WEBVTT - Conversations West Coast Hip Hop Needs To Hear

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Saler's podcast with your hosts now fuck that with your

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<v Speaker 1>loaw glasses, Malone?

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<v Speaker 2>Was that four minutes later today?

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<v Speaker 3>Three minutes late you start that countdown? I would have

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<v Speaker 3>been three or two if you didn't do that countdown.

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<v Speaker 2>You gotta do the countdown even when you late.

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<v Speaker 3>Why do you have to do the countdown? People are

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<v Speaker 3>people are tuning into the countdown.

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<v Speaker 1>It's so professional. You don't fuck with the professionalism of

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<v Speaker 1>the countdown. Well, I turn on a television. They don't

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<v Speaker 1>do a countdown. They just they just do the show.

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<v Speaker 2>Nah, just they show the intro.

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<v Speaker 1>Even if the show been on for twenty years as vu,

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<v Speaker 1>you still get the intro right now to this day,

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<v Speaker 1>twenty seven years later, they.

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<v Speaker 3>Have production credits. Boy, this is this is like breaking

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<v Speaker 3>news and version see stuff. They don't do an intro.

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<v Speaker 3>When you know they dropped a nuclear bomb on Japan,

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<v Speaker 3>they said this just then.

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<v Speaker 2>You want to go more news, not so programming.

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<v Speaker 4>I don't know. We could do a little, but I

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<v Speaker 4>think if we if we if we lead it right.

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<v Speaker 2>I think we need to make an intro.

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<v Speaker 1>I think next time you come to LA we need

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<v Speaker 1>to make an SVU intro that's for the lunch hour,

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<v Speaker 1>and then it starts like the intro we had a.

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<v Speaker 2>Don't boom bom bom bom boom boom boom boom boom

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<v Speaker 2>boom boom bom.

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<v Speaker 1>And like we just investigating all kind of like crazy

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<v Speaker 1>shit in the world.

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<v Speaker 3>I want to do three different intro concepts, one for

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<v Speaker 3>each day of the week, and they could be thematic.

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<v Speaker 3>One's like SVU. The other one's kind of like family matters,

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<v Speaker 3>where we turn and wave and then it shows our name.

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<v Speaker 2>Like we're doing a thing, yo.

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<v Speaker 1>So we agree the shout out to everybody in the commons.

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<v Speaker 1>No Senters live the lunch hour every Monday, Wednesday or

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<v Speaker 1>Friday Pacific time noon. You feel me, click the thumbs

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<v Speaker 1>up button. Let everybody know you here.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 1>Do that for real quick clicking thumbs up button. Check

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<v Speaker 1>the comments you know what I'm saying. Hit the comments

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<v Speaker 1>up so I can see y'all in here. Shout y'all

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<v Speaker 1>out correctly. Going to the description, subscribe to No Siller's Podcast.

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<v Speaker 1>That's the reason why we do this. We do the

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<v Speaker 1>No Siller's Podcast. That's that's the exact reason why we

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<v Speaker 1>do this.

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<v Speaker 2>You know what I'm saying. So go to the No

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<v Speaker 2>Sillers Live podcast Feel Me and we in the game.

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<v Speaker 2>Subscribe it to a link below.

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<v Speaker 1>Executive produced by Charlemagne of God Black Effect Network and iHeart.

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<v Speaker 3>We could do something like a role reversal of the

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<v Speaker 3>Fresh Prince intro or I get out of a cab

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<v Speaker 3>on one hundred and seventeenth Street in Wilmington and then

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<v Speaker 3>I walk up and then next thing you know, I'm

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<v Speaker 3>getting thrown out of the house.

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<v Speaker 4>At the end of the intro.

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<v Speaker 1>I like that too, oh man. So shout out to

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<v Speaker 1>the homie. I think his name is either pronounced real

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<v Speaker 1>Studis or Sutis. I'm not sure how to pronounce it.

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<v Speaker 1>Shout out to the homie from Twitter, but I thought

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<v Speaker 1>it was interesting and he gave me the idea that

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<v Speaker 1>I wanted to talk about glasses. Did I go through

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<v Speaker 1>a character change? Noah, No, no, no no, I just

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<v Speaker 1>not even like that, not.

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<v Speaker 2>Even like that.

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<v Speaker 1>Shout out to Laura nick Land Me Fat Hassan JD

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<v Speaker 1>my favorite Squishy. I just put together your package, Squishy

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<v Speaker 1>and selled it up and I got you for your today.

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<v Speaker 1>Fats Tommie Fast, what's up, Fast, Bela, What's up?

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<v Speaker 2>Queen?

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<v Speaker 1>JD Thug was heading Nick everybody in here showing love

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<v Speaker 1>You feel Me? West Side was heading so the Homiel like,

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<v Speaker 1>so today I'm looking and I realized, like, it's a

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<v Speaker 1>great time to be on the West coast. Ice Cube

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<v Speaker 1>is dropping Friday. He's dropping a new album this Friday.

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<v Speaker 1>I don't know why the name is slipping. You feel Me?

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<v Speaker 1>Snoop is dropping in December. As soon as I leave here,

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<v Speaker 1>I'm gonna go to the compound with him and dre

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<v Speaker 1>Aight invited me over there to check out the record.

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<v Speaker 1>They want to play the record for me. So I

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<v Speaker 1>get to be critical over some people I grew up

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<v Speaker 1>listening to. Exhibit is dropping in February. I'm dropping in March.

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<v Speaker 1>The one ten album oh Ice Cubes album is called

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<v Speaker 1>Man Down. Snoops album is called uh Missionary. I know

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<v Speaker 1>exhibits album. He send me the cover heems I helped

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<v Speaker 1>choose to cover. And then we dropping Glass and Long

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<v Speaker 1>Presents one ten with me Joey Induced, and I was like, man,

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<v Speaker 1>somebody got to drop in January, like you know, maybe game.

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<v Speaker 2>I know Gang was preparing documentary three, So.

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<v Speaker 1>I thought it would be dope to, you know, if

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<v Speaker 1>he dropped in January and we just getting back to

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<v Speaker 1>business and a homie hopped on my Twitter. He tweeted

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<v Speaker 1>me and he said something specific to he said, he

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<v Speaker 1>responded to the tweet where I named all these albums

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<v Speaker 1>in the month for sure, rest and peace of fear.

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<v Speaker 1>That's a good point. Cousin Harold Man I was a

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<v Speaker 1>dope brother. I never got a chance to meet uh

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<v Speaker 1>cousin Sofa. I never got a chance to meet cousin

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<v Speaker 1>Harold Sofia and he was hella dope. But so homie

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<v Speaker 1>responds to me when I'm really showing support for q

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<v Speaker 1>Snoop exhibit, and he said, respectfully, I'm from Compton, Greenleaf

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<v Speaker 1>and Willerbrook. I love all West Coast, but new artists

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<v Speaker 1>have to be featured more or get more exposure like

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<v Speaker 1>these established artists have within LA culture. And I responded

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<v Speaker 1>to him and I let him know like.

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<v Speaker 2>Like I'm from around the corner from where you're from.

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<v Speaker 1>And I don't think, really that wasn't the appropriate time

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<v Speaker 1>to really say that, you know what I mean, Like

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<v Speaker 1>if you showing love to a particular group of people

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<v Speaker 1>and that's to me where social media can be a

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<v Speaker 1>bit like, you know what I mean, kind of like counterproductive,

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<v Speaker 1>where it's like you showing love, like you showing love

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<v Speaker 1>to catch up, and niggas start talking about mustard, you

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<v Speaker 1>know what I mean. It's like, what about mustard? It's like,

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<v Speaker 1>that's not what this is about. But it sent me

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<v Speaker 1>into a spiral thought and it took me back to

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<v Speaker 1>when I first started. We created a movement when I

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<v Speaker 1>first started in two thousand and five six seven called

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<v Speaker 1>West Coast Hip Hop right New West. That was our movement.

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<v Speaker 1>And my attitude when I first got in this gang

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<v Speaker 1>was always like I felt like I didn't get embraced

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<v Speaker 1>by by the legends, and I don't even know what

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<v Speaker 1>that embrace shit look like. You know what I'm saying,

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<v Speaker 1>be honest, you know what I mean, Like I don't

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<v Speaker 1>even know quite what I expected. But we started a

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<v Speaker 1>movement called New West because we were on our own

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<v Speaker 1>and we had to make it happen, like we none

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<v Speaker 1>of us was getting signed to labels, you know what

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<v Speaker 1>I'm saying. And forgive me, uh studies. I'm not saying

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<v Speaker 1>that that was your intentions to be that way.

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<v Speaker 2>I'm just saying.

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<v Speaker 1>Social media can create that environment where you could be

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<v Speaker 1>showing love to something specifically, you know what I'm saying,

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<v Speaker 1>and other things come into play and it may not

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<v Speaker 1>be the time for that. But anyway, we started this

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<v Speaker 1>New West movement, right and we started this New West

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<v Speaker 1>movement and me Bishop and Mike stro we were like

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<v Speaker 1>at the pinnacle of it.

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<v Speaker 2>And really.

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<v Speaker 1>It wasn't negative. It was just like, okay, we on

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<v Speaker 1>our own, so we're gonna make our own movement. See

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<v Speaker 1>back then, even sub like like like unconsciously knew you

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<v Speaker 1>needed a movement to market when it comes to hip hop.

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<v Speaker 2>Does that make sense, Pete? Sure? Sure, Okay.

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<v Speaker 1>So as we the movement start picking up steam, different

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<v Speaker 1>new artists who were in the game or just getting

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<v Speaker 1>in the game, or been struggling in the game felt like, damn,

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<v Speaker 1>it's some dudes that we can be down with. They

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<v Speaker 1>with us, and we with them. So they became a

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<v Speaker 1>part of the movement. And within that conversation, now you

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<v Speaker 1>have people with real gripes, you know what I mean.

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<v Speaker 2>It was with real gripes.

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<v Speaker 1>It like people who had felt like they've been messed

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<v Speaker 1>over by certain legendary artists. You know what, I mean,

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<v Speaker 1>they had gripes. So what started coming from the movement

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<v Speaker 1>was like, you know, f them old dudes, or I

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<v Speaker 1>got a problem with this person. You know what I'm saying.

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<v Speaker 1>It just start being crazy, you know what I mean.

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<v Speaker 1>It just it started being a different thing, and a

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<v Speaker 1>lot of the legends started responding.

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<v Speaker 2>To the energy.

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<v Speaker 1>And because everybody kept saying New West, right, and they

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<v Speaker 1>knew the center of New West was Glasses Low on

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<v Speaker 1>Seventh Street was Glasses alone, So immediately people start talking

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<v Speaker 1>shit about me. So I'm like, what the fuck, like,

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<v Speaker 1>you know what I'm saying, Like, I ain't like this

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<v Speaker 1>is the New West. I get it, like this is

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<v Speaker 1>PEPSI and were talking about coke.

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<v Speaker 2>But I never said nothing about coke.

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<v Speaker 1>But now as they start to respond to me or

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<v Speaker 1>start saying shit to me, fore me, Now I gotta

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<v Speaker 1>say something back. I'm compelled, right, I'm still Hella Street,

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<v Speaker 1>I'm still Hella a crip like, so I'm I'm giving

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<v Speaker 1>them the energy they asking back. So now I'm talking

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<v Speaker 1>shit too, now not specifically about nobody.

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<v Speaker 2>Go ahead, Pete, No.

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<v Speaker 3>I just didn't know because you're meeting with Dre later

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<v Speaker 3>and there's kind of this old Old West Coast theme

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<v Speaker 3>going on? Is this a bad time to pitch Dre

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<v Speaker 3>the idea for the new album the Chronic lower Back

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<v Speaker 3>Pain for the sixty and upcrowd.

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<v Speaker 2>Yes, it is definitely a problem.

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<v Speaker 3>Okay, well we'll hold on to that for later then,

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<v Speaker 3>But on the theme as it exists now, it is interesting,

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<v Speaker 3>like this is so parallel in human behavior to so

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<v Speaker 3>many other.

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<v Speaker 4>Topics we've discussed.

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<v Speaker 2>Yes, it is.

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<v Speaker 4>It's the same.

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<v Speaker 3>It's the same conversation as what is the kind of

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<v Speaker 3>collectivist responsibility of wealthy black people to look out for

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<v Speaker 3>up and coming black aspiring wealth. It's the same conversation

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<v Speaker 3>also as pro black doesn't mean anti white, it's it's

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<v Speaker 3>it's just a recurrence in the same human behavioral pattern

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<v Speaker 3>that exists throughout the canvas, exactly.

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<v Speaker 1>And that's why, And that was my point set. He's like,

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<v Speaker 1>I'm not I don't disagree with you, because I think

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<v Speaker 1>when you say one thing, you're saying three things. Still,

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<v Speaker 1>even if you're not saying three things, you know what

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<v Speaker 1>I'm saying, Like, I'm not saying.

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<v Speaker 2>That, I get it.

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<v Speaker 1>So I'm just I'm just taking you back to somebody

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<v Speaker 1>who had that mind state that he's talking about you

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<v Speaker 1>feel me Like I had that mind state where I

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<v Speaker 1>really didn't have no I mean I grew up listening

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<v Speaker 1>to Snoop and Cue like it was to a point

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<v Speaker 1>that people thought me and Cube really had an issue

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<v Speaker 1>with each other. And I'm like, dog, I don't have

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<v Speaker 1>a problem with Q. I'm telling you my journey in

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<v Speaker 1>the business. You feel me, I don't. It's fucking Ice

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<v Speaker 1>cubing bonds, fucking alb since I was like eight, like

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<v Speaker 1>how the fucking min have a beef with Ice Cue?

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<v Speaker 2>So go ahead, go.

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<v Speaker 3>Ahead, Snoop, And this is serious because the beauty of

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<v Speaker 3>doggy style was that it was doggy. It was double

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<v Speaker 3>entrantra between dogs and sex. Right now, Snoop's a little older,

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<v Speaker 3>there's no such thing as a missionary dog. Why the

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<v Speaker 3>album needs to be called put Them to Sleep?

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<v Speaker 1>Well, that's only if it's If it's it's it's like

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<v Speaker 1>you're still evolving pass from doggy Style. But again, because

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<v Speaker 1>missionary is a play off doggy style.

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<v Speaker 3>But put them to Sleep it's also a playoff doggy

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<v Speaker 3>style because you give it to them doggy style, you're

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<v Speaker 3>gonna put them to sleep.

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<v Speaker 4>But when dogs get old, you put them to sleep.

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<v Speaker 1>Yeah, yeah, yeah, but chill because I alady hear this

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<v Speaker 1>shit later and the nigga will be telling me later

0:12:31.920 --> 0:12:34.400
<v Speaker 1>like we sup with your hommy, don't do that. So look,

0:12:38.640 --> 0:12:41.280
<v Speaker 1>we got this New West movement popping right, you know

0:12:41.320 --> 0:12:45.360
<v Speaker 1>what I'm saying, So like it's blowing up. Bishop get

0:12:45.360 --> 0:12:48.400
<v Speaker 1>a deal, I get a deal, Mikey is heating up.

0:12:48.640 --> 0:12:50.719
<v Speaker 1>And now it's like a lot of us, you know

0:12:50.720 --> 0:12:53.000
<v Speaker 1>what I mean, everybody is on Jay Rock, like all

0:12:53.000 --> 0:12:57.240
<v Speaker 1>the hommies. We we blowing up, but our attitudes was

0:12:57.320 --> 0:12:57.840
<v Speaker 1>what they.

0:12:57.720 --> 0:13:00.920
<v Speaker 2>Were because it it went from a bunch of people

0:13:01.040 --> 0:13:01.760
<v Speaker 2>talking shit.

0:13:03.000 --> 0:13:06.680
<v Speaker 1>Like again, certain people like Topic really had a bad

0:13:06.720 --> 0:13:10.040
<v Speaker 1>experience with dove C, the hommy. Topic he's a rapper

0:13:10.080 --> 0:13:13.640
<v Speaker 1>from West Covina, real dope brother and he was signed

0:13:14.120 --> 0:13:16.280
<v Speaker 1>to dove C and him and DUBC had an issue

0:13:16.280 --> 0:13:18.120
<v Speaker 1>in a falling out, you know what I'm saying.

0:13:18.160 --> 0:13:21.760
<v Speaker 2>So so uh.

0:13:24.040 --> 0:13:26.760
<v Speaker 1>When Topics start pushing New West, he started addressing his

0:13:26.880 --> 0:13:30.840
<v Speaker 1>issues with Douve and then like it'd be different things.

0:13:30.840 --> 0:13:33.959
<v Speaker 1>So I guess legends kind of felt that heat coming.

0:13:34.000 --> 0:13:38.760
<v Speaker 1>So then they start talking shit about me, like maybe Bishop,

0:13:39.200 --> 0:13:41.000
<v Speaker 1>but they just start talking shit about me, and then

0:13:41.080 --> 0:13:43.240
<v Speaker 1>so niggas hearing him talk shit about me, So then

0:13:43.320 --> 0:13:45.280
<v Speaker 1>we start responding and.

0:13:45.240 --> 0:13:47.160
<v Speaker 2>Then it's a bunch of other little.

0:13:46.840 --> 0:13:51.000
<v Speaker 1>Goofy shit like right, that really created a weird riff

0:13:51.440 --> 0:13:55.320
<v Speaker 1>that I really didn't understand. I'm like, brother, like, how

0:13:55.320 --> 0:13:57.400
<v Speaker 1>do like, how does this work?

0:13:58.200 --> 0:13:58.959
<v Speaker 2>So it got to.

0:13:58.920 --> 0:14:01.880
<v Speaker 1>The point to where, like cube, I remember being with

0:14:01.960 --> 0:14:04.400
<v Speaker 1>Joe Buddens and this is when Joe Buddens this two

0:14:04.440 --> 0:14:08.080
<v Speaker 1>thousand and eleven. So Joe Budden is doing a podcast when

0:14:08.120 --> 0:14:09.440
<v Speaker 1>podcasts don't even exist.

0:14:09.520 --> 0:14:10.600
<v Speaker 2>That's one thing I can give.

0:14:10.559 --> 0:14:14.320
<v Speaker 1>Him credit that Nigga has in podcasting before podcasting was

0:14:14.360 --> 0:14:14.640
<v Speaker 1>a thing.

0:14:15.160 --> 0:14:17.520
<v Speaker 2>But he had his laptop halfway.

0:14:17.600 --> 0:14:21.200
<v Speaker 1>I didn't know he was recording on his laptop, like

0:14:21.240 --> 0:14:23.800
<v Speaker 1>he was talking to his audience, like he was just

0:14:23.880 --> 0:14:27.120
<v Speaker 1>broadcasting live. And he had his we on the tour

0:14:27.160 --> 0:14:30.120
<v Speaker 1>bus and his laptop is halfway you know what I mean,

0:14:30.160 --> 0:14:32.200
<v Speaker 1>it's not wide open, so I don't know he's talking

0:14:32.200 --> 0:14:34.240
<v Speaker 1>on it. Not to mention, who the fuck was thinking

0:14:34.240 --> 0:14:36.520
<v Speaker 1>you was talking to the computer in twenty eleven, I

0:14:36.560 --> 0:14:38.920
<v Speaker 1>never did no shit like that, So I didn't even.

0:14:38.720 --> 0:14:39.760
<v Speaker 2>Know what's streaming or.

0:14:41.800 --> 0:14:45.440
<v Speaker 1>Yeah, but I still wouldn't have knew because I didn't

0:14:45.480 --> 0:14:47.360
<v Speaker 1>fucking know what the fuck could you be doing on

0:14:47.400 --> 0:14:47.920
<v Speaker 1>the laptop.

0:14:47.960 --> 0:14:49.280
<v Speaker 4>And two, that's what I'm saying.

0:14:49.280 --> 0:14:51.760
<v Speaker 3>That's like you might want to mention that.

0:14:51.760 --> 0:14:54.240
<v Speaker 2>That's what I'm saying, Like I'm giving clarity.

0:14:54.360 --> 0:14:57.800
<v Speaker 1>So with people here, it is like they don't think

0:14:57.880 --> 0:15:01.480
<v Speaker 1>Joe is just like something scammy dude, Like yeah, he

0:15:01.520 --> 0:15:04.160
<v Speaker 1>could be vloggy and I didn't know, but no, he

0:15:04.240 --> 0:15:07.400
<v Speaker 1>was live streaming back then. He was way up name

0:15:07.520 --> 0:15:11.520
<v Speaker 1>brand on live streaming. Like I didn't know what that was, bro.

0:15:12.040 --> 0:15:14.640
<v Speaker 1>So I'm telling him a story. He's telling me a

0:15:14.760 --> 0:15:19.360
<v Speaker 1>story about when he met Wu Tang. This is before

0:15:19.600 --> 0:15:21.560
<v Speaker 1>obviously you know him and Wu Tang get into it

0:15:21.600 --> 0:15:25.640
<v Speaker 1>and they kind of punch on him. So I'm telling he,

0:15:25.760 --> 0:15:27.480
<v Speaker 1>like you don't know what it feels like glasses. He

0:15:27.560 --> 0:15:29.000
<v Speaker 1>telling me what it was like where he felt he

0:15:29.040 --> 0:15:31.440
<v Speaker 1>was disappointed meeting some member of Wu Tang. I forgot

0:15:31.440 --> 0:15:34.120
<v Speaker 1>exactly the person. I'm sure it's out there, you can

0:15:34.160 --> 0:15:37.000
<v Speaker 1>find it. And I'm telling him, I'm like, Joe, that's normal.

0:15:37.040 --> 0:15:39.120
<v Speaker 1>Like I remember I met ice Cube at a at

0:15:39.120 --> 0:15:42.240
<v Speaker 1>a record store signing and watch and I explained to

0:15:42.280 --> 0:15:45.520
<v Speaker 1>him the story where Cube was doing his signing and

0:15:45.560 --> 0:15:47.760
<v Speaker 1>he didn't feel as comfortable. Now, I don't know why

0:15:47.840 --> 0:15:49.560
<v Speaker 1>that don't he could been sick. I don't know, Like,

0:15:49.640 --> 0:15:52.040
<v Speaker 1>and I'm still telling you my perspective, I don't know,

0:15:52.520 --> 0:15:54.840
<v Speaker 1>but I said, like, this is the person who I

0:15:54.880 --> 0:15:57.320
<v Speaker 1>grew up kind of looking up to as the ultimate

0:15:57.680 --> 0:15:58.640
<v Speaker 1>kind of man.

0:15:58.800 --> 0:15:59.840
<v Speaker 2>And it just felt like.

0:16:01.560 --> 0:16:03.560
<v Speaker 1>Because he didn't react the way I wanted to, and

0:16:04.040 --> 0:16:07.040
<v Speaker 1>him come meet all these ogs who really was his

0:16:07.080 --> 0:16:09.960
<v Speaker 1>fans like I came to. I was like, man, I

0:16:10.000 --> 0:16:11.960
<v Speaker 1>think I saw Q scared like I said it. I

0:16:11.960 --> 0:16:13.520
<v Speaker 1>was like, yeah, he just kind of seemed scared.

0:16:14.280 --> 0:16:15.640
<v Speaker 2>Anyway, they take.

0:16:15.480 --> 0:16:18.280
<v Speaker 1>That clip and they chop it up and all of

0:16:18.320 --> 0:16:20.920
<v Speaker 1>the blogs go crazy with it. Again, it's twenty eleven,

0:16:20.960 --> 0:16:24.120
<v Speaker 1>so shit is hitting. So Q comes out and he's like, nigga,

0:16:24.120 --> 0:16:26.760
<v Speaker 1>I'm not scared of no glasses malone and fuck that

0:16:26.840 --> 0:16:29.960
<v Speaker 1>nigga and down I'm like, what the fuck is going on?

0:16:30.320 --> 0:16:32.800
<v Speaker 2>So again, this is all on top of.

0:16:34.640 --> 0:16:36.760
<v Speaker 1>This whole New West thing where they all killed and

0:16:36.840 --> 0:16:40.480
<v Speaker 1>already is looking crazy. You know what I mean, It's

0:16:40.560 --> 0:16:43.400
<v Speaker 1>just been crazy. There's Cube got songs this in the

0:16:43.480 --> 0:16:47.840
<v Speaker 1>New West, like it's crazy. So but in my mind,

0:16:47.960 --> 0:16:51.240
<v Speaker 1>I never in my life felt like I was beefing

0:16:51.280 --> 0:16:54.000
<v Speaker 1>with Snoop Dogg, Ice Cube or Doctor I know Doctor Dre.

0:16:54.160 --> 0:16:56.520
<v Speaker 1>I knew Doctor Dre before I even got serious about

0:16:56.560 --> 0:16:59.960
<v Speaker 1>rap like I don't, or MC eight like I knew

0:17:00.440 --> 0:17:02.960
<v Speaker 1>because he messed with the Homie Boom. I knew Chill

0:17:03.000 --> 0:17:05.680
<v Speaker 1>because chilling them gave me my first singles two hundred

0:17:05.760 --> 0:17:06.320
<v Speaker 1>that blew up.

0:17:06.600 --> 0:17:07.720
<v Speaker 2>So I never had a problem.

0:17:07.760 --> 0:17:09.560
<v Speaker 1>I've been buying these dudes records and listening to that

0:17:09.720 --> 0:17:11.159
<v Speaker 1>music my whole life.

0:17:11.320 --> 0:17:11.960
<v Speaker 2>You know what I'm saying.

0:17:12.480 --> 0:17:17.880
<v Speaker 4>So how are you and cute? Like you guys cool?

0:17:17.920 --> 0:17:19.719
<v Speaker 4>Like I don't know, Yeah, we cool now you know

0:17:19.760 --> 0:17:20.080
<v Speaker 4>each other?

0:17:20.119 --> 0:17:22.840
<v Speaker 1>Like, I don't know how it got so crazy, bro,

0:17:23.920 --> 0:17:27.400
<v Speaker 1>it got so crazy because this is the real story,

0:17:27.440 --> 0:17:29.439
<v Speaker 1>how we kind of got to a place where we

0:17:29.520 --> 0:17:32.320
<v Speaker 1>settled it and rest in peace to crazy tunes.

0:17:32.320 --> 0:17:32.399
<v Speaker 3>This.

0:17:32.480 --> 0:17:34.800
<v Speaker 1>I don't think I ever told this story publicly, but

0:17:34.880 --> 0:17:38.040
<v Speaker 1>this is the story. So all this talking, so they

0:17:38.040 --> 0:17:40.600
<v Speaker 1>would ask me cu Din already put out these dish

0:17:40.640 --> 0:17:42.480
<v Speaker 1>records if you never heard them, drink.

0:17:42.320 --> 0:17:42.920
<v Speaker 2>The kool aid?

0:17:43.640 --> 0:17:47.280
<v Speaker 1>Uh, No country for young men. It's some songs, and

0:17:47.280 --> 0:17:49.639
<v Speaker 1>he says some shit. Like even when he disses me

0:17:49.640 --> 0:17:52.040
<v Speaker 1>on the song, he like you Bobby Bouchet something, And

0:17:52.040 --> 0:17:54.920
<v Speaker 1>it's like Qute knows my alter ego to water Boy,

0:17:55.040 --> 0:17:58.280
<v Speaker 1>Like that was everything to me, Like how could I

0:17:58.320 --> 0:17:59.399
<v Speaker 1>even manifest a this.

0:18:00.440 --> 0:18:03.440
<v Speaker 2>I'm more impressed that Cube knows who I am.

0:18:04.359 --> 0:18:06.840
<v Speaker 1>Mind you, I'm a full seventh Street watch crit Nigga like,

0:18:07.280 --> 0:18:09.359
<v Speaker 1>but I'm like, this is ice Cue cause like I'm

0:18:09.400 --> 0:18:12.320
<v Speaker 1>in bond this movies cuz watching like Nigga, what like

0:18:12.400 --> 0:18:15.679
<v Speaker 1>this cue, Like Nigga formed my style after your style.

0:18:16.920 --> 0:18:19.439
<v Speaker 2>But again, and if.

0:18:19.280 --> 0:18:21.240
<v Speaker 1>He years this, he can go look through the interviews

0:18:21.240 --> 0:18:23.640
<v Speaker 1>because if I've never in my life said fuck ice

0:18:23.680 --> 0:18:25.840
<v Speaker 1>Cube or this ice Cube, it.

0:18:25.960 --> 0:18:29.840
<v Speaker 2>Just sound weird. Yeah, and even though it don't.

0:18:29.640 --> 0:18:31.520
<v Speaker 1>Even matter that I'm with mac Tin at the time,

0:18:31.520 --> 0:18:33.560
<v Speaker 1>and you know, they got the issue where they not talking.

0:18:33.880 --> 0:18:37.119
<v Speaker 1>I don't have a song saying fuck ice Cue or

0:18:37.280 --> 0:18:40.320
<v Speaker 1>ever saying that. But again it's this energy like that's

0:18:40.320 --> 0:18:43.680
<v Speaker 1>what I'm saying, and I'm like, yeah, bro, my homies

0:18:43.720 --> 0:18:45.800
<v Speaker 1>even said that, like, man, glad you you had a problem.

0:18:45.840 --> 0:18:48.320
<v Speaker 1>I'm like, no, I didn't, Like, I don't have no

0:18:48.440 --> 0:18:51.120
<v Speaker 1>song said fuck Snoop Dogg like that shit sounds stupid.

0:18:51.400 --> 0:18:52.280
<v Speaker 2>I don't know them.

0:18:52.600 --> 0:18:55.000
<v Speaker 1>All I know is I'm a fan of their music

0:18:55.119 --> 0:18:58.879
<v Speaker 1>cuz you feel me so and I got you said this,

0:18:58.920 --> 0:19:00.439
<v Speaker 1>give me a second. Let me just worry through all

0:19:00.480 --> 0:19:04.720
<v Speaker 1>this shit. So this is how me and the Q shit,

0:19:04.760 --> 0:19:06.760
<v Speaker 1>this Q shit come to the head. So I have

0:19:06.800 --> 0:19:08.800
<v Speaker 1>a show because I have the number one record in

0:19:08.840 --> 0:19:13.240
<v Speaker 1>this town. It's in Indiana. I got the number one

0:19:13.240 --> 0:19:15.560
<v Speaker 1>song and that Haters is the number one song. Or

0:19:15.760 --> 0:19:17.560
<v Speaker 1>son come up, I get that one of them song

0:19:17.600 --> 0:19:19.680
<v Speaker 1>is the number one song at the time in Indiana.

0:19:19.760 --> 0:19:22.359
<v Speaker 1>It's it's a town in Indiana. So the radio station

0:19:22.440 --> 0:19:24.639
<v Speaker 1>booked me for a car show. So I go to

0:19:24.640 --> 0:19:28.160
<v Speaker 1>to do a car show. Now, outside the car show

0:19:28.800 --> 0:19:30.919
<v Speaker 1>is where it's at. But inside this in front of

0:19:30.920 --> 0:19:33.639
<v Speaker 1>a club almost looked like a like a born style

0:19:33.680 --> 0:19:37.200
<v Speaker 1>of club in Indiana. Fort Wayne. Fort Wayne, Indiana. That's

0:19:37.240 --> 0:19:39.960
<v Speaker 1>the name of the town. Matter of fact, I actually

0:19:40.400 --> 0:19:42.280
<v Speaker 1>I used to know who that. I knew who the

0:19:42.359 --> 0:19:44.120
<v Speaker 1>dead I knew who the dude name was.

0:19:44.800 --> 0:19:49.359
<v Speaker 3>That was actually the PD Yeah, I think that's my

0:19:49.720 --> 0:19:52.480
<v Speaker 3>old roommate in college. Was this girl on the track team.

0:19:52.520 --> 0:19:53.960
<v Speaker 3>She stayed with me for like half a year. She

0:19:54.040 --> 0:19:55.240
<v Speaker 3>was from four Way, Indiana.

0:19:55.480 --> 0:19:57.399
<v Speaker 1>Yeah, so Fort Wayne is one of those kind of

0:19:57.920 --> 0:19:59.120
<v Speaker 1>small big towns.

0:19:59.280 --> 0:20:01.320
<v Speaker 2>It's like a town that means something two six.

0:20:01.320 --> 0:20:02.680
<v Speaker 4>Oh right, so.

0:20:05.440 --> 0:20:08.240
<v Speaker 1>Yeah, good point. D Johnsy said, So at the ten years,

0:20:08.680 --> 0:20:12.479
<v Speaker 1>they don't forget they forgot. No, that's the point. They

0:20:12.520 --> 0:20:15.440
<v Speaker 1>ain't forgott about me. Right, So fast forward?

0:20:15.520 --> 0:20:18.480
<v Speaker 4>Right, So is that Dennis Johnson from the Celtics. Was

0:20:18.480 --> 0:20:19.120
<v Speaker 4>he number three?

0:20:19.640 --> 0:20:22.080
<v Speaker 2>No? No, that's not Denis Johnson died rest of Soul.

0:20:22.280 --> 0:20:24.760
<v Speaker 1>Oh you're right, DJ from counter Too out of the

0:20:24.840 --> 0:20:26.840
<v Speaker 1>DJ top ten point guard all time. I don't care

0:20:26.840 --> 0:20:28.760
<v Speaker 1>when nobody say, we'll talk about that another time. Yeah,

0:20:29.080 --> 0:20:32.119
<v Speaker 1>fast forward, So win four Way, Indiana. They booked me

0:20:32.160 --> 0:20:34.920
<v Speaker 1>for the car show outside. The outside car show is

0:20:34.960 --> 0:20:37.879
<v Speaker 1>the parking lot of a club. That night they have

0:20:38.000 --> 0:20:40.560
<v Speaker 1>a club going and they have ice Cube performance. I

0:20:40.560 --> 0:20:44.919
<v Speaker 1>didn't know. So we fly into town, right, I go

0:20:45.040 --> 0:20:47.400
<v Speaker 1>do my sound check. Me it's me and DJ Head

0:20:47.440 --> 0:20:49.400
<v Speaker 1>and the Homie Quiz shout out their head because Head

0:20:49.440 --> 0:20:52.560
<v Speaker 1>was there and we was with a record ind from

0:20:53.359 --> 0:20:57.359
<v Speaker 1>from Universal a Girl. So I'm doing my soundcheck and

0:20:57.400 --> 0:20:59.120
<v Speaker 1>we're finna go back to the hotel to chill out

0:20:59.119 --> 0:21:00.920
<v Speaker 1>and get you know, till listen to do the card show.

0:21:02.080 --> 0:21:02.840
<v Speaker 2>Fast forward.

0:21:03.240 --> 0:21:06.199
<v Speaker 1>I'm walking back to the van and I hear like

0:21:06.440 --> 0:21:11.800
<v Speaker 1>faintly skip skip yy yay, like like music, and I

0:21:11.840 --> 0:21:16.720
<v Speaker 1>hear somebody checking the mic. This is me outside hearing

0:21:17.560 --> 0:21:21.520
<v Speaker 1>a sound check inside the club. Hey, my name glasses

0:21:21.520 --> 0:21:23.760
<v Speaker 1>because I can't see cuz, but my fucking ears it's

0:21:23.800 --> 0:21:25.840
<v Speaker 1>top tier at this point in my life.

0:21:26.040 --> 0:21:29.080
<v Speaker 2>You understanding, my ears is crazy. So I hear it,

0:21:29.119 --> 0:21:31.960
<v Speaker 2>I'm like, is that these niggas sound checking in the air?

0:21:33.480 --> 0:21:37.959
<v Speaker 1>So I'm like, damn. So I'm like, I tell the promoter.

0:21:38.160 --> 0:21:39.800
<v Speaker 1>I said, hey, what's going on. Later he's like, oh,

0:21:39.800 --> 0:21:43.400
<v Speaker 1>we got a concert. I'm like, oh yeah, they say,

0:21:43.640 --> 0:21:45.480
<v Speaker 1>acting their sound checking. It's a white man. So he

0:21:45.520 --> 0:21:47.800
<v Speaker 1>don't quite tell me who it is, but I know

0:21:47.840 --> 0:21:49.760
<v Speaker 1>who it is. So I'm like, could y'all give us

0:21:49.800 --> 0:21:51.720
<v Speaker 1>a tour of the club. They said, okay, Now this

0:21:51.800 --> 0:21:53.400
<v Speaker 1>is raggedy because I did do that.

0:21:53.880 --> 0:21:55.239
<v Speaker 2>It was raggedy. I did do that.

0:21:55.320 --> 0:21:58.320
<v Speaker 1>I didn't tell nobody what I thought or what I felt.

0:21:58.640 --> 0:22:00.639
<v Speaker 1>I just knew I needed to get in there because

0:22:00.680 --> 0:22:04.159
<v Speaker 1>I always said, like, look, man, I'm not gonna argue.

0:22:04.200 --> 0:22:06.879
<v Speaker 1>I love DUBC The shadey is one is my favorite

0:22:06.880 --> 0:22:09.240
<v Speaker 1>album all time. Like, I'm not gonna argue with y'all

0:22:09.280 --> 0:22:11.600
<v Speaker 1>over records. I'm not Fena dish y'all the interviews, cause

0:22:11.680 --> 0:22:14.320
<v Speaker 1>when I see y'all, we get addressing and get to

0:22:14.400 --> 0:22:17.240
<v Speaker 1>whatever it gotta be. That's just the nigga I was.

0:22:17.280 --> 0:22:19.040
<v Speaker 1>That's how I am to this day. Like I'm not

0:22:19.080 --> 0:22:20.800
<v Speaker 1>gonna do too much of that with you. If I

0:22:20.800 --> 0:22:22.959
<v Speaker 1>could see you, if I could see you, nigga, I'm

0:22:22.960 --> 0:22:26.359
<v Speaker 1>gonna see you. So the man walk us in, head

0:22:26.440 --> 0:22:29.640
<v Speaker 1>like okay, so we all walking in. I'm getting closer

0:22:29.680 --> 0:22:36.679
<v Speaker 1>and closer. Nigga is duve see sound checking. Oh I'm now,

0:22:37.320 --> 0:22:40.560
<v Speaker 1>So head figures out what I know? He like, oh shit,

0:22:40.760 --> 0:22:43.520
<v Speaker 1>like he like he know and he see me going.

0:22:43.920 --> 0:22:47.280
<v Speaker 2>So I walk. I walk right past Q. So I'm like,

0:22:47.280 --> 0:22:49.880
<v Speaker 2>what up, cuz I and I know you son see

0:22:49.960 --> 0:22:52.040
<v Speaker 2>me like this. Nigga is right here.

0:22:52.200 --> 0:22:54.520
<v Speaker 1>So I stood in front of the stage cuse probably

0:22:54.560 --> 0:22:57.679
<v Speaker 1>about a good twenty feet back. Why cuz and tunes

0:22:57.720 --> 0:23:01.560
<v Speaker 1>and sound checking rest in peace to twos and they

0:23:01.720 --> 0:23:04.080
<v Speaker 1>checking and them niggas looking, and I'm standing in front

0:23:04.119 --> 0:23:07.000
<v Speaker 1>of the stations like watch up, Cuz niggas look at

0:23:07.000 --> 0:23:10.720
<v Speaker 1>they like glasses tones comet behind the DJ booth, Hop down,

0:23:10.800 --> 0:23:13.320
<v Speaker 1>Dub hot down. Now I'm looking for the Q. I'm like,

0:23:13.359 --> 0:23:16.040
<v Speaker 1>what's up man? You niggas been talking about me? You

0:23:16.080 --> 0:23:18.640
<v Speaker 1>feel me? Fuck that? What's happening? Cuz, like, let's get

0:23:18.680 --> 0:23:21.800
<v Speaker 1>these shits right now. That's where my mind was at.

0:23:22.119 --> 0:23:26.199
<v Speaker 1>So Nigga Toon was saying something. I'm like, what's handing case?

0:23:26.280 --> 0:23:27.840
<v Speaker 1>Y'all niggas been talking about me and all that. You

0:23:28.040 --> 0:23:30.720
<v Speaker 1>like nigga, nigg nobody worried about you. Nigga, it's whatever.

0:23:30.720 --> 0:23:32.520
<v Speaker 1>I'm like, whatever, Cud, we can get out right now.

0:23:32.680 --> 0:23:35.280
<v Speaker 1>So Cuds is coming there, He coming around Dub to

0:23:35.320 --> 0:23:38.480
<v Speaker 1>get at me. So I feelsh squabble crazy tunes. This

0:23:38.680 --> 0:23:41.119
<v Speaker 1>is crazy tunes, Cuz, like what the fuck? Why am

0:23:41.160 --> 0:23:44.840
<v Speaker 1>I about the squabble? Like one of the my favorite niggas.

0:23:45.000 --> 0:23:46.840
<v Speaker 1>I don't even know what's wrong cuz, but at this

0:23:46.880 --> 0:23:49.639
<v Speaker 1>point the cripp is just coming out like I'm like, cuz, whatever, cuse, like,

0:23:49.760 --> 0:23:52.919
<v Speaker 1>let's get it that nigga. Dub pushed me. He pushed

0:23:52.920 --> 0:23:55.480
<v Speaker 1>to This is how strong Cuz is. He pushed tunes

0:23:55.520 --> 0:23:59.680
<v Speaker 1>back Tunes fly back. He pushed me into the kitchen, which.

0:23:59.520 --> 0:24:03.080
<v Speaker 2>Is behind me the fuck. So Doug like, glassing, man,

0:24:03.119 --> 0:24:04.080
<v Speaker 2>what your motherfucking problem.

0:24:04.160 --> 0:24:06.919
<v Speaker 1>He ain't got no problem cause y'all niggas getting at me,

0:24:06.960 --> 0:24:09.000
<v Speaker 1>fileing shit. He like, Nigga, you lean the movement, Nigga,

0:24:09.040 --> 0:24:10.919
<v Speaker 1>you told this story. You thene called this. Nigga, you

0:24:10.960 --> 0:24:13.520
<v Speaker 1>just set this Nigga scared and died out out out

0:24:13.880 --> 0:24:16.120
<v Speaker 1>And I'm like, Cuz, I'm just telling the story. You're like, glasses,

0:24:16.160 --> 0:24:19.040
<v Speaker 1>this niggas lies and you just saying shit and you

0:24:19.240 --> 0:24:20.239
<v Speaker 1>not thinking about it.

0:24:21.560 --> 0:24:23.840
<v Speaker 2>So he started just talking to me, cuz.

0:24:23.800 --> 0:24:26.440
<v Speaker 1>And and Tunes like, yeah, nigga, you keep trying to

0:24:26.440 --> 0:24:28.040
<v Speaker 1>bring the streets to this shit. I'm like, nigga, I

0:24:28.040 --> 0:24:31.199
<v Speaker 1>thought this was the streets. And they like, Nigga, this

0:24:31.359 --> 0:24:32.240
<v Speaker 1>is a business, nigga.

0:24:32.280 --> 0:24:33.440
<v Speaker 2>You get paid. You gotta check.

0:24:33.480 --> 0:24:36.080
<v Speaker 1>Nigga, they almost got you a million dollars and cuse,

0:24:36.119 --> 0:24:38.439
<v Speaker 1>they just kept talking to me, cuz, and I just

0:24:38.440 --> 0:24:42.480
<v Speaker 1>got I went from six to three itchy foot to five,

0:24:42.640 --> 0:24:47.920
<v Speaker 1>seven to five, four to four, nine to three six

0:24:49.160 --> 0:24:52.360
<v Speaker 1>by the time that conversation was over. Because Douve made

0:24:52.440 --> 0:24:55.760
<v Speaker 1>me feel like a Toddler. And I mean, he wasn't

0:24:55.800 --> 0:24:59.000
<v Speaker 1>like assaulting me, he wasn't calling me out my name,

0:25:00.400 --> 0:25:04.399
<v Speaker 1>he wasn't doing none of that cuz he was just

0:25:04.480 --> 0:25:07.840
<v Speaker 1>telling me how the business goes. And it made me

0:25:08.080 --> 0:25:13.760
<v Speaker 1>feel like fuck, man, Like how did I know that

0:25:13.960 --> 0:25:17.080
<v Speaker 1>this business was a business? You know what I mean? Like,

0:25:17.200 --> 0:25:20.080
<v Speaker 1>how didn't I know? Like I didn't know? You know,

0:25:20.119 --> 0:25:24.479
<v Speaker 1>I'm thinking these niggas, it's really like, you know, like

0:25:24.800 --> 0:25:28.040
<v Speaker 1>I believe the raps. I'm not thinking that they're telling

0:25:28.119 --> 0:25:30.879
<v Speaker 1>us stories. That's not to say whether it's real or not,

0:25:30.960 --> 0:25:34.000
<v Speaker 1>but they are professionals in double like you got to

0:25:34.040 --> 0:25:34.879
<v Speaker 1>be a professional.

0:25:34.920 --> 0:25:35.320
<v Speaker 2>Cousin.

0:25:35.760 --> 0:25:39.360
<v Speaker 1>I was like fuck, And he was like, look, man,

0:25:39.560 --> 0:25:41.680
<v Speaker 1>I'm finished selling shit with Cube that nigga call QB.

0:25:41.680 --> 0:25:43.320
<v Speaker 1>He's like, Cube, I got this nigga glass right now.

0:25:43.359 --> 0:25:45.399
<v Speaker 1>He's like, what, like, yeah, mana to check this nigga.

0:25:45.400 --> 0:25:46.840
<v Speaker 1>Man out to get at this young nigga man and

0:25:46.880 --> 0:25:48.840
<v Speaker 1>tell me, man, y'all niggas need to go ahead get.

0:25:48.680 --> 0:25:49.440
<v Speaker 2>This shit worked out.

0:25:49.600 --> 0:25:51.480
<v Speaker 1>He's like, all right, dude, just whatever you say, dog,

0:25:51.640 --> 0:25:53.200
<v Speaker 1>you know it's cool, you know, shut it up, and

0:25:53.240 --> 0:25:55.320
<v Speaker 1>da da dah. And they was like all right, glasses.

0:25:55.359 --> 0:25:57.639
<v Speaker 1>So they talked and he and he's like, look, nigga,

0:25:57.680 --> 0:26:00.000
<v Speaker 1>after y'all show, after our show, after your show, nigga.

0:25:59.720 --> 0:26:00.840
<v Speaker 2>Come meet up tonight.

0:26:01.000 --> 0:26:03.640
<v Speaker 1>Nigga, were gonna talk and get this ship worked out.

0:26:03.960 --> 0:26:08.359
<v Speaker 1>I felt so little, I didn't even go back to

0:26:08.400 --> 0:26:08.840
<v Speaker 1>the meeting.

0:26:09.680 --> 0:26:14.520
<v Speaker 2>Oh I did my show. I did my show.

0:26:15.400 --> 0:26:17.479
<v Speaker 3>So you got these two poor guys sitting in some

0:26:17.680 --> 0:26:20.200
<v Speaker 3>diner in Indiana waiting around and waiting around, and you

0:26:20.280 --> 0:26:21.440
<v Speaker 3>ghost of them out after all that.

0:26:21.359 --> 0:26:22.280
<v Speaker 2>Ship first.

0:26:24.160 --> 0:26:28.320
<v Speaker 1>Man, it was had cause I felt so stupid and

0:26:28.440 --> 0:26:33.000
<v Speaker 1>little and and ignorant, like I didn't know, and uh

0:26:34.440 --> 0:26:36.480
<v Speaker 1>so I took it dub Man.

0:26:36.720 --> 0:26:40.080
<v Speaker 3>Dub as you know, like my two most underrated favorites,

0:26:40.560 --> 0:26:44.560
<v Speaker 3>like of all time of in l A ever is

0:26:45.119 --> 0:26:47.200
<v Speaker 3>Tashing Dub like as far as.

0:26:47.040 --> 0:26:51.000
<v Speaker 2>Like the guys who and I got tashed on the

0:26:51.000 --> 0:26:52.480
<v Speaker 2>song too. So you're gonna love. I'm gonna sit it

0:26:52.480 --> 0:26:53.840
<v Speaker 2>to you. This is RIF.

0:26:54.200 --> 0:26:56.320
<v Speaker 1>So yeah, but we definitely got to get double on

0:26:56.320 --> 0:26:59.960
<v Speaker 1>this platform because he could tell you the conversation right

0:27:00.800 --> 0:27:05.359
<v Speaker 1>so fast forward right something like damn Cuz He's like,

0:27:05.520 --> 0:27:08.120
<v Speaker 1>uh so we talked later and I didn't go because

0:27:08.160 --> 0:27:12.080
<v Speaker 1>I just felt so stupid, so I know it's over.

0:27:12.240 --> 0:27:14.240
<v Speaker 1>He's like, look, man, we talk. He's like, man, cub

0:27:14.280 --> 0:27:16.239
<v Speaker 1>ain't tripping. He said, you know, loans, it ain't no

0:27:16.320 --> 0:27:18.320
<v Speaker 1>you know, it ain't no problem.

0:27:18.600 --> 0:27:22.960
<v Speaker 2>So fast forward. This is about ten months later.

0:27:23.920 --> 0:27:26.040
<v Speaker 1>Now I really ain't said nothing else about it because

0:27:26.040 --> 0:27:28.119
<v Speaker 1>I'm over it, Like my whole mind is fucked up.

0:27:28.119 --> 0:27:32.600
<v Speaker 2>Whatever. I go to a radio room for the Grammys, right,

0:27:32.720 --> 0:27:33.200
<v Speaker 2>the Grammy.

0:27:33.280 --> 0:27:36.240
<v Speaker 1>So a radio room is when all the different people

0:27:36.880 --> 0:27:39.440
<v Speaker 1>from all the different radio stations in media come to

0:27:39.640 --> 0:27:41.439
<v Speaker 1>LA because they doing the Grammys, and they set up

0:27:41.480 --> 0:27:43.960
<v Speaker 1>a room for all of the stars to walk through

0:27:43.960 --> 0:27:46.680
<v Speaker 1>and do press. It's just a room full of different

0:27:47.119 --> 0:27:51.480
<v Speaker 1>media outlets, radio station, television stations, magazines, and you sit

0:27:51.560 --> 0:27:54.520
<v Speaker 1>down with each of them and you get pressed all

0:27:54.560 --> 0:27:56.240
<v Speaker 1>over for all over.

0:27:56.119 --> 0:27:58.879
<v Speaker 2>The country, all over the world. It's kind of dope.

0:27:59.000 --> 0:28:01.080
<v Speaker 2>I mean. So I go there.

0:28:01.080 --> 0:28:04.680
<v Speaker 1>I take Pun. This is punk Pun fresh in the business,

0:28:05.080 --> 0:28:06.880
<v Speaker 1>you know what I mean. Like he like I knew

0:28:06.880 --> 0:28:08.720
<v Speaker 1>we had all the talent in the world, but he's

0:28:08.760 --> 0:28:09.640
<v Speaker 1>fresh in the business.

0:28:09.680 --> 0:28:11.159
<v Speaker 2>He's here a crib like me.

0:28:11.280 --> 0:28:13.560
<v Speaker 1>So like, you know, we we on time, but were

0:28:13.560 --> 0:28:15.720
<v Speaker 1>not chipping like I've been in the business now four years,

0:28:15.720 --> 0:28:17.840
<v Speaker 1>five years, so I feel like I kind of know

0:28:17.920 --> 0:28:22.960
<v Speaker 1>what's going on. I mean, so we walking in, everybody

0:28:23.040 --> 0:28:26.439
<v Speaker 1>talking to us, and then like all of a sudden,

0:28:26.520 --> 0:28:29.800
<v Speaker 1>everything just get quiet, like it got kind.

0:28:29.560 --> 0:28:33.040
<v Speaker 2>Of weirdly quiet. I'm like, what the fuck is going on?

0:28:33.119 --> 0:28:35.680
<v Speaker 2>Like why everybody just it just got quiet, like.

0:28:35.600 --> 0:28:40.000
<v Speaker 1>A whole loom came over the room. Cube and then

0:28:40.080 --> 0:28:45.640
<v Speaker 1>walk in. So people know that I'm here and they

0:28:45.680 --> 0:28:49.280
<v Speaker 1>see Cube walking in. Sell mind you, they don't know

0:28:49.320 --> 0:28:51.960
<v Speaker 1>what happened in Indiana because I'm not that kind of nigga,

0:28:52.040 --> 0:28:54.680
<v Speaker 1>Like I'm not no matter who I had a problem with,

0:28:54.960 --> 0:28:56.640
<v Speaker 1>I don't really get on the internet and talk about

0:28:56.680 --> 0:28:58.800
<v Speaker 1>it like I just because I'm gonna see you and

0:28:58.840 --> 0:29:00.360
<v Speaker 1>we're gonna get to the problem, you know what I mean.

0:29:00.360 --> 0:29:03.160
<v Speaker 1>I'm trying to fight anyway. I'm trying to do it anyway.

0:29:03.240 --> 0:29:06.520
<v Speaker 1>So they don't know that we solve the problem already,

0:29:06.600 --> 0:29:08.960
<v Speaker 1>Like whatever the problem could have been, it was already

0:29:09.000 --> 0:29:11.479
<v Speaker 1>solved because I didn't go do interviews like yeah, everything

0:29:11.600 --> 0:29:12.280
<v Speaker 1>is cool with me, and.

0:29:12.240 --> 0:29:14.640
<v Speaker 2>Q Q followed me. Kill would be watching this. He's

0:29:14.680 --> 0:29:15.080
<v Speaker 2>on Twitter.

0:29:15.200 --> 0:29:17.240
<v Speaker 1>He follows me on Twitter. We like we talk, so

0:29:18.400 --> 0:29:20.680
<v Speaker 1>you know what I mean, like nobody knows. We already

0:29:20.680 --> 0:29:23.600
<v Speaker 1>had settled whatever differences that people thought it could have been.

0:29:23.760 --> 0:29:26.000
<v Speaker 1>But because I didn't go say nothing, he didn't say nothing.

0:29:27.040 --> 0:29:29.600
<v Speaker 1>So he comes in. But everybody know that there was

0:29:29.640 --> 0:29:35.560
<v Speaker 1>supposed to be a problem, right, So I'm like, why

0:29:35.640 --> 0:29:38.440
<v Speaker 1>is it? And then it hit me like, oh, they

0:29:38.480 --> 0:29:40.360
<v Speaker 1>think is a problem with me and Cuz and we

0:29:40.520 --> 0:29:44.800
<v Speaker 1>in LA. So I'm like, man, I'm not even getting

0:29:44.840 --> 0:29:48.320
<v Speaker 1>into it. I'm just doing my radio run. So it

0:29:48.640 --> 0:29:50.959
<v Speaker 1>is you could tell like it's to people, it's attention.

0:29:51.080 --> 0:29:54.440
<v Speaker 1>They're acting like there's a tension in the room. In

0:29:54.480 --> 0:29:56.080
<v Speaker 1>my mind, I'm just trying to get this shit done

0:29:56.080 --> 0:29:58.120
<v Speaker 1>to leave. I'm really embarrassed. I don't even want to

0:29:58.160 --> 0:30:01.280
<v Speaker 1>face these niggas because I really feel cause it's like, Bro,

0:30:01.360 --> 0:30:03.640
<v Speaker 1>I really never dish you. I don't have no songs

0:30:03.640 --> 0:30:05.000
<v Speaker 1>dishing you. I'm really a fan.

0:30:05.080 --> 0:30:05.760
<v Speaker 2>This is stupid.

0:30:05.760 --> 0:30:08.480
<v Speaker 1>This ain't gonna work out, Like, how do I even

0:30:08.480 --> 0:30:11.280
<v Speaker 1>write a disrecord against you? I don't even know you, nigga,

0:30:11.400 --> 0:30:13.080
<v Speaker 1>nor do I have a problem with you. Nor if

0:30:13.120 --> 0:30:14.640
<v Speaker 1>I write a disc record, it's gonna sound like you

0:30:14.840 --> 0:30:18.000
<v Speaker 1>rapping Cuz. Like the fuck this stupid. It's like a

0:30:18.080 --> 0:30:20.880
<v Speaker 1>son fighting his father. It's just dumb at a certain place,

0:30:22.040 --> 0:30:23.560
<v Speaker 1>like you taught me all the moves. I'm gonna hit

0:30:23.600 --> 0:30:24.400
<v Speaker 1>you back with your moves.

0:30:24.400 --> 0:30:24.920
<v Speaker 2>It's stupid.

0:30:25.920 --> 0:30:32.240
<v Speaker 1>So nigga, we get to that point, right all right, Keyboy,

0:30:32.360 --> 0:30:35.120
<v Speaker 1>come up now, mind you it was some shit at

0:30:35.160 --> 0:30:36.840
<v Speaker 1>a time, because key I remember keybo talked to one

0:30:36.880 --> 0:30:39.360
<v Speaker 1>of my older homies, my older Army Boo, and it

0:30:39.400 --> 0:30:41.600
<v Speaker 1>was finna be some shit then. But again it was

0:30:41.680 --> 0:30:43.600
<v Speaker 1>never could really be no shit because it wasn't no shit.

0:30:44.080 --> 0:30:47.840
<v Speaker 1>Like I'm not finna entertain dissing cbe ice Cube in

0:30:47.880 --> 0:30:49.520
<v Speaker 1>the back battle, like this is fucking ice Cube.

0:30:49.560 --> 0:30:54.000
<v Speaker 2>It's just stupid. So Keyboard walk up. He's like, glass, man,

0:30:54.000 --> 0:30:54.880
<v Speaker 2>I gotta get you a cube.

0:30:54.880 --> 0:30:55.000
<v Speaker 3>Man.

0:30:55.040 --> 0:30:55.440
<v Speaker 2>Q's in.

0:30:55.520 --> 0:30:58.600
<v Speaker 1>I gotta got your niggas need to talk yo. I'm like, yeah,

0:30:58.600 --> 0:31:00.760
<v Speaker 1>I know, I know. Man, let's do another time, Like now,

0:31:00.800 --> 0:31:03.160
<v Speaker 1>let's do it here we together right now. I'm like,

0:31:03.600 --> 0:31:04.720
<v Speaker 1>and I don't want to do it in front of

0:31:04.720 --> 0:31:06.800
<v Speaker 1>all these people because I really don't have nothing to say.

0:31:06.800 --> 0:31:09.640
<v Speaker 1>He like, man, come on, bada, so he walk off.

0:31:09.640 --> 0:31:11.040
<v Speaker 1>I tell a point. I say, man, we're gonna sneak

0:31:11.040 --> 0:31:13.120
<v Speaker 1>out on them niggas. Man, I'm not finna do this because.

0:31:16.160 --> 0:31:16.560
<v Speaker 4>Twice.

0:31:17.160 --> 0:31:19.200
<v Speaker 1>Yeah, I'm trying to go seem again cause it's like, bro,

0:31:19.400 --> 0:31:21.760
<v Speaker 1>because now it's dumb. You know what I'm saying, Because

0:31:21.800 --> 0:31:24.000
<v Speaker 1>it's stupid. It's like, bro, like what the fuck?

0:31:25.240 --> 0:31:27.040
<v Speaker 2>You know what I'm saying? Like what the fuck? Uh?

0:31:27.960 --> 0:31:30.920
<v Speaker 1>Keybo, come back, give us some T shirts? And everybody's watching,

0:31:31.760 --> 0:31:35.800
<v Speaker 1>crip yang everybody watching. So I'm like, man, I'm not

0:31:35.800 --> 0:31:38.320
<v Speaker 1>finna do this. Paul, like, man, why don't you talk

0:31:38.320 --> 0:31:39.640
<v Speaker 1>to me? I said, Man, I talk to that nigga

0:31:39.640 --> 0:31:41.400
<v Speaker 1>another time when it ain't a bunch of people around,

0:31:41.400 --> 0:31:42.720
<v Speaker 1>because it's really stupid.

0:31:43.800 --> 0:31:46.400
<v Speaker 2>Keybo, come back, give us some shirts. Keep it.

0:31:46.640 --> 0:31:48.320
<v Speaker 4>He gave you ice cube shirts.

0:31:48.720 --> 0:31:52.200
<v Speaker 1>So Keybo is a g is a triple og for

0:31:52.280 --> 0:31:57.640
<v Speaker 1>one eleven. Keybo is Pinky's drivering Friday. Okay, like but

0:31:57.680 --> 0:31:59.640
<v Speaker 1>he like a triple og nigga for one eleven.

0:31:59.640 --> 0:32:01.560
<v Speaker 3>He like a real respect, like one of the guys

0:32:01.560 --> 0:32:03.840
<v Speaker 3>in the van on Friday and and and the alley

0:32:03.840 --> 0:32:06.120
<v Speaker 3>because it was dob see you jumped out and spray.

0:32:05.920 --> 0:32:08.760
<v Speaker 2>To get not the first Friday he's in there.

0:32:08.920 --> 0:32:11.960
<v Speaker 4>I know what you mean, but I was like, oh no, no,

0:32:12.000 --> 0:32:13.640
<v Speaker 4>I wasn't jumped out of the van.

0:32:13.880 --> 0:32:16.200
<v Speaker 2>Yeah that was dub and original Friday.

0:32:16.560 --> 0:32:18.320
<v Speaker 4>Okay, so he's be one of the people in the

0:32:18.400 --> 0:32:18.760
<v Speaker 4>van too.

0:32:18.800 --> 0:32:21.200
<v Speaker 1>No, so Keyboards Pinky's driver, when Pinky be like, you

0:32:21.240 --> 0:32:23.680
<v Speaker 1>made me spill yat on his suit. So but Keyboards

0:32:23.760 --> 0:32:26.960
<v Speaker 1>like this super fly ass nigga build dope cars. Cuz

0:32:27.800 --> 0:32:29.880
<v Speaker 1>just like this super triple o G nigga for one

0:32:30.000 --> 0:32:31.440
<v Speaker 1>left like I have respect for Cuffore.

0:32:31.440 --> 0:32:32.040
<v Speaker 2>I even met him.

0:32:32.080 --> 0:32:35.560
<v Speaker 1>His name always missed some solid nigga. So he's trying

0:32:35.560 --> 0:32:37.320
<v Speaker 1>to give me to talk to this nigga, and I'm like, man,

0:32:37.320 --> 0:32:39.840
<v Speaker 1>I don't want to talk more because I'm embarrassed, like

0:32:39.880 --> 0:32:43.320
<v Speaker 1>I don't like, I really feel stupid, and I'm really

0:32:43.320 --> 0:32:45.360
<v Speaker 1>mad because I felt like niggas didn't educate me on

0:32:45.440 --> 0:32:50.680
<v Speaker 1>what's happening. So fast forward, I'm trying to get out

0:32:50.680 --> 0:32:52.480
<v Speaker 1>the door. I didn't did all my radio shit. I

0:32:52.560 --> 0:32:54.320
<v Speaker 1>just stopped at all these booth It's time for me

0:32:54.360 --> 0:32:56.280
<v Speaker 1>to get up out of here, so I'm trying to

0:32:56.320 --> 0:33:01.320
<v Speaker 1>slide out. I see keybo working Q through the roles

0:33:01.360 --> 0:33:04.880
<v Speaker 1>to catch me at the door. So I'm trying to

0:33:04.880 --> 0:33:07.360
<v Speaker 1>wait till he ain't looking. Cuz, look away, cousin, I

0:33:07.440 --> 0:33:09.320
<v Speaker 1>start making my way to the door me and pun.

0:33:10.680 --> 0:33:11.400
<v Speaker 2>Them niggas.

0:33:11.480 --> 0:33:12.440
<v Speaker 4>Catch us at the.

0:33:12.360 --> 0:33:16.360
<v Speaker 1>Door, he said, y'all to get y'all together the whole

0:33:16.440 --> 0:33:22.880
<v Speaker 1>radio room. Cuz is looking at us, the whole radio

0:33:23.000 --> 0:33:28.440
<v Speaker 1>cause it's two hundred people. Cuz looking at us. It's

0:33:28.480 --> 0:33:32.240
<v Speaker 1>two hundred people. Couse just staring at us. And I'm like, look,

0:33:32.280 --> 0:33:34.680
<v Speaker 1>big dog, I don't really know. He was like, yeah,

0:33:34.680 --> 0:33:36.920
<v Speaker 1>I just felt like, you know, maybe Mac told you.

0:33:36.960 --> 0:33:39.320
<v Speaker 1>I said, look, I don't god know songs this in you,

0:33:39.400 --> 0:33:42.160
<v Speaker 1>big dog, like this stupid, Like I grew up listening

0:33:42.160 --> 0:33:44.280
<v Speaker 1>to your music. You influenced my style. Like I don't

0:33:44.280 --> 0:33:46.200
<v Speaker 1>even know you. How could I make a record thisition you?

0:33:46.560 --> 0:33:46.960
<v Speaker 4>I said.

0:33:47.040 --> 0:33:49.480
<v Speaker 2>Our movement was because we felt like we was by ourselves.

0:33:49.520 --> 0:33:51.360
<v Speaker 2>That's it. We made our movement.

0:33:51.360 --> 0:33:52.840
<v Speaker 1>I said, y'all get it with some people that was

0:33:52.880 --> 0:33:55.960
<v Speaker 1>anti y'all that came about, I said, But that wasn't

0:33:56.000 --> 0:33:57.320
<v Speaker 1>the foundation of the movement.

0:33:57.360 --> 0:33:59.600
<v Speaker 2>The movement was just us embracing.

0:33:59.200 --> 0:34:01.240
<v Speaker 1>Each other like yeah, gee, like you know, it don't

0:34:01.240 --> 0:34:03.280
<v Speaker 1>got to be I'm like, it ain't like that, Like

0:34:03.360 --> 0:34:05.560
<v Speaker 1>I can't or like I could never be with you, bro,

0:34:05.680 --> 0:34:09.000
<v Speaker 1>like you created my style. You know what I'm saying,

0:34:09.000 --> 0:34:13.160
<v Speaker 1>This is stupid, and and you know we shook hands

0:34:13.200 --> 0:34:15.439
<v Speaker 1>whatever adapter was like all right, we'll get up for sure,

0:34:15.640 --> 0:34:19.120
<v Speaker 1>and then I got on right, But like I didn't

0:34:19.239 --> 0:34:21.880
<v Speaker 1>like all that stupid ass attention because I really didn't

0:34:21.880 --> 0:34:26.560
<v Speaker 1>have no problem with cuz right. So I say all

0:34:26.560 --> 0:34:31.279
<v Speaker 1>that to say such, it's like there's an arrogance when

0:34:31.280 --> 0:34:33.399
<v Speaker 1>you young and you come in this business. You come

0:34:33.440 --> 0:34:36.960
<v Speaker 1>in this business thinking you know what to do. You

0:34:37.080 --> 0:34:39.800
<v Speaker 1>come in this business thinking you have everything it takes

0:34:40.200 --> 0:34:41.000
<v Speaker 1>to make it happen.

0:34:41.239 --> 0:34:43.919
<v Speaker 2>Lord knows, you get a record deal that's worth millions

0:34:43.960 --> 0:34:44.440
<v Speaker 2>of dollars.

0:34:45.960 --> 0:34:48.719
<v Speaker 3>Is there another component of that where and you kind

0:34:48.719 --> 0:34:50.600
<v Speaker 3>of see it some of us to do with age.

0:34:50.600 --> 0:34:52.800
<v Speaker 3>Something has to do with a lot of various stuff

0:34:52.840 --> 0:34:55.000
<v Speaker 3>as well. But you see, like young dudes and like

0:34:55.080 --> 0:34:57.840
<v Speaker 3>really street guys that are rappers, they might come in

0:34:57.880 --> 0:35:02.600
<v Speaker 3>and be like they still got fixed street residue on them.

0:35:02.960 --> 0:35:04.720
<v Speaker 4>And some of these older people been.

0:35:06.120 --> 0:35:09.439
<v Speaker 3>You know, wealthy and successful for too fucking long or whatever.

0:35:09.520 --> 0:35:11.840
<v Speaker 3>So the attitude is a perspective or change. So and

0:35:11.880 --> 0:35:15.200
<v Speaker 3>on top of being young, and exuber and or whatever.

0:35:15.239 --> 0:35:18.160
<v Speaker 3>You also think you hard as fucking in the room.

0:35:18.440 --> 0:35:20.560
<v Speaker 3>I'm not saying you personally specifically, but like you know,

0:35:20.600 --> 0:35:23.000
<v Speaker 3>you see young guys who just get on and they

0:35:23.120 --> 0:35:24.960
<v Speaker 3>still doing crazy stuff for whatever the hell.

0:35:25.040 --> 0:35:26.840
<v Speaker 2>They got a lot of bravado, a lot.

0:35:26.640 --> 0:35:28.759
<v Speaker 3>Of attitude and that kind of thing, and it really

0:35:28.840 --> 0:35:31.400
<v Speaker 3>becomes a little blurrier as to you know what exactly

0:35:31.440 --> 0:35:32.160
<v Speaker 3>their agenda is.

0:35:32.239 --> 0:35:32.680
<v Speaker 2>Sometimes.

0:35:37.200 --> 0:35:40.360
<v Speaker 1>I mean again it is the same arrogance where you

0:35:40.400 --> 0:35:44.800
<v Speaker 1>feel like you hellas street. But I can't find I

0:35:44.840 --> 0:35:49.239
<v Speaker 1>can't believe I'm doing this because but like defending them,

0:35:49.280 --> 0:35:52.640
<v Speaker 1>but I don't think they quite know that they need

0:35:52.680 --> 0:35:55.200
<v Speaker 1>to teach you something. And I don't think just because

0:35:55.239 --> 0:35:59.480
<v Speaker 1>they successful means that they are naturally teachers.

0:35:59.520 --> 0:36:04.279
<v Speaker 2>True, just because MC eight is hell is successful, it

0:36:04.320 --> 0:36:05.520
<v Speaker 2>doesn't make him a teacher.

0:36:07.040 --> 0:36:09.560
<v Speaker 4>Yeah, I mean, especially in something like this. I mean, like.

0:36:11.480 --> 0:36:13.960
<v Speaker 3>It's the arts, like it's all just to say quad,

0:36:14.440 --> 0:36:16.520
<v Speaker 3>most of it is you either got it or you don't.

0:36:16.520 --> 0:36:18.520
<v Speaker 3>You can't teach it. You got it or you don't.

0:36:18.920 --> 0:36:20.440
<v Speaker 3>You know, there's a lot of there's a lot of

0:36:20.440 --> 0:36:21.239
<v Speaker 3>business to it, but.

0:36:21.239 --> 0:36:24.120
<v Speaker 1>Like no, no, no, there is a lot to teach

0:36:24.200 --> 0:36:26.760
<v Speaker 1>but you got it like being a teacher, like people

0:36:26.840 --> 0:36:31.160
<v Speaker 1>get taught how to teach. Sure, just because you did something,

0:36:31.400 --> 0:36:33.480
<v Speaker 1>don't mean you could teach people how to do it,

0:36:33.840 --> 0:36:37.040
<v Speaker 1>Like like that's why some of the best professional athletes

0:36:37.160 --> 0:36:38.640
<v Speaker 1>make some of the worst coaches.

0:36:39.320 --> 0:36:41.120
<v Speaker 3>Yeah, well that's kind of where I was going, Like

0:36:41.160 --> 0:36:44.319
<v Speaker 3>do you think that there? And it's again it's it

0:36:44.360 --> 0:36:45.960
<v Speaker 3>can't be either or you know, there's a lot of

0:36:46.000 --> 0:36:46.680
<v Speaker 3>spectrum to it.

0:36:46.760 --> 0:36:50.239
<v Speaker 4>But in a rap you could be.

0:36:50.200 --> 0:36:53.400
<v Speaker 3>A type of artist and you're an extremely talented artist

0:36:53.680 --> 0:36:59.359
<v Speaker 3>and other people because you're such a like well of

0:36:59.400 --> 0:37:01.440
<v Speaker 3>just money, like you know, like the little fish to

0:37:01.520 --> 0:37:03.120
<v Speaker 3>hang out by the sharks or whatever the hell were

0:37:03.280 --> 0:37:06.240
<v Speaker 3>you just get such an apparatus around you that does

0:37:06.520 --> 0:37:10.000
<v Speaker 3>all the business and all the whatever shit that some

0:37:10.040 --> 0:37:12.520
<v Speaker 3>people just have a pave just just go be RCU

0:37:12.600 --> 0:37:13.799
<v Speaker 3>and make the records and do that.

0:37:13.920 --> 0:37:16.280
<v Speaker 4>Whatever the hell. We're gonna make our fifty million dollars

0:37:16.320 --> 0:37:16.719
<v Speaker 4>off of you.

0:37:16.719 --> 0:37:19.399
<v Speaker 3>We don't care. We'll do everything. And they don't have

0:37:19.480 --> 0:37:21.200
<v Speaker 3>to learn that much. They just have to do their

0:37:21.239 --> 0:37:23.359
<v Speaker 3>thing or is that not quite so much?

0:37:24.320 --> 0:37:27.240
<v Speaker 1>Yes and no, Like all of these things are true,

0:37:27.239 --> 0:37:31.720
<v Speaker 1>but you know what the problem with the New West

0:37:31.880 --> 0:37:37.120
<v Speaker 1>was and even the driving force of the attitude. And

0:37:37.200 --> 0:37:39.400
<v Speaker 1>I could tell you in twenty twenty four as I

0:37:39.400 --> 0:37:43.640
<v Speaker 1>got older, is we didn't know the right questions to ask. Sure,

0:37:44.280 --> 0:37:47.040
<v Speaker 1>like I'm naturally a teacher, like I've been teaching my

0:37:47.080 --> 0:37:50.399
<v Speaker 1>whole life, But that don't mean MC eight just because

0:37:50.400 --> 0:37:52.920
<v Speaker 1>he's successful as a teacher. But there are things to know,

0:37:53.800 --> 0:37:57.040
<v Speaker 1>Like there are things to know, bro, Like, yes, there's

0:37:57.080 --> 0:38:00.319
<v Speaker 1>a natural element to this business. And you know, people

0:38:00.360 --> 0:38:02.040
<v Speaker 1>say a million things. It ain't only one way to

0:38:02.080 --> 0:38:04.120
<v Speaker 1>skin a cat. Yes, there is only one way to

0:38:04.120 --> 0:38:06.840
<v Speaker 1>skin a cat. Got to take a skin on. So

0:38:07.600 --> 0:38:09.439
<v Speaker 1>you might can use different types of nods and shit,

0:38:09.480 --> 0:38:11.040
<v Speaker 1>but there's only one way to skin a cat.

0:38:11.360 --> 0:38:12.680
<v Speaker 2>I mean it really is.

0:38:15.120 --> 0:38:17.280
<v Speaker 1>So you're saying the younger dudes don't want to embrace

0:38:17.280 --> 0:38:21.120
<v Speaker 1>the wisdom from the older generation. No, it's not they

0:38:21.120 --> 0:38:24.360
<v Speaker 1>don't want to They don't know that there's something to know.

0:38:25.480 --> 0:38:28.680
<v Speaker 3>Yeah, that's to me, Like you said, you don't know

0:38:28.719 --> 0:38:33.120
<v Speaker 3>the right questions to ask, Like in football terms, once

0:38:33.160 --> 0:38:35.120
<v Speaker 3>you have the right questions, you're in the red zone.

0:38:36.120 --> 0:38:37.000
<v Speaker 2>Yes, you know.

0:38:37.480 --> 0:38:40.120
<v Speaker 4>The more you know you don't know like that I'm at.

0:38:40.040 --> 0:38:42.839
<v Speaker 1>Now where I'm at now, like the success that I'm

0:38:42.880 --> 0:38:46.120
<v Speaker 1>about to experience next year is because I got the wisdom.

0:38:46.200 --> 0:38:50.600
<v Speaker 1>So now the questions are different because they're I actually

0:38:50.680 --> 0:38:52.000
<v Speaker 1>took time to know something.

0:38:52.600 --> 0:38:52.839
<v Speaker 2>Listen.

0:38:52.960 --> 0:38:55.200
<v Speaker 1>Hip hop has never just been a young man's sport.

0:38:55.480 --> 0:38:59.160
<v Speaker 1>That's just this really weird expression that people have some

0:38:59.200 --> 0:39:04.600
<v Speaker 1>reason carried. The culture of it is driven by youth.

0:39:04.800 --> 0:39:08.200
<v Speaker 1>But then the business of the record business. Sylvia Robinson

0:39:08.239 --> 0:39:11.560
<v Speaker 1>when she was making records for you know, a twenty

0:39:11.560 --> 0:39:13.919
<v Speaker 1>two year old Mellie Mail or twenty one year old

0:39:14.000 --> 0:39:15.800
<v Speaker 1>or twenty two year old or twenty year old or

0:39:15.880 --> 0:39:16.920
<v Speaker 1>nineteen year old.

0:39:18.800 --> 0:39:19.040
<v Speaker 2>Him.

0:39:20.040 --> 0:39:22.480
<v Speaker 1>What's the name of that group the original record, Yeah,

0:39:22.520 --> 0:39:25.279
<v Speaker 1>sugar Hill. They were twenty in nineteen and twenty one,

0:39:25.520 --> 0:39:33.120
<v Speaker 1>but Sylvia Robinson was forty. She produced you know the

0:39:33.160 --> 0:39:37.680
<v Speaker 1>sugar Hill record. She produced the Message. You know, Larry

0:39:37.760 --> 0:39:41.520
<v Speaker 1>Smith is smart and older. Doctor Dre doesn't produce Snoop

0:39:41.560 --> 0:39:45.520
<v Speaker 1>Dogg until he's thirty. So it's always been a combination

0:39:46.480 --> 0:39:50.759
<v Speaker 1>of the knowledge of music, rappers, the light you're looking

0:39:50.760 --> 0:39:55.000
<v Speaker 1>our name brand rappers delight right, There's always been a

0:39:55.000 --> 0:40:03.080
<v Speaker 1>combination of you know, experience with youth, the energy of youth, the.

0:40:03.080 --> 0:40:03.600
<v Speaker 3>The the.

0:40:05.840 --> 0:40:10.000
<v Speaker 1>Knowledge and experience of the wise with the cultural you know,

0:40:11.480 --> 0:40:14.399
<v Speaker 1>reverence and and and and and energy of the youth.

0:40:14.560 --> 0:40:17.200
<v Speaker 1>That's always been the success of hip hop as the

0:40:17.239 --> 0:40:21.600
<v Speaker 1>record business. So I don't think it's young people don't

0:40:21.640 --> 0:40:25.160
<v Speaker 1>want to embrace the wisdom of the older generation.

0:40:25.280 --> 0:40:28.000
<v Speaker 2>I don't think they know they need it. You don't

0:40:28.080 --> 0:40:28.839
<v Speaker 2>know you need it.

0:40:28.880 --> 0:40:31.680
<v Speaker 1>You don't know that hip hop or the record business

0:40:31.719 --> 0:40:33.400
<v Speaker 1>side of hip hop, there's something to know.

0:40:33.840 --> 0:40:37.440
<v Speaker 2>You don't know that. You just feel like I'm dope.

0:40:37.920 --> 0:40:41.000
<v Speaker 1>I got something to say cuz and I'm for real,

0:40:41.360 --> 0:40:44.880
<v Speaker 1>and that's enough. You don't think about that. There is

0:40:44.920 --> 0:40:47.840
<v Speaker 1>a business you know what I mean in Santa Monica

0:40:47.920 --> 0:40:51.759
<v Speaker 1>called Interscope that got six floors of people that make

0:40:52.120 --> 0:40:54.759
<v Speaker 1>the chronic and Doggie style sell the way they sell.

0:40:56.760 --> 0:40:58.279
<v Speaker 2>You don't think of it like that.

0:40:58.560 --> 0:41:04.759
<v Speaker 1>You like, okay, you don't think of records. So it's like,

0:41:05.440 --> 0:41:08.920
<v Speaker 1>you don't know there's something to know. So to his point,

0:41:09.160 --> 0:41:12.000
<v Speaker 1>he was like, well, it's almost like he was saying

0:41:12.000 --> 0:41:14.759
<v Speaker 1>that he felt the older generation needed to embrace the

0:41:14.840 --> 0:41:19.600
<v Speaker 1>youth more. And it's like, no, it's two people that

0:41:19.680 --> 0:41:25.799
<v Speaker 1>got to know that together they can make history. It's

0:41:25.840 --> 0:41:29.239
<v Speaker 1>two people it's an elder and a young person that

0:41:29.320 --> 0:41:32.600
<v Speaker 1>got to know together they can change the course of

0:41:32.640 --> 0:41:35.879
<v Speaker 1>what's happening. That's what it's always been. You don't get

0:41:35.880 --> 0:41:38.279
<v Speaker 1>the greatest hip hop artists of all time, Snoop Dogg.

0:41:38.719 --> 0:41:41.399
<v Speaker 1>If Dre is not thirty years old at this point,

0:41:41.920 --> 0:41:44.640
<v Speaker 1>the things he knows about music, the things he knows

0:41:44.680 --> 0:41:49.480
<v Speaker 1>about records, the experience combined with the cultural renaissance and

0:41:49.520 --> 0:41:54.440
<v Speaker 1>the energy of a prime Snoop Dogg, you don't get it.

0:41:54.440 --> 0:41:56.920
<v Speaker 2>It don't work. That's why it works. The way it works,

0:41:59.400 --> 0:42:00.000
<v Speaker 2>that's why it works.

0:42:00.120 --> 0:42:03.319
<v Speaker 1>So it's two people that got to understand that each

0:42:03.400 --> 0:42:08.319
<v Speaker 1>person possesses a value. They gotta know that. So that's

0:42:08.320 --> 0:42:10.920
<v Speaker 1>what I was saying to him. It's like, you both

0:42:11.000 --> 0:42:13.719
<v Speaker 1>have to know that you have a value for each other.

0:42:14.360 --> 0:42:18.040
<v Speaker 1>If when I was young, I would have loved to

0:42:18.080 --> 0:42:19.880
<v Speaker 1>work with I did work with Battlecat.

0:42:19.920 --> 0:42:23.840
<v Speaker 2>It became one of my most important songs. DJ Toomp, who.

0:42:23.680 --> 0:42:26.359
<v Speaker 1>At that time probably was thirty five, thirty six years old,

0:42:26.440 --> 0:42:28.000
<v Speaker 1>maybe even closer to forty.

0:42:28.360 --> 0:42:30.320
<v Speaker 2>DJ Tump gave me my first hit record.

0:42:30.560 --> 0:42:31.959
<v Speaker 1>You know what I mean in two thousand and seven

0:42:31.960 --> 0:42:35.320
<v Speaker 1>and eight, You know what I'm saying like I became

0:42:35.440 --> 0:42:37.759
<v Speaker 1>instrumental in helping my team understand how to make it

0:42:37.800 --> 0:42:42.759
<v Speaker 1>with that good again. It's a combination of knowledge, right,

0:42:43.280 --> 0:42:48.720
<v Speaker 1>you know, history and knowledge and cultural renaissance. It's both,

0:42:49.200 --> 0:42:52.760
<v Speaker 1>like I'm helping Homie White Dog. Like there is an

0:42:52.920 --> 0:42:55.600
<v Speaker 1>arrogance when you young and you feel like you know it,

0:42:56.320 --> 0:42:59.600
<v Speaker 1>then there is also you gotta be smart and realize

0:42:59.760 --> 0:43:00.560
<v Speaker 1>some already.

0:43:00.400 --> 0:43:05.440
<v Speaker 2>Experienced it and it ain't easy. It ain't easy, you

0:43:05.440 --> 0:43:07.279
<v Speaker 2>know what I mean. You got to you gotta peel.

0:43:07.400 --> 0:43:10.000
<v Speaker 1>I tell another thing I realized too in the streets,

0:43:10.520 --> 0:43:14.160
<v Speaker 1>gang bang and hustling, ego and pride are your most

0:43:14.200 --> 0:43:18.520
<v Speaker 1>prized possessions. Say how you earn they how you avoid problems.

0:43:19.040 --> 0:43:22.400
<v Speaker 1>Everything about what people think about you, the reputation that

0:43:22.480 --> 0:43:25.439
<v Speaker 1>you carry is everything. I could tell you one thing

0:43:25.480 --> 0:43:27.440
<v Speaker 1>if you're a young artist in a business, that is

0:43:27.480 --> 0:43:28.640
<v Speaker 1>the one thing you don't need.

0:43:30.480 --> 0:43:34.560
<v Speaker 4>And I think also, like in the street environment, if you're.

0:43:36.719 --> 0:43:40.600
<v Speaker 3>Getting knowledge from older people with a lot of experience,

0:43:41.520 --> 0:43:48.759
<v Speaker 3>it's probably more pitfall oriented knowledge than rather like a

0:43:48.800 --> 0:43:51.040
<v Speaker 3>lot of guys you could point too easily that did

0:43:51.120 --> 0:43:54.520
<v Speaker 3>it really big at that level, didn't have a problem,

0:43:54.760 --> 0:43:59.480
<v Speaker 3>made it out clean and are like you know, on

0:43:59.520 --> 0:44:02.279
<v Speaker 3>the golf in Palm Spring smoking a cigar, like, let

0:44:02.320 --> 0:44:04.920
<v Speaker 3>me tell you how to do this. It's probably not

0:44:05.040 --> 0:44:07.239
<v Speaker 3>quite so much that as it is like, look, it's

0:44:07.280 --> 0:44:10.280
<v Speaker 3>all good until you make this mistake. Don't make this mistake.

0:44:10.320 --> 0:44:11.799
<v Speaker 3>And at that point, you know, sometimes you look at

0:44:11.840 --> 0:44:15.560
<v Speaker 3>people who failed. There's always that Tennessee. Like you hear

0:44:15.640 --> 0:44:18.960
<v Speaker 3>like with kids at parcies, don't drink and do drugs, Well,

0:44:18.960 --> 0:44:20.920
<v Speaker 3>you're drinking dud drugs when you were in high school.

0:44:20.960 --> 0:44:22.320
<v Speaker 3>It doesn't mean it was a good idea.

0:44:23.600 --> 0:44:26.080
<v Speaker 1>Well, I mean even in the streets some people like

0:44:26.160 --> 0:44:29.120
<v Speaker 1>Jenius like my big Hommy Pluck Boo man, them niggas

0:44:29.160 --> 0:44:30.319
<v Speaker 1>is jeniuses, you know what I mean.

0:44:30.360 --> 0:44:33.480
<v Speaker 2>So it ain't about losing as much as they've tried

0:44:33.640 --> 0:44:35.040
<v Speaker 2>so many different ways.

0:44:35.440 --> 0:44:38.520
<v Speaker 1>Sure, but again, like I say, the pride and ego

0:44:38.600 --> 0:44:40.640
<v Speaker 1>part of the business. You know what I'm saying that

0:44:40.680 --> 0:44:42.480
<v Speaker 1>you need in the streets, you don't need that in

0:44:42.560 --> 0:44:45.759
<v Speaker 1>hip hop. You gotta lead that there because that's the

0:44:45.840 --> 0:44:49.759
<v Speaker 1>biggest thing such is that The issue is is you

0:44:50.000 --> 0:44:54.360
<v Speaker 1>have to understand that you don't need that in the business.

0:44:54.400 --> 0:44:57.040
<v Speaker 1>You actually really need to get with all of these

0:44:57.080 --> 0:45:00.719
<v Speaker 1>people and learn what they know. I ask to catch

0:45:00.800 --> 0:45:04.080
<v Speaker 1>because they all know some shit. Here's today like even

0:45:04.120 --> 0:45:05.960
<v Speaker 1>Snoop and dradon them now to deal with them, To

0:45:06.000 --> 0:45:07.879
<v Speaker 1>go deal with them now was like the same thing,

0:45:07.960 --> 0:45:11.160
<v Speaker 1>Like I'm always still a student. I'm still gonna be

0:45:11.200 --> 0:45:14.279
<v Speaker 1>able to pass the information to young homies whoever that

0:45:14.400 --> 0:45:16.799
<v Speaker 1>want to rap. You know what I'm saying and all

0:45:16.800 --> 0:45:21.759
<v Speaker 1>of the above. Shout out to real studies again. No

0:45:21.880 --> 0:45:25.240
<v Speaker 1>Sellers Live the lunch hour Monday, Wednesday and Friday noon

0:45:25.760 --> 0:45:29.560
<v Speaker 1>Pacific Standard time. Click the thumbs up. But let everybody

0:45:29.560 --> 0:45:31.920
<v Speaker 1>know you here. If you're on Twitter, retweet this. Let

0:45:31.920 --> 0:45:34.839
<v Speaker 1>everybody know hop on I I mean we're cooking, going

0:45:34.920 --> 0:45:38.000
<v Speaker 1>to work. Look at the description. Click the link to

0:45:38.080 --> 0:45:42.680
<v Speaker 1>the No Sellers podcast, Apple Podcasts, anywhere you get your podcasts.

0:45:42.800 --> 0:45:46.000
<v Speaker 1>Executive produced by charlamagnea God, Black Effects Network.

0:45:46.040 --> 0:45:47.720
<v Speaker 2>I heart real settings.

0:45:47.760 --> 0:45:50.320
<v Speaker 1>I was speaking more towards the formula needs to change,

0:45:50.760 --> 0:45:54.200
<v Speaker 1>not necessarily the younger generation not listening to the older generation.

0:45:54.640 --> 0:45:57.840
<v Speaker 1>I don't think it's the younger generation not listening to

0:45:57.880 --> 0:46:01.879
<v Speaker 1>the older generation. I don't think people realize su there's

0:46:01.920 --> 0:46:02.600
<v Speaker 1>something to know.

0:46:03.440 --> 0:46:05.400
<v Speaker 4>There's not really a dialogue at all.

0:46:05.560 --> 0:46:08.799
<v Speaker 1>Yes, it's not something to know. The problem is they

0:46:08.840 --> 0:46:11.279
<v Speaker 1>don't realize it's something to know. Most people come into

0:46:11.280 --> 0:46:14.360
<v Speaker 1>this business thinking it's art, so it's like whatever works.

0:46:14.960 --> 0:46:18.400
<v Speaker 1>They forget that the record business is not a business

0:46:18.440 --> 0:46:21.319
<v Speaker 1>of art. It's a business of records, and records get

0:46:21.360 --> 0:46:25.320
<v Speaker 1>real scientific. So that's the point that's not talked about

0:46:25.719 --> 0:46:29.399
<v Speaker 1>the science of a record. Everybody naturally can paint, and yeah,

0:46:29.440 --> 0:46:31.960
<v Speaker 1>you can improve on being a dope painter, you know

0:46:31.960 --> 0:46:33.759
<v Speaker 1>what I mean, you can learn some stuff, but art

0:46:33.840 --> 0:46:37.759
<v Speaker 1>is art. But the science of records is where all

0:46:37.840 --> 0:46:39.799
<v Speaker 1>of those guys understand.

0:46:40.600 --> 0:46:43.520
<v Speaker 3>And here's a great example. This is a great carryover

0:46:43.560 --> 0:46:46.360
<v Speaker 3>from what we were talking about two days ago. This

0:46:46.440 --> 0:46:50.520
<v Speaker 3>is the difference between Jake Paul is a boxer and

0:46:50.600 --> 0:46:53.719
<v Speaker 3>every other boxer who's a ten times better boxer. He's

0:46:54.280 --> 0:46:58.520
<v Speaker 3>manipulating the business side of the sport better than all

0:46:58.600 --> 0:47:01.520
<v Speaker 3>the other boxers who are doing better at the boxing

0:47:01.600 --> 0:47:02.360
<v Speaker 3>side of the sport.

0:47:04.680 --> 0:47:07.000
<v Speaker 1>He definitely is another part of the business, and it's

0:47:07.000 --> 0:47:14.840
<v Speaker 1>a business. So the record part of the business.

0:47:10.520 --> 0:47:10.799
<v Speaker 2>Is just.

0:47:12.920 --> 0:47:15.080
<v Speaker 4>This record selling records.

0:47:15.320 --> 0:47:17.399
<v Speaker 2>It's science and records. You know what I'm saying. It's

0:47:17.440 --> 0:47:20.600
<v Speaker 2>science in boxing. It's science, and.

0:47:21.520 --> 0:47:25.480
<v Speaker 1>There's a natural element where RJ could come in, right,

0:47:25.560 --> 0:47:28.160
<v Speaker 1>I remember him coming in and he could be a

0:47:28.200 --> 0:47:30.600
<v Speaker 1>cultural renaissance on his own with his style.

0:47:31.520 --> 0:47:31.719
<v Speaker 2>Right.

0:47:31.760 --> 0:47:34.400
<v Speaker 1>But then there is a science about records. There's a

0:47:34.480 --> 0:47:37.680
<v Speaker 1>science about this business. And if you don't quite know it,

0:47:38.800 --> 0:47:41.760
<v Speaker 1>you know what I mean, you will never maximize potential.

0:47:41.800 --> 0:47:46.719
<v Speaker 1>You will never maximize possibility. Joe moses different people to

0:47:46.760 --> 0:47:49.719
<v Speaker 1>me that are like cultural renaissance on their own. Like

0:47:49.840 --> 0:47:53.879
<v Speaker 1>them dudes are like culturally incredible. Nothing is more hip

0:47:53.920 --> 0:47:56.440
<v Speaker 1>hopp than some of them dudes. But you gotta do

0:47:56.520 --> 0:47:58.320
<v Speaker 1>the record side of the business.

0:48:02.280 --> 0:48:02.879
<v Speaker 2>Shout out to.

0:48:02.920 --> 0:48:06.239
<v Speaker 1>Unknown raider God. That is where Jake Paul messed up.

0:48:06.280 --> 0:48:08.440
<v Speaker 1>He said his dream is to become a champion. That

0:48:08.480 --> 0:48:11.080
<v Speaker 1>will never happen with the route he's taking. That's because

0:48:11.080 --> 0:48:13.880
<v Speaker 1>that's not his goal to be a champion. His goal

0:48:13.960 --> 0:48:17.200
<v Speaker 1>is being achieved. Every time he goes to the bank account,

0:48:17.320 --> 0:48:20.600
<v Speaker 1>he's selling you the marketing of him wanting to be

0:48:20.640 --> 0:48:21.480
<v Speaker 1>a champion to.

0:48:21.520 --> 0:48:23.040
<v Speaker 2>Keep driving your hate.

0:48:23.200 --> 0:48:26.280
<v Speaker 1>He knows the route to become a boxing world champion,

0:48:27.360 --> 0:48:31.799
<v Speaker 1>he knows it is obvious, but again he's marketing to

0:48:31.880 --> 0:48:35.160
<v Speaker 1>you that to drive your hate for him. To make

0:48:35.239 --> 0:48:37.839
<v Speaker 1>you watch him. Everything Jake Paul sells is the same

0:48:37.880 --> 0:48:40.840
<v Speaker 1>thing Floyd Mayweather, So you just want to see him lose.

0:48:41.080 --> 0:48:43.680
<v Speaker 1>So he keeps putting himself in the ring with the

0:48:43.760 --> 0:48:48.839
<v Speaker 1>least the lesser gamble of beating him that you think

0:48:48.880 --> 0:48:50.840
<v Speaker 1>could beat him. That's what he's selling you. He's selling

0:48:50.880 --> 0:48:53.359
<v Speaker 1>you who you think could beat him, and he's getting

0:48:53.360 --> 0:48:55.960
<v Speaker 1>in the ring with them, and he's making educated guesses

0:48:56.000 --> 0:48:58.719
<v Speaker 1>on it every time. So the confusion is that you

0:48:58.920 --> 0:49:00.880
<v Speaker 1>really believe that he thinks his goal is to be

0:49:00.880 --> 0:49:01.440
<v Speaker 1>a champion.

0:49:01.680 --> 0:49:02.840
<v Speaker 2>That's just to market.

0:49:03.239 --> 0:49:06.040
<v Speaker 1>It's like when it's like when a rapper markets independent

0:49:06.080 --> 0:49:07.640
<v Speaker 1>even though they signed to a record label.

0:49:08.520 --> 0:49:11.319
<v Speaker 3>Sure, I mean that's like, you know, there's also an

0:49:11.360 --> 0:49:14.200
<v Speaker 3>element to it. I don't know what it is. We

0:49:14.480 --> 0:49:16.440
<v Speaker 3>live in an era that has just got a hard

0:49:16.480 --> 0:49:20.680
<v Speaker 3>on for a nostalgia like I've never seen. Yeah, it's ridiculous.

0:49:21.080 --> 0:49:26.200
<v Speaker 3>But the people that Joe viewer gets more personal gratification

0:49:26.320 --> 0:49:30.799
<v Speaker 3>out of seeing, hypothetically Mike Tyson, with whom they have

0:49:30.840 --> 0:49:34.319
<v Speaker 3>an emotional connection, knock out Jake Paul than if we

0:49:34.320 --> 0:49:35.480
<v Speaker 3>put in coyote Dude.

0:49:35.480 --> 0:49:36.600
<v Speaker 4>We're talking about the other day that.

0:49:36.600 --> 0:49:39.719
<v Speaker 3>No one knows by and large, he's not like way

0:49:39.760 --> 0:49:43.680
<v Speaker 3>into boxing, just roll up and just lay his ass out.

0:49:43.400 --> 0:49:43.960
<v Speaker 4>You know what I mean.

0:49:44.000 --> 0:49:46.759
<v Speaker 3>Like people don't get the same gratification out of that,

0:49:46.840 --> 0:49:49.839
<v Speaker 3>so they're willing to pay more to see that opportunity

0:49:49.880 --> 0:49:50.200
<v Speaker 3>if it were.

0:49:50.520 --> 0:49:54.680
<v Speaker 1>It's not nostalgia, like it's who do people know and

0:49:54.800 --> 0:49:57.000
<v Speaker 1>think could knock you out because they have to know

0:49:57.120 --> 0:50:01.239
<v Speaker 1>you sure sure so, Like his goal is to make

0:50:01.280 --> 0:50:03.799
<v Speaker 1>the educated guess. And just like when it comes to

0:50:03.840 --> 0:50:08.799
<v Speaker 1>West Coast hip hop, I do think impact matters, but

0:50:09.360 --> 0:50:12.600
<v Speaker 1>I think how you get back to that, it's nothing

0:50:12.640 --> 0:50:15.800
<v Speaker 1>to get back to. Like if there was a problem

0:50:15.840 --> 0:50:19.120
<v Speaker 1>with West Coast hip hop is our culture is revered

0:50:19.239 --> 0:50:24.440
<v Speaker 1>all around the world. Our culture is studied. Everybody knows

0:50:24.520 --> 0:50:28.960
<v Speaker 1>who we are. We're not presenting anything new culturally, you

0:50:29.000 --> 0:50:31.560
<v Speaker 1>know what I'm saying. We're not presenting anything new culturally.

0:50:31.640 --> 0:50:35.120
<v Speaker 1>There's nothing new culturally happening as a movement on the

0:50:35.120 --> 0:50:40.839
<v Speaker 1>West Coast that's worth talking about. Like, everybody knows who

0:50:40.880 --> 0:50:44.640
<v Speaker 1>we are. They everybody you know. Most people can name

0:50:44.960 --> 0:50:48.400
<v Speaker 1>a crip that they know. Most people can name a blood,

0:50:48.800 --> 0:50:53.080
<v Speaker 1>most people can name popular people from this culture. There's

0:50:53.239 --> 0:50:56.759
<v Speaker 1>films there have been films about West Coast street urban

0:50:56.800 --> 0:51:02.520
<v Speaker 1>culture now for almost forty years. Colors is loosely on it,

0:51:02.600 --> 0:51:06.840
<v Speaker 1>like that's how long Hollywood has been showcasing our lives

0:51:06.920 --> 0:51:07.920
<v Speaker 1>and the way we.

0:51:07.840 --> 0:51:11.080
<v Speaker 2>Live on the West. So it's just it's just stale.

0:51:12.480 --> 0:51:12.920
<v Speaker 2>That's it.

0:51:12.920 --> 0:51:17.800
<v Speaker 1>It's just stale. It's nothing wrong. It's not about music.

0:51:17.960 --> 0:51:20.120
<v Speaker 1>Like this is the thing about hip hop. Hip hop

0:51:20.200 --> 0:51:24.720
<v Speaker 1>is not music first. Hip hop is culture first then music.

0:51:26.239 --> 0:51:28.640
<v Speaker 1>And and this is why the arguments happen all the

0:51:28.640 --> 0:51:31.600
<v Speaker 1>time on social media because people didn't do their studies.

0:51:31.880 --> 0:51:35.600
<v Speaker 1>Everybody black streak. They feel entitled to hip hop, but

0:51:35.680 --> 0:51:38.960
<v Speaker 1>they don't quite understand what's going on or the business

0:51:39.000 --> 0:51:42.000
<v Speaker 1>itself of it. They just feel like it's something innately,

0:51:42.080 --> 0:51:44.880
<v Speaker 1>like most people think black people can play basketball.

0:51:45.320 --> 0:51:50.000
<v Speaker 2>Most you niggas can't play basketball. But again that's.

0:51:49.840 --> 0:51:51.399
<v Speaker 4>What people of us.

0:51:52.239 --> 0:51:54.080
<v Speaker 2>But I'm saying probably not even still.

0:51:54.200 --> 0:51:56.560
<v Speaker 1>But again it's like these are the things that we

0:51:56.600 --> 0:51:58.359
<v Speaker 1>feel like in native we understand that we don't.

0:51:58.400 --> 0:52:00.879
<v Speaker 2>We don't take the time to understand them. So hip

0:52:00.880 --> 0:52:05.680
<v Speaker 2>hop is coaching first, music second. And that's the trick.

0:52:05.840 --> 0:52:11.320
<v Speaker 1>Everybody is spoiled with West Coast Street urban culture everybody spoiled.

0:52:11.360 --> 0:52:15.840
<v Speaker 1>It's they so spoiled, bro, that now there's gangs, crips

0:52:15.880 --> 0:52:24.880
<v Speaker 1>and blood gangs in everybody's town. Yeah, like crips and bloods,

0:52:24.960 --> 0:52:29.320
<v Speaker 1>gangs in everybody's town. There's like, every town got cripson bloods.

0:52:29.520 --> 0:52:32.400
<v Speaker 1>There are kids who grew up in this world, teenagers,

0:52:32.440 --> 0:52:35.880
<v Speaker 1>maybe even twenty, that didn't know gang bangs.

0:52:35.600 --> 0:52:36.600
<v Speaker 2>Started on the West Coast.

0:52:38.239 --> 0:52:40.840
<v Speaker 1>There are people who grow up in this world that

0:52:40.880 --> 0:52:43.359
<v Speaker 1>didn't know, you know, hip hop started in New York.

0:52:46.680 --> 0:52:50.160
<v Speaker 1>That's how spoiled people are with West Coast culture. Most

0:52:50.200 --> 0:52:54.000
<v Speaker 1>people don't realize Kentucky Fried Chicken is an Americanized version

0:52:54.080 --> 0:52:58.400
<v Speaker 1>of soul food, a mainstream pop version of soul food.

0:53:00.920 --> 0:53:03.000
<v Speaker 1>They don't know that. They just think that's soul food.

0:53:03.040 --> 0:53:08.479
<v Speaker 1>Most people think Taco bell is Mexican food. People don't know, man,

0:53:08.600 --> 0:53:11.200
<v Speaker 1>And you gotta understand why they wouldn't know, because they

0:53:11.239 --> 0:53:14.440
<v Speaker 1>just don't know, straight up, bro, they don't fucking know,

0:53:14.520 --> 0:53:15.920
<v Speaker 1>and they don't got time to know it. Why the

0:53:15.920 --> 0:53:19.160
<v Speaker 1>fuck should they know? You can't even get mad that

0:53:19.200 --> 0:53:21.920
<v Speaker 1>people don't know or don't care. Why should they?

0:53:22.960 --> 0:53:25.000
<v Speaker 2>What the fuck do it got to do with they life.

0:53:27.640 --> 0:53:27.759
<v Speaker 3>Now?

0:53:27.800 --> 0:53:28.160
<v Speaker 4>It's true.

0:53:28.200 --> 0:53:30.800
<v Speaker 3>I mean, you go through the night club and it

0:53:30.920 --> 0:53:34.719
<v Speaker 3>saw drops, people start dancing, cares you know about the

0:53:34.760 --> 0:53:37.080
<v Speaker 3>backstory at that point, they haven't drink and danced some

0:53:37.200 --> 0:53:39.920
<v Speaker 3>good time whatever the genre music is, or the nightclub

0:53:39.920 --> 0:53:40.480
<v Speaker 3>for that matter.

0:53:40.640 --> 0:53:46.520
<v Speaker 1>Yeah, So it's like, it's like the West Coast has

0:53:46.560 --> 0:53:53.799
<v Speaker 1>been producing legendary hip hop acts since eighty five, since

0:53:53.960 --> 0:53:56.480
<v Speaker 1>Iced Tea, since Too Short.

0:53:57.200 --> 0:53:57.839
<v Speaker 2>That's eighty three.

0:53:58.040 --> 0:54:02.160
<v Speaker 1>That's eighty four and eighty five, right, like shit, The

0:54:02.239 --> 0:54:06.120
<v Speaker 1>last one is probably Kendrick or Tyler Tyler. Kendrick is

0:54:06.160 --> 0:54:10.120
<v Speaker 1>twenty eleven, good Kid Messity. I think it's eleven or twelve.

0:54:11.600 --> 0:54:18.640
<v Speaker 1>Tyler is probably thirteen fourteen, his first debut album come out,

0:54:18.719 --> 0:54:23.960
<v Speaker 1>like the Oshit Cat is probably sixteen seventeen. I mean, goddamn,

0:54:24.000 --> 0:54:27.440
<v Speaker 1>you can't have the ball all the time, bro, You

0:54:27.480 --> 0:54:31.400
<v Speaker 1>cannot have the ball all the time. Bro, Everybody know us.

0:54:32.600 --> 0:54:35.080
<v Speaker 1>Everybody know us. We are not the ball of the

0:54:35.120 --> 0:54:38.319
<v Speaker 1>ball anymore. Culturally, West Coast Street urban culture is not

0:54:38.440 --> 0:54:39.800
<v Speaker 1>the bell of the ball anymore.

0:54:39.880 --> 0:54:40.080
<v Speaker 2>Bro.

0:54:40.560 --> 0:54:42.799
<v Speaker 1>We're trying to learn about other shit that we don't

0:54:42.840 --> 0:54:45.959
<v Speaker 1>know about. People don't care to keep learning. They don't

0:54:46.239 --> 0:54:49.160
<v Speaker 1>their desires not to take a deep dive into who

0:54:49.680 --> 0:54:52.239
<v Speaker 1>the founder of crips was. That's not their job. They

0:54:52.320 --> 0:54:55.239
<v Speaker 1>from another town. They got to figure out they own shit.

0:54:55.400 --> 0:54:55.920
<v Speaker 2>Culturally.

0:54:57.280 --> 0:54:59.800
<v Speaker 1>Most people don't even shit. You could ask most people

0:55:00.200 --> 0:55:02.360
<v Speaker 1>right now. Ask some of your homeboys. Shout out to

0:55:02.360 --> 0:55:06.040
<v Speaker 1>everybody in the chat. No Saler's live the lunch hour Monday,

0:55:06.080 --> 0:55:10.799
<v Speaker 1>Wednesday and Friday noon specific standard time. Click that thumbs up.

0:55:10.840 --> 0:55:13.000
<v Speaker 1>But ask some of your homies that game bang. If

0:55:13.000 --> 0:55:17.400
<v Speaker 1>you game, ask some homes that game bang. Nine percent

0:55:17.400 --> 0:55:23.200
<v Speaker 1>of them niggas don't know who started their neighborhood. Don't

0:55:23.200 --> 0:55:27.239
<v Speaker 1>know the niggas who started their game, let alone to

0:55:27.360 --> 0:55:28.959
<v Speaker 1>know who started all this other shit.

0:55:30.080 --> 0:55:32.000
<v Speaker 2>Don't nobody got time for that. They don't.

0:55:32.000 --> 0:55:34.920
<v Speaker 1>They're not looking for depth. That was the mistake I

0:55:35.000 --> 0:55:38.040
<v Speaker 1>made with two pot months Die. I thought people were

0:55:38.080 --> 0:55:40.000
<v Speaker 1>looking for depth into culture.

0:55:40.520 --> 0:55:40.840
<v Speaker 2>They not.

0:55:42.320 --> 0:55:44.720
<v Speaker 1>Most people not looking for the best soul food restaurant.

0:55:44.760 --> 0:55:48.600
<v Speaker 1>They looking for the cheapest, most convenient soulful That's why

0:55:48.600 --> 0:55:50.560
<v Speaker 1>they go to Kentucky Fried Chicken or.

0:55:51.000 --> 0:55:55.399
<v Speaker 3>In other cases, they're looking for the restaurant that's got

0:55:55.400 --> 0:55:57.960
<v Speaker 3>the most cache to take the selfiet.

0:55:59.080 --> 0:55:59.920
<v Speaker 4>People don't come.

0:55:59.800 --> 0:56:02.040
<v Speaker 3>Here and go to Elouise and Ernestine's in Miami. They

0:56:02.040 --> 0:56:03.520
<v Speaker 3>come here and go to the licking and take a

0:56:03.520 --> 0:56:07.360
<v Speaker 3>picture because they're so original for going to the I

0:56:07.360 --> 0:56:08.759
<v Speaker 3>don't know what the fuck they want to go DJ

0:56:08.840 --> 0:56:11.200
<v Speaker 3>Colors for, but they sure should do.

0:56:14.239 --> 0:56:17.640
<v Speaker 2>Shout out the name brand. That's why Drake works exactly.

0:56:17.719 --> 0:56:21.839
<v Speaker 1>Yeah, because he covers the surface of all culture which

0:56:21.920 --> 0:56:24.160
<v Speaker 1>is mainstream and.

0:56:24.120 --> 0:56:27.279
<v Speaker 3>He got in with baby and then at the right

0:56:27.320 --> 0:56:30.080
<v Speaker 3>time they knew the shit because they were forty five.

0:56:30.200 --> 0:56:32.640
<v Speaker 2>Years old, exactly. It's a great point.

0:56:34.000 --> 0:56:37.839
<v Speaker 1>Fucking tune was probably thirty four or something at the time. Yeah,

0:56:37.920 --> 0:56:42.320
<v Speaker 1>so they don't they're not digging deep into the cultures,

0:56:42.719 --> 0:56:44.920
<v Speaker 1>you know what I mean. Uh.

0:56:46.080 --> 0:56:47.399
<v Speaker 2>Shout out to Unknown.

0:56:47.120 --> 0:56:50.600
<v Speaker 1>Raider Guy, Hey Glasses, speaking of Tupac months died, Did

0:56:50.640 --> 0:56:53.600
<v Speaker 1>you really film the video at MGM? I did everything

0:56:53.680 --> 0:56:57.080
<v Speaker 1>through the location, Unknown Raider Guy. I went and shot

0:56:57.120 --> 0:56:59.960
<v Speaker 1>it inside the MGM. I went shot it right out

0:57:00.120 --> 0:57:03.800
<v Speaker 1>side of it. I shot it all true the location,

0:57:04.000 --> 0:57:06.600
<v Speaker 1>everything through the location. I went to the Lakewood Mall

0:57:06.920 --> 0:57:10.960
<v Speaker 1>for the flashback. That's the actual mall. So again, that's

0:57:11.000 --> 0:57:13.520
<v Speaker 1>one of them things that I understood as an artist

0:57:13.520 --> 0:57:16.360
<v Speaker 1>that I am great at. But I also understood cultureally.

0:57:16.360 --> 0:57:19.080
<v Speaker 1>Why people I just learned, why people don't appreciate it.

0:57:20.160 --> 0:57:23.439
<v Speaker 1>They're not into it that deep. That's why people got

0:57:23.440 --> 0:57:25.680
<v Speaker 1>so mad about Tupac must die. In their mind, they

0:57:25.680 --> 0:57:28.440
<v Speaker 1>didn't hear the nuance that I'm speaking of. They just

0:57:28.520 --> 0:57:31.160
<v Speaker 1>heard glasses think it's okay that this nigga killed Tupac.

0:57:31.240 --> 0:57:32.040
<v Speaker 2>That's all they heard.

0:57:32.960 --> 0:57:36.880
<v Speaker 1>That's highlighted and condensed, condensed and heightened. That's what they

0:57:36.920 --> 0:57:40.520
<v Speaker 1>think it means.

0:57:38.960 --> 0:57:41.560
<v Speaker 2>You know what I'm saying. So that's the thing hip

0:57:41.600 --> 0:57:42.080
<v Speaker 2>hop is.

0:57:42.640 --> 0:57:44.560
<v Speaker 1>You know again, it's for people to make sense out

0:57:44.560 --> 0:57:49.560
<v Speaker 1>of their own life, not about your life. It's so

0:57:49.600 --> 0:57:51.400
<v Speaker 1>they can make sense out of their own life. How

0:57:51.440 --> 0:57:53.960
<v Speaker 1>do they use this for their own life? And most

0:57:53.960 --> 0:57:56.400
<v Speaker 1>people ain't gonna run into gang bangers, and you know,

0:57:57.320 --> 0:57:59.280
<v Speaker 1>and they friends ain't finna jump a game banger that

0:57:59.440 --> 0:58:01.520
<v Speaker 1>storied me's nothing to them, you know what I'm saying.

0:58:01.520 --> 0:58:05.440
<v Speaker 1>They don't have no meaning to them at all. But honestly,

0:58:05.480 --> 0:58:08.320
<v Speaker 1>I think the only thing that's wrong with West Coast

0:58:08.400 --> 0:58:12.160
<v Speaker 1>hip hop is the whole world is spoiled by our

0:58:12.200 --> 0:58:15.680
<v Speaker 1>culture already, our forefathers of this hip hop thing. This

0:58:15.800 --> 0:58:19.760
<v Speaker 1>is such a fantastic job that there is really nothing

0:58:20.600 --> 0:58:25.560
<v Speaker 1>to expose, so you really just plan the game where

0:58:25.680 --> 0:58:28.840
<v Speaker 1>culturely you don't have anything much offer to you don't

0:58:28.840 --> 0:58:30.080
<v Speaker 1>have much things to offer.

0:58:30.160 --> 0:58:33.760
<v Speaker 3>That's new, and I think that's also like what we

0:58:33.880 --> 0:58:37.200
<v Speaker 3>talked about when we go to Atlanta, Like there is.

0:58:37.160 --> 0:58:38.120
<v Speaker 4>A certain.

0:58:40.360 --> 0:58:44.920
<v Speaker 3>Aspect to just LA's culture when you're there that is

0:58:46.160 --> 0:58:49.800
<v Speaker 3>going to and you can define it any way you

0:58:49.840 --> 0:58:52.760
<v Speaker 3>want to, all say, like it's going to remain true

0:58:52.760 --> 0:58:58.600
<v Speaker 3>to itself and there's going to be a certain the

0:58:58.640 --> 0:59:02.760
<v Speaker 3>appropriate word is, but it it doesn't just morphed and

0:59:02.840 --> 0:59:06.320
<v Speaker 3>evolve into anything at any time. It stays largely centered

0:59:06.320 --> 0:59:12.120
<v Speaker 3>around its base and opposed to like by comparison Atlanta

0:59:12.800 --> 0:59:15.240
<v Speaker 3>that will morph and change into really anything.

0:59:15.760 --> 0:59:17.840
<v Speaker 2>You know, al we say, but that's not even true,

0:59:17.880 --> 0:59:19.000
<v Speaker 2>that's overstated. Right.

0:59:19.560 --> 0:59:22.200
<v Speaker 1>Let me get to this shout out to Beezy. Yeah,

0:59:22.240 --> 0:59:24.360
<v Speaker 1>from a far surface level, it looked like he was

0:59:24.360 --> 0:59:26.920
<v Speaker 1>happy about pog dying when that song came out. And

0:59:26.920 --> 0:59:30.360
<v Speaker 1>that's my point, because it takes a different type of

0:59:30.440 --> 0:59:34.440
<v Speaker 1>human to understand nuance of something else outside of them.

0:59:34.720 --> 0:59:36.200
<v Speaker 2>That's not a standard thing.

0:59:36.240 --> 0:59:38.560
<v Speaker 1>I'm starting to realize again it goes back to that

0:59:38.680 --> 0:59:41.920
<v Speaker 1>book that I've been raving about on this podcast, The

0:59:41.960 --> 0:59:45.080
<v Speaker 1>Anatomy of a Story by John Truby, where he talks

0:59:45.120 --> 0:59:49.920
<v Speaker 1>about that that's what they feel like. Shout out to

0:59:50.080 --> 0:59:52.440
<v Speaker 1>Madon Kemmick's my first time seeing you. How you just

0:59:52.640 --> 0:59:55.000
<v Speaker 1>poked then't wonder why the West Coast is dead? You

0:59:55.040 --> 0:59:57.600
<v Speaker 1>get it like it's not his fault. It's not his

0:59:57.680 --> 1:00:00.840
<v Speaker 1>fault that he couldn't like it's not so fought, Madonna.

1:00:00.880 --> 1:00:04.560
<v Speaker 1>You couldn't dissect the nuance of me explaining street urban

1:00:04.560 --> 1:00:06.640
<v Speaker 1>culture from the West and how we make sense out

1:00:06.640 --> 1:00:09.200
<v Speaker 1>of the way we live, versus you just thinking out

1:00:09.240 --> 1:00:12.040
<v Speaker 1>this pop. I couldn't even be upset at that, you

1:00:12.040 --> 1:00:14.400
<v Speaker 1>know what I'm saying. It don't make like I get

1:00:14.440 --> 1:00:16.440
<v Speaker 1>it now, like I get where I went wrong. I

1:00:16.480 --> 1:00:18.840
<v Speaker 1>went wrong because I tried to give you something that

1:00:18.880 --> 1:00:21.040
<v Speaker 1>you could never understand.

1:00:20.600 --> 1:00:23.840
<v Speaker 2>Or ask for. It's way past your you know.

1:00:23.800 --> 1:00:25.480
<v Speaker 1>What I mean, Like you got too much shit in

1:00:25.480 --> 1:00:27.520
<v Speaker 1>your own life to be worried about me giving you

1:00:27.640 --> 1:00:31.120
<v Speaker 1>nuances of what going on, what's going on in our lives.

1:00:31.480 --> 1:00:34.720
<v Speaker 1>You just want the heightened and condensed version of how

1:00:34.760 --> 1:00:38.440
<v Speaker 1>we live to make sense for your own mind. But

1:00:38.680 --> 1:00:41.560
<v Speaker 1>it's weird, like and I don't mean this as an insult, Bro,

1:00:41.640 --> 1:00:44.280
<v Speaker 1>it's weird that you know what I mean, people think

1:00:44.320 --> 1:00:46.600
<v Speaker 1>somebody like me, who if you hear any of my music,

1:00:46.640 --> 1:00:49.080
<v Speaker 1>I have all Tupac, DNA and my music, and I

1:00:49.120 --> 1:00:51.600
<v Speaker 1>talk about him with a different reverence that people would

1:00:51.640 --> 1:00:52.240
<v Speaker 1>even think.

1:00:52.120 --> 1:00:53.040
<v Speaker 2>I would this pop.

1:00:53.480 --> 1:00:56.680
<v Speaker 1>But it's not just you corrupt thought I this pop

1:00:57.000 --> 1:00:58.800
<v Speaker 1>like that. Nigga was cussing me out when he first

1:00:59.120 --> 1:01:00.720
<v Speaker 1>heard the song. I was like, Bro, why the fuck

1:01:00.760 --> 1:01:04.320
<v Speaker 1>would you think I was this Tupac? Doctor Dre sat

1:01:04.440 --> 1:01:06.520
<v Speaker 1>me down at the studio, was cussing me out because

1:01:06.520 --> 1:01:08.440
<v Speaker 1>he thought I this Tupac. And I'm like, cause you've

1:01:08.440 --> 1:01:10.520
<v Speaker 1>been knowing me since I was a kid like that,

1:01:10.680 --> 1:01:12.600
<v Speaker 1>Nigga knew me not a kid. I was twenty two

1:01:12.640 --> 1:01:15.800
<v Speaker 1>when I met Doctor Drake. Nigga, why would you think

1:01:15.840 --> 1:01:18.320
<v Speaker 1>I would this Tupac? How did how did you look

1:01:18.320 --> 1:01:20.560
<v Speaker 1>at that and think knowing me? You didn't talk to

1:01:20.600 --> 1:01:23.160
<v Speaker 1>me all these times and think to yourself glasses with

1:01:23.400 --> 1:01:25.880
<v Speaker 1>insult Tupac. That's just crazy.

1:01:26.440 --> 1:01:29.000
<v Speaker 3>You're the one who didn't put the parentheses on that.

1:01:29.800 --> 1:01:34.560
<v Speaker 3>If you put Tupac was die. The baby lame story no.

1:01:34.560 --> 1:01:36.680
<v Speaker 2>One had a question, That's what it says.

1:01:37.120 --> 1:01:44.480
<v Speaker 4>It says that, yes where on a YouTube, straight up.

1:01:44.600 --> 1:01:48.080
<v Speaker 3>In the video or on the on the video, on

1:01:49.240 --> 1:01:50.680
<v Speaker 3>the title, it says that.

1:01:52.200 --> 1:01:53.439
<v Speaker 4>I'll pull this up right now.

1:01:53.680 --> 1:01:57.320
<v Speaker 1>On the title it says that, no, lie, it says

1:01:57.360 --> 1:01:59.960
<v Speaker 1>that it's not none of that. I'm telling you, fucking

1:02:00.120 --> 1:02:04.400
<v Speaker 1>John Truby is a genius, bro. John Truby is a genius.

1:02:05.800 --> 1:02:09.040
<v Speaker 1>And I finally got it. It was like, Oh, they

1:02:09.200 --> 1:02:15.480
<v Speaker 1>not even hearing all of this shit. They just not

1:02:15.600 --> 1:02:18.439
<v Speaker 1>even hearing all this shit. They not even reading it.

1:02:19.040 --> 1:02:22.040
<v Speaker 1>They just again, people got their own lives to live.

1:02:23.520 --> 1:02:25.760
<v Speaker 1>They got their own lives to live, Bro, They don't

1:02:25.760 --> 1:02:27.840
<v Speaker 1>got time for nuance. You know what I'm saying. That

1:02:28.000 --> 1:02:32.040
<v Speaker 1>just ain't the thing. Shut out to the homie Revenge name.

1:02:32.120 --> 1:02:34.520
<v Speaker 1>The classic album since two thousand and five from West

1:02:34.520 --> 1:02:37.640
<v Speaker 1>Coast hip hop is just counting on one hand. Musically,

1:02:37.720 --> 1:02:40.000
<v Speaker 1>the South guy, the West Coast artists don't make classics.

1:02:40.040 --> 1:02:47.520
<v Speaker 1>Just k dot, you don't need new listen. The problem

1:02:47.680 --> 1:02:50.880
<v Speaker 1>is first, that's just not true. Atlanta is going through

1:02:50.880 --> 1:02:53.120
<v Speaker 1>the same thing. California is going through. Georgia is going

1:02:53.120 --> 1:02:55.280
<v Speaker 1>through it. They haven't broken a new act in probably

1:02:55.440 --> 1:03:00.000
<v Speaker 1>five or six years, because we're spoiled by Georgia culture.

1:03:00.640 --> 1:03:04.160
<v Speaker 1>We know everything about their streets culturally, we know what

1:03:04.200 --> 1:03:06.960
<v Speaker 1>they're into, we know how they hustle, we know everything

1:03:07.000 --> 1:03:10.040
<v Speaker 1>about what they got going on, you know what I'm saying.

1:03:10.080 --> 1:03:12.840
<v Speaker 1>So that's normal for any New York is going through

1:03:12.840 --> 1:03:16.840
<v Speaker 1>the same thing anywhere where hip hop has been predominantly

1:03:17.160 --> 1:03:19.800
<v Speaker 1>and just it's been so much West Coast, whether it's

1:03:19.840 --> 1:03:24.440
<v Speaker 1>the Bay Area or southern southern California culturally that you

1:03:24.480 --> 1:03:29.360
<v Speaker 1>don't need new stuff from us anymore. You just don't,

1:03:29.960 --> 1:03:32.480
<v Speaker 1>and you don't care about revisiting the stuff we already

1:03:32.480 --> 1:03:32.840
<v Speaker 1>showed you.

1:03:32.880 --> 1:03:34.320
<v Speaker 2>At this point. You spoiled by it.

1:03:34.640 --> 1:03:37.440
<v Speaker 1>You've had access to it a million times. So it's

1:03:37.480 --> 1:03:41.320
<v Speaker 1>not about do they make classic albums? Can culturally it

1:03:41.400 --> 1:03:43.880
<v Speaker 1>create a new space? Like do you really think it's

1:03:44.000 --> 1:03:46.200
<v Speaker 1>just music and it's more than music?

1:03:46.400 --> 1:03:50.480
<v Speaker 4>I think that's really true to a large degree.

1:03:50.800 --> 1:03:54.600
<v Speaker 3>Like I don't get the sense that the genre in

1:03:54.680 --> 1:04:00.880
<v Speaker 3>general is illuminating cities and the way it used to.

1:04:00.960 --> 1:04:03.880
<v Speaker 3>I could be tripping, but it's like I can't think

1:04:03.920 --> 1:04:07.160
<v Speaker 3>of a city that, Like you said the same thing

1:04:07.200 --> 1:04:09.280
<v Speaker 3>about Miami. You can say the same thing about New Orleans.

1:04:09.360 --> 1:04:11.360
<v Speaker 3>They had windows that were putting out a bunch of stuff.

1:04:11.360 --> 1:04:13.000
<v Speaker 3>They were shining a line on This is how it

1:04:13.000 --> 1:04:14.680
<v Speaker 3>really goes on here, you know what I mean? It's

1:04:14.720 --> 1:04:16.280
<v Speaker 3>different here than there. You can kind of see it,

1:04:16.280 --> 1:04:21.040
<v Speaker 3>and it's really interesting. I don't see it, like, I

1:04:21.040 --> 1:04:23.160
<v Speaker 3>don't really see it unless it's just like to me

1:04:23.200 --> 1:04:24.640
<v Speaker 3>and like, there's a lot of people coming out of Memphis,

1:04:24.680 --> 1:04:26.800
<v Speaker 3>but I don't necessarily think that there's a lot.

1:04:26.640 --> 1:04:29.600
<v Speaker 4>Of Memphis coming out of them, if that makes me sense.

1:04:29.920 --> 1:04:31.040
<v Speaker 2>But that's my point.

1:04:31.080 --> 1:04:34.320
<v Speaker 1>That's also why if you look like Memphis, like you

1:04:34.320 --> 1:04:37.480
<v Speaker 1>gotta look at Southern California as a cultural movement and

1:04:37.560 --> 1:04:46.080
<v Speaker 1>you're talking about ice tea, Easy Nwa, Doctor Dre, Snoop Dogg, Like, like,

1:04:46.240 --> 1:04:50.160
<v Speaker 1>think about how many legendary acts were in the first

1:04:50.240 --> 1:04:54.320
<v Speaker 1>seven or in the first ten years. Sure, like huge

1:04:54.480 --> 1:04:59.280
<v Speaker 1>legendary acts. Shout out to groups like A Ball and MJG. Right,

1:04:59.360 --> 1:05:02.520
<v Speaker 1>them guys who who really laid the foundation down for Memphis.

1:05:02.760 --> 1:05:05.360
<v Speaker 1>But you know they don't have the same stardom as

1:05:05.360 --> 1:05:07.040
<v Speaker 1>an ice Cube or a Snoop Dogg.

1:05:07.640 --> 1:05:09.240
<v Speaker 2>We got guys that have the.

1:05:09.160 --> 1:05:12.320
<v Speaker 1>Same stardom Ice Tea is probably as big of a

1:05:12.360 --> 1:05:14.200
<v Speaker 1>star as Cute Like.

1:05:14.280 --> 1:05:15.320
<v Speaker 2>He's probably as.

1:05:15.480 --> 1:05:18.720
<v Speaker 1>Famous to maybe not quite, but he's on the same

1:05:18.840 --> 1:05:22.919
<v Speaker 1>level as Ice and Ice Cube Dog is fucking Iced Tea.

1:05:24.040 --> 1:05:28.959
<v Speaker 1>He is famous, probably as Ice Tupop is probably as fair.

1:05:29.160 --> 1:05:34.120
<v Speaker 1>The first ten years of West Coast hip hop too short,

1:05:34.640 --> 1:05:37.920
<v Speaker 1>Like this is crazy, Like we got ten people in

1:05:37.960 --> 1:05:40.919
<v Speaker 1>the first two years. Ten years, Memphis don't even have

1:05:41.040 --> 1:05:44.160
<v Speaker 1>one person as famous as Ice Tea.

1:05:44.440 --> 1:05:49.800
<v Speaker 2>Memphis hip hop, that's the first guy, the.

1:05:49.680 --> 1:05:53.760
<v Speaker 1>First Lord knows a Snoop Dogg or Ice Cube Memphis

1:05:53.840 --> 1:05:54.280
<v Speaker 1>hip hop.

1:05:54.320 --> 1:05:56.800
<v Speaker 2>For as great culturally as it is, they.

1:05:56.640 --> 1:06:00.640
<v Speaker 1>Don't have one star as famous and as popular as

1:06:00.760 --> 1:06:01.600
<v Speaker 1>Ice Tea.

1:06:03.840 --> 1:06:04.560
<v Speaker 4>Sure do I get that.

1:06:04.600 --> 1:06:07.280
<v Speaker 3>I'm just saying, like, you know, I listened to like

1:06:07.440 --> 1:06:10.479
<v Speaker 3>say like a Pat or Gotti or something like that.

1:06:11.040 --> 1:06:14.560
<v Speaker 3>There was more Memphis in that music than now. It's

1:06:14.600 --> 1:06:16.600
<v Speaker 3>just music that's coming out of Memphis. But there's not

1:06:16.640 --> 1:06:18.480
<v Speaker 3>a lot of Memphis that's coming out of the music.

1:06:18.920 --> 1:06:20.200
<v Speaker 3>And I feel like that's true.

1:06:19.960 --> 1:06:20.960
<v Speaker 2>In a lot of parts of it.

1:06:20.960 --> 1:06:23.960
<v Speaker 1>I think Memphis right with Glow. I think the culture

1:06:24.000 --> 1:06:28.240
<v Speaker 1>of how she enunciates words. But but that's my point too.

1:06:28.360 --> 1:06:31.720
<v Speaker 1>Revenge I agree, we know the West Coast for classic albums,

1:06:31.720 --> 1:06:34.760
<v Speaker 1>but not recently. That's my that's that's not the point.

1:06:35.000 --> 1:06:39.760
<v Speaker 1>Like culturally, what's happening is going to be important, Like right,

1:06:39.840 --> 1:06:41.880
<v Speaker 1>how new something is culturally to you?

1:06:42.080 --> 1:06:43.840
<v Speaker 2>Like a Chief Key first album?

1:06:43.880 --> 1:06:46.640
<v Speaker 1>Right, finally famous, Like that's the beginning of the coach

1:06:47.360 --> 1:06:48.840
<v Speaker 1>and then people learning.

1:06:48.560 --> 1:06:51.280
<v Speaker 2>Culture, Like we pick up culture so fast.

1:06:51.000 --> 1:06:55.760
<v Speaker 1>Now, like man, like it took years for certain things

1:06:55.800 --> 1:06:58.600
<v Speaker 1>to be popular when I was growing up, Like the

1:06:58.640 --> 1:07:01.480
<v Speaker 1>way we acted, the way we talk away New York talk,

1:07:01.600 --> 1:07:04.080
<v Speaker 1>it took years for it to get become popular and

1:07:04.080 --> 1:07:10.160
<v Speaker 1>become mainstream. When the Chicago dudes starts saying, right, they

1:07:10.160 --> 1:07:13.760
<v Speaker 1>start saying putting ops in packs they smoking on like

1:07:13.800 --> 1:07:16.080
<v Speaker 1>the pack of an enemy. Right, They saying this person

1:07:16.120 --> 1:07:19.400
<v Speaker 1>represents weed, and now that they passed away, I'm smoking

1:07:19.440 --> 1:07:20.480
<v Speaker 1>this person's ashes.

1:07:20.560 --> 1:07:23.080
<v Speaker 2>Right, that's the thought.

1:07:23.280 --> 1:07:29.720
<v Speaker 1>They were saying that on ESPN in twenty sixteen. I

1:07:29.920 --> 1:07:33.000
<v Speaker 1>first heard it in twenty fourteen. They were saying it

1:07:33.040 --> 1:07:38.480
<v Speaker 1>in twenty sixteen. I've heard culture go so fast from

1:07:38.680 --> 1:07:47.520
<v Speaker 1>ground level to the news in two months. Sure you

1:07:47.560 --> 1:07:51.160
<v Speaker 1>get what I'm saying. So again, there's nothing wrong with

1:07:51.280 --> 1:07:54.720
<v Speaker 1>hip hop on the West Coast. It's just it's our

1:07:54.800 --> 1:08:00.280
<v Speaker 1>culture is mainstream to some degree. Now everybody has a

1:08:00.400 --> 1:08:02.120
<v Speaker 1>version of our culture in their town.

1:08:03.320 --> 1:08:04.880
<v Speaker 2>The things that we celebrate that.

1:08:04.840 --> 1:08:08.520
<v Speaker 1>Made it, that made us us, everybody has those things now.

1:08:11.600 --> 1:08:15.680
<v Speaker 1>Everybody has those things now, Bro, everybody has those things.

1:08:15.720 --> 1:08:18.880
<v Speaker 2>Now. We can't even be proud of crips and bloods.

1:08:18.880 --> 1:08:24.040
<v Speaker 1>Bro, everybody got cripson bloods every town. There is no

1:08:24.120 --> 1:08:27.840
<v Speaker 1>longer any social currency saying you're a crip in the blood.

1:08:28.240 --> 1:08:29.719
<v Speaker 2>Everybody has those.

1:08:35.600 --> 1:08:40.720
<v Speaker 1>Everybody has those just where it's at culturally, our forefathers

1:08:40.760 --> 1:08:41.200
<v Speaker 1>did the.

1:08:41.160 --> 1:08:44.639
<v Speaker 2>Best job our man.

1:08:45.240 --> 1:08:48.439
<v Speaker 1>Like I said, Memphis culture is just as dense and

1:08:48.560 --> 1:08:50.439
<v Speaker 1>coarse as Los Angeles like.

1:08:50.479 --> 1:08:52.360
<v Speaker 2>They do things a Memphis way.

1:08:52.680 --> 1:08:55.240
<v Speaker 1>They dance a certain way, they music a certain way,

1:08:55.280 --> 1:08:57.160
<v Speaker 1>they talk a certain way, they acts in a certain way,

1:08:57.200 --> 1:08:59.960
<v Speaker 1>they dress a certain way. Everything about them is identified.

1:09:00.040 --> 1:09:02.479
<v Speaker 1>You can see their cars, you can see all of

1:09:02.479 --> 1:09:03.040
<v Speaker 1>that stuff.

1:09:06.320 --> 1:09:07.000
<v Speaker 2>You know what I'm saying.

1:09:07.160 --> 1:09:12.000
<v Speaker 1>And again, Ice Tea is still more famous than everybody

1:09:12.000 --> 1:09:16.320
<v Speaker 1>from their Culturely, that's the first guy from Los Angeles

1:09:16.360 --> 1:09:23.479
<v Speaker 1>street urban culture. So again, it's one of those things

1:09:23.479 --> 1:09:28.760
<v Speaker 1>where it's nothing wrong. Goddamn, they already did it. They

1:09:28.840 --> 1:09:32.400
<v Speaker 1>already did it. It's a conversation to culture and everybody

1:09:32.439 --> 1:09:35.680
<v Speaker 1>got our version of their culture in their town. So

1:09:35.840 --> 1:09:38.120
<v Speaker 1>just being a crip has no social currency no more.

1:09:39.000 --> 1:09:40.600
<v Speaker 1>That's like right now, if you come out saying you

1:09:40.640 --> 1:09:42.840
<v Speaker 1>make drill music, it just probably won't hit the same

1:09:42.880 --> 1:09:45.760
<v Speaker 1>because every England got a drill music. They don't even

1:09:45.800 --> 1:09:48.280
<v Speaker 1>got guns, and they have a drill music in England.

1:09:48.280 --> 1:09:50.760
<v Speaker 4>They call it using drills.

1:09:52.880 --> 1:09:55.160
<v Speaker 2>They mean they are working on houses.

1:09:54.800 --> 1:10:00.000
<v Speaker 3>Glasses to get where's the money?

1:10:01.840 --> 1:10:06.760
<v Speaker 1>But think about this, right, It's like like UK has

1:10:06.880 --> 1:10:10.640
<v Speaker 1>drill music and they don't have guns. New York is

1:10:10.640 --> 1:10:13.920
<v Speaker 1>probably the worst town, the worst state in the United

1:10:13.960 --> 1:10:17.599
<v Speaker 1>States and the whole Union that are the hardest on guns,

1:10:17.600 --> 1:10:20.200
<v Speaker 1>and it's the least amount of guns probably.

1:10:20.240 --> 1:10:24.080
<v Speaker 2>And they got drill music. You feel me.

1:10:24.120 --> 1:10:27.320
<v Speaker 1>So it's one of those things. It's like, you know,

1:10:28.720 --> 1:10:36.280
<v Speaker 1>the cultural peal is not there. Shout out to real

1:10:36.280 --> 1:10:39.000
<v Speaker 1>settists who started this conversation, and I appreciate you being here.

1:10:39.080 --> 1:10:42.040
<v Speaker 1>No sentners live to lunch hour. We're still cooking. Got

1:10:42.040 --> 1:10:43.840
<v Speaker 1>a little bit more time longst p ain't chipping, I

1:10:43.840 --> 1:10:47.120
<v Speaker 1>ain't chipping. Wait a manu ain't nobody bought us lunch.

1:10:47.160 --> 1:10:47.400
<v Speaker 2>Neither.

1:10:47.800 --> 1:10:49.360
<v Speaker 1>Don't make me get on here and be begging for

1:10:49.439 --> 1:10:52.240
<v Speaker 1>y'all for no damn super CHATSI we talking to y'all

1:10:52.240 --> 1:10:53.800
<v Speaker 1>could buy us lunch. I know you're sitting on your

1:10:53.800 --> 1:10:56.360
<v Speaker 1>desk and click that little cash box under the comments

1:10:56.439 --> 1:10:57.240
<v Speaker 1>buy us some lunch.

1:10:57.280 --> 1:10:58.080
<v Speaker 2>Don't be like that.

1:11:00.080 --> 1:11:03.559
<v Speaker 1>This wasn't a convo about numbers, only LA culture impact

1:11:03.560 --> 1:11:05.040
<v Speaker 1>from West Coast rap on hip hop.

1:11:05.080 --> 1:11:06.599
<v Speaker 2>Well that's the point, right. It's like.

1:11:08.400 --> 1:11:12.600
<v Speaker 1>Hip hop is culture, so our culture, our street urban culture.

1:11:12.320 --> 1:11:17.240
<v Speaker 2>Is over discovered, it's over revealed. So that's driving why

1:11:17.320 --> 1:11:17.960
<v Speaker 2>the music is.

1:11:18.120 --> 1:11:20.720
<v Speaker 1>We don't have the excitement of who we are, Like

1:11:21.080 --> 1:11:24.559
<v Speaker 1>a lot of excitement goes into marketing new right. Outside

1:11:24.560 --> 1:11:26.280
<v Speaker 1>of that, you have to figure out something else. So

1:11:26.320 --> 1:11:31.559
<v Speaker 1>it's up to all West Coast artists too to You

1:11:31.640 --> 1:11:36.080
<v Speaker 1>have to figure out how to make it exciting. You

1:11:36.120 --> 1:11:38.040
<v Speaker 1>gotta be on YouTube to do it. Set this, I'm sorry,

1:11:38.040 --> 1:11:40.240
<v Speaker 1>you can't do it from Twitter, big dog. We don't

1:11:40.240 --> 1:11:44.320
<v Speaker 1>got no ain't no thing on Twitter. But on the

1:11:44.360 --> 1:11:50.480
<v Speaker 1>YouTube link, yeah, you could do it. Cav Yeah, but yeah, so.

1:11:52.000 --> 1:11:52.719
<v Speaker 2>Drill music.

1:11:53.439 --> 1:11:55.960
<v Speaker 1>But that's the same thing. Like they had to run,

1:11:56.240 --> 1:11:58.200
<v Speaker 1>you would have to go to the YouTube. So it

1:11:58.240 --> 1:11:59.640
<v Speaker 1>wouldn't matter what j I phone. You got to do

1:11:59.680 --> 1:12:01.920
<v Speaker 1>it from Cherry on bo LUNs bos lunch.

1:12:01.920 --> 1:12:06.640
<v Speaker 2>Scherry be like that like that, they don't be like

1:12:06.680 --> 1:12:08.320
<v Speaker 2>that Sharry's lunch.

1:12:08.520 --> 1:12:13.160
<v Speaker 1>Uh, shout out to name brand. So real artists have

1:12:13.240 --> 1:12:15.160
<v Speaker 1>no reason to be deep if no one is mining

1:12:15.200 --> 1:12:19.000
<v Speaker 1>for it. I mean deep, it is different, right, Deep

1:12:19.080 --> 1:12:21.680
<v Speaker 1>don't have to be the way we perceive it. Right,

1:12:21.720 --> 1:12:28.000
<v Speaker 1>it's nuanced, it's nuanced. It's nuanced, you know what I'm saying.

1:12:28.080 --> 1:12:33.360
<v Speaker 1>Nuance is not necessarily what people really are looking for. No,

1:12:33.520 --> 1:12:37.840
<v Speaker 1>people really want their their stories heightened and condensed. And

1:12:37.880 --> 1:12:40.439
<v Speaker 1>you can't be upset at them, bro, Like you can't

1:12:40.439 --> 1:12:42.400
<v Speaker 1>be upset at them. Shout out to Sherry. She brought

1:12:42.439 --> 1:12:45.439
<v Speaker 1>us some lunch. Ten donas, Thank you, Sherry, Thank y'all.

1:12:45.439 --> 1:12:49.200
<v Speaker 1>That's two burgers, my dog, Pete and Florida. So, I

1:12:49.200 --> 1:12:51.720
<v Speaker 1>don't know how you ain't got up with him Peter

1:12:51.880 --> 1:12:53.320
<v Speaker 1>in Florida. I don't know how you ain't got share

1:12:53.680 --> 1:12:57.200
<v Speaker 1>that lady who moved to Florida. Yeah, you pulled her up,

1:13:01.840 --> 1:13:04.640
<v Speaker 1>and that's what's wrong. Like I'm with you said this.

1:13:04.720 --> 1:13:07.360
<v Speaker 1>I don't think anything is wrong with West Coast hip hop.

1:13:07.360 --> 1:13:11.040
<v Speaker 1>That's the point. I think I think everybody would do better.

1:13:11.240 --> 1:13:13.800
<v Speaker 1>I think younger artists would do better to have the

1:13:13.840 --> 1:13:17.680
<v Speaker 1>wisdom and the knowledge and experience and the science that

1:13:17.720 --> 1:13:20.719
<v Speaker 1>the legends obviously like. How could you not be better

1:13:20.760 --> 1:13:22.880
<v Speaker 1>off if you listen to ice Cube or Gotta answer

1:13:22.880 --> 1:13:25.080
<v Speaker 1>out ice Cube about something you wanted to know or

1:13:25.120 --> 1:13:28.880
<v Speaker 1>Snoop Dogg or Ice Team or exhibit. I mean, these

1:13:28.880 --> 1:13:31.760
<v Speaker 1>motherfuckers is millionaires and they've been doing this at this

1:13:32.040 --> 1:13:33.880
<v Speaker 1>high level that they're platinum acts.

1:13:33.920 --> 1:13:36.040
<v Speaker 2>You know what I'm saying, film stars to some degree.

1:13:36.120 --> 1:13:43.840
<v Speaker 1>All of these guys I named are film stars. And

1:13:43.880 --> 1:13:47.080
<v Speaker 1>I think I think the legends could use especially because

1:13:47.080 --> 1:13:49.760
<v Speaker 1>they're still releasing music. I think they could use the

1:13:49.880 --> 1:13:55.479
<v Speaker 1>cultural renaissance and the and the modern interpretation and energy

1:13:55.560 --> 1:13:58.920
<v Speaker 1>of a young person. I think everybody could benefit from it,

1:13:59.120 --> 1:14:01.759
<v Speaker 1>you know what I'm saying. I think everybody could benefit

1:14:01.840 --> 1:14:06.599
<v Speaker 1>from it. I think everybody could benefit from it, but

1:14:06.720 --> 1:14:09.880
<v Speaker 1>they have to make a choice. I'm with you said this,

1:14:10.080 --> 1:14:11.679
<v Speaker 1>I go find my young homies.

1:14:11.880 --> 1:14:14.080
<v Speaker 2>I go find the young homies, and I go work

1:14:14.120 --> 1:14:15.400
<v Speaker 2>with them, you know what I mean.

1:14:15.520 --> 1:14:17.599
<v Speaker 1>Shout out to Joey and Deuce and the younger homies

1:14:17.640 --> 1:14:20.000
<v Speaker 1>White Dog, and then my young homie out of pass it.

1:14:20.040 --> 1:14:23.040
<v Speaker 1>Then I go find the young ones and I'm gonna

1:14:23.080 --> 1:14:24.920
<v Speaker 1>go see Dre and I'm gonna go see Warren, and

1:14:24.920 --> 1:14:27.439
<v Speaker 1>I'm gonna ask Warren how do I do this? I

1:14:27.520 --> 1:14:29.760
<v Speaker 1>told them all to do the same thing. I think

1:14:29.760 --> 1:14:31.439
<v Speaker 1>it's a value in all of them. But if they

1:14:32.160 --> 1:14:35.479
<v Speaker 1>if they don't realize they need each other and not

1:14:35.520 --> 1:14:38.679
<v Speaker 1>even need Because a young artist Joe Moses is fine,

1:14:39.920 --> 1:14:43.240
<v Speaker 1>yg is fine, you know what I'm saying, even younger,

1:14:43.320 --> 1:14:46.599
<v Speaker 1>Let's let's go to Solk City a three to one.

1:14:46.640 --> 1:14:50.360
<v Speaker 1>Oh baby, he's fine. Zoel Sama is fine. Zoel Sama

1:14:50.439 --> 1:14:52.920
<v Speaker 1>don't have to talk to me, you know what I'm saying.

1:14:53.000 --> 1:14:55.519
<v Speaker 1>But could he benefit from talking to Glasses?

1:14:55.600 --> 1:14:55.880
<v Speaker 2>Yes?

1:14:56.080 --> 1:14:58.439
<v Speaker 1>Because could he benefit from talking to Snoop Yes? Could

1:14:58.439 --> 1:15:00.240
<v Speaker 1>he benefit from talking to Bactin Hell?

1:15:00.320 --> 1:15:01.400
<v Speaker 2>Yeah?

1:15:01.520 --> 1:15:07.360
<v Speaker 1>But it's up to you to make that decision. Shout

1:15:07.400 --> 1:15:09.040
<v Speaker 1>out to Sherry. Sherry said, oh no, I ain't gonna

1:15:09.040 --> 1:15:11.800
<v Speaker 1>just leave y'all with no burger. Got us some fries too.

1:15:11.880 --> 1:15:14.439
<v Speaker 2>That's my dog. That's why I let Sherry cuts me

1:15:14.479 --> 1:15:15.599
<v Speaker 2>out on Live bro.

1:15:16.200 --> 1:15:18.800
<v Speaker 4>Damn right, And you keep it up. Don't give him up.

1:15:18.920 --> 1:15:20.400
<v Speaker 4>You don't take off nobody.

1:15:20.479 --> 1:15:22.240
<v Speaker 2>Yeah, Triven Sherry cuts me out.

1:15:22.280 --> 1:15:24.800
<v Speaker 1>Shout out to Squishy, our number one supporter in our

1:15:24.800 --> 1:15:27.479
<v Speaker 1>original She send me a bunch of screenshots where she

1:15:27.560 --> 1:15:30.240
<v Speaker 1>had tweeted us and I never saw it.

1:15:31.080 --> 1:15:33.280
<v Speaker 4>Squisher could cuss us out any day of the week.

1:15:33.280 --> 1:15:33.800
<v Speaker 2>Fucking right.

1:15:33.840 --> 1:15:35.640
<v Speaker 1>And we're gonna barbecue for Squish when we do the

1:15:35.640 --> 1:15:38.240
<v Speaker 1>No Sillers Barbecue next year. Because we're gonna do a

1:15:38.280 --> 1:15:40.439
<v Speaker 1>No Sellis barbecue, y'all gonna have to fly in town.

1:15:41.400 --> 1:15:42.559
<v Speaker 2>Yep, come up, flying town.

1:15:42.560 --> 1:15:45.360
<v Speaker 1>We're gonna do a No Siller's Barbecue, and uh, we're

1:15:45.400 --> 1:15:47.280
<v Speaker 1>gonna make sure we hook it. I got you, Squiz.

1:15:47.320 --> 1:15:50.920
<v Speaker 1>We're gonna do some good stuff. Shout out to real settings.

1:15:51.000 --> 1:15:53.200
<v Speaker 1>I just want to keep the Golden Age window open.

1:15:53.360 --> 1:15:55.679
<v Speaker 1>I'm with you, set it and I just think it's

1:15:55.680 --> 1:16:00.400
<v Speaker 1>hard because we're fighting like a monumental job. That snoop

1:16:00.479 --> 1:16:04.320
<v Speaker 1>ice ta ice q eazy e n w A m

1:16:04.400 --> 1:16:08.360
<v Speaker 1>C A coolio. They did a monumental job. Not to mention,

1:16:08.439 --> 1:16:10.519
<v Speaker 1>we had Hollywood, you know what I mean. We had

1:16:10.640 --> 1:16:13.960
<v Speaker 1>John Singleton, We had you know, people like the dude

1:16:13.960 --> 1:16:14.799
<v Speaker 1>who made Colors.

1:16:15.479 --> 1:16:18.000
<v Speaker 2>Who directed? Is that Sean directed that? Somebody directed that?

1:16:18.040 --> 1:16:21.400
<v Speaker 1>Like we've had like the the the Hughes Brothers, they

1:16:21.520 --> 1:16:27.040
<v Speaker 1>culturally have revealed West Coast Street urban lifestyle to another level.

1:16:27.439 --> 1:16:30.040
<v Speaker 1>So it's like we are fighting, you know what I mean,

1:16:30.280 --> 1:16:35.680
<v Speaker 1>Like really great jobs by like by entertainment giants, like

1:16:35.800 --> 1:16:40.040
<v Speaker 1>Snoop is the greatest hip hop artist ever, Like it's great,

1:16:40.160 --> 1:16:43.160
<v Speaker 1>Like he's done a fantastic job. Because doctor Dre like

1:16:43.640 --> 1:16:48.840
<v Speaker 1>DJ Quick, fantastic job. So you know, shit, you gotta

1:16:49.000 --> 1:16:55.479
<v Speaker 1>you gotta be creative. Shout out to the Tomie Fast Yes,

1:16:55.640 --> 1:17:00.519
<v Speaker 1>Sherry from Compton, that is Sharry from Compton. Uh real,

1:17:00.560 --> 1:17:02.639
<v Speaker 1>sudden see you know of these guys we don't bro

1:17:03.479 --> 1:17:05.120
<v Speaker 1>you got it. You just got to do your homework.

1:17:05.560 --> 1:17:07.920
<v Speaker 1>Shout out to Nick Man. I appreciate the five dollars.

1:17:08.000 --> 1:17:11.519
<v Speaker 1>That's good lunches today. Salute g and the West East

1:17:11.520 --> 1:17:14.160
<v Speaker 1>shot that part right there, player that part right there.

1:17:14.600 --> 1:17:17.080
<v Speaker 1>I had to tell a Homi Sutus because Sutus was like, yeah,

1:17:17.080 --> 1:17:20.160
<v Speaker 1>I'm from He was like, respectfully, I'm from Compton, you know,

1:17:20.200 --> 1:17:22.639
<v Speaker 1>I mean I'm from Willerdbrook and Greenley. If I'm like yeah, nigga,

1:17:22.680 --> 1:17:24.840
<v Speaker 1>I'm from Oleander and Carwell Nigga.

1:17:24.840 --> 1:17:26.200
<v Speaker 2>I went to Kennedy and Walton.

1:17:26.520 --> 1:17:28.519
<v Speaker 1>People know I'm from Watts, but they don't realize I

1:17:28.520 --> 1:17:31.600
<v Speaker 1>grew up in Compton the same. So I know I

1:17:31.640 --> 1:17:34.680
<v Speaker 1>remember having Toddy t in Spain and Nwa and not

1:17:34.720 --> 1:17:37.360
<v Speaker 1>really tripping off or not really tripping off of them

1:17:37.400 --> 1:17:41.439
<v Speaker 1>being from Compton until quick. So you know we spoiled

1:17:41.479 --> 1:17:43.559
<v Speaker 1>too because we come up in a fray of it all.

1:17:44.479 --> 1:17:46.840
<v Speaker 1>Shout out to Don Duff for the five dollars. Appreciate it.

1:17:46.920 --> 1:17:49.960
<v Speaker 1>Don we cooking were getting the work. Shout out to

1:17:50.000 --> 1:17:53.240
<v Speaker 1>b Bray. Snoop was a double aged getting diggler, getting

1:17:53.280 --> 1:17:56.200
<v Speaker 1>diddled for the dollar, never standing in his own two feet,

1:17:56.240 --> 1:17:58.680
<v Speaker 1>jumping from label to label. Protection Now that's gangster it

1:17:59.160 --> 1:18:03.479
<v Speaker 1>he Bray, that's for it's a business. That's just don't

1:18:03.479 --> 1:18:06.400
<v Speaker 1>be crazy like him signing record deals because he don't

1:18:06.400 --> 1:18:08.720
<v Speaker 1>know how to run a record label. Is incredible. That's

1:18:08.760 --> 1:18:10.719
<v Speaker 1>why he's the greatest hip hop act ever.

1:18:12.000 --> 1:18:15.680
<v Speaker 4>James of hip hop. He's got ringsed.

1:18:18.400 --> 1:18:19.919
<v Speaker 2>Like he's a champion.

1:18:20.000 --> 1:18:22.960
<v Speaker 1>Bro, He's the greatest, Like you know what I mean, Like, Uh,

1:18:23.040 --> 1:18:26.240
<v Speaker 1>somebody asked a question about death row let me find

1:18:26.280 --> 1:18:27.439
<v Speaker 1>that question about death Row.

1:18:27.520 --> 1:18:31.599
<v Speaker 2>That was a dope question. Where is it at?

1:18:32.160 --> 1:18:35.280
<v Speaker 1>Somebody asked me, do I think death Row can recapture glory?

1:18:35.320 --> 1:18:38.000
<v Speaker 1>And I'm like, I think Snoop is going the right direction.

1:18:38.760 --> 1:18:40.680
<v Speaker 1>I think he's finding certain type of R and B

1:18:40.880 --> 1:18:44.160
<v Speaker 1>acts and he's really he got some real talent too.

1:18:44.280 --> 1:18:46.960
<v Speaker 1>He didn't just get popular people. He got people that

1:18:47.000 --> 1:18:50.760
<v Speaker 1>had these unique sounds and you know, you look at

1:18:50.760 --> 1:18:53.439
<v Speaker 1>a couple of actually got some of this stuff can happen.

1:18:54.160 --> 1:18:57.719
<v Speaker 1>I mean like, like, yes, I think. And it's weird

1:18:57.760 --> 1:19:01.920
<v Speaker 1>because that was Shig's visions. Three Pops like Sug was

1:19:02.320 --> 1:19:04.040
<v Speaker 1>he wanted to do R and B because I think

1:19:04.080 --> 1:19:08.000
<v Speaker 1>one of Shug's greatest influences. I never asked him. I'm

1:19:08.160 --> 1:19:09.720
<v Speaker 1>ask him. We need to get him on here.

1:19:09.760 --> 1:19:14.880
<v Speaker 4>But to the Francis Phone interview.

1:19:14.920 --> 1:19:16.439
<v Speaker 2>Yeah, we can probably get him on here. We get

1:19:17.320 --> 1:19:18.880
<v Speaker 2>big Pops to do it.

1:19:18.920 --> 1:19:21.840
<v Speaker 1>He ain't tripping, but I'm saying I think Snoop is

1:19:21.880 --> 1:19:25.720
<v Speaker 1>fulfilling the last legacy that Shug.

1:19:25.520 --> 1:19:26.600
<v Speaker 2>Wanted for an R and B.

1:19:26.720 --> 1:19:28.720
<v Speaker 1>And that's why if you look at him, he's doing

1:19:28.760 --> 1:19:31.040
<v Speaker 1>the legendary acts right. He gave you the east side

1:19:31.040 --> 1:19:34.400
<v Speaker 1>of his album Dog food Snoop Dog album Trip Off

1:19:34.439 --> 1:19:39.120
<v Speaker 1>This Death Row Aftermath Innerscope is released in Missionary.

1:19:40.600 --> 1:19:42.240
<v Speaker 2>That's historical coup in itself.

1:19:42.520 --> 1:19:47.599
<v Speaker 1>Yeah, that's historical in itself. Much loved to Dangster. Shout

1:19:47.600 --> 1:19:50.000
<v Speaker 1>out Sherry for the major support to the channels. Sherry

1:19:50.040 --> 1:19:51.600
<v Speaker 1>support me in real life. That's the only reason I

1:19:51.680 --> 1:19:53.439
<v Speaker 1>let her cuts me out and I never say nothing

1:19:54.400 --> 1:19:56.639
<v Speaker 1>real set has called me crazy. But house parties played

1:19:56.640 --> 1:19:59.320
<v Speaker 1>a big part in developing younger artists and cultivating a

1:19:59.320 --> 1:20:02.360
<v Speaker 1>fan base. No one owns houses anymore. But great point,

1:20:02.439 --> 1:20:05.760
<v Speaker 1>and said is no, he makes a great point. I'll

1:20:05.760 --> 1:20:07.640
<v Speaker 1>be telling my homeboys this in the group chat. They

1:20:07.640 --> 1:20:09.160
<v Speaker 1>didn't pissed me off, and I ain't been talking to

1:20:09.280 --> 1:20:14.600
<v Speaker 1>him because they just stubborn as fuck. But like the

1:20:14.640 --> 1:20:18.639
<v Speaker 1>West Coast hip hop scene had a foundation where the

1:20:18.680 --> 1:20:21.320
<v Speaker 1>party right. So whether it was at a house or

1:20:21.360 --> 1:20:28.040
<v Speaker 1>at a club right, that was the infrastructure on how

1:20:28.080 --> 1:20:30.839
<v Speaker 1>we broke records, all our records.

1:20:31.479 --> 1:20:34.360
<v Speaker 2>The core of our sound is rooted in funk. The core.

1:20:35.280 --> 1:20:37.760
<v Speaker 1>Obviously you got eight who got some different stuff. You

1:20:37.840 --> 1:20:39.680
<v Speaker 1>got warned who she could be a little jazzy, but

1:20:39.680 --> 1:20:42.840
<v Speaker 1>it's still funky. But for the most part, the core

1:20:43.000 --> 1:20:46.240
<v Speaker 1>of our you know, sound is funk.

1:20:46.400 --> 1:20:47.959
<v Speaker 2>So the party was everything.

1:20:48.960 --> 1:20:52.840
<v Speaker 1>Our party scene kind of died because we adopted.

1:20:53.560 --> 1:20:56.120
<v Speaker 2>Now this is my personal thing. As matter of fact.

1:20:56.120 --> 1:20:58.880
<v Speaker 1>We can hold this for Friday, but I'll just visit

1:20:58.920 --> 1:21:01.519
<v Speaker 1>it real fast. Why that the party died? Shout out

1:21:01.520 --> 1:21:05.080
<v Speaker 1>to little bro Dot Kendrick. He dropped watched the party die.

1:21:05.560 --> 1:21:07.640
<v Speaker 1>Now I think Friday we should talk about why the

1:21:07.680 --> 1:21:08.360
<v Speaker 1>party is dying.

1:21:08.640 --> 1:21:10.719
<v Speaker 4>I have I have an answer for that myself.

1:21:10.800 --> 1:21:12.360
<v Speaker 2>That's gonna be great. So we're gonna hold it to

1:21:12.400 --> 1:21:12.760
<v Speaker 2>next week.

1:21:12.800 --> 1:21:17.040
<v Speaker 1>But I think the party dying is also hurting the

1:21:17.080 --> 1:21:19.240
<v Speaker 1>West Coast because the core.

1:21:19.080 --> 1:21:22.280
<v Speaker 2>Of our sound was rooted in funk. That was the foundation.

1:21:22.880 --> 1:21:26.760
<v Speaker 1>Now you gotta be creative and remember, Kendrick sound is

1:21:26.800 --> 1:21:31.200
<v Speaker 1>not rooted in funk. Tyler sound is not rooted in funk.

1:21:32.640 --> 1:21:35.360
<v Speaker 1>Uh uh, what's the what's the cistern?

1:21:35.520 --> 1:21:35.800
<v Speaker 2>She from?

1:21:35.840 --> 1:21:38.400
<v Speaker 1>She from La too, She's from the valley. She got

1:21:38.439 --> 1:21:41.360
<v Speaker 1>to paint the town doja cats. Sound is not rooted

1:21:41.400 --> 1:21:46.880
<v Speaker 1>in funk. It's not rooted in funk. So where is

1:21:46.920 --> 1:21:48.639
<v Speaker 1>the West hip hop without funk?

1:21:49.240 --> 1:21:49.360
<v Speaker 3>So?

1:21:49.680 --> 1:21:54.160
<v Speaker 2>And what's funk without the party? True? You know what

1:21:54.200 --> 1:21:56.840
<v Speaker 2>I'm saying, what's funk without the party?

1:21:57.000 --> 1:21:59.519
<v Speaker 1>Shout out to Revene what we say glasses hip hop

1:21:59.560 --> 1:22:01.880
<v Speaker 1>needs a new Where's the new classic album? Where's the

1:22:01.920 --> 1:22:04.600
<v Speaker 1>new Doctor Dre? Where's the new Snoop? Where is the

1:22:04.640 --> 1:22:05.360
<v Speaker 1>new Top Dog?

1:22:05.439 --> 1:22:05.560
<v Speaker 3>Is it?

1:22:05.640 --> 1:22:06.320
<v Speaker 2>Pg lang?

1:22:06.680 --> 1:22:09.599
<v Speaker 1>Where's the West Coast at? Where's the West Coast at?

1:22:09.720 --> 1:22:11.800
<v Speaker 1>Nipsey and DoD had it? But where the new twenty

1:22:11.840 --> 1:22:13.000
<v Speaker 1>three year old with the classic?

1:22:15.760 --> 1:22:17.559
<v Speaker 4>I mean that's for a lot of density and time.

1:22:17.640 --> 1:22:21.519
<v Speaker 3>I mean there's not any place that's producing that degree

1:22:21.520 --> 1:22:22.000
<v Speaker 3>of density.

1:22:22.080 --> 1:22:25.120
<v Speaker 4>There's always a gap, you know.

1:22:26.160 --> 1:22:29.679
<v Speaker 1>I mean, what's the new culture that we should say?

1:22:29.760 --> 1:22:33.000
<v Speaker 1>Let's let's pull it away from artists. Let's stop making

1:22:33.040 --> 1:22:35.920
<v Speaker 1>it like Doctor Dre is the star Let's stop making

1:22:35.960 --> 1:22:38.559
<v Speaker 1>it like Snoop Dogg is the star Let's not make

1:22:38.600 --> 1:22:41.000
<v Speaker 1>it like top Dog is the star Let's not make

1:22:41.000 --> 1:22:44.479
<v Speaker 1>it like Nipsey Hustle is the star or Kadok. Let's

1:22:44.520 --> 1:22:49.479
<v Speaker 1>make the culture the star Let's make the stuff that

1:22:49.640 --> 1:23:00.160
<v Speaker 1>TOOKI Raymond Terry Goudo, Peabody from Lanes, Let's make that

1:23:00.320 --> 1:23:05.599
<v Speaker 1>the star the culture the star Let's make baby Gangster

1:23:06.720 --> 1:23:07.640
<v Speaker 1>from Santana.

1:23:07.680 --> 1:23:09.879
<v Speaker 2>Shout out to the old Gummy. Let's make.

1:23:11.479 --> 1:23:15.360
<v Speaker 1>Hancho not not not Big brother Hancho, but Hancho from

1:23:15.360 --> 1:23:20.760
<v Speaker 1>Great They are the stars, Turtle from Santana. That's who

1:23:20.800 --> 1:23:25.920
<v Speaker 1>the stars were. The culture is the star, So the

1:23:26.080 --> 1:23:31.040
<v Speaker 1>artists represent the culture. Pudding and tam Or was a star.

1:23:31.240 --> 1:23:33.520
<v Speaker 1>Mob James and his Prime.

1:23:33.400 --> 1:23:33.960
<v Speaker 2>Was a star.

1:23:34.240 --> 1:23:38.280
<v Speaker 1>That lifestyle is the star. That's what everybody fell in

1:23:38.320 --> 1:23:41.960
<v Speaker 1>love with. The artists don't do nothing but artistically express

1:23:42.360 --> 1:23:45.719
<v Speaker 1>the culture. So where is the new culture?

1:23:45.800 --> 1:23:46.040
<v Speaker 2>Now?

1:23:47.000 --> 1:23:50.280
<v Speaker 1>That's you know, the Doctor DREDA chronic album is rooted

1:23:50.360 --> 1:23:54.679
<v Speaker 1>around us standing up and fighting outside of gang banging

1:23:54.720 --> 1:23:57.160
<v Speaker 1>and the way we lived our lives, but also us

1:23:57.160 --> 1:24:00.600
<v Speaker 1>standing up against you know, the state of California for

1:24:00.840 --> 1:24:03.680
<v Speaker 1>not convicting the police officers over Rodney King. That's what

1:24:03.800 --> 1:24:06.639
<v Speaker 1>made the Chronic the chronic. The culture is the start.

1:24:07.320 --> 1:24:10.400
<v Speaker 1>The culture is the leader of hip hop. So you

1:24:10.439 --> 1:24:13.320
<v Speaker 1>don't get all of that stuff. You don't get the

1:24:13.439 --> 1:24:16.880
<v Speaker 1>classic albums without a classic culture. You don't get a

1:24:17.000 --> 1:24:21.559
<v Speaker 1>classic artist without classic culture. You gotta really figure out

1:24:21.680 --> 1:24:25.360
<v Speaker 1>where is the culture at That's the trick. And I've

1:24:25.400 --> 1:24:30.400
<v Speaker 1>been thinking real deep about this. I've been thinking real

1:24:30.479 --> 1:24:33.120
<v Speaker 1>deep about this shout out to Fats. I love this podcast.

1:24:33.160 --> 1:24:35.240
<v Speaker 1>I learned something new every episode. That's the gold.

1:24:35.280 --> 1:24:40.440
<v Speaker 2>Fats like I I'm.

1:24:38.720 --> 1:24:41.160
<v Speaker 1>Here to teach bro, I'm here to pass information. I'm

1:24:41.200 --> 1:24:43.120
<v Speaker 1>here to tell you what doctor Dre told me. Because

1:24:43.160 --> 1:24:45.760
<v Speaker 1>Doctor Dre may not tell you, Snoop may not tell you.

1:24:45.840 --> 1:24:47.960
<v Speaker 1>I'm gonna tell you what they told me. You gonna

1:24:47.960 --> 1:24:50.599
<v Speaker 1>get it from me. I'm gonna tell you when me

1:24:50.640 --> 1:24:52.000
<v Speaker 1>and Kill sing that, I'm gonna tell you what he

1:24:52.080 --> 1:24:54.000
<v Speaker 1>told me. I'm gonna give y'all the gang I tell

1:24:54.080 --> 1:24:56.519
<v Speaker 1>y'all with Mac Tien tell me all the time. I'm

1:24:56.560 --> 1:24:59.400
<v Speaker 1>gonna pass the wisdom to you because I know that

1:24:59.720 --> 1:25:01.920
<v Speaker 1>I'm may not be the person to use it and

1:25:01.960 --> 1:25:03.280
<v Speaker 1>you may be able to use it.

1:25:05.360 --> 1:25:08.600
<v Speaker 3>I think one story that's not been told yet in

1:25:08.720 --> 1:25:11.320
<v Speaker 3>hip hop, out of LA that has a lot of potential,

1:25:12.439 --> 1:25:15.600
<v Speaker 3>like in its era, like I mean like a timeframe,

1:25:15.680 --> 1:25:20.240
<v Speaker 3>you know what I mean, like LA and gang culture

1:25:20.280 --> 1:25:21.599
<v Speaker 3>and a lot of the stuff that was going on

1:25:21.720 --> 1:25:28.360
<v Speaker 3>had it's It was visually, optically, structurally, culturally so unique

1:25:28.439 --> 1:25:31.280
<v Speaker 3>relative to any other place, you know, it was. It

1:25:31.400 --> 1:25:38.839
<v Speaker 3>was more something that you could it had a brand,

1:25:39.080 --> 1:25:43.040
<v Speaker 3>you know what I'm saying more than other places. One

1:25:43.040 --> 1:25:47.519
<v Speaker 3>thing that La has that other cities don't have to

1:25:47.600 --> 1:25:51.280
<v Speaker 3>that degree. In the era of female rappers, LA has

1:25:51.360 --> 1:25:56.879
<v Speaker 3>the sleaziest, hustling, ass conniving who ass bitches like nobody

1:25:56.920 --> 1:25:59.200
<v Speaker 3>else in this country. And one of them needs to

1:25:59.240 --> 1:26:00.479
<v Speaker 3>make a goddamn them album.

1:26:00.880 --> 1:26:02.120
<v Speaker 2>It needs to be a group of them.

1:26:02.680 --> 1:26:06.520
<v Speaker 3>Yeah, I mean, like the second place city is probably

1:26:06.560 --> 1:26:09.320
<v Speaker 3>the one I'm in now well, and and the Bay,

1:26:09.439 --> 1:26:13.640
<v Speaker 3>the Bay, but the Bay is still La women or

1:26:13.680 --> 1:26:16.040
<v Speaker 3>seven La and Miami really got it, but there needs

1:26:16.080 --> 1:26:18.280
<v Speaker 3>to be La needs to do city girls in the

1:26:18.320 --> 1:26:20.439
<v Speaker 3>way that it really doesn't. The thing about like I

1:26:20.479 --> 1:26:26.280
<v Speaker 3>feel like Miami, it's so physically narrow geographically, you could

1:26:26.280 --> 1:26:31.000
<v Speaker 3>be the most like hood rat ass chick and you

1:26:32.280 --> 1:26:34.840
<v Speaker 3>like fucking a mile and a half, you know, you

1:26:35.320 --> 1:26:37.479
<v Speaker 3>have nowhere to go, Like you go in any direction,

1:26:37.560 --> 1:26:41.120
<v Speaker 3>you can only go you're alligators or you're you know,

1:26:41.240 --> 1:26:46.120
<v Speaker 3>at fucking carbones getting a seven thousand dollars, you know,

1:26:46.800 --> 1:26:48.120
<v Speaker 3>steak dinner or something like that.

1:26:48.320 --> 1:26:52.760
<v Speaker 4>They immediately race there. They get there so fast. They're

1:26:52.800 --> 1:26:53.320
<v Speaker 4>in La.

1:26:53.920 --> 1:26:58.519
<v Speaker 3>It's so big, it's like you can stay like an

1:26:58.560 --> 1:27:02.400
<v Speaker 3>insular street hustling woman much longer, you know, would have

1:27:02.479 --> 1:27:03.400
<v Speaker 3>a bigger story.

1:27:03.600 --> 1:27:04.760
<v Speaker 4>And the way that they do it.

1:27:04.760 --> 1:27:06.760
<v Speaker 3>It's it's not like, oh, I just happened to get

1:27:06.760 --> 1:27:09.240
<v Speaker 3>on the train with some ass cheeks hanging out and

1:27:09.240 --> 1:27:11.280
<v Speaker 3>then like some rich lawyer threw me into his car

1:27:11.320 --> 1:27:13.360
<v Speaker 3>because I'll have to go fifty feet to find him.

1:27:13.520 --> 1:27:15.960
<v Speaker 3>Like you have to have real crafts and ship and

1:27:16.120 --> 1:27:18.960
<v Speaker 3>real angles and real game out there, and they got

1:27:19.000 --> 1:27:20.040
<v Speaker 3>more of other places.

1:27:20.160 --> 1:27:22.400
<v Speaker 1>Man, that's my little homegirl, Creana. There was some stuff

1:27:22.400 --> 1:27:26.439
<v Speaker 1>in a prime that's a great point, and we need

1:27:26.439 --> 1:27:29.760
<v Speaker 1>to find that. That's something we should offer the world. Uh,

1:27:29.840 --> 1:27:32.400
<v Speaker 1>shout out to name brand. Like you said, we spoiled

1:27:32.520 --> 1:27:35.840
<v Speaker 1>from having all this party culture. Well that spoils the

1:27:36.000 --> 1:27:40.240
<v Speaker 1>artists and the business, so you don't learn marketing. The

1:27:40.280 --> 1:27:43.360
<v Speaker 1>rest of the country is spoiled from West Coast street

1:27:43.479 --> 1:27:44.360
<v Speaker 1>urban culture.

1:27:44.120 --> 1:27:47.479
<v Speaker 2>Period, so they don't really value it. It's like if you.

1:27:51.600 --> 1:27:53.960
<v Speaker 1>Like, human beings are not is it fair to say, pete,

1:27:54.040 --> 1:27:57.680
<v Speaker 1>human beings are not naturally uh the two it is

1:27:57.720 --> 1:28:01.559
<v Speaker 1>like they're not they're not grateful, Like is it fair

1:28:01.560 --> 1:28:04.240
<v Speaker 1>to say, like they tend to neglect things that happen

1:28:04.360 --> 1:28:07.120
<v Speaker 1>so easy, like waking up two thousand percent.

1:28:07.280 --> 1:28:14.960
<v Speaker 4>I mean that, I think it's really observable. You see the.

1:28:13.120 --> 1:28:18.599
<v Speaker 3>Degree of faith and religion decline as you go up

1:28:18.640 --> 1:28:22.479
<v Speaker 3>in tax brackets. The more people achieve and the more

1:28:22.520 --> 1:28:24.559
<v Speaker 3>that they're blessed with, the more they think it's them

1:28:24.920 --> 1:28:28.000
<v Speaker 3>being special, and the less they think it's circumstance being

1:28:28.200 --> 1:28:32.000
<v Speaker 3>for tuitous for their ability to, you know, do something special.

1:28:32.640 --> 1:28:34.400
<v Speaker 2>Did he say, where's a new top Dog?

1:28:35.680 --> 1:28:39.000
<v Speaker 1>I mean, goddamn, how many top dog do you think

1:28:39.040 --> 1:28:46.000
<v Speaker 1>you're gonna get? You got easy, you got shug Nite, right,

1:28:47.479 --> 1:28:54.760
<v Speaker 1>you got Tony Lange, you got top Dog?

1:28:54.800 --> 1:28:57.120
<v Speaker 2>Got how many more all time.

1:28:57.000 --> 1:28:59.400
<v Speaker 1>Great black executives and hip hop do you think you're

1:28:59.400 --> 1:29:00.440
<v Speaker 1>gonna get?

1:29:01.080 --> 1:29:04.240
<v Speaker 2>Like you just spoiled? Y'all just spoiled.

1:29:04.880 --> 1:29:07.880
<v Speaker 1>You don't realize how great you know Dude Dog is,

1:29:08.080 --> 1:29:10.880
<v Speaker 1>or how great should Not is, or how great Puff

1:29:10.960 --> 1:29:11.519
<v Speaker 1>Daddy is.

1:29:11.840 --> 1:29:13.000
<v Speaker 2>You take him for granted.

1:29:14.600 --> 1:29:18.519
<v Speaker 1>You probably don't even deserve that type of excellence. And

1:29:18.600 --> 1:29:21.000
<v Speaker 1>black men from where we come from, because the way

1:29:21.040 --> 1:29:24.000
<v Speaker 1>you treat the ones we have now, it's no way

1:29:24.040 --> 1:29:26.640
<v Speaker 1>you give top Dog the credit that he deserves. If

1:29:26.680 --> 1:29:29.040
<v Speaker 1>you think you're gonna get another top dog, you don't

1:29:29.080 --> 1:29:31.360
<v Speaker 1>think you gonna get another Jordan. You don't think you're

1:29:31.360 --> 1:29:34.400
<v Speaker 1>gonna get another Lebron, but you think you're gonna get

1:29:34.400 --> 1:29:37.639
<v Speaker 1>a new top Dog. You lucky, you have Dude Dog

1:29:37.680 --> 1:29:40.559
<v Speaker 1>from Bonnie on It. You lucky, you have top Dog Entertainment.

1:29:41.360 --> 1:29:43.200
<v Speaker 1>He could have died, he could have been killed in

1:29:43.240 --> 1:29:44.720
<v Speaker 1>a war, He could have went to prison for the

1:29:44.760 --> 1:29:46.400
<v Speaker 1>rest of his life for the stuff that we had

1:29:46.439 --> 1:29:49.080
<v Speaker 1>to do to be alive at this point, to live

1:29:49.240 --> 1:29:51.880
<v Speaker 1>to to you know, the things we had to do

1:29:51.920 --> 1:29:52.519
<v Speaker 1>to survive.

1:29:53.120 --> 1:29:54.360
<v Speaker 2>You lucky you got him.

1:29:54.400 --> 1:29:56.479
<v Speaker 1>And you don't even treat it like you lucky because

1:29:56.520 --> 1:30:00.599
<v Speaker 1>you don't understand the nuance of exactly what what's going

1:30:00.680 --> 1:30:01.160
<v Speaker 1>on here.

1:30:02.000 --> 1:30:02.840
<v Speaker 2>You know what I'm saying, and.

1:30:02.760 --> 1:30:06.400
<v Speaker 1>That's the truth. Like, you're lucky, you got a top

1:30:06.439 --> 1:30:10.200
<v Speaker 1>Dog Entertainment. You're lucky, you have a brilliant mind like

1:30:10.280 --> 1:30:14.240
<v Speaker 1>dude Dog to run it. Women are currently dominating hip hop?

1:30:14.280 --> 1:30:16.920
<v Speaker 1>Why are there no West Coast women in hip hop?

1:30:16.960 --> 1:30:20.240
<v Speaker 1>Shout out to Sherry. I think it's because culturally, like

1:30:20.320 --> 1:30:23.840
<v Speaker 1>Peters saying, you have to figure out, you have to

1:30:23.880 --> 1:30:29.400
<v Speaker 1>figure out culturally what you're gonna represent, and once you

1:30:29.439 --> 1:30:31.080
<v Speaker 1>figure that out, you'll be good.

1:30:31.320 --> 1:30:33.760
<v Speaker 4>And I think there's a little bit of resistance.

1:30:35.000 --> 1:30:39.840
<v Speaker 3>At that level because la in California does have that

1:30:39.960 --> 1:30:42.480
<v Speaker 3>kind of pimp glamorization mentality.

1:30:42.560 --> 1:30:43.960
<v Speaker 4>There is gonna be a little bit.

1:30:43.880 --> 1:30:47.080
<v Speaker 3>Of resistance to whole glamorization mentality to a degree, and

1:30:47.120 --> 1:30:48.800
<v Speaker 3>some of that's gonna come out in some of that music.

1:30:48.840 --> 1:30:51.920
<v Speaker 1>You know what I mean, facts shout out to name brand,

1:30:52.000 --> 1:30:54.200
<v Speaker 1>that's deep. What's the new culture? If the party is

1:30:54.240 --> 1:30:58.280
<v Speaker 1>dead businessmen and ball players, there's no culture in that stuff. Again,

1:30:58.680 --> 1:31:00.880
<v Speaker 1>that's a whole nother conversation that we have to tackle

1:31:00.920 --> 1:31:05.799
<v Speaker 1>on another day. West Coast is the culture. The party

1:31:05.840 --> 1:31:07.840
<v Speaker 1>is the outro of the current state of rap. We

1:31:07.960 --> 1:31:11.960
<v Speaker 1>end no like the street urban culture is, you know,

1:31:12.080 --> 1:31:15.639
<v Speaker 1>skaters or gang gang banging, like the way people dress

1:31:15.680 --> 1:31:19.000
<v Speaker 1>and act and talk. A party was the way we

1:31:19.200 --> 1:31:23.200
<v Speaker 1>kind of lived our lives. Like funk was what the

1:31:23.720 --> 1:31:26.280
<v Speaker 1>West Coast hip hop singing in a mask was built

1:31:26.320 --> 1:31:29.120
<v Speaker 1>off of the music, and funk is.

1:31:29.120 --> 1:31:32.080
<v Speaker 2>Rooted in the party. So the party it worked together.

1:31:32.520 --> 1:31:36.960
<v Speaker 1>But without the party, the music we make it doesn't

1:31:37.000 --> 1:31:40.200
<v Speaker 1>have a natural place to travel. It becomes independent. Like

1:31:40.240 --> 1:31:43.360
<v Speaker 1>you gotta think, what's breaking music now is TikTok. The

1:31:43.439 --> 1:31:45.960
<v Speaker 1>last big West Coast song was Soak City three ten

1:31:46.040 --> 1:31:49.360
<v Speaker 1>Baby that got broke off social media. I mean, I

1:31:49.400 --> 1:31:51.559
<v Speaker 1>don't remember the last time I heard the song break

1:31:51.880 --> 1:31:54.920
<v Speaker 1>in just la parties like they were everybody was doing

1:31:54.960 --> 1:31:56.280
<v Speaker 1>the dance to Soak City.

1:31:56.800 --> 1:31:57.439
<v Speaker 2>You know what I'm saying.

1:31:57.479 --> 1:32:00.280
<v Speaker 1>That's what broke that song that he has great record

1:32:00.320 --> 1:32:02.280
<v Speaker 1>since then he asked records to me. The last two

1:32:02.320 --> 1:32:06.000
<v Speaker 1>records three ten Baby put out are way better than

1:32:06.040 --> 1:32:09.400
<v Speaker 1>Soak City. But because we don't have the infrastructure anymore

1:32:09.520 --> 1:32:12.479
<v Speaker 1>to make records work, because the party is dying, which

1:32:12.520 --> 1:32:15.439
<v Speaker 1>is we'll talk and tackle that on Friday. Cuz, like

1:32:16.120 --> 1:32:18.400
<v Speaker 1>those songs are not getting as big as Silk City.

1:32:20.439 --> 1:32:23.080
<v Speaker 2>It's just what it is. It's just fucked up, you

1:32:23.120 --> 1:32:23.639
<v Speaker 2>know what I'm saying.

1:32:23.680 --> 1:32:25.800
<v Speaker 4>It's tough.

1:32:27.520 --> 1:32:31.360
<v Speaker 1>Shout out to revenge. Yes we do, Yes we do.

1:32:31.479 --> 1:32:33.600
<v Speaker 1>The get those glasses. What's the point of cherish and

1:32:33.600 --> 1:32:36.040
<v Speaker 1>culture and hip hop and passing it down? That's what

1:32:36.040 --> 1:32:38.880
<v Speaker 1>we're in it for. We have the new hip hop

1:32:38.880 --> 1:32:41.400
<v Speaker 1>Michael Jordan Lebron did happen, and then Steph Curry came.

1:32:41.920 --> 1:32:44.559
<v Speaker 1>But that's the point. That's why you only get one

1:32:44.640 --> 1:32:49.080
<v Speaker 1>guy you don't get a thousand guys, and you're not

1:32:49.200 --> 1:32:50.400
<v Speaker 1>going to get a Michael Jordan.

1:32:50.479 --> 1:32:52.479
<v Speaker 2>You lucky you got Kobe. That was the closest thing.

1:32:52.560 --> 1:32:54.639
<v Speaker 1>You're not going to get a Lebron You're not going

1:32:54.680 --> 1:32:55.840
<v Speaker 1>to get another Steph Curry.

1:32:56.240 --> 1:32:58.320
<v Speaker 2>That's why you should appreciate them.

1:32:58.960 --> 1:33:01.360
<v Speaker 3>An interesting thing about ain't number one, as there can

1:33:01.439 --> 1:33:03.880
<v Speaker 3>only be one.

1:33:03.320 --> 1:33:04.400
<v Speaker 2>Because it's number one.

1:33:05.240 --> 1:33:08.479
<v Speaker 1>Shout out to Dick Griffy Recipes, to that legend Solar Records.

1:33:08.479 --> 1:33:09.360
<v Speaker 2>Go do your homework.

1:33:10.200 --> 1:33:13.280
<v Speaker 1>Uh, Kamalia is amazing and she is doing incredible And

1:33:14.240 --> 1:33:15.720
<v Speaker 1>it's funny because I want to have her on the

1:33:15.720 --> 1:33:18.240
<v Speaker 1>pod because she was talking about two Pac must die.

1:33:18.560 --> 1:33:20.720
<v Speaker 3>I'm just gonna you know what, fuck I made a

1:33:20.720 --> 1:33:26.599
<v Speaker 3>decision right now. I'm gonna find some Blazian looking chick

1:33:26.640 --> 1:33:28.840
<v Speaker 3>from the valley who's got a lot of body. I'm

1:33:28.840 --> 1:33:31.280
<v Speaker 3>gonna say you look, your new rap name is sugar Baby.

1:33:32.120 --> 1:33:35.160
<v Speaker 3>Here's the I will write the lyrics for you. Go

1:33:35.280 --> 1:33:37.800
<v Speaker 3>dress fly ship, Go in there, say that, get in

1:33:37.800 --> 1:33:40.080
<v Speaker 3>front of a camera, look that way, saying this piece

1:33:40.120 --> 1:33:41.519
<v Speaker 3>of paper here that I wrote for you.

1:33:41.560 --> 1:33:43.679
<v Speaker 4>We're gonna go make a goddamn record. That's what's gonna

1:33:43.720 --> 1:33:44.160
<v Speaker 4>have to happen.

1:33:44.640 --> 1:33:46.760
<v Speaker 1>Shout out to Don Dub, what's up, big dog, and

1:33:46.920 --> 1:33:51.040
<v Speaker 1>thank you for that lunch bonus lunch. There is though

1:33:51.280 --> 1:33:53.799
<v Speaker 1>TD for dough she nominated, but do she from Florida?

1:33:54.880 --> 1:33:58.519
<v Speaker 1>And again that's that's top and and and moves and

1:33:58.520 --> 1:34:01.320
<v Speaker 1>and and the homies going to work. You're not gonna

1:34:01.360 --> 1:34:03.840
<v Speaker 1>get that often. That's not gonna happen. That's why you

1:34:03.880 --> 1:34:06.599
<v Speaker 1>have to value what you have. Y'all gotta stop trying

1:34:06.600 --> 1:34:08.680
<v Speaker 1>to move on to the next thing so easy and

1:34:08.760 --> 1:34:09.720
<v Speaker 1>value what you have.

1:34:10.520 --> 1:34:11.880
<v Speaker 2>Like that's the lack.

1:34:11.680 --> 1:34:17.040
<v Speaker 1>Of gratuitous that's the lack of gratuit that like, you

1:34:17.040 --> 1:34:19.320
<v Speaker 1>don't have a grateful attitude. Shut out to the name brand.

1:34:19.360 --> 1:34:23.200
<v Speaker 1>Yeah night crying for sure. You know what I'm saying.

1:34:23.240 --> 1:34:26.960
<v Speaker 2>So you have to really understand the greatness you're witnessing.

1:34:27.280 --> 1:34:29.280
<v Speaker 1>That was something I had to do though, So I'm

1:34:29.280 --> 1:34:33.320
<v Speaker 1>not mad at you, uh revenge, I'm not upset like

1:34:34.000 --> 1:34:36.519
<v Speaker 1>you have to learn like I I. It took like

1:34:36.640 --> 1:34:39.479
<v Speaker 1>snoop with somebody perfect example. Before we get out of here,

1:34:39.600 --> 1:34:41.160
<v Speaker 1>we're gonna we're gonna leave in five minutes, so we

1:34:41.200 --> 1:34:42.640
<v Speaker 1>canna let y'all get back to work. I know you

1:34:42.760 --> 1:34:45.479
<v Speaker 1>at your desk. You done finish eating your lunch. You're

1:34:45.520 --> 1:34:47.880
<v Speaker 1>still watching your boss gonna walk by. You know what

1:34:47.880 --> 1:34:49.240
<v Speaker 1>I'm saying. So I ain't gonna get you in trouble.

1:34:49.240 --> 1:34:51.240
<v Speaker 1>We gonna get yall five more minutes and then Friday

1:34:51.280 --> 1:34:53.040
<v Speaker 1>we back discussing.

1:34:53.080 --> 1:34:53.559
<v Speaker 2>I'm gonna call.

1:34:54.040 --> 1:34:55.680
<v Speaker 1>I'm gonna call Kendrick can see if he'll hop on

1:34:55.680 --> 1:34:57.599
<v Speaker 1>the live. I don't think he will, but I'm gonna

1:34:57.600 --> 1:34:59.960
<v Speaker 1>ask him so we could talk about LA's party scene

1:35:00.080 --> 1:35:07.080
<v Speaker 1>and how we saw it coming up. Gosh, what was

1:35:07.080 --> 1:35:12.960
<v Speaker 1>my thought? What was I finna talk? Snoop Dogg said

1:35:12.960 --> 1:35:15.479
<v Speaker 1>out to Evince k out is thirty seven. But you

1:35:15.479 --> 1:35:19.559
<v Speaker 1>you're you're missing the greatness of Dojah Cat. Thojah Cat

1:35:19.680 --> 1:35:24.400
<v Speaker 1>is happening right now. Thojah Cat is happening right now,

1:35:25.080 --> 1:35:26.720
<v Speaker 1>So you're missing it.

1:35:26.760 --> 1:35:27.120
<v Speaker 2>Stop.

1:35:27.439 --> 1:35:29.560
<v Speaker 1>You know it's something new there too, you know what

1:35:29.600 --> 1:35:32.240
<v Speaker 1>I mean. So again, so let me let me get

1:35:32.240 --> 1:35:35.200
<v Speaker 1>this last point out. So I'm gonna tell you Snoop

1:35:35.360 --> 1:35:38.080
<v Speaker 1>was the artist. Bro Ironically, this is crazy because again,

1:35:38.080 --> 1:35:39.759
<v Speaker 1>like I said, I'm finna go check out this record

1:35:39.800 --> 1:35:43.160
<v Speaker 1>with them. Snoop was somebody I was always spoiled by

1:35:43.479 --> 1:35:46.519
<v Speaker 1>I never tripped off Snoop as a rapper, not like

1:35:46.600 --> 1:35:49.280
<v Speaker 1>I didn't enjoy his music, you know what I mean,

1:35:49.479 --> 1:35:52.559
<v Speaker 1>and play his songs and you.

1:35:52.520 --> 1:35:54.200
<v Speaker 2>Know all of that.

1:35:54.439 --> 1:35:57.040
<v Speaker 1>Obviously I heard more Snoop Dogg music than anybody else,

1:35:57.400 --> 1:35:59.760
<v Speaker 1>but I didn't really look at him like I looked

1:35:59.760 --> 1:36:03.200
<v Speaker 1>at rappers from somewhere else because I didn't understand.

1:36:02.840 --> 1:36:05.880
<v Speaker 2>What hip hop was. So again, all this Snoop.

1:36:05.640 --> 1:36:08.320
<v Speaker 1>Dogg music I'm digesting, I would have never named Snoop

1:36:08.360 --> 1:36:11.320
<v Speaker 1>Dogg in my top three out of named ice Cube,

1:36:11.520 --> 1:36:17.480
<v Speaker 1>who kind of seemed a little different, Jay Z and Scarface.

1:36:18.080 --> 1:36:18.280
<v Speaker 2>Right.

1:36:19.000 --> 1:36:24.000
<v Speaker 1>So, the more I started to learn about hip hop

1:36:24.120 --> 1:36:26.519
<v Speaker 1>and it being street urban culture, being in the Bronx

1:36:26.760 --> 1:36:29.960
<v Speaker 1>with the legendary dudes from Spade couple real dope brothers

1:36:29.960 --> 1:36:34.439
<v Speaker 1>I got to meet, and the Eric Bees and all

1:36:34.479 --> 1:36:37.160
<v Speaker 1>of these legends, and they started to really help me

1:36:37.240 --> 1:36:41.280
<v Speaker 1>understand what hip hop was. Everything that Snoop Dogg was

1:36:41.720 --> 1:36:45.720
<v Speaker 1>started to shine brighter and brighter for me. Right, And

1:36:45.840 --> 1:36:49.920
<v Speaker 1>I looked one day and after all this information, I

1:36:50.000 --> 1:36:53.280
<v Speaker 1>looked and I was like, Oh, it's this motherfucker And

1:36:53.320 --> 1:36:58.680
<v Speaker 1>if you really think about what hip hop is, that

1:36:58.880 --> 1:37:04.519
<v Speaker 1>is what it is. He has never turned his back

1:37:04.640 --> 1:37:07.599
<v Speaker 1>on the coaching. He never denounced where he came from,

1:37:08.040 --> 1:37:12.599
<v Speaker 1>how he grew up, none of the above. That is

1:37:12.840 --> 1:37:16.240
<v Speaker 1>what it is, Ice Tea. When you look at SVU,

1:37:17.240 --> 1:37:19.880
<v Speaker 1>shout out to og. When you look up Low Nord

1:37:19.960 --> 1:37:24.080
<v Speaker 1>SVU and they don't say Tracy Morrow, it don't say

1:37:24.120 --> 1:37:30.400
<v Speaker 1>Tracy Morrow. It says Ice Tea. That's a thing for

1:37:30.520 --> 1:37:33.320
<v Speaker 1>hip hop. When you see that screen, say ll COOLJ.

1:37:33.760 --> 1:37:36.920
<v Speaker 1>Or when you look and you on ESPN, it says

1:37:37.040 --> 1:37:41.840
<v Speaker 1>ice cubes like that is what they're doing for hip hop.

1:37:42.600 --> 1:37:45.519
<v Speaker 3>Curtis fifty cent Jackson, he still holds it in there

1:37:45.560 --> 1:37:47.439
<v Speaker 3>between the Curtis and Jackson.

1:37:48.880 --> 1:37:51.800
<v Speaker 1>He trying, but it's you get what I'm saying, Like,

1:37:52.600 --> 1:37:56.920
<v Speaker 1>that's the shit. That's what this shit is about, showing

1:37:56.960 --> 1:38:00.640
<v Speaker 1>people that come from these ghettos. Could he evolved to

1:38:00.680 --> 1:38:05.120
<v Speaker 1>be regular, you know, incredible people in society. If the

1:38:05.200 --> 1:38:09.840
<v Speaker 1>opportunity is presented and you watching him do that, you

1:38:10.000 --> 1:38:13.760
<v Speaker 1>watching Ice Tea be a part of television history.

1:38:13.960 --> 1:38:15.240
<v Speaker 2>You're watching him do it.

1:38:15.720 --> 1:38:20.559
<v Speaker 3>I'm telling you, I was at that shit in Vegas.

1:38:20.600 --> 1:38:23.960
<v Speaker 3>If it's like a libertarian thing with a bunch of

1:38:24.000 --> 1:38:25.479
<v Speaker 3>business people to go up in song.

1:38:25.520 --> 1:38:26.840
<v Speaker 4>So you're gonna get whatever you're gonna get.

1:38:27.240 --> 1:38:29.920
<v Speaker 3>But it's like it's just called Freedom Fest in Las

1:38:30.040 --> 1:38:33.679
<v Speaker 3>Vegas and Ice Teas up there working the crowd doing

1:38:33.720 --> 1:38:34.400
<v Speaker 3>this interview.

1:38:34.680 --> 1:38:37.559
<v Speaker 4>I was thirty years younger than the next youngest guy.

1:38:38.840 --> 1:38:39.519
<v Speaker 4>It was just like.

1:38:41.280 --> 1:38:44.519
<v Speaker 3>Twelve hundred, like sixty five year old white people who

1:38:44.520 --> 1:38:49.439
<v Speaker 3>are like between libertarian and Republican, just clapping and laughing

1:38:49.479 --> 1:38:52.320
<v Speaker 3>their asses off at every fucking hanging on every syllable

1:38:52.320 --> 1:38:54.240
<v Speaker 3>this guy says for like thirty minutes in a row.

1:38:54.320 --> 1:38:57.360
<v Speaker 3>Was unbelievable and he and he was real as fuck.

1:38:57.479 --> 1:38:59.479
<v Speaker 3>He didn't tailor anything to that audience, not.

1:38:59.479 --> 1:39:00.080
<v Speaker 2>A fucking.

1:39:01.680 --> 1:39:02.639
<v Speaker 4>Not a fucking word.

1:39:04.760 --> 1:39:07.120
<v Speaker 1>Well again, this is No Selings Live to lunch hour

1:39:07.840 --> 1:39:13.160
<v Speaker 1>every Monday, Wednesday and Friday noon Pacific Standard time. Click

1:39:13.200 --> 1:39:14.640
<v Speaker 1>that thumbs up before you get up out of here

1:39:14.640 --> 1:39:19.080
<v Speaker 1>and let everybody know you was here. Going to description right,

1:39:19.160 --> 1:39:22.439
<v Speaker 1>Going to description, click the link. Subscribe to the No

1:39:22.560 --> 1:39:27.120
<v Speaker 1>Sellers Podcast, executive produced by Charlemagne.

1:39:26.560 --> 1:39:27.679
<v Speaker 2>Of God Black Effect.

1:39:28.280 --> 1:39:33.000
<v Speaker 1>I heeart feel mean, this has been an amazing conversation. Friday,

1:39:33.080 --> 1:39:38.760
<v Speaker 1>we will be back to discuss why the party died. Yeah,

1:39:38.920 --> 1:39:40.760
<v Speaker 1>shout out to die for making the song Watch the

1:39:40.800 --> 1:39:44.920
<v Speaker 1>Party Die, and that also to some degree, is why

1:39:45.000 --> 1:39:48.360
<v Speaker 1>West Coast hip hop feels like it's dying. So we'll

1:39:48.400 --> 1:39:51.240
<v Speaker 1>be back here Friday at noon. Y'all be here. Tell

1:39:51.280 --> 1:39:53.759
<v Speaker 1>a friend to tell a friend. I'm gonna text Katot

1:39:53.760 --> 1:39:55.200
<v Speaker 1>and see if I can get him to come on here.

1:39:55.240 --> 1:39:56.960
<v Speaker 1>He may come, he may not. You just never know

1:39:57.000 --> 1:40:00.200
<v Speaker 1>what the hommy. But we can really talk about out

1:40:00.200 --> 1:40:03.320
<v Speaker 1>this and get into it. It's a really great conversation.

1:40:03.720 --> 1:40:05.960
<v Speaker 1>So Friday will be here at noon. I'll let y'all know.

1:40:06.000 --> 1:40:08.800
<v Speaker 1>Also what I think I Snoop album. I'm for to

1:40:08.840 --> 1:40:10.280
<v Speaker 1>go listen to that, so I'll let y'all know what

1:40:10.320 --> 1:40:15.479
<v Speaker 1>I think of Missionary. We come back on Friday. So

1:40:15.560 --> 1:40:21.880
<v Speaker 1>much love to everybody. Good looking out For tuning in

1:40:21.920 --> 1:40:25.160
<v Speaker 1>to the Note Sellers podcast. Please do us a favorite, subscribe,

1:40:25.240 --> 1:40:28.479
<v Speaker 1>rate commentist share. This episode was recorded right here on

1:40:28.520 --> 1:40:31.040
<v Speaker 1>the West Coast of the USA and produced by the

1:40:31.040 --> 1:40:35.799
<v Speaker 1>Black Effect Podcast Network and now heard Radio Yeah