WEBVTT - 3. Daughter Dearest pt. 1: The Hurricane

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<v Speaker 1>Rose had no magic and she knew it.

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<v Speaker 2>Rose was a hack, but a lot of hacks are

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<v Speaker 2>really successful.

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<v Speaker 3>She was a complicated lady.

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<v Speaker 4>My friend Rose is very divisive. You either love her

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<v Speaker 4>or you don't like her at all.

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<v Speaker 1>I find her just so despicable.

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<v Speaker 5>Most of my personal reaction is to feel sorry for Laura.

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<v Speaker 1>I'm like, man, this was her companion.

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<v Speaker 3>She was a bit rhemian, and she just didn't think

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<v Speaker 3>like everybody else did. She's just a kind of louvishly

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<v Speaker 3>talented but incredibly frustrating personality.

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<v Speaker 6>It is amazing the bad mouthing that goes on fifty

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<v Speaker 6>years after her death. I am so disgusted with that,

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<v Speaker 6>because I think Rose was a heroic woman.

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<v Speaker 7>Laura Engels Wilder and her husband Almonzo had one living

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<v Speaker 7>child named Rose. If you only know Rose from the

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<v Speaker 7>Little House in the Perry Books, you don't know much.

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<v Speaker 7>In the first decades of the twentieth century, Rose Wilder

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<v Speaker 7>Lane was one of the most successful and controversial freelance

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<v Speaker 7>writers in the country.

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<v Speaker 5>Rose was such a famous writer in her time. She

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<v Speaker 5>was so popular.

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<v Speaker 7>Rose is the reason Laura, a middle aged farm wife,

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<v Speaker 7>picked up a pen and started writing about eggs Rose

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<v Speaker 7>told her to well.

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<v Speaker 2>They'd had a symbiotic relationship related to writing for many,

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<v Speaker 2>many years. Rose would write her mother and suggest stories

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<v Speaker 2>that she should work up for the Missouri Ruralist or

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<v Speaker 2>some other Kansas or Missouri newspaper.

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<v Speaker 7>Rose was also the one who encouraged her mother to

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<v Speaker 7>do more than write articles about farm life. Rose pushed

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<v Speaker 7>Laura to write the Little Housebooks and was integral to

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<v Speaker 7>the process.

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<v Speaker 3>She was wrapped up so closely in pushing her mother

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<v Speaker 3>to do this riting, in editing and revising and getting

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<v Speaker 3>the books published. She has just woven into the whole

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<v Speaker 3>story in ways that you cannot ignore.

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<v Speaker 7>And it was Rose, the world famous writer, scared of

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<v Speaker 7>being eclipsed by her mother's success, who overcome with jealousy

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<v Speaker 7>and resentment, almost derailed the entire Little House series before

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<v Speaker 7>it even got started. Behind the cozy, wholesome sweetness of

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<v Speaker 7>the Little House Books is a raging mother and daughter

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<v Speaker 7>relationship that is the stuff of soap operas and tabloid

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<v Speaker 7>talk shows.

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<v Speaker 3>I mean, people in Mansfield still there's still memories about

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<v Speaker 3>this hanging around in Mansfield history. That's how big a

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<v Speaker 3>deal it was.

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<v Speaker 1>But how did it get to this point.

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<v Speaker 7>As far as Little House readers know, Rose only appears

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<v Speaker 7>in the First four Years, last and least well known

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<v Speaker 7>of the books. As the title suggests, the First four

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<v Speaker 7>Years covers Laura's first four years of marriage twelve monso

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<v Speaker 7>Rose arrives in the second year, a happy and healthy baby.

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<v Speaker 7>She's named after the prairie roses Laura loves so much.

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<v Speaker 7>A Rose in December was much rarer than a Rose

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<v Speaker 7>in June. Christmas was at hand, and Rose was a

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<v Speaker 7>grand present. It's a sweet, loving description that comes in

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<v Speaker 7>the middle of a very odd, off putting book. Unlike

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<v Speaker 7>the rest of the Little House series, the First four

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<v Speaker 7>Years is not an enjoyable read.

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<v Speaker 4>Yeah, it is.

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<v Speaker 3>Jarring, and I remember that same feeling reading it as

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<v Speaker 3>a kid, like what is this? Where did this come from?

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<v Speaker 7>It's jarring because the First four Years is an unedited manuscript.

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<v Speaker 7>It was never meant to see the light of day.

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<v Speaker 7>It was nevertheless published after both Laura and Rose had died.

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<v Speaker 7>And yet the First four Years might be the most

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<v Speaker 7>pivotal book in the Little House series, written by Laura

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<v Speaker 7>in the aftermath of an epic implosion in Laura and

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<v Speaker 7>Rose's relationship. It eventually launched a decades long conspiracy theory

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<v Speaker 7>over the authorship of the Little House books. If you

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<v Speaker 7>look at all the available information, and you look at

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<v Speaker 7>Laura's writing, and you look at Rose wilder Lane's writing,

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<v Speaker 7>Rose wilder Lane wrote the books. Rose is woven into

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<v Speaker 7>the Little House creation story in ways you can't ignore.

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<v Speaker 7>However you feel about her, there's no question that more

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<v Speaker 7>than Laura's editors, more than Garth Williams, who later illustrated

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<v Speaker 7>the books, Rose is responsible for the Little House series.

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<v Speaker 7>But who was she really? In the first part of

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<v Speaker 7>this two part episode, we're going to meet Rose wilder Lane.

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<v Speaker 7>Where did she come from? What was her life like?

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<v Speaker 7>How did she become her mother's greatest collaborator and underminer?

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<v Speaker 7>Buckle up, I'm Glennis McNichol, and this is part one

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<v Speaker 7>of Rose wilder Lane. The thing about Rose wilder Lane

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<v Speaker 7>is her life story is the stuff of Hollywood, and

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<v Speaker 7>the fact she hasn't been given the Hollywood treatment is

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<v Speaker 7>a bit strange when you consider how much Hollywood Love's adventure,

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<v Speaker 7>drama and scandal like any classic American tale of Rose

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<v Speaker 7>had humble small town beginning the Ingles home.

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<v Speaker 8>Everyone, this is the last house built by Charles Ingles.

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<v Speaker 9>He built this house.

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<v Speaker 8>In eighteen eighty seven and the family moved in on

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<v Speaker 8>Christmas Eve.

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<v Speaker 7>Emily and Iron De Smet, South Dakota, a tiny town

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<v Speaker 7>on the eastern side of the state, surrounded by rolling farmland.

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<v Speaker 7>Dasmet is the setting of the last five Little House books,

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<v Speaker 7>and we're touring the Ingles home. It's a beautiful two

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<v Speaker 7>story house not far from De Smet's main street. At

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<v Speaker 7>some point it was inhabited by all of the Ingles

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<v Speaker 7>except for Laura, who was already married to Almonzo by

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<v Speaker 7>the time Charles built this house.

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<v Speaker 8>This is a photograph of Laura had al Manzo shortly

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<v Speaker 8>after they were married in eighteen eighty five. They had

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<v Speaker 8>their daughter Rose on December fifth of eighteen eighty six,

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<v Speaker 8>and then their luck kind.

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<v Speaker 1>Of ran out for a little while.

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<v Speaker 7>It was during this difficult time for the Wilders that

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<v Speaker 7>Rose lived here in this house.

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<v Speaker 8>Amanda Laura coughed diphtheria, which was a very common disease

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<v Speaker 8>at the time. While they were recovering their daughter, Rose

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<v Speaker 8>stayed here with her grandparents, and the original bedroom upstairs

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<v Speaker 8>became Rose's room.

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<v Speaker 7>Despite the short time she spent here Rose featured prominently

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<v Speaker 7>in our tour. Even from stories about her as a baby,

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<v Speaker 7>evidence of her strong personality is present.

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<v Speaker 4>This is a photograph of Rose when she was young.

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<v Speaker 8>If you look closely, you'll see that she's wearing a

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<v Speaker 8>ring in this photograph.

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<v Speaker 4>The photographer did not want her to.

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<v Speaker 8>Be wearing this ring, so whenever he would pose her

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<v Speaker 8>for her portrait, he would have her hand cover up

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<v Speaker 8>the ring, But whenever he would go behind the sheet

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<v Speaker 8>to take the photo, she would always switch her hands back.

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<v Speaker 9>Even as a child, she.

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<v Speaker 4>Was very strong willed and independent.

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<v Speaker 8>She grew up in to be quite the strong willed,

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<v Speaker 8>independent adult.

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<v Speaker 7>Because so little known about Rose outside her minimal presence

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<v Speaker 7>in the books, the truth of Rose's early years can

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<v Speaker 7>come as quite a shock to readers who only know

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<v Speaker 7>her as the sweet baby Laura wrote about. But Rose

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<v Speaker 7>was a force of nature and her story is at

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<v Speaker 7>least as wild as Laura's, if not more so. I

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<v Speaker 7>talked Joe through her basic bio.

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<v Speaker 4>Well walk me through, just walk me through her early

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<v Speaker 4>childhood and her life, And just like wrote, I want

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<v Speaker 4>to hear about Rose before she became Rose.

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<v Speaker 3>Right.

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<v Speaker 7>So, she was born in eighteen eighty six, in Dismet,

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<v Speaker 7>South Dakota, which we've been to because that's where Laura lived.

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<v Speaker 7>Laura was only nineteen when she got pregnant. They'd only

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<v Speaker 7>been married. Her and Almonzo had seven babies babies having babies,

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<v Speaker 7>Her and Almondo had only been married for one year.

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<v Speaker 7>Shortly after Rose was born, Laura Almonzo get diphtheria. Almonzo

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<v Speaker 7>has a stroke. He's partially paralyzed. Their crops fail, they

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<v Speaker 7>lose their house, they lose all their money.

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<v Speaker 5>Laura has a.

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<v Speaker 7>Baby boy who dies a few weeks after birth. Their

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<v Speaker 7>house burns down. Like it's a very traumatic early childhood.

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<v Speaker 7>They were very poor, right poor. They're so poor that

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<v Speaker 7>for her whole life, Rose had terrible teeth. She was

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<v Speaker 7>very resentful of that. She's a very very smart kid,

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<v Speaker 7>like she's very smart from a young age. And right

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<v Speaker 7>around the age of eight, they see an advertisement for

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<v Speaker 7>the Ozarks, the Land of Apples, and they decide to

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<v Speaker 7>move to the Ozarks. So they take the you know,

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<v Speaker 7>they go to the Ozarks with one one hundred dollars bill.

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<v Speaker 7>They get to the Ozarks and buy this land. But

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<v Speaker 7>it's called Rocky Ridge because it's full of rocks, and

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<v Speaker 7>it takes years to clear and years to be self sufficient.

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<v Speaker 7>They're deeply, deeply poor. Rose is dressed in I wouldn't

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<v Speaker 7>say rags, but she's not dressed well, and she's so

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<v Speaker 7>aware of this when she she goes to school, the

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<v Speaker 7>class discrepancy of how smart she is and how poor

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<v Speaker 7>she looks. And sometime in high school she's so advanced

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<v Speaker 7>that her mother sends her off to live with Eliza Jane,

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<v Speaker 7>Almonzo's sister. As much as Rose hated Mansfield and resented

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<v Speaker 7>her mother and adored her father, she always wanted to

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<v Speaker 7>leave Mansfield. She could never help. She was always coming back.

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<v Speaker 7>She was always coming home. She went to high school

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<v Speaker 7>with Eliza Jane comes back. But there's some sense, and

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<v Speaker 7>of course these things are hard to gauge, but there

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<v Speaker 7>is some sense in Caroline Fraser's book that Rose may

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<v Speaker 7>have been I mean, I'm using loaded words here, but

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<v Speaker 7>these are the words that I think would have been

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<v Speaker 7>attached to her at the time. She was like perhaps

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<v Speaker 7>a little promiscuous, that she, you know, liked boys and

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<v Speaker 7>was maybe a little risky for I mean, my god,

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<v Speaker 7>can you imagine what small town Ozarks would like fun

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<v Speaker 7>Rose and Laura had an extremely fraught relationship from very

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<v Speaker 7>early on because as a mother, I imagine there's a lot

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<v Speaker 7>of guilt in not being able to provide your daughter

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<v Speaker 7>with certain things or not knowing how to handle her.

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<v Speaker 5>And Laura was a teen mom. They're so poor.

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<v Speaker 7>She's got a husband with a disability, Laura's been working

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<v Speaker 7>since the age of nine, and she has a daughter

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<v Speaker 7>who is a lot to handle. So we know from

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<v Speaker 7>Laura writing about herself that she had a temper. She

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<v Speaker 7>was very candid about that when she wrote about her

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<v Speaker 7>childhood in the Little House series, and she was headstrong,

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<v Speaker 7>and I think you see that in Rose. You see

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<v Speaker 7>that sort of aggressiveness in the controlling nature. Caroline Fraser's

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<v Speaker 7>book Prairie Fires, she writes extensively about Rose, and Caroline writes,

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<v Speaker 7>you know, yes, Laura had a temper, but Laura was

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<v Speaker 7>willing to acknowledge that temper. But Laura was able to

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<v Speaker 7>recognize her laws and Rose seemed unable.

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<v Speaker 4>Yeah, I imagine them butting heads. Right. You have these

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<v Speaker 4>two strong, ambitious, smart, ahead of their time women who

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<v Speaker 4>you know, I could already see it happening with my

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<v Speaker 4>own daughter, Like when you have these two strong personalities.

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<v Speaker 4>I think it becomes very difficult.

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<v Speaker 7>Rose, which I think we can both relate to, got

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<v Speaker 7>the hell out of Mansfield, Missouri as soon as she could.

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<v Speaker 7>She met a man called je Lette Lane, Like, this

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<v Speaker 7>is the least surprising thing. A man named je Let Lane.

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<v Speaker 7>He's a confidence man, which man is a con man.

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<v Speaker 7>They were married for technically they were married for a while,

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<v Speaker 7>and they had a tumultuous marriage. They were, you know itinerant,

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<v Speaker 7>always trying to pull together con scam might be probably

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<v Speaker 7>cons funds, Yeah, probably cons. And Rose became pregnant and

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<v Speaker 7>then had a still birth, and a very very difficult

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<v Speaker 7>still birth that made it impossible for her to have

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<v Speaker 7>children after that, and was ill for quite some like

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<v Speaker 7>in the hospital for quite a long time, and eventually

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<v Speaker 7>their marriage falls apart. She goes to San Francisco on

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<v Speaker 7>her own and read about nineteen fifteen.

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<v Speaker 4>Not how old was she then?

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<v Speaker 7>She would have been in nineteen fifteen, she would have

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<v Speaker 7>been almost thirty. She falls for divorce, which in nineteen fifteen,

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<v Speaker 7>even in San Francisco, is scandalous.

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<v Speaker 1>Not a small thing.

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<v Speaker 7>Yeah, And right around this time, you know, Rose is

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<v Speaker 7>alone in San Francisco and she writes Laura this incredibly

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<v Speaker 7>endearing letter and asking Laura to come to San Francisco

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<v Speaker 7>and visit her. She says, dearest Mama Bess, which is

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<v Speaker 7>what she called Laura her whole life, because Almonzo called

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<v Speaker 7>Laura Bess, and so the fact that Rose includes her

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<v Speaker 7>first name sort of is like she sees her mother

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<v Speaker 7>as a bit of a contemporary, even from a young age.

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<v Speaker 7>But dearest Mama Bess, I simply can't stand being so

0:14:08.920 --> 0:14:11.920
<v Speaker 7>homesick for you anymore. You must plan to come out

0:14:11.920 --> 0:14:15.560
<v Speaker 7>here in July or at latest August. You've simply all

0:14:15.640 --> 0:14:19.480
<v Speaker 7>cap got to. I can send you five dollars a

0:14:19.480 --> 0:14:21.600
<v Speaker 7>week to make up for what you will lose in chickens,

0:14:21.640 --> 0:14:22.320
<v Speaker 7>et cetera.

0:14:22.160 --> 0:14:22.840
<v Speaker 1>By the trip.

0:14:23.240 --> 0:14:24.120
<v Speaker 4>I think that's sweet.

0:14:24.760 --> 0:14:25.520
<v Speaker 1>It is sweet.

0:14:25.520 --> 0:14:29.760
<v Speaker 7>And also knowing that in so many of Rose's journals

0:14:29.840 --> 0:14:33.360
<v Speaker 7>she wrote with deep resentment over giving her parents money.

0:14:33.440 --> 0:14:36.960
<v Speaker 7>It's like she is internally conflicted about how much she

0:14:37.040 --> 0:14:40.360
<v Speaker 7>loves and needs them, like her mother, particularly like they're

0:14:40.400 --> 0:14:45.480
<v Speaker 7>so intertwined they cannot separate from each other even in

0:14:45.520 --> 0:14:49.000
<v Speaker 7>their worst moments. Their lives are so connected and they

0:14:49.160 --> 0:14:52.560
<v Speaker 7>need each other so badly. Anyway, Roses in San Francisco,

0:14:52.760 --> 0:14:55.160
<v Speaker 7>she gets divorced, she gets a job at the San

0:14:55.200 --> 0:15:00.240
<v Speaker 7>Francisco Bulletin as a secretary, but then her talents are

0:15:00.920 --> 0:15:04.080
<v Speaker 7>noticed almost immediately, and she gets moved up into an

0:15:04.160 --> 0:15:08.440
<v Speaker 7>editor position. And then she gets moved up into a

0:15:08.520 --> 0:15:11.480
<v Speaker 7>reporter position and starts going out and reporting stories.

0:15:11.840 --> 0:15:15.920
<v Speaker 4>Wow, that's amazing, Yeah yeah yeah wow. So what kind

0:15:16.000 --> 0:15:19.960
<v Speaker 4>of newspaper was that? Was that, say, the New York

0:15:20.000 --> 0:15:22.040
<v Speaker 4>Times or the New York Post.

0:15:24.040 --> 0:15:26.520
<v Speaker 7>Well, this is still the heyday of yellow journalism, right,

0:15:26.600 --> 0:15:31.560
<v Speaker 7>and many newspapers at that time encouraged a degree of

0:15:32.000 --> 0:15:35.400
<v Speaker 7>salaciousness and exaggeration.

0:15:34.960 --> 0:15:36.880
<v Speaker 4>Scandal and scandal cells.

0:15:36.560 --> 0:15:39.960
<v Speaker 7>Scandal, And you know, into this world arrives Rose, who

0:15:40.040 --> 0:15:44.800
<v Speaker 7>it turns out, has an enormous talent for taking a

0:15:44.960 --> 0:15:50.480
<v Speaker 7>kernel of truth and turning it into a fantastic tale that.

0:15:50.520 --> 0:15:52.680
<v Speaker 4>Is maybe or maybe not true.

0:15:53.000 --> 0:15:54.040
<v Speaker 5>Right, Like, there's a.

0:15:54.040 --> 0:15:57.000
<v Speaker 7>Very tenuous connection and she was really really good at it.

0:15:57.040 --> 0:16:01.240
<v Speaker 7>And again it's easy in hindsight to be like, oh,

0:16:01.240 --> 0:16:05.720
<v Speaker 7>that's very shoddy journalism. But having survived both of us

0:16:06.360 --> 0:16:10.360
<v Speaker 7>on the blogosphere and entabloid papers in your case, it's

0:16:10.400 --> 0:16:13.920
<v Speaker 7>like she's a single woman supporting herself in a city.

0:16:13.920 --> 0:16:15.960
<v Speaker 4>That's not easy, not an easy city.

0:16:16.800 --> 0:16:21.560
<v Speaker 7>No, and she's supporting two aging parents who are financially unstable.

0:16:22.000 --> 0:16:25.440
<v Speaker 7>You know, in Missouri, it's like, if you're good at this.

0:16:26.560 --> 0:16:30.520
<v Speaker 4>Lean in, lean in. And she leaned right, she leaned, and.

0:16:30.480 --> 0:16:33.360
<v Speaker 1>She was very good. You know, she's so good at that.

0:16:33.400 --> 0:16:39.400
<v Speaker 7>She immediately starts pitching these biographies of you know, Herbert Hoover,

0:16:39.440 --> 0:16:42.560
<v Speaker 7>who is a politician, then and Charlie Chaplin and Jack London,

0:16:43.080 --> 0:16:46.520
<v Speaker 7>and pitches them to publishing houses and to their relatives

0:16:46.520 --> 0:16:48.720
<v Speaker 7>and in one case to Charlie Chaplin himself.

0:16:48.760 --> 0:16:50.080
<v Speaker 1>I think, as like.

0:16:50.480 --> 0:16:55.760
<v Speaker 7>Highly researched, respectable biographies, and they participated. And then these

0:16:56.040 --> 0:17:00.600
<v Speaker 7>so called biographies get published and they are less by biographies,

0:17:00.880 --> 0:17:05.480
<v Speaker 7>then fantastical tales with one or two facts in them

0:17:06.440 --> 0:17:10.680
<v Speaker 7>and a number I think Jack London's widow sued her,

0:17:11.280 --> 0:17:14.080
<v Speaker 7>Charlie Chaplin tried to sue her. Herbert Hoover was like,

0:17:14.880 --> 0:17:17.520
<v Speaker 7>wanted to distance himself from her, He wanted nothing to

0:17:17.560 --> 0:17:21.639
<v Speaker 7>do with her. Henry Ford's widow was furious. But the

0:17:21.720 --> 0:17:23.359
<v Speaker 7>thing about all that that stands out to me is

0:17:23.359 --> 0:17:26.160
<v Speaker 7>that she was not apologetic. It's not like she was like, oh,

0:17:26.200 --> 0:17:28.399
<v Speaker 7>you caught me. She was like, what are you talking about?

0:17:28.440 --> 0:17:30.960
<v Speaker 7>I wrote a great book. It makes you look fantastic.

0:17:31.400 --> 0:17:34.439
<v Speaker 4>She sounds amazing to me. I stand by my earlier statement.

0:17:34.840 --> 0:17:36.560
<v Speaker 4>I think Rose sounds like a lot of fun.

0:17:36.640 --> 0:17:40.160
<v Speaker 9>She also sounds like she could have worked at Cocker.

0:17:39.320 --> 0:17:44.240
<v Speaker 9>All of the things she's doing again feel very relatable

0:17:44.320 --> 0:17:46.720
<v Speaker 9>and very modern, and she was very good at it.

0:17:46.760 --> 0:17:51.439
<v Speaker 7>And she is definitely making questionable decisions. But by the

0:17:51.480 --> 0:17:56.359
<v Speaker 7>early twenties, she's making bank They paid so highly, and

0:17:56.440 --> 0:17:58.840
<v Speaker 7>she was so good at these. She moved into short

0:17:58.880 --> 0:18:01.919
<v Speaker 7>story writing, which in the twenty for magazines was very profitable.

0:18:02.480 --> 0:18:06.679
<v Speaker 7>She started traveling, like she traveled to Albania, She hiked

0:18:06.720 --> 0:18:09.440
<v Speaker 7>the mountains by herself. She was all over Europe after

0:18:09.480 --> 0:18:13.240
<v Speaker 7>the war. She was in Paris in the nineteen twenties

0:18:13.359 --> 0:18:14.199
<v Speaker 7>with that crowd.

0:18:14.600 --> 0:18:16.879
<v Speaker 4>Yeah, yeah, good Paris. Time, good Paris.

0:18:17.160 --> 0:18:20.520
<v Speaker 7>She was in her forties, and she apparently she apparently

0:18:20.680 --> 0:18:26.880
<v Speaker 7>attended an orgy as an observer. We don't think she participated,

0:18:26.880 --> 0:18:27.600
<v Speaker 7>but again.

0:18:27.720 --> 0:18:28.240
<v Speaker 1>Who knows.

0:18:28.359 --> 0:18:30.000
<v Speaker 4>We don't know, We don't know.

0:18:30.520 --> 0:18:32.840
<v Speaker 7>Again, our sense of this too, Caroline Fraser writes, like

0:18:32.880 --> 0:18:34.960
<v Speaker 7>our sense of her in these time periods are sometimes

0:18:35.000 --> 0:18:37.840
<v Speaker 7>coming from her sort of colleagues, many of whom are

0:18:37.880 --> 0:18:41.480
<v Speaker 7>not nice about her. And we both know writing about

0:18:41.520 --> 0:18:46.920
<v Speaker 7>women who strong personalities is a very tenuous business.

0:18:47.000 --> 0:18:48.640
<v Speaker 4>History is not kind to strong women.

0:18:48.440 --> 0:18:52.360
<v Speaker 7>But colleagues are not kind to strong women like no,

0:18:52.880 --> 0:18:55.959
<v Speaker 7>And again, Rose was a very difficult person, and she

0:18:56.040 --> 0:19:00.399
<v Speaker 7>had very questionable views on a number of issues. You know,

0:19:00.440 --> 0:19:06.120
<v Speaker 7>in hindsight, we see her as this incredibly adventurous, talented

0:19:07.240 --> 0:19:11.760
<v Speaker 7>woman who's traveling around Europe, you know, after the war.

0:19:11.880 --> 0:19:14.240
<v Speaker 7>She's in Albania, she's hiking in the mountains by herself,

0:19:14.240 --> 0:19:17.680
<v Speaker 7>and she's in Paris and it's so enviable. But Rose

0:19:17.720 --> 0:19:22.000
<v Speaker 7>herself was so ashamed of the poverty that she'd been

0:19:22.080 --> 0:19:25.000
<v Speaker 7>raised in, and it was something she carried with her

0:19:25.400 --> 0:19:28.280
<v Speaker 7>her whole life, which is, I think, something to remember,

0:19:28.359 --> 0:19:30.720
<v Speaker 7>like these things from childhood that we carry don't just

0:19:30.760 --> 0:19:31.560
<v Speaker 7>go away.

0:19:32.280 --> 0:19:34.000
<v Speaker 1>And she wrote in her journal like Rose is.

0:19:34.000 --> 0:19:36.240
<v Speaker 7>A big diary keeper, which is how we know a

0:19:36.280 --> 0:19:37.760
<v Speaker 7>lot of this, right, We know a lot of this

0:19:37.840 --> 0:19:39.720
<v Speaker 7>from Rose's own diary, so you have to sort of

0:19:39.760 --> 0:19:41.800
<v Speaker 7>read it, read between the lines.

0:19:41.800 --> 0:19:42.520
<v Speaker 1>From time to time.

0:19:42.640 --> 0:19:45.560
<v Speaker 7>She's not the most reliable narrator, as we've established, but

0:19:46.640 --> 0:19:50.560
<v Speaker 7>she She wrote in her diary in the late twenties

0:19:51.040 --> 0:19:53.600
<v Speaker 7>and said, I would change places with any young woman

0:19:53.680 --> 0:19:59.200
<v Speaker 7>with intelligent, simple, harmonious parents, good health, and a cultured background.

0:20:00.720 --> 0:20:03.119
<v Speaker 7>And I mean, we know this, but we all know

0:20:03.160 --> 0:20:07.359
<v Speaker 7>from social media that you're drawn to the depiction of

0:20:07.400 --> 0:20:09.399
<v Speaker 7>the thing you feel you don't have. And it's so

0:20:09.640 --> 0:20:15.680
<v Speaker 7>clear that Rose desperately wanted to not have come from poverty,

0:20:15.800 --> 0:20:19.160
<v Speaker 7>to have been better educated, to have had parents who

0:20:20.240 --> 0:20:22.480
<v Speaker 7>she felt should have been more loving to her.

0:20:23.000 --> 0:20:25.919
<v Speaker 4>I feel that really hard, though, because I grew up

0:20:25.960 --> 0:20:29.960
<v Speaker 4>with parents who were both a hot mess, and all

0:20:30.040 --> 0:20:35.080
<v Speaker 4>I wanted growing up was stability. And so that line

0:20:35.119 --> 0:20:37.000
<v Speaker 4>that she writes and the guest, I would have traded

0:20:37.640 --> 0:20:41.040
<v Speaker 4>with any girl who had a stable home and who

0:20:41.119 --> 0:20:43.240
<v Speaker 4>had the things that I didn't have. And I think

0:20:43.280 --> 0:20:46.440
<v Speaker 4>that it made me a massive striver as an.

0:20:46.400 --> 0:20:49.240
<v Speaker 5>Adult and someone who has a great deal of stability.

0:20:50.200 --> 0:20:53.720
<v Speaker 4>Now you exactly, yeah, Yeah, who built stability because I

0:20:53.720 --> 0:20:54.840
<v Speaker 4>did not have it as a child.

0:20:57.080 --> 0:21:00.600
<v Speaker 7>Rose definitely craves stability throughout her life, and for a

0:21:00.640 --> 0:21:03.199
<v Speaker 7>long time she had the funds to achieve it, but

0:21:03.240 --> 0:21:07.120
<v Speaker 7>at every turn Rose managed to undermine herself, making an

0:21:07.200 --> 0:21:10.880
<v Speaker 7>endless series of bad financial decisions just when she got

0:21:10.880 --> 0:21:14.240
<v Speaker 7>closest to getting the thing she wanted. But nothing would

0:21:14.280 --> 0:21:16.720
<v Speaker 7>compare to what Rose did when she returned to Mansfield,

0:21:16.760 --> 0:21:20.240
<v Speaker 7>Missouri in the late nineteen twenties. Rosa spent her entire

0:21:20.280 --> 0:21:23.000
<v Speaker 7>life trying to get away from Rocky Ridge, and now

0:21:23.040 --> 0:21:25.320
<v Speaker 7>she was back, and the first thing she did was

0:21:25.400 --> 0:21:28.000
<v Speaker 7>use her money to build her parents a new house,

0:21:28.440 --> 0:21:32.840
<v Speaker 7>a house that neither Laura or Almonza wanted or needed.

0:21:34.280 --> 0:21:37.800
<v Speaker 7>This house would become the setting of the most explosive,

0:21:38.160 --> 0:21:43.560
<v Speaker 7>damaging decision Rose ever made, one her mother Laura never

0:21:43.640 --> 0:21:44.120
<v Speaker 7>got over.

0:21:50.600 --> 0:21:51.280
<v Speaker 10>I think it's this.

0:21:53.640 --> 0:21:56.639
<v Speaker 11>Wilder rock house nine hundred.

0:21:56.400 --> 0:22:00.199
<v Speaker 7>Feet remember Laura's house Rocky Ridge in Mansfield, Missouri, are

0:22:00.240 --> 0:22:03.400
<v Speaker 7>designed to her own specifications, right down to the height

0:22:03.440 --> 0:22:04.240
<v Speaker 7>of the kitchen counter.

0:22:05.480 --> 0:22:08.760
<v Speaker 1>Well up the hill, there's another house, the Rock House.

0:22:14.160 --> 0:22:15.000
<v Speaker 1>I love this house.

0:22:16.359 --> 0:22:17.639
<v Speaker 4>I don't want to live in this house.

0:22:19.040 --> 0:22:20.280
<v Speaker 1>These windows.

0:22:20.440 --> 0:22:24.960
<v Speaker 2>Rose built this as a little, uh retiredment home before

0:22:25.000 --> 0:22:25.600
<v Speaker 2>her parents.

0:22:25.800 --> 0:22:29.640
<v Speaker 7>The Rock House cost eleven thousand dollars to build, close

0:22:29.680 --> 0:22:32.919
<v Speaker 7>to two hundred thousand dollars in today's money, and became

0:22:33.000 --> 0:22:37.000
<v Speaker 7>a metaphor for Rose's relationship with her parents. After childhood

0:22:37.000 --> 0:22:40.639
<v Speaker 7>of severe poverty. Rose wanted them to have something beautiful

0:22:40.720 --> 0:22:45.000
<v Speaker 7>and expensive, proof of her success and value in the world.

0:22:45.320 --> 0:22:47.440
<v Speaker 10>To me, it looks like such a glamorous house, these

0:22:47.440 --> 0:22:51.280
<v Speaker 10>Florida ceiling windows and the armed doors and the casement windows.

0:22:51.280 --> 0:22:51.680
<v Speaker 4>It's so.

0:22:53.680 --> 0:22:55.520
<v Speaker 1>Like it could be in a Hollywood film.

0:22:55.720 --> 0:22:59.720
<v Speaker 7>No expense was spared, and was there electricity in the house?

0:22:59.760 --> 0:23:00.280
<v Speaker 4>Yes?

0:23:00.720 --> 0:23:03.880
<v Speaker 2>Rose brought down the electricity at her own expense.

0:23:04.240 --> 0:23:07.639
<v Speaker 10>From what I recall, I don't think very many houses

0:23:07.840 --> 0:23:10.880
<v Speaker 10>in this part of the state had access to electricity.

0:23:10.960 --> 0:23:11.880
<v Speaker 1>Is that now.

0:23:12.800 --> 0:23:17.879
<v Speaker 2>Most of them didn't get electricity until the forties. But

0:23:18.000 --> 0:23:21.640
<v Speaker 2>and it cost her three thousand dollars, which in those

0:23:21.680 --> 0:23:22.800
<v Speaker 2>days is my way.

0:23:22.640 --> 0:23:26.320
<v Speaker 7>For those wondering, three thousand dollars in nineteen twenty eight

0:23:26.440 --> 0:23:29.840
<v Speaker 7>is the equivalent of fifty three thousand dollars in today's money.

0:23:31.840 --> 0:23:35.359
<v Speaker 7>So Rose built her dream house, insisting it was also

0:23:35.440 --> 0:23:38.960
<v Speaker 7>her parents' dream house and the best thing for them.

0:23:39.400 --> 0:23:42.720
<v Speaker 7>But neither Laura nor Almonzo particularly wanted to live there.

0:23:43.560 --> 0:23:47.280
<v Speaker 7>They had built Rocky Ridge to their own specifications. Still,

0:23:48.160 --> 0:23:51.720
<v Speaker 7>Rose was a big personality, and Laura and Almonzo could

0:23:51.720 --> 0:23:54.639
<v Speaker 7>never seem to say no to her. So up the

0:23:54.680 --> 0:23:56.919
<v Speaker 7>hill they went to live in the Rock House and

0:23:57.040 --> 0:23:59.840
<v Speaker 7>down into Rocky Ridge, a place she'd spent most of

0:24:00.160 --> 0:24:05.680
<v Speaker 7>life trying to escape. Went Rose. Then the market crashed.

0:24:06.840 --> 0:24:10.760
<v Speaker 7>This hit the Wilder family hard. Rose lost all of

0:24:10.800 --> 0:24:14.320
<v Speaker 7>her money and all of Laura's money that she'd invested

0:24:14.320 --> 0:24:15.320
<v Speaker 7>for them.

0:24:15.920 --> 0:24:16.440
<v Speaker 11>It was a.

0:24:16.320 --> 0:24:19.800
<v Speaker 7>Brutal loss and through the family back into the financial

0:24:19.920 --> 0:24:23.480
<v Speaker 7>chaos and insecurity they'd spent their entire lives trying to

0:24:23.480 --> 0:24:24.119
<v Speaker 7>climb out of.

0:24:24.480 --> 0:24:29.000
<v Speaker 6>In nineteen thirty one, their brokerage firm collapsed.

0:24:29.880 --> 0:24:33.000
<v Speaker 1>This is Bill Anderson. He's written aboutlawa extensively.

0:24:33.960 --> 0:24:38.199
<v Speaker 6>Rose had encouraged her folks to invest, and she was

0:24:38.240 --> 0:24:42.000
<v Speaker 6>heavily invested. And that's when they really were faced with

0:24:42.359 --> 0:24:46.240
<v Speaker 6>what are we going to do now? Financially?

0:24:46.520 --> 0:24:47.639
<v Speaker 1>Rose is a single woman.

0:24:48.480 --> 0:24:50.760
<v Speaker 7>Even before the Rock House, she'd been helping her parents

0:24:50.760 --> 0:24:54.919
<v Speaker 7>out financially for a long time. Now, in addition to

0:24:54.960 --> 0:24:59.960
<v Speaker 7>herself and her parents, there were two houses and no money.

0:25:00.800 --> 0:25:03.760
<v Speaker 7>Add to this the guilt she felt over losing her parents' money,

0:25:04.480 --> 0:25:07.720
<v Speaker 7>and it was all too much. Throughout her life, Rose

0:25:07.760 --> 0:25:11.440
<v Speaker 7>had suffered bouts of depression. We know from Rose's diaries

0:25:11.520 --> 0:25:14.320
<v Speaker 7>that she often escaped gooted Laura for everything that was

0:25:14.359 --> 0:25:17.800
<v Speaker 7>wrong in her life. In one entry that was typical

0:25:17.840 --> 0:25:21.800
<v Speaker 7>of this resentment, Rose wrote, it is amazing how my

0:25:21.840 --> 0:25:24.919
<v Speaker 7>mother can make me suffer. How she hates it that

0:25:24.960 --> 0:25:29.280
<v Speaker 7>I'm her sole source of support, Implicit in every syllable

0:25:29.320 --> 0:25:32.359
<v Speaker 7>and tone, the fact that I've failed, fallen down on

0:25:32.440 --> 0:25:37.280
<v Speaker 7>the job, been the broken read. The picture Rose pains

0:25:37.280 --> 0:25:40.200
<v Speaker 7>of herself in her journals is that of a woman

0:25:40.200 --> 0:25:44.600
<v Speaker 7>who runs on martyrdom and bitterness, and is incapable of

0:25:44.640 --> 0:25:49.000
<v Speaker 7>accepting any love shown to her by Laura. The curious

0:25:49.040 --> 0:25:51.720
<v Speaker 7>thing is that she's sincerely reaching for some kind of

0:25:51.760 --> 0:25:56.400
<v Speaker 7>companionship with me. She's trying to be friends. She wants

0:25:56.520 --> 0:26:00.639
<v Speaker 7>genuine warmth, sympathy. She has not the faint notion of

0:26:00.640 --> 0:26:03.280
<v Speaker 7>what she's doing to me, But underneath there's not a

0:26:03.320 --> 0:26:08.600
<v Speaker 7>trace of generosity in her. For most of her adult life,

0:26:08.840 --> 0:26:13.280
<v Speaker 7>Rose had insisted on supplementing her parents' finances and resented it.

0:26:13.920 --> 0:26:17.280
<v Speaker 7>But in the aftermath of the financial crash, it was

0:26:17.400 --> 0:26:20.359
<v Speaker 7>Rose who was completely overcome, And it was at this

0:26:20.560 --> 0:26:23.800
<v Speaker 7>moment that Laura, a person who'd been through many severe

0:26:23.920 --> 0:26:27.720
<v Speaker 7>ups and downs in her life, sat down and wrote

0:26:27.720 --> 0:26:31.560
<v Speaker 7>her memoir Pioneer Girl. You will remember from our last

0:26:31.560 --> 0:26:34.320
<v Speaker 7>episode about the writing of the Little House Books that

0:26:34.400 --> 0:26:38.240
<v Speaker 7>Laura initially wrote her memoir Pioneer Girl for adults, but

0:26:38.320 --> 0:26:41.199
<v Speaker 7>that when Rose took it to her publishing contexts, it

0:26:41.280 --> 0:26:44.879
<v Speaker 7>didn't sell. Rose then reworked it as a young children's story,

0:26:45.359 --> 0:26:48.320
<v Speaker 7>and that did get some attention, and then Laura and

0:26:48.440 --> 0:26:51.359
<v Speaker 7>Rose took that and reworked it into Little House in

0:26:51.400 --> 0:26:55.520
<v Speaker 7>the Big Woods, and boom. Laura's editor called the result

0:26:55.760 --> 0:26:59.720
<v Speaker 7>a book No Depression Can Stop. While that was happening,

0:27:00.359 --> 0:27:03.760
<v Speaker 7>Rose was writing too, working on something that she hoped

0:27:04.200 --> 0:27:08.160
<v Speaker 7>might be a bestseller all her own, well.

0:27:08.440 --> 0:27:09.600
<v Speaker 1>Sort of her own.

0:27:10.840 --> 0:27:15.080
<v Speaker 7>Here's where things get absolutely insane.

0:27:15.720 --> 0:27:16.680
<v Speaker 1>Here's what happens.

0:27:17.720 --> 0:27:19.560
<v Speaker 7>Laura sells A Little House in the Big Woods in

0:27:19.640 --> 0:27:23.080
<v Speaker 7>nineteen thirty two to great excitement. She works with Rose

0:27:23.119 --> 0:27:25.600
<v Speaker 7>on Edits for Big Woods to ready it for publication.

0:27:26.440 --> 0:27:29.280
<v Speaker 7>At the same time Rose is helping Laura, she is

0:27:29.320 --> 0:27:33.280
<v Speaker 7>also secretly writing a novel tw to let, The Hurricane Roar,

0:27:34.040 --> 0:27:38.320
<v Speaker 7>which she sells to the Saturday Evening post Let. The

0:27:38.400 --> 0:27:43.160
<v Speaker 7>Hurricane Roar is about a couple, Charles and Caroline. They

0:27:43.160 --> 0:27:46.480
<v Speaker 7>are homesteaders in South Dakota who live in a dugout

0:27:46.560 --> 0:27:51.439
<v Speaker 7>on wild Plum Creek. Charles plays the violin, They have

0:27:51.520 --> 0:27:56.320
<v Speaker 7>a baby, Their crops are destroyed by grasshoppers. Charles has

0:27:56.359 --> 0:27:59.960
<v Speaker 7>to walk hundreds of miles east to find work. Caroline

0:28:00.119 --> 0:28:04.239
<v Speaker 7>survives a blizzard alone in the house. Does any of

0:28:04.240 --> 0:28:09.600
<v Speaker 7>this sound familiar? Laura's parents' names are Charles and Caroline.

0:28:10.040 --> 0:28:13.639
<v Speaker 7>Laura lived in a dugout on Plum Creek. Hurricane is

0:28:13.680 --> 0:28:17.040
<v Speaker 7>basically a mesh of stories from Laura's own childhood, which

0:28:17.119 --> 0:28:20.919
<v Speaker 7>Rose knew Laura intended to utilize in future books, mixed

0:28:20.920 --> 0:28:23.720
<v Speaker 7>with facts from Laura's early marriage to alm Monzo.

0:28:24.760 --> 0:28:25.320
<v Speaker 1>No really.

0:28:26.080 --> 0:28:29.119
<v Speaker 7>At the same time Laura was celebrating the publication of

0:28:29.160 --> 0:28:33.120
<v Speaker 7>Big Woods, Rose wrote a novel based on her mother's

0:28:33.160 --> 0:28:36.879
<v Speaker 7>life and sold that under her own name to The

0:28:37.000 --> 0:28:42.280
<v Speaker 7>Saturday Evening Post, which serialized it. The crazier thing is

0:28:42.320 --> 0:28:44.800
<v Speaker 7>that Rose may have done it without her mother's permission

0:28:45.680 --> 0:28:48.080
<v Speaker 7>or even Laura's knowledge.

0:28:48.320 --> 0:28:53.760
<v Speaker 11>We cannot know with one hundred percent accuracy if Rose

0:28:53.800 --> 0:28:56.720
<v Speaker 11>wilder Lane wrote Let the Hurricane Warren's Secret, but it

0:28:56.840 --> 0:29:01.600
<v Speaker 11>looks very very likely that she did, and I actually

0:29:01.640 --> 0:29:04.360
<v Speaker 11>think it was a little bit more insidious than that.

0:29:04.920 --> 0:29:07.960
<v Speaker 7>Up until nineteen thirty two, Rose had never shown any

0:29:08.000 --> 0:29:11.480
<v Speaker 7>interest in writing about the pioneer life. She'd been asked

0:29:11.480 --> 0:29:14.200
<v Speaker 7>to you by various editors, but had never been excited

0:29:14.200 --> 0:29:17.960
<v Speaker 7>by the idea until she and her mother tried to

0:29:17.960 --> 0:29:22.200
<v Speaker 7>sell Pioneer Girl to the Saturday Evening Post. As you'll remember,

0:29:22.680 --> 0:29:26.240
<v Speaker 7>Rose told her mother that Pioneer Girl was rejected, but

0:29:26.320 --> 0:29:29.560
<v Speaker 7>that might not have been the whole truth. Apparently, after

0:29:29.600 --> 0:29:34.280
<v Speaker 7>turning it down, the Saturday Evening Post may have reconsidered.

0:29:34.280 --> 0:29:37.920
<v Speaker 11>Lane's literary agent got back in touch with her and said, Hey,

0:29:38.080 --> 0:29:42.160
<v Speaker 11>I've heard from the Saturday Evening Post and they are

0:29:42.320 --> 0:29:47.200
<v Speaker 11>interested in a nonfiction serial about the Pioneer days and

0:29:47.240 --> 0:29:48.880
<v Speaker 11>they wanted me to get in touch with you, but

0:29:48.960 --> 0:29:53.280
<v Speaker 11>now they're interested in Pioneer Girl. Apparently Lane never told

0:29:53.280 --> 0:29:57.920
<v Speaker 11>her mother that, and so you know, Saturday Evening Post ultimately,

0:29:58.000 --> 0:30:00.720
<v Speaker 11>of course, bought Let the Hurricane Roar. It was published

0:30:00.720 --> 0:30:03.680
<v Speaker 11>in the fall of nineteen thirty two, and then shortly

0:30:03.720 --> 0:30:07.640
<v Speaker 11>after the book was published, Lane left Rocky Rich Farm

0:30:07.720 --> 0:30:10.600
<v Speaker 11>on an extended trip back east.

0:30:12.120 --> 0:30:14.480
<v Speaker 12>I want to get this straight, so let me recap

0:30:14.680 --> 0:30:18.200
<v Speaker 12>for a second. After Little House in the Big Woods.

0:30:18.840 --> 0:30:23.320
<v Speaker 12>Rose started writing her own novel, which was a fictionalized

0:30:23.400 --> 0:30:27.520
<v Speaker 12>version of her parents, Laura and al Manzo's marriage, but

0:30:27.640 --> 0:30:32.960
<v Speaker 12>she changed the names to Laura's parents, Charles and Caroline,

0:30:33.440 --> 0:30:36.400
<v Speaker 12>and she did this all without telling her mom she

0:30:36.480 --> 0:30:36.960
<v Speaker 12>was doing it.

0:30:38.320 --> 0:30:41.520
<v Speaker 7>Yes, I'm nodding my head emphatically, like we're on a

0:30:41.560 --> 0:30:44.200
<v Speaker 7>talk show right now and you're Oprah and we're like

0:30:44.960 --> 0:30:48.400
<v Speaker 7>what the whole audience is like, what, Like, doesn't it

0:30:48.400 --> 0:30:50.240
<v Speaker 7>feel like we're on some crazy talk show?

0:30:50.360 --> 0:30:52.360
<v Speaker 4>It feels more Jerry Springer tonight.

0:30:52.680 --> 0:30:54.560
<v Speaker 1>It totally feels Jerry.

0:30:54.640 --> 0:30:56.560
<v Speaker 5>This is a Jerry Springer episode.

0:30:56.920 --> 0:31:02.920
<v Speaker 7>Imagine doing that to your mother. So like Rose is

0:31:04.160 --> 0:31:08.120
<v Speaker 7>simultaneously spends her life trying to get away from Mansfield

0:31:08.160 --> 0:31:11.200
<v Speaker 7>and her mother, and yet spends her life also writing

0:31:11.240 --> 0:31:14.880
<v Speaker 7>about her mother or like stealing her mother's stories. It

0:31:14.960 --> 0:31:16.280
<v Speaker 7>is a Jerry Springer show.

0:31:16.160 --> 0:31:18.640
<v Speaker 4>It is, And her mother didn't even know.

0:31:19.280 --> 0:31:21.000
<v Speaker 5>Yeah, like crazy.

0:31:22.880 --> 0:31:26.000
<v Speaker 7>Eventually Laura did find out, and she didn't take the

0:31:26.040 --> 0:31:31.680
<v Speaker 7>news well. According to Laura's biographer Caroline Fraser, Laura found

0:31:31.720 --> 0:31:34.000
<v Speaker 7>out about the deception dring a get together in her

0:31:34.120 --> 0:31:39.480
<v Speaker 7>own home with Rose present when Rose's friend, not knowing

0:31:39.520 --> 0:31:42.240
<v Speaker 7>it was a secret brought out copies of the advanced

0:31:42.280 --> 0:31:50.440
<v Speaker 7>advertisements for Hurricane. The advertisements were illustrations of Charles and Caroline,

0:31:50.560 --> 0:31:56.240
<v Speaker 7>Laura's beloved parents, as dashing Hollywood esque figures, gazing into

0:31:56.240 --> 0:31:58.760
<v Speaker 7>the future, as if they had been cast in some

0:31:58.880 --> 0:32:05.480
<v Speaker 7>larger than life screen epic romance. Laura was stunned and confused.

0:32:06.120 --> 0:32:09.400
<v Speaker 7>According to Rose's own journals, Laura wanted to know why

0:32:09.440 --> 0:32:12.760
<v Speaker 7>her parents were in Dakota as a young couple. Here's

0:32:12.760 --> 0:32:17.600
<v Speaker 7>Emily and I re enacting the conversation as Rose recorded

0:32:17.640 --> 0:32:18.520
<v Speaker 7>it in her journal.

0:32:19.520 --> 0:32:21.240
<v Speaker 5>Why do they place it in the Dakotahs?

0:32:21.960 --> 0:32:22.440
<v Speaker 1>I don't know.

0:32:23.120 --> 0:32:27.320
<v Speaker 5>The names aren't right, what names Charles and Caroline? They

0:32:27.320 --> 0:32:28.560
<v Speaker 5>don't belong in that place at.

0:32:28.520 --> 0:32:33.160
<v Speaker 7>All, Rose internally, in her head, my mother has effectively

0:32:33.200 --> 0:32:38.560
<v Speaker 7>destroyed the simple perfection of my pleasure. Perhaps the most

0:32:38.560 --> 0:32:43.680
<v Speaker 7>extraordinary part of Rose's version is Rose pretending that she

0:32:43.800 --> 0:32:47.720
<v Speaker 7>had no idea why the story she had written was

0:32:47.760 --> 0:32:51.080
<v Speaker 7>written in the ways she'd written it. Rose liked to

0:32:51.120 --> 0:32:54.760
<v Speaker 7>claim she hadn't told Laura about Hurricane because her mother

0:32:54.960 --> 0:32:58.760
<v Speaker 7>never cared about her writing. But even if there were

0:32:58.800 --> 0:33:02.080
<v Speaker 7>a shred of truth to this statement, why had Rose

0:33:02.200 --> 0:33:06.480
<v Speaker 7>chosen to use the names Charles in Caroline, to use

0:33:06.560 --> 0:33:10.880
<v Speaker 7>the details of Laura's childhood that Rose knew were sacred

0:33:10.960 --> 0:33:14.480
<v Speaker 7>to her mother and also knew that her mother planned

0:33:14.520 --> 0:33:16.160
<v Speaker 7>to use in future books.

0:33:17.160 --> 0:33:20.240
<v Speaker 11>Wilder felt betrayed, and why wouldn't you feel betrayed?

0:33:20.800 --> 0:33:22.120
<v Speaker 1>Here's Pamela Smith Hilligan.

0:33:23.200 --> 0:33:25.800
<v Speaker 11>I don't think she ever knew that the Saturday Evening

0:33:25.880 --> 0:33:28.840
<v Speaker 11>Post had again been interested in Pioneer Girl. I don't

0:33:28.840 --> 0:33:32.280
<v Speaker 11>think she ever knew that. But she did feel betrayed

0:33:32.280 --> 0:33:34.360
<v Speaker 11>because the main characters don't let the Hurricane row are

0:33:34.440 --> 0:33:37.880
<v Speaker 11>named Charles and Caroline. He plays the fiddle, she's quiet

0:33:37.920 --> 0:33:43.080
<v Speaker 11>and restrained. There were all kinds of episodes lifted directly

0:33:43.200 --> 0:33:46.520
<v Speaker 11>from Pioneer Girl. The whole book really comes directly from

0:33:46.560 --> 0:33:48.920
<v Speaker 11>Pioneer Girl. So she felt betrayed.

0:33:50.240 --> 0:33:53.120
<v Speaker 7>It's difficult to know Laura's exact feelings on this because

0:33:53.160 --> 0:33:55.640
<v Speaker 7>she did not keep a journal, but there's a lot

0:33:55.640 --> 0:33:58.760
<v Speaker 7>of evidence that the hurricane incident caused a huge rift

0:33:58.800 --> 0:34:02.320
<v Speaker 7>between Laura and Rose. According to Caroline Fraser, the implosion

0:34:02.360 --> 0:34:05.680
<v Speaker 7>between the mother and daughter was so spectacular people in

0:34:05.720 --> 0:34:07.600
<v Speaker 7>Mansfield still speak about it today.

0:34:08.560 --> 0:34:12.960
<v Speaker 3>There's still memories about this hanging around in Mansfield his story.

0:34:13.280 --> 0:34:15.120
<v Speaker 3>That's how big a deal it was.

0:34:16.920 --> 0:34:22.319
<v Speaker 7>It all sounds cataclysmic. How could this have happened? How

0:34:22.320 --> 0:34:27.320
<v Speaker 7>could these two ever work together again? As was everything

0:34:27.360 --> 0:34:30.280
<v Speaker 7>to do with Laura and Rose, there are multiple theories,

0:34:31.000 --> 0:34:34.560
<v Speaker 7>and as always, because Laura herself never kept a record

0:34:34.600 --> 0:34:39.440
<v Speaker 7>of her own feelings, all these theories are guesswork. For instance,

0:34:39.920 --> 0:34:43.239
<v Speaker 7>did Rose go behind her mother's back and steal her

0:34:43.280 --> 0:34:48.000
<v Speaker 7>story for adult audiences and her own glory, or were

0:34:48.040 --> 0:34:51.360
<v Speaker 7>the two women in on this together and maybe Laura

0:34:51.520 --> 0:34:55.160
<v Speaker 7>was just surprised by the details of that story. It

0:34:55.280 --> 0:34:58.840
<v Speaker 7>was Hurricane just more proof of the confused, messy overlap

0:34:58.880 --> 0:35:02.480
<v Speaker 7>of these two women's person non professional lives. Or was

0:35:02.520 --> 0:35:07.080
<v Speaker 7>this just the biggest example yet of Rose's self destructive behavior?

0:35:08.320 --> 0:35:12.400
<v Speaker 7>And most importantly, how did all this impact the Little

0:35:12.400 --> 0:35:16.360
<v Speaker 7>House series, most of which had yet to be written.

0:35:21.440 --> 0:35:24.960
<v Speaker 7>Like all epic stories that are told over and over again,

0:35:25.480 --> 0:35:29.080
<v Speaker 7>details can get murky. This is especially true of Laura

0:35:29.080 --> 0:35:32.800
<v Speaker 7>and Rose, and because we have no version of Laura's side,

0:35:33.280 --> 0:35:36.480
<v Speaker 7>there's some debate whether Rose was deceiving Laura when she

0:35:36.520 --> 0:35:40.520
<v Speaker 7>wrote Let the Hurricane Roar, or whether Laura knew what Rose.

0:35:40.400 --> 0:35:43.080
<v Speaker 1>Was up to and was just upset by some of

0:35:43.080 --> 0:35:43.800
<v Speaker 1>the details.

0:35:45.160 --> 0:35:47.480
<v Speaker 7>There are some scholars who don't think Hurricane was a

0:35:47.560 --> 0:35:52.160
<v Speaker 7>huge deception on Rose's part. The family did need the money,

0:35:52.239 --> 0:35:55.040
<v Speaker 7>and writing was basically the family business by this point.

0:35:55.840 --> 0:36:03.480
<v Speaker 2>From what I've been able to determine, Wilder knew that

0:36:04.040 --> 0:36:10.000
<v Speaker 2>Rose was going to fictionalize part of her autobiography. I

0:36:10.000 --> 0:36:12.880
<v Speaker 2>don't think that was a surprise to Laura.

0:36:13.200 --> 0:36:14.880
<v Speaker 7>Bill Anderson agrees with this theory.

0:36:16.040 --> 0:36:19.480
<v Speaker 6>I don't really think it was sneaky. This was a

0:36:19.520 --> 0:36:26.440
<v Speaker 6>family that was severely hurt by the depressions. Laura and

0:36:26.520 --> 0:36:31.160
<v Speaker 6>al Manzo and Rose were in this together in that

0:36:31.239 --> 0:36:36.200
<v Speaker 6>they were sharing the stories, Rose was modifying them, making

0:36:36.239 --> 0:36:41.640
<v Speaker 6>them publishable, and as a team they were able to

0:36:41.719 --> 0:36:43.320
<v Speaker 6>keep themselves out of poverty.

0:36:46.719 --> 0:36:50.520
<v Speaker 7>Still, most scholars are in agreement that Laura was appalled

0:36:50.640 --> 0:36:53.240
<v Speaker 7>by the way Rose fictionalized her family stories.

0:36:54.760 --> 0:36:58.799
<v Speaker 2>I think the surprise was that she didn't take the

0:36:59.080 --> 0:37:02.520
<v Speaker 2>Pioneer Girl so much as she took her mother's and

0:37:02.560 --> 0:37:09.719
<v Speaker 2>her father's story and confused it with Carolyn and Charles.

0:37:09.880 --> 0:37:13.160
<v Speaker 2>Wilder's first reaction to this story is, what are they

0:37:13.239 --> 0:37:16.600
<v Speaker 2>doing there? That's not right? Those people weren't there in

0:37:16.640 --> 0:37:17.680
<v Speaker 2>that time period.

0:37:18.520 --> 0:37:21.640
<v Speaker 7>Whatever Rose and Laura's agreement, if there even was one,

0:37:22.560 --> 0:37:26.400
<v Speaker 7>Rose writing Hurricane the way she did did damage to

0:37:26.440 --> 0:37:30.160
<v Speaker 7>an already fraught relationship. It was the most public display

0:37:30.320 --> 0:37:33.440
<v Speaker 7>so far of a long shimmering resentment Rose had felt

0:37:33.440 --> 0:37:35.759
<v Speaker 7>towards her mother since childhood.

0:37:36.680 --> 0:37:39.840
<v Speaker 3>You know, it was kind of an expression of Rose's

0:37:39.960 --> 0:37:42.759
<v Speaker 3>you know, passive aggression of her trying to get back

0:37:42.760 --> 0:37:46.359
<v Speaker 3>at her mother for things that had happened. There were

0:37:46.600 --> 0:37:51.360
<v Speaker 3>all these kind of old resentments and old assumptions. You know,

0:37:52.400 --> 0:37:54.600
<v Speaker 3>Rose was always saying, you know, she won't let me

0:37:54.640 --> 0:37:59.200
<v Speaker 3>grow up. She doesn't, you know, see me as an adult.

0:38:00.000 --> 0:38:03.279
<v Speaker 7>The Hurricane incident, it's obvious that that childhood resentment was

0:38:03.320 --> 0:38:06.160
<v Speaker 7>now being mixed with some intense professional envy.

0:38:07.360 --> 0:38:12.080
<v Speaker 11>I think she was the kind of writer who projected

0:38:12.120 --> 0:38:16.360
<v Speaker 11>this image of self confidence, and yet she was well

0:38:16.400 --> 0:38:20.840
<v Speaker 11>aware of her own limitations. And I do think, based

0:38:20.880 --> 0:38:24.760
<v Speaker 11>on what I've seen in the editorial correspondence between the two,

0:38:25.760 --> 0:38:29.360
<v Speaker 11>that on the one hand, Lane discounted her mother's work.

0:38:30.200 --> 0:38:32.400
<v Speaker 11>On the other hand, she knew that her mother was

0:38:32.440 --> 0:38:35.120
<v Speaker 11>becoming a best selling writer, and I think Lane did

0:38:35.160 --> 0:38:38.319
<v Speaker 11>feel a sense of rivalry with her mother, so all

0:38:38.360 --> 0:38:40.359
<v Speaker 11>of that was enormously complicated.

0:38:43.080 --> 0:38:46.600
<v Speaker 7>We can only guess at Laura's feelings over this, however

0:38:46.719 --> 0:38:49.520
<v Speaker 7>enraged or hurt she might have been. We have no

0:38:49.640 --> 0:38:52.680
<v Speaker 7>record of it from her, but we do know for

0:38:52.760 --> 0:38:56.600
<v Speaker 7>a fact what she did. Laura did what she always

0:38:56.600 --> 0:38:59.560
<v Speaker 7>did in the face of calamity. She got to work.

0:39:00.760 --> 0:39:04.160
<v Speaker 7>Nancy tistag Koople believes Laura's way of coping with Rose's

0:39:04.160 --> 0:39:08.520
<v Speaker 7>deception was to get down on paper, even just for herself,

0:39:09.080 --> 0:39:12.160
<v Speaker 7>what had actually happened in those difficult early years of

0:39:12.200 --> 0:39:13.400
<v Speaker 7>her marriage to Almonzo.

0:39:15.040 --> 0:39:20.880
<v Speaker 2>Her objection, I believe, was to the confusion that Lane

0:39:21.400 --> 0:39:24.520
<v Speaker 2>added to the story. And that's why I think she

0:39:24.600 --> 0:39:27.799
<v Speaker 2>wrote the First four Years, because she wanted to get

0:39:27.840 --> 0:39:31.840
<v Speaker 2>her own story down the way it happened, at least

0:39:31.880 --> 0:39:35.799
<v Speaker 2>in her mind, and not the way Lane would fictionalize it.

0:39:36.440 --> 0:39:39.560
<v Speaker 7>This small act of testimony would end up complicating both

0:39:39.640 --> 0:39:43.399
<v Speaker 7>Laura and Rose's legacy in ways neither of them could

0:39:43.440 --> 0:39:47.359
<v Speaker 7>have foreseen. Laura's account of the worst years of her

0:39:47.400 --> 0:39:50.720
<v Speaker 7>life would eventually be published as the First four Years

0:39:51.280 --> 0:39:55.000
<v Speaker 7>and launch a decade long conspiracy theory over authorship of

0:39:55.040 --> 0:39:59.239
<v Speaker 7>the entire Little House series. But in the meantime, the

0:39:59.280 --> 0:40:01.480
<v Speaker 7>writing of the Little House series needed to go on,

0:40:02.200 --> 0:40:05.000
<v Speaker 7>and it was this necessity that may have saved Rose

0:40:05.040 --> 0:40:06.200
<v Speaker 7>and Laura's relationship.

0:40:07.640 --> 0:40:10.400
<v Speaker 3>It is surprising that they were able to kind of

0:40:10.440 --> 0:40:12.640
<v Speaker 3>continue on together with the books.

0:40:13.120 --> 0:40:16.160
<v Speaker 7>That's Caroline Fraser and in Prairie Fires, she writes there

0:40:16.200 --> 0:40:19.000
<v Speaker 7>may have been another reason Laura was able to forgive Rose.

0:40:19.960 --> 0:40:24.239
<v Speaker 7>After Laura discovered the hurricane deception, Rose plunged into such

0:40:24.280 --> 0:40:27.880
<v Speaker 7>a prolonged state of depression that Laura was worried about

0:40:27.880 --> 0:40:32.400
<v Speaker 7>her mental state and even feared for Rose's life. Laura's

0:40:32.400 --> 0:40:35.560
<v Speaker 7>anger may have been cut short by real concern over

0:40:35.600 --> 0:40:36.680
<v Speaker 7>her daughter's survival.

0:40:37.440 --> 0:40:40.640
<v Speaker 3>I think Laura did have a really hot temper. I

0:40:40.680 --> 0:40:43.960
<v Speaker 3>think she knew it. She admitted it. You know, al

0:40:44.040 --> 0:40:47.080
<v Speaker 3>Manzo knew about it, he talked about it. But I

0:40:47.120 --> 0:40:51.920
<v Speaker 3>think she could also you know, analyze herself later and say, oh,

0:40:52.320 --> 0:40:54.799
<v Speaker 3>you know, I need to apologize for this. I think

0:40:54.800 --> 0:40:57.880
<v Speaker 3>she did apologize for some of the ways, you know,

0:40:57.960 --> 0:41:02.239
<v Speaker 3>in which she hurt wrote. And Laura could also just

0:41:02.320 --> 0:41:06.080
<v Speaker 3>be very sweet, you know. I mean, she had a

0:41:06.120 --> 0:41:11.960
<v Speaker 3>sweetness to her character and a generosity of spirit, which

0:41:12.040 --> 0:41:13.120
<v Speaker 3>is really admirable.

0:41:14.760 --> 0:41:18.279
<v Speaker 7>Whatever the reason Laura and Rose's collaboration on Farmer Boy

0:41:18.760 --> 0:41:23.680
<v Speaker 7>is what saved their relationship. By this point, in nineteen

0:41:23.719 --> 0:41:27.600
<v Speaker 7>thirty three, Rose had left home, possibly to escape her

0:41:27.640 --> 0:41:31.120
<v Speaker 7>shame and Laura's wrath, and was on an extended research

0:41:31.160 --> 0:41:35.080
<v Speaker 7>trip in upstate New York. Although their relationship was still strained,

0:41:35.600 --> 0:41:38.600
<v Speaker 7>we can see from letters that their collaboration was beginning

0:41:38.600 --> 0:41:39.239
<v Speaker 7>to reignite.

0:41:40.239 --> 0:41:41.640
<v Speaker 1>Here's Pamela smith Hill again.

0:41:43.200 --> 0:41:47.120
<v Speaker 11>While she was away in New York, she sent postcards

0:41:47.160 --> 0:41:51.000
<v Speaker 11>back to her mom and visited Malone, New York, and

0:41:51.080 --> 0:41:54.880
<v Speaker 11>Wilder was already beginning. She had already written a draft

0:41:54.880 --> 0:41:59.480
<v Speaker 11>of Farmer Boy, but Lane sent back postcards, she said,

0:41:59.560 --> 0:42:03.680
<v Speaker 11>descriptions of Malone, New York. And so by the time

0:42:03.719 --> 0:42:07.480
<v Speaker 11>that they're reunited at Rocky Rich Farm and the holidays

0:42:07.480 --> 0:42:10.480
<v Speaker 11>are over, they began to work on another version of

0:42:10.600 --> 0:42:12.280
<v Speaker 11>Farmer Boy.

0:42:12.680 --> 0:42:16.760
<v Speaker 7>Farmer Boy, Laura's follow up to Big Woods was based

0:42:16.800 --> 0:42:21.120
<v Speaker 7>on Almonzo's life. The first draft she and Rose turned in,

0:42:21.760 --> 0:42:25.920
<v Speaker 7>completed in the terrible aftermath of the Hurricane Deception, was

0:42:25.960 --> 0:42:30.480
<v Speaker 7>turned down. Laura and Rose received this news just as

0:42:30.560 --> 0:42:33.759
<v Speaker 7>Hurricane was publishing, which must have added salt to the

0:42:33.800 --> 0:42:37.239
<v Speaker 7>already terrible wound. One of the issues with Farmer Boy

0:42:37.360 --> 0:42:40.600
<v Speaker 7>is that Laura was writing about something she hadn't directly experienced,

0:42:41.000 --> 0:42:43.920
<v Speaker 7>and it showed she and Rose had to come back

0:42:43.960 --> 0:42:47.479
<v Speaker 7>together and do it again. Here's Pamela smith Hill again.

0:42:48.520 --> 0:42:53.759
<v Speaker 11>I think Farmer Boy apparently was the project that healed

0:42:54.320 --> 0:42:58.600
<v Speaker 11>the rift between the two of them, because they worked

0:42:58.600 --> 0:43:03.280
<v Speaker 11>on that together, and then by the time that Farmer

0:43:03.320 --> 0:43:09.040
<v Speaker 11>Boy was accepted, something had triggered Wilder to think bigger

0:43:09.280 --> 0:43:13.560
<v Speaker 11>about her work, and really they collaborated throughout the nineteen thirties,

0:43:13.640 --> 0:43:18.360
<v Speaker 11>not just on the Little House series, but even on Freeland.

0:43:19.800 --> 0:43:23.520
<v Speaker 7>Freeland is Lane's second novel, and it again pulls from

0:43:23.560 --> 0:43:27.360
<v Speaker 7>Laura and Almans's experience, as well as Laura's parents, Charles

0:43:27.440 --> 0:43:31.080
<v Speaker 7>and Carolines. Rose may have learned her lesson this time, though,

0:43:31.520 --> 0:43:35.120
<v Speaker 7>since the main characters are named David and Nettie, a

0:43:35.200 --> 0:43:37.480
<v Speaker 7>young couple who take up the offer of Freeland and

0:43:37.560 --> 0:43:39.960
<v Speaker 7>Dakota Territory.

0:43:40.040 --> 0:43:43.880
<v Speaker 11>In nineteen thirty seven, when Lane was working on Freeland,

0:43:43.920 --> 0:43:49.000
<v Speaker 11>which comes directly from material out of Pioneer Girl, Wilder

0:43:49.080 --> 0:43:51.040
<v Speaker 11>was working on By the Shores of Silver Lake. They

0:43:51.040 --> 0:43:54.480
<v Speaker 11>were writing sometimes the same scene similar characters, and at

0:43:54.480 --> 0:43:57.040
<v Speaker 11>this point they were talking about it back and forth openly.

0:43:57.320 --> 0:43:59.040
<v Speaker 11>We have editorial correspondence.

0:44:00.200 --> 0:44:04.000
<v Speaker 7>In nineteen thirty seven, the Saturday Evening Post paid Rose

0:44:04.640 --> 0:44:10.319
<v Speaker 7>thirty thousand dollars to serialize Freeland. That's more than six

0:44:10.480 --> 0:44:14.719
<v Speaker 7>hundred thousand dollars in today's money. That's more than the

0:44:14.760 --> 0:44:19.640
<v Speaker 7>biggest freelance magazine writer makes today. Freeland also seemed to

0:44:19.680 --> 0:44:22.640
<v Speaker 7>mark the end of the push and pull struggle over

0:44:22.719 --> 0:44:26.120
<v Speaker 7>who had to write to what parts of whose story.

0:44:26.920 --> 0:44:27.480
<v Speaker 1>So by the.

0:44:27.600 --> 0:44:31.480
<v Speaker 2>Late nineteen thirties they had pretty much sorted out how

0:44:31.520 --> 0:44:33.760
<v Speaker 2>they were going to go forward.

0:44:37.320 --> 0:44:41.160
<v Speaker 7>Rose was now permanently living away from Mansfield and Laura

0:44:41.239 --> 0:44:45.880
<v Speaker 7>was gaining confidence in her own writing. Their collaboration continued,

0:44:46.480 --> 0:44:49.920
<v Speaker 7>but it was mostly by letter correspondence now, which perhaps

0:44:50.040 --> 0:44:52.000
<v Speaker 7>eased some of the intensity.

0:44:51.440 --> 0:44:52.399
<v Speaker 1>Of their relationship.

0:44:54.120 --> 0:44:57.839
<v Speaker 7>After Rose's departure, Laura and Almonzo returned to their own

0:44:57.960 --> 0:45:01.719
<v Speaker 7>dream house, Rocky Ridge Farm, where Laura wrote each day

0:45:01.719 --> 0:45:04.680
<v Speaker 7>in her specially built writing book with a view of

0:45:04.680 --> 0:45:08.800
<v Speaker 7>the garden. Each successive Little House Book was a great

0:45:08.880 --> 0:45:13.200
<v Speaker 7>success and brought increasing financial stability to both mother and daughter.

0:45:14.800 --> 0:45:18.719
<v Speaker 7>And yet the most surprising part of this intense collaboration

0:45:19.600 --> 0:45:23.400
<v Speaker 7>was still to come. No one involved could have foretold

0:45:23.480 --> 0:45:27.400
<v Speaker 7>its long and complicated legacy, which eventually reached all the

0:45:27.400 --> 0:45:30.520
<v Speaker 7>way to Hollywood and nearly made it to the White House.

0:45:31.640 --> 0:45:34.920
<v Speaker 7>We're still feeling the effects of Rose and Laura's extraordinary

0:45:34.920 --> 0:45:38.760
<v Speaker 7>relationship today in ways you may be shocked to discover.

0:45:40.080 --> 0:45:50.440
<v Speaker 7>That's next week in Part two of Rose Wilder. Lane

0:45:50.480 --> 0:45:53.880
<v Speaker 7>Wilder is written and hosted by Me, Glennis McNichol. Our

0:45:53.960 --> 0:45:57.880
<v Speaker 7>story editors our Joe Piazza and Emily Meronoff. Our senior

0:45:57.880 --> 0:46:02.360
<v Speaker 7>producer is Emily Meronoff. Our producers are Mary Do, Shina

0:46:02.400 --> 0:46:07.000
<v Speaker 7>Ozaki and Jessica Crinchich. Our associate producer is Lauren Phillip.

0:46:07.280 --> 0:46:09.520
<v Speaker 7>Sound design and mixing by Amanda Rose Smith.

0:46:09.880 --> 0:46:10.440
<v Speaker 1>Our scene in.

0:46:10.480 --> 0:46:13.840
<v Speaker 7>Additional music was composed by Alise McCoy. We are executive

0:46:13.880 --> 0:46:17.920
<v Speaker 7>produced by Joe Piazza, Nikki Tor, Ali Perry and Me.

0:46:18.760 --> 0:46:22.640
<v Speaker 7>If you're enjoying Wilder, please consider rating and reviewing us

0:46:22.680 --> 0:46:23.799
<v Speaker 7>on Apple Podcasts.

0:46:24.280 --> 0:46:25.959
<v Speaker 1>It actually helps us out quite a lot.

0:46:26.520 --> 0:46:29.680
<v Speaker 7>Thank you to the Laura Ingles Wilder Memorial Society in Dismet,

0:46:29.719 --> 0:46:33.200
<v Speaker 7>South Dakota, and the Laura Ingles Wilder Historic Home and

0:46:33.320 --> 0:46:37.320
<v Speaker 7>Museum in Mansfield, Missouri, and a special shout out to

0:46:37.360 --> 0:46:41.280
<v Speaker 7>Caroline Fraser, whose book Prairie Fires is the mother load

0:46:41.400 --> 0:46:44.920
<v Speaker 7>on Rose and Laura's relationship. Thank you, as always to

0:46:45.000 --> 0:46:48.239
<v Speaker 7>CDM Studios. Please see our show notes if you want

0:46:48.239 --> 0:46:50.760
<v Speaker 7>to know more about the people we interviewed, the places

0:46:50.760 --> 0:46:53.759
<v Speaker 7>we visited, the books we mentioned. You can also find

0:46:53.800 --> 0:46:55.359
<v Speaker 7>our contact and go there If you want to write

0:46:55.360 --> 0:46:57.880
<v Speaker 7>to us with your own thoughts and questions. Follow us

0:46:57.920 --> 0:47:02.080
<v Speaker 7>on Instagram at Wilder Underscore podcast and on TikTok at

0:47:02.120 --> 0:47:05.240
<v Speaker 7>Wilder Podcast, where you can see behind the scenes footage

0:47:05.239 --> 0:47:08.799
<v Speaker 7>from all our travels. Thank you for listening. We'll see

0:47:08.800 --> 0:47:09.359
<v Speaker 7>you next week.

0:47:11.800 --> 0:47:15.680
<v Speaker 5>Like sand through the hour glass, so those the houses