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Speaker 1: It's with Jenny Garth and Tori Spelling. Hello, everybody, it's

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Speaker 1: us nine O two on O MG. Well it's only

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Speaker 1: two of us today because Tori is out working, but

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Speaker 1: Amy and I are going to hold down the forts here.

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Speaker 1: It's the it's the two of the three. I think

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Speaker 1: they would have preferred the other two of the three

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Speaker 1: if they only can have two. I'm sorry, it's okay.

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Speaker 1: I'm happy you're here, very very thank you. Jenny. How

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Speaker 1: are you doing. I'm so sorry. I know you lost

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Speaker 1: a friend in the nine O two one Oh family,

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Speaker 1: I'm so sorry. Yeah, yeah, yeah, Um. This past week

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Speaker 1: we lost our dear Jessica Klein, who was one of

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Speaker 1: our original producers and writers and just um one of

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Speaker 1: the backbones of the show back in the nineties, and

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Speaker 1: she lost her battle to cancer. And yeah, it's it's

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Speaker 1: it's hard, especially you know, it's this is a family,

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Speaker 1: this nine O two on group of people, fans, actors,

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Speaker 1: you know, everybody, the crew, everybody that was involved over

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Speaker 1: so many years. You don't ever forget them. And then

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Speaker 1: when something bad happens, you know, we all sort of

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Speaker 1: unite and um and come together and grieve. I saw

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Speaker 1: on your Instagram Instagram. So did she right, I choose me? Yes, Yes,

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Speaker 1: that was That was one of many of her um

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Speaker 1: more memorable famous moments, like important moments from the show. Yeah,

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Speaker 1: I love seeing that scene on your Instagram. I mean

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Speaker 1: I've obviously seen it, but it's such a beautiful, iconic

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Speaker 1: mo moment in not just nine O two one oh world,

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Speaker 1: but like you know, for us girls, it's like, Wow,

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Speaker 1: what a moment. I know, I can't wait until we

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Speaker 1: get to that episode to really, um, you know, talk

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Speaker 1: about that because I haven't. I've seen that scene that

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Speaker 1: I posted, and I've seen it before recently too. I mean,

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Speaker 1: it was such an important scene to me and the

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Speaker 1: trajectory of Kelly and yeah, the history of the show. Yeah,

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Speaker 1: I mean, and I think if I'm not mistaken, she wrote, uh,

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Speaker 1: Donna Martin graduates no, oh my god, which I think

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Speaker 1: I saw on Tory's post. She wrote, just some of

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Speaker 1: your most iconic, sort of impactful, um soft feminine voice

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Speaker 1: that you know, the the girl characters really needed on

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Speaker 1: the show. And um, she she was just a beautiful,

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Speaker 1: beautiful human being. And wait, will you say her name again?

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Speaker 1: I'm so sorry we tell everyone who's a good cline. Yeah. Wow,

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Speaker 1: she even wrote I think the episode we're talking about today, Yes,

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Speaker 1: she did, she did, which was weird to watch it

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Speaker 1: and see her name, and that's it's gonna be weird.

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Speaker 1: I mean, it's gonna take a while to sink in.

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Speaker 1: But we just wish her daughter, Shira, and her brother, everybody,

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Speaker 1: her whole family, all her grandchildren, everybody. We send you

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Speaker 1: all of our love from Yeah. Well, I mean, what

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Speaker 1: a beautiful legacy to have written these amazing episodes that

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Speaker 1: really people will watch, you know, on and on and

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Speaker 1: over and over again. Yeah, it'll live on. She will

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Speaker 1: live on forever and ever. Which is it doesn't ease

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Speaker 1: your pain, but it is, you know, at least it's

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Speaker 1: it's something special for those people. I mean, I think

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Speaker 1: about that, like you have that you know, you people

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Speaker 1: will watch your work. It's kind of it's kind of interesting,

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Speaker 1: you know. I think that just that line I choose

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Speaker 1: me became a sort of an anthem for independent women,

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Speaker 1: you know, and they've used it. Jessica would have said

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Speaker 1: they stole it. They stole her line on other shows

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Speaker 1: and in other places. But um, that just feels very

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Speaker 1: great anatomy to me. Yeah, I don't remember what other

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Speaker 1: show I remember her mentioning it, but what other shows

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Speaker 1: have used it? But not not when our show used it,

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Speaker 1: and not for a young girl, you know. And and

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Speaker 1: it's sort of like become a movement for that sort

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Speaker 1: of you know, wear my choice, I wear my sweatshirt

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Speaker 1: you gave me all the time that says I choose me.

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Speaker 1: I love that it sort of was ahead of its

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Speaker 1: time that moment. Well, no, I mean because there was

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Speaker 1: the whole women's live movement already. Yeah, but that felt

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Speaker 1: that tells me more like career to me, like women

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Speaker 1: could be president and women had their careers like to really,

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Speaker 1: especially on nine O two and oh, which was so

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Speaker 1: about these relationships for your character to say to both

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Speaker 1: of those like perfect humans because I love them both.

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Speaker 1: I mean I love them both. And I watched that

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Speaker 1: scene again, like I can't imagine just looking back at

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Speaker 1: that scene and thinking she got to pick between Brandon

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Speaker 1: and Dylan. Wow, I know, I started thinking about it

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Speaker 1: because Brandon, although I like up to this point, like

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Speaker 1: he's such a babe and I love him, he hasn't

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Speaker 1: really had his moment yet to be Dylan, you know

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Speaker 1: what I mean, Like he hasn't had that and it's coming.

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Speaker 1: But it's like for Kelly to say, yeah, I don't

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Speaker 1: take either of these amazing proposals. Essentially, she just was

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Speaker 1: there in her in her life right then. I can't

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Speaker 1: wait to watch that episode because I really don't know

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Speaker 1: like what lead what leads her to that declaration, but

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Speaker 1: I'm excited to see that build and unfold. It's a

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Speaker 1: bit of a different Kelly in this episode than that

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Speaker 1: Kelly it is. Yes, let's let's talk about this week's episode.

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Speaker 1: As we mentioned, it's written by Jessica Klein and Steve Wasserman,

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Speaker 1: her late husband and partner writing. Okay, Season three, episode

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Speaker 1: twenty three, Duke's Bad Boy, aired March third. Do you

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Speaker 1: want to read the synopsis? Amy? Oh yeah, wait, I

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Speaker 1: don't even have it. I've never read it. Do read

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Speaker 1: it synopsis? And this actually brings me to a question,

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Speaker 1: which So this aired in March March March, y'all looked

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Speaker 1: like you have fresh haircuts, So I noticed that right out. Okay,

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Speaker 1: I'll read this and then we can talk about it.

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Speaker 1: Brandon's gambling addiction hits a new load, and Duke is

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Speaker 1: demanding he paid up David apologizes Steve after losing his

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Speaker 1: recording contract thanks to scummy producers. Kelly starts taking diet pills.

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Speaker 1: Andrea I almost mailed it to. Andrea tries to ease

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Speaker 1: Dylan's depression over his father's murder by asking him if

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Speaker 1: she can do an editorial on him, which I actually

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Speaker 1: loved that whole storyline, even though it was a tad

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Speaker 1: cringe e. I was sort of with Brandon that I

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Speaker 1: thought it was inappropriate. But there's something about her that

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Speaker 1: Dylan like he picked up that call and like, yeah,

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Speaker 1: come over, Like I know, I'm jumping way ahead. That

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Speaker 1: was a very interesting storyline. Well it was so Andrea.

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Speaker 1: So it's so gab Actually it's um sort of have

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Speaker 1: that a bill to break those barriers for people and

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Speaker 1: and befriend people and people feel comfortable around her. And

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Speaker 1: she has that maternal instinct. I was just about to

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Speaker 1: say that, right, she's very motherly. And they both played

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Speaker 1: it so well. It felt very real and like, yeah,

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Speaker 1: she I kept thinking, you know, she she's going to

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Speaker 1: get the story, which is her job. And like Gil,

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Speaker 1: although I hate calm, Gil, Mr Myers was right, like

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Speaker 1: that's her job, but she handled it well and then

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Speaker 1: I loved that he wanted to write his own story

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Speaker 1: and she said, yeah, I'll help you. Yeah. I just

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Speaker 1: liked that. First when she was talking about it with

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Speaker 1: him on the couch, I was like, Okay, how's she

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Speaker 1: gonna get and broached this subject because she's there for

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Speaker 1: alterious motives and it felt weird and I felt like

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Speaker 1: it wasn't gonna end well, but uh it was. She

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Speaker 1: had a way of sort of disarming it, and and

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Speaker 1: he but he was still like I kind of felt

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Speaker 1: the same way. At the end of that conversation, I

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Speaker 1: was like, I didn't I don't want it felt like

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Speaker 1: a real baiting that switch same. It felt really like

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Speaker 1: exactly what Brandon sort of said it would be. But

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Speaker 1: she handled it well in that You're like, she said,

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Speaker 1: you can say no, And it wasn't like I'm only

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Speaker 1: your friend because of this, I'm your your friend and this.

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Speaker 1: It was a little cringey, but yet I was like, right,

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Speaker 1: I wonder she Andrea knew that it would help him

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Speaker 1: aid him in his grief process to be, you know,

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Speaker 1: have that lethargic sort of release and to give a

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Speaker 1: voice to all that stuff that he's dealing with inside

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Speaker 1: or or if it became that, because then he decided

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Speaker 1: he wanted to write it. Yeah, I do think she

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Speaker 1: went into it. I don't think she has like a

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Speaker 1: mean bone. She's smart and wanted to get the story,

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Speaker 1: like if we're really thinking about her. But I do

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Speaker 1: think she was like, I'm gonna go and talk to

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Speaker 1: him about this, and she kept saying I'm a good listener.

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Speaker 1: Yes she is. And he said, I've said no, I've

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Speaker 1: said no to whatever. Well people, people, magazine, La Times,

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Speaker 1: whatever it was. They all wanted to talk to him

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Speaker 1: about his dad. You know. It's it's interesting because like,

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Speaker 1: I don't know if you've ever had to do that,

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Speaker 1: but I have to do that all the time, ask people, Hey,

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Speaker 1: do you want to come on and talk about this?

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Speaker 1: And it's like, oh god, I hate it, but I

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Speaker 1: just do it. Do people often like Okay, So, who's

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Speaker 1: somebody You've had to come on and ask you're talking

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Speaker 1: about like on another podcast or on another yeah, or

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Speaker 1: like on Ryan C. Krush Show. Because it's we do

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Speaker 1: topical and news. I'm not in hardheard news, which is

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Speaker 1: really brutal, Like those people that have to go and

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Speaker 1: someone's in the like the most tragic situation of their

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Speaker 1: life and then they have to talk to them. But

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Speaker 1: we definitely have to talk to people about sticky thing

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Speaker 1: like breakups and and you just kind of go through

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Speaker 1: it and say like, look, this is how we're going

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Speaker 1: to ask it. You answer it however you feel most comfortable.

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Speaker 1: I never recommend to people like I don't want to

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Speaker 1: answer that. Move on. It's like there's such a better

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Speaker 1: way to do it, even if you don't want to

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Speaker 1: talk about it. So we kind of go through a

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Speaker 1: lot of that. Yeah, I mean work around on this show.

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Speaker 1: It would It hasn't come up yet, but I'm sure

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Speaker 1: it could if you know, if there was a person

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Speaker 1: that came on, or maybe somebody that didn't have the

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Speaker 1: best experience on nine oh, but wants to figure out, like, hey,

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Speaker 1: I want to talk to Jenny and Tory, but how

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Speaker 1: do I talk about that? I want that. Let's get yeah,

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Speaker 1: and then you'll tell me how Alba. I hope we

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Speaker 1: can get Jessica Alba, because it's like sometimes it's best

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Speaker 1: to just like say it, yeah, say I believe in that. Yeah,

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Speaker 1: Well we didn't. The title of this show is Duke's

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Speaker 1: Bad Boy. Sorry, I'm kind of happy it's come doing end.

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Speaker 1: I hope it is. It's gotta be it. I think

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Speaker 1: this is like the clax of it, which was there

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Speaker 1: was no climax. Really, the thing that I loved about

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Speaker 1: it was Nat really saving the day, being sort of

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Speaker 1: that father figure to Brandon, but like the friend or

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Speaker 1: the uncle that that Okay, look you got yourself into

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Speaker 1: hot water, I'm gonna save you. But that was really

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Speaker 1: firm with him. I really thought for Nat, it was

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Speaker 1: a real moment for his character. Yeah, and I like

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Speaker 1: seeing that because he was he was nurturing, but he

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Speaker 1: was still strong. It was matt I like that about him,

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Speaker 1: and Brandon was like, oh, I have piste off Nat. Yeah,

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Speaker 1: Like it was a little dumb, like the high school

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Speaker 1: bookie and like all that he's in high school. I

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Speaker 1: never did. I guess I wasn't into gambling, but did

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Speaker 1: you ever? I mean across any but I don't think

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Speaker 1: I've ever bet on a sporting event like I'll play

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Speaker 1: blackjack or like pull the slot machines in Vegas. I don't.

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Speaker 1: I don't know, on a sporting event. Well, it was

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Speaker 1: kind of dumb. I actually liked the moment in the

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Speaker 1: bedroom with Jim and Brandon really rude to him. It

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Speaker 1: felt very teenagery to me. But I felt like Jim knew.

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Speaker 1: Jim's like, I know what's going on. He didn't really

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Speaker 1: really know how like in debt he was if you figure,

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Speaker 1: that's probably like fifteen thousand dollars, now, oh my god,

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Speaker 1: because if they if he was fifteen hundred in at

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Speaker 1: least that's ten thousand. So it was kind of a lot.

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Speaker 1: How much how much did you think he was going

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Speaker 1: to sell those baseball cards for them? Wait, that's a thing.

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Speaker 1: That's a thing guys in their baseball cards, totally still

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Speaker 1: a thing of Everything about that was so good because

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Speaker 1: it was so like he's got these cards like he's

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Speaker 1: a little kid, but then he's gonna sell it. And

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Speaker 1: then I love that they're like jose Canseco rookie card

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Speaker 1: because like I know, jose Canseco is like it wasn't

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Speaker 1: a baseball player I hadn't heard of. I mean, it

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Speaker 1: was like twenty bucks. I'm like, dude, I hope you

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Speaker 1: have like a thousand cars. He didn't have a whole

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Speaker 1: box full my my first half Mountain my second husband

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Speaker 1: had a box full of baseball cards that is now

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Speaker 1: lost somewhere and he's real piste about it. But my

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Speaker 1: husband has a box of baseball cards in the closet

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Speaker 1: to they just can't park play them. I wonder, did

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Speaker 1: you ever open baseball cards? And there was a stick

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Speaker 1: of gum? The hardest gum, I mean, like a brick.

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Speaker 1: I've never like, I've never even touched a baseball card.

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Speaker 1: Do you have brothers? No? Are you an only child? No,

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Speaker 1: you have a sister. I have sisters. I have sisters

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Speaker 1: and brothers half half sisters, half brothers, but they're all

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Speaker 1: older than me. I had brothers who like collected baseball cards.

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Speaker 1: So that's how I knew about the gum. Fun fact.

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Speaker 1: I just learned, though, stuff make is worth money. Did

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Speaker 1: you know if you have an unopened original Back to

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Speaker 1: the Future VHS tape, it's worth like a ton of dough?

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Speaker 1: Oh my goodness you we have to have my friend Mike.

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Speaker 1: I want to talk about this a dork, but um,

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Speaker 1: he just gave me an immense edge. He has all

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Speaker 1: that Back to the Future stuff. Oh, first of all,

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Speaker 1: I love it. I wonder what would be the most

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Speaker 1: profitable nine O two one oh item. I'm going to

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Speaker 1: assume Dylan's car, right that or or your BMW if

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Speaker 1: somebody still had that those cars, yeah, what else would

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Speaker 1: be saying? I mean yeah, but who Yeah, all the

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Speaker 1: cars I think would be charitable auction. And they auctioned

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Speaker 1: off the shell of the car. It wasn't there wasn't.

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Speaker 1: It didn't work the car, but it was just the

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Speaker 1: outside of the car. And somebody bought a dough Obviously

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Speaker 1: all the cars were working cars right then. For a minute,

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Speaker 1: I was like, are these freight cars? Because because weirdly

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Speaker 1: in this car episode we see David Silver drive up.

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Speaker 1: I really have we seen this dude drive? We've never

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Speaker 1: seen him drive. But he wanted to prove something. He

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Speaker 1: wanted to prove. Look, I drive to I'm not too

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Speaker 1: young to drive a car. And his blue whatever that

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Speaker 1: was sidebar right, it wasn't. It's not as fancy as

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Speaker 1: y'all's BMW's sidebar. Henry Winkler sold his Bonzie jacket for

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Speaker 1: seventy five thou dollars. I just saw that on Jimmy

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Speaker 1: Kimmel not that long ago. Wow, anything more than one?

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Speaker 1: There were five, he said five and ones in the Smithsonian.

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Speaker 1: I think he still has one. He sold one. One

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Speaker 1: had to get the lining cut out. Now we're doing

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Speaker 1: a happy Days podcast, but one had to get the

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Speaker 1: lining cut out for when he jumped the shark. Is

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Speaker 1: there an iconic There were iconic fashion moments, but nothing

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Speaker 1: like the Fonzie jacket. No, no, not that was like

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Speaker 1: every episode you thought, Yeah, I can't think of what

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Speaker 1: else would go for other than the cars. There's a

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Speaker 1: jukebox in the peach pit. Yeah, those things that were

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Speaker 1: on well, the big one, yeah, and on the counter ones.

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Speaker 1: I remember. I think I think Iron had one of those.

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Speaker 1: I think he touched g Donna Martin graduates poster board.

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Speaker 1: Was there was there a poster board? Did they just

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Speaker 1: chanted it? Maybe they just chanted it. I don't know,

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Speaker 1: I don't know. I'm sure I digress, but yeah, a

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Speaker 1: lot of people have these collectibles. So I think that

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Speaker 1: I have a lunch box thanks to you, because you

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Speaker 1: guys got I took it from I don't know what

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Speaker 1: that was, and we did alive. I want to take

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Speaker 1: a white beyond that, because I'm not totally sure. I'm

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Speaker 1: not gonna lie. So David Silver comes in hot because

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Speaker 1: he's late, and Donna's in the d J booth with

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Speaker 1: the sunflower hat, which was iconic. I didn't love it.

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Speaker 1: I did love yes, I love the leopard vest, but

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Speaker 1: I wasn't crazy about the black under it. I know,

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Speaker 1: I'm like going into fashion. But and then she sort

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Speaker 1: of announces he's got this record deal, and he's like,

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Speaker 1: why did you do that? And I'm proud of you.

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Speaker 1: How come to the studio. I'll be like, Yoko oh no,

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Speaker 1: And it was like and then has this literally when

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Speaker 1: he was in the recording office of the the guy

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Speaker 1: that didn't like that, we already heard the song like

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Speaker 1: eighteen times. And then when there listening to it with

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Speaker 1: the guy eyes and he's waiting to see how they

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Speaker 1: like it. I was like I said to my daughter

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Speaker 1: and said, if I hear the song one more time,

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Speaker 1: I'm going to jump out the window. Like I couldn't

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Speaker 1: take it. It's the word I literally wrote. This is awful, awful, awful,

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Speaker 1: And Surge is such a jerk. But David should have

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Speaker 1: stood up and said this song sucks. He didn't have

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Speaker 1: anybody to support him. He didn't have you know, he

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Speaker 1: didn't know he could say anything. Probably, so you have

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Speaker 1: made that what he made like precious to you. A

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Speaker 1: hip hop song. If it like it's I thought it

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Speaker 1: was precious to me. That's sort of bragging it. It's

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Speaker 1: precious too. It was precious to somebody, not I wrote

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Speaker 1: it down. What do you think of that whole storyline

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Speaker 1: of him, David and his music career. I mean, I

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Speaker 1: like it. If it is it going to go somewhere?

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Speaker 1: Is he does he become a musical music was like

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Speaker 1: a thing. I mean, I think it doesn't disappear. It's

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Speaker 1: weird because our show was so known for having such

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Speaker 1: great musical acts throughout the whole thing, whether it was

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Speaker 1: songs on the show or whether they're later. It was

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Speaker 1: after dark where we would have actual artists come in

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Speaker 1: and perform. Maroon five, I mean, I don't they weren't

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Speaker 1: Maroon five then, but it was Adam Levine liked, but

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Speaker 1: I did. Did David go go to the peach pit

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Speaker 1: after dark? I don't know, yeah, yeah, yeah, yeah yeah

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Speaker 1: probably he probably performs there. So wait, did you notice well, first,

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Speaker 1: back the gum is back. I want to talk to

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Speaker 1: you about. Yeah, the gum, the gums back right straight

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Speaker 1: out of Do you think is with that? Okay, I'm

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Speaker 1: gonna I don't know. He's either an act of defiance.

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Speaker 1: Let's narrow down what it could be. Yeah, I'm gonna

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Speaker 1: chew my gum because I could do what I want

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Speaker 1: to Brandon or um he has like an oral fixation

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Speaker 1: with the smoking. He had to have something. That's what

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Speaker 1: I was thinking. It's sort of it. Or it was

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Speaker 1: like a nico gum. What's that called? He doesn't have

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Speaker 1: to smoke nicorette. Yeah, but the other one is um

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Speaker 1: um he has bad bro I don't know I was

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Speaker 1: going And anyone who listens to I have one other podcast, sorry,

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Speaker 1: the Gilmore Girls podcast. I always talked about this. I'm sorry.

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Speaker 1: I don't mean to mention another show. But if people

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Speaker 1: listen to both, which they do, Uh, Brad Pitt's eating,

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Speaker 1: like you know how Brad Panton Oceans eleven is always

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Speaker 1: eating and it's part of sort of his vibe. Maybe

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Speaker 1: it's that because it's in so many episodes that maybe

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Speaker 1: he pops that gum and it really makes him feel

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Speaker 1: like Brandon. I'm cool, I'm at school, I'm in my locker,

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Speaker 1: I'm Brandon. I don't know. I chew my gum and

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Speaker 1: I'm gonna chew with my mouth. And then Steve came

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Speaker 1: up and was cute. But then Brandon's like, you in

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Speaker 1: my name to a bookie. I don't know what my

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Speaker 1: First of all, I'm doing like a I don't know

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Speaker 1: my accent is. And then she was like, no, dude,

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Speaker 1: I didn't. And then I just noted why does everyone

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Speaker 1: look slightly older and that they got fresh haircuts? Every

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Speaker 1: single person looked like they got a fresh haircut. Your

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Speaker 1: hair was like a blunt cut in the back, like literally,

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Speaker 1: like you finished the haircut six minutes before you shot

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Speaker 1: the scene, Brandon haircut. Notice the guy's hair haircuts and

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Speaker 1: when you see the backs of their heads, uh, you

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Speaker 1: could yeah, freshly shorn, as they say. Because I was like, okay,

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Speaker 1: it's March. Like if it would have been, you know,

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Speaker 1: a season premiere, I would have been like, oh, obviously

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Speaker 1: everyone gets their haircut before they start school. But like,

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Speaker 1: I don't know, maybe there was a little because if

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Speaker 1: it was airing in March, you shot it. When when

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Speaker 1: would you have shot March. I mean it could have

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Speaker 1: been December before break. Couldn't have been right after the break,

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Speaker 1: could have been January. That's what I'm thinking. Maybe it

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Speaker 1: was fresh off the holiday break. Everyone got there cuts,

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Speaker 1: and they looked a little they looked a little up.

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Speaker 1: I would say everyone looked kind of fresh. Yeah I'm not.

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Speaker 1: I mean, I agree with you on the haircuts. Brenda's

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Speaker 1: hair was her bangs were really long, though, I noticed

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Speaker 1: in yeah, but I love them that that was her

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Speaker 1: choice to have them really really long. They I'd love

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Speaker 1: to have bangs like that. I just don't think I

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Speaker 1: could type because it's like, you know, An, I'd be like,

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Speaker 1: there's sort of a Kelly Dylan awkward scene. Although I

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Speaker 1: didn't think saying just pretend you're in Hawaii was a

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Speaker 1: bad thing to say. I was sort of like, it's

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Speaker 1: a nice sentiment. It's it wasn't offensive. I just I

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Speaker 1: just don't get it. I don't get it. I don't

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Speaker 1: see anything between Kelly and Dylan. Whatever I see with

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Speaker 1: between them at this point is purely physical sexual, and

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00:24:15,200 --> 00:24:19,040
Speaker 1: it's very angsty right now. Because then Brendan invites you

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Speaker 1: guys to dinner. Obviously you're you did good acting because

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Speaker 1: your face was like, yeah, I'd love to go. I

390
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Speaker 1: hate you right now, like to Dylan, you know, like

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Speaker 1: I don't want to go. And then at dinner you're

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Speaker 1: like eating your pie, but kind of annoying. Kelly is

393
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Speaker 1: annoying me with the food already, like eat the freaking pot.

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Speaker 1: It's the diet Hills thing is a rough storyline, it is,

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Speaker 1: and I'm sure it's triggering for so many people who

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Speaker 1: have struggled with eating disorders. So no disrespect, but it's

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Speaker 1: she's she sticks skinny, and she's like, I'm fat, and

398
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Speaker 1: you're like, I mean, it's it's all in here. And

399
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Speaker 1: I felt like she's just handling this, this whole situation

400
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Speaker 1: with Dylan and and the triangle of Kelly Brenda Dylan

401
00:25:06,640 --> 00:25:09,160
Speaker 1: and the death of Dylan's dad. I feel like she's

402
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Speaker 1: just here doing also selfishly like it's not about you, Kelly,

403
00:25:14,160 --> 00:25:18,200
Speaker 1: and it's not. But she's a teenager, and I actually

404
00:25:18,240 --> 00:25:21,600
Speaker 1: think the eating disorder is because like it's coming all

405
00:25:21,600 --> 00:25:24,280
Speaker 1: that stuff is coming out because of it. Is it?

406
00:25:24,359 --> 00:25:28,040
Speaker 1: Because it's all connected, right, She's obviously having an you know, look,

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Speaker 1: if we're gonna really like therapyes, yes, a skinny person

408
00:25:31,840 --> 00:25:34,520
Speaker 1: could have an eating disorder, And she probably is being

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Speaker 1: genuine that like she feels this way, but really it's

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Speaker 1: something else. She's feeling insecure. Look, she's with a guy,

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Speaker 1: and he's preoccupied. Yeah, and she stole him from her

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Speaker 1: best friend ish, you know, so she's just emotionally dealing

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Speaker 1: with a lot. So I do think the eating disorder

414
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Speaker 1: storyline tracks just but it's rough. It. Yeah, it makes

415
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Speaker 1: me not like her, and not the the eating disorder part,

416
00:26:04,480 --> 00:26:08,040
Speaker 1: just the way she's just feels insecure all the time

417
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Speaker 1: and and out of the moment because she's worried about

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Speaker 1: whatever is going on in her head, which is very teenage.

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Speaker 1: But can I go out on a limb now? I

420
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Speaker 1: may people may say, oh, you're like trying to make

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00:26:21,960 --> 00:26:25,879
Speaker 1: something out of something. She's a little overt with Dylan

422
00:26:26,240 --> 00:26:31,840
Speaker 1: using like let's hook up and being hurt by it,

423
00:26:32,000 --> 00:26:37,720
Speaker 1: which I get, but she's that's there. It's repeatedly being used,

424
00:26:37,760 --> 00:26:41,439
Speaker 1: like when he's typing, oh, isn't there something you'd rather do?

425
00:26:41,520 --> 00:26:45,120
Speaker 1: And then in the car it's like which feels teenagery,

426
00:26:45,280 --> 00:26:48,800
Speaker 1: but also like, oh no, that's not and I choose

427
00:26:48,840 --> 00:26:57,080
Speaker 1: me girl, He's not there yet. No. Yeah, it's rough

428
00:26:57,160 --> 00:26:59,840
Speaker 1: for me to watch it. I wonder what your daughter's

429
00:27:00,600 --> 00:27:03,920
Speaker 1: take away from it. I really would be so interested

430
00:27:04,080 --> 00:27:08,679
Speaker 1: in fresh eyes seeing it that you know that aren't

431
00:27:08,720 --> 00:27:11,959
Speaker 1: so invested in, Like, I am so invested in all

432
00:27:12,000 --> 00:27:14,040
Speaker 1: these characters and I love them, and I'm I blur

433
00:27:14,160 --> 00:27:16,840
Speaker 1: who they are sometimes in real life because it's like,

434
00:27:17,000 --> 00:27:18,800
Speaker 1: I don't even know if I think Steve is cute.

435
00:27:18,840 --> 00:27:20,640
Speaker 1: I just think Iron's cute, do you know what I mean?

436
00:27:20,640 --> 00:27:25,679
Speaker 1: It's like I get all dumbie if fresh I saw it.

437
00:27:25,920 --> 00:27:31,679
Speaker 1: What would fresh Eyes think of Kelly in this particular episode,

438
00:27:32,080 --> 00:27:36,439
Speaker 1: like being very overt with her like sexual advances and

439
00:27:36,480 --> 00:27:39,800
Speaker 1: he's like rejecting her, and then the diet pills thing

440
00:27:40,080 --> 00:27:44,119
Speaker 1: and the sort of the I don't know. Well, my

441
00:27:44,200 --> 00:27:47,320
Speaker 1: daughter who's the nineteen was watching it with me last

442
00:27:47,400 --> 00:27:50,600
Speaker 1: night for a few minutes, and she saw what Kelly

443
00:27:50,680 --> 00:27:52,280
Speaker 1: was doing and she was kind of like, oh, like

444
00:27:54,080 --> 00:27:57,280
Speaker 1: she was she I felt as if she had no

445
00:27:57,480 --> 00:28:03,480
Speaker 1: patience for that kind of yeah, you know. Yeah, I'm

446
00:28:03,480 --> 00:28:05,760
Speaker 1: trying to think of like the only example I can

447
00:28:05,760 --> 00:28:07,199
Speaker 1: think of, as I just watched the trailer to the

448
00:28:07,240 --> 00:28:11,160
Speaker 1: New Handmaid's Tale, and I'm like, Kelly isn't in June.

449
00:28:11,960 --> 00:28:14,680
Speaker 1: Oh yeah, the trailer just came out. I think it's

450
00:28:14,680 --> 00:28:16,679
Speaker 1: like the teaser trailer, so it's not like the full trailer,

451
00:28:16,720 --> 00:28:22,040
Speaker 1: but June is just a badass and do you watch it?

452
00:28:23,320 --> 00:28:25,800
Speaker 1: But it's just yeah, I mean those are completely different.

453
00:28:26,720 --> 00:28:31,880
Speaker 1: That's just a totally different situation. But yeah, I don't know,

454
00:28:34,640 --> 00:28:36,480
Speaker 1: like I'm trying to sort of think, like what would

455
00:28:36,480 --> 00:28:39,800
Speaker 1: Carrie Bradshaw do if she were Kelly. I don't know

456
00:28:39,800 --> 00:28:41,640
Speaker 1: why that's going into my brain, but it's like it's

457
00:28:41,680 --> 00:28:44,640
Speaker 1: hard because sheep. We have to remember she's sixteen seventeen

458
00:28:44,720 --> 00:28:49,480
Speaker 1: years old, like and still and she's just learning everything,

459
00:28:50,760 --> 00:28:53,080
Speaker 1: and who would want to go to dinner at the

460
00:28:53,160 --> 00:29:00,680
Speaker 1: perfect Walshes with your boyfriend's ex girlfriend and who sort

461
00:29:00,680 --> 00:29:02,760
Speaker 1: of was your best friend is your best friend? It's

462
00:29:02,760 --> 00:29:08,000
Speaker 1: all blurry, yes, really awkward and messy. Yeah, I was

463
00:29:08,080 --> 00:29:13,000
Speaker 1: uncomfortable whenever it was Kelly Dylan or Brenda Kelly Dylan time.

464
00:29:13,120 --> 00:29:16,200
Speaker 1: So I don't like that feeling. I hope that we

465
00:29:16,280 --> 00:29:18,840
Speaker 1: get back on track with something, but now it's going

466
00:29:18,920 --> 00:29:20,880
Speaker 1: to be about the die pills, so it's not gonna

467
00:29:20,920 --> 00:29:24,320
Speaker 1: be fun love and good times. And Dylan's still grieving

468
00:29:24,440 --> 00:29:27,640
Speaker 1: is the loss of his dad. So I'm gonna take

469
00:29:27,720 --> 00:29:30,720
Speaker 1: me home just to seek me home, just take me

470
00:29:30,760 --> 00:29:35,080
Speaker 1: in the cards. Like that's very teenage too, like older

471
00:29:35,200 --> 00:29:39,120
Speaker 1: us would be like wait, let's sorry, let's talk about it,

472
00:29:39,400 --> 00:29:42,120
Speaker 1: like what do you what? What do you need from me?

473
00:29:42,240 --> 00:29:44,800
Speaker 1: Like how can I help? You know? And I like

474
00:29:44,960 --> 00:29:50,560
Speaker 1: that Dylan's writing the the article, but she's sort of

475
00:29:50,840 --> 00:29:52,920
Speaker 1: but hurt by it. It's like the best way to

476
00:29:52,960 --> 00:29:56,720
Speaker 1: say it. She just feels like on the outside and

477
00:29:56,800 --> 00:29:59,480
Speaker 1: she doesn't know how to get in. And she thinks

478
00:29:59,480 --> 00:30:03,840
Speaker 1: she feels like Brenda's in and family in there because

479
00:30:03,880 --> 00:30:07,600
Speaker 1: they have that history with him and his dad and

480
00:30:07,600 --> 00:30:10,280
Speaker 1: and they do seem to say the right thing. Hm.

481
00:30:11,400 --> 00:30:16,680
Speaker 1: You know, Brenda's very cool. She's coming across very cool

482
00:30:17,480 --> 00:30:22,280
Speaker 1: right now because she's definitely not being selfish, right, do

483
00:30:22,280 --> 00:30:24,240
Speaker 1: you want to come for dinner? My mom wants to

484
00:30:24,280 --> 00:30:28,200
Speaker 1: see you. She doesn't need anything from him or Kelly

485
00:30:27,960 --> 00:30:36,200
Speaker 1: says to need his attention or adoration or something. And

486
00:30:36,280 --> 00:30:39,400
Speaker 1: I just I want her to stop it. That's all

487
00:30:39,440 --> 00:30:44,200
Speaker 1: I have to do. Yeah, yeah, I don't know. Huh.

488
00:30:44,720 --> 00:30:47,200
Speaker 1: There's a lot of not tonight, kel And it's just

489
00:30:47,280 --> 00:30:50,760
Speaker 1: like I felt like they were like fifty years old,

490
00:30:50,840 --> 00:30:54,160
Speaker 1: not tonight. I've got a headache, Honnie, like that you

491
00:30:54,200 --> 00:31:00,280
Speaker 1: know where you're like, oh god, they're not good. Moment

492
00:31:00,320 --> 00:31:02,840
Speaker 1: you know. It's funny how Michael cutlits because I love

493
00:31:02,960 --> 00:31:06,920
Speaker 1: him and Walking Dead. I literally I wonder if people

494
00:31:07,240 --> 00:31:11,040
Speaker 1: see him on the show and then make the connection

495
00:31:11,080 --> 00:31:14,960
Speaker 1: to Walking Dead. And he's such a and he's so

496
00:31:15,040 --> 00:31:17,920
Speaker 1: like the later the gambling guy, and he's sort of

497
00:31:17,920 --> 00:31:21,600
Speaker 1: always a jerk. It's weird how they had so cute.

498
00:31:21,600 --> 00:31:24,160
Speaker 1: He can't you can't be mad at him. He's like, yeah,

499
00:31:24,240 --> 00:31:27,240
Speaker 1: but and he doesn't really like you guys. It's weird.

500
00:31:27,280 --> 00:31:33,000
Speaker 1: He's like Brandon, like he's too cool. What did you

501
00:31:33,000 --> 00:31:35,680
Speaker 1: think when Brandon really took that guy by the neck

502
00:31:36,120 --> 00:31:40,240
Speaker 1: and then Steve drove up like magically, but he got hot,

503
00:31:40,280 --> 00:31:45,640
Speaker 1: like intense. It was so Crazy's like, what the hell

504
00:31:45,680 --> 00:31:48,120
Speaker 1: are you doing? How did he know to drive in

505
00:31:48,240 --> 00:31:49,760
Speaker 1: right then? And how did he know to come to

506
00:31:49,760 --> 00:31:51,520
Speaker 1: the back door of the pace? That's what I was

507
00:31:51,560 --> 00:31:54,520
Speaker 1: gonna say. Why is he parking in the back? I

508
00:31:54,520 --> 00:31:57,280
Speaker 1: don't know? In his vet and his vet it was

509
00:31:57,320 --> 00:32:01,560
Speaker 1: all very convenient. But was a little frightened of Brandon

510
00:32:02,040 --> 00:32:05,160
Speaker 1: and a little like, whoa slow your role? But he's

511
00:32:05,200 --> 00:32:09,720
Speaker 1: just a high school kid. It felt like, um, an

512
00:32:09,760 --> 00:32:13,400
Speaker 1: older guy beating up on a younger guy in that moment.

513
00:32:14,640 --> 00:32:17,000
Speaker 1: It was like, I wonder how old that actor was

514
00:32:17,080 --> 00:32:20,680
Speaker 1: that played Was it Curtis? And it was so hypocritical.

515
00:32:20,720 --> 00:32:23,000
Speaker 1: It's like you're literally terrified that someone's going to do

516
00:32:23,000 --> 00:32:24,800
Speaker 1: this to you, and now you're doing it to this guy.

517
00:32:25,040 --> 00:32:28,200
Speaker 1: And he sure took Steve's three hundred dollars fast. I'll

518
00:32:28,240 --> 00:32:32,680
Speaker 1: take it. I'll take it. Remember Steve offered him money

519
00:32:32,720 --> 00:32:35,080
Speaker 1: like a couple of episodes ago, and he was like no, no, no,

520
00:32:35,240 --> 00:32:37,880
Speaker 1: And now I was just like he's worried he's gonna

521
00:32:37,920 --> 00:32:41,080
Speaker 1: get his Uh, it's gonna end up in the river

522
00:32:41,680 --> 00:32:44,280
Speaker 1: what they don't give him? Yeah, and he's like, don't

523
00:32:44,280 --> 00:32:49,680
Speaker 1: give him my home address. I knew now I remembered

524
00:32:49,760 --> 00:32:55,040
Speaker 1: not saved the day, Like I definitely knew that's what happened.

525
00:32:56,440 --> 00:33:01,920
Speaker 1: But it was still pretty cool, you know. But the

526
00:33:01,960 --> 00:33:05,120
Speaker 1: whole gambling thing is like, God, let's just be done

527
00:33:05,160 --> 00:33:08,600
Speaker 1: with this. Yeah, I oh what I did to see

528
00:33:08,640 --> 00:33:11,920
Speaker 1: what's next? So you know when the young guy at

529
00:33:12,000 --> 00:33:14,440
Speaker 1: high school, the bookie at high school, he's like pulls

530
00:33:14,440 --> 00:33:16,840
Speaker 1: out that gadget and he's like, I keep it little

531
00:33:16,960 --> 00:33:22,040
Speaker 1: right here, like like what or was it like a sidekick? Well, no,

532
00:33:22,240 --> 00:33:26,560
Speaker 1: this is before sidekicks. It was it a calculator. I

533
00:33:26,600 --> 00:33:30,000
Speaker 1: don't know because okay, so it's nine three. So at

534
00:33:30,000 --> 00:33:32,800
Speaker 1: the time, people had word processors. So I was in

535
00:33:32,880 --> 00:33:36,000
Speaker 1: college and people had word processors. I weirdly had a

536
00:33:36,080 --> 00:33:39,880
Speaker 1: computer that was like a giant screen and then you

537
00:33:39,960 --> 00:33:42,600
Speaker 1: hooked up this whole thing and then it had a

538
00:33:42,680 --> 00:33:46,960
Speaker 1: keyboard and you could print. But most kids had word processors,

539
00:33:47,000 --> 00:33:49,520
Speaker 1: and that's what I thought Dylan was writing his paper on. No,

540
00:33:49,680 --> 00:33:52,760
Speaker 1: that was a typewriter. I think it was electric though,

541
00:33:52,840 --> 00:33:56,280
Speaker 1: like an electric and some of them had tiny little

542
00:33:56,320 --> 00:33:59,360
Speaker 1: screens where you could see like a couple of sentences

543
00:33:59,360 --> 00:34:01,360
Speaker 1: at a time and edit those to make sure you

544
00:34:01,360 --> 00:34:05,120
Speaker 1: didn't have typos before it like printed. Yeah, but that

545
00:34:05,200 --> 00:34:09,680
Speaker 1: was like a handheld situation before there was that that

546
00:34:09,719 --> 00:34:14,239
Speaker 1: guy had out there yet. No, I don't know what

547
00:34:14,280 --> 00:34:18,480
Speaker 1: that was because I had a cell phone. His cellphone

548
00:34:18,480 --> 00:34:20,960
Speaker 1: hooked in the car, like you guys had my dad

549
00:34:21,200 --> 00:34:24,600
Speaker 1: brick ones that you could right like very Zach Morrison

550
00:34:24,680 --> 00:34:27,319
Speaker 1: saved by the bell with an antenna that stuck up,

551
00:34:28,040 --> 00:34:30,400
Speaker 1: and literally they were so expensive. My dad would go

552
00:34:30,680 --> 00:34:33,360
Speaker 1: crazy on us, like who were we calling from the

553
00:34:33,400 --> 00:34:35,680
Speaker 1: cell phone? Because it was like a dollar a minute,

554
00:34:35,680 --> 00:34:39,239
Speaker 1: and you're like, so busted. But what that guy had

555
00:34:39,320 --> 00:34:42,840
Speaker 1: I don't know what that was. I don't either. I

556
00:34:42,880 --> 00:34:44,279
Speaker 1: don't think he knew what it was either. He was

557
00:34:44,320 --> 00:35:00,160
Speaker 1: just faking it. Okay, So there's a ce and that

558
00:35:00,160 --> 00:35:02,880
Speaker 1: I'd love to talk about. Two Kelly and Brenda in

559
00:35:02,880 --> 00:35:08,719
Speaker 1: the bathroom and then Andrea comes out. Remember that. I

560
00:35:08,920 --> 00:35:10,879
Speaker 1: was kind of like Andrea was in there the whole

561
00:35:10,880 --> 00:35:15,279
Speaker 1: time exactly, and she's sort of like, kind of even

562
00:35:15,360 --> 00:35:19,919
Speaker 1: wise words. She comes in for the save totally the

563
00:35:19,960 --> 00:35:25,040
Speaker 1: words of wisdom from the elder. But thank god, I mean,

564
00:35:25,040 --> 00:35:29,720
Speaker 1: that wasn't at first. When it's when Kelly was started

565
00:35:29,719 --> 00:35:32,360
Speaker 1: to go off on Brenda, I was like, oh, good lord,

566
00:35:32,400 --> 00:35:35,399
Speaker 1: here we go. I don't know what's gonna happen. But

567
00:35:35,440 --> 00:35:40,360
Speaker 1: the thankfully she reeled it in and apologies said sorry,

568
00:35:40,320 --> 00:35:43,600
Speaker 1: yeah you blazer. By the way, Yeah, I thought she

569
00:35:43,640 --> 00:35:46,319
Speaker 1: looked great. I thought she looked a little tired. She

570
00:35:46,360 --> 00:35:49,960
Speaker 1: looks great. She looks a little stressed, Yeah, a little

571
00:35:50,000 --> 00:35:53,760
Speaker 1: bags under her eyes. Maybe you know what those diet

572
00:35:53,840 --> 00:35:58,200
Speaker 1: pills are. They're spinning her out, man already. Then she

573
00:35:58,360 --> 00:36:01,360
Speaker 1: that message she was just on wanted at time, message

574
00:36:01,400 --> 00:36:03,880
Speaker 1: to everyone at home. Just say no, Just say no.

575
00:36:04,160 --> 00:36:05,960
Speaker 1: She says, what they're from the drug store. I'm sure

576
00:36:06,000 --> 00:36:09,600
Speaker 1: they're fine. I'm sure they're perfectly. What are they just

577
00:36:09,640 --> 00:36:12,279
Speaker 1: gonna give you diarrhea? Like everything from the drug store

578
00:36:12,400 --> 00:36:16,600
Speaker 1: is harmless. You don't trust a lot of things that

579
00:36:16,680 --> 00:36:21,560
Speaker 1: you can get at the CBS that are not totally

580
00:36:22,400 --> 00:36:26,319
Speaker 1: totally but yeah, and then she's just popping them. That

581
00:36:26,440 --> 00:36:31,120
Speaker 1: was rough. Yeah, that's I'm worried about. I will give

582
00:36:31,160 --> 00:36:33,960
Speaker 1: a shout out to the disco duck reference. Did you

583
00:36:33,960 --> 00:36:37,920
Speaker 1: hear that? So because you know Rick D's. Rick Dee's

584
00:36:38,000 --> 00:36:41,040
Speaker 1: is the one who likes saying disco duck. Oh my god.

585
00:36:41,320 --> 00:36:44,200
Speaker 1: He was the Seacrest before Seacrest, right and it was

586
00:36:44,239 --> 00:36:48,880
Speaker 1: like disco duck. Oh god. Do you think Ryan Secause

587
00:36:49,040 --> 00:36:52,880
Speaker 1: knew he was gonna be Rick D's Like yeah, I

588
00:36:52,920 --> 00:36:55,960
Speaker 1: mean yeah, yeah, I mean I knew Ryan then. So

589
00:36:56,080 --> 00:37:00,800
Speaker 1: I knew Ryan in the We met in ninety six

590
00:37:01,200 --> 00:37:05,560
Speaker 1: ish about nine, and yeah, he wanted he knew day one,

591
00:37:05,680 --> 00:37:09,000
Speaker 1: he wanted to be Dick Clark. Rick D's is like

592
00:37:09,280 --> 00:37:12,120
Speaker 1: Griffin all these like, yeah, he knew and he hasn't

593
00:37:12,200 --> 00:37:14,759
Speaker 1: changed a bit. Everybody asked me like, is he different now,

594
00:37:14,800 --> 00:37:17,520
Speaker 1: I'm like, nope, same as the kid that just was

595
00:37:17,600 --> 00:37:21,759
Speaker 1: like let's try this. You know, he's just yeah, he's

596
00:37:21,960 --> 00:37:25,799
Speaker 1: he's the coolest. He's just the coolest, I know, the

597
00:37:25,920 --> 00:37:29,480
Speaker 1: most down to earth you'd never because he's just exactly

598
00:37:29,480 --> 00:37:31,319
Speaker 1: the same as that. I think we were like what

599
00:37:31,880 --> 00:37:35,960
Speaker 1: but we're we twenty two something like that same kid. Well,

600
00:37:36,280 --> 00:37:38,960
Speaker 1: I remember when I can remember because I'm looking at

601
00:37:38,960 --> 00:37:42,880
Speaker 1: the image of Kelly and Brenda in the bathroom for

602
00:37:43,000 --> 00:37:48,759
Speaker 1: that scene because of that look. That was a great look.

603
00:37:48,840 --> 00:37:53,719
Speaker 1: The blue blazer. Yeah, very legit high school bathroom too.

604
00:37:53,719 --> 00:37:56,520
Speaker 1: I'm assuming I don't know where you shot. That was

605
00:37:56,800 --> 00:38:00,120
Speaker 1: looked real. It looked very real because that's exactly what

606
00:38:00,200 --> 00:38:02,839
Speaker 1: high school bathrooms look like. Yeah, I think that was real.

607
00:38:03,320 --> 00:38:09,920
Speaker 1: But I remember um going into the diet pills world

608
00:38:10,080 --> 00:38:12,040
Speaker 1: and knowing that the character was it was going to

609
00:38:12,120 --> 00:38:16,440
Speaker 1: be a continual thing I was going to build. I remember, like,

610
00:38:16,560 --> 00:38:19,120
Speaker 1: looking back on it, I can see starting to like

611
00:38:19,320 --> 00:38:23,040
Speaker 1: kind of she's looking a little different, like not quite

612
00:38:24,360 --> 00:38:28,960
Speaker 1: a lit not you know, I thought Tory. I wish

613
00:38:29,000 --> 00:38:31,160
Speaker 1: Tori was here because I thought Tori made a really

614
00:38:31,280 --> 00:38:36,120
Speaker 1: really excellent point. A few weeks back, talking sort of

615
00:38:36,280 --> 00:38:40,160
Speaker 1: the blurred lines between Kelly and Jenny, Donna and Tori

616
00:38:40,800 --> 00:38:44,319
Speaker 1: and then and and sort of asking you they give

617
00:38:44,400 --> 00:38:50,080
Speaker 1: you this storyline why and you having to deal with

618
00:38:50,120 --> 00:38:54,440
Speaker 1: it for Kelly, but then as Jenny going why are

619
00:38:54,480 --> 00:38:57,680
Speaker 1: they giving me this storyline and having it blur like

620
00:38:57,840 --> 00:39:00,719
Speaker 1: do I look all right? That seems like it would be.

621
00:39:01,320 --> 00:39:03,759
Speaker 1: I mean, obviously you did. Of course, I think for

622
00:39:03,840 --> 00:39:07,839
Speaker 1: any young actor to be given something to do like that,

623
00:39:07,960 --> 00:39:11,239
Speaker 1: I mean, and now disguise the limit of what what

624
00:39:11,239 --> 00:39:15,440
Speaker 1: what they put people through for some things now, But um,

625
00:39:15,480 --> 00:39:19,400
Speaker 1: back then, I think that it definitely soaked into my

626
00:39:19,480 --> 00:39:26,200
Speaker 1: psyche and I did develop body dysmorphia and uh, you know,

627
00:39:26,360 --> 00:39:30,879
Speaker 1: feeling like I my body looked differently than it than

628
00:39:30,920 --> 00:39:34,319
Speaker 1: other people thought it looked, or and in trying out

629
00:39:34,400 --> 00:39:36,279
Speaker 1: believe me like I want, I thought maybe I need

630
00:39:36,280 --> 00:39:39,680
Speaker 1: to start throwing up, like starting to start starve myself.

631
00:39:39,800 --> 00:39:42,680
Speaker 1: I took diet pills like I feel like this was

632
00:39:42,760 --> 00:39:49,840
Speaker 1: all so imprinted in my just my my growth m

633
00:39:50,719 --> 00:39:56,040
Speaker 1: that it it could not seep into Jenny. You know, yeah,

634
00:39:56,160 --> 00:39:58,880
Speaker 1: I mean when you first think about it, you're like,

635
00:39:58,960 --> 00:40:02,239
Speaker 1: of course not, You're an actor. This is a storyline.

636
00:40:02,800 --> 00:40:06,600
Speaker 1: It's totally separate from real life, but like God, it

637
00:40:06,680 --> 00:40:10,760
Speaker 1: does blur. It's weird here. And you know how everyone

638
00:40:10,880 --> 00:40:14,480
Speaker 1: says Austin Butler talks like Elvis, now, do you know

639
00:40:14,480 --> 00:40:15,960
Speaker 1: what I mean? Like they're sort of saying, he has

640
00:40:16,000 --> 00:40:19,200
Speaker 1: this totally different accent. Well, if you talked with an

641
00:40:19,200 --> 00:40:22,640
Speaker 1: accent for three years or two years or whatever. It

642
00:40:22,680 --> 00:40:25,439
Speaker 1: took him to make that because he had to get

643
00:40:25,440 --> 00:40:27,839
Speaker 1: the role, learn it, and then there was COVID. Of

644
00:40:27,880 --> 00:40:31,239
Speaker 1: course it's gonna seep it, you know what I mean?

645
00:40:31,320 --> 00:40:34,520
Speaker 1: So like that as actors, I kind of for me,

646
00:40:34,560 --> 00:40:38,400
Speaker 1: I'll only speak for myself, but I feel like sometimes

647
00:40:38,560 --> 00:40:41,680
Speaker 1: I can equate it to um, either like a dish

648
00:40:41,760 --> 00:40:46,040
Speaker 1: rag or a sponge that is squeezed. All the juices

649
00:40:46,040 --> 00:40:48,560
Speaker 1: are squeezed out of it, and then it puffs up

650
00:40:48,600 --> 00:40:53,560
Speaker 1: with whatever the new liquid is. And so like you,

651
00:40:53,560 --> 00:40:56,240
Speaker 1: you suck up all that liquid of this new character

652
00:40:56,400 --> 00:40:58,960
Speaker 1: or all those new traits or all the problems or

653
00:40:59,280 --> 00:41:02,560
Speaker 1: all the every thing that they're going through, and then

654
00:41:03,239 --> 00:41:05,640
Speaker 1: you're you're walking around with that even when you go home,

655
00:41:05,640 --> 00:41:09,480
Speaker 1: and now it's still in you, it's still you're carrying it.

656
00:41:09,560 --> 00:41:12,000
Speaker 1: With you. Well, it's like they talk about like social

657
00:41:12,040 --> 00:41:15,680
Speaker 1: workers or therapists because they are dealing with these issues

658
00:41:15,800 --> 00:41:17,840
Speaker 1: all day long. How do you think those people just

659
00:41:17,880 --> 00:41:21,800
Speaker 1: go home and forget about their clients or the family

660
00:41:21,840 --> 00:41:24,279
Speaker 1: they're working with. I'd have to assume the same thing

661
00:41:24,400 --> 00:41:29,000
Speaker 1: for you, Like you're dealing with this storyline. And even

662
00:41:29,000 --> 00:41:31,520
Speaker 1: though it's like I feel like trama, like maybe with

663
00:41:31,600 --> 00:41:34,399
Speaker 1: a therapist or something would be there's like a sense

664
00:41:34,440 --> 00:41:38,880
Speaker 1: of like there's a barrier because they're not put a

665
00:41:38,880 --> 00:41:41,680
Speaker 1: shield a listening to someone else's problem. But when you're

666
00:41:41,719 --> 00:41:44,759
Speaker 1: an actor and you actually step into those shoes or

667
00:41:45,760 --> 00:41:49,560
Speaker 1: that body of that person and you have to emode

668
00:41:49,560 --> 00:41:53,040
Speaker 1: it and like portray it and you have to feel

669
00:41:53,080 --> 00:41:55,080
Speaker 1: it on such a level that it's got to be

670
00:41:55,200 --> 00:41:57,919
Speaker 1: really like it's got to come from real or it's

671
00:41:57,920 --> 00:42:01,439
Speaker 1: not going to work. Right. I think about that with

672
00:42:01,600 --> 00:42:03,640
Speaker 1: the episode I can't remember if it was last week

673
00:42:03,680 --> 00:42:06,359
Speaker 1: of the week before where where Luke Perry had such

674
00:42:06,400 --> 00:42:11,800
Speaker 1: a powerful episode how right he had you. You can't

675
00:42:11,800 --> 00:42:15,160
Speaker 1: just do that like a light switch. You must take

676
00:42:15,239 --> 00:42:19,080
Speaker 1: on the pain, you must take on whatever it is

677
00:42:19,239 --> 00:42:21,920
Speaker 1: or drawn it. I mean, I'm not an actor, so

678
00:42:21,960 --> 00:42:24,319
Speaker 1: like what the F do I know? But like, I'm

679
00:42:24,320 --> 00:42:27,279
Speaker 1: not an actor because I can't do that. I used

680
00:42:27,280 --> 00:42:29,440
Speaker 1: to think you had to have a lot of like

681
00:42:29,840 --> 00:42:33,000
Speaker 1: life experiences, you had to have a lot of traumatic

682
00:42:33,080 --> 00:42:35,399
Speaker 1: things happened to you or like, you know, a lot

683
00:42:35,400 --> 00:42:38,840
Speaker 1: of stuff in your life history in order to portray

684
00:42:38,880 --> 00:42:41,640
Speaker 1: it on screen. But I didn't have a lot of

685
00:42:41,680 --> 00:42:44,920
Speaker 1: stuff at that point in my life at a young age.

686
00:42:45,480 --> 00:42:50,160
Speaker 1: And I feel like, you know, there's I think that's

687
00:42:50,160 --> 00:42:52,759
Speaker 1: what they always say, like, oh, their method, like they

688
00:42:52,800 --> 00:42:55,560
Speaker 1: they become the character and can't shake it off and

689
00:42:55,600 --> 00:42:58,400
Speaker 1: they walk around like that character. And sometimes that works,

690
00:42:58,400 --> 00:43:00,680
Speaker 1: and sometimes you have to do that, but you have

691
00:43:00,760 --> 00:43:02,400
Speaker 1: to go off. You have sometimes you have to go

692
00:43:02,480 --> 00:43:05,600
Speaker 1: home and back to your quote unquote real life for

693
00:43:05,600 --> 00:43:10,360
Speaker 1: six hours or something. But I feel like when I work,

694
00:43:10,480 --> 00:43:17,279
Speaker 1: like I can instantly like put myself in someone else's

695
00:43:17,320 --> 00:43:21,960
Speaker 1: situation so deeply that it I feel it, and it

696
00:43:22,840 --> 00:43:27,440
Speaker 1: it you know, it comes out in whatever way can

697
00:43:27,520 --> 00:43:31,240
Speaker 1: you remember at this time, like specifically maybe with Kelly's

698
00:43:31,239 --> 00:43:33,240
Speaker 1: sort of arc right now, because it is a little

699
00:43:33,239 --> 00:43:38,239
Speaker 1: bit more MOPy, dramatic, heavier going home at night, like

700
00:43:38,360 --> 00:43:41,040
Speaker 1: did you feel happy at home at night or were was?

701
00:43:41,120 --> 00:43:43,360
Speaker 1: Were you coming from? The set? Was sort of this

702
00:43:43,480 --> 00:43:48,680
Speaker 1: baggage of that what y're okay? So this was and

703
00:43:48,719 --> 00:43:50,840
Speaker 1: I would have been how old? Who can do math?

704
00:43:53,200 --> 00:43:58,560
Speaker 1: I can't wait? You're like if I was twenty, I

705
00:43:58,680 --> 00:44:02,320
Speaker 1: was nineteen. You were probably twenty something but not much older.

706
00:44:03,160 --> 00:44:05,000
Speaker 1: I was like nineteen, So what I think? It's a

707
00:44:05,000 --> 00:44:09,360
Speaker 1: little now, who can you twenty two? You weren't old,

708
00:44:09,600 --> 00:44:13,480
Speaker 1: You're like twenty two. Literally, I was going through some Yeah,

709
00:44:13,800 --> 00:44:16,520
Speaker 1: did you have your twenty first birthday? Like with in

710
00:44:16,560 --> 00:44:19,000
Speaker 1: the nine World? Can you remember that at all? Like

711
00:44:19,000 --> 00:44:21,279
Speaker 1: what did you do for your twenty first birthday? Because

712
00:44:21,320 --> 00:44:23,759
Speaker 1: I think you were on nine one? Oh oh yeah,

713
00:44:23,960 --> 00:44:29,279
Speaker 1: no idea, no memory? What'soe? Sorry, I'm trying to remember mine.

714
00:44:29,560 --> 00:44:31,200
Speaker 1: My daughter, I took her to get her jars lest

715
00:44:31,239 --> 00:44:33,359
Speaker 1: the other day, she said, and she she didn't pass

716
00:44:33,400 --> 00:44:36,960
Speaker 1: her test. Oh no, they none of them do. I

717
00:44:37,080 --> 00:44:39,680
Speaker 1: was like trying to remember when I did that, and

718
00:44:39,719 --> 00:44:41,640
Speaker 1: I can't even remember when I got Like I can

719
00:44:41,760 --> 00:44:45,280
Speaker 1: remember sixteen better than twenty one because I remember literally

720
00:44:45,400 --> 00:44:47,840
Speaker 1: driving to school. I got my license in the morning,

721
00:44:48,200 --> 00:44:50,080
Speaker 1: I went home with my mom and took the car

722
00:44:50,160 --> 00:44:52,000
Speaker 1: and drove to school for like the second half the day,

723
00:44:52,000 --> 00:44:55,440
Speaker 1: and I drove smiling like a fool, like I couldn't

724
00:44:55,480 --> 00:44:58,959
Speaker 1: stop smiling, like I drive. Now you remember twenty one either,

725
00:44:59,080 --> 00:45:00,480
Speaker 1: I mean, it must have been a was I went

726
00:45:00,520 --> 00:45:02,840
Speaker 1: to cal so I must have been there. But yeah, like,

727
00:45:02,920 --> 00:45:05,720
Speaker 1: do you can you remember this time? Like it doesn't

728
00:45:05,719 --> 00:45:07,840
Speaker 1: sound like it was all unicorns and I had already

729
00:45:07,920 --> 00:45:12,680
Speaker 1: been married if you can imagine, No, I cannot. Actually

730
00:45:13,120 --> 00:45:15,040
Speaker 1: I think I got married when I was twenty one

731
00:45:16,280 --> 00:45:21,120
Speaker 1: for for like one year. God the difference between I

732
00:45:21,120 --> 00:45:24,520
Speaker 1: mean and I'm sure people like listening like because I

733
00:45:24,560 --> 00:45:27,400
Speaker 1: was close to your age, but I was totally in college,

734
00:45:27,440 --> 00:45:30,319
Speaker 1: living to sorority, watching this show every week with like

735
00:45:30,520 --> 00:45:34,319
Speaker 1: twenty girlfriends were our biggest Like literally we did not

736
00:45:34,440 --> 00:45:37,080
Speaker 1: have a care in the world. Someone cooked every meal

737
00:45:37,160 --> 00:45:40,719
Speaker 1: for us. We literally would go downstairs to the dining room.

738
00:45:40,920 --> 00:45:42,680
Speaker 1: We didn't have to do dishes. You have to take

739
00:45:42,719 --> 00:45:45,719
Speaker 1: your plate to the sink. That was it. And then

740
00:45:45,760 --> 00:45:49,920
Speaker 1: I just remember constant gummy candy, like getting like that

741
00:45:50,080 --> 00:45:53,000
Speaker 1: for me back sea glass boxes with my name Puffy

742
00:45:53,040 --> 00:45:56,160
Speaker 1: painted and just eating gummy worms like that was my life.

743
00:45:56,160 --> 00:46:01,200
Speaker 1: And then going to class. No, we were working sixteen

744
00:46:01,360 --> 00:46:05,120
Speaker 1: seventeen hour days. We were uh, did you did you

745
00:46:05,120 --> 00:46:09,280
Speaker 1: want a house? I had a mortgage, I had a husband,

746
00:46:09,440 --> 00:46:14,000
Speaker 1: I had car payments, more than one car payment, and

747
00:46:14,000 --> 00:46:20,320
Speaker 1: and meetings with men who told me they were managing

748
00:46:20,360 --> 00:46:22,359
Speaker 1: my money. You know, people that were managing my money

749
00:46:22,480 --> 00:46:27,160
Speaker 1: or managing my career. Big girl meet like adult things

750
00:46:30,280 --> 00:46:33,759
Speaker 1: under my eyes. My biggest thing is I was about that.

751
00:46:33,880 --> 00:46:37,719
Speaker 1: It was probably nine three and we were having a

752
00:46:37,760 --> 00:46:43,200
Speaker 1: sorority sneak, which means like I think older girls took pledges,

753
00:46:43,680 --> 00:46:45,560
Speaker 1: and someone told me to get in the back of

754
00:46:45,600 --> 00:46:47,640
Speaker 1: a U haul. I'll never forget it. Like they opened

755
00:46:47,719 --> 00:46:49,640
Speaker 1: up the back of a U haul and said everybody

756
00:46:49,719 --> 00:46:53,920
Speaker 1: get in and I was like, absolutely not. I was

757
00:46:54,000 --> 00:46:56,960
Speaker 1: like they're please. I was like, there is zero chance

758
00:46:57,239 --> 00:47:00,319
Speaker 1: I'm getting in the back of a U haul. Other

759
00:47:00,360 --> 00:47:03,319
Speaker 1: girls get in there totally they didn't care. And then

760
00:47:03,400 --> 00:47:06,200
Speaker 1: like this a girl who I'm still totally best friends with,

761
00:47:06,239 --> 00:47:08,919
Speaker 1: who was a senior. She's like, that's okay, Sugie, jump

762
00:47:09,040 --> 00:47:10,560
Speaker 1: up here with me, and I wrote in the front.

763
00:47:10,600 --> 00:47:12,920
Speaker 1: I was like, I'm cool, ran in the front. That

764
00:47:13,080 --> 00:47:15,000
Speaker 1: was like the crap that was going. That was my

765
00:47:15,000 --> 00:47:21,080
Speaker 1: biggest dramatic moment like and you're dealing with like life bleep,

766
00:47:21,160 --> 00:47:23,040
Speaker 1: and I'm like, I'm not getting in the maganat you.

767
00:47:23,320 --> 00:47:25,680
Speaker 1: I'll eat my gummy worms up here. I wonder I'm

768
00:47:25,680 --> 00:47:29,160
Speaker 1: gonna I gotta, I gotta do some memory searching or

769
00:47:29,280 --> 00:47:32,520
Speaker 1: just ask Mr Schobez when did I get married? When

770
00:47:32,520 --> 00:47:34,600
Speaker 1: did I get divorced? When did I get remarried? And

771
00:47:35,360 --> 00:47:37,680
Speaker 1: that could tell me, and I could tell me, you

772
00:47:37,719 --> 00:47:41,680
Speaker 1: know what was happening in young Jenny's life at this moment.

773
00:47:41,680 --> 00:47:44,040
Speaker 1: It's all on the internet. Jenny. That's what's so crazy.

774
00:47:44,040 --> 00:47:47,760
Speaker 1: I don't google myself, Jenny. Do you ever google yourself?

775
00:47:48,040 --> 00:47:51,400
Speaker 1: Why would I? Oh? I know celebrities that do what

776
00:47:51,440 --> 00:47:55,120
Speaker 1: do they? They're pressed? They want to see what the

777
00:47:55,160 --> 00:47:59,200
Speaker 1: press is talking about them. Jenny Garth first marriage. Let's

778
00:47:59,239 --> 00:48:02,799
Speaker 1: see what it says the Beverly Hills nine one oh

779
00:48:02,800 --> 00:48:05,799
Speaker 1: alum had been married twice before. Oh, that's talking about

780
00:48:05,800 --> 00:48:09,200
Speaker 1: your guy. Now. I won't say everybody's names. Let's see.

781
00:48:09,600 --> 00:48:16,600
Speaker 1: Uh wait, I was the first guy's name start with A, dried,

782
00:48:16,840 --> 00:48:20,839
Speaker 1: married him and and divorced in ninety six two years. Wow,

783
00:48:20,920 --> 00:48:24,720
Speaker 1: I took a minute. So you were dating him right now? Oh? Yes, okay,

784
00:48:24,719 --> 00:48:29,359
Speaker 1: all right, okay, I'm dating him. Wow, I don't even

785
00:48:29,440 --> 00:48:34,880
Speaker 1: remember that. I remember Peter obviously. That was like that

786
00:48:34,960 --> 00:48:37,759
Speaker 1: was a very high profile marriage. We can talk about

787
00:48:37,800 --> 00:48:41,880
Speaker 1: that another day. Oh my god, my god, So you

788
00:48:41,960 --> 00:48:44,399
Speaker 1: lived like you were like, it's you were a kid,

789
00:48:45,520 --> 00:48:48,279
Speaker 1: it's a child. Wait, let me see if there's anything

790
00:48:48,320 --> 00:48:52,960
Speaker 1: else I love. I would go off on tangent something literally. Okay,

791
00:48:52,960 --> 00:48:56,160
Speaker 1: but wait, okay, we've already talked fashion. We love the blazer. Uh,

792
00:48:56,800 --> 00:49:01,080
Speaker 1: I don't know. There wasn't anything I really up. He

793
00:49:01,160 --> 00:49:04,360
Speaker 1: had a plaid sort of red sure that I loved

794
00:49:04,560 --> 00:49:07,920
Speaker 1: poor Andrea, like I just it's like a different stylist

795
00:49:08,000 --> 00:49:12,239
Speaker 1: is dressing her. Yeah. My kid also asked me while

796
00:49:12,280 --> 00:49:16,360
Speaker 1: we were watching this, is she one of the teachers

797
00:49:15,440 --> 00:49:21,120
Speaker 1: like Andrea? Hello, Nat was a baller in this I

798
00:49:21,200 --> 00:49:25,520
Speaker 1: think we're hopefully putting a pin in that storyline. Precious

799
00:49:25,560 --> 00:49:30,279
Speaker 1: to me, precious to you, terrible terrible song. Steve was

800
00:49:30,320 --> 00:49:33,240
Speaker 1: sort of cool. Everything about Steve was sort of pretty

801
00:49:33,280 --> 00:49:36,520
Speaker 1: cool in this episode. Just the way he strides into

802
00:49:36,560 --> 00:49:40,520
Speaker 1: a scene is cool. I think he walks in thin

803
00:49:40,960 --> 00:49:44,359
Speaker 1: leading with his chest or something. Yeah. I also think

804
00:49:44,400 --> 00:49:48,000
Speaker 1: Ian was in my dream again. I don't. I don't know.

805
00:49:49,000 --> 00:49:56,560
Speaker 1: It's like I can't really shake him. Even Mr Myers recently.

806
00:49:57,320 --> 00:50:00,920
Speaker 1: Did you see him? I always I'm like, I have

807
00:50:00,960 --> 00:50:03,480
Speaker 1: a crush, like not a weird crush, but just like

808
00:50:03,719 --> 00:50:08,680
Speaker 1: he's so cool, so cool, Like we are just talking

809
00:50:08,719 --> 00:50:10,879
Speaker 1: about We're just talking about the I Heart Radio Music

810
00:50:10,960 --> 00:50:12,960
Speaker 1: Festival in Vegas. Did you see my text about that?

811
00:50:13,120 --> 00:50:16,760
Speaker 1: So I texted I'm like talking to Jenny talking about Jenny.

812
00:50:16,800 --> 00:50:18,319
Speaker 1: But I texted Jenny and Tory to see if they

813
00:50:18,360 --> 00:50:20,239
Speaker 1: want to come to the Heart Radio Music Festival. I'm like,

814
00:50:20,320 --> 00:50:22,239
Speaker 1: I haven't texted Iron yet, but of course I will.

815
00:50:22,280 --> 00:50:24,000
Speaker 1: I'll be like, do you want to come again? Oh?

816
00:50:24,120 --> 00:50:27,160
Speaker 1: I didn't. I don't think the girls last year. Look

817
00:50:27,280 --> 00:50:30,520
Speaker 1: the line of school, I'll look at it. Yeah, I

818
00:50:30,520 --> 00:50:32,799
Speaker 1: mean I don't want to. I'm nervous about Vegas because

819
00:50:32,800 --> 00:50:35,720
Speaker 1: of COVID. It's like I don't got all the germs,

820
00:50:35,760 --> 00:50:39,920
Speaker 1: but I guess we just lived with germs. Um. Yeah,

821
00:50:39,960 --> 00:50:41,720
Speaker 1: I feel like we covered it all. He did good.

822
00:50:41,840 --> 00:50:46,000
Speaker 1: I feel like we got it all and uh yeah,

823
00:50:46,040 --> 00:50:49,440
Speaker 1: I'm I'm happy for me. This episode was that we

824
00:50:49,440 --> 00:50:51,839
Speaker 1: were out of high. I was really excited in this

825
00:50:51,920 --> 00:50:55,560
Speaker 1: episode was like like I kind of took a nosedive.

826
00:50:55,800 --> 00:50:58,960
Speaker 1: I didn't love this episode. So yeah, for me, it's

827
00:50:58,960 --> 00:51:03,719
Speaker 1: a very classic less Less Dynasty, more classic nine O

828
00:51:03,840 --> 00:51:06,680
Speaker 1: two one. Oh, but I get it. I was a

829
00:51:06,719 --> 00:51:09,200
Speaker 1: little bored. Yeah, I didn't. I didn't have that. But

830
00:51:14,840 --> 00:51:18,319
Speaker 1: how next week will perk things back up? We'll have news.

831
00:51:18,760 --> 00:51:21,480
Speaker 1: Oh you know we didn't talk about quickly was when

832
00:51:21,520 --> 00:51:24,799
Speaker 1: Cindy was doing the dishes and Jim Walt walks in

833
00:51:25,239 --> 00:51:27,680
Speaker 1: and she says, hi, honey, and he says hi baby.

834
00:51:28,000 --> 00:51:32,880
Speaker 1: They kind of like love each other. They have to

835
00:51:32,920 --> 00:51:37,399
Speaker 1: have a perfect marriage. Look, we're both fanning ourselves. So

836
00:51:37,520 --> 00:51:40,360
Speaker 1: I don't have air conditioning where I am. Just I

837
00:51:40,400 --> 00:51:42,920
Speaker 1: don't like to turn my air conditioning on you guys.

838
00:51:43,040 --> 00:51:45,680
Speaker 1: I'm like that lady, because you don't like to your

839
00:51:45,719 --> 00:51:48,799
Speaker 1: frugal or like you don't like air conditioned air. I

840
00:51:48,880 --> 00:51:52,319
Speaker 1: just feel like it's a lot of energy and it's

841
00:51:52,600 --> 00:51:55,040
Speaker 1: people don't take it, like they leave the doors and

842
00:51:55,040 --> 00:52:00,759
Speaker 1: windows open and it feels like not the air. Yeah,

843
00:52:00,760 --> 00:52:03,840
Speaker 1: I don't like it. I run my NonStop. I'm not

844
00:52:03,880 --> 00:52:06,400
Speaker 1: in l a right now, but run. I mean, do

845
00:52:06,440 --> 00:52:08,919
Speaker 1: you wake up in the night sweating? I'd have that.

846
00:52:08,920 --> 00:52:13,200
Speaker 1: That's the thing. I sleep with a fan. Get a fan,

847
00:52:13,560 --> 00:52:17,560
Speaker 1: it'll be your new best friend to turn at you

848
00:52:17,600 --> 00:52:19,759
Speaker 1: all night. I have two fans in here, but I

849
00:52:19,760 --> 00:52:22,400
Speaker 1: have to turn them off because the microphone picks them up.

850
00:52:22,440 --> 00:52:24,960
Speaker 1: Now that we're big podcast stars, I have to turn

851
00:52:25,000 --> 00:52:29,120
Speaker 1: my microe. Okay, next week, everybody, we will cool down

852
00:52:29,280 --> 00:52:33,879
Speaker 1: and we will watch perfectly perfect for next week. What,

853
00:52:34,200 --> 00:52:39,560
Speaker 1: Oh my god, I think it might be your birthday either. Wait,

854
00:52:39,640 --> 00:52:41,000
Speaker 1: not your twenty one part of me, part of me,

855
00:52:41,040 --> 00:52:44,120
Speaker 1: your eighteenth birthday. I'm so dumb. I know that's coming.

856
00:52:44,640 --> 00:52:48,120
Speaker 1: It's either next week or the week after Kelly has

857
00:52:48,160 --> 00:52:51,960
Speaker 1: a party. I don't remember. I just know your birthday,

858
00:52:51,960 --> 00:52:55,719
Speaker 1: your eighteenth birthday is coming. I'm excited. Yeah, we gotta

859
00:52:56,120 --> 00:52:58,800
Speaker 1: do something special. I'll look at I'll peak ahead. Okay,

860
00:52:58,920 --> 00:53:02,399
Speaker 1: let's do it. I hope you guys enjoyed this week,

861
00:53:02,520 --> 00:53:11,680
Speaker 1: and we will see you next week. M hm