Speaker 1: It's taken a while, but I've done it.
Speaker 2: I've connected Boy Meets World with MASH or seven Degrees
Speaker 2: with Kevin bacon'sty No, like it'll be one degree and
Speaker 2: it is now Cannon as far as I'm concerned. Okay,
Speaker 2: So yes, the world, it's they live in the same world,
Speaker 2: and I think the characters or some of them, the
Speaker 2: families have met. So there's a very famous episode of
Speaker 2: MASH called Adam's Ribs. It's arguably one of the most
Speaker 2: famous episodes of MASH. Ever, Yeah, Hawkeye freaks out because
Speaker 2: they've had the same liver fish every day to eat
Speaker 2: for eleven straight days. He starts to go nuts, and
Speaker 2: he starts to have a craving for ribs from a
Speaker 2: very specific place called Adam's Ribs in Chicago. So he
Speaker 2: calls the place in Chicago, he orders the ribs up,
Speaker 2: and now they have to find a way to get.
Speaker 1: The ribs from Chicago to Korea.
Speaker 2: So he's asking everyone in the camp, hey, does anybody
Speaker 2: have an idea of how does anybody know anybody in Chicago?
Speaker 1: Bubba.
Speaker 2: Finally, Trapper John, his best friend there and roommate says
Speaker 2: to him, I dated a woman.
Speaker 1: But it was a one night stand. God, what was
Speaker 1: her name? Mildred, Mildred Feenie, that is who we had.
Speaker 1: And they call Mildred Seieni in Chicago.
Speaker 3: First time you've ever mentioned, no that someone has the
Speaker 3: last name Seene.
Speaker 2: Was double checking to get the numbers right before I
Speaker 2: brought it up mirror well because the years it's nineteen
Speaker 2: fifty one, okay, fifty yeah, supposed to be fifty one
Speaker 2: at this.
Speaker 1: Point of the need.
Speaker 2: So Phoene is so, I'm thinking it's missed our George
Speaker 2: Feene's sister who's from Chicago. So I think Trapper John
Speaker 2: from Mash actually slept with george sister. Boy meets World
Speaker 2: and Mash Same World unconnected.
Speaker 4: Wow, okay, right, will right.
Speaker 3: This was big for me, so I love my One
Speaker 3: of my favorite moments of doing this podcast is when
Speaker 3: I realize how much free time Will has, you know.
Speaker 4: Astounded, and he's like, how many miles am I going
Speaker 4: to walk.
Speaker 5: I'm going to have to do today?
Speaker 2: Do you want me to walk through my day like
Speaker 2: an average day? How many I wake up at? I
Speaker 2: wake up at seven thirty in the morning and I
Speaker 2: lie in bed time for at least forty five minutes
Speaker 2: looking at my phone doing word all connections framed.
Speaker 5: Gosh, you're not out of bed until eight fifteen.
Speaker 1: About eight fifteen.
Speaker 2: Then I get my what depends I'm gonna say, this
Speaker 2: is a non podcast day?
Speaker 5: Okay?
Speaker 2: So then I get my dog dressed up and I
Speaker 2: put on am I the asshole?
Speaker 6: Or my Does your dog refuse to put his shoes on?
Speaker 5: And no?
Speaker 6: Like I cry a little before?
Speaker 1: Now, No, she loves it, she says, your dog out
Speaker 1: of shoes.
Speaker 6: You have to pack your dog at lunch? No, make
Speaker 6: sure that okay, No, it's all about me about it?
Speaker 6: So dog's done its homework the night before. You have
Speaker 6: to make sure home.
Speaker 5: Your dog wake up in a grumpy mood.
Speaker 3: Sometimes make you while you're walking at the door.
Speaker 6: Oh wait, I actually have to poop.
Speaker 4: You know, you're twenty minutes late for school.
Speaker 1: Nog.
Speaker 6: Dog doesn't do that.
Speaker 2: Every time I open my eyes in the morning, the
Speaker 2: first thing I hear is a song, good morning, good morning,
Speaker 2: good And I go and the bed magically moves and
Speaker 2: makes itself. It is a magical world. Then I then
Speaker 2: walk my dog while listening to podcasts or something I'll
Speaker 2: enjoy for a good forty five minutes to an hour,
Speaker 2: and then I come back and I do my better
Speaker 2: me for a half hour, which is my my and
Speaker 2: then I do forty five minutes to an hour of
Speaker 2: cardio of either running or the elliptical. I then take
Speaker 2: a nice long shower while reading my Yeah, I taketics walk.
Speaker 5: This mostly for the by noon.
Speaker 2: So my goal and I hit it is by noon
Speaker 2: every day I have at least eleven thousand steps. Wow.
Speaker 1: So then after that, I eat my lunch and then
Speaker 1: I nap and.
Speaker 5: I work out all morning.
Speaker 2: I eat, I nap, and then I get up and
Speaker 2: I walk the dog again, and then I come back
Speaker 2: and I trink it morning all over it I do.
Speaker 2: I do another cardio session of either elliptical, and then
Speaker 2: three days a week I have a personal trainer for
Speaker 2: weight and then uh, I have dinner, I watch whatever
Speaker 2: television show I want to watch. I'll maybe sipping an
Speaker 2: adult beverage, and then I go back to sleep.
Speaker 1: And then the next day I do it again.
Speaker 2: And that's the joy or I pot you know, like
Speaker 2: on these mornings, I'll push everything. So I'll do that
Speaker 2: same day, but starting at noon because we podcast from now,
Speaker 2: so I literally get out of bed and come into
Speaker 2: my room and podcast, and then my other days I
Speaker 2: do Magical. We want to start at eleven, so I
Speaker 2: could do most of my stuff in the morning before.
Speaker 1: Magical, and that's my day. It's similar to your days,
Speaker 1: am I right? With your children?
Speaker 6: It's kind of the same.
Speaker 5: Yeah, yeah, yeah, there you go.
Speaker 1: So Mash and Boy mets World connected. That's what I'm saying.
Speaker 3: Yeah, it's beautiful, So thank you for sharing that with us.
Speaker 3: I'm actually very excited.
Speaker 5: I uh but that is veryful.
Speaker 6: In the same snow globe, which is part of some
Speaker 6: dream of a child, isn't that like same elsewhere?
Speaker 1: How that the dream of the child? You're that's uh
Speaker 1: oh God, come on.
Speaker 6: With same elsewhere.
Speaker 1: Wasn't it New Heart, New Heart?
Speaker 2: No?
Speaker 1: New Heart was waking up in the bed?
Speaker 2: They woke up in the bed next to each other
Speaker 2: and New Heart and he was next to his wife
Speaker 2: from his original show and owning the everything.
Speaker 1: No, the snow globe was damn it. I can't remember
Speaker 1: the snow glow. Was it Saint elsewere it might be else? Okay,
Speaker 1: there you go. Then yes, we're all in.
Speaker 4: Which I've never seen a single episode of sant elsewere me.
Speaker 1: I've only seen one or two back in the day.
Speaker 1: They're great. I mean that was like the er back
Speaker 1: in the day was Saint Elsewhere.
Speaker 6: That was like the show.
Speaker 1: But there you go.
Speaker 5: Welcome to Pond Mets World.
Speaker 1: I'm Daniel Fisher, I'm Rider Strong, and I am so
Speaker 1: well rested. I'm Wilford.
Speaker 5: Welcome to season six, episode two.
Speaker 3: It is her answer Part two changing names.
Speaker 1: It doesn't make any sense.
Speaker 6: Just change the name.
Speaker 3: Nobody pays attention to those anyway. It originally aired October
Speaker 3: nineteen ninety eight. This synopsis when Tabanga finds that she
Speaker 3: can't say I do at the altar. Things get worse
Speaker 3: as Amy gets angry and Eric tries to stop mister
Speaker 3: Feeney's retirement. It was directed by David Kendall. It was
Speaker 3: written by Matthew Nelson. And before I jump into our
Speaker 3: guest stars, which are the same two as last week.
Speaker 3: Uh did what are your overall thoughts of this episode?
Speaker 5: Did you like it more than the first one?
Speaker 2: No?
Speaker 5: Okay, I did not like it. Okay, well any more okay,
Speaker 5: I did not.
Speaker 1: Like the second one.
Speaker 2: I loved seeing Betsy and Rusty act together, having stuff
Speaker 2: to do and how good Betsy is when you give
Speaker 2: her an actual storyline and so stuff her act the
Speaker 2: action actually acting, and the two of them together was
Speaker 2: a wonderful thing.
Speaker 1: See.
Speaker 2: I hated Tapanga in this episode, really, I absolutely did.
Speaker 1: I and we'll get into it.
Speaker 7: I I did not like to Pange at all, who
Speaker 7: was a very different person than our friend who was
Speaker 7: hosting the show with us, many totally different prace.
Speaker 6: You just don't I do not like.
Speaker 2: Yeah, exact no, I did not like. Yeah. And of
Speaker 2: course now the Eric stuff is just everything's joke.
Speaker 1: There's no there's no quiet. There's no it's just.
Speaker 6: There's no quiet. It's a good way to.
Speaker 1: All the time.
Speaker 6: But you must have been enjoying this, Yeah, of course,
Speaker 6: I feel like I will back then was like cool,
Speaker 6: this is great. It wasn't until later that you probably
Speaker 6: started getting annoyed with how well now?
Speaker 1: I mean then I was it was fine all.
Speaker 6: The way through season, But you said that.
Speaker 2: The lottery and stuff like that, it gets it gets
Speaker 2: so crazy but and not crazy fun like plays with
Speaker 2: girls crazy fun, but just like what the hell is this?
Speaker 2: But yeah, this is we're now officially to peak crazy.
Speaker 2: And because Matt and I were were peak Matt and
Speaker 2: I like, we're having a ton of fun together. But
Speaker 2: it's just it's like it's just rough and I feel
Speaker 2: just feel bad every time Maitland's on screen. I feel
Speaker 2: bad for her because it's like, Wow, they've given you
Speaker 2: nothing and you're like a weird sex object.
Speaker 1: And yes it was this way, and it.
Speaker 6: Really doesn't connect with the a story doesn't trying to
Speaker 6: think there's no like nothing which nothing. You know, Boyman's
Speaker 6: world used to always have that nice integration, you know,
Speaker 6: even if it took a little a second for you
Speaker 6: to figure it out, But like in this case, I
Speaker 6: really it just feels like completely.
Speaker 3: You look at it, like Corey and Topanga have an
Speaker 3: evolution of their relationship, they go from a couple to
Speaker 3: an engaged couple to possibly a married couple.
Speaker 5: I'm like, I guess if you looked at it like.
Speaker 3: Oh, and then these three roommates are going to evolve
Speaker 3: their relationship from potential date.
Speaker 5: I mean, I guess if you want to real blanket
Speaker 5: it like that.
Speaker 6: Yeah, I mean I like me too. I like she
Speaker 6: also is like sort of a Topanga who chose to
Speaker 6: be single, like and that could have been you know,
Speaker 6: if she could have done Yale. She's supposed to be
Speaker 6: a scholarship to ye know, she's supposed to be very smart,
Speaker 6: which is not playing into the storyline or the character
Speaker 6: at all anymore. They're not writing to that one iota.
Speaker 6: But that actually could have been great if she's like
Speaker 6: this independent woman who comes in and is like, I
Speaker 6: don't want to be a relationship. I'm all about my
Speaker 6: career or all about my own intellectual life. You know,
Speaker 6: she could have been the anti topanga in that way,
Speaker 6: or like an alternative to panga. Yeah, they just don't know.
Speaker 6: There's not anything.
Speaker 1: It's all one going to take a bath, like, okay,
Speaker 1: gonna be a.
Speaker 5: Different short rope, different short.
Speaker 1: Rope, come on. So yeah, it's it's it's not great
Speaker 1: one for me. How about you? Did you like it, Danielle?
Speaker 5: I liked it more than I liked the first one?
Speaker 3: Oh really, really, Yeah, I liked it more than I
Speaker 3: liked the first one.
Speaker 5: I thought it was so funny that we fell for it.
Speaker 3: We fell for it, guys, we didn't remember that the
Speaker 3: outcome of it ends up being that we're gonna be
Speaker 3: engaged and just wait, which is why, which is.
Speaker 6: Why they had to save it. I mean, I mentioned
Speaker 6: when we were talking about the episode, is like, because
Speaker 6: if they offered that, you just take it. It's such
Speaker 6: an obvious answer to both for all the problems. So
Speaker 6: they have to like not bring it up because if
Speaker 6: anybody brought it up, everybody would.
Speaker 5: Be everybody like, yeah, that's a good idea, just right.
Speaker 6: It's too logical, it's too rational.
Speaker 3: So I did think that was funny because like the
Speaker 3: end of the episode ended, and I was like, there's
Speaker 3: this whole thing of like, so, what did you decide?
Speaker 5: I'm sitting on my couch going, come on, what did
Speaker 5: you decide? And then it's.
Speaker 3: Revealed that what we decided is we're engaged, but we're
Speaker 3: not rushing into anything.
Speaker 5: We'll let you know when we're ready.
Speaker 3: And I was like, Oh, I understand why they needed
Speaker 3: to have these two episodes to kind of one of
Speaker 3: the points, I think being to show that they are
Speaker 3: mature enough.
Speaker 1: To maybe make their own decisions, make their own.
Speaker 5: Decisions, because they don't do this.
Speaker 3: They even if they react, they don't follow through on
Speaker 3: the reaction, they don't end up getting married. They're measured.
Speaker 3: They make this decision, and so I get it.
Speaker 5: Uh, yeah, I liked.
Speaker 3: I certainly liked it more than art one I did
Speaker 3: not love. I loved the Amy Allen storyline. Like you said,
Speaker 3: will love their acting, love all of that. I do not,
Speaker 3: in any way, shape or form love this idea that
Speaker 3: Amy is jealous of Topanga because now Topenga is going
Speaker 3: to lay out his clothes and bake for him or
Speaker 3: whatever it is, that that's he's getting mom, and that
Speaker 3: she is jealous of me.
Speaker 6: Now that all of that stuff I think could have
Speaker 6: been played for comedy and would have been fine, but
Speaker 6: it's really played for drama. Like I give you the
Speaker 6: mantle of being his mom, and you're like, that's that's
Speaker 6: probably not something we should all be proud of or expect.
Speaker 6: That's that's let's let's examine Corey needing a mom for
Speaker 6: a moment. Maybe he is a little too young to
Speaker 6: get married, if he's wanted somebody to pick up after him,
Speaker 6: and you know, yes, watch his socks, Like.
Speaker 3: That's I just I think also it's a very male
Speaker 3: interpretation of a woman's feelings. I can totally see there
Speaker 3: being an amount of jealousy when you are the mom
Speaker 3: of an adult man who their whole lives. Boys love
Speaker 3: their moms.
Speaker 5: Mom, mom, mom, mom, mom, and then.
Speaker 3: They become obsessed with girls and now I don't need you, mom,
Speaker 3: I don't need you, and the the all their attention
Speaker 3: goes to this girl, whoever the girlfriend is. I can
Speaker 3: see there being like a you know, there was a
Speaker 3: time where you thought I was the greatest woman in
Speaker 3: the entire world.
Speaker 5: I can see that.
Speaker 3: But that would have happened early on in Corey into
Speaker 3: Pega's relationship.
Speaker 5: It would not have happened.
Speaker 3: It would not happen because now they're going to get
Speaker 3: married and he's going to move out of her house,
Speaker 3: and so that means she to Pega is going to
Speaker 3: lay out his clothes.
Speaker 5: That just like really rubbed me the wrong way.
Speaker 6: Yeah, for me, it doesn't rub me the wrong way.
Speaker 6: As a concept, it's just the self seriousness, like the
Speaker 6: way it's treated like it's this great like it's it's
Speaker 6: actually an emotional thing that she and Topanga need to
Speaker 6: learn and to come to terms with and that they
Speaker 6: need to accept and bridge between the two. Was like,
Speaker 6: whoa like play for a joke, like I'm passing the
Speaker 6: mantle of rain his clothes. That could be funny, like
Speaker 6: I get it, like, because there is some truth to that,
Speaker 6: but not to make it like it's this wonderful thing.
Speaker 6: It's I mean, for me, it's so funny that you
Speaker 6: didn't like to Panga in this will, because like Corey
Speaker 6: just rubbed me like I was like, wait, what happened?
Speaker 6: Like the first episode, clearly he's oscillating between marriage not marriage, right,
Speaker 6: you know, And so for him to be so angry
Speaker 6: and righteous about the whole first half of this episode,
Speaker 6: I was like, dude, on the way here, you were
Speaker 6: freaking out about it. You changed your mind, you know,
Speaker 6: like that was the whole point in the last.
Speaker 4: Episode, and it just didn't you'll, right.
Speaker 2: That's why I like Topega is because it was like
Speaker 2: she was driving it at first, and then it was
Speaker 2: I we're going down the aisle, and then not only
Speaker 2: am I going to say I can't marry you, but
Speaker 2: then I'm.
Speaker 1: Just gonna leave you there. I'm not gonna explain anything.
Speaker 2: I'm just gonna turn around and leave you with standing
Speaker 2: in front of these other two people without saying why
Speaker 2: not giving you an explanation, And then we're going to
Speaker 2: cut to the car where then at the end, Corey
Speaker 2: apologizes to Tapenga like he's.
Speaker 1: Like, well, but he says something and she's like, there
Speaker 1: you go.
Speaker 2: Well, he she dragged him there and then left him
Speaker 2: there after proposing to him without explaining why.
Speaker 6: But I get every right to be angry. No, I
Speaker 6: mean he's been all over the place the whole first episode.
Speaker 6: So it seems to me like the actual reaction for
Speaker 6: both Corey and to Panga would be like, what is happening?
Speaker 5: What do you drag him to this place?
Speaker 2: On?
Speaker 1: She it they went together, they went it.
Speaker 5: Was his idea. He was like, come on, we're getting
Speaker 5: out of here.
Speaker 2: Yes, we're going and she's like in the last one,
Speaker 2: she's like, well wait, if you're so into this, why
Speaker 2: did you just pass the thing?
Speaker 1: And he's like don't.
Speaker 2: So he's the one who's still not entirely sure what's
Speaker 2: going on, and she is.
Speaker 1: They get down the aisle. He says, I do.
Speaker 6: I love you.
Speaker 1: I'll be there forever.
Speaker 2: She says I can't and go sorry and bails, Yeah,
Speaker 2: make Corey, look we shouldn't be doing this.
Speaker 1: We but just leaves him standing there in front.
Speaker 2: Of these two people like hey, and he's like it
Speaker 2: was actually her idea, And then they get into the
Speaker 2: car and she's like, well, how long are you going
Speaker 2: to be mad at me?
Speaker 1: And then she said and then he's.
Speaker 2: Like you're right, and she's like thank you, like like, yeah,
Speaker 2: you did owe me some pot. It's like, wait, this
Speaker 2: was all on to Pang what the what the hell?
Speaker 6: He comes in with so much anger and actually, to
Speaker 6: me it seems angry. It seems like the joke is
Speaker 6: that he's angry that he's not going to get to
Speaker 6: lose his virginity, though I mean, I feel like.
Speaker 1: There's a couple of references to that.
Speaker 6: Of course, sort of like course, so I got I
Speaker 6: was like, dude, Corey, like why not ask her why
Speaker 6: she you know, like, why not be like sympathetic to
Speaker 6: the fact that this obviously just panicked and freaked out
Speaker 6: for very clear reasons that you should understand because you know,
Speaker 6: an hour.
Speaker 1: Ago, you all we're going back. And that's why I disagree.
Speaker 2: See, to me, the scene should have taken the the
Speaker 2: visual of the young couple scared explaining why they shouldn't
Speaker 2: get married right in front of the couple that's been
Speaker 2: together for sixty years is the scene. So for her
Speaker 2: to just go sorry and leave and he's wanted.
Speaker 5: They wanted automatic opening though. I mean, that's all it is,
Speaker 5: running off and leaving him there.
Speaker 1: I agree that I don't like her.
Speaker 5: I don't think she would have I don't if they were.
Speaker 2: They just needed a dramatic, little sympathetic things at the end,
Speaker 2: like I'm so sorry you hate me Amy like that,
Speaker 2: all those kind of things. It was like, oh, now
Speaker 2: she's playing the martyr. It was like, I just didn't.
Speaker 2: I thought to Panga was.
Speaker 1: All over the place in this episode, and I didn't.
Speaker 2: It was for the first time where I was really like, oh,
Speaker 2: I'm not a fan of hers this time. And then
Speaker 2: Ben is Ben Corey is always takes that righteous tone.
Speaker 2: And I kept hearing Michael's voice in my head for
Speaker 2: a lot of the Cory scenes, or anger is never funny.
Speaker 2: Stop playing anger, Stop playing anger, And he played anger
Speaker 2: for most of the episode.
Speaker 6: Yeah, And it was yeah, no, I agree. That was
Speaker 6: It was that car sane. That car scene just drove
Speaker 6: me crazy.
Speaker 5: Yeah, me too.
Speaker 6: It was like what And it's because of the way
Speaker 6: it's written, is like, yeah, Corey is just so angry,
Speaker 6: and it's like kind of in this generic funny way.
Speaker 2: It's like, ah, you know there's in ten minutes and
Speaker 2: it's like, okay, well wait then are you mad it was?
Speaker 1: Yeah, it was a weird episode.
Speaker 5: Well, let's jump into our recab.
Speaker 3: We do have guest starring Bill moriy A's Judge b
Speaker 3: Miss again his second and final Boy Meets World appearance.
Speaker 5: We saw him in Pariship.
Speaker 6: They got paid for two weeks, yeah, showed up for
Speaker 6: one day yep.
Speaker 5: And the same with Connie Sawyer who played Fufie. So
Speaker 5: we get our new.
Speaker 2: As we were talking about foofye the whole time I'm
Speaker 2: watching the episode, I was thinking to myself, this was
Speaker 2: nineteen ninety eight, and this old woman twenty years for
Speaker 2: another twenty years after this.
Speaker 1: That was awesome. I just kept thinking she was one
Speaker 1: hundred and five.
Speaker 5: So that means she was eighty five when we did this.
Speaker 5: She lived for twenty more years.
Speaker 1: Twenty more ears.
Speaker 6: That's crazy.
Speaker 3: So we get our new totally spontaneous opening credits and
Speaker 3: the right into a very small recap our second in
Speaker 3: a row, but this time just for the season one opener.
Speaker 3: We hear Corey say with a picture of him at
Speaker 3: the altar and shock. In case you didn't see last
Speaker 3: week's boy meets World. Here's why I have this look
Speaker 3: on my face, and Judge Beamis repeats the question to
Speaker 3: Topanga does she take Corey to be her husband? And
Speaker 3: now we're in real time at the wedding chapel to
Speaker 3: Panker's to Pega stutters I I, and then there's some laughter.
Speaker 2: But I.
Speaker 1: Should change your name to.
Speaker 6: She's a banger.
Speaker 5: Corey tries to help her out, whispering dude.
Speaker 3: Still she can't form the words I I.
Speaker 5: Corey adds, we got I.
Speaker 3: We're looking for do to Pega winds down and says,
Speaker 3: this is just the range, just thing. Corey excuses them
Speaker 3: for a moment, pulling her.
Speaker 5: Off to the side.
Speaker 6: You can do this.
Speaker 5: I did it.
Speaker 3: Don't leave me up here in my wedding dress. To
Speaker 3: Panga insists she'd try again, and they returned to the judge.
Speaker 6: Now we're cooking gas. Doesn't he say something like, I Amanda,
Speaker 6: I was a man about it, told.
Speaker 5: Does Yeah, that's so funny. I don't remember that, but
Speaker 5: yeah I was. Yeah.
Speaker 3: Now we're cooking with gas, Judge be Miss exclaims to
Speaker 3: Panga tries again, I I.
Speaker 5: The entire group helps her this time.
Speaker 6: Do do.
Speaker 5: She shakes her head. Can't. I can't. Corey shouts, oh,
Speaker 5: you hate to see that.
Speaker 3: She apologizes to Corey, Judge be miss and foofye and
Speaker 3: then she hurries out of the room.
Speaker 6: Yeah, this was my first indication that the Corey like yeah,
Speaker 6: I hate to see that. I'm like, wait, who is
Speaker 6: this Corey? Yeah, I know, I get it. It's a
Speaker 6: funny line, right, like it's a it's a like this
Speaker 6: and the next scene, I feel like we're written for
Speaker 6: like yelling banter, which is like trying to be funny,
Speaker 6: but it's actually doesn't make any sense with Corey's character,
Speaker 6: and actually he would be hurt and concerned like that
Speaker 6: is the Corey Corey would be like. And it actually
Speaker 6: is like this reversion to first season Corey where he's
Speaker 6: like the smart Alecy.
Speaker 5: Like RS is always out and it's.
Speaker 6: Not it just doesn't fit. It's like hold on like
Speaker 6: he is. And then he turns on Amy in like
Speaker 6: three scenes with so much like and it's like hold on,
Speaker 6: but if that Corey would be so concerned about his
Speaker 6: wife to be right now and like I don't know,
Speaker 6: it's just like but instead we get there, like I
Speaker 6: drive a thousand miles and she don't like my tone.
Speaker 6: I'm like, who is this? What is happening? What happened
Speaker 6: to the neurotic guy? Like he would be freaked out.
Speaker 6: I don't know.
Speaker 2: It's just it's like I thought that deserved more anger
Speaker 2: than anything else, because I felt that was like she
Speaker 2: just dumped, just left him right there at the altar
Speaker 2: after proposing to him, and they went through this whole
Speaker 2: thing and now she's like, I'm out, and I was like,
Speaker 2: oh okay, So that I felt like that anger. But
Speaker 2: then it was switched in the car where she was.
Speaker 2: Then there was both angry at each other.
Speaker 1: It was. It was a strange tone for the start
Speaker 1: of the episode. All the way around.
Speaker 3: I thought, yeah, yeah, I agree. This next car scene
Speaker 3: we'll jump into. But Corey watches her leave and wonders
Speaker 3: aloud above dramatic music.
Speaker 5: You know what's funny, she asked me, He asked me.
Speaker 5: Now we're in Corey's.
Speaker 3: Car a deep in thought. To Panga sits in the
Speaker 3: passenger seat. Corey sarcastically announces, I am so sorry my
Speaker 3: family missed that. To Panga apologizes, but Corey doesn't appreciate
Speaker 3: this answer. Wow, he yells out, She admits she doesn't
Speaker 3: know what to say. Corey quickly responds, do you know
Speaker 3: do it's the first half of your favorite word, don't
Speaker 3: to PEG's unamused. I don't like your tone, Corey laughs.
Speaker 3: I drive a thousand miles to marry er and she
Speaker 3: don't like my tone. That is really rich that uh
Speaker 3: and she don't like my tone is a verbatim Michael Jacobs.
Speaker 6: Yeah, oh, all of this.
Speaker 4: Yeah, but that's what I mean.
Speaker 6: I feel like it's like it's it's a heightened comedy
Speaker 6: voice that is funny on its own, but in the
Speaker 6: context of like our show and in the context of
Speaker 6: Corey really doesn't work for me. And I was just like,
Speaker 6: this feels off, this doesn't feel right, and yeah, and
Speaker 6: then like your favorite word is don't and then this
Speaker 6: whole next round about it'll have to be white burning white,
Speaker 6: sound like virgin references. Okay. I was like, he's angry
Speaker 6: because he's not getting laid like that kind of which
Speaker 6: maybe could have been funny, but instead it just felt
Speaker 6: I don't know, it just didn't work for me.
Speaker 2: Can we Also, I don't get the timing of the episode,
Speaker 2: meaning they drove a thousand miles and then there's a
Speaker 2: scene where everybody comes over.
Speaker 1: It's three o'clock.
Speaker 2: In the morning, and then they have a party waiting
Speaker 2: for them when they get.
Speaker 5: Back in the morning. The next day. Yeah, in the
Speaker 5: next day.
Speaker 2: It's the next day, okay, because then Phoene says something
Speaker 2: about what you did tonight?
Speaker 5: Right, because yeah, it's like it's we've stayed up all
Speaker 5: night Corey.
Speaker 1: Into tonight as if it's the same day, but they
Speaker 1: just haven't.
Speaker 6: So if they really drove a thousand miles, right, you're talking, yeah,
Speaker 6: hours and hours of driving. H they won't get home
Speaker 6: until next morning.
Speaker 2: Yeah, okay, all right, Yeah, I was just it was
Speaker 2: weird trying to figure out what the actual breakdown of the.
Speaker 4: Wow drive a thousand miles to get married?
Speaker 6: You don't you go to you go to the East coast,
Speaker 6: you go to uh, Atlantic City, Atlantic City, and you
Speaker 6: go get married.
Speaker 1: It's not that hard to think.
Speaker 3: Six times, Topanga explains that she wants their families at
Speaker 3: the wedding, and she wants to wear a wedding dress,
Speaker 3: a white, lacy wedding dress.
Speaker 5: Cory scowls, of course white.
Speaker 3: The way we're going bright white, snow white whiter than
Speaker 3: the white hot light of a thousand burning suns. She
Speaker 3: asks how long he's going to be mad at her,
Speaker 3: and he confidently answers ten minutes.
Speaker 1: Do you think Corey would marry to Panga if they
Speaker 1: were having sex?
Speaker 2: Honestly, like, I think that's they've made it to where
Speaker 2: that's really important to him. It's one of the reasons
Speaker 2: he's getting married is because he wants to have sex.
Speaker 6: Is that we need to have a Q and A
Speaker 6: episode put this to our listeners. It's as important as
Speaker 6: should she have gone to you would if he was
Speaker 6: not a virgin?
Speaker 1: Would they still have gotten missed?
Speaker 3: I mean, I don't want to We can talk about
Speaker 3: that in a separate episode, but I do think once
Speaker 3: Tapenga says I want our families there, that's the reason
Speaker 3: she said no. I don't know why he's still angry,
Speaker 3: and I also don't know why she hasn't said that
Speaker 3: right away when they got in the car. This feels
Speaker 3: dramatic for the sake of being dramatic, yep, as opposed
Speaker 3: to just communicating, Like Corey, I got up there and
Speaker 3: I realized, even if this is a legal marriage, this
Speaker 3: isn't what I want I want to nobody who knows
Speaker 3: us and I mean he says it later when they
Speaker 3: say our marriage should be a celebration, not a secret.
Speaker 6: Yeah, that's that's I think. I think the way the
Speaker 6: idea is that she's processing it in real time, which okay,
Speaker 6: it could have been like I think. I think if
Speaker 6: if Tapanga just realizes like, oh my god, I can't
Speaker 6: do the thing I'm supposed to say, I can't say
Speaker 6: the thing I'm supposed to say, and then sits in
Speaker 6: the car and is like, no, Corey, I wanted I realized,
Speaker 6: you know, if it was more present tense, and it's
Speaker 6: just the way it's written and the way it's played
Speaker 6: is like as if.
Speaker 2: You yelling at each other. Yeah, correction doesn't Yeah, it
Speaker 2: doesn't work in this situation. It's funny a lot of
Speaker 2: times with Corey and Topanga, but not with the seriousness
Speaker 2: of what just happened.
Speaker 1: It just doesn't fit.
Speaker 5: Yeah.
Speaker 3: Well, then we're in the Matthew's kitchen. Amy and Allan
Speaker 3: are in their pajamas, worrying about Corey. Amy's looking through
Speaker 3: old photographs, and Alan is doing some business with a
Speaker 3: juice box.
Speaker 5: I love that, uh.
Speaker 6: Juice box business.
Speaker 3: That's the other name of the everybody's got. Amy wonders
Speaker 3: how one disagreement could have led to all of this.
Speaker 3: Alan says there is no way he'd get married without them,
Speaker 3: but when Amy asks if he's sure, Alan says absolutely not.
Speaker 3: He reminds her it's okay though, because they're having another one.
Speaker 3: Amy holds her belly. I'm giving you the next eighteen
Speaker 3: years of my life. Don't you ever do anything without me?
Speaker 3: Allan assures her he won't, and neither will I. So
Speaker 3: let's all go to bed. It's a quarter after three.
Speaker 3: Only creeps and weirdos are up.
Speaker 6: Now number one we're gonna do. This is the gift
Speaker 6: that keeps giving dies less funny every.
Speaker 1: Single time I disagree that great. I thought it was
Speaker 1: he with a voice.
Speaker 5: How you doing?
Speaker 3: Amy assumes you were thinking about your brother, weren't you?
Speaker 3: Eric sarcastically nods, Yeah, I got a six foot tall
Speaker 3: wonder woman sleeping in the room next to me.
Speaker 5: I was thinking about my brother though.
Speaker 1: Yeah, then why go over?
Speaker 2: Why not be at home with the six foot tall
Speaker 2: wonder woman who's asleep in the room next to her
Speaker 2: at the foot of her bed, creepily like he ap
Speaker 2: currently wants to be.
Speaker 1: I mean, I don't know.
Speaker 3: Eric explains while grabbing a juice box, Jamie, if you
Speaker 3: know my current situation, I.
Speaker 6: Really I knew.
Speaker 4: I was just like, oh, will so pissed. It's not
Speaker 4: a soda can.
Speaker 6: He can't tell he's got He's gonna figure out how
Speaker 6: to get that strong I can't get. I can see it,
Speaker 6: figure it out, what to do with it?
Speaker 1: The chair and then put the same I need business.
Speaker 1: I need business.
Speaker 5: I have so much business.
Speaker 3: I love it, and there's nothing on TV. So what
Speaker 3: are you guys doing up? The only people up now
Speaker 3: are creeps and weirdos.
Speaker 5: On cue. Sean, how you doing?
Speaker 3: He walks to the fridge to also have some JBB
Speaker 3: baby disinfects the counter.
Speaker 5: So much business.
Speaker 6: Everybody got to do something, man, we're all just sitting
Speaker 6: in the kitchen.
Speaker 3: Business kitchen a line, talking in a line talking, writer's
Speaker 3: favorite thing.
Speaker 5: Don complaints eighteen years.
Speaker 3: I'm his best friend. I raise him right, teach him
Speaker 3: everything I know. Amy reminds him that he wanted Corey
Speaker 3: to get married, but Sean adds, but.
Speaker 5: Not without me. I was supposed to be the best man.
Speaker 3: Eric is offended. I'm supposed to be the best man.
Speaker 3: Then he figures it out. Maybe that's why they eloped.
Speaker 3: They couldn't choose between us.
Speaker 5: Sean stares at him blankly and with a.
Speaker 1: Great such a good read.
Speaker 6: This is a very weird read. I was like, you
Speaker 6: know what, I actually did not play the joke at all,
Speaker 6: which makes it even funny. It was like he is
Speaker 6: so earnest, like I am so disappointed and for him, yes,
Speaker 6: I'm like, oh my god, this is like just no.
Speaker 6: And it's like I can't believe the audience went for
Speaker 6: it though, Like it actually is not a sitcom read.
Speaker 6: It's like a straight drama read. It's like you poor
Speaker 6: poor man. But I don't, like, my brain can't go
Speaker 6: to the it's so good.
Speaker 5: It was so good.
Speaker 7: I'm just glad that the audience went like glad I
Speaker 7: did not.
Speaker 6: Play so much.
Speaker 1: She might have been my favorite joke of the entire Oh.
Speaker 6: That's funny, because I was like, that is a truly
Speaker 6: weird writer read, Like, I don't think I was playing
Speaker 6: the joke at all. It was perfect, perfect sometimes the
Speaker 6: best comedy man. Yeah, played for the joke at all. Right.
Speaker 3: They eloped because Amy and Allen tried telling them what
Speaker 3: to do. They drove up north to see some justice
Speaker 3: of the peace, or at least that's what he said
Speaker 3: in the message he left them. Alan is shocked he
Speaker 3: really did get married. Amy hits her husband with a handtowel.
Speaker 6: Then here's the thing that we're talking about last episode, Like,
Speaker 6: so they all just now they actually.
Speaker 5: Have they finally, my god.
Speaker 3: Finally he left about one a message saying we went
Speaker 3: to a justice of the peace.
Speaker 5: But this is the first time, any worst time, actual
Speaker 5: confirmation exactly.
Speaker 2: Okay, So for the record, one thousand miles north of
Speaker 2: Philadelphia is in Canada.
Speaker 6: Did they say north?
Speaker 1: Yeah? You said north, didn't it? I think you say north.
Speaker 5: They drove up north to see the justice set the piece.
Speaker 1: So you thousands northeast?
Speaker 5: What's what's northeast?
Speaker 3: What's a thousand miles Northeast't good?
Speaker 1: Yeah?
Speaker 2: Or at least you're in another in another country Montreal,
Speaker 2: farther than Montreal.
Speaker 1: I think even you're you're in like way.
Speaker 5: If they drive a thousand miles northwest.
Speaker 6: Yeah, then you're in the Saskatoon get it?
Speaker 2: Like?
Speaker 1: Yeah, do you take do you take you storry? Do
Speaker 1: you take you?
Speaker 6: Sorry? Sorry?
Speaker 1: Sorry?
Speaker 3: Amy, hits her husband with a hand towel and repeats,
Speaker 3: he's a good kid.
Speaker 5: He'll never get married without us. She grasps her belly.
Speaker 3: I'm holding my knees together and this one is never
Speaker 3: getting out. Also this trying to tie in the fact
Speaker 3: that they're still having a.
Speaker 5: Baby to this.
Speaker 6: And now at this point, you're just start counting down
Speaker 6: the seconds. When's the next creeping weirdos? Win's coming coming?
Speaker 5: Thinking about it?
Speaker 6: Are we going to do it? How can we set
Speaker 6: it up? You think it's got to be lets you Sean.
Speaker 5: Sean asks if he can crash on the Matthews couch.
Speaker 6: Why would Sean need to crash on the Matthews couch.
Speaker 3: He doesn't want to be out women night with all
Speaker 3: weirdos there is.
Speaker 6: I didnt see that coming. This show is so effortless.
Speaker 6: There's like so much effortlessness going into this writing. Oh
Speaker 6: my god, it's just as if it just happened without.
Speaker 1: Okay, So Rider did not like the Runner?
Speaker 2: Tang it?
Speaker 1: Did you like the Runner?
Speaker 5: Oh my god?
Speaker 6: Again, I can't do it.
Speaker 5: So Banie walks in, how you doing now?
Speaker 3: He gets his juice box doing his jbb jbb that
Speaker 3: he couldn't sleep either.
Speaker 6: F JBB Phoenix. That's a whole other level. That's like
Speaker 6: upper you need like an upper.
Speaker 1: Degree JBB on stage back or.
Speaker 6: That's when you started five on Broadway. If you've done
Speaker 6: seventeen seventy.
Speaker 1: Six, you can do you get It's right, that's right.
Speaker 3: So he says, you have the lights on, everyone's yelling,
Speaker 3: Eric parked his car in my garden.
Speaker 6: Eric, you said it. This is the line where I
Speaker 6: was like, wait a minute, because you guys know, like
Speaker 6: how you do a Boston accent.
Speaker 5: Yeah, you use the phrase what.
Speaker 6: Havid yah? Yeah. So I could not believe this runner.
Speaker 6: I was like, oh my god. I went back and
Speaker 6: watched it like four times. Can we play the can
Speaker 6: we play the clip?
Speaker 7: Uh?
Speaker 6: That's called parked the car? How you knowing?
Speaker 8: I got all the lights on, everybody's yelling, and Eric
Speaker 8: parked his car in my garden.
Speaker 6: So this is I've decided I'm going to learn how
Speaker 6: to do the Bill Daniels accent. This, I'm going to
Speaker 6: do it, and I hope you guys will join me
Speaker 6: on this journey. And I think maybe some of our
Speaker 6: listeners should do this too.
Speaker 7: This. I feel like this is this line is the key. Wow,
Speaker 7: the lights are on. I can't sleep.
Speaker 6: I can't do it, and you eric in my garden,
Speaker 6: my garden.
Speaker 1: I'm gonna okay.
Speaker 6: So then I was like, let's go back, let's find more,
Speaker 6: like what are the quintessential Phoenie Clips? The other one?
Speaker 6: I wanted to go all the way back to season one?
Speaker 6: Can you please play festooned feeni?
Speaker 8: We had an agreement. I was to get dressed up
Speaker 8: and come to your tea party, and then you were
Speaker 8: to leave me in complete peace so that I could
Speaker 8: grade my papers. Now I have upheld my part of
Speaker 8: the bargain. I have festooned myself in costume jewelry. I
Speaker 8: have swilled your foe tea. Now I insist that you
Speaker 8: keep your end of the bargain.
Speaker 2: Is it's a Boston, it's a it's a high brow
Speaker 2: Boston accent. He's it's Winchester for mash Well.
Speaker 6: I can sleep, but I can't stomed. See my problem
Speaker 6: is I always slip into British like I can't.
Speaker 3: You can also the annunciation of every word, and it's
Speaker 3: the last letter of every word. I have stoppy HoTT.
Speaker 6: That's it.
Speaker 1: Okay, that's it.
Speaker 7: And then just because I feel like between these two clips,
Speaker 7: if you study, yes, if you get.
Speaker 6: This down, you have Phoene's voice that you can do.
Speaker 7: Bill Daniels, Oh yeah, in my Garden, In my garden,
Speaker 7: that's my god, it's that same kind of it's very.
Speaker 6: You're starting to get to it's a little too British. Yeah,
Speaker 6: he manages to like what he does is he draws
Speaker 6: lights wrong.
Speaker 2: So another one to give you, it's a it's a
Speaker 2: worse version, it's a cartoony version. But Tom Hanks in
Speaker 2: volunteers with John Candy does the same kind of thing.
Speaker 1: He's a fish guy.
Speaker 2: He goes Boston guy who goes to the and it's
Speaker 2: that same kind of thing. So it's a it's the
Speaker 2: upper Yeah.
Speaker 6: It's a proper American dialect. Is a theatrical dialect.
Speaker 2: Oh my god, which we all know. Body that Bill
Speaker 2: completely put this on. Not how he was born, not
Speaker 2: how he was raised.
Speaker 6: He was really he was a Yeah, he had a
Speaker 6: Brooklyn accent. And then he was the understudy for a
Speaker 6: play where they were all brought Boston Brahman characters and
Speaker 6: all the actors were doing this accent, and he learned
Speaker 6: how to do it. Yeah, so it's a complete But
Speaker 6: that's why I feel like one of us.
Speaker 5: We could work and put it on.
Speaker 6: We can. You just have to commit to it. You
Speaker 6: just have to commit to it, committ to park your
Speaker 6: car and the coory that no coolvery covery. But I'm
Speaker 6: doing coovery because he ends up kind of softening softening it.
Speaker 6: You know, I can't, I can't sleep.
Speaker 5: I don't know.
Speaker 6: It's so complicated. I'm going to figure it out. But
Speaker 6: I think between the I festumed myself.
Speaker 1: It does awesome as British, but that's why we thought
Speaker 1: he was British.
Speaker 5: Yes, it's really good. I agree with you.
Speaker 3: I'm going to start working on it if I can.
Speaker 3: Will you send me those files please, I'll listen to
Speaker 3: him in my headphones and then record myself. I'm gonna yeah. Okay,
Speaker 3: So Eric gets defensive, what the hell do you care?
Speaker 5: You're moving? Go ahead, Phoenie, retire, take care of yourself.
Speaker 5: That's what you're best at.
Speaker 3: Amy reminds him that Phoenie is given the last forty
Speaker 3: years of his life teaching people, but Eric is unaffected.
Speaker 5: Don't care. Kill his flowers, kill him, Phoenie explains.
Speaker 1: You, I'm at a ten whole time, the whole time met.
Speaker 3: A ten, Phoene explains to Eric, when someone you care
Speaker 3: for makes a considered decision to change their life, you
Speaker 3: should support the choice. Eric bursts into tears. You had
Speaker 3: me at Eric and pulls him in for a hug.
Speaker 3: Alan takes Phoene's advice to heart. We should take what
Speaker 3: they've done and do something to show our support. After all,
Speaker 3: we're talking about Corey and Topanga here. Phoene's confused, Corey
Speaker 3: and Topanga, I was talking about a going.
Speaker 5: Away party for me. Eric's frustrated, You're.
Speaker 3: Still going away for the love of Mike. Stop with
Speaker 3: the mind games, man. Phoene grabs Eric's armist proof you
Speaker 3: know this is the reason I can't sell my house.
Speaker 1: Very funny.
Speaker 5: And then we're back in Corey's car.
Speaker 3: Topega adjusts the rear view mirror and Corey angrily tells
Speaker 3: her to put it back. She does, but he's not satisfied.
Speaker 3: Now he can only see if any cars are coming
Speaker 3: toward his crotch.
Speaker 1: I thought he was only gonna be angry for ten minutes.
Speaker 5: Why maybe it's still within the ten minutes, I don't know.
Speaker 3: Tapega tells him to stop snapping at her, and Corey complains,
Speaker 3: our big dramatic moment, and you know what, we did nothing.
Speaker 3: To Penga shouts, I don't care about a big dramatic moment.
Speaker 5: Which gets a laugh.
Speaker 3: She reminds him it's not to run off together because
Speaker 3: we think we have something to prove. When we get married.
Speaker 3: I want to have a big cake and doves. Breaking
Speaker 3: the silence, Corey sternly states no doves. He admits you
Speaker 3: were right, you did the right thing. Our marriage should
Speaker 3: be a celebration, not a secret. She smiles thank you,
Speaker 3: but he insists you owe me the rest of your life,
Speaker 3: you know. To Pega happily agrees it's yours and then
Speaker 3: she pets his head. So getting to that conclusion is great,
Speaker 3: I guess again, in the name of drama, they made
Speaker 3: both of us versions of ourselves that aren't real.
Speaker 6: Yeah, consistent, Yeah, I mean yeah. I feel like Corey
Speaker 6: would be like, what is happening? What is going on?
Speaker 6: And to Penga would be like, I don't know. I
Speaker 6: just stood up there and I had this weird feeling
Speaker 6: and now I'm realizing it and this is what you know.
Speaker 6: But of course that's not as.
Speaker 2: Funny exactly, you don't like you.
Speaker 1: They had to have this whole conversation.
Speaker 2: If I want the doves and everything right there, no
Speaker 2: doves in front of that other couple, and you do
Speaker 2: that and then you get out and then you cut
Speaker 2: to them coming into the kitchen, coming into the back.
Speaker 1: Yeah, an car scene, it just wasn't necessary.
Speaker 3: So yeah, but they could have had one car scene
Speaker 3: where she where She says, I can't at the altar,
Speaker 3: and he goes, what and pulls her off to the side,
Speaker 3: and she goes, I don't know, Corey, I love you,
Speaker 3: but this doesn't feel right and I don't know, and
Speaker 3: he goes, I love you, I'm with you.
Speaker 5: Let's get out of here. Let's let's get out of
Speaker 5: here together.
Speaker 3: Then they're in the car and they talk it out
Speaker 3: and she realizes I stood up there and I looked around,
Speaker 3: and I realized, I want to see your mom, and
Speaker 3: I want a cake, and I don't want to wear
Speaker 3: pedal pushers. I want to wear a dress like then
Speaker 3: And he can be like.
Speaker 5: You're right.
Speaker 3: As much as I'd love to stick it to my parents,
Speaker 3: we should have a celebration and not a secret. So there,
Speaker 3: but I don't know there they.
Speaker 2: Joke the joke of being like going back to the
Speaker 2: older couple and being like, Hi, is it half priced?
Speaker 1: If only one of us says I do like that.
Speaker 5: We get done half far money back married, it would.
Speaker 1: Have been so great.
Speaker 6: But or lean into the the joke that they seem
Speaker 6: to have be implying, which is that Corey got a
Speaker 6: hotel room. He's ready to have it, and then that's
Speaker 6: not happening, and that's what he's really upset about at first,
Speaker 6: and then he's got to realize like, yeah, that's actually
Speaker 6: what I'm of course, you know, I think about it.
Speaker 6: I'm not like this makes sense.
Speaker 3: Yeah, And then we're in the boys apartment. Rachel is
Speaker 3: in the kitchen wearing another short robe and making breakfast
Speaker 3: when Eric and Jack walk out of their rooms in
Speaker 3: just a shirt, and Boxer is looking like they just
Speaker 3: woke up.
Speaker 5: Look at her.
Speaker 6: Eric was at the Matthew's house in the middle of
Speaker 6: the night, so we came home, came home.
Speaker 5: But also, are all of their rooms in.
Speaker 2: That same Yeah, they're all in that. I thought the
Speaker 2: same thing, that all the rooms are back there, because
Speaker 2: the left one comes down, there is no section, there's
Speaker 2: no room. There's just a wall there. So yeah, all
Speaker 2: three of them are up there. So it's a big
Speaker 2: as apartment right on the water that they're paying.
Speaker 3: Yeah, okay, they look at her, they realize their condition
Speaker 3: and quickly sprint back to their rooms, and then they
Speaker 3: immediately return with.
Speaker 5: Button down shirts and sweaters draped over their shoulders.
Speaker 3: Fully groomed. Eric suavely throws out, hey, Rachel, what's up?
Speaker 3: Jack adds, how you doing? Smells good? Rachel cheerfully reveals
Speaker 3: she's making French toast, but she's not gonna do it
Speaker 3: every day, so don't get spoiled. They let out little
Speaker 3: giggles before Eric pulls Jack to the side. Jack Jack,
Speaker 3: Jackie Jack, Live a healthy life, eat all your vegetables,
Speaker 3: honor your father and mother, and Heaven will reward you
Speaker 3: with a hot hot, hotty hot, hot, hotty hot for
Speaker 3: a roommate.
Speaker 5: Do you remember what was in the script and what
Speaker 5: used like? Did you just make that entirely up?
Speaker 2: No idea, It could have been exactly how it was written.
Speaker 2: I honestly don't remember. I do remember in this scene
Speaker 2: and the next scene what I saw a couple boom mics,
Speaker 2: oh pop, and I think they're probably not used to
Speaker 2: having somebody Maitland size keeping it just to Maitland because
Speaker 2: they cut to a three shot and it's like oh
Speaker 2: boom mic and then pop pop out a frame.
Speaker 6: Okay, So this is when I started to like pause
Speaker 6: and take notes because I really really did not understand
Speaker 6: what the story is here, right, what's going on? Yeah?
Speaker 4: Yeah, why can't Eric and Jack be with Rachel?
Speaker 1: Like I don't that I can't answer because.
Speaker 6: It I mean, like where the episode ended up, which
Speaker 6: is her saying I want to just be friends and
Speaker 6: this makes me so happy that I'm that's where it
Speaker 6: needs to start. I don't understand what the conflict is.
Speaker 6: I know is the conflict between Eric and Jack competing
Speaker 6: for her kind has started, hasn't really started. It kind
Speaker 6: of gets in the there somewhere in the middle of
Speaker 6: this episode. But I'm also like, what is the prohibition
Speaker 6: against dating her?
Speaker 2: Like?
Speaker 6: Why has she said I only am moving in as
Speaker 6: long as like if she had said, I can you
Speaker 6: like Cauz Three's company. The whole thing is that he
Speaker 6: has to pretend to be gay, right, So like that's
Speaker 6: why they can't actually sleep together, and that's why they
Speaker 6: all have to live? Where's this?
Speaker 4: Like the high drinks are happening for no reasons.
Speaker 5: It just that she's vulnerable.
Speaker 3: She's in a vulnerable position because you think they care
Speaker 3: broken up with her, right, there's nothing wrong with with
Speaker 3: with Eric or Jack.
Speaker 6: Saying I want to get you. I like you can
Speaker 6: you You're going to Like, there's no why are they
Speaker 6: whispering to each other? Why are they like what's happening?
Speaker 2: They should have set it up to where they both
Speaker 2: started going after her, and then they realized their friendship
Speaker 2: was too strong and they don't want to break up
Speaker 2: their friendship, so they both agree. And then so when
Speaker 2: Jack does go behind his back to start dating her later,
Speaker 2: it's a violation.
Speaker 6: Yeah, exactly. There's no set there's no prohibition set up
Speaker 6: that is broken by this episode or the storyline. So
Speaker 6: I kept going back like what is the problem here,
Speaker 6: Like why is there any of this conflict and it's
Speaker 6: it's completely artificial until the end of this episode and.
Speaker 4: I was like, oh, there it is. They establish it now.
Speaker 6: But through the I just did not understand these first
Speaker 6: like three scenes. It's like I don't and get it.
Speaker 6: I don't know what I don't neither I don't.
Speaker 1: I'm not sure they did at this point, Like what
Speaker 1: it was actually going to.
Speaker 5: Try to set that up at the end of the
Speaker 5: last episode.
Speaker 3: Didn't shouldn't the conclusion of the last episode for this
Speaker 3: storyline have been her saying, Oh, man, you know what, honestly,
Speaker 3: I'm just fresh out of a relationship. I want to
Speaker 3: focus on myself. I really appreciate you guys rescuing me.
Speaker 3: We're gonna be like girlfriends, We're gonna be she did
Speaker 3: that was all set up, and then they were like, oh,
Speaker 3: you know what, girlfriends see each other naked. But then
Speaker 3: why is she acting like this is the first time
Speaker 3: she brings it up. It's all It's just it's fair.
Speaker 2: She also says that oh, that's I could easily fall
Speaker 2: for either one of you, like I kind of wanted
Speaker 2: to date you one or.
Speaker 6: Says their sexual tension.
Speaker 2: Yeah, it's like so it's it doesn't. None of it
Speaker 2: tracks to anything. Frankly, that's the thing that's so weird.
Speaker 2: And it's not about the friendship with Eric and Jack.
Speaker 2: It's not about a possible question.
Speaker 6: This is a generational thing in that like because I
Speaker 6: guess in the seventies for sure, and maybe into the
Speaker 6: eighties and the early nineties, was having a roommate that
Speaker 6: was of the opposite gender just a really big deal,
Speaker 6: like in a way that we think of it like yeah,
Speaker 6: may ye, yeah, because I think of like kids in
Speaker 6: college and you know, or even like late high like
Speaker 6: high school, like living together and it was like not
Speaker 6: a big deal.
Speaker 4: But I wonder if for previous generation, the very idea of.
Speaker 6: Like two guys and a girl, well.
Speaker 3: It's living in a parent tipenga couldn't live together in
Speaker 3: the dorms unless they were married. The implication, I think
Speaker 3: from no matter where you were in the seventies, if
Speaker 3: males and females were under the same roof, someone was
Speaker 3: going to be having sex.
Speaker 1: They were having sex. Yeah, you can't just be two people.
Speaker 6: And I think that went all the way through the eighties.
Speaker 6: I think that's what that's what's informing this in a
Speaker 6: way that doesn't make sense to us, like because to me,
Speaker 6: it's like she moves in, Okay, now you either hit
Speaker 6: on her or don't. Who cares? Like literally, there's no
Speaker 6: problems here, yes, And yet it's acting, the whole storyline
Speaker 6: is acting as if it's something weird. Is already happening,
Speaker 6: and it's like, what's that. What's the weird part?
Speaker 2: If you ever watched melrose Place, one of the I
Speaker 2: think in the pilot of melrose Place, it's Billy and
Speaker 2: Alison live together as roommates and have to learn to
Speaker 2: live like she's like, don't forget you always got to
Speaker 2: put the toilet seat down.
Speaker 1: It's like that kind of stuff.
Speaker 2: And then they start dating down the line and it's like,
Speaker 2: see you do throw them in together. They're gonna So
Speaker 2: maybe you're right, Maybe it's a thing in this generation. Yeah,
Speaker 2: like men and women live together, that means sex.
Speaker 6: Right, It's just it's just it is a story. It's
Speaker 6: just an interesting story. It's it's it's something that's happening
Speaker 6: that's unusual. Whereas like I look at this and I'm
Speaker 6: like three friends living together an apartment, Like if somebody
Speaker 6: wants to sleep with somebody, try it or not, you know,
Speaker 6: like I don't care, Like there's not a it's not
Speaker 6: a situation for a situational comedy, whereas maybe it was.
Speaker 2: You know, but on Friends, they didn't even have male
Speaker 2: and females living together until the girl got engaged. Yeah,
Speaker 2: the girls, So maybe it was maybe it was.
Speaker 6: I think I think in real life it probably was
Speaker 6: already happening. But you know how TV like like ten
Speaker 6: years behind the separate beds and Lucian.
Speaker 1: You know, maybe that's what maybe maybe that's what it is.
Speaker 2: It's just it implies there has to be some sort
Speaker 2: of sex happening, right, Yeah, there's.
Speaker 6: Some hanky panky going out initial apartment.
Speaker 2: Yeah, and it's all but it all just gets like
Speaker 2: I have to take a bath, and we're all like
Speaker 2: she's gonna bag.
Speaker 6: I'm not like, I just don't know.
Speaker 5: People cringey.
Speaker 1: It is, it really is.
Speaker 3: Yeah, So Rachel gets serious. She needs to tell them something.
Speaker 3: Eric desperately begs, don't leave, We'll do anything. She says,
Speaker 3: when she met them, she was in really bad shape.
Speaker 3: Then the two of them took her in and rescued her.
Speaker 3: She's so grateful and she calls them her heroes. Then
Speaker 3: she kisses them on the cheek, but Eric gets greedy
Speaker 3: and kisses her right back. Then Jack pulls her in
Speaker 3: for a hug and Eric pulls her in for another embrace.
Speaker 2: It is.
Speaker 5: The exchange.
Speaker 6: Yeah, it really is super creepy getting in those kisses
Speaker 6: and touches that you can just so funny.
Speaker 3: And then one more thing, Rachel says, I promise I'm
Speaker 3: not going to be a bathroom hog, but I really
Speaker 3: do like to start the morning with a bubble bath
Speaker 3: with all the aroma therapy beads and all the bubbles.
Speaker 5: I didn't know aroma therapy beads were so sexy.
Speaker 2: Well, it's just you know, I don't know if you're
Speaker 2: aware of this, Danielle, but to take.
Speaker 1: A bath, you can make it.
Speaker 3: I wear a bathing suit, so it's Also isn't bathing
Speaker 3: every morning a bit extravagant?
Speaker 1: Isn't that like an hour long in the bathroom? I
Speaker 1: mean it's like this. This is for me who lives
Speaker 1: in the shower, Like.
Speaker 5: Really seems like you're gonna put yourself to sleep.
Speaker 3: I like to wake up and then sit in a
Speaker 3: hot tub of water for an hour with my ex clothes.
Speaker 1: Ready for my day. God, you're so strange.
Speaker 5: Jack immediately answers, also, isn't night sexier?
Speaker 3: Wouldn't it be sexy to be like every night I
Speaker 3: like to light some candles, put a bubble bath on.
Speaker 5: It's so weird that it's the morning anyway, Okay, uh.
Speaker 3: Jack immediately answers yeah, and Eric adds, I and you
Speaker 3: take bubble baths. Rachel wants to know why, and Eric
Speaker 3: throws that question over to and expecting Jack. He stutters,
Speaker 3: I if you didn't take bubble baths, that means you're not.
Speaker 6: I can't like you. I want to see you naked.
Speaker 6: What is the problem?
Speaker 4: Why do we have to pretend there's no no, there's
Speaker 4: no conflident.
Speaker 1: You're there's no conflict, no reason. Did not.
Speaker 6: Please?
Speaker 5: She's so aside with that answer, she leaves for the bath.
Speaker 3: You know what, I am this close to being happy
Speaker 3: that my boyfriend actually left me.
Speaker 5: The boys respond in unison.
Speaker 3: No.
Speaker 5: They longingly watched her.
Speaker 3: Leave in silence, until Jack realizes that girl is taking
Speaker 3: a bubble bath in the bathtub of our bathroom.
Speaker 5: We're geniuses.
Speaker 3: Eric dramatically says, dude, I don't know if this is
Speaker 3: the right time to say I love you, man. Jack's
Speaker 3: equally dramatic, Dude, don't even man, I'm the one that
Speaker 3: loves you. They both shout dude and give each other
Speaker 3: a big bear hug. Then yells she yells out, I
Speaker 3: can't figure out how to work the stopper.
Speaker 5: In the bathtub.
Speaker 3: Could one of you please come show me? The guys
Speaker 3: instantly pull apart in it. They start trying to stop
Speaker 3: each other from going to alber.
Speaker 5: They throw each other onto the cow.
Speaker 2: Remember I remember Matt like me just grabbing his leg
Speaker 2: and Matt having no idea was going to do that,
Speaker 2: So he's trying to get out, and then he's looking
Speaker 2: back at me.
Speaker 6: Like, what the hell are you doing? Yeah?
Speaker 1: I think that we were just having.
Speaker 5: Fun, Yes, having a good time. We're in the Matthew's backyard.
Speaker 3: Corey and Tapega are returning, but to Pega stops in
Speaker 3: her tracks. She's scared. She doesn't want Corey's parents to
Speaker 3: be mad at her, which why why are they going
Speaker 3: to be mad at you if you walk in and
Speaker 3: tell him you didn't get married?
Speaker 4: Yeah, you know, think they'd be we're just tying up
Speaker 4: the reveal.
Speaker 3: Yeah, okay, Corey tells the truth. Well, they are going
Speaker 3: to be mad. In fact, they're going to be furious
Speaker 3: despite their worry. They walk into the house and they're
Speaker 3: met with an unexpected surprise.
Speaker 6: They made a sign.
Speaker 3: There's a banner reading congratulations left Angela.
Speaker 1: The time Ella is happening, he went and.
Speaker 6: Had breakfasts with the French toast and then.
Speaker 5: Came and then he came back for this party.
Speaker 4: Changed.
Speaker 5: Everyone pops out.
Speaker 4: Surprise, doesn't come, hold on, is Jack here?
Speaker 6: He's not?
Speaker 5: No, he barely knows.
Speaker 6: Don't that's right, I really know her.
Speaker 5: Everyone pops out surprise.
Speaker 3: The Matthews Clan Foene, Sean and Trina, why did I
Speaker 3: write Phoene Phoene Sean and Angela all.
Speaker 5: Applaud, taking turns hugging the couple.
Speaker 3: Eric approaches his brother and enthusiastically suggests, you really got
Speaker 3: to try these cheeseballs.
Speaker 5: Man to Pega is worried. What is going on?
Speaker 2: That's the weirdest moment I know. I rewound it like
Speaker 2: I couldn't wait see the joker right.
Speaker 6: Well, the joke is, there's two, there's sets, there's a
Speaker 6: setup for it. It's Morgan says, I've always wanted to
Speaker 6: have a sister. Now I do. Then I think, uh,
Speaker 6: Alan says something right, yeah to Corey, and then so
Speaker 6: the joke is like it's a three. It's just weird.
Speaker 3: It was like what a bizarre Like, well, no, I
Speaker 3: don't think any of that happened yet. The first the
Speaker 3: first one is he says, you got to try these cheeseballs.
Speaker 6: No, that's the payoff, that's the punchline to everybody's saying
Speaker 6: emotional important things. And then Eric Turnant comes in with
Speaker 6: something so ridiculous You're waiting for him to say, Corey,
Speaker 6: I've always you know, loved to Pang, I'm so happy,
Speaker 6: and instead it's like, you gotta try these cheese.
Speaker 3: Balls to Panga is worried what is going on? Corey
Speaker 3: whispers to her, they think we're married. Sean approaches, you
Speaker 3: guys look exactly the same. He tells Corey you were
Speaker 3: always married. Doesn't take a piece of paper to change
Speaker 3: what always was. Corey admits there's something he needs to
Speaker 3: tell him, and Sean's grin widens, ooh, and I want
Speaker 3: to hear all about it, and not in front of
Speaker 3: your parents. Alan clinks his orange juice. I just want
Speaker 3: to say that I am the luckiest man in the world.
Speaker 3: I have one beautiful wife, a lovely daughter, and one
Speaker 3: wonderful son. There's the proof, proof of the been asking
Speaker 3: for you.
Speaker 1: I knew it. He has two kids.
Speaker 5: Eric screams hey.
Speaker 3: Alan sends back a casual hey, and then he continues
Speaker 3: his toast, and now I have yet another lovely daughter,
Speaker 3: and he kisses Tapanga on the cheek. Corey whispers that
Speaker 3: they should probably reveal the truth, but.
Speaker 5: Tapega cuts him off. Not now he's talking about me.
Speaker 3: Alan raises his glass to Corey and to Panga, and
Speaker 3: everyone cheers the happy couple. Phoene starts a speech and
Speaker 3: Corey attempts to stop him, but Phoene isn't having it.
Speaker 3: You've done quite enough tonight, haven't you. The group erupts
Speaker 3: into laughter, everyone except Corey and Topanga joke right, that is.
Speaker 6: I you don't want to think about Corey and Topanga stooping, right,
Speaker 6: Phoenie talking about stooping.
Speaker 3: I could really get his voice down if I could
Speaker 3: hear him talk about some stooping.
Speaker 6: Wow parked his calm and my garden, and there's stooping
Speaker 6: stooping in the in the backyard.
Speaker 1: He parked his god.
Speaker 6: Wilted.
Speaker 4: Ever since Corey and Topanga, I can't do it.
Speaker 3: To Panga, Phoene continues, For forty years, I have taught
Speaker 3: young men and women. I have seen countless love struck children,
Speaker 3: but I have never seen the love, the loyalty and
Speaker 3: the funny.
Speaker 6: Why do they just have like examples of things that
Speaker 6: they actually do together, like that they are like what
Speaker 6: if he said, like I've never known a couple who
Speaker 6: can disagree but still make the right decision in the end,
Speaker 6: Or like you can argue like you guys, but still
Speaker 6: manage to love it. You know, like there's ways to
Speaker 6: describe what we've actually seen. Who's gone through this much infidelity,
Speaker 6: that has this and you forgive him again and you
Speaker 6: Cory with women throwing themselves at his feet. I've couple
Speaker 6: so self aware and willing to pontificate endlessly upon the
Speaker 6: power of their own love like you so to the
Speaker 6: universe who needs to support Corey and.
Speaker 3: To Banga more, he raises his glass to Corey and
Speaker 3: to Banga. The group celebrates, while the couple is now
Speaker 3: visibly uncomfortable. Amy begins her toast, I have watched these
Speaker 3: two grow grow up, boy have I? And here they
Speaker 3: are now adults, just fresh out of high school. They
Speaker 3: don't know anything about the world at all. And then
Speaker 3: she turns to Alan, I'm sorry, I.
Speaker 5: Can't do this.
Speaker 3: This was a mistake and I do not support it.
Speaker 3: She looks at to Panga. Why couldn't you have just
Speaker 3: gone to Yale?
Speaker 6: Okay? Now, when you guys were watching this, like, what
Speaker 6: were you feeling? Like, what was going on in your mind?
Speaker 6: Like watching Betsy's performance in this scene and very dramatic.
Speaker 6: Obviously you thought it was dramatic. I was watching this
Speaker 6: and I was going, Betsy's in her head, what's happening?
Speaker 6: Why is she holding back? Why is she think? I
Speaker 6: was like, the way it was written is extremely dramatic,
Speaker 6: and I was like, she's reserved, she's holding back, and
Speaker 6: I was like, really kind of weird, and I was like,
Speaker 6: what is going on? And then in the in the
Speaker 6: the next scenes, I thought Betsy was amazing and like
Speaker 6: fully committed. I was like, why did she not commit
Speaker 6: to the toast? And then I saw the tag and
Speaker 6: I was like, oh, because all week she had been
Speaker 6: being made fun of by Will's performance, so she was
Speaker 6: self conscious of it in a way that she does. Yes,
Speaker 6: there's no like think about the way that she underplays.
Speaker 6: Why couldn't you gone to you? Like the way that's
Speaker 6: written is why couldn't you have gone? Like just oh
Speaker 6: my gosh, Like she loses it, she can't, she can't
Speaker 6: control herself.
Speaker 3: It'd be really interesting to talk to Betsy, because I
Speaker 3: do remember there being a lot of conversation about this.
Speaker 3: I don't remember, Yes, there was a lot of discussion
Speaker 3: about this, and I don't remember if it's that Betsy
Speaker 3: didn't like it, because I'll tell you that while I'm
Speaker 3: watching it. The fact that Amy blames to Penga for
Speaker 3: this entire thing is so weird. And I also know,
Speaker 3: you know, Betsy and I barely got to work together,
Speaker 3: and then they put us in a scene where we
Speaker 3: actually have There's an episode kind of about the very real,
Speaker 3: interesting reliefationship between.
Speaker 5: A daughter in law and a mother in law.
Speaker 3: That is a real thing, the relationship between you know,
Speaker 3: a time where your son maybe always called you when
Speaker 3: he was getting on a plane and called you when
Speaker 3: he landed, Hey, I landed.
Speaker 5: Just want you to know I'm safe now.
Speaker 3: Now he's got a significant other in his life, and
Speaker 3: that's the person who gets those updates about his life.
Speaker 3: That's the person who knows when he's sick when and
Speaker 3: like that feeling like I don't know what my place
Speaker 3: is anymore. That's very real, and I think I think
Speaker 3: there was a lot of discussion about it, and I
Speaker 3: think Betsy had very strong opinions, and I don't remember
Speaker 3: what they were, but.
Speaker 6: There's something happening in this performance, because I was watching
Speaker 6: this and going this is there's awe, And then when
Speaker 6: I saw Will at the end, I was like, Oh,
Speaker 6: it's just simple that she has seen her performance mirrored
Speaker 6: by Will's impression or Will's mocking it, and so she's
Speaker 6: counter like counteracting it in some way like she's so
Speaker 6: conscious or she's you know, because like what I would
Speaker 6: have actually done if I was directing, was I would
Speaker 6: never let her see Will's impression until we were shooting,
Speaker 6: you know what I mean. But the fact that you
Speaker 6: can't do that with a run through and everything, So
Speaker 6: I'm sure that she just had spent all week seeing
Speaker 6: Will do his mocking version of it, which just means
Speaker 6: that you're getting like it reflected back to you, which
Speaker 6: means you're self conscious. So I just thought that it
Speaker 6: was sort of like she was holding backward or actually,
Speaker 6: what I thought was happening was that she was underplaying
Speaker 6: it and downplaying it, which was kind of effective because
Speaker 6: I actually, yeah, she confronted to Panga like if she
Speaker 6: was actually why couldn't you the way that you did
Speaker 6: in your mocking scene, it would have been like way too.
Speaker 6: But that's actually the way it's kind of written. I'm
Speaker 6: listening to what you're saying now, Danielle, and I'm like,
Speaker 6: I feel like if she had just lost control, Like
Speaker 6: if the point was that she's trying to give a
Speaker 6: speech and she can't do it because she's just flustered
Speaker 6: and she's worried about her son, and she ends up
Speaker 6: saying something to Panga that she probably shouldn't have said.
Speaker 6: That would have been like she'd just sort of been like, oh,
Speaker 6: why couldn't you just going to Yale and then like
Speaker 6: walked out in tears, that you still would have been
Speaker 6: able to have the sort of moment of confrontation. But
Speaker 6: as it is, like Jesus, yeah, for Amy to say that,
Speaker 6: it's like yeah, and then Corey has to come back
Speaker 6: at her with his heaviness, and I'm just like, what
Speaker 6: is happening.
Speaker 3: I know, well, let's have Betsy back, Let's have Betsy back.
Speaker 3: Let's talk about this episode. I remember there being a
Speaker 3: lot of discussions, so we will. We will find out
Speaker 3: from the source to Panga is speechless, the room is
Speaker 3: dead silent.
Speaker 5: Eric Gale's here here.
Speaker 3: Of course, of course, and then there's a very tense
Speaker 3: commercial break. We come back in the Matthew's kitchen. Tapanga
Speaker 3: decides she should go, but Corey jumps in. You're not
Speaker 3: leaving your own wedding reception. Tapanga tells Amy, I'm sorry
Speaker 3: for any pain I've caused, and she runs out of
Speaker 3: the room. Corey calls after her, but to no avail.
Speaker 3: He shouts at his mom, how could you say that
Speaker 3: to her? Amy says she's sorry, but Corey's not finished.
Speaker 3: So for fifteen years, you've been lying to me about
Speaker 3: how you feel about us, and you've been lying to
Speaker 3: me about how you feel about her. Amy shouts, I
Speaker 3: want what I believe is best for you, Corey and Topanga.
Speaker 3: Cory's furious. What's best for us is for you to
Speaker 3: trust us. I love her, I will always love her.
Speaker 3: And you know something else, we didn't get married because
Speaker 3: she wanted you to be there. Ory storms out, leaving
Speaker 3: a visibly regretful Amy.
Speaker 6: Yeah, this is all a bit much for me.
Speaker 1: It's just real dramatic. Justice were full Dawson's creek.
Speaker 3: I don't want to wake okay, and we're in the apartment.
Speaker 3: Jack is wrapping a gift when Eric walks in, who's
Speaker 3: the present for? Jack suspiciously says no one.
Speaker 2: But by the way I walked in, I didn't even
Speaker 2: notice the present before I said who's that one for?
Speaker 2: I'd even take a second to look at it. It's like, hey,
Speaker 2: there's now that's him acting there.
Speaker 6: To be fair, it's completely unmotivated, Like, well, did you
Speaker 6: guys say you're not going to date her? Did you
Speaker 6: guys make an agreement? What is the what is the problem?
Speaker 3: Well, what I will say is that there the idea
Speaker 3: that they have not been.
Speaker 5: In competition for her is not true.
Speaker 3: In the first episode, we already saw she jumped on
Speaker 3: him and he was like, you know, ha ha, he's
Speaker 3: she's on me. And then he said, and so they have.
Speaker 3: It has been established that they both want her, and
Speaker 3: one of them will be victorious.
Speaker 6: What have they made an agreement? If they had made
Speaker 6: an agreement a you know what, just for the sake
Speaker 6: of if the episode, this episode had be gone with
Speaker 6: them being like, for the sake of keeping things, we're
Speaker 6: just let's just agree we're not going to make the
Speaker 6: move on Rachel. Okay, Okay, they're going behind each other's back,
Speaker 6: trying to make the move that is conflict.
Speaker 5: Yeah, yeah, yep, you're right.
Speaker 2: Or even set it up where they are going to
Speaker 2: do that, and they we end the last episode with,
Speaker 2: well then made the best man the best man.
Speaker 1: Yeah, that's all. That's all.
Speaker 6: You got it out. It's on game on, Yeah.
Speaker 3: Exactly, yep, but Eric knows it's a present for Rachel.
Speaker 3: Jack got her a book so she has something to
Speaker 3: read in the bathtub. Oh is that where you got
Speaker 3: your idea to read in the shower?
Speaker 1: Well no, I'd already been reading in the shower for
Speaker 1: years and years.
Speaker 2: And by the way, I'd like to say that I
Speaker 2: think I'm a pretty good looking guy until I stand
Speaker 2: next to Matt Lawrence. For further record, he's like constantly tan.
Speaker 2: His clothes look like they're spray painted on him. It's like, man,
Speaker 2: I just look like a pilot next.
Speaker 6: To that kid.
Speaker 5: No, you do not. You very handsome.
Speaker 6: Season seven, you look like a pilot.
Speaker 5: For now.
Speaker 6: This is peak. Will remember the woman.
Speaker 2: I know it is, but it also says the woman
Speaker 2: who was dating the guy, the good looking guy next
Speaker 2: to me, like, no, you're a cute too, husband, thought
Speaker 2: Matt Lawrence was the star of the show because that's all.
Speaker 6: That's all he heard about.
Speaker 5: Me were on world.
Speaker 3: No, he meant without before, he knew me before, before
Speaker 3: we started dating.
Speaker 6: The only one that was sucking his memory it was
Speaker 6: Matt Lawrence because he's the most handsome man version I got.
Speaker 6: You can see there were a bunch of kids. Yeah,
Speaker 6: she was somebody named for something. But one of the
Speaker 6: Lawrences was on that ship.
Speaker 1: But Matt Lawrence.
Speaker 3: Eric can't believe him. That's cold, trying to get Rachel
Speaker 3: to like him more than she likes Eric. Eric then
Speaker 3: walks into the hall and retrieves an even bigger gift
Speaker 3: for Rachel. Jack wonders, what's that slime wipe? Slime wipe?
Speaker 6: Is that really what? He says?
Speaker 1: Yeah, slime Why it's a slime why? I don't know.
Speaker 1: It's never been said before nor since.
Speaker 3: Okay, slime wipe happen. Eric reveals some kind of bird
Speaker 3: for Rachel. He laughs in Jack's face, your present stupid.
Speaker 5: I would be.
Speaker 3: So mad if someone bought me a bird.
Speaker 2: Oh yeah, I've got I've gotta.
Speaker 6: I'm very proud of my gifts for you too.
Speaker 1: I'm proud of mine too. If I'm honest, although I
Speaker 1: have to return one for Daniel, but uh.
Speaker 3: Rachel enters the living room and greets the guys. Eric
Speaker 3: immediately reveals his present. Hey, I bought you this bird.
Speaker 3: It reminded me of you because it has bright red
Speaker 3: feathers and it eats like a bird.
Speaker 6: And poor David Glazer had to go out and find
Speaker 6: a Yeah, that's what I talked about.
Speaker 5: Yes, this is the one he talked about.
Speaker 6: Interesting.
Speaker 5: Rachel is flustered. You bought me a present.
Speaker 3: Jack chimes in, I got you this book, which I've read,
Speaker 3: and I thought maybe you'd like She looks at the book.
Speaker 1: Keiths, Yeah, I know dating.
Speaker 5: How did you know that was my favorite poet? Eric
Speaker 5: butts in. I told him.
Speaker 3: Rachel's overwhelmed, and she doesn't know what to say. She's
Speaker 3: visibly flustered and runs upstairs without saying another word.
Speaker 6: Actually, you know, I want to jump in with a memory.
Speaker 6: This is a great this is a good memory. I
Speaker 6: remember talking to Matt Lawrence about Keats and he said
Speaker 6: something that has stuck with me and I've used in
Speaker 6: relationship to other He's like, you know what Keiths is like?
Speaker 6: He's he'said reading Keats is like just hearing a great
Speaker 6: major chord, like just a C major or a G major,
Speaker 6: And I was like, that is really astute. Matt, like
Speaker 6: it's always stuck with me. I was like, yeah, that
Speaker 6: is what Keith's sounds like. It's just perfect music. It's
Speaker 6: just well good poetry. And I was like, what you know.
Speaker 6: And of course Matt Lawrence is a musician, like he
Speaker 6: made it about music, but it was so spot on anyway, Yeah,
Speaker 6: I mean this was a this is right around this.
Speaker 6: I mean we were probably talking about it because of this.
Speaker 6: I don't know, but I do remember talking about Keats
Speaker 6: with Met Lawrence's cool.
Speaker 5: That's cute. So Eric asks what just happened Jack's eye?
Speaker 5: Something bad? Then the bird squawks and Eric wonders, do
Speaker 5: we eat this?
Speaker 6: My favorite button.
Speaker 4: Is one of the funniest things this And then.
Speaker 6: The next I was like, wow, that is some genius.
Speaker 6: Can we eat this? Oh my god, it's so funny
Speaker 6: the story for me, like those two buttons were like,
Speaker 6: oh you the episode, no, Eric, no, Eric.
Speaker 4: Is just the best, just genius.
Speaker 5: We're back in the Matthew's kitchen.
Speaker 3: Amy's pouring coffee for herself and Alan while muttering too
Speaker 3: young to even think about marriage. Alan reminds her that
Speaker 3: Corey is not their little boy anymore. They can't prevent
Speaker 3: him from making mistakes. Amy argues, please, I still lay
Speaker 3: out his clothes and what she wants to do? Alan
Speaker 3: interjects to Panga. Amy nods, but repeats the same sentence
Speaker 3: what she wants to do. Alan interrupts her again to
Speaker 3: Panga use her name. A frustrated Amy starts over what
Speaker 3: Topanga wants to do is and Alan finishes her sentence
Speaker 3: is lay his clothes out for him. That is what
Speaker 3: no wife is thinking they want to do.
Speaker 2: Also, sorry, but your mom still laying your clothes out
Speaker 2: for you when you're eighteen?
Speaker 1: You've got other issues, you really do.
Speaker 3: Also, no mention of the fact again that Amy and
Speaker 3: Alan got married at eighteen. Nope, and she's too young
Speaker 3: to even think about getting married.
Speaker 1: You did, but you did, yeah.
Speaker 3: He asks her while rubbing her hand. Do you think
Speaker 3: this would bother you so much if this was some
Speaker 3: girl who couldn't take care of him as well as
Speaker 3: you have?
Speaker 5: Do you really think Tapega isn't right? Is right for you?
Speaker 5: So let me just let's talk about that question.
Speaker 3: Do you think you would mind Corey running off to
Speaker 3: marry someone if she was worse.
Speaker 5: You're right, If I knew this was a failure, it
Speaker 5: wouldn't bother me so much.
Speaker 1: Yeah, it's weird.
Speaker 3: What that's the question? He says, Do you think this
Speaker 3: would bother you so much? Their son getting married? There
Speaker 3: Sonny loping with a woman, if you thought it was
Speaker 3: some girl who couldn't take care.
Speaker 5: Of him as well as Tapega does.
Speaker 6: And her answer is yeah. So this is where she
Speaker 6: realizes that she's jealous.
Speaker 3: And she insists it isn't about that they're too young,
Speaker 3: he's not ready, and then she says, I'm not ready,
Speaker 3: she admits, while fighting back tears. Yes she's right for Corey,
Speaker 3: she loves him, and yes she'll take care of him
Speaker 3: and he'll be happy. Amy realizes, oh god, I'm jealous
Speaker 3: of her. Alan comforts her. They still have Eric and
Speaker 3: Amy groans, oh.
Speaker 1: God, which is funny.
Speaker 5: It is funny.
Speaker 3: So then we're at the apartment. The boys are stressed.
Speaker 3: Jack is pacing. She's been in there a really long time.
Speaker 3: Eric agrees, you don't think she like and then he
Speaker 3: pretends to hang himself.
Speaker 1: Oh there's something like a good suicide. Jesus yikes, nye.
Speaker 3: Jack shakes his head. Naw, she's too tall for that.
Speaker 3: He admits, they're just freaks. She just got out of
Speaker 3: a bad relationship and she's vulnerable. Eric adds, and both
Speaker 3: of us are going after her like she's some kind
Speaker 3: of cheese ravioli. Jack realizes when she really needs a
Speaker 3: couple of friends. Eric warns Jack they better make it
Speaker 3: safe around there before it's too late. Then Rachel exits
Speaker 3: her room, now carrying a piece of luggage. Jack yell's
Speaker 3: oh no, it's too late. Eric sternly states, we're not
Speaker 3: letting you go. Rachel's confused. Jack adds, we know why
Speaker 3: you think you have to leave. Rachel doesn't get it. Well,
Speaker 3: why do I have to leave? Eric explains because of
Speaker 3: the extreme sexual tension that we've created in this here,
Speaker 3: your new habitat. Rachel wonders, Oh, you feel it too, huh.
Speaker 2: Also, unless we all suddenly became the best actors in
Speaker 2: the world, the suitcase is actually very heavy.
Speaker 5: There's actually a bunch in there.
Speaker 3: In there, yeah yeah, Eric mouths a little bit, and
Speaker 3: Jack steps up. Yes, And we realize that if we
Speaker 3: have any chance of keeping you here, we have to
Speaker 3: stop thinking of you as a Eric suggests, puff pastry
Speaker 3: on a plate. Jack continues, and more like, Eric finishes
Speaker 3: his sentence again person Jack assures her they won't chase
Speaker 3: after her or compete for her. They'll just be who
Speaker 3: she really needs, roommates and friends. Rachel asks, and that's it.
Speaker 3: Eric nods that's it. Jack excitedly asks, so you'll stay.
Speaker 3: Rachel laughs, Stay, I was never moving out. Eric and
Speaker 3: jackhi five each other in victory. Yeah, she explains, I
Speaker 3: love my book and I love my bird too. You
Speaker 3: guys treat me better than my boyfriend.
Speaker 1: Ever?
Speaker 3: Did I think it started to scare me? I just
Speaker 3: realized that I could easily fall for either one of you.
Speaker 3: The guys are frozen, and then I thought, so what
Speaker 3: if I do? Because I can deal with that.
Speaker 1: Yeah.
Speaker 3: The guy's mouths are now open and utter disbelief. Jack whispers,
Speaker 3: Oh no. Eric is a ghast.
Speaker 5: We guessed wrong.
Speaker 3: Rachel assures them, Oh, you didn't. We have to keep
Speaker 3: this strictly platonic, no matter what I'm feeling inside, Eric
Speaker 3: tries to form a coherent sentence. Well, then, well, what's
Speaker 3: in the suitcase? She explains. Some mementos for my old boyfriend.
Speaker 3: I was on the way to the incinerator to burn them.
Speaker 3: When I get back, I guess we'll start our new relationship.
Speaker 3: They give her oneasy smiles and she thanks them for
Speaker 3: saving her from herself. As she leaves, she admits, you
Speaker 3: two are the most sensitive, caring men that I've ever met.
Speaker 5: Thanks.
Speaker 3: The door closes and the guys don't know what to say.
Speaker 3: Breaking the silence, we hear the ding of a timer
Speaker 3: and Eric excitedly states, birds ready.
Speaker 6: Amazing, that's the button saves it. But this is where
Speaker 6: I thought the episode should have started, or last episode
Speaker 6: should have ended. Last episode ended with this. Then this
Speaker 6: episode makes sense because that's like, oh, we have this
Speaker 6: agreement and yet we're messing it up. Instead, they're they're
Speaker 6: just yes.
Speaker 4: It's not that they're just yeah, Okay, yep.
Speaker 3: That's where this needed one needed to start for sure.
Speaker 3: Then we are in the infamous childhood park. I'm going
Speaker 3: to assume Corey and Topanga are standing out.
Speaker 4: The monkey bars have moved or the it's not even
Speaker 4: the monkey bars.
Speaker 5: What is a jungle gym?
Speaker 6: The jungle gym is now completely different places because it
Speaker 6: used to be in the well.
Speaker 2: There is a big there was a big jungle gym
Speaker 2: reformation in ninety eight, and of course.
Speaker 5: Everyone around yeah, yeah, the summer of ninety eight.
Speaker 1: Correct.
Speaker 3: They spot Amy and Allen walking up to Panga, thinks
Speaker 3: she should leave. Amy asks to Panga for a minute
Speaker 3: to talk, and as they wait. As they make their
Speaker 3: way to a bench, Topanga says, I don't want you
Speaker 3: to be mad at me. Amy assures her she isn't mad.
Speaker 3: Alan wants to give the girl some space, but Corey's concerned.
Speaker 3: I'm afraid mom's gonna kill Tapanga and Burrier in the sandbox.
Speaker 3: Amy tells Tapanga it's very hard for a mother to
Speaker 3: think that another woman is going to take her place
Speaker 3: with her little boy. To Panka insists I could never
Speaker 3: take your place. I just love your little boy, missus Matthews.
Speaker 3: Amy corrects her, Amy, use my name is? This is the
Speaker 3: first time I'm ever gonna call them Amy and Alan?
Speaker 1: Yeah?
Speaker 5: He Tapanga hesitates.
Speaker 3: Before saying Amy, knowing what it means, Amy continues, if
Speaker 3: there is going to be another person to take my place,
Speaker 3: I want it to be you. Topeka smiles and thanks her. Meanwhile,
Speaker 3: Alan and Corey are sitting on nearby swings, Alan tells
Speaker 3: his son, I'm really proud of you. You stood up
Speaker 3: for what you believed in and you made your own decision.
Speaker 1: I'm sorry, wait, just very yeah. Have I been doing
Speaker 1: marriage wrong? Was my wife's supposed to take the place
Speaker 1: of my mom?
Speaker 6: This is all like subtext becoming text, Like this is
Speaker 6: all fine subtexts, Like I like the idea that like
Speaker 6: a mom realizes that she but to like make it text. Now,
Speaker 6: like for a woman like to Panga to be referring
Speaker 6: to her husband to be as a little boy is
Speaker 6: just weird and like.
Speaker 4: I'm going to like, why would you accept this?
Speaker 6: Like I would be like so grossed out if my
Speaker 6: wife was like or my wife's father was like, well,
Speaker 6: now you're the man in her life, so you're gonna
Speaker 6: be daddy doer WHOA got some ideas exactly. It's not
Speaker 6: like that's not the way this works. Like maybe on
Speaker 6: some like deep Freudian subtextual level, but like if you're.
Speaker 4: Saying that to me, that's weird saying it.
Speaker 2: I get I get that you you know you want
Speaker 2: your parture to be your partner to be nurturing, which
Speaker 2: is maybe you get a nurturing kind of sense from
Speaker 2: a parent, but to actually, you're you're the mom now.
Speaker 3: It's like to Benga was spot on when she was like,
Speaker 3: I could never take your place.
Speaker 5: That's not what's happening here.
Speaker 1: But I'm going to do exactly.
Speaker 3: You will always be mommy, yeah, and I'm gonna be
Speaker 3: something else.
Speaker 6: Something else, somebody.
Speaker 5: There's no reason for us to compete.
Speaker 2: Yeah, she's yeah, she's gonna call me daddy, but only
Speaker 2: on a birthday.
Speaker 1: That's what That's what the line is.
Speaker 5: It's just weird.
Speaker 3: But again it strikes me as being a man, maybe
Speaker 3: a man boys interpretation of what women must feel. What
Speaker 3: what does a mom feel when her son gets married?
Speaker 5: Jealous?
Speaker 3: Jealous, jealous of this other woman who's now going to
Speaker 3: get to cook and clean and dress me and bathe
Speaker 3: me O.
Speaker 6: Woman has to acknowledge that she has becomeing the part
Speaker 6: of her job, and that's she's excited to do that.
Speaker 5: She loves these little boys.
Speaker 2: It's actually super weird when you really break it down,
Speaker 2: the kind of dynamic that's happening here is really strange.
Speaker 6: I mean, yeah, like I said, I think it's it's
Speaker 6: fine as subjects like I think that, like, you know,
Speaker 6: there's there is there are aspects of this that are truthful,
Speaker 6: you know, like to say it out loud to each
Speaker 6: other to formalize it is super weird, you know, Like
Speaker 6: the second you're you're saying these things out loud is
Speaker 6: when you would have to maybe check yourself and be like, yeah,
Speaker 6: that's probably not the right way to be thinking about this.
Speaker 3: Corey admits, but Topanga was right. It would have been
Speaker 3: wrong to get married just because you said we shouldn't.
Speaker 3: Alan grinns, I raised a good man. Corey wonders, you're
Speaker 3: calling me a man. Alan stands up and asks, yeah,
Speaker 3: you want to get off that swing and do something
Speaker 3: about it. Corey responds, yeah, actually I do, and he
Speaker 3: stands face to face with his dad.
Speaker 6: Your Penga's daddy.
Speaker 4: Now, so it's time for you to go beat up
Speaker 4: Jebediah and.
Speaker 6: Take that position.
Speaker 1: Take that position.
Speaker 6: Do you know what it means to be daddy Topenga? Okay, yes,
Speaker 6: I mean that's the equivalent conversation if that's what should
Speaker 6: be cutting to it. Okay, now you know what it
Speaker 6: means to be dad eight to a woman.
Speaker 2: But then Corey gives him such a Ben hug, like
Speaker 2: the like Ben would always give that like the half
Speaker 2: kind of it was.
Speaker 6: Yeah, oh man, oh I forgot to point out when
Speaker 6: we were in the kitchen scene during the celebration for
Speaker 6: the wedding. Yeah, did you notice Will that you and
Speaker 6: I were completely trying to bust up in the background.
Speaker 6: Of course, of course every time we was like eye,
Speaker 6: it was like improbable. You could hear us trying to
Speaker 6: be louder than one another to make each other laugh,
Speaker 6: and then it keeps cutting. You can see me in
Speaker 6: the background like just shit eating grind, like I am
Speaker 6: here clearly, and then it comes back in the next
Speaker 6: scene where you're doing it. That's what we thought we
Speaker 6: could work together because we were yeah, we're in the
Speaker 6: background just moving off. Well, I think we were trying
Speaker 6: to make Ben laugh, is what we were trying to do.
Speaker 6: Still had to act in that scene, and you and
Speaker 6: I just had to be like hey.
Speaker 3: So they embrace and Alan proudly walks over to Amy
Speaker 3: and Topanga. Amy says, we came down here to let
Speaker 3: you guys know that we will always be here for
Speaker 3: you no matter what you decide, and Alan adds, the
Speaker 3: one thing we don't ever want to do is make
Speaker 3: you feel afraid to come to us with any important decision.
Speaker 3: Corey reveals, well, we have made a decision. In fact,
Speaker 3: I think we've made the most important decision of our lives.
Speaker 3: Amy smiles. We love you both, and now that there's
Speaker 3: going to be a wedding, she pulls the ring off
Speaker 3: of her finger and shows it to Topanga.
Speaker 5: You're going to need this. This was my mother's.
Speaker 3: Engagement ring, and I would be honored if you would
Speaker 3: wear it to Penga gasps Amy. Amy admits she wants
Speaker 3: it to stay in the family. Corey cuts her off
Speaker 3: and takes the ring from her. You remember me, Corey,
Speaker 3: Don't I get to do anything?
Speaker 5: No, no, no, okay.
Speaker 4: If it came from her mom, wouldn't she be saving
Speaker 4: it from Morgan?
Speaker 6: Like if it's along the also from Alan's mom. Rice
Speaker 6: came from Alan's mom?
Speaker 4: Yes, right, okay, yeah, I'm sorry, County.
Speaker 3: I don't get to propose. I don't get to put
Speaker 3: the ring on her hand. I don't get to do nothing.
Speaker 3: Alan quips, welcome to marriage. Amy reminds him they have
Speaker 3: a lot to do. There's a whole wedding to plan.
Speaker 3: To Penga, reveals, actually we don't. Amy shocked what. She
Speaker 3: looks at her son and starts hitting him.
Speaker 5: You said no to her?
Speaker 3: What is the matter with you? Corey explains that they
Speaker 3: made a decision together. They listen to their friends and family,
Speaker 3: but ultimately made the decision together. Alan wonders what that
Speaker 3: decision is, and Corey promises he'll tell them that there's
Speaker 3: something he needs to do first. He pulls to Panga
Speaker 3: up from the bench. We've been together our entire lives,
Speaker 3: and you know that I love you more than anything
Speaker 3: in the world. He holds the ring up and asks,
Speaker 3: will you marry me? Why does because it's not official
Speaker 3: until a man does it right, correct, that is.
Speaker 2: The correct answer to that is so infuriating. That's absolutely
Speaker 2: the correct answer, though it's not real.
Speaker 5: It wasn't real until he got to do it.
Speaker 6: Such bull crap. Like I mean, I actually was kind
Speaker 6: of I thought this was a sweet moment, like to
Speaker 6: have the two of them and coming together, especially, but like, yeah,
Speaker 6: to make it about Corey getting his rightful position by
Speaker 6: being the asker was just a weird vibe. I was like, what, I.
Speaker 3: Guess they saved it a little bit by the fact
Speaker 3: that there has been a ring. So first of all,
Speaker 3: the ring is the button on really that Amy approves.
Speaker 5: Amy approves of Tapanga. I approve of it so much.
Speaker 3: I'm giving you a family ring, even though you're not
Speaker 3: blood related to me. If this marriage ends, my ring's
Speaker 3: off and gone, like it's.
Speaker 5: A real button there.
Speaker 3: And so in order to get in order to it's
Speaker 3: a little saved by the fact that he could at
Speaker 3: least say, I want to put this ring on your finger.
Speaker 5: We have a ring now, and so let me.
Speaker 1: Do one thing, Let me do one, let me do
Speaker 1: one to do like that. Yeah, I guess it. But
Speaker 1: it was still a little weird.
Speaker 5: Yeah, I know. It was the first thing I thought
Speaker 5: of too, like, oh, great, now it's real.
Speaker 3: Yeah, Topenga smiles, Yes, I will. He puts the ring
Speaker 3: on her finger and they kiss. Alan shouts, all right, already,
Speaker 3: when's the wedding. Corey says, that's what we decided. We'll
Speaker 3: get married when we're ready, and when are ready, you'll
Speaker 3: be the first to know. And then we freeze in
Speaker 3: the park, probably standing there right before Amy and Allen
Speaker 3: walked up. That's why we were standing there having the conversation.
Speaker 3: I thought of that too. I was like, probably right,
Speaker 3: grand idea, I think I know.
Speaker 5: I also was wondering that.
Speaker 1: I was like, what you stopped to get a snack?
Speaker 1: Apparently we were walking.
Speaker 3: Through the park and I got a family.
Speaker 6: It sounds good episode. I'm gonna run out and get
Speaker 6: some get popcorn. I sounds so good.
Speaker 5: You don't have any in your house?
Speaker 6: I do? Okay, you got Mike Grave, I've got a
Speaker 6: micro grave, a movie theater popcorn machine.
Speaker 5: Oh great.
Speaker 3: We freeze on a still shot of Corey holding Tapanga
Speaker 3: from behind, grins plastered on both their faces, and then
Speaker 3: we're in the tag in the Matthew's kitchen.
Speaker 5: We see the.
Speaker 3: Congratulations newlywed sign now reads congratulations Phoene. Alan proposes a toast,
Speaker 3: have a great time in Jackson Hole. Here's to your retirement, George.
Speaker 3: Our group of main characters agree. Here here Phoene smiles,
Speaker 3: thank you Allan, I'll miss you all. Eric nervously speaks up, Well,
Speaker 3: I guess it's time for Feenie's favorite student to make
Speaker 3: a speech. Hunh, he begins, for forty years, I have
Speaker 3: watched you educate young men and women. Boy have I
Speaker 3: Amy Brown's sounds a lot like her speech to Corey
Speaker 3: and Topanga. Eric continues, I'm sorry, I can't do this.
Speaker 3: This is a mistake and I do not support it.
Speaker 3: He yells the last bit straight into Phoene's face. Yep,
Speaker 3: it's Amy's speech. He turns to Topanga, why couldn't you
Speaker 3: have just gone to Yale?
Speaker 5: Eric makes a swift exit out the back door.
Speaker 3: Alan runs over, and instead of consoling him, he joyfully
Speaker 3: locks the door.
Speaker 5: And that's our episode.
Speaker 6: Off and running.
Speaker 3: So our next episode will be season six, episode three
Speaker 3: eight College Great, Wow, we finally get to college.
Speaker 6: Union coming up soon.
Speaker 5: Writer is my episode, one of my episodes.
Speaker 3: I've been looking forward to recapping the episode where uh,
Speaker 3: Corey gets kicked out of being the they want to
Speaker 3: do a hang you go we make out where we
Speaker 3: make out and it makes so that means Corey and Temanga.
Speaker 3: In these first few episodes, Corey and Twanga get engaged
Speaker 3: all the drama around it, and then in a few episodes,
Speaker 3: I'm just making out with you and we are like,
Speaker 3: Corey is acting so weird about so weird.
Speaker 6: Yeah, we're gaslighting. Po oh my god.
Speaker 3: Can't wait to make sense of that one. Thank you
Speaker 3: all for joining us. For this episode of Podmeets World.
Speaker 3: As always, you can follow us on Instagram pod meets
Speaker 3: World Show. You can send us your emails at pod
Speaker 3: meets World Show at gmail dot com. And we've got merch.
Speaker 1: Why couldn't you've just bought some merch.
Speaker 5: Pod meetsworldshow dot com. We love you all, pod dismissed.
Speaker 3: Pod Meets World is an iHeart podcast produced and hosted
Speaker 3: by Danielle Fischel, Wilfridell and Wright Strong Executive producers, Jensen
Speaker 3: Karp and Amy Sugarman, Executive in charge of production, Danielle Romo,
Speaker 3: producer and editor, Tara sudbachsh producer, Maddy Moore, engineer and
Speaker 3: Boy Meets World super fan Easton Allen. Our theme song
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