WEBVTT - Paddington In Peru: Rewatching 1 & 2

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<v Speaker 1>Warning, today's episode contained spoilers for the excellent Paddington and

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<v Speaker 1>it's very good sequel Paddington two. Correct be warded. Oh

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<v Speaker 1>my name is Jason Getzepsio.

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<v Speaker 2>And I'm Rosie Night from joliad London, where Paddington now lives.

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<v Speaker 1>And we're coming to you from the deepest, darkest jungles

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<v Speaker 1>of Peru to welcome you back to x revision of

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<v Speaker 1>the podcast where we dive deep. It's your favorite shows, movies,

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<v Speaker 1>comics and pop culture. Coming to you from our podcast

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<v Speaker 1>will bring you three marmalade sandwiches a week every Tuesday

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<v Speaker 1>Wednesday Calicious.

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<v Speaker 2>In today's episode, in the Adlock, we are going to

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<v Speaker 2>be talking about Paddington one and two, including a discussion

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<v Speaker 2>on which we believe to be better, which may be controversial,

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<v Speaker 2>and thanks to Common and her love of Stuart Little,

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<v Speaker 2>we're gonna end this with a little quick fire around

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<v Speaker 2>about five other cute animal movies to watch once.

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<v Speaker 3>You've watched Paddington one and two.

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<v Speaker 1>But first, Paddington's all right. Paddington won twenty fourteen surprise hit,

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<v Speaker 1>should we say the surprise hit of twenty fourteen definitely,

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<v Speaker 1>with a wonderful cast including Hugh Bonville, Sally Hawkins as

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<v Speaker 1>Mary Brown, not returning for the third movie, Sadly, Sadly, Sadly,

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<v Speaker 1>Jim BROADBN Slate. Michael Gambona is the voice of Uncle

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<v Speaker 1>Pastouoso and of course the voice of Paddington, the wonderful, comforting,

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<v Speaker 1>soft as a blanket voice of Ben Wishaw, who I

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<v Speaker 1>think this way, he might be more famous for this

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<v Speaker 1>than anything that he's ever done, would you say.

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<v Speaker 2>So, Q?

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<v Speaker 3>Maybe? Q maybe.

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<v Speaker 2>But it's also extremely funny because we also recently were

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<v Speaker 2>just talking about Black Doves, where he's like a really

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<v Speaker 2>sassy up front, like.

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<v Speaker 3>Very explicitly adult murderer.

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<v Speaker 2>Yeah. And there was a great present of you where

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<v Speaker 2>I think Kiera Knightley didn't know he was Paddington and

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<v Speaker 2>that was just hilarious. But yes, this is likely his

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<v Speaker 2>most famous casting. And also I would say wonderful casting

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<v Speaker 2>because this is like a Ben Schwartz as sonic kind

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<v Speaker 2>of level where you just feel like they understood what

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<v Speaker 2>they were doing.

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<v Speaker 1>He brings like a level of emotion to the line

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<v Speaker 1>readings that the innocence that Paddington has, but also at

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<v Speaker 1>the right moments, like a sadness that's just fucking devastating. Like, yeah,

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<v Speaker 1>the character design is so good, and I think part

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<v Speaker 1>of what makes these movies so good is they know, okay,

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<v Speaker 1>we really need to take up the emotional steaks up

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<v Speaker 1>a notch. Let's just do a close up of Paddington's face.

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<v Speaker 2>Yeah, exactly, and also the same if he's going to

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<v Speaker 2>get into like crazy trouble, because a lot of these

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<v Speaker 2>movies are like, it's Paddington and he doesn't know how

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<v Speaker 2>a bath works. Might sound very silly, but I do

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<v Speaker 2>think that combination of kind of broad physical comedy, emotional

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<v Speaker 2>heart and just like an absolute murderous row of fantastic

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<v Speaker 2>British actors really do make these incredibly incredibly unique.

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<v Speaker 1>Okay, So we open in the Jungles the Darkest Peru,

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<v Speaker 1>where an explorer from London encounters this family of intelligent bears.

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<v Speaker 1>These explorers have been going all around the world and

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<v Speaker 1>like categorizing animals and taking samples back, and he finds

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<v Speaker 1>these bears to be absolutely fascinating. So he teaches them

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<v Speaker 1>about England and Britain and the culture there, and tells

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<v Speaker 1>them a bunch of fanciful facts about him.

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<v Speaker 2>He is a bit of a colonizer, his energy is

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<v Speaker 2>like he's going spreading. He's not only going there as

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<v Speaker 2>an anthropologist, which we all know is a dangerous thing

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<v Speaker 2>to come to your country, but also he is telling

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<v Speaker 2>fanciful stories like this is not a true representation of London.

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<v Speaker 1>Clearly believing that these bears will never make their way

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<v Speaker 1>to London. So you could kind of like spin a

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<v Speaker 1>yarn that said, this is also the listen. This is

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<v Speaker 1>Paddington is expressly a story about colonization and I think

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<v Speaker 1>immigration kind of like framing it in the in the

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<v Speaker 1>most positive way in that, you know, the ultimate messages

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<v Speaker 1>just because people are different, don't judge them for that,

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<v Speaker 1>take them as they are, and in fact they might

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<v Speaker 1>you might find that their presence here in your world

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<v Speaker 1>is actually incredibly beneficial in ways that you could never imagine.

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<v Speaker 1>That's It's also a story about how there are unexpected

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<v Speaker 1>consequences to colonizing a place and repercussions that one could

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<v Speaker 1>never understand, and one of them is these these bears

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<v Speaker 1>become fascinated with England, and then an earthquake strikes, sadly

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<v Speaker 1>devastating the home of the bears, forcing the At this point,

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<v Speaker 1>probably like ninety five year old ninety six year old

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<v Speaker 1>and Lucy to send her a young nephew, Paddington to

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<v Speaker 1>London because there everyone gets a home. It's gonna be fine.

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<v Speaker 2>Everybody gets a home and all you need is you

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<v Speaker 2>just need a mamalade sandwich, which the Explorer also introduced.

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<v Speaker 2>And currently the bad does not have a name, but

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<v Speaker 2>we know that he's Paddington because Michael Bond has been

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<v Speaker 2>telling these stories for many years.

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<v Speaker 1>Many many years, since the forties and the fifties. Yeah,

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<v Speaker 1>so here. So Paddington arrives at Paddington Station, which from

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<v Speaker 1>which he will soon get his name, with a note

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<v Speaker 1>around his next saying please look after this bear. You know,

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<v Speaker 1>people just kind of ignore this very startling site, which

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<v Speaker 1>I which is shy them up, which is kind of

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<v Speaker 1>the charm of Paddington is like, oh okay, that's normal.

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<v Speaker 1>That's a very normal thing to see.

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<v Speaker 2>It's that mentality of like the New Yorkers who like

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<v Speaker 2>wouldn't look twice at the Avengers. It's like that, but

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<v Speaker 2>it's London. It's like everyone's just it's rush hour Paddington station.

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<v Speaker 2>Everyone just wants to go. They seem to think he's

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<v Speaker 2>some kind of street performer. They're just not interested. However,

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<v Speaker 2>a certain family comes along and that changes all the Browns.

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<v Speaker 1>Yes, so there is mister Brown dad, played wonderfully by

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<v Speaker 1>Hugh bon Phil of Doubton Abbey, and it's the agency fame.

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<v Speaker 1>He is, you know, don't talk to that bear, what

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<v Speaker 1>does he want? He'll be fine, don't worry about him.

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<v Speaker 1>Feels funny. He's might be dangerous, you know, he might

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<v Speaker 1>be dangerous. And his wife, Missus Brown, is like, no,

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<v Speaker 1>but this is so sad, and she reads the note.

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<v Speaker 1>It's like we must do something. He's like, no, no, no,

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<v Speaker 1>don't worry. So eventually she convinces him to take Paddington

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<v Speaker 1>to their home where Paddington, you know, struggles with being

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<v Speaker 1>in a urban home environment. A upper middle class, what

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<v Speaker 1>would say, even wealthy. Here's the thing about a fantastical

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<v Speaker 1>version love. This is a rich fucking family.

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<v Speaker 2>You can even imagine First of all, where they they

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<v Speaker 2>say they live in notting Hill, right, that's like where

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<v Speaker 2>this is kind of set in general, and they do

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<v Speaker 2>a great job of kind of representing the most eclectic

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<v Speaker 2>and eccentric parts of London.

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<v Speaker 3>But yeah, I mean this is like a ten million

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<v Speaker 3>dollar house. They live in.

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<v Speaker 2>Yeah, this is like a t a million dollar house.

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<v Speaker 2>And the best thing is the mom is like an artist.

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<v Speaker 2>She's kind of like an illustrator for romance.

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<v Speaker 3>Novels, I think.

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<v Speaker 2>So the house is just painted in the most kind

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<v Speaker 2>of cozy, outrageous like flowers on the wall, and I

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<v Speaker 2>do think that part of the appeal of this franchise

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<v Speaker 2>is just how gorgeously kind of comforting.

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<v Speaker 3>The whole thing is Paddington doesn't have to deal with.

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<v Speaker 2>Much stress outside of like not knowing at this point,

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<v Speaker 2>not knowing like how to use a bath as we mentioned,

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<v Speaker 2>which is a very famous and hilarious scene.

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<v Speaker 1>I cut the iconic scene from Paddington. He's he's struggling

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<v Speaker 1>to use the bathtub. He overfills, it floods the bathroom,

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<v Speaker 1>the water bursts out of the door, and Paddington goes

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<v Speaker 1>to bogganing down the beautiful spiral staircase. Again, this is

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<v Speaker 1>a this is a looking beautiful sea house, beautiful home,

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<v Speaker 1>goes spiraling down the staircase in this bathtub with a

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<v Speaker 1>look of innocent surprise on its beautiful, cute little face.

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<v Speaker 2>And somehow he doesn't get kicked out, Like that's the.

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<v Speaker 1>Power sorry about the bathroom. I'm so sorry, I'm so

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<v Speaker 1>sorry about the flood, and he's so anomalate sandwich.

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<v Speaker 2>He does a really good I think one of my

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<v Speaker 2>favorite things about that scene is it's like.

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<v Speaker 3>A Rube Goldberg machine.

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<v Speaker 2>It's like he complishes teeth and then he falls down

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<v Speaker 2>here and then and it becomes this kind of hilarious situation.

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<v Speaker 2>And obviously mister Brown is understandably skeptical about keeping the

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<v Speaker 2>bat in the house.

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<v Speaker 1>So Paddington's mission becomes locating the explorer who came to

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<v Speaker 1>visit them, whose hat he wears, and who he hopes

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<v Speaker 1>might have some sort of answers about a permanent place

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<v Speaker 1>where he can live forever, a home for himself that

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<v Speaker 1>he might find, and the Browns help him with this,

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<v Speaker 1>although mister Brown somewhat disgruntily, but the kids Jonathan Judy

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<v Speaker 1>do it with much more alacrity. Meanwhile, Paddington's arrival in

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<v Speaker 1>London has not gone unnoticed, notably by Millicent, who is

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<v Speaker 1>the villain of the story. She is a taxidermist. She

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<v Speaker 1>loves stuffing animals and people. Maybe we need to find

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<v Speaker 1>it out later, potentially if they get it away and

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<v Speaker 1>it really bothers her that years ago her ancestor returned

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<v Speaker 1>from the the deepest, darkest jungles of Peru without a specimen,

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<v Speaker 1>and she would like to rectify that situation by capturing Paddington,

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<v Speaker 1>killing him and stuffing him, which is horrendous, yes.

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<v Speaker 2>Very mean. Paddington is delightful and also I want to say, guys,

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<v Speaker 2>Melicin is played by none other than Nicole Kidman, and

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<v Speaker 2>what I would say is one of the kind of

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<v Speaker 2>turning point weird roles of catapulted her to where we

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<v Speaker 2>get baby girl Like this is such an over the top,

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<v Speaker 2>fantastic kind of Bond villain role for her, and she's

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<v Speaker 2>so much fun in it.

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<v Speaker 1>She is wonderful in it. So Paddington finds out that

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<v Speaker 1>the explorer is Montgomery Clyde and that he was shunned

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<v Speaker 1>by the Explorers group that he was a part of

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<v Speaker 1>because this group of very upright and fancy looters that

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<v Speaker 1>went around the world just kind of marauding and looting

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<v Speaker 1>and grabbing things. Bringing him back to jolly ol England

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<v Speaker 1>when he ran into these bears, you know, they were civilized,

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<v Speaker 1>they spoke, they were clearly intelligent and sent me in

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<v Speaker 1>beings they are wonderful. We just like to hang out

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<v Speaker 1>and beat marmalade and to waylay one and put it

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<v Speaker 1>in a cage and drag it back to England. That

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<v Speaker 1>seemed frankly to be barbaric. However, the scientific community of

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<v Speaker 1>his day, or like one, talking bears, get the fight.

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<v Speaker 1>We don't believe this. This is ridiculous, like what you're

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<v Speaker 1>talking about. And two, you know the rules. You got

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<v Speaker 1>to bring back the specimen. Where's the specimen? And so

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<v Speaker 1>they shun him. Paddington reaches a low moment, feeling like

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<v Speaker 1>he's causing so much trouble for the Browns and their

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<v Speaker 1>home and all this trouble with the Finding Explorer and

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<v Speaker 1>destroying their ten million dollar home with two or three

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<v Speaker 1>million dollars worth of water damage, amongst many other things

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<v Speaker 1>that have occurred, and he feels like, Okay, I'm going

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<v Speaker 1>to go out on my own. I'm going to go

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<v Speaker 1>look for the explore Montgomery Clyde on my own, and

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<v Speaker 1>I'm going to leave the Browns behind. He leaves them

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<v Speaker 1>a very heartfelt note that tugs at the heartstrings. The kids,

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<v Speaker 1>Missus Brown are absolutely fucking devastated at this. Mister Brown

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<v Speaker 1>is like well, okay, there's a big he's a bear

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<v Speaker 1>from the jungle, like, you'll, don't worry about it.

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<v Speaker 3>I've spent a.

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<v Speaker 1>Lot of time trying to figure out how exactly long

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<v Speaker 1>Paddington was on his own, and I think it was

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<v Speaker 1>a while.

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<v Speaker 3>I really was quite a while. Yeah, from from the

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<v Speaker 3>way the movie is for sure.

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<v Speaker 1>Because there's a month. There's an entire montage in which

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<v Speaker 1>you see all the addresses and places that Paddington found,

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<v Speaker 1>you know, from the phone book of listenings from Montgomery Clyde,

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<v Speaker 1>and he crosses them all out, and there's you know,

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<v Speaker 1>maybe a dozen or so or a little less than

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<v Speaker 1>a dozen something around there. And let's say he did

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<v Speaker 1>like one a night or one every couple of nights.

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<v Speaker 1>That's all of a sudden, he's out there a week

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<v Speaker 1>and a half, two weeks on his own, living by

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<v Speaker 1>his wits in the alleyways and the streets. It made

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<v Speaker 1>me very, very sad. This is a movie where watching it,

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<v Speaker 1>I could tell that when I was a kid, I

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<v Speaker 1>would have needed a parent figure to lean over to

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<v Speaker 1>me and be like, it's gonna don't worry about yeah,

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<v Speaker 1>it's gonna be okay, Because I would have been very

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<v Speaker 1>troubled at the idea that Paddington was just like out

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<v Speaker 1>on the streets for weeks. M Well, the Browns now

0:13:19.360 --> 0:13:25.480
<v Speaker 1>find that though their house is severely damaged, it's also

0:13:25.640 --> 0:13:28.640
<v Speaker 1>less lively without Patton.

0:13:28.640 --> 0:13:30.880
<v Speaker 2>Because you don't have a talking bear in your house anymore.

0:13:30.920 --> 0:13:31.800
<v Speaker 2>That's magical.

0:13:31.880 --> 0:13:33.480
<v Speaker 3>I'm sorry, guys.

0:13:33.400 --> 0:13:36.400
<v Speaker 1>There's something of the light has gone out of the

0:13:36.440 --> 0:13:40.760
<v Speaker 1>home somehow, and so they decide we must find Paddington,

0:13:40.840 --> 0:13:43.000
<v Speaker 1>who has by this time fallen into the clutches of

0:13:43.000 --> 0:13:46.240
<v Speaker 1>milicit who again plans to stuff and there's a wonderful

0:13:46.320 --> 0:13:51.199
<v Speaker 1>adventure sequence. They find her in the Natural History Museum. Paddington,

0:13:51.360 --> 0:13:54.320
<v Speaker 1>who is quite naive and innocent at times, but he's

0:13:54.360 --> 0:13:58.040
<v Speaker 1>also quite He's a survivor, and he's very very He

0:13:58.120 --> 0:14:01.839
<v Speaker 1>manages to escape and they ultimately defeat of Millicent, who

0:14:01.880 --> 0:14:04.120
<v Speaker 1>is arrested for her crime. She only gets community service,

0:14:04.160 --> 0:14:07.400
<v Speaker 1>which is fine. I guess you know what. She didn't

0:14:07.440 --> 0:14:09.880
<v Speaker 1>threaten to kill the Browns and Paddington.

0:14:10.000 --> 0:14:12.480
<v Speaker 2>But I will say this, but you know I will

0:14:12.520 --> 0:14:15.680
<v Speaker 2>say this is this does start a thread that will

0:14:15.679 --> 0:14:18.920
<v Speaker 2>continue to the second movie of these films, being like

0:14:19.440 --> 0:14:23.160
<v Speaker 2>relatively interesting when it comes to the idea of crime

0:14:23.200 --> 0:14:24.440
<v Speaker 2>and punishment.

0:14:24.000 --> 0:14:30.440
<v Speaker 1>Prison reform, Paddington, Yes, the prison Passington. So the end

0:14:30.520 --> 0:14:33.880
<v Speaker 1>of this, oh I should add that there is in

0:14:33.920 --> 0:14:37.800
<v Speaker 1>the confrontation scene, as we're kind of ramping up to

0:14:37.840 --> 0:14:42.040
<v Speaker 1>the final exciting sequence after which Milicent will be defeated,

0:14:42.440 --> 0:14:48.440
<v Speaker 1>mister Brown gives an incredible speech that he ya fucking

0:14:49.080 --> 0:14:53.120
<v Speaker 1>sells all the way about. And the speech is really

0:14:53.440 --> 0:14:56.040
<v Speaker 1>ultimately the message of the film, because I think part

0:14:56.080 --> 0:14:58.280
<v Speaker 1>of part of what's so great about Paddington is it's

0:14:58.280 --> 0:15:04.000
<v Speaker 1>basically about an Englishman who doesn't like people or beings

0:15:04.160 --> 0:15:09.359
<v Speaker 1>from other places coming to England and living and ultimately

0:15:09.880 --> 0:15:13.320
<v Speaker 1>mister Brown decides, you know what, that's not true. Paddington

0:15:13.440 --> 0:15:15.160
<v Speaker 1>is a bear, but he's part of this family and

0:15:15.200 --> 0:15:18.000
<v Speaker 1>I love him and he has added so much to

0:15:18.120 --> 0:15:21.800
<v Speaker 1>our lives even though he's different. And he gives this

0:15:21.880 --> 0:15:24.720
<v Speaker 1>wonderful speech about that and how they're going to defend Paddington.

0:15:24.840 --> 0:15:27.040
<v Speaker 1>And so the end of the movie is a wonderful,

0:15:27.160 --> 0:15:32.080
<v Speaker 1>like three four minute sequence that plays out very much

0:15:32.160 --> 0:15:34.600
<v Speaker 1>is shot very much like a book in which Paddington

0:15:35.080 --> 0:15:39.680
<v Speaker 1>has found his home, his his forever home really with

0:15:39.840 --> 0:15:43.160
<v Speaker 1>the Browns, and there he is in the kitchen cooking

0:15:43.240 --> 0:15:48.320
<v Speaker 1>up marmalade, Missus Brown wonderfully. He's like, what are you doing? Padding?

0:15:48.640 --> 0:15:52.080
<v Speaker 1>What's cooking Paddington? What do you think? It's fucking marmalade?

0:15:52.160 --> 0:15:55.640
<v Speaker 1>What the fuck do you think it's all I eat?

0:15:55.760 --> 0:15:58.120
<v Speaker 3>Is Marvela's marmalay?

0:15:58.320 --> 0:15:58.480
<v Speaker 2>Oh.

0:15:58.520 --> 0:16:01.360
<v Speaker 3>Actually, also perfect time to bring up the fact that.

0:16:01.600 --> 0:16:05.600
<v Speaker 2>In that very same Karen Knightley interview where he revealed

0:16:05.640 --> 0:16:09.600
<v Speaker 2>he was Paddington, then, as Aaron pointed out, ben wishe

0:16:09.680 --> 0:16:14.680
<v Speaker 2>Olster revealed he doesn't like mamalade. It's just to yourself, babe.

0:16:13.640 --> 0:16:18.360
<v Speaker 1>It's very sweet. And at the end of that close

0:16:18.560 --> 0:16:22.320
<v Speaker 1>Paddington writes to his beloved aunt Lucy, telling her that

0:16:22.680 --> 0:16:26.520
<v Speaker 1>while London is very different from Peru, he's getting the

0:16:26.520 --> 0:16:28.680
<v Speaker 1>hang of it now and he feels like he has

0:16:28.720 --> 0:16:32.440
<v Speaker 1>a place and it's wonderful and let's talk for a

0:16:32.520 --> 0:16:34.880
<v Speaker 1>little bit about what we say. I think this movie

0:16:35.000 --> 0:16:38.680
<v Speaker 1>is one of the great children's movies of our time.

0:16:39.320 --> 0:16:42.280
<v Speaker 1>I agree, And it's just so special, like it hits

0:16:42.400 --> 0:16:45.120
<v Speaker 1>all the notes that you need from a kid's film.

0:16:45.160 --> 0:16:48.440
<v Speaker 1>It works for adults on various levels because of the

0:16:48.960 --> 0:16:53.200
<v Speaker 1>deeper messaging, the fact that the Paddington series is one

0:16:53.280 --> 0:16:55.880
<v Speaker 1>hundred years old, almost one hundred years old at this point,

0:16:55.920 --> 0:17:01.720
<v Speaker 1>so it's got generations of fans. And for kids, it's emotional,

0:17:01.840 --> 0:17:06.440
<v Speaker 1>deeply emotional, but it's not too intense. They are always

0:17:06.480 --> 0:17:09.240
<v Speaker 1>these moments where they return to Paddington's faces if to

0:17:09.280 --> 0:17:11.320
<v Speaker 1>tell you it's gonna be fine, like they always do,

0:17:11.400 --> 0:17:14.200
<v Speaker 1>like a thing, Yeah, first kind of scary thing where

0:17:14.560 --> 0:17:17.480
<v Speaker 1>it doesn't get too scary and you realize by the

0:17:17.480 --> 0:17:20.560
<v Speaker 1>way they shoot Paddington it's gonna be okay.

0:17:21.080 --> 0:17:21.280
<v Speaker 3>Yeah.

0:17:21.320 --> 0:17:25.920
<v Speaker 1>It's feel very emotionally like intense, and also you feel

0:17:25.960 --> 0:17:26.439
<v Speaker 1>it deeply.

0:17:26.880 --> 0:17:30.080
<v Speaker 2>I think that something that makes these movies really stand

0:17:30.080 --> 0:17:32.399
<v Speaker 2>out is if we think about the way that kids

0:17:32.680 --> 0:17:35.560
<v Speaker 2>films and TV. I almost said content. I'm trying to

0:17:35.560 --> 0:17:38.240
<v Speaker 2>train myself out of that word. But like the way

0:17:38.280 --> 0:17:42.080
<v Speaker 2>that people make entertainment for kids. There has always been nuance,

0:17:42.160 --> 0:17:44.520
<v Speaker 2>fantastic entertainment for kids. But when we think about a

0:17:44.560 --> 0:17:48.480
<v Speaker 2>contemporary reboot of an existing character, because there's already Paddington books,

0:17:48.480 --> 0:17:51.520
<v Speaker 2>Paddington animated series, all that kind of stuff, we think

0:17:51.560 --> 0:17:52.440
<v Speaker 2>about something like.

0:17:52.400 --> 0:17:55.040
<v Speaker 3>The Garfield movie with Chris Pratt.

0:17:54.680 --> 0:17:58.080
<v Speaker 2>That like nobody really watched and it changed everything about Garfield.

0:17:58.119 --> 0:18:00.920
<v Speaker 3>He's no longer lazy. He doesn't like Lazanne. Now he's

0:18:00.960 --> 0:18:03.600
<v Speaker 3>like a street smart cat, you know whatever.

0:18:03.880 --> 0:18:06.120
<v Speaker 2>But like I think a lot of people were surprised

0:18:06.119 --> 0:18:08.280
<v Speaker 2>because this movie kind of came out of nowhere and

0:18:08.320 --> 0:18:13.560
<v Speaker 2>it had a wit and a charm and a world.

0:18:13.320 --> 0:18:14.480
<v Speaker 3>That you wanted to live in.

0:18:15.160 --> 0:18:18.320
<v Speaker 2>And like you said, the way they shoot Paddington makes

0:18:18.359 --> 0:18:22.040
<v Speaker 2>you feel like he's really there, that the Assing team

0:18:22.080 --> 0:18:26.600
<v Speaker 2>are unbelievable. You never ever question anything that you're seeing

0:18:26.640 --> 0:18:30.639
<v Speaker 2>on screen. I would say this is the way they utilize.

0:18:30.080 --> 0:18:31.200
<v Speaker 3>And immerse you in the world.

0:18:31.320 --> 0:18:34.000
<v Speaker 2>Means there's not even really a suspension of disbelief. You

0:18:34.119 --> 0:18:35.919
<v Speaker 2>just feel like Paddington is a real character.

0:18:36.119 --> 0:18:37.040
<v Speaker 3>Then you want to meet him.

0:18:37.080 --> 0:18:39.679
<v Speaker 1>He's great, he's there, wonderful.

0:18:39.600 --> 0:18:43.080
<v Speaker 2>And I do think this this movie went relatively under

0:18:43.119 --> 0:18:45.879
<v Speaker 2>the radar. It was it was a quiet film. It

0:18:45.960 --> 0:18:48.520
<v Speaker 2>was a quiet film, but it was pretty successful. There

0:18:48.560 --> 0:18:52.159
<v Speaker 2>was a lot of nominations in England. It won Best

0:18:52.160 --> 0:18:54.760
<v Speaker 2>Comedy Film at the Empire Awards. If you're a film lover,

0:18:54.840 --> 0:18:59.520
<v Speaker 2>you probably know Empire Magazine. The Bafter Children's Awards, it

0:18:59.640 --> 0:19:02.879
<v Speaker 2>won Best Feature Film and it was kind of but

0:19:03.080 --> 0:19:05.120
<v Speaker 2>still it was like it made its money back, made

0:19:05.240 --> 0:19:07.600
<v Speaker 2>enough that there would be a sequel. But it was

0:19:07.640 --> 0:19:11.520
<v Speaker 2>not necessarily a cultural phenomenon. It was more something that

0:19:11.560 --> 0:19:13.960
<v Speaker 2>you discovered. I discovered it when I moved here actually,

0:19:14.000 --> 0:19:15.920
<v Speaker 2>which was like two years after.

0:19:15.720 --> 0:19:16.240
<v Speaker 3>It came out.

0:19:16.359 --> 0:19:18.720
<v Speaker 1>Same I discovered it about a year later when it

0:19:18.760 --> 0:19:22.200
<v Speaker 1>was when people why trust it would be like, it

0:19:22.400 --> 0:19:23.880
<v Speaker 1>is really good, that's.

0:19:23.840 --> 0:19:26.239
<v Speaker 3>Really good, Like you gotta watch this. This is like

0:19:26.320 --> 0:19:30.600
<v Speaker 3>some cozy vibe, you know what. It definitely I think

0:19:30.680 --> 0:19:31.400
<v Speaker 3>that it was.

0:19:31.960 --> 0:19:35.199
<v Speaker 2>It was an entertainment weekly where they basically compared it

0:19:35.240 --> 0:19:38.359
<v Speaker 2>to like a Muppets movie, but in the style of

0:19:38.400 --> 0:19:39.480
<v Speaker 2>Where's Anderson?

0:19:40.000 --> 0:19:43.640
<v Speaker 3>And I loved that much. I was very mad cap,

0:19:44.040 --> 0:19:45.159
<v Speaker 3>very charming.

0:19:45.440 --> 0:19:50.640
<v Speaker 2>It's an ensemble piece, and it was just a delightful movie.

0:19:50.720 --> 0:19:52.280
<v Speaker 3>I am a big fan of it. I was very

0:19:52.280 --> 0:19:52.879
<v Speaker 3>happy when.

0:19:52.760 --> 0:19:55.760
<v Speaker 2>We started talking about these movies because we're covering them

0:19:55.760 --> 0:19:57.400
<v Speaker 2>in the lead up to the third one, which comes

0:19:57.400 --> 0:19:59.960
<v Speaker 2>out in America on Valentine's.

0:19:59.359 --> 0:20:01.600
<v Speaker 3>And it did it exactly.

0:20:01.680 --> 0:20:04.000
<v Speaker 1>He's back and he's imparing baby.

0:20:04.480 --> 0:20:08.040
<v Speaker 2>I think it's very unique to find someone else and

0:20:08.080 --> 0:20:12.280
<v Speaker 2>this just goes along with our eternal gift and struggle

0:20:12.280 --> 0:20:13.080
<v Speaker 2>that we agree.

0:20:12.840 --> 0:20:15.359
<v Speaker 3>With everything about everything together.

0:20:15.640 --> 0:20:18.600
<v Speaker 2>But yes, it's actually very bad to find someone who

0:20:18.640 --> 0:20:21.080
<v Speaker 2>thinks this movie is better. I do love this movie,

0:20:21.080 --> 0:20:23.520
<v Speaker 2>and I do think it is the better movie. But

0:20:24.000 --> 0:20:28.080
<v Speaker 2>Paddington Too was a cultural phenomenon. And we'll be talking

0:20:28.119 --> 0:20:30.480
<v Speaker 2>about Paddington Too in a moment after.

0:20:30.280 --> 0:20:38.080
<v Speaker 1>It worked from those sponsors.

0:20:46.119 --> 0:20:51.639
<v Speaker 4>Okay, we're back to discuss the action packed whoat music

0:20:51.720 --> 0:20:56.560
<v Speaker 4>two musical, I mean they bring they throw a lot

0:20:56.600 --> 0:20:57.640
<v Speaker 4>of things at you.

0:20:57.760 --> 0:21:00.280
<v Speaker 1>In Paddington Too, which came out in twenty seven teen,

0:21:00.400 --> 0:21:04.320
<v Speaker 1>written again and directed by Paul King with some writing

0:21:04.320 --> 0:21:08.920
<v Speaker 1>help by Simon Farnabye, the your original cast is back

0:21:09.200 --> 0:21:13.040
<v Speaker 1>with the addition of the wonderful Hugh Grant, who is

0:21:14.880 --> 0:21:16.719
<v Speaker 1>this was like as a villain?

0:21:17.359 --> 0:21:21.920
<v Speaker 2>People were really talking about a Hugh Grant oscar run

0:21:22.000 --> 0:21:26.119
<v Speaker 2>for this one. It's wonderful the Oscars represented the general

0:21:26.160 --> 0:21:28.720
<v Speaker 2>film going audience a little bit more that might have happened.

0:21:28.720 --> 0:21:31.760
<v Speaker 2>And also this is the start of Hugh Grant in

0:21:31.840 --> 0:21:35.680
<v Speaker 2>his villain era, which he is now embracing with roles

0:21:35.760 --> 0:21:39.800
<v Speaker 2>Imprestige TV, obviously most recently the a twenty four horror

0:21:39.800 --> 0:21:43.879
<v Speaker 2>movie Heretic, And it is just such a delight to

0:21:43.920 --> 0:21:47.199
<v Speaker 2>see him here. We also get another legendary actor in

0:21:47.320 --> 0:21:51.520
<v Speaker 2>Brendan Gleeson, who dislike.

0:21:51.240 --> 0:21:54.520
<v Speaker 3>For roles in this film.

0:21:54.680 --> 0:21:58.399
<v Speaker 2>And yeah, this was a movie that I saw legitimately

0:21:58.640 --> 0:22:04.040
<v Speaker 2>take over film with film critic spaces and just bought

0:22:04.040 --> 0:22:05.680
<v Speaker 2>a lot of people a lot of joy. And that's

0:22:05.720 --> 0:22:08.720
<v Speaker 2>the point of Paddington. So I yeah, I love this

0:22:08.760 --> 0:22:09.280
<v Speaker 2>movie too.

0:22:09.600 --> 0:22:14.480
<v Speaker 1>So Paddington when we open the film, is quite settled

0:22:14.520 --> 0:22:17.159
<v Speaker 1>in in notting Hill, not just with the Browns, but

0:22:17.240 --> 0:22:20.640
<v Speaker 1>in the surrounding neighborhood where everybody loves to see him.

0:22:21.359 --> 0:22:23.879
<v Speaker 1>People love to talk to him, people love when he

0:22:24.000 --> 0:22:27.439
<v Speaker 1>shows up. He's feeding a stray dog in the alley.

0:22:27.560 --> 0:22:30.440
<v Speaker 1>He's having a grand all time, and he is part

0:22:30.640 --> 0:22:35.560
<v Speaker 1>of the community. He's writing to his aunt every day.

0:22:35.720 --> 0:22:38.040
<v Speaker 1>She's about to turn a hundred, which is a big

0:22:38.320 --> 0:22:42.080
<v Speaker 1>deal for a bear. He funnily thinks mister Brown might

0:22:42.119 --> 0:22:49.080
<v Speaker 1>be eighty, considering his aunt is one hundred and so

0:22:49.160 --> 0:22:51.440
<v Speaker 1>he's thinking about a gift for her. And when he

0:22:51.520 --> 0:22:55.359
<v Speaker 1>goes to a neighbor's antique shop, he finds this beautiful,

0:22:56.600 --> 0:23:03.920
<v Speaker 1>beautiful imagination tickling pop up book of London and begins

0:23:03.960 --> 0:23:06.159
<v Speaker 1>imagining what it would be like to give this to

0:23:06.280 --> 0:23:09.560
<v Speaker 1>her and to be able to show her all the

0:23:09.720 --> 0:23:11.480
<v Speaker 1>landmarks of the city through it.

0:23:11.560 --> 0:23:18.679
<v Speaker 2>A wonderful It was so beautifully designed, gorgeously. I want

0:23:18.720 --> 0:23:22.040
<v Speaker 2>a real version, and I love.

0:23:21.920 --> 0:23:23.560
<v Speaker 3>The antique shop setting too.

0:23:23.760 --> 0:23:26.240
<v Speaker 2>Jim Brawd Fence mister Gruber is definitely like one of

0:23:26.320 --> 0:23:30.000
<v Speaker 2>Paddington's kind of best friends, and I love that it

0:23:30.160 --> 0:23:32.840
<v Speaker 2>really invokes that feeling of when you're a little kid

0:23:32.840 --> 0:23:35.399
<v Speaker 2>and you go into kind of an antique bookstore for

0:23:35.440 --> 0:23:38.239
<v Speaker 2>the first time, and you truly believe that in the

0:23:38.280 --> 0:23:41.960
<v Speaker 2>hallowed halls of this dusty old shop you could find

0:23:42.080 --> 0:23:46.000
<v Speaker 2>the real, never ending story book that will take you,

0:23:46.000 --> 0:23:48.320
<v Speaker 2>you know, on this magical journey. This is very much

0:23:48.400 --> 0:23:51.200
<v Speaker 2>one of those spaces where if you were young and

0:23:51.640 --> 0:23:54.200
<v Speaker 2>naive and looking out in the world in a magical way,

0:23:54.240 --> 0:23:58.240
<v Speaker 2>as Paddington always does, it feels like magic can happen.

0:23:58.240 --> 0:24:00.359
<v Speaker 2>And the way they shoot this pop up book makes

0:24:00.359 --> 0:24:01.199
<v Speaker 2>you feel like that.

0:24:01.480 --> 0:24:04.639
<v Speaker 1>I love I just love the the introduction of the

0:24:04.640 --> 0:24:09.080
<v Speaker 1>pop up book, and Jim Broadbent is wonderful. Got slug

0:24:09.119 --> 0:24:10.560
<v Speaker 1>Horn and Moody in this.

0:24:10.440 --> 0:24:11.040
<v Speaker 3>Film, right.

0:24:11.280 --> 0:24:13.720
<v Speaker 2>This is if you go British, you're gonna get a

0:24:13.720 --> 0:24:16.280
<v Speaker 2>lot you're getting, it's happening.

0:24:16.920 --> 0:24:23.440
<v Speaker 1>So Paddington needs money. The Browns, of course, are fantastically rich,

0:24:23.680 --> 0:24:26.320
<v Speaker 1>although mister Brown got passed over for a recent promotion

0:24:26.440 --> 0:24:29.320
<v Speaker 1>which has caused a midlife crisis of so he's taking yoga,

0:24:29.359 --> 0:24:32.480
<v Speaker 1>he's taking all which will come in handy later. And

0:24:32.560 --> 0:24:37.879
<v Speaker 1>so nobody's like gonna give Paddington some cash, even though

0:24:37.960 --> 0:24:41.600
<v Speaker 1>come on, mister Brown, like give it. I get that

0:24:41.640 --> 0:24:43.199
<v Speaker 1>he should work, and that's fine. So he goes out

0:24:43.200 --> 0:24:48.080
<v Speaker 1>and he does some odd jobs and it's, you know,

0:24:48.520 --> 0:24:53.520
<v Speaker 1>trademark Paddington mad Cap Adventures and sue as he does

0:24:53.560 --> 0:24:56.080
<v Speaker 1>the jobs in that kind of slapstick way.

0:24:56.800 --> 0:25:00.439
<v Speaker 2>Yeah, the Boba gag, The Bobba gag is always gags

0:25:00.480 --> 0:25:04.360
<v Speaker 2>in This definitely feels like a direct reference to one

0:25:04.400 --> 0:25:08.240
<v Speaker 2>of my favorite Marx Brothers gags, which is there cutting

0:25:08.440 --> 0:25:11.680
<v Speaker 2>they're doing barbering on a cruise ship when the powber

0:25:11.760 --> 0:25:14.280
<v Speaker 2>is asleep or something. But there's definitely some really good

0:25:14.359 --> 0:25:17.879
<v Speaker 2>nods to classic comedy here. Obviously, window cleaner never a

0:25:17.880 --> 0:25:20.600
<v Speaker 2>good job if you're a clumsy person like me and Paddington.

0:25:20.680 --> 0:25:23.199
<v Speaker 2>I could have told them that. But yeah, so so

0:25:23.359 --> 0:25:26.439
<v Speaker 2>funny and those are you really get those big broad

0:25:26.520 --> 0:25:30.840
<v Speaker 2>comedy moments early, because this film is definitely more concerned

0:25:30.840 --> 0:25:35.000
<v Speaker 2>with kind of making an emotional and moral point as

0:25:35.040 --> 0:25:35.800
<v Speaker 2>it continues on.

0:25:36.400 --> 0:25:40.720
<v Speaker 1>Absolutely, so, Paddington is quite close to being able to

0:25:40.880 --> 0:25:43.320
<v Speaker 1>purchase this book when it is stolen in the night

0:25:44.040 --> 0:25:46.840
<v Speaker 1>by a thief who is dressed in a quite a

0:25:47.119 --> 0:25:49.359
<v Speaker 1>unique manner. And he's got a long beard and kind

0:25:49.400 --> 0:25:53.320
<v Speaker 1>of like a sloppy hat, not dissimilar to Paddington's hat,

0:25:53.400 --> 0:25:57.080
<v Speaker 1>and he's wearing this long kind of like fisherman's overcoat,

0:25:57.119 --> 0:26:00.720
<v Speaker 1>and he steals the the book. Paddington gets a good

0:26:00.800 --> 0:26:05.679
<v Speaker 1>look at him, but is not able to catch the guy. Unfortunately,

0:26:06.480 --> 0:26:09.840
<v Speaker 1>nobody believes Paddington. The Browns believe him, but nobody else

0:26:09.880 --> 0:26:13.479
<v Speaker 1>believes him when he tries to raise this story and

0:26:13.520 --> 0:26:16.520
<v Speaker 1>there's you know, there's paw prints everywhere around the store

0:26:16.560 --> 0:26:21.119
<v Speaker 1>and marmalade tracks and uh uh it really was the thief,

0:26:21.480 --> 0:26:25.240
<v Speaker 1>that's right, But it really looks like Paddington did this,

0:26:25.400 --> 0:26:28.560
<v Speaker 1>and so he gets ten years in prison.

0:26:29.160 --> 0:26:33.280
<v Speaker 3>Watches Fuck, come on, I'm saying.

0:26:34.560 --> 0:26:37.680
<v Speaker 2>This is very this is very prescient to the weld

0:26:39.240 --> 0:26:42.359
<v Speaker 2>right now, Like they gave this baby ten years for

0:26:42.520 --> 0:26:46.760
<v Speaker 2>accusing him of the prison, an adult prison, of stealing

0:26:46.960 --> 0:26:50.560
<v Speaker 2>a simple pop up book and guessing there is no evidence,

0:26:50.880 --> 0:26:54.320
<v Speaker 2>there's no evidence. This is all circumstantial. But you know what,

0:26:54.600 --> 0:26:58.040
<v Speaker 2>that shit happens every day, baby, And yet the millionaires

0:26:58.080 --> 0:27:01.000
<v Speaker 2>and the billionaires and the capitalist that's stealing your.

0:27:00.880 --> 0:27:02.679
<v Speaker 3>Tax money all the time, and they're never gonna go

0:27:02.760 --> 0:27:04.480
<v Speaker 3>to prison. But guess who is that.

0:27:04.600 --> 0:27:07.080
<v Speaker 1>It's a it's a robbery ongoing, lots of.

0:27:07.280 --> 0:27:12.080
<v Speaker 2>Rocking people and sweet Mamalade lovers like Paddington as they

0:27:12.119 --> 0:27:12.840
<v Speaker 2>don't even know.

0:27:12.960 --> 0:27:15.680
<v Speaker 1>And you know what, the prison doesn't understand what they're

0:27:15.720 --> 0:27:19.600
<v Speaker 1>in for because they're from Marmalade. Baby. Yeah, Paddington gets

0:27:19.600 --> 0:27:23.520
<v Speaker 1>to prison and it's really not too long before he

0:27:23.640 --> 0:27:28.679
<v Speaker 1>starts making it a much gentler, nicer, more sonny place.

0:27:28.760 --> 0:27:31.840
<v Speaker 1>He quickly falls in with Knuckles McGuinty, who is the

0:27:32.160 --> 0:27:35.960
<v Speaker 1>cook and something of a respected figure within the prison itself.

0:27:36.160 --> 0:27:40.280
<v Speaker 1>And when he introduces Knuckles to Marmalade, Knuckles is knocked

0:27:40.320 --> 0:27:45.200
<v Speaker 1>out and he says, this bear is under my personal protection.

0:27:45.320 --> 0:27:48.600
<v Speaker 1>Nobody is to touch a hair on this bear's head,

0:27:49.200 --> 0:27:52.440
<v Speaker 1>to which there is some there is some clear sadness

0:27:52.440 --> 0:27:55.520
<v Speaker 1>amongst the prison population, they won't be able to beat

0:27:55.560 --> 0:27:59.880
<v Speaker 1>up this bear, and Knuckles is like, but here's the deal, Paddington.

0:28:00.320 --> 0:28:03.320
<v Speaker 1>You got to make the marmalade. You got to be

0:28:03.520 --> 0:28:06.199
<v Speaker 1>in here with me making the marmalade so that we

0:28:06.240 --> 0:28:06.840
<v Speaker 1>can keep it.

0:28:06.840 --> 0:28:12.240
<v Speaker 2>This is the importance of having delicious fresh food in prison.

0:28:12.280 --> 0:28:15.040
<v Speaker 3>It can change people's lives. He just needed some oranges

0:28:15.040 --> 0:28:17.600
<v Speaker 3>and some sugar, and he said, these men deserve to

0:28:17.640 --> 0:28:18.520
<v Speaker 3>eat deliciously.

0:28:19.359 --> 0:28:25.119
<v Speaker 1>Meanwhile, the Brown family is convinced, I mean, they know

0:28:25.160 --> 0:28:28.000
<v Speaker 1>Pats Pattings is not a thief. Come on, and so

0:28:28.440 --> 0:28:32.920
<v Speaker 1>they go on a manhunt trying to discover who the

0:28:32.960 --> 0:28:37.280
<v Speaker 1>thief is. It's very interesting because the patent and family

0:28:37.320 --> 0:28:40.200
<v Speaker 1>has been kind of going through it. As mentioned, so,

0:28:40.320 --> 0:28:43.680
<v Speaker 1>mister Brown lost his job and is deep in the

0:28:43.720 --> 0:28:46.520
<v Speaker 1>throes of a midlife crisis. He's doing all sorts of

0:28:46.560 --> 0:28:50.360
<v Speaker 1>like wellness things and getting into yoga and doing and

0:28:50.400 --> 0:28:55.360
<v Speaker 1>getting into stuff like that. Young Judy Brown has become

0:28:55.840 --> 0:29:00.280
<v Speaker 1>a newspaper entrepreneur, like a media mogul kind of. She's

0:29:00.400 --> 0:29:04.120
<v Speaker 1>very interested in telling the news around her town. And

0:29:04.160 --> 0:29:06.960
<v Speaker 1>she's also had a break up with her boyfriend that

0:29:07.000 --> 0:29:09.160
<v Speaker 1>we met at the end of last film and has

0:29:09.280 --> 0:29:13.760
<v Speaker 1>kind of turned her very much like I hate men

0:29:14.160 --> 0:29:17.720
<v Speaker 1>right now. No men were not dealing with it. Then

0:29:18.160 --> 0:29:24.600
<v Speaker 1>there is a young Jonathan Jay Dog who loves trains,

0:29:25.280 --> 0:29:28.200
<v Speaker 1>loves steam engines, and Pattingson used to help him with

0:29:28.280 --> 0:29:31.440
<v Speaker 1>his train set, but understands that, like at the age

0:29:31.640 --> 0:29:34.520
<v Speaker 1>is at, which is like maybe twelve thirteen, it's not

0:29:34.640 --> 0:29:37.320
<v Speaker 1>cool to be a lover of model trains, and so

0:29:37.400 --> 0:29:41.720
<v Speaker 1>he's like reinvented himself as this like rapper slash dj

0:29:42.880 --> 0:29:45.640
<v Speaker 1>J Doog. So that's the kind of things that are

0:29:45.640 --> 0:29:46.720
<v Speaker 1>going on in the.

0:29:46.600 --> 0:29:49.960
<v Speaker 3>Brown Household while Paddington.

0:29:49.680 --> 0:29:52.400
<v Speaker 1>And they're missing him because Paddington was the one who

0:29:52.720 --> 0:29:55.800
<v Speaker 1>kind of taught everybody how to be themselves, and so

0:29:55.880 --> 0:29:58.320
<v Speaker 1>they decide, okay, well, we're gonna find out who this

0:29:58.680 --> 0:30:01.600
<v Speaker 1>actual thief is and are going to discover who is.

0:30:01.600 --> 0:30:05.200
<v Speaker 1>They discover who is, they discover that it's Phoenix Buchanan,

0:30:05.720 --> 0:30:08.760
<v Speaker 1>a kind of down on his heels actor who is

0:30:08.800 --> 0:30:12.560
<v Speaker 1>still quite famous but hasn't been really working a lot, yeah,

0:30:12.560 --> 0:30:17.680
<v Speaker 1>and is very arrogant and narcissistic. And it turns out

0:30:17.680 --> 0:30:21.600
<v Speaker 1>that the book to the fucking Book has it doesn't

0:30:21.640 --> 0:30:24.120
<v Speaker 1>really matter. But there's like clues to treasure in the book.

0:30:24.240 --> 0:30:27.480
<v Speaker 2>Yeah, the age of the locations that look so magical

0:30:27.520 --> 0:30:30.200
<v Speaker 2>to Paddington are hints and clues to hidden treasure.

0:30:30.280 --> 0:30:31.560
<v Speaker 3>That's your kind of mcguffin.

0:30:31.960 --> 0:30:34.680
<v Speaker 2>Also, I love this Hugh Grant role because this is

0:30:34.720 --> 0:30:39.240
<v Speaker 2>such a specific English kind of trope of a person,

0:30:39.320 --> 0:30:43.080
<v Speaker 2>which is, if you've seen Matt Berry's fantastic show Toast

0:30:43.160 --> 0:30:44.880
<v Speaker 2>of London, you get to see a lot of kind

0:30:44.880 --> 0:30:49.080
<v Speaker 2>of Phoenix buchanans. There is a whole trade and community

0:30:49.120 --> 0:30:52.600
<v Speaker 2>of working actors in London who are always the secondary

0:30:52.640 --> 0:30:57.880
<v Speaker 2>person in off you know, not Broadway but Off Chance.

0:30:57.720 --> 0:31:01.120
<v Speaker 3>Rey Lay and Show or whatever like that. Always working.

0:31:01.320 --> 0:31:04.040
<v Speaker 2>They're always doing bit parts in movies, but they never

0:31:04.160 --> 0:31:06.560
<v Speaker 2>make it, and they hang around these arts clubs and

0:31:06.680 --> 0:31:09.600
<v Speaker 2>arts bars and kind of bitterly chew on the fact

0:31:09.600 --> 0:31:11.680
<v Speaker 2>that they are not the biggest name.

0:31:11.920 --> 0:31:15.120
<v Speaker 3>And this is such a fun specific role.

0:31:15.240 --> 0:31:17.320
<v Speaker 2>And I'm sure that Hugh Grant has met many people

0:31:17.400 --> 0:31:19.360
<v Speaker 2>like Phoenix throughout his life, and they get to have

0:31:19.400 --> 0:31:21.000
<v Speaker 2>a lot of fun with costumes.

0:31:21.320 --> 0:31:23.720
<v Speaker 1>Here's a lot of fun swimming it up. There's a

0:31:23.760 --> 0:31:26.280
<v Speaker 1>wonderful sequence in which mister and Missus brown sneak into

0:31:26.320 --> 0:31:30.080
<v Speaker 1>his home. They break in under using a ruse, a

0:31:30.120 --> 0:31:37.160
<v Speaker 1>wonderful ruse in which the kids tape a conversation with

0:31:37.240 --> 0:31:44.640
<v Speaker 1>an agent with Phoenix's agent and then using two tape recorders,

0:31:44.800 --> 0:31:49.520
<v Speaker 1>cut up the conversation so that it seems like mister

0:31:49.520 --> 0:31:52.880
<v Speaker 1>Buchanan has an opportunity to maybe be in a in

0:31:52.920 --> 0:31:55.920
<v Speaker 1>a stage play and a passion of stage play if

0:31:55.920 --> 0:31:59.280
<v Speaker 1>he will meet this producer for lunch. So he rushes

0:31:59.280 --> 0:32:02.120
<v Speaker 1>out of the house. Mister and mister brown sneak into

0:32:02.120 --> 0:32:07.479
<v Speaker 1>the house where they find his layer of disguises, and

0:32:07.520 --> 0:32:10.960
<v Speaker 1>there are all the disguises that he's been using, the nun,

0:32:11.520 --> 0:32:13.080
<v Speaker 1>the thief, etc.

0:32:13.640 --> 0:32:15.000
<v Speaker 3>The resputes in Beard.

0:32:16.240 --> 0:32:20.040
<v Speaker 1>So the Browns, of course have been visiting Paddington regularly,

0:32:20.200 --> 0:32:23.200
<v Speaker 1>every visiting time they are there, and Paddington has come

0:32:23.240 --> 0:32:27.280
<v Speaker 1>to depend on these emotionally. And when he learns that

0:32:27.320 --> 0:32:33.480
<v Speaker 1>the Browns have zeroed in on Buchanan, Paddington suddenly allows

0:32:33.520 --> 0:32:36.360
<v Speaker 1>his head to get turned by a scheme of escape

0:32:36.880 --> 0:32:40.320
<v Speaker 1>that has been masterminded by Knuckles and the others. And

0:32:40.600 --> 0:32:43.160
<v Speaker 1>they lay it on Thick too, and they're like, well, listen,

0:32:43.200 --> 0:32:45.920
<v Speaker 1>when you're out, you'll be able to prove your innocence,

0:32:45.920 --> 0:32:47.640
<v Speaker 1>and we will help you with that when we get

0:32:47.640 --> 0:32:49.880
<v Speaker 1>when we all get out, prisoner's got to stick together.

0:32:49.960 --> 0:32:52.280
<v Speaker 1>And when we get out, you know, our number one

0:32:52.320 --> 0:32:54.880
<v Speaker 1>thing is not going to be fleeing the country or

0:32:55.040 --> 0:32:57.880
<v Speaker 1>escaping or evading the authorities. It's going to be proving

0:32:57.880 --> 0:33:00.960
<v Speaker 1>that our friend Paddington, who showed us the importance of marmalade,

0:33:01.000 --> 0:33:05.280
<v Speaker 1>is innocent them. I believe them too. So the Browns

0:33:06.440 --> 0:33:10.560
<v Speaker 1>follow you can to a steam train. There's very mission

0:33:10.600 --> 0:33:16.960
<v Speaker 1>impossible as the mission impossible style ending. Paddington has escaped,

0:33:17.360 --> 0:33:21.080
<v Speaker 1>but is immediately betrayed by Knuckles and the gang. We

0:33:21.360 --> 0:33:27.200
<v Speaker 1>just leave him, no very very sad moment. Paddington goes

0:33:27.280 --> 0:33:31.480
<v Speaker 1>by himself to the train, and the Browns and Paddington

0:33:31.600 --> 0:33:36.320
<v Speaker 1>kind of independently are closing in on Buchanan. There's an

0:33:36.360 --> 0:33:40.640
<v Speaker 1>incredible act. I mean, this is like a long twenty

0:33:40.760 --> 0:33:45.360
<v Speaker 1>minute action sequence of ups and downs and chases.

0:33:45.680 --> 0:33:48.120
<v Speaker 3>There's a carnival train that following.

0:33:48.600 --> 0:33:50.560
<v Speaker 1>There's a lot of things happen.

0:33:51.000 --> 0:33:53.960
<v Speaker 3>They're on a real fat like a real train that

0:33:54.360 --> 0:33:56.160
<v Speaker 3>is like an L N. E. R.

0:33:56.280 --> 0:33:58.680
<v Speaker 2>Peppicorn closs a one which I feel like they had

0:33:58.720 --> 0:34:01.880
<v Speaker 2>to put in because the case loves tradings, so.

0:34:01.800 --> 0:34:04.120
<v Speaker 3>They were like, you better put a real train in

0:34:04.160 --> 0:34:05.160
<v Speaker 3>HI for the train spas.

0:34:05.400 --> 0:34:08.240
<v Speaker 1>That's one of the things that I think is great

0:34:08.280 --> 0:34:11.239
<v Speaker 1>about Pattinson. Want to continue to be great about Paddington too.

0:34:11.840 --> 0:34:14.799
<v Speaker 1>Is This is gonna sound crazy, but a lot like

0:34:15.040 --> 0:34:19.040
<v Speaker 1>the of the Marvels the Avengers that has a huge cast.

0:34:19.640 --> 0:34:24.880
<v Speaker 1>Every character gets their little closed loop momkh So Jonathan

0:34:25.400 --> 0:34:27.520
<v Speaker 1>his love of trains is paid off when he takes

0:34:27.520 --> 0:34:30.560
<v Speaker 1>control of this steam engine train that he knows exactly

0:34:30.680 --> 0:34:34.399
<v Speaker 1>how to run. All throughout it, Judy has been using

0:34:34.440 --> 0:34:39.520
<v Speaker 1>her reportage skills to zero in on mister Buchanan and

0:34:39.600 --> 0:34:45.040
<v Speaker 1>mister Brown in a very Jackie chan esque sequence, uses

0:34:45.120 --> 0:34:49.080
<v Speaker 1>his newfound flexibility from his like the yoga classes, has

0:34:49.120 --> 0:34:53.480
<v Speaker 1>been taken to go into a full split between two

0:34:53.600 --> 0:34:58.560
<v Speaker 1>moving trains that allows him to like almost falling off

0:34:58.560 --> 0:35:01.560
<v Speaker 1>the train. It's delightful anyway. It all comes to a

0:35:01.600 --> 0:35:06.080
<v Speaker 1>head when Paddington, trapped in a train car, is nearly drowned.

0:35:06.400 --> 0:35:09.680
<v Speaker 1>Very very scary moments because Paddington is like unconscious. He

0:35:09.719 --> 0:35:12.040
<v Speaker 1>comes to in the hospital, but it's fine when he

0:35:12.120 --> 0:35:14.239
<v Speaker 1>wakes up. The Browns are like, guess what, You've been

0:35:14.320 --> 0:35:15.720
<v Speaker 1>cleared of all charges.

0:35:15.760 --> 0:35:16.400
<v Speaker 3>You're free.

0:35:16.440 --> 0:35:20.600
<v Speaker 2>And also you're free to go because your friends Knuckles,

0:35:20.600 --> 0:35:23.040
<v Speaker 2>Fibbs and Spoon actually did show up at the end

0:35:23.040 --> 0:35:25.960
<v Speaker 2>of the house, right they show you they've been Potton, baby,

0:35:26.320 --> 0:35:28.200
<v Speaker 2>they've been Pott and so it's all good.

0:35:28.320 --> 0:35:29.000
<v Speaker 3>Everything's good.

0:35:29.320 --> 0:35:32.160
<v Speaker 1>That is such, by the way, like a kid's book thing.

0:35:32.239 --> 0:35:34.279
<v Speaker 1>And I love that they just kept it, where in

0:35:34.320 --> 0:35:36.759
<v Speaker 1>an adult movie they'd be like, okay, now let's see

0:35:36.800 --> 0:35:39.719
<v Speaker 1>the courtroom scenes in which Paddington is cleared. Now they're

0:35:39.760 --> 0:35:41.640
<v Speaker 1>just like, yeah, nowhere met He's fine.

0:35:43.000 --> 0:35:45.480
<v Speaker 3>And friends then and Jay, But everything's okay.

0:35:46.280 --> 0:35:52.200
<v Speaker 1>So Paddington, though sadly does not have a present for

0:35:52.360 --> 0:35:55.800
<v Speaker 1>Aunt Lucy's one hundredth birthday, but the Browns just surprised

0:35:55.840 --> 0:35:59.960
<v Speaker 1>him by bringing Aunt Lucy to London. And you get

0:36:00.120 --> 0:36:06.040
<v Speaker 1>this truly like tear tugging moment in which Paddington and

0:36:06.239 --> 0:36:12.239
<v Speaker 1>his less surviving relative embrace and it's beautiful and the

0:36:12.280 --> 0:36:17.800
<v Speaker 1>community is there. Everybody's everybody, And then.

0:36:17.520 --> 0:36:20.000
<v Speaker 2>You get this hilarious you know, you see that Knuckles

0:36:20.040 --> 0:36:24.319
<v Speaker 2>has started a sandwich restaurant which becomes incredibly successful. Love

0:36:24.440 --> 0:36:26.799
<v Speaker 2>that for him, and then in probably what will go

0:36:26.960 --> 0:36:31.080
<v Speaker 2>down for most kind of Hollywood folks as their resounding

0:36:31.080 --> 0:36:35.240
<v Speaker 2>memory of this movie is Buchanan sentenced to tenires in prison,

0:36:35.480 --> 0:36:39.640
<v Speaker 2>and within six months he has got the entire prison

0:36:39.760 --> 0:36:43.400
<v Speaker 2>doing elaborate musical numbers.

0:36:42.480 --> 0:36:48.160
<v Speaker 1>Including the kind of iconic trademark number from the Beetlejuice

0:36:48.200 --> 0:36:53.880
<v Speaker 1>film Rack Your Buddy in Time, Okay, I believe you,

0:36:54.000 --> 0:36:56.720
<v Speaker 1>which I was very surprised to see in this film.

0:36:57.160 --> 0:37:01.560
<v Speaker 1>And Paddington Too. I love it one better because of

0:37:02.880 --> 0:37:07.319
<v Speaker 1>I think just the initial surprise at how much I

0:37:07.520 --> 0:37:09.640
<v Speaker 1>liked the movie. Immediately it'd be.

0:37:09.800 --> 0:37:14.160
<v Speaker 2>Like, yeah, me too, and that is an infinitely rewatchable

0:37:14.200 --> 0:37:17.160
<v Speaker 2>movie to me. I have rewatched this too, but yeah,

0:37:17.200 --> 0:37:19.719
<v Speaker 2>it's such a good movie. And then this was a

0:37:19.840 --> 0:37:24.040
<v Speaker 2>crazy kind of smash hit that took the franchise in

0:37:24.080 --> 0:37:27.000
<v Speaker 2>general to like over a two hundred million dollar box

0:37:27.040 --> 0:37:31.279
<v Speaker 2>office franchise, and you get these things. Paddington Too, named

0:37:31.320 --> 0:37:33.600
<v Speaker 2>one of the best movies of the twenty first century

0:37:33.640 --> 0:37:39.960
<v Speaker 2>by The Guardian. NBC's Grand Crew produced an entire episode

0:37:40.000 --> 0:37:43.560
<v Speaker 2>that was solely based around how Paddington two made the

0:37:43.600 --> 0:37:47.839
<v Speaker 2>male characters cry. And then probably the most famous and

0:37:48.120 --> 0:37:53.600
<v Speaker 2>mimable moment is in the Nick Cage Pedro Pascal Twohanda,

0:37:53.880 --> 0:37:56.000
<v Speaker 2>the unvariable Weight of Massive Talent.

0:37:56.520 --> 0:37:58.480
<v Speaker 3>There is a moment where the two of them are.

0:37:59.440 --> 0:38:03.200
<v Speaker 2>Together at this rich compound watching movies and they're talking

0:38:03.200 --> 0:38:07.799
<v Speaker 2>about their favorite movies, and the Pedro Pascal character is like, yeah,

0:38:07.840 --> 0:38:10.640
<v Speaker 2>I love the Cabinet of Doctor Caligari, I love Felini,

0:38:10.719 --> 0:38:11.239
<v Speaker 2>and my.

0:38:11.239 --> 0:38:15.640
<v Speaker 3>Third favorite movie is Paddington two, and Nick Cage is like,

0:38:15.719 --> 0:38:17.200
<v Speaker 3>shut up, like what's wrong with you?

0:38:17.320 --> 0:38:19.239
<v Speaker 2>And then you cut to them watching it and it's

0:38:19.280 --> 0:38:23.000
<v Speaker 2>the end and Nick Cage is crying talking about how

0:38:23.080 --> 0:38:26.000
<v Speaker 2>much he loves Paddington too and how it kind of

0:38:26.080 --> 0:38:29.480
<v Speaker 2>changed his mind. So the cultural impact of these movies

0:38:30.040 --> 0:38:34.560
<v Speaker 2>has really gone beyond the small children's audience in Britain

0:38:34.640 --> 0:38:36.759
<v Speaker 2>that I'm sure they were they were made for.

0:38:38.600 --> 0:38:42.040
<v Speaker 1>It's wonderful and that sets us up, of course, for

0:38:42.239 --> 0:38:48.560
<v Speaker 1>Paddington three, Paddington in Peru, which is coming out in

0:38:48.640 --> 0:38:54.640
<v Speaker 1>the States February fourteenth, Emily Mortimer now taking the role

0:38:54.680 --> 0:38:57.960
<v Speaker 1>as Mary Brown. But otherwise it seems like everybody else

0:38:58.000 --> 0:39:02.480
<v Speaker 1>will be there, including a live Coleman and Antonio Barnderis.

0:39:03.719 --> 0:39:08.400
<v Speaker 3>Characters, and uh, I can't wait excited.

0:39:08.480 --> 0:39:09.080
<v Speaker 1>I can't wait.

0:39:09.480 --> 0:39:12.080
<v Speaker 2>It was already out in England when I was there

0:39:12.120 --> 0:39:14.960
<v Speaker 2>in December, but my nephew had already gone to see it.

0:39:14.960 --> 0:39:17.040
<v Speaker 2>He was like, it's great, it's very emotional, and I

0:39:17.080 --> 0:39:19.200
<v Speaker 2>was like okay, and then I didn't get a chance

0:39:19.200 --> 0:39:20.480
<v Speaker 2>to see it. So now I had to wait like

0:39:20.520 --> 0:39:23.880
<v Speaker 2>every other person who lives in America. And I'm very excited.

0:39:23.920 --> 0:39:28.719
<v Speaker 2>I think what a fun Valentine's they treat. I'll be

0:39:28.800 --> 0:39:31.360
<v Speaker 2>interested to see if this has a much bigger opening

0:39:31.400 --> 0:39:35.560
<v Speaker 2>than expected, just because of how popular Paddington Too became.

0:39:36.360 --> 0:39:39.480
<v Speaker 1>I do feel like it's entering the not the heights

0:39:39.480 --> 0:39:41.759
<v Speaker 1>of this but in the kind of same zone as

0:39:41.760 --> 0:39:43.359
<v Speaker 1>like Toy Story, in that.

0:39:43.480 --> 0:39:49.440
<v Speaker 2>It like everyone knows they yeah, it doesn't really matter.

0:40:04.480 --> 0:40:07.879
<v Speaker 1>What are your favorite we're talking about an anthropomorphic bear

0:40:08.040 --> 0:40:10.680
<v Speaker 1>bear cub well, I hope never ages stop growing. I

0:40:10.680 --> 0:40:12.759
<v Speaker 1>don't don't make him old, nobody wants to make we

0:40:12.760 --> 0:40:15.000
<v Speaker 1>don't want to see it all Paddington. But what are

0:40:15.040 --> 0:40:19.719
<v Speaker 1>some of your favorite anthropomorphic animal films? I love this one.

0:40:19.719 --> 0:40:21.400
<v Speaker 3>Oh yeah, this one.

0:40:21.680 --> 0:40:25.120
<v Speaker 2>Paddington is definitely up there for me. I am also

0:40:25.160 --> 0:40:28.200
<v Speaker 2>gonna I will say that I think for me it

0:40:28.320 --> 0:40:30.800
<v Speaker 2>was such a huge deal when I was a kid

0:40:31.000 --> 0:40:34.320
<v Speaker 2>when I did first watch Stewart Little So I'm definitely

0:40:34.320 --> 0:40:36.520
<v Speaker 2>gonna add that one in there. That was calm and

0:40:36.560 --> 0:40:37.719
<v Speaker 2>super producer's pick.

0:40:38.160 --> 0:40:40.240
<v Speaker 3>But I think that was like me and my sister

0:40:40.320 --> 0:40:41.560
<v Speaker 3>watched that one a lot.

0:40:42.120 --> 0:40:45.720
<v Speaker 2>I think when I really consider all the different movies

0:40:45.760 --> 0:40:48.040
<v Speaker 2>in this space, though, I do think Paddington is up

0:40:48.040 --> 0:40:48.880
<v Speaker 2>there at the top for me.

0:40:48.920 --> 0:40:51.879
<v Speaker 3>What about you? What what are the anthropomorphic or even

0:40:51.920 --> 0:40:53.400
<v Speaker 3>just like cute animal movies?

0:40:53.440 --> 0:40:56.640
<v Speaker 2>I feel like they always have that melancholic edge, you know,

0:40:56.719 --> 0:41:00.080
<v Speaker 2>like a homeward bound. There's always something sad about the

0:41:00.080 --> 0:41:02.480
<v Speaker 2>ones we grew up with, and I think Paddington's quite

0:41:02.560 --> 0:41:06.120
<v Speaker 2>nice because they usually wrap up in that kid's book

0:41:06.280 --> 0:41:06.839
<v Speaker 2>type way.

0:41:06.960 --> 0:41:10.640
<v Speaker 1>Like you said, yeah, I love I really do love

0:41:10.680 --> 0:41:14.120
<v Speaker 1>that about Paddington. It's like, at every moment where you're like, oh,

0:41:14.160 --> 0:41:17.120
<v Speaker 1>this might be too scary. What if Paddingson legitimately dies

0:41:17.560 --> 0:41:21.799
<v Speaker 1>during this trade sequence, there's always various cues where it's

0:41:22.040 --> 0:41:25.160
<v Speaker 1>whether it's lighting or just the shots or something funny

0:41:25.200 --> 0:41:28.840
<v Speaker 1>will happen that that signals alright, it's gonna be okay.

0:41:29.200 --> 0:41:32.680
<v Speaker 1>And I agree with you a lot of the similar

0:41:32.680 --> 0:41:34.560
<v Speaker 1>movies that we grew up with didn't have that. So

0:41:34.600 --> 0:41:41.319
<v Speaker 1>I'm gonna pick one from my childhood that is looking bad.

0:41:41.360 --> 0:41:43.400
<v Speaker 1>It was like much more intense than Paddington, but I

0:41:43.440 --> 0:41:45.880
<v Speaker 1>loved it. And The Secret of nim.

0:41:46.280 --> 0:41:50.239
<v Speaker 2>Yes, Rats, Oh, that movie is absolutely bonkers when you

0:41:50.280 --> 0:41:53.960
<v Speaker 2>rewatch it as an adult. It's actually really intense and

0:41:54.040 --> 0:42:01.480
<v Speaker 2>crazy and like kind of violent and nuts, but sci fi,

0:42:02.239 --> 0:42:08.399
<v Speaker 2>hardcore sci fi about the society of rats that have

0:42:08.840 --> 0:42:12.279
<v Speaker 2>that are very very smart and they are doing things that.

0:42:14.880 --> 0:42:17.600
<v Speaker 1>I don't want to spoil the mystery in case anybody needs.

0:42:17.680 --> 0:42:20.240
<v Speaker 2>If you haven't watched it, definitely go and watch it.

0:42:20.239 --> 0:42:24.640
<v Speaker 1>It's a good one. Well any others.

0:42:24.440 --> 0:42:27.799
<v Speaker 2>You know what I'm gonna I'm gonna bring up one

0:42:27.840 --> 0:42:30.480
<v Speaker 2>that I did only really discover as an adult, which

0:42:30.560 --> 0:42:35.439
<v Speaker 2>does definitely lean into the intense vibes, which is air Butt,

0:42:35.760 --> 0:42:39.080
<v Speaker 2>because you don't think a movie about a dog playing

0:42:39.160 --> 0:42:42.200
<v Speaker 2>basketball is gonna start with the death of someone's parent,

0:42:42.360 --> 0:42:46.000
<v Speaker 2>but it does, and they're like playing basketball.

0:42:45.400 --> 0:42:47.799
<v Speaker 3>By the graveyard like that one's really good.

0:42:48.040 --> 0:42:53.600
<v Speaker 2>Probably as a kid, my favorites were Babe and Babe

0:42:53.600 --> 0:42:58.320
<v Speaker 2>Pig in the City. Both of those incredible, incredible movies.

0:42:58.520 --> 0:43:02.279
<v Speaker 1>Those are probably two of the c to Paddington. I mean,

0:43:02.320 --> 0:43:04.960
<v Speaker 1>Babe Is is unbelievable.

0:43:04.719 --> 0:43:07.799
<v Speaker 3>And Baby Pig in the City is actually terrifying.

0:43:08.480 --> 0:43:12.280
<v Speaker 2>And that is, you know, people forget that that movie

0:43:12.600 --> 0:43:17.799
<v Speaker 2>was directed, you know, by no other than George Miller,

0:43:19.120 --> 0:43:20.680
<v Speaker 2>A mad Max Fame.

0:43:20.800 --> 0:43:24.080
<v Speaker 1>Big in the City, in Fame, the Wonderful Babe.

0:43:24.440 --> 0:43:27.400
<v Speaker 2>Babe Pig in the City is at the beginning, you

0:43:27.440 --> 0:43:30.000
<v Speaker 2>get that same crisis of like why does he need

0:43:30.040 --> 0:43:32.760
<v Speaker 2>to leave? And it's because Babe accidentally knocks the farmer

0:43:32.760 --> 0:43:35.759
<v Speaker 2>down the well and breaks like all of his bones and.

0:43:35.640 --> 0:43:37.360
<v Speaker 3>Then he's like, Okay, I gotta leave. I gotta go

0:43:37.400 --> 0:43:39.440
<v Speaker 3>to the I gotta go to the city man. But

0:43:39.560 --> 0:43:41.160
<v Speaker 3>it's very like Wizard of Oz.

0:43:41.200 --> 0:43:45.640
<v Speaker 2>It's very weird to see these worlds of like an

0:43:45.840 --> 0:43:49.800
<v Speaker 2>human city but just inhabited only by like weird talking animals.

0:43:49.800 --> 0:43:51.920
<v Speaker 3>I don't know, there's something very strange.

0:43:51.520 --> 0:43:54.600
<v Speaker 2>About a talking animal movie that is usually deeply unsettling.

0:43:54.960 --> 0:43:58.719
<v Speaker 2>But I do think that is what Paddington does so

0:43:58.760 --> 0:44:01.799
<v Speaker 2>well is instead they may make it an animal that

0:44:01.840 --> 0:44:03.720
<v Speaker 2>you want to hang around with, You want to spend

0:44:03.719 --> 0:44:06.000
<v Speaker 2>time with him, you want to help him out, you

0:44:06.000 --> 0:44:07.960
<v Speaker 2>want him to be in your house, and it doesn't

0:44:07.960 --> 0:44:11.120
<v Speaker 2>even raise a question like Stuart Little, which obviously the

0:44:11.200 --> 0:44:13.719
<v Speaker 2>Internet has a lot of fun with nowadays, which is like,

0:44:14.000 --> 0:44:17.240
<v Speaker 2>imagine if you were in the orphanage and Stuart Little

0:44:17.320 --> 0:44:19.960
<v Speaker 2>was there a mouse or as I believe in the Cannon,

0:44:20.000 --> 0:44:22.640
<v Speaker 2>a boy who just looks like a tiny mouse, and

0:44:22.680 --> 0:44:25.879
<v Speaker 2>then a family came and they were like, well, fuck

0:44:25.920 --> 0:44:27.919
<v Speaker 2>all of you orphans who need a place to live,

0:44:27.920 --> 0:44:29.120
<v Speaker 2>I'm adopting this mouse.

0:44:29.640 --> 0:44:32.080
<v Speaker 3>You know, that's like a wild setup for a movie.

0:44:32.200 --> 0:44:35.000
<v Speaker 2>Paddington doesn't have any of that, because, of course, if

0:44:35.000 --> 0:44:37.160
<v Speaker 2>you met a bear that was talking and wearing a

0:44:37.160 --> 0:44:39.120
<v Speaker 2>cute little red hat, you would just let him move

0:44:39.160 --> 0:44:42.120
<v Speaker 2>in with you, like there's no suspension of disbelief needed.

0:44:42.200 --> 0:44:44.160
<v Speaker 1>I'm going to name drop what I think is maybe

0:44:44.239 --> 0:44:52.200
<v Speaker 1>the most the og anthromorphic animal story and perhaps still

0:44:52.239 --> 0:44:54.839
<v Speaker 1>the most devastating Charlotte's Web bo.

0:44:56.760 --> 0:45:01.320
<v Speaker 3>Oh man, that's a killer. It's like you're gonna cry.

0:45:01.960 --> 0:45:02.719
<v Speaker 2>That is.

0:45:04.880 --> 0:45:09.719
<v Speaker 1>That will break you as a child, and film will

0:45:09.880 --> 0:45:14.600
<v Speaker 1>just absolutely reduce you to rubble. And indeed, to this day,

0:45:14.760 --> 0:45:19.400
<v Speaker 1>i'm it's still like if it's on or it's just

0:45:19.440 --> 0:45:21.759
<v Speaker 1>hard to watch the end. Although it ends on a

0:45:21.800 --> 0:45:22.879
<v Speaker 1>hopeful note.

0:45:23.040 --> 0:45:25.840
<v Speaker 3>It is still still though it's a really tough movie.

0:45:26.320 --> 0:45:30.200
<v Speaker 1>It's very, very tough. And I will say that for

0:45:30.239 --> 0:45:33.480
<v Speaker 1>those of you not seen a Patenton film, Paddington never

0:45:33.600 --> 0:45:36.399
<v Speaker 1>goes to that. No, that's well, I think that never

0:45:36.960 --> 0:45:37.640
<v Speaker 1>never goes there.

0:45:37.880 --> 0:45:42.279
<v Speaker 2>I think that's why it's so fantastical, because Paddington is

0:45:42.400 --> 0:45:45.280
<v Speaker 2>not in any way supposed.

0:45:44.840 --> 0:45:46.399
<v Speaker 3>To be a real bear.

0:45:46.760 --> 0:45:49.440
<v Speaker 2>You know, he is Paddington. So in these movies a

0:45:49.480 --> 0:45:52.480
<v Speaker 2>lot of times it's like, well, if you become friends

0:45:52.480 --> 0:45:55.560
<v Speaker 2>with an animal or something that has a shorter lifespan

0:45:55.680 --> 0:45:57.840
<v Speaker 2>than you, than it probably is gonna die and you

0:45:57.920 --> 0:46:01.040
<v Speaker 2>have to deal with that because that's real life. Paddington's like, No,

0:46:01.480 --> 0:46:03.800
<v Speaker 2>what if you were just like really chilled to anyone

0:46:03.840 --> 0:46:05.920
<v Speaker 2>and there were no borders and you just let people

0:46:05.920 --> 0:46:07.919
<v Speaker 2>move into your house, and you'd let a cute bear

0:46:08.000 --> 0:46:10.319
<v Speaker 2>move into your house and everything was good and the

0:46:10.320 --> 0:46:13.399
<v Speaker 2>community comes together and supports each other. That I'm so

0:46:13.440 --> 0:46:16.440
<v Speaker 2>happy that kids nowadays have that instead of being forced

0:46:16.480 --> 0:46:17.759
<v Speaker 2>to watch like Watership Down.

0:46:18.200 --> 0:46:21.359
<v Speaker 1>Same, oh don't they don't get involved in Watership Down

0:46:21.360 --> 0:46:25.000
<v Speaker 1>for us? Well, in the next few episodes of It's incredible,

0:46:25.040 --> 0:46:26.800
<v Speaker 1>but just understand it's not for kids.

0:46:26.920 --> 0:46:29.799
<v Speaker 3>Don't watch ountil you're an adult, and don't not depressed.

0:46:29.920 --> 0:46:32.239
<v Speaker 1>Yes, In the next few episodes of X ray Vision,

0:46:32.280 --> 0:46:34.759
<v Speaker 1>we're getting ready for Captain America, New World's Order. We'll

0:46:34.800 --> 0:46:38.720
<v Speaker 1>be highlighting the comic end movie histories of Sam Wilson,

0:46:38.960 --> 0:46:42.200
<v Speaker 1>Captain America, The Red Hawk, Falcon and more. That's it

0:46:42.239 --> 0:46:50.040
<v Speaker 1>for this episode. Thanks for listening, Totally PIP. X ray

0:46:50.120 --> 0:46:52.680
<v Speaker 1>Vision is hosted by Jason steps Young and Rosie Knight

0:46:52.760 --> 0:46:54.560
<v Speaker 1>and is a production of iHeart Podcast.

0:46:54.920 --> 0:46:58.480
<v Speaker 2>Our executive producers are Joel Menique and Aaron Korfman.

0:46:58.760 --> 0:47:00.799
<v Speaker 1>Our supervising producer is Abusafar.

0:47:01.160 --> 0:47:05.120
<v Speaker 3>Our producers are Common Laurent Dean Jonathan and Faye Wack.

0:47:05.239 --> 0:47:08.000
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

0:47:08.080 --> 0:47:09.320
<v Speaker 1>songs by Aaron Kaufman.

0:47:09.520 --> 0:47:12.880
<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

0:47:12.960 --> 0:47:14.719
<v Speaker 2>Heidi our discord moderator.