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Speaker 1: Red leather, yellow leather, red red leather, yellow leather.

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Speaker 2: And that's not gonna help me at all.

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Speaker 1: Red leather, yellow leather, red let leather, yellow leather. It

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Speaker 1: doesn't work. It doesn't work for me.

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Speaker 3: Well, that's because you have to say it and pronounce

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Speaker 3: it really clearly and you have to move all of

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Speaker 3: the pieces of your mouth.

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Speaker 2: Is Yeah, it's to be like over obnoxiously.

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Speaker 1: Red leather, yellow leather, red, red leather, yellow leather. Yeah,

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Speaker 1: I'm just if I stare at my mouths can do it.

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Speaker 3: It's literally a warm up for your because it goes

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Speaker 3: from red leather yellow.

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Speaker 1: It's a like totally a warm up for your face.

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Speaker 1: It's a full mouth.

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Speaker 2: It's a full mouth form up.

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Speaker 1: That's why you do it.

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Speaker 3: Yeah, it's it warms up your face and your and

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Speaker 3: your tongue and all of that, so your pronunciation is clear.

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Speaker 1: I never do it, but I've never done it either.

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Speaker 1: I decided to start today.

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Speaker 3: No. Sometimes I definitely do it just to warm up

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Speaker 3: my voice in the morning because I'm like, oh, I

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Speaker 3: can't do like this. Yeah, ventially to me this morning, though,

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Speaker 3: which is why my voice sounds like this.

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Speaker 1: Especially if you don't talk to anybody like on the

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Speaker 1: rare occasion you don't try a scale or the kids

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Speaker 1: or what. So the first time you talk is when

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Speaker 1: you talk to people and you're like, oh god, I

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Speaker 1: sound like yeah for sure.

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Speaker 3: No. Luckily, Zoe had a orthodontists appointment this morning, so

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Speaker 3: I was talking to people and to her. I mean,

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Speaker 3: you know, not as much as you talk to a

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Speaker 3: seventeen year old in the car with three So so old,

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Speaker 3: does she wear braces or no? Well she did years

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Speaker 3: ago and then she got them off and then you know,

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Speaker 3: didn't wear the retainer. Of course, so she went back.

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Speaker 3: It wasn't terrible, but she went back and has been

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Speaker 3: doing in visiline for the last few months just to

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Speaker 3: get them back because she was like, oh no, they moved.

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Speaker 3: I was like, yeah, remember when I said that, and

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Speaker 3: they said that, and and.

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Speaker 1: Here we are.

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Speaker 3: Yeah, so yes, So I was like, but you better

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Speaker 3: wear the invisile line because otherwise it's you're on your own.

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Speaker 1: On your own. Yeah. I went through braces twice. Yeah,

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Speaker 1: I went through No, I went through braces once an

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Speaker 1: invisile line, the second time as an adult. And yeah,

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Speaker 1: and now I've got the retainer. I've got the night

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Speaker 1: retainer and night guard whatever.

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Speaker 3: Right, Yeah, it's just you have a full face helmet. Yeah,

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Speaker 3: it's great. Oh man, it's just did you ever have did.

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Speaker 1: You know I had daw surgery? Did you ever have braces?

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Speaker 3: Oh? I had braces twice. I had braces when I

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Speaker 3: was young. I had on the bottom and then I

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Speaker 3: had that the what it was called a crows at,

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Speaker 3: which sounds like some sort of pastry, but it's not.

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Speaker 1: It.

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Speaker 3: It was the thing invented by the orthodonist that I went.

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Speaker 1: To doctor Sack.

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Speaker 3: Like for doctor Sack, I just don't but he actually

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Speaker 3: he was partners with doctor Smith, who was the dentist

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Speaker 3: to all the kids in the business, and made flippers

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Speaker 3: which were little fake teeth when kids would lose their teeth,

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Speaker 3: so that you could work and the continuity wouldn't be

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Speaker 3: interrupted as your teeth grin.

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Speaker 2: But anyway, I wore that and then had to.

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Speaker 3: Go back for braces later, like as a eighteen nineteen

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Speaker 3: year old before I had surgery.

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Speaker 1: Okay, so this was all post Full House? You had all?

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Speaker 1: I think I had them?

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Speaker 2: Did you have anything bottom ones on Full House?

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Speaker 1: Maybe? I don't know, I remember. We'll get to season

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Speaker 1: eight in a few years. So, yeah, was it you

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Speaker 1: I was talking to? I'm having like a deja vous

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Speaker 1: moment and a brain fog.

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Speaker 3: Here, so you're both remembering and not remembering at the

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Speaker 3: same time.

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Speaker 2: That is I understand that feeling deeply.

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Speaker 1: Yes, yes, yes, oh yeah, I remembered that I'm forgetting something.

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Speaker 1: Was it you I was talking to very recently about

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Speaker 1: the herbs appliance?

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Speaker 2: No, indeed it was not me.

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Speaker 1: Who was I talking to about a herps? The hell ispliant.

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Speaker 1: It's a it's an orthodontier well device right where it

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Speaker 1: has like I don't even know how to describe it,

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Speaker 1: that's how weird it is. But it's like it's metal

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Speaker 1: in my mouth. It connects your top jaw to your

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Speaker 1: bottom jaw, and I believe it has one of those awkwards. Oh,

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Speaker 1: it's like the forehead gear thing I had gear. See

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Speaker 1: I had.

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Speaker 3: I will admit I had a this like weird face

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Speaker 3: headgear thing that I was supposed to wear at night

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Speaker 3: and I never did because how can I sleep?

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Speaker 1: I'm a side sleeper.

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Speaker 3: But it was just like a front thing it had

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Speaker 3: basically because my jaw, they were trying to pull my

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Speaker 3: jaw forward. Like when I was young without the surgery,

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Speaker 3: my lord jaw and it just you know, I didn't

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Speaker 3: wear the stupid thing, so eventually I had to have

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Speaker 3: jaw surgery. But yeah, it was like you wore it.

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Speaker 3: It looked like a metal catcher's mask and you had

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Speaker 3: to like attach rubber bands to it so that like

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Speaker 3: it would pull your teeth at night. It's like a

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Speaker 3: in torture device. Excuse me, but yeah, yeah, I.

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Speaker 1: Don't even they don't.

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Speaker 2: Don't think they even do that anymore.

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Speaker 1: I hope they've improved in technology, dental technology, right, you know,

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Speaker 1: they don't do the silly putty. We talked about that

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Speaker 1: last time. We talked about that last time, so maybe they.

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Speaker 3: I'm so glad everyone's tuned in for our orthodonic advice

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Speaker 3: this morning.

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Speaker 1: Uh you never know you're gonna get appliance or Herby.

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Speaker 1: I used to call it my Herbie. You're Herbie, like my.

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Speaker 3: Herbie, but instead of like the name of the Herbie

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Speaker 3: the love Bug. Wasn't that the name of the car

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Speaker 3: in that movie?

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Speaker 2: Yeah said, Oh yes, yeah, Herbie the love Bug.

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Speaker 3: The little the little Volkswagen that like came to life.

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Speaker 3: I mean, there's a movie called Herbie. Yes, Oh, I've

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Speaker 3: never movie called the movie.

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Speaker 2: Oh well, yeah, no, it's yeah Herbie the love Bug.

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Speaker 3: And it was like a Disney movie or something and

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Speaker 3: it was about yeah, Maddie said, is fantastic. Yes, And

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Speaker 3: they did a remake with Lindsay love Oh hand, it's

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Speaker 3: Herbie's big I'm just saying, I don't know where you've

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Speaker 3: been when Herbie was was taking over.

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Speaker 1: But I don't know. It's I'll blame I'm five years

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Speaker 1: older than you, which I always forget to, so I'll

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Speaker 1: just blame it on. It was your generation, not my generation.

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Speaker 2: No, no, no, the original Herbie was like the seventies.

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Speaker 3: Oh so it's none of our Well it is, it's

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Speaker 3: actually your generation.

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Speaker 2: Yeah yeah, I'm pretty sure it's smack dab right for you.

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Speaker 1: So seventy six, baby, that's all right.

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Speaker 2: Blame the Daja brain fog.

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Speaker 1: Deja brain fog. Yeah. Yeah. How don't we get on this?

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Speaker 2: O's because Zoe went to the or the Dons and.

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Speaker 3: Then we were talking about terrible braces and then that

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Speaker 3: and we started on something else stupid before that.

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Speaker 1: I don't know what it was. I don't really either.

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Speaker 1: Oh well, thanks.

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Speaker 3: Guys for listening and talk how many people I want

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Speaker 3: to just skip right through this, and they're like fifteen seconds,

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Speaker 3: fifteen seconds, fifteen seconds.

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Speaker 1: You know what I mean.

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Speaker 3: So they get to the park and they're like, oh,

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Speaker 3: I went too far. It's fine, I probably missed twenty

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Speaker 3: seconds to digit you know what I mean.

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Speaker 1: They're fast forwarding through the re show chatter and listening

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Speaker 1: to the ads. That's a plot twist, that's yeah, that's

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Speaker 1: exactly right.

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Speaker 3: They're like this part of the show which they skip

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Speaker 3: to the commercial break, and then they're like, Okay, now

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Speaker 3: we know that actually we're gonna hear some information, yes,

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Speaker 3: which we are missing out.

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Speaker 1: You know they are because we snuck in a no

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Speaker 1: non ad, which I think I can say this now

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Speaker 1: because this will air after it is formally announced. Yes,

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Speaker 1: but no, we have a very exciting announcement. Can we

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Speaker 1: talk about this. I'm staring at the chat. Yes, Maddie

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Speaker 1: gives me the we can talk about this.

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Speaker 3: We're gonna come out after the after the thing, after

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Speaker 3: the thing, we're doing a live show people, and not

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Speaker 3: just any live show, you guys, but we are having

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Speaker 3: Jesse and Becky's vow renewal. Okay, John m three are coming.

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Speaker 3: Jesse and Becky will be there for a short appearance

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Speaker 3: during the show. They will be there to renew their vows.

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Speaker 3: We all get to witness it. It's going to be amazing.

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Speaker 3: We're asking you dressed in your best wedding attire, whether

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Speaker 3: that's a horrific bridesmaid's dress that you have.

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Speaker 2: Eighties brother, you want to go? You know, I don't

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Speaker 2: know where?

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Speaker 1: Yeah, where goes cocktail attire?

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Speaker 2: Okay, cocktail black tie?

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Speaker 1: You know, I'm so excited for this.

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Speaker 3: If I don't see some tails out there on a

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Speaker 3: top hat, I'm just saying, I'm gonna be disappointed.

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Speaker 2: Guess gonna be disappointed.

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Speaker 1: I've already started looking for the I can't decide if

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Speaker 1: I want to do like ugly bridesmaid's dress or if

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Speaker 1: I want to find a replica of the polka dot

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Speaker 1: dress that I wore in the wedding, the Megan and

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Speaker 1: Jess wedding, Because you know.

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Speaker 3: What dress you I bet you could find somebody on

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Speaker 3: Etsy that would absolutely love to make that as.

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Speaker 2: A replica for you.

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Speaker 1: That's a great idea.

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Speaker 2: Maybe a fan of Rito.

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Speaker 1: Oh hey, yeah, does anyone have seamstress skills?

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Speaker 3: I don't like maybe, like, you know, see if there's

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Speaker 3: a fan of Reto that has an Etsy star or

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Speaker 3: that you could maybe help support, and uh, yeah, I

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Speaker 3: don't know, seeing one of them on there and and

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Speaker 3: maybe do that. I don't know if it would be

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Speaker 3: a rate that would be a sort of weird favoritism,

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Speaker 3: but I feel like, yeah, I don't know if that's

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Speaker 3: a thing anymore. Who cares, there's no rules, but I do.

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Speaker 3: I do think that we have some very talented fan

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Speaker 3: ritos out there that would be more than happy to

200
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Speaker 3: recreate Kimmy Gibbler's wedding dress.

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Speaker 1: That would be amazing. I would love that. I would

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Speaker 1: love that.

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Speaker 3: I say, what you're wearing are I'm going to start

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Speaker 3: crocheting my toilet paper cover dress now, so.

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Speaker 1: Please wear a replica of that. I wish look.

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Speaker 3: I would match with you, like if you're if you're

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Speaker 3: feeling full Peach wedding cake to your dress and.

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Speaker 1: I will go. I will I will forego the Kimmy

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Speaker 1: Gibbler Poka dot dress and I will wear the DJ

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Speaker 1: Peach bathroom shower curtain. Oh, let's just we have to

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Speaker 1: full for it.

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Speaker 2: I want I want.

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Speaker 3: Ugly faux pearl head pieces all over that fascinator.

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Speaker 1: Yes, do you remember that? This reminds me of the

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Speaker 1: Fuller House episode where we dressed like twins and you

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Speaker 1: had to wear Kimmy gibbler outfit and we did walked

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Speaker 1: out when you walked out for the run through the

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Speaker 1: dress rehearsal run through where we were in full costume. Huh,

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Speaker 1: it was like a full seven minutes, so we couldn't

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Speaker 1: hold it together. It were laughing. Everyone was laughing. That was.

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Speaker 3: That was one of the scenes where you and I

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Speaker 3: definitely just stared at each other's foreheads and.

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Speaker 1: I couldn't even I couldn't even.

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Speaker 3: Look high up on your forehead because you had the

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Speaker 3: stupid hat on, and I knew I had the stupid

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Speaker 3: hat on, so I was like, oh, where do I

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Speaker 3: look that.

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Speaker 2: I'm not gonna laugh. Yeah, it was.

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Speaker 3: It was when we were tied together with a rope

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Speaker 3: and you were Yeah, we were joining together for the pregnancy.

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Speaker 1: Yeah, well, I don't remember. It was Kimmy trying to

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Speaker 1: get pregnant. I know, yeah, it's been weird.

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Speaker 2: I don't know.

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Speaker 3: She was doing some sort of thing. Yeah, yeah, yeah,

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Speaker 3: the umbilical cord. Oh my god, that's hilarious.

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Speaker 1: That was I was just so happy to finally have

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Speaker 1: a friend who was very a ridiculous.

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Speaker 2: Outfit and just like you, remember that was Margaret.

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Speaker 1: I know, Margaret are lovely people seemstress.

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Speaker 2: Yes, she was adorable, She's great.

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Speaker 1: She was great. She really was great. I need to

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Speaker 1: just off my air conditioning because sorry, man Okay, well.

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Speaker 3: They're going to start sawing some trees down in my

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Speaker 3: street pretty soon, so hopefully, uh my really great single

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Speaker 3: pane windows here in this office will drown that out.

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Speaker 1: Well that's okay, Manny, I mean, Manny has some magic

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Speaker 1: filters and that's true, makes magic.

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Speaker 3: So yes, that should be his Instagram handle magic Manny.

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Speaker 3: That might, you know, other things might come up if

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Speaker 3: you do that. I think I just don't Yeah, I

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Speaker 3: don't know. That might be a road you don't want

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Speaker 3: to go down.

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Speaker 2: Man, I don't know. Look, I don't know what you

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Speaker 2: do on your free time.

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Speaker 3: Okays, speaking of free time, this is not free time.

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Speaker 2: This is work and we are about.

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Speaker 1: To get to it. I swear. Hey there, fan Ritos,

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Speaker 1: we have a very exciting announcement to make.

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Speaker 3: We are hosting a live event on June fifth at

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Speaker 3: the iHeartRadio Theater in Burbank, California.

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Speaker 2: And it is not just any live event.

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Speaker 1: Oh No, in honor of Jesse and Becky's wedding in

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Speaker 1: season four. Not only will this event be wedding themed,

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Speaker 1: we will also have John Stamos and Laurie Lachlan joining us.

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Speaker 1: This is amazing.

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Speaker 3: Plus we have a few special guests who will be

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Speaker 3: making an appearance as well. Trust us, it is going

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Speaker 3: to be the vow renewal of the season of the year.

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Speaker 1: Okay, We've never done anything like this. I'm so exciting.

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Speaker 3: I don't know what's gonna happen, and if you listen

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Speaker 3: to this podcast.

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Speaker 2: You know you don't either, so.

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Speaker 1: But we promise it will be entertaining. You can buy tickets.

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Speaker 1: Click the link in our Instagram bio how Rude Podcast

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Speaker 1: to purchase.

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Speaker 3: We can't wait to see you guys there, so dress

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Speaker 3: in your best wedding attire on June fifth, and we

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Speaker 3: will see you at Jesse and Becky's Power.

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Speaker 1: Now all yay, welcome back to Howard tanneritos. I'm the

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Speaker 1: unhinged Andrea Barber.

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Speaker 2: And I am the slightly more unhinged.

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Speaker 3: I actually have no hinges to begin with Jody's wheaton hingeless.

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Speaker 1: Yes, and today we're discussing season four episode twenty Fuller House.

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Speaker 1: I didn't know there was an episode named Fuller House.

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Speaker 1: And then we did the series Fuller House.

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Speaker 2: Gosh, I didn't know that either.

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Speaker 1: Yeah, I wonder.

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Speaker 3: Also, the best part is you just read that and

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Speaker 3: it didn't click. It was just not even there, just nothing,

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Speaker 3: And I was like, oh, show we did.

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Speaker 1: Yeah, we're not very smart. Yeah, And I should have

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Speaker 1: asked Jeff if he well, no, I think he had

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Speaker 1: always planned to name Fuller House fuller house because it's

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Speaker 1: well fuller it's just the last house, right, and that

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Speaker 1: was DJ's last name. So I don't think it has

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Speaker 1: any relation to.

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Speaker 2: This, No, it doesn't.

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Speaker 3: It just happens to be the same word, because when

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Speaker 3: you add people.

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Speaker 1: To something, it gets fuller. So's okay, Yeah, it's kind

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Speaker 1: of a spoiler alert for the end of the episode

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Speaker 1: fuller House, it's getting Fuller's true, it's in you know,

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Speaker 1: it's true.

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Speaker 3: You know, you don't know what could be happening in

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Speaker 3: this house. They could have, you know, an entire circus

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Speaker 3: in the living room. There could be a small elephant

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Speaker 3: again anything.

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Speaker 1: Oh yeah, straight the Elephant. Anything goes in the Full House,

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Speaker 1: But this episode originally aired February twenty second, nineteen ninety one,

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Speaker 1: and it goes a little something like this. Michelle is

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Speaker 1: upset when she learns that Jesse plans to move out

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Speaker 1: of the Full House and into Becky's apartment. Jelle is upset.

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Speaker 1: Shelsup said. It was directed by Joelswick. It was written

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Speaker 1: by Leslie Ray and David Stephen Simon.

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Speaker 2: That is one person, not three. Just in case you wonder.

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Speaker 1: That's become a popular trend, I mean, I guess it

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Speaker 1: was back in the nineties. Two's probably mean.

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Speaker 3: It's probably the same thing as like in the in

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Speaker 3: SAG when there's someone that has your first and last name,

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Speaker 3: you have to also include your middle name to make

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Speaker 3: it different.

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Speaker 2: Union purposes.

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Speaker 1: So there's a but it sounds it sounds a little

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Speaker 1: I don't.

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Speaker 3: Know, it reminds me of Alvin Simon and Theodore. But

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Speaker 3: that's Oh, it's a different show, okay.

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Speaker 1: And guest starring. There's no guest stars this week, so

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Speaker 1: don't have to go there. Uh. We start with the

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Speaker 1: teaser in the girls room. Danny walks into the room

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Speaker 1: and greets Stephanie who is wearing her wears Waldo glasses

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Speaker 1: and reading a book. This is some amazing continuity right here. People.

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Speaker 2: The glasses are back. I didn't see him from behind.

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Speaker 1: I was like, wait, did I change the now the

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Speaker 1: same Waldo glasses. Danny says he just came. I'm a

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Speaker 1: conference with STEP's teacher, and Steph hesitantly replies, did you

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Speaker 1: have a nice visit? Danny reassures her everything is fine.

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Speaker 1: Miss Claire just said that Stephanie is having some trouble

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Speaker 1: with fractions. Steph removes her glasses and says she doesn't

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Speaker 1: get it. She used to be a math whiz, now

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Speaker 1: she's a math weenie. I feel like the writers are

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Speaker 1: always trying to slip in a weenie. I mean slip

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Speaker 1: in the word weenie to the I broke Jody. Yes,

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Speaker 1: I broke Jody first time for everything. Actually no, I've

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Speaker 1: broken you a couple of times, but maybe not ever

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Speaker 1: on this podcast.

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Speaker 3: Oh my god, that was so good because it was

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Speaker 3: absolutely so unintentional.

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Speaker 1: It was brilliant.

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Speaker 2: It was one of those things that just comes flying

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Speaker 2: out of your mouth and you're like, that is not

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Speaker 2: it all what I meant?

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Speaker 1: That is not what I meant.

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Speaker 2: Oh, yes, wipe the tears away.

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Speaker 1: Thank you. We need a commercial break because so you

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Speaker 1: can wipe your eyes. Yeah right, Uh okay, so after

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Speaker 1: the math, Weenie, Danny tells Steph not to worry. Miss

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Speaker 1: Claire gave him some great ideas to help supplement what

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Speaker 1: she's been teaching in school. Danny attempts to hype this

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Speaker 1: up by stating, your entire family is gonna take you

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Speaker 1: on a magical journey into the exciting, wonderful world of

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Speaker 1: fractions all around us, but Steph is not impressed. No,

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Speaker 1: I wouldn't be. Then Michelle comes running into the room

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Speaker 1: shouting they're back. They're back, They're back. Danny stands up

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Speaker 1: and goes to look out the window, asking Jesse and

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Speaker 1: Rebecca are already back from their honeymoon. Some nice exposition there, right.

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Speaker 1: Steph leaps up and runs out of the room, shouting

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Speaker 1: they're back, they're back, and Danny follows suit, running out

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Speaker 1: of the room and also shouting they're back, they're back.

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Speaker 1: An incredulous Michelle shouts back, I just said that, don't

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Speaker 1: you people listen? And she runs out. You know this,

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Speaker 1: She feels very ignored, sends.

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Speaker 3: Well you know why because the teaser wasn't about her, really,

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Speaker 3: that was what it was. She was just like, Wow,

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Speaker 3: for once, it's not about me and Sugar. So I

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Speaker 3: think she's a little bitter, but you know, for the

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Speaker 3: rest of the episode, that's okay.

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Speaker 1: She can be a little better, a little bitter. Okay,

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Speaker 1: this is going to be a very hot topic type

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Speaker 1: of episode. Okay. Next, in the living room, Joey and

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Speaker 1: DJ open the front door to greet Jesse and Rebecca,

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Speaker 1: who are wearing tropical attire and looking very tan and

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Speaker 1: well rested. Danny and Steph rush in and everyone hugs

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Speaker 1: each other. Then Comet runs in and jumps on Jesse.

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Speaker 1: Jesse is initially happy to see Commet, but then declares

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Speaker 1: that he has dog breath and sends him away. It

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Speaker 1: is pretty bad. Michelle runs into the room with her

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Speaker 1: arms outstretched and says, stand back, let me at him.

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Speaker 1: Jesse yells short stuff and Michelle replies big guy, and

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Speaker 1: Michelle runs into Jesse's arms and he showers her with kisses.

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Speaker 1: DJ asks so, how was Bora Bora and Jesse replies, oh,

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Speaker 1: it was beautiful, beautiful. He says they got the whole

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Speaker 1: honeymoon on tape, and he hands Danny a VHS tape.

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Speaker 1: Becky adds, well, the outdoor stuff and the audience will

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Speaker 1: quite the joke for full house, right, I was, I

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Speaker 1: was aghast, like that was that was very PG. Thirteen

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Speaker 1: clutched my pearls for sure. So Danny says they took

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Speaker 1: some home videos too. He figured the newly weds would

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Speaker 1: want to see everything they missed while they were gone,

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Speaker 1: and then he hands Jesse ten VHS tapes.

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Speaker 3: All of this just makes so much more sense why

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Speaker 3: Bob hosted America's Funniest Home Videos, because it was he

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Speaker 3: was very highly associated with VHS tapes and he's synonymous

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Speaker 3: camera recorders. Yeah, yeah, home videos, Bob saget it's kind

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Speaker 3: of one and the same.

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Speaker 1: I love these little nods to it. Throughout the show,

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Speaker 1: Becky interrupts to say they better get Jesse packed up

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Speaker 1: so he can move into her apartment. A reluctant Jesse

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Speaker 1: replies that now is a good as time as any, right.

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Speaker 1: Michelle's confused. She asks where are you going? You just

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Speaker 1: got here, and Jesse kneels down to remind her. Now

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Speaker 1: that he's married to Aunt Becky, he's going to live

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Speaker 1: with her. Steph says they're going to miss him so much.

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Speaker 1: She and She and DJ hug Jesse, and Jesse replies

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Speaker 1: that they can help him pack. The family exits upstairs,

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Speaker 1: leaving Michelle with Becky.

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Speaker 2: Just leave Michelle alone again.

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Speaker 1: Well, no, Becky's there. Oh that's right, Becky. Becky's there

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Speaker 1: just just to set up this whole pivotal right for

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Speaker 1: the rest of the episode. That's the only reason she's.

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Speaker 3: Her Dad's like, anyways, I'm out yea peace out.

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Speaker 1: Michelle grabs her emotional support pig and declares this is

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Speaker 1: not good news. Becky reminds her that they are still

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Speaker 1: going to be one big, happy family. Now cheer up

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Speaker 1: because it's moving day. Michelle asks what's moving day and

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Speaker 1: Becky describes how they're going to pack everything into boxes

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Speaker 1: and load those boxes into a big red truck and

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Speaker 1: move to her apartment. Doesn't that sound like fun? Michelle replies,

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Speaker 1: you got it, dude, and Becky exits. Michelle tells her

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Speaker 1: pig that they've got work to do. They're moving to

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Speaker 1: Aunt Becky's house, and there's misunderstanding number one. Yes, Michelle

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Speaker 1: is confused.

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Speaker 3: There's the episode. Yeah, also, a big red truck. I mean,

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Speaker 3: he's got one room. I feel like you could probably

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Speaker 3: get a small u all at best, you know what

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Speaker 3: I mean.

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Speaker 1: Yeah, well, I don't know if they're like the.

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Speaker 3: One with the little mom's addict thing. I feel like

438
00:21:35,240 --> 00:21:37,679
Speaker 3: one bedroom. Really it's really one truck and.

439
00:21:37,680 --> 00:21:39,919
Speaker 1: Then the motorcycle. But he's probably going to ride the

440
00:21:39,920 --> 00:21:43,120
Speaker 1: motorcycle over there, so for sure. Yeah, big red truck.

441
00:21:43,119 --> 00:21:45,200
Speaker 3: You could probably even tow a small thing and fit

442
00:21:45,240 --> 00:21:47,680
Speaker 3: all of his stuff in there. Not the jukebox though,

443
00:21:47,920 --> 00:21:50,320
Speaker 3: that's gonna have to that's going to require a truck anyway.

444
00:21:50,359 --> 00:21:52,320
Speaker 1: Okay, so maybe that's why they got it. We're thinking

445
00:21:52,359 --> 00:21:55,639
Speaker 1: way too hard about the logistics of next. In the

446
00:21:55,640 --> 00:21:59,000
Speaker 1: girls room, Joey walks in and greets Stephanie, who's doing

447
00:21:59,040 --> 00:22:02,720
Speaker 1: homework at the little table. Joey asks how fractions are going,

448
00:22:03,080 --> 00:22:06,159
Speaker 1: and Steph complains that she'll be stuck in third grade forever.

449
00:22:06,920 --> 00:22:09,280
Speaker 1: She says, I'll be the only one hundred year old

450
00:22:09,359 --> 00:22:14,200
Speaker 1: lady carrying a Barbie lunchbox. Joey tells Steph that she's

451
00:22:14,200 --> 00:22:17,359
Speaker 1: being too hard on herself and suggests a cupcake break.

452
00:22:18,119 --> 00:22:21,639
Speaker 1: He reveals a hostess cupcake on a plate. And slyly

453
00:22:21,920 --> 00:22:25,400
Speaker 1: uses the cupcake to demonstrate how one whole cupcake can

454
00:22:25,440 --> 00:22:30,560
Speaker 1: be cut into two halves. Oh sneaky fractions ha, But

455
00:22:30,600 --> 00:22:33,440
Speaker 1: Steph catches on right away and Joey claims he can't

456
00:22:33,440 --> 00:22:37,960
Speaker 1: help it. Fractions are everywhere. He tries to continue this lesson,

457
00:22:37,960 --> 00:22:40,360
Speaker 1: but he's interrupted by DJ and Kimmy, who walk in

458
00:22:40,600 --> 00:22:43,880
Speaker 1: and help themselves to the cupcake. Joey mumbles that he's

459
00:22:43,960 --> 00:22:46,240
Speaker 1: using the liver the next time he does a math lesson,

460
00:22:46,520 --> 00:22:50,560
Speaker 1: and he exits. Jimmy asks Steph when she's moving into

461
00:22:50,600 --> 00:22:54,160
Speaker 1: Jesse's room. Steph nonchalantly says, when I'm in the mood

462
00:22:54,520 --> 00:22:57,840
Speaker 1: and plops onto her bed. DJ tells Steph she doesn't

463
00:22:57,880 --> 00:23:00,760
Speaker 1: have to move if she doesn't want to. Steph replies,

464
00:23:01,040 --> 00:23:05,000
Speaker 1: thank you very much. DJ immediately says we'll move for

465
00:23:05,200 --> 00:23:08,000
Speaker 1: you give me, and DJ grab a hold of Steph's

466
00:23:08,000 --> 00:23:11,800
Speaker 1: bed and pull it, along with a protesting Stephanie, out

467
00:23:11,800 --> 00:23:14,480
Speaker 1: of the room. Once again, the Tanner girls and Kimmy

468
00:23:14,560 --> 00:23:16,760
Speaker 1: now are moving furniture back and forth.

469
00:23:17,480 --> 00:23:20,480
Speaker 3: I mean it's yeah, they it's this is what they do.

470
00:23:20,800 --> 00:23:23,320
Speaker 1: They're like moving day, We're on it.

471
00:23:23,440 --> 00:23:27,320
Speaker 3: Yeah, they're like those student moving companies except their middle schoolers.

472
00:23:27,720 --> 00:23:29,920
Speaker 1: Yes, yeah, well they've said, this is what the.

473
00:23:29,840 --> 00:23:33,000
Speaker 3: Third child labor law infractions there, But we're not gonna worry.

474
00:23:33,640 --> 00:23:37,119
Speaker 1: We're not gonna worry about that labor laws. No, h

475
00:23:37,840 --> 00:23:40,679
Speaker 1: this is what the third time you've moved out of

476
00:23:40,720 --> 00:23:43,679
Speaker 1: the room and then back in like this happens at

477
00:23:43,760 --> 00:23:44,720
Speaker 1: least once a season.

478
00:23:44,880 --> 00:23:47,440
Speaker 2: Look, and they wonder why stuff kind of went away

479
00:23:47,480 --> 00:23:48,719
Speaker 2: for a little while, you know what I mean? She

480
00:23:48,840 --> 00:23:51,159
Speaker 2: just she had some some middle child issues.

481
00:23:50,920 --> 00:23:54,160
Speaker 1: She had to work out. You you, your character, screams

482
00:23:54,280 --> 00:23:58,720
Speaker 1: middle child. I feel bad for Stephanie. So in Michelle's room,

483
00:23:59,000 --> 00:24:01,439
Speaker 1: Michelle is packing up her toys as she sings a

484
00:24:01,480 --> 00:24:05,120
Speaker 1: made up song, It's moving day. It's moving day, Hey

485
00:24:05,200 --> 00:24:08,399
Speaker 1: baby Hey, and she proudly proclaims that she should be

486
00:24:08,520 --> 00:24:12,120
Speaker 1: on the radio. Her confidence is still unmatched.

487
00:24:12,520 --> 00:24:15,280
Speaker 3: Absolutely, although I think that that small clip of you

488
00:24:15,359 --> 00:24:17,240
Speaker 3: singing it might become our new theme song.

489
00:24:17,840 --> 00:24:22,359
Speaker 1: No no, no, no no Yeah. Michelle attempts to close

490
00:24:22,480 --> 00:24:25,080
Speaker 1: the overly full suitcase by sitting on top of it,

491
00:24:25,320 --> 00:24:29,199
Speaker 1: with no success. Comet watches her from the bed. Michelle

492
00:24:29,200 --> 00:24:32,440
Speaker 1: summons comment to help her close the suitcase. Commet jumps

493
00:24:32,480 --> 00:24:35,399
Speaker 1: off the bed and lays on the suitcase not working.

494
00:24:35,680 --> 00:24:38,240
Speaker 1: Michelle is defeated and says she needs a bigger dog.

495
00:24:39,520 --> 00:24:41,520
Speaker 3: You might come bigger, but you're not gonna find smarter

496
00:24:41,560 --> 00:24:43,760
Speaker 3: because that dog literally understands sentences.

497
00:24:44,119 --> 00:24:45,920
Speaker 1: Yes he speaks English.

498
00:24:46,000 --> 00:24:48,240
Speaker 2: Yeah, amazing, I love I do love that talk.

499
00:24:48,560 --> 00:24:54,920
Speaker 1: No, he's so yeah, is Issa bigger than comet? Yeah,

500
00:24:55,000 --> 00:24:55,840
Speaker 1: she's bigger than comment.

501
00:24:55,840 --> 00:24:59,920
Speaker 2: Okay, yeah, yeah, she's like seventy eight pair.

502
00:25:00,320 --> 00:25:02,960
Speaker 1: Oh yeah, and she's like all fluffed.

503
00:25:03,119 --> 00:25:06,840
Speaker 3: Yes, she's probably a good third of that is just hair.

504
00:25:07,080 --> 00:25:11,720
Speaker 1: Hair, but yeah, I love it. So next in Jesse's room,

505
00:25:11,960 --> 00:25:15,480
Speaker 1: Jesse and Danny walk into a very bear Jesse's room

506
00:25:15,480 --> 00:25:18,840
Speaker 1: and find Joey carrying a very heavy box marked fragile.

507
00:25:19,680 --> 00:25:23,119
Speaker 1: Joey asks what is in here, and Jesse replies, my

508
00:25:23,200 --> 00:25:26,399
Speaker 1: hair supplies. He orders Joey to put them in the

509
00:25:26,400 --> 00:25:29,480
Speaker 1: front seat of the car and belt them in. Joey

510
00:25:29,480 --> 00:25:32,520
Speaker 1: imitates a bodybuilder by asking Danny what are you bench,

511
00:25:33,200 --> 00:25:36,920
Speaker 1: and then he exits with the box. Danny can't believe

512
00:25:37,000 --> 00:25:40,600
Speaker 1: that this day is finally here. Jesse tells him there's

513
00:25:40,640 --> 00:25:44,000
Speaker 1: no use getting sentimental over the whole thing, and then

514
00:25:44,000 --> 00:25:47,679
Speaker 1: he sees the framed pink bunny and starts getting sentimental

515
00:25:47,720 --> 00:25:51,400
Speaker 1: about it. Danny reminds him remember when this room used

516
00:25:51,400 --> 00:25:54,439
Speaker 1: to be covered in Stephanie's pink bunnies. I was just

517
00:25:54,440 --> 00:25:58,680
Speaker 1: gonna say, who's mm hmm, Yes, I made a note

518
00:25:58,760 --> 00:26:01,560
Speaker 1: of that, that Danny's Stephanies.

519
00:26:01,000 --> 00:26:06,160
Speaker 2: Stephanie's that her dead mom cut out for her. I mean, yes,

520
00:26:06,200 --> 00:26:08,560
Speaker 2: you know there's Stephanie's buddies.

521
00:26:08,680 --> 00:26:12,679
Speaker 1: Yes, just saying. Jesse starts to remember the day he

522
00:26:12,840 --> 00:26:17,320
Speaker 1: first moved into the full house. We dissolve into a flashback. Oh,

523
00:26:17,359 --> 00:26:20,120
Speaker 1: this was so great. This was this was really great.

524
00:26:20,160 --> 00:26:22,600
Speaker 1: I usually hate these types of things, but Neil was

525
00:26:22,600 --> 00:26:23,480
Speaker 1: a good use of it.

526
00:26:23,600 --> 00:26:27,920
Speaker 2: You know what, looking for some reason, looking back on.

527
00:26:29,520 --> 00:26:35,520
Speaker 3: Looking back on this scene, it's somehow was even better,

528
00:26:36,280 --> 00:26:38,240
Speaker 3: Like I don't know, there was something to it, where

529
00:26:38,280 --> 00:26:41,280
Speaker 3: like now that there's been all this established history, like

530
00:26:42,119 --> 00:26:44,600
Speaker 3: you see this scene and there's something to it where

531
00:26:44,640 --> 00:26:46,560
Speaker 3: you're like you can tell they don't they're not as

532
00:26:46,560 --> 00:26:48,600
Speaker 3: close as they are now and they and that like

533
00:26:48,960 --> 00:26:50,760
Speaker 3: that was actually real, you know what I mean.

534
00:26:51,119 --> 00:26:54,640
Speaker 1: Yeah, it's a it's a it's a definitely a sentimentality,

535
00:26:55,200 --> 00:26:58,320
Speaker 1: sure for us actors and I'm sure for the fans too. Yeah.

536
00:26:58,480 --> 00:27:02,440
Speaker 3: Remember when the carpet was green back then, right, Yeah,

537
00:27:02,520 --> 00:27:05,640
Speaker 3: and they looked so I mean they were still young

538
00:27:05,960 --> 00:27:09,119
Speaker 3: in this season, but like they looked like babies even younger.

539
00:27:09,240 --> 00:27:12,399
Speaker 1: Yeah. Oh, it was very sweet. So in the flashback,

540
00:27:12,640 --> 00:27:15,440
Speaker 1: we see a scene from the pilot episode where Jesse

541
00:27:15,640 --> 00:27:18,920
Speaker 1: sees the room for the very first time. Danny describes

542
00:27:18,920 --> 00:27:22,399
Speaker 1: it as not overlay masculine, and Jesse calls it swell.

543
00:27:23,760 --> 00:27:26,280
Speaker 1: Jesse starts to unpack while Danny drones on about how

544
00:27:26,359 --> 00:27:29,360
Speaker 1: much he appreciates Jesse moving in to help with the girls.

545
00:27:30,200 --> 00:27:33,840
Speaker 1: Danny hugs Jesse and Jesse protests. Janny claims he can't

546
00:27:33,840 --> 00:27:38,720
Speaker 1: help it. He's a lean, mean, hugging machine. Jesse gets

547
00:27:38,720 --> 00:27:41,120
Speaker 1: sentimental for a beat and talks about how much he

548
00:27:41,160 --> 00:27:45,000
Speaker 1: loved Pam and how much he loves the girls. Danny

549
00:27:45,000 --> 00:27:47,760
Speaker 1: goes in for a hug again and Jesse protests again,

550
00:27:48,119 --> 00:27:51,200
Speaker 1: stating that they will set aside a special designated time

551
00:27:51,320 --> 00:27:54,720
Speaker 1: for hugging. We dissolve back to present day Jesse's room.

552
00:27:56,000 --> 00:27:58,479
Speaker 1: Jesse is wistful. He thought he was going to move

553
00:27:58,520 --> 00:28:02,240
Speaker 1: in for two weeks and it turns into four years. Wow.

554
00:28:02,320 --> 00:28:04,840
Speaker 2: So two weeks that was all they were gonna or.

555
00:28:04,760 --> 00:28:06,680
Speaker 3: Maybe that was all Jesse was willing to give it. Yeah,

556
00:28:07,480 --> 00:28:09,560
Speaker 3: like I holds to land for like two weeks. Yeah, right,

557
00:28:09,640 --> 00:28:12,919
Speaker 3: and then he started going on to the next chick. Uh.

558
00:28:13,119 --> 00:28:16,520
Speaker 1: Danny remarks how much things have changed. When Jesse moved in.

559
00:28:16,640 --> 00:28:22,000
Speaker 1: He was a wild motorcycle riding, Elvis obsessed rock and roller. Now,

560
00:28:22,800 --> 00:28:24,680
Speaker 1: well his hair is a little shorter in the back.

561
00:28:26,640 --> 00:28:29,359
Speaker 1: Danny gets serious and tells Jesse just how much he

562
00:28:29,440 --> 00:28:32,879
Speaker 1: appreciates all the help he's given him all this time.

563
00:28:33,800 --> 00:28:38,080
Speaker 1: Jesse pauses and says they can hug just this one time. Jesse,

564
00:28:38,520 --> 00:28:41,080
Speaker 1: I know this is like I'm getting I'm getting emotions.

565
00:28:41,120 --> 00:28:44,800
Speaker 1: I'm feeling an emotion here. There were feels, definitely. Jesse

566
00:28:44,880 --> 00:28:46,840
Speaker 1: goes in for the hug, and we hear the rest

567
00:28:46,880 --> 00:28:50,360
Speaker 1: of the family awing in the doorway. Jesse complains that

568
00:28:50,360 --> 00:28:53,360
Speaker 1: he was caught. The family all files into the room

569
00:28:53,480 --> 00:28:57,560
Speaker 1: to hug Jesse. Then Michelle toddles in with her suitcase

570
00:28:57,680 --> 00:29:01,360
Speaker 1: and her emotional support pig and declare that she's all packed.

571
00:29:01,640 --> 00:29:02,840
Speaker 1: It's time to go people.

572
00:29:03,800 --> 00:29:04,000
Speaker 3: Oh.

573
00:29:04,000 --> 00:29:06,600
Speaker 1: There's an awkward beat before Danny goes over to Michelle

574
00:29:07,000 --> 00:29:10,320
Speaker 1: to explain that she's not going anywhere. It's Jesse who's

575
00:29:10,360 --> 00:29:14,400
Speaker 1: moving in with Becky. Michelle yells, but we're supposed to

576
00:29:14,400 --> 00:29:18,840
Speaker 1: be one big, happy family, and she runs away. Jesse

577
00:29:18,920 --> 00:29:21,680
Speaker 1: says he'll go try to explain to her why he's leaving,

578
00:29:22,000 --> 00:29:26,360
Speaker 1: and he exits. We see Michelle sulking on her bed

579
00:29:26,400 --> 00:29:29,920
Speaker 1: in her room. Jesse walks in, carrying the framed pink

580
00:29:29,960 --> 00:29:33,440
Speaker 1: Bunny and declares it's time for one of their famous talks,

581
00:29:33,880 --> 00:29:34,960
Speaker 1: Man to Munchkin.

582
00:29:35,440 --> 00:29:39,080
Speaker 3: These are very famous talks, these really are they are? Yeah,

583
00:29:39,160 --> 00:29:41,920
Speaker 3: it's although I don't know that using the word munchkin

584
00:29:42,040 --> 00:29:45,880
Speaker 3: is preferred anymore, but in nineteen eighty one, nineteen eighty one,

585
00:29:45,880 --> 00:29:48,280
Speaker 3: man to Munchkin and the alliteration is nice.

586
00:29:48,480 --> 00:29:52,960
Speaker 1: It's true. Michelle cries, why are you leaving me? And

587
00:29:53,040 --> 00:29:55,960
Speaker 1: Jesse explains that he's married now and it's tradition to

588
00:29:56,040 --> 00:29:56,959
Speaker 1: live with his wife.

589
00:29:57,920 --> 00:30:04,240
Speaker 3: Right, I mean, yeah, sometimes second jud look, there's people

590
00:30:04,320 --> 00:30:06,760
Speaker 3: that have like their separate little houses and they are

591
00:30:06,840 --> 00:30:08,560
Speaker 3: very happy, aren't.

592
00:30:08,320 --> 00:30:11,280
Speaker 1: The Courtney Kardashian and Travis Barker. Don't they have to

593
00:30:11,400 --> 00:30:13,320
Speaker 1: think so they separate spots.

594
00:30:13,400 --> 00:30:18,480
Speaker 3: Yeah, I feel like Carter and and uh uh Tim

595
00:30:18,480 --> 00:30:21,520
Speaker 3: Burden did yeah for a while. Yeah, I think they're

596
00:30:21,560 --> 00:30:25,560
Speaker 3: split now, but anyway, sidetracked respect whatever works for your marriage.

597
00:30:26,720 --> 00:30:29,160
Speaker 3: Jesse promises that he will be over all the time.

598
00:30:29,320 --> 00:30:33,000
Speaker 3: He's only a ten minute walk away. Michelle asks if

599
00:30:33,000 --> 00:30:35,000
Speaker 3: he's still going to sing her the Teddy Bear song.

600
00:30:35,640 --> 00:30:38,760
Speaker 3: Jesse replies, well, not every night, but he'll make a

601
00:30:38,800 --> 00:30:42,440
Speaker 3: tape for her. Michelle sadly tells Jesse, I'm going to

602
00:30:42,520 --> 00:30:46,280
Speaker 3: miss you and kisses him sweetly on the nose. Oh.

603
00:30:47,160 --> 00:30:50,080
Speaker 1: The sad violins begin to swell in the background. Oh,

604
00:30:50,120 --> 00:30:53,200
Speaker 1: here they are, and Jesse tells Michelle that he's going

605
00:30:53,280 --> 00:30:55,360
Speaker 1: to miss her too, but they need to put on

606
00:30:55,440 --> 00:30:59,600
Speaker 1: their brave faces. Jesse asks Michelle for the biggest, most

607
00:30:59,600 --> 00:31:03,360
Speaker 1: shiking antic, greatest hug she's ever given. He picks her

608
00:31:03,440 --> 00:31:06,560
Speaker 1: up and showers her with kisses and hugs. Michelle gives

609
00:31:06,600 --> 00:31:09,400
Speaker 1: Jesse her emotional support pig as a good bye present,

610
00:31:10,600 --> 00:31:16,000
Speaker 1: and in return, Jesse gives Michelle the framed pink bunny

611
00:31:16,600 --> 00:31:19,320
Speaker 1: that she totally doesn't deserve because it should be longed

612
00:31:19,320 --> 00:31:22,200
Speaker 1: to Steffanie, and we have the merch to prove it.

613
00:31:22,480 --> 00:31:26,000
Speaker 3: Indeed, indeed, our property of Stephanie Tanner pink bunny sweatshirt.

614
00:31:26,080 --> 00:31:28,000
Speaker 1: This is the hill I've chosen to die on. Thank

615
00:31:28,000 --> 00:31:29,920
Speaker 1: you very much. Tell me how you felt when you

616
00:31:29,960 --> 00:31:32,480
Speaker 1: were rewatching this now thirty something years later.

617
00:31:32,600 --> 00:31:35,000
Speaker 3: It was just always a thing where I was like, like,

618
00:31:35,400 --> 00:31:37,960
Speaker 3: literally even as a kid, I was like, but I

619
00:31:38,120 --> 00:31:39,520
Speaker 3: just felt like the little kid where I.

620
00:31:39,520 --> 00:31:42,640
Speaker 1: Was like, but those were my pink bunnies from my

621
00:31:43,000 --> 00:31:45,440
Speaker 1: fake mom, Like it's too I don't know why.

622
00:31:45,640 --> 00:31:47,440
Speaker 3: I mean, I know it had to be some sort

623
00:31:47,480 --> 00:31:50,120
Speaker 3: of exchange of something, but and the pink bunnies were

624
00:31:50,160 --> 00:31:53,440
Speaker 3: so indicative of Jesse's room there in the beginning.

625
00:31:53,720 --> 00:31:56,720
Speaker 2: Yeah, but yeah, it was you know, just okay, I'll

626
00:31:56,760 --> 00:31:57,200
Speaker 2: get over it.

627
00:31:57,280 --> 00:31:59,960
Speaker 1: Something that was your room and your bunny.

628
00:32:00,480 --> 00:32:02,959
Speaker 3: Yeah, and he's given the I think what it was

629
00:32:03,000 --> 00:32:05,200
Speaker 3: for me was like the lore of what the pink

630
00:32:05,240 --> 00:32:07,600
Speaker 3: bunnies were and why they didn't come down for so

631
00:32:07,720 --> 00:32:11,560
Speaker 3: long was that they were so important to Steph, and

632
00:32:11,600 --> 00:32:14,280
Speaker 3: so it felt like, you know, that would have been

633
00:32:14,280 --> 00:32:15,760
Speaker 3: the thing he gave to Steph and not that he

634
00:32:15,840 --> 00:32:19,800
Speaker 3: wouldn't given have given something to Michelle, right, but I guess,

635
00:32:19,840 --> 00:32:21,720
Speaker 3: you know, it had to it had to be the thing.

636
00:32:23,120 --> 00:32:26,800
Speaker 1: I feel bitter for you, like on your behalf. Secondhand bitterment.

637
00:32:26,920 --> 00:32:28,680
Speaker 2: Yes, second hand secondhand bitterment.

638
00:32:28,800 --> 00:32:35,320
Speaker 1: I like that. That's gonna be my fan Jake Bitterman. Yes, Jesse,

639
00:32:36,000 --> 00:32:38,600
Speaker 1: it's okay, it's okay, it's okay.

640
00:32:38,640 --> 00:32:39,320
Speaker 2: You know what I have?

641
00:32:39,480 --> 00:32:42,080
Speaker 1: I have? Hold on? What do you have? Oh, she's

642
00:32:42,120 --> 00:32:44,680
Speaker 1: going to get a prop stand by.

643
00:32:45,840 --> 00:32:52,280
Speaker 3: Ah, it's okay because I was given a pink bunny

644
00:32:52,440 --> 00:32:54,720
Speaker 3: in a frame by an amazing fan of Rido.

645
00:32:54,960 --> 00:32:57,440
Speaker 1: So thank you so much. I love you.

646
00:32:57,560 --> 00:33:00,400
Speaker 3: They gave it to me at nineties Con, one of

647
00:33:00,440 --> 00:33:04,160
Speaker 3: the fans that always comes and her uh son is

648
00:33:04,280 --> 00:33:06,200
Speaker 3: just awesome or maybe it was her nephew.

649
00:33:07,160 --> 00:33:08,760
Speaker 2: Uh anyway, Yeah, shout out.

650
00:33:08,840 --> 00:33:12,920
Speaker 3: So this sits in my office so that I actually.

651
00:33:12,520 --> 00:33:14,280
Speaker 2: Do have my own pink bunny.

652
00:33:14,560 --> 00:33:20,200
Speaker 1: I love it. Justice for Stephanie Tanner people. So Jesse

653
00:33:20,320 --> 00:33:23,560
Speaker 1: walks to the door and pauses. He says a very

654
00:33:23,640 --> 00:33:30,440
Speaker 1: dramatic by Michelle, and she replies, this was a.

655
00:33:30,360 --> 00:33:33,800
Speaker 3: Soap opera moment and that's why John killed it because

656
00:33:33,840 --> 00:33:37,120
Speaker 3: it was a so He was like, ah, soap opera mode. Yeah,

657
00:33:37,200 --> 00:33:40,440
Speaker 3: this is in the doorway and the turn, you know,

658
00:33:40,640 --> 00:33:42,800
Speaker 3: like it's such a soap opera moment that was great,

659
00:33:43,640 --> 00:33:44,400
Speaker 3: so dramatic.

660
00:33:44,520 --> 00:33:46,800
Speaker 1: We are straight out of general hospital here at people.

661
00:33:48,000 --> 00:33:51,200
Speaker 1: Michelle replies with an equally dramatic for sure, good bye,

662
00:33:51,320 --> 00:33:55,520
Speaker 1: Uncle Jesse. Oh yeah, these sad violins they're working overtime.

663
00:33:55,680 --> 00:33:59,800
Speaker 3: They're on fire. There's so many, so many sad violins.

664
00:34:00,920 --> 00:34:04,000
Speaker 1: Jesse turns to leave, but stops in the hallway, resting

665
00:34:04,080 --> 00:34:07,760
Speaker 1: his head against the doorframe. A big tear slips down

666
00:34:07,800 --> 00:34:11,600
Speaker 1: Michelle's cheek at the same time tears run down Jesse's cheek.

667
00:34:12,600 --> 00:34:15,120
Speaker 1: And remember how they used to make make you cry?

668
00:34:15,200 --> 00:34:17,200
Speaker 2: You remember how like how they do it?

669
00:34:17,400 --> 00:34:20,120
Speaker 1: Well, uh no, I don't.

670
00:34:20,600 --> 00:34:23,440
Speaker 3: So there's like glycerine drops that go into your eye

671
00:34:23,640 --> 00:34:26,840
Speaker 3: that will come down like tears, but they hold like

672
00:34:26,880 --> 00:34:29,840
Speaker 3: they hold like a tear shape like that, which is

673
00:34:30,000 --> 00:34:31,479
Speaker 3: probably maybe what they used.

674
00:34:32,000 --> 00:34:33,000
Speaker 1: Probably what they used.

675
00:34:33,040 --> 00:34:34,799
Speaker 2: It's like just eye drops in it.

676
00:34:34,800 --> 00:34:37,040
Speaker 3: It just kind of glasses your eye up and makes

677
00:34:37,040 --> 00:34:40,839
Speaker 3: it run and then it's just they can I like

678
00:34:41,200 --> 00:34:43,080
Speaker 3: they there's like a little I don't know if they

679
00:34:43,280 --> 00:34:46,319
Speaker 3: use this anymore. It's like a little menthol puff thing

680
00:34:47,280 --> 00:34:50,120
Speaker 3: that you puff in your eyes so they they get

681
00:34:50,280 --> 00:34:53,120
Speaker 3: like red, so it looks like you're also upset and

682
00:34:53,160 --> 00:34:57,040
Speaker 3: it makes your eyes water if you can't just cry

683
00:34:57,239 --> 00:34:59,799
Speaker 3: on man or a lot of times they'll use it

684
00:34:59,800 --> 00:35:02,319
Speaker 3: for like kids or again for a shot where it's

685
00:35:02,360 --> 00:35:05,280
Speaker 3: like we need a really specific tier, you know, right.

686
00:35:05,320 --> 00:35:07,959
Speaker 1: Right, there's not many people. I always say this about

687
00:35:07,960 --> 00:35:10,880
Speaker 1: Dedra Hall, who played my mother or mar Lena on

688
00:35:11,120 --> 00:35:13,600
Speaker 1: Days of Our Lives. She could not only cry on command,

689
00:35:13,800 --> 00:35:17,319
Speaker 1: she could control which I the tear came out, and

690
00:35:17,360 --> 00:35:20,160
Speaker 1: she always used her downstage eye closest to the camera.

691
00:35:20,560 --> 00:35:21,560
Speaker 2: Like amazing.

692
00:35:21,719 --> 00:35:23,600
Speaker 1: Soap opera actors are amazing.

693
00:35:23,760 --> 00:35:28,640
Speaker 2: Yeah, yeah, yeah, they are almost robots. It's really amazing,

694
00:35:28,800 --> 00:35:30,840
Speaker 2: and I mean that's the best way, like they just

695
00:35:30,960 --> 00:35:32,520
Speaker 2: go and work anyway.

696
00:35:32,280 --> 00:35:37,960
Speaker 1: Yeah, amazing islands, big big tear on Michelle's cheek. At

697
00:35:38,000 --> 00:35:41,200
Speaker 1: the same time, Jesse has multiple tiers coming down, and

698
00:35:41,239 --> 00:35:43,239
Speaker 1: I think those were real. Those felt Oh.

699
00:35:43,840 --> 00:35:47,800
Speaker 3: John yea yeah, John is a yeah, he's Most of

700
00:35:47,840 --> 00:35:52,840
Speaker 3: the time when you see adults or even like teenagers

701
00:35:52,880 --> 00:35:55,960
Speaker 3: are like crying in a show usually usually.

702
00:35:56,120 --> 00:35:57,600
Speaker 2: I mean oftentimes there's great.

703
00:35:57,480 --> 00:35:59,920
Speaker 3: Kid actors too, But I feel like back in like

704
00:36:00,080 --> 00:36:03,680
Speaker 3: the sitcom era was sort of they were those that

705
00:36:03,760 --> 00:36:05,080
Speaker 3: could and then you know, like.

706
00:36:05,160 --> 00:36:07,359
Speaker 1: Well, that's a big ask for a four years.

707
00:36:06,960 --> 00:36:09,560
Speaker 3: As for you, you'd be like, hey, guess what we're

708
00:36:09,600 --> 00:36:12,040
Speaker 3: You're just telling the most terrific thing about their pet

709
00:36:12,120 --> 00:36:13,480
Speaker 3: or you know what I mean, Like, what's that what

710
00:36:13,520 --> 00:36:14,279
Speaker 3: you're gonna do now?

711
00:36:14,440 --> 00:36:16,479
Speaker 1: No, no, no, no, just bring out the glycerin people.

712
00:36:16,600 --> 00:36:20,239
Speaker 1: That's all that's needed. So we come back from our

713
00:36:20,320 --> 00:36:24,879
Speaker 1: extremely sad commercial break and we're in Becky's apartment. Jesse

714
00:36:25,040 --> 00:36:28,640
Speaker 1: moves the last of the boxes into the apartment, proclaiming

715
00:36:28,680 --> 00:36:31,800
Speaker 1: that he's not carrying one more thing into this house.

716
00:36:32,760 --> 00:36:35,920
Speaker 1: Becky catches his attention from the front door, insinuating that

717
00:36:35,960 --> 00:36:40,680
Speaker 1: he should carry his bride over the threshold. Jesse obliges,

718
00:36:40,880 --> 00:36:43,360
Speaker 1: kissing her, and then he throws her onto the couch.

719
00:36:44,640 --> 00:36:47,279
Speaker 1: Becky remarks that this is the start of their new

720
00:36:47,320 --> 00:36:52,080
Speaker 1: life together in their new home. Jesse chooses this opportunity

721
00:36:52,120 --> 00:36:54,800
Speaker 1: to state that they need to change the girly motif

722
00:36:54,880 --> 00:37:00,200
Speaker 1: around here read music. By the way, he's got a point, he.

723
00:37:00,160 --> 00:37:03,080
Speaker 3: Has got to put I have some everywhere he looks

724
00:37:03,120 --> 00:37:03,720
Speaker 3: in that scene.

725
00:37:03,840 --> 00:37:05,800
Speaker 2: Oh yeah, yeah, yeah, yeah.

726
00:37:05,920 --> 00:37:08,640
Speaker 1: Well we've seen Becky's apartment once before and it was

727
00:37:08,719 --> 00:37:12,560
Speaker 1: bad then too, Like the peach color though, it's just

728
00:37:12,680 --> 00:37:16,400
Speaker 1: it's weird collectibles. Yeah, it was any of us popular

729
00:37:16,440 --> 00:37:18,520
Speaker 1: in the nineties, is it like nineties power?

730
00:37:18,560 --> 00:37:18,759
Speaker 3: It was?

731
00:37:19,120 --> 00:37:20,719
Speaker 2: And I'm meant to just be like.

732
00:37:21,040 --> 00:37:26,400
Speaker 3: Gurly, but like curly Gurley, like like childish Gurly.

733
00:37:26,440 --> 00:37:27,560
Speaker 2: I don't know, you know what I mean. Like, it

734
00:37:27,640 --> 00:37:31,720
Speaker 2: wasn't feminine, it was childish curly.

735
00:37:31,840 --> 00:37:35,200
Speaker 1: So that was the juvenile Yeah, yeah, yeah, gurly motif.

736
00:37:35,520 --> 00:37:38,799
Speaker 1: We got to make it more manly. Becky suggests that

737
00:37:38,800 --> 00:37:43,320
Speaker 1: they just pretend that they're already unpacked, and they settle

738
00:37:43,360 --> 00:37:46,719
Speaker 1: into the couch. When Jesse realizes, oh, he's sitting on

739
00:37:46,800 --> 00:37:51,360
Speaker 1: Michelle's emotional support pig again, he gets wistful. Do you

740
00:37:51,400 --> 00:37:53,239
Speaker 1: know what I'd be doing right now if I was home?

741
00:37:54,120 --> 00:37:56,160
Speaker 1: Becky reminds him that he is home.

742
00:37:56,560 --> 00:38:00,200
Speaker 3: Yeah, I was like, oh, this is your new wife, Like,

743
00:38:01,719 --> 00:38:02,840
Speaker 3: aren't you a little.

744
00:38:04,239 --> 00:38:05,480
Speaker 2: Well, you know what this is.

745
00:38:05,760 --> 00:38:06,600
Speaker 1: Hours have passed.

746
00:38:06,600 --> 00:38:09,000
Speaker 2: We're just seeing one snippet and then then you know,

747
00:38:09,040 --> 00:38:11,200
Speaker 2: he made He's been thrilled the rest of the time.

748
00:38:11,520 --> 00:38:15,400
Speaker 1: It's a big transition for anyone, including Jesse, and so

749
00:38:15,719 --> 00:38:17,480
Speaker 1: you know he's it's going to take a while to

750
00:38:18,200 --> 00:38:20,799
Speaker 1: call Becky's place. His home. Actually he doesn't even need

751
00:38:20,840 --> 00:38:23,880
Speaker 1: to learn that because they're moving endo the in like

752
00:38:24,200 --> 00:38:24,880
Speaker 1: twelve minutes.

753
00:38:24,960 --> 00:38:29,319
Speaker 2: You just ruined it. Sorry, don't how now what?

754
00:38:29,719 --> 00:38:36,000
Speaker 1: Sorry fan? Sorry the rest of the podcast with the

755
00:38:36,080 --> 00:38:39,239
Speaker 1: ending spoil everybody's just turned it off.

756
00:38:39,440 --> 00:38:42,320
Speaker 2: Everyone's anymore and I was waiting.

757
00:38:49,200 --> 00:38:52,240
Speaker 1: So Jesse continues by saying that he and the guys

758
00:38:52,320 --> 00:38:55,040
Speaker 1: would be putting Michelle to bed right about now. He

759
00:38:55,120 --> 00:38:58,120
Speaker 1: starts singing the Teddy Bear song and we smash cut

760
00:38:58,160 --> 00:39:00,840
Speaker 1: to Michelle's room, where Danny and Joe we are also

761
00:39:00,880 --> 00:39:04,839
Speaker 1: singing the Teddy Bear song to and unenthused Michelle. They

762
00:39:04,840 --> 00:39:07,120
Speaker 1: finished the song and Michelle tells them, well, it was

763
00:39:07,160 --> 00:39:11,080
Speaker 1: a good try. Rush critic. Danny admits, yes, it's not

764
00:39:11,160 --> 00:39:13,799
Speaker 1: the same without Jesse, and they all miss him, but

765
00:39:13,880 --> 00:39:16,960
Speaker 1: they will see him first thing in the morning. That's

766
00:39:17,000 --> 00:39:19,240
Speaker 1: all Michelle needs to hear, and she goes to sleep.

767
00:39:20,320 --> 00:39:22,760
Speaker 1: The guy say good night to Michelle and leave. Michelle

768
00:39:22,760 --> 00:39:25,320
Speaker 1: blows a kiss to the framed pink bunny and says

769
00:39:25,520 --> 00:39:29,680
Speaker 1: good night, Uncle Jesse. So next in the girls room,

770
00:39:30,000 --> 00:39:32,560
Speaker 1: I think this is still nighttime. DJ's on the phone

771
00:39:32,560 --> 00:39:36,240
Speaker 1: with Kimmy, excitedly telling her all about the extra space

772
00:39:36,280 --> 00:39:39,360
Speaker 1: in her room now that Stephanie has moved.

773
00:39:39,120 --> 00:39:42,839
Speaker 3: Out, How dare you know? It's called me Michelle again,

774
00:39:42,880 --> 00:39:43,600
Speaker 3: it's unforgotten.

775
00:39:44,080 --> 00:39:46,839
Speaker 1: No, you're forgotten. That is a big room, like once

776
00:39:46,840 --> 00:39:49,600
Speaker 1: they moved your stuff out, Like this is a massive.

777
00:39:49,280 --> 00:39:51,320
Speaker 2: Room for a massive house.

778
00:39:51,880 --> 00:39:53,879
Speaker 3: But you know what I mean, remember, I mean we're

779
00:39:53,880 --> 00:39:57,520
Speaker 3: gonna hear later on just how big the attic alone is.

780
00:39:57,960 --> 00:40:01,160
Speaker 3: And I wrote it down because it's.

781
00:40:00,000 --> 00:40:02,760
Speaker 1: It's ridiculous anyway.

782
00:40:02,880 --> 00:40:07,080
Speaker 3: Yeah, No, these rooms are giant, giant giants huge, yes,

783
00:40:07,239 --> 00:40:09,520
Speaker 3: so much room and if you've ever been in an

784
00:40:09,560 --> 00:40:12,719
Speaker 3: old Victorian house you know they are, and especially in

785
00:40:12,800 --> 00:40:16,480
Speaker 3: San Francisco. Just spacious, just giant. Why spacious?

786
00:40:16,680 --> 00:40:20,840
Speaker 1: Yeah, yeah, I see Lenny parking plenty. Oh yeah, naturally.

787
00:40:22,320 --> 00:40:26,040
Speaker 1: So Stephanie walks in carrying mister Bear. She asks DJ,

788
00:40:26,200 --> 00:40:29,640
Speaker 1: did you miss me? DJ hangs up and asks Steph

789
00:40:29,719 --> 00:40:33,080
Speaker 1: what's wrong. Steph claims that it's lonely sleeping in Uncle

790
00:40:33,160 --> 00:40:37,680
Speaker 1: Jesse's room, which was I don't know what I mean.

791
00:40:37,719 --> 00:40:38,640
Speaker 1: You haven't been in there.

792
00:40:38,880 --> 00:40:41,000
Speaker 3: I haven't been in there, and I've gotten used to

793
00:40:41,200 --> 00:40:44,240
Speaker 3: having somebody else there a little younger. Maybe she doesn't

794
00:40:44,239 --> 00:40:46,360
Speaker 3: like the dark, like I was weird about sleeping in

795
00:40:46,400 --> 00:40:46,680
Speaker 3: the dark.

796
00:40:46,800 --> 00:40:47,439
Speaker 2: Yeah that's true.

797
00:40:47,560 --> 00:40:51,640
Speaker 1: Yeah, she just wants to be with her big sister. Yeah, yeah, understandable.

798
00:40:51,840 --> 00:40:54,760
Speaker 2: She just wants someone to acknowledge.

799
00:40:54,280 --> 00:40:55,600
Speaker 1: Her is what it is.

800
00:40:55,680 --> 00:40:58,120
Speaker 2: Yeah, she's just like I just want someone to pay

801
00:40:58,120 --> 00:40:58,719
Speaker 2: attention to me.

802
00:40:58,920 --> 00:41:01,680
Speaker 1: So well, you usually Michelle is the ignored one in

803
00:41:01,719 --> 00:41:04,440
Speaker 1: these episodes, but she's getting that attention now. So it's Stephanie.

804
00:41:04,600 --> 00:41:07,360
Speaker 3: She's got all the attention unless she's giving the advice.

805
00:41:07,520 --> 00:41:10,399
Speaker 1: So yeah, this is yeah that Steph is so. DJ

806
00:41:10,520 --> 00:41:13,600
Speaker 1: tries to blow her off, but Steph asks for clarification

807
00:41:14,160 --> 00:41:17,160
Speaker 1: why they wanted their own rooms. DJ claims it will

808
00:41:17,160 --> 00:41:20,120
Speaker 1: bring them closer together. They will have more time to

809
00:41:20,160 --> 00:41:23,640
Speaker 1: miss each other. Steph thinks she's got it, so for

810
00:41:23,760 --> 00:41:26,279
Speaker 1: us to get closer, I need to stay away from you.

811
00:41:27,520 --> 00:41:30,840
Speaker 1: Satisfied that her gas lighting has worked, DJ ushers Stephanie

812
00:41:30,880 --> 00:41:33,280
Speaker 1: out of the room, closes the door and says, yes,

813
00:41:34,440 --> 00:41:37,520
Speaker 1: that was very manipulative and successful.

814
00:41:37,560 --> 00:41:40,000
Speaker 2: I mean that, yes, she got what she wanted.

815
00:41:40,440 --> 00:41:44,760
Speaker 1: She did. Typical big sister just getting that little sister

816
00:41:44,840 --> 00:41:48,319
Speaker 1: out of oh for sure. Next in the kitchen, the

817
00:41:48,440 --> 00:41:52,480
Speaker 1: family is gathered around the kitchen table eating breakfast, Danny

818
00:41:52,520 --> 00:41:55,640
Speaker 1: asks who wants more pancakes, and everyone raises their hand.

819
00:41:56,080 --> 00:41:58,000
Speaker 1: Danny puts the plate in the center of the table.

820
00:41:58,600 --> 00:42:01,680
Speaker 1: Michelle grabs the entire stack of pancakes and pours an

821
00:42:01,840 --> 00:42:03,600
Speaker 1: entire container of syrup on.

822
00:42:03,640 --> 00:42:07,120
Speaker 3: Top, because again, she's it's the sugar.

823
00:42:08,000 --> 00:42:11,520
Speaker 1: We are having feelings and it's the sugar. If she's

824
00:42:11,600 --> 00:42:14,880
Speaker 1: upset about Jesse being gone, yes, and to soothe.

825
00:42:14,680 --> 00:42:18,680
Speaker 3: Herself, yeah, yeah, it's all she's been left alone so often.

826
00:42:19,160 --> 00:42:22,640
Speaker 1: Yep. So just then, Jesse and Becky walk in the

827
00:42:22,680 --> 00:42:25,400
Speaker 1: back door and greet the family with hugs and kisses.

828
00:42:25,719 --> 00:42:29,280
Speaker 1: Jesse could not be happier to see everyone. Dj announces

829
00:42:29,320 --> 00:42:32,040
Speaker 1: that this is great. The whole family is back together.

830
00:42:33,200 --> 00:42:37,280
Speaker 1: Danny takes this opportunity to demonstrate fractions using the seven

831
00:42:37,360 --> 00:42:40,200
Speaker 1: people in the room. Steph figures out that if you

832
00:42:40,239 --> 00:42:44,839
Speaker 1: take away Becky and Jesse, you have five sevens. High

833
00:42:44,840 --> 00:42:47,520
Speaker 1: off of her fraction's victory, she grabs her lunch and

834
00:42:47,600 --> 00:42:50,439
Speaker 1: heads out the door. Way to go, Steph, Yeah, way

835
00:42:50,480 --> 00:42:50,759
Speaker 1: to go.

836
00:42:51,239 --> 00:42:53,319
Speaker 3: I like my little outfit in this too, my little

837
00:42:53,320 --> 00:42:56,400
Speaker 3: black uh, like denim skirt and black boots and like

838
00:42:56,719 --> 00:42:58,520
Speaker 3: a little white T shirt and in black.

839
00:42:58,560 --> 00:43:01,239
Speaker 2: It said like one World or something on it. People

840
00:43:01,280 --> 00:43:01,719
Speaker 2: holding hands.

841
00:43:01,760 --> 00:43:03,760
Speaker 1: It was cute. It was yeah, it was very stuph

842
00:43:04,280 --> 00:43:07,040
Speaker 1: Stephanie's fashion in season four is definitely a little and

843
00:43:07,080 --> 00:43:09,480
Speaker 1: a little more grown up, a little more elevated. We've

844
00:43:09,520 --> 00:43:12,640
Speaker 1: graduated from the three D sweaters. I like your fashion

845
00:43:12,680 --> 00:43:16,719
Speaker 1: this season. So everyone starts to leave for school or work.

846
00:43:17,080 --> 00:43:19,480
Speaker 1: When Michelle asks Jesse if he will sing her the

847
00:43:19,480 --> 00:43:22,960
Speaker 1: Teddy Bear song tonight, Jesse asks Becky if that's okay.

848
00:43:24,120 --> 00:43:27,319
Speaker 1: Becky suddenly remembers that the exterminator is coming over to

849
00:43:27,400 --> 00:43:30,440
Speaker 1: spray for termites, so they can't sleep at the apartment.

850
00:43:31,080 --> 00:43:33,080
Speaker 1: She asks Danny if they can sleep in the attic,

851
00:43:33,440 --> 00:43:37,480
Speaker 1: and Danny replies yes. Jesse could not be more astatic

852
00:43:37,480 --> 00:43:40,440
Speaker 1: about this. He celebrates with Michelle, who says they can

853
00:43:40,520 --> 00:43:43,919
Speaker 1: have a pajama party. Joey is stoked for this too.

854
00:43:44,239 --> 00:43:46,600
Speaker 1: He wonders if he should wear his Ninja Turtle jammys

855
00:43:46,719 --> 00:43:50,640
Speaker 1: or his California Raisin jammis, Oh, that's the way.

856
00:43:50,640 --> 00:43:52,839
Speaker 2: I don't seen California rais once. I'd prefer those.

857
00:43:54,239 --> 00:43:57,600
Speaker 1: See those now, Yeah, we've seen Ninja turtles. Bring up

858
00:43:57,600 --> 00:43:58,799
Speaker 1: the California reasons.

859
00:43:58,640 --> 00:44:03,560
Speaker 3: Speaking of fashion, though, I have to acknowledge Becky's outfit

860
00:44:03,640 --> 00:44:06,760
Speaker 3: in this scene is chef's kiss.

861
00:44:06,880 --> 00:44:10,840
Speaker 1: She looks fabulous. That jacket she has like a great

862
00:44:11,040 --> 00:44:14,080
Speaker 1: jacket on. It's like fitted at the waist.

863
00:44:13,880 --> 00:44:16,080
Speaker 3: And it has like a little peplham sort of thing

864
00:44:16,160 --> 00:44:18,759
Speaker 3: out and it's about like a velvet trim on it,

865
00:44:18,840 --> 00:44:22,160
Speaker 3: and then like a fitted knee length pencil skirt. She

866
00:44:22,360 --> 00:44:24,920
Speaker 3: just she looks amazing in the scene, and like a

867
00:44:24,920 --> 00:44:28,319
Speaker 3: really pretty, like lace sort of shirt underneath. Anyway, I

868
00:44:28,360 --> 00:44:31,080
Speaker 3: noticed the fashion in this because I was like, Okay, Becky.

869
00:44:31,360 --> 00:44:34,680
Speaker 1: Okay, Becky. She's a new woman, she's a newly married woman.

870
00:44:34,880 --> 00:44:37,960
Speaker 3: And I was like, oh for such a short scene too,

871
00:44:38,040 --> 00:44:39,200
Speaker 3: because that's such a great outfit.

872
00:44:39,280 --> 00:44:42,200
Speaker 1: But yeah, anyway, they should have saved that for an

873
00:44:42,200 --> 00:44:44,359
Speaker 1: episode where she'd wear it for multiple scenes. But yeah,

874
00:44:44,360 --> 00:44:46,360
Speaker 1: she's getting she's getting ready for work. She is the

875
00:44:46,920 --> 00:44:49,600
Speaker 1: host of Wake Up San Francisco. She's really married. She's

876
00:44:49,640 --> 00:44:50,279
Speaker 1: looking the part.

877
00:44:50,320 --> 00:44:52,200
Speaker 3: Maybe, yeah, And this family gets up at four am

878
00:44:52,239 --> 00:44:53,200
Speaker 3: to make pancakes.

879
00:44:53,560 --> 00:44:58,080
Speaker 1: Why not? As they do so up in the attic,

880
00:44:58,360 --> 00:45:01,279
Speaker 1: Becky and Jesse are sleeping in two separate cots, twin

881
00:45:01,360 --> 00:45:05,480
Speaker 1: cots like Ward and June Cleaver. Becky confesses that there

882
00:45:05,520 --> 00:45:08,560
Speaker 1: are no insects in the apartment. She made it up

883
00:45:08,680 --> 00:45:13,080
Speaker 1: because Jesse needed some time with the family. Jesse appreciates

884
00:45:13,120 --> 00:45:16,400
Speaker 1: Becky's thoughtfulness and says, let's get out of here. We

885
00:45:16,440 --> 00:45:19,680
Speaker 1: don't really want to sleep in this attic, do we in.

886
00:45:19,680 --> 00:45:21,160
Speaker 2: Your matching silk pajamas?

887
00:45:21,320 --> 00:45:28,040
Speaker 3: I don't know, you guys, they have matching silk pajamas on.

888
00:45:28,600 --> 00:45:32,960
Speaker 1: Becky's in purple, Jesse's in black. For some reason, I

889
00:45:32,960 --> 00:45:36,200
Speaker 1: didn't notice any of the fashions this episode. Yeah, I

890
00:45:36,200 --> 00:45:36,839
Speaker 1: don't know why I.

891
00:45:36,800 --> 00:45:38,800
Speaker 2: Noticed them all. I guess that was what I was

892
00:45:38,840 --> 00:45:39,480
Speaker 2: paying attention to.

893
00:45:39,600 --> 00:45:44,000
Speaker 3: Yeah, yeah, they're in matching silk pajamas and this is

894
00:45:44,719 --> 00:45:45,880
Speaker 3: hashtag couple of goals.

895
00:45:46,080 --> 00:45:49,120
Speaker 1: Oh well, I feel like John has a penchant for

896
00:45:49,640 --> 00:45:51,880
Speaker 1: silk pajamas. That sort of seems like a very Jessy

897
00:45:52,000 --> 00:45:54,720
Speaker 1: thing to where it's a cool, dude, you know, I'm cool,

898
00:45:54,840 --> 00:45:56,960
Speaker 1: Like I feel like a wind machine needs to blow

899
00:45:57,400 --> 00:45:57,920
Speaker 1: his hair.

900
00:45:58,040 --> 00:46:01,160
Speaker 3: Yeah, yeah, he'd probably use those same uh silk pants

901
00:46:01,239 --> 00:46:01,680
Speaker 3: in the.

902
00:46:01,760 --> 00:46:08,800
Speaker 1: Forever video Forever Wrap. Yeah, yeah for sure video. So uh.

903
00:46:08,840 --> 00:46:11,759
Speaker 1: Becky for some reason, seems kind of keen on the

904
00:46:11,800 --> 00:46:15,239
Speaker 1: idea of sleeping in the attic. It's thirteen hundred square

905
00:46:15,280 --> 00:46:16,280
Speaker 1: feet fully insulated.

906
00:46:16,920 --> 00:46:23,200
Speaker 3: What it's thirteen hundred square feet is the size of

907
00:46:23,239 --> 00:46:24,000
Speaker 3: like a small home.

908
00:46:24,080 --> 00:46:30,920
Speaker 1: Yes, it's that is just the top floor. That's just

909
00:46:31,000 --> 00:46:31,719
Speaker 1: the third floor.

910
00:46:31,800 --> 00:46:34,160
Speaker 3: So that means the third So that means that this

911
00:46:34,280 --> 00:46:38,400
Speaker 3: house is essentially what like ten thousand square feet?

912
00:46:38,600 --> 00:46:44,800
Speaker 1: Yeah? Yeah, basically that's a huge house. Danny, this house,

913
00:46:45,120 --> 00:46:45,759
Speaker 1: that's not a clue.

914
00:46:45,800 --> 00:46:51,480
Speaker 3: The basement and then and the yard forget.

915
00:46:51,040 --> 00:46:54,040
Speaker 1: About man, you know what, I'm starting to wow. And

916
00:46:54,160 --> 00:46:57,400
Speaker 1: Danny offed his wife to get the life insurance to

917
00:46:57,440 --> 00:47:00,640
Speaker 1: pay for this house. Potentially, you know, how else does

918
00:47:00,640 --> 00:47:01,359
Speaker 1: he afford this house?

919
00:47:01,400 --> 00:47:04,400
Speaker 2: On awake from San Francisco is making some good money.

920
00:47:04,440 --> 00:47:08,960
Speaker 3: It was you know right the network shows you actually

921
00:47:09,239 --> 00:47:09,840
Speaker 3: make some money.

922
00:47:09,920 --> 00:47:13,239
Speaker 1: That was the heyday. Yeah. See it was very big

923
00:47:13,239 --> 00:47:16,920
Speaker 1: in San Francisco. Very big. Yeah it's huge. Yeah, huge,

924
00:47:17,000 --> 00:47:20,680
Speaker 1: But so is this house. So the massive So Becky

925
00:47:20,760 --> 00:47:24,680
Speaker 1: is describing all of the all of the attic, all

926
00:47:24,920 --> 00:47:27,719
Speaker 1: all of everything in the attic, thirteen hundred square feet

927
00:47:27,800 --> 00:47:32,160
Speaker 1: fully insulated with complete plumbing hookups for a full bathroom,

928
00:47:32,400 --> 00:47:35,120
Speaker 1: ideal for a young newlywed couple saving to buy their

929
00:47:35,160 --> 00:47:39,480
Speaker 1: first home. Like the plumbing hookups. Who why didn't they

930
00:47:39,520 --> 00:47:40,320
Speaker 1: do this before?

931
00:47:41,880 --> 00:47:45,480
Speaker 3: Why we got people sharing rooms and kicking kids out

932
00:47:45,480 --> 00:47:47,760
Speaker 3: of their bedrooms and we could have just which could.

933
00:47:47,600 --> 00:47:49,959
Speaker 2: Have turned the attic into something.

934
00:47:49,680 --> 00:47:53,719
Speaker 1: I don't understand, what a basement. Yeah, they renovated the

935
00:47:53,920 --> 00:47:56,480
Speaker 1: entire basement for Joey. They could have just put him

936
00:47:56,560 --> 00:48:02,200
Speaker 1: upstairs with a toilet, that's all they needed. Uh. Yes,

937
00:48:02,280 --> 00:48:05,879
Speaker 1: they had a third year square the attic up there.

938
00:48:06,239 --> 00:48:09,440
Speaker 1: That well, I'm assuming the attic is the same footprint.

939
00:48:09,600 --> 00:48:12,160
Speaker 2: That's what I'm saying is that's what we think.

940
00:48:12,200 --> 00:48:14,600
Speaker 3: As every because the house is stacked on top of

941
00:48:14,640 --> 00:48:18,040
Speaker 3: each other, So each level is thirteen hundred square feet,

942
00:48:18,200 --> 00:48:21,360
Speaker 3: so three three three, there's nine thousand plus.

943
00:48:21,960 --> 00:48:24,520
Speaker 1: Yeah, it's like over ten thousand square feet, not including

944
00:48:24,520 --> 00:48:28,920
Speaker 1: the basement and then the backyard. This is this is massive, massive.

945
00:48:30,120 --> 00:48:33,960
Speaker 1: Uh So Jesse is confused by this. He's like, why

946
00:48:34,200 --> 00:48:35,840
Speaker 1: why are you trying to sell sell me on the

947
00:48:35,880 --> 00:48:38,960
Speaker 1: idea of living in this attic? Guess says she talked

948
00:48:38,960 --> 00:48:41,120
Speaker 1: to Danny about living in the attic and he thinks

949
00:48:41,120 --> 00:48:42,040
Speaker 1: it's a great idea.

950
00:48:42,760 --> 00:48:46,760
Speaker 2: What I just think that's a great. I'm like just joking.

951
00:48:46,840 --> 00:48:48,400
Speaker 3: I mean, I know we have to all live in

952
00:48:48,440 --> 00:48:50,640
Speaker 3: the house and it's the thing, but like, I just

953
00:48:50,719 --> 00:48:51,480
Speaker 3: can't imagine that.

954
00:48:51,600 --> 00:48:55,759
Speaker 1: Danny goes, you know what's a great idea is you guys, Yeah,

955
00:48:55,840 --> 00:48:56,480
Speaker 1: let's all live.

956
00:48:56,880 --> 00:48:58,759
Speaker 3: But but you know what, then there would be no show.

957
00:48:59,320 --> 00:49:02,279
Speaker 3: And it's the love of this family is what unites them.

958
00:49:02,360 --> 00:49:07,279
Speaker 1: You have to stay in the full house bubble to believe. Yeah.

959
00:49:07,400 --> 00:49:09,440
Speaker 2: Yeah, it's the only place where the magic works.

960
00:49:09,520 --> 00:49:14,200
Speaker 1: So it's the only place. Yep. Jesse claims. This is nuts.

961
00:49:14,880 --> 00:49:17,320
Speaker 1: This is the one scene I was in the series

962
00:49:17,800 --> 00:49:19,800
Speaker 1: where we agree with Jesse. Finally.

963
00:49:19,800 --> 00:49:22,760
Speaker 3: I was like, and now you make sense all this time,

964
00:49:23,160 --> 00:49:24,520
Speaker 3: Now you finally make sense.

965
00:49:25,320 --> 00:49:28,040
Speaker 1: Becky's the one that's off her rocker, right and Jesse's

966
00:49:28,080 --> 00:49:31,560
Speaker 1: the reasonable one. Yeah, what universe are we living in

967
00:49:31,640 --> 00:49:32,359
Speaker 1: right now? Well?

968
00:49:32,800 --> 00:49:35,759
Speaker 3: You know, I thought, I was like, well, Becky, you know,

969
00:49:35,760 --> 00:49:38,239
Speaker 3: he grew up in Nebraska. This now, but I was like, no, no,

970
00:49:38,480 --> 00:49:42,000
Speaker 3: let's not forget Nedra. Oh now imagine her living in

971
00:49:42,040 --> 00:49:42,440
Speaker 3: an attic.

972
00:49:42,800 --> 00:49:43,720
Speaker 1: Yeah that's true.

973
00:49:43,880 --> 00:49:44,080
Speaker 3: Yep.

974
00:49:45,480 --> 00:49:48,040
Speaker 1: So Jesse he says, look, we're a married couple. We

975
00:49:48,040 --> 00:49:50,759
Speaker 1: should have a place of our own. He says he

976
00:49:50,800 --> 00:49:53,480
Speaker 1: could never ask Becky to make that kind of sacrifice

977
00:49:53,560 --> 00:49:58,240
Speaker 1: just because he misses his family. Yes, thank you. Becky

978
00:49:58,280 --> 00:50:01,640
Speaker 1: replies that they are her fanamily too, and she loves them.

979
00:50:02,600 --> 00:50:07,200
Speaker 1: Jesse asks are you sure, and Becky insists. Jesse agrees,

980
00:50:07,480 --> 00:50:09,759
Speaker 1: and Becky calls for the family to get up here.

981
00:50:10,040 --> 00:50:14,239
Speaker 1: He went for it. So she's been conniving with the

982
00:50:14,400 --> 00:50:15,200
Speaker 1: entire family.

983
00:50:15,400 --> 00:50:17,680
Speaker 3: Yeah, the entire family has been waiting in it. Because

984
00:50:17,719 --> 00:50:19,480
Speaker 3: I was like, why do we see them all waiting?

985
00:50:19,680 --> 00:50:21,920
Speaker 3: Like what? I was like, they should have scooted back,

986
00:50:21,920 --> 00:50:23,279
Speaker 3: And then I was like, oh no, the joke is

987
00:50:23,280 --> 00:50:27,200
Speaker 3: supposed to be that they were just waiting right there, yeah,

988
00:50:27,239 --> 00:50:29,960
Speaker 3: to come in and do it, which would have been

989
00:50:30,000 --> 00:50:32,520
Speaker 3: really disappointing if Jesse, if it turned into an argument,

990
00:50:32,600 --> 00:50:33,640
Speaker 3: you know that awkward?

991
00:50:33,680 --> 00:50:36,680
Speaker 1: Oh yeah, would have been super awkward. Family's there listening in.

992
00:50:37,320 --> 00:50:39,279
Speaker 1: Jess is like, what's wrong. You're out of your mind.

993
00:50:39,280 --> 00:50:40,080
Speaker 1: I can't wait to get.

994
00:50:39,960 --> 00:50:45,839
Speaker 3: Away from this family, and they're like, yeah, exit stage right.

995
00:50:45,920 --> 00:50:47,959
Speaker 2: Yeah yeah, yeah, it would be really bad.

996
00:50:48,360 --> 00:50:53,360
Speaker 1: Oh yeah. So the family, the entire family of the

997
00:50:53,360 --> 00:50:57,120
Speaker 1: full House, runs in wearing pajamas and they dogpile on Jesse.

998
00:50:57,520 --> 00:51:02,480
Speaker 1: Michelle proclaims start the pajama part. Jesse wonders about all

999
00:51:02,520 --> 00:51:05,720
Speaker 1: of the recording equipment taking up space in this thirteen

1000
00:51:05,840 --> 00:51:08,799
Speaker 1: hundred square foot attic. Right, Joey says he's got it

1001
00:51:08,840 --> 00:51:09,600
Speaker 1: all figured out.

1002
00:51:09,760 --> 00:51:13,959
Speaker 3: They're gonna build a studio in the backyard. There's gonna

1003
00:51:14,000 --> 00:51:17,640
Speaker 3: addition another level onto the house, have a fourth level.

1004
00:51:17,640 --> 00:51:20,239
Speaker 3: What are we doing? I can only imagine.

1005
00:51:21,960 --> 00:51:25,000
Speaker 1: So Joey says he's gonna move into Jesse's room, the

1006
00:51:25,040 --> 00:51:27,640
Speaker 1: recording equipment is going to move to the basement, and

1007
00:51:27,680 --> 00:51:32,120
Speaker 1: Stephanie is going to move back in with Stephanie gleefully

1008
00:51:32,120 --> 00:51:33,400
Speaker 1: looks to DJ and says.

1009
00:51:33,160 --> 00:51:37,920
Speaker 3: Honey, I'm where steph just isn't gonna she I mean

1010
00:51:38,000 --> 00:51:39,000
Speaker 3: she wanted to be back in.

1011
00:51:38,960 --> 00:51:42,360
Speaker 1: With her, so she did, but she'd shuffled around, moved

1012
00:51:42,880 --> 00:51:46,600
Speaker 1: I get it, uh DJ. She starts to whine about this,

1013
00:51:46,840 --> 00:51:49,239
Speaker 1: but she makes a quick turn and admits that it's

1014
00:51:49,280 --> 00:51:55,000
Speaker 1: worth it to have Jess and Jesse and uncle What

1015
00:51:55,120 --> 00:51:58,880
Speaker 1: is wrong with my brain? Jesse and Uncle Becky, Jesse

1016
00:51:58,960 --> 00:52:02,399
Speaker 1: and Uncle Becky. It's worth it to have Aunt Jesse

1017
00:52:02,520 --> 00:52:06,439
Speaker 1: and Uncle Becky. Here, Danny pulls out the framed pink

1018
00:52:06,480 --> 00:52:10,640
Speaker 1: bunny and asks Michelle to do the honors. Oh this

1019
00:52:10,719 --> 00:52:12,640
Speaker 1: is I can just see you see thee. I can

1020
00:52:12,640 --> 00:52:14,160
Speaker 1: see you see thee.

1021
00:52:14,200 --> 00:52:16,480
Speaker 3: I gave them some side there. There's definitely some side eye.

1022
00:52:16,480 --> 00:52:17,920
Speaker 3: I mean, I don't know, but I looked on I

1023
00:52:18,600 --> 00:52:20,719
Speaker 3: literally looked at my face and I was like, what

1024
00:52:20,760 --> 00:52:23,120
Speaker 3: do I feel? And I think there was a little resentment.

1025
00:52:23,360 --> 00:52:29,120
Speaker 1: Yeah, there it is. Michelle says it would be my pleasure,

1026
00:52:29,239 --> 00:52:32,120
Speaker 1: and she hangs the bunny on the wall. She announces

1027
00:52:32,200 --> 00:52:36,719
Speaker 1: Uncle Jesse, welcome home. She runs back to Jesse and proclaims,

1028
00:52:36,800 --> 00:52:39,920
Speaker 1: hit it, boys, and everyone breaks out into the Teddy

1029
00:52:39,960 --> 00:52:42,280
Speaker 1: Bear song. And that is our show.

1030
00:52:44,120 --> 00:52:47,240
Speaker 2: Won't do that maybe, Oh mama, mama, oh boy.

1031
00:52:47,440 --> 00:52:49,759
Speaker 1: Wow. So what are your thoughts? What are your thoughts? Like,

1032
00:52:50,520 --> 00:52:52,840
Speaker 1: how much did you love or hate this episode?

1033
00:52:53,680 --> 00:52:57,480
Speaker 3: It's I think it's a little of both, Like it's

1034
00:52:57,520 --> 00:53:01,239
Speaker 3: it's the it's the ridiculous sort of plot twist of

1035
00:53:01,320 --> 00:53:05,000
Speaker 3: the of like the newlywed couple moving in is is

1036
00:53:05,040 --> 00:53:08,040
Speaker 3: both silly and heartwarming, you know what I mean? Which

1037
00:53:08,200 --> 00:53:11,840
Speaker 3: is I think basically the logline for full House.

1038
00:53:12,840 --> 00:53:15,759
Speaker 2: Yes, both silly and heartwarming, you know.

1039
00:53:15,800 --> 00:53:18,480
Speaker 3: And that's so like it's such a full house moment.

1040
00:53:18,560 --> 00:53:21,200
Speaker 3: That's just it is what it is, and I and

1041
00:53:21,239 --> 00:53:23,200
Speaker 3: I love it, but it's it is just the thing

1042
00:53:23,239 --> 00:53:25,960
Speaker 3: that I make fun of because that's what I do and.

1043
00:53:25,800 --> 00:53:28,040
Speaker 1: I that's what you do with things. But part of

1044
00:53:28,080 --> 00:53:29,200
Speaker 1: your brand. Yes, yeah it is.

1045
00:53:29,239 --> 00:53:32,759
Speaker 3: I get it's it's an iconic episode in like the

1046
00:53:32,800 --> 00:53:37,759
Speaker 3: wedding iconic episode, which is also even more ridiculous, but

1047
00:53:38,000 --> 00:53:39,480
Speaker 3: because of that, it is iconic.

1048
00:53:39,520 --> 00:53:41,960
Speaker 2: So I think this sort of is in that.

1049
00:53:43,480 --> 00:53:49,919
Speaker 1: Vein. It's definitely iconic memorable. Going into this episode, I

1050
00:53:49,920 --> 00:53:54,720
Speaker 1: I remembered thinking that Michelle was very manipulative in getting

1051
00:53:54,800 --> 00:53:57,240
Speaker 1: Jesse to stay, But now that I've rewatched the episode,

1052
00:53:57,280 --> 00:53:59,799
Speaker 1: I'm like, no, I think she was just confused, and

1053
00:54:00,080 --> 00:54:03,080
Speaker 1: as a four year old would be. It's kind of

1054
00:54:03,120 --> 00:54:06,600
Speaker 1: like Jesse was surprisingly more emotional than I was expecting

1055
00:54:06,600 --> 00:54:08,560
Speaker 1: because he's tried to leave the house every season.

1056
00:54:08,680 --> 00:54:10,920
Speaker 3: That's what I was like, all of a sudden, now, bro'

1057
00:54:11,200 --> 00:54:15,440
Speaker 3: been trying to leave every sixteen episodes, right now, Well

1058
00:54:15,480 --> 00:54:17,239
Speaker 3: that's the thing. You know, he's got an emotion to

1059
00:54:17,280 --> 00:54:20,320
Speaker 3: what she got till it's gone. Yeah, as so Jeffny

1060
00:54:20,360 --> 00:54:21,160
Speaker 3: Mitchell said.

1061
00:54:21,239 --> 00:54:24,560
Speaker 1: Yeahs as ridiculous as it is, I don't blame Michelle

1062
00:54:24,600 --> 00:54:27,000
Speaker 1: for this, I kind of blame Becky.

1063
00:54:26,960 --> 00:54:32,000
Speaker 3: Like Becky's really what everything is switched? What upside down

1064
00:54:32,239 --> 00:54:37,000
Speaker 3: land are living in? Where like Jesse has a good point, Becky,

1065
00:54:37,080 --> 00:54:38,160
Speaker 3: what are you thinking?

1066
00:54:38,719 --> 00:54:41,880
Speaker 1: Like Freaky Friday? Yeah, this is wild and I.

1067
00:54:42,520 --> 00:54:45,400
Speaker 3: Do Friday also starring Lindsay Lohan, who did the remake

1068
00:54:45,400 --> 00:54:46,160
Speaker 3: of Herbie the love Bug.

1069
00:54:46,239 --> 00:54:52,080
Speaker 1: Sorry, just all comes, it all comes yep. And I've

1070
00:54:52,080 --> 00:54:54,880
Speaker 1: mentioned on the show before how Jeff always talked about

1071
00:54:54,920 --> 00:54:57,919
Speaker 1: how hard it was coming up with excuses for why

1072
00:54:58,000 --> 00:54:59,799
Speaker 1: characters are in the full House if they don't live

1073
00:54:59,800 --> 00:55:02,319
Speaker 1: in the full house. So the house that size, you'd

1074
00:55:02,320 --> 00:55:03,720
Speaker 1: hardly see everybody.

1075
00:55:05,719 --> 00:55:10,120
Speaker 3: Code keep in mind, keep in mind that that would probably.

1076
00:55:09,640 --> 00:55:12,280
Speaker 2: Be about the size of Jeff's actual house.

1077
00:55:12,719 --> 00:55:16,080
Speaker 1: Yeah, oh my gosh, rights maxive about it.

1078
00:55:16,239 --> 00:55:19,080
Speaker 3: You could have fifteen people living in that house and

1079
00:55:19,080 --> 00:55:21,200
Speaker 3: and Michelle would still be left alone all the time,

1080
00:55:21,400 --> 00:55:22,680
Speaker 3: so you'd never.

1081
00:55:22,520 --> 00:55:24,759
Speaker 1: See her, you'd never better behind her. Yeah, you have

1082
00:55:24,840 --> 00:55:26,840
Speaker 1: to get the little air tags and put them on,

1083
00:55:27,000 --> 00:55:30,879
Speaker 1: because it could always be lost. True. Yeah, no, this

1084
00:55:30,880 --> 00:55:32,719
Speaker 1: this did tug at my heart strings a little bit.

1085
00:55:32,760 --> 00:55:36,479
Speaker 1: The flashback scene to the pilot was especially well done

1086
00:55:36,520 --> 00:55:40,640
Speaker 1: well timed, and yeah, addition to this episode, I got

1087
00:55:40,640 --> 00:55:44,000
Speaker 1: a little wistful, a little a little emotional, and.

1088
00:55:43,920 --> 00:55:47,279
Speaker 3: It made me I don't know, it was uh, I

1089
00:55:47,280 --> 00:55:51,560
Speaker 3: think because we hadn't seen the pilot since we watched it,

1090
00:55:51,640 --> 00:55:53,759
Speaker 3: you know, for this a few seasons ago, and it

1091
00:55:53,880 --> 00:55:56,880
Speaker 3: just it hit if the Bob thing hit, you know,

1092
00:55:56,960 --> 00:56:00,000
Speaker 3: because he was just so young, and it was like, remember,

1093
00:56:00,120 --> 00:56:01,839
Speaker 3: bring that we've known him that long.

1094
00:56:02,080 --> 00:56:05,279
Speaker 1: You know, this must be how the Fanarito's feel when

1095
00:56:05,280 --> 00:56:08,400
Speaker 1: they rewatch Full House again. Yeah, you know again. I'm like,

1096
00:56:08,400 --> 00:56:10,480
Speaker 1: oh that, I guess it must be why they love

1097
00:56:10,520 --> 00:56:12,839
Speaker 1: this show, because you watch it again, you experience these

1098
00:56:12,840 --> 00:56:14,879
Speaker 1: feelings again, Like I feel like I'm becoming a fan

1099
00:56:14,960 --> 00:56:15,279
Speaker 1: of Rito.

1100
00:56:15,600 --> 00:56:15,839
Speaker 2: Yeah.

1101
00:56:15,920 --> 00:56:17,600
Speaker 1: The more get into that show.

1102
00:56:17,719 --> 00:56:20,160
Speaker 3: Yeah, I'll go off on a tangent a whole other

1103
00:56:20,239 --> 00:56:25,759
Speaker 3: time about uh what There's a whole word in like

1104
00:56:25,880 --> 00:56:30,760
Speaker 3: English literature for basically what this is, which is always.

1105
00:56:32,600 --> 00:56:34,600
Speaker 2: A problem without any steaks.

1106
00:56:34,719 --> 00:56:35,080
Speaker 1: What is it?

1107
00:56:35,120 --> 00:56:37,640
Speaker 3: I forget what it's called, but it's like some weird

1108
00:56:37,680 --> 00:56:41,919
Speaker 3: Latin term, but it basically like it's sitcoms. So many

1109
00:56:41,960 --> 00:56:45,560
Speaker 3: stories are like, you know, kids shows are kind of

1110
00:56:45,600 --> 00:56:49,719
Speaker 3: a problem. But the steaks are not like or death like,

1111
00:56:49,760 --> 00:56:52,680
Speaker 3: and they're going and they're going to get solved perfectly

1112
00:56:52,800 --> 00:56:53,799
Speaker 3: in a short amount of time.

1113
00:56:53,880 --> 00:56:58,080
Speaker 1: Yeah, that's the definition of a sitcom. Yeah, yeah, it was.

1114
00:56:58,360 --> 00:56:58,879
Speaker 1: It was great.

1115
00:56:59,160 --> 00:57:02,360
Speaker 2: Did you did you have any everywhere he looks?

1116
00:57:02,640 --> 00:57:02,759
Speaker 3: No?

1117
00:57:02,840 --> 00:57:04,759
Speaker 1: I didn't even think about the everywhere he looks. I

1118
00:57:04,800 --> 00:57:07,480
Speaker 1: wasn't looking at fashion or anything else, apparently. So what

1119
00:57:07,480 --> 00:57:08,839
Speaker 1: were yours? You said you have many?

1120
00:57:09,360 --> 00:57:12,399
Speaker 3: Yeck's many that I sort of. They weren't everywhere it looks.

1121
00:57:12,400 --> 00:57:15,320
Speaker 3: They were just kind of the things that matching silk pajamas.

1122
00:57:15,360 --> 00:57:18,280
Speaker 3: I had three exclamation parks marks written down here and

1123
00:57:18,360 --> 00:57:21,880
Speaker 3: also thirteen hundred square feet I had question mark, exclamation mark,

1124
00:57:21,960 --> 00:57:23,560
Speaker 3: question mark, exclamation mark.

1125
00:57:23,440 --> 00:57:25,120
Speaker 1: Question mark three of us.

1126
00:57:25,480 --> 00:57:30,120
Speaker 3: Yeah, that's a lot because I was at the time

1127
00:57:30,640 --> 00:57:34,919
Speaker 3: had such a reaction out loud by myself watching it,

1128
00:57:35,000 --> 00:57:37,080
Speaker 3: but very much the same here where I went what

1129
00:57:38,080 --> 00:57:39,240
Speaker 3: that I had to write it down?

1130
00:57:39,640 --> 00:57:42,800
Speaker 1: Oh with that much punctuation. See, this is the only

1131
00:57:42,840 --> 00:57:45,120
Speaker 1: thing I regret about this podcast is I can't watch

1132
00:57:45,200 --> 00:57:48,920
Speaker 1: these episodes with you and experience your reactions in rewriting

1133
00:57:49,600 --> 00:57:50,360
Speaker 1: would be there.

1134
00:57:50,640 --> 00:57:54,080
Speaker 3: We should Mystery Science Theater at some time, where like

1135
00:57:54,160 --> 00:57:57,200
Speaker 3: we watch it together and it's like a react video.

1136
00:57:57,520 --> 00:57:59,680
Speaker 1: Oh yeah, we should do that. That would be funny.

1137
00:58:00,280 --> 00:58:03,200
Speaker 3: Let's find like a really ridiculous episode maybe and we

1138
00:58:03,320 --> 00:58:07,840
Speaker 3: can be hard right, close your eyes and pick one.

1139
00:58:08,920 --> 00:58:11,160
Speaker 3: But yeah, I feel like that might be fun. Is

1140
00:58:11,200 --> 00:58:13,040
Speaker 3: to get our reactions watching it together.

1141
00:58:13,240 --> 00:58:15,800
Speaker 1: Oh yeah, okay, we'll add that to the list.

1142
00:58:16,040 --> 00:58:18,480
Speaker 3: And it's to the list of ideas of things that

1143
00:58:18,520 --> 00:58:20,520
Speaker 3: we randomly come up with mid show.

1144
00:58:20,880 --> 00:58:22,360
Speaker 1: This is what we do. This is how we come

1145
00:58:22,440 --> 00:58:24,600
Speaker 1: up with most of our minisotes. Well, it's Maddy first

1146
00:58:24,600 --> 00:58:26,800
Speaker 1: of all, and then and then we're like, hey, should

1147
00:58:26,840 --> 00:58:29,600
Speaker 1: we do this? Yeah, Mattie takes a note and it'll happen.

1148
00:58:30,040 --> 00:58:32,760
Speaker 3: So the one everywhere you look that people are gonna

1149
00:58:32,760 --> 00:58:38,560
Speaker 3: find really funny is uh. Hanging on Becky's wall is

1150
00:58:38,600 --> 00:58:42,920
Speaker 3: a photograph and it's kind of right behind Jesse and

1151
00:58:42,960 --> 00:58:44,720
Speaker 3: Becky when they're talking. You'll see it on the wall.

1152
00:58:44,800 --> 00:58:47,160
Speaker 3: It's small, it's like four by six. It's a little

1153
00:58:47,280 --> 00:58:49,560
Speaker 3: kid draped in a towel.

1154
00:58:50,440 --> 00:58:53,000
Speaker 1: Huh, it's me one.

1155
00:58:53,080 --> 00:58:57,880
Speaker 3: That photo is on the mantle, as are a couple

1156
00:58:58,000 --> 00:59:01,400
Speaker 3: other photos that are in Becky's but they're always at

1157
00:59:01,440 --> 00:59:03,520
Speaker 3: a distance so you don't see the faces and you

1158
00:59:03,520 --> 00:59:06,520
Speaker 3: don't really see it, but they used it in Yeah,

1159
00:59:06,560 --> 00:59:07,240
Speaker 3: so I was like.

1160
00:59:07,480 --> 00:59:10,160
Speaker 1: I know that picture that's me. I was like, weird,

1161
00:59:10,280 --> 00:59:11,360
Speaker 1: it's usually on the mantle.

1162
00:59:11,480 --> 00:59:16,240
Speaker 3: Yeah, it has a like a childhood photo of Stephanie

1163
00:59:16,240 --> 00:59:19,560
Speaker 3: from right out of the bath, which she I don't know.

1164
00:59:19,640 --> 00:59:21,560
Speaker 2: I mean, she's moving into the attic, what do I know?

1165
00:59:21,680 --> 00:59:22,920
Speaker 2: And she loves his family.

1166
00:59:22,960 --> 00:59:26,200
Speaker 1: So this this gives me a whole new look at Becky,

1167
00:59:26,320 --> 00:59:29,120
Speaker 1: like why does she have pictures of Stephanie fresh out?

1168
00:59:29,200 --> 00:59:31,240
Speaker 3: Yeah. I think it was just like just put something

1169
00:59:31,240 --> 00:59:33,680
Speaker 3: on the wall and they didn't have.

1170
00:59:33,880 --> 00:59:36,440
Speaker 1: Pictures of any other anavants, so they just did that.

1171
00:59:37,040 --> 00:59:40,760
Speaker 1: Let's reuse grab that picture from the man they blowing.

1172
00:59:40,480 --> 00:59:43,600
Speaker 3: Out of the money on the tomatoes in the last episode,

1173
00:59:43,800 --> 00:59:46,960
Speaker 3: so they're like, set deck, Sorry, you got to reuse

1174
00:59:47,000 --> 00:59:51,840
Speaker 3: some stuff. Speaking of things that are reused, the creepy dolls,

1175
00:59:52,480 --> 00:59:55,240
Speaker 3: there are some of those creepy dolls have also been

1176
00:59:55,280 --> 00:59:58,560
Speaker 3: seen in Stephanie and DJ's room, particularly the.

1177
00:59:58,600 --> 00:59:59,600
Speaker 1: One in the red dress.

1178
01:00:00,200 --> 01:00:03,640
Speaker 3: Oh yeah, there heard some strange dolls there and I

1179
01:00:03,720 --> 01:00:07,240
Speaker 3: and it's it's it's weird, and I don't know, maybe

1180
01:00:08,280 --> 01:00:10,720
Speaker 3: maybe Becky went in and stole them out of the kids.

1181
01:00:10,840 --> 01:00:13,000
Speaker 2: I don't know, but I know I've seen them before.

1182
01:00:13,200 --> 01:00:15,480
Speaker 1: It's set deck. Set deck is like, no, we have

1183
01:00:15,840 --> 01:00:19,520
Speaker 1: thirteen hundred square feet times four to decorate on this

1184
01:00:19,720 --> 01:00:22,840
Speaker 1: on this sounds stage right? How many do we do stuff? Right?

1185
01:00:23,120 --> 01:00:24,840
Speaker 2: Well, I mean really, the house is so big.

1186
01:00:24,880 --> 01:00:27,960
Speaker 3: There's only so many things in the set deck department.

1187
01:00:28,000 --> 01:00:29,840
Speaker 1: You have to reuse it. Yeah, you got all of

1188
01:00:29,880 --> 01:00:30,680
Speaker 1: the props.

1189
01:00:30,320 --> 01:00:31,640
Speaker 2: And set deck at Warner Brothers.

1190
01:00:31,800 --> 01:00:34,440
Speaker 1: I admire them. This is a challenge and they rose

1191
01:00:34,560 --> 01:00:36,600
Speaker 1: to it. So sure, bravo set deck.

1192
01:00:36,920 --> 01:00:39,960
Speaker 3: Yeah, but no, those dolls. I was like, when did

1193
01:00:40,000 --> 01:00:41,200
Speaker 3: Becky get weird?

1194
01:00:42,880 --> 01:00:43,480
Speaker 1: You know what I mean?

1195
01:00:43,560 --> 01:00:45,840
Speaker 2: I was like, what it.

1196
01:00:45,720 --> 01:00:47,240
Speaker 1: Was a weird It was weirdly dark.

1197
01:00:47,440 --> 01:00:49,720
Speaker 2: Yeah, it was weird and like the weird little bunny thing.

1198
01:00:49,800 --> 01:00:53,080
Speaker 1: I was like this, Yeah, I didn't feel like Becky.

1199
01:00:53,200 --> 01:00:55,320
Speaker 1: I understand they were and I didn't feel like Becky.

1200
01:00:55,520 --> 01:00:59,200
Speaker 3: Becky's parents didn't feel like beck Maybe maybe he's not Becky.

1201
01:00:59,560 --> 01:01:03,080
Speaker 1: It's like some strange body snatcher homes. Yeah, no, this

1202
01:01:03,160 --> 01:01:07,120
Speaker 1: is that Becky has been unrecognizable in this episode, last episode.

1203
01:01:07,120 --> 01:01:10,800
Speaker 1: I don't know who she's become. Hopefully back next next episode,

1204
01:01:10,840 --> 01:01:15,520
Speaker 1: and be back to normal. I highly doubt that she's

1205
01:01:15,600 --> 01:01:17,920
Speaker 1: living in the full house now. So she's so she

1206
01:01:18,040 --> 01:01:18,680
Speaker 1: is under.

1207
01:01:18,560 --> 01:01:20,959
Speaker 3: The magical roof. Anything could happen under the spell.

1208
01:01:21,040 --> 01:01:22,520
Speaker 1: Yep, yes, yep. Uh now.

1209
01:01:22,640 --> 01:01:24,880
Speaker 3: But but all in all, it was a great show.

1210
01:01:25,640 --> 01:01:30,040
Speaker 3: It it was silly, it was fun, it was you know.

1211
01:01:30,920 --> 01:01:33,320
Speaker 1: It was it was great. It was very full house.

1212
01:01:33,480 --> 01:01:36,560
Speaker 1: It was the whole family. The whole family was involved

1213
01:01:36,560 --> 01:01:41,880
Speaker 1: in this storyline which they were thing, yeah, yeah, No.

1214
01:01:42,040 --> 01:01:44,120
Speaker 3: I think it's because I was actually struggling with math

1215
01:01:44,160 --> 01:01:47,600
Speaker 3: at that point. I mean, at that point. Math has

1216
01:01:47,640 --> 01:01:50,800
Speaker 3: never been my strong sude. I've always been a math weenie.

1217
01:01:50,840 --> 01:01:57,680
Speaker 1: What can I say? Yes, yep, that's me. I sent

1218
01:01:57,760 --> 01:02:03,720
Speaker 1: some new merch math a shirt. Oh my god. Oh yes,

1219
01:02:03,800 --> 01:02:06,360
Speaker 1: imagine walking around with a math Weeny shirt. That would

1220
01:02:06,360 --> 01:02:10,160
Speaker 1: be talk about a conversation starter for real.

1221
01:02:11,080 --> 01:02:13,080
Speaker 2: Uh well, I'm writing that down.

1222
01:02:13,520 --> 01:02:20,040
Speaker 1: Hold on, yeah, no, math Weenie math. Yeah. We're nearing

1223
01:02:20,080 --> 01:02:23,440
Speaker 1: the end. People have said season four is their favorite,

1224
01:02:23,960 --> 01:02:26,520
Speaker 1: and I'm waiting, wait now, I.

1225
01:02:26,280 --> 01:02:30,120
Speaker 3: Think I think uh Tomato Country alone.

1226
01:02:30,360 --> 01:02:33,000
Speaker 2: I understand these are pretty iconic episodes.

1227
01:02:33,080 --> 01:02:35,520
Speaker 1: They are they are icon A lot happens like plot wise,

1228
01:02:35,560 --> 01:02:36,320
Speaker 1: a lot happens.

1229
01:02:36,400 --> 01:02:39,080
Speaker 3: Yeah, a lot happens. Jesse and Becky's wedding, moving into

1230
01:02:39,080 --> 01:02:40,920
Speaker 3: the house, all that kind of stuff. Are these are

1231
01:02:40,920 --> 01:02:43,680
Speaker 3: big milestones, which is why we're doing our fun live

1232
01:02:43,720 --> 01:02:46,520
Speaker 3: show which we can't wait. Je fIF you guys at

1233
01:02:46,560 --> 01:02:48,360
Speaker 3: the iHeart Theater and Burbank, We're gonna be doing a

1234
01:02:48,400 --> 01:02:53,800
Speaker 3: live show of Jesse and Becky's thou renewal. The actual

1235
01:02:53,840 --> 01:02:56,200
Speaker 3: Jesse and Becky, Johnstas and Laura Lachlan are coming in

1236
01:02:56,360 --> 01:02:59,440
Speaker 3: to UH to support and come say hello to the

1237
01:02:59,440 --> 01:03:01,320
Speaker 3: fan of Rito's, and there's gonna be so much other fun,

1238
01:03:01,400 --> 01:03:02,080
Speaker 3: ridiculous stuff.

1239
01:03:02,080 --> 01:03:03,280
Speaker 1: I said it at the top of the show, but

1240
01:03:03,320 --> 01:03:04,800
Speaker 1: where you're where your.

1241
01:03:04,680 --> 01:03:06,760
Speaker 2: Wedding best, whatever that means to.

1242
01:03:06,760 --> 01:03:08,840
Speaker 1: You, this ridiculous.

1243
01:03:08,840 --> 01:03:11,600
Speaker 2: To be serious, do whatever you want, this.

1244
01:03:11,960 --> 01:03:13,800
Speaker 1: Once in a lifetime thing. Do you know how hard

1245
01:03:13,800 --> 01:03:15,640
Speaker 1: it was to get John and Lori and their schedules

1246
01:03:15,680 --> 01:03:18,840
Speaker 1: to align for this, Like right, you originally wanted to

1247
01:03:18,880 --> 01:03:23,120
Speaker 1: do this like last week the Life to coordinate with

1248
01:03:23,200 --> 01:03:27,360
Speaker 1: when our wedding episode air. We couldn't get everyone's schedules

1249
01:03:27,360 --> 01:03:30,280
Speaker 1: to align. So this, by the greatest of God, we've

1250
01:03:30,280 --> 01:03:31,520
Speaker 1: got their schedules.

1251
01:03:31,680 --> 01:03:34,520
Speaker 2: And we're so excited, so excited, and.

1252
01:03:36,160 --> 01:03:38,240
Speaker 1: Special guests, special guests we have.

1253
01:03:38,760 --> 01:03:41,040
Speaker 3: We have all kinds of fun stuff, some games.

1254
01:03:40,720 --> 01:03:43,760
Speaker 2: We're gonna it's gonna be fun and as ridiculous as

1255
01:03:43,800 --> 01:03:45,320
Speaker 2: this show always is, except.

1256
01:03:45,080 --> 01:03:47,960
Speaker 3: It will be live, which means many can't take anything out.

1257
01:03:48,040 --> 01:03:53,480
Speaker 3: So uh so, come come get unhinged with us at

1258
01:03:53,600 --> 01:03:54,920
Speaker 3: Jesse and becky'svow renewal.

1259
01:03:54,960 --> 01:03:56,280
Speaker 1: It'd be great. We love it it.

1260
01:03:56,640 --> 01:03:59,200
Speaker 3: Uh and uh yeah, make sure you guys, are you know,

1261
01:03:59,320 --> 01:04:02,120
Speaker 3: liking and subscribing the podcast where you're listening.

1262
01:04:01,840 --> 01:04:04,960
Speaker 2: To it, leave us a review That always helps.

1263
01:04:05,160 --> 01:04:06,640
Speaker 1: Uh Plus we love reading them.

1264
01:04:06,680 --> 01:04:09,200
Speaker 3: It makes us feel good, so you know, help us,

1265
01:04:10,200 --> 01:04:13,200
Speaker 3: help us, help you now I'm just kidding, Well not really,

1266
01:04:13,280 --> 01:04:16,920
Speaker 3: but anyway, uh so do that. And also, if you

1267
01:04:16,960 --> 01:04:19,040
Speaker 3: want to find us on Instagram, we are at how

1268
01:04:19,120 --> 01:04:22,400
Speaker 3: Rude Podcast. You can send us an email at how

1269
01:04:22,560 --> 01:04:26,520
Speaker 3: Rude Tanner Ritos at gmail dot com. Remember you, guys,

1270
01:04:27,280 --> 01:04:32,280
Speaker 3: the world is small. The house is full of math weenies.

1271
01:04:32,600 --> 01:04:37,080
Speaker 3: It's just full of math weenies. Not surprising that there's

1272
01:04:37,160 --> 01:04:40,800
Speaker 3: room for seven people. Well not really, it's thirteen. It's

1273
01:04:40,840 --> 01:04:41,680
Speaker 3: ten thousand square feet.

1274
01:04:43,400 --> 01:04:44,800
Speaker 1: This math we that do you mean?

1275
01:04:44,960 --> 01:04:47,320
Speaker 2: How many math weenies feel ten thousand square feet.

1276
01:04:47,360 --> 01:04:50,520
Speaker 1: I'm just saying this is a new math equation. How

1277
01:04:50,520 --> 01:05:02,280
Speaker 1: many okay, bye bye