1
00:00:00,160 --> 00:00:03,000
Speaker 1: Y'all News or Yota RAV four asks what if what

2
00:00:03,080 --> 00:00:06,880
Speaker 1: if your ride was refined and rugged at the same time,

3
00:00:07,360 --> 00:00:11,600
Speaker 1: Introducing the y'all New rap for hybrid. Combined horse power

4
00:00:11,640 --> 00:00:14,280
Speaker 1: and standard all wheel drive make it the most powerful

5
00:00:14,360 --> 00:00:17,520
Speaker 1: RAP four plus with its head turning style and breakaway speed,

6
00:00:17,720 --> 00:00:20,120
Speaker 1: It's bound to change the way you think of a hybrid.

7
00:00:20,360 --> 00:00:23,840
Speaker 1: Y'all new rap War Hybrid, So Yoda, let's go places.

8
00:00:24,000 --> 00:00:26,000
Speaker 1: Horse power rating is the cheapest in the required premium

9
00:00:26,040 --> 00:00:27,560
Speaker 1: and let a gasoline with an octane rating. If not

10
00:00:27,720 --> 00:00:30,040
Speaker 1: want higher premium fuel is not used, performance would decrease.

11
00:00:32,040 --> 00:00:38,440
Speaker 1: What's y'all is going on? He's a legendary Queen's rapper,

12
00:00:38,560 --> 00:00:40,880
Speaker 1: Hang Segre It is your boy in nor He's a

13
00:00:41,000 --> 00:00:44,159
Speaker 1: Miami hip hop pioneer. What up z j e f N?

14
00:00:44,320 --> 00:00:46,680
Speaker 1: Together they drink it up with some of the biggest

15
00:00:46,720 --> 00:00:49,360
Speaker 1: players in music and sport. You know, I mean the

16
00:00:49,440 --> 00:00:53,800
Speaker 1: most professional unprofessional podcast and your number one source for

17
00:00:53,920 --> 00:00:56,480
Speaker 1: drunk facts. This is Drinks champ Radar whar every day

18
00:00:56,600 --> 00:01:02,080
Speaker 1: is New Year's Eve. Let's round Woody could be hopefully

19
00:01:02,160 --> 00:01:04,920
Speaker 1: wouldn't sid be? This is your boy? And what up

20
00:01:04,959 --> 00:01:12,920
Speaker 1: is d J E F? And right now, we got

21
00:01:12,959 --> 00:01:16,000
Speaker 1: a very special guest. There's only a couple of people

22
00:01:16,080 --> 00:01:18,720
Speaker 1: that have been here twice. Is only a Dazz Dellinger.

23
00:01:19,440 --> 00:01:23,720
Speaker 1: He'd been here twice. He's been there one and a

24
00:01:23,760 --> 00:01:29,080
Speaker 1: half time. That happens, and we got before we get

25
00:01:29,080 --> 00:01:31,480
Speaker 1: into our guests, we wanted to let the people know

26
00:01:31,520 --> 00:01:34,280
Speaker 1: that September tim we're doing a drink champ slash Nori

27
00:01:34,400 --> 00:01:38,240
Speaker 1: barbecue weekend September tenth. People have been asking us a lot,

28
00:01:38,319 --> 00:01:41,000
Speaker 1: the winking the fans come in and watch what we

29
00:01:41,080 --> 00:01:44,120
Speaker 1: do and how we do it. So September tenth, um

30
00:01:44,200 --> 00:01:46,360
Speaker 1: gonna be celebrating my birthday weekend. We're gonna have like

31
00:01:46,360 --> 00:01:49,480
Speaker 1: a whole Friday, Saturday and Sunday thing. So just let

32
00:01:49,520 --> 00:01:53,440
Speaker 1: y'all know its gonna be in your gonna be in Miami,

33
00:01:53,520 --> 00:01:56,320
Speaker 1: so safe up. So who we got right now, we got.

34
00:01:56,680 --> 00:01:58,800
Speaker 1: If it wasn't for him, that might not be me.

35
00:01:59,080 --> 00:02:06,080
Speaker 1: Definitely one of the first, definitely sex rappers from New York,

36
00:02:06,560 --> 00:02:09,600
Speaker 1: one of the battle rappers in New York. He had

37
00:02:09,720 --> 00:02:12,839
Speaker 1: relationships with from Naas to Big. One of the first

38
00:02:12,919 --> 00:02:16,080
Speaker 1: dudes I know signed to Interscope Records and he's out

39
00:02:16,120 --> 00:02:19,560
Speaker 1: here owning strip clubs. Every hear that he's running for

40
00:02:19,639 --> 00:02:31,520
Speaker 1: fucking Congress, you know what I mean. So Timo, Tiff,

41
00:02:31,560 --> 00:02:33,160
Speaker 1: you know we've got this event. You know we're gonna

42
00:02:33,160 --> 00:02:35,160
Speaker 1: like me to come out, bring your beautiful ladies that

43
00:02:35,240 --> 00:02:37,720
Speaker 1: roll with you. But before we get into that, you know,

44
00:02:37,800 --> 00:02:40,160
Speaker 1: your first strip club, you ever built, your first the

45
00:02:40,280 --> 00:02:43,400
Speaker 1: Vagina Diner of the Bomb Baby and all this. You know,

46
00:02:43,760 --> 00:02:46,919
Speaker 1: I want to understand. I've seen on all hip hop

47
00:02:46,919 --> 00:02:49,840
Speaker 1: dot com, big up, all hip Hop dot com, hip

48
00:02:49,919 --> 00:02:53,880
Speaker 1: hop dot Com that you are running for mayors and

49
00:02:53,880 --> 00:03:03,960
Speaker 1: it only all hip hop. Definitely whoa Definitely. What we're

50
00:03:03,960 --> 00:03:06,160
Speaker 1: doing is running from maya South Beach right now. We

51
00:03:06,240 --> 00:03:08,639
Speaker 1: just want to have fun. We want to integrate South

52
00:03:08,680 --> 00:03:11,560
Speaker 1: Beach and you know, let everybody have pizza. South Beach.

53
00:03:12,240 --> 00:03:15,200
Speaker 1: Mayor of South Beach different from running from mayor of Miami.

54
00:03:15,480 --> 00:03:20,040
Speaker 1: Yes's different. It's kind of weird. It's different. It was

55
00:03:20,080 --> 00:03:25,360
Speaker 1: like you're running from the mayor of Queens of Beach

56
00:03:25,520 --> 00:03:28,040
Speaker 1: or South Beach. South Beach is the place where everyone goes.

57
00:03:28,080 --> 00:03:31,160
Speaker 1: Is like the central booking for out of towners when

58
00:03:31,200 --> 00:03:34,040
Speaker 1: they land the South Beach and then you stay there.

59
00:03:34,120 --> 00:03:36,640
Speaker 1: Then you moved to either Opalaka, then you moved to

60
00:03:37,360 --> 00:03:42,680
Speaker 1: the then you moved to Homestead. But South Beach where

61
00:03:42,680 --> 00:03:44,680
Speaker 1: out of town has come and they sit down and

62
00:03:44,720 --> 00:03:49,560
Speaker 1: that's like them the holding pin for them, you know. Definitely,

63
00:03:49,720 --> 00:03:51,480
Speaker 1: So we're gonna run from may out there because we're

64
00:03:51,520 --> 00:03:54,920
Speaker 1: opening the whole venue out there's a serious this is

65
00:03:54,960 --> 00:03:57,480
Speaker 1: a serious bit. We're going hard, we're taking sponsors, we're

66
00:03:57,520 --> 00:03:59,920
Speaker 1: doing everything we're going I mean, hopefully I'm doing the

67
00:04:00,040 --> 00:04:01,960
Speaker 1: beats in the hole with the beats and the whole

68
00:04:02,080 --> 00:04:05,120
Speaker 1: McDonald Trump did one thing. He turned politiction to a

69
00:04:05,160 --> 00:04:09,200
Speaker 1: smack game. And now my own friend said, absolutely, can

70
00:04:09,280 --> 00:04:12,520
Speaker 1: motherfucker run from Mayow South Beats. Goddamn, are you gonna

71
00:04:12,560 --> 00:04:19,880
Speaker 1: legalize weed? We're gonna sig we that's the first I'm

72
00:04:19,880 --> 00:04:22,120
Speaker 1: on important because youre gona legalist week. We're gonna try

73
00:04:22,120 --> 00:04:25,920
Speaker 1: to legalize topless dancing, topless walking and being to me

74
00:04:26,560 --> 00:04:28,560
Speaker 1: that first gary to me when it comes to the week,

75
00:04:28,600 --> 00:04:36,600
Speaker 1: we're definitely gonna look into it. We gotta drive quite classily.

76
00:04:36,760 --> 00:04:39,400
Speaker 1: Have the mayor South Beach number twin, make yourself use

77
00:04:39,480 --> 00:04:41,600
Speaker 1: wis the bottle that's a rock that we're using this

78
00:04:41,720 --> 00:04:46,680
Speaker 1: open shout, Yeah, come on yea, is it just South Beach.

79
00:04:46,680 --> 00:04:49,120
Speaker 1: You're all Miami Beach, South Beach, South Beach. They're their

80
00:04:49,120 --> 00:04:51,560
Speaker 1: own city there, their own city, South Beach. How long

81
00:04:51,560 --> 00:04:53,719
Speaker 1: has that been? That's how it works. I don't even

82
00:04:53,720 --> 00:04:56,560
Speaker 1: know that man. So North Beach to South Beach separation

83
00:04:56,760 --> 00:05:00,400
Speaker 1: when it comes to the okay, HOPEFU, what was the

84
00:05:00,440 --> 00:05:03,200
Speaker 1: process for you to to to actually put yourself on

85
00:05:03,240 --> 00:05:05,880
Speaker 1: the battlet The process that we sit there we were

86
00:05:05,880 --> 00:05:08,839
Speaker 1: going through. We actually started because we're building a nightclub

87
00:05:08,920 --> 00:05:11,400
Speaker 1: over there. We're building a King of Diamonds slash V

88
00:05:11,520 --> 00:05:15,240
Speaker 1: live on Ocean Drive. Definitely v Live. They're like the

89
00:05:15,320 --> 00:05:17,479
Speaker 1: young brand coming up. They're good, they deal with a

90
00:05:17,480 --> 00:05:20,359
Speaker 1: lot of entertainments, a lot of dances. We just shot

91
00:05:20,360 --> 00:05:22,360
Speaker 1: this video there for Child's play Oh There You Go,

92
00:05:22,440 --> 00:05:24,440
Speaker 1: And we felt that they were up and coming, and

93
00:05:24,480 --> 00:05:27,119
Speaker 1: we felt like King of Diamonds was like the brand

94
00:05:27,160 --> 00:05:29,440
Speaker 1: that we kind of we kind of branded and built.

95
00:05:29,600 --> 00:05:31,440
Speaker 1: We felt like we were the Lebron James and they

96
00:05:31,440 --> 00:05:33,599
Speaker 1: were like the Steve Curry, you know, but not saying

97
00:05:33,600 --> 00:05:36,120
Speaker 1: that since Lebron wanted that we're better than them. They're

98
00:05:36,160 --> 00:05:38,080
Speaker 1: like the up and coming they had the future. So

99
00:05:38,120 --> 00:05:40,920
Speaker 1: instead of them taking us out, we just blend in

100
00:05:41,120 --> 00:05:43,359
Speaker 1: and combined together. Now is there a beat for King

101
00:05:43,440 --> 00:05:45,800
Speaker 1: of Diamonds at all? Like you King of Diamonds. No,

102
00:05:45,960 --> 00:05:48,680
Speaker 1: I mean it just happens. It was like, um, we

103
00:05:48,839 --> 00:05:50,919
Speaker 1: owned the brand name over there, so now we're just

104
00:05:51,000 --> 00:05:53,840
Speaker 1: moving our talents to South Beach. That's all it is.

105
00:05:53,960 --> 00:05:57,719
Speaker 1: That'ssive pretty much. So when we got to South Beach,

106
00:05:58,000 --> 00:06:00,680
Speaker 1: everybody out there was petitioning against to us, and we

107
00:06:00,720 --> 00:06:05,080
Speaker 1: didn't understand what was happening. And then I'm gonna trying

108
00:06:05,080 --> 00:06:13,520
Speaker 1: to get this for years. Come on, who's everyone? Who's everyone? Everyone?

109
00:06:13,600 --> 00:06:16,040
Speaker 1: Everyone on South Beach, the older people in South Beach.

110
00:06:16,080 --> 00:06:17,839
Speaker 1: When I sat there at the meeting and then I

111
00:06:17,920 --> 00:06:20,880
Speaker 1: was wondering, like, we're the first black owned business on

112
00:06:20,960 --> 00:06:24,600
Speaker 1: Ocean Drive that ever happened. So thirty five years ago,

113
00:06:24,960 --> 00:06:27,400
Speaker 1: black people weren't even allowed on Ocean Drive. Like for

114
00:06:27,440 --> 00:06:29,240
Speaker 1: you to go to Ocean Drive, you have to have

115
00:06:29,680 --> 00:06:32,880
Speaker 1: a card signed by the Captain of the Chief of

116
00:06:32,920 --> 00:06:35,240
Speaker 1: Police had to sign and the a p M. All

117
00:06:35,320 --> 00:06:37,800
Speaker 1: black people had to be off the perfect thirty five

118
00:06:37,880 --> 00:06:40,440
Speaker 1: years ago, just thirty five yards short years ago, they

119
00:06:40,440 --> 00:06:45,360
Speaker 1: had signed saying no, no, no, coons, no kites, no dogs,

120
00:06:45,440 --> 00:06:47,719
Speaker 1: no nothing, thirty five years ago on the beach. So

121
00:06:47,720 --> 00:06:50,080
Speaker 1: when I went to this meeting, everybody there was like

122
00:06:50,120 --> 00:06:53,600
Speaker 1: sixty years old, and I realized it wasn't about King

123
00:06:53,680 --> 00:06:55,760
Speaker 1: of Diamonds on the beach. It was about we're the

124
00:06:55,839 --> 00:06:57,760
Speaker 1: only black owned stuff on the beach. And then there

125
00:06:57,800 --> 00:07:00,160
Speaker 1: was no one there to represent us. I felt. Then

126
00:07:00,160 --> 00:07:02,200
Speaker 1: I figured, hey, let's give it a shot. Were there

127
00:07:02,240 --> 00:07:04,480
Speaker 1: to integrate it. We slipped in, we bought a building,

128
00:07:04,960 --> 00:07:07,360
Speaker 1: and that's what it is. And we're doing nothing different

129
00:07:07,400 --> 00:07:11,160
Speaker 1: from what Mangoes is doing, from what doing this waste

130
00:07:11,360 --> 00:07:17,119
Speaker 1: and ocean. Let's pick that up. Goddamn thirteen. You said

131
00:07:17,120 --> 00:07:21,640
Speaker 1: thirty five years ago, but forty one that wasn't seeing

132
00:07:21,680 --> 00:07:23,280
Speaker 1: a lot of people don't know that it wasn't that

133
00:07:23,320 --> 00:07:27,680
Speaker 1: long ago. So with South Beach Wirds trying to integrate

134
00:07:27,680 --> 00:07:29,480
Speaker 1: it right now and have fun when we got there.

135
00:07:29,760 --> 00:07:32,000
Speaker 1: Urban life out there is big. When you go to Mangoes,

136
00:07:32,040 --> 00:07:33,640
Speaker 1: you go to wet Willie's, you see a lot of

137
00:07:33,640 --> 00:07:35,840
Speaker 1: blacks just over there and they spend their money. But

138
00:07:35,880 --> 00:07:38,400
Speaker 1: there's no place where you could get hip hop music.

139
00:07:38,560 --> 00:07:40,880
Speaker 1: There's no place where you can get soulful guys. Are

140
00:07:40,880 --> 00:07:43,920
Speaker 1: you gonna have a secretary of stripper, you know, the

141
00:07:44,000 --> 00:07:47,320
Speaker 1: secretary of defense secretary. Yeah, you can have a secretary

142
00:07:47,400 --> 00:07:51,320
Speaker 1: of getting butt naked. Definitely, we probably we're probably gonna

143
00:07:51,320 --> 00:07:54,760
Speaker 1: try to elect Luke Skywalking come trying to get fun

144
00:07:57,920 --> 00:08:00,120
Speaker 1: have a vice mayor? Is their vice mayor? Or We're

145
00:08:00,120 --> 00:08:01,760
Speaker 1: gonna try to do everything. We're gonna make it as

146
00:08:01,800 --> 00:08:05,040
Speaker 1: we go. Definitely, that would be crazy, man, that would

147
00:08:05,040 --> 00:08:08,080
Speaker 1: be crazy. You and Luke? So what made you um so?

148
00:08:08,320 --> 00:08:10,920
Speaker 1: All right? So when you see them acting funniest, that

149
00:08:11,000 --> 00:08:12,760
Speaker 1: was sparked the idea for you, the woman from Man,

150
00:08:12,920 --> 00:08:14,680
Speaker 1: That's what sparked it, because I felt it was like

151
00:08:14,680 --> 00:08:17,240
Speaker 1: a modern day lynch and everyone is there saying, we

152
00:08:17,240 --> 00:08:19,640
Speaker 1: don't want this here, we don't want nw Tody. We was.

153
00:08:21,160 --> 00:08:23,400
Speaker 1: We was charged with a crime that we didn't even commit.

154
00:08:23,520 --> 00:08:25,520
Speaker 1: We didn't even open. When you go to Mangoes and

155
00:08:25,520 --> 00:08:27,800
Speaker 1: you go to Cleveland, and I love those places, I

156
00:08:27,840 --> 00:08:31,160
Speaker 1: see girls with body paying all dancing and stripping. The

157
00:08:31,200 --> 00:08:33,040
Speaker 1: thing that got me alert was when I looked into

158
00:08:33,040 --> 00:08:36,280
Speaker 1: the numbers. Mangoes is making thirty million dollars a year

159
00:08:36,600 --> 00:08:38,640
Speaker 1: and all they did was clean their accup. They just

160
00:08:38,679 --> 00:08:41,080
Speaker 1: took the smut out of it. It's kind of like

161
00:08:41,120 --> 00:08:42,840
Speaker 1: back in the days you would watch the rappers, like

162
00:08:42,880 --> 00:08:45,079
Speaker 1: you can't see straight pussy, but you can see thoms.

163
00:08:45,200 --> 00:08:47,680
Speaker 1: You can have great imagination when you're there. You know,

164
00:08:47,720 --> 00:08:50,679
Speaker 1: it's still fists in the air hitting pelvis, which is

165
00:08:50,679 --> 00:08:52,240
Speaker 1: a hump at the end of the day, you know.

166
00:08:52,640 --> 00:08:54,000
Speaker 1: So when you see it, I was just like, Wow,

167
00:08:54,040 --> 00:08:56,320
Speaker 1: And they're making thirty million a year doing this and

168
00:08:56,360 --> 00:08:58,400
Speaker 1: we're on the other side of the bridge going hard,

169
00:08:58,480 --> 00:09:02,120
Speaker 1: we're breaking sweats, we got everything coming out of every

170
00:09:02,120 --> 00:09:05,000
Speaker 1: girl's and all that. So it's like damn, I said, Yo,

171
00:09:05,080 --> 00:09:06,880
Speaker 1: let's just trying to clean it up and try to

172
00:09:06,920 --> 00:09:09,160
Speaker 1: get piece of that money right there. When we try

173
00:09:09,200 --> 00:09:11,200
Speaker 1: to do that, that was the problem. They offered me,

174
00:09:11,800 --> 00:09:14,120
Speaker 1: um like a million dollars to pack up and leave,

175
00:09:14,600 --> 00:09:16,480
Speaker 1: you know, but I kept real. I told him bringing

176
00:09:16,520 --> 00:09:21,160
Speaker 1: in cash and I'll go, yeah, who I heard that

177
00:09:20,600 --> 00:09:29,160
Speaker 1: the people people told about. So now, what was your

178
00:09:29,160 --> 00:09:33,720
Speaker 1: first strip club? Um? Damn, you know. Um it wasn't

179
00:09:33,800 --> 00:09:37,199
Speaker 1: Hush No. It was the place in Medias in Manhattan

180
00:09:37,240 --> 00:09:38,800
Speaker 1: thirty eight Street that I had with a friend of

181
00:09:38,840 --> 00:09:40,920
Speaker 1: mine name f It was a little hole in the wall.

182
00:09:40,920 --> 00:09:43,679
Speaker 1: It was the spot off the Lincoln Tunnel when you

183
00:09:43,720 --> 00:09:45,679
Speaker 1: get out. Then right right when you get out of

184
00:09:45,679 --> 00:09:47,959
Speaker 1: the Lincoln Tnel you go upstairs. It was great, girls

185
00:09:48,000 --> 00:09:56,679
Speaker 1: look beautiful. Yeah, girls look beautiful, bullet holes, everything was

186
00:09:56,720 --> 00:10:07,360
Speaker 1: so sorry, there's six an that. So now that was

187
00:10:07,400 --> 00:10:09,640
Speaker 1: your first strip club? What made you? Now? What made

188
00:10:09,640 --> 00:10:12,320
Speaker 1: you get into the strip club business? Initially? Period? Like,

189
00:10:12,360 --> 00:10:16,160
Speaker 1: you know, here you are, you're established rapp but you've done,

190
00:10:16,440 --> 00:10:19,200
Speaker 1: you have major deals, you've done, have major hits. What

191
00:10:19,200 --> 00:10:22,480
Speaker 1: what makes you say, I'm gonna sell pussy without selling pussy.

192
00:10:22,600 --> 00:10:24,800
Speaker 1: When I was coming up, I was making My first

193
00:10:24,840 --> 00:10:32,520
Speaker 1: album was titled Vagina Dina. That's a fact. The first

194
00:10:32,520 --> 00:10:34,800
Speaker 1: album was out of Vagina Diner. So it was always

195
00:10:34,800 --> 00:10:36,800
Speaker 1: about sex for me. It was always an angle coming

196
00:10:36,800 --> 00:10:41,280
Speaker 1: out and that was like, I believe one the original

197
00:10:41,280 --> 00:10:47,600
Speaker 1: Horny Montana. Yeah, like taking that. So when when that

198
00:10:47,679 --> 00:10:50,439
Speaker 1: album came out, it wasn't no internet, it wasn't no radio,

199
00:10:50,520 --> 00:10:53,280
Speaker 1: it wasn't no daytime radio. For me. I lived in

200
00:10:53,360 --> 00:10:56,360
Speaker 1: strip clubs. My songs just played in there. They've broken there.

201
00:10:56,400 --> 00:10:58,120
Speaker 1: For me to break a record, I would have to

202
00:10:58,120 --> 00:11:01,280
Speaker 1: stay on the road for approximately two years for one

203
00:11:01,360 --> 00:11:03,120
Speaker 1: song to get out, and I went from strip club

204
00:11:03,160 --> 00:11:05,000
Speaker 1: to strip club. The Script Club I used to run

205
00:11:05,000 --> 00:11:06,640
Speaker 1: with a friend of mine. She was importing. Her name

206
00:11:06,679 --> 00:11:12,440
Speaker 1: was head the Hunter back then pulled her sauce for friends.

207
00:11:12,480 --> 00:11:15,040
Speaker 1: God damn, the friend would had the Hunter. She was like,

208
00:11:15,120 --> 00:11:17,320
Speaker 1: y'all open the Script Club. And I opened one and

209
00:11:17,360 --> 00:11:20,480
Speaker 1: I couldn't believe what it was. And we have it

210
00:11:20,679 --> 00:11:24,280
Speaker 1: and it was life imitating art, you know. But heath

211
00:11:24,280 --> 00:11:26,640
Speaker 1: the Hunter on my record? Remember I wanted all my record,

212
00:11:26,720 --> 00:11:28,520
Speaker 1: yeah the Hunter to this, Yeah, yeah, I had The

213
00:11:28,559 --> 00:11:32,440
Speaker 1: Hunter was beautiful. It's a fact you really reached out.

214
00:11:32,440 --> 00:11:33,960
Speaker 1: Somebody reached out for her to be on the show

215
00:11:34,120 --> 00:11:36,199
Speaker 1: The Hunter. She more than welcome. Got that. You need

216
00:11:36,200 --> 00:11:37,600
Speaker 1: to know how you do it? How do you do it?

217
00:11:38,559 --> 00:11:40,640
Speaker 1: Goddamn how you do it? Because she still look at y'all.

218
00:11:40,800 --> 00:11:45,280
Speaker 1: Y'all's strong. Oh yeah, I mean Heathern's beautiful. Heathern's beautiful.

219
00:11:45,320 --> 00:11:47,240
Speaker 1: When I said with Heather being Heather used to ride

220
00:11:47,559 --> 00:11:49,640
Speaker 1: and we used to just talk about funk, I was like,

221
00:11:49,960 --> 00:11:58,160
Speaker 1: so who would your fun? And she was, whoever? Get

222
00:11:58,200 --> 00:12:02,719
Speaker 1: to that story? It's a beautiful, exactly that story. I'm

223
00:12:02,760 --> 00:12:05,760
Speaker 1: here all night don't Okay, now, now how does it

224
00:12:05,760 --> 00:12:09,319
Speaker 1: all right? Cool? So what year was you signed to

225
00:12:09,400 --> 00:12:12,720
Speaker 1: Interscope Records? Um? Signed inter Scope Records. I believe in

226
00:12:12,840 --> 00:12:18,360
Speaker 1: nineteen ninety nine. Okay now, um, this is after Live

227
00:12:18,400 --> 00:12:21,959
Speaker 1: at the Barbecue. After Live at the Barbecue in the

228
00:12:22,080 --> 00:12:27,920
Speaker 1: Scope Records. Yeah, the thing was in Queens. It was

229
00:12:28,040 --> 00:12:29,960
Speaker 1: two guys coming from Queens. It was a god named

230
00:12:30,000 --> 00:12:32,680
Speaker 1: Lars Professor and then it was two guys that he

231
00:12:32,800 --> 00:12:35,080
Speaker 1: was kind of bringing out and he introduced the world

232
00:12:35,200 --> 00:12:37,920
Speaker 1: to on Live at the Barbecue, which his hands down

233
00:12:38,400 --> 00:12:40,960
Speaker 1: one of my favorite hip hop records. People think that

234
00:12:41,000 --> 00:12:42,720
Speaker 1: I say that because I had somebody on there from

235
00:12:42,800 --> 00:12:45,280
Speaker 1: Left Wrack, but regardless of you being from Left Wrack

236
00:12:45,360 --> 00:12:48,080
Speaker 1: and being my childhood friend, that was just one of

237
00:12:48,120 --> 00:12:51,640
Speaker 1: the illest records of that time, right, So that record

238
00:12:51,640 --> 00:12:55,080
Speaker 1: Come Together Live at the Barbecue became my man. Large Professor.

239
00:12:55,120 --> 00:12:56,640
Speaker 1: We used to go to school together, but he used

240
00:12:56,640 --> 00:12:58,719
Speaker 1: to rack and we was like yo, coming to the

241
00:12:58,760 --> 00:13:01,160
Speaker 1: studio one day. Then he injured used me to I'm

242
00:13:01,200 --> 00:13:02,959
Speaker 1: a young kid in there, and the kid was kind

243
00:13:02,960 --> 00:13:05,280
Speaker 1: of dope. Kid was like sixteen years old. His name

244
00:13:05,320 --> 00:13:09,400
Speaker 1: was Nas at the time. So it was like professor,

245
00:13:11,000 --> 00:13:13,720
Speaker 1: like sixteen years old, and we're just rhyming in there,

246
00:13:13,760 --> 00:13:16,880
Speaker 1: going back and forth. You know. NAS was like, I'm

247
00:13:16,880 --> 00:13:18,640
Speaker 1: gonna make it one day. I'm gonna make it one day.

248
00:13:18,720 --> 00:13:21,400
Speaker 1: That's funny. We used to ride the train every day together,

249
00:13:22,480 --> 00:13:25,040
Speaker 1: Me and n just walk for hours. They didn't just

250
00:13:25,120 --> 00:13:28,200
Speaker 1: walk for hours through the city, you know. And it

251
00:13:28,320 --> 00:13:31,559
Speaker 1: was funny even when Nas getting his deal. Originally Nas

252
00:13:31,600 --> 00:13:34,160
Speaker 1: had decided to like stop rapping. He was like, Yo,

253
00:13:34,280 --> 00:13:35,880
Speaker 1: I got a half pound of weed. I'm gonna go

254
00:13:35,920 --> 00:13:42,560
Speaker 1: down south. He said, listen listening, We're gonna start early.

255
00:13:43,480 --> 00:13:47,280
Speaker 1: We're gonna starts. Was like it was like, I'm gonna

256
00:13:47,280 --> 00:13:49,120
Speaker 1: go to a half pound. I'm going down south to

257
00:13:49,160 --> 00:13:51,040
Speaker 1: sell it. And I was like really it was like word.

258
00:13:51,080 --> 00:13:53,079
Speaker 1: I was like funking. He's like, they're just raph it

259
00:13:53,120 --> 00:13:56,160
Speaker 1: ain't working and we just walking in period. Is this

260
00:13:56,160 --> 00:13:58,320
Speaker 1: This is after Live of the Barbecue for just like

261
00:13:58,400 --> 00:14:01,800
Speaker 1: right before. Still he's still there because I want you

262
00:14:01,840 --> 00:14:03,360
Speaker 1: to finish this story and the people will kill me,

263
00:14:03,559 --> 00:14:06,240
Speaker 1: but they will back to the girl again. All live

264
00:14:06,280 --> 00:14:11,400
Speaker 1: at the bar to the bottom. He said, he's going

265
00:14:11,440 --> 00:14:13,720
Speaker 1: down south, He's gonna try it. I'm like words. So

266
00:14:13,760 --> 00:14:15,480
Speaker 1: then when we was walking around, I used to take

267
00:14:15,559 --> 00:14:17,920
Speaker 1: him everyway. I took him to UM, I took him

268
00:14:17,920 --> 00:14:21,200
Speaker 1: to Russell Simmons. I was like, this is my you already, Yeah,

269
00:14:21,200 --> 00:14:23,720
Speaker 1: this was my man. We was going, We was going

270
00:14:23,800 --> 00:14:26,480
Speaker 1: as from the Lost Professor. I was like, Yo, we

271
00:14:26,560 --> 00:14:28,080
Speaker 1: used to rhyme mayby Night. I said, took him to

272
00:14:28,120 --> 00:14:30,520
Speaker 1: Russell Simmon, Yo, this is my man. He rhymes he's dope.

273
00:14:30,960 --> 00:14:34,600
Speaker 1: Russell was like, now he's weak, yeah, yeah, and he

274
00:14:34,680 --> 00:14:38,000
Speaker 1: was yeah, nastyns. He was like, nah, it's not it.

275
00:14:38,080 --> 00:14:40,720
Speaker 1: I don't feel it. I don't feel it. We was

276
00:14:40,760 --> 00:14:43,640
Speaker 1: in a dude, another DJ back in the days, his

277
00:14:43,720 --> 00:14:46,560
Speaker 1: name was Clark Kent Real Good. Took him to Clark.

278
00:14:47,160 --> 00:14:51,120
Speaker 1: Clark loved it Clark. Clark understood that Clark always got music,

279
00:14:51,160 --> 00:14:52,920
Speaker 1: you know. But Clark was like, at the time, he

280
00:14:52,920 --> 00:14:55,720
Speaker 1: couldn't do it because I don't think Sylvia was allowing him.

281
00:14:55,720 --> 00:14:58,520
Speaker 1: He was doing I believe Atlantic at that time, one

282
00:14:58,560 --> 00:15:01,240
Speaker 1: of those A and one of those labels. He couldn't

283
00:15:01,280 --> 00:15:03,160
Speaker 1: do it. So then me and I were walking and

284
00:15:03,200 --> 00:15:05,480
Speaker 1: I was like fuck it. I said, I'm out of here.

285
00:15:05,720 --> 00:15:08,520
Speaker 1: We're bouncing to stretch your arm strong. Back then, stretch

286
00:15:08,640 --> 00:15:10,400
Speaker 1: was like coming to the studio. When we got to

287
00:15:10,480 --> 00:15:14,520
Speaker 1: the studio, we bounced in the m C Search and

288
00:15:14,560 --> 00:15:16,920
Speaker 1: we did the song up there back to the Grill.

289
00:15:17,000 --> 00:15:19,560
Speaker 1: I was on it with him if this was after

290
00:15:19,560 --> 00:15:22,240
Speaker 1: the Barbecue, was on it with him, yeah, But it

291
00:15:22,280 --> 00:15:29,200
Speaker 1: didn't come out the original version. I still I still

292
00:15:29,240 --> 00:15:38,840
Speaker 1: got the copy of still got the copy. There it

293
00:15:38,960 --> 00:15:41,000
Speaker 1: went on. The deal was a fucked up deal. He

294
00:15:41,080 --> 00:15:43,000
Speaker 1: was like, yeah, I'm gonna sign this deal is funked up.

295
00:15:43,000 --> 00:15:44,880
Speaker 1: I was like, fuck it, you were you dead already,

296
00:15:45,120 --> 00:15:47,640
Speaker 1: like we got to lose. And then he signed it

297
00:15:47,600 --> 00:15:50,120
Speaker 1: and then he took off. And that was from this

298
00:15:50,280 --> 00:15:53,440
Speaker 1: a search life. Yes, then we hit Live at the Barbecue,

299
00:15:53,520 --> 00:15:56,800
Speaker 1: Large Professor, and then we just took off from there running.

300
00:15:57,080 --> 00:16:00,880
Speaker 1: But I was always on sex sex set right. And

301
00:16:00,920 --> 00:16:06,120
Speaker 1: then you also developed like how did that come on? Um?

302
00:16:06,160 --> 00:16:08,280
Speaker 1: That was just back in the days, just having fun.

303
00:16:08,480 --> 00:16:10,160
Speaker 1: When you was coming up back then, you have to

304
00:16:10,200 --> 00:16:13,560
Speaker 1: have style, you have to have like the whole lane

305
00:16:13,600 --> 00:16:17,280
Speaker 1: to um make yourself stand out from everyone else. So

306
00:16:17,360 --> 00:16:18,880
Speaker 1: that's what it was. And then for me, I was

307
00:16:18,920 --> 00:16:22,160
Speaker 1: real competitive. It was like when you make records, you compete.

308
00:16:22,440 --> 00:16:24,160
Speaker 1: Then I've seen the lane. It was like for me,

309
00:16:24,440 --> 00:16:27,040
Speaker 1: I felt like, Yo, go to sex route and on back.

310
00:16:27,080 --> 00:16:30,160
Speaker 1: Then Everyone's like, oh man, you're selling out. But like today,

311
00:16:30,240 --> 00:16:32,800
Speaker 1: I outlived all of my piers who was out there,

312
00:16:32,840 --> 00:16:36,120
Speaker 1: you know. So it's like I still love the Red Man's,

313
00:16:36,160 --> 00:16:38,520
Speaker 1: I still love the Buckshout shorties. I still talk to

314
00:16:38,560 --> 00:16:42,640
Speaker 1: the Lord Finesse's. You know. But it's like sexist universal.

315
00:16:42,680 --> 00:16:45,040
Speaker 1: Everybody wants to learn about it, everybody wants to grow

316
00:16:45,080 --> 00:16:48,080
Speaker 1: about it. You know, it's timeless. It's like some some

317
00:16:48,360 --> 00:16:50,680
Speaker 1: other young kids says yo, I see him put it

318
00:16:50,680 --> 00:16:52,600
Speaker 1: in your mouth. For the first time I heard it.

319
00:16:52,880 --> 00:16:57,200
Speaker 1: I experienced girls, white girls, Asian girls like I used

320
00:16:57,200 --> 00:16:59,200
Speaker 1: to run around when I was younger, and it was

321
00:16:59,240 --> 00:17:01,840
Speaker 1: like you would just get head just for spite, not

322
00:17:01,880 --> 00:17:05,280
Speaker 1: because you deserve it, just for spite. Just it was like,

323
00:17:05,320 --> 00:17:08,840
Speaker 1: come here, keep on me one time. Yes, you had

324
00:17:08,840 --> 00:17:13,040
Speaker 1: your dances, had female dances and mail dances, but not strippers.

325
00:17:13,680 --> 00:17:16,240
Speaker 1: I mean like like super scrap style, you know what

326
00:17:16,280 --> 00:17:18,480
Speaker 1: I'm saying. And then you had the females come out

327
00:17:18,520 --> 00:17:24,520
Speaker 1: with a banana show, like banana it was it was,

328
00:17:24,640 --> 00:17:26,960
Speaker 1: it was it was like the finale we came out.

329
00:17:27,280 --> 00:17:29,520
Speaker 1: It was hip hop. We had DJ, we had Rob

330
00:17:29,640 --> 00:17:33,440
Speaker 1: Swift and he was cutting up and he was doing

331
00:17:33,440 --> 00:17:35,760
Speaker 1: what he was doing. And then Nori. We used to

332
00:17:35,760 --> 00:17:37,880
Speaker 1: bring Nori with us. I'm getting to the Nori story

333
00:17:37,920 --> 00:17:42,920
Speaker 1: to Who's Good? So another story. We got some other story.

334
00:17:43,280 --> 00:17:45,439
Speaker 1: So we bring Nori on the roll with us. And

335
00:17:45,520 --> 00:17:48,600
Speaker 1: every night, you know, we'll go out and it's like,

336
00:17:49,160 --> 00:17:51,359
Speaker 1: we'll bring Nori out on the stage. Nor we do

337
00:17:51,480 --> 00:17:53,800
Speaker 1: his record nor he was young, you know, going out,

338
00:17:53,800 --> 00:17:55,600
Speaker 1: We'll have a band, we'll meet in front of my

339
00:17:55,600 --> 00:18:00,200
Speaker 1: markers l A l A and yes, yes, definitely, only

340
00:18:00,280 --> 00:18:02,639
Speaker 1: big songs, big songs. So we bring Nori out. I

341
00:18:02,680 --> 00:18:04,840
Speaker 1: would call Nora'll come on, you come in. He's like, yeah,

342
00:18:04,840 --> 00:18:06,640
Speaker 1: I'm coming, and jump in the back of the van

343
00:18:06,760 --> 00:18:09,159
Speaker 1: him and Poem. We'll drive, will go to the show.

344
00:18:09,440 --> 00:18:11,680
Speaker 1: I said, I'm bringing out my man Noriega. Y'all, no,

345
00:18:12,359 --> 00:18:15,000
Speaker 1: give him a shot, he's coming, you know, And Nori

346
00:18:15,119 --> 00:18:16,840
Speaker 1: would come and lay it out. And then after that,

347
00:18:17,240 --> 00:18:19,280
Speaker 1: but you had a whole show. We went. It was

348
00:18:19,320 --> 00:18:21,360
Speaker 1: a whole segment. We had a Nori segment, we had

349
00:18:21,359 --> 00:18:24,080
Speaker 1: a dance segment. Then we had to rid a Swift segment.

350
00:18:24,119 --> 00:18:26,359
Speaker 1: Then we had somebody gonna get their dick sucked in

351
00:18:26,400 --> 00:18:28,919
Speaker 1: this already in second and that was the great segment.

352
00:18:29,000 --> 00:18:32,600
Speaker 1: Someone will come up, like some random or some random

353
00:18:32,680 --> 00:18:37,400
Speaker 1: fan will come up and have a beautiful happy ending

354
00:18:40,320 --> 00:18:47,399
Speaker 1: you that we will pick it up. I would have

355
00:18:47,440 --> 00:18:49,399
Speaker 1: a girl standing next to me, I say, anybody one

356
00:18:49,480 --> 00:18:54,879
Speaker 1: day watched that, I would say, everybody up, see anyone

357
00:18:54,920 --> 00:18:57,960
Speaker 1: they dick stuff, nothing happens. I would go But if

358
00:18:57,960 --> 00:19:07,000
Speaker 1: someone wanted to dick about, look at Twitter. Goddamn hold

359
00:19:09,119 --> 00:19:12,160
Speaker 1: you can, yes, but that's not what you're doing every night.

360
00:19:12,480 --> 00:19:14,280
Speaker 1: And we went on the road with that day and night,

361
00:19:14,480 --> 00:19:18,400
Speaker 1: day and night. God damn it bad check out. I'm

362
00:19:18,400 --> 00:19:20,120
Speaker 1: looking for Eddie to ask the way is the act

363
00:19:22,240 --> 00:19:24,200
Speaker 1: Eddie to ask? We got a guy named Eddie to ask.

364
00:19:24,240 --> 00:19:26,480
Speaker 1: He that that's his job and to look as like

365
00:19:26,560 --> 00:19:29,880
Speaker 1: just random ask it's okay. We just were bringing dunk

366
00:19:30,280 --> 00:19:32,080
Speaker 1: would being a dunkey through here and be like, yo,

367
00:19:32,160 --> 00:19:45,920
Speaker 1: go ahead work that day. So you had this show,

368
00:19:46,000 --> 00:19:48,040
Speaker 1: and let me tell you this is one thing that

369
00:19:48,119 --> 00:19:53,160
Speaker 1: you taught me. Right Um. I can remember were somewhere

370
00:19:53,200 --> 00:19:56,640
Speaker 1: on the road and they was trying to debate whether

371
00:19:56,720 --> 00:19:58,639
Speaker 1: you will go first, or this guy will go first.

372
00:19:58,800 --> 00:20:01,840
Speaker 1: Who was that guy? I don't remember, you know, we're

373
00:20:01,920 --> 00:20:05,960
Speaker 1: definitely saying. I remember you saying, I don't give a funk,

374
00:20:06,000 --> 00:20:08,520
Speaker 1: I'll go first. And I remember looking at you like

375
00:20:08,640 --> 00:20:11,760
Speaker 1: you were crazy, like do you know this guy's records?

376
00:20:11,760 --> 00:20:14,480
Speaker 1: I forget who it was, but you came on and

377
00:20:14,760 --> 00:20:18,200
Speaker 1: destroyed it and went on first, and it was like

378
00:20:18,760 --> 00:20:21,480
Speaker 1: ever since then, I was like, it don't matter where

379
00:20:21,480 --> 00:20:24,760
Speaker 1: I go now, like I would just go and I

380
00:20:24,920 --> 00:20:26,720
Speaker 1: just do a better show if I go on first,

381
00:20:27,000 --> 00:20:29,480
Speaker 1: because I want them them. So I remember the support

382
00:20:29,520 --> 00:20:30,960
Speaker 1: of where they paraded. It was a black artist. I

383
00:20:31,000 --> 00:20:33,600
Speaker 1: won't say his name. I don't remember. I remember this

384
00:20:33,680 --> 00:20:36,879
Speaker 1: is missing my own ship. And I remember him me

385
00:20:37,040 --> 00:20:41,080
Speaker 1: hearing him saying to the promoter like yo, no, no,

386
00:20:41,240 --> 00:20:44,399
Speaker 1: let nor, we're going first. And I remember Daddy just

387
00:20:44,480 --> 00:20:47,840
Speaker 1: texted me or whatever it was. I mean, Daddy praised

388
00:20:48,480 --> 00:20:53,520
Speaker 1: definitely back. So I go on first. Immediately Boom hit

389
00:20:53,600 --> 00:20:56,200
Speaker 1: text Daddy, Yankee, text me the sky, text fact Joe.

390
00:20:56,400 --> 00:20:58,159
Speaker 1: They all came in and I did it, and then

391
00:20:58,200 --> 00:20:59,800
Speaker 1: I had it on the mic. I was like, your turn,

392
00:21:00,119 --> 00:21:03,920
Speaker 1: like you mother, but I had learned that from you,

393
00:21:04,080 --> 00:21:06,840
Speaker 1: because so many like back in the days it was

394
00:21:07,040 --> 00:21:10,720
Speaker 1: dope for the m C to go last. Right now,

395
00:21:11,080 --> 00:21:14,480
Speaker 1: nobody wants to go last, and back then it was

396
00:21:14,680 --> 00:21:17,159
Speaker 1: dope for the m C to go last on the stage.

397
00:21:17,720 --> 00:21:19,760
Speaker 1: But you like kind of invented like I don't give

398
00:21:19,800 --> 00:21:22,680
Speaker 1: a funk where I go. I'm gonna smash everything in

399
00:21:22,680 --> 00:21:25,560
Speaker 1: the smith wine. My thing was the bigger the artists

400
00:21:25,600 --> 00:21:27,879
Speaker 1: we wanted to go and before him, and you know,

401
00:21:28,240 --> 00:21:30,960
Speaker 1: just set the ball. My ship was like fun the show.

402
00:21:31,320 --> 00:21:32,720
Speaker 1: We're gonna go right to put it in your mouth.

403
00:21:32,760 --> 00:21:34,800
Speaker 1: We're gonna get somebody dick. Suck. How they gonna top that?

404
00:21:34,840 --> 00:21:38,080
Speaker 1: Don't get the record. Let me see. I was just

405
00:21:38,280 --> 00:21:41,000
Speaker 1: go out on the stage like the record won't even play.

406
00:21:41,040 --> 00:21:42,920
Speaker 1: Would be like who wanted to dick? So we can't.

407
00:21:42,960 --> 00:21:46,840
Speaker 1: This is a big dog back here. Time I came

408
00:21:46,880 --> 00:21:49,960
Speaker 1: to his records too, I just got somebody dick. Let's

409
00:21:50,000 --> 00:21:56,920
Speaker 1: get out of here. Let's do this. Come on, you

410
00:21:57,040 --> 00:21:59,440
Speaker 1: put it in your mouth before we go. Get this

411
00:21:59,560 --> 00:22:01,879
Speaker 1: taken hold long, stop the music, take his clothes all that,

412
00:22:02,320 --> 00:22:05,040
Speaker 1: get his dicks up, and then let me go back

413
00:22:05,040 --> 00:22:08,480
Speaker 1: to this show with this big dog artist. It's going

414
00:22:08,640 --> 00:22:12,400
Speaker 1: no matter where we went and his show was memorable,

415
00:22:12,560 --> 00:22:14,520
Speaker 1: like I don't give a fun and at the time

416
00:22:15,160 --> 00:22:17,280
Speaker 1: it was no I'm talking about I'm talking about like

417
00:22:17,320 --> 00:22:19,720
Speaker 1: I'm talking about everybody had to stop. And at the time,

418
00:22:20,320 --> 00:22:22,840
Speaker 1: like you know, other people got like like ten records

419
00:22:22,880 --> 00:22:24,840
Speaker 1: on the top ten he had just had put in

420
00:22:24,960 --> 00:22:29,119
Speaker 1: your Mouth and that was the grand finally, and everything

421
00:22:29,280 --> 00:22:31,440
Speaker 1: build up to that moment, and then we put it

422
00:22:31,480 --> 00:22:34,399
Speaker 1: in your Mouth came on. It was girls doing shows

423
00:22:34,480 --> 00:22:37,920
Speaker 1: with bananas, and it was just like you're doing your

424
00:22:38,480 --> 00:22:40,080
Speaker 1: box in the hip hop. But then he has some

425
00:22:40,280 --> 00:22:44,359
Speaker 1: pretty ass fucking people swallowing hole bananas and you're like,

426
00:22:44,440 --> 00:22:47,800
Speaker 1: all right, I want to watch YouTube nigger, but she's

427
00:22:47,880 --> 00:22:51,480
Speaker 1: like more attractive you remember me, like and then it

428
00:22:51,600 --> 00:22:54,320
Speaker 1: was crazy because you had the horn dogs watching the girls,

429
00:22:54,680 --> 00:22:56,680
Speaker 1: and you have people who loved real hip hop because

430
00:22:56,720 --> 00:22:58,399
Speaker 1: it was a real hip hop show. It wasn't like

431
00:22:59,600 --> 00:23:01,760
Speaker 1: it was like those something dub like if you love

432
00:23:01,880 --> 00:23:05,000
Speaker 1: hip hop, he wasn't disappointed, but you also got turned

433
00:23:05,040 --> 00:23:06,840
Speaker 1: on maybe a little bit, like oh ship, this this

434
00:23:07,080 --> 00:23:10,840
Speaker 1: just swallowed up banana like we should talk after word,

435
00:23:11,880 --> 00:23:14,280
Speaker 1: like just real, like you know what I mean. And

436
00:23:14,320 --> 00:23:16,399
Speaker 1: it's like you would go from different states and we

437
00:23:16,560 --> 00:23:19,679
Speaker 1: just find random girls. And it was like for us,

438
00:23:19,880 --> 00:23:21,639
Speaker 1: it was hip hop error. It was the error of

439
00:23:21,720 --> 00:23:24,320
Speaker 1: the DJ when you were stopping and let the DJ

440
00:23:24,520 --> 00:23:27,560
Speaker 1: actually do his turntables. It was the error where you

441
00:23:27,560 --> 00:23:29,880
Speaker 1: would sit there and rhyme. You have to look everybody

442
00:23:29,960 --> 00:23:32,320
Speaker 1: in their face word for word and go for it

443
00:23:32,680 --> 00:23:35,680
Speaker 1: and connect with the audience. That's what it was. And

444
00:23:35,760 --> 00:23:39,359
Speaker 1: then after put it in your mouth, you had this record. Girl,

445
00:23:39,440 --> 00:23:48,000
Speaker 1: would you right to the Complexionlex, big up the Casey Smoke,

446
00:23:48,160 --> 00:23:53,080
Speaker 1: Casey smoke, even Demon, Yes, yeah, Rocky, what's going on?

447
00:23:53,280 --> 00:23:57,040
Speaker 1: World up? Big up a left frack? But um, how

448
00:23:57,119 --> 00:24:00,080
Speaker 1: did me for free? Right? Go ahead, that's just just

449
00:24:00,400 --> 00:24:03,200
Speaker 1: just break that down. Um funk for free? Record was

450
00:24:03,240 --> 00:24:05,520
Speaker 1: everywhere I went from state to state. Now I'm put

451
00:24:05,600 --> 00:24:07,439
Speaker 1: it in your mouth. Now I'm going everywhere, and then

452
00:24:07,440 --> 00:24:20,240
Speaker 1: I'll put everywhere everywhere everywhere. It was the spite. It

453
00:24:20,359 --> 00:24:23,439
Speaker 1: was a spike. I was literally I was literally coming up,

454
00:24:23,560 --> 00:24:26,480
Speaker 1: literally coming up. So it was like every state I

455
00:24:26,520 --> 00:24:28,520
Speaker 1: would go to and then after it what happened. The

456
00:24:28,560 --> 00:24:30,359
Speaker 1: girl would be like, yo, what you're paying me? And

457
00:24:30,400 --> 00:24:31,960
Speaker 1: I'm like, what do you mean? What am I paying you?

458
00:24:32,440 --> 00:24:34,680
Speaker 1: And then That's how we invented the song fun for free.

459
00:24:35,119 --> 00:24:39,000
Speaker 1: And it was a good song. I had fun with it. Yeah,

460
00:24:40,280 --> 00:24:42,560
Speaker 1: I like that? Who do that? Who does that? Um?

461
00:24:42,800 --> 00:24:49,560
Speaker 1: Frankie Cutlass. Frankie Cutlass came to this and you Panamanian Pana.

462
00:24:49,840 --> 00:24:52,640
Speaker 1: My mother's from kind of my father from customer something.

463
00:24:53,080 --> 00:24:57,080
Speaker 1: Cutlass got something to do with everybody Spanish. Ye. Goddamn, goddam,

464
00:25:00,160 --> 00:25:02,520
Speaker 1: that's no community. Goddamn it. You gotta wait, you gotta

465
00:25:02,520 --> 00:25:09,080
Speaker 1: wake up this academic. Damn right, listen, government name. I'm

466
00:25:09,080 --> 00:25:10,800
Speaker 1: gonna have to ask you step back. We didn't ask you.

467
00:25:10,880 --> 00:25:15,280
Speaker 1: Twin's DC Twin. You should support him on gole go

468
00:25:15,480 --> 00:25:17,199
Speaker 1: fund me? What's you go fund me? My brother? Are

469
00:25:17,240 --> 00:25:20,120
Speaker 1: you at with that go fund me? Right? You tell

470
00:25:20,160 --> 00:25:22,520
Speaker 1: me you to go fund me? Man? That's that's my phone.

471
00:25:22,560 --> 00:25:26,159
Speaker 1: I'm looking at my phone the same place where you at,

472
00:25:26,160 --> 00:25:27,520
Speaker 1: where you about to go fund What is it that

473
00:25:27,600 --> 00:25:29,800
Speaker 1: go fund me? I don't know, man, I got thirty

474
00:25:29,880 --> 00:25:33,960
Speaker 1: forty you know, you know, no fund to me, no

475
00:25:34,080 --> 00:25:37,680
Speaker 1: fund me journey, Hey's go fund me slash Twins journey

476
00:25:37,720 --> 00:25:40,200
Speaker 1: to late man, you already know that's right. So I

477
00:25:40,280 --> 00:25:42,320
Speaker 1: just came back from New York man, I'm doing if

478
00:25:42,359 --> 00:25:47,159
Speaker 1: you're working to get yourself just My Instagram is d

479
00:25:47,320 --> 00:25:49,479
Speaker 1: C two W I am man. I just came from

480
00:25:49,520 --> 00:25:52,280
Speaker 1: New York and if people waiting back did say that,

481
00:25:52,359 --> 00:25:54,760
Speaker 1: Snoop did say you was gonna be somebody? Actually a

482
00:25:54,880 --> 00:25:57,960
Speaker 1: fan confirmed that in my comments that I agree that.

483
00:25:58,040 --> 00:26:00,359
Speaker 1: I agree. It makes you look at your twin because

484
00:26:00,359 --> 00:26:04,840
Speaker 1: Snoop telling him be Mike, You're gonna be somebody. You

485
00:26:04,880 --> 00:26:06,320
Speaker 1: ain't even listening to that nigger, but you want to

486
00:26:06,320 --> 00:26:08,560
Speaker 1: listen to Snoop And I respect that that is hard.

487
00:26:08,840 --> 00:26:12,200
Speaker 1: So fun Me for Free boom? Now, Now what year

488
00:26:12,320 --> 00:26:15,880
Speaker 1: was that that came out? Seven? Fun Me for Free?

489
00:26:19,240 --> 00:26:26,000
Speaker 1: Yes it is, Yeah, yeah, that's that's um so now

490
00:26:26,520 --> 00:26:30,120
Speaker 1: it's two thousand and sixteen right now. Do you hear

491
00:26:30,600 --> 00:26:33,240
Speaker 1: the remake of Me for Free? Or did they reach

492
00:26:33,280 --> 00:26:35,399
Speaker 1: out to you prior to that? They reached out to

493
00:26:35,480 --> 00:26:38,280
Speaker 1: me prior to it? Cal who's the Kalid Calid called

494
00:26:38,320 --> 00:26:40,639
Speaker 1: me directly. He was like, Yo, you want to do

495
00:26:40,760 --> 00:26:42,960
Speaker 1: your record over? You know I got Drake on it.

496
00:26:43,400 --> 00:26:46,120
Speaker 1: What's up? Um, let's hit the record? I said, really,

497
00:26:46,400 --> 00:26:48,280
Speaker 1: you know me, I'm you can't. I'm dead already. Like

498
00:26:48,560 --> 00:26:49,879
Speaker 1: what are we gonna do what they want to do?

499
00:26:50,359 --> 00:26:53,240
Speaker 1: And then he was like, on who do you want

500
00:26:53,320 --> 00:26:56,080
Speaker 1: for the record, and I said nothing, and he was

501
00:26:56,160 --> 00:26:58,879
Speaker 1: like really, I said nothing. It's just it's just like

502
00:26:58,960 --> 00:27:01,840
Speaker 1: and I appreciate Alid and Drake doing it because it

503
00:27:01,920 --> 00:27:04,280
Speaker 1: shows like the guys who paved the way, we didn't

504
00:27:04,320 --> 00:27:06,600
Speaker 1: die in Vain. So I took that. I said, look, man,

505
00:27:06,840 --> 00:27:09,280
Speaker 1: I appreciate I want absolutely nothing. I want you to

506
00:27:09,320 --> 00:27:11,359
Speaker 1: go turn this ship number one. I want you to

507
00:27:11,480 --> 00:27:14,160
Speaker 1: let pave the way, to let let my piers, let

508
00:27:14,520 --> 00:27:18,359
Speaker 1: theex is the Lord finesse the grand pool. But let

509
00:27:18,440 --> 00:27:20,560
Speaker 1: them feel like they didn't die in Vain. I'm there.

510
00:27:20,560 --> 00:27:24,600
Speaker 1: It's like we were the frontline soldiery were right, but

511
00:27:24,720 --> 00:27:27,640
Speaker 1: we're the frontline soldiers paving the way. So we paid

512
00:27:27,680 --> 00:27:29,920
Speaker 1: it for this ever error to get back. So when

513
00:27:29,960 --> 00:27:32,159
Speaker 1: they turned back and they're so homage, it's like, you

514
00:27:32,280 --> 00:27:34,880
Speaker 1: love it when I hear Usher right now with his song.

515
00:27:35,119 --> 00:27:37,159
Speaker 1: You know, it's like the whole no limit people that

516
00:27:37,240 --> 00:27:39,520
Speaker 1: he's big enough on the record, but and then you

517
00:27:39,600 --> 00:27:42,560
Speaker 1: don't even know if he knows that. You know, let's

518
00:27:42,560 --> 00:27:44,760
Speaker 1: make some noise for being rich and not want money

519
00:27:47,840 --> 00:27:49,760
Speaker 1: host things to be like, who's singing on that drake?

520
00:27:49,840 --> 00:27:55,119
Speaker 1: Oh yeah, but but that's that's scessily how you fail this?

521
00:27:55,320 --> 00:27:59,280
Speaker 1: Right right, that's that's all. Look, it was, it was,

522
00:27:59,400 --> 00:28:02,600
Speaker 1: it was old. It was like. But but it's funny, man,

523
00:28:02,640 --> 00:28:06,840
Speaker 1: because then you get every person from that generation and

524
00:28:07,000 --> 00:28:09,520
Speaker 1: like it reflects them too, so they feel like we

525
00:28:09,600 --> 00:28:12,080
Speaker 1: didn't lose, you know. It's like it's like the dude

526
00:28:12,080 --> 00:28:14,040
Speaker 1: who's locked up forever he calls you and say, we

527
00:28:14,119 --> 00:28:16,520
Speaker 1: didn't lose, you know, we did it, we did it,

528
00:28:17,400 --> 00:28:19,359
Speaker 1: And then then that's what it is. A friend of mine,

529
00:28:19,720 --> 00:28:21,719
Speaker 1: it's funny. One of my friends, he's locked up. He's

530
00:28:21,760 --> 00:28:24,679
Speaker 1: been locked up for um. His name is twin. He's

531
00:28:24,720 --> 00:28:33,080
Speaker 1: been locked up for problems, both twins, right right, right,

532
00:28:33,240 --> 00:28:35,280
Speaker 1: right right. He's been locked up for years. But it

533
00:28:35,400 --> 00:28:37,200
Speaker 1: was like when he heard the record, he called me

534
00:28:37,280 --> 00:28:39,760
Speaker 1: seventeen years ago. He was like, you remember we voted

535
00:28:39,840 --> 00:28:42,120
Speaker 1: that record for us. We did it, and that ship

536
00:28:42,240 --> 00:28:44,240
Speaker 1: meant to lock. And he's in there like we did it.

537
00:28:44,360 --> 00:28:47,480
Speaker 1: Drink is doing it? Who is drink? You know? I'm like,

538
00:28:47,640 --> 00:28:51,120
Speaker 1: they sampled the beast or they just sampled the concept

539
00:28:51,280 --> 00:28:58,440
Speaker 1: the concept with the correct Now, now do you like

540
00:28:59,040 --> 00:29:04,440
Speaker 1: the publishing on that all on, Yeah, you sold, that's

541
00:29:04,440 --> 00:29:06,040
Speaker 1: why you're buying clubs out here. Let's make some noise

542
00:29:06,040 --> 00:29:12,600
Speaker 1: and still something for free. Check. Yes, I was mad

543
00:29:12,600 --> 00:29:15,000
Speaker 1: at Trash for selling my publishing, but then I got

544
00:29:15,080 --> 00:29:17,160
Speaker 1: up and then I sold my publistion again. So I'm

545
00:29:17,200 --> 00:29:20,280
Speaker 1: sorry never being mad at you, goddamn because I was

546
00:29:20,320 --> 00:29:25,280
Speaker 1: telling my refunding did like four times? Man, listen if

547
00:29:25,280 --> 00:29:28,200
Speaker 1: you want about the pulish now dream Chanceli, I don't

548
00:29:28,200 --> 00:29:30,800
Speaker 1: even think I don't even think you got drink chance,

549
00:29:30,840 --> 00:29:32,960
Speaker 1: But if you telling them, goddamn it, let's make some noise,

550
00:29:33,000 --> 00:29:39,760
Speaker 1: but keeping it ver now. Now here's a big thing

551
00:29:39,880 --> 00:29:42,440
Speaker 1: with me. The big thing was me is I loved

552
00:29:42,480 --> 00:29:45,080
Speaker 1: the phone call prior to them throwing it out. I

553
00:29:45,160 --> 00:29:50,120
Speaker 1: loved the phone call prior to remaking the actual record.

554
00:29:50,760 --> 00:29:54,840
Speaker 1: But it's like then hearing the actual record that that

555
00:29:55,040 --> 00:29:57,520
Speaker 1: that's a big part for me. When when you heard it,

556
00:29:58,000 --> 00:30:00,440
Speaker 1: was it like yeah they did it justice? Or was

557
00:30:00,520 --> 00:30:03,320
Speaker 1: you like I wanted did a little bit different? How

558
00:30:03,360 --> 00:30:05,240
Speaker 1: did you like you feel about that? Um? I just

559
00:30:05,400 --> 00:30:08,040
Speaker 1: appreciated it. Like when you when you were artists and

560
00:30:08,080 --> 00:30:09,960
Speaker 1: you go hard and you grind you like to you

561
00:30:10,080 --> 00:30:12,400
Speaker 1: learn to find the best out of everybody, and you

562
00:30:12,520 --> 00:30:14,640
Speaker 1: learn to find the best out of every artist. So

563
00:30:14,800 --> 00:30:17,520
Speaker 1: you appreciate it, and you appreciated the fund that he's

564
00:30:17,520 --> 00:30:19,600
Speaker 1: having on the record, and they just you know, they're

565
00:30:19,640 --> 00:30:23,120
Speaker 1: going in the concept is still carrying on the same tradition,

566
00:30:23,520 --> 00:30:27,280
Speaker 1: right and then, and so you're fully satisfied. They asked him,

567
00:30:27,440 --> 00:30:29,800
Speaker 1: who do you want or who would you see on

568
00:30:29,920 --> 00:30:31,960
Speaker 1: this record. I think that they knew I was racing me.

569
00:30:32,040 --> 00:30:34,120
Speaker 1: They knew I was They offered him, they knew he

570
00:30:34,160 --> 00:30:41,280
Speaker 1: was gonna say no. So yes, he did the funk

571
00:30:41,320 --> 00:30:44,920
Speaker 1: with me for free. We did all them back in

572
00:30:45,000 --> 00:30:48,360
Speaker 1: the days. I heard the first time I heard q

573
00:30:48,560 --> 00:30:55,080
Speaker 1: Tip was in Left Rack was when he was with you, right,

574
00:30:55,600 --> 00:30:57,880
Speaker 1: like what was? What was? Was q Tip working on

575
00:30:57,960 --> 00:31:01,360
Speaker 1: your first album? Q Tip was friends with Large Professor,

576
00:31:01,520 --> 00:31:04,680
Speaker 1: you know, so Large Professor would always come around with

577
00:31:04,800 --> 00:31:08,920
Speaker 1: Q Tip and we'll hook up from time to time,

578
00:31:09,000 --> 00:31:11,520
Speaker 1: and q Tip was always good. I like it. I

579
00:31:11,640 --> 00:31:14,200
Speaker 1: love fights. I love their energy on the Shruble. You know,

580
00:31:14,720 --> 00:31:16,800
Speaker 1: I never did no music with them, but it was

581
00:31:16,840 --> 00:31:19,640
Speaker 1: like the respect was always there because it's like we'll

582
00:31:19,720 --> 00:31:21,800
Speaker 1: go and we'll have fun on that stage and whenever

583
00:31:21,840 --> 00:31:24,000
Speaker 1: we're at the stage, we'll just really lay it down

584
00:31:24,080 --> 00:31:28,360
Speaker 1: and go hard with it. Yes, Now, what was because

585
00:31:28,400 --> 00:31:31,440
Speaker 1: because because you're one of them very like seldom people,

586
00:31:32,560 --> 00:31:35,920
Speaker 1: uh like, very elite people that had a relationship with

587
00:31:36,040 --> 00:31:40,280
Speaker 1: not only Nas, you had a relationship with Big, you

588
00:31:40,400 --> 00:31:44,800
Speaker 1: had even even why J and I my cup back

589
00:31:45,520 --> 00:31:50,920
Speaker 1: even right? But how us break down your relationship with

590
00:31:51,000 --> 00:31:54,280
Speaker 1: Big Biggie Smalls. First, Big, we met in Brooklyn and

591
00:31:54,400 --> 00:31:57,000
Speaker 1: we met at a friend of mine, Phil Pabone, had

592
00:31:57,040 --> 00:32:01,520
Speaker 1: a party out there that's removed to Brooklyn, and me

593
00:32:01,600 --> 00:32:04,280
Speaker 1: and Big was just rhyming. Used to run P and

594
00:32:04,360 --> 00:32:08,480
Speaker 1: B post no bills clothing line correct correct post no bills.

595
00:32:08,560 --> 00:32:14,240
Speaker 1: Yeah is great. I just ain't let it grow out. Yeah, yeah,

596
00:32:14,400 --> 00:32:16,360
Speaker 1: so you would do that. I met him out there

597
00:32:16,360 --> 00:32:18,280
Speaker 1: and me and Big we were just rhyme. We we

598
00:32:18,520 --> 00:32:21,360
Speaker 1: we sat there and then for me it was it

599
00:32:21,480 --> 00:32:23,760
Speaker 1: was it was it was competing me him and it

600
00:32:23,920 --> 00:32:27,160
Speaker 1: was a guy named Aidolf the Assassin. So we was

601
00:32:29,800 --> 00:32:32,640
Speaker 1: it was good. So we was there going at it,

602
00:32:33,040 --> 00:32:34,760
Speaker 1: you know, and we sat there for like an hour

603
00:32:34,800 --> 00:32:37,640
Speaker 1: and it was like it was like it was competitive.

604
00:32:37,680 --> 00:32:40,240
Speaker 1: It's like when I never felt like I made music

605
00:32:40,280 --> 00:32:42,160
Speaker 1: I felt like I was competing, you know, it's like

606
00:32:42,280 --> 00:32:45,960
Speaker 1: you just compete with whoever. And Biggie looked at me

607
00:32:46,000 --> 00:32:47,680
Speaker 1: it was like yo. I was like, yeah, I like

608
00:32:47,800 --> 00:32:49,920
Speaker 1: the record, and he was like, you know you're the competition, right,

609
00:32:49,960 --> 00:32:54,480
Speaker 1: I'm here to kill you. I was like, ship, this

610
00:32:54,600 --> 00:32:56,400
Speaker 1: is this is your first out speaking to him, Yeah,

611
00:32:56,440 --> 00:33:00,560
Speaker 1: this is this. Like after we were cool, I call him.

612
00:33:00,600 --> 00:33:02,880
Speaker 1: I'm like, yo, what's something. Let's let me get the record.

613
00:33:02,920 --> 00:33:05,280
Speaker 1: He's like, yeah, yeah, you know you're the competition round.

614
00:33:05,280 --> 00:33:10,160
Speaker 1: I gotta crush you. I'm like, Vegas this now, this

615
00:33:10,360 --> 00:33:13,680
Speaker 1: is this, this is party, this is party in bullshit.

616
00:33:13,720 --> 00:33:18,400
Speaker 1: He was like this this is when I realized, oh

617
00:33:18,480 --> 00:33:22,479
Speaker 1: this ship is real. Yeah. Like and then and then

618
00:33:22,560 --> 00:33:24,280
Speaker 1: after that, you know, when I see the movie is

619
00:33:24,360 --> 00:33:27,600
Speaker 1: just like what up? Man? But then after that we

620
00:33:27,720 --> 00:33:31,080
Speaker 1: got real cool, you know. And I loved him with

621
00:33:31,280 --> 00:33:36,920
Speaker 1: Jay with Jay um because um, someone I've sent out

622
00:33:36,920 --> 00:33:38,720
Speaker 1: a flyer the other day. I think I texted to

623
00:33:38,800 --> 00:33:42,920
Speaker 1: you and um, this is definitely component Oriega's first show,

624
00:33:43,120 --> 00:33:47,479
Speaker 1: like first or second or third show. And then uh

625
00:33:47,680 --> 00:33:52,479
Speaker 1: it was jay Z and then us like we were

626
00:33:52,560 --> 00:33:56,400
Speaker 1: like the super opening acts and you've been That was

627
00:33:56,600 --> 00:34:00,440
Speaker 1: what ninety seven seven? Yeah, so you been you've been,

628
00:34:00,520 --> 00:34:03,080
Speaker 1: You've been with since then? Yeah, I me and jay

629
00:34:03,160 --> 00:34:10,239
Speaker 1: Z it was cool origin yeah yeah right, um, yeah,

630
00:34:10,280 --> 00:34:12,440
Speaker 1: this is original flavor time. Jay Z used to run

631
00:34:12,520 --> 00:34:14,640
Speaker 1: with the original flavor, so it was cool. We was

632
00:34:14,640 --> 00:34:16,920
Speaker 1: always cool. And every time I've seen jay Z, you know,

633
00:34:17,040 --> 00:34:18,680
Speaker 1: that Biggie ship stuck in my head. So I'm like,

634
00:34:18,760 --> 00:34:21,680
Speaker 1: this is the competition. So jay Z would be I

635
00:34:21,719 --> 00:34:25,799
Speaker 1: would see jay z eskating rings at this I'm good.

636
00:34:26,560 --> 00:34:29,160
Speaker 1: I would see jay Z eskating rings and we'll sit

637
00:34:29,200 --> 00:34:31,720
Speaker 1: there and we'll just rhyme to each other for a minute,

638
00:34:31,760 --> 00:34:34,160
Speaker 1: you know, time after time, you know, and we'll just

639
00:34:34,320 --> 00:34:37,279
Speaker 1: go at it, you know, going with each other. And

640
00:34:37,400 --> 00:34:40,680
Speaker 1: then you know, after that we became friends and then, um,

641
00:34:41,280 --> 00:34:43,279
Speaker 1: we used to It was funny because I met jay

642
00:34:43,400 --> 00:34:48,920
Speaker 1: Z with Jazz Jazz. Jazz Jazz, so he was with Jazz. Oh,

643
00:34:49,080 --> 00:34:50,920
Speaker 1: so he was signed a Wild Pitch. So me and

644
00:34:51,040 --> 00:34:55,360
Speaker 1: Nabs was with Large Professor your Wild Pitch. Okay, so

645
00:34:55,560 --> 00:35:00,120
Speaker 1: now when we used to it correct. So we went

646
00:35:00,160 --> 00:35:03,160
Speaker 1: out on the tour together with Wild Pitch Records with

647
00:35:03,320 --> 00:35:08,560
Speaker 1: Large Professor and jay Z was with Jazz. That's Large professor.

648
00:35:09,320 --> 00:35:11,600
Speaker 1: This is real hip. So yeah, so then when we're

649
00:35:11,600 --> 00:35:13,640
Speaker 1: on the tour, but this wasn't even Jay's rhymer, Like

650
00:35:13,960 --> 00:35:17,080
Speaker 1: I showed Nas his first tech as large Professor. You know,

651
00:35:17,480 --> 00:35:19,160
Speaker 1: that's what he's talking about when we're on the road.

652
00:35:19,680 --> 00:35:25,879
Speaker 1: So you was right, you're not gonna slip that. You're

653
00:35:25,920 --> 00:35:31,520
Speaker 1: not gonna slip that by okay, okay, so on because

654
00:35:31,520 --> 00:35:33,359
Speaker 1: I heard this story, it is true. Yeah I heard

655
00:35:33,560 --> 00:35:38,520
Speaker 1: Jay actually had attack. Oh yeah yeah, yeah, yeah, yeah yeah.

656
00:35:38,800 --> 00:35:41,719
Speaker 1: So we used to be on tour me Nas j

657
00:35:42,040 --> 00:35:46,560
Speaker 1: So we were wanted because they never said it was

658
00:35:46,640 --> 00:35:49,040
Speaker 1: a tour with you, Nas, and they just say it

659
00:35:49,200 --> 00:35:53,160
Speaker 1: was it was. It was Large Professor and jazz for me,

660
00:35:53,640 --> 00:35:56,040
Speaker 1: Jazz with Jay Z was with jazz and me and

661
00:35:56,120 --> 00:36:00,080
Speaker 1: Nas were law professor. They were saying, Yan Sophie, we

662
00:36:00,160 --> 00:36:03,040
Speaker 1: were singing a love. We were singing we were singing

663
00:36:03,040 --> 00:36:05,320
Speaker 1: a live at the barbecue. So every night, you know,

664
00:36:05,440 --> 00:36:08,680
Speaker 1: we got good Me and Nas are per diem was

665
00:36:08,800 --> 00:36:11,520
Speaker 1: like ten dollars a day. So we got ten dollars

666
00:36:11,560 --> 00:36:13,000
Speaker 1: and we had to split it so we would go

667
00:36:13,600 --> 00:36:21,480
Speaker 1: not no, he was he was nickel backs, bags, some cheese,

668
00:36:21,560 --> 00:36:24,640
Speaker 1: some turkey, some bread and that was it, and we

669
00:36:24,840 --> 00:36:26,400
Speaker 1: was on the road that was off the d M

670
00:36:26,520 --> 00:36:28,839
Speaker 1: ten dollars a day, so we did it. We sat

671
00:36:28,920 --> 00:36:30,400
Speaker 1: on there and he was like, Yo, we're gonna go.

672
00:36:30,800 --> 00:36:36,799
Speaker 1: It was dollars dollars. I'm telling large Professor Main Sul.

673
00:36:37,400 --> 00:36:39,800
Speaker 1: They saw us, his dadline up. So then at that

674
00:36:39,960 --> 00:36:43,120
Speaker 1: point we all bonded. So when we bonded with was like, yo,

675
00:36:43,160 --> 00:36:45,520
Speaker 1: whoever makes it first got to drag the other person.

676
00:36:45,640 --> 00:36:48,720
Speaker 1: So then eventually Nas was the one who broke out first.

677
00:36:49,120 --> 00:36:51,080
Speaker 1: So me and Jay felt like, Yo, this is this

678
00:36:51,200 --> 00:36:56,120
Speaker 1: dude is going Who's Ezy, Who's Foxy? Who are these people? Like? Yeah,

679
00:36:56,400 --> 00:36:59,439
Speaker 1: they move it. So then me and Jay got real cool.

680
00:36:59,480 --> 00:37:01,839
Speaker 1: So when me and jay Z got cool, every night

681
00:37:01,960 --> 00:37:03,719
Speaker 1: we would go out on the road together. He was saying,

682
00:37:03,719 --> 00:37:05,640
Speaker 1: ain't no nigger I sing put it in your mouth.

683
00:37:05,960 --> 00:37:09,280
Speaker 1: We're going stage together every night. So we would practice

684
00:37:09,320 --> 00:37:13,239
Speaker 1: shows together every night. Every night, me and him Dame

685
00:37:13,400 --> 00:37:16,680
Speaker 1: Dash hit the stage every night. So we'll do it

686
00:37:17,719 --> 00:37:22,040
Speaker 1: jazz Oh, but this after jazz o now now right now,

687
00:37:22,080 --> 00:37:24,400
Speaker 1: I'm just going. Then jay Z starts taking off. So

688
00:37:24,480 --> 00:37:27,120
Speaker 1: when jay Z starts taking off, it gets weird. Now

689
00:37:27,200 --> 00:37:28,239
Speaker 1: you know what I mean and Jay, we're in a

690
00:37:28,320 --> 00:37:31,960
Speaker 1: different place. I'm like, it was Aka Fella and Rockefeller record,

691
00:37:32,080 --> 00:37:37,520
Speaker 1: So if we were we would gold, right. So at

692
00:37:37,560 --> 00:37:40,160
Speaker 1: that point, at that point, jay Z got to a

693
00:37:40,239 --> 00:37:42,279
Speaker 1: point where he got real big. Me and Noleds was

694
00:37:42,320 --> 00:37:45,120
Speaker 1: always best friends. You know, we're from Lard Professor. So

695
00:37:45,320 --> 00:37:47,080
Speaker 1: with jay Z, I was like, it was to the

696
00:37:47,080 --> 00:37:49,480
Speaker 1: point where Jay was so big that when you have

697
00:37:49,560 --> 00:37:51,000
Speaker 1: to put a record out, you have to go to

698
00:37:51,120 --> 00:37:53,120
Speaker 1: Jay like, I'm gonna put the record out in October.

699
00:37:53,160 --> 00:37:55,440
Speaker 1: It isn't cool. He's like, yeah, all right, you know.

700
00:37:55,840 --> 00:37:57,440
Speaker 1: And I was like, yeah, Jay, this isn't right. You

701
00:37:57,520 --> 00:37:59,880
Speaker 1: got this number one spot. This isn't right, man. And

702
00:38:00,560 --> 00:38:03,080
Speaker 1: I felt the way. I'm like, yo, you over here.

703
00:38:03,320 --> 00:38:05,359
Speaker 1: We just here you over here. Even when I see

704
00:38:05,440 --> 00:38:07,879
Speaker 1: him to take when I see him, I'm like something,

705
00:38:07,960 --> 00:38:10,719
Speaker 1: let me hold something I don't even know play. It's

706
00:38:10,719 --> 00:38:15,239
Speaker 1: like it's like, let me hold. What are we talking about? That? Then? Um?

707
00:38:16,320 --> 00:38:18,360
Speaker 1: Then so with j and us, we would always hit

708
00:38:18,400 --> 00:38:21,400
Speaker 1: the road. We would go, and that's how that got started.

709
00:38:21,920 --> 00:38:26,080
Speaker 1: All right. So now you know these guys, maybe you

710
00:38:26,320 --> 00:38:30,000
Speaker 1: you sense the animosity because one was with um you said,

711
00:38:30,440 --> 00:38:33,960
Speaker 1: y'all was with last professor and they were with jazz. Jazz.

712
00:38:34,360 --> 00:38:36,719
Speaker 1: They were with jazz. Oh right, I thought it was

713
00:38:37,280 --> 00:38:40,800
Speaker 1: I don't know why I thought that original flavor. So

714
00:38:41,680 --> 00:38:46,240
Speaker 1: now so now they both become nahs, we both become

715
00:38:46,440 --> 00:38:50,239
Speaker 1: jay right. Now you hear about this beef bruin right?

716
00:38:50,440 --> 00:38:53,640
Speaker 1: What is your first? Oh? For me when it's going down?

717
00:38:53,760 --> 00:38:56,560
Speaker 1: It's funny, you know, Dame Dash when you listen to Dame.

718
00:38:56,640 --> 00:38:58,640
Speaker 1: Dame was like, I can really started the whole beef.

719
00:38:58,760 --> 00:39:04,839
Speaker 1: You know, remember that, tell yo, yo, I swear to god.

720
00:39:04,920 --> 00:39:07,040
Speaker 1: People have said that all right, he wouldn't even remember it.

721
00:39:07,080 --> 00:39:09,600
Speaker 1: But as soon as you said it, So let's break

722
00:39:09,680 --> 00:39:14,320
Speaker 1: this down? Why help? Oh? Are we breaking another fucking dude?

723
00:39:18,400 --> 00:39:20,840
Speaker 1: So Dame always felt like I started the NAS and

724
00:39:20,920 --> 00:39:23,120
Speaker 1: j beat because me and Jane Dame were sitting in

725
00:39:23,120 --> 00:39:26,200
Speaker 1: the room and we would be like I would be like, yo, je,

726
00:39:26,280 --> 00:39:28,200
Speaker 1: this isn't right, and he'd be like, what's not right?

727
00:39:28,600 --> 00:39:30,960
Speaker 1: I'm like that, you're all the way here and we're

728
00:39:31,040 --> 00:39:35,520
Speaker 1: here like that doesn't make sense. Nas, Nas wasn't there

729
00:39:35,640 --> 00:39:37,640
Speaker 1: like that, you know, not j was moving, you know,

730
00:39:37,680 --> 00:39:39,360
Speaker 1: and I'm like, this isn't right. We gotta act you

731
00:39:39,400 --> 00:39:42,080
Speaker 1: when we gotta but we was all friends. Remember we're Bologne,

732
00:39:42,080 --> 00:39:43,719
Speaker 1: he said, with you, so you know, I'm talking in

733
00:39:43,880 --> 00:39:48,680
Speaker 1: a different angle. I'm like this, I'm like, this isn't right.

734
00:39:48,800 --> 00:39:50,600
Speaker 1: You all the way here and we're here, like this

735
00:39:50,800 --> 00:39:54,120
Speaker 1: is crazy, and then he was like whatever. Then we

736
00:39:54,239 --> 00:39:56,560
Speaker 1: got real cool. Then they went at each other. Then

737
00:39:56,600 --> 00:39:58,120
Speaker 1: when they went to each other, me and nas was

738
00:39:58,160 --> 00:40:01,800
Speaker 1: always cool. So but my question, I'm sorry because I

739
00:40:01,880 --> 00:40:03,920
Speaker 1: want you to get through all of that. But when

740
00:40:04,040 --> 00:40:10,040
Speaker 1: you started, but when it started, like and Dame blame

741
00:40:10,160 --> 00:40:13,680
Speaker 1: you for that, why what was that moment? I think

742
00:40:13,800 --> 00:40:15,880
Speaker 1: Dame kind of blamed it because me and both of

743
00:40:15,920 --> 00:40:18,200
Speaker 1: them was cool. Me and Naas came in it together.

744
00:40:18,640 --> 00:40:21,520
Speaker 1: Me and Jay kind of hitched up more because when

745
00:40:21,560 --> 00:40:23,600
Speaker 1: now I started blowing, it was me and Jane going,

746
00:40:23,719 --> 00:40:25,839
Speaker 1: you know. And when me and James was going day

747
00:40:25,880 --> 00:40:29,040
Speaker 1: when they caught their deal with deaf Jam, I'm thinking, yo,

748
00:40:29,600 --> 00:40:32,960
Speaker 1: I fella rocket fell up what we're doing. And then

749
00:40:33,239 --> 00:40:34,839
Speaker 1: and it kind of got kind of difference with At

750
00:40:34,920 --> 00:40:38,200
Speaker 1: that time, I went on with Jessica rosen Blue. So

751
00:40:38,360 --> 00:40:41,640
Speaker 1: then we started right. So it was pretty good. And

752
00:40:42,719 --> 00:40:45,799
Speaker 1: then when they went through their turbulence, it's competitive. It's competitive,

753
00:40:45,880 --> 00:40:48,439
Speaker 1: you know, when they went through their turbulence at that point,

754
00:40:48,520 --> 00:40:51,680
Speaker 1: me and Jay we were um like Jay and then

755
00:40:51,680 --> 00:40:54,799
Speaker 1: would always call me just for damon Javil. It came

756
00:40:54,840 --> 00:40:56,040
Speaker 1: to a point where they were just calling me for

757
00:40:56,080 --> 00:40:58,360
Speaker 1: bad news. They would be like, Hey, it's me and

758
00:40:58,480 --> 00:41:00,560
Speaker 1: j on the phone. See that girl you're spoking with

759
00:41:00,640 --> 00:41:04,800
Speaker 1: last thing. You know, she got her bees right. But

760
00:41:05,480 --> 00:41:11,200
Speaker 1: that's but that's that's our relationship. Elliot Wilson. Did you

761
00:41:11,320 --> 00:41:15,040
Speaker 1: know Ellie Wilson. No, I don't know Ellie Wilson. You're

762
00:41:15,040 --> 00:41:19,239
Speaker 1: not a yard. So they would always call. They would

763
00:41:19,280 --> 00:41:21,520
Speaker 1: always they would always call for bad news. So it

764
00:41:21,640 --> 00:41:23,920
Speaker 1: was like it was like tension there with us, you know.

765
00:41:24,280 --> 00:41:26,680
Speaker 1: So we would always have fun like that. And it's

766
00:41:26,680 --> 00:41:30,480
Speaker 1: still competitive to this day. Like they mentally in their

767
00:41:30,560 --> 00:41:32,759
Speaker 1: mind I'm looking at them like it's like the ship.

768
00:41:32,880 --> 00:41:36,360
Speaker 1: I'm like, yo, y'all one in their mind they're competing.

769
00:41:36,400 --> 00:41:39,719
Speaker 1: Still would be like, I'm like, look, y'all, motherfucker's one.

770
00:41:39,800 --> 00:41:42,040
Speaker 1: Like when I see not not like nas will call

771
00:41:42,160 --> 00:41:44,200
Speaker 1: me if it's bad news, like I heard you in

772
00:41:44,280 --> 00:41:46,680
Speaker 1: bankrupt what's going on? And I'm like, what's up? Sun?

773
00:41:46,800 --> 00:41:52,240
Speaker 1: How you doing? I did everything. I know, I did everything.

774
00:41:52,880 --> 00:41:56,160
Speaker 1: I did everything. I did everything. I've been sued by everybody.

775
00:41:57,080 --> 00:41:59,920
Speaker 1: But we're back when're running from man. But keep it

776
00:42:00,760 --> 00:42:05,600
Speaker 1: so so they get to this be right in your mind,

777
00:42:05,719 --> 00:42:08,880
Speaker 1: you're saying, these motherfucker's gonna work it out. Yeah, they

778
00:42:08,960 --> 00:42:12,040
Speaker 1: did eventually, know what I'm saying. You know, some of

779
00:42:12,120 --> 00:42:14,000
Speaker 1: course I knew they was. It was like it was

780
00:42:14,080 --> 00:42:16,960
Speaker 1: competitiveness with both of them. You know, now is against

781
00:42:17,000 --> 00:42:20,520
Speaker 1: the ropes bad at the beginning. You know, um Nas

782
00:42:20,800 --> 00:42:23,440
Speaker 1: came back. Both of them were still coming. You know,

783
00:42:23,680 --> 00:42:28,080
Speaker 1: strong artists. It's like different segments. Like Naas probably was

784
00:42:28,200 --> 00:42:31,560
Speaker 1: stronger on record, but on the show he wasn't stronger

785
00:42:31,600 --> 00:42:34,680
Speaker 1: than It's like rock him was stronger than Bismarck on

786
00:42:34,719 --> 00:42:38,040
Speaker 1: the record, but on the stage would rock him up.

787
00:42:38,560 --> 00:42:40,840
Speaker 1: So that's how it was. It was like the arena.

788
00:42:40,920 --> 00:42:42,960
Speaker 1: So Nas was just able to kind of get him

789
00:42:43,000 --> 00:42:46,520
Speaker 1: in that arena. Unfortunately he was able to um make

790
00:42:46,600 --> 00:42:49,520
Speaker 1: a difference. I ain't go A lot of that was

791
00:42:49,680 --> 00:42:52,479
Speaker 1: ill that think said. I don't even know what he said,

792
00:42:52,520 --> 00:42:56,960
Speaker 1: but it was Hall. That was Hall. So now they

793
00:42:57,040 --> 00:43:03,560
Speaker 1: work it out right, Dame Dame ever like because I

794
00:43:03,680 --> 00:43:05,520
Speaker 1: didn't hear Dame say that. And you know what the

795
00:43:05,600 --> 00:43:08,080
Speaker 1: crazy ship is. I sent Dame a clip of the

796
00:43:08,160 --> 00:43:11,320
Speaker 1: fifty cent interview, and in the fifty cent interview, obviously

797
00:43:11,400 --> 00:43:13,839
Speaker 1: you were sitting right there because I wanted to show

798
00:43:13,920 --> 00:43:16,560
Speaker 1: him that, you know, Dame, wherever you at, we wrecked

799
00:43:16,560 --> 00:43:19,560
Speaker 1: for the dusk called Popperton. You know what I'm saying. Uh?

800
00:43:20,239 --> 00:43:22,080
Speaker 1: And I sent him and he said, I know he's

801
00:43:22,160 --> 00:43:25,239
Speaker 1: my ni. Yes. Yes, me and Dame we used to

802
00:43:25,320 --> 00:43:27,960
Speaker 1: run around everywhere. We used to talk. We used to

803
00:43:28,080 --> 00:43:32,080
Speaker 1: you know, Dane's really intelligent. Um. I wish they would

804
00:43:32,080 --> 00:43:33,640
Speaker 1: have worked it out, Dame and j But you know

805
00:43:33,719 --> 00:43:35,719
Speaker 1: what it happens. You know, probably one day we might

806
00:43:35,760 --> 00:43:38,719
Speaker 1: get with Dame. Dame's really really brilliant. Dame comes from

807
00:43:38,760 --> 00:43:40,719
Speaker 1: the era like a Steve Stout. Steve Stout used to

808
00:43:41,040 --> 00:43:43,200
Speaker 1: that's another guy who's competition with me. He would just

809
00:43:43,680 --> 00:43:47,160
Speaker 1: be in my mother's house playing Nintendo back in the day. Yes.

810
00:43:47,520 --> 00:43:51,200
Speaker 1: And Sherwood, Yes, Steve, I apologize for everything I ever

811
00:43:51,239 --> 00:43:54,400
Speaker 1: said to you, my brother. I didn't know you was

812
00:43:54,480 --> 00:43:57,319
Speaker 1: in Sherwood. Steve Stow, Yes, please forgive me. So it's

813
00:43:57,360 --> 00:44:01,200
Speaker 1: like it's like me and Dane. Our relationship was really good.

814
00:44:01,320 --> 00:44:03,839
Speaker 1: Dame was he was a visionary. He knew how to think,

815
00:44:03,920 --> 00:44:06,080
Speaker 1: he knew how to he knew. Dame gave me the

816
00:44:06,239 --> 00:44:08,320
Speaker 1: thing of you could do whatever you want. You know.

817
00:44:08,520 --> 00:44:11,120
Speaker 1: Dame brought my was with me by my first house,

818
00:44:11,200 --> 00:44:13,359
Speaker 1: like get it. I'm like, I can't afford this. It's

819
00:44:13,400 --> 00:44:16,040
Speaker 1: like what then if you get it? You know how vicious.

820
00:44:16,200 --> 00:44:18,680
Speaker 1: It's like, if you get it, get in, just move out.

821
00:44:21,400 --> 00:44:24,920
Speaker 1: Because I just Cliff just doing famous. I was like,

822
00:44:24,960 --> 00:44:27,399
Speaker 1: I'm in. I was like, Damn, I'm getting put out.

823
00:44:27,960 --> 00:44:30,120
Speaker 1: He's like, fuck it. He said, you have fun, You're

824
00:44:31,160 --> 00:44:34,759
Speaker 1: I get out. I'm talking about that fifty episode. All

825
00:44:34,800 --> 00:44:40,759
Speaker 1: our listeners picked up on him saying, before we get

826
00:44:40,840 --> 00:44:42,440
Speaker 1: let's get into that. But I also want to big

827
00:44:42,520 --> 00:44:44,480
Speaker 1: up my people at more wet Man. He's texting you

828
00:44:44,600 --> 00:44:47,839
Speaker 1: right now. I'm looking at it up because I got

829
00:44:47,880 --> 00:44:52,400
Speaker 1: a big up Keith, Keith Howard and Alana Smith. You

830
00:44:52,440 --> 00:44:53,719
Speaker 1: know what I mean? Alan of Smith is out in

831
00:44:53,760 --> 00:44:56,320
Speaker 1: Miami and uh, Keith Howard's my people's man. You know

832
00:44:56,360 --> 00:44:59,319
Speaker 1: they're keeping us. They know they were big fans of Yeah,

833
00:44:59,680 --> 00:45:01,200
Speaker 1: you know what mean? You know we're big fans more

834
00:45:01,239 --> 00:45:02,840
Speaker 1: white neck than and so they keeping his poppet. And

835
00:45:02,840 --> 00:45:05,919
Speaker 1: also let's pick up to the app guy Chaps app,

836
00:45:06,200 --> 00:45:09,239
Speaker 1: he's he's a listener, loyal listeners is at E S

837
00:45:09,400 --> 00:45:13,520
Speaker 1: e x X sup right Eric's ramos and the homies

838
00:45:13,560 --> 00:45:15,520
Speaker 1: that send us a ciamprint tequila to shout out to

839
00:45:15,560 --> 00:45:18,560
Speaker 1: them too. Yeah, because it looks it looks greens they

840
00:45:18,600 --> 00:45:21,399
Speaker 1: send the ship. Listen, they come for us and they play.

841
00:45:21,760 --> 00:45:24,600
Speaker 1: You are very dispectful because you didn't offer none of

842
00:45:24,680 --> 00:45:27,560
Speaker 1: your ladies, none of your woman friends a drink. You go,

843
00:45:27,719 --> 00:45:30,480
Speaker 1: you know, are like as your look up. So lady,

844
00:45:30,600 --> 00:45:32,360
Speaker 1: we have plenty of it. We have plenty of it.

845
00:45:32,960 --> 00:45:38,759
Speaker 1: Would you like some rock the Blue Dogs? No, we

846
00:45:38,840 --> 00:45:42,600
Speaker 1: need we need how you drink harlecup. Also you want

847
00:45:42,640 --> 00:45:47,799
Speaker 1: some champage yea, So we open us some bell open up,

848
00:45:48,800 --> 00:45:53,240
Speaker 1: Come on, you want you all that ship doesn't beneath you, Okay, alright.

849
00:45:54,200 --> 00:45:56,359
Speaker 1: We support the whole Rick Ross movement with his belly.

850
00:45:56,719 --> 00:45:59,400
Speaker 1: Yeah yeah, yeah, big Ross. We just seeing him earlier

851
00:46:00,000 --> 00:46:03,719
Speaker 1: aniversary too for Port of Miami. Yeah yeah, Port of

852
00:46:03,760 --> 00:46:09,080
Speaker 1: Miami home. Also, we're supposed to have the legendary True

853
00:46:09,160 --> 00:46:11,840
Speaker 1: Life coming up soon. Maybe it came out before it

854
00:46:11,880 --> 00:46:14,560
Speaker 1: because you know, we never know, we were never you know,

855
00:46:14,600 --> 00:46:16,839
Speaker 1: I'm excited about that. We're gonna have bow wow on here.

856
00:46:16,960 --> 00:46:21,279
Speaker 1: Oh you're excited. YEA excited man is looking at me like,

857
00:46:21,360 --> 00:46:26,160
Speaker 1: oh yeah, I got yeah yeah yeah because because Jamaine

858
00:46:26,239 --> 00:46:28,440
Speaker 1: the pre question, I feel like I've seen him grow up.

859
00:46:28,520 --> 00:46:30,560
Speaker 1: You know what I mean, we all seen him grow up. Yeah,

860
00:46:30,680 --> 00:46:34,719
Speaker 1: but yeah, that's very true. It's very so occaely. Yes,

861
00:46:34,920 --> 00:46:38,760
Speaker 1: you have these beautiful fem right. This is um Okay,

862
00:46:38,840 --> 00:46:43,920
Speaker 1: I like, just cut me off. You gotta cut me,

863
00:46:44,200 --> 00:46:46,400
Speaker 1: give me. They're gonna they're gonna be like what aconomics

864
00:46:46,440 --> 00:46:50,319
Speaker 1: from left right ain't come off? Yeah, um, we're out

865
00:46:50,360 --> 00:46:56,240
Speaker 1: of the hip hop right We're going there everyone. Definitely

866
00:46:56,360 --> 00:46:59,960
Speaker 1: it's your world baby, right now. This is chaos right here,

867
00:47:00,719 --> 00:47:02,560
Speaker 1: dope can do just because we need to. We need

868
00:47:02,640 --> 00:47:04,960
Speaker 1: a drink Champs host. No girl wants to come. Let

869
00:47:05,000 --> 00:47:08,840
Speaker 1: me tell you this is chaos like girls MC, this

870
00:47:08,920 --> 00:47:11,799
Speaker 1: is our family. This is our family. Yes, like all

871
00:47:11,880 --> 00:47:14,239
Speaker 1: your family comes like people were like the same. They

872
00:47:14,320 --> 00:47:17,600
Speaker 1: be like drink Champs were taught of ver echo. You

873
00:47:17,640 --> 00:47:20,319
Speaker 1: know what I mean, you breakdown you were talking about.

874
00:47:20,520 --> 00:47:23,239
Speaker 1: This is Chaos right here. Chaos is one of the

875
00:47:23,320 --> 00:47:27,200
Speaker 1: strongest girls on the pole. You see pole working, danceing

876
00:47:27,280 --> 00:47:46,720
Speaker 1: that best shows. Fine, that was about that was a belltott. Chaos. Listen, Chaos,

877
00:47:54,040 --> 00:47:56,080
Speaker 1: so chass. When it comes to the polls, she brings

878
00:47:56,120 --> 00:47:57,920
Speaker 1: preussure to the pole. If you have been the King

879
00:47:57,960 --> 00:48:00,319
Speaker 1: of Dimes before, you will see Chaos do all type

880
00:48:00,360 --> 00:48:02,640
Speaker 1: of amazing tricks. This is what it is. Live in

881
00:48:02,680 --> 00:48:05,319
Speaker 1: the flesh. She's part of our reality show that we're

882
00:48:05,360 --> 00:48:08,760
Speaker 1: doing about South Beach building on King of Diamonds, be live, Brando.

883
00:48:09,000 --> 00:48:11,239
Speaker 1: When it comes to reality shows, all you see in

884
00:48:11,280 --> 00:48:14,560
Speaker 1: these shows now is basically a lot of retired entertainments.

885
00:48:14,920 --> 00:48:17,320
Speaker 1: Right now, we got actual girls who are doing it

886
00:48:17,400 --> 00:48:19,640
Speaker 1: in the presence who's strong and who's the best of

887
00:48:19,719 --> 00:48:22,480
Speaker 1: their craft? One on one Definitely, you could have been

888
00:48:22,520 --> 00:48:24,280
Speaker 1: anywhere in the world, but you're here with us tonight,

889
00:48:24,520 --> 00:48:27,520
Speaker 1: ladies and gentlemen's as we introduce you, Chaos get all us.

890
00:48:27,560 --> 00:48:29,279
Speaker 1: Please don't get too close to the ladies or you

891
00:48:29,320 --> 00:48:37,560
Speaker 1: will pay child support. Yeah, yeah, you're like, you're like

892
00:48:37,640 --> 00:48:46,400
Speaker 1: the second lady that Yeah, it was given to me

893
00:48:46,760 --> 00:48:51,320
Speaker 1: by Polossassin. That's right. Chaos from Chicago Poloss because just

894
00:48:51,480 --> 00:49:00,400
Speaker 1: say that one time. She's also a angel, a flag

895
00:49:00,520 --> 00:49:09,120
Speaker 1: agent angel. It's a fine angel. We're basically a dance team.

896
00:49:09,200 --> 00:49:14,759
Speaker 1: Like you don't really strip, it's more like Paul straight

897
00:49:14,840 --> 00:49:20,719
Speaker 1: up acrobatics. Yeah, that's not like tas Angels. What the

898
00:49:20,800 --> 00:49:24,200
Speaker 1: sas Angels is at it? That was like the Flying Angels,

899
00:49:24,440 --> 00:49:30,360
Speaker 1: the Flyer. I'm like, I'm married the Flying Angels, the

900
00:49:30,440 --> 00:49:44,319
Speaker 1: Flying Angels. Yeah, but the fly before Angels created by

901
00:49:44,320 --> 00:49:48,359
Speaker 1: a guy, Disco Rick who rocks with us. Hard Rick

902
00:49:48,680 --> 00:49:51,479
Speaker 1: part get me goes hard. We love him. It's funny.

903
00:49:51,560 --> 00:49:52,759
Speaker 1: Let me give you. Let me go back to hip

904
00:49:52,800 --> 00:49:55,080
Speaker 1: Hoper for a second. Just go I want to know

905
00:49:55,200 --> 00:50:00,600
Speaker 1: what's angels? Tell the busy because I want to go in.

906
00:50:01,120 --> 00:50:08,960
Speaker 1: You don't know stories. Tell you don't know nothing. We

907
00:50:09,000 --> 00:50:19,879
Speaker 1: don't anything like hurry the hand. You gotta introduce another

908
00:50:19,920 --> 00:50:23,880
Speaker 1: one to us. This is Daphne Evans. Mink. Mink handles

909
00:50:23,880 --> 00:50:26,080
Speaker 1: all the way. Shape is right now keeping the girl's

910
00:50:26,120 --> 00:50:32,040
Speaker 1: bodies and shape. Mink is a form of time. Hey,

911
00:50:32,160 --> 00:50:35,160
Speaker 1: what's up? It's me? Okay? That on that Sally is you.

912
00:50:35,520 --> 00:50:44,040
Speaker 1: I'm black and look for me. That's unfair, unfair drive

913
00:50:44,239 --> 00:50:47,400
Speaker 1: who did the drive back back then? That's the gamester

914
00:50:47,600 --> 00:50:52,280
Speaker 1: Now what Star? It works because it's like what stalk

915
00:50:52,360 --> 00:50:55,040
Speaker 1: of Volley, She's almost like the assistant because it's like

916
00:50:55,440 --> 00:50:57,440
Speaker 1: with me, if I don't knock it down, I'm like, Star,

917
00:50:57,600 --> 00:51:00,640
Speaker 1: go get her knocking Stirl that the start were going

918
00:51:00,719 --> 00:51:03,399
Speaker 1: put in the depth from work easy heard of young

919
00:51:03,480 --> 00:51:07,080
Speaker 1: and Meg. Yeah, that's the home right there. Of course

920
00:51:07,719 --> 00:51:11,800
Speaker 1: it's always loved, all right, that's what everybody right. Definitely

921
00:51:12,239 --> 00:51:15,279
Speaker 1: with that being said, yes, we asked all guess yes,

922
00:51:17,000 --> 00:51:20,759
Speaker 1: as um. I was on the show with Kitty sing right,

923
00:51:22,920 --> 00:51:25,040
Speaker 1: I was gonna show saying he was telling me how

924
00:51:25,120 --> 00:51:27,160
Speaker 1: vivid it was he in his ass right, and I

925
00:51:27,280 --> 00:51:36,200
Speaker 1: sat right here, I'm not gonna lie, right, we don't.

926
00:51:36,200 --> 00:51:42,360
Speaker 1: I don't need to ask me. And no, even I

927
00:51:42,360 --> 00:51:47,959
Speaker 1: don't know what he does, I'm worry. No, definitely no Ash.

928
00:51:48,760 --> 00:51:53,719
Speaker 1: I leave with I like bussy, like I'm like this

929
00:51:53,920 --> 00:51:56,080
Speaker 1: is I feel like the fans know me at this point,

930
00:51:56,520 --> 00:51:58,680
Speaker 1: so I just got to like it's like, okay, like

931
00:51:58,760 --> 00:52:00,600
Speaker 1: just fans that come to me because of drink cash.

932
00:52:01,000 --> 00:52:03,839
Speaker 1: I don't even introduced yourself, but I just go straight

933
00:52:03,840 --> 00:52:07,040
Speaker 1: into the conversation like yeah, you know. Yes, You're like, oh,

934
00:52:07,440 --> 00:52:11,880
Speaker 1: all right, congratulations, great to beat you. Man. It's just

935
00:52:11,960 --> 00:52:14,440
Speaker 1: start talking and I'm just tell me, I'm you gotta

936
00:52:14,480 --> 00:52:16,480
Speaker 1: be a freak though. Let's just keep it hunting rock.

937
00:52:17,000 --> 00:52:19,440
Speaker 1: Everything about you from the first time you've ever made

938
00:52:19,480 --> 00:52:22,520
Speaker 1: an album. Your problem name is Vagina Dina. You jerked

939
00:52:22,560 --> 00:52:24,839
Speaker 1: off at Let's just keep it. Yeah, yeah, like as

940
00:52:24,840 --> 00:52:26,879
Speaker 1: a kid, like as a kid, got to go back

941
00:52:26,880 --> 00:52:29,600
Speaker 1: to disco, Rick cut off right now. I got to

942
00:52:29,640 --> 00:52:37,080
Speaker 1: go back to disco to disc disco rikers legendary Miami

943
00:52:37,239 --> 00:52:41,799
Speaker 1: three oh five all the way when I came out here,

944
00:52:41,840 --> 00:52:43,840
Speaker 1: the first person I met with disco Rick, you know.

945
00:52:44,360 --> 00:52:46,760
Speaker 1: And then he was doing what I was doing, bringing

946
00:52:46,800 --> 00:52:48,719
Speaker 1: girls out on the stage, and I'm I'm doing this

947
00:52:48,840 --> 00:52:51,640
Speaker 1: from New York ten years. I'm bouncing the disco Rick,

948
00:52:51,719 --> 00:52:54,160
Speaker 1: and I'm like, damn, you know, I'm good. I bouncing.

949
00:52:57,680 --> 00:52:59,640
Speaker 1: I'm bouncing the disco Rick, and I'm like yo, and

950
00:52:59,680 --> 00:53:02,200
Speaker 1: I'm allizing, this guy is real good. So for that

951
00:53:02,280 --> 00:53:04,000
Speaker 1: point there, we got in there. We did the whole

952
00:53:04,080 --> 00:53:06,040
Speaker 1: King of Diamonds together. When we went to King of Diamonds,

953
00:53:06,080 --> 00:53:07,840
Speaker 1: it was called crazy horse me and he made a

954
00:53:07,880 --> 00:53:10,520
Speaker 1: stake and then I was like, I said, Joe, we

955
00:53:10,560 --> 00:53:20,680
Speaker 1: can buy this building. Crazy hars Yeah, so it was

956
00:53:20,760 --> 00:53:22,520
Speaker 1: Crazy Horse. So now I'm coming from the era of

957
00:53:22,640 --> 00:53:24,400
Speaker 1: Dame Dash. I'm like, yeah, we could get this building.

958
00:53:24,440 --> 00:53:26,480
Speaker 1: He's like, word, I'm like, if we could get this building.

959
00:53:26,840 --> 00:53:28,480
Speaker 1: So I'm waiting to Disco Rick. He's like, now we

960
00:53:28,560 --> 00:53:30,759
Speaker 1: can't get this building. We went and had to meet

961
00:53:30,800 --> 00:53:32,799
Speaker 1: and put the money down when turned it the King

962
00:53:32,880 --> 00:53:35,120
Speaker 1: of Diamonds. That's why I was invented over there, and

963
00:53:35,200 --> 00:53:37,040
Speaker 1: that's how we got it. And Disco Rick is like

964
00:53:37,200 --> 00:53:39,560
Speaker 1: going on and then you hear Disco Rick with his

965
00:53:39,800 --> 00:53:42,520
Speaker 1: iconic ladies and gentlemen's welcome to King of Diamonds and

966
00:53:42,600 --> 00:53:44,320
Speaker 1: he goes hard and like to show a lot of

967
00:53:44,719 --> 00:53:48,680
Speaker 1: a lot of arms. Salute to Disco Rick. Yes, definitely

968
00:53:50,040 --> 00:53:52,480
Speaker 1: when you were doing all the sex music, though you

969
00:53:52,719 --> 00:53:55,520
Speaker 1: didn't have any influence of Two Life Crew and anything

970
00:53:55,640 --> 00:53:58,680
Speaker 1: going on in Miami prior to that. Um, I was

971
00:53:58,840 --> 00:54:00,920
Speaker 1: I knew if I told Lot Pop, I knew about Luke.

972
00:54:01,000 --> 00:54:03,400
Speaker 1: I watched them, I watched the Gold but you know

973
00:54:03,520 --> 00:54:05,440
Speaker 1: it was they were the first in hip hop, right,

974
00:54:05,480 --> 00:54:07,239
Speaker 1: They were the first in hip hop going at it

975
00:54:07,600 --> 00:54:09,720
Speaker 1: and then we just came with a whole different angle

976
00:54:09,800 --> 00:54:12,520
Speaker 1: from it, from like an East Coast version. So me

977
00:54:12,640 --> 00:54:14,759
Speaker 1: and Luke, it was like a short time. We went

978
00:54:14,800 --> 00:54:17,719
Speaker 1: on tour together, and then I realized the strength of

979
00:54:17,840 --> 00:54:19,759
Speaker 1: their music when I came to the South. You know,

980
00:54:20,080 --> 00:54:23,000
Speaker 1: when I'm in Boston, in Connecticut, I'm tearing them up.

981
00:54:23,160 --> 00:54:26,799
Speaker 1: As soon as we crossed over North Carolina. That's when

982
00:54:26,840 --> 00:54:28,920
Speaker 1: I had to get in and start studying their records,

983
00:54:29,000 --> 00:54:41,040
Speaker 1: Like these motherfucker's is dancing fast. But of course, you

984
00:54:41,080 --> 00:54:42,879
Speaker 1: know where did you get your caster? Beckers? I got mine.

985
00:54:42,960 --> 00:54:45,200
Speaker 1: I ain't gonna front of came very fly and it's crazy.

986
00:54:46,239 --> 00:54:48,200
Speaker 1: Came in the box. You know. Last night I was

987
00:54:48,520 --> 00:54:51,160
Speaker 1: in the studio and um, it was it was. I

988
00:54:51,239 --> 00:54:54,040
Speaker 1: had the box there, we had my barber, my barber,

989
00:54:54,120 --> 00:54:55,920
Speaker 1: you know, he's he's a Dominican, so he likes to

990
00:54:56,000 --> 00:54:59,880
Speaker 1: put things together. So put together it's mad easier. This

991
00:55:00,080 --> 00:55:02,120
Speaker 1: It comes right out the It just looked complicated when

992
00:55:02,160 --> 00:55:03,399
Speaker 1: it was in the box, you know what I'm saying,

993
00:55:03,440 --> 00:55:06,360
Speaker 1: But it came out. Uh. Then my son climbing the

994
00:55:06,440 --> 00:55:08,000
Speaker 1: bed last night and I was like, you know what.

995
00:55:08,120 --> 00:55:10,359
Speaker 1: I went downstairs and I had a great night sleep

996
00:55:10,520 --> 00:55:13,080
Speaker 1: on my Casper bed. It's definitely co signed. It comes fly,

997
00:55:13,320 --> 00:55:16,320
Speaker 1: looks fly, and it's very affordable and it's something that

998
00:55:16,360 --> 00:55:19,600
Speaker 1: I'm co signing. Man Casper beats. Maybe they're definitely supporting us.

999
00:55:19,960 --> 00:55:21,960
Speaker 1: You know, they got free shipping and returns in the

1000
00:55:22,080 --> 00:55:24,600
Speaker 1: US and Canada. If you try Crasper, you could try

1001
00:55:24,600 --> 00:55:27,319
Speaker 1: it for a hundred nights risk free in your home.

1002
00:55:27,680 --> 00:55:29,520
Speaker 1: It's made in America, So all that crap people talking

1003
00:55:29,520 --> 00:55:32,120
Speaker 1: about what's not made in America, made American. Caspers made

1004
00:55:32,160 --> 00:55:35,240
Speaker 1: in America. That's hard. And you can get fifty dollars

1005
00:55:35,280 --> 00:55:37,280
Speaker 1: all our drink Champs army right now to get fifty

1006
00:55:37,320 --> 00:55:41,560
Speaker 1: dollars off a mattress right now visiting ww dot Casper

1007
00:55:41,680 --> 00:55:45,359
Speaker 1: dot com forward slash drink Champs because Casper's like it's

1008
00:55:45,400 --> 00:55:48,200
Speaker 1: like it's it's digital, like you you order it online,

1009
00:55:48,280 --> 00:55:50,520
Speaker 1: comes from the media website and it's like, yeah, they

1010
00:55:51,040 --> 00:55:53,480
Speaker 1: revolution nice in the whole mattress game right now. And

1011
00:55:53,600 --> 00:55:55,520
Speaker 1: you know, you know what the world Casper goes with

1012
00:55:55,640 --> 00:55:57,760
Speaker 1: Casper the ghost because that means you're gonna be sleeping.

1013
00:55:57,800 --> 00:56:01,040
Speaker 1: Let's make some noise, just like oh wait, let's remember

1014
00:56:01,080 --> 00:56:02,719
Speaker 1: that's let's make sure, the drink chaps already know. You

1015
00:56:02,800 --> 00:56:06,600
Speaker 1: get fifty dollars off towards the mattress at www dot

1016
00:56:06,680 --> 00:56:09,960
Speaker 1: Casper dot com forward slash Drink Champs. I say they

1017
00:56:10,000 --> 00:56:11,839
Speaker 1: do that right now because anybody a little bit sleep

1018
00:56:11,880 --> 00:56:13,600
Speaker 1: and they lie, and you're gonna speak good after drinking

1019
00:56:13,680 --> 00:56:17,080
Speaker 1: good as a drinking good. That's a fact. Welcome to

1020
00:56:17,200 --> 00:56:21,160
Speaker 1: play a new podcast network featuring radio and TV personalities

1021
00:56:21,280 --> 00:56:25,120
Speaker 1: talking business, sports, tech, entertainment and more. Play it at

1022
00:56:25,200 --> 00:56:29,840
Speaker 1: play dot It. We're back to Drink Champs Radio with

1023
00:56:30,080 --> 00:56:36,560
Speaker 1: Rapper and R and d Jes. Then so let me

1024
00:56:36,600 --> 00:56:49,160
Speaker 1: ask you, right, so got notes? No? Actually you google it? No? No, no, no, no,

1025
00:56:49,280 --> 00:56:52,040
Speaker 1: no a google but no, because I wanted to pick

1026
00:56:52,120 --> 00:56:55,239
Speaker 1: up my man and a lot of people don't know

1027
00:56:55,360 --> 00:56:58,719
Speaker 1: who he was but back in the days in our

1028
00:56:58,840 --> 00:57:03,600
Speaker 1: hood prior to and spread it through our queens like

1029
00:57:03,840 --> 00:57:07,080
Speaker 1: you were like a battle rapper like I remember. I

1030
00:57:07,160 --> 00:57:10,200
Speaker 1: remember it was a dude named Comedy from my hood.

1031
00:57:10,280 --> 00:57:15,120
Speaker 1: You remember comedy comedy. That's big, our comedy. And I

1032
00:57:15,200 --> 00:57:20,400
Speaker 1: hope he was funny. Actually, actually he wasn't funny at all,

1033
00:57:20,880 --> 00:57:22,520
Speaker 1: because he was, like I guess, in the opposite of

1034
00:57:22,520 --> 00:57:26,960
Speaker 1: the comedy bigger. Yeah, Like I mean he was serious

1035
00:57:27,360 --> 00:57:29,760
Speaker 1: and I remember like he cut up everybody in the hood.

1036
00:57:30,080 --> 00:57:31,920
Speaker 1: But one day he was in section two. It's the

1037
00:57:32,000 --> 00:57:34,720
Speaker 1: same place where the money bags or no no, no,

1038
00:57:34,880 --> 00:57:40,640
Speaker 1: Sheldon had shot um. Um, they're all talk dad and

1039
00:57:41,200 --> 00:57:43,480
Speaker 1: my brother. But it's the same spot. And Comedy had

1040
00:57:43,600 --> 00:57:46,800
Speaker 1: challenged you one day and you have battle comedy like

1041
00:57:46,960 --> 00:57:49,360
Speaker 1: in a friendly battle, but you showed him like you

1042
00:57:50,000 --> 00:57:56,760
Speaker 1: how did you transition from battle rapper to actually um?

1043
00:57:56,920 --> 00:57:59,400
Speaker 1: It was just you still compete, You still compete, and

1044
00:57:59,480 --> 00:58:02,280
Speaker 1: I have to see a wide arrange. How could I

1045
00:58:02,400 --> 00:58:04,880
Speaker 1: compete with all these It's like when it came to

1046
00:58:04,920 --> 00:58:07,000
Speaker 1: battle and I loved it and I used to live

1047
00:58:07,080 --> 00:58:09,919
Speaker 1: for it. Even at night. Every night, like on my phone,

1048
00:58:09,960 --> 00:58:12,320
Speaker 1: I would watch U R. L. I would watch Smack

1049
00:58:12,400 --> 00:58:14,960
Speaker 1: the DVD. I'm gonna go line for line with you.

1050
00:58:15,000 --> 00:58:16,920
Speaker 1: I'm gonna break the song down, I'm gonna break the

1051
00:58:17,400 --> 00:58:19,880
Speaker 1: metaphor down this day till this day. Right now. I

1052
00:58:19,960 --> 00:58:22,480
Speaker 1: watch it every night and I'll see it till this day.

1053
00:58:22,560 --> 00:58:24,480
Speaker 1: That's like, that's like my fun, That's like what I

1054
00:58:24,560 --> 00:58:27,560
Speaker 1: have fun doing. Um. Back then, it was like you

1055
00:58:27,560 --> 00:58:29,560
Speaker 1: would sit there with metaphors and you were going you

1056
00:58:29,600 --> 00:58:32,000
Speaker 1: would challenge and it was like fight to the death.

1057
00:58:32,160 --> 00:58:34,080
Speaker 1: But that's what it was about. That's what music was about,

1058
00:58:34,160 --> 00:58:36,640
Speaker 1: being competitive and trying to be number one and not

1059
00:58:36,840 --> 00:58:39,280
Speaker 1: number two, number three, just trying to be number one.

1060
00:58:39,360 --> 00:58:41,920
Speaker 1: And then when I bounced into on making sex records,

1061
00:58:41,960 --> 00:58:43,959
Speaker 1: it was like, how could I be competitive and still

1062
00:58:44,080 --> 00:58:47,720
Speaker 1: keep it metaphorically fun for everyone? But is that how

1063
00:58:47,760 --> 00:58:51,600
Speaker 1: you like initially started, like you started as a battle rapper?

1064
00:58:52,440 --> 00:58:55,640
Speaker 1: I started, I started started. When I started, it was

1065
00:58:55,760 --> 00:58:58,600
Speaker 1: like battle rapping, but then it was like battle rapping

1066
00:58:58,640 --> 00:59:01,560
Speaker 1: to be popular. Then it was battle rapping to get pussy,

1067
00:59:01,920 --> 00:59:04,040
Speaker 1: and then it was like that's what I'm about, pussy.

1068
00:59:05,080 --> 00:59:08,920
Speaker 1: Let's yeah. And it was like this is cool. I'm

1069
00:59:09,040 --> 00:59:13,320
Speaker 1: right here and outside that went now I also see yeah,

1070
00:59:15,040 --> 00:59:16,960
Speaker 1: I was married and I was, look, look, this is

1071
00:59:16,960 --> 00:59:21,919
Speaker 1: a good story. I was. I was, I'm well, damn,

1072
00:59:22,080 --> 00:59:26,040
Speaker 1: I think we're still married. But it was like right, right, right,

1073
00:59:26,120 --> 00:59:28,840
Speaker 1: but there's a good story. It's a good story. Um.

1074
00:59:29,000 --> 00:59:30,960
Speaker 1: I was in the I'm in the strip game, I'm

1075
00:59:30,960 --> 00:59:33,000
Speaker 1: in strip clubs. I met a girl in the strip club,

1076
00:59:33,120 --> 00:59:35,760
Speaker 1: you know. One day she held me down. We rolled

1077
00:59:35,800 --> 00:59:38,200
Speaker 1: out together. Then she turned into my wife. You know.

1078
00:59:38,600 --> 00:59:40,200
Speaker 1: At first I would look at all the strippers as

1079
00:59:40,240 --> 00:59:42,640
Speaker 1: the whole flux and the bitches. But then I was

1080
00:59:43,040 --> 00:59:44,720
Speaker 1: I was woof when I was young, Like I fought

1081
00:59:44,720 --> 00:59:46,720
Speaker 1: a lot of great STDs in my life, you know,

1082
00:59:47,120 --> 00:59:54,360
Speaker 1: so at that point there and it was like I

1083
00:59:54,560 --> 00:59:59,040
Speaker 1: was fucking more single ladies, more girls who was married,

1084
00:59:59,160 --> 01:00:01,439
Speaker 1: more girls. It was in the strippers. The strippers. Wasn't

1085
01:00:01,480 --> 01:00:04,360
Speaker 1: the holes that's like one of the biggest myths out there,

1086
01:00:04,400 --> 01:00:06,080
Speaker 1: you know. It was the regular girl. It was the

1087
01:00:06,080 --> 01:00:07,800
Speaker 1: girl worked in the doctor office and was the girl

1088
01:00:07,840 --> 01:00:11,920
Speaker 1: who went to the the one let yes all the

1089
01:00:12,000 --> 01:00:17,960
Speaker 1: time and then right. So it was like it's like

1090
01:00:18,160 --> 01:00:20,680
Speaker 1: it's like with the with the with her, we met,

1091
01:00:21,040 --> 01:00:23,080
Speaker 1: we did it, we had fun. Everybody's like, yo, how

1092
01:00:23,080 --> 01:00:24,600
Speaker 1: are you marrying a stripper? How are you doing this?

1093
01:00:24,720 --> 01:00:26,280
Speaker 1: But at the end of the day, it was like, yo,

1094
01:00:26,400 --> 01:00:28,040
Speaker 1: this was the people who was here for me at

1095
01:00:28,080 --> 01:00:29,720
Speaker 1: the end. So it was like and then if I'm

1096
01:00:29,800 --> 01:00:31,680
Speaker 1: in this game here I might as well. It's like

1097
01:00:31,720 --> 01:00:34,040
Speaker 1: I'm a circle. I realized I was a circle. Everybody

1098
01:00:34,080 --> 01:00:36,400
Speaker 1: else was L seven. The letter L and sevens are square,

1099
01:00:36,560 --> 01:00:39,000
Speaker 1: So people are just squirs and then in the square relationship,

1100
01:00:39,240 --> 01:00:41,880
Speaker 1: I'm a circle, I'm gonna go different. So we did it.

1101
01:00:41,960 --> 01:00:43,600
Speaker 1: It was the time of our life. And after that

1102
01:00:43,760 --> 01:00:46,440
Speaker 1: all it just didn't work one day. But it's like

1103
01:00:46,880 --> 01:00:49,280
Speaker 1: it's like it's like I'm married to the game still,

1104
01:00:49,440 --> 01:00:51,800
Speaker 1: like I'm in the game idea. I live around it.

1105
01:00:51,880 --> 01:00:54,560
Speaker 1: I breathe that, I eat it. Nothing changes for me.

1106
01:00:54,640 --> 01:00:56,440
Speaker 1: And that's what it is. You sure you know how

1107
01:00:56,480 --> 01:00:59,760
Speaker 1: heartbroken a little bit take their ring off, goddamn it

1108
01:01:00,000 --> 01:01:01,760
Speaker 1: on it all. When you when you when you marry

1109
01:01:01,840 --> 01:01:05,360
Speaker 1: into what you love, you didn't you married? Huh the

1110
01:01:05,480 --> 01:01:09,120
Speaker 1: strip the game. Then you're still in it and this

1111
01:01:09,280 --> 01:01:11,120
Speaker 1: is what you love and this is what you represent,

1112
01:01:11,360 --> 01:01:13,600
Speaker 1: and you tell everybody that story. And then then some

1113
01:01:13,720 --> 01:01:16,160
Speaker 1: people say, what what if something happens to you? She

1114
01:01:16,320 --> 01:01:19,560
Speaker 1: inherits everything, I say, me and her ransle through so

1115
01:01:19,720 --> 01:01:22,960
Speaker 1: many backstreets. She deserves everything at the end of the day.

1116
01:01:23,320 --> 01:01:27,320
Speaker 1: So it's like, fuck it not to me, Yes, that's funny,

1117
01:01:28,720 --> 01:01:33,280
Speaker 1: that's money. If it's over, it's it's me. I'm sorry.

1118
01:01:33,320 --> 01:01:36,080
Speaker 1: We established that. I'm already petty, all right. That makes

1119
01:01:36,080 --> 01:01:42,040
Speaker 1: a noise to me. I definitely know he's on a

1120
01:01:42,120 --> 01:01:45,360
Speaker 1: better man than me from that statement alone, because if

1121
01:01:45,400 --> 01:01:50,920
Speaker 1: it's over, goddamn it, take everything. I Listen, I'm an up. Listen.

1122
01:01:51,880 --> 01:01:55,400
Speaker 1: Listen while you're with me, it's all love a doubt.

1123
01:01:56,000 --> 01:01:58,080
Speaker 1: As soon as you leave me, I don't even fucking

1124
01:01:58,240 --> 01:02:04,160
Speaker 1: know you. That's the type of guy, and the same

1125
01:02:04,200 --> 01:02:09,640
Speaker 1: type of guy because he's investigative. You've been. You've been

1126
01:02:09,760 --> 01:02:12,160
Speaker 1: that type of guy. Like, listen, while we're together, you

1127
01:02:12,280 --> 01:02:15,320
Speaker 1: got the world, you got my world. It's over. It's

1128
01:02:15,400 --> 01:02:25,480
Speaker 1: like that's write risk the bell Barsman. So now, yes,

1129
01:02:26,560 --> 01:02:29,120
Speaker 1: are we gonna run from Mayor We're gonna run from Melia.

1130
01:02:29,160 --> 01:02:31,240
Speaker 1: But right before we run from Maya too, at the

1131
01:02:31,320 --> 01:02:33,560
Speaker 1: same token, we're gonna open up a new venture on

1132
01:02:33,680 --> 01:02:36,560
Speaker 1: South Beach Or called King of Diamonds V Live. Like

1133
01:02:36,680 --> 01:02:39,680
Speaker 1: we're coming together. It's like Baskins and Robbing and dunkin

1134
01:02:39,760 --> 01:02:43,040
Speaker 1: Donuts combining together, and we're gonna be on Ocean Drive.

1135
01:02:43,120 --> 01:02:45,640
Speaker 1: Then we're gonna try to shoot to make their thirty

1136
01:02:45,720 --> 01:02:47,960
Speaker 1: million dollars a year, just like the other man goes,

1137
01:02:48,080 --> 01:02:50,960
Speaker 1: just like Cleveland or just like Wet Willie to compete

1138
01:02:51,000 --> 01:02:53,040
Speaker 1: with all the other surrounding clubs out there and that's

1139
01:02:53,080 --> 01:02:54,640
Speaker 1: what we're doing. And in the midst of that, we

1140
01:02:54,800 --> 01:02:57,880
Speaker 1: ran into a bump in the road which um alerted

1141
01:02:57,920 --> 01:02:59,560
Speaker 1: me to say, hey, I would like to be may

1142
01:02:59,640 --> 01:03:01,960
Speaker 1: and then want to have the most beautiful entertainments from

1143
01:03:01,960 --> 01:03:04,360
Speaker 1: all over the world working there. Ah girl should bare

1144
01:03:04,480 --> 01:03:07,720
Speaker 1: minimum have a hundred thousand followers on her Instagram and

1145
01:03:07,800 --> 01:03:09,840
Speaker 1: even be there, Like we wanted to be the best

1146
01:03:09,920 --> 01:03:13,920
Speaker 1: of the best. If you don't have that, it's like,

1147
01:03:14,600 --> 01:03:18,520
Speaker 1: then you gotta be something special. If death Chaos is

1148
01:03:18,560 --> 01:03:22,760
Speaker 1: definitely gonna be there is interested in chaos. I'm gonna

1149
01:03:22,760 --> 01:03:25,440
Speaker 1: be I'm gonna be honest. Yes, I'm gonna be honest.

1150
01:03:25,720 --> 01:03:28,080
Speaker 1: I don't want to be a part of your campaign.

1151
01:03:28,080 --> 01:03:30,280
Speaker 1: I want to help support your campaign because you know

1152
01:03:30,320 --> 01:03:33,320
Speaker 1: I shot niggas. You know that, right, Yes, I do it.

1153
01:03:33,920 --> 01:03:38,800
Speaker 1: So you know you don't want to collect phone call? Yes,

1154
01:03:38,920 --> 01:03:40,520
Speaker 1: nor we used to be in jail because I was

1155
01:03:40,560 --> 01:03:43,240
Speaker 1: treating was young, and he was good. He would call me,

1156
01:03:46,840 --> 01:03:51,480
Speaker 1: I don't know what it was. Good would call me

1157
01:03:51,840 --> 01:03:53,240
Speaker 1: and the phone with ring and so you have a

1158
01:03:53,280 --> 01:03:56,400
Speaker 1: collect call and this is like, you know, way back

1159
01:03:58,600 --> 01:04:00,240
Speaker 1: I would accept the calls and he would and you know,

1160
01:04:00,280 --> 01:04:02,480
Speaker 1: I'm competitive rhyme. I love it, so I find the

1161
01:04:02,560 --> 01:04:05,120
Speaker 1: best of out all Norris like you know, he's his

1162
01:04:05,200 --> 01:04:14,680
Speaker 1: style alight. Yeah, I would collect. I would accept Norri's

1163
01:04:14,680 --> 01:04:17,960
Speaker 1: phone calls every day and listen to his rhymes and all.

1164
01:04:18,040 --> 01:04:20,160
Speaker 1: And that's why when he came out, you know, it

1165
01:04:20,320 --> 01:04:21,920
Speaker 1: was fun for me to say, yo, I'm bringing him

1166
01:04:21,960 --> 01:04:23,920
Speaker 1: on the road with us, you know, brought him on

1167
01:04:23,960 --> 01:04:26,520
Speaker 1: the road. And then it was wild because I watched

1168
01:04:26,560 --> 01:04:29,160
Speaker 1: Nori grow just like jay Z. And then I watched

1169
01:04:29,720 --> 01:04:31,920
Speaker 1: what what what what what? You know, all his records

1170
01:04:32,000 --> 01:04:35,000
Speaker 1: coming out, and then it was like metamorphous when we

1171
01:04:35,120 --> 01:04:37,640
Speaker 1: have a change when Nori calls me up, when they say,

1172
01:04:37,800 --> 01:04:39,120
Speaker 1: you know, you want to come on the road with me,

1173
01:04:39,680 --> 01:04:42,600
Speaker 1: and then it's like it's like it's like the role reverse.

1174
01:04:42,680 --> 01:04:44,400
Speaker 1: First I was saying, I got somebody coming to the

1175
01:04:44,400 --> 01:04:47,320
Speaker 1: stage the name of Noriega. Then Nori's reverse like I

1176
01:04:47,400 --> 01:04:50,000
Speaker 1: got someone coming to the stage and laugh, and then

1177
01:04:50,080 --> 01:04:52,240
Speaker 1: it was fun. It was yes, but let me get

1178
01:04:52,280 --> 01:04:56,040
Speaker 1: back to bigging him yes, because I just recently did

1179
01:04:56,120 --> 01:05:01,200
Speaker 1: a show with the Dopolo and I literally so literally

1180
01:05:01,280 --> 01:05:03,000
Speaker 1: in my mom was like I'm going to do this

1181
01:05:03,120 --> 01:05:06,040
Speaker 1: stage like I would do it but with my music

1182
01:05:06,160 --> 01:05:10,280
Speaker 1: like like and like that. That was something that that

1183
01:05:10,440 --> 01:05:15,120
Speaker 1: you hands down taught me that with stage is everything

1184
01:05:15,440 --> 01:05:18,920
Speaker 1: right right like like like like because you gotta realize

1185
01:05:18,960 --> 01:05:22,560
Speaker 1: you had a hit record right that the radio couldn't

1186
01:05:22,640 --> 01:05:25,400
Speaker 1: really play at a certain time. Is that true? Yes,

1187
01:05:25,600 --> 01:05:28,360
Speaker 1: it's true. And your your whole thing was just based

1188
01:05:28,440 --> 01:05:32,080
Speaker 1: on your stage presence, you know, and then when can

1189
01:05:32,120 --> 01:05:35,680
Speaker 1: they play put it in your mouth? Right, that's funk up.

1190
01:05:35,720 --> 01:05:39,280
Speaker 1: It's even even if you were grown people. It wasn't

1191
01:05:39,280 --> 01:05:41,600
Speaker 1: you know, the grown person who's still thinking that's disrespectful.

1192
01:05:41,600 --> 01:05:44,320
Speaker 1: It wasn't. It wasn't no internet back then. It wasn't

1193
01:05:44,360 --> 01:05:46,640
Speaker 1: no nothing like that. It wasn't no mix tapes because

1194
01:05:46,640 --> 01:05:49,720
Speaker 1: I put out the right right right and then you know,

1195
01:05:49,920 --> 01:05:52,280
Speaker 1: here and there you'll hear it. So it's basically you

1196
01:05:52,400 --> 01:05:53,680
Speaker 1: have to go on the stage. You have to be

1197
01:05:53,760 --> 01:05:55,960
Speaker 1: able to do your ship on the stage in order

1198
01:05:56,040 --> 01:05:58,160
Speaker 1: for it to work. So it was like even when Nori,

1199
01:05:58,320 --> 01:06:00,200
Speaker 1: I would watch them do the shows in Noria, come

1200
01:06:00,240 --> 01:06:02,280
Speaker 1: to all the shows with us and watch it and

1201
01:06:02,360 --> 01:06:04,680
Speaker 1: we would pray the shows. And it's funny, it's like

1202
01:06:05,040 --> 01:06:07,040
Speaker 1: I'm forty five years old. So when I talked to

1203
01:06:07,120 --> 01:06:09,920
Speaker 1: girls they don't know on the stage at all, but

1204
01:06:10,040 --> 01:06:12,240
Speaker 1: it's cool. But it's like I would also when I'm

1205
01:06:12,280 --> 01:06:14,920
Speaker 1: booking an artist at clubs. Now I'm like, I look,

1206
01:06:14,960 --> 01:06:16,760
Speaker 1: I'm able to look them in their face and say, so,

1207
01:06:16,960 --> 01:06:19,919
Speaker 1: you're not that hot, just like this ship is cool.

1208
01:06:19,960 --> 01:06:21,920
Speaker 1: We were like take this ten grand and come on,

1209
01:06:22,600 --> 01:06:25,480
Speaker 1: and they understand it because they're like they're they're artists.

1210
01:06:25,480 --> 01:06:28,280
Speaker 1: As an artist, so they understand. Like I know him,

1211
01:06:28,360 --> 01:06:31,120
Speaker 1: I followed his records, you know. I did a metaphor

1212
01:06:31,200 --> 01:06:33,200
Speaker 1: for metaphor with him, so it was like we would

1213
01:06:33,240 --> 01:06:37,240
Speaker 1: do the stage. I remember Noriega at Apollo one time,

1214
01:06:37,320 --> 01:06:39,920
Speaker 1: Apollo Theater, and I was like this one Nori was

1215
01:06:40,000 --> 01:06:43,000
Speaker 1: first really breaking and I was like, look man, somebody

1216
01:06:43,080 --> 01:06:45,520
Speaker 1: else big was on the show. But I know at

1217
01:06:45,600 --> 01:06:48,160
Speaker 1: that point there I knew I was pretty strong too,

1218
01:06:48,240 --> 01:06:50,280
Speaker 1: So I said, I'm gonna come with Nori and you

1219
01:06:50,360 --> 01:06:58,200
Speaker 1: men to help him tear this ship. It was good money. Listen.

1220
01:06:58,640 --> 01:07:01,040
Speaker 1: I was there drunk, and you know, this is this

1221
01:07:01,120 --> 01:07:03,760
Speaker 1: is why I like sober people. You always gotta have

1222
01:07:03,880 --> 01:07:06,440
Speaker 1: a sober friend, because as sober friend gonna look at

1223
01:07:06,480 --> 01:07:09,800
Speaker 1: your monkey asks and be like you fucked up, but

1224
01:07:10,000 --> 01:07:12,920
Speaker 1: you don't know, you can't be in tonight. And I

1225
01:07:13,120 --> 01:07:16,160
Speaker 1: took over the whole show and made sure we killed

1226
01:07:16,240 --> 01:07:19,560
Speaker 1: that that night. I remember that, remember that like and

1227
01:07:19,760 --> 01:07:22,960
Speaker 1: and and it was crazy because I come from the

1228
01:07:23,040 --> 01:07:26,040
Speaker 1: era that it wasn't stage performance like it was like, no,

1229
01:07:26,160 --> 01:07:28,640
Speaker 1: it was stage performance to that, but that was secondary.

1230
01:07:29,040 --> 01:07:31,120
Speaker 1: It was always about in the studio. But you came

1231
01:07:31,160 --> 01:07:34,320
Speaker 1: from the era right before me and stays performance and

1232
01:07:34,400 --> 01:07:37,040
Speaker 1: I always appreciate you for that, but continue definitely. So

1233
01:07:37,160 --> 01:07:39,440
Speaker 1: it was like when we go there, I remember Nori

1234
01:07:39,600 --> 01:07:41,560
Speaker 1: and I'm like, little fun We're gonna go help him

1235
01:07:41,600 --> 01:07:43,720
Speaker 1: and then we're gonna go make this ship good and

1236
01:07:43,840 --> 01:07:45,760
Speaker 1: we'll go And then we had two shows that night,

1237
01:07:45,800 --> 01:07:47,400
Speaker 1: and that's when I kind of seen him going to

1238
01:07:47,480 --> 01:07:50,000
Speaker 1: the whole other level that at But one point Nori

1239
01:07:50,200 --> 01:07:52,160
Speaker 1: got up here too, so that no he was He

1240
01:07:52,240 --> 01:07:56,800
Speaker 1: got onto jay z Nas and I was like, I'm

1241
01:07:56,840 --> 01:08:02,360
Speaker 1: not going to it. This is the way. It's funny.

1242
01:08:02,400 --> 01:08:04,400
Speaker 1: It's funny like me and No, like it would be funny,

1243
01:08:04,440 --> 01:08:07,560
Speaker 1: but we'll call each other. We would introduce each other

1244
01:08:07,600 --> 01:08:09,640
Speaker 1: like yo, let me hold something now, yo yo. It

1245
01:08:09,840 --> 01:08:15,640
Speaker 1: was just one day I'm in the car where I listen, listen, listen.

1246
01:08:16,360 --> 01:08:20,680
Speaker 1: One day, I'm hanging out with my motherfucking art and

1247
01:08:20,720 --> 01:08:23,400
Speaker 1: I'm sitting and A says to me, you watch this,

1248
01:08:23,680 --> 01:08:26,280
Speaker 1: this nick is gonna ask me for money. Right, So

1249
01:08:26,439 --> 01:08:28,920
Speaker 1: he gets a food call I'm in the car with.

1250
01:08:30,040 --> 01:08:32,960
Speaker 1: So he asks the phone, but it's a speaker and

1251
01:08:33,120 --> 01:08:35,360
Speaker 1: he's like, yo, what's going on? And then he looking

1252
01:08:35,400 --> 01:08:39,000
Speaker 1: at me, and then I go, and then the guy go,

1253
01:08:39,479 --> 01:08:42,360
Speaker 1: you can I own something? So I said I rusted something.

1254
01:08:42,400 --> 01:08:46,320
Speaker 1: He's like because I hold I was like, he says

1255
01:08:46,360 --> 01:08:50,120
Speaker 1: it right before he said and just then I was like,

1256
01:08:50,280 --> 01:08:53,960
Speaker 1: I'm using that whenever whenever I know somebody's calling me,

1257
01:08:54,040 --> 01:08:56,439
Speaker 1: like yo, what's going on? Because I speak listen whenever

1258
01:08:56,479 --> 01:08:59,840
Speaker 1: somebody texts you say yo, I gotta holler at you,

1259
01:09:00,040 --> 01:09:03,559
Speaker 1: It's like, hold on the fun What can't you holler

1260
01:09:03,600 --> 01:09:07,200
Speaker 1: at me? When at tech? Because sometimes I think, just

1261
01:09:07,280 --> 01:09:09,559
Speaker 1: really be really busy, and they're like, no, I gotta

1262
01:09:09,600 --> 01:09:12,320
Speaker 1: holler at you. It's almost ninety percent at the time

1263
01:09:12,360 --> 01:09:16,120
Speaker 1: they're gonna say, let me hold salt. Like so as

1264
01:09:16,120 --> 01:09:17,600
Speaker 1: soon as they do that, I was like, I got it.

1265
01:09:18,320 --> 01:09:22,760
Speaker 1: But I learned that from your ass. Definitely how many

1266
01:09:22,800 --> 01:09:24,680
Speaker 1: people would you just try to hold something from you

1267
01:09:24,800 --> 01:09:28,080
Speaker 1: in the hood and left practical. Let's just keep it around.

1268
01:09:28,479 --> 01:09:33,639
Speaker 1: Shout out to everybody left practicing. Everybody ever makes a noise. Guys,

1269
01:09:39,840 --> 01:09:41,880
Speaker 1: you told me to let me hold up that. I

1270
01:09:42,000 --> 01:09:44,479
Speaker 1: still use that to this day's as a matter of fact,

1271
01:09:44,840 --> 01:09:47,920
Speaker 1: still use that to right because you know you was

1272
01:09:48,000 --> 01:09:52,439
Speaker 1: the first rap star from I mean, Soul Sisters was

1273
01:09:52,560 --> 01:09:55,040
Speaker 1: kind of from left Practice like you would would you agree?

1274
01:09:55,800 --> 01:09:58,320
Speaker 1: But they were like originally born in Brooklyn or something

1275
01:09:58,400 --> 01:10:00,960
Speaker 1: like that. Then they moved it left Rack, so they

1276
01:10:01,280 --> 01:10:05,400
Speaker 1: kind of never really rapped left Frack. Kenny Anderson, Kenny

1277
01:10:05,479 --> 01:10:09,080
Speaker 1: Smith did it on the sports basketball front, but he

1278
01:10:09,200 --> 01:10:12,640
Speaker 1: was the first star and left Fract City. How did it?

1279
01:10:12,880 --> 01:10:14,479
Speaker 1: How did it? Because I remember you should I write

1280
01:10:14,520 --> 01:10:16,400
Speaker 1: with the shows, You should be like come by yourself

1281
01:10:16,479 --> 01:10:19,040
Speaker 1: because you knew that everybody from that fract wanted to

1282
01:10:19,080 --> 01:10:20,880
Speaker 1: go to your shows. Just how was that in that

1283
01:10:21,040 --> 01:10:23,320
Speaker 1: time period? Um? In that time period, it was cool.

1284
01:10:23,360 --> 01:10:25,360
Speaker 1: Growing up. I would always tell Nori come by himself

1285
01:10:25,360 --> 01:10:28,920
Speaker 1: because Nor was with a whole wild crew and incidents

1286
01:10:28,960 --> 01:10:31,040
Speaker 1: would just happen all the time. You taught me, But

1287
01:10:31,160 --> 01:10:34,360
Speaker 1: on we came there. We came up and we just

1288
01:10:34,479 --> 01:10:37,640
Speaker 1: had fun. You know, it's a funny time. When he

1289
01:10:37,720 --> 01:10:41,240
Speaker 1: was on Tour two as well. One time you said, yo,

1290
01:10:41,880 --> 01:10:45,559
Speaker 1: you rolling like Nellie and the St. Lunatics, all right?

1291
01:10:45,960 --> 01:10:48,760
Speaker 1: And I was like word. He was like, he was like, yeah,

1292
01:10:48,840 --> 01:10:53,960
Speaker 1: you got like seven artists, fourteen friends, five such and such,

1293
01:10:54,040 --> 01:10:56,560
Speaker 1: such and such. And I was like where And he

1294
01:10:56,680 --> 01:11:00,040
Speaker 1: was like, but you're not selling records like Nellie. You

1295
01:11:00,160 --> 01:11:03,400
Speaker 1: saying the ticks And he was right. I was gold

1296
01:11:04,080 --> 01:11:08,880
Speaker 1: rolling with ninety five people. You remember that? And you

1297
01:11:09,080 --> 01:11:10,720
Speaker 1: told me, and you told remember that to cut some

1298
01:11:10,840 --> 01:11:13,040
Speaker 1: of these niggas off and I did and I was

1299
01:11:13,120 --> 01:11:16,400
Speaker 1: an asshole and then and the paid. This makes a

1300
01:11:16,439 --> 01:11:28,479
Speaker 1: noise for being the theocicicle. So now, yes, you dropped,

1301
01:11:30,040 --> 01:11:33,200
Speaker 1: you meet nas, you meet Big, you have a relationship,

1302
01:11:33,280 --> 01:11:37,200
Speaker 1: you have a relationship with Jay what Mad and then

1303
01:11:38,160 --> 01:11:41,799
Speaker 1: it's successful because he was on Interscope. Interscope is probably

1304
01:11:41,920 --> 01:11:44,680
Speaker 1: the biggest record label ever. Like, let's talk about the

1305
01:11:44,680 --> 01:11:48,800
Speaker 1: Interscope just being on because once you're there before death Row. Yeah,

1306
01:11:49,360 --> 01:11:51,599
Speaker 1: we got there when we got their death Row. They

1307
01:11:51,720 --> 01:11:56,120
Speaker 1: just came that next year. Um, so it was kind

1308
01:11:56,120 --> 01:11:59,400
Speaker 1: of a wild place, was new. It was Jimmy Ivan

1309
01:11:59,479 --> 01:12:02,400
Speaker 1: just being was just starting over there, Jimmy I being

1310
01:12:02,479 --> 01:12:05,080
Speaker 1: in ted Field was there still, so it was like

1311
01:12:05,280 --> 01:12:08,040
Speaker 1: we did it. We went over there. Um, that was

1312
01:12:08,080 --> 01:12:11,040
Speaker 1: the first deal I signed. I believe that was in Yeah,

1313
01:12:11,120 --> 01:12:13,280
Speaker 1: that was like in nineteen ninety one, and they gave

1314
01:12:13,320 --> 01:12:24,280
Speaker 1: me five unred thousand and from there it was on that. Now,

1315
01:12:24,320 --> 01:12:28,120
Speaker 1: maybe death Role came later, but Tupac was already signed

1316
01:12:28,200 --> 01:12:33,000
Speaker 1: to in the Scope. We came there yet, but I

1317
01:12:33,120 --> 01:12:35,880
Speaker 1: never met you. Now we never met him. Never never

1318
01:12:36,000 --> 01:12:40,280
Speaker 1: met him, No, okay, but your relationship were big, yes,

1319
01:12:40,600 --> 01:12:47,519
Speaker 1: and then the Scope and now your owning strip club. Yes,

1320
01:12:48,640 --> 01:12:52,439
Speaker 1: what are you more happy? Field? It's the same field.

1321
01:12:52,479 --> 01:12:55,400
Speaker 1: It's like it's still the entertainment field just transitions over.

1322
01:12:55,439 --> 01:12:58,479
Speaker 1: It's just like the basketball player they played. Then eventually

1323
01:12:58,560 --> 01:13:01,679
Speaker 1: they started coaching the team. Just like the boxer he boxes,

1324
01:13:01,760 --> 01:13:03,960
Speaker 1: then next thing you know, he's walking somebody in the ring.

1325
01:13:04,320 --> 01:13:07,639
Speaker 1: You know, it's like the entertainment. You entertain, you compete.

1326
01:13:07,920 --> 01:13:10,720
Speaker 1: Now you get on another level where you compete. Art

1327
01:13:10,800 --> 01:13:14,000
Speaker 1: imitate slight if you're rapping about drugs and eventually you're

1328
01:13:14,000 --> 01:13:16,000
Speaker 1: gonna stop and you're gonna get in the drug game,

1329
01:13:16,080 --> 01:13:18,040
Speaker 1: and you're gonna go for it. You know. I was

1330
01:13:18,160 --> 01:13:20,080
Speaker 1: rapping about sex, so for me, it was only right

1331
01:13:20,120 --> 01:13:22,560
Speaker 1: to say, hey, get in this lane. I could identify

1332
01:13:23,040 --> 01:13:25,800
Speaker 1: what good talent was from girls on that side. So

1333
01:13:25,920 --> 01:13:27,320
Speaker 1: it was like, hey, let me put this to go

1334
01:13:28,000 --> 01:13:31,599
Speaker 1: and start from the end, get it from the bottom up. Now,

1335
01:13:31,720 --> 01:13:34,320
Speaker 1: let me ask you. Yes, we also asked all our guests,

1336
01:13:34,600 --> 01:13:37,400
Speaker 1: all right, how many abortions you think you paid for?

1337
01:13:39,520 --> 01:13:44,000
Speaker 1: This is advertisers about at this point, we just lost

1338
01:13:44,080 --> 01:13:57,519
Speaker 1: Johnson and right right, stop right, it's crazy, you know,

1339
01:13:57,880 --> 01:14:01,200
Speaker 1: listen some advertisements right now, We're all right, we're coming

1340
01:14:01,240 --> 01:14:03,800
Speaker 1: out right. I don't even abortion. I don't even know.

1341
01:14:04,160 --> 01:14:08,080
Speaker 1: I don't don't know. Listen, I'm gonna keep it on hunting.

1342
01:14:08,720 --> 01:14:11,240
Speaker 1: I told my homie straight up, I say, you'll listen.

1343
01:14:11,400 --> 01:14:13,400
Speaker 1: If you're gonna borrow money from me, don't say it's

1344
01:14:13,400 --> 01:14:18,720
Speaker 1: for abortion, right because if you say y'all paid for abortion,

1345
01:14:19,040 --> 01:14:22,320
Speaker 1: and I know the bit you sucking. When I come around,

1346
01:14:22,360 --> 01:14:25,200
Speaker 1: it's gonna be uncomfortable for everybody because I might ask

1347
01:14:25,280 --> 01:14:31,720
Speaker 1: a bit and everything. Okay, the baby killing, I'm accessory

1348
01:14:31,920 --> 01:14:35,920
Speaker 1: to the murder God the right. Let's just if you

1349
01:14:35,960 --> 01:14:38,439
Speaker 1: could just count on your fingers. How many of you think?

1350
01:14:38,760 --> 01:14:41,559
Speaker 1: I don't even know? Come on, even know you're morning nick.

1351
01:14:41,560 --> 01:14:44,360
Speaker 1: I see you, rubber nibbles. We just love when we

1352
01:14:44,439 --> 01:14:48,560
Speaker 1: just loves. Let's go, let's go to the story. Let's go.

1353
01:14:50,960 --> 01:15:00,720
Speaker 1: Stad We was in like buck buck we right, only

1354
01:15:00,760 --> 01:15:04,639
Speaker 1: you give me a story? How does this has happening? Listen, listen, listen,

1355
01:15:05,200 --> 01:15:09,960
Speaker 1: don't try to be tractor accepted the story. We we

1356
01:15:10,120 --> 01:15:12,720
Speaker 1: came in. We were smoking and you we was in

1357
01:15:12,760 --> 01:15:14,960
Speaker 1: the gas station. I remember you said you because the

1358
01:15:15,000 --> 01:15:17,120
Speaker 1: smoker on the gas station. We're on the toll bus.

1359
01:15:17,800 --> 01:15:20,439
Speaker 1: There's some white bitches or some ship and they're just

1360
01:15:20,520 --> 01:15:22,880
Speaker 1: sitting there and Capone jumps out. I never jumped out

1361
01:15:22,920 --> 01:15:25,720
Speaker 1: the vehicle. Capone jumps out and they see Compone like

1362
01:15:25,840 --> 01:15:29,559
Speaker 1: what the fu? So they bring him on the vehicle,

1363
01:15:29,880 --> 01:15:32,560
Speaker 1: um the bus. They get them to the back and

1364
01:15:32,680 --> 01:15:36,680
Speaker 1: then it was just all help work loose and then

1365
01:15:36,800 --> 01:15:38,680
Speaker 1: you just walk back there. And in my mind, I

1366
01:15:38,720 --> 01:15:43,160
Speaker 1: don't think this is exactly acc but in my mind,

1367
01:15:43,240 --> 01:15:52,800
Speaker 1: you did the clock case shape shirt open like I

1368
01:15:52,920 --> 01:15:59,840
Speaker 1: was like like stop, Like in my mind you had

1369
01:16:00,479 --> 01:16:04,040
Speaker 1: and you don't like called you didn't participate. That's a

1370
01:16:04,120 --> 01:16:07,519
Speaker 1: fact you didn't. That's why at the time you was

1371
01:16:07,640 --> 01:16:10,880
Speaker 1: naming your album Benny Hill, and that's what Ben Hill.

1372
01:16:12,160 --> 01:16:14,680
Speaker 1: So that's like, that's that's that's the only ree as

1373
01:16:14,760 --> 01:16:22,880
Speaker 1: I remember it verbato, you know, right, another one other people. Yeah, academic, Yes,

1374
01:16:23,120 --> 01:16:25,080
Speaker 1: I'm already you already got my bone. You could have

1375
01:16:25,120 --> 01:16:26,680
Speaker 1: been anywhere in the world, but you're here with us.

1376
01:16:26,960 --> 01:16:30,400
Speaker 1: Were running from again chaos and this is chaos and

1377
01:16:30,520 --> 01:16:36,439
Speaker 1: this is me Stark, Mink start, milleagues, starkbout mates. It

1378
01:16:36,520 --> 01:16:40,160
Speaker 1: happen stop. Okay, So there's an all your girls talk

1379
01:16:40,200 --> 01:16:44,000
Speaker 1: about me like that, like like Starker Valley works with me,

1380
01:16:45,840 --> 01:16:49,960
Speaker 1: stalk about everybody. Wait, wait, wait to go to Mike's. Um,

1381
01:16:50,439 --> 01:16:54,479
Speaker 1: what's talk about drinking from bert Voi vodka before it

1382
01:16:54,640 --> 01:17:00,800
Speaker 1: was nice Stalker Valley basically every one where if we

1383
01:17:00,920 --> 01:17:03,080
Speaker 1: see something, and if I see something and I'm not

1384
01:17:03,240 --> 01:17:07,280
Speaker 1: participating at the time, Star would go knock it and

1385
01:17:07,400 --> 01:17:11,879
Speaker 1: bring it back. You gotta get you. You got somebody

1386
01:17:12,640 --> 01:17:15,439
Speaker 1: like like like when it's time starts, starts the one

1387
01:17:15,520 --> 01:17:19,680
Speaker 1: where I'd be like, look what's going on? Jor right

1388
01:17:19,680 --> 01:17:22,760
Speaker 1: now you got another one? Al right, So listen. All right,

1389
01:17:22,880 --> 01:17:26,519
Speaker 1: So dude, let me ask you something. Now. I presume

1390
01:17:26,800 --> 01:17:33,840
Speaker 1: you're get correct. That's cool, right, star, Yeah, So do

1391
01:17:33,960 --> 01:17:37,040
Speaker 1: you think men eat pussy good? Or you think we

1392
01:17:37,280 --> 01:17:39,439
Speaker 1: have no chance? You don't come to that, we have

1393
01:17:39,600 --> 01:17:41,640
Speaker 1: no chance, like like, let's go, let's go. All right,

1394
01:17:42,360 --> 01:17:48,200
Speaker 1: he's right, let's go. You and him come out. I

1395
01:17:48,240 --> 01:17:50,120
Speaker 1: don't throw anyone in the Bus's okay? Your girls like,

1396
01:17:50,560 --> 01:17:53,519
Speaker 1: all right, listen, this is this is totally example. Right.

1397
01:17:53,520 --> 01:17:56,160
Speaker 1: I suppose y'all both bag of chicken. I'm not talking.

1398
01:17:56,280 --> 01:17:58,360
Speaker 1: Look so I'm not talking none of that. And then

1399
01:17:58,400 --> 01:18:01,599
Speaker 1: the chick says I was gonna eat my fussy better

1400
01:18:01,680 --> 01:18:06,519
Speaker 1: for twenty minutes. Who do you think when chick? I

1401
01:18:06,680 --> 01:18:09,080
Speaker 1: want to know, who do you think wins? You or

1402
01:18:09,200 --> 01:18:12,760
Speaker 1: my nigger? With the bid he got experience? It might

1403
01:18:12,840 --> 01:18:20,160
Speaker 1: not take twenty minutes, it is, alright, alright, so explain

1404
01:18:20,280 --> 01:18:25,519
Speaker 1: that to us? What do we don't know? What we're doing? Um?

1405
01:18:26,080 --> 01:18:28,200
Speaker 1: I don't really know. I kind of just focus on

1406
01:18:28,320 --> 01:18:30,120
Speaker 1: the finish line. It's like, you know, you got to

1407
01:18:30,160 --> 01:18:33,400
Speaker 1: catch the ball. If I'm looking at you, I can't

1408
01:18:33,479 --> 01:18:43,400
Speaker 1: catch the ball. How are you comfortable at me? Asked

1409
01:18:43,439 --> 01:18:45,599
Speaker 1: you like have you ever been with a man like, yeah,

1410
01:18:45,680 --> 01:18:48,120
Speaker 1: get back of it? And what did he didn't do

1411
01:18:48,600 --> 01:18:50,760
Speaker 1: for you that made you go to the other side?

1412
01:18:50,920 --> 01:18:54,599
Speaker 1: It wasn't really that women are just beautiful? I agree

1413
01:18:54,640 --> 01:19:00,120
Speaker 1: with What do you want people called? Um? Like? Like,

1414
01:19:00,200 --> 01:19:04,479
Speaker 1: are you just the woman? Okay? In my in my heart,

1415
01:19:04,520 --> 01:19:11,080
Speaker 1: I'm no. I just love this because you know why,

1416
01:19:11,479 --> 01:19:13,280
Speaker 1: you know, this is a chance for our audience to

1417
01:19:13,360 --> 01:19:17,000
Speaker 1: be educated as well, because you know, think about Drink

1418
01:19:17,080 --> 01:19:21,759
Speaker 1: Champs as we accept transgender, we accept whatever, whatever, whatever.

1419
01:19:21,880 --> 01:19:23,880
Speaker 1: If you want to listen to us, you want to

1420
01:19:23,920 --> 01:19:25,479
Speaker 1: be a part of us, you want to get a drink,

1421
01:19:26,600 --> 01:19:31,080
Speaker 1: they don't judge it. We don't judge you any color, race, national, creed.

1422
01:19:31,400 --> 01:19:32,840
Speaker 1: I don't even know what I'm talking about, but I'm

1423
01:19:32,880 --> 01:19:35,880
Speaker 1: talking about. That's what I'm saying that whatever the funk

1424
01:19:35,960 --> 01:19:37,519
Speaker 1: you want to be and you want to be a

1425
01:19:37,600 --> 01:19:40,679
Speaker 1: part of the Drink Champion, we accept you. We don't

1426
01:19:41,120 --> 01:19:43,560
Speaker 1: There's no stick relations, there's no motherfucking you know what

1427
01:19:43,600 --> 01:19:46,040
Speaker 1: I mean? Whatever ever, everybody under the hip hop flag,

1428
01:19:46,280 --> 01:19:48,720
Speaker 1: everybody under the hip hop flag. We don't care if

1429
01:19:48,760 --> 01:19:51,320
Speaker 1: you gay, We don't care if you burgundy, We don't

1430
01:19:51,360 --> 01:19:54,519
Speaker 1: care if you were you're pro. That's a new color,

1431
01:19:55,080 --> 01:19:57,439
Speaker 1: and we don't give a funk if you if you're

1432
01:19:57,479 --> 01:20:00,639
Speaker 1: gonna drink, have a great time. Look at God, damn

1433
01:20:00,680 --> 01:20:04,880
Speaker 1: it with God created you're a fucking drink chap. Because listen,

1434
01:20:05,080 --> 01:20:07,559
Speaker 1: I just want people to know we have drink chaps

1435
01:20:07,600 --> 01:20:11,080
Speaker 1: that don't drink. Right. We got drink chaps to be

1436
01:20:11,160 --> 01:20:14,280
Speaker 1: in the gym all dead champion and they're drinking water,

1437
01:20:14,640 --> 01:20:17,120
Speaker 1: you know what I'm saying. So we accept everybody because

1438
01:20:17,200 --> 01:20:19,640
Speaker 1: that's what it is, and that's how I think society

1439
01:20:19,720 --> 01:20:21,760
Speaker 1: and life should be. It's just I don't give a

1440
01:20:21,800 --> 01:20:23,360
Speaker 1: funk what you do. If you don't remember know what

1441
01:20:23,520 --> 01:20:25,600
Speaker 1: type of shorts? Those look a little weird to me,

1442
01:20:25,840 --> 01:20:34,800
Speaker 1: but I don't know. You still like you like I

1443
01:20:34,840 --> 01:20:37,320
Speaker 1: wouldn't wear. But there's a lot of beats that I

1444
01:20:37,320 --> 01:20:40,680
Speaker 1: wouldn't ribe on like you know what I'm saying. So

1445
01:20:40,840 --> 01:20:46,040
Speaker 1: I said, drink chap. We accept any creed, embrace pluto,

1446
01:20:49,240 --> 01:20:51,200
Speaker 1: come out of animals, as long as you want to

1447
01:20:51,240 --> 01:20:53,880
Speaker 1: get with us, have a good time. You drinking up

1448
01:20:53,880 --> 01:20:58,840
Speaker 1: with Acnelly Strip Club on South Beach got three of

1449
01:20:58,920 --> 01:21:01,479
Speaker 1: the beautifulest women and then he got my nikkas there

1450
01:21:01,520 --> 01:21:03,639
Speaker 1: too was one of your name again, I forgot star

1451
01:21:03,800 --> 01:21:07,800
Speaker 1: rock star stalking about and if you don't start rock

1452
01:21:07,840 --> 01:21:09,920
Speaker 1: clothing this well, you know what I'm saying. This is

1453
01:21:09,960 --> 01:21:13,320
Speaker 1: what the funk we're doing, the laughing, this is what

1454
01:21:13,439 --> 01:21:16,000
Speaker 1: we're doing. This is what this is what life should

1455
01:21:16,000 --> 01:21:19,600
Speaker 1: be like. We accept everybody, every color, creem brand, and

1456
01:21:19,680 --> 01:21:21,519
Speaker 1: this is what we're doing. Look at my nigga e fn.

1457
01:21:22,040 --> 01:21:23,720
Speaker 1: He know he's supposed to get just for men a

1458
01:21:23,840 --> 01:21:28,280
Speaker 1: long time ago, but we don't tell him not to

1459
01:21:28,360 --> 01:21:30,880
Speaker 1: do that. He accepted my man. Are gonna look at

1460
01:21:30,960 --> 01:21:36,320
Speaker 1: his graves that yeah, yeah, we love that. You know

1461
01:21:36,360 --> 01:21:38,080
Speaker 1: what I mean? You bring in bu you got another.

1462
01:21:38,920 --> 01:21:41,800
Speaker 1: We got burgundy, name you burgundy for a little. Why

1463
01:21:43,160 --> 01:21:48,120
Speaker 1: can't come over here? You know you come away? Okay?

1464
01:21:49,520 --> 01:21:54,639
Speaker 1: You know crazy? Look you look drink drink tampabole. Crazy,

1465
01:21:54,720 --> 01:21:57,800
Speaker 1: you look drink tampabole. You're acceptable, Come girl. This is

1466
01:21:57,840 --> 01:22:01,000
Speaker 1: where drops and Nellie. Yeah, we vote and we run

1467
01:22:02,439 --> 01:22:04,120
Speaker 1: what we want to do. Your name is very hard

1468
01:22:04,160 --> 01:22:12,439
Speaker 1: to spell. Yes, but Andy say that a K I

1469
01:22:12,760 --> 01:22:15,679
Speaker 1: N Y E l E. We're definitely running from mayor.

1470
01:22:15,960 --> 01:22:18,559
Speaker 1: We campaigning. No, we want you to help us out

1471
01:22:18,640 --> 01:22:21,920
Speaker 1: here and we're gonna definitely we appreciate it. We want

1472
01:22:21,960 --> 01:22:23,479
Speaker 1: you to help us. I didn't do it. We want

1473
01:22:23,479 --> 01:22:26,640
Speaker 1: to have fun. We want to integrate Ocean Drive. You

1474
01:22:26,680 --> 01:22:29,040
Speaker 1: want to integrate Stouth Beach. We want to make it

1475
01:22:29,240 --> 01:22:31,240
Speaker 1: one place to live at, one place to party. You

1476
01:22:31,320 --> 01:22:34,360
Speaker 1: know we're gonna get Larry Flint. Let's get Larry. Don't

1477
01:22:34,400 --> 01:22:37,120
Speaker 1: get Larry Flint. Larry Flint. If you out there, there

1478
01:22:37,200 --> 01:22:40,280
Speaker 1: we go. We need your motherfucking support. Let's keep it

1479
01:22:40,360 --> 01:22:44,559
Speaker 1: going whole jay Z. They jumped the whole in Oh. Yes,

1480
01:22:44,880 --> 01:22:48,640
Speaker 1: we need your support to make Aca the motherfucking may

1481
01:22:49,800 --> 01:22:54,000
Speaker 1: keep going going something. Yes, we love your kids. You

1482
01:22:54,040 --> 01:22:56,080
Speaker 1: know when there six teens, he was going to move

1483
01:22:56,160 --> 01:23:00,280
Speaker 1: the pound. Yes, let us we need need you to

1484
01:23:00,400 --> 01:23:04,000
Speaker 1: come help out make can man. Okay, let's keep it going.

1485
01:23:04,080 --> 01:23:11,200
Speaker 1: I forgot one. We need to listen because it's very simple.

1486
01:23:12,160 --> 01:23:14,040
Speaker 1: Either you come out here, move out here for a

1487
01:23:14,120 --> 01:23:17,360
Speaker 1: month and vote all it's you can come out here

1488
01:23:17,920 --> 01:23:21,400
Speaker 1: and you can support people for what we're gonna do.

1489
01:23:21,400 --> 01:23:25,240
Speaker 1: We're gonna do a bus drive on South Beach. That's right,

1490
01:23:25,760 --> 01:23:29,479
Speaker 1: So everybody come out here two weeks early. Right, instead

1491
01:23:29,479 --> 01:23:33,800
Speaker 1: of vote, get you get your I d and we're

1492
01:23:33,800 --> 01:23:38,800
Speaker 1: gonna set up buses. What scrap us us in the

1493
01:23:38,880 --> 01:23:46,200
Speaker 1: buses and we're gonna do it. Drink chaps, CBS, don't CBS.

1494
01:23:46,560 --> 01:23:53,160
Speaker 1: We just love CBS. We got we can Adams as

1495
01:23:53,200 --> 01:23:57,360
Speaker 1: the motherfucking man's right South Beach. Yes, I think we

1496
01:23:57,400 --> 01:23:58,680
Speaker 1: can do it. I think we can. Think we can

1497
01:23:58,720 --> 01:24:03,280
Speaker 1: do it. We need you, Jim Jones, you spend time

1498
01:24:03,320 --> 01:24:07,639
Speaker 1: out here. Let's go. Whether you got the time, Jim Jones,

1499
01:24:07,760 --> 01:24:12,519
Speaker 1: we need you, Little Wayne, we need you. Let's go,

1500
01:24:12,880 --> 01:24:16,960
Speaker 1: mat Me, we need you. Let's go Scott Starts. We

1501
01:24:17,040 --> 01:24:19,479
Speaker 1: know you moved to California. Bring your ass back for

1502
01:24:19,520 --> 01:24:24,120
Speaker 1: a more, get your bank, your ass back, because we

1503
01:24:24,240 --> 01:24:26,840
Speaker 1: need to make legally that you can smoke weed on

1504
01:24:26,960 --> 01:24:30,360
Speaker 1: South Beach and watch people in with no shirt on.

1505
01:24:30,760 --> 01:24:34,479
Speaker 1: There we go preprobably woman into that. We're gonna let

1506
01:24:34,520 --> 01:24:38,559
Speaker 1: you live as well. That's what I'm saying. And help

1507
01:24:38,640 --> 01:24:41,800
Speaker 1: Twin get to l a will go fund me, go

1508
01:24:41,920 --> 01:24:45,280
Speaker 1: fund mans, go fund me man dash to a journey

1509
01:24:45,320 --> 01:24:48,880
Speaker 1: time Man spoke with it too. You already know man,

1510
01:24:48,920 --> 01:24:52,040
Speaker 1: I'm a young nigg on the journey, experienced hip hop history. Man,

1511
01:24:53,160 --> 01:25:00,320
Speaker 1: I'm sharing. I love the chase army. Man, I'm saying,

1512
01:25:00,400 --> 01:25:02,400
Speaker 1: drink chats, army, help me get to l a man

1513
01:25:03,520 --> 01:25:08,000
Speaker 1: experience with y'all. You already know how my Instagram be popping. Yes,

1514
01:25:08,600 --> 01:25:12,080
Speaker 1: that's how young. You gotta keep young things around. I

1515
01:25:12,240 --> 01:25:14,800
Speaker 1: keep young ladies around. They keep me young. At that time,

1516
01:25:14,960 --> 01:25:17,120
Speaker 1: everything works. I want to thank you for having us

1517
01:25:17,200 --> 01:25:19,280
Speaker 1: up here. No, no, no, we were gonna. We're gonna

1518
01:25:19,400 --> 01:25:26,760
Speaker 1: like five more minutes that I'm having. So so let's

1519
01:25:26,800 --> 01:25:30,760
Speaker 1: let's just get let's get correct. Yes, so you're the

1520
01:25:30,840 --> 01:25:33,080
Speaker 1: owner of the club and you're like and you have

1521
01:25:33,280 --> 01:25:35,240
Speaker 1: the like when I say relationships or what I mean

1522
01:25:35,360 --> 01:25:39,600
Speaker 1: nothing funny, like how do you maintain the woman to

1523
01:25:39,720 --> 01:25:43,439
Speaker 1: keep working for you? You treat that, You treat everyone fair,

1524
01:25:43,720 --> 01:25:46,840
Speaker 1: You treat everyone like people. You every you know, every

1525
01:25:46,960 --> 01:25:49,720
Speaker 1: voice has to get heard. And that's the reality. There's

1526
01:25:49,760 --> 01:25:54,000
Speaker 1: no competing. There's no competition. Everybody's dead. Everybody didn't make

1527
01:25:54,040 --> 01:25:56,880
Speaker 1: it be picky because like, you're not gonna let my

1528
01:25:57,280 --> 01:26:01,240
Speaker 1: man art with the bead strip, right, Like that's not

1529
01:26:01,360 --> 01:26:06,400
Speaker 1: gonna happen. Right, whatever has a hundred followers as a followers,

1530
01:26:07,200 --> 01:26:09,080
Speaker 1: you look very gorgeous. Come over here and join us.

1531
01:26:09,120 --> 01:26:11,639
Speaker 1: We're having fun. This is nobody sees this. We only

1532
01:26:11,680 --> 01:26:16,840
Speaker 1: got three follows we got just come over here, Come

1533
01:26:16,880 --> 01:26:19,519
Speaker 1: on you you're very beautiful with this. This You need support.

1534
01:26:19,640 --> 01:26:22,320
Speaker 1: This is supporting. We're trying to get this man elected

1535
01:26:22,360 --> 01:26:24,600
Speaker 1: from man. That's right. We're gonna be man. How we

1536
01:26:24,680 --> 01:26:27,000
Speaker 1: picked the girls most of the time is we picked them.

1537
01:26:27,040 --> 01:26:30,040
Speaker 1: We gotta make sure there's no stomach and nothing like that.

1538
01:26:30,160 --> 01:26:32,880
Speaker 1: And then you want to get entertainers, girls who entertain

1539
01:26:33,000 --> 01:26:35,280
Speaker 1: hard and look good. They're really gonna go hard with

1540
01:26:35,400 --> 01:26:40,400
Speaker 1: it to the death. I think that's very racist here right,

1541
01:26:41,600 --> 01:26:55,439
Speaker 1: the prenant with like it. Okay, come on, now, you

1542
01:26:55,520 --> 01:27:05,519
Speaker 1: know that ship at one point that was never to

1543
01:27:05,560 --> 01:27:09,240
Speaker 1: keep a guy. I said, if any of the ask

1544
01:27:09,320 --> 01:27:11,439
Speaker 1: you though, that's what he used to talk. He used

1545
01:27:11,439 --> 01:27:15,080
Speaker 1: to talk at pregnant bitches. Yeah, so listen, let's let's

1546
01:27:15,080 --> 01:27:19,560
Speaker 1: say let's say incorporation. If a woman gets pregnant, you

1547
01:27:19,680 --> 01:27:24,400
Speaker 1: can't fire Hull. Now, what happens if if they gets right,

1548
01:27:24,600 --> 01:27:28,040
Speaker 1: if they got the good answer right right, one of

1549
01:27:28,120 --> 01:27:33,439
Speaker 1: them right now exactly? But oh ship nig Donna shout

1550
01:27:33,479 --> 01:27:38,439
Speaker 1: at the club. Let me tell you what happens is. Look,

1551
01:27:38,479 --> 01:27:46,759
Speaker 1: they're curious to look at them. It's like, what happens,

1552
01:27:46,920 --> 01:27:48,760
Speaker 1: somebody shoot him the club? You don't shooting the club

1553
01:27:48,840 --> 01:27:52,880
Speaker 1: me of course, um okay, I started. I just know

1554
01:27:53,080 --> 01:27:57,080
Speaker 1: bus control. When we interview girls, we started by telling them,

1555
01:27:57,439 --> 01:27:59,680
Speaker 1: don't make promises we don't want you to make, and

1556
01:27:59,760 --> 01:28:02,360
Speaker 1: don't make promises you can't keep. So if they get

1557
01:28:02,439 --> 01:28:08,240
Speaker 1: pregnant inside the club, you definitely fight. That's how it works.

1558
01:28:08,760 --> 01:28:12,639
Speaker 1: I'm like, against your policy, and that's how it works

1559
01:28:12,680 --> 01:28:14,880
Speaker 1: so long it's not inside the club. The club. But

1560
01:28:15,040 --> 01:28:16,800
Speaker 1: now she comes to the club, but she don't tell

1561
01:28:16,800 --> 01:28:19,360
Speaker 1: you she pregnant, but she got the belly out, but

1562
01:28:19,479 --> 01:28:21,960
Speaker 1: she's still kind of hot, Like she's still kind of hot.

1563
01:28:22,080 --> 01:28:26,840
Speaker 1: Like and you know this a nigga, like we got ed.

1564
01:28:27,400 --> 01:28:30,800
Speaker 1: He preferred pregnant. But like, like, what do you do

1565
01:28:30,880 --> 01:28:32,639
Speaker 1: but you on South Beach now, like you're a little

1566
01:28:32,680 --> 01:28:35,120
Speaker 1: hollywll right right, what do you do? Do you leave

1567
01:28:35,280 --> 01:28:37,120
Speaker 1: a bit or do you be like do you be

1568
01:28:37,200 --> 01:28:40,559
Speaker 1: like your listen baby gonna because it's called tip out, correct,

1569
01:28:41,040 --> 01:28:42,880
Speaker 1: do they do you pay her tip out and say

1570
01:28:43,000 --> 01:28:44,920
Speaker 1: get the about her head? Or do you leave on

1571
01:28:45,120 --> 01:28:47,479
Speaker 1: the dance flow? No, definitely with a pregnant. I mean,

1572
01:28:47,520 --> 01:28:52,679
Speaker 1: were for the kids first and foremost understanding for the kids.

1573
01:28:53,479 --> 01:28:56,920
Speaker 1: I don't understanding she can stay, she gotta go. It's

1574
01:28:56,920 --> 01:28:58,599
Speaker 1: not right for kids to be out there. Yeah, yeah,

1575
01:28:58,960 --> 01:29:02,680
Speaker 1: because the kids just take a shot of pocket. Like man,

1576
01:29:03,120 --> 01:29:08,200
Speaker 1: he just used to it the bottom danger children. We're

1577
01:29:08,200 --> 01:29:10,680
Speaker 1: responsible and we don't believe in having kids out late.

1578
01:29:11,360 --> 01:29:13,880
Speaker 1: When we were like take the kids on, it's too late,

1579
01:29:14,520 --> 01:29:19,720
Speaker 1: it's too late, and take the kids home. Got all

1580
01:29:19,760 --> 01:29:23,840
Speaker 1: Credim sorry for pregnant. Lives matter and I don't want

1581
01:29:23,880 --> 01:29:27,519
Speaker 1: to start this hat attack Black lives matter. It's gonna

1582
01:29:27,560 --> 01:29:34,080
Speaker 1: start this blacks and listen, we got coming up. So yeah,

1583
01:29:34,280 --> 01:29:36,439
Speaker 1: so we're gonna address that Black Lives Matter is gonna

1584
01:29:36,439 --> 01:29:38,559
Speaker 1: be proud of us again. I'm sorry that I comment

1585
01:29:39,600 --> 01:29:44,800
Speaker 1: black because because he kind of he didn't say black

1586
01:29:44,840 --> 01:29:47,960
Speaker 1: lives matter, but he kind of like yeah, he kind

1587
01:29:48,000 --> 01:29:49,880
Speaker 1: of said, like you know, his father's in the end,

1588
01:29:50,040 --> 01:29:52,240
Speaker 1: you know what I'm saying, like, so black lives matter

1589
01:29:52,320 --> 01:29:54,680
Speaker 1: people kind of you know, went at him. So that

1590
01:29:55,160 --> 01:29:57,400
Speaker 1: is what I'm saying, and I'm probably I'm clearing all

1591
01:29:57,400 --> 01:30:00,160
Speaker 1: over there. This I'm very excited about. It's that up

1592
01:30:00,200 --> 01:30:05,120
Speaker 1: with me. Um yeah, yeah, no no no, no, no

1593
01:30:05,200 --> 01:30:08,000
Speaker 1: no no. I was right when Bad first came out.

1594
01:30:08,080 --> 01:30:10,760
Speaker 1: He was in Snoop Dogg's first video jumping on the couch,

1595
01:30:13,360 --> 01:30:17,360
Speaker 1: I was and Beyonce's first video back then to dribbling

1596
01:30:17,439 --> 01:30:20,920
Speaker 1: his basketball rhyme and I did it man, I mean yeah,

1597
01:30:21,840 --> 01:30:24,840
Speaker 1: but we promoting V Live King and Diamonds. Ocean Drive

1598
01:30:25,400 --> 01:30:28,240
Speaker 1: probably is invited there to hang out with us. Yeah,

1599
01:30:28,280 --> 01:30:34,240
Speaker 1: he aged, Yeah, definitely hit by everybody feels Also, yes,

1600
01:30:35,200 --> 01:30:36,680
Speaker 1: you know you ain't drink because you don't know the

1601
01:30:36,720 --> 01:30:38,439
Speaker 1: one that ain't drink. But your people is just drinking,

1602
01:30:38,560 --> 01:30:41,639
Speaker 1: right right, correct? Everybody drinking? Yes, all right, cool, don't

1603
01:30:41,640 --> 01:30:45,479
Speaker 1: bust no more shots. It's also big up to John

1604
01:30:46,120 --> 01:30:50,519
Speaker 1: at motherfucking because all boys in the building, you know,

1605
01:30:50,680 --> 01:30:52,479
Speaker 1: me and Diddy, we've been talking. I'm like, yo, I

1606
01:30:52,520 --> 01:30:55,840
Speaker 1: don't understand how you're not stalking us to put those

1607
01:30:55,880 --> 01:30:57,960
Speaker 1: bottles on the table, like we're tired by this rock.

1608
01:30:58,080 --> 01:31:02,400
Speaker 1: It's like right right, also, but Cardi, we are tired

1609
01:31:02,439 --> 01:31:05,280
Speaker 1: of buying, y'all. I better wake up. You know what

1610
01:31:05,280 --> 01:31:07,240
Speaker 1: I'm saying. We know you're doing deals with Swiss Beach,

1611
01:31:07,360 --> 01:31:11,439
Speaker 1: God bless Swiss Beat. That's our brother. That's all family. Man,

1612
01:31:11,520 --> 01:31:13,320
Speaker 1: I listen, man, I already hit Swiss Beata. I know

1613
01:31:13,400 --> 01:31:15,360
Speaker 1: he's doing a no commission thing, but I was hooking

1614
01:31:15,400 --> 01:31:17,760
Speaker 1: it up behind your back just so you can go down.

1615
01:31:18,040 --> 01:31:20,040
Speaker 1: But it didn't happen as fast as I think it enough.

1616
01:31:20,320 --> 01:31:23,719
Speaker 1: But Cardi, you are slipping the people, the branded bastard,

1617
01:31:23,760 --> 01:31:27,080
Speaker 1: that Bacardi. We have the number one podcast doing one

1618
01:31:27,160 --> 01:31:30,439
Speaker 1: point two million? What did you do last week? And

1619
01:31:30,640 --> 01:31:32,960
Speaker 1: but Cardi, y'are not. They don't want your bottles on here.

1620
01:31:33,160 --> 01:31:35,640
Speaker 1: Big up to Dame Dash that's my man. We got

1621
01:31:35,720 --> 01:31:38,120
Speaker 1: his dust go poppington on the table. Look up to

1622
01:31:38,160 --> 01:31:43,320
Speaker 1: it once again. To Keith and Elena, Uh to wet Nectar,

1623
01:31:43,880 --> 01:31:48,519
Speaker 1: Big up to uh young sass m m j m

1624
01:31:49,920 --> 01:31:53,120
Speaker 1: up tim MG. I've just seen Ricky Rose as well,

1625
01:31:53,200 --> 01:31:55,920
Speaker 1: So if y'all know, hit up Ricky Rose on his

1626
01:31:56,080 --> 01:31:58,040
Speaker 1: d M s, hit him on everything. Make sure he

1627
01:31:58,120 --> 01:32:02,280
Speaker 1: comes through next week. Through coming all. You know that

1628
01:32:02,560 --> 01:32:05,280
Speaker 1: it's one of my favorite in the games. You know

1629
01:32:05,320 --> 01:32:09,200
Speaker 1: what I'm saying, um um and who else? Big of

1630
01:32:09,400 --> 01:32:12,559
Speaker 1: a true life? And Luke we got Luke gotta come through.

1631
01:32:12,600 --> 01:32:16,519
Speaker 1: Got Luke, Luke Luke. But you can't thank you so much,

1632
01:32:16,600 --> 01:32:19,560
Speaker 1: my brother, because you've got so much history and you

1633
01:32:19,680 --> 01:32:23,519
Speaker 1: really brought some real gorgeous women, some pretty ladies that

1634
01:32:23,680 --> 01:32:25,559
Speaker 1: like there's a lot of people that let me ask

1635
01:32:25,600 --> 01:32:27,559
Speaker 1: the ladies a question before we get up out of here,

1636
01:32:28,040 --> 01:32:30,000
Speaker 1: Like it's their men who I just say that I'm

1637
01:32:30,000 --> 01:32:32,040
Speaker 1: gonna pay your rent like for the month, Like how

1638
01:32:32,080 --> 01:32:35,800
Speaker 1: does that go? Like ahead, because I've seen niggas that

1639
01:32:35,840 --> 01:32:37,840
Speaker 1: say I'm gonna pay her rent. I'm like what Like

1640
01:32:38,000 --> 01:32:39,479
Speaker 1: like they just walk in and just look at the

1641
01:32:39,560 --> 01:32:41,040
Speaker 1: lady and be like, I'm gonna pay her rent. I'm like,

1642
01:32:41,400 --> 01:32:43,479
Speaker 1: is that like a Miami thing? Or like it's like

1643
01:32:43,960 --> 01:32:46,360
Speaker 1: like have people come to you, what's the first thing

1644
01:32:46,439 --> 01:32:48,519
Speaker 1: they offer you? Like when they're trying to fun that

1645
01:32:51,160 --> 01:32:54,920
Speaker 1: we need to know this is your first ladies, Like,

1646
01:32:55,120 --> 01:32:57,439
Speaker 1: what's the first thing they offer me? Yeah, like a

1647
01:32:57,560 --> 01:33:01,040
Speaker 1: horny nigga to out the game, game, to take you

1648
01:33:01,080 --> 01:33:02,519
Speaker 1: out of the game, like you're too ready to be

1649
01:33:02,640 --> 01:33:04,800
Speaker 1: doing it. Like what would you say? What would you say?

1650
01:33:06,640 --> 01:33:13,160
Speaker 1: Movies like moment regular movies and now when I'm gonna

1651
01:33:13,160 --> 01:33:14,400
Speaker 1: get to you and say he want to take you

1652
01:33:14,439 --> 01:33:16,000
Speaker 1: to the movies, what did you say? Like he's a

1653
01:33:16,080 --> 01:33:19,960
Speaker 1: lame to you like that. You used to the guy

1654
01:33:20,080 --> 01:33:24,519
Speaker 1: saying I want to take out the game that before. No,

1655
01:33:24,760 --> 01:33:26,759
Speaker 1: I used to think it was sweet. I guess before

1656
01:33:27,000 --> 01:33:29,960
Speaker 1: movies or take you out the game, take you out

1657
01:33:30,000 --> 01:33:35,439
Speaker 1: the game? The movie was sweet? But now now now

1658
01:33:35,520 --> 01:33:39,200
Speaker 1: he comes up to you, you just just just hunting

1659
01:33:39,280 --> 01:33:41,439
Speaker 1: on you. Right, You're like, I want to take you

1660
01:33:41,520 --> 01:33:45,280
Speaker 1: to the movies. You're like, ball, what are you saying?

1661
01:33:45,479 --> 01:33:50,080
Speaker 1: Like they just made a movie and kind it kind

1662
01:33:50,120 --> 01:33:57,680
Speaker 1: of makes you a little bias, make you a little by.

1663
01:33:58,400 --> 01:34:00,920
Speaker 1: It does make you a little bias because now, prior

1664
01:34:01,040 --> 01:34:03,720
Speaker 1: to you stripping that guy, they wanted to take you

1665
01:34:03,720 --> 01:34:06,640
Speaker 1: to the movies. Was this ship not even like the

1666
01:34:06,720 --> 01:34:09,880
Speaker 1: ship just like oh that's like sweet cool. We're like,

1667
01:34:10,640 --> 01:34:17,240
Speaker 1: I don't know, now, how about I don't want to

1668
01:34:17,240 --> 01:34:18,680
Speaker 1: go to the movies. I want you to spend this

1669
01:34:18,880 --> 01:34:26,920
Speaker 1: check that got time, got time to play with you playing? Yeah,

1670
01:34:26,960 --> 01:34:32,519
Speaker 1: when I used to don't you baby mama dancing? I

1671
01:34:32,560 --> 01:34:34,280
Speaker 1: don't date a lot of strippers. I know the game

1672
01:34:37,080 --> 01:34:39,320
Speaker 1: on what you just said is your baby mother, baby

1673
01:34:39,360 --> 01:34:41,240
Speaker 1: mama dancing? I don't date A lot of strippers have

1674
01:34:41,360 --> 01:34:44,000
Speaker 1: gone to Yeah, you know, she just said it was

1675
01:34:44,760 --> 01:34:48,479
Speaker 1: that's just che what you said. You know what I'm saying.

1676
01:34:48,479 --> 01:34:50,600
Speaker 1: I get it. Nig is coming in there, kod and

1677
01:34:50,640 --> 01:34:53,000
Speaker 1: they're throwing out thousands of dollars. I get it. But

1678
01:34:53,200 --> 01:34:54,640
Speaker 1: a lot of times women just want to feel like

1679
01:34:54,680 --> 01:34:56,160
Speaker 1: they normal. You know, I'm saying that. They're just saying

1680
01:34:56,200 --> 01:34:57,680
Speaker 1: a piece of property that people come in there and

1681
01:34:57,720 --> 01:34:59,679
Speaker 1: be like, yeah, I'm gonna throw three thousand dollars downs

1682
01:35:01,760 --> 01:35:10,560
Speaker 1: job job talking about week in the facility of my job. No,

1683
01:35:10,680 --> 01:35:12,679
Speaker 1: I get that. I get that. What we're talking about

1684
01:35:12,760 --> 01:35:18,080
Speaker 1: is after your job, after work. People a right, Wait,

1685
01:35:18,160 --> 01:35:21,800
Speaker 1: people don't want people that work. Wait what people that work?

1686
01:35:22,000 --> 01:35:23,639
Speaker 1: They don't go home, they don't get breaks, they don't

1687
01:35:23,640 --> 01:35:24,880
Speaker 1: you know, they don't have a normal life. They have

1688
01:35:24,960 --> 01:35:27,680
Speaker 1: weekends off, vacations and all that stuff. Right, So what

1689
01:35:27,760 --> 01:35:30,000
Speaker 1: do you guys do when that happens? This is real ship,

1690
01:35:32,920 --> 01:35:37,400
Speaker 1: What are you going? Real? Real all the time? All work?

1691
01:35:37,479 --> 01:35:39,960
Speaker 1: You all work hard. I'm not listen, listen, listen, listen

1692
01:35:40,240 --> 01:35:42,920
Speaker 1: right at sun up. This is a battle between the

1693
01:35:42,960 --> 01:35:49,639
Speaker 1: stress and the breakular niggas who want you to say

1694
01:35:51,240 --> 01:35:52,840
Speaker 1: or normal as girls. You know what I'm saying, You

1695
01:35:52,960 --> 01:35:55,599
Speaker 1: gus have the job, right y'all jobs is at night,

1696
01:35:55,680 --> 01:35:57,920
Speaker 1: on the weekends or whatever time it may be. But

1697
01:35:58,120 --> 01:35:59,640
Speaker 1: do you not have days off? Do you not have

1698
01:35:59,720 --> 01:36:01,320
Speaker 1: days off? You want to go home and just hang

1699
01:36:01,400 --> 01:36:03,840
Speaker 1: out with a dude that fucking likes you guys just

1700
01:36:04,000 --> 01:36:07,240
Speaker 1: because you you are you, because you're chaos and you

1701
01:36:07,320 --> 01:36:10,280
Speaker 1: are me, and that's who you guys are on the

1702
01:36:11,040 --> 01:36:12,840
Speaker 1: fun if you guys are stripping, and that's what twenty

1703
01:36:12,880 --> 01:36:15,439
Speaker 1: motherfucker's as a man, you need to make more money

1704
01:36:15,520 --> 01:36:33,240
Speaker 1: than me. What funny was it was the brass He

1705
01:36:33,320 --> 01:36:34,960
Speaker 1: went up to Missy and the brad. He's like, can

1706
01:36:35,000 --> 01:36:42,479
Speaker 1: I take you to them? You need? Okay, but break

1707
01:36:42,560 --> 01:36:46,920
Speaker 1: that down for us that don't understand, because listen, listen,

1708
01:36:46,960 --> 01:36:52,920
Speaker 1: I'm gonna be honest. If I wasn't, who am I getting?

1709
01:36:52,920 --> 01:36:57,559
Speaker 1: I forgotten Victor, Like like I wouldn't want like want

1710
01:36:57,600 --> 01:37:00,200
Speaker 1: to see a pretty girl and say, hey, baby, can

1711
01:37:00,280 --> 01:37:02,519
Speaker 1: I take you out? Maybe I won't say the movies

1712
01:37:02,600 --> 01:37:06,439
Speaker 1: because I I can smoke too much, but like I'll say, like, hey,

1713
01:37:06,600 --> 01:37:08,880
Speaker 1: can I take you? Like That's not gonna work for me,

1714
01:37:09,000 --> 01:37:11,240
Speaker 1: like like like you know what I mean? So can

1715
01:37:11,360 --> 01:37:16,840
Speaker 1: explain why this doesn't work for people like that? Well,

1716
01:37:16,960 --> 01:37:19,200
Speaker 1: first off, when I'm in the strip club, I'm not

1717
01:37:19,320 --> 01:37:22,599
Speaker 1: trying to nomber. I'm not trying to do nothing. I'm

1718
01:37:22,640 --> 01:37:27,639
Speaker 1: trying to to him look at them. Yeah, I'm gonna

1719
01:37:27,640 --> 01:37:29,800
Speaker 1: going on vacation with a dude who I did not

1720
01:37:29,960 --> 01:37:32,960
Speaker 1: meet at the strip club and he's still spending that check.

1721
01:37:33,520 --> 01:37:35,760
Speaker 1: But I didn't meet him at the strip club. But

1722
01:37:35,840 --> 01:37:37,519
Speaker 1: if I dude need you at the strip club, I'm

1723
01:37:37,560 --> 01:37:40,080
Speaker 1: gonna tell you has to come back again so you

1724
01:37:40,160 --> 01:37:43,840
Speaker 1: can keep spending that money. You are what you eat.

1725
01:37:44,120 --> 01:37:50,080
Speaker 1: So if you go to the stript, yeah, you got

1726
01:37:50,200 --> 01:37:59,960
Speaker 1: us here, guy, the first one. God, come on them.

1727
01:38:05,920 --> 01:38:11,320
Speaker 1: That's that's why I need my own MinC. I'm working good.

1728
01:38:11,800 --> 01:38:14,960
Speaker 1: My twins in the building. I love eating ass. I

1729
01:38:15,120 --> 01:38:18,880
Speaker 1: want to slim to ask my twine eats ass. He

1730
01:38:19,000 --> 01:38:25,760
Speaker 1: just ten, just looked like he came on juvenile attention. Yeah,

1731
01:38:25,880 --> 01:38:28,840
Speaker 1: you don't want to answer that, right, Come on that. Yeah,

1732
01:38:29,160 --> 01:38:33,000
Speaker 1: they're trying to get that. Keep it up on the twin.

1733
01:38:33,439 --> 01:38:36,200
Speaker 1: I want to know my twenty as. You're gonna have

1734
01:38:36,280 --> 01:38:39,559
Speaker 1: your beef right now. I'm in. I'm in okay something

1735
01:38:39,640 --> 01:38:42,200
Speaker 1: he apparents mine. I only eat my lady's ass. That's

1736
01:38:42,240 --> 01:38:48,599
Speaker 1: about it. Why was this like arm Spora, I don't

1737
01:38:53,520 --> 01:38:55,600
Speaker 1: probably passing that was ship at one time and she

1738
01:38:55,680 --> 01:38:59,240
Speaker 1: thought was the same person like girl now funding ship

1739
01:38:59,360 --> 01:39:02,760
Speaker 1: me back? All right? That Mike, that Mike lives matter too, man,

1740
01:39:03,400 --> 01:39:07,559
Speaker 1: let's get let's get back to you. But all josephs

1741
01:39:07,600 --> 01:39:09,200
Speaker 1: I don't want to know anybody that thinks that we're

1742
01:39:09,240 --> 01:39:13,519
Speaker 1: playing with the lives matter. Black lives matter. Just want

1743
01:39:13,520 --> 01:39:16,680
Speaker 1: black lives matter is because it seemed like it does it,

1744
01:39:16,840 --> 01:39:19,240
Speaker 1: so of course we're supporting that. I can I can't

1745
01:39:19,240 --> 01:39:21,080
Speaker 1: believe you're talking about black lives matter. Where you have

1746
01:39:21,800 --> 01:39:24,880
Speaker 1: the beautiful woman next to you? Now, um, you said

1747
01:39:24,880 --> 01:39:28,040
Speaker 1: you poort a weekend in black and those are yours?

1748
01:39:33,760 --> 01:39:37,320
Speaker 1: The best doctors? Those are more thing Coral Gables Gables?

1749
01:39:37,400 --> 01:39:42,240
Speaker 1: Just where is that the best doctors? Is that Dr Minami? No? No, doctor,

1750
01:39:44,479 --> 01:39:48,880
Speaker 1: probably isn't Coral Gables? Oh yeah, okay, okay. And then

1751
01:39:49,000 --> 01:39:51,080
Speaker 1: but but the thing in the back of that's everything

1752
01:39:51,120 --> 01:39:55,479
Speaker 1: else now you you all not your old too, same

1753
01:39:55,600 --> 01:40:06,080
Speaker 1: not your talk to Miami. Um, I don't remember so

1754
01:40:06,160 --> 01:40:11,680
Speaker 1: much money now I see it before they get up

1755
01:40:11,680 --> 01:40:13,240
Speaker 1: out of it. This strip is the first trip as

1756
01:40:13,320 --> 01:40:15,800
Speaker 1: we have right, I'm not dispecting them. Right, that's that's

1757
01:40:15,800 --> 01:40:26,759
Speaker 1: a beautiful thing. Well entertainment, but but I mean the Segway.

1758
01:40:26,840 --> 01:40:29,200
Speaker 1: But Daphne Evans had left the game for quite a

1759
01:40:29,280 --> 01:40:32,160
Speaker 1: while and she has her own brand of waste Shapers,

1760
01:40:32,200 --> 01:40:34,800
Speaker 1: which is good to promote for all the up and

1761
01:40:34,880 --> 01:40:38,519
Speaker 1: coming girls who want to look good. And now that's

1762
01:40:38,640 --> 01:40:43,840
Speaker 1: that's that's yes, you don't no more. Okay, that's a

1763
01:40:43,840 --> 01:40:46,800
Speaker 1: beautiful thing. Tired, listen, let me just be let me

1764
01:40:46,880 --> 01:40:49,880
Speaker 1: just break it down for y'all in New York City. Yes,

1765
01:40:50,600 --> 01:40:53,080
Speaker 1: we used to hate strip clubs. We just think that

1766
01:40:53,160 --> 01:40:58,920
Speaker 1: strip clubs was for the worst. It comes to bigging

1767
01:40:58,960 --> 01:41:01,840
Speaker 1: y'all up to make us up quickly. Two bundy stuff

1768
01:41:02,360 --> 01:41:05,880
Speaker 1: come out. That's my story alright. So back in the days,

1769
01:41:05,920 --> 01:41:07,800
Speaker 1: we just think like the people that did that was

1770
01:41:07,920 --> 01:41:12,679
Speaker 1: corny until remind you people that never left New York

1771
01:41:12,720 --> 01:41:15,400
Speaker 1: still thinks like that. But when you go to like

1772
01:41:15,479 --> 01:41:18,200
Speaker 1: I couldn't believe, like you know, guys used to hang

1773
01:41:18,280 --> 01:41:21,599
Speaker 1: out in strip clubs like Players Club helped a whole

1774
01:41:21,720 --> 01:41:24,760
Speaker 1: lot because they was like, wow, this is not corny people.

1775
01:41:24,800 --> 01:41:27,280
Speaker 1: And then you get to see like women who are

1776
01:41:27,360 --> 01:41:29,960
Speaker 1: not holes like they were saying that earlier, like I

1777
01:41:30,040 --> 01:41:34,960
Speaker 1: think that's an important part of the strip club whatever

1778
01:41:35,080 --> 01:41:38,439
Speaker 1: you big. Yeah, it's like it's like when I went

1779
01:41:38,520 --> 01:41:43,400
Speaker 1: to I think Atlanta, Like I couldn't remember the first

1780
01:41:43,439 --> 01:41:45,400
Speaker 1: time in Atlanta. I think I was with you as well,

1781
01:41:45,720 --> 01:41:48,479
Speaker 1: Like there's so many girls. Was just was doing anything,

1782
01:41:48,760 --> 01:41:52,080
Speaker 1: going home, getting dressed and like going to take care

1783
01:41:52,080 --> 01:41:54,600
Speaker 1: of their kids. And I was like, whoa, that's the

1784
01:41:54,640 --> 01:41:59,320
Speaker 1: reason why people in New York though, no water, I'll

1785
01:41:59,320 --> 01:42:05,200
Speaker 1: be dipping off expect that because a lot. So you

1786
01:42:05,240 --> 01:42:09,240
Speaker 1: know we have high so yeah, do a lot. But

1787
01:42:09,360 --> 01:42:14,280
Speaker 1: definitely so your next endeavor, you're dead seriously running from

1788
01:42:14,439 --> 01:42:18,240
Speaker 1: Mayor of South Beach, which is different from running from um.

1789
01:42:18,800 --> 01:42:21,439
Speaker 1: We're definitely doing that, running from me a hundred percent,

1790
01:42:21,640 --> 01:42:23,760
Speaker 1: going all the way in. And you can watch us

1791
01:42:23,800 --> 01:42:27,160
Speaker 1: on all hip Hop dot Com all weekly series where

1792
01:42:27,200 --> 01:42:29,880
Speaker 1: we're showing you the ups and downs of this whole

1793
01:42:29,960 --> 01:42:32,880
Speaker 1: struggle from building the club, from developing the club and

1794
01:42:32,960 --> 01:42:36,320
Speaker 1: everything else. When it came to actually like filming lives

1795
01:42:36,400 --> 01:42:38,479
Speaker 1: and all that, we were one of the first that

1796
01:42:38,680 --> 01:42:41,760
Speaker 1: was doing that filming like reality TV. We're like one

1797
01:42:41,800 --> 01:42:42,920
Speaker 1: of the first. I think I was one of the

1798
01:42:43,000 --> 01:42:45,000
Speaker 1: first people doing that in two thousand and eight, two

1799
01:42:45,040 --> 01:42:47,800
Speaker 1: thousand and seven, and then um so now that we're

1800
01:42:47,800 --> 01:42:49,960
Speaker 1: doing it in Miami is like we're doing it a

1801
01:42:50,200 --> 01:42:53,280
Speaker 1: real time, Like what we shoot this week is really happening.

1802
01:42:53,520 --> 01:42:56,240
Speaker 1: We don't have a show like with people who don't

1803
01:42:56,280 --> 01:42:58,400
Speaker 1: do it no more. Everybody with us is active. Everything

1804
01:42:58,560 --> 01:43:01,000
Speaker 1: is real, and we're bringing it showing the other side.

1805
01:43:01,240 --> 01:43:03,280
Speaker 1: Most of the time, when you see strip club but strippers,

1806
01:43:03,439 --> 01:43:05,120
Speaker 1: you see a girl with a cigarette on TV, it

1807
01:43:05,160 --> 01:43:07,559
Speaker 1: looks like a depressing story. We're showing you the real

1808
01:43:07,640 --> 01:43:12,320
Speaker 1: deal here, like this is it isn't about that having pressing.

1809
01:43:12,520 --> 01:43:16,120
Speaker 1: That's right. Everybody is like and I strongly feel that

1810
01:43:16,160 --> 01:43:18,240
Speaker 1: every stripper ain't a hole and ain't a slut and

1811
01:43:18,280 --> 01:43:21,280
Speaker 1: ain't a bit. They're real people. They make real livings,

1812
01:43:21,320 --> 01:43:23,640
Speaker 1: they make real money. Yes, that's what it is. And

1813
01:43:23,720 --> 01:43:26,080
Speaker 1: let's just big up our brothers right right now, let's

1814
01:43:26,080 --> 01:43:29,519
Speaker 1: pick up. Let's big up. Let's pick up m Dot Mario,

1815
01:43:30,000 --> 01:43:33,120
Speaker 1: pick up my brother Cookie. Yes, just a big Chicago.

1816
01:43:33,640 --> 01:43:34,880
Speaker 1: You know what I mean. We got we got a

1817
01:43:34,960 --> 01:43:37,400
Speaker 1: real family. But a lot of people don't know you Panamania.

1818
01:43:37,439 --> 01:43:42,080
Speaker 1: I know what's said that earlier. But you're one Panamanian

1819
01:43:42,160 --> 01:43:45,360
Speaker 1: like not even my mother. And my mother from Panama

1820
01:43:45,360 --> 01:43:51,600
Speaker 1: and my father's from Custa Rica. This is one I

1821
01:43:51,680 --> 01:43:57,160
Speaker 1: don't know. He's one lacking at me and we just

1822
01:43:57,240 --> 01:44:04,280
Speaker 1: got intervisual. Listen, Yes, I want to show respect. I

1823
01:44:04,400 --> 01:44:06,120
Speaker 1: know you want to be off camera, but I would

1824
01:44:06,160 --> 01:44:15,080
Speaker 1: like to shout you out with your name. She sounds expensive,

1825
01:44:17,920 --> 01:44:22,600
Speaker 1: very expensive, like I can't um chaos. Yes, come on,

1826
01:44:22,760 --> 01:44:28,479
Speaker 1: chas shout shout out. You want to chaos. It's chaos, goddess,

1827
01:44:28,680 --> 01:44:34,840
Speaker 1: it's k A y o Z definitely, and then make

1828
01:44:36,520 --> 01:44:39,320
Speaker 1: My Instagram is Daphne Evans d A F F I

1829
01:44:39,479 --> 01:44:42,200
Speaker 1: and I E V and its and my website is

1830
01:44:42,320 --> 01:44:46,720
Speaker 1: I'm Fine Forever dot com. Come on, and it's a

1831
01:44:46,760 --> 01:44:52,960
Speaker 1: stark valley right here. Come on, get thee shout out

1832
01:44:53,720 --> 01:44:58,519
Speaker 1: K to model Instagram trying to hide yet I did

1833
01:44:58,600 --> 01:45:03,760
Speaker 1: it for her since she got at start talking to them,

1834
01:45:03,800 --> 01:45:12,000
Speaker 1: start right, star, just looking right gott Oh no, no, no,

1835
01:45:12,200 --> 01:45:19,439
Speaker 1: I'm writer. I put you on your where you're from though?

1836
01:45:19,439 --> 01:45:21,760
Speaker 1: Where you from though? Your friend? I was born in

1837
01:45:21,840 --> 01:45:25,599
Speaker 1: New York, but I lived Callie and Miami. Yeah, that's

1838
01:45:26,120 --> 01:45:28,240
Speaker 1: when you see me coming to club to star, somebody's

1839
01:45:28,240 --> 01:45:32,400
Speaker 1: getting knocked down down, so it's like we're there, it's

1840
01:45:32,400 --> 01:45:35,519
Speaker 1: straight for the hunt. It's like, Star, who's that over there?

1841
01:45:36,600 --> 01:45:38,360
Speaker 1: It's like it's like he just skips raight to it.

1842
01:45:38,479 --> 01:45:40,320
Speaker 1: And then then it was like, can I take you

1843
01:45:40,360 --> 01:45:42,360
Speaker 1: to the movies? Now? He's like you wanna start eat?

1844
01:45:44,840 --> 01:45:47,240
Speaker 1: You just gonna skip like to it, Like can I

1845
01:45:47,360 --> 01:45:51,240
Speaker 1: claim being a lesbian that you ain't? May be mad

1846
01:45:51,280 --> 01:45:53,240
Speaker 1: at me if I say I'm a lesbian, back to me,

1847
01:45:53,560 --> 01:45:57,800
Speaker 1: everybody to you. So I just so I could come

1848
01:45:57,840 --> 01:45:59,880
Speaker 1: to the lesbian conventions and they're gonna kip there go

1849
01:46:00,040 --> 01:46:10,400
Speaker 1: they don't let me in, alright, all of y'all. I

1850
01:46:10,479 --> 01:46:12,360
Speaker 1: can't thank y'all so much because you do know what

1851
01:46:12,400 --> 01:46:14,720
Speaker 1: I mean. We bug out, We do what we gotta do.

1852
01:46:15,160 --> 01:46:17,840
Speaker 1: But we actually got educated on sex. This is the

1853
01:46:17,880 --> 01:46:20,960
Speaker 1: first time we ever got excated on sex. And we

1854
01:46:21,040 --> 01:46:23,920
Speaker 1: talked about gender. We talked about everything. So people know

1855
01:46:24,360 --> 01:46:27,120
Speaker 1: we're not avoiding no fucking I don't even know what

1856
01:46:27,200 --> 01:46:32,599
Speaker 1: it's called controversial events. We didn't avoid it. We tacked

1857
01:46:32,640 --> 01:46:36,280
Speaker 1: it head on. We had fun, and the bottom line

1858
01:46:36,439 --> 01:46:42,880
Speaker 1: of today's story and agenda, it's everybody it's voting for Aconalic.

1859
01:46:47,560 --> 01:46:50,360
Speaker 1: How do you spell your name one more time? Everything

1860
01:46:51,240 --> 01:46:59,640
Speaker 1: that it's yes, A K I, N Y E L E.

1861
01:47:00,080 --> 01:47:01,639
Speaker 1: You could have been anywhere in the world, but you're

1862
01:47:01,640 --> 01:47:03,720
Speaker 1: here with us tonight. Thank you so much. Because you

1863
01:47:03,800 --> 01:47:06,639
Speaker 1: don't have an Instagram, no, not at all. You don't

1864
01:47:06,680 --> 01:47:08,640
Speaker 1: have a Twitter, No, not at all. I'm gonna have

1865
01:47:08,720 --> 01:47:11,080
Speaker 1: to ask you to come at a two thou sixteen. Yeah,

1866
01:47:12,000 --> 01:47:17,600
Speaker 1: you are in. We're all the way here. Um. I

1867
01:47:17,680 --> 01:47:20,120
Speaker 1: feel that we're gonna sit on the forefront and we could.

1868
01:47:20,280 --> 01:47:23,000
Speaker 1: We could politic everything one on one every So the

1869
01:47:23,080 --> 01:47:25,760
Speaker 1: club is going to have an Instagram because I'm gonna

1870
01:47:25,800 --> 01:47:27,439
Speaker 1: be honest. The club is gonna have the Twitter. The

1871
01:47:27,439 --> 01:47:29,560
Speaker 1: club is gonna have everything. That's what we're promoting the

1872
01:47:29,640 --> 01:47:32,360
Speaker 1: club because you're rich. But a lot of old niggas

1873
01:47:32,400 --> 01:47:35,280
Speaker 1: don't have that, and they're fucked up. You gotta get

1874
01:47:35,360 --> 01:47:39,400
Speaker 1: you gotta get your Instagram, whether your Facebook. I don't

1875
01:47:39,439 --> 01:47:43,320
Speaker 1: use Facebook, I don't use Snapchat. New Year norm on

1876
01:47:43,479 --> 01:47:45,880
Speaker 1: snapchats in case I haven't used that, like two much

1877
01:47:46,680 --> 01:47:49,200
Speaker 1: sat right now, But man, I wish you the best.

1878
01:47:49,320 --> 01:47:51,200
Speaker 1: Thank you so much, Thank you for coming through with

1879
01:47:51,280 --> 01:47:54,519
Speaker 1: these beautiful people. Thank you for holding us down right,

1880
01:47:54,800 --> 01:47:56,800
Speaker 1: Thank you for being and this is your second time

1881
01:47:56,880 --> 01:47:59,919
Speaker 1: on the podcast, and you're welcome anytime. You're welcome anytime

1882
01:48:01,040 --> 01:48:03,960
Speaker 1: we're voting for you for mayor. Listen, I'm a felon.

1883
01:48:04,320 --> 01:48:06,320
Speaker 1: I'm sorry, so I might not be able to vote

1884
01:48:06,400 --> 01:48:08,080
Speaker 1: because I kind of felonily out here. I'm over with

1885
01:48:08,160 --> 01:48:13,960
Speaker 1: tars not good boris. We're gonna make sure everybody vote

1886
01:48:14,000 --> 01:48:15,760
Speaker 1: for you. We want to campaign for you. We want

1887
01:48:15,800 --> 01:48:18,559
Speaker 1: to continue to do this because I know you might

1888
01:48:18,600 --> 01:48:21,000
Speaker 1: be taking this as a joke. You know what, Donald

1889
01:48:21,040 --> 01:48:23,479
Speaker 1: Trump opened up. Donald Trump opened up for people to

1890
01:48:23,600 --> 01:48:26,879
Speaker 1: not take you as a joke because he was definitely

1891
01:48:27,000 --> 01:48:30,400
Speaker 1: polling and he's whatever these ships is. He was polling,

1892
01:48:30,720 --> 01:48:35,120
Speaker 1: and so can you. And I wanna pause, be behind you,

1893
01:48:35,360 --> 01:48:40,519
Speaker 1: be support that movement. Let's make this some dead serious ship.

1894
01:48:40,920 --> 01:48:44,120
Speaker 1: Because if you become the mayor of South Beach and

1895
01:48:44,200 --> 01:48:46,880
Speaker 1: I got your phone number still, I'm gonna just be

1896
01:48:47,040 --> 01:48:52,360
Speaker 1: flown like police pull like you thinking. You know that's

1897
01:48:52,479 --> 01:48:57,960
Speaker 1: my day, that's what come through any day. I'll give

1898
01:48:58,000 --> 01:49:00,800
Speaker 1: me the keys to the city. We definitely need to

1899
01:49:00,840 --> 01:49:03,439
Speaker 1: gives you the city because you know why we did

1900
01:49:03,520 --> 01:49:08,519
Speaker 1: it like eight episodes. But guess what the MAJORITYTHM has

1901
01:49:08,600 --> 01:49:11,800
Speaker 1: been in Miami. You know what I'm saying. So we're

1902
01:49:11,800 --> 01:49:14,640
Speaker 1: gonna show love to Miami and you beautiful ladies for

1903
01:49:14,760 --> 01:49:18,120
Speaker 1: coming out to Miami. It's all the thing that you know,

1904
01:49:18,640 --> 01:49:21,240
Speaker 1: that that that that that's helping us pushing and we're

1905
01:49:21,240 --> 01:49:22,960
Speaker 1: gonna continue to do it. And we thank you all

1906
01:49:23,000 --> 01:49:26,479
Speaker 1: for coming Man d J e FN remember September ten,

1907
01:49:26,600 --> 01:49:29,640
Speaker 1: we're doing that Norwey Barbecue. I'm gonna fly back from

1908
01:49:29,720 --> 01:49:33,200
Speaker 1: Hawaii just to do this and we're gonna keep going.

1909
01:49:33,560 --> 01:49:35,960
Speaker 1: And thank you so much. Canelli man, and you're gonna

1910
01:49:36,240 --> 01:49:38,760
Speaker 1: now what is your name as mayor? Is it gonna

1911
01:49:38,760 --> 01:49:43,720
Speaker 1: be the Acnelly Adams. You could have been anywhere in

1912
01:49:43,720 --> 01:49:45,360
Speaker 1: the world, but you're here with us tonight. Thank you

1913
01:49:45,400 --> 01:49:54,720
Speaker 1: for coming out to drink jam. Thank you. How long

1914
01:49:54,760 --> 01:50:19,880
Speaker 1: we have find all your favorite movies and shows factor

1915
01:50:19,960 --> 01:50:22,479
Speaker 1: with Excinity just speaking to the excellent voice for most

1916
01:50:22,560 --> 01:50:25,519
Speaker 1: to search across live CV, on demand, even Netflix and

1917
01:50:25,560 --> 01:50:30,080
Speaker 1: Prime Video. Now that's simple, easy, awesome. Switch to Excenity

1918
01:50:30,160 --> 01:50:32,599
Speaker 1: today and get a great offer. You'll enjoy an Infinity

1919
01:50:32,760 --> 01:50:34,880
Speaker 1: X one which could you access to your favorite streaming

1920
01:50:34,880 --> 01:50:38,479
Speaker 1: apps like Netflix, YouTube and now Prime Video. Go to

1921
01:50:38,560 --> 01:50:42,200
Speaker 1: Axcinity dot com, call Onexinity, or visit the store today

1922
01:50:42,240 --> 01:50:43,799
Speaker 1: to learn more. Restriction suppli