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Speaker 1: HOODI who everyone, this is your weekly show update. If

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Speaker 1: you are in New York City, you can see me

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Speaker 1: George Severis do an hour of stand up comedy at

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Speaker 1: the legendary Joe's Pub on November fourteenth and November twenty fifth,

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Speaker 1: and the first show is almost sold out, but there

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Speaker 1: are a few tickets left for the second one. It

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Speaker 1: is a genuine dream come true to do Joe's Pub,

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Speaker 1: so I would really love to see some glamour girls

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Speaker 1: in the crowd. And you can get tickets to both

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Speaker 1: of those shows at Publictheater dot org. And if you're

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Speaker 1: in the beautiful Canadian city of Toronto, we are at

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Speaker 1: long last doing a Stradio Lab Toronto show on Saturday,

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Speaker 1: November twenty third at the Paradise Theater and tickets to

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Speaker 1: that show are available in our Instagram bio and on

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Speaker 1: linktree dot com slash Stradio Lab. And there, I have

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Speaker 1: to say, already going fast, so I would act now

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Speaker 1: enjoy the show.

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Speaker 2: Podcast starts now.

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Speaker 1: Wow, I haven't gathered my thoughts yet.

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Speaker 2: Well what thoughts, I don't know.

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Speaker 1: There was something it all happened, so you were like, okay,

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Speaker 1: let's start. Podcast starts now and I'm I find myself

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Speaker 1: in that place between backstage and on stage, and I'm

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Speaker 1: telling myself go go. The crowd is waiting go. But

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Speaker 1: then I'm being like, oh, sorry, just one more sip

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Speaker 1: of water. And meanwhile the executive from the big network

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Speaker 1: has already left. He's like, this is not He's like,

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Speaker 1: this is unprofessional? Is unprofessional? What is he wearing? He

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Speaker 1: has food in his teeth, looks disgusting, disgusting gig I alert,

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Speaker 1: we do not. We have filled our disgusting gig quota

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Speaker 1: for the month. We don't need any more with this

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Speaker 1: little bitch.

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Speaker 2: Yeah, that can be so hard.

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Speaker 1: So that's where I am.

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Speaker 2: How about you me? I feel like I'm in a

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Speaker 2: similar space, but I'm my imagery is more that I'm

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Speaker 2: walking from the back of the venue and it's sort

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Speaker 2: of like I'm sort of I should have come from,

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Speaker 2: you know, the stage door, but I'm making a show

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Speaker 2: of it, and I'm being like, okay, it's taking me

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Speaker 2: forever to get there, like yeah, in a way, that's

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Speaker 2: kind of fun. And everyone's like, oh wow, he's playing

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Speaker 2: with the form, Like I didn't know someone could come

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Speaker 2: from the back.

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Speaker 1: Are you doing the thing? Are you saying hi to

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Speaker 1: people as you're walking, but with no expectation that they'll

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Speaker 1: say high back.

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Speaker 2: Yes, just sort of like waves waves.

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Speaker 1: Here to be in a room where all eyes are

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Speaker 1: on you.

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Speaker 2: Can I tell you please. We're recording this live from

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Speaker 2: New York City, of course, and you know I've been

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Speaker 2: out of town, one could argue.

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Speaker 1: And I went to, do you think living somewhere different

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Speaker 1: permanently counts as being out of town?

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Speaker 2: Well, it's certainly not in town.

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Speaker 3: I can say that much. And I was.

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Speaker 2: I went to the Xuly last night, and I actually

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Speaker 2: went with some one of my coworkers at the job

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Speaker 2: who is in New York as well, and he got

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Speaker 2: to watch as people everyone comes up and says.

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Speaker 3: Hi, Oh my god, you've been out of town.

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Speaker 2: How has it been?

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Speaker 1: Multiple homecoming?

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Speaker 2: It was a homecoming.

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Speaker 3: Wait where do you live?

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Speaker 1: No? No?

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Speaker 2: No?

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Speaker 3: Oh yeah, I'm sorry. I'm keeping I feel like I'm

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Speaker 3: I'm like eating alone, like you're and you're like at

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Speaker 3: a table, you're like like tweeting, you're first, stay next

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Speaker 3: to me.

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Speaker 2: Yeah.

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Speaker 1: We put our through this ringer of like, rather than

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Speaker 1: welcoming them, we make them do the most awkward thing possible,

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Speaker 1: which is just sit there and make facial expressions at

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Speaker 1: us and just not be able to speak and just

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Speaker 1: have to be like.

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Speaker 3: It's working. I feel I feel excluded. Oh oh, but

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Speaker 3: in like.

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Speaker 1: A in a way that makes you want to perform

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Speaker 1: even better?

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Speaker 2: Is it like reving up?

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Speaker 3: Yeah a little. I'm like, what am I going to?

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Speaker 3: How am I going to get in there?

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Speaker 1: Yeah?

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Speaker 3: Am I gonna?

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Speaker 2: Yeah? Well, there's a tension building.

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Speaker 3: What do you order? You know?

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Speaker 2: Yeahs oh? Would I would love to try that.

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Speaker 1: This is actually something we can talk about, is the

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Speaker 1: dynamics of talking to a neighboring table at a restaurant.

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Speaker 3: I think we should bring in our guest.

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Speaker 2: Okay, let's bring our guests. Okay, without further ado, please

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Speaker 2: welcome the multi hyphen it and recent star of Fantasmas Martine.

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Speaker 2: Hello Martin, thank you for joining us.

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Speaker 3: Was I supposed to say?

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Speaker 2: You don't have to?

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Speaker 3: Okay. I'm glad you recognized me because it's it's like

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Speaker 3: a fifty to fifty these days.

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Speaker 2: So how are you?

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Speaker 3: I'm good. I was resistant. I don't want to overshare.

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Speaker 3: It seems to be like a thing.

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Speaker 1: It's incredible to come on a podcast answer to the

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Speaker 1: question how are you to be I don't want to overshare.

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Speaker 3: I don't I prefer I'd prefer to Well, sometimes I

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Speaker 3: just get too genuine and I kind of the other

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Speaker 3: person is kind of they don't know what they're in for.

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Speaker 3: They're like, I wanted to just go.

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Speaker 2: We don't mind being challenged at all.

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Speaker 1: You find that you get to that genuine place too fast.

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Speaker 3: Yeah, yeah, I kind of like sit on the edge

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Speaker 3: of kind of intimacy. If it was a ledge, I'm

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Speaker 3: like dangling my little it's bitsy heels off the edge, some.

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Speaker 1: Of the tiniest heels I've ever seen.

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Speaker 4: Really, Yeah, like you're lying, wait and I and so

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Speaker 4: it's the cliff that the waves crashing on the rocks,

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Speaker 4: and I'm scared.

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Speaker 3: I'm like, is she going to get that intimate?

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Speaker 1: And then if it's yeah, that's that. And so then

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Speaker 1: every time someone starts a conversation with you, it's a

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Speaker 1: little tap on your shoulder. But if it's if it's

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Speaker 1: too much.

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Speaker 3: Wait, it's like a real it's like a push.

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Speaker 2: Yeah yeah, well that must be really hard.

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Speaker 3: But I'm gonna what did I say?

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Speaker 1: Good?

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Speaker 2: You said you were good.

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Speaker 3: I think that's true.

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Speaker 1: See, now you're hanging off the ledge. The word good

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Speaker 1: brought you from sitting on the edge to hang off,

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Speaker 1: hanging by one hand.

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Speaker 3: There's like a yeah, there's like an old you know,

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Speaker 3: twisted tree I'm holding Yeah. Yeah, yeah, so dangerous and

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Speaker 3: it's got a chill. Yeah.

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Speaker 1: And the fog you actually can't see the bottom.

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Speaker 3: Of No, you could hear.

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Speaker 2: You can hear. Oh in the salt, the salt in

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Speaker 2: the air.

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Speaker 3: Yeah, gorgeous. I mean that's why I look like that.

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Speaker 3: I mean it does.

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Speaker 1: Really, it was amazing. It's a double edged story because

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Speaker 1: on the one hand you're you might die, but on

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Speaker 1: the other hand, you look snatched as hell.

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Speaker 3: Yeah you, I mean as you. How else would you

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Speaker 3: want to go?

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Speaker 1: Yeah?

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Speaker 3: Yeah, Martine. Can I ask a personal question? I've never

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Speaker 3: seen this show. How personal are Yeah?

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Speaker 2: Yeah, okay, I want to know what in your life

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Speaker 2: changed when you messaged me I'm ready to do a podcast.

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Speaker 1: Oh yeah, Because we actually have been trying to get

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Speaker 1: you on for approximately five years.

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Speaker 2: And then one day I got this beautiful message that

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Speaker 2: said I'm ready to do a podcast. Yeah, And I

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Speaker 2: said this something has changed.

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Speaker 3: Yeah, it did changed it. I don't I don't enjoy

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Speaker 3: this Okay, I don't.

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Speaker 2: Well it's a curse.

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Speaker 3: Yeah, I don't enjoy inhabiting this body and being on earth,

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Speaker 3: but I I have made the best of it. Sure,

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Speaker 3: and I think and I I was on Julio Show again,

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Speaker 3: but this time everyone you know, everyone gagged, Well they gagged,

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Speaker 3: they gagged and I and I and I was told

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Speaker 3: I have to do more press. Yeah. I was told

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Speaker 3: there were forced by by Julio. I didn't say that.

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Speaker 3: I didn't say that, but you don't deny it. I

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Speaker 3: he didn't specifically say that. It was it was made

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Speaker 3: clear to me that I can't just be this kind

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Speaker 3: of anonymous figure.

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Speaker 2: So you're breaking your silence.

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Speaker 3: Yeah, and you have asked and I was like, oh

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Speaker 3: I won't. It won't be like totally foreign for me

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Speaker 3: to It's gonna it's like me stepping into.

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Speaker 1: The this is your big debut.

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Speaker 3: Yeah, oppress, Yes, because you have like a lot of listeners.

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Speaker 3: Right well, I'm here because I'm here for that, I'm

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Speaker 3: here for two. I kind of feel like I have

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Speaker 3: nothing to promote though.

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Speaker 1: That's okay, most of our guests don't. Okay, Yeah, So

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Speaker 1: just to recap, you don't enjoy this, you are doing

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Speaker 1: it because we have a lot of listeners and you

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Speaker 1: have nothing.

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Speaker 2: To promote, but you are here to promote fantastical.

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Speaker 1: Do you feel uncomfortable with the question, how are you?

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Speaker 3: I don't feel uncomfortable. I just I didn't want to.

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Speaker 3: I didn't want to make you listen to something that

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Speaker 3: that I might regret saying.

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Speaker 2: Of course, I get.

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Speaker 1: The sense that I'm getting is that there is a

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Speaker 1: big secret, don't you. Don't you feel there's a big

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Speaker 1: secret and you're afraid that if you speak, you'll spill it.

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Speaker 2: You have, you have a big secret.

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Speaker 1: Don't deny it.

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Speaker 3: I have a big secret. So it's true. I didn't

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Speaker 3: I didn't want to say it. But it might even

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Speaker 3: be two secrets. Oh yeah, somehow less dramatic. Yeah, okay, secrets.

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Speaker 1: Yeah, we all have secrets.

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Speaker 3: Seven secrets. Yeah, yeah, no, that's really interesting.

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Speaker 1: The number of secrets that have is one.

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Speaker 3: It's only one.

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Speaker 2: One secret.

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Speaker 1: Also, I would say two is literally the worst number

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Speaker 1: because at least if you have one hundred secrets, then okay,

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Speaker 1: you're like you like wear a robe. But if you

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Speaker 1: have if you have two, it's like okay, so you're

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Speaker 1: like a politician and your two secrets are like you

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Speaker 1: had an affair and you're like a bad dad.

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Speaker 2: Yeah, and it's like that's actually not.

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Speaker 1: And you took money from oil.

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Speaker 2: There we go, that's a better secret.

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Speaker 1: Yeah.

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Speaker 3: Yeah, you're paying you're paying for nice hotels, yes, exactly,

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Speaker 3: you're paying for beautiful dinners.

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Speaker 2: Yeah.

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Speaker 1: So everyone. Yeah, so actually, if you have one big secret,

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Speaker 1: a way to make that better for yourself is to

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Speaker 1: have another secret, and then it will make the first

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Speaker 1: secret less.

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Speaker 2: But to be better than that sort of how you know,

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Speaker 2: almost addiction starts. You're like, well, it's like this is

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Speaker 2: how credit card debt works, where you're like, well I

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Speaker 2: already have a little Maybe I'll just paid off another

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Speaker 2: credit card.

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Speaker 1: Oh my god. What if someone was addicted to secrets.

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Speaker 3: Collecting them or just having them? Yeah, I I don't

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Speaker 3: want to talk about it anymore about your.

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Speaker 1: Secret, your two secrets. You don't want to talk.

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Speaker 3: About your secrets, That's what I said.

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Speaker 1: But you do want people to know you have them?

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Speaker 5: No, oh, so we'll cut that out. Yeah, but this

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Speaker 5: is live, Yeah, this is live.

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Speaker 2: Oh sorry, okay, well yeah, okay, coming at you live

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Speaker 2: from Time Square.

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Speaker 3: Honestly, this building gives Times Square all the way that

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Speaker 3: played different hits as you walk through the tunnel of Hits. Yeah,

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Speaker 3: that's why I was late.

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Speaker 1: Oh you got lost in the tunnel of Hits.

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Speaker 3: Yeah. I just would go forward and go back, and

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Speaker 3: go forward and go back, and I'd got on my

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Speaker 3: phone and I took some content and then I was like,

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Speaker 3: I can't post this.

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Speaker 1: Yeah, so.

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Speaker 3: But can we go back there?

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Speaker 1: Like the three of us, we definitely are gonna Oh

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Speaker 1: we're going.

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Speaker 2: To go back and we're going to get some picks, okay,

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Speaker 2: and we're not going to lose ourselves in it.

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Speaker 3: No, if that's what you want.

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Speaker 1: Oh, oh do you want to lose yourself in the

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Speaker 1: tunnel of Hits?

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Speaker 3: I feel like I can't. I mean it was I

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Speaker 3: was like half hour.

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Speaker 1: What it was like, you were half an hour late

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Speaker 1: because you were in the tunnel of Yeah.

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Speaker 3: I was like thirty five minutes.

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Speaker 2: I want to say something about being thirty five minutes late. Yeah,

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Speaker 2: where there was thirty five minutes late is actually so

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Speaker 2: significantly late that you get scared and you're like, oh,

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Speaker 2: she's not going to show up that when you do

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Speaker 2: show up, it's actually a treat. Like when you got here,

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Speaker 2: I was like like there was nothing but like joy. Yeah, okay,

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Speaker 2: because it was like it could have been so much.

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Speaker 1: Worse, whereas if you were twenty minutes late, we would

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Speaker 1: have been mad. We were like and fifteen. It's almost

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Speaker 1: like fifteen doesn't even count.

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Speaker 2: We were fifty.

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Speaker 3: Yeah, oh you were fifteen.

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Speaker 1: Well I was actually twenty.

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Speaker 2: Let's just say we were mad.

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Speaker 1: They were mad at me. We did another recording before

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Speaker 1: this when I was twenty minutes late because of a

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Speaker 1: combination of subway issues and my own timing, and I

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Speaker 1: could feel that they were mad. Yeah, and I had

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Speaker 1: to overperform. Yeah, and I actually think I knocked it

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Speaker 1: out of the park because I think that pressure is

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Speaker 1: what I needed to stick the landing, stick the landing. Yes,

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Speaker 1: like a gymnast, Like, what's a gymnast?

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Speaker 2: So you would love them?

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Speaker 1: Yeah, you would love gymnastics.

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Speaker 2: Yeah, A short little girls yeah, oh yeah, I do

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Speaker 2: love girls. Yes. And they can do anything flip, twirl, spin, balance, very.

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Speaker 1: Strong, strong and elegant and graceful.

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Speaker 2: Yes.

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Speaker 1: And they represent our country.

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Speaker 3: Oh and yeah Liaison.

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Speaker 1: Yes, like Liaisons or the United Nations and Angelina Joli

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Speaker 1: figures if you will, and they work in teams and

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Speaker 1: also into So they celebrate both the communal aspect of

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Speaker 1: American culture and the rigid, individualistic, capitalist nature of American culture.

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Speaker 2: It's a beautiful combination, but it comes at a cost

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Speaker 2: because they can only stay so beautiful and strong for

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Speaker 2: so long. Yes, so they die out.

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Speaker 1: Very very young, and as soon as they are twenty

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Speaker 1: one years old, they're too old, and people are throwing

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Speaker 1: tomatoes at them, saying, old bitch, get off this stage.

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Speaker 2: I don't want you representing my nation anymore. So it's

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Speaker 2: unethical in that regard, but it's still inspiring one the less. Yeah,

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Speaker 2: if you don't look into it, you would really like it.

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Speaker 3: You both know so much.

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Speaker 2: Thank you.

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Speaker 1: So anyway, the sticking the landing is when a gymnast

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Speaker 1: does a bunch of flips. You know, it doesn't count

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Speaker 1: if she then like falls flat on her ass. She

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Speaker 1: has to stick the land and she has to land

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Speaker 1: on both her feet and then do this.

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Speaker 2: Hands up, hands up to show that she's not a threat, right,

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Speaker 2: she actually she has to land and then do this.

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Speaker 3: I think I have seen this. Yeah, I think I've

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Speaker 3: seen this.

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Speaker 1: Yeah. Do you like the Olympics?

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Speaker 3: I've never been Mmmm?

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Speaker 1: Maybe on TV?

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Speaker 3: I I didn't watch. I didn't watch this year either,

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Speaker 3: but I had friends that were there in Paris and

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Speaker 3: they were telling me how it sucks. They were like,

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Speaker 3: oh my god, this like I got out and it

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Speaker 3: was like allegedly that Gaga performance was like pre taped,

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Speaker 3: so while it was happening, she wasn't even on the stage,

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Speaker 3: not like us that we're alive like this, not like this,

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Speaker 3: I'm here, I reached through my face. No, apparently it

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Speaker 3: was just like such a bust with the weather. And

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Speaker 3: I can't believe they made people swim in the scent.

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Speaker 1: Yeah, it's crazy. Those people are all going to grow

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Speaker 1: like an extra limb.

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Speaker 3: Someone got sick. Couldn't even like compete because of the

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Speaker 3: like pollution, pollution.

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Speaker 1: Yeah, poo, how do you say poop?

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Speaker 3: It is a poop.

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Speaker 1: It's a poop.

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Speaker 2: Poo.

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Speaker 3: I don't know how to say poo in French. Oh

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00:16:24,480 --> 00:16:31,160
Speaker 3: yeah that's yeah, yeah, that's my mom swear when she

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Speaker 3: gets really mad quietly.

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Speaker 2: Really like when you erase the eye. Ye, you're like,

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Speaker 2: oh god, she's really it's.

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Speaker 3: Like, oh it's bad. It's like the key. It's like

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Speaker 3: she doesn't have our keys were like locked out ship,

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Speaker 3: you know, one of.

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Speaker 1: Those people that shefter when she's angry rather than louder.

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Speaker 3: Oh yeah, no, she's not a yellows That's why I'm

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Speaker 3: like this, Mmm, do you ever raise your voice?

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Speaker 2: Would you like to yell at us?

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00:17:05,760 --> 00:17:08,720
Speaker 3: Yeah? Yeah, I would love. I would love to yell

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Speaker 3: at both of you.

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Speaker 2: Okay, yeah, go, we're open to it now, sure.

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Speaker 1: Or if you want to surprise us during the episode, Oh,

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Speaker 1: that could be fun. Whenever you feel like yelling at

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Speaker 1: us when we say the magic word, what do you want?

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Speaker 1: The magic word is poop in the sin.

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Speaker 2: But there's no way we're going to get back to

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Speaker 2: poop in the s Oh.

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Speaker 1: Okay, so we have to think of a word that

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Speaker 1: we might say.

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Speaker 3: Are they like kids?

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Speaker 1: They you're really small children? Yeah?

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Speaker 3: Yeah, yeah, you know what. Also, when you said.

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Speaker 1: We're an educational show, it feels like small children.

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Speaker 3: It feels like you're teaching me a lot. Yeah. Yeah.

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Speaker 2: And our first segment is called the Letter B, and

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Speaker 2: in this segment we say words with the letter B

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Speaker 2: for all our kids listeners.

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Speaker 1: That's right, that's right. Yeah, sorry, I forgot. I forgot

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Speaker 1: for a second that first segment. Yeah, very ball ball park,

365
00:18:03,119 --> 00:18:09,320
Speaker 1: all balloon Okay, do you have any b words boobs?

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Speaker 1: You have to cut that show.

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Speaker 2: Bress.

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Speaker 3: Breast haw's an every child already seen one, both of them?

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Speaker 2: Really yeah that one to two for years? True?

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Speaker 1: Yeah, I guess if they breast yeah, but not for years.

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Speaker 1: You were not breast fed?

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Speaker 2: Okay, judgment.

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Speaker 1: Well, I don't know. I just figure, you know, all

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Speaker 1: American Midwest like that's screams breastfeeding.

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Speaker 2: I don't know. Maybe I don't know you.

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Speaker 1: You don't know if you were breast fed. Sorry, I know,

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Speaker 1: I'm I know I'm attacking you right now. But is it?

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Speaker 3: How's your immune system?

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Speaker 2: Amazing?

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Speaker 3: Okay?

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Speaker 2: Then probably have you never asked George how his immune

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Speaker 2: system is terrible?

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Speaker 1: And yet I was breast fed?

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Speaker 2: Okay?

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Speaker 1: Were you breast fed?

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Speaker 2: And how's your immune system?

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Speaker 3: Mine's okay? And I was breastfitt. So what were you drinking?

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Speaker 1: Yeah? Wow?

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Speaker 3: Corn so corn milk.

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Speaker 2: Corn milk so shocking. No, I don't know, I think

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Speaker 2: the real answers.

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Speaker 3: I don't know.

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Speaker 1: I don't know.

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Speaker 2: I think before I was like probably not, but then

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Speaker 2: I'm like, well, I guess, I don't know.

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Speaker 1: I have a question for you. Why was your assumption? No?

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Speaker 3: Because it doesn't sound right.

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Speaker 1: Because you're like, that's my mom. Why would why would

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Speaker 1: she be feeding me her breast? Yeah, I would have

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00:19:29,000 --> 00:19:29,879
Speaker 1: been when you were a baby.

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Speaker 3: No, I get that, but I think no, but I

402
00:19:32,760 --> 00:19:33,399
Speaker 3: don't know, do you?

403
00:19:33,800 --> 00:19:35,800
Speaker 1: Okay, sorry, I can stop pushing this.

404
00:19:36,720 --> 00:19:37,240
Speaker 2: No, I don't.

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00:19:37,359 --> 00:19:40,360
Speaker 3: I should call her texture titture and then maybe she'll

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Speaker 3: take it back.

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00:19:41,160 --> 00:19:43,960
Speaker 1: It's funny, like, how do I know? I just know

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00:19:44,880 --> 00:19:47,240
Speaker 1: I was told. I was definitely I was told. And

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Speaker 1: I feel like there are like photos and like she

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00:19:50,080 --> 00:19:51,080
Speaker 1: also photos.

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Speaker 3: Yeah I seen those.

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Speaker 2: On the internet. Me.

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00:19:54,960 --> 00:19:56,080
Speaker 3: Yeah, you post them.

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Speaker 1: Well that was my one secret that I was trying

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Speaker 1: to keep. It's that I was breastfed as a child.

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00:20:00,680 --> 00:20:02,560
Speaker 1: Well what's great is that then it was leaked. It

417
00:20:02,680 --> 00:20:04,320
Speaker 1: was leaked, and now you have another and now I

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Speaker 1: have a new secret that I'll never tell.

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Speaker 2: Martin.

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Speaker 3: I like talking about both of you more.

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Speaker 1: Do you do you want to ask us?

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00:20:17,480 --> 00:20:18,760
Speaker 2: Do you want to interview us? Oh?

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00:20:18,840 --> 00:20:20,760
Speaker 1: I would actually love that because you know we were

424
00:20:20,800 --> 00:20:23,440
Speaker 1: saying this before. You look like an interviewer with the

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00:20:23,520 --> 00:20:30,040
Speaker 1: gorgeous hair, the mic and the clock behind you, and.

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00:20:32,119 --> 00:20:33,080
Speaker 3: No it's not in the frame.

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00:20:33,200 --> 00:20:35,720
Speaker 1: Okay, Well the listeners will just happen. How much is

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00:20:35,760 --> 00:20:37,879
Speaker 1: in the frame just your eyes?

429
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Speaker 2: Like the two.

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Speaker 1: I would love to be interviewed by Martine. Should we

431
00:20:46,720 --> 00:20:48,359
Speaker 1: just like do our first segment and then how lo

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Speaker 1: is it going?

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Speaker 3: Oh? Well, I shall be more aware of my posture.

434
00:20:56,440 --> 00:20:57,760
Speaker 3: I thought it was just my mouth. Yeah.

435
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Speaker 2: I think Martin shoud ask each of us one interview

436
00:21:00,040 --> 00:21:01,280
Speaker 2: uestion and then we should here for a segment.

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00:21:01,480 --> 00:21:04,520
Speaker 1: Okay, Martine, ask each of us one interview question.

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00:21:12,600 --> 00:21:17,080
Speaker 3: Stomach I'm hungry to it didn't me. That's why I

439
00:21:17,160 --> 00:21:17,480
Speaker 3: was late.

440
00:21:17,640 --> 00:21:20,920
Speaker 1: Can I say something? I know it's usually you usually

441
00:21:20,960 --> 00:21:23,159
Speaker 1: don't comment if you hear someone's stomach growing. But I

442
00:21:23,160 --> 00:21:28,680
Speaker 1: actually really appreciate that you did. She's like, I think

443
00:21:28,720 --> 00:21:30,000
Speaker 1: it was a pretty demure ground.

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00:21:30,040 --> 00:21:34,840
Speaker 3: Yeah, she's cute. I I didn't prepare for task, either

445
00:21:34,880 --> 00:21:35,600
Speaker 3: of you questions.

446
00:21:37,880 --> 00:21:38,560
Speaker 2: No, that's true.

447
00:21:39,080 --> 00:21:43,120
Speaker 3: I did. I did do I did the homework.

448
00:21:43,720 --> 00:21:45,600
Speaker 2: Yeah, you're like, I did the homework straight things.

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00:21:45,880 --> 00:21:46,080
Speaker 1: Yeah.

450
00:21:46,160 --> 00:21:47,919
Speaker 3: Yeah, that's different.

451
00:21:47,960 --> 00:21:48,480
Speaker 1: We'll get to that.

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00:21:48,600 --> 00:21:51,359
Speaker 2: Yeah, that's different. That's not that's not the we're This

453
00:21:51,440 --> 00:21:52,240
Speaker 2: is sort of the preamble.

454
00:21:52,400 --> 00:21:54,560
Speaker 1: Okay, okay, anything goes.

455
00:21:54,840 --> 00:22:04,560
Speaker 3: What were kind of icons growing up that you.

456
00:22:10,320 --> 00:22:11,040
Speaker 2: I can't help it.

457
00:22:12,640 --> 00:22:12,960
Speaker 1: That you.

458
00:22:15,240 --> 00:22:15,960
Speaker 3: Still look up to.

459
00:22:16,480 --> 00:22:20,520
Speaker 1: Oh, icons growing up that we still look up to,

460
00:22:21,520 --> 00:22:25,240
Speaker 1: like as a child, you love them. This is so

461
00:22:25,359 --> 00:22:26,359
Speaker 1: interesting because.

462
00:22:27,920 --> 00:22:30,520
Speaker 2: I have one that I don't. That's funny, Okay, what

463
00:22:30,680 --> 00:22:32,560
Speaker 2: is it. I remember being like reading a book on

464
00:22:32,640 --> 00:22:35,680
Speaker 2: Lance Armstrong when I was like in middle school and

465
00:22:35,760 --> 00:22:38,280
Speaker 2: being like, damn, this guy is really a good guy.

466
00:22:39,640 --> 00:22:44,040
Speaker 1: The bicycle cyclist cyclist, Yeah, who it turns out is bad?

467
00:22:44,520 --> 00:22:47,520
Speaker 2: And then yeah it was he was like doping and stuff,

468
00:22:47,560 --> 00:22:49,320
Speaker 2: and he cheated on schil Crow and he cheated on

469
00:22:49,400 --> 00:22:49,840
Speaker 2: cheril Crow.

470
00:22:49,960 --> 00:22:54,359
Speaker 3: I don't know he dated ChIL Crow. Yeah, even makes

471
00:22:54,520 --> 00:22:57,720
Speaker 3: you have do you think had songs about him? It's

472
00:22:57,760 --> 00:22:58,440
Speaker 3: about cycling.

473
00:22:58,640 --> 00:23:00,840
Speaker 2: I think it's about it's about cycling.

474
00:23:01,119 --> 00:23:02,040
Speaker 3: It can't be that.

475
00:23:03,720 --> 00:23:06,280
Speaker 1: He's like, that's what inspired him to start doping? Is

476
00:23:06,480 --> 00:23:08,680
Speaker 1: he heard the song by Cheryl Crow if it makes

477
00:23:08,680 --> 00:23:09,000
Speaker 1: you happy?

478
00:23:09,000 --> 00:23:10,200
Speaker 3: Because winning really made him happy.

479
00:23:10,240 --> 00:23:12,480
Speaker 1: Actually it's about doping if it makes you happy. I

480
00:23:12,560 --> 00:23:15,000
Speaker 1: can't be that bad. And he was like, oh, you're

481
00:23:15,080 --> 00:23:17,240
Speaker 1: right girl, yeah, and then he just like kept on doping.

482
00:23:17,240 --> 00:23:18,920
Speaker 2: It's like time to live my life, time to live

483
00:23:19,000 --> 00:23:20,639
Speaker 2: strong enough judgment.

484
00:23:21,119 --> 00:23:23,280
Speaker 1: Okay, no one's going to comment on Time to Live Strong. No,

485
00:23:23,400 --> 00:23:26,640
Speaker 1: that was good, okay, thanks Jesus Christ. So I guess

486
00:23:26,880 --> 00:23:29,879
Speaker 1: icons and I liked growing up. I do find it

487
00:23:29,960 --> 00:23:32,119
Speaker 1: interesting that you said that you still look up to

488
00:23:32,280 --> 00:23:34,159
Speaker 1: implying that an icon is someone you look up to,

489
00:23:34,240 --> 00:23:35,280
Speaker 1: because I'm wondering.

490
00:23:35,280 --> 00:23:37,520
Speaker 2: Well, I think it's an ion and has bad taste

491
00:23:37,560 --> 00:23:38,040
Speaker 2: of icons.

492
00:23:38,119 --> 00:23:40,720
Speaker 1: Because if my icon was Madonna, does that mean I

493
00:23:40,840 --> 00:23:43,200
Speaker 1: look up to her? Or I don't want to be

494
00:23:43,359 --> 00:23:45,280
Speaker 1: like Madonna, but she is an icon to me?

495
00:23:45,520 --> 00:23:48,000
Speaker 3: You don't, I don't think so. At the time, did

496
00:23:48,080 --> 00:23:48,400
Speaker 3: you though?

497
00:23:48,960 --> 00:23:51,200
Speaker 2: You mean like not you were inspired by her energy?

498
00:23:51,400 --> 00:23:53,720
Speaker 2: I was inspired by which album?

499
00:23:54,400 --> 00:23:59,639
Speaker 1: I would say, I mean she was an icon before this,

500
00:24:00,040 --> 00:24:05,280
Speaker 1: But I do think American life was really big for Yes,

501
00:24:06,640 --> 00:24:08,679
Speaker 1: was really big for me. It was when I realized

502
00:24:08,680 --> 00:24:11,600
Speaker 1: that she had an old sensibility, that she wasn't just

503
00:24:11,760 --> 00:24:15,720
Speaker 1: a girl next door pop star that also liked, you know,

504
00:24:15,960 --> 00:24:19,879
Speaker 1: putting a whole bottle of water in her mouth. She

505
00:24:19,960 --> 00:24:21,240
Speaker 1: did that in the sex documentary.

506
00:24:22,040 --> 00:24:25,520
Speaker 3: Oh yeah, when she could show you. Is that why

507
00:24:25,560 --> 00:24:26,479
Speaker 3: you wanted to be like her?

508
00:24:28,160 --> 00:24:30,879
Speaker 1: Maybe I want you're like, yes, that's me.

509
00:24:33,119 --> 00:24:34,760
Speaker 3: As a child, as a child.

510
00:24:34,640 --> 00:24:37,040
Speaker 1: Being like, wait, that my icon is Madonna in Truth

511
00:24:37,080 --> 00:24:39,680
Speaker 1: or Dare do it? Simulating a blow job on a

512
00:24:39,720 --> 00:24:40,280
Speaker 1: water bottle?

513
00:24:40,520 --> 00:24:42,800
Speaker 3: You understood that that was fashion.

514
00:24:42,640 --> 00:24:49,520
Speaker 1: Yes, exactly, and then American life solidified it. And then

515
00:24:51,480 --> 00:24:56,320
Speaker 1: now like she's still my icon? Sure, but do I

516
00:24:56,400 --> 00:24:57,359
Speaker 1: want to be like her?

517
00:24:58,119 --> 00:25:03,680
Speaker 3: Most icons are like ideologies, right you. That means that

518
00:25:03,880 --> 00:25:05,800
Speaker 3: they're on a pedestal or there's there's some.

519
00:25:05,960 --> 00:25:09,120
Speaker 1: Kind of what is the Madonna ideology? This is it's

520
00:25:09,240 --> 00:25:14,480
Speaker 1: like it's like live out loud, like you are the

521
00:25:14,560 --> 00:25:16,040
Speaker 1: most important person on earth.

522
00:25:16,600 --> 00:25:20,680
Speaker 3: Rebel heart heart, Yeah, push back when someone says run,

523
00:25:20,800 --> 00:25:25,399
Speaker 3: you walk when someone says walk, you run? Yeah, and

524
00:25:25,800 --> 00:25:28,640
Speaker 3: you can do you can do everything.

525
00:25:29,119 --> 00:25:30,200
Speaker 2: Yeah you want.

526
00:25:30,680 --> 00:25:35,000
Speaker 3: And if you're bad at something, that's actually good or

527
00:25:35,080 --> 00:25:35,720
Speaker 3: that doesn't matter.

528
00:25:35,920 --> 00:25:37,240
Speaker 2: Yeah, that doesn't matter because you did it.

529
00:25:37,520 --> 00:25:39,880
Speaker 3: Yeah you did it, rebel you did the thing.

530
00:25:40,119 --> 00:25:45,200
Speaker 1: Rebel heart, Rebel Heart. Rebel Heart is actually like kind

531
00:25:45,240 --> 00:25:46,119
Speaker 1: of a huge idea.

532
00:25:46,600 --> 00:25:49,040
Speaker 3: Yeah, and I carry I carry that with rebel heart.

533
00:25:51,320 --> 00:25:55,040
Speaker 2: Yeah in the postal bag. Yeah.

534
00:25:56,840 --> 00:25:59,960
Speaker 3: Actually, no, I'm not gonna shoot. I have to get

535
00:26:00,040 --> 00:26:04,600
Speaker 3: something digitized. Let's not talk about it. Okay, there's so

536
00:26:04,680 --> 00:26:07,000
Speaker 3: much we're not talking about today. I know I have

537
00:26:07,160 --> 00:26:12,040
Speaker 3: control issues. It's something that I'm working on. It's why

538
00:26:12,359 --> 00:26:14,880
Speaker 3: I was like, I'm gonna ask you questions, and it's

539
00:26:14,960 --> 00:26:18,080
Speaker 3: why it doesn't make me a great actor.

540
00:26:18,400 --> 00:26:18,800
Speaker 2: Or as a whole.

541
00:26:18,880 --> 00:26:21,560
Speaker 1: You're an incredible actor as well, you're a damn star,

542
00:26:22,880 --> 00:26:24,000
Speaker 1: but say more about your country.

543
00:26:24,040 --> 00:26:26,399
Speaker 3: I mean, I came here for that. You remember when

544
00:26:26,440 --> 00:26:28,040
Speaker 3: you gagged audience.

545
00:26:27,880 --> 00:26:29,719
Speaker 1: Around the globe, audience around the globe.

546
00:26:30,800 --> 00:26:34,960
Speaker 3: See, it's more like, I don't know if that's true

547
00:26:35,320 --> 00:26:37,640
Speaker 3: just because it's available. I don't think that means you are.

548
00:26:38,640 --> 00:26:40,280
Speaker 2: But everyone's telling you we're gagging.

549
00:26:40,680 --> 00:26:43,200
Speaker 3: Well, my friends are, and that's that's really what matters.

550
00:26:43,320 --> 00:26:48,159
Speaker 3: I'm like, you watched it, watches I'm like, oh you

551
00:26:48,280 --> 00:26:48,639
Speaker 3: watched it.

552
00:26:50,440 --> 00:26:53,119
Speaker 1: Okay, all right, here's a question for you. Who is

553
00:26:53,160 --> 00:26:55,159
Speaker 1: an icon you still look up to?

554
00:26:57,160 --> 00:27:01,480
Speaker 3: This wasn't part of it agreement, This wasn't far. We

555
00:27:01,520 --> 00:27:03,320
Speaker 3: should have said that when we started this that you

556
00:27:03,520 --> 00:27:05,680
Speaker 3: also would ask me my question.

557
00:27:06,600 --> 00:27:07,800
Speaker 1: I'm sensing a pattern here.

558
00:27:08,040 --> 00:27:12,480
Speaker 2: Yes, I'm something a very really easily readable pattern.

559
00:27:12,880 --> 00:27:18,159
Speaker 1: You're very thrown off by surprises? Am I correct in that?

560
00:27:19,080 --> 00:27:26,639
Speaker 3: Wow? I mean as a maybe maybe maybe I have

561
00:27:26,760 --> 00:27:30,400
Speaker 3: some trauma that I ooh, it's like being.

562
00:27:33,840 --> 00:27:34,560
Speaker 2: Traumatized.

563
00:27:35,400 --> 00:27:37,840
Speaker 1: Yes, and now we have a flashback and it's a

564
00:27:37,880 --> 00:27:38,880
Speaker 1: surprise birthday party.

565
00:27:39,480 --> 00:27:46,960
Speaker 3: Walks in the room, a surprise, She's like tears instantly. No, honestly,

566
00:27:47,440 --> 00:27:50,240
Speaker 3: my my, oh my god. What is it when you're

567
00:27:50,320 --> 00:27:54,920
Speaker 3: legally all had to drink in the States. I turned

568
00:27:55,240 --> 00:27:59,639
Speaker 3: my twenty first birthday in college. I was so excited

569
00:27:59,680 --> 00:28:02,760
Speaker 3: to drink right and I and no one was around,

570
00:28:02,920 --> 00:28:05,239
Speaker 3: Like I texted everyone like let's go, like I can

571
00:28:05,320 --> 00:28:10,200
Speaker 3: buy us alcohol, and no one messaged back. Everyone was unavailable,

572
00:28:10,359 --> 00:28:13,399
Speaker 3: busy or nothing. And so I went to the liquor

573
00:28:13,440 --> 00:28:16,600
Speaker 3: store and I bought like a handle of gin alone

574
00:28:16,720 --> 00:28:18,359
Speaker 3: because I knew how to make a gin and tonic

575
00:28:18,520 --> 00:28:21,919
Speaker 3: because that's what my grandmother drinks and so I'd make

576
00:28:22,000 --> 00:28:28,040
Speaker 3: those for her. And then I got wasted alone and

577
00:28:28,200 --> 00:28:30,960
Speaker 3: then got one text from my roommate who brought me

578
00:28:31,359 --> 00:28:34,439
Speaker 3: to like I don't know, above the library, and then

579
00:28:34,600 --> 00:28:37,200
Speaker 3: all my friends were there with the cake and they're like, surprise,

580
00:28:38,000 --> 00:28:39,880
Speaker 3: we didn't forget. But by that point I was so

581
00:28:40,240 --> 00:28:46,240
Speaker 3: like devastated by everyone kind of like being unavailable and

582
00:28:46,320 --> 00:28:52,000
Speaker 3: then drunk it kind of it kind of brought me

583
00:28:52,040 --> 00:28:55,760
Speaker 3: to like a happy medium opposed to like the escalation of.

584
00:28:55,840 --> 00:29:00,680
Speaker 1: Like, so there literally was trauma, surprise, say trauma, and

585
00:29:00,720 --> 00:29:05,480
Speaker 1: that's why you're traumatized by surprises. But you're saying it

586
00:29:05,600 --> 00:29:07,080
Speaker 1: wasn't a trauma because it brought you to a hack.

587
00:29:07,320 --> 00:29:08,920
Speaker 3: Yeah, I feel like that's not that's such like an

588
00:29:08,920 --> 00:29:12,760
Speaker 3: American trauma. Like that's so like you forgot my brid Yeah,

589
00:29:13,480 --> 00:29:16,200
Speaker 3: it's so not it's so not a it's actually not

590
00:29:16,320 --> 00:29:16,920
Speaker 3: drama at all.

591
00:29:17,000 --> 00:29:20,600
Speaker 1: But here's the thing. What if the trauma is that

592
00:29:20,720 --> 00:29:23,000
Speaker 1: you succumbed to an American trauma?

593
00:29:26,640 --> 00:29:27,600
Speaker 2: Wait, that's genius.

594
00:29:28,240 --> 00:29:31,240
Speaker 3: You should write that down because you were like.

595
00:29:33,560 --> 00:29:37,000
Speaker 1: This, I'm not like these stupid Americans. But oh my god,

596
00:29:37,480 --> 00:29:40,360
Speaker 1: I feel trauma because of my surprise already. And I

597
00:29:40,480 --> 00:29:43,400
Speaker 1: thought I was American college, but I'm as American as

598
00:29:43,400 --> 00:29:44,000
Speaker 1: apple pie?

599
00:29:45,760 --> 00:29:47,080
Speaker 3: Do you think I'm like a Do you think I

600
00:29:47,120 --> 00:29:47,840
Speaker 3: give apple pie?

601
00:29:48,240 --> 00:29:48,280
Speaker 1: No?

602
00:29:48,440 --> 00:29:50,960
Speaker 3: But in that moment, in that moment, I would never

603
00:29:51,120 --> 00:29:52,600
Speaker 3: ever say you give apple what dessert?

604
00:29:52,640 --> 00:29:55,400
Speaker 1: Would you say, Martine gives? Oh? This is interesting?

605
00:29:55,440 --> 00:29:58,800
Speaker 3: Okay, Oh I think I know you know well what Okay?

606
00:29:58,840 --> 00:30:01,240
Speaker 1: I think I I think you will give like a

607
00:30:02,160 --> 00:30:05,719
Speaker 1: sorbet that is a like a like a minty flavor.

608
00:30:05,840 --> 00:30:07,080
Speaker 2: You know what I'm getting, don't you think?

609
00:30:07,320 --> 00:30:07,520
Speaker 1: You know?

610
00:30:07,680 --> 00:30:10,920
Speaker 2: In like like in a chocolate commercial, the way they

611
00:30:11,000 --> 00:30:14,720
Speaker 2: show chocolate like like doing this. Oh, that's sort of

612
00:30:14,760 --> 00:30:15,760
Speaker 2: what I think of you as.

613
00:30:15,840 --> 00:30:19,840
Speaker 1: Oh okay, see to me, it's like it's what it's minimalist.

614
00:30:20,000 --> 00:30:21,240
Speaker 3: One chocolate commercial.

615
00:30:21,640 --> 00:30:24,440
Speaker 2: You're like the chocolate and a chocolate commercial that's being.

616
00:30:24,360 --> 00:30:29,320
Speaker 1: Like still liquid. Yeah yeah, yeah, it's being shaped. You're

617
00:30:29,440 --> 00:30:31,479
Speaker 1: mid shaped confection chocolate.

618
00:30:31,800 --> 00:30:32,000
Speaker 2: Yeah.

619
00:30:32,360 --> 00:30:34,520
Speaker 1: So we're going opposite directions. You're going in a more

620
00:30:36,280 --> 00:30:41,880
Speaker 1: like maximalist chocolate waves, whereas I'm thinking you are giant plate,

621
00:30:42,760 --> 00:30:47,920
Speaker 1: single scoop of mint sorbet get ready, leaf of mint

622
00:30:47,960 --> 00:30:48,840
Speaker 1: leaf on the Wow.

623
00:30:49,480 --> 00:30:52,280
Speaker 3: I do love mint. I do love chocolate kind of

624
00:30:52,400 --> 00:30:57,200
Speaker 3: chocolate dark dark. Yeah, I'm a little thing.

625
00:30:57,240 --> 00:30:58,800
Speaker 2: I don't know why, but I'm seeing like a spoon.

626
00:30:59,400 --> 00:31:02,080
Speaker 2: Like for you, I'm really seeing a spoon. Whatever it

627
00:31:02,240 --> 00:31:02,880
Speaker 2: is has to be eating.

628
00:31:03,360 --> 00:31:04,280
Speaker 1: You give spoon.

629
00:31:05,840 --> 00:31:08,320
Speaker 3: You're giving spoon and we're gagging on your spoon.

630
00:31:08,320 --> 00:31:12,760
Speaker 1: Big spoon you're giving. This is interesting. You're giving little

631
00:31:12,840 --> 00:31:17,080
Speaker 1: spoon with big spoon energy. So you're the little spoon

632
00:31:17,160 --> 00:31:23,400
Speaker 1: that's a top. Oh my god, that's real, you're little spooning.

633
00:31:23,520 --> 00:31:31,800
Speaker 1: You're you're a power little spoon Okay, so maybe now

634
00:31:31,840 --> 00:31:32,560
Speaker 1: I want Sorbet.

635
00:31:32,880 --> 00:31:34,040
Speaker 3: I know I'm right here.

636
00:31:37,200 --> 00:31:39,280
Speaker 1: You should have a new drag character named Sorbet.

637
00:31:39,520 --> 00:31:46,000
Speaker 5: Sorbet with the tea, I say, though, Oh, actually I

638
00:31:46,080 --> 00:31:48,120
Speaker 5: like Sorbett with like T T at the No, that's

639
00:31:48,240 --> 00:31:48,640
Speaker 5: very high.

640
00:31:48,760 --> 00:31:56,440
Speaker 3: I'm Sorbette, Martine Sorbett. I do need a new last name?

641
00:31:57,160 --> 00:31:58,959
Speaker 3: You think you're going to get a new last name, Well,

642
00:31:58,960 --> 00:31:59,880
Speaker 3: I'm going to get married.

643
00:32:00,720 --> 00:32:02,800
Speaker 1: Well to say so, then you don't have to worry

644
00:32:02,800 --> 00:32:04,240
Speaker 1: about what the last name is. It's going to be

645
00:32:04,280 --> 00:32:04,680
Speaker 1: your or do you.

646
00:32:04,720 --> 00:32:06,560
Speaker 2: Not want to take your You don't want to take it?

647
00:32:06,680 --> 00:32:07,680
Speaker 2: You just want to make up a new one.

648
00:32:07,720 --> 00:32:09,480
Speaker 3: I don't know. It would have to be really good.

649
00:32:10,520 --> 00:32:15,040
Speaker 2: I have to what's what's an example of a good

650
00:32:15,120 --> 00:32:17,600
Speaker 2: last name? Not necessarily one for you, but for anyone. Yeah,

651
00:32:19,520 --> 00:32:20,880
Speaker 2: what makes the last name shine?

652
00:32:21,640 --> 00:32:27,800
Speaker 3: I love alliteration better and short like what like honestly

653
00:32:28,000 --> 00:32:30,280
Speaker 3: like one to two syllables?

654
00:32:31,640 --> 00:32:37,360
Speaker 1: That mint? Oh Martin Mint.

655
00:32:37,280 --> 00:32:43,840
Speaker 3: Martin, Mint is successful, Yeah and beloved. Fresh.

656
00:32:44,520 --> 00:32:48,400
Speaker 1: She's fresh, She's fresh. You love her breath before you

657
00:32:48,480 --> 00:32:48,800
Speaker 1: see her.

658
00:32:49,000 --> 00:32:51,760
Speaker 2: When you hear that Martin Mint is coming to town.

659
00:32:51,840 --> 00:32:54,000
Speaker 2: You're like, oh my god, that's amazing.

660
00:32:54,120 --> 00:32:54,680
Speaker 1: I haven't seen her.

661
00:32:59,040 --> 00:33:01,080
Speaker 3: I would go to Spain. Yeah, I would go to Spain.

662
00:33:01,720 --> 00:33:02,360
Speaker 2: Well, that's amazing.

663
00:33:02,520 --> 00:33:05,400
Speaker 1: Well, Martin Mint has a place in Spain.

664
00:33:07,720 --> 00:33:15,840
Speaker 2: Should we do that for a segments? Sure, Martin, I'm.

665
00:33:17,080 --> 00:33:18,080
Speaker 3: Does that make you nervous?

666
00:33:18,880 --> 00:33:19,320
Speaker 2: Well? Yes?

667
00:33:19,680 --> 00:33:20,400
Speaker 3: Is this in the shot?

668
00:33:21,960 --> 00:33:25,000
Speaker 2: Yeah, this is a video, This is a this is

669
00:33:25,080 --> 00:33:28,920
Speaker 2: a piece. And if you think we're uncomfortable with silence,

670
00:33:28,960 --> 00:33:31,280
Speaker 2: you're dead wrong. We actually love the stuff.

671
00:33:33,320 --> 00:33:34,120
Speaker 3: That's my stomach.

672
00:33:40,320 --> 00:33:44,560
Speaker 1: Wow. Hi everyone, this is George. I'm in the process

673
00:33:44,560 --> 00:33:47,240
Speaker 1: of editing the episode, and at this stage I feel

674
00:33:47,280 --> 00:33:50,880
Speaker 1: the need to provide some context for those listening audio

675
00:33:51,040 --> 00:33:55,360
Speaker 1: only and not getting the full video content. So basically,

676
00:33:55,440 --> 00:34:00,480
Speaker 1: what just happened is Martin, very slowly and intention picked

677
00:34:00,560 --> 00:34:04,200
Speaker 1: up a glass of water and took a sip of water.

678
00:34:04,840 --> 00:34:07,440
Speaker 1: And this is our reaction to that. That was a

679
00:34:07,440 --> 00:34:10,680
Speaker 1: beautiful piece. Thank you for that, Martine.

680
00:34:10,719 --> 00:34:11,880
Speaker 3: I'm working the moment.

681
00:34:12,000 --> 00:34:18,319
Speaker 1: Martin Mint's famous piece, sip sip, sip. Wow, Well, sip

682
00:34:18,480 --> 00:34:20,719
Speaker 1: changed the game. I remember where I was when I

683
00:34:20,760 --> 00:34:21,280
Speaker 1: first sat.

684
00:34:21,200 --> 00:34:24,359
Speaker 3: Well, that's because we were both across from Martine actually yes, yeah,

685
00:34:24,360 --> 00:34:27,000
Speaker 3: there's like pre impost zip politically.

686
00:34:27,440 --> 00:34:27,720
Speaker 2: Yes.

687
00:34:28,280 --> 00:34:30,760
Speaker 1: Yeah, she premiered it in Copenhagen, but in an empty

688
00:34:30,840 --> 00:34:32,040
Speaker 1: room so no one saw it.

689
00:34:32,160 --> 00:34:32,800
Speaker 2: No one witnessed it.

690
00:34:32,960 --> 00:34:34,880
Speaker 1: It was just you in an empty room and not

691
00:34:35,040 --> 00:34:35,600
Speaker 1: being seen.

692
00:34:36,239 --> 00:34:40,440
Speaker 3: It's about a feeling, yeah, sipping. Yeah, it's about sipping.

693
00:34:41,640 --> 00:34:44,600
Speaker 1: People always ask Martin you know what is sip about?

694
00:34:44,840 --> 00:34:48,120
Speaker 1: And she's always been very adamant about this. It's about sipping,

695
00:34:48,440 --> 00:34:51,080
Speaker 1: and people say, no, it's about globalization. It's about it's

696
00:34:51,080 --> 00:34:55,800
Speaker 1: about commercialism, it's about global flow of capital, neoliberal systems

697
00:34:56,000 --> 00:35:01,200
Speaker 1: of waste management. Yes, and but but you've you have

698
00:35:01,320 --> 00:35:05,200
Speaker 1: a very rigorously formalist approach. You say it is quite

699
00:35:05,239 --> 00:35:06,239
Speaker 1: simply about the sip.

700
00:35:08,840 --> 00:35:13,239
Speaker 3: I mean I haven't spoken about it really. Oh ever,

701
00:35:13,760 --> 00:35:17,200
Speaker 3: I've never really would you like to speak on it now? No,

702
00:35:17,560 --> 00:35:19,680
Speaker 3: that's not really what the work is about. It's about

703
00:35:19,719 --> 00:35:23,920
Speaker 3: your what you bring to it, your perception.

704
00:35:24,880 --> 00:35:26,880
Speaker 2: Wow, I guess it's each each person has a different

705
00:35:26,880 --> 00:35:31,480
Speaker 2: relationship to sipping. That's true. For me. It's about childhood, innocence,

706
00:35:31,680 --> 00:35:34,000
Speaker 2: of course, and the loss of it needs to say,

707
00:35:34,120 --> 00:35:36,440
Speaker 2: because when you were a child, you sip with a straw.

708
00:35:36,800 --> 00:35:38,680
Speaker 1: You know, when you were a child. You don't know

709
00:35:38,719 --> 00:35:41,359
Speaker 1: if you were a breastfit and so I think maybe

710
00:35:41,440 --> 00:35:43,800
Speaker 1: what it's bringing up for you is that you know

711
00:35:43,920 --> 00:35:45,719
Speaker 1: you were sipping something I.

712
00:35:45,800 --> 00:35:48,600
Speaker 3: Want you to remember, but you don't know from what

713
00:35:50,600 --> 00:35:55,120
Speaker 3: or how, and you're afraid to know. Well, I'm afraid

714
00:35:55,160 --> 00:35:56,560
Speaker 3: to send a text to my mom and says was

715
00:35:56,560 --> 00:36:01,120
Speaker 3: I I can text her text do you want to

716
00:36:01,120 --> 00:36:04,040
Speaker 3: give me? It's Martine from Fantastic I have, so I

717
00:36:04,360 --> 00:36:07,279
Speaker 3: am like, oh my god. I'm always texting people that

718
00:36:07,360 --> 00:36:11,560
Speaker 3: I shouldn't be like people but help on projects that

719
00:36:11,680 --> 00:36:13,600
Speaker 3: It's like, how do you even have her number? Like

720
00:36:13,680 --> 00:36:15,880
Speaker 3: if there was someone who's supposed to get me here

721
00:36:16,040 --> 00:36:18,760
Speaker 3: today and I had their number, I would be texting

722
00:36:18,840 --> 00:36:23,839
Speaker 3: when I leave, like hey, this is Martine from from

723
00:36:24,040 --> 00:36:27,799
Speaker 3: the radio and they'd probably be like yeah, or they

724
00:36:27,920 --> 00:36:28,920
Speaker 3: usually they don't respond.

725
00:36:30,560 --> 00:36:31,439
Speaker 2: How does that make you feel?

726
00:36:33,080 --> 00:36:34,080
Speaker 3: Makes me feel like I tried?

727
00:36:34,560 --> 00:36:36,680
Speaker 2: Yeah? The person in charge makes me feel like a

728
00:36:37,000 --> 00:36:40,879
Speaker 2: doesn't respond, a misunderstood rebel heart.

729
00:36:41,360 --> 00:36:45,840
Speaker 3: It's like production, especially if they're cute. I'm always blurring

730
00:36:45,920 --> 00:36:46,840
Speaker 3: the lines.

731
00:36:46,920 --> 00:36:48,880
Speaker 2: When someone's holding a boom mic. It's really hard for

732
00:36:48,920 --> 00:36:49,880
Speaker 2: me not to find them really.

733
00:36:49,760 --> 00:36:53,279
Speaker 3: Hot, really Yeah, is it because like it's a posture thing.

734
00:36:53,320 --> 00:36:55,320
Speaker 2: Or it's a posture it's a type the type of

735
00:36:55,400 --> 00:36:58,200
Speaker 2: man that would hold a boom mic like for a

736
00:36:58,280 --> 00:37:02,400
Speaker 2: really long time. Yeah, I'm like so strong, resilient, so resilient,

737
00:37:03,000 --> 00:37:07,360
Speaker 2: so supportive and plus sometimes the shirt goes up.

738
00:37:08,880 --> 00:37:12,840
Speaker 3: There's usually ass or it's like crack or belly, but

739
00:37:13,040 --> 00:37:13,560
Speaker 3: it's one of the other.

740
00:37:13,880 --> 00:37:17,840
Speaker 2: I'll take both, okay, but I.

741
00:37:17,880 --> 00:37:25,920
Speaker 3: Never crossed the line, not yet. That's what everyone says. Yeah, TikTok, TikTok.

742
00:37:26,920 --> 00:37:29,080
Speaker 3: I think tomorrow. I think tomorrow is going to be

743
00:37:29,160 --> 00:37:29,480
Speaker 3: the day.

744
00:37:30,000 --> 00:37:30,640
Speaker 1: What's tomorrow?

745
00:37:30,800 --> 00:37:33,040
Speaker 2: I don't know, but Martine has a feeling.

746
00:37:34,200 --> 00:37:37,280
Speaker 3: I mean, are you doing that big boom project tomorrow.

747
00:37:37,520 --> 00:37:40,360
Speaker 2: Yeah, I'm doing my my show Night of one Thousand Booms.

748
00:37:40,600 --> 00:37:41,160
Speaker 1: Oh my god.

749
00:37:41,320 --> 00:37:44,879
Speaker 2: Yeah, I'm auditioning. I'm I'm sort of trying to make

750
00:37:45,400 --> 00:37:48,880
Speaker 2: boom mike holders get a chance in the spotlight. So

751
00:37:48,920 --> 00:37:52,520
Speaker 2: I booked the Bell House and we're having, uh, you know,

752
00:37:52,880 --> 00:37:56,000
Speaker 2: eight minutes sads people to come out hold the boom mic.

753
00:37:56,040 --> 00:37:56,760
Speaker 2: It's gonna be awesome.

754
00:37:57,120 --> 00:38:00,120
Speaker 1: Interestingly, the people holding the actual boom mics necessary for

755
00:38:00,239 --> 00:38:04,160
Speaker 1: the event are all weak gay guys. So to sort

756
00:38:04,160 --> 00:38:06,880
Speaker 1: of flip, to flip the script, we have these you know,

757
00:38:07,200 --> 00:38:10,640
Speaker 1: strong burly men on stage. They're holding fake boom mics

758
00:38:11,040 --> 00:38:14,800
Speaker 1: and then little twinkie gay guys are like holding the

759
00:38:14,840 --> 00:38:15,319
Speaker 1: boom mics.

760
00:38:15,480 --> 00:38:18,520
Speaker 3: That's kind of my time. Oh my god, I love

761
00:38:18,800 --> 00:38:20,200
Speaker 3: I love twinks.

762
00:38:19,960 --> 00:38:25,200
Speaker 2: Really really, do you feel a great question?

763
00:38:26,800 --> 00:38:36,040
Speaker 3: Or just as pets, just to have furniture cars, yeah, plants, No,

764
00:38:36,200 --> 00:38:40,720
Speaker 3: I like them. As as as objects, well, of course

765
00:38:41,320 --> 00:38:42,680
Speaker 3: I like to objectify them.

766
00:38:43,080 --> 00:38:45,080
Speaker 1: Wow, they make it easy.

767
00:38:46,200 --> 00:38:49,399
Speaker 3: Yeah, they're like asking, they're just begging for it. Yeah,

768
00:38:49,680 --> 00:38:53,040
Speaker 3: this is the This is like the little little power spoon.

769
00:38:53,160 --> 00:38:57,160
Speaker 3: Energy you're doing no, little spoon, little top power little.

770
00:38:57,000 --> 00:38:59,320
Speaker 1: Spoon, little spoon.

771
00:39:00,360 --> 00:39:03,720
Speaker 3: Is that does that make it? What is a twink

772
00:39:03,800 --> 00:39:04,279
Speaker 3: in that?

773
00:39:05,160 --> 00:39:10,040
Speaker 1: If you're doming a twink, they're like a butter knife. Yes, yeah,

774
00:39:10,320 --> 00:39:12,120
Speaker 1: don't think too hard about it. It's like sip.

775
00:39:12,320 --> 00:39:13,200
Speaker 2: They're a salad fork.

776
00:39:13,920 --> 00:39:16,799
Speaker 1: Oh there's a salad fork.

777
00:39:17,239 --> 00:39:29,719
Speaker 2: Yeah, Okaymartine truth.

778
00:39:29,680 --> 00:39:30,320
Speaker 1: Or dare.

779
00:39:32,239 --> 00:39:36,560
Speaker 3: Oh you know it's gonna be there. Okay, I can't

780
00:39:36,600 --> 00:39:43,600
Speaker 3: tell you anything. I dare you lick your notebook? This

781
00:39:43,800 --> 00:39:46,080
Speaker 3: was on the This was on the train. That's right,

782
00:39:51,760 --> 00:39:55,680
Speaker 3: everyone's watching just everyone knows it at home, everyone and

783
00:39:55,960 --> 00:39:56,760
Speaker 3: everyone's watching.

784
00:40:05,800 --> 00:40:10,080
Speaker 2: I don't want to do it, okay, okay, and yet

785
00:40:10,160 --> 00:40:18,040
Speaker 2: she's still holding Oh oh my god, you're bad.

786
00:40:19,000 --> 00:40:19,040
Speaker 1: You.

787
00:40:23,640 --> 00:40:27,319
Speaker 3: That was nasty, but it was very rebel heart.

788
00:40:28,160 --> 00:40:29,319
Speaker 1: That was very rebel heart.

789
00:40:29,640 --> 00:40:30,600
Speaker 3: No, she wouldn't have done it.

790
00:40:30,600 --> 00:40:32,480
Speaker 1: She would have pushed back Madonna.

791
00:40:32,719 --> 00:40:34,000
Speaker 3: Yeah, no one can tell her.

792
00:40:34,000 --> 00:40:40,320
Speaker 2: What to do. Well doesn't famously.

793
00:40:41,560 --> 00:40:43,560
Speaker 1: I hate to fact check, but of course the scene

794
00:40:43,680 --> 00:40:45,759
Speaker 1: is that somebody doesn't do it, she does it.

795
00:40:46,640 --> 00:40:46,960
Speaker 3: You're right.

796
00:40:49,160 --> 00:40:53,160
Speaker 1: Ask your question of the two works you have shown,

797
00:40:53,400 --> 00:40:57,560
Speaker 1: Sip and licking the notebook, which was lick, sip and licks,

798
00:40:57,760 --> 00:41:00,160
Speaker 1: sip and lick, do you think sip or lick or

799
00:41:02,200 --> 00:41:04,120
Speaker 1: kind of like encapsulate who you are as an artist?

800
00:41:04,480 --> 00:41:06,719
Speaker 1: If you were to pick one work to put in

801
00:41:06,800 --> 00:41:13,160
Speaker 1: the Big Bionale, in the Big Bianal, in the Big Biale,

802
00:41:13,640 --> 00:41:16,719
Speaker 1: would you do yes, Okay, I think I.

803
00:41:19,239 --> 00:41:21,719
Speaker 3: I've been trying to get out of this box. Yeah,

804
00:41:22,120 --> 00:41:29,440
Speaker 3: ever since I was born. So I would say nothing,

805
00:41:29,680 --> 00:41:33,319
Speaker 3: nothing can encapsulate. Whah oh.

806
00:41:33,520 --> 00:41:35,040
Speaker 1: So you wouldn't pick either, You would say, I'm not

807
00:41:35,080 --> 00:41:36,560
Speaker 1: going to participate in the Big Banal. A.

808
00:41:37,920 --> 00:41:40,120
Speaker 3: Yeah, I'm not going to go.

809
00:41:41,640 --> 00:41:44,480
Speaker 2: To be asked to participate in in the of course,

810
00:41:44,520 --> 00:41:46,200
Speaker 2: we would all say no to the small bil of.

811
00:41:46,239 --> 00:41:48,680
Speaker 1: Course, Well yes, I can't be contained in that box,

812
00:41:48,760 --> 00:41:49,000
Speaker 1: but the.

813
00:41:49,000 --> 00:41:51,719
Speaker 2: Bigger box sure very reputable.

814
00:41:51,800 --> 00:41:53,879
Speaker 1: That's sort of my approach to my career is I'm

815
00:41:53,920 --> 00:41:55,520
Speaker 1: not going to be put in a little box slightly

816
00:41:55,600 --> 00:41:57,160
Speaker 1: bigger one, of course.

817
00:41:57,080 --> 00:41:58,319
Speaker 2: Put me in. When's the movement date?

818
00:41:58,400 --> 00:42:04,359
Speaker 1: Let me in, Coach, Wow, should we do our first segment? Okay,

819
00:42:04,800 --> 00:42:06,759
Speaker 1: so Martine our first and then after that we'll get

820
00:42:06,800 --> 00:42:09,600
Speaker 1: into the straight topic. So your homework is going to

821
00:42:09,640 --> 00:42:10,000
Speaker 1: pay off.

822
00:42:10,560 --> 00:42:11,680
Speaker 3: I know, I'm just aching.

823
00:42:12,080 --> 00:42:15,120
Speaker 1: I really can't believe that Sip and Lick are both

824
00:42:15,280 --> 00:42:16,480
Speaker 1: not going to be in the big banale.

825
00:42:17,040 --> 00:42:19,600
Speaker 2: I mean, I think that's what makes Martine such an

826
00:42:19,640 --> 00:42:20,239
Speaker 2: interesting artist.

827
00:42:20,320 --> 00:42:22,160
Speaker 1: You are one of the most, if not the most

828
00:42:22,239 --> 00:42:26,279
Speaker 1: interesting artists I've ever met in my life. The first

829
00:42:26,320 --> 00:42:29,680
Speaker 1: segment is called straight Shooters. In this segment, we test

830
00:42:29,719 --> 00:42:32,319
Speaker 1: your familiarity with in complicity and straight culture by.

831
00:42:33,680 --> 00:42:35,560
Speaker 3: I'm not going to do that. I see you texting someone,

832
00:42:35,600 --> 00:42:36,080
Speaker 3: I'm looking up.

833
00:42:37,200 --> 00:42:40,319
Speaker 1: We're finding our list. So here's the thing, Martine. We're

834
00:42:40,320 --> 00:42:42,560
Speaker 1: gonna ask a series of rapid fire questions you have

835
00:42:42,600 --> 00:42:45,160
Speaker 1: to choose this thing or this other thing. Don't think

836
00:42:45,200 --> 00:42:48,480
Speaker 1: about it hard at all, just whatever your mind gravitated

837
00:42:48,480 --> 00:42:54,080
Speaker 1: towards and then and that's it. And the one rule

838
00:42:54,160 --> 00:42:56,120
Speaker 1: is you can't ask any follow up questions about how

839
00:42:56,160 --> 00:42:56,560
Speaker 1: the game.

840
00:42:56,480 --> 00:42:59,920
Speaker 2: Works, or we'll get really really Martine.

841
00:43:00,960 --> 00:43:07,719
Speaker 3: I want to see you upset whatever mumblecore or Dumbledore Dumbledore.

842
00:43:08,520 --> 00:43:13,160
Speaker 2: Okay, democracy is under attack or damn Stacy, your mom's

843
00:43:13,200 --> 00:43:13,640
Speaker 2: a snack.

844
00:43:19,760 --> 00:43:23,480
Speaker 3: Sorry, I already I'm not doing it right there, I'm

845
00:43:23,480 --> 00:43:24,120
Speaker 3: thinking too much.

846
00:43:26,360 --> 00:43:27,400
Speaker 1: It's okay to think.

847
00:43:28,719 --> 00:43:34,480
Speaker 3: Democracy is under attack. I got the job, or a

848
00:43:34,640 --> 00:43:38,160
Speaker 3: fuck ass Bob, I really want to Bob.

849
00:43:40,560 --> 00:43:47,600
Speaker 2: Okay, looking expensive or smelling reprehensive, looking expensive.

850
00:43:49,080 --> 00:43:54,759
Speaker 1: Object permanence, abject carelessness or Ultrecht in the Netherlands.

851
00:43:57,360 --> 00:43:58,680
Speaker 3: That on. That one's a doozy.

852
00:43:59,080 --> 00:44:04,360
Speaker 1: Yeah, I heard olaplex Alex final answer.

853
00:44:04,520 --> 00:44:07,959
Speaker 2: Next question, Okay, Choo choo train or doo doo stain.

854
00:44:10,640 --> 00:44:19,439
Speaker 3: This is a good show. What was the first one? Train?

855
00:44:19,840 --> 00:44:21,120
Speaker 2: Do you want me to repeat the second one?

856
00:44:21,400 --> 00:44:22,120
Speaker 3: Okay?

857
00:44:25,440 --> 00:44:30,360
Speaker 1: Girls, so confusing remix featuring Lord or Burr. It's so

858
00:44:30,560 --> 00:44:32,480
Speaker 1: freezing it's gonna break the record.

859
00:44:35,080 --> 00:44:40,880
Speaker 2: I like Lord period period. Okay, doray mi faso latido

860
00:44:41,480 --> 00:44:43,399
Speaker 2: or did you watch I saw the TV glow?

861
00:44:44,200 --> 00:44:45,920
Speaker 1: Mm hmmm do.

862
00:44:46,160 --> 00:44:50,440
Speaker 3: Ray from do ray mi faso Latito?

863
00:44:52,040 --> 00:44:58,359
Speaker 2: I love it beautiful? Not well, I try.

864
00:45:01,320 --> 00:45:02,560
Speaker 3: I know.

865
00:45:03,320 --> 00:45:05,279
Speaker 2: No, no, that sounds like someone who can sing.

866
00:45:05,640 --> 00:45:06,319
Speaker 1: I think you can.

867
00:45:06,480 --> 00:45:10,279
Speaker 2: When someone's like no, oh no, yeah, that's so sing

868
00:45:10,480 --> 00:45:13,000
Speaker 2: your thought is like you want to say yes because

869
00:45:13,040 --> 00:45:13,600
Speaker 2: you know you can.

870
00:45:14,600 --> 00:45:16,160
Speaker 1: But then you're like, well, they're going to ask.

871
00:45:16,080 --> 00:45:18,960
Speaker 3: Me to say it's so embarrassing. It's like maybe one

872
00:45:18,960 --> 00:45:20,759
Speaker 3: of the most embarrassing things you can should we all

873
00:45:20,800 --> 00:45:20,920
Speaker 3: do it?

874
00:45:21,040 --> 00:45:23,000
Speaker 1: Do you secretly think you should have been a pop star?

875
00:45:23,960 --> 00:45:24,160
Speaker 3: Yes?

876
00:45:24,320 --> 00:45:25,240
Speaker 2: Well, not so secret?

877
00:45:25,920 --> 00:45:31,400
Speaker 1: Is that the big secret? Oh my god, secrets revealed?

878
00:45:32,360 --> 00:45:33,920
Speaker 1: Oh okay, sorry, sorry, I know the one.

879
00:45:34,000 --> 00:45:37,320
Speaker 2: I mean I'm familiar with Martine's whole ouvra.

880
00:45:37,760 --> 00:45:38,839
Speaker 1: Yeah, of course we all are.

881
00:45:39,280 --> 00:45:40,480
Speaker 2: I mean I've seen the music videos.

882
00:45:40,840 --> 00:45:42,320
Speaker 1: I have not seen the music videos.

883
00:45:42,400 --> 00:45:45,239
Speaker 3: I took them down. I tried to take them down

884
00:45:45,520 --> 00:45:49,439
Speaker 3: at least there's some I can't take down.

885
00:45:50,000 --> 00:45:55,480
Speaker 2: But and what you're Lucky's.

886
00:45:53,760 --> 00:45:55,800
Speaker 3: Gonna have to wait until it comes out of the vault.

887
00:45:56,120 --> 00:45:59,239
Speaker 2: Oh Martine vault, the retrospective?

888
00:45:59,280 --> 00:46:01,120
Speaker 1: What about that is? Why his name Martin Vault.

889
00:46:01,520 --> 00:46:02,600
Speaker 3: Martine Vault.

890
00:46:03,040 --> 00:46:05,040
Speaker 2: Wow, that sounds really wealthy.

891
00:46:05,160 --> 00:46:06,279
Speaker 1: Yeah, I love Martin Vault.

892
00:46:06,640 --> 00:46:08,879
Speaker 3: Martin Vault is much more serious than Martin Mint.

893
00:46:09,400 --> 00:46:13,239
Speaker 1: Martin introduces herself. Martin Vault doesn't even you know when

894
00:46:13,239 --> 00:46:15,880
Speaker 1: she's she walks in and you know that that's Madame Volts.

895
00:46:16,200 --> 00:46:22,600
Speaker 3: Madam Vault is locked in the vault. There's Swiss citizenship involved.

896
00:46:22,760 --> 00:46:25,799
Speaker 2: Yes, yeah, well it's involves beautiful imagery because of how

897
00:46:25,880 --> 00:46:28,440
Speaker 2: much is locked away, how many secrets are hidden in there.

898
00:46:28,680 --> 00:46:29,520
Speaker 3: That is gorgeous.

899
00:46:29,560 --> 00:46:32,359
Speaker 1: She has not spoken once until she writes her big

900
00:46:32,480 --> 00:46:36,279
Speaker 1: memoir at the age of eighty seven, called Unlocking the Vault.

901
00:46:39,320 --> 00:46:42,440
Speaker 3: Dissolving, dissolving, dissolving, divolving vault.

902
00:46:43,000 --> 00:46:43,360
Speaker 2: Wow.

903
00:46:43,520 --> 00:46:47,359
Speaker 1: To mix metaphors like that is so Martine Vault can

904
00:46:47,480 --> 00:46:50,520
Speaker 1: never have to have the metaphor locked and ready, locked,

905
00:46:50,680 --> 00:46:53,600
Speaker 1: locked and loaded. Yeah right, But then instead of just

906
00:46:53,640 --> 00:46:56,560
Speaker 1: saying like unlocking, opening to go, dissolving.

907
00:46:56,200 --> 00:46:59,439
Speaker 2: Evolving, is that is the Martine Martin Vault.

908
00:46:59,840 --> 00:47:03,160
Speaker 1: And that is I would say, even more, even more

909
00:47:03,400 --> 00:47:07,480
Speaker 1: subversive than sip or Lick is naming the books.

910
00:47:08,160 --> 00:47:09,040
Speaker 2: You said you're uncomfortable.

911
00:47:09,040 --> 00:47:11,320
Speaker 1: You're uncomfortable. Yeah, say more.

912
00:47:13,440 --> 00:47:14,560
Speaker 2: Let's explore that. I don't.

913
00:47:14,719 --> 00:47:16,399
Speaker 3: I don't think I'm used to people like talking about

914
00:47:16,440 --> 00:47:18,640
Speaker 3: me this much in front of me.

915
00:47:19,040 --> 00:47:26,360
Speaker 1: Sure, yeah, we do that. And yet, you know what

916
00:47:26,400 --> 00:47:28,680
Speaker 1: I mean, you're gaining power as we're talking about and

917
00:47:28,800 --> 00:47:29,480
Speaker 1: I can sense it.

918
00:47:36,400 --> 00:47:38,160
Speaker 2: I think what you should do with the power is,

919
00:47:40,280 --> 00:47:43,359
Speaker 2: you know, just wielded as ethically as you can. Yeah,

920
00:47:43,560 --> 00:47:46,520
Speaker 2: maybe open up a school, the.

921
00:47:46,600 --> 00:47:50,800
Speaker 6: Vault School, the Vaults for Girls, for dolls, for dolls,

922
00:47:51,520 --> 00:47:53,040
Speaker 6: the Vault School dolls.

923
00:47:55,280 --> 00:48:01,759
Speaker 2: It does sound like you're locking them away, unfortunately, Yeah,

924
00:48:01,960 --> 00:48:03,520
Speaker 2: there's we.

925
00:48:03,600 --> 00:48:05,319
Speaker 3: Have to keep you have to keep the dolls safe,

926
00:48:06,239 --> 00:48:09,399
Speaker 3: lock them away. We're doing this for your own good

927
00:48:09,880 --> 00:48:10,879
Speaker 3: before the government does.

928
00:48:11,360 --> 00:48:13,880
Speaker 1: Artin Vault has not spoken once in her life, but

929
00:48:13,960 --> 00:48:17,080
Speaker 1: then suddenly she opens the Vault School for Dolls and

930
00:48:17,200 --> 00:48:21,080
Speaker 1: publishes her memoir dissolving the Vault, and then she's disappeared

931
00:48:21,120 --> 00:48:23,960
Speaker 1: again forever. Okay, Martine, I do I know you have

932
00:48:24,120 --> 00:48:26,560
Speaker 1: your homework prepaired, and I know we've edged you now

933
00:48:26,640 --> 00:48:28,680
Speaker 1: for forty five minutes, so I think it's time we

934
00:48:28,800 --> 00:48:30,880
Speaker 1: want to know what straight topic have you brought and

935
00:48:31,000 --> 00:48:31,840
Speaker 1: what makes it straight?

936
00:48:34,880 --> 00:48:35,200
Speaker 3: Okay?

937
00:48:36,000 --> 00:48:39,520
Speaker 2: And it's yeah, and before you almost said something like

938
00:48:39,560 --> 00:48:41,720
Speaker 2: straight topics. So if there's that's.

939
00:48:41,600 --> 00:48:43,480
Speaker 1: Fine, It's totally fine. It's so up to you.

940
00:48:43,920 --> 00:48:45,560
Speaker 2: Yeah, we don't really have rules here.

941
00:48:47,320 --> 00:48:51,960
Speaker 3: Fun. I mean it felt it felt like you had

942
00:48:52,040 --> 00:48:55,120
Speaker 3: rules when I when I came in. Oh oh like

943
00:48:55,200 --> 00:49:00,719
Speaker 3: what take your shoes off, wash your him You made

944
00:49:00,760 --> 00:49:01,760
Speaker 3: me change my pants.

945
00:49:02,120 --> 00:49:04,320
Speaker 2: Yeah, they weren't up to code.

946
00:49:04,360 --> 00:49:05,200
Speaker 3: They weren't small enough.

947
00:49:05,239 --> 00:49:06,560
Speaker 2: They didn't have enough reflective tape.

948
00:49:09,000 --> 00:49:09,720
Speaker 3: You wanted velcro.

949
00:49:09,880 --> 00:49:11,360
Speaker 2: You have to be able to see you at all times.

950
00:49:12,080 --> 00:49:13,680
Speaker 1: Require all our guests to be an head to do.

951
00:49:15,480 --> 00:49:20,360
Speaker 2: Yeah, you're stuck to that chair until until someone unpeels you. Anyway,

952
00:49:21,320 --> 00:49:21,920
Speaker 2: the show's over.

953
00:49:22,000 --> 00:49:22,520
Speaker 1: Let's come down.

954
00:49:22,640 --> 00:49:28,880
Speaker 3: Unpeel the gus, unhook her, unhook her. I am I

955
00:49:28,960 --> 00:49:31,279
Speaker 3: feel like I got the assignment wrong. That's okay.

956
00:49:32,120 --> 00:49:33,520
Speaker 2: How did you get it wrong?

957
00:49:33,640 --> 00:49:37,200
Speaker 3: Like straight things and rulers perfect?

958
00:49:37,239 --> 00:49:46,280
Speaker 6: Okay, grids perfect? So you mean like straight lines, column stripes, knives,

959
00:49:47,040 --> 00:49:48,040
Speaker 6: knives have curved.

960
00:49:47,960 --> 00:49:52,319
Speaker 1: Nails, no human nails or a nail that you hit

961
00:49:52,360 --> 00:49:53,279
Speaker 1: wrap paper.

962
00:49:53,719 --> 00:50:00,840
Speaker 3: All straight lines. Let's winning. M hm. Oh but you men.

963
00:50:02,400 --> 00:50:09,520
Speaker 2: Sexuality wise like homosexual, hetero heterosexual like colloquial is also

964
00:50:09,800 --> 00:50:13,719
Speaker 2: known as straight. Why would you expect me to know

965
00:50:13,800 --> 00:50:19,040
Speaker 2: anything about that, Sam well through your years of study

966
00:50:19,080 --> 00:50:20,080
Speaker 2: of course, right.

967
00:50:20,400 --> 00:50:25,120
Speaker 1: I did hear his fascinating wanting a husband to take

968
00:50:25,160 --> 00:50:26,800
Speaker 1: his last name? That seems very straight.

969
00:50:26,920 --> 00:50:30,000
Speaker 3: I said married, I would get married.

970
00:50:30,480 --> 00:50:32,160
Speaker 1: Oh but it could be a man or a woman

971
00:50:32,280 --> 00:50:37,120
Speaker 1: or anyone. It could be who what? It could be who, what?

972
00:50:38,000 --> 00:50:38,200
Speaker 3: Where?

973
00:50:38,280 --> 00:50:39,200
Speaker 2: When? Why?

974
00:50:39,680 --> 00:50:43,840
Speaker 3: It could be they? It could be them. Sure, it

975
00:50:43,920 --> 00:50:49,360
Speaker 3: could be whoa now.

976
00:50:52,400 --> 00:50:55,200
Speaker 1: An interest see she's relationship.

977
00:50:57,080 --> 00:51:00,560
Speaker 3: I'm open to praries. I'm open to I'm just kind

978
00:51:00,600 --> 00:51:01,800
Speaker 3: of open totally.

979
00:51:02,000 --> 00:51:04,879
Speaker 1: Did I assume husband without it ever being mentioned? Yes?

980
00:51:05,400 --> 00:51:05,640
Speaker 2: Yeah?

981
00:51:05,840 --> 00:51:07,160
Speaker 1: Wow, talk about straight?

982
00:51:07,440 --> 00:51:07,680
Speaker 6: I know.

983
00:51:08,600 --> 00:51:09,440
Speaker 3: Are you both straight?

984
00:51:10,200 --> 00:51:12,799
Speaker 2: No, we're LGBTQ plus LGBTQ plus.

985
00:51:12,880 --> 00:51:15,959
Speaker 1: Do you know about that? Yeah? Yeah, you have some friends.

986
00:51:16,040 --> 00:51:20,960
Speaker 3: My mom's lgbt plus. Oh I'm half that's awesome.

987
00:51:21,120 --> 00:51:24,719
Speaker 1: Yeah yeah, Well it only counts if it's your mom's side.

988
00:51:25,080 --> 00:51:25,880
Speaker 3: It only counts.

989
00:51:26,040 --> 00:51:26,239
Speaker 1: Yeah.

990
00:51:26,280 --> 00:51:26,480
Speaker 2: Yeah.

991
00:51:26,600 --> 00:51:28,240
Speaker 1: It gets transferred through the mom.

992
00:51:28,719 --> 00:51:30,600
Speaker 3: Through the breast milk, through the breast milk.

993
00:51:30,800 --> 00:51:32,960
Speaker 1: But if you weren't breastfed, then I guess you don't know.

994
00:51:33,600 --> 00:51:35,480
Speaker 3: Then you're probably heterosexual.

995
00:51:35,680 --> 00:51:37,160
Speaker 2: Well some maybe some of the breast milk like leaked

996
00:51:37,160 --> 00:51:40,879
Speaker 2: into the water supply oh, how would that happen through

997
00:51:41,120 --> 00:51:56,600
Speaker 2: through sewer systems? All right, so Martine, you've brought fourth rulers, rulers, grids, stripes, knives.

998
00:51:57,320 --> 00:51:58,920
Speaker 1: Now a knife is interesting, it's.

999
00:51:59,040 --> 00:52:02,759
Speaker 2: Quite explore that. What about knife red as physically straight

1000
00:52:02,840 --> 00:52:03,000
Speaker 2: to you?

1001
00:52:03,320 --> 00:52:03,520
Speaker 1: Yeah?

1002
00:52:03,520 --> 00:52:06,000
Speaker 2: Because to me, because there is a straight side, but

1003
00:52:06,080 --> 00:52:07,600
Speaker 2: there's also the curved side.

1004
00:52:07,800 --> 00:52:13,920
Speaker 3: I don't really think of many knives being like curved.

1005
00:52:15,400 --> 00:52:16,720
Speaker 2: Well, that seems like erace.

1006
00:52:16,760 --> 00:52:19,880
Speaker 1: Youre on your you think knives are just one straight line.

1007
00:52:20,640 --> 00:52:22,600
Speaker 2: If you think about a knife, you think of a skewer,

1008
00:52:23,400 --> 00:52:26,520
Speaker 2: Oh maybe yeah, and no one perhaps a spear, a

1009
00:52:26,640 --> 00:52:29,080
Speaker 2: spear arrow, narrow.

1010
00:52:29,320 --> 00:52:32,680
Speaker 1: And I would say a sword is more straight, yeah,

1011
00:52:32,719 --> 00:52:34,239
Speaker 1: because both sides are, you know.

1012
00:52:34,480 --> 00:52:37,160
Speaker 3: Well, but not all swords of course. Well, of course

1013
00:52:37,440 --> 00:52:38,600
Speaker 3: many swords have a curve.

1014
00:52:39,080 --> 00:52:40,799
Speaker 1: Yeah, you're right.

1015
00:52:41,800 --> 00:52:43,480
Speaker 3: I was saying, like a switch blade.

1016
00:52:43,239 --> 00:52:47,800
Speaker 1: And it's like, oh, not like an eating blade, not

1017
00:52:47,920 --> 00:52:48,600
Speaker 1: like a steak knife.

1018
00:52:48,600 --> 00:52:51,600
Speaker 3: I was just thinking about the knives I haven't yeah,

1019
00:52:51,840 --> 00:52:55,319
Speaker 3: switch blades, Yeah, all the switchblades I have around the house.

1020
00:52:55,440 --> 00:52:55,640
Speaker 1: Yeah.

1021
00:52:55,800 --> 00:52:58,040
Speaker 2: I remember when you had you had us all over

1022
00:52:58,160 --> 00:53:00,719
Speaker 2: for steak one night, and and when you brought out

1023
00:53:00,719 --> 00:53:04,719
Speaker 2: the steak knives, they were just switchblades. I thought that

1024
00:53:04,840 --> 00:53:06,680
Speaker 2: was really cool. It was so New York.

1025
00:53:06,920 --> 00:53:23,760
Speaker 3: Run of my house. I'm gonna go No, no, I'm sorry.

1026
00:53:24,160 --> 00:53:25,120
Speaker 2: No, don't apologize.

1027
00:53:25,800 --> 00:53:27,960
Speaker 1: Are there you? I'm seeing more? Are there more?

1028
00:53:29,560 --> 00:53:33,240
Speaker 3: They're wrong? I crossed the out poles. I crossed out poles.

1029
00:53:33,400 --> 00:53:34,600
Speaker 3: I crossed out runways.

1030
00:53:35,120 --> 00:53:36,520
Speaker 2: Runways are very well.

1031
00:53:36,440 --> 00:53:39,359
Speaker 1: Not, I know, because runways can be can.

1032
00:53:41,360 --> 00:53:43,840
Speaker 2: Huh huh drants?

1033
00:53:44,560 --> 00:53:50,080
Speaker 3: Dang I I have I have dated men straight men.

1034
00:53:50,760 --> 00:53:54,200
Speaker 1: Do you like it? Yeah? Do you like it? Yeah,

1035
00:53:54,280 --> 00:53:57,799
Speaker 1: it's just it's just different, sure than women.

1036
00:53:58,200 --> 00:54:01,760
Speaker 3: Than women and I twinks and ferries.

1037
00:54:02,600 --> 00:54:03,439
Speaker 2: Have you dated a furrey?

1038
00:54:04,400 --> 00:54:04,640
Speaker 3: Yeah?

1039
00:54:05,280 --> 00:54:05,719
Speaker 1: How was that.

1040
00:54:07,800 --> 00:54:11,759
Speaker 3: Really fun? Really sweet? It was hard. They like didn't

1041
00:54:11,800 --> 00:54:12,600
Speaker 3: want to leave the house.

1042
00:54:14,360 --> 00:54:15,440
Speaker 1: Were they outdoor trained?

1043
00:54:17,120 --> 00:54:17,160
Speaker 2: No?

1044
00:54:17,440 --> 00:54:19,360
Speaker 3: They It's like at home, it was it was like

1045
00:54:19,400 --> 00:54:21,160
Speaker 3: a double life. It was like living with a spy

1046
00:54:21,400 --> 00:54:27,279
Speaker 3: or something. It's like at home they could be themselves

1047
00:54:27,400 --> 00:54:33,840
Speaker 3: and you know, covered in fur and then it just

1048
00:54:34,840 --> 00:54:38,800
Speaker 3: I don't know, they're worried about the being judged or something.

1049
00:54:41,320 --> 00:54:45,720
Speaker 1: How would you rank from gata straight men, women, twinks, furries.

1050
00:54:47,360 --> 00:54:49,080
Speaker 3: I wouldn't. I just wouldn't do that.

1051
00:54:51,040 --> 00:54:51,439
Speaker 1: That's fair.

1052
00:54:51,480 --> 00:54:56,440
Speaker 3: But it's all this measuring. Oh did I say ruler, Yeah.

1053
00:54:57,400 --> 00:54:59,320
Speaker 2: I'm feeling traumatized.

1054
00:54:59,640 --> 00:55:04,600
Speaker 3: Like Prie birthday style, because you're you're reflecting on yourself, like,

1055
00:55:04,800 --> 00:55:06,800
Speaker 3: can I ask your personhood? Are we?

1056
00:55:07,480 --> 00:55:10,920
Speaker 1: How do you think we've been as hosts during this episode?

1057
00:55:10,920 --> 00:55:11,760
Speaker 3: Another measurement?

1058
00:55:13,680 --> 00:55:15,160
Speaker 1: Do you think we're obsessed with measuring?

1059
00:55:15,800 --> 00:55:16,040
Speaker 3: Yeah?

1060
00:55:16,840 --> 00:55:18,480
Speaker 1: Wow, I guess it's true we are.

1061
00:55:18,640 --> 00:55:22,120
Speaker 2: But I don't consider it measuring. Consider it reflection. Reflection, Oh, reflection,

1062
00:55:22,600 --> 00:55:24,080
Speaker 2: because I'm not looking for a number. I'm not looking

1063
00:55:24,080 --> 00:55:26,000
Speaker 2: between one and ten. I'm looking for a feeling.

1064
00:55:26,160 --> 00:55:29,560
Speaker 1: You're turned off by our lack of self possession. We

1065
00:55:29,680 --> 00:55:31,279
Speaker 1: are like that furry that's not able to go to

1066
00:55:31,360 --> 00:55:32,120
Speaker 1: the grocery store.

1067
00:55:32,600 --> 00:55:33,960
Speaker 2: You think we don't have rebel heart, and we don't

1068
00:55:33,960 --> 00:55:35,080
Speaker 2: think we don't have rebel hearts.

1069
00:55:35,280 --> 00:55:38,520
Speaker 1: You think we don't have ruble hearts. We know we

1070
00:55:38,600 --> 00:55:39,360
Speaker 1: have rebel hearts.

1071
00:55:39,400 --> 00:55:40,960
Speaker 2: Did you hear how comfortable we were with the silence?

1072
00:55:41,080 --> 00:55:44,759
Speaker 1: So rebel heart, I see what's going on here. You

1073
00:55:44,920 --> 00:55:48,120
Speaker 1: can walk in here our podcast and you're thinking.

1074
00:55:47,960 --> 00:55:50,400
Speaker 2: Oh god, these guys, these guys are hearts.

1075
00:55:50,760 --> 00:55:52,480
Speaker 1: They don't even have rebel hearts. They don't even know

1076
00:55:52,520 --> 00:55:52,960
Speaker 1: what it means.

1077
00:55:53,040 --> 00:55:55,080
Speaker 2: Oh, they were like, Oh, they're doing a podcast on

1078
00:55:55,120 --> 00:55:56,640
Speaker 2: straight culture. They don't have reuble heart, they don't have

1079
00:55:56,719 --> 00:55:57,799
Speaker 2: rible hearts. I'll show them.

1080
00:55:57,880 --> 00:56:00,640
Speaker 1: I'll show them. I'll bring in a van topics that

1081
00:56:00,719 --> 00:56:03,359
Speaker 1: are straight literally instead of straight figuratively, and they won't

1082
00:56:03,360 --> 00:56:04,600
Speaker 1: even know what to do. I don't have to eat

1083
00:56:04,640 --> 00:56:06,919
Speaker 1: their I'll do sip and I'll do lick and they'll

1084
00:56:06,960 --> 00:56:08,880
Speaker 1: have some stupid bullshit to say about it because I

1085
00:56:08,880 --> 00:56:10,719
Speaker 1: don't even get the point of my art. And now

1086
00:56:10,840 --> 00:56:13,359
Speaker 1: here they are asking me how they did. You want

1087
00:56:13,400 --> 00:56:16,440
Speaker 1: to know how you did? You did poorly? I'm Martine

1088
00:56:16,520 --> 00:56:22,279
Speaker 1: Vault and this has been straight. You want to say,

1089
00:56:22,680 --> 00:56:22,880
Speaker 1: want to?

1090
00:56:23,040 --> 00:56:24,640
Speaker 3: Sounds really stressful when you say like.

1091
00:56:24,680 --> 00:56:26,520
Speaker 2: That, this could be an amazing opportunity actually to do

1092
00:56:26,600 --> 00:56:27,000
Speaker 2: that yell?

1093
00:56:27,239 --> 00:56:29,440
Speaker 1: Oh yeah, do you want to yell at us? No?

1094
00:56:29,719 --> 00:56:30,160
Speaker 3: I don't.

1095
00:56:31,080 --> 00:56:32,400
Speaker 2: What can we do to make you yellowt us?

1096
00:56:32,440 --> 00:56:34,279
Speaker 1: It's even more rude to not do it at this point.

1097
00:56:34,680 --> 00:56:36,440
Speaker 3: Well, usually people pay me to yellow.

1098
00:56:36,600 --> 00:56:38,359
Speaker 1: Oh yeah, like a sex.

1099
00:56:39,480 --> 00:56:42,759
Speaker 3: This is just just an exchanging of hands. Oh, it

1100
00:56:42,880 --> 00:56:47,640
Speaker 3: doesn't have to be money. Could be diamonds. I have

1101
00:56:47,719 --> 00:56:51,920
Speaker 3: a granola bar in my diamonds. What kind of watches that.

1102
00:56:55,880 --> 00:57:00,440
Speaker 2: I knew not to wear any jewels Martine.

1103
00:56:58,960 --> 00:57:00,880
Speaker 1: Vault only gets and diamonds.

1104
00:57:01,840 --> 00:57:05,920
Speaker 3: Yes, some kind of conflict diamond.

1105
00:57:06,040 --> 00:57:08,000
Speaker 1: Do you have any conflict diamonds?

1106
00:57:08,320 --> 00:57:09,480
Speaker 3: No, I don't usually wear jewelry.

1107
00:57:09,880 --> 00:57:10,680
Speaker 1: I have noticed.

1108
00:57:10,840 --> 00:57:11,239
Speaker 2: Is that true?

1109
00:57:13,320 --> 00:57:13,600
Speaker 1: Wow?

1110
00:57:13,760 --> 00:57:13,960
Speaker 2: Wow?

1111
00:57:15,480 --> 00:57:16,280
Speaker 1: Is it because you just.

1112
00:57:16,320 --> 00:57:18,720
Speaker 3: Want to let you have the metal detector? When I

1113
00:57:18,800 --> 00:57:21,560
Speaker 3: came in and they made me take everything off in

1114
00:57:21,680 --> 00:57:26,200
Speaker 3: the hallway, in the in the tunnel of Hits, in

1115
00:57:26,240 --> 00:57:28,520
Speaker 3: the Tunnel of Hits, there's a big one.

1116
00:57:28,600 --> 00:57:29,440
Speaker 2: To the style of ripping.

1117
00:57:29,800 --> 00:57:30,680
Speaker 1: No, we didn't.

1118
00:57:33,040 --> 00:57:34,160
Speaker 2: Do you know, we didn't.

1119
00:57:34,720 --> 00:57:40,040
Speaker 1: Do you find that jewelry like would take attention you do? Great? Yeah,

1120
00:57:40,320 --> 00:57:42,840
Speaker 1: we take attention away from from the work.

1121
00:57:42,880 --> 00:57:46,720
Speaker 3: Innate from the work, from the work, Yeah, from sip

1122
00:57:47,040 --> 00:57:49,840
Speaker 3: and from safe and lick. It's like, let's focus on

1123
00:57:49,920 --> 00:57:50,280
Speaker 3: the work.

1124
00:57:50,520 --> 00:57:51,760
Speaker 1: Yeah, the work. Yeah.

1125
00:57:51,880 --> 00:57:54,680
Speaker 2: Yeah, that's powerful because a lot of these artists to

1126
00:57:54,680 --> 00:57:55,360
Speaker 2: say they come.

1127
00:57:55,960 --> 00:57:58,280
Speaker 1: No, they're going to the big, the big, they're going

1128
00:57:58,320 --> 00:58:01,520
Speaker 1: to the big banale. Really bracelets head to toe.

1129
00:58:02,080 --> 00:58:10,760
Speaker 2: Yeah, they're wearing justcelets, just bracelets, various sizes everywhere everywhere. God,

1130
00:58:11,240 --> 00:58:12,800
Speaker 2: but I do love a bracelet dress.

1131
00:58:12,640 --> 00:58:18,600
Speaker 1: Of course, I yes, No, I love a bracelet dress

1132
00:58:25,240 --> 00:58:25,800
Speaker 1: and we're back.

1133
00:58:27,560 --> 00:58:32,120
Speaker 2: So this has been George.

1134
00:58:33,080 --> 00:58:35,200
Speaker 1: This has been This has been George.

1135
00:58:35,440 --> 00:58:37,840
Speaker 2: This has been George. And how are you feeling?

1136
00:58:38,880 --> 00:58:41,840
Speaker 1: I am feeling actually so relaxed.

1137
00:58:42,120 --> 00:58:42,320
Speaker 2: Yea.

1138
00:58:44,000 --> 00:58:48,200
Speaker 1: And when I realized that I was being power little spooned,

1139
00:58:49,760 --> 00:58:52,200
Speaker 1: I said, finally I can relax because I no longer

1140
00:58:52,280 --> 00:58:54,840
Speaker 1: have to carry I no longer have to lead this conversation.

1141
00:58:55,080 --> 00:58:59,560
Speaker 1: I can just observe a master, a mistress at work

1142
00:59:02,680 --> 00:59:05,439
Speaker 1: and as a longtime fan. You know, people often ask

1143
00:59:05,600 --> 00:59:08,720
Speaker 1: me what icons do I still look up to, and

1144
00:59:08,880 --> 00:59:11,760
Speaker 1: to me, I think it goes back to Martine Vault. Yeah.

1145
00:59:12,040 --> 00:59:15,680
Speaker 1: I think her early work was instrumental in my coming

1146
00:59:15,720 --> 00:59:19,120
Speaker 1: out and in my wanting to pursue the arts. And

1147
00:59:19,320 --> 00:59:22,280
Speaker 1: then I think her thirty year absence was when I

1148
00:59:22,400 --> 00:59:24,520
Speaker 1: grew as an artist. And now that she's back with

1149
00:59:24,840 --> 00:59:28,120
Speaker 1: the memoir and of course the Vault School for Dolls it,

1150
00:59:29,680 --> 00:59:31,480
Speaker 1: I think it has empowered me to be more of

1151
00:59:31,520 --> 00:59:32,320
Speaker 1: a rebel heart too.

1152
00:59:32,800 --> 00:59:33,080
Speaker 2: Wow.

1153
00:59:33,440 --> 00:59:36,120
Speaker 1: How about you? Hmm?

1154
00:59:38,720 --> 00:59:40,640
Speaker 2: I wish I had such clarity, you know.

1155
00:59:40,880 --> 00:59:42,800
Speaker 1: You know a lot of people do, but a few

1156
00:59:42,840 --> 00:59:43,160
Speaker 1: of us do.

1157
00:59:44,440 --> 00:59:45,360
Speaker 3: Welcome to the Vault.

1158
00:59:45,800 --> 00:59:49,040
Speaker 2: Yeah, I'm feeling like I'm in the vault. But it's

1159
00:59:49,080 --> 00:59:51,800
Speaker 2: not like a sort of fancy vault. I'm in a

1160
00:59:51,880 --> 00:59:54,560
Speaker 2: vault that's like cobwebs and old books. You think so,

1161
00:59:54,760 --> 00:59:56,960
Speaker 2: And I'm a little like, get me out of here?

1162
01:00:02,040 --> 01:00:04,640
Speaker 3: How long does this go? We could go, we could

1163
01:00:04,640 --> 01:00:05,120
Speaker 3: go anywhere.

1164
01:00:06,040 --> 01:00:09,720
Speaker 1: We're New York, the biggest vault of all.

1165
01:00:14,640 --> 01:00:19,720
Speaker 2: Well, I think we should step out in Times Square

1166
01:00:20,200 --> 01:00:20,720
Speaker 2: and take.

1167
01:00:20,640 --> 01:00:27,040
Speaker 3: Time and get lunch and get lunch. Yeah, I'm hungry.

1168
01:00:27,640 --> 01:00:29,440
Speaker 1: No, same, Yeah, well it is lunchtime.

1169
01:00:29,640 --> 01:00:30,160
Speaker 2: That's true.

1170
01:00:30,520 --> 01:00:31,640
Speaker 1: They don't tell you that at the Vault.

1171
01:00:31,720 --> 01:00:32,560
Speaker 3: I have something to tell you.

1172
01:00:34,160 --> 01:00:34,880
Speaker 2: Can you say it now?

1173
01:00:35,200 --> 01:00:35,240
Speaker 4: No?

1174
01:00:35,560 --> 01:00:35,600
Speaker 2: No?

1175
01:00:37,680 --> 01:00:41,160
Speaker 1: Okay, Well, before we go to lunch, should we do

1176
01:00:41,240 --> 01:00:47,520
Speaker 1: our final segment at the Vault? Yes, Martine Madam Vault.

1177
01:00:50,120 --> 01:00:53,480
Speaker 1: Our final segment is called shout outs. Oh Now. In

1178
01:00:53,600 --> 01:00:56,120
Speaker 1: this segment, we pay homage to the great straight tradition

1179
01:00:56,240 --> 01:00:59,920
Speaker 1: of the radio shout out. Yes, So, think about like

1180
01:01:01,320 --> 01:01:04,440
Speaker 1: shouting out to your squad back home. You're on the radio.

1181
01:01:05,160 --> 01:01:06,880
Speaker 1: You're giving a shout out to something you like.

1182
01:01:08,120 --> 01:01:09,640
Speaker 3: My town doesn't have any radios.

1183
01:01:10,280 --> 01:01:12,640
Speaker 2: Your town, New York?

1184
01:01:12,800 --> 01:01:13,200
Speaker 1: The Vault.

1185
01:01:14,160 --> 01:01:17,600
Speaker 3: Yeah, mild down, New York, misled down.

1186
01:01:18,600 --> 01:01:22,000
Speaker 1: I uh that's gay joker, that's old.

1187
01:01:22,560 --> 01:01:25,880
Speaker 3: Did you see that, but we can still infer.

1188
01:01:26,160 --> 01:01:26,840
Speaker 1: Did you I?

1189
01:01:26,960 --> 01:01:27,920
Speaker 2: Did you think?

1190
01:01:28,640 --> 01:01:30,160
Speaker 3: I have a lot of opinions about it.

1191
01:01:30,360 --> 01:01:32,560
Speaker 1: We'll talk about them at lunch lunch.

1192
01:01:33,240 --> 01:01:34,240
Speaker 2: God forbid we share it.

1193
01:01:34,360 --> 01:01:40,919
Speaker 3: Now, come to lunch for the other for the other show. Yeah,

1194
01:01:42,360 --> 01:01:45,720
Speaker 3: lunch lab, lunchio lab where we talk all things lunch.

1195
01:01:47,200 --> 01:01:52,040
Speaker 3: We got our lunch on I I we'll do our

1196
01:01:52,040 --> 01:01:55,400
Speaker 3: shoutouts first so you can see how it works. Yeah,

1197
01:01:56,240 --> 01:01:57,439
Speaker 3: am I afraid to get it wrong?

1198
01:01:57,680 --> 01:01:57,840
Speaker 1: Is that?

1199
01:01:57,920 --> 01:01:58,680
Speaker 3: What am I like?

1200
01:01:58,960 --> 01:02:01,800
Speaker 2: I could not see that being at all possible to think.

1201
01:02:02,000 --> 01:02:04,640
Speaker 3: So that's good.

1202
01:02:05,960 --> 01:02:08,160
Speaker 1: No, you just have to channel your channel, your inner

1203
01:02:08,520 --> 01:02:16,320
Speaker 1: vault and channel channer channer your in. It's like goosebumps.

1204
01:02:18,560 --> 01:02:18,880
Speaker 3: I don't know.

1205
01:02:19,440 --> 01:02:22,520
Speaker 2: Yeah, well before I don't have radio in your town.

1206
01:02:24,600 --> 01:02:30,440
Speaker 1: Okay, Sam, do you have one? I can do one.

1207
01:02:31,720 --> 01:02:32,440
Speaker 3: Yeah, you go for it.

1208
01:02:32,480 --> 01:02:37,640
Speaker 1: Okay, I might. I might lean into the vault of

1209
01:02:37,680 --> 01:02:45,680
Speaker 1: it all more vault heavy shout out, good evening vault residents.

1210
01:02:46,320 --> 01:02:48,520
Speaker 1: I want to give a shout out to Siggy's yogurt.

1211
01:02:49,200 --> 01:02:51,560
Speaker 1: You know, for the longest time I have been a

1212
01:02:51,640 --> 01:02:54,760
Speaker 1: Thai ye Greek yogurt girl. I have said I'm going

1213
01:02:54,800 --> 01:02:57,959
Speaker 1: to support my culture Greek culture and support a Greek

1214
01:02:58,000 --> 01:03:03,320
Speaker 1: owned company. But recently I rediscovered Siggy's Icelandic yogurt and

1215
01:03:03,400 --> 01:03:08,320
Speaker 1: specifically the Asaii and Marry flavor. We're talking fifteen grams

1216
01:03:08,360 --> 01:03:12,160
Speaker 1: of protein workup mama, and I am having one every

1217
01:03:12,240 --> 01:03:14,880
Speaker 1: day before I leave the house. It is delicious, it

1218
01:03:15,000 --> 01:03:18,400
Speaker 1: is custardy, it is the exact right texture and consistency,

1219
01:03:18,880 --> 01:03:23,240
Speaker 1: and I am absolutely living for it every day of

1220
01:03:23,400 --> 01:03:31,840
Speaker 1: my young life. Thank you.

1221
01:03:34,960 --> 01:03:38,320
Speaker 2: I would like to give a shout out to Martine. Yes,

1222
01:03:39,040 --> 01:03:44,800
Speaker 2: I known you for a while and you have always

1223
01:03:45,600 --> 01:03:50,200
Speaker 2: surprised me and in so many different ways, and in

1224
01:03:50,320 --> 01:03:54,440
Speaker 2: a way I love you know, following your journey and

1225
01:03:54,600 --> 01:03:59,280
Speaker 2: saying oh wow, oh wow, oh wow, and.

1226
01:03:59,560 --> 01:04:07,680
Speaker 3: It's all please brought me great joy to observe, to watch, and.

1227
01:04:07,840 --> 01:04:12,320
Speaker 2: To run into you even at a party and say,

1228
01:04:12,440 --> 01:04:15,320
Speaker 2: oh my gosh, and Martin was there. God, I say

1229
01:04:15,400 --> 01:04:17,880
Speaker 2: that all the time. I say, and Martin was there.

1230
01:04:18,720 --> 01:04:21,320
Speaker 2: And you know, I'm addicted to it, and I want

1231
01:04:21,360 --> 01:04:24,760
Speaker 2: to say that the way that you I've known you

1232
01:04:24,920 --> 01:04:27,320
Speaker 2: for a long time and yet you are a mystery

1233
01:04:27,960 --> 01:04:31,240
Speaker 2: and this podcast I was like, the mystery will be solved.

1234
01:04:31,680 --> 01:04:34,439
Speaker 2: And of course, what a fool. I was and am.

1235
01:04:34,880 --> 01:04:38,480
Speaker 2: The mystery will never be solved and I should stop

1236
01:04:38,560 --> 01:04:42,280
Speaker 2: trying to open the vault and just embrace the vault

1237
01:04:42,480 --> 01:04:43,240
Speaker 2: is locked.

1238
01:04:45,080 --> 01:04:45,360
Speaker 1: Again.

1239
01:04:46,280 --> 01:04:49,200
Speaker 3: I'm sorry I couldn't pay attention because you were texting during.

1240
01:04:51,600 --> 01:04:51,640
Speaker 2: It.

1241
01:04:52,280 --> 01:04:53,360
Speaker 3: I was distracted, I know.

1242
01:04:53,920 --> 01:04:56,160
Speaker 1: I'm sorry. I was opening my own personal vault.

1243
01:04:58,400 --> 01:05:04,000
Speaker 3: That's so beautiful. The yogurt. The yogurt was so beautiful.

1244
01:05:04,080 --> 01:05:05,840
Speaker 1: Yeah, well you weren't paying attention to Sam's, but the.

1245
01:05:05,880 --> 01:05:08,040
Speaker 2: Yogurt was really Congrats on the yogurt.

1246
01:05:08,240 --> 01:05:11,680
Speaker 1: Yeah, and I'm sorry I was. I'm sorry I was texting.

1247
01:05:13,520 --> 01:05:14,800
Speaker 2: Apologized to me and my defense.

1248
01:05:14,840 --> 01:05:17,840
Speaker 3: It was really important, right, Yeah, I bet.

1249
01:05:18,800 --> 01:05:20,880
Speaker 2: Okay, Now if you have I.

1250
01:05:20,880 --> 01:05:22,640
Speaker 1: Won't text during yours and I'm going to make direct

1251
01:05:22,680 --> 01:05:24,600
Speaker 1: eye contact the entire time for me as well.

1252
01:05:25,720 --> 01:05:26,919
Speaker 3: I'm so tired.

1253
01:05:29,280 --> 01:05:32,240
Speaker 2: Of the drama of fakes and the phones.

1254
01:05:33,600 --> 01:05:35,760
Speaker 3: Yeah, just like every day.

1255
01:05:36,200 --> 01:05:38,600
Speaker 2: Totally, I'm just the bullshit of the industry.

1256
01:05:39,160 --> 01:05:42,800
Speaker 3: Yeah, just like this town, getting through this town, this

1257
01:05:43,200 --> 01:05:51,520
Speaker 3: falls town. I want to shout out my locksmith, yeah

1258
01:05:53,040 --> 01:05:57,120
Speaker 3: for showing me how to break into my apartment using

1259
01:05:57,160 --> 01:06:03,160
Speaker 3: your credit card, because now I don't have to pay

1260
01:06:03,800 --> 01:06:07,600
Speaker 3: to hire him back in a way. It was so

1261
01:06:07,760 --> 01:06:11,680
Speaker 3: generous because they like dissolved his.

1262
01:06:14,880 --> 01:06:19,600
Speaker 2: His job, like like filmmakers getting really into AI.

1263
01:06:20,440 --> 01:06:25,440
Speaker 3: Oh my god, yeah, like artists just it's really musing

1264
01:06:25,560 --> 01:06:29,440
Speaker 3: AI all the time. Yeah, it's the same. It's exactly

1265
01:06:29,520 --> 01:06:33,280
Speaker 3: the same. If we were to measure the two ruler,

1266
01:06:33,320 --> 01:06:35,880
Speaker 3: I would catching, Yeah, I'm learning how to do this.

1267
01:06:37,040 --> 01:06:37,720
Speaker 3: You're teaching me.

1268
01:06:38,160 --> 01:06:40,520
Speaker 2: You're don't little spoon us.

1269
01:06:41,040 --> 01:06:42,840
Speaker 1: We know what you're.

1270
01:06:47,680 --> 01:06:50,880
Speaker 3: I would love to shout out Brooklyn Ball Factory.

1271
01:06:51,600 --> 01:06:52,439
Speaker 1: What do they make there?

1272
01:06:52,640 --> 01:06:58,320
Speaker 3: They make balls? They make rice balls, ony giddy, so good,

1273
01:06:58,560 --> 01:07:04,320
Speaker 3: Oh my god, the spicy sam men. Honestly, the on

1274
01:07:04,680 --> 01:07:05,840
Speaker 3: all of them, all of them.

1275
01:07:06,000 --> 01:07:07,400
Speaker 2: Well, do they have a Times Square location?

1276
01:07:07,640 --> 01:07:10,640
Speaker 3: They just opened up a new spot. There's there's the

1277
01:07:11,000 --> 01:07:14,040
Speaker 3: og which is in Williamsburg, and I think they just

1278
01:07:14,120 --> 01:07:16,680
Speaker 3: opened up a new location and somewhere in the city,

1279
01:07:19,080 --> 01:07:22,600
Speaker 3: but I haven't been there yet. But they're so cute.

1280
01:07:22,720 --> 01:07:28,000
Speaker 3: Everyone that works there is so cute. And I sometimes

1281
01:07:28,000 --> 01:07:29,200
Speaker 3: when I miss home, I go there.

1282
01:07:31,400 --> 01:07:35,440
Speaker 2: Well, Martine, this has been a really interesting episode.

1283
01:07:36,280 --> 01:07:38,720
Speaker 1: Oh no, do you think you'll submit this episode for

1284
01:07:38,800 --> 01:07:42,080
Speaker 1: the Big b and Ala? As you're trying to reinvent

1285
01:07:42,160 --> 01:07:45,360
Speaker 1: yourself and trying to move past sip and lick.

1286
01:07:48,880 --> 01:07:52,000
Speaker 3: No podcast and now want more.

1287
01:07:52,480 --> 01:07:55,520
Speaker 1: Subscribe to our Patreon for two extra episodes a month,

1288
01:07:55,840 --> 01:07:59,360
Speaker 1: discord access and more by heading to patreon dot com.

1289
01:07:59,560 --> 01:08:01,360
Speaker 1: Slash Stradio Lab and for.

1290
01:08:01,400 --> 01:08:04,240
Speaker 3: All our visual earners, free full length video episodes are

1291
01:08:04,280 --> 01:08:05,920
Speaker 3: available on our YouTube now.

1292
01:08:06,000 --> 01:08:06,800
Speaker 1: Get back to Work.

1293
01:08:07,120 --> 01:08:09,480
Speaker 2: Stradio Lab is a production by Will Ferrell's Big Money

1294
01:08:09,480 --> 01:08:11,200
Speaker 2: Players Network and iHeart Podcasts.

1295
01:08:11,360 --> 01:08:14,200
Speaker 1: Created and hosted by George Severis and Sam Taggart.

1296
01:08:14,320 --> 01:08:17,839
Speaker 2: Executive produced by Will Ferrell, Han Soni and Olivia Aguilar,

1297
01:08:18,000 --> 01:08:21,480
Speaker 2: co produced by Bei Wang, edited and engineered by Adam Avalos.

1298
01:08:21,800 --> 01:08:24,720
Speaker 2: Artwork by Michael Failes and Matt Grub. Theme music by

1299
01:08:24,760 --> 01:08:25,240
Speaker 2: Ben Kling