1 00:00:01,760 --> 00:00:04,439 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,480 --> 00:00:07,800 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,480 --> 00:00:11,600 Speaker 1: Welcome to you, and that's what you really miss podcast. 4 00:00:12,320 --> 00:00:16,000 Speaker 1: We're back. Thanks for being with us last week as 5 00:00:16,040 --> 00:00:19,440 Speaker 1: we got through that. We are Season five, Episode four, 6 00:00:19,720 --> 00:00:21,560 Speaker 1: Katie or Agaga ooh. 7 00:00:22,200 --> 00:00:26,239 Speaker 2: This originally aired on November seventh, two thousand and thirteen. 8 00:00:26,360 --> 00:00:28,319 Speaker 2: We had a little break after the quarterbacks, and now 9 00:00:28,360 --> 00:00:32,280 Speaker 2: we're back and just sort of presenting the quarterback didn't happen. 10 00:00:32,720 --> 00:00:35,640 Speaker 1: Yeah, we just move very much past it like a 11 00:00:35,680 --> 00:00:36,120 Speaker 1: gust of. 12 00:00:36,080 --> 00:00:38,639 Speaker 2: Wind, which is fine, you know now the way, sure, 13 00:00:38,920 --> 00:00:41,519 Speaker 2: we're in this. I fully now you know we were 14 00:00:41,560 --> 00:00:44,919 Speaker 2: prepared by people to be like this season's crazy from 15 00:00:44,960 --> 00:00:47,519 Speaker 2: episode to episode. I fully understand it now, I get it. 16 00:00:47,720 --> 00:00:50,239 Speaker 2: I get we were all just looking for something to 17 00:00:50,320 --> 00:00:54,800 Speaker 2: distract ourselves, chaotic, like give us joy, give us big 18 00:00:54,880 --> 00:01:00,440 Speaker 2: musical numbers, anything to distract Yeah, and I think it 19 00:01:00,480 --> 00:01:02,080 Speaker 2: is thankful for that. Thankful for that. 20 00:01:03,240 --> 00:01:06,240 Speaker 1: The number one song was Royals by Lord. Ugh. 21 00:01:07,080 --> 00:01:09,000 Speaker 2: Little didn't we know that Lord would be there to 22 00:01:09,080 --> 00:01:09,679 Speaker 2: change the game. 23 00:01:10,080 --> 00:01:11,399 Speaker 1: That's right, that's right. 24 00:01:11,840 --> 00:01:13,800 Speaker 2: The number one movie one of my favorite books of 25 00:01:13,800 --> 00:01:18,640 Speaker 2: all time, Enders Game. He's not great Okay, great. 26 00:01:18,680 --> 00:01:22,160 Speaker 1: This book is better. Book much better in Glean is 27 00:01:22,200 --> 00:01:25,119 Speaker 1: this week. On October sixteenth, at the Pailey Center event 28 00:01:25,240 --> 00:01:29,480 Speaker 1: honoring FX Network, Ryan had announced the Glee's sixth season 29 00:01:29,520 --> 00:01:32,200 Speaker 1: would be its last, and he discussed having to come 30 00:01:32,280 --> 00:01:33,959 Speaker 1: up with the new ending of the show in the 31 00:01:33,959 --> 00:01:36,479 Speaker 1: week of Corey's passing. Kevin, do you want to read 32 00:01:36,520 --> 00:01:37,520 Speaker 1: this quote that he says? 33 00:01:37,800 --> 00:01:41,160 Speaker 2: Sure, Ryan said, I will not do my Ryan impression. 34 00:01:41,920 --> 00:01:44,679 Speaker 2: The final year of the show, which will be next year, 35 00:01:45,280 --> 00:01:47,960 Speaker 2: was designed around Rachel and Corey and Finn's story. I 36 00:01:47,960 --> 00:01:49,880 Speaker 2: always knew that. I always knew how it would end. 37 00:01:50,400 --> 00:01:52,560 Speaker 2: I knew what the last shot was, he was in it, 38 00:01:53,160 --> 00:01:55,440 Speaker 2: I knew what the last line was, she said it 39 00:01:55,440 --> 00:01:58,080 Speaker 2: to him. So when a tragedy like that happens, you 40 00:01:58,160 --> 00:01:59,640 Speaker 2: sort of have to pause and figure out what you 41 00:01:59,680 --> 00:02:02,120 Speaker 2: want to do. So we're figuring that out now. 42 00:02:02,760 --> 00:02:09,040 Speaker 1: Okay, devastating. This was directed by Ian Brennan, another Great 43 00:02:09,160 --> 00:02:13,240 Speaker 1: friend in a close Space. Yeah yeah, yeah, We've got 44 00:02:13,280 --> 00:02:18,040 Speaker 1: Adam Lambert, We've got Damil Lovado. So fun. Okay, this 45 00:02:18,120 --> 00:02:21,040 Speaker 1: is my favorite part of this hype episode are the songs. 46 00:02:21,680 --> 00:02:26,560 Speaker 1: Most of the songs, there's only a few shockingly. It 47 00:02:26,600 --> 00:02:28,000 Speaker 1: feels like there's a lot more. 48 00:02:29,080 --> 00:02:32,280 Speaker 2: Because they are big numbers. 49 00:02:32,480 --> 00:02:35,640 Speaker 1: Yes, you're right, we did Marry the Night that's performed 50 00:02:35,680 --> 00:02:36,480 Speaker 1: by Star Child. 51 00:02:37,320 --> 00:02:40,120 Speaker 2: Jenna. Were you in this music video? 52 00:02:40,360 --> 00:02:44,080 Speaker 1: I'm kind of mary. Yes, I was in this music 53 00:02:44,160 --> 00:02:45,560 Speaker 1: video with Lady Gaya. 54 00:02:46,280 --> 00:02:50,760 Speaker 2: That's right. Jenna's been in the Lady Gaga video and 55 00:02:50,840 --> 00:02:53,400 Speaker 2: a Katie Perry music. That's right. 56 00:02:54,760 --> 00:02:59,320 Speaker 1: This is the episode. This is my episode. That's funny. 57 00:02:59,639 --> 00:03:03,079 Speaker 1: I was in Lady Gaga's video. I was more in her. 58 00:03:03,680 --> 00:03:06,640 Speaker 1: She directed this video. This is her directorial debut of 59 00:03:06,639 --> 00:03:11,320 Speaker 1: her music videos. She did this and it was about 60 00:03:11,320 --> 00:03:14,040 Speaker 1: a personal moment in her life. And we shot this 61 00:03:14,120 --> 00:03:17,280 Speaker 1: like short film that was supposed to be inserted into 62 00:03:17,280 --> 00:03:19,800 Speaker 1: the music video that never quite made it in because 63 00:03:19,800 --> 00:03:24,520 Speaker 1: this music video is already very long. Yes, and so 64 00:03:24,600 --> 00:03:27,920 Speaker 1: you see like snippets of if you look really, really close, 65 00:03:28,320 --> 00:03:29,560 Speaker 1: you see snippets of me in this. 66 00:03:30,000 --> 00:03:31,799 Speaker 2: Yeah, you see like the top of your head a lot. 67 00:03:32,280 --> 00:03:36,320 Speaker 1: Yes, I was there for two days and she called 68 00:03:36,400 --> 00:03:40,240 Speaker 1: Ryan and said, please let Jenna out. This is like 69 00:03:40,360 --> 00:03:43,320 Speaker 1: a couple of I think of the year before or something, 70 00:03:43,840 --> 00:03:45,600 Speaker 1: and so please let Jenna out of work so she 71 00:03:45,640 --> 00:03:47,640 Speaker 1: can come to this music video and when Ryan Lady 72 00:03:47,640 --> 00:03:54,360 Speaker 1: Gaga calls Ryan Murphy, Ryan Murphy says, Okay. 73 00:03:52,560 --> 00:03:54,360 Speaker 2: Probably one of the only people. 74 00:03:55,440 --> 00:03:58,880 Speaker 1: And got excused from being ugly for that moment. Okay. 75 00:03:59,240 --> 00:04:02,360 Speaker 1: Applause by Gaga and that's performed by Artie Blaine, Marley 76 00:04:02,440 --> 00:04:04,320 Speaker 1: Ryder and Sam Wide. 77 00:04:04,120 --> 00:04:08,440 Speaker 2: Awake, performed by Jake, Katy, Tina and Unique and Rare. 78 00:04:09,240 --> 00:04:14,040 Speaker 1: My favorite performer, New Directions and Pamela and Lansbury. Sorry 79 00:04:14,200 --> 00:04:17,279 Speaker 1: the New the new band. That's for me so fun. 80 00:04:17,320 --> 00:04:19,719 Speaker 2: Fact, Jenna, this is the first episode of season five 81 00:04:20,000 --> 00:04:21,560 Speaker 2: that has a recap segment. 82 00:04:22,680 --> 00:04:27,880 Speaker 1: Oh wow. The earlier ones didn't have that either. This 83 00:04:28,000 --> 00:04:29,640 Speaker 1: is the fourth episode where all the members of a 84 00:04:29,680 --> 00:04:33,000 Speaker 1: New Direction present in the episode have a solo. The 85 00:04:33,000 --> 00:04:34,920 Speaker 1: first is the pilot, the second is Britney two point 86 00:04:34,960 --> 00:04:37,119 Speaker 1: zero the thirties teen in the Sky with Diamonds. Wow. 87 00:04:38,240 --> 00:04:41,279 Speaker 2: The drummer for Starchild's performance and for the performance of 88 00:04:41,360 --> 00:04:44,000 Speaker 2: Roar is Drew Stein, who is damiel Vado's drummer for 89 00:04:44,040 --> 00:04:45,440 Speaker 2: her performances in real life. 90 00:04:45,880 --> 00:04:46,760 Speaker 1: I did not know that. 91 00:04:47,080 --> 00:04:48,000 Speaker 2: I did not know that either. 92 00:04:48,920 --> 00:04:54,160 Speaker 1: Samba's applause teaser, which is insane, is a parody of 93 00:04:54,240 --> 00:04:57,120 Speaker 1: Lady Gaga's Art Pop teaser picture with the plastic advisor. 94 00:04:58,320 --> 00:05:01,280 Speaker 2: Yeah, I mean, come on, Lady Gaga re search now 95 00:05:01,440 --> 00:05:06,360 Speaker 2: all that? That also was beautifully shot. Oh how funny 96 00:05:06,920 --> 00:05:10,680 Speaker 2: what high school back then especially had that level of 97 00:05:10,680 --> 00:05:13,440 Speaker 2: production and sam to have the taste to have that 98 00:05:13,520 --> 00:05:14,160 Speaker 2: level of production. 99 00:05:14,279 --> 00:05:17,360 Speaker 1: Phoebe's reaction to it. 100 00:05:18,320 --> 00:05:22,320 Speaker 2: Jake's lion costume was inspired by the rum tug tugger 101 00:05:22,360 --> 00:05:25,679 Speaker 2: from Andeloid Revers Musical Cats, obviously. 102 00:05:25,440 --> 00:05:29,520 Speaker 1: Also one of my favorite moments in the show. This 103 00:05:29,640 --> 00:05:32,880 Speaker 1: is the second Lady Gaga themed episode with another artist, 104 00:05:32,920 --> 00:05:35,880 Speaker 1: this time obviously shared with Katy Perry, the first with 105 00:05:35,960 --> 00:05:39,040 Speaker 1: theatricality that was also shared with Gusts. 106 00:05:39,480 --> 00:05:41,600 Speaker 2: The songs that were sung were the last singles from 107 00:05:41,680 --> 00:05:44,680 Speaker 2: Katy Perry and Lady Gaga's Teenage Dream and Borne the 108 00:05:44,720 --> 00:05:47,200 Speaker 2: Sway eras, and the lead singles from the Prison and 109 00:05:47,360 --> 00:05:47,919 Speaker 2: Art Pop. 110 00:05:47,800 --> 00:05:54,160 Speaker 1: Eras fun I loved both of those eras for both 111 00:05:54,160 --> 00:05:56,640 Speaker 1: of them. This is the fourth tribute episode in a 112 00:05:56,760 --> 00:05:58,240 Speaker 1: row of season five. 113 00:05:59,440 --> 00:05:59,719 Speaker 2: Wool. 114 00:06:00,279 --> 00:06:02,719 Speaker 1: This is the only time this has occurred again. The 115 00:06:02,800 --> 00:06:07,280 Speaker 1: season was like, what can we do to distract everyone? 116 00:06:09,720 --> 00:06:13,120 Speaker 2: The song's applause and roar were released on August thirteenth, 117 00:06:13,200 --> 00:06:16,440 Speaker 2: when technically it was supposed to be Spring twenty thirteen. 118 00:06:16,480 --> 00:06:19,679 Speaker 2: In the world of Glee, oh Mata. 119 00:06:20,360 --> 00:06:22,960 Speaker 1: After applause was performed, the next scene shows Katy, Jake, Tin, 120 00:06:23,000 --> 00:06:25,480 Speaker 1: and Unique squabbling about how amazing the performance they just 121 00:06:25,520 --> 00:06:28,080 Speaker 1: saw was. Kitty even says did you just see what 122 00:06:28,120 --> 00:06:31,479 Speaker 1: they did? Showing that they had watched the performance. However, 123 00:06:31,640 --> 00:06:35,320 Speaker 1: they are wearing different outfits than the ones during applause, 124 00:06:35,360 --> 00:06:40,200 Speaker 1: so it can't be the same day people change we do, Okay, 125 00:06:40,520 --> 00:06:43,440 Speaker 1: that was must have been a production mishap. 126 00:06:43,640 --> 00:06:44,960 Speaker 2: Yeah, I feel like there might have been a couple 127 00:06:45,040 --> 00:06:45,640 Speaker 2: moments like that. 128 00:06:45,800 --> 00:06:46,560 Speaker 1: Yeah, for sure. 129 00:06:46,920 --> 00:06:49,320 Speaker 2: When the episode begins, mister Hue says that they are 130 00:06:49,440 --> 00:06:54,119 Speaker 2: six weeks away from Nationals. However, when Sue suspensic Glee 131 00:06:54,120 --> 00:06:57,400 Speaker 2: Club members, he claims that there were only four weeks 132 00:06:57,520 --> 00:07:01,440 Speaker 2: left early for Nationals, while only one week has passed. 133 00:07:01,760 --> 00:07:07,400 Speaker 1: So even within the episode, we're scrambling here, okay, scrambling 134 00:07:07,440 --> 00:07:10,680 Speaker 1: to write episode, scrambling to get things done. This is 135 00:07:10,760 --> 00:07:14,360 Speaker 1: like when you have a writer, one writer write one 136 00:07:14,760 --> 00:07:18,040 Speaker 1: scene and one writer write another scene, and then somebody 137 00:07:18,040 --> 00:07:21,400 Speaker 1: doesn't put the pieces together. Look, but we love it. 138 00:07:21,960 --> 00:07:24,920 Speaker 2: Whatever we gave you great performances. We love it, we 139 00:07:25,760 --> 00:07:30,520 Speaker 2: new sets, we gave you costumes we did. We gave 140 00:07:30,520 --> 00:07:33,160 Speaker 2: you crazy storyline. What more do you want from us? 141 00:07:33,440 --> 00:07:34,840 Speaker 1: Oh? No, it's wild? 142 00:07:35,160 --> 00:07:38,840 Speaker 2: Speaking of Here is the official episode summary, Jenna Okay. 143 00:07:39,320 --> 00:07:41,680 Speaker 2: The members of the New Directions tackle their assignment of 144 00:07:41,720 --> 00:07:45,160 Speaker 2: getting out of their comfort zones and determining whether they're 145 00:07:45,160 --> 00:07:49,600 Speaker 2: more like a Katie, Katy Perry or Lady Gaga. Kurt 146 00:07:49,640 --> 00:07:51,720 Speaker 2: holds auditions for his new band and must decide to 147 00:07:51,720 --> 00:07:55,680 Speaker 2: feel let in the overly bold performer star Child Okay 148 00:07:55,760 --> 00:08:00,360 Speaker 2: Adam Lambert. Meanwhile, Jake gets closer to breathe as he 149 00:08:00,400 --> 00:08:01,480 Speaker 2: and Marley grow apart. 150 00:08:01,960 --> 00:08:04,800 Speaker 1: We're setting the scene with Katie Orgada. This is the episode. 151 00:08:05,080 --> 00:08:10,000 Speaker 1: It runs through both New York and McKinley, So let's 152 00:08:10,040 --> 00:08:10,559 Speaker 1: start there. 153 00:08:10,920 --> 00:08:14,520 Speaker 2: I mean, when you have Adam Lambert come onto the show, 154 00:08:14,720 --> 00:08:17,240 Speaker 2: Oh my God, and his first song is Mary the Night, 155 00:08:17,720 --> 00:08:22,240 Speaker 2: Oh my God. I didn't remember like how it exactly happened, 156 00:08:22,240 --> 00:08:24,440 Speaker 2: but I knew I needed to hear it again. I 157 00:08:24,480 --> 00:08:26,240 Speaker 2: was like, let me see this performance, because that is 158 00:08:26,320 --> 00:08:27,360 Speaker 2: a match made in heaven. 159 00:08:27,800 --> 00:08:30,400 Speaker 1: It's so good. 160 00:08:30,720 --> 00:08:33,240 Speaker 2: What a freak? How is his voice? That good. 161 00:08:33,559 --> 00:08:36,559 Speaker 1: I have trouble understanding it because I'll never get over it. 162 00:08:36,480 --> 00:08:36,720 Speaker 3: You know. 163 00:08:37,000 --> 00:08:39,560 Speaker 2: Yeah, we've been in the world of Adam Lambert since 164 00:08:39,600 --> 00:08:42,800 Speaker 2: like two thousand and nine. Yep, like we should be 165 00:08:42,920 --> 00:08:44,760 Speaker 2: used to it. I will never get used to how 166 00:08:44,800 --> 00:08:45,280 Speaker 2: good he is. 167 00:08:45,520 --> 00:08:59,040 Speaker 1: No, agreed, Agreed, It's actually otherworldly. So Kurt decides to 168 00:08:59,040 --> 00:09:02,920 Speaker 1: start a band with Danny and Santana, which is really fun. 169 00:09:03,120 --> 00:09:06,520 Speaker 1: I'm into it. And he holds open auditions because Rachel 170 00:09:06,559 --> 00:09:08,880 Speaker 1: says she can't because she's busy with Funny Girl and 171 00:09:08,920 --> 00:09:11,120 Speaker 1: she has to put all of her energy towards that. 172 00:09:11,640 --> 00:09:14,240 Speaker 1: And he holds the auditions. We get we get star Child, 173 00:09:14,360 --> 00:09:16,160 Speaker 1: we get to be graced with Mary in the Night. 174 00:09:16,280 --> 00:09:18,960 Speaker 1: I can't wait for more of him. I'm sad we 175 00:09:18,960 --> 00:09:20,040 Speaker 1: didn't get to work with him. 176 00:09:20,760 --> 00:09:24,960 Speaker 2: Me too, you know yeah, I mean I would like 177 00:09:25,000 --> 00:09:26,920 Speaker 2: to know what it was for people watching this, because 178 00:09:26,920 --> 00:09:34,560 Speaker 2: the idea of having Demi Lovato Adam Lambert in a 179 00:09:34,559 --> 00:09:37,880 Speaker 2: band together, it's like a fantasy. I never knew I 180 00:09:38,080 --> 00:09:41,920 Speaker 2: had what a crew like absolutely insane. 181 00:09:42,320 --> 00:09:46,800 Speaker 1: Yeah, definitely, So he joins the band. We get, we 182 00:09:46,840 --> 00:09:47,559 Speaker 1: getst our Child. 183 00:09:47,600 --> 00:09:50,560 Speaker 2: But I was a little upset with Kurt yeah, because 184 00:09:50,640 --> 00:09:52,160 Speaker 2: Kurt is like, no, it's going to be a note 185 00:09:52,200 --> 00:09:55,920 Speaker 2: in Naya's reaction or Santana's reaction during the entire startup 186 00:09:55,960 --> 00:10:00,640 Speaker 2: performance is so funny in the audience because like, mouth agape, 187 00:10:00,760 --> 00:10:02,120 Speaker 2: how is this person so good? 188 00:10:02,520 --> 00:10:02,880 Speaker 1: Yes? 189 00:10:03,240 --> 00:10:05,400 Speaker 2: And then Kurt being the one to be like, no, no, 190 00:10:05,440 --> 00:10:08,360 Speaker 2: it's too much like I'm sorry. We all remembered how 191 00:10:08,480 --> 00:10:13,760 Speaker 2: you how you dressed from season one of how Dare 192 00:10:13,800 --> 00:10:18,599 Speaker 2: You say? Somebody is doing too much? Luckily, Kurt comes. 193 00:10:18,320 --> 00:10:21,920 Speaker 1: To his senses and senses and is going to allow 194 00:10:22,120 --> 00:10:23,400 Speaker 1: him to join, thankfully. 195 00:10:23,880 --> 00:10:26,600 Speaker 2: I really liked the scene between them, Yes, and then 196 00:10:27,200 --> 00:10:30,840 Speaker 2: when you see Adam Lambert out of like the Star 197 00:10:30,960 --> 00:10:33,960 Speaker 2: Child costume, Yeah, and it's like daytime. 198 00:10:35,760 --> 00:10:36,240 Speaker 1: Elliott. 199 00:10:36,480 --> 00:10:39,520 Speaker 2: Yeah yeah, And like having that real conversation between like 200 00:10:39,800 --> 00:10:43,800 Speaker 2: struggling artists was a really nice thing to have for sure. 201 00:10:44,000 --> 00:10:49,080 Speaker 2: There's also Sue here. Sue's reigniting her war between herself 202 00:10:49,080 --> 00:10:54,560 Speaker 2: and Will, which yeah, we do. And Sue says everything 203 00:10:54,600 --> 00:10:58,079 Speaker 2: that Glee has warned to school is inappropriate and has 204 00:10:58,080 --> 00:11:01,240 Speaker 2: a problem because she sees three into her office dressed 205 00:11:01,280 --> 00:11:02,640 Speaker 2: in the iconic. 206 00:11:02,600 --> 00:11:04,840 Speaker 1: The construction tape look, and then. 207 00:11:04,720 --> 00:11:07,360 Speaker 2: You cut to Sue wearing the cage on her head 208 00:11:08,800 --> 00:11:16,280 Speaker 2: talking about her colonoscopy, And I honestly, the very as 209 00:11:16,320 --> 00:11:18,360 Speaker 2: heightened and crazy as a lot of the SOOO stuff 210 00:11:18,400 --> 00:11:21,840 Speaker 2: is the moment when Bree's like, it's Katie or Gaga 211 00:11:21,920 --> 00:11:25,280 Speaker 2: week and they're deciding if they're Katie or Gaga, and 212 00:11:25,320 --> 00:11:28,120 Speaker 2: She's like, are they really going around saying it's their 213 00:11:28,200 --> 00:11:30,360 Speaker 2: Katie or Gaga? That may be the most annoying thing 214 00:11:30,400 --> 00:11:35,760 Speaker 2: they've ever done. And I really appreciated that, because if 215 00:11:35,800 --> 00:11:38,200 Speaker 2: anyone knows all the things the Glee Club has done 216 00:11:38,200 --> 00:11:40,319 Speaker 2: and kept track of it, it is Sue. 217 00:11:40,920 --> 00:11:42,439 Speaker 1: Yes, that's right, that's right. 218 00:11:42,760 --> 00:11:45,720 Speaker 2: And she absolutely hates them and finds them so annoying, 219 00:11:46,000 --> 00:11:48,040 Speaker 2: but also she likes how annoying they are. 220 00:11:48,559 --> 00:11:51,120 Speaker 1: Oh, she loves it. She thrives on it. Yeah, she 221 00:11:51,240 --> 00:11:54,720 Speaker 1: needs it, she does. And she's going to suspend us, 222 00:11:54,880 --> 00:11:59,240 Speaker 1: which is crazy. This is wild. We're like, uh, excuse me, 223 00:12:00,440 --> 00:12:02,680 Speaker 1: Sue says. It appears to bol Shuster is taking up 224 00:12:02,679 --> 00:12:07,960 Speaker 1: the age old question. That is vexed creepy pederasques some Socrates. 225 00:12:08,360 --> 00:12:11,920 Speaker 1: Before Katie versus Gaga, it was Jackie versus Marilyn Betty 226 00:12:12,000 --> 00:12:16,040 Speaker 1: versus Veronica, Mary Tom Lincoln versus Martha Washington. Why must 227 00:12:16,040 --> 00:12:20,120 Speaker 1: we always choose between two female pop archetypes. Why can't 228 00:12:20,120 --> 00:12:22,920 Speaker 1: we just be them all? You know what, she has 229 00:12:22,960 --> 00:12:23,360 Speaker 1: a point. 230 00:12:23,600 --> 00:12:26,400 Speaker 2: She's not wrong, she's not wrong. That was like the 231 00:12:26,440 --> 00:12:30,120 Speaker 2: whole issue with Taylor versus Beyonce last summer. It's like, 232 00:12:30,120 --> 00:12:33,160 Speaker 2: why are we pitting two successful women against each other? 233 00:12:33,320 --> 00:12:36,480 Speaker 1: The most successful women. Yes, they're so different. They're not 234 00:12:36,559 --> 00:12:38,960 Speaker 1: trying to be putting against each other. They're trying to 235 00:12:39,000 --> 00:12:40,120 Speaker 1: create some good art. 236 00:12:40,440 --> 00:12:42,520 Speaker 2: They're both great. There's a room for everyone. 237 00:12:43,000 --> 00:12:46,440 Speaker 1: Literally, Okay, just let it be you guys, let it 238 00:12:46,440 --> 00:12:51,440 Speaker 1: be Jena. So now back in McKinley, it is Katie 239 00:12:51,640 --> 00:12:55,520 Speaker 1: Orgaga week. We find out our competition for Nationals is 240 00:12:55,600 --> 00:12:56,400 Speaker 1: third Explosion. 241 00:12:57,000 --> 00:13:02,760 Speaker 3: Jenna the moment, this is the moment where I have 242 00:13:02,800 --> 00:13:07,160 Speaker 3: a full Tina has a full melt down and Kevin 243 00:13:07,640 --> 00:13:08,960 Speaker 3: cannot contain himself. 244 00:13:09,760 --> 00:13:11,080 Speaker 2: Kevin is a bad actor. 245 00:13:11,440 --> 00:13:14,240 Speaker 1: That was really an honest reaction and it was so funny. 246 00:13:14,880 --> 00:13:19,400 Speaker 1: I remember doing that. It was I couldn't keep it together. 247 00:13:20,280 --> 00:13:23,040 Speaker 1: It's really funny because your reaction. 248 00:13:22,840 --> 00:13:25,520 Speaker 2: Works didn't like have you do it back to back 249 00:13:25,559 --> 00:13:28,199 Speaker 2: to back, like you just kept screaming at different levels, 250 00:13:28,920 --> 00:13:31,920 Speaker 2: and I was losing it. And then obviously we were 251 00:13:31,960 --> 00:13:33,360 Speaker 2: just like yeah, bigger. 252 00:13:33,280 --> 00:13:37,040 Speaker 1: Bigger, yeah, like egging me on, and I was like, 253 00:13:37,640 --> 00:13:47,240 Speaker 1: let's go for it. Yeah we a release, and yeah 254 00:13:47,280 --> 00:13:49,120 Speaker 1: I needed the release and you guys needed a laughter. 255 00:13:49,200 --> 00:13:51,760 Speaker 1: So I'm glad that we could do that together. So 256 00:13:51,840 --> 00:13:54,800 Speaker 1: this week's sigment, it's gonna be Katie Perry Lady Gaga. 257 00:13:54,840 --> 00:13:57,880 Speaker 1: The Katies obviously will sing Gaga songs, and the Gaga's 258 00:13:57,880 --> 00:14:01,400 Speaker 1: will sing Katie songs. It's an interesting crew of who 259 00:14:01,880 --> 00:14:05,480 Speaker 1: identifies with whom did. 260 00:14:05,360 --> 00:14:07,560 Speaker 2: You get to pick? Like, do you remember being asked 261 00:14:08,080 --> 00:14:09,640 Speaker 2: if you were a Katie or a Gaga or did 262 00:14:09,640 --> 00:14:10,800 Speaker 2: they just pick for us? 263 00:14:11,320 --> 00:14:15,040 Speaker 1: I don't remember being asked. I do think that they 264 00:14:15,280 --> 00:14:16,840 Speaker 1: assumed because I did a lot of Gaga. 265 00:14:17,679 --> 00:14:18,920 Speaker 2: Yeah, on the. 266 00:14:18,840 --> 00:14:21,560 Speaker 1: Show, Tina was absolutely a Ga gay Yeah, but I 267 00:14:21,560 --> 00:14:24,000 Speaker 1: don't know about everybody else. I feel like it was written. 268 00:14:25,920 --> 00:14:28,120 Speaker 1: I don't know, do you did you get asked? 269 00:14:29,400 --> 00:14:32,560 Speaker 2: No? No, But I remember we were all talking about 270 00:14:32,560 --> 00:14:33,960 Speaker 2: it like what we would be in real life. 271 00:14:34,040 --> 00:14:35,640 Speaker 1: Yeah, that's right, okay. 272 00:14:36,000 --> 00:14:37,800 Speaker 2: But I was just really happy to get to do 273 00:14:37,840 --> 00:14:39,160 Speaker 2: Gaga and if that meant I had to be a 274 00:14:39,240 --> 00:14:40,520 Speaker 2: Katie technically edit care. 275 00:14:40,840 --> 00:14:43,440 Speaker 1: I know I was a little bummed that I didn't 276 00:14:43,440 --> 00:14:46,280 Speaker 1: get to do Gaga again, but applause was really worth 277 00:14:46,280 --> 00:14:50,160 Speaker 1: it for you guys, So I'm I'm grateful for it. Okay, 278 00:14:50,200 --> 00:14:53,440 Speaker 1: So let's talk about applause. You guys did applause. Yes. 279 00:14:53,760 --> 00:15:00,160 Speaker 1: Sam is also simultaneously trying to universon, trying to impress Penny. 280 00:15:00,240 --> 00:15:02,600 Speaker 1: Penny is still here. Phoebe Stroll is still here. This 281 00:15:02,680 --> 00:15:04,680 Speaker 1: is why I remember having more time with Phoebe was 282 00:15:04,720 --> 00:15:07,600 Speaker 1: because you know, aside from Tina and the Sky was like, 283 00:15:07,840 --> 00:15:09,040 Speaker 1: I was like, I feel like I hung out with 284 00:15:09,040 --> 00:15:12,480 Speaker 1: Phoebe a bunch, and she's here. She's here again. I 285 00:15:12,520 --> 00:15:17,320 Speaker 1: love that she's still here. So Nurse Penny had told 286 00:15:17,400 --> 00:15:19,880 Speaker 1: Sam that she had like this very dark, you know, 287 00:15:20,040 --> 00:15:25,440 Speaker 1: music fandom, and yet she lied it's not it's actually 288 00:15:25,480 --> 00:15:30,040 Speaker 1: her ex boyfriends who had these dark feeling loving feelings 289 00:15:30,080 --> 00:15:33,240 Speaker 1: for dark music. So they don't have the same taste 290 00:15:33,280 --> 00:15:37,800 Speaker 1: in music. And so Sam is going to woo her. 291 00:15:38,000 --> 00:15:41,480 Speaker 1: He's going to woo her with his Gaga performance, and 292 00:15:41,560 --> 00:15:44,160 Speaker 1: thinks thinks he's just going to do do the judge, 293 00:15:44,280 --> 00:15:44,800 Speaker 1: do the trick. 294 00:15:45,120 --> 00:15:51,400 Speaker 2: He's gonna I love Penny. She is a little weirdo totally, 295 00:15:52,280 --> 00:15:56,480 Speaker 2: and I just love how like normal she seems, and 296 00:15:56,520 --> 00:15:58,280 Speaker 2: then everything that comes out of her mouth is like 297 00:15:58,320 --> 00:16:03,120 Speaker 2: sort of contradictory and off. Yeah, it's like I am 298 00:16:03,240 --> 00:16:05,720 Speaker 2: very into everything that's happening. 299 00:16:05,360 --> 00:16:09,960 Speaker 1: And Sam is like enamored by it. Yes, I love 300 00:16:09,960 --> 00:16:12,000 Speaker 1: that they're cute. They're really really cute. 301 00:16:12,080 --> 00:16:15,400 Speaker 2: They are really cute, rude, And I love Sam's whole 302 00:16:15,400 --> 00:16:19,960 Speaker 2: campaign to do Gaga do Applause, that whole video, like 303 00:16:20,000 --> 00:16:23,560 Speaker 2: we've mentioned that he makes to rile up the little 304 00:16:23,560 --> 00:16:25,960 Speaker 2: monsters to come to the performance, which, by the way, 305 00:16:26,280 --> 00:16:30,320 Speaker 2: nobody shows up to. He makes his whole video and 306 00:16:30,400 --> 00:16:32,320 Speaker 2: puts it on everybody's computer, like it was the You 307 00:16:32,400 --> 00:16:34,400 Speaker 2: two album that ended up on everybody's. 308 00:16:33,920 --> 00:16:38,080 Speaker 1: Phone, and here here he is nobody's. 309 00:16:37,960 --> 00:16:42,280 Speaker 2: Nobody shows up. I mean, I was like, that doesn't 310 00:16:42,320 --> 00:16:44,880 Speaker 2: track for me. We are national champions. People would show 311 00:16:44,960 --> 00:16:45,400 Speaker 2: up to see this. 312 00:16:46,040 --> 00:16:48,600 Speaker 1: I'm also confused by the whole thing of like people 313 00:16:48,600 --> 00:16:52,600 Speaker 1: getting suspended throughout this episode, Like Glee Club gets suspended 314 00:16:52,880 --> 00:16:55,000 Speaker 1: and then Marley gets suspended. 315 00:16:55,440 --> 00:16:58,680 Speaker 2: We have to talk about the Marley thing, but this 316 00:16:58,800 --> 00:17:05,560 Speaker 2: Applause performance happens the rehearsal for this was chaos because 317 00:17:06,480 --> 00:17:09,719 Speaker 2: you know, like in rehearsals, we don't normally have a 318 00:17:09,760 --> 00:17:13,399 Speaker 2: lot of different things to work with. We normally, like 319 00:17:13,480 --> 00:17:15,239 Speaker 2: you learn to dance, you get on stage where you're 320 00:17:15,240 --> 00:17:16,840 Speaker 2: going to be shooting it, and then that's where you 321 00:17:16,880 --> 00:17:21,600 Speaker 2: do everything. For some reason, they built like a fake 322 00:17:21,880 --> 00:17:25,959 Speaker 2: stage in the Powerhouse, which is our dance studio. So 323 00:17:26,000 --> 00:17:31,520 Speaker 2: they built a whole catwalk thing. Oh really in the Powerhouse, 324 00:17:32,240 --> 00:17:34,600 Speaker 2: And then I had to figure out how to work 325 00:17:34,680 --> 00:17:39,960 Speaker 2: that big like inflatable pillow thing, which was not working. 326 00:17:40,720 --> 00:17:43,439 Speaker 2: It actually kept getting caught in the wheels, which I 327 00:17:43,520 --> 00:17:49,040 Speaker 2: say in the lines, but like, yeah, it was a mess. 328 00:17:49,040 --> 00:17:51,960 Speaker 2: And also because we're all doing different things and so 329 00:17:52,200 --> 00:17:55,239 Speaker 2: you know, like us hurting cats, if we were not 330 00:17:55,280 --> 00:17:57,200 Speaker 2: being given the attention of like what we were doing, 331 00:17:57,240 --> 00:17:59,720 Speaker 2: we were just like to do. 332 00:18:00,920 --> 00:18:02,679 Speaker 1: It was kind of crazy because I feel like that 333 00:18:02,720 --> 00:18:06,040 Speaker 1: whole that that number, watching that number was very focused 334 00:18:06,040 --> 00:18:09,040 Speaker 1: because of the camera. But I agree everybody was doing 335 00:18:09,200 --> 00:18:10,160 Speaker 1: their own freeforma. 336 00:18:10,720 --> 00:18:13,920 Speaker 2: It was chaos because then also figuring out like what 337 00:18:14,000 --> 00:18:17,080 Speaker 2: works for everyone, where like Cord has these gigantic wings 338 00:18:17,080 --> 00:18:19,800 Speaker 2: that are not easy to move with and maybe He's 339 00:18:19,840 --> 00:18:22,600 Speaker 2: not the most coordinated dancer, so like, how do you 340 00:18:22,880 --> 00:18:24,480 Speaker 2: figure out how. 341 00:18:24,320 --> 00:18:25,960 Speaker 1: To navigate that? 342 00:18:26,080 --> 00:18:29,400 Speaker 2: Right? What does the platform inside the gigantic top hat 343 00:18:29,520 --> 00:18:34,120 Speaker 2: look like? But I just said, like all the departments 344 00:18:34,160 --> 00:18:36,000 Speaker 2: just absolutely killed at this episode. 345 00:18:36,080 --> 00:18:38,080 Speaker 1: It was such a spectacle to watch, and I'm so 346 00:18:38,160 --> 00:18:41,320 Speaker 1: grateful for that number. I love that number. I know 347 00:18:41,359 --> 00:18:44,720 Speaker 1: you guys loved doing it. I remember it. That was 348 00:18:44,880 --> 00:18:47,840 Speaker 1: really really a great one. It was shot beautifully. 349 00:18:48,240 --> 00:18:49,879 Speaker 2: It was shot just like the music video, like it 350 00:18:49,960 --> 00:18:51,400 Speaker 2: was crazy. 351 00:18:51,359 --> 00:18:56,120 Speaker 1: Totally, and everybody looked psychopath like in it. Y'all looked crazy, 352 00:18:56,280 --> 00:18:57,040 Speaker 1: But I loved it. 353 00:18:57,240 --> 00:18:59,000 Speaker 2: Yeah, you know what it's like if they tell us 354 00:18:59,000 --> 00:19:02,160 Speaker 2: to just like, there's no way you could be too much. 355 00:19:02,680 --> 00:19:05,679 Speaker 2: That is the most fun you can possibly have. 356 00:19:06,080 --> 00:19:08,080 Speaker 1: You guys were great. It was really really great. 357 00:19:08,200 --> 00:19:10,480 Speaker 2: And I remember so Matt Peacock, that's when a key 358 00:19:10,560 --> 00:19:14,480 Speaker 2: was around, right, Yeah, we were trying to like learn 359 00:19:14,480 --> 00:19:17,480 Speaker 2: how to do the art pop thing with the hands afterwards, 360 00:19:17,560 --> 00:19:20,600 Speaker 2: and I got to do the art pop makeup. I 361 00:19:20,640 --> 00:19:23,960 Speaker 2: also think it was maybe my favorite vocal I've ever done. 362 00:19:24,480 --> 00:19:26,359 Speaker 1: I was gonna say, sound great. 363 00:19:26,440 --> 00:19:28,160 Speaker 2: I think it might be that also might be why 364 00:19:28,160 --> 00:19:30,119 Speaker 2: I love this number. So much. But you love the 365 00:19:30,200 --> 00:19:30,960 Speaker 2: judge run again. 366 00:19:31,160 --> 00:19:34,680 Speaker 1: You know you sound great. The song is great. 367 00:19:35,520 --> 00:19:36,840 Speaker 2: Everyone was so good. 368 00:19:37,760 --> 00:19:41,000 Speaker 1: Everybody was it was a plus plus. Sorry, I just 369 00:19:41,080 --> 00:19:41,680 Speaker 1: rated the number. 370 00:19:41,800 --> 00:19:44,840 Speaker 2: You're not wrong. Well, then Marley get suspended. 371 00:19:44,840 --> 00:19:49,840 Speaker 1: Right, why for not wearing a bikini? No, doesn't she 372 00:19:49,880 --> 00:19:52,960 Speaker 1: get suspended because she she put herself in front of 373 00:19:52,960 --> 00:19:55,280 Speaker 1: her and before everybody else. 374 00:19:55,600 --> 00:19:57,520 Speaker 2: Yes, yes, she's not doing the assignment. 375 00:19:58,040 --> 00:20:01,440 Speaker 1: She's dancing throughout it, acting crazy, but. 376 00:20:01,400 --> 00:20:03,520 Speaker 2: It's because like the outfit that she was supposed to 377 00:20:03,600 --> 00:20:06,080 Speaker 2: wear made her feel uncomfortable. 378 00:20:06,040 --> 00:20:08,280 Speaker 1: Right, which is also insane, Like. 379 00:20:08,280 --> 00:20:12,400 Speaker 2: It's like you're never you're never beating the creepy allegations. 380 00:20:13,520 --> 00:20:17,800 Speaker 1: I know, you know. Claudia Astrey on the Toast was 381 00:20:17,800 --> 00:20:21,040 Speaker 1: talking about this this morning about Glee and how she 382 00:20:21,119 --> 00:20:25,480 Speaker 1: actually hates mister Shoe more than anybody in the world. 383 00:20:25,920 --> 00:20:28,480 Speaker 2: And the more I watch it, I'm like, the thing, 384 00:20:28,880 --> 00:20:31,399 Speaker 2: the thing that is aging the worst out of the show, 385 00:20:32,320 --> 00:20:35,560 Speaker 2: mister true some of the ship, mister Shoe says. 386 00:20:35,920 --> 00:20:39,240 Speaker 1: I know, it's crazy. Yeah, I also like think I 387 00:20:39,280 --> 00:20:41,600 Speaker 1: should be bothered more by the fact that, like Penny 388 00:20:41,640 --> 00:20:44,640 Speaker 1: is technically the nurse at school. But I guess because 389 00:20:44,640 --> 00:20:47,879 Speaker 1: she's a college student still, and she's like interning, like 390 00:20:48,240 --> 00:20:52,240 Speaker 1: they're like making out and holding hands, and I'm like, 391 00:20:52,680 --> 00:20:55,960 Speaker 1: I don't know, but it doesn't bug me. It doesn't 392 00:20:55,960 --> 00:20:59,880 Speaker 1: bug me, but it's not appropriate. 393 00:21:00,600 --> 00:21:01,720 Speaker 2: I feel the exact same way. 394 00:21:02,040 --> 00:21:05,080 Speaker 1: So Jake is like kind of bored with like the 395 00:21:05,119 --> 00:21:08,760 Speaker 1: redundancy of like what they do every weekend, like going 396 00:21:08,800 --> 00:21:11,800 Speaker 1: to like breadsticks and watching a movie, which sounds great 397 00:21:11,800 --> 00:21:12,000 Speaker 1: to me. 398 00:21:12,359 --> 00:21:13,800 Speaker 2: Yeah, I was like, this sounds ideal. 399 00:21:14,080 --> 00:21:18,919 Speaker 1: I will date Marley, yeah exactly. And obviously she gets suspended, 400 00:21:18,920 --> 00:21:22,160 Speaker 1: but like he's kind of like feeling this like stuck 401 00:21:22,200 --> 00:21:25,520 Speaker 1: in a rut feeling, and then bree in her like 402 00:21:26,920 --> 00:21:29,439 Speaker 1: plan to take down the glee club, which you know 403 00:21:30,119 --> 00:21:35,040 Speaker 1: is always the head Cheerios job. It's gonna like try 404 00:21:35,080 --> 00:21:40,560 Speaker 1: and woo Jake, I guess, and he's like, no, no, 405 00:21:40,600 --> 00:21:43,120 Speaker 1: I'm good. I'm like super in love with Marley. I'm good. 406 00:21:43,280 --> 00:21:45,280 Speaker 1: I don't need to be doing this. And Riley's like, 407 00:21:45,280 --> 00:21:49,760 Speaker 1: you should do it, you should do it. Go choreograph 408 00:21:50,240 --> 00:21:54,199 Speaker 1: for the Cheerios, Jake, because you can dance. Not a 409 00:21:54,200 --> 00:21:57,359 Speaker 1: good move. So Jake has been like I have a 410 00:21:57,400 --> 00:21:59,359 Speaker 1: trouble with Jake. In this episode, a little bit because 411 00:21:59,400 --> 00:22:02,080 Speaker 1: like he's like I've waited and I've been really patient 412 00:22:02,080 --> 00:22:03,919 Speaker 1: with you, and I've been kind and I've listened, and 413 00:22:03,960 --> 00:22:05,119 Speaker 1: like now I really want to make out with the 414 00:22:05,119 --> 00:22:08,080 Speaker 1: integer boobs and like do stuff. And she's like, no, 415 00:22:08,119 --> 00:22:09,919 Speaker 1: I don't really, I'm not that person and I'm not 416 00:22:10,040 --> 00:22:13,120 Speaker 1: this you know Katie, and like that you think I am, 417 00:22:13,200 --> 00:22:13,640 Speaker 1: and like. 418 00:22:13,800 --> 00:22:16,240 Speaker 2: Well, he also like threw out, like you know with 419 00:22:16,280 --> 00:22:18,440 Speaker 2: any other girls, this would have happened so long ago, 420 00:22:18,520 --> 00:22:21,800 Speaker 2: and like I've been so good, impatient with you and 421 00:22:21,840 --> 00:22:29,439 Speaker 2: she's like yeah, um brom okay again, that wouldn't fly 422 00:22:29,520 --> 00:22:29,800 Speaker 2: right now. 423 00:22:29,880 --> 00:22:31,760 Speaker 1: That just wouldn't be good if that was on now. 424 00:22:32,160 --> 00:22:34,760 Speaker 1: So he gets pissed and he goes off and he 425 00:22:34,840 --> 00:22:37,480 Speaker 1: meets up with Brie and something bad's gonna happen. 426 00:22:38,000 --> 00:22:42,040 Speaker 2: They're not even like sugarcoating it. He's like where can 427 00:22:42,080 --> 00:22:43,880 Speaker 2: we go someplace it's private and she's like, I'll bring 428 00:22:43,880 --> 00:22:45,560 Speaker 2: my coat because I don't want to get grass staines 429 00:22:45,600 --> 00:22:51,720 Speaker 2: on my uniform? Like what dirty literally dirty. 430 00:22:51,440 --> 00:22:53,600 Speaker 1: Poor Marley. Everything was going so well. 431 00:22:54,119 --> 00:22:57,280 Speaker 2: Bria is up to no good, no never is. I 432 00:22:57,320 --> 00:22:58,000 Speaker 2: don't trust her. 433 00:22:58,080 --> 00:22:58,720 Speaker 1: She's cuckoo. 434 00:22:59,240 --> 00:23:00,679 Speaker 2: Yes, absolutely could go. 435 00:23:01,359 --> 00:23:05,639 Speaker 1: So then Tina, Kitty, Jake and Unique who are the 436 00:23:05,680 --> 00:23:09,720 Speaker 1: Gagas see the scene. They have that scene where they're 437 00:23:09,720 --> 00:23:13,919 Speaker 1: like all panicking. They've seen you guys perform applause. They're like, 438 00:23:13,960 --> 00:23:18,879 Speaker 1: oh my god, oh my god, it was amazing. It 439 00:23:18,920 --> 00:23:22,600 Speaker 1: was amazing, you guys. But Tina comes, I don't know, 440 00:23:22,800 --> 00:23:27,840 Speaker 1: Tina being reasonable and sound, I don't know. She's like, yeah, 441 00:23:27,960 --> 00:23:31,280 Speaker 1: Gaga is like spectacle and all this, but like it's 442 00:23:31,320 --> 00:23:34,639 Speaker 1: actually about the music and like the honesty behind it. 443 00:23:34,880 --> 00:23:38,479 Speaker 1: So I do appreciate Tina being sound the sound voice 444 00:23:38,480 --> 00:23:41,320 Speaker 1: for once. And then they come up with Wide Awake 445 00:23:42,760 --> 00:23:45,639 Speaker 1: and they send them stools on the stage. It is 446 00:23:45,680 --> 00:23:48,760 Speaker 1: a nice juxtaposition to what you guys did in applause. 447 00:23:49,240 --> 00:23:54,000 Speaker 1: I did appreciate it. I'm not gonna lie, this is 448 00:23:54,119 --> 00:23:56,320 Speaker 1: not my favorite song. 449 00:23:57,040 --> 00:24:01,679 Speaker 2: I need to clarify that. Do you mean in general 450 00:24:01,760 --> 00:24:03,320 Speaker 2: this is not your favorite song? Or do you not 451 00:24:03,440 --> 00:24:04,640 Speaker 2: love the version we did? 452 00:24:05,000 --> 00:24:08,200 Speaker 1: I like the version we did. I love the song 453 00:24:08,680 --> 00:24:13,040 Speaker 1: Katie song. I like the version that they came up with. 454 00:24:14,280 --> 00:24:17,520 Speaker 1: The final product didn't slap for me the way I 455 00:24:17,560 --> 00:24:18,280 Speaker 1: hoped it would. 456 00:24:19,320 --> 00:24:23,640 Speaker 2: Jenna, Jenna, Jenna, you know it's fine sometimes you don't 457 00:24:23,680 --> 00:24:24,560 Speaker 2: have good taste. 458 00:24:24,920 --> 00:24:28,280 Speaker 1: Maybe it's just like my vocal isn't my favorite. I 459 00:24:28,320 --> 00:24:30,480 Speaker 1: don't know what it is about it. It just doesn't 460 00:24:30,800 --> 00:24:32,080 Speaker 1: slap the way I wish it would. 461 00:24:32,960 --> 00:24:35,959 Speaker 2: I think you sound great. I think this number is great. 462 00:24:36,480 --> 00:24:44,680 Speaker 2: I think it goes into the file with three and what. Yes, 463 00:24:44,880 --> 00:24:46,600 Speaker 2: I think all these like slow songs? Are you guys 464 00:24:46,600 --> 00:24:50,040 Speaker 2: sitting on a stool parking Barkin? I think what's the 465 00:24:50,080 --> 00:24:51,560 Speaker 2: other one? The other Florent song? 466 00:24:52,640 --> 00:24:53,080 Speaker 1: Shake it out? 467 00:24:53,320 --> 00:24:53,600 Speaker 2: It out? 468 00:24:54,000 --> 00:24:54,520 Speaker 1: Whoa? 469 00:24:54,600 --> 00:24:58,239 Speaker 2: Yeah, I think this. I think those other ones may 470 00:24:58,280 --> 00:25:00,560 Speaker 2: be better. Yeah, but I think this is up there. 471 00:25:00,880 --> 00:25:09,000 Speaker 1: WHOA fascinating? It was out of the blue wall. Well yeah, Alex, 472 00:25:11,240 --> 00:25:11,720 Speaker 1: all of you. 473 00:25:11,880 --> 00:25:15,160 Speaker 2: Yeah, I think all of your voices are so different, right. 474 00:25:15,280 --> 00:25:18,080 Speaker 2: It is nice to in the midst of all this spectacle. 475 00:25:18,119 --> 00:25:21,199 Speaker 2: It is really nice to have this version. And I 476 00:25:21,200 --> 00:25:22,560 Speaker 2: think it just worked with all of you. 477 00:25:22,760 --> 00:25:25,080 Speaker 1: I'm glad. I'm glad. I think I'm too close to it. 478 00:25:25,200 --> 00:25:28,320 Speaker 1: I just you know, sometimes. 479 00:25:27,720 --> 00:25:33,359 Speaker 2: You ready to hear first. Jenna hates this version. Wow, 480 00:25:33,400 --> 00:25:35,520 Speaker 2: I can never trust your opinion again. 481 00:25:35,400 --> 00:25:40,119 Speaker 1: Putting words in my mouth. Okay, Anyway, I do appreciate 482 00:25:40,280 --> 00:25:44,359 Speaker 1: I appreciate the number. I appreciate the version. I appreciate 483 00:25:44,440 --> 00:25:51,080 Speaker 1: the stark difference of your guys' performance versus ours. 484 00:25:51,800 --> 00:25:53,439 Speaker 2: Were you bummed at all that you didn't get to 485 00:25:53,440 --> 00:25:55,480 Speaker 2: have like a huge Kadie number or no, because we 486 00:25:55,640 --> 00:25:56,400 Speaker 2: end up doing Roar. 487 00:25:56,920 --> 00:25:58,800 Speaker 1: No, because we ended up doing raar. And we were 488 00:25:58,800 --> 00:26:03,080 Speaker 1: also put in those out just Katie outfits for the 489 00:26:03,119 --> 00:26:09,880 Speaker 1: scene prior to it. It was psychopath psychopath those outfits. 490 00:26:09,960 --> 00:26:13,800 Speaker 2: I mean, hats off because costumes were incredible and. 491 00:26:13,800 --> 00:26:16,480 Speaker 1: They were just doing it this episode. No one that 492 00:26:16,560 --> 00:26:19,720 Speaker 1: we were in the wrong costumes like, It's just they 493 00:26:19,800 --> 00:26:23,680 Speaker 1: had so much work to do between applause and Katie's 494 00:26:23,800 --> 00:26:34,720 Speaker 1: and the dagas. It's really amazing. We have to talk 495 00:26:34,760 --> 00:26:37,360 Speaker 1: about Jake being in the rum. 496 00:26:37,240 --> 00:26:40,440 Speaker 2: Tum Tugger at so good. I'm just about to spit 497 00:26:40,480 --> 00:26:41,920 Speaker 2: out my drink. When I was watching this. 498 00:26:41,960 --> 00:26:45,240 Speaker 1: Yesterday, I could not look at him while we were 499 00:26:45,240 --> 00:26:50,080 Speaker 1: shooting this. Melissa Buell, who did our makeup, did this 500 00:26:50,240 --> 00:26:53,359 Speaker 1: make up for him. I have pictures I will share. 501 00:26:54,400 --> 00:26:58,440 Speaker 1: He's just sitting on that stool and I cannot get 502 00:26:58,440 --> 00:27:01,040 Speaker 1: over it. It's I was like, oh my god, it's this episode. 503 00:27:01,119 --> 00:27:03,159 Speaker 1: This is the episode is my favorite one of my 504 00:27:03,200 --> 00:27:07,080 Speaker 1: favorite moments from the entire time shooting this series was 505 00:27:07,119 --> 00:27:12,240 Speaker 1: watching Jacob in that outfit. It's just so funny. He's 506 00:27:12,320 --> 00:27:15,480 Speaker 1: just so game and he's just like dancing in it 507 00:27:15,560 --> 00:27:18,320 Speaker 1: and going for it, and the character is just so 508 00:27:18,440 --> 00:27:21,360 Speaker 1: the opposite of this that it just is so perfect. 509 00:27:21,640 --> 00:27:27,360 Speaker 1: It's just so perfect. And then Alex has unique has 510 00:27:27,440 --> 00:27:31,960 Speaker 1: the Cupcake and Katie outfit, and when Alex would sit 511 00:27:32,240 --> 00:27:35,919 Speaker 1: on the risers without the seats in the choir room, 512 00:27:36,240 --> 00:27:40,320 Speaker 1: the cupcake skirt rot like like I don't know how 513 00:27:40,359 --> 00:27:43,680 Speaker 1: to explain it, but it like rises up into its 514 00:27:43,760 --> 00:27:47,920 Speaker 1: like into like one skirt and you could just see 515 00:27:47,960 --> 00:27:52,880 Speaker 1: his feet and it looked like he was like one 516 00:27:52,920 --> 00:27:55,240 Speaker 1: and a half feet like from the head to the foot, 517 00:27:55,920 --> 00:28:00,400 Speaker 1: and it's just absolutely ridiculous. We all looked insane. 518 00:28:00,760 --> 00:28:01,879 Speaker 2: You have a picture of that, don't you. 519 00:28:02,080 --> 00:28:04,520 Speaker 1: Yeah, I think I gotta find it. Jena Zuka, who's 520 00:28:04,560 --> 00:28:09,239 Speaker 1: on costumes, posts that every year for Alex's birthday, and 521 00:28:09,280 --> 00:28:11,080 Speaker 1: it's her favorite thing to do because we love that 522 00:28:11,119 --> 00:28:14,840 Speaker 1: photos so much. That was a fun thing to seem 523 00:28:14,880 --> 00:28:19,080 Speaker 1: to shoot everyone seeing everybody in their costumes and like again, 524 00:28:19,359 --> 00:28:24,399 Speaker 1: just moments of like absolute ridiculous. Levity was like what 525 00:28:24,600 --> 00:28:26,320 Speaker 1: was needed in that time and back and I were 526 00:28:26,320 --> 00:28:30,280 Speaker 1: like so worried about being in like bikinis, but she 527 00:28:30,359 --> 00:28:30,760 Speaker 1: looked great. 528 00:28:31,600 --> 00:28:33,960 Speaker 2: There was a lot of like dieting going on. 529 00:28:34,359 --> 00:28:37,520 Speaker 1: There was this episode and going on. Corn had to 530 00:28:37,560 --> 00:28:41,920 Speaker 1: be shirtless. Darren was shirtless. It was crazy. 531 00:28:41,560 --> 00:28:47,920 Speaker 2: Cord when he asked the diet mind like outer body, yeah, 532 00:28:47,960 --> 00:28:49,840 Speaker 2: which is also why it makes sense, like when he's 533 00:28:49,840 --> 00:28:53,880 Speaker 2: like pitching Gaga stuff and he's like like, oh yeah, he's. 534 00:28:53,880 --> 00:29:04,080 Speaker 1: Hungry, starving, starving, hydrated, poor guy on his roor oh 535 00:29:04,160 --> 00:29:05,720 Speaker 1: my godnybody. 536 00:29:06,360 --> 00:29:09,840 Speaker 2: Everyone was naked. I remember being so clothed, so the 537 00:29:09,880 --> 00:29:12,960 Speaker 2: opposite of naked, and just taking photos of everyone, like, 538 00:29:13,000 --> 00:29:15,880 Speaker 2: good for all of you, you all look wonderful. Yeah, 539 00:29:15,880 --> 00:29:17,600 Speaker 2: I'm just gonna sit over here in my safari. 540 00:29:17,880 --> 00:29:22,200 Speaker 1: I remember being like, oh no, this is my house. 541 00:29:23,240 --> 00:29:29,720 Speaker 1: Oh no. But War was really fun to shoot. We 542 00:29:29,800 --> 00:29:33,160 Speaker 1: had so much fun. We were going for it. I 543 00:29:33,200 --> 00:29:42,200 Speaker 1: remember really really dancing, swinging on that uh Tarzan rope 544 00:29:42,560 --> 00:29:45,479 Speaker 1: and you in the chair. We all sat in the 545 00:29:45,520 --> 00:29:49,360 Speaker 1: back of the theater in the auditorium and watched everybody 546 00:29:49,400 --> 00:29:53,520 Speaker 1: as they took their turn, and everybody was cackling. I 547 00:29:53,560 --> 00:29:56,680 Speaker 1: mean Kevin with the chair. I don't know when they 548 00:29:56,880 --> 00:30:00,920 Speaker 1: thought to do that, but it was absolutely outrageous. It's 549 00:30:00,960 --> 00:30:04,480 Speaker 1: my favorite. I have photos of it of you on 550 00:30:04,520 --> 00:30:06,800 Speaker 1: that thing on that swing. Were you scared to be 551 00:30:06,880 --> 00:30:08,200 Speaker 1: on the chair on the swing. 552 00:30:08,440 --> 00:30:11,480 Speaker 2: No, when any of those like crazy things happen, or 553 00:30:11,480 --> 00:30:14,440 Speaker 2: like when they strapped the chair into the worthly thing 554 00:30:14,560 --> 00:30:21,040 Speaker 2: at the Honible a couple episodes, I never doubted the 555 00:30:21,080 --> 00:30:24,600 Speaker 2: safety of anything there, Like I truly was just like, whatever, 556 00:30:25,960 --> 00:30:29,840 Speaker 2: whatever's gonna happen. They would also like test it out before, 557 00:30:29,960 --> 00:30:32,840 Speaker 2: of course with somebody else in the chair. Of course 558 00:30:33,400 --> 00:30:36,280 Speaker 2: that should have been scary, but I was just we 559 00:30:36,280 --> 00:30:39,479 Speaker 2: were all so game for anything that I were just 560 00:30:39,520 --> 00:30:43,480 Speaker 2: like me like wheeling into the pool, like I really 561 00:30:43,520 --> 00:30:45,840 Speaker 2: wanted to try like the crazier things. 562 00:30:46,160 --> 00:30:49,880 Speaker 1: It's so funny. I loved Roar. I loved doing that number. 563 00:30:49,920 --> 00:30:53,960 Speaker 1: I loved recording that song. I loved watching it. Everything 564 00:30:53,960 --> 00:30:55,840 Speaker 1: about Roar makes me really really happy. 565 00:30:56,400 --> 00:30:59,600 Speaker 2: I mean, the art direction, the art department was just incredible. 566 00:30:59,840 --> 00:31:04,200 Speaker 2: I don't know how the costumes again, Oh it was shot. 567 00:31:04,360 --> 00:31:07,720 Speaker 1: Everybody so good with lots of photos that day. 568 00:31:08,440 --> 00:31:10,920 Speaker 2: There's so many I can't find I must have deleted 569 00:31:10,920 --> 00:31:12,880 Speaker 2: them or something. But I had all these photos of 570 00:31:12,960 --> 00:31:14,560 Speaker 2: all of you in those outfits, and. 571 00:31:14,800 --> 00:31:17,480 Speaker 1: I have lots of like us fanning ourselves because it 572 00:31:17,520 --> 00:31:19,640 Speaker 1: was so hot. We were like dancing so hard and 573 00:31:19,720 --> 00:31:22,120 Speaker 1: like I was, I think I was sitting in your 574 00:31:22,200 --> 00:31:24,920 Speaker 1: chair Barberrella like. 575 00:31:24,920 --> 00:31:26,920 Speaker 2: So I got to be like an observer to all 576 00:31:26,920 --> 00:31:27,120 Speaker 2: of it. 577 00:31:27,200 --> 00:31:29,320 Speaker 1: Yeah, it was funny. I was just. 578 00:31:30,720 --> 00:31:33,400 Speaker 2: And again meant probably more to us than we realized 579 00:31:33,400 --> 00:31:34,520 Speaker 2: we needed at the time. 580 00:31:35,000 --> 00:31:40,240 Speaker 1: Yeah. Yeah, mentally, definitely that's the episode. So Mary the Night. 581 00:31:40,360 --> 00:31:44,120 Speaker 1: Let's rate Mary the Night A plus plus. Oh yeah, 582 00:31:44,160 --> 00:31:49,360 Speaker 1: applause A plus A plus plus, Wide a wee A 583 00:31:49,360 --> 00:31:52,240 Speaker 1: A plus, roar A plus plus. 584 00:31:52,680 --> 00:31:53,400 Speaker 2: Yeah, A plus plus. 585 00:31:53,440 --> 00:31:56,280 Speaker 1: Wow, this is their best A plus plus episode we've 586 00:31:56,320 --> 00:31:56,840 Speaker 1: had so far. 587 00:31:57,320 --> 00:31:59,040 Speaker 2: I mean, if you're only going to have four numbers, 588 00:31:59,080 --> 00:32:01,440 Speaker 2: you better make them A plus incredible, Okay, and I 589 00:32:01,440 --> 00:32:04,560 Speaker 2: think they all were. I also, like I would just 590 00:32:04,600 --> 00:32:08,400 Speaker 2: like to say, Adam Lambert, all those dance moves on 591 00:32:08,440 --> 00:32:13,760 Speaker 2: the floor, like really couldn't get enough of it. 592 00:32:15,760 --> 00:32:19,240 Speaker 1: Okay, let's do some hearty takes cringe moments. 593 00:32:19,480 --> 00:32:22,240 Speaker 2: There's a couple things. First of all, like we said, 594 00:32:22,360 --> 00:32:28,280 Speaker 2: Marley getting suspended by shoe. Yes, yeah, it is so weird. 595 00:32:29,840 --> 00:32:35,280 Speaker 1: It's it's weird and also so weird, like she won't 596 00:32:35,320 --> 00:32:38,080 Speaker 1: wear a bikini. Yeah, like the whole suspension thing and 597 00:32:38,120 --> 00:32:40,160 Speaker 1: why is actually just not okay? 598 00:32:40,600 --> 00:32:43,600 Speaker 2: And then to add salt on the wound, then Jake 599 00:32:44,120 --> 00:32:48,120 Speaker 2: saying he's not pressuring Marley while he's pressuring her, like 600 00:32:48,240 --> 00:32:51,120 Speaker 2: Marley is going through it by all the men. 601 00:32:52,160 --> 00:32:54,480 Speaker 1: And she's just gotta come back and do racking ball soon, 602 00:32:54,600 --> 00:32:55,520 Speaker 1: so don't you worry. 603 00:32:56,800 --> 00:33:00,800 Speaker 2: I also have I think Brie don't be the wrong way. 604 00:33:00,960 --> 00:33:05,000 Speaker 1: I know, I don't know why, because she's not funny 605 00:33:05,720 --> 00:33:08,680 Speaker 1: and there's like no redeeming like we don't know her yet, 606 00:33:09,000 --> 00:33:11,320 Speaker 1: you know what I mean, Like there's nothing redeeming about 607 00:33:11,320 --> 00:33:16,520 Speaker 1: her character that like you're like, oh, but. 608 00:33:15,200 --> 00:33:20,080 Speaker 2: But I think with like Quinn, Santana and Kitty, they'd 609 00:33:20,120 --> 00:33:21,760 Speaker 2: say horrible, horrible things. 610 00:33:21,560 --> 00:33:24,160 Speaker 1: But it was funny, but it was funny. These are 611 00:33:24,200 --> 00:33:24,600 Speaker 1: just mean. 612 00:33:25,440 --> 00:33:27,360 Speaker 2: I don't think I think bre is written different. 613 00:33:27,480 --> 00:33:29,120 Speaker 1: Yeah yeah, yeah, yeah, yeah, that's a good one. 614 00:33:29,280 --> 00:33:31,640 Speaker 2: She's mean, she's just like mean. Yeah. 615 00:33:31,960 --> 00:33:39,240 Speaker 1: Best dance move, I mean, Mary the Night, Mary the Night, Yeah, 616 00:33:39,440 --> 00:33:46,200 Speaker 1: best song, Marry the Knight, I would like to say 617 00:33:46,200 --> 00:33:50,040 Speaker 1: that our producer, producer Sam has voted for wide Awake Jenna. 618 00:33:50,720 --> 00:34:00,840 Speaker 1: We don't always pick her picks. I love you, Dane, Jenna. 619 00:34:01,920 --> 00:34:05,160 Speaker 1: We have different sometimes we have it's just it's the 620 00:34:05,280 --> 00:34:08,080 Speaker 1: viewer versus the person who was in it. Like, it's 621 00:34:08,320 --> 00:34:12,280 Speaker 1: just sometimes it's different and I can't I can't separate 622 00:34:12,320 --> 00:34:14,040 Speaker 1: the viewer from being in at this time. 623 00:34:14,960 --> 00:34:16,719 Speaker 2: I have a hard time with this because it's like, 624 00:34:17,719 --> 00:34:20,279 Speaker 2: what do we normally say best song or best like? 625 00:34:20,520 --> 00:34:27,840 Speaker 2: Is that different than the whole performance? So applause, I 626 00:34:27,920 --> 00:34:31,959 Speaker 2: might go applause or right away I'm going on plause. Okay, 627 00:34:32,000 --> 00:34:33,200 Speaker 2: then I'm going to stay right away. 628 00:34:33,239 --> 00:34:34,759 Speaker 1: Whatever performance by a prop. 629 00:34:35,960 --> 00:34:39,320 Speaker 2: You're a hater. Honestly, I kind of want to say 630 00:34:40,000 --> 00:34:43,640 Speaker 2: my wheelchair on the vine, I vote. 631 00:34:43,640 --> 00:34:45,759 Speaker 1: I vote that too. Maybe you're hat in it too. 632 00:34:46,320 --> 00:34:49,279 Speaker 4: Best line there There was a time when there was 633 00:34:49,360 --> 00:34:54,319 Speaker 4: a line where Sue says bs before Sue, which made 634 00:34:54,360 --> 00:34:57,360 Speaker 4: me a goal, and Alex had. 635 00:34:57,239 --> 00:34:58,200 Speaker 2: Some crazy as lines. 636 00:34:58,320 --> 00:34:59,560 Speaker 1: Alex really did. 637 00:35:00,640 --> 00:35:05,719 Speaker 2: All this stuff of the zoo. Let me autocorrect that 638 00:35:05,760 --> 00:35:07,560 Speaker 2: where you I tried breaking into the zoo to get 639 00:35:07,560 --> 00:35:10,600 Speaker 2: a slave. Tigers plot twists a lineman doesn't have a zoo. 640 00:35:10,840 --> 00:35:16,400 Speaker 2: Why did we think it did so good? 641 00:35:17,000 --> 00:35:21,000 Speaker 1: Jake saying about the kid the rum Tum Tiger is seriously, 642 00:35:21,040 --> 00:35:24,359 Speaker 1: I look like a gay thundercut. So good. 643 00:35:26,239 --> 00:35:33,160 Speaker 2: He's not wrong, Yeah he's not performance MVP. I mean 644 00:35:34,160 --> 00:35:37,320 Speaker 2: it's a hard one. It's such an ensemble episode. 645 00:35:38,040 --> 00:35:38,799 Speaker 1: It really is. 646 00:35:41,520 --> 00:35:47,520 Speaker 2: I think I feel like the music is the star 647 00:35:47,600 --> 00:35:48,360 Speaker 2: of this episode. 648 00:35:50,840 --> 00:35:53,520 Speaker 1: The Chord. I you know what I was gonna say, Chord. 649 00:35:53,600 --> 00:35:57,040 Speaker 1: Chord has been really solid in his whole stuff with Penny, 650 00:35:57,080 --> 00:35:59,719 Speaker 1: and like, yeah, okay, let's go Chord. 651 00:36:00,520 --> 00:36:06,400 Speaker 2: He's acting. He's giving body, you know, just for the 652 00:36:06,440 --> 00:36:08,360 Speaker 2: amount of torture he put himself through for the body. 653 00:36:08,480 --> 00:36:08,719 Speaker 3: I know. 654 00:36:10,440 --> 00:36:13,880 Speaker 2: So should we found on TikTok to lift the veil 655 00:36:13,960 --> 00:36:18,879 Speaker 2: a little bit. We are recording this on Halloween surprise, right, 656 00:36:19,680 --> 00:36:25,239 Speaker 2: and so there is a TikTok of Cheach his name 657 00:36:25,280 --> 00:36:30,360 Speaker 2: is Cheech Underscore doing the full nine Leaks Coach Ras 658 00:36:31,080 --> 00:36:39,279 Speaker 2: addressed as Coach Ras Wigan and it is. It's so good, 659 00:36:40,160 --> 00:36:43,799 Speaker 2: a full forty two seconds of pure magic. I think 660 00:36:43,800 --> 00:36:50,600 Speaker 2: you should all go watch it function because what a monologue. 661 00:36:51,480 --> 00:36:56,359 Speaker 2: Memorizing the entire monologue, good for you? Love it? I mean, 662 00:36:57,320 --> 00:37:01,160 Speaker 2: and you know we love Sam was Washington, we love Ross. 663 00:37:01,880 --> 00:37:06,560 Speaker 1: What would we do without ros? Okay? 664 00:37:06,560 --> 00:37:11,040 Speaker 2: Well, Jennett, oh god, do you know what next week is? 665 00:37:15,080 --> 00:37:15,480 Speaker 3: Oh? 666 00:37:15,600 --> 00:37:21,960 Speaker 2: No, Kevin, you know what. Look, I'm enjoying the I'm 667 00:37:22,040 --> 00:37:25,920 Speaker 2: actually in the headspace now that I understand that we 668 00:37:26,040 --> 00:37:28,359 Speaker 2: need this craziness. 669 00:37:29,920 --> 00:37:31,440 Speaker 1: I will take. 670 00:37:32,800 --> 00:37:36,600 Speaker 2: Cringey moments, things that we shouldn't have done over the 671 00:37:36,640 --> 00:37:40,360 Speaker 2: seriousness of what was actually happening, you know, with Corey 672 00:37:40,400 --> 00:37:48,280 Speaker 2: and everything. So I'm prepared to see some questionable numbers. Whatever. 673 00:37:49,080 --> 00:37:49,680 Speaker 2: I'm for it. 674 00:37:50,440 --> 00:37:53,040 Speaker 1: We need let's try it. Let's just try it. You know, 675 00:37:53,320 --> 00:37:55,920 Speaker 1: we have no choice, no exactly, So we're going for it. 676 00:37:56,320 --> 00:37:57,120 Speaker 2: This is where we're going. 677 00:37:57,239 --> 00:38:00,719 Speaker 1: Join us next week for the end of work. Thanks 678 00:38:00,760 --> 00:38:03,560 Speaker 1: for joining us today, for Katie, your Gaga and that's 679 00:38:03,560 --> 00:38:03,799 Speaker 1: what you. 680 00:38:03,840 --> 00:38:07,239 Speaker 2: Really miss Thanks for listening and follow us on Instagram 681 00:38:07,560 --> 00:38:09,920 Speaker 2: at and that's what you really miss pod. Make sure 682 00:38:09,960 --> 00:38:12,080 Speaker 2: to write us a review and leave us five stars. 683 00:38:12,280 --> 00:38:12,960 Speaker 2: See you next time.