1
00:00:19,440 --> 00:00:21,959
Speaker 1: It's taken a while, but I've done it.

2
00:00:22,680 --> 00:00:29,640
Speaker 2: I've connected Boy Meets World with MASH or seven Degrees

3
00:00:29,640 --> 00:00:33,240
Speaker 2: with Kevin bacon'sty No, like it'll be one degree and

4
00:00:33,440 --> 00:00:38,559
Speaker 2: it is now Cannon as far as I'm concerned. Okay,

5
00:00:38,960 --> 00:00:41,320
Speaker 2: So yes, the world, it's they live in the same world,

6
00:00:41,920 --> 00:00:44,960
Speaker 2: and I think the characters or some of them, the

7
00:00:45,000 --> 00:00:49,599
Speaker 2: families have met. So there's a very famous episode of

8
00:00:49,600 --> 00:00:52,840
Speaker 2: MASH called Adam's Ribs. It's arguably one of the most

9
00:00:52,840 --> 00:00:57,440
Speaker 2: famous episodes of MASH. Ever, Yeah, Hawkeye freaks out because

10
00:00:57,440 --> 00:00:59,880
Speaker 2: they've had the same liver fish every day to eat

11
00:01:00,480 --> 00:01:02,720
Speaker 2: for eleven straight days. He starts to go nuts, and

12
00:01:02,760 --> 00:01:05,480
Speaker 2: he starts to have a craving for ribs from a

13
00:01:05,600 --> 00:01:09,280
Speaker 2: very specific place called Adam's Ribs in Chicago. So he

14
00:01:09,360 --> 00:01:12,360
Speaker 2: calls the place in Chicago, he orders the ribs up,

15
00:01:12,640 --> 00:01:14,560
Speaker 2: and now they have to find a way to get.

16
00:01:14,360 --> 00:01:16,360
Speaker 1: The ribs from Chicago to Korea.

17
00:01:17,000 --> 00:01:20,320
Speaker 2: So he's asking everyone in the camp, hey, does anybody

18
00:01:21,000 --> 00:01:23,800
Speaker 2: have an idea of how does anybody know anybody in Chicago?

19
00:01:23,840 --> 00:01:24,360
Speaker 1: Bubba.

20
00:01:24,480 --> 00:01:28,080
Speaker 2: Finally, Trapper John, his best friend there and roommate says

21
00:01:28,080 --> 00:01:31,280
Speaker 2: to him, I dated a woman.

22
00:01:31,440 --> 00:01:34,440
Speaker 1: But it was a one night stand. God, what was

23
00:01:34,480 --> 00:01:41,360
Speaker 1: her name? Mildred, Mildred Feenie, that is who we had.

24
00:01:41,480 --> 00:01:44,720
Speaker 1: And they call Mildred Seieni in Chicago.

25
00:01:44,880 --> 00:01:48,520
Speaker 3: First time you've ever mentioned, no that someone has the

26
00:01:48,600 --> 00:01:49,760
Speaker 3: last name Seene.

27
00:01:50,400 --> 00:01:55,360
Speaker 2: Was double checking to get the numbers right before I

28
00:01:55,440 --> 00:01:59,040
Speaker 2: brought it up mirror well because the years it's nineteen

29
00:01:59,160 --> 00:02:02,600
Speaker 2: fifty one, okay, fifty yeah, supposed to be fifty one

30
00:02:02,680 --> 00:02:03,080
Speaker 2: at this.

31
00:02:03,000 --> 00:02:03,600
Speaker 1: Point of the need.

32
00:02:03,760 --> 00:02:08,160
Speaker 2: So Phoene is so, I'm thinking it's missed our George

33
00:02:08,160 --> 00:02:17,359
Speaker 2: Feene's sister who's from Chicago. So I think Trapper John

34
00:02:17,680 --> 00:02:24,080
Speaker 2: from Mash actually slept with george sister. Boy meets World

35
00:02:24,320 --> 00:02:26,320
Speaker 2: and Mash Same World unconnected.

36
00:02:26,880 --> 00:02:30,959
Speaker 4: Wow, okay, right, will right.

37
00:02:31,440 --> 00:02:33,840
Speaker 3: This was big for me, so I love my One

38
00:02:33,840 --> 00:02:37,480
Speaker 3: of my favorite moments of doing this podcast is when

39
00:02:37,560 --> 00:02:41,600
Speaker 3: I realize how much free time Will has, you know.

40
00:02:41,720 --> 00:02:46,000
Speaker 4: Astounded, and he's like, how many miles am I going

41
00:02:46,080 --> 00:02:46,560
Speaker 4: to walk.

42
00:02:48,840 --> 00:02:50,280
Speaker 5: I'm going to have to do today?

43
00:02:50,320 --> 00:02:53,160
Speaker 2: Do you want me to walk through my day like

44
00:02:53,280 --> 00:02:56,240
Speaker 2: an average day? How many I wake up at? I

45
00:02:56,280 --> 00:02:58,560
Speaker 2: wake up at seven thirty in the morning and I

46
00:02:58,760 --> 00:03:02,200
Speaker 2: lie in bed time for at least forty five minutes

47
00:03:02,280 --> 00:03:06,320
Speaker 2: looking at my phone doing word all connections framed.

48
00:03:06,560 --> 00:03:08,720
Speaker 5: Gosh, you're not out of bed until eight fifteen.

49
00:03:08,800 --> 00:03:09,640
Speaker 1: About eight fifteen.

50
00:03:09,720 --> 00:03:11,640
Speaker 2: Then I get my what depends I'm gonna say, this

51
00:03:11,680 --> 00:03:12,720
Speaker 2: is a non podcast day?

52
00:03:12,919 --> 00:03:13,160
Speaker 5: Okay?

53
00:03:13,160 --> 00:03:15,680
Speaker 2: So then I get my dog dressed up and I

54
00:03:15,680 --> 00:03:17,800
Speaker 2: put on am I the asshole?

55
00:03:18,000 --> 00:03:21,280
Speaker 6: Or my Does your dog refuse to put his shoes on?

56
00:03:21,680 --> 00:03:22,680
Speaker 5: And no?

57
00:03:22,880 --> 00:03:24,200
Speaker 6: Like I cry a little before?

58
00:03:24,240 --> 00:03:27,880
Speaker 1: Now, No, she loves it, she says, your dog out

59
00:03:27,880 --> 00:03:28,280
Speaker 1: of shoes.

60
00:03:28,639 --> 00:03:31,000
Speaker 6: You have to pack your dog at lunch? No, make

61
00:03:31,040 --> 00:03:33,480
Speaker 6: sure that okay, No, it's all about me about it?

62
00:03:33,600 --> 00:03:35,240
Speaker 6: So dog's done its homework the night before. You have

63
00:03:35,320 --> 00:03:36,560
Speaker 6: to make sure home.

64
00:03:36,680 --> 00:03:38,240
Speaker 5: Your dog wake up in a grumpy mood.

65
00:03:38,280 --> 00:03:41,160
Speaker 3: Sometimes make you while you're walking at the door.

66
00:03:41,160 --> 00:03:42,480
Speaker 6: Oh wait, I actually have to poop.

67
00:03:43,000 --> 00:03:45,080
Speaker 4: You know, you're twenty minutes late for school.

68
00:03:45,080 --> 00:03:45,640
Speaker 1: Nog.

69
00:03:45,640 --> 00:03:46,360
Speaker 6: Dog doesn't do that.

70
00:03:46,760 --> 00:03:48,880
Speaker 2: Every time I open my eyes in the morning, the

71
00:03:48,880 --> 00:03:52,040
Speaker 2: first thing I hear is a song, good morning, good morning,

72
00:03:53,960 --> 00:03:57,640
Speaker 2: good And I go and the bed magically moves and

73
00:03:57,680 --> 00:04:00,880
Speaker 2: makes itself. It is a magical world. Then I then

74
00:04:00,960 --> 00:04:03,280
Speaker 2: walk my dog while listening to podcasts or something I'll

75
00:04:03,360 --> 00:04:07,320
Speaker 2: enjoy for a good forty five minutes to an hour,

76
00:04:07,560 --> 00:04:09,720
Speaker 2: and then I come back and I do my better

77
00:04:09,800 --> 00:04:13,440
Speaker 2: me for a half hour, which is my my and

78
00:04:13,480 --> 00:04:15,560
Speaker 2: then I do forty five minutes to an hour of

79
00:04:15,760 --> 00:04:19,160
Speaker 2: cardio of either running or the elliptical. I then take

80
00:04:19,200 --> 00:04:24,159
Speaker 2: a nice long shower while reading my Yeah, I taketics walk.

81
00:04:24,040 --> 00:04:26,200
Speaker 5: This mostly for the by noon.

82
00:04:26,960 --> 00:04:29,400
Speaker 2: So my goal and I hit it is by noon

83
00:04:29,480 --> 00:04:33,080
Speaker 2: every day I have at least eleven thousand steps. Wow.

84
00:04:33,160 --> 00:04:37,320
Speaker 1: So then after that, I eat my lunch and then

85
00:04:37,360 --> 00:04:39,440
Speaker 1: I nap and.

86
00:04:43,200 --> 00:04:44,400
Speaker 5: I work out all morning.

87
00:04:45,800 --> 00:04:49,159
Speaker 2: I eat, I nap, and then I get up and

88
00:04:49,200 --> 00:04:51,720
Speaker 2: I walk the dog again, and then I come back

89
00:04:51,760 --> 00:04:53,720
Speaker 2: and I trink it morning all over it I do.

90
00:04:53,760 --> 00:04:57,800
Speaker 2: I do another cardio session of either elliptical, and then

91
00:04:57,839 --> 00:04:59,640
Speaker 2: three days a week I have a personal trainer for

92
00:04:59,680 --> 00:05:04,159
Speaker 2: weight and then uh, I have dinner, I watch whatever

93
00:05:04,200 --> 00:05:06,479
Speaker 2: television show I want to watch. I'll maybe sipping an

94
00:05:06,520 --> 00:05:08,760
Speaker 2: adult beverage, and then I go back to sleep.

95
00:05:08,880 --> 00:05:11,680
Speaker 1: And then the next day I do it again.

96
00:05:12,480 --> 00:05:15,520
Speaker 2: And that's the joy or I pot you know, like

97
00:05:15,560 --> 00:05:17,920
Speaker 2: on these mornings, I'll push everything. So I'll do that

98
00:05:17,960 --> 00:05:20,960
Speaker 2: same day, but starting at noon because we podcast from now,

99
00:05:21,240 --> 00:05:24,520
Speaker 2: so I literally get out of bed and come into

100
00:05:24,560 --> 00:05:26,600
Speaker 2: my room and podcast, and then my other days I

101
00:05:26,640 --> 00:05:28,160
Speaker 2: do Magical. We want to start at eleven, so I

102
00:05:28,160 --> 00:05:30,039
Speaker 2: could do most of my stuff in the morning before.

103
00:05:29,960 --> 00:05:33,080
Speaker 1: Magical, and that's my day. It's similar to your days,

104
00:05:33,080 --> 00:05:34,200
Speaker 1: am I right? With your children?

105
00:05:34,279 --> 00:05:35,120
Speaker 6: It's kind of the same.

106
00:05:35,400 --> 00:05:37,240
Speaker 5: Yeah, yeah, yeah, there you go.

107
00:05:37,520 --> 00:05:40,640
Speaker 1: So Mash and Boy mets World connected. That's what I'm saying.

108
00:05:40,720 --> 00:05:43,040
Speaker 3: Yeah, it's beautiful, So thank you for sharing that with us.

109
00:05:43,040 --> 00:05:44,000
Speaker 3: I'm actually very excited.

110
00:05:44,040 --> 00:05:46,320
Speaker 5: I uh but that is veryful.

111
00:05:46,440 --> 00:05:48,919
Speaker 6: In the same snow globe, which is part of some

112
00:05:49,839 --> 00:05:52,120
Speaker 6: dream of a child, isn't that like same elsewhere?

113
00:05:52,160 --> 00:05:55,320
Speaker 1: How that the dream of the child? You're that's uh

114
00:05:55,800 --> 00:05:56,680
Speaker 1: oh God, come on.

115
00:05:56,640 --> 00:05:57,480
Speaker 6: With same elsewhere.

116
00:05:57,560 --> 00:05:59,320
Speaker 1: Wasn't it New Heart, New Heart?

117
00:06:00,120 --> 00:06:00,200
Speaker 2: No?

118
00:06:00,279 --> 00:06:01,480
Speaker 1: New Heart was waking up in the bed?

119
00:06:01,560 --> 00:06:02,800
Speaker 2: They woke up in the bed next to each other

120
00:06:02,839 --> 00:06:03,960
Speaker 2: and New Heart and he was next to his wife

121
00:06:04,000 --> 00:06:06,400
Speaker 2: from his original show and owning the everything.

122
00:06:06,440 --> 00:06:08,320
Speaker 1: No, the snow globe was damn it. I can't remember

123
00:06:08,360 --> 00:06:11,599
Speaker 1: the snow glow. Was it Saint elsewere it might be else? Okay,

124
00:06:12,920 --> 00:06:14,560
Speaker 1: there you go. Then yes, we're all in.

125
00:06:14,600 --> 00:06:17,040
Speaker 4: Which I've never seen a single episode of sant elsewere me.

126
00:06:17,240 --> 00:06:19,040
Speaker 1: I've only seen one or two back in the day.

127
00:06:19,080 --> 00:06:21,279
Speaker 1: They're great. I mean that was like the er back

128
00:06:21,279 --> 00:06:22,600
Speaker 1: in the day was Saint Elsewhere.

129
00:06:22,640 --> 00:06:23,480
Speaker 6: That was like the show.

130
00:06:23,920 --> 00:06:24,720
Speaker 1: But there you go.

131
00:06:25,360 --> 00:06:26,400
Speaker 5: Welcome to Pond Mets World.

132
00:06:26,400 --> 00:06:29,159
Speaker 1: I'm Daniel Fisher, I'm Rider Strong, and I am so

133
00:06:29,440 --> 00:06:31,400
Speaker 1: well rested. I'm Wilford.

134
00:06:45,560 --> 00:06:48,880
Speaker 5: Welcome to season six, episode two.

135
00:06:49,120 --> 00:06:53,560
Speaker 3: It is her answer Part two changing names.

136
00:06:53,920 --> 00:06:55,000
Speaker 1: It doesn't make any sense.

137
00:06:55,680 --> 00:06:56,400
Speaker 6: Just change the name.

138
00:06:56,480 --> 00:06:59,840
Speaker 3: Nobody pays attention to those anyway. It originally aired October

139
00:07:00,360 --> 00:07:03,880
Speaker 3: nineteen ninety eight. This synopsis when Tabanga finds that she

140
00:07:03,960 --> 00:07:07,000
Speaker 3: can't say I do at the altar. Things get worse

141
00:07:07,080 --> 00:07:10,240
Speaker 3: as Amy gets angry and Eric tries to stop mister

142
00:07:10,280 --> 00:07:13,320
Speaker 3: Feeney's retirement. It was directed by David Kendall. It was

143
00:07:13,360 --> 00:07:16,800
Speaker 3: written by Matthew Nelson. And before I jump into our

144
00:07:16,840 --> 00:07:19,200
Speaker 3: guest stars, which are the same two as last week.

145
00:07:19,440 --> 00:07:22,760
Speaker 3: Uh did what are your overall thoughts of this episode?

146
00:07:22,760 --> 00:07:26,840
Speaker 5: Did you like it more than the first one?

147
00:07:27,120 --> 00:07:27,320
Speaker 2: No?

148
00:07:28,000 --> 00:07:33,520
Speaker 5: Okay, I did not like it. Okay, well any more okay,

149
00:07:33,560 --> 00:07:34,040
Speaker 5: I did not.

150
00:07:34,040 --> 00:07:34,840
Speaker 1: Like the second one.

151
00:07:36,040 --> 00:07:41,360
Speaker 2: I loved seeing Betsy and Rusty act together, having stuff

152
00:07:41,400 --> 00:07:45,520
Speaker 2: to do and how good Betsy is when you give

153
00:07:45,560 --> 00:07:50,240
Speaker 2: her an actual storyline and so stuff her act the

154
00:07:50,280 --> 00:07:52,840
Speaker 2: action actually acting, and the two of them together was

155
00:07:52,840 --> 00:07:53,400
Speaker 2: a wonderful thing.

156
00:07:53,440 --> 00:07:53,960
Speaker 1: See.

157
00:07:54,040 --> 00:07:59,400
Speaker 2: I hated Tapanga in this episode, really, I absolutely did.

158
00:07:59,520 --> 00:08:01,000
Speaker 1: I and we'll get into it.

159
00:08:01,040 --> 00:08:05,560
Speaker 7: I I did not like to Pange at all, who

160
00:08:05,600 --> 00:08:07,880
Speaker 7: was a very different person than our friend who was

161
00:08:07,880 --> 00:08:10,320
Speaker 7: hosting the show with us, many totally different prace.

162
00:08:10,400 --> 00:08:12,040
Speaker 6: You just don't I do not like.

163
00:08:13,640 --> 00:08:17,560
Speaker 2: Yeah, exact no, I did not like. Yeah. And of

164
00:08:17,600 --> 00:08:19,880
Speaker 2: course now the Eric stuff is just everything's joke.

165
00:08:20,120 --> 00:08:22,680
Speaker 1: There's no there's no quiet. There's no it's just.

166
00:08:22,760 --> 00:08:24,360
Speaker 6: There's no quiet. It's a good way to.

167
00:08:25,160 --> 00:08:25,840
Speaker 1: All the time.

168
00:08:26,000 --> 00:08:29,320
Speaker 6: But you must have been enjoying this, Yeah, of course,

169
00:08:29,320 --> 00:08:31,880
Speaker 6: I feel like I will back then was like cool,

170
00:08:32,000 --> 00:08:34,280
Speaker 6: this is great. It wasn't until later that you probably

171
00:08:34,280 --> 00:08:36,600
Speaker 6: started getting annoyed with how well now?

172
00:08:36,920 --> 00:08:38,920
Speaker 1: I mean then I was it was fine all.

173
00:08:38,800 --> 00:08:40,200
Speaker 6: The way through season, But you said that.

174
00:08:42,400 --> 00:08:44,600
Speaker 2: The lottery and stuff like that, it gets it gets

175
00:08:44,640 --> 00:08:47,240
Speaker 2: so crazy but and not crazy fun like plays with

176
00:08:47,360 --> 00:08:49,480
Speaker 2: girls crazy fun, but just like what the hell is this?

177
00:08:50,280 --> 00:08:52,480
Speaker 2: But yeah, this is we're now officially to peak crazy.

178
00:08:52,640 --> 00:08:54,959
Speaker 2: And because Matt and I were were peak Matt and

179
00:08:55,000 --> 00:08:57,679
Speaker 2: I like, we're having a ton of fun together. But

180
00:08:57,760 --> 00:09:00,320
Speaker 2: it's just it's like it's just rough and I feel

181
00:09:00,520 --> 00:09:02,680
Speaker 2: just feel bad every time Maitland's on screen. I feel

182
00:09:02,679 --> 00:09:05,320
Speaker 2: bad for her because it's like, Wow, they've given you

183
00:09:05,400 --> 00:09:08,079
Speaker 2: nothing and you're like a weird sex object.

184
00:09:08,080 --> 00:09:09,440
Speaker 1: And yes it was this way, and it.

185
00:09:09,400 --> 00:09:11,760
Speaker 6: Really doesn't connect with the a story doesn't trying to

186
00:09:11,760 --> 00:09:15,480
Speaker 6: think there's no like nothing which nothing. You know, Boyman's

187
00:09:15,480 --> 00:09:18,360
Speaker 6: world used to always have that nice integration, you know,

188
00:09:18,520 --> 00:09:20,360
Speaker 6: even if it took a little a second for you

189
00:09:20,400 --> 00:09:22,040
Speaker 6: to figure it out, But like in this case, I

190
00:09:22,080 --> 00:09:23,920
Speaker 6: really it just feels like completely.

191
00:09:24,120 --> 00:09:26,679
Speaker 3: You look at it, like Corey and Topanga have an

192
00:09:26,840 --> 00:09:32,280
Speaker 3: evolution of their relationship, they go from a couple to

193
00:09:32,400 --> 00:09:35,400
Speaker 3: an engaged couple to possibly a married couple.

194
00:09:35,480 --> 00:09:37,240
Speaker 5: I'm like, I guess if you looked at it like.

195
00:09:37,320 --> 00:09:40,960
Speaker 3: Oh, and then these three roommates are going to evolve

196
00:09:41,000 --> 00:09:43,959
Speaker 3: their relationship from potential date.

197
00:09:44,040 --> 00:09:45,880
Speaker 5: I mean, I guess if you want to real blanket

198
00:09:45,920 --> 00:09:46,280
Speaker 5: it like that.

199
00:09:46,600 --> 00:09:50,280
Speaker 6: Yeah, I mean I like me too. I like she

200
00:09:50,640 --> 00:09:54,520
Speaker 6: also is like sort of a Topanga who chose to

201
00:09:54,600 --> 00:09:57,280
Speaker 6: be single, like and that could have been you know,

202
00:09:57,280 --> 00:09:59,880
Speaker 6: if she could have done Yale. She's supposed to be

203
00:10:00,320 --> 00:10:02,520
Speaker 6: a scholarship to ye know, she's supposed to be very smart,

204
00:10:03,640 --> 00:10:05,640
Speaker 6: which is not playing into the storyline or the character

205
00:10:05,679 --> 00:10:08,880
Speaker 6: at all anymore. They're not writing to that one iota.

206
00:10:09,120 --> 00:10:10,880
Speaker 6: But that actually could have been great if she's like

207
00:10:10,920 --> 00:10:14,200
Speaker 6: this independent woman who comes in and is like, I

208
00:10:14,400 --> 00:10:16,520
Speaker 6: don't want to be a relationship. I'm all about my

209
00:10:16,600 --> 00:10:20,200
Speaker 6: career or all about my own intellectual life. You know,

210
00:10:20,280 --> 00:10:22,320
Speaker 6: she could have been the anti topanga in that way,

211
00:10:22,400 --> 00:10:25,040
Speaker 6: or like an alternative to panga. Yeah, they just don't know.

212
00:10:25,120 --> 00:10:25,920
Speaker 6: There's not anything.

213
00:10:26,080 --> 00:10:28,280
Speaker 1: It's all one going to take a bath, like, okay,

214
00:10:28,679 --> 00:10:29,959
Speaker 1: gonna be a.

215
00:10:29,920 --> 00:10:33,200
Speaker 5: Different short rope, different short.

216
00:10:32,280 --> 00:10:35,120
Speaker 1: Rope, come on. So yeah, it's it's it's not great

217
00:10:35,840 --> 00:10:37,800
Speaker 1: one for me. How about you? Did you like it, Danielle?

218
00:10:38,559 --> 00:10:40,160
Speaker 5: I liked it more than I liked the first one?

219
00:10:40,280 --> 00:10:42,320
Speaker 3: Oh really, really, Yeah, I liked it more than I

220
00:10:42,400 --> 00:10:44,719
Speaker 3: liked the first one.

221
00:10:45,040 --> 00:10:47,600
Speaker 5: I thought it was so funny that we fell for it.

222
00:10:47,760 --> 00:10:51,400
Speaker 3: We fell for it, guys, we didn't remember that the

223
00:10:51,440 --> 00:10:54,000
Speaker 3: outcome of it ends up being that we're gonna be

224
00:10:54,080 --> 00:10:59,080
Speaker 3: engaged and just wait, which is why, which is.

225
00:10:59,080 --> 00:11:01,120
Speaker 6: Why they had to save it. I mean, I mentioned

226
00:11:01,120 --> 00:11:02,720
Speaker 6: when we were talking about the episode, is like, because

227
00:11:02,720 --> 00:11:05,160
Speaker 6: if they offered that, you just take it. It's such

228
00:11:05,200 --> 00:11:08,040
Speaker 6: an obvious answer to both for all the problems. So

229
00:11:08,080 --> 00:11:10,360
Speaker 6: they have to like not bring it up because if

230
00:11:10,400 --> 00:11:12,120
Speaker 6: anybody brought it up, everybody would.

231
00:11:11,920 --> 00:11:14,320
Speaker 5: Be everybody like, yeah, that's a good idea, just right.

232
00:11:14,400 --> 00:11:15,960
Speaker 6: It's too logical, it's too rational.

233
00:11:16,080 --> 00:11:17,680
Speaker 3: So I did think that was funny because like the

234
00:11:17,760 --> 00:11:19,760
Speaker 3: end of the episode ended, and I was like, there's

235
00:11:19,800 --> 00:11:21,679
Speaker 3: this whole thing of like, so, what did you decide?

236
00:11:21,800 --> 00:11:24,440
Speaker 5: I'm sitting on my couch going, come on, what did

237
00:11:24,480 --> 00:11:26,679
Speaker 5: you decide? And then it's.

238
00:11:26,559 --> 00:11:29,320
Speaker 3: Revealed that what we decided is we're engaged, but we're

239
00:11:29,360 --> 00:11:30,600
Speaker 3: not rushing into anything.

240
00:11:30,679 --> 00:11:31,920
Speaker 5: We'll let you know when we're ready.

241
00:11:31,920 --> 00:11:36,840
Speaker 3: And I was like, Oh, I understand why they needed

242
00:11:36,880 --> 00:11:42,040
Speaker 3: to have these two episodes to kind of one of

243
00:11:42,080 --> 00:11:45,600
Speaker 3: the points, I think being to show that they are

244
00:11:45,760 --> 00:11:46,800
Speaker 3: mature enough.

245
00:11:46,840 --> 00:11:50,800
Speaker 1: To maybe make their own decisions, make their own.

246
00:11:50,720 --> 00:11:52,599
Speaker 5: Decisions, because they don't do this.

247
00:11:53,120 --> 00:11:55,680
Speaker 3: They even if they react, they don't follow through on

248
00:11:55,720 --> 00:11:58,880
Speaker 3: the reaction, they don't end up getting married. They're measured.

249
00:11:59,040 --> 00:12:02,440
Speaker 3: They make this decision, and so I get it.

250
00:12:02,760 --> 00:12:04,480
Speaker 5: Uh, yeah, I liked.

251
00:12:04,480 --> 00:12:09,000
Speaker 3: I certainly liked it more than art one I did

252
00:12:09,040 --> 00:12:13,040
Speaker 3: not love. I loved the Amy Allen storyline. Like you said,

253
00:12:13,040 --> 00:12:17,400
Speaker 3: will love their acting, love all of that. I do not,

254
00:12:17,760 --> 00:12:21,640
Speaker 3: in any way, shape or form love this idea that

255
00:12:21,720 --> 00:12:26,480
Speaker 3: Amy is jealous of Topanga because now Topenga is going

256
00:12:26,520 --> 00:12:31,000
Speaker 3: to lay out his clothes and bake for him or

257
00:12:31,440 --> 00:12:37,360
Speaker 3: whatever it is, that that's he's getting mom, and that

258
00:12:37,720 --> 00:12:39,760
Speaker 3: she is jealous of me.

259
00:12:40,240 --> 00:12:44,480
Speaker 6: Now that all of that stuff I think could have

260
00:12:44,480 --> 00:12:46,200
Speaker 6: been played for comedy and would have been fine, but

261
00:12:46,240 --> 00:12:49,080
Speaker 6: it's really played for drama. Like I give you the

262
00:12:49,120 --> 00:12:52,559
Speaker 6: mantle of being his mom, and you're like, that's that's

263
00:12:52,559 --> 00:12:56,000
Speaker 6: probably not something we should all be proud of or expect.

264
00:12:56,160 --> 00:12:59,360
Speaker 6: That's that's let's let's examine Corey needing a mom for

265
00:12:59,400 --> 00:13:01,800
Speaker 6: a moment. Maybe he is a little too young to

266
00:13:01,800 --> 00:13:04,240
Speaker 6: get married, if he's wanted somebody to pick up after him,

267
00:13:04,240 --> 00:13:06,400
Speaker 6: and you know, yes, watch his socks, Like.

268
00:13:06,400 --> 00:13:10,720
Speaker 3: That's I just I think also it's a very male

269
00:13:11,480 --> 00:13:18,000
Speaker 3: interpretation of a woman's feelings. I can totally see there

270
00:13:18,040 --> 00:13:23,000
Speaker 3: being an amount of jealousy when you are the mom

271
00:13:23,160 --> 00:13:27,880
Speaker 3: of an adult man who their whole lives. Boys love

272
00:13:27,920 --> 00:13:28,840
Speaker 3: their moms.

273
00:13:28,679 --> 00:13:31,040
Speaker 5: Mom, mom, mom, mom, mom, and then.

274
00:13:31,040 --> 00:13:34,200
Speaker 3: They become obsessed with girls and now I don't need you, mom,

275
00:13:34,320 --> 00:13:36,960
Speaker 3: I don't need you, and the the all their attention

276
00:13:37,120 --> 00:13:40,760
Speaker 3: goes to this girl, whoever the girlfriend is. I can

277
00:13:40,800 --> 00:13:42,760
Speaker 3: see there being like a you know, there was a

278
00:13:42,800 --> 00:13:44,920
Speaker 3: time where you thought I was the greatest woman in

279
00:13:44,960 --> 00:13:45,800
Speaker 3: the entire world.

280
00:13:46,600 --> 00:13:47,559
Speaker 5: I can see that.

281
00:13:47,679 --> 00:13:51,120
Speaker 3: But that would have happened early on in Corey into

282
00:13:51,160 --> 00:13:52,280
Speaker 3: Pega's relationship.

283
00:13:52,480 --> 00:13:53,680
Speaker 5: It would not have happened.

284
00:13:53,720 --> 00:13:55,559
Speaker 3: It would not happen because now they're going to get

285
00:13:55,559 --> 00:13:57,720
Speaker 3: married and he's going to move out of her house,

286
00:13:57,760 --> 00:14:00,040
Speaker 3: and so that means she to Pega is going to

287
00:14:00,120 --> 00:14:01,680
Speaker 3: lay out his clothes.

288
00:14:02,280 --> 00:14:04,360
Speaker 5: That just like really rubbed me the wrong way.

289
00:14:05,240 --> 00:14:07,199
Speaker 6: Yeah, for me, it doesn't rub me the wrong way.

290
00:14:07,200 --> 00:14:09,920
Speaker 6: As a concept, it's just the self seriousness, like the

291
00:14:09,960 --> 00:14:13,480
Speaker 6: way it's treated like it's this great like it's it's

292
00:14:13,520 --> 00:14:15,960
Speaker 6: actually an emotional thing that she and Topanga need to

293
00:14:16,040 --> 00:14:17,960
Speaker 6: learn and to come to terms with and that they

294
00:14:18,040 --> 00:14:20,560
Speaker 6: need to accept and bridge between the two. Was like,

295
00:14:20,560 --> 00:14:23,280
Speaker 6: whoa like play for a joke, like I'm passing the

296
00:14:23,280 --> 00:14:25,400
Speaker 6: mantle of rain his clothes. That could be funny, like

297
00:14:25,480 --> 00:14:27,360
Speaker 6: I get it, like, because there is some truth to that,

298
00:14:27,480 --> 00:14:30,480
Speaker 6: but not to make it like it's this wonderful thing.

299
00:14:30,600 --> 00:14:33,200
Speaker 6: It's I mean, for me, it's so funny that you

300
00:14:33,200 --> 00:14:36,480
Speaker 6: didn't like to Panga in this will, because like Corey

301
00:14:36,600 --> 00:14:39,520
Speaker 6: just rubbed me like I was like, wait, what happened?

302
00:14:39,720 --> 00:14:45,040
Speaker 6: Like the first episode, clearly he's oscillating between marriage not marriage, right,

303
00:14:45,240 --> 00:14:48,320
Speaker 6: you know, And so for him to be so angry

304
00:14:48,640 --> 00:14:52,080
Speaker 6: and righteous about the whole first half of this episode,

305
00:14:52,080 --> 00:14:54,880
Speaker 6: I was like, dude, on the way here, you were

306
00:14:54,880 --> 00:14:56,840
Speaker 6: freaking out about it. You changed your mind, you know,

307
00:14:56,920 --> 00:14:58,600
Speaker 6: like that was the whole point in the last.

308
00:14:58,400 --> 00:15:01,200
Speaker 4: Episode, and it just didn't you'll, right.

309
00:15:01,360 --> 00:15:03,240
Speaker 2: That's why I like Topega is because it was like

310
00:15:03,280 --> 00:15:05,040
Speaker 2: she was driving it at first, and then it was

311
00:15:05,160 --> 00:15:07,440
Speaker 2: I we're going down the aisle, and then not only

312
00:15:07,440 --> 00:15:08,840
Speaker 2: am I going to say I can't marry you, but

313
00:15:08,880 --> 00:15:09,240
Speaker 2: then I'm.

314
00:15:09,160 --> 00:15:11,280
Speaker 1: Just gonna leave you there. I'm not gonna explain anything.

315
00:15:11,280 --> 00:15:12,760
Speaker 2: I'm just gonna turn around and leave you with standing

316
00:15:12,760 --> 00:15:15,120
Speaker 2: in front of these other two people without saying why

317
00:15:15,200 --> 00:15:16,840
Speaker 2: not giving you an explanation, And then we're going to

318
00:15:16,880 --> 00:15:20,200
Speaker 2: cut to the car where then at the end, Corey

319
00:15:20,360 --> 00:15:23,960
Speaker 2: apologizes to Tapenga like he's.

320
00:15:23,760 --> 00:15:25,840
Speaker 1: Like, well, but he says something and she's like, there

321
00:15:25,880 --> 00:15:26,200
Speaker 1: you go.

322
00:15:26,320 --> 00:15:28,840
Speaker 2: Well, he she dragged him there and then left him

323
00:15:28,840 --> 00:15:31,200
Speaker 2: there after proposing to him without explaining why.

324
00:15:31,440 --> 00:15:35,360
Speaker 6: But I get every right to be angry. No, I

325
00:15:35,360 --> 00:15:37,640
Speaker 6: mean he's been all over the place the whole first episode.

326
00:15:37,680 --> 00:15:40,480
Speaker 6: So it seems to me like the actual reaction for

327
00:15:40,560 --> 00:15:42,920
Speaker 6: both Corey and to Panga would be like, what is happening?

328
00:15:43,120 --> 00:15:45,000
Speaker 5: What do you drag him to this place?

329
00:15:45,200 --> 00:15:45,280
Speaker 2: On?

330
00:15:45,440 --> 00:15:48,520
Speaker 1: She it they went together, they went it.

331
00:15:48,640 --> 00:15:50,280
Speaker 5: Was his idea. He was like, come on, we're getting

332
00:15:50,320 --> 00:15:51,479
Speaker 5: out of here.

333
00:15:52,000 --> 00:15:53,840
Speaker 2: Yes, we're going and she's like in the last one,

334
00:15:53,880 --> 00:15:55,520
Speaker 2: she's like, well wait, if you're so into this, why

335
00:15:55,520 --> 00:15:56,400
Speaker 2: did you just pass the thing?

336
00:15:56,440 --> 00:15:57,000
Speaker 1: And he's like don't.

337
00:15:57,040 --> 00:15:59,640
Speaker 2: So he's the one who's still not entirely sure what's

338
00:15:59,640 --> 00:16:00,680
Speaker 2: going on, and she is.

339
00:16:01,200 --> 00:16:03,520
Speaker 1: They get down the aisle. He says, I do.

340
00:16:03,680 --> 00:16:04,080
Speaker 6: I love you.

341
00:16:04,120 --> 00:16:04,800
Speaker 1: I'll be there forever.

342
00:16:04,880 --> 00:16:07,880
Speaker 2: She says I can't and go sorry and bails, Yeah,

343
00:16:08,560 --> 00:16:11,080
Speaker 2: make Corey, look we shouldn't be doing this.

344
00:16:11,120 --> 00:16:13,080
Speaker 1: We but just leaves him standing there in front.

345
00:16:12,880 --> 00:16:14,720
Speaker 2: Of these two people like hey, and he's like it

346
00:16:14,760 --> 00:16:18,000
Speaker 2: was actually her idea, And then they get into the

347
00:16:18,080 --> 00:16:19,960
Speaker 2: car and she's like, well, how long are you going

348
00:16:20,040 --> 00:16:20,600
Speaker 2: to be mad at me?

349
00:16:20,640 --> 00:16:22,320
Speaker 1: And then she said and then he's.

350
00:16:22,080 --> 00:16:25,320
Speaker 2: Like you're right, and she's like thank you, like like, yeah,

351
00:16:25,360 --> 00:16:27,760
Speaker 2: you did owe me some pot. It's like, wait, this

352
00:16:27,920 --> 00:16:32,040
Speaker 2: was all on to Pang what the what the hell?

353
00:16:32,080 --> 00:16:34,440
Speaker 6: He comes in with so much anger and actually, to

354
00:16:34,480 --> 00:16:37,600
Speaker 6: me it seems angry. It seems like the joke is

355
00:16:37,720 --> 00:16:39,440
Speaker 6: that he's angry that he's not going to get to

356
00:16:39,480 --> 00:16:41,160
Speaker 6: lose his virginity, though I mean, I feel like.

357
00:16:41,360 --> 00:16:43,120
Speaker 1: There's a couple of references to that.

358
00:16:43,320 --> 00:16:46,280
Speaker 6: Of course, sort of like course, so I got I

359
00:16:46,320 --> 00:16:48,800
Speaker 6: was like, dude, Corey, like why not ask her why

360
00:16:48,880 --> 00:16:51,200
Speaker 6: she you know, like, why not be like sympathetic to

361
00:16:51,240 --> 00:16:54,320
Speaker 6: the fact that this obviously just panicked and freaked out

362
00:16:54,560 --> 00:16:58,800
Speaker 6: for very clear reasons that you should understand because you know,

363
00:16:58,840 --> 00:16:59,560
Speaker 6: an hour.

364
00:16:59,360 --> 00:17:01,960
Speaker 1: Ago, you all we're going back. And that's why I disagree.

365
00:17:02,040 --> 00:17:03,960
Speaker 2: See, to me, the scene should have taken the the

366
00:17:04,359 --> 00:17:09,560
Speaker 2: visual of the young couple scared explaining why they shouldn't

367
00:17:09,560 --> 00:17:11,919
Speaker 2: get married right in front of the couple that's been

368
00:17:12,240 --> 00:17:15,560
Speaker 2: together for sixty years is the scene. So for her

369
00:17:15,600 --> 00:17:19,000
Speaker 2: to just go sorry and leave and he's wanted.

370
00:17:19,040 --> 00:17:21,520
Speaker 5: They wanted automatic opening though. I mean, that's all it is,

371
00:17:24,160 --> 00:17:25,439
Speaker 5: running off and leaving him there.

372
00:17:25,480 --> 00:17:27,400
Speaker 1: I agree that I don't like her.

373
00:17:27,840 --> 00:17:29,520
Speaker 5: I don't think she would have I don't if they were.

374
00:17:29,560 --> 00:17:32,640
Speaker 2: They just needed a dramatic, little sympathetic things at the end,

375
00:17:32,720 --> 00:17:35,119
Speaker 2: like I'm so sorry you hate me Amy like that,

376
00:17:35,440 --> 00:17:36,880
Speaker 2: all those kind of things. It was like, oh, now

377
00:17:36,880 --> 00:17:38,920
Speaker 2: she's playing the martyr. It was like, I just didn't.

378
00:17:39,160 --> 00:17:40,120
Speaker 2: I thought to Panga was.

379
00:17:40,080 --> 00:17:42,120
Speaker 1: All over the place in this episode, and I didn't.

380
00:17:42,280 --> 00:17:44,080
Speaker 2: It was for the first time where I was really like, oh,

381
00:17:44,119 --> 00:17:46,080
Speaker 2: I'm not a fan of hers this time. And then

382
00:17:46,119 --> 00:17:50,240
Speaker 2: Ben is Ben Corey is always takes that righteous tone.

383
00:17:50,520 --> 00:17:54,159
Speaker 2: And I kept hearing Michael's voice in my head for

384
00:17:54,240 --> 00:17:57,800
Speaker 2: a lot of the Cory scenes, or anger is never funny.

385
00:17:57,840 --> 00:18:00,359
Speaker 2: Stop playing anger, Stop playing anger, And he played anger

386
00:18:00,400 --> 00:18:01,560
Speaker 2: for most of the episode.

387
00:18:01,800 --> 00:18:04,159
Speaker 6: Yeah, And it was yeah, no, I agree. That was

388
00:18:04,240 --> 00:18:06,800
Speaker 6: It was that car sane. That car scene just drove

389
00:18:06,840 --> 00:18:07,280
Speaker 6: me crazy.

390
00:18:07,400 --> 00:18:07,879
Speaker 5: Yeah, me too.

391
00:18:08,119 --> 00:18:10,800
Speaker 6: It was like what And it's because of the way

392
00:18:10,800 --> 00:18:15,000
Speaker 6: it's written, is like, yeah, Corey is just so angry,

393
00:18:15,080 --> 00:18:17,960
Speaker 6: and it's like kind of in this generic funny way.

394
00:18:18,000 --> 00:18:21,639
Speaker 2: It's like, ah, you know there's in ten minutes and

395
00:18:21,680 --> 00:18:23,800
Speaker 2: it's like, okay, well wait then are you mad it was?

396
00:18:24,119 --> 00:18:25,320
Speaker 1: Yeah, it was a weird episode.

397
00:18:25,359 --> 00:18:26,600
Speaker 5: Well, let's jump into our recab.

398
00:18:26,640 --> 00:18:28,560
Speaker 3: We do have guest starring Bill moriy A's Judge b

399
00:18:28,680 --> 00:18:31,120
Speaker 3: Miss again his second and final Boy Meets World appearance.

400
00:18:31,320 --> 00:18:32,480
Speaker 5: We saw him in Pariship.

401
00:18:32,560 --> 00:18:34,840
Speaker 6: They got paid for two weeks, yeah, showed up for

402
00:18:34,960 --> 00:18:36,040
Speaker 6: one day yep.

403
00:18:36,520 --> 00:18:39,760
Speaker 5: And the same with Connie Sawyer who played Fufie. So

404
00:18:39,800 --> 00:18:40,560
Speaker 5: we get our new.

405
00:18:41,640 --> 00:18:43,560
Speaker 2: As we were talking about foofye the whole time I'm

406
00:18:43,560 --> 00:18:45,359
Speaker 2: watching the episode, I was thinking to myself, this was

407
00:18:45,440 --> 00:18:48,879
Speaker 2: nineteen ninety eight, and this old woman twenty years for

408
00:18:48,960 --> 00:18:51,119
Speaker 2: another twenty years after this.

409
00:18:51,359 --> 00:18:53,320
Speaker 1: That was awesome. I just kept thinking she was one

410
00:18:53,359 --> 00:18:54,359
Speaker 1: hundred and five.

411
00:18:55,440 --> 00:18:57,320
Speaker 5: So that means she was eighty five when we did this.

412
00:18:57,560 --> 00:18:59,000
Speaker 5: She lived for twenty more years.

413
00:18:59,040 --> 00:19:00,879
Speaker 1: Twenty more ears.

414
00:19:00,960 --> 00:19:01,480
Speaker 6: That's crazy.

415
00:19:01,520 --> 00:19:05,439
Speaker 3: So we get our new totally spontaneous opening credits and

416
00:19:05,520 --> 00:19:09,159
Speaker 3: the right into a very small recap our second in

417
00:19:09,160 --> 00:19:11,639
Speaker 3: a row, but this time just for the season one opener.

418
00:19:11,880 --> 00:19:13,919
Speaker 3: We hear Corey say with a picture of him at

419
00:19:13,920 --> 00:19:16,320
Speaker 3: the altar and shock. In case you didn't see last

420
00:19:16,359 --> 00:19:18,880
Speaker 3: week's boy meets World. Here's why I have this look

421
00:19:18,920 --> 00:19:21,800
Speaker 3: on my face, and Judge Beamis repeats the question to

422
00:19:21,800 --> 00:19:24,959
Speaker 3: Topanga does she take Corey to be her husband? And

423
00:19:25,000 --> 00:19:27,600
Speaker 3: now we're in real time at the wedding chapel to

424
00:19:27,680 --> 00:19:33,040
Speaker 3: Panker's to Pega stutters I I, and then there's some laughter.

425
00:19:33,160 --> 00:19:34,040
Speaker 2: But I.

426
00:19:39,520 --> 00:19:40,560
Speaker 1: Should change your name to.

427
00:19:42,520 --> 00:19:43,800
Speaker 6: She's a banger.

428
00:19:48,119 --> 00:19:50,720
Speaker 5: Corey tries to help her out, whispering dude.

429
00:19:51,200 --> 00:19:54,720
Speaker 3: Still she can't form the words I I.

430
00:19:54,800 --> 00:19:55,919
Speaker 5: Corey adds, we got I.

431
00:19:56,119 --> 00:19:59,000
Speaker 3: We're looking for do to Pega winds down and says,

432
00:19:59,119 --> 00:20:02,040
Speaker 3: this is just the range, just thing. Corey excuses them

433
00:20:02,040 --> 00:20:03,000
Speaker 3: for a moment, pulling her.

434
00:20:02,880 --> 00:20:03,520
Speaker 5: Off to the side.

435
00:20:03,600 --> 00:20:04,280
Speaker 6: You can do this.

436
00:20:04,359 --> 00:20:04,760
Speaker 5: I did it.

437
00:20:04,800 --> 00:20:07,159
Speaker 3: Don't leave me up here in my wedding dress. To

438
00:20:07,280 --> 00:20:09,919
Speaker 3: Panga insists she'd try again, and they returned to the judge.

439
00:20:10,000 --> 00:20:13,720
Speaker 6: Now we're cooking gas. Doesn't he say something like, I Amanda,

440
00:20:14,040 --> 00:20:15,680
Speaker 6: I was a man about it, told.

441
00:20:15,640 --> 00:20:17,840
Speaker 5: Does Yeah, that's so funny. I don't remember that, but

442
00:20:17,920 --> 00:20:20,119
Speaker 5: yeah I was. Yeah.

443
00:20:20,480 --> 00:20:22,840
Speaker 3: Now we're cooking with gas, Judge be Miss exclaims to

444
00:20:22,920 --> 00:20:27,000
Speaker 3: Panga tries again, I I.

445
00:20:27,080 --> 00:20:29,080
Speaker 5: The entire group helps her this time.

446
00:20:29,680 --> 00:20:30,040
Speaker 6: Do do.

447
00:20:33,040 --> 00:20:37,199
Speaker 5: She shakes her head. Can't. I can't. Corey shouts, oh,

448
00:20:37,320 --> 00:20:38,479
Speaker 5: you hate to see that.

449
00:20:39,000 --> 00:20:41,280
Speaker 3: She apologizes to Corey, Judge be miss and foofye and

450
00:20:41,359 --> 00:20:42,680
Speaker 3: then she hurries out of the room.

451
00:20:43,000 --> 00:20:46,360
Speaker 6: Yeah, this was my first indication that the Corey like yeah,

452
00:20:46,320 --> 00:20:48,879
Speaker 6: I hate to see that. I'm like, wait, who is

453
00:20:48,920 --> 00:20:51,000
Speaker 6: this Corey? Yeah, I know, I get it. It's a

454
00:20:51,000 --> 00:20:54,040
Speaker 6: funny line, right, like it's a it's a like this

455
00:20:54,160 --> 00:20:56,359
Speaker 6: and the next scene, I feel like we're written for

456
00:20:56,560 --> 00:21:00,879
Speaker 6: like yelling banter, which is like trying to be funny,

457
00:21:01,080 --> 00:21:04,240
Speaker 6: but it's actually doesn't make any sense with Corey's character,

458
00:21:04,320 --> 00:21:07,639
Speaker 6: and actually he would be hurt and concerned like that

459
00:21:07,800 --> 00:21:10,359
Speaker 6: is the Corey Corey would be like. And it actually

460
00:21:10,520 --> 00:21:13,440
Speaker 6: is like this reversion to first season Corey where he's

461
00:21:13,560 --> 00:21:15,879
Speaker 6: like the smart Alecy.

462
00:21:15,560 --> 00:21:18,880
Speaker 5: Like RS is always out and it's.

463
00:21:18,720 --> 00:21:21,119
Speaker 6: Not it just doesn't fit. It's like hold on like

464
00:21:21,200 --> 00:21:23,679
Speaker 6: he is. And then he turns on Amy in like

465
00:21:23,760 --> 00:21:26,399
Speaker 6: three scenes with so much like and it's like hold on,

466
00:21:26,480 --> 00:21:30,440
Speaker 6: but if that Corey would be so concerned about his

467
00:21:30,600 --> 00:21:32,480
Speaker 6: wife to be right now and like I don't know,

468
00:21:32,520 --> 00:21:35,159
Speaker 6: it's just like but instead we get there, like I

469
00:21:35,240 --> 00:21:37,639
Speaker 6: drive a thousand miles and she don't like my tone.

470
00:21:38,280 --> 00:21:41,080
Speaker 6: I'm like, who is this? What is happening? What happened

471
00:21:41,119 --> 00:21:43,320
Speaker 6: to the neurotic guy? Like he would be freaked out.

472
00:21:43,480 --> 00:21:43,879
Speaker 6: I don't know.

473
00:21:44,000 --> 00:21:48,320
Speaker 2: It's just it's like I thought that deserved more anger

474
00:21:48,359 --> 00:21:50,480
Speaker 2: than anything else, because I felt that was like she

475
00:21:51,000 --> 00:21:52,840
Speaker 2: just dumped, just left him right there at the altar

476
00:21:52,920 --> 00:21:54,720
Speaker 2: after proposing to him, and they went through this whole

477
00:21:54,720 --> 00:21:56,959
Speaker 2: thing and now she's like, I'm out, and I was like,

478
00:21:57,040 --> 00:21:59,919
Speaker 2: oh okay, So that I felt like that anger. But

479
00:22:00,119 --> 00:22:03,199
Speaker 2: then it was switched in the car where she was.

480
00:22:03,280 --> 00:22:05,400
Speaker 2: Then there was both angry at each other.

481
00:22:05,640 --> 00:22:09,280
Speaker 1: It was. It was a strange tone for the start

482
00:22:09,320 --> 00:22:10,639
Speaker 1: of the episode. All the way around.

483
00:22:10,640 --> 00:22:14,040
Speaker 3: I thought, yeah, yeah, I agree. This next car scene

484
00:22:14,080 --> 00:22:16,199
Speaker 3: we'll jump into. But Corey watches her leave and wonders

485
00:22:16,200 --> 00:22:17,679
Speaker 3: aloud above dramatic music.

486
00:22:18,119 --> 00:22:21,240
Speaker 5: You know what's funny, she asked me, He asked me.

487
00:22:21,760 --> 00:22:23,320
Speaker 5: Now we're in Corey's.

488
00:22:22,880 --> 00:22:24,639
Speaker 3: Car a deep in thought. To Panga sits in the

489
00:22:24,640 --> 00:22:28,800
Speaker 3: passenger seat. Corey sarcastically announces, I am so sorry my

490
00:22:29,000 --> 00:22:33,440
Speaker 3: family missed that. To Panga apologizes, but Corey doesn't appreciate

491
00:22:33,480 --> 00:22:36,399
Speaker 3: this answer. Wow, he yells out, She admits she doesn't

492
00:22:36,400 --> 00:22:39,720
Speaker 3: know what to say. Corey quickly responds, do you know

493
00:22:40,280 --> 00:22:43,399
Speaker 3: do it's the first half of your favorite word, don't

494
00:22:43,840 --> 00:22:47,920
Speaker 3: to PEG's unamused. I don't like your tone, Corey laughs.

495
00:22:47,960 --> 00:22:50,199
Speaker 3: I drive a thousand miles to marry er and she

496
00:22:50,359 --> 00:22:56,200
Speaker 3: don't like my tone. That is really rich that uh

497
00:22:56,240 --> 00:23:00,640
Speaker 3: and she don't like my tone is a verbatim Michael Jacobs.

498
00:23:00,880 --> 00:23:01,520
Speaker 6: Yeah, oh, all of this.

499
00:23:01,760 --> 00:23:04,000
Speaker 4: Yeah, but that's what I mean.

500
00:23:04,040 --> 00:23:07,800
Speaker 6: I feel like it's like it's it's a heightened comedy

501
00:23:07,960 --> 00:23:11,679
Speaker 6: voice that is funny on its own, but in the

502
00:23:11,720 --> 00:23:14,040
Speaker 6: context of like our show and in the context of

503
00:23:14,080 --> 00:23:16,159
Speaker 6: Corey really doesn't work for me. And I was just like,

504
00:23:16,240 --> 00:23:20,439
Speaker 6: this feels off, this doesn't feel right, and yeah, and

505
00:23:20,440 --> 00:23:23,320
Speaker 6: then like your favorite word is don't and then this

506
00:23:23,359 --> 00:23:26,960
Speaker 6: whole next round about it'll have to be white burning white,

507
00:23:27,040 --> 00:23:32,400
Speaker 6: sound like virgin references. Okay. I was like, he's angry

508
00:23:32,480 --> 00:23:35,280
Speaker 6: because he's not getting laid like that kind of which

509
00:23:35,480 --> 00:23:37,600
Speaker 6: maybe could have been funny, but instead it just felt

510
00:23:37,960 --> 00:23:39,040
Speaker 6: I don't know, it just didn't work for me.

511
00:23:39,560 --> 00:23:43,840
Speaker 2: Can we Also, I don't get the timing of the episode,

512
00:23:44,359 --> 00:23:47,879
Speaker 2: meaning they drove a thousand miles and then there's a

513
00:23:47,880 --> 00:23:49,120
Speaker 2: scene where everybody comes over.

514
00:23:49,200 --> 00:23:50,480
Speaker 1: It's three o'clock.

515
00:23:50,200 --> 00:23:54,119
Speaker 2: In the morning, and then they have a party waiting

516
00:23:54,160 --> 00:23:55,639
Speaker 2: for them when they get.

517
00:23:55,840 --> 00:23:58,480
Speaker 5: Back in the morning. The next day. Yeah, in the

518
00:23:58,480 --> 00:23:58,920
Speaker 5: next day.

519
00:23:59,200 --> 00:24:02,760
Speaker 2: It's the next day, okay, because then Phoene says something

520
00:24:02,760 --> 00:24:04,200
Speaker 2: about what you did tonight?

521
00:24:05,359 --> 00:24:07,520
Speaker 5: Right, because yeah, it's like it's we've stayed up all

522
00:24:07,600 --> 00:24:08,200
Speaker 5: night Corey.

523
00:24:08,040 --> 00:24:12,840
Speaker 1: Into tonight as if it's the same day, but they

524
00:24:12,880 --> 00:24:13,200
Speaker 1: just haven't.

525
00:24:13,240 --> 00:24:16,960
Speaker 6: So if they really drove a thousand miles, right, you're talking, yeah,

526
00:24:17,119 --> 00:24:19,520
Speaker 6: hours and hours of driving. H they won't get home

527
00:24:19,600 --> 00:24:20,439
Speaker 6: until next morning.

528
00:24:20,680 --> 00:24:22,480
Speaker 2: Yeah, okay, all right, Yeah, I was just it was

529
00:24:22,480 --> 00:24:24,880
Speaker 2: weird trying to figure out what the actual breakdown of the.

530
00:24:25,040 --> 00:24:27,280
Speaker 4: Wow drive a thousand miles to get married?

531
00:24:27,400 --> 00:24:29,600
Speaker 6: You don't you go to you go to the East coast,

532
00:24:29,640 --> 00:24:32,240
Speaker 6: you go to uh, Atlantic City, Atlantic City, and you

533
00:24:32,280 --> 00:24:32,879
Speaker 6: go get married.

534
00:24:32,960 --> 00:24:34,080
Speaker 1: It's not that hard to think.

535
00:24:34,720 --> 00:24:39,879
Speaker 3: Six times, Topanga explains that she wants their families at

536
00:24:39,880 --> 00:24:42,119
Speaker 3: the wedding, and she wants to wear a wedding dress,

537
00:24:42,200 --> 00:24:43,800
Speaker 3: a white, lacy wedding dress.

538
00:24:43,960 --> 00:24:45,920
Speaker 5: Cory scowls, of course white.

539
00:24:46,040 --> 00:24:48,719
Speaker 3: The way we're going bright white, snow white whiter than

540
00:24:48,760 --> 00:24:51,879
Speaker 3: the white hot light of a thousand burning suns. She

541
00:24:51,960 --> 00:24:53,639
Speaker 3: asks how long he's going to be mad at her,

542
00:24:53,640 --> 00:24:55,680
Speaker 3: and he confidently answers ten minutes.

543
00:24:56,040 --> 00:24:57,679
Speaker 1: Do you think Corey would marry to Panga if they

544
00:24:57,720 --> 00:24:58,359
Speaker 1: were having sex?

545
00:25:01,119 --> 00:25:03,520
Speaker 2: Honestly, like, I think that's they've made it to where

546
00:25:03,560 --> 00:25:05,760
Speaker 2: that's really important to him. It's one of the reasons

547
00:25:05,800 --> 00:25:07,520
Speaker 2: he's getting married is because he wants to have sex.

548
00:25:08,160 --> 00:25:09,600
Speaker 6: Is that we need to have a Q and A

549
00:25:09,640 --> 00:25:13,000
Speaker 6: episode put this to our listeners. It's as important as

550
00:25:13,000 --> 00:25:16,240
Speaker 6: should she have gone to you would if he was

551
00:25:16,240 --> 00:25:16,960
Speaker 6: not a virgin?

552
00:25:17,600 --> 00:25:18,920
Speaker 1: Would they still have gotten missed?

553
00:25:18,920 --> 00:25:21,280
Speaker 3: I mean, I don't want to We can talk about

554
00:25:21,280 --> 00:25:23,240
Speaker 3: that in a separate episode, but I do think once

555
00:25:23,280 --> 00:25:28,320
Speaker 3: Tapenga says I want our families there, that's the reason

556
00:25:28,400 --> 00:25:31,720
Speaker 3: she said no. I don't know why he's still angry,

557
00:25:31,880 --> 00:25:34,680
Speaker 3: and I also don't know why she hasn't said that

558
00:25:35,880 --> 00:25:38,800
Speaker 3: right away when they got in the car. This feels

559
00:25:38,880 --> 00:25:43,960
Speaker 3: dramatic for the sake of being dramatic, yep, as opposed

560
00:25:44,040 --> 00:25:47,439
Speaker 3: to just communicating, Like Corey, I got up there and

561
00:25:47,520 --> 00:25:50,960
Speaker 3: I realized, even if this is a legal marriage, this

562
00:25:51,160 --> 00:25:55,480
Speaker 3: isn't what I want I want to nobody who knows

563
00:25:55,560 --> 00:25:57,199
Speaker 3: us and I mean he says it later when they

564
00:25:57,240 --> 00:26:00,480
Speaker 3: say our marriage should be a celebration, not a secret.

565
00:26:00,920 --> 00:26:04,399
Speaker 6: Yeah, that's that's I think. I think the way the

566
00:26:04,560 --> 00:26:08,159
Speaker 6: idea is that she's processing it in real time, which okay,

567
00:26:08,240 --> 00:26:09,800
Speaker 6: it could have been like I think. I think if

568
00:26:09,840 --> 00:26:12,000
Speaker 6: if Tapanga just realizes like, oh my god, I can't

569
00:26:12,040 --> 00:26:13,800
Speaker 6: do the thing I'm supposed to say, I can't say

570
00:26:13,840 --> 00:26:15,480
Speaker 6: the thing I'm supposed to say, and then sits in

571
00:26:15,480 --> 00:26:18,440
Speaker 6: the car and is like, no, Corey, I wanted I realized,

572
00:26:18,680 --> 00:26:21,600
Speaker 6: you know, if it was more present tense, and it's

573
00:26:21,680 --> 00:26:23,919
Speaker 6: just the way it's written and the way it's played

574
00:26:24,119 --> 00:26:25,600
Speaker 6: is like as if.

575
00:26:25,800 --> 00:26:28,399
Speaker 2: You yelling at each other. Yeah, correction doesn't Yeah, it

576
00:26:28,440 --> 00:26:30,240
Speaker 2: doesn't work in this situation. It's funny a lot of

577
00:26:30,280 --> 00:26:33,000
Speaker 2: times with Corey and Topanga, but not with the seriousness

578
00:26:33,040 --> 00:26:33,760
Speaker 2: of what just happened.

579
00:26:33,800 --> 00:26:34,880
Speaker 1: It just doesn't fit.

580
00:26:35,840 --> 00:26:36,040
Speaker 5: Yeah.

581
00:26:36,080 --> 00:26:37,960
Speaker 3: Well, then we're in the Matthew's kitchen. Amy and Allan

582
00:26:38,000 --> 00:26:40,600
Speaker 3: are in their pajamas, worrying about Corey. Amy's looking through

583
00:26:40,640 --> 00:26:42,879
Speaker 3: old photographs, and Alan is doing some business with a

584
00:26:42,960 --> 00:26:43,600
Speaker 3: juice box.

585
00:26:43,720 --> 00:26:45,400
Speaker 5: I love that, uh.

586
00:26:45,400 --> 00:26:46,640
Speaker 6: Juice box business.

587
00:26:46,840 --> 00:26:51,959
Speaker 3: That's the other name of the everybody's got. Amy wonders

588
00:26:52,000 --> 00:26:54,200
Speaker 3: how one disagreement could have led to all of this.

589
00:26:54,440 --> 00:26:56,880
Speaker 3: Alan says there is no way he'd get married without them,

590
00:26:56,920 --> 00:27:00,439
Speaker 3: but when Amy asks if he's sure, Alan says absolutely not.

591
00:27:00,760 --> 00:27:03,320
Speaker 3: He reminds her it's okay though, because they're having another one.

592
00:27:03,800 --> 00:27:06,199
Speaker 3: Amy holds her belly. I'm giving you the next eighteen

593
00:27:06,280 --> 00:27:08,760
Speaker 3: years of my life. Don't you ever do anything without me?

594
00:27:09,280 --> 00:27:11,600
Speaker 3: Allan assures her he won't, and neither will I. So

595
00:27:11,680 --> 00:27:13,760
Speaker 3: let's all go to bed. It's a quarter after three.

596
00:27:13,880 --> 00:27:15,239
Speaker 3: Only creeps and weirdos are up.

597
00:27:15,280 --> 00:27:25,400
Speaker 6: Now number one we're gonna do. This is the gift

598
00:27:25,480 --> 00:27:29,400
Speaker 6: that keeps giving dies less funny every.

599
00:27:29,240 --> 00:27:32,399
Speaker 1: Single time I disagree that great. I thought it was

600
00:27:32,800 --> 00:27:34,159
Speaker 1: he with a voice.

601
00:27:34,200 --> 00:27:34,760
Speaker 5: How you doing?

602
00:27:35,160 --> 00:27:37,960
Speaker 3: Amy assumes you were thinking about your brother, weren't you?

603
00:27:38,520 --> 00:27:41,359
Speaker 3: Eric sarcastically nods, Yeah, I got a six foot tall

604
00:27:41,440 --> 00:27:43,359
Speaker 3: wonder woman sleeping in the room next to me.

605
00:27:43,400 --> 00:27:45,040
Speaker 5: I was thinking about my brother though.

606
00:27:45,040 --> 00:27:46,760
Speaker 1: Yeah, then why go over?

607
00:27:46,880 --> 00:27:48,920
Speaker 2: Why not be at home with the six foot tall

608
00:27:48,960 --> 00:27:50,680
Speaker 2: wonder woman who's asleep in the room next to her

609
00:27:50,720 --> 00:27:52,679
Speaker 2: at the foot of her bed, creepily like he ap

610
00:27:52,720 --> 00:27:53,520
Speaker 2: currently wants to be.

611
00:27:53,600 --> 00:27:54,560
Speaker 1: I mean, I don't know.

612
00:27:56,400 --> 00:28:00,919
Speaker 3: Eric explains while grabbing a juice box, Jamie, if you

613
00:28:01,000 --> 00:28:02,800
Speaker 3: know my current situation, I.

614
00:28:02,800 --> 00:28:03,480
Speaker 6: Really I knew.

615
00:28:03,840 --> 00:28:05,520
Speaker 4: I was just like, oh, will so pissed. It's not

616
00:28:05,520 --> 00:28:06,080
Speaker 4: a soda can.

617
00:28:06,080 --> 00:28:08,639
Speaker 6: He can't tell he's got He's gonna figure out how

618
00:28:08,640 --> 00:28:10,919
Speaker 6: to get that strong I can't get. I can see it,

619
00:28:11,359 --> 00:28:12,960
Speaker 6: figure it out, what to do with it?

620
00:28:13,480 --> 00:28:15,840
Speaker 1: The chair and then put the same I need business.

621
00:28:15,920 --> 00:28:16,880
Speaker 1: I need business.

622
00:28:16,920 --> 00:28:18,240
Speaker 5: I have so much business.

623
00:28:18,800 --> 00:28:21,399
Speaker 3: I love it, and there's nothing on TV. So what

624
00:28:21,440 --> 00:28:23,400
Speaker 3: are you guys doing up? The only people up now

625
00:28:23,400 --> 00:28:25,000
Speaker 3: are creeps and weirdos.

626
00:28:26,480 --> 00:28:31,800
Speaker 5: On cue. Sean, how you doing?

627
00:28:32,480 --> 00:28:35,280
Speaker 3: He walks to the fridge to also have some JBB

628
00:28:36,160 --> 00:28:38,480
Speaker 3: baby disinfects the counter.

629
00:28:39,280 --> 00:28:41,520
Speaker 5: So much business.

630
00:28:41,760 --> 00:28:43,960
Speaker 6: Everybody got to do something, man, we're all just sitting

631
00:28:44,000 --> 00:28:44,880
Speaker 6: in the kitchen.

632
00:28:44,920 --> 00:28:47,880
Speaker 3: Business kitchen a line, talking in a line talking, writer's

633
00:28:47,880 --> 00:28:48,320
Speaker 3: favorite thing.

634
00:28:49,280 --> 00:28:50,960
Speaker 5: Don complaints eighteen years.

635
00:28:50,960 --> 00:28:52,960
Speaker 3: I'm his best friend. I raise him right, teach him

636
00:28:52,960 --> 00:28:56,120
Speaker 3: everything I know. Amy reminds him that he wanted Corey

637
00:28:56,120 --> 00:28:57,680
Speaker 3: to get married, but Sean adds, but.

638
00:28:57,600 --> 00:28:59,760
Speaker 5: Not without me. I was supposed to be the best man.

639
00:29:00,280 --> 00:29:02,680
Speaker 3: Eric is offended. I'm supposed to be the best man.

640
00:29:03,000 --> 00:29:05,680
Speaker 3: Then he figures it out. Maybe that's why they eloped.

641
00:29:05,720 --> 00:29:07,080
Speaker 3: They couldn't choose between us.

642
00:29:07,640 --> 00:29:10,360
Speaker 5: Sean stares at him blankly and with a.

643
00:29:10,200 --> 00:29:12,280
Speaker 1: Great such a good read.

644
00:29:13,000 --> 00:29:16,120
Speaker 6: This is a very weird read. I was like, you

645
00:29:16,160 --> 00:29:19,800
Speaker 6: know what, I actually did not play the joke at all,

646
00:29:20,040 --> 00:29:23,120
Speaker 6: which makes it even funny. It was like he is

647
00:29:23,320 --> 00:29:27,000
Speaker 6: so earnest, like I am so disappointed and for him, yes,

648
00:29:27,120 --> 00:29:29,640
Speaker 6: I'm like, oh my god, this is like just no.

649
00:29:30,160 --> 00:29:32,760
Speaker 6: And it's like I can't believe the audience went for

650
00:29:32,800 --> 00:29:35,760
Speaker 6: it though, Like it actually is not a sitcom read.

651
00:29:35,880 --> 00:29:39,160
Speaker 6: It's like a straight drama read. It's like you poor

652
00:29:39,200 --> 00:29:42,600
Speaker 6: poor man. But I don't, like, my brain can't go

653
00:29:42,760 --> 00:29:44,960
Speaker 6: to the it's so good.

654
00:29:45,160 --> 00:29:46,160
Speaker 5: It was so good.

655
00:29:47,200 --> 00:29:50,640
Speaker 7: I'm just glad that the audience went like glad I

656
00:29:50,720 --> 00:29:50,960
Speaker 7: did not.

657
00:29:51,000 --> 00:29:52,320
Speaker 6: Play so much.

658
00:29:52,360 --> 00:29:55,960
Speaker 1: She might have been my favorite joke of the entire Oh.

659
00:29:55,840 --> 00:29:57,880
Speaker 6: That's funny, because I was like, that is a truly

660
00:29:57,960 --> 00:30:00,000
Speaker 6: weird writer read, Like, I don't think I was playing

661
00:30:00,160 --> 00:30:04,360
Speaker 6: the joke at all. It was perfect, perfect sometimes the

662
00:30:04,360 --> 00:30:07,160
Speaker 6: best comedy man. Yeah, played for the joke at all. Right.

663
00:30:07,680 --> 00:30:10,560
Speaker 3: They eloped because Amy and Allen tried telling them what

664
00:30:10,600 --> 00:30:13,040
Speaker 3: to do. They drove up north to see some justice

665
00:30:13,080 --> 00:30:14,520
Speaker 3: of the peace, or at least that's what he said

666
00:30:14,520 --> 00:30:17,440
Speaker 3: in the message he left them. Alan is shocked he

667
00:30:17,520 --> 00:30:20,200
Speaker 3: really did get married. Amy hits her husband with a handtowel.

668
00:30:20,280 --> 00:30:22,560
Speaker 6: Then here's the thing that we're talking about last episode, Like,

669
00:30:23,600 --> 00:30:25,640
Speaker 6: so they all just now they actually.

670
00:30:25,280 --> 00:30:28,600
Speaker 5: Have they finally, my god.

671
00:30:28,440 --> 00:30:31,920
Speaker 3: Finally he left about one a message saying we went

672
00:30:32,000 --> 00:30:33,240
Speaker 3: to a justice of the peace.

673
00:30:33,280 --> 00:30:35,840
Speaker 5: But this is the first time, any worst time, actual

674
00:30:35,840 --> 00:30:37,040
Speaker 5: confirmation exactly.

675
00:30:37,960 --> 00:30:40,680
Speaker 2: Okay, So for the record, one thousand miles north of

676
00:30:40,680 --> 00:30:43,080
Speaker 2: Philadelphia is in Canada.

677
00:30:43,720 --> 00:30:44,600
Speaker 6: Did they say north?

678
00:30:45,320 --> 00:30:48,240
Speaker 1: Yeah? You said north, didn't it? I think you say north.

679
00:30:49,720 --> 00:30:53,080
Speaker 5: They drove up north to see the justice set the piece.

680
00:30:53,520 --> 00:30:55,280
Speaker 1: So you thousands northeast?

681
00:30:55,360 --> 00:30:56,360
Speaker 5: What's what's northeast?

682
00:30:56,360 --> 00:30:59,600
Speaker 3: What's a thousand miles Northeast't good?

683
00:30:59,720 --> 00:30:59,880
Speaker 1: Yeah?

684
00:31:00,040 --> 00:31:03,120
Speaker 2: Or at least you're in another in another country Montreal,

685
00:31:04,960 --> 00:31:05,920
Speaker 2: farther than Montreal.

686
00:31:05,960 --> 00:31:07,640
Speaker 1: I think even you're you're in like way.

687
00:31:07,720 --> 00:31:10,280
Speaker 5: If they drive a thousand miles northwest.

688
00:31:12,000 --> 00:31:13,720
Speaker 6: Yeah, then you're in the Saskatoon get it?

689
00:31:13,840 --> 00:31:13,880
Speaker 2: Like?

690
00:31:13,960 --> 00:31:16,200
Speaker 1: Yeah, do you take do you take you storry? Do

691
00:31:16,240 --> 00:31:16,680
Speaker 1: you take you?

692
00:31:16,920 --> 00:31:18,000
Speaker 6: Sorry? Sorry?

693
00:31:18,280 --> 00:31:18,920
Speaker 1: Sorry?

694
00:31:19,000 --> 00:31:21,280
Speaker 3: Amy, hits her husband with a hand towel and repeats,

695
00:31:21,280 --> 00:31:22,040
Speaker 3: he's a good kid.

696
00:31:22,080 --> 00:31:25,000
Speaker 5: He'll never get married without us. She grasps her belly.

697
00:31:25,080 --> 00:31:27,320
Speaker 3: I'm holding my knees together and this one is never

698
00:31:27,360 --> 00:31:31,000
Speaker 3: getting out. Also this trying to tie in the fact

699
00:31:31,120 --> 00:31:32,200
Speaker 3: that they're still having a.

700
00:31:32,120 --> 00:31:33,200
Speaker 5: Baby to this.

701
00:31:34,200 --> 00:31:35,760
Speaker 6: And now at this point, you're just start counting down

702
00:31:35,760 --> 00:31:38,680
Speaker 6: the seconds. When's the next creeping weirdos? Win's coming coming?

703
00:31:38,960 --> 00:31:39,440
Speaker 5: Thinking about it?

704
00:31:39,920 --> 00:31:41,160
Speaker 6: Are we going to do it? How can we set

705
00:31:41,200 --> 00:31:43,840
Speaker 6: it up? You think it's got to be lets you Sean.

706
00:31:44,760 --> 00:31:47,120
Speaker 5: Sean asks if he can crash on the Matthews couch.

707
00:31:47,440 --> 00:31:49,760
Speaker 6: Why would Sean need to crash on the Matthews couch.

708
00:31:49,880 --> 00:31:53,280
Speaker 3: He doesn't want to be out women night with all

709
00:31:54,480 --> 00:31:56,640
Speaker 3: weirdos there is.

710
00:31:56,720 --> 00:32:00,760
Speaker 6: I didnt see that coming. This show is so effortless.

711
00:32:00,960 --> 00:32:04,400
Speaker 6: There's like so much effortlessness going into this writing. Oh

712
00:32:04,440 --> 00:32:07,960
Speaker 6: my god, it's just as if it just happened without.

713
00:32:11,240 --> 00:32:13,440
Speaker 1: Okay, So Rider did not like the Runner?

714
00:32:13,600 --> 00:32:13,920
Speaker 2: Tang it?

715
00:32:13,960 --> 00:32:14,760
Speaker 1: Did you like the Runner?

716
00:32:16,800 --> 00:32:17,360
Speaker 5: Oh my god?

717
00:32:17,760 --> 00:32:19,120
Speaker 6: Again, I can't do it.

718
00:32:27,920 --> 00:32:31,760
Speaker 5: So Banie walks in, how you doing now?

719
00:32:31,800 --> 00:32:36,120
Speaker 3: He gets his juice box doing his jbb jbb that

720
00:32:36,240 --> 00:32:37,480
Speaker 3: he couldn't sleep either.

721
00:32:37,800 --> 00:32:42,240
Speaker 6: F JBB Phoenix. That's a whole other level. That's like

722
00:32:43,240 --> 00:32:45,240
Speaker 6: upper you need like an upper.

723
00:32:45,080 --> 00:32:48,600
Speaker 1: Degree JBB on stage back or.

724
00:32:48,600 --> 00:32:51,000
Speaker 6: That's when you started five on Broadway. If you've done

725
00:32:51,080 --> 00:32:52,440
Speaker 6: seventeen seventy.

726
00:32:52,040 --> 00:32:56,080
Speaker 1: Six, you can do you get It's right, that's right.

727
00:32:56,240 --> 00:33:00,440
Speaker 3: So he says, you have the lights on, everyone's yelling,

728
00:33:00,720 --> 00:33:02,400
Speaker 3: Eric parked his car in my garden.

729
00:33:02,600 --> 00:33:07,320
Speaker 6: Eric, you said it. This is the line where I

730
00:33:07,400 --> 00:33:10,479
Speaker 6: was like, wait a minute, because you guys know, like

731
00:33:10,640 --> 00:33:12,320
Speaker 6: how you do a Boston accent.

732
00:33:12,720 --> 00:33:14,400
Speaker 5: Yeah, you use the phrase what.

733
00:33:17,440 --> 00:33:22,000
Speaker 6: Havid yah? Yeah. So I could not believe this runner.

734
00:33:22,040 --> 00:33:23,560
Speaker 6: I was like, oh my god. I went back and

735
00:33:23,600 --> 00:33:25,360
Speaker 6: watched it like four times. Can we play the can

736
00:33:25,360 --> 00:33:26,000
Speaker 6: we play the clip?

737
00:33:26,520 --> 00:33:26,640
Speaker 7: Uh?

738
00:33:27,080 --> 00:33:30,680
Speaker 6: That's called parked the car? How you knowing?

739
00:33:34,280 --> 00:33:38,400
Speaker 8: I got all the lights on, everybody's yelling, and Eric

740
00:33:38,480 --> 00:33:42,240
Speaker 8: parked his car in my garden.

741
00:33:45,160 --> 00:33:48,800
Speaker 6: So this is I've decided I'm going to learn how

742
00:33:48,800 --> 00:33:51,840
Speaker 6: to do the Bill Daniels accent. This, I'm going to

743
00:33:51,880 --> 00:33:54,400
Speaker 6: do it, and I hope you guys will join me

744
00:33:54,520 --> 00:33:56,240
Speaker 6: on this journey. And I think maybe some of our

745
00:33:56,320 --> 00:33:57,520
Speaker 6: listeners should do this too.

746
00:33:57,960 --> 00:34:00,920
Speaker 7: This. I feel like this is this line is the key. Wow,

747
00:34:01,040 --> 00:34:02,960
Speaker 7: the lights are on. I can't sleep.

748
00:34:03,120 --> 00:34:08,880
Speaker 6: I can't do it, and you eric in my garden,

749
00:34:09,440 --> 00:34:10,040
Speaker 6: my garden.

750
00:34:10,440 --> 00:34:11,440
Speaker 1: I'm gonna okay.

751
00:34:11,440 --> 00:34:14,240
Speaker 6: So then I was like, let's go back, let's find more,

752
00:34:14,440 --> 00:34:17,879
Speaker 6: like what are the quintessential Phoenie Clips? The other one?

753
00:34:17,880 --> 00:34:19,680
Speaker 6: I wanted to go all the way back to season one?

754
00:34:20,000 --> 00:34:22,440
Speaker 6: Can you please play festooned feeni?

755
00:34:23,520 --> 00:34:26,480
Speaker 8: We had an agreement. I was to get dressed up

756
00:34:26,800 --> 00:34:29,879
Speaker 8: and come to your tea party, and then you were

757
00:34:29,920 --> 00:34:32,680
Speaker 8: to leave me in complete peace so that I could

758
00:34:32,719 --> 00:34:35,680
Speaker 8: grade my papers. Now I have upheld my part of

759
00:34:35,719 --> 00:34:41,759
Speaker 8: the bargain. I have festooned myself in costume jewelry. I

760
00:34:41,800 --> 00:34:47,880
Speaker 8: have swilled your foe tea. Now I insist that you

761
00:34:48,040 --> 00:34:50,920
Speaker 8: keep your end of the bargain.

762
00:34:53,360 --> 00:34:55,439
Speaker 2: Is it's a Boston, it's a it's a high brow

763
00:34:55,520 --> 00:34:59,479
Speaker 2: Boston accent. He's it's Winchester for mash Well.

764
00:34:59,520 --> 00:35:05,240
Speaker 6: I can sleep, but I can't stomed. See my problem

765
00:35:05,239 --> 00:35:07,320
Speaker 6: is I always slip into British like I can't.

766
00:35:07,760 --> 00:35:12,240
Speaker 3: You can also the annunciation of every word, and it's

767
00:35:12,280 --> 00:35:21,360
Speaker 3: the last letter of every word. I have stoppy HoTT.

768
00:35:22,360 --> 00:35:22,640
Speaker 6: That's it.

769
00:35:22,760 --> 00:35:23,560
Speaker 1: Okay, that's it.

770
00:35:23,640 --> 00:35:27,080
Speaker 7: And then just because I feel like between these two clips,

771
00:35:27,520 --> 00:35:29,960
Speaker 7: if you study, yes, if you get.

772
00:35:29,760 --> 00:35:32,359
Speaker 6: This down, you have Phoene's voice that you can do.

773
00:35:32,480 --> 00:35:39,040
Speaker 7: Bill Daniels, Oh yeah, in my Garden, In my garden,

774
00:35:39,080 --> 00:35:43,480
Speaker 7: that's my god, it's that same kind of it's very.

775
00:35:44,280 --> 00:35:47,759
Speaker 6: You're starting to get to it's a little too British. Yeah,

776
00:35:47,800 --> 00:35:50,120
Speaker 6: he manages to like what he does is he draws

777
00:35:50,640 --> 00:35:51,279
Speaker 6: lights wrong.

778
00:35:51,800 --> 00:35:53,520
Speaker 2: So another one to give you, it's a it's a

779
00:35:53,520 --> 00:35:56,719
Speaker 2: worse version, it's a cartoony version. But Tom Hanks in

780
00:35:56,920 --> 00:35:59,920
Speaker 2: volunteers with John Candy does the same kind of thing.

781
00:36:00,080 --> 00:36:01,200
Speaker 1: He's a fish guy.

782
00:36:01,239 --> 00:36:04,160
Speaker 2: He goes Boston guy who goes to the and it's

783
00:36:04,160 --> 00:36:05,680
Speaker 2: that same kind of thing. So it's a it's the

784
00:36:05,800 --> 00:36:07,440
Speaker 2: upper Yeah.

785
00:36:07,120 --> 00:36:11,600
Speaker 6: It's a proper American dialect. Is a theatrical dialect.

786
00:36:11,800 --> 00:36:15,319
Speaker 2: Oh my god, which we all know. Body that Bill

787
00:36:15,680 --> 00:36:18,080
Speaker 2: completely put this on. Not how he was born, not

788
00:36:18,120 --> 00:36:18,759
Speaker 2: how he was raised.

789
00:36:18,800 --> 00:36:21,480
Speaker 6: He was really he was a Yeah, he had a

790
00:36:21,520 --> 00:36:23,759
Speaker 6: Brooklyn accent. And then he was the understudy for a

791
00:36:23,800 --> 00:36:27,200
Speaker 6: play where they were all brought Boston Brahman characters and

792
00:36:27,239 --> 00:36:29,720
Speaker 6: all the actors were doing this accent, and he learned

793
00:36:29,760 --> 00:36:31,800
Speaker 6: how to do it. Yeah, so it's a complete But

794
00:36:32,080 --> 00:36:33,960
Speaker 6: that's why I feel like one of us.

795
00:36:33,880 --> 00:36:34,960
Speaker 5: We could work and put it on.

796
00:36:35,239 --> 00:36:38,400
Speaker 6: We can. You just have to commit to it. You

797
00:36:38,680 --> 00:36:42,960
Speaker 6: just have to commit to it, committ to park your

798
00:36:43,000 --> 00:36:54,439
Speaker 6: car and the coory that no coolvery covery. But I'm

799
00:36:54,440 --> 00:36:59,319
Speaker 6: doing coovery because he ends up kind of softening softening it.

800
00:37:00,080 --> 00:37:02,000
Speaker 6: You know, I can't, I can't sleep.

801
00:37:02,239 --> 00:37:02,560
Speaker 5: I don't know.

802
00:37:02,640 --> 00:37:05,160
Speaker 6: It's so complicated. I'm going to figure it out. But

803
00:37:05,239 --> 00:37:07,839
Speaker 6: I think between the I festumed myself.

804
00:37:08,280 --> 00:37:10,719
Speaker 1: It does awesome as British, but that's why we thought

805
00:37:10,719 --> 00:37:11,480
Speaker 1: he was British.

806
00:37:11,560 --> 00:37:14,400
Speaker 5: Yes, it's really good. I agree with you.

807
00:37:14,440 --> 00:37:15,719
Speaker 3: I'm going to start working on it if I can.

808
00:37:15,840 --> 00:37:17,560
Speaker 3: Will you send me those files please, I'll listen to

809
00:37:17,640 --> 00:37:31,520
Speaker 3: him in my headphones and then record myself. I'm gonna yeah. Okay,

810
00:37:33,080 --> 00:37:35,560
Speaker 3: So Eric gets defensive, what the hell do you care?

811
00:37:35,719 --> 00:37:39,080
Speaker 5: You're moving? Go ahead, Phoenie, retire, take care of yourself.

812
00:37:39,120 --> 00:37:40,600
Speaker 5: That's what you're best at.

813
00:37:40,840 --> 00:37:43,080
Speaker 3: Amy reminds him that Phoenie is given the last forty

814
00:37:43,120 --> 00:37:45,839
Speaker 3: years of his life teaching people, but Eric is unaffected.

815
00:37:46,080 --> 00:37:50,000
Speaker 5: Don't care. Kill his flowers, kill him, Phoenie explains.

816
00:37:49,640 --> 00:37:52,760
Speaker 1: You, I'm at a ten whole time, the whole time met.

817
00:37:52,640 --> 00:37:56,160
Speaker 3: A ten, Phoene explains to Eric, when someone you care

818
00:37:56,239 --> 00:37:59,319
Speaker 3: for makes a considered decision to change their life, you

819
00:37:59,360 --> 00:38:02,839
Speaker 3: should support the choice. Eric bursts into tears. You had

820
00:38:02,880 --> 00:38:04,880
Speaker 3: me at Eric and pulls him in for a hug.

821
00:38:05,280 --> 00:38:08,120
Speaker 3: Alan takes Phoene's advice to heart. We should take what

822
00:38:08,120 --> 00:38:11,040
Speaker 3: they've done and do something to show our support. After all,

823
00:38:11,080 --> 00:38:15,000
Speaker 3: we're talking about Corey and Topanga here. Phoene's confused, Corey

824
00:38:15,000 --> 00:38:17,360
Speaker 3: and Topanga, I was talking about a going.

825
00:38:17,120 --> 00:38:20,280
Speaker 5: Away party for me. Eric's frustrated, You're.

826
00:38:20,160 --> 00:38:22,520
Speaker 3: Still going away for the love of Mike. Stop with

827
00:38:22,600 --> 00:38:26,520
Speaker 3: the mind games, man. Phoene grabs Eric's armist proof you

828
00:38:26,560 --> 00:38:29,520
Speaker 3: know this is the reason I can't sell my house.

829
00:38:30,160 --> 00:38:31,360
Speaker 1: Very funny.

830
00:38:32,280 --> 00:38:34,120
Speaker 5: And then we're back in Corey's car.

831
00:38:34,200 --> 00:38:37,279
Speaker 3: Topega adjusts the rear view mirror and Corey angrily tells

832
00:38:37,280 --> 00:38:39,840
Speaker 3: her to put it back. She does, but he's not satisfied.

833
00:38:39,880 --> 00:38:41,759
Speaker 3: Now he can only see if any cars are coming

834
00:38:41,760 --> 00:38:42,640
Speaker 3: toward his crotch.

835
00:38:42,880 --> 00:38:44,600
Speaker 1: I thought he was only gonna be angry for ten minutes.

836
00:38:44,640 --> 00:38:47,080
Speaker 5: Why maybe it's still within the ten minutes, I don't know.

837
00:38:47,840 --> 00:38:50,480
Speaker 3: Tapega tells him to stop snapping at her, and Corey complains,

838
00:38:50,520 --> 00:38:53,400
Speaker 3: our big dramatic moment, and you know what, we did nothing.

839
00:38:53,880 --> 00:38:57,000
Speaker 3: To Penga shouts, I don't care about a big dramatic moment.

840
00:38:57,200 --> 00:38:58,080
Speaker 5: Which gets a laugh.

841
00:38:58,520 --> 00:39:01,240
Speaker 3: She reminds him it's not to run off together because

842
00:39:01,239 --> 00:39:03,680
Speaker 3: we think we have something to prove. When we get married.

843
00:39:03,760 --> 00:39:06,920
Speaker 3: I want to have a big cake and doves. Breaking

844
00:39:06,920 --> 00:39:12,839
Speaker 3: the silence, Corey sternly states no doves. He admits you

845
00:39:12,880 --> 00:39:15,399
Speaker 3: were right, you did the right thing. Our marriage should

846
00:39:15,400 --> 00:39:19,960
Speaker 3: be a celebration, not a secret. She smiles thank you,

847
00:39:20,719 --> 00:39:23,359
Speaker 3: but he insists you owe me the rest of your life,

848
00:39:23,400 --> 00:39:26,759
Speaker 3: you know. To Pega happily agrees it's yours and then

849
00:39:26,800 --> 00:39:32,400
Speaker 3: she pets his head. So getting to that conclusion is great,

850
00:39:32,880 --> 00:39:37,560
Speaker 3: I guess again, in the name of drama, they made

851
00:39:37,600 --> 00:39:41,600
Speaker 3: both of us versions of ourselves that aren't real.

852
00:39:41,760 --> 00:39:45,600
Speaker 6: Yeah, consistent, Yeah, I mean yeah. I feel like Corey

853
00:39:45,640 --> 00:39:47,600
Speaker 6: would be like, what is happening? What is going on?

854
00:39:47,719 --> 00:39:49,480
Speaker 6: And to Penga would be like, I don't know. I

855
00:39:49,520 --> 00:39:51,160
Speaker 6: just stood up there and I had this weird feeling

856
00:39:51,200 --> 00:39:53,200
Speaker 6: and now I'm realizing it and this is what you know.

857
00:39:53,280 --> 00:39:54,360
Speaker 6: But of course that's not as.

858
00:39:54,200 --> 00:39:57,719
Speaker 2: Funny exactly, you don't like you.

859
00:39:59,000 --> 00:40:00,600
Speaker 1: They had to have this whole conversation.

860
00:40:00,640 --> 00:40:02,520
Speaker 2: If I want the doves and everything right there, no

861
00:40:02,640 --> 00:40:05,480
Speaker 2: doves in front of that other couple, and you do

862
00:40:05,520 --> 00:40:07,359
Speaker 2: that and then you get out and then you cut

863
00:40:07,360 --> 00:40:09,160
Speaker 2: to them coming into the kitchen, coming into the back.

864
00:40:09,320 --> 00:40:13,160
Speaker 1: Yeah, an car scene, it just wasn't necessary.

865
00:40:13,200 --> 00:40:14,919
Speaker 3: So yeah, but they could have had one car scene

866
00:40:14,960 --> 00:40:17,560
Speaker 3: where she where She says, I can't at the altar,

867
00:40:17,640 --> 00:40:19,800
Speaker 3: and he goes, what and pulls her off to the side,

868
00:40:19,800 --> 00:40:21,640
Speaker 3: and she goes, I don't know, Corey, I love you,

869
00:40:21,719 --> 00:40:23,799
Speaker 3: but this doesn't feel right and I don't know, and

870
00:40:23,840 --> 00:40:25,799
Speaker 3: he goes, I love you, I'm with you.

871
00:40:26,080 --> 00:40:27,920
Speaker 5: Let's get out of here. Let's let's get out of

872
00:40:27,960 --> 00:40:28,520
Speaker 5: here together.

873
00:40:29,239 --> 00:40:31,120
Speaker 3: Then they're in the car and they talk it out

874
00:40:31,200 --> 00:40:33,920
Speaker 3: and she realizes I stood up there and I looked around,

875
00:40:34,000 --> 00:40:36,040
Speaker 3: and I realized, I want to see your mom, and

876
00:40:36,080 --> 00:40:38,080
Speaker 3: I want a cake, and I don't want to wear

877
00:40:38,120 --> 00:40:40,520
Speaker 3: pedal pushers. I want to wear a dress like then

878
00:40:40,719 --> 00:40:41,799
Speaker 3: And he can be like.

879
00:40:41,760 --> 00:40:42,239
Speaker 5: You're right.

880
00:40:43,000 --> 00:40:45,200
Speaker 3: As much as I'd love to stick it to my parents,

881
00:40:45,880 --> 00:40:48,719
Speaker 3: we should have a celebration and not a secret. So there,

882
00:40:50,040 --> 00:40:51,560
Speaker 3: but I don't know there they.

883
00:40:51,600 --> 00:40:54,239
Speaker 2: Joke the joke of being like going back to the

884
00:40:54,680 --> 00:40:57,200
Speaker 2: older couple and being like, Hi, is it half priced?

885
00:40:57,200 --> 00:41:01,440
Speaker 1: If only one of us says I do like that.

886
00:41:01,680 --> 00:41:05,800
Speaker 5: We get done half far money back married, it would.

887
00:41:05,560 --> 00:41:06,360
Speaker 1: Have been so great.

888
00:41:06,440 --> 00:41:09,200
Speaker 6: But or lean into the the joke that they seem

889
00:41:09,239 --> 00:41:10,880
Speaker 6: to have be implying, which is that Corey got a

890
00:41:10,880 --> 00:41:13,719
Speaker 6: hotel room. He's ready to have it, and then that's

891
00:41:13,760 --> 00:41:16,760
Speaker 6: not happening, and that's what he's really upset about at first,

892
00:41:16,800 --> 00:41:18,640
Speaker 6: and then he's got to realize like, yeah, that's actually

893
00:41:18,640 --> 00:41:21,160
Speaker 6: what I'm of course, you know, I think about it.

894
00:41:21,200 --> 00:41:22,759
Speaker 6: I'm not like this makes sense.

895
00:41:23,360 --> 00:41:26,360
Speaker 3: Yeah, And then we're in the boys apartment. Rachel is

896
00:41:26,400 --> 00:41:29,760
Speaker 3: in the kitchen wearing another short robe and making breakfast

897
00:41:30,040 --> 00:41:32,319
Speaker 3: when Eric and Jack walk out of their rooms in

898
00:41:32,480 --> 00:41:34,440
Speaker 3: just a shirt, and Boxer is looking like they just

899
00:41:34,480 --> 00:41:34,880
Speaker 3: woke up.

900
00:41:35,160 --> 00:41:35,600
Speaker 5: Look at her.

901
00:41:35,840 --> 00:41:39,200
Speaker 6: Eric was at the Matthew's house in the middle of

902
00:41:39,239 --> 00:41:41,520
Speaker 6: the night, so we came home, came home.

903
00:41:41,560 --> 00:41:44,319
Speaker 5: But also, are all of their rooms in.

904
00:41:44,200 --> 00:41:46,000
Speaker 2: That same Yeah, they're all in that. I thought the

905
00:41:46,000 --> 00:41:48,040
Speaker 2: same thing, that all the rooms are back there, because

906
00:41:48,040 --> 00:41:52,160
Speaker 2: the left one comes down, there is no section, there's

907
00:41:52,160 --> 00:41:54,000
Speaker 2: no room. There's just a wall there. So yeah, all

908
00:41:54,000 --> 00:41:55,600
Speaker 2: three of them are up there. So it's a big

909
00:41:55,719 --> 00:41:57,600
Speaker 2: as apartment right on the water that they're paying.

910
00:41:57,680 --> 00:42:01,640
Speaker 3: Yeah, okay, they look at her, they realize their condition

911
00:42:01,680 --> 00:42:03,920
Speaker 3: and quickly sprint back to their rooms, and then they

912
00:42:04,040 --> 00:42:05,759
Speaker 3: immediately return with.

913
00:42:05,800 --> 00:42:09,240
Speaker 5: Button down shirts and sweaters draped over their shoulders.

914
00:42:09,239 --> 00:42:13,319
Speaker 3: Fully groomed. Eric suavely throws out, hey, Rachel, what's up?

915
00:42:13,520 --> 00:42:17,440
Speaker 3: Jack adds, how you doing? Smells good? Rachel cheerfully reveals

916
00:42:17,440 --> 00:42:19,759
Speaker 3: she's making French toast, but she's not gonna do it

917
00:42:19,800 --> 00:42:22,719
Speaker 3: every day, so don't get spoiled. They let out little

918
00:42:22,760 --> 00:42:25,399
Speaker 3: giggles before Eric pulls Jack to the side. Jack Jack,

919
00:42:25,440 --> 00:42:28,000
Speaker 3: Jackie Jack, Live a healthy life, eat all your vegetables,

920
00:42:28,040 --> 00:42:30,480
Speaker 3: honor your father and mother, and Heaven will reward you

921
00:42:30,560 --> 00:42:33,080
Speaker 3: with a hot hot, hotty hot, hot, hotty hot for

922
00:42:33,160 --> 00:42:33,720
Speaker 3: a roommate.

923
00:42:34,239 --> 00:42:35,759
Speaker 5: Do you remember what was in the script and what

924
00:42:35,840 --> 00:42:38,040
Speaker 5: used like? Did you just make that entirely up?

925
00:42:38,520 --> 00:42:40,880
Speaker 2: No idea, It could have been exactly how it was written.

926
00:42:40,920 --> 00:42:43,440
Speaker 2: I honestly don't remember. I do remember in this scene

927
00:42:43,480 --> 00:42:46,280
Speaker 2: and the next scene what I saw a couple boom mics,

928
00:42:46,719 --> 00:42:49,200
Speaker 2: oh pop, and I think they're probably not used to

929
00:42:49,200 --> 00:42:56,160
Speaker 2: having somebody Maitland size keeping it just to Maitland because

930
00:42:56,160 --> 00:42:57,600
Speaker 2: they cut to a three shot and it's like oh

931
00:42:57,600 --> 00:42:59,719
Speaker 2: boom mic and then pop pop out a frame.

932
00:43:00,200 --> 00:43:03,200
Speaker 6: Okay, So this is when I started to like pause

933
00:43:03,520 --> 00:43:06,640
Speaker 6: and take notes because I really really did not understand

934
00:43:06,640 --> 00:43:09,120
Speaker 6: what the story is here, right, what's going on? Yeah?

935
00:43:09,200 --> 00:43:15,080
Speaker 4: Yeah, why can't Eric and Jack be with Rachel?

936
00:43:15,200 --> 00:43:18,520
Speaker 1: Like I don't that I can't answer because.

937
00:43:21,320 --> 00:43:25,359
Speaker 6: It I mean, like where the episode ended up, which

938
00:43:25,400 --> 00:43:27,960
Speaker 6: is her saying I want to just be friends and

939
00:43:28,000 --> 00:43:30,480
Speaker 6: this makes me so happy that I'm that's where it

940
00:43:30,520 --> 00:43:33,400
Speaker 6: needs to start. I don't understand what the conflict is.

941
00:43:33,560 --> 00:43:36,440
Speaker 6: I know is the conflict between Eric and Jack competing

942
00:43:36,440 --> 00:43:39,960
Speaker 6: for her kind has started, hasn't really started. It kind

943
00:43:40,000 --> 00:43:41,400
Speaker 6: of gets in the there somewhere in the middle of

944
00:43:41,440 --> 00:43:43,840
Speaker 6: this episode. But I'm also like, what is the prohibition

945
00:43:44,080 --> 00:43:45,239
Speaker 6: against dating her?

946
00:43:45,600 --> 00:43:45,719
Speaker 2: Like?

947
00:43:45,800 --> 00:43:49,480
Speaker 6: Why has she said I only am moving in as

948
00:43:49,520 --> 00:43:51,720
Speaker 6: long as like if she had said, I can you

949
00:43:51,760 --> 00:43:53,960
Speaker 6: like Cauz Three's company. The whole thing is that he

950
00:43:54,040 --> 00:43:56,479
Speaker 6: has to pretend to be gay, right, So like that's

951
00:43:56,520 --> 00:43:58,799
Speaker 6: why they can't actually sleep together, and that's why they

952
00:43:58,840 --> 00:43:59,960
Speaker 6: all have to live? Where's this?

953
00:44:00,200 --> 00:44:02,400
Speaker 4: Like the high drinks are happening for no reasons.

954
00:44:02,600 --> 00:44:04,319
Speaker 5: It just that she's vulnerable.

955
00:44:04,560 --> 00:44:07,080
Speaker 3: She's in a vulnerable position because you think they care

956
00:44:07,120 --> 00:44:12,800
Speaker 3: broken up with her, right, there's nothing wrong with with

957
00:44:12,800 --> 00:44:14,040
Speaker 3: with Eric or Jack.

958
00:44:13,880 --> 00:44:16,920
Speaker 6: Saying I want to get you. I like you can

959
00:44:16,960 --> 00:44:19,239
Speaker 6: you You're going to Like, there's no why are they

960
00:44:19,480 --> 00:44:22,680
Speaker 6: whispering to each other? Why are they like what's happening?

961
00:44:22,800 --> 00:44:25,360
Speaker 2: They should have set it up to where they both

962
00:44:25,400 --> 00:44:28,960
Speaker 2: started going after her, and then they realized their friendship

963
00:44:29,080 --> 00:44:31,719
Speaker 2: was too strong and they don't want to break up

964
00:44:31,760 --> 00:44:33,960
Speaker 2: their friendship, so they both agree. And then so when

965
00:44:34,040 --> 00:44:36,239
Speaker 2: Jack does go behind his back to start dating her later,

966
00:44:37,160 --> 00:44:37,880
Speaker 2: it's a violation.

967
00:44:38,000 --> 00:44:42,040
Speaker 6: Yeah, exactly. There's no set there's no prohibition set up

968
00:44:42,080 --> 00:44:45,040
Speaker 6: that is broken by this episode or the storyline. So

969
00:44:45,080 --> 00:44:47,239
Speaker 6: I kept going back like what is the problem here,

970
00:44:47,480 --> 00:44:49,600
Speaker 6: Like why is there any of this conflict and it's

971
00:44:49,640 --> 00:44:52,799
Speaker 6: it's completely artificial until the end of this episode and.

972
00:44:52,840 --> 00:44:54,959
Speaker 4: I was like, oh, there it is. They establish it now.

973
00:44:55,520 --> 00:44:58,320
Speaker 6: But through the I just did not understand these first

974
00:44:58,360 --> 00:45:00,320
Speaker 6: like three scenes. It's like I don't and get it.

975
00:45:00,360 --> 00:45:02,000
Speaker 6: I don't know what I don't neither I don't.

976
00:45:02,040 --> 00:45:04,319
Speaker 1: I'm not sure they did at this point, Like what

977
00:45:04,400 --> 00:45:05,279
Speaker 1: it was actually going to.

978
00:45:05,480 --> 00:45:07,319
Speaker 5: Try to set that up at the end of the

979
00:45:07,400 --> 00:45:08,520
Speaker 5: last episode.

980
00:45:08,960 --> 00:45:11,480
Speaker 3: Didn't shouldn't the conclusion of the last episode for this

981
00:45:11,600 --> 00:45:15,920
Speaker 3: storyline have been her saying, Oh, man, you know what, honestly,

982
00:45:16,040 --> 00:45:18,200
Speaker 3: I'm just fresh out of a relationship. I want to

983
00:45:18,200 --> 00:45:21,120
Speaker 3: focus on myself. I really appreciate you guys rescuing me.

984
00:45:21,840 --> 00:45:25,000
Speaker 3: We're gonna be like girlfriends, We're gonna be she did

985
00:45:25,120 --> 00:45:28,640
Speaker 3: that was all set up, and then they were like, oh,

986
00:45:29,000 --> 00:45:32,160
Speaker 3: you know what, girlfriends see each other naked. But then

987
00:45:32,480 --> 00:45:34,520
Speaker 3: why is she acting like this is the first time

988
00:45:34,719 --> 00:45:37,279
Speaker 3: she brings it up. It's all It's just it's fair.

989
00:45:37,600 --> 00:45:40,319
Speaker 2: She also says that oh, that's I could easily fall

990
00:45:40,360 --> 00:45:42,200
Speaker 2: for either one of you, like I kind of wanted

991
00:45:42,239 --> 00:45:43,120
Speaker 2: to date you one or.

992
00:45:43,480 --> 00:45:44,640
Speaker 6: Says their sexual tension.

993
00:45:45,000 --> 00:45:47,960
Speaker 2: Yeah, it's like so it's it doesn't. None of it

994
00:45:48,080 --> 00:45:51,200
Speaker 2: tracks to anything. Frankly, that's the thing that's so weird.

995
00:45:51,239 --> 00:45:54,000
Speaker 2: And it's not about the friendship with Eric and Jack.

996
00:45:54,080 --> 00:45:56,279
Speaker 2: It's not about a possible question.

997
00:45:56,520 --> 00:46:00,440
Speaker 6: This is a generational thing in that like because I

998
00:46:00,480 --> 00:46:04,319
Speaker 6: guess in the seventies for sure, and maybe into the

999
00:46:04,320 --> 00:46:08,000
Speaker 6: eighties and the early nineties, was having a roommate that

1000
00:46:08,080 --> 00:46:10,239
Speaker 6: was of the opposite gender just a really big deal,

1001
00:46:11,040 --> 00:46:12,600
Speaker 6: like in a way that we think of it like yeah,

1002
00:46:12,680 --> 00:46:15,200
Speaker 6: may ye, yeah, because I think of like kids in

1003
00:46:15,239 --> 00:46:17,800
Speaker 6: college and you know, or even like late high like

1004
00:46:17,880 --> 00:46:19,880
Speaker 6: high school, like living together and it was like not

1005
00:46:19,960 --> 00:46:20,600
Speaker 6: a big deal.

1006
00:46:21,000 --> 00:46:24,200
Speaker 4: But I wonder if for previous generation, the very idea of.

1007
00:46:24,120 --> 00:46:26,479
Speaker 6: Like two guys and a girl, well.

1008
00:46:26,400 --> 00:46:30,080
Speaker 3: It's living in a parent tipenga couldn't live together in

1009
00:46:30,120 --> 00:46:33,120
Speaker 3: the dorms unless they were married. The implication, I think

1010
00:46:33,160 --> 00:46:36,000
Speaker 3: from no matter where you were in the seventies, if

1011
00:46:36,080 --> 00:46:39,239
Speaker 3: males and females were under the same roof, someone was

1012
00:46:39,280 --> 00:46:40,319
Speaker 3: going to be having sex.

1013
00:46:40,400 --> 00:46:42,600
Speaker 1: They were having sex. Yeah, you can't just be two people.

1014
00:46:42,640 --> 00:46:44,000
Speaker 6: And I think that went all the way through the eighties.

1015
00:46:44,080 --> 00:46:46,560
Speaker 6: I think that's what that's what's informing this in a

1016
00:46:46,560 --> 00:46:48,880
Speaker 6: way that doesn't make sense to us, like because to me,

1017
00:46:48,920 --> 00:46:51,359
Speaker 6: it's like she moves in, Okay, now you either hit

1018
00:46:51,400 --> 00:46:53,799
Speaker 6: on her or don't. Who cares? Like literally, there's no

1019
00:46:53,920 --> 00:46:57,000
Speaker 6: problems here, yes, And yet it's acting, the whole storyline

1020
00:46:57,040 --> 00:47:00,880
Speaker 6: is acting as if it's something weird. Is already happening,

1021
00:47:00,920 --> 00:47:02,520
Speaker 6: and it's like, what's that. What's the weird part?

1022
00:47:02,640 --> 00:47:05,080
Speaker 2: If you ever watched melrose Place, one of the I

1023
00:47:05,080 --> 00:47:07,799
Speaker 2: think in the pilot of melrose Place, it's Billy and

1024
00:47:07,840 --> 00:47:10,360
Speaker 2: Alison live together as roommates and have to learn to

1025
00:47:10,400 --> 00:47:12,800
Speaker 2: live like she's like, don't forget you always got to

1026
00:47:12,840 --> 00:47:14,280
Speaker 2: put the toilet seat down.

1027
00:47:14,360 --> 00:47:15,400
Speaker 1: It's like that kind of stuff.

1028
00:47:15,800 --> 00:47:18,719
Speaker 2: And then they start dating down the line and it's like,

1029
00:47:18,800 --> 00:47:21,239
Speaker 2: see you do throw them in together. They're gonna So

1030
00:47:21,280 --> 00:47:25,160
Speaker 2: maybe you're right, Maybe it's a thing in this generation. Yeah,

1031
00:47:25,239 --> 00:47:27,880
Speaker 2: like men and women live together, that means sex.

1032
00:47:27,960 --> 00:47:30,000
Speaker 6: Right, It's just it's just it is a story. It's

1033
00:47:30,040 --> 00:47:32,960
Speaker 6: just an interesting story. It's it's it's something that's happening

1034
00:47:33,000 --> 00:47:35,040
Speaker 6: that's unusual. Whereas like I look at this and I'm

1035
00:47:35,040 --> 00:47:38,239
Speaker 6: like three friends living together an apartment, Like if somebody

1036
00:47:38,280 --> 00:47:40,759
Speaker 6: wants to sleep with somebody, try it or not, you know,

1037
00:47:40,840 --> 00:47:42,920
Speaker 6: like I don't care, Like there's not a it's not

1038
00:47:43,040 --> 00:47:46,799
Speaker 6: a situation for a situational comedy, whereas maybe it was.

1039
00:47:47,080 --> 00:47:49,759
Speaker 2: You know, but on Friends, they didn't even have male

1040
00:47:49,840 --> 00:47:53,640
Speaker 2: and females living together until the girl got engaged. Yeah,

1041
00:47:53,680 --> 00:47:57,719
Speaker 2: the girls, So maybe it was maybe it was.

1042
00:47:57,880 --> 00:47:59,880
Speaker 6: I think I think in real life it probably was

1043
00:48:00,040 --> 00:48:03,239
Speaker 6: already happening. But you know how TV like like ten

1044
00:48:03,320 --> 00:48:06,400
Speaker 6: years behind the separate beds and Lucian.

1045
00:48:06,760 --> 00:48:09,360
Speaker 1: You know, maybe that's what maybe maybe that's what it is.

1046
00:48:09,400 --> 00:48:11,919
Speaker 2: It's just it implies there has to be some sort

1047
00:48:11,960 --> 00:48:13,760
Speaker 2: of sex happening, right, Yeah, there's.

1048
00:48:13,600 --> 00:48:15,640
Speaker 6: Some hanky panky going out initial apartment.

1049
00:48:15,960 --> 00:48:17,719
Speaker 2: Yeah, and it's all but it all just gets like

1050
00:48:17,800 --> 00:48:19,239
Speaker 2: I have to take a bath, and we're all like

1051
00:48:20,400 --> 00:48:21,840
Speaker 2: she's gonna bag.

1052
00:48:22,280 --> 00:48:23,880
Speaker 6: I'm not like, I just don't know.

1053
00:48:24,800 --> 00:48:25,640
Speaker 5: People cringey.

1054
00:48:26,680 --> 00:48:27,560
Speaker 1: It is, it really is.

1055
00:48:27,680 --> 00:48:30,760
Speaker 3: Yeah, So Rachel gets serious. She needs to tell them something.

1056
00:48:30,960 --> 00:48:34,040
Speaker 3: Eric desperately begs, don't leave, We'll do anything. She says,

1057
00:48:34,040 --> 00:48:36,080
Speaker 3: when she met them, she was in really bad shape.

1058
00:48:36,200 --> 00:48:38,279
Speaker 3: Then the two of them took her in and rescued her.

1059
00:48:38,560 --> 00:48:41,839
Speaker 3: She's so grateful and she calls them her heroes. Then

1060
00:48:42,000 --> 00:48:44,480
Speaker 3: she kisses them on the cheek, but Eric gets greedy

1061
00:48:44,520 --> 00:48:46,640
Speaker 3: and kisses her right back. Then Jack pulls her in

1062
00:48:46,680 --> 00:48:49,280
Speaker 3: for a hug and Eric pulls her in for another embrace.

1063
00:48:49,840 --> 00:48:50,080
Speaker 2: It is.

1064
00:48:53,320 --> 00:48:54,240
Speaker 5: The exchange.

1065
00:48:54,719 --> 00:48:57,960
Speaker 6: Yeah, it really is super creepy getting in those kisses

1066
00:48:57,960 --> 00:49:00,720
Speaker 6: and touches that you can just so funny.

1067
00:49:02,000 --> 00:49:04,440
Speaker 3: And then one more thing, Rachel says, I promise I'm

1068
00:49:04,480 --> 00:49:06,360
Speaker 3: not going to be a bathroom hog, but I really

1069
00:49:06,400 --> 00:49:08,399
Speaker 3: do like to start the morning with a bubble bath

1070
00:49:08,680 --> 00:49:11,600
Speaker 3: with all the aroma therapy beads and all the bubbles.

1071
00:49:13,080 --> 00:49:15,240
Speaker 5: I didn't know aroma therapy beads were so sexy.

1072
00:49:16,239 --> 00:49:17,839
Speaker 2: Well, it's just you know, I don't know if you're

1073
00:49:17,880 --> 00:49:19,440
Speaker 2: aware of this, Danielle, but to take.

1074
00:49:19,280 --> 00:49:21,640
Speaker 1: A bath, you can make it.

1075
00:49:22,560 --> 00:49:25,360
Speaker 3: I wear a bathing suit, so it's Also isn't bathing

1076
00:49:25,480 --> 00:49:27,200
Speaker 3: every morning a bit extravagant?

1077
00:49:27,280 --> 00:49:29,480
Speaker 1: Isn't that like an hour long in the bathroom? I

1078
00:49:29,480 --> 00:49:31,919
Speaker 1: mean it's like this. This is for me who lives

1079
00:49:31,960 --> 00:49:32,879
Speaker 1: in the shower, Like.

1080
00:49:32,960 --> 00:49:34,800
Speaker 5: Really seems like you're gonna put yourself to sleep.

1081
00:49:34,840 --> 00:49:37,600
Speaker 3: I like to wake up and then sit in a

1082
00:49:37,719 --> 00:49:41,080
Speaker 3: hot tub of water for an hour with my ex clothes.

1083
00:49:41,719 --> 00:49:45,480
Speaker 1: Ready for my day. God, you're so strange.

1084
00:49:46,000 --> 00:49:48,440
Speaker 5: Jack immediately answers, also, isn't night sexier?

1085
00:49:48,440 --> 00:49:50,560
Speaker 3: Wouldn't it be sexy to be like every night I

1086
00:49:50,680 --> 00:49:54,000
Speaker 3: like to light some candles, put a bubble bath on.

1087
00:49:54,080 --> 00:49:56,960
Speaker 5: It's so weird that it's the morning anyway, Okay, uh.

1088
00:49:57,040 --> 00:50:00,400
Speaker 3: Jack immediately answers yeah, and Eric adds, I and you

1089
00:50:00,440 --> 00:50:04,040
Speaker 3: take bubble baths. Rachel wants to know why, and Eric

1090
00:50:04,080 --> 00:50:06,960
Speaker 3: throws that question over to and expecting Jack. He stutters,

1091
00:50:07,360 --> 00:50:11,080
Speaker 3: I if you didn't take bubble baths, that means you're not.

1092
00:50:11,640 --> 00:50:15,480
Speaker 6: I can't like you. I want to see you naked.

1093
00:50:15,840 --> 00:50:16,759
Speaker 6: What is the problem?

1094
00:50:17,960 --> 00:50:20,479
Speaker 4: Why do we have to pretend there's no no, there's

1095
00:50:20,480 --> 00:50:20,920
Speaker 4: no conflident.

1096
00:50:20,960 --> 00:50:23,440
Speaker 1: You're there's no conflict, no reason. Did not.

1097
00:50:28,800 --> 00:50:29,200
Speaker 6: Please?

1098
00:50:31,239 --> 00:50:34,279
Speaker 5: She's so aside with that answer, she leaves for the bath.

1099
00:50:34,360 --> 00:50:36,960
Speaker 3: You know what, I am this close to being happy

1100
00:50:37,000 --> 00:50:38,520
Speaker 3: that my boyfriend actually left me.

1101
00:50:38,960 --> 00:50:40,360
Speaker 5: The boys respond in unison.

1102
00:50:40,600 --> 00:50:41,000
Speaker 3: No.

1103
00:50:42,200 --> 00:50:43,480
Speaker 5: They longingly watched her.

1104
00:50:43,480 --> 00:50:46,920
Speaker 3: Leave in silence, until Jack realizes that girl is taking

1105
00:50:46,960 --> 00:50:49,560
Speaker 3: a bubble bath in the bathtub of our bathroom.

1106
00:50:50,120 --> 00:50:51,359
Speaker 5: We're geniuses.

1107
00:50:52,080 --> 00:50:54,319
Speaker 3: Eric dramatically says, dude, I don't know if this is

1108
00:50:54,360 --> 00:50:58,120
Speaker 3: the right time to say I love you, man. Jack's

1109
00:50:58,160 --> 00:51:01,960
Speaker 3: equally dramatic, Dude, don't even man, I'm the one that

1110
00:51:02,080 --> 00:51:05,960
Speaker 3: loves you. They both shout dude and give each other

1111
00:51:06,040 --> 00:51:09,840
Speaker 3: a big bear hug. Then yells she yells out, I

1112
00:51:09,880 --> 00:51:11,839
Speaker 3: can't figure out how to work the stopper.

1113
00:51:11,520 --> 00:51:12,200
Speaker 5: In the bathtub.

1114
00:51:12,239 --> 00:51:14,800
Speaker 3: Could one of you please come show me? The guys

1115
00:51:14,880 --> 00:51:22,760
Speaker 3: instantly pull apart in it. They start trying to stop

1116
00:51:22,760 --> 00:51:24,120
Speaker 3: each other from going to alber.

1117
00:51:24,360 --> 00:51:25,879
Speaker 5: They throw each other onto the cow.

1118
00:51:27,760 --> 00:51:31,359
Speaker 2: Remember I remember Matt like me just grabbing his leg

1119
00:51:31,400 --> 00:51:32,960
Speaker 2: and Matt having no idea was going to do that,

1120
00:51:32,960 --> 00:51:34,319
Speaker 2: So he's trying to get out, and then he's looking

1121
00:51:34,320 --> 00:51:34,680
Speaker 2: back at me.

1122
00:51:34,760 --> 00:51:36,560
Speaker 6: Like, what the hell are you doing? Yeah?

1123
00:51:36,600 --> 00:51:38,400
Speaker 1: I think that we were just having.

1124
00:51:38,200 --> 00:51:41,920
Speaker 5: Fun, Yes, having a good time. We're in the Matthew's backyard.

1125
00:51:41,920 --> 00:51:44,080
Speaker 3: Corey and Tapega are returning, but to Pega stops in

1126
00:51:44,120 --> 00:51:46,960
Speaker 3: her tracks. She's scared. She doesn't want Corey's parents to

1127
00:51:46,960 --> 00:51:51,120
Speaker 3: be mad at her, which why why are they going

1128
00:51:51,200 --> 00:51:52,960
Speaker 3: to be mad at you if you walk in and

1129
00:51:52,960 --> 00:51:54,200
Speaker 3: tell him you didn't get married?

1130
00:51:56,520 --> 00:51:59,440
Speaker 4: Yeah, you know, think they'd be we're just tying up

1131
00:51:59,480 --> 00:51:59,920
Speaker 4: the reveal.

1132
00:52:00,160 --> 00:52:04,120
Speaker 3: Yeah, okay, Corey tells the truth. Well, they are going

1133
00:52:04,160 --> 00:52:06,080
Speaker 3: to be mad. In fact, they're going to be furious

1134
00:52:06,280 --> 00:52:08,239
Speaker 3: despite their worry. They walk into the house and they're

1135
00:52:08,239 --> 00:52:09,640
Speaker 3: met with an unexpected surprise.

1136
00:52:10,200 --> 00:52:11,200
Speaker 6: They made a sign.

1137
00:52:11,880 --> 00:52:19,280
Speaker 3: There's a banner reading congratulations left Angela.

1138
00:52:21,520 --> 00:52:24,000
Speaker 1: The time Ella is happening, he went and.

1139
00:52:23,920 --> 00:52:26,080
Speaker 6: Had breakfasts with the French toast and then.

1140
00:52:26,000 --> 00:52:28,040
Speaker 5: Came and then he came back for this party.

1141
00:52:28,480 --> 00:52:28,760
Speaker 4: Changed.

1142
00:52:29,560 --> 00:52:30,840
Speaker 5: Everyone pops out.

1143
00:52:30,680 --> 00:52:32,799
Speaker 4: Surprise, doesn't come, hold on, is Jack here?

1144
00:52:32,840 --> 00:52:33,160
Speaker 6: He's not?

1145
00:52:33,480 --> 00:52:34,839
Speaker 5: No, he barely knows.

1146
00:52:35,360 --> 00:52:40,040
Speaker 6: Don't that's right, I really know her.

1147
00:52:41,480 --> 00:52:42,960
Speaker 5: Everyone pops out surprise.

1148
00:52:43,160 --> 00:52:46,239
Speaker 3: The Matthews Clan Foene, Sean and Trina, why did I

1149
00:52:46,239 --> 00:52:48,840
Speaker 3: write Phoene Phoene Sean and Angela all.

1150
00:52:48,719 --> 00:52:50,600
Speaker 5: Applaud, taking turns hugging the couple.

1151
00:52:51,120 --> 00:52:54,480
Speaker 3: Eric approaches his brother and enthusiastically suggests, you really got

1152
00:52:54,520 --> 00:52:55,759
Speaker 3: to try these cheeseballs.

1153
00:52:55,800 --> 00:52:58,399
Speaker 5: Man to Pega is worried. What is going on?

1154
00:52:58,600 --> 00:53:03,040
Speaker 2: That's the weirdest moment I know. I rewound it like

1155
00:53:03,120 --> 00:53:04,959
Speaker 2: I couldn't wait see the joker right.

1156
00:53:05,600 --> 00:53:08,200
Speaker 6: Well, the joke is, there's two, there's sets, there's a

1157
00:53:08,239 --> 00:53:11,640
Speaker 6: setup for it. It's Morgan says, I've always wanted to

1158
00:53:11,640 --> 00:53:15,680
Speaker 6: have a sister. Now I do. Then I think, uh,

1159
00:53:15,719 --> 00:53:19,560
Speaker 6: Alan says something right, yeah to Corey, and then so

1160
00:53:19,600 --> 00:53:22,520
Speaker 6: the joke is like it's a three. It's just weird.

1161
00:53:22,719 --> 00:53:25,040
Speaker 3: It was like what a bizarre Like, well, no, I

1162
00:53:25,080 --> 00:53:26,960
Speaker 3: don't think any of that happened yet. The first the

1163
00:53:27,000 --> 00:53:30,440
Speaker 3: first one is he says, you got to try these cheeseballs.

1164
00:53:30,480 --> 00:53:34,200
Speaker 6: No, that's the payoff, that's the punchline to everybody's saying

1165
00:53:34,480 --> 00:53:37,759
Speaker 6: emotional important things. And then Eric Turnant comes in with

1166
00:53:37,800 --> 00:53:41,760
Speaker 6: something so ridiculous You're waiting for him to say, Corey,

1167
00:53:41,800 --> 00:53:44,160
Speaker 6: I've always you know, loved to Pang, I'm so happy,

1168
00:53:44,200 --> 00:53:46,520
Speaker 6: and instead it's like, you gotta try these cheese.

1169
00:53:46,200 --> 00:53:53,000
Speaker 3: Balls to Panga is worried what is going on? Corey

1170
00:53:53,040 --> 00:53:56,239
Speaker 3: whispers to her, they think we're married. Sean approaches, you

1171
00:53:56,280 --> 00:53:59,000
Speaker 3: guys look exactly the same. He tells Corey you were

1172
00:53:59,000 --> 00:54:01,560
Speaker 3: always married. Doesn't take a piece of paper to change

1173
00:54:01,600 --> 00:54:04,239
Speaker 3: what always was. Corey admits there's something he needs to

1174
00:54:04,280 --> 00:54:07,319
Speaker 3: tell him, and Sean's grin widens, ooh, and I want

1175
00:54:07,320 --> 00:54:09,160
Speaker 3: to hear all about it, and not in front of

1176
00:54:09,160 --> 00:54:12,759
Speaker 3: your parents. Alan clinks his orange juice. I just want

1177
00:54:12,760 --> 00:54:15,240
Speaker 3: to say that I am the luckiest man in the world.

1178
00:54:15,440 --> 00:54:18,600
Speaker 3: I have one beautiful wife, a lovely daughter, and one

1179
00:54:19,160 --> 00:54:23,800
Speaker 3: wonderful son. There's the proof, proof of the been asking

1180
00:54:23,920 --> 00:54:24,640
Speaker 3: for you.

1181
00:54:25,280 --> 00:54:26,960
Speaker 1: I knew it. He has two kids.

1182
00:54:27,280 --> 00:54:28,399
Speaker 5: Eric screams hey.

1183
00:54:28,880 --> 00:54:31,520
Speaker 3: Alan sends back a casual hey, and then he continues

1184
00:54:31,560 --> 00:54:35,880
Speaker 3: his toast, and now I have yet another lovely daughter,

1185
00:54:35,960 --> 00:54:38,400
Speaker 3: and he kisses Tapanga on the cheek. Corey whispers that

1186
00:54:38,400 --> 00:54:40,160
Speaker 3: they should probably reveal the truth, but.

1187
00:54:40,120 --> 00:54:42,239
Speaker 5: Tapega cuts him off. Not now he's talking about me.

1188
00:54:43,200 --> 00:54:45,880
Speaker 3: Alan raises his glass to Corey and to Panga, and

1189
00:54:45,960 --> 00:54:49,160
Speaker 3: everyone cheers the happy couple. Phoene starts a speech and

1190
00:54:49,200 --> 00:54:51,480
Speaker 3: Corey attempts to stop him, but Phoene isn't having it.

1191
00:54:51,640 --> 00:54:56,800
Speaker 3: You've done quite enough tonight, haven't you. The group erupts

1192
00:54:56,800 --> 00:55:01,480
Speaker 3: into laughter, everyone except Corey and Topanga joke right, that is.

1193
00:55:03,320 --> 00:55:07,319
Speaker 6: I you don't want to think about Corey and Topanga stooping, right,

1194
00:55:07,440 --> 00:55:13,280
Speaker 6: Phoenie talking about stooping.

1195
00:55:15,239 --> 00:55:17,040
Speaker 3: I could really get his voice down if I could

1196
00:55:17,040 --> 00:55:18,560
Speaker 3: hear him talk about some stooping.

1197
00:55:18,960 --> 00:55:23,000
Speaker 6: Wow parked his calm and my garden, and there's stooping

1198
00:55:23,600 --> 00:55:25,799
Speaker 6: stooping in the in the backyard.

1199
00:55:26,520 --> 00:55:28,719
Speaker 1: He parked his god.

1200
00:55:30,000 --> 00:55:30,520
Speaker 6: Wilted.

1201
00:55:30,640 --> 00:55:34,799
Speaker 4: Ever since Corey and Topanga, I can't do it.

1202
00:55:41,760 --> 00:55:46,000
Speaker 3: To Panga, Phoene continues, For forty years, I have taught

1203
00:55:46,080 --> 00:55:49,000
Speaker 3: young men and women. I have seen countless love struck children,

1204
00:55:49,000 --> 00:55:51,359
Speaker 3: but I have never seen the love, the loyalty and

1205
00:55:51,400 --> 00:55:54,520
Speaker 3: the funny.

1206
00:55:55,239 --> 00:55:57,520
Speaker 6: Why do they just have like examples of things that

1207
00:55:57,520 --> 00:56:00,960
Speaker 6: they actually do together, like that they are like what

1208
00:56:01,000 --> 00:56:03,359
Speaker 6: if he said, like I've never known a couple who

1209
00:56:03,480 --> 00:56:06,239
Speaker 6: can disagree but still make the right decision in the end,

1210
00:56:06,360 --> 00:56:09,040
Speaker 6: Or like you can argue like you guys, but still

1211
00:56:09,080 --> 00:56:10,880
Speaker 6: manage to love it. You know, like there's ways to

1212
00:56:10,960 --> 00:56:15,799
Speaker 6: describe what we've actually seen. Who's gone through this much infidelity,

1213
00:56:15,840 --> 00:56:23,520
Speaker 6: that has this and you forgive him again and you

1214
00:56:23,800 --> 00:56:28,280
Speaker 6: Cory with women throwing themselves at his feet. I've couple

1215
00:56:28,600 --> 00:56:33,280
Speaker 6: so self aware and willing to pontificate endlessly upon the

1216
00:56:33,320 --> 00:56:39,160
Speaker 6: power of their own love like you so to the

1217
00:56:39,280 --> 00:56:41,799
Speaker 6: universe who needs to support Corey and.

1218
00:56:41,760 --> 00:56:45,480
Speaker 3: To Banga more, he raises his glass to Corey and

1219
00:56:45,520 --> 00:56:47,960
Speaker 3: to Banga. The group celebrates, while the couple is now

1220
00:56:48,040 --> 00:56:52,439
Speaker 3: visibly uncomfortable. Amy begins her toast, I have watched these

1221
00:56:52,480 --> 00:56:55,880
Speaker 3: two grow grow up, boy have I? And here they

1222
00:56:55,920 --> 00:56:58,759
Speaker 3: are now adults, just fresh out of high school. They

1223
00:56:58,760 --> 00:57:01,080
Speaker 3: don't know anything about the world at all. And then

1224
00:57:01,120 --> 00:57:03,640
Speaker 3: she turns to Alan, I'm sorry, I.

1225
00:57:03,600 --> 00:57:04,880
Speaker 5: Can't do this.

1226
00:57:04,880 --> 00:57:07,759
Speaker 3: This was a mistake and I do not support it.

1227
00:57:07,920 --> 00:57:10,759
Speaker 3: She looks at to Panga. Why couldn't you have just

1228
00:57:10,920 --> 00:57:11,840
Speaker 3: gone to Yale?

1229
00:57:12,400 --> 00:57:17,160
Speaker 6: Okay? Now, when you guys were watching this, like, what

1230
00:57:17,160 --> 00:57:19,400
Speaker 6: were you feeling? Like, what was going on in your mind?

1231
00:57:19,440 --> 00:57:23,680
Speaker 6: Like watching Betsy's performance in this scene and very dramatic.

1232
00:57:23,880 --> 00:57:27,480
Speaker 6: Obviously you thought it was dramatic. I was watching this

1233
00:57:27,560 --> 00:57:30,360
Speaker 6: and I was going, Betsy's in her head, what's happening?

1234
00:57:30,440 --> 00:57:33,840
Speaker 6: Why is she holding back? Why is she think? I

1235
00:57:33,920 --> 00:57:36,400
Speaker 6: was like, the way it was written is extremely dramatic,

1236
00:57:36,440 --> 00:57:40,880
Speaker 6: and I was like, she's reserved, she's holding back, and

1237
00:57:40,920 --> 00:57:43,320
Speaker 6: I was like, really kind of weird, and I was like,

1238
00:57:43,360 --> 00:57:46,800
Speaker 6: what is going on? And then in the in the

1239
00:57:46,800 --> 00:57:50,360
Speaker 6: the next scenes, I thought Betsy was amazing and like

1240
00:57:50,480 --> 00:57:52,920
Speaker 6: fully committed. I was like, why did she not commit

1241
00:57:53,240 --> 00:57:56,200
Speaker 6: to the toast? And then I saw the tag and

1242
00:57:56,240 --> 00:57:58,000
Speaker 6: I was like, oh, because all week she had been

1243
00:57:58,480 --> 00:58:01,840
Speaker 6: being made fun of by Will's performance, so she was

1244
00:58:01,880 --> 00:58:04,960
Speaker 6: self conscious of it in a way that she does. Yes,

1245
00:58:05,320 --> 00:58:08,440
Speaker 6: there's no like think about the way that she underplays.

1246
00:58:08,440 --> 00:58:10,280
Speaker 6: Why couldn't you gone to you? Like the way that's

1247
00:58:10,280 --> 00:58:12,920
Speaker 6: written is why couldn't you have gone? Like just oh

1248
00:58:12,920 --> 00:58:15,160
Speaker 6: my gosh, Like she loses it, she can't, she can't

1249
00:58:15,160 --> 00:58:15,960
Speaker 6: control herself.

1250
00:58:16,120 --> 00:58:18,720
Speaker 3: It'd be really interesting to talk to Betsy, because I

1251
00:58:18,800 --> 00:58:22,280
Speaker 3: do remember there being a lot of conversation about this.

1252
00:58:22,640 --> 00:58:26,240
Speaker 3: I don't remember, Yes, there was a lot of discussion

1253
00:58:26,280 --> 00:58:29,400
Speaker 3: about this, and I don't remember if it's that Betsy

1254
00:58:29,520 --> 00:58:31,960
Speaker 3: didn't like it, because I'll tell you that while I'm

1255
00:58:32,000 --> 00:58:37,880
Speaker 3: watching it. The fact that Amy blames to Penga for

1256
00:58:38,080 --> 00:58:44,800
Speaker 3: this entire thing is so weird. And I also know,

1257
00:58:45,120 --> 00:58:48,360
Speaker 3: you know, Betsy and I barely got to work together,

1258
00:58:49,000 --> 00:58:51,920
Speaker 3: and then they put us in a scene where we

1259
00:58:51,960 --> 00:58:57,440
Speaker 3: actually have There's an episode kind of about the very real,

1260
00:58:59,080 --> 00:59:01,000
Speaker 3: interesting reliefationship between.

1261
00:59:00,720 --> 00:59:02,640
Speaker 5: A daughter in law and a mother in law.

1262
00:59:02,720 --> 00:59:06,480
Speaker 3: That is a real thing, the relationship between you know,

1263
00:59:07,040 --> 00:59:09,960
Speaker 3: a time where your son maybe always called you when

1264
00:59:09,960 --> 00:59:11,840
Speaker 3: he was getting on a plane and called you when

1265
00:59:11,840 --> 00:59:13,080
Speaker 3: he landed, Hey, I landed.

1266
00:59:13,160 --> 00:59:14,439
Speaker 5: Just want you to know I'm safe now.

1267
00:59:14,680 --> 00:59:16,520
Speaker 3: Now he's got a significant other in his life, and

1268
00:59:16,560 --> 00:59:18,880
Speaker 3: that's the person who gets those updates about his life.

1269
00:59:18,880 --> 00:59:21,440
Speaker 3: That's the person who knows when he's sick when and

1270
00:59:21,520 --> 00:59:24,360
Speaker 3: like that feeling like I don't know what my place

1271
00:59:24,440 --> 00:59:28,200
Speaker 3: is anymore. That's very real, and I think I think

1272
00:59:28,240 --> 00:59:31,040
Speaker 3: there was a lot of discussion about it, and I

1273
00:59:31,080 --> 00:59:35,800
Speaker 3: think Betsy had very strong opinions, and I don't remember

1274
00:59:35,840 --> 00:59:37,200
Speaker 3: what they were, but.

1275
00:59:37,640 --> 00:59:40,200
Speaker 6: There's something happening in this performance, because I was watching

1276
00:59:40,240 --> 00:59:42,480
Speaker 6: this and going this is there's awe, And then when

1277
00:59:42,480 --> 00:59:44,440
Speaker 6: I saw Will at the end, I was like, Oh,

1278
00:59:44,480 --> 00:59:47,680
Speaker 6: it's just simple that she has seen her performance mirrored

1279
00:59:47,880 --> 00:59:51,760
Speaker 6: by Will's impression or Will's mocking it, and so she's

1280
00:59:52,480 --> 00:59:55,840
Speaker 6: counter like counteracting it in some way like she's so

1281
00:59:56,040 --> 00:59:58,560
Speaker 6: conscious or she's you know, because like what I would

1282
00:59:58,560 --> 01:00:00,400
Speaker 6: have actually done if I was directing, was I would

1283
01:00:00,440 --> 01:00:03,400
Speaker 6: never let her see Will's impression until we were shooting,

1284
01:00:03,440 --> 01:00:05,240
Speaker 6: you know what I mean. But the fact that you

1285
01:00:05,240 --> 01:00:07,240
Speaker 6: can't do that with a run through and everything, So

1286
01:00:07,400 --> 01:00:09,920
Speaker 6: I'm sure that she just had spent all week seeing

1287
01:00:09,960 --> 01:00:13,760
Speaker 6: Will do his mocking version of it, which just means

1288
01:00:13,760 --> 01:00:15,720
Speaker 6: that you're getting like it reflected back to you, which

1289
01:00:15,720 --> 01:00:17,560
Speaker 6: means you're self conscious. So I just thought that it

1290
01:00:17,600 --> 01:00:19,680
Speaker 6: was sort of like she was holding backward or actually,

1291
01:00:19,680 --> 01:00:22,080
Speaker 6: what I thought was happening was that she was underplaying

1292
01:00:22,160 --> 01:00:25,200
Speaker 6: it and downplaying it, which was kind of effective because

1293
01:00:25,200 --> 01:00:29,680
Speaker 6: I actually, yeah, she confronted to Panga like if she

1294
01:00:29,760 --> 01:00:31,800
Speaker 6: was actually why couldn't you the way that you did

1295
01:00:32,240 --> 01:00:34,480
Speaker 6: in your mocking scene, it would have been like way too.

1296
01:00:34,480 --> 01:00:37,440
Speaker 6: But that's actually the way it's kind of written. I'm

1297
01:00:37,760 --> 01:00:39,600
Speaker 6: listening to what you're saying now, Danielle, and I'm like,

1298
01:00:39,680 --> 01:00:42,960
Speaker 6: I feel like if she had just lost control, Like

1299
01:00:43,000 --> 01:00:44,840
Speaker 6: if the point was that she's trying to give a

1300
01:00:44,840 --> 01:00:47,640
Speaker 6: speech and she can't do it because she's just flustered

1301
01:00:47,800 --> 01:00:50,160
Speaker 6: and she's worried about her son, and she ends up

1302
01:00:50,200 --> 01:00:53,080
Speaker 6: saying something to Panga that she probably shouldn't have said.

1303
01:00:53,520 --> 01:00:56,000
Speaker 6: That would have been like she'd just sort of been like, oh,

1304
01:00:56,240 --> 01:00:58,080
Speaker 6: why couldn't you just going to Yale and then like

1305
01:00:58,160 --> 01:01:01,320
Speaker 6: walked out in tears, that you still would have been

1306
01:01:01,360 --> 01:01:03,680
Speaker 6: able to have the sort of moment of confrontation. But

1307
01:01:03,760 --> 01:01:07,400
Speaker 6: as it is, like Jesus, yeah, for Amy to say that,

1308
01:01:08,240 --> 01:01:11,320
Speaker 6: it's like yeah, and then Corey has to come back

1309
01:01:11,320 --> 01:01:13,360
Speaker 6: at her with his heaviness, and I'm just like, what

1310
01:01:13,480 --> 01:01:14,000
Speaker 6: is happening.

1311
01:01:14,240 --> 01:01:16,640
Speaker 3: I know, well, let's have Betsy back, Let's have Betsy back.

1312
01:01:16,720 --> 01:01:19,440
Speaker 3: Let's talk about this episode. I remember there being a

1313
01:01:19,440 --> 01:01:21,800
Speaker 3: lot of discussions, so we will. We will find out

1314
01:01:21,880 --> 01:01:24,800
Speaker 3: from the source to Panga is speechless, the room is

1315
01:01:24,880 --> 01:01:25,640
Speaker 3: dead silent.

1316
01:01:26,080 --> 01:01:28,160
Speaker 5: Eric Gale's here here.

1317
01:01:29,440 --> 01:01:32,000
Speaker 3: Of course, of course, and then there's a very tense

1318
01:01:32,040 --> 01:01:34,720
Speaker 3: commercial break. We come back in the Matthew's kitchen. Tapanga

1319
01:01:34,840 --> 01:01:37,360
Speaker 3: decides she should go, but Corey jumps in. You're not

1320
01:01:37,480 --> 01:01:41,280
Speaker 3: leaving your own wedding reception. Tapanga tells Amy, I'm sorry

1321
01:01:41,280 --> 01:01:43,360
Speaker 3: for any pain I've caused, and she runs out of

1322
01:01:43,400 --> 01:01:46,520
Speaker 3: the room. Corey calls after her, but to no avail.

1323
01:01:46,640 --> 01:01:48,400
Speaker 3: He shouts at his mom, how could you say that

1324
01:01:48,480 --> 01:01:51,240
Speaker 3: to her? Amy says she's sorry, but Corey's not finished.

1325
01:01:51,440 --> 01:01:53,840
Speaker 3: So for fifteen years, you've been lying to me about

1326
01:01:53,840 --> 01:01:55,680
Speaker 3: how you feel about us, and you've been lying to

1327
01:01:55,680 --> 01:01:58,400
Speaker 3: me about how you feel about her. Amy shouts, I

1328
01:01:58,440 --> 01:02:01,480
Speaker 3: want what I believe is best for you, Corey and Topanga.

1329
01:02:01,920 --> 01:02:04,280
Speaker 3: Cory's furious. What's best for us is for you to

1330
01:02:04,360 --> 01:02:06,960
Speaker 3: trust us. I love her, I will always love her.

1331
01:02:07,000 --> 01:02:09,640
Speaker 3: And you know something else, we didn't get married because

1332
01:02:09,680 --> 01:02:13,800
Speaker 3: she wanted you to be there. Ory storms out, leaving

1333
01:02:13,840 --> 01:02:16,040
Speaker 3: a visibly regretful Amy.

1334
01:02:16,840 --> 01:02:19,000
Speaker 6: Yeah, this is all a bit much for me.

1335
01:02:19,120 --> 01:02:22,680
Speaker 1: It's just real dramatic. Justice were full Dawson's creek.

1336
01:02:22,800 --> 01:02:29,040
Speaker 3: I don't want to wake okay, and we're in the apartment.

1337
01:02:29,160 --> 01:02:31,479
Speaker 3: Jack is wrapping a gift when Eric walks in, who's

1338
01:02:31,520 --> 01:02:34,360
Speaker 3: the present for? Jack suspiciously says no one.

1339
01:02:34,440 --> 01:02:37,360
Speaker 2: But by the way I walked in, I didn't even

1340
01:02:37,440 --> 01:02:40,200
Speaker 2: notice the present before I said who's that one for?

1341
01:02:40,280 --> 01:02:42,800
Speaker 2: I'd even take a second to look at it. It's like, hey,

1342
01:02:42,840 --> 01:02:44,360
Speaker 2: there's now that's him acting there.

1343
01:02:45,120 --> 01:02:48,400
Speaker 6: To be fair, it's completely unmotivated, Like, well, did you

1344
01:02:48,400 --> 01:02:50,400
Speaker 6: guys say you're not going to date her? Did you

1345
01:02:50,440 --> 01:02:53,480
Speaker 6: guys make an agreement? What is the what is the problem?

1346
01:02:53,480 --> 01:02:56,880
Speaker 3: Well, what I will say is that there the idea

1347
01:02:56,920 --> 01:02:57,920
Speaker 3: that they have not been.

1348
01:02:57,720 --> 01:02:59,760
Speaker 5: In competition for her is not true.

1349
01:02:59,840 --> 01:03:03,160
Speaker 3: In the first episode, we already saw she jumped on

1350
01:03:03,280 --> 01:03:05,480
Speaker 3: him and he was like, you know, ha ha, he's

1351
01:03:05,480 --> 01:03:08,360
Speaker 3: she's on me. And then he said, and so they have.

1352
01:03:09,040 --> 01:03:13,120
Speaker 3: It has been established that they both want her, and

1353
01:03:13,400 --> 01:03:15,720
Speaker 3: one of them will be victorious.

1354
01:03:15,760 --> 01:03:17,920
Speaker 6: What have they made an agreement? If they had made

1355
01:03:17,960 --> 01:03:19,640
Speaker 6: an agreement a you know what, just for the sake

1356
01:03:19,680 --> 01:03:22,040
Speaker 6: of if the episode, this episode had be gone with

1357
01:03:22,080 --> 01:03:23,720
Speaker 6: them being like, for the sake of keeping things, we're

1358
01:03:23,760 --> 01:03:25,280
Speaker 6: just let's just agree we're not going to make the

1359
01:03:25,320 --> 01:03:28,760
Speaker 6: move on Rachel. Okay, Okay, they're going behind each other's back,

1360
01:03:28,800 --> 01:03:30,720
Speaker 6: trying to make the move that is conflict.

1361
01:03:30,760 --> 01:03:32,520
Speaker 5: Yeah, yeah, yep, you're right.

1362
01:03:32,840 --> 01:03:34,640
Speaker 2: Or even set it up where they are going to

1363
01:03:34,680 --> 01:03:36,720
Speaker 2: do that, and they we end the last episode with,

1364
01:03:36,800 --> 01:03:38,800
Speaker 2: well then made the best man the best man.

1365
01:03:39,120 --> 01:03:40,000
Speaker 1: Yeah, that's all. That's all.

1366
01:03:40,000 --> 01:03:42,360
Speaker 6: You got it out. It's on game on, Yeah.

1367
01:03:42,040 --> 01:03:45,640
Speaker 3: Exactly, yep, but Eric knows it's a present for Rachel.

1368
01:03:45,960 --> 01:03:47,960
Speaker 3: Jack got her a book so she has something to

1369
01:03:48,000 --> 01:03:50,760
Speaker 3: read in the bathtub. Oh is that where you got

1370
01:03:50,760 --> 01:03:52,200
Speaker 3: your idea to read in the shower?

1371
01:03:52,240 --> 01:03:54,120
Speaker 1: Well no, I'd already been reading in the shower for

1372
01:03:54,200 --> 01:03:54,760
Speaker 1: years and years.

1373
01:03:54,760 --> 01:03:56,240
Speaker 2: And by the way, I'd like to say that I

1374
01:03:56,240 --> 01:03:58,360
Speaker 2: think I'm a pretty good looking guy until I stand

1375
01:03:58,360 --> 01:04:04,479
Speaker 2: next to Matt Lawrence. For further record, he's like constantly tan.

1376
01:04:04,760 --> 01:04:07,240
Speaker 2: His clothes look like they're spray painted on him. It's like, man,

1377
01:04:07,720 --> 01:04:09,360
Speaker 2: I just look like a pilot next.

1378
01:04:09,200 --> 01:04:09,680
Speaker 6: To that kid.

1379
01:04:10,280 --> 01:04:13,200
Speaker 5: No, you do not. You very handsome.

1380
01:04:13,600 --> 01:04:16,320
Speaker 6: Season seven, you look like a pilot.

1381
01:04:16,440 --> 01:04:16,800
Speaker 5: For now.

1382
01:04:17,080 --> 01:04:18,760
Speaker 6: This is peak. Will remember the woman.

1383
01:04:19,000 --> 01:04:20,520
Speaker 2: I know it is, but it also says the woman

1384
01:04:20,560 --> 01:04:24,160
Speaker 2: who was dating the guy, the good looking guy next

1385
01:04:24,160 --> 01:04:27,280
Speaker 2: to me, like, no, you're a cute too, husband, thought

1386
01:04:27,280 --> 01:04:29,200
Speaker 2: Matt Lawrence was the star of the show because that's all.

1387
01:04:29,560 --> 01:04:30,760
Speaker 6: That's all he heard about.

1388
01:04:32,040 --> 01:04:33,600
Speaker 5: Me were on world.

1389
01:04:35,560 --> 01:04:38,960
Speaker 3: No, he meant without before, he knew me before, before

1390
01:04:39,000 --> 01:04:39,840
Speaker 3: we started dating.

1391
01:04:40,240 --> 01:04:42,120
Speaker 6: The only one that was sucking his memory it was

1392
01:04:42,120 --> 01:04:46,240
Speaker 6: Matt Lawrence because he's the most handsome man version I got.

1393
01:04:46,320 --> 01:04:49,040
Speaker 6: You can see there were a bunch of kids. Yeah,

1394
01:04:49,240 --> 01:04:53,600
Speaker 6: she was somebody named for something. But one of the

1395
01:04:53,680 --> 01:04:54,680
Speaker 6: Lawrences was on that ship.

1396
01:04:54,800 --> 01:04:55,520
Speaker 1: But Matt Lawrence.

1397
01:04:56,840 --> 01:04:59,520
Speaker 3: Eric can't believe him. That's cold, trying to get Rachel

1398
01:04:59,560 --> 01:05:02,160
Speaker 3: to like him more than she likes Eric. Eric then

1399
01:05:02,200 --> 01:05:04,360
Speaker 3: walks into the hall and retrieves an even bigger gift

1400
01:05:04,400 --> 01:05:09,160
Speaker 3: for Rachel. Jack wonders, what's that slime wipe? Slime wipe?

1401
01:05:09,760 --> 01:05:10,800
Speaker 6: Is that really what? He says?

1402
01:05:10,920 --> 01:05:13,760
Speaker 1: Yeah, slime Why it's a slime why? I don't know.

1403
01:05:13,800 --> 01:05:15,520
Speaker 1: It's never been said before nor since.

1404
01:05:15,760 --> 01:05:22,760
Speaker 3: Okay, slime wipe happen. Eric reveals some kind of bird

1405
01:05:22,800 --> 01:05:25,880
Speaker 3: for Rachel. He laughs in Jack's face, your present stupid.

1406
01:05:26,800 --> 01:05:27,320
Speaker 5: I would be.

1407
01:05:29,080 --> 01:05:33,680
Speaker 3: So mad if someone bought me a bird.

1408
01:05:32,160 --> 01:05:41,840
Speaker 2: Oh yeah, I've got I've gotta.

1409
01:05:42,800 --> 01:05:45,080
Speaker 6: I'm very proud of my gifts for you too.

1410
01:05:45,280 --> 01:05:47,720
Speaker 1: I'm proud of mine too. If I'm honest, although I

1411
01:05:47,760 --> 01:05:50,320
Speaker 1: have to return one for Daniel, but uh.

1412
01:05:52,240 --> 01:05:54,560
Speaker 3: Rachel enters the living room and greets the guys. Eric

1413
01:05:54,600 --> 01:05:57,600
Speaker 3: immediately reveals his present. Hey, I bought you this bird.

1414
01:05:57,640 --> 01:05:59,480
Speaker 3: It reminded me of you because it has bright red

1415
01:05:59,520 --> 01:06:01,520
Speaker 3: feathers and it eats like a bird.

1416
01:06:04,880 --> 01:06:06,760
Speaker 6: And poor David Glazer had to go out and find

1417
01:06:06,760 --> 01:06:11,000
Speaker 6: a Yeah, that's what I talked about.

1418
01:06:11,400 --> 01:06:12,800
Speaker 5: Yes, this is the one he talked about.

1419
01:06:12,880 --> 01:06:13,320
Speaker 6: Interesting.

1420
01:06:13,600 --> 01:06:15,800
Speaker 5: Rachel is flustered. You bought me a present.

1421
01:06:16,160 --> 01:06:18,520
Speaker 3: Jack chimes in, I got you this book, which I've read,

1422
01:06:18,560 --> 01:06:21,200
Speaker 3: and I thought maybe you'd like She looks at the book.

1423
01:06:21,840 --> 01:06:26,200
Speaker 1: Keiths, Yeah, I know dating.

1424
01:06:26,320 --> 01:06:28,560
Speaker 5: How did you know that was my favorite poet? Eric

1425
01:06:28,600 --> 01:06:29,920
Speaker 5: butts in. I told him.

1426
01:06:30,120 --> 01:06:32,560
Speaker 3: Rachel's overwhelmed, and she doesn't know what to say. She's

1427
01:06:32,640 --> 01:06:35,240
Speaker 3: visibly flustered and runs upstairs without saying another word.

1428
01:06:35,760 --> 01:06:37,400
Speaker 6: Actually, you know, I want to jump in with a memory.

1429
01:06:37,440 --> 01:06:39,280
Speaker 6: This is a great this is a good memory. I

1430
01:06:39,280 --> 01:06:42,640
Speaker 6: remember talking to Matt Lawrence about Keats and he said

1431
01:06:42,640 --> 01:06:45,040
Speaker 6: something that has stuck with me and I've used in

1432
01:06:45,080 --> 01:06:47,760
Speaker 6: relationship to other He's like, you know what Keiths is like?

1433
01:06:47,800 --> 01:06:50,600
Speaker 6: He's he'said reading Keats is like just hearing a great

1434
01:06:50,800 --> 01:06:54,480
Speaker 6: major chord, like just a C major or a G major,

1435
01:06:54,520 --> 01:06:56,920
Speaker 6: And I was like, that is really astute. Matt, like

1436
01:06:57,040 --> 01:06:58,680
Speaker 6: it's always stuck with me. I was like, yeah, that

1437
01:06:58,800 --> 01:07:02,400
Speaker 6: is what Keith's sounds like. It's just perfect music. It's

1438
01:07:02,480 --> 01:07:05,160
Speaker 6: just well good poetry. And I was like, what you know.

1439
01:07:05,240 --> 01:07:06,960
Speaker 6: And of course Matt Lawrence is a musician, like he

1440
01:07:07,480 --> 01:07:10,680
Speaker 6: made it about music, but it was so spot on anyway, Yeah,

1441
01:07:10,760 --> 01:07:12,320
Speaker 6: I mean this was a this is right around this.

1442
01:07:12,360 --> 01:07:14,439
Speaker 6: I mean we were probably talking about it because of this.

1443
01:07:14,920 --> 01:07:17,640
Speaker 6: I don't know, but I do remember talking about Keats

1444
01:07:17,640 --> 01:07:18,880
Speaker 6: with Met Lawrence's cool.

1445
01:07:19,240 --> 01:07:23,080
Speaker 5: That's cute. So Eric asks what just happened Jack's eye?

1446
01:07:23,440 --> 01:07:27,400
Speaker 5: Something bad? Then the bird squawks and Eric wonders, do

1447
01:07:27,520 --> 01:07:28,000
Speaker 5: we eat this?

1448
01:07:28,360 --> 01:07:29,440
Speaker 6: My favorite button.

1449
01:07:30,800 --> 01:07:32,840
Speaker 4: Is one of the funniest things this And then.

1450
01:07:32,760 --> 01:07:38,400
Speaker 6: The next I was like, wow, that is some genius.

1451
01:07:38,800 --> 01:07:42,080
Speaker 6: Can we eat this? Oh my god, it's so funny

1452
01:07:42,640 --> 01:07:45,320
Speaker 6: the story for me, like those two buttons were like,

1453
01:07:45,360 --> 01:07:48,560
Speaker 6: oh you the episode, no, Eric, no, Eric.

1454
01:07:51,000 --> 01:07:53,160
Speaker 4: Is just the best, just genius.

1455
01:08:05,080 --> 01:08:06,280
Speaker 5: We're back in the Matthew's kitchen.

1456
01:08:06,280 --> 01:08:08,919
Speaker 3: Amy's pouring coffee for herself and Alan while muttering too

1457
01:08:08,960 --> 01:08:11,880
Speaker 3: young to even think about marriage. Alan reminds her that

1458
01:08:11,960 --> 01:08:14,320
Speaker 3: Corey is not their little boy anymore. They can't prevent

1459
01:08:14,400 --> 01:08:17,639
Speaker 3: him from making mistakes. Amy argues, please, I still lay

1460
01:08:17,640 --> 01:08:21,120
Speaker 3: out his clothes and what she wants to do? Alan

1461
01:08:21,200 --> 01:08:25,080
Speaker 3: interjects to Panga. Amy nods, but repeats the same sentence

1462
01:08:25,320 --> 01:08:28,720
Speaker 3: what she wants to do. Alan interrupts her again to

1463
01:08:28,840 --> 01:08:32,920
Speaker 3: Panga use her name. A frustrated Amy starts over what

1464
01:08:33,040 --> 01:08:37,360
Speaker 3: Topanga wants to do is and Alan finishes her sentence

1465
01:08:37,880 --> 01:08:41,639
Speaker 3: is lay his clothes out for him. That is what

1466
01:08:41,760 --> 01:08:44,240
Speaker 3: no wife is thinking they want to do.

1467
01:08:44,640 --> 01:08:46,840
Speaker 2: Also, sorry, but your mom still laying your clothes out

1468
01:08:46,880 --> 01:08:47,679
Speaker 2: for you when you're eighteen?

1469
01:08:47,800 --> 01:08:50,000
Speaker 1: You've got other issues, you really do.

1470
01:08:50,200 --> 01:08:53,040
Speaker 3: Also, no mention of the fact again that Amy and

1471
01:08:53,080 --> 01:08:56,680
Speaker 3: Alan got married at eighteen. Nope, and she's too young

1472
01:08:56,840 --> 01:08:58,559
Speaker 3: to even think about getting married.

1473
01:08:59,640 --> 01:09:03,720
Speaker 1: You did, but you did, yeah.

1474
01:09:02,520 --> 01:09:05,320
Speaker 3: He asks her while rubbing her hand. Do you think

1475
01:09:05,360 --> 01:09:07,160
Speaker 3: this would bother you so much if this was some

1476
01:09:07,240 --> 01:09:09,519
Speaker 3: girl who couldn't take care of him as well as

1477
01:09:09,560 --> 01:09:09,880
Speaker 3: you have?

1478
01:09:10,600 --> 01:09:13,320
Speaker 5: Do you really think Tapega isn't right? Is right for you?

1479
01:09:13,640 --> 01:09:15,759
Speaker 5: So let me just let's talk about that question.

1480
01:09:16,760 --> 01:09:20,559
Speaker 3: Do you think you would mind Corey running off to

1481
01:09:20,720 --> 01:09:23,400
Speaker 3: marry someone if she was worse.

1482
01:09:25,439 --> 01:09:28,120
Speaker 5: You're right, If I knew this was a failure, it

1483
01:09:28,120 --> 01:09:29,400
Speaker 5: wouldn't bother me so much.

1484
01:09:29,920 --> 01:09:30,880
Speaker 1: Yeah, it's weird.

1485
01:09:32,160 --> 01:09:36,120
Speaker 3: What that's the question? He says, Do you think this

1486
01:09:36,200 --> 01:09:40,479
Speaker 3: would bother you so much? Their son getting married? There

1487
01:09:40,640 --> 01:09:43,960
Speaker 3: Sonny loping with a woman, if you thought it was

1488
01:09:44,040 --> 01:09:46,599
Speaker 3: some girl who couldn't take care.

1489
01:09:46,479 --> 01:09:48,920
Speaker 5: Of him as well as Tapega does.

1490
01:09:49,200 --> 01:09:51,880
Speaker 6: And her answer is yeah. So this is where she

1491
01:09:51,960 --> 01:09:54,160
Speaker 6: realizes that she's jealous.

1492
01:09:53,720 --> 01:09:56,160
Speaker 3: And she insists it isn't about that they're too young,

1493
01:09:56,200 --> 01:09:59,599
Speaker 3: he's not ready, and then she says, I'm not ready,

1494
01:10:00,439 --> 01:10:04,000
Speaker 3: she admits, while fighting back tears. Yes she's right for Corey,

1495
01:10:04,160 --> 01:10:06,840
Speaker 3: she loves him, and yes she'll take care of him

1496
01:10:06,920 --> 01:10:11,839
Speaker 3: and he'll be happy. Amy realizes, oh god, I'm jealous

1497
01:10:11,880 --> 01:10:16,559
Speaker 3: of her. Alan comforts her. They still have Eric and

1498
01:10:16,600 --> 01:10:18,400
Speaker 3: Amy groans, oh.

1499
01:10:18,200 --> 01:10:20,800
Speaker 1: God, which is funny.

1500
01:10:20,840 --> 01:10:21,439
Speaker 5: It is funny.

1501
01:10:22,920 --> 01:10:25,960
Speaker 3: So then we're at the apartment. The boys are stressed.

1502
01:10:26,080 --> 01:10:28,679
Speaker 3: Jack is pacing. She's been in there a really long time.

1503
01:10:28,960 --> 01:10:31,200
Speaker 3: Eric agrees, you don't think she like and then he

1504
01:10:31,240 --> 01:10:32,439
Speaker 3: pretends to hang himself.

1505
01:10:32,479 --> 01:10:36,439
Speaker 1: Oh there's something like a good suicide. Jesus yikes, nye.

1506
01:10:37,120 --> 01:10:39,200
Speaker 3: Jack shakes his head. Naw, she's too tall for that.

1507
01:10:39,520 --> 01:10:41,960
Speaker 3: He admits, they're just freaks. She just got out of

1508
01:10:41,960 --> 01:10:45,000
Speaker 3: a bad relationship and she's vulnerable. Eric adds, and both

1509
01:10:45,000 --> 01:10:46,639
Speaker 3: of us are going after her like she's some kind

1510
01:10:46,680 --> 01:10:51,680
Speaker 3: of cheese ravioli. Jack realizes when she really needs a

1511
01:10:51,720 --> 01:10:54,920
Speaker 3: couple of friends. Eric warns Jack they better make it

1512
01:10:54,960 --> 01:10:58,320
Speaker 3: safe around there before it's too late. Then Rachel exits

1513
01:10:58,320 --> 01:11:00,920
Speaker 3: her room, now carrying a piece of luggage. Jack yell's

1514
01:11:00,960 --> 01:11:03,559
Speaker 3: oh no, it's too late. Eric sternly states, we're not

1515
01:11:03,640 --> 01:11:07,120
Speaker 3: letting you go. Rachel's confused. Jack adds, we know why

1516
01:11:07,160 --> 01:11:10,000
Speaker 3: you think you have to leave. Rachel doesn't get it. Well,

1517
01:11:10,040 --> 01:11:12,840
Speaker 3: why do I have to leave? Eric explains because of

1518
01:11:12,880 --> 01:11:15,760
Speaker 3: the extreme sexual tension that we've created in this here,

1519
01:11:15,880 --> 01:11:20,280
Speaker 3: your new habitat. Rachel wonders, Oh, you feel it too, huh.

1520
01:11:20,320 --> 01:11:23,080
Speaker 2: Also, unless we all suddenly became the best actors in

1521
01:11:23,120 --> 01:11:25,160
Speaker 2: the world, the suitcase is actually very heavy.

1522
01:11:26,560 --> 01:11:28,120
Speaker 5: There's actually a bunch in there.

1523
01:11:28,640 --> 01:11:31,960
Speaker 3: In there, yeah yeah, Eric mouths a little bit, and

1524
01:11:32,080 --> 01:11:34,559
Speaker 3: Jack steps up. Yes, And we realize that if we

1525
01:11:34,600 --> 01:11:36,439
Speaker 3: have any chance of keeping you here, we have to

1526
01:11:36,439 --> 01:11:40,000
Speaker 3: stop thinking of you as a Eric suggests, puff pastry

1527
01:11:40,000 --> 01:11:44,360
Speaker 3: on a plate. Jack continues, and more like, Eric finishes

1528
01:11:44,400 --> 01:11:49,000
Speaker 3: his sentence again person Jack assures her they won't chase

1529
01:11:49,000 --> 01:11:51,200
Speaker 3: after her or compete for her. They'll just be who

1530
01:11:51,240 --> 01:11:55,840
Speaker 3: she really needs, roommates and friends. Rachel asks, and that's it.

1531
01:11:56,360 --> 01:11:59,880
Speaker 3: Eric nods that's it. Jack excitedly asks, so you'll stay.

1532
01:12:00,240 --> 01:12:03,000
Speaker 3: Rachel laughs, Stay, I was never moving out. Eric and

1533
01:12:03,080 --> 01:12:06,439
Speaker 3: jackhi five each other in victory. Yeah, she explains, I

1534
01:12:06,479 --> 01:12:08,960
Speaker 3: love my book and I love my bird too. You

1535
01:12:09,000 --> 01:12:10,439
Speaker 3: guys treat me better than my boyfriend.

1536
01:12:10,479 --> 01:12:10,679
Speaker 1: Ever?

1537
01:12:10,720 --> 01:12:12,920
Speaker 3: Did I think it started to scare me? I just

1538
01:12:12,960 --> 01:12:15,320
Speaker 3: realized that I could easily fall for either one of you.

1539
01:12:15,840 --> 01:12:18,519
Speaker 3: The guys are frozen, and then I thought, so what

1540
01:12:18,560 --> 01:12:20,200
Speaker 3: if I do? Because I can deal with that.

1541
01:12:20,560 --> 01:12:20,760
Speaker 1: Yeah.

1542
01:12:20,760 --> 01:12:24,480
Speaker 3: The guy's mouths are now open and utter disbelief. Jack whispers,

1543
01:12:24,600 --> 01:12:26,639
Speaker 3: Oh no. Eric is a ghast.

1544
01:12:26,880 --> 01:12:27,759
Speaker 5: We guessed wrong.

1545
01:12:28,280 --> 01:12:30,680
Speaker 3: Rachel assures them, Oh, you didn't. We have to keep

1546
01:12:30,680 --> 01:12:34,880
Speaker 3: this strictly platonic, no matter what I'm feeling inside, Eric

1547
01:12:34,920 --> 01:12:39,040
Speaker 3: tries to form a coherent sentence. Well, then, well, what's

1548
01:12:39,080 --> 01:12:42,519
Speaker 3: in the suitcase? She explains. Some mementos for my old boyfriend.

1549
01:12:42,600 --> 01:12:45,000
Speaker 3: I was on the way to the incinerator to burn them.

1550
01:12:46,240 --> 01:12:48,760
Speaker 3: When I get back, I guess we'll start our new relationship.

1551
01:12:48,960 --> 01:12:51,480
Speaker 3: They give her oneasy smiles and she thanks them for

1552
01:12:51,640 --> 01:12:55,439
Speaker 3: saving her from herself. As she leaves, she admits, you

1553
01:12:55,600 --> 01:12:58,599
Speaker 3: two are the most sensitive, caring men that I've ever met.

1554
01:12:59,080 --> 01:12:59,479
Speaker 5: Thanks.

1555
01:13:00,160 --> 01:13:02,280
Speaker 3: The door closes and the guys don't know what to say.

1556
01:13:02,680 --> 01:13:04,719
Speaker 3: Breaking the silence, we hear the ding of a timer

1557
01:13:04,760 --> 01:13:07,960
Speaker 3: and Eric excitedly states, birds ready.

1558
01:13:07,920 --> 01:13:11,160
Speaker 6: Amazing, that's the button saves it. But this is where

1559
01:13:11,200 --> 01:13:13,639
Speaker 6: I thought the episode should have started, or last episode

1560
01:13:13,680 --> 01:13:16,679
Speaker 6: should have ended. Last episode ended with this. Then this

1561
01:13:16,760 --> 01:13:19,479
Speaker 6: episode makes sense because that's like, oh, we have this

1562
01:13:19,560 --> 01:13:24,160
Speaker 6: agreement and yet we're messing it up. Instead, they're they're

1563
01:13:24,200 --> 01:13:24,639
Speaker 6: just yes.

1564
01:13:24,640 --> 01:13:26,679
Speaker 4: It's not that they're just yeah, Okay, yep.

1565
01:13:26,680 --> 01:13:29,000
Speaker 3: That's where this needed one needed to start for sure.

1566
01:13:30,280 --> 01:13:33,120
Speaker 3: Then we are in the infamous childhood park. I'm going

1567
01:13:33,160 --> 01:13:35,519
Speaker 3: to assume Corey and Topanga are standing out.

1568
01:13:35,840 --> 01:13:38,479
Speaker 4: The monkey bars have moved or the it's not even

1569
01:13:38,479 --> 01:13:39,000
Speaker 4: the monkey bars.

1570
01:13:39,040 --> 01:13:39,960
Speaker 5: What is a jungle gym?

1571
01:13:40,040 --> 01:13:43,320
Speaker 6: The jungle gym is now completely different places because it

1572
01:13:43,400 --> 01:13:44,559
Speaker 6: used to be in the well.

1573
01:13:44,600 --> 01:13:47,080
Speaker 2: There is a big there was a big jungle gym

1574
01:13:47,120 --> 01:13:49,080
Speaker 2: reformation in ninety eight, and of course.

1575
01:13:48,920 --> 01:13:51,760
Speaker 5: Everyone around yeah, yeah, the summer of ninety eight.

1576
01:13:51,880 --> 01:13:52,240
Speaker 1: Correct.

1577
01:13:53,920 --> 01:13:56,280
Speaker 3: They spot Amy and Allen walking up to Panga, thinks

1578
01:13:56,320 --> 01:13:58,639
Speaker 3: she should leave. Amy asks to Panga for a minute

1579
01:13:58,680 --> 01:14:00,400
Speaker 3: to talk, and as they wait. As they make their

1580
01:14:00,439 --> 01:14:02,640
Speaker 3: way to a bench, Topanga says, I don't want you

1581
01:14:02,680 --> 01:14:05,559
Speaker 3: to be mad at me. Amy assures her she isn't mad.

1582
01:14:05,920 --> 01:14:08,559
Speaker 3: Alan wants to give the girl some space, but Corey's concerned.

1583
01:14:08,640 --> 01:14:11,640
Speaker 3: I'm afraid mom's gonna kill Tapanga and Burrier in the sandbox.

1584
01:14:12,200 --> 01:14:14,960
Speaker 3: Amy tells Tapanga it's very hard for a mother to

1585
01:14:15,000 --> 01:14:17,360
Speaker 3: think that another woman is going to take her place

1586
01:14:17,400 --> 01:14:20,880
Speaker 3: with her little boy. To Panka insists I could never

1587
01:14:20,920 --> 01:14:23,879
Speaker 3: take your place. I just love your little boy, missus Matthews.

1588
01:14:24,280 --> 01:14:27,880
Speaker 3: Amy corrects her, Amy, use my name is? This is the

1589
01:14:27,920 --> 01:14:30,960
Speaker 3: first time I'm ever gonna call them Amy and Alan?

1590
01:14:31,280 --> 01:14:32,240
Speaker 1: Yeah?

1591
01:14:31,560 --> 01:14:33,920
Speaker 5: He Tapanga hesitates.

1592
01:14:33,439 --> 01:14:37,720
Speaker 3: Before saying Amy, knowing what it means, Amy continues, if

1593
01:14:37,760 --> 01:14:40,000
Speaker 3: there is going to be another person to take my place,

1594
01:14:40,160 --> 01:14:43,839
Speaker 3: I want it to be you. Topeka smiles and thanks her. Meanwhile,

1595
01:14:43,880 --> 01:14:46,599
Speaker 3: Alan and Corey are sitting on nearby swings, Alan tells

1596
01:14:46,640 --> 01:14:48,720
Speaker 3: his son, I'm really proud of you. You stood up

1597
01:14:48,760 --> 01:14:50,799
Speaker 3: for what you believed in and you made your own decision.

1598
01:14:50,920 --> 01:14:54,719
Speaker 1: I'm sorry, wait, just very yeah. Have I been doing

1599
01:14:54,880 --> 01:14:58,240
Speaker 1: marriage wrong? Was my wife's supposed to take the place

1600
01:14:58,280 --> 01:14:58,960
Speaker 1: of my mom?

1601
01:15:00,560 --> 01:15:03,280
Speaker 6: This is all like subtext becoming text, Like this is

1602
01:15:03,320 --> 01:15:05,960
Speaker 6: all fine subtexts, Like I like the idea that like

1603
01:15:06,000 --> 01:15:10,479
Speaker 6: a mom realizes that she but to like make it text. Now,

1604
01:15:10,760 --> 01:15:13,839
Speaker 6: like for a woman like to Panga to be referring

1605
01:15:13,840 --> 01:15:16,000
Speaker 6: to her husband to be as a little boy is

1606
01:15:16,080 --> 01:15:17,200
Speaker 6: just weird and like.

1607
01:15:17,160 --> 01:15:19,400
Speaker 4: I'm going to like, why would you accept this?

1608
01:15:19,439 --> 01:15:22,559
Speaker 6: Like I would be like so grossed out if my

1609
01:15:22,720 --> 01:15:25,360
Speaker 6: wife was like or my wife's father was like, well,

1610
01:15:25,400 --> 01:15:27,920
Speaker 6: now you're the man in her life, so you're gonna

1611
01:15:27,920 --> 01:15:33,320
Speaker 6: be daddy doer WHOA got some ideas exactly. It's not

1612
01:15:33,720 --> 01:15:36,559
Speaker 6: like that's not the way this works. Like maybe on

1613
01:15:36,600 --> 01:15:40,759
Speaker 6: some like deep Freudian subtextual level, but like if you're.

1614
01:15:40,600 --> 01:15:44,080
Speaker 4: Saying that to me, that's weird saying it.

1615
01:15:44,720 --> 01:15:47,120
Speaker 2: I get I get that you you know you want

1616
01:15:47,120 --> 01:15:49,360
Speaker 2: your parture to be your partner to be nurturing, which

1617
01:15:49,360 --> 01:15:51,640
Speaker 2: is maybe you get a nurturing kind of sense from

1618
01:15:51,720 --> 01:15:56,000
Speaker 2: a parent, but to actually, you're you're the mom now.

1619
01:15:56,040 --> 01:15:58,840
Speaker 3: It's like to Benga was spot on when she was like,

1620
01:15:59,080 --> 01:16:01,000
Speaker 3: I could never take your place.

1621
01:16:01,600 --> 01:16:02,880
Speaker 5: That's not what's happening here.

1622
01:16:02,960 --> 01:16:04,480
Speaker 1: But I'm going to do exactly.

1623
01:16:04,760 --> 01:16:11,479
Speaker 3: You will always be mommy, yeah, and I'm gonna be

1624
01:16:11,720 --> 01:16:12,680
Speaker 3: something else.

1625
01:16:12,560 --> 01:16:13,599
Speaker 6: Something else, somebody.

1626
01:16:14,680 --> 01:16:16,479
Speaker 5: There's no reason for us to compete.

1627
01:16:16,800 --> 01:16:20,280
Speaker 2: Yeah, she's yeah, she's gonna call me daddy, but only

1628
01:16:20,280 --> 01:16:21,000
Speaker 2: on a birthday.

1629
01:16:21,120 --> 01:16:22,760
Speaker 1: That's what That's what the line is.

1630
01:16:22,880 --> 01:16:24,000
Speaker 5: It's just weird.

1631
01:16:25,040 --> 01:16:29,639
Speaker 3: But again it strikes me as being a man, maybe

1632
01:16:29,680 --> 01:16:35,280
Speaker 3: a man boys interpretation of what women must feel. What

1633
01:16:35,280 --> 01:16:37,200
Speaker 3: what does a mom feel when her son gets married?

1634
01:16:37,479 --> 01:16:38,040
Speaker 5: Jealous?

1635
01:16:38,160 --> 01:16:40,880
Speaker 3: Jealous, jealous of this other woman who's now going to

1636
01:16:40,920 --> 01:16:43,479
Speaker 3: get to cook and clean and dress me and bathe

1637
01:16:43,520 --> 01:16:45,000
Speaker 3: me O.

1638
01:16:45,200 --> 01:16:49,280
Speaker 6: Woman has to acknowledge that she has becomeing the part

1639
01:16:49,280 --> 01:16:51,600
Speaker 6: of her job, and that's she's excited to do that.

1640
01:16:52,000 --> 01:16:53,879
Speaker 5: She loves these little boys.

1641
01:16:53,920 --> 01:16:58,280
Speaker 2: It's actually super weird when you really break it down,

1642
01:16:58,439 --> 01:17:01,360
Speaker 2: the kind of dynamic that's happening here is really strange.

1643
01:17:01,479 --> 01:17:03,479
Speaker 6: I mean, yeah, like I said, I think it's it's

1644
01:17:03,479 --> 01:17:06,479
Speaker 6: fine as subjects like I think that, like, you know,

1645
01:17:06,720 --> 01:17:10,879
Speaker 6: there's there is there are aspects of this that are truthful,

1646
01:17:10,960 --> 01:17:13,200
Speaker 6: you know, like to say it out loud to each

1647
01:17:13,240 --> 01:17:16,160
Speaker 6: other to formalize it is super weird, you know, Like

1648
01:17:16,760 --> 01:17:18,920
Speaker 6: the second you're you're saying these things out loud is

1649
01:17:18,920 --> 01:17:21,760
Speaker 6: when you would have to maybe check yourself and be like, yeah,

1650
01:17:21,760 --> 01:17:23,600
Speaker 6: that's probably not the right way to be thinking about this.

1651
01:17:24,800 --> 01:17:27,000
Speaker 3: Corey admits, but Topanga was right. It would have been

1652
01:17:27,000 --> 01:17:29,040
Speaker 3: wrong to get married just because you said we shouldn't.

1653
01:17:29,320 --> 01:17:32,840
Speaker 3: Alan grinns, I raised a good man. Corey wonders, you're

1654
01:17:32,880 --> 01:17:35,679
Speaker 3: calling me a man. Alan stands up and asks, yeah,

1655
01:17:35,800 --> 01:17:37,679
Speaker 3: you want to get off that swing and do something

1656
01:17:37,680 --> 01:17:41,280
Speaker 3: about it. Corey responds, yeah, actually I do, and he

1657
01:17:41,360 --> 01:17:42,960
Speaker 3: stands face to face with his dad.

1658
01:17:43,320 --> 01:17:44,519
Speaker 6: Your Penga's daddy.

1659
01:17:44,600 --> 01:17:47,240
Speaker 4: Now, so it's time for you to go beat up

1660
01:17:47,320 --> 01:17:48,559
Speaker 4: Jebediah and.

1661
01:17:48,600 --> 01:17:49,360
Speaker 6: Take that position.

1662
01:17:49,439 --> 01:17:50,280
Speaker 1: Take that position.

1663
01:17:50,400 --> 01:17:54,920
Speaker 6: Do you know what it means to be daddy Topenga? Okay, yes,

1664
01:17:56,600 --> 01:18:00,360
Speaker 6: I mean that's the equivalent conversation if that's what should

1665
01:18:00,360 --> 01:18:02,280
Speaker 6: be cutting to it. Okay, now you know what it

1666
01:18:02,280 --> 01:18:03,759
Speaker 6: means to be dad eight to a woman.

1667
01:18:04,800 --> 01:18:10,839
Speaker 2: But then Corey gives him such a Ben hug, like

1668
01:18:10,920 --> 01:18:13,800
Speaker 2: the like Ben would always give that like the half

1669
01:18:14,000 --> 01:18:15,640
Speaker 2: kind of it was.

1670
01:18:15,840 --> 01:18:19,400
Speaker 6: Yeah, oh man, oh I forgot to point out when

1671
01:18:19,439 --> 01:18:22,800
Speaker 6: we were in the kitchen scene during the celebration for

1672
01:18:22,840 --> 01:18:24,880
Speaker 6: the wedding. Yeah, did you notice Will that you and

1673
01:18:24,920 --> 01:18:27,679
Speaker 6: I were completely trying to bust up in the background.

1674
01:18:27,720 --> 01:18:30,479
Speaker 6: Of course, of course every time we was like eye,

1675
01:18:30,720 --> 01:18:33,640
Speaker 6: it was like improbable. You could hear us trying to

1676
01:18:33,680 --> 01:18:36,240
Speaker 6: be louder than one another to make each other laugh,

1677
01:18:36,439 --> 01:18:38,000
Speaker 6: and then it keeps cutting. You can see me in

1678
01:18:38,040 --> 01:18:41,080
Speaker 6: the background like just shit eating grind, like I am

1679
01:18:41,479 --> 01:18:44,080
Speaker 6: here clearly, and then it comes back in the next

1680
01:18:44,080 --> 01:18:47,680
Speaker 6: scene where you're doing it. That's what we thought we

1681
01:18:47,680 --> 01:18:50,720
Speaker 6: could work together because we were yeah, we're in the

1682
01:18:50,760 --> 01:18:53,479
Speaker 6: background just moving off. Well, I think we were trying

1683
01:18:53,479 --> 01:18:54,920
Speaker 6: to make Ben laugh, is what we were trying to do.

1684
01:18:55,360 --> 01:18:56,840
Speaker 6: Still had to act in that scene, and you and

1685
01:18:56,880 --> 01:19:01,600
Speaker 6: I just had to be like hey.

1686
01:19:01,640 --> 01:19:04,400
Speaker 3: So they embrace and Alan proudly walks over to Amy

1687
01:19:04,439 --> 01:19:06,920
Speaker 3: and Topanga. Amy says, we came down here to let

1688
01:19:06,920 --> 01:19:08,840
Speaker 3: you guys know that we will always be here for

1689
01:19:08,920 --> 01:19:11,840
Speaker 3: you no matter what you decide, and Alan adds, the

1690
01:19:11,840 --> 01:19:13,639
Speaker 3: one thing we don't ever want to do is make

1691
01:19:13,680 --> 01:19:16,320
Speaker 3: you feel afraid to come to us with any important decision.

1692
01:19:16,680 --> 01:19:19,880
Speaker 3: Corey reveals, well, we have made a decision. In fact,

1693
01:19:20,000 --> 01:19:22,439
Speaker 3: I think we've made the most important decision of our lives.

1694
01:19:22,720 --> 01:19:25,599
Speaker 3: Amy smiles. We love you both, and now that there's

1695
01:19:25,640 --> 01:19:28,240
Speaker 3: going to be a wedding, she pulls the ring off

1696
01:19:28,280 --> 01:19:30,280
Speaker 3: of her finger and shows it to Topanga.

1697
01:19:30,600 --> 01:19:33,280
Speaker 5: You're going to need this. This was my mother's.

1698
01:19:33,000 --> 01:19:35,320
Speaker 3: Engagement ring, and I would be honored if you would

1699
01:19:35,320 --> 01:19:40,000
Speaker 3: wear it to Penga gasps Amy. Amy admits she wants

1700
01:19:40,000 --> 01:19:42,080
Speaker 3: it to stay in the family. Corey cuts her off

1701
01:19:42,120 --> 01:19:44,880
Speaker 3: and takes the ring from her. You remember me, Corey,

1702
01:19:45,120 --> 01:19:46,719
Speaker 3: Don't I get to do anything?

1703
01:19:46,880 --> 01:19:48,200
Speaker 5: No, no, no, okay.

1704
01:19:48,240 --> 01:19:50,200
Speaker 4: If it came from her mom, wouldn't she be saving

1705
01:19:50,240 --> 01:19:50,840
Speaker 4: it from Morgan?

1706
01:19:51,080 --> 01:19:56,280
Speaker 6: Like if it's along the also from Alan's mom. Rice

1707
01:19:56,360 --> 01:19:57,880
Speaker 6: came from Alan's mom?

1708
01:19:58,360 --> 01:20:00,920
Speaker 4: Yes, right, okay, yeah, I'm sorry, County.

1709
01:20:02,000 --> 01:20:03,840
Speaker 3: I don't get to propose. I don't get to put

1710
01:20:03,840 --> 01:20:06,280
Speaker 3: the ring on her hand. I don't get to do nothing.

1711
01:20:06,720 --> 01:20:10,000
Speaker 3: Alan quips, welcome to marriage. Amy reminds him they have

1712
01:20:10,040 --> 01:20:11,880
Speaker 3: a lot to do. There's a whole wedding to plan.

1713
01:20:12,320 --> 01:20:16,400
Speaker 3: To Penga, reveals, actually we don't. Amy shocked what. She

1714
01:20:16,439 --> 01:20:17,840
Speaker 3: looks at her son and starts hitting him.

1715
01:20:17,880 --> 01:20:18,800
Speaker 5: You said no to her?

1716
01:20:18,840 --> 01:20:21,400
Speaker 3: What is the matter with you? Corey explains that they

1717
01:20:21,400 --> 01:20:24,400
Speaker 3: made a decision together. They listen to their friends and family,

1718
01:20:24,439 --> 01:20:27,840
Speaker 3: but ultimately made the decision together. Alan wonders what that

1719
01:20:27,880 --> 01:20:30,559
Speaker 3: decision is, and Corey promises he'll tell them that there's

1720
01:20:30,560 --> 01:20:33,320
Speaker 3: something he needs to do first. He pulls to Panga

1721
01:20:33,360 --> 01:20:36,200
Speaker 3: up from the bench. We've been together our entire lives,

1722
01:20:36,320 --> 01:20:38,400
Speaker 3: and you know that I love you more than anything

1723
01:20:38,439 --> 01:20:40,799
Speaker 3: in the world. He holds the ring up and asks,

1724
01:20:41,040 --> 01:20:45,280
Speaker 3: will you marry me? Why does because it's not official

1725
01:20:45,360 --> 01:20:47,240
Speaker 3: until a man does it right, correct, that is.

1726
01:20:47,200 --> 01:20:50,879
Speaker 2: The correct answer to that is so infuriating. That's absolutely

1727
01:20:50,880 --> 01:20:52,200
Speaker 2: the correct answer, though it's not real.

1728
01:20:52,360 --> 01:20:54,320
Speaker 5: It wasn't real until he got to do it.

1729
01:20:54,720 --> 01:20:58,320
Speaker 6: Such bull crap. Like I mean, I actually was kind

1730
01:20:58,360 --> 01:21:01,080
Speaker 6: of I thought this was a sweet moment, like to

1731
01:21:01,080 --> 01:21:04,120
Speaker 6: have the two of them and coming together, especially, but like, yeah,

1732
01:21:04,120 --> 01:21:08,040
Speaker 6: to make it about Corey getting his rightful position by

1733
01:21:08,120 --> 01:21:11,760
Speaker 6: being the asker was just a weird vibe. I was like, what, I.

1734
01:21:11,680 --> 01:21:13,960
Speaker 3: Guess they saved it a little bit by the fact

1735
01:21:14,040 --> 01:21:16,519
Speaker 3: that there has been a ring. So first of all,

1736
01:21:16,640 --> 01:21:19,800
Speaker 3: the ring is the button on really that Amy approves.

1737
01:21:19,960 --> 01:21:22,439
Speaker 5: Amy approves of Tapanga. I approve of it so much.

1738
01:21:22,520 --> 01:21:24,760
Speaker 3: I'm giving you a family ring, even though you're not

1739
01:21:24,840 --> 01:21:27,280
Speaker 3: blood related to me. If this marriage ends, my ring's

1740
01:21:27,280 --> 01:21:29,240
Speaker 3: off and gone, like it's.

1741
01:21:29,080 --> 01:21:30,120
Speaker 5: A real button there.

1742
01:21:30,200 --> 01:21:34,120
Speaker 3: And so in order to get in order to it's

1743
01:21:34,160 --> 01:21:35,680
Speaker 3: a little saved by the fact that he could at

1744
01:21:35,720 --> 01:21:37,400
Speaker 3: least say, I want to put this ring on your finger.

1745
01:21:37,439 --> 01:21:39,040
Speaker 5: We have a ring now, and so let me.

1746
01:21:39,000 --> 01:21:40,680
Speaker 1: Do one thing, Let me do one, let me do

1747
01:21:40,760 --> 01:21:42,640
Speaker 1: one to do like that. Yeah, I guess it. But

1748
01:21:42,720 --> 01:21:43,639
Speaker 1: it was still a little weird.

1749
01:21:43,680 --> 01:21:45,000
Speaker 5: Yeah, I know. It was the first thing I thought

1750
01:21:45,000 --> 01:21:46,320
Speaker 5: of too, like, oh, great, now it's real.

1751
01:21:46,640 --> 01:21:51,519
Speaker 3: Yeah, Topenga smiles, Yes, I will. He puts the ring

1752
01:21:51,560 --> 01:21:54,280
Speaker 3: on her finger and they kiss. Alan shouts, all right, already,

1753
01:21:54,360 --> 01:21:58,080
Speaker 3: when's the wedding. Corey says, that's what we decided. We'll

1754
01:21:58,120 --> 01:22:00,800
Speaker 3: get married when we're ready, and when are ready, you'll

1755
01:22:00,840 --> 01:22:04,160
Speaker 3: be the first to know. And then we freeze in

1756
01:22:04,240 --> 01:22:06,880
Speaker 3: the park, probably standing there right before Amy and Allen

1757
01:22:06,920 --> 01:22:09,719
Speaker 3: walked up. That's why we were standing there having the conversation.

1758
01:22:10,720 --> 01:22:12,320
Speaker 3: I thought of that too. I was like, probably right,

1759
01:22:12,560 --> 01:22:15,600
Speaker 3: grand idea, I think I know.

1760
01:22:15,680 --> 01:22:16,720
Speaker 5: I also was wondering that.

1761
01:22:16,760 --> 01:22:18,400
Speaker 1: I was like, what you stopped to get a snack?

1762
01:22:18,560 --> 01:22:20,120
Speaker 1: Apparently we were walking.

1763
01:22:19,920 --> 01:22:22,639
Speaker 3: Through the park and I got a family.

1764
01:22:22,720 --> 01:22:25,760
Speaker 6: It sounds good episode. I'm gonna run out and get

1765
01:22:25,760 --> 01:22:28,320
Speaker 6: some get popcorn. I sounds so good.

1766
01:22:28,360 --> 01:22:29,439
Speaker 5: You don't have any in your house?

1767
01:22:30,160 --> 01:22:32,479
Speaker 6: I do? Okay, you got Mike Grave, I've got a

1768
01:22:32,520 --> 01:22:34,559
Speaker 6: micro grave, a movie theater popcorn machine.

1769
01:22:34,600 --> 01:22:35,400
Speaker 5: Oh great.

1770
01:22:36,200 --> 01:22:38,280
Speaker 3: We freeze on a still shot of Corey holding Tapanga

1771
01:22:38,320 --> 01:22:40,760
Speaker 3: from behind, grins plastered on both their faces, and then

1772
01:22:40,800 --> 01:22:42,439
Speaker 3: we're in the tag in the Matthew's kitchen.

1773
01:22:42,720 --> 01:22:43,320
Speaker 5: We see the.

1774
01:22:43,280 --> 01:22:49,120
Speaker 3: Congratulations newlywed sign now reads congratulations Phoene. Alan proposes a toast,

1775
01:22:49,360 --> 01:22:53,439
Speaker 3: have a great time in Jackson Hole. Here's to your retirement, George.

1776
01:22:53,800 --> 01:22:57,879
Speaker 3: Our group of main characters agree. Here here Phoene smiles,

1777
01:22:58,160 --> 01:23:02,040
Speaker 3: thank you Allan, I'll miss you all. Eric nervously speaks up, Well,

1778
01:23:02,439 --> 01:23:04,559
Speaker 3: I guess it's time for Feenie's favorite student to make

1779
01:23:04,600 --> 01:23:08,320
Speaker 3: a speech. Hunh, he begins, for forty years, I have

1780
01:23:08,439 --> 01:23:11,800
Speaker 3: watched you educate young men and women. Boy have I

1781
01:23:12,520 --> 01:23:15,360
Speaker 3: Amy Brown's sounds a lot like her speech to Corey

1782
01:23:15,360 --> 01:23:19,400
Speaker 3: and Topanga. Eric continues, I'm sorry, I can't do this.

1783
01:23:19,400 --> 01:23:21,559
Speaker 3: This is a mistake and I do not support it.

1784
01:23:22,000 --> 01:23:25,160
Speaker 3: He yells the last bit straight into Phoene's face. Yep,

1785
01:23:25,240 --> 01:23:28,519
Speaker 3: it's Amy's speech. He turns to Topanga, why couldn't you

1786
01:23:28,640 --> 01:23:31,080
Speaker 3: have just gone to Yale?

1787
01:23:31,680 --> 01:23:33,880
Speaker 5: Eric makes a swift exit out the back door.

1788
01:23:33,920 --> 01:23:36,880
Speaker 3: Alan runs over, and instead of consoling him, he joyfully

1789
01:23:37,040 --> 01:23:38,160
Speaker 3: locks the door.

1790
01:23:39,160 --> 01:23:41,160
Speaker 5: And that's our episode.

1791
01:23:41,560 --> 01:23:42,240
Speaker 6: Off and running.

1792
01:23:43,080 --> 01:23:46,040
Speaker 3: So our next episode will be season six, episode three

1793
01:23:46,280 --> 01:23:50,080
Speaker 3: eight College Great, Wow, we finally get to college.

1794
01:23:52,800 --> 01:23:54,200
Speaker 6: Union coming up soon.

1795
01:23:54,280 --> 01:23:57,040
Speaker 5: Writer is my episode, one of my episodes.

1796
01:23:57,040 --> 01:24:00,639
Speaker 3: I've been looking forward to recapping the episode where uh,

1797
01:24:00,920 --> 01:24:04,400
Speaker 3: Corey gets kicked out of being the they want to

1798
01:24:04,400 --> 01:24:06,519
Speaker 3: do a hang you go we make out where we

1799
01:24:06,560 --> 01:24:09,679
Speaker 3: make out and it makes so that means Corey and Temanga.

1800
01:24:09,960 --> 01:24:12,599
Speaker 3: In these first few episodes, Corey and Twanga get engaged

1801
01:24:12,680 --> 01:24:14,639
Speaker 3: all the drama around it, and then in a few episodes,

1802
01:24:14,640 --> 01:24:16,040
Speaker 3: I'm just making out with you and we are like,

1803
01:24:16,120 --> 01:24:18,240
Speaker 3: Corey is acting so weird about so weird.

1804
01:24:18,280 --> 01:24:20,800
Speaker 6: Yeah, we're gaslighting. Po oh my god.

1805
01:24:21,360 --> 01:24:24,960
Speaker 3: Can't wait to make sense of that one. Thank you

1806
01:24:25,000 --> 01:24:26,920
Speaker 3: all for joining us. For this episode of Podmeets World.

1807
01:24:26,960 --> 01:24:29,000
Speaker 3: As always, you can follow us on Instagram pod meets

1808
01:24:29,000 --> 01:24:31,160
Speaker 3: World Show. You can send us your emails at pod

1809
01:24:31,240 --> 01:24:35,240
Speaker 3: meets World Show at gmail dot com. And we've got merch.

1810
01:24:36,080 --> 01:24:38,120
Speaker 1: Why couldn't you've just bought some merch.

1811
01:24:38,960 --> 01:24:43,200
Speaker 5: Pod meetsworldshow dot com. We love you all, pod dismissed.

1812
01:24:45,160 --> 01:24:48,000
Speaker 3: Pod Meets World is an iHeart podcast produced and hosted

1813
01:24:48,000 --> 01:24:51,960
Speaker 3: by Danielle Fischel, Wilfridell and Wright Strong Executive producers, Jensen

1814
01:24:52,000 --> 01:24:55,559
Speaker 3: Karp and Amy Sugarman, Executive in charge of production, Danielle Romo,

1815
01:24:55,840 --> 01:25:00,160
Speaker 3: producer and editor, Tara sudbachsh producer, Maddy Moore, engineer and

1816
01:25:00,200 --> 01:25:03,439
Speaker 3: Boy Meets World super fan Easton Allen. Our theme song

1817
01:25:03,520 --> 01:25:06,440
Speaker 3: is by Kyle Morton of Typhoon. Follow us on Instagram

1818
01:25:06,479 --> 01:25:09,519
Speaker 3: at podmeets World Show, or email us at Podmeets Worldshow

1819
01:25:09,600 --> 01:25:11,120
Speaker 3: at gmail dot com