WEBVTT - Conversations In Atlanta

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<v Speaker 1>What's up, And welcome back to another episode of No

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<v Speaker 1>Sellings Podcast with your hosts now fuck that with your

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<v Speaker 1>loaw glasses Malone, So Atlanta, I'm in Atlanta doing no Ceilings.

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<v Speaker 1>Shout out to Charlotte Man, Shout out to Black Effect,

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<v Speaker 1>Shout out to iHeart. It's weird because I'm with EP.

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<v Speaker 1>If you listen to my podcast, y'all know who EP is.

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<v Speaker 1>We've talked about Irving Pope a lot of times. Really

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<v Speaker 1>fantastic producer, produced the whole cancel these nuts from wats

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<v Speaker 1>like Me you know, produced on the first you Know,

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<v Speaker 1>played and produced on the first four four Kanye Records.

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<v Speaker 1>UH produced on Doctor's Advocate. Executive produced Lax with Game,

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<v Speaker 1>produced stuff for the latest Scarface stuff, UH Tech nine single,

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<v Speaker 1>really Dope dude, just really all around good dude.

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<v Speaker 2>I got EP out here. EP talked to the people, say, man,

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<v Speaker 2>what's good y'all? It's good at Yeah. Yeah. So this

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<v Speaker 2>kind of podcast, like right is my podcast.

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<v Speaker 1>I don't really interview like it's I like to think

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<v Speaker 1>of my my people.

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<v Speaker 2>That's really smart.

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<v Speaker 1>The people who enjoy those singlings are like really really smart,

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<v Speaker 1>like because I'll be taking them through some shit this,

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<v Speaker 1>you know how I think he will have some crazy conversations. Yeah,

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<v Speaker 1>and it's just a normal thing, Like it's just what

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<v Speaker 1>we do, you know what I mean, it ain't really nothing.

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<v Speaker 2>So it's odd because I got my man, what's my man? Aj?

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<v Speaker 2>So I met AJ before?

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<v Speaker 1>So AJ is following me around with a camera and

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<v Speaker 1>me and EP And it's so weird because and I

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<v Speaker 1>don't know if it's like this is probably a problem,

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<v Speaker 1>like and for me as an entertainer, is I just

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<v Speaker 1>don't feel like my life is that interesting.

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<v Speaker 2>Don't get me wrong, y'all.

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<v Speaker 1>Know, walk in, talk to drag or walk in talk

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<v Speaker 1>to him, talk to Atoven. But is that really that

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<v Speaker 1>just little stuff like that. No, yeah, just the names

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<v Speaker 1>you just named.

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<v Speaker 2>Yeah, But I I.

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<v Speaker 1>Think I'm disconnected from like like.

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<v Speaker 2>How people see things.

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<v Speaker 1>Yeah, because you've already acquired the relationships and most people

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<v Speaker 1>dream of even seeing these type of people.

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<v Speaker 2>But it's nothing to you because you're not doing it.

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<v Speaker 1>For that reason, I can see, like if I was

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<v Speaker 1>swimming with sharks, that would be like a dopte behind

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<v Speaker 1>the scenes. AJ take his ass in that water and

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<v Speaker 1>them sharks swimming around Nigga, that that's something to be

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<v Speaker 1>behind the scenes. But imagine, imagine a little a little

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<v Speaker 1>aspiring rapper from somewhere that's a rural area who's never

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<v Speaker 1>even seen what looked like that's true, but I guess

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<v Speaker 1>I really don't.

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<v Speaker 2>I don't know. I guess I just don't think the

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<v Speaker 2>general public.

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<v Speaker 1>Like when I, like I was telling you, when I

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<v Speaker 1>grew up listening to hip hop, I never in my.

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<v Speaker 2>Life care what Scarface did.

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<v Speaker 1>Like I really thought Scarface did the same shit as me,

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<v Speaker 1>Like he was on the block selling rocks, then he

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<v Speaker 1>went to the studio made his songs. It just don't

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<v Speaker 1>seem like that would be that interesting to me. But

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<v Speaker 1>it's grown to that because of the social media presence.

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<v Speaker 1>Now everything like you, like you always say, everything is visual.

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<v Speaker 1>It doesn't only pertain to the to the to the product,

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<v Speaker 1>but the lifestyle too. I'm starting to think most people

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<v Speaker 1>just never sold rocks. So that's like fascinating. Yeah, you know,

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<v Speaker 1>it's like going to work. Yeah, you know what, we

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<v Speaker 1>need to set up something. I got an idea, aj cub,

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<v Speaker 1>like we need to actually have you follow somebody that

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<v Speaker 1>work at Walmart and do it behind the scenes and

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<v Speaker 1>that's just their job, like they wake like a regular nigga,

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<v Speaker 1>like take the mail out of his box, get a shower,

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<v Speaker 1>get the cereal, go to his job at Walmart and

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<v Speaker 1>talk to people. I think that's more interesting the type

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<v Speaker 1>of motherfuckers.

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<v Speaker 2>That walk in Walmart. Yeah, to you, that would be

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<v Speaker 2>like a nigga work at Walmart.

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<v Speaker 1>Imagine the type of people customers, or like somebody that

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<v Speaker 1>work at rallies or what they call it checkers in

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<v Speaker 1>the South, rallies and checkers.

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<v Speaker 2>That'd be a crazy job.

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<v Speaker 1>You know what I'm saying that that'll be some crazy shit, Taylor,

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<v Speaker 1>Like you just follow the day in the life of

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<v Speaker 1>a nigga at rallies or Checkers and he just back

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<v Speaker 1>there flipping burgers. You watching any flip Burgers? I bet

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<v Speaker 1>you people will watch it. Absolutely. I just think we

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<v Speaker 1>had a really weird juncture in society, like a really

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<v Speaker 1>weird where we just so disconnected out our own personal lives.

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<v Speaker 2>Like all I ever thought about.

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<v Speaker 1>When I was when I decided to be a rapper,

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<v Speaker 1>was to like make the soundtrack to your life or

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<v Speaker 1>give you an escape to another life that you didn't

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<v Speaker 1>know existed. I never looked at it, cause like I

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<v Speaker 1>never looked at it like, uh oh yeah, this is

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<v Speaker 1>some kind of dream life. Like this shit has worked.

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<v Speaker 1>We out and this motherfucker waking up the ship. We

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<v Speaker 1>got the voice here. We're gonna tell you who she is.

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<v Speaker 1>She said, she don't want to be known, but her

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<v Speaker 1>voice is soul Tree. Come on, say something to the

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<v Speaker 1>voice soul Tree. This is not a lant so I

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<v Speaker 1>so no Seilans goes to everybody. You just in Atlanta.

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<v Speaker 1>We're just in Atlanta.

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<v Speaker 3>Low world.

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<v Speaker 2>Yeah, there you go.

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<v Speaker 1>No ceilings like I like I think I was. I've

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<v Speaker 1>been thinking about like a name for my audience. The

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<v Speaker 1>people that's with me, like to be Hive or the

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<v Speaker 1>Kins and Barbed Black, like I don't even know how

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<v Speaker 1>you want to be that, Like that's just weird, like

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<v Speaker 1>the kins in Barbie, Like it's some niggas that's infatuated

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<v Speaker 1>with kids.

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<v Speaker 2>That's just weird. That that goes to my point earlier.

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<v Speaker 3>What's your point.

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<v Speaker 1>That people are infatuated of watching somebody else's life and

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<v Speaker 1>trying to get anything from them to.

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<v Speaker 2>Apply to their life. Do you think it really is

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<v Speaker 2>about applying to their life though?

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<v Speaker 1>That's why that's why I watch certain people that I

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<v Speaker 1>that I admire that grind.

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<v Speaker 2>I watched to see who they're talking to or what

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<v Speaker 2>they're doing, or are.

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<v Speaker 1>They doing something different that I can apply to my

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<v Speaker 1>grind that to take me to the next level.

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<v Speaker 2>So I hope that's why people was doing that. That's

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<v Speaker 2>why I do it. I don't think, I really I

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<v Speaker 2>don't know. I don't really ever watch anybody's.

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<v Speaker 1>Like, but you know what that's true because I do

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<v Speaker 1>get the benefit. Like right now on our way over here,

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<v Speaker 1>I want to ask battle Cat, like what happened to that?

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<v Speaker 1>When I wake up song with Snooping Goldie that should

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<v Speaker 1>have been on the last meal and I just called

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<v Speaker 1>Cat and like I'll ask, like, hey, why that didn't

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<v Speaker 1>make the album? Listen to him tell the story, and

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<v Speaker 1>it's it's not to to to tell a story for

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<v Speaker 1>him to somebody else.

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<v Speaker 2>It's just to know.

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<v Speaker 1>I don't know the value of it. I've been talking

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<v Speaker 1>to shout out to the homies from the La Posse.

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<v Speaker 2>They're all all of good muff, all the good brothers, but.

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<v Speaker 1>Like listening to their stories, like I don't know what

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<v Speaker 1>it means.

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<v Speaker 2>Just like when I talk.

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<v Speaker 1>To Frigi Dre recipes from south Side and he told

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<v Speaker 1>me the whole thing that happened with poking them. I

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<v Speaker 1>didn't know the value of it, but I just listen

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<v Speaker 1>to people who've had other experiences, so it seemed like

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<v Speaker 1>better to me, Like if I would like if I

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<v Speaker 1>would talk to the camera and just talk about experiences,

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<v Speaker 1>Like I think I'm more of an artist that's like

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<v Speaker 1>story timed with glasses more than like just follow me

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<v Speaker 1>around and like me going to the interview and you

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<v Speaker 1>listen to me talk. But I guess people are interested.

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<v Speaker 1>Have you ever seen behind the Music?

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<v Speaker 2>No? Those those series that.

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<v Speaker 1>I think they are MTV or something, Okay, Yeah, Essentially

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<v Speaker 1>what they're doing is telling stories about whatever particular project or.

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<v Speaker 2>Their journey they might have one. They might have one

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<v Speaker 2>on the Earth, Wind and Fire or one on.

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<v Speaker 1>Somebody my council. These nets make our own exactly. See,

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<v Speaker 1>I just like produce content, you know what I mean?

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<v Speaker 1>I guess that's but that's how you get it because

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<v Speaker 1>you get behind the scene footage to add in the

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<v Speaker 1>b roll and stuff that makes what you're saying it,

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<v Speaker 1>documents it, and it makes it authentic.

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<v Speaker 3>I think you and I have had conversations on the

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<v Speaker 3>phone before where I wish it would have been on

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<v Speaker 3>the podcast.

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<v Speaker 2>It was like, damn, this was good classes.

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<v Speaker 1>Yeah, fucking voices, Tayler, this is the funny shit, right.

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<v Speaker 1>So first off, no siilings, gl you know what I mean?

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<v Speaker 1>I got Mohammed ep we in Atlanta. Fellowshipping. Some people

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<v Speaker 1>call it promoting. We call it fellowship because we meet

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<v Speaker 1>other brothers and we politic and we build relationships and

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<v Speaker 1>we just happened to have dialect over cameras. But reality is,

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<v Speaker 1>when I came out here, I came to get closer

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<v Speaker 1>to Atlanta to get the feel. You know, we stayed

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<v Speaker 1>somewhere in the community, you know, I mean killer Mike

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<v Speaker 1>dropped and shout out to Mike. Los has been great

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<v Speaker 1>for me, Carlos Miller, Like, you know what I mean, people,

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<v Speaker 1>I really genuinely like the guys. I feel like we

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<v Speaker 1>are kind of like the same type of brothers. I'm

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<v Speaker 1>sure there's some some significant differences, but we are kind

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<v Speaker 1>of the same. And I got the voice with me.

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<v Speaker 1>She that's her name, the voice. Remember this, When you

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<v Speaker 1>ever hear her on those ceilings, it'll be the voice

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<v Speaker 1>and one day she may announce herself.

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<v Speaker 3>Can I ask a question?

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<v Speaker 2>This is for you?

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<v Speaker 3>Yeah, so everybody says, if you're if you're one of

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<v Speaker 3>the OG's, you've been around for a while, why won't

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<v Speaker 3>you feature with a new artist right now in Atlanta?

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<v Speaker 3>Like if I could take you door to door right now,

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<v Speaker 3>why would you? Is it a yay or name with who?

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<v Speaker 2>Like?

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<v Speaker 3>Like? How like anybody that's popping in Atlanta?

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<v Speaker 1>I love Rich homey Kwan. That's who I really want

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<v Speaker 1>to mine. Like, I'm okay, so I'm talking young rich

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<v Speaker 1>Homi Kwan is pretty.

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<v Speaker 2>He's probably the last generation.

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<v Speaker 3>Of guys because remember twenty twenty one.

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<v Speaker 1>Ain't no rappers eighteen nineteen twenty from Atlanta right now

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<v Speaker 1>that we know about PZ not from I thought PZ

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<v Speaker 1>is from Detroit.

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<v Speaker 2>Uh huh from Atlanta.

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<v Speaker 3>He's out here now.

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<v Speaker 1>Well originally PZ is Do you know you know PZ

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<v Speaker 1>is on and BP. I think he's from Detroit. Tyler,

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<v Speaker 1>you can turn it on your mic too. On No

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<v Speaker 1>sailings the engineer talk sometimes. So if you need to,

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<v Speaker 1>nobody gonna know, nobody gonna come find you later. But

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<v Speaker 1>jess O, kay I asked, you said, you know what,

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<v Speaker 1>it's not age for me right, It's like I'm Hella,

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<v Speaker 1>I genuinely believe when people listen to Glasses Malone they

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<v Speaker 1>want the West. Now, I don't mean that I can't

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<v Speaker 1>feature with artists from the Midwest, the Troitch, Chicago, Cleveland,

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<v Speaker 1>artists from the South, Houston, Atlanta, New Orleans, Florida, or

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<v Speaker 1>the East right as any of these coast states. It's

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<v Speaker 1>not that I don't genuinely think I can't rap with

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<v Speaker 1>the younger. Oh, I think everybody can't rap over the

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<v Speaker 1>shit we do.

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<v Speaker 3>So what about new production because you just got with

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<v Speaker 3>a Yeah.

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<v Speaker 1>They can't rap over that because they when I came

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<v Speaker 1>to fuck with Aay. I've been building that relationship with

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<v Speaker 1>Zay for about a year or a year and a half.

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<v Speaker 1>Like I've been talking to say, I mean, I knew

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<v Speaker 1>Jay was forever, but I just never looked at it

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<v Speaker 1>like I didn't know how to use him. So for

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<v Speaker 1>years I would have never asked because I wouldn't have

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<v Speaker 1>wanted to rap over trap music because I understood since

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<v Speaker 1>probably two thousand, since twenty ten, people don't want to

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<v Speaker 1>hear Glasses Malone be nothing else but the la crip

0:11:07.559 --> 0:11:09.480
<v Speaker 1>that watched Crip that he is, you know what I mean?

0:11:09.640 --> 0:11:11.680
<v Speaker 3>So do you believe we can break a song from

0:11:11.679 --> 0:11:16.600
<v Speaker 3>the West in Atlanta. Yeah yeah, Webb Atlanta.

0:11:16.280 --> 0:11:17.040
<v Speaker 2>Yeah yeah, all of it.

0:11:17.880 --> 0:11:20.200
<v Speaker 1>Yeah, because Okay, like one of the one of the

0:11:20.200 --> 0:11:26.480
<v Speaker 1>biggest songs in Atlanta in Los Angeles is Spaceships on Bankhead, Fabo.

0:11:27.400 --> 0:11:32.600
<v Speaker 1>I'm starting to see spaceship some bang here kid. That's

0:11:32.600 --> 0:11:35.840
<v Speaker 1>a huge song at home, right, And I hear I

0:11:35.880 --> 0:11:38.480
<v Speaker 1>thought about it right today. I finally thought about it,

0:11:38.520 --> 0:11:40.720
<v Speaker 1>and somebody told me who is that? Who told me

0:11:41.040 --> 0:11:43.959
<v Speaker 1>Fable produced that? Somebody told me it the other day.

0:11:44.360 --> 0:11:47.520
<v Speaker 1>It was like Fable produced Spaceships on Bankhead. So I like,

0:11:47.559 --> 0:11:50.160
<v Speaker 1>I've been following Fabo for years, So I DM Fable a,

0:11:50.720 --> 0:11:52.880
<v Speaker 1>I need me and you. I want to do a

0:11:52.920 --> 0:11:55.120
<v Speaker 1>song with you. Spaceships on bank Head. Now, he's not

0:11:56.000 --> 0:11:59.360
<v Speaker 1>this generation, but like I've reached out to rich Homi Kwan.

0:12:00.120 --> 0:12:02.080
<v Speaker 1>I think rich Homei Kwan is kind of the last

0:12:02.120 --> 0:12:05.480
<v Speaker 1>generation of successful Atlanta artists that pretty much went national

0:12:06.320 --> 0:12:10.240
<v Speaker 1>Little Baby rich Homeie well Little maybe a generation before

0:12:10.520 --> 0:12:14.400
<v Speaker 1>like Thug. He was out that Thug generation. So it's

0:12:14.440 --> 0:12:19.280
<v Speaker 1>all twenty ten and twenty twenty. So I reached out

0:12:19.320 --> 0:12:22.280
<v Speaker 1>to him. That's the person in Atlanta, I mean outside

0:12:22.280 --> 0:12:24.200
<v Speaker 1>of that. You know you're talking about new like rich

0:12:24.240 --> 0:12:26.160
<v Speaker 1>Homey Kuan. I think he would do well. Like I

0:12:26.200 --> 0:12:29.000
<v Speaker 1>think he's a He's probably one of the most underrated

0:12:29.000 --> 0:12:31.959
<v Speaker 1>geniuses from my thay. So that's the kind of person

0:12:32.000 --> 0:12:34.440
<v Speaker 1>I would need. So even when I came finally the

0:12:34.480 --> 0:12:38.719
<v Speaker 1>fuck was Atoven. He had something special for me. We're

0:12:38.760 --> 0:12:41.439
<v Speaker 1>going to see Tump today, right, I seen Toope already,

0:12:41.480 --> 0:12:44.280
<v Speaker 1>but we're going to see Tump. Tump got something special

0:12:44.320 --> 0:12:44.640
<v Speaker 1>for me.

0:12:45.600 --> 0:12:47.280
<v Speaker 2>You know. They're like making stuff.

0:12:47.400 --> 0:12:49.600
<v Speaker 1>Yeah, like Little John right, Little John gave me fort

0:12:49.600 --> 0:12:55.439
<v Speaker 1>these biggest records. Wow, right right in the middle of

0:12:55.440 --> 0:12:57.800
<v Speaker 1>the Hype movie, right in the middle of the this movie.

0:12:58.200 --> 0:13:02.800
<v Speaker 1>The great producers JD Like the great producers, don't They're

0:13:02.800 --> 0:13:06.960
<v Speaker 1>not stuck in the regional sound. They can produce up, down,

0:13:07.160 --> 0:13:08.080
<v Speaker 1>mid anything.

0:13:08.360 --> 0:13:10.440
<v Speaker 3>So no, let me let me I want to touch

0:13:10.440 --> 0:13:15.080
<v Speaker 3>on that. Sure, So I had producers try to produce. Okay,

0:13:15.080 --> 0:13:19.400
<v Speaker 3>producers from Cali try to produce for artists out here

0:13:19.400 --> 0:13:21.120
<v Speaker 3>in Atlanta. As soon as they heard it, they was like, no,

0:13:21.240 --> 0:13:23.559
<v Speaker 3>it sounds like like a West Coast beat or something.

0:13:23.600 --> 0:13:27.080
<v Speaker 3>They couldn't find the essence of the roots. Do you

0:13:27.120 --> 0:13:30.200
<v Speaker 3>find that with well? Working with producers from Atlanta, if

0:13:30.200 --> 0:13:33.320
<v Speaker 3>you're trying to get a West Coast sound, that's.

0:13:33.200 --> 0:13:36.400
<v Speaker 1>A great point, right. So a programmer or a programmer

0:13:36.440 --> 0:13:39.640
<v Speaker 1>and a producer is different. So like you got you

0:13:39.720 --> 0:13:43.160
<v Speaker 1>might have people who program ideas. But if you go

0:13:43.240 --> 0:13:45.920
<v Speaker 1>to battle Cap, battle Cap can make something that fits here,

0:13:46.440 --> 0:13:49.560
<v Speaker 1>the same way Doctor Dre could make something that fits here.

0:13:49.600 --> 0:13:52.920
<v Speaker 2>The sound way if you listen to DJ Quick class if.

0:13:52.720 --> 0:13:54.720
<v Speaker 1>That would have been an Atlanta Persons record, that would

0:13:54.720 --> 0:13:56.679
<v Speaker 1>have been the number one record in the country. Like

0:13:56.720 --> 0:14:00.000
<v Speaker 1>if you put twenty one savage freestyling, like making us

0:14:00.080 --> 0:14:02.680
<v Speaker 1>song overclassed by DJ Quick, it's the number one song

0:14:02.720 --> 0:14:05.320
<v Speaker 1>in the country, you know what I mean. So I

0:14:05.360 --> 0:14:08.120
<v Speaker 1>think it's a level of skill that you know in

0:14:08.280 --> 0:14:11.240
<v Speaker 1>experience as well that needs to be applied for producers

0:14:11.280 --> 0:14:14.560
<v Speaker 1>to do it. Rick Rock right for jay Z gave

0:14:14.679 --> 0:14:17.280
<v Speaker 1>jay Z he produced rock Life familiar Rick Rock from

0:14:17.320 --> 0:14:22.960
<v Speaker 1>Northern California, Drake J Mary J. Blige you know from

0:14:23.000 --> 0:14:25.360
<v Speaker 1>New York R and B Siger Her greatest record, right,

0:14:25.400 --> 0:14:27.560
<v Speaker 1>which is that song would all have made up words

0:14:28.200 --> 0:14:30.560
<v Speaker 1>hileration and dancer rees.

0:14:31.600 --> 0:14:33.240
<v Speaker 3>What about your biggest hit? What do you think it was?

0:14:33.600 --> 0:14:36.040
<v Speaker 3>It a crossover with an artist out side of Cali

0:14:36.160 --> 0:14:37.760
<v Speaker 3>or do you think it was Cali?

0:14:38.200 --> 0:14:41.360
<v Speaker 2>So it depends on who you ask, like, right, my.

0:14:43.400 --> 0:14:47.080
<v Speaker 1>Greatest So okay, so this is tricky, right, So as

0:14:47.080 --> 0:14:49.840
<v Speaker 1>far as hit certified probably would be considered my highest

0:14:49.920 --> 0:14:53.000
<v Speaker 1>charting song, and DJ Tump produced that with a con

0:14:53.680 --> 0:14:56.000
<v Speaker 1>But I also understood why it worked.

0:14:56.000 --> 0:14:56.640
<v Speaker 2>At that time.

0:14:57.320 --> 0:14:59.680
<v Speaker 1>Tunt was like the number one guy in the game,

0:14:59.760 --> 0:15:02.800
<v Speaker 1>right giving uh Tun't gives t I what you know

0:15:02.840 --> 0:15:05.760
<v Speaker 1>about that? He gives Kanye West, can't tell me nothing,

0:15:06.720 --> 0:15:09.600
<v Speaker 1>gez like he got all the shit. So I just

0:15:09.640 --> 0:15:10.520
<v Speaker 1>happen to have one of.

0:15:10.440 --> 0:15:13.400
<v Speaker 3>Those Timing is everything too.

0:15:14.480 --> 0:15:17.600
<v Speaker 2>Timing is in for era, like where we're.

0:15:17.400 --> 0:15:19.320
<v Speaker 3>At right now? So where are we at right now?

0:15:19.440 --> 0:15:20.360
<v Speaker 3>Who's taking over?

0:15:20.600 --> 0:15:23.360
<v Speaker 1>Well that's the point, right, We're in a fucking weird space.

0:15:26.640 --> 0:15:29.359
<v Speaker 3>Yeah, I don't think it's Atlanta.

0:15:29.680 --> 0:15:32.840
<v Speaker 1>No, no, no, but it's not really any specific place, right,

0:15:32.920 --> 0:15:36.880
<v Speaker 1>And so there's a couple of reasons, right well, like

0:15:37.000 --> 0:15:41.360
<v Speaker 1>producer waves create the moment, right, So, which is why

0:15:41.360 --> 0:15:43.800
<v Speaker 1>Atlanta's still probably holding up towards They may don't have

0:15:43.840 --> 0:15:48.080
<v Speaker 1>the newest artists, but they have the producers. The role

0:15:48.160 --> 0:15:49.280
<v Speaker 1>of producers.

0:15:48.760 --> 0:15:54.120
<v Speaker 3>Producer, you know what I think, and let me know

0:15:54.160 --> 0:15:58.320
<v Speaker 3>what y'all think. Atlanta producers like with ato A Mafia

0:15:58.360 --> 0:16:01.080
<v Speaker 3>and all them, they told me they actually started branding

0:16:01.120 --> 0:16:06.200
<v Speaker 3>themselves as artists. As artists do what other what other

0:16:06.240 --> 0:16:09.080
<v Speaker 3>producers do you know really had that famous lifestyle with

0:16:09.200 --> 0:16:14.640
<v Speaker 3>social media on the West Coast.

0:16:14.720 --> 0:16:16.920
<v Speaker 2>But I don't even know if if if if.

0:16:18.360 --> 0:16:21.800
<v Speaker 1>That's why, you know, I understand why the marketing a

0:16:21.880 --> 0:16:23.640
<v Speaker 1>pill of it could be dope or the branding a

0:16:23.720 --> 0:16:24.800
<v Speaker 1>pill of it could be dope.

0:16:25.120 --> 0:16:25.520
<v Speaker 2>Right, But.

0:16:27.000 --> 0:16:30.360
<v Speaker 1>Also like Future is still one of the biggest artists

0:16:30.400 --> 0:16:34.360
<v Speaker 1>in the game currently Thug right before he goes to prison,

0:16:34.640 --> 0:16:36.800
<v Speaker 1>you know, fighting his charges. Rather, he's one of the

0:16:36.800 --> 0:16:40.360
<v Speaker 1>biggest artists in the country Gunna minus his you know,

0:16:41.760 --> 0:16:45.920
<v Speaker 1>his horrible, horrible decisions to be to to to volunteer

0:16:45.960 --> 0:16:49.440
<v Speaker 1>information to the police. Is one of the hardest, you know,

0:16:49.480 --> 0:16:52.000
<v Speaker 1>one of the greatest artists in game. Little baby that

0:16:52.120 --> 0:16:55.440
<v Speaker 1>the music the rappers are being produced by the same guys,

0:16:55.880 --> 0:16:59.000
<v Speaker 1>like Jay is still producing stuff for people that's in

0:16:59.040 --> 0:17:03.480
<v Speaker 1>this movement versus battle Cat is not producing on YG's album, right,

0:17:03.760 --> 0:17:06.600
<v Speaker 1>Doctor Dre is not producing on Kendrick's album.

0:17:06.400 --> 0:17:09.800
<v Speaker 3>So there's no more real producers, you know, and in

0:17:09.920 --> 0:17:14.320
<v Speaker 3>our time when you had someone you were working with

0:17:14.359 --> 0:17:17.280
<v Speaker 3>that was your producer. So now we kind of bounce around,

0:17:17.359 --> 0:17:18.080
<v Speaker 3>Is that what you're saying?

0:17:18.720 --> 0:17:22.560
<v Speaker 2>Not in Atlanta? No, they came with Gucci, took came

0:17:22.600 --> 0:17:23.320
<v Speaker 2>with Tip.

0:17:23.440 --> 0:17:26.080
<v Speaker 3>As far as we lost our loyalty.

0:17:27.000 --> 0:17:31.080
<v Speaker 1>No, okay, So something's okay. No no, no, no, no,

0:17:31.119 --> 0:17:34.680
<v Speaker 1>so no, this is what I think for you, even

0:17:34.720 --> 0:17:37.280
<v Speaker 1>go he has a producer, it's important to get his opinion.

0:17:37.320 --> 0:17:43.960
<v Speaker 1>But somewhere after the two thousands, the greatest producers from

0:17:43.960 --> 0:17:49.040
<v Speaker 1>the West stopped taking on new clients. Doctor Dre is

0:17:49.080 --> 0:17:51.359
<v Speaker 1>the only person who took on a new client as

0:17:51.400 --> 0:17:53.800
<v Speaker 1>far as established producers right in the game in two

0:17:53.840 --> 0:17:56.800
<v Speaker 1>thousand and five. He didn't produce another whole album on

0:17:56.880 --> 0:17:59.960
<v Speaker 1>a brand new artist after that, right, which is fair

0:18:00.080 --> 0:18:03.359
<v Speaker 1>because god damn, this nigga been working forty years, Like

0:18:03.440 --> 0:18:06.399
<v Speaker 1>Surgery came out and with like eighty three or early eighties,

0:18:06.520 --> 0:18:10.840
<v Speaker 1>eight eighty three, eighty four, Surgery, R and B well,

0:18:10.880 --> 0:18:13.760
<v Speaker 1>and then two thousand and five he does the games alum, right,

0:18:13.840 --> 0:18:18.080
<v Speaker 1>So it's that the third twenty years of some twenty

0:18:18.080 --> 0:18:22.119
<v Speaker 1>plus years of him producing artists Battle Catch last brand

0:18:22.119 --> 0:18:25.520
<v Speaker 1>new artist that he produced consistently, not to take credit

0:18:25.520 --> 0:18:28.560
<v Speaker 1>from his brother, but outside of that, he didn't really

0:18:28.600 --> 0:18:33.000
<v Speaker 1>produce after the East Siders. DJ Quick didn't really produce

0:18:33.119 --> 0:18:36.359
<v Speaker 1>after Sugar Free like that. So there was this great

0:18:36.440 --> 0:18:39.560
<v Speaker 1>span from probably two thousand.

0:18:39.960 --> 0:18:42.320
<v Speaker 2>And Quick tried with Massa Burg but I.

0:18:42.280 --> 0:18:47.080
<v Speaker 1>Mean mored in the nineties, but like when Myra, because

0:18:47.119 --> 0:18:50.760
<v Speaker 1>my era came and that became a problem. Like Glasses, Malone, Nipsey, Hustle,

0:18:50.880 --> 0:18:54.040
<v Speaker 1>j Rod, Kendrick Lamar, Battle Cat, all of those guys

0:18:54.040 --> 0:18:58.520
<v Speaker 1>we came out around them, excuse me, Glasses Malone, bish

0:18:58.520 --> 0:19:05.440
<v Speaker 1>and Lemont, Mike stro Nipsey, Hustle, Jay Rod, Problem, Kendrick Lamar.

0:19:05.600 --> 0:19:08.639
<v Speaker 1>None of us received that production from those guys. We

0:19:08.720 --> 0:19:12.840
<v Speaker 1>never they never produced our whole albums, and that kind

0:19:12.840 --> 0:19:16.840
<v Speaker 1>of became when we started to struggle. It didn't work

0:19:16.920 --> 0:19:19.800
<v Speaker 1>until it skipped. And then Mustard right who kind of

0:19:19.840 --> 0:19:22.800
<v Speaker 1>started getting his feel from you know, everything that was

0:19:22.840 --> 0:19:24.800
<v Speaker 1>going on with Hayphi and Thiz and they made their

0:19:24.880 --> 0:19:25.600
<v Speaker 1>own movement.

0:19:26.160 --> 0:19:27.440
<v Speaker 2>And then you get yg.

0:19:27.400 --> 0:19:29.359
<v Speaker 1>And Mustard and ty Dolla Sign who also is an

0:19:29.400 --> 0:19:33.639
<v Speaker 1>underrated producer. So I think before the last ten years,

0:19:34.200 --> 0:19:38.360
<v Speaker 1>I already realized that. And I've been trying to develop

0:19:38.359 --> 0:19:40.080
<v Speaker 1>an artist because I don't feel like you're a super

0:19:40.119 --> 0:19:44.040
<v Speaker 1>producer unless you break an artist and introduce something new

0:19:44.440 --> 0:19:45.120
<v Speaker 1>into the game.

0:19:45.280 --> 0:19:47.119
<v Speaker 2>And well, you know the history, bro.

0:19:47.160 --> 0:19:52.000
<v Speaker 1>I've been trying to do complete projects or producer and

0:19:52.640 --> 0:19:55.800
<v Speaker 1>artists for the past ten years, but they just haven't

0:19:55.960 --> 0:19:59.560
<v Speaker 1>worked out or come out or even pursued at the

0:19:59.640 --> 0:20:02.200
<v Speaker 1>highest It's a tough it's a tough out.

0:20:02.560 --> 0:20:02.760
<v Speaker 2>Yeah.

0:20:02.880 --> 0:20:05.480
<v Speaker 1>So but that's why I said, I do give you

0:20:05.640 --> 0:20:09.240
<v Speaker 1>credit and different producers from around the way credit that's trying.

0:20:09.320 --> 0:20:12.399
<v Speaker 1>It's not a lot, but I'm saying right now, like

0:20:12.520 --> 0:20:16.320
<v Speaker 1>right getting him with Doctor Dre, like he's different because

0:20:16.359 --> 0:20:19.600
<v Speaker 1>he kind of is really good. But I'm sure there's

0:20:19.600 --> 0:20:22.359
<v Speaker 1>a benefit to if Doctor Dre, Hey, man, let me

0:20:22.520 --> 0:20:24.760
<v Speaker 1>help you with this. I mean, he been in the

0:20:24.760 --> 0:20:26.280
<v Speaker 1>game long, but I'm sure you're not gonna let me

0:20:26.400 --> 0:20:28.440
<v Speaker 1>Nigga Drake that he helping me, Like, I don't think

0:20:28.480 --> 0:20:31.120
<v Speaker 1>that's his response. Battle Cap when I came to him

0:20:31.119 --> 0:20:32.719
<v Speaker 1>with fed up and I'm like, man, I got an

0:20:32.720 --> 0:20:34.520
<v Speaker 1>idea for battle Cap to do something here, and he

0:20:34.600 --> 0:20:36.720
<v Speaker 1>was like, all right, let's do it. So it's like

0:20:36.800 --> 0:20:39.399
<v Speaker 1>getting him together, watching him work on mixing an idea

0:20:39.520 --> 0:20:43.359
<v Speaker 1>or producing an idea, finishing the mixing. Is it's imperative

0:20:43.400 --> 0:20:46.160
<v Speaker 1>that we get the information that these dudes who've been

0:20:46.160 --> 0:20:49.199
<v Speaker 1>doing it at the highest levels and having success at

0:20:49.240 --> 0:20:52.240
<v Speaker 1>the highest levels pass on to everybody, even working with

0:20:52.280 --> 0:20:54.600
<v Speaker 1>somebody like EP, who they all know because they know

0:20:54.640 --> 0:20:56.800
<v Speaker 1>he could play and he could produce. You know, it's

0:20:56.840 --> 0:20:59.560
<v Speaker 1>it's crazy that you know. There's not it's not more

0:20:59.720 --> 0:21:04.240
<v Speaker 1>tracks Battlecademy pick that you know. And the reality is

0:21:04.840 --> 0:21:08.000
<v Speaker 1>sometimes it is up to like an executive mind to

0:21:08.080 --> 0:21:12.119
<v Speaker 1>push people into the room with each other, so like, because.

0:21:11.880 --> 0:21:14.520
<v Speaker 3>That's where we're always thinking of collaborations.

0:21:15.200 --> 0:21:18.200
<v Speaker 1>Well, black music is all about the power of us too.

0:21:18.440 --> 0:21:21.399
<v Speaker 1>Like hip hop is about representing us. Black music is

0:21:21.440 --> 0:21:25.040
<v Speaker 1>about the power of us. All black groups re memory

0:21:25.119 --> 0:21:27.960
<v Speaker 1>people be sleeping Teddy Pintigrads came from a group, Michael

0:21:28.040 --> 0:21:30.960
<v Speaker 1>Jackson came from a group. A lot of times that's

0:21:31.040 --> 0:21:35.280
<v Speaker 1>not built on it's not built out of them knowing

0:21:35.320 --> 0:21:38.240
<v Speaker 1>the potential. It has to be reality and for them

0:21:38.240 --> 0:21:40.560
<v Speaker 1>to actually get in a room with douce life, So

0:21:40.640 --> 0:21:44.000
<v Speaker 1>you gotta you gotta create something successful before they'll be

0:21:44.080 --> 0:21:46.439
<v Speaker 1>like because I reach out to everybody, so I'm you know,

0:21:46.480 --> 0:21:51.119
<v Speaker 1>I'm everybody, but getting them in a room and actually

0:21:51.440 --> 0:21:54.000
<v Speaker 1>doing something it Unfortunately, it takes a lot of the

0:21:54.040 --> 0:21:58.680
<v Speaker 1>time you creating something successful as we're doing now before

0:21:58.680 --> 0:22:03.439
<v Speaker 1>they will actually put them behind the thought yeah and

0:22:03.480 --> 0:22:05.119
<v Speaker 1>get in a room to actually produce something.

0:22:06.080 --> 0:22:08.520
<v Speaker 3>How would you feel at this point the album is

0:22:08.560 --> 0:22:12.520
<v Speaker 3>doing right now, considering all considering the media run stuff we've.

0:22:12.400 --> 0:22:14.840
<v Speaker 1>Done, I think it's doing great. It's a little bit

0:22:14.880 --> 0:22:16.280
<v Speaker 1>better than I thought it was gonna be. I thought

0:22:16.320 --> 0:22:20.040
<v Speaker 1>it was gonna be harder. I mean, really, it's harder

0:22:20.080 --> 0:22:23.200
<v Speaker 1>for me because I don't.

0:22:22.960 --> 0:22:26.560
<v Speaker 2>Really trust people taste. People just got bad taste.

0:22:27.200 --> 0:22:30.000
<v Speaker 1>I had this whole conversation yesterday right, and I posted

0:22:30.080 --> 0:22:34.879
<v Speaker 1>on Facebook and Instagram where I said, look, black music

0:22:35.040 --> 0:22:39.480
<v Speaker 1>is judged differently. We don't judge black music by complete success,

0:22:39.520 --> 0:22:41.680
<v Speaker 1>like I can see if it's an album that nobody likes.

0:22:41.720 --> 0:22:44.720
<v Speaker 1>But I was having this conversation in nineteen eighty seven,

0:22:44.880 --> 0:22:49.399
<v Speaker 1>what's the better album? Right and make it last for everybody?

0:22:49.440 --> 0:22:53.640
<v Speaker 1>Keith Sweat or Bad by Michael Jackson. I expect nobody

0:22:53.640 --> 0:22:55.280
<v Speaker 1>black to say Bad by Michael Jackson.

0:22:56.000 --> 0:22:57.120
<v Speaker 3>Yeah, I can see that.

0:22:57.080 --> 0:22:59.120
<v Speaker 1>And it was entirely too many people saying bad by

0:22:59.160 --> 0:22:59.840
<v Speaker 1>Michael Jackson.

0:23:00.400 --> 0:23:01.840
<v Speaker 3>It's two different genres, though.

0:23:01.760 --> 0:23:03.480
<v Speaker 2>I don't give a fuck what genre.

0:23:03.200 --> 0:23:06.320
<v Speaker 1>Is unless you believe that Keith Sweat is just better

0:23:06.520 --> 0:23:09.480
<v Speaker 1>that make it last for ever. It's just better. It's

0:23:09.520 --> 0:23:13.720
<v Speaker 1>just better. That's fine, brand new, it's just better.

0:23:14.960 --> 0:23:16.720
<v Speaker 2>I do agree, and Michael.

0:23:17.040 --> 0:23:19.679
<v Speaker 1>That's not to say Keith Sweat obviously is anywhere in

0:23:19.720 --> 0:23:22.679
<v Speaker 1>the same arena as Michael Jackson, as Michael Jackson as

0:23:22.680 --> 0:23:24.679
<v Speaker 1>an artist, because Michael Jackson is not really bad as

0:23:24.760 --> 0:23:26.880
<v Speaker 1>much as he streller off the wall in Jackson five

0:23:27.359 --> 0:23:30.920
<v Speaker 1>in all kind of success. But again, when you when

0:23:30.960 --> 0:23:34.280
<v Speaker 1>you ask black people this and they don't have enough

0:23:34.320 --> 0:23:37.000
<v Speaker 1>blackness to know the difference, they can't go listen to

0:23:37.640 --> 0:23:39.719
<v Speaker 1>make it last for ever and think to themselves like

0:23:40.080 --> 0:23:42.760
<v Speaker 1>this is different, and they're like, well, this is Michael Jackson.

0:23:42.920 --> 0:23:45.600
<v Speaker 1>Like people was talking about, you know, Dirty Diana. I'm like, bro,

0:23:45.680 --> 0:23:48.320
<v Speaker 1>don't nobody fucking play Dirty Diana. That's not to say

0:23:48.359 --> 0:23:52.000
<v Speaker 1>Dirty Diana is not a fantastic song, like it's a

0:23:52.119 --> 0:23:52.960
<v Speaker 1>it's a great.

0:23:52.880 --> 0:23:54.800
<v Speaker 2>Which one of the projects can you live without?

0:23:55.640 --> 0:23:59.959
<v Speaker 1>And that's crazy bad as corny Yeah, the single is corny.

0:24:00.040 --> 0:24:02.159
<v Speaker 2>Do you ever go to Bad to listen to it?

0:24:02.240 --> 0:24:07.800
<v Speaker 1>No, doude, doude, dude, dude, yo, bud, it's mine. I

0:24:07.840 --> 0:24:10.760
<v Speaker 1>remember they was asking Prince about this, Princeville, like, what

0:24:10.800 --> 0:24:13.000
<v Speaker 1>the fuck I was supposed to do? Be a duet

0:24:13.080 --> 0:24:16.199
<v Speaker 1>with both there? But and and that becomes my concern

0:24:16.359 --> 0:24:18.959
<v Speaker 1>right where It's like, so back to my record. It's

0:24:19.040 --> 0:24:21.639
<v Speaker 1>like I didn't know what to think because I knew

0:24:21.680 --> 0:24:23.960
<v Speaker 1>when we finished it and put it together, when Counsel

0:24:24.000 --> 0:24:26.280
<v Speaker 1>These Nuts was finished, I knew it was special. I

0:24:26.320 --> 0:24:28.240
<v Speaker 1>knew I plugged it all the way in. I know

0:24:28.320 --> 0:24:31.400
<v Speaker 1>EP pretty much gave everything that we needed. I knew

0:24:31.400 --> 0:24:33.240
<v Speaker 1>I plugged every SoC at the end to make the

0:24:33.280 --> 0:24:36.159
<v Speaker 1>whole house light up. Every song was plugged in. So

0:24:36.240 --> 0:24:39.439
<v Speaker 1>it's a well lit project. But do I do I

0:24:39.480 --> 0:24:42.120
<v Speaker 1>trust people who think Bad is a better album than

0:24:42.680 --> 0:24:44.840
<v Speaker 1>Make It Last Forever to think that it's good.

0:24:44.920 --> 0:24:47.840
<v Speaker 2>Fuck. No, we're in a different er era too, though.

0:24:48.600 --> 0:24:50.680
<v Speaker 1>We don't have that much variety now, so we don't

0:24:50.720 --> 0:24:52.200
<v Speaker 1>we're waiting on something great?

0:24:53.480 --> 0:24:56.560
<v Speaker 3>Are we waiting though? Or or is the media curving?

0:24:56.760 --> 0:24:57.760
<v Speaker 3>What do you cause?

0:24:57.960 --> 0:25:00.560
<v Speaker 1>I think it's a lack of good content. That's how

0:25:00.680 --> 0:25:03.520
<v Speaker 1>I agree. So that's what I mean waiting. So when

0:25:03.520 --> 0:25:09.800
<v Speaker 1>something comes out that's refreshing, it's like man refreshing though,

0:25:10.200 --> 0:25:15.440
<v Speaker 1>I think so I think, say, for instance, you remember Tiki.

0:25:15.200 --> 0:25:20.320
<v Speaker 2>Punch, right the old she's not from she don't know about? Okay,

0:25:20.800 --> 0:25:21.400
<v Speaker 2>of course.

0:25:21.320 --> 0:25:23.480
<v Speaker 1>It's a it's a drink that was Yes, it's a

0:25:23.520 --> 0:25:28.600
<v Speaker 1>soda that we love. It's like a version version of

0:25:28.800 --> 0:25:34.800
<v Speaker 1>Hawaiian Punch Hawaii, that novelty item, you know what I mean. Like,

0:25:34.960 --> 0:25:38.399
<v Speaker 1>so it doesn't mean we won't buy it. We just

0:25:38.440 --> 0:25:41.600
<v Speaker 1>can't find it because they stopped making it. So if

0:25:41.640 --> 0:25:46.520
<v Speaker 1>the supply, if the demand is supplied, then we'll appreciate it.

0:25:47.080 --> 0:25:48.560
<v Speaker 3>So what do you think You think that we're coming

0:25:48.600 --> 0:25:50.600
<v Speaker 3>back with good music because I feel like person is

0:25:50.640 --> 0:25:51.240
<v Speaker 3>sounding better.

0:25:51.760 --> 0:25:54.560
<v Speaker 1>You see us going back to veteran artists right now.

0:25:55.280 --> 0:25:57.360
<v Speaker 1>That is weird, you know what I mean, because that's

0:25:57.400 --> 0:25:58.399
<v Speaker 1>where the quality is.

0:25:58.440 --> 0:25:59.600
<v Speaker 3>But is that the West?

0:26:00.320 --> 0:26:05.520
<v Speaker 1>No scarface is being talked about right now because of that?

0:26:05.880 --> 0:26:08.639
<v Speaker 2>I mean, listen, when you see the real it's just unbeatable.

0:26:09.000 --> 0:26:13.399
<v Speaker 1>Yeah, and when you see something great, you know, and

0:26:13.720 --> 0:26:16.879
<v Speaker 1>that's the reality show. I did have questions that like

0:26:16.920 --> 0:26:20.879
<v Speaker 1>when you see, like if you saw something, would you

0:26:20.960 --> 0:26:23.879
<v Speaker 1>know is great? But watching people talk about scarface like

0:26:23.920 --> 0:26:26.800
<v Speaker 1>they didn't know this, Nigga was like like I keep

0:26:26.800 --> 0:26:30.200
<v Speaker 1>having this conversation like if you just notice this now,

0:26:30.280 --> 0:26:33.160
<v Speaker 1>like what I guess you know, I can't say nothing,

0:26:33.200 --> 0:26:35.919
<v Speaker 1>like whatever you finally catch on, It's fine with me, right,

0:26:36.240 --> 0:26:36.879
<v Speaker 1>you know what I'm saying.

0:26:36.920 --> 0:26:40.399
<v Speaker 3>So that goes back to the followers concepts.

0:26:40.440 --> 0:26:42.880
<v Speaker 1>And but look with the media in his prime, Look

0:26:42.920 --> 0:26:47.800
<v Speaker 1>how many options we had to enjoy music. It's a

0:26:47.800 --> 0:26:52.520
<v Speaker 1>plethora of different We had EPMD, we had everybody. Yeah,

0:26:52.720 --> 0:26:55.359
<v Speaker 1>now we just every the radio is one long song.

0:26:55.840 --> 0:26:58.520
<v Speaker 3>But that's why some songs get broken eight years later.

0:26:58.680 --> 0:27:01.160
<v Speaker 3>It just depends on how we got broken, the time,

0:27:01.840 --> 0:27:04.160
<v Speaker 3>the time, what area.

0:27:04.240 --> 0:27:07.400
<v Speaker 1>Yeah, I mean, I don't think the artists are bad now,

0:27:07.440 --> 0:27:09.159
<v Speaker 1>I think the producers.

0:27:08.600 --> 0:27:09.200
<v Speaker 2>Are bad now.

0:27:09.320 --> 0:27:11.040
<v Speaker 3>I agree, And I.

0:27:10.960 --> 0:27:14.119
<v Speaker 2>Think great producers produce artists.

0:27:14.400 --> 0:27:18.120
<v Speaker 1>So to ask artists to be great without being produced

0:27:18.200 --> 0:27:21.920
<v Speaker 1>is as asking an actor to be great without being directed.

0:27:22.200 --> 0:27:24.400
<v Speaker 1>And the artists got to be trusting to go somewhere

0:27:24.400 --> 0:27:27.879
<v Speaker 1>that they that's not even in their data bank. Well,

0:27:27.960 --> 0:27:30.560
<v Speaker 1>trusting a producer to give them something that's left of

0:27:30.680 --> 0:27:35.040
<v Speaker 1>what they're accustomed to. Well, the best part was before today, right,

0:27:35.359 --> 0:27:37.920
<v Speaker 1>you didn't have a choice because you for sure wasn't

0:27:37.920 --> 0:27:39.359
<v Speaker 1>gonna have your own settu because you ain't not to

0:27:39.440 --> 0:27:42.040
<v Speaker 1>work nothing, So you needed the producer. And as it

0:27:42.119 --> 0:27:46.920
<v Speaker 1>became more accessible to everybody, you know, hence the dilemma

0:27:46.960 --> 0:27:49.359
<v Speaker 1>of where it's like now, artists felt like they know

0:27:49.480 --> 0:27:51.879
<v Speaker 1>something because they felt like I threw my hat in

0:27:51.920 --> 0:27:53.920
<v Speaker 1>because I downloaded this beat off YouTube and.

0:27:53.880 --> 0:27:55.040
<v Speaker 2>I recorded it myself.

0:27:55.560 --> 0:27:58.200
<v Speaker 1>So a lot of the artists are turning into producers

0:27:58.240 --> 0:28:01.399
<v Speaker 1>because they don't have enough money to true you know,

0:28:01.440 --> 0:28:03.840
<v Speaker 1>because engineering is a part of production too. Like me

0:28:04.240 --> 0:28:06.840
<v Speaker 1>know that, but we got the kind of relationship where

0:28:07.040 --> 0:28:09.720
<v Speaker 1>we know what time it is like and like I said,

0:28:09.720 --> 0:28:11.880
<v Speaker 1>I've said this a million times, but it's really important.

0:28:11.880 --> 0:28:14.119
<v Speaker 1>Like I'm grateful that he trusts me and be like,

0:28:14.400 --> 0:28:16.760
<v Speaker 1>do your thing because there's certain things like I fucked up.

0:28:16.760 --> 0:28:18.360
<v Speaker 1>We can go back. He's like, yeah, we gotta go back,

0:28:18.480 --> 0:28:19.800
<v Speaker 1>but there's certain things he kept me.

0:28:19.920 --> 0:28:21.280
<v Speaker 2>Like I like that that works.

0:28:21.960 --> 0:28:24.280
<v Speaker 3>So I feel like you got to go back to

0:28:25.720 --> 0:28:31.840
<v Speaker 3>quality as well, because even when there was producers producing artists,

0:28:32.359 --> 0:28:36.639
<v Speaker 3>there were still mixing and mastering engineers that were a

0:28:36.680 --> 0:28:38.880
<v Speaker 3>part of the project that made sure that it got

0:28:39.800 --> 0:28:43.160
<v Speaker 3>it was finessed to the point where okay, quality is

0:28:43.200 --> 0:28:46.440
<v Speaker 3>now here a right. And there was teams, there was

0:28:46.480 --> 0:28:49.000
<v Speaker 3>teams of writers, there was teams of It still happens

0:28:49.000 --> 0:28:52.280
<v Speaker 3>today with those with budgets. I think people need to

0:28:52.360 --> 0:28:58.680
<v Speaker 3>realize that that that element is so important in making

0:28:58.680 --> 0:29:00.880
<v Speaker 3>a full project, because that's what you did with yours.

0:29:00.920 --> 0:29:03.360
<v Speaker 3>You didn't just have you had EP. He did produce

0:29:03.400 --> 0:29:07.360
<v Speaker 3>the whole album, but you had other producers or mixing that.

0:29:07.400 --> 0:29:10.719
<v Speaker 1>Is part of the production. That's all part of the production.

0:29:11.640 --> 0:29:15.320
<v Speaker 1>But again it's a team effort. Like it's not a

0:29:15.360 --> 0:29:17.840
<v Speaker 1>team effort on all for us, but it's a team

0:29:17.920 --> 0:29:20.640
<v Speaker 1>effort making the record. Jason Joshua was somebody we didn't

0:29:20.680 --> 0:29:23.479
<v Speaker 1>talk about, but Jason josh was like, a that's like

0:29:23.520 --> 0:29:24.920
<v Speaker 1>having Kevin Durant of mixing.

0:29:25.840 --> 0:29:27.720
<v Speaker 2>Yeah, it's a nigga tough and.

0:29:27.640 --> 0:29:30.280
<v Speaker 1>He mixed probably four or five cuts and gave us

0:29:30.280 --> 0:29:33.840
<v Speaker 1>a lot of direction and e a Ski somebody who's

0:29:34.400 --> 0:29:36.360
<v Speaker 1>been around the business for a while and didn't have

0:29:36.520 --> 0:29:39.360
<v Speaker 1>less lets, didn't have to even figure it out himself,

0:29:39.400 --> 0:29:41.840
<v Speaker 1>like less it's stuck shout out to lesser mentos and

0:29:41.880 --> 0:29:46.480
<v Speaker 1>he mixed majority of the album, probably like six or

0:29:46.520 --> 0:29:48.920
<v Speaker 1>seven songs. But in a nice hour, yeah, in the

0:29:49.000 --> 0:29:51.920
<v Speaker 1>knife hour. That's another thing at the at the bottom

0:29:51.920 --> 0:29:54.720
<v Speaker 1>of the knife and but he had a good guideline,

0:29:54.760 --> 0:29:57.000
<v Speaker 1>he knew what to compare it to and you can

0:29:57.040 --> 0:30:00.360
<v Speaker 1>see people shine. But in some of those songs, Man,

0:30:00.440 --> 0:30:03.800
<v Speaker 1>like something somebody said to me the other day too,

0:30:03.840 --> 0:30:07.000
<v Speaker 1>because it's like it's one guy making a song. Now

0:30:08.040 --> 0:30:10.280
<v Speaker 1>he's in a room, he downloaded the beat off YouTube.

0:30:10.640 --> 0:30:12.640
<v Speaker 1>He's in a room, he record itself. And that's the

0:30:12.680 --> 0:30:16.800
<v Speaker 1>whole thing, right, James Brown, it's thirteen niggas on the song. Man,

0:30:17.280 --> 0:30:21.000
<v Speaker 1>it's thirteen niggas. Is everybody playing instruments. It's the engineer,

0:30:21.160 --> 0:30:24.320
<v Speaker 1>it's the nigga helping produce the idea. It's his homeboy.

0:30:24.360 --> 0:30:27.080
<v Speaker 1>That's his nigga that he listened to. It's James. It's

0:30:27.120 --> 0:30:29.800
<v Speaker 1>thirteen people. Go look at them death Row Records. It's

0:30:29.800 --> 0:30:31.480
<v Speaker 1>about twenty people in the crack.

0:30:32.280 --> 0:30:34.000
<v Speaker 3>It was a real team working.

0:30:34.360 --> 0:30:35.680
<v Speaker 2>So that is another thing too.

0:30:35.720 --> 0:30:39.800
<v Speaker 1>A lot of the artists today are left too because

0:30:39.800 --> 0:30:43.160
<v Speaker 1>it ain't just they want to know. Again, you're talking

0:30:43.200 --> 0:30:45.520
<v Speaker 1>about a poor sport, so you ain't gotta you can't

0:30:45.520 --> 0:30:53.640
<v Speaker 1>pay everybody, but I mean, listen. I don't like using

0:30:53.640 --> 0:30:57.520
<v Speaker 1>the term quality right because I think it is a

0:30:57.560 --> 0:30:59.200
<v Speaker 1>real term. But I don't think most people know what

0:30:59.200 --> 0:31:01.280
<v Speaker 1>we talking about when we start talking about frequencies, and

0:31:01.320 --> 0:31:04.640
<v Speaker 1>feels like it's different, like it's much more to it.

0:31:05.320 --> 0:31:08.000
<v Speaker 1>But you do need some help, So like if a

0:31:08.080 --> 0:31:11.120
<v Speaker 1>rapper listens to no ceilings, you do need some help.

0:31:11.360 --> 0:31:13.360
<v Speaker 1>And you may have to find other poor people like

0:31:13.400 --> 0:31:16.640
<v Speaker 1>you to help you. I mean other poor people who

0:31:16.680 --> 0:31:19.880
<v Speaker 1>may play the piano, other poor people who may play

0:31:20.120 --> 0:31:23.320
<v Speaker 1>build your team production. Just find other poor people that

0:31:23.360 --> 0:31:25.600
<v Speaker 1>want to come up like you. Like me and ep

0:31:25.960 --> 0:31:27.760
<v Speaker 1>happened to be near in the same place in the

0:31:27.800 --> 0:31:30.479
<v Speaker 1>business where we've had some success. We know what it's like.

0:31:30.880 --> 0:31:33.560
<v Speaker 1>So then you combine power. La Gihns have had some

0:31:33.560 --> 0:31:38.000
<v Speaker 1>stuff and Jason is yo, he's epe in one, actually

0:31:38.040 --> 0:31:40.560
<v Speaker 1>epte in fucking one. I got one plaque, he pee

0:31:40.600 --> 0:31:44.400
<v Speaker 1>got a few and some grammy shit. So you just

0:31:44.400 --> 0:31:48.240
<v Speaker 1>gotta work with the You gotta keep trying. That's another thing.

0:31:48.280 --> 0:31:50.840
<v Speaker 1>You can't stop, bro. You have to keep trying, Like

0:31:50.920 --> 0:31:55.000
<v Speaker 1>this shit is tiresome. This shit is tiresome, like being

0:31:55.080 --> 0:31:58.320
<v Speaker 1>out here, especially now, Like when I was twenty four,

0:31:58.760 --> 0:32:02.080
<v Speaker 1>this shit was a walking apart. Yeah, being forty four,

0:32:02.160 --> 0:32:05.360
<v Speaker 1>Like people talking about ageism and hip hopping. It ain't

0:32:05.400 --> 0:32:08.400
<v Speaker 1>about am I not as good or somebody seventeen? You

0:32:08.440 --> 0:32:11.200
<v Speaker 1>play my shit for somebody sixteen seventeen in that nigga hard.

0:32:12.240 --> 0:32:14.360
<v Speaker 1>But the problem with getting forty four also is your

0:32:14.400 --> 0:32:17.480
<v Speaker 1>ass be tired. Yeah, I don't be fucking fucking with

0:32:17.520 --> 0:32:20.040
<v Speaker 1>these crazy ass niggas all the time. I got better

0:32:20.080 --> 0:32:21.240
<v Speaker 1>things that I'd rather be fishing.

0:32:23.200 --> 0:32:23.640
<v Speaker 2>I'm gonna go.

0:32:24.000 --> 0:32:27.840
<v Speaker 1>I'm gonna go because I'm gonna go because really, the

0:32:27.960 --> 0:32:31.920
<v Speaker 1>last fucking twelve years, like I've been preparing.

0:32:32.840 --> 0:32:35.400
<v Speaker 3>So you expected it already or you have a high

0:32:35.480 --> 0:32:38.720
<v Speaker 3>level of expectations knowing that you have to move. This

0:32:38.800 --> 0:32:42.920
<v Speaker 3>is this is it, because everybody else is moving, they're

0:32:42.960 --> 0:32:45.560
<v Speaker 3>hitting all these platforms. If you're going to compete in

0:32:46.400 --> 0:32:50.000
<v Speaker 3>any type of level, on any type of level, this

0:32:50.080 --> 0:32:53.160
<v Speaker 3>is what it takes. This is what it takes.

0:32:53.280 --> 0:32:56.520
<v Speaker 1>So you can get lucky, Like you know, you don't

0:32:56.520 --> 0:32:58.320
<v Speaker 1>have to work hard to make money, You don't have

0:32:58.360 --> 0:32:59.360
<v Speaker 1>to put in work to make money.

0:32:59.360 --> 0:33:00.520
<v Speaker 2>You can actually hit lot.

0:33:00.320 --> 0:33:07.120
<v Speaker 1>Of true, your chances, Rick, You're like your chances, But

0:33:07.280 --> 0:33:10.200
<v Speaker 1>this is the this is the way. So what I realized,

0:33:10.240 --> 0:33:12.800
<v Speaker 1>right is like like when you first come in to

0:33:12.880 --> 0:33:14.720
<v Speaker 1>hip hop, it's a dark room.

0:33:14.760 --> 0:33:15.600
<v Speaker 2>You can't see nothing.

0:33:15.640 --> 0:33:17.520
<v Speaker 1>You just throwing shit at the wall hoping it stick.

0:33:18.560 --> 0:33:21.560
<v Speaker 1>You have no idea, and usually you meet other people

0:33:22.000 --> 0:33:23.080
<v Speaker 1>you know who know something.

0:33:23.160 --> 0:33:23.320
<v Speaker 2>Right.

0:33:23.400 --> 0:33:26.320
<v Speaker 1>Yeah, like if you Snoop Dogg, you come in the room,

0:33:26.440 --> 0:33:28.880
<v Speaker 1>you don't know shit, You just making songs in nineteen

0:33:28.920 --> 0:33:30.840
<v Speaker 1>eighty nine and eighty eight, you on those shit, you

0:33:31.000 --> 0:33:33.040
<v Speaker 1>just rapping, and then.

0:33:33.200 --> 0:33:36.440
<v Speaker 2>Doctor Dre scoops you up. Right, Warren hooks you.

0:33:36.440 --> 0:33:39.680
<v Speaker 1>Up with doctor Dre, and then you now Dre who

0:33:39.760 --> 0:33:42.320
<v Speaker 1>knows the room. It's like, Okay, this is what we're

0:33:42.360 --> 0:33:44.720
<v Speaker 1>gonna do. DC, who knows the space, Like, this is

0:33:44.720 --> 0:33:48.240
<v Speaker 1>what we're gonna do. So it goes from this empty

0:33:48.320 --> 0:33:52.000
<v Speaker 1>dark room where you just wandering around, to this when

0:33:52.040 --> 0:33:55.560
<v Speaker 1>you know what's going on, to this illuminated walkway.

0:33:58.440 --> 0:34:01.960
<v Speaker 3>You never know what's gonna come, so you.

0:34:02.040 --> 0:34:05.120
<v Speaker 1>Only can see the right path. You could no longer

0:34:05.160 --> 0:34:09.160
<v Speaker 1>see the wrong way. Only one path is lit.

0:34:09.719 --> 0:34:11.880
<v Speaker 2>No, the path is okay.

0:34:12.120 --> 0:34:13.799
<v Speaker 1>So like that's what it is for me, It's like

0:34:14.280 --> 0:34:16.680
<v Speaker 1>the only thing that stops is you tired of walking.

0:34:16.920 --> 0:34:19.400
<v Speaker 2>But you know this is the right way. This is

0:34:19.440 --> 0:34:20.520
<v Speaker 2>the only way to go.

0:34:20.600 --> 0:34:23.800
<v Speaker 1>So like even now what I'm doing right, We started

0:34:23.840 --> 0:34:25.960
<v Speaker 1>off on the East coast, went to the Bay. Now

0:34:25.960 --> 0:34:28.840
<v Speaker 1>we're in Atlanta, We're in England and France next month,

0:34:28.960 --> 0:34:32.279
<v Speaker 1>Japan in February, Texas in March. This is the right

0:34:32.360 --> 0:34:35.200
<v Speaker 1>way to walk. You don't even know where the end

0:34:35.280 --> 0:34:38.759
<v Speaker 1>is at. You just know if you keep walking this

0:34:38.840 --> 0:34:46.359
<v Speaker 1>way because because along the way, more opportunities are. Yeah,

0:34:46.400 --> 0:34:48.480
<v Speaker 1>you know, this is where all the opportunity is is.

0:34:48.719 --> 0:34:50.720
<v Speaker 1>But you don't know what the end looks like. Because

0:34:50.960 --> 0:34:54.319
<v Speaker 1>the end may not be a million dollars. The end

0:34:54.360 --> 0:34:56.560
<v Speaker 1>may not be a planning record, the end may not

0:34:56.640 --> 0:34:59.440
<v Speaker 1>be nothing. You just keep walking and everything else just

0:34:59.440 --> 0:35:01.200
<v Speaker 1>starts to happen until you along the way.

0:35:01.320 --> 0:35:03.640
<v Speaker 3>It might be the beginning of something as well.

0:35:03.719 --> 0:35:07.040
<v Speaker 1>Yeah, but none of none of this happens, and this

0:35:07.239 --> 0:35:10.799
<v Speaker 1>part is not spoken on enough. None of this this

0:35:10.920 --> 0:35:13.839
<v Speaker 1>happens unless you are willing to invest in yourself. Most

0:35:13.840 --> 0:35:16.680
<v Speaker 1>people are just sitting on the side, waiting on somebody.

0:35:16.880 --> 0:35:20.600
<v Speaker 3>Behind some social media, on somebody. Because I'm talented.

0:35:20.239 --> 0:35:21.040
<v Speaker 2>Because I'm dope.

0:35:21.880 --> 0:35:25.399
<v Speaker 1>Nowadays everybody's dope, because the threshold for dope has been

0:35:25.440 --> 0:35:29.319
<v Speaker 1>lowered so so much that now everybody's dope. Now, are

0:35:29.360 --> 0:35:32.239
<v Speaker 1>you even bold enough to go off the beaded path

0:35:33.520 --> 0:35:36.760
<v Speaker 1>and be yourself and create something and bring some authenticity

0:35:36.800 --> 0:35:39.600
<v Speaker 1>into the to the game, to the fall, to even

0:35:40.000 --> 0:35:42.640
<v Speaker 1>to even stand out, to give yourself have a chance.

0:35:43.080 --> 0:35:46.480
<v Speaker 1>Most people just follow what's already out and they die

0:35:46.520 --> 0:35:50.080
<v Speaker 1>with that sound because they didn't create nothing of their own.

0:35:53.280 --> 0:35:57.560
<v Speaker 3>Do you feel like glasses? This is a this is

0:35:57.600 --> 0:36:00.960
<v Speaker 3>a question specifically for you. Do you feel like this

0:36:01.160 --> 0:36:06.799
<v Speaker 3>project is the best not that you've done, but the

0:36:06.840 --> 0:36:14.200
<v Speaker 3>best presentation of today for you? That's the message.

0:36:14.280 --> 0:36:18.359
<v Speaker 1>But so it's the most glasses record I've ever made house.

0:36:18.360 --> 0:36:23.680
<v Speaker 1>So it's really the polarizing version of who I am

0:36:24.040 --> 0:36:27.440
<v Speaker 1>create like as a human being creatively, And most of

0:36:27.480 --> 0:36:30.960
<v Speaker 1>my music doesn't always pretty much none of my music

0:36:31.239 --> 0:36:35.520
<v Speaker 1>until probably twenty nineteen, maybe a couple songs before, represented that.

0:36:35.600 --> 0:36:40.520
<v Speaker 1>But what makes me a special human is for some

0:36:40.560 --> 0:36:45.840
<v Speaker 1>reason I just carry this weird polarity, this weird kind

0:36:45.840 --> 0:36:54.080
<v Speaker 1>of space of conversation to where it's like my thoughts

0:36:54.120 --> 0:36:55.320
<v Speaker 1>literally trigger people.

0:36:56.200 --> 0:37:00.799
<v Speaker 3>So this is your most authentic version of you in

0:37:00.960 --> 0:37:03.000
<v Speaker 3>this time, because it might not have been how you

0:37:03.040 --> 0:37:04.560
<v Speaker 3>felt ten years ago.

0:37:04.680 --> 0:37:06.240
<v Speaker 2>No, this was me the whole time.

0:37:06.080 --> 0:37:09.000
<v Speaker 1>So it's always been but I never watered it down.

0:37:09.120 --> 0:37:11.759
<v Speaker 1>But I wouldn't know how to deliver it through music either.

0:37:13.400 --> 0:37:16.480
<v Speaker 3>So you had to have evolved into this and then

0:37:16.520 --> 0:37:17.920
<v Speaker 3>delivered the project.

0:37:17.960 --> 0:37:21.080
<v Speaker 1>Informed into this, because I don't even know if it's

0:37:21.080 --> 0:37:23.960
<v Speaker 1>an evolution to stay alive as much as as you

0:37:24.040 --> 0:37:27.240
<v Speaker 1>take in knowledge of how to accomplish things and records

0:37:27.800 --> 0:37:30.520
<v Speaker 1>how to Like my innate thing was able to I

0:37:30.520 --> 0:37:33.319
<v Speaker 1>could put together a project before, Like I was already

0:37:33.760 --> 0:37:36.680
<v Speaker 1>decent that kind of telling a story. I just didn't

0:37:36.680 --> 0:37:39.239
<v Speaker 1>know how to do it with the tools sonically, but

0:37:39.320 --> 0:37:42.239
<v Speaker 1>I could tell a story from beginning to end, you know,

0:37:42.360 --> 0:37:45.440
<v Speaker 1>So it was different. But this, to me is the

0:37:45.480 --> 0:37:49.520
<v Speaker 1>most glasses project because it really carries every bit.

0:37:49.400 --> 0:37:51.839
<v Speaker 2>Of the polarity that I am as well.

0:37:52.560 --> 0:37:55.359
<v Speaker 1>So I'll leave it to other people, more people than

0:37:55.440 --> 0:37:56.960
<v Speaker 1>not saying this my best project.

0:37:59.239 --> 0:38:01.960
<v Speaker 3>And you think that it has everything to do with

0:38:02.040 --> 0:38:06.000
<v Speaker 3>the fact that you had one producer.

0:38:04.920 --> 0:38:06.480
<v Speaker 2>Yeah, I mean I think that's.

0:38:07.960 --> 0:38:12.640
<v Speaker 1>Yes, right, I don't know that's that that's like a

0:38:13.239 --> 0:38:17.680
<v Speaker 1>that's like using the backboard with basketball. Your chances increase

0:38:18.600 --> 0:38:22.560
<v Speaker 1>significantly to make the shot if you have one person producing,

0:38:23.719 --> 0:38:25.520
<v Speaker 1>one person overseeing the sound.

0:38:25.719 --> 0:38:26.920
<v Speaker 2>Because producing is not.

0:38:27.239 --> 0:38:30.440
<v Speaker 1>Like moving like this. The EP actually made all of

0:38:30.480 --> 0:38:34.600
<v Speaker 1>these beats. EP most likely is gonna be producing most

0:38:34.640 --> 0:38:37.800
<v Speaker 1>of my stuff moving forward, even if he doesn't make

0:38:38.040 --> 0:38:41.520
<v Speaker 1>every beat. Now that's not to say he's gonna make

0:38:41.560 --> 0:38:44.040
<v Speaker 1>every beat, right, he's gonna he's gonna to doctor dre

0:38:44.080 --> 0:38:45.759
<v Speaker 1>a lot of shit. Somebody might give him idea he

0:38:45.800 --> 0:38:48.319
<v Speaker 1>gotta play this, missing, this, this, this, this, at this,

0:38:48.480 --> 0:38:53.240
<v Speaker 1>at this right. So he'll probably be my producer moving forward.

0:38:53.239 --> 0:38:56.279
<v Speaker 1>But that don't mean he's stuck making every beat, you

0:38:56.320 --> 0:38:58.040
<v Speaker 1>know what I mean. It's just like and when I'm

0:38:58.040 --> 0:38:59.440
<v Speaker 1>saying that, that don't mean he's not gonna have to

0:38:59.480 --> 0:39:02.799
<v Speaker 1>work on it. I'm just saying he might not have

0:39:02.840 --> 0:39:04.600
<v Speaker 1>to sit there like this different he had to go

0:39:04.719 --> 0:39:10.800
<v Speaker 1>drums to motherfucking hiats, you know, lowest frequency to top frequency.

0:39:10.840 --> 0:39:13.440
<v Speaker 1>He might get to for here. Man just work on

0:39:13.440 --> 0:39:15.600
<v Speaker 1>his atoven, play on his age and what's missing, and

0:39:15.640 --> 0:39:19.359
<v Speaker 1>he'll playing this EP produced with Atven. To me, that's

0:39:19.360 --> 0:39:21.640
<v Speaker 1>the most important thing to getting EP with a lot

0:39:21.680 --> 0:39:23.799
<v Speaker 1>more people, so people could really see how good he is,

0:39:24.680 --> 0:39:26.560
<v Speaker 1>you know what I mean? That's important, like getting him

0:39:26.560 --> 0:39:28.120
<v Speaker 1>with Tom and I want him to.

0:39:28.120 --> 0:39:29.759
<v Speaker 2>Work with it. I want people to work with EP

0:39:30.040 --> 0:39:31.440
<v Speaker 2>like people work with Scott Storch.

0:39:32.600 --> 0:39:35.400
<v Speaker 3>Yeah, you do have that about you where you want.

0:39:35.280 --> 0:39:37.600
<v Speaker 2>People because if I think.

0:39:39.040 --> 0:39:41.120
<v Speaker 3>With each other get together.

0:39:41.000 --> 0:39:42.799
<v Speaker 2>I want other people to see how great he is.

0:39:43.040 --> 0:39:44.560
<v Speaker 2>That's that. Don't have nothing to do with me.

0:39:44.760 --> 0:39:48.440
<v Speaker 3>This nigga great, but you feel he makes you great

0:39:48.600 --> 0:39:49.440
<v Speaker 3>as well though.

0:39:50.000 --> 0:39:54.640
<v Speaker 1>Oh yeah, but it's all a rids to accomplishments. Just

0:39:54.680 --> 0:39:56.640
<v Speaker 1>like as we get into another space and let's say

0:39:56.640 --> 0:39:59.080
<v Speaker 1>we go do something with Dre, it's gonna make us

0:39:59.160 --> 0:40:01.479
<v Speaker 1>rids to a different look. We do something with Cat

0:40:01.520 --> 0:40:03.879
<v Speaker 1>that's gonna make us rise to a difference. What I

0:40:03.920 --> 0:40:07.000
<v Speaker 1>hope is eventually Cat or Quick call him like man,

0:40:07.040 --> 0:40:09.239
<v Speaker 1>it's do something with glasses and they want to do

0:40:09.280 --> 0:40:11.680
<v Speaker 1>it together. Like my goal is to put EP into

0:40:11.719 --> 0:40:14.439
<v Speaker 1>the proper perspective. That's my I want to assist him

0:40:14.440 --> 0:40:17.920
<v Speaker 1>doing that. I want to assist him doing that. I

0:40:17.960 --> 0:40:22.000
<v Speaker 1>want to make sure that he actually goes exactly where

0:40:22.040 --> 0:40:22.879
<v Speaker 1>he needs to go.

0:40:24.560 --> 0:40:28.000
<v Speaker 3>Much I think that's where we're missing that too, as

0:40:28.000 --> 0:40:31.800
<v Speaker 3>far as artists artists that they're so focused on themselves.

0:40:31.800 --> 0:40:33.880
<v Speaker 3>I want to be the king, I want to be

0:40:33.920 --> 0:40:38.520
<v Speaker 3>the queen, so focus on me. But this this situation

0:40:38.600 --> 0:40:42.440
<v Speaker 3>that you have, you have the power of collaboration in

0:40:42.480 --> 0:40:45.279
<v Speaker 3>your mind, so you're naturally gonna bring You've done that

0:40:45.360 --> 0:40:45.879
<v Speaker 3>to me too.

0:40:46.239 --> 0:40:49.040
<v Speaker 1>Yeah, But that's the point, Like, what difference if I

0:40:49.080 --> 0:40:51.839
<v Speaker 1>make all these connections, right, these people, some of these

0:40:51.840 --> 0:40:53.480
<v Speaker 1>people you don't know, right, you got you have a

0:40:53.560 --> 0:40:56.359
<v Speaker 1>huge rolodex, right, the voice has a huge roller dex

0:40:56.719 --> 0:40:59.600
<v Speaker 1>of motherfuckers. But if some motherfuckers you don't got. But

0:40:59.640 --> 0:41:02.480
<v Speaker 1>if I give you these motherfuckers the next motherfucker, you

0:41:02.480 --> 0:41:04.280
<v Speaker 1>better run this shit up.

0:41:04.840 --> 0:41:08.360
<v Speaker 3>Because ultimately it helps the team grow because then I

0:41:08.400 --> 0:41:11.840
<v Speaker 3>add some new opportunities outside of what we're doing.

0:41:11.880 --> 0:41:14.799
<v Speaker 1>And some of the people are still ascending, right we

0:41:14.920 --> 0:41:17.279
<v Speaker 1>are all No, No, what I'm saying that some of

0:41:17.280 --> 0:41:20.479
<v Speaker 1>the people you might meet somebody here that's opening the door,

0:41:21.080 --> 0:41:26.240
<v Speaker 1>and he remembered the voice in the next three years exactly.

0:41:26.719 --> 0:41:30.520
<v Speaker 1>So No, it's that also goes to the person also

0:41:30.600 --> 0:41:34.080
<v Speaker 1>that immediately I connected with as a child, my favorite player,

0:41:34.280 --> 0:41:39.240
<v Speaker 1>Magic Johnson. Right, the past is as important as the score.

0:41:41.320 --> 0:41:44.839
<v Speaker 1>The flair is in the past. See, if you grew

0:41:44.920 --> 0:41:47.000
<v Speaker 1>up in the nineties, you're a selfish dick because you

0:41:47.000 --> 0:41:49.040
<v Speaker 1>think Michael Jordan's and shit, you just want to score

0:41:49.160 --> 0:41:51.719
<v Speaker 1>and blah blah blah, toot your own fucking horn. But

0:41:51.760 --> 0:41:54.360
<v Speaker 1>if you grew up in the eighties watching Magic Johnson,

0:41:54.920 --> 0:41:58.279
<v Speaker 1>the past is the flair and the victory is in

0:41:58.320 --> 0:42:02.359
<v Speaker 1>the past. I don't care if James Worthy dunkey, the

0:42:02.440 --> 0:42:05.120
<v Speaker 1>past is the flair. I feel as accomplished as EP

0:42:05.719 --> 0:42:08.680
<v Speaker 1>when he gets the next ship. Niggas like I need

0:42:08.719 --> 0:42:09.800
<v Speaker 1>the ep YEP.

0:42:10.040 --> 0:42:12.600
<v Speaker 3>So is it the past or is it the end goal?

0:42:13.800 --> 0:42:16.600
<v Speaker 1>It's the game, Like if I looked at the I

0:42:16.600 --> 0:42:18.440
<v Speaker 1>don't even know what the finish looks.

0:42:18.239 --> 0:42:23.720
<v Speaker 3>Like that end goal that win. Though winning keep passing

0:42:23.760 --> 0:42:24.400
<v Speaker 3>and we keep.

0:42:24.320 --> 0:42:27.760
<v Speaker 1>Missing, we're not missing. And the thing is it's about

0:42:27.800 --> 0:42:30.200
<v Speaker 1>building the team. And I understand that. So I'm not

0:42:30.239 --> 0:42:32.840
<v Speaker 1>taking it as Okay, I deserve this, or let me

0:42:32.880 --> 0:42:34.960
<v Speaker 1>take this and run with it somewhere else. It's like

0:42:35.080 --> 0:42:38.040
<v Speaker 1>he knows, I pour it right back into the same

0:42:38.080 --> 0:42:38.680
<v Speaker 1>place where.

0:42:38.480 --> 0:42:39.040
<v Speaker 2>I got it from.

0:42:39.400 --> 0:42:41.719
<v Speaker 3>You know, it's just playing Devil's Advocate, of.

0:42:41.719 --> 0:42:45.879
<v Speaker 1>Course, So it's really take the voice for instance, it's

0:42:46.000 --> 0:42:48.520
<v Speaker 1>really you do a lot of things that that you

0:42:48.560 --> 0:42:51.400
<v Speaker 1>don't have to do or that you're not commissioned to

0:42:51.480 --> 0:42:54.840
<v Speaker 1>do for the greater cause of the team winning.

0:42:55.200 --> 0:42:58.359
<v Speaker 2>Because you understand that we all win if we all

0:42:58.400 --> 0:42:59.399
<v Speaker 2>have the same mind state.

0:42:59.600 --> 0:43:01.880
<v Speaker 1>And what do this winning look like? Okay, we should

0:43:01.880 --> 0:43:03.000
<v Speaker 1>set winning right now?

0:43:03.320 --> 0:43:07.000
<v Speaker 2>What's winning? What's a win for this project?

0:43:08.600 --> 0:43:10.560
<v Speaker 1>A win for this project for me would be too

0:43:11.880 --> 0:43:16.960
<v Speaker 1>for it to be notable, for it to be an

0:43:17.080 --> 0:43:20.600
<v Speaker 1>avenue to open other doors and and take some of

0:43:20.640 --> 0:43:23.080
<v Speaker 1>the burden that we put into this off of us

0:43:23.360 --> 0:43:27.680
<v Speaker 1>and allow some more people opportunity because we we sacrifice

0:43:27.719 --> 0:43:33.880
<v Speaker 1>in the beginning, so find partners and fine, so so

0:43:34.000 --> 0:43:35.880
<v Speaker 1>to attract the partners that we need to take off

0:43:35.920 --> 0:43:37.120
<v Speaker 1>the burden to keep doing the work.

0:43:37.640 --> 0:43:40.440
<v Speaker 2>That's yeah, fair, Yeah, what's a win? What's the win

0:43:40.520 --> 0:43:45.439
<v Speaker 2>for cancer? These nets, for the voices participation, what's a win?

0:43:46.120 --> 0:43:50.360
<v Speaker 1>You're like, that's a win. That's a winlasses started. Sustainability,

0:43:50.560 --> 0:43:54.200
<v Speaker 1>so the ability to do it again so much more

0:43:54.239 --> 0:43:58.640
<v Speaker 1>than that it needs to be a classic.

0:43:59.640 --> 0:44:04.040
<v Speaker 3>At point. Okay, sustainability meaning in ten years, I want

0:44:04.080 --> 0:44:06.920
<v Speaker 3>to be able to say yeah, I do pull out

0:44:06.920 --> 0:44:10.000
<v Speaker 3>the album and stream it. You know, Yeah, I do

0:44:10.200 --> 0:44:16.160
<v Speaker 3>talk about that in conversation with people, whatever song I choose,

0:44:16.200 --> 0:44:19.960
<v Speaker 3>because you have so many and I'm basing that particular

0:44:20.000 --> 0:44:25.240
<v Speaker 3>topic on a panel, you know, and opening up perspectives.

0:44:25.640 --> 0:44:29.440
<v Speaker 3>So now your legacy lives on because you were bold

0:44:29.520 --> 0:44:33.520
<v Speaker 3>enough to be authentic. A lot of rappers won't come out,

0:44:33.640 --> 0:44:36.000
<v Speaker 3>not even just rappers, a lot of men and black

0:44:36.040 --> 0:44:38.560
<v Speaker 3>men because y'all have it hard as it is, will

0:44:38.600 --> 0:44:41.839
<v Speaker 3>not come out and speak about these topics for fear

0:44:41.840 --> 0:44:44.560
<v Speaker 3>of being canceled. So we won't name some names because

0:44:44.560 --> 0:44:45.600
<v Speaker 3>that's going on today.

0:44:46.239 --> 0:44:49.359
<v Speaker 2>You can all the names, but certain people.

0:44:49.080 --> 0:44:52.760
<v Speaker 3>Just aren't talking to the point where they're in tears.

0:44:54.000 --> 0:44:58.240
<v Speaker 1>Yeah that's true. That don't even look crazy no more.

0:44:59.480 --> 0:45:02.440
<v Speaker 3>But it's it's true though, And I just I want

0:45:02.480 --> 0:45:07.600
<v Speaker 3>this album to be a spark because you already have

0:45:09.520 --> 0:45:13.719
<v Speaker 3>success in whatever perspective you want to look at it at.

0:45:13.960 --> 0:45:19.040
<v Speaker 3>But sustainability, how long can we continue talking about you?

0:45:19.520 --> 0:45:22.800
<v Speaker 3>Can you be a scarface at this point in ten years?

0:45:23.520 --> 0:45:23.719
<v Speaker 2>Right?

0:45:23.880 --> 0:45:24.920
<v Speaker 3>Starting with this album?

0:45:25.680 --> 0:45:26.920
<v Speaker 2>This could be a win.

0:45:27.760 --> 0:45:29.960
<v Speaker 1>So when it takes time for you to figure out

0:45:30.000 --> 0:45:34.279
<v Speaker 1>a win too, I could dig it. It's much more

0:45:34.280 --> 0:45:36.640
<v Speaker 1>than just it's great that you even pause to even

0:45:37.680 --> 0:45:39.080
<v Speaker 1>define what a win looks like.

0:45:39.120 --> 0:45:41.480
<v Speaker 2>Yeah, because I have not too many people do that.

0:45:41.680 --> 0:45:43.160
<v Speaker 2>We just go and go and go.

0:45:44.000 --> 0:45:47.200
<v Speaker 3>I think that's the key to success. I don't even

0:45:47.239 --> 0:45:49.759
<v Speaker 3>like saying the word success because I think progress is

0:45:49.800 --> 0:45:54.320
<v Speaker 3>more potent than the word success because when you think success,

0:45:54.360 --> 0:45:57.320
<v Speaker 3>it's like, okay, so we reach, well what is success?

0:45:57.400 --> 0:46:01.880
<v Speaker 3>We reached what goal? Because isn't that progress? Because if

0:46:01.920 --> 0:46:05.040
<v Speaker 3>you say we're successful now, that means that there's no

0:46:05.120 --> 0:46:10.840
<v Speaker 3>longer any future goals. So I think progress leads to sustainability.

0:46:11.960 --> 0:46:14.920
<v Speaker 3>Just like you said the other day, we're not worried

0:46:14.960 --> 0:46:17.760
<v Speaker 3>about what we're just gonna go. We're just gonna do it.

0:46:17.840 --> 0:46:20.160
<v Speaker 3>Just focus on being better, that's what it is. And

0:46:20.200 --> 0:46:22.319
<v Speaker 3>then all of us if we have that same mentality.

0:46:23.360 --> 0:46:27.480
<v Speaker 1>Yeah, when the majority of people that are on this

0:46:27.640 --> 0:46:31.640
<v Speaker 1>quest of releasing music, that's the goal for them, just

0:46:31.680 --> 0:46:32.279
<v Speaker 1>to release it.

0:46:32.320 --> 0:46:34.120
<v Speaker 2>They have no idea what to do next.

0:46:35.000 --> 0:46:36.960
<v Speaker 1>That's why I was telling g just walking up here,

0:46:38.560 --> 0:46:41.600
<v Speaker 1>people don't have a connection outside of their neighborhood. So

0:46:41.680 --> 0:46:45.000
<v Speaker 1>what we're doing even being here is huge. Being in

0:46:45.040 --> 0:46:47.880
<v Speaker 1>New York is huge, and having relationships imagine if somebody

0:46:48.000 --> 0:46:50.440
<v Speaker 1>just said, Okay, I'm finna go and do I'm gonna promote,

0:46:50.440 --> 0:46:52.239
<v Speaker 1>I see what y'are doing. I'm gonna land in New York.

0:46:52.360 --> 0:46:56.800
<v Speaker 1>What do you do next? You don't know nobody. That's true,

0:46:57.560 --> 0:47:00.360
<v Speaker 1>and so this is a role that probably only we

0:47:00.400 --> 0:47:04.239
<v Speaker 1>could take independently at this point. For me, successes every day,

0:47:05.640 --> 0:47:08.400
<v Speaker 1>every day. That's really I have to kind of micro

0:47:08.560 --> 0:47:11.759
<v Speaker 1>manage what's going on. So like success was getting right

0:47:11.760 --> 0:47:14.919
<v Speaker 1>here right now by twelve right, and it's like, okay,

0:47:14.920 --> 0:47:17.759
<v Speaker 1>I'm twelve o three, I'll take that. That's okay, that's

0:47:17.800 --> 0:47:20.480
<v Speaker 1>not the game I wanted. I wanted eleven fifty seven,

0:47:21.360 --> 0:47:25.279
<v Speaker 1>but I'll take twelve oh three, right, Okay. Making it

0:47:25.320 --> 0:47:29.719
<v Speaker 1>to the next thing at two, exceeding at once we

0:47:29.760 --> 0:47:34.080
<v Speaker 1>get to the progress report, exceeding having a conversation that

0:47:34.160 --> 0:47:36.960
<v Speaker 1>makes the interviewer say, dam I never thought.

0:47:36.719 --> 0:47:39.160
<v Speaker 3>About it like that first impression, right.

0:47:39.200 --> 0:47:42.440
<v Speaker 1>And not even just first, but then really presenting a

0:47:42.520 --> 0:47:44.240
<v Speaker 1>conversation that.

0:47:44.200 --> 0:47:45.520
<v Speaker 2>Gives people perspective.

0:47:46.880 --> 0:47:51.439
<v Speaker 1>Okay, fine, after that, Okay, let's go get them lamb

0:47:51.520 --> 0:47:53.440
<v Speaker 1>chops amazing, lamb chops.

0:47:53.760 --> 0:47:57.200
<v Speaker 3>Goodness. But that's true because if you don't get up

0:47:57.239 --> 0:48:00.480
<v Speaker 3>and get out and go to a pot cast or

0:48:00.480 --> 0:48:03.520
<v Speaker 3>an interview or a radio station, doesn't matter where, and

0:48:03.640 --> 0:48:08.680
<v Speaker 3>speak your mind. Then you're only leaving the audience with

0:48:09.280 --> 0:48:15.120
<v Speaker 3>just those words on your songs. That's it. But once

0:48:15.160 --> 0:48:17.239
<v Speaker 3>they tune into your interviews, they can go, this guy

0:48:17.320 --> 0:48:22.440
<v Speaker 3>is intelligent. He's a hip hop you know, scholar. You know.

0:48:23.360 --> 0:48:26.319
<v Speaker 3>I feel like scholar, you know.

0:48:27.920 --> 0:48:30.080
<v Speaker 1>And this is the thing that I'm learning on these

0:48:30.400 --> 0:48:33.280
<v Speaker 1>on these on these runs which I didn't know before,

0:48:33.400 --> 0:48:36.640
<v Speaker 1>like and he like, I'm learning so much so I

0:48:36.640 --> 0:48:39.319
<v Speaker 1>feel like I'm in school right, so learning when we

0:48:39.400 --> 0:48:42.120
<v Speaker 1>go do these interviews in these podcasts that it's not

0:48:42.239 --> 0:48:46.239
<v Speaker 1>about setting the product. It's about the selling you and

0:48:46.280 --> 0:48:50.399
<v Speaker 1>having a conversation and then some some yeah, but some

0:48:50.480 --> 0:48:55.239
<v Speaker 1>conversations never leave really back to the project. We will

0:48:55.280 --> 0:48:58.160
<v Speaker 1>mention it, but it's more about Man, I didn't even

0:48:58.200 --> 0:49:00.560
<v Speaker 1>know you was that deep. You offer a different respective,

0:49:00.680 --> 0:49:03.480
<v Speaker 1>but the clip that comes out later on allows you

0:49:03.520 --> 0:49:05.399
<v Speaker 1>to be like, man, I like this dude. Now let

0:49:05.400 --> 0:49:06.759
<v Speaker 1>me listen to his pros or.

0:49:06.760 --> 0:49:08.560
<v Speaker 2>I don't like him, or I don't Yeah.

0:49:08.560 --> 0:49:12.440
<v Speaker 1>We did like one with horrible decisions, and the brand

0:49:12.480 --> 0:49:14.839
<v Speaker 1>of that show is more or less girls who kind

0:49:14.840 --> 0:49:16.800
<v Speaker 1>of want to be free and don't be judged for

0:49:16.920 --> 0:49:18.920
<v Speaker 1>being free. And then somebody steps on and say, you

0:49:18.960 --> 0:49:22.160
<v Speaker 1>need to put some boundaries on yourself. You need to

0:49:22.200 --> 0:49:25.080
<v Speaker 1>do something if your goal is to obtain this finish.

0:49:25.200 --> 0:49:27.920
<v Speaker 3>That's the control of the media. See, I have to

0:49:27.960 --> 0:49:30.040
<v Speaker 3>do that as a publicist. So don't say that, don't

0:49:30.040 --> 0:49:32.279
<v Speaker 3>do this. The media will control it, the labels will

0:49:32.320 --> 0:49:36.319
<v Speaker 3>control it. But you have full control. So with this

0:49:36.360 --> 0:49:38.960
<v Speaker 3>full control, you can speak and say what you want.

0:49:39.480 --> 0:49:42.880
<v Speaker 3>Sometimes you don't get the backlash, sure, but that's it

0:49:42.920 --> 0:49:46.040
<v Speaker 3>does open up conversation. And that's what's key is people

0:49:46.080 --> 0:49:47.719
<v Speaker 3>continuing to talk about you.

0:49:48.239 --> 0:49:50.560
<v Speaker 1>As a gangster rapper. Your job is to be the

0:49:50.600 --> 0:49:51.400
<v Speaker 1>greatest villain.

0:49:52.800 --> 0:49:53.239
<v Speaker 3>I like that.

0:49:53.640 --> 0:49:55.720
<v Speaker 2>But as a man, you gotta do it in truth.

0:49:57.280 --> 0:49:59.200
<v Speaker 2>I like that. And you got to document the time

0:49:59.239 --> 0:50:02.640
<v Speaker 2>that you're in like you you like. They were mad.

0:50:02.680 --> 0:50:04.719
<v Speaker 1>They was like glass, I can't believe he said hold

0:50:04.760 --> 0:50:09.360
<v Speaker 1>it till we're married. In twenty twenty three, Nigga, that

0:50:09.480 --> 0:50:11.040
<v Speaker 1>made me hitler.

0:50:12.200 --> 0:50:15.080
<v Speaker 2>They like, I'm I'm Hitler, walked out the show.

0:50:16.000 --> 0:50:19.319
<v Speaker 1>I'm Hitler of the pussy. I'm like, hold that thing

0:50:19.360 --> 0:50:23.479
<v Speaker 1>until you get married. How dare you say, how dare

0:50:23.520 --> 0:50:27.560
<v Speaker 1>you tell us to save ourselves from somebody? How dare

0:50:27.600 --> 0:50:30.520
<v Speaker 1>you speak such a wet glasses. We have needs, we need,

0:50:31.080 --> 0:50:33.799
<v Speaker 1>we need to actually fulfill our needs, but we still

0:50:33.840 --> 0:50:37.439
<v Speaker 1>want everybody to accept us and respect us. And I'll

0:50:37.520 --> 0:50:39.919
<v Speaker 1>just be right there looking like the villain himself. I'll

0:50:39.920 --> 0:50:42.960
<v Speaker 1>be just looking like Hitler up there at the podium,

0:50:43.000 --> 0:50:43.759
<v Speaker 1>and they just be like.

0:50:43.920 --> 0:50:45.799
<v Speaker 3>Shout out to West Coast cam he we had he

0:50:46.200 --> 0:50:49.520
<v Speaker 3>y'all go through that to where people are like, did

0:50:49.560 --> 0:50:53.920
<v Speaker 3>he just say that? But you're you're bold enough to

0:50:54.160 --> 0:50:57.120
<v Speaker 3>know what your purpose on this.

0:50:57.160 --> 0:51:01.680
<v Speaker 1>Earth is, and it's not always favorable. It's usually not

0:51:02.280 --> 0:51:04.600
<v Speaker 1>it's not always favorable, you know. I mean it's it's

0:51:04.680 --> 0:51:08.040
<v Speaker 1>like it's like Jesus chasing the money changers out the temple,

0:51:08.840 --> 0:51:11.440
<v Speaker 1>not the Jesus that everybody liked. They got to that

0:51:11.440 --> 0:51:12.600
<v Speaker 1>that will never get the.

0:51:16.440 --> 0:51:17.759
<v Speaker 2>Fuck out of here. That's where is he?

0:51:18.160 --> 0:51:20.760
<v Speaker 1>I mean, that's me all the time. That's the version

0:51:20.760 --> 0:51:21.720
<v Speaker 1>of Jesus.

0:51:21.320 --> 0:51:23.479
<v Speaker 3>That I didn't want to see that version more.

0:51:23.719 --> 0:51:27.440
<v Speaker 1>The Martin Luther King I am is is I've.

0:51:27.239 --> 0:51:29.720
<v Speaker 2>Been to the mountaintop. I'm not. I had a dream.

0:51:29.760 --> 0:51:31.600
<v Speaker 2>Martin I've been to the mountaintop Martin.

0:51:32.719 --> 0:51:35.839
<v Speaker 3>I'm I'm not who rebelled though, because he rebelled too.

0:51:36.160 --> 0:51:37.680
<v Speaker 2>That's why I've been to the mountaintop.

0:51:38.120 --> 0:51:41.359
<v Speaker 1>If you listen to that speech, ironically in Atlanta, right

0:51:42.160 --> 0:51:45.279
<v Speaker 1>his hometown, and this speech was in Memphis.

0:51:44.960 --> 0:51:46.719
<v Speaker 2>Before he got shot. This what got him shot?

0:51:47.480 --> 0:51:47.879
<v Speaker 3>M hmm.

0:51:48.200 --> 0:51:50.719
<v Speaker 1>Can't just be telling people ship so you know, I

0:51:50.760 --> 0:51:52.640
<v Speaker 1>expect the women to come together and try to pack

0:51:52.719 --> 0:51:53.040
<v Speaker 1>me out.

0:51:54.200 --> 0:51:58.640
<v Speaker 3>So what's the limit? Is there a limit? Because can

0:51:58.680 --> 0:52:02.359
<v Speaker 3>you can you be that villain without saying kill kill kill?

0:52:03.000 --> 0:52:08.800
<v Speaker 3>And taboo topics? I like the idea of taboo topics

0:52:08.800 --> 0:52:10.200
<v Speaker 3>because it makes you think.

0:52:10.200 --> 0:52:12.440
<v Speaker 1>This is the thing, this is the thing. And this

0:52:12.600 --> 0:52:15.440
<v Speaker 1>was just two days ago. I got back in the

0:52:15.480 --> 0:52:17.239
<v Speaker 1>car with a glass. I said, bro, who are you

0:52:17.719 --> 0:52:21.760
<v Speaker 1>because it was it wasn't your taboo topics, it was sports.

0:52:22.160 --> 0:52:24.759
<v Speaker 1>Oh and it and the analogies that he had and

0:52:24.800 --> 0:52:26.520
<v Speaker 1>he's well versed. And I'm not just saying that because

0:52:26.760 --> 0:52:29.399
<v Speaker 1>he's my partner, but like, I was really taken back

0:52:29.480 --> 0:52:32.640
<v Speaker 1>just sitting there, like he really controlled this room and

0:52:32.680 --> 0:52:34.439
<v Speaker 1>gave them some perspectives that.

0:52:34.400 --> 0:52:39.560
<v Speaker 2>They had no idea that was coming. And again polarizing, So.

0:52:40.280 --> 0:52:43.080
<v Speaker 3>You got you gotta talk, but answer the question and

0:52:43.120 --> 0:52:43.960
<v Speaker 3>your perspective.

0:52:44.160 --> 0:52:47.239
<v Speaker 1>The weird part is people think that I'm doing this

0:52:48.239 --> 0:52:52.239
<v Speaker 1>would intend to be polarizing. It's really what I think,

0:52:52.400 --> 0:52:55.080
<v Speaker 1>and that's the problem. Like ask somebody like EP was

0:52:55.200 --> 0:52:58.600
<v Speaker 1>just chilling with me. That's just in the car, We'll

0:52:58.719 --> 0:53:01.040
<v Speaker 1>be talking about some shit and that's just how it

0:53:01.080 --> 0:53:04.200
<v Speaker 1>come out. But I think it's different because I'm talking

0:53:04.239 --> 0:53:06.520
<v Speaker 1>to him consistently, so it's well explained, like he not

0:53:07.040 --> 0:53:10.080
<v Speaker 1>were having a greater conversation most of the time. People

0:53:10.120 --> 0:53:12.680
<v Speaker 1>introduce me the ideas all the time, and I listened

0:53:12.680 --> 0:53:13.600
<v Speaker 1>to him.

0:53:13.760 --> 0:53:16.600
<v Speaker 3>Okay, But back to the villain. How is there a limit?

0:53:17.080 --> 0:53:23.279
<v Speaker 2>No no limit? Hitler levels as oh Jesus levels.

0:53:25.000 --> 0:53:25.600
<v Speaker 3>The state that.

0:53:27.880 --> 0:53:32.000
<v Speaker 2>Jesus levels and villain Jesus levels of villainy. Hang you,

0:53:32.160 --> 0:53:33.480
<v Speaker 2>hang you in front of the whole town.

0:53:34.239 --> 0:53:34.640
<v Speaker 3>Mm hmm.

0:53:35.960 --> 0:53:38.920
<v Speaker 1>Hitler is too lay easy because he did something that

0:53:38.960 --> 0:53:42.240
<v Speaker 1>people can desire and feel is worthy of whatever happened.

0:53:42.280 --> 0:53:45.040
<v Speaker 1>I mean, he did some gradu shit Jesus levels of villainy,

0:53:45.080 --> 0:53:48.160
<v Speaker 1>Martin Luther King levels of villainy where you like, you

0:53:48.200 --> 0:53:50.920
<v Speaker 1>know what I mean, Muhammad Ali levels of villainy. I

0:53:50.960 --> 0:53:54.160
<v Speaker 1>mean where you just like out of control with this

0:53:54.239 --> 0:53:54.680
<v Speaker 1>villain ship.

0:53:54.680 --> 0:53:57.440
<v Speaker 2>They like, how dare him think he gonna come to

0:53:57.560 --> 0:53:58.840
<v Speaker 2>this slut walk and.

0:53:58.760 --> 0:54:00.960
<v Speaker 1>Talk to us that way? I should be at the

0:54:01.000 --> 0:54:04.319
<v Speaker 1>slept walk with my movement rapping. Kanye should have never

0:54:04.360 --> 0:54:05.160
<v Speaker 1>married that bitch.

0:54:05.760 --> 0:54:09.160
<v Speaker 3>At what point does it get okay? Where does it

0:54:09.200 --> 0:54:13.280
<v Speaker 3>get to the point where you question if what you're

0:54:13.360 --> 0:54:17.239
<v Speaker 3>doing is exactly what you're supposed to be doing. And

0:54:17.280 --> 0:54:19.600
<v Speaker 3>if it is okay, so be it. But at what

0:54:19.680 --> 0:54:21.120
<v Speaker 3>point do you say, because if you want to talk

0:54:21.160 --> 0:54:26.520
<v Speaker 3>about the Jesus story, then even Jesus said you sure,

0:54:26.600 --> 0:54:27.960
<v Speaker 3>this is the way that this is the way it

0:54:28.000 --> 0:54:30.160
<v Speaker 3>has to end. Because if it is okay, I'm gonna

0:54:30.160 --> 0:54:32.560
<v Speaker 3>go out there and write about me.

0:54:32.600 --> 0:54:33.840
<v Speaker 2>I'm not as great as Jesus.

0:54:34.320 --> 0:54:36.239
<v Speaker 3>But just the story of the concept, well yeah, it's.

0:54:36.120 --> 0:54:39.680
<v Speaker 1>Gonna always come up short of Jesus. That just you know,

0:54:39.800 --> 0:54:42.880
<v Speaker 1>you just gotta walk your purpose. If I wasn't tasked

0:54:42.880 --> 0:54:46.840
<v Speaker 1>for it, they'd be different. This is I'm not trying

0:54:47.440 --> 0:54:50.080
<v Speaker 1>as he I'm not trying. I'm not prepared. I'm not trying.

0:54:50.120 --> 0:54:52.400
<v Speaker 1>I read all the time at home, I watch sports.

0:54:52.400 --> 0:54:55.759
<v Speaker 1>It's just what I think, and I've done it enough

0:54:55.800 --> 0:54:57.680
<v Speaker 1>to understand that this is what I should be saying.

0:54:57.719 --> 0:54:59.680
<v Speaker 1>So I'm not trying, like I swear to God on

0:54:59.680 --> 0:55:02.640
<v Speaker 1>the live, I'm not looking for things that people to

0:55:02.640 --> 0:55:05.080
<v Speaker 1>be outread. I just kind of noticed things and I'll

0:55:05.120 --> 0:55:09.280
<v Speaker 1>be like, oh damn, that's crazy, Like like Key Sweart,

0:55:09.280 --> 0:55:10.080
<v Speaker 1>mak it last forever.

0:55:10.440 --> 0:55:11.920
<v Speaker 2>It's better than bad.

0:55:17.239 --> 0:55:19.880
<v Speaker 1>Good looking out For tuning into The note Seller's podcast,

0:55:20.160 --> 0:55:22.960
<v Speaker 1>Please do us a favorite, subscribe, rate, comment, and share.

0:55:23.360 --> 0:55:25.800
<v Speaker 1>This episode was recorded right here on the West coast

0:55:25.800 --> 0:55:29.040
<v Speaker 1>of the USA and produced by my homeboy A King

0:55:29.120 --> 0:55:32.120
<v Speaker 1>for the Black Effect Podcast Network and now Heard Radio

0:55:32.640 --> 0:55:35.680
<v Speaker 1>Yeah