WEBVTT - TGI – Episode 602 “Her Answer (Part 2)”

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<v Speaker 1>It's taken a while, but I've done it.

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<v Speaker 2>I've connected Boy Meets World with MASH or seven Degrees

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<v Speaker 2>with Kevin bacon'sty No, like it'll be one degree and

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<v Speaker 2>it is now Cannon as far as I'm concerned. Okay,

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<v Speaker 2>So yes, the world, it's they live in the same world,

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<v Speaker 2>and I think the characters or some of them, the

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<v Speaker 2>families have met. So there's a very famous episode of

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<v Speaker 2>MASH called Adam's Ribs. It's arguably one of the most

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<v Speaker 2>famous episodes of MASH. Ever, Yeah, Hawkeye freaks out because

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<v Speaker 2>they've had the same liver fish every day to eat

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<v Speaker 2>for eleven straight days. He starts to go nuts, and

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<v Speaker 2>he starts to have a craving for ribs from a

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<v Speaker 2>very specific place called Adam's Ribs in Chicago. So he

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<v Speaker 2>calls the place in Chicago, he orders the ribs up,

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<v Speaker 2>and now they have to find a way to get.

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<v Speaker 1>The ribs from Chicago to Korea.

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<v Speaker 2>So he's asking everyone in the camp, hey, does anybody

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<v Speaker 2>have an idea of how does anybody know anybody in Chicago?

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<v Speaker 1>Bubba.

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<v Speaker 2>Finally, Trapper John, his best friend there and roommate says

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<v Speaker 2>to him, I dated a woman.

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<v Speaker 1>But it was a one night stand. God, what was

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<v Speaker 1>her name? Mildred, Mildred Feenie, that is who we had.

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<v Speaker 1>And they call Mildred Seieni in Chicago.

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<v Speaker 3>First time you've ever mentioned, no that someone has the

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<v Speaker 3>last name Seene.

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<v Speaker 2>Was double checking to get the numbers right before I

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<v Speaker 2>brought it up mirror well because the years it's nineteen

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<v Speaker 2>fifty one, okay, fifty yeah, supposed to be fifty one

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<v Speaker 2>at this.

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<v Speaker 1>Point of the need.

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<v Speaker 2>So Phoene is so, I'm thinking it's missed our George

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<v Speaker 2>Feene's sister who's from Chicago. So I think Trapper John

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<v Speaker 2>from Mash actually slept with george sister. Boy meets World

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<v Speaker 2>and Mash Same World unconnected.

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<v Speaker 4>Wow, okay, right, will right.

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<v Speaker 3>This was big for me, so I love my One

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<v Speaker 3>of my favorite moments of doing this podcast is when

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<v Speaker 3>I realize how much free time Will has, you know.

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<v Speaker 4>Astounded, and he's like, how many miles am I going

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<v Speaker 4>to walk.

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<v Speaker 5>I'm going to have to do today?

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<v Speaker 2>Do you want me to walk through my day like

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<v Speaker 2>an average day? How many I wake up at? I

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<v Speaker 2>wake up at seven thirty in the morning and I

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<v Speaker 2>lie in bed time for at least forty five minutes

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<v Speaker 2>looking at my phone doing word all connections framed.

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<v Speaker 5>Gosh, you're not out of bed until eight fifteen.

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<v Speaker 1>About eight fifteen.

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<v Speaker 2>Then I get my what depends I'm gonna say, this

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<v Speaker 2>is a non podcast day?

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<v Speaker 5>Okay?

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<v Speaker 2>So then I get my dog dressed up and I

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<v Speaker 2>put on am I the asshole?

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<v Speaker 6>Or my Does your dog refuse to put his shoes on?

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<v Speaker 5>And no?

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<v Speaker 6>Like I cry a little before?

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<v Speaker 1>Now, No, she loves it, she says, your dog out

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<v Speaker 1>of shoes.

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<v Speaker 6>You have to pack your dog at lunch? No, make

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<v Speaker 6>sure that okay, No, it's all about me about it?

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<v Speaker 6>So dog's done its homework the night before. You have

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<v Speaker 6>to make sure home.

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<v Speaker 5>Your dog wake up in a grumpy mood.

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<v Speaker 3>Sometimes make you while you're walking at the door.

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<v Speaker 6>Oh wait, I actually have to poop.

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<v Speaker 4>You know, you're twenty minutes late for school.

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<v Speaker 1>Nog.

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<v Speaker 6>Dog doesn't do that.

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<v Speaker 2>Every time I open my eyes in the morning, the

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<v Speaker 2>first thing I hear is a song, good morning, good morning,

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<v Speaker 2>good And I go and the bed magically moves and

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<v Speaker 2>makes itself. It is a magical world. Then I then

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<v Speaker 2>walk my dog while listening to podcasts or something I'll

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<v Speaker 2>enjoy for a good forty five minutes to an hour,

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<v Speaker 2>and then I come back and I do my better

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<v Speaker 2>me for a half hour, which is my my and

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<v Speaker 2>then I do forty five minutes to an hour of

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<v Speaker 2>cardio of either running or the elliptical. I then take

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<v Speaker 2>a nice long shower while reading my Yeah, I taketics walk.

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<v Speaker 5>This mostly for the by noon.

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<v Speaker 2>So my goal and I hit it is by noon

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<v Speaker 2>every day I have at least eleven thousand steps. Wow.

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<v Speaker 1>So then after that, I eat my lunch and then

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<v Speaker 1>I nap and.

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<v Speaker 5>I work out all morning.

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<v Speaker 2>I eat, I nap, and then I get up and

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<v Speaker 2>I walk the dog again, and then I come back

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<v Speaker 2>and I trink it morning all over it I do.

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<v Speaker 2>I do another cardio session of either elliptical, and then

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<v Speaker 2>three days a week I have a personal trainer for

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<v Speaker 2>weight and then uh, I have dinner, I watch whatever

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<v Speaker 2>television show I want to watch. I'll maybe sipping an

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<v Speaker 2>adult beverage, and then I go back to sleep.

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<v Speaker 1>And then the next day I do it again.

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<v Speaker 2>And that's the joy or I pot you know, like

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<v Speaker 2>on these mornings, I'll push everything. So I'll do that

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<v Speaker 2>same day, but starting at noon because we podcast from now,

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<v Speaker 2>so I literally get out of bed and come into

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<v Speaker 2>my room and podcast, and then my other days I

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<v Speaker 2>do Magical. We want to start at eleven, so I

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<v Speaker 2>could do most of my stuff in the morning before.

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<v Speaker 1>Magical, and that's my day. It's similar to your days,

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<v Speaker 1>am I right? With your children?

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<v Speaker 6>It's kind of the same.

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<v Speaker 5>Yeah, yeah, yeah, there you go.

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<v Speaker 1>So Mash and Boy mets World connected. That's what I'm saying.

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<v Speaker 3>Yeah, it's beautiful, So thank you for sharing that with us.

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<v Speaker 3>I'm actually very excited.

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<v Speaker 5>I uh but that is veryful.

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<v Speaker 6>In the same snow globe, which is part of some

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<v Speaker 6>dream of a child, isn't that like same elsewhere?

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<v Speaker 1>How that the dream of the child? You're that's uh

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<v Speaker 1>oh God, come on.

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<v Speaker 6>With same elsewhere.

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<v Speaker 1>Wasn't it New Heart, New Heart?

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<v Speaker 2>No?

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<v Speaker 1>New Heart was waking up in the bed?

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<v Speaker 2>They woke up in the bed next to each other

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<v Speaker 2>and New Heart and he was next to his wife

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<v Speaker 2>from his original show and owning the everything.

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<v Speaker 1>No, the snow globe was damn it. I can't remember

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<v Speaker 1>the snow glow. Was it Saint elsewere it might be else? Okay,

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<v Speaker 1>there you go. Then yes, we're all in.

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<v Speaker 4>Which I've never seen a single episode of sant elsewere me.

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<v Speaker 1>I've only seen one or two back in the day.

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<v Speaker 1>They're great. I mean that was like the er back

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<v Speaker 1>in the day was Saint Elsewhere.

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<v Speaker 6>That was like the show.

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<v Speaker 1>But there you go.

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<v Speaker 5>Welcome to Pond Mets World.

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<v Speaker 1>I'm Daniel Fisher, I'm Rider Strong, and I am so

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<v Speaker 1>well rested. I'm Wilford.

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<v Speaker 5>Welcome to season six, episode two.

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<v Speaker 3>It is her answer Part two changing names.

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<v Speaker 1>It doesn't make any sense.

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<v Speaker 6>Just change the name.

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<v Speaker 3>Nobody pays attention to those anyway. It originally aired October

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<v Speaker 3>nineteen ninety eight. This synopsis when Tabanga finds that she

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<v Speaker 3>can't say I do at the altar. Things get worse

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<v Speaker 3>as Amy gets angry and Eric tries to stop mister

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<v Speaker 3>Feeney's retirement. It was directed by David Kendall. It was

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<v Speaker 3>written by Matthew Nelson. And before I jump into our

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<v Speaker 3>guest stars, which are the same two as last week.

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<v Speaker 3>Uh did what are your overall thoughts of this episode?

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<v Speaker 5>Did you like it more than the first one?

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<v Speaker 2>No?

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<v Speaker 5>Okay, I did not like it. Okay, well any more okay,

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<v Speaker 5>I did not.

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<v Speaker 1>Like the second one.

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<v Speaker 2>I loved seeing Betsy and Rusty act together, having stuff

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<v Speaker 2>to do and how good Betsy is when you give

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<v Speaker 2>her an actual storyline and so stuff her act the

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<v Speaker 2>action actually acting, and the two of them together was

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<v Speaker 2>a wonderful thing.

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<v Speaker 1>See.

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<v Speaker 2>I hated Tapanga in this episode, really, I absolutely did.

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<v Speaker 1>I and we'll get into it.

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<v Speaker 7>I I did not like to Pange at all, who

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<v Speaker 7>was a very different person than our friend who was

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<v Speaker 7>hosting the show with us, many totally different prace.

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<v Speaker 6>You just don't I do not like.

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<v Speaker 2>Yeah, exact no, I did not like. Yeah. And of

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<v Speaker 2>course now the Eric stuff is just everything's joke.

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<v Speaker 1>There's no there's no quiet. There's no it's just.

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<v Speaker 6>There's no quiet. It's a good way to.

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<v Speaker 1>All the time.

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<v Speaker 6>But you must have been enjoying this, Yeah, of course,

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<v Speaker 6>I feel like I will back then was like cool,

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<v Speaker 6>this is great. It wasn't until later that you probably

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<v Speaker 6>started getting annoyed with how well now?

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<v Speaker 1>I mean then I was it was fine all.

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<v Speaker 6>The way through season, But you said that.

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<v Speaker 2>The lottery and stuff like that, it gets it gets

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<v Speaker 2>so crazy but and not crazy fun like plays with

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<v Speaker 2>girls crazy fun, but just like what the hell is this?

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<v Speaker 2>But yeah, this is we're now officially to peak crazy.

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<v Speaker 2>And because Matt and I were were peak Matt and

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<v Speaker 2>I like, we're having a ton of fun together. But

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<v Speaker 2>it's just it's like it's just rough and I feel

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<v Speaker 2>just feel bad every time Maitland's on screen. I feel

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<v Speaker 2>bad for her because it's like, Wow, they've given you

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<v Speaker 2>nothing and you're like a weird sex object.

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<v Speaker 1>And yes it was this way, and it.

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<v Speaker 6>Really doesn't connect with the a story doesn't trying to

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<v Speaker 6>think there's no like nothing which nothing. You know, Boyman's

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<v Speaker 6>world used to always have that nice integration, you know,

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<v Speaker 6>even if it took a little a second for you

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<v Speaker 6>to figure it out, But like in this case, I

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<v Speaker 6>really it just feels like completely.

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<v Speaker 3>You look at it, like Corey and Topanga have an

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<v Speaker 3>evolution of their relationship, they go from a couple to

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<v Speaker 3>an engaged couple to possibly a married couple.

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<v Speaker 5>I'm like, I guess if you looked at it like.

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<v Speaker 3>Oh, and then these three roommates are going to evolve

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<v Speaker 3>their relationship from potential date.

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<v Speaker 5>I mean, I guess if you want to real blanket

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<v Speaker 5>it like that.

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<v Speaker 6>Yeah, I mean I like me too. I like she

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<v Speaker 6>also is like sort of a Topanga who chose to

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<v Speaker 6>be single, like and that could have been you know,

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<v Speaker 6>if she could have done Yale. She's supposed to be

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<v Speaker 6>a scholarship to ye know, she's supposed to be very smart,

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<v Speaker 6>which is not playing into the storyline or the character

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<v Speaker 6>at all anymore. They're not writing to that one iota.

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<v Speaker 6>But that actually could have been great if she's like

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<v Speaker 6>this independent woman who comes in and is like, I

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<v Speaker 6>don't want to be a relationship. I'm all about my

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<v Speaker 6>career or all about my own intellectual life. You know,

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<v Speaker 6>she could have been the anti topanga in that way,

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<v Speaker 6>or like an alternative to panga. Yeah, they just don't know.

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<v Speaker 6>There's not anything.

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<v Speaker 1>It's all one going to take a bath, like, okay,

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<v Speaker 1>gonna be a.

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<v Speaker 5>Different short rope, different short.

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<v Speaker 1>Rope, come on. So yeah, it's it's it's not great

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<v Speaker 1>one for me. How about you? Did you like it, Danielle?

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<v Speaker 5>I liked it more than I liked the first one?

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<v Speaker 3>Oh really, really, Yeah, I liked it more than I

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<v Speaker 3>liked the first one.

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<v Speaker 5>I thought it was so funny that we fell for it.

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<v Speaker 3>We fell for it, guys, we didn't remember that the

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<v Speaker 3>outcome of it ends up being that we're gonna be

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<v Speaker 3>engaged and just wait, which is why, which is.

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<v Speaker 6>Why they had to save it. I mean, I mentioned

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<v Speaker 6>when we were talking about the episode, is like, because

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<v Speaker 6>if they offered that, you just take it. It's such

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<v Speaker 6>an obvious answer to both for all the problems. So

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<v Speaker 6>they have to like not bring it up because if

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<v Speaker 6>anybody brought it up, everybody would.

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<v Speaker 5>Be everybody like, yeah, that's a good idea, just right.

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<v Speaker 6>It's too logical, it's too rational.

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<v Speaker 3>So I did think that was funny because like the

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<v Speaker 3>end of the episode ended, and I was like, there's

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<v Speaker 3>this whole thing of like, so, what did you decide?

0:11:21.800 --> 0:11:24.440
<v Speaker 5>I'm sitting on my couch going, come on, what did

0:11:24.480 --> 0:11:26.679
<v Speaker 5>you decide? And then it's.

0:11:26.559 --> 0:11:29.320
<v Speaker 3>Revealed that what we decided is we're engaged, but we're

0:11:29.360 --> 0:11:30.600
<v Speaker 3>not rushing into anything.

0:11:30.679 --> 0:11:31.920
<v Speaker 5>We'll let you know when we're ready.

0:11:31.920 --> 0:11:36.840
<v Speaker 3>And I was like, Oh, I understand why they needed

0:11:36.880 --> 0:11:42.040
<v Speaker 3>to have these two episodes to kind of one of

0:11:42.080 --> 0:11:45.600
<v Speaker 3>the points, I think being to show that they are

0:11:45.760 --> 0:11:46.800
<v Speaker 3>mature enough.

0:11:46.840 --> 0:11:50.800
<v Speaker 1>To maybe make their own decisions, make their own.

0:11:50.720 --> 0:11:52.599
<v Speaker 5>Decisions, because they don't do this.

0:11:53.120 --> 0:11:55.680
<v Speaker 3>They even if they react, they don't follow through on

0:11:55.720 --> 0:11:58.880
<v Speaker 3>the reaction, they don't end up getting married. They're measured.

0:11:59.040 --> 0:12:02.440
<v Speaker 3>They make this decision, and so I get it.

0:12:02.760 --> 0:12:04.480
<v Speaker 5>Uh, yeah, I liked.

0:12:04.480 --> 0:12:09.000
<v Speaker 3>I certainly liked it more than art one I did

0:12:09.040 --> 0:12:13.040
<v Speaker 3>not love. I loved the Amy Allen storyline. Like you said,

0:12:13.040 --> 0:12:17.400
<v Speaker 3>will love their acting, love all of that. I do not,

0:12:17.760 --> 0:12:21.640
<v Speaker 3>in any way, shape or form love this idea that

0:12:21.720 --> 0:12:26.480
<v Speaker 3>Amy is jealous of Topanga because now Topenga is going

0:12:26.520 --> 0:12:31.000
<v Speaker 3>to lay out his clothes and bake for him or

0:12:31.440 --> 0:12:37.360
<v Speaker 3>whatever it is, that that's he's getting mom, and that

0:12:37.720 --> 0:12:39.760
<v Speaker 3>she is jealous of me.

0:12:40.240 --> 0:12:44.480
<v Speaker 6>Now that all of that stuff I think could have

0:12:44.480 --> 0:12:46.200
<v Speaker 6>been played for comedy and would have been fine, but

0:12:46.240 --> 0:12:49.080
<v Speaker 6>it's really played for drama. Like I give you the

0:12:49.120 --> 0:12:52.559
<v Speaker 6>mantle of being his mom, and you're like, that's that's

0:12:52.559 --> 0:12:56.000
<v Speaker 6>probably not something we should all be proud of or expect.

0:12:56.160 --> 0:12:59.360
<v Speaker 6>That's that's let's let's examine Corey needing a mom for

0:12:59.400 --> 0:13:01.800
<v Speaker 6>a moment. Maybe he is a little too young to

0:13:01.800 --> 0:13:04.240
<v Speaker 6>get married, if he's wanted somebody to pick up after him,

0:13:04.240 --> 0:13:06.400
<v Speaker 6>and you know, yes, watch his socks, Like.

0:13:06.400 --> 0:13:10.720
<v Speaker 3>That's I just I think also it's a very male

0:13:11.480 --> 0:13:18.000
<v Speaker 3>interpretation of a woman's feelings. I can totally see there

0:13:18.040 --> 0:13:23.000
<v Speaker 3>being an amount of jealousy when you are the mom

0:13:23.160 --> 0:13:27.880
<v Speaker 3>of an adult man who their whole lives. Boys love

0:13:27.920 --> 0:13:28.840
<v Speaker 3>their moms.

0:13:28.679 --> 0:13:31.040
<v Speaker 5>Mom, mom, mom, mom, mom, and then.

0:13:31.040 --> 0:13:34.200
<v Speaker 3>They become obsessed with girls and now I don't need you, mom,

0:13:34.320 --> 0:13:36.960
<v Speaker 3>I don't need you, and the the all their attention

0:13:37.120 --> 0:13:40.760
<v Speaker 3>goes to this girl, whoever the girlfriend is. I can

0:13:40.800 --> 0:13:42.760
<v Speaker 3>see there being like a you know, there was a

0:13:42.800 --> 0:13:44.920
<v Speaker 3>time where you thought I was the greatest woman in

0:13:44.960 --> 0:13:45.800
<v Speaker 3>the entire world.

0:13:46.600 --> 0:13:47.559
<v Speaker 5>I can see that.

0:13:47.679 --> 0:13:51.120
<v Speaker 3>But that would have happened early on in Corey into

0:13:51.160 --> 0:13:52.280
<v Speaker 3>Pega's relationship.

0:13:52.480 --> 0:13:53.680
<v Speaker 5>It would not have happened.

0:13:53.720 --> 0:13:55.559
<v Speaker 3>It would not happen because now they're going to get

0:13:55.559 --> 0:13:57.720
<v Speaker 3>married and he's going to move out of her house,

0:13:57.760 --> 0:14:00.040
<v Speaker 3>and so that means she to Pega is going to

0:14:00.120 --> 0:14:01.680
<v Speaker 3>lay out his clothes.

0:14:02.280 --> 0:14:04.360
<v Speaker 5>That just like really rubbed me the wrong way.

0:14:05.240 --> 0:14:07.199
<v Speaker 6>Yeah, for me, it doesn't rub me the wrong way.

0:14:07.200 --> 0:14:09.920
<v Speaker 6>As a concept, it's just the self seriousness, like the

0:14:09.960 --> 0:14:13.480
<v Speaker 6>way it's treated like it's this great like it's it's

0:14:13.520 --> 0:14:15.960
<v Speaker 6>actually an emotional thing that she and Topanga need to

0:14:16.040 --> 0:14:17.960
<v Speaker 6>learn and to come to terms with and that they

0:14:18.040 --> 0:14:20.560
<v Speaker 6>need to accept and bridge between the two. Was like,

0:14:20.560 --> 0:14:23.280
<v Speaker 6>whoa like play for a joke, like I'm passing the

0:14:23.280 --> 0:14:25.400
<v Speaker 6>mantle of rain his clothes. That could be funny, like

0:14:25.480 --> 0:14:27.360
<v Speaker 6>I get it, like, because there is some truth to that,

0:14:27.480 --> 0:14:30.480
<v Speaker 6>but not to make it like it's this wonderful thing.

0:14:30.600 --> 0:14:33.200
<v Speaker 6>It's I mean, for me, it's so funny that you

0:14:33.200 --> 0:14:36.480
<v Speaker 6>didn't like to Panga in this will, because like Corey

0:14:36.600 --> 0:14:39.520
<v Speaker 6>just rubbed me like I was like, wait, what happened?

0:14:39.720 --> 0:14:45.040
<v Speaker 6>Like the first episode, clearly he's oscillating between marriage not marriage, right,

0:14:45.240 --> 0:14:48.320
<v Speaker 6>you know, And so for him to be so angry

0:14:48.640 --> 0:14:52.080
<v Speaker 6>and righteous about the whole first half of this episode,

0:14:52.080 --> 0:14:54.880
<v Speaker 6>I was like, dude, on the way here, you were

0:14:54.880 --> 0:14:56.840
<v Speaker 6>freaking out about it. You changed your mind, you know,

0:14:56.920 --> 0:14:58.600
<v Speaker 6>like that was the whole point in the last.

0:14:58.400 --> 0:15:01.200
<v Speaker 4>Episode, and it just didn't you'll, right.

0:15:01.360 --> 0:15:03.240
<v Speaker 2>That's why I like Topega is because it was like

0:15:03.280 --> 0:15:05.040
<v Speaker 2>she was driving it at first, and then it was

0:15:05.160 --> 0:15:07.440
<v Speaker 2>I we're going down the aisle, and then not only

0:15:07.440 --> 0:15:08.840
<v Speaker 2>am I going to say I can't marry you, but

0:15:08.880 --> 0:15:09.240
<v Speaker 2>then I'm.

0:15:09.160 --> 0:15:11.280
<v Speaker 1>Just gonna leave you there. I'm not gonna explain anything.

0:15:11.280 --> 0:15:12.760
<v Speaker 2>I'm just gonna turn around and leave you with standing

0:15:12.760 --> 0:15:15.120
<v Speaker 2>in front of these other two people without saying why

0:15:15.200 --> 0:15:16.840
<v Speaker 2>not giving you an explanation, And then we're going to

0:15:16.880 --> 0:15:20.200
<v Speaker 2>cut to the car where then at the end, Corey

0:15:20.360 --> 0:15:23.960
<v Speaker 2>apologizes to Tapenga like he's.

0:15:23.760 --> 0:15:25.840
<v Speaker 1>Like, well, but he says something and she's like, there

0:15:25.880 --> 0:15:26.200
<v Speaker 1>you go.

0:15:26.320 --> 0:15:28.840
<v Speaker 2>Well, he she dragged him there and then left him

0:15:28.840 --> 0:15:31.200
<v Speaker 2>there after proposing to him without explaining why.

0:15:31.440 --> 0:15:35.360
<v Speaker 6>But I get every right to be angry. No, I

0:15:35.360 --> 0:15:37.640
<v Speaker 6>mean he's been all over the place the whole first episode.

0:15:37.680 --> 0:15:40.480
<v Speaker 6>So it seems to me like the actual reaction for

0:15:40.560 --> 0:15:42.920
<v Speaker 6>both Corey and to Panga would be like, what is happening?

0:15:43.120 --> 0:15:45.000
<v Speaker 5>What do you drag him to this place?

0:15:45.200 --> 0:15:45.280
<v Speaker 2>On?

0:15:45.440 --> 0:15:48.520
<v Speaker 1>She it they went together, they went it.

0:15:48.640 --> 0:15:50.280
<v Speaker 5>Was his idea. He was like, come on, we're getting

0:15:50.320 --> 0:15:51.479
<v Speaker 5>out of here.

0:15:52.000 --> 0:15:53.840
<v Speaker 2>Yes, we're going and she's like in the last one,

0:15:53.880 --> 0:15:55.520
<v Speaker 2>she's like, well wait, if you're so into this, why

0:15:55.520 --> 0:15:56.400
<v Speaker 2>did you just pass the thing?

0:15:56.440 --> 0:15:57.000
<v Speaker 1>And he's like don't.

0:15:57.040 --> 0:15:59.640
<v Speaker 2>So he's the one who's still not entirely sure what's

0:15:59.640 --> 0:16:00.680
<v Speaker 2>going on, and she is.

0:16:01.200 --> 0:16:03.520
<v Speaker 1>They get down the aisle. He says, I do.

0:16:03.680 --> 0:16:04.080
<v Speaker 6>I love you.

0:16:04.120 --> 0:16:04.800
<v Speaker 1>I'll be there forever.

0:16:04.880 --> 0:16:07.880
<v Speaker 2>She says I can't and go sorry and bails, Yeah,

0:16:08.560 --> 0:16:11.080
<v Speaker 2>make Corey, look we shouldn't be doing this.

0:16:11.120 --> 0:16:13.080
<v Speaker 1>We but just leaves him standing there in front.

0:16:12.880 --> 0:16:14.720
<v Speaker 2>Of these two people like hey, and he's like it

0:16:14.760 --> 0:16:18.000
<v Speaker 2>was actually her idea, And then they get into the

0:16:18.080 --> 0:16:19.960
<v Speaker 2>car and she's like, well, how long are you going

0:16:20.040 --> 0:16:20.600
<v Speaker 2>to be mad at me?

0:16:20.640 --> 0:16:22.320
<v Speaker 1>And then she said and then he's.

0:16:22.080 --> 0:16:25.320
<v Speaker 2>Like you're right, and she's like thank you, like like, yeah,

0:16:25.360 --> 0:16:27.760
<v Speaker 2>you did owe me some pot. It's like, wait, this

0:16:27.920 --> 0:16:32.040
<v Speaker 2>was all on to Pang what the what the hell?

0:16:32.080 --> 0:16:34.440
<v Speaker 6>He comes in with so much anger and actually, to

0:16:34.480 --> 0:16:37.600
<v Speaker 6>me it seems angry. It seems like the joke is

0:16:37.720 --> 0:16:39.440
<v Speaker 6>that he's angry that he's not going to get to

0:16:39.480 --> 0:16:41.160
<v Speaker 6>lose his virginity, though I mean, I feel like.

0:16:41.360 --> 0:16:43.120
<v Speaker 1>There's a couple of references to that.

0:16:43.320 --> 0:16:46.280
<v Speaker 6>Of course, sort of like course, so I got I

0:16:46.320 --> 0:16:48.800
<v Speaker 6>was like, dude, Corey, like why not ask her why

0:16:48.880 --> 0:16:51.200
<v Speaker 6>she you know, like, why not be like sympathetic to

0:16:51.240 --> 0:16:54.320
<v Speaker 6>the fact that this obviously just panicked and freaked out

0:16:54.560 --> 0:16:58.800
<v Speaker 6>for very clear reasons that you should understand because you know,

0:16:58.840 --> 0:16:59.560
<v Speaker 6>an hour.

0:16:59.360 --> 0:17:01.960
<v Speaker 1>Ago, you all we're going back. And that's why I disagree.

0:17:02.040 --> 0:17:03.960
<v Speaker 2>See, to me, the scene should have taken the the

0:17:04.359 --> 0:17:09.560
<v Speaker 2>visual of the young couple scared explaining why they shouldn't

0:17:09.560 --> 0:17:11.919
<v Speaker 2>get married right in front of the couple that's been

0:17:12.240 --> 0:17:15.560
<v Speaker 2>together for sixty years is the scene. So for her

0:17:15.600 --> 0:17:19.000
<v Speaker 2>to just go sorry and leave and he's wanted.

0:17:19.040 --> 0:17:21.520
<v Speaker 5>They wanted automatic opening though. I mean, that's all it is,

0:17:24.160 --> 0:17:25.439
<v Speaker 5>running off and leaving him there.

0:17:25.480 --> 0:17:27.400
<v Speaker 1>I agree that I don't like her.

0:17:27.840 --> 0:17:29.520
<v Speaker 5>I don't think she would have I don't if they were.

0:17:29.560 --> 0:17:32.640
<v Speaker 2>They just needed a dramatic, little sympathetic things at the end,

0:17:32.720 --> 0:17:35.119
<v Speaker 2>like I'm so sorry you hate me Amy like that,

0:17:35.440 --> 0:17:36.880
<v Speaker 2>all those kind of things. It was like, oh, now

0:17:36.880 --> 0:17:38.920
<v Speaker 2>she's playing the martyr. It was like, I just didn't.

0:17:39.160 --> 0:17:40.120
<v Speaker 2>I thought to Panga was.

0:17:40.080 --> 0:17:42.120
<v Speaker 1>All over the place in this episode, and I didn't.

0:17:42.280 --> 0:17:44.080
<v Speaker 2>It was for the first time where I was really like, oh,

0:17:44.119 --> 0:17:46.080
<v Speaker 2>I'm not a fan of hers this time. And then

0:17:46.119 --> 0:17:50.240
<v Speaker 2>Ben is Ben Corey is always takes that righteous tone.

0:17:50.520 --> 0:17:54.159
<v Speaker 2>And I kept hearing Michael's voice in my head for

0:17:54.240 --> 0:17:57.800
<v Speaker 2>a lot of the Cory scenes, or anger is never funny.

0:17:57.840 --> 0:18:00.359
<v Speaker 2>Stop playing anger, Stop playing anger, And he played anger

0:18:00.400 --> 0:18:01.560
<v Speaker 2>for most of the episode.

0:18:01.800 --> 0:18:04.159
<v Speaker 6>Yeah, And it was yeah, no, I agree. That was

0:18:04.240 --> 0:18:06.800
<v Speaker 6>It was that car sane. That car scene just drove

0:18:06.840 --> 0:18:07.280
<v Speaker 6>me crazy.

0:18:07.400 --> 0:18:07.879
<v Speaker 5>Yeah, me too.

0:18:08.119 --> 0:18:10.800
<v Speaker 6>It was like what And it's because of the way

0:18:10.800 --> 0:18:15.000
<v Speaker 6>it's written, is like, yeah, Corey is just so angry,

0:18:15.080 --> 0:18:17.960
<v Speaker 6>and it's like kind of in this generic funny way.

0:18:18.000 --> 0:18:21.639
<v Speaker 2>It's like, ah, you know there's in ten minutes and

0:18:21.680 --> 0:18:23.800
<v Speaker 2>it's like, okay, well wait then are you mad it was?

0:18:24.119 --> 0:18:25.320
<v Speaker 1>Yeah, it was a weird episode.

0:18:25.359 --> 0:18:26.600
<v Speaker 5>Well, let's jump into our recab.

0:18:26.640 --> 0:18:28.560
<v Speaker 3>We do have guest starring Bill moriy A's Judge b

0:18:28.680 --> 0:18:31.120
<v Speaker 3>Miss again his second and final Boy Meets World appearance.

0:18:31.320 --> 0:18:32.480
<v Speaker 5>We saw him in Pariship.

0:18:32.560 --> 0:18:34.840
<v Speaker 6>They got paid for two weeks, yeah, showed up for

0:18:34.960 --> 0:18:36.040
<v Speaker 6>one day yep.

0:18:36.520 --> 0:18:39.760
<v Speaker 5>And the same with Connie Sawyer who played Fufie. So

0:18:39.800 --> 0:18:40.560
<v Speaker 5>we get our new.

0:18:41.640 --> 0:18:43.560
<v Speaker 2>As we were talking about foofye the whole time I'm

0:18:43.560 --> 0:18:45.359
<v Speaker 2>watching the episode, I was thinking to myself, this was

0:18:45.440 --> 0:18:48.879
<v Speaker 2>nineteen ninety eight, and this old woman twenty years for

0:18:48.960 --> 0:18:51.119
<v Speaker 2>another twenty years after this.

0:18:51.359 --> 0:18:53.320
<v Speaker 1>That was awesome. I just kept thinking she was one

0:18:53.359 --> 0:18:54.359
<v Speaker 1>hundred and five.

0:18:55.440 --> 0:18:57.320
<v Speaker 5>So that means she was eighty five when we did this.

0:18:57.560 --> 0:18:59.000
<v Speaker 5>She lived for twenty more years.

0:18:59.040 --> 0:19:00.879
<v Speaker 1>Twenty more ears.

0:19:00.960 --> 0:19:01.480
<v Speaker 6>That's crazy.

0:19:01.520 --> 0:19:05.439
<v Speaker 3>So we get our new totally spontaneous opening credits and

0:19:05.520 --> 0:19:09.159
<v Speaker 3>the right into a very small recap our second in

0:19:09.160 --> 0:19:11.639
<v Speaker 3>a row, but this time just for the season one opener.

0:19:11.880 --> 0:19:13.919
<v Speaker 3>We hear Corey say with a picture of him at

0:19:13.920 --> 0:19:16.320
<v Speaker 3>the altar and shock. In case you didn't see last

0:19:16.359 --> 0:19:18.880
<v Speaker 3>week's boy meets World. Here's why I have this look

0:19:18.920 --> 0:19:21.800
<v Speaker 3>on my face, and Judge Beamis repeats the question to

0:19:21.800 --> 0:19:24.959
<v Speaker 3>Topanga does she take Corey to be her husband? And

0:19:25.000 --> 0:19:27.600
<v Speaker 3>now we're in real time at the wedding chapel to

0:19:27.680 --> 0:19:33.040
<v Speaker 3>Panker's to Pega stutters I I, and then there's some laughter.

0:19:33.160 --> 0:19:34.040
<v Speaker 2>But I.

0:19:39.520 --> 0:19:40.560
<v Speaker 1>Should change your name to.

0:19:42.520 --> 0:19:43.800
<v Speaker 6>She's a banger.

0:19:48.119 --> 0:19:50.720
<v Speaker 5>Corey tries to help her out, whispering dude.

0:19:51.200 --> 0:19:54.720
<v Speaker 3>Still she can't form the words I I.

0:19:54.800 --> 0:19:55.919
<v Speaker 5>Corey adds, we got I.

0:19:56.119 --> 0:19:59.000
<v Speaker 3>We're looking for do to Pega winds down and says,

0:19:59.119 --> 0:20:02.040
<v Speaker 3>this is just the range, just thing. Corey excuses them

0:20:02.040 --> 0:20:03.000
<v Speaker 3>for a moment, pulling her.

0:20:02.880 --> 0:20:03.520
<v Speaker 5>Off to the side.

0:20:03.600 --> 0:20:04.280
<v Speaker 6>You can do this.

0:20:04.359 --> 0:20:04.760
<v Speaker 5>I did it.

0:20:04.800 --> 0:20:07.159
<v Speaker 3>Don't leave me up here in my wedding dress. To

0:20:07.280 --> 0:20:09.919
<v Speaker 3>Panga insists she'd try again, and they returned to the judge.

0:20:10.000 --> 0:20:13.720
<v Speaker 6>Now we're cooking gas. Doesn't he say something like, I Amanda,

0:20:14.040 --> 0:20:15.680
<v Speaker 6>I was a man about it, told.

0:20:15.640 --> 0:20:17.840
<v Speaker 5>Does Yeah, that's so funny. I don't remember that, but

0:20:17.920 --> 0:20:20.119
<v Speaker 5>yeah I was. Yeah.

0:20:20.480 --> 0:20:22.840
<v Speaker 3>Now we're cooking with gas, Judge be Miss exclaims to

0:20:22.920 --> 0:20:27.000
<v Speaker 3>Panga tries again, I I.

0:20:27.080 --> 0:20:29.080
<v Speaker 5>The entire group helps her this time.

0:20:29.680 --> 0:20:30.040
<v Speaker 6>Do do.

0:20:33.040 --> 0:20:37.199
<v Speaker 5>She shakes her head. Can't. I can't. Corey shouts, oh,

0:20:37.320 --> 0:20:38.479
<v Speaker 5>you hate to see that.

0:20:39.000 --> 0:20:41.280
<v Speaker 3>She apologizes to Corey, Judge be miss and foofye and

0:20:41.359 --> 0:20:42.680
<v Speaker 3>then she hurries out of the room.

0:20:43.000 --> 0:20:46.360
<v Speaker 6>Yeah, this was my first indication that the Corey like yeah,

0:20:46.320 --> 0:20:48.879
<v Speaker 6>I hate to see that. I'm like, wait, who is

0:20:48.920 --> 0:20:51.000
<v Speaker 6>this Corey? Yeah, I know, I get it. It's a

0:20:51.000 --> 0:20:54.040
<v Speaker 6>funny line, right, like it's a it's a like this

0:20:54.160 --> 0:20:56.359
<v Speaker 6>and the next scene, I feel like we're written for

0:20:56.560 --> 0:21:00.879
<v Speaker 6>like yelling banter, which is like trying to be funny,

0:21:01.080 --> 0:21:04.240
<v Speaker 6>but it's actually doesn't make any sense with Corey's character,

0:21:04.320 --> 0:21:07.639
<v Speaker 6>and actually he would be hurt and concerned like that

0:21:07.800 --> 0:21:10.359
<v Speaker 6>is the Corey Corey would be like. And it actually

0:21:10.520 --> 0:21:13.440
<v Speaker 6>is like this reversion to first season Corey where he's

0:21:13.560 --> 0:21:15.879
<v Speaker 6>like the smart Alecy.

0:21:15.560 --> 0:21:18.880
<v Speaker 5>Like RS is always out and it's.

0:21:18.720 --> 0:21:21.119
<v Speaker 6>Not it just doesn't fit. It's like hold on like

0:21:21.200 --> 0:21:23.679
<v Speaker 6>he is. And then he turns on Amy in like

0:21:23.760 --> 0:21:26.399
<v Speaker 6>three scenes with so much like and it's like hold on,

0:21:26.480 --> 0:21:30.440
<v Speaker 6>but if that Corey would be so concerned about his

0:21:30.600 --> 0:21:32.480
<v Speaker 6>wife to be right now and like I don't know,

0:21:32.520 --> 0:21:35.159
<v Speaker 6>it's just like but instead we get there, like I

0:21:35.240 --> 0:21:37.639
<v Speaker 6>drive a thousand miles and she don't like my tone.

0:21:38.280 --> 0:21:41.080
<v Speaker 6>I'm like, who is this? What is happening? What happened

0:21:41.119 --> 0:21:43.320
<v Speaker 6>to the neurotic guy? Like he would be freaked out.

0:21:43.480 --> 0:21:43.879
<v Speaker 6>I don't know.

0:21:44.000 --> 0:21:48.320
<v Speaker 2>It's just it's like I thought that deserved more anger

0:21:48.359 --> 0:21:50.480
<v Speaker 2>than anything else, because I felt that was like she

0:21:51.000 --> 0:21:52.840
<v Speaker 2>just dumped, just left him right there at the altar

0:21:52.920 --> 0:21:54.720
<v Speaker 2>after proposing to him, and they went through this whole

0:21:54.720 --> 0:21:56.959
<v Speaker 2>thing and now she's like, I'm out, and I was like,

0:21:57.040 --> 0:21:59.919
<v Speaker 2>oh okay, So that I felt like that anger. But

0:22:00.119 --> 0:22:03.199
<v Speaker 2>then it was switched in the car where she was.

0:22:03.280 --> 0:22:05.400
<v Speaker 2>Then there was both angry at each other.

0:22:05.640 --> 0:22:09.280
<v Speaker 1>It was. It was a strange tone for the start

0:22:09.320 --> 0:22:10.639
<v Speaker 1>of the episode. All the way around.

0:22:10.640 --> 0:22:14.040
<v Speaker 3>I thought, yeah, yeah, I agree. This next car scene

0:22:14.080 --> 0:22:16.199
<v Speaker 3>we'll jump into. But Corey watches her leave and wonders

0:22:16.200 --> 0:22:17.679
<v Speaker 3>aloud above dramatic music.

0:22:18.119 --> 0:22:21.240
<v Speaker 5>You know what's funny, she asked me, He asked me.

0:22:21.760 --> 0:22:23.320
<v Speaker 5>Now we're in Corey's.

0:22:22.880 --> 0:22:24.639
<v Speaker 3>Car a deep in thought. To Panga sits in the

0:22:24.640 --> 0:22:28.800
<v Speaker 3>passenger seat. Corey sarcastically announces, I am so sorry my

0:22:29.000 --> 0:22:33.440
<v Speaker 3>family missed that. To Panga apologizes, but Corey doesn't appreciate

0:22:33.480 --> 0:22:36.399
<v Speaker 3>this answer. Wow, he yells out, She admits she doesn't

0:22:36.400 --> 0:22:39.720
<v Speaker 3>know what to say. Corey quickly responds, do you know

0:22:40.280 --> 0:22:43.399
<v Speaker 3>do it's the first half of your favorite word, don't

0:22:43.840 --> 0:22:47.920
<v Speaker 3>to PEG's unamused. I don't like your tone, Corey laughs.

0:22:47.960 --> 0:22:50.199
<v Speaker 3>I drive a thousand miles to marry er and she

0:22:50.359 --> 0:22:56.200
<v Speaker 3>don't like my tone. That is really rich that uh

0:22:56.240 --> 0:23:00.640
<v Speaker 3>and she don't like my tone is a verbatim Michael Jacobs.

0:23:00.880 --> 0:23:01.520
<v Speaker 6>Yeah, oh, all of this.

0:23:01.760 --> 0:23:04.000
<v Speaker 4>Yeah, but that's what I mean.

0:23:04.040 --> 0:23:07.800
<v Speaker 6>I feel like it's like it's it's a heightened comedy

0:23:07.960 --> 0:23:11.679
<v Speaker 6>voice that is funny on its own, but in the

0:23:11.720 --> 0:23:14.040
<v Speaker 6>context of like our show and in the context of

0:23:14.080 --> 0:23:16.159
<v Speaker 6>Corey really doesn't work for me. And I was just like,

0:23:16.240 --> 0:23:20.439
<v Speaker 6>this feels off, this doesn't feel right, and yeah, and

0:23:20.440 --> 0:23:23.320
<v Speaker 6>then like your favorite word is don't and then this

0:23:23.359 --> 0:23:26.960
<v Speaker 6>whole next round about it'll have to be white burning white,

0:23:27.040 --> 0:23:32.400
<v Speaker 6>sound like virgin references. Okay. I was like, he's angry

0:23:32.480 --> 0:23:35.280
<v Speaker 6>because he's not getting laid like that kind of which

0:23:35.480 --> 0:23:37.600
<v Speaker 6>maybe could have been funny, but instead it just felt

0:23:37.960 --> 0:23:39.040
<v Speaker 6>I don't know, it just didn't work for me.

0:23:39.560 --> 0:23:43.840
<v Speaker 2>Can we Also, I don't get the timing of the episode,

0:23:44.359 --> 0:23:47.879
<v Speaker 2>meaning they drove a thousand miles and then there's a

0:23:47.880 --> 0:23:49.120
<v Speaker 2>scene where everybody comes over.

0:23:49.200 --> 0:23:50.480
<v Speaker 1>It's three o'clock.

0:23:50.200 --> 0:23:54.119
<v Speaker 2>In the morning, and then they have a party waiting

0:23:54.160 --> 0:23:55.639
<v Speaker 2>for them when they get.

0:23:55.840 --> 0:23:58.480
<v Speaker 5>Back in the morning. The next day. Yeah, in the

0:23:58.480 --> 0:23:58.920
<v Speaker 5>next day.

0:23:59.200 --> 0:24:02.760
<v Speaker 2>It's the next day, okay, because then Phoene says something

0:24:02.760 --> 0:24:04.200
<v Speaker 2>about what you did tonight?

0:24:05.359 --> 0:24:07.520
<v Speaker 5>Right, because yeah, it's like it's we've stayed up all

0:24:07.600 --> 0:24:08.200
<v Speaker 5>night Corey.

0:24:08.040 --> 0:24:12.840
<v Speaker 1>Into tonight as if it's the same day, but they

0:24:12.880 --> 0:24:13.200
<v Speaker 1>just haven't.

0:24:13.240 --> 0:24:16.960
<v Speaker 6>So if they really drove a thousand miles, right, you're talking, yeah,

0:24:17.119 --> 0:24:19.520
<v Speaker 6>hours and hours of driving. H they won't get home

0:24:19.600 --> 0:24:20.439
<v Speaker 6>until next morning.

0:24:20.680 --> 0:24:22.480
<v Speaker 2>Yeah, okay, all right, Yeah, I was just it was

0:24:22.480 --> 0:24:24.880
<v Speaker 2>weird trying to figure out what the actual breakdown of the.

0:24:25.040 --> 0:24:27.280
<v Speaker 4>Wow drive a thousand miles to get married?

0:24:27.400 --> 0:24:29.600
<v Speaker 6>You don't you go to you go to the East coast,

0:24:29.640 --> 0:24:32.240
<v Speaker 6>you go to uh, Atlantic City, Atlantic City, and you

0:24:32.280 --> 0:24:32.879
<v Speaker 6>go get married.

0:24:32.960 --> 0:24:34.080
<v Speaker 1>It's not that hard to think.

0:24:34.720 --> 0:24:39.879
<v Speaker 3>Six times, Topanga explains that she wants their families at

0:24:39.880 --> 0:24:42.119
<v Speaker 3>the wedding, and she wants to wear a wedding dress,

0:24:42.200 --> 0:24:43.800
<v Speaker 3>a white, lacy wedding dress.

0:24:43.960 --> 0:24:45.920
<v Speaker 5>Cory scowls, of course white.

0:24:46.040 --> 0:24:48.719
<v Speaker 3>The way we're going bright white, snow white whiter than

0:24:48.760 --> 0:24:51.879
<v Speaker 3>the white hot light of a thousand burning suns. She

0:24:51.960 --> 0:24:53.639
<v Speaker 3>asks how long he's going to be mad at her,

0:24:53.640 --> 0:24:55.680
<v Speaker 3>and he confidently answers ten minutes.

0:24:56.040 --> 0:24:57.679
<v Speaker 1>Do you think Corey would marry to Panga if they

0:24:57.720 --> 0:24:58.359
<v Speaker 1>were having sex?

0:25:01.119 --> 0:25:03.520
<v Speaker 2>Honestly, like, I think that's they've made it to where

0:25:03.560 --> 0:25:05.760
<v Speaker 2>that's really important to him. It's one of the reasons

0:25:05.800 --> 0:25:07.520
<v Speaker 2>he's getting married is because he wants to have sex.

0:25:08.160 --> 0:25:09.600
<v Speaker 6>Is that we need to have a Q and A

0:25:09.640 --> 0:25:13.000
<v Speaker 6>episode put this to our listeners. It's as important as

0:25:13.000 --> 0:25:16.240
<v Speaker 6>should she have gone to you would if he was

0:25:16.240 --> 0:25:16.960
<v Speaker 6>not a virgin?

0:25:17.600 --> 0:25:18.920
<v Speaker 1>Would they still have gotten missed?

0:25:18.920 --> 0:25:21.280
<v Speaker 3>I mean, I don't want to We can talk about

0:25:21.280 --> 0:25:23.240
<v Speaker 3>that in a separate episode, but I do think once

0:25:23.280 --> 0:25:28.320
<v Speaker 3>Tapenga says I want our families there, that's the reason

0:25:28.400 --> 0:25:31.720
<v Speaker 3>she said no. I don't know why he's still angry,

0:25:31.880 --> 0:25:34.680
<v Speaker 3>and I also don't know why she hasn't said that

0:25:35.880 --> 0:25:38.800
<v Speaker 3>right away when they got in the car. This feels

0:25:38.880 --> 0:25:43.960
<v Speaker 3>dramatic for the sake of being dramatic, yep, as opposed

0:25:44.040 --> 0:25:47.439
<v Speaker 3>to just communicating, Like Corey, I got up there and

0:25:47.520 --> 0:25:50.960
<v Speaker 3>I realized, even if this is a legal marriage, this

0:25:51.160 --> 0:25:55.480
<v Speaker 3>isn't what I want I want to nobody who knows

0:25:55.560 --> 0:25:57.199
<v Speaker 3>us and I mean he says it later when they

0:25:57.240 --> 0:26:00.480
<v Speaker 3>say our marriage should be a celebration, not a secret.

0:26:00.920 --> 0:26:04.399
<v Speaker 6>Yeah, that's that's I think. I think the way the

0:26:04.560 --> 0:26:08.159
<v Speaker 6>idea is that she's processing it in real time, which okay,

0:26:08.240 --> 0:26:09.800
<v Speaker 6>it could have been like I think. I think if

0:26:09.840 --> 0:26:12.000
<v Speaker 6>if Tapanga just realizes like, oh my god, I can't

0:26:12.040 --> 0:26:13.800
<v Speaker 6>do the thing I'm supposed to say, I can't say

0:26:13.840 --> 0:26:15.480
<v Speaker 6>the thing I'm supposed to say, and then sits in

0:26:15.480 --> 0:26:18.440
<v Speaker 6>the car and is like, no, Corey, I wanted I realized,

0:26:18.680 --> 0:26:21.600
<v Speaker 6>you know, if it was more present tense, and it's

0:26:21.680 --> 0:26:23.919
<v Speaker 6>just the way it's written and the way it's played

0:26:24.119 --> 0:26:25.600
<v Speaker 6>is like as if.

0:26:25.800 --> 0:26:28.399
<v Speaker 2>You yelling at each other. Yeah, correction doesn't Yeah, it

0:26:28.440 --> 0:26:30.240
<v Speaker 2>doesn't work in this situation. It's funny a lot of

0:26:30.280 --> 0:26:33.000
<v Speaker 2>times with Corey and Topanga, but not with the seriousness

0:26:33.040 --> 0:26:33.760
<v Speaker 2>of what just happened.

0:26:33.800 --> 0:26:34.880
<v Speaker 1>It just doesn't fit.

0:26:35.840 --> 0:26:36.040
<v Speaker 5>Yeah.

0:26:36.080 --> 0:26:37.960
<v Speaker 3>Well, then we're in the Matthew's kitchen. Amy and Allan

0:26:38.000 --> 0:26:40.600
<v Speaker 3>are in their pajamas, worrying about Corey. Amy's looking through

0:26:40.640 --> 0:26:42.879
<v Speaker 3>old photographs, and Alan is doing some business with a

0:26:42.960 --> 0:26:43.600
<v Speaker 3>juice box.

0:26:43.720 --> 0:26:45.400
<v Speaker 5>I love that, uh.

0:26:45.400 --> 0:26:46.640
<v Speaker 6>Juice box business.

0:26:46.840 --> 0:26:51.959
<v Speaker 3>That's the other name of the everybody's got. Amy wonders

0:26:52.000 --> 0:26:54.200
<v Speaker 3>how one disagreement could have led to all of this.

0:26:54.440 --> 0:26:56.880
<v Speaker 3>Alan says there is no way he'd get married without them,

0:26:56.920 --> 0:27:00.439
<v Speaker 3>but when Amy asks if he's sure, Alan says absolutely not.

0:27:00.760 --> 0:27:03.320
<v Speaker 3>He reminds her it's okay though, because they're having another one.

0:27:03.800 --> 0:27:06.199
<v Speaker 3>Amy holds her belly. I'm giving you the next eighteen

0:27:06.280 --> 0:27:08.760
<v Speaker 3>years of my life. Don't you ever do anything without me?

0:27:09.280 --> 0:27:11.600
<v Speaker 3>Allan assures her he won't, and neither will I. So

0:27:11.680 --> 0:27:13.760
<v Speaker 3>let's all go to bed. It's a quarter after three.

0:27:13.880 --> 0:27:15.239
<v Speaker 3>Only creeps and weirdos are up.

0:27:15.280 --> 0:27:25.400
<v Speaker 6>Now number one we're gonna do. This is the gift

0:27:25.480 --> 0:27:29.400
<v Speaker 6>that keeps giving dies less funny every.

0:27:29.240 --> 0:27:32.399
<v Speaker 1>Single time I disagree that great. I thought it was

0:27:32.800 --> 0:27:34.159
<v Speaker 1>he with a voice.

0:27:34.200 --> 0:27:34.760
<v Speaker 5>How you doing?

0:27:35.160 --> 0:27:37.960
<v Speaker 3>Amy assumes you were thinking about your brother, weren't you?

0:27:38.520 --> 0:27:41.359
<v Speaker 3>Eric sarcastically nods, Yeah, I got a six foot tall

0:27:41.440 --> 0:27:43.359
<v Speaker 3>wonder woman sleeping in the room next to me.

0:27:43.400 --> 0:27:45.040
<v Speaker 5>I was thinking about my brother though.

0:27:45.040 --> 0:27:46.760
<v Speaker 1>Yeah, then why go over?

0:27:46.880 --> 0:27:48.920
<v Speaker 2>Why not be at home with the six foot tall

0:27:48.960 --> 0:27:50.680
<v Speaker 2>wonder woman who's asleep in the room next to her

0:27:50.720 --> 0:27:52.679
<v Speaker 2>at the foot of her bed, creepily like he ap

0:27:52.720 --> 0:27:53.520
<v Speaker 2>currently wants to be.

0:27:53.600 --> 0:27:54.560
<v Speaker 1>I mean, I don't know.

0:27:56.400 --> 0:28:00.919
<v Speaker 3>Eric explains while grabbing a juice box, Jamie, if you

0:28:01.000 --> 0:28:02.800
<v Speaker 3>know my current situation, I.

0:28:02.800 --> 0:28:03.480
<v Speaker 6>Really I knew.

0:28:03.840 --> 0:28:05.520
<v Speaker 4>I was just like, oh, will so pissed. It's not

0:28:05.520 --> 0:28:06.080
<v Speaker 4>a soda can.

0:28:06.080 --> 0:28:08.639
<v Speaker 6>He can't tell he's got He's gonna figure out how

0:28:08.640 --> 0:28:10.919
<v Speaker 6>to get that strong I can't get. I can see it,

0:28:11.359 --> 0:28:12.960
<v Speaker 6>figure it out, what to do with it?

0:28:13.480 --> 0:28:15.840
<v Speaker 1>The chair and then put the same I need business.

0:28:15.920 --> 0:28:16.880
<v Speaker 1>I need business.

0:28:16.920 --> 0:28:18.240
<v Speaker 5>I have so much business.

0:28:18.800 --> 0:28:21.399
<v Speaker 3>I love it, and there's nothing on TV. So what

0:28:21.440 --> 0:28:23.400
<v Speaker 3>are you guys doing up? The only people up now

0:28:23.400 --> 0:28:25.000
<v Speaker 3>are creeps and weirdos.

0:28:26.480 --> 0:28:31.800
<v Speaker 5>On cue. Sean, how you doing?

0:28:32.480 --> 0:28:35.280
<v Speaker 3>He walks to the fridge to also have some JBB

0:28:36.160 --> 0:28:38.480
<v Speaker 3>baby disinfects the counter.

0:28:39.280 --> 0:28:41.520
<v Speaker 5>So much business.

0:28:41.760 --> 0:28:43.960
<v Speaker 6>Everybody got to do something, man, we're all just sitting

0:28:44.000 --> 0:28:44.880
<v Speaker 6>in the kitchen.

0:28:44.920 --> 0:28:47.880
<v Speaker 3>Business kitchen a line, talking in a line talking, writer's

0:28:47.880 --> 0:28:48.320
<v Speaker 3>favorite thing.

0:28:49.280 --> 0:28:50.960
<v Speaker 5>Don complaints eighteen years.

0:28:50.960 --> 0:28:52.960
<v Speaker 3>I'm his best friend. I raise him right, teach him

0:28:52.960 --> 0:28:56.120
<v Speaker 3>everything I know. Amy reminds him that he wanted Corey

0:28:56.120 --> 0:28:57.680
<v Speaker 3>to get married, but Sean adds, but.

0:28:57.600 --> 0:28:59.760
<v Speaker 5>Not without me. I was supposed to be the best man.

0:29:00.280 --> 0:29:02.680
<v Speaker 3>Eric is offended. I'm supposed to be the best man.

0:29:03.000 --> 0:29:05.680
<v Speaker 3>Then he figures it out. Maybe that's why they eloped.

0:29:05.720 --> 0:29:07.080
<v Speaker 3>They couldn't choose between us.

0:29:07.640 --> 0:29:10.360
<v Speaker 5>Sean stares at him blankly and with a.

0:29:10.200 --> 0:29:12.280
<v Speaker 1>Great such a good read.

0:29:13.000 --> 0:29:16.120
<v Speaker 6>This is a very weird read. I was like, you

0:29:16.160 --> 0:29:19.800
<v Speaker 6>know what, I actually did not play the joke at all,

0:29:20.040 --> 0:29:23.120
<v Speaker 6>which makes it even funny. It was like he is

0:29:23.320 --> 0:29:27.000
<v Speaker 6>so earnest, like I am so disappointed and for him, yes,

0:29:27.120 --> 0:29:29.640
<v Speaker 6>I'm like, oh my god, this is like just no.

0:29:30.160 --> 0:29:32.760
<v Speaker 6>And it's like I can't believe the audience went for

0:29:32.800 --> 0:29:35.760
<v Speaker 6>it though, Like it actually is not a sitcom read.

0:29:35.880 --> 0:29:39.160
<v Speaker 6>It's like a straight drama read. It's like you poor

0:29:39.200 --> 0:29:42.600
<v Speaker 6>poor man. But I don't, like, my brain can't go

0:29:42.760 --> 0:29:44.960
<v Speaker 6>to the it's so good.

0:29:45.160 --> 0:29:46.160
<v Speaker 5>It was so good.

0:29:47.200 --> 0:29:50.640
<v Speaker 7>I'm just glad that the audience went like glad I

0:29:50.720 --> 0:29:50.960
<v Speaker 7>did not.

0:29:51.000 --> 0:29:52.320
<v Speaker 6>Play so much.

0:29:52.360 --> 0:29:55.960
<v Speaker 1>She might have been my favorite joke of the entire Oh.

0:29:55.840 --> 0:29:57.880
<v Speaker 6>That's funny, because I was like, that is a truly

0:29:57.960 --> 0:30:00.000
<v Speaker 6>weird writer read, Like, I don't think I was playing

0:30:00.160 --> 0:30:04.360
<v Speaker 6>the joke at all. It was perfect, perfect sometimes the

0:30:04.360 --> 0:30:07.160
<v Speaker 6>best comedy man. Yeah, played for the joke at all. Right.

0:30:07.680 --> 0:30:10.560
<v Speaker 3>They eloped because Amy and Allen tried telling them what

0:30:10.600 --> 0:30:13.040
<v Speaker 3>to do. They drove up north to see some justice

0:30:13.080 --> 0:30:14.520
<v Speaker 3>of the peace, or at least that's what he said

0:30:14.520 --> 0:30:17.440
<v Speaker 3>in the message he left them. Alan is shocked he

0:30:17.520 --> 0:30:20.200
<v Speaker 3>really did get married. Amy hits her husband with a handtowel.

0:30:20.280 --> 0:30:22.560
<v Speaker 6>Then here's the thing that we're talking about last episode, Like,

0:30:23.600 --> 0:30:25.640
<v Speaker 6>so they all just now they actually.

0:30:25.280 --> 0:30:28.600
<v Speaker 5>Have they finally, my god.

0:30:28.440 --> 0:30:31.920
<v Speaker 3>Finally he left about one a message saying we went

0:30:32.000 --> 0:30:33.240
<v Speaker 3>to a justice of the peace.

0:30:33.280 --> 0:30:35.840
<v Speaker 5>But this is the first time, any worst time, actual

0:30:35.840 --> 0:30:37.040
<v Speaker 5>confirmation exactly.

0:30:37.960 --> 0:30:40.680
<v Speaker 2>Okay, So for the record, one thousand miles north of

0:30:40.680 --> 0:30:43.080
<v Speaker 2>Philadelphia is in Canada.

0:30:43.720 --> 0:30:44.600
<v Speaker 6>Did they say north?

0:30:45.320 --> 0:30:48.240
<v Speaker 1>Yeah? You said north, didn't it? I think you say north.

0:30:49.720 --> 0:30:53.080
<v Speaker 5>They drove up north to see the justice set the piece.

0:30:53.520 --> 0:30:55.280
<v Speaker 1>So you thousands northeast?

0:30:55.360 --> 0:30:56.360
<v Speaker 5>What's what's northeast?

0:30:56.360 --> 0:30:59.600
<v Speaker 3>What's a thousand miles Northeast't good?

0:30:59.720 --> 0:30:59.880
<v Speaker 1>Yeah?

0:31:00.040 --> 0:31:03.120
<v Speaker 2>Or at least you're in another in another country Montreal,

0:31:04.960 --> 0:31:05.920
<v Speaker 2>farther than Montreal.

0:31:05.960 --> 0:31:07.640
<v Speaker 1>I think even you're you're in like way.

0:31:07.720 --> 0:31:10.280
<v Speaker 5>If they drive a thousand miles northwest.

0:31:12.000 --> 0:31:13.720
<v Speaker 6>Yeah, then you're in the Saskatoon get it?

0:31:13.840 --> 0:31:13.880
<v Speaker 2>Like?

0:31:13.960 --> 0:31:16.200
<v Speaker 1>Yeah, do you take do you take you storry? Do

0:31:16.240 --> 0:31:16.680
<v Speaker 1>you take you?

0:31:16.920 --> 0:31:18.000
<v Speaker 6>Sorry? Sorry?

0:31:18.280 --> 0:31:18.920
<v Speaker 1>Sorry?

0:31:19.000 --> 0:31:21.280
<v Speaker 3>Amy, hits her husband with a hand towel and repeats,

0:31:21.280 --> 0:31:22.040
<v Speaker 3>he's a good kid.

0:31:22.080 --> 0:31:25.000
<v Speaker 5>He'll never get married without us. She grasps her belly.

0:31:25.080 --> 0:31:27.320
<v Speaker 3>I'm holding my knees together and this one is never

0:31:27.360 --> 0:31:31.000
<v Speaker 3>getting out. Also this trying to tie in the fact

0:31:31.120 --> 0:31:32.200
<v Speaker 3>that they're still having a.

0:31:32.120 --> 0:31:33.200
<v Speaker 5>Baby to this.

0:31:34.200 --> 0:31:35.760
<v Speaker 6>And now at this point, you're just start counting down

0:31:35.760 --> 0:31:38.680
<v Speaker 6>the seconds. When's the next creeping weirdos? Win's coming coming?

0:31:38.960 --> 0:31:39.440
<v Speaker 5>Thinking about it?

0:31:39.920 --> 0:31:41.160
<v Speaker 6>Are we going to do it? How can we set

0:31:41.200 --> 0:31:43.840
<v Speaker 6>it up? You think it's got to be lets you Sean.

0:31:44.760 --> 0:31:47.120
<v Speaker 5>Sean asks if he can crash on the Matthews couch.

0:31:47.440 --> 0:31:49.760
<v Speaker 6>Why would Sean need to crash on the Matthews couch.

0:31:49.880 --> 0:31:53.280
<v Speaker 3>He doesn't want to be out women night with all

0:31:54.480 --> 0:31:56.640
<v Speaker 3>weirdos there is.

0:31:56.720 --> 0:32:00.760
<v Speaker 6>I didnt see that coming. This show is so effortless.

0:32:00.960 --> 0:32:04.400
<v Speaker 6>There's like so much effortlessness going into this writing. Oh

0:32:04.440 --> 0:32:07.960
<v Speaker 6>my god, it's just as if it just happened without.

0:32:11.240 --> 0:32:13.440
<v Speaker 1>Okay, So Rider did not like the Runner?

0:32:13.600 --> 0:32:13.920
<v Speaker 2>Tang it?

0:32:13.960 --> 0:32:14.760
<v Speaker 1>Did you like the Runner?

0:32:16.800 --> 0:32:17.360
<v Speaker 5>Oh my god?

0:32:17.760 --> 0:32:19.120
<v Speaker 6>Again, I can't do it.

0:32:27.920 --> 0:32:31.760
<v Speaker 5>So Banie walks in, how you doing now?

0:32:31.800 --> 0:32:36.120
<v Speaker 3>He gets his juice box doing his jbb jbb that

0:32:36.240 --> 0:32:37.480
<v Speaker 3>he couldn't sleep either.

0:32:37.800 --> 0:32:42.240
<v Speaker 6>F JBB Phoenix. That's a whole other level. That's like

0:32:43.240 --> 0:32:45.240
<v Speaker 6>upper you need like an upper.

0:32:45.080 --> 0:32:48.600
<v Speaker 1>Degree JBB on stage back or.

0:32:48.600 --> 0:32:51.000
<v Speaker 6>That's when you started five on Broadway. If you've done

0:32:51.080 --> 0:32:52.440
<v Speaker 6>seventeen seventy.

0:32:52.040 --> 0:32:56.080
<v Speaker 1>Six, you can do you get It's right, that's right.

0:32:56.240 --> 0:33:00.440
<v Speaker 3>So he says, you have the lights on, everyone's yelling,

0:33:00.720 --> 0:33:02.400
<v Speaker 3>Eric parked his car in my garden.

0:33:02.600 --> 0:33:07.320
<v Speaker 6>Eric, you said it. This is the line where I

0:33:07.400 --> 0:33:10.479
<v Speaker 6>was like, wait a minute, because you guys know, like

0:33:10.640 --> 0:33:12.320
<v Speaker 6>how you do a Boston accent.

0:33:12.720 --> 0:33:14.400
<v Speaker 5>Yeah, you use the phrase what.

0:33:17.440 --> 0:33:22.000
<v Speaker 6>Havid yah? Yeah. So I could not believe this runner.

0:33:22.040 --> 0:33:23.560
<v Speaker 6>I was like, oh my god. I went back and

0:33:23.600 --> 0:33:25.360
<v Speaker 6>watched it like four times. Can we play the can

0:33:25.360 --> 0:33:26.000
<v Speaker 6>we play the clip?

0:33:26.520 --> 0:33:26.640
<v Speaker 7>Uh?

0:33:27.080 --> 0:33:30.680
<v Speaker 6>That's called parked the car? How you knowing?

0:33:34.280 --> 0:33:38.400
<v Speaker 8>I got all the lights on, everybody's yelling, and Eric

0:33:38.480 --> 0:33:42.240
<v Speaker 8>parked his car in my garden.

0:33:45.160 --> 0:33:48.800
<v Speaker 6>So this is I've decided I'm going to learn how

0:33:48.800 --> 0:33:51.840
<v Speaker 6>to do the Bill Daniels accent. This, I'm going to

0:33:51.880 --> 0:33:54.400
<v Speaker 6>do it, and I hope you guys will join me

0:33:54.520 --> 0:33:56.240
<v Speaker 6>on this journey. And I think maybe some of our

0:33:56.320 --> 0:33:57.520
<v Speaker 6>listeners should do this too.

0:33:57.960 --> 0:34:00.920
<v Speaker 7>This. I feel like this is this line is the key. Wow,

0:34:01.040 --> 0:34:02.960
<v Speaker 7>the lights are on. I can't sleep.

0:34:03.120 --> 0:34:08.880
<v Speaker 6>I can't do it, and you eric in my garden,

0:34:09.440 --> 0:34:10.040
<v Speaker 6>my garden.

0:34:10.440 --> 0:34:11.440
<v Speaker 1>I'm gonna okay.

0:34:11.440 --> 0:34:14.240
<v Speaker 6>So then I was like, let's go back, let's find more,

0:34:14.440 --> 0:34:17.879
<v Speaker 6>like what are the quintessential Phoenie Clips? The other one?

0:34:17.880 --> 0:34:19.680
<v Speaker 6>I wanted to go all the way back to season one?

0:34:20.000 --> 0:34:22.440
<v Speaker 6>Can you please play festooned feeni?

0:34:23.520 --> 0:34:26.480
<v Speaker 8>We had an agreement. I was to get dressed up

0:34:26.800 --> 0:34:29.879
<v Speaker 8>and come to your tea party, and then you were

0:34:29.920 --> 0:34:32.680
<v Speaker 8>to leave me in complete peace so that I could

0:34:32.719 --> 0:34:35.680
<v Speaker 8>grade my papers. Now I have upheld my part of

0:34:35.719 --> 0:34:41.759
<v Speaker 8>the bargain. I have festooned myself in costume jewelry. I

0:34:41.800 --> 0:34:47.880
<v Speaker 8>have swilled your foe tea. Now I insist that you

0:34:48.040 --> 0:34:50.920
<v Speaker 8>keep your end of the bargain.

0:34:53.360 --> 0:34:55.439
<v Speaker 2>Is it's a Boston, it's a it's a high brow

0:34:55.520 --> 0:34:59.479
<v Speaker 2>Boston accent. He's it's Winchester for mash Well.

0:34:59.520 --> 0:35:05.240
<v Speaker 6>I can sleep, but I can't stomed. See my problem

0:35:05.239 --> 0:35:07.320
<v Speaker 6>is I always slip into British like I can't.

0:35:07.760 --> 0:35:12.240
<v Speaker 3>You can also the annunciation of every word, and it's

0:35:12.280 --> 0:35:21.360
<v Speaker 3>the last letter of every word. I have stoppy HoTT.

0:35:22.360 --> 0:35:22.640
<v Speaker 6>That's it.

0:35:22.760 --> 0:35:23.560
<v Speaker 1>Okay, that's it.

0:35:23.640 --> 0:35:27.080
<v Speaker 7>And then just because I feel like between these two clips,

0:35:27.520 --> 0:35:29.960
<v Speaker 7>if you study, yes, if you get.

0:35:29.760 --> 0:35:32.359
<v Speaker 6>This down, you have Phoene's voice that you can do.

0:35:32.480 --> 0:35:39.040
<v Speaker 7>Bill Daniels, Oh yeah, in my Garden, In my garden,

0:35:39.080 --> 0:35:43.480
<v Speaker 7>that's my god, it's that same kind of it's very.

0:35:44.280 --> 0:35:47.759
<v Speaker 6>You're starting to get to it's a little too British. Yeah,

0:35:47.800 --> 0:35:50.120
<v Speaker 6>he manages to like what he does is he draws

0:35:50.640 --> 0:35:51.279
<v Speaker 6>lights wrong.

0:35:51.800 --> 0:35:53.520
<v Speaker 2>So another one to give you, it's a it's a

0:35:53.520 --> 0:35:56.719
<v Speaker 2>worse version, it's a cartoony version. But Tom Hanks in

0:35:56.920 --> 0:35:59.920
<v Speaker 2>volunteers with John Candy does the same kind of thing.

0:36:00.080 --> 0:36:01.200
<v Speaker 1>He's a fish guy.

0:36:01.239 --> 0:36:04.160
<v Speaker 2>He goes Boston guy who goes to the and it's

0:36:04.160 --> 0:36:05.680
<v Speaker 2>that same kind of thing. So it's a it's the

0:36:05.800 --> 0:36:07.440
<v Speaker 2>upper Yeah.

0:36:07.120 --> 0:36:11.600
<v Speaker 6>It's a proper American dialect. Is a theatrical dialect.

0:36:11.800 --> 0:36:15.319
<v Speaker 2>Oh my god, which we all know. Body that Bill

0:36:15.680 --> 0:36:18.080
<v Speaker 2>completely put this on. Not how he was born, not

0:36:18.120 --> 0:36:18.759
<v Speaker 2>how he was raised.

0:36:18.800 --> 0:36:21.480
<v Speaker 6>He was really he was a Yeah, he had a

0:36:21.520 --> 0:36:23.759
<v Speaker 6>Brooklyn accent. And then he was the understudy for a

0:36:23.800 --> 0:36:27.200
<v Speaker 6>play where they were all brought Boston Brahman characters and

0:36:27.239 --> 0:36:29.720
<v Speaker 6>all the actors were doing this accent, and he learned

0:36:29.760 --> 0:36:31.800
<v Speaker 6>how to do it. Yeah, so it's a complete But

0:36:32.080 --> 0:36:33.960
<v Speaker 6>that's why I feel like one of us.

0:36:33.880 --> 0:36:34.960
<v Speaker 5>We could work and put it on.

0:36:35.239 --> 0:36:38.400
<v Speaker 6>We can. You just have to commit to it. You

0:36:38.680 --> 0:36:42.960
<v Speaker 6>just have to commit to it, committ to park your

0:36:43.000 --> 0:36:54.439
<v Speaker 6>car and the coory that no coolvery covery. But I'm

0:36:54.440 --> 0:36:59.319
<v Speaker 6>doing coovery because he ends up kind of softening softening it.

0:37:00.080 --> 0:37:02.000
<v Speaker 6>You know, I can't, I can't sleep.

0:37:02.239 --> 0:37:02.560
<v Speaker 5>I don't know.

0:37:02.640 --> 0:37:05.160
<v Speaker 6>It's so complicated. I'm going to figure it out. But

0:37:05.239 --> 0:37:07.839
<v Speaker 6>I think between the I festumed myself.

0:37:08.280 --> 0:37:10.719
<v Speaker 1>It does awesome as British, but that's why we thought

0:37:10.719 --> 0:37:11.480
<v Speaker 1>he was British.

0:37:11.560 --> 0:37:14.400
<v Speaker 5>Yes, it's really good. I agree with you.

0:37:14.440 --> 0:37:15.719
<v Speaker 3>I'm going to start working on it if I can.

0:37:15.840 --> 0:37:17.560
<v Speaker 3>Will you send me those files please, I'll listen to

0:37:17.640 --> 0:37:31.520
<v Speaker 3>him in my headphones and then record myself. I'm gonna yeah. Okay,

0:37:33.080 --> 0:37:35.560
<v Speaker 3>So Eric gets defensive, what the hell do you care?

0:37:35.719 --> 0:37:39.080
<v Speaker 5>You're moving? Go ahead, Phoenie, retire, take care of yourself.

0:37:39.120 --> 0:37:40.600
<v Speaker 5>That's what you're best at.

0:37:40.840 --> 0:37:43.080
<v Speaker 3>Amy reminds him that Phoenie is given the last forty

0:37:43.120 --> 0:37:45.839
<v Speaker 3>years of his life teaching people, but Eric is unaffected.

0:37:46.080 --> 0:37:50.000
<v Speaker 5>Don't care. Kill his flowers, kill him, Phoenie explains.

0:37:49.640 --> 0:37:52.760
<v Speaker 1>You, I'm at a ten whole time, the whole time met.

0:37:52.640 --> 0:37:56.160
<v Speaker 3>A ten, Phoene explains to Eric, when someone you care

0:37:56.239 --> 0:37:59.319
<v Speaker 3>for makes a considered decision to change their life, you

0:37:59.360 --> 0:38:02.839
<v Speaker 3>should support the choice. Eric bursts into tears. You had

0:38:02.880 --> 0:38:04.880
<v Speaker 3>me at Eric and pulls him in for a hug.

0:38:05.280 --> 0:38:08.120
<v Speaker 3>Alan takes Phoene's advice to heart. We should take what

0:38:08.120 --> 0:38:11.040
<v Speaker 3>they've done and do something to show our support. After all,

0:38:11.080 --> 0:38:15.000
<v Speaker 3>we're talking about Corey and Topanga here. Phoene's confused, Corey

0:38:15.000 --> 0:38:17.360
<v Speaker 3>and Topanga, I was talking about a going.

0:38:17.120 --> 0:38:20.280
<v Speaker 5>Away party for me. Eric's frustrated, You're.

0:38:20.160 --> 0:38:22.520
<v Speaker 3>Still going away for the love of Mike. Stop with

0:38:22.600 --> 0:38:26.520
<v Speaker 3>the mind games, man. Phoene grabs Eric's armist proof you

0:38:26.560 --> 0:38:29.520
<v Speaker 3>know this is the reason I can't sell my house.

0:38:30.160 --> 0:38:31.360
<v Speaker 1>Very funny.

0:38:32.280 --> 0:38:34.120
<v Speaker 5>And then we're back in Corey's car.

0:38:34.200 --> 0:38:37.279
<v Speaker 3>Topega adjusts the rear view mirror and Corey angrily tells

0:38:37.280 --> 0:38:39.840
<v Speaker 3>her to put it back. She does, but he's not satisfied.

0:38:39.880 --> 0:38:41.759
<v Speaker 3>Now he can only see if any cars are coming

0:38:41.760 --> 0:38:42.640
<v Speaker 3>toward his crotch.

0:38:42.880 --> 0:38:44.600
<v Speaker 1>I thought he was only gonna be angry for ten minutes.

0:38:44.640 --> 0:38:47.080
<v Speaker 5>Why maybe it's still within the ten minutes, I don't know.

0:38:47.840 --> 0:38:50.480
<v Speaker 3>Tapega tells him to stop snapping at her, and Corey complains,

0:38:50.520 --> 0:38:53.400
<v Speaker 3>our big dramatic moment, and you know what, we did nothing.

0:38:53.880 --> 0:38:57.000
<v Speaker 3>To Penga shouts, I don't care about a big dramatic moment.

0:38:57.200 --> 0:38:58.080
<v Speaker 5>Which gets a laugh.

0:38:58.520 --> 0:39:01.240
<v Speaker 3>She reminds him it's not to run off together because

0:39:01.239 --> 0:39:03.680
<v Speaker 3>we think we have something to prove. When we get married.

0:39:03.760 --> 0:39:06.920
<v Speaker 3>I want to have a big cake and doves. Breaking

0:39:06.920 --> 0:39:12.839
<v Speaker 3>the silence, Corey sternly states no doves. He admits you

0:39:12.880 --> 0:39:15.399
<v Speaker 3>were right, you did the right thing. Our marriage should

0:39:15.400 --> 0:39:19.960
<v Speaker 3>be a celebration, not a secret. She smiles thank you,

0:39:20.719 --> 0:39:23.359
<v Speaker 3>but he insists you owe me the rest of your life,

0:39:23.400 --> 0:39:26.759
<v Speaker 3>you know. To Pega happily agrees it's yours and then

0:39:26.800 --> 0:39:32.400
<v Speaker 3>she pets his head. So getting to that conclusion is great,

0:39:32.880 --> 0:39:37.560
<v Speaker 3>I guess again, in the name of drama, they made

0:39:37.600 --> 0:39:41.600
<v Speaker 3>both of us versions of ourselves that aren't real.

0:39:41.760 --> 0:39:45.600
<v Speaker 6>Yeah, consistent, Yeah, I mean yeah. I feel like Corey

0:39:45.640 --> 0:39:47.600
<v Speaker 6>would be like, what is happening? What is going on?

0:39:47.719 --> 0:39:49.480
<v Speaker 6>And to Penga would be like, I don't know. I

0:39:49.520 --> 0:39:51.160
<v Speaker 6>just stood up there and I had this weird feeling

0:39:51.200 --> 0:39:53.200
<v Speaker 6>and now I'm realizing it and this is what you know.

0:39:53.280 --> 0:39:54.360
<v Speaker 6>But of course that's not as.

0:39:54.200 --> 0:39:57.719
<v Speaker 2>Funny exactly, you don't like you.

0:39:59.000 --> 0:40:00.600
<v Speaker 1>They had to have this whole conversation.

0:40:00.640 --> 0:40:02.520
<v Speaker 2>If I want the doves and everything right there, no

0:40:02.640 --> 0:40:05.480
<v Speaker 2>doves in front of that other couple, and you do

0:40:05.520 --> 0:40:07.359
<v Speaker 2>that and then you get out and then you cut

0:40:07.360 --> 0:40:09.160
<v Speaker 2>to them coming into the kitchen, coming into the back.

0:40:09.320 --> 0:40:13.160
<v Speaker 1>Yeah, an car scene, it just wasn't necessary.

0:40:13.200 --> 0:40:14.919
<v Speaker 3>So yeah, but they could have had one car scene

0:40:14.960 --> 0:40:17.560
<v Speaker 3>where she where She says, I can't at the altar,

0:40:17.640 --> 0:40:19.800
<v Speaker 3>and he goes, what and pulls her off to the side,

0:40:19.800 --> 0:40:21.640
<v Speaker 3>and she goes, I don't know, Corey, I love you,

0:40:21.719 --> 0:40:23.799
<v Speaker 3>but this doesn't feel right and I don't know, and

0:40:23.840 --> 0:40:25.799
<v Speaker 3>he goes, I love you, I'm with you.

0:40:26.080 --> 0:40:27.920
<v Speaker 5>Let's get out of here. Let's let's get out of

0:40:27.960 --> 0:40:28.520
<v Speaker 5>here together.

0:40:29.239 --> 0:40:31.120
<v Speaker 3>Then they're in the car and they talk it out

0:40:31.200 --> 0:40:33.920
<v Speaker 3>and she realizes I stood up there and I looked around,

0:40:34.000 --> 0:40:36.040
<v Speaker 3>and I realized, I want to see your mom, and

0:40:36.080 --> 0:40:38.080
<v Speaker 3>I want a cake, and I don't want to wear

0:40:38.120 --> 0:40:40.520
<v Speaker 3>pedal pushers. I want to wear a dress like then

0:40:40.719 --> 0:40:41.799
<v Speaker 3>And he can be like.

0:40:41.760 --> 0:40:42.239
<v Speaker 5>You're right.

0:40:43.000 --> 0:40:45.200
<v Speaker 3>As much as I'd love to stick it to my parents,

0:40:45.880 --> 0:40:48.719
<v Speaker 3>we should have a celebration and not a secret. So there,

0:40:50.040 --> 0:40:51.560
<v Speaker 3>but I don't know there they.

0:40:51.600 --> 0:40:54.239
<v Speaker 2>Joke the joke of being like going back to the

0:40:54.680 --> 0:40:57.200
<v Speaker 2>older couple and being like, Hi, is it half priced?

0:40:57.200 --> 0:41:01.440
<v Speaker 1>If only one of us says I do like that.

0:41:01.680 --> 0:41:05.800
<v Speaker 5>We get done half far money back married, it would.

0:41:05.560 --> 0:41:06.360
<v Speaker 1>Have been so great.

0:41:06.440 --> 0:41:09.200
<v Speaker 6>But or lean into the the joke that they seem

0:41:09.239 --> 0:41:10.880
<v Speaker 6>to have be implying, which is that Corey got a

0:41:10.880 --> 0:41:13.719
<v Speaker 6>hotel room. He's ready to have it, and then that's

0:41:13.760 --> 0:41:16.760
<v Speaker 6>not happening, and that's what he's really upset about at first,

0:41:16.800 --> 0:41:18.640
<v Speaker 6>and then he's got to realize like, yeah, that's actually

0:41:18.640 --> 0:41:21.160
<v Speaker 6>what I'm of course, you know, I think about it.

0:41:21.200 --> 0:41:22.759
<v Speaker 6>I'm not like this makes sense.

0:41:23.360 --> 0:41:26.360
<v Speaker 3>Yeah, And then we're in the boys apartment. Rachel is

0:41:26.400 --> 0:41:29.760
<v Speaker 3>in the kitchen wearing another short robe and making breakfast

0:41:30.040 --> 0:41:32.319
<v Speaker 3>when Eric and Jack walk out of their rooms in

0:41:32.480 --> 0:41:34.440
<v Speaker 3>just a shirt, and Boxer is looking like they just

0:41:34.480 --> 0:41:34.880
<v Speaker 3>woke up.

0:41:35.160 --> 0:41:35.600
<v Speaker 5>Look at her.

0:41:35.840 --> 0:41:39.200
<v Speaker 6>Eric was at the Matthew's house in the middle of

0:41:39.239 --> 0:41:41.520
<v Speaker 6>the night, so we came home, came home.

0:41:41.560 --> 0:41:44.319
<v Speaker 5>But also, are all of their rooms in.

0:41:44.200 --> 0:41:46.000
<v Speaker 2>That same Yeah, they're all in that. I thought the

0:41:46.000 --> 0:41:48.040
<v Speaker 2>same thing, that all the rooms are back there, because

0:41:48.040 --> 0:41:52.160
<v Speaker 2>the left one comes down, there is no section, there's

0:41:52.160 --> 0:41:54.000
<v Speaker 2>no room. There's just a wall there. So yeah, all

0:41:54.000 --> 0:41:55.600
<v Speaker 2>three of them are up there. So it's a big

0:41:55.719 --> 0:41:57.600
<v Speaker 2>as apartment right on the water that they're paying.

0:41:57.680 --> 0:42:01.640
<v Speaker 3>Yeah, okay, they look at her, they realize their condition

0:42:01.680 --> 0:42:03.920
<v Speaker 3>and quickly sprint back to their rooms, and then they

0:42:04.040 --> 0:42:05.759
<v Speaker 3>immediately return with.

0:42:05.800 --> 0:42:09.240
<v Speaker 5>Button down shirts and sweaters draped over their shoulders.

0:42:09.239 --> 0:42:13.319
<v Speaker 3>Fully groomed. Eric suavely throws out, hey, Rachel, what's up?

0:42:13.520 --> 0:42:17.440
<v Speaker 3>Jack adds, how you doing? Smells good? Rachel cheerfully reveals

0:42:17.440 --> 0:42:19.759
<v Speaker 3>she's making French toast, but she's not gonna do it

0:42:19.800 --> 0:42:22.719
<v Speaker 3>every day, so don't get spoiled. They let out little

0:42:22.760 --> 0:42:25.399
<v Speaker 3>giggles before Eric pulls Jack to the side. Jack Jack,

0:42:25.440 --> 0:42:28.000
<v Speaker 3>Jackie Jack, Live a healthy life, eat all your vegetables,

0:42:28.040 --> 0:42:30.480
<v Speaker 3>honor your father and mother, and Heaven will reward you

0:42:30.560 --> 0:42:33.080
<v Speaker 3>with a hot hot, hotty hot, hot, hotty hot for

0:42:33.160 --> 0:42:33.720
<v Speaker 3>a roommate.

0:42:34.239 --> 0:42:35.759
<v Speaker 5>Do you remember what was in the script and what

0:42:35.840 --> 0:42:38.040
<v Speaker 5>used like? Did you just make that entirely up?

0:42:38.520 --> 0:42:40.880
<v Speaker 2>No idea, It could have been exactly how it was written.

0:42:40.920 --> 0:42:43.440
<v Speaker 2>I honestly don't remember. I do remember in this scene

0:42:43.480 --> 0:42:46.280
<v Speaker 2>and the next scene what I saw a couple boom mics,

0:42:46.719 --> 0:42:49.200
<v Speaker 2>oh pop, and I think they're probably not used to

0:42:49.200 --> 0:42:56.160
<v Speaker 2>having somebody Maitland size keeping it just to Maitland because

0:42:56.160 --> 0:42:57.600
<v Speaker 2>they cut to a three shot and it's like oh

0:42:57.600 --> 0:42:59.719
<v Speaker 2>boom mic and then pop pop out a frame.

0:43:00.200 --> 0:43:03.200
<v Speaker 6>Okay, So this is when I started to like pause

0:43:03.520 --> 0:43:06.640
<v Speaker 6>and take notes because I really really did not understand

0:43:06.640 --> 0:43:09.120
<v Speaker 6>what the story is here, right, what's going on? Yeah?

0:43:09.200 --> 0:43:15.080
<v Speaker 4>Yeah, why can't Eric and Jack be with Rachel?

0:43:15.200 --> 0:43:18.520
<v Speaker 1>Like I don't that I can't answer because.

0:43:21.320 --> 0:43:25.359
<v Speaker 6>It I mean, like where the episode ended up, which

0:43:25.400 --> 0:43:27.960
<v Speaker 6>is her saying I want to just be friends and

0:43:28.000 --> 0:43:30.480
<v Speaker 6>this makes me so happy that I'm that's where it

0:43:30.520 --> 0:43:33.400
<v Speaker 6>needs to start. I don't understand what the conflict is.

0:43:33.560 --> 0:43:36.440
<v Speaker 6>I know is the conflict between Eric and Jack competing

0:43:36.440 --> 0:43:39.960
<v Speaker 6>for her kind has started, hasn't really started. It kind

0:43:40.000 --> 0:43:41.400
<v Speaker 6>of gets in the there somewhere in the middle of

0:43:41.440 --> 0:43:43.840
<v Speaker 6>this episode. But I'm also like, what is the prohibition

0:43:44.080 --> 0:43:45.239
<v Speaker 6>against dating her?

0:43:45.600 --> 0:43:45.719
<v Speaker 2>Like?

0:43:45.800 --> 0:43:49.480
<v Speaker 6>Why has she said I only am moving in as

0:43:49.520 --> 0:43:51.720
<v Speaker 6>long as like if she had said, I can you

0:43:51.760 --> 0:43:53.960
<v Speaker 6>like Cauz Three's company. The whole thing is that he

0:43:54.040 --> 0:43:56.479
<v Speaker 6>has to pretend to be gay, right, So like that's

0:43:56.520 --> 0:43:58.799
<v Speaker 6>why they can't actually sleep together, and that's why they

0:43:58.840 --> 0:43:59.960
<v Speaker 6>all have to live? Where's this?

0:44:00.200 --> 0:44:02.400
<v Speaker 4>Like the high drinks are happening for no reasons.

0:44:02.600 --> 0:44:04.319
<v Speaker 5>It just that she's vulnerable.

0:44:04.560 --> 0:44:07.080
<v Speaker 3>She's in a vulnerable position because you think they care

0:44:07.120 --> 0:44:12.800
<v Speaker 3>broken up with her, right, there's nothing wrong with with

0:44:12.800 --> 0:44:14.040
<v Speaker 3>with Eric or Jack.

0:44:13.880 --> 0:44:16.920
<v Speaker 6>Saying I want to get you. I like you can

0:44:16.960 --> 0:44:19.239
<v Speaker 6>you You're going to Like, there's no why are they

0:44:19.480 --> 0:44:22.680
<v Speaker 6>whispering to each other? Why are they like what's happening?

0:44:22.800 --> 0:44:25.360
<v Speaker 2>They should have set it up to where they both

0:44:25.400 --> 0:44:28.960
<v Speaker 2>started going after her, and then they realized their friendship

0:44:29.080 --> 0:44:31.719
<v Speaker 2>was too strong and they don't want to break up

0:44:31.760 --> 0:44:33.960
<v Speaker 2>their friendship, so they both agree. And then so when

0:44:34.040 --> 0:44:36.239
<v Speaker 2>Jack does go behind his back to start dating her later,

0:44:37.160 --> 0:44:37.880
<v Speaker 2>it's a violation.

0:44:38.000 --> 0:44:42.040
<v Speaker 6>Yeah, exactly. There's no set there's no prohibition set up

0:44:42.080 --> 0:44:45.040
<v Speaker 6>that is broken by this episode or the storyline. So

0:44:45.080 --> 0:44:47.239
<v Speaker 6>I kept going back like what is the problem here,

0:44:47.480 --> 0:44:49.600
<v Speaker 6>Like why is there any of this conflict and it's

0:44:49.640 --> 0:44:52.799
<v Speaker 6>it's completely artificial until the end of this episode and.

0:44:52.840 --> 0:44:54.959
<v Speaker 4>I was like, oh, there it is. They establish it now.

0:44:55.520 --> 0:44:58.320
<v Speaker 6>But through the I just did not understand these first

0:44:58.360 --> 0:45:00.320
<v Speaker 6>like three scenes. It's like I don't and get it.

0:45:00.360 --> 0:45:02.000
<v Speaker 6>I don't know what I don't neither I don't.

0:45:02.040 --> 0:45:04.319
<v Speaker 1>I'm not sure they did at this point, Like what

0:45:04.400 --> 0:45:05.279
<v Speaker 1>it was actually going to.

0:45:05.480 --> 0:45:07.319
<v Speaker 5>Try to set that up at the end of the

0:45:07.400 --> 0:45:08.520
<v Speaker 5>last episode.

0:45:08.960 --> 0:45:11.480
<v Speaker 3>Didn't shouldn't the conclusion of the last episode for this

0:45:11.600 --> 0:45:15.920
<v Speaker 3>storyline have been her saying, Oh, man, you know what, honestly,

0:45:16.040 --> 0:45:18.200
<v Speaker 3>I'm just fresh out of a relationship. I want to

0:45:18.200 --> 0:45:21.120
<v Speaker 3>focus on myself. I really appreciate you guys rescuing me.

0:45:21.840 --> 0:45:25.000
<v Speaker 3>We're gonna be like girlfriends, We're gonna be she did

0:45:25.120 --> 0:45:28.640
<v Speaker 3>that was all set up, and then they were like, oh,

0:45:29.000 --> 0:45:32.160
<v Speaker 3>you know what, girlfriends see each other naked. But then

0:45:32.480 --> 0:45:34.520
<v Speaker 3>why is she acting like this is the first time

0:45:34.719 --> 0:45:37.279
<v Speaker 3>she brings it up. It's all It's just it's fair.

0:45:37.600 --> 0:45:40.319
<v Speaker 2>She also says that oh, that's I could easily fall

0:45:40.360 --> 0:45:42.200
<v Speaker 2>for either one of you, like I kind of wanted

0:45:42.239 --> 0:45:43.120
<v Speaker 2>to date you one or.

0:45:43.480 --> 0:45:44.640
<v Speaker 6>Says their sexual tension.

0:45:45.000 --> 0:45:47.960
<v Speaker 2>Yeah, it's like so it's it doesn't. None of it

0:45:48.080 --> 0:45:51.200
<v Speaker 2>tracks to anything. Frankly, that's the thing that's so weird.

0:45:51.239 --> 0:45:54.000
<v Speaker 2>And it's not about the friendship with Eric and Jack.

0:45:54.080 --> 0:45:56.279
<v Speaker 2>It's not about a possible question.

0:45:56.520 --> 0:46:00.440
<v Speaker 6>This is a generational thing in that like because I

0:46:00.480 --> 0:46:04.319
<v Speaker 6>guess in the seventies for sure, and maybe into the

0:46:04.320 --> 0:46:08.000
<v Speaker 6>eighties and the early nineties, was having a roommate that

0:46:08.080 --> 0:46:10.239
<v Speaker 6>was of the opposite gender just a really big deal,

0:46:11.040 --> 0:46:12.600
<v Speaker 6>like in a way that we think of it like yeah,

0:46:12.680 --> 0:46:15.200
<v Speaker 6>may ye, yeah, because I think of like kids in

0:46:15.239 --> 0:46:17.800
<v Speaker 6>college and you know, or even like late high like

0:46:17.880 --> 0:46:19.880
<v Speaker 6>high school, like living together and it was like not

0:46:19.960 --> 0:46:20.600
<v Speaker 6>a big deal.

0:46:21.000 --> 0:46:24.200
<v Speaker 4>But I wonder if for previous generation, the very idea of.

0:46:24.120 --> 0:46:26.479
<v Speaker 6>Like two guys and a girl, well.

0:46:26.400 --> 0:46:30.080
<v Speaker 3>It's living in a parent tipenga couldn't live together in

0:46:30.120 --> 0:46:33.120
<v Speaker 3>the dorms unless they were married. The implication, I think

0:46:33.160 --> 0:46:36.000
<v Speaker 3>from no matter where you were in the seventies, if

0:46:36.080 --> 0:46:39.239
<v Speaker 3>males and females were under the same roof, someone was

0:46:39.280 --> 0:46:40.319
<v Speaker 3>going to be having sex.

0:46:40.400 --> 0:46:42.600
<v Speaker 1>They were having sex. Yeah, you can't just be two people.

0:46:42.640 --> 0:46:44.000
<v Speaker 6>And I think that went all the way through the eighties.

0:46:44.080 --> 0:46:46.560
<v Speaker 6>I think that's what that's what's informing this in a

0:46:46.560 --> 0:46:48.880
<v Speaker 6>way that doesn't make sense to us, like because to me,

0:46:48.920 --> 0:46:51.359
<v Speaker 6>it's like she moves in, Okay, now you either hit

0:46:51.400 --> 0:46:53.799
<v Speaker 6>on her or don't. Who cares? Like literally, there's no

0:46:53.920 --> 0:46:57.000
<v Speaker 6>problems here, yes, And yet it's acting, the whole storyline

0:46:57.040 --> 0:47:00.880
<v Speaker 6>is acting as if it's something weird. Is already happening,

0:47:00.920 --> 0:47:02.520
<v Speaker 6>and it's like, what's that. What's the weird part?

0:47:02.640 --> 0:47:05.080
<v Speaker 2>If you ever watched melrose Place, one of the I

0:47:05.080 --> 0:47:07.799
<v Speaker 2>think in the pilot of melrose Place, it's Billy and

0:47:07.840 --> 0:47:10.360
<v Speaker 2>Alison live together as roommates and have to learn to

0:47:10.400 --> 0:47:12.800
<v Speaker 2>live like she's like, don't forget you always got to

0:47:12.840 --> 0:47:14.280
<v Speaker 2>put the toilet seat down.

0:47:14.360 --> 0:47:15.400
<v Speaker 1>It's like that kind of stuff.

0:47:15.800 --> 0:47:18.719
<v Speaker 2>And then they start dating down the line and it's like,

0:47:18.800 --> 0:47:21.239
<v Speaker 2>see you do throw them in together. They're gonna So

0:47:21.280 --> 0:47:25.160
<v Speaker 2>maybe you're right, Maybe it's a thing in this generation. Yeah,

0:47:25.239 --> 0:47:27.880
<v Speaker 2>like men and women live together, that means sex.

0:47:27.960 --> 0:47:30.000
<v Speaker 6>Right, It's just it's just it is a story. It's

0:47:30.040 --> 0:47:32.960
<v Speaker 6>just an interesting story. It's it's it's something that's happening

0:47:33.000 --> 0:47:35.040
<v Speaker 6>that's unusual. Whereas like I look at this and I'm

0:47:35.040 --> 0:47:38.239
<v Speaker 6>like three friends living together an apartment, Like if somebody

0:47:38.280 --> 0:47:40.759
<v Speaker 6>wants to sleep with somebody, try it or not, you know,

0:47:40.840 --> 0:47:42.920
<v Speaker 6>like I don't care, Like there's not a it's not

0:47:43.040 --> 0:47:46.799
<v Speaker 6>a situation for a situational comedy, whereas maybe it was.

0:47:47.080 --> 0:47:49.759
<v Speaker 2>You know, but on Friends, they didn't even have male

0:47:49.840 --> 0:47:53.640
<v Speaker 2>and females living together until the girl got engaged. Yeah,

0:47:53.680 --> 0:47:57.719
<v Speaker 2>the girls, So maybe it was maybe it was.

0:47:57.880 --> 0:47:59.880
<v Speaker 6>I think I think in real life it probably was

0:48:00.040 --> 0:48:03.239
<v Speaker 6>already happening. But you know how TV like like ten

0:48:03.320 --> 0:48:06.400
<v Speaker 6>years behind the separate beds and Lucian.

0:48:06.760 --> 0:48:09.360
<v Speaker 1>You know, maybe that's what maybe maybe that's what it is.

0:48:09.400 --> 0:48:11.919
<v Speaker 2>It's just it implies there has to be some sort

0:48:11.960 --> 0:48:13.760
<v Speaker 2>of sex happening, right, Yeah, there's.

0:48:13.600 --> 0:48:15.640
<v Speaker 6>Some hanky panky going out initial apartment.

0:48:15.960 --> 0:48:17.719
<v Speaker 2>Yeah, and it's all but it all just gets like

0:48:17.800 --> 0:48:19.239
<v Speaker 2>I have to take a bath, and we're all like

0:48:20.400 --> 0:48:21.840
<v Speaker 2>she's gonna bag.

0:48:22.280 --> 0:48:23.880
<v Speaker 6>I'm not like, I just don't know.

0:48:24.800 --> 0:48:25.640
<v Speaker 5>People cringey.

0:48:26.680 --> 0:48:27.560
<v Speaker 1>It is, it really is.

0:48:27.680 --> 0:48:30.760
<v Speaker 3>Yeah, So Rachel gets serious. She needs to tell them something.

0:48:30.960 --> 0:48:34.040
<v Speaker 3>Eric desperately begs, don't leave, We'll do anything. She says,

0:48:34.040 --> 0:48:36.080
<v Speaker 3>when she met them, she was in really bad shape.

0:48:36.200 --> 0:48:38.279
<v Speaker 3>Then the two of them took her in and rescued her.

0:48:38.560 --> 0:48:41.839
<v Speaker 3>She's so grateful and she calls them her heroes. Then

0:48:42.000 --> 0:48:44.480
<v Speaker 3>she kisses them on the cheek, but Eric gets greedy

0:48:44.520 --> 0:48:46.640
<v Speaker 3>and kisses her right back. Then Jack pulls her in

0:48:46.680 --> 0:48:49.280
<v Speaker 3>for a hug and Eric pulls her in for another embrace.

0:48:49.840 --> 0:48:50.080
<v Speaker 2>It is.

0:48:53.320 --> 0:48:54.240
<v Speaker 5>The exchange.

0:48:54.719 --> 0:48:57.960
<v Speaker 6>Yeah, it really is super creepy getting in those kisses

0:48:57.960 --> 0:49:00.720
<v Speaker 6>and touches that you can just so funny.

0:49:02.000 --> 0:49:04.440
<v Speaker 3>And then one more thing, Rachel says, I promise I'm

0:49:04.480 --> 0:49:06.360
<v Speaker 3>not going to be a bathroom hog, but I really

0:49:06.400 --> 0:49:08.399
<v Speaker 3>do like to start the morning with a bubble bath

0:49:08.680 --> 0:49:11.600
<v Speaker 3>with all the aroma therapy beads and all the bubbles.

0:49:13.080 --> 0:49:15.240
<v Speaker 5>I didn't know aroma therapy beads were so sexy.

0:49:16.239 --> 0:49:17.839
<v Speaker 2>Well, it's just you know, I don't know if you're

0:49:17.880 --> 0:49:19.440
<v Speaker 2>aware of this, Danielle, but to take.

0:49:19.280 --> 0:49:21.640
<v Speaker 1>A bath, you can make it.

0:49:22.560 --> 0:49:25.360
<v Speaker 3>I wear a bathing suit, so it's Also isn't bathing

0:49:25.480 --> 0:49:27.200
<v Speaker 3>every morning a bit extravagant?

0:49:27.280 --> 0:49:29.480
<v Speaker 1>Isn't that like an hour long in the bathroom? I

0:49:29.480 --> 0:49:31.919
<v Speaker 1>mean it's like this. This is for me who lives

0:49:31.960 --> 0:49:32.879
<v Speaker 1>in the shower, Like.

0:49:32.960 --> 0:49:34.800
<v Speaker 5>Really seems like you're gonna put yourself to sleep.

0:49:34.840 --> 0:49:37.600
<v Speaker 3>I like to wake up and then sit in a

0:49:37.719 --> 0:49:41.080
<v Speaker 3>hot tub of water for an hour with my ex clothes.

0:49:41.719 --> 0:49:45.480
<v Speaker 1>Ready for my day. God, you're so strange.

0:49:46.000 --> 0:49:48.440
<v Speaker 5>Jack immediately answers, also, isn't night sexier?

0:49:48.440 --> 0:49:50.560
<v Speaker 3>Wouldn't it be sexy to be like every night I

0:49:50.680 --> 0:49:54.000
<v Speaker 3>like to light some candles, put a bubble bath on.

0:49:54.080 --> 0:49:56.960
<v Speaker 5>It's so weird that it's the morning anyway, Okay, uh.

0:49:57.040 --> 0:50:00.400
<v Speaker 3>Jack immediately answers yeah, and Eric adds, I and you

0:50:00.440 --> 0:50:04.040
<v Speaker 3>take bubble baths. Rachel wants to know why, and Eric

0:50:04.080 --> 0:50:06.960
<v Speaker 3>throws that question over to and expecting Jack. He stutters,

0:50:07.360 --> 0:50:11.080
<v Speaker 3>I if you didn't take bubble baths, that means you're not.

0:50:11.640 --> 0:50:15.480
<v Speaker 6>I can't like you. I want to see you naked.

0:50:15.840 --> 0:50:16.759
<v Speaker 6>What is the problem?

0:50:17.960 --> 0:50:20.479
<v Speaker 4>Why do we have to pretend there's no no, there's

0:50:20.480 --> 0:50:20.920
<v Speaker 4>no conflident.

0:50:20.960 --> 0:50:23.440
<v Speaker 1>You're there's no conflict, no reason. Did not.

0:50:28.800 --> 0:50:29.200
<v Speaker 6>Please?

0:50:31.239 --> 0:50:34.279
<v Speaker 5>She's so aside with that answer, she leaves for the bath.

0:50:34.360 --> 0:50:36.960
<v Speaker 3>You know what, I am this close to being happy

0:50:37.000 --> 0:50:38.520
<v Speaker 3>that my boyfriend actually left me.

0:50:38.960 --> 0:50:40.360
<v Speaker 5>The boys respond in unison.

0:50:40.600 --> 0:50:41.000
<v Speaker 3>No.

0:50:42.200 --> 0:50:43.480
<v Speaker 5>They longingly watched her.

0:50:43.480 --> 0:50:46.920
<v Speaker 3>Leave in silence, until Jack realizes that girl is taking

0:50:46.960 --> 0:50:49.560
<v Speaker 3>a bubble bath in the bathtub of our bathroom.

0:50:50.120 --> 0:50:51.359
<v Speaker 5>We're geniuses.

0:50:52.080 --> 0:50:54.319
<v Speaker 3>Eric dramatically says, dude, I don't know if this is

0:50:54.360 --> 0:50:58.120
<v Speaker 3>the right time to say I love you, man. Jack's

0:50:58.160 --> 0:51:01.960
<v Speaker 3>equally dramatic, Dude, don't even man, I'm the one that

0:51:02.080 --> 0:51:05.960
<v Speaker 3>loves you. They both shout dude and give each other

0:51:06.040 --> 0:51:09.840
<v Speaker 3>a big bear hug. Then yells she yells out, I

0:51:09.880 --> 0:51:11.839
<v Speaker 3>can't figure out how to work the stopper.

0:51:11.520 --> 0:51:12.200
<v Speaker 5>In the bathtub.

0:51:12.239 --> 0:51:14.800
<v Speaker 3>Could one of you please come show me? The guys

0:51:14.880 --> 0:51:22.760
<v Speaker 3>instantly pull apart in it. They start trying to stop

0:51:22.760 --> 0:51:24.120
<v Speaker 3>each other from going to alber.

0:51:24.360 --> 0:51:25.879
<v Speaker 5>They throw each other onto the cow.

0:51:27.760 --> 0:51:31.359
<v Speaker 2>Remember I remember Matt like me just grabbing his leg

0:51:31.400 --> 0:51:32.960
<v Speaker 2>and Matt having no idea was going to do that,

0:51:32.960 --> 0:51:34.319
<v Speaker 2>So he's trying to get out, and then he's looking

0:51:34.320 --> 0:51:34.680
<v Speaker 2>back at me.

0:51:34.760 --> 0:51:36.560
<v Speaker 6>Like, what the hell are you doing? Yeah?

0:51:36.600 --> 0:51:38.400
<v Speaker 1>I think that we were just having.

0:51:38.200 --> 0:51:41.920
<v Speaker 5>Fun, Yes, having a good time. We're in the Matthew's backyard.

0:51:41.920 --> 0:51:44.080
<v Speaker 3>Corey and Tapega are returning, but to Pega stops in

0:51:44.120 --> 0:51:46.960
<v Speaker 3>her tracks. She's scared. She doesn't want Corey's parents to

0:51:46.960 --> 0:51:51.120
<v Speaker 3>be mad at her, which why why are they going

0:51:51.200 --> 0:51:52.960
<v Speaker 3>to be mad at you if you walk in and

0:51:52.960 --> 0:51:54.200
<v Speaker 3>tell him you didn't get married?

0:51:56.520 --> 0:51:59.440
<v Speaker 4>Yeah, you know, think they'd be we're just tying up

0:51:59.480 --> 0:51:59.920
<v Speaker 4>the reveal.

0:52:00.160 --> 0:52:04.120
<v Speaker 3>Yeah, okay, Corey tells the truth. Well, they are going

0:52:04.160 --> 0:52:06.080
<v Speaker 3>to be mad. In fact, they're going to be furious

0:52:06.280 --> 0:52:08.239
<v Speaker 3>despite their worry. They walk into the house and they're

0:52:08.239 --> 0:52:09.640
<v Speaker 3>met with an unexpected surprise.

0:52:10.200 --> 0:52:11.200
<v Speaker 6>They made a sign.

0:52:11.880 --> 0:52:19.280
<v Speaker 3>There's a banner reading congratulations left Angela.

0:52:21.520 --> 0:52:24.000
<v Speaker 1>The time Ella is happening, he went and.

0:52:23.920 --> 0:52:26.080
<v Speaker 6>Had breakfasts with the French toast and then.

0:52:26.000 --> 0:52:28.040
<v Speaker 5>Came and then he came back for this party.

0:52:28.480 --> 0:52:28.760
<v Speaker 4>Changed.

0:52:29.560 --> 0:52:30.840
<v Speaker 5>Everyone pops out.

0:52:30.680 --> 0:52:32.799
<v Speaker 4>Surprise, doesn't come, hold on, is Jack here?

0:52:32.840 --> 0:52:33.160
<v Speaker 6>He's not?

0:52:33.480 --> 0:52:34.839
<v Speaker 5>No, he barely knows.

0:52:35.360 --> 0:52:40.040
<v Speaker 6>Don't that's right, I really know her.

0:52:41.480 --> 0:52:42.960
<v Speaker 5>Everyone pops out surprise.

0:52:43.160 --> 0:52:46.239
<v Speaker 3>The Matthews Clan Foene, Sean and Trina, why did I

0:52:46.239 --> 0:52:48.840
<v Speaker 3>write Phoene Phoene Sean and Angela all.

0:52:48.719 --> 0:52:50.600
<v Speaker 5>Applaud, taking turns hugging the couple.

0:52:51.120 --> 0:52:54.480
<v Speaker 3>Eric approaches his brother and enthusiastically suggests, you really got

0:52:54.520 --> 0:52:55.759
<v Speaker 3>to try these cheeseballs.

0:52:55.800 --> 0:52:58.399
<v Speaker 5>Man to Pega is worried. What is going on?

0:52:58.600 --> 0:53:03.040
<v Speaker 2>That's the weirdest moment I know. I rewound it like

0:53:03.120 --> 0:53:04.959
<v Speaker 2>I couldn't wait see the joker right.

0:53:05.600 --> 0:53:08.200
<v Speaker 6>Well, the joke is, there's two, there's sets, there's a

0:53:08.239 --> 0:53:11.640
<v Speaker 6>setup for it. It's Morgan says, I've always wanted to

0:53:11.640 --> 0:53:15.680
<v Speaker 6>have a sister. Now I do. Then I think, uh,

0:53:15.719 --> 0:53:19.560
<v Speaker 6>Alan says something right, yeah to Corey, and then so

0:53:19.600 --> 0:53:22.520
<v Speaker 6>the joke is like it's a three. It's just weird.

0:53:22.719 --> 0:53:25.040
<v Speaker 3>It was like what a bizarre Like, well, no, I

0:53:25.080 --> 0:53:26.960
<v Speaker 3>don't think any of that happened yet. The first the

0:53:27.000 --> 0:53:30.440
<v Speaker 3>first one is he says, you got to try these cheeseballs.

0:53:30.480 --> 0:53:34.200
<v Speaker 6>No, that's the payoff, that's the punchline to everybody's saying

0:53:34.480 --> 0:53:37.759
<v Speaker 6>emotional important things. And then Eric Turnant comes in with

0:53:37.800 --> 0:53:41.760
<v Speaker 6>something so ridiculous You're waiting for him to say, Corey,

0:53:41.800 --> 0:53:44.160
<v Speaker 6>I've always you know, loved to Pang, I'm so happy,

0:53:44.200 --> 0:53:46.520
<v Speaker 6>and instead it's like, you gotta try these cheese.

0:53:46.200 --> 0:53:53.000
<v Speaker 3>Balls to Panga is worried what is going on? Corey

0:53:53.040 --> 0:53:56.239
<v Speaker 3>whispers to her, they think we're married. Sean approaches, you

0:53:56.280 --> 0:53:59.000
<v Speaker 3>guys look exactly the same. He tells Corey you were

0:53:59.000 --> 0:54:01.560
<v Speaker 3>always married. Doesn't take a piece of paper to change

0:54:01.600 --> 0:54:04.239
<v Speaker 3>what always was. Corey admits there's something he needs to

0:54:04.280 --> 0:54:07.319
<v Speaker 3>tell him, and Sean's grin widens, ooh, and I want

0:54:07.320 --> 0:54:09.160
<v Speaker 3>to hear all about it, and not in front of

0:54:09.160 --> 0:54:12.759
<v Speaker 3>your parents. Alan clinks his orange juice. I just want

0:54:12.760 --> 0:54:15.240
<v Speaker 3>to say that I am the luckiest man in the world.

0:54:15.440 --> 0:54:18.600
<v Speaker 3>I have one beautiful wife, a lovely daughter, and one

0:54:19.160 --> 0:54:23.800
<v Speaker 3>wonderful son. There's the proof, proof of the been asking

0:54:23.920 --> 0:54:24.640
<v Speaker 3>for you.

0:54:25.280 --> 0:54:26.960
<v Speaker 1>I knew it. He has two kids.

0:54:27.280 --> 0:54:28.399
<v Speaker 5>Eric screams hey.

0:54:28.880 --> 0:54:31.520
<v Speaker 3>Alan sends back a casual hey, and then he continues

0:54:31.560 --> 0:54:35.880
<v Speaker 3>his toast, and now I have yet another lovely daughter,

0:54:35.960 --> 0:54:38.400
<v Speaker 3>and he kisses Tapanga on the cheek. Corey whispers that

0:54:38.400 --> 0:54:40.160
<v Speaker 3>they should probably reveal the truth, but.

0:54:40.120 --> 0:54:42.239
<v Speaker 5>Tapega cuts him off. Not now he's talking about me.

0:54:43.200 --> 0:54:45.880
<v Speaker 3>Alan raises his glass to Corey and to Panga, and

0:54:45.960 --> 0:54:49.160
<v Speaker 3>everyone cheers the happy couple. Phoene starts a speech and

0:54:49.200 --> 0:54:51.480
<v Speaker 3>Corey attempts to stop him, but Phoene isn't having it.

0:54:51.640 --> 0:54:56.800
<v Speaker 3>You've done quite enough tonight, haven't you. The group erupts

0:54:56.800 --> 0:55:01.480
<v Speaker 3>into laughter, everyone except Corey and Topanga joke right, that is.

0:55:03.320 --> 0:55:07.319
<v Speaker 6>I you don't want to think about Corey and Topanga stooping, right,

0:55:07.440 --> 0:55:13.280
<v Speaker 6>Phoenie talking about stooping.

0:55:15.239 --> 0:55:17.040
<v Speaker 3>I could really get his voice down if I could

0:55:17.040 --> 0:55:18.560
<v Speaker 3>hear him talk about some stooping.

0:55:18.960 --> 0:55:23.000
<v Speaker 6>Wow parked his calm and my garden, and there's stooping

0:55:23.600 --> 0:55:25.799
<v Speaker 6>stooping in the in the backyard.

0:55:26.520 --> 0:55:28.719
<v Speaker 1>He parked his god.

0:55:30.000 --> 0:55:30.520
<v Speaker 6>Wilted.

0:55:30.640 --> 0:55:34.799
<v Speaker 4>Ever since Corey and Topanga, I can't do it.

0:55:41.760 --> 0:55:46.000
<v Speaker 3>To Panga, Phoene continues, For forty years, I have taught

0:55:46.080 --> 0:55:49.000
<v Speaker 3>young men and women. I have seen countless love struck children,

0:55:49.000 --> 0:55:51.359
<v Speaker 3>but I have never seen the love, the loyalty and

0:55:51.400 --> 0:55:54.520
<v Speaker 3>the funny.

0:55:55.239 --> 0:55:57.520
<v Speaker 6>Why do they just have like examples of things that

0:55:57.520 --> 0:56:00.960
<v Speaker 6>they actually do together, like that they are like what

0:56:01.000 --> 0:56:03.359
<v Speaker 6>if he said, like I've never known a couple who

0:56:03.480 --> 0:56:06.239
<v Speaker 6>can disagree but still make the right decision in the end,

0:56:06.360 --> 0:56:09.040
<v Speaker 6>Or like you can argue like you guys, but still

0:56:09.080 --> 0:56:10.880
<v Speaker 6>manage to love it. You know, like there's ways to

0:56:10.960 --> 0:56:15.799
<v Speaker 6>describe what we've actually seen. Who's gone through this much infidelity,

0:56:15.840 --> 0:56:23.520
<v Speaker 6>that has this and you forgive him again and you

0:56:23.800 --> 0:56:28.280
<v Speaker 6>Cory with women throwing themselves at his feet. I've couple

0:56:28.600 --> 0:56:33.280
<v Speaker 6>so self aware and willing to pontificate endlessly upon the

0:56:33.320 --> 0:56:39.160
<v Speaker 6>power of their own love like you so to the

0:56:39.280 --> 0:56:41.799
<v Speaker 6>universe who needs to support Corey and.

0:56:41.760 --> 0:56:45.480
<v Speaker 3>To Banga more, he raises his glass to Corey and

0:56:45.520 --> 0:56:47.960
<v Speaker 3>to Banga. The group celebrates, while the couple is now

0:56:48.040 --> 0:56:52.439
<v Speaker 3>visibly uncomfortable. Amy begins her toast, I have watched these

0:56:52.480 --> 0:56:55.880
<v Speaker 3>two grow grow up, boy have I? And here they

0:56:55.920 --> 0:56:58.759
<v Speaker 3>are now adults, just fresh out of high school. They

0:56:58.760 --> 0:57:01.080
<v Speaker 3>don't know anything about the world at all. And then

0:57:01.120 --> 0:57:03.640
<v Speaker 3>she turns to Alan, I'm sorry, I.

0:57:03.600 --> 0:57:04.880
<v Speaker 5>Can't do this.

0:57:04.880 --> 0:57:07.759
<v Speaker 3>This was a mistake and I do not support it.

0:57:07.920 --> 0:57:10.759
<v Speaker 3>She looks at to Panga. Why couldn't you have just

0:57:10.920 --> 0:57:11.840
<v Speaker 3>gone to Yale?

0:57:12.400 --> 0:57:17.160
<v Speaker 6>Okay? Now, when you guys were watching this, like, what

0:57:17.160 --> 0:57:19.400
<v Speaker 6>were you feeling? Like, what was going on in your mind?

0:57:19.440 --> 0:57:23.680
<v Speaker 6>Like watching Betsy's performance in this scene and very dramatic.

0:57:23.880 --> 0:57:27.480
<v Speaker 6>Obviously you thought it was dramatic. I was watching this

0:57:27.560 --> 0:57:30.360
<v Speaker 6>and I was going, Betsy's in her head, what's happening?

0:57:30.440 --> 0:57:33.840
<v Speaker 6>Why is she holding back? Why is she think? I

0:57:33.920 --> 0:57:36.400
<v Speaker 6>was like, the way it was written is extremely dramatic,

0:57:36.440 --> 0:57:40.880
<v Speaker 6>and I was like, she's reserved, she's holding back, and

0:57:40.920 --> 0:57:43.320
<v Speaker 6>I was like, really kind of weird, and I was like,

0:57:43.360 --> 0:57:46.800
<v Speaker 6>what is going on? And then in the in the

0:57:46.800 --> 0:57:50.360
<v Speaker 6>the next scenes, I thought Betsy was amazing and like

0:57:50.480 --> 0:57:52.920
<v Speaker 6>fully committed. I was like, why did she not commit

0:57:53.240 --> 0:57:56.200
<v Speaker 6>to the toast? And then I saw the tag and

0:57:56.240 --> 0:57:58.000
<v Speaker 6>I was like, oh, because all week she had been

0:57:58.480 --> 0:58:01.840
<v Speaker 6>being made fun of by Will's performance, so she was

0:58:01.880 --> 0:58:04.960
<v Speaker 6>self conscious of it in a way that she does. Yes,

0:58:05.320 --> 0:58:08.440
<v Speaker 6>there's no like think about the way that she underplays.

0:58:08.440 --> 0:58:10.280
<v Speaker 6>Why couldn't you gone to you? Like the way that's

0:58:10.280 --> 0:58:12.920
<v Speaker 6>written is why couldn't you have gone? Like just oh

0:58:12.920 --> 0:58:15.160
<v Speaker 6>my gosh, Like she loses it, she can't, she can't

0:58:15.160 --> 0:58:15.960
<v Speaker 6>control herself.

0:58:16.120 --> 0:58:18.720
<v Speaker 3>It'd be really interesting to talk to Betsy, because I

0:58:18.800 --> 0:58:22.280
<v Speaker 3>do remember there being a lot of conversation about this.

0:58:22.640 --> 0:58:26.240
<v Speaker 3>I don't remember, Yes, there was a lot of discussion

0:58:26.280 --> 0:58:29.400
<v Speaker 3>about this, and I don't remember if it's that Betsy

0:58:29.520 --> 0:58:31.960
<v Speaker 3>didn't like it, because I'll tell you that while I'm

0:58:32.000 --> 0:58:37.880
<v Speaker 3>watching it. The fact that Amy blames to Penga for

0:58:38.080 --> 0:58:44.800
<v Speaker 3>this entire thing is so weird. And I also know,

0:58:45.120 --> 0:58:48.360
<v Speaker 3>you know, Betsy and I barely got to work together,

0:58:49.000 --> 0:58:51.920
<v Speaker 3>and then they put us in a scene where we

0:58:51.960 --> 0:58:57.440
<v Speaker 3>actually have There's an episode kind of about the very real,

0:58:59.080 --> 0:59:01.000
<v Speaker 3>interesting reliefationship between.

0:59:00.720 --> 0:59:02.640
<v Speaker 5>A daughter in law and a mother in law.

0:59:02.720 --> 0:59:06.480
<v Speaker 3>That is a real thing, the relationship between you know,

0:59:07.040 --> 0:59:09.960
<v Speaker 3>a time where your son maybe always called you when

0:59:09.960 --> 0:59:11.840
<v Speaker 3>he was getting on a plane and called you when

0:59:11.840 --> 0:59:13.080
<v Speaker 3>he landed, Hey, I landed.

0:59:13.160 --> 0:59:14.439
<v Speaker 5>Just want you to know I'm safe now.

0:59:14.680 --> 0:59:16.520
<v Speaker 3>Now he's got a significant other in his life, and

0:59:16.560 --> 0:59:18.880
<v Speaker 3>that's the person who gets those updates about his life.

0:59:18.880 --> 0:59:21.440
<v Speaker 3>That's the person who knows when he's sick when and

0:59:21.520 --> 0:59:24.360
<v Speaker 3>like that feeling like I don't know what my place

0:59:24.440 --> 0:59:28.200
<v Speaker 3>is anymore. That's very real, and I think I think

0:59:28.240 --> 0:59:31.040
<v Speaker 3>there was a lot of discussion about it, and I

0:59:31.080 --> 0:59:35.800
<v Speaker 3>think Betsy had very strong opinions, and I don't remember

0:59:35.840 --> 0:59:37.200
<v Speaker 3>what they were, but.

0:59:37.640 --> 0:59:40.200
<v Speaker 6>There's something happening in this performance, because I was watching

0:59:40.240 --> 0:59:42.480
<v Speaker 6>this and going this is there's awe, And then when

0:59:42.480 --> 0:59:44.440
<v Speaker 6>I saw Will at the end, I was like, Oh,

0:59:44.480 --> 0:59:47.680
<v Speaker 6>it's just simple that she has seen her performance mirrored

0:59:47.880 --> 0:59:51.760
<v Speaker 6>by Will's impression or Will's mocking it, and so she's

0:59:52.480 --> 0:59:55.840
<v Speaker 6>counter like counteracting it in some way like she's so

0:59:56.040 --> 0:59:58.560
<v Speaker 6>conscious or she's you know, because like what I would

0:59:58.560 --> 1:00:00.400
<v Speaker 6>have actually done if I was directing, was I would

1:00:00.440 --> 1:00:03.400
<v Speaker 6>never let her see Will's impression until we were shooting,

1:00:03.440 --> 1:00:05.240
<v Speaker 6>you know what I mean. But the fact that you

1:00:05.240 --> 1:00:07.240
<v Speaker 6>can't do that with a run through and everything, So

1:00:07.400 --> 1:00:09.920
<v Speaker 6>I'm sure that she just had spent all week seeing

1:00:09.960 --> 1:00:13.760
<v Speaker 6>Will do his mocking version of it, which just means

1:00:13.760 --> 1:00:15.720
<v Speaker 6>that you're getting like it reflected back to you, which

1:00:15.720 --> 1:00:17.560
<v Speaker 6>means you're self conscious. So I just thought that it

1:00:17.600 --> 1:00:19.680
<v Speaker 6>was sort of like she was holding backward or actually,

1:00:19.680 --> 1:00:22.080
<v Speaker 6>what I thought was happening was that she was underplaying

1:00:22.160 --> 1:00:25.200
<v Speaker 6>it and downplaying it, which was kind of effective because

1:00:25.200 --> 1:00:29.680
<v Speaker 6>I actually, yeah, she confronted to Panga like if she

1:00:29.760 --> 1:00:31.800
<v Speaker 6>was actually why couldn't you the way that you did

1:00:32.240 --> 1:00:34.480
<v Speaker 6>in your mocking scene, it would have been like way too.

1:00:34.480 --> 1:00:37.440
<v Speaker 6>But that's actually the way it's kind of written. I'm

1:00:37.760 --> 1:00:39.600
<v Speaker 6>listening to what you're saying now, Danielle, and I'm like,

1:00:39.680 --> 1:00:42.960
<v Speaker 6>I feel like if she had just lost control, Like

1:00:43.000 --> 1:00:44.840
<v Speaker 6>if the point was that she's trying to give a

1:00:44.840 --> 1:00:47.640
<v Speaker 6>speech and she can't do it because she's just flustered

1:00:47.800 --> 1:00:50.160
<v Speaker 6>and she's worried about her son, and she ends up

1:00:50.200 --> 1:00:53.080
<v Speaker 6>saying something to Panga that she probably shouldn't have said.

1:00:53.520 --> 1:00:56.000
<v Speaker 6>That would have been like she'd just sort of been like, oh,

1:00:56.240 --> 1:00:58.080
<v Speaker 6>why couldn't you just going to Yale and then like

1:00:58.160 --> 1:01:01.320
<v Speaker 6>walked out in tears, that you still would have been

1:01:01.360 --> 1:01:03.680
<v Speaker 6>able to have the sort of moment of confrontation. But

1:01:03.760 --> 1:01:07.400
<v Speaker 6>as it is, like Jesus, yeah, for Amy to say that,

1:01:08.240 --> 1:01:11.320
<v Speaker 6>it's like yeah, and then Corey has to come back

1:01:11.320 --> 1:01:13.360
<v Speaker 6>at her with his heaviness, and I'm just like, what

1:01:13.480 --> 1:01:14.000
<v Speaker 6>is happening.

1:01:14.240 --> 1:01:16.640
<v Speaker 3>I know, well, let's have Betsy back, Let's have Betsy back.

1:01:16.720 --> 1:01:19.440
<v Speaker 3>Let's talk about this episode. I remember there being a

1:01:19.440 --> 1:01:21.800
<v Speaker 3>lot of discussions, so we will. We will find out

1:01:21.880 --> 1:01:24.800
<v Speaker 3>from the source to Panga is speechless, the room is

1:01:24.880 --> 1:01:25.640
<v Speaker 3>dead silent.

1:01:26.080 --> 1:01:28.160
<v Speaker 5>Eric Gale's here here.

1:01:29.440 --> 1:01:32.000
<v Speaker 3>Of course, of course, and then there's a very tense

1:01:32.040 --> 1:01:34.720
<v Speaker 3>commercial break. We come back in the Matthew's kitchen. Tapanga

1:01:34.840 --> 1:01:37.360
<v Speaker 3>decides she should go, but Corey jumps in. You're not

1:01:37.480 --> 1:01:41.280
<v Speaker 3>leaving your own wedding reception. Tapanga tells Amy, I'm sorry

1:01:41.280 --> 1:01:43.360
<v Speaker 3>for any pain I've caused, and she runs out of

1:01:43.400 --> 1:01:46.520
<v Speaker 3>the room. Corey calls after her, but to no avail.

1:01:46.640 --> 1:01:48.400
<v Speaker 3>He shouts at his mom, how could you say that

1:01:48.480 --> 1:01:51.240
<v Speaker 3>to her? Amy says she's sorry, but Corey's not finished.

1:01:51.440 --> 1:01:53.840
<v Speaker 3>So for fifteen years, you've been lying to me about

1:01:53.840 --> 1:01:55.680
<v Speaker 3>how you feel about us, and you've been lying to

1:01:55.680 --> 1:01:58.400
<v Speaker 3>me about how you feel about her. Amy shouts, I

1:01:58.440 --> 1:02:01.480
<v Speaker 3>want what I believe is best for you, Corey and Topanga.

1:02:01.920 --> 1:02:04.280
<v Speaker 3>Cory's furious. What's best for us is for you to

1:02:04.360 --> 1:02:06.960
<v Speaker 3>trust us. I love her, I will always love her.

1:02:07.000 --> 1:02:09.640
<v Speaker 3>And you know something else, we didn't get married because

1:02:09.680 --> 1:02:13.800
<v Speaker 3>she wanted you to be there. Ory storms out, leaving

1:02:13.840 --> 1:02:16.040
<v Speaker 3>a visibly regretful Amy.

1:02:16.840 --> 1:02:19.000
<v Speaker 6>Yeah, this is all a bit much for me.

1:02:19.120 --> 1:02:22.680
<v Speaker 1>It's just real dramatic. Justice were full Dawson's creek.

1:02:22.800 --> 1:02:29.040
<v Speaker 3>I don't want to wake okay, and we're in the apartment.

1:02:29.160 --> 1:02:31.479
<v Speaker 3>Jack is wrapping a gift when Eric walks in, who's

1:02:31.520 --> 1:02:34.360
<v Speaker 3>the present for? Jack suspiciously says no one.

1:02:34.440 --> 1:02:37.360
<v Speaker 2>But by the way I walked in, I didn't even

1:02:37.440 --> 1:02:40.200
<v Speaker 2>notice the present before I said who's that one for?

1:02:40.280 --> 1:02:42.800
<v Speaker 2>I'd even take a second to look at it. It's like, hey,

1:02:42.840 --> 1:02:44.360
<v Speaker 2>there's now that's him acting there.

1:02:45.120 --> 1:02:48.400
<v Speaker 6>To be fair, it's completely unmotivated, Like, well, did you

1:02:48.400 --> 1:02:50.400
<v Speaker 6>guys say you're not going to date her? Did you

1:02:50.440 --> 1:02:53.480
<v Speaker 6>guys make an agreement? What is the what is the problem?

1:02:53.480 --> 1:02:56.880
<v Speaker 3>Well, what I will say is that there the idea

1:02:56.920 --> 1:02:57.920
<v Speaker 3>that they have not been.

1:02:57.720 --> 1:02:59.760
<v Speaker 5>In competition for her is not true.

1:02:59.840 --> 1:03:03.160
<v Speaker 3>In the first episode, we already saw she jumped on

1:03:03.280 --> 1:03:05.480
<v Speaker 3>him and he was like, you know, ha ha, he's

1:03:05.480 --> 1:03:08.360
<v Speaker 3>she's on me. And then he said, and so they have.

1:03:09.040 --> 1:03:13.120
<v Speaker 3>It has been established that they both want her, and

1:03:13.400 --> 1:03:15.720
<v Speaker 3>one of them will be victorious.

1:03:15.760 --> 1:03:17.920
<v Speaker 6>What have they made an agreement? If they had made

1:03:17.960 --> 1:03:19.640
<v Speaker 6>an agreement a you know what, just for the sake

1:03:19.680 --> 1:03:22.040
<v Speaker 6>of if the episode, this episode had be gone with

1:03:22.080 --> 1:03:23.720
<v Speaker 6>them being like, for the sake of keeping things, we're

1:03:23.760 --> 1:03:25.280
<v Speaker 6>just let's just agree we're not going to make the

1:03:25.320 --> 1:03:28.760
<v Speaker 6>move on Rachel. Okay, Okay, they're going behind each other's back,

1:03:28.800 --> 1:03:30.720
<v Speaker 6>trying to make the move that is conflict.

1:03:30.760 --> 1:03:32.520
<v Speaker 5>Yeah, yeah, yep, you're right.

1:03:32.840 --> 1:03:34.640
<v Speaker 2>Or even set it up where they are going to

1:03:34.680 --> 1:03:36.720
<v Speaker 2>do that, and they we end the last episode with,

1:03:36.800 --> 1:03:38.800
<v Speaker 2>well then made the best man the best man.

1:03:39.120 --> 1:03:40.000
<v Speaker 1>Yeah, that's all. That's all.

1:03:40.000 --> 1:03:42.360
<v Speaker 6>You got it out. It's on game on, Yeah.

1:03:42.040 --> 1:03:45.640
<v Speaker 3>Exactly, yep, but Eric knows it's a present for Rachel.

1:03:45.960 --> 1:03:47.960
<v Speaker 3>Jack got her a book so she has something to

1:03:48.000 --> 1:03:50.760
<v Speaker 3>read in the bathtub. Oh is that where you got

1:03:50.760 --> 1:03:52.200
<v Speaker 3>your idea to read in the shower?

1:03:52.240 --> 1:03:54.120
<v Speaker 1>Well no, I'd already been reading in the shower for

1:03:54.200 --> 1:03:54.760
<v Speaker 1>years and years.

1:03:54.760 --> 1:03:56.240
<v Speaker 2>And by the way, I'd like to say that I

1:03:56.240 --> 1:03:58.360
<v Speaker 2>think I'm a pretty good looking guy until I stand

1:03:58.360 --> 1:04:04.479
<v Speaker 2>next to Matt Lawrence. For further record, he's like constantly tan.

1:04:04.760 --> 1:04:07.240
<v Speaker 2>His clothes look like they're spray painted on him. It's like, man,

1:04:07.720 --> 1:04:09.360
<v Speaker 2>I just look like a pilot next.

1:04:09.200 --> 1:04:09.680
<v Speaker 6>To that kid.

1:04:10.280 --> 1:04:13.200
<v Speaker 5>No, you do not. You very handsome.

1:04:13.600 --> 1:04:16.320
<v Speaker 6>Season seven, you look like a pilot.

1:04:16.440 --> 1:04:16.800
<v Speaker 5>For now.

1:04:17.080 --> 1:04:18.760
<v Speaker 6>This is peak. Will remember the woman.

1:04:19.000 --> 1:04:20.520
<v Speaker 2>I know it is, but it also says the woman

1:04:20.560 --> 1:04:24.160
<v Speaker 2>who was dating the guy, the good looking guy next

1:04:24.160 --> 1:04:27.280
<v Speaker 2>to me, like, no, you're a cute too, husband, thought

1:04:27.280 --> 1:04:29.200
<v Speaker 2>Matt Lawrence was the star of the show because that's all.

1:04:29.560 --> 1:04:30.760
<v Speaker 6>That's all he heard about.

1:04:32.040 --> 1:04:33.600
<v Speaker 5>Me were on world.

1:04:35.560 --> 1:04:38.960
<v Speaker 3>No, he meant without before, he knew me before, before

1:04:39.000 --> 1:04:39.840
<v Speaker 3>we started dating.

1:04:40.240 --> 1:04:42.120
<v Speaker 6>The only one that was sucking his memory it was

1:04:42.120 --> 1:04:46.240
<v Speaker 6>Matt Lawrence because he's the most handsome man version I got.

1:04:46.320 --> 1:04:49.040
<v Speaker 6>You can see there were a bunch of kids. Yeah,

1:04:49.240 --> 1:04:53.600
<v Speaker 6>she was somebody named for something. But one of the

1:04:53.680 --> 1:04:54.680
<v Speaker 6>Lawrences was on that ship.

1:04:54.800 --> 1:04:55.520
<v Speaker 1>But Matt Lawrence.

1:04:56.840 --> 1:04:59.520
<v Speaker 3>Eric can't believe him. That's cold, trying to get Rachel

1:04:59.560 --> 1:05:02.160
<v Speaker 3>to like him more than she likes Eric. Eric then

1:05:02.200 --> 1:05:04.360
<v Speaker 3>walks into the hall and retrieves an even bigger gift

1:05:04.400 --> 1:05:09.160
<v Speaker 3>for Rachel. Jack wonders, what's that slime wipe? Slime wipe?

1:05:09.760 --> 1:05:10.800
<v Speaker 6>Is that really what? He says?

1:05:10.920 --> 1:05:13.760
<v Speaker 1>Yeah, slime Why it's a slime why? I don't know.

1:05:13.800 --> 1:05:15.520
<v Speaker 1>It's never been said before nor since.

1:05:15.760 --> 1:05:22.760
<v Speaker 3>Okay, slime wipe happen. Eric reveals some kind of bird

1:05:22.800 --> 1:05:25.880
<v Speaker 3>for Rachel. He laughs in Jack's face, your present stupid.

1:05:26.800 --> 1:05:27.320
<v Speaker 5>I would be.

1:05:29.080 --> 1:05:33.680
<v Speaker 3>So mad if someone bought me a bird.

1:05:32.160 --> 1:05:41.840
<v Speaker 2>Oh yeah, I've got I've gotta.

1:05:42.800 --> 1:05:45.080
<v Speaker 6>I'm very proud of my gifts for you too.

1:05:45.280 --> 1:05:47.720
<v Speaker 1>I'm proud of mine too. If I'm honest, although I

1:05:47.760 --> 1:05:50.320
<v Speaker 1>have to return one for Daniel, but uh.

1:05:52.240 --> 1:05:54.560
<v Speaker 3>Rachel enters the living room and greets the guys. Eric

1:05:54.600 --> 1:05:57.600
<v Speaker 3>immediately reveals his present. Hey, I bought you this bird.

1:05:57.640 --> 1:05:59.480
<v Speaker 3>It reminded me of you because it has bright red

1:05:59.520 --> 1:06:01.520
<v Speaker 3>feathers and it eats like a bird.

1:06:04.880 --> 1:06:06.760
<v Speaker 6>And poor David Glazer had to go out and find

1:06:06.760 --> 1:06:11.000
<v Speaker 6>a Yeah, that's what I talked about.

1:06:11.400 --> 1:06:12.800
<v Speaker 5>Yes, this is the one he talked about.

1:06:12.880 --> 1:06:13.320
<v Speaker 6>Interesting.

1:06:13.600 --> 1:06:15.800
<v Speaker 5>Rachel is flustered. You bought me a present.

1:06:16.160 --> 1:06:18.520
<v Speaker 3>Jack chimes in, I got you this book, which I've read,

1:06:18.560 --> 1:06:21.200
<v Speaker 3>and I thought maybe you'd like She looks at the book.

1:06:21.840 --> 1:06:26.200
<v Speaker 1>Keiths, Yeah, I know dating.

1:06:26.320 --> 1:06:28.560
<v Speaker 5>How did you know that was my favorite poet? Eric

1:06:28.600 --> 1:06:29.920
<v Speaker 5>butts in. I told him.

1:06:30.120 --> 1:06:32.560
<v Speaker 3>Rachel's overwhelmed, and she doesn't know what to say. She's

1:06:32.640 --> 1:06:35.240
<v Speaker 3>visibly flustered and runs upstairs without saying another word.

1:06:35.760 --> 1:06:37.400
<v Speaker 6>Actually, you know, I want to jump in with a memory.

1:06:37.440 --> 1:06:39.280
<v Speaker 6>This is a great this is a good memory. I

1:06:39.280 --> 1:06:42.640
<v Speaker 6>remember talking to Matt Lawrence about Keats and he said

1:06:42.640 --> 1:06:45.040
<v Speaker 6>something that has stuck with me and I've used in

1:06:45.080 --> 1:06:47.760
<v Speaker 6>relationship to other He's like, you know what Keiths is like?

1:06:47.800 --> 1:06:50.600
<v Speaker 6>He's he'said reading Keats is like just hearing a great

1:06:50.800 --> 1:06:54.480
<v Speaker 6>major chord, like just a C major or a G major,

1:06:54.520 --> 1:06:56.920
<v Speaker 6>And I was like, that is really astute. Matt, like

1:06:57.040 --> 1:06:58.680
<v Speaker 6>it's always stuck with me. I was like, yeah, that

1:06:58.800 --> 1:07:02.400
<v Speaker 6>is what Keith's sounds like. It's just perfect music. It's

1:07:02.480 --> 1:07:05.160
<v Speaker 6>just well good poetry. And I was like, what you know.

1:07:05.240 --> 1:07:06.960
<v Speaker 6>And of course Matt Lawrence is a musician, like he

1:07:07.480 --> 1:07:10.680
<v Speaker 6>made it about music, but it was so spot on anyway, Yeah,

1:07:10.760 --> 1:07:12.320
<v Speaker 6>I mean this was a this is right around this.

1:07:12.360 --> 1:07:14.439
<v Speaker 6>I mean we were probably talking about it because of this.

1:07:14.920 --> 1:07:17.640
<v Speaker 6>I don't know, but I do remember talking about Keats

1:07:17.640 --> 1:07:18.880
<v Speaker 6>with Met Lawrence's cool.

1:07:19.240 --> 1:07:23.080
<v Speaker 5>That's cute. So Eric asks what just happened Jack's eye?

1:07:23.440 --> 1:07:27.400
<v Speaker 5>Something bad? Then the bird squawks and Eric wonders, do

1:07:27.520 --> 1:07:28.000
<v Speaker 5>we eat this?

1:07:28.360 --> 1:07:29.440
<v Speaker 6>My favorite button.

1:07:30.800 --> 1:07:32.840
<v Speaker 4>Is one of the funniest things this And then.

1:07:32.760 --> 1:07:38.400
<v Speaker 6>The next I was like, wow, that is some genius.

1:07:38.800 --> 1:07:42.080
<v Speaker 6>Can we eat this? Oh my god, it's so funny

1:07:42.640 --> 1:07:45.320
<v Speaker 6>the story for me, like those two buttons were like,

1:07:45.360 --> 1:07:48.560
<v Speaker 6>oh you the episode, no, Eric, no, Eric.

1:07:51.000 --> 1:07:53.160
<v Speaker 4>Is just the best, just genius.

1:08:05.080 --> 1:08:06.280
<v Speaker 5>We're back in the Matthew's kitchen.

1:08:06.280 --> 1:08:08.919
<v Speaker 3>Amy's pouring coffee for herself and Alan while muttering too

1:08:08.960 --> 1:08:11.880
<v Speaker 3>young to even think about marriage. Alan reminds her that

1:08:11.960 --> 1:08:14.320
<v Speaker 3>Corey is not their little boy anymore. They can't prevent

1:08:14.400 --> 1:08:17.639
<v Speaker 3>him from making mistakes. Amy argues, please, I still lay

1:08:17.640 --> 1:08:21.120
<v Speaker 3>out his clothes and what she wants to do? Alan

1:08:21.200 --> 1:08:25.080
<v Speaker 3>interjects to Panga. Amy nods, but repeats the same sentence

1:08:25.320 --> 1:08:28.720
<v Speaker 3>what she wants to do. Alan interrupts her again to

1:08:28.840 --> 1:08:32.920
<v Speaker 3>Panga use her name. A frustrated Amy starts over what

1:08:33.040 --> 1:08:37.360
<v Speaker 3>Topanga wants to do is and Alan finishes her sentence

1:08:37.880 --> 1:08:41.639
<v Speaker 3>is lay his clothes out for him. That is what

1:08:41.760 --> 1:08:44.240
<v Speaker 3>no wife is thinking they want to do.

1:08:44.640 --> 1:08:46.840
<v Speaker 2>Also, sorry, but your mom still laying your clothes out

1:08:46.880 --> 1:08:47.679
<v Speaker 2>for you when you're eighteen?

1:08:47.800 --> 1:08:50.000
<v Speaker 1>You've got other issues, you really do.

1:08:50.200 --> 1:08:53.040
<v Speaker 3>Also, no mention of the fact again that Amy and

1:08:53.080 --> 1:08:56.680
<v Speaker 3>Alan got married at eighteen. Nope, and she's too young

1:08:56.840 --> 1:08:58.559
<v Speaker 3>to even think about getting married.

1:08:59.640 --> 1:09:03.720
<v Speaker 1>You did, but you did, yeah.

1:09:02.520 --> 1:09:05.320
<v Speaker 3>He asks her while rubbing her hand. Do you think

1:09:05.360 --> 1:09:07.160
<v Speaker 3>this would bother you so much if this was some

1:09:07.240 --> 1:09:09.519
<v Speaker 3>girl who couldn't take care of him as well as

1:09:09.560 --> 1:09:09.880
<v Speaker 3>you have?

1:09:10.600 --> 1:09:13.320
<v Speaker 5>Do you really think Tapega isn't right? Is right for you?

1:09:13.640 --> 1:09:15.759
<v Speaker 5>So let me just let's talk about that question.

1:09:16.760 --> 1:09:20.559
<v Speaker 3>Do you think you would mind Corey running off to

1:09:20.720 --> 1:09:23.400
<v Speaker 3>marry someone if she was worse.

1:09:25.439 --> 1:09:28.120
<v Speaker 5>You're right, If I knew this was a failure, it

1:09:28.120 --> 1:09:29.400
<v Speaker 5>wouldn't bother me so much.

1:09:29.920 --> 1:09:30.880
<v Speaker 1>Yeah, it's weird.

1:09:32.160 --> 1:09:36.120
<v Speaker 3>What that's the question? He says, Do you think this

1:09:36.200 --> 1:09:40.479
<v Speaker 3>would bother you so much? Their son getting married? There

1:09:40.640 --> 1:09:43.960
<v Speaker 3>Sonny loping with a woman, if you thought it was

1:09:44.040 --> 1:09:46.599
<v Speaker 3>some girl who couldn't take care.

1:09:46.479 --> 1:09:48.920
<v Speaker 5>Of him as well as Tapega does.

1:09:49.200 --> 1:09:51.880
<v Speaker 6>And her answer is yeah. So this is where she

1:09:51.960 --> 1:09:54.160
<v Speaker 6>realizes that she's jealous.

1:09:53.720 --> 1:09:56.160
<v Speaker 3>And she insists it isn't about that they're too young,

1:09:56.200 --> 1:09:59.599
<v Speaker 3>he's not ready, and then she says, I'm not ready,

1:10:00.439 --> 1:10:04.000
<v Speaker 3>she admits, while fighting back tears. Yes she's right for Corey,

1:10:04.160 --> 1:10:06.840
<v Speaker 3>she loves him, and yes she'll take care of him

1:10:06.920 --> 1:10:11.839
<v Speaker 3>and he'll be happy. Amy realizes, oh god, I'm jealous

1:10:11.880 --> 1:10:16.559
<v Speaker 3>of her. Alan comforts her. They still have Eric and

1:10:16.600 --> 1:10:18.400
<v Speaker 3>Amy groans, oh.

1:10:18.200 --> 1:10:20.800
<v Speaker 1>God, which is funny.

1:10:20.840 --> 1:10:21.439
<v Speaker 5>It is funny.

1:10:22.920 --> 1:10:25.960
<v Speaker 3>So then we're at the apartment. The boys are stressed.

1:10:26.080 --> 1:10:28.679
<v Speaker 3>Jack is pacing. She's been in there a really long time.

1:10:28.960 --> 1:10:31.200
<v Speaker 3>Eric agrees, you don't think she like and then he

1:10:31.240 --> 1:10:32.439
<v Speaker 3>pretends to hang himself.

1:10:32.479 --> 1:10:36.439
<v Speaker 1>Oh there's something like a good suicide. Jesus yikes, nye.

1:10:37.120 --> 1:10:39.200
<v Speaker 3>Jack shakes his head. Naw, she's too tall for that.

1:10:39.520 --> 1:10:41.960
<v Speaker 3>He admits, they're just freaks. She just got out of

1:10:41.960 --> 1:10:45.000
<v Speaker 3>a bad relationship and she's vulnerable. Eric adds, and both

1:10:45.000 --> 1:10:46.639
<v Speaker 3>of us are going after her like she's some kind

1:10:46.680 --> 1:10:51.680
<v Speaker 3>of cheese ravioli. Jack realizes when she really needs a

1:10:51.720 --> 1:10:54.920
<v Speaker 3>couple of friends. Eric warns Jack they better make it

1:10:54.960 --> 1:10:58.320
<v Speaker 3>safe around there before it's too late. Then Rachel exits

1:10:58.320 --> 1:11:00.920
<v Speaker 3>her room, now carrying a piece of luggage. Jack yell's

1:11:00.960 --> 1:11:03.559
<v Speaker 3>oh no, it's too late. Eric sternly states, we're not

1:11:03.640 --> 1:11:07.120
<v Speaker 3>letting you go. Rachel's confused. Jack adds, we know why

1:11:07.160 --> 1:11:10.000
<v Speaker 3>you think you have to leave. Rachel doesn't get it. Well,

1:11:10.040 --> 1:11:12.840
<v Speaker 3>why do I have to leave? Eric explains because of

1:11:12.880 --> 1:11:15.760
<v Speaker 3>the extreme sexual tension that we've created in this here,

1:11:15.880 --> 1:11:20.280
<v Speaker 3>your new habitat. Rachel wonders, Oh, you feel it too, huh.

1:11:20.320 --> 1:11:23.080
<v Speaker 2>Also, unless we all suddenly became the best actors in

1:11:23.120 --> 1:11:25.160
<v Speaker 2>the world, the suitcase is actually very heavy.

1:11:26.560 --> 1:11:28.120
<v Speaker 5>There's actually a bunch in there.

1:11:28.640 --> 1:11:31.960
<v Speaker 3>In there, yeah yeah, Eric mouths a little bit, and

1:11:32.080 --> 1:11:34.559
<v Speaker 3>Jack steps up. Yes, And we realize that if we

1:11:34.600 --> 1:11:36.439
<v Speaker 3>have any chance of keeping you here, we have to

1:11:36.439 --> 1:11:40.000
<v Speaker 3>stop thinking of you as a Eric suggests, puff pastry

1:11:40.000 --> 1:11:44.360
<v Speaker 3>on a plate. Jack continues, and more like, Eric finishes

1:11:44.400 --> 1:11:49.000
<v Speaker 3>his sentence again person Jack assures her they won't chase

1:11:49.000 --> 1:11:51.200
<v Speaker 3>after her or compete for her. They'll just be who

1:11:51.240 --> 1:11:55.840
<v Speaker 3>she really needs, roommates and friends. Rachel asks, and that's it.

1:11:56.360 --> 1:11:59.880
<v Speaker 3>Eric nods that's it. Jack excitedly asks, so you'll stay.

1:12:00.240 --> 1:12:03.000
<v Speaker 3>Rachel laughs, Stay, I was never moving out. Eric and

1:12:03.080 --> 1:12:06.439
<v Speaker 3>jackhi five each other in victory. Yeah, she explains, I

1:12:06.479 --> 1:12:08.960
<v Speaker 3>love my book and I love my bird too. You

1:12:09.000 --> 1:12:10.439
<v Speaker 3>guys treat me better than my boyfriend.

1:12:10.479 --> 1:12:10.679
<v Speaker 1>Ever?

1:12:10.720 --> 1:12:12.920
<v Speaker 3>Did I think it started to scare me? I just

1:12:12.960 --> 1:12:15.320
<v Speaker 3>realized that I could easily fall for either one of you.

1:12:15.840 --> 1:12:18.519
<v Speaker 3>The guys are frozen, and then I thought, so what

1:12:18.560 --> 1:12:20.200
<v Speaker 3>if I do? Because I can deal with that.

1:12:20.560 --> 1:12:20.760
<v Speaker 1>Yeah.

1:12:20.760 --> 1:12:24.480
<v Speaker 3>The guy's mouths are now open and utter disbelief. Jack whispers,

1:12:24.600 --> 1:12:26.639
<v Speaker 3>Oh no. Eric is a ghast.

1:12:26.880 --> 1:12:27.759
<v Speaker 5>We guessed wrong.

1:12:28.280 --> 1:12:30.680
<v Speaker 3>Rachel assures them, Oh, you didn't. We have to keep

1:12:30.680 --> 1:12:34.880
<v Speaker 3>this strictly platonic, no matter what I'm feeling inside, Eric

1:12:34.920 --> 1:12:39.040
<v Speaker 3>tries to form a coherent sentence. Well, then, well, what's

1:12:39.080 --> 1:12:42.519
<v Speaker 3>in the suitcase? She explains. Some mementos for my old boyfriend.

1:12:42.600 --> 1:12:45.000
<v Speaker 3>I was on the way to the incinerator to burn them.

1:12:46.240 --> 1:12:48.760
<v Speaker 3>When I get back, I guess we'll start our new relationship.

1:12:48.960 --> 1:12:51.480
<v Speaker 3>They give her oneasy smiles and she thanks them for

1:12:51.640 --> 1:12:55.439
<v Speaker 3>saving her from herself. As she leaves, she admits, you

1:12:55.600 --> 1:12:58.599
<v Speaker 3>two are the most sensitive, caring men that I've ever met.

1:12:59.080 --> 1:12:59.479
<v Speaker 5>Thanks.

1:13:00.160 --> 1:13:02.280
<v Speaker 3>The door closes and the guys don't know what to say.

1:13:02.680 --> 1:13:04.719
<v Speaker 3>Breaking the silence, we hear the ding of a timer

1:13:04.760 --> 1:13:07.960
<v Speaker 3>and Eric excitedly states, birds ready.

1:13:07.920 --> 1:13:11.160
<v Speaker 6>Amazing, that's the button saves it. But this is where

1:13:11.200 --> 1:13:13.639
<v Speaker 6>I thought the episode should have started, or last episode

1:13:13.680 --> 1:13:16.679
<v Speaker 6>should have ended. Last episode ended with this. Then this

1:13:16.760 --> 1:13:19.479
<v Speaker 6>episode makes sense because that's like, oh, we have this

1:13:19.560 --> 1:13:24.160
<v Speaker 6>agreement and yet we're messing it up. Instead, they're they're

1:13:24.200 --> 1:13:24.639
<v Speaker 6>just yes.

1:13:24.640 --> 1:13:26.679
<v Speaker 4>It's not that they're just yeah, Okay, yep.

1:13:26.680 --> 1:13:29.000
<v Speaker 3>That's where this needed one needed to start for sure.

1:13:30.280 --> 1:13:33.120
<v Speaker 3>Then we are in the infamous childhood park. I'm going

1:13:33.160 --> 1:13:35.519
<v Speaker 3>to assume Corey and Topanga are standing out.

1:13:35.840 --> 1:13:38.479
<v Speaker 4>The monkey bars have moved or the it's not even

1:13:38.479 --> 1:13:39.000
<v Speaker 4>the monkey bars.

1:13:39.040 --> 1:13:39.960
<v Speaker 5>What is a jungle gym?

1:13:40.040 --> 1:13:43.320
<v Speaker 6>The jungle gym is now completely different places because it

1:13:43.400 --> 1:13:44.559
<v Speaker 6>used to be in the well.

1:13:44.600 --> 1:13:47.080
<v Speaker 2>There is a big there was a big jungle gym

1:13:47.120 --> 1:13:49.080
<v Speaker 2>reformation in ninety eight, and of course.

1:13:48.920 --> 1:13:51.760
<v Speaker 5>Everyone around yeah, yeah, the summer of ninety eight.

1:13:51.880 --> 1:13:52.240
<v Speaker 1>Correct.

1:13:53.920 --> 1:13:56.280
<v Speaker 3>They spot Amy and Allen walking up to Panga, thinks

1:13:56.320 --> 1:13:58.639
<v Speaker 3>she should leave. Amy asks to Panga for a minute

1:13:58.680 --> 1:14:00.400
<v Speaker 3>to talk, and as they wait. As they make their

1:14:00.439 --> 1:14:02.640
<v Speaker 3>way to a bench, Topanga says, I don't want you

1:14:02.680 --> 1:14:05.559
<v Speaker 3>to be mad at me. Amy assures her she isn't mad.

1:14:05.920 --> 1:14:08.559
<v Speaker 3>Alan wants to give the girl some space, but Corey's concerned.

1:14:08.640 --> 1:14:11.640
<v Speaker 3>I'm afraid mom's gonna kill Tapanga and Burrier in the sandbox.

1:14:12.200 --> 1:14:14.960
<v Speaker 3>Amy tells Tapanga it's very hard for a mother to

1:14:15.000 --> 1:14:17.360
<v Speaker 3>think that another woman is going to take her place

1:14:17.400 --> 1:14:20.880
<v Speaker 3>with her little boy. To Panka insists I could never

1:14:20.920 --> 1:14:23.879
<v Speaker 3>take your place. I just love your little boy, missus Matthews.

1:14:24.280 --> 1:14:27.880
<v Speaker 3>Amy corrects her, Amy, use my name is? This is the

1:14:27.920 --> 1:14:30.960
<v Speaker 3>first time I'm ever gonna call them Amy and Alan?

1:14:31.280 --> 1:14:32.240
<v Speaker 1>Yeah?

1:14:31.560 --> 1:14:33.920
<v Speaker 5>He Tapanga hesitates.

1:14:33.439 --> 1:14:37.720
<v Speaker 3>Before saying Amy, knowing what it means, Amy continues, if

1:14:37.760 --> 1:14:40.000
<v Speaker 3>there is going to be another person to take my place,

1:14:40.160 --> 1:14:43.839
<v Speaker 3>I want it to be you. Topeka smiles and thanks her. Meanwhile,

1:14:43.880 --> 1:14:46.599
<v Speaker 3>Alan and Corey are sitting on nearby swings, Alan tells

1:14:46.640 --> 1:14:48.720
<v Speaker 3>his son, I'm really proud of you. You stood up

1:14:48.760 --> 1:14:50.799
<v Speaker 3>for what you believed in and you made your own decision.

1:14:50.920 --> 1:14:54.719
<v Speaker 1>I'm sorry, wait, just very yeah. Have I been doing

1:14:54.880 --> 1:14:58.240
<v Speaker 1>marriage wrong? Was my wife's supposed to take the place

1:14:58.280 --> 1:14:58.960
<v Speaker 1>of my mom?

1:15:00.560 --> 1:15:03.280
<v Speaker 6>This is all like subtext becoming text, Like this is

1:15:03.320 --> 1:15:05.960
<v Speaker 6>all fine subtexts, Like I like the idea that like

1:15:06.000 --> 1:15:10.479
<v Speaker 6>a mom realizes that she but to like make it text. Now,

1:15:10.760 --> 1:15:13.839
<v Speaker 6>like for a woman like to Panga to be referring

1:15:13.840 --> 1:15:16.000
<v Speaker 6>to her husband to be as a little boy is

1:15:16.080 --> 1:15:17.200
<v Speaker 6>just weird and like.

1:15:17.160 --> 1:15:19.400
<v Speaker 4>I'm going to like, why would you accept this?

1:15:19.439 --> 1:15:22.559
<v Speaker 6>Like I would be like so grossed out if my

1:15:22.720 --> 1:15:25.360
<v Speaker 6>wife was like or my wife's father was like, well,

1:15:25.400 --> 1:15:27.920
<v Speaker 6>now you're the man in her life, so you're gonna

1:15:27.920 --> 1:15:33.320
<v Speaker 6>be daddy doer WHOA got some ideas exactly. It's not

1:15:33.720 --> 1:15:36.559
<v Speaker 6>like that's not the way this works. Like maybe on

1:15:36.600 --> 1:15:40.759
<v Speaker 6>some like deep Freudian subtextual level, but like if you're.

1:15:40.600 --> 1:15:44.080
<v Speaker 4>Saying that to me, that's weird saying it.

1:15:44.720 --> 1:15:47.120
<v Speaker 2>I get I get that you you know you want

1:15:47.120 --> 1:15:49.360
<v Speaker 2>your parture to be your partner to be nurturing, which

1:15:49.360 --> 1:15:51.640
<v Speaker 2>is maybe you get a nurturing kind of sense from

1:15:51.720 --> 1:15:56.000
<v Speaker 2>a parent, but to actually, you're you're the mom now.

1:15:56.040 --> 1:15:58.840
<v Speaker 3>It's like to Benga was spot on when she was like,

1:15:59.080 --> 1:16:01.000
<v Speaker 3>I could never take your place.

1:16:01.600 --> 1:16:02.880
<v Speaker 5>That's not what's happening here.

1:16:02.960 --> 1:16:04.480
<v Speaker 1>But I'm going to do exactly.

1:16:04.760 --> 1:16:11.479
<v Speaker 3>You will always be mommy, yeah, and I'm gonna be

1:16:11.720 --> 1:16:12.680
<v Speaker 3>something else.

1:16:12.560 --> 1:16:13.599
<v Speaker 6>Something else, somebody.

1:16:14.680 --> 1:16:16.479
<v Speaker 5>There's no reason for us to compete.

1:16:16.800 --> 1:16:20.280
<v Speaker 2>Yeah, she's yeah, she's gonna call me daddy, but only

1:16:20.280 --> 1:16:21.000
<v Speaker 2>on a birthday.

1:16:21.120 --> 1:16:22.760
<v Speaker 1>That's what That's what the line is.

1:16:22.880 --> 1:16:24.000
<v Speaker 5>It's just weird.

1:16:25.040 --> 1:16:29.639
<v Speaker 3>But again it strikes me as being a man, maybe

1:16:29.680 --> 1:16:35.280
<v Speaker 3>a man boys interpretation of what women must feel. What

1:16:35.280 --> 1:16:37.200
<v Speaker 3>what does a mom feel when her son gets married?

1:16:37.479 --> 1:16:38.040
<v Speaker 5>Jealous?

1:16:38.160 --> 1:16:40.880
<v Speaker 3>Jealous, jealous of this other woman who's now going to

1:16:40.920 --> 1:16:43.479
<v Speaker 3>get to cook and clean and dress me and bathe

1:16:43.520 --> 1:16:45.000
<v Speaker 3>me O.

1:16:45.200 --> 1:16:49.280
<v Speaker 6>Woman has to acknowledge that she has becomeing the part

1:16:49.280 --> 1:16:51.600
<v Speaker 6>of her job, and that's she's excited to do that.

1:16:52.000 --> 1:16:53.879
<v Speaker 5>She loves these little boys.

1:16:53.920 --> 1:16:58.280
<v Speaker 2>It's actually super weird when you really break it down,

1:16:58.439 --> 1:17:01.360
<v Speaker 2>the kind of dynamic that's happening here is really strange.

1:17:01.479 --> 1:17:03.479
<v Speaker 6>I mean, yeah, like I said, I think it's it's

1:17:03.479 --> 1:17:06.479
<v Speaker 6>fine as subjects like I think that, like, you know,

1:17:06.720 --> 1:17:10.879
<v Speaker 6>there's there is there are aspects of this that are truthful,

1:17:10.960 --> 1:17:13.200
<v Speaker 6>you know, like to say it out loud to each

1:17:13.240 --> 1:17:16.160
<v Speaker 6>other to formalize it is super weird, you know, Like

1:17:16.760 --> 1:17:18.920
<v Speaker 6>the second you're you're saying these things out loud is

1:17:18.920 --> 1:17:21.760
<v Speaker 6>when you would have to maybe check yourself and be like, yeah,

1:17:21.760 --> 1:17:23.600
<v Speaker 6>that's probably not the right way to be thinking about this.

1:17:24.800 --> 1:17:27.000
<v Speaker 3>Corey admits, but Topanga was right. It would have been

1:17:27.000 --> 1:17:29.040
<v Speaker 3>wrong to get married just because you said we shouldn't.

1:17:29.320 --> 1:17:32.840
<v Speaker 3>Alan grinns, I raised a good man. Corey wonders, you're

1:17:32.880 --> 1:17:35.679
<v Speaker 3>calling me a man. Alan stands up and asks, yeah,

1:17:35.800 --> 1:17:37.679
<v Speaker 3>you want to get off that swing and do something

1:17:37.680 --> 1:17:41.280
<v Speaker 3>about it. Corey responds, yeah, actually I do, and he

1:17:41.360 --> 1:17:42.960
<v Speaker 3>stands face to face with his dad.

1:17:43.320 --> 1:17:44.519
<v Speaker 6>Your Penga's daddy.

1:17:44.600 --> 1:17:47.240
<v Speaker 4>Now, so it's time for you to go beat up

1:17:47.320 --> 1:17:48.559
<v Speaker 4>Jebediah and.

1:17:48.600 --> 1:17:49.360
<v Speaker 6>Take that position.

1:17:49.439 --> 1:17:50.280
<v Speaker 1>Take that position.

1:17:50.400 --> 1:17:54.920
<v Speaker 6>Do you know what it means to be daddy Topenga? Okay, yes,

1:17:56.600 --> 1:18:00.360
<v Speaker 6>I mean that's the equivalent conversation if that's what should

1:18:00.360 --> 1:18:02.280
<v Speaker 6>be cutting to it. Okay, now you know what it

1:18:02.280 --> 1:18:03.759
<v Speaker 6>means to be dad eight to a woman.

1:18:04.800 --> 1:18:10.839
<v Speaker 2>But then Corey gives him such a Ben hug, like

1:18:10.920 --> 1:18:13.800
<v Speaker 2>the like Ben would always give that like the half

1:18:14.000 --> 1:18:15.640
<v Speaker 2>kind of it was.

1:18:15.840 --> 1:18:19.400
<v Speaker 6>Yeah, oh man, oh I forgot to point out when

1:18:19.439 --> 1:18:22.800
<v Speaker 6>we were in the kitchen scene during the celebration for

1:18:22.840 --> 1:18:24.880
<v Speaker 6>the wedding. Yeah, did you notice Will that you and

1:18:24.920 --> 1:18:27.679
<v Speaker 6>I were completely trying to bust up in the background.

1:18:27.720 --> 1:18:30.479
<v Speaker 6>Of course, of course every time we was like eye,

1:18:30.720 --> 1:18:33.640
<v Speaker 6>it was like improbable. You could hear us trying to

1:18:33.680 --> 1:18:36.240
<v Speaker 6>be louder than one another to make each other laugh,

1:18:36.439 --> 1:18:38.000
<v Speaker 6>and then it keeps cutting. You can see me in

1:18:38.040 --> 1:18:41.080
<v Speaker 6>the background like just shit eating grind, like I am

1:18:41.479 --> 1:18:44.080
<v Speaker 6>here clearly, and then it comes back in the next

1:18:44.080 --> 1:18:47.680
<v Speaker 6>scene where you're doing it. That's what we thought we

1:18:47.680 --> 1:18:50.720
<v Speaker 6>could work together because we were yeah, we're in the

1:18:50.760 --> 1:18:53.479
<v Speaker 6>background just moving off. Well, I think we were trying

1:18:53.479 --> 1:18:54.920
<v Speaker 6>to make Ben laugh, is what we were trying to do.

1:18:55.360 --> 1:18:56.840
<v Speaker 6>Still had to act in that scene, and you and

1:18:56.880 --> 1:19:01.600
<v Speaker 6>I just had to be like hey.

1:19:01.640 --> 1:19:04.400
<v Speaker 3>So they embrace and Alan proudly walks over to Amy

1:19:04.439 --> 1:19:06.920
<v Speaker 3>and Topanga. Amy says, we came down here to let

1:19:06.920 --> 1:19:08.840
<v Speaker 3>you guys know that we will always be here for

1:19:08.920 --> 1:19:11.840
<v Speaker 3>you no matter what you decide, and Alan adds, the

1:19:11.840 --> 1:19:13.639
<v Speaker 3>one thing we don't ever want to do is make

1:19:13.680 --> 1:19:16.320
<v Speaker 3>you feel afraid to come to us with any important decision.

1:19:16.680 --> 1:19:19.880
<v Speaker 3>Corey reveals, well, we have made a decision. In fact,

1:19:20.000 --> 1:19:22.439
<v Speaker 3>I think we've made the most important decision of our lives.

1:19:22.720 --> 1:19:25.599
<v Speaker 3>Amy smiles. We love you both, and now that there's

1:19:25.640 --> 1:19:28.240
<v Speaker 3>going to be a wedding, she pulls the ring off

1:19:28.280 --> 1:19:30.280
<v Speaker 3>of her finger and shows it to Topanga.

1:19:30.600 --> 1:19:33.280
<v Speaker 5>You're going to need this. This was my mother's.

1:19:33.000 --> 1:19:35.320
<v Speaker 3>Engagement ring, and I would be honored if you would

1:19:35.320 --> 1:19:40.000
<v Speaker 3>wear it to Penga gasps Amy. Amy admits she wants

1:19:40.000 --> 1:19:42.080
<v Speaker 3>it to stay in the family. Corey cuts her off

1:19:42.120 --> 1:19:44.880
<v Speaker 3>and takes the ring from her. You remember me, Corey,

1:19:45.120 --> 1:19:46.719
<v Speaker 3>Don't I get to do anything?

1:19:46.880 --> 1:19:48.200
<v Speaker 5>No, no, no, okay.

1:19:48.240 --> 1:19:50.200
<v Speaker 4>If it came from her mom, wouldn't she be saving

1:19:50.240 --> 1:19:50.840
<v Speaker 4>it from Morgan?

1:19:51.080 --> 1:19:56.280
<v Speaker 6>Like if it's along the also from Alan's mom. Rice

1:19:56.360 --> 1:19:57.880
<v Speaker 6>came from Alan's mom?

1:19:58.360 --> 1:20:00.920
<v Speaker 4>Yes, right, okay, yeah, I'm sorry, County.

1:20:02.000 --> 1:20:03.840
<v Speaker 3>I don't get to propose. I don't get to put

1:20:03.840 --> 1:20:06.280
<v Speaker 3>the ring on her hand. I don't get to do nothing.

1:20:06.720 --> 1:20:10.000
<v Speaker 3>Alan quips, welcome to marriage. Amy reminds him they have

1:20:10.040 --> 1:20:11.880
<v Speaker 3>a lot to do. There's a whole wedding to plan.

1:20:12.320 --> 1:20:16.400
<v Speaker 3>To Penga, reveals, actually we don't. Amy shocked what. She

1:20:16.439 --> 1:20:17.840
<v Speaker 3>looks at her son and starts hitting him.

1:20:17.880 --> 1:20:18.800
<v Speaker 5>You said no to her?

1:20:18.840 --> 1:20:21.400
<v Speaker 3>What is the matter with you? Corey explains that they

1:20:21.400 --> 1:20:24.400
<v Speaker 3>made a decision together. They listen to their friends and family,

1:20:24.439 --> 1:20:27.840
<v Speaker 3>but ultimately made the decision together. Alan wonders what that

1:20:27.880 --> 1:20:30.559
<v Speaker 3>decision is, and Corey promises he'll tell them that there's

1:20:30.560 --> 1:20:33.320
<v Speaker 3>something he needs to do first. He pulls to Panga

1:20:33.360 --> 1:20:36.200
<v Speaker 3>up from the bench. We've been together our entire lives,

1:20:36.320 --> 1:20:38.400
<v Speaker 3>and you know that I love you more than anything

1:20:38.439 --> 1:20:40.799
<v Speaker 3>in the world. He holds the ring up and asks,

1:20:41.040 --> 1:20:45.280
<v Speaker 3>will you marry me? Why does because it's not official

1:20:45.360 --> 1:20:47.240
<v Speaker 3>until a man does it right, correct, that is.

1:20:47.200 --> 1:20:50.879
<v Speaker 2>The correct answer to that is so infuriating. That's absolutely

1:20:50.880 --> 1:20:52.200
<v Speaker 2>the correct answer, though it's not real.

1:20:52.360 --> 1:20:54.320
<v Speaker 5>It wasn't real until he got to do it.

1:20:54.720 --> 1:20:58.320
<v Speaker 6>Such bull crap. Like I mean, I actually was kind

1:20:58.360 --> 1:21:01.080
<v Speaker 6>of I thought this was a sweet moment, like to

1:21:01.080 --> 1:21:04.120
<v Speaker 6>have the two of them and coming together, especially, but like, yeah,

1:21:04.120 --> 1:21:08.040
<v Speaker 6>to make it about Corey getting his rightful position by

1:21:08.120 --> 1:21:11.760
<v Speaker 6>being the asker was just a weird vibe. I was like, what, I.

1:21:11.680 --> 1:21:13.960
<v Speaker 3>Guess they saved it a little bit by the fact

1:21:14.040 --> 1:21:16.519
<v Speaker 3>that there has been a ring. So first of all,

1:21:16.640 --> 1:21:19.800
<v Speaker 3>the ring is the button on really that Amy approves.

1:21:19.960 --> 1:21:22.439
<v Speaker 5>Amy approves of Tapanga. I approve of it so much.

1:21:22.520 --> 1:21:24.760
<v Speaker 3>I'm giving you a family ring, even though you're not

1:21:24.840 --> 1:21:27.280
<v Speaker 3>blood related to me. If this marriage ends, my ring's

1:21:27.280 --> 1:21:29.240
<v Speaker 3>off and gone, like it's.

1:21:29.080 --> 1:21:30.120
<v Speaker 5>A real button there.

1:21:30.200 --> 1:21:34.120
<v Speaker 3>And so in order to get in order to it's

1:21:34.160 --> 1:21:35.680
<v Speaker 3>a little saved by the fact that he could at

1:21:35.720 --> 1:21:37.400
<v Speaker 3>least say, I want to put this ring on your finger.

1:21:37.439 --> 1:21:39.040
<v Speaker 5>We have a ring now, and so let me.

1:21:39.000 --> 1:21:40.680
<v Speaker 1>Do one thing, Let me do one, let me do

1:21:40.760 --> 1:21:42.640
<v Speaker 1>one to do like that. Yeah, I guess it. But

1:21:42.720 --> 1:21:43.639
<v Speaker 1>it was still a little weird.

1:21:43.680 --> 1:21:45.000
<v Speaker 5>Yeah, I know. It was the first thing I thought

1:21:45.000 --> 1:21:46.320
<v Speaker 5>of too, like, oh, great, now it's real.

1:21:46.640 --> 1:21:51.519
<v Speaker 3>Yeah, Topenga smiles, Yes, I will. He puts the ring

1:21:51.560 --> 1:21:54.280
<v Speaker 3>on her finger and they kiss. Alan shouts, all right, already,

1:21:54.360 --> 1:21:58.080
<v Speaker 3>when's the wedding. Corey says, that's what we decided. We'll

1:21:58.120 --> 1:22:00.800
<v Speaker 3>get married when we're ready, and when are ready, you'll

1:22:00.840 --> 1:22:04.160
<v Speaker 3>be the first to know. And then we freeze in

1:22:04.240 --> 1:22:06.880
<v Speaker 3>the park, probably standing there right before Amy and Allen

1:22:06.920 --> 1:22:09.719
<v Speaker 3>walked up. That's why we were standing there having the conversation.

1:22:10.720 --> 1:22:12.320
<v Speaker 3>I thought of that too. I was like, probably right,

1:22:12.560 --> 1:22:15.600
<v Speaker 3>grand idea, I think I know.

1:22:15.680 --> 1:22:16.720
<v Speaker 5>I also was wondering that.

1:22:16.760 --> 1:22:18.400
<v Speaker 1>I was like, what you stopped to get a snack?

1:22:18.560 --> 1:22:20.120
<v Speaker 1>Apparently we were walking.

1:22:19.920 --> 1:22:22.639
<v Speaker 3>Through the park and I got a family.

1:22:22.720 --> 1:22:25.760
<v Speaker 6>It sounds good episode. I'm gonna run out and get

1:22:25.760 --> 1:22:28.320
<v Speaker 6>some get popcorn. I sounds so good.

1:22:28.360 --> 1:22:29.439
<v Speaker 5>You don't have any in your house?

1:22:30.160 --> 1:22:32.479
<v Speaker 6>I do? Okay, you got Mike Grave, I've got a

1:22:32.520 --> 1:22:34.559
<v Speaker 6>micro grave, a movie theater popcorn machine.

1:22:34.600 --> 1:22:35.400
<v Speaker 5>Oh great.

1:22:36.200 --> 1:22:38.280
<v Speaker 3>We freeze on a still shot of Corey holding Tapanga

1:22:38.320 --> 1:22:40.760
<v Speaker 3>from behind, grins plastered on both their faces, and then

1:22:40.800 --> 1:22:42.439
<v Speaker 3>we're in the tag in the Matthew's kitchen.

1:22:42.720 --> 1:22:43.320
<v Speaker 5>We see the.

1:22:43.280 --> 1:22:49.120
<v Speaker 3>Congratulations newlywed sign now reads congratulations Phoene. Alan proposes a toast,

1:22:49.360 --> 1:22:53.439
<v Speaker 3>have a great time in Jackson Hole. Here's to your retirement, George.

1:22:53.800 --> 1:22:57.879
<v Speaker 3>Our group of main characters agree. Here here Phoene smiles,

1:22:58.160 --> 1:23:02.040
<v Speaker 3>thank you Allan, I'll miss you all. Eric nervously speaks up, Well,

1:23:02.439 --> 1:23:04.559
<v Speaker 3>I guess it's time for Feenie's favorite student to make

1:23:04.600 --> 1:23:08.320
<v Speaker 3>a speech. Hunh, he begins, for forty years, I have

1:23:08.439 --> 1:23:11.800
<v Speaker 3>watched you educate young men and women. Boy have I

1:23:12.520 --> 1:23:15.360
<v Speaker 3>Amy Brown's sounds a lot like her speech to Corey

1:23:15.360 --> 1:23:19.400
<v Speaker 3>and Topanga. Eric continues, I'm sorry, I can't do this.

1:23:19.400 --> 1:23:21.559
<v Speaker 3>This is a mistake and I do not support it.

1:23:22.000 --> 1:23:25.160
<v Speaker 3>He yells the last bit straight into Phoene's face. Yep,

1:23:25.240 --> 1:23:28.519
<v Speaker 3>it's Amy's speech. He turns to Topanga, why couldn't you

1:23:28.640 --> 1:23:31.080
<v Speaker 3>have just gone to Yale?

1:23:31.680 --> 1:23:33.880
<v Speaker 5>Eric makes a swift exit out the back door.

1:23:33.920 --> 1:23:36.880
<v Speaker 3>Alan runs over, and instead of consoling him, he joyfully

1:23:37.040 --> 1:23:38.160
<v Speaker 3>locks the door.

1:23:39.160 --> 1:23:41.160
<v Speaker 5>And that's our episode.

1:23:41.560 --> 1:23:42.240
<v Speaker 6>Off and running.

1:23:43.080 --> 1:23:46.040
<v Speaker 3>So our next episode will be season six, episode three

1:23:46.280 --> 1:23:50.080
<v Speaker 3>eight College Great, Wow, we finally get to college.

1:23:52.800 --> 1:23:54.200
<v Speaker 6>Union coming up soon.

1:23:54.280 --> 1:23:57.040
<v Speaker 5>Writer is my episode, one of my episodes.

1:23:57.040 --> 1:24:00.639
<v Speaker 3>I've been looking forward to recapping the episode where uh,

1:24:00.920 --> 1:24:04.400
<v Speaker 3>Corey gets kicked out of being the they want to

1:24:04.400 --> 1:24:06.519
<v Speaker 3>do a hang you go we make out where we

1:24:06.560 --> 1:24:09.679
<v Speaker 3>make out and it makes so that means Corey and Temanga.

1:24:09.960 --> 1:24:12.599
<v Speaker 3>In these first few episodes, Corey and Twanga get engaged

1:24:12.680 --> 1:24:14.639
<v Speaker 3>all the drama around it, and then in a few episodes,

1:24:14.640 --> 1:24:16.040
<v Speaker 3>I'm just making out with you and we are like,

1:24:16.120 --> 1:24:18.240
<v Speaker 3>Corey is acting so weird about so weird.

1:24:18.280 --> 1:24:20.800
<v Speaker 6>Yeah, we're gaslighting. Po oh my god.

1:24:21.360 --> 1:24:24.960
<v Speaker 3>Can't wait to make sense of that one. Thank you

1:24:25.000 --> 1:24:26.920
<v Speaker 3>all for joining us. For this episode of Podmeets World.

1:24:26.960 --> 1:24:29.000
<v Speaker 3>As always, you can follow us on Instagram pod meets

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<v Speaker 3>World Show. You can send us your emails at pod

1:24:31.240 --> 1:24:35.240
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1:24:36.080 --> 1:24:38.120
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1:24:38.960 --> 1:24:43.200
<v Speaker 5>Pod meetsworldshow dot com. We love you all, pod dismissed.

1:24:45.160 --> 1:24:48.000
<v Speaker 3>Pod Meets World is an iHeart podcast produced and hosted

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<v Speaker 3>by Danielle Fischel, Wilfridell and Wright Strong Executive producers, Jensen

1:24:52.000 --> 1:24:55.559
<v Speaker 3>Karp and Amy Sugarman, Executive in charge of production, Danielle Romo,

1:24:55.840 --> 1:25:00.160
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<v Speaker 3>Boy Meets World super fan Easton Allen. Our theme song

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1:25:09.600 --> 1:25:11.120
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