Speaker 1: Started.
Speaker 2: Now we're waiting for you. Here we go.
Speaker 1: Share you know what it is.
Speaker 3: We're back against the chronicles and I'm with the peoples.
Speaker 2: Big steal and once again we got our man journalistics
Speaker 2: throught there, the man that the people in the comments called,
Speaker 2: who's the white guy that don't know? Those who not
Speaker 2: to know? Mister swarm Baker, what's up soaring?
Speaker 4: Everything is good? Thanks for having me still and they
Speaker 4: appreciate it.
Speaker 2: Oh for sure, Man, I guess we go jump right
Speaker 2: back into these top fifty before we get started. We're
Speaker 2: on promote tonight, so it may not sound as crisp
Speaker 2: and clear, you know, and it's not as beautiful as
Speaker 2: normally is because you know, we're being safely respecting each
Speaker 2: other's health and safety. Our camera man caught COVID, so
Speaker 2: we keeping them out the mix and we staying out
Speaker 2: the way. Advise everybody to do the same because it's
Speaker 2: still out there. So wash your hands and take care
Speaker 2: of yourself. But let's jump back in the man. These
Speaker 2: great these top fifty greatest gangst the Rap albums for
Speaker 2: all the time, because I know where are we at
Speaker 2: right now with it.
Speaker 5: We gotta do like eleven to fourteen tonight and probably
Speaker 5: talk about each one of these because we get into
Speaker 5: the cream of the crop.
Speaker 2: Oh for sure. Well you know what, Sorry, I know
Speaker 2: your list is gonna be controversial. You know what, We've
Speaker 2: been doing pretty good lately.
Speaker 4: For the most part.
Speaker 2: We seem to agree on some things, and even the
Speaker 2: stuff that we don't agree on is close because we
Speaker 2: always have them somewhere else in the list. So this
Speaker 2: is kind of getting This is getting like toward the top. Man,
Speaker 2: Gonna stick to your words, all bro.
Speaker 5: All right, So I'm still ironing out all my top fourteen,
Speaker 5: the order of them, but this cluster I'm gonna do
Speaker 5: ice Cube, America's Most Wanted, Thompson's Most Wanted, straight checking
Speaker 5: them Scarface, mister Scarface is back.
Speaker 4: Love seeing the mad circles and a damn thing change.
Speaker 2: Mm I really funck with that list, dog. I thought
Speaker 2: those would be more, you know, eleven and fourteen. You
Speaker 2: got America's Most Wanted them eleven to fourteen.
Speaker 1: Bro.
Speaker 2: Well you you know it's not a Nu Miracle order necessarily,
Speaker 2: but I thought that would have been a top five album.
Speaker 5: Well, I think there's a lot of other albums that
Speaker 5: are This is like you're dealing with. Are you giving
Speaker 5: some one hundred or ninety nine percent? It's like you know,
Speaker 5: they're splitting hairs almost. But I just think a lot
Speaker 5: of these albums now to me, it's all the way
Speaker 5: through beats, production and then song concepts everything, so.
Speaker 4: You know, get nothing here. This is the A plus range.
Speaker 2: Well you know what I had, I had straight shaking
Speaker 2: them in my top ten and again anybody knows me, No,
Speaker 2: I'm serious about my music. It has nothing to do
Speaker 2: with eight being the co host of his show and
Speaker 2: he's got some fucking classics, man, Compadence most wanted some classics.
Speaker 4: Man, that's an understatement.
Speaker 2: They got some classics.
Speaker 4: Man.
Speaker 2: What'd you think about liz A?
Speaker 3: That was a that was that was official to me?
Speaker 3: Though it depends on like I said, this ship is
Speaker 3: based on niggas opinions. So you know, niggas always gonna
Speaker 3: have a difference of opinion about what they think is
Speaker 3: is they favored, uh, you know, reality music album.
Speaker 1: Of all time?
Speaker 3: And if you want to say gangster rap, because you
Speaker 3: know some of these records weren't considered you know gangster niggas.
Speaker 3: You know what I'm saying, Because I got some records
Speaker 3: in there that niggas we wasn't necessarily claiming hoods and
Speaker 3: sets and ship but dealt with uh significant West Coast music, you.
Speaker 1: Know what I'm saying. And so the list is appropriate.
Speaker 3: You know what I'm saying, because if you basing it
Speaker 3: off of the music that we started as a foundation
Speaker 3: of West Coast reality music, then you know there was
Speaker 3: some pretty official choices. Straight checking them, I don't know, man,
Speaker 3: you know that was all right? So you don't fuck
Speaker 3: with straight checking them too much? A little bit, but hey,
Speaker 3: you know what I'm saying, I don't bang straight checking
Speaker 3: them too much.
Speaker 4: The thing about straight checking them that I liked, or
Speaker 4: that I especially liked is that.
Speaker 5: Because that and Music to Drive By my two favorites
Speaker 5: from U slash CMW.
Speaker 4: And the thing is sonically, I think there's more.
Speaker 5: Variance on straight checking them, and just as a quote
Speaker 5: unquote album to Listen To, it just had more sonic
Speaker 5: ups and downs, highs and low and different type of
Speaker 5: paces and feels to it, whereas Music to Drive By
Speaker 5: was like streight.
Speaker 3: Yeah, straight hood on on on Music to Drive By
Speaker 3: straight checking, and I guess you know, I wanted to
Speaker 3: even though nigga was claiming coming and all that aspect.
Speaker 1: Uh, I still wanted to have respect as an EMC.
Speaker 1: You hear me. That's where that's where.
Speaker 3: My name.
Speaker 1: You know what I'm saying. Uh Uh it deals with MC.
Speaker 3: And you know, because I was a fan of rap
Speaker 3: music hip hop, even though we was gang banging and
Speaker 3: claiming sets and all that type of ship.
Speaker 1: Uh.
Speaker 3: Back in the days, you know, it was very strong
Speaker 3: about your your your vocal delivery and what you spoke
Speaker 3: about on records. So I guess I just didn't want
Speaker 3: people to be just like all the niggas talking about
Speaker 3: to shoot them up bang bang.
Speaker 1: You know what I'm saying.
Speaker 3: Again, even though I was motherfucking up khaki suits and
Speaker 3: claiming the hood, I still wanted to show a nigga,
Speaker 3: I'm a recorderd nigga. You know what I'm saying, I'm
Speaker 3: an MC. That's where it came from. So uh, I
Speaker 3: prided myself on doing records like I Don't Dance, or
Speaker 3: records like can I Can I Kill It? And ship
Speaker 3: like that, which is album you know what I'm saying,
Speaker 3: as opposed to records like growing up in the hood
Speaker 3: or or raised in Compton or you know those type
Speaker 3: of records or those type of records that I had
Speaker 3: on straight checking them.
Speaker 1: I still gave you. I gave you. I gave you
Speaker 1: songs like like I said.
Speaker 3: I don't dance might Ty's Funky Scratch, you know, because
Speaker 3: I wanted to show niggas like you know, Ween, just
Speaker 3: like shoot him up, bang bang, shoot him up, bang bang.
Speaker 1: Nigga.
Speaker 3: Nigga got lyrical skills. I guess I got that from
Speaker 3: from Cube. You get me, because Cube, you looked at
Speaker 3: as just different, you know, even though Easy and them
Speaker 3: was you know, bang banged out so to speak, boys
Speaker 3: in the hood, straight out of content. Uh, when you
Speaker 3: listen to Cube, Cube just put words together that you
Speaker 3: was just like man like like you know, so I
Speaker 3: always felt like you had to be a MC first
Speaker 3: instead of just you know, rapping about any motherfucking thing.
Speaker 3: So that's why I took pride in the MC thing.
Speaker 1: You get me.
Speaker 2: Yeah, well you know what, I think that you were
Speaker 2: so descriptive with your reps and that was the one
Speaker 2: thing that made me your feel just like even when
Speaker 2: you listen, can I kill it, it's just a hood
Speaker 2: dude talking about the women he messing with. Like he
Speaker 2: getting his mac on and the party. You know, pussy's
Speaker 2: so big that I can't even feel it. The fuck it,
Speaker 2: I'm still killing you know.
Speaker 3: He talking about with this hood rap brog the hood,
Speaker 3: this world out of the little bit.
Speaker 2: He said, fuck it, I'm gonna still do my thing.
Speaker 2: And it was just and even you know, and I
Speaker 2: agree with you sawing the production on there. Each album
Speaker 2: to me elevated from the last, and it was a different.
Speaker 2: Even though he kept stuppingsistently and the same, it was
Speaker 2: always different. It was like you can tell you guys
Speaker 2: put a lot of thought. Unto y'all beat selection and
Speaker 2: everything else, it was just well put together albums. It
Speaker 2: just wasn't a bunch of messia songs threw together. Because
Speaker 2: you know what I see a lot of times with
Speaker 2: artists is that once once they put out that one
Speaker 2: pivotal album, fall off after that because they start thinking
Speaker 2: that everything they do, they start feeling themselves and they
Speaker 2: start and they kind of stopped putting the effort in
Speaker 2: that they may have put in on that release. You
Speaker 2: feel what I'm saying. It's like you can tell y'all
Speaker 2: was really in the studio, like getting y'all samples together
Speaker 2: because y'all was using shit that didn't nobody use before that,
Speaker 2: and that was in the era when people were samp,
Speaker 2: real heavy.
Speaker 3: Well, one thing about that was in those days of
Speaker 3: trying to h you know, claim your spot, we wanted
Speaker 3: to be different. I wanted to be different than a
Speaker 3: lot of the so called music you give me, because
Speaker 3: everybody was sticking to the same format, so to speak,
Speaker 3: especially on the West Coast. You know, the funk sound
Speaker 3: the parliaments to George Clinton's all of that, you know,
Speaker 3: And don't get me wrong, those was hood foundation music
Speaker 3: because we used to bang that shit, you know, in
Speaker 3: the six folds and the ship riding up and down
Speaker 3: the street.
Speaker 1: Fuck it, nigga.
Speaker 3: Even in the days where you know, remember niggas used
Speaker 3: to carry the boombox radios around you feel me, you know,
Speaker 3: nigga played that type of music. But we wanted to
Speaker 3: be different, you know. I prided my from trying to
Speaker 3: be different when it came to picking music to rap
Speaker 3: over and then dealing with a you know, dealing with
Speaker 3: a nigga like Unknown who basically want to keep all
Speaker 3: the money in pocket, you know, because some sample cleanses
Speaker 3: and all that shit cost. That's where we would try
Speaker 3: to come up with shit that wasn't typical or shit
Speaker 3: that wasn't you know, resampled, you know, five times already.
Speaker 3: So we basically just dug in the crates, you know.
Speaker 3: We would look at Doug Crazy records, orchestra records, records
Speaker 3: from overseas, European artists, you know, blues artists, you know,
Speaker 3: motherfucker in the backwoods of fucking Mississippi, some shit like that,
Speaker 3: an artists, and we would take those songs and Slip
Speaker 3: was good with the NPC and the SB twelve and shit,
Speaker 3: and so he would chop up a lot of stuff.
Speaker 3: But it was just all about trying to hear that
Speaker 3: sound that was different, because again I prided myself on
Speaker 3: being an m C, you know, because before it was
Speaker 3: gangster rap or pimp rap or whatever, it was just
Speaker 3: the m C and DJ, you feel me. So I
Speaker 3: prided myself on EMC, and so when it came to music,
Speaker 3: I just felt we just had to be different, you know,
Speaker 3: you had to stand out. If you want to claim
Speaker 3: your spot and this ship, you just have to be
Speaker 3: a standout. So that's where that came up from for
Speaker 3: our production, you know, not trying to follow the trends
Speaker 3: of what was going on at the time.
Speaker 4: Mm hmm.
Speaker 2: That's all. And that's all. And I think, you know
Speaker 2: what it brings me to a point, man, hip hop
Speaker 2: I think right now is that it's lowest point, right
Speaker 2: It's been a long time.
Speaker 4: I don't know. There's still a lot of great music
Speaker 4: coming out.
Speaker 2: Man, you know what, It's a lot of great music
Speaker 2: coming up. But it's not selling though, but people don't.
Speaker 5: But it's challenge is that the as they would say,
Speaker 5: the paradigm is shift it because people buy it, it's
Speaker 5: streaming it, so it's I think it's not the same game.
Speaker 1: It's a different way to It's just you got your
Speaker 1: choice of what it is, right.
Speaker 3: I just think that mus it has become a lot
Speaker 3: repetitious right now. You know, there's a few cats with originality,
Speaker 3: you know what I'm saying, But for the most part,
Speaker 3: everybody's like mimicking whatever came out last month or you know,
Speaker 3: like now the thing is, you know, I'm pretty sure
Speaker 3: production companies and niggas with studios, everybody trying to run
Speaker 3: out just like my nigga called me today, you know,
Speaker 3: or try to get this female on.
Speaker 1: I'm trying.
Speaker 3: That's the thing right now. Well, you know what I'm saying,
Speaker 3: So I don't think people trying to come with originality.
Speaker 3: You know, you got those artists who come along every
Speaker 3: now and then who are standouts and who are original,
Speaker 3: and then you know, you got to gag the motherfuckers
Speaker 3: that like shit, I'm gonna do what they doing because
Speaker 3: it's working, you know what I'm saying. And I just think,
Speaker 3: you know, it's a time to where everybody grow up,
Speaker 3: you know what I'm saying.
Speaker 1: And then them.
Speaker 3: Thirteen and fourteen and fifteen year olds they grow up,
Speaker 3: and if you look at the last ten years, you know,
Speaker 3: they growing up now, and it's to where like, okay,
Speaker 3: a lot of shit is is just simple, you know
Speaker 3: what I'm saying. And don't give me wrong, Simplicity and
Speaker 3: music sometimes work, but well it's just repetitions and repetitions
Speaker 3: and repetitions. You know, you're gonna tend to kind of
Speaker 3: lose some of his lackluster I think is what's going
Speaker 3: on in hip hop, you know. But like you said,
Speaker 3: don't get me wrong, there's there's some there's some good
Speaker 3: music if you can find you know what I'm saying,
Speaker 3: if you can stray away from what motherfuckers is trying
Speaker 3: to force feeds you, and there's some decent music out there,
Speaker 3: but you know, you gotta be true connoisseurs like we are,
Speaker 3: and you have to find it, you know what I'm saying,
Speaker 3: because the masses wants to push the same objective right now,
Speaker 3: because you know, when it's about making cheddar and it's
Speaker 3: about making money, then I don't give a fuck. You
Speaker 3: give me they made a movie about the time machine,
Speaker 3: Fuck it. Six months later, we're gonna make a movie
Speaker 3: about a time machine. Were just gonna put a different
Speaker 3: actor in it, and it whatever and rearrange the storyline.
Speaker 1: But you know, copycat season is in full effect.
Speaker 2: Yeah, but you know we talked about your homegirl what's
Speaker 2: her name on Sexy Red. You know, I think people
Speaker 2: are I think right now we live in the era
Speaker 2: of man where I see people more interested in pulling
Speaker 2: off publicity stunts than making dope music.
Speaker 1: I see.
Speaker 3: I think I've seen something today where Jimmy I Vean said, uh,
Speaker 3: people aren't interested in making you know, records anymore. Right,
Speaker 3: We used to make records, right, the quality that you
Speaker 3: put into a record. Motherfucker's right now. I want to
Speaker 3: get on TikTok and shit like that.
Speaker 2: Whatever.
Speaker 3: You know, everything is turning into the visual eye of shit,
Speaker 3: whereas it's becoming a thing of the past for you
Speaker 3: to make a good, good quality record.
Speaker 1: You're giving me, you know, getting into the.
Speaker 3: Studio, the field, the engineer, coming up with the sound,
Speaker 3: something that's meaningful and something that you take pride in recording.
Speaker 3: Like you said, my fucker, niggas be screaming ship nigga,
Speaker 3: let's take let's go, Let's get to TikTok.
Speaker 1: You getting me?
Speaker 4: How?
Speaker 1: How? How heartfelt is that? You know what I'm saying?
Speaker 3: Like your quest from her quest for musical prowess or
Speaker 3: satisfaction is let me get let me make it to TikTok.
Speaker 1: You get me. That's where the world of music is
Speaker 1: jearing too.
Speaker 3: And like I said, nothing wrong with it, but it
Speaker 3: takes away the essence from somebody like me who took
Speaker 3: pride in making a song.
Speaker 1: You get me as I do.
Speaker 3: Now, I want to just do some shit that's trendy
Speaker 3: because I've never followed that pattern.
Speaker 2: You know, I could have her content creators now versus
Speaker 2: being rappers. And musicians. It's like they content creators. They
Speaker 2: more interested in being influencers. Like you know, you saw
Speaker 2: the girl she had a sex tape. The leaks. Now
Speaker 2: she said it was by accident, but I think that
Speaker 2: was very much done on purpose, just to listen a
Speaker 2: response and a listen excitement. But see you think about it. Now,
Speaker 2: she's twenty some years old, right, she got young kids
Speaker 2: at home. Those young kids a go, especially if she
Speaker 2: got a boy. That little boy is gonna be a
Speaker 2: teger one day, and she's not gonna yeah, and she's
Speaker 2: not gonna feel the same way the way she feels now,
Speaker 2: she's not. I guarantee you she's not gonna feel that
Speaker 2: way ten years now. She's gonna be embarrassed because somebody
Speaker 2: at her son's school is gonna bring that tape up, Like, man,
Speaker 2: you know, what's the tape of your MoMA here stuck
Speaker 2: in somebody's.
Speaker 3: Dick, and like and and and and and to put
Speaker 3: it in and listen, to put it to more perspective, right,
Speaker 3: Like the homie hit me and he was like, yeah,
Speaker 3: I've seen a little forty five second midle tape, you know,
Speaker 3: blah blah blah.
Speaker 1: He like I'm trying.
Speaker 3: I'm trying to see if the booty hole was brown,
Speaker 3: and I'm trying to look and see and whatever, and
Speaker 3: and then I had the analogy as a motherfucking as
Speaker 3: a as a fan, Right, I'm a nigga, I'm a fan,
Speaker 3: and I'm and this is what y'all pushing on me, right,
Speaker 3: this is the music. But as a motherfucking connoisseur of
Speaker 3: rap and who like I take pride in the ship,
Speaker 3: I put out as just a regular nigga. And then
Speaker 3: you see how the females, you know, they they get
Speaker 3: offended by whatever whatever. But I'm telling my nigga, you know,
Speaker 3: on the aspect of that type of shit, I'm not
Speaker 3: going to her shows to hear her rap, right, I'm
Speaker 3: going to her shows to see if she's finna hop
Speaker 3: on the motherfucking table or if she finna get on
Speaker 3: the pole and bust her motherfucking pussy open and shit
Speaker 3: like that what I'm going to her show for, because
Speaker 3: I have a different motherfucking outlook. When when as a
Speaker 3: as a fan, I'm going to a show to hear
Speaker 3: the music, right, mofucker's busting out their phones and cameras
Speaker 3: and whatever.
Speaker 1: Whatever ain't no, ain't no real.
Speaker 3: Rap kind of sure nigga going to these these women's
Speaker 3: shows to listen to them, I'm going to see what
Speaker 3: the fuck is Finna go on with this feedback you
Speaker 3: get me. I want to see if you're Finna lay
Speaker 3: on your back and Finna be rapping out your pussy
Speaker 3: and put the microphone up. I want to see some tricks, nigga.
Speaker 3: For me, it's females because I want to see you
Speaker 3: play it out because I'm not going to listen to
Speaker 3: you rap.
Speaker 1: I'm not going to listen to you because you're not
Speaker 1: a rapper to me.
Speaker 3: Now I'm turning I'm turning you into an entertainer creator, right,
Speaker 3: You're creating content because this can't be the respect you
Speaker 3: have for hip hop to want to make like a
Speaker 3: really good song, right Like, I don't believe in trendy shit.
Speaker 3: I believe in making real music. So the aspect of that,
Speaker 3: this is the music you want to make. And I'm
Speaker 3: a nigga, I won't. I ain't gonna buy that shit,
Speaker 3: but I'm a damn show. Come to your concert and
Speaker 3: see if you're Finna be busting your pussy open, because
Speaker 3: that's the that's the motherfucking out. That's that's that's what
Speaker 3: I'm listening to. Right I'm being entertained by fucking sexual exploitation. Shit,
Speaker 3: I'm not being entertained by what you're giving me lyrically.
Speaker 3: Because I'm an artist. I take pride and my lyrics
Speaker 3: as shit. You know, I take pride in what I
Speaker 3: write about. I don't want to be no motherfucking gimmick.
Speaker 3: That's why I used to tell niggas. That's why I
Speaker 3: never got in other kind of movies or did other
Speaker 3: kind of shit, because I don't want to be taking
Speaker 3: That's no motherfucking gimmick. You get me.
Speaker 1: This was a struggle I came through.
Speaker 3: And for you to be a single mama living in
Speaker 3: poverty and fucking around gang infested shit and niggas and
Speaker 3: woo the womb. You want to take pride in the
Speaker 3: shit that you write about, but you want the pride
Speaker 3: that you take in is what my pussy and my
Speaker 3: pussy like I like, it's gotta be a different aspect
Speaker 3: of what I look at.
Speaker 1: It's hip hop.
Speaker 3: So that's why I say sometimes motherfucking gimmicky shit is
Speaker 3: is is That's the foundation of hip hop. And like
Speaker 3: you said, we're not selling and we're not whatever whatever,
Speaker 3: because everything is gimmick shit today. Nothing is being taken
Speaker 3: serious as music that I want something to leave as
Speaker 3: a legacy. So people, can you know a hundred years
Speaker 3: from now, motherfucker's going I remember straight up minutes, I
Speaker 3: remember Nigga struggling. I remember the hood took me under.
Speaker 3: One hundred years from now, you're not gonna be remembering
Speaker 3: my pussy this and my pussy that. You feel me,
Speaker 3: So at some point you get some point, go ahead.
Speaker 2: I'm sorry, but I agree with you one hundred percent
Speaker 2: because when you look back to her predecessors, like look
Speaker 2: back at Foxy Brown, look back at look Kim. Yeah,
Speaker 2: they displayed sexuality, right, but those girls correct.
Speaker 5: Then still let me ask you this still, because the
Speaker 5: difference is to me, they were the turn of it
Speaker 5: because the artist, the female rappers in particular before them,
Speaker 5: like MC light or Antoinette or Shah Rock or Yo
Speaker 5: Yo or whoever you want to name. As much as
Speaker 5: they talked to in Queen Latifamony Love, whoever it was,
Speaker 5: they may have talked about sexual stuff, but it was
Speaker 5: always about them as an artist, and they may or
Speaker 5: may not have presented sexuality, but Little Kim and Foxy
Speaker 5: Brown switched it to where they were promoting sexuality so heavy,
Speaker 5: and they were doing it in the videos too.
Speaker 3: They were like, you know, I would say Foxy was
Speaker 3: provocative dressing. I always looked at Foxy though though she
Speaker 3: was she was a rap, rap motherfucker, you get me.
Speaker 3: She had her records, a ship. But Lil Kim was like, Nigga,
Speaker 3: get this pussy you give me. Lil Kim was like, man,
Speaker 3: you can get this pussy on.
Speaker 1: You know, I don't.
Speaker 3: I don't know if I ever heard, you know, did
Speaker 3: Foxy have records? Were like, Nigga, we're finna be fucking.
Speaker 4: And or she wasn't that crazy with it. But remember
Speaker 4: her album is called.
Speaker 1: Get that and that's and that. But then the but
Speaker 1: like I said, a Little Kim like niggas bust it
Speaker 1: open here.
Speaker 4: Open right, but.
Speaker 5: Mm hmm and to h point, I mean, Foxy was
Speaker 5: doing posts and exactly.
Speaker 3: It was a different, little real, little respectable songs with
Speaker 3: Black Street, you know, got to get you home and ship.
Speaker 3: But then Foxy had records, like you know, she had
Speaker 3: hard records. She had hard and she had hard records,
Speaker 3: you get me, and as a lyricist, I can respect
Speaker 3: you know, getting passed because she took pride and lyrics.
Speaker 1: You feel me today.
Speaker 3: Like I said, the aspect of it is this, the simplicity,
Speaker 3: and like, you know, fuck it, I mean, and then
Speaker 3: it's just so blatant, like yeah, I'm a whole, Yeah
Speaker 3: I suck dick, Yeah I fuck yeah.
Speaker 1: So fuck it. I'm gonna put it like, Okay, we've
Speaker 1: been doing that.
Speaker 5: It's not even a creative or imaginative of how you're
Speaker 5: describing doing it. It's just like you just said, it
Speaker 5: is so straight up.
Speaker 3: It's just yeah, I'm fucking, I'm fucking, I'm nasty, I'm dirty.
Speaker 3: You can bend me over and blah blah blah or
Speaker 3: you know, and nigga, pay me nigga, and then and
Speaker 3: then if and then the females who are not you know,
Speaker 3: maybe just so out blatant with it. It's still about,
Speaker 3: you know, trick on me, nigga, trick on me, trick
Speaker 3: on me, spin spin spin you a trick, you know,
Speaker 3: flying me here, flying me there. No, you know, if
Speaker 3: that's if that's the situation, because like I said, we
Speaker 3: had too short, too short was bitch this and bitch
Speaker 3: that and suck a nigga dick and bitch you the
Speaker 3: whole and now fuck seventy five girls and you know,
Speaker 3: freaky tales.
Speaker 1: And I get it, you get with you get down
Speaker 1: like you live, period.
Speaker 3: But I just think that at some point when music,
Speaker 3: like you said, when music turns from the art form
Speaker 3: of want to make real you know, heartfelt records and
Speaker 3: not just say you gotta be all sad and simpy
Speaker 3: and crying or whatever that type of music. You can
Speaker 3: still make good and fun music for motherfuckers, but it
Speaker 3: still just got to have some substance. And when you
Speaker 3: losing a substance, because like you said, a lot of
Speaker 3: motherfuckers really ain't artists. I'm just a motherfuck on the block,
Speaker 3: whether it be a nigga or female and nigga, I'm
Speaker 3: a I'm gonna write about, you know, this is the
Speaker 3: block and we killed thirty niggas and the home he
Speaker 3: had to strap, or I'm gonna rap about, you know,
Speaker 3: I'm a bitch getting fucked and getting my money, and
Speaker 3: that's what it's about.
Speaker 1: You know, it goes from it.
Speaker 3: We're not having a lot of substance in it, you
Speaker 3: feel me because even as a street nigga myself rapping
Speaker 3: about the streets, I still felt like I had to
Speaker 3: still I had to tell stories about being in the struggle,
Speaker 3: because shit, life is a struggle. I wanted motherfuckers know
Speaker 3: everything is not fucking roses around this motherfucker. It's still
Speaker 3: niggas in the struggle and it's still still hard life.
Speaker 3: So I guess that's what kept me on the pattern
Speaker 3: of wanting to write, you know, official music to where
Speaker 3: I felt motherfuckers could relate to. But I never just
Speaker 3: wanted to be a gimmick ass MC. You know, fucking
Speaker 3: I'm gonna throw this out there. If it work at work.
Speaker 3: If it don't, it don't fuck it. We're gonna try
Speaker 3: something else. I don't want to fuckers that look at
Speaker 3: me like that, especially when it came to making music.
Speaker 2: Well, you think about it like this. To me, as
Speaker 2: much as Little Kim may have influenced the Sexy Reds
Speaker 2: and all of them people, they're kind of like the
Speaker 2: antithesis because if you look at Little Kim back in
Speaker 2: the day, yeah, she had the album covered where she was,
Speaker 2: you know, dropping it like it's hot and had the
Speaker 2: monkey out there on full display. But at the same
Speaker 2: time she gave you the quiet storm remixing she when
Speaker 2: that motherfucking got busy.
Speaker 3: I mean, but she could rap. I mean, you know,
Speaker 3: I don't know, Like I'm not saying I don't know
Speaker 3: who wrote her rap. She could have wrote her own shit.
Speaker 1: I don't know.
Speaker 3: I don't get in all that, you know, I don't
Speaker 3: know who writing Sexy Red Raps or Suki Hannah Raps
Speaker 3: or whoever. You know what I'm saying. I've always written
Speaker 3: my own shit, you know. I feel you can't express
Speaker 3: yourself no better than the motherfucker who right there. So
Speaker 3: but you know, there's a lot of people who get
Speaker 3: assisted and whatever. Again, I just feel like if you
Speaker 3: want to get into this game of and a lot
Speaker 3: of motherfuckers might be like, oh, you know, that's the
Speaker 3: old niggas. Most niggas always hating, you know, ate and
Speaker 3: steal story. Y'all always hating because y'all always want to
Speaker 3: talk about the yester years of the foundation and how
Speaker 3: the quality is.
Speaker 4: Man.
Speaker 3: Let us young niggas get ours man, and let the
Speaker 3: little bitch eat and whoopy whomp.
Speaker 1: And shit like that. So like to each his own
Speaker 1: this shit.
Speaker 3: But it's it's kind of disheartening when you know, you
Speaker 3: see something that you know, you know that was a
Speaker 3: struggle to hold down in the first place.
Speaker 1: You know what I'm saying. It was hard for us
Speaker 1: to get in that door to be able to do
Speaker 1: this shit.
Speaker 3: Like I said, nigga, you can go out and you
Speaker 3: can kill thirty niggas on the video right now, bitches
Speaker 3: can be you know, play sucking dick in all kind
Speaker 3: of shit and video.
Speaker 1: Now you do all kind of crazy shit.
Speaker 3: I mean, back in the days, niggas we did anything
Speaker 3: that was affiliated with something that might have thought, Oh,
Speaker 3: the niggas is really gang bang or the niggas is
Speaker 3: really man, we're not playing that shit right here. We're
Speaker 3: not finna play that song on the radio. We're finna
Speaker 3: show that video. Man, Just a gag a niggas standing
Speaker 3: around and let one nigga throw.
Speaker 1: Up a sign. Oh they like, oh we can't play
Speaker 1: that ship. We can't do that, you know. So it's
Speaker 1: come a long way. I mean, but SO has a
Speaker 1: lot of shit.
Speaker 3: SO has a lot of shit, right you know, no disrespect,
Speaker 3: I mean, SO has a lot of shit. Niggas, niggas
Speaker 3: playing in the NBA. Now you get me niggas you yo,
Speaker 3: It's it's all kind of shit, you know what I'm saying.
Speaker 3: We've taken through all kinds of transitions, so to each
Speaker 3: his own, man, But I just think that sometimes you
Speaker 3: gotta have quality and pride and ship. And it's just
Speaker 3: unfortunate that a lot of the music, you know, like
Speaker 3: the songs, like the like the list you had a
Speaker 3: lot of those records reflected making a record, you know,
Speaker 3: putting that quality and and even though we got the
Speaker 3: moniker of being gangster rappers or reality rap it was
Speaker 3: just the pride we took. Uh to want to impress
Speaker 3: your next artist.
Speaker 1: You give me shiit, nigga.
Speaker 3: You heard cube new record? Oh man, I gotta you know,
Speaker 3: or you heard eight new record or two shorts new record,
Speaker 3: or whoever you you wanted to step your game up.
Speaker 1: You know what I'm saying.
Speaker 3: Uh, don't seem like it's no game stepping up right now.
Speaker 3: It's just like who can who can be the next
Speaker 3: content creator or influencer and who can have the next
Speaker 3: tiktoki song that'll have everybody creating dances for a video
Speaker 3: and all of that because you give me about you
Speaker 3: know that, it's just the way that changed. And I
Speaker 3: guess the changing at the times or the guard or whatever.
Speaker 3: But like I said, though, music is, it's been around.
Speaker 3: It's all it's gonna be here when we going, you
Speaker 3: know what I'm saying. And it's just, you know, hurtful
Speaker 3: to see where the fuck this shit can go being
Speaker 3: left in the wrong hands, you know what I'm saying,
Speaker 3: Because in a minute, they're gonna say, fuck all you niggas.
Speaker 3: We'll just create shit off the computer with fake ass
Speaker 3: artists and fake songs and shit, and we'll crack it
Speaker 3: off like that. You know, we'll ai some shit and
Speaker 3: we don't need we don't need you motherfuckers no more.
Speaker 3: We'll start creating motherfucking artists off of computer modulated shit,
Speaker 3: putting voices behind songs, and now your nigga's really gonna
Speaker 3: lose your originality. So I think that's what we got
Speaker 3: to stick to. You know what I'm saying, Trying to
Speaker 3: be different in the maxis it's what's gonna help us.
Speaker 2: Yeah, well, you know what, man, I think it is.
Speaker 2: I think it's one of the things is man, young
Speaker 2: people today can't take criticism right and I don't want
Speaker 2: to sound like the old nigga, but whenever you have
Speaker 2: an opinion about something, oh you hate, it's not necessarily
Speaker 2: that we hating. It's just that, you know, when you
Speaker 2: put yourself out there. First of all, when you decide
Speaker 2: to make an album, you're putting it out for the
Speaker 2: public consumption. That means that along with the people that
Speaker 2: love you, you're gonna have to hear from the people
Speaker 2: that may not like your shit. You may have to
Speaker 2: hear from the motherfuckers like us. Who's kind of job
Speaker 2: videos to critique certain shit and state our opinion on it.
Speaker 2: I'm not saying it. I'm mad at that young lady
Speaker 2: for doing what you're doing, but get over get by
Speaker 2: on your rapp and it's like, I'm sick of all
Speaker 2: these gimmicks and publicity stunts.
Speaker 1: See that's the point. You can't really And that's and
Speaker 1: I guess that's a.
Speaker 3: What you want to say, maturity now, as far as
Speaker 3: you concern you mature now, because put yourself at twenty
Speaker 3: two years old right now in this time still and
Speaker 3: you trying to crack off your gangster chronicles of your
Speaker 3: podcast and niggas go in and shit whack man, fuck
Speaker 3: this nigga shall still Now, why you putting out that bullshit? Nigga,
Speaker 3: y'all ain't got no gangsters on there. Nigga, y'all ain't
Speaker 3: talking about no hood shit. You be ready to pop
Speaker 3: a nigga. You be ready to slap every You be
Speaker 3: ready to slap every nigga that got on your page
Speaker 3: and disrespected. Now we're mature, we can take that shit.
Speaker 3: We can open opinions. We like to give knowledge and
Speaker 3: opinions about what shouldn't be done. But like I said,
Speaker 3: I was one of them niggas too, so I kind
Speaker 3: of understand because as a youngster, we kind of don't know.
Speaker 1: The direction.
Speaker 3: You feel me, But I'm the hardest motherfucking the world
Speaker 3: at nineteen, twenty, twenty one, twenty two, you can't tell
Speaker 3: me shit. So just like right now, if you was
Speaker 3: twenty two and you was cricking off digital soap box
Speaker 3: and a nigga told you nigga shit, whack nigga, digital
Speaker 3: soapbox whack as a mothersfucker. Y'all ain't no gangsters on
Speaker 3: their nigga. Where are you from, nigga? And who is
Speaker 3: the white boy nigga?
Speaker 1: And who is this nigga? Ate nigga? Fuck eight nigga,
Speaker 1: nigga we be, we.
Speaker 3: Be going after every nigga that had a comment to say, because.
Speaker 1: We'd be like fuck y'all too. That's the mentality of it.
Speaker 3: And just like Sexy Red or or what other baby name,
Speaker 3: as soon as the nigga go that shit whack, they go,
Speaker 3: fuck you and they go and they go hold up
Speaker 3: a stack of money, and they go, look at my chain,
Speaker 3: and look at my stack of money, and look at
Speaker 3: my brand new motherfucking pink Mercedes I just bought, and
Speaker 3: look at me getting money. So fuck you now, thirty now,
Speaker 3: twenty years from now, when she's sitting there watching all
Speaker 3: videos talking about my pussy this and my wonky won't,
Speaker 3: she's gonna be a little embarrassed because I'm getting you
Speaker 3: can hold that true, but you're still gonna be like, damn,
Speaker 3: you gonna still have the sense of an of a
Speaker 3: mature a dope to know that was some crazy shit
Speaker 3: I did right like right now, still you know some
Speaker 3: shit you did when you was nineteen, nigga twenty you
Speaker 3: look back right now, you go, that was some dumb
Speaker 3: ass shit.
Speaker 2: I did plenty of dumb ass shit, and I look
Speaker 2: back on anocknology. But you know, the one thing that
Speaker 2: I think we did, We did all that when we
Speaker 2: was younger. But I do know, as y'all know, I
Speaker 2: write reps motherfuckers. Sometimes I don't talk about it too
Speaker 2: much because I can't talk about it. They got paperworking
Speaker 2: all that on there without going too much into it.
Speaker 2: Whenever I take my pen out, even as a fifty
Speaker 2: two to fifty three year old man, I'm still trying
Speaker 2: to bust some motherfuckers out. We did shit back in
Speaker 2: the day with the intent to fuck shit up. It
Speaker 2: wasn't about no money, it wasn't about nothing else. Like
Speaker 2: you said, you wanted to be the best, right whenever
Speaker 2: you went into that booth, you wasn't there with the
Speaker 2: purpose of fucking shit up, right, am I correct?
Speaker 1: Right?
Speaker 2: Not to elicit no bullshit, not to try to get
Speaker 2: no attention. You didn't come online and let your dick
Speaker 2: slip out on Instagram by accident, or going there and
Speaker 2: make love with your woman in front of the camera.
Speaker 2: That was a mistake. Who the fuck have sex on
Speaker 2: camera by mistake? My nigga. I'm tired of motherfuckers come
Speaker 2: on with these laying mass excuse us all the time
Speaker 2: about what they do. Know, you did that shit to
Speaker 2: try to get some attention.
Speaker 1: Well go ahead, san no.
Speaker 4: I think too.
Speaker 5: One of the things we got to remember is to
Speaker 5: A's point a little bit earlier, Bexi Red has presented
Speaker 5: who she is so eight and everybody else isn't looking
Speaker 5: at her as a rapper anymore.
Speaker 4: They're looking at her as a performer.
Speaker 5: So the difference is for us, we always looked at
Speaker 5: people that we want wanted to listen to their music
Speaker 5: because we thought they had something to offer musically, and
Speaker 5: now everything is just so flipped to where a sexy
Speaker 5: Red things just the way I gotta get on to
Speaker 5: be looked at musically. But it's like, how you present
Speaker 5: yourself is how people look at you. And that's the
Speaker 5: reality that I think a lot of people forget.
Speaker 3: Yeah, because in reality, the sexy Red just went in
Speaker 3: the booth and said, I'm just from the right about
Speaker 3: where I'm from, and you know, the bitch struggling, but
Speaker 3: you know I'm getting known and yep, bitch, I got
Speaker 3: this weave. And if you kept it real like that,
Speaker 3: it probably take her harder. It probably takes a difficult
Speaker 3: route because let's fay, how many thousands of motherfuckers is
Speaker 3: right now in their basements or kitchens or living rooms
Speaker 3: or got the microphone in the closet or the bathroom
Speaker 3: or some shit like that, and they busting out wraps
Speaker 3: and blah blah blah.
Speaker 1: But then.
Speaker 3: It's hard when you when you when you're another statistic
Speaker 3: like that, and then you got a bitch who comes out,
Speaker 3: you know, not not as much as a looker, but
Speaker 3: you know, I'm street, you get me, and and that
Speaker 3: goes a long way with a lot of motherfuckers who
Speaker 3: come from those walks of life. So I'm not finna
Speaker 3: try to motherfucking compete with We got Nickivnanaja's out here
Speaker 3: and Cardi B's and you know, I'm a motherfucker coming
Speaker 3: from the hood that fifty fourth Street, and you know, like,
Speaker 3: who the fuck don't looking. I ain't got no motherfucking connections,
Speaker 3: ties or whatever. So sometimes it gotta be like you
Speaker 3: gotta do that flamboyant shit like niggas used to tell me,
Speaker 3: which was a crazy shit. Niggas used to want to
Speaker 3: rap like I'm finna get in the game. They ain't
Speaker 3: never put out no record or nothing, nothing. First thing
Speaker 3: niggas want to do is start dissing niggas, right, and
Speaker 3: I'll be like, oh, you gotta beef with that nigga,
Speaker 3: And nigga be like, tell you the truth. I've never
Speaker 3: I don't even know the motherfucker. And I'd be like, then,
Speaker 3: why are you finna write a record this in a
Speaker 3: nigga you don't even know? Shit, nigga, that's the quickest
Speaker 3: way to get on. And I'd be like, for real,
Speaker 3: that's what y'all think now. And niggas used to be
Speaker 3: serious about it. This was around This is around ten
Speaker 3: years ago, the six nine beginning era and all of
Speaker 3: that shit, because there was a lot of niggas doing like,
Speaker 3: I'm just from the this niggas, you get me, And
Speaker 3: I'd be like, why because, And niggas used to say,
Speaker 3: because I feel that's the quickest way to get on
Speaker 3: by starting controversy with other artists that are probably established
Speaker 3: or or you know, are on the come up. A
Speaker 3: new nigga be like, oh fuck it, I'm finna make
Speaker 3: a song this and that nigga, And it's crazy to
Speaker 3: me of the levels, like I said, of what people
Speaker 3: will do just to get on nowadays and instead of
Speaker 3: going you know, I'm gonna just try to keep busting
Speaker 3: it out maker like cause for me it was just
Speaker 3: I'm gonna just keep going to the studio. He you
Speaker 3: know what, man, I'm gonna keep going to the studio writing.
Speaker 4: And that's why you've had a long career.
Speaker 3: Hey, And hopefully one of these songs that I write,
Speaker 3: you know, it's gonna get niggas on this motherfucking know
Speaker 3: what he talking about. I never I never felt like,
Speaker 3: oh I gotta do the next gimmick song or whatever.
Speaker 2: I never thought about that mentality when writing music. Well,
Speaker 2: we make sacrifices all the time. Right, think about this podcast, Hey,
Speaker 2: I know what to do to blow up on YouTube,
Speaker 2: right me? And you can come on here every week.
Speaker 2: This motherfucker's and talk shit is to the point now.
Speaker 2: And I'm gonna say this too, it's more old motherfuckers
Speaker 2: out there hating and on bullshit than those young people.
Speaker 2: At least, you know what one thing I will give
Speaker 2: Sexy read them they not bothering nobody, right, they really
Speaker 2: not bothering nobody. And she has a few songs dog
Speaker 2: to where you can tell she has some sembilance of
Speaker 2: talent that shit she got with the baby heart as
Speaker 2: a motherfucker that shakes some shit, that shit banging so
Speaker 2: she can she is capable of doing some shit when
Speaker 2: it's necessary. Right. But I just see where we at.
Speaker 2: I think it's a society thing soaring and they I
Speaker 2: see motherfuckers right now as a motherfucker that has been
Speaker 2: a victim of some lying ass niggas, and ain't I'm outside.
Speaker 2: I'm a nigga that outside. Ain't no nigga ever put
Speaker 2: his hands on me. All that shit niggas talk online,
Speaker 2: they believe best, please believe. They don't want no smoke
Speaker 2: in real life. We all know that, right, These motherfuckers
Speaker 2: that know where I'm at, they don't want no type
Speaker 2: of smoke. But we in this era right now to
Speaker 2: where sensation listen is a motherfucker dog. Motherfuckers would say
Speaker 2: any damn thing I heard, you know what. And I
Speaker 2: don't know what Gilly's financial situation, Neils don't know what
Speaker 2: bird Man got. But we to the point now of
Speaker 2: where motherfuckers is basing their shit on how much money
Speaker 2: they may have for how much Well, I got more
Speaker 2: money than this nigga, what the fuck do that mean.
Speaker 2: It's just like, have you all ever seen that movie Idiocracy? No, No,
Speaker 2: you ain't never seen Idiocracy. Go watch Idiocracy.
Speaker 1: Dog.
Speaker 2: It's like that it was the future and motherfuckers was
Speaker 2: just dumb as hell motherfuckers. And this movie came out.
Speaker 2: It was written by Mike Judges. This movie maybe came
Speaker 2: out twenty years ago. And they talked about a society
Speaker 2: the where they looked at TV and it looked just
Speaker 2: like one big ass at there was a whole bunch
Speaker 2: of different channels showing at the same time. I said them,
Speaker 2: motherfuckers predicted the future, dog, because people are retarded nowadays,
Speaker 2: Dog sheep nowadays.
Speaker 3: Never came from the error to where money made you official.
Speaker 3: If it was official, nigga, he was just sufficient, whether
Speaker 3: you was broke or whether he was rich. Right, we
Speaker 3: in this community of simple minded motherfuckers believe that money
Speaker 3: makes us who we really are. You give me you
Speaker 3: feel what I'm saying. If you're gonna be an up
Speaker 3: and up nigga, you're gonna be an up and up nigga.
Speaker 1: Right. If you're a cook, you a cook, You're gonna
Speaker 1: be a cook. If you broke and.
Speaker 3: When you when you got a billion dollars, you're still
Speaker 3: gonna be a motherfucking crook. Right, Niggas want to feel
Speaker 3: that the more finances I got, that makes me more
Speaker 3: of a nick.
Speaker 1: Right nigga, I'm a real nigga. Nigga. I gotta, I gotta.
Speaker 3: I got a hundred million, nigga, No, because if you're
Speaker 3: weak ass, you know, because a nigga donna stand on
Speaker 3: his own right. I'm a grown man, whatever, whatever. I
Speaker 3: don't need a hundred security. If it's me and you, nigga,
Speaker 3: we can get them up, no problem. I don't have
Speaker 3: to stand on my my check book to be a
Speaker 3: stand up nigga.
Speaker 1: You feel me.
Speaker 3: If I got a hundred million, if you had my
Speaker 3: number ten five days ago, you're still gonna be able
Speaker 3: to call me.
Speaker 1: You give me.
Speaker 3: I don't like to have the sense of the more
Speaker 3: money yet that makes you more tougher or more batter,
Speaker 3: because a lot of niggas get that sense, right, And
Speaker 3: I think that's what blind or sometimes is that.
Speaker 1: I've always came from the sense of if, like I said,
Speaker 1: you just real. You real Niggas like to punk.
Speaker 3: Each other with their bank accounts you give me and
Speaker 3: they finances. And that's the nutrind the new the new
Speaker 3: way of because nigga, like I said, niggas with money,
Speaker 3: who had money, I got money, They ain't got shit
Speaker 3: to do with it?
Speaker 1: Down what you give me.
Speaker 3: So I think niggas get confused about letting money build
Speaker 3: they motherfucking confidence of of who they really are. Like
Speaker 3: you ain't no You ain't no shooter if you if
Speaker 3: you wasn't no shooter when you was a broke nigga.
Speaker 3: Don't think because you got a million dollars now you
Speaker 3: can go buy twenty guns that you a big time.
Speaker 1: You get me, you ain't shoot shooter.
Speaker 3: You can have a fucking army in a tank in
Speaker 3: your house, you still ain't gonna be no shooter because
Speaker 3: you never was. So don't think just because you got
Speaker 3: the money to go buy a hundred guns that that's
Speaker 3: gonna put fear on the nigga who I know you
Speaker 3: from the beginning. And like I said, some niggas want
Speaker 3: one test nigga, Like I know what you said. You
Speaker 3: heard the car nigger. I got this, nigga, I.
Speaker 2: Own this and I got that.
Speaker 3: So what that means, like they don't make a mother
Speaker 3: fucking man that money ain't gonna fight for you. You
Speaker 3: feel me, nigga for niggas like nigga, let's get them
Speaker 3: up me.
Speaker 1: And you right now.
Speaker 3: You can't turn around and pull out your wallet and
Speaker 3: be like, all right, nigga, let's fight with check bucks.
Speaker 3: You feel me like bigger nigga, they got here, Nigga,
Speaker 3: slap my card on the table, you slap your card out.
Speaker 1: Let's go.
Speaker 3: Let the cards do all this ship or nigga, my
Speaker 3: chain is bigger than yours, nigga or the chains ain't
Speaker 3: finna fight or whatever. So nigga be be be official, nigga,
Speaker 3: don't don't. I just hate that shit, Like like money
Speaker 3: give niggas courage, man, money give a lot of niggas courage.
Speaker 2: Well you know what I noticed though, man, And again,
Speaker 2: I don't have no knock against Killy Man. I don't know, dude.
Speaker 2: You know what I'm saying.
Speaker 3: I knock any nigga that think his motherfucking check book
Speaker 3: makes him you know official, man, fuck that shit, because
Speaker 3: if you can get slapped, you can get slapped. Money
Speaker 3: ain't gonna stop you from getting slap all it's gonna
Speaker 3: do is hire some security, and that's just gonna show
Speaker 3: how much more of a punk you are, because now
Speaker 3: you gotta walk around with tim niggas because if you're
Speaker 3: a real nigga nigga, that's just it. Nigga niggas respect
Speaker 3: you for who you are. You ain't got the flaws
Speaker 3: or whatever. Now, ain't nothing wrong with having some dollars.
Speaker 3: You get me your family live good, buy you a
Speaker 3: couple of fancy cars and eat you a couple of
Speaker 3: nice steak and lobsters and shit, and you know, baby go.
Speaker 3: You know, you may even get you a private plane
Speaker 3: or something. But if you're a buster, you're still a
Speaker 3: buster nigga period. And we're not talking about Ghilly. Were
Speaker 3: talking about the situation, So y'all don't go out there.
Speaker 1: Trust yeah, I'm not.
Speaker 3: I'm not choosing sides, man, I'm not talking about nobody
Speaker 3: a fifth. I'm talking about any bigger who got who
Speaker 3: feel like, you know, I'm a I'm a I'm a
Speaker 3: hard nigga because my bank accounts say so os man,
Speaker 3: no no.
Speaker 2: And I had to mix it because I hear that
Speaker 2: a lot lately. It's like when somebody get upset their
Speaker 2: first thing. Is fuck that he don't got more money.
Speaker 2: First of all, don't nobody know what nobody got, bro,
Speaker 2: Because I'm gonna tell you something. I know two or
Speaker 2: three billionaires. When I tell you, all of the motherfuckers
Speaker 2: wear his T shirt and jeans and drive F one fifties.
Speaker 2: Every last one of them don't. Don't nick. Neither one
Speaker 2: of them drive a rose race, no shit like that.
Speaker 2: All the motherfuckers, I know they actually got rose roces
Speaker 2: and shit. Really can't afford the motherfuckers.
Speaker 5: And the other point to all of this, which is
Speaker 5: directly tied in the rap is and I know y'all
Speaker 5: heard it. Every time somebody trying to be like this
Speaker 5: artist better than that artist or whatever, they always pull out.
Speaker 5: If you don't agree with them, they pull out, well,
Speaker 5: who they like sold more records. I'm like, they got
Speaker 5: another do with your talent? Zero has nothing to do
Speaker 5: with your talent. There's a thousand rappers that never went
Speaker 5: gold that are phenomenal artists.
Speaker 2: So it's like, come on, yeah, you know what, I
Speaker 2: want to go back to something. I want to go
Speaker 2: back to the ain't the damn thing changed. I don't
Speaker 2: think that that never went gold either, did it nah,
Speaker 2: but it's one of the best albums. It's one of
Speaker 2: the best albums ever made as far as gangster rap go,
Speaker 2: as far as albums period, as far as music goes.
Speaker 2: That was a phenomenal album.
Speaker 4: Man. Yeah, that's why it's up here man, and eight
Speaker 4: of course is on there. You Don't Work, You Don't Eat.
Speaker 4: But I think the.
Speaker 5: Thing one of the many things I loved about that
Speaker 5: album is listening to Dubbs since the at least for
Speaker 5: me to rhym syndicate compilation coming through and then low Profile.
Speaker 5: But you're seeing the evolution of like these songs that
Speaker 5: dress code, you Don't Work here on, Eat Out on
Speaker 5: the Furlough, the tire track, but my Daddy.
Speaker 4: Ghetto Serename, Ghetto Serenade.
Speaker 5: All these songs looked at these different aspects of a
Speaker 5: dude that was trying to make it that all these
Speaker 5: different things were happening partially because he was in the hood,
Speaker 5: partially because he was black, partially because of how he dressed,
Speaker 5: partially because he didn't have money, partially because he.
Speaker 4: Was gang affiliated, all this stuff.
Speaker 5: And I just thought the way he examined and broke
Speaker 5: everything down and COOLi oh, of course was amazing on
Speaker 5: there eight JD from Lynch Mobls on there. It's just
Speaker 5: a lot of amazing, amazing stories and lyrics and the
Speaker 5: production too, with Jinks obviously holding it down a lot chilly, chill, crazy,
Speaker 5: crazy tunes.
Speaker 4: It's amazing, man, Jason, you.
Speaker 2: Know what to me? To me, this album was like man,
Speaker 2: the Ghetto Celestine's Chap, you know, it was just like that.
Speaker 2: It was like the ghetto TheSky, you know what I'm saying,
Speaker 2: Like really, and he's always been consistent as far as
Speaker 2: representing for the catch that got the EBT cards and
Speaker 2: they wanted you feel what I'm saying, and he never
Speaker 2: switched it up though he never went Hollywood.
Speaker 1: And one thing is is that.
Speaker 2: A lot of people.
Speaker 3: Look at at what we brought to the table as being,
Speaker 3: you know, negative influences or.
Speaker 1: Has a.
Speaker 3: Has enough fect on what's going on with nigga you know,
Speaker 3: hood rapped in the day. You see niggas on records. Now,
Speaker 3: you know, we came through my homie, did you this?
Speaker 3: And that's why your boy got shot?
Speaker 1: And you know, but.
Speaker 3: A lot of our music came from the struggle of
Speaker 3: life of where we came from. It wasn't it wasn't
Speaker 3: too And like, like you said, you listen to a
Speaker 3: song called fuck My Daddy.
Speaker 1: That's a personal issue, man, you feel me, and and
Speaker 1: nobody else was.
Speaker 3: You know, it's a lot of motherfuckers going around who
Speaker 3: was fatherless and fathers wasn't in the home and shit,
Speaker 3: But how was we dealing with that shit?
Speaker 1: You feel me.
Speaker 3: It took a nigga like dub C to go often
Speaker 3: make record about this shit because it's some shit that's
Speaker 3: really like, how many niggas over here in the hood,
Speaker 3: who motherfucking pops is either dead killed, niggas in prison
Speaker 3: for life or shooting up another niggahood or just niggas
Speaker 3: just ain't around. It wasn't getting that shit, you feel me.
Speaker 3: How do you try to separate yourself from that situation
Speaker 3: that's going on to writing some shit about Hey, we
Speaker 3: at the party and everything is a good time, and nigga,
Speaker 3: I'm going through struggle over here. I'm not trying to
Speaker 3: So it's kind of unfortunate that music for some of
Speaker 3: us took a different path, you feel me. Not to
Speaker 3: say that all are artists on the West Coast reflected
Speaker 3: that struggle, but that's what we had to break to
Speaker 3: the table.
Speaker 1: Unfortunately.
Speaker 3: We had. We wanted to talk about our depressions and
Speaker 3: are hurt from being you know, fatherless kids, or or
Speaker 3: seeing homies murdered, or you know, being stereotyped because you know,
Speaker 3: being in a gang was something that wasn't something for fascination.
Speaker 3: It was for motherfucker survival.
Speaker 1: You get me. Everybody banging over here.
Speaker 3: Niggas is clicking up and banging and shit, and if
Speaker 3: you ain't banging, you're FeelA be a victim.
Speaker 1: We had to talk about that shit, you get me.
Speaker 3: We had to let motherfuckers know that, you know, they
Speaker 3: got struggling over here while niggas is writing raps about
Speaker 3: you know, having fun and you know we you know,
Speaker 3: got the gold chains on and you know my Adidas
Speaker 3: and shit like that. Nigga, motherfucker Nigga came through and
Speaker 3: sh up the block last night. Am I supposed to
Speaker 3: go to the studio write about, Hey, it's sunny in
Speaker 3: California today. Nigga's raining like a motherfucker over here, and
Speaker 3: it's a hundred cops come through every day kicking niggas
Speaker 3: in the teeth and shit, just for being young black
Speaker 3: niggas on the block. You know, nah, man, I got
Speaker 3: to write about this shit. I got to tell somebody.
Speaker 3: Somebody got to hear about it. So it wasn't like
Speaker 3: our fucking artistic view didn't come from Oh nigga, we
Speaker 3: can exploit, you know, talking about cripping and blood and
Speaker 3: make a gang of money off of it. Nah, nigga,
Speaker 3: I'm tired of get my ass kicked every day and
Speaker 3: it just being a routine. You give me to the
Speaker 3: point to where even like when the situation with the
Speaker 3: George Floyd situation, we didn't getting our asses whooped over here, nigga. Youah,
Speaker 3: you know, nigga, police pick us up, take us to
Speaker 3: the end of meithood, drop us off. Police been kicking
Speaker 3: our teeth in in the substations and fucking us up.
Speaker 3: And look at all the look at all the lawsuits
Speaker 3: went down with rampart of police setting niggas up and
Speaker 3: shooting them and planting guns on them and sending niggas
Speaker 3: to prison for shit. And you want me to write
Speaker 3: about some happy ship?
Speaker 1: Where is it? You get me?
Speaker 3: So that was that was uh, you know, that's where
Speaker 3: songs like that came from, cause you know, coming from
Speaker 3: somewhere else. A motherfucker go like, why Nigga writing a
Speaker 3: song about fuck is Daddy.
Speaker 1: You getting Me? Because Nigga is is because fuck my
Speaker 1: Daddy you get Me was in his heart.
Speaker 2: But think about this, though, hey, me, you and Sower
Speaker 2: all come from different walks in life. I think me
Speaker 2: and your walking life probably similar. Even though I came
Speaker 2: up in Cleveland, we was both kind of brought up
Speaker 2: and right right he was there. But the common denominator
Speaker 2: that we all have is that hip hop took us
Speaker 2: on the journey that we never expected. Man, if somebody
Speaker 2: would have told me at the age of thirteen, when
Speaker 2: I was sitting on my front ports one day you
Speaker 2: would have a podcast for one of your favorite rappers
Speaker 2: and the dude that wrote in the magazine that you
Speaker 2: used to love and look at every weekend, you could
Speaker 2: have a podcast with them, and them gonna be your peers,
Speaker 2: and you gonna get to talk about them and get
Speaker 2: to do cool shit. I would have cried, I would
Speaker 2: have said, for real, because I didn't see no shit
Speaker 2: like that happening for me. The best thing I think
Speaker 2: back eight the aspiration I had when I was looking
Speaker 2: when I was a young man like that. At thirteen,
Speaker 2: I said, Okay, if I don't make it, even playing
Speaker 2: professional football or going to college for that matter, to
Speaker 2: play football was so far from me. I thought that
Speaker 2: I would get me a job, maybe at the gas
Speaker 2: company or something like that, and if I can get
Speaker 2: me a little house, maybe in something with the heights
Speaker 2: at the end of it, Shaker Heights of Cleveland Heights.
Speaker 2: I made it. Do you feel what I mean? To
Speaker 2: have a car and have a family, You know what
Speaker 2: I'm saying, have a wife and kids. That was my
Speaker 2: top aspiration. If I would have dead man, I've got
Speaker 2: to see the whole world because of hip hop dogs.
Speaker 2: Why take that shit serious? It's done a lot. It's
Speaker 2: done a lot for all of us.
Speaker 3: Like life was blank for those mid years because I
Speaker 3: didn't know where.
Speaker 1: The fuck I was going.
Speaker 3: I just I just men growing up in Compton living
Speaker 3: where I lived in in the in the neighborhood called Fooptown.
Speaker 3: I didn't know where the fuck I was going. Like
Speaker 3: I said, you you see all this, You see all
Speaker 3: this fantasy ship on TV, and as a kid, you know, are.
Speaker 1: Like, what are you supposed to?
Speaker 3: You know, I'm seeing these dry by shootings niggas game
Speaker 3: bang and you know those years between when you first
Speaker 3: get introduced to gang banging and then you know, you
Speaker 3: see movies like Colors, and then you see movies like Scarface,
Speaker 3: and then you look down the block and it's niggas.
Speaker 3: You know, yo, you know you hanging with niggas is
Speaker 3: selling and making bread and you know at that point,
Speaker 3: I'm like, Nigga, I'm trying to get me some kilos,
Speaker 3: you get me. I'm trying to like there was no
Speaker 3: like man, i'mna be a ball player or.
Speaker 1: Like like nigga, Like.
Speaker 3: Every nigga I hang around is either dying or they
Speaker 3: going to jail, or niggas is serving.
Speaker 1: Like ain't no niggas working.
Speaker 2: Like what I'm saying, Man, It's like like Nigga, I
Speaker 2: was like work, who worked?
Speaker 1: I thought niggas was dumb as fuck to work.
Speaker 3: I'm think like looking and then I'm looking at my
Speaker 3: mom's and you know, like, Okay, niggas is going to
Speaker 3: work every day, right, have shit and that's why we
Speaker 3: got ship. We still ain't got shit, mo fuck going
Speaker 3: to work every day and like I'm like, damn, we
Speaker 3: you know, we got a motherfucking we got a little bucket.
Speaker 1: You know, we we living on the block.
Speaker 3: You know, it's it's no motherfucking like like while like
Speaker 3: like where I live now, I walk out my house,
Speaker 3: nigga just standing there, nigga, and I probably won't see
Speaker 3: a motherfucker for two hours.
Speaker 1: It's just that quiet. You know, people don't come outside,
Speaker 1: and you know, and and it's just nigga. I'm at
Speaker 1: in counting, nigga.
Speaker 3: You every five seconds you're ducking or who is that
Speaker 3: turn in the corner or you know there go to
Speaker 3: police And like I said, you living at home with
Speaker 3: your moms struggling, They them lights might go off today
Speaker 3: and all ship, nigga, what we eating today?
Speaker 1: Or you know not.
Speaker 3: It was just a struggle, man, and we would living
Speaker 3: middle class was a struggle, you get me. So it
Speaker 3: was it was it was hard to have dreams of
Speaker 3: like how the fuck am I gonna get rich? And
Speaker 3: and and you get me because when you were a
Speaker 3: kid and you in the struggle, and you poverty and
Speaker 3: you see your parents struggle, you want to be rich
Speaker 3: as a motherfucker, that's what you want to be. But
Speaker 3: the motherfucking how you gonna get there is the question.
Speaker 2: Because it seems possible, bro. It seemed like it was like,
Speaker 2: you know, I couldn't believe that stuff.
Speaker 3: And we tell you, you know, you get an education
Speaker 3: and go to kind of nigga, that ship is like
Speaker 3: fucking foreign to me. You mean get an education. Okay,
Speaker 3: I'm not dumb, you know, I'm little. My grades is
Speaker 3: cool when I was going to school. But at some point,
Speaker 3: I'm like, what this fuck is this shit for?
Speaker 4: You?
Speaker 1: Get me?
Speaker 3: I'm learning about fucking George Washington and Abraham Lincoln, and
Speaker 3: I'm learning about how we was whooped and chained as slaves,
Speaker 3: and I'm learning about the Senator Maria and the Penta
Speaker 3: whatever the fucking ships was, and ship the Christopher Colle
Speaker 3: Like what the fuck is this shit gonna do for me?
Speaker 1: Really?
Speaker 3: Like really like, so you get lost, man, And as
Speaker 3: a young nigga growing up in those places like Timpton
Speaker 3: or Cleveland or you know, Brooklyn or wherever, it's fucking
Speaker 3: just shit. Man. You be like, man, need to give
Speaker 3: me a sack, because that's the quickest come up I
Speaker 3: can come up. Nigga's gonna respect me. I'm ad bitches,
Speaker 3: I'm gonna have a fancy cars. It's hard for you
Speaker 3: to grasp being a productive citizen when you in you
Speaker 3: know where you where, the situations where I came from.
Speaker 3: It's it's it's hard to have that dream of being
Speaker 3: a productive citizen when all the vices is right here.
Speaker 2: Nigga.
Speaker 3: What nigga, I'll set you up with a sack. Nigga,
Speaker 3: put you on this corner, you know, or shire. My
Speaker 3: parents ain't around. My mam working from eleven o'clock at
Speaker 3: night to seven in the morning. I'm finna get into
Speaker 3: some shit. You feel me, it's you give me. I'm
Speaker 3: finna get into some ship and I live in the
Speaker 3: hood and then everybody know, nigga, Mama gone at night.
Speaker 3: Nigg we're going over. We're going Old Kuzz Housegga. Niggas
Speaker 3: all at the front yard at the house, Nigga, we
Speaker 3: get loaded and ship like supervision. You nigga, my older sister, Nigga, see, hey,
Speaker 3: you have no way of life, man. So it was
Speaker 3: hard to grasp that. So, like I said, nigga, that's
Speaker 3: what nigga. That's where those those struggle songs come from.
Speaker 3: Because niggas don't be knowing what the fuck they gonna do.
Speaker 3: And so for me, when the rap shit started, Nigga,
Speaker 3: I'm finna talk about all this struggling I'm going through.
Speaker 3: You know, that's where and like I said, I hate
Speaker 3: for motherfuckers to call it gainst the rap because Nigga.
Speaker 1: I wasn't talking about the game.
Speaker 3: Yeah, I was claiming trag New, but I ain't coming
Speaker 3: about you know, I ain't talking about this trag new
Speaker 3: on the record. I'm talking about Nigga. We over here struggling.
Speaker 1: That's why.
Speaker 3: That's why I wrote Nigga Struggling. That's why I wrote
Speaker 3: Nigga the Hood to be under y'all think this shit?
Speaker 3: Is this fascinating?
Speaker 1: Hell?
Speaker 4: No?
Speaker 3: You know what time, I'm getting tired of diving behind
Speaker 3: cars when the niggas come through blasting the nigga. You try,
Speaker 3: you try make a decent living. Nigga's seven of us
Speaker 3: out here trying to rush the car.
Speaker 1: We all got a pocket full of rocks. You feel me, Bro?
Speaker 2: You said something earlier, right, You talked about maturity.
Speaker 5: Right.
Speaker 2: You know why I don't let stuff bother me today too, Bro,
Speaker 2: because I think about, like, I'm really grateful. I'm really
Speaker 2: grateful for my life, bro, not saying that I got
Speaker 2: all the money in the world or whatever like that.
Speaker 2: I have my struggles just like everybody else. Right, but
Speaker 2: think about this, thoff, bro. I was on the phone
Speaker 2: an hour before we got on with one of the
Speaker 2: biggest movie producers in you know, black movie in black cinema, right,
Speaker 2: Dennis Reed. And he gave us a deal. Not just
Speaker 2: any deal, man, he pretty much gave us like a
Speaker 2: like what's the equialing of a label deal to where
Speaker 2: we could produce X amount of movies for year?
Speaker 4: Right.
Speaker 2: And I thought about that, and I said, man, hip
Speaker 2: hop took me there, notoriety. I don't have a background
Speaker 2: in film, but this dude is saying that.
Speaker 4: Man.
Speaker 2: You know, I really think you guys something you know offer.
Speaker 2: So you know, we hit it out to Detroit first
Speaker 2: of the year, man, and start banging out these flicks
Speaker 2: and stuff, start doing something out here. You know, I'm
Speaker 2: gonna mess with you on this stuff so on, you know,
Speaker 2: because I need your opinion on some stuff. Man. But
Speaker 2: we got a lot to be grateful for. Man, this
Speaker 2: all because of music. At the end of the day,
Speaker 2: you know, from this podcast man to the movies we
Speaker 2: about to start making. You know what I'm saying so eight,
Speaker 2: I hope you still got your chops together.
Speaker 3: Man, Man, I ain't doing ship. I'm just chilling and
Speaker 3: posting and doing what we're gonna do. So that's how
Speaker 3: it is, man. You know what it's about that time?
Speaker 4: Man?
Speaker 2: Well, we about to I guess next week?
Speaker 4: Man?
Speaker 2: Is it the top ten next week?
Speaker 4: Man? Yeah, we don't want to let it.
Speaker 1: We gotta.
Speaker 3: You gotta go over your ship next week. So we'll
Speaker 3: finish it off and do what we gotta do and ship,
Speaker 3: and I want to do something special for the top
Speaker 3: maybe the top five. We'll do something real fly you know.
Speaker 1: For sure, let's do that.
Speaker 2: And when we got the Gangster Chronicles, merch should be
Speaker 2: coming up. We didn't get to go up and pick
Speaker 2: up our ship tonight, but we will have the merch
Speaker 2: available next week. Is your ship online?
Speaker 4: You eight?
Speaker 3: No, because I still got product to get together. So
Speaker 3: we're trying to get all the products and ship where
Speaker 3: we're gonna come out with first, and then i'ma I'm
Speaker 3: gonna shoot it off.
Speaker 1: I got we're doing. We're doing different ship and.
Speaker 3: It's got some new products, some new ideas for some
Speaker 3: new shirt design. So once we hit that cracking, then
Speaker 3: it to be up and we got you know, like I.
Speaker 2: Said, we dropping movies man, So any young aspiring because
Speaker 2: my thing is this, I do support to young people.
Speaker 2: I give young people, maybe too many opportunities, but I
Speaker 2: think we got to. I think we in a position to.
Speaker 2: I think we should, especially if they got some bona
Speaker 2: fide talent. Anybody out there that got movie scripts serious,
Speaker 2: they're serious about this ship. Hit us up. Gangst Chronicles
Speaker 2: podcasts at gmail dot com or in for a digital
Speaker 2: soapbox media dot com. If you got scripts, I would
Speaker 2: love to. I would love for us to discover the
Speaker 2: next John Single ten and somebody that's sufficient. You know
Speaker 2: what I'm saying. And y'all make sure y'all go watch
Speaker 2: you Unique Access Sewing. You'll be having some dope ass shows. Man,
Speaker 2: you be having some dope ass episodes of Dog. I
Speaker 2: think people sleep on them a little bit. Soaring got
Speaker 2: some of the most brilliant interviews online.
Speaker 4: Man.
Speaker 2: So if you really need a hip hop ship, if
Speaker 2: y'all in that hip hop ship, man, go watch Unique
Speaker 2: Access Man. This man get people. You got brother links
Speaker 2: on that motherfucker Dog. You've had school he d you
Speaker 2: be having some people they come out for sewing.
Speaker 4: Hey, man, I'm trying to I'm trying to be trying
Speaker 4: to be number one in this game.
Speaker 1: Man.
Speaker 4: That's why I'm honored to be with y'all too. Man.
Speaker 4: So it's an honor, oh for sure.
Speaker 2: Man. It's honor to half you up here.
Speaker 4: Man.
Speaker 2: And that's it, man, We out of here. We see
Speaker 2: y'all next week, yeah,