WEBVTT - The Artifact: The Tongue Stone

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>I Heart Radio. Hi, my name is Joe McCormick, and

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<v Speaker 1>this is the Artifact, a short form series from Stuff

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<v Speaker 1>to Blow Your Mind, focusing on particular objects, ideas, and

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<v Speaker 1>moments in time. There's a stone that looks like a tongue,

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<v Speaker 1>the tongue of a human, or a snake or a dragon,

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<v Speaker 1>depending on who you ask. It's roughly in the shape

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<v Speaker 1>of a triangle or even a heart, with rounded edges

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<v Speaker 1>and a rough textured bulge on one of its three sides.

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<v Speaker 1>In ancient Rome, these were known as glosso petrie, meaning

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<v Speaker 1>tongue stones. Our first written record of them comes from

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<v Speaker 1>the first century Roman author Pliny the Elder, who mentions

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<v Speaker 1>them in the mineralogy section of his surviving master work

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<v Speaker 1>The Natural History. He doesn't say a lot, but what

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<v Speaker 1>he does tell us is tantalizing. He writes that glossy

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<v Speaker 1>petrie are stones that resemble the human tongue. He records

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<v Speaker 1>a common folk belief that they are not created within

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<v Speaker 1>the earth like other stones. Instead, people say that they

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<v Speaker 1>fall from the sky when the moon goes into eclipse.

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<v Speaker 1>They're used for the purpose of selenimancy, which is a

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<v Speaker 1>form of divination that draws hidden knowledge from the appearance

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<v Speaker 1>of the phases of the moon. What roll the tongue

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<v Speaker 1>stone plays in this magic art is unclear. But from

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<v Speaker 1>here Plenty goes on to doubt the folk wisdom about

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<v Speaker 1>these rocks, since it's also said that they have the

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<v Speaker 1>power of quelling the winds of a storm, which in

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<v Speaker 1>his mind is clearly ridiculous. So what were these stones

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<v Speaker 1>and where did the belief in their powers come from?

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<v Speaker 1>Christopher J. Duffin of the Natural History Museum in London

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<v Speaker 1>writes a chapter on the tongue stones for a book

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<v Speaker 1>called Toxicology in the Middle Ages and the Renaissance. According

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<v Speaker 1>to Duffin, apart from a you reproductions of Plenty's comments,

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<v Speaker 1>written references to gloss of Petrie mostly vanish in the

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<v Speaker 1>following centuries. However, the stones returned with a vengeance in

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<v Speaker 1>late Middle Aged Europe as a regular entry in lapidaries

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<v Speaker 1>or gimstone reference manuals of the time, where it seems

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<v Speaker 1>they were believed to have power over the snakelike domains

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<v Speaker 1>of magic, poison and venom. The fourteenth century lapidary of

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<v Speaker 1>Jehan Mandeville claims that gloss of petrie are alexi far mix,

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<v Speaker 1>meaning they work as antidotes to poison, in this case

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<v Speaker 1>changing color in the presence of a deadly draft. During

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<v Speaker 1>this period in history, many rich and powerful Europeans seemed

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<v Speaker 1>to be terrified of poisoning, especially due to the widespread

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<v Speaker 1>knowledge and use of arsenic based compounds, which could be

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<v Speaker 1>dissolved into a glass of wine or a ladle of

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<v Speaker 1>gravy without a hint of smell or taste to give

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<v Speaker 1>them away. Remedies for this sphere included everything from goblets

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<v Speaker 1>made of was believed to be unicorn horn, often in

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<v Speaker 1>reality sourced from a narwhall or rhinoceros, to bees or stones,

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<v Speaker 1>which are masses of undigested material from the guts of

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<v Speaker 1>an animal. Gloss of petrie appear to be interpreted firmly

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<v Speaker 1>within this tradition. The sixteenth century Sloan Lapidary, for instance,

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<v Speaker 1>advises that the tongues of adders should be set in silver,

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<v Speaker 1>both for kings and lords at their meat, so that

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<v Speaker 1>yet they may be kept safer from poison. So how

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<v Speaker 1>will they keep the kings and lords safe? If your

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<v Speaker 1>rival mixes arsenic into your quail pie. The Sloane texts

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<v Speaker 1>suggests that rather than changing color, the stones will begin

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<v Speaker 1>to sweat. Sometimes these stones were worn as pendants and jewelry.

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<v Speaker 1>In other cases they were incorporated directly into the tableware.

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<v Speaker 1>One example of the latter approach is the elaborate dinner

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<v Speaker 1>table ornament known as that naturn Zungenbalm, meaning the adder's

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<v Speaker 1>tongue tree. This and other ornaments like it were commissioned

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<v Speaker 1>from gold or silversmiths of the day, and they were

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<v Speaker 1>a luxury available only to the upper echelons of society.

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<v Speaker 1>One explanation for this legendary alexipharmic power of Glossopetrie is

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<v Speaker 1>pure sympathetic magic, since they either looked like snakes tongues

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<v Speaker 1>or sometimes were in fact believed to be snakes tongues

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<v Speaker 1>turned into stone, and since snakes were associated with the venom,

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<v Speaker 1>the stones were believed to have power against chemical toxins

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<v Speaker 1>according to the broad like cures like logic of pre

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<v Speaker 1>scientific medicine and magic. However, by the Renaissance some authors

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<v Speaker 1>began to question the legendary and magical accounts of these stones.

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<v Speaker 1>In a separate article entitled Cochleodonts and caimeroids, Arthur Smith

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<v Speaker 1>Woodward and the hollow cephalians. Duffen traces the evolving scholarship

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<v Speaker 1>on these objects during the late Middle Ages to the

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<v Speaker 1>early Modern period, noting that Leonardo da Vinci argued in

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<v Speaker 1>his no books that Glosso petrie were likely the remains

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<v Speaker 1>of ordinary, once living organisms, in other words, fossils. In

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<v Speaker 1>the seventeenth century, the Danish scientist Nils Stenson, also known

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<v Speaker 1>as Nicholas Steno, mounted a persuasive argument that these stones

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<v Speaker 1>were not tongues at all, but teeth, the fossilized teeth

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<v Speaker 1>of ancient sharks. This was based in part on his

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<v Speaker 1>studies of the cranial musculature of a living great white

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<v Speaker 1>shark captured at Lavorno in sixteen sixty seven. Duffin notes

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<v Speaker 1>that the Sicilian painter Augustino Scilla came to the same

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<v Speaker 1>conclusion around the same time, and that the Swiss naturalist

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<v Speaker 1>Conrad Gessner had suggested the possibility a hundred years earlier,

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<v Speaker 1>though he had been unable to prove it. So think

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<v Speaker 1>back to the naturn Zungenbaum. Now that we know what

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<v Speaker 1>these stones were, Nobles and clergymen were decorating their fine

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<v Speaker 1>dinner tables with what looked like leafless, withered elms dangling

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<v Speaker 1>with the fossilized teeth of extinct sea monsters. To read

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<v Speaker 1>from duffin quote, the mounted shark's teeth were suspended from

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<v Speaker 1>a central tree like structure, ready for picking and dipping

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<v Speaker 1>into the wine before it was drunk. If the tooth

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<v Speaker 1>did not undergo a color change on being extracted from

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<v Speaker 1>the wine, the beverage was deemed safe to drink. One

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<v Speaker 1>description of a tree like this mentions as many as

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<v Speaker 1>eleven sharks teeth suspended from eight branches made of red coral.

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<v Speaker 1>Records indicate that a major consumer of these snake tong

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<v Speaker 1>trees was the papacy, especially during the Avignon period of

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<v Speaker 1>the fourteenth century. According to Duffen, there are at least

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<v Speaker 1>four surviving examples of these trees. One he describes in

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<v Speaker 1>some detail is truly difficult to imagine without seeing, so

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<v Speaker 1>it's worth looking up. Quote. A specimen in the green

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<v Speaker 1>room of the stat Lika Kunst sam Lungen in Dresden

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<v Speaker 1>consists of a silver base with Jesse, the father of David,

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<v Speaker 1>lanked by a snake and reclining at the base of

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<v Speaker 1>a tree. Six long pedicels then emerge through a canopy

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<v Speaker 1>of serrated silver leaves, each terminating in a drooping flower,

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<v Speaker 1>from which a tooth of issyrus or a mako shark

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<v Speaker 1>is suspended in the crown of the tree. Mary with

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<v Speaker 1>the baby Jesus in her lap, leans against a large

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<v Speaker 1>specimen of otodous megalodon. This was new to me, our

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<v Speaker 1>Lady of the Megalodon. Another example cited by Duffin as

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<v Speaker 1>a thirty two centimeter piece held by the Treasury of

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<v Speaker 1>the German Order in Vienna, consisting of a coral tree

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<v Speaker 1>on a silver gilt base with fourteen megalodon teeth dangling

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<v Speaker 1>like peaches from its red limbs. The Megalodon, whose name

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<v Speaker 1>just happens to mean giant tooth, is an extinct species

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<v Speaker 1>of enormous shark that lived from roughly twenty three million

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<v Speaker 1>years ago until about two and a half million years ago.

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<v Speaker 1>This amazing shark ark is one of the largest predators

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<v Speaker 1>that ever lived, though its body size has to be

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<v Speaker 1>estimated from incomplete data due to the poor fossilization potential

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<v Speaker 1>of its cartilaginous skeleton. It may have grown up to

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<v Speaker 1>around twenty meters or over sixty feet in length. What

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<v Speaker 1>we know for sure is how big its teeth got,

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<v Speaker 1>with the largest examples measuring almost seven inches or eighteen centimeters,

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<v Speaker 1>which is probably too big to fit into a wine glass.

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<v Speaker 1>While Renaissance popes and nobles may not have known exactly

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<v Speaker 1>what the serpent's tongues were, they knew what kind they wanted.

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<v Speaker 1>While it seems any shark's teeth were at least sometimes

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<v Speaker 1>believed to have alexipharmic effects, the most prized specimens were

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<v Speaker 1>Miocene fossils of Otodus megalodon from Malta. It appears Malta

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<v Speaker 1>was a significant exporter of fossil shark teeth during this period.

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<v Speaker 1>Malta is an island composed of sedimentary rock formed from

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<v Speaker 1>ancient sea floors, which is a perfect place for serpent's

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<v Speaker 1>tongues to leak out of eroding cliffs and hillsides. Also

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<v Speaker 1>tying into Malta are some legendary explanations for the origin

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<v Speaker 1>of gloss of Petrie, which traced back to a story

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<v Speaker 1>in the New Testament in the Book of Acts where St.

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<v Speaker 1>Paul is bitten by a viper but miraculously left unharmed

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<v Speaker 1>to read from Acts chapter twenty eight in the n R.

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<v Speaker 1>S V. After we had reached safety, we then learned

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<v Speaker 1>that the island was called Malta. The natives showed us

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<v Speaker 1>unusual kindness, since it had begun to reign and was cold.

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<v Speaker 1>They kindled a fire and welcomed all of us around it.

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<v Speaker 1>Paul had gathered a bundle of brushwood and was putting

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<v Speaker 1>it on the fire when a viper, driven out by

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<v Speaker 1>the heat, fastened itself on his hand. When the natives

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<v Speaker 1>saw the creature hanging from his hand, they said to

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<v Speaker 1>one another, this man must be a murderer. Though he

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<v Speaker 1>has escaped from the sea, justice has not allowed him

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<v Speaker 1>to live. He, however, shook off the creature into the

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<v Speaker 1>fire and suffered no harm. They were expecting him to

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<v Speaker 1>swell up or drop debt. But after they had waited

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<v Speaker 1>a long time and saw that nothing unusual had happened

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<v Speaker 1>to him, they changed their minds and began to say

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<v Speaker 1>that he was a god. Over time, this story was

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<v Speaker 1>embellished to include details not mentioned in the Bible, such

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<v Speaker 1>as Paul turning the poison tongues of all of Malta's

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<v Speaker 1>snakes into stone, or the idea that Paul's sermons were

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<v Speaker 1>so righteous and commanding that they left physical impressions of

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<v Speaker 1>his tongue in the rock strata of the island itself, which,

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<v Speaker 1>of course, hundreds of years later would be dug up, collected,

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<v Speaker 1>and sold as serpents tongues so they could be used

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<v Speaker 1>to detect poison in a drink, or for Mary and

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<v Speaker 1>baby Jesus to recline against them in a centerpiece. That

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<v Speaker 1>does it for this edition of The Artifact. Tune in

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<v Speaker 1>each week for new episodes of The Artifact, hosted by

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<v Speaker 1>Robert or myself. Huge thanks as always to our excellent

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<v Speaker 1>audio producer Seth Nicholas Johnson, and if you'd like to

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<v Speaker 1>get into contact with us, you can always email us

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<v Speaker 1>at cont act at stuff to Blow your Mind dot com.

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<v Speaker 1>Stuff to Blow Your Mind is production of I Heart Radio.

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