1
00:00:00,240 --> 00:00:03,279
Speaker 1: Thank you for You're coming back. Part two is underway.

2
00:00:04,200 --> 00:00:04,880
Speaker 1: When you growing up?

3
00:00:04,920 --> 00:00:15,520
Speaker 2: Who is your celebrity crush? Tai twer Banks, tire Banks,

4
00:00:15,560 --> 00:00:19,200
Speaker 2: Tarry Banks will be she's all with you? She what

5
00:00:19,200 --> 00:00:21,840
Speaker 2: with thirteen years old than you m she'll be thirty

6
00:00:22,239 --> 00:00:26,560
Speaker 2: years old. It didn't matter because when my mom was

7
00:00:26,560 --> 00:00:28,440
Speaker 2: married my stepfather, you always had this sports He was

8
00:00:28,480 --> 00:00:32,400
Speaker 2: Sports Illustrated and she was like miss sports us. Yeah.

9
00:00:32,400 --> 00:00:34,199
Speaker 2: So when he had her calendar. I remember finding a

10
00:00:34,240 --> 00:00:37,239
Speaker 2: calendar and in they closet and I was like, this

11
00:00:37,280 --> 00:00:39,879
Speaker 2: is the first woman I saw. I said, this is

12
00:00:39,880 --> 00:00:42,680
Speaker 2: everything and that was the first woman. I laid my

13
00:00:42,680 --> 00:00:45,239
Speaker 2: eyes and I was like, I like her And it

14
00:00:45,280 --> 00:00:49,440
Speaker 2: was Tyra. It was Hillary Banks. I love some Hillary.

15
00:00:52,159 --> 00:00:54,840
Speaker 2: And was that really? It was that? It? That might

16
00:00:54,880 --> 00:00:55,840
Speaker 2: have been it? Really? Yeah?

17
00:00:55,880 --> 00:00:58,880
Speaker 1: That was it really? Tyring in the hilly One on sixth?

18
00:00:58,880 --> 00:01:00,360
Speaker 1: In part how did you get the gig? A host

19
00:01:00,360 --> 00:01:00,840
Speaker 1: to One on six?

20
00:01:00,880 --> 00:01:04,320
Speaker 2: Apart? Got the gig? Hosted one on six? Uh? Me

21
00:01:04,360 --> 00:01:08,960
Speaker 2: and my boy uh at the time, uh, matter of fact,

22
00:01:09,040 --> 00:01:12,479
Speaker 2: not even I was in Australia. I was in Australia

23
00:01:13,840 --> 00:01:15,960
Speaker 2: and I saw that One on six was going through

24
00:01:16,040 --> 00:01:21,640
Speaker 2: changes and he looking for so I got the internet

25
00:01:21,680 --> 00:01:24,240
Speaker 2: playing around why a little for holes and I'm mister

26
00:01:24,280 --> 00:01:28,080
Speaker 2: one on sister part the host. Right here, I was

27
00:01:28,160 --> 00:01:32,080
Speaker 2: playing and Steven Hill called and said, Yo, sorry what

28
00:01:32,200 --> 00:01:34,600
Speaker 2: you put the internet? You serious? Because it makes sense?

29
00:01:34,760 --> 00:01:37,480
Speaker 2: I'm ready and I'm like, damn. Me and my boy

30
00:01:37,520 --> 00:01:42,680
Speaker 2: Bart packed up, went to New York and you know,

31
00:01:42,720 --> 00:01:46,200
Speaker 2: I am finally hosting the show that they named me

32
00:01:46,240 --> 00:01:48,360
Speaker 2: at that was It was a fun time in New York,

33
00:01:48,400 --> 00:01:50,360
Speaker 2: fun time. I learned a lot. I learned a lot

34
00:01:50,480 --> 00:01:52,760
Speaker 2: business wise. I learned a lot in New York. New

35
00:01:52,840 --> 00:01:55,040
Speaker 2: York taught me a lot. I loved that time. Those

36
00:01:55,360 --> 00:01:57,680
Speaker 2: those two and a half years that I spent was

37
00:01:57,680 --> 00:02:00,760
Speaker 2: well worth it. I would do it again. For your

38
00:02:00,760 --> 00:02:02,960
Speaker 2: third album, you left so SO and JD to do

39
00:02:03,000 --> 00:02:05,160
Speaker 2: your third album. Correct, Why did you feel you needed

40
00:02:05,200 --> 00:02:07,440
Speaker 2: to leave JD to do your third album? I never

41
00:02:07,480 --> 00:02:09,800
Speaker 2: wanted to leave. I didn't. That was the moment where

42
00:02:10,400 --> 00:02:12,519
Speaker 2: my heart got broke for the first time in music.

43
00:02:13,120 --> 00:02:15,920
Speaker 2: Somebody who I consider a father figured to meet somebody

44
00:02:15,960 --> 00:02:18,800
Speaker 2: I love. It's not even about the music. It's family.

45
00:02:19,080 --> 00:02:21,680
Speaker 2: It's blood to meat, right, And he couldn't work with

46
00:02:21,720 --> 00:02:25,280
Speaker 2: me because of contractual reasons. He ended up leaving Columbia.

47
00:02:25,720 --> 00:02:28,639
Speaker 2: He went to Arista, and me, being a kid, not

48
00:02:28,760 --> 00:02:31,880
Speaker 2: knowing how the business works, I'm like, well, why wouldn't

49
00:02:31,880 --> 00:02:33,920
Speaker 2: you take the biggest artist you have. It wasn't that

50
00:02:33,919 --> 00:02:35,799
Speaker 2: he didn't want to take me. He couldn't. And that's

51
00:02:35,800 --> 00:02:38,360
Speaker 2: when I realized, Wow, contractually I never was signed and

52
00:02:38,400 --> 00:02:41,320
Speaker 2: so so death. I was signed to Columbia. But this

53
00:02:41,320 --> 00:02:43,160
Speaker 2: whole time, I'm screaming so so deaf in my record,

54
00:02:43,240 --> 00:02:44,840
Speaker 2: so so deaf this I got it tatted on me.

55
00:02:44,840 --> 00:02:46,480
Speaker 2: It's still so death for life. You don't need no

56
00:02:46,520 --> 00:02:49,960
Speaker 2: contract on that. It's eight. But during that time, I

57
00:02:50,000 --> 00:02:53,120
Speaker 2: didn't understand that's why he couldn't take me the Arista.

58
00:02:53,600 --> 00:02:56,239
Speaker 2: It's like, damn, bow you in the contract. Technically I

59
00:02:56,280 --> 00:02:59,679
Speaker 2: was your producer and because of what's going on with me,

60
00:02:59,720 --> 00:03:02,600
Speaker 2: and it's gonna be hard for me to grab you

61
00:03:02,680 --> 00:03:05,200
Speaker 2: again and and and and and work with you. So

62
00:03:05,240 --> 00:03:09,240
Speaker 2: I'm watching your main build social depth to a whole

63
00:03:09,320 --> 00:03:11,880
Speaker 2: other level. Now he's having a new artist that duh.

64
00:03:12,120 --> 00:03:14,840
Speaker 2: It made me start being envying him. I started not

65
00:03:15,000 --> 00:03:17,880
Speaker 2: liking JD. I felt I started to spising him and

66
00:03:17,919 --> 00:03:21,360
Speaker 2: I was just like that, ain't that, ain't loyal, But

67
00:03:23,919 --> 00:03:26,000
Speaker 2: it was business and I didn't understand. I took it personal.

68
00:03:26,200 --> 00:03:27,639
Speaker 2: And you right know they always had never mixed the

69
00:03:27,680 --> 00:03:30,640
Speaker 2: two together. And that's why. And you know, once I

70
00:03:30,639 --> 00:03:32,240
Speaker 2: got with Tia, that's when Ti I came in my

71
00:03:32,280 --> 00:03:35,240
Speaker 2: life and he became like big bro, came and put

72
00:03:35,240 --> 00:03:38,240
Speaker 2: his arm around me, showed me how to write. He

73
00:03:38,480 --> 00:03:42,000
Speaker 2: was He helped me out a lot tremendously from an

74
00:03:42,120 --> 00:03:48,160
Speaker 2: artist's standpoint, so which I needed that. But you ended up.

75
00:03:48,840 --> 00:03:56,200
Speaker 2: You returned to j D l A all start weekend.

76
00:03:58,080 --> 00:04:00,000
Speaker 2: I called him. I said, enough's enough. Where you at?

77
00:04:00,000 --> 00:04:01,960
Speaker 2: What You're like? Who is?

78
00:04:02,200 --> 00:04:02,360
Speaker 3: You know?

79
00:04:02,440 --> 00:04:04,760
Speaker 2: It is? Where you at? We gotta talk. You're like,

80
00:04:04,800 --> 00:04:06,880
Speaker 2: I'm in Malleble. I'm cool. I'm about to pull up

81
00:04:06,920 --> 00:04:09,360
Speaker 2: you and Jenning House right now, like all right, alrd

82
00:04:09,400 --> 00:04:10,920
Speaker 2: you know I'm on the pch. I'm on the way,

83
00:04:11,640 --> 00:04:15,000
Speaker 2: pull up, go on the crib. First time. I think

84
00:04:15,080 --> 00:04:17,320
Speaker 2: Jamain probably see me cry cry to him. I said,

85
00:04:17,360 --> 00:04:20,039
Speaker 2: I quit. He's like what I said, I quit. I

86
00:04:20,080 --> 00:04:21,640
Speaker 2: don't want to do this no more. I don't want

87
00:04:21,640 --> 00:04:24,039
Speaker 2: to do music. I quit. I think I'm about to

88
00:04:24,080 --> 00:04:25,880
Speaker 2: just be an actor because if I can't work with you.

89
00:04:26,080 --> 00:04:28,840
Speaker 2: Then I don't want to do this no more. And

90
00:04:28,880 --> 00:04:33,320
Speaker 2: then I said, it don't feel right like I want

91
00:04:33,320 --> 00:04:34,760
Speaker 2: to work with you. I don't want to work with

92
00:04:34,760 --> 00:04:38,320
Speaker 2: nobody else. It's cool. I went gold. So seventy thousand records.

93
00:04:39,600 --> 00:04:43,919
Speaker 2: Something's missing. And when you had to hit this is

94
00:04:43,920 --> 00:04:47,480
Speaker 2: me talking to JAMN. This new social depth thing, you

95
00:04:47,600 --> 00:04:54,680
Speaker 2: kicking weak. None of this ain't going nowhere, Like while

96
00:04:54,680 --> 00:04:57,640
Speaker 2: are you wasting time? And you got your guy right here?

97
00:04:57,920 --> 00:05:01,920
Speaker 2: You're gonna just leave me over there like that he

98
00:05:02,000 --> 00:05:06,800
Speaker 2: saw the tears, he said, all right, woke his ass up.

99
00:05:07,200 --> 00:05:09,240
Speaker 2: They come, let me hold you. Number one, It come

100
00:05:09,360 --> 00:05:11,920
Speaker 2: like you. It's her number one, fresh as our man,

101
00:05:12,120 --> 00:05:15,120
Speaker 2: boom short like mine, Chris Brown, number one boom. That

102
00:05:15,200 --> 00:05:17,320
Speaker 2: talk we had in that kitchen at their house at

103
00:05:17,320 --> 00:05:21,039
Speaker 2: the time, it ignoted a fire in JD and my

104
00:05:21,120 --> 00:05:23,479
Speaker 2: man came back with a vengeance. Then you look on

105
00:05:23,480 --> 00:05:28,200
Speaker 2: the chart, Mariah number one like you, number two, Mariah three,

106
00:05:28,920 --> 00:05:32,040
Speaker 2: bow out four, Jermaine at the top. Top five is

107
00:05:32,080 --> 00:05:34,960
Speaker 2: all JD, Me and Mariah folk songs, Me and Riight.

108
00:05:35,000 --> 00:05:38,960
Speaker 2: They his records. So just like how earlier on talking

109
00:05:38,960 --> 00:05:40,520
Speaker 2: about Jermaine, know how to get his artists. I know

110
00:05:40,600 --> 00:05:42,520
Speaker 2: how to get to j D. Right. I know exactly

111
00:05:42,520 --> 00:05:44,240
Speaker 2: what to do, what to say to bring it out

112
00:05:44,240 --> 00:05:46,040
Speaker 2: my dog, and it't work every time.

113
00:05:48,240 --> 00:05:50,599
Speaker 1: If I'm not mistaken, I think whole ghost wrote for you.

114
00:05:50,680 --> 00:05:52,240
Speaker 1: Where are you on ghost writing? Because a lot of

115
00:05:52,240 --> 00:05:53,880
Speaker 1: people have different thoughts on ghost writing.

116
00:05:54,000 --> 00:05:55,719
Speaker 2: Yeah, I wouish Jay did write from me, so I

117
00:05:55,720 --> 00:05:58,040
Speaker 2: can say that I wish he did. He never did.

118
00:05:58,600 --> 00:06:02,200
Speaker 2: I wish he did ragging rights, But where are you

119
00:06:02,240 --> 00:06:05,520
Speaker 2: on this about ghost writing? To me, honestly, it don't matter.

120
00:06:05,720 --> 00:06:08,640
Speaker 2: I think the fans don't care. Once it's produced and

121
00:06:08,680 --> 00:06:11,920
Speaker 2: it's out, people gonna take it and make it how

122
00:06:11,960 --> 00:06:12,359
Speaker 2: they make it.

123
00:06:12,400 --> 00:06:14,400
Speaker 1: But people only feel a certain type of way of

124
00:06:14,440 --> 00:06:16,240
Speaker 1: ghost writing for mcs.

125
00:06:16,160 --> 00:06:17,719
Speaker 2: Correct, m Taking don't know.

126
00:06:18,200 --> 00:06:23,320
Speaker 1: People goes rite for Beyonce all the time, Mariah dream yep, Michael.

127
00:06:23,360 --> 00:06:26,679
Speaker 1: People nobody had a problem with It's only with ms.

128
00:06:26,800 --> 00:06:30,239
Speaker 2: Yeah. Why, I think because it's just the competitive nature.

129
00:06:30,240 --> 00:06:33,159
Speaker 2: I think that's just what the I think the forefathers

130
00:06:33,240 --> 00:06:36,000
Speaker 2: of hip hop they laid that down. There was no

131
00:06:36,040 --> 00:06:38,440
Speaker 2: thing as a songwriter for a rapper. Right, you come

132
00:06:38,440 --> 00:06:40,360
Speaker 2: from the hood, You're telling your story. Who knows your

133
00:06:40,360 --> 00:06:43,080
Speaker 2: story better than you. Why aren't you speaking it? Why

134
00:06:43,080 --> 00:06:44,640
Speaker 2: aren't you jotting it down? You know what I mean?

135
00:06:44,720 --> 00:06:46,719
Speaker 2: So for me, I had to learn how to write.

136
00:06:46,720 --> 00:06:48,240
Speaker 2: And a lot of rappers don't know how to write.

137
00:06:48,600 --> 00:06:50,480
Speaker 2: They can wrap their ass off, but they don't even

138
00:06:50,480 --> 00:06:52,200
Speaker 2: know how to put it, format it into a record.

139
00:06:52,240 --> 00:06:54,360
Speaker 2: It's tough. The hook can be twelve bars. Some people

140
00:06:54,400 --> 00:06:56,640
Speaker 2: don't even not account bars. They don't not account them.

141
00:06:56,640 --> 00:06:59,320
Speaker 2: And it's the simplest thing in the world. And I know,

142
00:06:59,400 --> 00:07:03,440
Speaker 2: for me, it bothered me because I come from that cloth.

143
00:07:03,480 --> 00:07:05,200
Speaker 2: I come from that era. I come from hip hop

144
00:07:05,839 --> 00:07:08,200
Speaker 2: and Jermaine I didn't know if he didn't let me

145
00:07:08,240 --> 00:07:10,800
Speaker 2: write because he didn't trust me. But I think I

146
00:07:10,960 --> 00:07:12,960
Speaker 2: was too young and he knew exactly what I needed

147
00:07:13,000 --> 00:07:17,400
Speaker 2: to say. And as I watched him and cats like

148
00:07:17,480 --> 00:07:21,640
Speaker 2: t I wright, it made me a better writer, and

149
00:07:21,680 --> 00:07:23,680
Speaker 2: it turned me into a beast with my own pan.

150
00:07:24,160 --> 00:07:26,440
Speaker 2: So now I don't need nobody in the studio with me.

151
00:07:26,760 --> 00:07:30,200
Speaker 2: Now I might call on some cats for if I'm

152
00:07:30,240 --> 00:07:33,120
Speaker 2: in the booth, I might say, with y'all hear, like

153
00:07:33,200 --> 00:07:35,960
Speaker 2: y'all hearing anything like with y'all hearing, y'all what y'all

154
00:07:36,000 --> 00:07:39,640
Speaker 2: feeling and they might say something, Okay, I'm going there

155
00:07:39,640 --> 00:07:41,560
Speaker 2: with it. Then all right, bet give me a god,

156
00:07:42,240 --> 00:07:45,280
Speaker 2: I'm ready. I'm locked. But I think everybody has a

157
00:07:45,280 --> 00:07:48,040
Speaker 2: little help in the studio. Everybody has studio. Absolutely.

158
00:07:48,200 --> 00:07:53,560
Speaker 1: You signed with Cash Money with Lil Wayne, Nikki Drake Birdman.

159
00:07:54,000 --> 00:07:58,040
Speaker 2: How did that come about? When I left Columbia because

160
00:07:58,080 --> 00:07:59,560
Speaker 2: of what I went through with them and with Dremaine

161
00:07:59,560 --> 00:08:01,560
Speaker 2: and all of that, and I felt like I really

162
00:08:01,600 --> 00:08:05,600
Speaker 2: wasn't getting the attention from the label that I wanted.

163
00:08:06,800 --> 00:08:09,280
Speaker 2: I called Stunning and I was like, Yo, I'm a

164
00:08:09,320 --> 00:08:11,440
Speaker 2: free agent, and I'm like, I don't trust the majors

165
00:08:11,480 --> 00:08:15,000
Speaker 2: like I just you know, I'm comfortable being with people

166
00:08:15,600 --> 00:08:17,840
Speaker 2: that I know and that I'm comfortable with. And if

167
00:08:17,880 --> 00:08:20,720
Speaker 2: it's not Jumaane, if it ain't a snoop, Me and

168
00:08:20,760 --> 00:08:23,560
Speaker 2: Stunning we always had a cool relationship. And they was

169
00:08:23,600 --> 00:08:26,480
Speaker 2: on fire, and I'm like, Yo, don't mean the fire man,

170
00:08:26,840 --> 00:08:29,520
Speaker 2: come grab me, bro. He said, you for real, Weezy,

171
00:08:29,680 --> 00:08:33,839
Speaker 2: you for real, Wizard. Yeah, I mean you're free. I said,

172
00:08:33,880 --> 00:08:36,679
Speaker 2: I'm free as a bird. Come get me. Came and

173
00:08:36,720 --> 00:08:39,200
Speaker 2: got me. Made that and I was comfortable there and

174
00:08:39,240 --> 00:08:42,080
Speaker 2: I had a great time being there with stunning and

175
00:08:42,120 --> 00:08:44,880
Speaker 2: being over there cash Money. I learned a lot from him.

176
00:08:45,200 --> 00:08:48,880
Speaker 2: I learned a lot from Slim, his brother, watching Wayne work.

177
00:08:49,400 --> 00:08:51,520
Speaker 2: Me and Wayne work. Ethic is like so identical when

178
00:08:51,520 --> 00:08:53,040
Speaker 2: it come to that studio. I would spend three days

179
00:08:53,040 --> 00:08:55,080
Speaker 2: straighten their no shower, no, not the same clothes getting

180
00:08:55,160 --> 00:08:57,360
Speaker 2: to it. Go drop the record off the Wayne room.

181
00:08:57,679 --> 00:09:00,559
Speaker 2: Wayne is one of the coldest, most of the guys.

182
00:09:00,559 --> 00:09:02,280
Speaker 2: When you need a verse, He's gonna do it right

183
00:09:02,320 --> 00:09:05,319
Speaker 2: there on the spot and walk it right back over

184
00:09:05,320 --> 00:09:08,600
Speaker 2: to your room. I loved my time at Cash Money,

185
00:09:08,640 --> 00:09:10,319
Speaker 2: had a chance to live in Miami. With Miami I

186
00:09:10,360 --> 00:09:13,240
Speaker 2: always had to crip Miami for eight years, but that

187
00:09:13,360 --> 00:09:15,520
Speaker 2: made me really like relocate, so I left Atlanta and

188
00:09:15,559 --> 00:09:18,240
Speaker 2: moved to my condo in Miami. That was you right, No,

189
00:09:18,559 --> 00:09:20,640
Speaker 2: South Beach was a time, but I had a lot

190
00:09:20,679 --> 00:09:23,160
Speaker 2: of fun and the energy that was coming up coming

191
00:09:23,160 --> 00:09:25,679
Speaker 2: into Miami around that time Lebron just I went there

192
00:09:25,720 --> 00:09:28,240
Speaker 2: to Bron Gos on top of that, YMC and b

193
00:09:28,360 --> 00:09:30,920
Speaker 2: we on fire, So the city was just you wanted

194
00:09:30,920 --> 00:09:32,800
Speaker 2: to soak up that energy and being in Miami at

195
00:09:32,840 --> 00:09:34,400
Speaker 2: that time, that's whe the energy was, but you never

196
00:09:34,800 --> 00:09:37,960
Speaker 2: you didn't release an album. Nope. We released two records.

197
00:09:38,000 --> 00:09:40,520
Speaker 2: I released the record with Wayne called Sweat, and I

198
00:09:40,559 --> 00:09:43,800
Speaker 2: released another single with t Pain. But never had a

199
00:09:43,880 --> 00:09:46,200
Speaker 2: chance to put out a full project. But we did

200
00:09:46,559 --> 00:09:50,760
Speaker 2: two joints, and I did some joints for some other artists. Yeah,

201
00:09:50,800 --> 00:09:52,360
Speaker 2: and then I did some record with some other artists too.

202
00:09:52,360 --> 00:09:53,760
Speaker 2: That was on your money, yep.

203
00:09:54,200 --> 00:09:56,360
Speaker 1: And then you ended up side and did you signed

204
00:09:56,360 --> 00:09:57,800
Speaker 1: with Diddy for a while once you left there?

205
00:09:58,040 --> 00:10:00,960
Speaker 2: When I left there, then song with Puff, but I

206
00:10:01,040 --> 00:10:04,280
Speaker 2: did it was more of like a management type of

207
00:10:04,320 --> 00:10:09,000
Speaker 2: thing with his guys, it was, That's what it was.

208
00:10:09,000 --> 00:10:10,200
Speaker 2: More that because I was around the time where I

209
00:10:10,240 --> 00:10:18,280
Speaker 2: was learning from him and I just needed that once again,

210
00:10:18,360 --> 00:10:21,160
Speaker 2: somebody that I could trust, somebody I knew who knew

211
00:10:21,200 --> 00:10:23,920
Speaker 2: the game and had my best interest. I was never

212
00:10:24,000 --> 00:10:27,640
Speaker 2: gonna sign with them, but that the management side of things.

213
00:10:28,240 --> 00:10:30,360
Speaker 2: I was gonna let them, let them rock with that.

214
00:10:30,400 --> 00:10:32,920
Speaker 2: But we didn't never really dive into it deeply. It

215
00:10:32,960 --> 00:10:35,080
Speaker 2: was just really like a thing in the air.

216
00:10:35,160 --> 00:10:37,080
Speaker 1: Really, you got a new song, if I'm not mistaken

217
00:10:37,120 --> 00:10:39,240
Speaker 1: what Chris Brown called use Me? How did you and

218
00:10:39,320 --> 00:10:40,960
Speaker 1: Chris Brown? How did that. How did that? How did

219
00:10:41,000 --> 00:10:42,280
Speaker 1: that collab come about?

220
00:10:43,000 --> 00:10:46,360
Speaker 2: Brown? Like you playing like you out here selling out

221
00:10:46,400 --> 00:10:49,040
Speaker 2: arenas and you ain't got like what are you doing?

222
00:10:49,080 --> 00:10:51,960
Speaker 2: You gotta compete, man, You competing. I'm like, nah, I'm

223
00:10:52,000 --> 00:10:55,040
Speaker 2: just on my legacy right now, like my legacy thing.

224
00:10:55,120 --> 00:10:58,560
Speaker 2: And you know I'm doing with Kiss and Donna do.

225
00:10:58,600 --> 00:11:02,040
Speaker 2: I ain't got to drop nothing. I can just go like, yeah,

226
00:11:02,120 --> 00:11:05,040
Speaker 2: but you still you You're still young, bro, we all

227
00:11:05,080 --> 00:11:07,320
Speaker 2: still look good like you gotta drop, man, I don't

228
00:11:07,320 --> 00:11:09,800
Speaker 2: wear none of that. You doubt yourself. You're scared and

229
00:11:09,880 --> 00:11:11,679
Speaker 2: you need a friend like that to tell you, you

230
00:11:11,720 --> 00:11:14,120
Speaker 2: know what I mean? And I told him, I said,

231
00:11:14,120 --> 00:11:17,520
Speaker 2: all right, I remember this conversation vividly, and you know

232
00:11:17,559 --> 00:11:19,640
Speaker 2: when you're friends, you can you can admit some till friend.

233
00:11:20,280 --> 00:11:22,840
Speaker 2: I said, I need you straight up in order for

234
00:11:22,840 --> 00:11:24,719
Speaker 2: me to get my blessing. I feel like I ain't

235
00:11:24,720 --> 00:11:26,640
Speaker 2: gonna get a firing being real with you. You're my dog,

236
00:11:26,640 --> 00:11:28,880
Speaker 2: You're my dog. I need you. I'm coming to you

237
00:11:28,920 --> 00:11:31,240
Speaker 2: as a friend saying I need you. What you need, bro,

238
00:11:31,679 --> 00:11:35,080
Speaker 2: I need I need your blessing on the record, my man,

239
00:11:35,120 --> 00:11:37,560
Speaker 2: So you get the record. I got you, hit maker

240
00:11:37,679 --> 00:11:40,280
Speaker 2: send me the song. I did it. I said, this

241
00:11:40,320 --> 00:11:42,520
Speaker 2: is a no brainer. He says, only one person who

242
00:11:42,520 --> 00:11:43,800
Speaker 2: got to put on and you know who it is.

243
00:11:44,000 --> 00:11:45,400
Speaker 2: And you know what you're gonna have to go through.

244
00:11:45,600 --> 00:11:48,400
Speaker 2: You have to go party, you have to go play basketball,

245
00:11:49,000 --> 00:11:51,200
Speaker 2: go sit all that house, you have to be around

246
00:11:51,200 --> 00:11:55,040
Speaker 2: all the graffiti, stay over his house and don't leave

247
00:11:55,360 --> 00:11:57,560
Speaker 2: you know your boy. I'm like, ah, man, that's exactly

248
00:11:57,600 --> 00:11:59,680
Speaker 2: what happened. But he was a man of his word.

249
00:11:59,880 --> 00:12:01,400
Speaker 2: He cut the record right there in the crib. We

250
00:12:01,400 --> 00:12:03,880
Speaker 2: did in the studio, the same room you guys was in.

251
00:12:04,040 --> 00:12:06,560
Speaker 2: Cut your record right there and did it with no problem.

252
00:12:07,040 --> 00:12:10,320
Speaker 2: And man like, I you know, and I feel like

253
00:12:10,360 --> 00:12:12,280
Speaker 2: that's that's what That's what a real homeboy supposed to be.

254
00:12:12,280 --> 00:12:14,880
Speaker 2: When you need something, you're supposed to lift me up.

255
00:12:14,920 --> 00:12:18,480
Speaker 2: Gang like I'm cooking, but I'm trying to get spicy hot,

256
00:12:18,920 --> 00:12:21,440
Speaker 2: bring me up, And he did that. Is it the relationship?

257
00:12:22,120 --> 00:12:24,440
Speaker 1: You were a teen star, he was a teen star.

258
00:12:24,880 --> 00:12:26,480
Speaker 1: Both you kind of know what it's like to be

259
00:12:26,600 --> 00:12:29,120
Speaker 1: teen stars. You both lived in that world. Is that

260
00:12:29,200 --> 00:12:31,240
Speaker 1: kind of how the relationship and why the relationship is

261
00:12:31,280 --> 00:12:31,679
Speaker 1: what it is.

262
00:12:31,760 --> 00:12:36,360
Speaker 2: Yeah, And because it's real and Brown to tell you. You know,

263
00:12:37,160 --> 00:12:39,160
Speaker 2: he's always he's always saying that it's so weird, but

264
00:12:39,200 --> 00:12:41,480
Speaker 2: he's like, man, I learned this from Bow everything else

265
00:12:41,520 --> 00:12:43,400
Speaker 2: seen me do. I got this from Bao and the

266
00:12:43,760 --> 00:12:45,319
Speaker 2: y'all don't want to stay. He was the first person

267
00:12:45,320 --> 00:12:48,800
Speaker 2: to put on me. He showed me all this and

268
00:12:48,840 --> 00:12:50,840
Speaker 2: it's true. But I'm just I'm humble, So I'll be like,

269
00:12:51,440 --> 00:12:53,720
Speaker 2: I ain't got to say it all the time, Like

270
00:12:53,760 --> 00:12:56,240
Speaker 2: you ain't got to say in front of everybody every time,

271
00:12:56,480 --> 00:12:59,360
Speaker 2: like that's why move like this because wast y'all it

272
00:12:59,400 --> 00:13:01,720
Speaker 2: was bout I used to have twenty girls walking around.

273
00:13:01,760 --> 00:13:06,280
Speaker 2: Go ahead, that's why I So it's like it's not

274
00:13:06,320 --> 00:13:09,800
Speaker 2: even a little brother is you know, that's just my dog.

275
00:13:09,880 --> 00:13:11,360
Speaker 2: That's my brother. You know I got his back, I

276
00:13:11,400 --> 00:13:14,000
Speaker 2: know he got mine, and you know it is a

277
00:13:14,000 --> 00:13:18,080
Speaker 2: lot of similarities with us, like you know and yeah,

278
00:13:18,080 --> 00:13:19,400
Speaker 2: that's my man, that's my dog.

279
00:13:19,679 --> 00:13:25,000
Speaker 1: How similar are Breezy and Usher because both are both

280
00:13:25,040 --> 00:13:28,160
Speaker 1: can sing their ass off, both are entertainers to the

281
00:13:28,280 --> 00:13:31,400
Speaker 1: up teem I mean, but I mean I saw I

282
00:13:31,400 --> 00:13:38,040
Speaker 1: saw Usher at the MGM that shows fantastic, and I've

283
00:13:38,040 --> 00:13:39,240
Speaker 1: seen Breezy.

284
00:13:40,480 --> 00:13:41,520
Speaker 2: As far as artists.

285
00:13:41,600 --> 00:13:45,800
Speaker 1: Yeah, the difference or you give me different similarities.

286
00:13:45,280 --> 00:13:50,960
Speaker 2: Similarities uh hard workers, both dedicated. They don't cheat the job.

287
00:13:51,600 --> 00:13:59,040
Speaker 2: They don't cheat the job at all at all. Different

288
00:14:01,679 --> 00:14:05,360
Speaker 2: Chris more of a rapper. Usher walks that R and

289
00:14:05,400 --> 00:14:07,719
Speaker 2: B like he is R and B. You know he's

290
00:14:07,840 --> 00:14:10,280
Speaker 2: he's he's smooth even it's not an act. You know

291
00:14:10,320 --> 00:14:14,559
Speaker 2: what I'm saying. Brown, that's my dog, Brown edgy. He

292
00:14:14,600 --> 00:14:18,600
Speaker 2: got he he more bro more of a rapper, right,

293
00:14:18,640 --> 00:14:21,160
Speaker 2: you know what I'm saying. He he lived like one. Right.

294
00:14:21,280 --> 00:14:22,920
Speaker 2: If you can ask him, he'll tell you I want

295
00:14:22,920 --> 00:14:26,240
Speaker 2: to rap with fognsink like that. That's the difference between them.

296
00:14:26,280 --> 00:14:29,360
Speaker 2: But all the no, just two talented guys, two goats,

297
00:14:29,880 --> 00:14:32,000
Speaker 2: and you know I w I would say, you know

298
00:14:32,800 --> 00:14:34,600
Speaker 2: it's it's like the the one A and one A

299
00:14:34,880 --> 00:14:36,320
Speaker 2: right of R and B. It's them to at the top.

300
00:14:36,360 --> 00:14:37,880
Speaker 2: I don't think it's nobody else. And you can pick

301
00:14:38,040 --> 00:14:40,400
Speaker 2: whatever your your flavor is. If it's Usher, if it's Brown,

302
00:14:41,400 --> 00:14:42,800
Speaker 2: you know what I mean. But for me, I just

303
00:14:42,800 --> 00:14:46,040
Speaker 2: feel like, you know, you know I'm wrong with the

304
00:14:46,080 --> 00:14:46,480
Speaker 2: home team.

305
00:14:46,640 --> 00:14:48,840
Speaker 1: Get give me, give me your uh top five, Give

306
00:14:48,840 --> 00:14:50,960
Speaker 1: me your top five R and B singers of all time.

307
00:14:50,840 --> 00:14:53,240
Speaker 2: Of all time, all time. They gotta be in order. Nope,

308
00:14:53,800 --> 00:14:57,440
Speaker 2: Kel's going up there? R Kelly, yes, show okay, hands

309
00:14:57,480 --> 00:15:04,920
Speaker 2: down or Kelly number two again? Damn three four and

310
00:15:05,000 --> 00:15:10,360
Speaker 2: five straight up? Damn you got km's what two? Three four?

311
00:15:11,320 --> 00:15:13,400
Speaker 2: If Jermaine was sitting in his couch, he would tell

312
00:15:13,400 --> 00:15:15,960
Speaker 2: you he did a list, and Bow said the same

313
00:15:16,000 --> 00:15:18,600
Speaker 2: thing to me. I said, bro, you donna put Robert,

314
00:15:18,600 --> 00:15:21,600
Speaker 2: then Kelly, then Kels, then every nickname one through five. Man,

315
00:15:21,680 --> 00:15:27,440
Speaker 2: that's it. Wow, that's it. I never heard nobody. Nah,

316
00:15:27,600 --> 00:15:30,800
Speaker 2: Like I know, I listen, there's a lot of greats

317
00:15:30,880 --> 00:15:34,880
Speaker 2: Luther and Vin, so many Marvin, I mean, it's so many.

318
00:15:34,920 --> 00:15:38,640
Speaker 2: But I feel like dude was. He's just such an

319
00:15:38,760 --> 00:15:42,800
Speaker 2: R and B genius. He learned and took from every

320
00:15:42,880 --> 00:15:47,680
Speaker 2: last one of the greats and just molded it all

321
00:15:47,680 --> 00:15:52,000
Speaker 2: in one, like even the the I've realized where he

322
00:15:52,120 --> 00:15:56,360
Speaker 2: got that from. I'm like, I thought he invented that.

323
00:15:56,560 --> 00:15:59,720
Speaker 2: Oh he got this from Bobby Won't. That's Bobby Womac Dan.

324
00:16:00,320 --> 00:16:05,960
Speaker 2: I'm like, okay, okay, he okay, It's just it's effortless,

325
00:16:06,360 --> 00:16:08,080
Speaker 2: and I'm seeing it in person when we worked on

326
00:16:08,120 --> 00:16:09,840
Speaker 2: I'm a Flirt. I mean, this man really called me

327
00:16:09,920 --> 00:16:14,520
Speaker 2: and said about right now, I'm listening to this record

328
00:16:14,560 --> 00:16:17,120
Speaker 2: and I'm trying to figure out exactly what I'm gonna

329
00:16:17,160 --> 00:16:19,240
Speaker 2: do with it. What you heard? Matter of fact, you

330
00:16:19,280 --> 00:16:20,760
Speaker 2: ain't even gotta tell me what you hear? And I

331
00:16:20,800 --> 00:16:22,600
Speaker 2: think I got it. I'm gonna call you back in

332
00:16:22,640 --> 00:16:27,000
Speaker 2: five minutes, give me about ten hung up. Calls back.

333
00:16:28,520 --> 00:16:32,640
Speaker 2: I'm here and he's here. I'm like, we're talking about

334
00:16:32,960 --> 00:16:38,120
Speaker 2: it's a boy. I'm like, what, it's a hit? Play

335
00:16:38,120 --> 00:16:41,480
Speaker 2: that clinli I'm a flirt. Soon as I say, I'm

336
00:16:41,520 --> 00:16:45,560
Speaker 2: like this now, Ronnie. I was sitting at the board

337
00:16:45,880 --> 00:16:47,800
Speaker 2: trying to come up with a hook, so I know

338
00:16:48,800 --> 00:16:52,120
Speaker 2: for about four hours. Yeah, and he just comes back

339
00:16:52,120 --> 00:16:58,160
Speaker 2: with it. I'm a flirt, so simple, so easy, doesn't overrite,

340
00:16:58,400 --> 00:17:01,000
Speaker 2: doesn't over sing. If you listening to his record, they're

341
00:17:01,280 --> 00:17:05,000
Speaker 2: very simple and they just it's just different. Man. But

342
00:17:05,040 --> 00:17:07,520
Speaker 2: he'd go, I got him. I don't get it all

343
00:17:07,520 --> 00:17:11,359
Speaker 2: the personal whatever that's that. We're talking artists, street studio

344
00:17:11,880 --> 00:17:17,359
Speaker 2: that mike them vocals that pin ain't nobody touching, kills nobody, nobody.

345
00:17:17,400 --> 00:17:20,600
Speaker 2: I'll stand on that he it to me. He did

346
00:17:20,760 --> 00:17:21,440
Speaker 2: M j R.

347
00:17:21,440 --> 00:17:21,639
Speaker 3: And B.

348
00:17:22,040 --> 00:17:23,800
Speaker 1: So you put you putting it in you say the

349
00:17:23,800 --> 00:17:26,240
Speaker 1: pin you putting him up there with Quincy with Stevie.

350
00:17:26,320 --> 00:17:30,199
Speaker 2: His pin is crazy Quincy and Steven about you know?

351
00:17:30,359 --> 00:17:32,320
Speaker 2: You know R Kelly wrote for it. You know the

352
00:17:32,359 --> 00:17:38,080
Speaker 2: records he wrote, do you know who Quincy? Mike? Yes?

353
00:17:39,480 --> 00:17:42,720
Speaker 2: By the way, he wrote for Mike to Kells wrote

354
00:17:42,720 --> 00:17:48,600
Speaker 2: for Mike, you are not alone, Yes, Kels wrote, Dad, like,

355
00:17:48,960 --> 00:17:52,000
Speaker 2: this is nothing like this. There's no limit to the

356
00:17:52,080 --> 00:17:57,280
Speaker 2: pen like when you when there's no limit to your pin, bro,

357
00:17:57,560 --> 00:18:01,400
Speaker 2: like it may I get mad jealous sometimes because I'm

358
00:18:01,400 --> 00:18:04,680
Speaker 2: just like I wish it came that easy. I did

359
00:18:04,880 --> 00:18:08,320
Speaker 2: just just bam, like just came that fast and the

360
00:18:08,320 --> 00:18:11,320
Speaker 2: hook just comes that fast. Yeah, he's the greatest.

361
00:18:11,760 --> 00:18:13,680
Speaker 1: How did you feel when Drake gave you a Flowers said,

362
00:18:13,720 --> 00:18:15,359
Speaker 1: if it wasn't for you, there would be no heal.

363
00:18:20,359 --> 00:18:30,280
Speaker 2: Uh weird, you know because I'm I'm I'm a humble dude,

364
00:18:30,320 --> 00:18:37,600
Speaker 2: like I'm it's it's weird, like I guess because I'm

365
00:18:37,640 --> 00:18:40,400
Speaker 2: me and I did the work, and I'm not sure

366
00:18:40,440 --> 00:18:42,480
Speaker 2: if you feel the same way. But when you're you

367
00:18:42,560 --> 00:18:44,399
Speaker 2: and you're doing the work. You don't really have the

368
00:18:44,440 --> 00:18:47,359
Speaker 2: time to sit and look at what everybody else sees.

369
00:18:48,080 --> 00:18:48,840
Speaker 1: You're on the journey.

370
00:18:48,840 --> 00:18:50,840
Speaker 2: You're on the journey. I don't I don't want to

371
00:18:50,840 --> 00:18:52,840
Speaker 2: see until i'm feed up and I can watch the

372
00:18:52,880 --> 00:18:56,399
Speaker 2: whole movie over again, right, And yeah, it was it was.

373
00:18:56,440 --> 00:18:58,600
Speaker 2: It was dope, though, it definitely was dope. And even

374
00:18:58,600 --> 00:19:00,760
Speaker 2: when he you know, even when he call me, you know,

375
00:19:00,800 --> 00:19:02,800
Speaker 2: there's so many people that Drake could have called for

376
00:19:02,840 --> 00:19:06,200
Speaker 2: Atlanta to have him walk out, but he actually DMed

377
00:19:06,240 --> 00:19:08,800
Speaker 2: me and was like, bro, I need that bow. I'll

378
00:19:08,800 --> 00:19:10,440
Speaker 2: walk out and make sure you bring them do rags

379
00:19:10,440 --> 00:19:12,560
Speaker 2: what you do. And I was like, all right, I

380
00:19:12,600 --> 00:19:15,560
Speaker 2: got you. And uh I remember telling my boys, you know,

381
00:19:15,960 --> 00:19:18,080
Speaker 2: uh I forgot what was doing. But we were in

382
00:19:18,119 --> 00:19:21,119
Speaker 2: the house, just sleep and I was like, man, Jerzy,

383
00:19:21,200 --> 00:19:22,920
Speaker 2: just hit me, man talkbody want me to walk him out?

384
00:19:23,000 --> 00:19:26,080
Speaker 2: And the boys up like what you gotta go get

385
00:19:26,080 --> 00:19:27,920
Speaker 2: that man. Man. He could have called t I to

386
00:19:28,040 --> 00:19:30,520
Speaker 2: a chain, could have called hit you now. We're out now,

387
00:19:30,600 --> 00:19:34,480
Speaker 2: homies putting on clothes, his sisters laying out out found

388
00:19:34,560 --> 00:19:36,000
Speaker 2: get your ass in a shower. We got to make

389
00:19:36,040 --> 00:19:39,640
Speaker 2: it down to stay farm and and Uh, it was

390
00:19:39,760 --> 00:19:41,840
Speaker 2: it was It was special, man. It was dope. It

391
00:19:41,920 --> 00:19:44,800
Speaker 2: was dope to have somebody who people consider the number

392
00:19:44,840 --> 00:19:47,200
Speaker 2: one guy in the game, and somebody who I consider

393
00:19:47,440 --> 00:19:50,359
Speaker 2: a homeboy a mon and you know, for him to

394
00:19:50,359 --> 00:19:52,359
Speaker 2: think of me and get my roses. Yeah, that that

395
00:19:52,400 --> 00:19:54,120
Speaker 2: meant that. That meant a lot to me, a lot

396
00:19:54,160 --> 00:19:56,240
Speaker 2: to me. And that's not his first time doing something

397
00:19:56,280 --> 00:19:57,760
Speaker 2: like that neither. I mean the man that stole me

398
00:19:57,800 --> 00:20:00,879
Speaker 2: birthday parties and I didn't ask for him. I had

399
00:20:00,920 --> 00:20:02,760
Speaker 2: a birthday take over you, Houston, and this man just

400
00:20:02,800 --> 00:20:06,640
Speaker 2: said switch. He switched the plans. He's like, all, y'all, oh, yeah,

401
00:20:06,640 --> 00:20:09,080
Speaker 2: it is your birthday. I'm celebrating them my one, two,

402
00:20:09,160 --> 00:20:11,439
Speaker 2: three songs one through three. I got some view you

403
00:20:11,440 --> 00:20:13,119
Speaker 2: ain't going with you think you're going, I'm about to.

404
00:20:13,720 --> 00:20:15,000
Speaker 2: I get there and I'm like, how do you even

405
00:20:15,040 --> 00:20:18,119
Speaker 2: get times? Throw my logo the hour up? I'm like,

406
00:20:18,680 --> 00:20:21,000
Speaker 2: why did he do this? Like, but he did that

407
00:20:21,040 --> 00:20:23,159
Speaker 2: for me, and I appreciate him for that.

408
00:20:23,240 --> 00:20:26,440
Speaker 1: Right now, you've been on a lot of public relationships.

409
00:20:26,840 --> 00:20:28,440
Speaker 1: What have you learned about dating publicly?

410
00:20:29,240 --> 00:20:33,040
Speaker 2: Keep it off the internet? So no more public relationship

411
00:20:33,040 --> 00:20:35,440
Speaker 2: for you. I try I try my best to keep

412
00:20:35,440 --> 00:20:39,920
Speaker 2: it private. I try my best. It's better that way.

413
00:20:39,920 --> 00:20:42,560
Speaker 2: I just in a post on Instagram that said, like

414
00:20:42,800 --> 00:20:44,719
Speaker 2: it was a percent of high percentage relationship that make

415
00:20:44,760 --> 00:20:47,000
Speaker 2: it is because they keep their business off product line,

416
00:20:47,200 --> 00:20:50,480
Speaker 2: and I and I could attest to that. I definitely agree,

417
00:20:50,520 --> 00:20:53,600
Speaker 2: because when you're out in the public eye, it's it's

418
00:20:53,680 --> 00:20:56,880
Speaker 2: just open. You know, it's just open everybody. A girl

419
00:20:56,920 --> 00:20:59,399
Speaker 2: could d m your girl. You know, it could be

420
00:20:59,400 --> 00:21:02,040
Speaker 2: a girl that try to talk to you and you said, nah,

421
00:21:02,160 --> 00:21:04,080
Speaker 2: she mad because you distance. Now she wanted to direct

422
00:21:04,080 --> 00:21:05,719
Speaker 2: message your girl and make up a story and just

423
00:21:05,760 --> 00:21:08,480
Speaker 2: play a hate on your whole situation. I like, when

424
00:21:08,480 --> 00:21:10,240
Speaker 2: you don't know who my girl is, you can't call

425
00:21:10,320 --> 00:21:12,119
Speaker 2: my girl, you can't contact my lady. And that's how

426
00:21:12,160 --> 00:21:14,400
Speaker 2: I want it to be. Only y'all can contact my lady.

427
00:21:14,440 --> 00:21:16,200
Speaker 2: And I just feel like I'm not looking for validation

428
00:21:16,280 --> 00:21:19,480
Speaker 2: from nobody. And I feel like people that feel like, look,

429
00:21:19,480 --> 00:21:22,359
Speaker 2: I get it, women want to be shown off. But

430
00:21:22,400 --> 00:21:24,000
Speaker 2: we're talking about the strangers like we do even we

431
00:21:24,000 --> 00:21:24,720
Speaker 2: don't even know.

432
00:21:25,000 --> 00:21:28,200
Speaker 1: Right, Like, it's people that don't know, they that don't.

433
00:21:28,000 --> 00:21:29,199
Speaker 2: Don't need you don't need to know, and if they

434
00:21:29,200 --> 00:21:30,600
Speaker 2: say it's the public, they say it's a public, I'm

435
00:21:30,600 --> 00:21:32,840
Speaker 2: not high you. I just learned my lesson from when

436
00:21:32,920 --> 00:21:36,040
Speaker 2: I have been open. Don't nothing good come from that?

437
00:21:36,080 --> 00:21:38,000
Speaker 2: Everybody in your mix, everybody in your business. It's just

438
00:21:38,040 --> 00:21:41,480
Speaker 2: too much. I can't even lean in and ask the

439
00:21:41,520 --> 00:21:44,160
Speaker 2: bartender for a napkin. They gonna think I'm whispering. What's

440
00:21:44,240 --> 00:21:44,720
Speaker 2: your number?

441
00:21:44,800 --> 00:21:44,879
Speaker 3: Like?

442
00:21:44,960 --> 00:21:46,920
Speaker 2: I don't. I don't need none of that. I'm cool.

443
00:21:46,960 --> 00:21:47,320
Speaker 2: I like it.

444
00:21:47,320 --> 00:21:49,680
Speaker 1: How it is so one of your biggest songs with

445
00:21:49,840 --> 00:21:52,879
Speaker 1: your ass. How do you feel performing that song today?

446
00:21:53,480 --> 00:21:55,840
Speaker 2: Oh? No, kind of way you don't. It's a number

447
00:21:55,880 --> 00:21:58,600
Speaker 2: one smash. I love performing like you love it? I

448
00:21:58,680 --> 00:22:03,280
Speaker 2: love it. It's that's my go to. Like if I want

449
00:22:03,280 --> 00:22:05,480
Speaker 2: to set it off, I'm going to like you for sure.

450
00:22:06,160 --> 00:22:09,880
Speaker 2: Love it. Love that record, the fans singing it word

451
00:22:09,920 --> 00:22:13,719
Speaker 2: for word every time. That's my joint. What about like

452
00:22:13,840 --> 00:22:14,359
Speaker 2: wilding out?

453
00:22:14,359 --> 00:22:16,919
Speaker 1: Would they be making jokes about you dating somebody and

454
00:22:16,960 --> 00:22:19,480
Speaker 1: then somebody asks famous as you dating that same person?

455
00:22:19,920 --> 00:22:21,680
Speaker 1: Do you feel some type of way when famous people

456
00:22:21,720 --> 00:22:22,399
Speaker 1: date your axes?

457
00:22:23,440 --> 00:22:29,600
Speaker 2: No, I'm a player. I don't got time for that.

458
00:22:30,280 --> 00:22:32,960
Speaker 2: Like once she's no longer mine she's not. You do

459
00:22:33,800 --> 00:22:37,639
Speaker 2: what you do, be happy because I'm gonna be happy. Yeah,

460
00:22:37,680 --> 00:22:40,480
Speaker 2: and I'm gonna be just fine. Are you cool?

461
00:22:40,640 --> 00:22:42,680
Speaker 1: Are you cool with all your axes or any your excess?

462
00:22:42,720 --> 00:22:47,840
Speaker 2: Are you cool? Cool? It's definitely cool with my daughter's

463
00:22:47,840 --> 00:22:50,440
Speaker 2: mom for sure. That's my dog Joy. Yeah, Sh'S mom.

464
00:22:50,480 --> 00:22:53,080
Speaker 2: That's my dog. I do anything for her. That's like

465
00:22:53,880 --> 00:22:59,560
Speaker 2: great mother, great friend, ride or die upmost respect, upmost respect.

466
00:22:59,600 --> 00:23:01,200
Speaker 2: But yeah, I know I'm probably none of my access.

467
00:23:01,200 --> 00:23:03,040
Speaker 2: It's a it's all love. I'm happy for all of them.

468
00:23:03,440 --> 00:23:08,280
Speaker 2: Some I moved on, had kids, married. I'm happy for them,

469
00:23:08,320 --> 00:23:11,400
Speaker 2: like happy. Wow, you was out there for a minute though.

470
00:23:11,760 --> 00:23:14,040
Speaker 2: You was not that bad too, I was. You're bad.

471
00:23:14,920 --> 00:23:22,280
Speaker 1: Yeah, good times, good times they owe you nothing. I mean,

472
00:23:22,560 --> 00:23:26,560
Speaker 1: I mean, I see, Joe, you had can you dated

473
00:23:26,600 --> 00:23:29,960
Speaker 1: camp for a hot set? Angel simmers for a set?

474
00:23:31,000 --> 00:23:31,600
Speaker 2: Well you got the.

475
00:23:31,720 --> 00:23:37,000
Speaker 1: Bad them, the famous ones we know about you learned

476
00:23:37,000 --> 00:23:38,520
Speaker 1: from your state. You keep that on the hush.

477
00:23:38,560 --> 00:23:44,360
Speaker 2: Now I'm about the port board. Now I've had I've

478
00:23:44,359 --> 00:23:47,240
Speaker 2: had a blessed life. Man, I've calmed down though since

479
00:23:47,280 --> 00:23:49,480
Speaker 2: you know I would want to think that I have.

480
00:23:50,600 --> 00:23:52,720
Speaker 2: But uh yeah, man, I mean like I said, God

481
00:23:52,800 --> 00:23:54,960
Speaker 2: put some beautiful people in my life, and I've had

482
00:23:54,960 --> 00:23:58,480
Speaker 2: a chance to come across some beautiful women. Those times

483
00:23:58,480 --> 00:24:01,480
Speaker 2: were times, And like I said, I'm I'm still a

484
00:24:01,480 --> 00:24:04,480
Speaker 2: supporter for for all my exes, Like I'm really truly

485
00:24:04,520 --> 00:24:08,000
Speaker 2: happy for them, for them to move on and watch them,

486
00:24:08,200 --> 00:24:11,080
Speaker 2: uh live out their dreams and things that they always

487
00:24:11,119 --> 00:24:13,760
Speaker 2: wanted to do. And it could have been the things

488
00:24:13,760 --> 00:24:15,879
Speaker 2: that I didn't I couldn't offer at that time, you

489
00:24:15,920 --> 00:24:19,640
Speaker 2: know what I mean. And I'm genuinely happy for everybody

490
00:24:19,640 --> 00:24:21,920
Speaker 2: because it seems like everybody's happy. Everybody want at the

491
00:24:22,000 --> 00:24:24,399
Speaker 2: end of the day. But you went probably aren't you

492
00:24:24,480 --> 00:24:27,080
Speaker 2: dating Jada pig Beast? Damn, I just knew you didn't

493
00:24:27,080 --> 00:24:30,480
Speaker 2: know about this. I was posted it.

494
00:24:33,240 --> 00:24:36,879
Speaker 1: You good, I would know.

495
00:24:37,160 --> 00:24:38,959
Speaker 2: That's all the same way. I'm trying to keep it

496
00:24:39,000 --> 00:24:40,080
Speaker 2: low key. I'm trying.

497
00:24:41,760 --> 00:24:44,640
Speaker 1: You can't you you can't pull up and tell about

498
00:24:44,640 --> 00:24:45,439
Speaker 1: you keep it low key.

499
00:24:45,560 --> 00:24:48,080
Speaker 2: But I thought it was low key, like I didn't.

500
00:24:49,119 --> 00:24:51,320
Speaker 1: What made you feel comfortable in order to do that?

501
00:24:51,800 --> 00:24:55,360
Speaker 2: What made me feel comfortable? I want to say, before

502
00:24:55,320 --> 00:24:56,800
Speaker 2: I want to get cursed out with she watched this,

503
00:24:56,920 --> 00:25:00,840
Speaker 2: but but maybe it made me feel comfortable. I'm grown.

504
00:25:00,880 --> 00:25:02,840
Speaker 2: It's like, look, it was New Year's. I think that's

505
00:25:02,840 --> 00:25:06,200
Speaker 2: the picture of New Year's. Uh, yeah, it was. E've

506
00:25:06,240 --> 00:25:09,520
Speaker 2: been drinking too, though I was. I wasn't not yet yet.

507
00:25:09,960 --> 00:25:11,320
Speaker 2: I was on my way to my performance, so we

508
00:25:11,320 --> 00:25:13,679
Speaker 2: didn't even crack a bottle yet. But it was, Uh,

509
00:25:14,520 --> 00:25:16,440
Speaker 2: it was New Year's and I had to put myself

510
00:25:16,520 --> 00:25:19,720
Speaker 2: in her shoes. Like, here's the woman, it's New Year's.

511
00:25:19,880 --> 00:25:23,439
Speaker 2: She this posting stuff. I don't want to make it

512
00:25:23,440 --> 00:25:27,280
Speaker 2: an issue. She looked beautiful. I look good. It's a moment.

513
00:25:27,359 --> 00:25:29,840
Speaker 2: She feels that. So she said, I look good. And

514
00:25:31,840 --> 00:25:33,680
Speaker 2: it was a moment and it was just like wow.

515
00:25:34,000 --> 00:25:36,080
Speaker 2: And for me it was the whole essence of New Years.

516
00:25:36,080 --> 00:25:37,520
Speaker 2: And I'm like, you know what, I'm stepping out like

517
00:25:37,560 --> 00:25:41,600
Speaker 2: you got caught up. I got caught up. She put

518
00:25:41,640 --> 00:25:43,399
Speaker 2: me on that that SELFI the next thing, you know,

519
00:25:43,760 --> 00:25:45,640
Speaker 2: I said, I ain't gonna pose it because you got

520
00:25:45,640 --> 00:25:47,600
Speaker 2: a lot of followers. You know my page. I always

521
00:25:47,600 --> 00:25:51,240
Speaker 2: tell people my page is for my fans and it's

522
00:25:51,240 --> 00:25:52,920
Speaker 2: for work. You know what I mean. If you want

523
00:25:52,920 --> 00:25:55,919
Speaker 2: to see my girl, go to her page. Birthdays, you

524
00:25:56,000 --> 00:25:58,679
Speaker 2: might see her holidays, New year's certain things you might

525
00:25:58,720 --> 00:26:01,800
Speaker 2: see a five times six time got the right. But

526
00:26:01,840 --> 00:26:03,280
Speaker 2: it was just one of the moments where I was like, man,

527
00:26:03,320 --> 00:26:05,720
Speaker 2: you know what I understand. Let me put myself in

528
00:26:05,720 --> 00:26:08,360
Speaker 2: a woman's shoes. She wanted to show off, show me off.

529
00:26:08,400 --> 00:26:09,720
Speaker 2: She want to show it off. I'm gonna let her

530
00:26:09,760 --> 00:26:11,520
Speaker 2: get this off. I ain't tripping. It's all good.

531
00:26:12,000 --> 00:26:13,959
Speaker 1: You once said that you're not gonna get married. Are

532
00:26:14,000 --> 00:26:15,360
Speaker 1: you rethinking that now.

533
00:26:16,920 --> 00:26:17,960
Speaker 2: It's getting hot in here?

534
00:26:20,240 --> 00:26:22,119
Speaker 1: I would go to great, nobody will go to.

535
00:26:28,480 --> 00:26:34,399
Speaker 2: Mm hmm. It's still I don't. I don't, I don't know.

536
00:26:34,720 --> 00:26:36,520
Speaker 2: I you know what I'm doing, Okay. I put his

537
00:26:36,600 --> 00:26:39,680
Speaker 2: way because me and her, we've had these talks, and

538
00:26:39,760 --> 00:26:42,520
Speaker 2: you know, she found an interview and saw me say it,

539
00:26:45,040 --> 00:26:48,159
Speaker 2: and you know, I told her like this, I'm not

540
00:26:48,200 --> 00:26:53,040
Speaker 2: against anything, but when I get to that point, or

541
00:26:53,080 --> 00:26:54,639
Speaker 2: if I ever do get to that point, I want

542
00:26:54,680 --> 00:26:58,000
Speaker 2: to make sure I'm right. And you know that's not

543
00:26:58,040 --> 00:27:00,159
Speaker 2: only commitment to you, but a commitment to God. And

544
00:27:00,359 --> 00:27:02,760
Speaker 2: I don't play with stuff like that. So I don't

545
00:27:02,760 --> 00:27:04,600
Speaker 2: want to talk about it. I don't want to plant it.

546
00:27:05,040 --> 00:27:07,159
Speaker 2: Let's just roll, baby, Let's just have fun. We have

547
00:27:07,280 --> 00:27:09,040
Speaker 2: a good time now and if it gets let's not

548
00:27:09,280 --> 00:27:10,800
Speaker 2: let's not ruin it. Talk about that. If we get

549
00:27:10,800 --> 00:27:13,119
Speaker 2: it up, if it get there, it gets there, you

550
00:27:13,280 --> 00:27:15,960
Speaker 2: know what I mean. But that's how fun. We're on

551
00:27:16,080 --> 00:27:20,240
Speaker 2: tour about to go to London. You know what I mean.

552
00:27:20,800 --> 00:27:22,639
Speaker 2: Let's just live young. W Am I talking about that? You?

553
00:27:22,880 --> 00:27:23,080
Speaker 3: Yeah?

554
00:27:23,160 --> 00:27:25,879
Speaker 2: Yeah, yeah, yeah, Let's stay right there, keep talking about that.

555
00:27:25,880 --> 00:27:28,720
Speaker 2: You aged me like you you yeah? Yeah. It's like

556
00:27:28,720 --> 00:27:32,840
Speaker 2: I don't want to I don't want to think too far. Yeah, baby,

557
00:27:32,920 --> 00:27:34,880
Speaker 2: did you see the new traits that came? I don't.

558
00:27:34,880 --> 00:27:37,480
Speaker 2: I'm not ready for that yet. Let's let's that's how

559
00:27:37,520 --> 00:27:39,640
Speaker 2: I want to jet and go to Terps and let's

560
00:27:39,640 --> 00:27:41,639
Speaker 2: have some fun. Let's just keep living and when we

561
00:27:41,680 --> 00:27:43,720
Speaker 2: get there, we get there. But you know, I'm reading

562
00:27:43,720 --> 00:27:50,080
Speaker 2: that you urged Nelly to damn, I did something you

563
00:27:50,119 --> 00:27:52,399
Speaker 2: ain't to do. I have a more fifty plus Like.

564
00:27:52,400 --> 00:27:55,640
Speaker 2: It's like, bro, I'm like thirty eight. I mean, I'm

565
00:27:55,640 --> 00:27:57,360
Speaker 2: not saying I'm a spring chicken thirty eight. I'm two

566
00:27:57,400 --> 00:27:59,560
Speaker 2: off four old, but still it ain't forty. But I'm

567
00:27:59,600 --> 00:28:07,720
Speaker 2: like mo, like you're fifty plus. Bro, It's like this, Now,

568
00:28:07,840 --> 00:28:10,560
Speaker 2: you good listen. Oh g you and you in the game.

569
00:28:10,600 --> 00:28:13,159
Speaker 2: You straight you good. But I'm just like you know,

570
00:28:14,520 --> 00:28:17,080
Speaker 2: I saw him during the verses. He ran across the

571
00:28:17,080 --> 00:28:18,960
Speaker 2: stage to get her. I know how much she means

572
00:28:18,960 --> 00:28:22,520
Speaker 2: to him. Nellie's another person who is family, that's Jermaine's

573
00:28:22,520 --> 00:28:25,119
Speaker 2: best friend, that is considered my big brother. He the

574
00:28:25,119 --> 00:28:27,320
Speaker 2: only person that could pull up on me and he

575
00:28:27,320 --> 00:28:29,520
Speaker 2: would want to fight me. He the only one that's

576
00:28:29,600 --> 00:28:31,920
Speaker 2: my people. And I just know how much that woman

577
00:28:31,960 --> 00:28:35,159
Speaker 2: means to him. And you know, I've had chances to

578
00:28:35,200 --> 00:28:38,400
Speaker 2: see mold behind the scenes and I say, movie that's

579
00:28:38,400 --> 00:28:42,000
Speaker 2: Nelly in ways that people haven't seen him. And I

580
00:28:42,080 --> 00:28:44,800
Speaker 2: just know how much that woman means to him. And

581
00:28:44,920 --> 00:28:46,719
Speaker 2: I mean, I saw my man with the band on

582
00:28:46,840 --> 00:28:50,480
Speaker 2: so he Rocky locked in, He locked in. So I'm

583
00:28:50,480 --> 00:28:54,000
Speaker 2: just so proud for him. Her too. You know, Ashanti

584
00:28:54,200 --> 00:28:56,520
Speaker 2: is a Millennium tour vet. She was a part of

585
00:28:56,520 --> 00:29:00,320
Speaker 2: of the brand as well. And you know, I'm happy

586
00:29:00,320 --> 00:29:03,120
Speaker 2: to see it. They have that. That's the greatest, probably

587
00:29:03,120 --> 00:29:04,880
Speaker 2: one of the greatest. Spinding spind the Block, that's what

588
00:29:04,920 --> 00:29:07,760
Speaker 2: they call spind the Block in his in history.

589
00:29:07,840 --> 00:29:09,440
Speaker 1: Yeah, well you trying to do it again because you

590
00:29:09,480 --> 00:29:11,400
Speaker 1: were urging JD to get back with Janet.

591
00:29:11,800 --> 00:29:14,480
Speaker 2: I do want that to happen. I do want that

592
00:29:14,520 --> 00:29:16,640
Speaker 2: to happen. If he's gonna watch this probably just that

593
00:29:17,000 --> 00:29:20,560
Speaker 2: damn bot can I do want that to happen.

594
00:29:20,760 --> 00:29:23,000
Speaker 1: You've been around so what what is uh? You know

595
00:29:23,080 --> 00:29:24,479
Speaker 1: you don't have to get too much, but what what

596
00:29:24,560 --> 00:29:26,400
Speaker 1: is I mean? You've been around her when you know,

597
00:29:26,520 --> 00:29:29,400
Speaker 1: obviously when she's Janet Jackie's he's a nicon member of

598
00:29:29,400 --> 00:29:31,760
Speaker 1: the famous Jackson family. But what are some things? I mean,

599
00:29:31,800 --> 00:29:32,960
Speaker 1: what is she like behind the scenes?

600
00:29:33,040 --> 00:29:36,920
Speaker 2: You just s weaateest, coolest person ever. It's like the

601
00:29:36,960 --> 00:29:38,520
Speaker 2: best step mom you had?

602
00:29:38,320 --> 00:29:38,480
Speaker 1: Real?

603
00:29:38,640 --> 00:29:42,880
Speaker 2: Wow? What right? The best step mom you have? So sweet?

604
00:29:43,080 --> 00:29:46,080
Speaker 2: So I mean, and could be in the midst of

605
00:29:46,080 --> 00:29:50,920
Speaker 2: the guys and it's whatever. Like I remember watching Miss

606
00:29:51,000 --> 00:29:54,000
Speaker 2: Jamwaher's dishes, Like I was like, I didn't even know

607
00:29:54,000 --> 00:29:55,760
Speaker 2: the Four Seasons had a condo at the top. Oh

608
00:29:55,840 --> 00:29:59,280
Speaker 2: no they don't. Just this it's JD's in this. I'm like,

609
00:29:59,320 --> 00:30:02,160
Speaker 2: I didn't even know, Oh this you got the presidential

610
00:30:02,720 --> 00:30:07,120
Speaker 2: it's something else above that. I'm trying to tell you,

611
00:30:07,640 --> 00:30:11,960
Speaker 2: Like I'm watching Miss jan like wash dishes, I'm like

612
00:30:13,400 --> 00:30:17,840
Speaker 2: this is crazy, but she's so down to earth, so sweet,

613
00:30:18,440 --> 00:30:20,880
Speaker 2: droves herself, gonna pull up. If it's a taco spot,

614
00:30:21,120 --> 00:30:24,600
Speaker 2: she's gonna pull up, hop out, talk in, grab the top.

615
00:30:24,640 --> 00:30:26,680
Speaker 2: We're gonna hop back in the car, drop right back

616
00:30:26,720 --> 00:30:31,040
Speaker 2: to that man, miss jam Man. It was everything to

617
00:30:31,280 --> 00:30:36,480
Speaker 2: you know, a woman, you know, you know somebody special

618
00:30:36,840 --> 00:30:38,560
Speaker 2: when y'all when you when the person and the other

619
00:30:38,600 --> 00:30:40,680
Speaker 2: person break up and you mad at your at the

620
00:30:40,880 --> 00:30:43,200
Speaker 2: at your homie. That's how we all was with JD.

621
00:30:43,360 --> 00:30:46,880
Speaker 2: We like be like damn, not even that. He's like damn,

622
00:30:47,640 --> 00:30:51,840
Speaker 2: get it back together. Please. It was just so beautiful, bro,

623
00:30:51,960 --> 00:30:55,320
Speaker 2: and Jermaine was just such at peace. And I mean,

624
00:30:55,400 --> 00:30:59,160
Speaker 2: I'm not even gonna lie. The Jets stay ready. We

625
00:30:59,200 --> 00:31:01,960
Speaker 2: was on the PJ that you folks you five every

626
00:31:02,080 --> 00:31:05,840
Speaker 2: day to stay ready. Man. Yeah, man, but beautiful person.

627
00:31:05,880 --> 00:31:08,000
Speaker 2: I really do hope. I know Jermaine gonna kill me, Like, wow,

628
00:31:08,000 --> 00:31:09,240
Speaker 2: you gotta keep preaying that ship.

629
00:31:09,400 --> 00:31:12,160
Speaker 1: I got a I got something for you. We've used

630
00:31:12,160 --> 00:31:14,920
Speaker 1: the term spend the block a lot. Yeah, you weren't

631
00:31:14,920 --> 00:31:17,040
Speaker 1: in a relationship. Who would you spend the block with?

632
00:31:17,960 --> 00:31:18,400
Speaker 2: To go back?

633
00:31:18,520 --> 00:31:20,800
Speaker 1: Yes, spend the block? You don't spend the block.

634
00:31:20,680 --> 00:31:25,000
Speaker 2: Me, nobody you would spend the block uh uh No,

635
00:31:26,120 --> 00:31:28,240
Speaker 2: not on one person. I was a god because I

636
00:31:28,240 --> 00:31:31,560
Speaker 2: feel like them chapters is closed like we did that.

637
00:31:31,560 --> 00:31:34,920
Speaker 1: That was those There's a reason why you they left.

638
00:31:34,920 --> 00:31:37,360
Speaker 1: You left, and we're not. We're cool. We're coold for sure,

639
00:31:37,440 --> 00:31:39,680
Speaker 1: but we're gonna stay. We're gonna keep it cool over here.

640
00:31:39,720 --> 00:31:40,520
Speaker 1: You cool over there.

641
00:31:40,560 --> 00:31:43,520
Speaker 2: Yep. I've never been the type to just spand back,

642
00:31:43,680 --> 00:31:45,080
Speaker 2: keep it forward, keep over.

643
00:31:45,440 --> 00:31:47,720
Speaker 1: Do you ever get do you ever get concerned? Or

644
00:31:47,760 --> 00:31:50,840
Speaker 1: have you ever been concerned that this person is dating

645
00:31:50,920 --> 00:31:52,440
Speaker 1: me for who.

646
00:31:52,280 --> 00:31:55,520
Speaker 2: I am and for not the person that I am? Nope,

647
00:31:56,200 --> 00:32:00,240
Speaker 2: I never once felt that. Really wow? Not never mind life?

648
00:32:00,440 --> 00:32:02,240
Speaker 2: How about felt that? Because the ones that I chose

649
00:32:02,280 --> 00:32:04,320
Speaker 2: to be my lady right, I knew they wanted to

650
00:32:04,320 --> 00:32:06,400
Speaker 2: be there. They love me, and I can tell. I

651
00:32:06,400 --> 00:32:08,360
Speaker 2: can tell by their actions. That's how you know. I

652
00:32:08,360 --> 00:32:11,960
Speaker 2: can tell. Like even my girl now you know what

653
00:32:11,960 --> 00:32:16,600
Speaker 2: I mean? I know loves me because I'm difficult. Like

654
00:32:16,640 --> 00:32:18,800
Speaker 2: I'm not gonna see him preach and act like I'm

655
00:32:18,880 --> 00:32:22,120
Speaker 2: just the same. I'm still working on myself. I'm still working.

656
00:32:22,120 --> 00:32:24,560
Speaker 2: I'm a I'm a work in progress. It's a show.

657
00:32:24,720 --> 00:32:27,520
Speaker 2: Especially growing up in this business and seeing what I've

658
00:32:27,520 --> 00:32:28,920
Speaker 2: seen and living in life south that I live it

659
00:32:28,920 --> 00:32:32,320
Speaker 2: it's tough, especially dating what you would call her heart thrive,

660
00:32:32,440 --> 00:32:33,760
Speaker 2: you know what I mean. It's only so many guys

661
00:32:33,800 --> 00:32:36,120
Speaker 2: in the game that have that thing to where no

662
00:32:36,120 --> 00:32:38,520
Speaker 2: matter where you at, the baddies is just there. Like

663
00:32:38,560 --> 00:32:41,160
Speaker 2: it's times like even on tour, like like I don't

664
00:32:41,160 --> 00:32:43,800
Speaker 2: even need no pass I ain't nobody no passt. I look,

665
00:32:43,840 --> 00:32:45,840
Speaker 2: they just there. I go on the hallway, They're just there.

666
00:32:46,280 --> 00:32:48,959
Speaker 2: It's like it's just around and you can't escape it.

667
00:32:48,960 --> 00:32:52,640
Speaker 2: It's just temptation, Timpta. And it's just so she traveled.

668
00:32:52,720 --> 00:32:54,040
Speaker 1: So your girl now is on the road with you

669
00:32:54,080 --> 00:32:56,400
Speaker 1: when you she has she has, but she's not all the.

670
00:32:56,360 --> 00:32:58,920
Speaker 2: Time, not all the time. But when we got to Houston,

671
00:32:58,960 --> 00:33:02,360
Speaker 2: we had to have a talk. I brought that up.

672
00:33:02,800 --> 00:33:05,520
Speaker 2: I know how you feel about that. Alf When we

673
00:33:05,640 --> 00:33:10,000
Speaker 2: got to Houston, O G. I had to I had

674
00:33:10,040 --> 00:33:11,760
Speaker 2: to keep it real with her. I had to tell her,

675
00:33:11,840 --> 00:33:16,160
Speaker 2: I'm like, baby, listen, I got two parties. Well y'all

676
00:33:16,200 --> 00:33:18,280
Speaker 2: do I have two parties? And I need you to

677
00:33:18,320 --> 00:33:21,280
Speaker 2: meet me halfway. I'm gonna I'm gonna bring you to

678
00:33:21,360 --> 00:33:24,280
Speaker 2: the first one, have some dreams, have a good time,

679
00:33:24,840 --> 00:33:28,479
Speaker 2: show you off. But s UV gonna take you back

680
00:33:28,520 --> 00:33:31,400
Speaker 2: to the fourth seasons, right, you and my auntie right,

681
00:33:32,200 --> 00:33:33,920
Speaker 2: And I know it. I can see it on her face.

682
00:33:33,920 --> 00:33:36,680
Speaker 2: She's like, I'm still outside. I'm want to turn the witch.

683
00:33:36,680 --> 00:33:38,680
Speaker 2: I want to. I'm like, I know, but this places,

684
00:33:38,800 --> 00:33:41,440
Speaker 2: it's a time and the place. I don't want to

685
00:33:41,480 --> 00:33:44,360
Speaker 2: take you the area twenty nine. We gotta go to edit.

686
00:33:44,440 --> 00:33:47,160
Speaker 2: Me and Trey. Yeah, so we gotta go together. I

687
00:33:47,160 --> 00:33:49,800
Speaker 2: don't want my lady in the spot like that. It's

688
00:33:49,840 --> 00:33:51,680
Speaker 2: gonna it's a losers anyway. I'm having too much fun

689
00:33:51,720 --> 00:33:54,480
Speaker 2: in front of it. That's me being this and you

690
00:33:54,560 --> 00:33:56,800
Speaker 2: pretend like I ain't here. Yeah, and then if I'm

691
00:33:56,840 --> 00:33:59,000
Speaker 2: just here being a good boy, now everybody around me

692
00:33:59,040 --> 00:34:00,840
Speaker 2: like I ain't being in the self, he ain't being

693
00:34:00,880 --> 00:34:03,840
Speaker 2: back left wife your home. So it's really a lose lose.

694
00:34:03,880 --> 00:34:06,480
Speaker 2: But I had to tell her, baby, I'll meet you halfway.

695
00:34:06,480 --> 00:34:08,400
Speaker 2: We'll leave at eight in the morning, but I need Houston.

696
00:34:08,719 --> 00:34:11,760
Speaker 1: What she said, she said, okay, reluctantly, she said okay,

697
00:34:11,880 --> 00:34:12,960
Speaker 1: she listen.

698
00:34:13,520 --> 00:34:15,239
Speaker 2: She didn't say no word, but that bide Labor was

699
00:34:15,239 --> 00:34:17,000
Speaker 2: talking about body language. I can tell you she ain't

700
00:34:17,000 --> 00:34:20,120
Speaker 2: want to leave. She didn't. She wanted to what that Houston.

701
00:34:21,960 --> 00:34:28,080
Speaker 2: I'll be telling people it ain't Miami. Atlanta's Atlanta. My lord.

702
00:34:28,400 --> 00:34:31,959
Speaker 2: I thought I was gonna move there. I was looking

703
00:34:32,000 --> 00:34:32,480
Speaker 2: for crib.

704
00:34:32,560 --> 00:34:34,600
Speaker 1: I swear to god, you're by social media got black

705
00:34:34,600 --> 00:34:35,520
Speaker 1: and Greg lefting.

706
00:34:35,400 --> 00:34:39,080
Speaker 2: You was looking too, Yes, Oh no, don't do it.

707
00:34:39,239 --> 00:34:43,839
Speaker 2: Don't you do? My managers like this. After we after

708
00:34:43,960 --> 00:34:48,640
Speaker 2: after the show we out, I said, what time? Uh, well,

709
00:34:49,000 --> 00:34:50,200
Speaker 2: you ain't get out about three?

710
00:34:50,360 --> 00:34:50,440
Speaker 3: What?

711
00:34:51,000 --> 00:34:55,759
Speaker 2: Three am? After the after party, I meet you half

712
00:34:55,800 --> 00:34:57,160
Speaker 2: way and can we leave at eight in the morning.

713
00:34:57,520 --> 00:34:59,239
Speaker 2: The buck toy bus got even in the morning and

714
00:34:59,280 --> 00:35:01,879
Speaker 2: we off the next day. Please Yeah Houston. He gave

715
00:35:01,920 --> 00:35:03,480
Speaker 2: me eight That's all I needed. Yeah, I love He

716
00:35:03,520 --> 00:35:04,359
Speaker 2: was a shout out to the age.

717
00:35:04,360 --> 00:35:04,480
Speaker 3: Man.

718
00:35:04,520 --> 00:35:07,319
Speaker 2: I love Houston. Oh my god, I love Houston too.

719
00:35:07,400 --> 00:35:11,120
Speaker 2: Jeez love Walls. Man. We got a whole save in

720
00:35:11,160 --> 00:35:12,279
Speaker 2: talking about Houston. We could.

721
00:35:12,400 --> 00:35:12,799
Speaker 3: I know.

722
00:35:16,040 --> 00:35:19,400
Speaker 1: What made you Travis Hunter's situation? Yeah, you left something

723
00:35:19,400 --> 00:35:21,799
Speaker 1: for him on What made you decided like man?

724
00:35:21,920 --> 00:35:26,799
Speaker 2: Trap? Come on, bro, I just didn't like seeing a

725
00:35:26,880 --> 00:35:29,040
Speaker 2: young brother get played or I just you know what

726
00:35:29,080 --> 00:35:31,279
Speaker 2: I'm saying. I just felt like, you know, I know,

727
00:35:31,360 --> 00:35:34,719
Speaker 2: og around him promly got the game he go, but

728
00:35:34,800 --> 00:35:37,880
Speaker 2: I just felt like nobody around and young Cat was

729
00:35:37,920 --> 00:35:40,000
Speaker 2: really giving it to him. Like I mean, look, think

730
00:35:40,040 --> 00:35:42,880
Speaker 2: about this. You on a football team. I know they

731
00:35:42,960 --> 00:35:44,680
Speaker 2: was giving stuff in the locker room. That's what they

732
00:35:44,760 --> 00:35:46,000
Speaker 2: gonna do, you know what I'm saying. But I just

733
00:35:46,000 --> 00:35:48,000
Speaker 2: felt like, look, man, check this out. The way Snoop

734
00:35:48,520 --> 00:35:50,400
Speaker 2: would give me game, I just felt like, my brother,

735
00:35:50,480 --> 00:35:52,200
Speaker 2: it was my call and just to reach out to

736
00:35:52,239 --> 00:35:53,520
Speaker 2: you and just give me some game. You know what

737
00:35:53,560 --> 00:35:57,799
Speaker 2: I'm saying. Just focus on the goal. Even to this day,

738
00:35:57,960 --> 00:36:00,319
Speaker 2: like my girl, no, I'll tell her like, look, I

739
00:36:00,360 --> 00:36:03,799
Speaker 2: know this might hurt you, but I got to do

740
00:36:03,920 --> 00:36:07,439
Speaker 2: what I got to do. It's a goal. I got

741
00:36:07,440 --> 00:36:10,880
Speaker 2: to reach that goal. It ain't gonna be pretty, but

742
00:36:11,600 --> 00:36:13,560
Speaker 2: it's gonna be times where I might hurt you along

743
00:36:13,600 --> 00:36:15,440
Speaker 2: the way, whether that be you can't come here, or

744
00:36:15,560 --> 00:36:17,239
Speaker 2: there's a reason for this, or I gotta do this

745
00:36:17,320 --> 00:36:19,320
Speaker 2: or that. It is just like that, and I just

746
00:36:19,400 --> 00:36:22,839
Speaker 2: felt like I want it bro to focus on the goal.

747
00:36:22,840 --> 00:36:24,480
Speaker 2: You're about to make the biggest back of your life.

748
00:36:24,480 --> 00:36:26,279
Speaker 2: You've been working on this. You know what I'm saying.

749
00:36:26,280 --> 00:36:27,680
Speaker 2: You want a chat to stay. Look how you came

750
00:36:27,680 --> 00:36:30,799
Speaker 2: and you did it in a different way, and now

751
00:36:30,840 --> 00:36:33,399
Speaker 2: you finally hear Hosman trophy man. Check this out game.

752
00:36:34,480 --> 00:36:36,480
Speaker 2: When you go pro and you get in the locker

753
00:36:36,560 --> 00:36:39,840
Speaker 2: room and you see how them pros live, all that

754
00:36:39,920 --> 00:36:42,839
Speaker 2: gonna change. I've been there. I was once the young cat,

755
00:36:43,480 --> 00:36:46,319
Speaker 2: young millions of dollars. I know how it is. I

756
00:36:46,360 --> 00:36:49,439
Speaker 2: came in the game the same way I got my girlfriend. Okay,

757
00:36:49,480 --> 00:36:50,960
Speaker 2: I'm gonna be with her for the rest of my life.

758
00:36:51,120 --> 00:36:53,240
Speaker 2: Did I know that it would be one hundred million

759
00:36:53,280 --> 00:36:55,719
Speaker 2: girls liking me. It's a difference when you get that

760
00:36:55,800 --> 00:36:58,439
Speaker 2: power that you start learning from your teammates, you rolling

761
00:36:58,480 --> 00:37:00,520
Speaker 2: with them. It's similar like that to me and main story.

762
00:37:00,560 --> 00:37:02,359
Speaker 2: They just laying it out for you, laying it out

763
00:37:02,400 --> 00:37:03,839
Speaker 2: for you. Go to the club. Now kick back, rook,

764
00:37:03,880 --> 00:37:05,640
Speaker 2: you ain't gotta pay week. We show you how we

765
00:37:05,680 --> 00:37:08,160
Speaker 2: do this, and you start adapting to that. So I'm like,

766
00:37:08,200 --> 00:37:10,600
Speaker 2: young brother, it's gonna be time for all that. But

767
00:37:10,680 --> 00:37:13,440
Speaker 2: get busy on that field. Go get your bag, secure

768
00:37:13,480 --> 00:37:16,600
Speaker 2: your bag, make sure the fans straight. The women gonna

769
00:37:16,600 --> 00:37:18,239
Speaker 2: beat here. And you know, I just didn't really like

770
00:37:18,960 --> 00:37:20,880
Speaker 2: how homegirl, just the little things that I was seeing.

771
00:37:21,000 --> 00:37:22,759
Speaker 2: I just couldn't really rock with it all, Like how

772
00:37:22,800 --> 00:37:23,359
Speaker 2: she would talk.

773
00:37:23,520 --> 00:37:25,120
Speaker 1: Did you feel you should have You could have reached

774
00:37:25,120 --> 00:37:26,880
Speaker 1: out to him in the DM, or you could have

775
00:37:26,920 --> 00:37:27,560
Speaker 1: had somebody there.

776
00:37:27,560 --> 00:37:29,840
Speaker 2: I could, I could have. It was ways I could have.

777
00:37:30,080 --> 00:37:33,799
Speaker 2: But I want him to hear me, like I just

778
00:37:33,840 --> 00:37:35,680
Speaker 2: felt like he just remind me of one of my

779
00:37:35,719 --> 00:37:38,719
Speaker 2: little homies. Like I got so many little bros that

780
00:37:38,800 --> 00:37:40,160
Speaker 2: look up to me and they come to me for

781
00:37:40,280 --> 00:37:41,759
Speaker 2: game about this, that and the third. And I just

782
00:37:41,800 --> 00:37:44,920
Speaker 2: looked at Traviy like brother, not thissing you. I'm not

783
00:37:44,920 --> 00:37:46,400
Speaker 2: coming at you. I'm just want to wake you up,

784
00:37:46,640 --> 00:37:48,320
Speaker 2: because I had to be woke up a couple of times.

785
00:37:48,680 --> 00:37:50,800
Speaker 2: Especially these women. These women can blind you out here.

786
00:37:50,640 --> 00:37:55,000
Speaker 2: You'll be so blind just in love and just milking

787
00:37:55,040 --> 00:37:57,440
Speaker 2: your ass, milking and milking you. And then when the

788
00:37:57,480 --> 00:38:00,759
Speaker 2: milk drive and it's powder, mag don't So I just

789
00:38:00,760 --> 00:38:02,080
Speaker 2: want him to be aware that I ain't know if

790
00:38:02,080 --> 00:38:04,080
Speaker 2: nobody was really teaching him or telling us. So it

791
00:38:04,120 --> 00:38:06,040
Speaker 2: was coming from a good place. It wasn't coming from nowhere.

792
00:38:06,040 --> 00:38:08,239
Speaker 2: Trying to be and you know, in all respect to

793
00:38:08,280 --> 00:38:09,840
Speaker 2: his lady, you know what I mean. If that's the situation,

794
00:38:09,880 --> 00:38:12,120
Speaker 2: that's the situation. But I like how he's doing it now.

795
00:38:12,239 --> 00:38:15,680
Speaker 2: He fell back. Yeah, he see how it's starting to

796
00:38:15,680 --> 00:38:17,759
Speaker 2: overshadow your game. You cold, and you the cold is

797
00:38:17,800 --> 00:38:19,960
Speaker 2: a dupe. You're cold. We all room for you. I'm

798
00:38:19,960 --> 00:38:23,200
Speaker 2: a fan, right, but I know how these women sometimes

799
00:38:23,239 --> 00:38:27,560
Speaker 2: because sidetracked the goal. Nah, keep that off the internet

800
00:38:28,080 --> 00:38:31,000
Speaker 2: because that's starting to overshadow the skill. Right, you're doing

801
00:38:31,040 --> 00:38:32,640
Speaker 2: a combine. They shouldn't be talking about what's going on

802
00:38:32,640 --> 00:38:33,040
Speaker 2: at home.

803
00:38:33,040 --> 00:38:37,759
Speaker 1: Right, Neil situation bear some NEO R and B and

804
00:38:37,840 --> 00:38:39,200
Speaker 1: he has three or four of them.

805
00:38:39,200 --> 00:38:41,800
Speaker 2: Now is that a situation?

806
00:38:41,920 --> 00:38:46,359
Speaker 1: I mean, could condbound find himself because he's like, WELLO

807
00:38:46,640 --> 00:38:49,600
Speaker 1: my partner nightcap. He says, if you just be upfront

808
00:38:49,600 --> 00:38:53,319
Speaker 1: with him more times than not, they'll be I said, well,

809
00:38:53,320 --> 00:38:54,399
Speaker 1: I ain't never met none of them.

810
00:38:54,640 --> 00:38:55,120
Speaker 2: I said, I.

811
00:38:55,040 --> 00:38:56,480
Speaker 1: Didn't need to know where y'all where you're going to

812
00:38:56,480 --> 00:38:58,239
Speaker 1: meeting them? That you could tell him, say you know what,

813
00:38:58,280 --> 00:39:00,719
Speaker 1: I might see Jane, I might see Sadly, I might

814
00:39:00,760 --> 00:39:03,359
Speaker 1: see Sue. But I said, I don't know. I ain't

815
00:39:03,400 --> 00:39:06,920
Speaker 1: met no, and it definitely gonna be no.

816
00:39:07,040 --> 00:39:09,920
Speaker 2: Four. They out they out there though, they're like, that's

817
00:39:09,960 --> 00:39:12,360
Speaker 2: some women that's out there that you know if you

818
00:39:12,440 --> 00:39:14,359
Speaker 2: be real with them and let them know, like, yo,

819
00:39:14,520 --> 00:39:16,839
Speaker 2: look baby, you know this is how I'm living my life.

820
00:39:16,840 --> 00:39:18,839
Speaker 2: That's how I'm thugging. This is you know what I mean.

821
00:39:18,920 --> 00:39:21,880
Speaker 2: I want one ain't enough. I'm gonna just be open

822
00:39:21,880 --> 00:39:23,680
Speaker 2: with you. If you w it with it not not,

823
00:39:23,800 --> 00:39:25,560
Speaker 2: I totally respect it. I'm not saying you gotta get

824
00:39:25,560 --> 00:39:26,719
Speaker 2: down to get down, but I'm just letting you know.

825
00:39:26,719 --> 00:39:28,800
Speaker 2: I got two of the girls. I got three girlfriends.

826
00:39:28,840 --> 00:39:30,880
Speaker 2: You know what I'm saying. Damn you can like that

827
00:39:30,920 --> 00:39:34,680
Speaker 2: about hell No, I can't do it. I can't do it.

828
00:39:34,800 --> 00:39:36,359
Speaker 2: I love women, don't get it tow it. I love

829
00:39:36,400 --> 00:39:38,200
Speaker 2: having my vibes. You go to my should my chest

830
00:39:38,239 --> 00:39:42,359
Speaker 2: rooms is beautiful women, It's Aviance's music is drinks. That's

831
00:39:42,400 --> 00:39:46,080
Speaker 2: as far as I can go. Having three women or

832
00:39:46,120 --> 00:39:49,480
Speaker 2: four girlfriends and they staying with me, I would lose

833
00:39:49,800 --> 00:39:54,680
Speaker 2: my mind. I'm too I like I like my Space.

834
00:39:54,800 --> 00:39:57,640
Speaker 2: I listen one woman in the house enough hair be

835
00:39:57,680 --> 00:40:00,759
Speaker 2: all over the place, and I can't do it with foeheads.

836
00:40:01,560 --> 00:40:05,359
Speaker 2: M hm, that's crazy. Different attitudes, different moon swings. This

837
00:40:05,400 --> 00:40:07,239
Speaker 2: one feels like, are you doing too much for this one?

838
00:40:07,280 --> 00:40:09,560
Speaker 2: You gave her that, you bought her burking, you took

839
00:40:09,600 --> 00:40:12,239
Speaker 2: her to bit Uh. I can't do it. I can't.

840
00:40:12,400 --> 00:40:14,600
Speaker 2: I can't maintain four girls at the same time, like

841
00:40:14,600 --> 00:40:17,920
Speaker 2: with Neil All salute to Neil Neil different. Yeah, yeah

842
00:40:17,960 --> 00:40:20,560
Speaker 2: he got patience. I ain't. I ain't with that. Yeah,

843
00:40:20,640 --> 00:40:21,200
Speaker 2: I can't do it.

844
00:40:21,239 --> 00:40:25,840
Speaker 1: Kudoso, Yeah, absolutely, show kids what's it like?

845
00:40:25,880 --> 00:40:29,240
Speaker 2: Being what? What? What is? What is bout the father?

846
00:40:29,480 --> 00:40:33,120
Speaker 2: Like fun, big kid, more of a kid than the kids.

847
00:40:33,840 --> 00:40:36,120
Speaker 2: She shy to get so mad at me. You're doing

848
00:40:36,160 --> 00:40:37,920
Speaker 2: it again, you're playing around. She was just at the

849
00:40:38,000 --> 00:40:40,080
Speaker 2: Dollar Show. She moved to Dallas, my daughter did, and

850
00:40:40,719 --> 00:40:42,880
Speaker 2: she come to the Dollar Show her friends from school,

851
00:40:42,920 --> 00:40:45,120
Speaker 2: her new friends, and you know, I said, you know,

852
00:40:45,280 --> 00:40:46,960
Speaker 2: you know, you got a cool dad. You know what

853
00:40:46,960 --> 00:40:48,640
Speaker 2: I mean, your friends, they gonna love you. You're gonna

854
00:40:48,640 --> 00:40:50,359
Speaker 2: go back to school. I'mnna turn y'all, y'all gonna get

855
00:40:50,360 --> 00:40:53,319
Speaker 2: the pictures Trey song, y'all gonna go back lick And

856
00:40:54,400 --> 00:40:56,319
Speaker 2: so they was doing some type of TikTok thing and

857
00:40:56,400 --> 00:40:58,480
Speaker 2: she wanted Jade to do it with her. So you

858
00:40:58,480 --> 00:41:01,040
Speaker 2: know me, I come in there, wanted to mess around

859
00:41:01,080 --> 00:41:03,800
Speaker 2: and it's no, Dad, No, you're embarrassing me style. I'm like,

860
00:41:03,840 --> 00:41:07,080
Speaker 2: all right, cool man. I realized that a father with

861
00:41:07,160 --> 00:41:11,359
Speaker 2: a teenage daughter, we are the ATM machine, right, And

862
00:41:11,400 --> 00:41:15,000
Speaker 2: that's it. That's it. It's the HOI Dad, I love

863
00:41:15,040 --> 00:41:17,759
Speaker 2: you so much? I love you too? How much? Yep?

864
00:41:18,000 --> 00:41:21,000
Speaker 2: And here it comes, dad, Damn. I thought I was

865
00:41:21,320 --> 00:41:22,840
Speaker 2: just I love you miss you text. I knew it

866
00:41:22,840 --> 00:41:29,880
Speaker 2: was kind of dad. Can you send me a thousand?

867
00:41:29,920 --> 00:41:32,480
Speaker 2: What Tenna is doing with a thousd? Now it's a

868
00:41:32,480 --> 00:41:36,080
Speaker 2: different time. Is it that I'm not good but giving

869
00:41:36,160 --> 00:41:41,279
Speaker 2: money to the kids? But it's crazy and I'm like shy.

870
00:41:41,560 --> 00:41:45,640
Speaker 2: When I was fourteen, I wasn't getting a thousand. Teama

871
00:41:45,760 --> 00:41:48,480
Speaker 2: wasn't My mama wouldn't give me no thousand dollars. A

872
00:41:48,640 --> 00:41:50,680
Speaker 2: hundred was a thousand to me. And I got to

873
00:41:50,719 --> 00:41:52,960
Speaker 2: seen a hundred a bill that was everything. It's like, no,

874
00:41:53,040 --> 00:41:56,080
Speaker 2: but Dad, you don't understand. Okay. First of all, I

875
00:41:56,080 --> 00:41:58,480
Speaker 2: live in La so you know everything here is expensive. Dad.

876
00:41:58,480 --> 00:42:01,160
Speaker 2: It cost me to eighty for my nelt I'm like, wait,

877
00:42:01,400 --> 00:42:03,839
Speaker 2: what are you doing? Yes, so you know what dad does,

878
00:42:04,000 --> 00:42:06,280
Speaker 2: be a dad, baby girl. You need to go to CBS,

879
00:42:06,480 --> 00:42:08,279
Speaker 2: and you need to do that yourself. You need to

880
00:42:08,320 --> 00:42:09,799
Speaker 2: you got it all the time. You should try to

881
00:42:10,080 --> 00:42:12,840
Speaker 2: do them yourself and get creative and do that and

882
00:42:12,880 --> 00:42:15,440
Speaker 2: you'll save to eighty. That's too eighty. So that's too

883
00:42:15,440 --> 00:42:17,640
Speaker 2: eighty off that then you know they want to go eat.

884
00:42:17,840 --> 00:42:20,399
Speaker 2: It's not just her, it's fourrible, it's five of them.

885
00:42:20,400 --> 00:42:24,279
Speaker 2: They all pitching in or sometimes like are you they

886
00:42:24,320 --> 00:42:26,000
Speaker 2: know who you is? Are you fronting the whole?

887
00:42:26,040 --> 00:42:26,239
Speaker 1: Are you?

888
00:42:26,400 --> 00:42:29,160
Speaker 2: Yeah? Because this is ridiculous, This is ridiculous, But it

889
00:42:29,280 --> 00:42:31,480
Speaker 2: made sense for me to do that. And I'm teaching

890
00:42:31,480 --> 00:42:34,880
Speaker 2: her money management. She does so good and like she'll

891
00:42:34,960 --> 00:42:36,680
Speaker 2: call like two months and be like that I still

892
00:42:36,719 --> 00:42:38,520
Speaker 2: have like three seventy five left from that thousand you

893
00:42:38,560 --> 00:42:40,000
Speaker 2: gave me like a month and a half, agoor two months,

894
00:42:40,000 --> 00:42:41,759
Speaker 2: And I'm like, oh, that's good, right, so i don't

895
00:42:41,760 --> 00:42:43,319
Speaker 2: mind giving it to her. And then plus I'm not

896
00:42:43,360 --> 00:42:47,400
Speaker 2: on child's boy, right, so that's like my own my

897
00:42:47,440 --> 00:42:49,200
Speaker 2: own child sport for her. It's like, man, here go

898
00:42:49,200 --> 00:42:51,880
Speaker 2: a thousand dollars a month, for you just right. And

899
00:42:51,880 --> 00:42:53,279
Speaker 2: if your mama needs something, she can go to you

900
00:42:53,360 --> 00:42:55,839
Speaker 2: and borrow whatever the case. Your mamma get your mamma

901
00:42:55,920 --> 00:42:58,000
Speaker 2: get her own money. But and mama do it too.

902
00:42:58,040 --> 00:43:00,640
Speaker 2: She'd be like your daddy said you something, I would

903
00:43:00,640 --> 00:43:02,839
Speaker 2: pay me three hundredars real quick. I'll pay Backshine. So

904
00:43:03,160 --> 00:43:03,799
Speaker 2: it's all good.

905
00:43:04,800 --> 00:43:08,120
Speaker 1: At one point in time, you tweeted tweeted about saying

906
00:43:08,120 --> 00:43:09,520
Speaker 1: you don't want to be here anymore, and the fan

907
00:43:09,960 --> 00:43:12,160
Speaker 1: was up. What were you going through? What was that

908
00:43:12,239 --> 00:43:14,440
Speaker 1: dark period of time in Bio's life that he felt that,

909
00:43:14,560 --> 00:43:16,680
Speaker 1: you know, this was something that he wanted to project.

910
00:43:17,160 --> 00:43:20,560
Speaker 2: Man, just going through the growing pains, you know, being

911
00:43:20,560 --> 00:43:25,080
Speaker 2: in that dark especially been in this business. This business

912
00:43:25,080 --> 00:43:30,040
Speaker 2: can get very very dark, and you know, you in

913
00:43:30,080 --> 00:43:31,960
Speaker 2: front of the public eye and you deal with so

914
00:43:32,000 --> 00:43:34,040
Speaker 2: much scrutiny, but not only that, you're dealing with self doubt.

915
00:43:34,040 --> 00:43:35,480
Speaker 2: It's really more of a self thing. Can I do

916
00:43:35,560 --> 00:43:38,800
Speaker 2: it again? Do the people love me? Am I losing

917
00:43:38,840 --> 00:43:41,520
Speaker 2: my fans? Did this person come and put me out

918
00:43:41,560 --> 00:43:42,080
Speaker 2: of business?

919
00:43:42,160 --> 00:43:42,239
Speaker 3: Like?

920
00:43:42,920 --> 00:43:45,600
Speaker 2: It's just it's so many things that was just flowing

921
00:43:45,600 --> 00:43:48,080
Speaker 2: in my head. And it was to the point to

922
00:43:48,080 --> 00:43:51,600
Speaker 2: where I felt like I accomplished and did everything so fast, right,

923
00:43:52,160 --> 00:43:54,600
Speaker 2: and you know I'm saying it like that. I done lapped

924
00:43:54,600 --> 00:43:57,720
Speaker 2: the world nine times, got my first tattoo at fifteen.

925
00:43:57,760 --> 00:43:59,080
Speaker 2: I got to look forward to that, got into the

926
00:43:59,080 --> 00:44:00,879
Speaker 2: strip club before it was one. One can't look forward

927
00:44:00,920 --> 00:44:03,319
Speaker 2: to that. I'm burnt out out and did everything. I'm

928
00:44:03,320 --> 00:44:06,080
Speaker 2: like every I just feel like I couldn't get no peace.

929
00:44:06,239 --> 00:44:08,440
Speaker 2: And then the most selfish thing that you can do

930
00:44:08,560 --> 00:44:10,279
Speaker 2: is think about something like that. Damn, I don't want

931
00:44:10,280 --> 00:44:12,360
Speaker 2: to be here no more. And the reason at that

932
00:44:12,480 --> 00:44:14,040
Speaker 2: at that time why I said that was because the

933
00:44:14,080 --> 00:44:17,200
Speaker 2: only thing I washarching for was peace. I wanted a room,

934
00:44:17,320 --> 00:44:19,920
Speaker 2: and I don't want to hear nothing. I just wanted peace.

935
00:44:20,400 --> 00:44:23,279
Speaker 2: And I feel like the only time, you know, I

936
00:44:23,280 --> 00:44:25,600
Speaker 2: can get peace is if I'm no longer here. That's

937
00:44:25,640 --> 00:44:29,480
Speaker 2: how I was thinking during that time. Nothing made me happy,

938
00:44:30,800 --> 00:44:37,799
Speaker 2: The music business wasn't making me happy, relationships failed, and

939
00:44:37,840 --> 00:44:41,920
Speaker 2: I was just completely over everything. And then I had

940
00:44:42,480 --> 00:44:43,120
Speaker 2: to snap out of it.

941
00:44:43,719 --> 00:44:45,600
Speaker 1: How did you snap out it? Did you see therapy?

942
00:44:45,719 --> 00:44:48,719
Speaker 1: Did you talk to someone with the family, friend, loved one?

943
00:44:49,040 --> 00:44:50,040
Speaker 1: How did you snap out of it?

944
00:44:50,200 --> 00:44:57,480
Speaker 2: God, God, my mama, my boys, my boys help me

945
00:44:57,520 --> 00:45:00,480
Speaker 2: out a lot. Really, yeah, I always, and if I

946
00:45:00,480 --> 00:45:02,319
Speaker 2: need them, I'll tell them I need y'all. He said,

947
00:45:02,440 --> 00:45:04,160
Speaker 2: come on, let's take this trip up to Houston. Oh

948
00:45:04,280 --> 00:45:07,320
Speaker 2: we do, That's what we do. I'm like, that's the therapy.

949
00:45:07,440 --> 00:45:10,160
Speaker 2: My guys, the guys. You know, my girl getting mad?

950
00:45:10,200 --> 00:45:11,960
Speaker 2: Now you spending my time with them guys, the guy

951
00:45:12,160 --> 00:45:13,279
Speaker 2: was better than me being with the girl.

952
00:45:13,440 --> 00:45:13,520
Speaker 3: You know.

953
00:45:13,719 --> 00:45:19,320
Speaker 2: Yah? Sure. But my guys, my boys, I mean everything

954
00:45:19,360 --> 00:45:24,239
Speaker 2: to me. Like I remember telling a girl this a

955
00:45:24,320 --> 00:45:28,040
Speaker 2: high profile celebrity. I ain't gonna say her name. She said,

956
00:45:28,080 --> 00:45:30,040
Speaker 2: you love me? I said, of course I do. I

957
00:45:30,120 --> 00:45:35,840
Speaker 2: love you. But them guys, my guys, I love them

958
00:45:35,920 --> 00:45:40,200
Speaker 2: just as much because if this goes to shit, them

959
00:45:40,239 --> 00:45:42,520
Speaker 2: guys gonna pick me up and they're gonna be here

960
00:45:42,560 --> 00:45:44,840
Speaker 2: and they're gonna get me back to where I gotta be.

961
00:45:46,400 --> 00:45:48,759
Speaker 2: My bros is that's that's that's why I talk to

962
00:45:48,840 --> 00:45:50,880
Speaker 2: God and my dogs and my mama, you know what

963
00:45:50,880 --> 00:45:53,040
Speaker 2: I mean. And my manager too, he played a big

964
00:45:53,080 --> 00:45:54,920
Speaker 2: partner too. I feel like I can speak to him.

965
00:45:54,960 --> 00:45:57,320
Speaker 2: I'm an open book. So but I know my boys

966
00:45:57,520 --> 00:45:59,239
Speaker 2: and being in my group chat, my group chat is

967
00:45:59,280 --> 00:46:03,080
Speaker 2: my therapy that's my therapy, the group chat. It will

968
00:46:03,120 --> 00:46:06,120
Speaker 2: be amazed at how the littlest things can help people,

969
00:46:06,520 --> 00:46:08,600
Speaker 2: just the littlest things, even if that's writing us down

970
00:46:08,640 --> 00:46:11,000
Speaker 2: in the morning or starting a group chat with friends.

971
00:46:11,040 --> 00:46:13,120
Speaker 2: And you know, like, we got a group chat, you know,

972
00:46:13,520 --> 00:46:19,200
Speaker 2: and it's a famous person in there who is uh

973
00:46:19,440 --> 00:46:22,600
Speaker 2: but what I said I'm looking is talked about a

974
00:46:22,600 --> 00:46:26,520
Speaker 2: lot in the media, right And when we put him

975
00:46:26,520 --> 00:46:29,319
Speaker 2: in the group chat with us, he was like, y'all,

976
00:46:29,320 --> 00:46:30,920
Speaker 2: don't understand. This is the greatest thing to happen to me.

977
00:46:31,760 --> 00:46:34,520
Speaker 2: I like, I get to come in here and just

978
00:46:34,560 --> 00:46:38,200
Speaker 2: say what I want. Man, get it off. I said.

979
00:46:38,200 --> 00:46:40,440
Speaker 2: It feel like you're tweeting, don't it, Except it ain't public,

980
00:46:41,160 --> 00:46:44,000
Speaker 2: But you're getting it off. He said. It's amazing. So

981
00:46:44,040 --> 00:46:46,320
Speaker 2: something as simple as that can change somebody's lives. You

982
00:46:46,360 --> 00:46:48,800
Speaker 2: know what I mean. And you know that's that's my

983
00:46:48,800 --> 00:46:52,719
Speaker 2: My therapy, is my group chat, my friends, God and

984
00:46:52,760 --> 00:46:54,279
Speaker 2: the close people around me. I don't need to talk

985
00:46:54,320 --> 00:46:57,800
Speaker 2: no stranger or confess to him. Don't nobody know me

986
00:46:57,840 --> 00:47:00,560
Speaker 2: better than me. My boys know me, people around me

987
00:47:00,600 --> 00:47:02,759
Speaker 2: know me. And I'm not saying anything wrong with talking

988
00:47:02,800 --> 00:47:06,240
Speaker 2: to a professional, but I'll tell you what it's different

989
00:47:06,280 --> 00:47:08,640
Speaker 2: when it comes to people that's been on you for years, right,

990
00:47:08,800 --> 00:47:10,719
Speaker 2: and somebody who getting paid to talk to you. I'm

991
00:47:10,719 --> 00:47:11,919
Speaker 2: gonna tell you anything. Right.

992
00:47:13,040 --> 00:47:15,440
Speaker 1: You do realize that, you know, you said you couldn't

993
00:47:15,440 --> 00:47:17,080
Speaker 1: find peace, and you felt that that was the only

994
00:47:17,120 --> 00:47:19,520
Speaker 1: way for you to find peace. Although you would have

995
00:47:19,560 --> 00:47:21,360
Speaker 1: found peace, do you realize the people that would have

996
00:47:21,440 --> 00:47:22,680
Speaker 1: left behind would have had no peace?

997
00:47:22,719 --> 00:47:23,759
Speaker 2: Oh? My gosh. Absolutely.

998
00:47:23,960 --> 00:47:26,400
Speaker 1: Why the pain that the personal individual might be feeling,

999
00:47:26,400 --> 00:47:28,560
Speaker 1: It says, I just want to readdict myself with this pain,

1000
00:47:28,920 --> 00:47:31,120
Speaker 1: But think about how much pain selfish you would have

1001
00:47:31,200 --> 00:47:32,920
Speaker 1: cast selfish and left selfish.

1002
00:47:32,920 --> 00:47:34,840
Speaker 2: That's why I said that when I was just splaying selfish,

1003
00:47:35,360 --> 00:47:39,680
Speaker 2: it was very selfish, very selfish. And yeah, I'm glad

1004
00:47:39,719 --> 00:47:42,839
Speaker 2: that that chapter's closed. That was a very very dark

1005
00:47:42,880 --> 00:47:43,640
Speaker 2: point in my life.

1006
00:47:43,840 --> 00:47:45,759
Speaker 1: What's been the hardest part about growing up in the

1007
00:47:45,760 --> 00:47:48,400
Speaker 1: public side for the last thirty years.

1008
00:47:48,960 --> 00:47:53,040
Speaker 2: I think that the hardest part is not being able

1009
00:47:53,080 --> 00:47:59,839
Speaker 2: to live freely, everybody judging you, knowing that they're doing

1010
00:47:59,840 --> 00:48:02,480
Speaker 2: this same thing. They doing the same thing, it just

1011
00:48:02,480 --> 00:48:06,600
Speaker 2: ain't televised. That's the one thing I can't stand, Like,

1012
00:48:07,760 --> 00:48:10,359
Speaker 2: what have I done that. Y'all like that. Y'all ain't

1013
00:48:10,360 --> 00:48:10,840
Speaker 2: done a.

1014
00:48:10,880 --> 00:48:12,560
Speaker 1: Lot of things that I'm doing. Y'all can't do because

1015
00:48:12,600 --> 00:48:14,279
Speaker 1: y'all at me. But if you could, you would.

1016
00:48:14,360 --> 00:48:18,520
Speaker 2: I like that, That's what I'm saying. I like that.

1017
00:48:18,880 --> 00:48:21,239
Speaker 2: I like that. But yeah, that's that's it. Man. It's

1018
00:48:21,280 --> 00:48:25,200
Speaker 2: just you know, it's tough man like, like I can't

1019
00:48:25,239 --> 00:48:27,759
Speaker 2: do nothing. Like I just can't do that, specially with

1020
00:48:27,800 --> 00:48:29,960
Speaker 2: the cell phones being out. Man, it's just hard to

1021
00:48:30,040 --> 00:48:32,560
Speaker 2: lift free. Man. I can't stand it. Man, I can't.

1022
00:48:33,560 --> 00:48:37,000
Speaker 2: I come home and like, my girl'll show me a vent.

1023
00:48:37,000 --> 00:48:38,840
Speaker 2: I'm like, who did that? I don't know somebody. I'm like,

1024
00:48:38,840 --> 00:48:42,200
Speaker 2: why ain't filming me? Like drinking orange juice? That's so weird?

1025
00:48:42,280 --> 00:48:44,759
Speaker 2: Like while y'all doing that, like they do too much,

1026
00:48:45,080 --> 00:48:48,319
Speaker 2: doing too much. That's really doing way too much.

1027
00:48:48,920 --> 00:48:51,799
Speaker 1: Did you under do you understand a social media now?

1028
00:48:51,840 --> 00:48:55,240
Speaker 1: Because anytime you post something, if you post anything, somebody

1029
00:48:55,280 --> 00:48:58,440
Speaker 1: you got detectives on on social media, they're trying to,

1030
00:48:58,600 --> 00:49:00,080
Speaker 1: like when you post about the private geta.

1031
00:49:00,920 --> 00:49:02,719
Speaker 2: I was about to just get into that. I was

1032
00:49:02,760 --> 00:49:06,319
Speaker 2: about to freaking up. I was where I gotto was.

1033
00:49:06,719 --> 00:49:11,040
Speaker 2: That was probably I got caught. Yeah, it's simple as that.

1034
00:49:11,120 --> 00:49:13,960
Speaker 2: I was fake flexing. I got caught. No, I was

1035
00:49:14,000 --> 00:49:15,640
Speaker 2: down the coach. I was an adult to flight in

1036
00:49:15,680 --> 00:49:20,000
Speaker 2: first class. Can't explain it enough. I didn't think nothing

1037
00:49:20,080 --> 00:49:23,600
Speaker 2: of it like I did. Like I saw the picture,

1038
00:49:23,640 --> 00:49:25,480
Speaker 2: I said, I'm about the posters because I don't want

1039
00:49:25,480 --> 00:49:28,920
Speaker 2: people to know how I'm moving. And I posted it

1040
00:49:29,160 --> 00:49:31,359
Speaker 2: to try to derail people like I post off all

1041
00:49:31,400 --> 00:49:33,440
Speaker 2: the time and people like you there. No, I'm an

1042
00:49:33,480 --> 00:49:35,919
Speaker 2: house of cous I just wanted to post it. Get

1043
00:49:35,920 --> 00:49:38,799
Speaker 2: out my phone. What's it called a dump? Get out

1044
00:49:39,520 --> 00:49:44,280
Speaker 2: on this particular day I posted, and I'm like cool,

1045
00:49:44,440 --> 00:49:47,359
Speaker 2: I go to sleep down. People don't know. They think

1046
00:49:47,400 --> 00:49:49,839
Speaker 2: I'm on this and I'm not on here. I'm throwing

1047
00:49:49,880 --> 00:49:51,520
Speaker 2: everybody off.

1048
00:49:51,560 --> 00:49:54,080
Speaker 1: Somebody asked me following somebody's on the plane when.

1049
00:49:53,920 --> 00:49:57,680
Speaker 2: We say about them phones got me posted it and

1050
00:49:57,719 --> 00:49:59,200
Speaker 2: I just had it on up to it like y'all

1051
00:49:59,200 --> 00:50:01,359
Speaker 2: got me. Okay, you know what I mean, rappers lie,

1052
00:50:01,840 --> 00:50:05,240
Speaker 2: y'all caught me one time. I will never do this again.

1053
00:50:05,560 --> 00:50:06,040
Speaker 2: It's over.

1054
00:50:06,280 --> 00:50:08,799
Speaker 1: I get because somebody posted youso. He ain't on no

1055
00:50:08,800 --> 00:50:09,239
Speaker 1: private play.

1056
00:50:09,280 --> 00:50:13,080
Speaker 2: He right here there, right there, I said, asshole, why

1057
00:50:13,120 --> 00:50:18,080
Speaker 2: did you do that? That's little Romeo. That ain't that

1058
00:50:18,120 --> 00:50:21,920
Speaker 2: ain't mean Romeo, That ain't me. But uh, I laughed

1059
00:50:21,920 --> 00:50:24,319
Speaker 2: at it. Man. You know everybody had they one two

1060
00:50:24,320 --> 00:50:28,719
Speaker 2: into it. I just seen what's the comedian name, Owens? Uh,

1061
00:50:29,719 --> 00:50:33,240
Speaker 2: Gary Owens. I was on my TikTok and his special

1062
00:50:33,280 --> 00:50:34,800
Speaker 2: came up and he was talking about it, and it

1063
00:50:34,920 --> 00:50:39,120
Speaker 2: stand up. But it's to show you, bro, I'm normal

1064
00:50:39,520 --> 00:50:42,680
Speaker 2: and I make mistakes and I can own up to it.

1065
00:50:43,120 --> 00:50:45,520
Speaker 2: And you know what I mean, Jesse. We don't been

1066
00:50:45,560 --> 00:50:48,400
Speaker 2: on since then. Yeah, there we go. I had no

1067
00:50:48,440 --> 00:50:49,840
Speaker 2: reason to do it, but I did it, and I

1068
00:50:49,880 --> 00:50:51,480
Speaker 2: got caught flexing the fake.

1069
00:50:51,320 --> 00:50:56,040
Speaker 1: Flex Orlando Brown when he mentioned that you guys had

1070
00:50:56,040 --> 00:51:00,239
Speaker 1: a relationship. I mean, I mean, he he It's like, bro,

1071
00:51:00,360 --> 00:51:01,120
Speaker 1: come on now.

1072
00:51:02,800 --> 00:51:06,600
Speaker 2: Yo, I ain't gonna lie. I do this hilarious. He's hilarious. Like,

1073
00:51:07,280 --> 00:51:09,520
Speaker 2: but you know, people believe that if they believe that's

1074
00:51:09,520 --> 00:51:11,960
Speaker 2: something wrong with them, they crazy as hell. They done

1075
00:51:12,040 --> 00:51:15,799
Speaker 2: drunk two shades straight straight.

1076
00:51:17,080 --> 00:51:17,319
Speaker 1: Man.

1077
00:51:17,480 --> 00:51:23,080
Speaker 2: I'm gonna be honest with you that dude. It's smarty.

1078
00:51:23,120 --> 00:51:26,160
Speaker 2: Know what they're doing. He ain't no food, He ain't

1079
00:51:26,160 --> 00:51:27,840
Speaker 2: no food. I send an interview when he said, uh,

1080
00:51:28,719 --> 00:51:31,560
Speaker 2: people pay me. You know what I'm saying, And when

1081
00:51:31,560 --> 00:51:34,440
Speaker 2: I get the bag, how a much money? As determined?

1082
00:51:34,880 --> 00:51:37,600
Speaker 2: Am I gonna be crazy? Because I can be Orlando

1083
00:51:37,640 --> 00:51:40,920
Speaker 2: and we got a capital conversation, we can talk. I

1084
00:51:40,960 --> 00:51:45,919
Speaker 2: always thought he was talented and always thought he was talented. Yes,

1085
00:51:46,000 --> 00:51:49,560
Speaker 2: he's had troubles. I ain't even gonna get in all that.

1086
00:51:49,560 --> 00:51:52,279
Speaker 2: That's his personal business, that's his life. But outside of that,

1087
00:51:52,320 --> 00:51:54,840
Speaker 2: I've always thought he was talented as hell. And I

1088
00:51:54,840 --> 00:51:56,879
Speaker 2: always thought that since all of these people put him

1089
00:51:56,880 --> 00:51:59,640
Speaker 2: on their platforms for clickbait, somebody to put the boy

1090
00:51:59,640 --> 00:52:01,560
Speaker 2: on TV and give him a real job. I always

1091
00:52:01,560 --> 00:52:05,600
Speaker 2: said that there is talent even though he does it

1092
00:52:05,600 --> 00:52:08,920
Speaker 2: says crazy stuff. And before he started wilding on me

1093
00:52:09,080 --> 00:52:13,279
Speaker 2: and saying, I'm really uh Tupac and he'd be saying

1094
00:52:13,280 --> 00:52:15,000
Speaker 2: if he was here right now here saying no you really?

1095
00:52:15,640 --> 00:52:17,839
Speaker 2: You really? Somebody else is you? He be like what

1096
00:52:17,960 --> 00:52:19,719
Speaker 2: he will call you that the whole interview, just be

1097
00:52:19,760 --> 00:52:23,800
Speaker 2: like what what is he own? Like? But I always

1098
00:52:23,880 --> 00:52:26,560
Speaker 2: thought that, you know, people just use them. It's sad

1099
00:52:26,600 --> 00:52:28,640
Speaker 2: in some ways, but I feel like the boy is talented.

1100
00:52:28,680 --> 00:52:31,440
Speaker 2: His funny as hell and if given the right opportunity,

1101
00:52:31,880 --> 00:52:34,080
Speaker 2: somebody really gives him something, something where he can be

1102
00:52:34,239 --> 00:52:37,200
Speaker 2: himself or landa brown, I think of the pop. I'm

1103
00:52:37,200 --> 00:52:39,400
Speaker 2: not gonna sit here and down to brother thisimal. You

1104
00:52:39,400 --> 00:52:40,680
Speaker 2: know a lot of cats like you got to see

1105
00:52:40,680 --> 00:52:42,840
Speaker 2: that boy like you're gonna have to all right, he

1106
00:52:42,920 --> 00:52:45,600
Speaker 2: walking here, He ain't gonna say none of that shit.

1107
00:52:45,640 --> 00:52:47,000
Speaker 2: He ain't about to say none of that to me

1108
00:52:47,040 --> 00:52:48,960
Speaker 2: and my finger wop? What up back? Man? You know,

1109
00:52:48,960 --> 00:52:51,359
Speaker 2: not be just adving around. I know how these things go.

1110
00:52:51,800 --> 00:52:53,400
Speaker 2: I don't really take nothing serious as a long as

1111
00:52:53,440 --> 00:52:55,960
Speaker 2: you ain't playing my money, playing my kids. I ain't

1112
00:52:56,000 --> 00:53:00,520
Speaker 2: tripping tripping, man, I'm laughing. It is clown right, well

1113
00:53:00,800 --> 00:53:03,080
Speaker 2: we laugh and stuff like that, ain't I ain't tripping

1114
00:53:03,120 --> 00:53:04,120
Speaker 2: all that? No Brown like that.

1115
00:53:04,520 --> 00:53:08,200
Speaker 1: You mentioned that you lost your virginitay at fifteen? How

1116
00:53:08,239 --> 00:53:10,520
Speaker 1: did that check? I mean what you were you anxious?

1117
00:53:10,560 --> 00:53:15,920
Speaker 1: How did that change your perception of sexuality, women relationships?

1118
00:53:16,320 --> 00:53:17,839
Speaker 2: What did that do to you? My mama said, I'm

1119
00:53:17,840 --> 00:53:19,359
Speaker 2: gonna know when you get some because you gonna walk

1120
00:53:19,400 --> 00:53:22,360
Speaker 2: around the house a little deaf, you know what I mean?

1121
00:53:22,440 --> 00:53:25,960
Speaker 2: That's what she telling me. But did she know, Nah,

1122
00:53:25,840 --> 00:53:31,560
Speaker 2: she ain't. No, my old thing was. It was funny

1123
00:53:31,680 --> 00:53:34,000
Speaker 2: like how it happened because after I lost my Virginia,

1124
00:53:34,000 --> 00:53:37,279
Speaker 2: I'm thinking, I don't know if this is every young

1125
00:53:37,320 --> 00:53:38,759
Speaker 2: man when they look jitim, I'm like, how can I

1126
00:53:38,800 --> 00:53:42,880
Speaker 2: get more? Yeah? Oh yeah, exactly right, exactly what it is?

1127
00:53:42,960 --> 00:53:45,319
Speaker 2: How can I get more of this? And like I do,

1128
00:53:45,400 --> 00:53:47,080
Speaker 2: I ask, like, I don't even know how I get it,

1129
00:53:47,120 --> 00:53:49,279
Speaker 2: you know what I mean? And that's not having a father.

1130
00:53:49,360 --> 00:53:52,160
Speaker 2: I don't know. I'm out here in the wild. Oh gee,

1131
00:53:52,160 --> 00:53:54,960
Speaker 2: I don't know. I'm out here like they say, oh

1132
00:53:55,000 --> 00:53:57,879
Speaker 2: his nose wide though, But I don't even know how

1133
00:53:57,960 --> 00:53:59,840
Speaker 2: to get to the panties again. I don't know that

1134
00:54:00,520 --> 00:54:04,080
Speaker 2: this might take months. I don't know. But once I

1135
00:54:04,160 --> 00:54:10,000
Speaker 2: cracked the cold, yeah, I was still chilling. I was cool.

1136
00:54:10,040 --> 00:54:14,080
Speaker 2: It wasn't until I got around eighteen nineteen the night

1137
00:54:14,120 --> 00:54:16,480
Speaker 2: life hit and the night life hit and I was

1138
00:54:16,520 --> 00:54:19,399
Speaker 2: able to go out and enjoy Atlanta and enjoy these

1139
00:54:19,440 --> 00:54:23,600
Speaker 2: these these beautiful places, and you know these places that

1140
00:54:23,640 --> 00:54:27,759
Speaker 2: we enjoyed so much. It changed, you know what I mean?

1141
00:54:27,880 --> 00:54:30,279
Speaker 2: It definitely changed big time.

1142
00:54:31,719 --> 00:54:35,000
Speaker 1: Tattooed. You said you got your first tattoo at fifteen. Yep,

1143
00:54:35,800 --> 00:54:37,800
Speaker 1: did did your mom approve of it? You got a

1144
00:54:37,840 --> 00:54:38,640
Speaker 1: tattoo without.

1145
00:54:38,440 --> 00:54:40,120
Speaker 2: A knowing mom's approved. He was right there when I

1146
00:54:40,120 --> 00:54:42,520
Speaker 2: did it here in Atlanta at the studio. Wow, it's

1147
00:54:42,760 --> 00:54:45,760
Speaker 2: that's it too. Were trying to don't take that overboard.

1148
00:54:45,880 --> 00:54:49,359
Speaker 2: I'm like this all right, ma? And then I went

1149
00:54:49,480 --> 00:54:52,400
Speaker 2: crazy after that? Did you? They say it's addictive? It is.

1150
00:54:52,480 --> 00:54:54,040
Speaker 1: You don't have any I don't have any You ever

1151
00:54:54,080 --> 00:54:58,160
Speaker 1: thought about it? I did, No. I thought about it

1152
00:54:58,160 --> 00:55:00,400
Speaker 1: my grandmother. I wanted to get my grandmother's name. Okay,

1153
00:55:00,800 --> 00:55:02,560
Speaker 1: my sister found a thing where she had wrote her

1154
00:55:02,640 --> 00:55:04,440
Speaker 1: name on it, and then I thought about it.

1155
00:55:04,440 --> 00:55:06,280
Speaker 2: She hated that. She hated tattoo.

1156
00:55:06,360 --> 00:55:08,520
Speaker 1: She say, son, don't ever mark up your body, So

1157
00:55:08,520 --> 00:55:10,359
Speaker 1: I ain't gonna do it. I wanted a their ring.

1158
00:55:10,440 --> 00:55:12,200
Speaker 1: My mom told me, once I graduated high school, I

1159
00:55:12,200 --> 00:55:13,840
Speaker 1: can have an air ring. And then once I graduated,

1160
00:55:13,920 --> 00:55:15,880
Speaker 1: I didn't want it. I want what I wanted, what

1161
00:55:15,920 --> 00:55:18,240
Speaker 1: I want when I wanted it. Yeah, I didn't get it.

1162
00:55:18,239 --> 00:55:23,280
Speaker 2: It's like whatever, Yeah, so you you sleeved, yeah, covered

1163
00:55:26,360 --> 00:55:30,520
Speaker 2: the right elbow out. Yeah. I got got some joints

1164
00:55:30,520 --> 00:55:33,600
Speaker 2: on here where I'm from My mama, my mama, my

1165
00:55:33,719 --> 00:55:39,000
Speaker 2: logo where I'm from Columbus. I got prayers, I got

1166
00:55:39,000 --> 00:55:42,560
Speaker 2: a Malcolm X quote on me so so dead boy,

1167
00:55:42,920 --> 00:55:45,400
Speaker 2: my daughter. I gotta get enough. I got more to go.

1168
00:55:45,920 --> 00:55:46,960
Speaker 2: I'm gonna do my leg right.

1169
00:55:47,480 --> 00:55:50,120
Speaker 1: Uh part you say you were gonna lean bad?

1170
00:55:50,200 --> 00:55:52,359
Speaker 2: How did that? How did that happen? How did that

1171
00:55:52,360 --> 00:55:55,440
Speaker 2: that habit stopped? That had been started just by being

1172
00:55:55,480 --> 00:55:58,760
Speaker 2: a hip hop being influenced, having people around, having easy

1173
00:55:58,760 --> 00:56:02,760
Speaker 2: access to it, no different any other young star. Probably

1174
00:56:02,800 --> 00:56:04,120
Speaker 2: one of the worst things that I could have ever

1175
00:56:04,160 --> 00:56:08,160
Speaker 2: really got into without knowing the repercussion and consequences, but

1176
00:56:08,280 --> 00:56:12,600
Speaker 2: dealing with something like that, you know, Lean the Double

1177
00:56:12,640 --> 00:56:17,120
Speaker 2: Cup started from Cup to this day is still monumental

1178
00:56:17,160 --> 00:56:18,919
Speaker 2: to he Oh yeah, they still talking about it. Oh

1179
00:56:19,000 --> 00:56:23,240
Speaker 2: in every song, every every shit that Double Cup is.

1180
00:56:22,560 --> 00:56:24,719
Speaker 2: You know what it is, but they don't tell you

1181
00:56:24,760 --> 00:56:26,440
Speaker 2: how deadly it is though. See, I didn't know. I

1182
00:56:26,480 --> 00:56:29,319
Speaker 2: never dealt with withdraws and kickbacks until I don't have

1183
00:56:29,360 --> 00:56:31,319
Speaker 2: like an addicted personality, So I just put the cup

1184
00:56:31,400 --> 00:56:34,640
Speaker 2: down like I ain't got nothing cool. But I didn't

1185
00:56:34,680 --> 00:56:37,360
Speaker 2: know that my body I was drinking so much promotheesy

1186
00:56:37,480 --> 00:56:41,040
Speaker 2: that my body almost needed it. Yeah, so I'm like, yo,

1187
00:56:41,080 --> 00:56:42,480
Speaker 2: what is going on? I called my arm one day.

1188
00:56:42,480 --> 00:56:44,480
Speaker 2: I said, hey, you want you need to check that

1189
00:56:44,520 --> 00:56:47,000
Speaker 2: ground turkey. She's like, what I said that tacoles you

1190
00:56:47,040 --> 00:56:48,960
Speaker 2: made with something wrong with the turkey? Like did you

1191
00:56:49,040 --> 00:56:51,600
Speaker 2: check the date? Because man, my stomach is doing something

1192
00:56:51,600 --> 00:56:53,680
Speaker 2: crazy and it ain't like I gotta go let it

1193
00:56:53,719 --> 00:56:55,960
Speaker 2: out either there's some whole other something going on here,

1194
00:56:56,000 --> 00:56:58,600
Speaker 2: Like it's like pain, Like I feel like a knife

1195
00:56:58,719 --> 00:57:01,800
Speaker 2: just cutting through my my my stomach. And she was like, no,

1196
00:57:02,040 --> 00:57:03,680
Speaker 2: why would I cook you some my own ground turkey.

1197
00:57:04,840 --> 00:57:08,560
Speaker 2: I'm like, something ain't right, and then it wasn't. But

1198
00:57:08,600 --> 00:57:12,120
Speaker 2: that was me going through and I had no idea.

1199
00:57:12,640 --> 00:57:19,320
Speaker 2: The worst feeling I've ever witnessed in my life. Like

1200
00:57:20,560 --> 00:57:22,800
Speaker 2: if you if you're thinking about stopping and you want

1201
00:57:22,800 --> 00:57:26,720
Speaker 2: to stop, stop, I'm telling you number one, it blows

1202
00:57:26,760 --> 00:57:30,080
Speaker 2: you up because it's thick, it's certain just sits in

1203
00:57:30,160 --> 00:57:31,640
Speaker 2: your gut, you know what I mean. You get contemplated.

1204
00:57:31,720 --> 00:57:33,200
Speaker 2: So the way is it sitting on you get bigger

1205
00:57:33,240 --> 00:57:36,040
Speaker 2: and bigger. I've seen so many people quit lean and

1206
00:57:36,080 --> 00:57:38,160
Speaker 2: they look so healthy and they you know what I mean,

1207
00:57:38,200 --> 00:57:39,840
Speaker 2: and they talk I know Paul Wall talks about all

1208
00:57:39,840 --> 00:57:41,080
Speaker 2: the time. I just had them on stage with me

1209
00:57:41,120 --> 00:57:44,640
Speaker 2: at the Millennium Toy came out of Houston and looks amazing.

1210
00:57:45,000 --> 00:57:48,520
Speaker 2: Everybody who gets off of it looks amazing. And you know,

1211
00:57:48,920 --> 00:57:50,360
Speaker 2: I said, I just gotta, I gotta, I gotta go

1212
00:57:50,360 --> 00:57:52,720
Speaker 2: through the process. But I'll tell you what, I'll never

1213
00:57:52,760 --> 00:57:56,040
Speaker 2: pick up a cup again. It's over. Oh I'm trying

1214
00:57:56,080 --> 00:57:58,080
Speaker 2: to stop this. Stop that.

1215
00:57:58,320 --> 00:57:59,800
Speaker 1: You want to sing your home with a bottle man. Okay,

1216
00:57:59,800 --> 00:58:01,080
Speaker 1: I'm take it too, take it.

1217
00:58:01,080 --> 00:58:03,800
Speaker 2: I'm gonna take that. The Millennium Tour. Yeah, let's talk

1218
00:58:03,800 --> 00:58:04,040
Speaker 2: about it.

1219
00:58:04,120 --> 00:58:07,840
Speaker 1: Let's talk about that, all right. Does it feel good

1220
00:58:07,840 --> 00:58:09,760
Speaker 1: to get back on stage and being what you would

1221
00:58:09,800 --> 00:58:11,080
Speaker 1: consider your natural habitat?

1222
00:58:12,760 --> 00:58:19,880
Speaker 2: Yes, Yes, it's amazing. Third one, first woman out in

1223
00:58:19,920 --> 00:58:22,280
Speaker 2: twenty nineteen, you come back with the second on our

1224
00:58:22,360 --> 00:58:26,680
Speaker 2: join we win the Billboard Music Award. They added the dog,

1225
00:58:26,760 --> 00:58:31,000
Speaker 2: We win the chip. You know what I'm saying. Second

1226
00:58:31,000 --> 00:58:32,760
Speaker 2: following year, we go out again. We run it up.

1227
00:58:33,320 --> 00:58:36,680
Speaker 2: This time sold out every night. It's crazy. It's crazy

1228
00:58:37,040 --> 00:58:39,960
Speaker 2: to watch these grown women, watch our fans who grow

1229
00:58:40,000 --> 00:58:42,880
Speaker 2: up with us, to still be screaming and throwing bras

1230
00:58:42,920 --> 00:58:45,960
Speaker 2: and panties on the stage having these signs bow while

1231
00:58:46,000 --> 00:58:47,640
Speaker 2: it was my first crush. I mean, it's just so

1232
00:58:47,680 --> 00:58:51,720
Speaker 2: beautiful to see because it's you know, I always say

1233
00:58:51,760 --> 00:58:54,000
Speaker 2: it's not supposed to happen, because when you look at

1234
00:58:54,040 --> 00:58:56,400
Speaker 2: most child stars that started so young, they don't make

1235
00:58:56,440 --> 00:58:58,400
Speaker 2: it to this point. At some point, we supposed to

1236
00:58:58,440 --> 00:59:01,000
Speaker 2: be doing the tell all when it all went down,

1237
00:59:01,040 --> 00:59:03,520
Speaker 2: and when it all fell down, it was over. I

1238
00:59:03,840 --> 00:59:06,880
Speaker 2: can't believe I'm thirty eight and I started professionally at

1239
00:59:06,880 --> 00:59:08,960
Speaker 2: five and I'm still going. Thirteen is when the world

1240
00:59:09,000 --> 00:59:12,040
Speaker 2: knew me right, you know, and I'm still here going

1241
00:59:12,200 --> 00:59:16,880
Speaker 2: competing new record out arena tour. I mean, I'm doing

1242
00:59:17,000 --> 00:59:20,120
Speaker 2: everything that Bid Wow is supposed to be doing right.

1243
00:59:20,160 --> 00:59:21,200
Speaker 2: And it's only the beginning.

1244
00:59:22,400 --> 00:59:24,800
Speaker 1: Trade songs on stage, and somebody ran on stage, trade like,

1245
00:59:24,960 --> 00:59:26,160
Speaker 1: what's up with What's up with it?

1246
00:59:26,280 --> 00:59:28,360
Speaker 2: I'm gonna tell you about this. This is funny. No

1247
00:59:28,400 --> 00:59:30,320
Speaker 2: one knows this never. I didn't share this with nobody

1248
00:59:30,640 --> 00:59:34,200
Speaker 2: that was in Greensboro, North Carolina. When in Greensboro and

1249
00:59:35,320 --> 00:59:37,280
Speaker 2: I'm in my dressing room vibing, I just got off

1250
00:59:37,320 --> 00:59:42,120
Speaker 2: the stage. I'm vibing and I'm watching the show on

1251
00:59:42,160 --> 00:59:45,040
Speaker 2: the monitor black stage, and as I'm watching, I'm like,

1252
00:59:45,080 --> 00:59:47,240
Speaker 2: what is going on? I'm what what the hell? And

1253
00:59:47,280 --> 00:59:49,440
Speaker 2: I'm watching what happens as soon as Trade comes off

1254
00:59:49,480 --> 00:59:51,680
Speaker 2: the stage. This is exactly what he says. He comes

1255
00:59:51,720 --> 00:59:55,840
Speaker 2: off the stage, He comes right into my dress room.

1256
00:59:56,560 --> 00:59:57,200
Speaker 2: Did you see that?

1257
00:59:57,760 --> 00:59:57,800
Speaker 3: No?

1258
00:59:57,960 --> 01:00:00,360
Speaker 2: First, is it shower? Come on? We got we got talk,

1259
01:00:00,400 --> 01:00:01,960
Speaker 2: we got talk, we got talked. So we in the

1260
01:00:02,000 --> 01:00:04,360
Speaker 2: back were talking. Everybody comes back there. He's like, bro,

1261
01:00:04,960 --> 01:00:08,440
Speaker 2: did you see that right up on the stage. I said, yeah, Bro,

1262
01:00:08,480 --> 01:00:09,880
Speaker 2: I said when I saw it, ran the hallway with

1263
01:00:09,920 --> 01:00:14,560
Speaker 2: telling everybody. You know what Trey tells me, I thought

1264
01:00:14,560 --> 01:00:18,800
Speaker 2: it was you? I said, what he goes, I said, try,

1265
01:00:18,840 --> 01:00:20,560
Speaker 2: I would never jump on your set. He was like this,

1266
01:00:21,200 --> 01:00:24,360
Speaker 2: I know, but who else? Who else has that much

1267
01:00:24,480 --> 01:00:28,840
Speaker 2: energy night in night out? Who bounces runs on stage

1268
01:00:28,880 --> 01:00:31,480
Speaker 2: left the right, jumping up on stuff every night? And

1269
01:00:31,560 --> 01:00:35,480
Speaker 2: who will have access to the stage? He said, boy,

1270
01:00:35,840 --> 01:00:37,880
Speaker 2: quick minute. That's why when he jumped on me, I'm like,

1271
01:00:37,920 --> 01:00:41,560
Speaker 2: oh hey, hey like delay reacts like hold up, He said,

1272
01:00:41,560 --> 01:00:43,720
Speaker 2: I thought it was you. I died laughing and I said, man,

1273
01:00:43,760 --> 01:00:45,400
Speaker 2: I would never jump on your say said, just because

1274
01:00:45,440 --> 01:00:48,160
Speaker 2: of that I'm definitely gonna jump out on the first

1275
01:00:48,160 --> 01:00:49,840
Speaker 2: of minutes one of these nights. I swear to God,

1276
01:00:49,880 --> 01:00:52,720
Speaker 2: why I said, come on with it, bro, It's all good.

1277
01:00:52,920 --> 01:00:54,480
Speaker 2: But it was wild, man. This toy has been wild,

1278
01:00:54,480 --> 01:00:56,960
Speaker 2: and I think it's been so successful because I have

1279
01:00:57,000 --> 01:00:58,960
Speaker 2: a lot of good dance partners this time. Now I

1280
01:00:58,960 --> 01:01:01,200
Speaker 2: say that the last towards it now good dance partners.

1281
01:01:01,200 --> 01:01:03,760
Speaker 2: But when you got people who want to promote, want

1282
01:01:03,760 --> 01:01:08,880
Speaker 2: a post, the camaraderie is there. If Trey doesn't have

1283
01:01:08,920 --> 01:01:11,040
Speaker 2: a party and I have a hosting, he's coming to

1284
01:01:11,120 --> 01:01:13,240
Speaker 2: my party. If I don't have if I don't got

1285
01:01:13,240 --> 01:01:15,360
Speaker 2: a bag to pick up tonight and I'm off, but

1286
01:01:15,480 --> 01:01:18,120
Speaker 2: Trey got a party, we swing to trade party and

1287
01:01:18,120 --> 01:01:20,080
Speaker 2: go support and but also have a good time, you

1288
01:01:20,080 --> 01:01:21,640
Speaker 2: know what I mean. And I think that that's what

1289
01:01:21,720 --> 01:01:24,640
Speaker 2: tours about the camaraderie. You gotta be together. You can't

1290
01:01:24,680 --> 01:01:26,680
Speaker 2: be no egos. And I think when you put a

1291
01:01:26,760 --> 01:01:29,920
Speaker 2: little boosy somebody who's viraling his own applies, viral on

1292
01:01:29,960 --> 01:01:32,680
Speaker 2: his own bow, viral on his own tray, viral on

1293
01:01:32,640 --> 01:01:34,880
Speaker 2: the we've all been going viral back. I don't know

1294
01:01:34,880 --> 01:01:38,160
Speaker 2: if you saw the thing with me with the tequila

1295
01:01:38,200 --> 01:01:40,720
Speaker 2: and the club in Houston. Oh, that's hilarious. That's why

1296
01:01:40,840 --> 01:01:42,320
Speaker 2: you ain't asks about that. When I was crazy? What

1297
01:01:42,440 --> 01:01:44,720
Speaker 2: you do? It was a girl's birthday. I might after

1298
01:01:44,760 --> 01:01:46,959
Speaker 2: party and I had a bottle and I was like, okay, honey,

1299
01:01:47,000 --> 01:01:49,520
Speaker 2: tell you need to take a shot. Get right. When

1300
01:01:49,520 --> 01:01:54,120
Speaker 2: it came back about that much tequila leving, she drake it.

1301
01:01:54,240 --> 01:01:57,160
Speaker 2: Oh tore it down. She tore it down and he

1302
01:01:57,320 --> 01:01:59,280
Speaker 2: gave it back to me. And my reaction is what's

1303
01:01:59,280 --> 01:02:01,440
Speaker 2: at the internet? Crazy? Because I looked at it and

1304
01:02:01,520 --> 01:02:05,040
Speaker 2: I was like, I said, you canna be my live?

1305
01:02:05,080 --> 01:02:08,920
Speaker 2: I'm like, damn. I was like, I was like, this

1306
01:02:09,040 --> 01:02:11,320
Speaker 2: is crazy? Is she drunk? She told that down?

1307
01:02:11,360 --> 01:02:15,760
Speaker 1: Like yes, sir, you and Soldier Boy had a beef

1308
01:02:16,600 --> 01:02:19,280
Speaker 1: and now you mentioned about on MSG that he came out.

1309
01:02:19,320 --> 01:02:20,800
Speaker 1: You end up falling on him and you got them

1310
01:02:20,800 --> 01:02:23,240
Speaker 1: past that relationship? How were you able to get past that?

1311
01:02:24,760 --> 01:02:27,520
Speaker 2: Because when you're young, you do a lot of dumb stuff.

1312
01:02:27,840 --> 01:02:30,320
Speaker 2: We never have beef. Beef is serious. That's like the

1313
01:02:30,400 --> 01:02:34,240
Speaker 2: street right we were racing on whose lambou is the fastest?

1314
01:02:35,080 --> 01:02:37,600
Speaker 2: I gotta mercy your logo, min It's three hundred thousand

1315
01:02:37,600 --> 01:02:41,920
Speaker 2: dollars more. You got the good lot bull. You know

1316
01:02:41,960 --> 01:02:45,000
Speaker 2: what I'm saying. And we look at it now, we laugh.

1317
01:02:45,480 --> 01:02:48,800
Speaker 2: We get money together. We do shows together, like we

1318
01:02:48,840 --> 01:02:50,480
Speaker 2: have a we have a show, and the work together

1319
01:02:50,600 --> 01:02:53,000
Speaker 2: as we speak like that. That's my dog man. I

1320
01:02:53,040 --> 01:02:54,440
Speaker 2: just feel like life is too short. I learned that

1321
01:02:54,480 --> 01:02:59,400
Speaker 2: from Snoop. I watched Snoop fixed so many relationships with

1322
01:02:59,440 --> 01:03:02,080
Speaker 2: people that he had real issues with. You know what

1323
01:03:02,080 --> 01:03:05,320
Speaker 2: I mean. I'm like, if Snoop can overcome that, I

1324
01:03:05,360 --> 01:03:09,560
Speaker 2: can't too. Like. I love life. I love going outside.

1325
01:03:09,720 --> 01:03:12,840
Speaker 2: I love going into these cities where they say be careful.

1326
01:03:12,960 --> 01:03:16,240
Speaker 2: I like this, tell that to that other before they

1327
01:03:16,280 --> 01:03:18,240
Speaker 2: come to town. I ain't got worried nothing about but

1328
01:03:18,360 --> 01:03:20,919
Speaker 2: nomber but screaming women chasing me. I'm cool. I love life.

1329
01:03:20,920 --> 01:03:23,040
Speaker 2: I don't want to be for nobody. I don't want to.

1330
01:03:23,160 --> 01:03:24,560
Speaker 2: I ain't giving up that kind of vibe. I didn't

1331
01:03:24,560 --> 01:03:26,360
Speaker 2: get off that vibe. I'm the vibe where everybody want

1332
01:03:26,360 --> 01:03:28,360
Speaker 2: to be around. He the ladies man, he got the vibes.

1333
01:03:28,400 --> 01:03:31,880
Speaker 2: He he's safe, he he's fun, He's gonna curate the energy.

1334
01:03:31,960 --> 01:03:34,040
Speaker 2: And that's who I want to be. I want to

1335
01:03:34,080 --> 01:03:36,920
Speaker 2: be the ball of light that everybody can come to.

1336
01:03:37,360 --> 01:03:39,240
Speaker 2: You know what I'm saying for for I love watching

1337
01:03:39,280 --> 01:03:42,240
Speaker 2: people have fun. I love watching people smile. That's my thing.

1338
01:03:42,280 --> 01:03:43,840
Speaker 2: I love to do that, you know what I mean.

1339
01:03:43,880 --> 01:03:48,440
Speaker 1: So, yeah, your catalog? Would you have to sell your catalog?

1340
01:03:49,320 --> 01:03:52,320
Speaker 2: If the money was right, If the money was right,

1341
01:03:53,560 --> 01:03:57,040
Speaker 2: and how much we talking, they can have it tomorrow.

1342
01:03:57,080 --> 01:04:01,560
Speaker 2: They got it today today, And I'm gonna make sure

1343
01:04:01,600 --> 01:04:05,000
Speaker 2: they we set up a business in Nevada or Jersey

1344
01:04:06,360 --> 01:04:08,600
Speaker 2: that taxes on that money. Oh yeah, I want all

1345
01:04:08,640 --> 01:04:11,600
Speaker 2: of it. I want every Florida too. I noticed that

1346
01:04:11,960 --> 01:04:15,040
Speaker 2: you do too, Yeah, yeah, yeah yeah. What are your

1347
01:04:15,040 --> 01:04:15,840
Speaker 2: thoughts on streaming?

1348
01:04:15,880 --> 01:04:18,120
Speaker 1: Because I've heard some people say, oh I make I

1349
01:04:18,160 --> 01:04:20,440
Speaker 1: make a bag doing streaming. I heard some people say, man,

1350
01:04:20,440 --> 01:04:23,000
Speaker 1: I ain't get but thirty thousand blah blah. Yeah, I'm

1351
01:04:23,000 --> 01:04:25,080
Speaker 1: not making no money. What are your thoughts on streaming?

1352
01:04:25,160 --> 01:04:27,200
Speaker 2: Nah? If you can curate them streams and people all

1353
01:04:27,280 --> 01:04:30,080
Speaker 2: state like, nah, that's money behind that. Really? Oh yeah?

1354
01:04:30,160 --> 01:04:33,360
Speaker 2: You talking about think about this even with just YouTube

1355
01:04:33,360 --> 01:04:36,600
Speaker 2: and different things, just monetizing and things that catch are into.

1356
01:04:36,760 --> 01:04:38,560
Speaker 2: These are monthly checks that go out. Yeah, you know

1357
01:04:38,600 --> 01:04:40,560
Speaker 2: what I mean, so if a kid is on distro

1358
01:04:40,720 --> 01:04:44,040
Speaker 2: Courtney's looking at his numbers, you can see how much

1359
01:04:44,040 --> 01:04:45,680
Speaker 2: money you make, and it's gonna tell you the date

1360
01:04:45,680 --> 01:04:47,160
Speaker 2: where it's going. I was going to your account, so

1361
01:04:47,240 --> 01:04:48,760
Speaker 2: you know, ran up and got ahole bunch of streams

1362
01:04:48,920 --> 01:04:51,720
Speaker 2: TikTok blowing and we got to hit you. Imagine being

1363
01:04:51,840 --> 01:04:55,240
Speaker 2: six sixteen cents the old and it's say seven hundred

1364
01:04:55,240 --> 01:04:56,640
Speaker 2: and eighty eight thousand all about to come to your

1365
01:04:56,640 --> 01:04:59,240
Speaker 2: count tomorrow, all because of a song you know, did

1366
01:04:59,280 --> 01:05:01,120
Speaker 2: in your mama bit, like in your bedroom and your

1367
01:05:01,120 --> 01:05:04,720
Speaker 2: mom house, right? You good? What? And to collect that

1368
01:05:04,800 --> 01:05:08,600
Speaker 2: dope every month or even if you stream live and

1369
01:05:08,680 --> 01:05:11,040
Speaker 2: the hits when people be dropping them, that stuff be

1370
01:05:11,040 --> 01:05:13,280
Speaker 2: adding up. It can get crazy. It's some kinds that

1371
01:05:13,280 --> 01:05:14,720
Speaker 2: probably make a million dollars a month just off the

1372
01:05:14,720 --> 01:05:18,080
Speaker 2: streaming and doing what they do. No cab wow, yeah.

1373
01:05:18,320 --> 01:05:23,000
Speaker 1: Anything you want to promote your tour marching merch ya

1374
01:05:23,360 --> 01:05:24,080
Speaker 1: at the restaurant?

1375
01:05:24,160 --> 01:05:26,040
Speaker 2: Yeah yeah, Prime, I gotta get you down. You you

1376
01:05:26,120 --> 01:05:28,520
Speaker 2: a cigar guy. I'm not, but I'll come too. Don't

1377
01:05:28,560 --> 01:05:30,240
Speaker 2: you like that brown? Yeah? We got oh yeah, we

1378
01:05:30,280 --> 01:05:33,240
Speaker 2: get down, gotta bring you the prime cigar one time.

1379
01:05:33,320 --> 01:05:37,200
Speaker 2: It's very elegant, classy, felt like Atlanta needed a vibe

1380
01:05:37,240 --> 01:05:39,400
Speaker 2: like that. Shout out to my boy JV. It's kind

1381
01:05:39,400 --> 01:05:41,160
Speaker 2: of put me on the team when he just you

1382
01:05:41,200 --> 01:05:42,880
Speaker 2: know what I mean, helping them out and just curating

1383
01:05:42,880 --> 01:05:45,240
Speaker 2: the vibes and you know what I mean, that's that's

1384
01:05:45,240 --> 01:05:47,760
Speaker 2: the spot right there. We got three in Atlanta, Prime Express,

1385
01:05:47,800 --> 01:05:49,640
Speaker 2: prom Ciguard and of course Prom on P Street. That's

1386
01:05:49,680 --> 01:05:51,840
Speaker 2: the dinners spot. That's gonna be more of your lives

1387
01:05:51,840 --> 01:05:53,880
Speaker 2: to your steaks and things like you can get flying

1388
01:05:53,880 --> 01:05:55,640
Speaker 2: and take you a little friend up to that. You're

1389
01:05:55,640 --> 01:05:58,000
Speaker 2: gonna like that joint like that. And then of course

1390
01:05:58,000 --> 01:06:00,640
Speaker 2: we got the hairline, the men's hairline killing them still

1391
01:06:00,720 --> 01:06:03,800
Speaker 2: number one with Redbox Kiss with the Due Rags and

1392
01:06:03,800 --> 01:06:06,320
Speaker 2: all the men's successories, the brushes, the Twist King Brush

1393
01:06:06,840 --> 01:06:10,520
Speaker 2: and and just expect more movies, brand new record Men Brown,

1394
01:06:10,520 --> 01:06:13,000
Speaker 2: Heating Up, just getting started on that. The video is

1395
01:06:13,040 --> 01:06:16,320
Speaker 2: coming by the shoot that end of the month. So yeah, man,

1396
01:06:16,320 --> 01:06:19,760
Speaker 2: business is booming. Man, I'm I'm excited. I'm really am

1397
01:06:19,800 --> 01:06:22,720
Speaker 2: excited for this year and next year too. I just

1398
01:06:22,720 --> 01:06:25,400
Speaker 2: don't know what's gonna happen, but I know God got me,

1399
01:06:25,560 --> 01:06:28,480
Speaker 2: and the energy that I'm feeling from him is I

1400
01:06:28,560 --> 01:06:30,920
Speaker 2: just need you to be ready this this is your

1401
01:06:31,000 --> 01:06:33,840
Speaker 2: year and the things that you can't see that you

1402
01:06:33,880 --> 01:06:35,880
Speaker 2: can kind of sense us coming or it's coming. And

1403
01:06:35,920 --> 01:06:37,640
Speaker 2: when I drop him on you, I need you to

1404
01:06:37,640 --> 01:06:39,920
Speaker 2: beat it and answer that call. So I'm ready. Bow

1405
01:06:40,000 --> 01:06:41,200
Speaker 2: Wow's my dog.

1406
01:06:44,360 --> 01:06:49,000
Speaker 3: All my life, grinding all my life, sacri fights, hustle Price,

1407
01:06:49,680 --> 01:06:53,920
Speaker 3: want a slice all my life, I'll be grinding all

1408
01:06:53,960 --> 01:06:59,000
Speaker 3: my life, all my life, grinding all my life, sacri fights, Tustle,

1409
01:06:59,040 --> 01:07:02,960
Speaker 3: bad Price, one slice, got the potatize.

1410
01:07:02,360 --> 01:07:04,640
Speaker 2: The Sam all my life. I've been running all my

1411
01:07:04,760 --> 01:07:05,000
Speaker 2: life