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Speaker 1: Started.

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Speaker 2: Now we're waiting for you. Here we go.

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Speaker 1: Share you know what it is.

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Speaker 3: We're back against the chronicles and I'm with the peoples.

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Speaker 2: Big steal and once again we got our man journalistics

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Speaker 2: throught there, the man that the people in the comments called,

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Speaker 2: who's the white guy that don't know? Those who not

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Speaker 2: to know? Mister swarm Baker, what's up soaring?

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Speaker 4: Everything is good? Thanks for having me still and they

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Speaker 4: appreciate it.

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Speaker 2: Oh for sure, Man, I guess we go jump right

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Speaker 2: back into these top fifty before we get started. We're

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Speaker 2: on promote tonight, so it may not sound as crisp

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Speaker 2: and clear, you know, and it's not as beautiful as

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Speaker 2: normally is because you know, we're being safely respecting each

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Speaker 2: other's health and safety. Our camera man caught COVID, so

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Speaker 2: we keeping them out the mix and we staying out

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Speaker 2: the way. Advise everybody to do the same because it's

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Speaker 2: still out there. So wash your hands and take care

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Speaker 2: of yourself. But let's jump back in the man. These

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Speaker 2: great these top fifty greatest gangst the Rap albums for

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Speaker 2: all the time, because I know where are we at

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Speaker 2: right now with it.

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Speaker 5: We gotta do like eleven to fourteen tonight and probably

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Speaker 5: talk about each one of these because we get into

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Speaker 5: the cream of the crop.

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Speaker 2: Oh for sure. Well you know what, Sorry, I know

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Speaker 2: your list is gonna be controversial. You know what, We've

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Speaker 2: been doing pretty good lately.

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Speaker 4: For the most part.

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Speaker 2: We seem to agree on some things, and even the

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Speaker 2: stuff that we don't agree on is close because we

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Speaker 2: always have them somewhere else in the list. So this

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Speaker 2: is kind of getting This is getting like toward the top. Man,

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Speaker 2: Gonna stick to your words, all bro.

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Speaker 5: All right, So I'm still ironing out all my top fourteen,

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Speaker 5: the order of them, but this cluster I'm gonna do

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Speaker 5: ice Cube, America's Most Wanted, Thompson's Most Wanted, straight checking

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Speaker 5: them Scarface, mister Scarface is back.

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Speaker 4: Love seeing the mad circles and a damn thing change.

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Speaker 2: Mm I really funck with that list, dog. I thought

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Speaker 2: those would be more, you know, eleven and fourteen. You

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Speaker 2: got America's Most Wanted them eleven to fourteen.

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Speaker 1: Bro.

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Speaker 2: Well you you know it's not a Nu Miracle order necessarily,

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Speaker 2: but I thought that would have been a top five album.

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Speaker 5: Well, I think there's a lot of other albums that

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Speaker 5: are This is like you're dealing with. Are you giving

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Speaker 5: some one hundred or ninety nine percent? It's like you know,

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Speaker 5: they're splitting hairs almost. But I just think a lot

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Speaker 5: of these albums now to me, it's all the way

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Speaker 5: through beats, production and then song concepts everything, so.

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Speaker 4: You know, get nothing here. This is the A plus range.

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Speaker 2: Well you know what I had, I had straight shaking

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Speaker 2: them in my top ten and again anybody knows me, No,

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Speaker 2: I'm serious about my music. It has nothing to do

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Speaker 2: with eight being the co host of his show and

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Speaker 2: he's got some fucking classics, man, Compadence most wanted some classics.

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Speaker 4: Man, that's an understatement.

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Speaker 2: They got some classics.

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Speaker 4: Man.

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Speaker 2: What'd you think about liz A?

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Speaker 3: That was a that was that was official to me?

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Speaker 3: Though it depends on like I said, this ship is

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Speaker 3: based on niggas opinions. So you know, niggas always gonna

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Speaker 3: have a difference of opinion about what they think is

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Speaker 3: is they favored, uh, you know, reality music album.

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Speaker 1: Of all time?

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Speaker 3: And if you want to say gangster rap, because you

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Speaker 3: know some of these records weren't considered you know gangster niggas.

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Speaker 3: You know what I'm saying, Because I got some records

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Speaker 3: in there that niggas we wasn't necessarily claiming hoods and

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Speaker 3: sets and ship but dealt with uh significant West Coast music, you.

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Speaker 1: Know what I'm saying. And so the list is appropriate.

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Speaker 3: You know what I'm saying, because if you basing it

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Speaker 3: off of the music that we started as a foundation

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Speaker 3: of West Coast reality music, then you know there was

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Speaker 3: some pretty official choices. Straight checking them, I don't know, man,

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Speaker 3: you know that was all right? So you don't fuck

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Speaker 3: with straight checking them too much? A little bit, but hey,

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Speaker 3: you know what I'm saying, I don't bang straight checking

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Speaker 3: them too much.

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Speaker 4: The thing about straight checking them that I liked, or

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Speaker 4: that I especially liked is that.

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Speaker 5: Because that and Music to Drive By my two favorites

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Speaker 5: from U slash CMW.

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Speaker 4: And the thing is sonically, I think there's more.

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Speaker 5: Variance on straight checking them, and just as a quote

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Speaker 5: unquote album to Listen To, it just had more sonic

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Speaker 5: ups and downs, highs and low and different type of

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Speaker 5: paces and feels to it, whereas Music to Drive By

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Speaker 5: was like streight.

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Speaker 3: Yeah, straight hood on on on Music to Drive By

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Speaker 3: straight checking, and I guess you know, I wanted to

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Speaker 3: even though nigga was claiming coming and all that aspect.

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Speaker 1: Uh, I still wanted to have respect as an EMC.

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Speaker 1: You hear me. That's where that's where.

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Speaker 3: My name.

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Speaker 1: You know what I'm saying. Uh Uh it deals with MC.

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Speaker 3: And you know, because I was a fan of rap

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Speaker 3: music hip hop, even though we was gang banging and

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Speaker 3: claiming sets and all that type of ship.

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Speaker 1: Uh.

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Speaker 3: Back in the days, you know, it was very strong

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Speaker 3: about your your your vocal delivery and what you spoke

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Speaker 3: about on records. So I guess I just didn't want

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Speaker 3: people to be just like all the niggas talking about

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Speaker 3: to shoot them up bang bang.

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Speaker 1: You know what I'm saying.

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Speaker 3: Again, even though I was motherfucking up khaki suits and

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Speaker 3: claiming the hood, I still wanted to show a nigga,

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Speaker 3: I'm a recorderd nigga. You know what I'm saying, I'm

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Speaker 3: an MC. That's where it came from. So uh, I

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Speaker 3: prided myself on doing records like I Don't Dance, or

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Speaker 3: records like can I Can I Kill It? And ship

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Speaker 3: like that, which is album you know what I'm saying,

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Speaker 3: as opposed to records like growing up in the hood

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Speaker 3: or or raised in Compton or you know those type

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Speaker 3: of records or those type of records that I had

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Speaker 3: on straight checking them.

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Speaker 1: I still gave you. I gave you. I gave you

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Speaker 1: songs like like I said.

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Speaker 3: I don't dance might Ty's Funky Scratch, you know, because

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Speaker 3: I wanted to show niggas like you know, Ween, just

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Speaker 3: like shoot him up, bang bang, shoot him up, bang bang.

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Speaker 1: Nigga.

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Speaker 3: Nigga got lyrical skills. I guess I got that from

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Speaker 3: from Cube. You get me, because Cube, you looked at

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Speaker 3: as just different, you know, even though Easy and them

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Speaker 3: was you know, bang banged out so to speak, boys

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Speaker 3: in the hood, straight out of content. Uh, when you

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Speaker 3: listen to Cube, Cube just put words together that you

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Speaker 3: was just like man like like you know, so I

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Speaker 3: always felt like you had to be a MC first

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Speaker 3: instead of just you know, rapping about any motherfucking thing.

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Speaker 3: So that's why I took pride in the MC thing.

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Speaker 1: You get me.

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Speaker 2: Yeah, well you know what, I think that you were

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Speaker 2: so descriptive with your reps and that was the one

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Speaker 2: thing that made me your feel just like even when

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Speaker 2: you listen, can I kill it, it's just a hood

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Speaker 2: dude talking about the women he messing with. Like he

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Speaker 2: getting his mac on and the party. You know, pussy's

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Speaker 2: so big that I can't even feel it. The fuck it,

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Speaker 2: I'm still killing you know.

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Speaker 3: He talking about with this hood rap brog the hood,

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Speaker 3: this world out of the little bit.

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Speaker 2: He said, fuck it, I'm gonna still do my thing.

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Speaker 2: And it was just and even you know, and I

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Speaker 2: agree with you sawing the production on there. Each album

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Speaker 2: to me elevated from the last, and it was a different.

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Speaker 2: Even though he kept stuppingsistently and the same, it was

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Speaker 2: always different. It was like you can tell you guys

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Speaker 2: put a lot of thought. Unto y'all beat selection and

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Speaker 2: everything else, it was just well put together albums. It

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Speaker 2: just wasn't a bunch of messia songs threw together. Because

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Speaker 2: you know what I see a lot of times with

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Speaker 2: artists is that once once they put out that one

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Speaker 2: pivotal album, fall off after that because they start thinking

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Speaker 2: that everything they do, they start feeling themselves and they

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Speaker 2: start and they kind of stopped putting the effort in

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Speaker 2: that they may have put in on that release. You

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Speaker 2: feel what I'm saying. It's like you can tell y'all

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Speaker 2: was really in the studio, like getting y'all samples together

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Speaker 2: because y'all was using shit that didn't nobody use before that,

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Speaker 2: and that was in the era when people were samp,

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Speaker 2: real heavy.

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Speaker 3: Well, one thing about that was in those days of

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Speaker 3: trying to h you know, claim your spot, we wanted

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Speaker 3: to be different. I wanted to be different than a

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Speaker 3: lot of the so called music you give me, because

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Speaker 3: everybody was sticking to the same format, so to speak,

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Speaker 3: especially on the West Coast. You know, the funk sound

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Speaker 3: the parliaments to George Clinton's all of that, you know,

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Speaker 3: And don't get me wrong, those was hood foundation music

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Speaker 3: because we used to bang that shit, you know, in

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Speaker 3: the six folds and the ship riding up and down

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Speaker 3: the street.

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Speaker 1: Fuck it, nigga.

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Speaker 3: Even in the days where you know, remember niggas used

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Speaker 3: to carry the boombox radios around you feel me, you know,

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Speaker 3: nigga played that type of music. But we wanted to

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Speaker 3: be different, you know. I prided my from trying to

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Speaker 3: be different when it came to picking music to rap

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Speaker 3: over and then dealing with a you know, dealing with

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Speaker 3: a nigga like Unknown who basically want to keep all

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Speaker 3: the money in pocket, you know, because some sample cleanses

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Speaker 3: and all that shit cost. That's where we would try

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Speaker 3: to come up with shit that wasn't typical or shit

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Speaker 3: that wasn't you know, resampled, you know, five times already.

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Speaker 3: So we basically just dug in the crates, you know.

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Speaker 3: We would look at Doug Crazy records, orchestra records, records

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Speaker 3: from overseas, European artists, you know, blues artists, you know,

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Speaker 3: motherfucker in the backwoods of fucking Mississippi, some shit like that,

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Speaker 3: an artists, and we would take those songs and Slip

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Speaker 3: was good with the NPC and the SB twelve and shit,

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Speaker 3: and so he would chop up a lot of stuff.

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Speaker 3: But it was just all about trying to hear that

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Speaker 3: sound that was different, because again I prided myself on

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Speaker 3: being an m C, you know, because before it was

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Speaker 3: gangster rap or pimp rap or whatever, it was just

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Speaker 3: the m C and DJ, you feel me. So I

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Speaker 3: prided myself on EMC, and so when it came to music,

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Speaker 3: I just felt we just had to be different, you know,

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Speaker 3: you had to stand out. If you want to claim

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Speaker 3: your spot and this ship, you just have to be

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Speaker 3: a standout. So that's where that came up from for

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Speaker 3: our production, you know, not trying to follow the trends

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Speaker 3: of what was going on at the time.

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Speaker 4: Mm hmm.

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Speaker 2: That's all. And that's all. And I think, you know

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Speaker 2: what it brings me to a point, man, hip hop

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Speaker 2: I think right now is that it's lowest point, right

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Speaker 2: It's been a long time.

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Speaker 4: I don't know. There's still a lot of great music

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Speaker 4: coming out.

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Speaker 2: Man, you know what, It's a lot of great music

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Speaker 2: coming up. But it's not selling though, but people don't.

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Speaker 5: But it's challenge is that the as they would say,

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Speaker 5: the paradigm is shift it because people buy it, it's

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Speaker 5: streaming it, so it's I think it's not the same game.

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Speaker 1: It's a different way to It's just you got your

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Speaker 1: choice of what it is, right.

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Speaker 3: I just think that mus it has become a lot

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Speaker 3: repetitious right now. You know, there's a few cats with originality,

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Speaker 3: you know what I'm saying, But for the most part,

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Speaker 3: everybody's like mimicking whatever came out last month or you know,

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Speaker 3: like now the thing is, you know, I'm pretty sure

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Speaker 3: production companies and niggas with studios, everybody trying to run

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Speaker 3: out just like my nigga called me today, you know,

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Speaker 3: or try to get this female on.

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Speaker 1: I'm trying.

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Speaker 3: That's the thing right now. Well, you know what I'm saying,

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Speaker 3: So I don't think people trying to come with originality.

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Speaker 3: You know, you got those artists who come along every

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Speaker 3: now and then who are standouts and who are original,

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Speaker 3: and then you know, you got to gag the motherfuckers

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Speaker 3: that like shit, I'm gonna do what they doing because

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Speaker 3: it's working, you know what I'm saying. And I just think,

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Speaker 3: you know, it's a time to where everybody grow up,

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Speaker 3: you know what I'm saying.

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Speaker 1: And then them.

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Speaker 3: Thirteen and fourteen and fifteen year olds they grow up,

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Speaker 3: and if you look at the last ten years, you know,

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Speaker 3: they growing up now, and it's to where like, okay,

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Speaker 3: a lot of shit is is just simple, you know

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Speaker 3: what I'm saying. And don't give me wrong, Simplicity and

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Speaker 3: music sometimes work, but well it's just repetitions and repetitions

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Speaker 3: and repetitions. You know, you're gonna tend to kind of

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Speaker 3: lose some of his lackluster I think is what's going

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Speaker 3: on in hip hop, you know. But like you said,

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Speaker 3: don't get me wrong, there's there's some there's some good

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Speaker 3: music if you can find you know what I'm saying,

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Speaker 3: if you can stray away from what motherfuckers is trying

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Speaker 3: to force feeds you, and there's some decent music out there,

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Speaker 3: but you know, you gotta be true connoisseurs like we are,

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Speaker 3: and you have to find it, you know what I'm saying,

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Speaker 3: because the masses wants to push the same objective right now,

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Speaker 3: because you know, when it's about making cheddar and it's

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Speaker 3: about making money, then I don't give a fuck. You

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Speaker 3: give me they made a movie about the time machine,

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Speaker 3: Fuck it. Six months later, we're gonna make a movie

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Speaker 3: about a time machine. Were just gonna put a different

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Speaker 3: actor in it, and it whatever and rearrange the storyline.

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Speaker 1: But you know, copycat season is in full effect.

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Speaker 2: Yeah, but you know we talked about your homegirl what's

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Speaker 2: her name on Sexy Red. You know, I think people

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Speaker 2: are I think right now we live in the era

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Speaker 2: of man where I see people more interested in pulling

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Speaker 2: off publicity stunts than making dope music.

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Speaker 1: I see.

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Speaker 3: I think I've seen something today where Jimmy I Vean said, uh,

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Speaker 3: people aren't interested in making you know, records anymore. Right,

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Speaker 3: We used to make records, right, the quality that you

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Speaker 3: put into a record. Motherfucker's right now. I want to

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Speaker 3: get on TikTok and shit like that.

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Speaker 2: Whatever.

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Speaker 3: You know, everything is turning into the visual eye of shit,

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Speaker 3: whereas it's becoming a thing of the past for you

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Speaker 3: to make a good, good quality record.

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Speaker 1: You're giving me, you know, getting into the.

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Speaker 3: Studio, the field, the engineer, coming up with the sound,

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Speaker 3: something that's meaningful and something that you take pride in recording.

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Speaker 3: Like you said, my fucker, niggas be screaming ship nigga,

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Speaker 3: let's take let's go, Let's get to TikTok.

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Speaker 1: You getting me?

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Speaker 4: How?

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Speaker 1: How? How heartfelt is that? You know what I'm saying?

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Speaker 3: Like your quest from her quest for musical prowess or

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Speaker 3: satisfaction is let me get let me make it to TikTok.

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Speaker 1: You get me. That's where the world of music is

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Speaker 1: jearing too.

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Speaker 3: And like I said, nothing wrong with it, but it

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Speaker 3: takes away the essence from somebody like me who took

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Speaker 3: pride in making a song.

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Speaker 1: You get me as I do.

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Speaker 3: Now, I want to just do some shit that's trendy

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Speaker 3: because I've never followed that pattern.

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Speaker 2: You know, I could have her content creators now versus

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Speaker 2: being rappers. And musicians. It's like they content creators. They

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Speaker 2: more interested in being influencers. Like you know, you saw

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Speaker 2: the girl she had a sex tape. The leaks. Now

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Speaker 2: she said it was by accident, but I think that

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Speaker 2: was very much done on purpose, just to listen a

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Speaker 2: response and a listen excitement. But see you think about it. Now,

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Speaker 2: she's twenty some years old, right, she got young kids

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Speaker 2: at home. Those young kids a go, especially if she

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Speaker 2: got a boy. That little boy is gonna be a

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Speaker 2: teger one day, and she's not gonna yeah, and she's

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Speaker 2: not gonna feel the same way the way she feels now,

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Speaker 2: she's not. I guarantee you she's not gonna feel that

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Speaker 2: way ten years now. She's gonna be embarrassed because somebody

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Speaker 2: at her son's school is gonna bring that tape up, Like, man,

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Speaker 2: you know, what's the tape of your MoMA here stuck

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Speaker 2: in somebody's.

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Speaker 3: Dick, and like and and and and and to put

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Speaker 3: it in and listen, to put it to more perspective, right,

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Speaker 3: Like the homie hit me and he was like, yeah,

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Speaker 3: I've seen a little forty five second midle tape, you know,

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Speaker 3: blah blah blah.

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Speaker 1: He like I'm trying.

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Speaker 3: I'm trying to see if the booty hole was brown,

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Speaker 3: and I'm trying to look and see and whatever, and

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Speaker 3: and then I had the analogy as a motherfucking as

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Speaker 3: a as a fan, Right, I'm a nigga, I'm a fan,

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Speaker 3: and I'm and this is what y'all pushing on me, right,

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Speaker 3: this is the music. But as a motherfucking connoisseur of

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Speaker 3: rap and who like I take pride in the ship,

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Speaker 3: I put out as just a regular nigga. And then

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Speaker 3: you see how the females, you know, they they get

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Speaker 3: offended by whatever whatever. But I'm telling my nigga, you know,

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Speaker 3: on the aspect of that type of shit, I'm not

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Speaker 3: going to her shows to hear her rap, right, I'm

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Speaker 3: going to her shows to see if she's finna hop

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Speaker 3: on the motherfucking table or if she finna get on

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Speaker 3: the pole and bust her motherfucking pussy open and shit

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Speaker 3: like that what I'm going to her show for, because

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Speaker 3: I have a different motherfucking outlook. When when as a

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Speaker 3: as a fan, I'm going to a show to hear

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Speaker 3: the music, right, mofucker's busting out their phones and cameras

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Speaker 3: and whatever.

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Speaker 1: Whatever ain't no, ain't no real.

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Speaker 3: Rap kind of sure nigga going to these these women's

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Speaker 3: shows to listen to them, I'm going to see what

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Speaker 3: the fuck is Finna go on with this feedback you

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Speaker 3: get me. I want to see if you're Finna lay

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Speaker 3: on your back and Finna be rapping out your pussy

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Speaker 3: and put the microphone up. I want to see some tricks, nigga.

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Speaker 3: For me, it's females because I want to see you

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Speaker 3: play it out because I'm not going to listen to

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Speaker 3: you rap.

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Speaker 1: I'm not going to listen to you because you're not

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Speaker 1: a rapper to me.

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Speaker 3: Now I'm turning I'm turning you into an entertainer creator, right,

355
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Speaker 3: You're creating content because this can't be the respect you

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Speaker 3: have for hip hop to want to make like a

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Speaker 3: really good song, right Like, I don't believe in trendy shit.

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Speaker 3: I believe in making real music. So the aspect of that,

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Speaker 3: this is the music you want to make. And I'm

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Speaker 3: a nigga, I won't. I ain't gonna buy that shit,

361
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Speaker 3: but I'm a damn show. Come to your concert and

362
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Speaker 3: see if you're Finna be busting your pussy open, because

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Speaker 3: that's the that's the motherfucking out. That's that's that's what

364
00:20:00,160 --> 00:20:06,440
Speaker 3: I'm listening to. Right I'm being entertained by fucking sexual exploitation. Shit,

365
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Speaker 3: I'm not being entertained by what you're giving me lyrically.

366
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Speaker 3: Because I'm an artist. I take pride and my lyrics

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Speaker 3: as shit. You know, I take pride in what I

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Speaker 3: write about. I don't want to be no motherfucking gimmick.

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Speaker 3: That's why I used to tell niggas. That's why I

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Speaker 3: never got in other kind of movies or did other

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Speaker 3: kind of shit, because I don't want to be taking

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Speaker 3: That's no motherfucking gimmick. You get me.

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Speaker 1: This was a struggle I came through.

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Speaker 3: And for you to be a single mama living in

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Speaker 3: poverty and fucking around gang infested shit and niggas and

376
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Speaker 3: woo the womb. You want to take pride in the

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Speaker 3: shit that you write about, but you want the pride

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Speaker 3: that you take in is what my pussy and my

379
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Speaker 3: pussy like I like, it's gotta be a different aspect

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Speaker 3: of what I look at.

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Speaker 1: It's hip hop.

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Speaker 3: So that's why I say sometimes motherfucking gimmicky shit is

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Speaker 3: is is That's the foundation of hip hop. And like

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Speaker 3: you said, we're not selling and we're not whatever whatever,

385
00:21:06,800 --> 00:21:10,560
Speaker 3: because everything is gimmick shit today. Nothing is being taken

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Speaker 3: serious as music that I want something to leave as

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Speaker 3: a legacy. So people, can you know a hundred years

388
00:21:17,480 --> 00:21:21,000
Speaker 3: from now, motherfucker's going I remember straight up minutes, I

389
00:21:21,160 --> 00:21:24,960
Speaker 3: remember Nigga struggling. I remember the hood took me under.

390
00:21:25,440 --> 00:21:28,160
Speaker 3: One hundred years from now, you're not gonna be remembering

391
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Speaker 3: my pussy this and my pussy that. You feel me,

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Speaker 3: So at some point you get some point, go ahead.

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Speaker 2: I'm sorry, but I agree with you one hundred percent

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Speaker 2: because when you look back to her predecessors, like look

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Speaker 2: back at Foxy Brown, look back at look Kim. Yeah,

396
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Speaker 2: they displayed sexuality, right, but those girls correct.

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Speaker 5: Then still let me ask you this still, because the

398
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Speaker 5: difference is to me, they were the turn of it

399
00:22:01,800 --> 00:22:06,240
Speaker 5: because the artist, the female rappers in particular before them,

400
00:22:07,119 --> 00:22:11,600
Speaker 5: like MC light or Antoinette or Shah Rock or Yo

401
00:22:11,680 --> 00:22:15,840
Speaker 5: Yo or whoever you want to name. As much as

402
00:22:15,920 --> 00:22:18,920
Speaker 5: they talked to in Queen Latifamony Love, whoever it was,

403
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Speaker 5: they may have talked about sexual stuff, but it was

404
00:22:22,040 --> 00:22:25,359
Speaker 5: always about them as an artist, and they may or

405
00:22:25,440 --> 00:22:28,520
Speaker 5: may not have presented sexuality, but Little Kim and Foxy

406
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Speaker 5: Brown switched it to where they were promoting sexuality so heavy,

407
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Speaker 5: and they were doing it in the videos too.

408
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Speaker 3: They were like, you know, I would say Foxy was

409
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Speaker 3: provocative dressing. I always looked at Foxy though though she

410
00:22:46,480 --> 00:22:50,359
Speaker 3: was she was a rap, rap motherfucker, you get me.

411
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Speaker 3: She had her records, a ship. But Lil Kim was like, Nigga,

412
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Speaker 3: get this pussy you give me. Lil Kim was like, man,

413
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Speaker 3: you can get this pussy on.

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Speaker 1: You know, I don't.

415
00:23:02,480 --> 00:23:04,880
Speaker 3: I don't know if I ever heard, you know, did

416
00:23:05,000 --> 00:23:09,440
Speaker 3: Foxy have records? Were like, Nigga, we're finna be fucking.

417
00:23:09,240 --> 00:23:13,080
Speaker 4: And or she wasn't that crazy with it. But remember

418
00:23:13,160 --> 00:23:14,119
Speaker 4: her album is called.

419
00:23:18,640 --> 00:23:21,960
Speaker 1: Get that and that's and that. But then the but

420
00:23:22,320 --> 00:23:24,320
Speaker 1: like I said, a Little Kim like niggas bust it

421
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Speaker 1: open here.

422
00:23:26,359 --> 00:23:29,600
Speaker 4: Open right, but.

423
00:23:32,320 --> 00:23:35,600
Speaker 5: Mm hmm and to h point, I mean, Foxy was

424
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Speaker 5: doing posts and exactly.

425
00:23:39,320 --> 00:23:43,440
Speaker 3: It was a different, little real, little respectable songs with

426
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Speaker 3: Black Street, you know, got to get you home and ship.

427
00:23:47,040 --> 00:23:52,160
Speaker 3: But then Foxy had records, like you know, she had

428
00:23:52,280 --> 00:23:57,000
Speaker 3: hard records. She had hard and she had hard records,

429
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Speaker 3: you get me, and as a lyricist, I can respect

430
00:24:00,920 --> 00:24:04,800
Speaker 3: you know, getting passed because she took pride and lyrics.

431
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Speaker 1: You feel me today.

432
00:24:09,560 --> 00:24:12,400
Speaker 3: Like I said, the aspect of it is this, the simplicity,

433
00:24:12,520 --> 00:24:15,439
Speaker 3: and like, you know, fuck it, I mean, and then

434
00:24:15,520 --> 00:24:17,760
Speaker 3: it's just so blatant, like yeah, I'm a whole, Yeah

435
00:24:17,760 --> 00:24:19,680
Speaker 3: I suck dick, Yeah I fuck yeah.

436
00:24:19,880 --> 00:24:23,840
Speaker 1: So fuck it. I'm gonna put it like, Okay, we've

437
00:24:23,840 --> 00:24:24,480
Speaker 1: been doing that.

438
00:24:25,160 --> 00:24:30,040
Speaker 5: It's not even a creative or imaginative of how you're

439
00:24:30,119 --> 00:24:32,480
Speaker 5: describing doing it. It's just like you just said, it

440
00:24:32,640 --> 00:24:33,520
Speaker 5: is so straight up.

441
00:24:33,880 --> 00:24:38,280
Speaker 3: It's just yeah, I'm fucking, I'm fucking, I'm nasty, I'm dirty.

442
00:24:38,760 --> 00:24:42,320
Speaker 3: You can bend me over and blah blah blah or

443
00:24:42,560 --> 00:24:45,639
Speaker 3: you know, and nigga, pay me nigga, and then and

444
00:24:46,080 --> 00:24:49,280
Speaker 3: then if and then the females who are not you know,

445
00:24:49,920 --> 00:24:53,600
Speaker 3: maybe just so out blatant with it. It's still about,

446
00:24:53,840 --> 00:24:57,359
Speaker 3: you know, trick on me, nigga, trick on me, trick

447
00:24:57,480 --> 00:25:02,440
Speaker 3: on me, spin spin spin you a trick, you know,

448
00:25:03,200 --> 00:25:06,720
Speaker 3: flying me here, flying me there. No, you know, if

449
00:25:06,800 --> 00:25:09,879
Speaker 3: that's if that's the situation, because like I said, we

450
00:25:10,040 --> 00:25:13,000
Speaker 3: had too short, too short was bitch this and bitch

451
00:25:13,119 --> 00:25:16,240
Speaker 3: that and suck a nigga dick and bitch you the

452
00:25:16,359 --> 00:25:19,800
Speaker 3: whole and now fuck seventy five girls and you know,

453
00:25:20,520 --> 00:25:21,879
Speaker 3: freaky tales.

454
00:25:21,560 --> 00:25:24,360
Speaker 1: And I get it, you get with you get down

455
00:25:24,520 --> 00:25:25,640
Speaker 1: like you live, period.

456
00:25:26,600 --> 00:25:30,040
Speaker 3: But I just think that at some point when music,

457
00:25:31,560 --> 00:25:34,200
Speaker 3: like you said, when music turns from the art form

458
00:25:34,280 --> 00:25:38,600
Speaker 3: of want to make real you know, heartfelt records and

459
00:25:38,720 --> 00:25:41,080
Speaker 3: not just say you gotta be all sad and simpy

460
00:25:41,200 --> 00:25:44,679
Speaker 3: and crying or whatever that type of music. You can

461
00:25:44,760 --> 00:25:47,240
Speaker 3: still make good and fun music for motherfuckers, but it

462
00:25:47,320 --> 00:25:49,879
Speaker 3: still just got to have some substance. And when you

463
00:25:50,040 --> 00:25:53,480
Speaker 3: losing a substance, because like you said, a lot of

464
00:25:53,520 --> 00:25:56,800
Speaker 3: motherfuckers really ain't artists. I'm just a motherfuck on the block,

465
00:25:56,840 --> 00:25:59,640
Speaker 3: whether it be a nigga or female and nigga, I'm

466
00:25:59,640 --> 00:26:02,080
Speaker 3: a I'm gonna write about, you know, this is the

467
00:26:02,200 --> 00:26:05,240
Speaker 3: block and we killed thirty niggas and the home he

468
00:26:05,359 --> 00:26:07,879
Speaker 3: had to strap, or I'm gonna rap about, you know,

469
00:26:08,000 --> 00:26:10,720
Speaker 3: I'm a bitch getting fucked and getting my money, and

470
00:26:10,880 --> 00:26:11,800
Speaker 3: that's what it's about.

471
00:26:12,240 --> 00:26:14,080
Speaker 1: You know, it goes from it.

472
00:26:14,480 --> 00:26:16,840
Speaker 3: We're not having a lot of substance in it, you

473
00:26:16,960 --> 00:26:20,560
Speaker 3: feel me because even as a street nigga myself rapping

474
00:26:20,640 --> 00:26:23,720
Speaker 3: about the streets, I still felt like I had to

475
00:26:23,840 --> 00:26:29,080
Speaker 3: still I had to tell stories about being in the struggle,

476
00:26:29,359 --> 00:26:32,520
Speaker 3: because shit, life is a struggle. I wanted motherfuckers know

477
00:26:33,000 --> 00:26:37,440
Speaker 3: everything is not fucking roses around this motherfucker. It's still

478
00:26:37,520 --> 00:26:39,760
Speaker 3: niggas in the struggle and it's still still hard life.

479
00:26:39,840 --> 00:26:43,040
Speaker 3: So I guess that's what kept me on the pattern

480
00:26:43,160 --> 00:26:47,120
Speaker 3: of wanting to write, you know, official music to where

481
00:26:47,160 --> 00:26:50,480
Speaker 3: I felt motherfuckers could relate to. But I never just

482
00:26:50,560 --> 00:26:54,080
Speaker 3: wanted to be a gimmick ass MC. You know, fucking

483
00:26:54,359 --> 00:26:56,520
Speaker 3: I'm gonna throw this out there. If it work at work.

484
00:26:56,600 --> 00:26:58,520
Speaker 3: If it don't, it don't fuck it. We're gonna try

485
00:26:58,640 --> 00:27:00,879
Speaker 3: something else. I don't want to fuckers that look at

486
00:27:00,960 --> 00:27:03,879
Speaker 3: me like that, especially when it came to making music.

487
00:27:04,800 --> 00:27:07,640
Speaker 2: Well, you think about it like this. To me, as

488
00:27:07,800 --> 00:27:11,720
Speaker 2: much as Little Kim may have influenced the Sexy Reds

489
00:27:11,760 --> 00:27:13,879
Speaker 2: and all of them people, they're kind of like the

490
00:27:14,000 --> 00:27:17,000
Speaker 2: antithesis because if you look at Little Kim back in

491
00:27:17,040 --> 00:27:19,840
Speaker 2: the day, yeah, she had the album covered where she was,

492
00:27:19,920 --> 00:27:22,440
Speaker 2: you know, dropping it like it's hot and had the

493
00:27:22,520 --> 00:27:25,280
Speaker 2: monkey out there on full display. But at the same

494
00:27:25,400 --> 00:27:28,240
Speaker 2: time she gave you the quiet storm remixing she when

495
00:27:28,359 --> 00:27:29,640
Speaker 2: that motherfucking got busy.

496
00:27:31,160 --> 00:27:33,159
Speaker 3: I mean, but she could rap. I mean, you know,

497
00:27:35,600 --> 00:27:37,760
Speaker 3: I don't know, Like I'm not saying I don't know

498
00:27:37,840 --> 00:27:40,120
Speaker 3: who wrote her rap. She could have wrote her own shit.

499
00:27:40,200 --> 00:27:40,520
Speaker 1: I don't know.

500
00:27:40,600 --> 00:27:42,720
Speaker 3: I don't get in all that, you know, I don't

501
00:27:42,760 --> 00:27:46,399
Speaker 3: know who writing Sexy Red Raps or Suki Hannah Raps

502
00:27:46,520 --> 00:27:49,560
Speaker 3: or whoever. You know what I'm saying. I've always written

503
00:27:49,640 --> 00:27:52,000
Speaker 3: my own shit, you know. I feel you can't express

504
00:27:52,160 --> 00:27:55,119
Speaker 3: yourself no better than the motherfucker who right there. So

505
00:27:56,119 --> 00:27:58,080
Speaker 3: but you know, there's a lot of people who get

506
00:27:58,160 --> 00:28:03,879
Speaker 3: assisted and whatever. Again, I just feel like if you

507
00:28:04,000 --> 00:28:07,399
Speaker 3: want to get into this game of and a lot

508
00:28:07,400 --> 00:28:09,680
Speaker 3: of motherfuckers might be like, oh, you know, that's the

509
00:28:09,800 --> 00:28:13,960
Speaker 3: old niggas. Most niggas always hating, you know, ate and

510
00:28:14,240 --> 00:28:17,800
Speaker 3: steal story. Y'all always hating because y'all always want to

511
00:28:17,880 --> 00:28:21,479
Speaker 3: talk about the yester years of the foundation and how

512
00:28:21,560 --> 00:28:22,399
Speaker 3: the quality is.

513
00:28:22,640 --> 00:28:22,800
Speaker 4: Man.

514
00:28:22,920 --> 00:28:25,520
Speaker 3: Let us young niggas get ours man, and let the

515
00:28:25,600 --> 00:28:27,679
Speaker 3: little bitch eat and whoopy whomp.

516
00:28:27,440 --> 00:28:30,480
Speaker 1: And shit like that. So like to each his own

517
00:28:30,600 --> 00:28:30,960
Speaker 1: this shit.

518
00:28:31,119 --> 00:28:34,440
Speaker 3: But it's it's kind of disheartening when you know, you

519
00:28:34,640 --> 00:28:38,280
Speaker 3: see something that you know, you know that was a

520
00:28:38,360 --> 00:28:41,280
Speaker 3: struggle to hold down in the first place.

521
00:28:41,480 --> 00:28:44,680
Speaker 1: You know what I'm saying. It was hard for us

522
00:28:44,760 --> 00:28:49,000
Speaker 1: to get in that door to be able to do

523
00:28:49,200 --> 00:28:49,640
Speaker 1: this shit.

524
00:28:49,840 --> 00:28:52,520
Speaker 3: Like I said, nigga, you can go out and you

525
00:28:52,520 --> 00:28:55,560
Speaker 3: can kill thirty niggas on the video right now, bitches

526
00:28:55,600 --> 00:28:59,280
Speaker 3: can be you know, play sucking dick in all kind

527
00:28:59,320 --> 00:29:00,000
Speaker 3: of shit and video.

528
00:29:00,400 --> 00:29:01,960
Speaker 1: Now you do all kind of crazy shit.

529
00:29:02,560 --> 00:29:05,960
Speaker 3: I mean, back in the days, niggas we did anything

530
00:29:06,640 --> 00:29:10,600
Speaker 3: that was affiliated with something that might have thought, Oh,

531
00:29:10,680 --> 00:29:13,360
Speaker 3: the niggas is really gang bang or the niggas is

532
00:29:13,440 --> 00:29:17,440
Speaker 3: really man, we're not playing that shit right here. We're

533
00:29:17,520 --> 00:29:21,000
Speaker 3: not finna play that song on the radio. We're finna

534
00:29:21,080 --> 00:29:24,560
Speaker 3: show that video. Man, Just a gag a niggas standing

535
00:29:24,640 --> 00:29:27,160
Speaker 3: around and let one nigga throw.

536
00:29:27,120 --> 00:29:29,280
Speaker 1: Up a sign. Oh they like, oh we can't play

537
00:29:29,360 --> 00:29:33,160
Speaker 1: that ship. We can't do that, you know. So it's

538
00:29:33,200 --> 00:29:35,360
Speaker 1: come a long way. I mean, but SO has a

539
00:29:35,440 --> 00:29:36,040
Speaker 1: lot of shit.

540
00:29:36,640 --> 00:29:39,640
Speaker 3: SO has a lot of shit, right you know, no disrespect,

541
00:29:40,040 --> 00:29:44,040
Speaker 3: I mean, SO has a lot of shit. Niggas, niggas

542
00:29:44,120 --> 00:29:48,239
Speaker 3: playing in the NBA. Now you get me niggas you yo,

543
00:29:48,520 --> 00:29:50,760
Speaker 3: It's it's all kind of shit, you know what I'm saying.

544
00:29:50,920 --> 00:29:53,800
Speaker 3: We've taken through all kinds of transitions, so to each

545
00:29:53,920 --> 00:29:57,360
Speaker 3: his own, man, But I just think that sometimes you

546
00:29:57,440 --> 00:30:00,840
Speaker 3: gotta have quality and pride and ship. And it's just

547
00:30:01,120 --> 00:30:05,240
Speaker 3: unfortunate that a lot of the music, you know, like

548
00:30:05,360 --> 00:30:08,200
Speaker 3: the songs, like the like the list you had a

549
00:30:08,320 --> 00:30:14,760
Speaker 3: lot of those records reflected making a record, you know,

550
00:30:15,040 --> 00:30:19,640
Speaker 3: putting that quality and and even though we got the

551
00:30:19,840 --> 00:30:24,240
Speaker 3: moniker of being gangster rappers or reality rap it was

552
00:30:24,360 --> 00:30:28,160
Speaker 3: just the pride we took. Uh to want to impress

553
00:30:28,360 --> 00:30:29,280
Speaker 3: your next artist.

554
00:30:29,440 --> 00:30:31,320
Speaker 1: You give me shiit, nigga.

555
00:30:31,760 --> 00:30:35,040
Speaker 3: You heard cube new record? Oh man, I gotta you know,

556
00:30:35,640 --> 00:30:38,720
Speaker 3: or you heard eight new record or two shorts new record,

557
00:30:38,880 --> 00:30:43,440
Speaker 3: or whoever you you wanted to step your game up.

558
00:30:43,640 --> 00:30:44,440
Speaker 1: You know what I'm saying.

559
00:30:44,760 --> 00:30:49,640
Speaker 3: Uh, don't seem like it's no game stepping up right now.

560
00:30:49,840 --> 00:30:53,680
Speaker 3: It's just like who can who can be the next

561
00:30:53,880 --> 00:30:58,640
Speaker 3: content creator or influencer and who can have the next

562
00:30:59,280 --> 00:31:04,840
Speaker 3: tiktoki song that'll have everybody creating dances for a video

563
00:31:05,160 --> 00:31:08,320
Speaker 3: and all of that because you give me about you

564
00:31:08,440 --> 00:31:11,320
Speaker 3: know that, it's just the way that changed. And I

565
00:31:11,360 --> 00:31:13,960
Speaker 3: guess the changing at the times or the guard or whatever.

566
00:31:14,160 --> 00:31:18,280
Speaker 3: But like I said, though, music is, it's been around.

567
00:31:18,560 --> 00:31:21,360
Speaker 3: It's all it's gonna be here when we going, you

568
00:31:21,440 --> 00:31:24,240
Speaker 3: know what I'm saying. And it's just, you know, hurtful

569
00:31:24,360 --> 00:31:27,880
Speaker 3: to see where the fuck this shit can go being

570
00:31:28,000 --> 00:31:30,200
Speaker 3: left in the wrong hands, you know what I'm saying,

571
00:31:30,520 --> 00:31:32,960
Speaker 3: Because in a minute, they're gonna say, fuck all you niggas.

572
00:31:33,280 --> 00:31:36,360
Speaker 3: We'll just create shit off the computer with fake ass

573
00:31:36,640 --> 00:31:40,120
Speaker 3: artists and fake songs and shit, and we'll crack it

574
00:31:40,200 --> 00:31:43,320
Speaker 3: off like that. You know, we'll ai some shit and

575
00:31:43,480 --> 00:31:46,040
Speaker 3: we don't need we don't need you motherfuckers no more.

576
00:31:46,160 --> 00:31:50,360
Speaker 3: We'll start creating motherfucking artists off of computer modulated shit,

577
00:31:51,000 --> 00:31:54,280
Speaker 3: putting voices behind songs, and now your nigga's really gonna

578
00:31:54,320 --> 00:31:57,200
Speaker 3: lose your originality. So I think that's what we got

579
00:31:57,360 --> 00:31:59,400
Speaker 3: to stick to. You know what I'm saying, Trying to

580
00:31:59,440 --> 00:32:02,600
Speaker 3: be different in the maxis it's what's gonna help us.

581
00:32:04,320 --> 00:32:06,480
Speaker 2: Yeah, well, you know what, man, I think it is.

582
00:32:07,040 --> 00:32:11,960
Speaker 2: I think it's one of the things is man, young

583
00:32:12,040 --> 00:32:15,280
Speaker 2: people today can't take criticism right and I don't want

584
00:32:15,280 --> 00:32:17,240
Speaker 2: to sound like the old nigga, but whenever you have

585
00:32:17,320 --> 00:32:22,120
Speaker 2: an opinion about something, oh you hate, it's not necessarily

586
00:32:22,160 --> 00:32:24,400
Speaker 2: that we hating. It's just that, you know, when you

587
00:32:24,520 --> 00:32:27,600
Speaker 2: put yourself out there. First of all, when you decide

588
00:32:27,600 --> 00:32:29,480
Speaker 2: to make an album, you're putting it out for the

589
00:32:29,560 --> 00:32:33,160
Speaker 2: public consumption. That means that along with the people that

590
00:32:33,280 --> 00:32:35,480
Speaker 2: love you, you're gonna have to hear from the people

591
00:32:35,560 --> 00:32:38,080
Speaker 2: that may not like your shit. You may have to

592
00:32:38,200 --> 00:32:40,920
Speaker 2: hear from the motherfuckers like us. Who's kind of job

593
00:32:41,040 --> 00:32:44,320
Speaker 2: videos to critique certain shit and state our opinion on it.

594
00:32:44,800 --> 00:32:46,680
Speaker 2: I'm not saying it. I'm mad at that young lady

595
00:32:46,720 --> 00:32:48,760
Speaker 2: for doing what you're doing, but get over get by

596
00:32:48,840 --> 00:32:50,320
Speaker 2: on your rapp and it's like, I'm sick of all

597
00:32:50,360 --> 00:32:52,000
Speaker 2: these gimmicks and publicity stunts.

598
00:32:54,200 --> 00:32:58,400
Speaker 1: See that's the point. You can't really And that's and

599
00:32:58,520 --> 00:32:59,720
Speaker 1: I guess that's a.

600
00:33:00,280 --> 00:33:03,840
Speaker 3: What you want to say, maturity now, as far as

601
00:33:04,360 --> 00:33:10,120
Speaker 3: you concern you mature now, because put yourself at twenty

602
00:33:10,200 --> 00:33:14,120
Speaker 3: two years old right now in this time still and

603
00:33:14,280 --> 00:33:17,080
Speaker 3: you trying to crack off your gangster chronicles of your

604
00:33:17,240 --> 00:33:21,120
Speaker 3: podcast and niggas go in and shit whack man, fuck

605
00:33:21,200 --> 00:33:24,840
Speaker 3: this nigga shall still Now, why you putting out that bullshit? Nigga,

606
00:33:25,080 --> 00:33:27,840
Speaker 3: y'all ain't got no gangsters on there. Nigga, y'all ain't

607
00:33:27,840 --> 00:33:30,400
Speaker 3: talking about no hood shit. You be ready to pop

608
00:33:30,440 --> 00:33:33,880
Speaker 3: a nigga. You be ready to slap every You be

609
00:33:34,040 --> 00:33:38,560
Speaker 3: ready to slap every nigga that got on your page

610
00:33:38,840 --> 00:33:43,320
Speaker 3: and disrespected. Now we're mature, we can take that shit.

611
00:33:43,520 --> 00:33:46,920
Speaker 3: We can open opinions. We like to give knowledge and

612
00:33:47,040 --> 00:33:50,680
Speaker 3: opinions about what shouldn't be done. But like I said,

613
00:33:50,760 --> 00:33:52,800
Speaker 3: I was one of them niggas too, so I kind

614
00:33:52,800 --> 00:33:57,040
Speaker 3: of understand because as a youngster, we kind of don't know.

615
00:33:58,920 --> 00:33:59,640
Speaker 1: The direction.

616
00:34:00,000 --> 00:34:03,240
Speaker 3: You feel me, But I'm the hardest motherfucking the world

617
00:34:03,280 --> 00:34:06,120
Speaker 3: at nineteen, twenty, twenty one, twenty two, you can't tell

618
00:34:06,240 --> 00:34:08,400
Speaker 3: me shit. So just like right now, if you was

619
00:34:08,480 --> 00:34:11,240
Speaker 3: twenty two and you was cricking off digital soap box

620
00:34:11,440 --> 00:34:14,680
Speaker 3: and a nigga told you nigga shit, whack nigga, digital

621
00:34:14,760 --> 00:34:18,200
Speaker 3: soapbox whack as a mothersfucker. Y'all ain't no gangsters on

622
00:34:18,320 --> 00:34:21,080
Speaker 3: their nigga. Where are you from, nigga? And who is

623
00:34:21,120 --> 00:34:22,240
Speaker 3: the white boy nigga?

624
00:34:22,560 --> 00:34:24,720
Speaker 1: And who is this nigga? Ate nigga? Fuck eight nigga,

625
00:34:25,040 --> 00:34:25,960
Speaker 1: nigga we be, we.

626
00:34:26,120 --> 00:34:30,560
Speaker 3: Be going after every nigga that had a comment to say, because.

627
00:34:30,320 --> 00:34:33,239
Speaker 1: We'd be like fuck y'all too. That's the mentality of it.

628
00:34:33,480 --> 00:34:38,239
Speaker 3: And just like Sexy Red or or what other baby name,

629
00:34:38,560 --> 00:34:42,160
Speaker 3: as soon as the nigga go that shit whack, they go,

630
00:34:42,640 --> 00:34:46,719
Speaker 3: fuck you and they go and they go hold up

631
00:34:46,719 --> 00:34:49,759
Speaker 3: a stack of money, and they go, look at my chain,

632
00:34:50,239 --> 00:34:52,440
Speaker 3: and look at my stack of money, and look at

633
00:34:52,480 --> 00:34:56,560
Speaker 3: my brand new motherfucking pink Mercedes I just bought, and

634
00:34:56,719 --> 00:35:00,640
Speaker 3: look at me getting money. So fuck you now, thirty now,

635
00:35:00,719 --> 00:35:03,839
Speaker 3: twenty years from now, when she's sitting there watching all

636
00:35:04,000 --> 00:35:07,840
Speaker 3: videos talking about my pussy this and my wonky won't,

637
00:35:08,120 --> 00:35:12,160
Speaker 3: she's gonna be a little embarrassed because I'm getting you

638
00:35:12,320 --> 00:35:15,880
Speaker 3: can hold that true, but you're still gonna be like, damn,

639
00:35:16,960 --> 00:35:19,040
Speaker 3: you gonna still have the sense of an of a

640
00:35:19,200 --> 00:35:22,799
Speaker 3: mature a dope to know that was some crazy shit

641
00:35:22,920 --> 00:35:26,640
Speaker 3: I did right like right now, still you know some

642
00:35:26,760 --> 00:35:29,560
Speaker 3: shit you did when you was nineteen, nigga twenty you

643
00:35:29,719 --> 00:35:32,640
Speaker 3: look back right now, you go, that was some dumb

644
00:35:32,719 --> 00:35:33,560
Speaker 3: ass shit.

645
00:35:33,400 --> 00:35:36,200
Speaker 2: I did plenty of dumb ass shit, and I look

646
00:35:36,320 --> 00:35:38,640
Speaker 2: back on anocknology. But you know, the one thing that

647
00:35:38,800 --> 00:35:40,640
Speaker 2: I think we did, We did all that when we

648
00:35:40,760 --> 00:35:45,920
Speaker 2: was younger. But I do know, as y'all know, I

649
00:35:46,040 --> 00:35:48,640
Speaker 2: write reps motherfuckers. Sometimes I don't talk about it too

650
00:35:48,719 --> 00:35:50,920
Speaker 2: much because I can't talk about it. They got paperworking

651
00:35:50,960 --> 00:35:53,360
Speaker 2: all that on there without going too much into it.

652
00:35:53,920 --> 00:35:57,080
Speaker 2: Whenever I take my pen out, even as a fifty

653
00:35:57,080 --> 00:35:58,919
Speaker 2: two to fifty three year old man, I'm still trying

654
00:35:58,960 --> 00:36:01,800
Speaker 2: to bust some motherfuckers out. We did shit back in

655
00:36:01,880 --> 00:36:03,920
Speaker 2: the day with the intent to fuck shit up. It

656
00:36:04,040 --> 00:36:07,400
Speaker 2: wasn't about no money, it wasn't about nothing else. Like

657
00:36:07,440 --> 00:36:09,960
Speaker 2: you said, you wanted to be the best, right whenever

658
00:36:10,040 --> 00:36:11,920
Speaker 2: you went into that booth, you wasn't there with the

659
00:36:12,000 --> 00:36:14,320
Speaker 2: purpose of fucking shit up, right, am I correct?

660
00:36:15,080 --> 00:36:15,239
Speaker 1: Right?

661
00:36:16,000 --> 00:36:18,319
Speaker 2: Not to elicit no bullshit, not to try to get

662
00:36:18,400 --> 00:36:20,839
Speaker 2: no attention. You didn't come online and let your dick

663
00:36:20,920 --> 00:36:24,880
Speaker 2: slip out on Instagram by accident, or going there and

664
00:36:25,280 --> 00:36:27,120
Speaker 2: make love with your woman in front of the camera.

665
00:36:27,320 --> 00:36:29,600
Speaker 2: That was a mistake. Who the fuck have sex on

666
00:36:29,680 --> 00:36:32,640
Speaker 2: camera by mistake? My nigga. I'm tired of motherfuckers come

667
00:36:32,680 --> 00:36:34,480
Speaker 2: on with these laying mass excuse us all the time

668
00:36:34,520 --> 00:36:36,680
Speaker 2: about what they do. Know, you did that shit to

669
00:36:36,760 --> 00:36:37,680
Speaker 2: try to get some attention.

670
00:36:38,400 --> 00:36:41,160
Speaker 1: Well go ahead, san no.

671
00:36:41,239 --> 00:36:41,799
Speaker 4: I think too.

672
00:36:41,920 --> 00:36:44,320
Speaker 5: One of the things we got to remember is to

673
00:36:44,760 --> 00:36:48,120
Speaker 5: A's point a little bit earlier, Bexi Red has presented

674
00:36:48,239 --> 00:36:51,759
Speaker 5: who she is so eight and everybody else isn't looking

675
00:36:51,800 --> 00:36:53,240
Speaker 5: at her as a rapper anymore.

676
00:36:53,600 --> 00:36:55,280
Speaker 4: They're looking at her as a performer.

677
00:36:56,000 --> 00:36:59,239
Speaker 5: So the difference is for us, we always looked at

678
00:36:59,280 --> 00:37:01,480
Speaker 5: people that we want wanted to listen to their music

679
00:37:01,640 --> 00:37:04,719
Speaker 5: because we thought they had something to offer musically, and

680
00:37:04,880 --> 00:37:08,760
Speaker 5: now everything is just so flipped to where a sexy

681
00:37:08,880 --> 00:37:11,960
Speaker 5: Red things just the way I gotta get on to

682
00:37:12,239 --> 00:37:15,440
Speaker 5: be looked at musically. But it's like, how you present

683
00:37:15,520 --> 00:37:18,360
Speaker 5: yourself is how people look at you. And that's the

684
00:37:18,480 --> 00:37:20,480
Speaker 5: reality that I think a lot of people forget.

685
00:37:22,080 --> 00:37:25,800
Speaker 3: Yeah, because in reality, the sexy Red just went in

686
00:37:25,880 --> 00:37:28,480
Speaker 3: the booth and said, I'm just from the right about

687
00:37:28,680 --> 00:37:33,000
Speaker 3: where I'm from, and you know, the bitch struggling, but

688
00:37:33,160 --> 00:37:36,160
Speaker 3: you know I'm getting known and yep, bitch, I got

689
00:37:36,239 --> 00:37:38,800
Speaker 3: this weave. And if you kept it real like that,

690
00:37:40,680 --> 00:37:44,320
Speaker 3: it probably take her harder. It probably takes a difficult

691
00:37:44,400 --> 00:37:48,040
Speaker 3: route because let's fay, how many thousands of motherfuckers is

692
00:37:48,160 --> 00:37:51,720
Speaker 3: right now in their basements or kitchens or living rooms

693
00:37:51,880 --> 00:37:55,040
Speaker 3: or got the microphone in the closet or the bathroom

694
00:37:55,160 --> 00:37:58,000
Speaker 3: or some shit like that, and they busting out wraps

695
00:37:58,040 --> 00:37:59,399
Speaker 3: and blah blah blah.

696
00:37:59,760 --> 00:38:00,440
Speaker 1: But then.

697
00:38:01,960 --> 00:38:05,200
Speaker 3: It's hard when you when you when you're another statistic

698
00:38:05,480 --> 00:38:08,799
Speaker 3: like that, and then you got a bitch who comes out,

699
00:38:09,239 --> 00:38:13,040
Speaker 3: you know, not not as much as a looker, but

700
00:38:13,640 --> 00:38:17,239
Speaker 3: you know, I'm street, you get me, and and that

701
00:38:17,400 --> 00:38:19,680
Speaker 3: goes a long way with a lot of motherfuckers who

702
00:38:19,760 --> 00:38:25,400
Speaker 3: come from those walks of life. So I'm not finna

703
00:38:25,440 --> 00:38:30,040
Speaker 3: try to motherfucking compete with We got Nickivnanaja's out here

704
00:38:30,200 --> 00:38:34,520
Speaker 3: and Cardi B's and you know, I'm a motherfucker coming

705
00:38:34,640 --> 00:38:39,600
Speaker 3: from the hood that fifty fourth Street, and you know, like,

706
00:38:39,800 --> 00:38:42,520
Speaker 3: who the fuck don't looking. I ain't got no motherfucking connections,

707
00:38:42,600 --> 00:38:46,840
Speaker 3: ties or whatever. So sometimes it gotta be like you

708
00:38:46,960 --> 00:38:50,120
Speaker 3: gotta do that flamboyant shit like niggas used to tell me,

709
00:38:50,680 --> 00:38:53,759
Speaker 3: which was a crazy shit. Niggas used to want to

710
00:38:53,880 --> 00:38:55,879
Speaker 3: rap like I'm finna get in the game. They ain't

711
00:38:55,920 --> 00:38:59,080
Speaker 3: never put out no record or nothing, nothing. First thing

712
00:38:59,160 --> 00:39:02,560
Speaker 3: niggas want to do is start dissing niggas, right, and

713
00:39:02,680 --> 00:39:06,600
Speaker 3: I'll be like, oh, you gotta beef with that nigga,

714
00:39:07,760 --> 00:39:09,640
Speaker 3: And nigga be like, tell you the truth. I've never

715
00:39:09,760 --> 00:39:13,080
Speaker 3: I don't even know the motherfucker. And I'd be like, then,

716
00:39:13,120 --> 00:39:14,880
Speaker 3: why are you finna write a record this in a

717
00:39:15,000 --> 00:39:18,160
Speaker 3: nigga you don't even know? Shit, nigga, that's the quickest

718
00:39:18,200 --> 00:39:21,359
Speaker 3: way to get on. And I'd be like, for real,

719
00:39:22,120 --> 00:39:24,560
Speaker 3: that's what y'all think now. And niggas used to be

720
00:39:24,719 --> 00:39:33,160
Speaker 3: serious about it. This was around This is around ten

721
00:39:33,280 --> 00:39:38,440
Speaker 3: years ago, the six nine beginning era and all of

722
00:39:38,520 --> 00:39:42,800
Speaker 3: that shit, because there was a lot of niggas doing like,

723
00:39:42,920 --> 00:39:47,000
Speaker 3: I'm just from the this niggas, you get me, And

724
00:39:47,120 --> 00:39:50,080
Speaker 3: I'd be like, why because, And niggas used to say,

725
00:39:50,200 --> 00:39:52,719
Speaker 3: because I feel that's the quickest way to get on

726
00:39:53,480 --> 00:39:59,680
Speaker 3: by starting controversy with other artists that are probably established

727
00:39:59,840 --> 00:40:03,200
Speaker 3: or or you know, are on the come up. A

728
00:40:03,320 --> 00:40:05,440
Speaker 3: new nigga be like, oh fuck it, I'm finna make

729
00:40:05,480 --> 00:40:09,080
Speaker 3: a song this and that nigga, And it's crazy to

730
00:40:09,200 --> 00:40:12,040
Speaker 3: me of the levels, like I said, of what people

731
00:40:12,080 --> 00:40:14,600
Speaker 3: will do just to get on nowadays and instead of

732
00:40:14,680 --> 00:40:17,360
Speaker 3: going you know, I'm gonna just try to keep busting

733
00:40:17,440 --> 00:40:20,600
Speaker 3: it out maker like cause for me it was just

734
00:40:21,560 --> 00:40:24,320
Speaker 3: I'm gonna just keep going to the studio. He you

735
00:40:24,400 --> 00:40:27,960
Speaker 3: know what, man, I'm gonna keep going to the studio writing.

736
00:40:28,440 --> 00:40:30,320
Speaker 4: And that's why you've had a long career.

737
00:40:30,400 --> 00:40:33,480
Speaker 3: Hey, And hopefully one of these songs that I write,

738
00:40:34,560 --> 00:40:37,880
Speaker 3: you know, it's gonna get niggas on this motherfucking know

739
00:40:37,960 --> 00:40:41,239
Speaker 3: what he talking about. I never I never felt like,

740
00:40:41,920 --> 00:40:45,440
Speaker 3: oh I gotta do the next gimmick song or whatever.

741
00:40:45,719 --> 00:40:50,040
Speaker 2: I never thought about that mentality when writing music. Well,

742
00:40:50,040 --> 00:40:53,480
Speaker 2: we make sacrifices all the time. Right, think about this podcast, Hey,

743
00:40:54,960 --> 00:40:56,960
Speaker 2: I know what to do to blow up on YouTube,

744
00:40:57,040 --> 00:40:59,879
Speaker 2: right me? And you can come on here every week.

745
00:41:00,160 --> 00:41:03,719
Speaker 2: This motherfucker's and talk shit is to the point now.

746
00:41:03,960 --> 00:41:06,520
Speaker 2: And I'm gonna say this too, it's more old motherfuckers

747
00:41:06,560 --> 00:41:08,919
Speaker 2: out there hating and on bullshit than those young people.

748
00:41:08,960 --> 00:41:11,239
Speaker 2: At least, you know what one thing I will give

749
00:41:11,520 --> 00:41:15,120
Speaker 2: Sexy read them they not bothering nobody, right, they really

750
00:41:15,200 --> 00:41:18,600
Speaker 2: not bothering nobody. And she has a few songs dog

751
00:41:18,680 --> 00:41:21,040
Speaker 2: to where you can tell she has some sembilance of

752
00:41:21,080 --> 00:41:23,239
Speaker 2: talent that shit she got with the baby heart as

753
00:41:23,280 --> 00:41:26,920
Speaker 2: a motherfucker that shakes some shit, that shit banging so

754
00:41:27,080 --> 00:41:29,680
Speaker 2: she can she is capable of doing some shit when

755
00:41:29,680 --> 00:41:32,560
Speaker 2: it's necessary. Right. But I just see where we at.

756
00:41:32,719 --> 00:41:35,239
Speaker 2: I think it's a society thing soaring and they I

757
00:41:35,360 --> 00:41:38,600
Speaker 2: see motherfuckers right now as a motherfucker that has been

758
00:41:38,680 --> 00:41:43,080
Speaker 2: a victim of some lying ass niggas, and ain't I'm outside.

759
00:41:43,080 --> 00:41:45,120
Speaker 2: I'm a nigga that outside. Ain't no nigga ever put

760
00:41:45,160 --> 00:41:48,440
Speaker 2: his hands on me. All that shit niggas talk online,

761
00:41:48,480 --> 00:41:50,760
Speaker 2: they believe best, please believe. They don't want no smoke

762
00:41:50,800 --> 00:41:54,000
Speaker 2: in real life. We all know that, right, These motherfuckers

763
00:41:54,040 --> 00:41:55,959
Speaker 2: that know where I'm at, they don't want no type

764
00:41:55,960 --> 00:41:58,960
Speaker 2: of smoke. But we in this era right now to

765
00:41:59,040 --> 00:42:02,879
Speaker 2: where sensation listen is a motherfucker dog. Motherfuckers would say

766
00:42:02,920 --> 00:42:05,640
Speaker 2: any damn thing I heard, you know what. And I

767
00:42:05,719 --> 00:42:08,759
Speaker 2: don't know what Gilly's financial situation, Neils don't know what

768
00:42:08,920 --> 00:42:12,960
Speaker 2: bird Man got. But we to the point now of

769
00:42:13,000 --> 00:42:16,120
Speaker 2: where motherfuckers is basing their shit on how much money

770
00:42:16,160 --> 00:42:17,839
Speaker 2: they may have for how much Well, I got more

771
00:42:17,880 --> 00:42:19,759
Speaker 2: money than this nigga, what the fuck do that mean.

772
00:42:20,320 --> 00:42:25,600
Speaker 2: It's just like, have you all ever seen that movie Idiocracy? No, No,

773
00:42:26,480 --> 00:42:29,200
Speaker 2: you ain't never seen Idiocracy. Go watch Idiocracy.

774
00:42:29,280 --> 00:42:29,480
Speaker 1: Dog.

775
00:42:29,800 --> 00:42:32,239
Speaker 2: It's like that it was the future and motherfuckers was

776
00:42:32,360 --> 00:42:36,239
Speaker 2: just dumb as hell motherfuckers. And this movie came out.

777
00:42:36,239 --> 00:42:38,480
Speaker 2: It was written by Mike Judges. This movie maybe came

778
00:42:38,560 --> 00:42:41,560
Speaker 2: out twenty years ago. And they talked about a society

779
00:42:41,600 --> 00:42:43,320
Speaker 2: the where they looked at TV and it looked just

780
00:42:43,400 --> 00:42:45,759
Speaker 2: like one big ass at there was a whole bunch

781
00:42:45,800 --> 00:42:48,560
Speaker 2: of different channels showing at the same time. I said them,

782
00:42:48,640 --> 00:42:52,680
Speaker 2: motherfuckers predicted the future, dog, because people are retarded nowadays,

783
00:42:52,760 --> 00:42:57,440
Speaker 2: Dog sheep nowadays.

784
00:43:00,200 --> 00:43:09,200
Speaker 3: Never came from the error to where money made you official.

785
00:43:10,000 --> 00:43:12,319
Speaker 3: If it was official, nigga, he was just sufficient, whether

786
00:43:12,440 --> 00:43:19,360
Speaker 3: you was broke or whether he was rich. Right, we

787
00:43:19,600 --> 00:43:29,120
Speaker 3: in this community of simple minded motherfuckers believe that money

788
00:43:29,360 --> 00:43:33,360
Speaker 3: makes us who we really are. You give me you

789
00:43:33,480 --> 00:43:37,799
Speaker 3: feel what I'm saying. If you're gonna be an up

790
00:43:37,880 --> 00:43:39,840
Speaker 3: and up nigga, you're gonna be an up and up nigga.

791
00:43:39,920 --> 00:43:42,160
Speaker 1: Right. If you're a cook, you a cook, You're gonna

792
00:43:42,160 --> 00:43:43,640
Speaker 1: be a cook. If you broke and.

793
00:43:45,640 --> 00:43:47,960
Speaker 3: When you when you got a billion dollars, you're still

794
00:43:48,000 --> 00:43:56,440
Speaker 3: gonna be a motherfucking crook. Right, Niggas want to feel

795
00:43:56,560 --> 00:44:01,680
Speaker 3: that the more finances I got, that makes me more

796
00:44:01,719 --> 00:44:02,400
Speaker 3: of a nick.

797
00:44:02,400 --> 00:44:05,479
Speaker 1: Right nigga, I'm a real nigga. Nigga. I gotta, I gotta.

798
00:44:05,640 --> 00:44:10,040
Speaker 3: I got a hundred million, nigga, No, because if you're

799
00:44:10,200 --> 00:44:14,200
Speaker 3: weak ass, you know, because a nigga donna stand on

800
00:44:14,360 --> 00:44:18,320
Speaker 3: his own right. I'm a grown man, whatever, whatever. I

801
00:44:18,360 --> 00:44:21,920
Speaker 3: don't need a hundred security. If it's me and you, nigga,

802
00:44:21,960 --> 00:44:25,360
Speaker 3: we can get them up, no problem. I don't have

803
00:44:25,520 --> 00:44:31,800
Speaker 3: to stand on my my check book to be a

804
00:44:32,000 --> 00:44:33,080
Speaker 3: stand up nigga.

805
00:44:33,320 --> 00:44:34,000
Speaker 1: You feel me.

806
00:44:36,400 --> 00:44:39,560
Speaker 3: If I got a hundred million, if you had my

807
00:44:39,800 --> 00:44:43,839
Speaker 3: number ten five days ago, you're still gonna be able

808
00:44:43,880 --> 00:44:44,320
Speaker 3: to call me.

809
00:44:44,560 --> 00:44:45,080
Speaker 1: You give me.

810
00:44:46,600 --> 00:44:51,040
Speaker 3: I don't like to have the sense of the more

811
00:44:51,200 --> 00:44:54,760
Speaker 3: money yet that makes you more tougher or more batter,

812
00:44:54,960 --> 00:44:58,480
Speaker 3: because a lot of niggas get that sense, right, And

813
00:44:58,600 --> 00:45:02,120
Speaker 3: I think that's what blind or sometimes is that.

814
00:45:06,400 --> 00:45:09,160
Speaker 1: I've always came from the sense of if, like I said,

815
00:45:09,239 --> 00:45:14,000
Speaker 1: you just real. You real Niggas like to punk.

816
00:45:13,800 --> 00:45:17,200
Speaker 3: Each other with their bank accounts you give me and

817
00:45:17,320 --> 00:45:24,160
Speaker 3: they finances. And that's the nutrind the new the new

818
00:45:24,239 --> 00:45:28,120
Speaker 3: way of because nigga, like I said, niggas with money,

819
00:45:28,200 --> 00:45:30,799
Speaker 3: who had money, I got money, They ain't got shit

820
00:45:30,920 --> 00:45:31,320
Speaker 3: to do with it?

821
00:45:31,480 --> 00:45:32,600
Speaker 1: Down what you give me.

822
00:45:33,640 --> 00:45:39,400
Speaker 3: So I think niggas get confused about letting money build

823
00:45:39,520 --> 00:45:43,920
Speaker 3: they motherfucking confidence of of who they really are. Like

824
00:45:44,719 --> 00:45:47,680
Speaker 3: you ain't no You ain't no shooter if you if

825
00:45:47,719 --> 00:45:49,960
Speaker 3: you wasn't no shooter when you was a broke nigga.

826
00:45:50,000 --> 00:45:52,680
Speaker 3: Don't think because you got a million dollars now you

827
00:45:52,760 --> 00:45:55,440
Speaker 3: can go buy twenty guns that you a big time.

828
00:45:55,360 --> 00:45:59,080
Speaker 1: You get me, you ain't shoot shooter.

829
00:46:00,080 --> 00:46:03,040
Speaker 3: You can have a fucking army in a tank in

830
00:46:03,200 --> 00:46:05,799
Speaker 3: your house, you still ain't gonna be no shooter because

831
00:46:05,840 --> 00:46:08,520
Speaker 3: you never was. So don't think just because you got

832
00:46:08,600 --> 00:46:11,359
Speaker 3: the money to go buy a hundred guns that that's

833
00:46:11,440 --> 00:46:14,440
Speaker 3: gonna put fear on the nigga who I know you

834
00:46:14,560 --> 00:46:17,000
Speaker 3: from the beginning. And like I said, some niggas want

835
00:46:17,520 --> 00:46:19,719
Speaker 3: one test nigga, Like I know what you said. You

836
00:46:19,840 --> 00:46:22,600
Speaker 3: heard the car nigger. I got this, nigga, I.

837
00:46:22,800 --> 00:46:24,400
Speaker 2: Own this and I got that.

838
00:46:25,480 --> 00:46:28,319
Speaker 3: So what that means, like they don't make a mother

839
00:46:28,440 --> 00:46:31,680
Speaker 3: fucking man that money ain't gonna fight for you. You

840
00:46:31,800 --> 00:46:34,480
Speaker 3: feel me, nigga for niggas like nigga, let's get them

841
00:46:34,560 --> 00:46:34,799
Speaker 3: up me.

842
00:46:34,840 --> 00:46:35,680
Speaker 1: And you right now.

843
00:46:36,000 --> 00:46:38,360
Speaker 3: You can't turn around and pull out your wallet and

844
00:46:38,480 --> 00:46:40,760
Speaker 3: be like, all right, nigga, let's fight with check bucks.

845
00:46:41,120 --> 00:46:44,840
Speaker 3: You feel me like bigger nigga, they got here, Nigga,

846
00:46:45,040 --> 00:46:47,879
Speaker 3: slap my card on the table, you slap your card out.

847
00:46:47,960 --> 00:46:48,239
Speaker 1: Let's go.

848
00:46:48,360 --> 00:46:51,160
Speaker 3: Let the cards do all this ship or nigga, my

849
00:46:51,400 --> 00:46:54,480
Speaker 3: chain is bigger than yours, nigga or the chains ain't

850
00:46:54,520 --> 00:46:59,400
Speaker 3: finna fight or whatever. So nigga be be be official, nigga,

851
00:46:59,480 --> 00:47:04,520
Speaker 3: don't don't. I just hate that shit, Like like money

852
00:47:04,600 --> 00:47:07,920
Speaker 3: give niggas courage, man, money give a lot of niggas courage.

853
00:47:08,800 --> 00:47:10,840
Speaker 2: Well you know what I noticed though, man, And again,

854
00:47:11,080 --> 00:47:13,879
Speaker 2: I don't have no knock against Killy Man. I don't know, dude.

855
00:47:14,440 --> 00:47:15,080
Speaker 2: You know what I'm saying.

856
00:47:15,800 --> 00:47:20,560
Speaker 3: I knock any nigga that think his motherfucking check book

857
00:47:21,200 --> 00:47:26,240
Speaker 3: makes him you know official, man, fuck that shit, because

858
00:47:26,280 --> 00:47:28,799
Speaker 3: if you can get slapped, you can get slapped. Money

859
00:47:28,800 --> 00:47:31,120
Speaker 3: ain't gonna stop you from getting slap all it's gonna

860
00:47:31,160 --> 00:47:33,919
Speaker 3: do is hire some security, and that's just gonna show

861
00:47:33,960 --> 00:47:36,120
Speaker 3: how much more of a punk you are, because now

862
00:47:36,120 --> 00:47:38,480
Speaker 3: you gotta walk around with tim niggas because if you're

863
00:47:38,480 --> 00:47:42,000
Speaker 3: a real nigga nigga, that's just it. Nigga niggas respect

864
00:47:42,080 --> 00:47:44,920
Speaker 3: you for who you are. You ain't got the flaws

865
00:47:45,160 --> 00:47:48,200
Speaker 3: or whatever. Now, ain't nothing wrong with having some dollars.

866
00:47:48,480 --> 00:47:51,640
Speaker 3: You get me your family live good, buy you a

867
00:47:51,680 --> 00:47:54,440
Speaker 3: couple of fancy cars and eat you a couple of

868
00:47:54,960 --> 00:47:58,759
Speaker 3: nice steak and lobsters and shit, and you know, baby go.

869
00:47:59,480 --> 00:48:01,760
Speaker 3: You know, you may even get you a private plane

870
00:48:01,960 --> 00:48:05,200
Speaker 3: or something. But if you're a buster, you're still a

871
00:48:05,280 --> 00:48:09,440
Speaker 3: buster nigga period. And we're not talking about Ghilly. Were

872
00:48:09,440 --> 00:48:11,480
Speaker 3: talking about the situation, So y'all don't go out there.

873
00:48:11,520 --> 00:48:12,200
Speaker 1: Trust yeah, I'm not.

874
00:48:13,000 --> 00:48:16,440
Speaker 3: I'm not choosing sides, man, I'm not talking about nobody

875
00:48:16,520 --> 00:48:20,120
Speaker 3: a fifth. I'm talking about any bigger who got who

876
00:48:20,320 --> 00:48:24,400
Speaker 3: feel like, you know, I'm a I'm a I'm a

877
00:48:24,520 --> 00:48:28,319
Speaker 3: hard nigga because my bank accounts say so os man,

878
00:48:28,400 --> 00:48:28,840
Speaker 3: no no.

879
00:48:29,640 --> 00:48:31,279
Speaker 2: And I had to mix it because I hear that

880
00:48:31,400 --> 00:48:34,399
Speaker 2: a lot lately. It's like when somebody get upset their

881
00:48:34,480 --> 00:48:37,120
Speaker 2: first thing. Is fuck that he don't got more money.

882
00:48:37,160 --> 00:48:39,400
Speaker 2: First of all, don't nobody know what nobody got, bro,

883
00:48:39,480 --> 00:48:42,640
Speaker 2: Because I'm gonna tell you something. I know two or

884
00:48:42,680 --> 00:48:45,279
Speaker 2: three billionaires. When I tell you, all of the motherfuckers

885
00:48:45,360 --> 00:48:48,080
Speaker 2: wear his T shirt and jeans and drive F one fifties.

886
00:48:48,560 --> 00:48:50,759
Speaker 2: Every last one of them don't. Don't nick. Neither one

887
00:48:50,760 --> 00:48:52,680
Speaker 2: of them drive a rose race, no shit like that.

888
00:48:53,280 --> 00:48:55,800
Speaker 2: All the motherfuckers, I know they actually got rose roces

889
00:48:55,840 --> 00:48:57,640
Speaker 2: and shit. Really can't afford the motherfuckers.

890
00:48:58,520 --> 00:49:00,680
Speaker 5: And the other point to all of this, which is

891
00:49:00,719 --> 00:49:03,839
Speaker 5: directly tied in the rap is and I know y'all

892
00:49:03,880 --> 00:49:06,880
Speaker 5: heard it. Every time somebody trying to be like this

893
00:49:07,080 --> 00:49:10,000
Speaker 5: artist better than that artist or whatever, they always pull out.

894
00:49:10,080 --> 00:49:12,000
Speaker 5: If you don't agree with them, they pull out, well,

895
00:49:12,480 --> 00:49:15,359
Speaker 5: who they like sold more records. I'm like, they got

896
00:49:15,440 --> 00:49:19,719
Speaker 5: another do with your talent? Zero has nothing to do

897
00:49:19,800 --> 00:49:22,839
Speaker 5: with your talent. There's a thousand rappers that never went

898
00:49:22,960 --> 00:49:24,600
Speaker 5: gold that are phenomenal artists.

899
00:49:25,000 --> 00:49:28,920
Speaker 2: So it's like, come on, yeah, you know what, I

900
00:49:29,040 --> 00:49:30,560
Speaker 2: want to go back to something. I want to go

901
00:49:30,680 --> 00:49:34,919
Speaker 2: back to the ain't the damn thing changed. I don't

902
00:49:34,960 --> 00:49:38,359
Speaker 2: think that that never went gold either, did it nah,

903
00:49:39,760 --> 00:49:42,239
Speaker 2: but it's one of the best albums. It's one of

904
00:49:42,280 --> 00:49:45,360
Speaker 2: the best albums ever made as far as gangster rap go,

905
00:49:45,400 --> 00:49:47,600
Speaker 2: as far as albums period, as far as music goes.

906
00:49:48,040 --> 00:49:49,360
Speaker 2: That was a phenomenal album.

907
00:49:49,440 --> 00:49:52,359
Speaker 4: Man. Yeah, that's why it's up here man, and eight

908
00:49:52,440 --> 00:49:54,279
Speaker 4: of course is on there. You Don't Work, You Don't Eat.

909
00:49:54,560 --> 00:49:55,400
Speaker 4: But I think the.

910
00:49:57,280 --> 00:49:59,320
Speaker 5: Thing one of the many things I loved about that

911
00:49:59,520 --> 00:50:03,200
Speaker 5: album is listening to Dubbs since the at least for

912
00:50:03,280 --> 00:50:06,640
Speaker 5: me to rhym syndicate compilation coming through and then low Profile.

913
00:50:07,360 --> 00:50:10,680
Speaker 5: But you're seeing the evolution of like these songs that

914
00:50:11,120 --> 00:50:13,480
Speaker 5: dress code, you Don't Work here on, Eat Out on

915
00:50:13,560 --> 00:50:17,200
Speaker 5: the Furlough, the tire track, but my Daddy.

916
00:50:17,520 --> 00:50:21,160
Speaker 4: Ghetto Serename, Ghetto Serenade.

917
00:50:21,239 --> 00:50:24,719
Speaker 5: All these songs looked at these different aspects of a

918
00:50:24,840 --> 00:50:27,600
Speaker 5: dude that was trying to make it that all these

919
00:50:27,680 --> 00:50:30,919
Speaker 5: different things were happening partially because he was in the hood,

920
00:50:30,960 --> 00:50:33,800
Speaker 5: partially because he was black, partially because of how he dressed,

921
00:50:33,840 --> 00:50:36,000
Speaker 5: partially because he didn't have money, partially because he.

922
00:50:36,160 --> 00:50:37,960
Speaker 4: Was gang affiliated, all this stuff.

923
00:50:38,719 --> 00:50:40,959
Speaker 5: And I just thought the way he examined and broke

924
00:50:41,040 --> 00:50:43,560
Speaker 5: everything down and COOLi oh, of course was amazing on

925
00:50:43,680 --> 00:50:46,840
Speaker 5: there eight JD from Lynch Mobls on there. It's just

926
00:50:46,960 --> 00:50:51,200
Speaker 5: a lot of amazing, amazing stories and lyrics and the

927
00:50:51,280 --> 00:50:57,080
Speaker 5: production too, with Jinks obviously holding it down a lot chilly, chill, crazy,

928
00:50:57,520 --> 00:50:58,400
Speaker 5: crazy tunes.

929
00:50:59,080 --> 00:51:01,040
Speaker 4: It's amazing, man, Jason, you.

930
00:51:01,120 --> 00:51:06,000
Speaker 2: Know what to me? To me, this album was like man,

931
00:51:06,120 --> 00:51:10,719
Speaker 2: the Ghetto Celestine's Chap, you know, it was just like that.

932
00:51:10,880 --> 00:51:14,000
Speaker 2: It was like the ghetto TheSky, you know what I'm saying,

933
00:51:14,400 --> 00:51:18,359
Speaker 2: Like really, and he's always been consistent as far as

934
00:51:18,480 --> 00:51:21,279
Speaker 2: representing for the catch that got the EBT cards and

935
00:51:21,320 --> 00:51:24,319
Speaker 2: they wanted you feel what I'm saying, and he never

936
00:51:24,440 --> 00:51:26,480
Speaker 2: switched it up though he never went Hollywood.

937
00:51:28,239 --> 00:51:30,200
Speaker 1: And one thing is is that.

938
00:51:34,520 --> 00:51:35,799
Speaker 2: A lot of people.

939
00:51:37,560 --> 00:51:45,920
Speaker 3: Look at at what we brought to the table as being,

940
00:51:46,200 --> 00:51:51,960
Speaker 3: you know, negative influences or.

941
00:51:54,400 --> 00:51:54,759
Speaker 1: Has a.

942
00:51:56,280 --> 00:52:00,920
Speaker 3: Has enough fect on what's going on with nigga you know,

943
00:52:01,520 --> 00:52:05,000
Speaker 3: hood rapped in the day. You see niggas on records. Now,

944
00:52:05,200 --> 00:52:08,680
Speaker 3: you know, we came through my homie, did you this?

945
00:52:09,040 --> 00:52:11,240
Speaker 3: And that's why your boy got shot?

946
00:52:11,360 --> 00:52:12,880
Speaker 1: And you know, but.

947
00:52:17,600 --> 00:52:22,520
Speaker 3: A lot of our music came from the struggle of

948
00:52:22,719 --> 00:52:29,360
Speaker 3: life of where we came from. It wasn't it wasn't

949
00:52:29,440 --> 00:52:32,600
Speaker 3: too And like, like you said, you listen to a

950
00:52:32,719 --> 00:52:35,520
Speaker 3: song called fuck My Daddy.

951
00:52:36,239 --> 00:52:41,719
Speaker 1: That's a personal issue, man, you feel me, and and

952
00:52:43,760 --> 00:52:44,960
Speaker 1: nobody else was.

953
00:52:45,239 --> 00:52:48,160
Speaker 3: You know, it's a lot of motherfuckers going around who

954
00:52:48,360 --> 00:52:52,000
Speaker 3: was fatherless and fathers wasn't in the home and shit,

955
00:52:53,680 --> 00:52:55,560
Speaker 3: But how was we dealing with that shit?

956
00:52:55,920 --> 00:52:56,440
Speaker 1: You feel me.

957
00:52:56,960 --> 00:52:59,680
Speaker 3: It took a nigga like dub C to go often

958
00:52:59,800 --> 00:53:02,480
Speaker 3: make record about this shit because it's some shit that's

959
00:53:02,560 --> 00:53:05,280
Speaker 3: really like, how many niggas over here in the hood,

960
00:53:05,760 --> 00:53:09,720
Speaker 3: who motherfucking pops is either dead killed, niggas in prison

961
00:53:09,880 --> 00:53:13,440
Speaker 3: for life or shooting up another niggahood or just niggas

962
00:53:13,560 --> 00:53:19,759
Speaker 3: just ain't around. It wasn't getting that shit, you feel me.

963
00:53:20,719 --> 00:53:24,600
Speaker 3: How do you try to separate yourself from that situation

964
00:53:24,840 --> 00:53:28,960
Speaker 3: that's going on to writing some shit about Hey, we

965
00:53:29,120 --> 00:53:32,960
Speaker 3: at the party and everything is a good time, and nigga,

966
00:53:33,000 --> 00:53:36,080
Speaker 3: I'm going through struggle over here. I'm not trying to

967
00:53:37,200 --> 00:53:43,080
Speaker 3: So it's kind of unfortunate that music for some of

968
00:53:43,239 --> 00:53:47,719
Speaker 3: us took a different path, you feel me. Not to

969
00:53:47,840 --> 00:53:50,600
Speaker 3: say that all are artists on the West Coast reflected

970
00:53:50,719 --> 00:53:56,600
Speaker 3: that struggle, but that's what we had to break to

971
00:53:56,719 --> 00:53:57,200
Speaker 3: the table.

972
00:53:57,640 --> 00:53:58,520
Speaker 1: Unfortunately.

973
00:54:00,480 --> 00:54:03,480
Speaker 3: We had. We wanted to talk about our depressions and

974
00:54:04,080 --> 00:54:09,120
Speaker 3: are hurt from being you know, fatherless kids, or or

975
00:54:09,840 --> 00:54:19,800
Speaker 3: seeing homies murdered, or you know, being stereotyped because you know,

976
00:54:20,360 --> 00:54:24,640
Speaker 3: being in a gang was something that wasn't something for fascination.

977
00:54:24,840 --> 00:54:26,560
Speaker 3: It was for motherfucker survival.

978
00:54:27,080 --> 00:54:29,759
Speaker 1: You get me. Everybody banging over here.

979
00:54:29,920 --> 00:54:32,319
Speaker 3: Niggas is clicking up and banging and shit, and if

980
00:54:32,360 --> 00:54:34,320
Speaker 3: you ain't banging, you're FeelA be a victim.

981
00:54:36,600 --> 00:54:38,920
Speaker 1: We had to talk about that shit, you get me.

982
00:54:39,360 --> 00:54:42,440
Speaker 3: We had to let motherfuckers know that, you know, they

983
00:54:42,520 --> 00:54:47,600
Speaker 3: got struggling over here while niggas is writing raps about

984
00:54:47,719 --> 00:54:50,960
Speaker 3: you know, having fun and you know we you know,

985
00:54:51,200 --> 00:54:54,400
Speaker 3: got the gold chains on and you know my Adidas

986
00:54:54,480 --> 00:54:59,400
Speaker 3: and shit like that. Nigga, motherfucker Nigga came through and

987
00:54:59,760 --> 00:55:03,640
Speaker 3: sh up the block last night. Am I supposed to

988
00:55:03,680 --> 00:55:07,160
Speaker 3: go to the studio write about, Hey, it's sunny in

989
00:55:07,320 --> 00:55:11,719
Speaker 3: California today. Nigga's raining like a motherfucker over here, and

990
00:55:11,760 --> 00:55:15,000
Speaker 3: it's a hundred cops come through every day kicking niggas

991
00:55:15,040 --> 00:55:17,279
Speaker 3: in the teeth and shit, just for being young black

992
00:55:17,360 --> 00:55:21,000
Speaker 3: niggas on the block. You know, nah, man, I got

993
00:55:21,040 --> 00:55:23,480
Speaker 3: to write about this shit. I got to tell somebody.

994
00:55:23,560 --> 00:55:26,640
Speaker 3: Somebody got to hear about it. So it wasn't like

995
00:55:27,920 --> 00:55:34,759
Speaker 3: our fucking artistic view didn't come from Oh nigga, we

996
00:55:34,880 --> 00:55:38,600
Speaker 3: can exploit, you know, talking about cripping and blood and

997
00:55:39,280 --> 00:55:42,360
Speaker 3: make a gang of money off of it. Nah, nigga,

998
00:55:44,200 --> 00:55:46,800
Speaker 3: I'm tired of get my ass kicked every day and

999
00:55:46,920 --> 00:55:50,080
Speaker 3: it just being a routine. You give me to the

1000
00:55:50,200 --> 00:55:55,120
Speaker 3: point to where even like when the situation with the

1001
00:55:55,239 --> 00:56:01,239
Speaker 3: George Floyd situation, we didn't getting our asses whooped over here, nigga. Youah,

1002
00:56:01,320 --> 00:56:04,239
Speaker 3: you know, nigga, police pick us up, take us to

1003
00:56:04,280 --> 00:56:07,760
Speaker 3: the end of meithood, drop us off. Police been kicking

1004
00:56:07,800 --> 00:56:11,120
Speaker 3: our teeth in in the substations and fucking us up.

1005
00:56:11,200 --> 00:56:14,880
Speaker 3: And look at all the look at all the lawsuits

1006
00:56:14,920 --> 00:56:18,320
Speaker 3: went down with rampart of police setting niggas up and

1007
00:56:18,480 --> 00:56:21,640
Speaker 3: shooting them and planting guns on them and sending niggas

1008
00:56:21,719 --> 00:56:24,240
Speaker 3: to prison for shit. And you want me to write

1009
00:56:24,280 --> 00:56:25,680
Speaker 3: about some happy ship?

1010
00:56:26,840 --> 00:56:28,800
Speaker 1: Where is it? You get me?

1011
00:56:28,960 --> 00:56:33,560
Speaker 3: So that was that was uh, you know, that's where

1012
00:56:33,640 --> 00:56:37,279
Speaker 3: songs like that came from, cause you know, coming from

1013
00:56:37,320 --> 00:56:39,840
Speaker 3: somewhere else. A motherfucker go like, why Nigga writing a

1014
00:56:39,960 --> 00:56:41,719
Speaker 3: song about fuck is Daddy.

1015
00:56:41,680 --> 00:56:46,200
Speaker 1: You getting Me? Because Nigga is is because fuck my

1016
00:56:46,400 --> 00:56:48,839
Speaker 1: Daddy you get Me was in his heart.

1017
00:56:48,880 --> 00:56:51,680
Speaker 2: But think about this, though, hey, me, you and Sower

1018
00:56:51,840 --> 00:56:54,680
Speaker 2: all come from different walks in life. I think me

1019
00:56:54,760 --> 00:56:57,000
Speaker 2: and your walking life probably similar. Even though I came

1020
00:56:57,080 --> 00:56:59,799
Speaker 2: up in Cleveland, we was both kind of brought up

1021
00:56:59,800 --> 00:57:04,280
Speaker 2: and right right he was there. But the common denominator

1022
00:57:04,360 --> 00:57:07,360
Speaker 2: that we all have is that hip hop took us

1023
00:57:07,400 --> 00:57:09,720
Speaker 2: on the journey that we never expected. Man, if somebody

1024
00:57:09,760 --> 00:57:11,640
Speaker 2: would have told me at the age of thirteen, when

1025
00:57:11,680 --> 00:57:13,960
Speaker 2: I was sitting on my front ports one day you

1026
00:57:14,040 --> 00:57:16,680
Speaker 2: would have a podcast for one of your favorite rappers

1027
00:57:17,040 --> 00:57:20,360
Speaker 2: and the dude that wrote in the magazine that you

1028
00:57:20,520 --> 00:57:23,160
Speaker 2: used to love and look at every weekend, you could

1029
00:57:23,200 --> 00:57:25,400
Speaker 2: have a podcast with them, and them gonna be your peers,

1030
00:57:25,440 --> 00:57:26,920
Speaker 2: and you gonna get to talk about them and get

1031
00:57:26,960 --> 00:57:29,400
Speaker 2: to do cool shit. I would have cried, I would

1032
00:57:29,400 --> 00:57:31,760
Speaker 2: have said, for real, because I didn't see no shit

1033
00:57:31,880 --> 00:57:35,280
Speaker 2: like that happening for me. The best thing I think

1034
00:57:35,400 --> 00:57:38,680
Speaker 2: back eight the aspiration I had when I was looking

1035
00:57:38,720 --> 00:57:40,680
Speaker 2: when I was a young man like that. At thirteen,

1036
00:57:41,160 --> 00:57:43,360
Speaker 2: I said, Okay, if I don't make it, even playing

1037
00:57:43,400 --> 00:57:45,840
Speaker 2: professional football or going to college for that matter, to

1038
00:57:45,880 --> 00:57:48,640
Speaker 2: play football was so far from me. I thought that

1039
00:57:48,720 --> 00:57:50,640
Speaker 2: I would get me a job, maybe at the gas

1040
00:57:50,800 --> 00:57:52,520
Speaker 2: company or something like that, and if I can get

1041
00:57:52,600 --> 00:57:55,160
Speaker 2: me a little house, maybe in something with the heights

1042
00:57:55,200 --> 00:57:57,479
Speaker 2: at the end of it, Shaker Heights of Cleveland Heights.

1043
00:57:57,800 --> 00:57:59,120
Speaker 2: I made it. Do you feel what I mean? To

1044
00:57:59,160 --> 00:58:01,200
Speaker 2: have a car and have a family, You know what

1045
00:58:01,240 --> 00:58:03,080
Speaker 2: I'm saying, have a wife and kids. That was my

1046
00:58:03,320 --> 00:58:06,320
Speaker 2: top aspiration. If I would have dead man, I've got

1047
00:58:06,360 --> 00:58:08,680
Speaker 2: to see the whole world because of hip hop dogs.

1048
00:58:08,720 --> 00:58:12,280
Speaker 2: Why take that shit serious? It's done a lot. It's

1049
00:58:12,320 --> 00:58:13,520
Speaker 2: done a lot for all of us.

1050
00:58:14,680 --> 00:58:20,920
Speaker 3: Like life was blank for those mid years because I

1051
00:58:21,000 --> 00:58:21,760
Speaker 3: didn't know where.

1052
00:58:21,560 --> 00:58:22,640
Speaker 1: The fuck I was going.

1053
00:58:22,920 --> 00:58:27,360
Speaker 3: I just I just men growing up in Compton living

1054
00:58:27,400 --> 00:58:30,800
Speaker 3: where I lived in in the in the neighborhood called Fooptown.

1055
00:58:34,040 --> 00:58:36,240
Speaker 3: I didn't know where the fuck I was going. Like

1056
00:58:36,400 --> 00:58:40,640
Speaker 3: I said, you you see all this, You see all

1057
00:58:40,680 --> 00:58:46,000
Speaker 3: this fantasy ship on TV, and as a kid, you know, are.

1058
00:58:49,200 --> 00:58:50,320
Speaker 1: Like, what are you supposed to?

1059
00:58:50,480 --> 00:58:54,400
Speaker 3: You know, I'm seeing these dry by shootings niggas game

1060
00:58:54,560 --> 00:59:02,400
Speaker 3: bang and you know those years between when you first

1061
00:59:02,480 --> 00:59:07,240
Speaker 3: get introduced to gang banging and then you know, you

1062
00:59:07,440 --> 00:59:12,000
Speaker 3: see movies like Colors, and then you see movies like Scarface,

1063
00:59:12,840 --> 00:59:16,480
Speaker 3: and then you look down the block and it's niggas.

1064
00:59:16,600 --> 00:59:21,440
Speaker 3: You know, yo, you know you hanging with niggas is

1065
00:59:22,640 --> 00:59:27,720
Speaker 3: selling and making bread and you know at that point,

1066
00:59:27,800 --> 00:59:30,600
Speaker 3: I'm like, Nigga, I'm trying to get me some kilos,

1067
00:59:31,400 --> 00:59:35,400
Speaker 3: you get me. I'm trying to like there was no

1068
00:59:35,800 --> 00:59:38,200
Speaker 3: like man, i'mna be a ball player or.

1069
00:59:38,440 --> 00:59:40,040
Speaker 1: Like like nigga, Like.

1070
00:59:41,680 --> 00:59:44,840
Speaker 3: Every nigga I hang around is either dying or they

1071
00:59:45,000 --> 00:59:47,280
Speaker 3: going to jail, or niggas is serving.

1072
00:59:47,760 --> 00:59:50,360
Speaker 1: Like ain't no niggas working.

1073
00:59:51,360 --> 00:59:54,920
Speaker 2: Like what I'm saying, Man, It's like like Nigga, I

1074
00:59:55,080 --> 00:59:56,480
Speaker 2: was like work, who worked?

1075
00:59:56,720 --> 00:59:59,160
Speaker 1: I thought niggas was dumb as fuck to work.

1076
00:59:59,560 --> 01:00:02,080
Speaker 3: I'm think like looking and then I'm looking at my

1077
01:00:02,240 --> 01:00:05,960
Speaker 3: mom's and you know, like, Okay, niggas is going to

1078
01:00:06,080 --> 01:00:08,960
Speaker 3: work every day, right, have shit and that's why we

1079
01:00:10,080 --> 01:00:12,920
Speaker 3: got ship. We still ain't got shit, mo fuck going

1080
01:00:12,960 --> 01:00:16,200
Speaker 3: to work every day and like I'm like, damn, we

1081
01:00:16,600 --> 01:00:20,320
Speaker 3: you know, we got a motherfucking we got a little bucket.

1082
01:00:20,880 --> 01:00:26,520
Speaker 1: You know, we we living on the block.

1083
01:00:26,960 --> 01:00:31,480
Speaker 3: You know, it's it's no motherfucking like like while like

1084
01:00:31,800 --> 01:00:34,640
Speaker 3: like where I live now, I walk out my house,

1085
01:00:34,760 --> 01:00:37,919
Speaker 3: nigga just standing there, nigga, and I probably won't see

1086
01:00:37,960 --> 01:00:39,680
Speaker 3: a motherfucker for two hours.

1087
01:00:40,480 --> 01:00:44,000
Speaker 1: It's just that quiet. You know, people don't come outside,

1088
01:00:44,160 --> 01:00:48,840
Speaker 1: and you know, and and it's just nigga. I'm at

1089
01:00:49,000 --> 01:00:50,040
Speaker 1: in counting, nigga.

1090
01:00:50,080 --> 01:00:53,480
Speaker 3: You every five seconds you're ducking or who is that

1091
01:00:53,640 --> 01:00:56,120
Speaker 3: turn in the corner or you know there go to

1092
01:00:56,240 --> 01:00:59,040
Speaker 3: police And like I said, you living at home with

1093
01:00:59,200 --> 01:01:02,720
Speaker 3: your moms struggling, They them lights might go off today

1094
01:01:02,800 --> 01:01:05,280
Speaker 3: and all ship, nigga, what we eating today?

1095
01:01:05,480 --> 01:01:06,560
Speaker 1: Or you know not.

1096
01:01:07,560 --> 01:01:11,320
Speaker 3: It was just a struggle, man, and we would living

1097
01:01:11,400 --> 01:01:18,560
Speaker 3: middle class was a struggle, you get me. So it

1098
01:01:18,720 --> 01:01:21,280
Speaker 3: was it was it was hard to have dreams of

1099
01:01:22,760 --> 01:01:26,680
Speaker 3: like how the fuck am I gonna get rich? And

1100
01:01:27,000 --> 01:01:29,400
Speaker 3: and and you get me because when you were a

1101
01:01:29,560 --> 01:01:32,160
Speaker 3: kid and you in the struggle, and you poverty and

1102
01:01:32,240 --> 01:01:35,320
Speaker 3: you see your parents struggle, you want to be rich

1103
01:01:35,320 --> 01:01:38,240
Speaker 3: as a motherfucker, that's what you want to be. But

1104
01:01:38,440 --> 01:01:43,160
Speaker 3: the motherfucking how you gonna get there is the question.

1105
01:01:43,400 --> 01:01:46,400
Speaker 2: Because it seems possible, bro. It seemed like it was like,

1106
01:01:46,680 --> 01:01:48,920
Speaker 2: you know, I couldn't believe that stuff.

1107
01:01:49,400 --> 01:01:53,600
Speaker 3: And we tell you, you know, you get an education

1108
01:01:53,880 --> 01:01:55,760
Speaker 3: and go to kind of nigga, that ship is like

1109
01:01:55,920 --> 01:02:00,640
Speaker 3: fucking foreign to me. You mean get an education. Okay,

1110
01:02:00,680 --> 01:02:04,640
Speaker 3: I'm not dumb, you know, I'm little. My grades is

1111
01:02:04,760 --> 01:02:08,560
Speaker 3: cool when I was going to school. But at some point,

1112
01:02:09,040 --> 01:02:10,760
Speaker 3: I'm like, what this fuck is this shit for?

1113
01:02:11,960 --> 01:02:12,000
Speaker 4: You?

1114
01:02:12,120 --> 01:02:12,440
Speaker 1: Get me?

1115
01:02:12,920 --> 01:02:17,240
Speaker 3: I'm learning about fucking George Washington and Abraham Lincoln, and

1116
01:02:17,840 --> 01:02:21,600
Speaker 3: I'm learning about how we was whooped and chained as slaves,

1117
01:02:21,760 --> 01:02:25,520
Speaker 3: and I'm learning about the Senator Maria and the Penta

1118
01:02:25,640 --> 01:02:29,680
Speaker 3: whatever the fucking ships was, and ship the Christopher Colle

1119
01:02:29,960 --> 01:02:32,520
Speaker 3: Like what the fuck is this shit gonna do for me?

1120
01:02:33,000 --> 01:02:33,280
Speaker 1: Really?

1121
01:02:33,640 --> 01:02:38,920
Speaker 3: Like really like, so you get lost, man, And as

1122
01:02:38,960 --> 01:02:43,040
Speaker 3: a young nigga growing up in those places like Timpton

1123
01:02:43,200 --> 01:02:47,600
Speaker 3: or Cleveland or you know, Brooklyn or wherever, it's fucking

1124
01:02:49,080 --> 01:02:51,960
Speaker 3: just shit. Man. You be like, man, need to give

1125
01:02:52,040 --> 01:02:56,320
Speaker 3: me a sack, because that's the quickest come up I

1126
01:02:56,400 --> 01:03:00,800
Speaker 3: can come up. Nigga's gonna respect me. I'm ad bitches,

1127
01:03:01,360 --> 01:03:06,400
Speaker 3: I'm gonna have a fancy cars. It's hard for you

1128
01:03:06,600 --> 01:03:14,720
Speaker 3: to grasp being a productive citizen when you in you

1129
01:03:14,880 --> 01:03:18,520
Speaker 3: know where you where, the situations where I came from.

1130
01:03:18,600 --> 01:03:21,800
Speaker 3: It's it's it's hard to have that dream of being

1131
01:03:21,880 --> 01:03:25,480
Speaker 3: a productive citizen when all the vices is right here.

1132
01:03:25,840 --> 01:03:26,160
Speaker 2: Nigga.

1133
01:03:26,280 --> 01:03:28,680
Speaker 3: What nigga, I'll set you up with a sack. Nigga,

1134
01:03:28,760 --> 01:03:32,720
Speaker 3: put you on this corner, you know, or shire. My

1135
01:03:32,880 --> 01:03:36,280
Speaker 3: parents ain't around. My mam working from eleven o'clock at

1136
01:03:36,360 --> 01:03:39,479
Speaker 3: night to seven in the morning. I'm finna get into

1137
01:03:39,600 --> 01:03:44,160
Speaker 3: some shit. You feel me, it's you give me. I'm

1138
01:03:44,160 --> 01:03:46,840
Speaker 3: finna get into some ship and I live in the

1139
01:03:46,960 --> 01:03:51,360
Speaker 3: hood and then everybody know, nigga, Mama gone at night.

1140
01:03:51,440 --> 01:03:55,120
Speaker 3: Nigg we're going over. We're going Old Kuzz Housegga. Niggas

1141
01:03:55,160 --> 01:03:57,440
Speaker 3: all at the front yard at the house, Nigga, we

1142
01:03:57,600 --> 01:04:03,680
Speaker 3: get loaded and ship like supervision. You nigga, my older sister, Nigga, see, hey,

1143
01:04:04,840 --> 01:04:08,160
Speaker 3: you have no way of life, man. So it was

1144
01:04:08,320 --> 01:04:11,160
Speaker 3: hard to grasp that. So, like I said, nigga, that's

1145
01:04:11,200 --> 01:04:14,880
Speaker 3: what nigga. That's where those those struggle songs come from.

1146
01:04:15,280 --> 01:04:17,920
Speaker 3: Because niggas don't be knowing what the fuck they gonna do.

1147
01:04:18,640 --> 01:04:22,280
Speaker 3: And so for me, when the rap shit started, Nigga,

1148
01:04:22,280 --> 01:04:24,960
Speaker 3: I'm finna talk about all this struggling I'm going through.

1149
01:04:25,480 --> 01:04:28,400
Speaker 3: You know, that's where and like I said, I hate

1150
01:04:28,400 --> 01:04:30,760
Speaker 3: for motherfuckers to call it gainst the rap because Nigga.

1151
01:04:30,760 --> 01:04:32,000
Speaker 1: I wasn't talking about the game.

1152
01:04:32,080 --> 01:04:34,400
Speaker 3: Yeah, I was claiming trag New, but I ain't coming

1153
01:04:34,400 --> 01:04:37,040
Speaker 3: about you know, I ain't talking about this trag new

1154
01:04:37,120 --> 01:04:39,840
Speaker 3: on the record. I'm talking about Nigga. We over here struggling.

1155
01:04:40,440 --> 01:04:40,800
Speaker 1: That's why.

1156
01:04:42,120 --> 01:04:44,760
Speaker 3: That's why I wrote Nigga Struggling. That's why I wrote

1157
01:04:44,840 --> 01:04:47,800
Speaker 3: Nigga the Hood to be under y'all think this shit?

1158
01:04:47,960 --> 01:04:49,520
Speaker 3: Is this fascinating?

1159
01:04:50,000 --> 01:04:50,280
Speaker 1: Hell?

1160
01:04:50,480 --> 01:04:50,520
Speaker 4: No?

1161
01:04:51,400 --> 01:04:54,520
Speaker 3: You know what time, I'm getting tired of diving behind

1162
01:04:54,680 --> 01:04:58,080
Speaker 3: cars when the niggas come through blasting the nigga. You try,

1163
01:04:59,560 --> 01:05:02,960
Speaker 3: you try make a decent living. Nigga's seven of us

1164
01:05:03,080 --> 01:05:04,720
Speaker 3: out here trying to rush the car.

1165
01:05:05,080 --> 01:05:08,400
Speaker 1: We all got a pocket full of rocks. You feel me, Bro?

1166
01:05:08,560 --> 01:05:11,120
Speaker 2: You said something earlier, right, You talked about maturity.

1167
01:05:11,240 --> 01:05:11,360
Speaker 5: Right.

1168
01:05:12,880 --> 01:05:15,680
Speaker 2: You know why I don't let stuff bother me today too, Bro,

1169
01:05:15,840 --> 01:05:19,919
Speaker 2: because I think about, like, I'm really grateful. I'm really

1170
01:05:20,000 --> 01:05:22,440
Speaker 2: grateful for my life, bro, not saying that I got

1171
01:05:22,480 --> 01:05:24,160
Speaker 2: all the money in the world or whatever like that.

1172
01:05:24,280 --> 01:05:27,520
Speaker 2: I have my struggles just like everybody else. Right, but

1173
01:05:27,680 --> 01:05:29,800
Speaker 2: think about this, thoff, bro. I was on the phone

1174
01:05:31,160 --> 01:05:32,960
Speaker 2: an hour before we got on with one of the

1175
01:05:33,080 --> 01:05:38,640
Speaker 2: biggest movie producers in you know, black movie in black cinema, right,

1176
01:05:38,760 --> 01:05:42,680
Speaker 2: Dennis Reed. And he gave us a deal. Not just

1177
01:05:42,760 --> 01:05:44,960
Speaker 2: any deal, man, he pretty much gave us like a

1178
01:05:45,240 --> 01:05:47,480
Speaker 2: like what's the equialing of a label deal to where

1179
01:05:47,480 --> 01:05:49,400
Speaker 2: we could produce X amount of movies for year?

1180
01:05:49,520 --> 01:05:49,680
Speaker 4: Right.

1181
01:05:50,840 --> 01:05:52,880
Speaker 2: And I thought about that, and I said, man, hip

1182
01:05:52,920 --> 01:05:55,560
Speaker 2: hop took me there, notoriety. I don't have a background

1183
01:05:55,640 --> 01:05:57,400
Speaker 2: in film, but this dude is saying that.

1184
01:05:57,720 --> 01:05:57,919
Speaker 4: Man.

1185
01:05:58,080 --> 01:06:01,160
Speaker 2: You know, I really think you guys something you know offer.

1186
01:06:01,320 --> 01:06:03,640
Speaker 2: So you know, we hit it out to Detroit first

1187
01:06:03,680 --> 01:06:05,640
Speaker 2: of the year, man, and start banging out these flicks

1188
01:06:05,680 --> 01:06:07,960
Speaker 2: and stuff, start doing something out here. You know, I'm

1189
01:06:08,000 --> 01:06:09,800
Speaker 2: gonna mess with you on this stuff so on, you know,

1190
01:06:09,840 --> 01:06:11,840
Speaker 2: because I need your opinion on some stuff. Man. But

1191
01:06:13,320 --> 01:06:15,400
Speaker 2: we got a lot to be grateful for. Man, this

1192
01:06:15,520 --> 01:06:18,080
Speaker 2: all because of music. At the end of the day,

1193
01:06:18,240 --> 01:06:20,400
Speaker 2: you know, from this podcast man to the movies we

1194
01:06:20,480 --> 01:06:23,800
Speaker 2: about to start making. You know what I'm saying so eight,

1195
01:06:23,880 --> 01:06:26,040
Speaker 2: I hope you still got your chops together.

1196
01:06:26,120 --> 01:06:32,200
Speaker 3: Man, Man, I ain't doing ship. I'm just chilling and

1197
01:06:32,320 --> 01:06:35,080
Speaker 3: posting and doing what we're gonna do. So that's how

1198
01:06:35,120 --> 01:06:38,760
Speaker 3: it is, man. You know what it's about that time?

1199
01:06:38,920 --> 01:06:39,120
Speaker 4: Man?

1200
01:06:40,240 --> 01:06:42,480
Speaker 2: Well, we about to I guess next week?

1201
01:06:42,560 --> 01:06:42,680
Speaker 4: Man?

1202
01:06:42,760 --> 01:06:44,240
Speaker 2: Is it the top ten next week?

1203
01:06:44,360 --> 01:06:46,920
Speaker 4: Man? Yeah, we don't want to let it.

1204
01:06:47,040 --> 01:06:47,479
Speaker 1: We gotta.

1205
01:06:47,640 --> 01:06:50,040
Speaker 3: You gotta go over your ship next week. So we'll

1206
01:06:50,120 --> 01:06:52,680
Speaker 3: finish it off and do what we gotta do and ship,

1207
01:06:53,360 --> 01:06:56,200
Speaker 3: and I want to do something special for the top

1208
01:06:56,520 --> 01:06:59,120
Speaker 3: maybe the top five. We'll do something real fly you know.

1209
01:07:00,720 --> 01:07:01,640
Speaker 1: For sure, let's do that.

1210
01:07:02,360 --> 01:07:05,520
Speaker 2: And when we got the Gangster Chronicles, merch should be

1211
01:07:05,600 --> 01:07:06,960
Speaker 2: coming up. We didn't get to go up and pick

1212
01:07:07,040 --> 01:07:09,919
Speaker 2: up our ship tonight, but we will have the merch

1213
01:07:10,000 --> 01:07:12,280
Speaker 2: available next week. Is your ship online?

1214
01:07:12,320 --> 01:07:12,640
Speaker 4: You eight?

1215
01:07:13,640 --> 01:07:16,480
Speaker 3: No, because I still got product to get together. So

1216
01:07:17,040 --> 01:07:19,440
Speaker 3: we're trying to get all the products and ship where

1217
01:07:19,480 --> 01:07:22,000
Speaker 3: we're gonna come out with first, and then i'ma I'm

1218
01:07:22,000 --> 01:07:22,880
Speaker 3: gonna shoot it off.

1219
01:07:24,480 --> 01:07:26,800
Speaker 1: I got we're doing. We're doing different ship and.

1220
01:07:28,280 --> 01:07:31,040
Speaker 3: It's got some new products, some new ideas for some

1221
01:07:31,200 --> 01:07:34,520
Speaker 3: new shirt design. So once we hit that cracking, then

1222
01:07:34,560 --> 01:07:37,400
Speaker 3: it to be up and we got you know, like I.

1223
01:07:37,440 --> 01:07:41,640
Speaker 2: Said, we dropping movies man, So any young aspiring because

1224
01:07:41,680 --> 01:07:43,560
Speaker 2: my thing is this, I do support to young people.

1225
01:07:43,600 --> 01:07:47,360
Speaker 2: I give young people, maybe too many opportunities, but I

1226
01:07:47,440 --> 01:07:49,320
Speaker 2: think we got to. I think we in a position to.

1227
01:07:49,440 --> 01:07:51,320
Speaker 2: I think we should, especially if they got some bona

1228
01:07:51,400 --> 01:07:55,400
Speaker 2: fide talent. Anybody out there that got movie scripts serious,

1229
01:07:55,440 --> 01:07:58,880
Speaker 2: they're serious about this ship. Hit us up. Gangst Chronicles

1230
01:07:58,960 --> 01:08:01,400
Speaker 2: podcasts at gmail dot com or in for a digital

1231
01:08:01,480 --> 01:08:05,120
Speaker 2: soapbox media dot com. If you got scripts, I would

1232
01:08:05,160 --> 01:08:07,320
Speaker 2: love to. I would love for us to discover the

1233
01:08:07,400 --> 01:08:12,000
Speaker 2: next John Single ten and somebody that's sufficient. You know

1234
01:08:12,040 --> 01:08:14,919
Speaker 2: what I'm saying. And y'all make sure y'all go watch

1235
01:08:15,000 --> 01:08:18,559
Speaker 2: you Unique Access Sewing. You'll be having some dope ass shows. Man,

1236
01:08:18,600 --> 01:08:20,439
Speaker 2: you be having some dope ass episodes of Dog. I

1237
01:08:20,479 --> 01:08:22,320
Speaker 2: think people sleep on them a little bit. Soaring got

1238
01:08:22,400 --> 01:08:24,280
Speaker 2: some of the most brilliant interviews online.

1239
01:08:24,360 --> 01:08:24,519
Speaker 4: Man.

1240
01:08:25,160 --> 01:08:27,960
Speaker 2: So if you really need a hip hop ship, if

1241
01:08:28,040 --> 01:08:30,360
Speaker 2: y'all in that hip hop ship, man, go watch Unique

1242
01:08:30,439 --> 01:08:33,760
Speaker 2: Access Man. This man get people. You got brother links

1243
01:08:33,880 --> 01:08:37,439
Speaker 2: on that motherfucker Dog. You've had school he d you

1244
01:08:37,560 --> 01:08:39,400
Speaker 2: be having some people they come out for sewing.

1245
01:08:40,040 --> 01:08:42,840
Speaker 4: Hey, man, I'm trying to I'm trying to be trying

1246
01:08:42,840 --> 01:08:43,960
Speaker 4: to be number one in this game.

1247
01:08:44,040 --> 01:08:44,200
Speaker 1: Man.

1248
01:08:44,280 --> 01:08:46,360
Speaker 4: That's why I'm honored to be with y'all too. Man.

1249
01:08:46,520 --> 01:08:48,800
Speaker 4: So it's an honor, oh for sure.

1250
01:08:48,880 --> 01:08:50,280
Speaker 2: Man. It's honor to half you up here.

1251
01:08:50,400 --> 01:08:50,599
Speaker 4: Man.

1252
01:08:50,720 --> 01:08:53,680
Speaker 2: And that's it, man, We out of here. We see

1253
01:08:53,760 --> 01:08:55,360
Speaker 2: y'all next week, yeah,