudgins isn't sleeping in

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Speaker 1: a motel six? Is that clear? Jacob? Okay, good now listen,

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Speaker 1: I'm going to the fucking hotel now. And if it's

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Speaker 1: not sorted out by the time I hit one more time, y'all,

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Speaker 1: let me call you back. All right? Are we breaking

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Speaker 1: in the open road? We can go faster week and

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Speaker 1: us to get nowhere to go blue Lucky the shoulders.

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Speaker 1: We're wining me young instead of never get because baby,

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Speaker 1: I'm ready to breathe. I'm ready to breathe. Baby. Ill

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Speaker 1: many to bring Thank y'all, Thank you everybody. How are

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Speaker 1: we feeling tonight? All right, listen, we were thinking of

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Speaker 1: doing something a little bit different here, um, and how

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Speaker 1: about Davis giving me out of applause. Um, all right, yeah,

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Speaker 1: we don't usually do this, but because y'all are such

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Speaker 1: an extra special crowd, tonight, we're gonna play an original

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Speaker 1: and this is a song I wrote called called My Deve. Sure,

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Speaker 1: I mean that's not we're playing the rhymen or something. Okay,

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Speaker 1: let's do it well, we do your heartbreaks. Listen the

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Speaker 1: christ swe the love well we doing this fast part.

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Speaker 1: Please show it again? And braining won't brain? We fag

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Speaker 1: bern over the store down fire like birth over stone.

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Speaker 1: I have the time. I should be my go don

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Speaker 1: I want to be my head. This fatherhood always fly

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Speaker 1: me home. I should be my do don't. I want

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Speaker 1: to be my head? Don this fatherhood always fly me home?

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Speaker 1: Excuse me? Hey man, who are these people? Charlotte and names.

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Speaker 1: They're local, they play here all the time. Two tequila shots,

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Speaker 1: please make them doubles. Elliott just happened to be there

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Speaker 1: the first time we played it, and he loved it.

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Speaker 1: He sent us tequila shots and took us out for

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Speaker 1: tex mix after. But by the time the food came

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Speaker 1: he was well. He was a tad over served, and

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Speaker 1: that's when he made his pitch. Yeah. So, you know,

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Speaker 1: I started a company in college and I couldn't believe

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Speaker 1: nobody else was doing it back then. And you know,

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Speaker 1: we found a niche in the market. We found artists

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Speaker 1: mainly SoundCloud rappers and kids on YouTube at first, but

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Speaker 1: then you know, we built our brand until people took

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Speaker 1: us seriously and we got involved with some talent agencies

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Speaker 1: around the South. That's how I met Chris. Do you

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Speaker 1: guys know Chris Hudgins like v Chris Hedges. Yes, you're lying,

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Speaker 1: I'm not lying. You guys should meet him. He loved here. Yeah,

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Speaker 1: I mean he's a legend man. Yeah. Yeah, listen, enough

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Speaker 1: about about Chris. I want to talk about what I

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Speaker 1: just witnessed up there. Okay, uh like it was angelic, seriously,

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Speaker 1: that was That was really good guys. Thanks. We think

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Speaker 1: we're getting somewhere, no one, Charlotte, Yeah, just getting better

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Speaker 1: better each time. How long have you been doing this? Well,

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Speaker 1: we've been at the Golden Light almost a year now.

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Speaker 1: Huh So all right, so that song that I heard

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Speaker 1: my dove, I love it. You wrote that well, I

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Speaker 1: wrote it. Um Davis does the lead guitar part and

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Speaker 1: I play rhythm just because you know, it's just easier.

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Speaker 1: While I see it. You got more of those? Um yeah,

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Speaker 1: I try to write every day, so every day? Okay, Wow,

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Speaker 1: Verry Nashville. This could be fucking perfect. Listen, guys, what

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Speaker 1: are you doing here? What do you mean? Where do

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Speaker 1: you want to go with this? Well, well, we're pretty

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Speaker 1: local right now. Maybe Dallas, Austin, who'll be cool. You

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Speaker 1: know what, the most valuable talent in this industry is networking.

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Speaker 1: That's wrong, but I like where your head is at. No,

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Speaker 1: what is songwriter? Okay, you write a hit, you'll be

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Speaker 1: getting free money in the mail for the rest of

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Speaker 1: your life, really really, and if you want a piece

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Speaker 1: of that pie, there's only one place to be, and

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Speaker 1: that's Nashville. Nashville, Nashville. So listen, I got a proposition

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Speaker 1: for you. Okay. I've got a publishing company. It's a

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Speaker 1: fucking good one. It's called Carmelina Publishing and we're based

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Speaker 1: in Nashville. All right, right now you can see, unfortunately

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Speaker 1: we are in Amarillo. But tomorrow morning, I want you

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Speaker 1: to meet me in the parking lot of the Marriott Hotel.

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Speaker 1: It's seven am sharp. I want you to hitch a

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Speaker 1: ride with us. On the Chris hud tour bus. Okay,

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Speaker 1: I want you guys to write and record songs for me.

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Speaker 1: I'm gonna get you in the right rooms. I'm going

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Speaker 1: to introduce you to the right people, and you know what, ship,

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Speaker 1: I'll even give you a place to live. You're joking.

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Speaker 1: I never joke. Actually, you know what. I fuck with

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Speaker 1: people all the time, but right now, I'm dead serious. Guys,

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Speaker 1: how about it? Are you in or what? It was

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Speaker 1: crazy and we both knew it. But what did we

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Speaker 1: have to lose? He said we had the goods and

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Speaker 1: I was pretty sure we did. So we spent the

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Speaker 1: whole night talking and decided, you know, screw it, let's

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Speaker 1: do this. Packed up in the morning and then I

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Speaker 1: woke up my dad and told him the news. Dad,

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Speaker 1: say something, I'm trying. It's just it all seems out

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Speaker 1: of the blue. You barely know this guy. Well, he's legit, dad,

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Speaker 1: We googled him last night. He's got a publishing company,

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Speaker 1: in a studio, in an office on music Row and

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Speaker 1: like fourteen R just already he's even given us a

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Speaker 1: place to stay. How much is the rent? I don't know?

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Speaker 1: Is he signing you to a contract? I don't know

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Speaker 1: well how long. We're just gonna make it up as

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Speaker 1: we go. That's your plan, that it's better than anything

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Speaker 1: else I got right now? What am I supposed to do?

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Speaker 1: Just stay here forever in this shit little town, taking

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Speaker 1: care of you, answering phones for Uncle Rick. I'm sorry,

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Speaker 1: I didn't mean that. Yeah, I know. All I'm saying

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Speaker 1: is this might be my only chance, and I don't

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Speaker 1: want to spend the rest of my life regretting not

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Speaker 1: taking it. I also can't help thinking if Mom were here,

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Speaker 1: she'd want you to go. She would probably packing your

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Speaker 1: cooler right now. Pimiento cheese, Tata salad. Fussing and Davis

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Speaker 1: for not packing right? What's this steak money? If I

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Speaker 1: had more? Notice that gone with the bank. I sold

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Speaker 1: a butcher cow last week and this'll have to do

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Speaker 1: for now. But you take it, and there's more where

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Speaker 1: that come from if you need it. Thank you. M

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Speaker 1: m okay, everything's in your car. He said to be

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Speaker 1: there by seventh, so we should probably probably get going.

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Speaker 1: All right, Then you are right, I'll be fine. You

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Speaker 1: take care of her now, you here, sir, bye, I'll

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Speaker 1: call you only get there. I always knew, baby, girl

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Speaker 1: knew what I'd be hearing you on Bobby Bone someday.

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Speaker 1: I love you, daddy, I love you too. You go

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Speaker 1: get it? Who are you? Davis Gabbar from Charlotte Sales.

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Speaker 1: Elliot told us to be here at seven Who Elliot

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Speaker 1: Lieberman and we met him last night. He told us

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Speaker 1: to be here at seven and come to the tour

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Speaker 1: bus so we can do the fuck Davis. Call him,

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Speaker 1: he's not answered. You'll call him again. Oh is this

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Speaker 1: Why are you calling me at seven am? Hey Elliott?

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Speaker 1: It's Charlotte Sales from last night, the singer you invited

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Speaker 1: us to Nashville. Oh right, He told us to be

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Speaker 1: here at the bus at seven am. We're here and

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Speaker 1: we're really excited to meet Chris Young doesn't take buses.

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Speaker 1: Oh okay, well the bus that's heres. Did they let

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Speaker 1: you on? No? Actually they were pretty rude. Yeah that figures. Listen,

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Speaker 1: you got a car? Yeah you know what Ashvillist? Yeah,

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Speaker 1: of course great. Call me when you get there. Give

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Speaker 1: us simper attention. We need everything you've got fast waiting

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Speaker 1: on reparations. We'd beat the podcast. Tune in every Thursday,

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Speaker 1: Politics and wordplay. We fight for the people because they

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Speaker 1: got us in the worst way, from the Hill Cooper,

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Speaker 1: the Bob Bay to Kanya, from the left enclave to

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Speaker 1: what the neo kansee every Thursday coding compensation to break

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Speaker 1: us off with some break because we're waiting on reparations.

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Speaker 1: Listen to Waiting on Reparations on the iHeartRadio app, Apple Podcasts,

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Speaker 1: or wherever you get your podcasts. Hey guys, I'm Kaylee Shore.

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Speaker 1: I'm a singer songwriter in Nashville, Tennessee, and I host

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Speaker 1: a podcast called Too Much to Say, which is very

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Speaker 1: aptly titled. I write songs most of the time, but

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Speaker 1: I can't keep my feelings to three minutes and thirty seconds.

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Speaker 1: So to have a whole podcast, it's just amazing. So

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Speaker 1: I share stories from my music career. In my childhood,

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Speaker 1: I've been known to read diary entries, play unreleased songs.

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Speaker 1: But no matter what I'm doing, I'm sharing a strong

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Speaker 1: opinion I have on something. So I share my thoughts

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Speaker 1: on everything from music to Martini's social media, to social

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Speaker 1: anxiety regrets, to risky texts, and so much more. Sometimes

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Speaker 1: I even have some really special guests on to share

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Speaker 1: their craziness and what they have. Too Much to Say about.

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Speaker 1: So you guys can listen to new episodes of Too

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Speaker 1: Much to Say every Wednesday on the Nashville Podcast Network,

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Speaker 1: available on the iHeartRadio app, Apple Podcasts, or wherever you

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Speaker 1: listen to your pocketbook. What's up, guys, I'm a Shot

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Speaker 1: Balau and I am Troy Millings and we are the

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Speaker 1: host of the Ernia Leisure podcast, where we break down

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Speaker 1: business models and examine the latest trends in finance. We

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Speaker 1: hold court and have exclusive interviews with some of the

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Speaker 1: biggest names of business, sport, and entertainment, from DJ Khaled

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Speaker 1: to Mark Cuban, Rick Ross and Shaquille O'Neil. I mean

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Speaker 1: our alumni list. It's expansive listening as our guests reveal

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Speaker 1: the business models, hardships and triumphs and their respective fields.

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Speaker 1: The knowledge is in death and the questions are always

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Speaker 1: delivered from your standpoint. We want to know what you

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Speaker 1: want to know. We talk to the legends of business,

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Speaker 1: sports and entertainment about how they got their start and

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Speaker 1: most importantly, how they make their money. Earnia Leisure is

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Speaker 1: a college business class mixed with pop culture. Want to

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Speaker 1: learn about the real estate game? Unclear is how the

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Speaker 1: stock market works. We got you interested in starting a

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Speaker 1: trucking company or vending machine business. Not really sure about

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Speaker 1: how taxes or credit work. We got it all covered.

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Speaker 1: The Earnia Leisure podcast is available now. Listen to Earnie

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Speaker 1: Leisure on the Black Effect podcast Network, I Heart Radio, app,

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Speaker 1: Apple Podcasts, or wherever you get your podcasts kt Oklahoma

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Speaker 1: City Bringing. He was the best of the country music,

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Speaker 1: thunderstorms and tornado warnings and the forecast. Here's a little

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Speaker 1: Uncle Drake. Get you threw about honey out only? Hey,

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Speaker 1: honey out only? Yeah? Yeah, but what's basically like, just honey,

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Speaker 1: I'll always come back, honey, I'll always come back to you,

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Speaker 1: find my way home. Yeah, yeah, I'll okay, I'll always

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Speaker 1: come back to you, find my way home or find

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Speaker 1: my way back to you. Okay, Assis little rocks hold

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Speaker 1: but classic country tune in for Bobby Balls in the morning. Yeah,

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Speaker 1: so so maybe repeat that line then, honey, Yeah, okay,

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Speaker 1: I like that. Find my way, find my way back home,

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Speaker 1: or find my way back to you. Yeah. No, I'm

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Speaker 1: find another one, all right. Um Unoly, you haven't danned

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Speaker 1: that note though? It's so beautiful, really do. It's like

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Speaker 1: it's like a Dove's about to be released, so I

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Speaker 1: like doing that three times and then right right, and

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Speaker 1: then you're going back to the sea though, right, find

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Speaker 1: find my way back to you, and then we're back

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Speaker 1: to the chorus. So only okay, only one time on

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Speaker 1: the sea? What about? Hey? We need a lyric there? Um,

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Speaker 1: you know, like when you're when you're waiting up for

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Speaker 1: somebody or like you know something, somebody that you love

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Speaker 1: and it's just it's like more I don't know, just

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Speaker 1: like something romantic, like like something about leaving the latt on. Yes,

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Speaker 1: Motel six, baby, that reminds me a prim night. I

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Speaker 1: like that, darling. Please you wish you could afford a

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Speaker 1: Motel six. Oh my gosh, it's the Mississippi and that's

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Speaker 1: a big bridge. Well it's a big river. Oh my gosh.

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Speaker 1: Welcome to Tennessee. How does it feel exciting? Charlotte? You

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Speaker 1: know what? You're only ten? Icy, is that right? Okay?

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Speaker 1: Well your ten is going to get back to this song.

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Speaker 1: So find my way back, on my way back to you,

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Speaker 1: or find my way home, find my way back to you. Yeah,

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Speaker 1: because wherever you is, that's where home is. Honey, come back, yeah,

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Speaker 1: I always come back honey out always fine on the way?

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Speaker 1: Do you back to you? Yeah? You sure? Just the

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Speaker 1: ride address? Yeah, that must be Elliott's got on the porch.

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Speaker 1: Is he asleep or shot? I's like that kind of neighborhood. Um, Jacob, Yeah, Hi,

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Speaker 1: I'm Charlotte and this is Davis. Thanks for meeting us

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Speaker 1: so late. Maybe he used to Elliott does this all

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Speaker 1: the time? You guys want to go in? Yeah, that's

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Speaker 1: kind of while we're here. Okay, one second, I got

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Speaker 1: like a bazilion keys here, So this is it? Living room, kitchen,

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Speaker 1: bathrooms in the hall? Whoa? Okay? Whose stuff is all bad?

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Speaker 1: Sylvia's She moved out today but didn't have room for

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Speaker 1: everything in her prious She said she'll be getting it

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Speaker 1: in the morning. What's that smell? I don't know, Taco bell.

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Speaker 1: Maybe Sylvia lived in that ship. Oh my god. This

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Speaker 1: kitchen is disgusting. Yeah. I was gonna mention we had

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Speaker 1: a little problem with the maid service to night. Elliott

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Speaker 1: said he'll take care of it in the morning. Was

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Speaker 1: this the bedroom here? Yeah, but I was also gonna mention, yeah,

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Speaker 1: because it's those sheets on the bed that okay, so

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Speaker 1: what are we supposed to do? Actually, if I remember right,

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Speaker 1: Lena Kay had the same problem. Who's Lena Kay tenant

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Speaker 1: before Sylvia had a gospel hip hop thing going on.

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Speaker 1: I think she might have bought Yeah, I'm still here.

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Speaker 1: No way, I'm not sleeping on a air mattress. Why

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Speaker 1: it's not a big deal because look at that thing. Hey,

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Speaker 1: it's been a long day and I just want to sleep.

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Speaker 1: It's one night, will be fine. Hey, Hey, shut the

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Speaker 1: fuck up, Davis. This is unbelievable. Just oh my god,

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Speaker 1: I know, but just come back to bed. What bad?

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Speaker 1: I think the flats every ten minutes. I'm just gonna

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Speaker 1: get up and blow the thing up again. Then sleep

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Speaker 1: in the bedroom. I'm sure if you lie just right

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Speaker 1: you can fit between the mattress. Day Jesus, stick right.

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Speaker 1: Nice job, fatass. Why are you cleaning supposed to be

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Speaker 1: sending a maid service? Oh, just being proactive. There's some

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Speaker 1: three day old clock here if you want avocado toast

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Speaker 1: ross hour sucks, by the way, and you got to

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Speaker 1: jiggle the toilet like three times made the thin flush,

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Speaker 1: So we'll tell Elliott. I'm sure I'll fix it. Yeah,

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Speaker 1: because he's really rolled out the welcome wagon so far. Hey,

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Speaker 1: this was a mistake. What are you talking about? Your

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Speaker 1: dad was right? We barely know this guy. He gets hammered,

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Speaker 1: he whispers some bullshit in our ear, and all of

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Speaker 1: a sudden we pack up and drive halfway across the country,

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Speaker 1: and I feel like a sucker. Well, I don't, Charlotte,

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Speaker 1: look at this place. This is a complete dump. Yeah,

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Speaker 1: but at least it's a complete dump in Nashville, which

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00:25:29,119 --> 00:25:33,160
Speaker 1: possess ten steps ahead of her were yesterday. Ah, you're

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00:25:33,200 --> 00:25:40,760
Speaker 1: so grumpy when you don't sleep, have some faint all right, Hello,

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Speaker 1: morning sunshine. How's the place, hi, Elliott, Yeah, it's Oh,

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Speaker 1: it's it's cozy, really cool. I had to kick out

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Speaker 1: this asshole Sylvia. She was not happy, treated the place

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00:25:52,080 --> 00:25:55,560
Speaker 1: like shit, though, So I had the leverage. Great, great, well,

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Speaker 1: thank you for setting us up. I'm sure we can

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Speaker 1: make it work. Does she want her stuff back? Fuck Sylvia.

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Speaker 1: She couldn't write her way out of a paper bag.

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Speaker 1: So listen. I got you guys in a room today.

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Speaker 1: Um what room? A writer's room for songwriters? Oh? Write songs,

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Speaker 1: don't you? Yes? Yes, of course of course we do. Great,

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00:26:17,119 --> 00:26:20,280
Speaker 1: get your guitars be Carmelina Publishing on three two three

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Speaker 1: Deman Brion at eleven am, sharp and don't be late?

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00:26:25,800 --> 00:26:30,040
Speaker 1: Who's that? Elliott? What do you say? We've got a

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Speaker 1: writing session Carmelina Publishing, eleven am. What shit, No way,

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Speaker 1: that's that's amazing. So what does that mean? What do

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00:26:38,080 --> 00:26:40,080
Speaker 1: we do? I don't know. You just said bring your

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Speaker 1: guitars and don't be late. I've never done anything like

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00:26:42,880 --> 00:26:46,199
Speaker 1: this before. Should we stop by staples and get like,

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00:26:46,359 --> 00:26:51,199
Speaker 1: I don't know, pens, like a notepad or something. I mean, hello,

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00:26:51,400 --> 00:26:54,600
Speaker 1: I'm Mini Driver And on my podcast Mini Questions, I

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Speaker 1: asked trailblazes across different disciplines the same seven questions, questions

390
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Speaker 1: about the inflection points in their life, what they like

391
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Speaker 1: least about themselves, and what relationship has defined love for them.

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Speaker 1: This season, I'm coming back with new trailblazers like Blondie

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Speaker 1: vocalist Debbie Harry, journalist and television host Jeremy Clarkson, editor

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Speaker 1: in chief of Insta Magazine Laura Brown, and creative Juggonnaut Goldie.

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Speaker 1: Join me as we continue this exploration on season two

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00:28:28,760 --> 00:28:32,240
Speaker 1: reviews on the latest new movies in theaters and on streaming.

417
00:28:32,440 --> 00:28:34,919
Speaker 1: And yes, they're always spoiler free so you don't have

418
00:28:34,960 --> 00:28:37,920
Speaker 1: to worry about anything getting ruined for you. Plus interviews

419
00:28:37,960 --> 00:28:41,000
Speaker 1: with actors, directors, and writers covering the behind the scenes

420
00:28:41,000 --> 00:28:43,440
Speaker 1: of your favorite movies. I also keep you in the

421
00:28:43,480 --> 00:28:46,200
Speaker 1: note with all the latest movie news and movie trailers.

422
00:28:46,600 --> 00:28:49,680
Speaker 1: Listen to new episodes of Movie Mike's Movie podcasts every

423
00:28:49,760 --> 00:28:53,800
Speaker 1: Monday on the Nashville Podcast Network, available on the iHeartRadio app,

424
00:28:53,880 --> 00:29:03,520
Speaker 1: Apple podcast, or wherever you listen to podcasts. Hey guys,

425
00:29:03,600 --> 00:29:07,280
Speaker 1: I'm Charlotte. This is Davis. Hey, y'all, I'm Jeff. That's Paul.

426
00:29:07,520 --> 00:29:11,400
Speaker 1: Hey see y'all. Y'all are new to town? Yeah? How

427
00:29:11,400 --> 00:29:16,480
Speaker 1: long you've been here? Since last night? Right? How long

428
00:29:16,560 --> 00:29:21,920
Speaker 1: is this session? That's Marshall spot Oh sorry, I didn't

429
00:29:21,920 --> 00:29:25,840
Speaker 1: know there was like a signed seating. Is every here? Okay,

430
00:29:26,280 --> 00:29:30,120
Speaker 1: if it works for you. Who's Who's Marshall? Who's Marshall?

431
00:29:30,160 --> 00:29:33,840
Speaker 1: That's good man, you're funny one being funny. Is he

432
00:29:33,880 --> 00:29:36,840
Speaker 1: in this meeting? Well, yes, sir, mister Marshall, Tracy will

433
00:29:36,840 --> 00:29:40,280
Speaker 1: be joining us for today's meeting, which we like to

434
00:29:40,320 --> 00:29:42,920
Speaker 1: call session. All right, so where is he? You know

435
00:29:43,040 --> 00:29:44,920
Speaker 1: that's a cud question. Actually, you know it could be

436
00:29:44,960 --> 00:29:47,480
Speaker 1: on his way, could be in jail. The one never

437
00:29:47,560 --> 00:29:59,080
Speaker 1: knows with Marshall, boys and girls, when else this Jesus man?

438
00:29:59,200 --> 00:30:02,400
Speaker 1: You read you sleep outside last night? Shit butt, you're

439
00:30:02,400 --> 00:30:04,400
Speaker 1: ass and it doesn't between me and the cold our

440
00:30:04,480 --> 00:30:08,560
Speaker 1: ground with six inches of Alabama dvars Egg, Well, hello,

441
00:30:08,600 --> 00:30:11,720
Speaker 1: who are you? Little miss? Pardon my language? That's fine.

442
00:30:12,040 --> 00:30:17,200
Speaker 1: I'm sure that sales Elliot invited us Elliot Lieberman, Yeah

443
00:30:17,240 --> 00:30:20,680
Speaker 1: I didn't is I'm sorry? Is there more than when Elliott? Okay,

444
00:30:20,800 --> 00:30:25,000
Speaker 1: well yeah, there's a little kid from the ET movie,

445
00:30:25,040 --> 00:30:33,719
Speaker 1: remember him? So boss? What's your name? Tex Davis? Men?

446
00:30:33,800 --> 00:30:38,120
Speaker 1: Your first name son? Davis? Is my first name? Son? Okay?

447
00:30:38,160 --> 00:30:40,920
Speaker 1: All right, well it's nice. I mean you congrat y'all.

448
00:30:40,920 --> 00:30:43,400
Speaker 1: Make a lovely mister and missus when I'm married. Oh

449
00:30:43,440 --> 00:30:46,960
Speaker 1: you said that awful quick? Lar didn't? Charlotte? I don't

450
00:30:47,000 --> 00:30:48,520
Speaker 1: know if you might want to check some hold on

451
00:30:48,560 --> 00:30:50,520
Speaker 1: this thing. All right, Marshall, come on, take a seat.

452
00:30:50,560 --> 00:30:54,160
Speaker 1: Anybody got something they want to start with? Big weekend stories,

453
00:30:54,400 --> 00:31:00,680
Speaker 1: new love, heartbreaks? Anybody? Oh put that away? What don't

454
00:31:00,720 --> 00:31:03,960
Speaker 1: paper and pen? Okay? Well why not? I just say?

455
00:31:04,000 --> 00:31:06,000
Speaker 1: How we ride here? Why do you care? How she

456
00:31:06,080 --> 00:31:08,120
Speaker 1: because it's a rookie fucking move and there saying a

457
00:31:08,240 --> 00:31:12,520
Speaker 1: rookie fucking riders. Rights. Calm down, I'm recording on my phone.

458
00:31:12,520 --> 00:31:14,600
Speaker 1: We'll be fine, all right, Charlotte, you got something you

459
00:31:14,600 --> 00:31:19,600
Speaker 1: want to start with? Um? Yeah, I started working on

460
00:31:19,640 --> 00:31:22,880
Speaker 1: this on the road here, Davis, will you we would

461
00:31:22,920 --> 00:31:25,080
Speaker 1: just play along with me. It's it's kind of on

462
00:31:25,120 --> 00:31:32,840
Speaker 1: the sea to start like this. Are you shaking? It's

463
00:31:32,880 --> 00:31:36,640
Speaker 1: all right, deep breath, let's go over. Maybe it's okay,

464
00:31:36,720 --> 00:31:39,440
Speaker 1: just okay, it's like we're doing on our road. Okay,

465
00:31:40,920 --> 00:31:49,719
Speaker 1: forty miles outside down for forty miles. Shit, Uh, you know,

466
00:31:49,920 --> 00:31:51,560
Speaker 1: why why don't we just why don't we just talk

467
00:31:51,640 --> 00:31:53,960
Speaker 1: through it before we get to the guitar part? You can,

468
00:31:54,280 --> 00:31:56,560
Speaker 1: you can leave that for later. So where did this

469
00:31:56,640 --> 00:32:00,560
Speaker 1: song come from? Well? She wrote it about getting here

470
00:32:00,600 --> 00:32:04,560
Speaker 1: to Nashville, about the journey and all the god one.

471
00:32:04,760 --> 00:32:08,440
Speaker 1: Let her tell us, excuse me, you ever brought somebody

472
00:32:08,440 --> 00:32:11,280
Speaker 1: else's puppy to show and tell dumb ass it's her song.

473
00:32:11,640 --> 00:32:14,320
Speaker 1: She wrote it. Let her tell us you're not mute,

474
00:32:14,320 --> 00:32:18,360
Speaker 1: are you? Honey? No, no, Davis, it's fine. I wrote

475
00:32:18,360 --> 00:32:20,600
Speaker 1: it on our way here. It's not much, but it's

476
00:32:20,640 --> 00:32:23,400
Speaker 1: basically about leaving home. It's just been a crazy few days.

477
00:32:23,400 --> 00:32:25,720
Speaker 1: I mean we went from gigging and Amarullo to Nashville

478
00:32:25,760 --> 00:32:28,640
Speaker 1: just so fast. I didn't even have time to think.

479
00:32:30,200 --> 00:32:32,040
Speaker 1: I honestly, I haven't had a second to figure out

480
00:32:32,080 --> 00:32:35,400
Speaker 1: a plan, and so I just I kind of channeled that,

481
00:32:35,640 --> 00:32:41,320
Speaker 1: you know, just making it up as we go, all right,

482
00:32:41,720 --> 00:32:45,520
Speaker 1: like the irony, Well, it's not supposed to be ironic, yea,

483
00:32:45,640 --> 00:32:47,560
Speaker 1: which is why it is. Okay, what do you got

484
00:32:47,600 --> 00:32:54,840
Speaker 1: lyrics wise? Right now? I'm starting with something like forty

485
00:32:54,920 --> 00:32:59,200
Speaker 1: miles outside of town. It's forty miles further from you.

486
00:33:00,280 --> 00:33:06,440
Speaker 1: So with that melody, then a few more lines maybe,

487
00:33:06,480 --> 00:33:09,360
Speaker 1: and then um, we've got this bridge, which I like,

488
00:33:09,520 --> 00:33:12,080
Speaker 1: I really like it, and with the sea here and

489
00:33:12,080 --> 00:33:15,240
Speaker 1: then into the g um this this is the bridge.

490
00:33:16,160 --> 00:33:22,880
Speaker 1: I'll always come back, al always come back. I'll always

491
00:33:23,040 --> 00:33:28,560
Speaker 1: find my way. Yeah, all right, cool, that's pretty So

492
00:33:28,640 --> 00:33:31,400
Speaker 1: how about this four chord change and those are seven there? Yeah,

493
00:33:31,400 --> 00:33:37,800
Speaker 1: we'll hold up. I had an intro like like like this, man,

494
00:33:37,840 --> 00:33:40,480
Speaker 1: we do better than that. It's cool or not doing

495
00:33:40,480 --> 00:33:43,720
Speaker 1: the chord change on the bridge, start with you know what,

496
00:33:43,840 --> 00:33:45,960
Speaker 1: let's pump it up from the one of the four here,

497
00:33:46,040 --> 00:33:48,680
Speaker 1: then go four to seven and back to one with

498
00:33:48,720 --> 00:33:50,440
Speaker 1: the lick there or the mill blew it altogether for

499
00:33:50,480 --> 00:33:53,720
Speaker 1: the bridge. Hey, Jeff, you got that? Yeah? I got

500
00:33:53,800 --> 00:33:57,959
Speaker 1: that kick up tempo too cool. I'm with it. How

501
00:33:58,040 --> 00:34:01,800
Speaker 1: you said the one of the four? Then the yeah yeah,

502
00:34:01,960 --> 00:34:05,520
Speaker 1: hold on the what the what now? And seven? You

503
00:34:05,520 --> 00:34:07,720
Speaker 1: know the four chord train is, don't you? Yeah, it's

504
00:34:07,720 --> 00:34:13,239
Speaker 1: between the three and five. Okay, so okay, wait what

505
00:34:13,360 --> 00:34:18,719
Speaker 1: chords are those? Christ we are? Okay? Wait, that's the fridge. Hey,

506
00:34:18,880 --> 00:34:22,200
Speaker 1: stop everybody, I'll tell you what. I got an idea?

507
00:34:22,200 --> 00:34:26,040
Speaker 1: How about a song about wasting time? I like that,

508
00:34:26,360 --> 00:34:28,439
Speaker 1: you know what I mean? Like how sometimes you're sitting

509
00:34:28,480 --> 00:34:33,480
Speaker 1: around wasting time and people don't even fucking knowing time? Wisdom,

510
00:34:33,520 --> 00:34:38,319
Speaker 1: time right now? So much time waste? You know what?

511
00:34:38,440 --> 00:34:42,799
Speaker 1: You yourself, Davis? They're talking about us, your baby. At

512
00:34:42,880 --> 00:34:45,279
Speaker 1: least she brought it in a real idea here, Yeah

513
00:34:45,320 --> 00:34:47,799
Speaker 1: she did. You went fucked it up with your lay

514
00:34:47,840 --> 00:34:52,080
Speaker 1: ass cowboy chords. Dude, what is your problem? You come

515
00:34:52,080 --> 00:34:54,600
Speaker 1: in here stinking like vomit and start talking shit to

516
00:34:54,640 --> 00:34:57,120
Speaker 1: me like I'm the low life? Whence the last time

517
00:34:57,120 --> 00:35:02,360
Speaker 1: you had an idea, you drunk idiot, mister Everett and

518
00:35:02,400 --> 00:35:05,719
Speaker 1: Moore zones and you've taken pisces. And I know exactly

519
00:35:05,760 --> 00:35:08,080
Speaker 1: what the deal is here. She's an Elliott girl here

520
00:35:08,120 --> 00:35:11,719
Speaker 1: to be a star. Usually he don't bring out the boyfriends,

521
00:35:11,760 --> 00:35:14,560
Speaker 1: so I guess in your case he made an exception.

522
00:35:14,600 --> 00:35:17,120
Speaker 1: But files you, I'll watch your back from Davis. No,

523
00:35:18,040 --> 00:35:22,120
Speaker 1: just calm down. You're Nashal and you wanna be the

524
00:35:22,239 --> 00:35:24,360
Speaker 1: fuck out of my rider's room and go back to Texas.

525
00:35:24,480 --> 00:35:29,520
Speaker 1: We got enough bartenders here already, Jesus Marshall. Oh fuck up, man,

526
00:35:29,560 --> 00:35:38,920
Speaker 1: I ain't got the time. Nobody does. Go get a taco. Hello,

527
00:35:38,960 --> 00:35:41,239
Speaker 1: and welcome to our show. I'm Zoe de Channel and

528
00:35:41,239 --> 00:35:43,400
Speaker 1: I'm so excited to be joined by my friends and

529
00:35:43,480 --> 00:35:46,640
Speaker 1: cast meets Hannah Simone and Lamar and Morris to recap

530
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Speaker 1: our hit television series New Girl. Join us every Monday

531
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Speaker 1: on the Welcome to Our Show podcast, where we'll share

532
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Speaker 1: behind the scenes stories of your favorite New Girl episodes.

533
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Speaker 1: Each week, we answer all your burning questions like is

534
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Speaker 1: there really a bear? In every episode of New Girl?

535
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Speaker 1: Plus you'll hear hilarious stories like this that was one

536
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Speaker 1: of years. Thanks you brought back from hot Yeah. Yeah,

537
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538
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Speaker 1: to the Welcome to Our Show podcast on the iHeart

539
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