WEBVTT - TechSword & LaserStuff at Dragon*Con

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you get in touch with technology? With

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<v Speaker 1>Tex Stile from how stuff Works dot com. Hello again everyone,

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<v Speaker 1>and welcomes to tech Stuff. My name is Chris Poulette,

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<v Speaker 1>and I am an editor here at how stuff Works

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<v Speaker 1>dot Com. Sitting next to me unlike usual, but we'll

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<v Speaker 1>get any more, and that later is senior writer Jonathan Strickland.

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<v Speaker 1>The sky is blue and all the leaves are green.

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<v Speaker 1>My heart's as full as a baked potato. Alright, Yeah,

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<v Speaker 1>Today is a very special episode of tech Stuff, so

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<v Speaker 1>special that the only word to describe it is spado winkle.

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<v Speaker 1>So the reason that there is a a special is one,

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<v Speaker 1>for the first time ever, we are recording outside the

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<v Speaker 1>confines of our Comfy studio, so we're kind of excited

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<v Speaker 1>and frightened. The second is that we are at dragon Con,

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<v Speaker 1>which is a huge fantasy, science fiction, horror genre fan

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<v Speaker 1>in convention. And third and fourth we have two special

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<v Speaker 1>guests with us today. We have Tom Merritt and Veronica Belmont.

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<v Speaker 1>Say Hi, Hi, Hello, you follow direction well? Veronica said, hello,

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<v Speaker 1>I just want to point out you said specifically to

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<v Speaker 1>say Hill right. Okay, sorry, Tom follows direction exceptionally. Well.

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<v Speaker 1>We have we have Tom and Veronica, who collectively our

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<v Speaker 1>Sword and Laser. I have never asked which is which,

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<v Speaker 1>but um, I know that seriously because Veronica does the

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<v Speaker 1>laser sound effect. Pew p. There we go. I was

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<v Speaker 1>hoping I could get it on here. I wasn't gonna

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<v Speaker 1>specifically ask. I thought if I was obleek enough, I

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<v Speaker 1>could get it. Um. The So you're here doing Sword

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<v Speaker 1>and Laser as well as some of your other projects.

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<v Speaker 1>Why don't you both introduce yourselves and kind of give

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<v Speaker 1>an overview of all the amazing stuff you guys do.

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<v Speaker 1>Me first, okay, Um, I'm Veronica and I currently co

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<v Speaker 1>host Texila on Revision three and also Core on the

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<v Speaker 1>PlayStation network and uh in our free time. We are

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<v Speaker 1>fortunate enough to have Sword and Laser, which is the

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<v Speaker 1>reason we've come to dragon Con for the past two

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<v Speaker 1>years to do live show here and interview authors and

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<v Speaker 1>it's always been a blast. Yeah. My name is Tom right,

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<v Speaker 1>and now, of course I do Sortain Laser with Veronica,

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<v Speaker 1>which is a science fiction fantasy fook club. UH, and

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<v Speaker 1>I also do Tech News Today daily on the Twitter

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<v Speaker 1>network at two thirty Pacific, five thirty Eastern. I do

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<v Speaker 1>Current Geek Weekly with Scott Johnson. I do Forecast with

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<v Speaker 1>Scott Johnson. I do East Meats West, Where We Go

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<v Speaker 1>Chang got like six more with Brian Bridge? Should I

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<v Speaker 1>go on? Keep going? Keep going? Right with Brian brush

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<v Speaker 1>with the SNORB cartoons with Scott Johnson. I think that's it,

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<v Speaker 1>So he thinks all right, and uh so, yeah. We

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<v Speaker 1>we asked Tom and Veronica on the show because we

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<v Speaker 1>were all going to be in the same place at

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<v Speaker 1>the same time, which is unusual, but also because they

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<v Speaker 1>cover Technology Top five on Revision three and Tom will

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<v Speaker 1>just continuously interrupt me for the rest of the show,

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<v Speaker 1>adding in the things that he's forgotten that he does.

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<v Speaker 1>Um No. We we asked them here because they're both

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<v Speaker 1>technology journalists and we wanted to kind of talk about

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<v Speaker 1>what it's like covering technology from a journalism standpoint. Chris

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<v Speaker 1>and I did a video show for a while where

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<v Speaker 1>we covered news, technology, news, and um and so we

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<v Speaker 1>really got kind of a crash course and what it's

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<v Speaker 1>like to cover tech, and that was really a small,

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<v Speaker 1>a tiny show compared to what you guys do, so

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<v Speaker 1>just kind of want to get your thoughts on what

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<v Speaker 1>it's like covering technology. Uh And and if you've had

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<v Speaker 1>experience covering other kinds of topics, what makes it sort

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<v Speaker 1>of unique in that? And from a journalism standpoint, Well,

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<v Speaker 1>it changes so fast. I mean there's new stuff all

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<v Speaker 1>the time, and it can be very difficult to stay

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<v Speaker 1>on top of everything that's happening and changing. And technology

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<v Speaker 1>covers so many different areas as well, whether it's gadgets

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<v Speaker 1>or computers or internet culture and uh, you know, new

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<v Speaker 1>media stuff. It's it's always changing and there's always some

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<v Speaker 1>thing that we have to learn and pay attention to. Yeah,

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<v Speaker 1>and the technology crowd is the smartest crowd of media

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<v Speaker 1>consumers technology and science. You know, folks, they know what

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<v Speaker 1>they're talking about in their field, and you, as a

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<v Speaker 1>reporter often have to know everything about every field. Uh.

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<v Speaker 1>So you're going to get corrected a lot a lot

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<v Speaker 1>because you can't know everything about every topic. But hopefully

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<v Speaker 1>you can know enough to to be able to pass

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<v Speaker 1>along just the good information, kind of sift good from bad.

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<v Speaker 1>Uh And And one thing that Veronica and I both

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<v Speaker 1>got really good on when we did Buzz Out Loud

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<v Speaker 1>at seen It back in the day is using the

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<v Speaker 1>audience to your advantage. Uh, And I know, John, that's

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<v Speaker 1>actually how I got to know you. Was relying on

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<v Speaker 1>you to kind of contribute some facts and stuff that

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<v Speaker 1>you knew from your research and how stuff works. That

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<v Speaker 1>helped us to pass along emails and voicemails to people

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<v Speaker 1>to kind of further explain stuff that maybe we weren't

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<v Speaker 1>able to fully explain in our coverage of it. I

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<v Speaker 1>actually really missed doing a daily show like tom DA's

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<v Speaker 1>Now and like we used to do it buzz out

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<v Speaker 1>loud because it keeps you really sharp, like when you're

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<v Speaker 1>reading stuff every day and you have to be able

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<v Speaker 1>to follow stories throughout the week. You, um, you definitely

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<v Speaker 1>absorb it a lot better than with me and Patrick

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<v Speaker 1>on Texila. UM. We do a lot of computer health

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<v Speaker 1>problems and gadget questions, and we do news at the

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<v Speaker 1>top of the show, but it's not our main focus.

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<v Speaker 1>So I found myself, you know, getting out of the

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<v Speaker 1>loop a little bit on a lot of the big

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<v Speaker 1>stuff that's going on. And I think I need to

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<v Speaker 1>start listening to tech news today regularly, more regularly, more regularly,

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<v Speaker 1>more like five days a week instead of the four

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<v Speaker 1>I already do. Yeah, Veronica, you just you need to

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<v Speaker 1>listen harder. I know, you have a better job and

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<v Speaker 1>pressing stop five minutes, then emailing and then listening another

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<v Speaker 1>five minutes like that. I know. Um. Actually that that

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<v Speaker 1>bringing the whole audience factor into it. That's one of

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<v Speaker 1>the things I found very interesting getting into knowledgy blogging

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<v Speaker 1>and UH and technology podcasting as well as doing the

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<v Speaker 1>video show. UM. You know, as a writer, occasionally we

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<v Speaker 1>would get readers writing in to to comment on on

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<v Speaker 1>the articles we were writing, but that that interaction rapped

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<v Speaker 1>up significantly once we went to blogging and podcasting, and

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<v Speaker 1>so it is interesting. Why don't you talk a little

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<v Speaker 1>bit about what it's like, UH interacting with your audience

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<v Speaker 1>and how I mean to me, that seems like it's

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<v Speaker 1>a really unique thing that podcasters in general and tech

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<v Speaker 1>podcasters specifically get to do that other journalists don't. Necessarily

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<v Speaker 1>they don't experience that well. I think Tom already covered

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<v Speaker 1>it really well and saying that the audience is way

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<v Speaker 1>smarter than we are, and so they're always giving such

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<v Speaker 1>great feedback and such additional information to whatever we're talking about.

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<v Speaker 1>Their indispensable in that way, and correcting us and and

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<v Speaker 1>updating us on stuff that's going on that we may

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<v Speaker 1>have missed. It's it's incredible well and one of the

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<v Speaker 1>things you have to do. And and maybe tech podcasters

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<v Speaker 1>and and bloggers are better at it because they're just

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<v Speaker 1>into technology and they like to to play around with stuff,

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<v Speaker 1>but anybody in any topic can do that, which is

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<v Speaker 1>open up the channels, read some emails on your podcast,

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<v Speaker 1>or respond to someone your bog or uh, you know,

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<v Speaker 1>play some voicemails. So open up a voicemail line or

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<v Speaker 1>just ask for people to record MP three and send

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<v Speaker 1>them as attachments. Once you start including the audience in

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<v Speaker 1>whatever you're doing, more audience members will catch on to

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<v Speaker 1>that and say, oh, I want to contribute to and

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<v Speaker 1>you'll you'll get people who don't, in fact, the vast

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<v Speaker 1>majority don't, but you'll start to develop a crowd that

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<v Speaker 1>you can rely on, and you can separate the trolls

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<v Speaker 1>from the from the people who actually contribute. And then

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<v Speaker 1>now you have a stable of not only experts that

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<v Speaker 1>you can you can use to make your content better,

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<v Speaker 1>but also folks who are going to spread the word

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<v Speaker 1>about your show and say like, hey, I really like

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<v Speaker 1>this because I'm invested in it. That's a great point. Um,

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<v Speaker 1>is there anything about technology in general that that you

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<v Speaker 1>are particularly passionate about? I mean, besides, because as you

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<v Speaker 1>were pointing out Monica, Uh, technology is a huge, huge topic,

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<v Speaker 1>and there are a lot of sub topics uh in general.

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<v Speaker 1>For instance, from my own perspective, Uh, the stuff I'm

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<v Speaker 1>really interested in is is despite the fact that I

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<v Speaker 1>work for How Stuff Works and I love writing how

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<v Speaker 1>stuff works articles on how tech works, my real interest

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<v Speaker 1>is kind of on the social impact of technology. But

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<v Speaker 1>I'm just curious if there's something similar or something specific

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<v Speaker 1>that you're really passionate about as far as technology is concerned.

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<v Speaker 1>I like memoristers, memoristers for Mr Merritt. It's it's it's

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<v Speaker 1>a constant battle, both with Molly Wood at Buzz out

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<v Speaker 1>Loud and now with Becky Is, who've tried to stop

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<v Speaker 1>me from including these stories that might bore everyone else.

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<v Speaker 1>We've had requests to do that topic on our show

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<v Speaker 1>and we have not done that yet. It's kind of

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<v Speaker 1>daunting um at quantum computing. Anytime there's a quantum story,

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<v Speaker 1>I get I get sucked in all kinds of astronomy stuff,

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<v Speaker 1>anything with planets, planet finding. I like that, I mean

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<v Speaker 1>I am. I'm passionate about all technology and how it

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<v Speaker 1>works and how people use it and what they use

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<v Speaker 1>it for on the less technological side, but more the

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<v Speaker 1>the use of it, the social use side. Anything about

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<v Speaker 1>copyright technology, copyright law, and what you can do in

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<v Speaker 1>this medium just fascinates me because it all seemed very

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<v Speaker 1>clear until the Internet came along and made it really

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<v Speaker 1>easy to copy everything, uh infinitely, and now we're dealing

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<v Speaker 1>with a whole new set of rules about how anything,

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<v Speaker 1>how this, how this stuff works, right, I mean, there's

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<v Speaker 1>there's just a it's a whole different universe. So you

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<v Speaker 1>have this battle of people who are like, no, physical

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<v Speaker 1>CDs can't be copied and given away, you know, because

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<v Speaker 1>that undermines our business. They didn't actually make that that

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<v Speaker 1>distinction as much when you had to actually physically copy

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<v Speaker 1>a CD by going and buying a really expensive burner

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<v Speaker 1>or paying someone to do it, because people wouldn't really

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<v Speaker 1>do it, so if you gave it away, you kind

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<v Speaker 1>of turn a blind eye. Now that it's infinitely copyable,

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<v Speaker 1>everyone's paying attention and it's unstaff poppable, so it's almost

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<v Speaker 1>you know, the horses and the cows and all the

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<v Speaker 1>chickens and everything I've left the barn. In fact, the

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<v Speaker 1>barn burned down and now there's no barn to go

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<v Speaker 1>back to. Mr Barrett, I would like to point out

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<v Speaker 1>that as a Southern boy who grew up on a farm,

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<v Speaker 1>you do not keep the chickens in the barn. But

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<v Speaker 1>that's exactly right, John, What were the chickens doing in

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<v Speaker 1>the barn? I think if we can place, can someone

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<v Speaker 1>answer the chicken and the boy right? Industry needs to

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<v Speaker 1>address that. I'm sure we'll have a listener right in

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<v Speaker 1>and explain to us exactly what those chickens were doing

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<v Speaker 1>in the barn. I'm still grappling with which came first,

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<v Speaker 1>the chicken or the eggs. They figured that out, you guys,

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<v Speaker 1>you work, you should know that. Well, that's science stuff,

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<v Speaker 1>the chicken, anything that we we we have the habit

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<v Speaker 1>of foisting anything that has to do with biology or

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<v Speaker 1>physics over to science. Do you have to go to

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<v Speaker 1>the Foul Stuff podcast? Yes? My answer is a little

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<v Speaker 1>less fancy. Um. I'm really into video games sweet so

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<v Speaker 1>anything video game related I'm instantly drawn to. But also

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<v Speaker 1>on the more esoteric side of that whole culture, which

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<v Speaker 1>is video games, as our video games and how they

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<v Speaker 1>affect society. That's something that I'm really drawn to, How

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<v Speaker 1>how how our society is really changing because of video games,

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<v Speaker 1>and how it's not just the realm of the geeky anymore.

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<v Speaker 1>I mean everyone plays now, from you know, small kids

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<v Speaker 1>to grandparents and you know, middle aged housewives you know

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<v Speaker 1>are playing World of Warcraft and it's totally normal. Alright,

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<v Speaker 1>Desert Island computer or game system? One game? What is it? Well,

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<v Speaker 1>it could it be my gaming PC. It has to

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<v Speaker 1>be one game, one game. Um oh wow, it would

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<v Speaker 1>be World of Warcraft. I'm guessing Mr Merritt would have

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<v Speaker 1>the same answer. Civilization is that because you would miss

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<v Speaker 1>civilization so much and it does violence, that you would

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<v Speaker 1>feel the need to build up some kind of civilizations

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<v Speaker 1>a month. There's no infinite supply of coconuts to sell

0:11:56.640 --> 0:12:01.439
<v Speaker 1>to support very expensive maybe, well, where does the connection

0:12:01.440 --> 0:12:09.880
<v Speaker 1>come from? Exactly? That's text? Oh shoot, all right, just

0:12:09.920 --> 0:12:12.320
<v Speaker 1>a silly question. Since I knew that Veronica was also

0:12:12.360 --> 0:12:15.440
<v Speaker 1>into video games. We actually did two episodes not that

0:12:15.520 --> 0:12:18.080
<v Speaker 1>long ago, in fact, that they published the week coming

0:12:18.080 --> 0:12:21.920
<v Speaker 1>into Dragon Con. Uh, this will publish significantly after Dragon Con,

0:12:22.400 --> 0:12:25.480
<v Speaker 1>but we did two episodes about the rise and fall

0:12:25.520 --> 0:12:28.080
<v Speaker 1>of the Arcade, video game Arcade, and of course the

0:12:28.200 --> 0:12:31.560
<v Speaker 1>video game Crash of three because I was one of

0:12:31.600 --> 0:12:34.840
<v Speaker 1>those fortunate young men to own an Atari twenty and

0:12:34.840 --> 0:12:42.760
<v Speaker 1>a copy of ET. Yeah, so that was that. Um anyway, Yeah,

0:12:42.800 --> 0:12:47.600
<v Speaker 1>so that happened. The next question I had was, I

0:12:47.600 --> 0:12:49.760
<v Speaker 1>don't know if if Veronica, if you've ever had to

0:12:49.800 --> 0:12:51.360
<v Speaker 1>do this. I know that Tom's had to do it,

0:12:51.400 --> 0:12:53.760
<v Speaker 1>and I've done it as well, Chris as as well.

0:12:55.080 --> 0:12:57.760
<v Speaker 1>I don't know whether where this is going, but it's

0:12:57.800 --> 0:13:02.559
<v Speaker 1>a it's a the the insumus a mail thing because okay,

0:13:02.600 --> 0:13:06.480
<v Speaker 1>it's the it's the experience. Well, there's the first bleep

0:13:06.520 --> 0:13:09.680
<v Speaker 1>for the podcast. I think we can leave that in.

0:13:09.800 --> 0:13:16.600
<v Speaker 1>It was probably the no. The question is technology predictions. Yeah,

0:13:16.880 --> 0:13:20.240
<v Speaker 1>we talked about how technology moves very quickly. Um. A

0:13:20.280 --> 0:13:23.240
<v Speaker 1>lot of us have done technology prediction shows, usually at

0:13:23.240 --> 0:13:24.640
<v Speaker 1>the end of the year, to predict what's going to

0:13:24.760 --> 0:13:26.800
<v Speaker 1>come out the next year. Of Veronica, I don't have

0:13:26.840 --> 0:13:28.640
<v Speaker 1>you have you ever done those? I have? Yeah, we

0:13:28.679 --> 0:13:30.640
<v Speaker 1>used to do them on on BOL all the time

0:13:30.679 --> 0:13:33.520
<v Speaker 1>every year for New Year's So Martel's also done forecast

0:13:33.559 --> 0:13:38.760
<v Speaker 1>with Tom also which is his predictions podcast. So with Johnson,

0:13:39.320 --> 0:13:41.760
<v Speaker 1>the question is are there any predictions you made that

0:13:41.840 --> 0:13:44.720
<v Speaker 1>you feel we're essentially spot on? And were there any

0:13:44.800 --> 0:13:47.360
<v Speaker 1>you made that we're about as big a miss as

0:13:47.400 --> 0:13:50.520
<v Speaker 1>you possibly could get? Cheese? Um? Oh, looking back, it's

0:13:50.559 --> 0:13:52.439
<v Speaker 1>gonna be hard to remember, Tom, do you remember anything

0:13:52.440 --> 0:13:56.880
<v Speaker 1>I got right? I know there was one. I feel

0:13:56.880 --> 0:14:00.439
<v Speaker 1>like there was a good one. Let's remember. It's hard

0:14:00.440 --> 0:14:04.120
<v Speaker 1>to remember the prediction because if you're because if you're right,

0:14:04.200 --> 0:14:05.800
<v Speaker 1>then you just feel vindicated for a while and then

0:14:05.800 --> 0:14:07.440
<v Speaker 1>you kind of forget, and if you're wrong, then you

0:14:07.520 --> 0:14:09.280
<v Speaker 1>instantly forget it because you don't want to be like

0:14:09.520 --> 0:14:11.720
<v Speaker 1>That's why a lot of people hate doing prediction shows,

0:14:12.320 --> 0:14:15.959
<v Speaker 1>because you're on record saying something like especially way or

0:14:16.000 --> 0:14:19.960
<v Speaker 1>the other, especially if you do the following year. Yeah,

0:14:19.960 --> 0:14:21.720
<v Speaker 1>we always do Yeah, so that you can kind of

0:14:21.720 --> 0:14:24.200
<v Speaker 1>tally up how you did. I'll give you an example

0:14:24.240 --> 0:14:26.600
<v Speaker 1>of the biggest one I've gotten wrong this year, which

0:14:26.600 --> 0:14:28.720
<v Speaker 1>was that Apple will come out with a tablet, but

0:14:28.760 --> 0:14:33.320
<v Speaker 1>it's it's not gonna go anywhere. As my editor next

0:14:33.360 --> 0:14:36.200
<v Speaker 1>to me holds up his iPad, I got really close

0:14:36.240 --> 0:14:37.640
<v Speaker 1>on the tablet. I said it was going to be

0:14:37.640 --> 0:14:40.200
<v Speaker 1>eight ninety nine, which was the top out price, right uh.

0:14:40.240 --> 0:14:41.600
<v Speaker 1>And I said it was going to come in the summer,

0:14:41.600 --> 0:14:44.760
<v Speaker 1>and came in the spring, but I got close. I

0:14:44.800 --> 0:14:50.840
<v Speaker 1>also said goodbye Palm bought or fold and they got bought.

0:14:51.640 --> 0:14:53.680
<v Speaker 1>And then two years ago I said Android will out

0:14:53.680 --> 0:14:56.240
<v Speaker 1>sell the iPhone. So it's just a couple of years earlier.

0:14:57.080 --> 0:14:58.720
<v Speaker 1>Every year I say something that like our f I

0:14:58.760 --> 0:15:01.680
<v Speaker 1>DA is going to become like the default, like de

0:15:01.760 --> 0:15:03.440
<v Speaker 1>fact a way to pay for things and turn on

0:15:03.480 --> 0:15:05.440
<v Speaker 1>your lights in your house, like with the r f

0:15:05.520 --> 0:15:07.960
<v Speaker 1>I D chip and planted in your arm. That never happens.

0:15:08.000 --> 0:15:10.600
<v Speaker 1>Just I'm just not ready. Yeah, I go to Japan

0:15:10.680 --> 0:15:13.760
<v Speaker 1>a lot for work, and I'm so frustrated by how

0:15:13.840 --> 0:15:17.040
<v Speaker 1>they've got everything down. You just have one card for everything.

0:15:17.080 --> 0:15:18.840
<v Speaker 1>You pay for everything with this one card. You can

0:15:18.840 --> 0:15:20.400
<v Speaker 1>get on the subway with it, you can buy a

0:15:20.400 --> 0:15:23.120
<v Speaker 1>bag of chips with it. And they're starting to get

0:15:23.160 --> 0:15:25.160
<v Speaker 1>that a little bit here, but or with your cell

0:15:25.200 --> 0:15:27.960
<v Speaker 1>phone even but people are scared of it for some reason,

0:15:28.000 --> 0:15:30.760
<v Speaker 1>and they're really terrified of losing their information and having

0:15:30.800 --> 0:15:33.960
<v Speaker 1>their information being floating around, even though it's so close,

0:15:34.040 --> 0:15:35.520
<v Speaker 1>like you have to be pretty close in order for

0:15:35.560 --> 0:15:38.280
<v Speaker 1>the r F i D to work. They there's that

0:15:38.440 --> 0:15:42.360
<v Speaker 1>fear that people have about this kind of technology that's

0:15:42.400 --> 0:15:45.040
<v Speaker 1>really preventing a lot of it from improving our lives

0:15:45.040 --> 0:15:46.720
<v Speaker 1>in a big way. And I feel like people have

0:15:46.760 --> 0:15:48.520
<v Speaker 1>to kind of get over that hurdle of fear in

0:15:48.640 --> 0:15:50.640
<v Speaker 1>order for their lives to really improve. And we've seen

0:15:50.680 --> 0:15:52.960
<v Speaker 1>that with a lot of technology over the years. And

0:15:53.000 --> 0:15:54.800
<v Speaker 1>then you know, people, once they get over that hump,

0:15:54.840 --> 0:15:57.240
<v Speaker 1>they forget about it. They don't worry about it anymore.

0:15:57.520 --> 0:16:01.120
<v Speaker 1>It's just that initial like, oh, I don't know about that.

0:16:01.200 --> 0:16:03.000
<v Speaker 1>I don't think I want that in my house. I'll

0:16:03.040 --> 0:16:05.000
<v Speaker 1>let some strange waiter to take my credit card, but

0:16:05.280 --> 0:16:07.480
<v Speaker 1>I don't want an r F i D on the

0:16:07.520 --> 0:16:11.080
<v Speaker 1>internet like constantly have to, you know, think about it.

0:16:11.160 --> 0:16:13.320
<v Speaker 1>But yeah, yeah, I mean, it's it's just that it's

0:16:13.400 --> 0:16:16.240
<v Speaker 1>really the it's really the fact that they don't know

0:16:16.320 --> 0:16:19.960
<v Speaker 1>how how much their information is already out there just

0:16:20.040 --> 0:16:25.840
<v Speaker 1>using traditional payment methods and other ways of communicating. Um, yeah,

0:16:26.040 --> 0:16:28.400
<v Speaker 1>it's I've noticed the same sort of thing. We did

0:16:28.400 --> 0:16:32.560
<v Speaker 1>do an episode about that once several probably more than

0:16:32.600 --> 0:16:34.880
<v Speaker 1>a year ago now, where we talked about the same

0:16:34.880 --> 0:16:36.800
<v Speaker 1>sort of thing. And yeah, years past and we haven't

0:16:36.800 --> 0:16:41.480
<v Speaker 1>seen a huge leap forward since then. So clearly my

0:16:41.800 --> 0:16:44.280
<v Speaker 1>impact as podcast are just I've been waiting to get

0:16:44.320 --> 0:16:47.400
<v Speaker 1>chipped for a really long time. I'm totally I can.

0:16:47.520 --> 0:16:49.600
<v Speaker 1>I can. I can have taught to you over in England.

0:16:50.600 --> 0:16:53.040
<v Speaker 1>I've been talking about it for University of Southampton. Our

0:16:53.120 --> 0:16:55.920
<v Speaker 1>vet does it. I don't know if they would be

0:16:55.960 --> 0:17:00.720
<v Speaker 1>able to help get lost very easily. Does anyone know

0:17:01.080 --> 0:17:05.600
<v Speaker 1>to whom this podcaster belongs? Oh? By the way, I

0:17:05.800 --> 0:17:08.720
<v Speaker 1>didn't mention the one that I got the wrongest of

0:17:08.800 --> 0:17:11.920
<v Speaker 1>all of my predictions, which was the Capple will never

0:17:12.000 --> 0:17:17.760
<v Speaker 1>come out with a phone most wrong. Ever, that's awesome.

0:17:18.440 --> 0:17:22.160
<v Speaker 1>I like it that I'm not the only one who's wrong. Um.

0:17:22.600 --> 0:17:24.560
<v Speaker 1>And and here's this is kind of wrapping up the

0:17:24.560 --> 0:17:27.080
<v Speaker 1>tech journalism thing, and it's it's kind of similar in

0:17:27.119 --> 0:17:30.000
<v Speaker 1>a way to the last question. Um, can you think

0:17:30.040 --> 0:17:34.159
<v Speaker 1>of any story in tech anything that you've covered that

0:17:34.280 --> 0:17:37.359
<v Speaker 1>you that just really surprised you? I mean some stuff

0:17:37.400 --> 0:17:39.119
<v Speaker 1>that you know a lot of the stories that we

0:17:39.200 --> 0:17:43.439
<v Speaker 1>cover tend to be uh confirmation of something that we

0:17:43.480 --> 0:17:47.320
<v Speaker 1>had heard about sometimes a year ahead of time, so

0:17:47.400 --> 0:17:49.080
<v Speaker 1>it ends up just being oh, well, we finally got

0:17:49.080 --> 0:17:51.080
<v Speaker 1>confirmation on this thing we heard about a year ago.

0:17:51.480 --> 0:17:53.520
<v Speaker 1>But can you think of anything that just sort of

0:17:53.560 --> 0:17:56.680
<v Speaker 1>came out of nowhere and really surprised you, positive or negative.

0:17:56.760 --> 0:17:58.280
<v Speaker 1>The first thing that comes to mind is the bird

0:17:58.359 --> 0:18:01.400
<v Speaker 1>dropping the bread in the large hatch collider. That really

0:18:01.440 --> 0:18:07.960
<v Speaker 1>surprised me. Yeah, the Slingbox was was one that kind

0:18:07.960 --> 0:18:10.000
<v Speaker 1>of took me by surprise. It's very rare at the

0:18:10.000 --> 0:18:13.040
<v Speaker 1>Consumer Electronics Show, which happens in Vegas every year in January,

0:18:13.280 --> 0:18:15.879
<v Speaker 1>that you see something you didn't already know was coming.

0:18:16.200 --> 0:18:18.920
<v Speaker 1>Every year, it's just kind of an iteration previously. So

0:18:19.200 --> 0:18:21.159
<v Speaker 1>last year the big thing was three D TVs, but

0:18:21.160 --> 0:18:22.919
<v Speaker 1>it wasn't the first time we've seen them, and it

0:18:23.000 --> 0:18:25.160
<v Speaker 1>certainly was the first time we've seen TVs, and we've

0:18:25.160 --> 0:18:28.040
<v Speaker 1>been kind of expecting three D. But when Slingbox came out,

0:18:28.080 --> 0:18:32.000
<v Speaker 1>which was two thousand five cees, it was something that

0:18:32.040 --> 0:18:34.480
<v Speaker 1>nobody expected. It was this little company over in the

0:18:34.520 --> 0:18:38.400
<v Speaker 1>Innovations Platform. They were overwhelmed with folks going, Wow, this

0:18:38.480 --> 0:18:42.679
<v Speaker 1>is amazing. Did broadcast your your television over the internet?

0:18:42.720 --> 0:18:44.159
<v Speaker 1>Is that legal? How do you? How do you get

0:18:44.160 --> 0:18:45.920
<v Speaker 1>away with this and it's just this little box, which

0:18:45.960 --> 0:18:48.320
<v Speaker 1>is kind of ugly but amazing because there's no moving

0:18:48.359 --> 0:18:52.520
<v Speaker 1>parts and it's fairly cheap. It was then actually that

0:18:52.520 --> 0:18:55.640
<v Speaker 1>that first model, if you remember, was really gray and boxing.

0:18:55.920 --> 0:18:58.480
<v Speaker 1>You know, they've they've improved it since, but the box

0:18:58.600 --> 0:19:01.560
<v Speaker 1>is a different set top box that game, that's right,

0:19:02.280 --> 0:19:04.159
<v Speaker 1>But yeah, no, that was the That's one of the

0:19:04.160 --> 0:19:06.880
<v Speaker 1>ones that I could think of that was certainly nothing

0:19:06.880 --> 0:19:13.680
<v Speaker 1>anyone was prepared to expect, and and and was popular

0:19:13.760 --> 0:19:16.760
<v Speaker 1>and students still is. Yeah. I like I like seeing

0:19:16.800 --> 0:19:19.600
<v Speaker 1>the things that get the big buzz at cs that

0:19:19.720 --> 0:19:21.919
<v Speaker 1>tend to and they tend to fall outside the major

0:19:22.000 --> 0:19:25.920
<v Speaker 1>categories of electronics, because I mean that if you see

0:19:25.960 --> 0:19:28.119
<v Speaker 1>something that's in a major category, you're just oh, this

0:19:28.200 --> 0:19:30.800
<v Speaker 1>is another version of such and such. So I remember

0:19:30.800 --> 0:19:35.080
<v Speaker 1>things like the LG watch phone that wasn't it. Yeah,

0:19:35.240 --> 0:19:39.320
<v Speaker 1>but let people take off the demonstrator's arm, right, there's

0:19:39.359 --> 0:19:42.960
<v Speaker 1>something going on there. For me, it was wireless charging

0:19:43.080 --> 0:19:47.040
<v Speaker 1>like with power Matt. It's such a promising vertical, but

0:19:47.160 --> 0:19:51.359
<v Speaker 1>yet it just doesn't seem to go anywhere. Yeah, I

0:19:51.359 --> 0:19:53.800
<v Speaker 1>think what they need to do is just shoot some

0:19:53.960 --> 0:19:57.200
<v Speaker 1>video of my desk and get a shot of all

0:19:57.200 --> 0:19:59.360
<v Speaker 1>the different wires that I have and then say this

0:19:59.440 --> 0:20:03.360
<v Speaker 1>is why you need this. That g It's two eyes

0:20:03.560 --> 0:20:06.040
<v Speaker 1>how they spell it. Charging system was just announced at

0:20:06.440 --> 0:20:10.399
<v Speaker 1>IFA ember Lynn and they've got Energizer on board, and

0:20:10.440 --> 0:20:14.280
<v Speaker 1>I feel like that that could launch it more into

0:20:14.320 --> 0:20:18.080
<v Speaker 1>the mainstream. You know, it's funny because speaking as a

0:20:18.119 --> 0:20:20.719
<v Speaker 1>former Dish Network employee, I had to point that out

0:20:20.760 --> 0:20:23.760
<v Speaker 1>since they inquired Sling. It's, you know, Sling as one

0:20:23.800 --> 0:20:26.800
<v Speaker 1>of those things that I just kept expecting to explode.

0:20:26.920 --> 0:20:30.280
<v Speaker 1>And it's that in TiVo, the TiVo brand itself, and

0:20:30.400 --> 0:20:34.040
<v Speaker 1>it just surprises me. It's like people understand what they are,

0:20:34.119 --> 0:20:38.240
<v Speaker 1>but they don't know the names. They don't even know TiVo. Really,

0:20:38.280 --> 0:20:40.560
<v Speaker 1>I don't agree with that. I think TiVo has become

0:20:40.640 --> 0:20:43.879
<v Speaker 1>kind of the the standard. I think people everyone knows

0:20:44.040 --> 0:20:46.360
<v Speaker 1>what a TiVo is and how it works. I think

0:20:46.359 --> 0:20:48.359
<v Speaker 1>everyone who doesn't have it knows that. You know, people

0:20:48.359 --> 0:20:50.199
<v Speaker 1>who have one don't have to watch the commercials and

0:20:50.200 --> 0:20:52.400
<v Speaker 1>they can record things when they want to. I think

0:20:52.400 --> 0:20:56.959
<v Speaker 1>that's become pretty That brand has definitely spread to the masses. Um.

0:20:57.000 --> 0:20:59.399
<v Speaker 1>I mean, maybe I'm biased because I do work in technology.

0:20:59.440 --> 0:21:01.959
<v Speaker 1>So everyone I know knows what it is. But my

0:21:02.040 --> 0:21:03.600
<v Speaker 1>parents know what it is, or they at least know

0:21:03.640 --> 0:21:05.600
<v Speaker 1>how a DVR works, and they've heard of a ti

0:21:05.720 --> 0:21:09.000
<v Speaker 1>Vo because now that Comcast has their own DVR box,

0:21:09.480 --> 0:21:11.639
<v Speaker 1>you know, people get those automatically now and they kind

0:21:11.640 --> 0:21:12.959
<v Speaker 1>of figure it out and they know that ti Vo

0:21:13.080 --> 0:21:15.800
<v Speaker 1>is in that in that realm um. But sling box

0:21:15.880 --> 0:21:18.159
<v Speaker 1>is definitely kind of surprising to me. I think a

0:21:18.240 --> 0:21:19.879
<v Speaker 1>lot of what's prevented it wouldn't it be like the

0:21:20.320 --> 0:21:24.560
<v Speaker 1>sports situations how they've been getting blackouts. They've they've never

0:21:24.600 --> 0:21:27.879
<v Speaker 1>actually been stopped, they've never been some people threatened and

0:21:28.440 --> 0:21:30.760
<v Speaker 1>saber rattled. But I think the thing with sling is

0:21:31.520 --> 0:21:35.000
<v Speaker 1>they're getting acquired by Dish. Slowed them down for a

0:21:35.000 --> 0:21:38.120
<v Speaker 1>while because they had anytime the company gets acquired, it's

0:21:38.160 --> 0:21:40.840
<v Speaker 1>going to go through a lot of bureaucracy and integration

0:21:40.960 --> 0:21:43.399
<v Speaker 1>and people leave and take knowledge with them and all

0:21:43.440 --> 0:21:46.399
<v Speaker 1>of that um and then Dish wants to integrate it

0:21:46.440 --> 0:21:49.680
<v Speaker 1>into their machines, not integrated into other machines. So you're

0:21:49.680 --> 0:21:52.520
<v Speaker 1>not seeing it being put in, uh to a lot

0:21:52.520 --> 0:21:54.800
<v Speaker 1>of different devices. So yeah, you don't. You don't see

0:21:54.800 --> 0:21:57.600
<v Speaker 1>sling as a household verb the way you hear I'm

0:21:57.600 --> 0:21:59.880
<v Speaker 1>going to TiVo that, whether you're using a TiVo DV

0:22:00.080 --> 0:22:03.439
<v Speaker 1>are not, I don't know if you ever will. I

0:22:03.480 --> 0:22:05.879
<v Speaker 1>don't know if if if that can bust out of it,

0:22:06.480 --> 0:22:10.000
<v Speaker 1>because it may be possible that by the time it

0:22:10.040 --> 0:22:13.239
<v Speaker 1>would get to that TiVo level of growth, will just

0:22:13.400 --> 0:22:16.600
<v Speaker 1>be able to stream everything off the internet. Anyway. Well,

0:22:16.640 --> 0:22:19.080
<v Speaker 1>I think um. One of the things too, is that

0:22:19.880 --> 0:22:22.840
<v Speaker 1>you know for sling, you know, they are ingrained now

0:22:22.880 --> 0:22:27.080
<v Speaker 1>in the dish DVRs, but the TiVo brand as a

0:22:27.160 --> 0:22:30.520
<v Speaker 1>DVR is in the minority. Comparatively, It's in fewer homes

0:22:30.560 --> 0:22:33.080
<v Speaker 1>than everybody else, So it seems like everyone else has

0:22:33.119 --> 0:22:37.920
<v Speaker 1>taken the concept and has taken off, yet TiVo is

0:22:37.960 --> 0:22:40.600
<v Speaker 1>struggling year after year to to do it. Although you're

0:22:40.640 --> 0:22:42.600
<v Speaker 1>right it is that you know the name brand to

0:22:42.640 --> 0:22:47.560
<v Speaker 1>consider the xerox when it's usually a good thing. I

0:22:47.560 --> 0:22:50.240
<v Speaker 1>should point out that I actually do hear sling used

0:22:50.240 --> 0:22:53.359
<v Speaker 1>as a verb, but not in that context, but my

0:22:53.400 --> 0:22:55.840
<v Speaker 1>wife uses it quite a few times, like I'm going

0:22:55.880 --> 0:23:00.320
<v Speaker 1>to sling this dog at you. That actually is said,

0:23:00.359 --> 0:23:03.000
<v Speaker 1>what more often than I prefer to no no Jack

0:23:03.080 --> 0:23:06.680
<v Speaker 1>resal terrier. Um, So we're gonna kind of transition now

0:23:06.760 --> 0:23:12.679
<v Speaker 1>over to the the whole technology uh sci fi fantasy

0:23:12.960 --> 0:23:18.720
<v Speaker 1>genre fan then diagram, which is almost a circle. Um.

0:23:18.760 --> 0:23:21.480
<v Speaker 1>So you guys are here in part to to talk

0:23:21.760 --> 0:23:23.920
<v Speaker 1>to do an episode of Sword and Laser. So you're

0:23:23.960 --> 0:23:29.680
<v Speaker 1>both a big fans of the science fiction and fantasy genres. Um,

0:23:29.720 --> 0:23:31.639
<v Speaker 1>I'm gonna ask a really silly question, why do you

0:23:31.720 --> 0:23:34.359
<v Speaker 1>think there is that big crossover between people who are

0:23:34.359 --> 0:23:37.720
<v Speaker 1>really enthusiastic about technology and people who are really big

0:23:37.800 --> 0:23:40.399
<v Speaker 1>fans of science fiction and fantasy. Now, granted it's not

0:23:40.480 --> 0:23:42.800
<v Speaker 1>like a one to one thing, but it does seem

0:23:42.840 --> 0:23:46.439
<v Speaker 1>to be the general rule. I think science fiction definitely

0:23:46.480 --> 0:23:48.879
<v Speaker 1>makes sense. I mean just because it's it's future thought.

0:23:49.280 --> 0:23:53.399
<v Speaker 1>It's thinking about science what's possible in the future, Like

0:23:53.440 --> 0:23:55.639
<v Speaker 1>where is our world going? Well, how is the technology

0:23:55.640 --> 0:23:58.800
<v Speaker 1>we used today going to evolve? You know, five hundred

0:23:58.880 --> 0:24:01.400
<v Speaker 1>a thousand, two thousand and years from now? Where where

0:24:01.480 --> 0:24:03.800
<v Speaker 1>is our world going to be? And I think that

0:24:03.880 --> 0:24:05.920
<v Speaker 1>draws a lot of people in and and get some

0:24:06.000 --> 0:24:08.600
<v Speaker 1>excited about the tech that's out today too, because they're like, oh,

0:24:08.680 --> 0:24:10.960
<v Speaker 1>that's almost just like the thing I read in that book.

0:24:11.000 --> 0:24:14.320
<v Speaker 1>Ten years ago. It's so cool, it's really happening fantasy.

0:24:14.320 --> 0:24:17.040
<v Speaker 1>I don't know, I don't know why would like that. Yeah,

0:24:17.080 --> 0:24:18.960
<v Speaker 1>I still don't know why they grouped them together. In

0:24:19.040 --> 0:24:21.879
<v Speaker 1>some bookstores. A lot of them have finally stopped that,

0:24:22.000 --> 0:24:24.320
<v Speaker 1>where you've got the fantasy section in the science fiction section.

0:24:24.359 --> 0:24:26.359
<v Speaker 1>But I remember growing up they were always grouped together

0:24:26.440 --> 0:24:28.399
<v Speaker 1>because they were so small there. I mean, there was

0:24:28.400 --> 0:24:31.040
<v Speaker 1>a time when they were very, very niche, and that's

0:24:31.080 --> 0:24:34.040
<v Speaker 1>definitely changing over the years. It's becoming a lot more acceptable.

0:24:34.040 --> 0:24:37.640
<v Speaker 1>I mean, you see things like Firefly and Battlestore Galactica

0:24:37.680 --> 0:24:40.840
<v Speaker 1>and and big sci fi or fantasy shows really exploding

0:24:41.200 --> 0:24:44.359
<v Speaker 1>on TV. Particularly excited about the Game of Thrones, the

0:24:44.440 --> 0:24:47.359
<v Speaker 1>Song of Fire and Ice series coming to HBO, and

0:24:47.520 --> 0:24:49.320
<v Speaker 1>hopefully that will take off in the same way that

0:24:49.359 --> 0:24:51.880
<v Speaker 1>a lot of the other HBO shows have taken off

0:24:51.880 --> 0:24:55.080
<v Speaker 1>in the past. And but I'm not sure why why

0:24:55.119 --> 0:24:56.879
<v Speaker 1>they do get lumped together. It is kind of an

0:24:56.880 --> 0:25:00.159
<v Speaker 1>interesting question. Having been a bookstore employee, I think I

0:25:00.240 --> 0:25:05.119
<v Speaker 1>have a little insight in the classification because it's imaginative fiction.

0:25:05.400 --> 0:25:08.960
<v Speaker 1>You have your romance section, which is not based on reality,

0:25:09.000 --> 0:25:11.600
<v Speaker 1>but it's usually based in some sort of similar to

0:25:11.720 --> 0:25:17.600
<v Speaker 1>reality situation, horror same way, mysteries same way. Historical FICI

0:25:17.600 --> 0:25:20.680
<v Speaker 1>and obviously based on history, but science fiction and fantasy

0:25:20.840 --> 0:25:22.680
<v Speaker 1>and even thinks they get put in there that aren't either,

0:25:23.359 --> 0:25:25.320
<v Speaker 1>Like Philip K. Dick's The Man in the High Castle

0:25:25.480 --> 0:25:29.639
<v Speaker 1>is not science fiction or fantasy, it's alternate history. Uh,

0:25:29.680 --> 0:25:32.280
<v Speaker 1>They're all imaginative fiction. It's like, we're not in our

0:25:32.440 --> 0:25:35.679
<v Speaker 1>world anymore. We're either in the future or we're in

0:25:35.760 --> 0:25:40.080
<v Speaker 1>some alternate world or some totally different reality where you

0:25:40.119 --> 0:25:43.520
<v Speaker 1>know dragon. Maybe maybe it's an escapism thing. Yeah, yeah,

0:25:43.560 --> 0:25:47.080
<v Speaker 1>I think so. Um, and people who like technology, like

0:25:47.240 --> 0:25:50.160
<v Speaker 1>to think creatively, like like to imagine, they you know,

0:25:50.240 --> 0:25:54.720
<v Speaker 1>people who are into that have that creative aspect to them. Uh.

0:25:54.760 --> 0:25:59.119
<v Speaker 1>And and I don't know why the escapism crosses over necessarily,

0:25:59.760 --> 0:26:04.960
<v Speaker 1>but maybe it's just it's part of that creativity as well. Yeah.

0:26:04.960 --> 0:26:08.000
<v Speaker 1>I kind of feel like it's arbitrary because people like

0:26:08.000 --> 0:26:11.080
<v Speaker 1>Neil Stevenson I see in the irregular fiction not in

0:26:11.080 --> 0:26:14.199
<v Speaker 1>a genre fiction category, and I'm thinking, are you know

0:26:14.240 --> 0:26:16.640
<v Speaker 1>reading through? And I'm thinking, what are you kidding? There's

0:26:16.680 --> 0:26:18.920
<v Speaker 1>plenty of science fiction in here. There's plenty of fantasy

0:26:18.920 --> 0:26:22.439
<v Speaker 1>in here, just reading anathem right now, and I'm thinking,

0:26:22.640 --> 0:26:24.240
<v Speaker 1>you know, this is kind of strange that you would

0:26:24.240 --> 0:26:26.400
<v Speaker 1>include this and not include some of the other things

0:26:26.400 --> 0:26:29.119
<v Speaker 1>that I've seen, you know, in the fantasy and science

0:26:29.160 --> 0:26:30.840
<v Speaker 1>fiction category. So it just, you know, I think it

0:26:30.920 --> 0:26:33.520
<v Speaker 1>sort of depends on who's organizing it and how Kurt

0:26:33.640 --> 0:26:36.720
<v Speaker 1>Vonnegut go in sci fi fantasy by all rights, but

0:26:36.880 --> 0:26:40.720
<v Speaker 1>he's a real author, he's a he's a he's classic,

0:26:40.800 --> 0:26:43.720
<v Speaker 1>he's literature, And there's a little bit of prejudice there

0:26:43.720 --> 0:26:47.480
<v Speaker 1>that sci fi and fantasy, you know, is frivolous, even

0:26:47.520 --> 0:26:50.320
<v Speaker 1>though there's great works of literature in sci fi and fantasy,

0:26:50.760 --> 0:26:52.720
<v Speaker 1>they have to sort of elevate it out of that,

0:26:53.000 --> 0:26:56.800
<v Speaker 1>like Thomas Pinchin for instance. Yeah, I do find that

0:26:56.960 --> 0:26:59.399
<v Speaker 1>I've seen that happen too. I remember taking creative writing

0:26:59.440 --> 0:27:03.440
<v Speaker 1>course and my teacher, my father is a science fiction author,

0:27:03.440 --> 0:27:06.159
<v Speaker 1>but he also teaches at a college, and uh so

0:27:06.480 --> 0:27:09.199
<v Speaker 1>this teacher was a colleague of my father's. Um I

0:27:09.240 --> 0:27:12.600
<v Speaker 1>never took one of my father's classes, but this the teacher,

0:27:12.720 --> 0:27:15.080
<v Speaker 1>knowing my father, who writes science fiction, came to me

0:27:15.119 --> 0:27:17.960
<v Speaker 1>and in this creative writing class, and now Jonathan, I

0:27:18.000 --> 0:27:20.000
<v Speaker 1>want to make sure that when you have a writing assignment,

0:27:20.040 --> 0:27:24.679
<v Speaker 1>you write a real story. And I won't repeat what

0:27:24.720 --> 0:27:29.240
<v Speaker 1>I thought. I think you should know. I can't. I

0:27:29.240 --> 0:27:32.119
<v Speaker 1>don't want to make Tyler have to bleep something out later.

0:27:32.600 --> 0:27:35.800
<v Speaker 1>But it was yeah, I I I thought that's really

0:27:35.880 --> 0:27:38.120
<v Speaker 1>unusual because you think of some of the great writers,

0:27:38.200 --> 0:27:42.280
<v Speaker 1>especially some who were like like orwell, if you think

0:27:42.280 --> 0:27:46.600
<v Speaker 1>of I mean now, granted, yeah, you can draw so

0:27:46.640 --> 0:27:49.040
<v Speaker 1>many parallels to things that have actually happened to stuff

0:27:49.080 --> 0:27:51.480
<v Speaker 1>that was in that book, and or you know, Brave

0:27:51.480 --> 0:27:55.400
<v Speaker 1>New World World, yeah, or Our Fair Knight for one.

0:27:55.640 --> 0:28:01.160
<v Speaker 1>I'm naming all the dystopian novels called Orange and Maids Tale, um.

0:28:01.200 --> 0:28:03.240
<v Speaker 1>But yeah, these are all these are all books that

0:28:03.880 --> 0:28:06.840
<v Speaker 1>you can't you could never argue are not literature. I

0:28:06.880 --> 0:28:11.360
<v Speaker 1>mean they're they're they've definitely shaped thought and opinion, and

0:28:11.400 --> 0:28:14.640
<v Speaker 1>they've moved people in ways that that any book that

0:28:14.960 --> 0:28:20.160
<v Speaker 1>is specifically designated literature has done before. So well, yeah,

0:28:20.240 --> 0:28:22.440
<v Speaker 1>especially when you're reading something like I I just finished

0:28:22.520 --> 0:28:25.880
<v Speaker 1>Rics and Creek for example, market at Wood, and it's

0:28:25.960 --> 0:28:27.840
<v Speaker 1>it's great because you it actually makes you think, like

0:28:27.840 --> 0:28:30.320
<v Speaker 1>where is our society going? Like what are we doing wrong?

0:28:30.359 --> 0:28:33.080
<v Speaker 1>What's what are the potential disasters that could have occur,

0:28:33.600 --> 0:28:35.879
<v Speaker 1>you know, based on our use of technology and our

0:28:36.000 --> 0:28:39.320
<v Speaker 1>use of um, you know, medicine and changing the world

0:28:39.360 --> 0:28:43.840
<v Speaker 1>and in very you know, specific ways, and it makes

0:28:43.880 --> 0:28:46.000
<v Speaker 1>you think, It makes you wonder, like like, how we

0:28:46.040 --> 0:28:50.120
<v Speaker 1>could you know, potentially affect things going forward. There's a

0:28:50.120 --> 0:28:52.680
<v Speaker 1>little bit of an overlap whether you're playing a video game,

0:28:53.040 --> 0:28:57.360
<v Speaker 1>whether you're hacking some code, whether you're troubleshooting your your computer,

0:28:57.880 --> 0:29:01.320
<v Speaker 1>of where is this owing? Like you were saying, how

0:29:01.320 --> 0:29:03.080
<v Speaker 1>do I how do I make it to the castle

0:29:03.080 --> 0:29:05.320
<v Speaker 1>and save the princess? How do I? How do I

0:29:05.360 --> 0:29:08.440
<v Speaker 1>track down that that short that's making this happen? How

0:29:08.440 --> 0:29:11.160
<v Speaker 1>do I get around this firewall? And when you're reading

0:29:11.160 --> 0:29:14.200
<v Speaker 1>science fiction and fantasy, you're engaging that same part of

0:29:14.200 --> 0:29:16.560
<v Speaker 1>your brain, like how do I work around this thing

0:29:16.560 --> 0:29:18.760
<v Speaker 1>that is different from reality? And you make the same

0:29:18.840 --> 0:29:22.120
<v Speaker 1>argument for mystery novels as well, but it's more challenging

0:29:22.200 --> 0:29:25.200
<v Speaker 1>and more outside of the box. Yeah, more outside of

0:29:25.240 --> 0:29:27.720
<v Speaker 1>your normal experience in a science fiction or fantasy novel.

0:29:27.800 --> 0:29:30.080
<v Speaker 1>So maybe that's sort of why there's that overlap. I

0:29:30.080 --> 0:29:31.760
<v Speaker 1>hate it when people ask me like why don't you

0:29:31.760 --> 0:29:34.000
<v Speaker 1>read a real fiction book, you know, can you just

0:29:34.120 --> 0:29:37.280
<v Speaker 1>not read like a sci fire fantasy book for once,

0:29:37.840 --> 0:29:44.480
<v Speaker 1>like George orwell oh wait, like yeah right, yeah, yeah.

0:29:44.520 --> 0:29:46.600
<v Speaker 1>It definitely hits close to home for me. But that's

0:29:46.640 --> 0:29:49.760
<v Speaker 1>probably because, you know, since my dad's still still writing

0:29:49.760 --> 0:29:52.920
<v Speaker 1>science fiction, although now he's right to get under different pseudonyms,

0:29:53.520 --> 0:29:57.120
<v Speaker 1>which is interesting. Yeah, I'll just say that if you

0:29:57.280 --> 0:30:00.600
<v Speaker 1>if you happen across a young adult no vole for

0:30:00.960 --> 0:30:08.560
<v Speaker 1>he wrote Twilight, didn't he wanted? I want? I wanted

0:30:08.560 --> 0:30:13.200
<v Speaker 1>to explain the body glitter. Okay, we're just gonna drop

0:30:13.280 --> 0:30:18.840
<v Speaker 1>that UM Club show dot com, So so really quickly,

0:30:19.080 --> 0:30:21.560
<v Speaker 1>can you name some of your your favorite authors or

0:30:21.600 --> 0:30:25.240
<v Speaker 1>favorite novels that that you think are something that you

0:30:25.240 --> 0:30:27.120
<v Speaker 1>would go to again and again, or even if you

0:30:27.160 --> 0:30:29.360
<v Speaker 1>would never read it again, something that you thought was

0:30:29.400 --> 0:30:33.480
<v Speaker 1>particularly well written that you think every fan should should

0:30:33.480 --> 0:30:36.000
<v Speaker 1>read at some point. Um, this is a little maybe

0:30:36.000 --> 0:30:38.840
<v Speaker 1>a little outside genre, I'm not sure, but um, Watership

0:30:38.920 --> 0:30:41.840
<v Speaker 1>Down is probably one of the first books that really

0:30:41.960 --> 0:30:45.960
<v Speaker 1>drew me into the world of you know, it's fantasy

0:30:45.960 --> 0:30:50.400
<v Speaker 1>in a way, just because it's you know, that really

0:30:50.480 --> 0:30:53.080
<v Speaker 1>changed that book really changed my life and and probably

0:30:53.120 --> 0:30:56.320
<v Speaker 1>also anything by Tad Williams. I read the Dragon Bone

0:30:56.360 --> 0:31:01.320
<v Speaker 1>Chair trilogy was the first real fantasy series I ever read,

0:31:01.760 --> 0:31:05.000
<v Speaker 1>and I was hooked after that. I was like, wow,

0:31:05.240 --> 0:31:07.040
<v Speaker 1>this is a big book and there's three of them,

0:31:07.440 --> 0:31:10.240
<v Speaker 1>and I just read this for the entire summer and

0:31:10.360 --> 0:31:14.920
<v Speaker 1>it was fantastic, excellent. Yeah. Uh yeah. The Bedrock novels

0:31:15.480 --> 0:31:18.880
<v Speaker 1>uh form for me, and probably most people have read

0:31:18.880 --> 0:31:22.280
<v Speaker 1>these if they're self respecting geeks or nerds. But Hitchhiker's

0:31:22.320 --> 0:31:26.760
<v Speaker 1>Guide to the Galaxy. I actually remember where I was

0:31:26.840 --> 0:31:29.120
<v Speaker 1>when I bought it for the first time and and

0:31:29.240 --> 0:31:31.080
<v Speaker 1>reading it as I was reading it as we were

0:31:31.080 --> 0:31:34.080
<v Speaker 1>taking my sister up to college in the car. It

0:31:34.120 --> 0:31:37.120
<v Speaker 1>was the book I had bought for the long car ride. Uh,

0:31:37.160 --> 0:31:40.120
<v Speaker 1>And I just read it over and over and over again.

0:31:40.240 --> 0:31:44.440
<v Speaker 1>After that was a long car ride, that long of

0:31:44.480 --> 0:31:50.120
<v Speaker 1>a book I read. Um. Yeah, and then uh, the

0:31:50.160 --> 0:31:55.240
<v Speaker 1>Lord of the Rings trilogy. Definitely, what were you laughing about?

0:31:56.920 --> 0:32:00.640
<v Speaker 1>Look at you? Yeah, I just revealed some thing that

0:32:00.680 --> 0:32:03.120
<v Speaker 1>I'm not going to explain to the fans. But if

0:32:03.120 --> 0:32:11.920
<v Speaker 1>you throw his shoulder fire, you can read it a

0:32:11.960 --> 0:32:15.240
<v Speaker 1>picture of Gollum on his arm. It's amazing. Actually, no,

0:32:15.560 --> 0:32:18.680
<v Speaker 1>it's true story, true story my my parents when they

0:32:18.720 --> 0:32:21.520
<v Speaker 1>were cleaning out my room and long after I had left,

0:32:22.120 --> 0:32:26.080
<v Speaker 1>had come across a drawing I made at age four

0:32:26.120 --> 0:32:29.120
<v Speaker 1>because it said so on the drawing of Gollum and

0:32:29.160 --> 0:32:34.200
<v Speaker 1>the Ring age four. Cute. Yeah, you were doing from

0:32:34.200 --> 0:32:37.160
<v Speaker 1>the start. I was doing start And then I keep

0:32:37.160 --> 0:32:40.120
<v Speaker 1>reading Dune, the Dune series, again and again and again,

0:32:40.280 --> 0:32:43.760
<v Speaker 1>so I don't know I'll stop. Oh yeah, I mean

0:32:43.840 --> 0:32:45.560
<v Speaker 1>some of my favor authors. I'm still a big Tad

0:32:45.600 --> 0:32:48.080
<v Speaker 1>Williams fan. I read pretty much everything he comes out with.

0:32:48.120 --> 0:32:50.760
<v Speaker 1>I love Robin Hobb and her like the Farst Year

0:32:50.840 --> 0:32:55.120
<v Speaker 1>trilogy and The Assassin's Apprentice. Um, let's see who else,

0:32:55.320 --> 0:32:58.240
<v Speaker 1>there's so many. I'm really into Patrick Rothfus right now.

0:32:58.280 --> 0:32:59.840
<v Speaker 1>And the Name of the Wind is one of my

0:33:00.080 --> 0:33:01.840
<v Speaker 1>written new books that's come out from an author in

0:33:01.840 --> 0:33:05.560
<v Speaker 1>a long time. It was his first full novel and

0:33:05.720 --> 0:33:08.040
<v Speaker 1>it's just incredible. And the second book is coming out

0:33:08.120 --> 0:33:11.120
<v Speaker 1>next year. And there's just so many good authors out

0:33:11.200 --> 0:33:13.320
<v Speaker 1>right now, Like you know, it's it's hard to pick

0:33:13.360 --> 0:33:16.560
<v Speaker 1>and it's hard to read everything, and and I'm on

0:33:16.640 --> 0:33:18.520
<v Speaker 1>good Reads and I just keep adding books to my

0:33:18.600 --> 0:33:21.280
<v Speaker 1>to read list and just kind of never ends. I'd

0:33:21.280 --> 0:33:24.680
<v Speaker 1>be remiss if I didn't mention that I love every mad, crazy,

0:33:24.720 --> 0:33:27.680
<v Speaker 1>insane word of Philip K. Dick that he ever wrote down.

0:33:28.120 --> 0:33:29.760
<v Speaker 1>We can kind of see how Tom and I are are.

0:33:29.880 --> 0:33:32.280
<v Speaker 1>I'm definitely more on the stored side of things, like

0:33:32.400 --> 0:33:35.719
<v Speaker 1>fantasy is definitely my what's really closest to my heart.

0:33:35.760 --> 0:33:37.520
<v Speaker 1>But that's what's great about doing the show with Ernic

0:33:37.520 --> 0:33:39.160
<v Speaker 1>because I get exposed to these books that I would

0:33:39.200 --> 0:33:41.600
<v Speaker 1>never have bothered to pick up before, like George rr.

0:33:41.720 --> 0:33:44.760
<v Speaker 1>Martin My life less rich if she had not made

0:33:44.800 --> 0:33:47.080
<v Speaker 1>me read that, and I just tore through everything he

0:33:47.120 --> 0:33:50.040
<v Speaker 1>wrote and wouldn't mind if he put out the next book. Yes,

0:33:50.080 --> 0:33:52.440
<v Speaker 1>please put out the next book, George. Although he's not

0:33:52.480 --> 0:33:55.200
<v Speaker 1>my please put out You're not r B boy. If

0:33:55.240 --> 0:33:57.360
<v Speaker 1>I could tell you all the listener mail we get

0:33:57.360 --> 0:34:01.280
<v Speaker 1>from George rr Martin, Can I ask a quick yes,

0:34:01.440 --> 0:34:04.600
<v Speaker 1>how is the audience different for Sword and Laser versus

0:34:04.800 --> 0:34:07.760
<v Speaker 1>the tech journalism that you've done, Because I would imagine

0:34:07.840 --> 0:34:11.160
<v Speaker 1>that the audience would be completely different in the way

0:34:11.200 --> 0:34:13.799
<v Speaker 1>they react to you and interact with you. Um, not

0:34:13.960 --> 0:34:15.880
<v Speaker 1>not so much. We do actually have a lot of

0:34:15.960 --> 0:34:18.719
<v Speaker 1>overlap between listeners of viewers of Texila and people who

0:34:18.719 --> 0:34:21.239
<v Speaker 1>watched Sword and Laser, but through good Reads we also

0:34:21.320 --> 0:34:24.840
<v Speaker 1>get a lot of really hardcore sci fi fantasy fans

0:34:25.320 --> 0:34:27.520
<v Speaker 1>and just coming to conventions like this where we meet

0:34:27.560 --> 0:34:29.640
<v Speaker 1>people for the first time and tell them about the show.

0:34:29.680 --> 0:34:31.879
<v Speaker 1>In the book club, um, you know, they get brought

0:34:31.880 --> 0:34:34.759
<v Speaker 1>in they don't know or other works sometimes and they're

0:34:34.880 --> 0:34:37.359
<v Speaker 1>very very passionate about the authors that they follow, and

0:34:37.440 --> 0:34:39.520
<v Speaker 1>you can kind of feel that when they're talking about

0:34:39.520 --> 0:34:41.480
<v Speaker 1>them in the forums and you're like, Wow, you guys

0:34:41.520 --> 0:34:43.840
<v Speaker 1>know stuff about this that you're You're finding things in

0:34:43.880 --> 0:34:46.240
<v Speaker 1>these books that we're reading that I would have never noticed,

0:34:46.680 --> 0:34:49.080
<v Speaker 1>and it just makes the reading experience so much more

0:34:49.200 --> 0:34:51.839
<v Speaker 1>rich to have that input from everyone. I think what's

0:34:51.840 --> 0:34:54.360
<v Speaker 1>interesting about Sort and Laser two is that there is

0:34:54.440 --> 0:34:58.320
<v Speaker 1>a lot more talking to each other in the audience

0:34:58.400 --> 0:35:00.600
<v Speaker 1>than there is in a lot of our other shows

0:35:00.640 --> 0:35:02.120
<v Speaker 1>that are a lot of the other shows that I do,

0:35:02.160 --> 0:35:05.080
<v Speaker 1>where it's the audience will talk to each other, but

0:35:05.120 --> 0:35:08.160
<v Speaker 1>they will also talk mostly to the show, not necessarily

0:35:08.160 --> 0:35:10.160
<v Speaker 1>to me, but you know, to what's been said on

0:35:10.200 --> 0:35:12.840
<v Speaker 1>the show. We're almost peripheral. Yeah, with sworton Laser. The

0:35:12.840 --> 0:35:18.560
<v Speaker 1>podcast is just one voice amongst the huge discussion going on. Interesting. Thanks,

0:35:18.640 --> 0:35:21.839
<v Speaker 1>that's great. Um, well, we're over time, so we're going

0:35:21.880 --> 0:35:23.839
<v Speaker 1>to wrap this up. I want to thank both Tom

0:35:23.840 --> 0:35:27.360
<v Speaker 1>and Veronica for joining us. That was wonderful, especially considering

0:35:27.400 --> 0:35:29.360
<v Speaker 1>that you're both on West Coast time and we're recording

0:35:29.360 --> 0:35:31.759
<v Speaker 1>this at nine in the morning, so it feels like

0:35:31.800 --> 0:35:34.600
<v Speaker 1>six am and we have coffee. Thank you very much.

0:35:34.880 --> 0:35:37.400
<v Speaker 1>Thank you for the coffee. So thank you for joining us.

0:35:37.400 --> 0:35:40.200
<v Speaker 1>Why don't you close out by telling us where where

0:35:40.200 --> 0:35:42.680
<v Speaker 1>people can find you if they are not aware of

0:35:42.719 --> 0:35:45.239
<v Speaker 1>the stuff you're doing already. Okay, my blog is at

0:35:45.280 --> 0:35:47.800
<v Speaker 1>Veronica Balmont dot com. You can follow me on Twitter

0:35:47.920 --> 0:35:51.320
<v Speaker 1>at Veronica and um texta law on Revision three Texila

0:35:51.400 --> 0:35:54.239
<v Speaker 1>dot com, Core on the PlayStation Network, and Sword and

0:35:54.320 --> 0:35:56.759
<v Speaker 1>Laser is at Sword and Laser dot com and all

0:35:56.760 --> 0:35:58.640
<v Speaker 1>my stuff is at tom Merritt dot com. To our

0:35:58.680 --> 0:36:02.520
<v Speaker 1>two teeth excellent. Well, thanks again, guys, and thank you

0:36:02.560 --> 0:36:04.759
<v Speaker 1>to all your listeners out there, and we will talk

0:36:04.800 --> 0:36:11.240
<v Speaker 1>to you again really soon. If you're a tech stuff

0:36:11.320 --> 0:36:14.400
<v Speaker 1>and be sure to check us out on Twitter, text stuff,

0:36:14.560 --> 0:36:17.279
<v Speaker 1>hs WSR handle and you can also find us on

0:36:17.280 --> 0:36:20.800
<v Speaker 1>Facebook at Facebook dot com slash Tech Stuff h s W.

0:36:22.480 --> 0:36:25.000
<v Speaker 1>For more on this and thousands of other topics, visit

0:36:25.040 --> 0:36:27.480
<v Speaker 1>how Stuff Works dot com and be sure to check

0:36:27.480 --> 0:36:29.520
<v Speaker 1>out the new tech stuff blog now on the House

0:36:29.520 --> 0:36:37.000
<v Speaker 1>Stuff Works homepage. Brought to you by the reinvented two

0:36:37.040 --> 0:36:39.600
<v Speaker 1>thousand twelve camera. It's ready, are you