WEBVTT - Not Tonight, Kel

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<v Speaker 1>It's with Jenny Garth and Tori Spelling. Hello, everybody, it's

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<v Speaker 1>us nine O two on O MG. Well it's only

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<v Speaker 1>two of us today because Tori is out working, but

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<v Speaker 1>Amy and I are going to hold down the forts here.

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<v Speaker 1>It's the it's the two of the three. I think

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<v Speaker 1>they would have preferred the other two of the three

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<v Speaker 1>if they only can have two. I'm sorry, it's okay.

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<v Speaker 1>I'm happy you're here, very very thank you. Jenny. How

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<v Speaker 1>are you doing. I'm so sorry. I know you lost

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<v Speaker 1>a friend in the nine O two one Oh family,

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<v Speaker 1>I'm so sorry. Yeah, yeah, yeah, Um. This past week

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<v Speaker 1>we lost our dear Jessica Klein, who was one of

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<v Speaker 1>our original producers and writers and just um one of

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<v Speaker 1>the backbones of the show back in the nineties, and

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<v Speaker 1>she lost her battle to cancer. And yeah, it's it's

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<v Speaker 1>it's hard, especially you know, it's this is a family,

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<v Speaker 1>this nine O two on group of people, fans, actors,

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<v Speaker 1>you know, everybody, the crew, everybody that was involved over

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<v Speaker 1>so many years. You don't ever forget them. And then

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<v Speaker 1>when something bad happens, you know, we all sort of

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<v Speaker 1>unite and um and come together and grieve. I saw

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<v Speaker 1>on your Instagram Instagram. So did she right, I choose me? Yes, Yes,

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<v Speaker 1>that was That was one of many of her um

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<v Speaker 1>more memorable famous moments, like important moments from the show. Yeah,

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<v Speaker 1>I love seeing that scene on your Instagram. I mean

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<v Speaker 1>I've obviously seen it, but it's such a beautiful, iconic

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<v Speaker 1>mo moment in not just nine O two one oh world,

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<v Speaker 1>but like you know, for us girls, it's like, Wow,

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<v Speaker 1>what a moment. I know, I can't wait until we

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<v Speaker 1>get to that episode to really, um, you know, talk

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<v Speaker 1>about that because I haven't. I've seen that scene that

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<v Speaker 1>I posted, and I've seen it before recently too. I mean,

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<v Speaker 1>it was such an important scene to me and the

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<v Speaker 1>trajectory of Kelly and yeah, the history of the show. Yeah,

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<v Speaker 1>I mean, and I think if I'm not mistaken, she wrote, uh,

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<v Speaker 1>Donna Martin graduates no, oh my god, which I think

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<v Speaker 1>I saw on Tory's post. She wrote, just some of

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<v Speaker 1>your most iconic, sort of impactful, um soft feminine voice

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<v Speaker 1>that you know, the the girl characters really needed on

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<v Speaker 1>the show. And um, she she was just a beautiful,

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<v Speaker 1>beautiful human being. And wait, will you say her name again?

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<v Speaker 1>I'm so sorry we tell everyone who's a good cline. Yeah. Wow,

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<v Speaker 1>she even wrote I think the episode we're talking about today, Yes,

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<v Speaker 1>she did, she did, which was weird to watch it

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<v Speaker 1>and see her name, and that's it's gonna be weird.

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<v Speaker 1>I mean, it's gonna take a while to sink in.

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<v Speaker 1>But we just wish her daughter, Shira, and her brother, everybody,

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<v Speaker 1>her whole family, all her grandchildren, everybody. We send you

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<v Speaker 1>all of our love from Yeah. Well, I mean, what

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<v Speaker 1>a beautiful legacy to have written these amazing episodes that

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<v Speaker 1>really people will watch, you know, on and on and

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<v Speaker 1>over and over again. Yeah, it'll live on. She will

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<v Speaker 1>live on forever and ever. Which is it doesn't ease

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<v Speaker 1>your pain, but it is, you know, at least it's

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<v Speaker 1>it's something special for those people. I mean, I think

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<v Speaker 1>about that, like you have that you know, you people

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<v Speaker 1>will watch your work. It's kind of it's kind of interesting,

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<v Speaker 1>you know. I think that just that line I choose

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<v Speaker 1>me became a sort of an anthem for independent women,

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<v Speaker 1>you know, and they've used it. Jessica would have said

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<v Speaker 1>they stole it. They stole her line on other shows

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<v Speaker 1>and in other places. But um, that just feels very

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<v Speaker 1>great anatomy to me. Yeah, I don't remember what other

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<v Speaker 1>show I remember her mentioning it, but what other shows

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<v Speaker 1>have used it? But not not when our show used it,

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<v Speaker 1>and not for a young girl, you know. And and

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<v Speaker 1>it's sort of like become a movement for that sort

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<v Speaker 1>of you know, wear my choice, I wear my sweatshirt

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<v Speaker 1>you gave me all the time that says I choose me.

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<v Speaker 1>I love that it sort of was ahead of its

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<v Speaker 1>time that moment. Well, no, I mean because there was

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<v Speaker 1>the whole women's live movement already. Yeah, but that felt

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<v Speaker 1>that tells me more like career to me, like women

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<v Speaker 1>could be president and women had their careers like to really,

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<v Speaker 1>especially on nine O two and oh, which was so

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<v Speaker 1>about these relationships for your character to say to both

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<v Speaker 1>of those like perfect humans because I love them both.

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<v Speaker 1>I mean I love them both. And I watched that

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<v Speaker 1>scene again, like I can't imagine just looking back at

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<v Speaker 1>that scene and thinking she got to pick between Brandon

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<v Speaker 1>and Dylan. Wow, I know, I started thinking about it

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<v Speaker 1>because Brandon, although I like up to this point, like

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<v Speaker 1>he's such a babe and I love him, he hasn't

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<v Speaker 1>really had his moment yet to be Dylan, you know

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<v Speaker 1>what I mean, Like he hasn't had that and it's coming.

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<v Speaker 1>But it's like for Kelly to say, yeah, I don't

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<v Speaker 1>take either of these amazing proposals. Essentially, she just was

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<v Speaker 1>there in her in her life right then. I can't

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<v Speaker 1>wait to watch that episode because I really don't know

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<v Speaker 1>like what lead what leads her to that declaration, but

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<v Speaker 1>I'm excited to see that build and unfold. It's a

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<v Speaker 1>bit of a different Kelly in this episode than that

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<v Speaker 1>Kelly it is. Yes, let's let's talk about this week's episode.

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<v Speaker 1>As we mentioned, it's written by Jessica Klein and Steve Wasserman,

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<v Speaker 1>her late husband and partner writing. Okay, Season three, episode

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<v Speaker 1>twenty three, Duke's Bad Boy, aired March third. Do you

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<v Speaker 1>want to read the synopsis? Amy? Oh yeah, wait, I

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<v Speaker 1>don't even have it. I've never read it. Do read

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<v Speaker 1>it synopsis? And this actually brings me to a question,

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<v Speaker 1>which So this aired in March March March, y'all looked

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<v Speaker 1>like you have fresh haircuts, So I noticed that right out. Okay,

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<v Speaker 1>I'll read this and then we can talk about it.

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<v Speaker 1>Brandon's gambling addiction hits a new load, and Duke is

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<v Speaker 1>demanding he paid up David apologizes Steve after losing his

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<v Speaker 1>recording contract thanks to scummy producers. Kelly starts taking diet pills.

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<v Speaker 1>Andrea I almost mailed it to. Andrea tries to ease

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<v Speaker 1>Dylan's depression over his father's murder by asking him if

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<v Speaker 1>she can do an editorial on him, which I actually

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<v Speaker 1>loved that whole storyline, even though it was a tad

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<v Speaker 1>cringe e. I was sort of with Brandon that I

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<v Speaker 1>thought it was inappropriate. But there's something about her that

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<v Speaker 1>Dylan like he picked up that call and like, yeah,

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<v Speaker 1>come over, Like I know, I'm jumping way ahead. That

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<v Speaker 1>was a very interesting storyline. Well it was so Andrea.

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<v Speaker 1>So it's so gab Actually it's um sort of have

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<v Speaker 1>that a bill to break those barriers for people and

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<v Speaker 1>and befriend people and people feel comfortable around her. And

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<v Speaker 1>she has that maternal instinct. I was just about to

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<v Speaker 1>say that, right, she's very motherly. And they both played

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<v Speaker 1>it so well. It felt very real and like, yeah,

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<v Speaker 1>she I kept thinking, you know, she she's going to

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<v Speaker 1>get the story, which is her job. And like Gil,

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<v Speaker 1>although I hate calm, Gil, Mr Myers was right, like

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<v Speaker 1>that's her job, but she handled it well and then

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<v Speaker 1>I loved that he wanted to write his own story

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<v Speaker 1>and she said, yeah, I'll help you. Yeah. I just

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<v Speaker 1>liked that. First when she was talking about it with

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<v Speaker 1>him on the couch, I was like, Okay, how's she

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<v Speaker 1>gonna get and broached this subject because she's there for

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<v Speaker 1>alterious motives and it felt weird and I felt like

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<v Speaker 1>it wasn't gonna end well, but uh it was. She

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<v Speaker 1>had a way of sort of disarming it, and and

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<v Speaker 1>he but he was still like I kind of felt

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<v Speaker 1>the same way. At the end of that conversation, I

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<v Speaker 1>was like, I didn't I don't want it felt like

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<v Speaker 1>a real baiting that switch same. It felt really like

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<v Speaker 1>exactly what Brandon sort of said it would be. But

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<v Speaker 1>she handled it well in that You're like, she said,

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<v Speaker 1>you can say no, And it wasn't like I'm only

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<v Speaker 1>your friend because of this, I'm your your friend and this.

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<v Speaker 1>It was a little cringey, but yet I was like, right,

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<v Speaker 1>I wonder she Andrea knew that it would help him

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<v Speaker 1>aid him in his grief process to be, you know,

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<v Speaker 1>have that lethargic sort of release and to give a

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<v Speaker 1>voice to all that stuff that he's dealing with inside

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<v Speaker 1>or or if it became that, because then he decided

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<v Speaker 1>he wanted to write it. Yeah, I do think she

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<v Speaker 1>went into it. I don't think she has like a

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<v Speaker 1>mean bone. She's smart and wanted to get the story,

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<v Speaker 1>like if we're really thinking about her. But I do

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<v Speaker 1>think she was like, I'm gonna go and talk to

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<v Speaker 1>him about this, and she kept saying I'm a good listener.

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<v Speaker 1>Yes she is. And he said, I've said no, I've

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<v Speaker 1>said no to whatever. Well people, people, magazine, La Times,

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<v Speaker 1>whatever it was. They all wanted to talk to him

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<v Speaker 1>about his dad. You know. It's it's interesting because like,

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<v Speaker 1>I don't know if you've ever had to do that,

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<v Speaker 1>but I have to do that all the time, ask people, Hey,

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<v Speaker 1>do you want to come on and talk about this?

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<v Speaker 1>And it's like, oh god, I hate it, but I

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<v Speaker 1>just do it. Do people often like Okay, So, who's

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<v Speaker 1>somebody You've had to come on and ask you're talking

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<v Speaker 1>about like on another podcast or on another yeah, or

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<v Speaker 1>like on Ryan C. Krush Show. Because it's we do

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<v Speaker 1>topical and news. I'm not in hardheard news, which is

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<v Speaker 1>really brutal, Like those people that have to go and

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<v Speaker 1>someone's in the like the most tragic situation of their

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<v Speaker 1>life and then they have to talk to them. But

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<v Speaker 1>we definitely have to talk to people about sticky thing

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<v Speaker 1>like breakups and and you just kind of go through

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<v Speaker 1>it and say like, look, this is how we're going

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<v Speaker 1>to ask it. You answer it however you feel most comfortable.

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<v Speaker 1>I never recommend to people like I don't want to

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<v Speaker 1>answer that. Move on. It's like there's such a better

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<v Speaker 1>way to do it, even if you don't want to

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<v Speaker 1>talk about it. So we kind of go through a

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<v Speaker 1>lot of that. Yeah, I mean work around on this show.

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<v Speaker 1>It would It hasn't come up yet, but I'm sure

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<v Speaker 1>it could if you know, if there was a person

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<v Speaker 1>that came on, or maybe somebody that didn't have the

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<v Speaker 1>best experience on nine oh, but wants to figure out, like, hey,

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<v Speaker 1>I want to talk to Jenny and Tory, but how

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<v Speaker 1>do I talk about that? I want that. Let's get yeah,

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<v Speaker 1>and then you'll tell me how Alba. I hope we

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<v Speaker 1>can get Jessica Alba, because it's like sometimes it's best

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<v Speaker 1>to just like say it, yeah, say I believe in that. Yeah,

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<v Speaker 1>Well we didn't. The title of this show is Duke's

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<v Speaker 1>Bad Boy. Sorry, I'm kind of happy it's come doing end.

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<v Speaker 1>I hope it is. It's gotta be it. I think

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<v Speaker 1>this is like the clax of it, which was there

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<v Speaker 1>was no climax. Really, the thing that I loved about

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<v Speaker 1>it was Nat really saving the day, being sort of

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<v Speaker 1>that father figure to Brandon, but like the friend or

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<v Speaker 1>the uncle that that Okay, look you got yourself into

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<v Speaker 1>hot water, I'm gonna save you. But that was really

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<v Speaker 1>firm with him. I really thought for Nat, it was

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<v Speaker 1>a real moment for his character. Yeah, and I like

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<v Speaker 1>seeing that because he was he was nurturing, but he

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<v Speaker 1>was still strong. It was matt I like that about him,

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<v Speaker 1>and Brandon was like, oh, I have piste off Nat. Yeah,

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<v Speaker 1>Like it was a little dumb, like the high school

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<v Speaker 1>bookie and like all that he's in high school. I

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<v Speaker 1>never did. I guess I wasn't into gambling, but did

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<v Speaker 1>you ever? I mean across any but I don't think

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<v Speaker 1>I've ever bet on a sporting event like I'll play

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<v Speaker 1>blackjack or like pull the slot machines in Vegas. I don't.

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<v Speaker 1>I don't know, on a sporting event. Well, it was

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<v Speaker 1>kind of dumb. I actually liked the moment in the

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<v Speaker 1>bedroom with Jim and Brandon really rude to him. It

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<v Speaker 1>felt very teenagery to me. But I felt like Jim knew.

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<v Speaker 1>Jim's like, I know what's going on. He didn't really

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<v Speaker 1>really know how like in debt he was if you figure,

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<v Speaker 1>that's probably like fifteen thousand dollars, now, oh my god,

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<v Speaker 1>because if they if he was fifteen hundred in at

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<v Speaker 1>least that's ten thousand. So it was kind of a lot.

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<v Speaker 1>How much how much did you think he was going

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<v Speaker 1>to sell those baseball cards for them? Wait, that's a thing.

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<v Speaker 1>That's a thing guys in their baseball cards, totally still

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<v Speaker 1>a thing of Everything about that was so good because

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<v Speaker 1>it was so like he's got these cards like he's

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<v Speaker 1>a little kid, but then he's gonna sell it. And

0:14:15.960 --> 0:14:18.880
<v Speaker 1>then I love that they're like jose Canseco rookie card

0:14:19.080 --> 0:14:21.880
<v Speaker 1>because like I know, jose Canseco is like it wasn't

0:14:21.880 --> 0:14:24.040
<v Speaker 1>a baseball player I hadn't heard of. I mean, it

0:14:24.080 --> 0:14:26.440
<v Speaker 1>was like twenty bucks. I'm like, dude, I hope you

0:14:26.480 --> 0:14:29.000
<v Speaker 1>have like a thousand cars. He didn't have a whole

0:14:29.040 --> 0:14:33.360
<v Speaker 1>box full my my first half Mountain my second husband

0:14:33.400 --> 0:14:36.640
<v Speaker 1>had a box full of baseball cards that is now

0:14:36.920 --> 0:14:40.120
<v Speaker 1>lost somewhere and he's real piste about it. But my

0:14:40.280 --> 0:14:44.280
<v Speaker 1>husband has a box of baseball cards in the closet

0:14:44.320 --> 0:14:48.360
<v Speaker 1>to they just can't park play them. I wonder, did

0:14:48.400 --> 0:14:51.400
<v Speaker 1>you ever open baseball cards? And there was a stick

0:14:51.440 --> 0:14:57.040
<v Speaker 1>of gum? The hardest gum, I mean, like a brick.

0:14:57.720 --> 0:15:00.760
<v Speaker 1>I've never like, I've never even touched a baseball card.

0:15:01.120 --> 0:15:04.000
<v Speaker 1>Do you have brothers? No? Are you an only child? No,

0:15:05.320 --> 0:15:07.520
<v Speaker 1>you have a sister. I have sisters. I have sisters

0:15:07.560 --> 0:15:10.320
<v Speaker 1>and brothers half half sisters, half brothers, but they're all

0:15:10.360 --> 0:15:14.640
<v Speaker 1>older than me. I had brothers who like collected baseball cards.

0:15:14.680 --> 0:15:17.480
<v Speaker 1>So that's how I knew about the gum. Fun fact.

0:15:17.520 --> 0:15:21.800
<v Speaker 1>I just learned, though, stuff make is worth money. Did

0:15:21.840 --> 0:15:25.000
<v Speaker 1>you know if you have an unopened original Back to

0:15:25.080 --> 0:15:29.400
<v Speaker 1>the Future VHS tape, it's worth like a ton of dough?

0:15:29.920 --> 0:15:32.960
<v Speaker 1>Oh my goodness you we have to have my friend Mike.

0:15:32.960 --> 0:15:37.880
<v Speaker 1>I want to talk about this a dork, but um,

0:15:37.920 --> 0:15:40.200
<v Speaker 1>he just gave me an immense edge. He has all

0:15:40.240 --> 0:15:43.000
<v Speaker 1>that Back to the Future stuff. Oh, first of all,

0:15:43.480 --> 0:15:46.120
<v Speaker 1>I love it. I wonder what would be the most

0:15:47.040 --> 0:15:49.520
<v Speaker 1>profitable nine O two one oh item. I'm going to

0:15:49.560 --> 0:15:55.360
<v Speaker 1>assume Dylan's car, right that or or your BMW if

0:15:55.360 --> 0:16:00.520
<v Speaker 1>somebody still had that those cars, yeah, what else would

0:16:00.520 --> 0:16:04.560
<v Speaker 1>be saying? I mean yeah, but who Yeah, all the

0:16:04.600 --> 0:16:07.280
<v Speaker 1>cars I think would be charitable auction. And they auctioned

0:16:07.320 --> 0:16:10.880
<v Speaker 1>off the shell of the car. It wasn't there wasn't.

0:16:10.920 --> 0:16:12.680
<v Speaker 1>It didn't work the car, but it was just the

0:16:12.720 --> 0:16:16.760
<v Speaker 1>outside of the car. And somebody bought a dough Obviously

0:16:16.760 --> 0:16:20.640
<v Speaker 1>all the cars were working cars right then. For a minute,

0:16:20.640 --> 0:16:23.480
<v Speaker 1>I was like, are these freight cars? Because because weirdly

0:16:23.520 --> 0:16:27.000
<v Speaker 1>in this car episode we see David Silver drive up.

0:16:27.080 --> 0:16:33.280
<v Speaker 1>I really have we seen this dude drive? We've never

0:16:33.320 --> 0:16:36.240
<v Speaker 1>seen him drive. But he wanted to prove something. He

0:16:36.280 --> 0:16:40.600
<v Speaker 1>wanted to prove. Look, I drive to I'm not too

0:16:40.680 --> 0:16:43.280
<v Speaker 1>young to drive a car. And his blue whatever that

0:16:43.400 --> 0:16:47.120
<v Speaker 1>was sidebar right, it wasn't. It's not as fancy as

0:16:47.200 --> 0:16:51.440
<v Speaker 1>y'all's BMW's sidebar. Henry Winkler sold his Bonzie jacket for

0:16:51.520 --> 0:16:54.440
<v Speaker 1>seventy five thou dollars. I just saw that on Jimmy

0:16:54.480 --> 0:16:58.720
<v Speaker 1>Kimmel not that long ago. Wow, anything more than one?

0:16:59.640 --> 0:17:03.720
<v Speaker 1>There were five, he said five and ones in the Smithsonian.

0:17:03.800 --> 0:17:05.880
<v Speaker 1>I think he still has one. He sold one. One

0:17:05.920 --> 0:17:07.639
<v Speaker 1>had to get the lining cut out. Now we're doing

0:17:07.680 --> 0:17:10.199
<v Speaker 1>a happy Days podcast, but one had to get the

0:17:10.240 --> 0:17:12.800
<v Speaker 1>lining cut out for when he jumped the shark. Is

0:17:12.840 --> 0:17:17.000
<v Speaker 1>there an iconic There were iconic fashion moments, but nothing

0:17:17.119 --> 0:17:20.240
<v Speaker 1>like the Fonzie jacket. No, no, not that was like

0:17:20.280 --> 0:17:25.119
<v Speaker 1>every episode you thought, Yeah, I can't think of what

0:17:25.240 --> 0:17:28.040
<v Speaker 1>else would go for other than the cars. There's a

0:17:28.119 --> 0:17:32.120
<v Speaker 1>jukebox in the peach pit. Yeah, those things that were

0:17:32.119 --> 0:17:35.600
<v Speaker 1>on well, the big one, yeah, and on the counter ones.

0:17:35.640 --> 0:17:38.119
<v Speaker 1>I remember. I think I think Iron had one of those.

0:17:38.480 --> 0:17:42.440
<v Speaker 1>I think he touched g Donna Martin graduates poster board.

0:17:42.520 --> 0:17:44.639
<v Speaker 1>Was there was there a poster board? Did they just

0:17:44.800 --> 0:17:46.960
<v Speaker 1>chanted it? Maybe they just chanted it. I don't know,

0:17:47.520 --> 0:17:50.439
<v Speaker 1>I don't know. I'm sure I digress, but yeah, a

0:17:50.480 --> 0:17:53.480
<v Speaker 1>lot of people have these collectibles. So I think that

0:17:53.800 --> 0:17:58.840
<v Speaker 1>I have a lunch box thanks to you, because you

0:17:58.880 --> 0:18:01.800
<v Speaker 1>guys got I took it from I don't know what

0:18:01.840 --> 0:18:03.320
<v Speaker 1>that was, and we did alive. I want to take

0:18:03.359 --> 0:18:07.080
<v Speaker 1>a white beyond that, because I'm not totally sure. I'm

0:18:07.119 --> 0:18:12.440
<v Speaker 1>not gonna lie. So David Silver comes in hot because

0:18:12.440 --> 0:18:14.600
<v Speaker 1>he's late, and Donna's in the d J booth with

0:18:14.640 --> 0:18:18.280
<v Speaker 1>the sunflower hat, which was iconic. I didn't love it.

0:18:18.800 --> 0:18:23.600
<v Speaker 1>I did love yes, I love the leopard vest, but

0:18:23.640 --> 0:18:26.320
<v Speaker 1>I wasn't crazy about the black under it. I know,

0:18:26.400 --> 0:18:29.480
<v Speaker 1>I'm like going into fashion. But and then she sort

0:18:29.480 --> 0:18:32.359
<v Speaker 1>of announces he's got this record deal, and he's like,

0:18:32.359 --> 0:18:34.200
<v Speaker 1>why did you do that? And I'm proud of you.

0:18:35.200 --> 0:18:38.560
<v Speaker 1>How come to the studio. I'll be like, Yoko oh no,

0:18:38.680 --> 0:18:46.760
<v Speaker 1>And it was like and then has this literally when

0:18:46.800 --> 0:18:51.440
<v Speaker 1>he was in the recording office of the the guy

0:18:51.560 --> 0:18:54.240
<v Speaker 1>that didn't like that, we already heard the song like

0:18:54.320 --> 0:18:59.679
<v Speaker 1>eighteen times. And then when there listening to it with

0:18:59.720 --> 0:19:01.639
<v Speaker 1>the guy eyes and he's waiting to see how they

0:19:01.680 --> 0:19:03.400
<v Speaker 1>like it. I was like I said to my daughter

0:19:03.400 --> 0:19:06.000
<v Speaker 1>and said, if I hear the song one more time,

0:19:06.040 --> 0:19:08.240
<v Speaker 1>I'm going to jump out the window. Like I couldn't

0:19:08.280 --> 0:19:13.080
<v Speaker 1>take it. It's the word I literally wrote. This is awful, awful, awful,

0:19:13.119 --> 0:19:16.639
<v Speaker 1>And Surge is such a jerk. But David should have

0:19:16.640 --> 0:19:20.239
<v Speaker 1>stood up and said this song sucks. He didn't have

0:19:20.359 --> 0:19:23.560
<v Speaker 1>anybody to support him. He didn't have you know, he

0:19:23.640 --> 0:19:30.159
<v Speaker 1>didn't know he could say anything. Probably, so you have

0:19:30.240 --> 0:19:32.800
<v Speaker 1>made that what he made like precious to you. A

0:19:32.880 --> 0:19:37.399
<v Speaker 1>hip hop song. If it like it's I thought it

0:19:37.440 --> 0:19:41.320
<v Speaker 1>was precious to me. That's sort of bragging it. It's

0:19:41.359 --> 0:19:47.159
<v Speaker 1>precious too. It was precious to somebody, not I wrote

0:19:47.160 --> 0:19:50.600
<v Speaker 1>it down. What do you think of that whole storyline

0:19:50.960 --> 0:19:54.360
<v Speaker 1>of him, David and his music career. I mean, I

0:19:54.400 --> 0:19:56.600
<v Speaker 1>like it. If it is it going to go somewhere?

0:19:56.680 --> 0:20:01.439
<v Speaker 1>Is he does he become a musical music was like

0:20:01.480 --> 0:20:05.440
<v Speaker 1>a thing. I mean, I think it doesn't disappear. It's

0:20:05.480 --> 0:20:07.800
<v Speaker 1>weird because our show was so known for having such

0:20:07.840 --> 0:20:10.679
<v Speaker 1>great musical acts throughout the whole thing, whether it was

0:20:11.040 --> 0:20:13.760
<v Speaker 1>songs on the show or whether they're later. It was

0:20:14.960 --> 0:20:18.239
<v Speaker 1>after dark where we would have actual artists come in

0:20:18.240 --> 0:20:21.359
<v Speaker 1>and perform. Maroon five, I mean, I don't they weren't

0:20:21.359 --> 0:20:24.760
<v Speaker 1>Maroon five then, but it was Adam Levine liked, but

0:20:24.840 --> 0:20:27.320
<v Speaker 1>I did. Did David go go to the peach pit

0:20:27.400 --> 0:20:30.560
<v Speaker 1>after dark? I don't know, yeah, yeah, yeah, yeah yeah

0:20:30.560 --> 0:20:38.040
<v Speaker 1>probably he probably performs there. So wait, did you notice well, first,

0:20:38.320 --> 0:20:40.760
<v Speaker 1>back the gum is back. I want to talk to

0:20:40.800 --> 0:20:44.960
<v Speaker 1>you about. Yeah, the gum, the gums back right straight

0:20:45.000 --> 0:20:48.200
<v Speaker 1>out of Do you think is with that? Okay, I'm

0:20:48.200 --> 0:20:52.919
<v Speaker 1>gonna I don't know. He's either an act of defiance.

0:20:53.960 --> 0:20:57.639
<v Speaker 1>Let's narrow down what it could be. Yeah, I'm gonna

0:20:57.720 --> 0:20:59.920
<v Speaker 1>chew my gum because I could do what I want

0:20:59.920 --> 0:21:03.680
<v Speaker 1>to Brandon or um he has like an oral fixation

0:21:03.960 --> 0:21:05.800
<v Speaker 1>with the smoking. He had to have something. That's what

0:21:05.840 --> 0:21:07.240
<v Speaker 1>I was thinking. It's sort of it. Or it was

0:21:07.280 --> 0:21:11.159
<v Speaker 1>like a nico gum. What's that called? He doesn't have

0:21:11.240 --> 0:21:15.360
<v Speaker 1>to smoke nicorette. Yeah, but the other one is um

0:21:15.480 --> 0:21:18.399
<v Speaker 1>um he has bad bro I don't know I was

0:21:18.440 --> 0:21:23.240
<v Speaker 1>going And anyone who listens to I have one other podcast, sorry,

0:21:23.359 --> 0:21:26.480
<v Speaker 1>the Gilmore Girls podcast. I always talked about this. I'm sorry.

0:21:26.520 --> 0:21:29.720
<v Speaker 1>I don't mean to mention another show. But if people

0:21:29.760 --> 0:21:33.560
<v Speaker 1>listen to both, which they do, Uh, Brad Pitt's eating,

0:21:33.920 --> 0:21:36.280
<v Speaker 1>like you know how Brad Panton Oceans eleven is always

0:21:36.280 --> 0:21:39.800
<v Speaker 1>eating and it's part of sort of his vibe. Maybe

0:21:40.359 --> 0:21:43.680
<v Speaker 1>it's that because it's in so many episodes that maybe

0:21:43.680 --> 0:21:45.520
<v Speaker 1>he pops that gum and it really makes him feel

0:21:45.520 --> 0:21:50.280
<v Speaker 1>like Brandon. I'm cool, I'm at school, I'm in my locker,

0:21:50.359 --> 0:21:52.639
<v Speaker 1>I'm Brandon. I don't know. I chew my gum and

0:21:52.680 --> 0:21:56.880
<v Speaker 1>I'm gonna chew with my mouth. And then Steve came

0:21:57.000 --> 0:22:00.040
<v Speaker 1>up and was cute. But then Brandon's like, you in

0:22:00.160 --> 0:22:01.959
<v Speaker 1>my name to a bookie. I don't know what my

0:22:02.440 --> 0:22:05.119
<v Speaker 1>First of all, I'm doing like a I don't know

0:22:05.240 --> 0:22:08.560
<v Speaker 1>my accent is. And then she was like, no, dude,

0:22:09.000 --> 0:22:12.320
<v Speaker 1>I didn't. And then I just noted why does everyone

0:22:12.359 --> 0:22:16.200
<v Speaker 1>look slightly older and that they got fresh haircuts? Every

0:22:16.200 --> 0:22:18.720
<v Speaker 1>single person looked like they got a fresh haircut. Your

0:22:18.800 --> 0:22:22.400
<v Speaker 1>hair was like a blunt cut in the back, like literally,

0:22:22.440 --> 0:22:25.119
<v Speaker 1>like you finished the haircut six minutes before you shot

0:22:25.160 --> 0:22:30.439
<v Speaker 1>the scene, Brandon haircut. Notice the guy's hair haircuts and

0:22:30.520 --> 0:22:34.040
<v Speaker 1>when you see the backs of their heads, uh, you

0:22:34.080 --> 0:22:40.359
<v Speaker 1>could yeah, freshly shorn, as they say. Because I was like, okay,

0:22:40.359 --> 0:22:42.840
<v Speaker 1>it's March. Like if it would have been, you know,

0:22:43.000 --> 0:22:45.760
<v Speaker 1>a season premiere, I would have been like, oh, obviously

0:22:45.760 --> 0:22:49.320
<v Speaker 1>everyone gets their haircut before they start school. But like,

0:22:49.600 --> 0:22:51.800
<v Speaker 1>I don't know, maybe there was a little because if

0:22:51.840 --> 0:22:55.440
<v Speaker 1>it was airing in March, you shot it. When when

0:22:55.480 --> 0:22:58.760
<v Speaker 1>would you have shot March. I mean it could have

0:22:58.760 --> 0:23:02.080
<v Speaker 1>been December before break. Couldn't have been right after the break,

0:23:02.119 --> 0:23:05.679
<v Speaker 1>could have been January. That's what I'm thinking. Maybe it

0:23:05.760 --> 0:23:10.639
<v Speaker 1>was fresh off the holiday break. Everyone got there cuts,

0:23:10.640 --> 0:23:13.119
<v Speaker 1>and they looked a little they looked a little up.

0:23:13.200 --> 0:23:16.879
<v Speaker 1>I would say everyone looked kind of fresh. Yeah I'm not.

0:23:16.960 --> 0:23:19.920
<v Speaker 1>I mean, I agree with you on the haircuts. Brenda's

0:23:20.040 --> 0:23:22.639
<v Speaker 1>hair was her bangs were really long, though, I noticed

0:23:22.760 --> 0:23:24.919
<v Speaker 1>in yeah, but I love them that that was her

0:23:25.000 --> 0:23:28.440
<v Speaker 1>choice to have them really really long. They I'd love

0:23:28.480 --> 0:23:29.720
<v Speaker 1>to have bangs like that. I just don't think I

0:23:29.720 --> 0:23:34.159
<v Speaker 1>could type because it's like, you know, An, I'd be like,

0:23:49.280 --> 0:23:52.399
<v Speaker 1>there's sort of a Kelly Dylan awkward scene. Although I

0:23:52.440 --> 0:23:55.520
<v Speaker 1>didn't think saying just pretend you're in Hawaii was a

0:23:55.520 --> 0:23:57.360
<v Speaker 1>bad thing to say. I was sort of like, it's

0:23:57.400 --> 0:24:01.800
<v Speaker 1>a nice sentiment. It's it wasn't offensive. I just I

0:24:01.840 --> 0:24:05.120
<v Speaker 1>just don't get it. I don't get it. I don't

0:24:05.200 --> 0:24:10.399
<v Speaker 1>see anything between Kelly and Dylan. Whatever I see with

0:24:10.680 --> 0:24:14.960
<v Speaker 1>between them at this point is purely physical sexual, and

0:24:15.200 --> 0:24:19.040
<v Speaker 1>it's very angsty right now. Because then Brendan invites you

0:24:19.040 --> 0:24:22.240
<v Speaker 1>guys to dinner. Obviously you're you did good acting because

0:24:22.240 --> 0:24:24.760
<v Speaker 1>your face was like, yeah, I'd love to go. I

0:24:24.800 --> 0:24:27.760
<v Speaker 1>hate you right now, like to Dylan, you know, like

0:24:27.880 --> 0:24:30.400
<v Speaker 1>I don't want to go. And then at dinner you're

0:24:30.440 --> 0:24:34.000
<v Speaker 1>like eating your pie, but kind of annoying. Kelly is

0:24:34.040 --> 0:24:38.919
<v Speaker 1>annoying me with the food already, like eat the freaking pot.

0:24:38.200 --> 0:24:42.879
<v Speaker 1>It's the diet Hills thing is a rough storyline, it is,

0:24:42.920 --> 0:24:44.920
<v Speaker 1>and I'm sure it's triggering for so many people who

0:24:44.920 --> 0:24:48.919
<v Speaker 1>have struggled with eating disorders. So no disrespect, but it's

0:24:48.960 --> 0:24:53.119
<v Speaker 1>she's she sticks skinny, and she's like, I'm fat, and

0:24:53.160 --> 0:24:56.720
<v Speaker 1>you're like, I mean, it's it's all in here. And

0:24:57.560 --> 0:25:01.480
<v Speaker 1>I felt like she's just handling this, this whole situation

0:25:01.520 --> 0:25:06.399
<v Speaker 1>with Dylan and and the triangle of Kelly Brenda Dylan

0:25:06.640 --> 0:25:09.160
<v Speaker 1>and the death of Dylan's dad. I feel like she's

0:25:09.200 --> 0:25:14.080
<v Speaker 1>just here doing also selfishly like it's not about you, Kelly,

0:25:14.160 --> 0:25:18.200
<v Speaker 1>and it's not. But she's a teenager, and I actually

0:25:18.240 --> 0:25:21.600
<v Speaker 1>think the eating disorder is because like it's coming all

0:25:21.600 --> 0:25:24.280
<v Speaker 1>that stuff is coming out because of it. Is it?

0:25:24.359 --> 0:25:28.040
<v Speaker 1>Because it's all connected, right, She's obviously having an you know, look,

0:25:28.040 --> 0:25:31.800
<v Speaker 1>if we're gonna really like therapyes, yes, a skinny person

0:25:31.840 --> 0:25:34.520
<v Speaker 1>could have an eating disorder, And she probably is being

0:25:34.640 --> 0:25:38.600
<v Speaker 1>genuine that like she feels this way, but really it's

0:25:38.680 --> 0:25:42.280
<v Speaker 1>something else. She's feeling insecure. Look, she's with a guy,

0:25:42.480 --> 0:25:46.920
<v Speaker 1>and he's preoccupied. Yeah, and she stole him from her

0:25:46.960 --> 0:25:52.639
<v Speaker 1>best friend ish, you know, so she's just emotionally dealing

0:25:52.680 --> 0:25:55.320
<v Speaker 1>with a lot. So I do think the eating disorder

0:25:55.400 --> 0:26:01.200
<v Speaker 1>storyline tracks just but it's rough. It. Yeah, it makes

0:26:01.240 --> 0:26:04.200
<v Speaker 1>me not like her, and not the the eating disorder part,

0:26:04.480 --> 0:26:08.040
<v Speaker 1>just the way she's just feels insecure all the time

0:26:08.119 --> 0:26:12.160
<v Speaker 1>and and out of the moment because she's worried about

0:26:12.200 --> 0:26:14.840
<v Speaker 1>whatever is going on in her head, which is very teenage.

0:26:14.880 --> 0:26:18.600
<v Speaker 1>But can I go out on a limb now? I

0:26:18.720 --> 0:26:21.920
<v Speaker 1>may people may say, oh, you're like trying to make

0:26:21.960 --> 0:26:25.879
<v Speaker 1>something out of something. She's a little overt with Dylan

0:26:26.240 --> 0:26:31.840
<v Speaker 1>using like let's hook up and being hurt by it,

0:26:32.000 --> 0:26:37.720
<v Speaker 1>which I get, but she's that's there. It's repeatedly being used,

0:26:37.760 --> 0:26:41.439
<v Speaker 1>like when he's typing, oh, isn't there something you'd rather do?

0:26:41.520 --> 0:26:45.120
<v Speaker 1>And then in the car it's like which feels teenagery,

0:26:45.280 --> 0:26:48.800
<v Speaker 1>but also like, oh no, that's not and I choose

0:26:48.840 --> 0:26:57.080
<v Speaker 1>me girl, He's not there yet. No. Yeah, it's rough

0:26:57.160 --> 0:26:59.840
<v Speaker 1>for me to watch it. I wonder what your daughter's

0:27:00.600 --> 0:27:03.920
<v Speaker 1>take away from it. I really would be so interested

0:27:04.080 --> 0:27:08.679
<v Speaker 1>in fresh eyes seeing it that you know that aren't

0:27:08.720 --> 0:27:11.959
<v Speaker 1>so invested in, Like, I am so invested in all

0:27:12.000 --> 0:27:14.040
<v Speaker 1>these characters and I love them, and I'm I blur

0:27:14.160 --> 0:27:16.840
<v Speaker 1>who they are sometimes in real life because it's like,

0:27:17.000 --> 0:27:18.800
<v Speaker 1>I don't even know if I think Steve is cute.

0:27:18.840 --> 0:27:20.640
<v Speaker 1>I just think Iron's cute, do you know what I mean?

0:27:20.640 --> 0:27:25.679
<v Speaker 1>It's like I get all dumbie if fresh I saw it.

0:27:25.920 --> 0:27:31.679
<v Speaker 1>What would fresh Eyes think of Kelly in this particular episode,

0:27:32.080 --> 0:27:36.439
<v Speaker 1>like being very overt with her like sexual advances and

0:27:36.480 --> 0:27:39.800
<v Speaker 1>he's like rejecting her, and then the diet pills thing

0:27:40.080 --> 0:27:44.119
<v Speaker 1>and the sort of the I don't know. Well, my

0:27:44.200 --> 0:27:47.320
<v Speaker 1>daughter who's the nineteen was watching it with me last

0:27:47.400 --> 0:27:50.600
<v Speaker 1>night for a few minutes, and she saw what Kelly

0:27:50.680 --> 0:27:52.280
<v Speaker 1>was doing and she was kind of like, oh, like

0:27:54.080 --> 0:27:57.280
<v Speaker 1>she was she I felt as if she had no

0:27:57.480 --> 0:28:03.480
<v Speaker 1>patience for that kind of yeah, you know. Yeah, I'm

0:28:03.480 --> 0:28:05.760
<v Speaker 1>trying to think of like the only example I can

0:28:05.760 --> 0:28:07.199
<v Speaker 1>think of, as I just watched the trailer to the

0:28:07.240 --> 0:28:11.160
<v Speaker 1>New Handmaid's Tale, and I'm like, Kelly isn't in June.

0:28:11.960 --> 0:28:14.680
<v Speaker 1>Oh yeah, the trailer just came out. I think it's

0:28:14.680 --> 0:28:16.679
<v Speaker 1>like the teaser trailer, so it's not like the full trailer,

0:28:16.720 --> 0:28:22.040
<v Speaker 1>but June is just a badass and do you watch it?

0:28:23.320 --> 0:28:25.800
<v Speaker 1>But it's just yeah, I mean those are completely different.

0:28:26.720 --> 0:28:31.880
<v Speaker 1>That's just a totally different situation. But yeah, I don't know,

0:28:34.640 --> 0:28:36.480
<v Speaker 1>like I'm trying to sort of think, like what would

0:28:36.480 --> 0:28:39.800
<v Speaker 1>Carrie Bradshaw do if she were Kelly. I don't know

0:28:39.800 --> 0:28:41.640
<v Speaker 1>why that's going into my brain, but it's like it's

0:28:41.680 --> 0:28:44.640
<v Speaker 1>hard because sheep. We have to remember she's sixteen seventeen

0:28:44.720 --> 0:28:49.480
<v Speaker 1>years old, like and still and she's just learning everything,

0:28:50.760 --> 0:28:53.080
<v Speaker 1>and who would want to go to dinner at the

0:28:53.160 --> 0:29:00.680
<v Speaker 1>perfect Walshes with your boyfriend's ex girlfriend and who sort

0:29:00.680 --> 0:29:02.760
<v Speaker 1>of was your best friend is your best friend? It's

0:29:02.760 --> 0:29:08.000
<v Speaker 1>all blurry, yes, really awkward and messy. Yeah, I was

0:29:08.080 --> 0:29:13.000
<v Speaker 1>uncomfortable whenever it was Kelly Dylan or Brenda Kelly Dylan time.

0:29:13.120 --> 0:29:16.200
<v Speaker 1>So I don't like that feeling. I hope that we

0:29:16.280 --> 0:29:18.840
<v Speaker 1>get back on track with something, but now it's going

0:29:18.920 --> 0:29:20.880
<v Speaker 1>to be about the die pills, so it's not gonna

0:29:20.920 --> 0:29:24.320
<v Speaker 1>be fun love and good times. And Dylan's still grieving

0:29:24.440 --> 0:29:27.640
<v Speaker 1>is the loss of his dad. So I'm gonna take

0:29:27.720 --> 0:29:30.720
<v Speaker 1>me home just to seek me home, just take me

0:29:30.760 --> 0:29:35.080
<v Speaker 1>in the cards. Like that's very teenage too, like older

0:29:35.200 --> 0:29:39.120
<v Speaker 1>us would be like wait, let's sorry, let's talk about it,

0:29:39.400 --> 0:29:42.120
<v Speaker 1>like what do you what? What do you need from me?

0:29:42.240 --> 0:29:44.800
<v Speaker 1>Like how can I help? You know? And I like

0:29:44.960 --> 0:29:50.560
<v Speaker 1>that Dylan's writing the the article, but she's sort of

0:29:50.840 --> 0:29:52.920
<v Speaker 1>but hurt by it. It's like the best way to

0:29:52.960 --> 0:29:56.720
<v Speaker 1>say it. She just feels like on the outside and

0:29:56.800 --> 0:29:59.480
<v Speaker 1>she doesn't know how to get in. And she thinks

0:29:59.480 --> 0:30:03.840
<v Speaker 1>she feels like Brenda's in and family in there because

0:30:03.880 --> 0:30:07.600
<v Speaker 1>they have that history with him and his dad and

0:30:07.600 --> 0:30:10.280
<v Speaker 1>and they do seem to say the right thing. Hm.

0:30:11.400 --> 0:30:16.680
<v Speaker 1>You know, Brenda's very cool. She's coming across very cool

0:30:17.480 --> 0:30:22.280
<v Speaker 1>right now because she's definitely not being selfish, right, do

0:30:22.280 --> 0:30:24.240
<v Speaker 1>you want to come for dinner? My mom wants to

0:30:24.280 --> 0:30:28.200
<v Speaker 1>see you. She doesn't need anything from him or Kelly

0:30:27.960 --> 0:30:36.200
<v Speaker 1>says to need his attention or adoration or something. And

0:30:36.280 --> 0:30:39.400
<v Speaker 1>I just I want her to stop it. That's all

0:30:39.440 --> 0:30:44.200
<v Speaker 1>I have to do. Yeah, yeah, I don't know. Huh.

0:30:44.720 --> 0:30:47.200
<v Speaker 1>There's a lot of not tonight, kel And it's just

0:30:47.280 --> 0:30:50.760
<v Speaker 1>like I felt like they were like fifty years old,

0:30:50.840 --> 0:30:54.160
<v Speaker 1>not tonight. I've got a headache, Honnie, like that you

0:30:54.200 --> 0:31:00.280
<v Speaker 1>know where you're like, oh god, they're not good. Moment

0:31:00.320 --> 0:31:02.840
<v Speaker 1>you know. It's funny how Michael cutlits because I love

0:31:02.960 --> 0:31:06.920
<v Speaker 1>him and Walking Dead. I literally I wonder if people

0:31:07.240 --> 0:31:11.040
<v Speaker 1>see him on the show and then make the connection

0:31:11.080 --> 0:31:14.960
<v Speaker 1>to Walking Dead. And he's such a and he's so

0:31:15.040 --> 0:31:17.920
<v Speaker 1>like the later the gambling guy, and he's sort of

0:31:17.920 --> 0:31:21.600
<v Speaker 1>always a jerk. It's weird how they had so cute.

0:31:21.600 --> 0:31:24.160
<v Speaker 1>He can't you can't be mad at him. He's like, yeah,

0:31:24.240 --> 0:31:27.240
<v Speaker 1>but and he doesn't really like you guys. It's weird.

0:31:27.280 --> 0:31:33.000
<v Speaker 1>He's like Brandon, like he's too cool. What did you

0:31:33.000 --> 0:31:35.680
<v Speaker 1>think when Brandon really took that guy by the neck

0:31:36.120 --> 0:31:40.240
<v Speaker 1>and then Steve drove up like magically, but he got hot,

0:31:40.280 --> 0:31:45.640
<v Speaker 1>like intense. It was so Crazy's like, what the hell

0:31:45.680 --> 0:31:48.120
<v Speaker 1>are you doing? How did he know to drive in

0:31:48.240 --> 0:31:49.760
<v Speaker 1>right then? And how did he know to come to

0:31:49.760 --> 0:31:51.520
<v Speaker 1>the back door of the pace? That's what I was

0:31:51.560 --> 0:31:54.520
<v Speaker 1>gonna say. Why is he parking in the back? I

0:31:54.520 --> 0:31:57.280
<v Speaker 1>don't know? In his vet and his vet it was

0:31:57.320 --> 0:32:01.560
<v Speaker 1>all very convenient. But was a little frightened of Brandon

0:32:02.040 --> 0:32:05.160
<v Speaker 1>and a little like, whoa slow your role? But he's

0:32:05.200 --> 0:32:09.720
<v Speaker 1>just a high school kid. It felt like, um, an

0:32:09.760 --> 0:32:13.400
<v Speaker 1>older guy beating up on a younger guy in that moment.

0:32:14.640 --> 0:32:17.000
<v Speaker 1>It was like, I wonder how old that actor was

0:32:17.080 --> 0:32:20.680
<v Speaker 1>that played Was it Curtis? And it was so hypocritical.

0:32:20.720 --> 0:32:23.000
<v Speaker 1>It's like you're literally terrified that someone's going to do

0:32:23.000 --> 0:32:24.800
<v Speaker 1>this to you, and now you're doing it to this guy.

0:32:25.040 --> 0:32:28.200
<v Speaker 1>And he sure took Steve's three hundred dollars fast. I'll

0:32:28.240 --> 0:32:32.680
<v Speaker 1>take it. I'll take it. Remember Steve offered him money

0:32:32.720 --> 0:32:35.080
<v Speaker 1>like a couple of episodes ago, and he was like no, no, no,

0:32:35.240 --> 0:32:37.880
<v Speaker 1>And now I was just like he's worried he's gonna

0:32:37.920 --> 0:32:41.080
<v Speaker 1>get his Uh, it's gonna end up in the river

0:32:41.680 --> 0:32:44.280
<v Speaker 1>what they don't give him? Yeah, and he's like, don't

0:32:44.280 --> 0:32:49.680
<v Speaker 1>give him my home address. I knew now I remembered

0:32:49.760 --> 0:32:55.040
<v Speaker 1>not saved the day, Like I definitely knew that's what happened.

0:32:56.440 --> 0:33:01.920
<v Speaker 1>But it was still pretty cool, you know. But the

0:33:01.960 --> 0:33:05.120
<v Speaker 1>whole gambling thing is like, God, let's just be done

0:33:05.160 --> 0:33:08.600
<v Speaker 1>with this. Yeah, I oh what I did to see

0:33:08.640 --> 0:33:11.920
<v Speaker 1>what's next? So you know when the young guy at

0:33:12.000 --> 0:33:14.440
<v Speaker 1>high school, the bookie at high school, he's like pulls

0:33:14.440 --> 0:33:16.840
<v Speaker 1>out that gadget and he's like, I keep it little

0:33:16.960 --> 0:33:22.040
<v Speaker 1>right here, like like what or was it like a sidekick? Well, no,

0:33:22.240 --> 0:33:26.560
<v Speaker 1>this is before sidekicks. It was it a calculator. I

0:33:26.600 --> 0:33:30.000
<v Speaker 1>don't know because okay, so it's nine three. So at

0:33:30.000 --> 0:33:32.800
<v Speaker 1>the time, people had word processors. So I was in

0:33:32.880 --> 0:33:36.000
<v Speaker 1>college and people had word processors. I weirdly had a

0:33:36.080 --> 0:33:39.880
<v Speaker 1>computer that was like a giant screen and then you

0:33:39.960 --> 0:33:42.600
<v Speaker 1>hooked up this whole thing and then it had a

0:33:42.680 --> 0:33:46.960
<v Speaker 1>keyboard and you could print. But most kids had word processors,

0:33:47.000 --> 0:33:49.520
<v Speaker 1>and that's what I thought Dylan was writing his paper on. No,

0:33:49.680 --> 0:33:52.760
<v Speaker 1>that was a typewriter. I think it was electric though,

0:33:52.840 --> 0:33:56.280
<v Speaker 1>like an electric and some of them had tiny little

0:33:56.320 --> 0:33:59.360
<v Speaker 1>screens where you could see like a couple of sentences

0:33:59.360 --> 0:34:01.360
<v Speaker 1>at a time and edit those to make sure you

0:34:01.360 --> 0:34:05.120
<v Speaker 1>didn't have typos before it like printed. Yeah, but that

0:34:05.200 --> 0:34:09.680
<v Speaker 1>was like a handheld situation before there was that that

0:34:09.719 --> 0:34:14.239
<v Speaker 1>guy had out there yet. No, I don't know what

0:34:14.280 --> 0:34:18.480
<v Speaker 1>that was because I had a cell phone. His cellphone

0:34:18.480 --> 0:34:20.960
<v Speaker 1>hooked in the car, like you guys had my dad

0:34:21.200 --> 0:34:24.600
<v Speaker 1>brick ones that you could right like very Zach Morrison

0:34:24.680 --> 0:34:27.319
<v Speaker 1>saved by the bell with an antenna that stuck up,

0:34:28.040 --> 0:34:30.400
<v Speaker 1>and literally they were so expensive. My dad would go

0:34:30.680 --> 0:34:33.360
<v Speaker 1>crazy on us, like who were we calling from the

0:34:33.400 --> 0:34:35.680
<v Speaker 1>cell phone? Because it was like a dollar a minute,

0:34:35.680 --> 0:34:39.239
<v Speaker 1>and you're like, so busted. But what that guy had

0:34:39.320 --> 0:34:42.840
<v Speaker 1>I don't know what that was. I don't either. I

0:34:42.880 --> 0:34:44.279
<v Speaker 1>don't think he knew what it was either. He was

0:34:44.320 --> 0:35:00.160
<v Speaker 1>just faking it. Okay, So there's a ce and that

0:35:00.160 --> 0:35:02.880
<v Speaker 1>I'd love to talk about. Two Kelly and Brenda in

0:35:02.880 --> 0:35:08.719
<v Speaker 1>the bathroom and then Andrea comes out. Remember that. I

0:35:08.920 --> 0:35:10.879
<v Speaker 1>was kind of like Andrea was in there the whole

0:35:10.880 --> 0:35:15.279
<v Speaker 1>time exactly, and she's sort of like, kind of even

0:35:15.360 --> 0:35:19.919
<v Speaker 1>wise words. She comes in for the save totally the

0:35:19.960 --> 0:35:25.040
<v Speaker 1>words of wisdom from the elder. But thank god, I mean,

0:35:25.040 --> 0:35:29.720
<v Speaker 1>that wasn't at first. When it's when Kelly was started

0:35:29.719 --> 0:35:32.360
<v Speaker 1>to go off on Brenda, I was like, oh, good lord,

0:35:32.400 --> 0:35:35.399
<v Speaker 1>here we go. I don't know what's gonna happen. But

0:35:35.440 --> 0:35:40.360
<v Speaker 1>the thankfully she reeled it in and apologies said sorry,

0:35:40.320 --> 0:35:43.600
<v Speaker 1>yeah you blazer. By the way, Yeah, I thought she

0:35:43.640 --> 0:35:46.319
<v Speaker 1>looked great. I thought she looked a little tired. She

0:35:46.360 --> 0:35:49.960
<v Speaker 1>looks great. She looks a little stressed, Yeah, a little

0:35:50.000 --> 0:35:53.760
<v Speaker 1>bags under her eyes. Maybe you know what those diet

0:35:53.840 --> 0:35:58.200
<v Speaker 1>pills are. They're spinning her out, man already. Then she

0:35:58.360 --> 0:36:01.360
<v Speaker 1>that message she was just on wanted at time, message

0:36:01.400 --> 0:36:03.880
<v Speaker 1>to everyone at home. Just say no, Just say no.

0:36:04.160 --> 0:36:05.960
<v Speaker 1>She says, what they're from the drug store. I'm sure

0:36:06.000 --> 0:36:09.600
<v Speaker 1>they're fine. I'm sure they're perfectly. What are they just

0:36:09.640 --> 0:36:12.279
<v Speaker 1>gonna give you diarrhea? Like everything from the drug store

0:36:12.400 --> 0:36:16.600
<v Speaker 1>is harmless. You don't trust a lot of things that

0:36:16.680 --> 0:36:21.560
<v Speaker 1>you can get at the CBS that are not totally

0:36:22.400 --> 0:36:26.319
<v Speaker 1>totally but yeah, and then she's just popping them. That

0:36:26.440 --> 0:36:31.120
<v Speaker 1>was rough. Yeah, that's I'm worried about. I will give

0:36:31.160 --> 0:36:33.960
<v Speaker 1>a shout out to the disco duck reference. Did you

0:36:33.960 --> 0:36:37.920
<v Speaker 1>hear that? So because you know Rick D's. Rick Dee's

0:36:38.000 --> 0:36:41.040
<v Speaker 1>is the one who likes saying disco duck. Oh my god.

0:36:41.320 --> 0:36:44.200
<v Speaker 1>He was the Seacrest before Seacrest, right and it was

0:36:44.239 --> 0:36:48.880
<v Speaker 1>like disco duck. Oh god. Do you think Ryan Secause

0:36:49.040 --> 0:36:52.880
<v Speaker 1>knew he was gonna be Rick D's Like yeah, I

0:36:52.920 --> 0:36:55.960
<v Speaker 1>mean yeah, yeah, I mean I knew Ryan then. So

0:36:56.080 --> 0:37:00.800
<v Speaker 1>I knew Ryan in the We met in ninety six

0:37:01.200 --> 0:37:05.560
<v Speaker 1>ish about nine, and yeah, he wanted he knew day one,

0:37:05.680 --> 0:37:09.000
<v Speaker 1>he wanted to be Dick Clark. Rick D's is like

0:37:09.280 --> 0:37:12.120
<v Speaker 1>Griffin all these like, yeah, he knew and he hasn't

0:37:12.200 --> 0:37:14.759
<v Speaker 1>changed a bit. Everybody asked me like, is he different now,

0:37:14.800 --> 0:37:17.520
<v Speaker 1>I'm like, nope, same as the kid that just was

0:37:17.600 --> 0:37:21.759
<v Speaker 1>like let's try this. You know, he's just yeah, he's

0:37:21.960 --> 0:37:25.799
<v Speaker 1>he's the coolest. He's just the coolest, I know, the

0:37:25.920 --> 0:37:29.480
<v Speaker 1>most down to earth you'd never because he's just exactly

0:37:29.480 --> 0:37:31.319
<v Speaker 1>the same as that. I think we were like what

0:37:31.880 --> 0:37:35.960
<v Speaker 1>but we're we twenty two something like that same kid. Well,

0:37:36.280 --> 0:37:38.960
<v Speaker 1>I remember when I can remember because I'm looking at

0:37:38.960 --> 0:37:42.880
<v Speaker 1>the image of Kelly and Brenda in the bathroom for

0:37:43.000 --> 0:37:48.759
<v Speaker 1>that scene because of that look. That was a great look.

0:37:48.840 --> 0:37:53.719
<v Speaker 1>The blue blazer. Yeah, very legit high school bathroom too.

0:37:53.719 --> 0:37:56.520
<v Speaker 1>I'm assuming I don't know where you shot. That was

0:37:56.800 --> 0:38:00.120
<v Speaker 1>looked real. It looked very real because that's exactly what

0:38:00.200 --> 0:38:02.839
<v Speaker 1>high school bathrooms look like. Yeah, I think that was real.

0:38:03.320 --> 0:38:09.920
<v Speaker 1>But I remember um going into the diet pills world

0:38:10.080 --> 0:38:12.040
<v Speaker 1>and knowing that the character was it was going to

0:38:12.120 --> 0:38:16.440
<v Speaker 1>be a continual thing I was going to build. I remember, like,

0:38:16.560 --> 0:38:19.120
<v Speaker 1>looking back on it, I can see starting to like

0:38:19.320 --> 0:38:23.040
<v Speaker 1>kind of she's looking a little different, like not quite

0:38:24.360 --> 0:38:28.960
<v Speaker 1>a lit not you know, I thought Tory. I wish

0:38:29.000 --> 0:38:31.160
<v Speaker 1>Tori was here because I thought Tori made a really

0:38:31.280 --> 0:38:36.120
<v Speaker 1>really excellent point. A few weeks back, talking sort of

0:38:36.280 --> 0:38:40.160
<v Speaker 1>the blurred lines between Kelly and Jenny, Donna and Tori

0:38:40.800 --> 0:38:44.319
<v Speaker 1>and then and and sort of asking you they give

0:38:44.400 --> 0:38:50.080
<v Speaker 1>you this storyline why and you having to deal with

0:38:50.120 --> 0:38:54.440
<v Speaker 1>it for Kelly, but then as Jenny going why are

0:38:54.480 --> 0:38:57.680
<v Speaker 1>they giving me this storyline and having it blur like

0:38:57.840 --> 0:39:00.719
<v Speaker 1>do I look all right? That seems like it would be.

0:39:01.320 --> 0:39:03.759
<v Speaker 1>I mean, obviously you did. Of course, I think for

0:39:03.840 --> 0:39:07.839
<v Speaker 1>any young actor to be given something to do like that,

0:39:07.960 --> 0:39:11.239
<v Speaker 1>I mean, and now disguise the limit of what what

0:39:11.239 --> 0:39:15.440
<v Speaker 1>what they put people through for some things now, But um,

0:39:15.480 --> 0:39:19.400
<v Speaker 1>back then, I think that it definitely soaked into my

0:39:19.480 --> 0:39:26.200
<v Speaker 1>psyche and I did develop body dysmorphia and uh, you know,

0:39:26.360 --> 0:39:30.879
<v Speaker 1>feeling like I my body looked differently than it than

0:39:30.920 --> 0:39:34.319
<v Speaker 1>other people thought it looked, or and in trying out

0:39:34.400 --> 0:39:36.279
<v Speaker 1>believe me like I want, I thought maybe I need

0:39:36.280 --> 0:39:39.680
<v Speaker 1>to start throwing up, like starting to start starve myself.

0:39:39.800 --> 0:39:42.680
<v Speaker 1>I took diet pills like I feel like this was

0:39:42.760 --> 0:39:49.840
<v Speaker 1>all so imprinted in my just my my growth m

0:39:50.719 --> 0:39:56.040
<v Speaker 1>that it it could not seep into Jenny. You know, yeah,

0:39:56.160 --> 0:39:58.880
<v Speaker 1>I mean when you first think about it, you're like,

0:39:58.960 --> 0:40:02.239
<v Speaker 1>of course not, You're an actor. This is a storyline.

0:40:02.800 --> 0:40:06.600
<v Speaker 1>It's totally separate from real life, but like God, it

0:40:06.680 --> 0:40:10.760
<v Speaker 1>does blur. It's weird here. And you know how everyone

0:40:10.880 --> 0:40:14.480
<v Speaker 1>says Austin Butler talks like Elvis, now, do you know

0:40:14.480 --> 0:40:15.960
<v Speaker 1>what I mean? Like they're sort of saying, he has

0:40:16.000 --> 0:40:19.200
<v Speaker 1>this totally different accent. Well, if you talked with an

0:40:19.200 --> 0:40:22.640
<v Speaker 1>accent for three years or two years or whatever. It

0:40:22.680 --> 0:40:25.439
<v Speaker 1>took him to make that because he had to get

0:40:25.440 --> 0:40:27.839
<v Speaker 1>the role, learn it, and then there was COVID. Of

0:40:27.880 --> 0:40:31.239
<v Speaker 1>course it's gonna seep it, you know what I mean?

0:40:31.320 --> 0:40:34.520
<v Speaker 1>So like that as actors, I kind of for me,

0:40:34.560 --> 0:40:38.400
<v Speaker 1>I'll only speak for myself, but I feel like sometimes

0:40:38.560 --> 0:40:41.680
<v Speaker 1>I can equate it to um, either like a dish

0:40:41.760 --> 0:40:46.040
<v Speaker 1>rag or a sponge that is squeezed. All the juices

0:40:46.040 --> 0:40:48.560
<v Speaker 1>are squeezed out of it, and then it puffs up

0:40:48.600 --> 0:40:53.560
<v Speaker 1>with whatever the new liquid is. And so like you,

0:40:53.560 --> 0:40:56.240
<v Speaker 1>you suck up all that liquid of this new character

0:40:56.400 --> 0:40:58.960
<v Speaker 1>or all those new traits or all the problems or

0:40:59.280 --> 0:41:02.560
<v Speaker 1>all the every thing that they're going through, and then

0:41:03.239 --> 0:41:05.640
<v Speaker 1>you're you're walking around with that even when you go home,

0:41:05.640 --> 0:41:09.480
<v Speaker 1>and now it's still in you, it's still you're carrying it.

0:41:09.560 --> 0:41:12.000
<v Speaker 1>With you. Well, it's like they talk about like social

0:41:12.040 --> 0:41:15.680
<v Speaker 1>workers or therapists because they are dealing with these issues

0:41:15.800 --> 0:41:17.840
<v Speaker 1>all day long. How do you think those people just

0:41:17.880 --> 0:41:21.800
<v Speaker 1>go home and forget about their clients or the family

0:41:21.840 --> 0:41:24.279
<v Speaker 1>they're working with. I'd have to assume the same thing

0:41:24.400 --> 0:41:29.000
<v Speaker 1>for you, Like you're dealing with this storyline. And even

0:41:29.000 --> 0:41:31.520
<v Speaker 1>though it's like I feel like trama, like maybe with

0:41:31.600 --> 0:41:34.399
<v Speaker 1>a therapist or something would be there's like a sense

0:41:34.440 --> 0:41:38.880
<v Speaker 1>of like there's a barrier because they're not put a

0:41:38.880 --> 0:41:41.680
<v Speaker 1>shield a listening to someone else's problem. But when you're

0:41:41.719 --> 0:41:44.759
<v Speaker 1>an actor and you actually step into those shoes or

0:41:45.760 --> 0:41:49.560
<v Speaker 1>that body of that person and you have to emode

0:41:49.560 --> 0:41:53.040
<v Speaker 1>it and like portray it and you have to feel

0:41:53.080 --> 0:41:55.080
<v Speaker 1>it on such a level that it's got to be

0:41:55.200 --> 0:41:57.919
<v Speaker 1>really like it's got to come from real or it's

0:41:57.920 --> 0:42:01.439
<v Speaker 1>not going to work. Right. I think about that with

0:42:01.600 --> 0:42:03.640
<v Speaker 1>the episode I can't remember if it was last week

0:42:03.680 --> 0:42:06.359
<v Speaker 1>of the week before where where Luke Perry had such

0:42:06.400 --> 0:42:11.800
<v Speaker 1>a powerful episode how right he had you. You can't

0:42:11.800 --> 0:42:15.160
<v Speaker 1>just do that like a light switch. You must take

0:42:15.239 --> 0:42:19.080
<v Speaker 1>on the pain, you must take on whatever it is

0:42:19.239 --> 0:42:21.920
<v Speaker 1>or drawn it. I mean, I'm not an actor, so

0:42:21.960 --> 0:42:24.319
<v Speaker 1>like what the F do I know? But like, I'm

0:42:24.320 --> 0:42:27.279
<v Speaker 1>not an actor because I can't do that. I used

0:42:27.280 --> 0:42:29.440
<v Speaker 1>to think you had to have a lot of like

0:42:29.840 --> 0:42:33.000
<v Speaker 1>life experiences, you had to have a lot of traumatic

0:42:33.080 --> 0:42:35.399
<v Speaker 1>things happened to you or like, you know, a lot

0:42:35.400 --> 0:42:38.840
<v Speaker 1>of stuff in your life history in order to portray

0:42:38.880 --> 0:42:41.640
<v Speaker 1>it on screen. But I didn't have a lot of

0:42:41.680 --> 0:42:44.920
<v Speaker 1>stuff at that point in my life at a young age.

0:42:45.480 --> 0:42:50.160
<v Speaker 1>And I feel like, you know, there's I think that's

0:42:50.160 --> 0:42:52.759
<v Speaker 1>what they always say, like, oh, their method, like they

0:42:52.800 --> 0:42:55.560
<v Speaker 1>they become the character and can't shake it off and

0:42:55.600 --> 0:42:58.400
<v Speaker 1>they walk around like that character. And sometimes that works,

0:42:58.400 --> 0:43:00.680
<v Speaker 1>and sometimes you have to do that, but you have

0:43:00.760 --> 0:43:02.400
<v Speaker 1>to go off. You have sometimes you have to go

0:43:02.480 --> 0:43:05.600
<v Speaker 1>home and back to your quote unquote real life for

0:43:05.600 --> 0:43:10.360
<v Speaker 1>six hours or something. But I feel like when I work,

0:43:10.480 --> 0:43:17.279
<v Speaker 1>like I can instantly like put myself in someone else's

0:43:17.320 --> 0:43:21.960
<v Speaker 1>situation so deeply that it I feel it, and it

0:43:22.840 --> 0:43:27.440
<v Speaker 1>it you know, it comes out in whatever way can

0:43:27.520 --> 0:43:31.240
<v Speaker 1>you remember at this time, like specifically maybe with Kelly's

0:43:31.239 --> 0:43:33.240
<v Speaker 1>sort of arc right now, because it is a little

0:43:33.239 --> 0:43:38.239
<v Speaker 1>bit more MOPy, dramatic, heavier going home at night, like

0:43:38.360 --> 0:43:41.040
<v Speaker 1>did you feel happy at home at night or were was?

0:43:41.120 --> 0:43:43.360
<v Speaker 1>Were you coming from? The set? Was sort of this

0:43:43.480 --> 0:43:48.680
<v Speaker 1>baggage of that what y're okay? So this was and

0:43:48.719 --> 0:43:50.840
<v Speaker 1>I would have been how old? Who can do math?

0:43:53.200 --> 0:43:58.560
<v Speaker 1>I can't wait? You're like if I was twenty, I

0:43:58.680 --> 0:44:02.320
<v Speaker 1>was nineteen. You were probably twenty something but not much older.

0:44:03.160 --> 0:44:05.000
<v Speaker 1>I was like nineteen, So what I think? It's a

0:44:05.000 --> 0:44:09.360
<v Speaker 1>little now, who can you twenty two? You weren't old,

0:44:09.600 --> 0:44:13.480
<v Speaker 1>You're like twenty two. Literally, I was going through some Yeah,

0:44:13.800 --> 0:44:16.520
<v Speaker 1>did you have your twenty first birthday? Like with in

0:44:16.560 --> 0:44:19.000
<v Speaker 1>the nine World? Can you remember that at all? Like

0:44:19.000 --> 0:44:21.279
<v Speaker 1>what did you do for your twenty first birthday? Because

0:44:21.320 --> 0:44:23.759
<v Speaker 1>I think you were on nine one? Oh oh yeah,

0:44:23.960 --> 0:44:29.279
<v Speaker 1>no idea, no memory? What'soe? Sorry, I'm trying to remember mine.

0:44:29.560 --> 0:44:31.200
<v Speaker 1>My daughter, I took her to get her jars lest

0:44:31.239 --> 0:44:33.359
<v Speaker 1>the other day, she said, and she she didn't pass

0:44:33.400 --> 0:44:36.960
<v Speaker 1>her test. Oh no, they none of them do. I

0:44:37.080 --> 0:44:39.680
<v Speaker 1>was like trying to remember when I did that, and

0:44:39.719 --> 0:44:41.640
<v Speaker 1>I can't even remember when I got Like I can

0:44:41.760 --> 0:44:45.280
<v Speaker 1>remember sixteen better than twenty one because I remember literally

0:44:45.400 --> 0:44:47.840
<v Speaker 1>driving to school. I got my license in the morning,

0:44:48.200 --> 0:44:50.080
<v Speaker 1>I went home with my mom and took the car

0:44:50.160 --> 0:44:52.000
<v Speaker 1>and drove to school for like the second half the day,

0:44:52.000 --> 0:44:55.440
<v Speaker 1>and I drove smiling like a fool, like I couldn't

0:44:55.480 --> 0:44:58.959
<v Speaker 1>stop smiling, like I drive. Now you remember twenty one either,

0:44:59.080 --> 0:45:00.480
<v Speaker 1>I mean, it must have been a was I went

0:45:00.520 --> 0:45:02.840
<v Speaker 1>to cal so I must have been there. But yeah, like,

0:45:02.920 --> 0:45:05.720
<v Speaker 1>do you can you remember this time? Like it doesn't

0:45:05.719 --> 0:45:07.840
<v Speaker 1>sound like it was all unicorns and I had already

0:45:07.920 --> 0:45:12.680
<v Speaker 1>been married if you can imagine, No, I cannot. Actually

0:45:13.120 --> 0:45:15.040
<v Speaker 1>I think I got married when I was twenty one

0:45:16.280 --> 0:45:21.120
<v Speaker 1>for for like one year. God the difference between I

0:45:21.120 --> 0:45:24.520
<v Speaker 1>mean and I'm sure people like listening like because I

0:45:24.560 --> 0:45:27.400
<v Speaker 1>was close to your age, but I was totally in college,

0:45:27.440 --> 0:45:30.319
<v Speaker 1>living to sorority, watching this show every week with like

0:45:30.520 --> 0:45:34.319
<v Speaker 1>twenty girlfriends were our biggest Like literally we did not

0:45:34.440 --> 0:45:37.080
<v Speaker 1>have a care in the world. Someone cooked every meal

0:45:37.160 --> 0:45:40.719
<v Speaker 1>for us. We literally would go downstairs to the dining room.

0:45:40.920 --> 0:45:42.680
<v Speaker 1>We didn't have to do dishes. You have to take

0:45:42.719 --> 0:45:45.719
<v Speaker 1>your plate to the sink. That was it. And then

0:45:45.760 --> 0:45:49.920
<v Speaker 1>I just remember constant gummy candy, like getting like that

0:45:50.080 --> 0:45:53.000
<v Speaker 1>for me back sea glass boxes with my name Puffy

0:45:53.040 --> 0:45:56.160
<v Speaker 1>painted and just eating gummy worms like that was my life.

0:45:56.160 --> 0:46:01.200
<v Speaker 1>And then going to class. No, we were working sixteen

0:46:01.360 --> 0:46:05.120
<v Speaker 1>seventeen hour days. We were uh, did you did you

0:46:05.120 --> 0:46:09.280
<v Speaker 1>want a house? I had a mortgage, I had a husband,

0:46:09.440 --> 0:46:14.000
<v Speaker 1>I had car payments, more than one car payment, and

0:46:14.000 --> 0:46:20.320
<v Speaker 1>and meetings with men who told me they were managing

0:46:20.360 --> 0:46:22.359
<v Speaker 1>my money. You know, people that were managing my money

0:46:22.480 --> 0:46:27.160
<v Speaker 1>or managing my career. Big girl meet like adult things

0:46:30.280 --> 0:46:33.759
<v Speaker 1>under my eyes. My biggest thing is I was about that.

0:46:33.880 --> 0:46:37.719
<v Speaker 1>It was probably nine three and we were having a

0:46:37.760 --> 0:46:43.200
<v Speaker 1>sorority sneak, which means like I think older girls took pledges,

0:46:43.680 --> 0:46:45.560
<v Speaker 1>and someone told me to get in the back of

0:46:45.600 --> 0:46:47.640
<v Speaker 1>a U haul. I'll never forget it. Like they opened

0:46:47.719 --> 0:46:49.640
<v Speaker 1>up the back of a U haul and said everybody

0:46:49.719 --> 0:46:53.920
<v Speaker 1>get in and I was like, absolutely not. I was

0:46:54.000 --> 0:46:56.960
<v Speaker 1>like they're please. I was like, there is zero chance

0:46:57.239 --> 0:47:00.319
<v Speaker 1>I'm getting in the back of a U haul. Other

0:47:00.360 --> 0:47:03.319
<v Speaker 1>girls get in there totally they didn't care. And then

0:47:03.400 --> 0:47:06.200
<v Speaker 1>like this a girl who I'm still totally best friends with,

0:47:06.239 --> 0:47:08.919
<v Speaker 1>who was a senior. She's like, that's okay, Sugie, jump

0:47:09.040 --> 0:47:10.560
<v Speaker 1>up here with me, and I wrote in the front.

0:47:10.600 --> 0:47:12.920
<v Speaker 1>I was like, I'm cool, ran in the front. That

0:47:13.080 --> 0:47:15.000
<v Speaker 1>was like the crap that was going. That was my

0:47:15.000 --> 0:47:21.080
<v Speaker 1>biggest dramatic moment like and you're dealing with like life bleep,

0:47:21.160 --> 0:47:23.040
<v Speaker 1>and I'm like, I'm not getting in the maganat you.

0:47:23.320 --> 0:47:25.680
<v Speaker 1>I'll eat my gummy worms up here. I wonder I'm

0:47:25.680 --> 0:47:29.160
<v Speaker 1>gonna I gotta, I gotta do some memory searching or

0:47:29.280 --> 0:47:32.520
<v Speaker 1>just ask Mr Schobez when did I get married? When

0:47:32.520 --> 0:47:34.600
<v Speaker 1>did I get divorced? When did I get remarried? And

0:47:35.360 --> 0:47:37.680
<v Speaker 1>that could tell me, and I could tell me, you

0:47:37.719 --> 0:47:41.680
<v Speaker 1>know what was happening in young Jenny's life at this moment.

0:47:41.680 --> 0:47:44.040
<v Speaker 1>It's all on the internet. Jenny. That's what's so crazy.

0:47:44.040 --> 0:47:47.760
<v Speaker 1>I don't google myself, Jenny. Do you ever google yourself?

0:47:48.040 --> 0:47:51.400
<v Speaker 1>Why would I? Oh? I know celebrities that do what

0:47:51.440 --> 0:47:55.120
<v Speaker 1>do they? They're pressed? They want to see what the

0:47:55.160 --> 0:47:59.200
<v Speaker 1>press is talking about them. Jenny Garth first marriage. Let's

0:47:59.239 --> 0:48:02.799
<v Speaker 1>see what it says the Beverly Hills nine one oh

0:48:02.800 --> 0:48:05.799
<v Speaker 1>alum had been married twice before. Oh, that's talking about

0:48:05.800 --> 0:48:09.200
<v Speaker 1>your guy. Now. I won't say everybody's names. Let's see.

0:48:09.600 --> 0:48:16.600
<v Speaker 1>Uh wait, I was the first guy's name start with A, dried,

0:48:16.840 --> 0:48:20.839
<v Speaker 1>married him and and divorced in ninety six two years. Wow,

0:48:20.920 --> 0:48:24.720
<v Speaker 1>I took a minute. So you were dating him right now? Oh? Yes, okay,

0:48:24.719 --> 0:48:29.359
<v Speaker 1>all right, okay, I'm dating him. Wow, I don't even

0:48:29.440 --> 0:48:34.880
<v Speaker 1>remember that. I remember Peter obviously. That was like that

0:48:34.960 --> 0:48:37.759
<v Speaker 1>was a very high profile marriage. We can talk about

0:48:37.800 --> 0:48:41.880
<v Speaker 1>that another day. Oh my god, my god, So you

0:48:41.960 --> 0:48:44.399
<v Speaker 1>lived like you were like, it's you were a kid,

0:48:45.520 --> 0:48:48.279
<v Speaker 1>it's a child. Wait, let me see if there's anything

0:48:48.320 --> 0:48:52.960
<v Speaker 1>else I love. I would go off on tangent something literally. Okay,

0:48:52.960 --> 0:48:56.160
<v Speaker 1>but wait, okay, we've already talked fashion. We love the blazer. Uh,

0:48:56.800 --> 0:49:01.080
<v Speaker 1>I don't know. There wasn't anything I really up. He

0:49:01.160 --> 0:49:04.360
<v Speaker 1>had a plaid sort of red sure that I loved

0:49:04.560 --> 0:49:07.920
<v Speaker 1>poor Andrea, like I just it's like a different stylist

0:49:08.000 --> 0:49:12.239
<v Speaker 1>is dressing her. Yeah. My kid also asked me while

0:49:12.280 --> 0:49:16.360
<v Speaker 1>we were watching this, is she one of the teachers

0:49:15.440 --> 0:49:21.120
<v Speaker 1>like Andrea? Hello, Nat was a baller in this I

0:49:21.200 --> 0:49:25.520
<v Speaker 1>think we're hopefully putting a pin in that storyline. Precious

0:49:25.560 --> 0:49:30.279
<v Speaker 1>to me, precious to you, terrible terrible song. Steve was

0:49:30.320 --> 0:49:33.240
<v Speaker 1>sort of cool. Everything about Steve was sort of pretty

0:49:33.280 --> 0:49:36.520
<v Speaker 1>cool in this episode. Just the way he strides into

0:49:36.560 --> 0:49:40.520
<v Speaker 1>a scene is cool. I think he walks in thin

0:49:40.960 --> 0:49:44.359
<v Speaker 1>leading with his chest or something. Yeah. I also think

0:49:44.400 --> 0:49:48.000
<v Speaker 1>Ian was in my dream again. I don't. I don't know.

0:49:49.000 --> 0:49:56.560
<v Speaker 1>It's like I can't really shake him. Even Mr Myers recently.

0:49:57.320 --> 0:50:00.920
<v Speaker 1>Did you see him? I always I'm like, I have

0:50:00.960 --> 0:50:03.480
<v Speaker 1>a crush, like not a weird crush, but just like

0:50:03.719 --> 0:50:08.680
<v Speaker 1>he's so cool, so cool, Like we are just talking

0:50:08.719 --> 0:50:10.879
<v Speaker 1>about We're just talking about the I Heart Radio Music

0:50:10.960 --> 0:50:12.960
<v Speaker 1>Festival in Vegas. Did you see my text about that?

0:50:13.120 --> 0:50:16.760
<v Speaker 1>So I texted I'm like talking to Jenny talking about Jenny.

0:50:16.800 --> 0:50:18.319
<v Speaker 1>But I texted Jenny and Tory to see if they

0:50:18.360 --> 0:50:20.239
<v Speaker 1>want to come to the Heart Radio Music Festival. I'm like,

0:50:20.320 --> 0:50:22.239
<v Speaker 1>I haven't texted Iron yet, but of course I will.

0:50:22.280 --> 0:50:24.000
<v Speaker 1>I'll be like, do you want to come again? Oh?

0:50:24.120 --> 0:50:27.160
<v Speaker 1>I didn't. I don't think the girls last year. Look

0:50:27.280 --> 0:50:30.520
<v Speaker 1>the line of school, I'll look at it. Yeah, I

0:50:30.520 --> 0:50:32.799
<v Speaker 1>mean I don't want to. I'm nervous about Vegas because

0:50:32.800 --> 0:50:35.720
<v Speaker 1>of COVID. It's like I don't got all the germs,

0:50:35.760 --> 0:50:39.920
<v Speaker 1>but I guess we just lived with germs. Um. Yeah,

0:50:39.960 --> 0:50:41.720
<v Speaker 1>I feel like we covered it all. He did good.

0:50:41.840 --> 0:50:46.000
<v Speaker 1>I feel like we got it all and uh yeah,

0:50:46.040 --> 0:50:49.440
<v Speaker 1>I'm I'm happy for me. This episode was that we

0:50:49.440 --> 0:50:51.839
<v Speaker 1>were out of high. I was really excited in this

0:50:51.920 --> 0:50:55.560
<v Speaker 1>episode was like like I kind of took a nosedive.

0:50:55.800 --> 0:50:58.960
<v Speaker 1>I didn't love this episode. So yeah, for me, it's

0:50:58.960 --> 0:51:03.719
<v Speaker 1>a very classic less Less Dynasty, more classic nine O

0:51:03.840 --> 0:51:06.680
<v Speaker 1>two one. Oh, but I get it. I was a

0:51:06.719 --> 0:51:09.200
<v Speaker 1>little bored. Yeah, I didn't. I didn't have that. But

0:51:14.840 --> 0:51:18.319
<v Speaker 1>how next week will perk things back up? We'll have news.

0:51:18.760 --> 0:51:21.480
<v Speaker 1>Oh you know we didn't talk about quickly was when

0:51:21.520 --> 0:51:24.799
<v Speaker 1>Cindy was doing the dishes and Jim Walt walks in

0:51:25.239 --> 0:51:27.680
<v Speaker 1>and she says, hi, honey, and he says hi baby.

0:51:28.000 --> 0:51:32.880
<v Speaker 1>They kind of like love each other. They have to

0:51:32.920 --> 0:51:37.399
<v Speaker 1>have a perfect marriage. Look, we're both fanning ourselves. So

0:51:37.520 --> 0:51:40.360
<v Speaker 1>I don't have air conditioning where I am. Just I

0:51:40.400 --> 0:51:42.920
<v Speaker 1>don't like to turn my air conditioning on you guys.

0:51:43.040 --> 0:51:45.680
<v Speaker 1>I'm like that lady, because you don't like to your

0:51:45.719 --> 0:51:48.799
<v Speaker 1>frugal or like you don't like air conditioned air. I

0:51:48.880 --> 0:51:52.319
<v Speaker 1>just feel like it's a lot of energy and it's

0:51:52.600 --> 0:51:55.040
<v Speaker 1>people don't take it, like they leave the doors and

0:51:55.040 --> 0:52:00.759
<v Speaker 1>windows open and it feels like not the air. Yeah,

0:52:00.760 --> 0:52:03.840
<v Speaker 1>I don't like it. I run my NonStop. I'm not

0:52:03.880 --> 0:52:06.400
<v Speaker 1>in l a right now, but run. I mean, do

0:52:06.440 --> 0:52:08.919
<v Speaker 1>you wake up in the night sweating? I'd have that.

0:52:08.920 --> 0:52:13.200
<v Speaker 1>That's the thing. I sleep with a fan. Get a fan,

0:52:13.560 --> 0:52:17.560
<v Speaker 1>it'll be your new best friend to turn at you

0:52:17.600 --> 0:52:19.759
<v Speaker 1>all night. I have two fans in here, but I

0:52:19.760 --> 0:52:22.400
<v Speaker 1>have to turn them off because the microphone picks them up.

0:52:22.440 --> 0:52:24.960
<v Speaker 1>Now that we're big podcast stars, I have to turn

0:52:25.000 --> 0:52:29.120
<v Speaker 1>my microe. Okay, next week, everybody, we will cool down

0:52:29.280 --> 0:52:33.879
<v Speaker 1>and we will watch perfectly perfect for next week. What,

0:52:34.200 --> 0:52:39.560
<v Speaker 1>Oh my god, I think it might be your birthday either. Wait,

0:52:39.640 --> 0:52:41.000
<v Speaker 1>not your twenty one part of me, part of me,

0:52:41.040 --> 0:52:44.120
<v Speaker 1>your eighteenth birthday. I'm so dumb. I know that's coming.

0:52:44.640 --> 0:52:48.120
<v Speaker 1>It's either next week or the week after Kelly has

0:52:48.160 --> 0:52:51.960
<v Speaker 1>a party. I don't remember. I just know your birthday,

0:52:51.960 --> 0:52:55.719
<v Speaker 1>your eighteenth birthday is coming. I'm excited. Yeah, we gotta

0:52:56.120 --> 0:52:58.800
<v Speaker 1>do something special. I'll look at I'll peak ahead. Okay,

0:52:58.920 --> 0:53:02.399
<v Speaker 1>let's do it. I hope you guys enjoyed this week,

0:53:02.520 --> 0:53:11.680
<v Speaker 1>and we will see you next week. M hm