WEBVTT - Gangster Rap Made Me Do It

0:00:00.240 --> 0:00:00.679
<v Speaker 1>Started.

0:00:01.200 --> 0:00:03.440
<v Speaker 2>Now we're waiting for you. Here we go.

0:00:05.120 --> 0:00:06.240
<v Speaker 1>Share you know what it is.

0:00:06.280 --> 0:00:11.040
<v Speaker 3>We're back against the chronicles and I'm with the peoples.

0:00:09.760 --> 0:00:14.240
<v Speaker 2>Big steal and once again we got our man journalistics

0:00:14.280 --> 0:00:17.400
<v Speaker 2>throught there, the man that the people in the comments called,

0:00:17.440 --> 0:00:21.160
<v Speaker 2>who's the white guy that don't know? Those who not

0:00:21.280 --> 0:00:24.000
<v Speaker 2>to know? Mister swarm Baker, what's up soaring?

0:00:24.440 --> 0:00:26.319
<v Speaker 4>Everything is good? Thanks for having me still and they

0:00:26.440 --> 0:00:27.000
<v Speaker 4>appreciate it.

0:00:27.440 --> 0:00:29.560
<v Speaker 2>Oh for sure, Man, I guess we go jump right

0:00:29.600 --> 0:00:33.720
<v Speaker 2>back into these top fifty before we get started. We're

0:00:33.760 --> 0:00:36.400
<v Speaker 2>on promote tonight, so it may not sound as crisp

0:00:36.479 --> 0:00:38.919
<v Speaker 2>and clear, you know, and it's not as beautiful as

0:00:38.960 --> 0:00:42.599
<v Speaker 2>normally is because you know, we're being safely respecting each

0:00:42.600 --> 0:00:45.559
<v Speaker 2>other's health and safety. Our camera man caught COVID, so

0:00:45.600 --> 0:00:47.400
<v Speaker 2>we keeping them out the mix and we staying out

0:00:47.440 --> 0:00:50.720
<v Speaker 2>the way. Advise everybody to do the same because it's

0:00:50.760 --> 0:00:52.839
<v Speaker 2>still out there. So wash your hands and take care

0:00:52.840 --> 0:00:56.480
<v Speaker 2>of yourself. But let's jump back in the man. These

0:00:56.760 --> 0:01:00.080
<v Speaker 2>great these top fifty greatest gangst the Rap albums for

0:01:00.160 --> 0:01:04.760
<v Speaker 2>all the time, because I know where are we at

0:01:04.840 --> 0:01:05.560
<v Speaker 2>right now with it.

0:01:07.560 --> 0:01:11.760
<v Speaker 5>We gotta do like eleven to fourteen tonight and probably

0:01:11.760 --> 0:01:13.479
<v Speaker 5>talk about each one of these because we get into

0:01:13.520 --> 0:01:14.320
<v Speaker 5>the cream of the crop.

0:01:15.040 --> 0:01:16.760
<v Speaker 2>Oh for sure. Well you know what, Sorry, I know

0:01:16.800 --> 0:01:20.679
<v Speaker 2>your list is gonna be controversial. You know what, We've

0:01:20.720 --> 0:01:22.000
<v Speaker 2>been doing pretty good lately.

0:01:22.040 --> 0:01:22.800
<v Speaker 4>For the most part.

0:01:22.840 --> 0:01:24.800
<v Speaker 2>We seem to agree on some things, and even the

0:01:24.840 --> 0:01:27.120
<v Speaker 2>stuff that we don't agree on is close because we

0:01:27.200 --> 0:01:30.560
<v Speaker 2>always have them somewhere else in the list. So this

0:01:30.680 --> 0:01:33.440
<v Speaker 2>is kind of getting This is getting like toward the top. Man,

0:01:33.760 --> 0:01:35.119
<v Speaker 2>Gonna stick to your words, all bro.

0:01:37.080 --> 0:01:41.000
<v Speaker 5>All right, So I'm still ironing out all my top fourteen,

0:01:41.160 --> 0:01:45.400
<v Speaker 5>the order of them, but this cluster I'm gonna do

0:01:46.319 --> 0:01:50.480
<v Speaker 5>ice Cube, America's Most Wanted, Thompson's Most Wanted, straight checking

0:01:50.520 --> 0:01:53.280
<v Speaker 5>them Scarface, mister Scarface is back.

0:01:54.160 --> 0:01:56.600
<v Speaker 4>Love seeing the mad circles and a damn thing change.

0:01:58.600 --> 0:02:02.200
<v Speaker 2>Mm I really funck with that list, dog. I thought

0:02:02.280 --> 0:02:04.520
<v Speaker 2>those would be more, you know, eleven and fourteen. You

0:02:04.560 --> 0:02:06.640
<v Speaker 2>got America's Most Wanted them eleven to fourteen.

0:02:06.720 --> 0:02:06.840
<v Speaker 1>Bro.

0:02:07.120 --> 0:02:10.280
<v Speaker 2>Well you you know it's not a Nu Miracle order necessarily,

0:02:10.440 --> 0:02:12.320
<v Speaker 2>but I thought that would have been a top five album.

0:02:13.560 --> 0:02:16.799
<v Speaker 5>Well, I think there's a lot of other albums that

0:02:17.000 --> 0:02:20.280
<v Speaker 5>are This is like you're dealing with. Are you giving

0:02:20.320 --> 0:02:23.359
<v Speaker 5>some one hundred or ninety nine percent? It's like you know,

0:02:23.560 --> 0:02:28.720
<v Speaker 5>they're splitting hairs almost. But I just think a lot

0:02:28.760 --> 0:02:33.760
<v Speaker 5>of these albums now to me, it's all the way

0:02:33.880 --> 0:02:38.360
<v Speaker 5>through beats, production and then song concepts everything, so.

0:02:39.960 --> 0:02:43.760
<v Speaker 4>You know, get nothing here. This is the A plus range.

0:02:44.840 --> 0:02:47.600
<v Speaker 2>Well you know what I had, I had straight shaking

0:02:47.680 --> 0:02:52.760
<v Speaker 2>them in my top ten and again anybody knows me, No,

0:02:52.840 --> 0:02:54.959
<v Speaker 2>I'm serious about my music. It has nothing to do

0:02:55.040 --> 0:02:57.400
<v Speaker 2>with eight being the co host of his show and

0:02:57.480 --> 0:03:00.639
<v Speaker 2>he's got some fucking classics, man, Compadence most wanted some classics.

0:03:00.720 --> 0:03:03.160
<v Speaker 4>Man, that's an understatement.

0:03:04.360 --> 0:03:05.280
<v Speaker 2>They got some classics.

0:03:05.360 --> 0:03:05.520
<v Speaker 4>Man.

0:03:06.800 --> 0:03:08.000
<v Speaker 2>What'd you think about liz A?

0:03:11.000 --> 0:03:13.639
<v Speaker 3>That was a that was that was official to me?

0:03:16.800 --> 0:03:20.120
<v Speaker 3>Though it depends on like I said, this ship is

0:03:21.240 --> 0:03:26.800
<v Speaker 3>based on niggas opinions. So you know, niggas always gonna

0:03:26.840 --> 0:03:29.880
<v Speaker 3>have a difference of opinion about what they think is

0:03:30.280 --> 0:03:38.040
<v Speaker 3>is they favored, uh, you know, reality music album.

0:03:37.760 --> 0:03:38.520
<v Speaker 1>Of all time?

0:03:38.920 --> 0:03:41.520
<v Speaker 3>And if you want to say gangster rap, because you

0:03:41.680 --> 0:03:48.360
<v Speaker 3>know some of these records weren't considered you know gangster niggas.

0:03:48.560 --> 0:03:50.800
<v Speaker 3>You know what I'm saying, Because I got some records

0:03:50.840 --> 0:03:55.320
<v Speaker 3>in there that niggas we wasn't necessarily claiming hoods and

0:03:55.480 --> 0:04:00.680
<v Speaker 3>sets and ship but dealt with uh significant West Coast music, you.

0:04:00.720 --> 0:04:06.200
<v Speaker 1>Know what I'm saying. And so the list is appropriate.

0:04:06.360 --> 0:04:08.400
<v Speaker 3>You know what I'm saying, because if you basing it

0:04:08.520 --> 0:04:12.400
<v Speaker 3>off of the music that we started as a foundation

0:04:12.600 --> 0:04:16.480
<v Speaker 3>of West Coast reality music, then you know there was

0:04:16.600 --> 0:04:21.600
<v Speaker 3>some pretty official choices. Straight checking them, I don't know, man,

0:04:21.680 --> 0:04:25.920
<v Speaker 3>you know that was all right? So you don't fuck

0:04:25.960 --> 0:04:28.720
<v Speaker 3>with straight checking them too much? A little bit, but hey,

0:04:29.000 --> 0:04:31.799
<v Speaker 3>you know what I'm saying, I don't bang straight checking

0:04:31.839 --> 0:04:32.479
<v Speaker 3>them too much.

0:04:33.400 --> 0:04:36.600
<v Speaker 4>The thing about straight checking them that I liked, or

0:04:36.720 --> 0:04:38.960
<v Speaker 4>that I especially liked is that.

0:04:41.200 --> 0:04:43.840
<v Speaker 5>Because that and Music to Drive By my two favorites

0:04:44.279 --> 0:04:45.880
<v Speaker 5>from U slash CMW.

0:04:46.279 --> 0:04:51.120
<v Speaker 4>And the thing is sonically, I think there's more.

0:04:51.080 --> 0:04:54.160
<v Speaker 5>Variance on straight checking them, and just as a quote

0:04:54.240 --> 0:04:57.840
<v Speaker 5>unquote album to Listen To, it just had more sonic

0:04:58.560 --> 0:05:01.120
<v Speaker 5>ups and downs, highs and low and different type of

0:05:01.200 --> 0:05:04.440
<v Speaker 5>paces and feels to it, whereas Music to Drive By

0:05:04.680 --> 0:05:06.240
<v Speaker 5>was like streight.

0:05:06.800 --> 0:05:10.040
<v Speaker 3>Yeah, straight hood on on on Music to Drive By

0:05:11.200 --> 0:05:13.720
<v Speaker 3>straight checking, and I guess you know, I wanted to

0:05:14.320 --> 0:05:17.600
<v Speaker 3>even though nigga was claiming coming and all that aspect.

0:05:17.800 --> 0:05:21.400
<v Speaker 1>Uh, I still wanted to have respect as an EMC.

0:05:22.000 --> 0:05:26.760
<v Speaker 1>You hear me. That's where that's where.

0:05:28.600 --> 0:05:29.039
<v Speaker 3>My name.

0:05:29.360 --> 0:05:34.920
<v Speaker 1>You know what I'm saying. Uh Uh it deals with MC.

0:05:35.160 --> 0:05:38.800
<v Speaker 3>And you know, because I was a fan of rap

0:05:38.960 --> 0:05:42.520
<v Speaker 3>music hip hop, even though we was gang banging and

0:05:42.600 --> 0:05:44.640
<v Speaker 3>claiming sets and all that type of ship.

0:05:44.800 --> 0:05:44.880
<v Speaker 1>Uh.

0:05:47.120 --> 0:05:50.680
<v Speaker 3>Back in the days, you know, it was very strong

0:05:50.839 --> 0:05:54.320
<v Speaker 3>about your your your vocal delivery and what you spoke

0:05:54.360 --> 0:05:58.280
<v Speaker 3>about on records. So I guess I just didn't want

0:05:58.400 --> 0:06:01.640
<v Speaker 3>people to be just like all the niggas talking about

0:06:01.640 --> 0:06:02.960
<v Speaker 3>to shoot them up bang bang.

0:06:03.200 --> 0:06:03.960
<v Speaker 1>You know what I'm saying.

0:06:05.720 --> 0:06:09.440
<v Speaker 3>Again, even though I was motherfucking up khaki suits and

0:06:09.640 --> 0:06:13.240
<v Speaker 3>claiming the hood, I still wanted to show a nigga,

0:06:13.240 --> 0:06:15.400
<v Speaker 3>I'm a recorderd nigga. You know what I'm saying, I'm

0:06:15.440 --> 0:06:19.320
<v Speaker 3>an MC. That's where it came from. So uh, I

0:06:19.480 --> 0:06:24.520
<v Speaker 3>prided myself on doing records like I Don't Dance, or

0:06:26.200 --> 0:06:29.880
<v Speaker 3>records like can I Can I Kill It? And ship

0:06:30.080 --> 0:06:34.560
<v Speaker 3>like that, which is album you know what I'm saying,

0:06:34.560 --> 0:06:38.520
<v Speaker 3>as opposed to records like growing up in the hood

0:06:38.800 --> 0:06:43.039
<v Speaker 3>or or raised in Compton or you know those type

0:06:43.080 --> 0:06:45.320
<v Speaker 3>of records or those type of records that I had

0:06:45.400 --> 0:06:46.360
<v Speaker 3>on straight checking them.

0:06:46.760 --> 0:06:50.000
<v Speaker 1>I still gave you. I gave you. I gave you

0:06:50.160 --> 0:06:51.799
<v Speaker 1>songs like like I said.

0:06:51.640 --> 0:06:56.479
<v Speaker 3>I don't dance might Ty's Funky Scratch, you know, because

0:06:56.520 --> 0:06:59.240
<v Speaker 3>I wanted to show niggas like you know, Ween, just

0:06:59.560 --> 0:07:02.320
<v Speaker 3>like shoot him up, bang bang, shoot him up, bang bang.

0:07:02.400 --> 0:07:02.679
<v Speaker 1>Nigga.

0:07:02.720 --> 0:07:05.560
<v Speaker 3>Nigga got lyrical skills. I guess I got that from

0:07:05.800 --> 0:07:09.760
<v Speaker 3>from Cube. You get me, because Cube, you looked at

0:07:09.920 --> 0:07:15.560
<v Speaker 3>as just different, you know, even though Easy and them

0:07:15.760 --> 0:07:19.280
<v Speaker 3>was you know, bang banged out so to speak, boys

0:07:19.320 --> 0:07:22.640
<v Speaker 3>in the hood, straight out of content. Uh, when you

0:07:22.800 --> 0:07:25.840
<v Speaker 3>listen to Cube, Cube just put words together that you

0:07:26.040 --> 0:07:29.800
<v Speaker 3>was just like man like like you know, so I

0:07:29.880 --> 0:07:33.520
<v Speaker 3>always felt like you had to be a MC first

0:07:34.120 --> 0:07:36.960
<v Speaker 3>instead of just you know, rapping about any motherfucking thing.

0:07:37.120 --> 0:07:39.720
<v Speaker 3>So that's why I took pride in the MC thing.

0:07:40.000 --> 0:07:40.600
<v Speaker 1>You get me.

0:07:42.400 --> 0:07:45.680
<v Speaker 2>Yeah, well you know what, I think that you were

0:07:45.760 --> 0:07:48.680
<v Speaker 2>so descriptive with your reps and that was the one

0:07:48.720 --> 0:07:50.680
<v Speaker 2>thing that made me your feel just like even when

0:07:50.720 --> 0:07:53.440
<v Speaker 2>you listen, can I kill it, it's just a hood

0:07:53.560 --> 0:07:55.800
<v Speaker 2>dude talking about the women he messing with. Like he

0:07:55.880 --> 0:07:59.440
<v Speaker 2>getting his mac on and the party. You know, pussy's

0:07:59.480 --> 0:08:02.280
<v Speaker 2>so big that I can't even feel it. The fuck it,

0:08:02.320 --> 0:08:04.120
<v Speaker 2>I'm still killing you know.

0:08:04.240 --> 0:08:06.840
<v Speaker 3>He talking about with this hood rap brog the hood,

0:08:06.920 --> 0:08:08.000
<v Speaker 3>this world out of the little bit.

0:08:08.160 --> 0:08:10.040
<v Speaker 2>He said, fuck it, I'm gonna still do my thing.

0:08:10.760 --> 0:08:12.920
<v Speaker 2>And it was just and even you know, and I

0:08:13.000 --> 0:08:16.000
<v Speaker 2>agree with you sawing the production on there. Each album

0:08:16.120 --> 0:08:20.080
<v Speaker 2>to me elevated from the last, and it was a different.

0:08:20.160 --> 0:08:22.400
<v Speaker 2>Even though he kept stuppingsistently and the same, it was

0:08:22.480 --> 0:08:25.160
<v Speaker 2>always different. It was like you can tell you guys

0:08:25.200 --> 0:08:27.960
<v Speaker 2>put a lot of thought. Unto y'all beat selection and

0:08:28.080 --> 0:08:30.960
<v Speaker 2>everything else, it was just well put together albums. It

0:08:31.080 --> 0:08:33.920
<v Speaker 2>just wasn't a bunch of messia songs threw together. Because

0:08:33.960 --> 0:08:35.880
<v Speaker 2>you know what I see a lot of times with

0:08:36.120 --> 0:08:38.400
<v Speaker 2>artists is that once once they put out that one

0:08:38.480 --> 0:08:43.040
<v Speaker 2>pivotal album, fall off after that because they start thinking

0:08:43.080 --> 0:08:45.320
<v Speaker 2>that everything they do, they start feeling themselves and they

0:08:45.360 --> 0:08:47.959
<v Speaker 2>start and they kind of stopped putting the effort in

0:08:48.080 --> 0:08:50.040
<v Speaker 2>that they may have put in on that release. You

0:08:50.080 --> 0:08:52.120
<v Speaker 2>feel what I'm saying. It's like you can tell y'all

0:08:52.280 --> 0:08:55.319
<v Speaker 2>was really in the studio, like getting y'all samples together

0:08:55.320 --> 0:08:57.800
<v Speaker 2>because y'all was using shit that didn't nobody use before that,

0:08:58.160 --> 0:08:59.920
<v Speaker 2>and that was in the era when people were samp,

0:09:00.360 --> 0:09:00.920
<v Speaker 2>real heavy.

0:09:01.840 --> 0:09:07.760
<v Speaker 3>Well, one thing about that was in those days of

0:09:07.960 --> 0:09:17.520
<v Speaker 3>trying to h you know, claim your spot, we wanted

0:09:17.559 --> 0:09:20.839
<v Speaker 3>to be different. I wanted to be different than a

0:09:20.920 --> 0:09:24.000
<v Speaker 3>lot of the so called music you give me, because

0:09:24.440 --> 0:09:27.120
<v Speaker 3>everybody was sticking to the same format, so to speak,

0:09:27.559 --> 0:09:31.319
<v Speaker 3>especially on the West Coast. You know, the funk sound

0:09:31.480 --> 0:09:35.000
<v Speaker 3>the parliaments to George Clinton's all of that, you know,

0:09:35.559 --> 0:09:38.600
<v Speaker 3>And don't get me wrong, those was hood foundation music

0:09:38.640 --> 0:09:41.120
<v Speaker 3>because we used to bang that shit, you know, in

0:09:41.240 --> 0:09:43.520
<v Speaker 3>the six folds and the ship riding up and down

0:09:43.520 --> 0:09:43.960
<v Speaker 3>the street.

0:09:44.360 --> 0:09:45.120
<v Speaker 1>Fuck it, nigga.

0:09:45.160 --> 0:09:48.080
<v Speaker 3>Even in the days where you know, remember niggas used

0:09:48.080 --> 0:09:53.040
<v Speaker 3>to carry the boombox radios around you feel me, you know,

0:09:53.800 --> 0:09:56.920
<v Speaker 3>nigga played that type of music. But we wanted to

0:09:57.000 --> 0:10:00.599
<v Speaker 3>be different, you know. I prided my from trying to

0:10:00.640 --> 0:10:03.920
<v Speaker 3>be different when it came to picking music to rap

0:10:04.040 --> 0:10:08.439
<v Speaker 3>over and then dealing with a you know, dealing with

0:10:08.559 --> 0:10:11.880
<v Speaker 3>a nigga like Unknown who basically want to keep all

0:10:11.960 --> 0:10:15.160
<v Speaker 3>the money in pocket, you know, because some sample cleanses

0:10:15.200 --> 0:10:19.960
<v Speaker 3>and all that shit cost. That's where we would try

0:10:20.000 --> 0:10:23.480
<v Speaker 3>to come up with shit that wasn't typical or shit

0:10:23.600 --> 0:10:28.000
<v Speaker 3>that wasn't you know, resampled, you know, five times already.

0:10:29.480 --> 0:10:32.079
<v Speaker 3>So we basically just dug in the crates, you know.

0:10:32.240 --> 0:10:36.760
<v Speaker 3>We would look at Doug Crazy records, orchestra records, records

0:10:36.800 --> 0:10:44.240
<v Speaker 3>from overseas, European artists, you know, blues artists, you know,

0:10:44.400 --> 0:10:48.640
<v Speaker 3>motherfucker in the backwoods of fucking Mississippi, some shit like that,

0:10:48.840 --> 0:10:52.319
<v Speaker 3>an artists, and we would take those songs and Slip

0:10:52.480 --> 0:10:55.880
<v Speaker 3>was good with the NPC and the SB twelve and shit,

0:10:56.360 --> 0:10:58.720
<v Speaker 3>and so he would chop up a lot of stuff.

0:10:58.840 --> 0:11:01.160
<v Speaker 3>But it was just all about trying to hear that

0:11:01.440 --> 0:11:05.800
<v Speaker 3>sound that was different, because again I prided myself on

0:11:05.960 --> 0:11:08.800
<v Speaker 3>being an m C, you know, because before it was

0:11:08.920 --> 0:11:12.000
<v Speaker 3>gangster rap or pimp rap or whatever, it was just

0:11:12.080 --> 0:11:16.800
<v Speaker 3>the m C and DJ, you feel me. So I

0:11:16.920 --> 0:11:20.240
<v Speaker 3>prided myself on EMC, and so when it came to music,

0:11:20.360 --> 0:11:22.400
<v Speaker 3>I just felt we just had to be different, you know,

0:11:22.480 --> 0:11:24.800
<v Speaker 3>you had to stand out. If you want to claim

0:11:24.840 --> 0:11:26.719
<v Speaker 3>your spot and this ship, you just have to be

0:11:26.840 --> 0:11:29.920
<v Speaker 3>a standout. So that's where that came up from for

0:11:30.120 --> 0:11:34.240
<v Speaker 3>our production, you know, not trying to follow the trends

0:11:34.320 --> 0:11:36.160
<v Speaker 3>of what was going on at the time.

0:11:37.559 --> 0:11:37.959
<v Speaker 4>Mm hmm.

0:11:38.440 --> 0:11:40.599
<v Speaker 2>That's all. And that's all. And I think, you know

0:11:40.720 --> 0:11:43.600
<v Speaker 2>what it brings me to a point, man, hip hop

0:11:43.720 --> 0:11:46.400
<v Speaker 2>I think right now is that it's lowest point, right

0:11:46.600 --> 0:11:47.720
<v Speaker 2>It's been a long time.

0:11:49.360 --> 0:11:51.800
<v Speaker 4>I don't know. There's still a lot of great music

0:11:51.840 --> 0:11:52.360
<v Speaker 4>coming out.

0:11:52.320 --> 0:11:54.400
<v Speaker 2>Man, you know what, It's a lot of great music

0:11:54.440 --> 0:11:57.920
<v Speaker 2>coming up. But it's not selling though, but people don't.

0:11:58.559 --> 0:12:02.880
<v Speaker 5>But it's challenge is that the as they would say,

0:12:02.960 --> 0:12:05.640
<v Speaker 5>the paradigm is shift it because people buy it, it's

0:12:05.720 --> 0:12:09.960
<v Speaker 5>streaming it, so it's I think it's not the same game.

0:12:10.320 --> 0:12:15.960
<v Speaker 1>It's a different way to It's just you got your

0:12:16.120 --> 0:12:17.920
<v Speaker 1>choice of what it is, right.

0:12:20.640 --> 0:12:23.960
<v Speaker 3>I just think that mus it has become a lot

0:12:24.160 --> 0:12:32.600
<v Speaker 3>repetitious right now. You know, there's a few cats with originality,

0:12:32.920 --> 0:12:35.760
<v Speaker 3>you know what I'm saying, But for the most part,

0:12:38.200 --> 0:12:42.839
<v Speaker 3>everybody's like mimicking whatever came out last month or you know,

0:12:43.760 --> 0:12:48.319
<v Speaker 3>like now the thing is, you know, I'm pretty sure

0:12:48.760 --> 0:12:53.439
<v Speaker 3>production companies and niggas with studios, everybody trying to run

0:12:53.480 --> 0:12:55.719
<v Speaker 3>out just like my nigga called me today, you know,

0:12:56.080 --> 0:12:57.959
<v Speaker 3>or try to get this female on.

0:12:58.120 --> 0:12:58.520
<v Speaker 1>I'm trying.

0:12:58.520 --> 0:13:00.800
<v Speaker 3>That's the thing right now. Well, you know what I'm saying,

0:13:00.920 --> 0:13:07.040
<v Speaker 3>So I don't think people trying to come with originality.

0:13:07.160 --> 0:13:09.880
<v Speaker 3>You know, you got those artists who come along every

0:13:10.000 --> 0:13:12.520
<v Speaker 3>now and then who are standouts and who are original,

0:13:13.040 --> 0:13:15.559
<v Speaker 3>and then you know, you got to gag the motherfuckers

0:13:15.600 --> 0:13:18.439
<v Speaker 3>that like shit, I'm gonna do what they doing because

0:13:18.480 --> 0:13:21.280
<v Speaker 3>it's working, you know what I'm saying. And I just think,

0:13:21.440 --> 0:13:25.440
<v Speaker 3>you know, it's a time to where everybody grow up,

0:13:25.520 --> 0:13:26.240
<v Speaker 3>you know what I'm saying.

0:13:26.760 --> 0:13:27.720
<v Speaker 1>And then them.

0:13:27.640 --> 0:13:30.640
<v Speaker 3>Thirteen and fourteen and fifteen year olds they grow up,

0:13:30.679 --> 0:13:33.280
<v Speaker 3>and if you look at the last ten years, you know,

0:13:33.360 --> 0:13:35.840
<v Speaker 3>they growing up now, and it's to where like, okay,

0:13:36.559 --> 0:13:38.920
<v Speaker 3>a lot of shit is is just simple, you know

0:13:38.960 --> 0:13:41.640
<v Speaker 3>what I'm saying. And don't give me wrong, Simplicity and

0:13:41.800 --> 0:13:46.679
<v Speaker 3>music sometimes work, but well it's just repetitions and repetitions

0:13:46.760 --> 0:13:49.719
<v Speaker 3>and repetitions. You know, you're gonna tend to kind of

0:13:49.840 --> 0:13:52.720
<v Speaker 3>lose some of his lackluster I think is what's going

0:13:52.800 --> 0:13:55.000
<v Speaker 3>on in hip hop, you know. But like you said,

0:13:55.040 --> 0:13:58.480
<v Speaker 3>don't get me wrong, there's there's some there's some good

0:13:58.679 --> 0:14:00.960
<v Speaker 3>music if you can find you know what I'm saying,

0:14:01.000 --> 0:14:03.680
<v Speaker 3>if you can stray away from what motherfuckers is trying

0:14:03.720 --> 0:14:07.080
<v Speaker 3>to force feeds you, and there's some decent music out there,

0:14:07.160 --> 0:14:09.840
<v Speaker 3>but you know, you gotta be true connoisseurs like we are,

0:14:09.920 --> 0:14:12.160
<v Speaker 3>and you have to find it, you know what I'm saying,

0:14:12.240 --> 0:14:16.520
<v Speaker 3>because the masses wants to push the same objective right now,

0:14:17.000 --> 0:14:19.440
<v Speaker 3>because you know, when it's about making cheddar and it's

0:14:19.480 --> 0:14:22.840
<v Speaker 3>about making money, then I don't give a fuck. You

0:14:22.960 --> 0:14:26.280
<v Speaker 3>give me they made a movie about the time machine,

0:14:26.720 --> 0:14:28.920
<v Speaker 3>Fuck it. Six months later, we're gonna make a movie

0:14:29.000 --> 0:14:31.640
<v Speaker 3>about a time machine. Were just gonna put a different

0:14:31.720 --> 0:14:35.320
<v Speaker 3>actor in it, and it whatever and rearrange the storyline.

0:14:35.400 --> 0:14:38.000
<v Speaker 1>But you know, copycat season is in full effect.

0:14:38.840 --> 0:14:41.040
<v Speaker 2>Yeah, but you know we talked about your homegirl what's

0:14:41.080 --> 0:14:45.200
<v Speaker 2>her name on Sexy Red. You know, I think people

0:14:45.280 --> 0:14:47.360
<v Speaker 2>are I think right now we live in the era

0:14:47.440 --> 0:14:50.200
<v Speaker 2>of man where I see people more interested in pulling

0:14:50.240 --> 0:14:52.880
<v Speaker 2>off publicity stunts than making dope music.

0:14:54.840 --> 0:14:55.320
<v Speaker 1>I see.

0:14:58.200 --> 0:15:02.640
<v Speaker 3>I think I've seen something today where Jimmy I Vean said, uh,

0:15:05.200 --> 0:15:10.000
<v Speaker 3>people aren't interested in making you know, records anymore. Right,

0:15:10.360 --> 0:15:13.560
<v Speaker 3>We used to make records, right, the quality that you

0:15:13.720 --> 0:15:16.760
<v Speaker 3>put into a record. Motherfucker's right now. I want to

0:15:16.800 --> 0:15:19.440
<v Speaker 3>get on TikTok and shit like that.

0:15:19.760 --> 0:15:20.080
<v Speaker 2>Whatever.

0:15:21.160 --> 0:15:26.240
<v Speaker 3>You know, everything is turning into the visual eye of shit,

0:15:26.880 --> 0:15:30.160
<v Speaker 3>whereas it's becoming a thing of the past for you

0:15:30.320 --> 0:15:32.680
<v Speaker 3>to make a good, good quality record.

0:15:33.120 --> 0:15:36.480
<v Speaker 1>You're giving me, you know, getting into the.

0:15:36.560 --> 0:15:40.240
<v Speaker 3>Studio, the field, the engineer, coming up with the sound,

0:15:40.800 --> 0:15:45.080
<v Speaker 3>something that's meaningful and something that you take pride in recording.

0:15:45.680 --> 0:15:50.200
<v Speaker 3>Like you said, my fucker, niggas be screaming ship nigga,

0:15:50.280 --> 0:15:51.960
<v Speaker 3>let's take let's go, Let's get to TikTok.

0:15:52.240 --> 0:15:52.760
<v Speaker 1>You getting me?

0:15:53.360 --> 0:15:53.520
<v Speaker 4>How?

0:15:53.920 --> 0:15:57.720
<v Speaker 1>How? How heartfelt is that? You know what I'm saying?

0:15:58.000 --> 0:16:02.320
<v Speaker 3>Like your quest from her quest for musical prowess or

0:16:02.680 --> 0:16:06.880
<v Speaker 3>satisfaction is let me get let me make it to TikTok.

0:16:07.200 --> 0:16:09.840
<v Speaker 1>You get me. That's where the world of music is

0:16:10.040 --> 0:16:10.680
<v Speaker 1>jearing too.

0:16:11.320 --> 0:16:13.480
<v Speaker 3>And like I said, nothing wrong with it, but it

0:16:13.640 --> 0:16:18.440
<v Speaker 3>takes away the essence from somebody like me who took

0:16:18.560 --> 0:16:19.920
<v Speaker 3>pride in making a song.

0:16:20.200 --> 0:16:22.240
<v Speaker 1>You get me as I do.

0:16:22.480 --> 0:16:25.920
<v Speaker 3>Now, I want to just do some shit that's trendy

0:16:26.320 --> 0:16:28.400
<v Speaker 3>because I've never followed that pattern.

0:16:28.680 --> 0:16:32.160
<v Speaker 2>You know, I could have her content creators now versus

0:16:32.280 --> 0:16:35.400
<v Speaker 2>being rappers. And musicians. It's like they content creators. They

0:16:35.520 --> 0:16:38.760
<v Speaker 2>more interested in being influencers. Like you know, you saw

0:16:38.840 --> 0:16:41.920
<v Speaker 2>the girl she had a sex tape. The leaks. Now

0:16:42.000 --> 0:16:44.000
<v Speaker 2>she said it was by accident, but I think that

0:16:44.200 --> 0:16:47.080
<v Speaker 2>was very much done on purpose, just to listen a

0:16:47.200 --> 0:16:50.120
<v Speaker 2>response and a listen excitement. But see you think about it. Now,

0:16:50.200 --> 0:16:53.240
<v Speaker 2>she's twenty some years old, right, she got young kids

0:16:53.280 --> 0:16:55.400
<v Speaker 2>at home. Those young kids a go, especially if she

0:16:55.480 --> 0:16:57.640
<v Speaker 2>got a boy. That little boy is gonna be a

0:16:57.720 --> 0:17:01.760
<v Speaker 2>teger one day, and she's not gonna yeah, and she's

0:17:01.880 --> 0:17:05.639
<v Speaker 2>not gonna feel the same way the way she feels now,

0:17:05.720 --> 0:17:07.720
<v Speaker 2>she's not. I guarantee you she's not gonna feel that

0:17:07.760 --> 0:17:10.360
<v Speaker 2>way ten years now. She's gonna be embarrassed because somebody

0:17:10.440 --> 0:17:12.880
<v Speaker 2>at her son's school is gonna bring that tape up, Like, man,

0:17:13.280 --> 0:17:15.080
<v Speaker 2>you know, what's the tape of your MoMA here stuck

0:17:15.080 --> 0:17:16.000
<v Speaker 2>in somebody's.

0:17:15.640 --> 0:17:20.440
<v Speaker 3>Dick, and like and and and and and to put

0:17:20.520 --> 0:17:23.240
<v Speaker 3>it in and listen, to put it to more perspective, right,

0:17:25.480 --> 0:17:27.480
<v Speaker 3>Like the homie hit me and he was like, yeah,

0:17:27.520 --> 0:17:30.800
<v Speaker 3>I've seen a little forty five second midle tape, you know,

0:17:31.160 --> 0:17:32.160
<v Speaker 3>blah blah blah.

0:17:32.560 --> 0:17:33.480
<v Speaker 1>He like I'm trying.

0:17:33.800 --> 0:17:36.280
<v Speaker 3>I'm trying to see if the booty hole was brown,

0:17:36.400 --> 0:17:38.639
<v Speaker 3>and I'm trying to look and see and whatever, and

0:17:39.520 --> 0:17:44.760
<v Speaker 3>and then I had the analogy as a motherfucking as

0:17:44.800 --> 0:17:47.520
<v Speaker 3>a as a fan, Right, I'm a nigga, I'm a fan,

0:17:47.640 --> 0:17:50.800
<v Speaker 3>and I'm and this is what y'all pushing on me, right,

0:17:50.920 --> 0:17:56.240
<v Speaker 3>this is the music. But as a motherfucking connoisseur of

0:17:56.880 --> 0:18:01.680
<v Speaker 3>rap and who like I take pride in the ship,

0:18:01.800 --> 0:18:06.560
<v Speaker 3>I put out as just a regular nigga. And then

0:18:06.560 --> 0:18:09.400
<v Speaker 3>you see how the females, you know, they they get

0:18:09.480 --> 0:18:12.560
<v Speaker 3>offended by whatever whatever. But I'm telling my nigga, you know,

0:18:12.640 --> 0:18:15.600
<v Speaker 3>on the aspect of that type of shit, I'm not

0:18:15.800 --> 0:18:20.440
<v Speaker 3>going to her shows to hear her rap, right, I'm

0:18:20.480 --> 0:18:22.440
<v Speaker 3>going to her shows to see if she's finna hop

0:18:22.520 --> 0:18:25.280
<v Speaker 3>on the motherfucking table or if she finna get on

0:18:25.359 --> 0:18:28.400
<v Speaker 3>the pole and bust her motherfucking pussy open and shit

0:18:28.600 --> 0:18:31.960
<v Speaker 3>like that what I'm going to her show for, because

0:18:33.240 --> 0:18:38.359
<v Speaker 3>I have a different motherfucking outlook. When when as a

0:18:38.640 --> 0:18:41.199
<v Speaker 3>as a fan, I'm going to a show to hear

0:18:41.280 --> 0:18:45.880
<v Speaker 3>the music, right, mofucker's busting out their phones and cameras

0:18:45.960 --> 0:18:46.399
<v Speaker 3>and whatever.

0:18:46.520 --> 0:18:49.679
<v Speaker 1>Whatever ain't no, ain't no real.

0:18:50.920 --> 0:18:55.760
<v Speaker 3>Rap kind of sure nigga going to these these women's

0:18:55.880 --> 0:18:59.879
<v Speaker 3>shows to listen to them, I'm going to see what

0:19:00.080 --> 0:19:03.240
<v Speaker 3>the fuck is Finna go on with this feedback you

0:19:03.400 --> 0:19:05.560
<v Speaker 3>get me. I want to see if you're Finna lay

0:19:05.640 --> 0:19:09.520
<v Speaker 3>on your back and Finna be rapping out your pussy

0:19:09.600 --> 0:19:12.560
<v Speaker 3>and put the microphone up. I want to see some tricks, nigga.

0:19:12.800 --> 0:19:17.280
<v Speaker 3>For me, it's females because I want to see you

0:19:17.359 --> 0:19:19.200
<v Speaker 3>play it out because I'm not going to listen to

0:19:19.280 --> 0:19:19.720
<v Speaker 3>you rap.

0:19:19.880 --> 0:19:21.639
<v Speaker 1>I'm not going to listen to you because you're not

0:19:21.720 --> 0:19:22.440
<v Speaker 1>a rapper to me.

0:19:23.200 --> 0:19:27.520
<v Speaker 3>Now I'm turning I'm turning you into an entertainer creator, right,

0:19:27.680 --> 0:19:34.040
<v Speaker 3>You're creating content because this can't be the respect you

0:19:34.240 --> 0:19:36.560
<v Speaker 3>have for hip hop to want to make like a

0:19:36.680 --> 0:19:40.960
<v Speaker 3>really good song, right Like, I don't believe in trendy shit.

0:19:41.359 --> 0:19:45.480
<v Speaker 3>I believe in making real music. So the aspect of that,

0:19:45.680 --> 0:19:47.920
<v Speaker 3>this is the music you want to make. And I'm

0:19:47.960 --> 0:19:51.240
<v Speaker 3>a nigga, I won't. I ain't gonna buy that shit,

0:19:51.640 --> 0:19:53.720
<v Speaker 3>but I'm a damn show. Come to your concert and

0:19:53.760 --> 0:19:56.639
<v Speaker 3>see if you're Finna be busting your pussy open, because

0:19:57.040 --> 0:20:00.159
<v Speaker 3>that's the that's the motherfucking out. That's that's that's what

0:20:00.160 --> 0:20:06.440
<v Speaker 3>I'm listening to. Right I'm being entertained by fucking sexual exploitation. Shit,

0:20:06.800 --> 0:20:09.840
<v Speaker 3>I'm not being entertained by what you're giving me lyrically.

0:20:10.160 --> 0:20:13.560
<v Speaker 3>Because I'm an artist. I take pride and my lyrics

0:20:13.640 --> 0:20:16.399
<v Speaker 3>as shit. You know, I take pride in what I

0:20:16.560 --> 0:20:19.440
<v Speaker 3>write about. I don't want to be no motherfucking gimmick.

0:20:19.880 --> 0:20:21.760
<v Speaker 3>That's why I used to tell niggas. That's why I

0:20:21.880 --> 0:20:24.960
<v Speaker 3>never got in other kind of movies or did other

0:20:25.119 --> 0:20:26.920
<v Speaker 3>kind of shit, because I don't want to be taking

0:20:27.000 --> 0:20:29.680
<v Speaker 3>That's no motherfucking gimmick. You get me.

0:20:30.080 --> 0:20:32.120
<v Speaker 1>This was a struggle I came through.

0:20:32.560 --> 0:20:35.040
<v Speaker 3>And for you to be a single mama living in

0:20:35.240 --> 0:20:39.040
<v Speaker 3>poverty and fucking around gang infested shit and niggas and

0:20:39.160 --> 0:20:42.240
<v Speaker 3>woo the womb. You want to take pride in the

0:20:42.320 --> 0:20:44.919
<v Speaker 3>shit that you write about, but you want the pride

0:20:44.960 --> 0:20:48.080
<v Speaker 3>that you take in is what my pussy and my

0:20:48.240 --> 0:20:52.200
<v Speaker 3>pussy like I like, it's gotta be a different aspect

0:20:52.240 --> 0:20:52.959
<v Speaker 3>of what I look at.

0:20:52.960 --> 0:20:53.760
<v Speaker 1>It's hip hop.

0:20:53.880 --> 0:20:58.920
<v Speaker 3>So that's why I say sometimes motherfucking gimmicky shit is

0:20:59.240 --> 0:21:03.280
<v Speaker 3>is is That's the foundation of hip hop. And like

0:21:03.400 --> 0:21:06.439
<v Speaker 3>you said, we're not selling and we're not whatever whatever,

0:21:06.800 --> 0:21:10.560
<v Speaker 3>because everything is gimmick shit today. Nothing is being taken

0:21:10.760 --> 0:21:13.560
<v Speaker 3>serious as music that I want something to leave as

0:21:13.600 --> 0:21:17.359
<v Speaker 3>a legacy. So people, can you know a hundred years

0:21:17.480 --> 0:21:21.000
<v Speaker 3>from now, motherfucker's going I remember straight up minutes, I

0:21:21.160 --> 0:21:24.960
<v Speaker 3>remember Nigga struggling. I remember the hood took me under.

0:21:25.440 --> 0:21:28.160
<v Speaker 3>One hundred years from now, you're not gonna be remembering

0:21:28.680 --> 0:21:31.440
<v Speaker 3>my pussy this and my pussy that. You feel me,

0:21:31.720 --> 0:21:36.399
<v Speaker 3>So at some point you get some point, go ahead.

0:21:36.960 --> 0:21:40.760
<v Speaker 2>I'm sorry, but I agree with you one hundred percent

0:21:40.880 --> 0:21:43.600
<v Speaker 2>because when you look back to her predecessors, like look

0:21:43.680 --> 0:21:46.760
<v Speaker 2>back at Foxy Brown, look back at look Kim. Yeah,

0:21:46.840 --> 0:21:52.000
<v Speaker 2>they displayed sexuality, right, but those girls correct.

0:21:53.800 --> 0:21:58.240
<v Speaker 5>Then still let me ask you this still, because the

0:21:58.359 --> 0:22:01.119
<v Speaker 5>difference is to me, they were the turn of it

0:22:01.800 --> 0:22:06.240
<v Speaker 5>because the artist, the female rappers in particular before them,

0:22:07.119 --> 0:22:11.600
<v Speaker 5>like MC light or Antoinette or Shah Rock or Yo

0:22:11.680 --> 0:22:15.840
<v Speaker 5>Yo or whoever you want to name. As much as

0:22:15.920 --> 0:22:18.920
<v Speaker 5>they talked to in Queen Latifamony Love, whoever it was,

0:22:19.760 --> 0:22:22.000
<v Speaker 5>they may have talked about sexual stuff, but it was

0:22:22.040 --> 0:22:25.359
<v Speaker 5>always about them as an artist, and they may or

0:22:25.440 --> 0:22:28.520
<v Speaker 5>may not have presented sexuality, but Little Kim and Foxy

0:22:28.640 --> 0:22:34.000
<v Speaker 5>Brown switched it to where they were promoting sexuality so heavy,

0:22:35.080 --> 0:22:36.679
<v Speaker 5>and they were doing it in the videos too.

0:22:36.800 --> 0:22:40.760
<v Speaker 3>They were like, you know, I would say Foxy was

0:22:40.920 --> 0:22:46.119
<v Speaker 3>provocative dressing. I always looked at Foxy though though she

0:22:46.480 --> 0:22:50.359
<v Speaker 3>was she was a rap, rap motherfucker, you get me.

0:22:50.880 --> 0:22:55.359
<v Speaker 3>She had her records, a ship. But Lil Kim was like, Nigga,

0:22:55.440 --> 0:22:58.479
<v Speaker 3>get this pussy you give me. Lil Kim was like, man,

0:22:58.560 --> 0:22:59.800
<v Speaker 3>you can get this pussy on.

0:23:00.560 --> 0:23:02.240
<v Speaker 1>You know, I don't.

0:23:02.480 --> 0:23:04.880
<v Speaker 3>I don't know if I ever heard, you know, did

0:23:05.000 --> 0:23:09.440
<v Speaker 3>Foxy have records? Were like, Nigga, we're finna be fucking.

0:23:09.240 --> 0:23:13.080
<v Speaker 4>And or she wasn't that crazy with it. But remember

0:23:13.160 --> 0:23:14.119
<v Speaker 4>her album is called.

0:23:18.640 --> 0:23:21.960
<v Speaker 1>Get that and that's and that. But then the but

0:23:22.320 --> 0:23:24.320
<v Speaker 1>like I said, a Little Kim like niggas bust it

0:23:24.400 --> 0:23:25.040
<v Speaker 1>open here.

0:23:26.359 --> 0:23:29.600
<v Speaker 4>Open right, but.

0:23:32.320 --> 0:23:35.600
<v Speaker 5>Mm hmm and to h point, I mean, Foxy was

0:23:35.680 --> 0:23:38.960
<v Speaker 5>doing posts and exactly.

0:23:39.320 --> 0:23:43.440
<v Speaker 3>It was a different, little real, little respectable songs with

0:23:43.600 --> 0:23:46.560
<v Speaker 3>Black Street, you know, got to get you home and ship.

0:23:47.040 --> 0:23:52.160
<v Speaker 3>But then Foxy had records, like you know, she had

0:23:52.280 --> 0:23:57.000
<v Speaker 3>hard records. She had hard and she had hard records,

0:23:57.080 --> 0:24:00.440
<v Speaker 3>you get me, and as a lyricist, I can respect

0:24:00.920 --> 0:24:04.800
<v Speaker 3>you know, getting passed because she took pride and lyrics.

0:24:05.000 --> 0:24:09.280
<v Speaker 1>You feel me today.

0:24:09.560 --> 0:24:12.400
<v Speaker 3>Like I said, the aspect of it is this, the simplicity,

0:24:12.520 --> 0:24:15.439
<v Speaker 3>and like, you know, fuck it, I mean, and then

0:24:15.520 --> 0:24:17.760
<v Speaker 3>it's just so blatant, like yeah, I'm a whole, Yeah

0:24:17.760 --> 0:24:19.680
<v Speaker 3>I suck dick, Yeah I fuck yeah.

0:24:19.880 --> 0:24:23.840
<v Speaker 1>So fuck it. I'm gonna put it like, Okay, we've

0:24:23.840 --> 0:24:24.480
<v Speaker 1>been doing that.

0:24:25.160 --> 0:24:30.040
<v Speaker 5>It's not even a creative or imaginative of how you're

0:24:30.119 --> 0:24:32.480
<v Speaker 5>describing doing it. It's just like you just said, it

0:24:32.640 --> 0:24:33.520
<v Speaker 5>is so straight up.

0:24:33.880 --> 0:24:38.280
<v Speaker 3>It's just yeah, I'm fucking, I'm fucking, I'm nasty, I'm dirty.

0:24:38.760 --> 0:24:42.320
<v Speaker 3>You can bend me over and blah blah blah or

0:24:42.560 --> 0:24:45.639
<v Speaker 3>you know, and nigga, pay me nigga, and then and

0:24:46.080 --> 0:24:49.280
<v Speaker 3>then if and then the females who are not you know,

0:24:49.920 --> 0:24:53.600
<v Speaker 3>maybe just so out blatant with it. It's still about,

0:24:53.840 --> 0:24:57.359
<v Speaker 3>you know, trick on me, nigga, trick on me, trick

0:24:57.480 --> 0:25:02.440
<v Speaker 3>on me, spin spin spin you a trick, you know,

0:25:03.200 --> 0:25:06.720
<v Speaker 3>flying me here, flying me there. No, you know, if

0:25:06.800 --> 0:25:09.879
<v Speaker 3>that's if that's the situation, because like I said, we

0:25:10.040 --> 0:25:13.000
<v Speaker 3>had too short, too short was bitch this and bitch

0:25:13.119 --> 0:25:16.240
<v Speaker 3>that and suck a nigga dick and bitch you the

0:25:16.359 --> 0:25:19.800
<v Speaker 3>whole and now fuck seventy five girls and you know,

0:25:20.520 --> 0:25:21.879
<v Speaker 3>freaky tales.

0:25:21.560 --> 0:25:24.360
<v Speaker 1>And I get it, you get with you get down

0:25:24.520 --> 0:25:25.640
<v Speaker 1>like you live, period.

0:25:26.600 --> 0:25:30.040
<v Speaker 3>But I just think that at some point when music,

0:25:31.560 --> 0:25:34.200
<v Speaker 3>like you said, when music turns from the art form

0:25:34.280 --> 0:25:38.600
<v Speaker 3>of want to make real you know, heartfelt records and

0:25:38.720 --> 0:25:41.080
<v Speaker 3>not just say you gotta be all sad and simpy

0:25:41.200 --> 0:25:44.679
<v Speaker 3>and crying or whatever that type of music. You can

0:25:44.760 --> 0:25:47.240
<v Speaker 3>still make good and fun music for motherfuckers, but it

0:25:47.320 --> 0:25:49.879
<v Speaker 3>still just got to have some substance. And when you

0:25:50.040 --> 0:25:53.480
<v Speaker 3>losing a substance, because like you said, a lot of

0:25:53.520 --> 0:25:56.800
<v Speaker 3>motherfuckers really ain't artists. I'm just a motherfuck on the block,

0:25:56.840 --> 0:25:59.640
<v Speaker 3>whether it be a nigga or female and nigga, I'm

0:25:59.640 --> 0:26:02.080
<v Speaker 3>a I'm gonna write about, you know, this is the

0:26:02.200 --> 0:26:05.240
<v Speaker 3>block and we killed thirty niggas and the home he

0:26:05.359 --> 0:26:07.879
<v Speaker 3>had to strap, or I'm gonna rap about, you know,

0:26:08.000 --> 0:26:10.720
<v Speaker 3>I'm a bitch getting fucked and getting my money, and

0:26:10.880 --> 0:26:11.800
<v Speaker 3>that's what it's about.

0:26:12.240 --> 0:26:14.080
<v Speaker 1>You know, it goes from it.

0:26:14.480 --> 0:26:16.840
<v Speaker 3>We're not having a lot of substance in it, you

0:26:16.960 --> 0:26:20.560
<v Speaker 3>feel me because even as a street nigga myself rapping

0:26:20.640 --> 0:26:23.720
<v Speaker 3>about the streets, I still felt like I had to

0:26:23.840 --> 0:26:29.080
<v Speaker 3>still I had to tell stories about being in the struggle,

0:26:29.359 --> 0:26:32.520
<v Speaker 3>because shit, life is a struggle. I wanted motherfuckers know

0:26:33.000 --> 0:26:37.440
<v Speaker 3>everything is not fucking roses around this motherfucker. It's still

0:26:37.520 --> 0:26:39.760
<v Speaker 3>niggas in the struggle and it's still still hard life.

0:26:39.840 --> 0:26:43.040
<v Speaker 3>So I guess that's what kept me on the pattern

0:26:43.160 --> 0:26:47.120
<v Speaker 3>of wanting to write, you know, official music to where

0:26:47.160 --> 0:26:50.480
<v Speaker 3>I felt motherfuckers could relate to. But I never just

0:26:50.560 --> 0:26:54.080
<v Speaker 3>wanted to be a gimmick ass MC. You know, fucking

0:26:54.359 --> 0:26:56.520
<v Speaker 3>I'm gonna throw this out there. If it work at work.

0:26:56.600 --> 0:26:58.520
<v Speaker 3>If it don't, it don't fuck it. We're gonna try

0:26:58.640 --> 0:27:00.879
<v Speaker 3>something else. I don't want to fuckers that look at

0:27:00.960 --> 0:27:03.879
<v Speaker 3>me like that, especially when it came to making music.

0:27:04.800 --> 0:27:07.640
<v Speaker 2>Well, you think about it like this. To me, as

0:27:07.800 --> 0:27:11.720
<v Speaker 2>much as Little Kim may have influenced the Sexy Reds

0:27:11.760 --> 0:27:13.879
<v Speaker 2>and all of them people, they're kind of like the

0:27:14.000 --> 0:27:17.000
<v Speaker 2>antithesis because if you look at Little Kim back in

0:27:17.040 --> 0:27:19.840
<v Speaker 2>the day, yeah, she had the album covered where she was,

0:27:19.920 --> 0:27:22.440
<v Speaker 2>you know, dropping it like it's hot and had the

0:27:22.520 --> 0:27:25.280
<v Speaker 2>monkey out there on full display. But at the same

0:27:25.400 --> 0:27:28.240
<v Speaker 2>time she gave you the quiet storm remixing she when

0:27:28.359 --> 0:27:29.640
<v Speaker 2>that motherfucking got busy.

0:27:31.160 --> 0:27:33.159
<v Speaker 3>I mean, but she could rap. I mean, you know,

0:27:35.600 --> 0:27:37.760
<v Speaker 3>I don't know, Like I'm not saying I don't know

0:27:37.840 --> 0:27:40.120
<v Speaker 3>who wrote her rap. She could have wrote her own shit.

0:27:40.200 --> 0:27:40.520
<v Speaker 1>I don't know.

0:27:40.600 --> 0:27:42.720
<v Speaker 3>I don't get in all that, you know, I don't

0:27:42.760 --> 0:27:46.399
<v Speaker 3>know who writing Sexy Red Raps or Suki Hannah Raps

0:27:46.520 --> 0:27:49.560
<v Speaker 3>or whoever. You know what I'm saying. I've always written

0:27:49.640 --> 0:27:52.000
<v Speaker 3>my own shit, you know. I feel you can't express

0:27:52.160 --> 0:27:55.119
<v Speaker 3>yourself no better than the motherfucker who right there. So

0:27:56.119 --> 0:27:58.080
<v Speaker 3>but you know, there's a lot of people who get

0:27:58.160 --> 0:28:03.879
<v Speaker 3>assisted and whatever. Again, I just feel like if you

0:28:04.000 --> 0:28:07.399
<v Speaker 3>want to get into this game of and a lot

0:28:07.400 --> 0:28:09.680
<v Speaker 3>of motherfuckers might be like, oh, you know, that's the

0:28:09.800 --> 0:28:13.960
<v Speaker 3>old niggas. Most niggas always hating, you know, ate and

0:28:14.240 --> 0:28:17.800
<v Speaker 3>steal story. Y'all always hating because y'all always want to

0:28:17.880 --> 0:28:21.479
<v Speaker 3>talk about the yester years of the foundation and how

0:28:21.560 --> 0:28:22.399
<v Speaker 3>the quality is.

0:28:22.640 --> 0:28:22.800
<v Speaker 4>Man.

0:28:22.920 --> 0:28:25.520
<v Speaker 3>Let us young niggas get ours man, and let the

0:28:25.600 --> 0:28:27.679
<v Speaker 3>little bitch eat and whoopy whomp.

0:28:27.440 --> 0:28:30.480
<v Speaker 1>And shit like that. So like to each his own

0:28:30.600 --> 0:28:30.960
<v Speaker 1>this shit.

0:28:31.119 --> 0:28:34.440
<v Speaker 3>But it's it's kind of disheartening when you know, you

0:28:34.640 --> 0:28:38.280
<v Speaker 3>see something that you know, you know that was a

0:28:38.360 --> 0:28:41.280
<v Speaker 3>struggle to hold down in the first place.

0:28:41.480 --> 0:28:44.680
<v Speaker 1>You know what I'm saying. It was hard for us

0:28:44.760 --> 0:28:49.000
<v Speaker 1>to get in that door to be able to do

0:28:49.200 --> 0:28:49.640
<v Speaker 1>this shit.

0:28:49.840 --> 0:28:52.520
<v Speaker 3>Like I said, nigga, you can go out and you

0:28:52.520 --> 0:28:55.560
<v Speaker 3>can kill thirty niggas on the video right now, bitches

0:28:55.600 --> 0:28:59.280
<v Speaker 3>can be you know, play sucking dick in all kind

0:28:59.320 --> 0:29:00.000
<v Speaker 3>of shit and video.

0:29:00.400 --> 0:29:01.960
<v Speaker 1>Now you do all kind of crazy shit.

0:29:02.560 --> 0:29:05.960
<v Speaker 3>I mean, back in the days, niggas we did anything

0:29:06.640 --> 0:29:10.600
<v Speaker 3>that was affiliated with something that might have thought, Oh,

0:29:10.680 --> 0:29:13.360
<v Speaker 3>the niggas is really gang bang or the niggas is

0:29:13.440 --> 0:29:17.440
<v Speaker 3>really man, we're not playing that shit right here. We're

0:29:17.520 --> 0:29:21.000
<v Speaker 3>not finna play that song on the radio. We're finna

0:29:21.080 --> 0:29:24.560
<v Speaker 3>show that video. Man, Just a gag a niggas standing

0:29:24.640 --> 0:29:27.160
<v Speaker 3>around and let one nigga throw.

0:29:27.120 --> 0:29:29.280
<v Speaker 1>Up a sign. Oh they like, oh we can't play

0:29:29.360 --> 0:29:33.160
<v Speaker 1>that ship. We can't do that, you know. So it's

0:29:33.200 --> 0:29:35.360
<v Speaker 1>come a long way. I mean, but SO has a

0:29:35.440 --> 0:29:36.040
<v Speaker 1>lot of shit.

0:29:36.640 --> 0:29:39.640
<v Speaker 3>SO has a lot of shit, right you know, no disrespect,

0:29:40.040 --> 0:29:44.040
<v Speaker 3>I mean, SO has a lot of shit. Niggas, niggas

0:29:44.120 --> 0:29:48.239
<v Speaker 3>playing in the NBA. Now you get me niggas you yo,

0:29:48.520 --> 0:29:50.760
<v Speaker 3>It's it's all kind of shit, you know what I'm saying.

0:29:50.920 --> 0:29:53.800
<v Speaker 3>We've taken through all kinds of transitions, so to each

0:29:53.920 --> 0:29:57.360
<v Speaker 3>his own, man, But I just think that sometimes you

0:29:57.440 --> 0:30:00.840
<v Speaker 3>gotta have quality and pride and ship. And it's just

0:30:01.120 --> 0:30:05.240
<v Speaker 3>unfortunate that a lot of the music, you know, like

0:30:05.360 --> 0:30:08.200
<v Speaker 3>the songs, like the like the list you had a

0:30:08.320 --> 0:30:14.760
<v Speaker 3>lot of those records reflected making a record, you know,

0:30:15.040 --> 0:30:19.640
<v Speaker 3>putting that quality and and even though we got the

0:30:19.840 --> 0:30:24.240
<v Speaker 3>moniker of being gangster rappers or reality rap it was

0:30:24.360 --> 0:30:28.160
<v Speaker 3>just the pride we took. Uh to want to impress

0:30:28.360 --> 0:30:29.280
<v Speaker 3>your next artist.

0:30:29.440 --> 0:30:31.320
<v Speaker 1>You give me shiit, nigga.

0:30:31.760 --> 0:30:35.040
<v Speaker 3>You heard cube new record? Oh man, I gotta you know,

0:30:35.640 --> 0:30:38.720
<v Speaker 3>or you heard eight new record or two shorts new record,

0:30:38.880 --> 0:30:43.440
<v Speaker 3>or whoever you you wanted to step your game up.

0:30:43.640 --> 0:30:44.440
<v Speaker 1>You know what I'm saying.

0:30:44.760 --> 0:30:49.640
<v Speaker 3>Uh, don't seem like it's no game stepping up right now.

0:30:49.840 --> 0:30:53.680
<v Speaker 3>It's just like who can who can be the next

0:30:53.880 --> 0:30:58.640
<v Speaker 3>content creator or influencer and who can have the next

0:30:59.280 --> 0:31:04.840
<v Speaker 3>tiktoki song that'll have everybody creating dances for a video

0:31:05.160 --> 0:31:08.320
<v Speaker 3>and all of that because you give me about you

0:31:08.440 --> 0:31:11.320
<v Speaker 3>know that, it's just the way that changed. And I

0:31:11.360 --> 0:31:13.960
<v Speaker 3>guess the changing at the times or the guard or whatever.

0:31:14.160 --> 0:31:18.280
<v Speaker 3>But like I said, though, music is, it's been around.

0:31:18.560 --> 0:31:21.360
<v Speaker 3>It's all it's gonna be here when we going, you

0:31:21.440 --> 0:31:24.240
<v Speaker 3>know what I'm saying. And it's just, you know, hurtful

0:31:24.360 --> 0:31:27.880
<v Speaker 3>to see where the fuck this shit can go being

0:31:28.000 --> 0:31:30.200
<v Speaker 3>left in the wrong hands, you know what I'm saying,

0:31:30.520 --> 0:31:32.960
<v Speaker 3>Because in a minute, they're gonna say, fuck all you niggas.

0:31:33.280 --> 0:31:36.360
<v Speaker 3>We'll just create shit off the computer with fake ass

0:31:36.640 --> 0:31:40.120
<v Speaker 3>artists and fake songs and shit, and we'll crack it

0:31:40.200 --> 0:31:43.320
<v Speaker 3>off like that. You know, we'll ai some shit and

0:31:43.480 --> 0:31:46.040
<v Speaker 3>we don't need we don't need you motherfuckers no more.

0:31:46.160 --> 0:31:50.360
<v Speaker 3>We'll start creating motherfucking artists off of computer modulated shit,

0:31:51.000 --> 0:31:54.280
<v Speaker 3>putting voices behind songs, and now your nigga's really gonna

0:31:54.320 --> 0:31:57.200
<v Speaker 3>lose your originality. So I think that's what we got

0:31:57.360 --> 0:31:59.400
<v Speaker 3>to stick to. You know what I'm saying, Trying to

0:31:59.440 --> 0:32:02.600
<v Speaker 3>be different in the maxis it's what's gonna help us.

0:32:04.320 --> 0:32:06.480
<v Speaker 2>Yeah, well, you know what, man, I think it is.

0:32:07.040 --> 0:32:11.960
<v Speaker 2>I think it's one of the things is man, young

0:32:12.040 --> 0:32:15.280
<v Speaker 2>people today can't take criticism right and I don't want

0:32:15.280 --> 0:32:17.240
<v Speaker 2>to sound like the old nigga, but whenever you have

0:32:17.320 --> 0:32:22.120
<v Speaker 2>an opinion about something, oh you hate, it's not necessarily

0:32:22.160 --> 0:32:24.400
<v Speaker 2>that we hating. It's just that, you know, when you

0:32:24.520 --> 0:32:27.600
<v Speaker 2>put yourself out there. First of all, when you decide

0:32:27.600 --> 0:32:29.480
<v Speaker 2>to make an album, you're putting it out for the

0:32:29.560 --> 0:32:33.160
<v Speaker 2>public consumption. That means that along with the people that

0:32:33.280 --> 0:32:35.480
<v Speaker 2>love you, you're gonna have to hear from the people

0:32:35.560 --> 0:32:38.080
<v Speaker 2>that may not like your shit. You may have to

0:32:38.200 --> 0:32:40.920
<v Speaker 2>hear from the motherfuckers like us. Who's kind of job

0:32:41.040 --> 0:32:44.320
<v Speaker 2>videos to critique certain shit and state our opinion on it.

0:32:44.800 --> 0:32:46.680
<v Speaker 2>I'm not saying it. I'm mad at that young lady

0:32:46.720 --> 0:32:48.760
<v Speaker 2>for doing what you're doing, but get over get by

0:32:48.840 --> 0:32:50.320
<v Speaker 2>on your rapp and it's like, I'm sick of all

0:32:50.360 --> 0:32:52.000
<v Speaker 2>these gimmicks and publicity stunts.

0:32:54.200 --> 0:32:58.400
<v Speaker 1>See that's the point. You can't really And that's and

0:32:58.520 --> 0:32:59.720
<v Speaker 1>I guess that's a.

0:33:00.280 --> 0:33:03.840
<v Speaker 3>What you want to say, maturity now, as far as

0:33:04.360 --> 0:33:10.120
<v Speaker 3>you concern you mature now, because put yourself at twenty

0:33:10.200 --> 0:33:14.120
<v Speaker 3>two years old right now in this time still and

0:33:14.280 --> 0:33:17.080
<v Speaker 3>you trying to crack off your gangster chronicles of your

0:33:17.240 --> 0:33:21.120
<v Speaker 3>podcast and niggas go in and shit whack man, fuck

0:33:21.200 --> 0:33:24.840
<v Speaker 3>this nigga shall still Now, why you putting out that bullshit? Nigga,

0:33:25.080 --> 0:33:27.840
<v Speaker 3>y'all ain't got no gangsters on there. Nigga, y'all ain't

0:33:27.840 --> 0:33:30.400
<v Speaker 3>talking about no hood shit. You be ready to pop

0:33:30.440 --> 0:33:33.880
<v Speaker 3>a nigga. You be ready to slap every You be

0:33:34.040 --> 0:33:38.560
<v Speaker 3>ready to slap every nigga that got on your page

0:33:38.840 --> 0:33:43.320
<v Speaker 3>and disrespected. Now we're mature, we can take that shit.

0:33:43.520 --> 0:33:46.920
<v Speaker 3>We can open opinions. We like to give knowledge and

0:33:47.040 --> 0:33:50.680
<v Speaker 3>opinions about what shouldn't be done. But like I said,

0:33:50.760 --> 0:33:52.800
<v Speaker 3>I was one of them niggas too, so I kind

0:33:52.800 --> 0:33:57.040
<v Speaker 3>of understand because as a youngster, we kind of don't know.

0:33:58.920 --> 0:33:59.640
<v Speaker 1>The direction.

0:34:00.000 --> 0:34:03.240
<v Speaker 3>You feel me, But I'm the hardest motherfucking the world

0:34:03.280 --> 0:34:06.120
<v Speaker 3>at nineteen, twenty, twenty one, twenty two, you can't tell

0:34:06.240 --> 0:34:08.400
<v Speaker 3>me shit. So just like right now, if you was

0:34:08.480 --> 0:34:11.240
<v Speaker 3>twenty two and you was cricking off digital soap box

0:34:11.440 --> 0:34:14.680
<v Speaker 3>and a nigga told you nigga shit, whack nigga, digital

0:34:14.760 --> 0:34:18.200
<v Speaker 3>soapbox whack as a mothersfucker. Y'all ain't no gangsters on

0:34:18.320 --> 0:34:21.080
<v Speaker 3>their nigga. Where are you from, nigga? And who is

0:34:21.120 --> 0:34:22.240
<v Speaker 3>the white boy nigga?

0:34:22.560 --> 0:34:24.720
<v Speaker 1>And who is this nigga? Ate nigga? Fuck eight nigga,

0:34:25.040 --> 0:34:25.960
<v Speaker 1>nigga we be, we.

0:34:26.120 --> 0:34:30.560
<v Speaker 3>Be going after every nigga that had a comment to say, because.

0:34:30.320 --> 0:34:33.239
<v Speaker 1>We'd be like fuck y'all too. That's the mentality of it.

0:34:33.480 --> 0:34:38.239
<v Speaker 3>And just like Sexy Red or or what other baby name,

0:34:38.560 --> 0:34:42.160
<v Speaker 3>as soon as the nigga go that shit whack, they go,

0:34:42.640 --> 0:34:46.719
<v Speaker 3>fuck you and they go and they go hold up

0:34:46.719 --> 0:34:49.759
<v Speaker 3>a stack of money, and they go, look at my chain,

0:34:50.239 --> 0:34:52.440
<v Speaker 3>and look at my stack of money, and look at

0:34:52.480 --> 0:34:56.560
<v Speaker 3>my brand new motherfucking pink Mercedes I just bought, and

0:34:56.719 --> 0:35:00.640
<v Speaker 3>look at me getting money. So fuck you now, thirty now,

0:35:00.719 --> 0:35:03.839
<v Speaker 3>twenty years from now, when she's sitting there watching all

0:35:04.000 --> 0:35:07.840
<v Speaker 3>videos talking about my pussy this and my wonky won't,

0:35:08.120 --> 0:35:12.160
<v Speaker 3>she's gonna be a little embarrassed because I'm getting you

0:35:12.320 --> 0:35:15.880
<v Speaker 3>can hold that true, but you're still gonna be like, damn,

0:35:16.960 --> 0:35:19.040
<v Speaker 3>you gonna still have the sense of an of a

0:35:19.200 --> 0:35:22.799
<v Speaker 3>mature a dope to know that was some crazy shit

0:35:22.920 --> 0:35:26.640
<v Speaker 3>I did right like right now, still you know some

0:35:26.760 --> 0:35:29.560
<v Speaker 3>shit you did when you was nineteen, nigga twenty you

0:35:29.719 --> 0:35:32.640
<v Speaker 3>look back right now, you go, that was some dumb

0:35:32.719 --> 0:35:33.560
<v Speaker 3>ass shit.

0:35:33.400 --> 0:35:36.200
<v Speaker 2>I did plenty of dumb ass shit, and I look

0:35:36.320 --> 0:35:38.640
<v Speaker 2>back on anocknology. But you know, the one thing that

0:35:38.800 --> 0:35:40.640
<v Speaker 2>I think we did, We did all that when we

0:35:40.760 --> 0:35:45.920
<v Speaker 2>was younger. But I do know, as y'all know, I

0:35:46.040 --> 0:35:48.640
<v Speaker 2>write reps motherfuckers. Sometimes I don't talk about it too

0:35:48.719 --> 0:35:50.920
<v Speaker 2>much because I can't talk about it. They got paperworking

0:35:50.960 --> 0:35:53.360
<v Speaker 2>all that on there without going too much into it.

0:35:53.920 --> 0:35:57.080
<v Speaker 2>Whenever I take my pen out, even as a fifty

0:35:57.080 --> 0:35:58.919
<v Speaker 2>two to fifty three year old man, I'm still trying

0:35:58.960 --> 0:36:01.800
<v Speaker 2>to bust some motherfuckers out. We did shit back in

0:36:01.880 --> 0:36:03.920
<v Speaker 2>the day with the intent to fuck shit up. It

0:36:04.040 --> 0:36:07.400
<v Speaker 2>wasn't about no money, it wasn't about nothing else. Like

0:36:07.440 --> 0:36:09.960
<v Speaker 2>you said, you wanted to be the best, right whenever

0:36:10.040 --> 0:36:11.920
<v Speaker 2>you went into that booth, you wasn't there with the

0:36:12.000 --> 0:36:14.320
<v Speaker 2>purpose of fucking shit up, right, am I correct?

0:36:15.080 --> 0:36:15.239
<v Speaker 1>Right?

0:36:16.000 --> 0:36:18.319
<v Speaker 2>Not to elicit no bullshit, not to try to get

0:36:18.400 --> 0:36:20.839
<v Speaker 2>no attention. You didn't come online and let your dick

0:36:20.920 --> 0:36:24.880
<v Speaker 2>slip out on Instagram by accident, or going there and

0:36:25.280 --> 0:36:27.120
<v Speaker 2>make love with your woman in front of the camera.

0:36:27.320 --> 0:36:29.600
<v Speaker 2>That was a mistake. Who the fuck have sex on

0:36:29.680 --> 0:36:32.640
<v Speaker 2>camera by mistake? My nigga. I'm tired of motherfuckers come

0:36:32.680 --> 0:36:34.480
<v Speaker 2>on with these laying mass excuse us all the time

0:36:34.520 --> 0:36:36.680
<v Speaker 2>about what they do. Know, you did that shit to

0:36:36.760 --> 0:36:37.680
<v Speaker 2>try to get some attention.

0:36:38.400 --> 0:36:41.160
<v Speaker 1>Well go ahead, san no.

0:36:41.239 --> 0:36:41.799
<v Speaker 4>I think too.

0:36:41.920 --> 0:36:44.320
<v Speaker 5>One of the things we got to remember is to

0:36:44.760 --> 0:36:48.120
<v Speaker 5>A's point a little bit earlier, Bexi Red has presented

0:36:48.239 --> 0:36:51.759
<v Speaker 5>who she is so eight and everybody else isn't looking

0:36:51.800 --> 0:36:53.240
<v Speaker 5>at her as a rapper anymore.

0:36:53.600 --> 0:36:55.280
<v Speaker 4>They're looking at her as a performer.

0:36:56.000 --> 0:36:59.239
<v Speaker 5>So the difference is for us, we always looked at

0:36:59.280 --> 0:37:01.480
<v Speaker 5>people that we want wanted to listen to their music

0:37:01.640 --> 0:37:04.719
<v Speaker 5>because we thought they had something to offer musically, and

0:37:04.880 --> 0:37:08.760
<v Speaker 5>now everything is just so flipped to where a sexy

0:37:08.880 --> 0:37:11.960
<v Speaker 5>Red things just the way I gotta get on to

0:37:12.239 --> 0:37:15.440
<v Speaker 5>be looked at musically. But it's like, how you present

0:37:15.520 --> 0:37:18.360
<v Speaker 5>yourself is how people look at you. And that's the

0:37:18.480 --> 0:37:20.480
<v Speaker 5>reality that I think a lot of people forget.

0:37:22.080 --> 0:37:25.800
<v Speaker 3>Yeah, because in reality, the sexy Red just went in

0:37:25.880 --> 0:37:28.480
<v Speaker 3>the booth and said, I'm just from the right about

0:37:28.680 --> 0:37:33.000
<v Speaker 3>where I'm from, and you know, the bitch struggling, but

0:37:33.160 --> 0:37:36.160
<v Speaker 3>you know I'm getting known and yep, bitch, I got

0:37:36.239 --> 0:37:38.800
<v Speaker 3>this weave. And if you kept it real like that,

0:37:40.680 --> 0:37:44.320
<v Speaker 3>it probably take her harder. It probably takes a difficult

0:37:44.400 --> 0:37:48.040
<v Speaker 3>route because let's fay, how many thousands of motherfuckers is

0:37:48.160 --> 0:37:51.720
<v Speaker 3>right now in their basements or kitchens or living rooms

0:37:51.880 --> 0:37:55.040
<v Speaker 3>or got the microphone in the closet or the bathroom

0:37:55.160 --> 0:37:58.000
<v Speaker 3>or some shit like that, and they busting out wraps

0:37:58.040 --> 0:37:59.399
<v Speaker 3>and blah blah blah.

0:37:59.760 --> 0:38:00.440
<v Speaker 1>But then.

0:38:01.960 --> 0:38:05.200
<v Speaker 3>It's hard when you when you when you're another statistic

0:38:05.480 --> 0:38:08.799
<v Speaker 3>like that, and then you got a bitch who comes out,

0:38:09.239 --> 0:38:13.040
<v Speaker 3>you know, not not as much as a looker, but

0:38:13.640 --> 0:38:17.239
<v Speaker 3>you know, I'm street, you get me, and and that

0:38:17.400 --> 0:38:19.680
<v Speaker 3>goes a long way with a lot of motherfuckers who

0:38:19.760 --> 0:38:25.400
<v Speaker 3>come from those walks of life. So I'm not finna

0:38:25.440 --> 0:38:30.040
<v Speaker 3>try to motherfucking compete with We got Nickivnanaja's out here

0:38:30.200 --> 0:38:34.520
<v Speaker 3>and Cardi B's and you know, I'm a motherfucker coming

0:38:34.640 --> 0:38:39.600
<v Speaker 3>from the hood that fifty fourth Street, and you know, like,

0:38:39.800 --> 0:38:42.520
<v Speaker 3>who the fuck don't looking. I ain't got no motherfucking connections,

0:38:42.600 --> 0:38:46.840
<v Speaker 3>ties or whatever. So sometimes it gotta be like you

0:38:46.960 --> 0:38:50.120
<v Speaker 3>gotta do that flamboyant shit like niggas used to tell me,

0:38:50.680 --> 0:38:53.759
<v Speaker 3>which was a crazy shit. Niggas used to want to

0:38:53.880 --> 0:38:55.879
<v Speaker 3>rap like I'm finna get in the game. They ain't

0:38:55.920 --> 0:38:59.080
<v Speaker 3>never put out no record or nothing, nothing. First thing

0:38:59.160 --> 0:39:02.560
<v Speaker 3>niggas want to do is start dissing niggas, right, and

0:39:02.680 --> 0:39:06.600
<v Speaker 3>I'll be like, oh, you gotta beef with that nigga,

0:39:07.760 --> 0:39:09.640
<v Speaker 3>And nigga be like, tell you the truth. I've never

0:39:09.760 --> 0:39:13.080
<v Speaker 3>I don't even know the motherfucker. And I'd be like, then,

0:39:13.120 --> 0:39:14.880
<v Speaker 3>why are you finna write a record this in a

0:39:15.000 --> 0:39:18.160
<v Speaker 3>nigga you don't even know? Shit, nigga, that's the quickest

0:39:18.200 --> 0:39:21.359
<v Speaker 3>way to get on. And I'd be like, for real,

0:39:22.120 --> 0:39:24.560
<v Speaker 3>that's what y'all think now. And niggas used to be

0:39:24.719 --> 0:39:33.160
<v Speaker 3>serious about it. This was around This is around ten

0:39:33.280 --> 0:39:38.440
<v Speaker 3>years ago, the six nine beginning era and all of

0:39:38.520 --> 0:39:42.800
<v Speaker 3>that shit, because there was a lot of niggas doing like,

0:39:42.920 --> 0:39:47.000
<v Speaker 3>I'm just from the this niggas, you get me, And

0:39:47.120 --> 0:39:50.080
<v Speaker 3>I'd be like, why because, And niggas used to say,

0:39:50.200 --> 0:39:52.719
<v Speaker 3>because I feel that's the quickest way to get on

0:39:53.480 --> 0:39:59.680
<v Speaker 3>by starting controversy with other artists that are probably established

0:39:59.840 --> 0:40:03.200
<v Speaker 3>or or you know, are on the come up. A

0:40:03.320 --> 0:40:05.440
<v Speaker 3>new nigga be like, oh fuck it, I'm finna make

0:40:05.480 --> 0:40:09.080
<v Speaker 3>a song this and that nigga, And it's crazy to

0:40:09.200 --> 0:40:12.040
<v Speaker 3>me of the levels, like I said, of what people

0:40:12.080 --> 0:40:14.600
<v Speaker 3>will do just to get on nowadays and instead of

0:40:14.680 --> 0:40:17.360
<v Speaker 3>going you know, I'm gonna just try to keep busting

0:40:17.440 --> 0:40:20.600
<v Speaker 3>it out maker like cause for me it was just

0:40:21.560 --> 0:40:24.320
<v Speaker 3>I'm gonna just keep going to the studio. He you

0:40:24.400 --> 0:40:27.960
<v Speaker 3>know what, man, I'm gonna keep going to the studio writing.

0:40:28.440 --> 0:40:30.320
<v Speaker 4>And that's why you've had a long career.

0:40:30.400 --> 0:40:33.480
<v Speaker 3>Hey, And hopefully one of these songs that I write,

0:40:34.560 --> 0:40:37.880
<v Speaker 3>you know, it's gonna get niggas on this motherfucking know

0:40:37.960 --> 0:40:41.239
<v Speaker 3>what he talking about. I never I never felt like,

0:40:41.920 --> 0:40:45.440
<v Speaker 3>oh I gotta do the next gimmick song or whatever.

0:40:45.719 --> 0:40:50.040
<v Speaker 2>I never thought about that mentality when writing music. Well,

0:40:50.040 --> 0:40:53.480
<v Speaker 2>we make sacrifices all the time. Right, think about this podcast, Hey,

0:40:54.960 --> 0:40:56.960
<v Speaker 2>I know what to do to blow up on YouTube,

0:40:57.040 --> 0:40:59.879
<v Speaker 2>right me? And you can come on here every week.

0:41:00.160 --> 0:41:03.719
<v Speaker 2>This motherfucker's and talk shit is to the point now.

0:41:03.960 --> 0:41:06.520
<v Speaker 2>And I'm gonna say this too, it's more old motherfuckers

0:41:06.560 --> 0:41:08.919
<v Speaker 2>out there hating and on bullshit than those young people.

0:41:08.960 --> 0:41:11.239
<v Speaker 2>At least, you know what one thing I will give

0:41:11.520 --> 0:41:15.120
<v Speaker 2>Sexy read them they not bothering nobody, right, they really

0:41:15.200 --> 0:41:18.600
<v Speaker 2>not bothering nobody. And she has a few songs dog

0:41:18.680 --> 0:41:21.040
<v Speaker 2>to where you can tell she has some sembilance of

0:41:21.080 --> 0:41:23.239
<v Speaker 2>talent that shit she got with the baby heart as

0:41:23.280 --> 0:41:26.920
<v Speaker 2>a motherfucker that shakes some shit, that shit banging so

0:41:27.080 --> 0:41:29.680
<v Speaker 2>she can she is capable of doing some shit when

0:41:29.680 --> 0:41:32.560
<v Speaker 2>it's necessary. Right. But I just see where we at.

0:41:32.719 --> 0:41:35.239
<v Speaker 2>I think it's a society thing soaring and they I

0:41:35.360 --> 0:41:38.600
<v Speaker 2>see motherfuckers right now as a motherfucker that has been

0:41:38.680 --> 0:41:43.080
<v Speaker 2>a victim of some lying ass niggas, and ain't I'm outside.

0:41:43.080 --> 0:41:45.120
<v Speaker 2>I'm a nigga that outside. Ain't no nigga ever put

0:41:45.160 --> 0:41:48.440
<v Speaker 2>his hands on me. All that shit niggas talk online,

0:41:48.480 --> 0:41:50.760
<v Speaker 2>they believe best, please believe. They don't want no smoke

0:41:50.800 --> 0:41:54.000
<v Speaker 2>in real life. We all know that, right, These motherfuckers

0:41:54.040 --> 0:41:55.959
<v Speaker 2>that know where I'm at, they don't want no type

0:41:55.960 --> 0:41:58.960
<v Speaker 2>of smoke. But we in this era right now to

0:41:59.040 --> 0:42:02.879
<v Speaker 2>where sensation listen is a motherfucker dog. Motherfuckers would say

0:42:02.920 --> 0:42:05.640
<v Speaker 2>any damn thing I heard, you know what. And I

0:42:05.719 --> 0:42:08.759
<v Speaker 2>don't know what Gilly's financial situation, Neils don't know what

0:42:08.920 --> 0:42:12.960
<v Speaker 2>bird Man got. But we to the point now of

0:42:13.000 --> 0:42:16.120
<v Speaker 2>where motherfuckers is basing their shit on how much money

0:42:16.160 --> 0:42:17.839
<v Speaker 2>they may have for how much Well, I got more

0:42:17.880 --> 0:42:19.759
<v Speaker 2>money than this nigga, what the fuck do that mean.

0:42:20.320 --> 0:42:25.600
<v Speaker 2>It's just like, have you all ever seen that movie Idiocracy? No, No,

0:42:26.480 --> 0:42:29.200
<v Speaker 2>you ain't never seen Idiocracy. Go watch Idiocracy.

0:42:29.280 --> 0:42:29.480
<v Speaker 1>Dog.

0:42:29.800 --> 0:42:32.239
<v Speaker 2>It's like that it was the future and motherfuckers was

0:42:32.360 --> 0:42:36.239
<v Speaker 2>just dumb as hell motherfuckers. And this movie came out.

0:42:36.239 --> 0:42:38.480
<v Speaker 2>It was written by Mike Judges. This movie maybe came

0:42:38.560 --> 0:42:41.560
<v Speaker 2>out twenty years ago. And they talked about a society

0:42:41.600 --> 0:42:43.320
<v Speaker 2>the where they looked at TV and it looked just

0:42:43.400 --> 0:42:45.759
<v Speaker 2>like one big ass at there was a whole bunch

0:42:45.800 --> 0:42:48.560
<v Speaker 2>of different channels showing at the same time. I said them,

0:42:48.640 --> 0:42:52.680
<v Speaker 2>motherfuckers predicted the future, dog, because people are retarded nowadays,

0:42:52.760 --> 0:42:57.440
<v Speaker 2>Dog sheep nowadays.

0:43:00.200 --> 0:43:09.200
<v Speaker 3>Never came from the error to where money made you official.

0:43:10.000 --> 0:43:12.319
<v Speaker 3>If it was official, nigga, he was just sufficient, whether

0:43:12.440 --> 0:43:19.360
<v Speaker 3>you was broke or whether he was rich. Right, we

0:43:19.600 --> 0:43:29.120
<v Speaker 3>in this community of simple minded motherfuckers believe that money

0:43:29.360 --> 0:43:33.360
<v Speaker 3>makes us who we really are. You give me you

0:43:33.480 --> 0:43:37.799
<v Speaker 3>feel what I'm saying. If you're gonna be an up

0:43:37.880 --> 0:43:39.840
<v Speaker 3>and up nigga, you're gonna be an up and up nigga.

0:43:39.920 --> 0:43:42.160
<v Speaker 1>Right. If you're a cook, you a cook, You're gonna

0:43:42.160 --> 0:43:43.640
<v Speaker 1>be a cook. If you broke and.

0:43:45.640 --> 0:43:47.960
<v Speaker 3>When you when you got a billion dollars, you're still

0:43:48.000 --> 0:43:56.440
<v Speaker 3>gonna be a motherfucking crook. Right, Niggas want to feel

0:43:56.560 --> 0:44:01.680
<v Speaker 3>that the more finances I got, that makes me more

0:44:01.719 --> 0:44:02.400
<v Speaker 3>of a nick.

0:44:02.400 --> 0:44:05.479
<v Speaker 1>Right nigga, I'm a real nigga. Nigga. I gotta, I gotta.

0:44:05.640 --> 0:44:10.040
<v Speaker 3>I got a hundred million, nigga, No, because if you're

0:44:10.200 --> 0:44:14.200
<v Speaker 3>weak ass, you know, because a nigga donna stand on

0:44:14.360 --> 0:44:18.320
<v Speaker 3>his own right. I'm a grown man, whatever, whatever. I

0:44:18.360 --> 0:44:21.920
<v Speaker 3>don't need a hundred security. If it's me and you, nigga,

0:44:21.960 --> 0:44:25.360
<v Speaker 3>we can get them up, no problem. I don't have

0:44:25.520 --> 0:44:31.800
<v Speaker 3>to stand on my my check book to be a

0:44:32.000 --> 0:44:33.080
<v Speaker 3>stand up nigga.

0:44:33.320 --> 0:44:34.000
<v Speaker 1>You feel me.

0:44:36.400 --> 0:44:39.560
<v Speaker 3>If I got a hundred million, if you had my

0:44:39.800 --> 0:44:43.839
<v Speaker 3>number ten five days ago, you're still gonna be able

0:44:43.880 --> 0:44:44.320
<v Speaker 3>to call me.

0:44:44.560 --> 0:44:45.080
<v Speaker 1>You give me.

0:44:46.600 --> 0:44:51.040
<v Speaker 3>I don't like to have the sense of the more

0:44:51.200 --> 0:44:54.760
<v Speaker 3>money yet that makes you more tougher or more batter,

0:44:54.960 --> 0:44:58.480
<v Speaker 3>because a lot of niggas get that sense, right, And

0:44:58.600 --> 0:45:02.120
<v Speaker 3>I think that's what blind or sometimes is that.

0:45:06.400 --> 0:45:09.160
<v Speaker 1>I've always came from the sense of if, like I said,

0:45:09.239 --> 0:45:14.000
<v Speaker 1>you just real. You real Niggas like to punk.

0:45:13.800 --> 0:45:17.200
<v Speaker 3>Each other with their bank accounts you give me and

0:45:17.320 --> 0:45:24.160
<v Speaker 3>they finances. And that's the nutrind the new the new

0:45:24.239 --> 0:45:28.120
<v Speaker 3>way of because nigga, like I said, niggas with money,

0:45:28.200 --> 0:45:30.799
<v Speaker 3>who had money, I got money, They ain't got shit

0:45:30.920 --> 0:45:31.320
<v Speaker 3>to do with it?

0:45:31.480 --> 0:45:32.600
<v Speaker 1>Down what you give me.

0:45:33.640 --> 0:45:39.400
<v Speaker 3>So I think niggas get confused about letting money build

0:45:39.520 --> 0:45:43.920
<v Speaker 3>they motherfucking confidence of of who they really are. Like

0:45:44.719 --> 0:45:47.680
<v Speaker 3>you ain't no You ain't no shooter if you if

0:45:47.719 --> 0:45:49.960
<v Speaker 3>you wasn't no shooter when you was a broke nigga.

0:45:50.000 --> 0:45:52.680
<v Speaker 3>Don't think because you got a million dollars now you

0:45:52.760 --> 0:45:55.440
<v Speaker 3>can go buy twenty guns that you a big time.

0:45:55.360 --> 0:45:59.080
<v Speaker 1>You get me, you ain't shoot shooter.

0:46:00.080 --> 0:46:03.040
<v Speaker 3>You can have a fucking army in a tank in

0:46:03.200 --> 0:46:05.799
<v Speaker 3>your house, you still ain't gonna be no shooter because

0:46:05.840 --> 0:46:08.520
<v Speaker 3>you never was. So don't think just because you got

0:46:08.600 --> 0:46:11.359
<v Speaker 3>the money to go buy a hundred guns that that's

0:46:11.440 --> 0:46:14.440
<v Speaker 3>gonna put fear on the nigga who I know you

0:46:14.560 --> 0:46:17.000
<v Speaker 3>from the beginning. And like I said, some niggas want

0:46:17.520 --> 0:46:19.719
<v Speaker 3>one test nigga, Like I know what you said. You

0:46:19.840 --> 0:46:22.600
<v Speaker 3>heard the car nigger. I got this, nigga, I.

0:46:22.800 --> 0:46:24.400
<v Speaker 2>Own this and I got that.

0:46:25.480 --> 0:46:28.319
<v Speaker 3>So what that means, like they don't make a mother

0:46:28.440 --> 0:46:31.680
<v Speaker 3>fucking man that money ain't gonna fight for you. You

0:46:31.800 --> 0:46:34.480
<v Speaker 3>feel me, nigga for niggas like nigga, let's get them

0:46:34.560 --> 0:46:34.799
<v Speaker 3>up me.

0:46:34.840 --> 0:46:35.680
<v Speaker 1>And you right now.

0:46:36.000 --> 0:46:38.360
<v Speaker 3>You can't turn around and pull out your wallet and

0:46:38.480 --> 0:46:40.760
<v Speaker 3>be like, all right, nigga, let's fight with check bucks.

0:46:41.120 --> 0:46:44.840
<v Speaker 3>You feel me like bigger nigga, they got here, Nigga,

0:46:45.040 --> 0:46:47.879
<v Speaker 3>slap my card on the table, you slap your card out.

0:46:47.960 --> 0:46:48.239
<v Speaker 1>Let's go.

0:46:48.360 --> 0:46:51.160
<v Speaker 3>Let the cards do all this ship or nigga, my

0:46:51.400 --> 0:46:54.480
<v Speaker 3>chain is bigger than yours, nigga or the chains ain't

0:46:54.520 --> 0:46:59.400
<v Speaker 3>finna fight or whatever. So nigga be be be official, nigga,

0:46:59.480 --> 0:47:04.520
<v Speaker 3>don't don't. I just hate that shit, Like like money

0:47:04.600 --> 0:47:07.920
<v Speaker 3>give niggas courage, man, money give a lot of niggas courage.

0:47:08.800 --> 0:47:10.840
<v Speaker 2>Well you know what I noticed though, man, And again,

0:47:11.080 --> 0:47:13.879
<v Speaker 2>I don't have no knock against Killy Man. I don't know, dude.

0:47:14.440 --> 0:47:15.080
<v Speaker 2>You know what I'm saying.

0:47:15.800 --> 0:47:20.560
<v Speaker 3>I knock any nigga that think his motherfucking check book

0:47:21.200 --> 0:47:26.240
<v Speaker 3>makes him you know official, man, fuck that shit, because

0:47:26.280 --> 0:47:28.799
<v Speaker 3>if you can get slapped, you can get slapped. Money

0:47:28.800 --> 0:47:31.120
<v Speaker 3>ain't gonna stop you from getting slap all it's gonna

0:47:31.160 --> 0:47:33.919
<v Speaker 3>do is hire some security, and that's just gonna show

0:47:33.960 --> 0:47:36.120
<v Speaker 3>how much more of a punk you are, because now

0:47:36.120 --> 0:47:38.480
<v Speaker 3>you gotta walk around with tim niggas because if you're

0:47:38.480 --> 0:47:42.000
<v Speaker 3>a real nigga nigga, that's just it. Nigga niggas respect

0:47:42.080 --> 0:47:44.920
<v Speaker 3>you for who you are. You ain't got the flaws

0:47:45.160 --> 0:47:48.200
<v Speaker 3>or whatever. Now, ain't nothing wrong with having some dollars.

0:47:48.480 --> 0:47:51.640
<v Speaker 3>You get me your family live good, buy you a

0:47:51.680 --> 0:47:54.440
<v Speaker 3>couple of fancy cars and eat you a couple of

0:47:54.960 --> 0:47:58.759
<v Speaker 3>nice steak and lobsters and shit, and you know, baby go.

0:47:59.480 --> 0:48:01.760
<v Speaker 3>You know, you may even get you a private plane

0:48:01.960 --> 0:48:05.200
<v Speaker 3>or something. But if you're a buster, you're still a

0:48:05.280 --> 0:48:09.440
<v Speaker 3>buster nigga period. And we're not talking about Ghilly. Were

0:48:09.440 --> 0:48:11.480
<v Speaker 3>talking about the situation, So y'all don't go out there.

0:48:11.520 --> 0:48:12.200
<v Speaker 1>Trust yeah, I'm not.

0:48:13.000 --> 0:48:16.440
<v Speaker 3>I'm not choosing sides, man, I'm not talking about nobody

0:48:16.520 --> 0:48:20.120
<v Speaker 3>a fifth. I'm talking about any bigger who got who

0:48:20.320 --> 0:48:24.400
<v Speaker 3>feel like, you know, I'm a I'm a I'm a

0:48:24.520 --> 0:48:28.319
<v Speaker 3>hard nigga because my bank accounts say so os man,

0:48:28.400 --> 0:48:28.840
<v Speaker 3>no no.

0:48:29.640 --> 0:48:31.279
<v Speaker 2>And I had to mix it because I hear that

0:48:31.400 --> 0:48:34.399
<v Speaker 2>a lot lately. It's like when somebody get upset their

0:48:34.480 --> 0:48:37.120
<v Speaker 2>first thing. Is fuck that he don't got more money.

0:48:37.160 --> 0:48:39.400
<v Speaker 2>First of all, don't nobody know what nobody got, bro,

0:48:39.480 --> 0:48:42.640
<v Speaker 2>Because I'm gonna tell you something. I know two or

0:48:42.680 --> 0:48:45.279
<v Speaker 2>three billionaires. When I tell you, all of the motherfuckers

0:48:45.360 --> 0:48:48.080
<v Speaker 2>wear his T shirt and jeans and drive F one fifties.

0:48:48.560 --> 0:48:50.759
<v Speaker 2>Every last one of them don't. Don't nick. Neither one

0:48:50.760 --> 0:48:52.680
<v Speaker 2>of them drive a rose race, no shit like that.

0:48:53.280 --> 0:48:55.800
<v Speaker 2>All the motherfuckers, I know they actually got rose roces

0:48:55.840 --> 0:48:57.640
<v Speaker 2>and shit. Really can't afford the motherfuckers.

0:48:58.520 --> 0:49:00.680
<v Speaker 5>And the other point to all of this, which is

0:49:00.719 --> 0:49:03.839
<v Speaker 5>directly tied in the rap is and I know y'all

0:49:03.880 --> 0:49:06.880
<v Speaker 5>heard it. Every time somebody trying to be like this

0:49:07.080 --> 0:49:10.000
<v Speaker 5>artist better than that artist or whatever, they always pull out.

0:49:10.080 --> 0:49:12.000
<v Speaker 5>If you don't agree with them, they pull out, well,

0:49:12.480 --> 0:49:15.359
<v Speaker 5>who they like sold more records. I'm like, they got

0:49:15.440 --> 0:49:19.719
<v Speaker 5>another do with your talent? Zero has nothing to do

0:49:19.800 --> 0:49:22.839
<v Speaker 5>with your talent. There's a thousand rappers that never went

0:49:22.960 --> 0:49:24.600
<v Speaker 5>gold that are phenomenal artists.

0:49:25.000 --> 0:49:28.920
<v Speaker 2>So it's like, come on, yeah, you know what, I

0:49:29.040 --> 0:49:30.560
<v Speaker 2>want to go back to something. I want to go

0:49:30.680 --> 0:49:34.919
<v Speaker 2>back to the ain't the damn thing changed. I don't

0:49:34.960 --> 0:49:38.359
<v Speaker 2>think that that never went gold either, did it nah,

0:49:39.760 --> 0:49:42.239
<v Speaker 2>but it's one of the best albums. It's one of

0:49:42.280 --> 0:49:45.360
<v Speaker 2>the best albums ever made as far as gangster rap go,

0:49:45.400 --> 0:49:47.600
<v Speaker 2>as far as albums period, as far as music goes.

0:49:48.040 --> 0:49:49.360
<v Speaker 2>That was a phenomenal album.

0:49:49.440 --> 0:49:52.359
<v Speaker 4>Man. Yeah, that's why it's up here man, and eight

0:49:52.440 --> 0:49:54.279
<v Speaker 4>of course is on there. You Don't Work, You Don't Eat.

0:49:54.560 --> 0:49:55.400
<v Speaker 4>But I think the.

0:49:57.280 --> 0:49:59.320
<v Speaker 5>Thing one of the many things I loved about that

0:49:59.520 --> 0:50:03.200
<v Speaker 5>album is listening to Dubbs since the at least for

0:50:03.280 --> 0:50:06.640
<v Speaker 5>me to rhym syndicate compilation coming through and then low Profile.

0:50:07.360 --> 0:50:10.680
<v Speaker 5>But you're seeing the evolution of like these songs that

0:50:11.120 --> 0:50:13.480
<v Speaker 5>dress code, you Don't Work here on, Eat Out on

0:50:13.560 --> 0:50:17.200
<v Speaker 5>the Furlough, the tire track, but my Daddy.

0:50:17.520 --> 0:50:21.160
<v Speaker 4>Ghetto Serename, Ghetto Serenade.

0:50:21.239 --> 0:50:24.719
<v Speaker 5>All these songs looked at these different aspects of a

0:50:24.840 --> 0:50:27.600
<v Speaker 5>dude that was trying to make it that all these

0:50:27.680 --> 0:50:30.919
<v Speaker 5>different things were happening partially because he was in the hood,

0:50:30.960 --> 0:50:33.800
<v Speaker 5>partially because he was black, partially because of how he dressed,

0:50:33.840 --> 0:50:36.000
<v Speaker 5>partially because he didn't have money, partially because he.

0:50:36.160 --> 0:50:37.960
<v Speaker 4>Was gang affiliated, all this stuff.

0:50:38.719 --> 0:50:40.959
<v Speaker 5>And I just thought the way he examined and broke

0:50:41.040 --> 0:50:43.560
<v Speaker 5>everything down and COOLi oh, of course was amazing on

0:50:43.680 --> 0:50:46.840
<v Speaker 5>there eight JD from Lynch Mobls on there. It's just

0:50:46.960 --> 0:50:51.200
<v Speaker 5>a lot of amazing, amazing stories and lyrics and the

0:50:51.280 --> 0:50:57.080
<v Speaker 5>production too, with Jinks obviously holding it down a lot chilly, chill, crazy,

0:50:57.520 --> 0:50:58.400
<v Speaker 5>crazy tunes.

0:50:59.080 --> 0:51:01.040
<v Speaker 4>It's amazing, man, Jason, you.

0:51:01.120 --> 0:51:06.000
<v Speaker 2>Know what to me? To me, this album was like man,

0:51:06.120 --> 0:51:10.719
<v Speaker 2>the Ghetto Celestine's Chap, you know, it was just like that.

0:51:10.880 --> 0:51:14.000
<v Speaker 2>It was like the ghetto TheSky, you know what I'm saying,

0:51:14.400 --> 0:51:18.359
<v Speaker 2>Like really, and he's always been consistent as far as

0:51:18.480 --> 0:51:21.279
<v Speaker 2>representing for the catch that got the EBT cards and

0:51:21.320 --> 0:51:24.319
<v Speaker 2>they wanted you feel what I'm saying, and he never

0:51:24.440 --> 0:51:26.480
<v Speaker 2>switched it up though he never went Hollywood.

0:51:28.239 --> 0:51:30.200
<v Speaker 1>And one thing is is that.

0:51:34.520 --> 0:51:35.799
<v Speaker 2>A lot of people.

0:51:37.560 --> 0:51:45.920
<v Speaker 3>Look at at what we brought to the table as being,

0:51:46.200 --> 0:51:51.960
<v Speaker 3>you know, negative influences or.

0:51:54.400 --> 0:51:54.759
<v Speaker 1>Has a.

0:51:56.280 --> 0:52:00.920
<v Speaker 3>Has enough fect on what's going on with nigga you know,

0:52:01.520 --> 0:52:05.000
<v Speaker 3>hood rapped in the day. You see niggas on records. Now,

0:52:05.200 --> 0:52:08.680
<v Speaker 3>you know, we came through my homie, did you this?

0:52:09.040 --> 0:52:11.240
<v Speaker 3>And that's why your boy got shot?

0:52:11.360 --> 0:52:12.880
<v Speaker 1>And you know, but.

0:52:17.600 --> 0:52:22.520
<v Speaker 3>A lot of our music came from the struggle of

0:52:22.719 --> 0:52:29.360
<v Speaker 3>life of where we came from. It wasn't it wasn't

0:52:29.440 --> 0:52:32.600
<v Speaker 3>too And like, like you said, you listen to a

0:52:32.719 --> 0:52:35.520
<v Speaker 3>song called fuck My Daddy.

0:52:36.239 --> 0:52:41.719
<v Speaker 1>That's a personal issue, man, you feel me, and and

0:52:43.760 --> 0:52:44.960
<v Speaker 1>nobody else was.

0:52:45.239 --> 0:52:48.160
<v Speaker 3>You know, it's a lot of motherfuckers going around who

0:52:48.360 --> 0:52:52.000
<v Speaker 3>was fatherless and fathers wasn't in the home and shit,

0:52:53.680 --> 0:52:55.560
<v Speaker 3>But how was we dealing with that shit?

0:52:55.920 --> 0:52:56.440
<v Speaker 1>You feel me.

0:52:56.960 --> 0:52:59.680
<v Speaker 3>It took a nigga like dub C to go often

0:52:59.800 --> 0:53:02.480
<v Speaker 3>make record about this shit because it's some shit that's

0:53:02.560 --> 0:53:05.280
<v Speaker 3>really like, how many niggas over here in the hood,

0:53:05.760 --> 0:53:09.720
<v Speaker 3>who motherfucking pops is either dead killed, niggas in prison

0:53:09.880 --> 0:53:13.440
<v Speaker 3>for life or shooting up another niggahood or just niggas

0:53:13.560 --> 0:53:19.759
<v Speaker 3>just ain't around. It wasn't getting that shit, you feel me.

0:53:20.719 --> 0:53:24.600
<v Speaker 3>How do you try to separate yourself from that situation

0:53:24.840 --> 0:53:28.960
<v Speaker 3>that's going on to writing some shit about Hey, we

0:53:29.120 --> 0:53:32.960
<v Speaker 3>at the party and everything is a good time, and nigga,

0:53:33.000 --> 0:53:36.080
<v Speaker 3>I'm going through struggle over here. I'm not trying to

0:53:37.200 --> 0:53:43.080
<v Speaker 3>So it's kind of unfortunate that music for some of

0:53:43.239 --> 0:53:47.719
<v Speaker 3>us took a different path, you feel me. Not to

0:53:47.840 --> 0:53:50.600
<v Speaker 3>say that all are artists on the West Coast reflected

0:53:50.719 --> 0:53:56.600
<v Speaker 3>that struggle, but that's what we had to break to

0:53:56.719 --> 0:53:57.200
<v Speaker 3>the table.

0:53:57.640 --> 0:53:58.520
<v Speaker 1>Unfortunately.

0:54:00.480 --> 0:54:03.480
<v Speaker 3>We had. We wanted to talk about our depressions and

0:54:04.080 --> 0:54:09.120
<v Speaker 3>are hurt from being you know, fatherless kids, or or

0:54:09.840 --> 0:54:19.800
<v Speaker 3>seeing homies murdered, or you know, being stereotyped because you know,

0:54:20.360 --> 0:54:24.640
<v Speaker 3>being in a gang was something that wasn't something for fascination.

0:54:24.840 --> 0:54:26.560
<v Speaker 3>It was for motherfucker survival.

0:54:27.080 --> 0:54:29.759
<v Speaker 1>You get me. Everybody banging over here.

0:54:29.920 --> 0:54:32.319
<v Speaker 3>Niggas is clicking up and banging and shit, and if

0:54:32.360 --> 0:54:34.320
<v Speaker 3>you ain't banging, you're FeelA be a victim.

0:54:36.600 --> 0:54:38.920
<v Speaker 1>We had to talk about that shit, you get me.

0:54:39.360 --> 0:54:42.440
<v Speaker 3>We had to let motherfuckers know that, you know, they

0:54:42.520 --> 0:54:47.600
<v Speaker 3>got struggling over here while niggas is writing raps about

0:54:47.719 --> 0:54:50.960
<v Speaker 3>you know, having fun and you know we you know,

0:54:51.200 --> 0:54:54.400
<v Speaker 3>got the gold chains on and you know my Adidas

0:54:54.480 --> 0:54:59.400
<v Speaker 3>and shit like that. Nigga, motherfucker Nigga came through and

0:54:59.760 --> 0:55:03.640
<v Speaker 3>sh up the block last night. Am I supposed to

0:55:03.680 --> 0:55:07.160
<v Speaker 3>go to the studio write about, Hey, it's sunny in

0:55:07.320 --> 0:55:11.719
<v Speaker 3>California today. Nigga's raining like a motherfucker over here, and

0:55:11.760 --> 0:55:15.000
<v Speaker 3>it's a hundred cops come through every day kicking niggas

0:55:15.040 --> 0:55:17.279
<v Speaker 3>in the teeth and shit, just for being young black

0:55:17.360 --> 0:55:21.000
<v Speaker 3>niggas on the block. You know, nah, man, I got

0:55:21.040 --> 0:55:23.480
<v Speaker 3>to write about this shit. I got to tell somebody.

0:55:23.560 --> 0:55:26.640
<v Speaker 3>Somebody got to hear about it. So it wasn't like

0:55:27.920 --> 0:55:34.759
<v Speaker 3>our fucking artistic view didn't come from Oh nigga, we

0:55:34.880 --> 0:55:38.600
<v Speaker 3>can exploit, you know, talking about cripping and blood and

0:55:39.280 --> 0:55:42.360
<v Speaker 3>make a gang of money off of it. Nah, nigga,

0:55:44.200 --> 0:55:46.800
<v Speaker 3>I'm tired of get my ass kicked every day and

0:55:46.920 --> 0:55:50.080
<v Speaker 3>it just being a routine. You give me to the

0:55:50.200 --> 0:55:55.120
<v Speaker 3>point to where even like when the situation with the

0:55:55.239 --> 0:56:01.239
<v Speaker 3>George Floyd situation, we didn't getting our asses whooped over here, nigga. Youah,

0:56:01.320 --> 0:56:04.239
<v Speaker 3>you know, nigga, police pick us up, take us to

0:56:04.280 --> 0:56:07.760
<v Speaker 3>the end of meithood, drop us off. Police been kicking

0:56:07.800 --> 0:56:11.120
<v Speaker 3>our teeth in in the substations and fucking us up.

0:56:11.200 --> 0:56:14.880
<v Speaker 3>And look at all the look at all the lawsuits

0:56:14.920 --> 0:56:18.320
<v Speaker 3>went down with rampart of police setting niggas up and

0:56:18.480 --> 0:56:21.640
<v Speaker 3>shooting them and planting guns on them and sending niggas

0:56:21.719 --> 0:56:24.240
<v Speaker 3>to prison for shit. And you want me to write

0:56:24.280 --> 0:56:25.680
<v Speaker 3>about some happy ship?

0:56:26.840 --> 0:56:28.800
<v Speaker 1>Where is it? You get me?

0:56:28.960 --> 0:56:33.560
<v Speaker 3>So that was that was uh, you know, that's where

0:56:33.640 --> 0:56:37.279
<v Speaker 3>songs like that came from, cause you know, coming from

0:56:37.320 --> 0:56:39.840
<v Speaker 3>somewhere else. A motherfucker go like, why Nigga writing a

0:56:39.960 --> 0:56:41.719
<v Speaker 3>song about fuck is Daddy.

0:56:41.680 --> 0:56:46.200
<v Speaker 1>You getting Me? Because Nigga is is because fuck my

0:56:46.400 --> 0:56:48.839
<v Speaker 1>Daddy you get Me was in his heart.

0:56:48.880 --> 0:56:51.680
<v Speaker 2>But think about this, though, hey, me, you and Sower

0:56:51.840 --> 0:56:54.680
<v Speaker 2>all come from different walks in life. I think me

0:56:54.760 --> 0:56:57.000
<v Speaker 2>and your walking life probably similar. Even though I came

0:56:57.080 --> 0:56:59.799
<v Speaker 2>up in Cleveland, we was both kind of brought up

0:56:59.800 --> 0:57:04.280
<v Speaker 2>and right right he was there. But the common denominator

0:57:04.360 --> 0:57:07.360
<v Speaker 2>that we all have is that hip hop took us

0:57:07.400 --> 0:57:09.720
<v Speaker 2>on the journey that we never expected. Man, if somebody

0:57:09.760 --> 0:57:11.640
<v Speaker 2>would have told me at the age of thirteen, when

0:57:11.680 --> 0:57:13.960
<v Speaker 2>I was sitting on my front ports one day you

0:57:14.040 --> 0:57:16.680
<v Speaker 2>would have a podcast for one of your favorite rappers

0:57:17.040 --> 0:57:20.360
<v Speaker 2>and the dude that wrote in the magazine that you

0:57:20.520 --> 0:57:23.160
<v Speaker 2>used to love and look at every weekend, you could

0:57:23.200 --> 0:57:25.400
<v Speaker 2>have a podcast with them, and them gonna be your peers,

0:57:25.440 --> 0:57:26.920
<v Speaker 2>and you gonna get to talk about them and get

0:57:26.960 --> 0:57:29.400
<v Speaker 2>to do cool shit. I would have cried, I would

0:57:29.400 --> 0:57:31.760
<v Speaker 2>have said, for real, because I didn't see no shit

0:57:31.880 --> 0:57:35.280
<v Speaker 2>like that happening for me. The best thing I think

0:57:35.400 --> 0:57:38.680
<v Speaker 2>back eight the aspiration I had when I was looking

0:57:38.720 --> 0:57:40.680
<v Speaker 2>when I was a young man like that. At thirteen,

0:57:41.160 --> 0:57:43.360
<v Speaker 2>I said, Okay, if I don't make it, even playing

0:57:43.400 --> 0:57:45.840
<v Speaker 2>professional football or going to college for that matter, to

0:57:45.880 --> 0:57:48.640
<v Speaker 2>play football was so far from me. I thought that

0:57:48.720 --> 0:57:50.640
<v Speaker 2>I would get me a job, maybe at the gas

0:57:50.800 --> 0:57:52.520
<v Speaker 2>company or something like that, and if I can get

0:57:52.600 --> 0:57:55.160
<v Speaker 2>me a little house, maybe in something with the heights

0:57:55.200 --> 0:57:57.479
<v Speaker 2>at the end of it, Shaker Heights of Cleveland Heights.

0:57:57.800 --> 0:57:59.120
<v Speaker 2>I made it. Do you feel what I mean? To

0:57:59.160 --> 0:58:01.200
<v Speaker 2>have a car and have a family, You know what

0:58:01.240 --> 0:58:03.080
<v Speaker 2>I'm saying, have a wife and kids. That was my

0:58:03.320 --> 0:58:06.320
<v Speaker 2>top aspiration. If I would have dead man, I've got

0:58:06.360 --> 0:58:08.680
<v Speaker 2>to see the whole world because of hip hop dogs.

0:58:08.720 --> 0:58:12.280
<v Speaker 2>Why take that shit serious? It's done a lot. It's

0:58:12.320 --> 0:58:13.520
<v Speaker 2>done a lot for all of us.

0:58:14.680 --> 0:58:20.920
<v Speaker 3>Like life was blank for those mid years because I

0:58:21.000 --> 0:58:21.760
<v Speaker 3>didn't know where.

0:58:21.560 --> 0:58:22.640
<v Speaker 1>The fuck I was going.

0:58:22.920 --> 0:58:27.360
<v Speaker 3>I just I just men growing up in Compton living

0:58:27.400 --> 0:58:30.800
<v Speaker 3>where I lived in in the in the neighborhood called Fooptown.

0:58:34.040 --> 0:58:36.240
<v Speaker 3>I didn't know where the fuck I was going. Like

0:58:36.400 --> 0:58:40.640
<v Speaker 3>I said, you you see all this, You see all

0:58:40.680 --> 0:58:46.000
<v Speaker 3>this fantasy ship on TV, and as a kid, you know, are.

0:58:49.200 --> 0:58:50.320
<v Speaker 1>Like, what are you supposed to?

0:58:50.480 --> 0:58:54.400
<v Speaker 3>You know, I'm seeing these dry by shootings niggas game

0:58:54.560 --> 0:59:02.400
<v Speaker 3>bang and you know those years between when you first

0:59:02.480 --> 0:59:07.240
<v Speaker 3>get introduced to gang banging and then you know, you

0:59:07.440 --> 0:59:12.000
<v Speaker 3>see movies like Colors, and then you see movies like Scarface,

0:59:12.840 --> 0:59:16.480
<v Speaker 3>and then you look down the block and it's niggas.

0:59:16.600 --> 0:59:21.440
<v Speaker 3>You know, yo, you know you hanging with niggas is

0:59:22.640 --> 0:59:27.720
<v Speaker 3>selling and making bread and you know at that point,

0:59:27.800 --> 0:59:30.600
<v Speaker 3>I'm like, Nigga, I'm trying to get me some kilos,

0:59:31.400 --> 0:59:35.400
<v Speaker 3>you get me. I'm trying to like there was no

0:59:35.800 --> 0:59:38.200
<v Speaker 3>like man, i'mna be a ball player or.

0:59:38.440 --> 0:59:40.040
<v Speaker 1>Like like nigga, Like.

0:59:41.680 --> 0:59:44.840
<v Speaker 3>Every nigga I hang around is either dying or they

0:59:45.000 --> 0:59:47.280
<v Speaker 3>going to jail, or niggas is serving.

0:59:47.760 --> 0:59:50.360
<v Speaker 1>Like ain't no niggas working.

0:59:51.360 --> 0:59:54.920
<v Speaker 2>Like what I'm saying, Man, It's like like Nigga, I

0:59:55.080 --> 0:59:56.480
<v Speaker 2>was like work, who worked?

0:59:56.720 --> 0:59:59.160
<v Speaker 1>I thought niggas was dumb as fuck to work.

0:59:59.560 --> 1:00:02.080
<v Speaker 3>I'm think like looking and then I'm looking at my

1:00:02.240 --> 1:00:05.960
<v Speaker 3>mom's and you know, like, Okay, niggas is going to

1:00:06.080 --> 1:00:08.960
<v Speaker 3>work every day, right, have shit and that's why we

1:00:10.080 --> 1:00:12.920
<v Speaker 3>got ship. We still ain't got shit, mo fuck going

1:00:12.960 --> 1:00:16.200
<v Speaker 3>to work every day and like I'm like, damn, we

1:00:16.600 --> 1:00:20.320
<v Speaker 3>you know, we got a motherfucking we got a little bucket.

1:00:20.880 --> 1:00:26.520
<v Speaker 1>You know, we we living on the block.

1:00:26.960 --> 1:00:31.480
<v Speaker 3>You know, it's it's no motherfucking like like while like

1:00:31.800 --> 1:00:34.640
<v Speaker 3>like where I live now, I walk out my house,

1:00:34.760 --> 1:00:37.919
<v Speaker 3>nigga just standing there, nigga, and I probably won't see

1:00:37.960 --> 1:00:39.680
<v Speaker 3>a motherfucker for two hours.

1:00:40.480 --> 1:00:44.000
<v Speaker 1>It's just that quiet. You know, people don't come outside,

1:00:44.160 --> 1:00:48.840
<v Speaker 1>and you know, and and it's just nigga. I'm at

1:00:49.000 --> 1:00:50.040
<v Speaker 1>in counting, nigga.

1:00:50.080 --> 1:00:53.480
<v Speaker 3>You every five seconds you're ducking or who is that

1:00:53.640 --> 1:00:56.120
<v Speaker 3>turn in the corner or you know there go to

1:00:56.240 --> 1:00:59.040
<v Speaker 3>police And like I said, you living at home with

1:00:59.200 --> 1:01:02.720
<v Speaker 3>your moms struggling, They them lights might go off today

1:01:02.800 --> 1:01:05.280
<v Speaker 3>and all ship, nigga, what we eating today?

1:01:05.480 --> 1:01:06.560
<v Speaker 1>Or you know not.

1:01:07.560 --> 1:01:11.320
<v Speaker 3>It was just a struggle, man, and we would living

1:01:11.400 --> 1:01:18.560
<v Speaker 3>middle class was a struggle, you get me. So it

1:01:18.720 --> 1:01:21.280
<v Speaker 3>was it was it was hard to have dreams of

1:01:22.760 --> 1:01:26.680
<v Speaker 3>like how the fuck am I gonna get rich? And

1:01:27.000 --> 1:01:29.400
<v Speaker 3>and and you get me because when you were a

1:01:29.560 --> 1:01:32.160
<v Speaker 3>kid and you in the struggle, and you poverty and

1:01:32.240 --> 1:01:35.320
<v Speaker 3>you see your parents struggle, you want to be rich

1:01:35.320 --> 1:01:38.240
<v Speaker 3>as a motherfucker, that's what you want to be. But

1:01:38.440 --> 1:01:43.160
<v Speaker 3>the motherfucking how you gonna get there is the question.

1:01:43.400 --> 1:01:46.400
<v Speaker 2>Because it seems possible, bro. It seemed like it was like,

1:01:46.680 --> 1:01:48.920
<v Speaker 2>you know, I couldn't believe that stuff.

1:01:49.400 --> 1:01:53.600
<v Speaker 3>And we tell you, you know, you get an education

1:01:53.880 --> 1:01:55.760
<v Speaker 3>and go to kind of nigga, that ship is like

1:01:55.920 --> 1:02:00.640
<v Speaker 3>fucking foreign to me. You mean get an education. Okay,

1:02:00.680 --> 1:02:04.640
<v Speaker 3>I'm not dumb, you know, I'm little. My grades is

1:02:04.760 --> 1:02:08.560
<v Speaker 3>cool when I was going to school. But at some point,

1:02:09.040 --> 1:02:10.760
<v Speaker 3>I'm like, what this fuck is this shit for?

1:02:11.960 --> 1:02:12.000
<v Speaker 4>You?

1:02:12.120 --> 1:02:12.440
<v Speaker 1>Get me?

1:02:12.920 --> 1:02:17.240
<v Speaker 3>I'm learning about fucking George Washington and Abraham Lincoln, and

1:02:17.840 --> 1:02:21.600
<v Speaker 3>I'm learning about how we was whooped and chained as slaves,

1:02:21.760 --> 1:02:25.520
<v Speaker 3>and I'm learning about the Senator Maria and the Penta

1:02:25.640 --> 1:02:29.680
<v Speaker 3>whatever the fucking ships was, and ship the Christopher Colle

1:02:29.960 --> 1:02:32.520
<v Speaker 3>Like what the fuck is this shit gonna do for me?

1:02:33.000 --> 1:02:33.280
<v Speaker 1>Really?

1:02:33.640 --> 1:02:38.920
<v Speaker 3>Like really like, so you get lost, man, And as

1:02:38.960 --> 1:02:43.040
<v Speaker 3>a young nigga growing up in those places like Timpton

1:02:43.200 --> 1:02:47.600
<v Speaker 3>or Cleveland or you know, Brooklyn or wherever, it's fucking

1:02:49.080 --> 1:02:51.960
<v Speaker 3>just shit. Man. You be like, man, need to give

1:02:52.040 --> 1:02:56.320
<v Speaker 3>me a sack, because that's the quickest come up I

1:02:56.400 --> 1:03:00.800
<v Speaker 3>can come up. Nigga's gonna respect me. I'm ad bitches,

1:03:01.360 --> 1:03:06.400
<v Speaker 3>I'm gonna have a fancy cars. It's hard for you

1:03:06.600 --> 1:03:14.720
<v Speaker 3>to grasp being a productive citizen when you in you

1:03:14.880 --> 1:03:18.520
<v Speaker 3>know where you where, the situations where I came from.

1:03:18.600 --> 1:03:21.800
<v Speaker 3>It's it's it's hard to have that dream of being

1:03:21.880 --> 1:03:25.480
<v Speaker 3>a productive citizen when all the vices is right here.

1:03:25.840 --> 1:03:26.160
<v Speaker 2>Nigga.

1:03:26.280 --> 1:03:28.680
<v Speaker 3>What nigga, I'll set you up with a sack. Nigga,

1:03:28.760 --> 1:03:32.720
<v Speaker 3>put you on this corner, you know, or shire. My

1:03:32.880 --> 1:03:36.280
<v Speaker 3>parents ain't around. My mam working from eleven o'clock at

1:03:36.360 --> 1:03:39.479
<v Speaker 3>night to seven in the morning. I'm finna get into

1:03:39.600 --> 1:03:44.160
<v Speaker 3>some shit. You feel me, it's you give me. I'm

1:03:44.160 --> 1:03:46.840
<v Speaker 3>finna get into some ship and I live in the

1:03:46.960 --> 1:03:51.360
<v Speaker 3>hood and then everybody know, nigga, Mama gone at night.

1:03:51.440 --> 1:03:55.120
<v Speaker 3>Nigg we're going over. We're going Old Kuzz Housegga. Niggas

1:03:55.160 --> 1:03:57.440
<v Speaker 3>all at the front yard at the house, Nigga, we

1:03:57.600 --> 1:04:03.680
<v Speaker 3>get loaded and ship like supervision. You nigga, my older sister, Nigga, see, hey,

1:04:04.840 --> 1:04:08.160
<v Speaker 3>you have no way of life, man. So it was

1:04:08.320 --> 1:04:11.160
<v Speaker 3>hard to grasp that. So, like I said, nigga, that's

1:04:11.200 --> 1:04:14.880
<v Speaker 3>what nigga. That's where those those struggle songs come from.

1:04:15.280 --> 1:04:17.920
<v Speaker 3>Because niggas don't be knowing what the fuck they gonna do.

1:04:18.640 --> 1:04:22.280
<v Speaker 3>And so for me, when the rap shit started, Nigga,

1:04:22.280 --> 1:04:24.960
<v Speaker 3>I'm finna talk about all this struggling I'm going through.

1:04:25.480 --> 1:04:28.400
<v Speaker 3>You know, that's where and like I said, I hate

1:04:28.400 --> 1:04:30.760
<v Speaker 3>for motherfuckers to call it gainst the rap because Nigga.

1:04:30.760 --> 1:04:32.000
<v Speaker 1>I wasn't talking about the game.

1:04:32.080 --> 1:04:34.400
<v Speaker 3>Yeah, I was claiming trag New, but I ain't coming

1:04:34.400 --> 1:04:37.040
<v Speaker 3>about you know, I ain't talking about this trag new

1:04:37.120 --> 1:04:39.840
<v Speaker 3>on the record. I'm talking about Nigga. We over here struggling.

1:04:40.440 --> 1:04:40.800
<v Speaker 1>That's why.

1:04:42.120 --> 1:04:44.760
<v Speaker 3>That's why I wrote Nigga Struggling. That's why I wrote

1:04:44.840 --> 1:04:47.800
<v Speaker 3>Nigga the Hood to be under y'all think this shit?

1:04:47.960 --> 1:04:49.520
<v Speaker 3>Is this fascinating?

1:04:50.000 --> 1:04:50.280
<v Speaker 1>Hell?

1:04:50.480 --> 1:04:50.520
<v Speaker 4>No?

1:04:51.400 --> 1:04:54.520
<v Speaker 3>You know what time, I'm getting tired of diving behind

1:04:54.680 --> 1:04:58.080
<v Speaker 3>cars when the niggas come through blasting the nigga. You try,

1:04:59.560 --> 1:05:02.960
<v Speaker 3>you try make a decent living. Nigga's seven of us

1:05:03.080 --> 1:05:04.720
<v Speaker 3>out here trying to rush the car.

1:05:05.080 --> 1:05:08.400
<v Speaker 1>We all got a pocket full of rocks. You feel me, Bro?

1:05:08.560 --> 1:05:11.120
<v Speaker 2>You said something earlier, right, You talked about maturity.

1:05:11.240 --> 1:05:11.360
<v Speaker 5>Right.

1:05:12.880 --> 1:05:15.680
<v Speaker 2>You know why I don't let stuff bother me today too, Bro,

1:05:15.840 --> 1:05:19.919
<v Speaker 2>because I think about, like, I'm really grateful. I'm really

1:05:20.000 --> 1:05:22.440
<v Speaker 2>grateful for my life, bro, not saying that I got

1:05:22.480 --> 1:05:24.160
<v Speaker 2>all the money in the world or whatever like that.

1:05:24.280 --> 1:05:27.520
<v Speaker 2>I have my struggles just like everybody else. Right, but

1:05:27.680 --> 1:05:29.800
<v Speaker 2>think about this, thoff, bro. I was on the phone

1:05:31.160 --> 1:05:32.960
<v Speaker 2>an hour before we got on with one of the

1:05:33.080 --> 1:05:38.640
<v Speaker 2>biggest movie producers in you know, black movie in black cinema, right,

1:05:38.760 --> 1:05:42.680
<v Speaker 2>Dennis Reed. And he gave us a deal. Not just

1:05:42.760 --> 1:05:44.960
<v Speaker 2>any deal, man, he pretty much gave us like a

1:05:45.240 --> 1:05:47.480
<v Speaker 2>like what's the equialing of a label deal to where

1:05:47.480 --> 1:05:49.400
<v Speaker 2>we could produce X amount of movies for year?

1:05:49.520 --> 1:05:49.680
<v Speaker 4>Right.

1:05:50.840 --> 1:05:52.880
<v Speaker 2>And I thought about that, and I said, man, hip

1:05:52.920 --> 1:05:55.560
<v Speaker 2>hop took me there, notoriety. I don't have a background

1:05:55.640 --> 1:05:57.400
<v Speaker 2>in film, but this dude is saying that.

1:05:57.720 --> 1:05:57.919
<v Speaker 4>Man.

1:05:58.080 --> 1:06:01.160
<v Speaker 2>You know, I really think you guys something you know offer.

1:06:01.320 --> 1:06:03.640
<v Speaker 2>So you know, we hit it out to Detroit first

1:06:03.680 --> 1:06:05.640
<v Speaker 2>of the year, man, and start banging out these flicks

1:06:05.680 --> 1:06:07.960
<v Speaker 2>and stuff, start doing something out here. You know, I'm

1:06:08.000 --> 1:06:09.800
<v Speaker 2>gonna mess with you on this stuff so on, you know,

1:06:09.840 --> 1:06:11.840
<v Speaker 2>because I need your opinion on some stuff. Man. But

1:06:13.320 --> 1:06:15.400
<v Speaker 2>we got a lot to be grateful for. Man, this

1:06:15.520 --> 1:06:18.080
<v Speaker 2>all because of music. At the end of the day,

1:06:18.240 --> 1:06:20.400
<v Speaker 2>you know, from this podcast man to the movies we

1:06:20.480 --> 1:06:23.800
<v Speaker 2>about to start making. You know what I'm saying so eight,

1:06:23.880 --> 1:06:26.040
<v Speaker 2>I hope you still got your chops together.

1:06:26.120 --> 1:06:32.200
<v Speaker 3>Man, Man, I ain't doing ship. I'm just chilling and

1:06:32.320 --> 1:06:35.080
<v Speaker 3>posting and doing what we're gonna do. So that's how

1:06:35.120 --> 1:06:38.760
<v Speaker 3>it is, man. You know what it's about that time?

1:06:38.920 --> 1:06:39.120
<v Speaker 4>Man?

1:06:40.240 --> 1:06:42.480
<v Speaker 2>Well, we about to I guess next week?

1:06:42.560 --> 1:06:42.680
<v Speaker 4>Man?

1:06:42.760 --> 1:06:44.240
<v Speaker 2>Is it the top ten next week?

1:06:44.360 --> 1:06:46.920
<v Speaker 4>Man? Yeah, we don't want to let it.

1:06:47.040 --> 1:06:47.479
<v Speaker 1>We gotta.

1:06:47.640 --> 1:06:50.040
<v Speaker 3>You gotta go over your ship next week. So we'll

1:06:50.120 --> 1:06:52.680
<v Speaker 3>finish it off and do what we gotta do and ship,

1:06:53.360 --> 1:06:56.200
<v Speaker 3>and I want to do something special for the top

1:06:56.520 --> 1:06:59.120
<v Speaker 3>maybe the top five. We'll do something real fly you know.

1:07:00.720 --> 1:07:01.640
<v Speaker 1>For sure, let's do that.

1:07:02.360 --> 1:07:05.520
<v Speaker 2>And when we got the Gangster Chronicles, merch should be

1:07:05.600 --> 1:07:06.960
<v Speaker 2>coming up. We didn't get to go up and pick

1:07:07.040 --> 1:07:09.919
<v Speaker 2>up our ship tonight, but we will have the merch

1:07:10.000 --> 1:07:12.280
<v Speaker 2>available next week. Is your ship online?

1:07:12.320 --> 1:07:12.640
<v Speaker 4>You eight?

1:07:13.640 --> 1:07:16.480
<v Speaker 3>No, because I still got product to get together. So

1:07:17.040 --> 1:07:19.440
<v Speaker 3>we're trying to get all the products and ship where

1:07:19.480 --> 1:07:22.000
<v Speaker 3>we're gonna come out with first, and then i'ma I'm

1:07:22.000 --> 1:07:22.880
<v Speaker 3>gonna shoot it off.

1:07:24.480 --> 1:07:26.800
<v Speaker 1>I got we're doing. We're doing different ship and.

1:07:28.280 --> 1:07:31.040
<v Speaker 3>It's got some new products, some new ideas for some

1:07:31.200 --> 1:07:34.520
<v Speaker 3>new shirt design. So once we hit that cracking, then

1:07:34.560 --> 1:07:37.400
<v Speaker 3>it to be up and we got you know, like I.

1:07:37.440 --> 1:07:41.640
<v Speaker 2>Said, we dropping movies man, So any young aspiring because

1:07:41.680 --> 1:07:43.560
<v Speaker 2>my thing is this, I do support to young people.

1:07:43.600 --> 1:07:47.360
<v Speaker 2>I give young people, maybe too many opportunities, but I

1:07:47.440 --> 1:07:49.320
<v Speaker 2>think we got to. I think we in a position to.

1:07:49.440 --> 1:07:51.320
<v Speaker 2>I think we should, especially if they got some bona

1:07:51.400 --> 1:07:55.400
<v Speaker 2>fide talent. Anybody out there that got movie scripts serious,

1:07:55.440 --> 1:07:58.880
<v Speaker 2>they're serious about this ship. Hit us up. Gangst Chronicles

1:07:58.960 --> 1:08:01.400
<v Speaker 2>podcasts at gmail dot com or in for a digital

1:08:01.480 --> 1:08:05.120
<v Speaker 2>soapbox media dot com. If you got scripts, I would

1:08:05.160 --> 1:08:07.320
<v Speaker 2>love to. I would love for us to discover the

1:08:07.400 --> 1:08:12.000
<v Speaker 2>next John Single ten and somebody that's sufficient. You know

1:08:12.040 --> 1:08:14.919
<v Speaker 2>what I'm saying. And y'all make sure y'all go watch

1:08:15.000 --> 1:08:18.559
<v Speaker 2>you Unique Access Sewing. You'll be having some dope ass shows. Man,

1:08:18.600 --> 1:08:20.439
<v Speaker 2>you be having some dope ass episodes of Dog. I

1:08:20.479 --> 1:08:22.320
<v Speaker 2>think people sleep on them a little bit. Soaring got

1:08:22.400 --> 1:08:24.280
<v Speaker 2>some of the most brilliant interviews online.

1:08:24.360 --> 1:08:24.519
<v Speaker 4>Man.

1:08:25.160 --> 1:08:27.960
<v Speaker 2>So if you really need a hip hop ship, if

1:08:28.040 --> 1:08:30.360
<v Speaker 2>y'all in that hip hop ship, man, go watch Unique

1:08:30.439 --> 1:08:33.760
<v Speaker 2>Access Man. This man get people. You got brother links

1:08:33.880 --> 1:08:37.439
<v Speaker 2>on that motherfucker Dog. You've had school he d you

1:08:37.560 --> 1:08:39.400
<v Speaker 2>be having some people they come out for sewing.

1:08:40.040 --> 1:08:42.840
<v Speaker 4>Hey, man, I'm trying to I'm trying to be trying

1:08:42.840 --> 1:08:43.960
<v Speaker 4>to be number one in this game.

1:08:44.040 --> 1:08:44.200
<v Speaker 1>Man.

1:08:44.280 --> 1:08:46.360
<v Speaker 4>That's why I'm honored to be with y'all too. Man.

1:08:46.520 --> 1:08:48.800
<v Speaker 4>So it's an honor, oh for sure.

1:08:48.880 --> 1:08:50.280
<v Speaker 2>Man. It's honor to half you up here.

1:08:50.400 --> 1:08:50.599
<v Speaker 4>Man.

1:08:50.720 --> 1:08:53.680
<v Speaker 2>And that's it, man, We out of here. We see

1:08:53.760 --> 1:08:55.360
<v Speaker 2>y'all next week, yeah,