WEBVTT - Hour 2 - Would You Rather, Kevin James

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<v Speaker 1>You are listening to The Dan Patrick Show on Fox

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<v Speaker 1>Sports Radio.

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<v Speaker 2>Welcome to the program already in progress. It's our two

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<v Speaker 2>and this Tuesday, Dan and the Dan Net's Dan Patrick Show.

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<v Speaker 2>Big night in the NBA for Joe l. Embiid and

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<v Speaker 2>also Carl Anthony Towns. Although Embiid had seventy in a

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<v Speaker 2>win against the Spurs, Carl Anthony had sixty two in

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<v Speaker 2>a loss eight seven, seven to three. DP Show Email

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<v Speaker 2>addors Sdpatdanpatrick dot Com, Twitter handle a DP show coming up.

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<v Speaker 2>I'll bring back some comments that Kobe Bryant had. I

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<v Speaker 2>think this is six or seven years ago, and I

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<v Speaker 2>asked him to choose his eighty one point game that

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<v Speaker 2>we just celebrated the anniversary yesterday or the final game

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<v Speaker 2>of his NBA career when he scored sixty. So I'll

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<v Speaker 2>have that for you coming up. Stat of the Day

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<v Speaker 2>brought to you by Panini America. That would be the

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<v Speaker 2>official trading cards of The Dan Patrick Show. And let's

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<v Speaker 2>see pull question for our two seaton, let's recap what

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<v Speaker 2>we did with our one. We'll talk to the great

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<v Speaker 2>comedian Kevin James, he'll stop by and Mark Sanchez, former

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<v Speaker 2>NFL quarterback will join us as well.

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<v Speaker 3>I would rather score eighty one in a game or

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<v Speaker 3>be the NBA scoring champion. Right now, at sixty eight

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<v Speaker 3>percent of the vote, is still NBA scoring champion. A

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<v Speaker 3>lot of it seems to be. I'd rather have thirty

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<v Speaker 3>five a night every night than eighty one one night, yeah,

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<v Speaker 3>which I definitely get that. Oh yeah, yeah, I want

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<v Speaker 3>to be great. I want it sustainable. Not Hey, you

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<v Speaker 3>had one great game, like Michael Red. Didn't he have

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<v Speaker 3>fifty five in a game?

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<v Speaker 4>Yes, Marvin Tony Delk also had a fifty point game.

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<v Speaker 2>Yeah, like you know you can go off. These guys

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<v Speaker 2>are great scorers, and sometimes it just hits you and

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<v Speaker 2>your teammates know it and they feed you the ball.

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<v Speaker 4>Yes, Mark, And there's not random scoring champions. There's random

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<v Speaker 4>guys who score fifty a night or fifty for one night,

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<v Speaker 4>but not random scoring. There's no scoring champ. That's like, huh,

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<v Speaker 4>he'd like he won a scoring title.

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<v Speaker 2>Bloop bloop all right? I think in college, do you

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<v Speaker 2>just twenty rellity ar?

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<v Speaker 5>Yeah?

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<v Speaker 6>Nice?

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<v Speaker 2>A game of blue blue like points? Yes, he got

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<v Speaker 2>points there in college, Like I remember a couple of

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<v Speaker 2>guys who led the nation in scoring a guy from Richmond.

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<v Speaker 2>His name was Bob McCurdy. Also Johnny Newman I think

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<v Speaker 2>led the nation in scoring, and I think he was

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<v Speaker 2>at Ole Miss. So there were guy Freeman, Williams, Bird

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<v Speaker 2>aver It. There are guys who led the nation in scoring.

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<v Speaker 2>Where you go, huh, but it's you don't lead the

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<v Speaker 2>NBA in scoring. Where you go huh, yeah, Pauling.

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<v Speaker 5>But I guess to stay with my argument here for

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<v Speaker 5>eighty one is we're talking about guys who have dropped fifty,

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<v Speaker 5>which is really impressive and it's nice, but like you said,

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<v Speaker 5>there's a lot of people could do it. Eighty one

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<v Speaker 5>is a really different stratosphere. Seventy really is, but eighty one,

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<v Speaker 5>Kobe is modern era, the greatest score in a game.

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<v Speaker 5>You have to go back to.

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<v Speaker 2>Okay, would you rather shoot a fifty nine on a

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<v Speaker 2>PGA event or you end up up being the player

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<v Speaker 2>of the year on the PGA Tour. So you get

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<v Speaker 2>one day where you make history or you get the

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<v Speaker 2>entire season, because that's what we're talking about.

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<v Speaker 5>Can the fifty nine be during a Major, Sure, I'll.

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<v Speaker 2>Take it, but it doesn't mean you win the major. Okay,

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<v Speaker 2>you get fifty nine, let's say, you guys at fifty

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<v Speaker 2>nine at the Masters, or you win.

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<v Speaker 5>Player of the year fifty nine at the Masters.

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<v Speaker 2>Okay, I would take Player of the Year because chances

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<v Speaker 2>are I might have won the Masters and maybe another

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<v Speaker 2>major in there. All right, we'll get two more phone

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<v Speaker 2>calls coming up, changing the poll question up? Or did

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<v Speaker 2>you do that already?

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<v Speaker 6>Seed?

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<v Speaker 3>You know it's actually gonna throw out one for a topic.

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<v Speaker 3>I don't think we've hit today. Okay, I don't remember.

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<v Speaker 3>But Todd Ball's not calling a timeout at the end

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<v Speaker 3>of the game against the Lions. Okay, what dot dot

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<v Speaker 3>dot dot dot dot? That no big deal?

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<v Speaker 2>Or it was a deal. It was a deal, and

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<v Speaker 2>I think it's become me a bigger deal because Todd

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<v Speaker 2>Bowles doubled down and basically saying they didn't have any

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<v Speaker 2>time left. This is what he had to say yesterday.

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<v Speaker 6>The Lions were.

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<v Speaker 7>Taking an invaded information with twelve thirty seconds left on.

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<v Speaker 8>The play flock.

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<v Speaker 6>Is there like in terms of not taking your last

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<v Speaker 6>time out? Is there like a gentleman's agreement?

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<v Speaker 4>If you don't do it on the first two like that,

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<v Speaker 4>then you're just going to end the game.

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<v Speaker 9>It's not a gentleman's agreement. They were in field goal range.

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<v Speaker 9>We'd add twelve seconds calculated you after using that timeout

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<v Speaker 9>to come back from it, then we would have been

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<v Speaker 9>down eleven points. It's kind of pointless, the kind of

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<v Speaker 9>know when the game was over and the game was.

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<v Speaker 2>Over, Okay, he's mismanaging the clock after the game, recalling

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<v Speaker 2>how much time was left. So Detroit took the snap

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<v Speaker 2>too early and you could have taken a timeout, forced

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<v Speaker 2>them to kick a field goal, and there was thirty

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<v Speaker 2>six seconds left. Let's say you block it, you score

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<v Speaker 2>a touchdown two point conversion, or if they missed the

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<v Speaker 2>field goal, you still have a little bit, you have

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<v Speaker 2>a chance. That's what I don't understand what Todd is

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<v Speaker 2>saying there and then to basically say, well, you know

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<v Speaker 2>it was the inevitable, Why postponed the inevitable? Okay? I

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<v Speaker 2>was surprised at that.

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<v Speaker 3>Also, head coach the playoffs, yeah, as well, just just

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<v Speaker 3>burn the time out. It doesn't only another.

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<v Speaker 2>This isn't week four where you go, yeah, you know what,

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<v Speaker 2>let's get on the charter and get back home and

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<v Speaker 2>start preparing next week for Kansas City. That was what

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<v Speaker 2>was surprising. The head coaching carousel in full swing. By

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<v Speaker 2>the way, the Titans have a new head coach. He

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<v Speaker 2>is the former offensive coordinator for the Cincinnati Bengals. You

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<v Speaker 2>can applaud if you want to, Marvin, you were applauding

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<v Speaker 2>over there. Brian Callahan is the head coach, former offensive

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<v Speaker 2>coordinator with the Bengals. The Raiders quietly announced that Antonio

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<v Speaker 2>Pierce is going to be their head coach. That was

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<v Speaker 2>Friday at four fifteen Eastern. If they make that announcement,

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<v Speaker 2>but if you look at two coaches that are left

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<v Speaker 2>here in the playoffs, one in the NFC, one in

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<v Speaker 2>the AFC, it's that reminder of you don't have to

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<v Speaker 2>hire the offensive or defensive coordinator. Because John Harbaugh was

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<v Speaker 2>in charge of special teams before he took over in

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<v Speaker 2>charge of special teams in Baltimore, and then Dan Campbell.

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<v Speaker 2>His highest full time position was an assistant head coach

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<v Speaker 2>in New Orleans. He wasn't a coordinator. Not all coordinators

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<v Speaker 2>are meant to be head coaches. But we make that mistake.

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<v Speaker 2>I know we want to. We want to give them

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<v Speaker 2>that opportunity. There's certain guys who aren't wired to be

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<v Speaker 2>a head coach. There's certain guys who are maybe they

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<v Speaker 2>wouldn't be great coordinators, but they're great head coaches. And

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<v Speaker 2>there's a big difference in that. And sometimes you'll see

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<v Speaker 2>these guys know what they're doing offensively or defensively. But

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<v Speaker 2>then you got to handle everything else that goes along

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<v Speaker 2>with that title. You know, do well win press conferences there?

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<v Speaker 2>You got to deal with you know, tricky reporter questions there,

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<v Speaker 2>and salary cap and draft and all of that. When

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<v Speaker 2>you're a coordinator, you go into your little vacuum and

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<v Speaker 2>then you got your guys and the head coach leaves

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<v Speaker 2>you alone. You're the defensive coordinator. You don't have to

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<v Speaker 2>talk to anybody. They'd prefer you didn't talk to anybody.

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<v Speaker 2>In fact, it's rare when an offensive or defensive coordinator

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<v Speaker 2>has to talk to the media. Even if you ask born,

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<v Speaker 2>you can't get them. They're like, nope, you know maybe

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<v Speaker 2>coach oh, you can't have him. But you look at

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<v Speaker 2>these two coaches here and how they did it. And

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<v Speaker 2>when Dan Campbell was introduced at the press conference, I

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<v Speaker 2>had that reaction like Okay, this can't last maybe in college,

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<v Speaker 2>but not in the NFL. But it has. And they

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<v Speaker 2>started out poorly, And I thought they were a playoff

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<v Speaker 2>team last year. I mean, they had it in place.

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<v Speaker 2>They're a fun team to watch, and they started to

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<v Speaker 2>believe in themselves. And now you have them where they

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<v Speaker 2>are in the NFC title Game. No matter what happens,

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<v Speaker 2>it's been a great year for Detroit, great year. San

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<v Speaker 2>Francisco has to go to the super Bowl. Baltimore, Lamar Jackson,

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<v Speaker 2>they have to go to the super Bowl. Like, at

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<v Speaker 2>some point you say to Lamar Jackson, Hey, regular season,

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<v Speaker 2>that's nice. But it's like Joe Ellenbiid last night. The

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<v Speaker 2>first thing I thought was damn seventy points. The second

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<v Speaker 2>I thought was yeah, but it doesn't matter until we

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<v Speaker 2>see what you do in the postseason. Is he a

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<v Speaker 2>more skilled player than the Joker? Probably?

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<v Speaker 6>So.

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<v Speaker 2>He plays offensively and defensively better than Joker does. But

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<v Speaker 2>what does that mean? Great, you're more talented, even more

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<v Speaker 2>of a reason. Why Hey, why don't you have success?

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<v Speaker 2>Why don't you get to an NBA finals? Maybe you

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<v Speaker 2>get to a conference final. But Joe Ellenbiid is extremely talented.

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<v Speaker 2>But what are you going to do in the postseason,

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<v Speaker 2>Lamar Jackson, You're gonna have two MVPs can you do

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<v Speaker 2>something in the postseason? Is this sustainable? Because that's what

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<v Speaker 2>we want. Mahomes could actually he could go and not

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<v Speaker 2>get to the super Bowl this year, and I don't

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<v Speaker 2>think it's a negative because if I look at the

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<v Speaker 2>house credit that he has, he's okay. Now, that doesn't

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<v Speaker 2>mean he doesn't want to go or he'd view this season,

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<v Speaker 2>you know, is anything less than a disappointment, you know.

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<v Speaker 2>But Lamar Jackson, let's see, it's like Mike trout Man,

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<v Speaker 2>great regular season, we want to see what you do

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<v Speaker 2>in the postseason. Sometimes it's not fair, but those are

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<v Speaker 2>the expectations that come along with being one of the

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<v Speaker 2>greats of all time. Yes, Ton, that was all the more.

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<v Speaker 4>Reason to root for the Bills against the Chiefs. Then

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<v Speaker 4>you're guaranteed to have Alan or Jackson get their Super

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<v Speaker 4>Bowl shot this year.

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<v Speaker 2>Thank you to Yes Marvin.

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<v Speaker 4>Going back to Gervin and David Thompson, those are two

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<v Speaker 4>guys that didn't have very much playoff success and now,

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<v Speaker 4>like someone like me that wasn't alive back then, I

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<v Speaker 4>looked at him like who are they? Yeah, and then

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<v Speaker 4>you look up like, man, those dudes were like phenomenal

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<v Speaker 4>scores and That's how someone maybe twenty years from now

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<v Speaker 4>may look at Josh Allen or Lamar Jackson if they

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<v Speaker 4>don't get there, because you'll hear so much about Patrick

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<v Speaker 4>Mahomes because he's winning Super Bowls, which might be the

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<v Speaker 4>big thing. All right.

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<v Speaker 2>Here's Kobe talking about his eighty one point game and

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<v Speaker 2>his final game when he scored sixty and we talked

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<v Speaker 2>to him. It was April of twenty eighteen, and I

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<v Speaker 2>asked him to choose. Would he choose between the eighty

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<v Speaker 2>one point game or his sixty point final game. Here's

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<v Speaker 2>Kobe's response. Here's the question I thought of yesterday. If

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<v Speaker 2>I said, now, you did both of these. But if

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<v Speaker 2>I said, you could only have one on your resume,

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<v Speaker 2>you could get the eighty one or you could get

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<v Speaker 2>the sixty in your last game. You have to pick

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<v Speaker 2>between those two. You only get one.

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<v Speaker 8>Oh man, I'd probably go with the eighty one because

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<v Speaker 8>we were like one game out of making the playoffs

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<v Speaker 8>that year, so we needed literally needed every single game

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<v Speaker 8>to get into the postseason. So if we had dropped

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<v Speaker 8>that one, I think we would have been in serious

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<v Speaker 8>jeopardy of missing the playoffs that year. So I'll go

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<v Speaker 8>with the eighty one.

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<v Speaker 2>Reggie Miller and I got into a heated discussion, like

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<v Speaker 2>he kept saying, you're gonna end your career with sixty,

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<v Speaker 2>and then he put exclamation points on his text message

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<v Speaker 2>and I said, but eighty one exclamation points. That's come

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<v Speaker 2>on eighty one and reg goes no. Sixty on your

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<v Speaker 2>last game.

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<v Speaker 8>I'm just I'm enjoying the fact that you got to

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<v Speaker 8>actually having that debate. That's pretty cool.

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<v Speaker 2>So that's Kobe twenty eighteen April twenty eighteen. Still great

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<v Speaker 2>to have that in our archives, to be able to

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<v Speaker 2>bring that back out. Yeah, you put up eighty one,

0:12:11.320 --> 0:12:14.560
<v Speaker 2>but it's eighty one with Kobe's career, so everything that

0:12:14.600 --> 0:12:18.040
<v Speaker 2>goes along with that. You know, sixty in your final game.

0:12:18.320 --> 0:12:20.640
<v Speaker 2>It wasn't like this was a one off for Kobe

0:12:20.640 --> 0:12:22.320
<v Speaker 2>when he went for eighty one and you go, oh,

0:12:22.440 --> 0:12:26.760
<v Speaker 2>ain't he had a good game. But I love the

0:12:26.960 --> 0:12:29.319
<v Speaker 2>Jalen Rose that we get to give him a little

0:12:29.320 --> 0:12:31.280
<v Speaker 2>grief every time we have him on when we talk

0:12:31.280 --> 0:12:34.160
<v Speaker 2>about Kobe's eighty one, and then Jalen's like, I didn't

0:12:34.200 --> 0:12:37.840
<v Speaker 2>guard him the whole night. And then they did that

0:12:37.880 --> 0:12:42.080
<v Speaker 2>commercial where Kobe's there sitting get ready to have a martini,

0:12:42.120 --> 0:12:45.959
<v Speaker 2>and he goes, I'll have eighty one allumns please, and

0:12:46.200 --> 0:12:48.040
<v Speaker 2>Jalen like he's got to.

0:12:48.080 --> 0:12:48.600
<v Speaker 6>Just eat it.

0:12:48.880 --> 0:12:49.960
<v Speaker 2>I love that he like walks in.

0:12:50.040 --> 0:12:51.040
<v Speaker 3>He's like, oh, no, there he is.

0:12:51.120 --> 0:12:58.720
<v Speaker 2>He tries to like avoid him. Oh that's a fun commercial.

0:12:58.720 --> 0:13:02.800
<v Speaker 2>That's great fun commercial. So Embiide has a big night

0:13:03.240 --> 0:13:08.160
<v Speaker 2>and Karl Anthony town Now listen to Karl Anthony Town's

0:13:08.320 --> 0:13:11.800
<v Speaker 2>head coach. Karl Anthony Towns goes for sixty two and

0:13:11.920 --> 0:13:14.800
<v Speaker 2>his coach, Chris Finch isn't happy.

0:13:15.800 --> 0:13:17.719
<v Speaker 10>Obviously, we're gonna try to feed a hot hand, look

0:13:17.720 --> 0:13:19.600
<v Speaker 10>for a hot hand. But at some point, we gotta

0:13:19.640 --> 0:13:21.160
<v Speaker 10>get back to making the right play. We gotta get

0:13:21.160 --> 0:13:26.360
<v Speaker 10>back to doing the right things. And you know, that's

0:13:26.480 --> 0:13:29.400
<v Speaker 10>just like I said, there's a lot of ways to

0:13:29.520 --> 0:13:32.640
<v Speaker 10>be immature. There's always a lot of ways to be immature.

0:13:33.200 --> 0:13:35.640
<v Speaker 10>And there was a lot of immature performances here throughout

0:13:35.640 --> 0:13:40.800
<v Speaker 10>the roster. We totally disrespected the game ourselves and we

0:13:40.840 --> 0:13:42.040
<v Speaker 10>got exactly what we deserve.

0:13:42.160 --> 0:13:49.360
<v Speaker 2>So wow, he could have stopped. He almost stopped, but

0:13:49.520 --> 0:13:53.320
<v Speaker 2>then after going and then he talks to him about

0:13:53.440 --> 0:13:54.239
<v Speaker 2>being immature.

0:13:56.640 --> 0:13:57.200
<v Speaker 8>Yes, Martin.

0:13:57.600 --> 0:13:59.920
<v Speaker 4>He was like a parent, a stop jumping on the bench,

0:14:00.120 --> 0:14:02.600
<v Speaker 4>jumping on they hit their heads. See that's what you get.

0:14:02.880 --> 0:14:05.360
<v Speaker 4>See good, Now go sit down.

0:14:05.600 --> 0:14:08.439
<v Speaker 2>Carl Anthony Towns. They were feeding him in the fourth

0:14:08.520 --> 0:14:12.360
<v Speaker 2>quarter and they shouldn't have kept feeding him because he's

0:14:12.400 --> 0:14:14.760
<v Speaker 2>he looks spent and then they lost the game. And

0:14:14.760 --> 0:14:17.559
<v Speaker 2>that's what his coach is talking about. That's one of

0:14:17.600 --> 0:14:20.240
<v Speaker 2>those where you go, hey, you know what, we're a

0:14:20.280 --> 0:14:23.120
<v Speaker 2>young team and we're learning, we're trying to figure this out.

0:14:23.840 --> 0:14:26.560
<v Speaker 2>I'm really proud of this team and certainly Carl Anthony

0:14:26.640 --> 0:14:29.000
<v Speaker 2>with the performance that he had and leave it at down.

0:14:30.320 --> 0:14:32.760
<v Speaker 2>But when you go immaturity, he doesn't have to tell

0:14:32.840 --> 0:14:35.960
<v Speaker 2>us anything. All he has to do is say that

0:14:36.000 --> 0:14:40.080
<v Speaker 2>to his team, isn't he he is? But he's telling

0:14:40.160 --> 0:14:42.960
<v Speaker 2>us too. Yeah, but he does. But I'm thankful that

0:14:43.000 --> 0:14:44.880
<v Speaker 2>he did. But he doesn't have to. I thought that

0:14:44.960 --> 0:14:47.680
<v Speaker 2>was something that like coaches used us. They're using us.

0:14:47.720 --> 0:14:51.520
<v Speaker 3>They said things in press conferences to get a message

0:14:51.560 --> 0:14:52.920
<v Speaker 3>to the team.

0:14:52.360 --> 0:14:55.000
<v Speaker 2>But why not just send it to the team.

0:14:55.080 --> 0:14:56.560
<v Speaker 3>But I don't think he's walking into the locker room

0:14:56.600 --> 0:14:58.280
<v Speaker 3>being like, hey, guys, great job tonight.

0:14:58.440 --> 0:14:59.400
<v Speaker 2>Uh game close?

0:14:59.480 --> 0:14:59.800
<v Speaker 8>There.

0:15:00.480 --> 0:15:03.119
<v Speaker 2>You guys did good. Cat Hey, hell of a performance.

0:15:03.120 --> 0:15:05.400
<v Speaker 2>All right, let's keep it up. But he could go

0:15:05.440 --> 0:15:08.840
<v Speaker 2>in there and say, guys, that can't happen. We have

0:15:08.880 --> 0:15:09.880
<v Speaker 2>to be smarter than that.

0:15:10.240 --> 0:15:13.040
<v Speaker 3>Do you think it if they had a bad game

0:15:13.160 --> 0:15:15.240
<v Speaker 3>and he came in and said, oh, well, we'll get

0:15:15.280 --> 0:15:17.360
<v Speaker 3>him next time, Carl Anthony Town's had a great game

0:15:17.400 --> 0:15:20.000
<v Speaker 3>though that their local like beat writers and stuff would

0:15:20.040 --> 0:15:20.280
<v Speaker 3>be like.

0:15:20.320 --> 0:15:23.440
<v Speaker 2>Is coach aware that they lost the game? No? No,

0:15:23.560 --> 0:15:25.600
<v Speaker 2>you don't have to say it to the media. You

0:15:25.640 --> 0:15:27.680
<v Speaker 2>can say it to your team. You can give tough

0:15:27.720 --> 0:15:30.760
<v Speaker 2>love in a locker room. I don't know if you

0:15:30.800 --> 0:15:33.000
<v Speaker 2>need to send the message, like if you need to

0:15:33.120 --> 0:15:35.240
<v Speaker 2>use the media to send a message to your team

0:15:35.280 --> 0:15:38.120
<v Speaker 2>that they're immature. Well, you did it, but I don't

0:15:38.160 --> 0:15:38.840
<v Speaker 2>think you needed to.

0:15:39.160 --> 0:15:43.480
<v Speaker 4>Yes, Mark, No, I enjoyed that humble then, Oh you're

0:15:43.520 --> 0:15:45.240
<v Speaker 4>thirty and thirteen but you lost to the Hornets.

0:15:45.560 --> 0:15:49.560
<v Speaker 2>Yeah, but I'm rich, that's true. Coach, I make more

0:15:49.600 --> 0:15:51.800
<v Speaker 2>than you do. Yeah, coach, I make more than you do,

0:15:52.040 --> 0:15:56.080
<v Speaker 2>but I'm rich. Yeah. Uh, take a break. Phone calls

0:15:56.120 --> 0:15:58.840
<v Speaker 2>coming up. Settle on our pole. Question for hour two

0:15:59.080 --> 0:16:02.760
<v Speaker 2>the great comedian actor Kevin James. We'll join us on

0:16:02.760 --> 0:16:06.480
<v Speaker 2>the program and uh, we're back after this Stan Patrick Show.

0:16:07.160 --> 0:16:09.280
<v Speaker 1>Be sure to catch the live edition of The Dan

0:16:09.400 --> 0:16:12.960
<v Speaker 1>Patrick Show weekdays at nine am Eastern six am Pacific

0:16:13.240 --> 0:16:16.280
<v Speaker 1>on Fox Sports Radio and the iHeartRadio app.

0:16:17.320 --> 0:16:20.280
<v Speaker 11>Hey, it's Ben, host of The Fifth Hour with Ben Maller.

0:16:20.320 --> 0:16:21.840
<v Speaker 11>Would mean a lot to have you join us on

0:16:21.880 --> 0:16:25.360
<v Speaker 11>our weekly auditory journey. You're asking, what in God's name

0:16:25.440 --> 0:16:27.600
<v Speaker 11>is the Fifth Hour. I'll tell you it's a spin

0:16:27.640 --> 0:16:30.280
<v Speaker 11>off of the Ben Maler Show, a cult hit overnights

0:16:30.320 --> 0:16:33.680
<v Speaker 11>on FSR. Why should you listen? Picture if you will

0:16:33.720 --> 0:16:37.000
<v Speaker 11>a world will. We chat with captains of industry in media, sports,

0:16:37.040 --> 0:16:40.440
<v Speaker 11>and more every week explore some amazing facts about human

0:16:40.520 --> 0:16:42.960
<v Speaker 11>nature and more. Listen to The Fifth Hour with Ben

0:16:43.000 --> 0:16:45.640
<v Speaker 11>Maller on the iHeartRadio app, Apple Podcast, or wherever you

0:16:45.680 --> 0:16:46.480
<v Speaker 11>get your podcasts.

0:16:47.240 --> 0:16:51.680
<v Speaker 2>He's Kevin James, actor, comedian. He's got a comedy special, Irregardless,

0:16:52.040 --> 0:16:56.440
<v Speaker 2>premiers today on Amazon. His Owls Don't Walk Tour begins

0:16:56.480 --> 0:17:01.960
<v Speaker 2>February three. Tickets available at Kevin James. So you're joining

0:17:02.040 --> 0:17:05.280
<v Speaker 2>us from Kelly Clarkson studio and then you gotta go

0:17:05.359 --> 0:17:06.000
<v Speaker 2>on her show.

0:17:06.920 --> 0:17:11.000
<v Speaker 6>Yes, I'm whatever. Backstage. Now, I'm in one of the

0:17:11.080 --> 0:17:14.040
<v Speaker 6>dressing rooms here. You ever been in a bad green room?

0:17:15.359 --> 0:17:18.639
<v Speaker 6>I've been in a very few good ones. Yeah, uh,

0:17:19.640 --> 0:17:21.119
<v Speaker 6>most of the ones, A lot of the ones. The

0:17:21.200 --> 0:17:23.960
<v Speaker 6>on the you know, these these beautiful theaters you play,

0:17:24.040 --> 0:17:26.399
<v Speaker 6>you know when you're doing stand up. Uh, they're they're

0:17:26.440 --> 0:17:28.640
<v Speaker 6>over one hundred years old, and the uh, I think

0:17:28.680 --> 0:17:30.560
<v Speaker 6>the green rooms are one hundred and fifty years old.

0:17:31.000 --> 0:17:34.600
<v Speaker 6>A tiny little you know, they're they're they're they're tough.

0:17:34.600 --> 0:17:38.640
<v Speaker 6>They're pretty tough. But this one's actually pretty nice. It's

0:17:38.680 --> 0:17:39.200
<v Speaker 6>not too bad.

0:17:39.640 --> 0:17:39.800
<v Speaker 4>Now.

0:17:39.840 --> 0:17:42.320
<v Speaker 2>Do you have things in your writer when you do

0:17:42.440 --> 0:17:44.560
<v Speaker 2>your stand up special and you go city to city?

0:17:44.680 --> 0:17:47.119
<v Speaker 2>Any any demands there that might surprise us?

0:17:47.560 --> 0:17:53.320
<v Speaker 6>Yeah, it's it's not crazy like you'd think. It's just uh,

0:17:53.640 --> 0:17:56.200
<v Speaker 6>I just think coffee or something like that. Literally, nothing,

0:17:56.280 --> 0:17:59.040
<v Speaker 6>I don't. I'm pretty easy. We bring stuff. You know,

0:17:59.600 --> 0:18:03.439
<v Speaker 6>my die it changes every three minutes, so you know,

0:18:05.040 --> 0:18:07.159
<v Speaker 6>I'm into a gave and now I'm not. Now honey,

0:18:07.160 --> 0:18:09.040
<v Speaker 6>you can't have honey and that. So it's like we

0:18:09.160 --> 0:18:10.800
<v Speaker 6>just bring our own whatever it is. I'm trying to

0:18:10.840 --> 0:18:13.240
<v Speaker 6>do whatever, whatever wave I'm trying to catch to get

0:18:13.240 --> 0:18:13.600
<v Speaker 6>in shape.

0:18:13.680 --> 0:18:17.480
<v Speaker 2>Next, I was wondering when you did cameos on Everybody

0:18:17.480 --> 0:18:22.360
<v Speaker 2>Loves Raymond right now, did that lead to King of Queens?

0:18:23.240 --> 0:18:27.720
<v Speaker 6>No, No, it helped, not connected, not connected in that way.

0:18:27.800 --> 0:18:27.840
<v Speaker 8>No.

0:18:27.960 --> 0:18:32.560
<v Speaker 6>I had a development deal at NBC and we were

0:18:32.560 --> 0:18:37.399
<v Speaker 6>developing the show. But what really helped me solidify it.

0:18:37.480 --> 0:18:40.120
<v Speaker 6>I was at NBC then when we were starting the process.

0:18:40.400 --> 0:18:43.280
<v Speaker 6>They didn't They passed on the show The King of Queens.

0:18:43.720 --> 0:18:47.960
<v Speaker 6>But because Ray invited me to write an episode with him,

0:18:47.960 --> 0:18:52.359
<v Speaker 6>we wrote one on golf. That was the one that

0:18:52.400 --> 0:18:54.440
<v Speaker 6>I was able to write and get in on and

0:18:54.760 --> 0:18:57.760
<v Speaker 6>CBS saw it and said that they would They were okay,

0:18:57.800 --> 0:19:01.320
<v Speaker 6>given me my own show. So it helped he you know,

0:19:01.359 --> 0:19:03.600
<v Speaker 6>he was such a big help and all that.

0:19:04.480 --> 0:19:06.520
<v Speaker 2>When you do stand up and you go out and

0:19:06.560 --> 0:19:10.760
<v Speaker 2>test this material, I'm assuming you go out to smaller

0:19:10.800 --> 0:19:14.679
<v Speaker 2>clubs and test. But if it doesn't go well, is

0:19:14.680 --> 0:19:16.639
<v Speaker 2>the joke removed or rewritten?

0:19:17.960 --> 0:19:20.680
<v Speaker 6>It depends. I mean, it depends on you know, I

0:19:21.200 --> 0:19:24.280
<v Speaker 6>will you know, sometimes I'll force things and I'll be like, nope,

0:19:24.280 --> 0:19:27.360
<v Speaker 6>this is funny. That audience was not great, and I'm

0:19:27.359 --> 0:19:31.479
<v Speaker 6>going to try it again. And sometimes they prove me

0:19:31.520 --> 0:19:33.760
<v Speaker 6>wrong where I'm like, oof, I've tried so many times,

0:19:34.200 --> 0:19:35.560
<v Speaker 6>it's just a pain, and he asked to get this

0:19:35.600 --> 0:19:38.919
<v Speaker 6>thing going and it's just not working. So, you know,

0:19:39.359 --> 0:19:42.280
<v Speaker 6>I'm pretty good at knowing. I think this is going

0:19:42.359 --> 0:19:47.600
<v Speaker 6>to work for me. But I've written bits like way

0:19:47.600 --> 0:19:50.280
<v Speaker 6>too long, you know, and done the whole thing and

0:19:50.320 --> 0:19:52.879
<v Speaker 6>it ends up, you know, I lose the audience with it.

0:19:52.920 --> 0:19:55.439
<v Speaker 6>So it's like it ends up just being a really

0:19:55.480 --> 0:19:57.239
<v Speaker 6>short bit, but it's still in there. You know, it's

0:19:57.240 --> 0:19:58.760
<v Speaker 6>a funny punch, and then you're out.

0:19:59.040 --> 0:20:02.320
<v Speaker 2>Tougher to star art a comedy show or end a

0:20:02.320 --> 0:20:03.040
<v Speaker 2>comedy show.

0:20:04.200 --> 0:20:10.000
<v Speaker 6>That's a good question. I think start. I think start

0:20:10.200 --> 0:20:13.400
<v Speaker 6>because when you when you come on stage, they give

0:20:13.440 --> 0:20:15.639
<v Speaker 6>you a couple of minutes. You know, they're just excited

0:20:15.680 --> 0:20:18.359
<v Speaker 6>to see you, which is nice, and they're really really

0:20:18.400 --> 0:20:21.080
<v Speaker 6>happy with you. But if you don't hit them with

0:20:21.119 --> 0:20:24.119
<v Speaker 6>the first few jokes, or you miss or something's a

0:20:24.160 --> 0:20:25.879
<v Speaker 6>little often your time is a little off, you can

0:20:25.920 --> 0:20:28.399
<v Speaker 6>lose them. It's more dangerous. There By the end of

0:20:28.400 --> 0:20:31.040
<v Speaker 6>the show, you've kind of built up, you know, a

0:20:31.080 --> 0:20:33.760
<v Speaker 6>relationship with them and they kind of know you know

0:20:33.800 --> 0:20:36.120
<v Speaker 6>that they hopefully like you. At that point. So it's

0:20:36.119 --> 0:20:39.200
<v Speaker 6>a little easier I think to end, although I've missed endings,

0:20:39.240 --> 0:20:41.920
<v Speaker 6>like I've gone, you know, gone to my big closer

0:20:42.000 --> 0:20:44.720
<v Speaker 6>and it didn't go. So I've got to go on

0:20:45.160 --> 0:20:46.360
<v Speaker 6>and try to find another one.

0:20:46.400 --> 0:20:46.520
<v Speaker 8>You know.

0:20:46.560 --> 0:20:48.480
<v Speaker 6>It's like you try to get out on that last

0:20:48.520 --> 0:20:50.879
<v Speaker 6>big laugh and if it doesn't go, you got to

0:20:50.920 --> 0:20:53.880
<v Speaker 6>find another. Oh so you like go into extra innings

0:20:53.960 --> 0:20:57.399
<v Speaker 6>with this, Yes, it's extra innings. It's it's it's not

0:20:57.520 --> 0:21:00.920
<v Speaker 6>fun and and I'll torture them because I'll just stay

0:21:00.960 --> 0:21:03.560
<v Speaker 6>as well as necessary.

0:21:03.960 --> 0:21:08.480
<v Speaker 2>Hey, I'm not leaving until you guys start laughing. So yeah, yeah,

0:21:08.520 --> 0:21:12.520
<v Speaker 2>when you were younger, did you ever follow somebody who crushed? Like,

0:21:12.640 --> 0:21:15.399
<v Speaker 2>do you remember that feeling and who it was?

0:21:16.320 --> 0:21:20.800
<v Speaker 6>Oh? Yeah, I mean I remember seeing Sandler. I first

0:21:20.800 --> 0:21:23.720
<v Speaker 6>met him at the Comic Strip in New York and

0:21:23.760 --> 0:21:26.560
<v Speaker 6>I just went up to him and he was really

0:21:26.640 --> 0:21:30.639
<v Speaker 6>nice to me, and I watched him just crush. And

0:21:31.480 --> 0:21:33.240
<v Speaker 6>Ray was one of the first ones that I saw

0:21:33.280 --> 0:21:36.639
<v Speaker 6>crush too, you know, it was I was hosting it.

0:21:36.680 --> 0:21:39.320
<v Speaker 6>You remember the Young Comedian Special, the HBO Young Comedian Special.

0:21:39.880 --> 0:21:42.840
<v Speaker 6>They were doing, you know, auditions for that, and I

0:21:42.880 --> 0:21:44.479
<v Speaker 6>got to host it. So I was on all night

0:21:44.520 --> 0:21:47.440
<v Speaker 6>long MCing and I watched these guys come up, and

0:21:47.480 --> 0:21:49.080
<v Speaker 6>I was trying to be seeing myself to see if

0:21:49.119 --> 0:21:51.119
<v Speaker 6>I got on, if I can get on, and all

0:21:51.160 --> 0:21:53.840
<v Speaker 6>these comedians would come on. They were just hammer, hammer, hammer,

0:21:54.320 --> 0:21:57.320
<v Speaker 6>And then Ray came on and I'm like, how was

0:21:57.359 --> 0:21:59.480
<v Speaker 6>he going to follow this last guy? Whoever? It was

0:21:59.560 --> 0:22:02.720
<v Speaker 6>just a royd and raised just very low key. So

0:22:04.520 --> 0:22:06.879
<v Speaker 6>but he did, he changed. He he taught me a

0:22:06.960 --> 0:22:09.520
<v Speaker 6>lesson that like he just settled into the audience like

0:22:09.520 --> 0:22:11.600
<v Speaker 6>he just he just did his He stated his pace

0:22:12.119 --> 0:22:13.480
<v Speaker 6>where I would have tried to amp it up and

0:22:13.480 --> 0:22:15.399
<v Speaker 6>try to get him going, you know, and just be louder,

0:22:16.160 --> 0:22:18.800
<v Speaker 6>he stated his pace and the first joke didn't go

0:22:18.840 --> 0:22:20.680
<v Speaker 6>as well, but then he got him and he crushed

0:22:20.720 --> 0:22:23.400
<v Speaker 6>it and he ended up getting that special I didn't.

0:22:24.920 --> 0:22:28.080
<v Speaker 2>Nor Norm McDonald had a unique delivery.

0:22:28.720 --> 0:22:29.480
<v Speaker 6>Crazy great.

0:22:29.840 --> 0:22:32.200
<v Speaker 2>Yeah, how would you describe that style?

0:22:32.240 --> 0:22:37.000
<v Speaker 6>I mean it's not traditional, no, no, it was uh,

0:22:37.160 --> 0:22:40.119
<v Speaker 6>it was so unique and that was just so you know,

0:22:40.240 --> 0:22:42.240
<v Speaker 6>he was so committed to it and there was nowherewhere

0:22:42.280 --> 0:22:45.400
<v Speaker 6>else to go, you know, That's the thing. It wasn't

0:22:45.440 --> 0:22:48.720
<v Speaker 6>like he went into a character and delivered a joke

0:22:48.800 --> 0:22:52.800
<v Speaker 6>that way. That was him, and I loved it so much.

0:22:53.119 --> 0:22:57.440
<v Speaker 6>You know, he's again so different than anything you've seen

0:22:58.880 --> 0:23:03.800
<v Speaker 6>or will see. Probably I just is that ah, just

0:23:03.840 --> 0:23:05.000
<v Speaker 6>that style.

0:23:05.720 --> 0:23:09.080
<v Speaker 2>They didn't care that if you cared, it was like, right, hey,

0:23:09.160 --> 0:23:11.560
<v Speaker 2>I care, and if you don't, that's okay, Like you know,

0:23:12.200 --> 0:23:15.479
<v Speaker 2>you know, move on with this. We're talking to Kevin James.

0:23:15.600 --> 0:23:18.720
<v Speaker 2>He has his comedy special premiers today on Amazon. It's

0:23:18.760 --> 0:23:23.240
<v Speaker 2>called Irregardless and his Owls Don't Walk tour begins February third.

0:23:23.320 --> 0:23:28.840
<v Speaker 2>Tickets available at Kevin james dot com. Family friendly stand

0:23:28.920 --> 0:23:32.879
<v Speaker 2>up on Amazon. Yes, how important was it to do

0:23:32.920 --> 0:23:34.800
<v Speaker 2>it that way? It?

0:23:35.320 --> 0:23:38.840
<v Speaker 6>You know, it was important for me, uh thirty years ago.

0:23:38.960 --> 0:23:39.760
<v Speaker 6>That's where what happened.

0:23:39.760 --> 0:23:39.879
<v Speaker 8>You know.

0:23:39.920 --> 0:23:43.760
<v Speaker 6>It's like I used to curse like a crazy man

0:23:43.800 --> 0:23:46.520
<v Speaker 6>with all my buddies, and you know, but I realized

0:23:46.560 --> 0:23:48.880
<v Speaker 6>that it was more at a laziness, like I didn't

0:23:48.880 --> 0:23:50.400
<v Speaker 6>want have to change my set if I ever got

0:23:50.400 --> 0:23:52.400
<v Speaker 6>the Tonight Show or if I got a TV spot.

0:23:53.000 --> 0:23:54.840
<v Speaker 6>I just started saying, I got to write clean. I

0:23:54.840 --> 0:23:56.320
<v Speaker 6>don't want have to change my material, so I don't

0:23:56.320 --> 0:23:58.720
<v Speaker 6>do any like political stuff or current events like I

0:23:58.760 --> 0:24:02.360
<v Speaker 6>didn't want to write stuff that I'm going to lose

0:24:02.400 --> 0:24:05.240
<v Speaker 6>it after it's done, So it's like to build a

0:24:05.359 --> 0:24:08.080
<v Speaker 6>universal act. For me, was like it was important and

0:24:08.240 --> 0:24:10.480
<v Speaker 6>it just kind of settled in that way, you know,

0:24:10.520 --> 0:24:14.280
<v Speaker 6>and I just, you know, I try to write that way.

0:24:14.320 --> 0:24:15.879
<v Speaker 6>I don't think about it like, oh I got to

0:24:16.040 --> 0:24:18.720
<v Speaker 6>write clean now. But it just happens that way, and

0:24:19.440 --> 0:24:22.760
<v Speaker 6>you know, it can be challenging sometimes but it works out.

0:24:23.080 --> 0:24:26.600
<v Speaker 2>Recap your year as a New York Jet fan, Oh.

0:24:26.440 --> 0:24:29.840
<v Speaker 6>My gosh, it's just getting more and more depressing because

0:24:29.840 --> 0:24:31.720
<v Speaker 6>I'm saying the same thing every year. You know. It's

0:24:32.280 --> 0:24:33.480
<v Speaker 6>it's you.

0:24:33.440 --> 0:24:35.639
<v Speaker 2>Know, and I didn't lead with this Kevin. You know,

0:24:35.640 --> 0:24:37.119
<v Speaker 2>I waited till the very end, right No.

0:24:37.800 --> 0:24:40.679
<v Speaker 6>By the way, I was there opening night, you know,

0:24:40.800 --> 0:24:45.600
<v Speaker 6>for Rogers, Yes, and I didn't make it into the

0:24:45.640 --> 0:24:48.560
<v Speaker 6>stadium before he got I was in the parking lot

0:24:49.720 --> 0:24:53.040
<v Speaker 6>walking in and it was over. You just heard this

0:24:53.200 --> 0:24:56.879
<v Speaker 6>massive you know, the energy just left the stadium and

0:24:56.960 --> 0:24:59.440
<v Speaker 6>I was like, you knew something was wrong and you're like,

0:24:59.480 --> 0:25:03.240
<v Speaker 6>whoa was that? And of course, you know we find

0:25:03.240 --> 0:25:05.359
<v Speaker 6>out it was a four plays in or something. It

0:25:05.560 --> 0:25:08.000
<v Speaker 6>just you know, I mean, it felt like it would

0:25:08.320 --> 0:25:11.679
<v Speaker 6>felt across the whole NFL. I mean everybody, you know.

0:25:11.680 --> 0:25:13.800
<v Speaker 6>It just it was an exciting thing to go for,

0:25:13.920 --> 0:25:16.280
<v Speaker 6>you know, to root for and to see how it's

0:25:16.280 --> 0:25:17.679
<v Speaker 6>going to turn out, whether you're Jet fan or not.

0:25:18.359 --> 0:25:20.400
<v Speaker 6>And when that was taken away, it just I don't know.

0:25:20.920 --> 0:25:23.440
<v Speaker 2>Would you have given up one of your healthy achilles

0:25:23.600 --> 0:25:25.600
<v Speaker 2>to keep Rogers in their quarterbacks? Oh?

0:25:25.680 --> 0:25:29.040
<v Speaker 6>Yeah, it was like a kidney thing. Yeah, yeah, yes, yes,

0:25:30.080 --> 0:25:30.800
<v Speaker 6>what am I doing?

0:25:30.920 --> 0:25:32.680
<v Speaker 2>You know you're not using your achilles?

0:25:32.920 --> 0:25:36.360
<v Speaker 6>No, I haven't used it in years, in years.

0:25:36.720 --> 0:25:39.239
<v Speaker 2>Okay, you can have both. By the way, we have

0:25:39.320 --> 0:25:42.120
<v Speaker 2>an undercover skid idea Paulie.

0:25:42.160 --> 0:25:44.320
<v Speaker 5>Okay, so you know King of Queens. We all know

0:25:44.560 --> 0:25:46.560
<v Speaker 5>the role you played on King Queens. What if you

0:25:46.600 --> 0:25:51.280
<v Speaker 5>went as a mean spirited UPS driver undercover where it's

0:25:51.320 --> 0:25:54.879
<v Speaker 5>clearly it's you, but you're not the nice guy from CBS.

0:25:54.960 --> 0:25:57.920
<v Speaker 5>You're not the nice UPS driver. And see if people

0:25:58.000 --> 0:26:00.720
<v Speaker 5>figure it out and their reaction as they confuse you

0:26:01.040 --> 0:26:03.520
<v Speaker 5>as the celebrity to just a UPS driver.

0:26:03.960 --> 0:26:06.480
<v Speaker 2>Hilarity would say, that's the elevator pitch there from Paulie,

0:26:06.520 --> 0:26:07.080
<v Speaker 2>my producer.

0:26:08.080 --> 0:26:10.400
<v Speaker 5>By the way, I couldn't be more confused. Myself right now,

0:26:10.840 --> 0:26:13.560
<v Speaker 5>that's part of it. You play an undercover ups driver.

0:26:14.160 --> 0:26:17.040
<v Speaker 6>I'm an undercover okay, but.

0:26:17.000 --> 0:26:19.560
<v Speaker 5>People may recognize you as your role from King.

0:26:19.480 --> 0:26:21.600
<v Speaker 6>Of Queens, right, but I'm not that guy.

0:26:21.840 --> 0:26:24.680
<v Speaker 5>No more mean spirited because you're kind of look tough

0:26:24.720 --> 0:26:26.840
<v Speaker 5>right now with the bald and the and the goate.

0:26:27.640 --> 0:26:29.720
<v Speaker 6>But yeah, a little bit more edgy, right, Yes, I

0:26:29.720 --> 0:26:30.600
<v Speaker 6>gotta more.

0:26:30.720 --> 0:26:30.960
<v Speaker 8>Yeah.

0:26:32.320 --> 0:26:33.359
<v Speaker 2>Is that what your wife says?

0:26:33.920 --> 0:26:37.639
<v Speaker 6>Yes, all the time you do. Yeah, it is a

0:26:37.680 --> 0:26:40.359
<v Speaker 6>little bit. I don't I don't realize that. The without

0:26:40.359 --> 0:26:43.200
<v Speaker 6>the hair, you look a little like you're angry. There's

0:26:43.240 --> 0:26:47.000
<v Speaker 6>a wrestler feel to you. Yeah, a big show kind

0:26:47.000 --> 0:26:51.119
<v Speaker 6>of like. Yes, and you have played a wrestler before,

0:26:52.359 --> 0:26:56.880
<v Speaker 6>well yeah, fight mma fighter okay, but yes, wrestle. Wrestled

0:26:56.920 --> 0:26:59.480
<v Speaker 6>in high school. I wrestled one year in high school.

0:26:59.480 --> 0:27:01.640
<v Speaker 6>I wrestled the get McK foley.

0:27:01.840 --> 0:27:02.040
<v Speaker 8>You know.

0:27:03.000 --> 0:27:05.440
<v Speaker 6>Uh McK foley was on Uh. It went to my

0:27:05.520 --> 0:27:08.159
<v Speaker 6>high school and my college by the way, but he Uh.

0:27:09.119 --> 0:27:12.320
<v Speaker 6>I was a running back in high school. Uh, and

0:27:12.520 --> 0:27:16.800
<v Speaker 6>the our team needed a heavyweight, so they brought me in.

0:27:16.960 --> 0:27:19.560
<v Speaker 6>I'd never wrestled before. I was a strong kid. Uh,

0:27:20.320 --> 0:27:22.439
<v Speaker 6>so I had like a double leg takedown. That's all

0:27:22.480 --> 0:27:25.840
<v Speaker 6>I had. So if I could take you down and

0:27:25.920 --> 0:27:28.240
<v Speaker 6>squeeze you, you know I would. I would win a

0:27:28.240 --> 0:27:32.360
<v Speaker 6>lot of matches. But if if you knew anything about wrestling,

0:27:33.359 --> 0:27:36.679
<v Speaker 6>you could you could beat me easily. And uh I

0:27:36.680 --> 0:27:38.800
<v Speaker 6>remember one match it came down to that because I

0:27:38.840 --> 0:27:40.439
<v Speaker 6>think Mick was hurt or I don't know what it was.

0:27:40.480 --> 0:27:42.720
<v Speaker 6>They needed me and it was a big match that

0:27:42.800 --> 0:27:44.400
<v Speaker 6>was going back and forth. And when you're a heavyweight,

0:27:44.400 --> 0:27:48.240
<v Speaker 6>you wrestle last, so it was an away game or

0:27:48.280 --> 0:27:51.720
<v Speaker 6>away match, and uh I was going against his big kid,

0:27:52.119 --> 0:27:54.200
<v Speaker 6>and I remember I was so panied because everybody go

0:27:54.280 --> 0:27:55.680
<v Speaker 6>like turning to me, and it was one of those

0:27:55.720 --> 0:27:58.240
<v Speaker 6>like in a sports movie where it's just everybody looked

0:27:58.240 --> 0:28:00.399
<v Speaker 6>at me, and it was like you're in and it

0:28:00.480 --> 0:28:02.520
<v Speaker 6>was like vision quest, you know, I take the head,

0:28:02.560 --> 0:28:04.359
<v Speaker 6>you know, you put the headset on, you get in there.

0:28:04.560 --> 0:28:06.720
<v Speaker 6>I put my foot on the line and they're like

0:28:06.800 --> 0:28:11.400
<v Speaker 6>go and I double legged him and I went back

0:28:11.440 --> 0:28:14.879
<v Speaker 6>on him and then he rolled me immediately, and he

0:28:15.040 --> 0:28:18.359
<v Speaker 6>was so big I couldn't breathe. I was suffocating under

0:28:18.440 --> 0:28:21.560
<v Speaker 6>him and I was fighting like crazy, and he ended

0:28:21.640 --> 0:28:24.800
<v Speaker 6>up pinning me and we lost, and it was the worst.

0:28:24.920 --> 0:28:27.560
<v Speaker 6>I just remember the bus ride home. Two things. I

0:28:27.560 --> 0:28:31.239
<v Speaker 6>remember everybody being quiet and probably hating me. And I

0:28:31.240 --> 0:28:36.679
<v Speaker 6>remember number two. I smelled just like that guy, so

0:28:36.760 --> 0:28:38.880
<v Speaker 6>I had to smell and a quiet ride home.

0:28:39.240 --> 0:28:42.360
<v Speaker 2>You didn't mind being called a heavyweight. I always wondered

0:28:42.440 --> 0:28:44.280
<v Speaker 2>about that. Hey, you're the heavyweight.

0:28:45.640 --> 0:28:47.240
<v Speaker 6>No, I was in good shack, like I liked it,

0:28:47.240 --> 0:28:51.480
<v Speaker 6>because most heavyweights were back then. I wasn't ripped, but

0:28:51.560 --> 0:28:53.880
<v Speaker 6>I wasn't. I was in good shape. I wasn't. I

0:28:53.920 --> 0:28:58.200
<v Speaker 6>was like two hundred pounds maybe or whatever. But I

0:28:58.280 --> 0:29:00.200
<v Speaker 6>was like, you know, you'd go against these guys that

0:29:00.280 --> 0:29:05.240
<v Speaker 6>were just you know, grass fed, big, big guys.

0:29:05.360 --> 0:29:08.080
<v Speaker 2>But luckily you've gotten over that embarrassing moment that you

0:29:08.160 --> 0:29:15.200
<v Speaker 2>had just now. Yeah, have fun with Kelly Clarkson and

0:29:15.840 --> 0:29:19.200
<v Speaker 2>good luck with the special. Irregardless premieres today on Amazon

0:29:19.360 --> 0:29:23.200
<v Speaker 2>Family Friendly and OWLS Don't Walk Tour against February third.

0:29:23.240 --> 0:29:27.200
<v Speaker 2>Tickets available Kevin James dot com. Thank you, v thank you,

0:29:27.280 --> 0:29:29.960
<v Speaker 2>Hi buddy, thank you to see it. Kevin James. I

0:29:30.040 --> 0:29:31.800
<v Speaker 2>think we've been in like five movies.

0:29:32.400 --> 0:29:34.120
<v Speaker 5>I get I read for the Newman YouTube.

0:29:34.120 --> 0:29:36.840
<v Speaker 2>Well, not exactly that we are in a now pronounce

0:29:36.840 --> 0:29:39.719
<v Speaker 2>Shoot Chuck and Larry. I was in Grown Ups one

0:29:39.760 --> 0:29:44.040
<v Speaker 2>and two. I was in Hubee Halloween, and I think

0:29:44.040 --> 0:29:49.520
<v Speaker 2>there's one other one that we were in together, and

0:29:49.560 --> 0:29:53.320
<v Speaker 2>we were in a few scenes together. But is there

0:29:53.360 --> 0:29:56.840
<v Speaker 2>another one that you see Paulie on his IMDb that

0:29:57.000 --> 0:29:58.880
<v Speaker 2>I might have been in. Since I've been in I

0:29:58.920 --> 0:30:00.320
<v Speaker 2>think twenty of San I.

0:30:00.320 --> 0:30:03.760
<v Speaker 3>Mean technically we've all been in a scene with pixel pixels.

0:30:04.200 --> 0:30:06.800
<v Speaker 2>He was at the podium. Yes, yes, yes, yes, yes

0:30:06.840 --> 0:30:08.800
<v Speaker 2>we were. We were in that movie as well up

0:30:08.840 --> 0:30:09.800
<v Speaker 2>in Toronto.

0:30:10.400 --> 0:30:11.920
<v Speaker 5>Like Meg Ryan and Tom Hanks, you too.

0:30:12.080 --> 0:30:17.120
<v Speaker 2>Not exactly, not exactly. There's the scene in I Now

0:30:17.160 --> 0:30:21.000
<v Speaker 2>Pronounce You, Chuck and Larry where Sandler and Kevin James are,

0:30:21.680 --> 0:30:25.440
<v Speaker 2>you know, firefighting partners and they're trying to get benefits

0:30:25.520 --> 0:30:29.160
<v Speaker 2>and then they appeared to be married, and uh so

0:30:29.280 --> 0:30:33.560
<v Speaker 2>the scene I'm I'm supposed to be in Brooklyn and

0:30:33.600 --> 0:30:36.600
<v Speaker 2>we just get ready to start shooting my scene with

0:30:36.800 --> 0:30:43.120
<v Speaker 2>Sandler and Kevin James, and Sandler goes, uh, Danny, how

0:30:43.160 --> 0:30:46.000
<v Speaker 2>about a Brooklyn accent? Right right as we're ready to

0:30:46.080 --> 0:30:50.080
<v Speaker 2>start shooting, And I go, come on, and then Kevin

0:30:50.160 --> 0:30:52.880
<v Speaker 2>James goes, come on, you call yourself an actor. You

0:30:52.880 --> 0:30:56.680
<v Speaker 2>don't have a Brooklyn accent. And I go, you could

0:30:56.680 --> 0:31:00.200
<v Speaker 2>have told me this before. It's I did blend it

0:31:00.280 --> 0:31:04.080
<v Speaker 2>with Sandler and Drew Barrymore. I get there and my

0:31:04.280 --> 0:31:08.440
<v Speaker 2>character's got a Greek name, last name, and Sandler goes,

0:31:08.640 --> 0:31:11.920
<v Speaker 2>as I deliver my lines in front of everybody, Drew Barrymore,

0:31:11.920 --> 0:31:14.120
<v Speaker 2>they're all, you know, watching this, and he goes, Danny,

0:31:15.120 --> 0:31:19.520
<v Speaker 2>I'm about a Greek accent. I go, Samman, I like,

0:31:19.600 --> 0:31:22.840
<v Speaker 2>you're just telling me. He goes, your last name is Greek.

0:31:23.320 --> 0:31:26.440
<v Speaker 2>I said, but that doesn't mean that I speak Greek,

0:31:27.000 --> 0:31:29.040
<v Speaker 2>and then he said, I give it a try. So

0:31:29.200 --> 0:31:32.040
<v Speaker 2>I delivered my lines in what I thought was a

0:31:32.080 --> 0:31:37.560
<v Speaker 2>Greek accent. It didn't make the movie. Yeah. So then

0:31:37.800 --> 0:31:43.040
<v Speaker 2>there was Zohan. He's a Sandler movie. What's the official

0:31:43.080 --> 0:31:44.400
<v Speaker 2>title of Zohan?

0:31:45.040 --> 0:31:45.320
<v Speaker 8>Fear?

0:31:45.680 --> 0:31:46.280
<v Speaker 5>Don't mess with this?

0:31:46.560 --> 0:31:50.240
<v Speaker 2>Mess with Zohan? And Emmanuel Shrieky's in the movie, and

0:31:50.440 --> 0:31:52.640
<v Speaker 2>Sandman knew that, Hey, you know, if you can get

0:31:52.680 --> 0:31:55.240
<v Speaker 2>me into that movie, that'd be nice, just to say.

0:31:55.240 --> 0:31:59.080
<v Speaker 2>He lo to Emmanuel Shrieky, who was what Sloan in

0:31:59.200 --> 0:32:03.840
<v Speaker 2>uh On Trash. So there's a role that Rob Schneider got,

0:32:04.160 --> 0:32:08.320
<v Speaker 2>and that's the cab driver. Well, Sandler goes, Danny, can

0:32:08.360 --> 0:32:12.680
<v Speaker 2>you do a Middle Eastern accent? And I said no,

0:32:13.720 --> 0:32:17.040
<v Speaker 2>and I'm not doing a Middle Eastern accent. So if

0:32:17.080 --> 0:32:20.240
<v Speaker 2>you see the movie, Rob Schneider's the cab driver. And

0:32:20.360 --> 0:32:24.240
<v Speaker 2>he had offered me that opportunity. Hey you got a

0:32:24.240 --> 0:32:28.600
<v Speaker 2>Brooklyn accent, you got a Greek accent? How about Middle East? No,

0:32:29.440 --> 0:32:33.400
<v Speaker 2>how about Midwest from Cincinnati? That's all I got her

0:32:34.760 --> 0:32:37.719
<v Speaker 2>home Team. I was in that one too with Kevin James.

0:32:37.800 --> 0:32:42.520
<v Speaker 2>You were okay, Yeah, that's where players play Sean Payton. Yeah,

0:32:42.840 --> 0:32:45.200
<v Speaker 2>but I play myself in that, so that doesn't really count.

0:32:45.240 --> 0:32:47.280
<v Speaker 2>That's not acting. All right, let me take a break.

0:32:47.360 --> 0:32:49.280
<v Speaker 2>Phone calls coming up back after this.

0:32:49.920 --> 0:32:52.800
<v Speaker 1>Fox Sports Radio has the best sports talk lineup in

0:32:52.840 --> 0:32:56.200
<v Speaker 1>the nation. Catch all of our shows at Foxsports Radio

0:32:56.360 --> 0:33:00.320
<v Speaker 1>dot com and within the iHeartRadio app search fs are

0:33:00.360 --> 0:33:01.200
<v Speaker 1>to listen live.

0:33:02.760 --> 0:33:05.959
<v Speaker 2>Slipping a couple of phone calls here, We did have

0:33:06.000 --> 0:33:09.960
<v Speaker 2>a formula for sitcoms. It always was the heavier guy

0:33:10.480 --> 0:33:14.120
<v Speaker 2>and then it was always the pretty girl. CBS would

0:33:14.160 --> 0:33:16.840
<v Speaker 2>always have that, Hey it's the big guy and then

0:33:16.880 --> 0:33:23.400
<v Speaker 2>it's the beautiful wife. There felt like there was a pattern. Yes,

0:33:23.520 --> 0:33:25.080
<v Speaker 2>uh yeah, Lea Remedy, King of Queens.

0:33:25.120 --> 0:33:28.440
<v Speaker 4>Yeah yeah, I think that's Kevin James, but Lea Remedy.

0:33:28.480 --> 0:33:31.440
<v Speaker 5>But you have to be like, you can't take it

0:33:31.480 --> 0:33:34.160
<v Speaker 5>as an insult, like if you're Kevin James, you're you're everyman.

0:33:34.280 --> 0:33:37.200
<v Speaker 5>You're kind of not too big, not too small. You

0:33:37.240 --> 0:33:39.200
<v Speaker 5>don't have a great job, you don't have a bad job.

0:33:39.320 --> 0:33:41.400
<v Speaker 2>I think at some point you go, man, the pay

0:33:41.480 --> 0:33:44.479
<v Speaker 2>is really good. Yeah, go ahead. You know, maybe this

0:33:44.560 --> 0:33:48.480
<v Speaker 2>started with Jackie Gleason and the Honeymooners Dry Meadows right

0:33:48.760 --> 0:33:52.280
<v Speaker 2>as he's a bus driver and you know, Jackie Gleeson

0:33:52.360 --> 0:33:55.640
<v Speaker 2>really big guy. But then it was like we always

0:33:55.640 --> 0:33:58.200
<v Speaker 2>go whenever you watch those shows, don't you go that

0:33:58.240 --> 0:34:01.600
<v Speaker 2>guy couldn't get her in real life, Like Sophia beg

0:34:01.600 --> 0:34:04.760
<v Speaker 2>Ghera on Modern Family with Ed O'Neill.

0:34:04.960 --> 0:34:09.400
<v Speaker 5>Now Ed is a retired rich businessman. They trumpet how

0:34:09.480 --> 0:34:11.200
<v Speaker 5>much money he has on that show.

0:34:11.239 --> 0:34:14.160
<v Speaker 2>So that's that's a sugar daddy. That's a whole different

0:34:14.920 --> 0:34:15.920
<v Speaker 2>uh formula.

0:34:16.000 --> 0:34:18.359
<v Speaker 5>Did you guys ever see that episode of SNL where

0:34:18.440 --> 0:34:21.759
<v Speaker 5>it's like a newscast is it seating Horatio Sands is

0:34:21.760 --> 0:34:23.680
<v Speaker 5>the actor. Does that sound right? He is one of

0:34:23.680 --> 0:34:26.239
<v Speaker 5>the comedians. So he's standing there. It's a live shot

0:34:26.239 --> 0:34:29.880
<v Speaker 5>of like an accident in a neighborhood and Horatio Sands

0:34:29.960 --> 0:34:33.359
<v Speaker 5>is sitting there with Margot Robbie, who's his wife, you know,

0:34:33.640 --> 0:34:36.400
<v Speaker 5>stunningly the top five on Earth, And so they throw

0:34:36.440 --> 0:34:37.640
<v Speaker 5>it out to the live shot and the guy goes,

0:34:37.719 --> 0:34:38.879
<v Speaker 5>you know, let me talk to a couple of local

0:34:38.880 --> 0:34:41.239
<v Speaker 5>witnesses who saw the crash. An interview Hoiratio Sands, who's

0:34:41.280 --> 0:34:44.520
<v Speaker 5>a big, thick guy, kind of every man, and let

0:34:44.560 --> 0:34:46.320
<v Speaker 5>me talk to his uh and and all of a sudden,

0:34:46.320 --> 0:34:48.759
<v Speaker 5>the guy in the studio goes softy, goes real quick,

0:34:48.800 --> 0:34:51.640
<v Speaker 5>he did you say that's his wife? He goes, yes,

0:34:51.640 --> 0:34:53.319
<v Speaker 5>it was back to you in the studio, Jim. He goes,

0:34:53.520 --> 0:34:56.120
<v Speaker 5>can you go back? Is he a lottery winner?

0:34:56.160 --> 0:34:56.719
<v Speaker 4>And they go back.

0:34:56.760 --> 0:34:58.560
<v Speaker 5>They keep going, the newscaster to keep going back and

0:34:58.560 --> 0:34:59.719
<v Speaker 5>forth to find out how he got her.

0:35:00.040 --> 0:35:01.000
<v Speaker 2>Yes, smart classic.

0:35:01.440 --> 0:35:03.880
<v Speaker 4>Every time I see the George Lopez show, his sitcom,

0:35:03.960 --> 0:35:07.440
<v Speaker 4>I'm like, uh uh, no way, no way. He was

0:35:07.480 --> 0:35:09.880
<v Speaker 4>just a regular, like a a factory worker that became

0:35:09.880 --> 0:35:12.440
<v Speaker 4>like a manager of a factory worker of a factory plant,

0:35:12.520 --> 0:35:16.359
<v Speaker 4>and I'm like, uh huh, Constance Marie is the uh

0:35:16.600 --> 0:35:20.200
<v Speaker 4>actress's name, and you're like, uh huh, No, it wasn't

0:35:20.360 --> 0:35:20.800
<v Speaker 4>Ed O'Neill.

0:35:21.840 --> 0:35:24.520
<v Speaker 2>But we've done that before in real life, when you

0:35:24.520 --> 0:35:27.759
<v Speaker 2>go over to somebody's house and you're going, oh, that's

0:35:27.800 --> 0:35:31.880
<v Speaker 2>your wife. Yeah, yeah, yeah yeah. Sally and I have

0:35:31.920 --> 0:35:34.719
<v Speaker 2>been together for twelve years, love every day.

0:35:34.840 --> 0:35:35.040
<v Speaker 12>Yes.

0:35:36.040 --> 0:35:39.680
<v Speaker 4>I saw this once where the guy was a bigger guy, older,

0:35:39.960 --> 0:35:41.440
<v Speaker 4>but then I saw a picture of him when he

0:35:41.520 --> 0:35:44.759
<v Speaker 4>was young, and my wife goes, oh, I see it

0:35:45.880 --> 0:35:48.920
<v Speaker 4>really really handsome when he was young and thin, and

0:35:48.920 --> 0:35:51.400
<v Speaker 4>then he put on a couple pounds.

0:35:51.400 --> 0:35:54.320
<v Speaker 2>Why don't you just call me out. Okay, that's.

0:35:55.880 --> 0:35:56.160
<v Speaker 1>True.

0:35:56.920 --> 0:35:57.720
<v Speaker 2>That is true.

0:35:57.760 --> 0:35:59.080
<v Speaker 5>He used to work out thirty years ago.

0:35:59.120 --> 0:36:00.760
<v Speaker 4>And then you found potato tips at Eminem's.

0:36:01.239 --> 0:36:04.640
<v Speaker 2>That is true. That was That's a remarkable you know

0:36:04.680 --> 0:36:08.839
<v Speaker 2>when you have the reverse transformation, are you you know,

0:36:09.040 --> 0:36:10.200
<v Speaker 2>like the before and after.

0:36:11.160 --> 0:36:13.719
<v Speaker 3>Yes, it's like, oh, that's the this is the dude

0:36:13.760 --> 0:36:16.760
<v Speaker 3>she settled for because in her past there's some super

0:36:16.800 --> 0:36:18.839
<v Speaker 3>wealthy guy that she thought was going to be the guy,

0:36:18.920 --> 0:36:21.959
<v Speaker 3>but then that didn't work out, And it's like, ah, well,

0:36:22.080 --> 0:36:23.160
<v Speaker 3>this is the guy I ended up with.

0:36:23.440 --> 0:36:26.120
<v Speaker 2>Uh, Andrew and Florida Andrew.

0:36:27.480 --> 0:36:35.640
<v Speaker 7>ADP six two two ten. Two questions for adp Uh.

0:36:36.160 --> 0:36:40.600
<v Speaker 7>First one, just watched That's My Boy with my wife

0:36:40.760 --> 0:36:43.080
<v Speaker 7>and what a funny movie that was.

0:36:43.200 --> 0:36:45.960
<v Speaker 6>But favorite Sandler movie? Would love to know?

0:36:47.640 --> 0:36:53.640
<v Speaker 7>And then second question, Pat Mahomes, Kelsey or Bronk and

0:36:53.880 --> 0:36:56.120
<v Speaker 7>Brady who would you rather have?

0:36:57.280 --> 0:37:02.160
<v Speaker 2>Well, I'm going to stay with Brady and Gronk. I mean,

0:37:02.880 --> 0:37:06.160
<v Speaker 2>the fact that we're in we're allowing them into the

0:37:06.200 --> 0:37:09.680
<v Speaker 2>conversation says an awful lot about them. But I would

0:37:09.680 --> 0:37:12.799
<v Speaker 2>still stay with Gronk and Brady. But you know, hey,

0:37:12.800 --> 0:37:17.640
<v Speaker 2>I'm open to Gronk and or Kelsey and Mahomes being

0:37:17.640 --> 0:37:22.520
<v Speaker 2>the greatest duo in playoff history. H Jeremy and Texas.

0:37:22.600 --> 0:37:24.560
<v Speaker 2>Hi Jeremy, thanks for holding what's on your mind?

0:37:25.440 --> 0:37:28.560
<v Speaker 12>Good morning. I just wanted to let you in on

0:37:28.680 --> 0:37:31.319
<v Speaker 12>a little bit with help for your podcast, on your

0:37:31.360 --> 0:37:35.640
<v Speaker 12>betting podcast, okay, and my ability to bet on the

0:37:35.680 --> 0:37:38.600
<v Speaker 12>future because I had the fortune my daughter graduated with

0:37:38.680 --> 0:37:41.719
<v Speaker 12>Patrick on White House High School and I had the

0:37:41.719 --> 0:37:44.759
<v Speaker 12>fortune of Washington grow up and seeing every game I

0:37:44.760 --> 0:37:47.239
<v Speaker 12>think I might have missed one or two games, and

0:37:47.280 --> 0:37:51.479
<v Speaker 12>when he went to Tech, I famously told whoever would listen,

0:37:52.320 --> 0:37:55.239
<v Speaker 12>unfortunately that he's never gonna amount to nothing. They've had

0:37:55.320 --> 0:37:58.000
<v Speaker 12>quarterbacks to go to Tech and just stayed off and

0:37:58.520 --> 0:38:04.840
<v Speaker 12>basically every game I brought twenty five years right now, Well, certainly,

0:38:04.920 --> 0:38:08.920
<v Speaker 12>let me remember that a bit of information that I said,

0:38:08.960 --> 0:38:10.920
<v Speaker 12>and say, you know, you remember when you said that

0:38:10.960 --> 0:38:13.960
<v Speaker 12>he's not gonna be many too much? He's won two

0:38:13.960 --> 0:38:17.879
<v Speaker 12>super Bowls, he's ben tie three MVP. Yeah, I said,

0:38:18.080 --> 0:38:19.920
<v Speaker 12>you know, how's wrong on that one. But if you

0:38:20.040 --> 0:38:21.440
<v Speaker 12>need help for the feature.

0:38:21.640 --> 0:38:23.880
<v Speaker 2>Oh, thank you, Jeremy, thank you. We'll keep you on

0:38:23.960 --> 0:38:27.840
<v Speaker 2>speed dial. By the way, Uh, Andrew and Florida was

0:38:27.920 --> 0:38:32.200
<v Speaker 2>asking me about my favorite Sandler movie, none that I'm in.

0:38:33.680 --> 0:38:37.960
<v Speaker 2>I would say Deeds. And I always loved mister Deeds.

0:38:38.600 --> 0:38:40.680
<v Speaker 2>And then every time I see a movie, a Sendler

0:38:40.760 --> 0:38:42.759
<v Speaker 2>movie that I wasn't in, I always go, well, I

0:38:42.760 --> 0:38:44.919
<v Speaker 2>could have played that role, or I could have played

0:38:44.960 --> 0:38:48.160
<v Speaker 2>that role, but mister Deeds, I still get a kick

0:38:48.160 --> 0:38:52.879
<v Speaker 2>out of that. Let's see what else would be in there? Yes, Tom,

0:38:53.000 --> 0:38:54.040
<v Speaker 2>does he still owe you a car?

0:38:54.200 --> 0:38:56.160
<v Speaker 4>Did you reach that number of movies?

0:38:56.239 --> 0:39:00.200
<v Speaker 2>You know what It hasn't been brought up because I did.

0:39:00.440 --> 0:39:02.880
<v Speaker 2>I was in Hube Halloween that was supposed to be

0:39:02.920 --> 0:39:05.280
<v Speaker 2>the movie that Sandler would then buy me a car.

0:39:06.400 --> 0:39:09.760
<v Speaker 2>But now he's gotten like, you know, he's this serious actor.

0:39:10.560 --> 0:39:13.040
<v Speaker 2>He's in this space movie.

0:39:13.160 --> 0:39:17.479
<v Speaker 3>You think he's bought the Safty Brothers car. He's moved

0:39:17.520 --> 0:39:18.200
<v Speaker 3>into that realm.

0:39:18.280 --> 0:39:18.520
<v Speaker 6>Now.

0:39:18.760 --> 0:39:21.719
<v Speaker 2>Now he's working with these other directors and producers and

0:39:21.719 --> 0:39:24.880
<v Speaker 2>they're really serious and important, and all of a sudden,

0:39:25.000 --> 0:39:28.279
<v Speaker 2>all of us we got kicked to the curb, you know,

0:39:28.440 --> 0:39:32.480
<v Speaker 2>David Spade and Rob Schneider. Sandler doesn't care about us anymore.

0:39:32.840 --> 0:39:37.520
<v Speaker 2>He's now an actor. He wants to win an Academy award. Yeah, great,

0:39:38.280 --> 0:39:40.280
<v Speaker 2>what about us, We're trying to feed our family.

0:39:40.560 --> 0:39:41.080
<v Speaker 6>Sand Man.

0:39:41.120 --> 0:39:42.560
<v Speaker 3>I just saw him the other day to wearing a

0:39:42.600 --> 0:39:45.720
<v Speaker 3>scarf and like a nice coat too that he knows.

0:39:46.480 --> 0:39:48.880
<v Speaker 3>I was gonna say he he had on like shoes,

0:39:48.960 --> 0:39:51.240
<v Speaker 3>some slacks, a nice coat and a scarf.

0:39:52.719 --> 0:39:55.399
<v Speaker 4>That I'm there was a Nick scarf.

0:39:56.560 --> 0:40:00.680
<v Speaker 2>There is no way, there is no way, yeah pulling.

0:40:00.840 --> 0:40:04.719
<v Speaker 5>This new movie is called Space Man, You're right, Yakob Prozaca.

0:40:04.800 --> 0:40:09.040
<v Speaker 2>And he's in with Carrie Mulligan. Oh, and she's a

0:40:09.080 --> 0:40:10.040
<v Speaker 2>big time.

0:40:10.120 --> 0:40:12.600
<v Speaker 5>Orphan is a boy and raised in the Czech countryside

0:40:12.600 --> 0:40:15.000
<v Speaker 5>by his grandparents. He overcomes the odds become the first

0:40:15.560 --> 0:40:19.640
<v Speaker 5>astronaut from the Czech Republic. I think it's a serious movie.

0:40:19.640 --> 0:40:23.719
<v Speaker 5>Oh that story again, that old bet Spaceman two. It's

0:40:23.719 --> 0:40:24.680
<v Speaker 5>actually Spaceman two.

0:40:25.000 --> 0:40:29.080
<v Speaker 2>Yeah, and you know it's no heads up no, because

0:40:29.120 --> 0:40:31.880
<v Speaker 2>I said, hey, uh got any movie.

0:40:32.200 --> 0:40:33.799
<v Speaker 5>Could be one of the guys that mission controlled Dan.

0:40:33.960 --> 0:40:37.239
<v Speaker 2>I had to it was so bad, it was pathetic

0:40:37.640 --> 0:40:40.480
<v Speaker 2>that I sent him a text recently. I said, hey, Sandman,

0:40:41.239 --> 0:40:43.400
<v Speaker 2>I want to plan I want to plan my summer.

0:40:43.560 --> 0:40:47.320
<v Speaker 2>Let me know if you have a movie, and he goes, Danny,

0:40:48.200 --> 0:40:50.680
<v Speaker 2>uh working on something, and then that was it.

0:40:50.800 --> 0:40:52.719
<v Speaker 4>I don't do that goofy stuff anymore. That come on.

0:40:54.719 --> 0:40:57.799
<v Speaker 2>Final hour on the way more phone calls. Mark Sanchez

0:40:57.840 --> 0:41:03.200
<v Speaker 2>will stop by as well. Letsy Seaton, Marvin Paullie, yours

0:41:03.239 --> 0:41:05.200
<v Speaker 2>truly back after this